WEBVTT - V For Vendetta (Part 3)

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<v Speaker 1>Welcome back to Popcorn Book Club. It's still being November

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<v Speaker 1>just a little bit. We are still talking V four

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<v Speaker 1>Vendetta the graphic novel. We have made it to book three,

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<v Speaker 1>the final part of the graphic novel by Alan Moore

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<v Speaker 1>and illustrated by David Lloyd. Uh. The most dramatic, and

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<v Speaker 1>I will say, at some moments insane. Uh. And also

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<v Speaker 1>I also think we're it departs the most from the movie,

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<v Speaker 1>which will describe next week. Uh. So Book three, which

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<v Speaker 1>is called The Land of Do As You Please, Uh,

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<v Speaker 1>begins with the symphony of the blowing up Jordan's Tower,

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<v Speaker 1>which uh, I think that we'll get into the timeline

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<v Speaker 1>of the movie, which I think is a little cleaner.

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<v Speaker 1>But yeah, I really liked it. I really like the

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<v Speaker 1>timeline of the movie. But in this we also have

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<v Speaker 1>this on November. He blows up jordan Tower on November five,

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<v Speaker 1>and then November six, sort of the Land of Do

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<v Speaker 1>as You Please anarchy stuff sort of begins. So well,

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<v Speaker 1>it wasn't anarchy, it was chaos, chaos which he hopes

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<v Speaker 1>will become anarchy. But I thought it was really important

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<v Speaker 1>that they made that distinction because I think a lot

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<v Speaker 1>of people don't fully understand what anarchy is as a philosophy,

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<v Speaker 1>as opposed to just like colloquial usage of the word

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<v Speaker 1>anarchy anarchy were like, no one's in charge, it's anarchy,

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<v Speaker 1>and that's not the same thing. Yes, I don't know.

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<v Speaker 1>Just do you have a good understanding of what anarchy is,

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<v Speaker 1>because I'm not actually sure I know what it looks

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<v Speaker 1>like in practice. I don't think I know what it

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<v Speaker 1>looks like in practice, and I think I did not

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<v Speaker 1>have a very good understanding of it prior to reading

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<v Speaker 1>this book, because my idea of anarchy came from like

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<v Speaker 1>a meme that I saw on my Space, like two

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<v Speaker 1>thousand five. It was like, anarchy is bad because it's

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<v Speaker 1>people running around, and you know what happens when everybody

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<v Speaker 1>is running around scraped knee. I was like, Oh, that

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<v Speaker 1>sounds terrible. I just think about the purge like it's like, oh,

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<v Speaker 1>it's one day of anarchy, no rules, and this is

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<v Speaker 1>a bunch of murder, murder. Daddy's everywhere, murder, daddy's murder,

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<v Speaker 1>mommy's murder, murder uncle. I will say, by the by

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<v Speaker 1>the end of this book, things do not appear to

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<v Speaker 1>be getting better unless we all felt the Catharsis, and

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<v Speaker 1>I guess ellen Bore wanted us to feel by watching

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<v Speaker 1>a wealthy woman get raped by a group of homelessman

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<v Speaker 1>A very weird ending to a book, but okay, I

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<v Speaker 1>guess that is what ellen Moore wanted to end on.

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<v Speaker 1>I think Alan Moore is very bad on women, and

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<v Speaker 1>I want to talk about that a little later and

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<v Speaker 1>the full thing. But I also want to say one

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<v Speaker 1>thing that I think is um starkly different from both

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<v Speaker 1>the film and sort of how the character of the

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<v Speaker 1>has been portrayed. He's not like a great guy, He's

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<v Speaker 1>not like the hero. He's like he has no charm

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<v Speaker 1>about him whatsoever. Like for me in the book, he's

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<v Speaker 1>like stop what the monologues dude? And you note but

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<v Speaker 1>deeply weird in a good way. There's a lot of

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<v Speaker 1>guy in your m f A under coming from ving.

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<v Speaker 1>There's this point at which Evie was like, can you

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<v Speaker 1>just say what you mean? And I would like, thank you,

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<v Speaker 1>thank you for actually saying that, But like, I think

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<v Speaker 1>this is a really good point where I've been seeing

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<v Speaker 1>a lot of stuff like on TikTok because I'm super

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<v Speaker 1>cool and young, and on TikTok about how um media

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<v Speaker 1>literacy means that you don't necessarily just because somebody is

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<v Speaker 1>the main character, have to identify with them, And just

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<v Speaker 1>because somebody's the main character does not mean that they

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<v Speaker 1>are correct. And I think that V as a flawed person.

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<v Speaker 1>I think we can all agree that VA is a

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<v Speaker 1>deeply flawed person and he's not always correct, And this

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<v Speaker 1>monologueing at ev and not answering any questions directly is

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<v Speaker 1>just frankly infuriating. He also guess letter in the most

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<v Speaker 1>horrifying way I can imagine anybody being gas. I mean,

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<v Speaker 1>he plays games with her in ways that I think

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<v Speaker 1>the movie tries to make justifiable, and like in the

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<v Speaker 1>grand scheme of things, I would argue that like symbolically

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<v Speaker 1>they succeed. In the book, he comes off as much

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<v Speaker 1>less charming, much more insane, with a far less like

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<v Speaker 1>consistent ideology. And I think that Evie becomes spoiler like

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<v Speaker 1>becoming V at the end makes more sense if V

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<v Speaker 1>is like a deeply imperfect symbol and unlikable character, right.

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<v Speaker 1>And it also has to do with the idea that

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<v Speaker 1>anarchy has two sides, destruction and creation, and he was

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<v Speaker 1>destruction and she was creation, and next week always talked

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<v Speaker 1>about the movie. I have more things I don't want

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<v Speaker 1>to say about that. So the thing that I wanted

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<v Speaker 1>to focus on first about three is a character that's

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<v Speaker 1>not in the movie, Rosemary, who goes through a journey

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<v Speaker 1>a brief recap. Rosemary is in an abusive marriage with

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<v Speaker 1>that of the ear who listens into all the phone tapping.

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<v Speaker 1>He dies, and then she starts sleeping with Roger Dascombe,

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<v Speaker 1>who's the head of the visual Jordan Tower at the

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<v Speaker 1>mouth thank you. Uh. He also dies. People think she's

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<v Speaker 1>deeply cursed because the last two dudes she slept with died.

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<v Speaker 1>She is miserable at the Sad Cabaret. Uh. She is

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<v Speaker 1>forced to work as a a burlesque dancer, a dancer

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<v Speaker 1>non consensually in the sense that she does not want

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<v Speaker 1>to do and she's doing it only for money that

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<v Speaker 1>she desperately needs. Uh. And then she's driven to murdering

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<v Speaker 1>to going full taxi driver and murdering Adam Susan in

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<v Speaker 1>the street in what this chore and in a way

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<v Speaker 1>that then talking about taxi driving in a way that

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<v Speaker 1>v then seems to argue that he orchestrated the whole thing.

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<v Speaker 1>Because she is the last rose he cultivated. What did

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<v Speaker 1>you guys make of this subplot? I mean, she's what

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<v Speaker 1>a sad, sad character to like to have that be

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<v Speaker 1>her kind of whole arc of like, you know, being

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<v Speaker 1>subjugated to like the intense violent patriarchy of this particular society,

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<v Speaker 1>having her husband killed, but being sad about that loss,

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<v Speaker 1>to to like sit with that loss of this person

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<v Speaker 1>who was like deeply abusive to her as well, and

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<v Speaker 1>then to like go and just straight I mean just

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<v Speaker 1>straight up, point blank shoot that man. And the worst

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<v Speaker 1>the worst part for me is she doesn't even have

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<v Speaker 1>any like um agency in this because then they frame

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<v Speaker 1>it as the fact that she was all just part

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<v Speaker 1>of v scheme that he puppet mastered, this miserable woman,

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<v Speaker 1>and they also felt like not just no agency, but

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<v Speaker 1>like her character just really doesn't have any It doesn't

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<v Speaker 1>have any like full three dimensional like depth or I

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<v Speaker 1>don't know who she is outside of the horrible men

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<v Speaker 1>that she has been with, or like the horrible man

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<v Speaker 1>she kills at the end, like it like EVI, at

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<v Speaker 1>least you understand who she is and and she like you.

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<v Speaker 1>You kind of have this three sixty view of her,

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<v Speaker 1>but Rosemary just feels like this sad abuse lady who

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<v Speaker 1>then is up I guess upon and VI's whole chess game.

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<v Speaker 1>But I don't quite understand how he did that. I

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<v Speaker 1>don't get that either. Yeah, neither. It didn't make any sense,

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<v Speaker 1>like there were there were plot holes you could drive

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<v Speaker 1>a mac dress true, especially bensidering, like I get that then,

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<v Speaker 1>or that the chaos is a part of these plan,

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<v Speaker 1>Like that makes sense, But then you can't say, yes,

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<v Speaker 1>I plan for chaos, but then within this chaos, I

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<v Speaker 1>plan for this woman to specifically go up to the

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<v Speaker 1>leader of the country and shoot him point blank, you know,

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<v Speaker 1>and it's gonna work perfectly. They're gonna they're gonna let

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<v Speaker 1>her through. We're planning that creedy. We know that Creedy

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<v Speaker 1>sort of wants to sabotage Adam, and so he'll sabotage

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<v Speaker 1>him by putting him out in public when maybe a

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<v Speaker 1>lady could assassinate him. Like all of these pieces are

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<v Speaker 1>do not fit together. Either the plan is chaos or

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<v Speaker 1>the plan is a plan, Like you can't have it

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<v Speaker 1>both ways. Yes, it's very joker, we're jokers. Things were

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<v Speaker 1>all very thought through in Dark Knight dark Knight. Oh yeah,

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<v Speaker 1>you get to plant a lot of bombs in advance

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<v Speaker 1>of his cattle work. Yeah. Yeah, it was almost it's

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<v Speaker 1>too neat, like the level of chaos that he's trying

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<v Speaker 1>to invoke, and then for that to be Like as

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<v Speaker 1>she was walking through the crowd, I was like, even

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<v Speaker 1>that's a little too far fetched just to let one

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<v Speaker 1>lady walk through the crowd in this public moment. I'm like,

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<v Speaker 1>this is a little like her, Like, get her out

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<v Speaker 1>of the way, keep away from the man. They'll die

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<v Speaker 1>if they get too you know, I'm thinking of myself

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<v Speaker 1>if I was in that society, and I would fully

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<v Speaker 1>be like stay away from her, Like I would be

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<v Speaker 1>one of the people pushing that Laura about her as well.

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<v Speaker 1>She's she's car don't go and don't sleep with her.

