WEBVTT - Sex! (It's a play)

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<v Speaker 1>School of Humans.

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<v Speaker 2>So I'm thirty two and I'm not a star. It's okay, guys,

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<v Speaker 2>I've accepted it. But I've tried various things over the years.

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<v Speaker 2>You know, I tried to be a rock star, a

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<v Speaker 2>pop star. I've had a couple podcasts, I do stand

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<v Speaker 2>up comedy, I post reels and TikTok.

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<v Speaker 1>Singing humiliating songs and bringing shame to my family's name.

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<v Speaker 2>You know, I've done a lot in my quest to

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<v Speaker 2>become the most famous person who have ever existed. It's

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<v Speaker 2>not a noble quest, but a combination of mental illness

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<v Speaker 2>and American individualism has led me down this path. All

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<v Speaker 2>the same, if you're like me, when you reached thirty

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<v Speaker 2>two and looked at your efforts, you might have been like, well,

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<v Speaker 2>maybe it's not going to happen for me, Maybe I

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<v Speaker 2>don't have star power factor. You might have gone to

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<v Speaker 2>the Internet and asked your search engine questions, like at

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<v Speaker 2>what age did this famous person make it? Who are

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<v Speaker 2>some stars who made it later in life. There's two

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<v Speaker 2>people who give me hope. The first, of course, is

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<v Speaker 2>Jesus Christ. Yeah, Jesus was pretty obscure until he turned

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<v Speaker 2>thirty three, and now He's one of the most famous

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<v Speaker 2>guys out there. Another person is the movie star May West.

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<v Speaker 2>She didn't make a big splash until she was just

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<v Speaker 2>like me thirty two, and she made it in the

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<v Speaker 2>same way that Jesus did with sex appeal. Oh no, am,

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<v Speaker 2>I about to lose all my Christian listeners with that comparison.

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<v Speaker 2>But also, if you're a Christian and you listen to

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<v Speaker 2>this podcast, good for you.

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<v Speaker 1>You're very open minded.

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<v Speaker 2>I'm just saying how Jesus was posing on the crucifix,

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<v Speaker 2>he looked a bit spicy. May West was also very spicy,

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<v Speaker 2>and what she did was right and star in a

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<v Speaker 2>Broadway production with the simple title that got right to

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<v Speaker 2>the point sex and in part because of that, she

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<v Speaker 2>was launched from small time notoriety to big ass notoriety.

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<v Speaker 2>So let's see what tips and tricks she has so

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<v Speaker 2>that all of us can do the same thing and

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<v Speaker 2>make it at the age of thirty two.

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<v Speaker 1>Cue the theme song. This is American filth. I'm Gabby Watts.

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<v Speaker 2>Every week I tell you a filthy story from American history.

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<v Speaker 1>This week's episode sex do pe pe doy do boo

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<v Speaker 1>bity do boop.

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<v Speaker 2>Pity doo Unfortunately, in my research I found I am

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<v Speaker 2>already far behind May West because she is funnier and

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<v Speaker 2>wiser than me. She also just oos sexuality and confidence

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<v Speaker 2>and bad bitchery. And I want to say, I'm not

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<v Speaker 2>into celebrity worship, but I can do some celebrity respect.

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<v Speaker 2>And here are some of the funniest things.

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<v Speaker 1>She said.

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<v Speaker 2>A hard man is good to find. Too much of

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<v Speaker 2>a good thing can be wonderful. When I'm good, I'm

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<v Speaker 2>very good. But when I'm bad, I'm better. Love thy neighbor.

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<v Speaker 2>And if he happens to be tall, debonair and devastating,

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<v Speaker 2>it will be that much easier. Personally, I like two

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<v Speaker 2>types of men, domestic and foreign.

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<v Speaker 1>Is that a gun in your pocket? Or are you

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<v Speaker 1>just happy to see me? Pew pew.

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<v Speaker 2>Love conquers all things except poverty and toothache.

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<v Speaker 1>Wow. Pretty good.

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<v Speaker 2>And I think it's fair to say that a West

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<v Speaker 2>was an American icon of the stage and then the screen.

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<v Speaker 1>She was a bleach.

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<v Speaker 2>Blonde bombshell whose career was characterized by sexual innuendo, comedic irony,

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<v Speaker 2>being provocative and causing chaos, or, as the censors would

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<v Speaker 2>think so, inappropriate and ruining the youths.

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<v Speaker 1>She was an.

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<v Speaker 2>Actress, dancer, singer, writer who started as an obsolete actress

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<v Speaker 2>in the theater world, but then went on to be

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<v Speaker 2>a big star in the movies and yas. She was

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<v Speaker 2>considered a sex symbol, but before all of that, she

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<v Speaker 2>was a child. You perverts, and that is something I

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<v Speaker 2>can relate to with May West, I too was once

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<v Speaker 2>a child. May was born in eighteen ninety three and

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<v Speaker 2>group in Brooklyn, New York. Have you heard of this place?

