1 00:00:01,120 --> 00:00:04,400 Speaker 1: Welcome to episode two thirty. We will talk to Janna 2 00:00:04,440 --> 00:00:08,160 Speaker 1: Kramer coming up a little bit, and Eddie's back again. Yeah, 3 00:00:08,480 --> 00:00:11,000 Speaker 1: like we have nothing to do except do this. I 4 00:00:11,039 --> 00:00:13,000 Speaker 1: don't really. I mean, this is the time to come 5 00:00:13,039 --> 00:00:17,759 Speaker 1: over whenever I want. Traffic fine, zero traffic. You know. 6 00:00:18,239 --> 00:00:22,880 Speaker 1: I made the observation this morning that finally you all 7 00:00:22,920 --> 00:00:25,080 Speaker 1: get to see what Christmas is like for me. You 8 00:00:25,160 --> 00:00:28,160 Speaker 1: did because sat a little bit. I mean your explanation 9 00:00:28,200 --> 00:00:31,280 Speaker 1: was pretty sad because I don't no offense, but I 10 00:00:31,280 --> 00:00:34,240 Speaker 1: mean you're I'm busy doing my Christmas. I'm not thinking 11 00:00:34,240 --> 00:00:37,360 Speaker 1: what you're doing. So here's this kind of just alone. 12 00:00:38,080 --> 00:00:40,479 Speaker 1: The streets are empty, most things are closed, but you 13 00:00:40,520 --> 00:00:43,839 Speaker 1: got to google and see what's really happening. You can 14 00:00:43,880 --> 00:00:47,680 Speaker 1: move around pretty easily, but again you kind of gotta 15 00:00:48,080 --> 00:00:51,919 Speaker 1: piece it together what's available and what's not. So, yeah, 16 00:00:51,960 --> 00:00:53,760 Speaker 1: this is what Christmas feels like for me. Yeah. It's 17 00:00:53,760 --> 00:00:56,360 Speaker 1: not good. Sorry, especially when I'm alone. Yeah. Any more 18 00:00:56,400 --> 00:00:59,800 Speaker 1: that you have a girlfriend, yeah yeah, I told her 19 00:00:59,880 --> 00:01:02,680 Speaker 1: that later today. I was talking to her because she's 20 00:01:02,720 --> 00:01:05,080 Speaker 1: here and I was like, hey, um, that's kind of 21 00:01:05,080 --> 00:01:07,480 Speaker 1: what Christmas fells like to me. She was like, stop 22 00:01:07,520 --> 00:01:10,360 Speaker 1: it you'll never spend Christmas alone again? Oh? Nice? And 23 00:01:10,400 --> 00:01:13,400 Speaker 1: I was like, well, I spend it with. You're like, 24 00:01:13,440 --> 00:01:17,080 Speaker 1: I can't think of anyone for that was spend Christmas with? Uh? 25 00:01:17,120 --> 00:01:18,760 Speaker 1: So I will talk to Janna Cramer coming up in 26 00:01:18,800 --> 00:01:21,080 Speaker 1: just a little bit. Um. I wanted to talk about 27 00:01:21,160 --> 00:01:23,959 Speaker 1: music and movies. And it also gives us away to 28 00:01:25,400 --> 00:01:30,480 Speaker 1: promote Mike ds podcast called Mike D's Movie Podcast. If 29 00:01:30,480 --> 00:01:32,880 Speaker 1: they what's the easiest search on that movie mikes? Oh, 30 00:01:32,920 --> 00:01:36,959 Speaker 1: that's what it's called podcast. There's movie Mikes chose up 31 00:01:37,000 --> 00:01:40,560 Speaker 1: anywhere movie Mike's Movie Podcast. And so what you have 32 00:01:40,600 --> 00:01:42,800 Speaker 1: here at your top three music movies and what did 33 00:01:42,840 --> 00:01:45,840 Speaker 1: you base this on? I based this on movies that 34 00:01:45,880 --> 00:01:48,000 Speaker 1: impacted me the most and just ones that I think 35 00:01:48,040 --> 00:01:50,720 Speaker 1: stand alone and anybody could watch and get to know 36 00:01:50,840 --> 00:01:54,040 Speaker 1: like about these artists. Okay, the top three movies, and 37 00:01:54,080 --> 00:01:55,720 Speaker 1: you've seen all three of them? Have seen all three? 