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Speaker 1: It's nine O gene one engine with Jenny Garth and

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Speaker 1: Tory spelling Hi Hi, Happy Halloween, Hio mg ars. It's

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Speaker 1: Halloween on the show, but it's not Halloween in real life.

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Speaker 2: It'd be nice if that was.

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Speaker 3: It always used to match up what do we do

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Speaker 3: wrong somehow?

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Speaker 2: Follow in July it could be instead of.

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Speaker 4: In July Halloween July Halloween six with the Roman numerals.

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Speaker 2: Get it.

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Speaker 1: But it's like the horror season right eat, it wasn't.

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Speaker 1: It wasn't listed as Halloween six on my my thingy

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Speaker 1: that I watched.

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Speaker 3: I noticed that too.

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Speaker 1: It was it had like ticks, no fleas and bats

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Speaker 1: and oh in another word that we're not allowed to

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Speaker 1: say anymore.

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Speaker 3: So yeah, that we use anymore. So that's why they

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Speaker 3: changed it six better. It works. Totally great episode, such

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Speaker 3: a great great episode, guys, you liked it? Yeah? Season

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Speaker 3: six for me is private.

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Speaker 1: It really is. There's so much going on and they're

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Speaker 1: so adult like.

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Speaker 4: Yes, yeah, toy, you were right when you said college

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Speaker 4: years are the best.

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Speaker 3: Like you were right.

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Speaker 2: I was one season off though. It wasn't like you

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Speaker 2: said something of the college years.

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Speaker 3: It was in mid guys, can I tell you something.

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Speaker 1: What.

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Speaker 4: I am so happy that we have had Joe show

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Speaker 4: up because who wait, Joe, that's badly all right, Joe Bradley,

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Speaker 4: he's the character that comes in this week. I loved

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Speaker 4: that dude when I was in college. Like, when that

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Speaker 4: guy showed up, I was team Cameron Bancroft microft hard.

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Speaker 3: Where did Cameron Bancroft come from?

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Speaker 2: Besides Heaven Anada, Canada?

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Speaker 1: Same thing, Heaven Canada.

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Speaker 4: He was so swoony swoon that I remember when he

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Speaker 4: showed up, just being like yes, like I Ray prewit

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Speaker 4: who like Jamie Walters was cute, but like for me,

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Speaker 4: I was all Cameron Bankropt Like I was just like

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Speaker 4: this guy. Yes.

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Speaker 2: I remember doing a chemistry read like one scene and

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Speaker 2: there was a kiss in the scene with three boys.

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Speaker 4: Oh awkward or any of the others anybody?

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Speaker 2: It was nice.

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Speaker 1: I call that Wait did they do that on like

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Speaker 1: your lunch hour? They're like, tor, can you come in

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Speaker 1: and kiss three guys and let's see which one you

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Speaker 1: like best?

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Speaker 2: And it was while they were doing your coverage in

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Speaker 2: a scene.

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Speaker 3: And one of them was camera.

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Speaker 2: It was it was on Yeah, they fitted out in

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Speaker 2: between scenes and like.

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Speaker 1: He went into Paul's office and made out.

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Speaker 2: Yeah, it was actually on set. And I remember one

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Speaker 2: of the boys because I had a crush on him

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Speaker 2: in high school. And do you remember Robert Conrad, the actor.

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Speaker 3: Yeah, but I remember him, I do.

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Speaker 2: Yeah, yeah, old school like friends with my dad. Yes,

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Speaker 2: he had these dreamy sons and he had the show

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Speaker 2: called High Mountain Rangers. That was when we were young.

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Speaker 2: And Shane Conrad, I remember he was so cute and

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Speaker 2: then I saw him in high school at my friend's

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Speaker 2: high school, and then all of a sudden he was

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Speaker 2: there and I was doing a chemistry read and I

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Speaker 2: was like gosh, and I got so nervous because I

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Speaker 2: liked that boy in high school. But it was all Cameron.

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Speaker 3: Cameron Conrad had those really dreamy blue eyes, did.

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Speaker 2: The sound, wondered what the kid looks like.

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Speaker 1: Now, I'm I'm so happy that Cameron like made it

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Speaker 1: happen for you, for me, for you. You had the

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Speaker 1: chemistry with Cameron Bancroft.

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Speaker 4: Apparently he's perfect and he's a round for a bit

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Speaker 4: a while, like a whole season.

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Speaker 3: Yeah, I think you could have been endgame with that guy.

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Speaker 1: But everyone says that, no, Yeah, he seems like sturdy

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Speaker 1: marrying stock.

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Speaker 2: So not my type, right, Jent Right, Okay.

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Speaker 1: I was bored immediately on Your Behalf Nice Guy.

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Speaker 2: We became great friends with the character Joe Bradley. Everybody

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Speaker 2: says that if it wasn't David, we always wanted it

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Speaker 2: to be Joe.

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Speaker 4: Yeah, Oh what I really to this day.

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Speaker 3: He could have been a game with that guy.

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Speaker 2: Keep my mind now that I'm watching it as an adult, right, I.

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Speaker 3: Mean, there's no one for you but David Silver, But

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Speaker 3: that guy was all.

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Speaker 1: I want to change your mind, Vanilla, I like it.

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Speaker 2: Maybe that'll actually like is that reverse psychology? Like fix

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Speaker 2: my brain for the future. You can just be kind

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Speaker 2: about my character.

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Speaker 1: Yes, because this is a cathartic process for you and

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Speaker 1: for me. We're learning so much about ourselves present day

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Speaker 1: by watching ourselves on the show in the nineties that

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Speaker 1: we're learning stuff.

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Speaker 2: We can't change Donna or Kelly's path, but by watching it,

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Speaker 2: we can change Jenny and Tory's path.

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Speaker 1: That's right. You know, you are not defined by you

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Speaker 1: are not defined by Donna's decisions, Donna's mistakes, Donna's way

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Speaker 1: of thinking.

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Speaker 3: Well, Donna's doing pretty good. It's Kelly that's not.

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Speaker 1: I don't know. I think we should just start talking

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Speaker 1: about it.

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Speaker 3: Can we just start at the top, you guys. Yeah,

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Speaker 3: we'll be right back and we'll get into it.

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Speaker 1: Yeah. iHeart podcasts. Listen on the iHeartRadio app. All right,

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Speaker 1: we are here, We are here. We are talking about.

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Speaker 4: This, right, sorry, Jenny, we are here.

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Speaker 1: We are talking about season six, Episode eight, Halloween six,

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Speaker 1: aired November one, nineteen ninety five.

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Speaker 2: Synop says Donna tries to enjoy Halloween with handsome newcomer

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Speaker 2: Joe Bradley, but gets haunted by her abuse of ex

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Speaker 2: Ray Pruett. Meanwhile, Stephen Claire get hot and heavy, David

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Speaker 2: and Valerie start Cohen Steady, Kelly and Colin do some

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Speaker 2: cowboy rekindling, and Dylan wants to take Tony to Hawaii

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Speaker 2: after her father finally confesses to killing Jack McKay.

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Speaker 1: Directed by Bert bringer Off, written by Christine McCarthy and

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Speaker 1: Sam's Oar car Stein McCarthy.

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Speaker 2: Christine owis, Oh.

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Speaker 3: My god, that's her. I wrote this. Yeah, good at that?

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Speaker 1: This is her, her WRI writer's name. What's that an alias?

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Speaker 2: We didn't know it was?

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Speaker 3: I still forgot. I got it.

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Speaker 2: It's always like, but I always saw her name. I

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Speaker 2: thought it was some like someone over the hill writing

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Speaker 2: in my dad's office somewhere that we never saw old Christine.

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Speaker 3: You're right, hair.

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Speaker 1: She starts it starts out with with Donna, and then

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Speaker 1: you can ray. I'm like, Ray, he's out there on

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Speaker 1: your porch with his pumpkins? Is he delusional? Yes, you

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Speaker 1: broke up with him. It's over. You told him, get it,

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Speaker 1: he's like a pumpkin head.

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Speaker 2: Well we don't you want him to come back like

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Speaker 2: that means there was nothing to him. If he doesn't, like,

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Speaker 2: try to die.

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Speaker 1: Back, I mean, no, that's not healthy. Okay, go away,

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Speaker 1: and he should just go away.

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Speaker 2: Yeah, it was modern day. I could just block him.

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Speaker 3: Yeah, he does a stunning job with those pumpkins. But

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Speaker 3: we'll talk about that later.

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Speaker 1: And you're too nice to him. Donna is too nice

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Speaker 1: to him, She'll says, instead of you shouldn't have said

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Speaker 1: we'll see, and you shouldn't have said maybe. Well, he says,

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Speaker 1: can I come to the thing, and you're like, we'll see. No, No,

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Speaker 1: it was the answer.

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Speaker 2: See that's becoming more jen and Tour because literally, you know,

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Speaker 2: in real life, I would say that, not meaning it,

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Speaker 2: but us to the conversation. They'll just go away and

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Speaker 2: not get mad at me, right, I know I should

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Speaker 2: have said no, Well, we.

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Speaker 1: Don't always take my advice.

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Speaker 3: So Jenny, you're one to talk.

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Speaker 4: I know, I know we'll get to That is amazing

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Speaker 4: because some of it is so relatable, like your relationships

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Speaker 4: and all that. And then it's also like insanely beyond

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Speaker 4: cray with everything happening with Dylan and Tony. Like that's

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Speaker 4: why I think I love it, because it's real and

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Speaker 4: so far fetched all the same time.

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Speaker 1: Well, put, yes, Dylan and Tony are shacking up now

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Speaker 1: because she left Daddy's mansion.

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Speaker 3: As he killed his father.

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Speaker 1: Well we don't know that yet. She doesn't know that yet. Yeah,

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Speaker 1: I guess we're left to think that. But then in

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Speaker 1: this episode.

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Speaker 3: His father and it's like, how could you ever put that?

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Speaker 1: Because she's like, have you put all that stuff behind you?

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Speaker 2: You don't?

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Speaker 3: How could you?

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Speaker 1: So is he just lying to her and saying that

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Speaker 1: yes I have, and yes I'll get rid of this gun.

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Speaker 3: At the spot where the murder happened, Like it's just like, what.

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Speaker 1: What a coincidence they went back there to throw the

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Speaker 1: gun away. I also, we're just skipping all around now,

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Speaker 1: But how many guns do you think are in that ocean?

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Speaker 1: Every show I've ever seen they chuck a gun in there.

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Speaker 1: Has that ever happened in real life?

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Speaker 4: You think, yeah, that's a good way to get rid

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Speaker 4: of a gun.

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Speaker 1: I would think it could be found.

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Speaker 2: Oh, you're right, and they're registered. No, because not back

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Speaker 2: then they are.