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<v Speaker 2>And her life in showbiz started early. She was a

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<v Speaker 2>wee babe of five when she did her first performance

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<v Speaker 2>at her church, and then at seven she started doing

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<v Speaker 2>talent shows, amateur plays, and at fourteen she entered the

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<v Speaker 2>world of vaudeville. How did people see vaudeville at the time, Well,

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<v Speaker 2>it wasn't one of the high arts. It featured review

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<v Speaker 2>shows mixing comedy and song and dance. It could be provocative, raunchy, sexy,

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<v Speaker 2>depending on the show. On the other hand, Broadway was

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<v Speaker 2>considered the legitimate stage. May got a few opportunities on

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<v Speaker 2>Broadway early on, but she didn't get enough work to

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<v Speaker 2>sustain her, so she hit the touring vaudeville circuit. She

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<v Speaker 2>toured around the country singing and dancing in vaudeville shows

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<v Speaker 2>through nineteen seventeen, when she was about twenty four. She

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<v Speaker 2>had done so much performing by that point she even

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<v Speaker 2>had a bit where she would wear men's clothing as

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<v Speaker 2>a male impersonator. When she got back to New York,

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<v Speaker 2>it seemed that things might be looking up. In nineteen eighteen,

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<v Speaker 2>she got cast in a high profile review show called Sometimes,

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<v Speaker 2>and then in nineteen twenty two she had a successful

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<v Speaker 2>double act with this pianist Harry Richmond that hit the

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<v Speaker 2>premiere vaudeville stages, but she still wasn't back on Broadway,

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<v Speaker 2>and then the pianist Harry Richmond dumped her ass to

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<v Speaker 2>team up with a more notable actress.

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<v Speaker 1>Poor May, What's she gonna do well? At that point,

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<v Speaker 1>she was getting desperate.

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<v Speaker 2>In her autobiography, she sort of skips over what happened

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<v Speaker 2>between nineteen twenty two and nineteen twenty six.

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<v Speaker 1>She's like, if I don't mention it, no one will know.

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<v Speaker 2>But historians, those snaky historians, they discovered what happened to me.

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<v Speaker 2>She had descended from the vaudeville stage to burlesque. Oh no, oh,

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<v Speaker 2>the shame see, burlesque was like Vaudeville.

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<v Speaker 1>But more lude and more nude.

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<v Speaker 2>And a humiliating step backwards for any self respecting performer.

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<v Speaker 2>And see, her family was already divided on her career.

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<v Speaker 2>Her mom loved everything she did, go Mom, but her

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<v Speaker 2>dad's side of the family they seemed to disapprove of

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<v Speaker 2>her acts.

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<v Speaker 1>And I was just doing.

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<v Speaker 2>Vaudeville because in the vaudeville shows even there, May was

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<v Speaker 2>doing crazy stuff like this nude dance move called the shimmy.

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<v Speaker 2>And now she was doing burlesque, and not just that,

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<v Speaker 2>she was working with the Mutual Burlesque Wheel, which was

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<v Speaker 2>notorious for having the ludist of lude acts. So yes,

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<v Speaker 2>burlesque could be seen as a step backwards, but honestly,

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<v Speaker 2>it wasn't that far off from what May was doing before.

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<v Speaker 2>And it seems that she took ownership of this provocative

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<v Speaker 2>material and ran with it, because what she did next

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<v Speaker 2>was write her own play under her pen name Jane

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<v Speaker 2>Mast and through some dubious financial backing aka people think

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<v Speaker 2>she found herself a sugar daddy who has given her money,

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<v Speaker 2>she was able to rent a Broadway theater, hire director

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<v Speaker 2>and put on her own production where she would star

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<v Speaker 2>as the main character, Margie Lamont, and she named the

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<v Speaker 2>play sex.

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<v Speaker 1>And what was this show about? A sex worker?

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<v Speaker 2>Of course, Margie Lamont romps from Montreal to Trinidad to

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<v Speaker 2>the suburbs of New York, going on various adventures and

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<v Speaker 2>sex capades in the pursuit of money. Yeah, the plot,

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<v Speaker 2>it's convoluted. It doesn't always make sense. It's a long,

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<v Speaker 2>unwieldy story filled with lowbrow sexual innuendo and la else.

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<v Speaker 2>For example, in one scene, one of Margie's customers is

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<v Speaker 2>this dude named Lieutenant Greg, and he says, I've got

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<v Speaker 2>something for you, and then Margie's like, well, come on

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<v Speaker 2>and let me see it.

