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Speaker 1: It's time for the Bobby Bones post show. Here's your host,

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Speaker 1: Bobby Bones. So Young Sheldon is ending this week. I

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Speaker 1: don't know that I've ever seen an episode of Young Sheldon,

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Speaker 1: but I saw a picture of Old Sheldon Jim Parsons

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Speaker 1: with Young Sheldon season one and Young Sheldon when it's ending,

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Speaker 1: and it's like a grown kid to adult. It's crazy,

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Speaker 1: it's funny, and it kind of it's not a real

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Speaker 1: good show. No it is. It is real, and the

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Speaker 1: kid's real. It's the same kid just played as the

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Speaker 1: whole time. Yeah, but you mean old Sheldon Jim Parsons. Yeah,

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Speaker 1: the player who the person who played Yes, And he's

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Speaker 1: with a picture of the kid when the show started

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Speaker 1: Young Sheldon, and a picture with the kid when the

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Speaker 1: show ended Young Sheldon. And that kid is what Mike?

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Speaker 1: How many seasons? Seven seasons? And he looks like a

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Speaker 1: full adult now fifteen?

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Speaker 2: Oh he's a will.

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Speaker 1: You turned Scuba's Mike down?

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Speaker 2: That Mike?

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Speaker 1: I can hear Scooba like given directions to like he

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Speaker 1: started show ending or.

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Speaker 3: Something started the show when he was nine and he's fifteen.

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Speaker 1: Now he's in a pretty adult looking fifteen but pretty

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Speaker 1: cool it's like the Biggest Loser if you only watched

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Speaker 1: the final episode where they busted the paper and you're like, wow,

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Speaker 1: there they are, and it shows them when the show

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Speaker 1: began on paper and they bust to it and they've

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Speaker 1: lost like one hundred and fifty pounds, Like, I feel

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Speaker 1: like looking at those pictures, is that so?

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Speaker 2: Is this where the Big Bang Show would have started?

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Speaker 1: It's pretty cool?

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Speaker 2: Yeah, but no, no, I'm saying like, now that young Sheldon

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Speaker 2: is ending, is that kind of around the same period that.

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Speaker 4: No, because he's not an adult in Big Bang Theory.

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Speaker 1: Collegellege? Oh I thought they were in college. I think

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Speaker 1: they're there, Yeah, out of college. Y. He asked a

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Speaker 1: lot of dumb questions for this little set to start.

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Speaker 5: Now.

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Speaker 1: Oh yelled it's a show, and we're like, huh, yeah,

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Speaker 1: they worked at a college.

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Speaker 2: I've never seen an episode.

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Speaker 1: Yeah, but you yelled it's a show, and we're like,

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Speaker 1: we know you. Like I was like, it's not real, dude, No, No,

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Speaker 1: we know that it's a show. Eddie and were listening

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Speaker 1: to Scooba Steve yesterday doing nineties on iHeartRadio, Like we

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Speaker 1: worked out I'll do that and usually I'll just play

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Speaker 1: a playlist. But we put Scuba Steve's show on and

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Speaker 1: we listened to like Robin Show Me Love Right, and

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Speaker 1: then we listen to Mariah Carey and then we heard

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Speaker 1: Scuba Steve setting them up. Sound good man.

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Speaker 6: Thank you for listening too, And I got your guys'

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Speaker 6: talk back.

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Speaker 1: Oh you got it.

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Speaker 6: I got I'm gonna play it on today's show around three.

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Speaker 6: I don't want to say because it is. Actually it

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Speaker 6: was probably the best talk I've ever got because.

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Speaker 1: There was some here too.

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Speaker 2: Okay, well you have it. I don't have to pull it.

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Speaker 1: Okay, So we have this because we can talk about

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Speaker 1: it for our show too if you listen to our show.

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Speaker 1: And I'm not sure if you do it on the

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Speaker 1: Bob we need Morgan in here. But it's either on

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Speaker 1: the Bobby Bone Show channel. Is there a talk back

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Speaker 1: on that or is that our country channel?

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Speaker 6: I think any any iHeart station or any show whatever

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Speaker 6: has that red circle with the microphone bottom right hand corner.

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Speaker 1: Yeah, but how do we get it, Morgan? How do

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Speaker 1: we get the talk back to the Bobby Bone Show.

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Speaker 1: I have them on the back end. No, I'm saying,

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Speaker 1: how do we get if we're talking to a listener.

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Speaker 1: Do they go to iHeart Radio and they go to

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Speaker 1: the Bobby Bone Show or do they go to the

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Speaker 1: iHeart Country Live or how do they come to us?

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Speaker 7: They come to us like I can see the iHeart

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Speaker 7: Country ones and I can see the Bobby Bone Show ones.

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Speaker 1: So and if it goes to like a specific station,

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Speaker 1: I can also.

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Speaker 2: Grab those locally.

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Speaker 1: Let's just Scooba channel.

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Speaker 2: So we left it live right now.

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Speaker 1: Yeah, don't want to fall in love by Jane Child.

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Speaker 1: I don't know who that is. That must have been

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Speaker 1: out of Hits, Cuts or something like that.

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Speaker 2: You forgot about type of artists too.

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Speaker 1: They did play California Love yesterday. Yeah, and you made

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Speaker 1: a reference about who actually sang that California Love? Yeah. Yeah, Yeah.

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Speaker 6: He's a huge influence on the nineties hip hop scene.

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Speaker 1: Yeah, it's good. Wonder what the next song is? Whoa, Whoa?

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Speaker 1: Let me know when you get that up. You just

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Speaker 1: do it live from here? Yeah, play it. This is

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Speaker 1: Eddie and I left to talk back to Scuba Steve

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Speaker 1: as we're listening to a channel working out. Yesterday Bobby

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Speaker 1: and Eddie were listening to you I work out. We

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Speaker 1: love Scoo yoh, stub do that. No, we didn't do

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Speaker 1: Scuba doing that.

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Speaker 2: That's part of the today.

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Speaker 1: Yeah. So we were like, oh yeah, you could push

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Speaker 1: this button and talk to Scooba Steve. So we did.

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Speaker 1: And then that's us yelling as his channel is on

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Speaker 1: in the background and Echoey Jim.

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Speaker 2: And while Kevin's like training and read.

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Speaker 1: That's how we do it. Yeah, I wonder what's on

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Speaker 1: now on iHeart Radio. No doubt.

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Speaker 2: That we're not doing it. What's that called butter webs?

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Speaker 2: Probably no, no, no, no, name that tune? What you just game?

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Speaker 1: Oh that's not spoder webs. I haven't got it. When

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Speaker 1: I thought I missed it, dude.

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Speaker 2: You'd be so good at that game.

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Speaker 1: Yeah, I wish there was a way to play it faster. Yeah,

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Speaker 1: so check out our radio. Scuba Steve's on what time

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Speaker 1: it is?

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Speaker 6: Uh one p eastern to about one?

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Speaker 1: Sorry, I think all the time.

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Speaker 6: The time does one eastern is when it starts ends

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Speaker 6: at six eastern so central.

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Speaker 1: Noon to six uh noon to five okay, so Saturday.

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Speaker 6: Yeah, six days a week, six days a week, dude,

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Speaker 6: it's killing me.

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Speaker 1: It's a lot.

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Speaker 6: It's a lot, because well my wife's like just just

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Speaker 6: mail it in and just some breaks, just make it

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Speaker 6: easier whatever. And I'm like, but then I do that,

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Speaker 6: and then I feel like crap, because I'm like, you

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Speaker 6: just never know who's listening.

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Speaker 1: So I always want to go mail one in.

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Speaker 6: Yesterday, yeah, I mailed in the Mariah Carry one and

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Speaker 6: that's the one. I was like, dang it, they're listening

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Speaker 6: at the one time I mailed it in because I

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Speaker 6: recorded at three am. And I'll say, that's exactly why

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Speaker 6: I need to always have something ready to go every break,

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Speaker 6: no matter what.

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Speaker 1: But it's okay to forward promote something that's not mailing

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Speaker 1: it in, I know, but I.

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Speaker 6: Feel like I want to do more than just like, hey,

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Speaker 6: this is Mariah Carry, this is umf oh yeah, and.

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Speaker 1: He played Jesus Jones right here, right now. There is

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Speaker 1: no other place I wanna be here.

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Speaker 2: It's quite the mix, which I really liked about it. Well,

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Speaker 2: it's the nineties, man, it's all nineties. I thought it

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Speaker 2: was just rock. Even an internet connection, all the podcasts

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Speaker 2: you want.

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Speaker 1: And I noticed though listening, hold on, we're gonna get

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Speaker 1: that song played the game who was not on right now? Though?

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Speaker 1: I know, but I want to get song. It doesn't show.

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Speaker 2: This is happy and.

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Speaker 5: One wants you badly imaging.

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Speaker 2: I like it.

