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Speaker 1: All right, man, Bootleg Cam podcast special guests in here.

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Speaker 1: They go by Magic and Bird aka Andy Mineo and

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Speaker 1: words played.

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Speaker 2: Yeah, yeah, yeah, take that, Take that, Take that.

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Speaker 1: Welcome back to Andy, second time on the show. It's

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Speaker 1: been a while, It has been a minute.

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Speaker 2: You were in a totally different place last time.

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Speaker 1: I said, we're in a new place now. But it's

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Speaker 1: not a new place. It's an old place, but it's

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Speaker 1: it's new for you, it's new for me.

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Speaker 3: Was that pre or post pandemic?

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Speaker 2: I think it was just.

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Speaker 1: After the pandemic when I was just after twenty one

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Speaker 1: maybe yeah, yeah, definitely post COVID. So welcome.

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Speaker 3: So how long?

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Speaker 1: First of all, how long you guys been friends?

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Speaker 2: Because it's been so long that you had to ask me,

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Speaker 2: you're still with your lady? That's a question, which is

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Speaker 2: a great you know, he did that off camera, which

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Speaker 2: I appreciate.

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Speaker 1: Yeah, hey, you're still with your lady? Right?

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Speaker 2: Oh yeah, you don't people getting divorced right now. I

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Speaker 2: could have had a whole different family. I could have

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Speaker 2: found out.

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Speaker 3: The error on that side of assumption.

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Speaker 1: Yeah that's good.

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Speaker 2: Yeah, it was twenty one so five years.

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Speaker 1: Yeah, So welcome back, man, You guys how did this

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Speaker 1: Larry and Bird thing come together?

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Speaker 2: Yeah, the Magic and Bird project, Larry and Bird, Larry Bird,

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Speaker 2: yea yeah, Magic and Bird. Yeah. Yeah, it was just

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Speaker 2: it kind of started as it in twenty seventeen. It

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Speaker 2: started as a joke and it was like, we should

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Speaker 2: do a side project because Words played, one of my

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Speaker 2: favorite artists, favorite writers, closest friends, was getting busy doing

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Speaker 2: his own thing creating music, and I was like, your

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Speaker 2: voice is unbelievable. So we we collabed on like a

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Speaker 2: song or two. We had a ton of fun doing it, and.

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Speaker 3: I was like.

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Speaker 2: I was trying to find I was in my era

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Speaker 2: of like I just worked on Uncomfortable, I was working

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Speaker 2: on the Arrow, and I was in like really deep

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Speaker 2: kind of music, like you know, very vulnerable and expressive,

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Speaker 2: and everything we were doing was a lot of fun.

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Speaker 2: So our boy Dell was he came up with the idea.

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Speaker 2: He pitched it to us.

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Speaker 1: We laughed the draft old school draft photo and.

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Speaker 2: We did the old school draft photos NBA, so it

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Speaker 2: was very like NBA themed and we just had fun

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Speaker 2: and it was like this is supposed to be like

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Speaker 2: a side project that just kind of held us over

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Speaker 2: and it was an outlet, ended up being the number

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Speaker 2: one independent album in the country. We ended up going

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Speaker 2: on tour, selling out a huge tour, and it became

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Speaker 2: like a fan favorite. Yeah, so our fans have ever

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Speaker 2: been asking like, when are you going to do part two?

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Speaker 2: And so we fine years. Yeah, so seventeen was the

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Speaker 2: last time.

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Speaker 1: So yeah, so what was the I guess, like, was

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Speaker 1: there something that happened to you, like, all right, it's time.

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Speaker 2: We had always said we wanted to do it, but

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Speaker 2: it was like I continued on with my career and

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Speaker 2: John was out and he was in Cali. So I

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Speaker 2: was in New York. He's in Cali. Then I moved

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Speaker 2: to Atlanta. So it was just hard to keep up

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Speaker 2: with it. So we would try to do like a

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Speaker 2: week you know, creative trip here and there, but you

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Speaker 2: just don't get enough momentum. You know, you do a week,

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Speaker 2: you get a song or two, then you don't see

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Speaker 2: each other for another three months. So I finally got

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Speaker 2: him to move. That was the catalyst. He moved out

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Speaker 2: to Atlanta where I'm at, and we've been locking in

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Speaker 2: the studio like what.

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Speaker 1: Saving all that rent money?

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Speaker 3: God? Yeah, and I had a kid too, so you pandemic. Yeah, yeah, pandemic,

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Speaker 3: family stuff, but moving and.

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Speaker 1: You were out here in LA.

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Speaker 3: I was in San Diego.

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Speaker 1: Oh even more expensive, Yeah, even.

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Speaker 3: More which is crazy. It is so I was, I

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Speaker 3: had the uh I had, I was. I was chained

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Speaker 3: to the beach, as they say. But what beach?

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Speaker 1: Which one?

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Speaker 3: Coronado Beach is my favorite?

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Speaker 1: I love it out there.

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Speaker 3: It's it's for tiring though.

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Speaker 1: I feel like San Diego is like what people because

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Speaker 1: you know, like people come to l A and they're like,

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Speaker 1: I want to go to the beach and I'm like,

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Speaker 1: why don't dre Yeah, yeah.

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Speaker 3: What you think you're getting in LA is actually in

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Speaker 3: San Diego.

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Speaker 1: Yeah, like in San Diego, you want to go to

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Speaker 1: the beach, it.

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Speaker 3: Could just go stepping over bodies and yeah, but not so.

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Speaker 1: You were so what do you you were just in

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Speaker 1: San Diego?

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Speaker 3: Just I was in the navy, uh for for years.

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Speaker 3: And it was actually and.

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Speaker 1: Thank you for your service, thank you, thank me.

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Speaker 3: You don't have to thank me. Just enjoy your freedoms. Uh.

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Speaker 3: It was it was him actually we talked to me.

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Speaker 3: I was kind of at the do I make this

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Speaker 3: a career, because you know, if you do, you were

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Speaker 3: I'd be retired in four years. Big mistake. Should have

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Speaker 3: stayed in, but uh but no, No, he was the

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Speaker 3: one who actually spoke like talk to me, talk me

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Speaker 3: into getting out, you know, like you you could do

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Speaker 3: this six years, six years, six years.

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Speaker 1: Yeah, if you would have stayed in for ten full ten,

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Speaker 1: you'd have been retired.

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Speaker 2: No.

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Speaker 3: I was at the point where I could have re

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Speaker 3: upt for four more years, and then you hit ten years,

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Speaker 3: and then once you hit ten, it's like you're gonna

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Speaker 3: do another ten, you know, but that's fourteen yeah, yeah, yeah,

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Speaker 3: So it's kind of kind of.

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Speaker 1: Like what were you doing in the navy?

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Speaker 3: It was an engineering officer, so you were.

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Speaker 1: Like important like making sure that the ship was steered

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Speaker 1: and stuff.

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Speaker 3: I stood over the people that were making over the

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Speaker 3: ship was steered with my hands on my hips, like,

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Speaker 3: hey guys, I'm here to sign anything you need. That

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Speaker 3: was the That was a signature.

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Speaker 1: That's if you needed to steer a boat. You could

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Speaker 1: steer a boat like a big boat, like a like

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Speaker 1: a cruise ship. If like you're on a cruise and

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Speaker 1: you guys are on some kind of fucking wrap cruise,

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Speaker 1: and yeah, I could I could say.

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Speaker 2: The captain dies John's taken over.

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Speaker 1: You could you could, you could get all you could

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Speaker 1: manage down there.

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Speaker 3: I could figure it out, Yeah yeah I could actually,

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Speaker 3: probably not.

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Speaker 2: All I see is the meme of the guy standing

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Speaker 2: in front of all the cables.

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Speaker 3: Yeah, yeah, I could figure it out. Yeah, yeah that

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Speaker 3: would Yeah yeah I could. Actually, It's such a different life.

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Speaker 3: But yeah, it's funny you asked.

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Speaker 1: That the captain. I'm the captain now.

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Speaker 3: It's called the officer of the deck, the officer of

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Speaker 3: the deck, and I'm after the deck qualified.

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Speaker 1: So would you guys get down to Tijuana at all?

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Speaker 3: I would go to t J.

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Speaker 1: Yeah, would you go down there for like the food,

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Speaker 1: for the medicine.

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Speaker 3: Food medicine, uh crab. They got the best seafood, best

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Speaker 3: seafood in the world. I would argue, best seafood in

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Speaker 3: the world.

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Speaker 1: I would argue, have you've been too Absolutely.

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Speaker 3: Get the lobsters, rice beans, tequila chips.

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Speaker 1: They is like it's the mech I think in Mexico.

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Speaker 1: It's like the lost Yeah right, right, right right, And

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Speaker 1: it's forty minutes from TJ.

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Speaker 3: And I'm sure it's six bucks yeah yeah, I mean yeah,

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Speaker 3: I mean for twenty bucks we're all everyone in this room.

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Speaker 1: Every time I go to every time I go to Mexico,

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Speaker 1: the spread I get, Yeah, man, it's so fat, it's

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Speaker 1: but it's just savice, fish oysters, and I'm just me,

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Speaker 1: yeah man, And it's I won't eat for like a

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Speaker 1: day and a half if I know I'm going to TJ.

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Speaker 3: And it's a day trip, which makes it even better.

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Speaker 3: You're back in your bed that night. Yeah, it's that there,

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Speaker 3: miss the proximity.

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Speaker 2: A prominent rapper, a friend of mine, he moved to Mexico.

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Speaker 1: Oh, I mean that's a little different. King Little G

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Speaker 1: moved there. But I don't even know if you know

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Speaker 1: who that is. No, I don't know that different worlds.

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Speaker 2: Well, every time I call him at beeps, you know

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Speaker 2: how you know something else is h He's somewhere else

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Speaker 2: you want.

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Speaker 1: It would be an interesting place to move. I know

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Speaker 1: a couple of DJs who moved there. Who DJ in

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Speaker 1: San Diego.

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Speaker 3: Yeah, we thought about it. My wife and I considered it.

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Speaker 3: She's a painter too, so we could have gotten a

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Speaker 3: nice space.

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Speaker 1: People don't understand like it is, like I understand, like

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Speaker 1: there's like this narrative about it being like cartel land,

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Speaker 1: but like it's a fucking real city.

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Speaker 3: Well that and I mean the cartel wants the money

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Speaker 3: there too, they don't want to Yeah, so it's like, yeah,

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Speaker 3: bring those dollars over here so he could keep operating,

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Speaker 3: it's for sure.

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Speaker 1: So you guys decided to do part two. Yeah, you're

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Speaker 1: both in Atlanta working on this together.

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Speaker 3: Yeah.

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Speaker 1: Yeah, how what was the I guess how long? From

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Speaker 1: how long was the recording process?

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Speaker 2: It's been two years of recording basically twenty four we started, yeah,

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Speaker 2: going for it.