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<v Speaker 1>And Greg's like, you'll get it, you'll get it.

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<v Speaker 2>I don't mind telling you. I had an awful time

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<v Speaker 2>saving it for you. Why all the women were fighting

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<v Speaker 2>for it. And then Margie's like, well it better be good,

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<v Speaker 2>and then Greg's like it's good, alright, It's the best

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<v Speaker 2>you could get, but you got to be very careful

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<v Speaker 2>not to bend it. Oh he he haha. Doesn't it

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<v Speaker 2>sound like they're talking about his waner? But no, joke's

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<v Speaker 2>on you. The gift that Lieutenant Greg got Margie was

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<v Speaker 2>not his big old dong. No, it was an ostrich feather.

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<v Speaker 2>So May West opened the show in nineteen twenty six.

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<v Speaker 2>It's during prohibition when the government was like, te Prince

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<v Speaker 2>is so important, let's be teetotal ers. And you had

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<v Speaker 2>all these activists, you know, men and women, being like,

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<v Speaker 2>we need to keep the old values of the Victorian

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<v Speaker 2>era when we were repressed and policing poor people's behavior

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<v Speaker 2>to make sure they didn't get any bright ideas and

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<v Speaker 2>have fun. And we got a censor provocative art so

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<v Speaker 2>that people don't think that kind of stuff is okay.

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<v Speaker 2>And censorship had reached the arts. For example, a few

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<v Speaker 2>years earlier, New York State created the New York State

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<v Speaker 2>Motion Picture Commission, which had to approve movies before they

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<v Speaker 2>were released. They could demand cuts and other changes to

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<v Speaker 2>the films if they deemed them inappropriate. And that was

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<v Speaker 2>before people were even talking in the movies. And commissions

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<v Speaker 2>like that had popped up all across the country because

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<v Speaker 2>lots of folks were concerned with the devilry in Hollywood

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<v Speaker 2>with their loose morals. But of course, as we all know,

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<v Speaker 2>while there is prohibition, there was of course the backlash

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<v Speaker 2>to it where you had flappers, speakeasies and provocateurs like

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<v Speaker 2>May West. Sex premiered on April twenty six at the

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<v Speaker 2>DALYs sixty third Street Theater. And a fun fact about

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<v Speaker 2>that theater was the organization that financed the final construction

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<v Speaker 2>of that building was going to use it to host

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<v Speaker 2>religious lectures and show biblical films, and then after that

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<v Speaker 2>it was a children's theater. But then by nineteen twenty

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<v Speaker 2>six it was time for sex, and wow, wee did

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<v Speaker 2>the critics freaking hate sex. The critical rage against the

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<v Speaker 2>show was almost universal. Almost every critic was like, this

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<v Speaker 2>show is a pile of garbage that will ruin the

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<v Speaker 2>morals of the youths literally. One review said it was garbage.

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<v Speaker 2>The New York Daily Mirror had the headline sex an

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<v Speaker 2>offensive play, monster atrocity plucked from garbage can destined to sewer.

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<v Speaker 2>The New York Times said it was a crude and

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<v Speaker 2>inept play, cheaply produced and poorly acted, and Billboard said

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<v Speaker 2>it was the cheapest, most vulgar low show to have

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<v Speaker 2>dared to.

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<v Speaker 1>Open in New York this year.

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<v Speaker 2>One of the most positive reviews was from the New

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<v Speaker 2>York Herald Tribune, but it was still hating on the play.

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<v Speaker 2>It said, never in a long experience of theater going

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<v Speaker 2>have we met with such a set of characters so depraved.

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<v Speaker 2>All the barriers of conventional word and act that the

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<v Speaker 2>last few seasons of the theater have shown us were

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<v Speaker 2>swept away, and we were shown not sex, but lust,

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<v Speaker 2>stark naked lust. But not only did the reviewers think

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<v Speaker 2>the show was bad, some of them were like, this

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<v Speaker 2>show should be illegal. Call the police on this play,

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<v Speaker 2>like in that article that called the show garbage. The

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<v Speaker 2>New York Daily Mirror reviewer went even further. It said,

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<v Speaker 2>this production is not for the police. It comes rather

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<v Speaker 2>in the province of our health department. It is a

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<v Speaker 2>sore spot in the midst of our fair.

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<v Speaker 1>City that needs disinfecting.

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<v Speaker 2>Not only did the haters dislike sex because it was

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<v Speaker 2>dealing with vulgar subject matter, but also the main character, Margie.

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<v Speaker 2>She was a woman, and she had sexual agency, made

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<v Speaker 2>her own decisions and was confident that must have been

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<v Speaker 2>super awful for all those male reviewers to see. And

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<v Speaker 2>may west just her whole vibe was offensive to her critics.