38 00:01:55,800 --> 00:01:58,760 Speaker 1: Did you watch them recently? I rewatched one of them 39 00:01:58,760 --> 00:02:00,960 Speaker 1: just to kind of get a night again of how 40 00:02:01,000 --> 00:02:02,920 Speaker 1: it affected me when I first watched it. And then 41 00:02:02,920 --> 00:02:05,440 Speaker 1: the other two I've seen probably like a year or 42 00:02:05,440 --> 00:02:07,840 Speaker 1: two ago. All right, coming in at number three straight 43 00:02:07,840 --> 00:02:09,800 Speaker 1: out of Compton. So it's the story of n w A. 44 00:02:10,040 --> 00:02:12,320 Speaker 1: And I think it's one of the best biopics that's 45 00:02:12,320 --> 00:02:15,400 Speaker 1: ever been done on like any group, just because I 46 00:02:15,440 --> 00:02:17,560 Speaker 1: love it when they showed the rise and fall of 47 00:02:17,560 --> 00:02:20,040 Speaker 1: an artist in a biopic, and you kind of get 48 00:02:20,919 --> 00:02:22,920 Speaker 1: nw A from the very beginning when it started with 49 00:02:22,960 --> 00:02:26,440 Speaker 1: Easy E to how he found everybody, how they got 50 00:02:26,480 --> 00:02:28,840 Speaker 1: screwed over all the way leading up to where everybody 51 00:02:28,840 --> 00:02:31,440 Speaker 1: else kind of started branching off and having their solo careers. 52 00:02:32,280 --> 00:02:35,079 Speaker 1: And their story is pretty crazy. Like the guy their 53 00:02:35,200 --> 00:02:39,160 Speaker 1: their record label, guy who found Easy he was essentially 54 00:02:39,200 --> 00:02:42,919 Speaker 1: just trying to make him the star of the group. 55 00:02:43,040 --> 00:02:45,960 Speaker 1: So he treated him so much better and cut him 56 00:02:46,000 --> 00:02:49,280 Speaker 1: like his own record deals and was kind of like 57 00:02:49,280 --> 00:02:51,520 Speaker 1: like a jerk to everybody else and taking their money 58 00:02:51,520 --> 00:02:54,560 Speaker 1: from them. And I didn't know that about them. I 59 00:02:54,600 --> 00:02:56,919 Speaker 1: didn't know that about Easy how like he was like 60 00:02:57,000 --> 00:03:00,920 Speaker 1: the face of the group. And I think it was 61 00:03:00,960 --> 00:03:03,400 Speaker 1: just crazy to see. Did you see strategy content? No? 62 00:03:03,600 --> 00:03:05,280 Speaker 1: And I saw that it was for free, I think 63 00:03:05,280 --> 00:03:07,520 Speaker 1: on demand this week while I'm looking through a video 64 00:03:07,560 --> 00:03:10,240 Speaker 1: through like movies on the list, so I will see 65 00:03:10,240 --> 00:03:12,160 Speaker 1: this now. Where can you watch it now? You can 66 00:03:12,160 --> 00:03:13,800 Speaker 1: watch it on Hulu, and I think they just made 67 00:03:13,840 --> 00:03:15,640 Speaker 1: it on demand on some other places, but Hulu, if 68 00:03:15,639 --> 00:03:17,200 Speaker 1: you have it there, you can watch it free. And 69 00:03:17,200 --> 00:03:20,760 Speaker 1: what's the Throat and Tomato score. I liked it. I 70 00:03:20,800 --> 00:03:23,880 Speaker 1: felt like it was very glossy because all of a sudden, 71 00:03:23,880 --> 00:03:25,359 Speaker 1: they're like, we're gonna get the good together, We're gonna 72 00:03:25,360 --> 00:03:27,920 Speaker 1: do a record deal. Smash cut sold that show in Detroit. 73 00:03:28,480 --> 00:03:31,680 Speaker 1: Didn't happen that way. It was a little Hollywood for me, 74 00:03:32,600 --> 00:03:35,960 Speaker 1: um because again, I was just on the end of 75 00:03:36,080 --> 00:03:38,840 Speaker 1: n w A. Miked really didn't cross over the w 76 00:03:38,920 --> 00:03:40,520 Speaker 1: at all like the real life version. I was just 77 00:03:40,720 --> 00:03:43,920 Speaker 1: on the end and when ice Cube was starting to 78 00:03:43,920 --> 00:03:45,800 Speaker 1: blow up, but ice Cube Sun plays ice Cube in 79 00:03:45,800 --> 00:03:48,040 Speaker 1: this movie too, which is interesting that you'll like it 80 00:03:48,240 --> 00:03:49,920 Speaker 1: as long as you go into it annoying. It's a 81 00:03:49,920 --> 00:03:54,280 Speaker 1: Hollywood version of n w A. And if you're someone 82 00:03:54,320 --> 00:03:56,600 Speaker 1: who didn't actually see all that happened, because it was, 83 00:03:56,640 --> 00:03:58,240 Speaker 1: it's a pretty and I say this in the most 84 00:03:58,240 --> 00:04:02,400 Speaker 1: complimentary way, it's a pretty amy story. Yeah, and so 85 00:04:02,800 --> 00:04:03,960 Speaker 1: watch it. I think you'll like it if you do 86 00:04:04,040 --> 00:04:05,440 Speaker 1: know anyth about him. It's an interesting movie. And I 87 00:04:05,480 --> 00:04:09,040 Speaker 1: don't know anything about him really so, but it's um 88 00:04:09,320 --> 00:04:12,200 Speaker 1: Dr Dre produced it. So the issue whenever you have 89 00:04:12,280 --> 00:04:15,680 Speaker 1: somebody producing it that was in it is they packed 90 00:04:15,760 --> 00:04:17,599 Speaker 1: it up real nice to make everybody look real good. 91 00:04:17,640 --> 00:04:19,479 Speaker 1: It makes him look pretty good too. In it. Dr 92 00:04:19,520 --> 00:04:21,440 Speaker 1: Drey is like the kids. He's guys just doing the 93 00:04:21,480 --> 00:04:23,480 Speaker 1: beats like a good kids. And I wish it showed 94 00:04:23,520 --> 00:04:25,320 Speaker 1: some more about like Dr Dre because he had like 95 00:04:25,360 --> 00:04:27,480 Speaker 1: a whole other music career even before he got into 96 00:04:27,520 --> 00:04:30,159 Speaker 1: this stuff. He was doing like funky like jazz stuff 97 00:04:30,160 --> 00:04:32,640 Speaker 1: before and they don't show that. What was his role 98 00:04:32,680 --> 00:04:36,400 Speaker 1: in He's the beat guy. He's the beat guy, and 99 00:04:36,440 --> 00:04:40,120 Speaker 1: then he wasn't the rapper and then he started rapping. 100 00:04:40,320 --> 00:04:42,840 Speaker 1: He was actually pretty good. But he's never really been 101 00:04:42,880 --> 00:04:45,200 Speaker 1: a big rapper. I mean he's only put out what 102 00:04:45,400 --> 00:04:48,800 Speaker 1: to like albums and he's done some was a big 103 00:04:48,839 --> 00:04:52,320 Speaker 1: album though, Uh, but like the Chronic Chronic was huge. 104 00:04:52,360 --> 00:04:54,800 Speaker 1: But he's also done a lot of features on records. 105 00:04:55,240 --> 00:04:57,599 Speaker 1: So but do you know who is in w a 106 00:04:58,560 --> 00:05:02,440 Speaker 1: easy like Mike said, go ahead, um ice Cube, Yeah, 107 00:05:02,760 --> 00:05:07,080 Speaker 1: and then um there's three more uh Flavor, Flavor and 108 00:05:07,640 --> 00:05:12,000 Speaker 1: the Public Enemy. So Dr Dre DJ Yella, probably the 109 00:05:12,040 --> 00:05:15,000 Speaker 1: least famous of all of them. H M c wren, 110 00:05:15,600 --> 00:05:18,799 Speaker 1: who's the second least famous? One ice cube and Easy 111 00:05:18,800 --> 00:05:21,400 Speaker 1: Easy out of aids. Yeah. Really, you see this the 112 00:05:21,440 --> 00:05:25,400 Speaker 1: end of the movie, right, I didn't know that. So 113 00:05:25,680 --> 00:05:27,760 Speaker 1: I also liked it. I want to put it in 114 00:05:27,760 --> 00:05:31,640 Speaker 1: my top music movies because again, whenever someone's producing it, 115 00:05:31,720 --> 00:05:34,040 Speaker 1: you know, it's it's almost like, do you have Ahemian 116 00:05:34,120 --> 00:05:36,960 Speaker 1: rapsy in your list? Okay, I like what raps? Fine? 117 00:05:37,560 --> 00:05:40,080 Speaker 1: There was that smash in that movie too, where they go, man, 118 00:05:40,160 --> 00:05:41,920 Speaker 1: we just got together. Is this band ever gonna make 119 00:05:41,960 --> 00:05:45,320 Speaker 1: it boom? We're playing the huge stage on the tops 120 00:05:45,360 --> 00:05:47,719 Speaker 1: of the pop TV show or you're like, man, I 121 00:05:47,720 --> 00:05:49,320 Speaker 1: get it. You only had an hour and forty five