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Now here's a highlight from Coast 11 00:00:30,120 --> 00:00:33,960 Speaker 1: to Coast AM on iHeart Radio. Okay, welcome back to 12 00:00:34,040 --> 00:00:36,479 Speaker 1: Coast to Coast Professor Slim king with us as we 13 00:00:36,520 --> 00:00:38,920 Speaker 1: talk about the life of Hrry Houdini. Will also talk 14 00:00:38,960 --> 00:00:42,360 Speaker 1: about magic very shortly as well. Professor, back to the 15 00:00:42,360 --> 00:00:45,440 Speaker 1: curse you were talking about the Marjorie and Houdini, and 16 00:00:45,520 --> 00:00:49,600 Speaker 1: explain a little bit more about who Marjorie was. Okay, 17 00:00:49,920 --> 00:00:54,200 Speaker 1: Marjorie's real name is Mina Crandon and she was a 18 00:00:54,240 --> 00:00:58,120 Speaker 1: socialite in Boston. She was married to a doctor and 19 00:00:58,480 --> 00:01:03,240 Speaker 1: they had kind of a mysterious life. She was said 20 00:01:03,320 --> 00:01:08,560 Speaker 1: to be really really a sensuous lady. All the pictures 21 00:01:08,600 --> 00:01:11,480 Speaker 1: I see, she looks pretty average, but everybody who met 22 00:01:11,520 --> 00:01:15,400 Speaker 1: her I thought she was just devastatingly beautiful. I don't 23 00:01:15,440 --> 00:01:18,840 Speaker 1: know why, but they did. Uh and uh it had 24 00:01:18,880 --> 00:01:20,840 Speaker 1: probably had something to do with the way that she 25 00:01:21,000 --> 00:01:25,840 Speaker 1: did her seances. Uh. Menick was that they called her 26 00:01:25,880 --> 00:01:28,679 Speaker 1: Marjorie and she was the witch of Lime Street. Sometimes 27 00:01:28,680 --> 00:01:31,560 Speaker 1: they called her the blonde Witch of Boston. And that 28 00:01:31,720 --> 00:01:33,800 Speaker 1: was it a compliment in those days to call somebody 29 00:01:33,800 --> 00:01:39,280 Speaker 1: a witch. I think so. I think it's I think 30 00:01:39,800 --> 00:01:42,200 Speaker 1: they got a big kick out of it, because I 31 00:01:42,600 --> 00:01:45,720 Speaker 1: it was a lot of people during that time period, 32 00:01:45,800 --> 00:01:49,480 Speaker 1: during the spiritualist movement, UM, a lot of people were 33 00:01:49,480 --> 00:01:52,600 Speaker 1: having family circles. There were all kinds of people that 34 00:01:52,680 --> 00:01:55,840 Speaker 1: were Catholics or Baptists or whatever. On their on their 35 00:01:55,880 --> 00:01:58,680 Speaker 1: Sunday afternoon or a Saturday, they would all get together 36 00:01:58,720 --> 00:02:01,040 Speaker 1: in the middle of the day and hold hands and 37 00:02:01,400 --> 00:02:03,320 Speaker 1: somebody would go into a trance and they would try 38 00:02:03,360 --> 00:02:06,960 Speaker 1: to contact their de ceased relatives. It was a common 39 00:02:07,520 --> 00:02:12,119 Speaker 1: back in the twenties. Okay, but this this curse now, right, 40 00:02:12,240 --> 00:02:17,359 Speaker 1: So uh, Harry goes and he's gonna check out Mina Crandon. 41 00:02:17,680 --> 00:02:19,880 Speaker 1: He's going to go to Boston, and they line up 42 00:02:19,880 --> 00:02:22,960 Speaker 1: about six fances that he's going to attend. Now, the 43 00:02:23,080 --> 00:02:29,760 Speaker 1: Scientific American has a twenty dollar purse for anybody that 44 00:02:29,800 --> 00:02:35,400 Speaker 1: can prove that they are a real medium, and kind 45 00:02:35,400 --> 00:02:37,560 Speaker 1: of like the j R. E F. The James Randy 46 00:02:37,720 --> 00:02:40,799 Speaker 1: Educational Foundation had a million dollar one here which they 47 00:02:41,080 --> 00:02:43,239 Speaker 1: never had to give out, right, they never had to 48 00:02:43,240 --> 00:02:45,000 Speaker 1: give it out, but they I don't think they actually 49 00:02:45,080 --> 00:02:50,880 Speaker 1: let anybody who could actually win participant. Well they won't 50 00:02:50,880 --> 00:02:54,079 Speaker 1: like you for that one. Yeah, well they can. They 51 00:02:54,080 --> 00:02:56,120 Speaker 1: can dislike me all they want. I don't think they 52 00:02:56,120 --> 00:02:58,320 Speaker 1: played fair. And they finally shut it down and they've 53 00:02:58,320 --> 00:03:01,639 Speaker 1: just given the money whoever they want. That is interesting 54 00:03:01,639 --> 00:03:03,920 Speaker 1: that they were taking in about one point five million 55 