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<v Speaker 2>One police officer who saw the play said that Wes

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<v Speaker 2>moved her buttocks in other parts of her body in

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<v Speaker 2>such a way as to suggest an act of intercourse.

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<v Speaker 1>Oh god. So yeah.

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<v Speaker 2>Critically the show was a bomb, But in showbiz we

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<v Speaker 2>all know there's no such thing as a bad review,

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<v Speaker 2>because Sex ended up being one of the most successful

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<v Speaker 2>plays of the nineteen twenty six Broadway season, with an

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<v Speaker 2>almost sold out run through nineteen twenty seven. Those bad

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<v Speaker 2>reviews just drummed up more attention and New Yorkers were like,

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<v Speaker 2>I gotta go see what the deal is with this

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<v Speaker 2>crazy show. So when we look back at the nineteen twenties,

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<v Speaker 2>we might think that this show seems revolutionary, but nothing

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<v Speaker 2>happens in a vacuum, and this show wasn't alone. The

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<v Speaker 2>same time that Sex was out, there were several other

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<v Speaker 2>Broadway shows that had characters who were sex workers. For example,

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<v Speaker 2>two of those shows were called The Shanghai Gesture and

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<v Speaker 2>Lulu Bell, and those shows not only did they portray

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<v Speaker 2>sex workers, but also interracial sex and marriage.

0:14:58.005 --> 0:14:58.965
<v Speaker 1>And it seemed there were.

0:14:58.805 --> 0:15:00.845
<v Speaker 2>So many of these shows going on at the time,

0:15:00.885 --> 0:15:03.885
<v Speaker 2>but they got their own genre on Broadway. They were

0:15:03.885 --> 0:15:08.285
<v Speaker 2>called sex plays, and as the censors and the temperance

0:15:08.325 --> 0:15:12.405
<v Speaker 2>activists circled. Many people on Broadway were also not thrilled

0:15:12.405 --> 0:15:15.645
<v Speaker 2>about these shows. But the thing is, while everyone was

0:15:15.685 --> 0:15:19.325
<v Speaker 2>in a tizzy about sex, May West was already writing

0:15:19.365 --> 0:15:22.085
<v Speaker 2>a new show, and it was going to induce people

0:15:22.125 --> 0:15:25.925
<v Speaker 2>into an even bigger tizzy. The show was called The

0:15:26.005 --> 0:15:31.565
<v Speaker 2>Drag and it was a comedy drama featuring homosexuals. Be

0:15:31.685 --> 0:15:38.125
<v Speaker 2>right back after these soothing advertisements, so May West play

0:15:38.205 --> 0:15:41.245
<v Speaker 2>The Drag was about a guy named Rally. Then Raleigh

0:15:41.365 --> 0:15:45.525
<v Speaker 2>is a homosexual, but unfortunately for him, his dad is

0:15:45.525 --> 0:15:47.925
<v Speaker 2>a prominent judge who likes to use his power to

0:15:48.005 --> 0:15:51.205
<v Speaker 2>persecute gay people. And then Raley is married to a

0:15:51.245 --> 0:15:54.165
<v Speaker 2>woman named Claire, and Claire's dad is a therapist who

0:15:54.205 --> 0:15:55.525
<v Speaker 2>does conversion therapy.

0:15:56.085 --> 0:15:57.165
<v Speaker 1>What a safe space.

0:15:58.325 --> 0:16:01.485
<v Speaker 2>Claire is unhappy because Raleigh has no sexual interest in her.

0:16:02.005 --> 0:16:04.565
<v Speaker 2>And then in act too, Raleigh makes advances on one

0:16:04.605 --> 0:16:08.045
<v Speaker 2>of his employees, Alan, but Alan is like you, no thanks,

0:16:08.605 --> 0:16:10.965
<v Speaker 2>And then Alan is like, actually, I'm attracted to your

0:16:11.005 --> 0:16:13.285
<v Speaker 2>wife though, and then Claire seems to be kind of

0:16:13.325 --> 0:16:17.885
<v Speaker 2>into him anyway. The third act features a big ball

0:16:17.925 --> 0:16:19.885
<v Speaker 2>where there are all these men in drag and a

0:16:19.965 --> 0:16:24.005
<v Speaker 2>jazz band on stage. It's a big old party and

0:16:24.085 --> 0:16:30.005
<v Speaker 2>at some point Ralli gets shot and dies. The next morning,

0:16:30.085 --> 0:16:33.165
<v Speaker 2>his dad, the homophobic judge, is trying to figure out

0:16:33.205 --> 0:16:36.925
<v Speaker 2>who killed his son. They think it's Alan, but then

0:16:36.965 --> 0:16:39.005
<v Speaker 2>a former lover of Rolly confesses.

