WEBVTT - The Nature of Tears, Part 3

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<v Speaker 1>Welcome to Stuff to Blow Your Mind production of My

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<v Speaker 1>Heart Radio. Hey you welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb and I'm Joe McCormick. And

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<v Speaker 1>here we are with Part three of Tears. I think

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<v Speaker 1>we have an interruption between parts two and three, but

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<v Speaker 1>but here we are to conclude the series. That's right. So, uh,

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<v Speaker 1>as with our past episodes where we've kind of just

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<v Speaker 1>we've done part one in part two and then a

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<v Speaker 1>part three and maybe more, Uh, this one is gonna

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<v Speaker 1>there's gonna be a lot of catching up on things

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<v Speaker 1>that we we've discussed a little bit on previous episodes.

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<v Speaker 1>There's gonna be some new stuff. It's uh, I'm not

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<v Speaker 1>saying it's disorganized, but it's gonna be. Um. Just what

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<v Speaker 1>are you getting at, Rob, It's it's more or it's

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<v Speaker 1>more organic. It's like we we are we're exploring and

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<v Speaker 1>reporting back almost in real time. Okay, it's so um.

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<v Speaker 1>You know. On one area I wanted to start with,

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<v Speaker 1>I just wanted to share this little bit that I

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<v Speaker 1>read in Adult Crying from two thousand and one by

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<v Speaker 1>Nico Van Harringen, and and in it, the author here

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<v Speaker 1>is just sharing just a couple of tidbits about how

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<v Speaker 1>ancient society has thought about tears. Quote. In antique science,

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<v Speaker 1>it was believed that tears came from the heart Egyptians

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<v Speaker 1>about fifteen hundred BC, the brain, and this they attribute

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<v Speaker 1>to Hippocrates from the fifth and fourth centuries b C.

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<v Speaker 1>Or glands at the punka lachrymalice uh attributed to Galen

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<v Speaker 1>in the second century. See. However, after Stinson described the

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<v Speaker 1>tear ducks and the main lachrymal gland in sixteen sixty two,

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<v Speaker 1>it was accepted that tears originated there. Yeah, there are

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<v Speaker 1>a ton of great beliefs from the ancient world about

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<v Speaker 1>the the anatomical origins of tears. Ideas about like when

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<v Speaker 1>you're feeling a swelling of emotion that makes a bunch

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<v Speaker 1>of vapors condensed in your heart and then they rise

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<v Speaker 1>up to your head and have to leak out through

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<v Speaker 1>your eyes. That's a good one, um. But I particularly

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<v Speaker 1>like the idea of Galen that the tears come from

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<v Speaker 1>the punk toa in the eyelids, these little holes uh,

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<v Speaker 1>which are actually the holes through which tears drain out

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<v Speaker 1>of the eyes, Because this is the same misconception that

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<v Speaker 1>I had before I started reading about the anatomy of

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<v Speaker 1>the eye and the tear ducks. Remember in part one

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<v Speaker 1>we talked about how the tears are actually secreted by

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<v Speaker 1>the lachrymal gland, which is above the eye, sort of

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<v Speaker 1>above the eye, into the outside and then they drain

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<v Speaker 1>away through these punkeda eventually into the lachrymal sack and

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<v Speaker 1>the and the tear ducks in the nasal cavity through

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<v Speaker 1>those are located on the inside of the eyes. And

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<v Speaker 1>apparently I haven't tried to look in my own eyes,

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<v Speaker 1>but I have seen images of this. Apparently you can

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<v Speaker 1>actually see your own punk to laccry malice, the little

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<v Speaker 1>holes in your eyelids that tears drain away through, if

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<v Speaker 1>you look really close. I believe I've I've I've spotted

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<v Speaker 1>mind before. Yeah, But but looking at them and thinking

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<v Speaker 1>this is where the tears come from. It's like if

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<v Speaker 1>you were to look at a bathtub and say, oh,

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<v Speaker 1>this hole in the bottom, this is from which the

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<v Speaker 1>waters rise and fill the tub for my bath But

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<v Speaker 1>of course, if that is how you're filling your bathtub,

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<v Speaker 1>something is wrong. You should not get into that tub. Oh.

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<v Speaker 1>Revisiting our theme of the tear ducks being the sewer

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<v Speaker 1>of the eye. Yeah. Now, as far as tears emerging

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<v Speaker 1>from the brain, I really love that idea too, because because,

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<v Speaker 1>on one hand, it is it's kind of correct in

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<v Speaker 1>a sense when you're talking about emotional tears, especially, But

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<v Speaker 1>the idea that's like tears are in some level like

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<v Speaker 1>brain juice, I think that's lovely, especially when we're talking

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<v Speaker 1>about how tears are generally seen as a as a

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<v Speaker 1>kind of pure immission of the body. But if we

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<v Speaker 1>were to think of them as is the leakings of

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<v Speaker 1>of an emotional brain or an enraged brain or what

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<v Speaker 1>have you, Uh, it paints a different picture. Now, one

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<v Speaker 1>interesting thing we have heard back from a couple of

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<v Speaker 1>listeners about is, uh, we we've gotten some resistance to

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<v Speaker 1>the idea we discussed in previous episodes that humans are

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<v Speaker 1>the only animals that are known to cry tears as

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<v Speaker 1>an emotional response to shed liquid out of their lachrymal

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<v Speaker 1>glands in response to emotions, which we want to be

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<v Speaker 1>very clear, is not the same as saying that other

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<v Speaker 1>animals don't feel emotions. It's just that tears are a

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<v Speaker 1>particular behavioral anatomical response to emotions that appears to only

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<v Speaker 1>be present in Homo sapiens. Other animals can have all

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<v Speaker 1>kinds of complex emotions that we maybe couldn't even begin

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<v Speaker 1>to fathom. They just don't particularly seem to have this

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<v Speaker 1>response to liquid coming out of the eyes as a result.

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<v Speaker 1>Um And and it turns out that this conviction that

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<v Speaker 1>animals must shed emotional tears of some kind does seem

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<v Speaker 1>to be It does seem to go pretty pretty far

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<v Speaker 1>back with people making case reports here and there. I

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<v Speaker 1>was reading an article that I'm definitely gonna return to

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<v Speaker 1>in this episode that was by uh by ad Finger Hoots,

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<v Speaker 1>who is a Dutch psychologist who's a researcher on tears,

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<v Speaker 1>who we've mentioned in the previous episodes and we'll come

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<v Speaker 1>back to again today and Lauren em Bilsma in Emotion

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<v Speaker 1>Review in TwixT and they discussed the idea of emotional

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<v Speaker 1>tears in non human animals. They say that there have

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<v Speaker 1>been reports of emotional tearfulness in horses and lions. This

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<v Speaker 1>goes back to plenty of the Elder Uh in crocodiles.

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<v Speaker 1>This goes back to Alien, who was a who wrote

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<v Speaker 1>in the second centuries. I think UH too like Shakespeare's

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<v Speaker 1>talking about how dear can weep emotionally. Of course, reports

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<v Speaker 1>of elephants crying emotional tears, this is something we can

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<v Speaker 1>come back to in a minute, uh, guerrillas and so forth.

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<v Speaker 1>But despite these case reports, they say that the best

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<v Speaker 1>systematic studies that that involved surveys of veterinarians, zookeepers, and

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<v Speaker 1>other professionals who work with animals on a regular basis

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<v Speaker 1>or in a scientific capacity, has essentially yielded no evidence

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<v Speaker 1>at all of emotional tears in any animal species other

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<v Speaker 1>than humans. So it really does seem to be a

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<v Speaker 1>uniquely human trade. But it is fun to look in

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<v Speaker 1>to it to to to answer the question why have

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<v Speaker 1>we come to believe or or say that certain animals

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<v Speaker 1>shed tears? Right, So let's start with the idea of

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<v Speaker 1>of crocodile tears, because yeah, this is this is a

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<v Speaker 1>fun one because it touches on croc biology, folk belief,

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<v Speaker 1>and of course alligator persons in the bog and fog um.

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<v Speaker 1>I also wonder if part of it comes from from

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<v Speaker 1>a Western bias against non spontaneous weeping, which I'll get

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<v Speaker 1>into a little bit later, and I think I've touched

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<v Speaker 1>on in previous episodes um a Western bias against it

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<v Speaker 1>in their own culture, but also how it is utilized

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<v Speaker 1>in other cultures. The idea that tears on purpose cannot

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<v Speaker 1>be real tears. Um and And as well discuss this

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<v Speaker 1>does not seem to be the case. But anyway, the

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<v Speaker 1>idea of the crocodile here is that a crocodile sheds

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<v Speaker 1>false tears for the prey it has just killed. And

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<v Speaker 1>this tends to depict something sinister about the crocodile and

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<v Speaker 1>something dubliquitous about the human you're talking about, because generally

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<v Speaker 1>that's what we're talking about, like, oh, that politicians shedding

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<v Speaker 1>crocodile tears, this person shedding crocodile tears, which is to say,

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<v Speaker 1>they're putting on a false face of emotion, they're intentionally

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<v Speaker 1>being emotional, or even if maybe in some literal cases

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<v Speaker 1>they're literally shedding tears, and you doubt the authenticity of

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<v Speaker 1>those tears. Yeah, And the idea of crocodile tears as

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<v Speaker 1>something that's sort of like called out by the peep

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<v Speaker 1>by the writers of natural histories and regarded in some

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<v Speaker 1>way as evil or suspect does go back further than

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<v Speaker 1>the idea of crocodile tears as a specific case of hypocrisy.

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<v Speaker 1>I was real. There's a section about the history of

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<v Speaker 1>the concept of crocodile tears in at fingerhoots book Why

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<v Speaker 1>Only Humans Weep, Unraveling the Mysteries of Tears. This is

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<v Speaker 1>from Oxford University Press. So Fingerhoots is tracing this idea

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<v Speaker 1>and he mentions a writer, a bishop, a Christian bishop

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<v Speaker 1>named sat Asterius, who is writing around the r. Four hundred,

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<v Speaker 1>who wrote that quote crocodiles mourn over the human heads

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<v Speaker 1>they devour and weep not from repentance, but because heads

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<v Speaker 1>have no edible flesh. Uh. And so I like that.

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<v Speaker 1>That's not quite yet to the idea of hypocrisy, but

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<v Speaker 1>it is saying something about like the I don't know,

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<v Speaker 1>the crocodile is so greedy and so cruel that even

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<v Speaker 1>when it's got a human head in its mouth, it's

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<v Speaker 1>not satisfied. It's just like this is not good enough meat.

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<v Speaker 1>This is just so depressing. This head is is garbage.

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<v Speaker 1>Now in terms of of actually observing crocodiles, and you know,

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<v Speaker 1>and the eyes of the crocodile. Uh. So, yes, crocodiles

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<v Speaker 1>do have non emotional tears because they do have to

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<v Speaker 1>keep their eyes lubricated, and apparently if they've been out

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<v Speaker 1>of the water for a spell, these tears may be

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<v Speaker 1>more noticeable and may uh you know, and maybe and

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<v Speaker 1>may be observed while the animal is feeding, if it

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<v Speaker 1>is then feeding or messing around with with some sort

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<v Speaker 1>of a carcass on the shore. I was looking around

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<v Speaker 1>in a two thousand six study at the University of

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<v Speaker 1>Florida found that there does seem to be something to

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<v Speaker 1>these observations and it but into by that, I mean

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<v Speaker 1>that people may have observed crocodiles appearing to shed tears that,

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<v Speaker 1>to be clear, are not emotional tears. But it may

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<v Speaker 1>be just due to warm air forced through the sinuses

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<v Speaker 1>during feeding pushing out more liquid. Okay, so this would

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<v Speaker 1>just be like a to the extent that this could

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<v Speaker 1>actually be something you would observe. It's just a sort

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<v Speaker 1>of coincidental byproduct of what the animal is doing with

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<v Speaker 1>its head while it's eating. Yeah, it's like if you're

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<v Speaker 1>observing certain varieties of of of the iguanas that that

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<v Speaker 1>swim in in salt water and then they're blasting salt

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<v Speaker 1>out of their face when they're on the as they

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<v Speaker 1>do when they're on the shore, Like that is not

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<v Speaker 1>emotional crying. It's it's it's you can also say that's

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<v Speaker 1>not even crying, that's a step beyond. But yeah, we

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<v Speaker 1>we can't take this, uh anatomical process and say that

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<v Speaker 1>this is this might be some sort of an emotional outpouring,

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<v Speaker 1>that it has anything to do with what's going on

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<v Speaker 1>with human emotional tears. Though many years later this did

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<v Speaker 1>develop into the idea that that is the origin of

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<v Speaker 1>the expression crocodile tears. Now that the crocodile will will

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<v Speaker 1>sort of weep false tears as a way of eliciting

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<v Speaker 1>sympathy from a victim or like luring someone close to

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<v Speaker 1>them and then uh, and then it will bite them

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<v Speaker 1>and weep while it's eating them. Imagine if that was

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<v Speaker 1>an adaptive trait. I don't think that would work. We

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<v Speaker 1>see a crocodile crying and we're like, oh ah, a

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<v Speaker 1>little buddy, he's sad about it. Clearly we can't lash out, um,

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<v Speaker 1>but you you know, don't lash out at crocodiles anyway.

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<v Speaker 1>But the other major animal that you sometimes see discussions

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<v Speaker 1>about regarding their their potential tears, uh, these involve the elephant,

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<v Speaker 1>and we actually heard from at least one listener I

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<v Speaker 1>think more than one who wrote in on the topic

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<v Speaker 1>of elephants allegedly shedding emotional tears. And the thing is,

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<v Speaker 1>you do see this still make the rounds on say

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<v Speaker 1>social media. And part of this is, you know, elephants

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<v Speaker 1>are sometimes in in tough situations and they do, uh,

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<v Speaker 1>they do seem to have have, you know, fairly complex

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<v Speaker 1>emotional lives. So we're not denying that that elephants have emotions. Uh.

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<v Speaker 1>And and when we're looking at some of these scenarios,

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<v Speaker 1>you know, we want elephants to be able to cry

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<v Speaker 1>to a certain extent, like we we knowing that they

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<v Speaker 1>have emotions, we want to give them human tears. And

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<v Speaker 1>you have various accounts that make the rounds on the

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<v Speaker 1>internet about them shedding emotional tears, like look at this

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<v Speaker 1>baby elephant. It's in a tough spot, it's shedding tears.

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<v Speaker 1>Look at this mother elephant. Uh, something horrible happened. She

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<v Speaker 1>is she is shedding tears. She is a displaying emotion

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<v Speaker 1>and we can connect with it. Well. I mean again,

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<v Speaker 1>I think this might be actually illustrative of something about

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<v Speaker 1>the importance of tears as a social signal between humans

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<v Speaker 1>that we we have this instinct that says, if if

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<v Speaker 1>an animal is experiencing real important emotions, they must be

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<v Speaker 1>capable of shedding tears, which again, it that does not

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<v Speaker 1>follow at all, Like, you know, an animal could have

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<v Speaker 1>perfect it could have stronger emotions than humans do and

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<v Speaker 1>just not have this behavioral response to them. Absolutely, so

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<v Speaker 1>we are not denying elephants complex emotional states, but we

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<v Speaker 1>will denied in tear ducts because that's exactly what evolution

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<v Speaker 1>has denied them. Uh And and this is where it

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<v Speaker 1>gets really fascinating. I was not familiar with this or

0:12:50.040 --> 0:12:51.480
<v Speaker 1>I had, you know, one of these things I maybe

0:12:51.520 --> 0:12:53.360
<v Speaker 1>read in the past, and it didn't really like, you know,

0:12:53.440 --> 0:12:56.920
<v Speaker 1>strike to strike a chord with me. But facts are facts.