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Speaker 3: Yeah, even even earlier, but I would say like those

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Speaker 3: are like test run yeah yeah, with a target in mind.

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Speaker 3: Probably two years yeah, with it like.

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Speaker 2: Because we just dropped a song called Turbo and the

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Speaker 2: girl who did the chorus, she just posted pictures like,

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Speaker 2: oh I remember this session and it was twenty twenty four,

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Speaker 2: so a lot of this it's it's uh, it was

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Speaker 2: like a side project. You work on it for a

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Speaker 2: little bit, come, go away, come back.

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Speaker 3: So it was it kind of.

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Speaker 1: Crazy to see him catch the coming in hot record.

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Speaker 2: Yeah, that song, but he wrote on it. He's got

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Speaker 2: writing credit on it.

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Speaker 3: I mean obviously crazy for your pocket soon changed my

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Speaker 3: life one right, and I don't have a big slice

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Speaker 3: of that record, but even my slice, it changed my it's.

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Speaker 2: Got to be gold, right them it's platinum.

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Speaker 1: Yeah, fucking crazy man, unbelievable. It's still being used to

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Speaker 1: this day on Mike Stop. It won't ever. It's like

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Speaker 1: it's like a social media song that will never die.

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Speaker 3: Yeah, And you know.

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Speaker 2: What, every time I go to live events, they're playing

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Speaker 2: it to go to basketball football playing there. So it's

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Speaker 2: kind of become a staple for like, uh sports sports music.

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Speaker 3: At least once a month, I think I get an

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Speaker 3: email about some sink or some like little check, some

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Speaker 3: little some little walking around money.

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Speaker 1: Definitely a sink.

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Speaker 2: Sink friendly.

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Speaker 1: All right, another podcast brought to you by odd Socks.

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Speaker 1: That's right, baby. Listen, guys, we got to stop playing here.

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Speaker 1: made their very own like liquor store, corner store, and

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Speaker 1: What made you guys want to go with the tag

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Speaker 1: team wrestling theme of this project as opposed to sticking

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Speaker 1: with the OLA.

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Speaker 2: So I had started working with Conductor a little bit.

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Speaker 2: Him and I were conductorkick and I was working with

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Speaker 2: him some and you know, he's like, he's telling me

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Speaker 2: his process that he's like putting everything on VHS tapes,

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Speaker 2: that's how he gets that wobble. Yeah, And I was

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Speaker 2: it inspired me. I was like, oh man, I really

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Speaker 2: want to get back into having VHS tapes in the studio.

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Speaker 2: So I bought like a little TV that had the

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Speaker 2: VHS attachment on the bottom, and I just started ordering

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Speaker 2: stuff I liked from my childhood. So I started getting

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Speaker 2: old wrestling vhs. So we'd be in the studio and

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Speaker 2: I'd be playing that just in the background for like

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Speaker 2: vibes or whatever, and John and I we'd be like

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Speaker 2: working and just stop and be like, oh my, like

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Speaker 2: having these moments, these memories of like Stone Cold at a

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Speaker 2: Rock or HBK or whoever, and we just start dying

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Speaker 2: laughing and watch them cut their promos. And it kind

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Speaker 2: of was just a muse for a while. And we

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Speaker 2: were talking about it, and we were we were just

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Speaker 2: saying to ourselves, pro wrestling is like the blueprint for

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Speaker 2: entertaining people.

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Speaker 1: For sure. It's the most entertaining ever. Its wrestling is

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Speaker 1: soap opera, the soap opera with physical activity. It's it's

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Speaker 1: the greatest art form in the world. I wrestling. It's

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Speaker 1: the highest art form with the most craziest level of difficulty.

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Speaker 1: I don't give anybody says put your body on the line.

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Speaker 2: And what's so funny is the thing about pro wrestling

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Speaker 2: is sometimes the stories don't even really make sense, but

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Speaker 2: they're not even really that good. It's like, you know,

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Speaker 2: we we started dying. I mean, we started dying laughing being.

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Speaker 4: Like Undertaker, I'll see you once I rise from Hell

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Speaker 4: and I'll fight you in Cincinnati for the Intercontinental titles.

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Speaker 2: Like so you came from Hell a fight in Cincinnati, Yeah, Like.

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Speaker 1: Like, wait, your brother's name is Kane and he was

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Speaker 1: supposed to have died in a fire as a child.

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Speaker 2: Now held now he's an ipsilente fighting you for the

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Speaker 2: tag team title. Yeah, I mean, it's just absurd.

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Speaker 3: And everything we love about hip hop we saw in

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Speaker 3: wrestling outfits, over the top people, personality, elite ship talkers,

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Speaker 3: you know, like cutting promos and it was like Oh,

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Speaker 3: this is what rappers do, Like the best rappers do this.

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Speaker 3: These guys are doing hip hop. These guys are doing

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Speaker 3: on a Sunday night, They're doing it every night.

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Speaker 2: And I was like talking, I mean, you think you

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Speaker 2: think ghost Face with a with a gold forearm piece,

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Speaker 2: that wrestler, that's pro wrestling, you're pro wrestling, giant fucking robe. Yeah,

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Speaker 2: I mean that's Rick Flair. So it just became a

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Speaker 2: mused for So we were like, what if our whole

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Speaker 2: next rollout was themed around pro wrestling? And we were like, well,

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Speaker 2: the first one was NBA, you know, NBA funny NBA stuff.

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Speaker 2: What if this one was tag team wrestling?

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Speaker 3: And we initially we were like, oh, that's a layup.

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Speaker 3: It's the Dudley Boys, Like.

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Speaker 1: We were like Warriors.

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Speaker 3: Yeah yeah, and then we're like, what's zanier than that?

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Speaker 3: You know?

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Speaker 1: And then you cut the hair.

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Speaker 2: Yeah, we cut the blends. He came and cut both

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Speaker 2: of us to make sure.

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Speaker 1: Full Road to have the Road Warriors seen your guys's homage.

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Speaker 2: To them, I hope not, because we.

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Speaker 1: Have their face paint copyrighted.

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Speaker 2: Yeah right, yeah, and we don't know, so you might

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Speaker 2: want to snip this out.

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Speaker 1: But they do. I think the only rest of the

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Speaker 1: face paining copyrighted is Dan Housen, who helped the Knicks

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Speaker 1: win a championship. Really he had cursed the Knicks.

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Speaker 2: Yeah, how so, now's it? Yeah, that's why he was

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Speaker 2: on the the finals.

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Speaker 1: Yeah, he had cursed him.

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Speaker 2: He uncursed them.

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Speaker 3: Yeah.

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Speaker 1: After he uncursed them, they wanted to feed he uncursed them. Yeah,

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Speaker 1: he curses people, and he said cursed and they until

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Speaker 1: the Trump game, right.

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Speaker 2: We lost the Trump brought an L the garden.

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Speaker 1: And wow at half times?

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Speaker 3: Wu tang did they have to bring in the heavy equipment?

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Speaker 2: Speaking of I just saw the Method Man wrestling shirt.

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Speaker 1: I got a DX Method Man.

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Speaker 2: What that's got to be the grail? Is that? Is

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Speaker 2: that an x L?

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Speaker 3: Yeah?

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Speaker 1: Damn? I have a lot of Here's.

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Speaker 2: The question, what do I need to trade you? Because

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Speaker 2: I got a lot of heat.

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Speaker 1: You have wrestling shirts.

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00:15:45,720 --> 00:15:49,280
Speaker 2: I have an unprecedent amount of vintage wrestling shirts.

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Speaker 1: Send me some, send me some photos that we could

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Speaker 1: just we could do some business.

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Speaker 3: Who do you like?

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Speaker 1: Everybody? Everybody, okay, everybody except Goldberg in the Ultimate Warrior.

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Speaker 2: I do have a good Goldberg shirt.

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Speaker 1: I want nothing to do goodie. I'm not a Goldberg guy.

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Speaker 3: He didn't know about his reputation until.

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Speaker 1: Yeah, he heard a lot of people.

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Speaker 3: I did not know he was dangerous. He's like and

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Speaker 3: he's like still in shape and walking around.

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Speaker 2: Saw him in the airport one.

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Speaker 1: He also seems to kind of be like a dickhead.

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Speaker 2: But I don't know. I've Yeah, he was nice, I've

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00:16:24,080 --> 00:16:26,160
Speaker 2: never met. I think he just was a little ambitious.

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Speaker 2: Did you hear about the match the one what was

356
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Speaker 2: the matter? Watched bashed his head against the wall trying

357
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Speaker 2: to get back into it and knocked himself out.

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Speaker 3: Oh yeah, the Undertaker, and then and he hurts the other.

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Speaker 2: Guy, Oh, Bill Goldberg.

360
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Speaker 1: Billy Billy g all right, so you guys end up

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Speaker 1: coming together. So the other idea was the Dudley.

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Speaker 2: Brothers, the Dudley Boys, Yeah right, get.

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Speaker 1: The glasses layup.

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Speaker 3: Yeah.

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Speaker 2: Instead, I ended up contract contracting a guy that's specially

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Speaker 2: make shoulder pads.

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Speaker 3: With the hard way.

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00:17:03,680 --> 00:17:06,560
Speaker 2: Yeah, no, you can't find those. I found a guy

369
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Speaker 2: on Etsy ended up becoming a good friend.

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Speaker 1: He made the shoulder pads, made.

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00:17:11,600 --> 00:17:16,119
Speaker 2: The shoulder pads, the forums, everything, and apparently he has

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Speaker 2: like a whole business around it. This guy custom has.

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00:17:18,520 --> 00:17:21,479
Speaker 1: A whole business around making road Royers costume.

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Speaker 2: No around around like customizing.

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00:17:23,960 --> 00:17:28,879
Speaker 3: Stuff like for like LARPers and and uh what is it?

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00:17:28,960 --> 00:17:31,240
Speaker 2: NERF like? He customizes people's nerve like.

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00:17:31,240 --> 00:17:35,680
Speaker 3: Guns like Airsoft, but it's NERF like he makes customized

378
00:17:35,760 --> 00:17:39,520
Speaker 3: like NERF guns.

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00:17:38,320 --> 00:17:42,880
Speaker 2: Stor just al the nerd, Al the geek.

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Speaker 1: I'm sorry, just buy a NERF gun to.

381
00:17:46,680 --> 00:17:52,959
Speaker 3: Yeah, Extendo switch da is going to be a raid

382
00:17:53,040 --> 00:17:53,360
Speaker 3: your house?

383
00:17:53,400 --> 00:17:54,600
Speaker 1: How do you make a million dores? Is your I

384
00:17:54,600 --> 00:17:55,400
Speaker 1: sold switches for.

385
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Speaker 3: It?

386
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Speaker 2: Really it looks like that.

