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Speaker 1: Tournament.

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Speaker 2: I just go, Billy.

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Speaker 3: If you love the freaking Tesla so much, you drive

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Speaker 3: the damn thing and I through the keys. They hit

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Speaker 3: him in the chest.

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Speaker 1: It comes Haze and Sean, do you do it? Hey?

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Speaker 3: What up?

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Speaker 1: What up? Welcome back to Hollywood Handbook? What up, y'all?

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Speaker 3: What up?

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Speaker 1: Y'all? Y'all feel me, y'all feel me today? I'm Hayes

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Speaker 1: adding for it. This is Sean clements Uh. This is

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Speaker 1: an insider's guide to kicking button dropping names in the

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Speaker 1: red carpet line back hallways of this industry we call showbiz.

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Speaker 1: This is our second episode.

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Speaker 2: It's our second episode. I know what you're thinking. Are

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Speaker 2: they going to talk about it? Are they gonna not

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Speaker 2: talk about it? Yeah, we're gonna talk about it.

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Speaker 1: We took a little bit of a of a drubbing

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Speaker 1: in media circles from our first episode, which honestly, we

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Speaker 1: expected a little bit of because we did know. We

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Speaker 1: did know that people are going to take their pot shots.

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Speaker 1: When you swim against the stream, you're gonna get wet,

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Speaker 1: is what people say. So yeah, that's right. Yeah.

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Speaker 2: We have always done things our own way. We've always

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Speaker 2: carved our own path, and so that a lot of

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Speaker 2: times will result in having to take some licks, having

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Speaker 2: to get bruised up. First one through the wall always

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Speaker 2: gets bloody.

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Speaker 1: So we took all this criticism and we do want

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Speaker 1: to respond to it. We're not the former normally.

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Speaker 2: Normally, I don't like to feed the trolls. I am

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Speaker 2: certainly I'm I'm motivated by my haters, and they do

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Speaker 2: inspire me, they drive me.

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Speaker 1: Yeah, it was Drake, one of my favorite rapsters, who

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Speaker 1: said haters going on parade while I be chugging lemonade.

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Speaker 2: I think it was Drake, Yeah, And so I think

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Speaker 2: that's so glug glug, blood comes up.

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Speaker 1: But what we're doing, We're sitting here, has going on parade.

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Speaker 2: I'm quenching my thirst with delicious lemonade, and the and

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Speaker 2: the haters are having in their parade, and we're just

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Speaker 2: gonna We're gonna let them go by, but we're gonna

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Speaker 2: say to them while they walk by, Yes we heard

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Speaker 2: what you said. And it wasn't fair people, if anyone

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Speaker 2: lives under a rock. The people who misunderstood us felt

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Speaker 2: like this podcast was some big friggin celebrity circle jerk

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Speaker 2: where we bring on our famous buddies, We help them

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Speaker 2: launch their project, and everybody gets everyone gets a piece,

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Speaker 2: everyone gets a peace right. We share in the profits

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Speaker 2: with them for whatever they want to plug and we

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Speaker 2: don't say anything negative. Now me, I'm a positive guy.

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Speaker 2: I'm so used to living in that positive mental space. Yes,

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Speaker 2: where I tend to focus on what works right in

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Speaker 2: this town, which is the best town in the world

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Speaker 2: to live and work in.

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Speaker 1: Right.

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Speaker 2: And they feel like we're not willing to ever get

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Speaker 2: our hands dirty. We're not willing to rake any muth

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Speaker 2: Now that's not true. Before, how are we open up? Yes,

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Speaker 2: the burn Journal.

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Speaker 1: Yes, The first thing I think we'd like to say

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Speaker 1: to respond is we don't have to be doing this,

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Speaker 1: not at all. Give us a reason to stop and

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Speaker 1: will stop. You don't think I walk away from this

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Speaker 1: lightest push, you know what I mean. We do this

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Speaker 1: as a favor, babe. Okay, let me tell you there

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Speaker 1: are a lot a lot more lucrative things I could

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Speaker 1: be doing with my time. And not to say I'm

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Speaker 1: not making a buttload of cash making this podcast, because

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Speaker 1: let's be honest, I earn that. But I could walk

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Speaker 1: away tomorrow and be right now shooting a movie while

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Speaker 1: writing my book while selling my Hayes new popsicle line

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Speaker 1: that I came out with Yeap warm popsicles. Nobody's done

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Speaker 1: it except me. Anyway, what we're saying at that, give

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Speaker 1: us a reason.

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Speaker 2: Give us a reason to walk away, and we're out.

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Speaker 2: We'd love to you want to keep coming at us,

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Speaker 2: you'll see just how fast we disappear. And you don't

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Speaker 2: know what you got til it's gone. And Adam Urwitz

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Speaker 2: said that anyway, let's give them what they they want

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Speaker 2: us to. It's not like we don't have some people

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Speaker 2: in this industry that we don't like, and it's also

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Speaker 2: not like we're scared to talk about them. Unfortunately, that's true.

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Speaker 2: And I'm going to open up the Celebrity burn Journal

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Speaker 2: right now.

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Speaker 1: Creek flow on it.

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Speaker 2: Yep, okay, okay, it landed on just a random page. Well,

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Speaker 2: this feels like an easy one in a way because

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Speaker 2: everybody thinks these guys movies is trash.

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Speaker 1: But but they make money and that's why they're still working.

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Speaker 3: Well, that's why they've still been able to keep If

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Speaker 3: you're making money around bar all honey, barnacles on the

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Speaker 3: side of showbiz and.

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Speaker 2: You guys, I guess have guess who I'm talking about.

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Speaker 2: It's the Cohen brother.

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Speaker 1: Well, let's clarify that because Ethan. Ethan is actually a

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Speaker 1: very nice guy. I like Ethan and I've had I've

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Speaker 1: had really long talks with him and he is a

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Speaker 1: total sweetheart.

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Speaker 2: Yeah, and what it really made me realize is Joel

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Speaker 2: is the one calling this shot.

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Speaker 1: Joel controls everything. Ethan is terrified of Joel. Well you

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Speaker 1: can see if he hears Joel's voice, like over his shoulder,

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Speaker 1: just he shudders. All of a sudden, right, we were

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Speaker 1: having a conversation at at the premiere for Premium Rush

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Speaker 1: where he was saying, hey, you know, like maybe we

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Speaker 1: should he started to whisper, maybe we should get breakfast

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Speaker 1: some time. I was like, why are you whispering? Man,

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Speaker 1: like you want to get breakfast something. He's like, shut up,

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Speaker 1: shut up. And then Joel, here's like somebody talking about breakfast.

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Speaker 1: I love breakfast. Let's all have breakfast.

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Speaker 2: So all of a sudden we're roped into a two

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Speaker 2: and a half hour monologue over cold eggs. Joel made

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Speaker 2: us cold by Joe. He insists they're better that way,

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Speaker 2: and it's just one of his things and he just

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Speaker 2: kept going, They're better this way, right, Ethan, and even

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Speaker 2: would have to go, m yum.

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Speaker 1: You know, he didn't like him as much.

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Speaker 2: I don't want to say, I don't want to accuse

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Speaker 2: Joel of hitting Ethan, but he does.

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Speaker 1: He does hit him. We've seen him do it, and.

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Speaker 2: It's and here's what makes it such a great lesson.

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Speaker 2: And I wish this wasn't true, but Ethan's.

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Speaker 1: Such a pleaser.

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Speaker 2: And unfortunately, to really make a mark in this town,

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Speaker 2: sometimes you have to be a little bit of a

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Speaker 2: B word, right, and Hayes has had to do it,

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Speaker 2: and I've had to be a B word.

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Speaker 1: I hate it.

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Speaker 3: It makes me sick to MYU Why, that's not why

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Speaker 3: I got into this When I have to pull out

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Speaker 3: a PA and fire him in front of everyone and

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Speaker 3: embarrass him and pull his pants down and give him

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Speaker 3: a spanking, you know, verbally, in front of you know,

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Speaker 3: the whole and all of his friends, I hate it.

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Speaker 1: But it's not why I got into this business. But

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Speaker 1: it is why I'm going to get out of it.

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Speaker 1: You know what I'm saying. Yeah, that's why which say

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Speaker 1: the word ab club, you know. Yeah? Like one more comment,

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Speaker 1: one more that's all it's going to take. Try us.

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Speaker 1: We should talk about TV a little bit people. Some

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Speaker 1: people were saying last week that we didn't talk about

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Speaker 1: TV enough. Yeah, maybe it felt like it was too close.

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Speaker 1: You know, it's so obvious to us, it's so close

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Speaker 1: to us that we don't. Yeah, TV is It's an

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Speaker 1: interesting animal in the way that people discuss it. I

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Speaker 1: think that one thing that's been curious to me is

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Speaker 1: a lot of people are asking, Hey, which pilots should

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Speaker 1: I watch?

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Speaker 2: Yeah, which of all these new shows is the good

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Speaker 2: one that I should watch?

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Speaker 1: Sure? And it's so funny to me that when you're

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Speaker 1: not inside, you don't just already know, like, well, maybe

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Speaker 1: the ones that made it to television are the good ones. Yeah.

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Speaker 1: If something gets on this is what people don't understand.

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Speaker 1: If something gets on TV, it's been vetted at all

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Speaker 1: these different levels, was written by a talented writer. It

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Speaker 1: goes through the studio, a bunch of executives there who

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Speaker 1: are paid for their good judgment, have to sign off

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Speaker 1: on it. From there, it goes to the television network.

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Speaker 1: That's another layer of talented people who can recognize a

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Speaker 1: good show. So the shows are all good, they're good

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Speaker 1: if they're on, but we could sort of talk about

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Speaker 1: what are what some of the best ones are. Okay,

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Speaker 1: this is a segment we like to do sometimes called

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Speaker 1: Survival of the Funniest, which is of all the funny

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Speaker 1: shows on TV, which ones are are the funniest of

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Speaker 1: the funny, Because TV it's just like, let's sometimes say,

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Speaker 1: TV is just small movies, you know what I mean. Yeah,

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Speaker 1: let's start with the crazy guys. The crazy guys starrying

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Speaker 1: Robert Williams and Sarah Michelle Geller. There's a I have

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Speaker 1: a I have a clip actually from the from the trailer.

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Speaker 1: Oh wonderful.

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Speaker 4: You ready to get seriously, just gonna get serious.

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Speaker 1: It could have been somebody I got him on the rope,

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Speaker 1: look at us, come on bringing company. Oh you got

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Speaker 1: knocked out by a girl? Now what did you think

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Speaker 1: of this? Of this show? Sean? Well, I left my.