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Speaker 1: I don't know from the guns.

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Speaker 2: I don't mean there.

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Speaker 4: I think you got to get a guy that takes

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Speaker 4: care of that stuff.

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Speaker 1: I like this stuff with Dylan and Tony and his

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Speaker 1: house where they're shacking up their room mates. Now. She

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Speaker 1: even says we're roommates now. And then you know, she

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Speaker 1: goes to get the skeletons and it's cute, cute. Scene's

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Speaker 1: cute with Dylan talking to the skeleton. He called it

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Speaker 1: young David Silver. I don't know if anybody got that,

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Speaker 1: but we got it because, yeah, David was you know,

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Speaker 1: thin and lanky.

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Speaker 2: Would the boys would always be on him, give all

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Speaker 2: the gears about that.

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Speaker 4: She's so stunning that I actually sort of am like, okay,

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Speaker 4: I'm in. Like there's something about them that I'm sort

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Speaker 4: of like, all right, I'm in.

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Speaker 3: There's one.

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Speaker 1: I'm one to talk because Kelly did it all the time,

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Speaker 1: baby talking like that little baby talk. She does it

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Speaker 1: sometimes and it really does bug me. I'm sorry to say.

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Speaker 4: A little note, a little trivia sort of note, that

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Speaker 4: you had said at the time, Jenny, you would have

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Speaker 4: loved to have Kelly have the.

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Speaker 3: Storyline that Tony has. Do you remember that at all?

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Speaker 4: And I'm probably jumping a little bit ahead because of

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Speaker 4: what's coming, But does that ring a bell to you

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Speaker 4: at all?

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Speaker 3: Who said this? I said this?

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Speaker 4: I saw it on the internet, The Worldwide Web said

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Speaker 4: that Jenny Garth at the time had said she would

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Speaker 4: have loved Tony's storyline.

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Speaker 1: Probably because I just wanted to marry Dylan. Okay, not

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Speaker 1: probably because I wanted Kelly and Dylan to be married

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Speaker 1: or to have a baby kitty, I don't know, but

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Speaker 1: not you know, no, right, no, I wouldn't wanted that.

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Speaker 1: I wouldn't wanted that, you know what at the end?

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Speaker 3: Yeah, right, Well, that's what I was wondering when I

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Speaker 3: read it. I was like, huh, we'll get into that

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Speaker 3: when we get there.

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Speaker 1: We go to the CU and then we see Brandon

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Speaker 1: with his wadded up money. I like that a want

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Speaker 1: of cash, whoever want? No, he had each piece individually

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Speaker 1: wanted into a little ball. I don't think Brandon would

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Speaker 1: do that to his money by it.

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Speaker 4: More cash back then too, Like think about it now,

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Speaker 4: like first of all, you'd use your phone, but you'd

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Speaker 4: also just use a credit card. But like back then,

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Speaker 4: we're all using cash.

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Speaker 2: But his girlfriend wrote it, so we did.

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Speaker 1: This is where Steve introduces Donna to the handsome Joe

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Speaker 1: Bradley and they flirt, flirt, flirt right away, he does,

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Speaker 1: I am a sucker for a good news.

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Speaker 3: He flirt so hard and yet is so charming.

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Speaker 1: He's a charmer mm hm and he seems so normal

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Speaker 1: and nice.

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Speaker 3: Yeah, they're kind of mfeo. What's made for each other?

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Speaker 1: Oh m fo Yeah, because he's good and she's good.

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Speaker 4: Well, soon we'll learn a lot about him that's very

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Speaker 4: similar to Donna, remember, do I do?

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Speaker 3: Yeah?

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Speaker 1: And this is also where Claire and Steve talk about

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Speaker 1: what a mistake, what about and if they had slept

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Speaker 1: together here here? Oh wait? Yeah, yes, speaking of the potion,

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Speaker 1: that's where we meet Madame Raven at the peach pit.

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Speaker 4: You know what, I was just confused about what was

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Speaker 4: she doing at the peach pit. That was where I

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Speaker 4: was like, what was she doing there?

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Speaker 2: We're having a burger fries like everyone else. Why do

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Speaker 2: you go to the peaks.

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Speaker 3: Behind the counter with Nat? I was like really confused,

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Speaker 3: like what is she doing?

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Speaker 1: She was using his pots and pans. It was very confusing.

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Speaker 1: I thought she was a friend of NAT's.

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Speaker 3: But no.

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Speaker 1: And then also you see like outside the peach pit

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Speaker 1: after dark, you see she has her her like you know,

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Speaker 1: van her Winnebago whatever thing, and then like a tent

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Speaker 1: set up, like she's set up out there.

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Speaker 2: Do you think there was a scene cut?

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Speaker 3: Do you think a scene got cut?

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Speaker 2: I don't know. Do you think she was hired for

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Speaker 2: all right, a month of Halloween and to bring something

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Speaker 2: in it after dark and they cut that sat.

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Speaker 3: It doesn't I don't know.

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Speaker 1: But VAL's not having it. She doesn't want her to

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Speaker 1: do any readings, which I thought was a bad business

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Speaker 1: decision honestly on VAL's part, because I would love to

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Speaker 1: go to a party where there's a lady telling fortunes

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Speaker 1: same same.

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Speaker 2: I forgot that.

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Speaker 5: Yep.

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Speaker 2: I always love those at parties or events.

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Speaker 3: I always go to them.

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Speaker 4: Think about it, I thought she was going to sort

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Speaker 4: of come around, like I thought she was gonna be like, okay, good,

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Speaker 4: I yeah, She's.

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Speaker 1: Just like yeah, I wanted her to change her mind.

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Speaker 1: But then then call and complains to Valerie about how

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Speaker 1: broke he is, and she promises to give him a

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Speaker 1: check by the end of the day and if he

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Speaker 1: needs anything, to ask for it.

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Speaker 2: But why is he broke, you guys.

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Speaker 3: Because he's shut mama.

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Speaker 2: So sugar mama, Yeah, but he had money from her.

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Speaker 1: She was funding she was paying his apartartment, she was

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Speaker 1: paying for his art supplies, right, so just like cuts off. No,

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Speaker 1: I guess. So she's like, we never see her again.

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Speaker 2: And then everything's just gone. I just assumed. Sorry, I

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Speaker 2: don't know. I've never had a sugar mama or sugar Dadden.

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Speaker 4: You're the sugar mama. Man, he's not gonna make out

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Speaker 4: with her anymore. She's like, then you're on your own bucko.

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Speaker 4: I don't know.

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Speaker 2: And he didn't save any of the money she gave him,

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Speaker 2: like anything.

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Speaker 4: She's paying the bills. I don't think she's just handing

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Speaker 4: the money to him. I'm just making this up.

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Speaker 1: But so now he has to pay his bills, so

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Speaker 1: he needs.

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Speaker 3: His check I think that's right.

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Speaker 1: For Yeah, I'm so nervous to see the mural at

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Speaker 1: this point, like when they're talking about the unveiling and

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Speaker 1: he's at the Beach apartment and he's saying, Kelly and

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Speaker 1: your thin eyebrows, will you please come to the unveiling

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Speaker 1: of the mural. I was so sweaty and panicked and nervous.

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Speaker 1: That's going to be awful. I know it.

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Speaker 4: And I was right you mentioned the eyebrows because literally

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Speaker 4: when I look in the mirror and go thank you

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Speaker 4: so much, Torri and Jenny because.

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Speaker 2: Just came back, thank God, Like, yeah, how come yours

314
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Speaker 2: are so good too, I see your beautiful brows among

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Speaker 2: both you girls.

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Speaker 3: Corey, not me. Mine are so thin compared to what they.

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Speaker 2: Were minor penciled in.

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Speaker 5: Mh.

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Speaker 1: Remember when eyebrow trend?

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Speaker 3: Why did that story?

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Speaker 2: I think like Drew Barrymore didn't known.

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Speaker 1: She did have them. But we were the first people

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Speaker 1: to do it on TV on a show like that,

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Speaker 1: like where people were actually looking to us to start

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Speaker 1: trends or to Yeah, that was a mistake.

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Speaker 3: M hm, we all did it. It didn't. It didn't,

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Speaker 3: it didn't. It didn't.

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Speaker 1: It look weird.

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Speaker 3: Look it looks good.

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Speaker 1: Like it looks good I think now looking back, whoa, no.

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Speaker 2: Everything comes, it'll come back again, sadly.

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Speaker 4: Will and it won't be good. Then Brooke Shields knows

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Speaker 4: what she's doing.

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Speaker 2: I know she never nah never anyway.

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Speaker 1: So do you think that when Colin asks Kelly to

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Speaker 1: come to the unveiling, she doesn't really commit to it?

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Speaker 1: Do you already know she's gonna go? Yeah?

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Speaker 4: Yeah, as a viewer, we do, right, I mean a

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Speaker 4: cute outfit and her cute we.

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Speaker 2: Want her to.

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Speaker 4: Yeah, a lot of cute face acting you did in

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Speaker 4: that scene.

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Speaker 1: Face acting, But hmm, I'm curious what's the difference between

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Speaker 1: face acting and just acting.

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Speaker 4: Me that face acting is a lot of like really

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Speaker 4: good face without words, and in that scene you get

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Speaker 4: pretty cute Jenny face acting. But that's a I don't

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Speaker 4: want to jump ahead, oh boy, because you're not talking

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Speaker 4: about you're giving some face acting and facetage.

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Speaker 3: And he's got face acting too.

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Speaker 2: I think what she's actually referring to is that you're

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Speaker 2: very talented.

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Speaker 1: Okay, good, Well, it was not hard to do.

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Speaker 2: If you don't have a line there, you have to

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Speaker 2: convey it without talking.

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Speaker 3: Yank credit for this.

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Speaker 4: But on another podcast called The Rewatchables where they kind

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Speaker 4: of do what we do with old movies, they were

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Speaker 4: talking about hand acting. I'm like, oh, I'm gonna have

360
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Speaker 4: to start studying hand acting.

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Speaker 1: Oh that's a whole thing. Yeah, yeah, you can tell.

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Speaker 2: I haven't writ me award if.

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Speaker 1: Well face acting acting. Thank you. I don't care what

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00:18:31,920 --> 00:18:33,639
Speaker 1: it is, but as long as you enjoyed it.

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Speaker 3: Yeah, this episode is amazing.

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Speaker 1: Keep going back at Dylan's house, Tony finds his gun

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Speaker 1: in the first aid drawer because the cat scratches her,

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Speaker 1: and she makes Dylan promise to get rid of it.

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Speaker 1: Get rid of it, Dylan.

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Speaker 3: People are out to kill you. Get rid of this gun.