minutes, 122 00:05:49,360 --> 00:05:52,039 Speaker 1: two hours to make a movie, but at some point 123 00:05:52,040 --> 00:05:53,680 Speaker 1: you have to jump it. But these the guys and 124 00:05:53,760 --> 00:05:56,400 Speaker 1: queen were producing the movie, yeah, and they wanted it 125 00:05:56,440 --> 00:05:59,200 Speaker 1: even different than it was made. They wanted Freddy mcady 126 00:05:59,279 --> 00:06:00,600 Speaker 1: to die in the middle of the movie and then 127 00:06:00,720 --> 00:06:09,560 Speaker 1: be about thee Yeah. So um. My point is when 128 00:06:09,600 --> 00:06:14,120 Speaker 1: someone is doing their own biography, it's really going to 129 00:06:14,240 --> 00:06:17,000 Speaker 1: shine a positive light for the most part and net 130 00:06:17,000 --> 00:06:20,200 Speaker 1: gain on the person. That's producing the movie. And to 131 00:06:20,279 --> 00:06:24,279 Speaker 1: that point to you, um, I believe Johnny Cash's son 132 00:06:24,680 --> 00:06:27,920 Speaker 1: was behind Walk the Line and Johnny Cash's son with 133 00:06:28,120 --> 00:06:31,720 Speaker 1: June June's son as well, not the first wife's son. 134 00:06:31,960 --> 00:06:34,320 Speaker 1: So that's why kind of you see the story based 135 00:06:34,320 --> 00:06:37,400 Speaker 1: on john and Johnny versus his first wife, you know, 136 00:06:37,400 --> 00:06:41,120 Speaker 1: and that's an interesting not story, but it's an interesting 137 00:06:41,160 --> 00:06:43,320 Speaker 1: like substory between those two because we think it Johnny 138 00:06:43,360 --> 00:06:45,280 Speaker 1: and June is this big, romantic, loving couple, but there 139 00:06:45,320 --> 00:06:47,200 Speaker 1: was some some cheating going on, big time. I mean, 140 00:06:47,240 --> 00:06:49,800 Speaker 1: Johnny was cheating with June on his first wife and 141 00:06:49,920 --> 00:06:52,640 Speaker 1: she knew it. Yes, And you watched the movie and 142 00:06:52,680 --> 00:06:54,200 Speaker 1: you don't even pick that up because you're like, oh, 143 00:06:54,279 --> 00:06:57,080 Speaker 1: they have such a wonderful love story, but no, he 144 00:06:57,240 --> 00:06:59,919 Speaker 1: was married with three kids. You know, like this should 145 00:07:00,040 --> 00:07:01,799 Speaker 1: you bad, But we don't even see it that way 146 00:07:02,279 --> 00:07:04,280 Speaker 1: again when you have those people producing it. But I 147 00:07:04,279 --> 00:07:07,760 Speaker 1: will also say this as a macro view at the world. 148 00:07:07,760 --> 00:07:10,920 Speaker 1: In stories in history, the winners always tell the stories. 149 00:07:11,080 --> 00:07:14,680 Speaker 1: History is told by the winner. So that's that's stories 150 00:07:14,720 --> 00:07:20,480 Speaker 1: of wars, that's producers in movies telling stories like because 151 00:07:20,880 --> 00:07:24,720 Speaker 1: Dr Dre and Ice Cube are so famous. Not Yeah, 152 00:07:25,400 --> 00:07:27,040 Speaker 1: because they're so famous and they have the power to 153 00:07:27,080 --> 00:07:30,200 Speaker 1: make this movie. They won. They get to make the 154 00:07:30,240 --> 00:07:32,280 Speaker 1: movie and put it in the image they want to 155 00:07:32,320 --> 00:07:35,440 Speaker 1: put it. Same thing with war stories that we hear 156 00:07:35,480 --> 00:07:39,160 Speaker 1: about World War one two, the winners tell the stories 157 00:07:39,720 --> 00:07:43,559 Speaker 1: civil war. So just know that in general, the stories 158 00:07:43,560 --> 00:07:46,640 Speaker 1: that get passed on through generations be ice cube or 159 00:07:47,200 --> 00:07:50,480 Speaker 1: you know, the War of eighteen twelve, the winners tell 160 00:07:50,480 --> 00:07:53,680 Speaker 1: the stories. Great point. Me a good one, dude, I 161 00:07:53,680 --> 00:07:56,000 