0:16:40.365 --> 0:16:41.125
<v Speaker 1>Claire's dad.

0:16:41.205 --> 0:16:45.125
<v Speaker 2>The conversion therapist is like, hey, judge, let's be nice.

0:16:45.605 --> 0:16:48.845
<v Speaker 2>Remember homosexuality is a disease and let me try to

0:16:48.885 --> 0:16:49.365
<v Speaker 2>fix it.

0:16:49.845 --> 0:16:51.565
<v Speaker 1>The judge is like, okay, fine.

0:16:51.325 --> 0:16:55.325
<v Speaker 2>I'll say it's a suicide, but alsough discussing homosexuals. I

0:16:55.365 --> 0:16:57.605
<v Speaker 2>don't want people to know my family was associated with

0:16:57.645 --> 0:17:00.605
<v Speaker 2>such behavior. And then the gay lover goes off with

0:17:00.685 --> 0:17:08.565
<v Speaker 2>Claire's dad to get cured of his homosexuality. So looking

0:17:08.605 --> 0:17:11.005
<v Speaker 2>back at this play is a bit confusing, you know.

0:17:11.085 --> 0:17:14.605
<v Speaker 2>On the one hand, the show was revolutionary. May West

0:17:14.605 --> 0:17:17.125
<v Speaker 2>had been around drag before. Remember she had been a

0:17:17.125 --> 0:17:21.285
<v Speaker 2>male impersonator at one point in her life, and being

0:17:21.285 --> 0:17:23.605
<v Speaker 2>in vaudeville in the theater, she had been around a

0:17:23.605 --> 0:17:26.565
<v Speaker 2>lot of gay men. I'm sorry, I'm not stereotyping. The

0:17:26.605 --> 0:17:30.805
<v Speaker 2>gays were just there in the theater. And during the

0:17:30.885 --> 0:17:33.325
<v Speaker 2>run of Sex One night, she invited some of her

0:17:33.325 --> 0:17:35.645
<v Speaker 2>gay colleagues to the show, and then the ones who

0:17:35.685 --> 0:17:38.405
<v Speaker 2>showed up. She said, Hey, come audition for my new play.

0:17:38.805 --> 0:17:43.645
<v Speaker 2>We're having open auditions at the gay bar. And now

0:17:43.725 --> 0:17:46.605
<v Speaker 2>that was the thing that was really revolutionary. This was

0:17:46.685 --> 0:17:50.485
<v Speaker 2>unheard of of having gay characters but then also having

0:17:50.525 --> 0:17:54.605
<v Speaker 2>them played by gay men. The Actors' Union had forbidden

0:17:54.645 --> 0:17:57.685
<v Speaker 2>gay men from having speaking lines in productions, so this

0:17:57.885 --> 0:18:03.165
<v Speaker 2>was huge. So yes, big ups to May West. But

0:18:03.245 --> 0:18:06.205
<v Speaker 2>at the same time, her opinions on homosexuals were a

0:18:06.245 --> 0:18:09.965
<v Speaker 2>bit more nuanced and changed over the course of her career.

0:18:10.565 --> 0:18:12.765
<v Speaker 2>One reading of the message of The Drag is that

0:18:12.845 --> 0:18:16.525
<v Speaker 2>the reason Rolly's lover wasn't convicted of murder was because

0:18:16.565 --> 0:18:17.965
<v Speaker 2>the doctor said he was going.

0:18:17.805 --> 0:18:18.685
<v Speaker 1>To fix him.

0:18:19.005 --> 0:18:23.125
<v Speaker 2>Aka, homosexuality is a disease, and therefore you can't penalize

0:18:23.165 --> 0:18:26.045
<v Speaker 2>gay people because they are sick. And may at one

0:18:26.085 --> 0:18:28.525
<v Speaker 2>point was like, yeah, I didn't read Freud because it

0:18:28.605 --> 0:18:31.845
<v Speaker 2>was too boring, but I agree that homosexuality is a

0:18:31.885 --> 0:18:36.125
<v Speaker 2>mental illness. In her autobiography that was published in nineteen

0:18:36.205 --> 0:18:39.685
<v Speaker 2>fifty nine, she said that homosexuality was a danger to

0:18:39.725 --> 0:18:44.805
<v Speaker 2>the entire social system of Western civilization, but then later

0:18:44.845 --> 0:18:47.805
<v Speaker 2>in her life in the nineteen sixties and seventies, she

0:18:47.925 --> 0:18:50.205
<v Speaker 2>was like, actually, I've just really been ahead of my

0:18:50.325 --> 0:18:53.245
<v Speaker 2>time the whole time, Like, yeah, I am a gay

0:18:53.325 --> 0:18:58.245
<v Speaker 2>pioneer for sure. In an interview, she said I glorified

0:18:58.245 --> 0:19:01.645
<v Speaker 2>them to a certain extent and treated them very sympathetically.

