1 00:00:02,080 --> 00:00:05,320 Speaker 1: Look at a Radio is a radio phonic novela, which 2 00:00:05,360 --> 00:00:08,840 Speaker 1: is just a very extra way of saying a podcast. 3 00:00:09,240 --> 00:00:13,920 Speaker 1: I'm theos f M and I am malays. Local Radio 4 00:00:14,120 --> 00:00:17,640 Speaker 1: is your free, must favorite podcast hosted by us Mala 5 00:00:17,760 --> 00:00:21,800 Speaker 1: and Theosa Where to i G friends turned podcast partners, 6 00:00:21,880 --> 00:00:26,759 Speaker 1: breaking down pop culture, feminism, sexual wellness, and offering fresh 7 00:00:26,840 --> 00:00:30,479 Speaker 1: takes on strending topics through nuanced interviews with up and 8 00:00:30,520 --> 00:00:34,960 Speaker 1: coming Latin X creatives known as Las Locals, Las Mammy 9 00:00:35,040 --> 00:00:40,800 Speaker 1: Submit and Bullshits next Door and Las Borges. We've been 10 00:00:40,840 --> 00:00:46,280 Speaker 1: podcasting independently since and we're bringing our radiophonic novela to 11 00:00:46,360 --> 00:00:49,880 Speaker 1: the Mikeikura Network to continue sharing stories from the Latin 12 00:00:49,920 --> 00:00:55,160 Speaker 1: next community. Welcome to Local Radio Season seven, Take us 13 00:00:55,200 --> 00:00:59,720 Speaker 1: to your network A La la Locomotives, Welcome back to 14 00:01:00,000 --> 00:01:03,640 Speaker 1: Gheta Radio. I'm DIOSA and I am Mala. Thank you 15 00:01:03,680 --> 00:01:09,240 Speaker 1: for tuning in to and we have a really great 16 00:01:09,240 --> 00:01:14,839 Speaker 1: interview with Irene Diaz, she's a singer songwriter. But before that, 17 00:01:15,319 --> 00:01:17,119 Speaker 1: we're just going to catch up a little bit and 18 00:01:17,120 --> 00:01:20,679 Speaker 1: tell you about what we've been up to. Yeah, what 19 00:01:20,840 --> 00:01:24,120 Speaker 1: have we been up to? We've been recording um O 20 00:01:24,319 --> 00:01:27,639 Speaker 1: our new season, season seven for Michael Buddha, for I Heart. 21 00:01:28,480 --> 00:01:32,479 Speaker 1: We're in studio and we haven't been since pre pandemic, 22 00:01:32,640 --> 00:01:36,280 Speaker 1: so we're thrilled about that. And uh be asa, I 23 00:01:36,319 --> 00:01:38,800 Speaker 1: feel like you have enough updates to fill an entire 24 00:01:38,840 --> 00:01:44,680 Speaker 1: episode just with your school work and ultra marathon schedule alone. Yeah, well, 25 00:01:44,800 --> 00:01:47,520 Speaker 1: no more ultra marathon running. I did that in August, 26 00:01:47,560 --> 00:01:49,840 Speaker 1: first and last time. I'll be doing that no more, 27 00:01:49,960 --> 00:01:54,160 Speaker 1: never yet. Shout out to trail runners, y'all are built differently. 28 00:01:54,560 --> 00:01:57,640 Speaker 1: Let me just say I'm still running. But yeah, no, 29 00:01:57,640 --> 00:02:00,240 Speaker 1: no ultras for me in the foreseeable future or verse. 30 00:02:00,320 --> 00:02:04,240 Speaker 1: So there's that for ever or ever. But a little 31 00:02:04,320 --> 00:02:07,280 Speaker 1: update about school. Um, I did get to cover the 32 00:02:07,320 --> 00:02:12,480 Speaker 1: Biduo Friendly Match five. It was at the Rose Bowl 33 00:02:12,639 --> 00:02:15,560 Speaker 1: and I had a press pass because I went on 34 00:02:15,600 --> 00:02:19,000 Speaker 1: behalf of Annenberg Media. You're a sports journalist now, I 35 00:02:19,000 --> 00:02:22,119 Speaker 1: am now a sports journalist. The other sports journalists will 36 00:02:22,200 --> 00:02:24,840 Speaker 1: probably be upset that I'm calling myself. You had a 37 00:02:24,880 --> 00:02:29,959 Speaker 1: press pass at a football game. Literally, you're a sports 38 00:02:30,000 --> 00:02:33,560 Speaker 1: journal It was so funny because you know, sometimes you 39 00:02:34,480 --> 00:02:38,720 Speaker 1: are given the opportunities and you don't necessarily like see 40 00:02:39,000 --> 00:02:41,800 Speaker 1: like oh this is a really big deal. And I 41 00:02:41,880 --> 00:02:43,840 Speaker 1: knew that it was a big deal, but then I 42 00:02:43,880 --> 00:02:46,720 Speaker 1: walked into the press club, like the little press area 43 00:02:47,639 --> 00:02:51,080 Speaker 1: the box, and they were like O G sports journalists 44 00:02:51,080 --> 00:02:53,840 Speaker 1: that I