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<v Speaker 1>And then there's the other wife of a top party

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<v Speaker 1>member who is deeply fascinating and Jennifer, I know, I'm

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<v Speaker 1>getting obsessed with Helen Hair. She's not a good person,

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<v Speaker 1>but I am extremely interested. Like she's bad but also

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<v Speaker 1>she's kind of bad. Yeah, she's bad in a fun way,

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<v Speaker 1>and we meet her really in in book three, Jennifer,

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<v Speaker 1>will you describe her for maybe people who have a

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<v Speaker 1>read it. So Helen Hair is just enthusiastically sexually dominating

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<v Speaker 1>every man who comes into her proximity. Um, I think

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<v Speaker 1>the first time we see her, the first time we

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<v Speaker 1>see her, she's selling at her husband like always. The

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<v Speaker 1>next time we see her, her husband just like kneeling

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<v Speaker 1>before her um and towlding her off as she everges

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<v Speaker 1>from the bath, and then he tries to go down

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<v Speaker 1>on him and she like kicks him away. So um,

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<v Speaker 1>it's it's very interesting that in this society every man

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<v Speaker 1>and she goes on to half an affair with what's

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<v Speaker 1>his name, Ali Ali Creedy creating the same as Ali. No.

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<v Speaker 1>Creedy is the head of the Finger who's the evil

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<v Speaker 1>policeman and Ali Ali and Creedy um have an alliance.

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<v Speaker 1>Creedy sort of wants that you said Ali Creedy, and

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<v Speaker 1>I was like, I'm so confused. Now, both Creedy and

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<v Speaker 1>Hair and want a need to use Allie's gang powers

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<v Speaker 1>and then to get the chaos power. So Helen Hair

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<v Speaker 1>wants to be a vita um and you know what,

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<v Speaker 1>it almost works out for her. She's having an affair

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<v Speaker 1>with Ali so she can use his brute force to

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<v Speaker 1>help elevate her husband to the position of High Chancellor,

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<v Speaker 1>and uh they end up killing each other in a

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<v Speaker 1>lover's quarrel. Oh for Helen, Uh so it doesn't happen,

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<v Speaker 1>and she is pretty mad at her husband for fucking

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<v Speaker 1>things out that way. I love the negotiation of price

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<v Speaker 1>that she has with Ali for his services, where she's like, well,

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<v Speaker 1>how much are you getting paid by Creedy right now?

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<v Speaker 1>And he was like, oh, like five hundred a week

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<v Speaker 1>when it's four hundred a week, And then she's like, wow,

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<v Speaker 1>I really would have thought he wouldn't pay you more

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<v Speaker 1>than four hundred hundred. Yeah, where where are you coming

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<v Speaker 1>at this? Cos I want to Lady Lady Macbeth and

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<v Speaker 1>her regional theater production. Definitely I got very lady m

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<v Speaker 1>vibes from her, because like, how did she get her

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<v Speaker 1>power in this society of just being she's the only one,

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<v Speaker 1>the only one. She's really interesting as a woman in

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<v Speaker 1>the society. She's obviously a terrible person, but it just

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<v Speaker 1>feels so unlikely that any woman would have this capacity

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<v Speaker 1>to dominate people, have you, especially the ear Yeah, And

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<v Speaker 1>and then of course he becomes the v uses like

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<v Speaker 1>the voyeuristic thing of the cameras to uh to cause

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<v Speaker 1>the chaos smart doubt smarter in his perfect like puppet

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<v Speaker 1>master way, which seems like a sort of like a

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<v Speaker 1>line from like a Bob Dylan or like a folk

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<v Speaker 1>song like Oh and the Voyeurs on the CCTV. It's

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<v Speaker 1>like that the classic idea that like I will be

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<v Speaker 1>like he uses their their tools of mass surveillance against

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<v Speaker 1>them and we're all pervert seeing it. Bob Dylan. Now, Um,

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<v Speaker 1>what I was gonna say was her level of power

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<v Speaker 1>as a woman in this society where women are just

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<v Speaker 1>like massively disempowered kind of reminds me of Serena Joy

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<v Speaker 1>in uh, The Handmaid Sale, but like the adaptation of

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<v Speaker 1>The Handmaid Sale, not the book The Handmaids Tale, because

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<v Speaker 1>I feel like Serena Joy has a lot more power

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<v Speaker 1>in the screen adaptation versus the book, but she's still

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<v Speaker 1>thing about Serena Joy. She at least has to have

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<v Speaker 1>the effect of being like a dutiful wife that she

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<v Speaker 1>feels honored to have this home. In this husband to follow,

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<v Speaker 1>Helven Hair so clearly doesn't think have that pretense at all,

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<v Speaker 1>Like the first time he's see her, she's being really

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<v Speaker 1>shitty to her husband, and Roseberry is like, she's kind

0:13:45.640 --> 0:13:49.400
<v Speaker 1>of a mean lady, and Roseberry's husband says, fucky, he

0:13:50.120 --> 0:13:55.240
<v Speaker 1>is awesome, and we all like her. Her level of

0:13:55.520 --> 0:14:01.400
<v Speaker 1>like sexual manipulation isn't even understated. It is so outrageously

0:14:02.160 --> 0:14:05.440
<v Speaker 1>in it's just crank. Yeah, it's crank to eleven. There's

0:14:05.480 --> 0:14:08.800
<v Speaker 1>no there's no pussy footing around about it. It's just

0:14:09.000 --> 0:14:15.640
<v Speaker 1>like I didn't even need to say that. I'm embarrassed. Sometimes. Also,

0:14:15.760 --> 0:14:18.600
<v Speaker 1>these comic book women are drawn in a way where

0:14:18.640 --> 0:14:22.320
<v Speaker 1>I'm like, David Lloyd, you had a day drawing those boobs,

0:14:22.400 --> 0:14:28.920
<v Speaker 1>didn't you? Oh my god, just massive watermelons, just enormous boobs.

0:14:29.360 --> 0:14:33.600
<v Speaker 1>Oh yeah, when she's like, look what you're missing. Had

0:14:33.640 --> 0:14:36.400
<v Speaker 1>a day drawing the like cabaret ladies with their asses,

0:14:36.560 --> 0:14:41.600
<v Speaker 1>like out to the stages. Eighties comic book artists loved

0:14:41.960 --> 0:14:45.520
<v Speaker 1>drawing at boobs and butts. It's their favorite thing. Dana

0:14:45.600 --> 0:14:48.280
<v Speaker 1>and I wrote for she Hulk, and so we spent

0:14:48.320 --> 0:14:50.080
<v Speaker 1>a lot of time with those she Whole comics, and

0:14:50.680 --> 0:14:54.840
<v Speaker 1>my god, they are so horny for she Hulk, Like

0:14:55.280 --> 0:14:58.480
<v Speaker 1>it's just like the way their boobs with like like

0:14:58.760 --> 0:15:01.440
<v Speaker 1>grip two sure in a way that was like, oh,

0:15:01.520 --> 0:15:04.440
<v Speaker 1>there gripped like under the boob and to the side

0:15:04.480 --> 0:15:07.120
<v Speaker 1>of the boob, and it's just like a blouse in

0:15:07.200 --> 0:15:08.960
<v Speaker 1>a way. I look like, that's not how That's not

0:15:09.040 --> 0:15:13.200
<v Speaker 1>how gravity works. The clothes are like painted painted on,

0:15:13.480 --> 0:15:15.160
<v Speaker 1>but only for part of it. And then there's like

0:15:15.200 --> 0:15:17.480
<v Speaker 1>a little bit of a blouse for you know, demure

0:15:18.200 --> 0:15:23.240
<v Speaker 1>for because if we don't do that, I was saying,

0:15:23.280 --> 0:15:25.760
<v Speaker 1>if we if we didn't see the line of the boob,

0:15:25.840 --> 0:15:32.200
<v Speaker 1>how would we know she has boobed adjacent to that too?

0:15:32.360 --> 0:15:35.680
<v Speaker 1>Just to touch on like how this particular you know

0:15:35.800 --> 0:15:40.520
<v Speaker 1>illustrator is uh portraying women every time e V screams,

0:15:40.600 --> 0:15:45.240
<v Speaker 1>I'm like, this is a grotesque portrayal of this woman's

0:15:45.360 --> 0:15:47.760
<v Speaker 1>face that like towards the end, I was like, this

0:15:47.880 --> 0:15:51.400
<v Speaker 1>is this is a different person I had that not

0:15:52.320 --> 0:15:55.640
<v Speaker 1>like she is I think like fifteen different women in

0:15:55.760 --> 0:15:59.680
<v Speaker 1>this book. At the beginning, she's like a little scared

0:16:00.840 --> 0:16:08.120
<v Speaker 1>Lolita esque drawing, and then she becomes a like a

0:16:08.600 --> 0:16:12.560
<v Speaker 1>like a when she's with that nice guy you know,

0:16:12.960 --> 0:16:17.160
<v Speaker 1>lives with him. She's like a like a seventies sitcom lady.

0:16:17.920 --> 0:16:21.360
<v Speaker 1>And then she turns and she goes and is tortured,

0:16:21.480 --> 0:16:24.400
<v Speaker 1>and she looks like a hundred and five years old

0:16:28.040 --> 0:16:30.800
<v Speaker 1>in this chapter, like I had it open to this page.

0:16:31.720 --> 0:16:36.400
<v Speaker 1>She looks like like a like sort of like Jennifer Gray.

0:16:37.720 --> 0:16:42.680
<v Speaker 1>She looks kind of like an X man. She looks

0:16:42.720 --> 0:16:45.360
<v Speaker 1>like she looks like a gargoyle off the side of

0:16:45.440 --> 0:16:48.120
<v Speaker 1>a building. That also is like the gutter that's brays water.

0:16:48.360 --> 0:16:53.760
<v Speaker 1>But then yes, this what's that? That's like? This is

0:16:53.800 --> 0:17:04.560
<v Speaker 1>all very great for any Chloris leech Man. I'm gonna

0:17:04.840 --> 0:17:07.119
<v Speaker 1>be back real quick. I'm just gonna write a manifesto,

0:17:07.560 --> 0:17:22.679
<v Speaker 1>be back into gym. I did want to make one

0:17:22.760 --> 0:17:28.000
<v Speaker 1>more point about Helen Hair before we move on to women. No,

0:17:28.280 --> 0:17:31.520
<v Speaker 1>this is essential. Have any of you read or seen

0:17:31.680 --> 0:17:37.440
<v Speaker 1>the film The Wife. Yeah, it's it's a different dynamic.

0:17:37.560 --> 0:17:40.240
<v Speaker 1>It's not like a sexually dominant dynamic. But the titch

0:17:40.600 --> 0:17:42.600
<v Speaker 1>I'm gonna spoil the Wife, but it's not a spoiler.

0:17:42.680 --> 0:17:44.399
<v Speaker 1>You know it the whole thing and it's just whatever

0:17:44.680 --> 0:17:48.160
<v Speaker 1>the titular wife. And the Wife is a wonderful writer,

0:17:48.520 --> 0:17:51.280
<v Speaker 1>but it's like in America, and she knows that her

0:17:51.359 --> 0:17:54.640
<v Speaker 1>books will never get the attention or acclaim that they'll

0:17:54.680 --> 0:17:57.360
<v Speaker 1>get under her name as they would under her husband's name.

