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Speaker 1: Hey, oh hey checks my window. Sweez do sing? So

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Speaker 1: give it to me? Give it to me, right? They say, why?

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Speaker 1: Why tell them that is human nature? Why? Why that

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Speaker 1: is not a Michael Jackson impersonator? What maybe it is?

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Speaker 1: Um Jay Farrell on the podcast, known for his impressions,

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Speaker 1: That one was a pretty good one, but more specifically

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Speaker 1: he gets into it. Welcome to this edition of Naked.

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Speaker 1: Every champion and carevery champion is to be a Champiana

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Speaker 1: champion and carry champion, and carry Chapiana Champion, and carry

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Speaker 1: champion and carry champion rates and sports and then the

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Speaker 1: tamming can make it work in the world. Were vulnerable

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Speaker 1: considerably come and remote avail from entertainments elite. It's a

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Speaker 1: difference between what it's real and with the public seas.

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Speaker 1: So here's your favorite celebrities behind the scenes. It's refreshing up.

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Speaker 1: Then the whole story specific life all to rendivents to

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Speaker 1: shape the person that you here. We gotta champion. They

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Speaker 1: carry champion, Andy g you did it. It's the greatest

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Speaker 1: of sports and entertaining. Conneked with Harry Champion. They carry champions.

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Speaker 1: To be a champion, a champion, they carry champion. They

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Speaker 1: can Chappy Kwa Champion, they carry Champion, they carry Champion.

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Speaker 1: Ready Fraidness and Sports and Entertaining and naked Wire. Hey everybody.

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Speaker 1: Before we get to the actual podcast, guest, I have

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Speaker 1: two things to announce. One, I'd like to say this

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Speaker 1: is the first time that we've taken our podcast in

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Speaker 1: studio and recorded it for you, so you can actually

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Speaker 1: catch it on YouTube, all of it sitting down in person,

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Speaker 1: catching out with Jay Farrell. I think the interview was

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Speaker 1: just as great, just as fine, just as lively. Um.

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Speaker 1: We had a lot to talk about, so this is

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Speaker 1: a on when he also had a lot. He reminded me,

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Speaker 1: He's like, hey, Kerry, I also have more to say,

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Speaker 1: so I appreciated him for that. UM. Secondly, as I

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Speaker 1: record this intro, I got to address the news. UM,

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Speaker 1: A couple of things happened this week and I want

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Speaker 1: to talk about I want to talk about the juxtaposition

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Speaker 1: of how we are treating certain people in the media.

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Speaker 1: Brett Farve, we found out, has been stealing money from

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Speaker 1: the Post of Poor in the state of Mississippi to

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Speaker 1: build a volleyball stadium, presumably for his family and friends. Uh.

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Speaker 1: He the governor, former governor of Mississippi and other people

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Speaker 1: came together to take five million dollars redirect five million

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Speaker 1: dollars from welfare recipients to use to build a volleyball stadium?

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Speaker 1: Are you kidding me? Right now? Meanwhile, we find out

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Speaker 1: that the head coach of the Boston Celtics, Emay Dooku

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Speaker 1: I think I'm pronouncing that correctly, had an affair. Now

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Speaker 1: here's the thing they're talking about out suspending you may

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Speaker 1: for a year for having an affair. I've been in

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Speaker 1: this business for a very long time. I've never heard

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Speaker 1: of such a thing. I've never seen it happen. I've

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Speaker 1: never heard of such a thing, losing all of your

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Speaker 1: bread because you had an affair. Murmur has it? It

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Speaker 1: was a couple of women within the organization. Other rooms

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Speaker 1: are coming out saying he was doing inappropriate things while

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Speaker 1: he was there within the facility. Two things, the fact

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Speaker 1: that the Celtics, because this is the only way this

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Speaker 1: could have gotten out. The fact that the Celtics allowed

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Speaker 1: this to get out and then have not responded Today's Thursday.

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Speaker 1: As I record, this intro is really tacky. Already unful

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Speaker 1: with the Boston Celtics in general, but this is really tacky,

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Speaker 1: because if you don't think that they haven't covered up

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Speaker 1: so much stuff in the past, I don't know since

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Speaker 1: the inception of this organization, you're out of your mind.

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Speaker 1: The players are moving anyway they want to. I'm sure

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Speaker 1: that he is not the first coach to date some

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Speaker 1: woman within the facility, and I think it's just tacky

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Speaker 1: that they're leaving him to twist in the wind and

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Speaker 1: black twitter. Y'all make me sick because y'all making this

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Speaker 1: more of a story as well. Yeah, and still we

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Speaker 1: got Brett Farv over here stealing from the poorest of poor,

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Speaker 1: which one is far more egregious. A man having a

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Speaker 1: consensual affair with two women who said, no, he did

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Speaker 1: not harass me. I was in for it, I am

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Speaker 1: doing it. These are grown folks, and I can make

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Speaker 1: grown folks decisions. Meanwhile, you have this man who's deliberately

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Speaker 1: taking money from the poorest of people. You gotta be

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Speaker 1: a low son of a gun to do that, and

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Speaker 1: then build it for a volleyball field, and then you

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Speaker 1: get the leaders of this state to do it because

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Speaker 1: you feel like the people who are receiving this money

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Speaker 1: really don't deserve it. Anyway, So why not put into

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Speaker 1: a better use, because that's what you're saying, These poor

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Speaker 1: black and brown people are these poor people who don't

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Speaker 1: know how to go out and make their own really

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Speaker 1: don't deserve this money. But we really need a volleyball stadium.

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Speaker 1: Come on, man, come on man, it's not fair. I'm

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Speaker 1: disgusted by the way in which we're reacting. But I

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Speaker 1: go live. I've and just nosium like what happened. And

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Speaker 1: the bigger part of the story is that he may

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Speaker 1: is all right at one time was engaged to me along.

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Speaker 1: So people are like, oh, well, he's doing Nia so wrong.

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Speaker 1: We don't know those folkes business. We don't know what

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Speaker 1: kind of arrangement he and Nia might have. We don't

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Speaker 1: know if they still together. They share a son, that

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Speaker 1: might just be it. I don't care if she came

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Speaker 1: to the games in the finals. We don't know what

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Speaker 1: their situation is. And we're assuming he cheated. We don't know.

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Speaker 1: And I'm speaking from someone who knows that certain people

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Speaker 1: move differently and you may not understand it, and and

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Speaker 1: it's not made public, but people move differently. And we

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Speaker 1: are casting all of this judgment on this man, and

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Speaker 1: that ain't none of our business, because ain't none of

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Speaker 1: 'all perfect, especially when it comes to the affairs of

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Speaker 1: the heart, right literally affairs of the heart. But meanwhile,

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Speaker 1: we don't forgot and maybe probably haven't even heard that

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Speaker 1: much about Brett Farve in the media, now have we?

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Speaker 1: What is that about? And I'm not gonna immediately jump

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Speaker 1: to black versus white, but I am going to tell

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Speaker 1: you that there's a far level. There is much more

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Speaker 1: respect for Brett Farve than there is for Email. We

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Speaker 1: love this delacious non sense. I'm telling you all that's

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Speaker 1: not where we need to live hard right, We're moving on,

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Speaker 1: y'all all know Jay Farrell from ESSADEL and I have

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Speaker 1: to tell you I have been listening to other podcasts

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Speaker 1: where past and current Saturday Night Live cast members have

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Speaker 1: spoken about their experience when they worked there, when they

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Speaker 1: didn't work there, and how tough it was. And Jay

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Speaker 1: gets into how tough it was and how every day

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Speaker 1: he said, if he didn't perform, or every week, if

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Speaker 1: he didn't short perform the way in which he was

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Speaker 1: supposed to, he just want to be on TV that week.

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Speaker 1: And he said he went through very long stretches of

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Speaker 1: realizing Okay, I'm not doing it right. It's a tough

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Speaker 1: game out here, but he does do what he always

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Speaker 1: does best. He gives us some great impressions, and he

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Speaker 1: talks about his life growing up in front of the

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Speaker 1: camera and how he knew arguably when he was in

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Speaker 1: grade school he would be doing what he is doing now.

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Speaker 1: And that's interesting. His father helped nurture this and this

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Speaker 1: is what we've been able to receive this gift in

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Speaker 1: Jay Farrell, Sit back, relax, and enjoy the podcast Wheat

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Speaker 1: in Studio. It's like a full TV show, y'all go

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Speaker 1: love it. Thank you all for listening, and remember I

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Speaker 1: can fast worth you those commercials while listening. Cheire Chepi

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Speaker 1: and CHETI. So Jay, thank you so much for coming

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Speaker 1: on naked fully closed. Her Mann't I didn't get the memo?

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Speaker 1: Was I supposed to? And I mean, well, and you know,

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Speaker 1: kind of not really used to said something to me

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Speaker 1: which I think is interesting. We met in we did

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Speaker 1: at um at ESPN on first stake and yeah, I

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Speaker 1: just noticed that you were you were very knowledgeable, very

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Speaker 1: shock I told you, I told you you you do know,

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Speaker 1: you know what you're doing. There's so folks up there.

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Speaker 1: Sometimes they'd be you know, you know what you do

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Speaker 1: so and thank you for saying that, thank you for

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Speaker 1: being here. I appreciate it. UM always some kind. You

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Speaker 1: just have such a nice, like a very kind energy

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Speaker 1: about you. And when I was doing some research on

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Speaker 1: where I wanted to start the question, I noticed that

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Speaker 1: you talked about UM and I wouldn't say mutual friend,

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Speaker 1: but someone that was lost in the comedy community, David Arnold.

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Speaker 1: And I don't want to start on a low note,

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Speaker 1: but I think he was such a nice guy and

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Speaker 1: so well known. It really affected a lot of people

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Speaker 1: because it was out of nowhere, seemingly. What was your

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Speaker 1: relationship UM? I mean I had I had followed his

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Speaker 1: videos for a minute and seeing him seeing his videos,

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Speaker 1: but we met at UM. I think it was the

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Speaker 1: Laugh Factory. I met him and UM we were just

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Speaker 1: friendly on the stand up community and I always see

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Speaker 1: him UM would. I would always see him putting more

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Speaker 1: material out and then it's just like he got a

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Speaker 1: Netflix special and I was so happy because I know

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Speaker 1: he's been doing it for so long, you know what

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Speaker 1: I mean. So he's been he's been a writing for

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Speaker 1: shows and he wrote for UM. Uh that girl Laile.

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Speaker 1: I think that was the and uh, Gabrielle Novella, she

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Speaker 1: was on my show Unfiltered, so you know, we asked.

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Speaker 1: We had a connection there as well. And I would

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Speaker 1: just see him around and talk to him, and uh,

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Speaker 1: he was always he was always always is a bright spirit.

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Speaker 1: He was always uh he always had a real good

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Speaker 1: vibe about him, and he was undeniably funny. And I

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Speaker 1: feel like he was just getting his just do and

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Speaker 1: it's so sad that that was cut short as he

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Speaker 1: just had I think he's had two Netflix specials right here.

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Speaker 1: One first came out and then he just had a

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Speaker 1: new one that was about that dropped. So he was

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Speaker 1: on fire and people were finally noticing. And it kind

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Speaker 1: of hurts when you see people that have been doing

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Speaker 1: it for so long and then they just it's just over.

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Speaker 1: As you're like, yo, there was just so much that

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Speaker 1: was untouched. There was so many stones in his his

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Speaker 1: path that were unturned. So I think a lot of

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Speaker 1: people felt that way. People he knew him or knew

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Speaker 1: of him. He was, as you mentioned, extremely friendly. The

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Speaker 1: first time I saw him, he was doing um some

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Speaker 1: stand up uh comedy at the comedy Store and he

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Speaker 1: was making fun of Boris Kojo and his wife, Nicarie Parker,

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Speaker 1: and he was saying, they're just so pretty it makes

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Speaker 1: no sense, like it was something and it made me

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Speaker 1: laugh so hard because I was like, yeah, you just

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Speaker 1: so like you don't even want to be around him.

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Speaker 1: He said, when they come over to visit me and

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Speaker 1: my wife, we just we put on our wedding clothes.

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Speaker 1: And I used to think that is genius. That's exactly

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Speaker 1: what you think of them. And it was different. It's

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Speaker 1: not the same comedy that everybody's doing. Anybody can do that,

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Speaker 1: you know. I was. I was banking it such a

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Speaker 1: solid crash and anybody can do that. But it's kind

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Speaker 1: of wasn't like that, you know it was it was

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Speaker 1: only tailor fitted to him. Nobody else could do that

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Speaker 1: but him. So I'll try not to generalize, so forgive me,

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Speaker 1: but there you said, we're losing too many of our

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Speaker 1: grades too soon. Absolutely. What is it about the lifestyle? Um?

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Speaker 1: Is it really a lifestyle or is it just when

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Speaker 1: your time is up? Your time is up. You can

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Speaker 1: be you can be healthy as I don't know what

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Speaker 1: and just be over, or you can have some uh

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Speaker 1: mental problems going on with you. You know, um, some

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Speaker 1: mental health issues where that aren't getting addressed, um like

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Speaker 1: Jack Knight sadly committed suicide. And then you have folks

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Speaker 1: who just died naturally, uh from causes like Bob Saggett

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Speaker 1: who just passed away. Or you have people who have

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Speaker 1: terminal illnesses like Norm McDonald who who passed away, um

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Speaker 1: from cancer, and also Gilbert Godfrey who just passes or

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Speaker 1: Louis who's overweight. So you just never so much about

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Speaker 1: being a comedian. It could just be the person it

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Speaker 1: just so happened to be in this particular Yeah, but

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Speaker 1: it just feels like we have lost so many of

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Speaker 1: them back to back to back. Roger g passed away.

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Speaker 1: She was very funny. UM. So all of that, all

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Speaker 1: of that within the span of what what four or

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Speaker 1: five five months, we've lost all of these folks. So

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Speaker 1: it's just it's so important for folks to just make

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Speaker 1: sure that you do take every day in the folks

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Speaker 1: that you do love, and you make sure that you

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Speaker 1: you make that a point to tell them because you

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Speaker 1: never know when your number is called. Your number is called,

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Speaker 1: So you have I've grown up with a lot of

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Speaker 1: these people that you mentioned absolutely being fans. Are you're

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Speaker 1: watching them or you see their videos? As you just mentioned.

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Speaker 1: I in Learning More about you at fifteen years old,

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Speaker 1: and I think that's not unheard of for a lot

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Speaker 1: of comedians or even anybody who wants to be in

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Speaker 1: any form or any field where you know you have

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Speaker 1: a calling fifteen years fifteen years old, you're doing stand up?

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Speaker 1: What is that like? Because I think that would be uh,

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Speaker 1: you probably couldn't even get into some of the clubs

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Speaker 1: like legally that you were doing. It's all my dad's material,

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Speaker 1: That's what it is. I didn't I wasn't write none

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Speaker 1: of that. He would he would orchestrate everything. He would

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Speaker 1: have me. Uh, he would write material and he'd had

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Speaker 1: me do it as characters. So I'd have Bernie Mack

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Speaker 1: talking about r Kelly and Janet Jackson and the breast

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Speaker 1: and all of that, or Steve Irwin or Cat Williams

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Speaker 1: talking about it. So that that's what my set was earlier.

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Speaker 1: But it is there are not a lot of clubs

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Speaker 1: unless you win. I was at the Virginia House of Comedy.

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Speaker 1: That was the club to let me in. Um and

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Speaker 1: then uh, a few years later I started going to

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Speaker 1: the Funny Bone. They didn't let me into I was eighteen,

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Speaker 1: and then you had Thorough Good Comedy Club at um

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Speaker 1: uh and and Virginia Beach. And what it was like.

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Speaker 1: Let me get back to the central topic, central question.

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Speaker 1: What is it like? Um? It's is it? Is it

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Speaker 1: scary for me at this point? No, because I already

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Speaker 1: was I was already doing theater, so I already had that,

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Speaker 1: already had the stage background, So the stage never never

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Speaker 1: scared me, you know, So having stage presence at a

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Speaker 1: young age. Um, what is it like? It's a pain

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Speaker 1: in the ass for the older comedians because they get

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Speaker 1: intimidated because they're like, you know, because they take years

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Speaker 1: to get a certain type of energy and confidence and

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Speaker 1: when you just when you just go up there and

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Speaker 1: you have it. Yeah, it's just just like, man, who

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Speaker 1: you up? You'll do? Who think you up? Actually, somebody

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Speaker 1: told me that it's funny. I'm sure. Shout out to him.

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Speaker 1: Now we're cool. Now he's just on the combo for sure.