387
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Speaker 1: What are your thoughts? Andy? There seems to have been

388
00:18:01,520 --> 00:18:07,560
Speaker 1: like a a bit of a spike in quote unquote

389
00:18:07,640 --> 00:18:11,920
Speaker 1: Christian rap popping recently, Like a guy like Miles Minnick

390
00:18:12,040 --> 00:18:15,679
Speaker 1: is doing really well, he's doing good. What are your

391
00:18:15,680 --> 00:18:18,240
Speaker 1: thoughts on just kind of like that. It's I feel

392
00:18:18,320 --> 00:18:19,880
Speaker 1: like that. See I feel like you're in the scene,

393
00:18:19,880 --> 00:18:21,119
Speaker 1: but you're not in the scene because you're kind of

394
00:18:21,160 --> 00:18:22,399
Speaker 1: you're just happened to be. I feel like you're just

395
00:18:22,440 --> 00:18:24,040
Speaker 1: a rapper just happens to be a man of God

396
00:18:24,520 --> 00:18:29,000
Speaker 1: as opposed to like championing that as like a subgenre,

397
00:18:29,400 --> 00:18:31,280
Speaker 1: but as a subgenre, it seems to be in a

398
00:18:31,320 --> 00:18:34,320
Speaker 1: place that you know is really cracking right now.

399
00:18:34,520 --> 00:18:39,359
Speaker 2: Yeah. Yeah, I mean I feel like the internet is

400
00:18:39,359 --> 00:18:41,560
Speaker 2: such a different place now even than it was five

401
00:18:41,640 --> 00:18:44,439
Speaker 2: years ago. And the Internet is where we've all you know,

402
00:18:44,600 --> 00:18:48,520
Speaker 2: made our made our moves, right, you know, because everything's

403
00:18:48,600 --> 00:18:52,040
Speaker 2: not going through the major outlets and platforms like it

404
00:18:52,160 --> 00:18:57,040
Speaker 2: used to as much like legacy media. So he he

405
00:18:57,080 --> 00:18:59,959
Speaker 2: has a real uh fan base and community out here

406
00:19:00,320 --> 00:19:05,480
Speaker 2: in San Francis. Got glow Fest and yeah, he's got

407
00:19:05,480 --> 00:19:08,239
Speaker 2: a festival. He's got a church he's a part of.

408
00:19:08,320 --> 00:19:10,880
Speaker 2: He's got like real commune and they really support him

409
00:19:11,080 --> 00:19:17,760
Speaker 2: and for their they go hard. Man, He's figured it

410
00:19:17,800 --> 00:19:20,200
Speaker 2: out there, and I think he's gotten with a good

411
00:19:20,240 --> 00:19:23,600
Speaker 2: manager that's helping push him. He's doing the right collabse

412
00:19:23,920 --> 00:19:25,760
Speaker 2: you know what I mean, did a whole record with Lacraze.

413
00:19:26,320 --> 00:19:29,800
Speaker 2: So he's figuring it out. And I don't know, man,

414
00:19:29,800 --> 00:19:33,040
Speaker 2: I just feel like I don't know if the genre

415
00:19:33,080 --> 00:19:35,640
Speaker 2: as a hole is elevating or if just certain people

416
00:19:35,680 --> 00:19:36,679
Speaker 2: are having their moments.

417
00:19:37,080 --> 00:19:40,280
Speaker 1: Like John keith Is had a record at radio that

418
00:19:40,359 --> 00:19:41,000
Speaker 1: was pretty dope.

419
00:19:41,240 --> 00:19:45,600
Speaker 2: Yeah, well because more people stepped in. So Dark Child

420
00:19:46,080 --> 00:19:48,359
Speaker 2: started a label and signed a bunch of people, and

421
00:19:48,480 --> 00:19:50,960
Speaker 2: so now he's really trying to push that.

422
00:19:51,680 --> 00:19:53,800
Speaker 3: So a lot of those guys that are rolling loud

423
00:19:53,840 --> 00:19:54,879
Speaker 3: the last couple of years.

424
00:19:55,560 --> 00:20:01,720
Speaker 2: Yeah, I think what's happening is because it's it's a

425
00:20:01,800 --> 00:20:04,920
Speaker 2: legitimate fan base and it's making money. These other places

426
00:20:05,000 --> 00:20:06,480
Speaker 2: are just gone, We'll open up space.

427
00:20:06,880 --> 00:20:08,720
Speaker 1: Yeah, we want people to come.

428
00:20:08,880 --> 00:20:09,760
Speaker 2: Yeah, they want people.

429
00:20:09,840 --> 00:20:11,639
Speaker 1: If you'll bring people that want come otherwise, come on,

430
00:20:11,840 --> 00:20:12,200
Speaker 1: come on.

431
00:20:12,720 --> 00:20:15,040
Speaker 2: So and that's always kind of been the case with us,

432
00:20:15,119 --> 00:20:17,040
Speaker 2: is like when you have undeniable numbers, people end up

433
00:20:17,040 --> 00:20:18,359
Speaker 2: being like, we got to make some space.

434
00:20:18,680 --> 00:20:21,040
Speaker 1: Explain your I swear this is not an Andre three

435
00:20:21,040 --> 00:20:23,879
Speaker 1: thousand disc song song, and.

436
00:20:24,080 --> 00:20:25,280
Speaker 3: Tell him about your dis song.

437
00:20:26,880 --> 00:20:30,600
Speaker 2: Yeah. Did you get to watch the video?

438
00:20:30,680 --> 00:20:32,400
Speaker 1: Yeah, I watched you when it first came out.

439
00:20:33,440 --> 00:20:36,199
Speaker 2: Why why don't you tell me what you think I

440
00:20:36,200 --> 00:20:38,080
Speaker 2: mean for you? I loved that. It was one of

441
00:20:38,080 --> 00:20:39,920
Speaker 2: my favorite campaigns.

442
00:20:39,920 --> 00:20:42,040
Speaker 1: Because it was more about like the fact he dropped

443
00:20:42,040 --> 00:20:45,760
Speaker 1: the Flute album right and you wanted to hear his perspective.

444
00:20:46,760 --> 00:20:48,560
Speaker 1: I feel like the thing about the Andre thing is

445
00:20:48,600 --> 00:20:51,560
Speaker 1: like I feel like he kind of I think he

446
00:20:52,480 --> 00:20:54,639
Speaker 1: I think he said in an interview that like he

447
00:20:54,680 --> 00:20:56,240
Speaker 1: doesn't know what he's supposed to rap about the people

448
00:20:56,240 --> 00:20:57,920
Speaker 1: are going to relate to, and it's like, well, that's right,

449
00:20:58,480 --> 00:21:01,520
Speaker 1: that's the relatable shit. Because all your fans are like,

450
00:21:02,160 --> 00:21:05,439
Speaker 1: I'm thirty nine, bro, Like I want to hear you rap.

451
00:21:05,320 --> 00:21:06,560
Speaker 2: About what life is like now.

452
00:21:06,680 --> 00:21:06,960
Speaker 1: Yeah.

453
00:21:07,119 --> 00:21:07,800
Speaker 3: Yeah.

454
00:21:07,960 --> 00:21:10,720
Speaker 1: Shout out to our brothers at hard Dean man OTTs family.

455
00:21:10,800 --> 00:21:13,240
Speaker 1: Of course, they've been sponsoring the podcast for years now.

456
00:21:13,440 --> 00:21:15,640
Speaker 1: You've been seeing the mic flag for years now. Want

457
00:21:15,640 --> 00:21:17,119
Speaker 1: to give a shout out to our brothers. I just

458
00:21:17,200 --> 00:21:19,280
Speaker 1: was in Vegas. I had to pull up all right. Look,

459
00:21:19,280 --> 00:21:22,040
Speaker 1: it's the number one dispensary in the world. When I

460
00:21:22,080 --> 00:21:25,240
Speaker 1: tell you, you walk in that thing and the BUTD tenders

461
00:21:25,240 --> 00:21:28,040
Speaker 1: are great. They take care of you immediately. The selection

462
00:21:28,200 --> 00:21:30,280
Speaker 1: is great. So when you go to Vegas, you get

463
00:21:30,320 --> 00:21:32,600
Speaker 1: into that cab, you get into that uber immediately say

464
00:21:32,640 --> 00:21:34,800
Speaker 1: take me to Hardean. Don't know what they're doing, all right,

465
00:21:35,000 --> 00:21:36,600
Speaker 1: they go get you right, all right, the number one

466
00:21:36,640 --> 00:21:39,840
Speaker 1: premium cannabis dispensary in the world. They just got me right.

467
00:21:39,840 --> 00:21:42,760
Speaker 1: I was just in town for a raffie's birthday. Had

468
00:21:42,760 --> 00:21:45,080
Speaker 1: to pull up, get right, this nice little one to

469
00:21:45,160 --> 00:21:49,480
Speaker 1: one Hardean Jersey. These are not available. All right, shout

470
00:21:49,480 --> 00:21:51,160
Speaker 1: out to them man, all right, salute to the family.

471
00:21:51,200 --> 00:21:54,000
Speaker 1: Follow him on Instagram. Hardean Underscore Las Vegas. All right,

472
00:21:54,080 --> 00:21:55,280
Speaker 1: let's get back to the podcast.

473
00:21:55,760 --> 00:21:59,000
Speaker 2: Well, I I it wasn't necessarily it was more of

474
00:21:59,040 --> 00:22:03,920
Speaker 2: a macro And basically I wrote a record that said

475
00:22:03,920 --> 00:22:06,159
Speaker 2: this is non Andre three thousand dis song. We did

476
00:22:06,200 --> 00:22:08,200
Speaker 2: a whole campaign for it, which I thought was brilliant.