0:12:56.920 --> 0:12:59.880
<v Speaker 1>Not only do they lack tear ducts, they actually lack

0:13:00.000 --> 0:13:03.440
<v Speaker 1>all of the plumbing associated with mammalian tears. So no glands,

0:13:03.480 --> 0:13:08.520
<v Speaker 1>no ducks, no canals, nothing interesting. Yeah, they retain mucus glands,

0:13:09.040 --> 0:13:12.880
<v Speaker 1>but nothing else. So one theory as to why why

0:13:12.960 --> 0:13:15.080
<v Speaker 1>this is the case is that they seem to have

0:13:15.160 --> 0:13:18.760
<v Speaker 1>evolved through a semi aquatic past and lost their tier

0:13:18.880 --> 0:13:23.720
<v Speaker 1>systems during that time, much like modern pinnipeds lacked tear

0:13:23.760 --> 0:13:26.840
<v Speaker 1>glands and tier ducts. Oh, this is funny. So there

0:13:26.880 --> 0:13:30.600
<v Speaker 1>may sort of be an aquatic ape equivalent of the

0:13:30.600 --> 0:13:34.400
<v Speaker 1>the elephant. Uh, the elephants evolutionary ancestor the sort of

0:13:34.679 --> 0:13:39.880
<v Speaker 1>a life more based in waiting around in the water, right, Okay,

0:13:39.920 --> 0:13:41.760
<v Speaker 1>but it's doing the opposite of what you know, we

0:13:41.840 --> 0:13:44.480
<v Speaker 1>got to do that in the previous episode about the

0:13:44.559 --> 0:13:48.040
<v Speaker 1>hypothesis that that human tears and our ability to shed

0:13:48.080 --> 0:13:52.559
<v Speaker 1>emotional tears are somehow connected to a supposed aquatic eight past. Well,

0:13:52.600 --> 0:13:56.040
<v Speaker 1>here's a creature, uh with with what seems to be

0:13:56.120 --> 0:13:59.320
<v Speaker 1>at least semi aquatic past, and it lost the ability

0:13:59.440 --> 0:14:03.880
<v Speaker 1>to shed years like other mammals do during the transformation. Interesting,

0:14:03.920 --> 0:14:07.040
<v Speaker 1>this is, so what is going on with elephant eyes? Okay?

0:14:07.120 --> 0:14:09.120
<v Speaker 1>So with the elephants. So the thing is you still

0:14:09.240 --> 0:14:11.719
<v Speaker 1>your eyes still need to be moist That's that's the

0:14:12.080 --> 0:14:14.760
<v Speaker 1>important thing here. You can't know you can't do without it.

0:14:14.840 --> 0:14:17.800
<v Speaker 1>So with the elephant, other glands around the eye were

0:14:17.840 --> 0:14:21.720
<v Speaker 1>essentially repurposed through evolution to provide moisture to the eye.

0:14:22.200 --> 0:14:25.080
<v Speaker 1>So there's a third eyelid gland um we've talked about

0:14:25.120 --> 0:14:26.960
<v Speaker 1>third eyelids before. You know, this is like you have

0:14:27.080 --> 0:14:30.640
<v Speaker 1>the eyelid one and two are the ones that we

0:14:30.720 --> 0:14:32.680
<v Speaker 1>have the top and the bottom, But then a lot

0:14:32.680 --> 0:14:34.720
<v Speaker 1>of animals have a have a third as well that

0:14:34.880 --> 0:14:39.920
<v Speaker 1>is involved. So the third island gland was an accessory

0:14:39.960 --> 0:14:43.200
<v Speaker 1>gland repurpose. The third eyelid gland is found on other

0:14:43.280 --> 0:14:46.120
<v Speaker 1>animals as well, but in the elephant it's extremely well

0:14:46.160 --> 0:14:49.120
<v Speaker 1>developed to make up what for what was lost. And

0:14:49.120 --> 0:14:52.080
<v Speaker 1>there are also some other tier cocktail differences with the

0:14:52.120 --> 0:14:55.160
<v Speaker 1>elephant tiers as well due to these changes. So you

0:14:55.200 --> 0:14:57.360
<v Speaker 1>can so scientists have been able to like look at

0:14:57.400 --> 0:15:01.320
<v Speaker 1>the substance of the of of the the moisture the

0:15:01.400 --> 0:15:04.360
<v Speaker 1>liquid in an elephant's eye, and they can they can

0:15:04.360 --> 0:15:06.840
<v Speaker 1>see that while the actual chemical makeup of it is

0:15:06.880 --> 0:15:09.640
<v Speaker 1>a little different from what you would find in in

0:15:10.080 --> 0:15:13.560
<v Speaker 1>you know, typical mammalian tears. Okay, so despite their different

0:15:13.560 --> 0:15:17.240
<v Speaker 1>ocular anatomy, they've got some kind of liquid, uh combination

0:15:17.320 --> 0:15:20.000
<v Speaker 1>of like mucus and and and oils and some kind

0:15:20.000 --> 0:15:22.760
<v Speaker 1>of liquid that maybe on and around the eye and

0:15:22.840 --> 0:15:24.560
<v Speaker 1>that's just sort of hanging out there now. If they

0:15:24.600 --> 0:15:26.920
<v Speaker 1>don't have tear ducks through which these things would be

0:15:27.280 --> 0:15:31.160
<v Speaker 1>draining away. Where does the liquid go ah, And that

0:15:31.360 --> 0:15:34.040
<v Speaker 1>is where a lot of these observations of elephant tears

0:15:34.080 --> 0:15:36.920
<v Speaker 1>come from. Um they end up look like they're crying

0:15:36.920 --> 0:15:39.040
<v Speaker 1>because of the Again, their eyes don't have drainage canals.

0:15:39.080 --> 0:15:42.440
<v Speaker 1>Their eyes just fill up and then it streams down

0:15:42.440 --> 0:15:44.680
<v Speaker 1>the face. Sometimes there's even a foam due to the

0:15:44.720 --> 0:15:48.600
<v Speaker 1>accumulation of sivum and mucus. And this is fascinating too,

0:15:48.600 --> 0:15:51.040
<v Speaker 1>because this reminds me of of my son's issues with

0:15:51.080 --> 0:15:53.760
<v Speaker 1>his tear ducks. Having like that was that was the

0:15:53.760 --> 0:15:56.960
<v Speaker 1>reason his his eyes would well up with tears so easily,

0:15:56.960 --> 0:16:00.640
<v Speaker 1>not because he was emotional or or anything. It's just

0:16:00.680 --> 0:16:04.200
<v Speaker 1>the drainage was was messed up, uh, so he would

0:16:04.320 --> 0:16:06.800
<v Speaker 1>his eyes would well with tears just by virtue of

0:16:06.840 --> 0:16:08.960
<v Speaker 1>not having a good drainage system in place until it

0:16:09.040 --> 0:16:12.080
<v Speaker 1>was corrected with a tube. So if it's just common

0:16:12.240 --> 0:16:15.720
<v Speaker 1>for elephants to have sort of liquid mucus, various things

0:16:15.720 --> 0:16:18.520
<v Speaker 1>sort of dripping out of their eyes as a standard

0:16:18.560 --> 0:16:21.920
<v Speaker 1>feature of of what's going on with their ocular anatomy.

0:16:22.080 --> 0:16:24.720
<v Speaker 1>And then you pair that with elephants sometimes being in

0:16:24.840 --> 0:16:27.920
<v Speaker 1>situations where they appear to be experiencing emotions, probably are

0:16:27.960 --> 0:16:31.120
<v Speaker 1>experiencing something that you could call emotions, and you you

0:16:31.200 --> 0:16:33.280
<v Speaker 1>pair those two things together and you think, oh, the

0:16:33.360 --> 0:16:38.800
<v Speaker 1>elephant is weeping because of its situation. Absolutely yeah, So

0:16:38.840 --> 0:16:42.200
<v Speaker 1>it's it's fascinating. I love how this, how this turns

0:16:42.480 --> 0:16:45.480
<v Speaker 1>what we think about regarding the million tears on its head,

0:16:45.560 --> 0:16:48.520
<v Speaker 1>And of course it plays into our our our tendency

0:16:48.560 --> 0:16:51.120
<v Speaker 1>to want to see human emotions, not only human emotions,

0:16:51.160 --> 0:16:56.880
<v Speaker 1>but but human anatomy and other creatures. Uh. And if

0:16:56.920 --> 0:16:58.760
<v Speaker 1>anyone wants to learn more about this, I have to

0:16:58.800 --> 0:17:01.640
<v Speaker 1>say that Rachel Warner has a great post on this

0:17:01.760 --> 0:17:05.040
<v Speaker 1>at why Animals Do the Thing dot com. It's it's

0:17:05.160 --> 0:17:14.239
<v Speaker 1>well sided and well written. I highly recommended all right

0:17:14.280 --> 0:17:17.240
<v Speaker 1>well to come back to the subject of human tears

0:17:17.240 --> 0:17:21.240
<v Speaker 1>and the evolutionary explanation for why liquid comes out of

0:17:21.240 --> 0:17:25.200
<v Speaker 1>our eyes when we're experiencing strong emotions. Why this unique

0:17:25.240 --> 0:17:29.080
<v Speaker 1>behavioral reaction that humans have to their own emotional states

0:17:29.160 --> 0:17:32.480
<v Speaker 1>and to the emotional states of others. I wanted to

0:17:32.520 --> 0:17:35.160
<v Speaker 1>come back to to this author I've mentioned several times now,

0:17:35.240 --> 0:17:38.879
<v Speaker 1>the Dutch psychologist add Finger hoots Um, and one thing

0:17:38.920 --> 0:17:41.600
<v Speaker 1>I wanted to start off with, was so there's a

0:17:41.600 --> 0:17:43.800
<v Speaker 1>paper I said it a few minutes ago as a

0:17:43.840 --> 0:17:48.320
<v Speaker 1>resource for the claim about other animals in the systematic

0:17:48.320 --> 0:17:52.479
<v Speaker 1>surveys of veterinarians and zookeepers and stuff, uh, not not

0:17:52.560 --> 0:17:56.000
<v Speaker 1>showing emotional tears. That same paper published an emotional review

0:17:56.040 --> 0:17:59.320
<v Speaker 1>in twenty sixteen by Vinger Hoots and Lauren in Bilsma.

0:17:59.480 --> 0:18:02.800
<v Speaker 1>That's a good or because they review a bunch of

0:18:02.840 --> 0:18:06.080
<v Speaker 1>the different sort of findings about human tears and and

0:18:06.160 --> 0:18:09.000
<v Speaker 1>their uniqueness all in the same place, and that they

0:18:09.080 --> 0:18:12.760
<v Speaker 1>argue that crying should be considered a unique human behavior

0:18:12.880 --> 0:18:16.560
<v Speaker 1>that quote obeys the laws of operant conditioning and is

0:18:16.640 --> 0:18:21.359
<v Speaker 1>under the influence of biological, psychological, and social factors. It

0:18:21.480 --> 0:18:25.360
<v Speaker 1>is not merely a reflex symptom. It is a complex

0:18:25.680 --> 0:18:29.400
<v Speaker 1>behavior that appears to have that have has some kind

0:18:29.400 --> 0:18:33.919
<v Speaker 1>of biological genetic precedent, and then is strongly influenced in

0:18:34.000 --> 0:18:39.040
<v Speaker 1>its expression by situational factors, both psychological and social. And

0:18:39.119 --> 0:18:41.359
<v Speaker 1>they point out some other interesting facts that sort of

0:18:41.480 --> 0:18:45.800
<v Speaker 1>helps solidify the question of the question we're looking at here. Uh.

0:18:45.800 --> 0:18:48.440
<v Speaker 1>And one of these goes like this, So, okay, acoustical

0:18:48.520 --> 0:18:53.240
<v Speaker 1>crying the sound of baby makes is obviously an attachment

0:18:53.400 --> 0:18:56.800
<v Speaker 1>behavior that maintains the proximity of the parent. I think

0:18:56.800 --> 0:18:58.800
<v Speaker 1>this is pretty clear that this is the main function

0:18:58.840 --> 0:19:01.520
<v Speaker 1>of a baby crying, that the crying of a baby

0:19:01.640 --> 0:19:05.640
<v Speaker 1>draws the parent near to provide care, protection, and feeding.

0:19:06.520 --> 0:19:10.040
<v Speaker 1>And this kind of thing is necessary for helpless human

0:19:10.080 --> 0:19:14.360
<v Speaker 1>infants because human infants can do essentially nothing for themselves.

0:19:14.440 --> 0:19:19.160
<v Speaker 1>They are uh, they are all. They're exceptionally helpless as

0:19:19.160 --> 0:19:22.720
<v Speaker 1>far as young animals go. Now, at some point we

0:19:22.800 --> 0:19:26.560
<v Speaker 1>know that newborn babies cannot yet shed tears. But at

0:19:26.560 --> 0:19:29.480
<v Speaker 1>a certain point point, tears leaking out of the eyes

0:19:29.640 --> 0:19:33.439
<v Speaker 1>become a standard part of the crying repertoire. So when

0:19:33.520 --> 0:19:37.320
<v Speaker 1>when babies are displaying this attachment behavior, this uh, this

0:19:37.359 --> 0:19:40.200
<v Speaker 1>acoustical crying in order to summon the care of a parent,

0:19:40.600 --> 0:19:44.800
<v Speaker 1>it starts incorporating tears as part of that behavioral repertoire.

0:19:45.280 --> 0:19:49.560
<v Speaker 1>And then the interesting fact is that as people get older,

0:19:50.240 --> 0:19:54.800
<v Speaker 1>tears could be seen too in some ways replace acoustical crying.

0:19:54.960 --> 0:19:57.920
<v Speaker 1>So as we age, as we get older, people tend

0:19:57.960 --> 0:20:01.640
<v Speaker 1>to cry less frequently, and when they do cry, they

0:20:01.680 --> 0:20:06.040
<v Speaker 1>don't display the acoustical wailing properties of crying as much

0:20:06.080 --> 0:20:09.719
<v Speaker 1>as babies do. Instead, they just shed the tears, And

0:20:09.800 --> 0:20:13.360
<v Speaker 1>that's an interesting fact as well. Why are tears retained

0:20:13.359 --> 0:20:15.720
<v Speaker 1>into adulthood in a way that the wailing of a

0:20:15.760 --> 0:20:20.200
<v Speaker 1>baby is usually not. Another interesting developmental fact about the

0:20:20.320 --> 0:20:24.919
<v Speaker 1>role of crying is the effect of physical pain on

0:20:25.000 --> 0:20:27.719
<v Speaker 1>the tear response. So the authors here right that quote.

0:20:28.000 --> 0:20:32.640
<v Speaker 1>Until adolescence, physical pain is a very important trigger of tears,

0:20:32.680 --> 0:20:35.719
<v Speaker 1>but for adults and the elderly it no longer plays

0:20:35.760 --> 0:20:40.520
<v Speaker 1>a significant role. However, feelings of loss and powerlessness seem

0:20:40.640 --> 0:20:45.200
<v Speaker 1>to remain important for crying throughout the lifespan. So when

0:20:45.280 --> 0:20:48.720
<v Speaker 1>when children get physically hurt, when they're feeling physical pain

0:20:48.760 --> 0:20:51.080
<v Speaker 1>they scuffed their knee or something, crying is a very

0:20:51.119 --> 0:20:56.000
<v Speaker 1>common response that mostly goes away in adulthood. Adults rarely

0:20:56.119 --> 0:20:59.720
<v Speaker 1>cry as a result of physical pain and instead maintain

0:21:00.359 --> 0:21:06.240
<v Speaker 1>specifically emotional pain feelings of loss and powerlessness or helplessness

0:21:06.240 --> 0:21:10.600
<v Speaker 1>as the primary triggers of emotional tears. It's this interesting.