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Speaker 1: I can imagine. That seems that seems about right. That

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Speaker 1: seems like proplem You gotta pay your dudes, man, you

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Speaker 1: gotta be coming up here, dudes. Man, it was all

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Speaker 1: about paying dudes. But when something like that did it. Yeah,

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Speaker 1: but here's the thing. I always say, your success and

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Speaker 1: somebody else's your success has nothing to do with somebody else's.

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Speaker 1: You tell me, you don't have to tell me that

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Speaker 1: exactly not passed me by. And it's like, you know,

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Speaker 1: like I smashed Kim Kardashi. Yeah, you know what I'm saying.

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Speaker 1: He shot to the roof, shot to the roof. But

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Speaker 1: it's exactly what I was gonna ask you next. What

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Speaker 1: about was not you said your dad was writing it?

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Speaker 1: I don't know was your dad? Did he want to

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Speaker 1: be a comedian? Was he one that? But dad is funny.

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Speaker 1: My dad is one of the funniest people in the world. Uh, Like,

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Speaker 1: just those folks that can just say the most simple

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Speaker 1: things and just have you fallen out of your seat.

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Speaker 1: He's one of them, them folks. He always loves performing

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Speaker 1: in front of people. But he's he didn't take there

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Speaker 1: and see, he didn't have that. I don't think he

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Speaker 1: has the uh. I don't think he has the courage

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Speaker 1: to get up there in front of everybody and do it.

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Speaker 1: And yeah, yeah he Joe, he was Joe Jackson for sure.

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Speaker 1: That's what you were trying to get? I see what

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Speaker 1: you're pulling. You're pulling? Yeah, came out, you're pulling. I

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Speaker 1: got Yeah. He was My dad was Joe Jackson. He

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Speaker 1: was literally, let me explain this, Let me explain this.

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Speaker 1: When I would be i'd beat, I do the impression,

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Speaker 1: and if I tried to deviate and tell jokes, he'd

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Speaker 1: be like, what are you doing? You're supposed to just

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Speaker 1: talk like. He was like, what is that? What is that? Did?

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Speaker 1: He just be like, okay, let's let's start over. But

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Speaker 1: it sounds healthy kind of listen. Michael Jackson was the

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Speaker 1: biggest artist ever. To Human Nature on My Way, that's

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Speaker 1: my favorite song listening to Human Nature on my Way.

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Speaker 1: Here a head beaching, Okay, Hey, touch a stranger the

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Speaker 1: city to sleep yaching, Hey tuch my window, sweezy dude sing,

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Speaker 1: so give it to me, Give it to me? Right?

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Speaker 1: They say, why why tell him that it's human nature?

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Speaker 1: Why why does he do me that? I love? That's okay,

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Speaker 1: so we're done. I'm it's open. The end of the

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Speaker 1: podcast We got naked. Actually that that was That song

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Speaker 1: would always play in reference to my father because he's

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Speaker 1: he's from South's Southern do. He's from uh Norfolk, Virginia, right,

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Speaker 1: so they love fishing, crabbing and all of that. And

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Speaker 1: you know, since I'm from the South, I love it too.

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Speaker 1: So my dad would always um on Friday sometimes you

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Speaker 1: take me out of school and we go fishing. And

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Speaker 1: that song was always playing a light because he it

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Speaker 1: was always playing in the morning wild fishing on the way,

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Speaker 1: on the way. Then, okay, that song is first of all,

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Speaker 1: it's a classic. Yes, I'm not gonna get into m

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Speaker 1: J all day, but I will tell you that's a classic.

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Speaker 1: And lady in my life like me too. Those are

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Speaker 1: the two songs that I love the most. What I

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Speaker 1: don't believe I'm serious done this to not Okay, guys,

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Speaker 1: give us a minute. Let's stay will shine give me

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Speaker 1: it lighting to just put your trust in my huh

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Speaker 1: now be openne your every moment in this world to

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Speaker 1: better better a treasure time won't see you well he

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Speaker 1: so listen to my Okay, there we go. Oh you

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Speaker 1: could you could please? Uh? Yeah, So those are my

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Speaker 1: favorite songs that I forgot what I was asking. We

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Speaker 1: were talking about your talking about my dad being Joe

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Speaker 1: Jackson and then he was a good Joe Jackson. Now,

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Speaker 1: YEAHS was bad. Yeah, I mean, you know, it was

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Speaker 1: symbolized that's cool. Helicopter parents. Maybe sometimes people call them that,

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Speaker 1: our parents who are very very intentional about what their

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Speaker 1: children do. The pros and cons for you, um, pros

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Speaker 1: and cons for you know what. Honestly, I just feel

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Speaker 1: like I feel like my parents just wanted to find something,

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Speaker 1: uh for me to do that was productive, that I

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Speaker 1: could make money at, that would just keep me out

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Speaker 1: of the streets. So I don't even think that there's

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Speaker 1: any I don't think there's any cons to it. I

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Speaker 1: think at all. I think, yeah, your father figured that

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Speaker 1: out for you at fifteen. Yeah, I mean what else?

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Speaker 1: I mean, man, that there was nothing? What else was

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Speaker 1: I doing? I played football? I played football. There was

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Speaker 1: a lot of things that you know, there's a lot

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Speaker 1: of things I'm great at, you know what I'm saying.

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Speaker 1: I was cool at football. I learned it. I'm always

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Speaker 1: somebody who figures things out towards the end when it

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Speaker 1: when when it's about it needs to count the most.

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Speaker 1: I'll give you example when I say that I graduated

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Speaker 1: from high school with a three point oh six right

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Speaker 1: the year before my senior year, I had a two

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Speaker 1: point four or five. I graduated, I lost. I lost

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Speaker 1: seventy five pounds and three and a half months I

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Speaker 1: was to fifty. I went down to one seventy five.

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Speaker 1: At graduation, people didn't know who I was. I made

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Speaker 1: sure that at graduation everything was strange. I read his

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Speaker 1: book was Steven Spielberg, and it said they were talking

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Speaker 1: about his him, his his great point average, and they

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Speaker 1: said he was a C average Stewart. And I said,

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Speaker 1: if I ever make it and they ever do right

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Speaker 1: about me, I never want them to say he was

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Speaker 1: a C Stuart. That's real. I just worked my butt off.

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Speaker 1: I want to. I went to summer school, took a

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Speaker 1: took took algebra with Algebra two, got an A in it.

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Speaker 1: I was I was on a mission. I had to

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Speaker 1: get that. What I'm hearing is that you knew you

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Speaker 1: were destined to be where you are. Yes, that's hey.

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Speaker 1: I like how you picked that out. I like you

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Speaker 1: you did that, you attracted it. Like talking over today,

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Speaker 1: I said, give me some tips. How are you interviewing

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Speaker 1: over with? I'm kidding. I thought it was. I couldn't tell.

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Speaker 1: I know, were like, I don't know but I I

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Speaker 1: think that's special. When did you know? Um? I think,

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Speaker 1: what did you think? But I know? I mean, and

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Speaker 1: let me be clear, I've said this before. When people

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Speaker 1: know that they're they're destined for something different or special

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Speaker 1: doesn't mean that you're set apart and no one else

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Speaker 1: is great. It just means that you know that you

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Speaker 1: know your life is meant to do something. I think

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Speaker 1: it was after uh, after I did this play uh

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Speaker 1: in fourth grade pocahonas well. You know Pocon's familiar familiar?

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Speaker 1: Is this a new or you did you did it regularly? Well?

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Speaker 1: This was this was This was before. They haven't remixed

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Speaker 1: that one yet, so it was still the older one.

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Speaker 1: Because you're like, have you heard of somebody? Is it

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Speaker 1: a different version? Yeah? No, no, no, this is the

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Speaker 1: Disney ok this is it's straight out um it Uh Okay,

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Speaker 1: So this is what happened. Okay, go ahead, I'm ready.

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Speaker 1: I didn't I wasn't solid on my lines, and my teacher, Mr.

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Speaker 1: Salmon's knew that, but he still put me out there

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Speaker 1: in front of the people because he saw something in

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Speaker 1: me that was different. You know. It's like, yeah, but

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Speaker 1: I was I was sweating and I performed Powertan. I

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Speaker 1: was Powertan, and I did it in front of the

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Speaker 1: the parents of my classmates, and my classmates had to

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Speaker 1: help me from the back to feed me lines for

401
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Speaker 1: me to get through it. But you know, I embarrassed

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Speaker 1: myself so much because I never I said to myself,

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Speaker 1: I am never, ever not gonna be prepared again because

404
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Speaker 1: and this is what I want to do. I'm never

405
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Speaker 1: not gonna be prepared again. So fast forward to two

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Speaker 1: thousand and uh two thousand and uh four, two thousand

407
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Speaker 1: and four. Um, mind you, Uh it's just played called

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Speaker 1: Damn Yankee. Uh, damn Yankee. Yes, I'm played Mr Applegate. Now,

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Speaker 1: two weeks before the play went up, the league dropped

410
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Speaker 1: missed Applegate. He dropped. So Miss Schuler, my drama teacher

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Speaker 1: put up Missula she um she put She gave me

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Speaker 1: the part, and I had to learn all of these

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Speaker 1: lines within uh two weeks, and I did it. I'd

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Speaker 1: learned every single line, killed the role. And I go

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Speaker 1: out to the lobby and Mr Sammons was there, and

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Speaker 1: Mr Sammons said, I knew you had it in you.

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Speaker 1: He said, I knew it. I was trying to pull

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Speaker 1: it out. That's exactly what I saw. And I was like,

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Speaker 1: this is the salmon. Do you mean this school that

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Speaker 1: you went to tell me about this community? Because these

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Speaker 1: teachers are really doing their job. Yeah, this is Greenbrier

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Speaker 1: Intermediate School. This is that's when Powertan happened in Pocahonna's

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Speaker 1: and it's Any River High School is where I went

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Speaker 1: to high school at. And also middle school was uh

425
00:23:19,960 --> 00:23:24,280
Speaker 1: Chrestwood my sixth grade year, boy boy, yo, when I

426
00:23:24,400 --> 00:23:28,160
Speaker 1: was because like for the first for the first five years,

427
00:23:28,200 --> 00:23:31,520
Speaker 1: for the first six years kindergarten through a fifth grade

428
00:23:32,080 --> 00:23:35,000
Speaker 1: I was in. Uh, I was in a pretty predominantly

429
00:23:35,040 --> 00:23:37,639
Speaker 1: white district school district, you know, we were in the birds,

430
00:23:37,800 --> 00:23:40,760
Speaker 1: that's where we were. Uh, so I sounded like them.

431
00:23:41,080 --> 00:23:43,320
Speaker 1: So when I showed up at Crestwood, which was in

432
00:23:43,440 --> 00:23:46,359
Speaker 1: the black district, all the black people looked at me like,

433
00:23:47,119 --> 00:23:49,440
Speaker 1: are you talking like that? You saying white? Are you

434
00:23:49,480 --> 00:23:52,760
Speaker 1: talking like that? Is? No, that ain't this sounds a

435
00:23:52,800 --> 00:23:54,440
Speaker 1: little New York things sound like that. Let put the

436
00:23:54,480 --> 00:23:57,159
Speaker 1: country in there here you go. Are you talking like that?

437
00:23:58,680 --> 00:24:00,840
Speaker 1: Are you sound like that? You saying white? Are you

438
00:24:00,960 --> 00:24:04,440
Speaker 1: talking like that? And then and then see that's me,

439
00:24:04,960 --> 00:24:08,160
Speaker 1: that's me. Flashing back three months later, right I go home,

440
00:24:08,800 --> 00:24:11,480
Speaker 1: I started talking to my mom. She's like, why do

441
00:24:11,560 --> 00:24:14,080
Speaker 1: you sound like that? I started sound like them. I like,

442
00:24:14,200 --> 00:24:16,640
Speaker 1: I was like, Mom, is how they talked? Mom, fel

443
00:24:16,800 --> 00:24:19,239
Speaker 1: That's how they talked. That's how they talked. Look, that's

444
00:24:19,280 --> 00:24:20,560
Speaker 1: how they talked, mom. You know what I mean. So

445
00:24:21,000 --> 00:24:24,040
Speaker 1: I started getting the black experience, got bullet, got picked

446
00:24:24,080 --> 00:24:27,080
Speaker 1: on BAM. Seventh grade in the River, same thing, Any

447
00:24:27,240 --> 00:24:31,639
Speaker 1: River Middle School, which was another uh predominantly black school,

448
00:24:31,960 --> 00:24:34,959
Speaker 1: and then eighth grade was Green Brian Middle They had

449
00:24:35,040 --> 00:24:38,200
Speaker 1: just made Green Bran Middle School and I went there

450
00:24:38,320 --> 00:24:40,320
Speaker 1: the first for the first year that had it open,

451
00:24:40,800 --> 00:24:44,480
Speaker 1: and that was a mixture of everything. Everybody was and

452
00:24:44,560 --> 00:24:48,560
Speaker 1: it was white people, black people, and then um ninth

453
00:24:48,600 --> 00:24:51,159
Speaker 1: grade was Indian River and then Tip grade was g

454
00:24:51,359 --> 00:24:54,720
Speaker 1: C A for one year private school. And that's where

455
00:24:54,760 --> 00:24:58,240
Speaker 1: I became around. I just I was trying to. I

456
00:24:58,400 --> 00:25:01,680
Speaker 1: was trying to. In middle school, I had a choice.

457
00:25:02,119 --> 00:25:06,200
Speaker 1: That was just because we moved and then um you

458
00:25:06,280 --> 00:25:09,119
Speaker 1: know districting, you know, you wait wherever you had to

459
00:25:09,200 --> 00:25:12,879
Speaker 1: feel me. But high school, I requested to go to

460
00:25:13,000 --> 00:25:16,280
Speaker 1: private school. Tenth grade, I think I wanted something. I

461
00:25:16,359 --> 00:25:18,240
Speaker 1: was getting picked on. I didn't really like it. I

462
00:25:18,320 --> 00:25:21,840
Speaker 1: want to do something different. And I went to private

463
00:25:21,880 --> 00:25:24,320
Speaker 1: school and that's where I became a commute. That's where

464
00:25:24,880 --> 00:25:26,800
Speaker 1: because these folks were trying to joke me too, and

465
00:25:26,840 --> 00:25:28,640
Speaker 1: I was like, wait a minute, man, I just got

466
00:25:28,760 --> 00:25:31,600
Speaker 1: joked by these folks over here. I'm not coming over

467
00:25:31,640 --> 00:25:33,320
Speaker 1: here and letting y'all do it. So it was like

468
00:25:33,400 --> 00:25:36,000
Speaker 1: an ownership. I took him myself and I just was

469
00:25:36,240 --> 00:25:38,800
Speaker 1: I just was like the rebel and I would like,

470
00:25:39,640 --> 00:25:42,200
Speaker 1: I don't know, I made I made the seniors look stupid.

471
00:25:42,440 --> 00:25:44,159
Speaker 1: Would I would do that? Because I didn't. It was

472
00:25:44,359 --> 00:25:46,560
Speaker 1: often what I've noticed for a lot of people, it's

473
00:25:46,560 --> 00:25:51,680
Speaker 1: your way if it is. Yeah, well yeah it made

474
00:25:51,680 --> 00:25:54,040
Speaker 1: and it made me really popular GC. It made me

475
00:25:54,400 --> 00:25:58,200
Speaker 1: so popular there. Yeah, this is what I'm doing. Yeah,

476
00:25:58,720 --> 00:26:01,879
Speaker 1: I'm joking people. That's what I'm cooking folks. That's what

477
00:26:01,920 --> 00:26:04,720
Speaker 1: I'm supposed to do. I'm supposed to cook people. And

478
00:26:04,800 --> 00:26:07,159
Speaker 1: it was so funny because they're so uptight. So you

479
00:26:07,240 --> 00:26:10,720
Speaker 1: got somebody that come in, comes in and you know

480
00:26:12,359 --> 00:26:14,760
Speaker 1: when you were in the play fourth grade, I think,

481
00:26:15,640 --> 00:26:17,320
Speaker 1: and you knew that was the moment you were destined

482
00:26:17,359 --> 00:26:19,040
Speaker 1: to do something. Is it to be a comedian or

483
00:26:19,119 --> 00:26:20,720
Speaker 1: was it to be an actor? It was the first

484
00:26:20,760 --> 00:26:23,480
Speaker 1: one was entertainment. It was like just period, like I

485
00:26:23,640 --> 00:26:26,120
Speaker 1: love this. I love this feeling, you know what I mean.

486
00:26:27,119 --> 00:26:29,600
Speaker 1: When I was the stand up it was like, oh,

487
00:26:29,960 --> 00:26:33,760
Speaker 1: people giving me, people giving me instantaneous feedback. I love this.

488
00:26:34,400 --> 00:26:36,880
Speaker 1: So yeah, I love that. And then you know, being

489
00:26:36,960 --> 00:26:39,159
Speaker 1: on the being on stage, you're reading the script but

490
00:26:39,280 --> 00:26:41,920
Speaker 1: did but but being doing stand up, it's just you.

