WEBVTT - Episode 100: Scary Movie

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<v Speaker 1>Hello, and welcome to another edition of Notificent. I'm one

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<v Speaker 1>half of your host, Danny Fernandez. Sitting across from me

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<v Speaker 1>as always is your boy. If you way, do you wait?

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<v Speaker 1>Just jammed up, charged up, ready to go. I had

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<v Speaker 1>some chuckles and me gotta gotta gotta keep going. Right,

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<v Speaker 1>did you had a good birthday? We all came to

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<v Speaker 1>your birthday party? Oh yeah, I mean and the hangover

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<v Speaker 1>I didn't have. I feel like I have it now.

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<v Speaker 1>I have like a headache to go away. But you

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<v Speaker 1>know what hydration. You're drinking caffeine right now, that's the opposite.

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<v Speaker 1>Well that's because my body needs it. It's like I'm

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<v Speaker 1>giving you a headache cause you ain't drank enough caffeine.

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<v Speaker 1>So then you drinking love it, love it. Today we

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<v Speaker 1>are talking about a movie, um that is twenty years old.

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<v Speaker 1>We're old. Holy crap. Some of it, like so much

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<v Speaker 1>of it. It was so funny because as I was

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<v Speaker 1>watching it, UM, I was just like, wow, they were

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<v Speaker 1>the first ones to really do this. Yeah you can

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<v Speaker 1>hear you too, totally hear you. Yeah. Yeah, your boy's

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<v Speaker 1>back on keto. So my snacks are back to being crunchy.

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<v Speaker 1>So for everyone who keeps asking and keeping tabs on

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<v Speaker 1>everything I'm eating on Twitter. Yes, I'm back on Keto's now.

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<v Speaker 1>That would drive me nuts better. You've got no one

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<v Speaker 1>better write me a single thing about anything I eat. Ever, Well, yeah,

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<v Speaker 1>there's there's a there's a a nice trolley relationship I've

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<v Speaker 1>built in with our friends of the pod and the

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<v Speaker 1>stream and a super punch that everyone needs to make

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<v Speaker 1>sure the things I'm eating is keeping the keto. Thanks

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<v Speaker 1>for keeping me accountable. Now you can do it. We're

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<v Speaker 1>back on. My face is getting fatter. I was going

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<v Speaker 1>to say the thing that people try to hold me accountable,

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<v Speaker 1>which I've asked them not to appeatedly, is when I

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<v Speaker 1>post my workouts and I started posting a lot of

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<v Speaker 1>people know like I have lime in hashimotos and so

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<v Speaker 1>like I took up took a year, honestly off when

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<v Speaker 1>I was trying to heal myself from working out or

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<v Speaker 1>I couldn't work out to the level that I used to,

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<v Speaker 1>so I was like diving back in the last couple

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<v Speaker 1>of years of doing strength training. Now I'm like squatting

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<v Speaker 1>quite a bit. But like people will be your form

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<v Speaker 1>this and that and blah blah, blah, and I'm like,

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<v Speaker 1>I'm sorry, do you want me to only post when

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<v Speaker 1>it's absolutely perfect? Like that's not I'm posting my progress.

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<v Speaker 1>And also I did not ask you. I do not.

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<v Speaker 1>I literally have a trainer that you can see in

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<v Speaker 1>the video. So it's like I pay somebody so you

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<v Speaker 1>don't have to tell me crap. But still people will

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<v Speaker 1>tell me, like especially in the chronic illness community, they'll

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<v Speaker 1>be like, oh, man, like I saw you do that,

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<v Speaker 1>so then I tried to do it, Like that's the

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<v Speaker 1>whole reason I post. Yeah, I mean in the end,

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<v Speaker 1>like forms gonna shift and change based on the amount

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<v Speaker 1>of weight and struggle, and you know, like and there's

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<v Speaker 1>some dated like things people say about form, Like they're like,

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<v Speaker 1>keep your chest up, keep your chest up when you're squatting.

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<v Speaker 1>But if you have your chest up when you're squatting

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<v Speaker 1>big numbers, you're curving your back and that's way you

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<v Speaker 1>do not want to do that when you're squatting. So

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<v Speaker 1>I just laugh at people because it's like, oh, you're

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<v Speaker 1>not used to big weights. Don't ever talk to me

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<v Speaker 1>in your life again. Also, just a reminder, I have

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<v Speaker 1>my bachelor's Bachelors of Science and kinesiology, which is literally

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<v Speaker 1>exercise science from the University of Texas where all the

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<v Speaker 1>money went into sports. So just going to throw that

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<v Speaker 1>out there. It is our one hundred episode. Enjoining us today,

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<v Speaker 1>we have film and TV critic. She's written for Rotten Tomatoes.

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<v Speaker 1>It's Chauncey Robinson. Hi, Hey, thanks for having me. I'm excited.

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<v Speaker 1>You are a big horror head. Yes, yes, I love horror.

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<v Speaker 1>Horror is my jam. I do a lot of film

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<v Speaker 1>and TV critic reviews, but I can have a real

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<v Speaker 1>love for all horror that's so dope, which I usually

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<v Speaker 1>give it a lot more space when I review because

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<v Speaker 1>you got something, you know, you get those indie ones

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<v Speaker 1>and staff that aren't you know, I give space. So

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<v Speaker 1>what was your first like, uh, what is the scary

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<v Speaker 1>movie that you remember the most? Like? When how old

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<v Speaker 1>were you when he first saw I don't know, your

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<v Speaker 1>first horror movie. I don't know, probably like I mean,

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<v Speaker 1>my brother and my mom tell me it was like

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<v Speaker 1>six or seven years old. It was like the Nightmare

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<v Speaker 1>Elm Street franchise, which I was like deathly afraid of.

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<v Speaker 1>And any time my mom would go out and my

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<v Speaker 1>brother was ten years older, me would babysit. He My

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<v Speaker 1>mom was like, now, don't play Nightmare Stree, and of

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<v Speaker 1>course he would play it. At any time that Freddie

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<v Speaker 1>came on. He would cover my head with the blanket,

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<v Speaker 1>but of course I could still hear Freddie, so I'd

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<v Speaker 1>have dreams. And I never really knew what Freddie looked like,

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<v Speaker 1>so he always took the form of like my old

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<v Speaker 1>teachers or so ever, like trying to kill me with

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<v Speaker 1>claws of some sort. And it was really cool because

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<v Speaker 1>once I got older, Um, I grew up a lot

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<v Speaker 1>of boys, like so I was like the baby but

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<v Speaker 1>surrounded by all boys. So they would play tricks on

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<v Speaker 1>me with with Freddie and stuff. But then I got

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<v Speaker 1>oldered for some reason, there was like some sort of

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<v Speaker 1>switch and I just came to love Freddie and all

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<v Speaker 1>of that. And I just actually recently visited the Nightmare

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<v Speaker 1>elm Stree house that's actually here in Los Angeles. Yeah, yeah,

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<v Speaker 1>and it is. It was very exciting. I tried. I

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<v Speaker 1>stayed behind the bushes so that the homeowner when I

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<v Speaker 1>took my picture, but yeah, it was very it was

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<v Speaker 1>like a full circle moment. There's a couple of those

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<v Speaker 1>out here, a couple of famous horror one, Halloween one

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<v Speaker 1>is out here. It's a little bit further out. It

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<v Speaker 1>was more in the valley, the Halloween one. Um. I

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<v Speaker 1>also went to the Brady Bunch House too, isn't there one?

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<v Speaker 1>Is that the one where the Halloween houses and passage? Yeah?

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<v Speaker 1>I think yeah, the Halloween Yeah. And then right next

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<v Speaker 1>door to it, they have a very cool um gallery

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<v Speaker 1>there that has all the pictures from the So they're

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<v Speaker 1>kind of capitalizing on the fact that people go there

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<v Speaker 1>for it. Um. Yeah, because they actually they moved it.

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<v Speaker 1>They the house was moved because I guess it was

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<v Speaker 1>in line for demolition and they were afraid that, you know,

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<v Speaker 1>because it's like an historic part. So they just moved

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<v Speaker 1>it across the street. And now it's like a train

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<v Speaker 1>track right there. So there's only like a little bit

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<v Speaker 1>of part to like take a picture in front of,

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<v Speaker 1>which kind sects, but like you know, you kind of

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<v Speaker 1>get the selfie on the angle and then like high

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<v Speaker 1>behind a tree and like sate Michael and stuff. It's

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<v Speaker 1>so funny. Yeah, I know, like they have you been

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<v Speaker 1>to the Amityville House? I haven't. Yeah, there's so many

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<v Speaker 1>like horror houses and have you done any because Danny

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<v Speaker 1>is Um. I'm trying to find a better way to

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<v Speaker 1>say this, but I say crazy because she goes to

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<v Speaker 1>a lot of haunted places. Do you ever do any

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<v Speaker 1>of that stuff? Oh? Yeah, one of the things I

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<v Speaker 1>wanted to do when I mean I grew up. I

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<v Speaker 1>was born and raised in Jersey on the East Coast.

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<v Speaker 1>I can hear about about three years now down in

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<v Speaker 1>Los Angeles, and one of the things I wanted to

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<v Speaker 1>do eventually was like the go because a lot of

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<v Speaker 1>the haunted places seems to feel like they're more so

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<v Speaker 1>on the East Coast, like the Assylum and stuff. So

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<v Speaker 1>I want to eventually, like maybe spend the night in

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<v Speaker 1>one of those places and just kind of like fill

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<v Speaker 1>it here. An asylum I can't do. I mean maybe

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<v Speaker 1>maybe if I had like a crew or something with me,

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<v Speaker 1>because I did this like comedy ghost Hunting Pilot, where

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<v Speaker 1>we spent the night at Bob Baker's Marionette Theater, which

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<v Speaker 1>has a good vibe to it, and not all places do, um,

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<v Speaker 1>but someplace I would recommend is in San Diego. They

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<v Speaker 1>have the Whaley House, which I've been to multiple times.

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<v Speaker 1>In fact, I did like a paper on it, and um,

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<v Speaker 1>it's one of travel channels most haunted places. I think

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<v Speaker 1>you can't spend the night there. Um, it was like, yes,

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<v Speaker 1>it's an old town San Diego. Several people have died

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<v Speaker 1>for various reasons in that area and old town is

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<v Speaker 1>historical and it's awesome. Like there's a cemetery that's close by,

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<v Speaker 1>and there's like you know, people wear garb from that time,

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<v Speaker 1>and there's like candle making and and all of that.

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<v Speaker 1>The house is small because people were just like smaller

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<v Speaker 1>back then. You know. It's like everything's more petite, Like

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<v Speaker 1>the beds are petite, the doorways and stuff. Um, So

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<v Speaker 1>I love it. But yeah, actually I don't. I can't

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<v Speaker 1>remember if I've said this on here, but we just

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<v Speaker 1>filment back when he was more famous. He like spent

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<v Speaker 1>the night they're doing a story, uh as a reporter,

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<v Speaker 1>and he said he saw like a woman crawl up

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<v Speaker 1>the wall and he was like, I'm never never again.

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<v Speaker 1>Oh my gosh, you should do it, if you know.

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<v Speaker 1>I was so for BuzzFeed multiplayer, we're going to do

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<v Speaker 1>a video where we try and stream a scary game

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<v Speaker 1>in the Queen Mary, which is haunted, and like they

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<v Speaker 1>had the room set up and all that. But due

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<v Speaker 1>to like do to paperwork, like we yeah you know,

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<v Speaker 1>yeah yeah, the producing side of things like you know,

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<v Speaker 1>location releases and all that, we couldn't get get it done.

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<v Speaker 1>So everyone's like, oh dang, And I was like, yeah,

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<v Speaker 1>oh damn, I was. I hated it. It was so

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<v Speaker 1>like we're in the room and even with the lights on,

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<v Speaker 1>like there was this locked door, like it was like

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<v Speaker 1>it went no one would mention it, and I was like,

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<v Speaker 1>what's up with this? And no one talked about And

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<v Speaker 1>I was like, see this is a problem, Like y'all

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<v Speaker 1>got to explain everything in this room and I'm pointing

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<v Speaker 1>to this locked door and nobody want to talk to

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<v Speaker 1>me about it. But you're so much bigger than me.

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<v Speaker 1>It's so funny that I like openly go into these faces.

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<v Speaker 1>Well then that's the thing where it's like I wouldn't

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<v Speaker 1>be afraid of fighting like a monster or two per cobra.

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<v Speaker 1>But ghosts, you know, they don't you know, they don't

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<v Speaker 1>really hard to you. They harm you because they're terrifying

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<v Speaker 1>just that they are there. But there's not too too

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<v Speaker 1>many stories of them actually like picking up a knife

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<v Speaker 1>and stabbing you or something like they do in scary movies.

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<v Speaker 1>You can usually pick up on vibes to can you

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<v Speaker 1>like believe in that sort of thing? Like I have

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<v Speaker 1>three cats, so that's supposed to keep demons in that

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<v Speaker 1>spirits the way I really do believe in that. So yeah,

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<v Speaker 1>they're like royalty. Yeah yeah, Like historically I got the

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<v Speaker 1>segment tattoo right here. That's cool. If I was going

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<v Speaker 1>to say, while we're still talking to geeking out about

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<v Speaker 1>horror stuff, our friend Ali Gertz, remember she had like

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<v Speaker 1>Halloween party or whatever, and somebody was like, I'll bring

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<v Speaker 1>agi board like in the Facebook group, and I'm like,

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<v Speaker 1>unless you want something, if I'm there, something will happen.

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<v Speaker 1>Like I just a racked that open energy, and I'm like,

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<v Speaker 1>I don't, I don't. You're not gonna be like playing

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<v Speaker 1>around if I'm there, Like something's gonna percent show up.

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<v Speaker 1>Uh yeah, well, speaking of all that are what are

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<v Speaker 1>you what are you speaking out about? Um? Recently, I've

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<v Speaker 1>been watching The Hunters on Amazon, the al Pacino. It's

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<v Speaker 1>you know, executive produced by Jordan and Pill but it's

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<v Speaker 1>a really good one about uh Nazi hunters uh that

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<v Speaker 1>I really loved. I actually did a review on it

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<v Speaker 1>too that people can find on Rotten Tomatoes where it.

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<v Speaker 1>I love the fact that it mixes real history with

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<v Speaker 1>you know, this kind of origin of superhero of uh,

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<v Speaker 1>because we actually really did have like Nazi hunters back

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<v Speaker 1>in the ninety seventies and one, and there's still some today,

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<v Speaker 1>you know, in terms and um yeah, it's just great performance.

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<v Speaker 1>It's really bloody. If you like the Boys on Amazon,

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<v Speaker 1>then you like that. I didn't care for the Boys,

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<v Speaker 1>but I like this. I like the Gore is this

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<v Speaker 1>is similar, but I think the characterizations are a lot better.