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00:18:53,040 --> 00:18:58,000
Speaker 1: Yeah, she cares about him. If she cares about him,

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Speaker 1: he should keep the gun.

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Speaker 3: I'm living there protecting these people, isn't it.

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Speaker 1: Yeah. I guess it's like Tomato, Tomato a loose canon

375
00:19:07,000 --> 00:19:10,120
Speaker 1: that he's a loose can. But do you believe when

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Speaker 1: he's I see him making the choice, the tough, tough

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00:19:14,359 --> 00:19:18,080
Speaker 1: choice of like, this is my woman, and this is

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Speaker 1: the person that I'm going to go against what I

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Speaker 1: want to do right now, and I'm going to listen

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Speaker 1: to her and what she's asking me to do. I

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Speaker 1: could actually see him making the choice.

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Speaker 2: I know what you mean. He was very adult of

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Speaker 2: him time.

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Speaker 4: I was very sucked into what you're saying, Jenny. I'm

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00:19:38,040 --> 00:19:41,040
Speaker 4: having a more challenging time watching it now knowing that

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Speaker 4: Luke wanted to leave the show, So I'm getting a

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00:19:45,320 --> 00:19:48,080
Speaker 4: little real life mixed in. Where when I watched it

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Speaker 4: back in the original day, I think I was where

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Speaker 4: Jenny's at that this guy loves her, and I was

390
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Speaker 4: just hook line and sinker in.

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Speaker 1: But it was all for a reason.

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Speaker 3: Right, It's all I'm in. Man, Okay, let's go to

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Speaker 3: the pea pad.

394
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Speaker 1: Uh. Donna finds Ray to warn him. I mean, you

395
00:20:11,200 --> 00:20:14,120
Speaker 1: know kindly that you know. She's trying to communicate, trying

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00:20:14,160 --> 00:20:18,160
Speaker 1: to be mature and say, listen, I said you could

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Speaker 1: come tonight, but I need you to be okay with

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00:20:19,800 --> 00:20:22,520
Speaker 1: me talking to other guys. And I'm like, oh my god, Donna, she.

399
00:20:22,600 --> 00:20:25,200
Speaker 3: Said I might dance with other guys. What did you say?

400
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Speaker 3: You sort of said it in a way.

401
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Speaker 2: Then I was like, I don't know, but you're Rachel,

402
00:20:31,280 --> 00:20:32,960
Speaker 2: Like she can't say no to him, but then she's

403
00:20:32,960 --> 00:20:33,760
Speaker 2: gonna tell him nits.

404
00:20:34,359 --> 00:20:38,080
Speaker 5: It's like, yeah, why did you even invite him to go?

405
00:20:38,119 --> 00:20:41,760
Speaker 1: And then why did you invite I can't.

406
00:20:40,840 --> 00:20:43,760
Speaker 2: Him to go? And then I want Joe Bradley there,

407
00:20:44,040 --> 00:20:45,879
Speaker 2: But then I have to tell Ray. I shouldn't have

408
00:20:45,880 --> 00:20:49,600
Speaker 2: told Ray, like so me, I would just excuse me

409
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Speaker 2: whole thing and hide in the corner.

410
00:20:53,400 --> 00:20:58,359
Speaker 4: Ray needed a harder line. I think that you're almost confusing.

411
00:20:57,840 --> 00:20:59,520
Speaker 3: Ray in a way in this.

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00:20:59,680 --> 00:21:01,400
Speaker 1: In the in the top of the show, you were

413
00:21:01,400 --> 00:21:03,120
Speaker 1: confused and giving him mixed signals.

414
00:21:03,359 --> 00:21:07,440
Speaker 3: Now he acts like a lunatic. But I think you're

415
00:21:07,480 --> 00:21:12,480
Speaker 3: confusing on me. I was just.

416
00:21:12,480 --> 00:21:14,919
Speaker 1: Yelling, and I was yelling at you, like I was

417
00:21:15,000 --> 00:21:19,200
Speaker 1: yelling at you for giving him, not you, but Donna

418
00:21:19,560 --> 00:21:24,119
Speaker 1: for giving him mixed messages and and then expecting a different,

419
00:21:24,720 --> 00:21:27,200
Speaker 1: a better outcome, Like what do you think doesn't.

420
00:21:26,960 --> 00:21:28,879
Speaker 4: He say, like tell me I've got a chance, and

421
00:21:28,920 --> 00:21:30,680
Speaker 4: you're like, maybe we'll see me.

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Speaker 3: You talked about that, Jenny, like yeah, see, thank you,

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00:21:33,320 --> 00:21:33,800
Speaker 3: And it's like.

424
00:21:34,520 --> 00:21:39,840
Speaker 4: Telling me you scared stares true, he's volatile and we

425
00:21:39,920 --> 00:21:40,280
Speaker 4: see that.

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00:21:41,160 --> 00:21:42,040
Speaker 3: M hm hmm.

427
00:21:43,880 --> 00:21:46,639
Speaker 1: So he says fine, but he's gonna win her back.

428
00:21:47,760 --> 00:21:48,399
Speaker 1: Red flag.

429
00:21:49,920 --> 00:21:51,040
Speaker 2: Really, that's a red flag.

430
00:21:51,440 --> 00:21:55,000
Speaker 1: Yeah in this case, Uh huh. Susan and Brandon run

431
00:21:55,000 --> 00:21:58,800
Speaker 1: into Madame Raven, who sees a letter with the name

432
00:21:58,880 --> 00:22:01,800
Speaker 1: Jonathan Caston On it it and then she reads her

433
00:22:01,840 --> 00:22:06,760
Speaker 1: fortune and tells Susan she isn't over, said Jonathan Caston, Well,

434
00:22:06,800 --> 00:22:07,280
Speaker 1: I think we.

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00:22:07,200 --> 00:22:12,120
Speaker 3: Do meet him soon, if I you're right correct.

436
00:22:12,440 --> 00:22:13,840
Speaker 1: Wait, we didn't meet him before.

437
00:22:14,600 --> 00:22:17,080
Speaker 3: Oh I don't think we've met him yet. No, we

438
00:22:17,119 --> 00:22:19,160
Speaker 3: haven't met what I think saying we haven't met him yet?

439
00:22:19,320 --> 00:22:22,239
Speaker 1: Oh? Yeah, I didn't know she was in love with

440
00:22:22,280 --> 00:22:27,240
Speaker 1: somebody else like ever. Well, no, I just assumed this

441
00:22:27,359 --> 00:22:31,960
Speaker 1: was the first time for her. But it's kind of cute.

442
00:22:32,200 --> 00:22:32,520
Speaker 3: Again.

443
00:22:32,720 --> 00:22:37,760
Speaker 1: I'm really into you. The acting of Susan.

444
00:22:38,280 --> 00:22:40,960
Speaker 3: She's very good. Yeah, she's not irritated.

445
00:22:40,520 --> 00:22:44,159
Speaker 1: Ama Callfield. She does a great job. I like this character,

446
00:22:44,200 --> 00:22:46,520
Speaker 1: and I never ever would have known that I liked

447
00:22:46,560 --> 00:22:51,440
Speaker 1: this character character if I didn't watch the show back

448
00:22:51,720 --> 00:22:52,920
Speaker 1: on the OLOGI podcast.

449
00:22:53,520 --> 00:22:53,959
Speaker 2: There you go.

450
00:22:54,359 --> 00:22:55,560
Speaker 1: I loved this show.

451
00:22:58,040 --> 00:23:26,240
Speaker 5: Day by day, not one of them.

452
00:23:13,119 --> 00:23:15,280
Speaker 3: You guys, wait super fast. I have to tell you

453
00:23:15,280 --> 00:23:15,560
Speaker 3: guys this.

454
00:23:15,880 --> 00:23:18,120
Speaker 4: I watch a lot of shows and for some reason

455
00:23:18,200 --> 00:23:21,160
Speaker 4: lately and maybe it's season six and people can chime

456
00:23:21,200 --> 00:23:25,000
Speaker 4: in I'm more excited to watch our episode for the

457
00:23:25,000 --> 00:23:26,720
Speaker 4: week than some of these new shows.

458
00:23:27,960 --> 00:23:29,200
Speaker 3: That's weird.

459
00:23:29,840 --> 00:23:32,879
Speaker 1: Well, no, it's not because we're old friends like that.

460
00:23:33,040 --> 00:23:35,720
Speaker 1: You're so familiar with it, like it's like going home,

461
00:23:36,200 --> 00:23:39,600
Speaker 1: It's like putting on a comfy pair Chammis I want

462
00:23:39,640 --> 00:23:40,800
Speaker 1: to say for.

463
00:23:40,760 --> 00:23:45,400
Speaker 2: Those other shows, and Jen's like, no, but our personality.

464
00:23:45,720 --> 00:23:49,879
Speaker 3: This could be the pinnacle. I don't know. We'll discuss it.

465
00:23:50,080 --> 00:23:51,680
Speaker 3: Oh my god, you say that every week.

466
00:23:51,760 --> 00:23:55,360
Speaker 1: Okay, what I want you to continue saying that all

467
00:23:55,440 --> 00:23:56,680
Speaker 1: the way into season ten.

468
00:23:58,040 --> 00:23:59,439
Speaker 3: No, I don't got to be able to do that.

469
00:23:59,760 --> 00:24:02,280
Speaker 1: Well, I'm gonna need you to. We go to the

470
00:24:02,320 --> 00:24:05,879
Speaker 1: peach Pit where Tony Marchett shows up. I got a

471
00:24:05,960 --> 00:24:08,720
Speaker 1: little scared when he just slides right into the booth

472
00:24:08,800 --> 00:24:11,560
Speaker 1: to talk to his daughter. He wants her to come

473
00:24:11,600 --> 00:24:14,240
Speaker 1: home with him, and she says no. She asks him

474
00:24:14,359 --> 00:24:18,840
Speaker 1: to his face if he had Jack McKay murdered, and

475
00:24:18,880 --> 00:24:25,200
Speaker 1: he basically confirms it with his silence, crazy razy crazy

476
00:24:26,119 --> 00:24:28,520
Speaker 1: crazy murder and like everything.

477
00:24:28,960 --> 00:24:31,560
Speaker 3: So just lie to her.

478
00:24:31,600 --> 00:24:35,639
Speaker 1: Like say no, I didn't have anything to do with it, honey,

479
00:24:35,640 --> 00:24:36,600
Speaker 1: I love you, come home.

480
00:24:37,280 --> 00:24:38,600
Speaker 3: That's what I went through my mind.

481
00:24:38,640 --> 00:24:42,000
Speaker 4: I thought he could have said I didn't murder him

482
00:24:42,119 --> 00:24:43,439
Speaker 4: because he didn't.

