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Speaker 1: All media. You know, sometimes you just wake up and

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Speaker 1: choose violence. There are so many sayings that have because

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Speaker 1: of the Internet and specifically black Twitter, which will be

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Speaker 1: the content of the episode following this one. But wake

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Speaker 1: it up and choose violence again as a as a

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Speaker 1: black saying that you know where we say what we

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Speaker 1: mean most of the time, we choose peace. To stay

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Speaker 1: on point and again follow follow, follow the way that

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Speaker 1: our slang works. This is very important because it's all connected.

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Speaker 1: You stay woke. I know, y'at installed the term. But

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Speaker 1: what we mean by that is aware of the ways

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Speaker 1: that you are being oppressed, Like don't fall asleep at

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Speaker 1: the wheel the way the white people say, just let

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Speaker 1: somebody else steer the ship. Like you got to stay awake.

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Speaker 1: You got to know what's happening around you. Stay aware,

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Speaker 1: stay informed, and you stay on point. You be about

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Speaker 1: your paper, you be about your business. You understand. So

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Speaker 1: a lot of the stuff we talk about is we

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Speaker 1: mean to be like yo, you stay on mission, like

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Speaker 1: you don't let nobody shake you off mission. Don't let

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Speaker 1: these people's foolishness detract you from the goal, from the mission,

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Speaker 1: from the elevation. You do stuff for the culture, for

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Speaker 1: the family you know, and you choose peace. You choose that.

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Speaker 1: But sometimes, as Kendrick say, you got to pop out

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Speaker 1: and show niggas these sayings, these ways we have as

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Speaker 1: a black community, they're all connected. We understand them all

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Speaker 1: because they all come from the same cultural experience. So

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Speaker 1: all of our phrases, they're connected, but they're connected by

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Speaker 1: the connected tissue of our shared experience of our culture.

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Speaker 1: I hope this is making sense to you. These are

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Speaker 1: things that you just I don't if you were like

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Speaker 1: us again, like Kendrick said, I would not have to

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Speaker 1: explain these things because you would just know. And it's

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Speaker 1: not This isn't a slight, this is just a reality.

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Speaker 1: There are ways. Again, this is going to be this

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Speaker 1: part of it. I should probably say for again the

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Speaker 1: next week about black Twitter. But it's for context for

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Speaker 1: you to understand that, like listen, we are. The way

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Speaker 1: we communicate in a lot of ways is we can

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Speaker 1: be deeply serious about very unserious things and be dead

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Speaker 1: serious about really unseerious stuff and never lose sight as

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Speaker 1: to which is what and how they're both happening at

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Speaker 1: the same time, and we truly understand which is which

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Speaker 1: and nobody's confused. But if you aren't confused, we understand.

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Speaker 1: I tweeted this once and one of the homegirls was like, man,

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Speaker 1: my sister's daughter's hamster died. And MY response was like, oh, man,

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Speaker 1: who did the body? I don't have time to explain

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Speaker 1: to you why that is so funny, but everybody black

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Speaker 1: would get it. Now. The reason I do this preamble

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Speaker 1: is because I want to do a couple episodes around Juneteenth,

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Speaker 1: you know, which is at this point coming up about blackness.

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Speaker 1: I think that especially with the celebration of Juneteenth. I

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Speaker 1: think that, like, I can't believe I haven't done a

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Speaker 1: full episode on what Juneteenth is already anyway. I guess

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Speaker 1: partially because realizing like I needed to know who my

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Speaker 1: audience was, and it was just like there's a lot

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Speaker 1: of not black people listening. So I was like, Oh,

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Speaker 1: we need to make sure that y'all y'all really know

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Speaker 1: what's you know. I gotta got there's some things I

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Speaker 1: gotta say to you, you know. I mean sometimes I explain

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Speaker 1: stuff that's black just out of solidarity with other black people,

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Speaker 1: where I'm just like, dude, like this is crazy, right,

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Speaker 1: It's so fun Other times, I'm like realizing that, like,

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Speaker 1: oh you you don't know this about our culture. Okay,

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Speaker 1: so let me let me lay it out for you.

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Speaker 1: So this is me laying it out and also celebrating

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Speaker 1: It's both blackness. But there's something special about twenty twenty

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Speaker 1: four that for some reason we have decided as a

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Speaker 1: culture and a community that we just have time this year.

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Speaker 1: What do I mean by that? Oh, we got time

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Speaker 1: this year? Like again, usually you don't wake up and

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Speaker 1: choose violence. You got to be on your mission and

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Speaker 1: you ain't got time for no foolishness on time to

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Speaker 1: be messy. Messiness is for the weekend, like we you know,

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Speaker 1: we'll do that later. Like if you just gonna be

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Speaker 1: messy with us right now, I got stuff to do

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Speaker 1: on time for your foolishness. This year, however, for some reason,

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Speaker 1: we all decided that we got time, and that has

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Speaker 1: manifested itself in ways for which we have duckt with

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Speaker 1: things in house. There were things we needed to talk

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Speaker 1: about amongst ourselves, and then there was some foolishness that

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Speaker 1: we were just done dealing with. Now. My theory is

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Speaker 1: there might be something to the fact that I think

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Speaker 1: as black Americans. We just understand the reality of our

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Speaker 1: two presidential options and prepping ourselves for the four years

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Speaker 1: we about to experience. And there was foolishness that we

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Speaker 1: stood for early on. Then we ain't realize the depth

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Speaker 1: for which the Caucasidy was gonna show itself. I think

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Speaker 1: we was a little unprepared for that. Unprepared in the

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Speaker 1: sense that we thought that y'all had some sense there

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Speaker 1: might have been the semblance of progress. Maybe we was,

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Speaker 1: maybe things were not like they used to be. Maybe

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Speaker 1: there was, and then the white lash happened. We was like, oh, oh,

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Speaker 1: it's what we knew. We were hoping it was something else,

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Speaker 1: but now it's what we knew. And it just seems

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Speaker 1: like this year we decided, you know what, we got time,

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Speaker 1: We're gonna deal with this. We said what we said,

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Speaker 1: you're gonna get this work. So today, at the six

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Speaker 1: month mark of the year, I think it's time to

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Speaker 1: reflect on and look forward to how black people have

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Speaker 1: decided in twenty twenty four. We got time politics, y'all. Now,

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Speaker 1: before we get into this, let me hit y'all with

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Speaker 1: the weekly roundup of Well see, it's kind of like

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Speaker 1: this bull look is like this bullook is like this

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Speaker 1: all right, So it's like this, you know, the Hunter

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Speaker 1: Biden case jumps off and I shouldn't be smiling because

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Speaker 1: the testimony went out and essentially Hunter just ratchet like

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Speaker 1: he was sad about his brother, and the niggas started

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Speaker 1: to do a crack like it's not funny. Okay, the

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Speaker 1: man got himself a gun, got yourself a gun and

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Speaker 1: had it for eleven days till his girl threw it out.

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Speaker 1: Apparently it was never loaded, and he, according to this case,

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Speaker 1: lied about being on drugs and illegally got a gun.

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Speaker 1: Now according to the defense, he had a signed paper

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Speaker 1: that he had gone through rehab and he was supposedly

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Speaker 1: sober at the time, right that, and then you know,

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Speaker 1: relapsed after But either way, dog y'all they done dragged.

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Speaker 1: They brought his ex girl out, his brother's girl out,

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Speaker 1: his kids out, being like, nah, homie brother had problems,

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Speaker 1: and they was like, look, you said it in your

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Speaker 1: own book, you had problems. You gotta you gotta, you

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Speaker 1: gotta run this fade big dog now poem, it's not funny.

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Speaker 1: And I don't feel bad for nobody rich kid, but

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Speaker 1: like I do feel bad in the sense that he like, damn,

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Speaker 1: I don't I done mess this up with my daddy?

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Speaker 1: Like guys, okay, okay. Now, normally in cases like this,

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Speaker 1: people bring up the gun charge as far as like

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Speaker 1: you illegally attained a gun when that gun was involved

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Speaker 1: in some other crime, like if that gun had a

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Speaker 1: body on it, if that gun was involved in some

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Speaker 1: sort of robbery or something, if some sort of crime

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Speaker 1: was admitted on the gun. So usually just add this

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Speaker 1: thing to you add this type of charge to the

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Speaker 1: dockative charges that are already there, to just kind of

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Speaker 1: like you know, up the anti ad desassage to the tacos.

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Speaker 1: Usually this type of charge ain't the thing. But usually

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Speaker 1: were not talking about the president's son, you feel me.

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Speaker 1: And not only that, we talking about the president the

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Speaker 1: current president's son brought with a federal case, you know,

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Speaker 1: said when his daddy in charge? You feel me. So

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Speaker 1: it's a lot going on right here. This, I mean,

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Speaker 1: you could read this however you want. This could be

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Speaker 1: a sacrificial like this could be like a sacrificial lamb,

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Speaker 1: like I gotta throw my son to the wolves. This

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Speaker 1: could be you know, because in any other case, like

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Speaker 1: you look at Trump, Trump at a way of like

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Speaker 1: getting awed. He either get the stuff thrown out or

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Speaker 1: or get the joint delayed till February thirtieth. You feel

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Speaker 1: me like he figured out how to get out of

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Speaker 1: all this stuff, and it just kind of it just

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Speaker 1: kind of to me seemed like Biden is your run

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Speaker 1: of them or Hunter Biden, your run of this, your

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Speaker 1: run of the mill rich kids, you know who ain't

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Speaker 1: figure out how to hit the lick as good as

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Speaker 1: the other rich kids because the trumping them kids, they

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Speaker 1: didn't figure out how to use they richness. He just

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Speaker 1: keep messing up. And in his defense it might be

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Speaker 1: honestly because when he lost his brother, he just lost

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Speaker 1: his mind. I don't know next. Look like Israel got

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Speaker 1: faux hostages. They got faux hostages back, that's beautiful. Were

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Speaker 1: glad that y'all home and shot two hundred and seventy

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Speaker 1: people on the way out were like, come on, fail

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Speaker 1: got dog man? You what do you? Oh? I don't

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Speaker 1: even know how to just you had your you had

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Speaker 1: your hostages, dude, like just you had him like you

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Speaker 1: they're home once you shooting for never mind? And lastly,

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Speaker 1: old Biden, you know, one of the first episodes I've

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Speaker 1: done on the iHeart was called Joe Biden from Long Beach,

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Speaker 1: which got me in a little bit in trouble with

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Speaker 1: some actual like gang members because they was like you

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Speaker 1: saying here crip and I'm like, I could see how

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Speaker 1: you would say that, because most Long Beach, if you

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Speaker 1: black cripping. What I'm saying is he is no different

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Speaker 1: than Trump, just saying it nicer. And what you find

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Speaker 1: out about a lot of like like take like a

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Speaker 1: Vince Staples, like there's no question about his certification. Take

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Speaker 1: a Snoop Dazz. These are some of the like they're

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Speaker 1: the most likable dudes. They're just super likable, intelligent, fun

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Speaker 1: loving guys that are murderers like you can't like there's

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Speaker 1: no question about the gang banging in like they're not

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Speaker 1: safe men, they're just chilling, like you know. So what

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Speaker 1: I'm saying is like, don't don't let the fact that

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Speaker 1: they chilling fool you, like you know. So, what Joe

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Speaker 1: is doing at the border with his new immigration policy

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Speaker 1: is the weirdest. It's there's there is no difference in

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Speaker 1: his new policy. Then what Trump would say, The only

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Speaker 1: difference is he not calling him vermit, but the policy is, Hey,

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Speaker 1: we're gonna stop accepting any asylum seekers and we're gonna

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Speaker 1: send y'all back within the next four days because we

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Speaker 1: got too many of you. Y'all gotta stay out of here.

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Speaker 1: We don't know what to do with you. You gotta

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Speaker 1: go like we're not accepted, No more asylums. What that's

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Speaker 1: what Trump says. No, it's different, niggas the same anyway.

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Speaker 1: We'll unpack that much later. Now, let's get to this

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Speaker 1: story blackness, all right, Like I said, this is a

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Speaker 1: reflection on the past six months where we are the

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Speaker 1: state of the blackness address, if you will, and just

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Speaker 1: with the Queen, Congresswoman Jasmine Crockett with her dropping to

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Speaker 1: call this alliteration just cooking Marjorie Taylor, green, bleach, blonde,

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Speaker 1: bad built, butch body, just which I can't even say

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Speaker 1: without laughing. First of all, it's the perfect example of

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Speaker 1: us being unserious and serious at the same time. That's

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Speaker 1: that moment which we will build to by the end

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Speaker 1: of this episode, is exactly what I mean. Her display

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Speaker 1: of the sophistication, the sophistic ratchetness of what it means

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Speaker 1: to be a black professional and why I will say

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Speaker 1: and shout on the rooftop that our double consciousness, bi

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Speaker 1: cultural understanding of what it means to be professional, how

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Speaker 1: we can speak the King's tongue, how to play respectability politics,

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Speaker 1: and how to not be one to be played with

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Speaker 1: because we are from where we're from and we said

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Speaker 1: what we said. How that is displayed in this one

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Speaker 1: clip is again my foundational premise, which is we are

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Speaker 1: more equipped than anyone else in this world to do

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Speaker 1: the jobs that we do. Because this was perfect. It

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Speaker 1: was again black people showing you, Oh we got time.