0:21:10.640 --> 0:21:15.640
<v Speaker 1>I thinking about about times that I've been hurt, uh

0:21:15.880 --> 0:21:18.600
<v Speaker 1>physically hurt as a as a as an adult. Like

0:21:18.640 --> 0:21:20.920
<v Speaker 1>the one example that I can remember where I was

0:21:21.000 --> 0:21:23.840
<v Speaker 1>hurt and I really had to choke back tears. Was

0:21:23.920 --> 0:21:26.879
<v Speaker 1>when um, I was with my my son at the

0:21:26.880 --> 0:21:29.720
<v Speaker 1>time was very young, and he was he was looking

0:21:29.760 --> 0:21:32.280
<v Speaker 1>into a cooler full of ice cream at a store,

0:21:32.400 --> 0:21:35.240
<v Speaker 1>you know, in public place, and I leaned over to

0:21:35.280 --> 0:21:37.439
<v Speaker 1>look in as well, right above him, and then he

0:21:37.480 --> 0:21:41.359
<v Speaker 1>excitedly hopped up and like did a like a leaping

0:21:41.440 --> 0:21:44.240
<v Speaker 1>head butt into my lower jaw, like just like a

0:21:44.280 --> 0:21:47.439
<v Speaker 1>like a child upper cut and uh and and and

0:21:47.480 --> 0:21:49.359
<v Speaker 1>it really really hurt for a seconds, like you know,

0:21:49.359 --> 0:21:53.600
<v Speaker 1>it's like being punched, um with with an uppercut and uh.

0:21:53.640 --> 0:21:55.439
<v Speaker 1>And I like I had to walk away for just

0:21:55.480 --> 0:21:57.280
<v Speaker 1>a second, like not out of the store, but just

0:21:57.320 --> 0:22:00.000
<v Speaker 1>a few feet away, and I felt like I felt

0:22:00.160 --> 0:22:03.919
<v Speaker 1>like tears of of of associated with the pain. But

0:22:03.960 --> 0:22:06.400
<v Speaker 1>of course that's a more complex situation there, because it's

0:22:06.440 --> 0:22:08.800
<v Speaker 1>like you're you're there with your son, you're in a

0:22:08.840 --> 0:22:12.040
<v Speaker 1>public place. I'm guessing there might be some level of

0:22:12.040 --> 0:22:16.040
<v Speaker 1>like like maybe I'm trying to you know, on some level,

0:22:16.040 --> 0:22:20.439
<v Speaker 1>it's like my pain needs to be related to the child,

0:22:20.840 --> 0:22:23.359
<v Speaker 1>who otherwise is not going to understand what happened, because

0:22:23.359 --> 0:22:24.960
<v Speaker 1>I think, you know, I don't think he'd really even

0:22:24.960 --> 0:22:28.960
<v Speaker 1>picked up as much language at that point. Uh so, yeah,

0:22:28.960 --> 0:22:30.880
<v Speaker 1>that's that's the only time I can think of where

0:22:30.880 --> 0:22:34.399
<v Speaker 1>it's like a physical pain plus uh something that that

0:22:34.520 --> 0:22:38.320
<v Speaker 1>provoked tears. Yeah, and it's not the adults never cry

0:22:38.480 --> 0:22:41.560
<v Speaker 1>tears in a response to physical pain. It's just dramatically

0:22:41.640 --> 0:22:45.120
<v Speaker 1>less frequent than it is for children. Yeah. Yeah, with

0:22:45.119 --> 0:22:47.879
<v Speaker 1>with young children, Oh, it's like it's everything, you know,

0:22:47.920 --> 0:22:51.080
<v Speaker 1>it's the skin, knee, it's the uh, the bump toe

0:22:51.200 --> 0:22:54.600
<v Speaker 1>or but then weirdly, the thing I always found amazing

0:22:54.680 --> 0:22:57.320
<v Speaker 1>is that it was it was it wasn't like clockwork

0:22:57.600 --> 0:22:59.760
<v Speaker 1>like a child would also just like sometimes they would

0:23:00.040 --> 0:23:02.280
<v Speaker 1>would slightly fall over, you know, they were in the

0:23:02.440 --> 0:23:04.680
<v Speaker 1>in the wrong mood, then the tears would flow and

0:23:04.720 --> 0:23:07.200
<v Speaker 1>they need to be comforted. But other times they'd be

0:23:07.240 --> 0:23:10.240
<v Speaker 1>into playing something and they'll take a fall that would

0:23:10.320 --> 0:23:12.840
<v Speaker 1>just just lay out an adult for the rest of

0:23:12.880 --> 0:23:15.040
<v Speaker 1>the day, and they just pop right back up and

0:23:15.080 --> 0:23:19.040
<v Speaker 1>there they don't care. There's no emotional response in those situations. Well,

0:23:19.080 --> 0:23:22.560
<v Speaker 1>I kind of can't help but immediately go to thoughts

0:23:22.600 --> 0:23:28.399
<v Speaker 1>about um, helplessness versus agency in those different situations and

0:23:28.400 --> 0:23:32.040
<v Speaker 1>and where the situations where as a kid, I remember

0:23:32.160 --> 0:23:35.320
<v Speaker 1>sort of like popping right back up after an injury,

0:23:35.440 --> 0:23:37.800
<v Speaker 1>or the times when I'm sort of like really engaged

0:23:37.840 --> 0:23:41.080
<v Speaker 1>in a task and I can continue it, you know,

0:23:41.240 --> 0:23:43.840
<v Speaker 1>like I don't feel like I've got to stop. But

0:23:43.880 --> 0:23:45.959
<v Speaker 1>when you feel like you're hurt in a way that

0:23:46.000 --> 0:23:49.000
<v Speaker 1>makes you want to stop doing what you're doing, that's

0:23:49.040 --> 0:23:51.800
<v Speaker 1>when the tears would come on. It would seem yeh.

0:23:52.119 --> 0:23:55.119
<v Speaker 1>But and and that may tie into the idea of like, Okay,

0:23:55.119 --> 0:23:58.080
<v Speaker 1>now that I'm no longer in activation mode, but I'm

0:23:58.119 --> 0:24:01.280
<v Speaker 1>in sort of like receiving career mode. Okay, it's time

0:24:01.320 --> 0:24:03.399
<v Speaker 1>to cry because I need I need a parent, I

0:24:03.440 --> 0:24:06.080
<v Speaker 1>need comfort, I need help. So I guess here is

0:24:06.119 --> 0:24:09.159
<v Speaker 1>a good place to come back and briefly describe a

0:24:09.200 --> 0:24:12.480
<v Speaker 1>few more of the hypotheses that have been offered over

0:24:12.520 --> 0:24:17.399
<v Speaker 1>the years about possible evolutionary explanations for emotional tears in

0:24:17.480 --> 0:24:21.280
<v Speaker 1>humans um In previous episodes, we discussed a handful of

0:24:21.280 --> 0:24:24.520
<v Speaker 1>these that were probably we we judged on the wrong track,

0:24:24.720 --> 0:24:29.119
<v Speaker 1>like the smoke from Funeral pyres Idea, which which seemed

0:24:29.119 --> 0:24:31.680
<v Speaker 1>to lack a lack of coherent mechanism for how that

0:24:31.720 --> 0:24:35.800
<v Speaker 1>would become a genetic behavior or um or talking about

0:24:35.800 --> 0:24:39.440
<v Speaker 1>the detoxification hypothesis, which had a number of strong arguments

0:24:39.440 --> 0:24:43.119
<v Speaker 1>against it. In the previous episode, we at least concluded,

0:24:43.240 --> 0:24:46.200
<v Speaker 1>or at least I remember saying, I'm pretty well convinced

0:24:46.240 --> 0:24:52.000
<v Speaker 1>that whatever the intra personal function of crying, maybe and

0:24:52.040 --> 0:24:54.600
<v Speaker 1>it may have some functions like that, I think I

0:24:54.600 --> 0:24:59.560
<v Speaker 1>think I'm probably convinced that the primary evolutionary justification for

0:24:59.760 --> 0:25:03.720
<v Speaker 1>a adult crying of emotional tears is interpersonal. Is A

0:25:03.720 --> 0:25:06.680
<v Speaker 1>is a social signal of some kind that is supposed

0:25:06.720 --> 0:25:09.359
<v Speaker 1>to have an effect on other people around you, maybe

0:25:09.359 --> 0:25:12.600
<v Speaker 1>too illicit caregiving from them, uh, to get them to

0:25:12.640 --> 0:25:16.720
<v Speaker 1>help you, maybe to neutralize aggression, things like that. But anyway,

0:25:16.840 --> 0:25:19.320
<v Speaker 1>I wanted to sketch a few more of these, uh,

0:25:19.359 --> 0:25:23.199
<v Speaker 1>these hypotheses, uh and uh. A note that most of

0:25:23.200 --> 0:25:25.560
<v Speaker 1>what I'm about to say here comes from summaries of

0:25:25.600 --> 0:25:28.199
<v Speaker 1>these views that are that are in that book by

0:25:28.200 --> 0:25:31.439
<v Speaker 1>ad vingerhoods Why Only Humans Weep? So, so this is

0:25:31.520 --> 0:25:34.840
<v Speaker 1>his take on these different hypotheses, including some of his

0:25:34.920 --> 0:25:38.399
<v Speaker 1>criticisms of them. So one idea that this one was

0:25:38.440 --> 0:25:41.080
<v Speaker 1>actually kind of interesting, even though there are pretty strong

0:25:41.200 --> 0:25:44.280
<v Speaker 1>arguments against it, is the idea of crying as a

0:25:44.400 --> 0:25:49.000
<v Speaker 1>mucous defense. So around the year nineteen sixty, the British

0:25:49.000 --> 0:25:54.199
<v Speaker 1>American anthropologist Ashley Montague argued that tears began as a

0:25:54.240 --> 0:25:59.399
<v Speaker 1>mechanism to protect against the dehydration of an infant's airways

0:25:59.560 --> 0:26:03.320
<v Speaker 1>during stress vocalizations. And it would go something like this,

0:26:04.040 --> 0:26:07.000
<v Speaker 1>a baby needs something. The baby begins to scream and

0:26:07.040 --> 0:26:10.440
<v Speaker 1>wail for help. It wants a parent, and this causes

0:26:10.480 --> 0:26:13.680
<v Speaker 1>a lot of rapid inhalation and exhalation through the nose

0:26:13.720 --> 0:26:17.800
<v Speaker 1>and mouth, and this rapid airflow could potentially dry out

0:26:17.840 --> 0:26:20.880
<v Speaker 1>the protective layers of mucus that are present in places

0:26:20.880 --> 0:26:23.960
<v Speaker 1>like the nasal cavity. Now, we don't often stop to

0:26:24.040 --> 0:26:27.520
<v Speaker 1>appreciate our mucus, but your nasal mucus is a wonderful,

0:26:27.680 --> 0:26:30.960
<v Speaker 1>beautiful thing. It is a wonderful biological adaptation that is

0:26:31.000 --> 0:26:35.200
<v Speaker 1>extremely important. It protects the body against you know, irritating

0:26:35.240 --> 0:26:38.200
<v Speaker 1>contaminants like dust and things. But it also very importantly

0:26:38.240 --> 0:26:41.480
<v Speaker 1>protects the body against infection. That the mucus in your

0:26:41.520 --> 0:26:45.440
<v Speaker 1>nose is a major first line of defense against pathogens

0:26:45.520 --> 0:26:49.880
<v Speaker 1>entering the body and infecting you. And so under montague hypothesis,

0:26:50.240 --> 0:26:53.080
<v Speaker 1>the tears that drain into the nasal passage through the

0:26:53.080 --> 0:26:57.200
<v Speaker 1>tear ducts help keep this passage from drying out, especially

0:26:57.280 --> 0:27:00.199
<v Speaker 1>during times of heightened air flow like the scream and

0:27:00.200 --> 0:27:05.720
<v Speaker 1>whaling that would accompany a child's vocal distress signals. UH.

0:27:05.720 --> 0:27:07.880
<v Speaker 1>This is further backed up by the idea that tears

0:27:07.920 --> 0:27:13.160
<v Speaker 1>also contain a natural enzyme called lysisyme, which has antibacterial properties,

0:27:13.440 --> 0:27:16.520
<v Speaker 1>which would seemingly provide further evidence that the shedding of

0:27:16.520 --> 0:27:19.800
<v Speaker 1>tears during distress vocalizations may be helping to protect the

0:27:19.840 --> 0:27:25.439
<v Speaker 1>body from infection. So interesting idea, But Fingerhoots has several

0:27:25.520 --> 0:27:30.760
<v Speaker 1>arguments against this hypothesis that that I think are worth considering. Uh.

0:27:30.920 --> 0:27:32.680
<v Speaker 1>First of all, he says, you know, well, babies don't

0:27:32.720 --> 0:27:35.200
<v Speaker 1>shed tears for the first several weeks of their life.

0:27:35.200 --> 0:27:38.080
<v Speaker 1>As we discussed in a previous episode, this would be

0:27:38.119 --> 0:27:40.679
<v Speaker 1>at a time when the would probably be the most vulnerable.

0:27:41.320 --> 0:27:44.800
<v Speaker 1>Another big strike against it is that we don't see

0:27:44.840 --> 0:27:49.520
<v Speaker 1>a tear response in in reaction to other activities, especially

0:27:49.560 --> 0:27:54.000
<v Speaker 1>like exercise that caused rapid inhalation and exhalation, which could

0:27:54.000 --> 0:27:56.760
<v Speaker 1>potentially dry out this mucus and sometimes does dry it

0:27:56.760 --> 0:27:58.560
<v Speaker 1>out if you go out, you know, running in the cold,

0:27:58.640 --> 0:28:01.720
<v Speaker 1>like your your airways can get very dry. Oh man,

0:28:01.800 --> 0:28:04.440
<v Speaker 1>can you imagine what tennis shoe commercials would be like

0:28:04.800 --> 0:28:08.840
<v Speaker 1>if if if the rapid tear shedding was part of exercise. Yeah,

0:28:08.920 --> 0:28:12.000
<v Speaker 1>that's hilarious. So well, I mean, one thing, Nike commercials

0:28:12.000 --> 0:28:14.280
<v Speaker 1>and all this, why is it that athletic shoe commercials

0:28:14.280 --> 0:28:16.920
<v Speaker 1>are always so wet? I mean, I understand it is

0:28:16.960 --> 0:28:20.280
<v Speaker 1>true that people sweat when they exercise, but like those

0:28:20.280 --> 0:28:23.400
<v Speaker 1>commercials really want to show you the moisture. They're always showing,

0:28:23.520 --> 0:28:26.760
<v Speaker 1>like like beads dripping off of people's elbows and things,

0:28:26.760 --> 0:28:28.240
<v Speaker 1>you know what I'm talking about. Yeah, yeah, I know

0:28:28.320 --> 0:28:30.840
<v Speaker 1>they want to drive home the physical exertion and uh,

0:28:31.600 --> 0:28:35.280
<v Speaker 1>I don't know, probably the sexiness of glistening bodies. Yeah maybe.

0:28:35.320 --> 0:28:37.720
<v Speaker 1>And I know, you know, water catches the light. It's

0:28:37.760 --> 0:28:40.200
<v Speaker 1>maybe it's just more interesting to shoot. Looks good in

0:28:40.280 --> 0:28:42.840
<v Speaker 1>slow motion. Yeah, I can see that. But anyway, I

0:28:43.160 --> 0:28:46.160
<v Speaker 1>think that's a pretty big strike against this hypothesis. You

0:28:46.160 --> 0:28:48.200
<v Speaker 1>would kind of think that if it worked like this,

0:28:48.640 --> 0:28:52.000
<v Speaker 1>other activities that could cause drying out of the mucus

0:28:52.000 --> 0:28:55.440
<v Speaker 1>membranes and the nose would also elicit tears, and it

0:28:55.640 --> 0:28:58.840
<v Speaker 1>just doesn't work that way. Also, why would other mammals

0:28:58.840 --> 0:29:01.800
<v Speaker 1>not have a similar addup take ation so interesting? But

0:29:01.880 --> 0:29:05.360
<v Speaker 1>I think some pretty strong strikes against it. Um. So

0:29:05.400 --> 0:29:08.920
<v Speaker 1>there's another hypothesis of fingerhoods talks about, which is the

0:29:09.000 --> 0:29:12.240
<v Speaker 1>idea of crying as a sort of a way for

0:29:12.440 --> 0:29:16.960
<v Speaker 1>adults to temporarily become a child. This one is attributed

0:29:17.000 --> 0:29:20.680
<v Speaker 1>to a Dutch ethologist named friends Um. Oh, I should

0:29:20.680 --> 0:29:22.640
<v Speaker 1>have looked up how to pronounce this r o e s.