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Speaker 6: Baby, this is i Heeart nineties on iHeart radiole.

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Speaker 1: Oh, it just doesn't show the song, by the way,

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Speaker 1: yea believable. My song said.

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Speaker 6: You know who em F stands for?

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Speaker 1: I found out every mother. No, it's EPs and mad Funkers.

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Speaker 1: Oh I thought it was every mother who. I like

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Speaker 1: that one better. Oh that's my winning song.

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Speaker 2: Yeah, play that one a lot sometimes.

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Speaker 6: Ill sometimes I'll say Bobby requested it even though you didn't.

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Speaker 1: I requested every time. Good things you say, Yeah, Jams,

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Speaker 1: it was a good job, Scuba. The one break you

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Speaker 1: mailed in, we were like, can you believe he's mailing

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Speaker 1: this in? We talked about it the whole session.

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Speaker 6: I bet you did. It eats at me. I get

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Speaker 6: stuck in my head and I think about things that

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Speaker 6: don't matter.

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Speaker 1: But yeah, how's that going good? It's going well.

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Speaker 2: I'm enjoying it. For me.

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Speaker 6: It's great because we talked about a while ago. It's

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Speaker 6: kind of helping me find my footing as someone to

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Speaker 6: host where I've always been a part of an ensemble.

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Speaker 6: So it's kind of fun to get back into like

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Speaker 6: doing things solo. So I enjoy it.

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Speaker 1: Do they pay you?

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Speaker 6: I mean it's not for the money.

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Speaker 1: They do pay me, yes, but it's not so you

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Speaker 1: do get something. I get something, yes, but it's nothing.

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Speaker 2: Like, wow, man, this is changing my life.

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Speaker 1: Well, if you mailed it all in, it'd be more. Wow,

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Speaker 1: it would be it'd be a lot easier. Yeah, if

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Speaker 1: I just mailed it in.

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Speaker 2: And if you love it, it's never about the money exactly.

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Speaker 2: And I do love it, and I enjoyed it.

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Speaker 6: And I have a little home studio and my downstairs

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Speaker 6: that I built and put together.

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Speaker 2: And he's not right, what are you talking about? If

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Speaker 2: you love what you're doing, it's not about the money.

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Speaker 2: Bon Jovi said that in documentary.

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Speaker 1: G Bonjovi made millions of million of dollars.

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Speaker 2: He said, it's never been about the money.

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Speaker 1: No, No, there's a different there's a difference.

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Speaker 2: So you do for ten bucks a day if.

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Speaker 1: I had all the money in the world yet no,

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Speaker 1: but you don't have all the money in the world.

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Speaker 1: Is what happens is if you love what you're doing,

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Speaker 1: you tend to work harder at it. And as you

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Speaker 1: work harder at it, you tend to be successful, and

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Speaker 1: with success comes whatever version of the spoils you're after.

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Speaker 2: So it is about the money.

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Speaker 1: Well, if you're doing something you love, it can lead

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Speaker 1: to whatever you deem as success. More time, off, you

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Speaker 1: get to dictate your schedule, it could be more money.

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Speaker 1: There are lots of things that one would have in

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Speaker 1: order to be considered a success to themselves.

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Speaker 2: I always wonder what people meant by that, Like, it's

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Speaker 2: never been about the money, But that's only if you

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Speaker 2: have I want to get there, But if you have

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Speaker 2: no money, it's never about the money.

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Speaker 3: When Bobby got into radio, it wasn't about the money.

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Speaker 1: But I didn't have any money, right, so it didn't matter.

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Speaker 1: Like if I had a bunch of kids and bills

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Speaker 1: and I was like, I'm just gonna do It's not

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Speaker 1: about the money. I gotta do something for the money

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Speaker 1: because I got to support myself. So it's a good

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Speaker 1: side hustle. Okay, there was there's some radio person. It

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Speaker 1: was some I follow some on Instagram, some radio site,

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Speaker 1: and I follow a bunch of radio people. But it

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Speaker 1: was like talking about how low paying this job was

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Speaker 1: in New York and they just get on there complain

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Speaker 1: about other radio jobs and they're like, market one's only

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Speaker 1: getting paid this much. I would never take the job,

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Speaker 1: and I'd hardly ever apply to this stuff. And I

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Speaker 1: was I was just in a mood, I guess, and

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Speaker 1: I got on and goes, you know what. I would

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Speaker 1: go out apply for that job, and I would get it,

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Speaker 1: and I would kick butt so much in six months,

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Speaker 1: they'd promote me and I'd get out of this job

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Speaker 1: and have a better job. And then you can complain

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Speaker 1: about the job that I was doing then, and it's

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Speaker 1: because I took this job, and they're like, wella I

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Speaker 1: should get back to so dumb sounds cool. It's just

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Speaker 1: people complaining about what they don't have and doing nothing

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Speaker 1: about it except complaining about what they don't have exactly.

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Speaker 6: And they never take a chance, and they're going to

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Speaker 6: sit up that wallow of negativity and never ever go

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Speaker 6: for it, and so screw them.

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Speaker 1: So if you want to have me, go for it.

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Speaker 2: So he has a job in New York? Is that?

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Speaker 1: No?

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Speaker 2: No, who no, whoever? You were finding out?

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Speaker 4: No?

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Speaker 1: No, no. And I wasn't really fighting with them, and

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Speaker 1: I gave up all I read it to you, Huh,

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Speaker 1: I can go back and find it I'm sure. Okay,

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Speaker 1: it says they wrote sixty five thousand dollars a year. Oh,

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Speaker 1: but I'm sure they'll pay you overtime while you prep

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Speaker 1: from home of your two hundred square foot studio apartment

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Speaker 1: in Jersey City. And there's a link to a WKTU

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Speaker 1: morning show producer job in New York. And this is

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Speaker 1: the person writing about it, and they say, imagine being

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Speaker 1: a seasoned professional producer and seeing this opening and thinking

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Speaker 1: this is the top. Also thinking there's no way I

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Speaker 1: can live off sixty five thousand dollars. And so I

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Speaker 1: just wrote underneath it, I do it, and I'd work

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Speaker 1: my way out of that low wage in a year.

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Speaker 1: Many times I had to hold two or three jobs

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Speaker 1: while doing this career. And then someone responds to me,

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Speaker 1: e Robinson dot Radio, Bobby, just don't First, it's easy

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Speaker 1: to romanticize hustle culture. No, no, know what it's hard

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Speaker 1: to do to actually do it. Yeah, it's easy to romanticize.

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Speaker 1: But if you romanticize yet do it, that's a whole

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Speaker 1: different ballgame. When circumstance has benefited one, well, what circumstance

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Speaker 1: have I ever had that benefited me? That was given

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Speaker 1: to me? Zero. I know anybody anything this show has

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Speaker 1: ever gotten or me has been to prove more, just

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Speaker 1: to get the base level. Like every single place I've

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Speaker 1: been to have had to prove way more before they

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Speaker 1: would give me anything. And even in careers, even doing television,

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Speaker 1: this company never wanted me to do television. They'd be like,

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Speaker 1: you can't, you'll be too far away from the show.

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Speaker 1: They never wanted me to tour. You can't, you'll be

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Speaker 1: too and then all of a sudden, you do it,

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Speaker 1: and you do it like, oh, you know that actually helps.

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Speaker 1: You should do more of that. But okay, let me

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Speaker 1: get back to this, sorry second, There is no romanticizing

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Speaker 1: what is in essence a toxic mindset. Yes, hard work

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Speaker 1: should lead one to success, but this pervasive mentality that

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Speaker 1: you have to destroy yourself for your goals. No, let

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Speaker 1: me say that again. No, especially not when you're being

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Speaker 1: taken advantage of crumbs for the rank and file. While

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Speaker 1: those are the top, eat steak, Come on, enjoy your steak, Bobby,

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Speaker 1: you earned it. But these others at least deserve a

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Speaker 1: club sandwich rather than crumbs. And I'm like, you gonna

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Speaker 1: you gotta eat crumbs before you get to the club

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Speaker 1: sandwich unless you're born with it, unless you're just born

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Speaker 1: to a rich family, or you're born knowing people, which

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Speaker 1: I wasn't. You're gonna have to eat crumbs in order

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Speaker 1: to have possibly a half piece of bread. Then maybe

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Speaker 1: get that bread. Then maybe you get a little little

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Speaker 1: meat sauce on there for a little bit, and then

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Speaker 1: maybe you get to those yet a little bone, little meat,

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Speaker 1: and then all of a sudden, yeah, you're having steak

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Speaker 1: for a minute, until they don't give you steak anymore

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Speaker 1: and you're trying to climb back up to steak. This

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Speaker 1: person's a freaking loser. But this is why losers. Losers complain.