0:19:08.605 --> 0:19:11.325
<v Speaker 2>So in January nineteen twenty seven, May West and her

0:19:11.365 --> 0:19:14.725
<v Speaker 2>cast of gays started running previews of The Drag in

0:19:14.805 --> 0:19:19.205
<v Speaker 2>Connecticut and New Jersey. These were widely publicized because it

0:19:19.325 --> 0:19:23.565
<v Speaker 2>was so scandalous again to have homosexuals having speaking lines

0:19:23.765 --> 0:19:28.045
<v Speaker 2>in a show, and also it's about homosexuality, and the

0:19:28.085 --> 0:19:32.485
<v Speaker 2>reviews were also pretty bad, but may was undeterred. She

0:19:32.725 --> 0:19:36.325
<v Speaker 2>was like, these audiences are too childlike to face, like

0:19:36.405 --> 0:19:40.765
<v Speaker 2>grown ups, the problem of homosexuals. But these previews that

0:19:40.845 --> 0:19:45.005
<v Speaker 2>ran over two weeks pretty successful. May West made bank

0:19:45.165 --> 0:19:49.125
<v Speaker 2>about thirty thousand dollars, and she was like, I think

0:19:49.165 --> 0:19:55.045
<v Speaker 2>we are ready to bring the show to Broadway. So

0:19:55.205 --> 0:19:58.925
<v Speaker 2>while sex riled some feathers, the Drag made those feathers

0:19:59.005 --> 0:20:02.805
<v Speaker 2>fall the fuck off. The purveyors of Broadway were pissed.

0:20:03.165 --> 0:20:05.125
<v Speaker 2>They were like, don't you dare bring that filth to

0:20:05.165 --> 0:20:08.325
<v Speaker 2>the New York stage. One Broadway producer said that it

0:20:08.365 --> 0:20:11.725
<v Speaker 2>was the worst possible play i've ever heard of, contemplating

0:20:11.765 --> 0:20:15.685
<v Speaker 2>an invasion of New York. And the reason the theater

0:20:15.805 --> 0:20:18.685
<v Speaker 2>people didn't want May West to do this production in

0:20:18.765 --> 0:20:22.565
<v Speaker 2>New York was because they knew if she put homosexuality

0:20:22.565 --> 0:20:25.605
<v Speaker 2>on Broadway, then Broadway was going to be under even

0:20:25.645 --> 0:20:29.885
<v Speaker 2>more scrutiny and they would all get fucked over. And

0:20:29.925 --> 0:20:33.325
<v Speaker 2>they had reasons to be scared. Their artistic agency was

0:20:33.365 --> 0:20:39.125
<v Speaker 2>at stake because, in early nineteen twenty seven, the New

0:20:39.205 --> 0:20:42.525
<v Speaker 2>York City Assembly introduced a bill that would put the

0:20:42.525 --> 0:20:46.445
<v Speaker 2>theaters under the control of the same commission that censored movies,

0:20:46.765 --> 0:20:50.085
<v Speaker 2>the New York Board of Motion Picture Censorship, remember that.

0:20:50.965 --> 0:20:53.765
<v Speaker 2>And the theater people were trying to propose an alternative.

0:20:54.725 --> 0:20:57.685
<v Speaker 2>They're like, instead of having the theater under the movie

0:20:57.725 --> 0:21:01.765
<v Speaker 2>people's control, how about instead we create our own regulatory

0:21:01.845 --> 0:21:05.965
<v Speaker 2>board called the Theater Supervisory Board, and then we review

0:21:05.965 --> 0:21:08.205
<v Speaker 2>all the scripts to make sure none of these nasty

0:21:08.245 --> 0:21:11.925
<v Speaker 2>May West type shows reached the stage. But may West

0:21:12.005 --> 0:21:14.685
<v Speaker 2>was like, I'm doing whatever the fuck I want, you Pusseys,

0:21:15.125 --> 0:21:18.005
<v Speaker 2>I released my own theater, the Dowley, so you literally

0:21:18.045 --> 0:21:21.885
<v Speaker 2>can't stop me. But unfortunately for may she literally did

0:21:21.925 --> 0:21:25.365
<v Speaker 2>get stopped, and she brought several other productions with her.

