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Speaker 1: R and B Money. We are take volatility.

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Speaker 2: We are the authority on R and B ladies and

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Speaker 2: gentlemen money, Miss Tank and this is the R and

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Speaker 2: B Money Podcast, the authority on all things R and B.

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Speaker 2: The number one R and B podcast in the world.

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Speaker 1: Prayer. Some people don't like to hear that top flight

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Speaker 1: R and B ship in the world. I don't know,

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Speaker 1: it's not like we you know, what are they gonna

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Speaker 1: set us? We're inclusive, but we reason they you know,

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Speaker 1: they like to be like, I don't know nigga, you

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Speaker 1: know what? Don't they know who? I know who? Who

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Speaker 1: part is?

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Speaker 3: It?

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Speaker 2: Don't nobody won't this R and B smoke. We are

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Speaker 2: the smokest niggas in R and B. Having this conversation

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Speaker 2: with the likes of the list is long. Today's a

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Speaker 2: special day, mister Valentine. This is this is our close

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Speaker 2: out of our third season.

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Speaker 1: It's a lot of episodes, it's a lot of this

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Speaker 1: is one hundred and fifty.

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Speaker 2: Like like when I came to you at the studio

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Speaker 2: in Burbank, me and Ruben were like we should do

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Speaker 2: a pod and you were like, man, I'm not sitting

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Speaker 2: there talking to you for no motherfucker. You know, I'm

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Speaker 2: not talking to you for no hour, just sitting on

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Speaker 2: no couching you nigga.

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Speaker 1: I think because we had to also, we had to

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Speaker 1: figure out how to make it all makes sense, how

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Speaker 1: to make it all makes sense, and you know what

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Speaker 1: we wanted to talk about. And I think a big

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Speaker 1: part of that is people understanding from my standpoint of

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Speaker 1: it is and I think, I think for yours as well,

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Speaker 1: that it's more of a show about the journey all

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Speaker 1: things and entertainment all things and being successful, you know

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Speaker 1: what I mean. And I think at times, I you know,

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Speaker 1: I think I just didn't want to be pigeonholed. I

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Speaker 1: didn't want us. I didn't want us to be pigeonholed

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Speaker 1: as far as the only thing they thought of is that, oh,

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Speaker 1: if they're not having such and such R and B

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Speaker 1: singer on the show, you know, And to me, you know,

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Speaker 1: I thought that was I thought that was putting us

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Speaker 1: in a bit of a box because we've done so

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Speaker 1: much in entertainment period, and we have so many friends

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Speaker 1: in it, and I think that the world's all mesh

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Speaker 1: and they had to understand, and I hope they did

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Speaker 1: during this time is that it's always gonna be R

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Speaker 1: and because you want I R bly you know what

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Speaker 1: I mean, more more than anything. And yes, we're going

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Speaker 1: to stand on the fact that we want R and

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Speaker 1: B music mixed into all of these things, other than

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Speaker 1: it just being like Okay, well yeah, y'all should be

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Speaker 1: on here talking about drum patterns. And well, first, I'm

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Speaker 1: not a music nerd. You are. I'm not a music nerd.

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Speaker 1: I love music, but I don't really care what machine

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Speaker 1: a nigga used to make what it.

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Speaker 3: Shit.

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Speaker 1: Don't mean because it sound good, I don't care. Listen

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Speaker 1: if you big table and made it, I'm rolling if

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Speaker 1: it sounds good to my ears. So that that was

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Speaker 1: the That was I think my my biggest hesitation in

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Speaker 1: the beginning when we were talking about doing it, I'm like,

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Speaker 1: and the way you explained it to me was, Jay,

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Speaker 1: our company is called R and B money. We need

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Speaker 1: we got to call it R and B money. And

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Speaker 1: I was like, absolutely right, you know what I mean,

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Speaker 1: You're absolutely right, because you know, and I feel like

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Speaker 1: it gave us our niche amongst all the other things.

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Speaker 1: And we bring R and B with, you know, and

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Speaker 1: we insert it into the conversation absolutely, no matter who's

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Speaker 1: on our show. And I think that's that's been a

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Speaker 1: really cool and important part that everywhere we go it's

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Speaker 1: R and B money and it's R and B.

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Speaker 2: But that was the balance of it between you and I.

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Speaker 2: You know what I'm saying, Just that that alone, like

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Speaker 2: you don't care what machine or nigga using, right? You

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Speaker 2: know what I'm saying, I am questioning him down about

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Speaker 2: his doll and you know what I'm saying. And what

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Speaker 2: you stack that with? Do you want to layer that

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Speaker 2: with a you know what I'm saying, I'm going all

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Speaker 2: the way. So it's it was the balance because you're

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Speaker 2: very much You're very much into the the the the

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Speaker 2: the aesthetic, the final product and how it like, what

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Speaker 2: is what is it going to end up being?

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Speaker 3: Hear all that.

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Speaker 1: I still look at myself as a consumer. I've just

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Speaker 1: been a consumer who's been able to make a living

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Speaker 1: making music. But you're still a consumer.

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Speaker 3: But you're you're not.

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Speaker 1: I am absolutely I pay for my Spotify, for my

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Speaker 1: Apple Music, I got all of them, I got Amazon.

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Speaker 3: You're not consumer?

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Speaker 1: Why not if I buy it? I am consuming too

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Speaker 1: talented to be a consumer. It's like a nigga that

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Speaker 1: that made the league, that now buys tickets. You go

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Speaker 1: to the games because.

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Speaker 2: He's not in No more Jay, whether you like it

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Speaker 2: or not, you're behind the veil. You have too much

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Speaker 2: information to be a true consumer. You have too much

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Speaker 2: ability to be a true consumer. You analyze the game

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Speaker 2: completely differently. Now you know the metrics, you know the numbers,

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Speaker 2: you know how to read all of these things, right,

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Speaker 2: but you still come from a different place. Unfortunate.

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Speaker 1: Okay, no, no, not unfortunately.

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Speaker 3: Unfortunately.

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Speaker 1: I'm appreciative of it, but I just feel like, if

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Speaker 1: I buy it, I got an opinion.

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Speaker 2: Listen, you know what's cracking. I mean, that's what you.

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Speaker 2: We give you, We give you credit for that. You

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Speaker 2: know what's cracking, and I know it's not.

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Speaker 1: It's not always like that. I will say if something's

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Speaker 1: not cracking. I don't mind saying something's not cracking. And

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Speaker 1: I don't mind the conversation that comes from me speaking

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Speaker 1: my opinion because you can articulate. Because I can articulate

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Speaker 1: my opinion. Man, I believe that in this many years

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Speaker 1: of consuming there you go, ah consuming these things, my

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Speaker 1: opinion is an expert. At this point, I feel like

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Speaker 1: I have an expert opinion, you know what I mean.

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Speaker 1: So it's really funny when I see people, because you

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Speaker 1: know me, I see the people who say shit, and

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Speaker 1: then I go on the page and I'm like, oh,

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Speaker 1: you do music.

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Speaker 3: I've never heard any of.

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Speaker 1: It though, And you're arguing with me about being successful

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Speaker 1: in music, or you're arguing with whoever our guests are

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Speaker 1: arguing about whoever our guest is, and the advice that

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Speaker 1: they're giving these very successful people that are on these

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Speaker 1: show against talking against, like talking about insight first, super

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Speaker 1: legends fuck me, yeah, yeah, the super legend that's on

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Speaker 1: the show that gave his or her time to tell

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Speaker 1: you what they see in the game, what they feel

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Speaker 1: about the game, how they were able to win in

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Speaker 1: the game. And niggas that are still trying to figure

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Speaker 1: out how to get their first placement are having arguments

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Speaker 1: with people in the comments section and are actually even

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Speaker 1: combating you and I And I'm like, this is crazy

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Speaker 1: because the other part about us doing this is that

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Speaker 1: it's really cultural for us. This is not to change

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Speaker 1: our lives to become uber millionaires doing a show or podcast.

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Speaker 1: This is really a cultural play. That's why we have

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Speaker 1: who we have on the show. We are not looking at,

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Speaker 1: as you said, metrics, We're not looking at, Oh, this

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Speaker 1: person is going to do so much. Numbers are so many,

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Speaker 1: you know, so many views. We could care less, Like

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Speaker 1: we really are doing this so that the young kid

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Speaker 1: are the the older person who loves and does music

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Speaker 1: can see these interviews and maybe alter some of their

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Speaker 1: views or some of the ways that they're going about

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Speaker 1: about it, so that they can reach some levels of success.

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Speaker 1: Of the people that we're bringing on here, even if

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Speaker 1: they've never heard of these people. These people are tenured

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Speaker 1: in this business, like we don't just bring just anybody,

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Speaker 1: are tenured in this business and in other business, other businesses.

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Speaker 1: Making the NBA it it's only five it's five less

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Speaker 1: than our somewhere around five thousand people who've ever played

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Speaker 1: it ever ever, it's five thousand new songs that come

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Speaker 1: out every day. It's only five thousand. So someone coming

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Speaker 1: on here and telling their story, you got to be

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Speaker 1: respectful of that. If we got a movie star or

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Speaker 1: a TV star, our comedian that makes a living, like

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Speaker 1: most comedians don't make a living, you know what we

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Speaker 1: should do? What should we do?

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Speaker 2: We gotta figure out coming next season. We got to

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Speaker 2: figure out what the number is on how many people

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Speaker 2: have had a hit record?

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Speaker 1: Well, what that you know, that's a relative. That's a

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Speaker 1: relative question too.

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Speaker 3: No, no, no, I'm.

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Speaker 2: Talking about a chart topping, universally recognized hit record. Not no,

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Speaker 2: he got hits on his album. No no, not that,

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Speaker 2: not no oh this song introduced him or this song

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Speaker 2: got him in or no no, no, no, no life

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Speaker 2: changing chart topping record.

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Speaker 1: I think we should we should find that. I mean,

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Speaker 1: I'm sure the Googles.

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Speaker 2: Because as we say five thousand people, only around five

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Speaker 2: made the NBA. I want to know the number of

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Speaker 2: people who have actually written, perform, produced, sang a hit

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Speaker 2: song and what that number looks like and people and

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Speaker 2: then make people understand what kind of club they're trying

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Speaker 2: to get into.

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Speaker 3: Now.

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Speaker 1: I think I was I was reading somewhere or I

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Speaker 1: was listening to something, and someone was giving a breakdown

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Speaker 1: of the people who actually make a living doing music.

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Speaker 3: That's different too.

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Speaker 1: It's they were saying, it's less than five percent of

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Speaker 1: people who actually do music make living like a living

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Speaker 1: wage to just do music to just a music. Less

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Speaker 1: than five percent of the world like that actually make

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Speaker 1: enough money to to only do music kids. It's really tough.

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Speaker 1: And that's the part that I feel like we've tried

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Speaker 1: to help in being you know, niggas don't read as

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Speaker 1: much no more. We know that, so we've we're trying

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Speaker 1: to give them some form of a playbook to listen

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Speaker 1: to and watch. So I mean, I think that that'd

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Speaker 1: be my biggest thing. Man. You know, I'm not bothered

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Speaker 1: by the comments, but it just it just makes me

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Speaker 1: think to myself, like them, some people don't want to learn,

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Speaker 1: some people just want to talk ship and these are

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Speaker 1: these are actual because I'll be going, I listen, I'll

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Speaker 1: click on the page and then I'll listen to the

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Speaker 1: music and I'll see what's going on, and I'm like,

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Speaker 1: it ain't no way that you believe.

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Speaker 2: Because inventory is a motherfucker right, just listening as a motherfucker. Yeah,

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Speaker 2: just listening, like just like, okay, let me let me

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Speaker 2: hear it, and by me hearing it and listening to it,

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Speaker 2: let me let me actually see where I fall within

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Speaker 2: what I'm listening to, like from from from a work standpoint,

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Speaker 2: from the amount of work you're putting in, to a

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Speaker 2: sonic standpoint, to a release standpoint, to a marketing except

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Speaker 2: to whatever it is. Where do I fall within what

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Speaker 2: I'm listening to and how it's performed for them? Where

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Speaker 2: do I fall within it? And that's the honest conversation

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Speaker 2: that I don't know. I don't I don't know if

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Speaker 2: people don't want to have it or if they can't

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Speaker 2: have it, because what I also know is that all

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Speaker 2: levels aren't meant for everybody. Right, everybody can't understand stand

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Speaker 2: what we do. Yeah, and they can't understand always the intent.

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Speaker 3: They don't.

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Speaker 2: They can't, no matter, no matter like we can say,

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Speaker 2: we can have a help convention. Right, this is for help.

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Speaker 2: If you need to help anything you need help with,

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Speaker 2: that is why we're here to help you. Right, what

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Speaker 2: do you need? There's gonna be somebody at that convention.

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Speaker 2: It's gonna be like this, man, this goddamn help. Damn Nigga,

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Speaker 2: Why nigga, Why nigg got to help so much? Like Okay,

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Speaker 2: I got everybody in here helping. God, God, damn you

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Speaker 2: see all this shit. I ain't coming tomorrow. It's too

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Speaker 2: much motherfucker helping here.

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Speaker 1: Man.

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Speaker 3: It's just niggas just helping, helping and helping. Nigga.

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Speaker 2: God, it's it's always that group of whatever the I

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Speaker 2: don't know what that is. Yeah, it's the yang. Light

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Speaker 2: cannot exist without darkness and vice versa. Yeah, you know,

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Speaker 2: and so we try, but we still try. No, absolutely,

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Speaker 2: we still try to try it.

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Speaker 1: I mean, and for me, I love I love doing it.

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Speaker 1: I think it's it's it's actually a labor of love.

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Speaker 1: Like I love doing it. I love having the conversations because,

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Speaker 1: as they say, it's if you can help one, I

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Speaker 1: feel like we happen way more than one. Yep, you

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Speaker 1: know what I mean. I would like personally for the artists,

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Speaker 1: the musicians, the executives, I would like for people to

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Speaker 1: do more self auditing. When I first came to La Bro,

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Speaker 1: I had these ten songs and I said it before.

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Speaker 1: Once I sat in the studio and I saw what

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Speaker 1: was really going on, I was like, oh, I suck.

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Speaker 3: I suck. I'm weak.

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Speaker 1: I'm weak and I know I'm weak, And no, I'm

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Speaker 1: not going to take that meeting at you I'm publishing

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Speaker 1: that I was supposed to take with Michael mccorn And

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Speaker 1: I was like, I'm not gonna take that meeting because

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Speaker 1: I don't want him to think I'm weak. Because I

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Speaker 1: think I'm weak right now because I am. I am

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Speaker 1: comparing it to what I believe will be on the

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Speaker 1: radio tomorrow, and I just didn't feel like I was

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Speaker 1: at that level. And I think that the Internet has

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Speaker 1: made it where everybody just takes shots, and it's cool

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Speaker 1: to take these shots, but it's a really tough space

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Speaker 1: to put yourself in where if you're presenting yourself to

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Speaker 1: whatever artist it is or whatever executive it is, and

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Speaker 1: you're just you're you're spamming them with foolishness because you

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Speaker 1: haven't truly audited.

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Speaker 3: Okay, let me give you perspective. Okay, okay, please give

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Speaker 3: your perspective there. Let's let's talk auditors. Right.

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Speaker 2: You can get like maybe one of your friends went

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Speaker 2: to like an auditing school, you know what I'm saying,

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Speaker 2: a local auditing school to learn how to audit things right,

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Speaker 2: and he graduated in six months with whatever paper that

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Speaker 2: comes with that local auditing thing, and he's Nigga, you

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Speaker 2: need an audit I got you, baby. And then there's

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Speaker 2: the master auditor, who you know, went to Harvard and

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Speaker 2: if this is even a thing, I'm really just making

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Speaker 2: this up to have to get his auditing degree. Because

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Speaker 2: he didn't just need something to do. He genuinely had

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Speaker 2: an affinity for auditing, for problem solving, for digging, and

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Speaker 2: he had a gift for it, and he wanted to

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Speaker 2: see it all the way through. Okay, now I'm a

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Speaker 2: Now I'm a frame it and bring it all together.

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Speaker 2: Where someone has got the ox and played a track

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Speaker 2: that completely destroyed the room, and then somebody said can

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Speaker 2: I play something? And they grabbed the OX and play

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Speaker 2: something that is absolutely not on that level and you

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Speaker 2: can't tell them it.

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Speaker 3: Is not.

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Speaker 2: Their auditing system. Is that that local auditing school that

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Speaker 2: they went to. They just needed something to do, so

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Speaker 2: they don't have the gift of auditing. They're just they're

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Speaker 2: just trying to audit because they need a job. The

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Speaker 2: master auditor has a gift, and the gift that the

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Speaker 2: master uditor have, that regular auditor would never have. That

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Speaker 2: guy who played that track after that guy who just

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Speaker 2: smashed the room, he'll never have the master auditor gift, so.