483
00:24:43,880 --> 00:24:46,639
Speaker 1: Well, no, that happened. And then she said did you

484
00:24:46,680 --> 00:24:49,640
Speaker 1: have anything? Did you have him murdered?

485
00:24:50,600 --> 00:24:52,639
Speaker 3: And she felt strong on the first thing.

486
00:24:52,480 --> 00:24:56,040
Speaker 2: I know, but kids push parents boundary, so parents push

487
00:24:56,160 --> 00:25:02,680
Speaker 2: kids boundary. Sometimes he's seeing Yep, he could have lied.

488
00:25:02,720 --> 00:25:05,880
Speaker 2: You're right, they goulda lied. But then realizes to everyone else,

489
00:25:05,880 --> 00:25:06,680
Speaker 2: so I could have lied.

490
00:25:07,000 --> 00:25:09,560
Speaker 1: Yeah, I don't get it. Now he's got ethics and morals.

491
00:25:09,560 --> 00:25:13,400
Speaker 1: He's gonna not lie about this. The biggest thing Nana's bananas.

492
00:25:13,400 --> 00:25:15,800
Speaker 4: He just committed murder and told her about it, And

493
00:25:15,840 --> 00:25:18,160
Speaker 4: I think she's like an accessory if she doesn't tell

494
00:25:18,280 --> 00:25:20,040
Speaker 4: the authorities.

495
00:25:20,240 --> 00:25:21,679
Speaker 1: But she goes home and tells Dylan.

496
00:25:22,480 --> 00:25:23,000
Speaker 2: I feel like.

497
00:25:23,000 --> 00:25:23,520
Speaker 3: He's so.

498
00:25:25,440 --> 00:25:28,720
Speaker 2: A narcissist is a way that word people throw around softened.

499
00:25:28,800 --> 00:25:32,040
Speaker 2: But there's something about him that almost tells her on purpose,

500
00:25:32,080 --> 00:25:34,200
Speaker 2: because he wants to see how much power he truly

501
00:25:34,280 --> 00:25:37,000
Speaker 2: has deep down. But no matter what he says to her,

502
00:25:37,400 --> 00:25:40,240
Speaker 2: that he could always have her. Does that make sense

503
00:25:40,400 --> 00:25:45,480
Speaker 2: in any way? Hylan or Tony Tony the father Marshette,

504
00:25:45,480 --> 00:25:47,760
Speaker 2: the dad Tony Marshad to Tony.

505
00:25:48,640 --> 00:25:50,560
Speaker 1: I mean, I think, I guess that's what he's used to.

506
00:25:50,680 --> 00:25:53,520
Speaker 1: But then you know, kids, they grow up and they

507
00:25:53,520 --> 00:25:58,399
Speaker 1: develop their own identities. You see that with our kids,

508
00:25:58,440 --> 00:26:01,199
Speaker 1: Like they're not they don't want to do what we

509
00:26:01,760 --> 00:26:04,080
Speaker 1: want to do anymore, say what we want them to

510
00:26:04,080 --> 00:26:06,360
Speaker 1: say anymore. They're their own people. And she's like at

511
00:26:06,359 --> 00:26:11,560
Speaker 1: that formidable age where she's separating from him. But there

512
00:26:11,640 --> 00:26:12,480
Speaker 1: was things like.

513
00:26:12,440 --> 00:26:14,320
Speaker 2: She he could have lied, but I don't think he

514
00:26:14,359 --> 00:26:16,480
Speaker 2: wanted to lie. He kind of wanted her to know.

515
00:26:17,000 --> 00:26:20,000
Speaker 4: Yeah, yeah, but why would he want her to know

516
00:26:20,400 --> 00:26:22,320
Speaker 4: because he's never lied to her.

517
00:26:22,680 --> 00:26:24,239
Speaker 2: He wants to see his power with her.

518
00:26:24,280 --> 00:26:28,080
Speaker 1: It's it's a power trip, which is sad.

519
00:26:28,119 --> 00:26:30,080
Speaker 4: Nobody get mad at me because I'm just having some

520
00:26:30,119 --> 00:26:31,280
Speaker 4: sort of a glitch.

521
00:26:31,640 --> 00:26:33,800
Speaker 3: Do we know what happened to her mother? Where is

522
00:26:33,840 --> 00:26:36,160
Speaker 3: her mother? Her mother died?

523
00:26:36,640 --> 00:26:39,880
Speaker 2: A good question. I don't know what there is no can.

524
00:26:39,880 --> 00:26:42,040
Speaker 4: Somebody look that up while we're talking? Just because and

525
00:26:42,080 --> 00:26:44,960
Speaker 4: I'm sorry I can't remember, Paul Juice. I feel like

526
00:26:45,000 --> 00:26:46,639
Speaker 4: the mother died, but I also feel like I might

527
00:26:46,680 --> 00:26:47,359
Speaker 4: be making that up.

528
00:26:47,960 --> 00:26:52,680
Speaker 1: Maybe Daddy killed her too. She should have asked him that.

529
00:26:52,960 --> 00:26:54,440
Speaker 2: We won't know because he probably lied about it and

530
00:26:54,480 --> 00:26:55,320
Speaker 2: said it was someone else.

531
00:26:55,400 --> 00:26:59,240
Speaker 1: So no, maybe today if she asked him, he would

532
00:26:59,280 --> 00:26:59,920
Speaker 1: tell her the truth.

533
00:27:01,080 --> 00:27:01,440
Speaker 3: Mm hmm.

534
00:27:02,080 --> 00:27:05,920
Speaker 2: But we can't go back, go for thank god.

535
00:27:07,240 --> 00:27:09,439
Speaker 3: Okay, scary Halloween party.

536
00:27:09,680 --> 00:27:11,520
Speaker 1: You guys, I love a Halloween party.

537
00:27:11,800 --> 00:27:17,240
Speaker 4: You do break costumes, great freaking costumes.

538
00:27:16,160 --> 00:27:16,680
Speaker 3: So good.

539
00:27:16,880 --> 00:27:19,320
Speaker 1: The minute you walk into the peach pit after dark

540
00:27:19,560 --> 00:27:21,679
Speaker 1: and the first costume you see is like Marilyn Monroe

541
00:27:21,720 --> 00:27:23,200
Speaker 1: in the pink dress, You're.

542
00:27:23,040 --> 00:27:23,520
Speaker 3: Like a hi.

543
00:27:23,840 --> 00:27:25,200
Speaker 1: Yes, Halloween party.

544
00:27:26,440 --> 00:27:28,000
Speaker 3: It was hard for me to figure out who the

545
00:27:28,000 --> 00:27:28,760
Speaker 3: heck Brandon was.

546
00:27:29,600 --> 00:27:31,760
Speaker 1: Oh, come on, he was so good as Marlon.

547
00:27:31,920 --> 00:27:34,600
Speaker 3: I know. I did not It did not land on

548
00:27:34,680 --> 00:27:37,440
Speaker 3: me right away. I was like, you was very.

549
00:27:37,240 --> 00:27:41,480
Speaker 2: Excited to do that. Oh yeah, oh there's off camera too.

550
00:27:41,960 --> 00:27:45,080
Speaker 2: That was a long day. Sorry.

551
00:27:45,560 --> 00:27:47,320
Speaker 1: He loved being Marlon Brando.

552
00:27:47,920 --> 00:27:49,560
Speaker 3: Oh man, the cotton balls.

553
00:27:49,720 --> 00:27:52,720
Speaker 2: And then they all did it, Luke all did it

554
00:27:52,800 --> 00:27:55,960
Speaker 2: in the dressing rooms an entire episode. The week in

555
00:27:56,000 --> 00:27:58,800
Speaker 2: the dressing Rooms made their trailer.

556
00:27:59,400 --> 00:28:04,040
Speaker 1: Oh you know what I did not care for what

557
00:28:04,160 --> 00:28:07,920
Speaker 1: that mask that Ray put puts on. Oh my god,

558
00:28:08,240 --> 00:28:11,840
Speaker 1: that scare the crap out of me. That was so

559
00:28:13,200 --> 00:28:13,840
Speaker 1: not okay.

560
00:28:14,440 --> 00:28:15,680
Speaker 3: It was so scary.

561
00:28:17,119 --> 00:28:21,280
Speaker 4: The smile the whole it was not not not okay.

562
00:28:21,880 --> 00:28:24,200
Speaker 1: And he just has that on in his old regular

563
00:28:24,280 --> 00:28:26,120
Speaker 1: T shirt, like I'm not going to know that that's

564
00:28:26,200 --> 00:28:28,720
Speaker 1: him in a mask. I love that.

565
00:28:30,400 --> 00:28:33,359
Speaker 2: That they give serial killer vibes, like this dude is

566
00:28:34,280 --> 00:28:34,840
Speaker 2: messed up.

567
00:28:35,040 --> 00:28:39,720
Speaker 4: He is loco in luck com I scream before scream, Yeah,

568
00:28:39,880 --> 00:28:41,920
Speaker 4: it was it before it.

569
00:28:41,920 --> 00:28:43,240
Speaker 3: It was so many things.

570
00:28:43,320 --> 00:28:47,120
Speaker 4: Actually the original it was probably out, but like it was, Yes,

571
00:28:47,600 --> 00:28:49,360
Speaker 4: it was scary.

572
00:28:49,440 --> 00:28:54,920
Speaker 1: And then Madame Raven sort of puts Susan on blast

573
00:28:54,960 --> 00:28:57,400
Speaker 1: in front of Brandon and tells her that about the

574
00:28:57,440 --> 00:29:01,160
Speaker 1: whole Jonathan Caston thing, so she has to admit it

575
00:29:01,200 --> 00:29:05,120
Speaker 1: to him, and she does or anything, and then he

576
00:29:05,520 --> 00:29:07,600
Speaker 1: doesn't get mad at her, He kisses her.

577
00:29:08,000 --> 00:29:10,400
Speaker 3: It's also that woman's always like five dollars.

578
00:29:11,760 --> 00:29:16,280
Speaker 1: She's raking it in, especially off Susan. My lord, it's time,

579
00:29:16,480 --> 00:29:20,080
Speaker 1: it's time. It's time Valerie comes on stage. It's time

580
00:29:20,120 --> 00:29:22,440
Speaker 1: to unveil ther My god.

581
00:29:22,600 --> 00:29:25,720
Speaker 3: Can I say something really fast? Have you ever been

582
00:29:25,720 --> 00:29:28,880
Speaker 3: to a club where like the owner regularly goes on

583
00:29:28,960 --> 00:29:31,360
Speaker 3: stage other than the.

584
00:29:31,360 --> 00:29:33,920
Speaker 1: Peapad, I've never been to a club where the owner

585
00:29:33,960 --> 00:29:38,240
Speaker 1: is as hot as vowel Ma Malone so non Depp never.