didn't couldn't even really comprehend who they were 45 00:02:54,560 --> 00:02:57,919 Speaker 1: until the two like that I was with, We're like, oh, 46 00:02:57,960 --> 00:03:01,320 Speaker 1: this is so and so, you know, and and they've 47 00:03:01,320 --> 00:03:03,440 Speaker 1: been on you know, they've been a sports commentator for 48 00:03:03,600 --> 00:03:06,400 Speaker 1: like thirty years and this is like their last year. 49 00:03:06,400 --> 00:03:09,359 Speaker 1: They're retiring after the World Cup and like all these 50 00:03:09,400 --> 00:03:11,920 Speaker 1: different things, and so that was really fascinating to see, 51 00:03:11,960 --> 00:03:14,960 Speaker 1: Like it's you know, obviously sports journalism is its own 52 00:03:15,040 --> 00:03:17,760 Speaker 1: lane and that's not my lane. And so I was 53 00:03:17,800 --> 00:03:20,880 Speaker 1: covering the game from like a culture perspective, as like 54 00:03:20,960 --> 00:03:24,680 Speaker 1: someone that's both Peruvian and Mexican and like this little 55 00:03:24,800 --> 00:03:27,440 Speaker 1: rivalry at the game, you know, because but it was 56 00:03:27,600 --> 00:03:31,760 Speaker 1: always historically the underdog in like the soccer world for 57 00:03:31,840 --> 00:03:34,520 Speaker 1: Latin American countries, and so it was really it was 58 00:03:34,560 --> 00:03:37,000 Speaker 1: really cool to cover it in that way. And um, 59 00:03:37,200 --> 00:03:39,040 Speaker 1: I'll link the article in our show notes because it's 60 00:03:39,120 --> 00:03:42,440 Speaker 1: live and so yeah, read it. That is so exciting. 61 00:03:42,640 --> 00:03:45,560 Speaker 1: And we have been finding out that there are kind 62 00:03:45,560 --> 00:03:49,440 Speaker 1: of a lot of like half Peruvian half Mexican folks 63 00:03:49,520 --> 00:03:52,480 Speaker 1: like around us. And then I put two into together 64 00:03:52,600 --> 00:03:56,160 Speaker 1: that my very first boyfriend ever half Peruvian, half Mexican. 65 00:03:56,320 --> 00:03:59,520 Speaker 1: As are you? This was just written in the star, 66 00:04:00,080 --> 00:04:05,640 Speaker 1: he was. There's something about that combination. I know. I 67 00:04:05,760 --> 00:04:09,600 Speaker 1: know I've known a couple over you know, in my life, 68 00:04:09,800 --> 00:04:12,160 Speaker 1: you know that I've met over the years, and I 69 00:04:12,200 --> 00:04:14,760 Speaker 1: think like now it's more and more common, like you know, 70 00:04:14,880 --> 00:04:17,279 Speaker 1: as like the community grows in l A, Like there's 71 00:04:17,360 --> 00:04:22,320 Speaker 1: more like Mexican proving combos, little children running around, very beautiful, 72 00:04:22,560 --> 00:04:27,880 Speaker 1: might I say, yes, the structure, the cheekbones. Um, but yeah, 73 00:04:27,920 --> 00:04:30,760 Speaker 1: we're out here, We're out here truly. We love to 74 00:04:30,800 --> 00:04:33,719 Speaker 1: see it so fun. So was did you notice a 75 00:04:33,760 --> 00:04:37,279 Speaker 1: difference in the crowds, like the Pero fans versus Mexico 76 00:04:37,360 --> 00:04:41,400 Speaker 1: fans and did anything stand out to you? Well, I mean, 77 00:04:41,440 --> 00:04:43,880 Speaker 1: obviously you're in Los Angeles, so like there's gonna be 78 00:04:43,920 --> 00:04:47,400 Speaker 1: more Mexican fans, so like you're in a sea of 79 00:04:47,480 --> 00:04:51,080 Speaker 1: green with like little specks of red. You know, it 80 00:04:51,160 --> 00:04:54,760 Speaker 1: is how it felt. Um, But I will say, like 81 00:04:55,040 --> 00:04:58,159 Speaker 1: even though we're the underdog team, but who is like 82 00:04:58,560 --> 00:05:00,680 Speaker 1: we have a lot of a lot of heart. And 83 00:05:00,720 --> 00:05:02,760 Speaker 1: so when I was talking to some of the fans there, 84 00:05:03,360 --> 00:05:07,960 Speaker 1: they were like, and so it doesn't really matter that 85 00:05:07,960 --> 00:05:10,480 Speaker 1: but we didn't make it to the World Cup. It's 86 00:05:10,480 --> 00:05:13,120 Speaker 1: like this is an opportunity for Bidou to redeem and 87 00:05:13,320 --> 00:05:16,480 Speaker 1: redeem themselves and show like we're still a team to watch. 