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<v Speaker 1>And Alpacino it's a it's like his most Alpacino and

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<v Speaker 1>um yeah, it's great ten episodes and it's good, good

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<v Speaker 1>hearty um entertainment. Ye yeah, No, I'm super excited to

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<v Speaker 1>check it out because I've been hearing like, you know,

0:11:13.280 --> 0:11:15.840
<v Speaker 1>mixed sides where some people are like, oh man, I

0:11:15.880 --> 0:11:17.760
<v Speaker 1>love it and some people are oh man, you know,

0:11:18.120 --> 0:11:21.320
<v Speaker 1>and that I usually like, I feel like, you know, now,

0:11:21.600 --> 0:11:23.440
<v Speaker 1>there's this weird thing of like everyone has to like

0:11:23.640 --> 0:11:26.800
<v Speaker 1>or hate something. But I the more enticing to me

0:11:26.920 --> 0:11:29.679
<v Speaker 1>is because once again I'll go on this again, is

0:11:30.080 --> 0:11:33.120
<v Speaker 1>UH is like if you dislike something, you need to

0:11:33.120 --> 0:11:35.920
<v Speaker 1>be able to tell me why and go into detail

0:11:35.960 --> 0:11:39.040
<v Speaker 1>instead of saying this thing sucks, because that isn't criticism,

0:11:39.080 --> 0:11:42.840
<v Speaker 1>that's just being you're you're just that's nothing that gives

0:11:42.840 --> 0:11:45.840
<v Speaker 1>me no information. So uh, that's that's what I like.

0:11:45.960 --> 0:11:48.240
<v Speaker 1>Is I like watching things, even if I might not

0:11:48.240 --> 0:11:50.560
<v Speaker 1>not necessarily be the biggest fan of it. Is like,

0:11:50.720 --> 0:11:52.920
<v Speaker 1>let me see why don't but I'm probably gonna like it.

0:11:53.040 --> 0:11:55.720
<v Speaker 1>That's that's how I was with um, I can I

0:11:55.760 --> 0:12:01.000
<v Speaker 1>cannot stand Hereditary came out. I couldn't stand. I loved

0:12:01.040 --> 0:12:03.480
<v Speaker 1>it and I hate scary stuff. And then I actually

0:12:03.520 --> 0:12:06.040
<v Speaker 1>went to go watch mid Summer and after that I

0:12:06.120 --> 0:12:10.959
<v Speaker 1>was like, boo me once, shame on you, shame on me.

0:12:11.160 --> 0:12:14.360
<v Speaker 1>I'm never coming to a theater to watch areos. This

0:12:14.440 --> 0:12:17.360
<v Speaker 1>is so funny. I'm not doing that because I I

0:12:17.400 --> 0:12:19.839
<v Speaker 1>saw it with you, right, I saw Midsummer or whatever.

0:12:19.920 --> 0:12:22.040
<v Speaker 1>I did not like it either. I did not enjoy it.

0:12:22.120 --> 0:12:24.120
<v Speaker 1>It made me, but I was like he did. And

0:12:24.160 --> 0:12:26.360
<v Speaker 1>they had us fill out a survey after arts two,

0:12:26.400 --> 0:12:27.959
<v Speaker 1>and I felt so bad because I don't want to

0:12:27.960 --> 0:12:32.079
<v Speaker 1>give this. However, what for me? I was so uncomfortable,

0:12:32.200 --> 0:12:35.280
<v Speaker 1>did not enjoy it like that element of it, and

0:12:35.320 --> 0:12:37.440
<v Speaker 1>so I was like, you did your job if you

0:12:37.600 --> 0:12:39.800
<v Speaker 1>made me feel any type of way, and then having

0:12:39.800 --> 0:12:42.000
<v Speaker 1>no emotion, I'm like, you made me hate this movie

0:12:42.000 --> 0:12:45.240
<v Speaker 1>and I was so uncomfortable and you did your job

0:12:45.280 --> 0:12:47.240
<v Speaker 1>then if that's what you wanted, Like, you can't control

0:12:47.280 --> 0:12:49.480
<v Speaker 1>people's reaction to it. So but it's so funny to

0:12:49.520 --> 0:12:51.120
<v Speaker 1>hear that because so many people were in love with

0:12:51.160 --> 0:12:54.000
<v Speaker 1>it and I can't. You did your job, well, you

0:12:54.040 --> 0:12:56.839
<v Speaker 1>made me feel well, that's the thing with Ari. And

0:12:56.880 --> 0:12:58.720
<v Speaker 1>it's so interesting because I find that a lot of

0:12:58.760 --> 0:13:02.760
<v Speaker 1>like horror ends typically are like, Okay, we get what

0:13:02.800 --> 0:13:05.440
<v Speaker 1>you're doing, because like there's a formula and he kind

0:13:05.440 --> 0:13:07.319
<v Speaker 1>of goes against it. And that's kind of what I

0:13:07.440 --> 0:13:09.640
<v Speaker 1>like because it kind of spoon feeds me where he

0:13:09.720 --> 0:13:12.840
<v Speaker 1>just does long, drawn out dread. It's not very jump scary.

0:13:12.920 --> 0:13:16.120
<v Speaker 1>It's very slow paced and like and I just eat

0:13:16.200 --> 0:13:20.480
<v Speaker 1>it up. Did you um watch the problem with the

0:13:20.480 --> 0:13:22.800
<v Speaker 1>the or it's the weird thing about the kid didn't

0:13:22.800 --> 0:13:25.840
<v Speaker 1>sit through that? But I saw I was like nope,

0:13:26.280 --> 0:13:28.839
<v Speaker 1>And but then when I saw I found out about

0:13:28.880 --> 0:13:30.679
<v Speaker 1>that after I watched this stuff, and I was like,

0:13:30.720 --> 0:13:33.840
<v Speaker 1>this makes perfect sense. This guy had such a bleak

0:13:34.240 --> 0:13:38.280
<v Speaker 1>view of humanity. Yeah, there's just no hope. And I

0:13:38.320 --> 0:13:40.240
<v Speaker 1>know it's weird as a horror fan to say that

0:13:40.280 --> 0:13:43.120
<v Speaker 1>I actually enjoy hope and horror movies led to me.

0:13:43.280 --> 0:13:45.480
<v Speaker 1>I like, you know, when I dissect films, I look

0:13:45.480 --> 0:13:47.679
<v Speaker 1>at story structure, right, I look at you know, is

0:13:47.720 --> 0:13:49.600
<v Speaker 1>there a journey I can go on that I can

0:13:49.720 --> 0:13:52.720
<v Speaker 1>you know, hope for something, whether it's for the monster

0:13:52.840 --> 0:13:55.160
<v Speaker 1>or whether it's for the you know, protagonist. And I

0:13:55.240 --> 0:13:57.360
<v Speaker 1>just felt like he just has these movies where it's

0:13:57.400 --> 0:13:59.880
<v Speaker 1>just like there's no hope. What what is this like

0:14:00.160 --> 0:14:03.120
<v Speaker 1>two hours of just feeling really uncomfortable. It's it's so

0:14:03.160 --> 0:14:05.920
<v Speaker 1>funny because you know, I don't think it's a weird thing.

0:14:05.960 --> 0:14:08.439
<v Speaker 1>I think that's what makes horror enticing to a lot

0:14:08.440 --> 0:14:11.920
<v Speaker 1>of horror fans. I think it's it's the it's for example,

0:14:12.200 --> 0:14:15.280
<v Speaker 1>the movie because I just did um, Haley Mancini and

0:14:15.320 --> 0:14:18.520
<v Speaker 1>George oz is uh Godzilla podcast and almost like, didn't

0:14:18.679 --> 0:14:21.680
<v Speaker 1>god look them out during the reconstruction period in Entrepanels.

0:14:21.680 --> 0:14:25.080
<v Speaker 1>I yes, because Godzilla is an allegory the devastation of

0:14:25.160 --> 0:14:27.520
<v Speaker 1>the atomic bomb, and like that. I think that horror

0:14:27.520 --> 0:14:30.000
<v Speaker 1>moves is that same way of like, yes on the outskirts.

0:14:30.040 --> 0:14:32.160
<v Speaker 1>It seems like this very scary movie, but at the

0:14:32.240 --> 0:14:35.000
<v Speaker 1>heart of it, it's hope that no matter how scary

0:14:35.120 --> 0:14:37.800
<v Speaker 1>things get, no matter what's going down, there's hope that

0:14:37.880 --> 0:14:41.200
<v Speaker 1>you can survive, that you can outlast, you know, the

0:14:41.400 --> 0:14:44.360
<v Speaker 1>horrors of the world around you. And are kind of

0:14:44.440 --> 0:14:46.600
<v Speaker 1>just takes that and goes, no, everything's bad. Yeah, I

0:14:46.640 --> 0:14:50.440
<v Speaker 1>don't know if I want to keepetting my money. I understand.

0:14:51.800 --> 0:14:54.040
<v Speaker 1>I did it because I had a similar situation with

0:14:54.120 --> 0:14:57.480
<v Speaker 1>a video game. I forget what video game it was.

0:14:57.720 --> 0:15:01.480
<v Speaker 1>I'm gonna find out in we're talking, but it was

0:15:01.560 --> 0:15:05.120
<v Speaker 1>this video game where the premise the premises the world

0:15:05.200 --> 0:15:07.680
<v Speaker 1>the apocalypse happened, the world ended, there's not that many

0:15:07.760 --> 0:15:11.880
<v Speaker 1>humans left, We're not going to survive save what's left.

0:15:11.960 --> 0:15:14.600
<v Speaker 1>And I was like, well, this it seems like I

0:15:14.720 --> 0:15:22.480
<v Speaker 1>already lost, like an existential crisis. Yeah. I just like

0:15:22.640 --> 0:15:24.560
<v Speaker 1>after the intro, was like, I kind of don't want

0:15:24.600 --> 0:15:28.440
<v Speaker 1>to feel like the bad guys already wanted. Yeah. Well,

0:15:28.560 --> 0:15:35.200
<v Speaker 1>speaking of horror scary movie, would you say that there's Well, first,

0:15:35.280 --> 0:15:40.080
<v Speaker 1>what was everyone's favorite memory from this film? I remember

0:15:40.560 --> 0:15:42.960
<v Speaker 1>as a kid watching this, you know when because this

0:15:43.080 --> 0:15:44.880
<v Speaker 1>came out in two thousands, so now I wouldn't I

0:15:44.960 --> 0:15:47.240
<v Speaker 1>wasn't a kid. I was like a teenager and this

0:15:47.560 --> 0:15:50.520
<v Speaker 1>hit right at the age I needed it to hit.

0:15:50.600 --> 0:15:52.280
<v Speaker 1>And you know, like it was like it was that

0:15:52.400 --> 0:15:54.880
<v Speaker 1>goofy funny and you know, going back and watch there

0:15:54.920 --> 0:15:57.520
<v Speaker 1>are some things that just definitely do not hold up,

0:15:57.960 --> 0:16:04.840
<v Speaker 1>but in a way like it's it's like it kind

0:16:04.880 --> 0:16:06.960
<v Speaker 1>of like is still trying to be like funny. You know.

0:16:07.200 --> 0:16:09.320
<v Speaker 1>I feel like there's some stuff when people will do

0:16:09.480 --> 0:16:11.400
<v Speaker 1>like off color jokes where you can tell is just

0:16:11.520 --> 0:16:14.600
<v Speaker 1>being malicious and like making fun of where more it's like, no,

0:16:14.680 --> 0:16:17.400
<v Speaker 1>we're just having fun and this is just all silly.

0:16:17.840 --> 0:16:21.720
<v Speaker 1>And like the references to all the movies like picking

0:16:21.840 --> 0:16:24.200
<v Speaker 1>up on that was great. I said this before we

0:16:24.320 --> 0:16:27.840
<v Speaker 1>record it is I've also recently rewatched Screaming the Matrix,

0:16:27.920 --> 0:16:30.160
<v Speaker 1>so like I was able to kind of pick up

0:16:30.200 --> 0:16:33.640
<v Speaker 1>on those things, especially like they really did like knock

0:16:33.680 --> 0:16:36.480
<v Speaker 1>it out the park Um and I have to say,

0:16:36.560 --> 0:16:42.080
<v Speaker 1>it is ambitious to uh to do a parody of

0:16:42.200 --> 0:16:45.640
<v Speaker 1>Scared of Scream when scream itself is almost a parody.

0:16:45.720 --> 0:16:49.800
<v Speaker 1>It's a parody of slasher films, so like it's this

0:16:49.960 --> 0:16:54.440
<v Speaker 1>should not work, but because they play with it, they're like, Okay,

0:16:54.520 --> 0:16:56.960
<v Speaker 1>what if we take this and make it more slapsticky,

0:16:57.040 --> 0:17:00.760
<v Speaker 1>make it more you know, fart jokey, and it works

0:17:01.000 --> 0:17:08.400
<v Speaker 1>the literal most part. Job penis. I'm like a lot

0:17:08.480 --> 0:17:12.719
<v Speaker 1>of that by men, just like remember when they were

0:17:12.760 --> 0:17:18.520
<v Speaker 1>teens wanting to get laid constantly. Um so yeah, so

0:17:18.760 --> 0:17:23.399
<v Speaker 1>if he is right, it's twenty years old, it's and

0:17:23.640 --> 0:17:26.399
<v Speaker 1>a lot of it does hold up, which is is

0:17:26.680 --> 0:17:29.439
<v Speaker 1>uh to me. They were the first ones to really

0:17:30.000 --> 0:17:34.800
<v Speaker 1>make these parody films stick. Um. And that is the

0:17:34.920 --> 0:17:37.960
<v Speaker 1>Waynes Brothers. It's Keenan Ivory Waynes, and it was writers

0:17:38.040 --> 0:17:41.720
<v Speaker 1>Marlon and Sean and then they had collaborators Phil Bowman

0:17:41.800 --> 0:17:45.399
<v Speaker 1>and Aaron Seltzer. Definitely felt very guy heavy with all

0:17:45.480 --> 0:17:48.760
<v Speaker 1>the jocks. Oh, I think we can just slowly make

0:17:48.840 --> 0:17:51.440
<v Speaker 1>our way to this movie because the thing I do

0:17:51.640 --> 0:17:56.840
<v Speaker 1>like about the movie is it is so perfectly early

0:17:56.960 --> 0:18:00.639
<v Speaker 1>odds it from the outfits to the re princes. I mean,

0:18:00.680 --> 0:18:03.879
<v Speaker 1>so we have the opening scene that matches, it matches,

0:18:03.920 --> 0:18:06.960
<v Speaker 1>it's matching the opening scene of screen and um, I

0:18:07.040 --> 0:18:09.000
<v Speaker 1>didn't get the name of that. I remember back then,

0:18:09.040 --> 0:18:11.359
<v Speaker 1>I knew who the Carmen Electra. Yeah, that was Carmen

0:18:11.440 --> 0:18:15.880
<v Speaker 1>elect Gosh, why didn't I notice that was Karmen Electra.

0:18:16.119 --> 0:18:17.600
<v Speaker 1>It was funny too because they were talking about her

0:18:17.640 --> 0:18:22.600
<v Speaker 1>in Dennis Rodman Yes, and then they made a Prince joke,

0:18:22.680 --> 0:18:27.040
<v Speaker 1>which was, Yeah, it really kind of needed to have

0:18:27.240 --> 0:18:29.520
<v Speaker 1>her as that because so many of the jokes that

0:18:29.600 --> 0:18:32.280
<v Speaker 1>play were based off of her whole thing, like running

0:18:32.280 --> 0:18:34.760
<v Speaker 1>through the sprinklers and then that whole because she was

0:18:34.760 --> 0:18:37.080
<v Speaker 1>supposed to be like the next Pamela Anderson when all

0:18:37.240 --> 0:18:39.840
<v Speaker 1>that came out, and just what she said about Prince

0:18:40.480 --> 0:18:45.200
<v Speaker 1>about my boyfriend, I just screwed him. Yeah, that was that.