Speaker 1: don't even know I was gonna make it today. All right, 162 00:07:56,360 --> 00:07:58,520 Speaker 1: that's your number three movies straight out of content. Number three, 163 00:07:58,520 --> 00:08:00,920 Speaker 1: al right, go ahead. Number two. Move Mike's favorite music 164 00:08:00,920 --> 00:08:03,360 Speaker 1: movies at number two, starring Lou Diamond Phillips. I Got 165 00:08:03,360 --> 00:08:06,480 Speaker 1: a Love Bamba. Yeah, you love this one. I love it. 166 00:08:06,600 --> 00:08:08,120 Speaker 1: I grew up with us. Why did you like that 167 00:08:08,200 --> 00:08:11,320 Speaker 1: with Mike Samizettie. I mean, I think it's the Mexican factor. 168 00:08:11,480 --> 00:08:14,240 Speaker 1: First of all, I've never been able to identify with 169 00:08:15,040 --> 00:08:17,280 Speaker 1: like a character before, and I didn't know much about 170 00:08:17,360 --> 00:08:19,440 Speaker 1: Richie Vallen before I started watching this. But as a kid, 171 00:08:19,480 --> 00:08:20,880 Speaker 1: I saw it and I was like, oh my gosh, 172 00:08:20,880 --> 00:08:23,080 Speaker 1: there's somebody actually like me who did something like this 173 00:08:23,160 --> 00:08:28,560 Speaker 1: who was so big and just the his like him 174 00:08:28,600 --> 00:08:31,440 Speaker 1: what he was to Mexican culture and like Mexican American culture. 175 00:08:31,440 --> 00:08:33,599 Speaker 1: I think that kind of resonated with me more. I 176 00:08:33,640 --> 00:08:35,800 Speaker 1: also love the time period, like the fifties or like 177 00:08:35,840 --> 00:08:37,640 Speaker 1: my favorite time to kind of set a movie in. 178 00:08:38,280 --> 00:08:40,800 Speaker 1: And I think at the end of the movie it's 179 00:08:40,840 --> 00:08:43,600 Speaker 1: more so a story about brothers than it is almost 180 00:08:43,600 --> 00:08:46,360 Speaker 1: about the music, but that kind of ties everything in together. 181 00:08:46,760 --> 00:08:48,160 Speaker 1: So I think that's kind of why it stands the 182 00:08:48,160 --> 00:08:50,280 Speaker 1: test of time of kind of going back to a 183 00:08:50,320 --> 00:08:52,240 Speaker 1: movie you can watch more and more that it's not 184 00:08:52,320 --> 00:08:54,280 Speaker 1: just about like the story of like Richie Vallen, it's 185 00:08:54,320 --> 00:08:56,120 Speaker 1: like him and his brother. Yeah, it's good. I kind 186 00:08:56,120 --> 00:08:57,720 Speaker 1: of felt that connection too, because I have an older 187 00:08:57,720 --> 00:09:00,720 Speaker 1: brother and a lot of times we we felt the 188 00:09:00,720 --> 00:09:03,920 Speaker 1: connection between Bob and Ritchie with him and I and 189 00:09:03,960 --> 00:09:05,720 Speaker 1: we would compare ourselves a lot. You know. He would 190 00:09:06,080 --> 00:09:07,880 Speaker 1: have a little bit of jealousy with stuff, even when 191 00:09:07,880 --> 00:09:09,520 Speaker 1: I went to college and he's just like, oh, wow, 192 00:09:09,559 --> 00:09:11,920 Speaker 1: you went to college, like doing big things, and I'm 193 00:09:11,960 --> 00:09:13,600 Speaker 1: still over here in our hometown. He's like, I'm kind 194 00:09:13,600 --> 00:09:16,120 Speaker 1: of like Ritchie, You're like, I'm like Bob, You're like Ritchie. 