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Speaker 1: He can't hear it. I don't believe that, Jay, I

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Speaker 1: don't believe that. I think some people are just crazy.

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Speaker 3: No, there's that too.

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Speaker 1: I think some people are crazy.

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Speaker 2: There's that too. But you have to. You have to

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Speaker 2: leave room for they can't hear it. They can't hear it,

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Speaker 2: they can't do it. They can't see it, they can't

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Speaker 2: smell it. They can't. It's not that they don't want to.

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Speaker 2: They think they are, which is why there are levels

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Speaker 2: to everything, like there's existence, like without the without the

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Speaker 2: people who have to sit out there, there's no way

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Speaker 2: we would be able.

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Speaker 3: To perform up here.

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Speaker 1: Agreed.

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Speaker 3: And a lot of those people are those same people.

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Speaker 1: That's the same thing that a nigga watching the NBA

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Speaker 1: that he goes in and cooks at the park. He

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Speaker 1: think he gonna run up on Kyrie Irving.

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Speaker 3: Thinking you thinking about the about the work.

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Speaker 2: I've been shooting the same thousand shots Steph Curry's been shooting.

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Speaker 3: I'm about to cook him same thousand shots. Don't had

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Speaker 3: a gift?

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Speaker 1: He allright, all.

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Speaker 3: Right, it's it's.

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Speaker 2: It's it's the grace that.

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Speaker 3: That we have to extend.

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Speaker 2: Because when I did my first solo, my first lead

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Speaker 2: in church, I thought I was killing You couldn't have

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Speaker 2: told me you can hear it. No, I could not

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Speaker 2: hear it. All I heard was me, that's crazy. I

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Speaker 2: couldn't hear it, and it took Auntie Betty got rest

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Speaker 2: her soul to say you was off baby, real off.

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Speaker 2: She ain't just stop it off s real off rap.

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Speaker 2: And I said, okay, I gotta figure out. I gotta

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Speaker 2: find it. Thank God for the gift, because then I

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Speaker 2: had to tap into Okay, so what is she hearing?

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Speaker 2: Then I'm not hearing anything? What Then I go? Then

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Speaker 2: I become a master auditor. Yeah, no, no, I gotta

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Speaker 2: I gotta clean this up. So you're saying that.

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Speaker 1: The bad rappers their girlfriends should stop lying to them.

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Speaker 2: Their girlfriends might not be lying to him. Listen, a

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Speaker 2: woman in love you, it's gonna buy all the way in.

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Speaker 3: I got my boyfriend's mixtape. You should check this out.

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Speaker 3: This should jumping nigga. He way better than Drake pick I.

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Speaker 1: Also also, yeah, that's crazy. I also feel like rap

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00:20:53,200 --> 00:20:57,359
Speaker 1: is different than R and B. Then rapping is different

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Speaker 1: than singing. I just feel like, you know, if you

341
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Speaker 1: can't sing, you don't Okay, I've seen we've seen them,

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Speaker 1: just I know.

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Speaker 3: But like.

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Speaker 1: Even the niggas that have had hit records that can't sing,

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Speaker 1: they still like, yeah, you know, hold on right, they

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Speaker 1: still keep it a bus.

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Speaker 2: I know we have this thing idemized right as to

348
00:21:25,240 --> 00:21:27,399
Speaker 2: go in certain order, but the way you're talking, we

349
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Speaker 2: have to go here, right, Jay, just look at the challenges.

350
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Speaker 2: Just just look at let's just start. This is really fun.

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Speaker 2: I'm glad you're doing them. Let's just let's just narrow

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Speaker 2: down to the recision. I just don't like that people

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Speaker 2: tag me.

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Speaker 1: Just leave me.

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Speaker 3: You're the authority.

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Speaker 1: Why would they tag you authority? I Am not going

357
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Speaker 1: to judge your challenges unless you keep bothering, which they've

358
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Speaker 1: been bothering me.

359
00:21:56,520 --> 00:22:02,880
Speaker 2: Jas must not have ears on your head to put

360
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Speaker 2: some of this shit out. Jay, A nigga hit me

361
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Speaker 2: and said, nigga, I sound dead on Chris Brown.

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Speaker 3: Check mine out. He didn't, he told me.

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Speaker 2: And if he was as good as the source as

364
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Speaker 2: mind you, we're not fucking with Chris Brown on this song.

365
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Speaker 2: I'm a singer's singer. Chris Brown did something so fucking

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Speaker 2: special to that song, unattainable. No one can catch him

367
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Speaker 2: on that, nobody. It's a rap. But for you to

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Speaker 2: say I'm on his ass.

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Speaker 1: And not not even gloves.

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Speaker 2: Not not even being the same universe, just because you

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Speaker 2: have the autotune in the right key, Lord, Lord Lord,

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Speaker 2: if that autotune would have been off, Lord Jesus. But

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Speaker 2: he believed that when he sent that to he actually

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Speaker 2: asked me to be a collaborator on it, not reposting

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Speaker 2: that Ruber understand this.

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Speaker 1: But they can't. They cannot hear that.

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Speaker 2: And I'm wise enough to know I have the master

378
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Speaker 2: auditing to know that I can do my part and

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Speaker 2: not sound crazy and at least give my thing to

380
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Speaker 2: what that challenge is. But I'm in no way gonna

381
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Speaker 2: ever step out there and say, Nigga, I'm dead on

382
00:23:54,840 --> 00:23:57,639
Speaker 2: Brown's ass with this, when you niggas better, I'm not,

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Speaker 2: I know no.

384
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Speaker 1: But here's the flip to that, right, if he doesn't

385
00:24:05,240 --> 00:24:08,520
Speaker 1: say that, maybe he don't even stick out amongst the

386
00:24:08,640 --> 00:24:11,640
Speaker 1: thousands that have sent that are sent in because that

387
00:24:11,720 --> 00:24:15,480
Speaker 1: type of statement makes you at least pay attention to it.

388
00:24:15,640 --> 00:24:19,159
Speaker 1: But here is the here is what happens with that

389
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Speaker 1: for me, And I think going back to why I

390
00:24:23,520 --> 00:24:26,119
Speaker 1: didn't take that meeting a long time ago when I

391
00:24:26,160 --> 00:24:28,160
Speaker 1: first had my little ten Songs and I was trying

392
00:24:28,200 --> 00:24:31,199
Speaker 1: to get a publishing deal, it's because I believed, in

393
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Speaker 1: first impression, I will see your name again and I'm

394
00:24:36,680 --> 00:24:41,520
Speaker 1: not ever clicking on again. A nigga only got one

395
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Speaker 1: time to really send me a bad batch of records.

396
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Speaker 1: I see you as a bad batch of records, and

397
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Speaker 1: this is niggas that I know. Personally, I'm like, you're

398
00:24:53,080 --> 00:24:54,520
Speaker 1: a bad batch of records. Do you.

399
00:25:00,160 --> 00:25:01,200
Speaker 3: When their name come up?

400
00:25:06,160 --> 00:25:13,160
Speaker 1: I can't, I can't confirm or deny that. But for me,

401
00:25:13,840 --> 00:25:16,560
Speaker 1: I am a person that believes in first impressions and

402
00:25:17,200 --> 00:25:20,119
Speaker 1: you should always put your best foot forward. And I

403
00:25:20,160 --> 00:25:22,640
Speaker 1: think the reason I even you know I had made

404
00:25:22,720 --> 00:25:27,240
Speaker 1: that that one post about the challenges was I just

405
00:25:27,320 --> 00:25:31,720
Speaker 1: looked at it as if people are giving you an opportunity,

406
00:25:31,760 --> 00:25:34,560
Speaker 1: because this is the challenge is on the opportunity, people

407
00:25:34,600 --> 00:25:38,639
Speaker 1: get noticed. People. Yeah, people get a real real chance,

408
00:25:38,960 --> 00:25:41,359
Speaker 1: you know, from from what you've what you've been doing,

409
00:25:42,119 --> 00:25:46,760
Speaker 1: and especially you also go above and beyond with reposting

410
00:25:46,840 --> 00:25:49,000
Speaker 1: and putting on your story, sometimes even putting on your

411
00:25:49,000 --> 00:25:53,280
Speaker 1: page and introducing artists that people may know, people may

412
00:25:53,440 --> 00:25:56,600
Speaker 1: may not know, may see somebody in a different light

413
00:25:56,640 --> 00:25:58,320
Speaker 1: because you put it on your page and you have

414
00:25:58,560 --> 00:26:01,679
Speaker 1: a really big platform. My thing is that if I

415
00:26:01,800 --> 00:26:06,359
Speaker 1: was in that position personally, I would not send it

416
00:26:06,440 --> 00:26:09,439
Speaker 1: until I felt like, this is the greatest thing that

417
00:26:09,560 --> 00:26:13,240
Speaker 1: I could possibly do, because when people see this, I

418
00:26:13,280 --> 00:26:16,320
Speaker 1: could really get an opportunity from this and this, this

419
00:26:16,359 --> 00:26:20,040
Speaker 1: could possibly change my life by somebody who not even

420
00:26:20,119 --> 00:26:23,840
Speaker 1: just send it you seeing it, somebody that's connected to you,

421
00:26:23,920 --> 00:26:26,600
Speaker 1: somebody that just happens to go on your page and

422
00:26:26,640 --> 00:26:28,680
Speaker 1: sees this person that could help them.

423
00:26:28,760 --> 00:26:31,320
Speaker 2: I've gotten many a calls about some of those posts

424
00:26:31,320 --> 00:26:33,760
Speaker 2: like this. You see that one where they.

425
00:26:33,640 --> 00:26:35,720
Speaker 1: Are somebody hit me and be like, bro, I didn't

426
00:26:35,720 --> 00:26:38,239
Speaker 1: even know such and such a thing like that, Are

427
00:26:38,280 --> 00:26:40,560
Speaker 1: this person cold and that person? And then some people

428
00:26:40,600 --> 00:26:45,359
Speaker 1: are like, yeah, man, that damn that nigga is what

429
00:26:46,000 --> 00:26:51,240
Speaker 1: and this is and this is not this is established artists. Yeah,

430
00:26:51,560 --> 00:26:55,480
Speaker 1: it's because that was not me taking a shot at

431
00:26:55,920 --> 00:26:59,840
Speaker 1: up and comers. That was me taking a shot everyone.

432
00:26:59,400 --> 00:27:02,879
Speaker 2: Who is not who knows that's foot foward, who knows better,

433
00:27:03,320 --> 00:27:06,200
Speaker 2: especially the ones who know better. Who knows knows better

434
00:27:06,240 --> 00:27:09,280
Speaker 2: and we've heard better from Yeah, and this is But

435
00:27:10,000 --> 00:27:12,440
Speaker 2: then that also goes to the challenge of the song

436
00:27:12,560 --> 00:27:13,080
Speaker 2: though too.

437
00:27:13,280 --> 00:27:16,040
Speaker 1: Yeah, it absolutely goes to the challenge of the song

438
00:27:16,080 --> 00:27:21,199
Speaker 1: because it's and this is different and just re singing

439
00:27:21,240 --> 00:27:24,879
Speaker 1: a hook challenge. You kind of you put a challenge

440
00:27:24,880 --> 00:27:29,000
Speaker 1: out there for someone to be a writer, a producer

441
00:27:30,160 --> 00:27:35,120
Speaker 1: and a singer. Yep, right, this is like can you

442
00:27:35,200 --> 00:27:38,919
Speaker 1: get because the levels are these and not not the

443
00:27:39,040 --> 00:27:42,640
Speaker 1: level of I'm talking about the actual audio levels. Yeah,

444
00:27:42,760 --> 00:27:45,840
Speaker 1: killing you gotta make ship.

445
00:27:47,240 --> 00:27:47,960
Speaker 3: Makes good.

446
00:27:48,040 --> 00:27:48,159
Speaker 1: Man.

447
00:27:48,240 --> 00:27:51,600
Speaker 2: Come on, man, there are YouTube tutorials.

448
00:27:51,000 --> 00:27:53,879
Speaker 1: Man down here or up here, and then Chris is

449
00:27:53,960 --> 00:27:57,760
Speaker 1: right here. It did overseeing him and do forty seven

450
00:27:57,760 --> 00:27:59,480
Speaker 1: thousand runs. Y'all know how I feel about all that

451
00:27:59,560 --> 00:28:00,000
Speaker 1: damn run.

452
00:28:00,040 --> 00:28:00,920
Speaker 3: You feel about the runs?

453
00:28:00,960 --> 00:28:03,000
Speaker 1: You know I feel about all that damn running. Man, this,

454
00:28:03,119 --> 00:28:06,920
Speaker 1: if you're gonna do all that running, give me some

455
00:28:10,320 --> 00:28:25,000
Speaker 1: because they accidentally vegan and I am not. But but yeah,

456
00:28:25,040 --> 00:28:27,720
Speaker 1: so that's that's my whole thing with the child is

457
00:28:27,280 --> 00:28:31,840
Speaker 1: it was funny because of course I got attacked, which

458
00:28:31,920 --> 00:28:32,840
Speaker 1: I thought it was hilarious.

459
00:28:33,800 --> 00:28:35,600
Speaker 3: But but you.

460
00:28:35,400 --> 00:28:38,120
Speaker 1: Somebody literally said, I don't even care if he blocked me. Well,

461
00:28:39,880 --> 00:28:43,240
Speaker 1: that defeats the purpose for you to listen if if

462
00:28:43,280 --> 00:28:50,000
Speaker 1: it hurts you, hit dog's house, hit dog's house. Come on, man,

463
00:28:50,120 --> 00:28:54,120
Speaker 1: just I just you know I've been there. I've been

464
00:28:54,160 --> 00:28:58,240
Speaker 1: the artist trying to get a record deal. Getting a

465
00:28:58,280 --> 00:29:02,080
Speaker 1: record deal, getting out of a record deal, putting out

466
00:29:02,080 --> 00:29:07,200
Speaker 1: independent records. I've listen, I've run the gamut of all

467
00:29:07,240 --> 00:29:10,160
Speaker 1: of it, and I figured out how to be successful

468
00:29:10,200 --> 00:29:14,440
Speaker 1: in music, right, So I feel like if i'm especially

469
00:29:14,720 --> 00:29:17,120
Speaker 1: and I've been to me, I've been more successful on

470
00:29:17,200 --> 00:29:20,680
Speaker 1: the executive and the writing side, so kind of know

471
00:29:20,720 --> 00:29:23,120
Speaker 1: some shit about how to put some things in place,

472
00:29:23,400 --> 00:29:27,360
Speaker 1: and I'm just giving that information, like and maybe I

473
00:29:27,400 --> 00:29:31,440
Speaker 1: will also, you know, I'm not I'm not a I'm

474
00:29:31,440 --> 00:29:33,920
Speaker 1: not going to write a full paragraph and maybe I

475
00:29:33,960 --> 00:29:38,479
Speaker 1: should sometimes because things can be taken so many different ways,

476
00:29:39,000 --> 00:29:41,280
Speaker 1: you know what I mean, Things can be taken Maybe

477
00:29:41,280 --> 00:29:43,760
Speaker 1: you should do a live behind your post. Maybe I should.

478
00:29:45,560 --> 00:29:46,360
Speaker 1: Maybe I should do a.

479
00:29:46,280 --> 00:29:48,520
Speaker 3: Live alive behind the post.

480
00:29:48,560 --> 00:29:51,160
Speaker 2: If you want to talk to me about should I said,

481
00:29:51,600 --> 00:29:53,240
Speaker 2: tune in, tune in them alive.

482
00:29:53,720 --> 00:29:54,880
Speaker 3: I might even tap you.

483
00:29:54,840 --> 00:29:59,000
Speaker 1: In and let you sing. And if you have but

484
00:29:59,120 --> 00:30:04,320
Speaker 1: now you can you all sing lee sing your challenge?

485
00:30:04,360 --> 00:30:04,560
Speaker 3: Yeah?

486
00:30:04,760 --> 00:30:09,560
Speaker 1: Yeah, so yeah, I think you know that that's all.

487
00:30:11,600 --> 00:30:14,440
Speaker 2: And that again for us is like as we dive

488
00:30:14,480 --> 00:30:16,640
Speaker 2: into that with these challenges and all these things, like

489
00:30:17,080 --> 00:30:20,520
Speaker 2: that is all why we do this, you know what

490
00:30:20,600 --> 00:30:25,080
Speaker 2: I mean too, to these journeys, these opportunities, all of

491
00:30:25,120 --> 00:30:28,960
Speaker 2: these things, these successes, the failures, all of these things

492
00:30:29,240 --> 00:30:33,280
Speaker 2: are wrapped into no matter who's sitting in that hot seat,

493
00:30:34,040 --> 00:30:36,400
Speaker 2: no matter what they do, no matter where they come from,

494
00:30:36,880 --> 00:30:41,840
Speaker 2: We're all trying to understand the parts that we can

495
00:30:41,880 --> 00:30:45,479
Speaker 2: extrapolate and apply to what it is that we do.