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Speaker 2: Whole butt off, and then I thought, let's think about

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Speaker 2: it more and go further in because I also found

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Speaker 2: a decent amount of heart. Yes, and so sometimes it's

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Speaker 2: not just the funniness that gets it on, because there

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Speaker 2: might have been another funny show with Robert Williams that

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Speaker 2: didn't get made but it didn't have as much heart.

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Speaker 2: Now in that clip, I believe he's boxing with a robot.

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Speaker 3: YEP.

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Speaker 2: So right there, it's both things.

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Speaker 1: Yes, it escalates to that because for the first few

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Speaker 1: minutes he's just being the crazy guy like in the title,

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Speaker 1: like you, he gives the people what they want, he's

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Speaker 1: making your laugh, he's making laugh your whole bot off.

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Speaker 1: But then there was that scene in the middle of

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Speaker 1: the second act where he fucked that jar of pennies

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Speaker 1: that really made you circle back and say, like, oh,

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Speaker 1: this is like a human being. This is like, this

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Speaker 1: is that guy who has challenges. There's that like relatability.

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Speaker 1: It's like how you and your friends interact, and like

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Speaker 1: you think of some of the conversations you've had with

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Speaker 1: your dad in the past. And as he was fucking

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Speaker 1: that jar of pennies, I thought like he's sort of right,

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Speaker 1: Like I really knew this character better than when he's

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Speaker 1: just like doing his funny stuff. Also, it's about it's

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Speaker 1: about an old guy who's trying to be like he's

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Speaker 1: trying to keep doing his job, but he's being pushed

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Speaker 1: out so younger people can take his place.

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Speaker 3: M hm.

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Speaker 1: Which happens, which happens. It's very sad when that happens.

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Speaker 1: Even in this industry. Sometimes they factor in your age

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Speaker 1: and making a decision about whether you're right, which is

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Speaker 1: sad because the truth is you should be able to

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Speaker 1: keep doing your job for as long as you want forever.

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Speaker 2: Once you've gotten a job, now that's your job. Yes,

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Speaker 2: And so it's like whether your young people has fallen off,

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Speaker 2: or whether you're less competent, or whether the nature of

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Speaker 2: the job has you know, sort of left you behind.

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Speaker 2: You should be allowed to keep doing.

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Speaker 1: It, and the young people should get a different job, yeah,

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Speaker 1: or make one up. It was sort of like that

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Speaker 1: movie Trouble with the Curb where Clint Eastwood was he

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Speaker 1: was a baseball scout and he was going blind. Yeah,

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Speaker 1: and other people were saying, like, you shouldn't do that

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Speaker 1: job anymore, you can't see, you can't be a baseball scout.

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Speaker 1: But he he already was a baseball Yeah, he already

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Speaker 1: was a baseball scout and he proved that. Yeah.

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Speaker 2: So so that same sort of message. But again TV

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Speaker 2: is small movies. Yeah, this is a little shorter bite

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Speaker 2: tice easier to digest. And I loved it and stick

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Speaker 2: around for the Penny jar fucking scene and.

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Speaker 1: All the let's talk about the Michael J. Forks show. Yes,

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Speaker 1: I know you had a personal relationship to that, that

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Speaker 1: you that you wanted to get out there. Yeah.

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Speaker 2: Well, I mean one thing is this show is at last.

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Speaker 1: Brave.

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Speaker 2: Yes, it's very brave, And it's showing us at Parkinson's,

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Speaker 2: which is a real it's an actual disease. It's an

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Speaker 2: actual disease. It's showing us Parkinson's for what it really is,

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Speaker 2: which is pretty funny.

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Speaker 1: Yeah, it's it's actually pretty it's it is funny, pretty funny.

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Speaker 2: And I was saying, yes, I had a personal connection

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Speaker 2: because yeah, in real life, my grandfather had Parkinson's and

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Speaker 2: came to live with us for the last few years

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Speaker 2: of his life. And I would always get home from

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Speaker 2: school first and I would sort of look after him,

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Speaker 2: and he was really deteriorating and sort of also had Alzheimer's,

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Speaker 2: and he'd be drawing these schematics. He had been an engineer,

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Speaker 2: and he would be drawing these schematics with pro tractors

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Speaker 2: and rulers for just nothing.

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Speaker 1: I mean, you look at these things. He would ask

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Speaker 1: for graft paper. You look at these things.

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Speaker 2: They don't make any you can't build Jack Squad out

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Speaker 2: of him. And I was like, this guy's a cut up,

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Speaker 2: and I thought, oh, good, a funny show about Parkinson's

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Speaker 2: This will be good. And the criticism that I've seen

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Speaker 2: levied against it is that perhaps every joke is something

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Speaker 2: Michael J. Fox has said to put people at ease

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Speaker 2: that's gotten a polite chuckle. And he thought that made it.

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Speaker 1: Because I choke, because he's getting laughs basically with everything

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Speaker 1: he says.

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Speaker 2: Well, because like he's on a bumpy car ride. Yeah,

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Speaker 2: he and he goes like it feels normal to me,

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Speaker 2: And I bet there's a point where like somebody complained

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Speaker 2: about airplane turbulence or something and he went like, uh, yeah,

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Speaker 2: I can't really tell the difference and people, ohr and uh.

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Speaker 1: He's getting a lot more laughs now than he ever

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Speaker 1: did when he was like a mainstream actor. That's right.

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Speaker 1: And so now he thinks, oh, maybe it's time to

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Speaker 1: make the transition into comedy because I'm getting funnier and

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Speaker 1: funnier as my condition worsens. Let's talk about the Goldbergs.

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Speaker 1: This was a show about the wrestler Goldberg as a kid,

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Speaker 1: when he was growing up in the eighties. Yeah, that

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Speaker 1: was very funny. It was also very real and familiar.

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Speaker 1: I thought it was well, and you see the seeds

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Speaker 1: of how Goldberg will be born, Like you see where

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Speaker 1: he's going to come from, because there's one scene where he,

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Speaker 1: you know, is going to school and he's having trouble

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Speaker 1: with his backpack and then he just body slams his

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Speaker 1: backpack into the ground, does a pile driver and sort

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Speaker 1: of flexes, and you go like, oh, they're hinting that

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Speaker 1: he will become Goldberg the wrestler. Yeah. I thought it

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Speaker 1: was an interesting choice to end the episode where Goldberg

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Speaker 1: kill everyone. It's interesting to see where they're gonna go

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Speaker 1: from there, like he gets really mad and he and

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Speaker 1: he kills everyone. Yeah.

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Speaker 2: Yes, I thought that was a neat sort of twist.

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Speaker 2: And I wonder, yeah, I wonder what's next? Stupid fun night,

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Speaker 2: stupid fun nice. Yes, Rebel Winslow mm hmm. What was

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Speaker 2: your reaction to that show? Well, I thought it was bold.

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Speaker 2: I thought it was brave, and I thought that casting

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Speaker 2: Rebel was a no brainer. But when they also decided

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Speaker 2: to make her best friend a talking dinosaur, I thought, Okay,

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Speaker 2: now I'm listening you've got my attention right, and he

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Speaker 2: wound up having some of the best lines.

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Speaker 1: Good just the same thing. It's brave to see a

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Speaker 1: dinosaur on TV. Well, because people wanna that's real life.

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Speaker 3: Yeah.

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Speaker 2: People want to act like they're never coming back. And

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Speaker 2: you can do that all you want. You know, you

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Speaker 2: can turn a blind.

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Speaker 1: Bug your ears and shut your eyes and say, well,

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Speaker 1: you know, like.

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Speaker 2: But if you want to crack a book once in

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Speaker 2: a while, you're going to see that history is cyclical.

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Speaker 2: And so if they were here before, and I think

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Speaker 2: you'll agree they were, they're coming back.

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Speaker 1: Trophy Wife was too scary, Trophy Life too scary for me.

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Speaker 1: So those are the funniest shows. We're going to be

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Speaker 1: right back we have. We're gonna talk a little about

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Speaker 1: the something called the vod Revolution. We will explain what

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Speaker 1: that is in the next segment. And we also have

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Speaker 1: a guest, Blake Anderson from Work of Hollocks, is going

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Speaker 1: to talk with us about the like his his acting

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Speaker 1: and what's next for him in the process that goes

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Speaker 1: into his show. So we're going to be right back

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Speaker 1: on Hollywood Handbook. Hollywood Handbook.

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Speaker 2: So I just turned home and I do Troy Aikman.

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Speaker 1: Karaoke is supposed to be fun, buddy, it's all everything

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Speaker 1: is a A is the super Bowl with him?

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Speaker 2: You know what I mean exactly, And that's what I said,

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Speaker 2: right he was embarrassed.

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Speaker 1: What up? What up? What up? Y'all. Welcome back to

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Speaker 1: Hollywood Handbook. This is a segment where we like to

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Speaker 1: look at sort of what's next. It's not all about

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Speaker 1: what's now on this show. Sometimes we like to look

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Speaker 1: at big changes coming in the industry, Like the technology

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Speaker 1: is always evolving, industry is evolving. You got to be

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Speaker 1: ahead of it. And we like to stay up in

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Speaker 1: these things and read the bogs and stuff. And we've

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Speaker 1: been reading about something that we think is pretty interesting

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Speaker 1: called the video on demand it's VOD for short. So

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Speaker 1: this is a segment we like to do called OMG,

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Speaker 1: It's VOD where we sort of will explain to you

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Speaker 1: kind of what it is, explain what it is, how

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Speaker 1: it works.

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Speaker 2: And I think traditionally everyone thinks of, oh, if I'm

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Speaker 2: going to see a movie, that means I buy a ticket,

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Speaker 2: I go to the theater, I you know, I sit

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Speaker 2: down in the seat, watch TV, I watch I watch

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Speaker 2: the teasers, you know, and then hopefully I stay and

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Speaker 2: I watch the movie. But they're starting to have a

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Speaker 2: technology in place where you can watch the movie in

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Speaker 2: your house. Yeah, through your TV.

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Speaker 1: Yeah, you have a TV, and you're used to just

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Speaker 1: watching TV on it.

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Speaker 2: TV's for TV, movie theaters for movies.

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Speaker 1: But imagine picking up your remote hitting the movie button. Imagine.

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Speaker 2: And we're not talking about getting thousands of dollars worth

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Speaker 2: of projection equipment like Hayes and I have in our

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Speaker 2: homes to watch movies. Yeah, just when we're screening, sure

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Speaker 2: you know our latest.

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Speaker 1: Previously, when you've watched movies in a home, it's been

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Speaker 1: like you've had to go over to your rich neighbor's

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Speaker 1: house and had him rub it in your face as

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Speaker 1: he yes.

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Speaker 2: He has all the rules, pulls the film onto the projector,

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Speaker 2: and you know you hear the clicking and clacking of

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Speaker 2: your sort of film moving. And this is none of that.