195 00:09:16,280 --> 00:09:18,960 Speaker 1: A lot of comparisons from a movie that we were 196 00:09:19,040 --> 00:09:22,520 Speaker 1: just raised with. I didn't think that that movie would 197 00:09:22,559 --> 00:09:25,360 Speaker 1: have such a big impact in our lives, but it does. 198 00:09:25,440 --> 00:09:28,439 Speaker 1: I love that movie. I've never seen it. Oh it's 199 00:09:28,480 --> 00:09:32,720 Speaker 1: so good. It's it is, Yes, so you can watch it. 200 00:09:32,800 --> 00:09:34,160 Speaker 1: I wonder if this is when I got to get 201 00:09:34,200 --> 00:09:37,079 Speaker 1: the kids to watch too. Guys, there's a movie about 202 00:09:37,360 --> 00:09:40,760 Speaker 1: our culture. Play How long is it? I like back 203 00:09:40,760 --> 00:09:42,120 Speaker 1: in the old days in the movies are a little 204 00:09:42,120 --> 00:09:44,600 Speaker 1: shorter than they. I wouldn't say yeah, I wouldn't say 205 00:09:44,600 --> 00:09:46,920 Speaker 1: it's over an hour forty. I'd say brighter, an hour 206 00:09:46,920 --> 00:09:49,760 Speaker 1: and a half. I like the Joe You ever see 207 00:09:49,760 --> 00:09:53,320 Speaker 1: that movie? Joe's our video? Yeah he's editing. So in 208 00:09:53,400 --> 00:09:56,200 Speaker 1: my young college film careers, I made a movie in 209 00:09:56,240 --> 00:09:59,840 Speaker 1: college and I got to go to different film festivals, 210 00:10:00,160 --> 00:10:02,760 Speaker 1: and this one film festival, the director that directed LaBamba, 211 00:10:02,840 --> 00:10:04,840 Speaker 1: he was curious or he was a guest or whatever, 212 00:10:04,880 --> 00:10:06,720 Speaker 1: and I got to go to an after party and 213 00:10:06,760 --> 00:10:08,760 Speaker 1: oh my gosh, I had a few beers in me, 214 00:10:08,840 --> 00:10:11,280 Speaker 1: so I like bugged the crap out of about Like 215 00:10:11,480 --> 00:10:13,720 Speaker 1: I started doing lines to him, like dude, so did 216 00:10:13,760 --> 00:10:17,120 Speaker 1: it really wasn't really Like Richard, He's just like, I don't. 217 00:10:17,120 --> 00:10:18,719 Speaker 1: We don't know if it really happened that way. We 218 00:10:18,800 --> 00:10:21,839 Speaker 1: just kind of went with it. I know. The sub 219 00:10:21,920 --> 00:10:27,080 Speaker 1: story of that Buddy Holly, Yeah, like I mean of 220 00:10:27,160 --> 00:10:30,040 Speaker 1: the LaBamba sub score would be because that's about his life. 221 00:10:30,480 --> 00:10:31,679 Speaker 1: But how you know it ended with him in a 222 00:10:31,679 --> 00:10:33,559 Speaker 1: plane crash. But I mean, I'm very familiar with that 223 00:10:33,679 --> 00:10:36,520 Speaker 1: as a main story more so than what happens at 224 00:10:36,559 --> 00:10:38,040 Speaker 1: the end of I'm assuming it's the end of the movie. 225 00:10:39,080 --> 00:10:40,680 Speaker 1: It's his whole life and then at the end. Yeah, 226 00:10:41,000 --> 00:10:42,720 Speaker 1: so like I know all of that put it on 227 00:10:42,720 --> 00:10:48,440 Speaker 1: your list with with everything on Netflix and all the 228 00:10:48,480 --> 00:10:54,480 Speaker 1: streaming services. Watched that one Rotten Tomato score it is Yeah, Um, 229 00:10:54,720 --> 00:10:58,920 Speaker 1: the director Louis of all this, I have a bunch 230 00:10:58,960 --> 00:11:00,840 Speaker 1: of movies. No, that's the only head. He did one 231 00:11:00,880 --> 00:11:03,439 Speaker 1: movie before this and then after that. Yeah, I think 232 00:11:03,480 --> 00:11:05,200 Speaker 1: the one he was doing at that film festival never 233 00:11:05,240 --> 00:11:11,480 Speaker 1: did anything. So by Miss American through Mischief it to 234 00:11:11,720 --> 00:11:15,559 Speaker 1: the Levy, But the Levy was dry. The good old 235 00:11:15,679 --> 00:11:19,440 Speaker 1: boys were drinking whiskey and right singing this will be 236 00:11:19,559 --> 00:11:23,800 Speaker 1: the day that I die, This will be the day 237 00:11:24,120 --> 00:11:29,120 Speaker 1: that I die, and ten minutes later you're still going. 