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Speaker 1: Losers always complain about what they don't have, and you

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Speaker 1: don't have to be a winner, but like doers do,

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Speaker 1: and they don't talk about what they don't have. Yeah,

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Speaker 1: so I got into that and I was gonna reply,

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Speaker 1: and I was like, there's no need. You can't reason

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Speaker 1: with unreasonable people. And that's why this person will never

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Speaker 1: be a success, whoever they are, because hustle culture dictates

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Speaker 1: that's call that's all working, it's all going to work.

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Speaker 1: That's called showing up, that's called taking a job. That's

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Speaker 1: probably what you feel is not perfect for you right now,

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Speaker 1: just to get to a job that's a little better

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Speaker 1: for you.

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Speaker 2: And that New York job sounds like a career opening.

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Speaker 2: Like if I was single, twenty six, twenty eight, whatever,

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Speaker 2: and I saw that, I'm like yeah, yeah.

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Speaker 1: And they're also not saying you must take this job.

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Speaker 1: It's like, if you want the job, you can apply

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Speaker 1: for it, and here's the application. But like people like

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Speaker 1: that are I live in New Jersey. Take here's one

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Speaker 1: from jen O Radio. Agree one hundred percent. Really easy

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Speaker 1: for him to beat his chest.

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Speaker 2: Who's that you?

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Speaker 1: Yeah, yeah, I'm beating my chest going. If you don't work,

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Speaker 1: you're not gonna get anything. And you can cry and

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Speaker 1: keep getting nothing and then wonder why and you can

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Speaker 1: wonder your whole life until you die, or you can

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Speaker 1: actually go to work. You can show up to work.

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Speaker 1: So anyway, that's all losers. It's not even that you

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Speaker 1: do or don't. It's just if you try. And also

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Speaker 1: if you're not going to try and get in, then

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Speaker 1: don't don't talk about it. You can't be part of

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Speaker 1: the group that tries and fails if you're not somebody

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Speaker 1: who tries and fails, or you're somebody who hates on

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Speaker 1: other other opportunities that others may take. But yeah, people

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Speaker 1: don't want to work anymore. That's all right, though, I'll work, oh,

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Speaker 1: I replied with the laffy face, because I was like,

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Speaker 1: I'm tired. I just did a laughy face back, because again,

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Speaker 1: you can't reason with unreasonable people anything else. We gotta

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Speaker 1: take it mideral anything you want to say about that.

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Speaker 1: I almost took a job in New York. Right before

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Speaker 1: I took this job, I can't believe it, dude. It

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Speaker 1: was like so close to people were eating steak, you

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Speaker 1: were gonna take.

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Speaker 2: No, it was like it was a job like that

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Speaker 2: though where it wasn't gonna be like a lot of money.

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Speaker 2: But I was like, I'll do it like that sounds awesome,

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Speaker 2: a news job in New York.

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Speaker 1: No, while the people live in New Jersey, while the

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Speaker 1: people ate steak and you ate crumbs.

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Speaker 2: I didn't say.

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Speaker 4: The cost of living obviously is different everywhere. But the

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Speaker 4: right person that comes along, they're going to think, okay,

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Speaker 4: like this isn't ideally maybe where I want to be,

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Speaker 4: but this is still guaranteed money if I show up.

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Speaker 3: It's a salary.

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Speaker 2: Yeah, yeah, it's more.

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Speaker 1: Regardless of the money. It just takes sacrifice to have

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Speaker 1: things that you want. If it's something you want, other

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Speaker 1: people want it to it's therefore it's not going to

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Speaker 1: be easy to get. So it takes sacrifice to do it,

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Speaker 1: and people want to cry about what they don't have

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Speaker 1: instead of going to work trying to get it themselves.

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Speaker 2: And in New York you get in on the number

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Speaker 2: one market, Like you start meeting people you're in New York.

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Speaker 2: That gets you in New York. You can start networking

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Speaker 2: in New York.

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Speaker 3: Why'd you opt not to take the New York job.

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Speaker 2: Because Bobby we got hired here. It was literally the

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Speaker 2: same time when Bobby asked me to join the show.

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Speaker 2: I was in Vegas with one of our New York

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Speaker 2: bosses and he asked me how much would it take

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Speaker 2: for you to move to New York?

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Speaker 1: How much to tell?

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Speaker 2: I said, let me think about it, And that same

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Speaker 2: time Bob was like, Hey, you want to come work

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Speaker 2: with us? It's crazy. The timing was.

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Speaker 1: Crazy, and he said, can you form a band called

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Speaker 1: the Raging Imbeciles? So if I could be in it,

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Speaker 1: I'm in. But I offered them raging idiots.

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Speaker 2: It was so much that when I took this job,

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Speaker 2: that boss, because I mean, we couldn't tell anyone that

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Speaker 2: we were doing this job, Like we were coming to Nashville.

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Speaker 2: We couldn't tell anyone. So the New York boss is like,

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Speaker 2: when he found out that I was moving, He's like, really,

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Speaker 2: he just sent me a text. Was really question work

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00:16:13,080 --> 00:16:15,960
Speaker 2: because he didn't know. I never told. I couldn't tell him. Funny,

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00:16:16,080 --> 00:16:16,960
Speaker 2: you still talk to him.

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Speaker 1: No, No, aren't that bridge. It's not a bridge run.

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Speaker 1: It's not a bridge run. All right, let's let's do

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Speaker 1: a midrole here. I have this. I bought this on

383
00:16:24,960 --> 00:16:29,640
Speaker 1: Amazon like weeks ago. Is that bingo bingo? But I

384
00:16:29,680 --> 00:16:31,000
Speaker 1: was just trying to find a way that we could

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Speaker 1: gamble the studio.

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Speaker 2: Yeah, that's great, I love it.

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00:16:33,640 --> 00:16:35,440
Speaker 1: Isn't it terrible? That's what I do. I go home, like,

388
00:16:35,440 --> 00:16:36,840
Speaker 1: what can we do to play? It's not I just

389
00:16:36,880 --> 00:16:39,480
Speaker 1: love games, right, We're sure that plays a lot of games.

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00:16:39,720 --> 00:16:41,120
Speaker 2: I love gambling money, dude.

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Speaker 1: I know, no, I hear you, but I'm saying, like

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Speaker 1: the general idea with we play a lot of games,

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00:16:46,840 --> 00:16:51,200
Speaker 1: and that's on purpose. And we definitely didn't revolutionize playing games,

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00:16:51,240 --> 00:16:52,520
Speaker 1: but we probably play more games in the EACHO. I've

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Speaker 1: heard in this right in my life because that's fun

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Speaker 1: to us.

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Speaker 2: Yeah.

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Speaker 1: And also my theory has always been because they would

399
00:16:58,600 --> 00:17:00,400
Speaker 1: do these things when we'd launch shows and new markets,

400
00:17:00,400 --> 00:17:03,080
Speaker 1: and they go, you gotta do things that everybody can

401
00:17:03,160 --> 00:17:06,359
Speaker 1: like hear you and relate to immediately, and you're like,

402
00:17:06,600 --> 00:17:08,399
Speaker 1: first of all, the culture has just changed, Like what

403
00:17:08,480 --> 00:17:10,720
Speaker 1: even is the morning show anymore? Half people listening live,

404
00:17:10,960 --> 00:17:14,360
Speaker 1: half people listening online. Some people. So it's like, play

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00:17:14,400 --> 00:17:16,919
Speaker 1: freaking games. Everybody loves a game. It doesn't matter if

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00:17:16,920 --> 00:17:18,919
Speaker 1: you're listening for the first time, like it could be

407
00:17:18,920 --> 00:17:21,880
Speaker 1: flipping through. It doesn't matter if I'm listening to podcasts

408
00:17:22,000 --> 00:17:25,120
Speaker 1: or radio or even flipping through satellite and I hear

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Speaker 1: somebody playing a game, I'll stop and listen. I don't

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Speaker 1: care who they are. So that's where that's kind of

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Speaker 1: where strategically that let's play a bunch of games comes from.

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Speaker 1: Every once in a while, Mike has to check me,

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Speaker 1: I'm playing too many games?

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Speaker 5: Oh?

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00:17:36,119 --> 00:17:37,800
Speaker 1: Really? Like, well, we played a game two segments ago,

416
00:17:37,840 --> 00:17:39,199
Speaker 1: and I'm like, what I want to do another one?

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Speaker 5: I know?

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Speaker 1: I like them me too, And He's like, well just wait,

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Speaker 1: if we can wait like another hour and a half,

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Speaker 1: we can play another game.

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00:17:43,800 --> 00:17:46,600
Speaker 2: Okay, Dad, So I bought what do you putting into

422
00:17:46,640 --> 00:17:47,000
Speaker 2: the balls?

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Speaker 1: The balls? Yeah, and I'm assuming, oh those are up

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Speaker 1: to one hundred. Oh you don't want those?

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Speaker 2: I'll be here all day, dude, hold on.