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Speaker 2: This is literally through your television. Yes, And it's also

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Speaker 2: not this is what I thought at first. It's not

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Speaker 2: a bunch of TV shows put together.

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Speaker 1: It is. It's like a whole movie, like you see

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Speaker 1: your movie theater. It's not three or four TV shows

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Speaker 1: and strung together.

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Speaker 2: And I'd like to say, why are we talking about this.

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Speaker 2: It's not happening yet. Well, no, not today and not tomorrow.

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Speaker 2: But in fifteen twenty years, I think you're going to

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Speaker 2: find that a lot of homes are going to be

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Speaker 2: using VOD once or twice a year.

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Speaker 1: And it'll change movies too. Movies now are for the

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Speaker 1: big movie houses, but like in the future, they're gonna

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Speaker 1: have to be designed to be watched in somebody's house,

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Speaker 1: so they'll have to change. They can't put a big

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Speaker 1: transformer or whatever.

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Speaker 2: They can't put a robot. That song on a little

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Speaker 2: you won't fit on that TV.

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Speaker 1: Yeah, it's gonna have to be more shows about small guys.

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Speaker 2: Yeah, it's gonna be more shows about gnomes and bugs.

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Speaker 1: Yeah.

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Speaker 2: And there'll be more bug movies, which was a hot

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Speaker 2: thing for a little while, and I think died out

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Speaker 2: because they didn't play on movie screens. You kind of

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Speaker 2: couldn't see them. But now I think we're gonna see

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Speaker 2: more of those. Now, let's talk about some of the movies.

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Speaker 2: We actually have gotten advanced copies of some of these

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Speaker 2: VOD projects, and we've gotten these special smart TVs that

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Speaker 2: you are in beta testing and This is some of

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Speaker 2: the stuff that we've been enjoying on there that you

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Speaker 2: can look forward to when you get your VOD the future.

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Speaker 1: There's a movie that I really enjoyed last night called

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Speaker 1: A Good Neighbors uh spelled neighbors spelled with b O

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Speaker 1: u r s because it's made in Canada and it's

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Speaker 1: a horror movie starring Jay Bearschell. And here's here's a

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Speaker 1: little clip that I pulled from her last night. I'm

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Speaker 1: so sorry. It's pitch black outside, You're coming home by

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Speaker 1: yourself and I.

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Speaker 3: Just sleep out.

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Speaker 1: I saw him walking outside that night. Very scary movie

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Speaker 1: from the King of Screams, Jay Bearrischell.

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Speaker 2: That sounds too scary to me, But what I do

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Speaker 2: like about it is to see him really stretch. And

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Speaker 2: even in that clip you can hear I was like,

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Speaker 2: is that really Jay? Yeah, because I'm used to seeing

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Speaker 2: him be sort of nebi yes, nebe she and apologetic

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Speaker 2: and in.

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Speaker 1: This shrinking violet milk toe type.

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Speaker 2: Yeah, and in this he's kind of a badass.

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Speaker 1: Yeah.

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Speaker 2: So I can't recommend it because too scary. But you know,

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Speaker 2: if you're a crazy person and you like that kind

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Speaker 2: of stuff, when is Hollywood gonna learn we don't want

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Speaker 2: to be scared.

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Speaker 1: That's so crazy to me.

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Speaker 2: They just keep losing money, giving these pervert freak directors

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Speaker 2: cash to make these movies. Yeah, they're designed not to

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Speaker 2: entertain but to scare.

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Speaker 1: When are some of the other movies on? Well, there's

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Speaker 1: a movie system.

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Speaker 2: The movie that I that jumped out to me as ooh,

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Speaker 2: I got to check this out was and I'm gonna

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Speaker 2: actually sing the title of this because I think it's

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Speaker 2: a very clever title.

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Speaker 1: And I think it's.

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Speaker 4: Born in the US b oh, Born in the USB,

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Speaker 4: Born in the USB, starring chow Yun Fat and Nancy

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Speaker 4: Kerrigan as too, you know, unlikely lovers who get shrunk

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Speaker 4: down and stuck inside a computer, so they get shoved

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Speaker 4: in through the USB.

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Speaker 2: Port into a computer and they have to get along.

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Speaker 2: They're bickering at the beginning and navigate because he's kind

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Speaker 2: of a pressy, you know, Italian fat, sort of a

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Speaker 2: pressy aristocratic, rich, spoiled brat. And then Nancy Kerrigan's playing

430
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Speaker 2: kind of a hippie, kind of like a wild hippie,

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Speaker 2: is like, hey man, just go with the flow man,

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Speaker 2: and he's like, I can't go with the flow. The

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Speaker 2: GD microchip is stuck in the logic board. Just almost

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Speaker 2: took my nogging off. And it's so it's fun and funny,

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Speaker 2: and it also is sort of You get very invested

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Speaker 2: in their romance and you wind up really rooting for

437
00:23:56,280 --> 00:23:58,040
Speaker 2: them to get out of the computer and wanting them

438
00:23:58,080 --> 00:24:01,919
Speaker 2: to be together. And they ultimately we don't spoiler alert

439
00:24:01,920 --> 00:24:04,240
Speaker 2: if you haven't seen it, are gonna watch it. They

440
00:24:04,400 --> 00:24:07,040
Speaker 2: don't get out of the computer, but they do have

441
00:24:07,080 --> 00:24:09,840
Speaker 2: a baby, and then you realize that's where the title

442
00:24:10,080 --> 00:24:14,359
Speaker 2: actually comes from, because that baby is born into us B.

443
00:24:15,440 --> 00:24:17,760
Speaker 1: The be's for baby.

444
00:24:18,440 --> 00:24:21,800
Speaker 2: Well, it's a USB port.

445
00:24:21,280 --> 00:24:23,359
Speaker 1: Like a United States baby.

446
00:24:24,160 --> 00:24:25,000
Speaker 2: I guess it's both.

447
00:24:26,440 --> 00:24:29,159
Speaker 1: I saw something I thought was a really nice movie.

448
00:24:31,200 --> 00:24:37,960
Speaker 1: It's called Three Pointers. David Allen Greer. He's the he's

449
00:24:38,000 --> 00:24:41,200
Speaker 1: the star point guard of the San Diego Sandman. It's

450
00:24:41,200 --> 00:24:44,520
Speaker 1: the basketball team, and he's a stud on the court,

451
00:24:44,560 --> 00:24:46,680
Speaker 1: but he's sort of a dud in the dating game

452
00:24:47,440 --> 00:24:51,639
Speaker 1: until he is dispatched to the moon Pandora on a

453
00:24:51,800 --> 00:24:55,159
Speaker 1: unique mission, and he starts to feel sort of torn

454
00:24:55,640 --> 00:25:01,000
Speaker 1: between like following his orders and protecting this new world

455
00:25:01,080 --> 00:25:03,439
Speaker 1: that he sort of is starting to feel like is

456
00:25:03,640 --> 00:25:05,800
Speaker 1: his home. Uh, and I don't want to give too

457
00:25:05,840 --> 00:25:10,160
Speaker 1: much of it away, but Danica Patrick plays the big alien.

458
00:25:12,560 --> 00:25:17,640
Speaker 1: And to see somebody like David Allen Greer, who I've

459
00:25:17,720 --> 00:25:19,760
Speaker 1: actually heard from somebody who made it did not know

460
00:25:20,080 --> 00:25:23,560
Speaker 1: that he was in this movie. Uh, go through this

461
00:25:23,680 --> 00:25:28,000
Speaker 1: experience of uh going to this new land and like

462
00:25:28,040 --> 00:25:30,120
Speaker 1: seeing it all for the first time and really jeduarly

463
00:25:30,240 --> 00:25:35,200
Speaker 1: thinking is real? Uh like that? You know it got

464
00:25:35,240 --> 00:25:38,040
Speaker 1: me honestly, I I cried a lot.

465
00:25:38,359 --> 00:25:40,200
Speaker 2: Oh yeah, you were busting up a little.

466
00:25:40,320 --> 00:25:42,679
Speaker 1: Yeah I did. I mean I did bust up in

467
00:25:42,680 --> 00:25:46,280
Speaker 1: a in a sad way, in a sad way. Yeah.

468
00:25:46,320 --> 00:25:48,440
Speaker 1: So that's OMG. It's v O d G.

469
00:25:48,560 --> 00:25:50,720
Speaker 2: It's v O D look forward to that in the future.

470
00:25:51,000 --> 00:25:53,760
Speaker 1: Yeah. Uh, we're gonna be right back. We have a

471
00:25:53,880 --> 00:25:56,960
Speaker 1: we have a great guest. Uh, Blake Henderson from Work

472
00:25:57,000 --> 00:26:01,040
Speaker 1: of Hollocks is here. He's gonna be making your questions.

473
00:26:01,080 --> 00:26:03,879
Speaker 1: He's going to talk about how he likes to relax, uh,

474
00:26:04,359 --> 00:26:06,480
Speaker 1: sort of get out of the hustle and bustle of Hollywood.

475
00:26:06,640 --> 00:26:09,800
Speaker 1: It's a really nice conversation. I think. Uh, I'm really

476
00:26:09,800 --> 00:26:12,760
Speaker 1: happy with it, and I actually found myself taking more

477
00:26:12,760 --> 00:26:15,320
Speaker 1: away from it than I thought I I would. Uh

478
00:26:15,359 --> 00:26:20,119
Speaker 1: so that's coming up very soon on Hollywood Handbook, Hollywood Handbook.

479
00:26:27,440 --> 00:26:30,920
Speaker 1: You know Bobby McFerrin, he did a he did a

480
00:26:30,960 --> 00:26:34,320
Speaker 1: good job on this. Yeah, I mean, the guy's got

481
00:26:34,320 --> 00:26:38,360
Speaker 1: a gift for sound. Didn't even and we didn't even

482
00:26:38,400 --> 00:26:40,400
Speaker 1: ask you, just like we asked him enough to do it.

483
00:26:40,400 --> 00:26:44,639
Speaker 1: Comes and Sean, what up? What up? What up?

484
00:26:44,640 --> 00:26:44,720
Speaker 3: What?

485
00:26:44,960 --> 00:26:49,879
Speaker 1: Welcome back to Hollywood Handbook. We're here with our guests. Uh,

486
00:26:49,960 --> 00:26:51,240
Speaker 1: Blake Henderson.

487
00:26:51,480 --> 00:26:52,639
Speaker 3: How are you? Uh?

488
00:26:52,960 --> 00:26:59,840
Speaker 1: From Work of Hollocks of course and other time other titles.