238 00:11:29,360 --> 00:11:32,280 Speaker 1: And your number one music movie, My number one music 239 00:11:32,320 --> 00:11:37,040 Speaker 1: movie is this is Spinal Tap. Wonderful and and and 240 00:11:37,040 --> 00:11:41,079 Speaker 1: then this is my right down My Lane because this 241 00:11:41,600 --> 00:11:45,040 Speaker 1: inspired everything that I love about TV and movies. Now, 242 00:11:45,840 --> 00:11:49,880 Speaker 1: there wouldn't be The Office without Spinal Tap. There wouldn't 243 00:11:49,880 --> 00:11:52,839 Speaker 1: be all of those Christopher Guest movies his name right, 244 00:11:53,400 --> 00:11:59,240 Speaker 1: all those movies that I love from umstin shows, Waiting 245 00:11:59,280 --> 00:12:05,959 Speaker 1: for Guffman, in all those mock it just wouldn't have existed. 246 00:12:06,160 --> 00:12:08,760 Speaker 1: And I love them so much. Is that Rob Reiner? Ye? 247 00:12:08,920 --> 00:12:11,600 Speaker 1: Rob Reiner? All right, why is this your number one movie? Well? 248 00:12:12,440 --> 00:12:14,280 Speaker 1: The thing with me in Spinal Tap is I was 249 00:12:14,320 --> 00:12:16,720 Speaker 1: a kid and I remember watching The Simpsons and they 250 00:12:16,720 --> 00:12:19,160 Speaker 1: were in an episode of the Simpsons and I was like, Hey, 251 00:12:19,200 --> 00:12:21,720 Speaker 1: that's a real band. And I remember seeing this movie 252 00:12:21,720 --> 00:12:24,000 Speaker 1: on VHS at like at the video store. I mean like, oh, 253 00:12:24,080 --> 00:12:26,760 Speaker 1: Spinal Tap, Like that's a documentary and a band, and 254 00:12:26,800 --> 00:12:28,640 Speaker 1: watching it the first time, I was like, Oh, this 255 00:12:28,800 --> 00:12:31,160 Speaker 1: that's not what it is at all. And I think 256 00:12:31,240 --> 00:12:33,880 Speaker 1: over time it's become kind of my basis of like 257 00:12:33,960 --> 00:12:39,040 Speaker 1: of comedy, like everything in that movie. It's just I've 258 00:12:39,080 --> 00:12:42,520 Speaker 1: never seen anything done like that before, and I just 259 00:12:42,559 --> 00:12:44,880 Speaker 1: think it holds up and it's it's just funny, man. 260 00:12:44,960 --> 00:12:46,839 Speaker 1: It still holds up a little bit. I mean, the 261 00:12:46,920 --> 00:12:49,800 Speaker 1: quotes still live forever, and even the you know, we 262 00:12:49,800 --> 00:12:53,200 Speaker 1: were thinking about doing a scene last week with Derek 263 00:12:53,240 --> 00:12:55,960 Speaker 1: Spentley's band Hot Country Nights, and we were kind of 264 00:12:56,040 --> 00:12:59,080 Speaker 1: riding opening sketch for the operay show with them, and 265 00:13:00,000 --> 00:13:01,360 Speaker 1: someone had thrown out, why don't we do the spinal 266 00:13:01,400 --> 00:13:03,200 Speaker 1: tap where they can't find the stage? Love it? But 267 00:13:03,280 --> 00:13:05,480 Speaker 1: that's still a thing. Yeah, you know the fact that 268 00:13:05,480 --> 00:13:07,199 Speaker 1: we're sitting in a riding room going why don't we 269 00:13:07,240 --> 00:13:09,559 Speaker 1: do the spinal tap thing? And we didn't do that, 270 00:13:10,200 --> 00:13:13,000 Speaker 1: but it's you know, that's the thing. It's still the thing. 271 00:13:13,480 --> 00:13:15,079 Speaker 1: I take a left and there in the closet and 272 00:13:15,480 --> 00:13:18,320 Speaker 1: back and the same did you end up here? We 273 00:13:18,360 --> 00:13:20,880 Speaker 1: did that once in Austin because there was a trap 274 00:13:20,920 --> 00:13:22,960 Speaker 1: hole or something. They were playing a bar for a 275 00:13:23,000 --> 00:13:26,800 Speaker 1: benefit sea Yeah, and they said go that way, and 276 00:13:27,840 --> 00:13:29,800 Speaker 1: it was really just out of the movie. I got 277 00:13:29,880 --> 00:13:32,560 Speaker 1: my guitar, Bobby has his guitar, and let's go boys. 278 00:13:32,720 --> 00:13:35,679 Speaker 1: This is let's go packed house, and then the hallway 279 00:13:35,720 --> 00:13:38,720 Speaker 1: just stopped. They're like, okay, back it up, back it up, 280 00:13:39,040 --> 00:13:41,080 Speaker 1: and then went somewhere else and there was like a 281 00:13:41,080 --> 00:13:44,720 Speaker 1: door the halfway open, and it was only the top 282 00:13:44,800 --> 00:13:46,480 Speaker 1: part of the door that opened to get to the stage. 