496
00:30:45,960 --> 00:30:47,880
Speaker 3: Working hard. I don't give a fuck what it is.

497
00:30:48,120 --> 00:30:49,720
Speaker 3: Working hard applies to everything.

498
00:30:49,880 --> 00:30:54,360
Speaker 1: Everything. I learned something on every episode. Yeah yeah, personally

499
00:30:54,400 --> 00:30:56,640
Speaker 1: with that, I learned something on every episode, no matter

500
00:30:56,680 --> 00:30:59,600
Speaker 1: who we bring on. Because everybody's path has been different.

501
00:31:00,800 --> 00:31:04,720
Speaker 1: We have certain things that are parallel and you know,

502
00:31:05,400 --> 00:31:07,880
Speaker 1: oh yeah that happened to me too. But for the

503
00:31:07,920 --> 00:31:11,840
Speaker 1: most part, everybody's experience is theirs, and I try to

504
00:31:12,040 --> 00:31:14,600
Speaker 1: I try to take from everybody's, even the ones that

505
00:31:15,240 --> 00:31:17,560
Speaker 1: you know. I'm not an agreeable person at all times,

506
00:31:17,560 --> 00:31:20,200
Speaker 1: So some things I may not agree with, but I'm like, Okay,

507
00:31:20,240 --> 00:31:20,720
Speaker 1: I get it.

508
00:31:21,400 --> 00:31:21,880
Speaker 3: I get it.

509
00:31:21,960 --> 00:31:23,560
Speaker 1: Maybe I wouldn't have done it that way, but I

510
00:31:23,600 --> 00:31:27,520
Speaker 1: get it and I respect it because some things worked

511
00:31:27,520 --> 00:31:30,320
Speaker 1: out for you, you know what I mean? And like

512
00:31:30,360 --> 00:31:33,800
Speaker 1: I said, I just take that as I hope that

513
00:31:33,840 --> 00:31:36,600
Speaker 1: the people that tune in and I believe that the

514
00:31:36,640 --> 00:31:39,160
Speaker 1: majority of people that tune into the show and tune

515
00:31:39,200 --> 00:31:42,280
Speaker 1: into the challenges and all these things really can take

516
00:31:42,360 --> 00:31:44,680
Speaker 1: something from it and really can grow from it. And

517
00:31:46,200 --> 00:31:48,000
Speaker 1: you know, every now and then, I just got jokes.

518
00:31:48,520 --> 00:31:50,880
Speaker 1: I'd be having jokes.

519
00:31:49,720 --> 00:31:53,280
Speaker 3: You just be hard jokes.

520
00:31:53,720 --> 00:31:58,880
Speaker 1: Well, yeah, I got a little more dark humor. My

521
00:31:58,960 --> 00:32:04,120
Speaker 1: humor is a little dark, spirally one. I'll be one

522
00:32:04,160 --> 00:32:04,480
Speaker 1: to help.

523
00:32:05,440 --> 00:32:11,440
Speaker 2: I mean, well, speaking of pods, let's let's let's let's

524
00:32:11,440 --> 00:32:12,800
Speaker 2: do a top five pod.

525
00:32:13,200 --> 00:32:14,560
Speaker 3: Let's the top five pod.

526
00:32:14,600 --> 00:32:15,000
Speaker 1: You're gonna do?

527
00:32:16,120 --> 00:32:19,960
Speaker 2: Yeah, you do five, I do five. We'll go, we'll

528
00:32:20,000 --> 00:32:22,320
Speaker 2: go one, one and one. We'll just go back and forth.

529
00:32:24,080 --> 00:32:26,160
Speaker 2: Give me your first one, in.

530
00:32:26,160 --> 00:32:30,800
Speaker 4: No particular, no particular order, in no particular order, babyface.

531
00:32:31,400 --> 00:32:39,000
Speaker 1: Mm hmmm, babyface. Because just his journey, bro him and him,

532
00:32:39,200 --> 00:32:44,680
Speaker 1: you know, literally writing his life, him writing his life,

533
00:32:44,840 --> 00:32:50,400
Speaker 1: him adapting too. I want to be an artist, and

534
00:32:50,600 --> 00:32:55,160
Speaker 1: I gotta figure out how to create the artist package

535
00:32:55,200 --> 00:32:59,000
Speaker 1: of myself and him just not just taking somebody, not

536
00:32:59,080 --> 00:33:01,920
Speaker 1: even just somebody l a read telling him, well, you

537
00:33:01,960 --> 00:33:03,880
Speaker 1: ain't there yet, you know what I mean? Obviously I

538
00:33:03,960 --> 00:33:05,640
Speaker 1: used the term breathe, but he just told me like,

539
00:33:05,680 --> 00:33:08,760
Speaker 1: you're not there. You're not an artist yet. And I

540
00:33:08,800 --> 00:33:11,040
Speaker 1: think in this day and age, somebody would have been like,

541
00:33:11,720 --> 00:33:12,320
Speaker 1: what you mean.

542
00:33:12,240 --> 00:33:12,840
Speaker 3: I'm not an artist?

543
00:33:13,280 --> 00:33:19,920
Speaker 1: But a Babyface said, oh self, Audity, I don't. I

544
00:33:19,920 --> 00:33:22,200
Speaker 1: don't look like that. And this is what and this

545
00:33:22,280 --> 00:33:23,560
Speaker 1: is where I want to be, and this is who

546
00:33:23,560 --> 00:33:26,000
Speaker 1: I want to be. So let me, let me go,

547
00:33:26,040 --> 00:33:28,040
Speaker 1: give me a trench coat, let me go. You know

548
00:33:28,120 --> 00:33:31,520
Speaker 1: I need you know what I'm saying, Like, I know

549
00:33:31,640 --> 00:33:34,040
Speaker 1: my songs good, I want to sing him. I don't

550
00:33:34,080 --> 00:33:36,680
Speaker 1: just want to give him away, you know what I'm saying.

551
00:33:36,800 --> 00:33:39,640
Speaker 1: So I think baby Faces episode was really important for me.

552
00:33:39,680 --> 00:33:42,200
Speaker 1: And you know, anybody that knows me knows that baby

553
00:33:42,240 --> 00:33:44,080
Speaker 1: Face is my favorite, you know what I mean. So

554
00:33:44,960 --> 00:33:46,680
Speaker 1: I think his episode was super important for me.

555
00:33:47,520 --> 00:33:51,920
Speaker 3: I'm gonna go with Jamie Fox's my first Yes.

556
00:33:52,240 --> 00:33:57,720
Speaker 1: Yes, yes for a few reasons. One, I mean, kick

557
00:33:57,840 --> 00:33:59,920
Speaker 1: us off, kick us off, shout out to fIF Man.

558
00:34:00,800 --> 00:34:05,040
Speaker 2: We went straight to the move like and then it

559
00:34:05,160 --> 00:34:09,240
Speaker 2: being a guy who was very instrumental and in getting

560
00:34:09,239 --> 00:34:11,880
Speaker 2: me to the place where I am and fighting for

561
00:34:11,960 --> 00:34:17,920
Speaker 2: me and giving me, you know, giving me refuge. You

562
00:34:17,960 --> 00:34:19,440
Speaker 2: know what I mean When I needed it, you know

563
00:34:19,480 --> 00:34:24,320
Speaker 2: what I'm saying, to have him be very instrumental and

564
00:34:24,320 --> 00:34:31,960
Speaker 2: in just kicking this thing off, this journey off for us.

565
00:34:30,040 --> 00:34:33,480
Speaker 1: Like he came and pulled up towards when we didn't

566
00:34:33,560 --> 00:34:38,040
Speaker 1: have nothing. We had nothing for concept Neil, we had nothing.

567
00:34:38,440 --> 00:34:40,359
Speaker 2: Jamie come to our pod, all right, I'm on the way.

568
00:34:42,080 --> 00:34:47,080
Speaker 2: That's awesome in a minute, And to do that, I

569
00:34:47,080 --> 00:34:50,200
Speaker 2: meant at the at the level like I mean, I

570
00:34:50,200 --> 00:34:51,799
Speaker 2: think it's me and you are the same, Like we're

571
00:34:51,840 --> 00:34:56,120
Speaker 2: not like we're not settled into like people who are

572
00:34:56,239 --> 00:34:58,839
Speaker 2: friends with us, people who are family with us, We're

573
00:34:58,840 --> 00:35:01,480
Speaker 2: not just settled into that. We respect who they are

574
00:35:01,520 --> 00:35:04,480
Speaker 2: and what they've accomplished. Also, we don't take that part

575
00:35:04,520 --> 00:35:11,279
Speaker 2: for granted. And Jamie Fox every award, oscar, every level

576
00:35:11,320 --> 00:35:14,920
Speaker 2: of entertainment at the highest height, like he's a list

577
00:35:15,640 --> 00:35:18,680
Speaker 2: to just say I'm on the way, like that was

578
00:35:18,760 --> 00:35:20,239
Speaker 2: just it couldn't be that.

579
00:35:21,160 --> 00:35:24,319
Speaker 3: Yeah. Another one for me would be.

580
00:35:26,920 --> 00:35:35,840
Speaker 1: I mean Chris Brown, Yeah, no, I mean Chris Brown

581
00:35:36,239 --> 00:35:40,040
Speaker 1: is I mean his episode was really important because I

582
00:35:40,160 --> 00:35:47,080
Speaker 1: felt like we created a safe space for him naturally,

583
00:35:47,400 --> 00:35:49,960
Speaker 1: not like we purposely were like, oh, we gotta know.

584
00:35:50,040 --> 00:35:53,239
Speaker 1: I just felt like, you know, because of our relationship

585
00:35:53,360 --> 00:35:56,719
Speaker 1: with him and knowing him for so long and our

586
00:35:56,760 --> 00:35:59,839
Speaker 1: love and respect that we all have for each other,

587
00:36:00,160 --> 00:36:03,080
Speaker 1: made it where people could see him in a different

588
00:36:03,120 --> 00:36:09,120
Speaker 1: space where he was more comfortable. And I just think

589
00:36:09,200 --> 00:36:13,960
Speaker 1: his story and what he's what he's done should be studied.

590
00:36:14,719 --> 00:36:17,080
Speaker 1: I think it should be studied. I've never seen and

591
00:36:17,480 --> 00:36:21,879
Speaker 1: I was telling somebody this, I've never seen anyone in

592
00:36:22,000 --> 00:36:29,000
Speaker 1: anything Rain for this long where they didn't have really

593
00:36:29,120 --> 00:36:38,720
Speaker 1: anybody battling them at that level. To me, like, there's.

594
00:36:38,440 --> 00:36:41,480
Speaker 3: No no one.

595
00:36:40,760 --> 00:36:43,040
Speaker 1: You know, I'm talking about during his reign, right, not

596
00:36:43,200 --> 00:36:45,200
Speaker 1: like when he first got there, and yeah, she did,

597
00:36:45,280 --> 00:36:47,320
Speaker 1: it took time, but I mean like his reign has

598
00:36:47,320 --> 00:36:54,200
Speaker 1: been a good fifteen years of Chris and everybody trying

599
00:36:54,200 --> 00:36:56,560
Speaker 1: to figure out how to compete with Chris more so

600
00:36:56,680 --> 00:36:59,640
Speaker 1: than it's like, and I'm talking about from a record

601
00:36:59,680 --> 00:37:04,320
Speaker 1: since where can you know when we thought about the

602
00:37:05,320 --> 00:37:08,040
Speaker 1: people mentioned the verses and all those types of things,

603
00:37:09,440 --> 00:37:11,840
Speaker 1: Niggas was gonna have to pull back from a long

604
00:37:11,920 --> 00:37:16,719
Speaker 1: time ago before him, before him, not during his time, right,

605
00:37:16,800 --> 00:37:23,000
Speaker 1: So I mean, ship even Michael Jordan had Dominique Wilkins,

606
00:37:23,760 --> 00:37:25,239
Speaker 1: did you know what I mean, but.

607
00:37:25,760 --> 00:37:28,279
Speaker 3: You think Dominique won that one dunk contest?

608
00:37:28,760 --> 00:37:32,319
Speaker 1: He beat him in one dunk contest. That's about it, right,

609
00:37:33,080 --> 00:37:37,200
Speaker 1: But I don't, I don't really in Chris's I had

610
00:37:37,280 --> 00:37:41,400
Speaker 1: there's nothing, hasn't lost contest. He definitely ain't lost. No serious,

611
00:37:43,200 --> 00:37:45,080
Speaker 1: it's just a it's just a really it's just a

612
00:37:46,080 --> 00:37:51,120
Speaker 1: really tough space for everyone because his output as well,

613
00:37:52,080 --> 00:37:54,360
Speaker 1: you know what I mean, the quality of his output.

614
00:37:54,440 --> 00:37:57,080
Speaker 1: And like I said, I think for me, his episode

615
00:37:57,200 --> 00:38:00,719
Speaker 1: was really important because knowing him for so long and

616
00:38:00,840 --> 00:38:04,080
Speaker 1: also seeing him and interviewing him as a grown man. Yeah,

617
00:38:04,480 --> 00:38:06,759
Speaker 1: knowing him as a fourteen fifteen year old and then

618
00:38:06,880 --> 00:38:10,440
Speaker 1: interviewing him in his thirties was like, wow, you know,

619
00:38:10,800 --> 00:38:16,480
Speaker 1: this is real growth and I'm just proud to see

620
00:38:16,520 --> 00:38:18,880
Speaker 1: it and to talk to him about the accomplishment. So

621
00:38:19,000 --> 00:38:21,160
Speaker 1: his his episode was really special to me.

622
00:38:22,360 --> 00:38:26,440
Speaker 3: I'm gonna go Mitchell Jones and Carl Read.

623
00:38:26,480 --> 00:38:32,160
Speaker 1: Aah yeah yeah yeah, and bringing.

624
00:38:31,920 --> 00:38:37,040
Speaker 2: Parks with him, bringing parks with him like my childhood heroes,

625
00:38:37,960 --> 00:38:42,680
Speaker 2: Like there was John p Key, Reverend John p Key,

626
00:38:43,640 --> 00:38:49,279
Speaker 2: and there was Commission m hm, and that is that

627
00:38:49,560 --> 00:38:54,760
Speaker 2: that is where I forged. Yeah, my my everything Mitchell

628
00:38:54,840 --> 00:38:59,480
Speaker 2: Jones was the man I wanted to be. Yeah, I

629
00:38:59,600 --> 00:39:04,520
Speaker 2: want to sing just like Mitchell Jones. Like when we

630
00:39:04,880 --> 00:39:06,879
Speaker 2: the groups I was in, we would fight to see

631
00:39:06,920 --> 00:39:09,200
Speaker 2: who would be Mitch. I'm Mitch. You know, I'm Mitch.

632
00:39:09,320 --> 00:39:12,560
Speaker 2: Like I'm Mitch. I do everything miss does like come on, man,

633
00:39:12,960 --> 00:39:15,239
Speaker 2: like let me be mischiev that Like it was that

634
00:39:16,360 --> 00:39:18,719
Speaker 2: and like I cried during that episode. I don't think

635
00:39:18,760 --> 00:39:24,879
Speaker 2: people knew that I did. You did a great job

636
00:39:25,000 --> 00:39:31,200
Speaker 2: of talking a lot to keep I was. I was cooked,

637
00:39:32,040 --> 00:39:32,239
Speaker 2: I was.

638
00:39:32,719 --> 00:39:36,399
Speaker 3: I was just overwhelmed. I was like, man, these guys

639
00:39:36,440 --> 00:39:40,680
Speaker 3: are I'm talking to these guys. I have a platform

640
00:39:40,719 --> 00:39:43,719
Speaker 3: and I'm getting to just have this conversation with some guys.

641
00:39:43,800 --> 00:39:47,200
Speaker 3: I never ever thought as a kid that I would

642
00:39:47,360 --> 00:39:52,000
Speaker 3: be in a room with not that capacity. I thought

643
00:39:52,080 --> 00:39:54,839
Speaker 3: take considered concerts. You know what I'm saying. I've gone

644
00:39:54,840 --> 00:39:57,359
Speaker 3: and seen them on stage. I've walked past them at

645
00:39:57,440 --> 00:40:01,160
Speaker 3: like big gospel conventions like that, the commission cook that,

646
00:40:01,840 --> 00:40:06,000
Speaker 3: and now I'm sitting down chopping it with him, you

647
00:40:06,040 --> 00:40:08,719
Speaker 3: know what I'm saying. And Mitchell like, man, you you're

648
00:40:08,760 --> 00:40:11,719
Speaker 3: an assassin. Bro. You nice with it, right, I'm nice

649
00:40:11,760 --> 00:40:12,040
Speaker 3: with it.