0:29:22.640 --> 0:29:26.360
<v Speaker 1>That mightbe rose or russ maybe um. But it goes

0:29:26.440 --> 0:29:30.040
<v Speaker 1>like this. So most adult mammals seem to be born

0:29:30.160 --> 0:29:35.560
<v Speaker 1>with genetically determined instinctual tendencies to react to physical markers

0:29:35.600 --> 0:29:40.400
<v Speaker 1>of infancy with nurturing behaviors and with reduced aggression. You know,

0:29:40.480 --> 0:29:45.400
<v Speaker 1>why do we have such a deep biological reaction to

0:29:45.520 --> 0:29:49.960
<v Speaker 1>things that are cute? And why does cuteness almost perfectly

0:29:50.000 --> 0:29:54.800
<v Speaker 1>correspond to the characteristics of infancy? Uh. These are the

0:29:54.840 --> 0:29:58.280
<v Speaker 1>things that are sometimes called the infant schema, things like

0:29:58.560 --> 0:30:02.520
<v Speaker 1>having a large head, having a large, low lying eyes

0:30:02.720 --> 0:30:06.040
<v Speaker 1>on that head, having bulging cheeks. You can look for

0:30:06.080 --> 0:30:10.160
<v Speaker 1>this and everything from cute cartoon characters to stuffed animals

0:30:10.200 --> 0:30:14.120
<v Speaker 1>almost anything and everything that is supposed to be cute

0:30:14.280 --> 0:30:18.400
<v Speaker 1>in some way mimics babies or mimics infants of other

0:30:18.480 --> 0:30:21.960
<v Speaker 1>closely related mammal species. And this is even true of

0:30:22.000 --> 0:30:26.160
<v Speaker 1>like inanimate objects like um, inanimate objects that people find

0:30:26.240 --> 0:30:29.440
<v Speaker 1>cute tend to be small and tend too maybe in

0:30:29.520 --> 0:30:33.240
<v Speaker 1>some way look kind of helpless like a baby. Yeah, yeah,

0:30:33.400 --> 0:30:37.000
<v Speaker 1>this reminds me of how especially in inanimate but I

0:30:37.000 --> 0:30:39.640
<v Speaker 1>think you see this in Western animation as well. There's

0:30:39.640 --> 0:30:42.960
<v Speaker 1>this tendency when something is being super cute, sometimes the

0:30:42.640 --> 0:30:45.880
<v Speaker 1>the the eyes are made to just well with tears,

0:30:45.920 --> 0:30:49.520
<v Speaker 1>like they're just vibrating with moisture. Very good observation. And

0:30:49.840 --> 0:30:52.960
<v Speaker 1>I think that's uh some significant support for, at least

0:30:53.000 --> 0:30:56.080
<v Speaker 1>in part, this idea, because it seems that there is

0:30:56.080 --> 0:30:59.240
<v Speaker 1>so obviously there are these infant schema. Things that that

0:30:59.360 --> 0:31:02.240
<v Speaker 1>look like babies in one way or another tend to

0:31:02.320 --> 0:31:06.960
<v Speaker 1>just powerfully trigger us to reduce aggression, to increase care

0:31:07.000 --> 0:31:09.720
<v Speaker 1>and nurturing behaviors, to make us say all and want

0:31:09.720 --> 0:31:12.400
<v Speaker 1>to approach and take care of whatever that thing is,

0:31:12.480 --> 0:31:15.040
<v Speaker 1>even if it's like a like a little like inanimate

0:31:15.120 --> 0:31:17.520
<v Speaker 1>chair that's just kind of you know, cute and stubby

0:31:17.560 --> 0:31:21.320
<v Speaker 1>in some way incredibly powerful instinct. But anyway, so there

0:31:21.320 --> 0:31:23.920
<v Speaker 1>are elements of this infant schema that are based not

0:31:24.080 --> 0:31:29.520
<v Speaker 1>only on static physical appearance but in behavior. So here

0:31:29.560 --> 0:31:32.080
<v Speaker 1>I want to read directly from Fingerhoots as he describes

0:31:32.160 --> 0:31:38.720
<v Speaker 1>this quote. Juvenile birds and primates sometimes behave like helpless newborns,

0:31:38.800 --> 0:31:44.640
<v Speaker 1>particularly in begging situations. For example, a young hungry sparrow

0:31:44.720 --> 0:31:47.640
<v Speaker 1>with a well developed ability to fly, may, in the

0:31:47.680 --> 0:31:52.040
<v Speaker 1>presence of a parent, helplessly shake its wings, imitating the

0:31:52.080 --> 0:31:56.720
<v Speaker 1>poorly coordinated wing movements of newly hatched offspring to support

0:31:56.840 --> 0:32:00.880
<v Speaker 1>it's begging for food. And then he also writes uh quote.

0:32:00.880 --> 0:32:04.920
<v Speaker 1>In chimpanzees, the pout face, which is the typical expression

0:32:04.920 --> 0:32:08.600
<v Speaker 1>of youngsters when separated from their mother, can be observed

0:32:08.640 --> 0:32:12.840
<v Speaker 1>in older animals when they are begging. If juveniles that

0:32:12.920 --> 0:32:15.720
<v Speaker 1>behave in this way receive more food and support than

0:32:15.760 --> 0:32:19.400
<v Speaker 1>those that do not display such behavior, this imitation will

0:32:19.560 --> 0:32:22.560
<v Speaker 1>increase their fitness and thus has the potential to become

0:32:22.640 --> 0:32:26.000
<v Speaker 1>part of the behavioral repertoire of a species even beyond

0:32:26.080 --> 0:32:31.160
<v Speaker 1>its infancy. So in given all this, h Rose or

0:32:31.200 --> 0:32:35.120
<v Speaker 1>Russ argued that human crying, including the shedding of liquid

0:32:35.160 --> 0:32:38.800
<v Speaker 1>from the eyes was selected by evolution for this reason

0:32:38.880 --> 0:32:42.240
<v Speaker 1>because it made the faces of juveniles and then even

0:32:42.280 --> 0:32:48.680
<v Speaker 1>adults resemble more closely the faces of helpless newborn infants.

0:32:48.760 --> 0:32:51.920
<v Speaker 1>And we are we're just strongly programmed to react to

0:32:52.000 --> 0:32:56.080
<v Speaker 1>the faces of helpless newborn infants with nurturing, caring behaviors,

0:32:56.080 --> 0:32:59.120
<v Speaker 1>such as, say, giving things to them or not responding

0:32:59.160 --> 0:33:03.080
<v Speaker 1>to them with aggression, and so under this hypothesis, crying

0:33:03.240 --> 0:33:05.880
<v Speaker 1>even an adults is a way of triggering sort of

0:33:05.920 --> 0:33:09.720
<v Speaker 1>the neural cuteness alarm in our heads to turning us

0:33:09.760 --> 0:33:13.040
<v Speaker 1>into infant caregivers, even when the person crying is not

0:33:13.160 --> 0:33:16.520
<v Speaker 1>actually an infant um. And this is summarized with with

0:33:16.560 --> 0:33:20.480
<v Speaker 1>a number of different ways that that uh, the moistening

0:33:20.520 --> 0:33:23.320
<v Speaker 1>of the eyes with tears could make someone more closely

0:33:23.360 --> 0:33:26.400
<v Speaker 1>resemble a newborn. These points would include, and this is

0:33:26.760 --> 0:33:30.239
<v Speaker 1>from from Fingerhood summary here quote the moistening of the

0:33:30.280 --> 0:33:33.080
<v Speaker 1>face which may remind us of the faces of newborn's

0:33:33.120 --> 0:33:38.560
<v Speaker 1>wet with amniotic fluid, the uncoordinated, almost spasmodic respiration, which

0:33:38.600 --> 0:33:41.760
<v Speaker 1>is similar to the initial respiratory efforts of a newborn.

0:33:42.360 --> 0:33:46.200
<v Speaker 1>The correspondence of the acoustical aspects of human crying to

0:33:46.280 --> 0:33:50.480
<v Speaker 1>the separation or distress calls of other animals, the closed eyes,

0:33:50.560 --> 0:33:53.680
<v Speaker 1>the wrinkled skin around the eyes, the spotted coloration of

0:33:53.720 --> 0:33:56.280
<v Speaker 1>the facial skin, and the open mouth, all of which

0:33:56.320 --> 0:34:01.320
<v Speaker 1>are typical crying expressions shared with newborns. So this could

0:34:01.320 --> 0:34:03.680
<v Speaker 1>have some arguments against it. For example, it still wouldn't

0:34:03.680 --> 0:34:07.479
<v Speaker 1>explain why emotional tears would be unique to humans as

0:34:07.480 --> 0:34:10.920
<v Speaker 1>opposed to say, other primates, but it could be partially

0:34:11.000 --> 0:34:13.960
<v Speaker 1>on the right track. Now, I want to go lightly

0:34:14.000 --> 0:34:17.440
<v Speaker 1>over a couple more that he mentions. One is the

0:34:17.560 --> 0:34:22.520
<v Speaker 1>idea of crying as a symbolic representation of suffering. This

0:34:22.560 --> 0:34:27.200
<v Speaker 1>one has attributed to the Spanish optomologist one marube Uh,

0:34:27.239 --> 0:34:31.160
<v Speaker 1>though The Fingerhoots notes that the American neuroscientist Robert Provine

0:34:31.200 --> 0:34:34.480
<v Speaker 1>has offered a similar explanation. And here the idea is

0:34:34.560 --> 0:34:38.239
<v Speaker 1>that crying is a social signal of emotional pain that

0:34:38.400 --> 0:34:42.000
<v Speaker 1>is adapted from the reflex tear response that comes from

0:34:42.040 --> 0:34:44.960
<v Speaker 1>certain types of physical pain. And this would have some

0:34:45.080 --> 0:34:48.920
<v Speaker 1>precedent and animal behavior, because animals seem to have evolutionarily

0:34:49.000 --> 0:34:53.440
<v Speaker 1>developed social signals uh to one another that are based

0:34:53.480 --> 0:34:57.360
<v Speaker 1>on the appearance of behaviors that are originally not for signaling.

0:34:57.760 --> 0:35:01.040
<v Speaker 1>For example, the idea that the social signal of anger

0:35:01.200 --> 0:35:06.440
<v Speaker 1>represented by bared teeth maybe based on originally non communicative

0:35:06.560 --> 0:35:10.160
<v Speaker 1>eating behaviors. So maybe the idea is, you know, originally

0:35:10.440 --> 0:35:13.800
<v Speaker 1>an animal that looks like it is intently like gnawing

0:35:13.800 --> 0:35:15.799
<v Speaker 1>on a bone or eating or something, you don't want

0:35:15.840 --> 0:35:18.279
<v Speaker 1>to like approach that animal and try to mess with

0:35:18.320 --> 0:35:20.279
<v Speaker 1>it because you know you're getting in between it and

0:35:20.320 --> 0:35:23.920
<v Speaker 1>its food. Maybe you could sort of like re like

0:35:24.200 --> 0:35:27.400
<v Speaker 1>play on that instinct by showing your teeth to another

0:35:27.440 --> 0:35:29.800
<v Speaker 1>animal even while you're not eating this saying like I

0:35:30.200 --> 0:35:33.759
<v Speaker 1>am you know, don't mess with me right now. Or similarly,

0:35:33.840 --> 0:35:37.440
<v Speaker 1>like the the social signal of disgust maybe based on

0:35:37.480 --> 0:35:43.040
<v Speaker 1>originally non communicative rejection behaviors like vomiting or spitting out food.

0:35:43.120 --> 0:35:45.839
<v Speaker 1>Are are the faces we make that others can see

0:35:45.880 --> 0:35:49.240
<v Speaker 1>when we're disgusted by something kind of look like spitting

0:35:49.239 --> 0:35:53.320
<v Speaker 1>out faces or vomiting faces, And under this hypothesis, tears

0:35:53.360 --> 0:35:56.359
<v Speaker 1>could maybe be similar. Maybe what was originally a reflective

0:35:56.480 --> 0:35:59.640
<v Speaker 1>secretion of liquid in the eyes in response to physical

0:35:59.680 --> 0:36:02.400
<v Speaker 1>irritation of the eyes, some kind of pain or irritation

0:36:03.200 --> 0:36:06.319
<v Speaker 1>came to be a useful signal of pain to other

0:36:06.400 --> 0:36:09.480
<v Speaker 1>members of our species. It was it was useful in

0:36:09.520 --> 0:36:12.239
<v Speaker 1>a survival sense to know when somebody else was in

0:36:12.320 --> 0:36:16.000
<v Speaker 1>pain and may need help. And this could become abstracted

0:36:16.040 --> 0:36:19.520
<v Speaker 1>to types of pain other than physical irritation of the eyes,

0:36:20.080 --> 0:36:31.200
<v Speaker 1>specifically emotional pain. Than there's another hypothesis that fingerhoots mentions

0:36:31.239 --> 0:36:34.360
<v Speaker 1>that is attributed to a science writer named Chip Walter,

0:36:34.600 --> 0:36:38.759
<v Speaker 1>who argues that crying maybe a an important part of

0:36:38.840 --> 0:36:42.040
<v Speaker 1>social bonding development in the history of the human species.

0:36:42.360 --> 0:36:45.280
<v Speaker 1>It might be a sort of honest signal of genuine

0:36:45.280 --> 0:36:49.400
<v Speaker 1>need due to what could be called a handicapping principle. Basically,

0:36:49.440 --> 0:36:52.600
<v Speaker 1>the fact that, uh, you know that you would make

0:36:52.680 --> 0:36:57.359
<v Speaker 1>really loud noises of helplessness and risk drawing predators nearby

0:36:57.520 --> 0:37:01.680
<v Speaker 1>means you must really need help. Um. Honestly, I was

0:37:01.680 --> 0:37:04.320
<v Speaker 1>a little fuzzy on how this mechanism was was supposed

0:37:04.360 --> 0:37:07.440
<v Speaker 1>to work, But then the next one I found interesting,

0:37:07.440 --> 0:37:09.360
<v Speaker 1>and this ties into something we talked about in a

0:37:09.360 --> 0:37:14.239
<v Speaker 1>previous episode, the hypothesis that the emotional tears and adults

0:37:14.280 --> 0:37:18.320
<v Speaker 1>are an honest appeasement signal. Uh. And this is traced

0:37:18.320 --> 0:37:22.200
<v Speaker 1>back to the Israeli evolutionary biologist or In Hassan, who

0:37:22.360 --> 0:37:26.560
<v Speaker 1>argued that, hey, tears blur our vision, and by blurring

0:37:26.560 --> 0:37:29.200
<v Speaker 1>our vision, they make it difficult for us to be

0:37:29.280 --> 0:37:33.719
<v Speaker 1>at peak fighting fitness. And so if it's more difficult

0:37:33.800 --> 0:37:36.719
<v Speaker 1>to enact violence or aggression while your eyes are full

0:37:36.760 --> 0:37:41.200
<v Speaker 1>of tears, Hassan would argue that tears are adaptive because

0:37:41.239 --> 0:37:45.600
<v Speaker 1>they are an honest signal of decreased capacity for violence.

0:37:45.680 --> 0:37:48.080
<v Speaker 1>Kind of like a dog rolling on its back and

0:37:48.160 --> 0:37:50.640
<v Speaker 1>showing you its belly. It's like, Hey, I'm I'm putting

0:37:50.640 --> 0:37:54.359
<v Speaker 1>myself in a really vulnerable situation. Don't hurt me. It's

0:37:54.360 --> 0:37:57.320
<v Speaker 1>a kind of hard to fake white flag of surrender

0:37:57.680 --> 0:38:00.799
<v Speaker 1>signaling I am currently helpless and we'll not harm you.