491
00:26:42,480 --> 00:26:45,879
Speaker 1: How often, even even to this day, do you employ

492
00:26:46,040 --> 00:26:49,120
Speaker 1: making people laugh to change the dynamic of a room,

493
00:26:49,600 --> 00:26:52,200
Speaker 1: to change your relationship with somebody that you might not

494
00:26:52,400 --> 00:26:55,440
Speaker 1: be cool with to be cool. It's so funny because

495
00:26:56,119 --> 00:26:59,920
Speaker 1: I either if I'm really comfortable, if I'm really comfort

496
00:27:00,160 --> 00:27:03,280
Speaker 1: in the room, I'll go ahead and just do my thing.

497
00:27:03,440 --> 00:27:06,399
Speaker 1: But if I'm not, I'll be quiet and I'll just

498
00:27:06,520 --> 00:27:09,360
Speaker 1: sit and just watch. Yeah, I'll just watch people. There's

499
00:27:09,400 --> 00:27:11,440
Speaker 1: been a lot of times I've just been like, oh this,

500
00:27:11,600 --> 00:27:14,880
Speaker 1: you're not comfortable. I'm just gonna be quiet over here.

501
00:27:15,080 --> 00:27:19,400
Speaker 1: How would you describe yourself Shy, Yeah, for the motion, introvert. Yeah,

502
00:27:19,960 --> 00:27:22,120
Speaker 1: I mean, I like I'll take being home over going

503
00:27:22,280 --> 00:27:25,879
Speaker 1: going to going to a freaking island any day, you

504
00:27:25,920 --> 00:27:28,520
Speaker 1: know what I mean, just chick. Well, no, the island,

505
00:27:28,680 --> 00:27:31,200
Speaker 1: be by yourself. I'll go to God. You won't go

506
00:27:31,280 --> 00:27:33,359
Speaker 1: out to the party, right, Yeah, forget the party. I

507
00:27:33,400 --> 00:27:35,080
Speaker 1: can stay in the room. You go with the room service.

508
00:27:35,560 --> 00:27:38,440
Speaker 1: Go out still more with Jay Farrell on the other

509
00:27:38,720 --> 00:27:42,119
Speaker 1: side of the break. Every champion and carry champion is

510
00:27:42,200 --> 00:27:44,840
Speaker 1: to be a champion, a champion, and carry champion, and

511
00:27:44,960 --> 00:27:49,560
Speaker 1: carry chappion Champion and carry champion, and carry champions, and

512
00:27:49,600 --> 00:28:04,240
Speaker 1: the team making many champion. They carry champions, a champion,

513
00:28:04,320 --> 00:28:08,159
Speaker 1: they carry champion and Champion. They car with champion, they

514
00:28:08,240 --> 00:28:14,680
Speaker 1: car Welcome back to Naked. I know we're having fun.

515
00:28:15,119 --> 00:28:19,200
Speaker 1: They're still more. Jay barrow Um, So you have this,

516
00:28:20,040 --> 00:28:22,960
Speaker 1: you have this path that you're on and I think

517
00:28:23,280 --> 00:28:27,920
Speaker 1: you know for me, Saturday Night Live is what you're

518
00:28:27,960 --> 00:28:32,160
Speaker 1: synonymous with. That. Absolutely you were not the youngest cast member,

519
00:28:32,320 --> 00:28:34,359
Speaker 1: no no, no, no, second youngest black cast member, but

520
00:28:34,440 --> 00:28:39,040
Speaker 1: the second youngest one. Eddie Murphy was the youngest. Okay

521
00:28:39,880 --> 00:28:42,080
Speaker 1: Murphy was the young Edie Murphy was the youngest, uh

522
00:28:42,160 --> 00:28:46,000
Speaker 1: and then Robert Downey Jr. And then Pete Davidson the tied.

523
00:28:46,440 --> 00:28:49,000
Speaker 1: I think they both got it at twenty uh and

524
00:28:49,120 --> 00:28:52,520
Speaker 1: then UM get me twenty two. And you know how

525
00:28:52,640 --> 00:28:55,000
Speaker 1: that experience get the rest? You know, they don't they

526
00:28:55,000 --> 00:28:57,479
Speaker 1: don't know who they are. I didn't even know who

527
00:28:57,520 --> 00:29:03,280
Speaker 1: any of those other previous ones. So you get I

528
00:29:03,520 --> 00:29:05,840
Speaker 1: hear because I even talked to Sam you know Sam Jay,

529
00:29:06,600 --> 00:29:07,960
Speaker 1: of course I talked to her about it. She's like,

530
00:29:08,080 --> 00:29:09,560
Speaker 1: she didn't know what was going on, but she did it.

531
00:29:09,640 --> 00:29:12,280
Speaker 1: She did, she just figured it out. I hear that.

532
00:29:12,360 --> 00:29:15,320
Speaker 1: I hear this all the time. This is awful, guys,

533
00:29:15,360 --> 00:29:18,480
Speaker 1: I'm about your name drop. I just interviewed Will Pharaoh's awful.

534
00:29:18,520 --> 00:29:24,360
Speaker 1: Sorry correct, So he's telling all these stories about it, um,

535
00:29:24,720 --> 00:29:27,560
Speaker 1: and I hear it's either really great or it's really awful,

536
00:29:27,600 --> 00:29:31,120
Speaker 1: or it's really both. I think I got both. I

537
00:29:31,200 --> 00:29:37,200
Speaker 1: gotta mix really great. It's twenty two, coming from going

538
00:29:37,280 --> 00:29:39,440
Speaker 1: on the road with Charlie Murphy for three years and

539
00:29:39,520 --> 00:29:42,680
Speaker 1: working at brol Co factory. Besides that, there's no other

540
00:29:42,840 --> 00:29:45,480
Speaker 1: You ain't got no other work experience besides Golden Corral

541
00:29:45,560 --> 00:29:47,920
Speaker 1: and Stein Martin and pet Smart. So wait are you

542
00:29:48,040 --> 00:29:51,760
Speaker 1: saying Burlington could factory? Pet Smart, Stein mart don't prepare

543
00:29:51,840 --> 00:29:55,640
Speaker 1: you for s and l or being no customer service

544
00:29:55,800 --> 00:30:00,840
Speaker 1: is not customer service. No, you have to be I

545
00:30:00,960 --> 00:30:06,240
Speaker 1: mean I would say those places allowed me to um

546
00:30:06,480 --> 00:30:10,040
Speaker 1: broaden my craft just because I would be there, you

547
00:30:10,120 --> 00:30:12,160
Speaker 1: know what. To go back to what you're saying, I

548
00:30:12,200 --> 00:30:14,760
Speaker 1: would make people comfortable at work. I would make them

549
00:30:14,840 --> 00:30:19,440
Speaker 1: laugh because Burlington, especially at Burlington, because everybody is really

550
00:30:20,160 --> 00:30:24,400
Speaker 1: half the attitude was a really funny. You know, they're

551
00:30:24,440 --> 00:30:27,400
Speaker 1: standing in the line for for hours because there's slow

552
00:30:27,480 --> 00:30:30,880
Speaker 1: cash is there's there's no air conditioning in the in

553
00:30:31,000 --> 00:30:33,880
Speaker 1: this place. I don't know why there's no air conditioners

554
00:30:33,960 --> 00:30:37,080
Speaker 1: place people are, people are stealing stuff. It's just a

555
00:30:37,480 --> 00:30:42,040
Speaker 1: it's a bad it's it's a bad environment. But what

556
00:30:42,200 --> 00:30:44,120
Speaker 1: I did? What did you Where did you work? And

557
00:30:44,280 --> 00:30:47,080
Speaker 1: I did not work factory. When I first even heard

558
00:30:47,080 --> 00:30:49,280
Speaker 1: this funny story when the first that are working at ESPN,

559
00:30:49,440 --> 00:30:51,320
Speaker 1: I didn't have enough worker coats and they had a

560
00:30:51,400 --> 00:30:54,280
Speaker 1: Burlington coat factory and I wish I walked in. I

561
00:30:54,400 --> 00:30:56,600
Speaker 1: was like, this experience is something I don't know. So

562
00:30:57,080 --> 00:31:01,840
Speaker 1: you're talking about from my customers experience work there, working

563
00:31:01,880 --> 00:31:06,080
Speaker 1: there's twenty times twenty times now the people are great

564
00:31:06,120 --> 00:31:10,160
Speaker 1: there that that's my family but the stuff that happened crazy.

565
00:31:10,280 --> 00:31:12,800
Speaker 1: So I'd be in customer service and I would be

566
00:31:12,920 --> 00:31:16,080
Speaker 1: cracking jokes, doing impressions and making that was my thing,

567
00:31:17,240 --> 00:31:22,040
Speaker 1: and that did Yeah so silly, but yeah you were.

568
00:31:22,280 --> 00:31:25,520
Speaker 1: You were still honing a craft even while there. And

569
00:31:25,600 --> 00:31:29,320
Speaker 1: then and then Charlie Murphy definitely helped help with that

570
00:31:29,400 --> 00:31:34,040
Speaker 1: as well, him having the Chappelle audience, whereas broad is

571
00:31:34,440 --> 00:31:40,480
Speaker 1: is everybody, it's white, Black, Spanish folks, Asian people, everybody

572
00:31:40,680 --> 00:31:44,120
Speaker 1: is together, laughing, and I've always had that crowd. It's

573
00:31:44,200 --> 00:31:47,560
Speaker 1: it's even continue now. So um that got me ready

574
00:31:47,640 --> 00:31:51,400
Speaker 1: fasting now, Um damn twenty two being on that s

575
00:31:51,520 --> 00:31:58,200
Speaker 1: now not knowing not being an improv uh performer for real,

576
00:31:58,640 --> 00:32:01,720
Speaker 1: you know. I mean I was on an improv team

577
00:32:01,880 --> 00:32:05,680
Speaker 1: at DCU for like four months. What is the difference

578
00:32:05,720 --> 00:32:09,120
Speaker 1: between improvisation and stand up? Oh? Stand because stand up

579
00:32:09,200 --> 00:32:11,080
Speaker 1: is just stand up is just you on the stage,

580
00:32:11,120 --> 00:32:13,040
Speaker 1: and prov you've got more people on stage with you

581
00:32:13,280 --> 00:32:15,000
Speaker 1: and you'll have to play off of each other, you

582
00:32:15,040 --> 00:32:20,840
Speaker 1: know what I mean? What is that? No, that's not rock,

583
00:32:20,960 --> 00:32:22,760
Speaker 1: that's that's that's one of my that's one of my friends.

584
00:32:22,800 --> 00:32:25,280
Speaker 1: I wish it was. I would have picked up would

585
00:32:25,280 --> 00:32:26,960
Speaker 1: have I would have say, hey, man, you know I'm

586
00:32:27,000 --> 00:32:30,680
Speaker 1: doing it. I'm doing getting naked. Yes, I did you

587
00:32:30,760 --> 00:32:33,720
Speaker 1: put get naked? Yes, we're just get naked. I would

588
00:32:33,720 --> 00:32:35,320
Speaker 1: say get naked. I would always said I would say

589
00:32:35,520 --> 00:32:37,520
Speaker 1: I would say get naked and saying hey, Barrock we

590
00:32:37,920 --> 00:32:40,920
Speaker 1: becauld we snipped around it. I would saying Rock, I'm

591
00:32:40,920 --> 00:32:46,480
Speaker 1: gonna I'm gonna get getting mad, sir, goodbye. Well, I'm

592
00:32:46,520 --> 00:32:49,719
Speaker 1: sorry that I called you at this moment. I'll hit

593
00:32:49,760 --> 00:32:56,200
Speaker 1: you back. Um, so, yeah, you know twenty two, you're not.

594
00:32:56,960 --> 00:32:59,280
Speaker 1: I was just young. I was young on that show

595
00:32:59,400 --> 00:33:03,760
Speaker 1: and I had to figure it out. Try. I was

596
00:33:03,800 --> 00:33:06,920
Speaker 1: trying to figure it out. Do they give you any grace?

597
00:33:07,040 --> 00:33:08,960
Speaker 1: I feel like they like getting there figure it out.

598
00:33:09,120 --> 00:33:11,840
Speaker 1: I'm not helping you. That's not funny. Moving on next,

599
00:33:12,240 --> 00:33:14,200
Speaker 1: that's funny. We'll use that. I don't even think I

600
00:33:14,200 --> 00:33:16,680
Speaker 1: would just like, yes, it is cut through. You have

601
00:33:16,800 --> 00:33:20,640
Speaker 1: the audition for your job every week. Imagine that. Imagine

602
00:33:20,640 --> 00:33:24,800
Speaker 1: if you had to audition. Well, I probably am, sure,

603
00:33:25,080 --> 00:33:28,400
Speaker 1: I'm probably have in my career. Sure, but yeah not now.

604
00:33:28,520 --> 00:33:32,440
Speaker 1: But I don't think I would if you didn't do well,

605
00:33:32,440 --> 00:33:34,160
Speaker 1: when they fire you on the spot or those are

606
00:33:34,240 --> 00:33:38,040
Speaker 1: their stories. I've never heard of those stories right on

607
00:33:38,120 --> 00:33:43,040
Speaker 1: the spot. Only when you've like Jenny Slade dropped the

608
00:33:43,120 --> 00:33:45,479
Speaker 1: F bomb and she didn't get picked up for her

609
00:33:45,560 --> 00:33:48,160
Speaker 1: second season. So I think it was it's with things

610
00:33:48,280 --> 00:33:50,440
Speaker 1: like that, when like you show you can't control yourself

611
00:33:50,520 --> 00:33:53,400
Speaker 1: on national television, like they look at things like that.

612
00:33:53,960 --> 00:33:57,280
Speaker 1: But as far as as far as you just you

613
00:33:57,360 --> 00:33:59,040
Speaker 1: have to be funny enough to make it to the

614
00:33:59,160 --> 00:34:02,080
Speaker 1: next season. I you gotta have some sketches that pop.

615
00:34:02,520 --> 00:34:05,720
Speaker 1: You can't if you only got one sketch the whole

616
00:34:05,840 --> 00:34:11,960
Speaker 1: year looking good for you sketch that Lord, it was early,

617
00:34:12,280 --> 00:34:14,080
Speaker 1: it was, it was early. I mean on a weekend

618
00:34:14,160 --> 00:34:16,560
Speaker 1: update when I did to Will Smith that popped. And

619
00:34:16,640 --> 00:34:20,239
Speaker 1: then the next one the Denzel exchanges, returns and exchanges,

620
00:34:20,640 --> 00:34:24,200
Speaker 1: that was the big one, and that was which what

621
00:34:24,360 --> 00:34:28,040
Speaker 1: you returns and exchanges? You want to tell I see

622
00:34:28,040 --> 00:34:31,920
Speaker 1: what you're doing, I see what you're doing on so yeah, yeah, yeah, yeah,

623
00:34:32,000 --> 00:34:34,279
Speaker 1: you kind of can. You're putting the line out there.

624
00:34:34,360 --> 00:34:36,320
Speaker 1: You put the line out and you're reeling me in.

625
00:34:36,480 --> 00:34:42,400
Speaker 1: That's what you're doing, right, Yeah. So, um, I got

626
00:34:42,440 --> 00:34:44,880
Speaker 1: with Brian Tuckett one of the writers on SML and

627
00:34:46,000 --> 00:34:48,680
Speaker 1: you know, when you use your Denzel impression, I said, okay,

628
00:34:48,800 --> 00:34:51,600
Speaker 1: I said, so what we're gonna do? And he just

629
00:34:51,760 --> 00:34:54,279
Speaker 1: came up with this, with this concept. I sat with

630
00:34:54,400 --> 00:34:57,320
Speaker 1: him and we we wrote it and it popped. It

631
00:34:57,480 --> 00:35:00,719
Speaker 1: was it was everywhere, It was on a since Hollywood.

632
00:35:00,760 --> 00:35:02,960
Speaker 1: You know, Denzel actually saw it himself. He saw and

633
00:35:03,040 --> 00:35:05,440
Speaker 1: he said, he said, yeah, he said, I think he's

634
00:35:05,480 --> 00:35:08,000
Speaker 1: really good and the kids good that. Um I saw

635
00:35:08,080 --> 00:35:10,040
Speaker 1: him doing another one before he did that, when he

636
00:35:10,080 --> 00:35:12,160
Speaker 1: did me and talking to Will Smith. I think he's

637
00:35:12,160 --> 00:35:17,680
Speaker 1: good at both m your impressions are legendary. And the

638
00:35:18,800 --> 00:35:21,919
Speaker 1: knack for being able to pick up on the little

639
00:35:21,960 --> 00:35:23,400
Speaker 1: things that we didn't even pay attention to, like the

640
00:35:23,480 --> 00:35:28,040
Speaker 1: finger pointing. Denzel puts his finger like that all the

641
00:35:28,120 --> 00:35:30,560
Speaker 1: time in every interview and whatever he's doing. I mean

642
00:35:30,680 --> 00:35:33,719
Speaker 1: every time, it's how do you do that? You just

643
00:35:33,960 --> 00:35:37,759
Speaker 1: it's it's observational comedy. It's like you're just you want

644
00:35:37,800 --> 00:35:40,440
Speaker 1: to absorb. You want to absorb everything about a person.