88 00:05:17,720 --> 00:05:20,280 Speaker 1: And however, I have to say though that bid Who 89 00:05:20,360 --> 00:05:22,360 Speaker 1: did not win, and it was like a really hard 90 00:05:22,440 --> 00:05:24,800 Speaker 1: It was a really good match, but it was like 91 00:05:25,520 --> 00:05:28,320 Speaker 1: he couldn't score into like the last like the last 92 00:05:28,400 --> 00:05:31,239 Speaker 1: five minutes of the game. And once that happened, I knew. 93 00:05:31,279 --> 00:05:32,960 Speaker 1: I was like, no, this is it, Like it's gonna 94 00:05:33,080 --> 00:05:35,640 Speaker 1: end like this something that my THEO said that, I 95 00:05:35,720 --> 00:05:38,279 Speaker 1: was like, dang, Like you know, it's like to be 96 00:05:38,360 --> 00:05:40,599 Speaker 1: a proving fan is to like you have all this 97 00:05:40,720 --> 00:05:43,719 Speaker 1: heart and all this faith and like it's constantly tested. 98 00:05:44,560 --> 00:05:50,040 Speaker 1: Because he was like Musbian and it's like damn, I 99 00:05:50,120 --> 00:05:53,680 Speaker 1: mean that's true, Like you can play really good and 100 00:05:53,720 --> 00:05:58,320 Speaker 1: still lose. Yeah, That's that's that's sports, and sports for you. 101 00:05:58,480 --> 00:06:02,200 Speaker 1: Soccer is raf TV has so common to go the 102 00:06:02,360 --> 00:06:05,960 Speaker 1: entire game and there's no point zero zero, there's a 103 00:06:06,000 --> 00:06:09,000 Speaker 1: couple of goose eggs literally, but it sounds like a 104 00:06:09,120 --> 00:06:11,839 Speaker 1: very fun time. It was a fun time. I definitely 105 00:06:11,880 --> 00:06:15,240 Speaker 1: missed like the spectator experience, though I think that that's 106 00:06:15,279 --> 00:06:17,360 Speaker 1: still like the best way to go. Oh yeah, And 107 00:06:19,320 --> 00:06:21,520 Speaker 1: as a non sports journalist, I'm like, this was a 108 00:06:21,560 --> 00:06:24,520 Speaker 1: great experience. Maybe I'll cover a game in the future, 109 00:06:24,600 --> 00:06:27,120 Speaker 1: but I'm good with being just a spectator, just a fan. 110 00:06:27,520 --> 00:06:30,599 Speaker 1: We'll be in the crowd next time. Yes, super fun. 111 00:06:31,040 --> 00:06:33,480 Speaker 1: That's a great life update. I feel like there's been 112 00:06:33,520 --> 00:06:38,680 Speaker 1: so much going on. We also have an incredible interview 113 00:06:39,120 --> 00:06:42,760 Speaker 1: for you all this episode. And if you don't know 114 00:06:43,000 --> 00:06:46,880 Speaker 1: about this artist, you are going to find out about her. 115 00:06:46,960 --> 00:06:49,160 Speaker 1: You're going to hear more about her. We kind of 116 00:06:49,400 --> 00:06:53,480 Speaker 1: love kind of like introducing up and coming Latin X 117 00:06:53,640 --> 00:06:56,960 Speaker 1: artists kind of to the audience, to the fold, and 118 00:06:57,120 --> 00:07:00,520 Speaker 1: especially now that we are at My Heart, at my Colduda, 119 00:07:00,760 --> 00:07:04,360 Speaker 1: we are excited to amplify new artists at an even 120 00:07:04,440 --> 00:07:09,160 Speaker 1: higher level. And so today should we talk about our guests? 121 00:07:09,160 --> 00:07:12,800 Speaker 1: Should we intro? Yeah, let's intro our guest Irene Diaz. 122 00:07:12,920 --> 00:07:16,360 Speaker 1: She's a singer songwriter and she's breaking new ground this 123 00:07:16,440 --> 00:07:19,800 Speaker 1: year with her first full length album Lovers and Friends. 124 00:07:20,360 --> 00:07:23,240 Speaker 1: She's l a bass She's Mexican American. She's been in 125 00:07:23,280 --> 00:07:25,880 Speaker 1: the industry, in the game for ten years and has 126 00:07:25,920 --> 00:07:28,480 Speaker 1: been folding down a full time job at the same time, 127 00:07:28,600 --> 00:07:30,920 Speaker 1: like a lot of us that are pursuing our dreams 128 00:07:30,960 --> 00:07:35,360 Speaker 1: and creating whatever art we're creating. Very wild. Irene Diaz 129 00:07:35,480 --> 00:07:40,200 Speaker 1: had an NPR Tiny Desk concert eight years ago just 130 00:07:40,400 --> 00:07:43,400 Speaker 1: for some perspective on how long she's been doing her 131 00:07:43,480 --> 00:07:46,880 Speaker 1: music thing, but also at the level that she's been performing. 