586
00:29:38,080 --> 00:29:43,920
Speaker 4: Been to a club basically, I've never seen anything like

587
00:29:43,960 --> 00:29:48,880
Speaker 4: where the owner is always on stage making announcements, introducing

588
00:29:48,920 --> 00:29:52,000
Speaker 4: the acts, saying how great was that?

589
00:29:52,080 --> 00:29:55,040
Speaker 2: Like, it's just so it is not come when you

590
00:29:55,160 --> 00:29:56,760
Speaker 2: read a ticket that they got in that night to

591
00:29:56,760 --> 00:30:00,600
Speaker 2: see who's playing the background, aren't like, Oh, I'm psyched

592
00:30:00,600 --> 00:30:04,479
Speaker 2: to see this person. Someone has to introduce them. It's TV.

593
00:30:05,520 --> 00:30:06,960
Speaker 2: At least it's her, she's hot.

594
00:30:07,360 --> 00:30:07,520
Speaker 1: Yeah.

595
00:30:07,560 --> 00:30:07,800
Speaker 2: You know.

596
00:30:08,040 --> 00:30:09,920
Speaker 1: What did you guys think of Kelly's New York?

597
00:30:11,800 --> 00:30:15,640
Speaker 4: I did a lot, but once again, at what club

598
00:30:15,800 --> 00:30:17,040
Speaker 4: in the middle of a party?

599
00:30:17,440 --> 00:30:21,640
Speaker 3: Never anyone revealing a weird who cares? I don't don't care.

600
00:30:21,840 --> 00:30:24,000
Speaker 2: I'd hate to see like something I'm there for a Halloween.

601
00:30:24,160 --> 00:30:25,520
Speaker 2: I'd be out.

602
00:30:25,840 --> 00:30:28,120
Speaker 1: I like the mural, but they were very excited. I

603
00:30:28,400 --> 00:30:30,560
Speaker 1: did not like the mural. I thought it was weird

604
00:30:30,720 --> 00:30:32,840
Speaker 1: and I didn't get it.

605
00:30:34,760 --> 00:30:35,800
Speaker 3: At least don't work.

606
00:30:36,440 --> 00:30:41,400
Speaker 2: I just don't understand, Like Joe, why, I feel like

607
00:30:41,520 --> 00:30:46,240
Speaker 2: going back that you should have had some creative control

608
00:30:46,360 --> 00:30:49,360
Speaker 2: over Collin's art as his partner on the show.

609
00:30:49,400 --> 00:30:53,960
Speaker 1: I'm just asking, No, I don't want that. Oh, I

610
00:30:53,960 --> 00:30:58,000
Speaker 1: don't want that control. Who who. I don't know anyone,

611
00:30:58,000 --> 00:30:59,360
Speaker 1: because anyone because.

612
00:30:59,120 --> 00:31:02,280
Speaker 2: You can't check with him because he's you know, recurring whatever.

613
00:31:02,360 --> 00:31:04,160
Speaker 2: It's not up to him to make creative decisions.

614
00:31:04,160 --> 00:31:06,080
Speaker 1: So you don't you think that who?

615
00:31:06,200 --> 00:31:08,760
Speaker 2: Okay, this mural, I don't know, but no one that

616
00:31:08,800 --> 00:31:12,960
Speaker 2: should have. So one of our cats should have. And

617
00:31:13,080 --> 00:31:16,000
Speaker 2: I'm anointing you to do it because I feel like

618
00:31:16,120 --> 00:31:18,240
Speaker 2: it was your boyfriend, so you should have had some

619
00:31:18,280 --> 00:31:19,280
Speaker 2: say on his vibe.

620
00:31:19,520 --> 00:31:21,600
Speaker 1: Respectfully, I don't want that loads up.

621
00:31:21,520 --> 00:31:23,200
Speaker 2: On the show, but at least he should be a

622
00:31:23,200 --> 00:31:24,400
Speaker 2: talented artist. That's all.

623
00:31:24,520 --> 00:31:26,800
Speaker 1: Yeah, he's just not Where is that mural?

624
00:31:26,960 --> 00:31:30,320
Speaker 2: Too? Where is that? That's always a thing?

625
00:31:33,120 --> 00:31:34,880
Speaker 3: Is that in some warehouse?

626
00:31:34,960 --> 00:31:35,000
Speaker 1: Like?

627
00:31:35,040 --> 00:31:36,720
Speaker 3: Where is that? Is it any of those.

628
00:31:36,600 --> 00:31:39,440
Speaker 2: Stories at someone's house?

629
00:31:40,280 --> 00:31:42,640
Speaker 1: Why would someone have that in their house?

630
00:31:43,240 --> 00:31:44,800
Speaker 3: Because it's I would want that.

631
00:31:45,520 --> 00:31:48,520
Speaker 4: I could totally do something amazing with that. Wait, you

632
00:31:48,520 --> 00:31:50,280
Speaker 4: know what I wanted to ask you, as it's kind

633
00:31:50,280 --> 00:31:53,240
Speaker 4: of an interjection, but do you recall, like now that

634
00:31:53,360 --> 00:31:58,680
Speaker 4: Jason Priestley is a producer, was he doing any producing?

635
00:31:59,800 --> 00:32:01,400
Speaker 3: Like do you remember him?

636
00:32:01,920 --> 00:32:05,080
Speaker 4: I don't know making decisions playing because this is the

637
00:32:05,120 --> 00:32:08,520
Speaker 4: first season where he's in the credits as the producer, right.

638
00:32:09,520 --> 00:32:13,440
Speaker 1: I think he always had kind of was contributing down

639
00:32:13,520 --> 00:32:16,000
Speaker 1: the hall there and we just didn't know about it.

640
00:32:16,080 --> 00:32:18,560
Speaker 1: And now he was contributing in the same way, and

641
00:32:18,600 --> 00:32:22,600
Speaker 1: we knew about it because it said, ye are good.

642
00:32:22,480 --> 00:32:23,760
Speaker 3: Good.

643
00:32:24,960 --> 00:32:28,720
Speaker 1: Kelly. Kelly shows up as a cowgirl and conveniently Colin

644
00:32:29,000 --> 00:32:29,920
Speaker 1: is a cowboy.

645
00:32:30,520 --> 00:32:34,480
Speaker 3: Great costume. Yeah, it was very They started to dance.

646
00:32:38,360 --> 00:32:41,080
Speaker 2: Can I ask what your favorite Halloween costume is in

647
00:32:41,160 --> 00:32:42,800
Speaker 2: all six seasons? Wait?

648
00:32:42,880 --> 00:32:45,120
Speaker 1: I can only remember this one on the Witch.

649
00:32:45,440 --> 00:32:47,720
Speaker 2: I know me too, Wait, but that's my favorite of

650
00:32:47,760 --> 00:32:48,520
Speaker 2: your is Glinda?

651
00:32:49,520 --> 00:32:51,640
Speaker 1: Oh no, I was I was talking about the Bad Witch,

652
00:32:51,720 --> 00:32:55,160
Speaker 1: the one where she almost got the Good Witch. Yeah,

653
00:32:55,400 --> 00:32:56,920
Speaker 1: that was a good one.

654
00:32:57,120 --> 00:32:58,360
Speaker 3: I'd need to see all the photos.

655
00:32:58,400 --> 00:33:02,280
Speaker 1: This one felt like a very like I'm so mature

656
00:33:02,360 --> 00:33:03,360
Speaker 1: now for Halloween.

657
00:33:03,400 --> 00:33:06,520
Speaker 4: But we're almost over Halloween. We're bordering into the sexy

658
00:33:06,560 --> 00:33:08,160
Speaker 4: costume Halloween.

659
00:33:08,080 --> 00:33:11,320
Speaker 3: Ray bordering the devil.

660
00:33:11,600 --> 00:33:14,280
Speaker 2: I've been a hooker Halloween though since season one.

661
00:33:14,360 --> 00:33:16,520
Speaker 1: So yeah, yeah, but this one was good.

662
00:33:16,560 --> 00:33:17,760
Speaker 3: You look good in not red?

663
00:33:18,080 --> 00:33:18,240
Speaker 5: Oh?

664
00:33:18,400 --> 00:33:18,920
Speaker 1: Wow?

665
00:33:19,360 --> 00:33:23,360
Speaker 2: One Joe God, Hello, welcome Joe.

666
00:33:24,000 --> 00:33:29,200
Speaker 1: Wait do you guys did you see the musical act? No,

667
00:33:29,680 --> 00:33:30,920
Speaker 1: you got to see it.

668
00:33:31,080 --> 00:33:32,720
Speaker 2: I didn't on ours on your.

669
00:33:32,640 --> 00:33:35,160
Speaker 1: On the on the way. How are you watched this episode?

670
00:33:35,160 --> 00:33:36,760
Speaker 1: Did you get to see who performed at the peach

671
00:33:36,800 --> 00:33:37,440
Speaker 1: Pit after Dark?

672
00:33:38,160 --> 00:33:38,800
Speaker 3: I did you?

673
00:33:39,160 --> 00:33:39,400
Speaker 1: Yeah?

674
00:33:39,880 --> 00:33:40,640
Speaker 3: Who was it?

675
00:33:40,640 --> 00:33:44,640
Speaker 1: It was the Cramps, you guys, and what the show?

676
00:33:45,000 --> 00:33:46,920
Speaker 1: The peach Bit after dark just got cool.

677
00:33:47,840 --> 00:33:48,959
Speaker 2: We had the Cramps on.

678
00:33:49,360 --> 00:33:51,440
Speaker 1: They were amazing.

679
00:33:52,880 --> 00:33:55,320
Speaker 3: What watching it?

680
00:33:55,520 --> 00:33:58,000
Speaker 4: No, it's good that Jenny's watching it on the secret

681
00:33:58,040 --> 00:34:00,360
Speaker 4: thing that you got from Deren Martin, because.

682
00:34:01,720 --> 00:34:03,920
Speaker 3: Yeah, I didn't see any of it.

683
00:34:03,920 --> 00:34:06,280
Speaker 1: It was fun to watch and I would have been.

684
00:34:06,640 --> 00:34:10,240
Speaker 1: I mean it looked like the like everybody, the background actors,

685
00:34:10,280 --> 00:34:12,960
Speaker 1: everybody watching them was so into it, and I believe it.

686
00:34:13,560 --> 00:34:15,719
Speaker 2: Yeah, I've never seen that on our list of like

687
00:34:15,840 --> 00:34:19,319
Speaker 2: all right we've had in the history, Like, I never

688
00:34:19,360 --> 00:34:20,080
Speaker 2: saw the Cramps.

689
00:34:20,440 --> 00:34:21,600
Speaker 1: It was the Cramps.