0:17:57.720 --> 0:18:01.320
<v Speaker 1>So she like makes the decision out, like you're gonna

0:18:01.400 --> 0:18:03.919
<v Speaker 1>publish my books and we're going to have this partnership

0:18:04.000 --> 0:18:06.920
<v Speaker 1>and we're both in on it and this is our relationship. Um,

0:18:07.119 --> 0:18:10.240
<v Speaker 1>And that a little bit feels like a muted version

0:18:10.280 --> 0:18:13.639
<v Speaker 1>of the Helen Hair thing of like I can't be

0:18:13.800 --> 0:18:16.119
<v Speaker 1>the face of the who's in charge, so I am

0:18:16.160 --> 0:18:19.000
<v Speaker 1>going to use you, my husband, as the man puppet

0:18:19.400 --> 0:18:22.760
<v Speaker 1>for me to get my agenda across. I feel like

0:18:23.080 --> 0:18:26.720
<v Speaker 1>though I don't think her husband was as in on it,

0:18:27.320 --> 0:18:28.600
<v Speaker 1>and I don't think it was I feel like it

0:18:28.680 --> 0:18:31.639
<v Speaker 1>was like a Rebecca type deal where she got married

0:18:31.680 --> 0:18:33.439
<v Speaker 1>to him and she was like, great, we're not going

0:18:33.480 --> 0:18:35.680
<v Speaker 1>to have sex. I'm gonna like withhold sex from you,

0:18:36.320 --> 0:18:39.399
<v Speaker 1>and you're gonna be in charge of the ear and

0:18:39.880 --> 0:18:41.720
<v Speaker 1>I'm going to make sure or was he the ear

0:18:42.000 --> 0:18:45.000
<v Speaker 1>or the mouth? He he was the No, he was

0:18:45.080 --> 0:18:47.200
<v Speaker 1>the eye because he had the cameras right, Oh yeah,

0:18:47.240 --> 0:18:50.600
<v Speaker 1>he liked watch the propagateda the visual thing before you're

0:18:50.720 --> 0:18:54.840
<v Speaker 1>without the seeing. But so she's like, you're gonna be

0:18:54.880 --> 0:18:58.440
<v Speaker 1>in charge of the eye because I say so, and

0:18:59.000 --> 0:19:00.560
<v Speaker 1>that's how I'm going to get to the top like

0:19:00.640 --> 0:19:03.600
<v Speaker 1>it was hardcore lady m energy. You don't think that

0:19:03.720 --> 0:19:07.320
<v Speaker 1>it's a consensual b D s M relationship. I think

0:19:07.400 --> 0:19:10.959
<v Speaker 1>it's pretty into it. Um like makes it clear at

0:19:10.960 --> 0:19:12.399
<v Speaker 1>the very end that she's going to have sex with

0:19:12.520 --> 0:19:14.120
<v Speaker 1>them because she's going to be in a good mood.

0:19:15.200 --> 0:19:17.560
<v Speaker 1>I do. I don't think it's kind of likes it. Yeah,

0:19:17.680 --> 0:19:22.240
<v Speaker 1>I don't think it. I think he gets off on it.

0:19:22.359 --> 0:19:26.600
<v Speaker 1>I think he likes for sure. I know. I don't.

0:19:26.640 --> 0:19:28.680
<v Speaker 1>I don't get that sense, just because of that scene

0:19:28.720 --> 0:19:32.800
<v Speaker 1>where she's with Ali, she's like the cameras are off

0:19:32.840 --> 0:19:35.720
<v Speaker 1>because they had that sort of blackout of surveillance, and

0:19:35.800 --> 0:19:39.720
<v Speaker 1>then she's got her like eighties tich and she's and

0:19:39.840 --> 0:19:42.080
<v Speaker 1>she's like pointing him at the camera, which she thinks

0:19:42.119 --> 0:19:45.400
<v Speaker 1>isn't recording anything, and she's like, hey, look what you're missing.

0:19:46.200 --> 0:19:50.359
<v Speaker 1>And then later he flies into like furious rage and

0:19:50.480 --> 0:19:53.879
<v Speaker 1>that's why he ends up killing Oh, you're right. I

0:19:53.960 --> 0:19:56.880
<v Speaker 1>think he's curious because his wife's sleeping with another. Yeah,

0:19:56.920 --> 0:20:00.280
<v Speaker 1>that's what I that's what I gathered from that change.

0:20:00.280 --> 0:20:03.000
<v Speaker 1>I mean, I think it's both. I gathered that he's

0:20:03.000 --> 0:20:04.960
<v Speaker 1>sorry when she was in the top like he was

0:20:05.040 --> 0:20:07.240
<v Speaker 1>townling her off. He clearly sees her tits on a

0:20:07.280 --> 0:20:09.399
<v Speaker 1>regular basis, right, but I don't think he gets to

0:20:09.480 --> 0:20:15.000
<v Speaker 1>touch them on a regular I mean I was reading it,

0:20:15.080 --> 0:20:19.199
<v Speaker 1>I was like, what a cook? Indeed he quite literally,

0:20:19.320 --> 0:20:24.840
<v Speaker 1>yeah he really is. So that's where what did you

0:20:25.000 --> 0:20:28.399
<v Speaker 1>think of the ending? We got to go back to

0:20:30.359 --> 0:20:38.879
<v Speaker 1>part of the north. I guess, well, that's not good sleep.

0:20:39.119 --> 0:20:42.960
<v Speaker 1>But well it's sad that he said with his wife

0:20:43.000 --> 0:20:47.520
<v Speaker 1>and she's sleeping with another, but they're all bad. Yeah, yeah,

0:20:47.640 --> 0:20:49.240
<v Speaker 1>he'sac to say. I got a lot of ship for

0:20:49.280 --> 0:20:51.200
<v Speaker 1>saying that the cabaret seemed like a place I would

0:20:51.240 --> 0:20:53.000
<v Speaker 1>want to hang out. I think we should give Jen

0:20:53.119 --> 0:20:55.720
<v Speaker 1>just a little bit more ship for feeling bad. Both

0:20:56.119 --> 0:21:04.240
<v Speaker 1>equal and fascist sympathize. That's instant of his life. Seems okay,

0:21:04.320 --> 0:21:09.399
<v Speaker 1>But Colin Hair deeply sucks. Yes, yeah, um okay, so

0:21:10.200 --> 0:21:13.440
<v Speaker 1>with Helen Hair, I don't believe that rapists an appropriate

0:21:13.520 --> 0:21:21.159
<v Speaker 1>punishment for everyone and for anyone and for everyone for anyone. Um.

0:21:21.280 --> 0:21:24.800
<v Speaker 1>I really don't care for that end. And it also

0:21:24.960 --> 0:21:29.000
<v Speaker 1>was just such a weird tag, Like what a choice

0:21:29.119 --> 0:21:32.920
<v Speaker 1>to end on that, Like it's hard enough the choice

0:21:32.960 --> 0:21:34.920
<v Speaker 1>in it of itself is like, oh, she's going to

0:21:35.040 --> 0:21:37.680
<v Speaker 1>be raped, that's her punishment is rough. But it's like

0:21:37.800 --> 0:21:40.119
<v Speaker 1>and also, that's going to be the ending of V

0:21:40.359 --> 0:21:43.240
<v Speaker 1>for Vandetta. It's like we can all feel happy about

0:21:43.320 --> 0:21:47.760
<v Speaker 1>Helen Hair getting raped as opposed to like I was like, wait,

0:21:47.880 --> 0:21:50.840
<v Speaker 1>I turned the page, being like, that's not that can't

0:21:50.880 --> 0:21:54.320
<v Speaker 1>be the end of it though, that's the tone he

0:21:54.400 --> 0:21:57.840
<v Speaker 1>wants to end on, that the sexually manipulative woman is

0:21:58.000 --> 0:22:01.879
<v Speaker 1>going to be in a forced Island sexual submission. That

0:22:02.160 --> 0:22:05.400
<v Speaker 1>I think in my mind I had transposed the two

0:22:05.480 --> 0:22:08.240
<v Speaker 1>parts of the ending, and after I read it, I

0:22:08.320 --> 0:22:11.359
<v Speaker 1>immediately was like, oh, she had the bad thing happened.

0:22:11.400 --> 0:22:14.520
<v Speaker 1>But then we had Evie bringing that guy into the

0:22:14.600 --> 0:22:16.920
<v Speaker 1>shadow gallery and like she's going to be the next

0:22:17.040 --> 0:22:22.720
<v Speaker 1>vat that is the end of In my brain I

0:22:22.840 --> 0:22:24.800
<v Speaker 1>made that the end. I was like this, well that

0:22:24.880 --> 0:22:27.640
<v Speaker 1>would be better. That's that's a way better ending because

0:22:27.640 --> 0:22:31.760
<v Speaker 1>it's almost like a little optimistic and hope for the future.

0:22:32.000 --> 0:22:34.240
<v Speaker 1>And then it's like, wait, one more page, we forgot

0:22:34.320 --> 0:22:37.879
<v Speaker 1>to rape. Believe. Look, I also just don't believe that

0:22:38.000 --> 0:22:40.480
<v Speaker 1>Helen Hair is going to be kept down for long,

0:22:41.040 --> 0:22:47.240
<v Speaker 1>Like that woman seems remarkably indomitable. I am saying metaphorically right,

0:22:47.320 --> 0:22:52.760
<v Speaker 1>not no, she's She's obviously going to be raped terrifically,

0:22:53.359 --> 0:22:56.000
<v Speaker 1>and Alamor seems psyched about that, and it's a note

0:22:56.040 --> 0:23:01.680
<v Speaker 1>he wanted to end on. But look, I'm not saying

0:23:01.760 --> 0:23:04.800
<v Speaker 1>I want a sequel. That's just Helen Hair once again

0:23:04.920 --> 0:23:08.680
<v Speaker 1>taking over society in a ruthless way. But if it existed,

0:23:08.840 --> 0:23:11.679
<v Speaker 1>I would read it. You know what, Jennifer, there are

0:23:12.080 --> 0:23:15.720
<v Speaker 1>more than enough stories about like awful men rising through

0:23:15.760 --> 0:23:17.879
<v Speaker 1>the ranks of power and how and why they do it.

0:23:18.320 --> 0:23:23.200
<v Speaker 1>It would be interesting to see one about it Helen

0:23:23.280 --> 0:23:29.480
<v Speaker 1>Hair's rest to power like Wicked. Sure, yeah, let's actually,

0:23:29.520 --> 0:23:35.399
<v Speaker 1>you know what, I wanted to be a musical just

0:23:35.480 --> 0:23:38.800
<v Speaker 1>like Vida. I wanted Madnna to play Helen Higher. I

0:23:39.000 --> 0:23:41.040
<v Speaker 1>literally meant the book Wicked, though, I just want to

0:23:41.080 --> 0:23:45.800
<v Speaker 1>make that very clear. I also think that this sort

0:23:45.840 --> 0:23:48.560
<v Speaker 1>of goes into like why Alan Moore is bad at

0:23:48.600 --> 0:23:51.560
<v Speaker 1>women one because he sees them all as sexual objects

0:23:51.640 --> 0:23:55.200
<v Speaker 1>and like all of their problems are like sex based.