489
00:27:00,119 --> 00:27:01,720
Speaker 2: And we don't got to go into the whole the

490
00:27:01,760 --> 00:27:03,000
Speaker 2: list goes on and on and on.

491
00:27:03,160 --> 00:27:07,080
Speaker 1: Dune it boys, and you know this, this is an

492
00:27:07,119 --> 00:27:10,600
Speaker 1: exciting guest for us to have because Sean, you you

493
00:27:10,600 --> 00:27:12,080
Speaker 1: you have a relationship with.

494
00:27:12,440 --> 00:27:14,320
Speaker 2: Yeah, I got a personal connection to this one.

495
00:27:14,359 --> 00:27:16,320
Speaker 3: I mean I have a personal connection and basically everybody

496
00:27:16,359 --> 00:27:19,119
Speaker 3: in the Sregan town it goes beyond it looks like

497
00:27:19,640 --> 00:27:21,960
Speaker 3: it looks like a big city, feels like a small town.

498
00:27:22,320 --> 00:27:23,400
Speaker 1: A small town.

499
00:27:23,960 --> 00:27:28,840
Speaker 3: Yes, my goodness, people talk and uh but uh, Blake,

500
00:27:28,880 --> 00:27:32,399
Speaker 3: I actually probably see more than most see, more than

501
00:27:32,440 --> 00:27:35,560
Speaker 3: my freaking more than your own mom. Yeah, my more

502
00:27:35,560 --> 00:27:38,840
Speaker 3: than my mommy. He's my guy over here. M hm

503
00:27:38,680 --> 00:27:39,160
Speaker 3: h guy.

504
00:27:39,400 --> 00:27:43,720
Speaker 2: But we uh work for workaholics, so that's kind of

505
00:27:43,720 --> 00:27:48,240
Speaker 2: my my DJ right now. I'm a day job and

506
00:27:48,400 --> 00:27:50,320
Speaker 2: uh and it's more than that, you know.

507
00:27:50,480 --> 00:27:52,600
Speaker 3: Oh, it's like it's like a family almost.

508
00:27:53,000 --> 00:27:55,320
Speaker 2: It does feel like a family, and everyone has their

509
00:27:55,400 --> 00:27:57,359
Speaker 2: sort of family role.

510
00:27:57,960 --> 00:28:00,879
Speaker 1: Yeah, that's I've always wondered about speaking like an outsider

511
00:28:00,920 --> 00:28:02,480
Speaker 1: to the writer's room of that, you know, I come

512
00:28:02,480 --> 00:28:04,600
Speaker 1: in to do like adr and stuff, but like for

513
00:28:04,680 --> 00:28:07,479
Speaker 1: the from a writing perspective, I always wonder because each

514
00:28:07,520 --> 00:28:12,479
Speaker 1: writer's room has like their roles separated out. So like,

515
00:28:12,560 --> 00:28:16,480
Speaker 1: for you guys, what what does each writer do on

516
00:28:16,520 --> 00:28:17,359
Speaker 1: the on the show.

517
00:28:18,520 --> 00:28:21,040
Speaker 3: Well, you know, Sean and myself, we kind of are

518
00:28:21,119 --> 00:28:24,840
Speaker 3: the room daddies, I would call it. Yeah, we're fathers

519
00:28:24,880 --> 00:28:29,000
Speaker 3: of the room for sure. You know, it's just a

520
00:28:29,080 --> 00:28:31,840
Speaker 3: it's a it's a commanding role. I think people look

521
00:28:31,920 --> 00:28:33,280
Speaker 3: towards us for the answers.

522
00:28:33,320 --> 00:28:35,119
Speaker 1: Almost not always fun, I'm sure.

523
00:28:35,359 --> 00:28:38,120
Speaker 3: Well, you know, being a dad comes with its perks

524
00:28:38,120 --> 00:28:40,440
Speaker 3: and its setbacks. You know, you got to be able

525
00:28:40,440 --> 00:28:42,560
Speaker 3: to take the belt off and spank your babies every

526
00:28:42,600 --> 00:28:43,280
Speaker 3: once in a while.

527
00:28:43,320 --> 00:28:45,120
Speaker 1: And yeah, you know that's a fact.

528
00:28:45,200 --> 00:28:49,440
Speaker 2: Yeah, I mean, you know, you get you get first

529
00:28:49,520 --> 00:28:52,880
Speaker 2: choice on the lunch menu because you're the daddy. But

530
00:28:52,960 --> 00:28:55,800
Speaker 2: at the same time, when backs against the wall and

531
00:28:57,320 --> 00:29:01,600
Speaker 2: production needs the script yesterday, who do you think? Who

532
00:29:01,640 --> 00:29:04,320
Speaker 2: do you think has to take their belt off and

533
00:29:04,360 --> 00:29:05,160
Speaker 2: spank their babies?

534
00:29:05,280 --> 00:29:07,560
Speaker 3: That's right, that's right. And you know the other thing

535
00:29:07,560 --> 00:29:10,120
Speaker 3: that can be tough is as much as you get

536
00:29:10,160 --> 00:29:12,840
Speaker 3: in a little bit over your head, you don't ever

537
00:29:12,880 --> 00:29:15,640
Speaker 3: want to be able to You can't cry, right, you know,

538
00:29:15,720 --> 00:29:18,600
Speaker 3: whereas you know other writers in the room are shed

539
00:29:18,720 --> 00:29:21,320
Speaker 3: in tears. You kind of got to be the strong guy.

540
00:29:21,960 --> 00:29:22,200
Speaker 1: Yeah.

541
00:29:22,240 --> 00:29:24,640
Speaker 2: I think we've seen every other writer in the room

542
00:29:24,880 --> 00:29:28,640
Speaker 2: cry once a week.

543
00:29:29,320 --> 00:29:30,240
Speaker 3: Yeah, at least.

544
00:29:30,800 --> 00:29:31,080
Speaker 1: Wow.

545
00:29:31,840 --> 00:29:36,000
Speaker 2: And that's just the detention of making hit TV show.

546
00:29:37,120 --> 00:29:37,840
Speaker 3: It ain't easy.

547
00:29:37,960 --> 00:29:45,239
Speaker 1: What about story stuff? I'm sorry fanboy, Yeah, yeah.

548
00:29:43,680 --> 00:29:44,720
Speaker 3: I get this all the time.

549
00:29:44,760 --> 00:29:48,000
Speaker 1: Go ahead the story. It is a story driven show,

550
00:29:48,040 --> 00:29:51,320
Speaker 1: I think, and stuff like when like Dors get stuck

551
00:29:51,360 --> 00:29:54,840
Speaker 1: in the tub and stuff like that, Like who comes

552
00:29:54,920 --> 00:29:55,800
Speaker 1: up with that stuff?

553
00:29:57,760 --> 00:30:01,360
Speaker 3: You know, the good ones probably Sean and myself. The

554
00:30:01,400 --> 00:30:03,920
Speaker 3: bad ones. That's more of the other guys. Yeah, not

555
00:30:04,000 --> 00:30:06,240
Speaker 3: to name names, but you know Adam and Durst, Adam

556
00:30:06,280 --> 00:30:09,000
Speaker 3: and Durs. Yeah, they come up with some pretty dumb stuff.

557
00:30:09,040 --> 00:30:12,480
Speaker 1: Whereas and Dom Dircis is on the show too, right, he.

558
00:30:12,240 --> 00:30:16,840
Speaker 2: Is, right, Yeah, he technically does still work there, and

559
00:30:17,240 --> 00:30:20,040
Speaker 2: he has an interesting role that he's carved out for himself.

560
00:30:21,680 --> 00:30:27,400
Speaker 2: Primarily Uh he I guess knows Donald Glover.

561
00:30:28,360 --> 00:30:30,640
Speaker 3: Yes, Actually that's kind of why we've been I mean,

562
00:30:30,840 --> 00:30:32,960
Speaker 3: he's been on the show for how long. I think

563
00:30:32,960 --> 00:30:35,800
Speaker 3: we've kept him around about two or three seasons. I

564
00:30:35,800 --> 00:30:38,520
Speaker 3: don't know. We can try to cut him loose one

565
00:30:38,520 --> 00:30:40,800
Speaker 3: of them, but I guess he comes with Sean. They're

566
00:30:40,840 --> 00:30:43,760
Speaker 3: like a package. But yeah, he has a he has

567
00:30:43,800 --> 00:30:47,640
Speaker 3: a in with Donald Glover, the rapper. The rapper, yeah, child,

568
00:30:47,640 --> 00:30:51,560
Speaker 3: the gambino, he's something else. Uh but yeah, we're just

569
00:30:51,640 --> 00:30:53,479
Speaker 3: kind of trying to you know.

570
00:30:53,640 --> 00:30:56,360
Speaker 2: He says he can get Donald on the show, and

571
00:30:56,400 --> 00:30:59,080
Speaker 2: he said, oh, I'll talk to guest star and normally

572
00:31:00,240 --> 00:31:03,320
Speaker 2: I think twice. Now you guys have walked into a

573
00:31:03,400 --> 00:31:08,200
Speaker 2: room to fire Dom. Yes, and he will go, oh

574
00:31:08,440 --> 00:31:13,720
Speaker 2: Donald just left, hang on, I'm gonna go get him.

575
00:31:13,760 --> 00:31:14,920
Speaker 1: I didn't realize you guys.

576
00:31:14,680 --> 00:31:18,840
Speaker 2: Were coming in, and it sort of buys him another week.

577
00:31:19,120 --> 00:31:21,680
Speaker 3: Yeah, and he has these voice recordings and things of

578
00:31:21,840 --> 00:31:24,360
Speaker 3: Donald like saying he's on his way and all that,

579
00:31:24,520 --> 00:31:26,040
Speaker 3: and they sound real.

580
00:31:26,480 --> 00:31:29,960
Speaker 2: Yeah, they sound potentially like they've been spliced together from

581
00:31:30,000 --> 00:31:33,360
Speaker 2: just a series of community episodes where he's just gotten

582
00:31:33,800 --> 00:31:34,680
Speaker 2: and assembled them.

583
00:31:34,840 --> 00:31:35,080
Speaker 1: Yeah.

584
00:31:35,200 --> 00:31:38,880
Speaker 2: Yeah, but yeah, it's it's enough to.

585
00:31:38,920 --> 00:31:39,520
Speaker 1: Keep him going.

586
00:31:39,880 --> 00:31:41,720
Speaker 2: And the kid brings bagels.

587
00:31:42,280 --> 00:31:46,280
Speaker 1: He does, somebody's got to bring the bagels. How are

588
00:31:46,320 --> 00:31:48,280
Speaker 1: you gonna, you know, how are you gonna do this

589
00:31:48,360 --> 00:31:49,680
Speaker 1: show without bagels?