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Speaker 1: I'm done with all this. I got time today. So

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Speaker 1: it's going to culminate with that. But what I want

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Speaker 1: to start rewind the clock back to a couple moments

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Speaker 1: in this year that has just made me realize, like, yeah,

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Speaker 1: we just decided this year that we got time. So

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Speaker 1: let's start first with how the year started Club Shay

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Speaker 1: Shay and Kat Williams. Okay, the year kicked off with

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Speaker 1: a bang with this interview from comedian Kat Williams, who

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Speaker 1: just now released aid Netflix comedy special which I'm gonna

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Speaker 1: lie to you kind of mid wasn't as funny as

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Speaker 1: I was hoping it would be. That being said this

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Speaker 1: interview was one of the funniest things I've ever heard

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Speaker 1: ever in my life because Kat decided he was gonna

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Speaker 1: spill all the tea. To understand why this is so

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Speaker 1: important is you kind of have to understand who Shannon

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Speaker 1: Sharp is and what he represents to us as a culture. Now.

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Speaker 1: Shannon Sharp former NFL player, then he was a sports

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Speaker 1: NFL commentator. He started his his YouTube podcast called Club Shasha.

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Speaker 1: He's got cognac in it. It's listened to us called

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Speaker 1: Sha She. Now, black people are very it's a very

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Speaker 1: normal like other Latinos will call the cardino, a very

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Speaker 1: normal cardino that you would give our our children where

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Speaker 1: we just say they names twice you cut their names

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Speaker 1: Kai Kai Sha she Like, that's a normal thing that

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Speaker 1: we do with our children. It's just it's a it's

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Speaker 1: a term of en bearing again a kadino, like if

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Speaker 1: you speak Spanish like there's no the translation is not direct.

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Speaker 1: But you know what I mean when I say it's

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Speaker 1: a cardigno. Right, So, and y'all you know white people

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Speaker 1: should make fun of it with like booboo like okay,

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Speaker 1: but y'all don't understand like booboo like calling our kids

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Speaker 1: stuff like that. First of all, boobo is is doodoo

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Speaker 1: like it's but it's also a pet now is anyway,

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Speaker 1: It's complicated, so saysha is already a throwback to just

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Speaker 1: very just blackness. Shannon's sharp in the way that he enunciates,

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Speaker 1: the way that he articulates his facial expressions, the points

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Speaker 1: he makes, even the depth of knowledge that he has

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Speaker 1: about things. But yet it's said in such a country manner,

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Speaker 1: is he's collectively our uncle because it's so authentic. He's

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Speaker 1: actually very well informed, very curious, knows what he's doing,

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Speaker 1: super professional, but he never lost. And I don't know

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Speaker 1: him well enough to know, but everybody else that knows

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Speaker 1: him says, no, that's real. That's really him. The you

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Speaker 1: know him with him would have black and mild and

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Speaker 1: some and some crown royal in it and you know,

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Speaker 1: slapping spades, playing Domino, sipping kangyac like he is. This

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Speaker 1: is our uncle, all of it, like everything was so

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Speaker 1: so his character, not in a derogatory term, but just

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Speaker 1: in the person with the persona, the person we're seeing

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Speaker 1: on the screen, whether it's authentic to him or not,

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Speaker 1: which again I believe it is. He is so familiar

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Speaker 1: to us. That's unk. He unk, like you know what

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Speaker 1: I'm saying, Like unk is obviously short for uncle, which

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Speaker 1: is just again it's a it's a term of respect

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Speaker 1: we give to older Black men who aren't necessarily our fathers,

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Speaker 1: right or not, like the in between, like a big

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Speaker 1: homie or a big cousin, you know what I'm saying,

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Speaker 1: Like a big homy a lot of times is a

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Speaker 1: little closer to your age. But like your unk, like

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Speaker 1: he a little older, you know what I'm saying. Like

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Speaker 1: you know, a few years ago, it would be like

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Speaker 1: the dude with the you know, with the bluetooth with

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Speaker 1: the with the funny looking bluetooth in his ear, like

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Speaker 1: he just oh heay, what's up, Chuck? Like the Spice

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Speaker 1: Adams character. Like now that person has gotten a little older,

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Speaker 1: a little more older, like our unks now are again

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Speaker 1: more like Shannon Sharp. They little more style, They got

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Speaker 1: a little they don't dress like seven, you feel me,

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Speaker 1: like they dress the way he dressed. He a little younger,

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Speaker 1: He still be outside, he still be courtside, you know

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Speaker 1: what I'm saying. But like y'all seeing them clips where

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Speaker 1: he looked back at homeboy, that really wanted to, wanted

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Speaker 1: to smoke with him, where he like, I'm still willing

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Speaker 1: to I'll dance with you, young boys. I'm still willing

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Speaker 1: to get down. Like my knees are still okay. You

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Speaker 1: know the old heads, like the Spice Adams characters, they

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Speaker 1: needs don't they needs ain't working, you know, you spraying

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Speaker 1: the juke on. These boys are still in the club

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Speaker 1: a little older than us. So that's Unk. You feel

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Speaker 1: me right that the girls they bringing around probably got it,

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Speaker 1: got grown children, you all saying, and maybe like a

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Speaker 1: one or two year old grand baby, but mama still

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Speaker 1: Grandma's still bad. She's still kind of young. You know,

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Speaker 1: she's still bad. She's still out party. That's who Unk

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Speaker 1: bring around. Like, so he already that to us. And

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Speaker 1: then you add in Kat Williams. Now Kat Williams a

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Speaker 1: legendary black comic, but he little odd. He always has

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Speaker 1: been a little odd. He decided to absolutely evisc a

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Speaker 1: rate every other black comic short of a fuel. And

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Speaker 1: he was like, you gonna not disrespect Bernie Max's name.

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Speaker 1: You gonna not disrespect D. L. Hugeley's name, because he

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Speaker 1: like they put in the work. But he's like, I

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Speaker 1: want all the smoke. I ain't got no respect for

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Speaker 1: no Steve Harvey, for no, said the entertainer. I'm saying

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Speaker 1: that Kevin Hart's to industry plan, like he just lit

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Speaker 1: everybody up. And then he then he talked about Faison Love,

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Speaker 1: which was gave us the quote of what I thought

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Speaker 1: was gonna be the quote of the year where he

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Speaker 1: said nobody knew that you know a minor was coming yet.

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Speaker 1: But at the time when he said you have a

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Speaker 1: strange alliance with losers and that is not like you,

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Speaker 1: he was talking about the fact that like Faison, who

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Speaker 1: played Big Worm and Friday, has never had no specials

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Speaker 1: and just never that he because he's his point is,

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Speaker 1: demand's not that funny. This happened and he was making

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Speaker 1: all these kind of like wild, outlandish claims, and then

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Speaker 1: video started surfacing where he was basically saying and said,

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Speaker 1: been stealing jokes this whole time. He stole the whole

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Speaker 1: show from Mark Curry, who we all loved, from a

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Speaker 1: show called Hang Him On, Mister Cooper. And then all

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Speaker 1: these clips of Sandy Entertainer actually ripping off jokes, and

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Speaker 1: it was like wow, like wait a minute, none of

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Speaker 1: us ever thought of that. And then he's making claims

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Speaker 1: about him being able to run like a four point

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Speaker 1: four forty yard dash, and then the video come out

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Speaker 1: like that man really running that fast, and it was

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Speaker 1: like nobody like just he wanted all. He came in

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Speaker 1: hot and up couldn't keep up with him. So it

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Speaker 1: set the tone for the entire year. And sometimes like

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Speaker 1: people say, like people have been saying this all like

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Speaker 1: again in the black spaces, like yo, we blaming this

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Speaker 1: whole year on Cat Williams. Cat Williams was like, I'm

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Speaker 1: spilling all the tea. I'm ready to be messy. Kat

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Speaker 1: decided he had time and he's out, and I will

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Speaker 1: argue this. He definitely set the tone for the rest

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Speaker 1: of the year. Now I can't blame everything else him,

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Speaker 1: but I tell you what, that was prophetic. We should

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Speaker 1: have known this year black people have decided we got

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Speaker 1: time and we're gonna deal with our own here. There

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Speaker 1: needed to be a reckoning with that. Now what he

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Speaker 1: said about Kevin Hart, I don't know. I don't know

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Speaker 1: that part of the industry, but I do know that

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Speaker 1: we was like, yo, this is a much better way

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Speaker 1: of starting this year than we expected to or you know,

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Speaker 1: because We're like, look a potential for January sixth, Part two,

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Speaker 1: an electric Boogooroo January sixth. The potential is here. So

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Speaker 1: we was already on edge, and I think that that

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Speaker 1: might be a part of why we was like, all right, look, no,

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Speaker 1: we're not playing around. So Kat Williams set us off.

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Speaker 1: The next thing was Sean p Diddy, Puffy Combs, my gog. Next,

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Speaker 1: all right, we're back. Let me back up a second

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Speaker 1: to the Me Too movement. Now, remember, first of all,

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Speaker 1: me too movement black woman who first coined the phrase.

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Speaker 1: Just make sure let's remember that, because again blackness. The

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Speaker 1: discussion among my world was the fact that me too

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Speaker 1: hadn't touched hip hop yet, and when it does, my lord.

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Speaker 1: That was you know, around the time that yeah, like

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Speaker 1: me Too first kicked out, kicked off with the you know,

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Speaker 1: Harvey Weinstein and came with everybody that you know, dropped off,

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Speaker 1: the Matt Lowers of the world, all this stuff that

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Speaker 1: was about powerful white dudes in corporate situations, you know,

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Speaker 1: Bill Cosby of course, R Kelly, of course. But those

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Speaker 1: were ones that like, yeah, we kind of already knew

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Speaker 1: that's blackness, but I hadn't hitten hip hop. Yet one

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Speaker 1: could argue that like R Kelly, but R Kelly as

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Speaker 1: an R and B singer that's not specifically hip hop influence,

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Speaker 1: is not hip hop okay. But because of the way

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Speaker 1: that misogyny has played such a huge role in rap

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Speaker 1: music and the history of how black women have bore

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Speaker 1: the brunt of the emotional and spiritual heavy lifting within

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Speaker 1: the black community, have been the first to protect black men,

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Speaker 1: most of the time to their own detriment. Don't I

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Speaker 1: try not to get into the battle of the sexes,

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Speaker 1: but it's just that's just a reality. This isn't to

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Speaker 1: drag black men. Listen, that's not what I'm saying. I'm

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Speaker 1: talking specifically about the experience of black women, whether we're

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Speaker 1: look in that Megan thee Stallion situation, which the reality is,

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Speaker 1: the more that we understand about kind of what happened,

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Speaker 1: she she lied, of course out front, but she lied

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Speaker 1: to protect Tory as in Tory Lanes, because she knows,

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Speaker 1: like all black women in Memoriam, that if you turn

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Speaker 1: black men over to them white people, they not gonna

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Speaker 1: show them no mercy. And Megan from the streets, so like,

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Speaker 1: you know, you just don't you don't snitch on the homies.

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Speaker 1: You deal with it in house. Right, this point I'm

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Speaker 1: making as far as like the historical precedents and trauma

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Speaker 1: of saying, if we pop off about about these black men,

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Speaker 1: they're gonna lynch him. They're gonna deal with this in

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Speaker 1: a way that's gonna cause more damage to our community.

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Speaker 1: So a lot of times black women in hopes to

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Speaker 1: protect our children, to protect our community, and even to

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Speaker 1: protect them is like they they take on, They take

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Speaker 1: on a lot of the suffering. Also, we get so

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Speaker 1: beat up as black men when we go outside by

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Speaker 1: this dominant white culture, this white supremacist culture. We get

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Speaker 1: beat up. By the time we go home, we ain't

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Speaker 1: got nothing left and who's nursing us to health? And

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Speaker 1: a lot of times taking the brunt of us not

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Speaker 1: being able to express ourselves fully when we outside, Like

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Speaker 1: we we I'm saying we because I'm talking about black men.

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Speaker 1: We take it out on our ladies, super you know, fraudulent,

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Speaker 1: coming at them sideways, finding our manliness, our masculinity, in

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Speaker 1: our violence and in our sexual prowess. Like this is

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Speaker 1: just this is just historical Black experience. This is kind

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Speaker 1: of just what it's been like this is one of

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Speaker 1: our maladies. Now, of course I'm speaking in a type

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Speaker 1: of generality, but understand that like these are some of

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Speaker 1: the pieces of trauma and PTSD that kind of sits

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Speaker 1: in our bones and sits in our community. That being said,

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Speaker 1: when we make our music, there is an understanding a

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Speaker 1: lot of times that, look, we just out here that

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Speaker 1: the music is the escapes. Sometimes it's the expression of

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Speaker 1: what we're going through, and other times it's the escape

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Speaker 1: or the hope of what we wish we were going through.

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Speaker 1: Like when you take like the old school early hip

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Speaker 1: hop rappers that were like Shaddy cooped the vial back then,

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Speaker 1: they back cooped the vial. It's like, you don't these

424
00:26:16,760 --> 00:26:19,399
Speaker 1: brothers lived in the projects, they didn't have they were

425
00:26:19,600 --> 00:26:22,000
Speaker 1: driving O Coop the Vill's nigga. They was on the bus,

426
00:26:22,160 --> 00:26:24,399
Speaker 1: the gold chains and all that stuff like this is

427
00:26:24,520 --> 00:26:29,080
Speaker 1: us finding ways to find value. We understood in that

428
00:26:29,280 --> 00:26:31,879
Speaker 1: sense that like yo, black men was a part of this.

429
00:26:32,480 --> 00:26:38,120
Speaker 1: Now black women expressing their sexuality and there they're expressing themselves,

430
00:26:38,160 --> 00:26:41,080
Speaker 1: whether it's twerking or the booty shaking and stuff like that.

431
00:26:41,160 --> 00:26:43,480
Speaker 1: Like back down South, they used to call it pussy popping.