0:18:45.680 --> 0:18:48.680
<v Speaker 1>That whole opening scene was funny, but it also like

0:18:48.800 --> 0:18:50.960
<v Speaker 1>sets the tone for the movie in such a great

0:18:51.000 --> 0:18:53.800
<v Speaker 1>way because it's funny, but it it also is like

0:18:53.920 --> 0:18:57.080
<v Speaker 1>that scary movie violence, like even the gag of like

0:18:57.920 --> 0:19:01.680
<v Speaker 1>stabbing her boob and and silicone coming out, which like

0:19:01.840 --> 0:19:06.600
<v Speaker 1>also that's like it's there's a level of like like

0:19:07.080 --> 0:19:09.520
<v Speaker 1>not taking yourself seriously to allow that happen in a

0:19:09.640 --> 0:19:12.159
<v Speaker 1>movie and like play along with it. That. I got

0:19:12.280 --> 0:19:14.520
<v Speaker 1>to give props to Carbon Electra two because I feel like,

0:19:14.640 --> 0:19:17.200
<v Speaker 1>you know, people can be very guarding of their image,

0:19:17.200 --> 0:19:19.320
<v Speaker 1>and she's like, no, we're gonna make fun of myself

0:19:19.920 --> 0:19:23.720
<v Speaker 1>and my relationships. But it was um, but then it

0:19:23.840 --> 0:19:26.760
<v Speaker 1>was also still very violent, and then you're like, oh man,

0:19:26.840 --> 0:19:28.919
<v Speaker 1>this is pretty violent. And then she gets ran over

0:19:29.000 --> 0:19:31.840
<v Speaker 1>by her parents, who are who are you know doing

0:19:31.880 --> 0:19:35.200
<v Speaker 1>a little drive action. So it's like perfectly gets you

0:19:35.280 --> 0:19:37.280
<v Speaker 1>ready for the movie that you're about to see. Well,

0:19:37.320 --> 0:19:39.240
<v Speaker 1>I was gonna say, speaking and making fun of yourself.

0:19:39.359 --> 0:19:43.280
<v Speaker 1>This was on a Ferris breakout role how she became

0:19:43.400 --> 0:19:46.280
<v Speaker 1>known and I was watching this and I was like,

0:19:46.400 --> 0:19:48.800
<v Speaker 1>I would have been, So she was in her early twenties,

0:19:48.880 --> 0:19:51.879
<v Speaker 1>like so insecure about so many of these jokes. Like

0:19:52.000 --> 0:19:53.680
<v Speaker 1>it was it was also peak, like you said, it

0:19:53.760 --> 0:19:57.600
<v Speaker 1>was peaked, TRL peak like Brittany, Christina, Jessica whatever, all

0:19:57.680 --> 0:19:59.760
<v Speaker 1>of those which you kind of looked like a a

0:20:00.000 --> 0:20:03.760
<v Speaker 1>elaboration of all of them put together. Um, but even

0:20:03.800 --> 0:20:06.359
<v Speaker 1>the jokes of her like having Harry boobs or like,

0:20:06.480 --> 0:20:08.280
<v Speaker 1>there were so many jokes like that where even in

0:20:08.320 --> 0:20:10.760
<v Speaker 1>the second one to where I was like, man, that's

0:20:10.760 --> 0:20:13.639
<v Speaker 1>so funny. You just don't really see actresses being willing

0:20:13.760 --> 0:20:16.600
<v Speaker 1>to do that. Yeah, uh, and she definitely was. So

0:20:16.760 --> 0:20:20.040
<v Speaker 1>she also like just her comedy chops were the fact

0:20:20.080 --> 0:20:23.040
<v Speaker 1>that she hadn't really been acting for at least in

0:20:23.040 --> 0:20:26.960
<v Speaker 1>anything major. I was super impressed with. Yeah, she didn't

0:20:27.000 --> 0:20:30.560
<v Speaker 1>even have an agent when she she said in interviews,

0:20:30.600 --> 0:20:32.000
<v Speaker 1>like it was she didn't even think she had a

0:20:32.040 --> 0:20:35.399
<v Speaker 1>head shot. Yeah, that's so wild, I mean, and also like,

0:20:35.680 --> 0:20:38.080
<v Speaker 1>you know, I can't we can't get in a scary

0:20:38.080 --> 0:20:42.600
<v Speaker 1>movie without me play paying respects to the the parody

0:20:42.680 --> 0:20:46.920
<v Speaker 1>movies that preceded it that made it, which was my favorite,

0:20:47.240 --> 0:20:50.000
<v Speaker 1>Don't Be a Menace to South Central while Drinking Juice

0:20:50.040 --> 0:20:52.960
<v Speaker 1>in the Hood, which Keen and Ivory Waynes produced that

0:20:53.400 --> 0:20:55.560
<v Speaker 1>he was an actor director in Scary Movie, but he

0:20:55.640 --> 0:20:58.480
<v Speaker 1>produced that, and then even before that, he was a

0:20:58.520 --> 0:21:01.080
<v Speaker 1>writer and director of I'm Going Get You, Sucker, which one,

0:21:01.640 --> 0:21:05.160
<v Speaker 1>Oh my gosh, I always think about that, like it's

0:21:05.240 --> 0:21:07.600
<v Speaker 1>like a whole movie can be made on the bit

0:21:07.720 --> 0:21:11.119
<v Speaker 1>of the like pimp being released and yeah, in this

0:21:11.320 --> 0:21:13.679
<v Speaker 1>age that has passed him up. I'm like, that's a movie,

0:21:13.800 --> 0:21:16.160
<v Speaker 1>Like that's a draw, Like I would love to see

0:21:16.200 --> 0:21:18.800
<v Speaker 1>that drama of a pimp being reintroduced to the world.

0:21:19.359 --> 0:21:22.320
<v Speaker 1>And they like, no, pimps aren't cool anymore and they're

0:21:22.359 --> 0:21:26.080
<v Speaker 1>making fun of him. Oh yeah, so so the so

0:21:26.359 --> 0:21:30.440
<v Speaker 1>parody isn't new to Keenan Ivory Wayne. So like if

0:21:30.480 --> 0:21:33.280
<v Speaker 1>anyone was gonna do it, it definitely was him. Uh.

0:21:33.480 --> 0:21:36.920
<v Speaker 1>And of course, uh, since Keenan Ivory Waynes had a job,

0:21:37.000 --> 0:21:41.400
<v Speaker 1>so did the rest of his family. Yeah. I love

0:21:41.600 --> 0:21:45.359
<v Speaker 1>I love that model. So yeah, so then we go

0:21:45.520 --> 0:21:48.520
<v Speaker 1>from the murder to you we open up. We were

0:21:48.600 --> 0:21:52.080
<v Speaker 1>introduced kind of to our main cast as um, you

0:21:52.200 --> 0:21:55.000
<v Speaker 1>already said Anna Faris, and then we also had um

0:21:55.440 --> 0:21:59.920
<v Speaker 1>Regina Hall. But who was the the girlfriend that who

0:22:00.160 --> 0:22:05.520
<v Speaker 1>was spoofy the American pie Buffy? Yeah, Buffy? What was her?

0:22:06.000 --> 0:22:10.480
<v Speaker 1>What's the actress who played Buffy? Actress Shannon Elizabeth. Yeah,

0:22:10.960 --> 0:22:14.720
<v Speaker 1>so Shannon Elizabeth is playing Buffy. Anna Faris playing Sydney.

0:22:15.320 --> 0:22:17.680
<v Speaker 1>And Regina Hall. What was the name of her character?

0:22:17.800 --> 0:22:21.960
<v Speaker 1>Oh my god, Oh my god, Brenda Brenda. Yes, because

0:22:22.040 --> 0:22:30.640
<v Speaker 1>the Brandon Brenda, which honestly just these two Regina Hall

0:22:31.040 --> 0:22:34.560
<v Speaker 1>and an affairs. I want to I need them to

0:22:34.720 --> 0:22:37.720
<v Speaker 1>do another movie together because I remember, like, not only

0:22:37.760 --> 0:22:39.280
<v Speaker 1>in this movie do they kill it, but in Scary

0:22:39.320 --> 0:22:43.240
<v Speaker 1>movie too, they kill it and just there. The way

0:22:43.320 --> 0:22:45.560
<v Speaker 1>they play together and then on their own is like

0:22:46.359 --> 0:22:49.960
<v Speaker 1>comedy super team. I'm so glad that they brought Regina

0:22:50.040 --> 0:22:52.560
<v Speaker 1>Hall back for two at three. Okay, so the actor

0:22:52.640 --> 0:22:54.359
<v Speaker 1>that played Greg who's been he's been in like a

0:22:54.400 --> 0:22:56.240
<v Speaker 1>couple of other things to he always plays the same,

0:22:56.359 --> 0:22:59.040
<v Speaker 1>like the kind of dick. I just was like, this

0:22:59.240 --> 0:23:03.440
<v Speaker 1>man looks like he's in his late thirties. And I

0:23:03.600 --> 0:23:06.959
<v Speaker 1>loved it because it was actually and um I think

0:23:07.040 --> 0:23:09.840
<v Speaker 1>Regina to she was like thirty I think at the time. Yeah,

0:23:09.920 --> 0:23:11.760
<v Speaker 1>I just love the fact that that is so on

0:23:12.040 --> 0:23:14.160
<v Speaker 1>part because when you would see like Freddie Prince Jr.

0:23:14.200 --> 0:23:17.320
<v Speaker 1>He would be like twenty seven playing a fifteen year old.

0:23:18.160 --> 0:23:20.199
<v Speaker 1>I made all of us insecure, I think growing up

0:23:20.200 --> 0:23:22.359
<v Speaker 1>because he thought we were supposed to look like people

0:23:22.440 --> 0:23:25.040
<v Speaker 1>we were like fifteen or something and they were all

0:23:25.119 --> 0:23:26.840
<v Speaker 1>like twenty five. And actually make that joke in the

0:23:26.920 --> 0:23:30.120
<v Speaker 1>movie like oh they'll get like Jennifer Love huge tits. Yeah,

0:23:30.320 --> 0:23:32.600
<v Speaker 1>and like people who are twenty five playing then and

0:23:32.640 --> 0:23:37.160
<v Speaker 1>they're all joking because they're approaching thirty. That's so yeah,

0:23:37.200 --> 0:23:40.639
<v Speaker 1>that was so funny. Uh So they they're they're all

0:23:40.760 --> 0:23:45.080
<v Speaker 1>kind of sitting around chopping it up and and so

0:23:45.240 --> 0:23:47.320
<v Speaker 1>then we get to one of the one of my

0:23:47.400 --> 0:23:50.119
<v Speaker 1>first big laugh moments. This is one of the scenes

0:23:50.160 --> 0:23:53.080
<v Speaker 1>that I would just rewind over and over, which is

0:23:53.240 --> 0:23:56.280
<v Speaker 1>all the different news reporting on the killing, and we

0:23:56.400 --> 0:23:59.680
<v Speaker 1>get to black black news and it was funny because

0:23:59.720 --> 0:24:02.040
<v Speaker 1>it's is tackling because this was still when that trope

0:24:02.119 --> 0:24:04.800
<v Speaker 1>was live that you know, black people were killed first

0:24:04.840 --> 0:24:07.879
<v Speaker 1>and scary movies, so they they just kind of nodded

0:24:07.920 --> 0:24:11.040
<v Speaker 1>to that, got out and just was in. Then we

0:24:11.200 --> 0:24:14.040
<v Speaker 1>kind of get to be not too I know what

0:24:14.119 --> 0:24:16.560
<v Speaker 1>you did last summer, and we'll get into those details

0:24:17.200 --> 0:24:27.880
<v Speaker 1>right after this break and we're back. How are you doing?

0:24:28.000 --> 0:24:30.720
<v Speaker 1>Welcome back to nerdifficent Um. Your host if you wide away.

0:24:30.760 --> 0:24:35.479
<v Speaker 1>Across from me is Daddy Fernandez and our wonderful guests, Johncey,

0:24:35.560 --> 0:24:38.480
<v Speaker 1>how you doing. I'm good, You're doing a good job

0:24:38.560 --> 0:24:44.760
<v Speaker 1>so far. We have our guests place. This is something

0:24:44.840 --> 0:24:47.359
<v Speaker 1>that we we mentioned every couple of months is that

0:24:47.400 --> 0:24:51.520
<v Speaker 1>we're on the comedy side of the network, so we're

0:24:51.560 --> 0:24:55.520
<v Speaker 1>not all facts and uh yeah, yeah, we kind of

0:24:55.720 --> 0:24:57.200
<v Speaker 1>I can't say the word that I want to say.

0:24:57.320 --> 0:25:05.359
<v Speaker 1>We kind of talk around, kind of dock around. We

0:25:05.480 --> 0:25:08.080
<v Speaker 1>messed around, We messed around. We like to have fun here.

0:25:08.119 --> 0:25:12.000
<v Speaker 1>We're talking about fun properties as in scary movie. So

0:25:12.160 --> 0:25:14.960
<v Speaker 1>if you were getting into the I Know What You

0:25:15.000 --> 0:25:17.720
<v Speaker 1>Did Last Summer, which honestly, it's kind of funny with

0:25:17.760 --> 0:25:20.800
<v Speaker 1>those two franchises, the Scream franchise and the I Know

0:25:20.880 --> 0:25:22.960
<v Speaker 1>What You Did Last Summer franchise was just like two

0:25:23.119 --> 0:25:25.920
<v Speaker 1>teen high schools like battling each other at the time.

0:25:27.040 --> 0:25:28.720
<v Speaker 1>You know, it was like the Freddie Prince Junior, Sarah

0:25:28.760 --> 0:25:32.440
<v Speaker 1>Michelle Giller, and then you had um, um crap boy,

0:25:32.440 --> 0:25:36.239
<v Speaker 1>am I blanking on her name? Who's Nev Campbell? Yeah? Um?

0:25:36.440 --> 0:25:39.760
<v Speaker 1>And then Matthew Lillard and that whole you know, ended

0:25:39.840 --> 0:25:42.399
<v Speaker 1>up doing Scooby Doo and then and then that's in

0:25:42.480 --> 0:25:44.800
<v Speaker 1>the same universe. See, you had Freddie Prince Junior and

0:25:44.840 --> 0:25:48.200
<v Speaker 1>Matthew Lillard and Michelle Dillard came back together. I don't

0:25:48.240 --> 0:25:52.440
<v Speaker 1>know why I was doing scissors, um so yeah, So

0:25:52.600 --> 0:25:54.639
<v Speaker 1>I loved that. There were other things that they spoofed

0:25:54.680 --> 0:25:56.440
<v Speaker 1>in here, though, like a lot of pop culture things

0:25:56.520 --> 0:26:01.320
<v Speaker 1>that weren't just horror related. Yeah. Yeah, we had Matrix

0:26:01.400 --> 0:26:05.800
<v Speaker 1>pop up in there. We had American pie American Pie. Yeah,

0:26:06.200 --> 0:26:10.320
<v Speaker 1>there were. There's usual Suspects. My favorite part, one of

0:26:10.400 --> 0:26:14.199
<v Speaker 1>my favorite ports because I love that, you know, um,

0:26:15.160 --> 0:26:17.760
<v Speaker 1>this movie twists. I think we always think of, like

0:26:18.040 --> 0:26:21.480
<v Speaker 1>you know, the sixth sense. We think of, uh, you know,

0:26:21.640 --> 0:26:23.879
<v Speaker 1>Planet of the Apes. We don't talk about the cool

0:26:24.080 --> 0:26:27.960
<v Speaker 1>twist of usual Suspects. They're like, oh, I can't walk,

0:26:28.119 --> 0:26:30.000
<v Speaker 1>just kid, and I can and I'm cool as hit.