0:23:55.280 --> 0:23:57.840
<v Speaker 1>Like there's Helen Hair, who again is just like a

0:23:57.960 --> 0:24:01.320
<v Speaker 1>cardboard cutout of a dominatrix, then gets what she deserves

0:24:01.440 --> 0:24:05.480
<v Speaker 1>in his opinion, not in my opinion, um Evie with

0:24:05.680 --> 0:24:08.239
<v Speaker 1>her like weird daddy issues that he goes way too

0:24:08.320 --> 0:24:12.600
<v Speaker 1>much into. And then Rosemary, who again it's like her

0:24:12.680 --> 0:24:15.920
<v Speaker 1>relationships with men put her in this very like sexually

0:24:16.000 --> 0:24:19.960
<v Speaker 1>vulnerable position, and then she is not even a person

0:24:20.000 --> 0:24:22.720
<v Speaker 1>who makes decisions. She's just a pawn in the plan,

0:24:22.920 --> 0:24:26.679
<v Speaker 1>like every woman has some deeply weird sexual thing with her.

0:24:29.240 --> 0:24:37.040
<v Speaker 1>Oh she's cool, yeah, yeah, yes, yes, VAL's on that

0:24:37.200 --> 0:24:41.280
<v Speaker 1>chapter is like genuinely so sweet and nuanced, and yet

0:24:41.359 --> 0:24:44.159
<v Speaker 1>we don't get that with anyone else. It is. The

0:24:44.240 --> 0:24:46.920
<v Speaker 1>unfortunate thing is that it's the same issue of like

0:24:47.320 --> 0:24:53.800
<v Speaker 1>queer people always dying in literature. Yes, and Delia also

0:24:53.880 --> 0:24:57.080
<v Speaker 1>now has to be in a relationship with Finch, which

0:24:58.520 --> 0:25:01.240
<v Speaker 1>she didn't have to. Yeah that's oh yeah, that was

0:25:01.320 --> 0:25:03.119
<v Speaker 1>weird that they threw that in there. They're just like

0:25:03.240 --> 0:25:06.240
<v Speaker 1>and we're sleeping together, by the way, Well, I think

0:25:06.280 --> 0:25:11.240
<v Speaker 1>it's interesting that to your point, Dana, I think the

0:25:11.800 --> 0:25:15.240
<v Speaker 1>one thing that is I think an interesting challenge about

0:25:15.280 --> 0:25:19.880
<v Speaker 1>these kind of like authoritarian dystop dystopias is that they're

0:25:19.960 --> 0:25:24.720
<v Speaker 1>usually like patriarchies, and so these women are so reliant

0:25:25.119 --> 0:25:29.080
<v Speaker 1>on men for survival that like, even when Evie is

0:25:29.160 --> 0:25:31.560
<v Speaker 1>kicked out, she does have to like go find shelter

0:25:31.760 --> 0:25:36.480
<v Speaker 1>with this man. And I think that's why Handmaid's Tale

0:25:36.560 --> 0:25:38.679
<v Speaker 1>is so interesting. I mean I've not read it, I've

0:25:38.720 --> 0:25:42.800
<v Speaker 1>only seen the adaptation, but you know in a Woman's

0:25:43.000 --> 0:25:48.280
<v Speaker 1>Hands that this that that you can find like stories

0:25:48.320 --> 0:25:51.920
<v Speaker 1>that are separate from men. But I think that is

0:25:52.000 --> 0:25:56.240
<v Speaker 1>a challenge to do in like a patriarchal, authoritarian regime

0:25:56.560 --> 0:25:58.560
<v Speaker 1>that you're setting your story. And I guess I have

0:25:58.760 --> 0:26:01.840
<v Speaker 1>less of an issue with like e with Evie being

0:26:01.920 --> 0:26:04.480
<v Speaker 1>like reliant on men, and more of an issue that

0:26:04.640 --> 0:26:08.480
<v Speaker 1>like I don't know, the daddy issue stuff and the

0:26:08.640 --> 0:26:14.240
<v Speaker 1>issues I just was trying to see, Like, I think

0:26:14.280 --> 0:26:15.960
<v Speaker 1>it is a challenge, and then if you don't have

0:26:16.080 --> 0:26:19.280
<v Speaker 1>that perspective, you're going to just kind of fall back

0:26:19.400 --> 0:26:22.520
<v Speaker 1>on tropes and I And I also think in Alan

0:26:22.560 --> 0:26:25.040
<v Speaker 1>Moore's defense, I think so much of the for Vendetta

0:26:25.280 --> 0:26:28.879
<v Speaker 1>is meant to be like making a larger political point,

0:26:29.520 --> 0:26:33.080
<v Speaker 1>so like characters fall by the wayside because he's trying

0:26:33.160 --> 0:26:37.159
<v Speaker 1>to make his argument in a in a in a

0:26:37.240 --> 0:26:40.800
<v Speaker 1>way that comes across. Yeah, it's a manifesto as much

0:26:40.840 --> 0:26:43.320
<v Speaker 1>as it is a piece of art. I think the

0:26:43.440 --> 0:26:47.440
<v Speaker 1>tiny glimmer of like him potentially being more thoughtful about

0:26:47.480 --> 0:26:51.000
<v Speaker 1>it is that like the one little girl in the

0:26:51.119 --> 0:26:54.640
<v Speaker 1>book with the glasses is the one that like one

0:26:54.680 --> 0:26:59.200
<v Speaker 1>of the first outside characters that like takes up you know,

0:26:59.359 --> 0:27:03.639
<v Speaker 1>graffiti v um onto the street, which to me is

0:27:03.760 --> 0:27:06.639
<v Speaker 1>like you know, in Lesser Hands would have gone to

0:27:06.720 --> 0:27:10.200
<v Speaker 1>like a little boy, you know, like and I think

0:27:10.280 --> 0:27:12.800
<v Speaker 1>that is like an interesting an interesting choice in a

0:27:12.880 --> 0:27:17.760
<v Speaker 1>small detail that I loved and loved seeing we'll talk

0:27:17.800 --> 0:27:20.160
<v Speaker 1>about it later, but loved seeing in the movie as well,

0:27:20.280 --> 0:27:23.800
<v Speaker 1>like that tiny little moment. Yeah, some of the stuff

0:27:23.840 --> 0:27:26.240
<v Speaker 1>in the movie we were talking about it a little

0:27:26.359 --> 0:27:30.840
<v Speaker 1>off off Mike that we'll talk to in our movie episode,

0:27:30.960 --> 0:27:33.920
<v Speaker 1>but like little easter eggs that are directly from the

0:27:34.320 --> 0:27:38.080
<v Speaker 1>graphic novel that I think make it more satisfying. Mm hmmm.

0:27:39.560 --> 0:27:44.080
<v Speaker 1>I want to talk about faith. Oh yeah, Karama bring

0:27:44.200 --> 0:27:47.440
<v Speaker 1>us up to speed with faith. So faith, as we've

0:27:47.480 --> 0:27:49.879
<v Speaker 1>talked about, and I think chapter not Chapter two, but

0:27:50.240 --> 0:27:54.760
<v Speaker 1>Book two was the like supercomputer that tells Susan what

0:27:55.000 --> 0:27:57.360
<v Speaker 1>to do and he's like kind of creepy in love

0:27:57.440 --> 0:28:00.560
<v Speaker 1>with it, says I Love You near the end of

0:28:00.680 --> 0:28:03.879
<v Speaker 1>the book two, and then in book Flree it's heavily

0:28:03.960 --> 0:28:08.640
<v Speaker 1>implied that he sleeps with the computer. Right. It wasn't

0:28:08.720 --> 0:28:10.800
<v Speaker 1>just me right, they have a sexual it's an x

0:28:10.880 --> 0:28:14.560
<v Speaker 1>mack in a situation. Yeah, I mean I was like,

0:28:14.680 --> 0:28:18.200
<v Speaker 1>he found a drive and I just went to down

0:28:18.560 --> 0:28:23.040
<v Speaker 1>like that's the way I read it, m bloppy drive.

0:28:25.040 --> 0:28:27.520
<v Speaker 1>It was the eighties they use floppy does excuse you?

0:28:29.960 --> 0:28:35.000
<v Speaker 1>So yeah, Then you find out that v has access

0:28:35.119 --> 0:28:39.320
<v Speaker 1>to Fate in his in the basement of his shadow

0:28:39.400 --> 0:28:44.720
<v Speaker 1>gallery home that has like eight levels and an elevator. Apparently, um,

0:28:45.120 --> 0:28:48.200
<v Speaker 1>how is no again a block hole that you could

0:28:48.280 --> 0:28:51.760
<v Speaker 1>drive a mack truck through? But again, manifesto more than

0:28:52.000 --> 0:28:54.000
<v Speaker 1>not more than art, but as much as it is art.

0:28:54.720 --> 0:28:59.800
<v Speaker 1>So yeah, I thought it was interesting too. For me

0:29:00.080 --> 0:29:03.880
<v Speaker 1>was frustrating because if he had access to this supercomputer

0:29:04.080 --> 0:29:09.320
<v Speaker 1>and could then give messages to the government directly, Uh,

0:29:09.880 --> 0:29:11.720
<v Speaker 1>it was just sort of like, why don't you make

0:29:11.800 --> 0:29:14.720
<v Speaker 1>things better for some of the people while you're doing

0:29:14.840 --> 0:29:19.920
<v Speaker 1>your scheme. I really liked it because it's like, this

0:29:20.080 --> 0:29:25.560
<v Speaker 1>is the best episode of MTVS Catfish I've ever seen life,

0:29:27.000 --> 0:29:30.760
<v Speaker 1>just like the like just thinking about the spending all

0:29:30.800 --> 0:29:36.120
<v Speaker 1>that time flirting with uh, what's his name, Adam Susan

0:29:36.840 --> 0:29:40.280
<v Speaker 1>through the computer. It's so it's so fun to think

0:29:40.360 --> 0:29:44.080
<v Speaker 1>about just like him back at the in his eight

0:29:44.240 --> 0:29:49.360
<v Speaker 1>story elevator home, just like sending sex through the fate

0:29:49.480 --> 0:29:54.240
<v Speaker 1>computer to Susan. It's it's great. It's just very funny

0:29:54.240 --> 0:29:57.480
<v Speaker 1>because what this was written in like the eighties, right

0:29:58.760 --> 0:30:03.320
<v Speaker 1>that it is very like early Hackers, that kind of

0:30:03.440 --> 0:30:06.800
<v Speaker 1>style stuff where it's like you can't really like these days.