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Speaker 1: One hundred, ten fifty seven.

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Speaker 4: Well you could just like put them all in and

428
00:18:00,080 --> 00:18:01,800
Speaker 4: whatever you draw if you wanted to play one through.

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00:18:02,160 --> 00:18:04,280
Speaker 1: I'm saying, if there's a hole in it though, how

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Speaker 1: those got out? Because it doesn't look like there's a hole.

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00:18:07,600 --> 00:18:10,920
Speaker 3: And they asked something just fall out?

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Speaker 1: Can you help me? He helped me? Somebody. I just

433
00:18:14,760 --> 00:18:19,359
Speaker 1: draw on and I needed see if you can put

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Speaker 1: those in there. I might go under my desk and

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Speaker 1: see if I can find the other one can help me.

436
00:18:23,440 --> 00:18:24,560
Speaker 1: That's what it's like to married to me.

437
00:18:24,920 --> 00:18:28,120
Speaker 2: You help me, you drop another name.

438
00:18:34,240 --> 00:18:39,720
Speaker 1: So it's not like normal bingo. Remember that hundred side

439
00:18:39,720 --> 00:18:40,800
Speaker 1: of ball we had to that's fine.

440
00:18:40,920 --> 00:18:43,760
Speaker 2: Uh oh that was fun. The dice hundred side of dice,

441
00:18:44,800 --> 00:18:47,560
Speaker 2: and it was like, if it didn't land on your number,

442
00:18:47,600 --> 00:18:49,119
Speaker 2: you get a million dollars, but if it landed on

443
00:18:49,160 --> 00:18:49,680
Speaker 2: your number.

444
00:18:49,560 --> 00:18:53,880
Speaker 1: You see that's funny. Yeah, like would you take that

445
00:18:54,000 --> 00:18:54,560
Speaker 1: in your life?

446
00:18:54,640 --> 00:18:57,359
Speaker 2: Yes, you would, but I would only roll it like

447
00:18:57,359 --> 00:18:58,080
Speaker 2: a couple of times.

448
00:18:59,040 --> 00:19:00,679
Speaker 1: But but you could do it? Is that what the

449
00:19:00,720 --> 00:19:01,119
Speaker 1: game is?

450
00:19:01,200 --> 00:19:01,280
Speaker 2: Like?

451
00:19:01,280 --> 00:19:02,840
Speaker 1: You normally do it as many times as you want to.

452
00:19:02,920 --> 00:19:05,040
Speaker 2: Yes, like if you want to be a billionaire, keep

453
00:19:05,119 --> 00:19:05,520
Speaker 2: rolling it.

454
00:19:05,880 --> 00:19:09,080
Speaker 1: But I guess the point is a number doesn't if used,

455
00:19:09,119 --> 00:19:11,800
Speaker 1: The number doesn't go away. No, odds aren't now one

456
00:19:11,840 --> 00:19:12,720
Speaker 1: in ninety nine.

457
00:19:12,600 --> 00:19:14,920
Speaker 2: Correct, It just lives. But every time you roll it

458
00:19:15,240 --> 00:19:18,320
Speaker 2: you get the chance to die. Oh no, why not?

459
00:19:18,640 --> 00:19:20,960
Speaker 1: No? Is that is that hole small?

460
00:19:21,720 --> 00:19:23,080
Speaker 3: You can't figure out where the hole is?

461
00:19:23,200 --> 00:19:25,720
Speaker 2: So lunchbox? How many times have we rolled that dice?

462
00:19:25,760 --> 00:19:26,399
Speaker 2: And never do we?

463
00:19:26,680 --> 00:19:26,920
Speaker 1: Well?

464
00:19:26,920 --> 00:19:27,879
Speaker 2: Maybe one time I.

465
00:19:27,920 --> 00:19:29,080
Speaker 1: Remember doing it with you guys and I had to

466
00:19:29,119 --> 00:19:32,040
Speaker 1: pay some people out. Yeah, because it hits what I'm saying.

467
00:19:32,200 --> 00:19:33,800
Speaker 1: But sometimes it would be like the fourth roll, we'd

468
00:19:33,800 --> 00:19:34,720
Speaker 1: just be chasing a number.

469
00:19:35,480 --> 00:19:38,400
Speaker 2: Well, that's still I don't think it's worth the risk.

470
00:19:38,320 --> 00:19:42,040
Speaker 1: Man, one in one hundred, if it were a million dollars, Yes,

471
00:19:42,320 --> 00:19:43,159
Speaker 1: I think I would take it.

472
00:19:43,240 --> 00:19:44,840
Speaker 2: Yeah, why wouldn't you? How many times?

473
00:19:45,160 --> 00:19:47,879
Speaker 1: I don't know, I take it time by time, But

474
00:19:48,000 --> 00:19:51,760
Speaker 1: every time you should say forever, however, because eventually you're

475
00:19:51,800 --> 00:19:54,840
Speaker 1: gonna die. Well, every time is not affected at all

476
00:19:54,880 --> 00:19:57,120
Speaker 1: by the last time, Like there's absolutely no relationships.

477
00:19:57,119 --> 00:20:01,480
Speaker 2: Correct, But is that roll your time? That next roll?

478
00:20:01,680 --> 00:20:03,760
Speaker 2: And it's all greed man, it's all greaty Okay.

479
00:20:03,800 --> 00:20:06,679
Speaker 1: We have a numbers calculator game, random number between one

480
00:20:06,720 --> 00:20:09,440
Speaker 1: and one hundred. If it lands on your number, you die.

481
00:20:09,560 --> 00:20:12,679
Speaker 2: I don't trust the digital It doesn't know what you're saying.

482
00:20:13,880 --> 00:20:17,200
Speaker 1: Write down number, picking number two, okay, Eddie, picking number

483
00:20:17,240 --> 00:20:20,040
Speaker 1: twenty one. Hit it, Mike, numbers ninety seven. You would

484
00:20:20,400 --> 00:20:22,000
Speaker 1: a million million dollars.

485
00:20:22,960 --> 00:20:23,920
Speaker 2: Hey, do it again?

486
00:20:24,000 --> 00:20:26,680
Speaker 1: Wow, that's actually like two full huh.

487
00:20:26,960 --> 00:20:27,960
Speaker 2: Like they don't even roll.

488
00:20:28,240 --> 00:20:31,520
Speaker 1: How do they come out? Oh right, it goes into

489
00:20:31,520 --> 00:20:37,000
Speaker 1: that ball thing. Something happens there, oh something, okay, so

490
00:20:37,040 --> 00:20:41,000
Speaker 1: I think it probably goes you like that. You think

491
00:20:41,080 --> 00:20:50,199
Speaker 1: them out. I tried that. Sure, Hey what if it

492
00:20:50,240 --> 00:20:52,960
Speaker 1: was one in fifty no for two million?

493
00:20:54,480 --> 00:20:56,600
Speaker 2: Yeah, I would do that one time. Okay, do one

494
00:20:56,600 --> 00:20:57,840
Speaker 2: to fifty one time.

495
00:20:57,960 --> 00:21:01,520
Speaker 1: Oh my god, pick a number, ready for eight, lunchbox,

496
00:21:02,240 --> 00:21:05,880
Speaker 1: I'll do twenty eight. Go ahead, forty three.

497
00:21:06,240 --> 00:21:09,120
Speaker 2: You were so close close. I wasn't close.

498
00:21:09,240 --> 00:21:11,560
Speaker 1: We have a ten dollars machine. We can't figure out here?

499
00:21:11,640 --> 00:21:14,240
Speaker 1: What if you take this off then we go look

500
00:21:14,240 --> 00:21:14,560
Speaker 1: at it?

501
00:21:14,960 --> 00:21:19,960
Speaker 7: Oh, one in twenty five for three millions?

502
00:21:20,600 --> 00:21:23,240
Speaker 1: Would you do that? No, now you're getting too close.

503
00:21:23,880 --> 00:21:26,000
Speaker 1: One in ten for fifty million.

504
00:21:26,440 --> 00:21:28,480
Speaker 2: No, that's really fifty.

505
00:21:28,160 --> 00:21:33,600
Speaker 1: Million, ten ten. There are no cheer numbers for fifty million.

506
00:21:33,760 --> 00:21:37,240
Speaker 2: No, I'd rather roll the one hundred and fifty times?

507
00:21:37,920 --> 00:21:39,480
Speaker 3: Did you take out instructions?

508
00:21:40,119 --> 00:21:44,199
Speaker 2: I don't think. Is there a CD in there where? DVD?

509
00:21:46,280 --> 00:21:46,399
Speaker 1: Oh?

510
00:21:46,480 --> 00:21:46,840
Speaker 2: Okay?

511
00:21:46,920 --> 00:21:49,000
Speaker 1: So if I roll this, but how do I get

512
00:21:49,040 --> 00:21:50,160
Speaker 1: it to roll out?