132 00:07:49,080 --> 00:07:54,720 Speaker 1: Irene Diaz super talented singers, songwriter. You have been breaking 133 00:07:54,760 --> 00:07:59,360 Speaker 1: new ground recently with your first full length album, Lovers 134 00:07:59,360 --> 00:08:03,280 Speaker 1: and Friends. Were so excited for you, so excited to 135 00:08:03,280 --> 00:08:05,320 Speaker 1: have you on. Look at Thought our radio. We had 136 00:08:05,320 --> 00:08:09,200 Speaker 1: the pleasure of meeting you and performing on the same 137 00:08:09,240 --> 00:08:12,160 Speaker 1: show as you. We hosted this reproductive rights benefit by 138 00:08:12,160 --> 00:08:17,040 Speaker 1: We All Grow Um, featuring a stunning performance and we're 139 00:08:17,040 --> 00:08:20,160 Speaker 1: so excited to have you on to talk about the music. Irene, 140 00:08:20,200 --> 00:08:24,080 Speaker 1: Can you please introduce yourself for our listeners. Hi, everybody, 141 00:08:24,160 --> 00:08:26,120 Speaker 1: First of all, thank you so much for having me. 142 00:08:26,800 --> 00:08:30,360 Speaker 1: I've been listening to YouTube for the past couple of 143 00:08:30,440 --> 00:08:33,800 Speaker 1: years and I got introduced to you through my friend 144 00:08:34,400 --> 00:08:37,559 Speaker 1: Sky Sky Gavin. I don't know if you know Sky, 145 00:08:37,600 --> 00:08:41,560 Speaker 1: but from Gavin to her capital, like, she introduced me 146 00:08:41,640 --> 00:08:45,240 Speaker 1: to you guys, and yeah, I'm just really thrilled. So yeah, 147 00:08:45,320 --> 00:08:49,040 Speaker 1: So I'm a senior songwriter. I'm from Los Angeles, California. 148 00:08:49,320 --> 00:08:54,600 Speaker 1: I've been in the scene for the past ten years. Um. Yeah, 149 00:08:54,679 --> 00:08:56,920 Speaker 1: like you said, I just put out my first full 150 00:08:56,960 --> 00:09:00,079 Speaker 1: length album. That was a big process for me. It 151 00:09:00,640 --> 00:09:04,720 Speaker 1: this past year in February we released it, and yeah, 152 00:09:04,800 --> 00:09:07,160 Speaker 1: I've just been kind of exploring what it is to 153 00:09:07,160 --> 00:09:12,000 Speaker 1: have a full length album. Yeah, congratulations. First of all, 154 00:09:12,040 --> 00:09:14,360 Speaker 1: we're so excited to talk to you, and we're also like, 155 00:09:14,800 --> 00:09:17,120 Speaker 1: you've been in the game for so long and have 156 00:09:17,640 --> 00:09:20,600 Speaker 1: released amazing, an amazing body of work already, and we're 157 00:09:20,600 --> 00:09:23,040 Speaker 1: honestly shocked this is your first full length album. So 158 00:09:23,360 --> 00:09:26,720 Speaker 1: we want to talk about the process, like of creating 159 00:09:26,760 --> 00:09:30,920 Speaker 1: this album, anything you learned, Like, please tell us about 160 00:09:31,640 --> 00:09:35,120 Speaker 1: the creation of your first full length album. Yeah, so 161 00:09:35,200 --> 00:09:38,560 Speaker 1: I started the process back in two thousand and seventeen. 162 00:09:39,720 --> 00:09:43,960 Speaker 1: My manager Gil who's on he owns the Cosmica artist label. 163 00:09:44,480 --> 00:09:47,320 Speaker 1: He introduced me to Carla Morrison. I don't know if 164 00:09:47,320 --> 00:09:50,400 Speaker 1: you know Carla Morrison. He loved Carla Morrison. Yes, we're 165 00:09:50,440 --> 00:09:54,800 Speaker 1: big fans. Yeah, So he introduced me to her. UM 166 00:09:54,880 --> 00:09:59,040 Speaker 1: because around the time I I had a few years before, 167 00:09:59,080 --> 00:10:01,400 Speaker 1: I had released an e P that I worked on 168 00:10:01,520 --> 00:10:06,040 Speaker 1: by myself UM along with my partner Caroline Cardoza, and 169 00:10:06,120 --> 00:10:08,080 Speaker 1: we did a lot of the production, but just trying 170 00:10:08,120 --> 00:10:10,840 Speaker 1: to figure it out. And for this next project, I 171 00:10:10,880 --> 00:10:14,160 Speaker 1: really wanted to work on an album with with a 172 00:10:14,240 --> 00:10:18,319 Speaker 1: producer and see what that experience would be like. So 173 00:10:18,679 --> 00:10:21,280 Speaker 1: I connected with Carla back in two thousand and seventeen 174 00:10:22,200 --> 00:10:24,520 Speaker 1: and she told me to come out to Mexico City 175 00:10:24,600 --> 00:10:29,199 Speaker 1: to work on show show her what I had, and 176 00:10:29,520 --> 00:10:32,960 Speaker 1: she