645
00:35:40,520 --> 00:35:43,160
Speaker 1: You're paying attention to everything about I paid attention to

646
00:35:43,640 --> 00:35:45,960
Speaker 1: so other people so much that I wasn't paying attention

647
00:35:46,000 --> 00:35:48,800
Speaker 1: to myself. It's crazy. You know what that means. I

648
00:35:48,960 --> 00:35:51,600
Speaker 1: wasn't like I pay attention to other people like I

649
00:35:51,760 --> 00:35:55,600
Speaker 1: wasn't aware for for a minute about things with me,

650
00:35:56,200 --> 00:35:58,279
Speaker 1: even my my style of dress. I should have been

651
00:35:58,280 --> 00:36:03,839
Speaker 1: paying attention. I shouldn't have never American eagles. Never should

652
00:36:03,880 --> 00:36:06,120
Speaker 1: have wore American I looked back at some I look

653
00:36:06,160 --> 00:36:08,960
Speaker 1: back at some pictures of me from the two thousand

654
00:36:09,000 --> 00:36:12,480
Speaker 1: and thirteen I'm just like, man, somebody, why wasn't anybody

655
00:36:12,560 --> 00:36:17,799
Speaker 1: talking to me? Somebody should say, valid question. Maybe because

656
00:36:17,840 --> 00:36:20,520
Speaker 1: they were giving me. I was getting so much, so

657
00:36:20,680 --> 00:36:22,480
Speaker 1: many free clothes when I was on S and now

658
00:36:22,560 --> 00:36:26,800
Speaker 1: because you know, I was getting so much publicity, so

659
00:36:26,960 --> 00:36:29,320
Speaker 1: people wanted to the brands to get seen. As I

660
00:36:29,440 --> 00:36:31,359
Speaker 1: got older, I noticed that they didn't like me. They

661
00:36:31,440 --> 00:36:34,080
Speaker 1: just wanted to use me to to get seen. But

662
00:36:34,320 --> 00:36:37,840
Speaker 1: it's all good. But what was the that sounds amazing

663
00:36:38,680 --> 00:36:41,000
Speaker 1: for for that to be an opportunity, and you have

664
00:36:41,080 --> 00:36:43,040
Speaker 1: these celebrities being like, oh my god, he's amazing. I

665
00:36:43,080 --> 00:36:44,799
Speaker 1: wouldn't that would really be a lot for me at

666
00:36:44,800 --> 00:36:47,799
Speaker 1: twenty two years old. What was the downfall of all

667
00:36:47,840 --> 00:36:51,480
Speaker 1: of this attention, all of this um newfounded fame and

668
00:36:51,760 --> 00:36:53,880
Speaker 1: people wanting to be around you and be your friends.

669
00:36:53,960 --> 00:36:57,080
Speaker 1: What was the downfall if there were I mean, okay,

670
00:36:58,239 --> 00:37:03,360
Speaker 1: sacrificing time with your family, um, personal relationships, like I

671
00:37:03,440 --> 00:37:06,759
Speaker 1: mean me and me and my girlfriend broke up on

672
00:37:06,800 --> 00:37:09,200
Speaker 1: the show. You know what I mean that? But cool?

673
00:37:09,320 --> 00:37:12,239
Speaker 1: Hell's that's true. You know it's stressing. Sometimes you can't

674
00:37:12,280 --> 00:37:15,160
Speaker 1: stress somebody out. It's a breaking point, you feel me,

675
00:37:15,360 --> 00:37:19,040
Speaker 1: So that just not getting to the ladies. Don't stress

676
00:37:19,080 --> 00:37:22,160
Speaker 1: out your man. Hey, hey, you don't stretch. You want

677
00:37:22,239 --> 00:37:25,680
Speaker 1: your man to succeed. You want to be with them, don't.

678
00:37:26,960 --> 00:37:29,040
Speaker 1: I don't know what that means. You're supposed pretty bag,

679
00:37:29,239 --> 00:37:32,840
Speaker 1: that's a vague response. Well, you're supposed to be somebody's vacation,

680
00:37:33,520 --> 00:37:37,440
Speaker 1: not they're not their personal Hell you understand, you get me.

681
00:37:38,600 --> 00:37:41,399
Speaker 1: It's an escape. You're supposed to be the time ship,

682
00:37:42,680 --> 00:37:51,600
Speaker 1: a vacation. I'm always vacation. I mean what I'm saying,

683
00:37:51,840 --> 00:37:54,960
Speaker 1: yes kind of question is that carry I'm always a vacation,

684
00:37:55,160 --> 00:37:58,880
Speaker 1: a vacation, and always the one providing providing the vacation.

685
00:38:01,120 --> 00:38:03,600
Speaker 1: You're right, right, right. I don't want to problems, Okay,

686
00:38:03,680 --> 00:38:05,680
Speaker 1: I delve into arena. I do not want to get

687
00:38:05,719 --> 00:38:09,600
Speaker 1: into I'm so sorry. So so you work with your

688
00:38:09,640 --> 00:38:13,719
Speaker 1: girlfriend and then but I'm just but it just hard

689
00:38:13,800 --> 00:38:15,600
Speaker 1: to be there. Do you ever have days, because we

690
00:38:15,680 --> 00:38:20,240
Speaker 1: all have days, or coming to work today? Oh oh man, yo, okay,

691
00:38:20,360 --> 00:38:23,920
Speaker 1: there we go, now you bust us something open. Yes, yes,

692
00:38:24,000 --> 00:38:27,239
Speaker 1: it would be days. I mean, especially especially when you're

693
00:38:27,239 --> 00:38:31,000
Speaker 1: at the table your sketches killing it doesn't get picked,

694
00:38:31,680 --> 00:38:35,640
Speaker 1: or you write three sketches and you submit them and

695
00:38:35,800 --> 00:38:39,120
Speaker 1: they don't even make it to the table and you're

696
00:38:39,200 --> 00:38:41,480
Speaker 1: just sitting there like, Yo, what the hell am I doing?

697
00:38:41,600 --> 00:38:46,000
Speaker 1: What I am working? I am working, working, over working,

698
00:38:46,520 --> 00:38:49,000
Speaker 1: and it looks like I'm not working because I'm not

699
00:38:49,160 --> 00:38:52,120
Speaker 1: in the show. But behind the scenes, I'm putting my

700
00:38:52,400 --> 00:38:55,200
Speaker 1: I'm I'm putting my foot in everything. I'm trying to

701
00:38:55,520 --> 00:38:57,879
Speaker 1: put my foot in it like the South, and it's

702
00:38:57,920 --> 00:39:00,439
Speaker 1: not working. What's happening? So let me go. You stand

703
00:39:00,520 --> 00:39:02,080
Speaker 1: up real quick, because I know I can. I know

704
00:39:02,120 --> 00:39:04,400
Speaker 1: I can film on stage here. Even if you have

705
00:39:04,560 --> 00:39:06,560
Speaker 1: a sketch that bombs you're like, man, I don't know

706
00:39:06,640 --> 00:39:08,480
Speaker 1: what the hell I'm doing. You can get on that

707
00:39:08,640 --> 00:39:12,960
Speaker 1: stage and get that gratifact. Gratifact gratification from the audience.

708
00:39:13,000 --> 00:39:18,319
Speaker 1: You get that you write a sketch, it doesn't even

709
00:39:18,360 --> 00:39:21,560
Speaker 1: make the table to even be considered, and you've been

710
00:39:21,640 --> 00:39:23,879
Speaker 1: there for a number of numerous years, and then someone

711
00:39:23,920 --> 00:39:26,600
Speaker 1: else's sketch is considered it and they've been there for

712
00:39:26,800 --> 00:39:30,520
Speaker 1: it for months, and subjectively you like that was not

713
00:39:30,600 --> 00:39:33,320
Speaker 1: even funny, and it wasn't funny. The writers bring it

714
00:39:33,360 --> 00:39:36,200
Speaker 1: and they make it funnier, but it's still doesn't have

715
00:39:37,040 --> 00:39:41,680
Speaker 1: the that it needs and you're just sitting there, What

716
00:39:41,960 --> 00:39:46,879
Speaker 1: the hell am I doing? I would feel? And then

717
00:39:47,440 --> 00:39:50,360
Speaker 1: and then you could go how long of a stretch

718
00:39:50,400 --> 00:39:53,120
Speaker 1: could you go in the season without being on or

719
00:39:53,200 --> 00:39:56,319
Speaker 1: if your sketch wasn't here, we'll guarantee you get paid

720
00:39:56,400 --> 00:39:58,839
Speaker 1: every week? Yeah I know, but if you're not, you're

721
00:39:58,840 --> 00:40:01,359
Speaker 1: not on air for two months? Would you feel away?

722
00:40:01,400 --> 00:40:04,640
Speaker 1: Has it ever? Yes? Yes I will. I will tell

723
00:40:04,680 --> 00:40:07,720
Speaker 1: you this two thousand and fourteen, thousand and fifteen season

724
00:40:07,760 --> 00:40:10,480
Speaker 1: at S ANDL, that to me was my worst season

725
00:40:10,760 --> 00:40:13,120
Speaker 1: I got. I think I got three sketches on the

726
00:40:13,160 --> 00:40:19,719
Speaker 1: whole year. There's twenty two episodes, three sketches. What am

727
00:40:19,760 --> 00:40:23,680
Speaker 1: I doing? I'm getting percentages like I'm point to every

728
00:40:23,760 --> 00:40:26,680
Speaker 1: If you divide that I'm not even a real person.

729
00:40:27,080 --> 00:40:29,560
Speaker 1: If you divide it up, I'm not even real perblem

730
00:40:29,640 --> 00:40:32,520
Speaker 1: like a toddler. You know what, I'm not a real person.

731
00:40:33,320 --> 00:40:35,080
Speaker 1: Toddler is a person, of course, and shout out to

732
00:40:35,080 --> 00:40:40,960
Speaker 1: the toddler to Tyler's at me or mad at me?

733
00:40:42,239 --> 00:40:47,080
Speaker 1: At me? Okay, okay, I'm just But what I'm saying

734
00:40:47,280 --> 00:40:51,279
Speaker 1: is that was so arduous for me that, Yeah, I

735
00:40:51,480 --> 00:40:54,200
Speaker 1: just I didn't get it. And I'm like, man, I'm

736
00:40:54,440 --> 00:40:57,680
Speaker 1: I'm working my asshole. I think I got we got

737
00:40:57,840 --> 00:41:00,000
Speaker 1: Kevin Hard. I think it was the Kevin Hard sketch

738
00:41:00,800 --> 00:41:05,600
Speaker 1: um that when I was impersonating him and Leslie. That

739
00:41:05,760 --> 00:41:08,120
Speaker 1: was Leslie's idea for us to do that. She was like,

740
00:41:08,239 --> 00:41:10,600
Speaker 1: you gotta do it. A lot a couple of things

741
00:41:10,760 --> 00:41:13,279
Speaker 1: or have been from Leslie telling me I should do

742
00:41:14,040 --> 00:41:15,880
Speaker 1: That's that. That's some real stuff. I gotta say that

743
00:41:16,440 --> 00:41:19,000
Speaker 1: the comedians made in that was Leslie said you gotta

744
00:41:19,040 --> 00:41:20,920
Speaker 1: do something on that. I didn't want to do that,

745
00:41:21,440 --> 00:41:23,719
Speaker 1: and it blew up and it got the most hits

746
00:41:23,800 --> 00:41:26,560
Speaker 1: from anything I did on the show. Wow, that's so

747
00:41:26,760 --> 00:41:30,200
Speaker 1: insane to me. There's always that. It makes sense. Yeah,

748
00:41:30,560 --> 00:41:35,440
Speaker 1: behind every successful man is a Leslie Jones. Correct, you

749
00:41:35,560 --> 00:41:38,879
Speaker 1: understand I mean black, strong, black woman. I've heard of them.

750
00:41:40,320 --> 00:41:43,920
Speaker 1: I understand them. You understand, you do? Yeah, you got

751
00:41:43,960 --> 00:41:46,799
Speaker 1: your guns too, got dagger. You know what I'm saying.

752
00:41:46,960 --> 00:41:49,640
Speaker 1: So you leave. I don't. I don't want to fast

753
00:41:49,680 --> 00:41:52,879
Speaker 1: forward through it. But I understand the experience. And I've

754
00:41:52,920 --> 00:41:55,000
Speaker 1: heard about it so many times. I hear so many

755
00:41:55,280 --> 00:41:58,440
Speaker 1: and so many greats have come from that. That's a school.

756
00:41:58,520 --> 00:42:01,719
Speaker 1: I'm gonna say this though. It's not like there are

757
00:42:01,840 --> 00:42:04,400
Speaker 1: highs too. I had so many highs I would imagine,

758
00:42:04,520 --> 00:42:07,200
Speaker 1: you know, but the low but I had loads as well.

759
00:42:07,719 --> 00:42:12,080
Speaker 1: And with those loads, eat did it eats you? But

760
00:42:12,239 --> 00:42:15,840
Speaker 1: the highs or what brings you back? You need highs

761
00:42:16,480 --> 00:42:19,680
Speaker 1: in order because if your highs and your lows ain't balancing. Now. Yeah,

762
00:42:20,360 --> 00:42:22,480
Speaker 1: and my business is like, you're only as good as

763
00:42:22,520 --> 00:42:24,440
Speaker 1: your last live shot. You're only as good as your

764
00:42:24,520 --> 00:42:27,359
Speaker 1: last work. That is my model to daily. You pop

765
00:42:27,480 --> 00:42:29,600
Speaker 1: up and okay, that bound up, I'm awful, and then

766
00:42:29,640 --> 00:42:31,880
Speaker 1: you come back in your great. Yeah I'm great. You

767
00:42:31,960 --> 00:42:34,080
Speaker 1: only good as your last works, so you gotta make

768
00:42:34,160 --> 00:42:36,560
Speaker 1: the last work. That's real talk. That is a tough,

769
00:42:36,640 --> 00:42:39,239
Speaker 1: tough business. To be in it, especially at the love

770
00:42:39,320 --> 00:42:42,000
Speaker 1: on what you do It. When you leave us, Now,

771
00:42:42,160 --> 00:42:44,520
Speaker 1: when you are no longer on the show, what are

772
00:42:44,560 --> 00:42:47,200
Speaker 1: your thoughts about what's next for you in your career?

773
00:42:47,320 --> 00:42:49,800
Speaker 1: Were you excited? You're like the world is my oyster

774
00:42:50,080 --> 00:42:53,800
Speaker 1: or real? Yeah, I felt like the world was my oyster.

775
00:42:54,120 --> 00:42:58,440
Speaker 1: Um kind of happened simultaneously, but I got I had

776
00:42:58,480 --> 00:43:02,480
Speaker 1: gotten the show White fingers Um. That summer I found

777
00:43:02,520 --> 00:43:05,600
Speaker 1: out I had it, So, you know, even though the

778
00:43:05,760 --> 00:43:09,800
Speaker 1: things of the job was looking shaky, it was still like,

779
00:43:10,040 --> 00:43:12,120
Speaker 1: you know, hey, well at least I got this to

780
00:43:12,239 --> 00:43:14,239
Speaker 1: go to. You know, it's a shot in the park.

781
00:43:14,320 --> 00:43:17,920
Speaker 1: It's a pilot, but it could get picked up. Jamie

782
00:43:18,000 --> 00:43:20,640
Speaker 1: Foxx is I'm a He's a fan of mine. He's

783
00:43:20,640 --> 00:43:22,960
Speaker 1: a he you know. I remember he first came on

784
00:43:23,080 --> 00:43:25,400
Speaker 1: the show. He was like, yo, man, why are you

785
00:43:25,600 --> 00:43:34,040
Speaker 1: using you? Nick? Why ain't not using you? Man? Listen?