513
00:21:51,320 --> 00:21:52,600
Speaker 2: Lunchbucks? Take over my computer?

514
00:21:53,240 --> 00:21:59,240
Speaker 1: Because it should, it should come out. I mean I could,

515
00:21:59,280 --> 00:22:04,399
Speaker 1: I could take over okay, but why okay.

516
00:22:04,200 --> 00:22:05,919
Speaker 2: Because then the ball gets in it and.

517
00:22:05,800 --> 00:22:08,120
Speaker 1: Then yeah, show us king check it out.

518
00:22:09,280 --> 00:22:10,199
Speaker 2: Oh wow, you nail it.

519
00:22:10,280 --> 00:22:11,280
Speaker 1: Yeah we did that, Eddie?

520
00:22:11,480 --> 00:22:12,600
Speaker 3: Did you pop that in there?

521
00:22:13,359 --> 00:22:15,720
Speaker 1: I didn't do anything. No, no, don't but blame me

522
00:22:15,760 --> 00:22:17,240
Speaker 1: for this, craps.

523
00:22:18,560 --> 00:22:23,080
Speaker 2: It has to be open, right, Eddie. It's not grabbing

524
00:22:23,080 --> 00:22:23,360
Speaker 2: the ball.

525
00:22:23,440 --> 00:22:26,200
Speaker 1: Grab the ball, it's not grabbing. So I just pull

526
00:22:26,240 --> 00:22:29,480
Speaker 1: one from the bucket. Then here, but nothing's coming out?

527
00:22:30,080 --> 00:22:32,320
Speaker 1: Are there too many balls in there? Maybe you bought

528
00:22:32,320 --> 00:22:34,560
Speaker 1: a cheap one. No, I for sure bought a cheap one.

529
00:22:36,400 --> 00:22:37,840
Speaker 1: You're gonna count them? Yeah, I have to?

530
00:22:40,080 --> 00:22:43,439
Speaker 4: No, no, no, just I think you can just remove

531
00:22:43,520 --> 00:22:45,159
Speaker 4: some balls and only play with the second.

532
00:22:46,840 --> 00:22:50,000
Speaker 3: Only play with the second.

533
00:22:50,680 --> 00:22:55,560
Speaker 1: But even if you get one ball in there, what

534
00:22:55,600 --> 00:23:02,240
Speaker 1: if you do it like this? Okay, okay, go work

535
00:23:02,280 --> 00:23:04,480
Speaker 1: on that, because that's the other stuff.

536
00:23:04,200 --> 00:23:11,000
Speaker 7: To talk about for what Well, yeah.

537
00:23:10,760 --> 00:23:14,320
Speaker 1: But what won't get it done today? He's gonna to

538
00:23:14,400 --> 00:23:15,920
Speaker 1: dump them all in your hand, go one by one.

539
00:23:16,760 --> 00:23:19,000
Speaker 1: Mike has pulled up the YouTube video. Okay, here's the

540
00:23:19,040 --> 00:23:24,920
Speaker 1: wireless cage spin yep, and it gets in that ball

541
00:23:24,960 --> 00:23:30,480
Speaker 1: thing right, and then the ball thing flips. Though we're

542
00:23:30,480 --> 00:23:31,120
Speaker 1: not doing it right.

543
00:23:32,040 --> 00:23:33,720
Speaker 3: You shouldn't have to take it out. It should come

544
00:23:33,760 --> 00:23:35,520
Speaker 3: with If it comes with all of those balls, it

545
00:23:35,520 --> 00:23:36,080
Speaker 3: should work.

546
00:23:37,080 --> 00:23:40,000
Speaker 1: No, you're just you're not doing it right there.

547
00:23:40,480 --> 00:23:42,480
Speaker 3: I couldn't find instructions.

548
00:23:42,760 --> 00:23:45,640
Speaker 1: Okay, we'll let him do that anyway. I was talking

549
00:23:45,640 --> 00:23:47,760
Speaker 1: about the Young Sheldon finale and the list the best

550
00:23:47,800 --> 00:23:49,720
Speaker 1: finales of all time. I'll read you the list. Tell

551
00:23:49,760 --> 00:23:53,000
Speaker 1: me if you can remember the finale episode the Mary

552
00:23:53,000 --> 00:23:56,119
Speaker 1: Tyler Moore Show. No, oh, you wouldn't remember it. But

553
00:23:56,160 --> 00:23:58,919
Speaker 1: maybe on TV Land. I know, I've seen it. I

554
00:23:58,960 --> 00:24:03,119
Speaker 1: think she's leaving the office. Asner, the guy that you

555
00:24:03,119 --> 00:24:05,680
Speaker 1: did the report on. Yeah, he's in that show.

556
00:24:05,880 --> 00:24:08,000
Speaker 2: Yeah, and then he got a show after that or

557
00:24:08,000 --> 00:24:08,920
Speaker 2: something off of.

558
00:24:08,840 --> 00:24:11,439
Speaker 1: That spin off. A lot of them did. Roeg got

559
00:24:11,520 --> 00:24:14,120
Speaker 1: to spin off of that. Cheers at fourteen. I remember

560
00:24:14,119 --> 00:24:16,159
Speaker 1: the Cheers finale because they turn off.

561
00:24:16,040 --> 00:24:16,639
Speaker 3: All the lines.

562
00:24:17,160 --> 00:24:20,080
Speaker 1: Yeah, Friday Night Lights. Never saw it?

563
00:24:20,160 --> 00:24:22,119
Speaker 2: Oh yeah, oh yeah, I remember.

564
00:24:22,160 --> 00:24:25,080
Speaker 1: I don't want to spoil it, but man, I think

565
00:24:25,080 --> 00:24:26,800
Speaker 1: we're at the stage now where you can spoil it.

566
00:24:27,119 --> 00:24:31,640
Speaker 7: He's stolen the touchdown and it's in the state championship.

567
00:24:31,960 --> 00:24:32,560
Speaker 3: Is it muddy?

568
00:24:33,480 --> 00:24:37,119
Speaker 6: And then it's like boom, it flips to the future.

569
00:24:38,040 --> 00:24:42,720
Speaker 1: Legit do they win? I'm gonna tell you no, you can.

570
00:24:42,800 --> 00:24:44,160
Speaker 1: We're talking. I am not okay.

571
00:24:44,400 --> 00:24:46,159
Speaker 4: Yeah, because people should go back and watch it.

572
00:24:46,160 --> 00:24:47,000
Speaker 3: It's such a good.

573
00:24:46,840 --> 00:24:49,160
Speaker 1: Show, such the way about Cheers, and I will send

574
00:24:49,200 --> 00:24:53,920
Speaker 1: my telling you the finale. Mash at twelve never saw it. No,

575
00:24:54,280 --> 00:24:56,320
Speaker 1: he used to come on before wrestling at some point,

576
00:24:56,480 --> 00:25:00,439
Speaker 1: which most shows did. Lost at eleven saw it.

577
00:25:01,640 --> 00:25:04,960
Speaker 3: I tried. I made it since episode three, season one.

578
00:25:04,920 --> 00:25:05,440
Speaker 1: The Shield.

579
00:25:06,160 --> 00:25:08,560
Speaker 7: Oh my brother loved that show, and he he gave

580
00:25:08,560 --> 00:25:10,119
Speaker 7: me the DVDs and wanted me to watch it.

581
00:25:10,320 --> 00:25:15,399
Speaker 1: Then my dog hate him. So that's a Fraser. I

582
00:25:15,400 --> 00:25:17,680
Speaker 1: think I watched Fraser. I think he signed off, but

583
00:25:17,760 --> 00:25:20,080
Speaker 1: then he signed back on. He did Star Trek the

584
00:25:20,119 --> 00:25:24,080
Speaker 1: Next Generation at a no Friends. At seven, I remember

585
00:25:24,119 --> 00:25:28,160
Speaker 1: that the keys put the keys down right at one

586
00:25:28,200 --> 00:25:29,960
Speaker 1: by one they put the keys back down on nothing,

587
00:25:30,440 --> 00:25:31,760
Speaker 1: battles start galack to get six.

588
00:25:31,760 --> 00:25:32,520
Speaker 2: I've never heard of it.

589
00:25:32,880 --> 00:25:36,359
Speaker 1: At five Seinfeld there in prison. Yes, at for the Wire.

590
00:25:36,960 --> 00:25:38,200
Speaker 2: Yeah, such a good show.

591
00:25:38,640 --> 00:25:41,600
Speaker 1: I'm not dude, if you have not watched The Wire, of.

592
00:25:41,560 --> 00:25:45,160
Speaker 4: You, I know that you've been telling us you love it.

593
00:25:45,520 --> 00:25:47,760
Speaker 1: Does it still hold up? Do? Or was it just good? Then? No?