477
00:22:08,480 --> 00:22:11,600
Speaker 2: We made these signs that said that with the QR code,

478
00:22:11,880 --> 00:22:13,679
Speaker 2: and they were sitting in a pot of flowers, and

479
00:22:13,720 --> 00:22:17,720
Speaker 2: I put them out all throughout Atlanta, his home, you know,

480
00:22:18,280 --> 00:22:20,720
Speaker 2: And in a lot of ways, that record is about

481
00:22:20,720 --> 00:22:23,440
Speaker 2: giving him his flowers and saying, I've been a fan

482
00:22:23,480 --> 00:22:26,240
Speaker 2: of yours for so long. I love your music. You've

483
00:22:26,280 --> 00:22:30,800
Speaker 2: inspired me so much, and I was frustrated that when

484
00:22:30,840 --> 00:22:34,720
Speaker 2: you returned, you returned doing something completely different. But as

485
00:22:34,720 --> 00:22:36,960
Speaker 2: you listen to the record, it ultimately ends up saying,

486
00:22:37,960 --> 00:22:39,919
Speaker 2: but of course you would do that, because that's what

487
00:22:39,960 --> 00:22:43,959
Speaker 2: you've always done. You've zigged and everyone zagged, right, you

488
00:22:44,000 --> 00:22:46,919
Speaker 2: did the right, That's what you did. And then it

489
00:22:46,960 --> 00:22:49,760
Speaker 2: turns into a question of, well, if you walked away

490
00:22:49,760 --> 00:22:53,200
Speaker 2: from rap at some point, and you're like, my favorite rapper,

491
00:22:53,760 --> 00:22:56,359
Speaker 2: does that mean eventually I have to? And so the

492
00:22:56,440 --> 00:22:59,160
Speaker 2: question is more it it. It looks like a dis

493
00:22:59,160 --> 00:23:01,120
Speaker 2: song from the outside, but the deeper you get into

494
00:23:01,119 --> 00:23:03,440
Speaker 2: the record, the more you realize I'm just kind of

495
00:23:04,160 --> 00:23:06,480
Speaker 2: thinking about how this results with me. So at the

496
00:23:06,560 --> 00:23:10,080
Speaker 2: end of the music video, I'm looking at myself in

497
00:23:10,119 --> 00:23:14,639
Speaker 2: the mirror. So it's one of my favorite pieces of

498
00:23:14,760 --> 00:23:16,639
Speaker 2: art that I've ever made. I think it's important. I

499
00:23:16,640 --> 00:23:19,000
Speaker 2: had a lot of people DM me after, you know,

500
00:23:19,119 --> 00:23:22,800
Speaker 2: tde artists and stuff, just being like this was I

501
00:23:22,840 --> 00:23:26,399
Speaker 2: needed this, you know what I mean, and just I

502
00:23:26,400 --> 00:23:28,040
Speaker 2: don't know, it's connected with people. There's a lot if

503
00:23:28,040 --> 00:23:30,440
Speaker 2: you ever read the comments, it's like why am I crying?

504
00:23:31,040 --> 00:23:33,320
Speaker 2: You know, like in the comments because I think people

505
00:23:33,400 --> 00:23:36,320
Speaker 2: relate to that feeling of am I washed up? Is

506
00:23:36,320 --> 00:23:37,080
Speaker 2: my time over?

507
00:23:37,320 --> 00:23:37,480
Speaker 3: You know?

508
00:23:37,560 --> 00:23:39,320
Speaker 2: Have I reached a point where I can no longer

509
00:23:39,359 --> 00:23:41,520
Speaker 2: make this art form or do this thing I loved?

510
00:23:42,960 --> 00:23:45,520
Speaker 2: So that's more what the record is about. And he's

511
00:23:45,600 --> 00:23:47,760
Speaker 2: kind of the muse of it. But it never meant

512
00:23:47,760 --> 00:23:48,920
Speaker 2: to disrespect.

513
00:23:48,480 --> 00:23:50,320
Speaker 1: And it makes sense like in terms of like like

514
00:23:50,359 --> 00:23:54,199
Speaker 1: you said, like the correlation if this is one of

515
00:23:54,200 --> 00:23:55,879
Speaker 1: your favorite artists of all time, and he got to

516
00:23:55,920 --> 00:23:56,440
Speaker 1: a point.

517
00:23:56,280 --> 00:23:58,560
Speaker 2: Where he's like, I shouldn't do this anymore.

518
00:23:59,160 --> 00:24:02,399
Speaker 1: Wouldn't When, if ever, could you get to that point?

519
00:24:02,600 --> 00:24:02,760
Speaker 3: Right?

520
00:24:03,920 --> 00:24:05,600
Speaker 1: And do you feel like you've ever thought about that?

521
00:24:05,880 --> 00:24:08,480
Speaker 2: Like I mean, I do you know what I mean?

522
00:24:08,720 --> 00:24:10,840
Speaker 2: It's like I saw a gray hair comeing in the

523
00:24:10,840 --> 00:24:13,960
Speaker 2: beard and you start going, whoa, right, you start going

524
00:24:14,040 --> 00:24:17,680
Speaker 2: like hold on, uh, you know, you pluck those out

525
00:24:17,680 --> 00:24:20,400
Speaker 2: and you keep it moving. But it's like father Time's undefeated,

526
00:24:20,600 --> 00:24:24,680
Speaker 2: and you have to start asking yourself, am I looking crazy?

527
00:24:25,440 --> 00:24:25,639
Speaker 1: You know?

528
00:24:25,960 --> 00:24:28,240
Speaker 2: If I want to step out like do I look nuts?

529
00:24:28,600 --> 00:24:32,480
Speaker 2: Or am I evolving in such a way that is

530
00:24:32,600 --> 00:24:35,439
Speaker 2: like still true to who I am and relatable? And

531
00:24:35,480 --> 00:24:38,879
Speaker 2: do people want this? Because it's weird? You make art

532
00:24:38,920 --> 00:24:41,639
Speaker 2: for a living, but also you entertain people for a living.

533
00:24:42,480 --> 00:24:47,080
Speaker 3: And there also isn't much data for rappers to like past,

534
00:24:47,119 --> 00:24:49,480
Speaker 3: there's not many legacy yet.

535
00:24:49,760 --> 00:24:53,159
Speaker 1: Yeah, like this is the first era of us seeing

536
00:24:53,240 --> 00:24:56,320
Speaker 1: like forty these old school rap festivals where it's like,

537
00:24:56,320 --> 00:24:59,240
Speaker 1: oh shit, there's like fucking you know, there's rock kim Yeah.

538
00:24:59,359 --> 00:25:03,199
Speaker 3: Yeah, classic rock has had years of that well, and

539
00:25:03,200 --> 00:25:06,560
Speaker 3: then they turned into classic rock stations and now they're.

540
00:25:06,600 --> 00:25:09,240
Speaker 1: Classic hip hop stations. Yea, yeah, there's a lot of

541
00:25:09,280 --> 00:25:10,280
Speaker 1: classic hip hop.

542
00:25:10,440 --> 00:25:13,400
Speaker 3: It seems like it's it's panning out. I think it's

543
00:25:13,440 --> 00:25:15,879
Speaker 3: panning out. But still there's not a lot of so yeah, those.

544
00:25:15,880 --> 00:25:18,000
Speaker 1: There's not like a lot of proof of concept of

545
00:25:18,080 --> 00:25:20,800
Speaker 1: like guys wrapping in their sixties and yeah, we'll see

546
00:25:20,880 --> 00:25:23,919
Speaker 1: jay Z is about to probably put out some new music.

547
00:25:24,040 --> 00:25:26,080
Speaker 2: Yeah, yeah, and he's going to be close to sixty.

548
00:25:26,640 --> 00:25:28,320
Speaker 2: He's fifty eight to fifty seven?

549
00:25:28,480 --> 00:25:29,240
Speaker 1: Is he fifty eight?

550
00:25:29,280 --> 00:25:31,000
Speaker 2: I think he's in the second half of the fifties.

551
00:25:31,119 --> 00:25:36,760
Speaker 3: Oh fuck yeah, Nas Nas is breaking the mid fist rhymes.

552
00:25:36,840 --> 00:25:38,560
Speaker 1: Has got to be up there. Fat Joe's got to

553
00:25:38,560 --> 00:25:39,560
Speaker 1: be up there. Yea.

554
00:25:39,600 --> 00:25:43,480
Speaker 2: Guys, I think you know Joe's agent gracefully because.

555
00:25:43,200 --> 00:25:44,960
Speaker 3: He's like Jada looks amazing.

556
00:25:45,440 --> 00:25:47,480
Speaker 2: Yeah, they look awesome. They're having a good time and

557
00:25:47,520 --> 00:25:50,040
Speaker 2: they're doing what you're walking from og like you want

558
00:25:50,080 --> 00:25:52,679
Speaker 2: them sitting around telling stories, talking, being.

559
00:25:52,560 --> 00:25:54,320
Speaker 3: A part of the call, popping out and doing good

560
00:25:54,400 --> 00:25:55,000
Speaker 3: music too.

561
00:25:55,240 --> 00:25:57,240
Speaker 1: Yeah, you know the new Fat Roe sign that just

562
00:25:57,320 --> 00:25:59,680
Speaker 1: dropped his fire. Jay Z's fifty sixty.

563
00:25:59,760 --> 00:26:03,440
Speaker 2: Yeah, okay, sorry, I gave you a couple of Extrahoe sorry,

564
00:26:04,320 --> 00:26:05,200
Speaker 2: fifty six.

565
00:26:05,600 --> 00:26:06,840
Speaker 1: Fat Joe's fifty five.

566
00:26:07,480 --> 00:26:08,960
Speaker 2: Wow, Yeah, they're right there.

567
00:26:09,560 --> 00:26:12,480
Speaker 1: Wow, I'm gonna I'm willing to think Buster Rhyme's got

568
00:26:12,520 --> 00:26:14,800
Speaker 1: to be closer to sixty than any either of them. No,

569
00:26:14,840 --> 00:26:16,440
Speaker 1: I think he's young now fifty four.

570
00:26:16,680 --> 00:26:19,119
Speaker 2: Let's say it's a couple of years under the how right.

571
00:26:19,720 --> 00:26:21,199
Speaker 1: I don't know why, for some reason how the Bust

572
00:26:21,200 --> 00:26:22,320
Speaker 1: was older leaders.

573
00:26:22,600 --> 00:26:24,080
Speaker 3: Is anyone in clips in their fifties?

574
00:26:24,119 --> 00:26:29,399
Speaker 2: I don't think Oh, actually yeah malice gi Yeah, whoa malice?

575
00:26:29,760 --> 00:26:33,600
Speaker 1: I think malice is around. Uh, let's see fifty two,

576
00:26:34,280 --> 00:26:36,280
Speaker 1: fifty three, Wow, fifty three.

577
00:26:37,119 --> 00:26:40,080
Speaker 3: I mean they were really good. Example, they were the

578
00:26:40,119 --> 00:26:42,399
Speaker 3: most for me when I saw that roll out in

579
00:26:42,440 --> 00:26:43,320
Speaker 3: that release.

580
00:26:43,040 --> 00:26:45,600
Speaker 1: And they have the best album last year mind Yeah.

581
00:26:45,640 --> 00:26:47,879
Speaker 1: And they were both old old bros.

582
00:26:47,920 --> 00:26:51,639
Speaker 3: You know, they kind of kind of re informed the

583
00:26:51,720 --> 00:26:54,120
Speaker 3: zeitgeist of what you needed to look like and sound

584
00:26:54,280 --> 00:26:56,920
Speaker 3: like right now. So I was like, we're good, got

585
00:26:56,960 --> 00:26:59,720
Speaker 3: plenty of times, we're good, You've got twenty years. Let's

586
00:26:59,760 --> 00:26:59,960
Speaker 3: keep go.

587
00:27:00,240 --> 00:27:01,800
Speaker 1: Do you guys think you're going to take another nine

588
00:27:01,880 --> 00:27:03,280
Speaker 1: years to do another project?

589
00:27:03,359 --> 00:27:03,560
Speaker 3: Yeah?