690
00:34:21,920 --> 00:34:24,399
Speaker 3: It's arrogant. Give that to me. When we're doing.

691
00:34:26,080 --> 00:34:29,839
Speaker 1: What day November sweeps?

692
00:34:30,120 --> 00:34:32,120
Speaker 3: There's money, there's some money.

693
00:34:32,680 --> 00:34:37,560
Speaker 4: Yeah, that's because back then November episode there's money.

694
00:34:37,600 --> 00:34:39,440
Speaker 3: And now it all makes sense to me because we're

695
00:34:39,480 --> 00:34:42,799
Speaker 3: leading up to the you know what, yep, yep, yep.

696
00:34:42,920 --> 00:34:57,960
Speaker 1: Okay, wait, you guys, this is when David puts the

697
00:34:58,040 --> 00:35:00,880
Speaker 1: love potion inside valeries drink. I'm like, no, you're going

698
00:35:00,960 --> 00:35:03,719
Speaker 1: to get in trouble and basically roofying her.

699
00:35:04,160 --> 00:35:05,600
Speaker 3: Yeah that was not good.

700
00:35:05,960 --> 00:35:07,799
Speaker 1: No, not a good look. And then of course all

701
00:35:07,800 --> 00:35:10,200
Speaker 1: the classes get all switch rude.

702
00:35:11,560 --> 00:35:15,680
Speaker 4: Drinking, like they're all for drinking, Like what was that vodka?

703
00:35:15,760 --> 00:35:18,400
Speaker 1: Like like a screwdriver or something.

704
00:35:18,120 --> 00:35:21,000
Speaker 3: That look like seven up and I don't know, it

705
00:35:21,080 --> 00:35:22,920
Speaker 3: was all clear. It looked like water. But it's like,

706
00:35:22,960 --> 00:35:25,200
Speaker 3: what are they drinking? And are they all twenty one? Now?

707
00:35:25,239 --> 00:35:28,359
Speaker 2: I guess we literally every week we're like, are they

708
00:35:28,360 --> 00:35:30,399
Speaker 2: twenty one? Yes?

709
00:35:30,560 --> 00:35:35,320
Speaker 3: So the old sweitcheroom of the drinks with the blood

710
00:35:35,400 --> 00:35:36,279
Speaker 3: potion in it.

711
00:35:36,800 --> 00:35:39,439
Speaker 1: Yeah, and then they go upstairs so they can't wait

712
00:35:39,480 --> 00:35:41,800
Speaker 1: to get home because they're all hot and bothered.

713
00:35:42,800 --> 00:35:44,279
Speaker 3: Yeah, they start into like a room.

714
00:35:44,560 --> 00:35:46,919
Speaker 1: Yeah, they go it's like the green room.

715
00:35:47,360 --> 00:35:50,000
Speaker 2: Yeah, and my ears are burning.

716
00:35:49,800 --> 00:35:53,560
Speaker 1: They're they're they're talking. No, this is Stephen and Claire.

717
00:35:54,040 --> 00:35:54,840
Speaker 3: Yeah you're fine.

718
00:35:55,080 --> 00:35:56,640
Speaker 2: Oh I thought you were still ting.

719
00:35:57,440 --> 00:35:58,080
Speaker 3: No, you're okay.

720
00:35:58,239 --> 00:35:59,520
Speaker 2: I'm so hung up on that.

721
00:36:00,160 --> 00:36:02,920
Speaker 1: Steph and Claire are are They can't keep their hands

722
00:36:02,920 --> 00:36:08,520
Speaker 1: off each other? Uh huh ew and then ray together.

723
00:36:08,560 --> 00:36:13,360
Speaker 1: I thought I am over it. Here's what's happening the

724
00:36:13,480 --> 00:36:16,880
Speaker 1: scene when they're in that room and he's like Major

725
00:36:17,440 --> 00:36:19,000
Speaker 1: Tom or what does he made?

726
00:36:19,080 --> 00:36:22,880
Speaker 3: Colonel? He's from Apollo thirteen.

727
00:36:23,080 --> 00:36:27,600
Speaker 1: And she's d I Dream of Genie and then he's like,

728
00:36:27,920 --> 00:36:30,040
Speaker 1: gets up closer and all he's doing is staring at

729
00:36:30,120 --> 00:36:35,080
Speaker 1: her boobies. I didn't like it. I did not like it.

730
00:36:35,800 --> 00:36:38,160
Speaker 3: I thought he was Larry Hagman from Dream of Genie too.

731
00:36:38,160 --> 00:36:40,040
Speaker 1: I mean, he looked just like that guy that that

732
00:36:40,080 --> 00:36:45,400
Speaker 1: would have been better, but he claimed he was from Yeah.

733
00:36:45,440 --> 00:36:51,240
Speaker 1: This is when Ray did look very yeah, noticeable, juicy.

734
00:36:51,800 --> 00:36:55,000
Speaker 1: I can imagine why his eyes did not come up

735
00:36:55,080 --> 00:37:01,640
Speaker 1: to her face. But I was like, Okay, that's enough that.

736
00:37:01,640 --> 00:37:04,520
Speaker 1: That's when Ray catches Donna dancing with Joe and he

737
00:37:04,600 --> 00:37:09,080
Speaker 1: goes off on her and he laurn's Joe, watch this one.

738
00:37:09,200 --> 00:37:14,560
Speaker 1: She'll cut your heart out. Aggressive, very mean, mean words

739
00:37:14,680 --> 00:37:18,080
Speaker 1: Ray Pruitt. But I I honestly expected him to do

740
00:37:18,160 --> 00:37:19,719
Speaker 1: more than just that. Like, I didn't think he was

741
00:37:19,760 --> 00:37:21,840
Speaker 1: going to just say that and leave. I thought he

742
00:37:21,880 --> 00:37:23,959
Speaker 1: would flip out a little more.

743
00:37:24,360 --> 00:37:26,200
Speaker 2: It's like the time at the house and they accused

744
00:37:26,239 --> 00:37:27,280
Speaker 2: him of stealing and he's.

745
00:37:27,080 --> 00:37:28,319
Speaker 3: Like, jerks, you're all jerks and.

746
00:37:30,160 --> 00:37:32,240
Speaker 1: He's really not that tough we see.

747
00:37:33,880 --> 00:37:37,640
Speaker 2: Yeah, yeah, he's almost.

748
00:37:40,080 --> 00:37:43,000
Speaker 1: Colin tells Kelly that he's going to be taking the

749
00:37:43,080 --> 00:37:52,160
Speaker 1: teaching position at See You Okay, we're student.

750
00:37:52,680 --> 00:37:55,080
Speaker 3: Yeah, he's got bills to pay.

751
00:37:55,120 --> 00:37:57,680
Speaker 1: Got bills to pay, got them bills to pay back

752
00:37:57,719 --> 00:37:58,520
Speaker 1: of Dylan's house.

753
00:37:59,120 --> 00:37:59,480
Speaker 2: Mhm.

754
00:38:01,000 --> 00:38:03,799
Speaker 1: Tony is very sad. She doesn't want to play with

755
00:38:03,800 --> 00:38:08,000
Speaker 1: her kiddie, and Dylan tells her not to torture herself

756
00:38:08,040 --> 00:38:12,600
Speaker 1: over what her dad did. Now he's comforting her. Odd

757
00:38:14,200 --> 00:38:16,200
Speaker 1: because her dad killed his dad.

758
00:38:17,440 --> 00:38:21,200
Speaker 2: Yeah that's real nice of them.

759
00:38:21,360 --> 00:38:22,920
Speaker 3: Graggly but yet cute.

760
00:38:23,239 --> 00:38:25,759
Speaker 1: He loves her, Yeah, that's right.

761
00:38:26,160 --> 00:38:31,120
Speaker 2: It happened fast, but now we see it at least. Yeah, yeah,

762
00:38:31,239 --> 00:38:33,880
Speaker 2: it's being conveyed. Remember before we were like this is rushing,

763
00:38:33,920 --> 00:38:36,680
Speaker 2: we can't even get on board with this relationship, and

764
00:38:36,719 --> 00:38:40,960
Speaker 2: now you see true affections. Someone someone got notes there

765
00:38:41,000 --> 00:38:41,960
Speaker 2: and they added that in.

766
00:38:43,040 --> 00:38:45,440
Speaker 1: We need to see more that you guys like each

767
00:38:45,480 --> 00:38:46,160
Speaker 1: other more action.

768
00:38:46,520 --> 00:38:46,920
Speaker 5: Yes.

769
00:38:47,080 --> 00:38:52,120
Speaker 4: Yeah, it's just such a strange storyline, like her dad

770
00:38:52,320 --> 00:38:55,279
Speaker 4: murdered his dad and we're just supposed.

771
00:38:54,920 --> 00:39:00,600
Speaker 1: To be like, yeah, okay, so back at the beach us, right,

772
00:39:01,560 --> 00:39:06,520
Speaker 1: Joe takes Stunah home and I'm like, yes, Joe, you're

773
00:39:06,600 --> 00:39:07,200
Speaker 1: so smart.

774
00:39:07,239 --> 00:39:08,719
Speaker 3: It's too soon. It's too soon.

775
00:39:11,480 --> 00:39:15,880
Speaker 1: Beautiful pumpkins, right, those were some nice bocons.

776
00:39:15,960 --> 00:39:18,960
Speaker 3: Those were that was beautiful.

777
00:39:19,920 --> 00:39:23,160
Speaker 4: And we're led to believe that it was like falling.

778
00:39:23,360 --> 00:39:27,759
Speaker 1: I guess my roommates did it, duh.

779
00:39:28,120 --> 00:39:29,360
Speaker 3: I was like, no, Donna.

780
00:39:29,520 --> 00:39:31,799
Speaker 1: I think I yelled at a lot of the TV

781
00:39:31,880 --> 00:39:32,960
Speaker 1: at Donna like five times.

782
00:39:33,000 --> 00:39:36,320
Speaker 3: No, Donna. Kelly didn't do that. It was right, He's.

783
00:39:36,160 --> 00:39:39,799
Speaker 4: Fine, creepy how he was hiding back there, oh boy,

784
00:39:40,920 --> 00:39:45,000
Speaker 4: Although I don't know Joe Bradley being like it's too soon.

785
00:39:46,719 --> 00:39:49,680
Speaker 4: That was a little and then he kind of that

786
00:39:49,760 --> 00:39:53,120
Speaker 4: was like too too good boy, Yeah.

787
00:39:52,960 --> 00:39:53,799
Speaker 3: But thank you.

788
00:39:55,880 --> 00:39:58,640
Speaker 2: He's not gonna do anything anyway. She's he comes back.