0:30:06.960 --> 0:30:11.240
<v Speaker 1>Of course v is has hacked into the supercomputer, like

0:30:11.360 --> 0:30:14.360
<v Speaker 1>that is the first thing a terror or not a terror,

0:30:14.440 --> 0:30:15.800
<v Speaker 1>you know what I mean? And what v would do

0:30:16.560 --> 0:30:20.720
<v Speaker 1>and uh, and it just it's very funny. It's like

0:30:20.960 --> 0:30:23.600
<v Speaker 1>it's so simple that like, oh, I'm just gonna like

0:30:24.160 --> 0:30:28.440
<v Speaker 1>log into the supercomputer and just and just talked and

0:30:28.520 --> 0:30:30.400
<v Speaker 1>that that's all I can do is just talk to him,

0:30:30.520 --> 0:30:37.440
<v Speaker 1>just like send messages on like a black and green screen. Um. Yeah, yeah,

0:30:37.520 --> 0:30:42.640
<v Speaker 1>it's like ten years before the movie Hackers. So he

0:30:42.840 --> 0:30:45.800
<v Speaker 1>was really looking far ahead, I think, and I mean

0:30:46.000 --> 0:30:50.240
<v Speaker 1>very he again a historical catfish, and also very funny

0:30:50.440 --> 0:30:54.480
<v Speaker 1>that with this power he couldn't like disarmed bombs or

0:30:54.600 --> 0:30:58.680
<v Speaker 1>like do anything tangible for his plan, forget like helping

0:30:58.800 --> 0:31:02.880
<v Speaker 1>people having Adam Susan fall in love with him the

0:31:03.040 --> 0:31:06.840
<v Speaker 1>via computer like doesn't really affect his plan other than

0:31:07.120 --> 0:31:11.880
<v Speaker 1>like he doesn't really need to do it again. It's

0:31:11.920 --> 0:31:15.000
<v Speaker 1>so he does these things for himself, and that one

0:31:15.080 --> 0:31:19.120
<v Speaker 1>feels that one feels like a personal pet project that

0:31:19.280 --> 0:31:22.640
<v Speaker 1>he like dislikes this high Chancellor so much that like

0:31:22.880 --> 0:31:26.760
<v Speaker 1>the best revenge is like, yeah, make him funk this computer. Yeah,

0:31:28.280 --> 0:31:32.920
<v Speaker 1>it does seem like it undermines uh sus insanity the

0:31:33.080 --> 0:31:37.040
<v Speaker 1>guys of other people, Helen hair points so that they

0:31:37.080 --> 0:31:40.720
<v Speaker 1>shouldn't have him to a parade to restore confidence because

0:31:40.840 --> 0:31:46.760
<v Speaker 1>he's insane. Yeah, um, I think that, though he does

0:31:46.920 --> 0:31:49.840
<v Speaker 1>use it for concrete things at times, like he uses

0:31:49.920 --> 0:31:53.280
<v Speaker 1>it to send all those the mail that male things

0:31:53.320 --> 0:31:57.120
<v Speaker 1>Oh yeah yeah, like poems in the mail. I'm just like,

0:31:57.360 --> 0:32:00.440
<v Speaker 1>I don't know if he knows what he's doing. Yeah,

0:32:01.440 --> 0:32:04.360
<v Speaker 1>I wouldn't if I got a poem in the mail,

0:32:04.560 --> 0:32:06.720
<v Speaker 1>I would think it was just a direct marketing stunt.

0:32:06.800 --> 0:32:10.200
<v Speaker 1>I wouldn't think it was a call to anarchy, yeah,

0:32:10.920 --> 0:32:14.240
<v Speaker 1>especially because it was not like anarchist poetry. It was

0:32:14.360 --> 0:32:21.000
<v Speaker 1>just like flowers. It's also weird you've seen a bird? Yes,

0:32:21.400 --> 0:32:24.520
<v Speaker 1>he has the foresight and like mental acumen to like

0:32:24.840 --> 0:32:29.360
<v Speaker 1>manipulate every act of Rosemary's life and and drive her

0:32:29.560 --> 0:32:35.040
<v Speaker 1>to homicide. And yet he doesn't really know how to

0:32:35.160 --> 0:32:38.280
<v Speaker 1>how to put that organization skill into any other aspect

0:32:38.360 --> 0:32:40.240
<v Speaker 1>of his plan. Yeah, the best thing you can do

0:32:40.360 --> 0:32:48.920
<v Speaker 1>is like a postcards campaign like the last election. That's

0:32:49.000 --> 0:32:52.080
<v Speaker 1>my point. He has an opportunity to do so much good,

0:32:52.400 --> 0:32:55.560
<v Speaker 1>and he sends people weird cryptic poetry in the mail

0:32:55.840 --> 0:32:58.800
<v Speaker 1>and then makes the dude sleep with a computer. Do

0:32:58.920 --> 0:33:02.440
<v Speaker 1>you remember, like six months ago when a bunch of

0:33:02.520 --> 0:33:07.000
<v Speaker 1>people just got seeds in the mail? Yes, what is

0:33:07.080 --> 0:33:13.080
<v Speaker 1>this like us in this year? Hundreds of people maybe thousands,

0:33:13.080 --> 0:33:15.720
<v Speaker 1>I'm not sure, but a lot of people got mysterious

0:33:15.880 --> 0:33:19.040
<v Speaker 1>seeds in the mail, and then the government was like,

0:33:19.120 --> 0:33:24.400
<v Speaker 1>please don't plant Oh no, I'm curious. Did they ever

0:33:24.480 --> 0:33:27.120
<v Speaker 1>find out who sent them and what were they didn't

0:33:27.240 --> 0:33:30.640
<v Speaker 1>want to test the seeds? Some people planted them before

0:33:30.720 --> 0:33:34.920
<v Speaker 1>they That feels this, It feels like how a little

0:33:34.960 --> 0:33:38.680
<v Speaker 1>shop of horrors gets started. Oh that sounds fun though,

0:33:39.720 --> 0:33:42.400
<v Speaker 1>like just a little fun, like a little carnivorous plan

0:33:43.360 --> 0:33:46.200
<v Speaker 1>I was gonna say, in terms of anarchy destruction, I

0:33:46.240 --> 0:33:48.840
<v Speaker 1>would argue that Tyler Dirtan does something much better by

0:33:48.920 --> 0:33:53.480
<v Speaker 1>destroying the records of credit card debt. Yeah. Fight Club,

0:33:53.920 --> 0:33:56.440
<v Speaker 1>that's a love fight Club so much I'm gonna make

0:33:56.720 --> 0:34:00.200
<v Speaker 1>I'm gonna make a point and I want both for

0:34:00.360 --> 0:34:04.160
<v Speaker 1>Vendetta and fight Club are rare cases of the movies

0:34:04.240 --> 0:34:09.360
<v Speaker 1>better than the book. Yes, I would say that I

0:34:13.200 --> 0:34:17.640
<v Speaker 1>read and seen Fighting book is Chuck Palinak. Chuck Palinak

0:34:17.719 --> 0:34:21.080
<v Speaker 1>was like the movie has a much better ending the

0:34:21.120 --> 0:34:24.600
<v Speaker 1>book movie poster in way too many dorm rooms that

0:34:25.120 --> 0:34:26.840
<v Speaker 1>here's the thing about fight Club, and then we can

0:34:26.920 --> 0:34:29.600
<v Speaker 1>move away from it. But um, fight Club is another

0:34:29.640 --> 0:34:32.640
<v Speaker 1>instance of you are not supposed to identify with the

0:34:32.719 --> 0:34:35.360
<v Speaker 1>main character. And it's also one of those instances of

0:34:35.440 --> 0:34:40.239
<v Speaker 1>people misreading the point, like it's an indictment of toxic masculinity,

0:34:40.480 --> 0:34:42.320
<v Speaker 1>and people are like, you don't want to fight and

0:34:42.360 --> 0:34:45.200
<v Speaker 1>I want to make soap and I want to have insomnia,

0:34:45.560 --> 0:34:48.120
<v Speaker 1>and like that's not the point. Their lives suck and

0:34:48.200 --> 0:34:51.160
<v Speaker 1>you shouldn't want to do what they do. It's the

0:34:51.200 --> 0:34:54.240
<v Speaker 1>sad cabaret, but with men and soap, can I also

0:34:54.320 --> 0:34:58.000
<v Speaker 1>say something deeply embarrassing about be for Vendetta. I didn't.

0:34:58.200 --> 0:35:01.920
<v Speaker 1>I didn't realize that the circle and the V was

0:35:02.000 --> 0:35:06.239
<v Speaker 1>an upside down anarchy symbol until like a few days ago.

0:35:06.760 --> 0:35:10.560
<v Speaker 1>I didn't realize until you just told me that me neither.

0:35:11.560 --> 0:35:14.279
<v Speaker 1>I was driving in l A and I saw an

0:35:14.320 --> 0:35:16.680
<v Speaker 1>anarchy symbol, and for a second, I was like, it's

0:35:16.680 --> 0:35:20.880
<v Speaker 1>a V for Vandetta thing. And then I was like, oh, Jennifer,

0:35:20.960 --> 0:35:23.279
<v Speaker 1>and I knew Jennifer, and I also knew that all

0:35:23.320 --> 0:35:25.279
<v Speaker 1>the chapters started with V. I'm just saying, you guys

0:35:25.320 --> 0:35:27.400
<v Speaker 1>have to pick up on these clues. Okay, Alan is

0:35:27.480 --> 0:35:31.520
<v Speaker 1>dropping them, and pick them up. We're all going to

0:35:31.600 --> 0:35:33.840
<v Speaker 1>print out all of these poems and we're going to

0:35:34.000 --> 0:35:36.480
<v Speaker 1>figure out the messages. So he's getting to us. So

0:35:36.520 --> 0:35:38.839
<v Speaker 1>if someone mailed you an anonymous poem in the mail,

0:35:38.960 --> 0:35:46.359
<v Speaker 1>you wouldn't the government something They did that a while

0:35:46.440 --> 0:35:51.520
<v Speaker 1>ago for some comics. UM, I don't know, some maker

0:35:51.640 --> 0:35:56.640
<v Speaker 1>of comic books, comic publishers. Um, they sent this weird

0:35:57.280 --> 0:36:03.240
<v Speaker 1>random letter in the mail to like various comic people's

0:36:03.320 --> 0:36:07.680
<v Speaker 1>houses and Dana as you know, as somebody who has

0:36:07.800 --> 0:36:12.000
<v Speaker 1>written comic books. Comic fans are insane, said death threats

0:36:12.040 --> 0:36:16.080
<v Speaker 1>on like a regular basis. Um. So we found out

0:36:16.120 --> 0:36:19.560
<v Speaker 1>that this was viral marketing, fortunately very quickly, because otherwise

0:36:19.640 --> 0:36:22.239
<v Speaker 1>we were going to call the police. Um. It was

0:36:22.360 --> 0:36:25.640
<v Speaker 1>not reassuring to know that a crazy person had air address. Yeah,

0:36:27.120 --> 0:36:29.600
<v Speaker 1>Jack Horsemen where they do the viral marketing for the

0:36:29.680 --> 0:36:31.960
<v Speaker 1>show that he's on, that has like it looks like

0:36:32.000 --> 0:36:35.560
<v Speaker 1>a ransom note like somebody else what idea was exactly

0:36:35.600 --> 0:36:40.520
<v Speaker 1>like that? It was like cutout letters, centuary indication. Yeah,

0:36:42.880 --> 0:36:44.600
<v Speaker 1>I'm going to be back in just a minute. I

0:36:44.719 --> 0:36:58.600
<v Speaker 1>got a bunch of poems in the mail. So a

0:36:58.719 --> 0:37:01.480
<v Speaker 1>brief full circle. Now back to be for Vendetta of

0:37:01.840 --> 0:37:05.239
<v Speaker 1>plans that don't really make any any sense. Finch. He

0:37:05.400 --> 0:37:08.279
<v Speaker 1>was the detective on the case of trying to find out.