0:26:30.600 --> 0:26:32.840
<v Speaker 1>Like that is to me. It's so cool and I

0:26:32.920 --> 0:26:36.320
<v Speaker 1>love that they like truly did it and like there

0:26:36.400 --> 0:26:37.840
<v Speaker 1>was no joke to it. It's just like, no, that

0:26:37.960 --> 0:26:40.720
<v Speaker 1>we're doing this because it's like one of the coolest moments.

0:26:40.840 --> 0:26:44.280
<v Speaker 1>And I think movie twists. But so, speaking of those

0:26:44.359 --> 0:26:48.320
<v Speaker 1>pop culture moments, Roger Ebert actually said he remarked in

0:26:48.440 --> 0:26:51.360
<v Speaker 1>his review that to quote to get your money's worth,

0:26:51.400 --> 0:26:53.640
<v Speaker 1>you would need to be familiar with the various teenage

0:26:53.680 --> 0:26:57.160
<v Speaker 1>horror franchises. I mean, I guess so you don't think

0:26:57.200 --> 0:26:59.800
<v Speaker 1>that you would have to have watched I mean it's funnier.

0:27:00.080 --> 0:27:01.439
<v Speaker 1>You know they're making fun of it, but you can

0:27:01.480 --> 0:27:03.160
<v Speaker 1>just tell they're actually you can just tell they're making

0:27:03.200 --> 0:27:06.440
<v Speaker 1>fun of the dumb girl trope like in a lot

0:27:06.520 --> 0:27:08.280
<v Speaker 1>of it, like there's a scene with carminal Lecture that

0:27:08.320 --> 0:27:10.080
<v Speaker 1>we didn't talk about where like she has the gun,

0:27:10.200 --> 0:27:13.200
<v Speaker 1>the grenade, the blobble and she grabs a banana, you know,

0:27:13.400 --> 0:27:15.560
<v Speaker 1>and it's just like stuff like that where you always

0:27:15.600 --> 0:27:18.080
<v Speaker 1>are screaming in the movie, like why are you going upstairs?

0:27:18.200 --> 0:27:20.320
<v Speaker 1>Why are you going upstairs? You know, And so it's

0:27:20.320 --> 0:27:23.000
<v Speaker 1>just kind of like I think horror movies in general,

0:27:23.359 --> 0:27:25.000
<v Speaker 1>which is like what if he was saying that scream

0:27:25.080 --> 0:27:27.320
<v Speaker 1>was already kind of making fun of those. Yeah, I

0:27:27.400 --> 0:27:29.440
<v Speaker 1>think it also played on I mean not just the

0:27:29.480 --> 0:27:31.639
<v Speaker 1>horror pictures, but also just like we were saying, like

0:27:31.720 --> 0:27:34.720
<v Speaker 1>pop culture in general, like the fact that with Karma

0:27:34.960 --> 0:27:38.160
<v Speaker 1>Karmen Electra, she had to be that the main person

0:27:38.240 --> 0:27:39.879
<v Speaker 1>in the beginning because there were just so much of

0:27:39.960 --> 0:27:42.200
<v Speaker 1>her and the news of that in that area. So

0:27:42.320 --> 0:27:44.479
<v Speaker 1>it just made sense she was relevant and even if

0:27:44.520 --> 0:27:46.760
<v Speaker 1>you didn't know horror, you knew things about her and

0:27:46.840 --> 0:27:49.480
<v Speaker 1>Prince and Dennis Rodman and and just her being in

0:27:49.560 --> 0:27:52.080
<v Speaker 1>Playboy and stuff. So I thought it was one of

0:27:52.080 --> 0:27:55.080
<v Speaker 1>those things where it used horror and kind of not

0:27:55.200 --> 0:27:58.159
<v Speaker 1>even like to subverted, but like just what horror the

0:27:58.200 --> 0:28:01.520
<v Speaker 1>horror genre can be, which is a reflection at times

0:28:01.560 --> 0:28:04.560
<v Speaker 1>of twisted reflection of society in general, and so I

0:28:04.680 --> 0:28:06.840
<v Speaker 1>feel like there was some sort of like meta but

0:28:07.000 --> 0:28:09.720
<v Speaker 1>also comedy throwing into that because the Wayne's brother is

0:28:09.760 --> 0:28:14.040
<v Speaker 1>particularly keenan. They're just so like well first in that

0:28:14.240 --> 0:28:17.560
<v Speaker 1>sort of way that they go about their comedy. He's

0:28:17.600 --> 0:28:21.359
<v Speaker 1>just so smart. Oh yeah, he's definitely smart and ahead

0:28:21.400 --> 0:28:23.360
<v Speaker 1>of his time, and a lot of his movies will

0:28:23.400 --> 0:28:25.400
<v Speaker 1>show you that. But I think you made a good

0:28:25.440 --> 0:28:28.159
<v Speaker 1>point is you know, a lot of people, to go

0:28:28.320 --> 0:28:31.240
<v Speaker 1>back on our horror theory, which we went off on

0:28:31.359 --> 0:28:33.919
<v Speaker 1>earway in the episode. A lot of what makes horror

0:28:34.040 --> 0:28:38.200
<v Speaker 1>work is taking uh you know, things that that we

0:28:38.600 --> 0:28:42.160
<v Speaker 1>are actually fearing and growing. The reason Exorcist was as

0:28:42.200 --> 0:28:44.400
<v Speaker 1>big as it was was that was back when people

0:28:44.480 --> 0:28:48.760
<v Speaker 1>were afraid of demons possessing people and you know, Chainsaw

0:28:48.840 --> 0:28:52.280
<v Speaker 1>massacre based off of actual murders and nineties. This time

0:28:52.320 --> 0:28:56.280
<v Speaker 1>of time, there wasn't you know that many like horror

0:28:56.520 --> 0:28:59.320
<v Speaker 1>style phobias, which is why you had so many slashes,

0:28:59.480 --> 0:29:01.720
<v Speaker 1>because that's kind of like an easy go to. Everyone

0:29:02.040 --> 0:29:04.160
<v Speaker 1>is afraid of getting stabbed no matter what's going on

0:29:04.280 --> 0:29:06.720
<v Speaker 1>in the world. So it was I think it is

0:29:06.840 --> 0:29:10.720
<v Speaker 1>like to think of like that formula for a horror movie,

0:29:10.800 --> 0:29:13.920
<v Speaker 1>it's a parody. Is a no brainer because if you're

0:29:14.000 --> 0:29:16.640
<v Speaker 1>doing references, now you can reference you know, the things

0:29:16.720 --> 0:29:19.440
<v Speaker 1>we are scared of and you know, movies and stuff

0:29:19.520 --> 0:29:22.080
<v Speaker 1>and the like. And also that's my theory as to

0:29:22.200 --> 0:29:25.280
<v Speaker 1>why I think Midsomar was so popular because with all

0:29:25.320 --> 0:29:30.600
<v Speaker 1>these firefests and your and your like Coachella's like you can,

0:29:30.960 --> 0:29:33.920
<v Speaker 1>I think a lot of people, like people were able

0:29:33.960 --> 0:29:35.800
<v Speaker 1>to put themselves in the shoes. Was like, yeah, I'd

0:29:35.840 --> 0:29:38.160
<v Speaker 1>go off to uh, you know, nowhere a place to

0:29:38.320 --> 0:29:41.200
<v Speaker 1>like see this cool festival. Oh no, but it goes

0:29:41.400 --> 0:29:44.160
<v Speaker 1>it goes wrong. And I think women Summer Too just

0:29:44.240 --> 0:29:48.120
<v Speaker 1>played on the ignorance of of other cultures, treating other

0:29:48.200 --> 0:29:50.240
<v Speaker 1>cultures as the other. And I thought, of course it

0:29:50.320 --> 0:29:52.680
<v Speaker 1>was a safe bet that they made that culture white,

0:29:52.760 --> 0:29:54.880
<v Speaker 1>but it could have been any other and it was

0:29:54.920 --> 0:29:59.320
<v Speaker 1>playing into this whole newness like they worship their trees

0:29:59.600 --> 0:30:02.080
<v Speaker 1>like you know, like things like that was that was

0:30:02.320 --> 0:30:04.240
<v Speaker 1>the beauty of it, which I'm glad, like, Yeah, if

0:30:04.240 --> 0:30:07.080
<v Speaker 1>you're going to do the culture is scary and kills people,

0:30:07.080 --> 0:30:09.360
<v Speaker 1>you go ahead and make it away and I think

0:30:09.400 --> 0:30:12.480
<v Speaker 1>that's what Scary Movie was playing onto, like where we

0:30:12.600 --> 0:30:15.240
<v Speaker 1>were in pop culture where things where people were coming

0:30:15.320 --> 0:30:18.280
<v Speaker 1>parodies of themselves almost. I mean that's kind of how

0:30:18.320 --> 0:30:20.480
<v Speaker 1>it is now too, but it was like, you know,

0:30:20.600 --> 0:30:23.600
<v Speaker 1>playing on that path that we were going on. Yeah,

0:30:23.760 --> 0:30:26.600
<v Speaker 1>some of the other pop culture things referenced The Titanic,

0:30:26.960 --> 0:30:31.960
<v Speaker 1>which is so funny seeing that to Dawson's Creek up

0:30:32.000 --> 0:30:34.360
<v Speaker 1>in the beginning. I love when they could get actual

0:30:34.640 --> 0:30:40.920
<v Speaker 1>cameos by people. Um, the Budweiser was as that one.

0:30:41.120 --> 0:30:44.920
<v Speaker 1>Oh my gosh, so it's time. A nice little thing

0:30:45.000 --> 0:30:48.680
<v Speaker 1>I noticed rewatching it is that the beer that he

0:30:48.800 --> 0:30:53.960
<v Speaker 1>has says killer love it. I loved that they changed

0:30:54.160 --> 0:30:58.080
<v Speaker 1>the Killer's mask. I think that they had to probably

0:30:58.320 --> 0:31:01.280
<v Speaker 1>for a certain point. It's just for a copyright or

0:31:01.400 --> 0:31:05.760
<v Speaker 1>whatever like, so the mask wasn't exact one from Scary

0:31:05.840 --> 0:31:09.040
<v Speaker 1>move from Scream. Yeah, but then I loved how period

0:31:09.200 --> 0:31:12.400
<v Speaker 1>ghost face periodically, like as he got high it would change,

0:31:12.640 --> 0:31:16.239
<v Speaker 1>and like when he was scared he would it would change. Um.

0:31:16.320 --> 0:31:18.400
<v Speaker 1>And then also The Blair, which was the other scary

0:31:18.440 --> 0:31:22.520
<v Speaker 1>movie that they referenced as well, when she runs into

0:31:22.600 --> 0:31:30.080
<v Speaker 1>the woods Gail's Storm, Gail hail store storm and my

0:31:30.240 --> 0:31:34.000
<v Speaker 1>brothers and I used to always quote Officer Doofy reporting

0:31:34.080 --> 0:31:38.280
<v Speaker 1>for duty. You would always quote that and then him

0:31:38.400 --> 0:31:43.880
<v Speaker 1>like him with a vacuum. I can't like that. Well, also,

0:31:44.000 --> 0:31:46.520
<v Speaker 1>like here's a here's a funny thing that I noticed

0:31:46.560 --> 0:31:50.440
<v Speaker 1>they were really good at still, because I find that

0:31:50.560 --> 0:31:54.360
<v Speaker 1>when people are doing comedy and parodies, they typically in

0:31:55.040 --> 0:31:56.840
<v Speaker 1>a reason why a lot of these don't work is

0:31:56.880 --> 0:31:59.360
<v Speaker 1>they don't treat it as a real movie where you

0:31:59.520 --> 0:32:02.440
<v Speaker 1>have to leave bread crumbs and do this, and they

0:32:02.560 --> 0:32:07.080
<v Speaker 1>truly did because the slightest bread crumb is if you

0:32:07.160 --> 0:32:13.000
<v Speaker 1>pay attention to Doofi's underwear, they make his his um

0:32:13.600 --> 0:32:17.200
<v Speaker 1>uh his uh, his his member. I guess we'll say

0:32:17.320 --> 0:32:22.600
<v Speaker 1>to keep it clean long enough so that the scene, right, yeah,

0:32:22.680 --> 0:32:27.040
<v Speaker 1>if you look at the size of his downstairs, it's

0:32:27.120 --> 0:32:29.480
<v Speaker 1>long enough so that he would be able to do

0:32:29.600 --> 0:32:34.320
<v Speaker 1>that scene. I was like, huh, that's a nice little

0:32:34.400 --> 0:32:36.240
<v Speaker 1>note because I was thinking, I was like, why would

0:32:36.280 --> 0:32:38.560
<v Speaker 1>it Why were like I was like, this seems like

0:32:38.640 --> 0:32:41.720
<v Speaker 1>such a like subtle joke to make him like well endowed.

0:32:42.280 --> 0:32:43.760
<v Speaker 1>And then that scene came and I was like, oh

0:32:43.840 --> 0:32:47.680
<v Speaker 1>my gosh, they just left that like unnecessary bread come

0:32:47.760 --> 0:32:50.160
<v Speaker 1>of like yet no, he'd be able to do that. Yeah,

0:32:50.240 --> 0:32:52.520
<v Speaker 1>there was a plot I think that was like, you know,

0:32:52.720 --> 0:32:57.000
<v Speaker 1>sometimes you have those parody movie movies sometimes it feels

0:32:57.040 --> 0:32:58.760
<v Speaker 1>like there's just a whole bunch of skits thrown in

0:32:59.280 --> 0:33:01.120
<v Speaker 1>and some of the it or once We're kind of

0:33:01.200 --> 0:33:03.240
<v Speaker 1>similar to that where it seemed like maybe they weren't

0:33:03.280 --> 0:33:06.280
<v Speaker 1>as connected and conclusive. But this first movie, it really

0:33:06.400 --> 0:33:09.000
<v Speaker 1>told a story like there was actually like there was

0:33:09.080 --> 0:33:10.720
<v Speaker 1>some you know, one offs here and there, but it

0:33:10.760 --> 0:33:13.960
<v Speaker 1>still played into the characters and what they were going through.

0:33:14.080 --> 0:33:16.480
<v Speaker 1>So you actually were trying to figure out who is

0:33:16.520 --> 0:33:18.680
<v Speaker 1>the killer and the twist that happened, you're like, oh,

0:33:18.760 --> 0:33:20.600
<v Speaker 1>that is a twist, you know, it wasn't It was

0:33:20.640 --> 0:33:25.120
<v Speaker 1>actually a plot, which is great. It makes it, you know,

0:33:25.240 --> 0:33:28.080
<v Speaker 1>even better. Yeah. So the tagline for the movie's poster

0:33:28.280 --> 0:33:31.400
<v Speaker 1>was no shame, no mercy, no sequel. And then when

0:33:31.640 --> 0:33:34.320
<v Speaker 1>Scary Movie two was released a year later, that was

0:33:34.440 --> 0:33:37.000
<v Speaker 1>something that was so fascinating to me. This came out

0:33:37.000 --> 0:33:38.720
<v Speaker 1>in two thousand and they were able to shoot an

0:33:38.880 --> 0:33:42.200
<v Speaker 1>entire other movie in a year and release that and

0:33:42.280 --> 0:33:45.280
<v Speaker 1>the Scary Movie two came out in two thousand and one. Um.