594
00:25:47,880 --> 00:25:50,720
Speaker 1: It is still good. Okay, Mike, have you ever seen

595
00:25:50,760 --> 00:25:51,080
Speaker 1: the Wire?

596
00:25:51,600 --> 00:25:54,600
Speaker 2: What what you?

597
00:25:54,760 --> 00:25:57,120
Speaker 1: Mister TV guy? Have never seen the Wire? He's mister

598
00:25:57,160 --> 00:25:57,640
Speaker 1: movie guy.

599
00:25:57,640 --> 00:25:59,840
Speaker 3: He says movie min movie Mike, not TV Mike.

600
00:26:00,440 --> 00:26:03,480
Speaker 1: But he watches Simpsons, he watches one show, but he

601
00:26:03,520 --> 00:26:06,160
Speaker 1: watches movies. Well, this is like a movie, man, it's

602
00:26:06,200 --> 00:26:08,120
Speaker 1: a drama. You need to I'm sure it's good.

603
00:26:08,680 --> 00:26:09,679
Speaker 3: Many seasons is it?

604
00:26:09,720 --> 00:26:10,359
Speaker 1: I think it's four?

605
00:26:10,480 --> 00:26:12,480
Speaker 3: Okay, maybe two to eight?

606
00:26:12,760 --> 00:26:17,280
Speaker 1: So year, it would be six. Maybe it's three, but

607
00:26:17,320 --> 00:26:18,959
Speaker 1: it could be less five.

608
00:26:19,200 --> 00:26:21,119
Speaker 3: You're telling me a show from twenty two years.

609
00:26:21,000 --> 00:26:24,040
Speaker 1: Ago holds up, dude, Okay, try.

610
00:26:23,800 --> 00:26:25,560
Speaker 4: It because I mean I would go back and I

611
00:26:25,560 --> 00:26:27,520
Speaker 4: would watch Friday Night Lights. I would watch Friends like

612
00:26:27,560 --> 00:26:29,960
Speaker 4: you're right, But the wire, like I don't even know the.

613
00:26:29,960 --> 00:26:32,280
Speaker 1: Friends doesn't hold up. It's just good because it used

614
00:26:32,320 --> 00:26:32,800
Speaker 1: to be good.

615
00:26:33,240 --> 00:26:35,080
Speaker 2: True, the wire holds up like.

616
00:26:35,080 --> 00:26:36,920
Speaker 1: If the Friends came out, If the Friends, if Friends

617
00:26:36,920 --> 00:26:39,280
Speaker 1: came out today, it wouldn't be a hit. A lot

618
00:26:39,280 --> 00:26:43,000
Speaker 1: of things have to be adjusted. Sensibility, studio audience. That

619
00:26:43,119 --> 00:26:47,600
Speaker 1: crowd laughed the jokes. Eddie doing all right, buddy, Okay,

620
00:26:48,040 --> 00:26:49,680
Speaker 1: but that's basically half.

621
00:26:50,200 --> 00:26:54,280
Speaker 4: We'll just try it worse because I don't think so.

622
00:26:55,240 --> 00:26:58,359
Speaker 1: The wire four six ft under a three no twenty

623
00:26:58,400 --> 00:26:59,000
Speaker 1: four at two.

624
00:26:59,600 --> 00:27:00,640
Speaker 3: Oh yeah, I watched.

625
00:27:02,640 --> 00:27:03,040
Speaker 2: No No No.

626
00:27:03,080 --> 00:27:05,520
Speaker 1: But there were so many seasons. It was weird u

627
00:27:05,760 --> 00:27:09,040
Speaker 1: e rs one. It was the best finales of all time.

628
00:27:09,560 --> 00:27:12,360
Speaker 1: Where's Parenthood on there? No, it's that's not on there?

629
00:27:12,400 --> 00:27:14,440
Speaker 1: And neither is like Roseanne the Original is a good one.

630
00:27:14,760 --> 00:27:16,639
Speaker 1: The Wonder Years was a good one. People were very

631
00:27:16,680 --> 00:27:18,520
Speaker 1: unhappy with some of those though they weren't happy with

632
00:27:18,640 --> 00:27:20,760
Speaker 1: Roseanne because the last few seasons were a dream. They

633
00:27:20,760 --> 00:27:23,000
Speaker 1: weren't happy with Wonder Years because Winnie and Kevin didn't

634
00:27:23,040 --> 00:27:25,879
Speaker 1: get together. They weren't happy. I liked the finale of

635
00:27:25,920 --> 00:27:30,800
Speaker 1: Game of Thrones. I liked finale Dexter. No, you're stupid,

636
00:27:30,880 --> 00:27:32,320
Speaker 1: not we.

637
00:27:33,200 --> 00:27:34,520
Speaker 2: Oh there were.

638
00:27:37,840 --> 00:27:39,000
Speaker 1: A different bag of balls.

639
00:27:39,960 --> 00:27:40,439
Speaker 3: No, we're not.

640
00:27:40,920 --> 00:27:43,040
Speaker 1: No, we're dumb. That's me. That's on me. I'm dumb.

641
00:27:44,920 --> 00:27:46,640
Speaker 1: Although I didn't put a single ball in there.

642
00:27:46,920 --> 00:27:48,240
Speaker 3: You did start filling it up.

643
00:27:50,480 --> 00:27:53,119
Speaker 1: You were like somebody, Hell, okay, so we put the

644
00:27:53,119 --> 00:27:58,400
Speaker 1: wrong balls in. We're gonna be here all day.

645
00:27:59,080 --> 00:27:59,840
Speaker 2: Hey, we got lives.

646
00:27:59,840 --> 00:28:01,960
Speaker 1: We gotta get to man, did you guys hear? Uh?

647
00:28:02,880 --> 00:28:03,000
Speaker 5: So?

648
00:28:03,160 --> 00:28:06,120
Speaker 1: I watched limb Biscuit on TikTok do their live shows,

649
00:28:06,119 --> 00:28:07,680
Speaker 1: and Fred Rs is hilarious. He comes out either in

650
00:28:07,680 --> 00:28:09,359
Speaker 1: a full cowboy uniform or he comes out in like

651
00:28:09,440 --> 00:28:14,280
Speaker 1: a really bright colored sweatsuits. Super funny. Lyn Biscuit was

652
00:28:14,280 --> 00:28:15,399
Speaker 1: awesome back in the day. If you didn't get to

653
00:28:15,400 --> 00:28:16,919
Speaker 1: experience Biscuit and you hear them now and you're like

654
00:28:16,920 --> 00:28:18,919
Speaker 1: that seems lame, it wasn't was awesome.

655
00:28:19,040 --> 00:28:21,919
Speaker 3: Musical show is funny he wears.

656
00:28:22,320 --> 00:28:25,359
Speaker 1: He doesn't look like himself. He's in like full head

657
00:28:25,359 --> 00:28:29,200
Speaker 1: to toe bright colored zip up sweatsuits or dressed like

658
00:28:29,200 --> 00:28:32,679
Speaker 1: a cowboy, and they do all their Yeah have you

659
00:28:32,680 --> 00:28:33,000
Speaker 1: seen it?

660
00:28:33,280 --> 00:28:34,000
Speaker 3: Is thing?

661
00:28:34,200 --> 00:28:36,040
Speaker 1: I don't know that would be so cool to sea

662
00:28:36,080 --> 00:28:44,920
Speaker 1: limb biscuit play now for me that he still on that, buddy, I.

663
00:28:44,840 --> 00:28:51,680
Speaker 4: Think that, yeah, because you're some person's green, some person's red.

664
00:28:55,560 --> 00:28:58,160
Speaker 1: The ones with the numbers doesn't have numbers on them, numbers,

665
00:28:58,200 --> 00:29:01,840
Speaker 1: and well if they have numbers and letters, then it's fine.

666
00:29:01,840 --> 00:29:05,080
Speaker 1: The ones that go in the card are unnumbered, unlettered. Yea,

667
00:29:05,640 --> 00:29:12,560
Speaker 1: this is right, okay, but it says there are different

668
00:29:13,000 --> 00:29:16,080
Speaker 1: in the box though on the picture there's different. There's

669
00:29:16,120 --> 00:29:27,120
Speaker 1: white ones, purple ones. Who No, I was born this way?

670
00:29:27,560 --> 00:29:28,080
Speaker 3: I don't know.

671
00:29:28,200 --> 00:29:29,880
Speaker 7: Oh, those big red balls are the ones you put

672
00:29:29,880 --> 00:29:31,520
Speaker 7: on display to say these are already used?

673
00:29:31,640 --> 00:29:33,600
Speaker 1: No, I think what no, no, no, no, you guys don't

674
00:29:33,600 --> 00:29:35,760
Speaker 1: know if like being go but how do you listen?