590
00:27:04,119 --> 00:27:04,359
Speaker 1: Nah.

591
00:27:04,480 --> 00:27:06,000
Speaker 2: Now that we live in the same city, I think

592
00:27:06,000 --> 00:27:10,400
Speaker 2: it's like we we already have records for the next

593
00:27:10,440 --> 00:27:12,679
Speaker 2: one that we couldn't finish, and it's.

594
00:27:12,520 --> 00:27:15,440
Speaker 3: A proximity thing. I think there's so much we got done.

595
00:27:15,560 --> 00:27:17,560
Speaker 2: Like he'll come to the to the to the studio

596
00:27:17,960 --> 00:27:21,680
Speaker 2: and I'll you know, I'll be in the house because

597
00:27:21,720 --> 00:27:23,760
Speaker 2: the studio is attached to the house, and I'll be

598
00:27:23,840 --> 00:27:25,840
Speaker 2: like finishing a meal or something. I come back and

599
00:27:25,840 --> 00:27:28,280
Speaker 2: he's already got something pulled up. He started a new idea,

600
00:27:28,800 --> 00:27:30,439
Speaker 2: and then I'll sit I'm like, oh, hold on, let

601
00:27:30,440 --> 00:27:33,200
Speaker 2: me throw somethe this And in twenty minutes we're like, oh,

602
00:27:33,200 --> 00:27:34,480
Speaker 2: we got a new idea. I was like, we have

603
00:27:34,560 --> 00:27:38,439
Speaker 2: to stop, like the ideas, actually, don't slow up. We

604
00:27:38,480 --> 00:27:41,080
Speaker 2: had this. We had to stop creating ideas to finish

605
00:27:41,480 --> 00:27:44,399
Speaker 2: the other ones, to put out this album. So I

606
00:27:44,400 --> 00:27:49,160
Speaker 2: actually think we'll be out keep making stuff. And we're

607
00:27:49,240 --> 00:27:53,600
Speaker 2: dropping twenty songs, so it amount. It's a good amount.

608
00:27:53,640 --> 00:27:56,080
Speaker 2: I think like fifteen of them are records.

609
00:27:56,840 --> 00:27:59,520
Speaker 1: Because you would send me like a cartoon art. Is

610
00:27:59,560 --> 00:28:01,640
Speaker 1: that the or is it.

611
00:28:01,480 --> 00:28:03,760
Speaker 2: Which one that I send you with the shoulder pads?

612
00:28:03,880 --> 00:28:06,119
Speaker 1: Yeah? Well no, you sent me like a flyer and

613
00:28:06,160 --> 00:28:07,120
Speaker 1: it looked like one of them.

614
00:28:07,080 --> 00:28:09,720
Speaker 2: Vined you said, that's for the event. That's for the event,

615
00:28:10,119 --> 00:28:10,879
Speaker 2: that's for the event.

616
00:28:10,960 --> 00:28:12,679
Speaker 3: It's probably the one that Saturday here.

617
00:28:13,119 --> 00:28:15,960
Speaker 2: Yeah, because we had Freako Rico, the one you know,

618
00:28:16,200 --> 00:28:17,080
Speaker 2: you know Freak Rico.

619
00:28:17,440 --> 00:28:19,080
Speaker 1: I just know Uncle Rico from he.

620
00:28:19,080 --> 00:28:21,680
Speaker 2: Did the he did the cover, he did the Action

621
00:28:21,800 --> 00:28:25,199
Speaker 2: Bronson's cover Mister Wonderful with him on the front doing

622
00:28:25,200 --> 00:28:29,440
Speaker 2: a split. That's the same guy. So he's from Atlanta, right,

623
00:28:29,440 --> 00:28:34,440
Speaker 2: You see the cards, So that's the album cover. Uh,

624
00:28:34,600 --> 00:28:35,320
Speaker 2: it's pretty.

625
00:28:35,040 --> 00:28:37,160
Speaker 1: Good, you guys. Are those are off of Etsy? Huh?

626
00:28:37,920 --> 00:28:40,760
Speaker 2: Oh yeah, don't tell nobody.

627
00:28:41,880 --> 00:28:47,240
Speaker 1: What's his name? Al the Geek now the geek crazy?

628
00:28:47,440 --> 00:28:48,160
Speaker 2: Yeah, he killed it.

629
00:28:48,560 --> 00:28:50,000
Speaker 1: Any features on the album.

630
00:28:50,320 --> 00:28:55,160
Speaker 2: We got Paul Wall on there. Wow, the People's Champ,

631
00:28:55,240 --> 00:28:57,720
Speaker 2: the Poe Poet, Paul Wallris poet.

632
00:28:58,920 --> 00:28:59,120
Speaker 1: Yeah.

633
00:28:59,160 --> 00:29:01,440
Speaker 2: So we're going to Houston Sunday and he was gonna

634
00:29:01,440 --> 00:29:03,440
Speaker 2: be at the He's he can't be at the event

635
00:29:03,640 --> 00:29:07,400
Speaker 2: unfortunately because he's booked up somewhere else. But we got

636
00:29:07,520 --> 00:29:10,320
Speaker 2: him on a record and that's it. We got Jake

637
00:29:10,360 --> 00:29:15,400
Speaker 2: One producing on there. We got Beam doing a little

638
00:29:15,400 --> 00:29:18,040
Speaker 2: bit of stuff on the first song, dog Pit, and

639
00:29:18,040 --> 00:29:20,280
Speaker 2: then a lot of the stuff was in house. Yeah,

640
00:29:20,320 --> 00:29:24,640
Speaker 2: so we got Blicky Blaine over there. Brother Blaine.

641
00:29:24,760 --> 00:29:27,200
Speaker 1: He looks like you guys got him at a Walmart.

642
00:29:26,520 --> 00:29:30,320
Speaker 2: In eastern Kentucky, which is exactly the aesthetic he's in at.

643
00:29:32,080 --> 00:29:34,640
Speaker 2: Blaine looks like he should have a Monster energy drink

644
00:29:34,680 --> 00:29:36,240
Speaker 2: in his hand at all times.

645
00:29:36,440 --> 00:29:36,960
Speaker 1: Yeah.

646
00:29:37,120 --> 00:29:41,200
Speaker 2: Hey, by the way, yeah, yeah, yeah you can. But

647
00:29:41,320 --> 00:29:44,280
Speaker 2: he's off a Monster now. Now he's on the freaky

648
00:29:44,680 --> 00:29:49,240
Speaker 2: other freaky the energy drinks bucked up. Yeah, he'll show

649
00:29:49,360 --> 00:29:49,880
Speaker 2: the streak.

650
00:29:49,680 --> 00:29:51,880
Speaker 3: That bucked up at the studio.

651
00:29:51,960 --> 00:29:54,360
Speaker 2: Get bucked up A good goat.

652
00:29:54,400 --> 00:29:57,280
Speaker 1: They got this energy drink called Ghost fucking it. Fucks

653
00:29:57,320 --> 00:29:58,960
Speaker 1: man oh man, so good.

654
00:29:59,440 --> 00:30:01,640
Speaker 2: I just yeah, I'm not gonna say anything about Ghosts

655
00:30:01,640 --> 00:30:03,480
Speaker 2: sponsor us, but.

656
00:30:04,320 --> 00:30:06,560
Speaker 1: Monster we're working on a sponsorships.

657
00:30:06,920 --> 00:30:09,560
Speaker 2: Yeah yeah, yeah, Ghost is the one. Monster is the

658
00:30:09,560 --> 00:30:13,200
Speaker 2: one in house. We finally got the team that we

659
00:30:13,240 --> 00:30:16,960
Speaker 2: needed to finish records with Blaine. Johnny Clay over there,

660
00:30:16,960 --> 00:30:19,040
Speaker 2: he's doing all the visuals, music videos.

661
00:30:19,880 --> 00:30:21,200
Speaker 1: So everybody's in Atlanta.

662
00:30:21,800 --> 00:30:23,240
Speaker 3: We're on Atlanta.

663
00:30:24,720 --> 00:30:26,400
Speaker 2: So I feel like we finally got the team locked in.

664
00:30:26,440 --> 00:30:30,280
Speaker 2: It's we're exposed Atlanta for a minute, right since the

665
00:30:30,280 --> 00:30:32,520
Speaker 2: pandemic we moved out of New York and the pandemic

666
00:30:32,560 --> 00:30:37,840
Speaker 2: and stay there. I do at times things about it,

667
00:30:37,920 --> 00:30:41,600
Speaker 2: but my life as a whole I appreciate more in

668
00:30:41,640 --> 00:30:44,160
Speaker 2: Atlanta right now, just because I have a kid. Now

669
00:30:45,240 --> 00:30:50,280
Speaker 2: have a driveway. What's that? Uh, a driveway. I have

670
00:30:50,440 --> 00:30:53,920
Speaker 2: washer and dryer in my house. I don't have to

671
00:30:53,920 --> 00:30:55,360
Speaker 2: carry my underwear through the street.

672
00:30:56,520 --> 00:30:56,760
Speaker 1: Yeah.

673
00:30:56,920 --> 00:31:01,200
Speaker 2: Like, just life is easier and I'm only two hours away,

674
00:31:01,760 --> 00:31:03,880
Speaker 2: so I pop up when i need to get stuff done.

675
00:31:04,000 --> 00:31:04,640
Speaker 1: Yeah.

676
00:31:04,720 --> 00:31:05,360
Speaker 2: See family.

677
00:31:06,520 --> 00:31:08,480
Speaker 1: Nick Sparraid was today.

678
00:31:08,560 --> 00:31:11,280
Speaker 3: We were watching this morning. We have friends fly out

679
00:31:11,640 --> 00:31:12,360
Speaker 3: streaming it in.

680
00:31:12,320 --> 00:31:16,840
Speaker 1: The Did you see zero on on? Donnie's speech? One

681
00:31:16,880 --> 00:31:18,640
Speaker 1: of the greatest speeches ever given and it was all

682
00:31:18,640 --> 00:31:21,640
Speaker 1: about the Knicks. It was so impressive. Wow, he delivered

683
00:31:21,680 --> 00:31:25,160
Speaker 1: like ten minutes of just bars. Really, it was insane.

684
00:31:25,240 --> 00:31:27,600
Speaker 3: We came on right after it. Bro, We saw Mike,

685
00:31:27,760 --> 00:31:28,400
Speaker 3: we saw Breen.

686
00:31:28,560 --> 00:31:32,520
Speaker 1: He did so well. James Dolan was so pissed after

687
00:31:33,280 --> 00:31:35,440
Speaker 1: he went up, Hey, guys, I'm not I'm not trying

688
00:31:35,440 --> 00:31:37,080
Speaker 1: to get your vote, so I don't got a spiel

689
00:31:37,120 --> 00:31:43,880
Speaker 1: for you guys. I'm like, oh yeah, because he Bro

690
00:31:44,160 --> 00:31:45,320
Speaker 1: he had he was.