0:38:00.880 --> 0:38:04.279
<v Speaker 1>Please help me, or at least please don't hurt me. So,

0:38:04.360 --> 0:38:07.200
<v Speaker 1>under this hypothesis, tears would be adaptive because they help

0:38:07.280 --> 0:38:11.480
<v Speaker 1>facilitate social trust. Now, whether or not this is truly

0:38:11.520 --> 0:38:14.480
<v Speaker 1>a primary factor in the evolutionary of tears, this Hassen

0:38:14.760 --> 0:38:18.520
<v Speaker 1>hassened white flag of surrender hypothesis, I do think it

0:38:18.520 --> 0:38:21.080
<v Speaker 1>picks up on something that we were talking about earlier

0:38:21.120 --> 0:38:24.160
<v Speaker 1>that I think seems almost undeniable, which is that tears

0:38:24.200 --> 0:38:29.800
<v Speaker 1>are strongly strongly linked with helplessness as a condition. Studies

0:38:29.800 --> 0:38:33.200
<v Speaker 1>that look into, you know, cases like when do adults

0:38:33.239 --> 0:38:36.920
<v Speaker 1>actually cry? These studies tend to find that the adults

0:38:36.920 --> 0:38:39.600
<v Speaker 1>often report the kinds of situations in which they're most

0:38:39.640 --> 0:38:42.640
<v Speaker 1>likely to cry are ones which, in some way or

0:38:42.680 --> 0:38:45.920
<v Speaker 1>other they feel helpless or feel a lack of control.

0:38:46.400 --> 0:38:48.560
<v Speaker 1>Of course, as we talked about earlier, the role of

0:38:48.600 --> 0:38:51.880
<v Speaker 1>crying in infants, both acoustical crying, you know, vocal crying

0:38:51.920 --> 0:38:56.120
<v Speaker 1>and tearful crying is quite literally a signal of helplessness.

0:38:56.120 --> 0:38:59.400
<v Speaker 1>It is because the infant is literally helpless and cannot

0:38:59.440 --> 0:39:02.560
<v Speaker 1>do anything for itself and is requesting that a parent

0:39:02.640 --> 0:39:04.880
<v Speaker 1>come to help them. And so I do feel like

0:39:04.920 --> 0:39:08.120
<v Speaker 1>this is probably a pretty strong factor to consider when

0:39:08.120 --> 0:39:11.600
<v Speaker 1>evaluating these different hypotheses, which you know, individual ones we've

0:39:11.640 --> 0:39:14.080
<v Speaker 1>just talked about may or may not be correct to

0:39:14.160 --> 0:39:17.720
<v Speaker 1>varying degrees, But I do think that in adults, tearful

0:39:17.800 --> 0:39:22.440
<v Speaker 1>crying is very strongly linked to helplessness and probably serves

0:39:22.480 --> 0:39:27.160
<v Speaker 1>some important social signal of helplessness. And and the signals

0:39:27.160 --> 0:39:30.520
<v Speaker 1>of helplessness could take multiple forms. They could elicit assistance

0:39:30.560 --> 0:39:33.640
<v Speaker 1>and social supports. You know, I am currently helpless and

0:39:33.719 --> 0:39:37.440
<v Speaker 1>need care, or they could neutralize aggression. I am currently

0:39:37.440 --> 0:39:40.120
<v Speaker 1>helpless and can't represent a threat to you. Please don't

0:39:40.200 --> 0:39:43.360
<v Speaker 1>hurt me. Uh And And I think this is interesting

0:39:43.400 --> 0:39:48.160
<v Speaker 1>because you can even see this in negative reactions to crying,

0:39:48.280 --> 0:39:51.720
<v Speaker 1>Like when are the situations when people are the least

0:39:51.920 --> 0:39:56.360
<v Speaker 1>tolerant of other people crying. It's in situations where you

0:39:56.400 --> 0:40:00.600
<v Speaker 1>would be the least tolerant of somebody being helpless. It's

0:40:00.640 --> 0:40:04.480
<v Speaker 1>when somebody is supposed to be useful and responsible and

0:40:04.520 --> 0:40:08.400
<v Speaker 1>say like the workplace or in the military or something that,

0:40:08.560 --> 0:40:11.640
<v Speaker 1>like people would react really negatively to seeing somebody else

0:40:11.680 --> 0:40:15.560
<v Speaker 1>burst into tears, which I mean, I do have to

0:40:15.600 --> 0:40:18.600
<v Speaker 1>mention I think that I think that's ultimately pretty crappy, Like,

0:40:19.360 --> 0:40:21.720
<v Speaker 1>no matter what the situation is, like, if if someone

0:40:21.840 --> 0:40:25.600
<v Speaker 1>is having emotional tears, like there's something going on, be

0:40:25.680 --> 0:40:29.719
<v Speaker 1>it be it actual feelings of helpful, helpful helplessness, or

0:40:30.160 --> 0:40:33.640
<v Speaker 1>or they are you know, they're engaging their mirror neurons,

0:40:33.920 --> 0:40:37.560
<v Speaker 1>uh with within with someone else's situation, or perhaps there's

0:40:37.560 --> 0:40:42.279
<v Speaker 1>some sort of you know, emotional imbalance going on there,

0:40:42.360 --> 0:40:45.480
<v Speaker 1>Like there's something something is occurring and to say like, oh,

0:40:45.600 --> 0:40:48.200
<v Speaker 1>you know, don't cry. You know, people don't cry in

0:40:48.200 --> 0:40:50.320
<v Speaker 1>this scenario. There's no crying in baseball or whatever the

0:40:50.960 --> 0:40:54.160
<v Speaker 1>trope happens to be. Um, I don't think that does

0:40:54.200 --> 0:40:56.839
<v Speaker 1>any good. Right, Well, it's in situations where people are

0:40:56.960 --> 0:41:00.480
<v Speaker 1>less concerned for others well being and more just concerned

0:41:00.520 --> 0:41:02.440
<v Speaker 1>with what can you do for me right now? I

0:41:02.480 --> 0:41:06.640
<v Speaker 1>need you to be like useful and functional? Right It's

0:41:06.680 --> 0:41:08.799
<v Speaker 1>it's when people are sort of looking at you in

0:41:08.840 --> 0:41:11.279
<v Speaker 1>a more transactional way and just saying like, hey, I

0:41:11.320 --> 0:41:12.919
<v Speaker 1>just need you to be on the ball. I don't

0:41:12.920 --> 0:41:16.320
<v Speaker 1>really care what you're dealing with, right which it reminds

0:41:16.360 --> 0:41:20.040
<v Speaker 1>me of an old Upright Citizens Brigade sketch. Uh. We've

0:41:20.040 --> 0:41:22.040
<v Speaker 1>probably mentioned this in the show before the Bucket of Truth?

0:41:22.200 --> 0:41:26.080
<v Speaker 1>Do you ever? Do you remember this from the The

0:41:26.160 --> 0:41:27.920
<v Speaker 1>idea was that if there's this bucket, and if you

0:41:27.920 --> 0:41:30.359
<v Speaker 1>look into the Bucket of Truth, you will you will

0:41:30.800 --> 0:41:35.000
<v Speaker 1>confront uh the unmitigated truth of the universe, and it

0:41:35.040 --> 0:41:37.560
<v Speaker 1>will overwhelm you and then you will be unable to

0:41:37.600 --> 0:41:42.359
<v Speaker 1>stop wailing and weeping. And this would occur to most

0:41:42.400 --> 0:41:44.440
<v Speaker 1>of the characters in the skit but then they have

0:41:44.640 --> 0:41:47.120
<v Speaker 1>these these uh, these bits where I think they were

0:41:47.120 --> 0:41:49.920
<v Speaker 1>going out in public and doing this like this uncontrolled

0:41:49.920 --> 0:41:53.040
<v Speaker 1>weeping and uh and and screaming, as if they had

0:41:53.080 --> 0:41:55.560
<v Speaker 1>looked into the bucket of truth. But at least in

0:41:55.600 --> 0:41:57.640
<v Speaker 1>one of the skits who was while carrying out some

0:41:57.680 --> 0:42:00.960
<v Speaker 1>other mundane task, which was always always struck me as

0:42:00.960 --> 0:42:03.400
<v Speaker 1>an interesting juxtaposition. And I couldn't really say why. And

0:42:03.400 --> 0:42:06.160
<v Speaker 1>perhaps this is that the idea that if you are

0:42:06.200 --> 0:42:10.400
<v Speaker 1>fully engaging in emotional tears, that this this is generally

0:42:10.440 --> 0:42:12.800
<v Speaker 1>the focus of what you're doing. You're generally not doing

0:42:12.840 --> 0:42:16.200
<v Speaker 1>something else. You're not like, you know, mailing envelopes or

0:42:16.200 --> 0:42:19.960
<v Speaker 1>whatever happens to be the case. Right, And you know,

0:42:20.040 --> 0:42:22.400
<v Speaker 1>I think we can probably all say from experience that

0:42:22.440 --> 0:42:26.759
<v Speaker 1>we're usually not at our most functional and and efficient

0:42:26.840 --> 0:42:31.320
<v Speaker 1>while we're crying. Yeah, unless unless you're composing poetry maybe,

0:42:31.480 --> 0:42:34.240
<v Speaker 1>or or a beautiful song. There's so many great songs

0:42:34.280 --> 0:42:37.760
<v Speaker 1>about crying. Oh no, I'd say even they're like, while

0:42:37.800 --> 0:42:41.080
<v Speaker 1>you're crying, you're not in composition mode. It's only reflecting

0:42:41.200 --> 0:42:44.160
<v Speaker 1>upon those feelings later that you're really good at writing

0:42:44.160 --> 0:42:47.080
<v Speaker 1>about them. Okay, if you try to write about if

0:42:47.080 --> 0:42:49.759
<v Speaker 1>you ever tried to write about strong emotions while you're

0:42:49.760 --> 0:42:53.040
<v Speaker 1>currently feeling them, I find it just doesn't work. Like

0:42:53.120 --> 0:42:55.920
<v Speaker 1>you can't really there's not much to say about them

0:42:55.920 --> 0:42:58.480
<v Speaker 1>while you're feeling them. It's only thinking back on them

0:42:58.560 --> 0:43:01.560
<v Speaker 1>later that you can talk out them. Well, that's true,

0:43:01.640 --> 0:43:04.200
<v Speaker 1>I mean, the best you know, if if you, I

0:43:04.239 --> 0:43:06.239
<v Speaker 1>guess it would would do you tend to defeat it

0:43:06.280 --> 0:43:07.920
<v Speaker 1>if you got into a good writing mode, because you

0:43:07.920 --> 0:43:10.120
<v Speaker 1>would get into the flow state, and then you're you're

0:43:10.200 --> 0:43:14.600
<v Speaker 1>kind of removed from whatever emotional state might have provoked it. Um,

0:43:14.760 --> 0:43:18.080
<v Speaker 1>at least moved from the experience of those emotions and

0:43:18.120 --> 0:43:21.080
<v Speaker 1>put in a place where you can reflect on them. Yeah,

0:43:21.480 --> 0:43:24.239
<v Speaker 1>but obviously looking into a truth bucket is a different matter.

0:43:25.280 --> 0:43:26.680
<v Speaker 1>I guess you just have to roll with it at

0:43:26.680 --> 0:43:30.640
<v Speaker 1>that point. Well, anyway to round out my thoughts about

0:43:30.680 --> 0:43:34.040
<v Speaker 1>helplessness as as a factor in tears, um, While I

0:43:34.080 --> 0:43:37.280
<v Speaker 1>am pretty strongly convinced that helplessness is a major part

0:43:37.320 --> 0:43:41.960
<v Speaker 1>of whatever would be the ultimate primary evolutionary explanation for them,

0:43:42.160 --> 0:43:46.799
<v Speaker 1>helplessness obviously doesn't explain every case of tears, or at

0:43:46.840 --> 0:43:49.680
<v Speaker 1>least it it seems difficult to like you can imagine

0:43:50.360 --> 0:43:54.000
<v Speaker 1>realistic crying scenarios where it is difficult to see how

0:43:54.040 --> 0:43:58.520
<v Speaker 1>helplessness is relevant. Not impossible, but difficult. Just to think

0:43:58.520 --> 0:44:02.760
<v Speaker 1>of a very very light example, Um, you know, okay,

0:44:02.760 --> 0:44:05.160
<v Speaker 1>what's a comment? What's a moment in a movie that

0:44:05.280 --> 0:44:07.880
<v Speaker 1>often makes you cry? I think about like, some of

0:44:07.920 --> 0:44:10.400
<v Speaker 1>the moments in movies that made me cry the most

0:44:10.480 --> 0:44:15.239
<v Speaker 1>are when a character who you didn't know if you

0:44:15.280 --> 0:44:20.080
<v Speaker 1>could depend on in fact comes through. So for example,

0:44:20.200 --> 0:44:23.200
<v Speaker 1>at the end of Star Wars, when Han Solo appears

0:44:23.200 --> 0:44:25.600
<v Speaker 1>in the Millennium Falcon, you know, like that moment where

0:44:25.600 --> 0:44:28.319
<v Speaker 1>he you thought he's left and gone off on his own,

0:44:28.640 --> 0:44:31.759
<v Speaker 1>but he returns to to help his friends. That those

0:44:31.800 --> 0:44:33.640
<v Speaker 1>are like the moments that kind of like get the

0:44:33.680 --> 0:44:36.200
<v Speaker 1>tears welling up in my eyes, and it's hard to

0:44:36.239 --> 0:44:39.799
<v Speaker 1>see how that really relates to helplessness. Maybe you can

0:44:39.840 --> 0:44:42.520
<v Speaker 1>make a kind of very abstract argument has something to

0:44:42.560 --> 0:44:45.319
<v Speaker 1>do with like needing the help of others. I'm not

0:44:45.360 --> 0:44:49.239
<v Speaker 1>sure I when I think about it, it's often like

0:44:49.320 --> 0:44:52.120
<v Speaker 1>really tragic moments in films, or you know that the

0:44:52.120 --> 0:44:56.359
<v Speaker 1>death of a protagonist, uh, like you know, the death

0:44:56.360 --> 0:45:00.080
<v Speaker 1>of a key character in in the mission, uh, general

0:45:00.080 --> 0:45:04.400
<v Speaker 1>he opens up the water works for me, you know,

0:45:04.520 --> 0:45:06.560
<v Speaker 1>very you know these kind of these kind of moments

0:45:06.560 --> 0:45:12.120
<v Speaker 1>are Oh, I remember watching The Untouchables and uh and

0:45:12.640 --> 0:45:15.200
<v Speaker 1>the part where Sean Connery's character dies. I remember that

0:45:15.239 --> 0:45:17.239
<v Speaker 1>being like real emotional when I was young. Also, that

0:45:17.360 --> 0:45:19.080
<v Speaker 1>movie is super bloody. I don't know why I was

0:45:19.120 --> 0:45:22.120
<v Speaker 1>watching that as a kid. But oh, there there was

0:45:22.160 --> 0:45:25.560
<v Speaker 1>another one that came to Oh, what's the name, what's

0:45:25.560 --> 0:45:28.200
<v Speaker 1>the name of that actor who plays the who plays

0:45:28.239 --> 0:45:33.480
<v Speaker 1>the assassin for um for Capone in the Dragon Dragon

0:45:33.520 --> 0:45:37.239
<v Speaker 1>Billy Dragon. Yeah, yeah, yeah, he's in. He's in the

0:45:37.239 --> 0:45:41.200
<v Speaker 1>movie Vamp as well. He often played a very good lizard,

0:45:41.200 --> 0:45:46.440
<v Speaker 1>e kind of reptilian. Yeah, bad dude, bad dude in

0:45:46.480 --> 0:45:51.040
<v Speaker 1>that film. Um not the actor. I also remember as

0:45:51.080 --> 0:45:54.560
<v Speaker 1>a as a young child watching Romancing the Stone. Again,

0:45:54.680 --> 0:45:56.480
<v Speaker 1>I don't know why I was watching Romancing Stone. I

0:45:56.480 --> 0:45:58.520
<v Speaker 1>think it was probably too young for it, but I

0:45:58.560 --> 0:46:02.319
<v Speaker 1>remember crying when the villain died because it was like,

0:46:02.520 --> 0:46:05.439
<v Speaker 1>or appeared to die weirdly enough. I think it's got

0:46:05.440 --> 0:46:10.319
<v Speaker 1>his hand bit by by a crocodilian. Uh, a bit off,

0:46:10.360 --> 0:46:12.920
<v Speaker 1>you know, kind of a captain hook moment. And I

0:46:13.000 --> 0:46:14.920
<v Speaker 1>was and I think the part of that was it

0:46:14.960 --> 0:46:17.560
<v Speaker 1>was just it was sort of violent and and terrifying,

0:46:17.640 --> 0:46:20.759
<v Speaker 1>and therefore that was my emotional response to that. And

0:46:20.800 --> 0:46:22.920
<v Speaker 1>I remember an adult that was there comforted me and

0:46:22.920 --> 0:46:25.720
<v Speaker 1>it's like, no, look he's okay, he's back to ata

0:46:25.920 --> 0:46:28.640
<v Speaker 1>the heroes, um, And then I think he died again.