789
00:39:58,440 --> 00:40:01,520
Speaker 4: He leaves and then he changed his mind, but he

790
00:40:01,560 --> 00:40:04,840
Speaker 4: does come back and then he whoops Ray prew It's

791
00:40:04,880 --> 00:40:11,040
Speaker 4: but which wasn't hard and that has repercussions.

792
00:40:11,440 --> 00:40:11,840
Speaker 2: Mhmm.

793
00:40:14,160 --> 00:40:18,320
Speaker 3: What does he say? This isn't over? And I was like,

794
00:40:18,560 --> 00:40:21,040
Speaker 3: rampy fight. It was a scrappy fight. And I actually

795
00:40:21,040 --> 00:40:23,160
Speaker 3: think Ray Pruet could have taken Joe Bradley. But I

796
00:40:23,160 --> 00:40:26,680
Speaker 3: guess he is the football guy. I don't know. Yeah,

797
00:40:27,840 --> 00:40:28,399
Speaker 3: they're kind of.

798
00:40:28,680 --> 00:40:31,480
Speaker 2: I didn't personally, I guess being friends with Jamie Walters

799
00:40:31,520 --> 00:40:34,640
Speaker 2: and being like, having seen how this played out on

800
00:40:34,719 --> 00:40:38,719
Speaker 2: his behalf, I was sad that they didn't make him more.

801
00:40:39,000 --> 00:40:41,160
Speaker 2: I don't know. I didn't want him to go down

802
00:40:41,280 --> 00:40:44,759
Speaker 2: looking so weak, weak, but I know he was a

803
00:40:44,800 --> 00:40:46,480
Speaker 2: bad guy in the shopball.

804
00:40:47,000 --> 00:40:49,640
Speaker 1: He says this, and this isn't over. So is he

805
00:40:49,719 --> 00:40:53,680
Speaker 1: coming back? There's more? There's more Ray Prue, Yeah, oh,

806
00:40:53,800 --> 00:40:57,040
Speaker 1: Ray is coming back. And then Joe and Donna make

807
00:40:57,080 --> 00:41:02,600
Speaker 1: out on the couch. Cute, Oh black guy, can't it's

808
00:41:02,719 --> 00:41:04,840
Speaker 1: very stable. You're gonna hate on her and be so

809
00:41:04,960 --> 00:41:08,360
Speaker 1: bored anyway, good guess her.

810
00:41:08,440 --> 00:41:11,000
Speaker 3: I'm sure dream boat. He's just so dreamy.

811
00:41:12,320 --> 00:41:15,360
Speaker 1: And then after the Halloween party, David and Valerie start kissing.

812
00:41:15,360 --> 00:41:18,799
Speaker 1: Everybody's making out. He admits that he tried to give

813
00:41:18,840 --> 00:41:21,360
Speaker 1: her Madame Raven's love potion, but she says there's no

814
00:41:21,440 --> 00:41:26,680
Speaker 1: such thing as a love potion. David, there's someone was

815
00:41:26,719 --> 00:41:29,319
Speaker 1: in those little vials. Well, never know what it was.

816
00:41:29,480 --> 00:41:30,600
Speaker 1: I believe in love potions.

817
00:41:30,640 --> 00:41:30,920
Speaker 2: Do you.

818
00:41:32,840 --> 00:41:33,920
Speaker 1: I've made a love potion?

819
00:41:35,000 --> 00:41:38,240
Speaker 3: What do you put in it? Like more than an afrod.

820
00:41:38,680 --> 00:41:43,120
Speaker 1: She can't tell you. It was like essential oils and

821
00:41:43,280 --> 00:41:44,719
Speaker 1: like you.

822
00:41:44,719 --> 00:41:45,760
Speaker 3: Rub it on your body.

823
00:41:45,880 --> 00:41:47,839
Speaker 1: That was a kind of rubbed on my body. Oh,

824
00:41:48,320 --> 00:41:48,719
Speaker 1: they're like.

825
00:41:48,680 --> 00:41:51,200
Speaker 2: Your pheromones to attract your true love.

826
00:41:51,640 --> 00:41:55,840
Speaker 1: No, I I made a love potion that was supposed

827
00:41:55,840 --> 00:42:00,160
Speaker 1: to bring back love and it worked. Wow ooh I

828
00:42:00,160 --> 00:42:02,000
Speaker 1: still have it.

829
00:42:02,000 --> 00:42:02,960
Speaker 3: It's very powerful.

830
00:42:03,000 --> 00:42:04,239
Speaker 2: I don't I know what you speak of.

831
00:42:06,080 --> 00:42:09,399
Speaker 4: What about like aphrodisiacs, chocolate, like oysters? Yeah, I think

832
00:42:09,400 --> 00:42:12,160
Speaker 4: there's a chocolate. I think it's a Colla Bloo.

833
00:42:12,920 --> 00:42:13,719
Speaker 2: Yeah, I think so.

834
00:42:15,640 --> 00:42:17,440
Speaker 1: I don't know chocolate.

835
00:42:17,640 --> 00:42:21,520
Speaker 2: I know a gen's talking about. We've talked about this before.

836
00:42:22,640 --> 00:42:24,759
Speaker 2: But she's very powerful, so I understand this.

837
00:42:25,080 --> 00:42:26,000
Speaker 3: Maybe I don't know.

838
00:42:26,840 --> 00:42:29,000
Speaker 2: And strawberries and oysters, I just don't think so.

839
00:42:29,960 --> 00:42:34,520
Speaker 1: Yeah, but oysters, that's what they say. It's an aphrodisiac.

840
00:42:35,120 --> 00:42:40,319
Speaker 3: Would not touch an oyster. I love oysters, aren't they raw?

841
00:42:40,640 --> 00:42:42,680
Speaker 2: I've never felt horny after eating an oyster?

842
00:42:43,760 --> 00:42:45,719
Speaker 1: Oh, I would feel disgusting after.

843
00:42:45,960 --> 00:42:48,200
Speaker 2: Yeah, yeah, it's not something you want to eat and

844
00:42:48,239 --> 00:42:49,080
Speaker 2: then like make out.

845
00:42:49,280 --> 00:42:56,200
Speaker 1: No, no, it makes no sense none, But gents, that

846
00:42:56,239 --> 00:43:01,640
Speaker 1: gets me all hot and cur in those crab legs

847
00:43:02,360 --> 00:43:02,919
Speaker 1: pull it out.

848
00:43:02,920 --> 00:43:05,960
Speaker 2: The meat turns me on when you do it.

849
00:43:06,239 --> 00:43:08,520
Speaker 1: May you know what turns me on when you eat

850
00:43:09,160 --> 00:43:18,800
Speaker 1: shrill shrimp feet, my tail, the crispy tail, the tail

851
00:43:19,960 --> 00:43:24,200
Speaker 1: that's disgusting. All right, anyway, when do we learn that?

852
00:43:24,200 --> 00:43:24,560
Speaker 3: What's her?

853
00:43:24,560 --> 00:43:24,600
Speaker 2: Do?

854
00:43:24,760 --> 00:43:27,680
Speaker 3: Sesus? Fake? Right now? Right now?

855
00:43:27,680 --> 00:43:30,320
Speaker 1: The police come looking for the scam artist, Madame Raven,

856
00:43:31,400 --> 00:43:34,600
Speaker 1: who's been going around town selling her bogus love potion.

857
00:43:35,360 --> 00:43:39,480
Speaker 3: Yet it works, not focus is not crazy.

858
00:43:39,719 --> 00:43:42,000
Speaker 2: She's a scammers, but it's real.

859
00:43:42,880 --> 00:43:47,880
Speaker 1: It's like liquid ecstasy. Probably they're all doing drugs and

860
00:43:47,880 --> 00:43:50,879
Speaker 1: they don't even know it. But Nat, thank goodness, kept

861
00:43:50,880 --> 00:43:51,680
Speaker 1: one last bottle.

862
00:43:52,040 --> 00:43:53,279
Speaker 2: You should have hooked up with her.

863
00:43:53,800 --> 00:43:56,480
Speaker 1: Yeah. I was kind of hoping though the grave interest

864
00:43:56,560 --> 00:43:57,080
Speaker 1: for Nat.

865
00:43:57,280 --> 00:43:59,960
Speaker 3: Yeah, sort of thinking it was going.

866
00:44:00,040 --> 00:44:01,920
Speaker 1: He could have slipped she could have slipped him some

867
00:44:02,080 --> 00:44:04,880
Speaker 1: love potion in his mega burger m.

868
00:44:06,160 --> 00:44:09,200
Speaker 3: And then I'm sort of roofying it.

869
00:44:10,000 --> 00:44:12,680
Speaker 1: You can't really do that anymore. We go back to

870
00:44:13,440 --> 00:44:16,080
Speaker 1: the scene of the crime to end our show where

871
00:44:16,840 --> 00:44:17,960
Speaker 1: Jack McKay was killed.

872
00:44:18,960 --> 00:44:21,279
Speaker 2: Did you guys have PTSD being here a little bit?

873
00:44:21,440 --> 00:44:24,960
Speaker 1: I did, Yeah, But it felt like a natural progression

874
00:44:25,200 --> 00:44:28,560
Speaker 1: for their relationship. It felt like if I was struggling

875
00:44:28,600 --> 00:44:32,400
Speaker 1: to get over something that deep and that heavy. I

876
00:44:32,440 --> 00:44:35,960
Speaker 1: would take my partner there to like help me get

877
00:44:36,000 --> 00:44:38,839
Speaker 1: through it. Yeah, But he tells her they that they're

878
00:44:38,840 --> 00:44:40,480
Speaker 1: going to move to Hawaii instead.

879
00:44:41,360 --> 00:44:47,319
Speaker 3: Yeah, which is sort of a shocking logical sort of thing.

880
00:44:47,600 --> 00:44:49,640
Speaker 3: He wants to go be by his mom now and

881
00:44:49,680 --> 00:44:52,799
Speaker 3: his sister. Well, I can understand the sister part, but like,

882
00:44:53,320 --> 00:44:55,000
Speaker 3: all right, he's not like ever gotten along with.

883
00:44:55,000 --> 00:44:59,759
Speaker 1: Iris that well, family's family, and I get it.

884
00:44:59,760 --> 00:45:02,239
Speaker 4: It's it's sort of logical that he's like, he's got

885
00:45:02,239 --> 00:45:03,680
Speaker 4: to leave Beverly Hills.

886
00:45:04,040 --> 00:45:07,279
Speaker 1: It's true, he needs to go. Yeah, things are not

887
00:45:07,400 --> 00:45:11,080
Speaker 1: going well for him, and now he has this new

888
00:45:11,640 --> 00:45:14,680
Speaker 1: person in his life, he needs to go put down

889
00:45:14,680 --> 00:45:16,719
Speaker 1: his own roots somewhere without all this like.