0:33:45.480 --> 0:33:48.800
<v Speaker 1>The tagline for that was we lied, which I love,

0:33:49.520 --> 0:33:52.400
<v Speaker 1>also love that just wasn't addressed. Um. And we can

0:33:52.600 --> 0:33:54.240
<v Speaker 1>hop into this when we moved in a scary movie

0:33:54.280 --> 0:33:56.680
<v Speaker 1>two that they all died and then just like they

0:33:56.720 --> 0:34:00.720
<v Speaker 1>were back just fine. Um it for some of the

0:34:01.760 --> 0:34:04.400
<v Speaker 1>some of the male characters that I didn't care if

0:34:04.440 --> 0:34:06.760
<v Speaker 1>they like killed off. I think one thing we definitely

0:34:06.800 --> 0:34:08.239
<v Speaker 1>need to mention about the movie is that it was

0:34:08.400 --> 0:34:11.279
<v Speaker 1>very successful. Like it did well. It was a hit.

0:34:11.760 --> 0:34:15.160
<v Speaker 1>I mean, all the kids, everyone I knew was referencing

0:34:15.200 --> 0:34:17.960
<v Speaker 1>it top to bottom, and it was it was like

0:34:18.480 --> 0:34:20.960
<v Speaker 1>very vindicating for Keen and Ivory Waynes, who was forced

0:34:21.000 --> 0:34:25.319
<v Speaker 1>to leave in Living Color by Fox who produced the show. Uh,

0:34:25.440 --> 0:34:28.160
<v Speaker 1>and they decided to recut and air skits at random,

0:34:28.600 --> 0:34:31.080
<v Speaker 1>and it brought down the resell value of the show

0:34:31.600 --> 0:34:34.160
<v Speaker 1>which would have gone to keenan So they really did

0:34:34.560 --> 0:34:37.680
<v Speaker 1>do that thing where they screwed over the creator. Oh

0:34:37.719 --> 0:34:39.799
<v Speaker 1>and you could tell a d percent that he had

0:34:39.880 --> 0:34:42.799
<v Speaker 1>his hands on this, him and his brothers, Like there

0:34:42.920 --> 0:34:45.359
<v Speaker 1>was no way, in my opinion, that this movie would

0:34:45.360 --> 0:34:47.359
<v Speaker 1>have come out the same if a white person had

0:34:47.680 --> 0:34:50.200
<v Speaker 1>written it. It was just so many jokes talking about that,

0:34:50.360 --> 0:34:52.600
<v Speaker 1>like exactly what we said about like what happens to

0:34:52.800 --> 0:34:54.960
<v Speaker 1>black people in scary movies? And even just like so

0:34:55.000 --> 0:34:58.959
<v Speaker 1>many of the pop culture references. UM. So I'm glad

0:34:59.040 --> 0:35:01.960
<v Speaker 1>that it it has survived this like twenty years. I

0:35:02.040 --> 0:35:04.640
<v Speaker 1>did want to say. The original title of Scary Movie

0:35:04.800 --> 0:35:08.640
<v Speaker 1>was scream if you know what I did last Halloween. Uh,

0:35:09.440 --> 0:35:13.839
<v Speaker 1>and they might have just gotten flagged by legal um

0:35:14.760 --> 0:35:16.919
<v Speaker 1>and so they changed it to Scary Movie. It has

0:35:17.000 --> 0:35:20.839
<v Speaker 1>on the Tomato Meter, a current score, an audience score.

0:35:22.280 --> 0:35:26.319
<v Speaker 1>On Metacritic, it has a B minus. I also think

0:35:26.360 --> 0:35:29.720
<v Speaker 1>it depends on who's reviewing it. Yeah, I mean definitely.

0:35:29.800 --> 0:35:32.320
<v Speaker 1>This is one of those films where there's this specific

0:35:32.360 --> 0:35:35.640
<v Speaker 1>style of comedy was going for and some people just

0:35:35.920 --> 0:35:39.040
<v Speaker 1>aren't for aren't for against it, which is why, like

0:35:39.360 --> 0:35:43.120
<v Speaker 1>I always will stand on that belief of like even if,

0:35:43.680 --> 0:35:46.719
<v Speaker 1>like I think a great review on Rotten Tomato is

0:35:46.800 --> 0:35:50.760
<v Speaker 1>fifty if if if if half people liked it, half didn't,

0:35:51.040 --> 0:35:53.080
<v Speaker 1>I want to see it. I love, for example, one

0:35:53.120 --> 0:35:55.080
<v Speaker 1>of the examples, I will always stand by his mother.

0:35:55.440 --> 0:35:58.120
<v Speaker 1>A lot of people do not like it. I loved mother,

0:35:58.560 --> 0:36:00.360
<v Speaker 1>and I think you should see it. To see how

0:36:00.440 --> 0:36:04.479
<v Speaker 1>you feel about mother. Um, if you're not squeamish, there's

0:36:04.480 --> 0:36:08.160
<v Speaker 1>a lot that goes on. Yeah, but yeah, so and

0:36:08.440 --> 0:36:11.360
<v Speaker 1>I think of this especially. This was like in the nineties.

0:36:11.440 --> 0:36:13.360
<v Speaker 1>There was this nineties time. I remember I used to

0:36:13.520 --> 0:36:17.640
<v Speaker 1>for some reason torture myself and watch Ebert like give

0:36:17.719 --> 0:36:20.720
<v Speaker 1>bad reviews to comedies and like scream at the television

0:36:20.760 --> 0:36:23.720
<v Speaker 1>because I disagreed. Um. It's like it was like Twitter,

0:36:23.840 --> 0:36:26.600
<v Speaker 1>except I didn't get to bug him. Uh, you know

0:36:26.800 --> 0:36:29.759
<v Speaker 1>what a beautiful time that was critics. I used to

0:36:29.760 --> 0:36:32.640
<v Speaker 1>actually stay out late um on and on the East

0:36:32.680 --> 0:36:36.200
<v Speaker 1>Coast and watch um, Roger Ebert at the movies and whatnot.

0:36:36.200 --> 0:36:38.399
<v Speaker 1>I came on like right after the eleven o'clock news

0:36:38.440 --> 0:36:40.759
<v Speaker 1>because he was like, it's kind of he was very

0:36:40.840 --> 0:36:43.560
<v Speaker 1>much my inspiration for getting into film and TV cript

0:36:43.600 --> 0:36:46.520
<v Speaker 1>after I graduated uh college, And it was one of

0:36:46.560 --> 0:36:49.799
<v Speaker 1>those things where when I first started, I would look

0:36:49.880 --> 0:36:52.239
<v Speaker 1>at older movies and then see what he said, and

0:36:52.320 --> 0:36:54.399
<v Speaker 1>if they lined up, I'm like, I'm on the right track.

0:36:54.440 --> 0:36:56.080
<v Speaker 1>But of course he got it wrong. But one of

0:36:56.120 --> 0:36:58.160
<v Speaker 1>the things I always take when it comes to looking

0:36:58.239 --> 0:37:00.520
<v Speaker 1>at film like he did was that he tried to

0:37:00.600 --> 0:37:02.879
<v Speaker 1>look at what it was trying to achieve and who

0:37:02.960 --> 0:37:05.200
<v Speaker 1>it was for, you know, like he want to compare

0:37:05.360 --> 0:37:08.440
<v Speaker 1>like Oscar bait movie to you know, the run of

0:37:08.480 --> 0:37:11.640
<v Speaker 1>the Mill, like uh, comedy necessarily, and I think that's

0:37:11.680 --> 0:37:13.440
<v Speaker 1>the same thing with scary movie. It was trying to

0:37:13.560 --> 0:37:16.040
<v Speaker 1>achieve a parody and playing on that, and I think

0:37:16.080 --> 0:37:20.400
<v Speaker 1>it achieved that. Like above and beyond, m smart, smart,

0:37:21.560 --> 0:37:25.279
<v Speaker 1>smart critics brain right there. I like it, I wanted

0:37:25.320 --> 0:37:29.520
<v Speaker 1>to say, because we had talked about Anna Farris, and um,

0:37:30.520 --> 0:37:32.680
<v Speaker 1>this is Keenan said, the biggest surprise was on it.

0:37:32.800 --> 0:37:35.319
<v Speaker 1>It wasn't really a surprise, it was a gift, he said.

0:37:35.360 --> 0:37:37.400
<v Speaker 1>I had seen everybody and I kept saying no, to

0:37:37.480 --> 0:37:39.440
<v Speaker 1>the point that the casting people were getting pissed. But

0:37:39.520 --> 0:37:42.160
<v Speaker 1>I was looking for someone specific. I remember the casting

0:37:42.239 --> 0:37:44.520
<v Speaker 1>person saying I read a girl that I think is right,

0:37:44.560 --> 0:37:48.520
<v Speaker 1>but she's never done anything before, and I was like, size, yeah, okay,

0:37:49.040 --> 0:37:51.600
<v Speaker 1>see I love that though. And her co star John Abrams,

0:37:51.640 --> 0:37:55.080
<v Speaker 1>who played Bobby uh It said quote, Anna was just amazing.

0:37:55.239 --> 0:37:56.800
<v Speaker 1>I mean, to come in that green and to have

0:37:56.920 --> 0:38:00.480
<v Speaker 1>that kind of comedic timing was bananas, which I agree.

0:38:00.520 --> 0:38:02.279
<v Speaker 1>And of course everybody I was talking to my trainer

0:38:02.280 --> 0:38:04.280
<v Speaker 1>about this this morning. He was like, man, that scene

0:38:04.600 --> 0:38:06.279
<v Speaker 1>where she's doing it with him. I'm like, yes, we

0:38:06.360 --> 0:38:09.520
<v Speaker 1>all remember the end of that scene. I think when

0:38:09.560 --> 0:38:11.560
<v Speaker 1>I think of this movie, that's like the first thing

0:38:11.640 --> 0:38:14.800
<v Speaker 1>that comes to the mine. Yeah, the first thing that

0:38:14.880 --> 0:38:18.320
<v Speaker 1>comes to mind. Very guy. It's very like Jackass like

0:38:18.600 --> 0:38:22.840
<v Speaker 1>pretash point, oh, very much like in that same you know,

0:38:23.960 --> 0:38:26.840
<v Speaker 1>American pie vibe. Uh. And then one other thing that

0:38:26.920 --> 0:38:28.520
<v Speaker 1>I wanted to bring up before we move on to

0:38:28.600 --> 0:38:33.200
<v Speaker 1>Scary Movie Too is Regina Hall. So she I mean, yeah,

0:38:33.520 --> 0:38:36.680
<v Speaker 1>her her movie theater scene is so funny to me, Like,

0:38:36.800 --> 0:38:39.560
<v Speaker 1>I just love that. So she said when she was

0:38:39.640 --> 0:38:44.200
<v Speaker 1>getting Brenda, when she was getting that roll down, she says, quote,

0:38:44.239 --> 0:38:47.840
<v Speaker 1>I just remember watching Jada Pinkett Smith's scene and scream

0:38:47.920 --> 0:38:50.200
<v Speaker 1>to trying to get how she collapsed when she dies

0:38:50.239 --> 0:38:53.399
<v Speaker 1>in front of the audience. She said, I literally tried

0:38:53.480 --> 0:38:57.640
<v Speaker 1>to die like Jada. Shechem that it was definitely she

0:38:57.719 --> 0:39:01.600
<v Speaker 1>gave the last screen, which unfortunately I did laugh in

0:39:01.640 --> 0:39:06.040
<v Speaker 1>the original, which yea. So it was like that it

0:39:06.160 --> 0:39:08.239
<v Speaker 1>was so extra and I was like, that's great that

0:39:08.320 --> 0:39:11.439
<v Speaker 1>Jada did it and Regina did it too. I know, Yeah,

0:39:11.480 --> 0:39:14.160
<v Speaker 1>that there's so many scenes like that where they get

0:39:14.239 --> 0:39:17.759
<v Speaker 1>to recreate it and just have fun with it, and

0:39:18.040 --> 0:39:21.439
<v Speaker 1>I truly just enjoyed it, Like that scene, the scene

0:39:21.480 --> 0:39:25.480
<v Speaker 1>where she's doing the her talent for the beauty pageant

0:39:25.640 --> 0:39:27.960
<v Speaker 1>and it and she's like screaming and everyone's like, oh,

0:39:28.040 --> 0:39:32.400
<v Speaker 1>that's good, that's good. Like it's just so like so

0:39:32.680 --> 0:39:35.680
<v Speaker 1>fun because you just kind of remember those scenes and

0:39:35.760 --> 0:39:38.279
<v Speaker 1>it is like when you're watching the scene, you have

0:39:38.480 --> 0:39:42.560
<v Speaker 1>that suspension of disbelief in these movies and you're like, yeah, yeah, yeah.

0:39:42.760 --> 0:39:44.520
<v Speaker 1>But when someone gets to be like, okay, but that

0:39:44.719 --> 0:39:46.960
<v Speaker 1>was kind of silly, right, and you feel kind of

0:39:47.040 --> 0:39:49.239
<v Speaker 1>vindicated and get to laugh at it. It really did

0:39:49.360 --> 0:39:53.520
<v Speaker 1>like capitalize on that. Joel are amazing producer and researcher,

0:39:53.560 --> 0:39:56.000
<v Speaker 1>actually did make a list of all of the UM

0:39:56.520 --> 0:39:59.279
<v Speaker 1>pop culture. So these are ones that I haven't mentioned yet,

0:39:59.440 --> 0:40:02.120
<v Speaker 1>which is we talked about The Exorcist, but just yeah,

0:40:02.160 --> 0:40:04.719
<v Speaker 1>that was in this one obviously, the second one becauseam

0:40:06.080 --> 0:40:12.719
<v Speaker 1>which Carmen Electra mentions UM Election, the Shining Shakespeare in

0:40:12.800 --> 0:40:15.920
<v Speaker 1>Love which was playing in the theater UM, Thelma and Louise,

0:40:16.120 --> 0:40:20.600
<v Speaker 1>The Fugitive, Schindler's List, Boogie Nights Big Mama's House. Those

0:40:20.640 --> 0:40:23.440
<v Speaker 1>are actually Brenda. When she's killed in the theater, she's

0:40:23.480 --> 0:40:25.520
<v Speaker 1>killed by piste off movie goers, and she's like ruined

0:40:25.520 --> 0:40:29.520
<v Speaker 1>all those movies for them. Here's my favorite thing, though,

0:40:29.760 --> 0:40:34.080
<v Speaker 1>is because it's it's a misdirect joke, because everyone is like,

0:40:34.640 --> 0:40:37.880
<v Speaker 1>it's it's a it's a movie that like relates to them,

0:40:37.960 --> 0:40:42.160
<v Speaker 1>like there was a monk who was like film yes,

0:40:42.680 --> 0:40:44.920
<v Speaker 1>and then it's a it's a pope who's like Big

0:40:45.040 --> 0:40:49.799
<v Speaker 1>Mama's House. Uh goodness gracious, that one made me laugh

0:40:49.880 --> 0:40:54.040
<v Speaker 1>because it was so ridiculous. U. Plus, I love a misdirect. Um.