691
00:31:45,320 --> 00:31:48,160
Speaker 3: This guy, this guy stole the show. It was crazy.

692
00:31:48,360 --> 00:31:49,960
Speaker 1: It was like I was like, I run through.

693
00:31:49,880 --> 00:31:55,000
Speaker 3: A wall for this. He's running for president in that speech.

694
00:31:55,440 --> 00:31:56,800
Speaker 1: Unfortunately he was born in Africa.

695
00:31:57,520 --> 00:31:59,920
Speaker 2: Really, oh you can't, that's right, he was born in Uganda. Yeah,

696
00:32:00,080 --> 00:32:04,680
Speaker 2: you gotta be bored here the fifty Yeah yeah.

697
00:32:05,120 --> 00:32:08,480
Speaker 1: Man, yeah yeah yeah, yeah yeah. It is what it is?

698
00:32:08,760 --> 00:32:12,120
Speaker 1: Uh you is there any downside about the South like that?

699
00:32:12,520 --> 00:32:12,560
Speaker 4: That?

700
00:32:13,080 --> 00:32:14,800
Speaker 1: Just the South is so interesting. The drive.

701
00:32:14,880 --> 00:32:18,520
Speaker 2: People can't drive and it is awful. Every everywhere you go.

702
00:32:18,720 --> 00:32:22,000
Speaker 2: People are like, oh, the traffic in Atlanta sucks. I

703
00:32:22,040 --> 00:32:25,200
Speaker 2: was like, no, there's an accident every day because people

704
00:32:25,200 --> 00:32:28,640
Speaker 2: don't want to drive. So that's really what slows you up.

705
00:32:29,480 --> 00:32:32,160
Speaker 2: A lot of Nissan Ultima is floating around and you know,

706
00:32:32,520 --> 00:32:33,560
Speaker 2: just dear clear.

707
00:32:33,560 --> 00:32:35,360
Speaker 1: Well, you know the thing about the Ultima, they say

708
00:32:35,400 --> 00:32:36,840
Speaker 1: that's scoring baby Mama car.

709
00:32:37,320 --> 00:32:40,440
Speaker 2: Oh yeah, yeah, scoring baby Mama drug dealer car.

710
00:32:40,640 --> 00:32:43,160
Speaker 3: Is not every Ultima, but it's always an Ultimate, but

711
00:32:43,200 --> 00:32:44,120
Speaker 3: it's what they say.

712
00:32:44,480 --> 00:32:45,840
Speaker 1: And then you got to watch out for the christ

713
00:32:45,880 --> 00:32:46,720
Speaker 1: for three hundreds.

714
00:32:46,800 --> 00:32:48,080
Speaker 3: Oh almost got hit by one.

715
00:32:48,040 --> 00:32:50,920
Speaker 2: Almost got here and John looked up he goes cars

716
00:32:50,960 --> 00:32:54,120
Speaker 2: three have a weed dealer car from twenty ten. Yeah,

717
00:32:54,120 --> 00:32:56,200
Speaker 2: that's right. Yeah, because you couldn't afford the.

718
00:32:56,600 --> 00:32:59,880
Speaker 1: Bad Weed guaranteed bad ship with quadruple platinum.

719
00:33:00,360 --> 00:33:00,560
Speaker 2: Yeah.

720
00:33:01,640 --> 00:33:04,320
Speaker 1: And the Dodge Magnum Magnum Yeah.

721
00:33:04,680 --> 00:33:08,600
Speaker 3: A modern station wagon, yeah, I have one.

722
00:33:08,720 --> 00:33:10,800
Speaker 2: You know what transmission.

723
00:33:11,760 --> 00:33:13,760
Speaker 3: Modern station Dodge went for it.

724
00:33:13,800 --> 00:33:16,320
Speaker 2: I would do a Mercedes station Wagon all day, or

725
00:33:16,360 --> 00:33:17,360
Speaker 2: Evolvo station Wagon.

726
00:33:17,360 --> 00:33:21,800
Speaker 1: I would do the Wood one Wood Grand whatever that fucking.

727
00:33:23,320 --> 00:33:30,360
Speaker 3: Yeah, like a National Lampoons Christmas dope sticks argument. You

728
00:33:30,400 --> 00:33:32,880
Speaker 3: will not die in that thing. Anything could hit you.

729
00:33:32,880 --> 00:33:33,680
Speaker 3: You're gonna be flying.

730
00:33:34,000 --> 00:33:37,280
Speaker 1: Shout out to Raffi Law Group, our family. Yes, it's

731
00:33:37,320 --> 00:33:39,720
Speaker 1: been so dope to partner with, you know, such a

732
00:33:39,800 --> 00:33:43,080
Speaker 1: name and brand and somebody who actually am a customer

733
00:33:43,120 --> 00:33:46,440
Speaker 1: of Shout out to Raffi Law Group, man Arizona's premier

734
00:33:46,600 --> 00:33:49,680
Speaker 1: personal injury law firm. And I don't just put my

735
00:33:49,800 --> 00:33:52,400
Speaker 1: name on anybody when we do this stuff on the

736
00:33:52,400 --> 00:33:55,000
Speaker 1: Bootleg cap podcast, and you see it's partner with brands.

737
00:33:55,160 --> 00:33:58,320
Speaker 1: We're very selective about who we connect with. And Raffi

738
00:33:58,520 --> 00:34:01,640
Speaker 1: is someone who's actually helped my family, helped my wife

739
00:34:01,800 --> 00:34:05,040
Speaker 1: get a settlement, all right, has helped over seventy thousand

740
00:34:05,160 --> 00:34:10,680
Speaker 1: people in Arizona. No matter what happens, man, car accident, crash, injury,

741
00:34:10,880 --> 00:34:12,880
Speaker 1: you maybe get bit by a dog, I don't know,

742
00:34:12,920 --> 00:34:17,319
Speaker 1: whatever it is. Raffi Law Group makes the process less stressful.

743
00:34:17,520 --> 00:34:20,200
Speaker 1: They put money in your pocket. Yes, the name you

744
00:34:20,239 --> 00:34:23,439
Speaker 1: can trust. You already know, man, Raffi Law Group. Save

745
00:34:23,520 --> 00:34:25,879
Speaker 1: the number just in case, because hey, you get into

746
00:34:25,920 --> 00:34:29,040
Speaker 1: a car accident tomorrow, you gotta call Raffi six two

747
00:34:29,040 --> 00:34:32,520
Speaker 1: three three eight eight four three three three And want

748
00:34:32,560 --> 00:34:35,400
Speaker 1: to wish a big happy birthday to Raffi's just celebrated

749
00:34:35,400 --> 00:34:37,360
Speaker 1: his fortieth birthday. We had a good time in Vegas.

750
00:34:37,960 --> 00:34:40,759
Speaker 1: Fifty cent was there, pauly d was there, mad Rich

751
00:34:40,920 --> 00:34:43,840
Speaker 1: was there. E c Rock was there. It was a

752
00:34:43,880 --> 00:34:46,400
Speaker 1: movie all right, Secretary of State was there. We were

753
00:34:46,480 --> 00:34:49,000
Speaker 1: just hanging out, man show. Look shout out to Brandon Raffi.

754
00:34:49,040 --> 00:34:51,759
Speaker 1: Don't forget Raffi Law Group. The only calling you to

755
00:34:51,800 --> 00:34:54,240
Speaker 1: make if you're an az and you get into an accident,

756
00:34:54,360 --> 00:34:57,720
Speaker 1: or you get into any sort of injury situation, they'll

757
00:34:57,719 --> 00:35:00,759
Speaker 1: take care you immediately call Raffi. Let's get back to

758
00:35:00,760 --> 00:35:03,600
Speaker 1: the podcast. So the albums. When's the album come out?

759
00:35:03,640 --> 00:35:06,279
Speaker 2: June twenty sixth, So next next Friday, Next Friday.

760
00:35:06,040 --> 00:35:06,640
Speaker 3: Yes, Friday.

761
00:35:07,080 --> 00:35:11,480
Speaker 1: Uh, Paul Walls on It, Jake One Production, Broun, The

762
00:35:11,520 --> 00:35:17,799
Speaker 1: Couchronam Brother, Blaine Beam. Are you guys also working on

763
00:35:17,840 --> 00:35:18,560
Speaker 1: solo stuff?

764
00:35:19,080 --> 00:35:20,120
Speaker 2: Yeah, so that's next.

765
00:35:20,280 --> 00:35:23,160
Speaker 1: Yeah, what about you? Yeah, we're gonna have a lot

766
00:35:23,200 --> 00:35:25,240
Speaker 1: of albums. You've got like a lot of singles.

767
00:35:24,920 --> 00:35:27,440
Speaker 3: A lot of singles, a lot of like one off epis.

768
00:35:28,040 --> 00:35:30,000
Speaker 3: A friend called me the most reluctant rapper.

769
00:35:30,040 --> 00:35:31,399
Speaker 1: Who knows, what's that mean?

770
00:35:32,120 --> 00:35:36,000
Speaker 3: I just die. I don't know, man, I I need

771
00:35:36,000 --> 00:35:38,680
Speaker 3: to put out more music. To your point, yes, you're right.

772
00:35:38,719 --> 00:35:40,759
Speaker 1: Well you got comfortable because you got writing credits on

773
00:35:40,800 --> 00:35:42,319
Speaker 1: the Yeah, coming in hot.

774
00:35:42,440 --> 00:35:43,520
Speaker 3: Yeah, you're like, you know what.

775
00:35:44,440 --> 00:35:46,239
Speaker 2: Yeah, he was sitting in San Diego for a while.

776
00:35:46,320 --> 00:35:48,359
Speaker 2: He's not like, you know what, time to hustle him.

777
00:35:48,440 --> 00:35:50,400
Speaker 3: Yeah, that's the problem with San Diego too, Man, you

778
00:35:50,440 --> 00:35:53,400
Speaker 3: get comfortable, get real comfortable city.

779
00:35:53,600 --> 00:35:56,520
Speaker 2: You call this guys steak on the on the beach.

780
00:35:57,440 --> 00:35:59,319
Speaker 1: You know, you know.

781
00:35:59,560 --> 00:36:01,239
Speaker 3: Yeah.

782
00:36:01,280 --> 00:36:04,080
Speaker 2: I also think there's certain artists who are like driven

783
00:36:04,120 --> 00:36:05,960
Speaker 2: in a in a particular way where they're like, I'm

784
00:36:05,960 --> 00:36:08,040
Speaker 2: gonna record at the house. You know what I'm saying.

785
00:36:08,040 --> 00:36:09,959
Speaker 2: I'm gonna figure it out. I'm gonna put music out.