0:21:31.685 --> 0:21:35.285
<v Speaker 2>On February ninth, nineteen twenty seven, after the curtain came

0:21:35.365 --> 0:21:38.525
<v Speaker 2>down on another packed out night of Sex, May was

0:21:38.605 --> 0:21:42.565
<v Speaker 2>backstage and suddenly saw a bunch of police officers rounding

0:21:42.645 --> 0:21:44.005
<v Speaker 2>up the cast of her play.

0:21:45.485 --> 0:21:46.485
<v Speaker 1>The police who were.

0:21:46.325 --> 0:21:49.445
<v Speaker 2>There were the officers from the New York Police Department's

0:21:49.645 --> 0:21:53.445
<v Speaker 2>Municipal Vice Squad and had been sent by the mayor

0:21:53.565 --> 0:21:57.965
<v Speaker 2>on charges of public obscenity. May West was probably like,

0:21:58.285 --> 0:22:01.685
<v Speaker 2>this is not the encore I expected. But then the

0:22:01.685 --> 0:22:04.445
<v Speaker 2>police grabbed her as well and shoved her and her

0:22:04.525 --> 0:22:10.525
<v Speaker 2>cast into the back of a police ban. May was pissed,

0:22:10.965 --> 0:22:13.885
<v Speaker 2>and the Sex cast and crew weren't alone. The police

0:22:13.965 --> 0:22:17.725
<v Speaker 2>raided a couple other theaters that were producing indecent plays,

0:22:18.925 --> 0:22:21.045
<v Speaker 2>so May had to use half of her profits from

0:22:21.085 --> 0:22:24.765
<v Speaker 2>the drag to get everyone out of jail fourteen thousand

0:22:24.845 --> 0:22:29.245
<v Speaker 2>to bail out all of her actors and crew. After that,

0:22:29.365 --> 0:22:31.445
<v Speaker 2>she had to go to court to deal with the charges,

0:22:32.165 --> 0:22:33.125
<v Speaker 2>but she was going to do it.

0:22:33.085 --> 0:22:34.085
<v Speaker 1>In May West style.

0:22:34.725 --> 0:22:37.645
<v Speaker 2>For example, when she entered the courtroom, the judge was

0:22:37.685 --> 0:22:40.645
<v Speaker 2>like are you May West? And she was like, don't

0:22:40.685 --> 0:22:45.285
<v Speaker 2>you read the newspapers? See this didn't really seem that

0:22:45.285 --> 0:22:48.645
<v Speaker 2>it was getting made down. She saw this as an opportunity.

0:22:50.285 --> 0:22:52.565
<v Speaker 2>One journalist at the court asked her what she thought

0:22:52.645 --> 0:22:54.245
<v Speaker 2>was going to happen, and she was like.

0:22:54.885 --> 0:22:56.885
<v Speaker 1>I expect this will be the making of me.

0:22:58.725 --> 0:23:02.805
<v Speaker 2>Despite the arrest, May refused to shut down sex at first.

0:23:03.365 --> 0:23:07.165
<v Speaker 2>It did finally close in March nineteen twenty s and

0:23:07.205 --> 0:23:10.005
<v Speaker 2>then in April May was sentenced to ten days in

0:23:10.005 --> 0:23:17.645
<v Speaker 2>prison for corrupting the morals of the youth. She was

0:23:17.685 --> 0:23:21.125
<v Speaker 2>sent to the women's reformatory on Welfare Island now called

0:23:21.205 --> 0:23:26.925
<v Speaker 2>Roosevelt Island to serve her ten days, and she seemed to.

0:23:26.925 --> 0:23:28.405
<v Speaker 1>Have a really horrible time.

0:23:28.925 --> 0:23:31.805
<v Speaker 2>For example, she wasn't allowed to wear her silk underwear,

0:23:31.845 --> 0:23:33.605
<v Speaker 2>she had to wear cotton underwear.

0:23:33.685 --> 0:23:35.125
<v Speaker 1>Ah, and also.

0:23:34.925 --> 0:23:37.285
<v Speaker 2>She had to eat dinner with a warden every night,

0:23:37.325 --> 0:23:40.405
<v Speaker 2>which I'm sure was a huge burden. And then she

0:23:40.445 --> 0:23:43.685
<v Speaker 2>got released eight days later. Yeah, she got two days

0:23:43.725 --> 0:23:49.805
<v Speaker 2>off for good behavior. And May she never did stage

0:23:49.845 --> 0:23:54.565
<v Speaker 2>the drag in New York City. Technically, what she did

0:23:54.565 --> 0:23:57.845
<v Speaker 2>instead was rewrite the play, name it The Pleasure Man,

0:23:58.165 --> 0:24:01.005
<v Speaker 2>made the main character Raley straight, but then kept some

0:24:01.045 --> 0:24:03.085
<v Speaker 2>of the gay stuff in, like The Drag Ball at

0:24:03.085 --> 0:24:05.765
<v Speaker 2>the End that started running on New York City ages

0:24:05.805 --> 0:24:09.285
<v Speaker 2>in nineteen twenty eight, and again the theater was rated

0:24:09.485 --> 0:24:13.325
<v Speaker 2>fifty five. Actors, actresses, and musicians along with May were arrested.