0:40:54.160 --> 0:40:58.120
<v Speaker 1>The sixth Cents, Crouching Tiger, Hidden Dragon, we said, the Matrix,

0:40:58.239 --> 0:41:02.319
<v Speaker 1>you said, the Usual Suspects and Halloween, so I think

0:41:02.320 --> 0:41:05.640
<v Speaker 1>we got all of them. Yeah that was all yeah,

0:41:05.719 --> 0:41:08.600
<v Speaker 1>so fun. And I like that Marlon Waynes ends up

0:41:08.680 --> 0:41:10.760
<v Speaker 1>dying even though he was a friend of the killer.

0:41:12.120 --> 0:41:15.600
<v Speaker 1>Um that's because we did that screen us. Yeah that

0:41:15.760 --> 0:41:19.400
<v Speaker 1>screen bit. I didn't realize back when I first watched

0:41:19.440 --> 0:41:23.279
<v Speaker 1>it how they truly did mock the beats, like down

0:41:23.360 --> 0:41:28.320
<v Speaker 1>to the dad being brought into it. Yeah, it just

0:41:28.440 --> 0:41:31.000
<v Speaker 1>makes you realize how like smart of a parody of

0:41:31.040 --> 0:41:33.799
<v Speaker 1>this movie is even when he's doing UM and then

0:41:34.080 --> 0:41:37.680
<v Speaker 1>during the credit scene where he's at the convenience store

0:41:37.840 --> 0:41:40.239
<v Speaker 1>and he's like, now, this just like in the show,

0:41:40.360 --> 0:41:43.240
<v Speaker 1>but in that one he's actually been making a grab

0:41:43.360 --> 0:41:46.600
<v Speaker 1>and dash convenience store. So you think he's talking about

0:41:46.600 --> 0:41:48.759
<v Speaker 1>how to survive a scary movie. It's like how to

0:41:48.800 --> 0:41:54.279
<v Speaker 1>survive robbing somebody. We have scary movie too, which you know,

0:41:54.719 --> 0:41:58.319
<v Speaker 1>I actually still liked it was you know, they did

0:41:58.440 --> 0:42:02.799
<v Speaker 1>have a uh a second run UM because then who

0:42:02.960 --> 0:42:05.440
<v Speaker 1>was the guy who played the small hand man. That's

0:42:05.480 --> 0:42:08.200
<v Speaker 1>Chris Elliott. Oh my god, and he is so I

0:42:08.480 --> 0:42:11.400
<v Speaker 1>literally wrote down and I put he is gross in

0:42:11.520 --> 0:42:15.279
<v Speaker 1>like every role because he was also in UM, and

0:42:15.480 --> 0:42:18.880
<v Speaker 1>uh there's something about Mary which he had like all

0:42:18.920 --> 0:42:23.280
<v Speaker 1>the hives and stuff. And then uh, in Ship's Creek

0:42:23.440 --> 0:42:26.560
<v Speaker 1>he's great, he plays the mayor, but he's also gross

0:42:26.640 --> 0:42:29.919
<v Speaker 1>in Ship's Creek and it's just funny that he has

0:42:30.000 --> 0:42:34.239
<v Speaker 1>like he plays that character so well. Yea, UM, but yeah,

0:42:34.280 --> 0:42:37.239
<v Speaker 1>it was that was right when you're coming into scary

0:42:37.280 --> 0:42:41.000
<v Speaker 1>movie too. They're obviously parodying The Exorcist. We had Andy

0:42:41.160 --> 0:42:46.359
<v Speaker 1>Richter James Woods, who I was like, uh, Tim Curry. Yeah.

0:42:46.440 --> 0:42:49.960
<v Speaker 1>Tim Curry was so great. Like I just I had

0:42:50.000 --> 0:42:54.320
<v Speaker 1>the biggest crush on Tim Curry in Clue. And I

0:42:54.480 --> 0:42:56.640
<v Speaker 1>love the fact that they took someone who's kind of

0:42:56.719 --> 0:42:59.759
<v Speaker 1>who's been in this world, you know, being an it

0:43:00.080 --> 0:43:02.320
<v Speaker 1>and like you got to play a part in like spoofing,

0:43:02.440 --> 0:43:06.399
<v Speaker 1>helping to spoof this. My when you said that your

0:43:06.480 --> 0:43:09.600
<v Speaker 1>scary movie when you were little was Nightmare on Elm Street.

0:43:09.760 --> 0:43:12.840
<v Speaker 1>Mine was House on Haunted Hill. It was the remake

0:43:12.960 --> 0:43:14.560
<v Speaker 1>one because that's like what they would show. I think

0:43:14.600 --> 0:43:17.200
<v Speaker 1>my parents had like Stars or HBO or something, and

0:43:17.280 --> 0:43:21.160
<v Speaker 1>that's what they would show. And that was also kind

0:43:21.200 --> 0:43:23.160
<v Speaker 1>of like the vibe here with like getting them all

0:43:23.239 --> 0:43:26.719
<v Speaker 1>to come to this mansion and spend the night. Um.

0:43:27.000 --> 0:43:28.520
<v Speaker 1>But yeah, I love that he was in it. We

0:43:28.560 --> 0:43:32.839
<v Speaker 1>also had David Cross. Yeah. It was super funny. Um.

0:43:32.960 --> 0:43:36.319
<v Speaker 1>And of course On Affairs came back, Regina Hall came back.

0:43:37.000 --> 0:43:41.359
<v Speaker 1>They replaced Buffy yeah, and the and then they had

0:43:41.520 --> 0:43:46.719
<v Speaker 1>one of the Masterson's, yeah, the brother. Also you know

0:43:46.840 --> 0:43:51.480
<v Speaker 1>you could tell his way back because James Woods. Yeah,

0:43:51.520 --> 0:43:53.719
<v Speaker 1>that's what I was said, yeah, And I was like, uh, sorry,

0:43:53.719 --> 0:43:56.000
<v Speaker 1>I thought you were saying that in the when you

0:43:56.080 --> 0:43:58.520
<v Speaker 1>said Chris Elliott, but you said James Wood. I was like,

0:43:58.520 --> 0:44:00.400
<v Speaker 1>why are you being so mean? And Chris Ellie, Okay,

0:44:00.520 --> 0:44:02.640
<v Speaker 1>I just miss her. I know this is when he

0:44:02.760 --> 0:44:10.120
<v Speaker 1>was cool, back when he was Hades. Yeah in Hercules. Yeah.

0:44:10.239 --> 0:44:12.320
<v Speaker 1>You know what's so crazy is that I read that

0:44:12.560 --> 0:44:15.200
<v Speaker 1>and I kind of mourned the fact that he wasn't

0:44:15.239 --> 0:44:18.000
<v Speaker 1>able to do it. But Marlon Brando was actually supposed

0:44:18.000 --> 0:44:21.560
<v Speaker 1>to play the part that James would did. He was

0:44:21.640 --> 0:44:25.160
<v Speaker 1>in his twilight of course, and like so he wanted

0:44:25.200 --> 0:44:26.680
<v Speaker 1>to do it though, but by that time he was

0:44:26.680 --> 0:44:28.400
<v Speaker 1>getting fed when he was always getting fed his line

0:44:28.560 --> 0:44:30.359
<v Speaker 1>in some regards, once he got kind of older, he's

0:44:30.360 --> 0:44:32.719
<v Speaker 1>getting fed his lines. He was on an oxygen matth

0:44:32.760 --> 0:44:36.080
<v Speaker 1>and he was trying to push through. They just said

0:44:36.120 --> 0:44:38.839
<v Speaker 1>we can't. We gotta let this go, like we can't

0:44:38.840 --> 0:44:41.000
<v Speaker 1>put it. But I would have, really, I would have

0:44:41.160 --> 0:44:44.800
<v Speaker 1>loved that had Marlon Brando, yeah, played that part. I

0:44:44.960 --> 0:44:47.640
<v Speaker 1>just and I was like, jas would but because it

0:44:47.680 --> 0:44:49.920
<v Speaker 1>would have been so great had Marlon Brando played that.

0:44:50.680 --> 0:44:53.000
<v Speaker 1>And we have to talk about the Exorcist girl. Do

0:44:53.040 --> 0:44:56.279
<v Speaker 1>you know who that is? If he that Russian doll

0:44:56.520 --> 0:45:01.040
<v Speaker 1>and Natasha Leone. What oh man, that is a woman

0:45:01.120 --> 0:45:04.120
<v Speaker 1>after my own heart. Yeah, it was like I love

0:45:04.160 --> 0:45:07.960
<v Speaker 1>a boss, I love red hair. Well, she was in

0:45:08.080 --> 0:45:11.680
<v Speaker 1>American Pie, she was in some of the right. Yeah,

0:45:11.800 --> 0:45:15.200
<v Speaker 1>she was in some of these um movies that they're parodying.

0:45:16.800 --> 0:45:18.759
<v Speaker 1>It's just so funny thinking of her and also a

0:45:18.840 --> 0:45:22.080
<v Speaker 1>Gina Hall that they've been like working actors for like

0:45:22.320 --> 0:45:26.760
<v Speaker 1>twenty plus years, like successfully, That to me is also wild.

0:45:27.520 --> 0:45:29.839
<v Speaker 1>One thing that I wanted to point out pop culture wise,

0:45:29.920 --> 0:45:32.920
<v Speaker 1>is they all of a sudden in the middle of

0:45:33.040 --> 0:45:34.920
<v Speaker 1>the movie and you could tell. I was like, oh,

0:45:35.000 --> 0:45:37.560
<v Speaker 1>this is so of this time they stopped to like

0:45:37.760 --> 0:45:41.120
<v Speaker 1>parody the Nike out. That's that's actually one of my

0:45:41.160 --> 0:45:44.279
<v Speaker 1>favorite really, it's like, that's why I remember this. Oh

0:45:44.360 --> 0:45:48.759
<v Speaker 1>my god, this conversion. If you don't know what we're

0:45:48.800 --> 0:45:50.880
<v Speaker 1>talking about, we'll put it in like the footnotes. But

0:45:51.040 --> 0:45:53.200
<v Speaker 1>if you're you know, older than Niffy and I and

0:45:53.239 --> 0:45:56.880
<v Speaker 1>don't remember this, if you google Nike basketball ad is

0:45:56.960 --> 0:45:59.239
<v Speaker 1>the first thing that comes up on YouTube still to

0:45:59.400 --> 0:46:04.239
<v Speaker 1>this day, kind of twenty years later. Um, what about you?

0:46:04.360 --> 0:46:06.799
<v Speaker 1>If he what points like stood out for you? Oh? Well,

0:46:07.400 --> 0:46:11.240
<v Speaker 1>the point that's still solid is just when the person

0:46:11.440 --> 0:46:16.160
<v Speaker 1>is falling and uh, grab my head is like use

0:46:16.280 --> 0:46:21.960
<v Speaker 1>the with him with the food. I mean, I forget that.

0:46:22.040 --> 0:46:23.600
<v Speaker 1>See my brothers and I used to do that to

0:46:23.760 --> 0:46:28.399
<v Speaker 1>each other. Yeah, yeah, it's so funny to like my jams. Yeah,

0:46:28.640 --> 0:46:31.640
<v Speaker 1>my jams. It was such a long gag too. And

0:46:31.760 --> 0:46:33.640
<v Speaker 1>that was the thing. I think that's what really made

0:46:33.680 --> 0:46:35.840
<v Speaker 1>a hit so hard is that it went so long

0:46:36.400 --> 0:46:39.400
<v Speaker 1>with how he did the turkey, how he didn't. I

0:46:39.520 --> 0:46:41.440
<v Speaker 1>was like that scene was like one of probably one

0:46:41.480 --> 0:46:44.120
<v Speaker 1>of the longest scenes in that sequel, and it just

0:46:44.360 --> 0:46:48.640
<v Speaker 1>was so funny. Yeah, that was the that was That's

0:46:48.680 --> 0:46:52.240
<v Speaker 1>the thing, is like you really do like a slow

0:46:52.400 --> 0:46:54.600
<v Speaker 1>burn of a joke where it's like you're just seeing

0:46:54.640 --> 0:46:57.120
<v Speaker 1>it and you're just getting everyone's reaction, and then he

0:46:57.640 --> 0:47:02.400
<v Speaker 1>messes it up so great. Uh. I would be remiss

0:47:02.480 --> 0:47:06.120
<v Speaker 1>without pointing out Tori Spelling. And it was funny that

0:47:06.239 --> 0:47:08.360
<v Speaker 1>she was in this and she's also a teen queen.

0:47:09.120 --> 0:47:12.040
<v Speaker 1>Was a teen queen, um, and I love the takes.

0:47:12.080 --> 0:47:14.160
<v Speaker 1>So they were copying Poulter Guys. Well, they copied Poulter

0:47:14.239 --> 0:47:16.279
<v Speaker 1>Guist in many things, but um, the scene with Poulter

0:47:16.320 --> 0:47:18.879
<v Speaker 1>guyst with the mom being pulled up like the wall

0:47:19.000 --> 0:47:22.360
<v Speaker 1>in her panties, but her like actually enjoying it and

0:47:22.920 --> 0:47:26.200
<v Speaker 1>wanting to lock this guy down and him piecing out

0:47:26.719 --> 0:47:29.680
<v Speaker 1>I thought was really funny. Um, the clown is also

0:47:29.760 --> 0:47:33.920
<v Speaker 1>from Poulter guyst that whole scene. So they had Amityville Horror.

0:47:34.160 --> 0:47:38.040
<v Speaker 1>We obviously mentioned the Exorcist, the Haunting, which I remember

0:47:38.120 --> 0:47:44.680
<v Speaker 1>from the nineties, Um, Changeling, hollow Man, Hannibal, the Legend

0:47:44.719 --> 0:47:48.200
<v Speaker 1>of hell House, and like I said, House on Haunted Hill. Um.

0:47:48.400 --> 0:47:54.360
<v Speaker 1>So for this, the budget was forty million. It grossed

0:47:54.760 --> 0:47:59.520
<v Speaker 1>one one point two million worldwide. The consensus, unfortunately on

0:47:59.600 --> 0:48:03.080
<v Speaker 1>Rotten to Itatos is quote a sloppy, rushed out product.