432
00:26:43,560 --> 00:26:44,879
Speaker 1: That was just the name. That was just what it

433
00:26:44,960 --> 00:26:47,960
Speaker 1: was called, right, you know, And then he turned into

434
00:26:48,000 --> 00:26:51,240
Speaker 1: the term twerk. But like black women expressing themselves, you know,

435
00:26:51,280 --> 00:26:53,879
Speaker 1: whether it's salt and pepper being like very sexualized for

436
00:26:54,000 --> 00:26:57,560
Speaker 1: jj FAD, like they expressed themselves just like everybody else does.

437
00:26:57,680 --> 00:27:01,280
Speaker 1: And that was again an understanding in hip hop. But

438
00:27:01,280 --> 00:27:03,679
Speaker 1: then we started then it got weird because there was

439
00:27:03,720 --> 00:27:08,320
Speaker 1: still a type of misogyny in the concept of hip hop.

440
00:27:08,600 --> 00:27:12,239
Speaker 1: Bitches ain't shit but hose and tricks, right, like not

441
00:27:12,359 --> 00:27:15,879
Speaker 1: saying suck that deck, it ain't no fun if the

442
00:27:15,920 --> 00:27:19,920
Speaker 1: hummies came, have none and girls singing along. Now granted

443
00:27:19,960 --> 00:27:21,800
Speaker 1: with an understanding that like you bet, and I wish

444
00:27:21,880 --> 00:27:23,520
Speaker 1: Nigga would say that to me, like you bet, not

445
00:27:23,600 --> 00:27:26,040
Speaker 1: actually ever say that to me? Yeah, like the fact

446
00:27:26,080 --> 00:27:27,919
Speaker 1: that like Rhap City just put an album out and

447
00:27:27,960 --> 00:27:30,080
Speaker 1: she's like, look, let me tell you why I'm not

448
00:27:30,119 --> 00:27:33,199
Speaker 1: in your top five argument, it's because I don't have

449
00:27:33,240 --> 00:27:35,840
Speaker 1: a dick. We make weird like everybody else. There are

450
00:27:35,920 --> 00:27:39,359
Speaker 1: other there seventy cents to the dollar in hip hop,

451
00:27:39,440 --> 00:27:42,960
Speaker 1: like women who are rapping, like why is why isn't

452
00:27:43,280 --> 00:27:48,560
Speaker 1: Latifa Lil Kim, Foxy Brown MC light. Why are they

453
00:27:48,640 --> 00:27:51,480
Speaker 1: not in the arguments for Mount Rushmore's. You know, people

454
00:27:51,480 --> 00:27:54,520
Speaker 1: talking about Nikki now Nikki owe her career to little Kim, Like,

455
00:27:54,560 --> 00:27:57,120
Speaker 1: let's be real, there would be no Megans, there would

456
00:27:57,160 --> 00:27:59,000
Speaker 1: be none of that. It would be no Cardi B's

457
00:27:59,040 --> 00:28:01,119
Speaker 1: if it wasn't for somebody like a little Kim. And

458
00:28:01,160 --> 00:28:04,240
Speaker 1: then you take Rhap City. Who for me? I'm like, oh,

459
00:28:04,400 --> 00:28:07,240
Speaker 1: I don't know nobody rapping like Rhap City right now?

460
00:28:07,359 --> 00:28:11,320
Speaker 1: Like there's again she The argument is she is right,

461
00:28:11,600 --> 00:28:13,679
Speaker 1: she should be in the top five. We still have

462
00:28:13,720 --> 00:28:16,560
Speaker 1: a problem with massogy, We still have a problem with patriarchy.

463
00:28:16,640 --> 00:28:19,320
Speaker 1: We still don't understand this. That being said, it was

464
00:28:19,520 --> 00:28:22,479
Speaker 1: understood and kind of like nobody's saying the quiet thing

465
00:28:22,480 --> 00:28:24,119
Speaker 1: out loud. I feel like Charlommage and the God may

466
00:28:24,160 --> 00:28:26,439
Speaker 1: have brought this up once that like wait till Me

467
00:28:26,520 --> 00:28:29,840
Speaker 1: Two hits the hip hop community. It's because the music industry,

468
00:28:29,880 --> 00:28:33,800
Speaker 1: specifically in hip hop, it is some weird, weird stuff

469
00:28:33,840 --> 00:28:36,000
Speaker 1: that goes on, and a lot of it has to

470
00:28:36,080 --> 00:28:42,320
Speaker 1: do with in my mind power. Before I get to that,

471
00:28:42,800 --> 00:28:46,360
Speaker 1: there was an interview with IRV Gotti or No with

472
00:28:46,720 --> 00:28:49,920
Speaker 1: Ashanti about IRV Gotti, you know over at Murder Inc.

473
00:28:49,960 --> 00:28:52,800
Speaker 1: And some of this just horrible things he would say

474
00:28:52,800 --> 00:28:54,880
Speaker 1: to her, like I made every nigga in the world.

475
00:28:54,920 --> 00:28:57,080
Speaker 1: Won't a fuck you mind? I made you not even

476
00:28:57,120 --> 00:28:59,760
Speaker 1: that cute, like just trash, just just things you would

477
00:28:59,800 --> 00:29:02,080
Speaker 1: never say to a person, like unless you're a pimp.

478
00:29:02,120 --> 00:29:04,480
Speaker 1: And then some of these niggas since they were kingmakers,

479
00:29:04,520 --> 00:29:07,480
Speaker 1: just like Harvey Weinstein and them, like they were untouchable.

480
00:29:07,920 --> 00:29:10,200
Speaker 1: You couldn't there was nothing you could say because if

481
00:29:10,240 --> 00:29:14,040
Speaker 1: they blacklisted you, you was done. But finally somebody spoke

482
00:29:14,080 --> 00:29:17,040
Speaker 1: of and it was Cassie p Ditty's girl, who was

483
00:29:17,240 --> 00:29:20,120
Speaker 1: first of all, twenty years younger than him. So there's

484
00:29:20,160 --> 00:29:24,400
Speaker 1: that right. But that being said, Cassie brought the indictment.

485
00:29:24,600 --> 00:29:29,840
Speaker 1: But in the indictment, it brought a cascade of so

486
00:29:29,960 --> 00:29:33,240
Speaker 1: many other things to the point to which Diddy's house

487
00:29:33,360 --> 00:29:37,360
Speaker 1: was raided. Now this happened again at because black people

488
00:29:37,360 --> 00:29:40,200
Speaker 1: decided we had time today. This happened at the same

489
00:29:40,320 --> 00:29:43,640
Speaker 1: time that Beyonce dropped the Country out and we was

490
00:29:43,720 --> 00:29:46,880
Speaker 1: like listen country black too, I'm tired of letting you

491
00:29:46,960 --> 00:29:49,920
Speaker 1: yell because we got tired this year. I'm tired of

492
00:29:50,000 --> 00:29:53,440
Speaker 1: letting y'all think that this your music. No, no, no, no, no,

493
00:29:53,760 --> 00:29:57,640
Speaker 1: that's black too. Beyonce said, I'm reclaiming my time for

494
00:29:57,840 --> 00:30:01,440
Speaker 1: all of us country music. Black do your homework. I

495
00:30:01,520 --> 00:30:04,880
Speaker 1: got time. I'm making an album and I'm proven to

496
00:30:04,960 --> 00:30:08,680
Speaker 1: y'all that's not your music. And look, Higo, one hundred

497
00:30:08,760 --> 00:30:11,360
Speaker 1: other black country artists for you to check out who

498
00:30:11,480 --> 00:30:14,400
Speaker 1: been putting in work. I'm here for them. This is

499
00:30:14,440 --> 00:30:18,200
Speaker 1: all happening while we realizing what's going on with p Diddy,

500
00:30:18,520 --> 00:30:21,960
Speaker 1: that that man was whooping her tail. And what was

501
00:30:22,000 --> 00:30:24,720
Speaker 1: so interesting about that is like Diddy, he was the

502
00:30:24,760 --> 00:30:27,480
Speaker 1: worst kept secret. Everybody knew this, you just don't say

503
00:30:27,480 --> 00:30:29,920
Speaker 1: nothing about it. Black people decided they had time this year.

504
00:30:30,000 --> 00:30:33,240
Speaker 1: I don't know. Somewhere in the spirit, like we heard

505
00:30:33,240 --> 00:30:36,360
Speaker 1: the spirit talking, Ezekio saw the wheel my nigga man,

506
00:30:36,360 --> 00:30:38,880
Speaker 1: that is a black church reference. What was the church reference?

507
00:30:38,960 --> 00:30:42,920
Speaker 1: But like Ekyo Ezekio saw the whel way up in

508
00:30:43,000 --> 00:30:46,360
Speaker 1: the middle of the air, Ezekielo saw the whel way

509
00:30:46,440 --> 00:30:48,680
Speaker 1: in the middle of the air. If you know, you

510
00:30:48,800 --> 00:30:53,920
Speaker 1: know now in this moment, it was not only what

511
00:30:54,040 --> 00:30:57,760
Speaker 1: he was doing to her, but what was happening in

512
00:30:57,880 --> 00:31:01,720
Speaker 1: his relationship to other young rappers, whether it was Meek

513
00:31:01,800 --> 00:31:06,120
Speaker 1: Mill Usher. So now the rumors started started just going

514
00:31:06,240 --> 00:31:08,880
Speaker 1: all over the place where Diddy was either making them

515
00:31:08,920 --> 00:31:13,920
Speaker 1: commit sexual acts or they were like for him to watch,

516
00:31:14,240 --> 00:31:17,200
Speaker 1: or he was actually doing it to them. It was

517
00:31:17,280 --> 00:31:19,760
Speaker 1: understood that Diddy got cameras all over his house. And

518
00:31:19,800 --> 00:31:22,120
Speaker 1: the understanding is he got cameras all over his house.

519
00:31:22,360 --> 00:31:25,320
Speaker 1: Be so that nobody talks because I got you on camera.

520
00:31:25,320 --> 00:31:27,440
Speaker 1: Now I'm telling you this story firsthand from one of

521
00:31:27,480 --> 00:31:30,320
Speaker 1: my homies. I was there, so firsthand from his story.

522
00:31:30,360 --> 00:31:32,520
Speaker 1: You'd be at one of his parties, somebody tap you

523
00:31:32,600 --> 00:31:34,600
Speaker 1: on the shoulder and it's like, hey, it's probably you

524
00:31:34,680 --> 00:31:36,600
Speaker 1: might want to go ahead and leave now. And as

525
00:31:36,600 --> 00:31:40,280
Speaker 1: you seeing who coming in, that's your clue, like, yeah,

526
00:31:40,400 --> 00:31:43,240
Speaker 1: we should probably bounce on me like this stuff and

527
00:31:43,320 --> 00:31:45,760
Speaker 1: like thank God for that food. That's like, look, it's

528
00:31:45,760 --> 00:31:48,640
Speaker 1: time for you to go because things got real hectic

529
00:31:48,720 --> 00:31:51,760
Speaker 1: after that. Now inside of that indictment is that I

530
00:31:51,840 --> 00:31:55,280
Speaker 1: mean there's photos of like you know, being like making

531
00:31:55,360 --> 00:31:58,080
Speaker 1: young men force their penetration on other men, like all

532
00:31:58,160 --> 00:31:59,920
Speaker 1: kinds of stuff that was happening. It was like Nate

533
00:32:00,320 --> 00:32:02,760
Speaker 1: was like curing itself because again, if you were in

534
00:32:02,760 --> 00:32:05,400
Speaker 1: the music industry, you knew all this. You knew that

535
00:32:05,760 --> 00:32:07,880
Speaker 1: these were the type of things that he did, But

536
00:32:07,960 --> 00:32:10,440
Speaker 1: what we didn't know was what he was keeping quiet

537
00:32:10,520 --> 00:32:14,680
Speaker 1: about his girl. Then CNN decided to be the shade rule, Like,

538
00:32:15,400 --> 00:32:18,720
Speaker 1: it's so crazy, CNN, I like, I couldn't believe this.

539
00:32:19,080 --> 00:32:21,880
Speaker 1: I saw a comedian just talk about this. Wait, what's

540
00:32:21,920 --> 00:32:24,400
Speaker 1: the home girl name? Hold on, y'all, Monika Sanders, that's

541
00:32:24,400 --> 00:32:28,320
Speaker 1: her name. She was like, listen. CNN decided that y'all

542
00:32:28,320 --> 00:32:30,720
Speaker 1: don't watch the news anyway, y'all don't care about stuff

543
00:32:30,760 --> 00:32:32,640
Speaker 1: that really that really go on, so we might as

544
00:32:32,680 --> 00:32:34,800
Speaker 1: well show you the TMZ of it all. Just let's

545
00:32:34,840 --> 00:32:36,960
Speaker 1: get messy. She was like, they own some nigga shit,

546
00:32:37,080 --> 00:32:39,959
Speaker 1: which is hilarious because it's kind of true. Why is

547
00:32:40,080 --> 00:32:44,680
Speaker 1: Diddy on CNN? And then as a bonus for all

548
00:32:44,720 --> 00:32:48,800
Speaker 1: of us real ones, somebody messed up and booked Cameron

549
00:32:50,520 --> 00:32:54,640
Speaker 1: to come talk about this thing. And apparently y'all forgot

550
00:32:54,640 --> 00:32:57,600
Speaker 1: about Cameron on Bill O'Reilly, but they put her up

551
00:32:58,080 --> 00:33:02,680
Speaker 1: against a black commentator on CNN that was like, and

552
00:33:02,880 --> 00:33:08,600
Speaker 1: camera does what he does? He don't. Oh my god,

553
00:33:08,680 --> 00:33:10,920
Speaker 1: he's the most so hard. Look y'all gotta go look

554
00:33:10,920 --> 00:33:13,520
Speaker 1: at this clip of Cameron On. See it there he

555
00:33:13,640 --> 00:33:15,880
Speaker 1: in Vegas City, like you know what I'm saying, like,

556
00:33:16,000 --> 00:33:18,240
Speaker 1: you know, I don't speak on like, I don't really

557
00:33:18,320 --> 00:33:22,440
Speaker 1: know Diddy, So I wasn't even there. I'm talking about,

558
00:33:22,520 --> 00:33:25,200
Speaker 1: like did you? Because the lady was like, yo, is

559
00:33:25,240 --> 00:33:28,600
Speaker 1: this the Diddy you recognize? And He's like, got it.