00:03:03,960 --> 00:03:08,040 Speaker 1: dollars a year, talking about a million dollar contests, so 56 00:03:08,680 --> 00:03:13,480 Speaker 1: they were coming that way ahead. So anyway, the the 57 00:03:13,680 --> 00:03:16,880 Speaker 1: Scientific American has the same kind of thing going on. 58 00:03:17,160 --> 00:03:22,119 Speaker 1: So they are always going to Marjorie's seances. So they 59 00:03:22,160 --> 00:03:25,320 Speaker 1: set this up with six of these and Houdini goes up, 60 00:03:25,360 --> 00:03:30,000 Speaker 1: but he doesn't send um Rose Macknburg, that's the agent 61 00:03:30,080 --> 00:03:32,960 Speaker 1: that he usually sends ahead. What he does is he 62 00:03:33,160 --> 00:03:36,120 Speaker 1: builds a box kind of looks like a sauna. He 63 00:03:36,280 --> 00:03:41,200 Speaker 1: builds his box and he has um James Collins build 64 00:03:41,240 --> 00:03:45,400 Speaker 1: it for him, and he builds all of Houdini's props 65 00:03:45,760 --> 00:03:49,880 Speaker 1: and it's it's designed so that only Mina's head and 66 00:03:49,960 --> 00:03:55,040 Speaker 1: her hands can stick out, so she can't get at anything. 67 00:03:55,240 --> 00:04:01,600 Speaker 1: So Houdini's gonna make sure that she can't produce any trickery. 68 00:04:01,880 --> 00:04:06,480 Speaker 1: So they do one seance and everything goes according to plan. 69 00:04:07,040 --> 00:04:10,000 Speaker 1: And uh they have what they call a bell box. 70 00:04:10,280 --> 00:04:13,560 Speaker 1: It's a little bell inside of a box and if 71 00:04:13,560 --> 00:04:16,479 Speaker 1: they push on the lid, the bell will ring. And 72 00:04:16,520 --> 00:04:21,040 Speaker 1: they always put the box outside of the reach of Mina. 73 00:04:21,680 --> 00:04:24,799 Speaker 1: Uh and in this particular instance, they put it between 74 00:04:24,839 --> 00:04:29,039 Speaker 1: Houdini's legs so there's no way anyone could get at it. Well, 75 00:04:29,080 --> 00:04:33,120 Speaker 1: in the first scance, the bell rings, So the second 76 00:04:33,160 --> 00:04:35,120 Speaker 1: stance he brings in the box and he puts her 77 00:04:35,120 --> 00:04:38,000 Speaker 1: in the box. He's going to stop it, and they 78 00:04:38,040 --> 00:04:41,839 Speaker 1: put that in the second stance, the bell rings, So 79 00:04:41,920 --> 00:04:45,600 Speaker 1: now he's baffled. So now he's got a fixer. And 80 00:04:45,600 --> 00:04:49,040 Speaker 1: remember what we talked about before about there's always an 81 00:04:49,040 --> 00:04:52,400 Speaker 1: out you have to he has to fix Margie because 82 00:04:52,440 --> 00:04:55,400 Speaker 1: Marjorie because he's actually already written a book about her, 83 00:04:55,760 --> 00:04:59,440 Speaker 1: how he's you know, exposed her. So he's got this 84 00:04:59,480 --> 00:05:01,960 Speaker 1: book he's to put out, so he has to expose her. 85 00:05:02,480 --> 00:05:07,800 Speaker 1: So she comes in. Everybody gets around the seance, and 86 00:05:07,880 --> 00:05:13,719 Speaker 1: of course Marjorie has a spirit guide and his name 87 00:05:13,800 --> 00:05:18,000 Speaker 1: is Walter, and it's Marjorie's brother, so Walter. She goes 88 00:05:18,040 --> 00:05:21,000 Speaker 1: into a trance and Walter comes out and just starts 89 00:05:21,080 --> 00:05:25,320 Speaker 1: cussing and swearing and cursing at Houdini, and he says, 90 00:05:25,640 --> 00:05:28,200 Speaker 1: why did you put this foul thing in here? Why 91 00:05:28,240 --> 00:05:30,240 Speaker 1: are you doing this? Why did you do this? I'm 92 00:05:30,279 --> 00:05:33,679 Speaker 1: cursing you. This is this is this is a spirit 93 00:05:33,760 --> 00:05:36,839 Speaker 1: saying this right. This is the spirit saying it through Marjorie, 94 00:05:37,839 --> 00:05:42,800 Speaker 1: and the spirit Walter puts a death curse because inside 95 00:05:42,839 --> 00:05:46,680 Speaker 1: the box is a ruler, one of those rulers that 96 00:05:46,839 --> 00:05:50,320 Speaker 1: fulls up into three pieces, is one of those all kinds, 97 00:05:51,040 --> 00:05:53,960 Speaker 1: and it's inside the box. The only people that had 98 00:05:54,000 --> 00:05:59,600 Speaker 1: access to the box was Houdini and uh James Collins 99 00:06:00,040 --> 00:06:06,240 Speaker 1: soon was the curse professor, and then Houdini ended up dying. Well, 100 00:06:07,000 --> 00:06:09,760 Speaker 1: he cursed him. And some people say that he said 101 00:06:09,800 --> 00:06:14,279 Speaker 1: you'll die in a year. That's uh, you know, people 102 00:06:14,279 --> 00:06:17,800 Speaker 1: debate about that, but he died in two years. He 103 00:06:17,880 --> 00:06:21,760 Speaker 1: was totally dead. This big strong man died in two 104 00:06:21,839 --> 00:06:27,400 Speaker 1: years after being cursed by Walter. Did it scare him? Well, actually, 105 00:06:27,560 --> 00:06:31,279 Speaker 1: Houdini used it in his advertising. You can see their 106 00:06:31,440 --> 00:06:35,240 Speaker 1: Houdini ads all over the place where Houdini advertised that 107 00:06:35,680 --> 00:06:38,719 Speaker 1: he's under the curse of the spiritual and could die 108 00:06:38,760 --> 00:06:41,960 Speaker 1: at any moment. Yeah, and it really helped him, you know, 109 00:06:42,640 --> 00:06:45,480 Speaker 1: kind of in a way. But then you get this 110 00:06:45,680 --> 00:06:50,680 Speaker 1: concept of the self fulfilling prophecy, right, that they have 111 00:06:51,240 --> 00:06:57,880 Speaker 1: prophesied that he's gonna die. So later when Houdini gets sick, 112 00:06:59,279 --> 00:07:02,160 Speaker 1: maybe this is in the back of his mind and 113 00:07:02,240 --> 00:07:06,159 Speaker 1: so he doesn't go to the doctor because he doesn't 114 00:07:06,200 --> 00:07:08,600 Speaker 1: he doesn't want to prove them right. He doesn't want 115 00:07:08,600 --> 00:07:11,000 Speaker 1: to show that he's getting sick or that something's happened. 116 00:07:11,680 --> 00:07:15,360 Speaker 1: And that's kind of my viewpoint of maybe what happened 117 00:07:15,960 --> 00:07:18,240 Speaker 1: why he didn't go when he first started getting sick, 118 00:07:18,920 --> 00:07:23,400 Speaker 1: and Arthur Ford, what happened to him eventually Arthur Ford, 119 00:07:23,680 --> 00:07:27,080 Speaker 1: Arthur Ford toward the world after he gave this, Uh, 120 00:07:27,320 --> 00:07:32,160 Speaker 1: did he outlive Houdini. He outlived as he lived until 121 00:07:34,720 --> 00:07:42,280 Speaker 1: Arthur Ford lived a fantastic life. So after Houdini tries 122 00:07:42,320 --> 00:07:47,119 Speaker 1: to frame up Marjorie, Um, he puts out this book. 123 00:07:47,520 --> 00:07:50,400 Speaker 1: He actually fails, but he says he does it. And 124 00:07:50,440 --> 00:07:54,080 Speaker 1: he's got these photos of Marjorie's legs under the table, 125 00:07:55,160 --> 00:07:58,040 Speaker 1: and then he had some drawings made where her leg 126 00:07:58,120 --> 00:08:01,640 Speaker 1: is reaching around his leg. So he makes some drawings 127 00:08:01,680 --> 00:08:04,000 Speaker 1: and puts them in the book where the photo is 128 00:08:04,040 --> 00:08:08,320 Speaker 1: not anything like the drawing. A little, a little trickery 129 00:08:08,360 --> 00:08:12,600 Speaker 1: by Houdini. Yes, so Houdini once again is doing this, 130 00:08:12,760 --> 00:08:16,400 Speaker 1: and um, there was a guy named Walter B. Gibson, 131 00:08:16,800 --> 00:08:20,160 Speaker 1: and he is probably one of, if not the number 132 00:08:20,200 --> 00:08:24,280 Speaker 1: one expert on Houdini. He worked with Houdini, he worked 133 00:08:24,280 --> 00:08:27,600 Speaker 1: with Dunninger, and then he worked with Kreskin. And he 134 00:08:27,880 --> 00:08:32,600 Speaker 1: makes this statement, there's a a bombshelling in the interviewed 135 00:08:32,640 --> 00:08:37,520 Speaker 1: Kreskin and he gives this quote by Gibson and says, 136 00:08:38,000 --> 00:08:42,720 Speaker 1: when will magicians realize that Houdini was often as dishonest 137 00:08:42,840 --> 00:08:47,760 Speaker 1: as the mediums he purported to expose. That's pretty heavy. 138 00:08:47,840 --> 00:08:50,880 Speaker 1: That is heavy coming from the number one guy. So 139 00:08:50,960 --> 00:08:55,880 Speaker 1: he knew that they were putting um James Collins in there, 140 00:08:56,120 --> 00:09:00,920 Speaker 1: and that Rose Macknburg was going ahead, and they were 141 00:09:00,960 --> 00:09:03,920 Speaker 1: setting them up so he would have a great show. 142 00:09:04,320 --> 00:09:07,199 Speaker 1: Listen to more Coast to Coast a m. Every weeknight 143 00:09:07,400 --> 00:09:09,880 Speaker 1: at one a m. 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