introduced me to her husband and his brother, who 177 00:10:33,000 --> 00:10:38,600 Speaker 1: both worked on Amomo, and they just listened to what 178 00:10:38,720 --> 00:10:41,840 Speaker 1: I had and we went from there. So that process 179 00:10:41,960 --> 00:10:45,240 Speaker 1: was it was pretty long because you know, obviously they're 180 00:10:45,280 --> 00:10:49,280 Speaker 1: busy and they worked with Carla and it was a 181 00:10:49,280 --> 00:10:50,800 Speaker 1: lot of growth. There was a lot of learning. It 182 00:10:50,880 --> 00:10:54,160 Speaker 1: was a lot of learning patients UM just flying from 183 00:10:54,400 --> 00:10:56,960 Speaker 1: Los Angeles to Mexico City. I was there in two 184 00:10:57,000 --> 00:11:00,640 Speaker 1: thousand seventeen for about six weeks, and in two thousand 185 00:11:00,720 --> 00:11:03,400 Speaker 1: eighteen I went back for about three months, and I 186 00:11:03,440 --> 00:11:06,680 Speaker 1: was there by myself, just learning the ins and outs 187 00:11:06,720 --> 00:11:10,720 Speaker 1: of the recording process and how they worked. I think 188 00:11:10,760 --> 00:11:13,080 Speaker 1: for all of us, we were all kind of growing together, 189 00:11:13,440 --> 00:11:15,959 Speaker 1: but just watching them just listen to the songs over 190 00:11:16,000 --> 00:11:20,160 Speaker 1: and over again, creating sounds, creating just the best approach 191 00:11:20,240 --> 00:11:24,120 Speaker 1: to the songwriting process, and the results are the album. 192 00:11:24,280 --> 00:11:27,280 Speaker 1: Lovers and Friends. I love that you spent time in 193 00:11:27,360 --> 00:11:31,079 Speaker 1: Mexico City while recording this album. I feel like Mexico 194 00:11:31,120 --> 00:11:34,880 Speaker 1: City is such a magical city, and I'm wondering if 195 00:11:34,920 --> 00:11:37,440 Speaker 1: if the f A ended up like having an imprint 196 00:11:37,600 --> 00:11:41,240 Speaker 1: on your album in some way. Um, It's funny because 197 00:11:41,400 --> 00:11:45,199 Speaker 1: I had never been to Mexico City before this. My 198 00:11:45,200 --> 00:11:49,400 Speaker 1: my grandma, who passed away in two thousand ten, she 199 00:11:50,160 --> 00:11:53,880 Speaker 1: she was born and raised in Mexico City, and going 200 00:11:54,000 --> 00:11:56,959 Speaker 1: to Mexico City and seeing where she grew up and 201 00:11:57,080 --> 00:12:01,240 Speaker 1: just imagining her being there back in the fifties because 202 00:12:01,240 --> 00:12:06,040 Speaker 1: she moved here when she was she had married my grandpa. 203 00:12:06,240 --> 00:12:10,199 Speaker 1: He was fifty two, and so she kind of ventured 204 00:12:10,240 --> 00:12:13,520 Speaker 1: out to l to l A to to build a family. 205 00:12:13,800 --> 00:12:18,000 Speaker 1: But she yeah, Mexico City was where she grew up 206 00:12:18,080 --> 00:12:20,960 Speaker 1: and just filling her presence. I think that was very 207 00:12:21,000 --> 00:12:24,120 Speaker 1: impactful for me to like see where she grew up 208 00:12:24,160 --> 00:12:27,920 Speaker 1: and just to be amongst like just the people and 209 00:12:28,080 --> 00:12:33,360 Speaker 1: writing the subway and just walking the streets and exploring 210 00:12:33,480 --> 00:12:37,920 Speaker 1: like on my own. I really felt her presence with me. Yeah, 211 00:12:37,960 --> 00:12:42,319 Speaker 1: that's that's amazing. So tell me more about, like what 212 00:12:42,400 --> 00:12:45,240 Speaker 1: you learned about yourself while making this album, Like what's 213 00:12:45,240 --> 00:12:50,120 Speaker 1: your favorite takeaway? Okay, So it's interesting because when we 214 00:12:50,120 --> 00:12:54,000 Speaker 1: were doing vocals, actually during the whole recording process, I 215 00:12:54,120 --> 00:12:57,560 Speaker 1: felt I felt like I was experiencing like impostor syndrome. 