560
00:33:28,760 --> 00:33:30,840
Speaker 1: I ain't zoomed into the photo to see if I

561
00:33:30,960 --> 00:33:34,040
Speaker 1: recognize him this Diddy. I mean, you know, I you know,

562
00:33:34,120 --> 00:33:36,280
Speaker 1: I don't condone none of them actions, but all that

563
00:33:36,400 --> 00:33:38,640
Speaker 1: like other stuff like I don't I wasn't there. He

564
00:33:38,680 --> 00:33:41,240
Speaker 1: ain't doing I don't know that stuff. I don't know

565
00:33:41,320 --> 00:33:46,640
Speaker 1: Diddy like that. She was like, were you was there

566
00:33:46,640 --> 00:33:49,520
Speaker 1: a reputation around the industry about his behavior. He's like,

567
00:33:49,840 --> 00:33:52,240
Speaker 1: are you really hanging with Diddy like that? Then he

568
00:33:52,480 --> 00:33:59,320
Speaker 1: SIPs this Oh my god, he SIPs this alixir that

569
00:33:59,440 --> 00:34:01,240
Speaker 1: like in New York that's like a thing you go

570
00:34:01,240 --> 00:34:05,480
Speaker 1: get these like little like tincture, little juices that you

571
00:34:05,520 --> 00:34:08,040
Speaker 1: would sip, and he goes, I'm sorry, I'm about to

572
00:34:08,080 --> 00:34:10,160
Speaker 1: get some cheeks later, So I gotta, I gotta, I

573
00:34:10,200 --> 00:34:14,000
Speaker 1: gotta sift this. And then he's like, yo, who's the

574
00:34:14,120 --> 00:34:16,960
Speaker 1: talent agent? Why you got me on here? Speaking on Diddy?

575
00:34:17,480 --> 00:34:23,759
Speaker 1: Just in it a disaster. But but it's so Cameron.

576
00:34:24,400 --> 00:34:28,759
Speaker 1: That's how he be. He forget about Bill O'Reilly. Oh

577
00:34:28,800 --> 00:34:31,560
Speaker 1: you mad, Oh you mad, you big mad. That's where

578
00:34:31,560 --> 00:34:34,600
Speaker 1: we got that from, you, mad bro. It was Cameron

579
00:34:34,840 --> 00:34:38,520
Speaker 1: on the Bill O'Reilly show. Oh my god, just greatness

580
00:34:38,760 --> 00:34:42,080
Speaker 1: they got because let me back up. There was footage

581
00:34:42,080 --> 00:34:48,040
Speaker 1: from a hotel where Diddy grossly abuses this young lady.

582
00:34:48,080 --> 00:34:50,960
Speaker 1: She's trying to leave her hotel room. She's at the elevator.

583
00:34:51,040 --> 00:34:55,759
Speaker 1: He follows her in a towel, no less, just nasty work,

584
00:34:55,840 --> 00:34:57,879
Speaker 1: grabs her by the head, throws her down, kicks her,

585
00:34:57,920 --> 00:35:03,520
Speaker 1: grabs her back. Just horrible, horrible, horrible, horrible, this inexcusable.

586
00:35:03,840 --> 00:35:06,279
Speaker 1: There's time where he sits down, he throws something at her.

587
00:35:07,080 --> 00:35:11,960
Speaker 1: Nasty work, diabolical in a towel. Just hell is your problem?

588
00:35:12,080 --> 00:35:15,000
Speaker 1: The word is he had paid that hotel fifty thousand

589
00:35:15,040 --> 00:35:17,120
Speaker 1: dollars to make sure that that don't go out. It

590
00:35:17,160 --> 00:35:19,080
Speaker 1: got out. CNN got it. I don't know how they

591
00:35:19,120 --> 00:35:21,520
Speaker 1: got it. But they got it and then they aired it.

592
00:35:21,520 --> 00:35:24,359
Speaker 1: It was just funny because we were like, I was like,

593
00:35:24,719 --> 00:35:26,640
Speaker 1: of all the people to get this in the air.

594
00:35:26,719 --> 00:35:30,160
Speaker 1: It CNN, y'all supposed to be. I thought, y'all was

595
00:35:30,200 --> 00:35:32,720
Speaker 1: the serious stuff. This is we're doing now we shade

596
00:35:32,800 --> 00:35:36,879
Speaker 1: room now right, which is hilarious, But the brud needed

597
00:35:36,880 --> 00:35:39,000
Speaker 1: to be aired out. It's been going on too long.

598
00:35:39,120 --> 00:35:42,360
Speaker 1: Black people decided this year we got time now. He

599
00:35:42,520 --> 00:35:47,640
Speaker 1: the next day puts up his apology. That was hard because,

600
00:35:48,160 --> 00:35:50,719
Speaker 1: first of all, in his defense, he owned it all.

601
00:35:50,760 --> 00:35:52,359
Speaker 1: There's no excuse. Well, I mean, what could you do.

602
00:35:52,440 --> 00:35:53,960
Speaker 1: I mean you could be like Trump and be like

603
00:35:54,000 --> 00:35:55,960
Speaker 1: that wasn't me, or it was y'all. Don't got the

604
00:35:55,960 --> 00:35:58,640
Speaker 1: whole picture. You didn't see the whole situation. He was like, nah,

605
00:35:58,640 --> 00:36:02,120
Speaker 1: that's inexcusable. There was no I was wrong. I was

606
00:36:02,160 --> 00:36:05,200
Speaker 1: the darkest place I've ever been and essentially like, well,

607
00:36:05,239 --> 00:36:07,520
Speaker 1: of course I tried to cover it up because it

608
00:36:07,560 --> 00:36:10,319
Speaker 1: was dirty work and I'm ashamed, and yeah, I didn't

609
00:36:10,320 --> 00:36:11,800
Speaker 1: want it to get out because it would destroy me

610
00:36:11,840 --> 00:36:14,200
Speaker 1: and it's embarrassing and it's wrong and I'm wrong. He

611
00:36:14,320 --> 00:36:16,799
Speaker 1: said he's gone to therapy since and tried to make

612
00:36:16,880 --> 00:36:19,920
Speaker 1: himself a better person, which you could discuss amongst yourselves

613
00:36:19,920 --> 00:36:22,439
Speaker 1: how you feel about that. Maybe he did. I don't

614
00:36:22,480 --> 00:36:25,759
Speaker 1: know him personally, and maybe it was like this was

615
00:36:25,800 --> 00:36:29,920
Speaker 1: a dark moment. I just don't know personally how you

616
00:36:30,000 --> 00:36:34,440
Speaker 1: can get to those moments. Aren't just isolated, like you

617
00:36:34,480 --> 00:36:37,279
Speaker 1: build to that type of violence. It happens. Like my

618
00:36:37,320 --> 00:36:39,160
Speaker 1: mom used to say, it's the little foxes. It's the

619
00:36:39,200 --> 00:36:41,600
Speaker 1: little things. You know, you don't pull them little weeds earlier.

620
00:36:41,600 --> 00:36:43,319
Speaker 1: You don't deal with them little things before they become

621
00:36:43,360 --> 00:36:46,080
Speaker 1: big things, and then little things. Is the commentary that

622
00:36:46,560 --> 00:36:49,799
Speaker 1: I want to talk to y'all about as somebody who

623
00:36:49,880 --> 00:36:52,600
Speaker 1: understands politics and you being from the hood, you know,

624
00:36:52,680 --> 00:36:55,600
Speaker 1: there's some people, and I think this was a prime

625
00:36:55,640 --> 00:36:59,640
Speaker 1: example of that. They get off on power. Now him

626
00:36:59,680 --> 00:37:02,120
Speaker 1: doing a lot of the gay stuff. I'm calling it

627
00:37:02,160 --> 00:37:04,440
Speaker 1: that because I'm trying to speak hood. That's not what

628
00:37:04,480 --> 00:37:06,960
Speaker 1: I mean by it. But follow me has converted the

629
00:37:07,080 --> 00:37:12,040
Speaker 1: term pause to no ditty. So if you say something like, oh, yeah, man,

630
00:37:12,200 --> 00:37:15,000
Speaker 1: I was banging that fool hard no didty like you're

631
00:37:15,480 --> 00:37:18,920
Speaker 1: it's it's a homophobic phrase. Pause is already homophobic. It's

632
00:37:18,960 --> 00:37:21,800
Speaker 1: when you say something that sounds like, you know, sexual

633
00:37:21,960 --> 00:37:24,160
Speaker 1: towards another man, you're supposed to be like pause, which

634
00:37:24,200 --> 00:37:27,600
Speaker 1: is a visual which is a verbal representation of what'supposed

635
00:37:27,680 --> 00:37:30,239
Speaker 1: what was supposed to be happening visually. That's where pause

636
00:37:30,360 --> 00:37:32,839
Speaker 1: kind of came from. It's like when you accidentally say like, nah,

637
00:37:32,880 --> 00:37:34,640
Speaker 1: I get it. You know, they want me to cut

638
00:37:34,680 --> 00:37:36,799
Speaker 1: my message in half and give you the six inch,

639
00:37:36,840 --> 00:37:38,920
Speaker 1: but I'm gonna shove the whole foot long down your throat.

640
00:37:39,080 --> 00:37:40,640
Speaker 1: You're supposed to like stop and look at each other

641
00:37:40,640 --> 00:37:43,120
Speaker 1: with like big eyes, which is like pause, Like wait

642
00:37:43,160 --> 00:37:45,520
Speaker 1: what I just say? Did that sound gay? So pause

643
00:37:45,600 --> 00:37:48,160
Speaker 1: is already that. So now that's been and I think

644
00:37:48,320 --> 00:37:51,360
Speaker 1: Mace coined it, which is its own funniness to be

645
00:37:51,480 --> 00:37:54,640
Speaker 1: like nah, no ditty. So that's the homophobicness that's in

646
00:37:54,680 --> 00:37:58,080
Speaker 1: our culture already. But sit that aside, okay, because it

647
00:37:58,200 --> 00:38:00,279
Speaker 1: sucks that that's the one thing that niggas really got

648
00:38:00,280 --> 00:38:03,040
Speaker 1: mad about was the gayness, not all the other stuff.

649
00:38:03,080 --> 00:38:05,560
Speaker 1: The gayness. But now that the video came out, it's like,

650
00:38:05,600 --> 00:38:08,040
Speaker 1: all right, fellas, like we really got to like this

651
00:38:08,200 --> 00:38:13,279
Speaker 1: some bullshit. And in our defense, the general understanding of

652
00:38:13,360 --> 00:38:16,200
Speaker 1: course this isn't the case with everything. If you like

653
00:38:16,239 --> 00:38:18,239
Speaker 1: a real nigga, like I keep saying nigga because IM

654
00:38:18,239 --> 00:38:19,680
Speaker 1: trying to get y'all to understand the way we talk

655
00:38:19,800 --> 00:38:22,880
Speaker 1: like among our neighborhoods. A real man don't put their

656
00:38:22,920 --> 00:38:25,440
Speaker 1: hands on no female stuff like that gets you. That

657
00:38:25,520 --> 00:38:27,680
Speaker 1: gets you packed out, Like you don't put your hands

658
00:38:27,719 --> 00:38:30,640
Speaker 1: on no female, like you're not a man. It's just

659
00:38:30,920 --> 00:38:33,759
Speaker 1: so like there are certain things you don't you don't

660
00:38:33,960 --> 00:38:36,840
Speaker 1: you don't touch no kids, and you don't hit no

661
00:38:36,920 --> 00:38:40,120
Speaker 1: female like you just we just don't accept that. But

662
00:38:40,200 --> 00:38:43,560
Speaker 1: the point I'm getting to here is niggas being like,

663
00:38:43,640 --> 00:38:45,480
Speaker 1: oh if you just gay, you gay nigga, like you

664
00:38:45,560 --> 00:38:47,279
Speaker 1: just on the gates, like just just you know, all

665
00:38:47,320 --> 00:38:48,879
Speaker 1: the nigga gay. You know what I'm saying, Like why

666
00:38:48,960 --> 00:38:52,000
Speaker 1: you front? Like, look, nigga, you gay? You gay? It's like, listen,

667
00:38:52,080 --> 00:38:54,480
Speaker 1: I don't think you understand what's going on here. It's

668
00:38:54,640 --> 00:38:59,160
Speaker 1: power some people. And understand this for your politics because

669
00:38:59,160 --> 00:39:01,720
Speaker 1: if you understand this about people and about a person

670
00:39:01,760 --> 00:39:03,879
Speaker 1: you talk to, you, then you can understand they moves

671
00:39:03,920 --> 00:39:06,279
Speaker 1: and what they doing. You get off on power. So

672
00:39:06,920 --> 00:39:10,960
Speaker 1: if you know you hold a person's career in your

673
00:39:11,080 --> 00:39:15,520
Speaker 1: hands that you can make or break them. Then it's

674
00:39:15,640 --> 00:39:21,000
Speaker 1: just it's almost erotic. It's like it's an arousal to

675
00:39:21,200 --> 00:39:25,520
Speaker 1: flex that power because at that level of celebrity, you

676
00:39:25,719 --> 00:39:30,600
Speaker 1: have essentially had sex with every prom queen in every city.