0:46:28.880 --> 0:46:31.279
<v Speaker 1>I mean, if you're willing to get really abstract and

0:46:31.320 --> 0:46:33.440
<v Speaker 1>stretch it around, I think you can come up with

0:46:33.520 --> 0:46:36.480
<v Speaker 1>helplessness or powerless explanations for a lot of these, even

0:46:36.560 --> 0:46:38.880
<v Speaker 1>so called tears of joy or things and movies and

0:46:38.920 --> 0:46:41.320
<v Speaker 1>so forth. Like I think about, you know, the tears

0:46:41.320 --> 0:46:45.759
<v Speaker 1>of joy, like a parent experiences observing their child do

0:46:45.880 --> 0:46:48.000
<v Speaker 1>something for the first time. I mean, you could argue

0:46:48.000 --> 0:46:50.440
<v Speaker 1>that maybe that has something to do with like feelings

0:46:50.440 --> 0:46:53.799
<v Speaker 1>of being overwhelmed by the unstoppable passage of time, right,

0:46:54.080 --> 0:46:56.800
<v Speaker 1>you know, time is just like beyond your control and

0:46:56.800 --> 0:47:00.239
<v Speaker 1>and you're seeing that development or or just general really

0:47:00.280 --> 0:47:03.799
<v Speaker 1>being overwhelmed by positive emotions. Maybe just the fact that

0:47:03.840 --> 0:47:06.399
<v Speaker 1>you are overwhelmed puts you in a in a sort

0:47:06.400 --> 0:47:10.040
<v Speaker 1>of strange state of powerlessness or helplessness, even though the

0:47:10.080 --> 0:47:13.560
<v Speaker 1>feelings are good. Yeah, yeah, I should say that as

0:47:13.600 --> 0:47:17.160
<v Speaker 1>far as uh, evolutionary hypotheses about crying. Go. I know

0:47:17.400 --> 0:47:20.040
<v Speaker 1>ad Fingerhoots himself has sort of advocated the idea that

0:47:20.200 --> 0:47:25.239
<v Speaker 1>maybe adult emotional tears serve a kind of purpose that

0:47:25.360 --> 0:47:28.920
<v Speaker 1>is similar to what would be done with vocal crying

0:47:28.920 --> 0:47:32.280
<v Speaker 1>by babies eliciting is the social signal trying to elicit

0:47:32.320 --> 0:47:36.279
<v Speaker 1>attachment behaviors and and care from others, but that there

0:47:36.320 --> 0:47:39.640
<v Speaker 1>may be a specific advantage for humans in the shedding

0:47:39.640 --> 0:47:44.359
<v Speaker 1>of tears instead of say, loud vocal wailing and situations

0:47:44.360 --> 0:47:47.200
<v Speaker 1>where you need to be more subtle and directed, maybe

0:47:47.239 --> 0:47:51.000
<v Speaker 1>you need to signal signal these strong emotional states in

0:47:51.040 --> 0:47:54.720
<v Speaker 1>the need for help with just say, like one closely

0:47:54.760 --> 0:47:57.960
<v Speaker 1>related person, instead of making loud noises and drawing the

0:47:58.000 --> 0:48:01.920
<v Speaker 1>attention of everyone and everything, maybe even local predators and stuff.

0:48:02.280 --> 0:48:03.839
<v Speaker 1>So I don't know what I think about that, But

0:48:04.160 --> 0:48:08.120
<v Speaker 1>also an interesting idea, maybe tearful crying is a is

0:48:08.160 --> 0:48:12.640
<v Speaker 1>a more targeted way of displaying this infantile helplessness that

0:48:12.640 --> 0:48:22.919
<v Speaker 1>that elicits care responses. So at this point I thought

0:48:22.920 --> 0:48:25.600
<v Speaker 1>we might take a lot of what we've discussed here

0:48:25.760 --> 0:48:29.280
<v Speaker 1>and take it into the realm of mythology and religion,

0:48:30.080 --> 0:48:33.239
<v Speaker 1>because it just gives us another vantage point from which

0:48:33.280 --> 0:48:36.040
<v Speaker 1>to try and figure all of this out. Now, in

0:48:36.719 --> 0:48:38.719
<v Speaker 1>past episodes, you know, when we get into the realm

0:48:38.719 --> 0:48:41.840
<v Speaker 1>of mythology and religion were often a lot more specific.

0:48:42.520 --> 0:48:45.480
<v Speaker 1>For instance, the idea of saying that dog carrying a

0:48:45.520 --> 0:48:48.600
<v Speaker 1>flaming stick. When you start looking for explanations to that,

0:48:48.800 --> 0:48:50.800
<v Speaker 1>you know, you don't have as many cultures to to

0:48:50.800 --> 0:48:53.920
<v Speaker 1>to go to you you who have perhaps more of

0:48:53.920 --> 0:48:56.520
<v Speaker 1>a riddle as to why this is a thing. But

0:48:56.680 --> 0:48:59.960
<v Speaker 1>when it comes to weeping in mythology and religion, when

0:49:00.040 --> 0:49:03.719
<v Speaker 1>it comes to God's weeping, humans weeping demi, gods and

0:49:03.760 --> 0:49:06.239
<v Speaker 1>heroes weeping like a lot of it. I guess it's

0:49:06.320 --> 0:49:08.680
<v Speaker 1>kind of obvious. You know, we are humans, we weep,

0:49:09.040 --> 0:49:13.080
<v Speaker 1>We create these uh these these these uh these beings

0:49:13.120 --> 0:49:15.239
<v Speaker 1>that are important to us, and of course they are

0:49:15.239 --> 0:49:17.359
<v Speaker 1>going to weep, and they keep the humans in our

0:49:17.400 --> 0:49:19.719
<v Speaker 1>story and the human like entities in our stories they

0:49:19.719 --> 0:49:23.000
<v Speaker 1>are going to weep as well. And um and on

0:49:23.080 --> 0:49:25.000
<v Speaker 1>a certain level, you know, it might not even seem

0:49:25.040 --> 0:49:28.160
<v Speaker 1>that fruitful to really examine the scenario much beyond that,

0:49:28.680 --> 0:49:30.840
<v Speaker 1>but but I still think it's interesting to to go

0:49:30.880 --> 0:49:32.520
<v Speaker 1>into at least some of it and also look at

0:49:32.560 --> 0:49:35.720
<v Speaker 1>some of the broader themes. So we've discussed the importance

0:49:35.760 --> 0:49:38.840
<v Speaker 1>of water in both life itself and then the sorts

0:49:38.840 --> 0:49:42.200
<v Speaker 1>of myth cycles that humans build up about themselves in

0:49:42.239 --> 0:49:46.440
<v Speaker 1>their origins. Life depends on the water. Life is water, uh.

0:49:46.480 --> 0:49:48.960
<v Speaker 1>And one of the key aspects of tears is that

0:49:49.440 --> 0:49:52.160
<v Speaker 1>they can They tend to run clear or clearer than

0:49:52.200 --> 0:49:55.080
<v Speaker 1>anything else that's gonna secrete from a human being. Uh.

0:49:55.120 --> 0:49:58.360
<v Speaker 1>They are like water. They are our body producing water.

0:49:58.760 --> 0:50:02.200
<v Speaker 1>And so in mythology especially, this is enough to connect

0:50:02.239 --> 0:50:05.040
<v Speaker 1>the tears of mortals, but especially the tears of demi

0:50:05.120 --> 0:50:09.200
<v Speaker 1>gods and gods, with the rain, with oceans, with rivers

0:50:09.200 --> 0:50:11.720
<v Speaker 1>and floods. All of these, of course are our bodies

0:50:11.760 --> 0:50:14.799
<v Speaker 1>of water that play heavily into myth cycles as well.

0:50:15.880 --> 0:50:19.040
<v Speaker 1>I was reading about some of this in Pangian Flood Myths,

0:50:19.040 --> 0:50:22.960
<v Speaker 1>Gondwana Myths and Beyond by Michael eve Vitzel, and the

0:50:23.000 --> 0:50:26.320
<v Speaker 1>author points out the various tropes one finds in various

0:50:26.320 --> 0:50:29.840
<v Speaker 1>religions concerning floods. Now. To be clear, there are floods

0:50:29.840 --> 0:50:33.400
<v Speaker 1>in myth that are connected to urine, to blood, to

0:50:33.520 --> 0:50:37.719
<v Speaker 1>the to the spilt belly contents of a monster to

0:50:37.920 --> 0:50:41.840
<v Speaker 1>whale vomit. But one also finds various accounts where tears

0:50:42.160 --> 0:50:45.920
<v Speaker 1>generate floodwaters or rains, and they might be the tears

0:50:45.960 --> 0:50:50.920
<v Speaker 1>of gods or monsters, or from atoms, tears of repentance,

0:50:51.239 --> 0:50:54.000
<v Speaker 1>this would be Adam, isn't Adam and Eve? And also

0:50:54.040 --> 0:50:56.880
<v Speaker 1>from the tears of grieving lovers, and there seem to

0:50:56.920 --> 0:51:00.160
<v Speaker 1>be just numerous examples of these. Going back to an

0:51:00.200 --> 0:51:02.239
<v Speaker 1>episode we did a long time ago, causes me to

0:51:02.239 --> 0:51:04.880
<v Speaker 1>think about the tears of Ray and Egyptian mythology, you know,

0:51:04.920 --> 0:51:07.960
<v Speaker 1>the tears of the sun god Ray sort of falling

0:51:08.000 --> 0:51:10.840
<v Speaker 1>to the ground and I believe becoming bees, the bees

0:51:10.880 --> 0:51:13.279
<v Speaker 1>that would be used for for bee keeping, the making

0:51:13.280 --> 0:51:16.279
<v Speaker 1>of wax and honey in ancient Egypt. Yeah. Yeah, And

0:51:16.320 --> 0:51:19.480
<v Speaker 1>indeed we do see life emerging from various bodily secretions

0:51:19.520 --> 0:51:23.840
<v Speaker 1>across the global mythic landscape, including blood certainly, but also

0:51:23.880 --> 0:51:28.600
<v Speaker 1>including tears. According to twentieth century folk loreist Stiff Thompson

0:51:28.719 --> 0:51:31.000
<v Speaker 1>in his book The Folk Tale, it's part of the

0:51:31.440 --> 0:51:34.800
<v Speaker 1>broader miraculous birth of the hero trope that one finds

0:51:34.840 --> 0:51:38.360
<v Speaker 1>just throughout and throughout North American tribal beliefs. They are

0:51:38.440 --> 0:51:42.480
<v Speaker 1>numerous examples of it, pregnancy caused by rain or caused

0:51:42.480 --> 0:51:46.440
<v Speaker 1>by food, emergence from a dead mother, from the ground,

0:51:46.560 --> 0:51:48.759
<v Speaker 1>or from a jug, but also the birth of a

0:51:48.880 --> 0:51:51.640
<v Speaker 1>child from a clot of blood, from a splinter wound,

0:51:51.920 --> 0:51:55.319
<v Speaker 1>quote from tears, or from other secretions of the body.

0:51:55.400 --> 0:51:59.160
<v Speaker 1>And then interestingly enough, he also mentions, uh that that

0:51:59.320 --> 0:52:02.560
<v Speaker 1>most frequently, uh, this is from mucus of the nose,

0:52:03.360 --> 0:52:07.560
<v Speaker 1>again in North American tribal beliefs. I found that interesting.

0:52:07.880 --> 0:52:11.799
<v Speaker 1>We often don't think about the divine nature of the mucus.

0:52:11.800 --> 0:52:14.880
<v Speaker 1>But oh man, I was just reading actually in um

0:52:15.120 --> 0:52:18.120
<v Speaker 1>Tales from a Chinese studio, there's a there's a wonderful

0:52:18.719 --> 0:52:22.160
<v Speaker 1>little story that pops up so suitably weird, in which

0:52:22.560 --> 0:52:26.520
<v Speaker 1>an individual's hanging out in his study and uh and he,

0:52:26.960 --> 0:52:29.920
<v Speaker 1>you know, some sort of a Chinese scholar, and he

0:52:30.080 --> 0:52:34.080
<v Speaker 1>sneezes three times. Each time he sneezes, he sneezes out

0:52:34.080 --> 0:52:37.520
<v Speaker 1>a small creature, and then one of the creature eats

0:52:37.560 --> 0:52:40.040
<v Speaker 1>the other eats another one and gets a little bigger,

0:52:40.080 --> 0:52:42.959
<v Speaker 1>and then that creature eats the remaining creature. Uh and

0:52:42.840 --> 0:52:46.120
<v Speaker 1>and and finally you just have one like larger creature

0:52:46.840 --> 0:52:49.839
<v Speaker 1>that is formed of these different mucus beings, and then

0:52:49.880 --> 0:52:53.759
<v Speaker 1>it begins crawling up the individual's leg and then once

0:52:53.800 --> 0:52:56.440
<v Speaker 1>it gets to like the side of his torso it

0:52:56.560 --> 0:52:59.239
<v Speaker 1>like attaches to his body and becomes a part of

0:52:59.320 --> 0:53:01.279
<v Speaker 1>him and just mains there and you can sort of

0:53:01.320 --> 0:53:04.560
<v Speaker 1>see the remnants of its eyes and its mouth. Wow,

0:53:04.680 --> 0:53:08.359
<v Speaker 1>that's body horror. Yeah, yeah, it's really good. And then

0:53:08.400 --> 0:53:10.720
<v Speaker 1>of course it is the nature in those the stories.

0:53:10.920 --> 0:53:13.480
<v Speaker 1>It's kind of like, yep, that happened. Uh. At the end,

0:53:15.640 --> 0:53:21.160
<v Speaker 1>I love it, And the local governor made a report. Yes, yes, uh.