0:48:04.080 --> 0:48:07.919
<v Speaker 1>It was fascinating watching these compared to the originals because

0:48:07.920 --> 0:48:09.640
<v Speaker 1>I was like, oh, they got to cut the budget

0:48:09.680 --> 0:48:12.640
<v Speaker 1>by like just the filming was so different that I

0:48:12.719 --> 0:48:14.400
<v Speaker 1>was like, it's really great that they were able to,

0:48:14.560 --> 0:48:16.640
<v Speaker 1>especially with the first one, Like makes so much money

0:48:16.719 --> 0:48:20.480
<v Speaker 1>on something that is so low budget. Yeah, Well, it's

0:48:20.560 --> 0:48:22.920
<v Speaker 1>It's funny because if you ask the Wayne brothers, they

0:48:22.920 --> 0:48:26.280
<v Speaker 1>actually admit that it was rushed to, Like interviews afterwards,

0:48:26.320 --> 0:48:28.120
<v Speaker 1>you know, they're just kind of like, well, they wanted,

0:48:28.239 --> 0:48:31.080
<v Speaker 1>you know, things like they wanted a sequel, we weren't

0:48:31.080 --> 0:48:33.520
<v Speaker 1>even supposed to have one, and they wanted it quick,

0:48:33.600 --> 0:48:35.840
<v Speaker 1>and they pretty much they felt like they didn't have

0:48:36.080 --> 0:48:39.000
<v Speaker 1>enough time to put together like a really you know,

0:48:39.160 --> 0:48:42.720
<v Speaker 1>a cohesist. And you notice it too because in the sequel,

0:48:42.840 --> 0:48:44.800
<v Speaker 1>I mean, it just feels a little smaller too, I

0:48:44.880 --> 0:48:46.759
<v Speaker 1>guess because in the first one they were in the town,

0:48:46.840 --> 0:48:49.120
<v Speaker 1>you had all these different characters popping in and out,

0:48:49.360 --> 0:48:51.200
<v Speaker 1>and then this one they kind of secluded them in

0:48:51.280 --> 0:48:53.520
<v Speaker 1>a house, which is of course the haunted house kind

0:48:53.560 --> 0:48:55.640
<v Speaker 1>of trope, which is probably why it's not my favorite

0:48:56.000 --> 0:48:58.320
<v Speaker 1>subgenre of horror, because I like it when it's a

0:48:58.320 --> 0:49:01.719
<v Speaker 1>little bit larger light. But um, you could tell, like

0:49:01.880 --> 0:49:04.160
<v Speaker 1>I felt like in the first one it was a

0:49:04.239 --> 0:49:08.839
<v Speaker 1>bit more like cohesive with the plot but also really

0:49:08.880 --> 0:49:10.600
<v Speaker 1>playing on all types of things, and I felt like

0:49:10.719 --> 0:49:13.400
<v Speaker 1>this one was a little bit more slapstick. You know,

0:49:13.440 --> 0:49:15.759
<v Speaker 1>there are a lot more gags in this well, yeah,

0:49:16.400 --> 0:49:19.279
<v Speaker 1>like that was the thing kind of seeing them both

0:49:20.040 --> 0:49:22.080
<v Speaker 1>is the first one obviously is like this kind of

0:49:22.200 --> 0:49:26.479
<v Speaker 1>almost love letter to these horror films and really trying

0:49:26.520 --> 0:49:29.560
<v Speaker 1>to create this plot around the idea of a parody,

0:49:29.640 --> 0:49:31.600
<v Speaker 1>and this one really seemed like I was like, we're

0:49:31.640 --> 0:49:33.760
<v Speaker 1>just gonna try and be funny, Like we're gonna be funny.

0:49:34.239 --> 0:49:37.680
<v Speaker 1>It's you know, we've done the the artful love letter.

0:49:37.800 --> 0:49:40.279
<v Speaker 1>Now how many funny gags can we fit in? And

0:49:40.400 --> 0:49:45.760
<v Speaker 1>references and we start to like lean back into almost

0:49:45.840 --> 0:49:50.000
<v Speaker 1>getting into scary um like parody territory where it's not

0:49:50.160 --> 0:49:52.920
<v Speaker 1>as good. And I think three is where it leans

0:49:52.960 --> 0:49:55.839
<v Speaker 1>back even more. And then after three, so we talk

0:49:55.920 --> 0:49:59.080
<v Speaker 1>about the ones that I don't don't Yes, so there

0:49:59.120 --> 0:50:02.040
<v Speaker 1>were four seat goals. I forgot to mention that the

0:50:02.080 --> 0:50:04.680
<v Speaker 1>first Scary Movie had a nineteen million dollar budget and

0:50:04.760 --> 0:50:08.880
<v Speaker 1>gross two eight million, so they had a really good return.

0:50:09.000 --> 0:50:10.719
<v Speaker 1>And another thing I forgot to mention is that On

0:50:10.840 --> 0:50:13.000
<v Speaker 1>Affairs is not even on the cover because again she

0:50:13.200 --> 0:50:15.840
<v Speaker 1>wasn't seen as a star. Uh so I had the

0:50:15.840 --> 0:50:20.200
<v Speaker 1>Wayne's Brothers that had has Shannon, Elizabeth, Carmen, Electra and

0:50:20.239 --> 0:50:21.960
<v Speaker 1>then the guy who played like a fourty year old.

0:50:23.160 --> 0:50:24.600
<v Speaker 1>We have to take a really quick break and then

0:50:24.640 --> 0:50:27.080
<v Speaker 1>we're gonna hop into the future of scary movie right

0:50:27.160 --> 0:50:40.239
<v Speaker 1>after this and we're back. Welcome back. Everyone still talking

0:50:40.239 --> 0:50:43.400
<v Speaker 1>about the Scary Movie franchise. Yeah, so you know, we

0:50:43.480 --> 0:50:46.400
<v Speaker 1>talked about scary movie to three, we can kind of

0:50:46.840 --> 0:50:49.400
<v Speaker 1>glance through because, like I said, as as we go

0:50:49.560 --> 0:50:54.080
<v Speaker 1>forward down the scary movies, they get, um they get

0:50:54.280 --> 0:50:57.320
<v Speaker 1>less scary. Yeah. Well, it's so interesting because you know,

0:50:57.360 --> 0:50:59.960
<v Speaker 1>I'm on Keenan Ivory. Wayne's looking at his like producing

0:51:00.080 --> 0:51:04.120
<v Speaker 1>writing credits and like it stops after two. So we

0:51:04.160 --> 0:51:06.320
<v Speaker 1>should have mentioned that he for the first one was

0:51:06.400 --> 0:51:09.320
<v Speaker 1>the highest. He had the highest opening weekend for a

0:51:09.400 --> 0:51:15.759
<v Speaker 1>black director. Yeah, making history, Yeah, groundbreak. I mean I I,

0:51:16.600 --> 0:51:20.200
<v Speaker 1>of course, obviously as a writer and actor, I have

0:51:20.320 --> 0:51:23.040
<v Speaker 1>so many deep thoughts on black movie theories. And it's

0:51:23.320 --> 0:51:25.440
<v Speaker 1>literally how I was able to There was a podcast

0:51:25.520 --> 0:51:29.200
<v Speaker 1>called um what is it called the Fantasy Flicks League

0:51:29.600 --> 0:51:32.719
<v Speaker 1>that they doubted me and then I was right, which

0:51:32.960 --> 0:51:36.680
<v Speaker 1>was they asked me to guess the opening weekend for

0:51:37.440 --> 0:51:41.759
<v Speaker 1>um US and I guessed I believe it was either

0:51:42.320 --> 0:51:46.279
<v Speaker 1>uh forty or fifty million, and they're like, what for

0:51:46.440 --> 0:51:48.920
<v Speaker 1>horror and all this. I was like, well, look, you

0:51:49.000 --> 0:51:51.919
<v Speaker 1>got the guaranteed twenty for a black movie. You bump

0:51:51.960 --> 0:51:54.080
<v Speaker 1>it up to thirty because it's a good black movie,

0:51:54.280 --> 0:51:56.279
<v Speaker 1>and you get the other twenty for the other people

0:51:56.360 --> 0:51:59.400
<v Speaker 1>who actually want to see a black director, and what

0:51:59.520 --> 0:52:03.840
<v Speaker 1>does that's fifty fifty mill And let me see what

0:52:04.000 --> 0:52:10.239
<v Speaker 1>what did us opening weekend? Box office got opening they

0:52:10.320 --> 0:52:15.960
<v Speaker 1>had seventy one million, so so they well over my guests.

0:52:16.080 --> 0:52:18.680
<v Speaker 1>But I just knew he got the guaranteed. So anyway,

0:52:18.800 --> 0:52:22.360
<v Speaker 1>just to truncate this whole segment is I put a

0:52:22.440 --> 0:52:26.040
<v Speaker 1>lot of thought into, um, just that theory, and I

0:52:26.160 --> 0:52:30.120
<v Speaker 1>like that he made history. Uh but yeah, after that

0:52:30.320 --> 0:52:32.239
<v Speaker 1>Scary Movie three, he's not there. He went on to

0:52:32.360 --> 0:52:35.560
<v Speaker 1>make another banger, which I haven't I haven't rewatched, but

0:52:35.640 --> 0:52:40.560
<v Speaker 1>I probably should. White Chicks, Yeah, Little Man, which people

0:52:40.600 --> 0:52:43.080
<v Speaker 1>didn't like, but I actually kind of liked it. Um.

0:52:43.680 --> 0:52:48.560
<v Speaker 1>And then uh so so Scary Movie three, Well, okay,

0:52:48.600 --> 0:52:51.520
<v Speaker 1>so Scary Movie three and four were both directed by

0:52:51.600 --> 0:52:55.719
<v Speaker 1>David zucker So. He is the director and writer of

0:52:55.840 --> 0:52:59.279
<v Speaker 1>Airplane Film. He also was the creator of the Naked

0:52:59.320 --> 0:53:04.360
<v Speaker 1>Gun franchise. Is so he definitely lives in parody world. Yeah,

0:53:04.800 --> 0:53:11.480
<v Speaker 1>but to revisit kind of um, something that was said earlier.

0:53:13.120 --> 0:53:18.680
<v Speaker 1>When the Fox decided to stop uh Living Color and

0:53:18.800 --> 0:53:22.640
<v Speaker 1>recut and release it, one of Keenan was quoted as

0:53:22.719 --> 0:53:26.879
<v Speaker 1>saying that there was it was it didn't work because

0:53:26.960 --> 0:53:31.040
<v Speaker 1>it was an African American product made for African Americans

0:53:31.200 --> 0:53:34.600
<v Speaker 1>and you had these like white guys trying to figure

0:53:34.680 --> 0:53:38.080
<v Speaker 1>that out and that they lost that, which is why

0:53:38.120 --> 0:53:42.000
<v Speaker 1>it did worse. I do believe the Scary Movie franchise

0:53:42.520 --> 0:53:45.759
<v Speaker 1>is for everyone, but at its core it had black creators,

0:53:45.960 --> 0:53:48.960
<v Speaker 1>and you I think as a creator, you put yourself

0:53:49.120 --> 0:53:52.880
<v Speaker 1>in it. Yeah, and so when you have that at

0:53:52.920 --> 0:53:56.120
<v Speaker 1>your foundation, that that flavor is going to be looked

0:53:56.200 --> 0:54:00.960
<v Speaker 1>for in subsequent movies. And you know, this director is

0:54:01.040 --> 0:54:06.239
<v Speaker 1>the goat, Airplane Goat, naked gun Goat, but you you

0:54:06.320 --> 0:54:08.919
<v Speaker 1>don't have the flavor, you know, like, I'm not gonna

0:54:08.960 --> 0:54:13.560
<v Speaker 1>expect you know, uh, even Scorsese himself to be able

0:54:13.600 --> 0:54:17.400
<v Speaker 1>to do a reboot of Uh, Don't be a Medicine

0:54:17.480 --> 0:54:20.520
<v Speaker 1>South Central and it be good. You know. That's why

0:54:20.560 --> 0:54:23.160
<v Speaker 1>it's so funny to see, Uh, not to sound like

0:54:23.239 --> 0:54:27.480
<v Speaker 1>a snob, but it's so funny to see like directors

0:54:27.480 --> 0:54:29.840
<v Speaker 1>who are popping now and people go, oh, he should

0:54:29.840 --> 0:54:31.839
<v Speaker 1>direct this, he should go direct like so many people

0:54:31.840 --> 0:54:34.280
<v Speaker 1>are like Taka wat t teachers addressed. I was like, no, takeo.

0:54:34.320 --> 0:54:37.000
<v Speaker 1>Watt is an amazing director. But there are certain things

0:54:37.040 --> 0:54:39.040
<v Speaker 1>that he crushes at, and that's what he should direct.

0:54:39.200 --> 0:54:42.399
<v Speaker 1>We shouldn't, yeah, exactly, because everyone has a style. It's

0:54:42.400 --> 0:54:44.479
<v Speaker 1>just like music, like I'm not gonna I'm not gonna

0:54:44.680 --> 0:54:48.359
<v Speaker 1>want to listen to Savage do at Tayman Paula song

0:54:48.600 --> 0:54:59.480
<v Speaker 1>and yeah almost fellow in my chair. But you're so right.

0:55:00.080 --> 0:55:03.319
<v Speaker 1>How did you say something so controversial? Ye's so right?

0:55:04.400 --> 0:55:08.040
<v Speaker 1>But yeah, so uh And I think that's why it

0:55:08.160 --> 0:55:11.320
<v Speaker 1>kind of like fell off, is it? It's moving forward

0:55:11.440 --> 0:55:14.719
<v Speaker 1>with an amazing you know, parody artist, but it's it

0:55:15.000 --> 0:55:19.719
<v Speaker 1>lost the flavor. But three still was the last one

0:55:19.800 --> 0:55:23.360
<v Speaker 1>I did in Enjoy because you had Anthony Anderson in

0:55:23.480 --> 0:55:28.080
<v Speaker 1>there and he was actually showed up. Yeah early early

0:55:28.200 --> 0:55:31.200
<v Speaker 1>heart Yeah like before he's in his bag. He's in

0:55:31.280 --> 0:55:34.480
<v Speaker 1>his bag now. But Anthony Anderson and he had um

0:55:35.440 --> 0:55:38.120
<v Speaker 1>those bad dreads because they were making fun of McKay

0:55:38.239 --> 0:55:45.960
<v Speaker 1>fiber's dreads. Yeah, it was so good. Um uh. In

0:55:46.280 --> 0:55:48.800
<v Speaker 1>in an Affairs is still in this one too, and

0:55:49.000 --> 0:55:52.279
<v Speaker 1>Regina Hall, which is also because I think it's for

0:55:52.480 --> 0:55:55.920
<v Speaker 1>they're not in it, right, she's in it. I think

0:55:56.000 --> 0:55:57.880
<v Speaker 1>the fifth one is the one where no one from

0:55:57.920 --> 0:56:01.840
<v Speaker 1>the Origina, which makes the most sense. Yeah, I'm not

0:56:02.000 --> 0:56:03.839
<v Speaker 1>going to see this. I had read that they had

0:56:03.880 --> 0:56:06.440
<v Speaker 1>actually asked the Wayne brothers to come back for the

0:56:06.520 --> 0:56:08.879
<v Speaker 1>fifth one, but they turned them down, which makes sense.