677
00:39:30,840 --> 00:39:36,600
Speaker 1: You've had sex with every beauty pageant winner across the world.

678
00:39:36,960 --> 00:39:40,840
Speaker 1: You've there is no there is no box you haven't visited.

679
00:39:41,000 --> 00:39:43,319
Speaker 1: So it's like a beautiful woman just doesn't do it

680
00:39:43,360 --> 00:39:46,240
Speaker 1: for you no more. Like it's the law of diminishing

681
00:39:46,280 --> 00:39:47,799
Speaker 1: returns a lot of times with these people like it

682
00:39:47,840 --> 00:39:50,120
Speaker 1: don't do it, Like there's what's the drive? The drive

683
00:39:50,280 --> 00:39:52,600
Speaker 1: was to be famous. I'm already famous, okay. The drive

684
00:39:52,760 --> 00:39:54,920
Speaker 1: was to bag the baddest chick. I've bagged the baddest

685
00:39:54,960 --> 00:39:57,560
Speaker 1: chick and everything. What else is there? What else is it? Money?

686
00:39:57,880 --> 00:40:00,080
Speaker 1: I'll never be able to spend the amount of money

687
00:40:00,120 --> 00:40:01,839
Speaker 1: that I have now, I'll never be able to do it.

688
00:40:01,920 --> 00:40:03,799
Speaker 1: Stuff don't get you off no more. And what gets

689
00:40:03,840 --> 00:40:06,520
Speaker 1: him off is power is telling a young man who

690
00:40:06,760 --> 00:40:09,239
Speaker 1: produced an amazing track that like, I'm not gonna put

691
00:40:09,239 --> 00:40:11,200
Speaker 1: it out unless you suck my homeboys, dick, and I

692
00:40:11,280 --> 00:40:12,879
Speaker 1: just want to watch it happen because I get off

693
00:40:12,920 --> 00:40:17,120
Speaker 1: not on not on the homo eroticism, but on the power.

694
00:40:17,320 --> 00:40:19,400
Speaker 1: Dudes get off on power, on the fact that I

695
00:40:19,440 --> 00:40:21,160
Speaker 1: can say what I want to say to you and

696
00:40:21,200 --> 00:40:23,040
Speaker 1: you're not gonna do nothing because you know I'm a

697
00:40:23,040 --> 00:40:25,160
Speaker 1: shot caller. You know I'll run the business, you know.

698
00:40:25,640 --> 00:40:28,280
Speaker 1: So that turns them on because like, how why would

699
00:40:28,280 --> 00:40:31,320
Speaker 1: you put your hands on somebody you love, especially especially

700
00:40:31,360 --> 00:40:33,960
Speaker 1: if you're a strong man on a young female, Why

701
00:40:34,000 --> 00:40:37,000
Speaker 1: would you date somebody that much younger than you? It's power?

702
00:40:37,480 --> 00:40:40,719
Speaker 1: Power to why else? Because that's what turns That's what

703
00:40:40,800 --> 00:40:43,799
Speaker 1: he enjoys. I'm not saying he did he because I

704
00:40:43,800 --> 00:40:45,560
Speaker 1: don't know him, But I'm saying this is the type

705
00:40:45,560 --> 00:40:48,839
Speaker 1: of behavior that that displays when people what they love

706
00:40:49,000 --> 00:40:51,319
Speaker 1: is not the job. It's not that. What they get

707
00:40:51,360 --> 00:40:55,040
Speaker 1: off on is power. And when you understand people like that,

708
00:40:55,200 --> 00:40:57,799
Speaker 1: what makes them, what drives them crazy is when they

709
00:40:57,880 --> 00:41:01,080
Speaker 1: lose power, is when they can't con troll the situation.

710
00:41:01,440 --> 00:41:04,520
Speaker 1: When you become ungovernable, they could be mad all they

711
00:41:04,560 --> 00:41:06,919
Speaker 1: won't like. Listen, if I'm in a room, I write

712
00:41:06,920 --> 00:41:09,359
Speaker 1: a dope hug for somebody and he say Hey, we're

713
00:41:09,360 --> 00:41:11,120
Speaker 1: not gonna do this, you know what I'm saying, unless

714
00:41:11,120 --> 00:41:13,640
Speaker 1: you diddle this dude's booty. I'm gonna unplug my laptop

715
00:41:13,680 --> 00:41:16,239
Speaker 1: and leave. And it's fine, it's okay if I'm not

716
00:41:16,320 --> 00:41:19,440
Speaker 1: a start black lists me. I don't need this. So

717
00:41:20,280 --> 00:41:24,319
Speaker 1: when you remove their oxygen tank of power, when they

718
00:41:24,520 --> 00:41:26,680
Speaker 1: when they see that they don't have it, either they

719
00:41:26,680 --> 00:41:28,719
Speaker 1: either black list you, block you off, or it makes

720
00:41:28,760 --> 00:41:32,880
Speaker 1: them freakishly angry and they lose it. If Cassie left,

721
00:41:33,080 --> 00:41:36,440
Speaker 1: he would lose power, and he desperately because no, we're

722
00:41:36,480 --> 00:41:38,680
Speaker 1: still not talking about why Shine is in prison. All

723
00:41:38,840 --> 00:41:43,000
Speaker 1: go do your googles power. So when you understand that

724
00:41:43,080 --> 00:41:47,360
Speaker 1: about your politics, about what's happening across the world, about

725
00:41:47,600 --> 00:41:50,560
Speaker 1: your Benjamin net and Yahoo's about all these different things happening,

726
00:41:50,640 --> 00:41:55,360
Speaker 1: Like when people just they it's power. That's the drug,

727
00:41:55,840 --> 00:41:59,359
Speaker 1: that's the aphrodijiac. So when I had to tell one

728
00:41:59,400 --> 00:42:01,319
Speaker 1: of these ogs, I was in this conversation with like

729
00:42:01,440 --> 00:42:03,040
Speaker 1: one of these all heads, and I was like, look, nigga,

730
00:42:03,080 --> 00:42:05,200
Speaker 1: it's not I'm not I don't think. I don't think

731
00:42:05,239 --> 00:42:08,719
Speaker 1: he's necessarily gay. First of all, there's such thing as bisexual,

732
00:42:08,800 --> 00:42:11,279
Speaker 1: which blew this old hands mind. It was like wait,

733
00:42:11,600 --> 00:42:13,520
Speaker 1: and I'm like, yes, nigga, that's a thing you could

734
00:42:13,560 --> 00:42:16,759
Speaker 1: be attracted to both because to the old head, if

735
00:42:16,800 --> 00:42:20,680
Speaker 1: you like men's booties, you gay. That's just it to them.

736
00:42:21,120 --> 00:42:23,400
Speaker 1: But I'm like, you can like a lot. But my

737
00:42:23,560 --> 00:42:27,279
Speaker 1: argument is he's not attracted to booties or titties. He's

738
00:42:27,320 --> 00:42:31,080
Speaker 1: attracted to power. That's what gets him off. And then

739
00:42:31,120 --> 00:42:33,000
Speaker 1: after we explained it, he was like, dang, yeah, I

740
00:42:33,000 --> 00:42:36,080
Speaker 1: get it because dudes go to jail. How do you

741
00:42:36,600 --> 00:42:39,760
Speaker 1: when you're raping another man in jail? It's not because

742
00:42:40,120 --> 00:42:44,800
Speaker 1: it's you're expressing dominant and Black people was done dealing

743
00:42:44,800 --> 00:42:47,600
Speaker 1: with this. We needed the nature to heal itself. It's

744
00:42:47,680 --> 00:42:51,080
Speaker 1: too much at stake right now for y'all to be active. Christy.

745
00:42:51,480 --> 00:42:54,520
Speaker 1: The next person that had time this year, which I

746
00:42:54,560 --> 00:42:57,800
Speaker 1: don't need to get too deep into, is Kendrick Lamar.

747
00:42:59,800 --> 00:43:03,480
Speaker 1: We've already done a three episode, no four episodes about

748
00:43:03,680 --> 00:43:07,400
Speaker 1: how again the culture decided we had time this. Okay, Listen,

749
00:43:07,719 --> 00:43:10,160
Speaker 1: why I say this year was the year was because

750
00:43:10,200 --> 00:43:11,920
Speaker 1: you have to remember, this is a ten to twelve

751
00:43:11,960 --> 00:43:17,320
Speaker 1: year feud and apparently it involved the entirety of rap music. Everybody,

752
00:43:18,360 --> 00:43:20,960
Speaker 1: everybody had a problem with Drake. The only person that

753
00:43:21,040 --> 00:43:23,880
Speaker 1: ever say something slightly nice was twenty one Savage and

754
00:43:23,920 --> 00:43:26,839
Speaker 1: what he said was like, man, I'm friends with both

755
00:43:26,880 --> 00:43:29,200
Speaker 1: of them, which is when you are like, that's the

756
00:43:29,239 --> 00:43:32,400
Speaker 1: reality when you family with everybody, like, that's your stance

757
00:43:32,400 --> 00:43:34,520
Speaker 1: you're supposed to be to where you like, look, man, like,

758
00:43:34,560 --> 00:43:36,520
Speaker 1: this ain't my fight. I'm friends with both of them.

759
00:43:36,560 --> 00:43:38,400
Speaker 1: I hope they work it out, you know, and you

760
00:43:38,440 --> 00:43:40,920
Speaker 1: could be truthful like Drake do some sideway stuff. I

761
00:43:40,920 --> 00:43:43,080
Speaker 1: don't know Kendrick the way I know Drake. I hope

762
00:43:43,080 --> 00:43:45,480
Speaker 1: they could work it out and it worked out. We

763
00:43:46,120 --> 00:43:49,960
Speaker 1: have successfully identified what we mean by a culture vulture,

764
00:43:50,320 --> 00:43:53,239
Speaker 1: by a colonizer, and we decided this year we just

765
00:43:53,280 --> 00:43:55,360
Speaker 1: not gonna stand for it. You're not gonna causeplay And

766
00:43:55,400 --> 00:43:58,040
Speaker 1: that's so crazy that like that's essentially what happened. It

767
00:43:58,080 --> 00:44:00,439
Speaker 1: was like, okay, you know what, we got time this year.

768
00:44:00,520 --> 00:44:03,960
Speaker 1: I'm addressing the cos player, I'm addressing the colonizer. Were

769
00:44:04,040 --> 00:44:06,640
Speaker 1: kicking this ship out of the culture and Drake has

770
00:44:06,680 --> 00:44:10,239
Speaker 1: become jaw Rule. Apparently we had time this year. Now

771
00:44:10,280 --> 00:44:13,080
Speaker 1: we'll see how Drake comes back. Maybe we'll see what

772
00:44:13,080 --> 00:44:15,120
Speaker 1: he does. I don't I don't know. I don't know

773
00:44:15,160 --> 00:44:17,520
Speaker 1: how this turns out. I'm just saying this is a

774
00:44:17,560 --> 00:44:21,760
Speaker 1: midyear reflection. And lastly, which is what made me decide

775
00:44:21,760 --> 00:44:26,760
Speaker 1: to do this whole show, was the bleach blonde, bad built,

776
00:44:26,960 --> 00:45:05,480
Speaker 1: butch body. Next. Okay, now, in a moment that would

777
00:45:05,520 --> 00:45:10,080
Speaker 1: probably go down in black Twitter history, were it still

778
00:45:10,120 --> 00:45:14,040
Speaker 1: a thing if Elon didn't break the app, I mean

779
00:45:14,120 --> 00:45:17,120
Speaker 1: this would this would be like at the level of

780
00:45:17,160 --> 00:45:21,160
Speaker 1: Meet Me in Temecula the Nigga Navy, which was really

781
00:45:21,200 --> 00:45:24,000
Speaker 1: my favorite. Yeah, that was probably my favorite Black Twitter moment.

782
00:45:24,239 --> 00:45:26,440
Speaker 1: This would go on in there. Do you guys know

783
00:45:26,480 --> 00:45:30,160
Speaker 1: what the House Oversight Committee is? It's actually very important

784
00:45:30,200 --> 00:45:32,120
Speaker 1: to the messiness of his story and why black people

785
00:45:32,120 --> 00:45:35,680
Speaker 1: finally decided they had time and how that is completely

786
00:45:35,719 --> 00:45:39,960
Speaker 1: manifested in Sweet Sister Jasmine. So when you become a

787
00:45:40,000 --> 00:45:44,160
Speaker 1: congressman congresswoman and you join, when you join the House

788
00:45:44,160 --> 00:45:47,439
Speaker 1: of Representatives, you got you have to join. You don't

789
00:45:47,480 --> 00:45:49,400
Speaker 1: just get to be there. You got to join a clique.

790
00:45:49,480 --> 00:45:52,680
Speaker 1: You have to join a committee you know, which I'm

791
00:45:52,719 --> 00:45:55,760
Speaker 1: calling a click that serves on that serves different roles

792
00:45:55,840 --> 00:45:57,920
Speaker 1: in the government for the actual use of goverment. Like

793
00:45:57,960 --> 00:45:59,799
Speaker 1: that's what your job description is. You got to join

794
00:45:59,840 --> 00:46:02,720
Speaker 1: a particular committee. So it's like that's the particular clique

795
00:46:02,719 --> 00:46:05,279
Speaker 1: that you work with. It's like, look your group project, right,

796
00:46:05,719 --> 00:46:08,600
Speaker 1: so there's the finance one. You know. Then you know

797
00:46:08,640 --> 00:46:12,000
Speaker 1: they have you've heard things like like the Black Caucus

798
00:46:12,000 --> 00:46:13,480
Speaker 1: and stuff like that. That's not what I'm talking about.