0:53:21.239 --> 0:53:24.839
<v Speaker 1>Now speaking of Chinese stories, Uh, there is a did

0:53:24.920 --> 0:53:27.600
<v Speaker 1>run across a very minor Chinese myth. I almost I

0:53:27.880 --> 0:53:30.400
<v Speaker 1>hesitated to include it because it's it's ultimately kind of mundane,

0:53:30.400 --> 0:53:32.960
<v Speaker 1>but I think it's also illustrative of how of how

0:53:33.160 --> 0:53:35.440
<v Speaker 1>tears and stories of tears can factor in. It is

0:53:35.520 --> 0:53:38.920
<v Speaker 1>just about every level of our explaining the world. So

0:53:39.000 --> 0:53:42.240
<v Speaker 1>there's the story in Chinese mythology related by Yang and

0:53:42.239 --> 0:53:45.120
<v Speaker 1>in Turner in the Handbook of Chinese Mythology, in which

0:53:45.160 --> 0:53:49.080
<v Speaker 1>the demi god Emperor Shoon dies and his wives grieve

0:53:49.280 --> 0:53:52.000
<v Speaker 1>for him by weeping and ripping out their hair, and

0:53:52.040 --> 0:53:56.160
<v Speaker 1>the tears splatter on the bamboo, giving rise to a

0:53:56.280 --> 0:54:01.719
<v Speaker 1>variety of speckled bamboo. Oh. Interesting natural ideological myth having

0:54:01.719 --> 0:54:04.840
<v Speaker 1>to do with tears. Yeah. Now, as far as h is,

0:54:04.920 --> 0:54:07.520
<v Speaker 1>tears as the tears of God's go uh you know,

0:54:07.600 --> 0:54:10.560
<v Speaker 1>God's being largely human and conception, of course they're going

0:54:10.640 --> 0:54:14.040
<v Speaker 1>to cry tears. And it's interesting how their tears are

0:54:14.120 --> 0:54:18.120
<v Speaker 1>basically just super natural amplifications of the roles that human

0:54:18.400 --> 0:54:22.880
<v Speaker 1>tears play in in many situations. For instance, in Greek tradition,

0:54:23.160 --> 0:54:26.319
<v Speaker 1>Eos weeps over the death of her son nm Non,

0:54:26.719 --> 0:54:29.680
<v Speaker 1>who dies of the hands of Achilles. In the Trojan War,

0:54:30.400 --> 0:54:34.360
<v Speaker 1>Zeus is moved by these tears and grants mem Non immortality,

0:54:34.800 --> 0:54:37.720
<v Speaker 1>and then the tears of Theos the dawn are also

0:54:37.719 --> 0:54:41.279
<v Speaker 1>associated with the morning. Do now, I thought we might

0:54:41.280 --> 0:54:44.799
<v Speaker 1>turn to Judeo Christian traditions here and consider the Book

0:54:44.800 --> 0:54:48.480
<v Speaker 1>of Jeremiah. Uh So, Jeremiah is often known as the

0:54:48.480 --> 0:54:52.160
<v Speaker 1>weeping Prophet, but some interpret these tears is not only

0:54:52.200 --> 0:54:54.960
<v Speaker 1>being the tears of Jeremiah, but also the tears of God.

0:54:55.480 --> 0:54:57.640
<v Speaker 1>And I was reading about this in the Tears of

0:54:57.680 --> 0:55:00.760
<v Speaker 1>God in the Book of Jeremiah by David A. Boss Worth.

0:55:00.880 --> 0:55:05.120
<v Speaker 1>This was published in the Journal Biblica in and the

0:55:05.160 --> 0:55:09.320
<v Speaker 1>author makes a connection between this weeping. This idea of

0:55:09.320 --> 0:55:13.160
<v Speaker 1>of one weeping uh with God to God and then

0:55:13.200 --> 0:55:16.560
<v Speaker 1>the tears of of God being part of this scenario

0:55:16.960 --> 0:55:20.279
<v Speaker 1>makes a connection between this and attachment theory, which we've

0:55:20.280 --> 0:55:23.719
<v Speaker 1>been we just discussed earlier. Um So in this the

0:55:23.760 --> 0:55:28.840
<v Speaker 1>desired response to tears is empathy and support. Quote. Prayers

0:55:28.880 --> 0:55:33.080
<v Speaker 1>often express a desire for proximity to the parent, like deity,

0:55:33.160 --> 0:55:37.080
<v Speaker 1>who provides a sense of security through superior power and wisdom.

0:55:37.120 --> 0:55:41.920
<v Speaker 1>In distress, the deity offers help and divine absence provokes anxiety.

0:55:42.280 --> 0:55:46.040
<v Speaker 1>Weeping enters into this relationship when people at prayer hope

0:55:46.080 --> 0:55:51.040
<v Speaker 1>that tears may motivate divine aid. Oh interesting, Yeah, So

0:55:51.080 --> 0:55:53.640
<v Speaker 1>the idea here is Jeremiah. It would follow is drawing

0:55:54.120 --> 0:55:57.239
<v Speaker 1>is is drawing on the parent child bond when he

0:55:57.320 --> 0:55:59.960
<v Speaker 1>is weeping. And you know this this ties in well

0:56:00.000 --> 0:56:04.600
<v Speaker 1>with the analysis of God beings in various religions and

0:56:04.680 --> 0:56:07.880
<v Speaker 1>myths as being a kind of sky parent. You know,

0:56:07.960 --> 0:56:11.400
<v Speaker 1>the idea of the parent extrapolated into the supernatural realm,

0:56:11.520 --> 0:56:14.120
<v Speaker 1>especially coming back to the helplessness theme. I mean, you

0:56:14.120 --> 0:56:16.920
<v Speaker 1>can think about multiple levels of helplessness. That you can

0:56:16.960 --> 0:56:21.480
<v Speaker 1>be in a situation where you are helpless on your own,

0:56:21.600 --> 0:56:25.160
<v Speaker 1>but maybe somebody else could intervene and alleviate the situation.

0:56:25.200 --> 0:56:27.120
<v Speaker 1>But there are also ways in which you could be

0:56:27.160 --> 0:56:30.960
<v Speaker 1>helpless in a way that cannot possibly be alleviated. Like

0:56:31.400 --> 0:56:33.359
<v Speaker 1>I say, when a loved one has died. It's not

0:56:33.400 --> 0:56:35.719
<v Speaker 1>like somebody can come and help you in order in

0:56:35.800 --> 0:56:39.400
<v Speaker 1>like bringing them back from the dead or something. They

0:56:39.440 --> 0:56:42.680
<v Speaker 1>might be off able to offer you comfort, but they

0:56:42.719 --> 0:56:45.920
<v Speaker 1>can't actually fix what you know, the cause of your pain.

0:56:46.600 --> 0:56:48.640
<v Speaker 1>And here though, if you think about the idea of

0:56:48.680 --> 0:56:52.640
<v Speaker 1>being able to appeal to a supernatural parent who's all powerful,

0:56:53.360 --> 0:56:57.000
<v Speaker 1>they could have the ability to actually fix things that

0:56:57.200 --> 0:57:01.280
<v Speaker 1>go even beyond the powers of other people to help you. Yeah. Yeah,

0:57:01.360 --> 0:57:03.960
<v Speaker 1>And so like when in Jeremiah we see this, for instance,

0:57:04.040 --> 0:57:07.399
<v Speaker 1>Jeremiah nine one. This is the King James version. Oh

0:57:07.520 --> 0:57:10.400
<v Speaker 1>that my head were waters and mine eyes a fountain

0:57:10.440 --> 0:57:12.840
<v Speaker 1>of tears, that I might weep day and night for

0:57:12.920 --> 0:57:15.880
<v Speaker 1>the slain of the daughter of my people. Now, the

0:57:15.880 --> 0:57:18.240
<v Speaker 1>Hebrew God was not the first to weep, of course,

0:57:18.240 --> 0:57:21.960
<v Speaker 1>so the author points out that several laments from ancient

0:57:21.960 --> 0:57:26.400
<v Speaker 1>Mesopotamia depict deities weeping over their cities. He points to

0:57:26.520 --> 0:57:29.400
<v Speaker 1>the era Do lament, which describes the weeping of the

0:57:29.440 --> 0:57:32.600
<v Speaker 1>god Inky for the city of Aradu. This is in

0:57:32.720 --> 0:57:37.480
<v Speaker 1>modern day Iraq. Quote Aradus, a lord stayed outside his

0:57:37.560 --> 0:57:40.400
<v Speaker 1>city as if it were an alien city. He wept

0:57:40.440 --> 0:57:44.280
<v Speaker 1>bitter tears. Father Inky stayed outside his city as if

0:57:44.320 --> 0:57:47.360
<v Speaker 1>it were an alien city. He wept bitter tears for

0:57:47.440 --> 0:57:50.440
<v Speaker 1>the sake of his harmed city. He wept bitter tears.

0:57:50.920 --> 0:57:54.120
<v Speaker 1>Bosworth also shares a couple of other examples featuring female

0:57:54.160 --> 0:57:57.960
<v Speaker 1>deities weeping for their cities. But but Mesotamia and God's

0:57:57.960 --> 0:58:00.720
<v Speaker 1>also wept for each other. In the epic of Gilgamesh

0:58:00.760 --> 0:58:03.360
<v Speaker 1>we see examples of this. Ishtar weeps over the death

0:58:03.360 --> 0:58:05.960
<v Speaker 1>of the bowl of Heaven and in other epics to

0:58:06.160 --> 0:58:09.919
<v Speaker 1>gods weep over a great flood, and uh In Lil

0:58:10.000 --> 0:58:13.120
<v Speaker 1>weeps quote over the misery of the gods and then

0:58:13.200 --> 0:58:16.000
<v Speaker 1>makes humans do their work. I was still just thinking

0:58:16.000 --> 0:58:19.280
<v Speaker 1>about this. Uh this passage you read from the Eridu lament,

0:58:19.760 --> 0:58:23.480
<v Speaker 1>which is interesting because it it includes the idea of

0:58:23.480 --> 0:58:27.120
<v Speaker 1>weeping as a result of separation outside the city, as

0:58:27.160 --> 0:58:30.040
<v Speaker 1>if it were an alien city. Yeah. So again that

0:58:30.160 --> 0:58:32.959
<v Speaker 1>role of like the being unable to sort of bring

0:58:33.080 --> 0:58:39.080
<v Speaker 1>the parent and child together, like the separation causes the weeping. Yeah. Now.

0:58:39.120 --> 0:58:43.400
<v Speaker 1>Bosworth also touches on Egyptian weeping gods. Isis weeps for

0:58:43.440 --> 0:58:46.959
<v Speaker 1>her son Horace and her husband of Cyrus. So in short,

0:58:47.000 --> 0:58:50.600
<v Speaker 1>there there's just a plethora of weeping deities in the region,

0:58:50.640 --> 0:58:53.400
<v Speaker 1>predating the Hebrew god. So it stands to reason that

0:58:53.440 --> 0:58:56.840
<v Speaker 1>this god too would weep as part of its relationship

0:58:56.960 --> 0:58:59.440
<v Speaker 1>with its people, with its children or what have you.

0:59:00.560 --> 0:59:04.120
<v Speaker 1>Interestingly enough, he also points to an Yugurritic text from Yugurrit,

0:59:04.240 --> 0:59:08.080
<v Speaker 1>an ancient ports city in northern Syria, that discusses the

0:59:08.080 --> 0:59:11.040
<v Speaker 1>brain is the source of tears. Quote, son, do not cry,

0:59:11.080 --> 0:59:13.920
<v Speaker 1>Do not shed tears from me. Spend not the flow

0:59:13.960 --> 0:59:16.240
<v Speaker 1>of your eyes, nor the brains of your head with

0:59:16.320 --> 0:59:20.000
<v Speaker 1>your tears, the brains of your head. That's great. Yeah,

0:59:20.480 --> 0:59:22.680
<v Speaker 1>this is an interesting thing. Also that a lot of

0:59:22.720 --> 0:59:26.120
<v Speaker 1>sayings about tears talk about them as if there's a

0:59:26.200 --> 0:59:30.360
<v Speaker 1>kind of economy involved, Like spending tears is like spending money,

0:59:30.480 --> 0:59:33.080
<v Speaker 1>like you have a like you have a you know,

0:59:33.120 --> 0:59:35.480
<v Speaker 1>a sort of finite supply of them, and you shouldn't

0:59:35.560 --> 0:59:39.280
<v Speaker 1>spend them on this or that. Yeah, and I guess

0:59:39.320 --> 0:59:40.920
<v Speaker 1>you know a lot of that is connecting. I mean,

0:59:40.960 --> 0:59:43.120
<v Speaker 1>on one hand, uh, you know, there's the idea of

0:59:43.160 --> 0:59:47.480
<v Speaker 1>crying oneself out, that after an emotional outburst, there will become,

0:59:47.520 --> 0:59:49.120
<v Speaker 1>there will come and d do it. You'll at least

0:59:49.120 --> 0:59:51.760
<v Speaker 1>be exhausted with it for the time being. And also

0:59:51.800 --> 0:59:55.080
<v Speaker 1>the idea that you can only I mean, how much emotion,

0:59:55.120 --> 0:59:57.400
<v Speaker 1>how much empathy do we have to go around? How

0:59:57.520 --> 1:00:01.600
<v Speaker 1>much empathy can we have? Uh for you know, for

1:00:01.600 --> 1:00:04.480
<v Speaker 1>for those around us and those outside of our our

1:00:04.520 --> 1:00:07.240
<v Speaker 1>sort of sphere of community. Uh. You know, I guess

1:00:07.280 --> 1:00:10.440
<v Speaker 1>it ties into those various discussions, But it begins it

1:00:10.440 --> 1:00:13.680
<v Speaker 1>gets complicated, right, because again we have this strong connection

1:00:13.760 --> 1:00:18.760
<v Speaker 1>between this, this physical response and the idea of of

1:00:18.880 --> 1:00:22.320
<v Speaker 1>human emotion and human empathy and suffering. Uh. And you know,

1:00:22.360 --> 1:00:25.920
<v Speaker 1>all these these these ultimately kind of lofty human concepts

1:00:25.920 --> 1:00:31.000
<v Speaker 1>that are then further further complicated by by human culture,

1:00:31.120 --> 1:00:34.600
<v Speaker 1>human religion, human mythology, and and more. Well. Yeah, and

1:00:34.640 --> 1:00:39.120
<v Speaker 1>this raises another really interesting question about the purpose of tears,

1:00:39.160 --> 1:00:41.520
<v Speaker 1>because you can think about tears on the other side

1:00:41.560 --> 1:00:44.280
<v Speaker 1>of the equation, right, Like, it seems very clear that

1:00:44.440 --> 1:00:48.680
<v Speaker 1>tears have something to do with a person who is

1:00:48.800 --> 1:00:51.200
<v Speaker 1>helpless or feels themselves to be in some kind of

1:00:51.280 --> 1:00:54.880
<v Speaker 1>state of helplessness or powerlessness trying to elicit care from others.

1:00:54.880 --> 1:00:57.120
<v Speaker 1>But tears come on the other side to write, like,

1:00:57.160 --> 1:01:00.360
<v Speaker 1>you have empathetic tears when you witness somebody else in

1:01:00.400 --> 1:01:03.880
<v Speaker 1>a state of in a state of helplessness or uh,

1:01:04.080 --> 1:01:06.960
<v Speaker 1>going through loss or something like that. So so clearly

1:01:07.000 --> 1:01:11.040
<v Speaker 1>there's this more complex response that's bound up in in

1:01:11.120 --> 1:01:14.680
<v Speaker 1>witnessing the pain or struggles of others, or even people

1:01:14.760 --> 1:01:18.000
<v Speaker 1>weeping when they're helping other people, a kind of mirroring

1:01:18.120 --> 1:01:21.040
<v Speaker 1>behavior there. Yeah, and in this I want to come

1:01:21.080 --> 1:01:23.800
<v Speaker 1>back to a book I mentioned, Holy Tears Weeping in

1:01:23.800 --> 1:01:27.480
<v Speaker 1>the Religious Imagination by Patton and Holly or edited by

1:01:27.480 --> 1:01:30.640
<v Speaker 1>Patton and Holly, which is another one of these books.

1:01:30.640 --> 1:01:33.160
<v Speaker 1>If you want more on this topic, Uh, this is

1:01:33.160 --> 1:01:34.640
<v Speaker 1>a good one to pick up. But it goes into

1:01:34.640 --> 1:01:37.800
<v Speaker 1>a great, great deal more detail than we're getting into here.

1:01:38.600 --> 1:01:41.320
<v Speaker 1>But but in that, uh, one thing that struck me

1:01:41.360 --> 1:01:43.520
<v Speaker 1>reading that is that, yeah, there's not just one way

1:01:43.720 --> 1:01:47.440
<v Speaker 1>of interpreting how weeping factors into religious tradition. Uh. And

1:01:47.600 --> 1:01:48.840
<v Speaker 1>and one of the big ones here is you can

1:01:48.960 --> 1:01:53.400
<v Speaker 1>roughly divide actual ritualized weeping by worshippers into two categories,

1:01:53.600 --> 1:01:59.120
<v Speaker 1>spontaneous weeping and non spontaneous weeping. The difference being that

1:01:59.240 --> 1:02:01.920
<v Speaker 1>certain religious settings might cause one, of course to be

1:02:02.000 --> 1:02:05.960
<v Speaker 1>overcome by grief or emotion and commenced to weep spontaneously.