590
00:31:49,720 --> 00:31:52,440
Speaker 3: I don't know. I wouldn't suggest it, but in.

591
00:31:52,400 --> 00:31:55,840
Speaker 2: Terms of roles, and I actually have a question. When

592
00:31:55,880 --> 00:32:00,240
Speaker 2: you were interviewing writers for the show, how many oak

593
00:32:00,320 --> 00:32:04,040
Speaker 2: Beasts did you meet versus how many story hounds?

594
00:32:05,160 --> 00:32:09,080
Speaker 3: Well, see, that's the thing is is we kind of

595
00:32:09,120 --> 00:32:12,320
Speaker 3: got the show because we're just Adam Durz and myself.

596
00:32:12,360 --> 00:32:13,880
Speaker 1: We're we're a pack.

597
00:32:13,640 --> 00:32:16,640
Speaker 3: Of joke beasts. It's like, you know, you.

598
00:32:16,600 --> 00:32:19,440
Speaker 2: See us for that, Yeah, you see us.

599
00:32:19,360 --> 00:32:20,920
Speaker 1: Coming a mile away.

600
00:32:20,960 --> 00:32:24,000
Speaker 3: We're just a We're a rabid little pack and if

601
00:32:24,040 --> 00:32:26,840
Speaker 3: anything we can just those.

602
00:32:26,640 --> 00:32:28,959
Speaker 1: Are jokes firing back and forth.

603
00:32:29,000 --> 00:32:33,200
Speaker 3: And I think Comedy Central saw that and they said, whoa,

604
00:32:34,880 --> 00:32:37,400
Speaker 3: how do we string these together into a story. We

605
00:32:37,440 --> 00:32:39,880
Speaker 3: need a story hound, of course, and that's where we

606
00:32:40,000 --> 00:32:42,000
Speaker 3: kind of set out. And you know, we were given

607
00:32:42,080 --> 00:32:48,440
Speaker 3: our showrunner, Kevin Etton Etton and he's, uh, yeah, he's

608
00:32:48,480 --> 00:32:50,360
Speaker 3: more of a storyhound. And then you know, of course

609
00:32:50,360 --> 00:32:53,440
Speaker 3: we got our daddy Sean, and then Dom came with

610
00:32:53,560 --> 00:32:58,000
Speaker 3: him and and you know the rest is his story,

611
00:32:59,680 --> 00:33:04,280
Speaker 3: not her story. We don't make show for chicks, sorry, but.

612
00:33:04,720 --> 00:33:05,600
Speaker 1: It's Mimby's job.

613
00:33:05,640 --> 00:33:08,480
Speaker 2: We do really understand them. Yes, that's for Mimby. Mimby

614
00:33:08,520 --> 00:33:11,040
Speaker 2: makes the chick show. And then you flip back over

615
00:33:12,280 --> 00:33:14,120
Speaker 2: and you can watch Work of Pollocks and if you're.

616
00:33:14,040 --> 00:33:17,080
Speaker 3: A guy, you can get some giggles as long as

617
00:33:17,120 --> 00:33:23,720
Speaker 3: you're watching DERs right. Oh yeah, absolutely, he's on both shows.

618
00:33:23,400 --> 00:33:24,360
Speaker 1: Is he? Yeah?

619
00:33:24,840 --> 00:33:26,080
Speaker 3: Oh he used to be.

620
00:33:26,680 --> 00:33:30,280
Speaker 1: Wow. I always sort of wonder about you know, you

621
00:33:30,360 --> 00:33:32,000
Speaker 1: got to show on TV. It's a lot of work.

622
00:33:32,000 --> 00:33:34,200
Speaker 1: You have to work on it every day sucks, I

623
00:33:34,280 --> 00:33:38,600
Speaker 1: know when you get that chance to to have some

624
00:33:38,760 --> 00:33:41,160
Speaker 1: time off. How do you How do you do you

625
00:33:41,200 --> 00:33:42,880
Speaker 1: like to get out of the city. Do you like

626
00:33:43,000 --> 00:33:45,360
Speaker 1: to I do I do?

627
00:33:45,520 --> 00:33:49,880
Speaker 3: I have we all, you know, have our destination spots.

628
00:33:51,040 --> 00:33:55,600
Speaker 3: I'm a huge fan of a of a small island

629
00:33:56,400 --> 00:34:01,160
Speaker 3: right off the coast along beach Catalina, And boy, is

630
00:34:01,200 --> 00:34:02,200
Speaker 3: it a getaway.

631
00:34:03,040 --> 00:34:03,240
Speaker 1: You know.

632
00:34:03,320 --> 00:34:07,360
Speaker 3: During my time, I spent some time at CSULB. I

633
00:34:07,400 --> 00:34:11,560
Speaker 3: didn't graduate, but I did take walks from the campus

634
00:34:11,600 --> 00:34:15,120
Speaker 3: and I would just kind of look look, look out

635
00:34:15,400 --> 00:34:18,640
Speaker 3: out on the horizon, and there it was Catalina. And

636
00:34:18,680 --> 00:34:21,719
Speaker 3: I said, someday, I'm gonna make it in the in

637
00:34:21,840 --> 00:34:24,240
Speaker 3: this city, and I'm going to escape this hustle and bustle,

638
00:34:24,280 --> 00:34:26,040
Speaker 3: and I'm gonna get out there. And boy, if I

639
00:34:26,080 --> 00:34:31,160
Speaker 3: haven't been there once, and wow, wow, it is just

640
00:34:31,520 --> 00:34:32,680
Speaker 3: extreme relaxation.

641
00:34:33,320 --> 00:34:35,359
Speaker 1: What and you were saying you love the food there?

642
00:34:36,040 --> 00:34:40,400
Speaker 3: The food is great. Uh, the fish, the chips.

643
00:34:40,520 --> 00:34:42,759
Speaker 1: Wow wow wow wow wow?

644
00:34:43,400 --> 00:34:47,640
Speaker 3: They have are you you know blue bunny ice cream?

645
00:34:48,600 --> 00:34:48,759
Speaker 4: Uh?

646
00:34:48,920 --> 00:34:51,319
Speaker 2: Yeah, I've heard of it. I haven't been able to.

647
00:34:51,640 --> 00:34:55,080
Speaker 3: My goodness, it is something else. Yeah, is delicious. But

648
00:34:55,200 --> 00:34:57,680
Speaker 3: I'm telling you, it is quite an island, and it's

649
00:34:57,719 --> 00:34:59,839
Speaker 3: it is not far away from Long Beach. A lot

650
00:34:59,880 --> 00:35:03,120
Speaker 3: of us we say it's just a cumshot away, isn't it.

651
00:35:03,560 --> 00:35:05,680
Speaker 1: Oh that's a fun Yeah, that's a fun expression.

652
00:35:05,760 --> 00:35:05,920
Speaker 3: Yeah.

653
00:35:05,960 --> 00:35:07,920
Speaker 2: Well, and it paints a picture for you done of

654
00:35:07,960 --> 00:35:10,160
Speaker 2: how close it is. Yeah, not only is.

655
00:35:10,120 --> 00:35:12,160
Speaker 3: It close, but you know, you know you're gonna have

656
00:35:12,200 --> 00:35:14,799
Speaker 3: a good time out there. Oh yeah, and the boat

657
00:35:14,840 --> 00:35:18,840
Speaker 3: ride's fun too, Yeah, quite the bloody Mary.

658
00:35:19,080 --> 00:35:21,000
Speaker 2: Oh you're doing the boat again, because I know you

659
00:35:21,040 --> 00:35:21,400
Speaker 2: were doing the.

660
00:35:21,440 --> 00:35:22,480
Speaker 1: Chopper for a little while.

661
00:35:22,719 --> 00:35:25,040
Speaker 3: Yeah, you know, the chopper got to be a little

662
00:35:25,080 --> 00:35:28,120
Speaker 3: I felt pretentious. And you know, I like to be

663
00:35:28,160 --> 00:35:30,600
Speaker 3: down with the people, and I like the boat ride.

664
00:35:30,719 --> 00:35:32,560
Speaker 3: I like to take a little time to get over

665
00:35:32,560 --> 00:35:36,680
Speaker 3: there because the boat ride is part of the unwinding experience.

666
00:35:37,360 --> 00:35:38,920
Speaker 3: You know, when you're out on the waves, you go

667
00:35:38,960 --> 00:35:40,680
Speaker 3: on the back of the bow, you look out there

668
00:35:40,680 --> 00:35:44,360
Speaker 3: and you're like, wow, this I think is part of

669
00:35:44,400 --> 00:35:46,319
Speaker 3: our ocean m you know.

670
00:35:46,600 --> 00:35:48,520
Speaker 2: And it lets you prep because I think it's a

671
00:35:48,520 --> 00:35:51,440
Speaker 2: culture shock to take the helicopter a little bit. The

672
00:35:51,480 --> 00:35:53,839
Speaker 2: second you step off, you go, okay, people are too

673
00:35:53,880 --> 00:35:54,719
Speaker 2: relaxed around here.

674
00:35:54,760 --> 00:35:56,960
Speaker 1: I'm not used to this, right, I'm.

675
00:35:56,880 --> 00:36:00,680
Speaker 3: Jumping right out of the the fucking zoo that is

676
00:36:01,440 --> 00:36:04,880
Speaker 3: Long Beach and hopping right into you know, a Jimmy

677
00:36:04,920 --> 00:36:07,319
Speaker 3: Buffett song, and it can be a it can be

678
00:36:07,360 --> 00:36:08,520
Speaker 3: a culture shop, for sure.

679
00:36:08,600 --> 00:36:10,400
Speaker 1: What do you do about my issue. Sometimes I like

680
00:36:10,440 --> 00:36:12,480
Speaker 1: to go up to wine Country when I get that

681
00:36:12,840 --> 00:36:16,160
Speaker 1: time off, But I find sometimes like I've just gotten

682
00:36:16,200 --> 00:36:19,520
Speaker 1: there and I'm picking that first grape, getting ready to

683
00:36:19,520 --> 00:36:22,520
Speaker 1: settle into my vacation, and just as it's about to

684
00:36:22,600 --> 00:36:24,040
Speaker 1: hit my lips, I hear that.

685
00:36:27,360 --> 00:36:29,239
Speaker 2: You know that sound? Okay, you know what that is.

686
00:36:29,400 --> 00:36:30,560
Speaker 2: It sounds like your agent.

687
00:36:32,200 --> 00:36:38,279
Speaker 1: H emergency direct the hobbit like stuff like that. And

688
00:36:39,880 --> 00:36:41,359
Speaker 1: it feels like, as soon as I'm there, I'm on

689
00:36:41,400 --> 00:36:43,200
Speaker 1: my on my way back. What do you do about?