799
00:46:13,520 --> 00:46:16,359
Speaker 1: I'm talking specifically about being in the House of Representatives

800
00:46:16,440 --> 00:46:19,080
Speaker 1: or a congress person. This one is called the House

801
00:46:19,200 --> 00:46:23,960
Speaker 1: Oversight Committee, and the Oversight Committee their job is it's

802
00:46:24,120 --> 00:46:26,520
Speaker 1: is exactly how it sounds. This is supposed to be

803
00:46:26,640 --> 00:46:33,080
Speaker 1: for accountability among each other. Right, They provide oversight for

804
00:46:33,160 --> 00:46:39,400
Speaker 1: the actions of elected officials and task force that have

805
00:46:39,440 --> 00:46:42,680
Speaker 1: been put together, right, So they're a panel. So whenever

806
00:46:42,719 --> 00:46:48,040
Speaker 1: you're seeing fools get grilled by like you see on

807
00:46:48,800 --> 00:46:51,440
Speaker 1: the news, when you're seeing fools get grilled by the Congress,

808
00:46:52,000 --> 00:46:57,200
Speaker 1: it's it's this. They put together subpoenas. They're able to say, Yo,

809
00:46:57,239 --> 00:46:59,080
Speaker 1: you need to come in. You need to testify as

810
00:46:59,120 --> 00:47:02,000
Speaker 1: to like, you know, what the hell was going on,

811
00:47:02,719 --> 00:47:04,600
Speaker 1: Like you need to tell us what happened was and

812
00:47:04,640 --> 00:47:07,759
Speaker 1: what your thinking was for why this was happening. Some

813
00:47:07,800 --> 00:47:12,400
Speaker 1: of the more historical ones was around you know, the

814
00:47:12,480 --> 00:47:16,359
Speaker 1: nine to eleven attacks, right, somebody had to talk to

815
00:47:17,160 --> 00:47:19,480
Speaker 1: what was going on with like the avou Grand prison,

816
00:47:19,719 --> 00:47:22,640
Speaker 1: Like how were there any leaks? Did anybody know what

817
00:47:22,719 --> 00:47:26,840
Speaker 1: was going on? Stuff around Hurricane Katrina? Like why is

818
00:47:26,880 --> 00:47:30,360
Speaker 1: there why did FEMA move so slowly? Like tell us,

819
00:47:30,560 --> 00:47:33,359
Speaker 1: tell us what happened here? Right, So there's a lot

820
00:47:33,440 --> 00:47:36,799
Speaker 1: of things. Wwe was investigated by them, Like so you

821
00:47:36,920 --> 00:47:40,080
Speaker 1: just we just need to know if it's a national situation,

822
00:47:40,440 --> 00:47:42,880
Speaker 1: is there really a case here? And we could subpoena

823
00:47:42,960 --> 00:47:45,759
Speaker 1: people to come talk to the government to just for

824
00:47:45,920 --> 00:47:48,560
Speaker 1: us to know the people Michael Cohen had to sit

825
00:47:48,600 --> 00:47:50,319
Speaker 1: in front of this is the Senate, this is the

826
00:47:50,360 --> 00:47:54,000
Speaker 1: House Oversight Committee for us to know, like how do

827
00:47:54,040 --> 00:47:58,480
Speaker 1: we keep all this stuff accountable? Like now, like everything else,

828
00:47:58,680 --> 00:48:03,200
Speaker 1: it's become freakishly partisan. If you can, as your party

829
00:48:03,440 --> 00:48:08,279
Speaker 1: control who's in charge of what in the committee, then

830
00:48:08,320 --> 00:48:11,120
Speaker 1: you get to pick the cases and how those come.

831
00:48:11,200 --> 00:48:16,719
Speaker 1: Now right now, the majority in the Oversight Committee is Republican.

832
00:48:17,040 --> 00:48:20,359
Speaker 1: The guy that sits as the chair is a man

833
00:48:20,480 --> 00:48:25,320
Speaker 1: named James Comer from Kentucky. Who really a substitute teacher

834
00:48:25,400 --> 00:48:31,320
Speaker 1: looking head ass like bruhs just everything he feels like

835
00:48:31,360 --> 00:48:34,360
Speaker 1: he's he got dad jokes just like right out on

836
00:48:34,400 --> 00:48:36,879
Speaker 1: the tip of his tongue at all times. But I'm

837
00:48:36,880 --> 00:48:41,040
Speaker 1: gonna save the roaster for later anyway. Oh, another thing

838
00:48:41,080 --> 00:48:44,480
Speaker 1: I could say too about the the Senate or the

839
00:48:44,520 --> 00:48:48,000
Speaker 1: House Overside Committee is like on the sixteenth of May,

840
00:48:48,320 --> 00:48:53,240
Speaker 1: so this just happened, right, they are holding Attorney General

841
00:48:53,320 --> 00:48:56,880
Speaker 1: Merrick Garland in contempt of Congress for refusal to comply

842
00:48:57,480 --> 00:49:00,480
Speaker 1: with any subpoena issued by the Committee of Always. So

843
00:49:00,880 --> 00:49:02,839
Speaker 1: this just happened. So they get the right to do

844
00:49:02,880 --> 00:49:05,360
Speaker 1: stuff like that, like, Yo, we subpoenaed you. You saying no

845
00:49:05,480 --> 00:49:07,200
Speaker 1: about it? Like we get to hold you in content,

846
00:49:07,480 --> 00:49:10,359
Speaker 1: which is what this meeting we're about to talk about now.

847
00:49:10,400 --> 00:49:12,840
Speaker 1: The meeting got off late because a lot of the

848
00:49:12,880 --> 00:49:14,920
Speaker 1: old Trump heads was up in New York trying to

849
00:49:14,920 --> 00:49:17,959
Speaker 1: defend you know, his Cheeto sell in his situation today

850
00:49:18,040 --> 00:49:20,040
Speaker 1: was up in New York. The rest of the homies

851
00:49:20,440 --> 00:49:23,000
Speaker 1: was on this City House I keep calling it Senate,

852
00:49:23,080 --> 00:49:26,479
Speaker 1: this House Overside Committee, talking about can we hold Merrick

853
00:49:26,560 --> 00:49:28,920
Speaker 1: Garland and content? So you're supposed to go back and

854
00:49:28,960 --> 00:49:33,839
Speaker 1: forth about like are we down with this? Now? Enter

855
00:49:34,400 --> 00:49:39,720
Speaker 1: Marjorie Taylor Green. Now, if you know her, which you should,

856
00:49:39,880 --> 00:49:42,960
Speaker 1: I mean, she is a fully she's the fully evolved

857
00:49:43,080 --> 00:49:48,680
Speaker 1: pokemon of white woman privilege. Like she's the I'm sorry, guys,

858
00:49:49,000 --> 00:49:52,640
Speaker 1: she is the avatar of this. She worked the system

859
00:49:52,719 --> 00:49:55,520
Speaker 1: to the system work for her because I really honestly

860
00:49:55,560 --> 00:49:59,759
Speaker 1: don't really know what she believes or feels. I just

861
00:49:59,840 --> 00:50:03,200
Speaker 1: know she's the queen of the wild. Takes extreme maga

862
00:50:03,200 --> 00:50:05,839
Speaker 1: republican like to the point of where what she say

863
00:50:05,840 --> 00:50:08,759
Speaker 1: don't make sense, like this ain't even conservative, this is

864
00:50:08,880 --> 00:50:12,480
Speaker 1: just like I don't even know what you're talking about.

865
00:50:12,760 --> 00:50:16,640
Speaker 1: She has very little decorum because if you and this

866
00:50:16,719 --> 00:50:19,520
Speaker 1: is just factual, because if you go back to the

867
00:50:19,600 --> 00:50:23,000
Speaker 1: last two State of the Union's address, she booing, she

868
00:50:23,360 --> 00:50:27,319
Speaker 1: popping off, she's interrupting the dude like just she pop

869
00:50:27,400 --> 00:50:30,080
Speaker 1: off at all times. She's looking for the hot takes.

870
00:50:30,120 --> 00:50:33,160
Speaker 1: She's always looking for a zinger. A lot of times

871
00:50:33,480 --> 00:50:37,759
Speaker 1: she'd be incredibly conspiracy theory pilled, but she pop off

872
00:50:37,840 --> 00:50:39,840
Speaker 1: because she got the back end of the big hommy

873
00:50:40,120 --> 00:50:41,640
Speaker 1: y'all know what I mean by the big humpy and

874
00:50:41,719 --> 00:50:44,200
Speaker 1: people a lot of times let hers lid because she

875
00:50:44,360 --> 00:50:47,440
Speaker 1: famous like she's I mean, she's hot right now. She's like,

876
00:50:47,520 --> 00:50:49,879
Speaker 1: let's be real, like in the world, she hot right now,

877
00:50:49,920 --> 00:50:52,080
Speaker 1: and she's been hot for a while. Remember the whole

878
00:50:52,120 --> 00:50:54,239
Speaker 1: fifty DIDJA thing I talked about a long time ago,

879
00:50:54,400 --> 00:50:56,000
Speaker 1: and I was like, none of y'all counted for Margie

880
00:50:56,040 --> 00:50:59,520
Speaker 1: Taylor Green. The girl knows how to get a headline

881
00:50:59,640 --> 00:51:02,200
Speaker 1: and how how she does this is in these meetings

882
00:51:02,200 --> 00:51:05,440
Speaker 1: that are supposed to be rather boring and procedural. She

883
00:51:05,640 --> 00:51:08,600
Speaker 1: pops off, it's been real late they at this meeting,

884
00:51:09,160 --> 00:51:12,239
Speaker 1: and she continue to interrupt the meeting, asking questions that

885
00:51:12,239 --> 00:51:14,080
Speaker 1: really ain't got nothing to do what we talking about?

886
00:51:14,160 --> 00:51:16,320
Speaker 1: So she out of nowhere asked this question of the

887
00:51:16,480 --> 00:51:19,840
Speaker 1: of the panel, are any of the Democrats employing Judge

888
00:51:19,880 --> 00:51:23,360
Speaker 1: Marshan's daughter? Who is Judge Marshan? Doesn't matter for the story,

889
00:51:23,440 --> 00:51:25,719
Speaker 1: because it don't matter for the hearing either. Now you

890
00:51:25,880 --> 00:51:30,200
Speaker 1: hear what obviously is a black woman, which which you

891
00:51:30,280 --> 00:51:34,440
Speaker 1: can safely assume is Jasmine Crockett off camera because this

892
00:51:34,520 --> 00:51:36,640
Speaker 1: is all this is all recorded, because it has to be,

893
00:51:36,840 --> 00:51:40,200
Speaker 1: so it's off camera. You hear what is clearly a

894
00:51:40,200 --> 00:51:42,200
Speaker 1: black woman, say please tell me what this has to

895
00:51:42,200 --> 00:51:45,839
Speaker 1: do with Mary Garland essentially like hefa, what the hell

896
00:51:45,880 --> 00:51:49,360
Speaker 1: are you talking about? And then you hear which is

897
00:51:52,800 --> 00:51:56,520
Speaker 1: the funniest the second funniest thing in this clip is

898
00:51:56,560 --> 00:52:00,279
Speaker 1: you hear James Comer. Remember I told you substitute your

899
00:52:00,280 --> 00:52:04,560
Speaker 1: head ass? Like goes is she a porn star? Like? What?

900
00:52:05,440 --> 00:52:09,000
Speaker 1: And people is all like is she advising her? What? Like?

901
00:52:09,040 --> 00:52:10,839
Speaker 1: What is she talking about? Like you can hear the

902
00:52:10,880 --> 00:52:15,440
Speaker 1: sound of blackness being like, what is this? What do

903
00:52:15,480 --> 00:52:17,160
Speaker 1: you know what we're here for? Does she know what

904
00:52:17,200 --> 00:52:20,480
Speaker 1: we're here for? Like, just like can you believe us? Half? Like,

905
00:52:20,520 --> 00:52:23,040
Speaker 1: what is you talking about? So, but she's on mike

906
00:52:23,239 --> 00:52:26,759
Speaker 1: because it's just like, what's happening right now? What? So

907
00:52:26,800 --> 00:52:29,120
Speaker 1: that was strike one. So then Marjorie pops off with

908
00:52:29,160 --> 00:52:31,400
Speaker 1: her finger, Oh, oh you know, do we know what

909
00:52:31,440 --> 00:52:33,680
Speaker 1: you do? You know what you're here for? She goes, no,

910
00:52:33,840 --> 00:52:36,200
Speaker 1: do you know what you're here for? Then she makes

911
00:52:36,200 --> 00:52:39,920
Speaker 1: her fatal mistake. I think your fake eyelashes is getting

912
00:52:39,920 --> 00:52:42,200
Speaker 1: in the way. And then that's when the gavel hits

913
00:52:42,200 --> 00:52:45,600
Speaker 1: old order Order Order, So they like, mister chairman, can

914
00:52:45,600 --> 00:52:47,279
Speaker 1: you get a hold of your community. Can you get

915
00:52:47,320 --> 00:52:49,360
Speaker 1: your girl? Because she talking out her neck and the

916
00:52:49,400 --> 00:52:52,359
Speaker 1: whole room's like, oh, like yo, what is why are

917
00:52:52,400 --> 00:52:55,560
Speaker 1: you popping off? And Marjorie real proud of herself, like

918
00:52:55,600 --> 00:52:58,720
Speaker 1: oh boom roasted, like she proud of herself at this moment.