216 00:12:58,280 --> 00:13:01,040 Speaker 1: Like the whole time, I felt like, oh my god, 217 00:13:01,400 --> 00:13:03,880 Speaker 1: the songs were sounding a lot bigger than I had 218 00:13:03,960 --> 00:13:09,320 Speaker 1: imagined the album with this pop so I had never 219 00:13:09,360 --> 00:13:14,200 Speaker 1: really explored the pop genre. So finding my voice in 220 00:13:14,240 --> 00:13:17,200 Speaker 1: this project was really challenging for me because even when 221 00:13:17,200 --> 00:13:19,360 Speaker 1: we were doing like scratch vocals, like, I was so 222 00:13:19,480 --> 00:13:24,680 Speaker 1: nervous and just figuring out like the voicing for each 223 00:13:24,720 --> 00:13:28,000 Speaker 1: song because like, obviously like these songs, like I write 224 00:13:28,000 --> 00:13:31,480 Speaker 1: them from a very personal place, but to like place 225 00:13:31,559 --> 00:13:36,240 Speaker 1: them in the music and understanding like where where I 226 00:13:36,320 --> 00:13:39,839 Speaker 1: fit as an artist, like was really challenging for me. 227 00:13:40,400 --> 00:13:42,520 Speaker 1: So there was a point where we were when we 228 00:13:42,520 --> 00:13:46,720 Speaker 1: were doing the vocals, like the guys kept telling me like, hey, 229 00:13:46,720 --> 00:13:49,439 Speaker 1: like we just want you to try like different ways 230 00:13:49,480 --> 00:13:52,480 Speaker 1: of singing it, and for some reason, like I just 231 00:13:52,960 --> 00:13:56,920 Speaker 1: I was getting really frustrated and I wasn't getting it. 232 00:13:57,720 --> 00:14:01,439 Speaker 1: And I remember going home and almost feeling that feeling 233 00:14:01,559 --> 00:14:05,000 Speaker 1: like like where you just want to give up. It's 234 00:14:05,000 --> 00:14:07,280 Speaker 1: almost like like I don't know if you've ever felt it, 235 00:14:07,400 --> 00:14:09,760 Speaker 1: but it's just like I'm done, Like it's it's kind 236 00:14:09,800 --> 00:14:13,080 Speaker 1: of like this this energy that follows on you. And 237 00:14:13,160 --> 00:14:15,840 Speaker 1: I felt it and I was like I can't. But 238 00:14:15,920 --> 00:14:18,120 Speaker 1: for some reason, I mean obviously like I love music, 239 00:14:18,880 --> 00:14:21,600 Speaker 1: and I took that feeling and I just I just 240 00:14:21,680 --> 00:14:25,880 Speaker 1: kept going. I just kept pushing and we recorded vocals 241 00:14:25,920 --> 00:14:29,640 Speaker 1: for the ten songs in about two weeks. And I 242 00:14:29,680 --> 00:14:31,960 Speaker 1: have no idea how I did that. This was my 243 00:14:32,040 --> 00:14:34,520 Speaker 1: first time like doing something like this, so I was 244 00:14:34,600 --> 00:14:37,960 Speaker 1: so proud of myself. And my takeaway was that like, 245 00:14:38,000 --> 00:14:40,600 Speaker 1: even though you feel like you don't want to do 246 00:14:40,640 --> 00:14:45,440 Speaker 1: it anymore, like you can keep going despite having those feelings. 247 00:14:46,160 --> 00:14:51,280 Speaker 1: And I carried that with me since then. Fabulous. It 248 00:14:51,400 --> 00:14:56,560 Speaker 1: sounds like recording and producing and bringing to life an 249 00:14:56,600 --> 00:15:01,840 Speaker 1: album is like a marathon. It is it really, it 250 00:15:02,040 --> 00:15:05,239 Speaker 1: really was. It was pretty much a five year process, 251 00:15:05,240 --> 00:15:08,280 Speaker 1: like just going back and forth and being patient with 252 00:15:08,400 --> 00:15:12,040 Speaker 1: the guys as well, obviously, like working with Carla was 253 00:15:12,560 --> 00:15:14,960 Speaker 1: just getting her like mentorship and like how do you 254 00:15:15,000 --> 00:15:18,400 Speaker 1: do it? How do you do it? Girl? And she's 255 00:15:18,480 --> 00:15:20,600 Speaker 1: something that she did tell me. It was like, you know, 256 00:15:20,640 --> 00:15:23,760 Speaker 1: it's not about you, Like, it's about the music, and 257 00:15:23,800 --> 00:15:26,160 Speaker 1: it's about the people that are going to be listening 258 00:15:26,200 --> 00:15:30,480 Speaker 1: to it, and it's about their their place in what 259 00:15:30,560 --> 00:15:34,200 Speaker 1: you sing, and that's what matters most. Oh, that's so beautiful. 