0:37:08.760 --> 0:37:10.920
<v Speaker 1>I know, I'm really bringing this back. Finch, there's the

0:37:10.960 --> 0:37:14.759
<v Speaker 1>detective for the Scotland Yard. His plan, to understand be

0:37:15.040 --> 0:37:17.640
<v Speaker 1>to get inside the terrorist's mind is to go to

0:37:17.800 --> 0:37:23.760
<v Speaker 1>Larkhill and drop acid. Oh my god, that that scene

0:37:23.920 --> 0:37:26.960
<v Speaker 1>because first of all, yes, dropping acid at a concentration camp,

0:37:27.320 --> 0:37:30.040
<v Speaker 1>weird choice. I'm gonna go on the record and say

0:37:30.120 --> 0:37:34.200
<v Speaker 1>don't do don't don't go to concentration camps and drop acid.

0:37:34.280 --> 0:37:36.680
<v Speaker 1>I think we can stand for that as a podcast.

0:37:37.400 --> 0:37:39.520
<v Speaker 1>But the second thing is when he was tripping because

0:37:39.560 --> 0:37:41.960
<v Speaker 1>like they killed all the black people in the society,

0:37:42.200 --> 0:37:44.640
<v Speaker 1>he has this like hallucination that they're black people, and

0:37:44.680 --> 0:37:47.400
<v Speaker 1>he's like, Oh, I forgot how cool your skin? Like

0:37:49.280 --> 0:37:53.960
<v Speaker 1>a big yikes. It was a huge yikes. I will say,

0:37:54.000 --> 0:37:56.440
<v Speaker 1>of all the things that we've read thus far as

0:37:56.520 --> 0:37:58.719
<v Speaker 1>a book club, it took the longest to get to

0:37:58.800 --> 0:38:03.000
<v Speaker 1>the weird racism in this one. They really bury the

0:38:03.120 --> 0:38:07.360
<v Speaker 1>lead in this one because all this Costley was like boom,

0:38:07.440 --> 0:38:11.320
<v Speaker 1>page three saying some weird stuff about negro egg. But

0:38:11.480 --> 0:38:13.920
<v Speaker 1>this one was a slow burn and I knew that

0:38:14.040 --> 0:38:16.839
<v Speaker 1>it was racist as a society because they killed all

0:38:16.880 --> 0:38:19.440
<v Speaker 1>the black people. But like that was where I was like, oh,

0:38:19.680 --> 0:38:22.840
<v Speaker 1>I rooted for you before, and this was weird. You

0:38:22.920 --> 0:38:24.839
<v Speaker 1>didn't need to do that. He was he was. It's

0:38:24.840 --> 0:38:27.680
<v Speaker 1>almost it's like well meaning racism where he thought he

0:38:27.760 --> 0:38:32.480
<v Speaker 1>was really doing something. M yeah. Well, he also makes

0:38:32.480 --> 0:38:34.759
<v Speaker 1>it clear that he was on the side of killing

0:38:34.800 --> 0:38:38.399
<v Speaker 1>all those people, like he misses them now. But oh yeah,

0:38:38.520 --> 0:38:42.440
<v Speaker 1>fish sucks. And also Finch, I meant well meaning racism

0:38:42.480 --> 0:38:45.200
<v Speaker 1>on the part of Alan Moore, who was, yeah, that

0:38:45.640 --> 0:38:47.279
<v Speaker 1>that is what I read what you said as he

0:38:47.400 --> 0:38:49.480
<v Speaker 1>was like, yeah, I'm trying to make a statement that

0:38:49.960 --> 0:38:52.840
<v Speaker 1>he is like weird and racist and like that's not

0:38:53.640 --> 0:38:57.600
<v Speaker 1>you didn't know he tried. But then Finch, who else

0:38:57.680 --> 0:39:01.080
<v Speaker 1>who sucks? He's the one in the book who spoiler alert,

0:39:01.239 --> 0:39:04.800
<v Speaker 1>kills me and he's excited about it. What did you

0:39:04.840 --> 0:39:07.800
<v Speaker 1>guys make of that? Yeah, he was like too excited.

0:39:08.360 --> 0:39:10.920
<v Speaker 1>I was kind of honestly sad that Finch was the

0:39:10.960 --> 0:39:14.800
<v Speaker 1>one that took me down, like for for everything that

0:39:14.920 --> 0:39:18.080
<v Speaker 1>V stands for, and like, you know, as far as

0:39:18.120 --> 0:39:24.560
<v Speaker 1>adversaries goes, like adversaries go, um, Finch is sad and

0:39:24.760 --> 0:39:27.879
<v Speaker 1>weird and pathetic and like shouldn't have been the one

0:39:28.000 --> 0:39:32.400
<v Speaker 1>to take down this idea of V. In my opinion,

0:39:32.480 --> 0:39:34.920
<v Speaker 1>it's just like you're telling me, he drops acid and

0:39:35.040 --> 0:39:39.839
<v Speaker 1>kills the main character, Like come on, And he also

0:39:39.920 --> 0:39:43.359
<v Speaker 1>felt like I like the idea that he figures out

0:39:43.480 --> 0:39:47.520
<v Speaker 1>where he's where he is, like the station and stuff,

0:39:47.560 --> 0:39:51.279
<v Speaker 1>I think, but the fact that he also he not

0:39:51.480 --> 0:39:58.120
<v Speaker 1>only he like bests him also physically and mentally feels

0:39:58.440 --> 0:40:01.359
<v Speaker 1>strange and also I think like and then we can

0:40:01.400 --> 0:40:03.120
<v Speaker 1>talking about the all time of the movie next week.

0:40:03.200 --> 0:40:07.839
<v Speaker 1>But it's like he's always catching up, but he's always late, right,

0:40:08.040 --> 0:40:11.480
<v Speaker 1>And that's what it feels like, is the proper level

0:40:11.680 --> 0:40:15.360
<v Speaker 1>of like he's smarter than the rest of these idiots, spine,

0:40:15.520 --> 0:40:18.600
<v Speaker 1>but he's not as smart as B. And I like

0:40:19.719 --> 0:40:25.480
<v Speaker 1>the idea that the is like, uh a part, like

0:40:25.600 --> 0:40:27.800
<v Speaker 1>a part of his plan is his death and I

0:40:28.200 --> 0:40:32.120
<v Speaker 1>get jumping to the movie, but it feels like not

0:40:32.360 --> 0:40:36.360
<v Speaker 1>having v B a little bit more responsible for his

0:40:36.440 --> 0:40:39.480
<v Speaker 1>own death field. It also felt very weird to me

0:40:39.680 --> 0:40:42.040
<v Speaker 1>that the the arc that they're asking us to go

0:40:42.160 --> 0:40:44.399
<v Speaker 1>on with Finch is that he goes to lark Hill

0:40:44.680 --> 0:40:49.080
<v Speaker 1>and understand he drops his ascid to understand the and

0:40:49.160 --> 0:40:50.920
<v Speaker 1>then his next immediate move is to be like, ha

0:40:51.200 --> 0:40:53.799
<v Speaker 1>I killed him, my god, Like he didn't go through

0:40:54.239 --> 0:40:57.399
<v Speaker 1>that ascid at the concentration camp, did nothing, and then

0:40:57.440 --> 0:41:00.720
<v Speaker 1>like pasted a woman, push a woman back in getting raped,

0:41:01.040 --> 0:41:04.200
<v Speaker 1>and then it's like he's the final frame of the story,

0:41:04.400 --> 0:41:08.759
<v Speaker 1>which is very strange to me with his pipe with

0:41:08.920 --> 0:41:11.879
<v Speaker 1>this pipe, like like to go back to those last

0:41:11.920 --> 0:41:16.880
<v Speaker 1>two pages that are so terrible, Like I couldn't understand

0:41:17.160 --> 0:41:21.400
<v Speaker 1>Alan Moore's reasoning of putting like chaos in the last

0:41:21.560 --> 0:41:25.919
<v Speaker 1>two pages of like oh look this like best laid

0:41:25.960 --> 0:41:28.560
<v Speaker 1>plans or whatever, like it's still going to be bad,

0:41:29.560 --> 0:41:32.880
<v Speaker 1>but to a specify it as rape for this one character,

0:41:33.440 --> 0:41:36.839
<v Speaker 1>and also ended with like Finch walking down the road

0:41:37.000 --> 0:41:39.439
<v Speaker 1>being like, man, what a journey. I'm like he wasn't

0:41:39.880 --> 0:41:44.040
<v Speaker 1>He's not poor rot, Like it's not like what are

0:41:44.080 --> 0:41:48.000
<v Speaker 1>we doing here? He's the grizzled hero. He dropped as

0:41:48.080 --> 0:41:51.400
<v Speaker 1>ad a concentration camp and murdered me and now on

0:41:51.640 --> 0:41:59.440
<v Speaker 1>he walks, you know, Kelen hair backing being I think

0:41:59.480 --> 0:42:01.960
<v Speaker 1>you're right to of like asking v to be more

0:42:02.040 --> 0:42:06.279
<v Speaker 1>responsible or more careful, like he literally has, you know,

0:42:06.480 --> 0:42:13.000
<v Speaker 1>taken um responsibility for the very precise killing of Adam

0:42:13.120 --> 0:42:16.759
<v Speaker 1>Susan in the parade with Helen higher like why would

0:42:16.800 --> 0:42:21.040
<v Speaker 1>he let Finch just like pop him one in the subway?

0:42:21.200 --> 0:42:24.080
<v Speaker 1>Like it doesn't make any sense to me. I think

0:42:24.160 --> 0:42:26.440
<v Speaker 1>he wants to die. I think he's ready. I think

0:42:26.480 --> 0:42:28.600
<v Speaker 1>he knows that it's time that the mantle gets passed

0:42:28.640 --> 0:42:30.360
<v Speaker 1>on to a new person, and that person is going

0:42:30.440 --> 0:42:34.120
<v Speaker 1>to be efy do it in a cooler way totally agreed.

0:42:34.280 --> 0:42:38.680
<v Speaker 1>You organize all this, You're he's so theatrical. He loves theatrics.

0:42:38.719 --> 0:42:40.800
<v Speaker 1>You're gonna die just by like a crazy guy with

0:42:40.880 --> 0:42:44.080
<v Speaker 1>by the clock shadows, shooting biking burial, like he's going

0:42:44.120 --> 0:42:47.239
<v Speaker 1>to be sent off. Even monologue, he could go with

0:42:47.360 --> 0:42:49.920
<v Speaker 1>a cooler death. I mean, he got a little bit.

0:42:50.080 --> 0:42:54.000
<v Speaker 1>He said the thing about the ideas or bulletproof. This

0:42:54.239 --> 0:42:57.799
<v Speaker 1>is my thesis and the whole riddle of like take

0:42:57.840 --> 0:43:00.799
<v Speaker 1>off my mask but don't see my face, blah blah blah.