919
00:52:58,920 --> 00:53:06,080
Speaker 1: It's kind of funny watching all the clerks come and wild.

920
00:53:06,520 --> 00:53:08,640
Speaker 1: The guy that's supposed to be in charge, he needed

921
00:53:08,680 --> 00:53:10,960
Speaker 1: to check the playbook, like wait, can you are you

922
00:53:11,040 --> 00:53:13,040
Speaker 1: allowed to say this? Can you talk like that? Do

923
00:53:13,080 --> 00:53:15,640
Speaker 1: we need to strike this? I wait? What are the

924
00:53:15,719 --> 00:53:19,640
Speaker 1: rules right now? Like the nigga confused cuz cause he like,

925
00:53:19,840 --> 00:53:22,840
Speaker 1: I don't know what we supposed to do right now?

926
00:53:24,480 --> 00:53:28,239
Speaker 1: What right? And then the whole girl, the hall girl,

927
00:53:28,320 --> 00:53:30,040
Speaker 1: Jenny from the block, you know what I'm saying. The

928
00:53:30,040 --> 00:53:34,959
Speaker 1: hall girl AOC is like hot, jumps in and is like, yo, hey,

929
00:53:35,000 --> 00:53:36,680
Speaker 1: do we got like a point of order? Like yo,

930
00:53:36,719 --> 00:53:38,239
Speaker 1: do we got a point of order? And then one

931
00:53:38,239 --> 00:53:40,320
Speaker 1: white boy kind of steps in and he's asking about

932
00:53:40,360 --> 00:53:43,000
Speaker 1: financing stuff, which really was him trying to get his

933
00:53:43,040 --> 00:53:46,360
Speaker 1: bars off too, and AOC you hear her in the

934
00:53:46,400 --> 00:53:50,279
Speaker 1: back like, yo, that's that's disgusting. It's absolutely disgusting. She goes,

935
00:53:50,320 --> 00:53:52,040
Speaker 1: you know what, Actually, I have a point of order,

936
00:53:52,239 --> 00:53:54,480
Speaker 1: like a person who actually understands how the rules work.

937
00:53:54,600 --> 00:53:58,040
Speaker 1: She finally started talking. She was like, listen, I removed.

938
00:53:58,480 --> 00:54:01,759
Speaker 1: My point of order is that the parliamentarian strikes the

939
00:54:01,800 --> 00:54:06,040
Speaker 1: words of Congresswoman Marjorie Taylor Green because that is disgusting.

940
00:54:06,280 --> 00:54:09,160
Speaker 1: You not allowed to talk about somebody's body like this, man,

941
00:54:09,239 --> 00:54:12,360
Speaker 1: strike this from the record. She like, that's absolutely disgusting.

942
00:54:12,600 --> 00:54:15,680
Speaker 1: Marley Treyley Treen popping off like, oh are your feelings hurt?

943
00:54:15,960 --> 00:54:20,360
Speaker 1: All like just completely out of pocket. But again, stay

944
00:54:20,360 --> 00:54:23,080
Speaker 1: with me. Now. Most of the time, we ain't got

945
00:54:23,080 --> 00:54:24,640
Speaker 1: time for none of this. So when she's like, oh,

946
00:54:24,719 --> 00:54:28,360
Speaker 1: are your feelings hurt, Ao was like, oh girl, baby, girl,

947
00:54:28,719 --> 00:54:32,240
Speaker 1: Like basically like, girl, you listen. If you only knew

948
00:54:32,640 --> 00:54:34,759
Speaker 1: I just did this show. This is a side note,

949
00:54:34,800 --> 00:54:37,000
Speaker 1: but it's very important. I just did this this show

950
00:54:37,680 --> 00:54:43,000
Speaker 1: at Joseph Harp Correctional Facility prison at Okay See performed

951
00:54:43,040 --> 00:54:45,880
Speaker 1: out there, and I was talking to the brus about

952
00:54:46,120 --> 00:54:48,759
Speaker 1: about having inner piece, about like what's going on in

953
00:54:48,760 --> 00:54:50,680
Speaker 1: your own head and that you know, you deserve to

954
00:54:50,719 --> 00:54:52,680
Speaker 1: have that type of piece and whatever work you gotta do. Man,

955
00:54:52,680 --> 00:54:54,279
Speaker 1: I encourage you to do that work right, to get

956
00:54:54,280 --> 00:54:56,319
Speaker 1: that piece inside your head, because a lot of times

957
00:54:56,360 --> 00:54:59,440
Speaker 1: people see us and they think, and especially you, because

958
00:54:59,480 --> 00:55:01,799
Speaker 1: y'all are here, they think y'all crazy. And I'm like,

959
00:55:02,480 --> 00:55:05,640
Speaker 1: you only know what I tell you if you like,

960
00:55:05,960 --> 00:55:08,560
Speaker 1: you don't know what I don't say, Like if y'all knew,

961
00:55:09,680 --> 00:55:12,440
Speaker 1: if y'all knew what I was keeping on myself, oh baby,

962
00:55:12,480 --> 00:55:16,240
Speaker 1: you wouldn't. You don't know half of the crazy. So essentially,

963
00:55:16,320 --> 00:55:20,080
Speaker 1: what AOC is saying is like, oh, baby, girl, oh

964
00:55:20,160 --> 00:55:23,000
Speaker 1: if you only knew how much I hold back, like

965
00:55:23,280 --> 00:55:27,880
Speaker 1: and look and right now, who she was talking who

966
00:55:28,280 --> 00:55:31,880
Speaker 1: who Marjorie was talking about was Congresswoman Jasmine Crockett. She

967
00:55:31,920 --> 00:55:34,520
Speaker 1: was talking about her black woman, young black lady. She

968
00:55:34,600 --> 00:55:37,879
Speaker 1: was talking about her. But AOC jumps in and was like, hell,

969
00:55:38,440 --> 00:55:42,359
Speaker 1: oh hell no, right, and the white boys still can't

970
00:55:42,360 --> 00:55:44,360
Speaker 1: figure out how to get ordered right, which is so

971
00:55:44,520 --> 00:55:48,120
Speaker 1: funny to me. But again, none of them can control Marjorie.

972
00:55:48,200 --> 00:55:51,920
Speaker 1: She do whatever she won't. But yeah, AOC like, listen, baby,

973
00:55:51,960 --> 00:55:53,960
Speaker 1: don't even play, like, don't play with me. You have

974
00:55:54,040 --> 00:55:56,880
Speaker 1: to understand for a person of color, if a woman

975
00:55:56,920 --> 00:56:00,480
Speaker 1: of color, I'm gonna say specifically black or Latina if

976
00:56:00,520 --> 00:56:03,960
Speaker 1: she say don't play with me right, you need to stop.

977
00:56:04,160 --> 00:56:06,560
Speaker 1: Kendrick had a song on Damn that said stop playing

978
00:56:06,600 --> 00:56:08,680
Speaker 1: with me for I turn you to a song he's

979
00:56:08,920 --> 00:56:12,479
Speaker 1: talking about Drake, stop playing with me. That for black people,

980
00:56:12,480 --> 00:56:15,360
Speaker 1: that's your last warning. When white people say you're on

981
00:56:15,440 --> 00:56:19,080
Speaker 1: thin ice bucko, that is the black version of that

982
00:56:19,840 --> 00:56:23,720
Speaker 1: stop playing with me. That means you understand what it means.

983
00:56:23,880 --> 00:56:29,720
Speaker 1: So Ao's like, hey, don't play right. So somebody seconds

984
00:56:29,719 --> 00:56:31,759
Speaker 1: the motion that like I second the motion that those

985
00:56:31,800 --> 00:56:35,640
Speaker 1: words are struck, and the people running it is still confused.

986
00:56:36,000 --> 00:56:39,040
Speaker 1: That's the funniest part. They looking at documents like wait,

987
00:56:39,080 --> 00:56:40,960
Speaker 1: what are we supposed to do? How do we do

988
00:56:41,040 --> 00:56:45,479
Speaker 1: this right? They have lost all control of this. Mug

989
00:56:45,640 --> 00:56:48,440
Speaker 1: AOC is like, I'm not having it. That is unacceptable.

990
00:56:48,480 --> 00:56:50,160
Speaker 1: We're striking that. That is no way in the world

991
00:56:50,200 --> 00:56:51,920
Speaker 1: that's going in the record. But they're like, but they

992
00:56:51,960 --> 00:56:53,880
Speaker 1: don't know how to do it. So they're like, oh okay,

993
00:56:54,040 --> 00:56:55,880
Speaker 1: So they get the director. The leaders get the director.

994
00:56:55,880 --> 00:56:58,319
Speaker 1: It's like, do you agree to strike your words from

995
00:56:58,360 --> 00:57:01,880
Speaker 1: the record. Margie Taylor Green was like, I get like,

996
00:57:02,200 --> 00:57:04,560
Speaker 1: I still have four minutes of twenty second, which, as

997
00:57:04,600 --> 00:57:06,640
Speaker 1: a side note, was like, nigga, you've been talking this

998
00:57:06,719 --> 00:57:08,760
Speaker 1: whole time and none of it has been your time,

999
00:57:09,080 --> 00:57:12,080
Speaker 1: So what are you talking about? Right, But forget that part.

1000
00:57:12,360 --> 00:57:14,920
Speaker 1: She goes, yeah, yeah, I agree to strike it. AOC's like,

1001
00:57:14,960 --> 00:57:18,080
Speaker 1: you need to apologize, you're out of line, and she's like,

1002
00:57:18,400 --> 00:57:21,880
Speaker 1: I ain't apologizing, Like no, if they could cuss, it

1003
00:57:21,960 --> 00:57:24,480
Speaker 1: had been like, no, bitch, you need to apologize. Like

1004
00:57:24,600 --> 00:57:27,600
Speaker 1: I can hear those words in there. It's not happening

1005
00:57:27,640 --> 00:57:30,400
Speaker 1: there because somebody trying to be a professional. And then

1006
00:57:30,600 --> 00:57:33,600
Speaker 1: Margie Taylor was like, why don't you debate me? AOC

1007
00:57:33,880 --> 00:57:36,600
Speaker 1: was like, it's evan and you ain't got the intelligence

1008
00:57:36,600 --> 00:57:40,000
Speaker 1: for that. And so this is all happening while while

1009
00:57:40,000 --> 00:57:42,200
Speaker 1: the White boys is still trying to get ordered. Hey,

1010
00:57:42,320 --> 00:57:44,720
Speaker 1: like I haven't even recognized you, blah blah blah. Right,

1011
00:57:44,760 --> 00:57:47,160
Speaker 1: so all this has happening. They don't know how to work,

1012
00:57:47,160 --> 00:57:48,680
Speaker 1: they don't know how the laws work, they don't know

1013
00:57:48,720 --> 00:57:51,720
Speaker 1: the rules. It's too confusing. We never been in this situation.

1014
00:57:51,920 --> 00:57:54,440
Speaker 1: So he finally's like, okay, okay, everybody, okay, calm down, miscreen.

1015
00:57:54,480 --> 00:57:57,080
Speaker 1: We got two points of order. Everybody popping off. We

1016
00:57:57,120 --> 00:57:59,360
Speaker 1: want to strike AOC's word. We want to strike margitar.

1017
00:57:59,440 --> 00:58:03,200
Speaker 1: We got two points order, y'all. It's like, okay, everybody,

1018
00:58:03,240 --> 00:58:05,520
Speaker 1: every I called down, everybody, everybod shout up, shut uphut up,

1019
00:58:05,520 --> 00:58:07,560
Speaker 1: shut and shut up. Do you agree humanimously to strike

1020
00:58:07,600 --> 00:58:10,280
Speaker 1: your words, Margie Taylor Green? Yes, but I'm not apologizing

1021
00:58:10,480 --> 00:58:12,959
Speaker 1: these people be heard off words. He's like, ma'am, oh

1022
00:58:13,000 --> 00:58:15,400
Speaker 1: my god, do you agree to just strike the word?

1023
00:58:15,440 --> 00:58:18,040
Speaker 1: That's all I need from you, and then here go

1024
00:58:18,080 --> 00:58:19,880
Speaker 1: to order. We're gonna do this. Then we're gonna give

1025
00:58:19,920 --> 00:58:22,240
Speaker 1: you. You're gonna agree to this, and we're gonna give you

1026
00:58:22,320 --> 00:58:25,400
Speaker 1: four minutes. She's like, okay, word. Then you hear Jasmine

1027
00:58:25,400 --> 00:58:29,480
Speaker 1: speak up, which I bet you, y'all listen, if I

1028
00:58:29,480 --> 00:58:31,640
Speaker 1: could only have been sitting next to her at this time,

1029
00:58:31,720 --> 00:58:33,880
Speaker 1: let me tell you how hard we be laughing right now.

1030
00:58:34,080 --> 00:58:37,520
Speaker 1: So she says, my request for you right now is

1031
00:58:37,560 --> 00:58:42,160
Speaker 1: to just take a second and do your googles about

1032
00:58:42,840 --> 00:58:48,160
Speaker 1: miss Jasmine's bona fides, to just know how unbelievably intelligent

1033
00:58:48,200 --> 00:58:52,200
Speaker 1: this woman is. Now, okay, I have a point of order.