786
00:43:34,960 --> 00:43:38,279
Speaker 1: He said, man, you were so talented? Yeah? Use you? Yeah? Yeah,

787
00:43:38,280 --> 00:43:40,240
Speaker 1: I did? He use you? Man. So he was already

788
00:43:40,280 --> 00:43:42,200
Speaker 1: a fan. So I had that relationship and that rapport

789
00:43:42,280 --> 00:43:44,400
Speaker 1: with him, and I kept in contact with him. So

790
00:43:44,960 --> 00:43:47,719
Speaker 1: when White Famous came around, he was doing it. I said, Okay, cool,

791
00:43:47,800 --> 00:43:50,680
Speaker 1: this is gonna be alright. This makes sense, this makes

792
00:43:50,719 --> 00:43:55,080
Speaker 1: sense for me. Um So, Uh, I was ready. I

793
00:43:55,200 --> 00:43:57,239
Speaker 1: was ready to I was ready to get to get

794
00:43:57,320 --> 00:44:00,560
Speaker 1: to that and see what that was gonna do. Fortunately

795
00:44:00,640 --> 00:44:03,560
Speaker 1: it only had one season those It came out day

796
00:44:03,600 --> 00:44:07,040
Speaker 1: after my birthday and it got snatched a day before

797
00:44:07,320 --> 00:44:13,560
Speaker 1: after christs that's what they don't all at all, not

798
00:44:13,800 --> 00:44:16,160
Speaker 1: onto the next But I learned a lot with that

799
00:44:16,280 --> 00:44:18,520
Speaker 1: as well. And going back to your going back to

800
00:44:18,560 --> 00:44:20,640
Speaker 1: your thing. Do you think the world is your oyster? Yes?

801
00:44:20,760 --> 00:44:23,600
Speaker 1: I do think it's it's my oysterip. That's what I

802
00:44:23,719 --> 00:44:25,399
Speaker 1: was thinking when I got off as and now because

803
00:44:25,440 --> 00:44:28,400
Speaker 1: I saw the careers of I saw Eddie Murphy was

804
00:44:28,480 --> 00:44:31,799
Speaker 1: up there for four years, Tracy did five years, Chris

805
00:44:31,960 --> 00:44:35,000
Speaker 1: Rock even Chris did three, but he's Chris Rock. Ye

806
00:44:35,000 --> 00:44:37,840
Speaker 1: know what I mean? Um So, I I knew, I

807
00:44:37,960 --> 00:44:41,600
Speaker 1: knew that. I knew that I was gonna be things

808
00:44:41,640 --> 00:44:43,920
Speaker 1: were gonna happen. And then and then look at that

809
00:44:44,080 --> 00:44:48,000
Speaker 1: year you had. I was hosting the UM Music Awards.

810
00:44:48,640 --> 00:44:51,440
Speaker 1: I did that too. I hosted that and with g

811
00:44:51,840 --> 00:44:54,839
Speaker 1: Ha died, I did the critic not the critic choice.

812
00:44:54,920 --> 00:44:59,920
Speaker 1: The uh what is that? Am as them May Awards?

813
00:45:00,400 --> 00:45:03,560
Speaker 1: Um I did that. I was cartoon Legends of Chamberlain

814
00:45:03,680 --> 00:45:06,759
Speaker 1: Heights everything. There's so much As soon as I left,

815
00:45:06,800 --> 00:45:09,400
Speaker 1: there's so much work. And it's like that chicken you've

816
00:45:09,440 --> 00:45:15,000
Speaker 1: worked with. Yeah, so everybody wanted to smash. Correct in

817
00:45:15,080 --> 00:45:20,920
Speaker 1: other words, Yeah, that sounds really take you out. You

818
00:45:20,960 --> 00:45:25,600
Speaker 1: said they wanted to smash. Go ahead, folks. These are

819
00:45:25,640 --> 00:45:28,680
Speaker 1: how people think now. And Instagram is just it's just

820
00:45:28,800 --> 00:45:33,960
Speaker 1: the buffet, like a menu. It's like a menu of

821
00:45:34,200 --> 00:45:36,600
Speaker 1: of of you just strolled through the menu and be like,

822
00:45:36,719 --> 00:45:39,560
Speaker 1: oh that's nice. Oh that comes with powdered chugar. I

823
00:45:39,640 --> 00:45:41,680
Speaker 1: want that date on day on day, I get it,

824
00:45:41,800 --> 00:45:48,719
Speaker 1: I get it. It's crazy. Side notes. Okay, wait, so

825
00:45:48,880 --> 00:45:52,800
Speaker 1: then you're you're on all these dates slash smashing, and

826
00:45:52,960 --> 00:46:01,640
Speaker 1: you're feeling you're feeling more comfortable, wanted of appreciated, new relationships,

827
00:46:01,760 --> 00:46:05,520
Speaker 1: new relationships. I feel I feel like these folks are

828
00:46:05,600 --> 00:46:09,200
Speaker 1: so excited about me. All the gleam, all they're holding

829
00:46:09,280 --> 00:46:13,279
Speaker 1: my hand, you know, the buying me flowers, still ye

830
00:46:13,960 --> 00:46:17,000
Speaker 1: still looking at my eyes when they're finished. It's great,

831
00:46:17,080 --> 00:46:21,080
Speaker 1: it's amazing, it's it's it's it's a good uh, it's

832
00:46:21,080 --> 00:46:23,279
Speaker 1: a good little it's the little thing to be on

833
00:46:24,600 --> 00:46:27,680
Speaker 1: instead of ignoring you are at dinner on the phone, yeah,

834
00:46:27,800 --> 00:46:35,160
Speaker 1: instead of sure, how your d the mumbles the bus.

835
00:46:36,480 --> 00:46:38,560
Speaker 1: I have to ask you this because, Okay, who's your

836
00:46:38,600 --> 00:46:42,799
Speaker 1: favorite comedian? All right? I mean I got top five,

837
00:46:43,400 --> 00:46:45,760
Speaker 1: but I'll tell you my favorite comedian of all? Okay,

838
00:46:46,040 --> 00:46:49,439
Speaker 1: number one? Alright, Eddie Murphy. Of course that's the guy.

839
00:46:50,040 --> 00:46:57,319
Speaker 1: Number two, um Chris uh, Dave Chappelle, UM, Bernie Mack

840
00:46:57,440 --> 00:47:01,520
Speaker 1: and Robin Harris and Richard Pryor always says above like

841
00:47:01,719 --> 00:47:04,080
Speaker 1: up here, what does that mean? You can't even put

842
00:47:04,160 --> 00:47:07,919
Speaker 1: him in a category. So it's Richard above all. Yeah,

843
00:47:08,120 --> 00:47:13,400
Speaker 1: but d yeah, and Eddie was doing he was he

844
00:47:13,480 --> 00:47:15,800
Speaker 1: was doing Richard. Yeah. It's funny a lot of this stuff.

845
00:47:16,080 --> 00:47:19,000
Speaker 1: Sometimes I'll say something like, hey, man, you're doing Eddie Murphy.

846
00:47:19,000 --> 00:47:21,719
Speaker 1: I was like, no, I'm doing Richard prior Eddie was doing.

847
00:47:22,120 --> 00:47:24,600
Speaker 1: Eddie was doing Richard too, he was doing. What is

848
00:47:24,640 --> 00:47:26,839
Speaker 1: your take on the fact that people say that Dave

849
00:47:26,920 --> 00:47:30,480
Speaker 1: Chappelle is now go? I think I mean that's I mean,

850
00:47:30,520 --> 00:47:33,520
Speaker 1: I find no speriousness and that that argument. I feel

851
00:47:33,560 --> 00:47:39,400
Speaker 1: like he's he's it's very similar to like. So obviously

852
00:47:39,440 --> 00:47:42,319
Speaker 1: sports is the background, Tom Brady. So or if I'd

853
00:47:42,320 --> 00:47:44,560
Speaker 1: said the top five and if I didn't put Michael

854
00:47:44,600 --> 00:47:47,680
Speaker 1: Jordan as we have to h I would be blasphemy.

855
00:47:48,239 --> 00:47:50,400
Speaker 1: But there are those there's a generation people will say

856
00:47:50,440 --> 00:47:53,800
Speaker 1: non exactly. So that's why I say to you, is

857
00:47:53,840 --> 00:47:56,440
Speaker 1: that unheard of to hear that Dave Chappelle is now

858
00:47:56,600 --> 00:47:59,400
Speaker 1: being considered the goat as opposed to Eddie Murph? I

859
00:47:59,440 --> 00:48:01,719
Speaker 1: don't think. I don't think it's unheard of, just and

860
00:48:02,160 --> 00:48:07,960
Speaker 1: I mean generationally. Uh, he's crossed over because of his consistency,

861
00:48:08,520 --> 00:48:12,000
Speaker 1: Like Dave Chappelle has put out he put one to

862
00:48:12,560 --> 00:48:18,680
Speaker 1: three and then three four eight special. Yeah, Eddie Murphy

863
00:48:18,719 --> 00:48:21,440
Speaker 1: only has two. But when he walked away from the

864
00:48:21,520 --> 00:48:24,560
Speaker 1: Dave Chappelle Show, would anybody have thought he would have

865
00:48:24,600 --> 00:48:27,760
Speaker 1: rebounded this way? I know everyone thought he was sad

866
00:48:27,920 --> 00:48:30,440
Speaker 1: and crazy and he shouldn't have done it, and he

867
00:48:30,600 --> 00:48:34,080
Speaker 1: walked away. I remember everyone criticizing him in in the

868
00:48:34,200 --> 00:48:40,680
Speaker 1: comedy community whatever, correct, And that's the difference. That's the

869
00:48:40,760 --> 00:48:43,239
Speaker 1: difference when you put your integrity and you always rooted

870
00:48:43,360 --> 00:48:47,680
Speaker 1: and cemented in something substantive. You don't have to you

871
00:48:47,760 --> 00:48:49,920
Speaker 1: don't have to do with everybody wants you to do,

872
00:48:50,200 --> 00:48:54,920
Speaker 1: because eventually your talent is gonna it's gonna it's gonna explode,

873
00:48:55,480 --> 00:48:58,000
Speaker 1: and it's going to it's gonna fuel you, and it's

874
00:48:58,000 --> 00:49:01,400
Speaker 1: gonna put you back, if not further up and you

875
00:49:01,480 --> 00:49:04,320
Speaker 1: were before. If you do decide to drop in and

876
00:49:04,440 --> 00:49:06,279
Speaker 1: do something else, you know what I mean? Does that

877
00:49:06,360 --> 00:49:08,560
Speaker 1: make sense? No? No, no, I just think I think

878
00:49:08,680 --> 00:49:10,799
Speaker 1: about what I really. I started to become a fan.

879
00:49:10,840 --> 00:49:12,759
Speaker 1: Obviously I love the Chappelle Show, but I became a

880
00:49:12,840 --> 00:49:15,560
Speaker 1: fan during the pandemic because it was just so smart

881
00:49:15,600 --> 00:49:18,120
Speaker 1: and so thoughtful, and he was giving game. He was

882
00:49:18,160 --> 00:49:21,719
Speaker 1: telling us about the business and the most honest Sincere

883
00:49:23,040 --> 00:49:25,880
Speaker 1: Candid way. You couldn't deny, at least for me, I

884
00:49:25,920 --> 00:49:27,360
Speaker 1: couldn't deny that I was like this man as a

885
00:49:27,440 --> 00:49:31,759
Speaker 1: genius in that moment. That's Eddie Murphy is different in

886
00:49:31,840 --> 00:49:35,319
Speaker 1: the sense for me as a fan, he seems mysterious

887
00:49:35,520 --> 00:49:38,840
Speaker 1: and that keeps him, I think in in goat status.

888
00:49:39,080 --> 00:49:42,880
Speaker 1: I believe that to you, it's so it's so funny.

889
00:49:42,920 --> 00:49:45,719
Speaker 1: I've said that before. No I am not. You're just

890
00:49:45,800 --> 00:49:48,279
Speaker 1: trying to agree. I'm not just agreeing with you. I

891
00:49:48,320 --> 00:49:50,320
Speaker 1: would tell you that, I would tell you difference. He

892
00:49:50,480 --> 00:49:53,720
Speaker 1: is Eddie Murphy is like he's like a mythical creature.

893
00:49:53,840 --> 00:49:57,040
Speaker 1: He is. I've said that, like Charlie Murphy was called

894
00:49:57,120 --> 00:49:59,719
Speaker 1: him the wizard, like that's your brother, your man, you

895
00:49:59,880 --> 00:50:03,360
Speaker 1: d go meet the wish Really, yeah, why do you

896
00:50:03,440 --> 00:50:05,600
Speaker 1: call the wizard? Why do you call the wizard? Because

897
00:50:05,719 --> 00:50:10,760
Speaker 1: man's mysterious. Man, he's so mystical. He's mystical. Man mystical.

898
00:50:10,880 --> 00:50:17,120
Speaker 1: Not the one to shake your black guy. Correct, God

899
00:50:17,200 --> 00:50:21,400
Speaker 1: bless him. You got a couple of problems. Man. I

900
00:50:21,480 --> 00:50:23,719
Speaker 1: wonder why that is. I wonder if it's purposefult. Okay,

901
00:50:23,760 --> 00:50:26,080
Speaker 1: So there's a tour and I just have to get

902
00:50:26,080 --> 00:50:27,680
Speaker 1: your take on this because I have so many different

903
00:50:27,680 --> 00:50:29,640
Speaker 1: comedians that are like, there's this tour and we have

904
00:50:29,760 --> 00:50:32,680
Speaker 1: Dave Chappelle and Chris Rock and Kevin Hart and Dave

905
00:50:32,760 --> 00:50:36,319
Speaker 1: Chappelle came, I think out and introduced. No, who did

906
00:50:36,320 --> 00:50:41,160
Speaker 1: the introduction? Who's on tour together? Is it right? I think?

907
00:50:41,640 --> 00:50:44,400
Speaker 1: I think, Um, I think Kevin came and did it.

908
00:50:46,600 --> 00:50:49,960
Speaker 1: Are those the biggest comedians right now? Absolutely without a doubt.

909
00:50:50,000 --> 00:50:55,480
Speaker 1: I mean you do have. Oh and Joe Koy, Joe Coy, Okay,

910
00:50:55,600 --> 00:50:57,919
Speaker 1: give me a name. Joe Koy is huge. Joe Koy

911
00:50:58,080 --> 00:51:01,759
Speaker 1: is one. He's the first comedians taking Filipino culture and

912
00:51:02,000 --> 00:51:06,440
Speaker 1: like and like um globalizing. I'm so seriously he's yo,

913
00:51:06,600 --> 00:51:10,240
Speaker 1: he's and he's been in the game grinding for years

914
00:51:10,360 --> 00:51:13,200
Speaker 1: and he's so sweet and it's the same thing. It's

915
00:51:13,400 --> 00:51:15,640
Speaker 1: he had that David Arnold would have done that, probably

916
00:51:15,640 --> 00:51:17,760
Speaker 1: would have done that. He would have had his audience

917
00:51:17,840 --> 00:51:22,880
Speaker 1: and had but he's he's, he's so it's so nuanced

918
00:51:22,920 --> 00:51:25,239
Speaker 1: to him. Nobody could do that. But well, of course

919
00:51:25,239 --> 00:51:28,280
Speaker 1: another Filipino comedian, but not like him. Still, the stories,

920
00:51:28,480 --> 00:51:30,759
Speaker 1: even if they would be similar, he's put it on

921
00:51:30,800 --> 00:51:33,880
Speaker 1: a large scale and like, yo, he's so he bet

922
00:51:33,960 --> 00:51:36,120
Speaker 1: on himself. That's what I wanted to That's what I

923
00:51:36,200 --> 00:51:40,000
Speaker 1: wanted to say. Dave Chappelle bet on himself. He knew

924
00:51:40,280 --> 00:51:43,320
Speaker 1: that his talent was worth way more than fifty million dollars,

925
00:51:43,760 --> 00:51:46,400
Speaker 1: and he knew that he was gonna wait until that

926
00:51:46,640 --> 00:51:50,160
Speaker 1: deal came where they were gonna pay him properly for

927
00:51:50,440 --> 00:51:52,719
Speaker 1: him to be like, Okay, I'm coming back and I'll

928
00:51:52,760 --> 00:51:56,600
Speaker 1: give the world what I feel they deserve. That's interesting.

929
00:51:56,840 --> 00:51:59,560
Speaker 1: There's a saying Kendis Parker. She heard her say it first,

930
00:51:59,600 --> 00:52:03,160
Speaker 1: shout out the knas park We love canids, and so

931
00:52:03,440 --> 00:52:06,279
Speaker 1: she said. When she won the championship last year for

932
00:52:06,480 --> 00:52:08,600
Speaker 1: the w n B, a Chicago s guy, she said,

933
00:52:08,680 --> 00:52:10,720
Speaker 1: this is her folks who don't know her. She said,

934
00:52:11,480 --> 00:52:13,640
Speaker 1: I wanted time to tell my story because when she

935
00:52:13,800 --> 00:52:17,280
Speaker 1: graduated from Tennessee, she was hailed as one of the greats.