690
00:36:43,239 --> 00:36:44,240
Speaker 1: What do you do with your phone?

691
00:36:44,280 --> 00:36:51,880
Speaker 3: I guess the phone stays home, okow, the laptop doesn't, okay.

692
00:36:52,000 --> 00:36:56,520
Speaker 3: And that's where we have technology now where I can

693
00:36:57,440 --> 00:37:03,040
Speaker 3: direct command my soldiers from a skype situation.

694
00:37:03,280 --> 00:37:05,359
Speaker 1: Yeah, people are doing that more and more of these days.

695
00:37:05,400 --> 00:37:06,200
Speaker 1: I've heard about that.

696
00:37:06,360 --> 00:37:10,240
Speaker 3: Yeah, I heard that the Who's the Gentleman? Wes Anderson

697
00:37:10,480 --> 00:37:13,680
Speaker 3: directed that whole Little Fox movie from a laptop, And

698
00:37:13,719 --> 00:37:16,560
Speaker 3: I'm like, well, I think I could do that with workaholics.

699
00:37:16,600 --> 00:37:20,080
Speaker 3: And you just train your workers to respect the screen,

700
00:37:20,680 --> 00:37:23,279
Speaker 3: you know, just you have carved out times once a

701
00:37:23,320 --> 00:37:25,480
Speaker 3: day you're gonna go and hit it. And I do

702
00:37:25,520 --> 00:37:26,360
Speaker 3: the same thing. You guys.

703
00:37:26,400 --> 00:37:28,719
Speaker 2: Know, when I have a chance to get away, I

704
00:37:28,880 --> 00:37:30,799
Speaker 2: go to Alta Dina.

705
00:37:31,080 --> 00:37:32,560
Speaker 3: Of course, it's gorgeous.

706
00:37:32,680 --> 00:37:36,799
Speaker 2: Yeah, where just I can can just shut it all

707
00:37:36,840 --> 00:37:40,840
Speaker 2: off and just pretend that I'm not you know, pretend

708
00:37:40,920 --> 00:37:45,320
Speaker 2: that I'm not being relied upon, right, you know that

709
00:37:46,840 --> 00:37:50,799
Speaker 2: hundreds of people's jobs isn't dependent upon me showing up

710
00:37:50,800 --> 00:37:53,399
Speaker 2: and delivering every gd day.

711
00:37:53,880 --> 00:37:55,160
Speaker 3: And that fun to pretend.

712
00:37:56,160 --> 00:38:00,520
Speaker 2: Yeah, yeah, it's a nice little fantasy, nowhere near the truth.

713
00:38:00,600 --> 00:38:04,920
Speaker 1: But yeah, let's should we reach back into the in

714
00:38:04,960 --> 00:38:06,920
Speaker 1: the popcorn gallery for I'd love to reach into the

715
00:38:06,920 --> 00:38:08,000
Speaker 1: pop That sounds like fun.

716
00:38:08,080 --> 00:38:09,319
Speaker 2: I'm actually a big fan of this.

717
00:38:09,600 --> 00:38:13,720
Speaker 1: Okay, Yeah, this is our segment where we take questions

718
00:38:13,719 --> 00:38:16,240
Speaker 1: from our listeners and we ask we ask.

719
00:38:16,160 --> 00:38:17,880
Speaker 3: Our guests, and you know, that's part of the reasons

720
00:38:17,920 --> 00:38:20,360
Speaker 3: I love your guys show is you are so open

721
00:38:20,440 --> 00:38:23,080
Speaker 3: to you know, reaching out to the fans and listening

722
00:38:23,080 --> 00:38:26,239
Speaker 3: to them. It's very it's very fresh, it's very new.

723
00:38:26,280 --> 00:38:27,160
Speaker 3: It's it's cool.

724
00:38:27,160 --> 00:38:29,520
Speaker 1: We're the fans, buddy, all right, save it, you know,

725
00:38:29,880 --> 00:38:33,840
Speaker 1: let us do that absolutely, so let's reach into the

726
00:38:33,880 --> 00:38:40,120
Speaker 1: popcorn bag. Okay, another question, This is actually the same

727
00:38:40,200 --> 00:38:41,759
Speaker 1: question from from last week.

728
00:38:41,840 --> 00:38:43,920
Speaker 2: We didn't get a lot of questions from the Popcorn

729
00:38:44,000 --> 00:38:46,600
Speaker 2: Gallery this week, and that's okay because we had such

730
00:38:46,600 --> 00:38:48,560
Speaker 2: a good one last week that I think we might

731
00:38:48,600 --> 00:38:52,440
Speaker 2: just use it from now on. And so this question

732
00:38:52,560 --> 00:38:56,320
Speaker 2: comes again from bird Rules and he wants to know, like,

733
00:38:56,960 --> 00:38:59,720
Speaker 2: how do you get into the funny zone?

734
00:39:00,040 --> 00:39:07,120
Speaker 3: Hmm wow, uh hmm, that's a great question. Uh. You know,

735
00:39:07,320 --> 00:39:11,399
Speaker 3: I and I don't know if this is every every

736
00:39:11,440 --> 00:39:14,759
Speaker 3: comedian is not this way, but I know for me,

737
00:39:15,200 --> 00:39:19,799
Speaker 3: I never leave it. Okay. The whole thing is I

738
00:39:19,840 --> 00:39:24,640
Speaker 3: don't want to ever not be on my toes. Okay.

739
00:39:24,680 --> 00:39:27,279
Speaker 3: I'm always ready to be joking. I always was that

740
00:39:27,360 --> 00:39:29,640
Speaker 3: for my family growing up. I was the guy you

741
00:39:29,719 --> 00:39:31,920
Speaker 3: look towards for a little relief. You know.

742
00:39:32,600 --> 00:39:36,000
Speaker 1: That's interesting to hear because I sometimes find like if

743
00:39:36,040 --> 00:39:39,760
Speaker 1: I stay too long in the funny zone, I start

744
00:39:39,800 --> 00:39:42,319
Speaker 1: to things start getting a little hairy, you know what

745
00:39:42,360 --> 00:39:42,680
Speaker 1: I mean?

746
00:39:43,640 --> 00:39:48,040
Speaker 2: Hey, speaking of hair, Clake has a usual hair.

747
00:39:48,320 --> 00:39:52,160
Speaker 3: Yeah, yeah, google Google image that You're gonna get a

748
00:39:52,239 --> 00:39:54,279
Speaker 3: kick out of it if you're unaware of what I

749
00:39:54,320 --> 00:39:54,719
Speaker 3: look like.

750
00:39:56,040 --> 00:39:59,680
Speaker 2: But yeah, so would you say that you suffer it

751
00:39:59,719 --> 00:40:02,040
Speaker 2: all for being in the funny zone too long? Or

752
00:40:02,800 --> 00:40:05,120
Speaker 2: do you need to Are you sort of throwing yourself

753
00:40:05,200 --> 00:40:07,439
Speaker 2: up against the walls of the funny zone sometimes trying

754
00:40:07,480 --> 00:40:09,879
Speaker 2: to go I need a break, you know.

755
00:40:10,000 --> 00:40:12,799
Speaker 1: Because tapping a tin cup on.

756
00:40:12,800 --> 00:40:15,959
Speaker 2: The Somebody at home, maybe they get to turn work

757
00:40:15,960 --> 00:40:19,000
Speaker 2: of holocks off after half an hour, But for you,

758
00:40:19,520 --> 00:40:23,600
Speaker 2: it keeps playing in your head all day, it does,

759
00:40:23,680 --> 00:40:25,600
Speaker 2: and it does get tiresome.

760
00:40:27,000 --> 00:40:30,040
Speaker 3: I find that I can't enjoy you know, serious movies

761
00:40:30,280 --> 00:40:32,719
Speaker 3: or you know, books or anything like that if I'm

762
00:40:32,719 --> 00:40:36,000
Speaker 3: not if I'm not giggling, you know, it's just it's

763
00:40:36,040 --> 00:40:39,799
Speaker 3: tough to be that guy all the time, right, you know.

764
00:40:39,960 --> 00:40:43,040
Speaker 3: And that's kind of why when I go to Catalina,

765
00:40:44,239 --> 00:40:47,160
Speaker 3: you know, to bring it back to there, the people

766
00:40:47,200 --> 00:40:50,000
Speaker 3: aren't aren't hey what what, let me hear a joke?

767
00:40:50,239 --> 00:40:53,160
Speaker 3: They respect you out there, you know. Everybody's there for

768
00:40:53,200 --> 00:40:57,520
Speaker 3: the same reason. To drive around in golf courts, to

769
00:40:57,640 --> 00:41:01,839
Speaker 3: drive around in golf carts. I said, courts, Hey, well

770
00:41:02,080 --> 00:41:08,480
Speaker 3: you were taking the tennis courts. I wasn't, but just

771
00:41:08,520 --> 00:41:12,239
Speaker 3: to drive around and golf carts absorb the air and

772
00:41:12,520 --> 00:41:15,960
Speaker 3: just you know, let's turn our funny buttons off. You know.

773
00:41:16,120 --> 00:41:19,480
Speaker 1: Does it affect your relationships at all, sometimes being the

774
00:41:19,520 --> 00:41:22,560
Speaker 1: funnies one that much. You don't have to talk about

775
00:41:22,560 --> 00:41:23,239
Speaker 1: this if you don't want to.

776
00:41:23,239 --> 00:41:25,080
Speaker 3: By the way, the week, No, I'm an I'm an

777
00:41:25,120 --> 00:41:28,840
Speaker 3: open book and I'm willing to talk about anything. But yeah,

778
00:41:28,880 --> 00:41:31,880
Speaker 3: initially I was losing a lot of relationships to the

779
00:41:31,920 --> 00:41:34,640
Speaker 3: fact of you know, it came down to this. A

780
00:41:34,640 --> 00:41:38,280
Speaker 3: lot of nights, me saying I'm joking, I'm joking.

781
00:41:38,400 --> 00:41:39,120
Speaker 1: It's a joke.

782
00:41:39,360 --> 00:41:43,520
Speaker 3: It's a joke, you idiot, and then them crying, crying, crying, crying,

783
00:41:43,520 --> 00:41:47,919
Speaker 3: and it's like I'm joking at all times. Never take

784
00:41:47,960 --> 00:41:50,880
Speaker 3: what I say seriously unless I say, like, you know,

785
00:41:51,400 --> 00:41:53,879
Speaker 3: there's obvious things. If I'm telling you I love you,

786
00:41:54,239 --> 00:41:56,600
Speaker 3: it's probably not a bit okay.

787
00:41:56,360 --> 00:41:58,520
Speaker 1: Unless it would be funny for you to love this

788
00:41:58,560 --> 00:41:59,440
Speaker 1: particular person.