650
00:40:15,600 --> 00:40:20,560
Speaker 1: You mean that he was really crying. I was cooked

651
00:40:20,680 --> 00:40:27,279
Speaker 1: her Thomas commission bro. And you know, people can be

652
00:40:27,360 --> 00:40:30,880
Speaker 1: like you count too many, But I want to merge

653
00:40:33,000 --> 00:40:37,239
Speaker 1: because I have so much respect for all four of

654
00:40:37,360 --> 00:40:46,320
Speaker 1: these guys, Her Lily, James Fauntleroy, John T. Austin, and

655
00:40:46,440 --> 00:40:47,160
Speaker 1: Sean Garrett.

656
00:40:47,440 --> 00:40:47,839
Speaker 3: You're sick.

657
00:40:48,000 --> 00:40:50,319
Speaker 1: You can't do that, I know, but it's our show

658
00:40:50,880 --> 00:40:55,680
Speaker 1: and I gotta like, I gotta take this moment. I

659
00:40:55,800 --> 00:41:02,319
Speaker 1: gotta take this moment because they were so much inspiration

660
00:41:02,600 --> 00:41:04,040
Speaker 1: for me, and I don't even know if I've ever

661
00:41:04,200 --> 00:41:07,239
Speaker 1: really told them that, you know, obviously when they were

662
00:41:07,280 --> 00:41:08,719
Speaker 1: on the show, I'm telling them how much, you know,

663
00:41:08,800 --> 00:41:13,680
Speaker 1: I love and respect and appreciated how much they did

664
00:41:13,800 --> 00:41:16,560
Speaker 1: for music and did for me and just watching them work.

665
00:41:16,680 --> 00:41:19,160
Speaker 1: But the fact that I got a chance or that

666
00:41:19,320 --> 00:41:23,920
Speaker 1: even and that we got a chance to really highlight

667
00:41:25,200 --> 00:41:30,320
Speaker 1: the soundtracks to everybody's lives of the last twenty twenty

668
00:41:30,440 --> 00:41:35,200
Speaker 1: five years, because between those four guys, as a songwriter,

669
00:41:36,080 --> 00:41:41,960
Speaker 1: everything like people don't understand each one of their runs,

670
00:41:43,040 --> 00:41:47,239
Speaker 1: and I feel like there's such unsung heroes and this

671
00:41:47,440 --> 00:41:49,879
Speaker 1: whole thing of music, not just R and B music,

672
00:41:49,920 --> 00:41:55,800
Speaker 1: but just in music. In general, because it's highlighted amongst

673
00:41:55,840 --> 00:41:59,600
Speaker 1: the purists and the people who know music. But it's

674
00:41:59,680 --> 00:42:05,239
Speaker 1: not like they're getting the adoration and that type of

675
00:42:06,680 --> 00:42:09,480
Speaker 1: respect just in the streets, because most people don't even know,

676
00:42:10,200 --> 00:42:11,839
Speaker 1: you know what I mean? Like I meant that when

677
00:42:11,880 --> 00:42:14,239
Speaker 1: I said, like Harold Lily was my neighbor for ten

678
00:42:14,400 --> 00:42:19,759
Speaker 1: years and just walking around cooking up, had never done

679
00:42:19,760 --> 00:42:21,719
Speaker 1: an interview, had never done you know what I'm saying,

680
00:42:21,800 --> 00:42:25,080
Speaker 1: And you don't know my name? And can I take

681
00:42:25,120 --> 00:42:28,480
Speaker 1: you out tonight and brave my hair and predictable, you

682
00:42:28,520 --> 00:42:33,240
Speaker 1: know what I'm saying. Because Harold he really never jumped

683
00:42:33,280 --> 00:42:35,319
Speaker 1: out because he wasn't trying. You know, he never even

684
00:42:35,360 --> 00:42:39,759
Speaker 1: attempted his artistry really from that standpoint, so you really

685
00:42:39,840 --> 00:42:42,320
Speaker 1: never saw him, you know what I'm saying, Like you

686
00:42:43,000 --> 00:42:45,120
Speaker 1: or heard his name, You would hear James, You would

687
00:42:45,120 --> 00:42:48,480
Speaker 1: hear John Say, you would hear Sean because they were

688
00:42:48,560 --> 00:42:54,200
Speaker 1: also artists, right. But those four those episodes are really

689
00:42:54,360 --> 00:42:57,880
Speaker 1: important for me to be able to give that platform

690
00:42:59,040 --> 00:43:02,400
Speaker 1: to guys that I have so much love and respect for.

691
00:43:02,800 --> 00:43:05,160
Speaker 1: And like I said that, I even though we're all

692
00:43:05,200 --> 00:43:07,200
Speaker 1: around the same age, I look up to those guys's

693
00:43:07,280 --> 00:43:10,279
Speaker 1: from their accomplishments and the things that they've done. So

694
00:43:11,200 --> 00:43:14,399
Speaker 1: I know I cheated, I get it, but those four

695
00:43:15,520 --> 00:43:25,000
Speaker 1: twelve year but we do that to everybody else. Casey Ah,

696
00:43:27,320 --> 00:43:28,960
Speaker 1: we got to sing harmony with Casey.

697
00:43:29,160 --> 00:43:31,360
Speaker 3: We sang harmony. We sang harmony.

698
00:43:31,880 --> 00:43:35,400
Speaker 2: Do you believe in love and the promise that it gets?

699
00:43:35,719 --> 00:43:38,799
Speaker 2: I want to love you for life because your love.

700
00:43:39,719 --> 00:43:40,680
Speaker 3: We sang that.

701
00:43:43,320 --> 00:43:50,400
Speaker 2: Mister ooh yeah, yeah himself, you understand. Okay, that's a

702
00:43:50,560 --> 00:43:56,120
Speaker 2: that's a legendary moment. As we said, commissioned and John

703
00:43:56,200 --> 00:44:01,680
Speaker 2: p Key, I now introduce you to to me falling

704
00:44:01,760 --> 00:44:07,520
Speaker 2: in love with R and B music in two places

705
00:44:08,480 --> 00:44:16,040
Speaker 2: where it starts with Jodasy and R Kelly. When I

706
00:44:16,160 --> 00:44:20,160
Speaker 2: used to go to different churches and sing basically like

707
00:44:20,239 --> 00:44:22,400
Speaker 2: you sound like a gospel Jodasy.

708
00:44:23,680 --> 00:44:26,000
Speaker 1: Because I was, And that was the biggest compliment you

709
00:44:26,040 --> 00:44:29,120
Speaker 1: could possibly Yeah. You couldn't tell me nothing. You couldn't

710
00:44:29,120 --> 00:44:32,080
Speaker 1: tell me nothing out there. Yeah, yeah, is that what

711
00:44:32,200 --> 00:44:34,719
Speaker 1: you heard? You heard that because that's what she's going for. Yeah,

712
00:44:34,719 --> 00:44:40,040
Speaker 1: I'm glad you heard that. Casey sitting right there. Yeah,

713
00:44:40,520 --> 00:44:43,839
Speaker 1: so you having my baby and it means so much

714
00:44:43,920 --> 00:44:47,759
Speaker 1: to me There's nothing more precious than the raise of

715
00:44:47,920 --> 00:44:52,239
Speaker 1: family to sing to.

716
00:44:52,320 --> 00:44:55,080
Speaker 2: The first time I ever saw him was with Little

717
00:44:55,120 --> 00:44:59,000
Speaker 2: Cedric and the Haley Singers at a church in Wisconsin,

718
00:45:00,040 --> 00:45:02,560
Speaker 2: running down the middle aisle, singing court that music, singing

719
00:45:02,600 --> 00:45:09,080
Speaker 2: the face off, singing that liquor, Yeah, game j J.

720
00:45:10,320 --> 00:45:13,600
Speaker 1: Another one for me, obviously would be and A. People

721
00:45:13,640 --> 00:45:19,040
Speaker 1: that know me, if his babyface is is La, it's

722
00:45:19,120 --> 00:45:23,439
Speaker 1: the face for me is being able to have both

723
00:45:23,480 --> 00:45:28,839
Speaker 1: of them and give both of them their episodes. La

724
00:45:29,000 --> 00:45:32,800
Speaker 1: read Bro. It's just he's a wealth of knowledge. He

725
00:45:34,840 --> 00:45:40,480
Speaker 1: understands and loves R and B music, you know what

726
00:45:40,520 --> 00:45:43,200
Speaker 1: I mean, even though he's done multiple genres of music,

727
00:45:43,280 --> 00:45:44,960
Speaker 1: which he came on here and talked his talk and

728
00:45:45,160 --> 00:45:47,839
Speaker 1: shit about the things that he signed and the things

729
00:45:47,880 --> 00:45:52,200
Speaker 1: that he's you know, helped become these artists and these

730
00:45:52,480 --> 00:45:56,080
Speaker 1: you know, become superstars. He is R and B music,

731
00:45:56,600 --> 00:45:58,560
Speaker 1: like La and Babyface are R and B music, just

732
00:45:58,640 --> 00:46:01,120
Speaker 1: like you know Jimmy and Terror R and B music, right,

733
00:46:01,440 --> 00:46:09,000
Speaker 1: And but I think having having those business conversations were

734
00:46:09,160 --> 00:46:12,760
Speaker 1: really cool because I think those are the two sides

735
00:46:12,800 --> 00:46:16,480
Speaker 1: of me. Right. As much as I love as much

736
00:46:16,480 --> 00:46:18,440
Speaker 1: as I love music, and as much as I you know,

737
00:46:19,400 --> 00:46:23,480
Speaker 1: I love the art of music, I love the business.

738
00:46:24,080 --> 00:46:28,880
Speaker 1: I really do like figuring out ways to make the

739
00:46:29,040 --> 00:46:32,400
Speaker 1: business make sense for myself and for other people. So

740
00:46:33,080 --> 00:46:35,640
Speaker 1: to talk to somebody like like an La read and

741
00:46:35,760 --> 00:46:38,920
Speaker 1: for him to give his take on all of it, man,

742
00:46:39,000 --> 00:46:42,160
Speaker 1: that was mind blowing. And it took it. It took

743
00:46:42,200 --> 00:46:44,480
Speaker 1: a minute to get him to, you know, to pull up,

744
00:46:44,840 --> 00:46:52,200
Speaker 1: because you know, I think people at that level, they

745
00:46:52,480 --> 00:46:54,719
Speaker 1: they already know some of the gripes that we talked

746
00:46:54,719 --> 00:46:58,200
Speaker 1: about earlier. They know that it'll be judged in some

747
00:46:58,440 --> 00:47:00,120
Speaker 1: a certain way. They know that it'll be you know

748
00:47:00,160 --> 00:47:02,319
Speaker 1: what I mean. So they're like, why would I even

749
00:47:04,280 --> 00:47:07,239
Speaker 1: And I once again, I just I love that we've

750
00:47:07,360 --> 00:47:12,200
Speaker 1: created this safe place for people that are in this

751
00:47:12,400 --> 00:47:15,080
Speaker 1: industry and have done with what they've done in the

752
00:47:15,160 --> 00:47:17,840
Speaker 1: game to say, you know what, I'm willing to go

753
00:47:17,920 --> 00:47:20,560
Speaker 1: sit with them. I want to talk to those guys

754
00:47:21,480 --> 00:47:24,720
Speaker 1: because it'll be different, It'll be different, It'll be different.

755
00:47:24,760 --> 00:47:27,800
Speaker 1: So you know, I really loved his episode favorite.

756
00:47:28,200 --> 00:47:29,000
Speaker 3: I love I love it.

757
00:47:29,280 --> 00:47:46,360
Speaker 2: I love it. Yeah, I'm gonna go Smokey Robinson, Smokey

758
00:47:46,480 --> 00:47:53,080
Speaker 2: Robinson for me. Yeah, Yeah, I've been screaming the authority

759
00:47:53,160 --> 00:47:57,680
Speaker 2: of R and B since we started this right and

760
00:47:57,920 --> 00:48:04,000
Speaker 2: for a long motherfucking when Smokey Robinson walked in the door.

761
00:48:05,680 --> 00:48:11,120
Speaker 2: The authority of R and B music set in that

762
00:48:11,400 --> 00:48:19,000
Speaker 2: motherfucking chair. He's the authority on all things R and B.

763
00:48:22,239 --> 00:48:28,600
Speaker 2: You can't tell me nothing else. When I scream, we

764
00:48:28,800 --> 00:48:32,480
Speaker 2: are the authority on R and B music, we had

765
00:48:32,640 --> 00:48:38,200
Speaker 2: Smokey Robinson sitting right there. He signed, he signed the

766
00:48:38,280 --> 00:48:41,839
Speaker 2: record in the front, and we're gonna pull up on him.

767
00:48:42,800 --> 00:48:45,440
Speaker 2: We've been giving clearance to pull up on him and

768
00:48:45,560 --> 00:48:51,000
Speaker 2: sit down with him and talk nuance on how to

769
00:48:51,160 --> 00:48:58,480
Speaker 2: build an empire from R and B motherfucking music. Yeah,

770
00:48:59,440 --> 00:48:59,799
Speaker 2: for sure.

771
00:49:01,160 --> 00:49:02,399
Speaker 3: I you can't.

772
00:49:02,440 --> 00:49:05,680
Speaker 2: You can't tell me nothing. You can't tell me nothing. Listen, listen,

773
00:49:06,040 --> 00:49:08,839
Speaker 2: I gotta you know there's let me write this down.

774
00:49:08,840 --> 00:49:11,399
Speaker 2: There's a couple of people that you know, I want

775
00:49:11,480 --> 00:49:13,759
Speaker 2: to get who we're looking forward to having the pot

776
00:49:13,840 --> 00:49:18,919
Speaker 2: to me write this down real quick. It's almost said

777
00:49:18,960 --> 00:49:20,759
Speaker 2: the name almost jumped the gun, and I don't want

778
00:49:20,760 --> 00:49:21,439
Speaker 2: to jump the gun.

779
00:49:22,400 --> 00:49:24,200
Speaker 3: Save my guns, all right.

780
00:49:27,480 --> 00:49:32,360
Speaker 1: Uh, well, that's only four from you and four for me,

781
00:49:32,640 --> 00:49:34,239
Speaker 1: all right, it's fourteen for me.

782
00:49:34,440 --> 00:49:37,840
Speaker 2: But let's yeah, you're like, you're eighty seven, so you

783
00:49:37,920 --> 00:49:46,440
Speaker 2: got one more? Oh favorite, my favorite, just you know

784
00:49:47,320 --> 00:49:53,800
Speaker 2: right now, one of my one of my tops. Okay, Michelle,

785
00:49:55,040 --> 00:50:00,600
Speaker 2: that was That was a incredible episode. Michelle bro incredible.

786
00:50:01,320 --> 00:50:10,279
Speaker 1: Came and share her story, her drive, everything that she

787
00:50:10,600 --> 00:50:13,600
Speaker 1: went through to get to the place that she's at,

788
00:50:17,000 --> 00:50:19,799
Speaker 1: just because I didn't know it, you know what I mean,

789
00:50:19,800 --> 00:50:21,520
Speaker 1: Because that's the other thing about me, I you know,

790
00:50:21,600 --> 00:50:23,759
Speaker 1: and you know, some people may look at this like, oh,

791
00:50:24,440 --> 00:50:26,960
Speaker 1: you should do more research on us. I do do research,

792
00:50:27,080 --> 00:50:30,640
Speaker 1: but I don't really like to watch other interviews before

793
00:50:30,719 --> 00:50:34,800
Speaker 1: we interview people. I'd rather, you know what I mean, Like,

794
00:50:35,160 --> 00:50:38,439
Speaker 1: I'd rather have just real conversation than to be looking

795
00:50:38,480 --> 00:50:41,520
Speaker 1: for discovery, you know, and discovery more so than oh yeah,

796
00:50:41,680 --> 00:50:44,320
Speaker 1: so I heard you said. I don't want to do that.

797
00:50:44,560 --> 00:50:47,680
Speaker 1: So some things, if I don't really really know a

798
00:50:47,760 --> 00:50:52,600
Speaker 1: person personally, I won't know. And before we did that interview,

799
00:50:53,120 --> 00:50:59,279
Speaker 1: I didn't know her personally like that, right, And man

800
00:50:59,320 --> 00:51:02,960
Speaker 1: I was I was blown away since I didn't really

801
00:51:03,200 --> 00:51:06,000
Speaker 1: I didn't know her as well. I didn't know the

802
00:51:06,320 --> 00:51:09,680
Speaker 1: full story as much as the story she gave because

803
00:51:09,680 --> 00:51:12,719
Speaker 1: I'm sure she got way more, way more. But I

804
00:51:13,080 --> 00:51:18,120
Speaker 1: just her episode was lit bro y'all doing sex in Atlanta.