260 00:15:34,440 --> 00:15:38,680 Speaker 1: So obviously we're fans, But who are your fans? Like 261 00:15:38,760 --> 00:15:42,120 Speaker 1: when you imagine your listeners, like the people that are 262 00:15:42,240 --> 00:15:45,560 Speaker 1: vibing out and are inspired and touched by your music, Like, 263 00:15:45,600 --> 00:15:52,320 Speaker 1: who are they? Their lovers? Romantics? They're romantics. They have 264 00:15:52,440 --> 00:15:59,479 Speaker 1: a lot of feelings and they expressed themselves deeply. Um. 265 00:15:59,520 --> 00:16:01,840 Speaker 1: I would have to say there's a lot of couples 266 00:16:01,880 --> 00:16:06,640 Speaker 1: that gravitate towards the music that I create. Um, but 267 00:16:06,720 --> 00:16:08,760 Speaker 1: a lot of women as well. I would say that 268 00:16:09,160 --> 00:16:13,080 Speaker 1: more than half of of my listeners are are women, 269 00:16:13,920 --> 00:16:18,040 Speaker 1: and I for me myself, like, I hope I inspire 270 00:16:18,120 --> 00:16:21,960 Speaker 1: them to follow their dreams because this has been something 271 00:16:22,000 --> 00:16:24,200 Speaker 1: that I have been doing for the past ten years, 272 00:16:24,280 --> 00:16:27,840 Speaker 1: and I'm it's not It's something that I'm working towards 273 00:16:27,920 --> 00:16:31,080 Speaker 1: to be full time at, but I'm not fully there yet. 274 00:16:31,760 --> 00:16:34,360 Speaker 1: But the fact is like I'm still doing it, and 275 00:16:34,480 --> 00:16:37,800 Speaker 1: I hope that inspires people who who are working to 276 00:16:38,080 --> 00:16:42,640 Speaker 1: follow their dreams and and work towards something that that 277 00:16:42,760 --> 00:16:49,960 Speaker 1: makes them feel good, that makes them feel like like human. Absolutely, 278 00:16:50,000 --> 00:16:53,800 Speaker 1: there's so many I think, aspiring artists and singer songwriters 279 00:16:53,840 --> 00:16:56,360 Speaker 1: in our community, and I know among our listeners there 280 00:16:56,360 --> 00:17:00,360 Speaker 1: are definitely a bunch. And after this journey and working 281 00:17:00,360 --> 00:17:03,280 Speaker 1: with Carla Morrison and going to Mexico City recording your 282 00:17:03,320 --> 00:17:05,919 Speaker 1: first full length album, having those moments of wanting to 283 00:17:06,000 --> 00:17:09,840 Speaker 1: quit but keeping it going, what's another little tidbit that 284 00:17:09,880 --> 00:17:13,760 Speaker 1: you have, specifically for the Latino singer songwriters out there 285 00:17:13,840 --> 00:17:16,120 Speaker 1: who are trying to get their music hurt, They're trying 286 00:17:16,119 --> 00:17:19,639 Speaker 1: to get their music out and noticed and and into 287 00:17:19,680 --> 00:17:23,600 Speaker 1: people's ears. What would you say to them? Mm hmmm. 288 00:17:24,840 --> 00:17:27,560 Speaker 1: I would say I when I first started, like I 289 00:17:27,600 --> 00:17:30,920 Speaker 1: was going to a lot of open mics, as doing that, 290 00:17:31,680 --> 00:17:35,520 Speaker 1: but also being part of the community. Um, really getting 291 00:17:35,680 --> 00:17:40,600 Speaker 1: the community behind you to to just support you. I 292 00:17:40,640 --> 00:17:42,399 Speaker 1: think that was a big push because like when I 293 00:17:42,480 --> 00:17:46,480 Speaker 1: was first starting, I I got connected to les ca Us. 294 00:17:47,160 --> 00:17:50,440 Speaker 1: I don't know if you us, but um, they kind 295 00:17:50,440 --> 00:17:55,280 Speaker 1: of brought me into like the Chicano world and through 296 00:17:55,320 --> 00:17:57,760 Speaker 1: their like, I've been able to like meet various people. 297 00:17:57,840 --> 00:18:01,040 Speaker 1: So I would say, just connect with people, just even 298 00:18:01,080 --> 00:18:04,160 Speaker 1: online like right now, like back in the day, like 299 00:18:04,359 --> 00:18:07,400 Speaker 1: I don't think online was as big as it is now, 300 00:18:07,440 --> 00:18:10,520 Speaker 1: and we can make so many connections with people just 301 00:18:10,640 --> 00:18:14,280 Speaker 1: through d m NG or like commenting and just I 302 00:18:14,320 --> 00:18:19,080 Speaker 1: don't know, just yeah, connecting. Yeah, I think as podcasters, 303 00:18:19,119 --> 00:18:22,720 Speaker 1: you know, we both work in audio music and podcasting, 304 00:18:22,880 --> 00:18:26,639 Speaker 1: and I think that, uh, that sense of community among 305 00:18:26,680 --> 00:18:29,640 Speaker 1: your listeners is so important and it like brings them 306 00:18:29,640 --> 00:18:31,960 Speaker 1: back because and in your music you're telling a story 307 00:18:31,960 --> 00:18:33,639 Speaker 1: and they want to come and hear more about you 