789
00:42:00,040 --> 00:42:03,600
Speaker 3: It's funny, then yes, I don't actually love you. It's

790
00:42:03,600 --> 00:42:04,360
Speaker 3: a joke.

791
00:42:04,200 --> 00:42:07,880
Speaker 2: Love Then he's being funny and he's so easy to

792
00:42:07,920 --> 00:42:10,520
Speaker 2: see the difference if you just have a brain in

793
00:42:10,520 --> 00:42:12,880
Speaker 2: your head, and then here's the second step.

794
00:42:12,920 --> 00:42:14,279
Speaker 1: You got to use it right.

795
00:42:14,560 --> 00:42:17,400
Speaker 3: But if I'm there and you're dating me and I

796
00:42:17,480 --> 00:42:20,520
Speaker 3: start making fun of your sloppy titties, it's a joke.

797
00:42:21,200 --> 00:42:23,480
Speaker 3: It's to make us both laugh at each other.

798
00:42:23,640 --> 00:42:25,080
Speaker 2: Yeah, why don't you enjoy that?

799
00:42:25,239 --> 00:42:25,439
Speaker 1: Yeah?

800
00:42:25,480 --> 00:42:29,640
Speaker 3: You know, yeah, your food tastes like shit. I'm joking. Sure,

801
00:42:29,920 --> 00:42:32,600
Speaker 3: there's truth in all comedy, but there's.

802
00:42:32,360 --> 00:42:34,400
Speaker 1: Gotta be a kernel of truth. Yes, Why would you

803
00:42:34,440 --> 00:42:38,239
Speaker 1: be saying it is like shit if it were really good? Right?

804
00:42:38,960 --> 00:42:40,040
Speaker 1: That's what's funny about it.

805
00:42:40,080 --> 00:42:42,600
Speaker 3: It's something about it made me think, well, this tastes

806
00:42:42,640 --> 00:42:42,919
Speaker 3: like shit.

807
00:42:43,200 --> 00:42:46,960
Speaker 2: But I'm just joking, right, And she knows it's not

808
00:42:47,080 --> 00:42:48,480
Speaker 2: good food, right?

809
00:42:48,680 --> 00:42:51,120
Speaker 3: And why'd you start dating me if you weren't ready

810
00:42:51,160 --> 00:42:56,440
Speaker 3: to fucking laugh your ass off twenty four seven baby,

811
00:42:56,960 --> 00:43:00,880
Speaker 3: and to get your world rocked, world famous.

812
00:43:02,000 --> 00:43:02,360
Speaker 1: Hard on?

813
00:43:04,480 --> 00:43:07,000
Speaker 3: And that's what I tell him, I say, that's usually

814
00:43:07,040 --> 00:43:11,439
Speaker 3: my my introduction line, pard on the hard on, Come

815
00:43:11,480 --> 00:43:14,960
Speaker 3: and get it right, you fellas.

816
00:43:15,000 --> 00:43:18,200
Speaker 2: No, I have heard you say that.

817
00:43:18,480 --> 00:43:21,680
Speaker 3: Yeah, yeah, And usually if you hear it, you're getting it.

818
00:43:22,680 --> 00:43:24,120
Speaker 3: I don't take no for an answer.

819
00:43:26,040 --> 00:43:28,960
Speaker 2: That's a great that's a great lesson for but for

820
00:43:29,040 --> 00:43:31,400
Speaker 2: our listeners that you shouldn't. You shouldn't be willing to

821
00:43:31,400 --> 00:43:34,200
Speaker 2: take no for an answer. Now I had another.

822
00:43:33,960 --> 00:43:35,759
Speaker 3: How do you think I got what I got? I

823
00:43:35,800 --> 00:43:37,040
Speaker 3: didn't take no for an answer.

824
00:43:37,280 --> 00:43:39,759
Speaker 2: Well, yeah, if the freaking door was locked, you went

825
00:43:39,800 --> 00:43:42,719
Speaker 2: and through the window, thank you. And that's and that's

826
00:43:42,800 --> 00:43:47,960
Speaker 2: just that. And and I had another question about what

827
00:43:48,560 --> 00:43:51,239
Speaker 2: sort of inspires you because I know a lot of

828
00:43:51,400 --> 00:43:55,280
Speaker 2: I know you've talked a lot about in the room. Uh,

829
00:43:55,800 --> 00:43:59,080
Speaker 2: sorry to bring this up, but sort of ladder day,

830
00:43:59,200 --> 00:44:05,920
Speaker 2: Tim Allen sure projects sure being your ideal?

831
00:44:06,400 --> 00:44:13,080
Speaker 3: Yes, yes, I think just following his career path is

832
00:44:14,200 --> 00:44:16,719
Speaker 3: one of the wisest choices you can make. I mean,

833
00:44:16,840 --> 00:44:21,960
Speaker 3: look at the guy. He started as stand up comedian, right,

834
00:44:22,440 --> 00:44:25,080
Speaker 3: so you know you've got your core fans, you're always

835
00:44:25,120 --> 00:44:28,680
Speaker 3: gonna have that. And then you know, he took the

836
00:44:28,760 --> 00:44:31,560
Speaker 3: role of what he was, a bad boy, and then

837
00:44:31,600 --> 00:44:34,800
Speaker 3: you throw him in the role of a dad. Okay,

838
00:44:34,960 --> 00:44:39,120
Speaker 3: I'm already watching, you know, I'm already interested. How's this

839
00:44:39,120 --> 00:44:41,600
Speaker 3: guy going to be a dad? Turns out he's pretty

840
00:44:41,600 --> 00:44:44,319
Speaker 3: good at it. Yeah, any and you start to love

841
00:44:44,360 --> 00:44:48,960
Speaker 3: this guy. Next thing he gets Santa Claus. What come on,

842
00:44:49,200 --> 00:44:51,440
Speaker 3: You've gone from a bad boy to a dad to

843
00:44:51,600 --> 00:44:56,239
Speaker 3: Santa Well, okay, now I'm really interested. How is the

844
00:44:56,280 --> 00:45:00,799
Speaker 3: most lovable character in all of American society gonna be

845
00:45:00,840 --> 00:45:03,600
Speaker 3: basically this bad boy and you're laughing all the way,

846
00:45:03,680 --> 00:45:06,400
Speaker 3: you know, and you're laughing all the way all the

847
00:45:06,400 --> 00:45:09,000
Speaker 3: way to the bank too. My goodness. The man is

848
00:45:09,040 --> 00:45:12,080
Speaker 3: probably rich as all get out. And I've never met him,

849
00:45:12,120 --> 00:45:14,120
Speaker 3: but I bet he'd like me.

850
00:45:15,640 --> 00:45:20,560
Speaker 1: I can hear the scoop troop, uh like drooling over

851
00:45:20,760 --> 00:45:23,799
Speaker 1: over some some hot scoops. Yeah, they do.

852
00:45:24,000 --> 00:45:28,000
Speaker 2: We always like to plug the projects that are maybe

853
00:45:28,000 --> 00:45:29,080
Speaker 2: not the mainstream products.

854
00:45:29,120 --> 00:45:29,400
Speaker 1: We all know.

855
00:45:29,480 --> 00:45:31,080
Speaker 2: Work of Hawk is gonna come back, that's gonna be

856
00:45:31,160 --> 00:45:37,280
Speaker 2: in January whatever, m okay, And and what I think

857
00:45:37,360 --> 00:45:40,120
Speaker 2: we really want to know is what else you got

858
00:45:40,160 --> 00:45:41,960
Speaker 2: on your on your plate there?

859
00:45:42,480 --> 00:45:42,719
Speaker 1: Boy?

860
00:45:43,520 --> 00:45:45,440
Speaker 3: Well some things in development.

861
00:45:46,080 --> 00:45:47,080
Speaker 1: Uh.

862
00:45:47,400 --> 00:45:50,120
Speaker 3: I've been going out a lot to comedy shows. I'm

863
00:45:50,160 --> 00:45:52,800
Speaker 3: not getting on stage, but I've had my eyes open

864
00:45:53,080 --> 00:45:55,719
Speaker 3: and and I'm watching these shows. There's a lot of

865
00:45:55,800 --> 00:46:01,600
Speaker 3: college theme ones. There's African American nights. But what I'm

866
00:46:01,680 --> 00:46:03,560
Speaker 3: what I'm seeing is lacking. And what I think I

867
00:46:03,640 --> 00:46:08,840
Speaker 3: bring to table the table, uh, is is that that

868
00:46:09,200 --> 00:46:13,120
Speaker 3: X Games factor? Okay? And I'm like, oh, you know

869
00:46:13,400 --> 00:46:17,360
Speaker 3: maybe and I have the goofy here okay for a reason.

870
00:46:18,320 --> 00:46:22,879
Speaker 3: What about and hear me out nar Dogs of Comedy tour.

871
00:46:24,040 --> 00:46:28,000
Speaker 2: Okay, I think I think I've heard you talking to

872
00:46:28,080 --> 00:46:32,160
Speaker 2: your manager about this before the original nar Dogs of Comedy.

873
00:46:32,280 --> 00:46:34,000
Speaker 3: Yes, yes, yes you've heard right.

874
00:46:34,120 --> 00:46:35,680
Speaker 1: I can see it working, but I think it would

875
00:46:35,719 --> 00:46:37,800
Speaker 1: depend obviously on who you get.

876
00:46:37,719 --> 00:46:40,000
Speaker 3: Of course, of course, and I've I've reached out to

877
00:46:40,040 --> 00:46:42,600
Speaker 3: a few people. I mean, I definitely want to get

878
00:46:42,640 --> 00:46:46,520
Speaker 3: Sean White in there. Uh, the X Gamer not necessary.

879
00:46:46,520 --> 00:46:48,640
Speaker 3: He can do comedy if he wants. He can also

880
00:46:48,800 --> 00:46:52,279
Speaker 3: just kind of tell stories of his experiences on the road.

881
00:46:52,360 --> 00:46:54,040
Speaker 3: I tell him, as long as you have a story,

882
00:46:54,160 --> 00:46:56,600
Speaker 3: you've got a routine. You know, it doesn't have to

883
00:46:56,640 --> 00:46:59,319
Speaker 3: be knock knock jokes up there. Just I'm sure your

884
00:46:59,320 --> 00:47:01,440
Speaker 3: life is funny. Just talk about it, Nita.

885
00:47:01,520 --> 00:47:03,319
Speaker 2: And he doesn't have to write his stuff because if

886
00:47:03,360 --> 00:47:05,560
Speaker 2: you sort of put him on a snowboard on wheels,

887
00:47:05,680 --> 00:47:08,320
Speaker 2: so you have him roll out and like be puffing

888
00:47:08,400 --> 00:47:09,960
Speaker 2: a little reefer and.