0:43:03.120 --> 0:43:08.560
<v Speaker 1>But how am I to remember at that point, she's

0:43:08.560 --> 0:43:10.759
<v Speaker 1>sixteen years old. She's like, how do I see your

0:43:10.880 --> 0:43:14.400
<v Speaker 1>face if I take off that I'm not supposed to,

0:43:14.520 --> 0:43:18.279
<v Speaker 1>but I am okay uh. I read that later. I

0:43:18.360 --> 0:43:20.600
<v Speaker 1>read that late at night, and the panels were like

0:43:20.960 --> 0:43:23.759
<v Speaker 1>she we think that she's taking off the mask. Each

0:43:23.840 --> 0:43:26.560
<v Speaker 1>time I was like, that was, oh wait a minute.

0:43:27.600 --> 0:43:32.200
<v Speaker 1>Also like today, I did not like that the panels.

0:43:32.840 --> 0:43:35.160
<v Speaker 1>I know it's not real, but that the panels showed

0:43:35.200 --> 0:43:37.680
<v Speaker 1>a face at all, Like I thought that was a

0:43:38.000 --> 0:43:41.400
<v Speaker 1>weird choice to me because I thought the whole point

0:43:41.760 --> 0:43:44.120
<v Speaker 1>is you never see his face, and it's like, so

0:43:44.239 --> 0:43:47.279
<v Speaker 1>now we're seeing the imagined face that Ev. It just

0:43:47.400 --> 0:43:50.680
<v Speaker 1>felt like it takes away a little bit of me.

0:43:53.680 --> 0:43:57.440
<v Speaker 1>It's like seeing a dame named Rebecca. You think, then

0:43:57.560 --> 0:44:03.040
<v Speaker 1>you don't bringing it back the circle. Yeah, So I

0:44:03.160 --> 0:44:07.800
<v Speaker 1>will say I was unsatisfied by the ending. It just

0:44:07.960 --> 0:44:11.320
<v Speaker 1>didn't hit emotionally for me. When I think that the

0:44:11.640 --> 0:44:14.640
<v Speaker 1>world is so theatrical and I wanted a big emotional hit.

0:44:16.040 --> 0:44:19.120
<v Speaker 1>It felt very Yeah, it felt very lackluster. At the

0:44:19.320 --> 0:44:22.719
<v Speaker 1>end book three, I found myself very angry and very

0:44:22.800 --> 0:44:27.480
<v Speaker 1>confused for a lot of time, especially because like there's

0:44:27.520 --> 0:44:29.799
<v Speaker 1>I don't think we should see everything, like I don't

0:44:29.800 --> 0:44:32.279
<v Speaker 1>think it needs to be like every single thing they

0:44:32.320 --> 0:44:35.439
<v Speaker 1>do needs to be in panels. But also like there's

0:44:35.480 --> 0:44:39.320
<v Speaker 1>this point where V quotes some dude Alistair somebody I

0:44:39.400 --> 0:44:44.640
<v Speaker 1>can't remember the yeah, yea, thank you um, But like

0:44:45.600 --> 0:44:49.400
<v Speaker 1>remember before Eve doesn't know much about things, and then

0:44:49.440 --> 0:44:52.359
<v Speaker 1>she's like, don't you quote Alistair Crowley. I mean, I'm like, wait,

0:44:52.440 --> 0:44:54.880
<v Speaker 1>when did she become like she has a lot of

0:44:55.040 --> 0:45:01.840
<v Speaker 1>books educational but we don't see that. But it felt

0:45:02.040 --> 0:45:03.759
<v Speaker 1>and then they mentioned it on the next page. I

0:45:03.840 --> 0:45:06.480
<v Speaker 1>was like, Okay, I'm caught up, but it felt very weird.

0:45:06.560 --> 0:45:09.919
<v Speaker 1>At first, because that wasn't who this character was. Yeah,

0:45:10.000 --> 0:45:12.759
<v Speaker 1>but they did show her, okay, so there was a

0:45:12.840 --> 0:45:17.080
<v Speaker 1>specific like they did show her working out and like

0:45:17.840 --> 0:45:20.160
<v Speaker 1>getting ripped because at the end I was like, how

0:45:20.200 --> 0:45:22.920
<v Speaker 1>did she pick up the and put him onto this

0:45:23.200 --> 0:45:26.680
<v Speaker 1>like Viking burial? And I was like, because she worked out,

0:45:26.800 --> 0:45:29.960
<v Speaker 1>so Karma, I see, I see your point. I see

0:45:29.960 --> 0:45:35.680
<v Speaker 1>your point. We should have seen some reading from her, yeah,

0:45:35.760 --> 0:45:38.719
<v Speaker 1>just a little montage of her like reading, I like

0:45:38.920 --> 0:45:45.200
<v Speaker 1>doing co ups, you know, yeah, I think, yeah, that's good.

0:45:45.640 --> 0:45:48.560
<v Speaker 1>The panel that was helen hair getting riped could have

0:45:48.640 --> 0:45:52.799
<v Speaker 1>been EVI reading a book. Just push everything back one panel. Sure.

0:45:54.200 --> 0:45:56.520
<v Speaker 1>I tried to think about what it ended would be

0:45:56.680 --> 0:45:59.640
<v Speaker 1>like that I would have liked more, and I had

0:45:59.680 --> 0:46:02.320
<v Speaker 1>a very difficult time coming up without nothing though. I

0:46:02.600 --> 0:46:05.640
<v Speaker 1>think the idea that e VI becomes fee is really nice.

0:46:06.160 --> 0:46:09.239
<v Speaker 1>I don't know if I wanted Helen to meet up

0:46:09.280 --> 0:46:12.839
<v Speaker 1>with Finch and him to be like, that's a great plan, Helen,

0:46:13.080 --> 0:46:15.640
<v Speaker 1>You're right, let's take over the world. Were the villains

0:46:15.719 --> 0:46:23.520
<v Speaker 1>now to protect the world from devastation? Yeah, I do

0:46:23.680 --> 0:46:26.479
<v Speaker 1>it is I think satisfying that she puts on the mask.

0:46:26.640 --> 0:46:30.400
<v Speaker 1>That felt inevitable, but it didn't have like comics can

0:46:30.480 --> 0:46:32.920
<v Speaker 1>have a big emotional impact, you know, like a full

0:46:33.040 --> 0:46:35.719
<v Speaker 1>splash page or like, I don't know something about it

0:46:35.840 --> 0:46:40.840
<v Speaker 1>didn't feel like it's almost like I think some artists

0:46:40.920 --> 0:46:44.880
<v Speaker 1>and writers think that, like, sometimes things are cliche so

0:46:45.000 --> 0:46:47.840
<v Speaker 1>they don't do them, But sometimes things are cliche because

0:46:47.920 --> 0:46:51.120
<v Speaker 1>they work, and it's like, well, don't take those tools

0:46:51.160 --> 0:46:54.560
<v Speaker 1>out of your toolbox because they work. So I kind

0:46:54.600 --> 0:46:57.640
<v Speaker 1>of think that maybe Allan Moore was consciously like, I'm

0:46:57.680 --> 0:47:00.480
<v Speaker 1>not going to give you like the big, clean, thartic

0:47:00.600 --> 0:47:03.399
<v Speaker 1>third act reveal that you want when it's like, well, yeah,

0:47:03.480 --> 0:47:06.439
<v Speaker 1>maybe that's like a classic structure, but it's classic because

0:47:06.480 --> 0:47:10.879
<v Speaker 1>it it's sort of proven and audience is like that right,

0:47:11.280 --> 0:47:13.960
<v Speaker 1>and you're gonna screw something into a wall, you're probably

0:47:14.000 --> 0:47:16.520
<v Speaker 1>going to need to use like a Phillips had screwdriver. Sorry,

0:47:16.640 --> 0:47:19.120
<v Speaker 1>that's just what you want to get that job done,

0:47:19.680 --> 0:47:21.920
<v Speaker 1>and if you want to satisfying ending, there are some

0:47:22.120 --> 0:47:24.680
<v Speaker 1>tools that you will need to rely on. Okay, very

0:47:24.760 --> 0:47:29.799
<v Speaker 1>butch metaphor love it, love it. But maybe maybe as

0:47:30.000 --> 0:47:32.839
<v Speaker 1>as you've said before that this is like manifesto art,

0:47:33.000 --> 0:47:37.200
<v Speaker 1>like maybe he wanted it to be unsatisfying, because you know,

0:47:37.920 --> 0:47:41.799
<v Speaker 1>revolution anarchy and trying to overthrow some sort of fascist

0:47:42.000 --> 0:47:47.160
<v Speaker 1>government isn't like a one and done catharsis ending, And

0:47:47.280 --> 0:47:50.719
<v Speaker 1>it's like a kind of how we feel which is

0:47:50.800 --> 0:47:53.880
<v Speaker 1>this like in overthrowing the government isn't like a c

0:47:54.200 --> 0:47:58.880
<v Speaker 1>W what are you talking about? But I mean, you know,

0:47:59.000 --> 0:48:01.399
<v Speaker 1>maybe that's what he was trying to go for. It's

0:48:01.480 --> 0:48:04.840
<v Speaker 1>like all of this chaos has happened, and like some

0:48:05.000 --> 0:48:07.960
<v Speaker 1>people will move forward and walk off into the distance

0:48:08.080 --> 0:48:10.040
<v Speaker 1>like Finch and not turn back. But like, no one's

0:48:10.040 --> 0:48:12.880
<v Speaker 1>going to get a satisfying ending from this. But I

0:48:13.320 --> 0:48:16.920
<v Speaker 1>guess my I totally agree with you that I think

0:48:16.960 --> 0:48:19.040
<v Speaker 1>that that's what Alan Moore is going with. But I

0:48:19.160 --> 0:48:22.520
<v Speaker 1>think that some things are so neat, like like V

0:48:22.680 --> 0:48:26.840
<v Speaker 1>being like uh my last rose that I cultivated with Rosemary,

0:48:27.320 --> 0:48:29.360
<v Speaker 1>and then some things are so messy where I'm like

0:48:29.560 --> 0:48:32.600
<v Speaker 1>one or the other. I think that the idea that

0:48:32.760 --> 0:48:35.920
<v Speaker 1>V has been formulating this plan for twenty years and

0:48:36.000 --> 0:48:39.080
<v Speaker 1>it is like a perfectly orchestrated plan like that is

0:48:39.280 --> 0:48:41.279
<v Speaker 1>very satisfying to me, and so I wish that like

0:48:42.200 --> 0:48:44.919
<v Speaker 1>carried through to the structure of the end of the book,

0:48:45.520 --> 0:48:48.120
<v Speaker 1>and I think to me, that didn't like I agree.