936
00:52:17,480 --> 00:52:19,520
Speaker 1: She would be greater than me, so Leslie she would

937
00:52:19,520 --> 00:52:21,719
Speaker 1: be greater. And then she didn't do as well as

938
00:52:21,760 --> 00:52:23,920
Speaker 1: what people projected. And then she won one chip when

939
00:52:23,960 --> 00:52:26,120
Speaker 1: she was with the Sparks. But then everyone comes like

940
00:52:26,200 --> 00:52:28,080
Speaker 1: she was lazy. She said. They had all these bad

941
00:52:28,200 --> 00:52:30,680
Speaker 1: things to say about her, and then they were like redemption,

942
00:52:30,760 --> 00:52:33,280
Speaker 1: you get your chip. And She's like, time will always

943
00:52:33,320 --> 00:52:35,680
Speaker 1: tell your story. And I think of that for Dave Chappelle,

944
00:52:35,760 --> 00:52:39,040
Speaker 1: time will tell his story, which it has. And when

945
00:52:39,080 --> 00:52:43,600
Speaker 1: I think of time and I think these comedians, I

946
00:52:43,960 --> 00:52:47,520
Speaker 1: remember someone saying that Chris Rock and Will Smith will

947
00:52:47,560 --> 00:52:50,560
Speaker 1: work it out publicly and though and to bring it

948
00:52:50,640 --> 00:52:53,480
Speaker 1: to us, Time will tell the story. Do you think

949
00:52:53,520 --> 00:52:56,280
Speaker 1: Will Smith after that incident. Will have a different story,

950
00:52:56,640 --> 00:53:01,600
Speaker 1: what Will What would his future be? Um? I think

951
00:53:01,680 --> 00:53:05,120
Speaker 1: he I mean, of course, because of course, because he's

952
00:53:05,120 --> 00:53:09,759
Speaker 1: super talented. He's super talented. UM. I feel like the

953
00:53:09,880 --> 00:53:13,880
Speaker 1: squeaky clean image has been tainted, you know, and then

954
00:53:13,960 --> 00:53:19,320
Speaker 1: and and to hold that for thirty plus years in

955
00:53:19,400 --> 00:53:25,120
Speaker 1: the industry. Nobody else besides Bill Cosby did that, and

956
00:53:25,360 --> 00:53:29,320
Speaker 1: you know what happened, but you know we did everybody

957
00:53:29,400 --> 00:53:32,399
Speaker 1: as a human Will Smith is a human being. Of course.

958
00:53:32,480 --> 00:53:36,120
Speaker 1: Chris Rock said some things about Jada back in two

959
00:53:36,160 --> 00:53:39,280
Speaker 1: thousand sixteen from her not being invited to the Oscars

960
00:53:39,719 --> 00:53:42,760
Speaker 1: and from what I understand, from why what I deduced

961
00:53:42,760 --> 00:53:45,640
Speaker 1: when I watched it, I feel like that's why Will

962
00:53:45,760 --> 00:53:48,440
Speaker 1: Smith went up there and was like that was a

963
00:53:48,520 --> 00:53:56,080
Speaker 1: layaway smack that he did. Okay, yeah, I was a

964
00:53:56,160 --> 00:54:00,920
Speaker 1: layaway smack. Yeah, they still do. They definitely have. I'll

965
00:54:00,960 --> 00:54:04,040
Speaker 1: tell you that. I'll tell you that. That's why I

966
00:54:04,120 --> 00:54:07,360
Speaker 1: ain't going back. I ain't going back to the streets.

967
00:54:09,000 --> 00:54:11,759
Speaker 1: I'm not bagging up nothing. I think, and this is

968
00:54:11,840 --> 00:54:15,279
Speaker 1: my take on it. I think that the squeaky clean

969
00:54:15,440 --> 00:54:17,879
Speaker 1: images you say needs to be removed. I think that's

970
00:54:17,920 --> 00:54:20,640
Speaker 1: gonna be the best thing for his entire life, because

971
00:54:20,719 --> 00:54:23,360
Speaker 1: that's because that's really not that's really not a hundred

972
00:54:23,360 --> 00:54:26,920
Speaker 1: percent authentic to him. Correct. Correct. I think now he's

973
00:54:27,520 --> 00:54:29,799
Speaker 1: once he gets over whatever it is, if he works

974
00:54:29,840 --> 00:54:33,640
Speaker 1: it out, it'll be so much freedom. You've been in

975
00:54:33,680 --> 00:54:36,000
Speaker 1: this space, maybe even with sn L, maybe you felt

976
00:54:36,040 --> 00:54:37,480
Speaker 1: like you can be as free as you wanted to

977
00:54:37,560 --> 00:54:41,759
Speaker 1: be outside of your job. Yeah. Yeah, I ain't. That's

978
00:54:41,760 --> 00:54:44,920
Speaker 1: a good point. That's a good bad point, right there?

979
00:54:45,880 --> 00:54:50,480
Speaker 1: Are you? You? Would you google you? She's real good.

980
00:54:51,160 --> 00:54:57,760
Speaker 1: She's real good. She's doing the digg'd so you felt

981
00:55:01,560 --> 00:55:05,919
Speaker 1: I see you have very very good skills. Who trained you? Opertrained?

982
00:55:06,239 --> 00:55:10,920
Speaker 1: She did? She trained? Wendy didn't open this No, I know, No,

983
00:55:11,520 --> 00:55:18,520
Speaker 1: he didn't train you. Train you shout out hey, Wendy.

984
00:55:21,440 --> 00:55:22,880
Speaker 1: He's like, oh my god, are they talking about me?

985
00:55:22,920 --> 00:55:26,080
Speaker 1: Oh my god, oh my god, oh my goodness talking. Yeah.

986
00:55:26,880 --> 00:55:30,160
Speaker 1: But I just feel like he, ultimately, whether he feels

987
00:55:30,160 --> 00:55:32,239
Speaker 1: it or not, now as he creaks his way back

988
00:55:32,280 --> 00:55:35,239
Speaker 1: into the social media space and he needs to use me,

989
00:55:35,520 --> 00:55:37,759
Speaker 1: he has to. He has to use me. Everything is

990
00:55:37,800 --> 00:55:40,839
Speaker 1: better in chocolate. He has to use me because if

991
00:55:40,880 --> 00:55:43,279
Speaker 1: I if he used me as p s A and

992
00:55:43,400 --> 00:55:46,680
Speaker 1: I talked for him. People they probably start they would

993
00:55:46,719 --> 00:55:48,520
Speaker 1: like him quickly. I'm telling you, I agree with that

994
00:55:48,719 --> 00:55:51,319
Speaker 1: chocolate thing, or it would just be a little more

995
00:55:51,480 --> 00:55:53,839
Speaker 1: relatable things. Yeah, I don't know if he's relatable now

996
00:55:54,040 --> 00:55:58,120
Speaker 1: right now? Were you so surprised at the response? I mean,

997
00:55:58,239 --> 00:56:02,200
Speaker 1: just how for like weeks it was. I mean the

998
00:56:02,360 --> 00:56:05,200
Speaker 1: fact that the fact that that was a story over

999
00:56:05,760 --> 00:56:11,440
Speaker 1: U over the war over right, the war? Right? What

1000
00:56:11,560 --> 00:56:13,879
Speaker 1: are we doing over the Ukraine? What are we doing?

1001
00:56:14,640 --> 00:56:18,200
Speaker 1: That was that the ten people that got killed in Buffalo,

1002
00:56:18,440 --> 00:56:20,799
Speaker 1: that that came and went in the new We're still

1003
00:56:20,880 --> 00:56:23,080
Speaker 1: talking about the slab, and we're still talking about the slab.

1004
00:56:23,200 --> 00:56:25,880
Speaker 1: That is so true that I didn't it didn't. It

1005
00:56:25,920 --> 00:56:28,120
Speaker 1: didn't surprise it hasn't. It doesn't surprise me that it's

1006
00:56:28,160 --> 00:56:31,520
Speaker 1: lasted so long, because this is the earth. Is everybody shallow,

1007
00:56:32,320 --> 00:56:36,000
Speaker 1: and everybody is always concerned because their lives are boring.

1008
00:56:36,200 --> 00:56:39,279
Speaker 1: They're more concerned with other people's lives who are more

1009
00:56:39,360 --> 00:56:44,840
Speaker 1: glamorous and luxurious than luxurious than your god dagger. I

1010
00:56:44,880 --> 00:56:49,080
Speaker 1: can't speak today, lu jury, more luxury, more luxurious than

1011
00:56:49,160 --> 00:56:55,800
Speaker 1: that luxurious look at thank you? What's happening. It happens

1012
00:56:55,800 --> 00:56:57,640
Speaker 1: to me all the time on live TV. It's no fun.

1013
00:56:57,719 --> 00:56:59,480
Speaker 1: You don't get a chance to say it over and

1014
00:56:59,520 --> 00:57:01,960
Speaker 1: over again. No, no, we're only We're gonna edit it

1015
00:57:02,000 --> 00:57:08,879
Speaker 1: and keep just the one good I'm glad, good, good,

1016
00:57:08,960 --> 00:57:12,640
Speaker 1: thank you, Okay, thank you, or with Jay Farrell on

1017
00:57:12,760 --> 00:57:15,759
Speaker 1: the other side of the break state, every champion and

1018
00:57:15,880 --> 00:57:18,480
Speaker 1: carry champion is to be a champion of Champion and

1019
00:57:18,600 --> 00:57:22,160
Speaker 1: carry chappion and carry chapion the Champion and carry Chappion

1020
00:57:22,200 --> 00:57:24,880
Speaker 1: and carry chappions, ratus and sports, and then the taming

1021
00:57:24,920 --> 00:57:37,440
Speaker 1: can make it. Every champion and carry champion is to

1022
00:57:37,480 --> 00:57:41,640
Speaker 1: be a champion, the Champion, they carry Champion, the Champion,

1023
00:57:41,720 --> 00:57:44,760
Speaker 1: they carry Champion and carry Champion frets and sports, and

1024
00:57:44,800 --> 00:57:47,680
Speaker 1: the taming can make it. We only got like a

1025
00:57:47,760 --> 00:57:50,040
Speaker 1: fepitus lapping. First of all, you have been a pleasure.

1026
00:57:50,480 --> 00:57:53,000
Speaker 1: Thank you. We never got into I'm gonna tell you

1027
00:57:53,040 --> 00:57:55,480
Speaker 1: what we didn't get into. We didn't get into the

1028
00:57:56,440 --> 00:57:59,840
Speaker 1: cloth being torn off and me feeling like I could

1029
00:57:59,880 --> 00:58:06,280
Speaker 1: be more free outside. Listen, listen. I would say I

1030
00:58:06,320 --> 00:58:08,680
Speaker 1: would say this, I will say this. I would say this,

1031
00:58:08,840 --> 00:58:13,360
Speaker 1: Why why movement went? And what do you want to say.

1032
00:58:15,000 --> 00:58:18,520
Speaker 1: I will say that SNL does have an audience. You

1033
00:58:18,600 --> 00:58:21,480
Speaker 1: feel me. They got an audience. You know, it's predominantly

1034
00:58:22,120 --> 00:58:28,120
Speaker 1: white folks. That's their audience, older white folks in early teens,

1035
00:58:28,520 --> 00:58:34,040
Speaker 1: college kids, but Caucasian college kids. So they're bringing a

1036
00:58:34,160 --> 00:58:36,840
Speaker 1: new they got a new they got a newer fan

1037
00:58:36,960 --> 00:58:39,520
Speaker 1: base now audience. That's because you know, they got some

1038
00:58:39,640 --> 00:58:41,960
Speaker 1: black writers, and they've had they've had folks on the

1039
00:58:42,040 --> 00:58:45,280
Speaker 1: show who are black in the recent years, myself included

1040
00:58:45,560 --> 00:58:48,200
Speaker 1: of course, Keenan Thompson holding it down as the longest

1041
00:58:48,280 --> 00:58:51,360
Speaker 1: running cast member ever. He's built for that show. He's

1042
00:58:51,400 --> 00:58:55,800
Speaker 1: the goat um also, uh, the Leslie Jones and all

1043
00:58:55,880 --> 00:58:59,160
Speaker 1: of that. So of course some of us watch, but

1044
00:58:59,320 --> 00:59:02,480
Speaker 1: it's not an overpour of black people that watch that show,

1045
00:59:02,680 --> 00:59:07,120
Speaker 1: you understand. So I felt like on this show I

1046
00:59:07,200 --> 00:59:10,240
Speaker 1: had to learn because I curse, I do curse. You

1047
00:59:10,320 --> 00:59:12,720
Speaker 1: know what that means. I'm allowed to Thank you for

1048
00:59:12,800 --> 00:59:15,240
Speaker 1: telling me you're allowed to curse. I'm allowed to curse.

1049
00:59:15,280 --> 00:59:22,800
Speaker 1: I thought you said you're allowed to ask what he said? No, no,

1050
00:59:23,000 --> 00:59:25,000
Speaker 1: you allowed let me not take it. But you are

1051
00:59:25,040 --> 00:59:28,520
Speaker 1: allowed to curse. But you can't. You can't. You can't

1052
00:59:28,680 --> 00:59:31,800
Speaker 1: use all of that language on S and L. You

1053
00:59:31,880 --> 00:59:35,440
Speaker 1: can't use the you know, the the street lingo and

1054
00:59:35,520 --> 00:59:38,439
Speaker 1: all of that. You can't do that. You know, Uh, well,

1055
00:59:38,480 --> 00:59:40,800
Speaker 1: I couldn't do it, you know. Of course Michael Chain

1056
00:59:40,880 --> 00:59:42,880
Speaker 1: will let write whatever the hell he wants to write.

1057
00:59:42,920 --> 00:59:46,960
Speaker 1: But but for me, different roles for different folks. But

1058
00:59:47,080 --> 00:59:50,600
Speaker 1: if I had a ass or a bit and a sketch,

1059
00:59:50,720 --> 00:59:53,840
Speaker 1: mind got pulled. I can't even say that. But y'all

1060
00:59:53,920 --> 00:59:57,080
Speaker 1: can say dick on on air. You let one of

1061
00:59:57,120 --> 00:59:59,640
Speaker 1: my friends say dick on air, and you tell me

1062
00:59:59,800 --> 01:00:02,240
Speaker 1: that I can't curse. That makes no sense to me.

1063
01:00:02,360 --> 01:00:05,840
Speaker 1: But whatever, whatever, Maybe it was the person. It was

1064
01:00:05,920 --> 01:00:14,360
Speaker 1: the person. Maybe it wasn't my hands go ahead absolutely whatever, whatever,

1065
01:00:14,560 --> 01:00:16,960
Speaker 1: Maybe it was the person. It was the person. Yeah,

1066
01:00:18,440 --> 01:00:21,240
Speaker 1: over what you're saying. But on stage what I say

1067
01:00:21,280 --> 01:00:25,960
Speaker 1: comparatively totally different. Even even my Barack Obama impression on

1068
01:00:26,120 --> 01:00:30,520
Speaker 1: stage and on that show, total different. Different the on

1069
01:00:30,760 --> 01:00:35,000
Speaker 1: stage strong and command, totally not saying it wasn't on

1070
01:00:35,440 --> 01:00:38,480
Speaker 1: in command command on on the show, but it was different.

1071
01:00:38,480 --> 01:00:41,600
Speaker 1: It was scripted. It was it wasn't me being able

1072
01:00:41,640 --> 01:00:45,000
Speaker 1: to be authentic to what I felt Obama really wanted

1073
01:00:45,080 --> 01:00:48,280
Speaker 1: to do, really wanted to say. What to say, fun everybody,

1074
01:00:49,360 --> 01:00:53,280
Speaker 1: That's what he wanted to say. I fuck you, I've

1075
01:00:53,320 --> 01:00:56,280
Speaker 1: been working hard at Hew and you all won't get

1076
01:00:56,320 --> 01:00:58,960
Speaker 1: off my back. Well, fuck it? Can you do it?

1077
01:00:59,160 --> 01:01:02,800
Speaker 1: You can't do it? What what is your right? Here?

1078
01:01:03,200 --> 01:01:07,080
Speaker 1: Mine is onet? What about yours? Exactly? You're you're a

1079
01:01:07,160 --> 01:01:10,320
Speaker 1: chicken ship. That's what I think he just wanted to say.

1080
01:01:10,680 --> 01:01:14,720
Speaker 1: And it was I never got to bring that energy

1081
01:01:14,960 --> 01:01:17,440
Speaker 1: like you want to be like Trump, especially when he

1082
01:01:17,480 --> 01:01:23,040
Speaker 1: did the handoff. Oh yeah, when you saw this man

1083
01:01:23,120 --> 01:01:27,280
Speaker 1: doesn't know what then he's doing. Yea, he doesn't. I mean,

1084
01:01:27,800 --> 01:01:30,240
Speaker 1: if there's a if there's a pandemic, if there's a

1085
01:01:30,360 --> 01:01:33,440
Speaker 1: pandemic that comes, we're gonna be in trouble and he

1086
01:01:33,520 --> 01:01:35,600
Speaker 1: ain't gonna know what to do. We gotta keep him

1087
01:01:35,600 --> 01:01:38,880
Speaker 1: out of there, and we didn't. And look what happened.