308 00:18:33,720 --> 00:18:37,399 Speaker 1: and from you. Love it fabulous. And on that note, 309 00:18:37,520 --> 00:18:40,040 Speaker 1: we do want to play one of your songs, the 310 00:18:40,080 --> 00:18:42,679 Speaker 1: title track from your album, Lovers and Friends. Can you 311 00:18:42,680 --> 00:18:46,359 Speaker 1: tell us a little bit about the title track specifically, Yeah, 312 00:18:46,600 --> 00:18:50,360 Speaker 1: so Lovers and Friends, it's so interesting because when we 313 00:18:50,359 --> 00:18:54,080 Speaker 1: were putting all the songs together, um, Carla had mentioned, 314 00:18:54,119 --> 00:18:56,440 Speaker 1: oh my god, this is like a friends and lovers 315 00:18:56,480 --> 00:19:00,480 Speaker 1: like album. This is the album for them, and I was, wait, Like, 316 00:19:00,520 --> 00:19:03,080 Speaker 1: one of my songs is called lovers and Friends, and 317 00:19:03,160 --> 00:19:06,719 Speaker 1: so we decided to name it Lovers and Friends. Um 318 00:19:07,400 --> 00:19:13,000 Speaker 1: and yeah, the the entire album is our songs that 319 00:19:13,080 --> 00:19:16,360 Speaker 1: I've written throughout the years that I've wanted to record, 320 00:19:16,440 --> 00:19:19,600 Speaker 1: but it also encompasses a lot of the relationships that 321 00:19:19,680 --> 00:19:24,000 Speaker 1: I've experienced over the years, like you have Lovers and Friends, 322 00:19:24,040 --> 00:19:28,560 Speaker 1: which is a song about just wanting to be friends 323 00:19:28,560 --> 00:19:31,200 Speaker 1: with somebody but you just can't quite get there because 324 00:19:31,200 --> 00:19:34,919 Speaker 1: there's that physical barrier where it's just like there's just 325 00:19:34,960 --> 00:19:38,359 Speaker 1: that fire that you can't stop. You can't like I 326 00:19:38,400 --> 00:19:42,119 Speaker 1: don't know you, but I love this, you know. I 327 00:19:42,160 --> 00:19:46,720 Speaker 1: love this physicality of our relationship. Um. But I have 328 00:19:46,920 --> 00:19:50,760 Speaker 1: songs a song on there that's called Rapped, and that 329 00:19:50,920 --> 00:19:54,000 Speaker 1: was about me with one of my old best friends 330 00:19:54,040 --> 00:19:56,800 Speaker 1: who had a crush on me back in the day, 331 00:19:56,920 --> 00:20:00,720 Speaker 1: and I just couldn't reciprocate it. But I loved our relationships, 332 00:20:00,760 --> 00:20:06,800 Speaker 1: so I had him wrapped around my finger like kind 333 00:20:06,840 --> 00:20:10,399 Speaker 1: of Toxic right a song for the folks, guess for 334 00:20:10,440 --> 00:20:15,000 Speaker 1: the batties. Yeah, yeah, but a lot of these songs 335 00:20:15,000 --> 00:20:19,320 Speaker 1: are just very personal to me. Um and yeah, I 336 00:20:19,400 --> 00:20:23,119 Speaker 1: just hope everybody that listens finds a piece of them 337 00:20:23,320 --> 00:20:28,480 Speaker 1: in any of the songs. Beautiful, I love it. Irene Diaz, 338 00:20:28,520 --> 00:20:30,600 Speaker 1: thank you so much for stopping by Look at That 339 00:20:30,720 --> 00:20:33,760 Speaker 1: our Radio. This has been a joy, and we're going 340 00:20:33,840 --> 00:20:37,600 Speaker 1: to go ahead and play now Lovers and Friends off 341 00:20:37,640 --> 00:20:41,639 Speaker 1: of Irene's newest album. So I hope you enjoy and 342 00:20:41,720 --> 00:20:45,399 Speaker 1: Irene where it can folks follow you on socials? Yeah, 343 00:20:45,400 --> 00:20:47,640 Speaker 1: so on Instagram. I you can find me at just 344 00:20:47,720 --> 00:20:52,920 Speaker 1: Irene Dias Um. But my website is Irene dias Official 345 00:20:53,119 --> 00:20:57,639 Speaker 1: dot com. Okay, look at That Our Radio is a 346 00:20:57,680 --> 00:21:00,960 Speaker 1: production of a Look at That our production in partnership 347 00:21:01,040 --> 00:21:05,760 Speaker 1: with I Hearts Michael podcast Network. For more podcasts, listen 348 00:21:05,800 --> 00:21:09,240 Speaker 1: to the I Heart Radio app, Apple Podcasts, or wherever 349 00:21:09,320 --> 00:21:16,760 Speaker 1: you listen to your favorite shows. Uh best me phos 350 00:21:24,160 --> 00:21:29,359 Speaker 1: look at Radio a radio phonic novella posted by Mala 351 00:21:29,400 --> 00:22:15,880 Speaker 1: Munyas and Theosa. Then take us to your network