890
00:45:18,280 --> 00:45:18,960
Speaker 3: A mortgage.

891
00:45:19,320 --> 00:45:24,520
Speaker 1: I guess so. Unfortunately, because the truth of the matter

892
00:45:24,600 --> 00:45:28,759
Speaker 1: is Dylan's problems were always deeper than any of us

893
00:45:28,840 --> 00:45:33,440
Speaker 1: could go with him, his friends, even Brenda, anyone. His

894
00:45:33,600 --> 00:45:37,920
Speaker 1: problems were so deep that there's something about this starting

895
00:45:38,000 --> 00:45:40,359
Speaker 1: over for him, the idea of starting over with this

896
00:45:40,960 --> 00:45:43,440
Speaker 1: newish girl that doesn't really know the past.

897
00:45:43,600 --> 00:45:47,239
Speaker 3: And he's got some obviously some deep stuff too.

898
00:45:48,280 --> 00:45:53,680
Speaker 2: Yes, emphasizing it though like it's it would have been nice.

899
00:45:54,680 --> 00:45:57,160
Speaker 2: What if they moved to Hawaii? What would they do

900
00:45:57,239 --> 00:45:57,720
Speaker 2: for a living?

901
00:45:58,560 --> 00:46:01,160
Speaker 1: Well, she was going to go to school heat cobs

902
00:46:01,160 --> 00:46:03,520
Speaker 1: of money. Yeah, he was gonna go surfing.

903
00:46:04,080 --> 00:46:05,919
Speaker 3: And Iris has gobs of money too. I thought they're

904
00:46:05,920 --> 00:46:07,200
Speaker 3: going on the on the cash.

905
00:46:08,280 --> 00:46:09,920
Speaker 2: But imagine her and huli skirt.

906
00:46:09,680 --> 00:46:14,960
Speaker 3: And would look really cute.

907
00:46:12,920 --> 00:46:14,560
Speaker 1: Hula skirt if you go to Hawaii.

908
00:46:14,920 --> 00:46:16,600
Speaker 3: That actually would have been a nice spin off.

909
00:46:17,960 --> 00:46:23,000
Speaker 4: Oh, Dylan goes to Hawaii Maui O nine two two

910
00:46:23,080 --> 00:46:24,560
Speaker 4: seven or whatever it is, what is it?

911
00:46:24,719 --> 00:46:25,240
Speaker 3: N see.

912
00:46:26,920 --> 00:46:29,239
Speaker 2: And you go to at least in the world, we

913
00:46:29,280 --> 00:46:30,840
Speaker 2: could have had a franchise gin.

914
00:46:30,880 --> 00:46:35,640
Speaker 4: It was nice, could spin off like Dylan and Tony

915
00:46:35,719 --> 00:46:39,480
Speaker 4: and Hawaii and suddenly there's like, you know, drama and murder,

916
00:46:39,520 --> 00:46:40,719
Speaker 4: and I.

917
00:46:40,719 --> 00:46:45,960
Speaker 1: Wouldn't watch it. I would personally without like a cast

918
00:46:46,000 --> 00:46:48,760
Speaker 1: of characters that I cared about. Who are they gonna

919
00:46:49,280 --> 00:46:52,480
Speaker 1: introduce us to that's going to replace David and Donna

920
00:46:52,520 --> 00:46:55,360
Speaker 1: and brand all shlew of people.

921
00:46:56,160 --> 00:47:01,560
Speaker 2: But if it meant your favorite characters not disappearing from

922
00:47:01,560 --> 00:47:04,480
Speaker 2: the show and getting their own show, you'd be okay

923
00:47:04,520 --> 00:47:07,120
Speaker 2: with that because we could do crossovers which.

924
00:47:07,040 --> 00:47:10,920
Speaker 4: At some point Melrose moves to Wednesday and Monday at

925
00:47:11,000 --> 00:47:11,920
Speaker 4: nine was open.

926
00:47:12,440 --> 00:47:13,880
Speaker 1: Yeah, I guess that's what happened.

927
00:47:14,280 --> 00:47:15,680
Speaker 3: We get Party of five instead?

928
00:47:16,280 --> 00:47:18,920
Speaker 2: Mmmm on Wednesday?

929
00:47:19,239 --> 00:47:20,279
Speaker 3: Yeah what did? What did you?

930
00:47:20,440 --> 00:47:25,720
Speaker 4: What followed after Melrose went to Wednesday party at five?

931
00:47:26,160 --> 00:47:28,279
Speaker 3: Ye, take me some Scott Wolfe, that's fine.

932
00:47:28,520 --> 00:47:30,720
Speaker 2: And then Ali McBeal right, no that was Monday, Sorry,

933
00:47:30,920 --> 00:47:31,959
Speaker 2: Ally mcbill.

934
00:47:34,080 --> 00:47:36,600
Speaker 1: So Tony agrees to move with him if he agrees

935
00:47:36,840 --> 00:47:39,280
Speaker 1: to really let go of this feud with her father.

936
00:47:39,880 --> 00:47:42,760
Speaker 1: So he throws the gun into the harbor. And that's

937
00:47:42,800 --> 00:47:43,800
Speaker 1: the end of the episode.

938
00:47:44,160 --> 00:47:45,880
Speaker 3: What a time to be on Fox.

939
00:47:45,960 --> 00:47:49,719
Speaker 4: Sorry, but Ally mcbeil, Melrose Place nine O two one oh,

940
00:47:50,040 --> 00:47:50,800
Speaker 4: Party of five?

941
00:47:51,800 --> 00:47:52,760
Speaker 3: Hellolor?

942
00:47:54,160 --> 00:47:56,040
Speaker 2: And which one in Living Color?

943
00:47:56,640 --> 00:47:59,279
Speaker 3: Oh? Yeah? When was North Shore? That wasn't as good?

944
00:48:01,040 --> 00:48:03,920
Speaker 1: I mean I think this was a good one. Do

945
00:48:03,920 --> 00:48:04,839
Speaker 1: you guys give it a ten?

946
00:48:05,400 --> 00:48:05,640
Speaker 3: Ten?

947
00:48:06,320 --> 00:48:06,560
Speaker 5: Ten?

948
00:48:06,760 --> 00:48:10,239
Speaker 3: Ten verse ten? Season six is a ten.

949
00:48:11,040 --> 00:48:14,840
Speaker 1: Anytime there's costumes, I'm in for a ten. And great

950
00:48:14,920 --> 00:48:18,879
Speaker 1: face acting, great face acting by all.

951
00:48:19,080 --> 00:48:22,960
Speaker 4: By, and beautiful set design of pumpkins. I would have

952
00:48:23,040 --> 00:48:26,480
Speaker 4: loved that Halloween set up on my front porch.

953
00:48:26,560 --> 00:48:27,000
Speaker 3: Well, let's go.

954
00:48:27,080 --> 00:48:29,239
Speaker 1: We're gonna call Raye Pruitt and have him come come

955
00:48:29,280 --> 00:48:29,680
Speaker 1: on over.

956
00:48:30,200 --> 00:48:32,480
Speaker 3: Where is Jamie Tory? Can you please call him? By

957
00:48:32,480 --> 00:48:35,000
Speaker 3: the way, I just stopped him last week. He'd probably

958
00:48:35,040 --> 00:48:38,880
Speaker 3: bring you some pumpkins. He used to, come on Tory,

959
00:48:39,360 --> 00:48:44,600
Speaker 3: he needs to come on. Good stuff, guys, great episode, Thanks,

960
00:48:44,640 --> 00:48:48,879
Speaker 3: great performances. Hello Joe Bradley, Welcome to nine O two

961
00:48:48,920 --> 00:48:49,279
Speaker 3: one zero.

962
00:48:49,760 --> 00:48:51,920
Speaker 1: Yeah, you're welcome, ladies.

963
00:48:52,040 --> 00:48:59,279
Speaker 2: Yeah, a lot of crushes read this episode. What's next?

964
00:48:59,480 --> 00:49:04,759
Speaker 3: What's next? That is a very good question. She is

965
00:49:04,800 --> 00:49:08,840
Speaker 3: not a real thing. The next. Earthquake weather not a

966
00:49:08,880 --> 00:49:10,000
Speaker 3: real thing. What do you mean?

967
00:49:10,120 --> 00:49:11,759
Speaker 1: Earthquake weather is not a real thing. I say it

968
00:49:11,760 --> 00:49:12,200
Speaker 1: all the time.

969
00:49:12,840 --> 00:49:16,200
Speaker 3: It's not a thing. What's not real? Do you have

970
00:49:16,200 --> 00:49:18,080
Speaker 3: the World Wide Web? Google it? There's no such thing

971
00:49:18,120 --> 00:49:19,160
Speaker 3: as earthquake weather.

972
00:49:20,000 --> 00:49:23,359
Speaker 1: I have my instincts, and I live in southern California,

973
00:49:23,640 --> 00:49:26,800
Speaker 1: so I think it's a real thing when it's still,

974
00:49:26,880 --> 00:49:30,600
Speaker 1: it's warm and it's still, like the air doesn't move

975
00:49:30,640 --> 00:49:33,520
Speaker 1: at all. Then you go outside and you're like, ooh,

976
00:49:33,880 --> 00:49:34,640
Speaker 1: earthquake weather.

977
00:49:36,200 --> 00:49:39,160
Speaker 2: But amy's onto something. We were conditioned to think that, like,

978
00:49:39,200 --> 00:49:39,759
Speaker 2: it's not like.

979
00:49:39,640 --> 00:49:40,560
Speaker 3: It's ever happened.

980
00:49:40,560 --> 00:49:43,239
Speaker 2: In the middle of it being warm and it goes

981
00:49:43,440 --> 00:49:45,759
Speaker 2: cool to hot and then we're like, oh, we just

982
00:49:45,800 --> 00:49:47,759
Speaker 2: know to be like, oh, that's earthquake weather. Has it

983
00:49:47,840 --> 00:49:50,160
Speaker 2: ever acts not actually a scientific thing?

984
00:49:50,440 --> 00:49:51,080
Speaker 3: Who started that?

985
00:49:51,200 --> 00:49:51,399
Speaker 1: Then?

986
00:49:52,360 --> 00:49:52,520
Speaker 3: Yes?

987
00:49:52,680 --> 00:49:55,719
Speaker 1: Or because apparently Berely Hills down a two and oh

988
00:49:56,239 --> 00:50:00,759
Speaker 1: with a season season six, episode nine, earthquake weather. Watch it.

989
00:50:01,520 --> 00:50:02,840
Speaker 2: We're gonna be shaken.

990
00:50:03,440 --> 00:50:05,080
Speaker 1: Let's see, I'm excited.

991
00:50:05,280 --> 00:50:07,080
Speaker 2: Get it, get it Yeah,