805
00:51:18,960 --> 00:51:23,080
Speaker 1: Its freestyle that that ship was, that ship was super

806
00:51:23,160 --> 00:51:26,759
Speaker 1: dope and and I just I love cam Shield from

807
00:51:27,000 --> 00:51:29,080
Speaker 1: that day for it, I was like, Oh, she's awesome.

808
00:51:31,400 --> 00:51:37,480
Speaker 3: For my last one, I'm gonna go. I'm gonna go.

809
00:51:37,560 --> 00:51:38,080
Speaker 3: Snoop Dogg.

810
00:51:40,880 --> 00:51:42,680
Speaker 1: His episode was so legendary.

811
00:51:43,760 --> 00:51:52,040
Speaker 2: Snoop Dog don't go nowhere for nobody unless there's a bag.

812
00:51:53,680 --> 00:51:57,200
Speaker 2: I'll tell you that Snoop Dog is a business. Yes,

813
00:51:57,680 --> 00:52:01,960
Speaker 2: yes man, Yeah, yeah, his dial up is crazy.

814
00:52:03,520 --> 00:52:09,839
Speaker 1: His his memory, bro the history connected to that man,

815
00:52:10,200 --> 00:52:14,600
Speaker 1: man who to me and probably to you too, is

816
00:52:14,840 --> 00:52:17,760
Speaker 1: the most recognized rapper in the world.

817
00:52:18,160 --> 00:52:23,600
Speaker 2: Yes, yes, the most record where I don't care where

818
00:52:23,719 --> 00:52:27,840
Speaker 2: you go. I don't care what color you are, I

819
00:52:27,920 --> 00:52:28,680
Speaker 2: don't care.

820
00:52:30,120 --> 00:52:31,200
Speaker 3: What God you serve.

821
00:52:31,440 --> 00:52:34,759
Speaker 1: You know Snog you know Snoop Do you know Snoop Dog?

822
00:52:35,239 --> 00:52:36,200
Speaker 1: And you're gonna want.

823
00:52:36,040 --> 00:52:38,880
Speaker 2: A picture, And you're gonna want a picture. No, it

824
00:52:39,000 --> 00:52:42,480
Speaker 2: was you might not even smoke weed, but you'll take

825
00:52:42,520 --> 00:52:42,879
Speaker 2: a puff.

826
00:52:45,280 --> 00:52:46,520
Speaker 1: Our cleaning lady.

827
00:52:49,040 --> 00:52:50,960
Speaker 3: Are clean and I've seen her a couple of times.

828
00:52:51,640 --> 00:52:58,040
Speaker 1: She bare Joseph. She didn't talk about when WII where

829
00:52:58,080 --> 00:53:05,760
Speaker 1: we will why she was standing in the corner waiting

830
00:53:06,200 --> 00:53:09,680
Speaker 1: when every time I turned, she was looking like it's

831
00:53:09,760 --> 00:53:13,000
Speaker 1: time you better introduce me. I want to meet the dog.

832
00:53:14,640 --> 00:53:17,040
Speaker 1: So when I finally was like you want me Snoop,

833
00:53:17,120 --> 00:53:22,000
Speaker 1: She's like yes, yes, yes, yes, like immediately was not

834
00:53:22,160 --> 00:53:23,279
Speaker 1: playing about meeting the dog.

835
00:53:24,239 --> 00:53:30,040
Speaker 2: His his business just just it's just to me, his

836
00:53:30,239 --> 00:53:35,799
Speaker 2: evolution in business and branding and building, which is just something.

837
00:53:37,280 --> 00:53:38,440
Speaker 3: Like you said, to be steady.

838
00:53:39,239 --> 00:53:41,919
Speaker 2: I don't think people are listening or watching him enough

839
00:53:42,600 --> 00:53:47,520
Speaker 2: and applying, like really listening to what he's doing. Like

840
00:53:48,000 --> 00:53:53,840
Speaker 2: Snoop Dog, don't wear nobody clothes, snoop dog were dog clothes.

841
00:53:54,440 --> 00:53:59,840
Speaker 2: It's snoop dog sweatsuit, it's snoop dog shoes, it's snoop

842
00:54:00,080 --> 00:54:03,879
Speaker 2: dog socks and draws. He's not smoking anybody else's weed.

843
00:54:04,200 --> 00:54:08,560
Speaker 2: He's smoking snoop dog weed. He's not drinking out of

844
00:54:08,640 --> 00:54:12,320
Speaker 2: anybody else's cups. These are Snoop dog cups.

845
00:54:12,640 --> 00:54:15,040
Speaker 1: I've never seen anything like that.

846
00:54:15,160 --> 00:54:16,480
Speaker 3: I've never seen anything like it.

847
00:54:16,760 --> 00:54:19,560
Speaker 1: Nah, not like that, not like that, not like that.

848
00:54:19,719 --> 00:54:23,400
Speaker 1: He is he is walking business, walking business. And then

849
00:54:23,440 --> 00:54:24,880
Speaker 1: he got all the hit records that you want and

850
00:54:25,520 --> 00:54:29,759
Speaker 1: hit records. I just think that like for me, he

851
00:54:30,040 --> 00:54:34,200
Speaker 1: is a he is a study guy for me. He's

852
00:54:34,239 --> 00:54:39,759
Speaker 1: a steady guy for us in business and and not

853
00:54:40,120 --> 00:54:43,840
Speaker 1: like not saturating himself to the point to where I

854
00:54:43,880 --> 00:54:46,400
Speaker 1: don't even think there's a thing of oversaturation, right, but

855
00:54:47,160 --> 00:54:50,640
Speaker 1: being smart about the things he's connected to and how

856
00:54:50,680 --> 00:54:53,600
Speaker 1: he uses them to always keep his fucking cool.

857
00:54:54,400 --> 00:55:01,399
Speaker 3: Yeah, keeps his cool man controversy. Even he's still the dog.

858
00:55:01,680 --> 00:55:05,040
Speaker 1: The dog foll snoops. Episode was legendary.

859
00:55:06,120 --> 00:55:08,200
Speaker 3: Who are you looking forward when we when we when

860
00:55:08,239 --> 00:55:11,040
Speaker 3: we get back, when we get back up and running?

861
00:55:11,920 --> 00:55:15,160
Speaker 3: Who are you looking forward to having on the pod?

862
00:55:15,280 --> 00:55:17,080
Speaker 3: I got? I got a few names that I'm looking

863
00:55:17,120 --> 00:55:17,520
Speaker 3: forward to.

864
00:55:18,239 --> 00:55:24,680
Speaker 1: Jimmy Jay, I hate you. You can say you're looking

865
00:55:24,719 --> 00:55:28,120
Speaker 1: forward to them too. You said it all, Okay, give

866
00:55:28,160 --> 00:55:30,200
Speaker 1: me because you took some of my top five studie

867
00:55:30,800 --> 00:55:33,040
Speaker 1: the episodes, I took some of your you know.

868
00:55:34,640 --> 00:55:37,080
Speaker 3: Who else We're gonna give you like four or five.

869
00:55:39,600 --> 00:55:43,440
Speaker 1: Beyonce. Beyonce has to pull up, bro.

870
00:55:47,120 --> 00:55:48,360
Speaker 3: You know I mean to be high. You know I

871
00:55:48,440 --> 00:55:49,919
Speaker 3: was gonna say that, I know you are.

872
00:55:50,320 --> 00:55:53,000
Speaker 1: High, beyon say you got you gotta pull up, man,

873
00:55:53,880 --> 00:55:57,279
Speaker 1: you know, come come on. You know I ran into

874
00:55:57,320 --> 00:55:59,480
Speaker 1: your managers. I ain't gonna say their names because everybody

875
00:55:59,520 --> 00:56:02,480
Speaker 1: don't you know, they don't be knowing who you know

876
00:56:02,600 --> 00:56:05,440
Speaker 1: represent to be, you know what I'm saying. So I

877
00:56:05,480 --> 00:56:09,120
Speaker 1: don't want to throw those guys' names out like that. Uh.

878
00:56:09,320 --> 00:56:14,080
Speaker 1: But you know I ran into him after the Grammys

879
00:56:15,160 --> 00:56:15,840
Speaker 1: and we talked.

880
00:56:16,320 --> 00:56:17,760
Speaker 3: Did they say she's seen the episode?

881
00:56:18,080 --> 00:56:22,279
Speaker 1: They didn't. I ain't gonna lie on them. I didn't ask.

882
00:56:23,000 --> 00:56:28,000
Speaker 1: I didn't ask, but they watched the people get close

883
00:56:28,080 --> 00:56:32,759
Speaker 1: to her watching. Sure, but you know, ye, I say,

884
00:56:33,239 --> 00:56:38,239
Speaker 1: and my other two and I close out with these

885
00:56:38,320 --> 00:56:40,000
Speaker 1: two is no actually three?

886
00:56:40,040 --> 00:56:40,359
Speaker 3: I'm sorry.

887
00:56:40,680 --> 00:56:48,960
Speaker 1: Let me go my five Brandy and Joe damn man

888
00:56:49,400 --> 00:56:55,279
Speaker 1: o Brandy and Joe, like, come on, man, and then

889
00:56:55,400 --> 00:57:00,239
Speaker 1: my fifth curveball. I need Steph Curry to pull up. Wow.

890
00:57:00,440 --> 00:57:02,400
Speaker 1: I need Steff to pull up I like that. I

891
00:57:02,480 --> 00:57:03,600
Speaker 1: need Steff to pull up dog.

892
00:57:04,400 --> 00:57:04,560
Speaker 3: You know.

893
00:57:05,440 --> 00:57:11,000
Speaker 1: We need to talk about the Super Bowl. I need

894
00:57:11,360 --> 00:57:13,160
Speaker 1: I need it, hopefully don't even remember. I need to

895
00:57:13,160 --> 00:57:20,680
Speaker 1: apologize to the picture where it happened. I need Deli

896
00:57:20,760 --> 00:57:21,560
Speaker 1: to pull up. Man.

897
00:57:22,680 --> 00:57:23,400
Speaker 3: That's a good one.

898
00:57:23,560 --> 00:57:27,320
Speaker 1: Yeah man, you know, mister fab calling Deli bup good.

899
00:57:29,200 --> 00:57:31,920
Speaker 1: I need that fab Deli bow to pull up for us.

900
00:57:31,960 --> 00:57:39,160
Speaker 3: Man. I like that. Okay, all right, here's mine to

901
00:57:39,440 --> 00:57:40,000
Speaker 3: some of mine.

902
00:57:40,120 --> 00:57:43,120
Speaker 1: So your restructure list, you let me go restructure.

903
00:57:43,160 --> 00:57:44,280
Speaker 2: I had a lot of names over he I had

904
00:57:44,320 --> 00:57:50,120
Speaker 2: like a top twelve. Deleted the wars. You said, keep

905
00:57:50,200 --> 00:57:52,200
Speaker 2: sweat the sweat.

906
00:57:54,160 --> 00:58:00,720
Speaker 1: Yep, yep, because again like the dog Father, business, all

907
00:58:00,800 --> 00:58:05,600
Speaker 1: the information, all the business, the music business, the stock

908
00:58:05,760 --> 00:58:14,440
Speaker 1: market business, marketing business, movie business, business, promotion, interior design business,

909
00:58:14,640 --> 00:58:17,600
Speaker 1: all marble everything.

910
00:58:18,280 --> 00:58:21,680
Speaker 3: Nolka. Yeah, we need to.

911
00:58:24,360 --> 00:58:29,320
Speaker 1: Genuine gee what you know what? I'm not listen. You

912
00:58:29,440 --> 00:58:32,360
Speaker 1: know in due time we need the wine. We'll get

913
00:58:32,400 --> 00:58:35,840
Speaker 1: the wine. Davante swing.

914
00:58:39,280 --> 00:58:41,440
Speaker 3: I gotta. I gotta have my other father on here.

915
00:58:42,320 --> 00:58:46,920
Speaker 1: H you do claim me as your dad. Here's your

916
00:58:46,960 --> 00:58:48,800
Speaker 1: musical father. Is your musical father?

917
00:58:49,040 --> 00:58:54,640
Speaker 2: I get it, he owes me. Yeah, he missed a

918
00:58:54,680 --> 00:59:00,640
Speaker 2: lot of years. He owes me child support. I'll take

919
00:59:00,640 --> 00:59:04,840
Speaker 2: it in sounds. Give me something all you can get

920
00:59:05,960 --> 00:59:08,400
Speaker 2: and and last, but not even the least.

921
00:59:09,920 --> 00:59:14,960
Speaker 1: Diana Ross, Oh, that would be amazing, that would be amazing.

922
00:59:16,280 --> 00:59:21,560
Speaker 1: I'm a Crown number. Yeah, I can see you crying.

923
00:59:22,200 --> 00:59:27,720
Speaker 3: Yeah, she just she just represents something so out of

924
00:59:27,800 --> 00:59:28,320
Speaker 3: this world.

925
00:59:30,080 --> 00:59:32,280
Speaker 1: It's just I don't want to do five forget that.

926
00:59:32,560 --> 00:59:40,480
Speaker 1: I want also, Uncle Charlie, Uncle Charlie, Jasmine celibate. You

927
00:59:40,560 --> 00:59:46,200
Speaker 1: know how much I love Jack, I love absolutely Walker.

928
00:59:46,400 --> 00:59:52,000
Speaker 2: Yeah, yeah, yeah, yeah, we're putting the press on some

929
00:59:52,160 --> 00:59:57,600
Speaker 2: season were putting. Come get these flowers, usher uhher, come

930
00:59:57,640 --> 01:00:07,120
Speaker 2: get trickies, Come get these flowers. Man stared rock Rothiel,

931
01:00:08,480 --> 01:00:11,440
Speaker 2: Oh my god, come on alo.

932
01:00:16,080 --> 01:00:28,960
Speaker 1: H faith evidance, faith, my god, come on, sis. I

933
01:00:29,080 --> 01:00:32,920
Speaker 1: know you watched the shows. Don't don't, don't play. I

934
01:00:33,080 --> 01:00:36,680
Speaker 1: know you've seen some clips. I know you've seen some clips.

935
01:00:36,720 --> 01:00:43,680
Speaker 1: You might have even watched the full episode. All right, Okay,

936
01:00:43,960 --> 01:00:45,440
Speaker 1: you're good. Yeah I'm not.

937
01:00:45,720 --> 01:00:48,840
Speaker 2: But I'm gonna stop there because once I said Dona Ross,

938
01:00:48,880 --> 01:00:51,600
Speaker 2: I can't say no more on that you said I said,

939
01:00:51,640 --> 01:00:52,080
Speaker 2: Dona Ross.

940
01:00:52,160 --> 01:00:52,520
Speaker 3: I think we.

941
01:00:55,000 --> 01:00:59,720
Speaker 2: Get that, maxed, I might not do no more pods.

942
01:01:00,640 --> 01:01:04,240
Speaker 2: Diana come walking in here, y'all come looking for me? Man,

943
01:01:05,840 --> 01:01:12,360
Speaker 2: donad's here. I'm out mm hmmm, die happy. Let's do something.

944
01:01:12,400 --> 01:01:14,360
Speaker 2: Let's do some fun. Let's do something fun. Man, it's

945
01:01:14,440 --> 01:01:18,320
Speaker 2: just so serious. All right, let's do uh, let's do it.

946
01:01:18,400 --> 01:01:21,760
Speaker 2: I ain't saying no names. We always make other people do.

947
01:01:21,840 --> 01:01:25,360
Speaker 2: I ain't saying no names. Well, listen, actually I did it.

948
01:01:25,440 --> 01:01:28,640
Speaker 1: I ain't saying no names. You've never done it. I

949
01:01:28,680 --> 01:01:29,720
Speaker 1: ain't saying no names.

950
01:01:30,160 --> 01:01:33,280
Speaker 2: I think that that's besides the point. What we're saying

951
01:01:33,400 --> 01:01:36,440
Speaker 2: right now is on our close out episode one one

952
01:01:36,520 --> 01:01:41,120
Speaker 2: hundred and fifty episodes. Uh, Jay needs to do. I

953
01:01:41,160 --> 01:01:42,160
Speaker 2: ain't saying no names.

954
01:01:42,200 --> 01:01:45,280
Speaker 3: I'll do it. I ain't saying no names too. This

955
01:01:45,480 --> 01:01:46,560
Speaker 3: episode deserves that.

956
01:01:46,920 --> 01:01:51,760
Speaker 4: Okay, am, I I'm going you're you're up, Somebody tell

957
01:01:51,800 --> 01:01:58,760
Speaker 4: a story. Funny are fucked up? Are funny and fucked up?