1:02:06.520 --> 1:02:08.680
<v Speaker 1>But then there are plenty of cultures in which weeping

1:02:08.680 --> 1:02:11.360
<v Speaker 1>at say, a funeral is not merely okay, it's not

1:02:11.440 --> 1:02:15.040
<v Speaker 1>merely permitted as just this kind of random emotional or

1:02:15.040 --> 1:02:18.240
<v Speaker 1>even expected emotional outbursts that could occur, but it is

1:02:18.280 --> 1:02:23.280
<v Speaker 1>also right and proper and even in some cases expected. Plus,

1:02:23.520 --> 1:02:27.400
<v Speaker 1>While funerary weeping might largely feel like an individual experience

1:02:27.560 --> 1:02:32.080
<v Speaker 1>and many cultures, uh, both for us and all of us,

1:02:32.440 --> 1:02:34.320
<v Speaker 1>but there are plenty of cultures where it is seen

1:02:34.400 --> 1:02:37.680
<v Speaker 1>as a communal outpouring and one that is less about

1:02:37.800 --> 1:02:41.360
<v Speaker 1>us and more about the community or about the spirits

1:02:41.360 --> 1:02:44.000
<v Speaker 1>of the dead. Uh. You know it. It gets into

1:02:44.000 --> 1:02:47.960
<v Speaker 1>these ideas of of signaling that I'm i'm i'm I'm

1:02:48.000 --> 1:02:51.480
<v Speaker 1>communicating with my community, and I'm even perhaps attempting to

1:02:51.480 --> 1:02:54.919
<v Speaker 1>communicate with those who have passed on or to draw

1:02:54.920 --> 1:02:58.560
<v Speaker 1>in on some of these ideas of appealing to deities, uh,

1:02:58.720 --> 1:03:02.640
<v Speaker 1>speaking to them, speaking you know, cosmologically uh. And and

1:03:02.880 --> 1:03:05.120
<v Speaker 1>in that, you know, you get into this divide of

1:03:05.440 --> 1:03:10.080
<v Speaker 1>social versus existential protest. That's that's how the authors who

1:03:10.120 --> 1:03:12.600
<v Speaker 1>refer to it, well, yeah, that a crying could be

1:03:12.680 --> 1:03:16.320
<v Speaker 1>explicitly performative a performance in a way that you know,

1:03:16.400 --> 1:03:19.440
<v Speaker 1>sometimes people would hear that and say, oh, performative crying.

1:03:19.480 --> 1:03:22.920
<v Speaker 1>That means it's like fake or something. But I mean

1:03:23.200 --> 1:03:25.600
<v Speaker 1>it wouldn't be any more fake than say, getting up

1:03:25.680 --> 1:03:27.840
<v Speaker 1>in front of in front of a crowd and saying

1:03:27.960 --> 1:03:31.000
<v Speaker 1>something about your remembrances of a lost loved one would

1:03:31.000 --> 1:03:35.120
<v Speaker 1>be like because that is explicitly performing for other people

1:03:35.160 --> 1:03:37.640
<v Speaker 1>on purpose. Does that mean what you're saying isn't true

1:03:38.160 --> 1:03:40.120
<v Speaker 1>or that the feelings aren't real? Well, no, I mean

1:03:40.200 --> 1:03:43.800
<v Speaker 1>it's just a it's a way of viewing what you're

1:03:43.840 --> 1:03:46.920
<v Speaker 1>doing as a display for other people for them to

1:03:47.040 --> 1:03:51.200
<v Speaker 1>experience as well and also engage in its social bonding. Um,

1:03:51.600 --> 1:03:54.240
<v Speaker 1>the fact that someone would cry in order to be

1:03:54.400 --> 1:03:57.240
<v Speaker 1>seen crying and heard crying by other people around them

1:03:57.560 --> 1:04:00.200
<v Speaker 1>doesn't necessarily mean that the crying is in some way

1:04:00.240 --> 1:04:04.760
<v Speaker 1>manipulative or false. Right, Yeah, so we have this private

1:04:05.160 --> 1:04:10.560
<v Speaker 1>versus public divide, spontaneous versus non spontaneous um and so

1:04:10.560 --> 1:04:12.880
<v Speaker 1>so again coming back to the idea of like crocodile tears,

1:04:12.920 --> 1:04:16.720
<v Speaker 1>I feel like that uh is I mean not to say,

1:04:16.800 --> 1:04:20.080
<v Speaker 1>I guess there couldn't be a situation where someone's tears

1:04:20.120 --> 1:04:25.000
<v Speaker 1>are are are are inauthentic. But for the most part,

1:04:25.400 --> 1:04:26.960
<v Speaker 1>you know, it seems like if their tears going on,

1:04:27.000 --> 1:04:29.200
<v Speaker 1>there's some sort of an emotional response going on. There's

1:04:29.240 --> 1:04:32.040
<v Speaker 1>some there's some sort of emotional situation, you know, and

1:04:32.080 --> 1:04:35.000
<v Speaker 1>maybe it's an actor summoning some sort of uh you know,

1:04:35.120 --> 1:04:38.520
<v Speaker 1>past or or you know, somehow tapping into their their

1:04:38.680 --> 1:04:42.760
<v Speaker 1>their emotional catalog to reproduce the physical act of of

1:04:42.920 --> 1:04:45.640
<v Speaker 1>of weeping. Perhaps you know, if it's a paid more ner,

1:04:45.760 --> 1:04:48.480
<v Speaker 1>for example, at a at a funeral, then in that case,

1:04:48.760 --> 1:04:51.120
<v Speaker 1>you know, they are weeping for the dead, and they're

1:04:51.200 --> 1:04:55.360
<v Speaker 1>they're they're connecting with the expectations of of this religious

1:04:55.480 --> 1:04:58.520
<v Speaker 1>right and perhaps their own experiences. But it's not like

1:04:58.600 --> 1:05:01.360
<v Speaker 1>there is not an emotional core word of what's happening. Well,

1:05:01.360 --> 1:05:03.000
<v Speaker 1>I don't know that this may be a difference in

1:05:03.000 --> 1:05:05.000
<v Speaker 1>our experience of how the term is used. I mean,

1:05:05.040 --> 1:05:07.840
<v Speaker 1>I don't think I would ever applied the term crocodile

1:05:07.880 --> 1:05:10.800
<v Speaker 1>tears to somebody who was like mourning at a funeral,

1:05:10.840 --> 1:05:13.400
<v Speaker 1>even if they were doing so in a performative way.

1:05:13.440 --> 1:05:16.680
<v Speaker 1>It seems like I most often encounter that phrase used

1:05:16.720 --> 1:05:23.080
<v Speaker 1>to describe perceived false uh sort of weeping by someone

1:05:23.160 --> 1:05:28.280
<v Speaker 1>who has caused the very harm they are allegedly weeping over. Okay, Well,

1:05:28.280 --> 1:05:29.920
<v Speaker 1>I was just thinking imagining the same thing, like what

1:05:29.960 --> 1:05:34.320
<v Speaker 1>if Jack the Ripper went to a funeral, right, yeah, okay?

1:05:34.680 --> 1:05:36.720
<v Speaker 1>Or what if Jack the Ripper. What if Jack the

1:05:36.800 --> 1:05:41.480
<v Speaker 1>Ripper got caught and then cried in court saying like,

1:05:41.520 --> 1:05:46.120
<v Speaker 1>oh please don't punish me, I'm so remorseful for my actions. Uh,

1:05:46.160 --> 1:05:49.040
<v Speaker 1>And people would say like, yeah, how remorseful are you really?

1:05:49.080 --> 1:05:53.160
<v Speaker 1>Are you just trying to manipulate us by by crying. Well,

1:05:53.240 --> 1:05:55.000
<v Speaker 1>I mean, if you put me in a difficult position

1:05:55.040 --> 1:05:58.400
<v Speaker 1>of defending Jack the Ripper, if I'm gonna say say that, no,

1:05:58.520 --> 1:06:00.360
<v Speaker 1>their tears. Absolutely, And I don't know that's a more

1:06:00.440 --> 1:06:03.400
<v Speaker 1>complex situation right when we're getting into uh, you know,

1:06:03.640 --> 1:06:07.280
<v Speaker 1>to what degree do we afford uh these kind of

1:06:07.280 --> 1:06:11.800
<v Speaker 1>emotional states to UH, to two criminals, to convicted criminals,

1:06:11.800 --> 1:06:15.720
<v Speaker 1>and so forth. But I guess the counter question is,

1:06:15.720 --> 1:06:19.320
<v Speaker 1>is there a situation where the individual in that scenario

1:06:20.080 --> 1:06:24.800
<v Speaker 1>is absolutely feeling no emotional state to produce those tears, Like,

1:06:24.880 --> 1:06:28.400
<v Speaker 1>even if they're they're ultimately only feeling sorry for themselves,

1:06:28.680 --> 1:06:32.200
<v Speaker 1>it's still an emotional outpouring. Uh. It's not a situation

1:06:32.240 --> 1:06:35.160
<v Speaker 1>of like the crocodile has no emotion and therefore it's

1:06:35.200 --> 1:06:38.200
<v Speaker 1>tears or not to be trusted. Perhaps the emotions are misplaced,

1:06:39.000 --> 1:06:40.880
<v Speaker 1>or at least that is the argument. That's the argument

1:06:40.880 --> 1:06:42.560
<v Speaker 1>that could be made. I mean, ultimately, I guess who

1:06:42.760 --> 1:06:45.920
<v Speaker 1>knows what's going on within the mind of the accused

1:06:45.920 --> 1:06:49.360
<v Speaker 1>in this situation. But but it's certainly not a situation

1:06:49.440 --> 1:06:52.920
<v Speaker 1>of of the crocodile. Well, I wouldn't blame a crocodile

1:06:53.000 --> 1:06:57.040
<v Speaker 1>for reading heads, But but they're so they're so unsatisfying,

1:06:57.080 --> 1:07:01.160
<v Speaker 1>there's so little meat, so crunchy. I gotta say, Actually,

1:07:01.160 --> 1:07:04.040
<v Speaker 1>while we were reading about crocodile tears, I came across

1:07:04.040 --> 1:07:06.520
<v Speaker 1>the thing that really did make me feel super sad

1:07:06.560 --> 1:07:09.240
<v Speaker 1>for crocodiles. And it was. It was also in that

1:07:09.640 --> 1:07:12.479
<v Speaker 1>the Fingerhoots book with the section about the history of

1:07:12.480 --> 1:07:15.880
<v Speaker 1>of the concept of crocodile tears uh And he's talking

1:07:15.920 --> 1:07:19.640
<v Speaker 1>about a book called on the Nature of Animals by

1:07:19.760 --> 1:07:23.200
<v Speaker 1>a Roman author from the second and third century named

1:07:23.840 --> 1:07:28.040
<v Speaker 1>alien or Alienus, who does describe weeping in crocodiles, but

1:07:28.080 --> 1:07:30.400
<v Speaker 1>not in the context of of any kind of like

1:07:30.920 --> 1:07:34.960
<v Speaker 1>hypocrisy or anything like that. Instead, he talks about he

1:07:35.000 --> 1:07:38.680
<v Speaker 1>claims there is an Egyptian city called Edfou also known

1:07:38.720 --> 1:07:43.360
<v Speaker 1>as Appanopolis, where where people catch crocodiles out of the

1:07:43.480 --> 1:07:46.280
<v Speaker 1>river and then they hang them up on trees and

1:07:46.320 --> 1:07:49.560
<v Speaker 1>just beat them. They beat them with like whips and stuff,

1:07:49.600 --> 1:07:52.040
<v Speaker 1>and the crocodiles cry. And when I read that, I

1:07:52.120 --> 1:07:55.800
<v Speaker 1>was like, oh, buddy's that's that's yeah, that's not good.

1:07:56.440 --> 1:07:59.360
<v Speaker 1>Don't beat those crocodiles. If you take anything away from

1:07:59.360 --> 1:08:02.560
<v Speaker 1>this this pod Guest episode, it's don't be don't be

1:08:02.600 --> 1:08:07.360
<v Speaker 1>cruel to crocodilians, of course not yeah. Also don't be

1:08:07.400 --> 1:08:09.840
<v Speaker 1>like you know, I mean, don't be super nice as

1:08:09.880 --> 1:08:12.440
<v Speaker 1>in like feeding them, because that's also being mean to

1:08:12.520 --> 1:08:16.160
<v Speaker 1>crocodiles if you're you're feeding them. Human food and leading

1:08:16.200 --> 1:08:19.360
<v Speaker 1>them to associate humans with food, whether or not it

1:08:19.400 --> 1:08:21.719
<v Speaker 1>looks like they're crying. Just leave them alone, leave them alone,

1:08:21.800 --> 1:08:23.840
<v Speaker 1>let them do the their thing, You do your thing.

1:08:24.400 --> 1:08:27.280
<v Speaker 1>Let's keep the distance, all right, We're gonna go and

1:08:27.320 --> 1:08:30.680
<v Speaker 1>close this episode out here. Obviously we'd love to hear

1:08:30.720 --> 1:08:34.200
<v Speaker 1>from everyone out there about tears and uh, certainly the

1:08:34.240 --> 1:08:37.920
<v Speaker 1>various hypotheses that we discussed here today and the religious connotations,

1:08:38.520 --> 1:08:40.800
<v Speaker 1>and I know we've we've already heard from a lot

1:08:40.840 --> 1:08:43.400
<v Speaker 1>of people, so we're gonna be talking about some of

1:08:43.439 --> 1:08:46.240
<v Speaker 1>this in future listener Mail installments. I know we've already

1:08:46.280 --> 1:08:49.960
<v Speaker 1>heard from someone saying, Hey, how about done, how about

1:08:50.000 --> 1:08:53.519
<v Speaker 1>the frem and uh, what's their deal with crying? So, uh,

1:08:53.720 --> 1:08:56.880
<v Speaker 1>we'll talk about that specifically, probably on the next listener

1:08:56.920 --> 1:08:59.600
<v Speaker 1>Mail episode. In the meantime, if you would like to

1:08:59.680 --> 1:09:01.519
<v Speaker 1>check out other episodes of Stuff to Blow Your Mind,

1:09:01.520 --> 1:09:04.559
<v Speaker 1>Our core episodes air on Tuesdays and Thursdays, and the

1:09:04.600 --> 1:09:07.839
<v Speaker 1>Stuff to Blow Your Mind podcast feed artifact on Wednesday,

1:09:07.880 --> 1:09:10.280
<v Speaker 1>rerun on the weekend listener Mail on Monday, and then

1:09:10.280 --> 1:09:12.519
<v Speaker 1>on Friday we do Weird House Cinema. That's our time

1:09:12.560 --> 1:09:15.920
<v Speaker 1>to set aside most of the serious contemplation and just

1:09:16.000 --> 1:09:19.040
<v Speaker 1>focus in on a weird move you. Thanks as always

1:09:19.040 --> 1:09:23.040
<v Speaker 1>to our excellent audio producer Seth Nicholas Johnson. If you

1:09:23.040 --> 1:09:25.120
<v Speaker 1>would like to get in touch with us with feedback

1:09:25.160 --> 1:09:27.439
<v Speaker 1>on this episode or any other, to suggest topic for

1:09:27.479 --> 1:09:29.640
<v Speaker 1>the future, just to say hello, you can email us

1:09:29.640 --> 1:09:40.160
<v Speaker 1>at contact at stuff to Blow your Mind dot com.

1:09:40.280 --> 1:09:42.759
<v Speaker 1>Stuff to Blow Your Mind is production of I Heart Radio.

1:09:43.120 --> 1:09:45.439
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