0:56:08.920 --> 0:56:10.400
<v Speaker 1>I mean, they don't have to do you know. It's

0:56:10.440 --> 0:56:12.160
<v Speaker 1>one of those things. It's like an artist thing, right,

0:56:12.200 --> 0:56:14.200
<v Speaker 1>It's like what you decided to go ahead with three

0:56:14.239 --> 0:56:16.000
<v Speaker 1>and four without us, and now you want us to

0:56:16.040 --> 0:56:20.160
<v Speaker 1>come back to you. Yeah, but this one is making

0:56:20.239 --> 0:56:24.399
<v Speaker 1>fun of the Ring Signs Matrix Reloaded and eight Mile,

0:56:24.920 --> 0:56:29.399
<v Speaker 1>so already you know, it's it's interesting because it's it's

0:56:29.440 --> 0:56:34.480
<v Speaker 1>following the Ring plot, which once again, this could probably

0:56:34.520 --> 0:56:38.480
<v Speaker 1>be a great movie if they just honestly followed, like

0:56:38.719 --> 0:56:40.279
<v Speaker 1>in the same way in the first one where they

0:56:40.440 --> 0:56:43.400
<v Speaker 1>create their own plot that surrounds that kind of surrounds

0:56:43.480 --> 0:56:46.800
<v Speaker 1>this parallel world of it. But it really is like

0:56:47.360 --> 0:56:50.600
<v Speaker 1>attacking it, for lack of a better word, word of

0:56:50.760 --> 0:56:52.680
<v Speaker 1>just like we're gonna make fun of it and not

0:56:53.200 --> 0:56:57.239
<v Speaker 1>we're gonna essentially honor it. Yeah, real life people they

0:56:57.320 --> 0:57:02.640
<v Speaker 1>had in this, Simon cow Eminem, Michael Jackson, and Pamela Anderson,

0:57:03.960 --> 0:57:07.239
<v Speaker 1>so they were still pulling yeah people, Oh yeah, because

0:57:07.280 --> 0:57:12.320
<v Speaker 1>I think it was still still you know, like still popping.

0:57:12.960 --> 0:57:17.000
<v Speaker 1>I went and saw it. Scary Movie four came out

0:57:17.000 --> 0:57:19.160
<v Speaker 1>in two thousand and six. I will just say I

0:57:19.240 --> 0:57:21.640
<v Speaker 1>wanted to point out um one of the writers on

0:57:21.800 --> 0:57:24.440
<v Speaker 1>both of those three and four was Craig Mazin, who

0:57:24.560 --> 0:57:27.960
<v Speaker 1>does Chernobyl on HBO. So to me, it's really funny

0:57:28.120 --> 0:57:30.760
<v Speaker 1>go anytime. It reminds me of the Russo Brothers, who

0:57:30.840 --> 0:57:34.120
<v Speaker 1>did one of my favorite movies that I watched just

0:57:34.360 --> 0:57:38.080
<v Speaker 1>because it's dumb. Is you mean dupri and they did that,

0:57:38.280 --> 0:57:39.600
<v Speaker 1>And so I always think it's funny when you go

0:57:39.640 --> 0:57:42.240
<v Speaker 1>on to do something like huge, but like you look

0:57:42.320 --> 0:57:43.920
<v Speaker 1>back at your stuff and it was like, oh, you

0:57:44.200 --> 0:57:48.680
<v Speaker 1>wrote a scary movie three and four? Okay, okay, sir, okay.

0:57:48.720 --> 0:57:52.720
<v Speaker 1>So and then there was five mm actually kids that

0:57:52.960 --> 0:57:58.760
<v Speaker 1>was in five really okay. I haven't seen it still.

0:57:58.920 --> 0:58:02.240
<v Speaker 1>I did not watch it for this podcast. Yeah you're like,

0:58:02.360 --> 0:58:06.120
<v Speaker 1>I won't put myself through that. Nope, nope. So but

0:58:06.760 --> 0:58:11.240
<v Speaker 1>but now we're we have some rumblings Lantern Entertainment is

0:58:11.400 --> 0:58:15.440
<v Speaker 1>thinking of rebooting the Scary Movie franchise. According to the

0:58:15.480 --> 0:58:19.320
<v Speaker 1>geek Nerd Nation. Uh So, my only advice to Lantern

0:58:19.520 --> 0:58:24.240
<v Speaker 1>Entertainment is like kind of know what made one great,

0:58:24.600 --> 0:58:27.560
<v Speaker 1>you know, like I wouldn't naturally be like, you gotta

0:58:27.600 --> 0:58:29.880
<v Speaker 1>get the Waynes brothers, but honestly, I don't. I think

0:58:29.920 --> 0:58:32.360
<v Speaker 1>you can do it without them, And I think they're

0:58:33.080 --> 0:58:37.400
<v Speaker 1>past this, they don't want to revisit this, but just

0:58:37.640 --> 0:58:41.280
<v Speaker 1>really just knowing what although Marlin did a haunted house,

0:58:41.800 --> 0:58:44.680
<v Speaker 1>oh that's true. So I don't know. I think he's

0:58:44.680 --> 0:58:47.920
<v Speaker 1>still in. I think he's still down. Yeah that you

0:58:47.960 --> 0:58:50.000
<v Speaker 1>can also watch all not all of these, but you

0:58:50.080 --> 0:58:53.200
<v Speaker 1>can watch that on on Netflix. And I watched one

0:58:53.280 --> 0:58:57.160
<v Speaker 1>and two last night on Netflix. Um, sorry to me

0:58:57.240 --> 0:58:58.880
<v Speaker 1>to cut you off, but yeah, so I think they

0:58:58.960 --> 0:59:01.800
<v Speaker 1>might actually be That would be nice. It would be

0:59:01.880 --> 0:59:04.240
<v Speaker 1>a nice touch, even if it is just like if

0:59:04.280 --> 0:59:06.640
<v Speaker 1>they're doing a whole franchise to pass the torch, just

0:59:06.800 --> 0:59:08.720
<v Speaker 1>have it off. I think it's a right time for

0:59:08.800 --> 0:59:10.840
<v Speaker 1>it too, though we've seen I mean, there's the whole

0:59:10.880 --> 0:59:13.880
<v Speaker 1>bit of like elevated quote unquote elevated horror and what

0:59:14.040 --> 0:59:17.920
<v Speaker 1>that means, and you just had a resurgence of the

0:59:18.000 --> 0:59:20.960
<v Speaker 1>horror genre for one, but also just kind of getting

0:59:21.000 --> 0:59:23.640
<v Speaker 1>into the mainstream of you know us and of course

0:59:23.760 --> 0:59:28.000
<v Speaker 1>get Out and Hereditary and Midsummer others and other films

0:59:28.040 --> 0:59:29.640
<v Speaker 1>around that. So I think it would be it would

0:59:29.680 --> 0:59:31.720
<v Speaker 1>be interesting to see how they parodied I mean, the

0:59:31.760 --> 0:59:36.320
<v Speaker 1>whole conjuring universe right for oh man, I just you

0:59:36.480 --> 0:59:39.120
<v Speaker 1>saying that just made it makes sense in my head.

0:59:39.520 --> 0:59:41.440
<v Speaker 1>Is if they just kind of do attack like the

0:59:41.640 --> 0:59:45.520
<v Speaker 1>elevate the idea of an elevated or like. I think

0:59:45.560 --> 0:59:48.320
<v Speaker 1>that though they could, because you know, the scary movies

0:59:48.360 --> 0:59:50.800
<v Speaker 1>they made fun of, like the teen genre too, so

0:59:51.000 --> 0:59:53.400
<v Speaker 1>I think this one could make fun of the superhero genre.

0:59:54.160 --> 0:59:56.960
<v Speaker 1>I think that people have been waiting to do that.

0:59:57.920 --> 1:00:00.480
<v Speaker 1>Uh so I feel like that could also be like

1:00:00.600 --> 1:00:02.360
<v Speaker 1>just a lot of the tropes that we still see

1:00:02.360 --> 1:00:07.960
<v Speaker 1>you with them. Um yeah, all right, Well wasn't there

1:00:07.960 --> 1:00:12.800
<v Speaker 1>a Superhero parody? Oh yeah, Superhero movie? But I mean

1:00:13.280 --> 1:00:16.240
<v Speaker 1>that was technically done way too early. Here's the thing. Yeah,

1:00:16.360 --> 1:00:19.800
<v Speaker 1>so I mean something that people will actually watch, okay,

1:00:20.240 --> 1:00:22.760
<v Speaker 1>because I don't know if anyone saw. Yeah, let's say

1:00:22.800 --> 1:00:26.640
<v Speaker 1>Superhero movie that was also two eight done by Craig too,

1:00:28.480 --> 1:00:31.800
<v Speaker 1>because we've had so many superhero Superhero movies were different

1:00:31.840 --> 1:00:34.680
<v Speaker 1>back then, so I feel like they were almost parodying different,

1:00:35.040 --> 1:00:38.680
<v Speaker 1>like different, they're not paring the Marvel and d C

1:00:38.840 --> 1:00:42.160
<v Speaker 1>of today, So but they should. Gosh. I love that

1:00:42.280 --> 1:00:46.640
<v Speaker 1>they did it in the style of the scary movie

1:00:47.960 --> 1:00:50.280
<v Speaker 1>like seeing where they're all in the movie seats and

1:00:50.320 --> 1:00:55.560
<v Speaker 1>everyone's like, oh man, well I think we have to

1:00:55.640 --> 1:00:59.440
<v Speaker 1>wrap up. Yeah, yeah, yeah, Chauncey. Where can people find you?

1:01:00.080 --> 1:01:02.600
<v Speaker 1>Um well? A lot of all of my um film

1:01:02.640 --> 1:01:06.040
<v Speaker 1>and TV criticisms can be found around Tomatoes, also the

1:01:06.120 --> 1:01:09.840
<v Speaker 1>international publication People's World, and also on my YouTube channel

1:01:09.920 --> 1:01:13.320
<v Speaker 1>Twist and woman c KR Dope. I wanted to say

1:01:13.720 --> 1:01:15.280
<v Speaker 1>give a shout out to some of the sources that

1:01:15.360 --> 1:01:17.920
<v Speaker 1>we used today on the podcast. Would be Adam K.

1:01:18.280 --> 1:01:21.400
<v Speaker 1>Raymond who's at Vulture, Roger Eber dot com, Entertainment Weekly

1:01:21.520 --> 1:01:25.840
<v Speaker 1>articles by Shirley Lee, Alan Carter, and Rebecca Rebecca Asher Walsh.

1:01:25.960 --> 1:01:28.200
<v Speaker 1>So uh, those will be in the footnotes if you

1:01:28.240 --> 1:01:31.400
<v Speaker 1>want to read further on them. I am on all

1:01:31.520 --> 1:01:34.040
<v Speaker 1>social media's at miss Danny FERNZ M S D A

1:01:34.160 --> 1:01:35.960
<v Speaker 1>and I F E R N A N D Easy.

1:01:36.400 --> 1:01:39.720
<v Speaker 1>Don't forget to hit up our T public side. It's

1:01:39.760 --> 1:01:42.960
<v Speaker 1>t public dot com slash Nerdificent. Thanks everyone that has

1:01:43.080 --> 1:01:45.360
<v Speaker 1>gotten a sticker or a mug or a T shirt

1:01:45.480 --> 1:01:47.840
<v Speaker 1>or a sweatshirt or any type of merch and tagged

1:01:47.920 --> 1:01:49.480
<v Speaker 1>Iffy and I that way we can see it and

1:01:49.600 --> 1:01:52.480
<v Speaker 1>re share it. We appreciate it. Yeah, and we'll have

1:01:52.600 --> 1:01:55.120
<v Speaker 1>to upload some new designs and I don't know we

1:01:55.240 --> 1:02:00.520
<v Speaker 1>want some you'll want some flesh fresh gear, not flesh

1:02:00.560 --> 1:02:07.440
<v Speaker 1>gear fresh gear. We've been talking hard, but yeah, definitely

1:02:07.560 --> 1:02:09.400
<v Speaker 1>hit it up. And you know, I'm if you add

1:02:09.440 --> 1:02:12.640
<v Speaker 1>the way on Twitter and Instagram. If D's on Twitch,

1:02:12.760 --> 1:02:15.600
<v Speaker 1>the discord is discord dot g g Ford slash Salt

1:02:15.840 --> 1:02:18.760
<v Speaker 1>Squad where we keep different kinds of nerdy conversation going

1:02:19.160 --> 1:02:22.480
<v Speaker 1>footnotes live in there as well thanks to Create and Flickery.

1:02:22.840 --> 1:02:25.439
<v Speaker 1>And also you know, we have an anime club where

1:02:25.480 --> 1:02:28.320
<v Speaker 1>we're watching through anime every week. Right now we're on

1:02:28.720 --> 1:02:32.000
<v Speaker 1>Black Lagoon. We're only at the time of listening eight

1:02:32.080 --> 1:02:35.480
<v Speaker 1>episodes in, so you can still catch up, so get

1:02:35.560 --> 1:04:39.320
<v Speaker 1>it in and as we always say, o, hey y'all,

1:04:39.480 --> 1:04:41.560
<v Speaker 1>it is Danny and Iffy with nerd Deficent. And if

1:04:41.600 --> 1:04:43.560
<v Speaker 1>you are stressed out about what your kids are going

1:04:43.600 --> 1:04:45.400
<v Speaker 1>to be doing when school is out, or if summer

1:04:45.520 --> 1:04:48.200
<v Speaker 1>is looking like just an endless abyss of screen time

1:04:48.720 --> 1:04:51.040
<v Speaker 1>and learning loss, it's not too late to turn it

1:04:51.120 --> 1:04:53.280
<v Speaker 1>around and get ready for summer. For your kids being

1:04:53.280 --> 1:04:55.880
<v Speaker 1>out of school. We have the perfect solution. It's I

1:04:56.040 --> 1:04:58.479
<v Speaker 1>D Tech. Yeah. I D Tech is the world's number

1:04:58.520 --> 1:05:02.960
<v Speaker 1>one STEM program from kids ages seven to nineteen. Yeah.

1:05:03.000 --> 1:05:05.960
<v Speaker 1>They have rock star instructors that transform your kids love

1:05:06.000 --> 1:05:08.200
<v Speaker 1>of apps and video games which we all love. Iffy

1:05:08.240 --> 1:05:11.560
<v Speaker 1>and I love to um into a foundation for college

1:05:11.600 --> 1:05:14.720
<v Speaker 1>and internships and dream careers and companies like Google, EA

1:05:14.920 --> 1:05:17.560
<v Speaker 1>and Disney. Yeah. Yeah. The kids have a blast and

1:05:17.600 --> 1:05:20.480
<v Speaker 1>they built the STEM skills employers are desperate for at

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<v Speaker 1>a young age. Yeah. Today. Their programs are held at

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<v Speaker 1>one and fifty prestigious campus destinations worldwide, from cal Tech

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<v Speaker 1>and chances are you can find a location within driving distance. Yeah.

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<v Speaker 1>So they have week, long, day and overnight options are

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<v Speaker 1>available with courses for all skill levels. Yeah. In addition

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<v Speaker 1>to their signature camps, I D Tech also offers all

1:05:45.360 --> 1:05:49.760
<v Speaker 1>girl camps, pre collegiate team only academies, and advanced Capstone

1:05:49.760 --> 1:05:52.959
<v Speaker 1>experience in year round online private lessons. We're getting women

1:05:53.000 --> 1:05:56.360
<v Speaker 1>into STEM and I love it. Invest in your kid today,

1:05:56.720 --> 1:05:58.280
<v Speaker 1>So they can be smart like Ifi and I. If

1:05:58.320 --> 1:06:01.160
<v Speaker 1>you and I were the smartest, Danny is the smartest.

1:06:01.640 --> 1:06:04.680
<v Speaker 1>So make this summer count with a session at I

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<v Speaker 1>D Tech. Visit i D tech dot com slash Nerd today,

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<v Speaker 1>reserve your child spot and receive seventy five dollars off.

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