958
01:01:59,800 --> 01:02:05,480
Speaker 4: I just ain't about to say no names. So years ago,

959
01:02:08,800 --> 01:02:12,920
Speaker 4: there was a certain young R and B diva who

960
01:02:15,080 --> 01:02:21,240
Speaker 4: I had known him passing, And there was an athlete

961
01:02:21,320 --> 01:02:24,480
Speaker 4: HOMEI of mine that was you know, we.

962
01:02:24,640 --> 01:02:29,040
Speaker 1: Was that was my dog, my dog. And one night

963
01:02:29,120 --> 01:02:34,720
Speaker 1: we was we was out and you know we we uh,

964
01:02:36,920 --> 01:02:40,000
Speaker 1: we were being responsible. Hm. So we had taken a

965
01:02:40,080 --> 01:02:44,760
Speaker 1: car service, you know, from his crib, and then I

966
01:02:44,880 --> 01:02:48,600
Speaker 1: was gonna take another car service from his crib to

967
01:02:48,680 --> 01:02:52,560
Speaker 1: my crib, right like you know it's gonna do that. Actually,

968
01:02:52,640 --> 01:02:56,200
Speaker 1: I'm sorry. It was gonna drop him off and then

969
01:02:56,440 --> 01:02:59,040
Speaker 1: drop me off take me to my house, right. But

970
01:02:59,280 --> 01:03:04,360
Speaker 1: as we're approached in his house, he goes, hey, bro,

971
01:03:07,680 --> 01:03:12,480
Speaker 1: come in crib for like like fifteen minutes. I'm like, what,

972
01:03:13,120 --> 01:03:16,760
Speaker 1: I'm going home. We're like no, no, no, no, some

973
01:03:17,040 --> 01:03:20,880
Speaker 1: something about to pull up. So I'm like, ah, here

974
01:03:20,960 --> 01:03:24,760
Speaker 1: we go, right, and you know, I decide, I'm like,

975
01:03:24,920 --> 01:03:28,440
Speaker 1: all right, you know, being niggas, being young niggas. This

976
01:03:28,600 --> 01:03:31,240
Speaker 1: was years ago. I'm like, I need to see what

977
01:03:31,360 --> 01:03:33,920
Speaker 1: he what he got pulling up? Right, because we all

978
01:03:34,040 --> 01:03:38,360
Speaker 1: go through this. Do the athletes get do the R

979
01:03:38,400 --> 01:03:43,040
Speaker 1: and B niggas get uh dode? We both know, right,

980
01:03:43,160 --> 01:03:46,520
Speaker 1: So he's not giving me a full heads up. He's

981
01:03:46,600 --> 01:03:49,680
Speaker 1: just saying I need to stay. So I'm like, all right, cool.

982
01:03:50,880 --> 01:03:55,480
Speaker 1: Not five minutes later, the doorbell rings, I'll be right back.

983
01:03:56,440 --> 01:04:00,720
Speaker 1: That's my I'm like a shot. So he proceeds to

984
01:04:00,840 --> 01:04:03,920
Speaker 1: walk back in with a young lady that knew me,

985
01:04:05,040 --> 01:04:08,000
Speaker 1: not personally like that, but we knew each other. And

986
01:04:08,520 --> 01:04:14,000
Speaker 1: it's three in the morning and she's walking into said

987
01:04:15,080 --> 01:04:20,040
Speaker 1: athlete's house and when she sees me, it's like she

988
01:04:20,160 --> 01:04:22,920
Speaker 1: sees a ghost even though we had you know, we

989
01:04:23,040 --> 01:04:25,040
Speaker 1: had no history. Of course I put that out there.

990
01:04:25,360 --> 01:04:29,160
Speaker 1: We had no history. But you know, walking into a

991
01:04:29,240 --> 01:04:34,560
Speaker 1: house at three in the morning after the club, it's

992
01:04:34,640 --> 01:04:38,480
Speaker 1: tough to see somebody you know in that house. So

993
01:04:38,760 --> 01:04:47,200
Speaker 1: she's like, right, we have that moment. We laugh it off.

994
01:04:47,320 --> 01:04:49,000
Speaker 1: She knows what it is. I know what it is.

995
01:04:49,600 --> 01:04:54,720
Speaker 1: I'm like, hey, y'all, I gotta go. Literally that interaction.

996
01:04:56,240 --> 01:05:05,680
Speaker 1: Now the story gets a little deeper, uh athlete, because

997
01:05:05,680 --> 01:05:08,040
Speaker 1: at the time I'm living back and forth in La

998
01:05:08,240 --> 01:05:12,320
Speaker 1: and San Francisco. I got spot in both, and now

999
01:05:13,640 --> 01:05:16,880
Speaker 1: I'm in San Francisco. About a week later, the homie

1000
01:05:16,960 --> 01:05:22,000
Speaker 1: hit me. They're playing one of the Yeah, they're playing

1001
01:05:22,000 --> 01:05:25,960
Speaker 1: one of the Bay Area teams, and he's like, bro,

1002
01:05:26,080 --> 01:05:29,160
Speaker 1: let's let's go out in the Bay let's you know,

1003
01:05:29,360 --> 01:05:33,040
Speaker 1: let's what's what's popping. I'm like, what in San Francisco

1004
01:05:33,160 --> 01:05:36,200
Speaker 1: it's usually only one spot on this night. He's like, Oh,

1005
01:05:36,280 --> 01:05:41,280
Speaker 1: we're there, hit the DJ. I don't ask who else

1006
01:05:41,400 --> 01:05:44,000
Speaker 1: might be there, who could be hosting the club, any

1007
01:05:44,120 --> 01:05:51,560
Speaker 1: of those things. We get to the club and as

1008
01:05:51,640 --> 01:05:58,360
Speaker 1: we're walking in, who do we see? Same R and

1009
01:05:58,480 --> 01:06:04,760
Speaker 1: B Diva, But this time she's in the club. With

1010
01:06:04,960 --> 01:06:07,120
Speaker 1: her R and B boyfriend.

1011
01:06:14,000 --> 01:06:17,640
Speaker 3: Oh no, And.

1012
01:06:20,400 --> 01:06:27,200
Speaker 1: I'm like, oh shit, this is really interesting because I

1013
01:06:27,280 --> 01:06:31,800
Speaker 1: don't think she was single last week man when she

1014
01:06:31,960 --> 01:06:42,040
Speaker 1: was going into this man's house. And but I don't

1015
01:06:42,200 --> 01:06:47,520
Speaker 1: know her boyfriend like that. It's not a guy I

1016
01:06:47,600 --> 01:06:50,320
Speaker 1: really know to this day, I don't really know it, right,

1017
01:06:50,400 --> 01:06:52,800
Speaker 1: it's not I just you know, I don't. It's another

1018
01:06:52,840 --> 01:06:55,800
Speaker 1: guy in the industry. And I called him her R

1019
01:06:55,840 --> 01:06:59,840
Speaker 1: and B boyfriend, but he was more of industry boyfriend.

1020
01:07:00,120 --> 01:07:00,240
Speaker 3: Right.

1021
01:07:00,520 --> 01:07:02,600
Speaker 1: They may have done some R and B may have

1022
01:07:02,680 --> 01:07:10,120
Speaker 1: done some may have done something right, And I'm this

1023
01:07:10,520 --> 01:07:14,640
Speaker 1: is crazy. And I see them kind of catch a

1024
01:07:14,720 --> 01:07:18,560
Speaker 1: little eye contact, but act as if they don't know

1025
01:07:18,680 --> 01:07:24,919
Speaker 1: each other. What is what is the the the club

1026
01:07:25,000 --> 01:07:28,240
Speaker 1: promoter wants to do. He wants to put our table

1027
01:07:29,280 --> 01:07:30,560
Speaker 1: right next to theirs?

1028
01:07:30,680 --> 01:07:31,000
Speaker 3: Why not?

1029
01:07:31,320 --> 01:07:34,240
Speaker 1: Why not make it because that's what you do. The

1030
01:07:34,320 --> 01:07:38,080
Speaker 1: club promoter doesn't know. It's like, oh, I got the

1031
01:07:38,320 --> 01:07:43,720
Speaker 1: R and B in the house. I got to and

1032
01:07:43,880 --> 01:07:47,120
Speaker 1: I got jas Allentown. Who from the city up in here?

1033
01:07:47,280 --> 01:07:53,040
Speaker 1: We up in here all the star Yeah yeah, m hm.

1034
01:07:53,880 --> 01:07:59,400
Speaker 1: The homie leans over it says, look at this text.

1035
01:08:01,240 --> 01:08:05,560
Speaker 1: We hadn't been in the club two minutes no sir,

1036
01:08:09,800 --> 01:08:19,800
Speaker 1: R and B Diva is apologizing in the text within

1037
01:08:19,960 --> 01:08:23,040
Speaker 1: two minutes of us we might ain't definitely ain't no

1038
01:08:23,080 --> 01:08:26,639
Speaker 1: bottles game. I'm not sure if we've even fully set out.

1039
01:08:29,479 --> 01:08:32,160
Speaker 1: I'm so sorry. I didn't know you were gonna be

1040
01:08:32,400 --> 01:08:41,640
Speaker 1: out here. This looks crazy. I'd rather be with you,

1041
01:08:45,040 --> 01:08:57,360
Speaker 1: like honest, yeah, yeah, and yeah, and we partied and

1042
01:08:57,600 --> 01:09:04,280
Speaker 1: laughed and I'll never forget it. I never forget it, man.

1043
01:09:04,360 --> 01:09:04,640
Speaker 3: It was.

1044
01:09:06,640 --> 01:09:11,599
Speaker 1: It's very interesting, very interesting time every time I see

1045
01:09:11,640 --> 01:09:15,160
Speaker 1: this young lady. That is because every now and then

1046
01:09:15,200 --> 01:09:16,760
Speaker 1: I see her. Every now and then I see her

1047
01:09:16,920 --> 01:09:23,439
Speaker 1: and we kind of both just laugh because she didn't

1048
01:09:23,479 --> 01:09:27,439
Speaker 1: end up with either one of them. But you know,

1049
01:09:29,080 --> 01:09:31,320
Speaker 1: that's the world saying on that.

1050
01:09:32,280 --> 01:09:33,080
Speaker 3: I ain't saying on that.

1051
01:09:33,840 --> 01:09:34,559
Speaker 1: That's good.

1052
01:09:36,400 --> 01:09:41,479
Speaker 2: Ooh, that's how it can sum up out here, man, quickly. Yeah,

1053
01:09:42,560 --> 01:09:44,040
Speaker 2: because it's really small.

1054
01:09:44,560 --> 01:09:45,040
Speaker 3: But it's not.

1055
01:09:45,840 --> 01:09:46,720
Speaker 1: But it is.

1056
01:09:47,360 --> 01:09:50,240
Speaker 2: It's not if you, if you, if you have any

1057
01:09:50,320 --> 01:09:54,559
Speaker 2: type of motion, then the places you're going to end

1058
01:09:54,680 --> 01:09:59,640
Speaker 2: up are places where people who have motion are going

1059
01:09:59,720 --> 01:09:59,840
Speaker 2: to be.

1060
01:10:00,760 --> 01:10:04,040
Speaker 1: This is what I've also always told every woman I've

1061
01:10:04,120 --> 01:10:10,160
Speaker 1: ever dated, just tell me, because I know everybody.

1062
01:10:11,600 --> 01:10:12,560
Speaker 3: Yeah, just tell me.

1063
01:10:12,800 --> 01:10:17,840
Speaker 1: Yeah, don't think because they were generations before I was

1064
01:10:18,600 --> 01:10:20,960
Speaker 1: in the game that I ain't ran into this guy

1065
01:10:21,040 --> 01:10:23,600
Speaker 1: or don't know this guy and don't have me in

1066
01:10:23,680 --> 01:10:27,120
Speaker 1: them rooms like that just because I ain't tripping once

1067
01:10:27,160 --> 01:10:31,320
Speaker 1: you tell me it's oh he was wild. Cool, you

1068
01:10:31,720 --> 01:10:34,880
Speaker 1: lived your life. But don't put me in a position

1069
01:10:35,000 --> 01:10:37,600
Speaker 1: where I'm in that room and I don't know and

1070
01:10:40,280 --> 01:10:45,519
Speaker 1: it's Texas being exchanged, even if y'all not still dealing

1071
01:10:45,600 --> 01:10:48,880
Speaker 1: with each other. But like, just nigga sending me an

1072
01:10:48,880 --> 01:10:55,320
Speaker 1: extra bottle a su spade, I see you playing, no nigga,

1073
01:10:59,040 --> 01:11:05,479
Speaker 1: don't let me drink no ship from a nigga that

1074
01:11:05,600 --> 01:11:06,200
Speaker 1: used to poor.

1075
01:11:07,600 --> 01:11:11,439
Speaker 3: Man. Don't let me drink champagne from a nigga who

1076
01:11:11,520 --> 01:11:13,360
Speaker 3: used to poor champagne. Own you.

1077
01:11:13,600 --> 01:11:14,479
Speaker 1: That's all I ask.

1078
01:11:14,680 --> 01:11:16,160
Speaker 3: That is a great rule.

1079
01:11:16,439 --> 01:11:17,280
Speaker 1: That's all I ask.

1080
01:11:17,600 --> 01:11:17,720
Speaker 2: All.

1081
01:11:19,200 --> 01:11:22,040
Speaker 3: That's all I ask. That's it. That's it.

1082
01:11:22,240 --> 01:11:27,840
Speaker 1: But yes, Oh that's a good that really happened in

1083
01:11:27,880 --> 01:11:28,320
Speaker 1: real life.

1084
01:11:29,560 --> 01:11:30,240
Speaker 3: Okay, I'm gonna do it.

1085
01:11:30,360 --> 01:11:30,639
Speaker 1: I can't.

1086
01:11:30,720 --> 01:11:32,679
Speaker 3: I can't. I'm not gonna go that way. I'm gonna

1087
01:11:32,680 --> 01:11:35,920
Speaker 3: go different. That was great.

1088
01:11:36,800 --> 01:11:43,400
Speaker 1: My humor is dark, Yeah, just so so I'm a

1089
01:11:43,479 --> 01:11:51,560
Speaker 1: young kid and I get signed as a kid to

1090
01:11:51,640 --> 01:11:59,040
Speaker 1: this label and you know everything about the guy who

1091
01:11:59,160 --> 01:11:59,920
Speaker 1: owned that label.

1092
01:12:00,240 --> 01:12:00,639
Speaker 3: Mm hmm.

1093
01:12:02,560 --> 01:12:06,439
Speaker 2: The conversation was very like you know it, you know,

1094
01:12:06,720 --> 01:12:09,519
Speaker 2: this is like this, this is a black man. You

1095
01:12:09,560 --> 01:12:12,600
Speaker 2: know what I'm saying. It's like, in a sense, like

1096
01:12:12,720 --> 01:12:14,760
Speaker 2: the ultimate black man.

1097
01:12:14,920 --> 01:12:16,280
Speaker 3: You know what I mean? Is what I feel like.

1098
01:12:16,360 --> 01:12:18,519
Speaker 2: I'm I'm I'm looking at you know what I'm saying,

1099
01:12:18,560 --> 01:12:22,840
Speaker 2: and like just from from a success standpoint, and it's

1100
01:12:22,920 --> 01:12:25,640
Speaker 2: the people he was involved with, I'm like, and just

1101
01:12:25,920 --> 01:12:29,759
Speaker 2: the conversation about the brothershood, the brothers are sticking together

1102
01:12:29,800 --> 01:12:31,640
Speaker 2: and looking out for each like all these things. Right,

1103
01:12:31,720 --> 01:12:33,800
Speaker 2: I'm like, Okay, all this, all this sounds great. I

1104
01:12:34,880 --> 01:12:36,599
Speaker 2: want to be down. You know what I'm saying. I'm

1105
01:12:36,960 --> 01:12:38,720
Speaker 2: with some guy, other guys that have brought me to

1106
01:12:38,800 --> 01:12:41,000
Speaker 2: this guy. I'm like, let's yeah, let's put it all together.

1107
01:12:42,680 --> 01:12:46,960
Speaker 2: And so, you know, we fly out to New York

1108
01:12:47,880 --> 01:12:51,760
Speaker 2: two do a couple of meetings, you know, with with

1109
01:12:52,040 --> 01:12:56,800
Speaker 2: said executives. And while we're doing while we're meeting going

1110
01:12:56,880 --> 01:12:58,519
Speaker 2: to meet him, he's like, you guys, come with me

1111
01:12:59,280 --> 01:13:03,400
Speaker 2: to me with this company that I have partnership with

1112
01:13:03,439 --> 01:13:04,960
Speaker 2: I've got a few partnership will come to me with

1113
01:13:05,040 --> 01:13:06,679
Speaker 2: this meeting, you guys can sit in and see.