675
00:29:35,800 --> 00:29:37,200
Speaker 1: What happens with this is when it rolls and you

676
00:29:37,200 --> 00:29:38,640
Speaker 1: get the ball and you still a number, then you

677
00:29:38,640 --> 00:29:40,040
Speaker 1: put it in the car to show where it was.

678
00:29:40,320 --> 00:29:45,080
Speaker 1: There's not like its own separate ball. They're from a

679
00:29:45,080 --> 00:29:47,400
Speaker 1: different selection. Probably, I think I probably clicked a few

680
00:29:47,440 --> 00:29:47,880
Speaker 1: different things.

681
00:29:48,840 --> 00:29:50,040
Speaker 3: It's two different orders.

682
00:29:50,160 --> 00:29:54,280
Speaker 1: I don't know. I probably card them in the same box. Okay,

683
00:29:55,120 --> 00:29:56,880
Speaker 1: how much? How close? There's a red one still not

684
00:29:56,880 --> 00:29:58,000
Speaker 1: off the little thing down there?

685
00:29:58,640 --> 00:30:00,440
Speaker 2: Give me, give.

686
00:30:00,360 --> 00:30:05,800
Speaker 1: Me, but that red one wheneber was that?

687
00:30:05,800 --> 00:30:06,560
Speaker 8: That is.

688
00:30:10,720 --> 00:30:11,360
Speaker 3: Tiny print?

689
00:30:12,920 --> 00:30:17,200
Speaker 1: Bro Okay, See, somebody picked twenty that had never won.

690
00:30:19,720 --> 00:30:22,200
Speaker 1: No one knows what it's like to.

691
00:30:22,080 --> 00:30:30,880
Speaker 8: Be mistreated like I do, and that means you waiting

692
00:30:30,920 --> 00:30:32,520
Speaker 8: on you body.

693
00:30:33,360 --> 00:30:34,880
Speaker 3: So once he gets it done, what's our plan?

694
00:30:34,960 --> 00:30:36,120
Speaker 1: I don't know. I just wanted to have it. We

695
00:30:36,160 --> 00:30:40,360
Speaker 1: could gamble somehow. I'll make it interesting. I'll make it

696
00:30:40,400 --> 00:30:42,000
Speaker 1: interesting in the first game. No, because I don't get

697
00:30:42,000 --> 00:30:51,600
Speaker 1: to play. Who needs a new dolls? That's all them?

698
00:30:53,440 --> 00:30:53,880
Speaker 1: Roll it up.

699
00:30:54,480 --> 00:30:55,040
Speaker 7: There we go.

700
00:30:57,800 --> 00:31:00,320
Speaker 1: Now, the move would have been for you to take

701
00:31:00,360 --> 00:31:02,479
Speaker 1: to have a slight advantage is to like get rid

702
00:31:02,520 --> 00:31:04,400
Speaker 1: of a couple of balls and never pick those numbers.

703
00:31:04,840 --> 00:31:07,600
Speaker 1: Then you'd have I don't know, that'd be that'd be

704
00:31:07,600 --> 00:31:09,480
Speaker 1: a that'd be a shady but yeah, so that would

705
00:31:09,480 --> 00:31:11,000
Speaker 1: be the slight, slight advantage.

706
00:31:13,080 --> 00:31:14,920
Speaker 3: What if he's like, dude, I did that and now

707
00:31:14,960 --> 00:31:15,720
Speaker 3: you just out in me.

708
00:31:16,040 --> 00:31:18,240
Speaker 1: Well, I know you just deny it. So okay, sin

709
00:31:20,120 --> 00:31:24,680
Speaker 1: all right, first ball, Oh we got one.

710
00:31:25,360 --> 00:31:28,040
Speaker 2: Remember I remember playing this and every single time they

711
00:31:28,040 --> 00:31:29,360
Speaker 2: would call a number, we'd go.

712
00:31:29,320 --> 00:31:34,560
Speaker 1: Like, yes, yes, I twenty six, I two six. We'll

713
00:31:34,600 --> 00:31:36,760
Speaker 1: give us cards mail no no, when I play that round.

714
00:31:36,760 --> 00:31:37,720
Speaker 1: But so.

715
00:31:39,200 --> 00:31:42,400
Speaker 2: Gosh, I remember lunch Box had a basket with such

716
00:31:42,400 --> 00:31:43,600
Speaker 2: a dobber it.

717
00:31:43,760 --> 00:31:47,120
Speaker 1: Goes in sear five Nascar bagh seventy five is the highest.

718
00:31:47,320 --> 00:31:49,760
Speaker 1: All right, so I'll just give somebody ten bucks if

719
00:31:49,760 --> 00:31:51,680
Speaker 1: they hit the number today. That's it. This would be

720
00:31:51,680 --> 00:31:54,160
Speaker 1: the easiest one. Oh easy, go ahead, pick amy, pick

721
00:31:54,160 --> 00:31:55,360
Speaker 1: a number one or seenty times.

722
00:31:55,520 --> 00:31:57,000
Speaker 3: Okay, thirty four.

723
00:31:56,920 --> 00:31:59,680
Speaker 1: Lunchbucks forty two Eddie.

724
00:31:59,720 --> 00:32:01,400
Speaker 2: I don't know why, but number two just popped in

725
00:32:01,440 --> 00:32:01,720
Speaker 2: my head.

726
00:32:02,000 --> 00:32:05,240
Speaker 1: Thirty four forty two to two Morgan fifteen all right,

727
00:32:05,320 --> 00:32:08,840
Speaker 1: raymondo twenty two. All right? Your number is.

728
00:32:11,680 --> 00:32:13,239
Speaker 2: It should come out in a little ramp down there,

729
00:32:13,240 --> 00:32:13,880
Speaker 2: you see it?

730
00:32:13,880 --> 00:32:17,360
Speaker 1: It is? Yeah, I have it. It's a single digit too.

731
00:32:18,400 --> 00:32:20,520
Speaker 2: Do I did that win it in the first role?

732
00:32:21,080 --> 00:32:23,480
Speaker 1: It is less than five.

733
00:32:23,840 --> 00:32:26,000
Speaker 2: Oh my gosh, oh my gosh, I got it.

734
00:32:26,200 --> 00:32:26,720
Speaker 7: I got it.

735
00:32:27,120 --> 00:32:30,840
Speaker 1: That's five or less. It's five. Oh fine. Now, if

736
00:32:30,880 --> 00:32:32,040
Speaker 1: you guys wanted to play where we all put a

737
00:32:32,040 --> 00:32:32,960
Speaker 1: little something in, I'd be in.

738
00:32:33,600 --> 00:32:33,640
Speaker 5: No.

739
00:32:33,760 --> 00:32:36,280
Speaker 1: I like this one better, like that fun because it's

740
00:32:36,320 --> 00:32:37,000
Speaker 1: all my money.

741
00:32:37,400 --> 00:32:38,840
Speaker 2: Well, let's start here. Let's see where it goes.

742
00:32:38,920 --> 00:32:40,920
Speaker 3: What do you mean, so the game is we just

743
00:32:40,920 --> 00:32:41,520
Speaker 3: guess the number?

744
00:32:41,560 --> 00:32:43,000
Speaker 2: No, you say you're gonna keep rolling until we get

745
00:32:42,960 --> 00:32:43,280
Speaker 2: the number.

746
00:32:43,360 --> 00:32:46,400
Speaker 1: No, I did not say that. I'm not That was

747
00:32:46,440 --> 00:32:47,040
Speaker 1: the end of the game.

748
00:32:47,200 --> 00:32:48,560
Speaker 2: Yeah, it's no fun.

749
00:32:48,560 --> 00:32:53,720
Speaker 1: Shut it down. If everybody wants to put five bucks in,

750
00:32:53,960 --> 00:32:56,560
Speaker 1: we could spend it until somebody hits and everybody gets

751
00:32:56,560 --> 00:32:59,520
Speaker 1: the money open in five bucks. Okay, but you have

752
00:32:59,520 --> 00:33:00,640
Speaker 1: to have to have bucks.

753
00:33:00,800 --> 00:33:03,280
Speaker 2: Yes, Venmo, I don't like that.

754
00:33:03,360 --> 00:33:06,600
Speaker 1: Okay, I'll Venmo. We'll do universal Venmo. Yeah, no cash,

755
00:33:06,640 --> 00:33:09,120
Speaker 1: universal Venmo no cash, no cash, and Mike, you can

756
00:33:09,160 --> 00:33:11,760
Speaker 1: come spin it unless you want in, okay, because I

757
00:33:11,760 --> 00:33:13,240
Speaker 1: don't want to be accused of anything because I've been

758
00:33:13,240 --> 00:33:18,440
Speaker 1: told I was shady, would you agree, Yeah, yes, well

759
00:33:18,440 --> 00:33:20,960
Speaker 1: I have shady ideas, I don't follow through with them. Okay,

760
00:33:21,160 --> 00:33:24,080
Speaker 1: are you been morying you, Bobby? What are you moaning you? No,

761
00:33:24,120 --> 00:33:26,160
Speaker 1: you're ven milling whoever. Yeah, don't do you don't do?