1088
01:01:39,480 --> 01:01:43,520
Speaker 1: People died when they announced it. You had people go

1089
01:01:43,680 --> 01:01:48,160
Speaker 1: to the supermarket, they got water, toilet paper, hand sanitizer,

1090
01:01:48,520 --> 01:01:53,560
Speaker 1: and they left the soap on the show. What So

1091
01:01:53,680 --> 01:01:57,640
Speaker 1: you're just you're just you're just taking ships and using

1092
01:01:57,680 --> 01:02:02,480
Speaker 1: hand sanitizes. So basically, yeah, shitty fingers, that's what you

1093
01:02:02,560 --> 01:02:05,840
Speaker 1: got basically in short, in short, shy fingers wasn't pure real.

1094
01:02:06,040 --> 01:02:09,439
Speaker 1: There you go. I don't fix the world shitty people,

1095
01:02:09,840 --> 01:02:11,960
Speaker 1: that's all I just do it. That's what costs the

1096
01:02:12,040 --> 01:02:19,840
Speaker 1: monkey box guys. We know seriously, Yeah, because you know

1097
01:02:19,880 --> 01:02:21,920
Speaker 1: black folks love a conspiracy. Yeah, I know, I know.

1098
01:02:22,280 --> 01:02:25,960
Speaker 1: Come on, what were they trying to say that? He said,

1099
01:02:26,000 --> 01:02:28,040
Speaker 1: you know, don't put the mask. The funniest one I heard,

1100
01:02:28,080 --> 01:02:31,160
Speaker 1: don't put the mask on because you know they got transmittals.

1101
01:02:31,720 --> 01:02:35,120
Speaker 1: And what do you remember? Do you remember my cousin

1102
01:02:35,200 --> 01:02:37,160
Speaker 1: worked at the Pentagon and he's when we're in lockdown.

1103
01:02:37,360 --> 01:02:39,960
Speaker 1: Everyone had a cousin who worked at the Pentagon. I

1104
01:02:40,120 --> 01:02:42,120
Speaker 1: used to I had some. I was like, you don't

1105
01:02:42,120 --> 01:02:44,600
Speaker 1: know anybody, and if you do, they don't have that

1106
01:02:44,680 --> 01:02:48,280
Speaker 1: type of research classified intelligence with them. Just to give

1107
01:02:48,320 --> 01:02:49,920
Speaker 1: to you. I tell you how we're gonna live in

1108
01:02:49,960 --> 01:02:52,840
Speaker 1: our restaurant life. That's like the Classic. That's like I

1109
01:02:52,920 --> 01:02:55,200
Speaker 1: got friends, I got I got a gay friends like Theia.

1110
01:02:55,560 --> 01:02:58,720
Speaker 1: So I said this to you before. Um, I loved

1111
01:02:58,960 --> 01:03:00,480
Speaker 1: the movie that you're in on that flex. I love

1112
01:03:00,520 --> 01:03:05,440
Speaker 1: her and it's resort to love. And you played a

1113
01:03:05,680 --> 01:03:10,240
Speaker 1: not so good guy who who cheated up. I think

1114
01:03:10,280 --> 01:03:12,040
Speaker 1: he dumped her, but she didn't know because she was

1115
01:03:12,080 --> 01:03:13,800
Speaker 1: focused on her career and you have moved on to

1116
01:03:13,840 --> 01:03:16,520
Speaker 1: a whole new blue and then she was finally getting

1117
01:03:16,560 --> 01:03:19,240
Speaker 1: over you. But you have got engaged to somebody else,

1118
01:03:20,440 --> 01:03:22,000
Speaker 1: and then she you happened to go to the same

1119
01:03:22,040 --> 01:03:24,960
Speaker 1: resort where she was seeing that you took I'm you.

1120
01:03:25,520 --> 01:03:30,320
Speaker 1: The way that you analyze that character makes me makes

1121
01:03:30,400 --> 01:03:34,160
Speaker 1: me blow. Lets me know that I did a good job.

1122
01:03:34,280 --> 01:03:39,800
Speaker 1: I did a good job. And it's exactly what type

1123
01:03:39,800 --> 01:03:42,040
Speaker 1: of stuff is that? Oh, now you're trying to smash

1124
01:03:42,120 --> 01:03:46,720
Speaker 1: my bro Yeah? How that because you moved on, you

1125
01:03:46,760 --> 01:03:48,280
Speaker 1: were engaged, and then you tried to get her back.

1126
01:03:48,320 --> 01:03:50,600
Speaker 1: I gotta get Here's the thing though, Here's the thing though.

1127
01:03:53,200 --> 01:03:57,160
Speaker 1: Jason King is a character who was he was a

1128
01:03:57,240 --> 01:03:59,880
Speaker 1: boy trying to grow into a man. He hadn't got

1129
01:04:00,040 --> 01:04:03,280
Speaker 1: there yet, and by the end he had reached that

1130
01:04:03,400 --> 01:04:05,360
Speaker 1: manhood because he had to make a decision. He had

1131
01:04:05,400 --> 01:04:08,120
Speaker 1: to man up and choose what he wanted to do,

1132
01:04:08,560 --> 01:04:11,040
Speaker 1: and he chose the right. True he didn't, you know,

1133
01:04:11,200 --> 01:04:14,040
Speaker 1: he didn't go He didn't have to backstep. Why because

1134
01:04:14,080 --> 01:04:16,200
Speaker 1: if he was with that person. If they were supposed

1135
01:04:16,240 --> 01:04:18,400
Speaker 1: to be together, if she was the person that was

1136
01:04:18,440 --> 01:04:22,000
Speaker 1: supposed to fit in his in his uh in his

1137
01:04:22,200 --> 01:04:24,760
Speaker 1: perfect picture of a family, then they would have ended

1138
01:04:24,800 --> 01:04:29,920
Speaker 1: up together. That's that's our life. And I've been through

1139
01:04:29,960 --> 01:04:32,360
Speaker 1: that show. I know, I know how that feel. Truth

1140
01:04:32,400 --> 01:04:38,080
Speaker 1: story of my true story? Are you kidding? Many girls?

1141
01:04:42,160 --> 01:04:49,400
Speaker 1: I'm just oh, wasn't you know? I have? But you know,

1142
01:04:50,320 --> 01:04:53,840
Speaker 1: so that was a great movie. Is a comedy, guys,

1143
01:04:54,760 --> 01:04:59,760
Speaker 1: you said it really come come come wrong? The same

1144
01:04:59,840 --> 01:05:03,840
Speaker 1: thing that works you guys, you have so many different things. Okay,

1145
01:05:03,880 --> 01:05:05,840
Speaker 1: wait and you have another movie coming out. I do,

1146
01:05:06,120 --> 01:05:08,400
Speaker 1: I do? Uh well want to just dropped out of

1147
01:05:08,480 --> 01:05:13,320
Speaker 1: office with Leslie Jones, Kim John, Kim Kim Joan And

1148
01:05:13,440 --> 01:05:16,440
Speaker 1: he ain't in it, Kim Johan, He's in the movie.

1149
01:05:16,680 --> 01:05:19,960
Speaker 1: But what if Kim John, Lord Ha Mercy, how are

1150
01:05:19,960 --> 01:05:23,600
Speaker 1: you getting? I don't know. He wouldn't have had the audition.

1151
01:05:23,760 --> 01:05:25,320
Speaker 1: He just would have did it. He would have filmed,

1152
01:05:25,360 --> 01:05:28,520
Speaker 1: It would have came on set. No, no, it would

1153
01:05:28,520 --> 01:05:30,680
Speaker 1: have been a hologram. He would have been here. Could

1154
01:05:30,680 --> 01:05:35,080
Speaker 1: you imagine? No? I couldn't. I don't want to. Every

1155
01:05:35,120 --> 01:05:37,400
Speaker 1: time I had North Korea, I just started, just started.

1156
01:05:37,560 --> 01:05:40,919
Speaker 1: I started itching and started, I started feeling weird. It's

1157
01:05:41,440 --> 01:05:45,760
Speaker 1: the level of security and the level I don't you know,

1158
01:05:45,920 --> 01:05:50,120
Speaker 1: that's just I. Oh, they can't do anything like that.

1159
01:05:50,480 --> 01:05:53,480
Speaker 1: Somebody got in trouble for playing the music. Somebody got

1160
01:05:53,600 --> 01:05:57,080
Speaker 1: killed playing the music. Allowed to do anything, you're not okay.

1161
01:05:57,160 --> 01:05:59,760
Speaker 1: So there's no laughter either. But so he wasn't in it. No,

1162
01:05:59,840 --> 01:06:02,920
Speaker 1: he wasn't in it. But is it from isn't it

1163
01:06:03,080 --> 01:06:07,640
Speaker 1: from from you know the you know him hangover hangovers

1164
01:06:07,960 --> 01:06:11,520
Speaker 1: from from the series on ABC who played a doctor

1165
01:06:11,560 --> 01:06:16,240
Speaker 1: because Dr Kye he was. Yeah, and uh also now

1166
01:06:16,720 --> 01:06:18,920
Speaker 1: he's up there with Robin Thake and all of them

1167
01:06:18,960 --> 01:06:21,080
Speaker 1: on what is it? Uh, I can see it was,

1168
01:06:21,160 --> 01:06:23,000
Speaker 1: I can see your voice. I can see your voice.

1169
01:06:23,000 --> 01:06:25,040
Speaker 1: He does that show too, when he does the he

1170
01:06:25,120 --> 01:06:30,920
Speaker 1: does the other one doesn't like is that my manager

1171
01:06:31,040 --> 01:06:33,240
Speaker 1: is on. It's on its singer. We watched it all

1172
01:06:33,280 --> 01:06:37,360
Speaker 1: the time. Ahead, yeah you met the mass singer. I

1173
01:06:37,440 --> 01:06:39,560
Speaker 1: can see your voice, go on, I can see that's

1174
01:06:39,600 --> 01:06:42,080
Speaker 1: another show he does though it is but he holds

1175
01:06:42,120 --> 01:06:45,680
Speaker 1: that too. But yes, so he's in and it's it's funny. Uh.

1176
01:06:45,880 --> 01:06:49,280
Speaker 1: Milana van Shrub from The A T and C commercials.

1177
01:06:49,360 --> 01:06:52,080
Speaker 1: You know she's she's in it as well. And Chris,

1178
01:06:52,200 --> 01:06:56,080
Speaker 1: what's what's the story? Oh, it's about it's an office

1179
01:06:56,160 --> 01:07:02,240
Speaker 1: comedy about how zoom, how zoo. It's like what you

1180
01:07:02,440 --> 01:07:05,200
Speaker 1: get what I'm trying to say. It's a comedy about

1181
01:07:05,320 --> 01:07:09,000
Speaker 1: how remote, about how everybody's working remote now. So it's

1182
01:07:09,000 --> 01:07:11,800
Speaker 1: about it's about working remote and all the crazy things

1183
01:07:11,840 --> 01:07:15,440
Speaker 1: that are happening while people's people's screens are one and

1184
01:07:16,120 --> 01:07:18,680
Speaker 1: and you know it. But it goes further to like

1185
01:07:18,800 --> 01:07:22,040
Speaker 1: we finally get together and are in person and have

1186
01:07:22,200 --> 01:07:24,880
Speaker 1: this crazy party. But it's just about it's it's about

1187
01:07:24,960 --> 01:07:27,560
Speaker 1: the current state of working like at the office and

1188
01:07:27,640 --> 01:07:29,560
Speaker 1: how it goes now, you know. And it's with with

1189
01:07:29,680 --> 01:07:31,640
Speaker 1: twist and turns, so many twists. I feel like that

1190
01:07:32,240 --> 01:07:33,760
Speaker 1: it's so random when you have to go back to

1191
01:07:33,760 --> 01:07:36,200
Speaker 1: the office. Now we've ruined it for everybody. I think

1192
01:07:36,240 --> 01:07:38,120
Speaker 1: there's just no way we can just be in the

1193
01:07:38,240 --> 01:07:40,640
Speaker 1: office eight hours of that. Your family guy just opened

1194
01:07:40,720 --> 01:07:43,160
Speaker 1: up the offices again and they're like, yeah, we you

1195
01:07:43,240 --> 01:07:46,560
Speaker 1: know you can, but you know, we get it, you guys.

1196
01:07:46,680 --> 01:07:49,840
Speaker 1: I'm like, this is I kind of like working from home. Yeah,

1197
01:07:49,880 --> 01:07:55,760
Speaker 1: it feels good. Yeah, I don't have to wear pants. Yeah, yeah, pants. Yeah,

1198
01:07:56,080 --> 01:07:58,000
Speaker 1: sitting here in these silk draws. You don't even know

1199
01:07:58,080 --> 01:08:00,760
Speaker 1: what I got on. I'm just chilling. Every things comfortable,

1200
01:08:01,480 --> 01:08:03,800
Speaker 1: can you can you if you don't mind before I

1201
01:08:03,920 --> 01:08:06,000
Speaker 1: let you go, because you know I have I have

1202
01:08:06,520 --> 01:08:12,200
Speaker 1: Beyonce understands a professional crush on jay Z. So give

1203
01:08:12,240 --> 01:08:15,600
Speaker 1: me very professional because I think he's very successful. Yeah,

1204
01:08:15,640 --> 01:08:19,360
Speaker 1: of course. Um. You know, uh, you know, the thing

1205
01:08:19,400 --> 01:08:24,280
Speaker 1: about being successful basically is um uh, following up in

1206
01:08:24,520 --> 01:08:27,879
Speaker 1: consistency and to the end. You know the difference between

1207
01:08:28,160 --> 01:08:36,200
Speaker 1: um Galileo Aristotle, um me uh in somebody like you know,

1208
01:08:36,479 --> 01:08:41,720
Speaker 1: um uh Vanilla Ice would be uh, you know, the

1209
01:08:41,840 --> 01:08:44,720
Speaker 1: persistence and the consistency. You haven't heard of Vanilla Ice

1210
01:08:44,800 --> 01:08:47,720
Speaker 1: tracking years. But he tries to sell real estate. You know,

1211
01:08:48,400 --> 01:08:51,840
Speaker 1: You've heard consistency of me for years, and I sell

1212
01:08:51,880 --> 01:09:00,320
Speaker 1: real estate and my wife is yeah, yeah, that's yeah,

1213
01:09:00,400 --> 01:09:04,200
Speaker 1: she is stay away from her, you know. Um. And

1214
01:09:04,520 --> 01:09:07,360
Speaker 1: also you know now we have uh you know, three

1215
01:09:07,400 --> 01:09:12,840
Speaker 1: beautiful children, uh, two girls and a blue boy. So

1216
01:09:13,720 --> 01:09:16,720
Speaker 1: you know in some langes there too, what is she doing?

1217
01:09:17,240 --> 01:09:22,479
Speaker 1: Just standing looking looking and you know, plotting like this

1218
01:09:22,960 --> 01:09:29,479
Speaker 1: making sure you really scared. Yeah, I could not even imagine.

1219
01:09:29,520 --> 01:09:31,000
Speaker 1: Have you just of course you've done this for Jack?