1114
01:13:07,720 --> 01:13:08,840
Speaker 3: You know how all this goes?

1115
01:13:09,720 --> 01:13:10,040
Speaker 1: Like cool?

1116
01:13:10,080 --> 01:13:14,880
Speaker 2: All right, kid, I'm like I'm rolling. And so we

1117
01:13:14,960 --> 01:13:18,280
Speaker 2: get into this meeting, sitting at this big meeting at

1118
01:13:18,320 --> 01:13:23,680
Speaker 2: this big record company, and we're talking about a soundtrack,

1119
01:13:24,479 --> 01:13:30,800
Speaker 2: a soundtrack in which this executive has multiple artists and

1120
01:13:30,920 --> 01:13:36,120
Speaker 2: multiple songs on the soundtrack, some of the biggest artists

1121
01:13:36,160 --> 01:13:41,519
Speaker 2: in the game at that moment. And while we're sitting there,

1122
01:13:41,680 --> 01:13:45,599
Speaker 2: they're talking about singles for the soundtrack, what songs we're

1123
01:13:45,600 --> 01:13:51,040
Speaker 2: going to do singles for And as they're announcing the singles,

1124
01:13:51,720 --> 01:13:56,560
Speaker 2: as they get to one, two, and three, at no

1125
01:13:56,760 --> 01:14:01,000
Speaker 2: point have they said any of the artist and songs

1126
01:14:01,760 --> 01:14:06,080
Speaker 2: that the executive that I was there with brought to

1127
01:14:06,200 --> 01:14:10,479
Speaker 2: the table. Now, mind you, just to give you some context,

1128
01:14:11,240 --> 01:14:14,960
Speaker 2: they called this executive guy who I'm with, to bring

1129
01:14:15,800 --> 01:14:21,719
Speaker 2: these artists in this music to help elevate the soundtrack,

1130
01:14:22,760 --> 01:14:27,599
Speaker 2: and then in turn didn't make any of those records

1131
01:14:28,400 --> 01:14:32,800
Speaker 2: the singles. Now, mind you, I've been in meetings where

1132
01:14:32,920 --> 01:14:38,040
Speaker 2: there's been you know, disagreements and dust ups. Of course,

1133
01:14:38,520 --> 01:14:42,160
Speaker 2: I've been in it, but this is my intro into

1134
01:14:42,280 --> 01:14:46,880
Speaker 2: the music business, you know. And I'm thinking, Okay, we're

1135
01:14:46,920 --> 01:14:49,560
Speaker 2: in this space where I guess if there's some to

1136
01:14:49,600 --> 01:14:53,800
Speaker 2: any type of disagreement, they'll, in a very business way,

1137
01:14:54,439 --> 01:14:58,800
Speaker 2: have this conversation. And so the executive that I'm with

1138
01:14:59,600 --> 01:15:03,720
Speaker 2: perceive to ask the question and says, so, who made

1139
01:15:03,760 --> 01:15:09,599
Speaker 2: the decision on these singles? And you know, one guy

1140
01:15:09,880 --> 01:15:14,840
Speaker 2: at the head of the table, very uh, very matter

1141
01:15:14,880 --> 01:15:19,439
Speaker 2: of factly and very boss he says, I made the decision.

1142
01:15:21,240 --> 01:15:23,639
Speaker 2: And the executive that I was with proceeds to say,

1143
01:15:24,960 --> 01:15:27,280
Speaker 2: why don't you think that was a dumb motherfucking decision?

1144
01:15:27,439 --> 01:15:34,400
Speaker 1: And what is going on? He said, what do you mean?

1145
01:15:34,439 --> 01:15:35,479
Speaker 1: What the fuck do you think?

1146
01:15:35,560 --> 01:15:38,519
Speaker 3: I mean? You motherfuckers dragged me all the way over

1147
01:15:38,600 --> 01:15:42,240
Speaker 3: here to elevate your shit. That wasn't about shit, bring

1148
01:15:42,360 --> 01:15:46,519
Speaker 3: you my motherfucking multimillion record selling artists just so you

1149
01:15:46,600 --> 01:15:49,880
Speaker 3: could pull some bullshit like me, you motherfucking crackers. I

1150
01:15:49,880 --> 01:15:52,439
Speaker 3: ain't ever gonna get this shit off while I'm alive.

1151
01:15:52,520 --> 01:16:01,280
Speaker 3: I'm like, you say, crackers shit, and proceeds to to

1152
01:16:02,160 --> 01:16:03,520
Speaker 3: lay into.

1153
01:16:04,760 --> 01:16:09,880
Speaker 2: The entire table and staff of this record company like

1154
01:16:10,120 --> 01:16:15,320
Speaker 2: they were children, then says matter of fact, I don't

1155
01:16:15,320 --> 01:16:17,360
Speaker 2: even want to talk to you motherfuckers no more. You

1156
01:16:17,479 --> 01:16:22,200
Speaker 2: motherfuckers is nobody's I'm going upstairs to see the motherfucker

1157
01:16:22,400 --> 01:16:27,680
Speaker 2: that pays you bitch, motherfucker that. Wow, I'm sitting there

1158
01:16:27,760 --> 01:16:44,240
Speaker 2: like this, Yeah, put some respect. Respect needless to say,

1159
01:16:45,640 --> 01:16:50,439
Speaker 2: uh it. Singles were number one, two, and three on

1160
01:16:50,640 --> 01:16:58,280
Speaker 2: that soundtrack. And I don't recommend you do this in

1161
01:16:58,400 --> 01:17:01,120
Speaker 2: a meeting where you just agree. I don't recommend this.

1162
01:17:01,920 --> 01:17:03,639
Speaker 2: He was he was one, He's one of one.

1163
01:17:05,320 --> 01:17:07,840
Speaker 1: But it worked.

1164
01:17:08,520 --> 01:17:11,680
Speaker 2: It worked, you know, I don't. I don't recommend the

1165
01:17:11,760 --> 01:17:16,479
Speaker 2: name calling. I don't recommend the I don't recommend the

1166
01:17:16,520 --> 01:17:20,880
Speaker 2: abusive of any means. People were concerned for their lives

1167
01:17:20,920 --> 01:17:26,880
Speaker 2: in this meeting, and and the singles changed and they

1168
01:17:26,960 --> 01:17:37,960
Speaker 2: probably should have. Yeah, I will never ever, that was

1169
01:17:38,080 --> 01:17:43,040
Speaker 2: my intro to the music business, My first music business

1170
01:17:43,200 --> 01:17:44,720
Speaker 2: meeting at a level.

1171
01:17:44,800 --> 01:17:48,720
Speaker 1: That was it aren't those aren't those those meetings? There?

1172
01:17:50,720 --> 01:17:51,720
Speaker 1: They interesting?

1173
01:17:51,840 --> 01:17:54,040
Speaker 3: Ight there? Back then? Yeah?

1174
01:17:54,439 --> 01:17:57,000
Speaker 1: Yeah, mm hmmm.

1175
01:17:57,600 --> 01:18:00,479
Speaker 2: Back then in those days and this is this is

1176
01:18:00,760 --> 01:18:03,439
Speaker 2: late nineties for me. When I first got into a

1177
01:18:03,520 --> 01:18:06,120
Speaker 2: meeting like that, you can really get fucked up.

1178
01:18:06,160 --> 01:18:06,439
Speaker 3: Out here.

1179
01:18:06,800 --> 01:18:12,120
Speaker 1: Yeah. Yeah, yeah, they didn't used to have security at labels.

1180
01:18:12,800 --> 01:18:16,000
Speaker 3: Let me thanks your dad.

1181
01:18:20,640 --> 01:18:26,439
Speaker 1: Every label had security out for my father. I remember

1182
01:18:26,479 --> 01:18:28,800
Speaker 1: coming back to l A. I'm like, wait, so we

1183
01:18:29,040 --> 01:18:33,000
Speaker 1: just don't walk up no more, no, sir, sir, no sir,

1184
01:18:33,280 --> 01:18:39,080
Speaker 1: matter of fact, arm security. You wait, especially you got

1185
01:18:39,160 --> 01:18:39,880
Speaker 1: some people need to.

1186
01:18:39,920 --> 01:18:40,320
Speaker 3: Talk to you.

1187
01:18:42,439 --> 01:18:44,599
Speaker 1: Oh. Man, you know, it's all part of the process.

1188
01:18:44,760 --> 01:18:46,439
Speaker 3: It was part of the process, man.

1189
01:18:47,640 --> 01:18:50,120
Speaker 1: And I don't recommend that either. I don't remember been

1190
01:18:50,400 --> 01:18:54,400
Speaker 1: going that route, but I do say you have to.

1191
01:18:54,640 --> 01:18:57,960
Speaker 1: If you believe in something, you have to fight for

1192
01:18:58,080 --> 01:19:02,280
Speaker 1: what you believe in. Yes, not with violence, but you know,

1193
01:19:02,600 --> 01:19:08,759
Speaker 1: with information and truly being able to Like you said earlier,

1194
01:19:08,920 --> 01:19:17,200
Speaker 1: just articulate. If you can articulate what these records really

1195
01:19:17,320 --> 01:19:20,320
Speaker 1: mean and the impact that you believe that they'll have.

1196
01:19:21,120 --> 01:19:23,600
Speaker 1: I think you should. I think you should stand on

1197
01:19:25,240 --> 01:19:31,599
Speaker 1: who you are, who you are and your opinion, stand

1198
01:19:31,640 --> 01:19:34,360
Speaker 1: on your opinion, and be willing to deal with whatever

1199
01:19:34,560 --> 01:19:38,960
Speaker 1: repercussions that is because if it fails, yes, it's your

1200
01:19:39,040 --> 01:19:41,840
Speaker 1: ass it is, and you may not get that opportunity again.

1201
01:19:43,080 --> 01:19:45,560
Speaker 1: But if you believe it's going to be successful, I

1202
01:19:45,800 --> 01:19:49,080
Speaker 1: personally believe that you should fight for that and not

1203
01:19:49,360 --> 01:19:54,400
Speaker 1: just accept a motherfucker telling you, yeah, I said that,

1204
01:19:55,439 --> 01:19:57,840
Speaker 1: Why did you say that? And they should be able

1205
01:19:57,920 --> 01:19:59,479
Speaker 1: to tell you why they said that, why they think

1206
01:19:59,520 --> 01:20:04,519
Speaker 1: that it work. But I'm glad it worked. I'm glad

1207
01:20:04,560 --> 01:20:06,800
Speaker 1: it worked too. I'm glad it worked. I'm glad I was.

1208
01:20:07,120 --> 01:20:10,600
Speaker 1: I was there, and I was, I was there, I was.

1209
01:20:10,880 --> 01:20:14,000
Speaker 1: I guess I was gonna by default go down with

1210
01:20:14,080 --> 01:20:18,599
Speaker 1: the ship for sure. Everybody, just everybody. I just got here.

1211
01:20:18,680 --> 01:20:20,479
Speaker 1: I didn't know he was going to say that didn't matter,

1212
01:20:21,760 --> 01:20:22,280
Speaker 1: didn't matter.

1213
01:20:24,520 --> 01:20:28,240
Speaker 2: How about some how about as we close out this

1214
01:20:28,400 --> 01:20:30,320
Speaker 2: one fifty how about some thank yous man?

1215
01:20:31,120 --> 01:20:35,240
Speaker 1: Yeah, yeah, thank you, some shout outs. Yeah, let's start

1216
01:20:35,280 --> 01:20:38,680
Speaker 1: with with our team. Yeah, with our team man with

1217
01:20:39,000 --> 01:20:45,680
Speaker 1: Ruben Jacob, Yeah absolutely, boudzero do you know what I'm saying? Like,

1218
01:20:45,920 --> 01:20:48,960
Speaker 1: we know both work for Black Effect, but both our guy,

1219
01:20:49,040 --> 01:20:51,479
Speaker 1: it's our guy, our guy about these guys.

1220
01:20:51,920 --> 01:20:59,240
Speaker 3: Uh, we'd be on Instagram live doing doing this spot.

1221
01:21:01,520 --> 01:21:05,240
Speaker 1: That's where it started started. We still got a couple.

1222
01:21:05,400 --> 01:21:07,040
Speaker 3: How do we get we got.

1223
01:21:09,760 --> 01:21:14,439
Speaker 1: Because that's before you could add multiple people too. Yeah, yeah,

1224
01:21:14,479 --> 01:21:17,200
Speaker 1: that's where Yeah, that's where that's where it started, you

1225
01:21:17,280 --> 01:21:19,439
Speaker 1: know it shot. Like I said, once again, shout out

1226
01:21:19,479 --> 01:21:21,840
Speaker 1: to Jamie Fox. Shout out to Jamie fox Man for

1227
01:21:21,960 --> 01:21:27,080
Speaker 1: killing up and kicking it off with us Problem Nick

1228
01:21:27,160 --> 01:21:32,160
Speaker 1: you yeah, yeah, yeah, I mean like you said early

1229
01:21:32,280 --> 01:21:36,479
Speaker 1: in the beginning, was super early and were just like, nigga, Yeah,

1230
01:21:36,800 --> 01:21:39,000
Speaker 1: episode I come talk to you, episodes we played to

1231
01:21:39,040 --> 01:21:39,639
Speaker 1: get our deal.

1232
01:21:39,880 --> 01:21:43,880
Speaker 2: Yeah yeah, I mean Jamie Fox was clearly the the

1233
01:21:44,880 --> 01:21:50,040
Speaker 2: the it closed the case. It wasn't nothing to talk

1234
01:21:50,040 --> 01:21:52,800
Speaker 2: about after that. But these guys, you know, Problem and Nick,

1235
01:21:52,840 --> 01:21:55,360
Speaker 2: and they pulled up when it was just like, nigga,

1236
01:21:55,439 --> 01:21:57,480
Speaker 2: let's get it my nigga.

1237
01:21:57,240 --> 01:21:57,640
Speaker 3: Let's do this.

1238
01:21:59,600 --> 01:22:02,640
Speaker 1: But nohout out to iHeart, I heart, shout out to

1239
01:22:02,720 --> 01:22:08,160
Speaker 1: Doc Winter Doc Shot, and shout out to someone who

1240
01:22:10,280 --> 01:22:13,120
Speaker 1: really had no skin in the game, no no dog

1241
01:22:13,240 --> 01:22:15,639
Speaker 1: in the fight of it at all. Wasn't a part

1242
01:22:15,720 --> 01:22:20,400
Speaker 1: of it technically. That just literally cussed everybody out about

1243
01:22:20,520 --> 01:22:26,280
Speaker 1: us early on. Julia Jones absolutely who was not listen

1244
01:22:26,360 --> 01:22:28,559
Speaker 1: if it, if it, if she knew that it came

1245
01:22:28,600 --> 01:22:32,600
Speaker 1: across your desk, she like, why the fuck yain't in

1246
01:22:32,720 --> 01:22:34,679
Speaker 1: business with R and B money, That's right. So shout

1247
01:22:34,720 --> 01:22:37,680
Speaker 1: out to Juliet that's our sister. She's fought for us

1248
01:22:37,760 --> 01:22:41,320
Speaker 1: along the way, even from the music side. But this

1249
01:22:41,520 --> 01:22:44,360
Speaker 1: podcast don't exist in this form without her.

1250
01:22:44,520 --> 01:22:44,960
Speaker 3: Absolutely.

1251
01:22:47,160 --> 01:22:50,160
Speaker 1: But yeah, everybody at I heart, everybody had Black Effect.

1252
01:22:50,320 --> 01:22:56,160
Speaker 1: Everybody had Black Effect. Who Charlamagne who told them they

1253
01:22:56,240 --> 01:22:58,120
Speaker 1: wanted to be a part of what we were doing,

1254
01:22:59,240 --> 01:23:02,880
Speaker 1: you know what I mean, Dolly, their whole team over there, man,

1255
01:23:03,040 --> 01:23:05,280
Speaker 1: Like they've they've been great for us, and they've been

1256
01:23:05,320 --> 01:23:08,920
Speaker 1: great partners with us, man, and I'm super appreciative of them.

1257
01:23:11,760 --> 01:23:16,719
Speaker 1: Ship man, and all the R and B Money viewers

1258
01:23:16,760 --> 01:23:21,320
Speaker 1: and followers and fans and family to the podcast, to

1259
01:23:21,400 --> 01:23:25,080
Speaker 1: the label that literally the subscribers, the people that literally

1260
01:23:25,160 --> 01:23:29,400
Speaker 1: have notifications on that are waiting for our new episodes

1261
01:23:29,479 --> 01:23:29,880
Speaker 1: every week.