762
00:33:26,240 --> 00:33:26,440
Speaker 2: Yeah?

763
00:33:27,080 --> 00:33:30,640
Speaker 1: Okay, Amy picking number oh Man twelve, Okay, I'm gonna

764
00:33:30,640 --> 00:33:36,520
Speaker 1: write it down Amy twelve, LaunchBox. I'm gonna do forty two.

765
00:33:37,400 --> 00:33:39,160
Speaker 2: Eddie, let's go twenty one.

766
00:33:39,480 --> 00:33:41,360
Speaker 1: You always go twenty one, I know, I mean, let's

767
00:33:41,400 --> 00:33:42,000
Speaker 1: go twenty one.

768
00:33:42,040 --> 00:33:43,880
Speaker 2: Morgan, dang, I was going twenty two and still go

769
00:33:43,920 --> 00:33:44,120
Speaker 2: with it?

770
00:33:44,240 --> 00:33:46,440
Speaker 1: Do ray? Are you at five bucks? Am?

771
00:33:46,440 --> 00:33:46,520
Speaker 2: Now?

772
00:33:46,640 --> 00:33:48,840
Speaker 1: Yeah, it's one in seventy five right, yeah, fifty six

773
00:33:49,480 --> 00:33:51,560
Speaker 1: and I'm gonna go with sixty nine sCOD but do

774
00:33:51,560 --> 00:33:55,320
Speaker 1: you want in? You don't have Venmo five dollars? No,

775
00:33:55,400 --> 00:33:57,920
Speaker 1: we don't do cash. This is this is his wife Vemo. Yeah,

776
00:33:57,960 --> 00:34:01,000
Speaker 1: you don't even he's go Venmo all right? Even dos No,

777
00:34:01,080 --> 00:34:02,320
Speaker 1: you can give me what you can give somebody five

778
00:34:02,360 --> 00:34:04,800
Speaker 1: bucks cash if we have it. I don't want it,

779
00:34:04,960 --> 00:34:05,479
Speaker 1: just have it.

780
00:34:05,800 --> 00:34:05,960
Speaker 2: Yeah.

781
00:34:06,040 --> 00:34:07,160
Speaker 1: Yeah, I mean, I don't know what we're doing, but

782
00:34:07,160 --> 00:34:10,360
Speaker 1: I'm in picking number one through seventy five three Okay,

783
00:34:10,560 --> 00:34:13,440
Speaker 1: first number to come up is the winner. Here we go.

784
00:34:13,640 --> 00:34:15,040
Speaker 2: We're gonna keep rolling right till the winner.

785
00:34:15,040 --> 00:34:17,560
Speaker 1: We're gona keeps one. Watch your camera on it. Mike

786
00:34:17,640 --> 00:34:17,879
Speaker 1: is rolling.

787
00:34:18,000 --> 00:34:19,279
Speaker 6: I get my money to raid by the way, raise

788
00:34:19,320 --> 00:34:20,040
Speaker 6: get my five bucks.

789
00:34:20,080 --> 00:34:24,520
Speaker 1: Okay, all right, First number, Mike is we got two

790
00:34:24,560 --> 00:34:30,600
Speaker 1: numbers here, seventy four, No winner, put it in your pocket.

791
00:34:30,840 --> 00:34:37,799
Speaker 1: Next number fifty eight, ray fifty six, no winner? Oh

792
00:34:38,160 --> 00:34:43,359
Speaker 1: you sure it's a six? Yeah? Next number thirty nine,

793
00:34:43,920 --> 00:34:46,200
Speaker 1: No winners after forty two?

794
00:34:46,520 --> 00:34:50,759
Speaker 7: Oh ready, yeah, sixty five.

795
00:34:51,560 --> 00:34:55,319
Speaker 1: Come on at sixty nine, No winner, you shure us?

796
00:34:55,320 --> 00:35:00,759
Speaker 1: Not fifty six? Thirty two? Oh you is up? Forty two?

797
00:35:00,920 --> 00:35:05,200
Speaker 2: Winter, you're gonna do that every single draw? Yes, come

798
00:35:05,239 --> 00:35:14,719
Speaker 2: on twenty one, twenty No what so close?

799
00:35:14,719 --> 00:35:18,040
Speaker 7: Sure it's not that sixty not come on seventy one,

800
00:35:18,960 --> 00:35:25,520
Speaker 7: s seventy one, twenty three.

801
00:35:26,440 --> 00:35:33,400
Speaker 2: Around it, We're all around it. Hey, it's getting closer, Gordan,

802
00:35:33,680 --> 00:35:34,839
Speaker 2: it's getting closer.

803
00:35:37,080 --> 00:35:42,120
Speaker 1: We got twelve, Oh my god, another one about one.

804
00:35:44,200 --> 00:35:47,719
Speaker 2: That's my dollars from everyone you get.

805
00:35:48,600 --> 00:35:49,960
Speaker 7: That's my sister and Forrest and I.

806
00:35:52,360 --> 00:35:53,719
Speaker 1: You know, she was just like, look at her phone.

807
00:35:53,760 --> 00:35:56,960
Speaker 3: You get thirty No it wasn't. I was looking.

808
00:35:56,719 --> 00:35:57,840
Speaker 2: At amy double or nothing?

809
00:35:58,840 --> 00:36:01,160
Speaker 3: Dash dash dash.

810
00:36:01,120 --> 00:36:03,080
Speaker 1: You can do you get thirty bucks? So five from

811
00:36:03,080 --> 00:36:04,120
Speaker 1: each other? It's paying me. Please?

812
00:36:05,760 --> 00:36:06,520
Speaker 3: Do you have my venmo?

813
00:36:06,760 --> 00:36:07,000
Speaker 1: No?

814
00:36:07,200 --> 00:36:08,040
Speaker 3: Thank you?

815
00:36:08,040 --> 00:36:09,640
Speaker 2: You send it one more and one more?

816
00:36:10,840 --> 00:36:11,279
Speaker 1: No more?

817
00:36:11,440 --> 00:36:12,560
Speaker 2: What's got too much to do?

818
00:36:14,120 --> 00:36:15,359
Speaker 3: Well, it's a great day.

819
00:36:16,560 --> 00:36:21,040
Speaker 1: What okay? Thank you? You want to risk it? Hey?

820
00:36:21,040 --> 00:36:22,279
Speaker 1: You want Amy? Do you want to risk it?

821
00:36:22,440 --> 00:36:23,480
Speaker 3: Risk it for the biscuit?

822
00:36:23,600 --> 00:36:23,839
Speaker 2: Yeah?

823
00:36:23,960 --> 00:36:25,480
Speaker 1: No, you can risk it all right now.

824
00:36:25,560 --> 00:36:26,400
Speaker 3: No, I just got it.

825
00:36:26,719 --> 00:36:28,719
Speaker 2: Just you have to hear of the game. Just hear

826
00:36:28,760 --> 00:36:29,640
Speaker 2: the game.

827
00:36:29,719 --> 00:36:33,080
Speaker 1: I'll go up against your heads up for all the money,

828
00:36:33,360 --> 00:36:36,359
Speaker 1: double or nothing. You get all of me, and we'll

829
00:36:36,360 --> 00:36:41,520
Speaker 1: do over under what thirty seven?

830
00:36:43,239 --> 00:36:43,719
Speaker 3: And then what?

831
00:36:43,920 --> 00:36:46,839
Speaker 1: Then fifty fifty game? You can pick over under thirty

832
00:36:46,880 --> 00:36:47,640
Speaker 1: seven on the balls.

833
00:36:48,200 --> 00:36:50,919
Speaker 7: And so if it goes over or let's say under,

834
00:36:51,120 --> 00:36:53,560
Speaker 7: you pick under and it's under, Bobby will pay you

835
00:36:53,560 --> 00:36:54,400
Speaker 7: thirty more dollars.

836
00:36:54,680 --> 00:36:56,000
Speaker 1: If you pick under but it's over, you have to

837
00:36:56,000 --> 00:36:58,960
Speaker 1: pay me the thirty bucks. Yeah, you'll have to.

838
00:36:59,000 --> 00:37:00,719
Speaker 2: You can just keep your money, Amy, you still have

839
00:37:00,760 --> 00:37:01,279
Speaker 2: the same one.

840
00:37:01,680 --> 00:37:07,120
Speaker 1: Yeah, great, I paid your husband X I got him

841
00:37:07,120 --> 00:37:11,320
Speaker 1: save this Amy's husband. We'll see you guys tomorrow.

842
00:37:11,320 --> 00:37:14,520
Speaker 7: All right, bye, We're done, Bye, buddy.

843
00:37:15,200 --> 00:37:15,520
Speaker 2: Okay,