1220
01:09:31,439 --> 01:09:36,120
Speaker 1: What is it? Jay Z calls me when he sees me,

1221
01:09:36,240 --> 01:09:42,960
Speaker 1: He goes, yo, what up? Fake jay Z? She was like,

1222
01:09:43,000 --> 01:09:48,360
Speaker 1: can I get a picture? No? No, come on, like

1223
01:09:48,520 --> 01:09:52,200
Speaker 1: you're here, you're here getting it. You know you don't

1224
01:09:52,200 --> 01:09:56,080
Speaker 1: need a picture. That's crazy. Yeah, you have when these

1225
01:09:56,160 --> 01:09:58,759
Speaker 1: people are blown away. And we talked about this, Jamie

1226
01:09:58,760 --> 01:10:02,920
Speaker 1: FOXX says you do far better impressions than him. There

1227
01:10:02,960 --> 01:10:07,959
Speaker 1: you go. He didn't say far better Jamie. In comparison,

1228
01:10:08,080 --> 01:10:11,280
Speaker 1: Jamie fox said, he said, hey, man, I can't mess

1229
01:10:11,360 --> 01:10:13,080
Speaker 1: it you when it comes to impression. He said, Man,

1230
01:10:13,520 --> 01:10:16,320
Speaker 1: you got some many motherfucker spot on him. He said,

1231
01:10:16,320 --> 01:10:19,599
Speaker 1: that's that's a talent. I mean you man, I don't

1232
01:10:19,600 --> 01:10:22,559
Speaker 1: want to do my pressons around you. Man. Didn't move

1233
01:10:22,600 --> 01:10:27,519
Speaker 1: forward like that too, that's not it moves. He just

1234
01:10:27,960 --> 01:10:31,920
Speaker 1: moves like this. You just he's like, uh, he's like Jello,

1235
01:10:32,160 --> 01:10:35,479
Speaker 1: I'm aware, I know what you know. He's like, She's

1236
01:10:35,520 --> 01:10:37,719
Speaker 1: like like conditioning when you poured it out the bottles,

1237
01:10:37,800 --> 01:10:42,240
Speaker 1: you know, it's really real slow. Yeah, I'm sorry. Jimmie

1238
01:10:42,240 --> 01:10:45,240
Speaker 1: Fox is like conditioner. He's like condition of babies, like

1239
01:10:48,160 --> 01:10:52,479
Speaker 1: yeah baby, yeah, okay, So you your impersion of Eddie

1240
01:10:52,520 --> 01:10:55,920
Speaker 1: Murphy for Eddie Murphy and he says, he doesn't you

1241
01:10:56,000 --> 01:10:59,080
Speaker 1: know it's crazy tho Eddie doesn't think it so funny.

1242
01:10:59,439 --> 01:11:02,920
Speaker 1: Eddiething said, I do the movie version of him like

1243
01:11:03,080 --> 01:11:05,400
Speaker 1: he thinks I do. Like he's explained it like this,

1244
01:11:05,560 --> 01:11:09,880
Speaker 1: he says. He says, yeah, Jay Farell was a good

1245
01:11:10,040 --> 01:11:12,360
Speaker 1: he does a good like Buddy Love. But you know,

1246
01:11:12,560 --> 01:11:15,600
Speaker 1: me just talking in regular conversation, I don't know if

1247
01:11:15,640 --> 01:11:18,680
Speaker 1: he can do that. I've never seen anybody captured me

1248
01:11:18,800 --> 01:11:22,760
Speaker 1: like that. Well that's because he didn't talk to nobody. Yeah,

1249
01:11:23,160 --> 01:11:26,120
Speaker 1: you know, it's really funny. I just did that sounds

1250
01:11:26,160 --> 01:11:28,040
Speaker 1: so funny because he doesn't talk to people, you know,

1251
01:11:28,560 --> 01:11:32,120
Speaker 1: you know, he's not connected that. So it was funny

1252
01:11:32,160 --> 01:11:35,000
Speaker 1: because I just did Eddie Murphy talking an interview the

1253
01:11:35,120 --> 01:11:38,360
Speaker 1: way he talks. I want to fight your hands, my hands.

1254
01:11:40,840 --> 01:11:43,479
Speaker 1: I mean, that's that's what it is. It's all about it.

1255
01:11:43,600 --> 01:11:48,840
Speaker 1: It's all about the fingers, the fingers in the fingers.

1256
01:11:50,840 --> 01:11:57,640
Speaker 1: It's like Chris Rock the fingers do you master the

1257
01:11:57,720 --> 01:12:02,000
Speaker 1: fingers hands first? But the hands are definitely a key

1258
01:12:02,080 --> 01:12:04,439
Speaker 1: point to the impression because it's exactly who they are.

1259
01:12:05,000 --> 01:12:07,800
Speaker 1: Chris Chris Rock. Spiners are so long and skinny. And

1260
01:12:08,160 --> 01:12:13,559
Speaker 1: you got the penguin fingers from the penguin from Batman. Okay,

1261
01:12:13,560 --> 01:12:17,559
Speaker 1: I like the penguin. Yeah, the ones, the male coming part,

1262
01:12:17,640 --> 01:12:20,240
Speaker 1: the dandy de Vito when he played he got he

1263
01:12:20,320 --> 01:12:24,560
Speaker 1: got the SpongeBob, Crappy Patty fingers. I don't even know

1264
01:12:24,600 --> 01:12:29,080
Speaker 1: who those people. Those are. Crappy pat got it. Yeah,

1265
01:12:29,120 --> 01:12:31,839
Speaker 1: you know, because he could. You know, I'm so impressed

1266
01:12:31,880 --> 01:12:34,640
Speaker 1: by you, nothing but kind. Thank you so much for

1267
01:12:34,720 --> 01:12:38,920
Speaker 1: coming by. Yeah, because you It's time to go home,

1268
01:12:40,360 --> 01:12:43,160
Speaker 1: all right, I mean I know you want. We can

1269
01:12:43,200 --> 01:12:44,920
Speaker 1: hang out all day and make funny people know, but

1270
01:12:45,120 --> 01:12:47,439
Speaker 1: you will get into good You said something else, but

1271
01:12:47,600 --> 01:12:49,840
Speaker 1: I say what I did? Why do you guy at

1272
01:12:49,840 --> 01:12:53,920
Speaker 1: your manager looking at checking face? No, I check the

1273
01:12:54,000 --> 01:12:56,479
Speaker 1: face to see if if if things are funny, if

1274
01:12:56,640 --> 01:12:59,240
Speaker 1: if it's enjoyable, Because if I look back in her

1275
01:12:59,280 --> 01:13:01,640
Speaker 1: face is one up. I'm like, well, this ain't going

1276
01:13:01,720 --> 01:13:04,360
Speaker 1: with h I think I think it really well. I

1277
01:13:04,439 --> 01:13:07,599
Speaker 1: think I'll tell you one more thing, give me one more.

1278
01:13:08,280 --> 01:13:13,880
Speaker 1: When I met Denser Washington, I met Denzer Washington at

1279
01:13:13,920 --> 01:13:18,519
Speaker 1: the A five Lifetime Achievement Awards ceremony for him. Um. Yeah,

1280
01:13:19,160 --> 01:13:22,639
Speaker 1: I see him at the after party and I walked

1281
01:13:22,720 --> 01:13:24,720
Speaker 1: up to him and said, hey man, Mr Washington, you

1282
01:13:24,800 --> 01:13:32,960
Speaker 1: know he goes, oh see that. Yeah, you owe me

1283
01:13:33,000 --> 01:13:38,360
Speaker 1: a lot of money. Bro, you know that right, I'm

1284
01:13:38,439 --> 01:13:41,040
Speaker 1: keeping you hot. You know that I'm keeping you hot.

1285
01:13:41,160 --> 01:13:45,519
Speaker 1: You know I am Joe Ain't no joke. He's hardcore.

1286
01:13:45,680 --> 01:13:49,120
Speaker 1: He's hard core, hard core Mary, intention as you are

1287
01:13:49,240 --> 01:13:51,160
Speaker 1: right now. I interviewed him once and I wanted to

1288
01:13:51,200 --> 01:13:53,040
Speaker 1: ask him about the Cowboys. He was like, no, you're

1289
01:13:53,080 --> 01:13:57,360
Speaker 1: not gonna don't you stay you ask the question. I

1290
01:13:57,439 --> 01:13:59,760
Speaker 1: didn't know what was. What's the thing that this saint

1291
01:14:00,000 --> 01:14:02,560
Speaker 1: the Cowboys are his team? The Cowboys team? Yeah, but

1292
01:14:02,600 --> 01:14:04,160
Speaker 1: I was asking him what if the Saints were in

1293
01:14:04,280 --> 01:14:09,600
Speaker 1: some played at the time that it wasn't sing very

1294
01:14:09,640 --> 01:14:13,360
Speaker 1: safe and then so he was like, cowboys on my team,

1295
01:14:13,400 --> 01:14:14,720
Speaker 1: but you can't. He was just giving me a really

1296
01:14:14,760 --> 01:14:18,200
Speaker 1: hard time. I was afraid. Yeah, it was very intimidating.

1297
01:14:18,280 --> 01:14:21,000
Speaker 1: He's very intimidating. Yeah, he's very intimidating. He's like, don't

1298
01:14:21,000 --> 01:14:23,320
Speaker 1: talk about the if it ain't about the Dallas Cowboys.

1299
01:14:23,360 --> 01:14:25,519
Speaker 1: I want to talk. He told you I'm keeping I'm

1300
01:14:25,640 --> 01:14:27,760
Speaker 1: keeping you hot, Neigue where he said I'm keeping you hot,

1301
01:14:27,880 --> 01:14:31,439
Speaker 1: Negue bro, that's what he said. Huh uh Is that true?

1302
01:14:31,600 --> 01:14:35,920
Speaker 1: Huh Okay, it might be. It might be, But you

1303
01:14:36,080 --> 01:14:39,559
Speaker 1: know I have other qualities as well. I got good

1304
01:14:39,600 --> 01:14:42,439
Speaker 1: qualities as well. And you know the qualities, the quality

1305
01:14:42,880 --> 01:14:49,519
Speaker 1: the same. You've seen your fingers. It's all about the thing. Yeah,

1306
01:14:51,840 --> 01:14:53,840
Speaker 1: that's right. I gotta do what I gotta watch. I

1307
01:14:53,880 --> 01:14:55,960
Speaker 1: gotta watch myself when I do this impression around my

1308
01:14:56,000 --> 01:15:00,200
Speaker 1: mom should be getting hot. Okay, I'm serious. You like

1309
01:15:00,320 --> 01:15:04,360
Speaker 1: this like that because it's so real that I'd be like,

1310
01:15:04,439 --> 01:15:12,320
Speaker 1: I'm still that's crazy. He has all the girlfriends, yeah,

1311
01:15:13,479 --> 01:15:18,000
Speaker 1: the catalog. Yeah, the ladies love them. Eight yeah, I

1312
01:15:18,080 --> 01:15:22,439
Speaker 1: mean maybe okay, eighteen eighty No, no, no, that's no,

1313
01:15:22,600 --> 01:15:29,559
Speaker 1: that's still two years. I try to date somebody early

1314
01:15:29,640 --> 01:15:34,560
Speaker 1: to early twenties, and let me tell you that he

1315
01:15:34,640 --> 01:15:38,120
Speaker 1: has not doing it again, had me doing her and

1316
01:15:38,160 --> 01:15:40,880
Speaker 1: all of that. Class. You know, there's a comedian this

1317
01:15:40,960 --> 01:15:42,519
Speaker 1: has nothing to do what we're talking about. There's this

1318
01:15:42,600 --> 01:15:45,920
Speaker 1: online Twitter comedian who was making fun of all these

1319
01:15:46,000 --> 01:15:48,280
Speaker 1: men dating young women, and they were like, don't do it,

1320
01:15:48,520 --> 01:15:50,519
Speaker 1: don't do it, don't don't go there. She's gonna have

1321
01:15:50,640 --> 01:15:53,040
Speaker 1: you wearing you know, her ma's belts. And you don't

1322
01:15:53,040 --> 01:15:54,840
Speaker 1: even know why, you know what I mean? Or you

1323
01:15:54,960 --> 01:15:56,200
Speaker 1: just be trying to be cool and you don't even

1324
01:15:56,240 --> 01:15:58,000
Speaker 1: know why you cool? Like what am I here for?

1325
01:15:58,200 --> 01:16:01,360
Speaker 1: So you're okay? So the device is it's like if

1326
01:16:01,360 --> 01:16:03,639
Speaker 1: you're not, it's like dating a baby bird. You feel

1327
01:16:04,479 --> 01:16:06,519
Speaker 1: you gotta you just gotta get you know, the mama

1328
01:16:06,560 --> 01:16:09,960
Speaker 1: bird who was getting baby birden food. They don't don't

1329
01:16:09,960 --> 01:16:15,800
Speaker 1: got no money. I got no money. They don't really

1330
01:16:15,800 --> 01:16:20,280
Speaker 1: got no goals. They make grammatical errors, like what's the

1331
01:16:20,360 --> 01:16:25,320
Speaker 1: problem we got no argument over the most minuscule thing.

1332
01:16:25,560 --> 01:16:28,439
Speaker 1: I was watching shark week. You're watching shark week. I

1333
01:16:28,560 --> 01:16:31,280
Speaker 1: was like, yo, you know it's crazy, babe that sharks

1334
01:16:31,320 --> 01:16:34,280
Speaker 1: don't have any bones. They just have cartlage. She goes cartlage.

1335
01:16:34,439 --> 01:16:36,880
Speaker 1: But we're just making up words now, humb bro. I

1336
01:16:36,960 --> 01:16:38,720
Speaker 1: said you know what you got? I said you got.

1337
01:16:39,360 --> 01:16:41,040
Speaker 1: I ain't dipping in gen z no more. It's the

1338
01:16:41,080 --> 01:16:43,640
Speaker 1: reason they call it gen z because z is the

1339
01:16:43,760 --> 01:16:46,040
Speaker 1: end of the alphabet. So because they the end of

1340
01:16:46,120 --> 01:16:52,120
Speaker 1: the world. That's why. That's right. I'm sorry. If there's anybody,

1341
01:16:52,439 --> 01:16:55,280
Speaker 1: if there's any gen Z people in here, I clearly Henry,

1342
01:16:55,439 --> 01:17:00,760
Speaker 1: I don't care you. Oh you were milinn you Yeah,

1343
01:17:01,280 --> 01:17:11,280
Speaker 1: millennials A dope, We're dope. How are you? Fuck? No,

1344
01:17:11,400 --> 01:17:14,800
Speaker 1: I'm just yeah you Hey? Are you gen Z? Are

1345
01:17:14,880 --> 01:17:19,640
Speaker 1: you jen Z? Yeah? You where they don't even know you,

1346
01:17:19,640 --> 01:17:22,479
Speaker 1: don't even know what you are? Look at He's like,

1347
01:17:22,640 --> 01:17:24,160
Speaker 1: I think I don't know who I am, but maybe

1348
01:17:24,200 --> 01:17:26,880
Speaker 1: who knows? I don't know. I'm not j Z. I'm

1349
01:17:26,920 --> 01:17:31,920
Speaker 1: the newest. I'm the newest millennial. Yeah, you're good though,

1350
01:17:32,320 --> 01:17:37,479
Speaker 1: you on it, I think, and you for you he

1351
01:17:37,600 --> 01:17:41,920
Speaker 1: smells of you for for I watch you too. I

1352
01:17:42,200 --> 01:17:45,360
Speaker 1: love it. It's my favorite. Just so many weeners, just

1353
01:17:46,360 --> 01:17:50,680
Speaker 1: so many, yeah, perhaps so many, thanks for having me.

1354
01:17:50,760 --> 01:17:53,240
Speaker 1: I hated the ending with that. So many weeners, but

1355
01:17:53,360 --> 01:17:56,720
Speaker 1: it's so many. It's don't don't put that out there. Yes,

1356
01:17:57,360 --> 01:17:59,840
Speaker 1: we should in that way. There's too many Francs, thank

1357
01:17:59,880 --> 01:18:02,240
Speaker 1: you go, we should in that way. Too many Franks,

1358
01:18:02,920 --> 01:18:09,439
Speaker 1: too many raw Franks naked. You're right, there's too many wingers. Yeah,

1359
01:18:09,520 --> 01:18:14,519
Speaker 1: stand by right, Okay, perfect? That was good. Can I

1360
01:18:14,560 --> 01:18:18,160
Speaker 1: say it again? No? You go a roll to tap,

1361
01:18:18,240 --> 01:18:23,200
Speaker 1: push you back, do it again? Thank you, Ja. I

1362
01:18:23,280 --> 01:18:25,479
Speaker 1: appreciate you all for listening and hanging in there and

1363
01:18:25,600 --> 01:18:28,640
Speaker 1: having my back and appreciating all of the guests that

1364
01:18:28,680 --> 01:18:30,960
Speaker 1: we've had. We've been really good this season, and I'm grateful.

1365
01:18:31,640 --> 01:18:34,599
Speaker 1: Jay's a joy. It's always nice to laugh until your

1366
01:18:34,680 --> 01:18:37,599
Speaker 1: cheeks are hurting. Check him out, support him, follow him

1367
01:18:37,640 --> 01:18:40,960
Speaker 1: on all the socials. He's not Essonel anymore, but you

1368
01:18:41,000 --> 01:18:43,080
Speaker 1: can find him still performing. You can find him in

1369
01:18:43,120 --> 01:18:46,479
Speaker 1: different movies. Resort to love, y'all watch that on Netflix.

1370
01:18:46,560 --> 01:18:48,240
Speaker 1: I like that. Real good. That was a good one.

1371
01:18:48,479 --> 01:18:52,200
Speaker 1: Real untie right now. Other than that, support him and

1372
01:18:52,439 --> 01:18:55,639
Speaker 1: his mission. I appreciate you all for listening. Next week,

1373
01:18:55,920 --> 01:19:00,240
Speaker 1: we're back with more on Naked O.