1034
00:58:52,360 --> 00:58:56,880
Speaker 1: They was like, who this jazz? Okay? Miss Crockett. She said,

1035
00:58:57,000 --> 00:58:59,480
Speaker 1: I just need some clarity. I just want to know

1036
00:58:59,840 --> 00:59:04,560
Speaker 1: if if someone were to start talking about a bleach blonde,

1037
00:59:04,920 --> 00:59:07,880
Speaker 1: bad built, butch body, that that would be a point

1038
00:59:07,880 --> 00:59:11,600
Speaker 1: of contention, Like, am I allowed to say that Jake's

1039
00:59:11,640 --> 00:59:25,280
Speaker 1: cobrag a what? Now? Listen, First of all, the alliteration

1040
00:59:26,120 --> 00:59:28,800
Speaker 1: number two. It's an alliteration that was probably off the

1041
00:59:28,880 --> 00:59:31,680
Speaker 1: head that she probably just thought of right there. Like

1042
00:59:32,680 --> 00:59:36,640
Speaker 1: because the asylum that black people was raised in, if

1043
00:59:36,680 --> 00:59:39,400
Speaker 1: there's anything we do well is we're gonna roast the

1044
00:59:39,400 --> 00:59:41,960
Speaker 1: hell out of you. You have no chances when it

1045
00:59:42,000 --> 00:59:44,480
Speaker 1: comes to getting roasted with us. We are just too

1046
00:59:44,520 --> 00:59:47,560
Speaker 1: good at this. This is our You have to understand

1047
00:59:47,920 --> 00:59:50,480
Speaker 1: the way we was because we get it from every angle.

1048
00:59:50,840 --> 00:59:53,440
Speaker 1: You get roasted from your cousins younger than you, You

1049
00:59:53,480 --> 00:59:57,160
Speaker 1: get roasted from your mama, your aunties, your uncles, your granddaddy,

1050
00:59:57,360 --> 01:00:00,560
Speaker 1: your grandma, every We we know how to clap back.

1051
01:00:00,720 --> 01:00:04,400
Speaker 1: There is never a situation where I'm not gonna figure

1052
01:00:04,440 --> 01:00:06,440
Speaker 1: out a way to clap back at you. We are

1053
01:00:06,480 --> 01:00:09,640
Speaker 1: too good at this. And again, what I keep trying

1054
01:00:09,640 --> 01:00:12,920
Speaker 1: to say to you when we say because AOC started it, like,

1055
01:00:13,040 --> 01:00:15,800
Speaker 1: don't play is you don't understand what I'm not saying

1056
01:00:15,840 --> 01:00:18,920
Speaker 1: to you. You have no idea because of the angry

1057
01:00:18,920 --> 01:00:20,960
Speaker 1: black woman thing. It's the same thing that happens as

1058
01:00:20,960 --> 01:00:24,560
Speaker 1: an angry black man because of that's that stereotype. The

1059
01:00:24,640 --> 01:00:28,120
Speaker 1: amount of control we have to have, the amount of

1060
01:00:28,680 --> 01:00:32,760
Speaker 1: biting of tongue because when you get to pop off

1061
01:00:32,840 --> 01:00:35,920
Speaker 1: as much as you want, but when I defend myself

1062
01:00:36,000 --> 01:00:38,760
Speaker 1: or when I pop off, I'm an angry black person.

1063
01:00:39,240 --> 01:00:43,400
Speaker 1: But sometimes we got time. Sometimes it's time for you

1064
01:00:43,440 --> 01:00:45,880
Speaker 1: to learn a lesson. You remember the fade in the water,

1065
01:00:46,120 --> 01:00:49,400
Speaker 1: the Montgomery, Alabama situation. We had time that day. There

1066
01:00:49,440 --> 01:00:51,920
Speaker 1: are times that we have time that is like, no,

1067
01:00:52,080 --> 01:00:54,800
Speaker 1: you know what, this is gonna stop today. You're gonna

1068
01:00:54,800 --> 01:00:57,960
Speaker 1: stop playing with me. So that's what seriously has happening.

1069
01:00:58,280 --> 01:01:00,320
Speaker 1: But she does it. Like I said, how black we

1070
01:01:00,320 --> 01:01:04,440
Speaker 1: could be very unserious about serious things and be serious

1071
01:01:04,480 --> 01:01:07,040
Speaker 1: about it. So what she gonna say is like, Okay,

1072
01:01:07,360 --> 01:01:10,160
Speaker 1: you got an issue with my eyelasses. You don't understand

1073
01:01:10,240 --> 01:01:13,040
Speaker 1: how hot I could get on your girl. I could

1074
01:01:13,120 --> 01:01:15,320
Speaker 1: cook you so bad right now. You don't even know

1075
01:01:15,760 --> 01:01:19,160
Speaker 1: like there was a be missing obviously, because we know

1076
01:01:19,200 --> 01:01:22,360
Speaker 1: how to control ourselves, but your little tail if we're

1077
01:01:22,360 --> 01:01:24,640
Speaker 1: gonna start talking about bodies, and they were like, whoa, whoa,

1078
01:01:24,640 --> 01:01:26,320
Speaker 1: you're out of Like She's like, look, I'm just trying

1079
01:01:26,320 --> 01:01:29,240
Speaker 1: to understand cause she gets to talk about she gets

1080
01:01:29,240 --> 01:01:31,480
Speaker 1: to talk about eyelashes. I just want to know what's

1081
01:01:31,520 --> 01:01:35,880
Speaker 1: appropriate or not cuz if so, so do I need

1082
01:01:35,880 --> 01:01:39,080
Speaker 1: to apologize. So I should apologize about that? Right? Is

1083
01:01:39,120 --> 01:01:41,920
Speaker 1: that the decorum? Is that what we're doing here. So

1084
01:01:42,120 --> 01:01:45,000
Speaker 1: essentially it's like listen, ma'am, And this is the lesson

1085
01:01:45,040 --> 01:01:50,760
Speaker 1: that I cannot tell you how often in every household,

1086
01:01:51,480 --> 01:01:54,479
Speaker 1: if you a real one and you got children, you've

1087
01:01:54,520 --> 01:01:59,720
Speaker 1: had to tell your younglings. Do not dish out what

1088
01:01:59,760 --> 01:02:03,480
Speaker 1: you cannot take. If you can't take it, don't give it,

1089
01:02:04,040 --> 01:02:07,160
Speaker 1: because oh I'm a serve it full for you. So

1090
01:02:07,400 --> 01:02:10,560
Speaker 1: do not dish out what you can't take. Black people decided.

1091
01:02:10,600 --> 01:02:13,680
Speaker 1: You know, I'm about done with you. You coming into

1092
01:02:13,720 --> 01:02:16,400
Speaker 1: my playing field right now. You not allowed to pop

1093
01:02:16,480 --> 01:02:19,400
Speaker 1: off no more because if you pop off again, I'm

1094
01:02:19,400 --> 01:02:21,919
Speaker 1: gonna roast you even worse. You think I'm worried about

1095
01:02:21,920 --> 01:02:26,160
Speaker 1: these white boys, ma'am, stop playing with me. And you

1096
01:02:26,240 --> 01:02:35,840
Speaker 1: see the senator sitting next to sitting next to James Covert,

1097
01:02:37,400 --> 01:02:43,600
Speaker 1: trying not to laugh, laugh, ho, this is amazing. But

1098
01:02:43,640 --> 01:02:45,480
Speaker 1: then the white lady gets to The white lady get

1099
01:02:45,520 --> 01:02:48,320
Speaker 1: to be like listen, calm down, calm down. She get

1100
01:02:48,360 --> 01:02:50,320
Speaker 1: to call us the angry one, and she's like no, no, no,

1101
01:02:50,320 --> 01:02:53,240
Speaker 1: no no, you want to smoke. Trying to get some clarification.

1102
01:02:53,560 --> 01:02:55,840
Speaker 1: Can we talk like this? Is we allowed to because

1103
01:02:55,840 --> 01:02:58,480
Speaker 1: you wouldn't apologizing. You don't think you're wrong. So I'm

1104
01:02:58,520 --> 01:03:00,560
Speaker 1: just trying to understand if this where we go, and

1105
01:03:00,760 --> 01:03:02,760
Speaker 1: if we're gonna get down, we're gonna get in. And

1106
01:03:03,320 --> 01:03:06,480
Speaker 1: again the white boys done lost control, and Margie Screen's

1107
01:03:06,480 --> 01:03:08,560
Speaker 1: still popping off, like calm down, I can't hear you

1108
01:03:08,600 --> 01:03:11,840
Speaker 1: of your anger. She's still popping off about AOC. And

1109
01:03:11,880 --> 01:03:14,640
Speaker 1: then AOC come back and like, hold up, I move

1110
01:03:14,720 --> 01:03:17,160
Speaker 1: to strike her words a second time because of the

1111
01:03:17,200 --> 01:03:21,120
Speaker 1: derogatory thing she's saying about a second person. Listen, black

1112
01:03:21,120 --> 01:03:26,320
Speaker 1: and brown unity out this mug. That's how we roll, y'all. Listen,

1113
01:03:26,760 --> 01:03:28,880
Speaker 1: we got time this year, so they can't even get

1114
01:03:28,880 --> 01:03:31,840
Speaker 1: the whole thing. And AOC gotta explain the rules to

1115
01:03:31,880 --> 01:03:33,840
Speaker 1: the guy that's supposed to be a charge. She's like, listen,

1116
01:03:34,200 --> 01:03:36,840
Speaker 1: I know you saying that she recognized for her four

1117
01:03:36,880 --> 01:03:39,919
Speaker 1: minutes and twenty seconds. The problem is she can't talk

1118
01:03:40,000 --> 01:03:42,080
Speaker 1: yet because you don't know the rules. There is a

1119
01:03:42,160 --> 01:03:45,160
Speaker 1: motion to strike her words the second ones. She's still

1120
01:03:45,200 --> 01:03:47,400
Speaker 1: popping off about me. That needs to get struck before

1121
01:03:47,440 --> 01:03:50,200
Speaker 1: you can recognize her. You have to acknowledge this. How

1122
01:03:50,680 --> 01:03:54,520
Speaker 1: why am I explaining the rules to you? Usually you

1123
01:03:54,680 --> 01:03:57,880
Speaker 1: just let pettiness be pettiness because we keep our eyes

1124
01:03:57,880 --> 01:04:01,360
Speaker 1: on the prize. But sometimes you gotta pop out and

1125
01:04:01,400 --> 01:04:03,920
Speaker 1: show me. We got time this year and it's only

1126
01:04:04,320 --> 01:04:07,800
Speaker 1: this is only June, and I cannot be more proud

1127
01:04:08,640 --> 01:04:11,680
Speaker 1: how these black and brown women are showing up. So

1128
01:04:11,800 --> 01:04:14,000
Speaker 1: let's just see, man. I hope hopefully we keep this

1129
01:04:14,120 --> 01:04:18,400
Speaker 1: same energy. You know, this is the look. I love it.

1130
01:04:19,480 --> 01:04:34,560
Speaker 1: We got time this year politics, y'all. All right, now,

1131
01:04:34,600 --> 01:04:37,200
Speaker 1: don't you hit stop on this pod. You better listen

1132
01:04:37,240 --> 01:04:39,400
Speaker 1: to these credits. I need you to finish this thing

1133
01:04:39,480 --> 01:04:43,600
Speaker 1: so I can get the download numbers. Okay, so don't

1134
01:04:43,640 --> 01:04:48,160
Speaker 1: stop it yet, but listen. This was recorded in East

1135
01:04:48,200 --> 01:04:51,880
Speaker 1: Lost Boyle Heights by your Boy Propaganda Tap In with

1136
01:04:51,960 --> 01:04:54,560
Speaker 1: Me at prop Hip Hop dot com. If you're in

1137
01:04:54,600 --> 01:04:57,920
Speaker 1: the Coldbrew coffee we got Terraform Coldbrew. You can go

1138
01:04:58,040 --> 01:05:01,760
Speaker 1: there dot com and use promo code hood get twenty

1139
01:05:01,760 --> 01:05:05,520
Speaker 1: percent off get yourself some coffee. This was mixed, edited,

1140
01:05:05,640 --> 01:05:09,400
Speaker 1: and mastered by your boy Matt Alsowski Killing the Beat Softly.

1141
01:05:09,480 --> 01:05:13,080
Speaker 1: Check out his website Mattowsowski dot com. I'm a spelling

1142
01:05:13,160 --> 01:05:17,080
Speaker 1: for you because I know M A T T O

1143
01:05:17,560 --> 01:05:23,200
Speaker 1: S O W s ki dot com Matthowsowski dot com.

1144
01:05:23,360 --> 01:05:25,080
Speaker 1: He got more music and stuff like that on there,

1145
01:05:25,120 --> 01:05:28,640
Speaker 1: so gonna check out. The heat Politics is a member

1146
01:05:28,680 --> 01:05:33,080
Speaker 1: of cool Zone Media, Executive produced by Sophie Lichterman, part

1147
01:05:33,120 --> 01:05:37,680
Speaker 1: of the iHeartMedia podcast network. Your theme music and scoring

1148
01:05:37,800 --> 01:05:40,640
Speaker 1: is also by the one and nobly Matt Awsowski. Still

1149
01:05:40,720 --> 01:05:44,200
Speaker 1: killing the beat softly, So listen, don't let nobody lie

1150
01:05:44,240 --> 01:05:47,200
Speaker 1: to you. If you understand urban living, you understand politics.

1151
01:05:47,280 --> 01:05:50,040
Speaker 1: These people is not smarter than you. We'll see y'all

1152
01:05:50,080 --> 01:06:03,120
Speaker 1: next week on the w