786
00:36:10,480 --> 00:36:13,160
Speaker 2: John is not that way. John is like put me in,

787
00:36:13,560 --> 00:36:16,040
Speaker 2: put me in a studio with other people, and then

788
00:36:16,040 --> 00:36:18,480
Speaker 2: all of a sudden he will crank out ten records.

789
00:36:19,320 --> 00:36:20,839
Speaker 2: But if you just leave him on his own, it's

790
00:36:20,840 --> 00:36:22,839
Speaker 2: not gonna have the same thing. With a friend of mine,

791
00:36:22,880 --> 00:36:25,080
Speaker 2: Foggy Raw, he was in Atlanta for a while. I

792
00:36:25,120 --> 00:36:27,879
Speaker 2: was like, bro, why don't you have more music? Like

793
00:36:28,440 --> 00:36:32,000
Speaker 2: He's like, well, studio sessions, and this is before he

794
00:36:32,040 --> 00:36:34,000
Speaker 2: got his deal and everything. You know, it's harder to

795
00:36:34,080 --> 00:36:36,120
Speaker 2: kind of line it up. I said, just record yourself.

796
00:36:36,120 --> 00:36:39,480
Speaker 2: He's like, nah, I can't do it. Champ, He's like,

797
00:36:39,920 --> 00:36:42,000
Speaker 2: I just it's kind of corny to me.

798
00:36:42,400 --> 00:36:45,520
Speaker 1: I was like, what do you mean by yourself? Yeah,

799
00:36:45,880 --> 00:36:48,280
Speaker 1: there's quite literally alone.

800
00:36:48,320 --> 00:36:50,480
Speaker 2: And he was like, I can't really explain it, but

801
00:36:50,520 --> 00:36:53,000
Speaker 2: he just he was like, you gotta be plugged in

802
00:36:53,000 --> 00:36:53,480
Speaker 2: a system.

803
00:36:53,560 --> 00:36:54,120
Speaker 3: Like that's me.

804
00:36:54,200 --> 00:36:55,920
Speaker 2: I gotta be in a Now that he's in Atlanta,

805
00:36:55,960 --> 00:36:57,520
Speaker 2: I feel like we got the studio, we got the

806
00:36:57,560 --> 00:36:59,840
Speaker 2: engine out, we got the system. He can work and

807
00:37:00,040 --> 00:37:01,200
Speaker 2: out of it and get a lot done.

808
00:37:01,360 --> 00:37:03,640
Speaker 1: Did you h you're still independent?

809
00:37:04,200 --> 00:37:06,960
Speaker 2: I just went independent last year. Okay, well I left

810
00:37:07,120 --> 00:37:09,840
Speaker 2: my Reach deal in twenty one after I finished that album,

811
00:37:10,360 --> 00:37:11,960
Speaker 2: and then I spent the last couple of years trying

812
00:37:12,000 --> 00:37:14,600
Speaker 2: to structure and build out minor league records and tapes,

813
00:37:14,600 --> 00:37:15,560
Speaker 2: which is what we're doing now.

814
00:37:15,680 --> 00:37:18,360
Speaker 1: God. God, So now you have your own not.

815
00:37:18,440 --> 00:37:23,799
Speaker 2: My own label. I'm distributed by STEM. STEM has been

816
00:37:23,840 --> 00:37:24,200
Speaker 2: good to me.

817
00:37:24,200 --> 00:37:26,960
Speaker 1: Because I was here. There's so many different dist I

818
00:37:27,000 --> 00:37:29,240
Speaker 1: got a couple of homies work with Stem. But obviously

819
00:37:29,280 --> 00:37:33,840
Speaker 1: there's like Empire, there's a foundation, there's fucking creators.

820
00:37:33,200 --> 00:37:37,879
Speaker 2: Right right, and you know what, all of them are

821
00:37:37,880 --> 00:37:41,759
Speaker 2: great when you have a hit song and they all

822
00:37:41,760 --> 00:37:43,719
Speaker 2: get the credit for it. So that's the thing is,

823
00:37:43,760 --> 00:37:46,680
Speaker 2: I don't really know if any of them are the

824
00:37:46,760 --> 00:37:50,360
Speaker 2: magic you know, the magic bullet. It's really do you

825
00:37:50,400 --> 00:37:52,040
Speaker 2: have momentum, do you have a good song? And if

826
00:37:52,040 --> 00:37:53,000
Speaker 2: you do, ken they amplify.

827
00:37:53,120 --> 00:37:54,680
Speaker 1: I just had this conversation. I was like, a company

828
00:37:54,719 --> 00:37:58,760
Speaker 1: like Empire is so good at setting shit on fire

829
00:37:58,800 --> 00:38:01,759
Speaker 1: that's already kind of on fire, but like they'll like

830
00:38:01,840 --> 00:38:05,319
Speaker 1: come through with the crazy gasoline, like you know, like

831
00:38:05,640 --> 00:38:10,440
Speaker 1: fucking this Phoenix Flexen songs on Empire. Oh yeah, yeah, no,

832
00:38:10,520 --> 00:38:11,680
Speaker 1: I heard it.

833
00:38:11,719 --> 00:38:14,040
Speaker 3: For the Just yesterday I heard the remix that was

834
00:38:14,040 --> 00:38:19,160
Speaker 3: actually my introduction to him, the French Montana. Oh yeah, uh, Max.

835
00:38:20,760 --> 00:38:24,360
Speaker 1: Let me see you in the porn My pockets getting thicker. Yeah.

836
00:38:24,520 --> 00:38:26,600
Speaker 1: Number debut, number sixty six on.

837
00:38:26,520 --> 00:38:28,640
Speaker 3: The Hot one hundred, going to go number one now

838
00:38:28,680 --> 00:38:31,160
Speaker 3: that it's I think it's going to go number one.

839
00:38:31,040 --> 00:38:32,799
Speaker 1: But it's like, yeah, it's like they're like some of

840
00:38:32,800 --> 00:38:35,560
Speaker 1: these digital companies, like they have some infrastructure where it's like, oh,

841
00:38:35,560 --> 00:38:37,880
Speaker 1: when it starts to really get moving, they can stream you.

842
00:38:37,880 --> 00:38:40,440
Speaker 1: They got a radio apartment, they need it right, but

843
00:38:40,520 --> 00:38:43,400
Speaker 1: at the same time, they can't guarantee anything.

844
00:38:43,600 --> 00:38:43,759
Speaker 3: Well.

845
00:38:43,800 --> 00:38:47,040
Speaker 2: The great thing about this some Stem situation was they

846
00:38:47,040 --> 00:38:49,399
Speaker 2: gave me a really great rate and they said, let's

847
00:38:49,400 --> 00:38:51,680
Speaker 2: just do two years see how it goes. So I'm

848
00:38:51,680 --> 00:38:54,400
Speaker 2: not locked into any big thing. It's just like, let's

849
00:38:54,440 --> 00:38:56,200
Speaker 2: do it, let's see how it goes.

850
00:38:56,680 --> 00:38:58,399
Speaker 3: And two years goes by quick.

851
00:38:58,480 --> 00:39:01,919
Speaker 2: Two years is quick in this industry, bro, so uh,

852
00:39:01,960 --> 00:39:03,920
Speaker 2: and it's enough time for us to put these two

853
00:39:03,960 --> 00:39:05,280
Speaker 2: records out and see how they perform.

854
00:39:05,400 --> 00:39:07,480
Speaker 1: There it is, man, We'll go get the album on

855
00:39:07,520 --> 00:39:09,720
Speaker 1: the twenty six. You guys doing any hard copies.

856
00:39:10,080 --> 00:39:12,360
Speaker 2: We're working on a vinyl right now, so we should

857
00:39:12,360 --> 00:39:14,719
Speaker 2: be able to launch that day of the album and

858
00:39:14,760 --> 00:39:20,400
Speaker 2: then I don't know, we might do CDs and cassettes too, collective.

859
00:39:19,960 --> 00:39:22,960
Speaker 1: Wrestling match or some sort of appearance at some sort

860
00:39:23,000 --> 00:39:24,640
Speaker 1: of indie show before.

861
00:39:24,719 --> 00:39:26,560
Speaker 2: Yeah, we gotta figure out some rex away.

862
00:39:26,719 --> 00:39:28,760
Speaker 3: Atlanta has a good indy scene too.

863
00:39:28,719 --> 00:39:32,200
Speaker 1: Which is there's House of Glory Wrestling. There's some indie

864
00:39:32,200 --> 00:39:36,440
Speaker 1: companies that go GCW. But some of them should be gnarly. Yeah,

865
00:39:36,520 --> 00:39:40,239
Speaker 1: like they'll be like smashing like leyon tubes over each

866
00:39:40,280 --> 00:39:41,319
Speaker 1: other's faces and ship.

867
00:39:41,400 --> 00:39:43,680
Speaker 2: Yeah, I need that. I need to get in there smash.

868
00:39:43,800 --> 00:39:44,520
Speaker 3: You know you don't.

869
00:39:44,800 --> 00:39:45,640
Speaker 1: It's crazy.

870
00:39:45,960 --> 00:39:48,200
Speaker 3: The light bulbs. I've seen the fluorescent bulbs.

871
00:39:48,239 --> 00:39:51,400
Speaker 1: That guy, the whole entire fucking matt will be filled

872
00:39:51,400 --> 00:39:54,319
Speaker 1: with broken fluorescent bulbs the whole match. People can body

873
00:39:54,360 --> 00:39:57,120
Speaker 1: sland their whole backs, cut up bloods everywhere.

874
00:39:58,120 --> 00:40:00,680
Speaker 3: Well, you know, Tripleacious season and goes.

875
00:40:02,080 --> 00:40:03,759
Speaker 1: A lot of those guys.

876
00:40:04,200 --> 00:40:04,840
Speaker 3: That's awesome.

877
00:40:04,920 --> 00:40:07,440
Speaker 2: Yeah, Well, I mean hip hop and wrestling is like

878
00:40:07,480 --> 00:40:11,280
Speaker 2: so very very they're bringing people out now, they're bringing

879
00:40:11,280 --> 00:40:15,040
Speaker 2: all you know, Travis Scott, they're letting them. Yeah, I mean,

880
00:40:15,080 --> 00:40:17,520
Speaker 2: but they're they're trying to pull people.

881
00:40:18,080 --> 00:40:21,040
Speaker 1: Currently, Trick Williams, manager in w W like full Time,

882
00:40:21,560 --> 00:40:25,120
Speaker 1: signed a year deal with He's the ring manager. It's

883
00:40:25,239 --> 00:40:25,680
Speaker 1: every week.

884
00:40:25,680 --> 00:40:28,960
Speaker 3: That's pretty cool. It's cool seeing it received too, like

885
00:40:29,960 --> 00:40:34,920
Speaker 3: see like the fans even like Bad Bunny and Cy

886
00:40:35,000 --> 00:40:35,560
Speaker 3: went crazy.