0:24:14.165 --> 0:24:14.885
<v Speaker 1>Once they were out of.

0:24:14.925 --> 0:24:18.085
<v Speaker 2>Jail, the next day, May made some cuts to the production,

0:24:18.285 --> 0:24:20.885
<v Speaker 2>you know, took out some of the more obscene parts,

0:24:22.245 --> 0:24:25.085
<v Speaker 2>and they staged the play again, but this time she

0:24:25.125 --> 0:24:31.045
<v Speaker 2>and the cast were arrested during the show. Two years later,

0:24:31.245 --> 0:24:34.365
<v Speaker 2>she and the cast were on trial, but the jury

0:24:34.485 --> 0:24:36.885
<v Speaker 2>was unable to make a final decision.

0:24:36.605 --> 0:24:38.285
<v Speaker 1>So all charges were dropped.

0:24:38.805 --> 0:24:45.565
<v Speaker 2>Oh I'm sure, but at this point May West was

0:24:45.605 --> 0:24:49.685
<v Speaker 2>becoming an undeniable star. All of this laid the groundwork

0:24:49.725 --> 0:24:52.925
<v Speaker 2>for her future productions and launched her onto a bigger

0:24:53.125 --> 0:24:58.245
<v Speaker 2>national platform. People were like, damn, this May westchick is crazy.

0:24:58.645 --> 0:25:01.885
<v Speaker 2>We got to pay attention to her along with a

0:25:01.885 --> 0:25:05.165
<v Speaker 2>pleasure man. During this time, she wrote Diamond Lil, another

0:25:05.205 --> 0:25:08.445
<v Speaker 2>story about a prostitute. It was staged on Broadway in

0:25:08.525 --> 0:25:14.125
<v Speaker 2>nineteen twenty eight and brought her mass appeal. A few

0:25:14.165 --> 0:25:17.445
<v Speaker 2>years later, she signed a contract with Paramount and headed

0:25:17.485 --> 0:25:22.445
<v Speaker 2>to California. From there, she became a huge movie star

0:25:23.165 --> 0:25:25.605
<v Speaker 2>and ps. In her first film, she was like forty

0:25:26.645 --> 0:25:38.165
<v Speaker 2>and voila. An icon was made. As always, we learn

0:25:38.245 --> 0:25:40.805
<v Speaker 2>a lesson from American Filth, and the lesson that we

0:25:40.885 --> 0:25:43.885
<v Speaker 2>learn here is that for me to get famous at

0:25:43.885 --> 0:25:47.845
<v Speaker 2>the age of thirty two, I need to be even filthier.

0:25:48.325 --> 0:25:51.925
<v Speaker 2>I need to write a podcast episode so vulgar, so

0:25:52.165 --> 0:25:55.925
<v Speaker 2>disgusting that one of you listeners call the cops on me.

0:25:56.805 --> 0:25:57.525
<v Speaker 1>Will it be you?

0:26:03.845 --> 0:26:06.005
<v Speaker 2>American Filth is a production of School of Humans and

0:26:06.085 --> 0:26:08.725
<v Speaker 2>iHeart podcast As. Episode was written sound As I Am

0:26:08.845 --> 0:26:13.085
<v Speaker 2>hosted by me Gabby Wants. Our senior producer is Amelia Brock.

0:26:13.125 --> 0:26:17.205
<v Speaker 2>Our executive producers are Virginia Prescott, Elsie Crowley, and Brandon Barr.

0:26:17.525 --> 0:26:20.165
<v Speaker 2>The theme song was by me and Jesse Niswanger. You

0:26:20.205 --> 0:26:22.925
<v Speaker 2>can follow along with the show on Instagram at American

0:26:22.965 --> 0:26:26.205
<v Speaker 2>Filth pod and please please please give the show a

0:26:26.325 --> 0:26:30.205
<v Speaker 2>review wherever you listen to podcasts. It helps us with

0:26:30.245 --> 0:26:34.085
<v Speaker 2>the algorithm. Also tell your friends to listen to it.

0:26:34.645 --> 0:26:37.205
<v Speaker 2>I need this. Thank you all right, Talk with you

0:26:37.285 --> 0:26:37.805
<v Speaker 2>next week.

0:26:49.405 --> 0:26:50.325
<v Speaker 1>School of Humans