1262
01:23:30,040 --> 01:23:33,000
Speaker 2: Anybody screaming R and B Money in the airport, in

1263
01:23:33,120 --> 01:23:39,720
Speaker 2: the mall, at the at the Chipotle, Oh y'all man,

1264
01:23:39,880 --> 01:23:42,439
Speaker 2: Like y'all don't y'all don't know to watch my basketball?

1265
01:23:46,840 --> 01:23:47,080
Speaker 1: Is that.

1266
01:23:48,760 --> 01:23:55,280
Speaker 3: The flight attendant like, like, you guys don't know how that.

1267
01:23:55,760 --> 01:24:00,680
Speaker 1: Ship is super cool? Man, that's really really cool. But yeah,

1268
01:24:00,760 --> 01:24:03,960
Speaker 1: and then just just shout and shout out to shout

1269
01:24:04,000 --> 01:24:09,439
Speaker 1: out to the people that literally make their own clips

1270
01:24:10,280 --> 01:24:16,759
Speaker 1: mm hmm post them have you know, literally just spread

1271
01:24:16,880 --> 01:24:17,320
Speaker 1: the word.

1272
01:24:17,800 --> 01:24:18,680
Speaker 3: We are not mad at you.

1273
01:24:19,360 --> 01:24:21,519
Speaker 1: We love that, you know what I mean. And I

1274
01:24:21,640 --> 01:24:23,360
Speaker 1: try to get to as many of them as possible

1275
01:24:23,400 --> 01:24:25,360
Speaker 1: to repost it or to you know, just even just

1276
01:24:25,400 --> 01:24:27,600
Speaker 1: say thank you. And I mean, right now, I just

1277
01:24:27,640 --> 01:24:29,120
Speaker 1: want to say thank you to the you know, the

1278
01:24:29,200 --> 01:24:32,800
Speaker 1: people who literally and the people who are in the

1279
01:24:32,880 --> 01:24:37,000
Speaker 1: comments sections talking shit. I still appreciate y'all because that

1280
01:24:37,200 --> 01:24:40,920
Speaker 1: means that you're engaged. I'm not gonna always agree, but

1281
01:24:41,439 --> 01:24:44,160
Speaker 1: I appreciate that they're that engaged and that they're passionate,

1282
01:24:44,720 --> 01:24:46,759
Speaker 1: and you know, they be like why don't y'all try

1283
01:24:47,200 --> 01:24:48,840
Speaker 1: and then sometimes be like why don't you get your

1284
01:24:48,880 --> 01:24:58,599
Speaker 1: own shoe? But you know, but then there's certain things

1285
01:24:58,640 --> 01:25:01,920
Speaker 1: I'm like, oh, that's actually cool. Yeah, maybe maybe we will,

1286
01:25:02,200 --> 01:25:05,240
Speaker 1: you know, put that into the show or figure out

1287
01:25:05,240 --> 01:25:07,320
Speaker 1: a way to you know, to touch on those subjects,

1288
01:25:07,360 --> 01:25:10,200
Speaker 1: and maybe, you know, I will let Tank be more

1289
01:25:10,240 --> 01:25:12,200
Speaker 1: of a music nerd because y'all be wanting the music

1290
01:25:12,280 --> 01:25:14,439
Speaker 1: nerd ship. Man, I won't be like, I think we

1291
01:25:14,479 --> 01:25:16,720
Speaker 1: don't want to hear about twelve niggas.

1292
01:25:20,000 --> 01:25:21,120
Speaker 3: For the violin down there?

1293
01:25:23,600 --> 01:25:23,720
Speaker 1: Uh?

1294
01:25:24,720 --> 01:25:27,000
Speaker 2: And you know what I gotta say, thank you Jy,

1295
01:25:27,080 --> 01:25:29,839
Speaker 2: thank you Brother Valentine, thank you to my brother.

1296
01:25:29,800 --> 01:25:31,760
Speaker 1: Man, thank you. Do you know what I'm saying? Thank

1297
01:25:31,760 --> 01:25:33,720
Speaker 1: you for shureing up. I know you don't want to

1298
01:25:33,760 --> 01:25:37,000
Speaker 1: do this ship all the time, a superstar like Yo,

1299
01:25:37,680 --> 01:25:40,040
Speaker 1: I'm just me. You got shows you to do after this.

1300
01:25:40,240 --> 01:25:42,599
Speaker 2: This is way easier to do. This is whol has

1301
01:25:42,600 --> 01:25:43,880
Speaker 2: to get to sit down and talk to you don't

1302
01:25:44,080 --> 01:25:46,560
Speaker 2: talk or a yeapper. This works out perfect for me.

1303
01:25:47,160 --> 01:25:51,200
Speaker 2: But I think just you know, our chemistry and just

1304
01:25:52,200 --> 01:25:57,840
Speaker 2: just what we're able to do. It shows in this space,

1305
01:25:57,960 --> 01:26:02,040
Speaker 2: our brotherhood, shows in this space what we believe in,

1306
01:26:02,280 --> 01:26:08,080
Speaker 2: our unified goal. And then just the sauce Man were

1307
01:26:08,120 --> 01:26:12,240
Speaker 2: the only podcasters they can They're really active in the space.

1308
01:26:12,320 --> 01:26:12,599
Speaker 3: Nigga.

1309
01:26:12,640 --> 01:26:18,040
Speaker 2: We had a number one single on radio. Yeah, as

1310
01:26:18,880 --> 01:26:25,719
Speaker 2: as a full pod Nigga Yeah us performance Soul Trained.

1311
01:26:26,960 --> 01:26:31,120
Speaker 3: I like to say, I.

1312
01:26:31,200 --> 01:26:35,240
Speaker 1: Want to keep doing the show. Yeah, I want to

1313
01:26:35,320 --> 01:26:39,400
Speaker 1: grow from it not being a podcast. I would like

1314
01:26:39,479 --> 01:26:41,720
Speaker 1: to continue to scale up. I wanted to be the

1315
01:26:41,880 --> 01:26:46,320
Speaker 1: R and B money show that right, because yes it

1316
01:26:46,439 --> 01:26:51,320
Speaker 1: is conversation. But now that we are adding performances and

1317
01:26:52,120 --> 01:26:56,439
Speaker 1: you know, we're adding more information from all sides, you

1318
01:26:56,520 --> 01:27:00,160
Speaker 1: know what I mean, Like this week in arm B

1319
01:27:00,320 --> 01:27:02,280
Speaker 1: is coming, it's coming. Talk to them, you know what

1320
01:27:02,280 --> 01:27:05,760
Speaker 1: I mean? You know other other other things, that other

1321
01:27:05,880 --> 01:27:10,799
Speaker 1: content pieces that in the space. We're creating more things

1322
01:27:11,400 --> 01:27:14,559
Speaker 1: than purely a podcast podcasts. I'm not one of those

1323
01:27:14,560 --> 01:27:16,599
Speaker 1: people who thinks that the word is oh, don't call

1324
01:27:16,680 --> 01:27:20,920
Speaker 1: them podcasts. No, I just think that for us, it's

1325
01:27:21,000 --> 01:27:24,720
Speaker 1: time to elevate the show. It's time to elevate the show.

1326
01:27:24,880 --> 01:27:26,439
Speaker 1: And I know you want to do skits and shit.

1327
01:27:28,200 --> 01:27:31,400
Speaker 2: We gotta have fun, baby, we gotta have fun. We

1328
01:27:31,439 --> 01:27:35,679
Speaker 2: need a place where our people are artists, can show

1329
01:27:35,720 --> 01:27:36,560
Speaker 2: their personality.

1330
01:27:36,680 --> 01:27:38,040
Speaker 3: Man. Yeah, you know what I mean.

1331
01:27:38,240 --> 01:27:41,519
Speaker 2: We got the music, We we got the we got

1332
01:27:41,600 --> 01:27:45,040
Speaker 2: whatever movie, whatever TV show that is, We got whoever

1333
01:27:45,120 --> 01:27:46,320
Speaker 2: you play for, whatever team.

1334
01:27:46,400 --> 01:27:46,720
Speaker 3: We got that.

1335
01:27:48,000 --> 01:27:50,800
Speaker 2: Now let's scale all that back and just have a

1336
01:27:50,840 --> 01:27:55,280
Speaker 2: good time, have some fun. So it dorn't be money.

1337
01:27:56,080 --> 01:28:00,760
Speaker 2: Things are happening, Things are happening. You're developing, man, Yeah,

1338
01:28:01,080 --> 01:28:04,679
Speaker 2: you know, right before your eyes, baby, So don't blink.

1339
01:28:04,760 --> 01:28:12,479
Speaker 1: Man, o, god, that's crazy, that's crazy.

1340
01:28:12,720 --> 01:28:13,160
Speaker 3: We did that.

1341
01:28:14,520 --> 01:28:20,519
Speaker 2: Yeah, we did want fifty And you guys have watched

1342
01:28:20,720 --> 01:28:24,080
Speaker 2: one hundred and fifty episodes, hopefully of the Army Money Pack.

1343
01:28:24,160 --> 01:28:30,240
Speaker 1: If you have not go and catch up before season

1344
01:28:30,320 --> 01:28:30,840
Speaker 1: four starts.

1345
01:28:30,920 --> 01:28:31,559
Speaker 3: Go catch up.

1346
01:28:32,080 --> 01:28:34,880
Speaker 2: You don't want to miss anything, and then you'll be

1347
01:28:34,960 --> 01:28:39,920
Speaker 2: able to see the progression that ultimately becomes season four

1348
01:28:40,040 --> 01:28:41,519
Speaker 2: and you don't want to miss that. I want to

1349
01:28:41,560 --> 01:28:45,800
Speaker 2: say one more thing before we close out. Congratulations what

1350
01:28:46,000 --> 01:28:46,200
Speaker 2: I do?

1351
01:28:51,000 --> 01:28:54,519
Speaker 1: Yeah, you know you are a Broadway actor.

1352
01:28:54,680 --> 01:28:59,080
Speaker 3: Now people got to talk to me different now, man.

1353
01:28:59,200 --> 01:29:02,760
Speaker 3: You know, you know, you know it helps kitchen man,

1354
01:29:02,920 --> 01:29:07,720
Speaker 3: and you know, you know, you know, shout out to

1355
01:29:08,760 --> 01:29:10,200
Speaker 3: Akay you know Lisia King.

1356
01:29:11,240 --> 01:29:13,720
Speaker 1: Yeah, she called. You know, you know you talk to her.

1357
01:29:14,320 --> 01:29:16,160
Speaker 1: I seen no based down. You know what I'm saying.

1358
01:29:16,720 --> 01:29:17,360
Speaker 1: She employs.

1359
01:29:17,720 --> 01:29:18,320
Speaker 3: You know what I'm saying.

1360
01:29:18,800 --> 01:29:23,360
Speaker 2: Shout out to Swiss who who reached out immediately and

1361
01:29:23,800 --> 01:29:27,439
Speaker 2: sent the love and sent the whatever you Neque King,

1362
01:29:27,520 --> 01:29:29,240
Speaker 2: you know how Swiss is whatever you need.

1363
01:29:29,920 --> 01:29:32,400
Speaker 1: And you know me, I'm a I'm a guy, very

1364
01:29:32,439 --> 01:29:33,360
Speaker 1: little maintenance man.

1365
01:29:33,720 --> 01:29:34,760
Speaker 3: I just want to do the work.

1366
01:29:34,960 --> 01:29:39,760
Speaker 2: And so I'm I'm very excited about getting into that

1367
01:29:39,920 --> 01:29:44,799
Speaker 2: space and and and cooking and being part of something

1368
01:29:45,479 --> 01:29:46,240
Speaker 2: really really great.

1369
01:29:46,439 --> 01:29:46,639
Speaker 3: Yeah.

1370
01:29:46,680 --> 01:29:49,240
Speaker 1: I think that's the natural progression. For you know, honestly,

1371
01:29:49,560 --> 01:29:51,759
Speaker 1: you know, I think you're a great actor.

1372
01:29:52,520 --> 01:29:53,000
Speaker 3: You know what I mean?

1373
01:29:53,720 --> 01:29:57,280
Speaker 1: You did J Junior dude junior junior.

1374
01:29:57,520 --> 01:30:02,599
Speaker 2: At least on the BT. Listen TV one Dizzy that's

1375
01:30:02,720 --> 01:30:06,120
Speaker 2: him on him. I can't tell me nothing. They tried

1376
01:30:06,400 --> 01:30:07,800
Speaker 2: to kill my wife.

1377
01:30:08,240 --> 01:30:18,439
Speaker 1: That might not get you know, so make sure y'all

1378
01:30:18,560 --> 01:30:23,080
Speaker 1: catch my brother Hell's Kitchen. Yes, Broadway, this is this

1379
01:30:23,160 --> 01:30:28,160
Speaker 1: is a different level of acting in and of commitment.

1380
01:30:29,720 --> 01:30:35,120
Speaker 1: I commend you for that, bro, because it's tough to

1381
01:30:35,280 --> 01:30:37,880
Speaker 1: take that type of leap to say, you know what,

1382
01:30:38,320 --> 01:30:40,880
Speaker 1: this is what I'm about to focus on, and this

1383
01:30:41,040 --> 01:30:43,320
Speaker 1: is what I need to do to elevate my career

1384
01:30:43,360 --> 01:30:47,600
Speaker 1: in places that I feel I haven't just yet, you

1385
01:30:47,640 --> 01:30:51,040
Speaker 1: know what I mean, like the R and B start

1386
01:30:51,160 --> 01:30:53,679
Speaker 1: going and do it and Broadway just out of nowhere.

1387
01:30:54,960 --> 01:30:58,439
Speaker 1: It's amazing, Bro, So super excited for you at a

1388
01:30:58,560 --> 01:31:00,360
Speaker 1: height and at a real cycle fights.

1389
01:31:00,400 --> 01:31:03,960
Speaker 3: And for me it was just like, what do you

1390
01:31:04,000 --> 01:31:06,720
Speaker 3: want out of this? Yeah? What do you want out

1391
01:31:06,720 --> 01:31:06,840
Speaker 3: of this?

1392
01:31:07,040 --> 01:31:07,160
Speaker 2: Now?

1393
01:31:07,200 --> 01:31:07,960
Speaker 1: You're gonna do it for me?

1394
01:31:08,040 --> 01:31:08,320
Speaker 3: I don't.

1395
01:31:08,360 --> 01:31:11,720
Speaker 1: I don't want nothing easy, And this is this is

1396
01:31:11,840 --> 01:31:16,200
Speaker 1: I want to take the stairs and these are real stairs. Yeah.

1397
01:31:16,520 --> 01:31:19,320
Speaker 1: So so y'all, don't y'all don't be in my d

1398
01:31:19,479 --> 01:31:23,120
Speaker 1: ms in my comments bothering me about what a new episode,

1399
01:31:23,720 --> 01:31:28,160
Speaker 1: because my brother about to be on Broadway by the

1400
01:31:28,200 --> 01:31:31,200
Speaker 1: time this come out. He's on Broadways, so leave me alone. Yeah,

1401
01:31:31,520 --> 01:31:33,639
Speaker 1: I'm gonna figure out some more ship to talk ship

1402
01:31:33,760 --> 01:31:37,920
Speaker 1: to y'all. But we got more ship. Yeah, this week

1403
01:31:37,960 --> 01:31:40,360
Speaker 1: in R and B be rocking and rolling, so we

1404
01:31:40,840 --> 01:31:43,040
Speaker 1: got more ship and then may be our facetiming here

1405
01:31:43,040 --> 01:31:43,360
Speaker 1: and there.

1406
01:31:43,560 --> 01:31:47,600
Speaker 3: Yeah, on the show. But you know, you gotta be

1407
01:31:47,640 --> 01:31:48,240
Speaker 3: on Broadway.

1408
01:31:48,320 --> 01:31:50,240
Speaker 1: Yeah, that's that's super cool because I ain't never really

1409
01:31:50,280 --> 01:31:51,920
Speaker 1: had no homies on Broadway, so this is the first

1410
01:31:51,920 --> 01:31:54,640
Speaker 1: time be on Broadway like that. Congratulations, dog, thank you

1411
01:31:58,600 --> 01:32:03,160
Speaker 1: take I'm Jay Valentine and this has been one hundred

1412
01:32:03,200 --> 01:32:07,120
Speaker 1: and fifty episodes of cool shit, of coul shit, of

1413
01:32:07,240 --> 01:32:12,479
Speaker 1: cool shit, brol We've done really cool shit, no clickbait,

1414
01:32:13,160 --> 01:32:16,639
Speaker 1: no bait, good times, good time, more flowers to be given,

1415
01:32:17,640 --> 01:32:20,519
Speaker 1: more flowers to come. Thank you guys for staying with us.

1416
01:32:21,280 --> 01:32:24,800
Speaker 1: And we are the authorities.

1417
01:32:24,960 --> 01:32:28,200
Speaker 3: Don't know our things, honestly, honest. Yeah,