887
00:40:36,000 --> 00:40:38,480
Speaker 2: My buddy Paul Walter Houser, the actor, he went and

888
00:40:38,520 --> 00:40:40,400
Speaker 2: did a little stint with was it t k O

889
00:40:40,719 --> 00:40:43,360
Speaker 2: the company right? Like the funnel company?

890
00:40:44,200 --> 00:40:45,120
Speaker 1: The main company?

891
00:40:45,760 --> 00:40:48,399
Speaker 2: No, what is the x T n XT? I think

892
00:40:48,400 --> 00:40:50,680
Speaker 2: that's it, like the funnel So he went and did.

893
00:40:50,880 --> 00:40:52,480
Speaker 2: He even used one of my records as like a

894
00:40:52,520 --> 00:40:54,040
Speaker 2: walkout song. He did that for a year.

895
00:40:57,320 --> 00:40:59,880
Speaker 1: Nobody's asked to use Coming in Hot as like a

896
00:41:00,120 --> 00:41:02,719
Speaker 1: their main walk Like that seems like the song you

897
00:41:02,719 --> 00:41:03,200
Speaker 1: walk out to.

898
00:41:03,400 --> 00:41:04,160
Speaker 2: That's a no brainer.

899
00:41:04,239 --> 00:41:06,960
Speaker 1: Coming in Yeah, bitch, they.

900
00:41:06,840 --> 00:41:08,600
Speaker 2: Need to be They need to be good.

901
00:41:08,600 --> 00:41:11,880
Speaker 1: Though, what is your biggest UK opportunity you've gotten off

902
00:41:11,920 --> 00:41:14,799
Speaker 1: that song? Is there been like a one that sticks out?

903
00:41:15,239 --> 00:41:18,359
Speaker 2: I mean McDonald's. It was kind of wild. They did

904
00:41:18,400 --> 00:41:24,600
Speaker 2: like a spicy uk uk in the UK. Uh A

905
00:41:24,680 --> 00:41:26,280
Speaker 2: lot hymns just happened?

906
00:41:26,640 --> 00:41:29,440
Speaker 1: Was a big one pizza hut?

907
00:41:29,520 --> 00:41:33,279
Speaker 2: Oh yeah, coming in hot when you say pizza.

908
00:41:33,040 --> 00:41:34,800
Speaker 3: Hut, pizza hut, Yeah.

909
00:41:34,640 --> 00:41:36,439
Speaker 1: Pizza's coming anything anything hot?

910
00:41:36,560 --> 00:41:40,040
Speaker 3: Yeah, pizza hut. Goldfish Remember that fish.

911
00:41:40,040 --> 00:41:41,360
Speaker 2: They did a hot goldfish.

912
00:41:41,680 --> 00:41:45,960
Speaker 3: I don't know it was goldfish, which is kind of

913
00:41:46,000 --> 00:41:47,160
Speaker 3: it's all stuff I eat to.

914
00:41:48,280 --> 00:41:50,600
Speaker 1: Do you get? Do you work that in where you say, hey,

915
00:41:51,360 --> 00:41:53,400
Speaker 1: just McDonald's gift cards?

916
00:41:53,880 --> 00:41:54,879
Speaker 3: I wish you know what.

917
00:41:55,040 --> 00:41:58,239
Speaker 2: I started doing that towards the end when I started realizing.

918
00:41:58,200 --> 00:42:01,040
Speaker 3: I want McDonald's yeah, because I get the emails and

919
00:42:01,080 --> 00:42:02,480
Speaker 3: they're like, hey, this is the amount, yes or no?

920
00:42:02,560 --> 00:42:04,719
Speaker 3: And I'm like, should I just respond and be like, hey,

921
00:42:04,760 --> 00:42:07,160
Speaker 3: could you throw in ae hundred dollars gift card? Because

922
00:42:07,160 --> 00:42:07,879
Speaker 3: what is it to them?

923
00:42:08,160 --> 00:42:08,440
Speaker 1: Right?

924
00:42:08,719 --> 00:42:08,879
Speaker 3: Well?

925
00:42:08,920 --> 00:42:12,200
Speaker 2: I just got asked, Yeah, one hundred dollars gift card.

926
00:42:12,040 --> 00:42:15,879
Speaker 3: Poster syndrome that fifty bucks I get just like.

927
00:42:15,800 --> 00:42:16,919
Speaker 1: A free number four.

928
00:42:18,320 --> 00:42:21,799
Speaker 2: They're like one million dollars yea, Well, I just got

929
00:42:21,840 --> 00:42:24,360
Speaker 2: asked for Syracuse University where I grew. I grew up

930
00:42:24,400 --> 00:42:28,600
Speaker 2: in Syracuse. They want to use gmat Jerry mcnamary's back coaching,

931
00:42:28,719 --> 00:42:30,600
Speaker 2: so like, can we use okay, we back the new

932
00:42:30,680 --> 00:42:33,120
Speaker 2: record that I've had that's started to go viral with

933
00:42:33,360 --> 00:42:35,920
Speaker 2: return of the Return of the Mac on it and

934
00:42:35,960 --> 00:42:39,240
Speaker 2: I was like, yeah, also, I need court side tickets

935
00:42:39,280 --> 00:42:39,880
Speaker 2: for again.

936
00:42:40,080 --> 00:42:41,719
Speaker 3: That was a funny email email.

937
00:42:41,840 --> 00:42:43,560
Speaker 1: Yeah yeah, I was like straight up.

938
00:42:43,920 --> 00:42:46,120
Speaker 2: They were like, we gotta, I gotta put you in

939
00:42:46,160 --> 00:42:48,600
Speaker 2: touch with another person. They were like, if we can't

940
00:42:48,600 --> 00:42:50,560
Speaker 2: do courts, I can put you right behind the bench.

941
00:42:51,160 --> 00:42:55,920
Speaker 3: They're like, apparently Syracuse basketball games to demand.

942
00:42:56,040 --> 00:42:56,239
Speaker 1: Yeah.

943
00:42:56,320 --> 00:42:58,320
Speaker 3: They were like, yeah, this is actually a big ask.

944
00:42:58,440 --> 00:43:03,360
Speaker 2: Yeah, so get fed man, that's right, squeaky wheel bro.

945
00:43:03,239 --> 00:43:05,920
Speaker 3: Even if you get in the in the building, Yeah right,

946
00:43:06,000 --> 00:43:09,040
Speaker 3: right right, yeah, yeah, yeah, you're sweet.

947
00:43:09,040 --> 00:43:10,560
Speaker 2: All they said they could do sweet all day.

948
00:43:10,600 --> 00:43:13,160
Speaker 3: Let's do Sweet Sweet's sweet chicken.

949
00:43:13,600 --> 00:43:14,960
Speaker 1: Drive the food.

950
00:43:15,520 --> 00:43:17,640
Speaker 2: Yeah yeah, yeah, give me the give me the tenders,

951
00:43:17,840 --> 00:43:19,640
Speaker 2: give me all these tenders and swives.

952
00:43:19,719 --> 00:43:21,040
Speaker 3: Take the kids through sweet.

953
00:43:21,160 --> 00:43:25,600
Speaker 1: Yeah like it. Next weekend, next Friday, Thursday night here

954
00:43:25,600 --> 00:43:28,319
Speaker 1: in La I will be out. And uh, when's your

955
00:43:28,360 --> 00:43:29,879
Speaker 1: solo ship coming for the end of the year.

956
00:43:30,600 --> 00:43:32,920
Speaker 2: I don't know yet, because we might end up just

957
00:43:32,920 --> 00:43:35,160
Speaker 2: circling back and we got so much momentum hit them

958
00:43:35,160 --> 00:43:35,880
Speaker 2: with another magic.

959
00:43:36,520 --> 00:43:37,960
Speaker 1: We might probably already have a lot.

960
00:43:37,840 --> 00:43:40,759
Speaker 2: Of stuff unfinished ready to go, so we might do

961
00:43:40,800 --> 00:43:41,520
Speaker 2: a Fall Brawl.

962
00:43:41,760 --> 00:43:43,640
Speaker 1: You know what I'm saying, Halloween Havoc.

963
00:43:44,000 --> 00:43:50,680
Speaker 2: Halloween having Hollywood Havoc is this Saturday, This Saturday. So

964
00:43:50,880 --> 00:43:52,600
Speaker 2: that's where we're you know what I mean classic.

965
00:43:53,120 --> 00:43:58,319
Speaker 3: You know we could go baseball.

966
00:43:55,000 --> 00:43:58,960
Speaker 1: Could any direction we want, could be the Smash Bros.

967
00:43:59,000 --> 00:44:03,719
Speaker 3: You could do the thing, oh basebol. He might have

968
00:44:03,840 --> 00:44:08,080
Speaker 3: just unlocked, unlocked, unlock, all right, we could keep.

969
00:44:08,320 --> 00:44:10,440
Speaker 1: Yeah, it's like a little achievement popped up.

970
00:44:10,680 --> 00:44:14,680
Speaker 2: Yeah, good idea ip unlocked or.

971
00:44:14,600 --> 00:44:17,640
Speaker 1: Appreciate you guys pulling up and go appreciate the next

972
00:44:17,640 --> 00:44:20,239
Speaker 1: Friday and then Vinyls on the way tour. Obviously you

973
00:44:20,239 --> 00:44:22,400
Speaker 1: guys are doing some shows, some spot shows in Houston.

974
00:44:22,560 --> 00:44:25,200
Speaker 2: We're doing these spot shows. We're testing this out for

975
00:44:25,239 --> 00:44:26,960
Speaker 2: the fall, and I think we're gonna do a regular

976
00:44:27,000 --> 00:44:28,040
Speaker 2: run in the spring fire.

977
00:44:28,760 --> 00:44:31,439
Speaker 1: Appreciate you guys pulling up. Of course, Thanks, yes, sir?

978
00:44:31,760 --> 00:44:33,719
Speaker 1: What up? Y'all were here at ease You already know.

979
00:44:33,719 --> 00:44:36,080
Speaker 5: If you're in La Southern cal Man, tap in, go

980
00:44:36,120 --> 00:44:39,480
Speaker 5: to the website right now, use that promo code Bootlegger

981
00:44:39,480 --> 00:44:44,320
Speaker 5: and to get thirty percent off Flower Concentrates. Whatever you're into,

982
00:44:44,760 --> 00:44:47,880
Speaker 5: they got it, thirty percent off. Go to ease dot

983
00:44:47,920 --> 00:44:50,399
Speaker 5: com right now, it'll get delivered.

984
00:44:50,080 --> 00:44:52,759
Speaker 1: Right to your door. Or if you're in LA, pull

985
00:44:52,840 --> 00:44:54,719
Speaker 1: up because we're here right now. Come on meshout out

986
00:44:54,760 --> 00:44:55,080
Speaker 1: to ease

987
00:45:01,360 --> 00:45:05,880
Speaker 3: Assass