889
00:47:09,920 --> 00:47:13,080
Speaker 1: The bafe and not like the reals's like you know, no,

890
00:47:13,239 --> 00:47:16,120
Speaker 1: actually not actually doing it, candy cigarette, but have him

891
00:47:16,160 --> 00:47:19,040
Speaker 1: going like this is reefer and then somebody comes in

892
00:47:19,160 --> 00:47:21,800
Speaker 1: like snatches his gold medal off or whatever.

893
00:47:21,960 --> 00:47:25,719
Speaker 2: He goes, hey, whoops, wait a minute, it's like that

894
00:47:25,880 --> 00:47:29,879
Speaker 2: is enough. Yeah, even just that would be enough. Yeah,

895
00:47:29,880 --> 00:47:30,680
Speaker 2: that's pretty gnar.

896
00:47:31,800 --> 00:47:34,440
Speaker 3: Also, I've been you know, I've reached out a couple

897
00:47:34,440 --> 00:47:37,719
Speaker 3: of the jackass dudes. Of course, natural fit party boy

898
00:47:37,800 --> 00:47:40,680
Speaker 3: Chris Pontius, I believe is how you pronounce his last name.

899
00:47:41,840 --> 00:47:43,879
Speaker 3: I'm not sure how to spell it, but that's I'm

900
00:47:43,920 --> 00:47:46,400
Speaker 3: pretty sure how you say it. Very funny. I'd love

901
00:47:46,400 --> 00:47:49,920
Speaker 3: to get him. I can talk to I like Preston Lacy.

902
00:47:50,480 --> 00:47:53,279
Speaker 3: Oh yeah, yeah, talk to him. He's the heavyweight gentlemen. Yeah,

903
00:47:53,320 --> 00:47:55,480
Speaker 3: he's very funny, very very funny. I love to watch

904
00:47:55,520 --> 00:47:59,120
Speaker 3: him run and wear underwear and stuff. That's always a

905
00:47:59,160 --> 00:48:02,400
Speaker 3: good time. And uh, yeah, no, I've been talking to

906
00:48:02,440 --> 00:48:05,480
Speaker 3: all sorts of Nick Schwartzen. I would love to have

907
00:48:05,600 --> 00:48:08,279
Speaker 3: him on there. The college kids just eat him up,

908
00:48:08,400 --> 00:48:11,480
Speaker 3: don't they. Pretty nar Yeah, he's an ur dude, He's

909
00:48:11,520 --> 00:48:13,319
Speaker 3: an our dude. I've spent time with him and he's

910
00:48:13,400 --> 00:48:14,640
Speaker 3: quite quite the nar guy.

911
00:48:15,200 --> 00:48:18,359
Speaker 2: Uh does he ever go into Bucky Larson around you?

912
00:48:18,840 --> 00:48:21,640
Speaker 3: He doesn't, And I ask him, and I asked him

913
00:48:21,680 --> 00:48:23,200
Speaker 3: and I beg for it, but he does not.

914
00:48:24,760 --> 00:48:27,440
Speaker 2: Well that's how you that's that's how you keep him

915
00:48:27,480 --> 00:48:30,279
Speaker 2: paying for it. Yeah, is the good stuff you got

916
00:48:30,280 --> 00:48:33,480
Speaker 2: to pay to see? Yeah, definitely you've got to get Yeah.

917
00:48:33,719 --> 00:48:36,680
Speaker 2: I mean, nobody wants to just be doing anything for

918
00:48:36,760 --> 00:48:39,360
Speaker 2: free in this town anymore. I remember when it wasn't

919
00:48:39,400 --> 00:48:40,480
Speaker 2: like that, but it is now.

920
00:48:41,440 --> 00:48:43,200
Speaker 3: Yeah, and I think it's good. I think it's good

921
00:48:43,239 --> 00:48:46,000
Speaker 3: for the makes good for the industry, makes more sense.

922
00:48:46,000 --> 00:48:49,359
Speaker 3: I get some value on it. Sure, otherwise everything's just

923
00:48:49,400 --> 00:48:54,839
Speaker 3: fucking bullshit. Oh absolutely, Internet bullshit, free internet bullshit. I'm

924
00:48:54,880 --> 00:48:57,760
Speaker 3: done with it. Give me the paychecks. I worked hard

925
00:48:57,800 --> 00:49:01,000
Speaker 3: for this. I was making the YouTube video for upwards

926
00:49:01,000 --> 00:49:03,799
Speaker 3: of two years, and I'm cashing out.

927
00:49:03,840 --> 00:49:05,440
Speaker 1: And people got to put in that kind of work.

928
00:49:05,560 --> 00:49:07,560
Speaker 1: Kids out there who've only been making YouTube videos for

929
00:49:07,600 --> 00:49:11,200
Speaker 1: a month or two, be patient. It might take two years.

930
00:49:11,600 --> 00:49:14,160
Speaker 3: Yeah, all of a sudden, everybody thinks they're Fred Friggle

931
00:49:14,280 --> 00:49:15,240
Speaker 3: Rock or whatever.

932
00:49:15,320 --> 00:49:17,080
Speaker 1: You know, it must have been time. You're watching all

933
00:49:17,120 --> 00:49:21,839
Speaker 1: your other YouTube friends just get scooped up one by one.

934
00:49:22,400 --> 00:49:24,680
Speaker 1: While you're still working away on these things, you're thinking,

935
00:49:24,719 --> 00:49:26,080
Speaker 1: is it ever gonna happen? Sure?

936
00:49:26,480 --> 00:49:29,080
Speaker 3: Which brings us back to Dom and Donald and we're like,

937
00:49:29,200 --> 00:49:34,080
Speaker 3: excuse me, hello, there's mail order comedy over here. We

938
00:49:34,160 --> 00:49:40,840
Speaker 3: appreciate what Derek's doing, but come on, we've got the wizards. Fuck,

939
00:49:42,520 --> 00:49:46,040
Speaker 3: what do we need? What else can we do?

940
00:49:46,600 --> 00:49:48,680
Speaker 1: And ultimately you didn't have to do anything else.

941
00:49:49,040 --> 00:49:54,120
Speaker 3: We didn't, luckily, you know, just got lucky. You know, oh,

942
00:49:54,360 --> 00:49:56,439
Speaker 3: didn't really do anything together. What we got.

943
00:49:56,719 --> 00:50:02,279
Speaker 1: I always like to say, look is just a four

944
00:50:02,360 --> 00:50:02,919
Speaker 1: letter word.

945
00:50:03,560 --> 00:50:06,120
Speaker 3: Yeah, sure is, amongst other things.

946
00:50:06,360 --> 00:50:07,680
Speaker 1: It's a cliche for a reason.

947
00:50:08,440 --> 00:50:08,840
Speaker 3: Sure is.

948
00:50:08,920 --> 00:50:12,680
Speaker 1: Yeah. Well, Blake, thanks so much for coming. We know

949
00:50:12,719 --> 00:50:16,920
Speaker 1: you're busy, and really we really appreciate you coming out.

950
00:50:17,000 --> 00:50:18,920
Speaker 2: You're running off to do an appearance right after this.

951
00:50:19,640 --> 00:50:19,879
Speaker 1: Yeah.

952
00:50:20,080 --> 00:50:22,680
Speaker 3: Me, but music, I'm like doing a little DJ set

953
00:50:22,719 --> 00:50:26,480
Speaker 3: I think or something probably you know, figure it out

954
00:50:26,480 --> 00:50:28,360
Speaker 3: when you get there, right, I mean that's kind of

955
00:50:28,400 --> 00:50:30,600
Speaker 3: my thing. That's how I came into this. See to

956
00:50:30,640 --> 00:50:35,359
Speaker 3: your pants, Yeah, you know, anything that I get wound up,

957
00:50:35,400 --> 00:50:37,239
Speaker 3: you know where I go to chill out.

958
00:50:38,440 --> 00:50:46,680
Speaker 1: Catalina baby, Thank you guys for listening on it. Subscribe

959
00:50:46,680 --> 00:50:49,319
Speaker 1: to our proversion What do we have? What are our

960
00:50:49,640 --> 00:50:51,680
Speaker 1: proversion features this week? Oh?

961
00:50:52,040 --> 00:50:55,239
Speaker 2: If you subscribe to the pro Version this week, you

962
00:50:55,360 --> 00:51:01,640
Speaker 2: get a special set of Hayes and Shawn Boudoac just

963
00:51:01,840 --> 00:51:07,359
Speaker 2: the two of us in various seductive poses and yeah,

964
00:51:07,520 --> 00:51:09,160
Speaker 2: Bearskin rugs the whole nine.

965
00:51:09,320 --> 00:51:13,719
Speaker 1: Tasteful, but like not really tasteful that you can't get

966
00:51:14,040 --> 00:51:19,680
Speaker 1: get off on it. And also, I believe that we

967
00:51:19,760 --> 00:51:20,480
Speaker 1: will send.

968
00:51:20,280 --> 00:51:26,399
Speaker 2: You a free bottle of Tayava unsweetened iced tea if

969
00:51:26,400 --> 00:51:31,120
Speaker 2: you subscribe to the proversion the bottle, Yes, one bottle,

970
00:51:31,120 --> 00:51:33,960
Speaker 2: we will have drank it. Yeah, and then you get

971
00:51:33,960 --> 00:51:39,480
Speaker 2: the bottle, right, so please do subscribe and nervously kind

972
00:51:39,480 --> 00:51:42,080
Speaker 2: of torn the label off while we yeah, we'll be

973
00:51:42,400 --> 00:51:44,040
Speaker 2: thumbing at it and sort of had the label off,

974
00:51:44,080 --> 00:51:45,919
Speaker 2: so just trust us. It is Tayaba, but it's gonna

975
00:51:45,920 --> 00:51:49,680
Speaker 2: basically just look like a bottle and uh, and we

976
00:51:49,800 --> 00:51:51,600
Speaker 2: wash it out so you can't really smell the iced tea.

977
00:51:52,640 --> 00:51:55,560
Speaker 2: But anyway, it just doesn't cost enough to listen.

978
00:51:55,320 --> 00:52:02,200
Speaker 3: To us, so please do subscribe to that and bye bye.

979
00:52:05,440 --> 00:52:07,040
Speaker 1: This has been an Earwolf Media production.

980
00:52:07,280 --> 00:52:10,320
Speaker 2: Executive producers Jeff Ulrick and Scott Ackerman. For more information,

981
00:52:10,440 --> 00:52:21,000
Speaker 2: visit earwolf dot com.

982
00:52:16,160 --> 00:52:26,840
Speaker 1: Ear Warf Radio Boom dot com, The Worf Dead