0:48:48.239 --> 0:48:50.520
<v Speaker 1>I think that's what Allan Moore was trying to do

0:48:50.680 --> 0:48:54.879
<v Speaker 1>with the ending, And I feel like it didn't land

0:48:54.960 --> 0:48:58.320
<v Speaker 1>for me because they personalized it with this character of

0:48:58.360 --> 0:49:02.520
<v Speaker 1>Helen Higher, which feels like still these plans are working

0:49:02.960 --> 0:49:06.320
<v Speaker 1>that because she's a part of the system and Finch,

0:49:06.560 --> 0:49:10.120
<v Speaker 1>you know, bested v and he's walking off. Like if

0:49:10.200 --> 0:49:13.840
<v Speaker 1>it were I think it would be more anonymous, like

0:49:14.080 --> 0:49:17.200
<v Speaker 1>seeing the chaos and seeing the you know, people being

0:49:17.600 --> 0:49:21.600
<v Speaker 1>killed or raped or assaulted like as and it's like,

0:49:21.640 --> 0:49:23.920
<v Speaker 1>oh and the system and it like continues to be

0:49:24.719 --> 0:49:27.600
<v Speaker 1>good and bad or happening at the same time. But

0:49:27.719 --> 0:49:31.319
<v Speaker 1>when you personalize it with this woman that like she's

0:49:31.360 --> 0:49:33.759
<v Speaker 1>getting hers you know, it just feels like, oh and

0:49:34.200 --> 0:49:37.359
<v Speaker 1>you know, you don't see that much good happening. Would

0:49:37.400 --> 0:49:40.440
<v Speaker 1>Would it be nicer if some people were growing a

0:49:40.520 --> 0:49:45.239
<v Speaker 1>community guarding Yes, I love that because like that's the

0:49:45.320 --> 0:49:47.680
<v Speaker 1>thing you can do with your neighbors. It doesn't require

0:49:47.840 --> 0:49:52.120
<v Speaker 1>organized leadership. Um, like you could help your neighbors and

0:49:52.200 --> 0:49:54.239
<v Speaker 1>that would be nice and that would show us that like,

0:49:54.680 --> 0:49:57.440
<v Speaker 1>while we may not be returning to the fascist system

0:49:57.440 --> 0:50:00.440
<v Speaker 1>of government they had before, there can still be communal

0:50:00.520 --> 0:50:02.759
<v Speaker 1>projects that people working together. And I think you should

0:50:02.800 --> 0:50:07.040
<v Speaker 1>write a Purge that's just about community. I said that,

0:50:07.440 --> 0:50:10.640
<v Speaker 1>I said, if you were the Purge, thought like, that's

0:50:10.640 --> 0:50:13.440
<v Speaker 1>the dystopia. I would want to live in no rules?

0:50:13.560 --> 0:50:16.040
<v Speaker 1>What are you going to plan one day? One day

0:50:16.800 --> 0:50:21.600
<v Speaker 1>you're doing crazy good like it's a great day, canceled

0:50:21.600 --> 0:50:25.400
<v Speaker 1>student loans? Yeah, what would instead of the Purge? What

0:50:25.440 --> 0:50:28.879
<v Speaker 1>would you call it? Then? Well, I mean it's still

0:50:28.960 --> 0:50:37.239
<v Speaker 1>the Purge, like you could rules just right? But are

0:50:37.280 --> 0:50:41.920
<v Speaker 1>you copyrighting it and making it does right? W No? No,

0:50:42.200 --> 0:50:44.719
<v Speaker 1>I no, I'm giving it to the people. I'm giving

0:50:44.760 --> 0:50:46.400
<v Speaker 1>it to the people who've got to grow a command

0:50:46.560 --> 0:50:49.839
<v Speaker 1>And now I imagine with w r U L Yes,

0:50:50.040 --> 0:50:53.919
<v Speaker 1>no rules, no rule right, just right. It's also weird.

0:50:54.080 --> 0:50:57.480
<v Speaker 1>But if this is Alan Moore's manifesto, he doesn't leave.

0:50:58.280 --> 0:51:01.120
<v Speaker 1>He doesn't make the end feel like outful or exciting,

0:51:01.200 --> 0:51:05.160
<v Speaker 1>like you want to join. Uh these I'm like this

0:51:05.440 --> 0:51:08.520
<v Speaker 1>looks bad. It seems scary and bad, and it seems

0:51:08.840 --> 0:51:12.600
<v Speaker 1>sort of like the people who have the avatars on

0:51:13.480 --> 0:51:16.279
<v Speaker 1>bad internet forums. I'm like, oh, I start to get

0:51:16.320 --> 0:51:19.719
<v Speaker 1>it now. Maybe it's so scary and bad to you

0:51:19.840 --> 0:51:27.920
<v Speaker 1>all because you're stuck in the happiness prison. Happiness is

0:51:28.080 --> 0:51:33.920
<v Speaker 1>a per prison get out. But he did nothing but

0:51:34.960 --> 0:51:40.439
<v Speaker 1>treat himself like a nineteenth century super wealthy aristocrat. He's

0:51:40.480 --> 0:51:45.080
<v Speaker 1>surrounded by books and priceless oil paintings. Um, he's always

0:51:45.200 --> 0:51:50.400
<v Speaker 1>eating like fine foods. He's lording his superior already for

0:51:50.520 --> 0:51:53.759
<v Speaker 1>women who live in his house, um, and then being

0:51:53.800 --> 0:51:57.239
<v Speaker 1>contemptuous of him. I'm sorry. V to me does not

0:51:57.640 --> 0:52:00.880
<v Speaker 1>read as like a forward thinking individual, and he reads

0:52:01.000 --> 0:52:03.600
<v Speaker 1>as the most entitled rich man knife And he's not

0:52:03.760 --> 0:52:06.840
<v Speaker 1>a proletariat. He's not like out working in the fields,

0:52:06.920 --> 0:52:11.239
<v Speaker 1>like the means of production. He is, yeah, listening to

0:52:11.360 --> 0:52:15.759
<v Speaker 1>his jukebox and again reading Shakespeare. He's not going to

0:52:15.880 --> 0:52:18.520
<v Speaker 1>share any of those paintings with people. Those are kings.

0:52:18.600 --> 0:52:21.600
<v Speaker 1>And now there she got jan Herod his house. This

0:52:21.800 --> 0:52:26.759
<v Speaker 1>supports my belief that V is gay and that he's

0:52:26.840 --> 0:52:29.960
<v Speaker 1>not like a political dissent person that they threw in

0:52:30.040 --> 0:52:32.319
<v Speaker 1>the camps. He's not. I don't think he's a person

0:52:32.400 --> 0:52:35.040
<v Speaker 1>of color, like just in terms of the people that

0:52:35.120 --> 0:52:37.320
<v Speaker 1>they were trying to exterminate in that camp and that

0:52:37.400 --> 0:52:41.200
<v Speaker 1>they were experimenting on the Only thing is like assists

0:52:41.560 --> 0:52:46.239
<v Speaker 1>like white gay dude. That makes sense to me. Yeah, yeah, yeah, yeah,

0:52:46.280 --> 0:52:49.279
<v Speaker 1>I think so. I think that's also a good transition

0:52:49.520 --> 0:52:52.000
<v Speaker 1>for next week because I think the V that we

0:52:52.360 --> 0:52:56.160
<v Speaker 1>see in the movie is I think he reads very

0:52:56.239 --> 0:52:59.440
<v Speaker 1>gay to me, and I think he's very theatrical, and

0:52:59.840 --> 0:53:03.960
<v Speaker 1>I like the way that character comes across from comes across.

0:53:04.719 --> 0:53:07.200
<v Speaker 1>I mean, I get spoiler alert that they try to

0:53:07.280 --> 0:53:09.600
<v Speaker 1>make him fall in love with e V. I don't

0:53:09.640 --> 0:53:14.800
<v Speaker 1>buy it. I don't buy it. Are there any final

0:53:14.920 --> 0:53:17.200
<v Speaker 1>notes on on the book that you guys want to

0:53:17.280 --> 0:53:21.920
<v Speaker 1>make before we close out? I think I'll say I

0:53:21.960 --> 0:53:26.240
<v Speaker 1>think we've been like ripping apart the third book, but rightfully,

0:53:26.320 --> 0:53:30.479
<v Speaker 1>but I really loved reading this book, and I think,

0:53:30.640 --> 0:53:35.120
<v Speaker 1>you know, it is so compelling and is someone This

0:53:35.280 --> 0:53:37.800
<v Speaker 1>is my first graphic novel I've ever read, and I

0:53:37.960 --> 0:53:41.920
<v Speaker 1>think it is It brings you into a world so

0:53:42.160 --> 0:53:47.640
<v Speaker 1>quickly and that feels so razor sharp and obviously much

0:53:47.680 --> 0:53:53.440
<v Speaker 1>to Allen Moore's uh chagrin, extremely universal and extremely timeless

0:53:53.520 --> 0:53:59.720
<v Speaker 1>and could be about any any current uh cool closing

0:53:59.760 --> 0:54:06.520
<v Speaker 1>and fascist society that I M really enjoyed it really well, said, yeah,

0:54:07.200 --> 0:54:08.920
<v Speaker 1>very well said. I don't know if I can top that.

0:54:09.440 --> 0:54:12.680
<v Speaker 1>So I'm gonna say something stupid, but I think that

0:54:12.960 --> 0:54:16.000
<v Speaker 1>more books should have weird dudes that want to sleep

0:54:16.080 --> 0:54:20.839
<v Speaker 1>with a computer that's in love with more ink. Yeah,

0:54:21.000 --> 0:54:24.600
<v Speaker 1>you know, women sleeping with tech. I'm just gonna say

0:54:24.640 --> 0:54:31.040
<v Speaker 1>that out yeah, yeah, okay, making an opportunity. Yeah, I

0:54:31.120 --> 0:54:34.520
<v Speaker 1>feel like it would work better that way. Okay, cool,

0:54:34.520 --> 0:54:37.560
<v Speaker 1>I guess we'll write that. Well. On that note, I

0:54:37.680 --> 0:54:40.960
<v Speaker 1>think they have to end this year. Thanks for listening.

0:54:41.040 --> 0:54:43.560
<v Speaker 1>We'll catch you next week when we talk about Before

0:54:43.640 --> 0:54:51.759
<v Speaker 1>Vendetta the film. That's our show for the week. Thank

0:54:51.800 --> 0:54:54.279
<v Speaker 1>you so much for listening. I'm Danis Schwartz and you

0:54:54.360 --> 0:54:56.759
<v Speaker 1>can find me on Twitter at Danish Schwartz with three

0:54:56.880 --> 0:54:59.920
<v Speaker 1>z s. You can follow Jennifer Wright at jen Ashle

0:55:00.239 --> 0:55:04.200
<v Speaker 1>right Karama, Donqua is at Karama Drama, Melissa Hunter is

0:55:04.280 --> 0:55:08.120
<v Speaker 1>at Melissa f tw and Tan Tran is smart enough

0:55:08.160 --> 0:55:10.360
<v Speaker 1>to have gotten off Twitter, but she is on Insta

0:55:10.520 --> 0:55:13.960
<v Speaker 1>at Hank Tina. Our executive producer is Christopher Hessiotes and

0:55:14.080 --> 0:55:17.120
<v Speaker 1>were produced and edited by Mike Johns. Special thanks to

0:55:17.239 --> 0:55:19.880
<v Speaker 1>David Wasserman. Popcorn Book Club is a production of I

0:55:20.080 --> 0:55:20.680
<v Speaker 1>Heart Radio