283 00:13:46,480 --> 00:13:48,120 Speaker 1: We couldn't get to the bottom part. So then we 284 00:13:48,120 --> 00:13:50,040 Speaker 1: had were like, all right, this isn't gonna our guy there, 285 00:13:50,440 --> 00:13:53,640 Speaker 1: so we're just searching for the stage. Um rotten tomato 286 00:13:53,679 --> 00:13:57,440 Speaker 1: squaw on spinal tip. Wow. And the movie was an 287 00:13:57,440 --> 00:14:00,560 Speaker 1: eighties movie, yes, like like early eighties too. I think, right, 288 00:14:00,559 --> 00:14:04,320 Speaker 1: do we have how do you watch this? Now? You 289 00:14:04,400 --> 00:14:06,120 Speaker 1: have to rent it, so it's like four bucks on 290 00:14:06,200 --> 00:14:10,200 Speaker 1: like iTunes. Well, I think it's worth the rent. If 291 00:14:10,200 --> 00:14:14,079 Speaker 1: you're a music or a comedy nerd, this is music podcast, 292 00:14:14,120 --> 00:14:16,080 Speaker 1: so maybe it's for you. I think it could be 293 00:14:16,120 --> 00:14:18,000 Speaker 1: a struggle to watch in the same way that I 294 00:14:18,040 --> 00:14:19,920 Speaker 1: love and I make this reference a lot. I love 295 00:14:19,920 --> 00:14:22,400 Speaker 1: watching The Fresh Prince of bel Air. But if you've 296 00:14:22,440 --> 00:14:24,720 Speaker 1: never seen The Fresh Prince, or you're not a fan 297 00:14:24,760 --> 00:14:27,480 Speaker 1: of Will Smith and didn't go up in the nineties, 298 00:14:27,480 --> 00:14:30,840 Speaker 1: you may watch this ago. This show is dumb. You're 299 00:14:30,840 --> 00:14:33,160 Speaker 1: not getting that connection. I mean with spinal tap. I 300 00:14:33,200 --> 00:14:34,720 Speaker 1: try to get my wife to watch it a long 301 00:14:34,760 --> 00:14:37,920 Speaker 1: time ago, and she wasn't interested. So and she loves music. 302 00:14:38,040 --> 00:14:41,080 Speaker 1: Is just I mean, for a guy you know that 303 00:14:41,520 --> 00:14:45,800 Speaker 1: loves music and that plays music, I think that's it's 304 00:14:45,800 --> 00:14:48,000 Speaker 1: automatic that you love this movie. I want to pull 305 00:14:48,080 --> 00:14:50,880 Speaker 1: up Christopher Guest movies because I think I've seen them all, 306 00:14:52,480 --> 00:14:55,360 Speaker 1: because once I found out that he made a ton 307 00:14:55,440 --> 00:14:58,600 Speaker 1: of movies, I think I just started walking down all 308 00:14:58,720 --> 00:15:02,320 Speaker 1: Christopher Guest lane. Okay, we have spinal taps, seen it, 309 00:15:02,600 --> 00:15:05,160 Speaker 1: loved it. Waiting for Guffman, do you ever see it? 310 00:15:05,240 --> 00:15:09,240 Speaker 1: For the local productions, they keep waiting, and so they're 311 00:15:09,280 --> 00:15:13,080 Speaker 1: doing this fantastic like a video. It's a mock. Um No, 312 00:15:13,200 --> 00:15:17,000 Speaker 1: it's a play, like a community play, community theater. And 313 00:15:17,040 --> 00:15:19,480 Speaker 1: they were waiting for the big reviewer to come from 314 00:15:19,480 --> 00:15:22,400 Speaker 1: I believe New York. And but it's them getting ready 315 00:15:22,400 --> 00:15:24,520 Speaker 1: and being pumped for him. And but again it's a 316 00:15:24,800 --> 00:15:26,440 Speaker 1: it's a mockumentary. It's that you'd like to keep watching 317 00:15:26,480 --> 00:15:31,520 Speaker 1: a documentary. Best in show, fantastic, A mighty Win, very underrated. 318 00:15:31,560 --> 00:15:34,120 Speaker 1: It came out later, but I thought A Mighty Win 319 00:15:34,240 --> 00:15:40,280 Speaker 1: was great for your consideration. Pretty good. Not my favorite 320 00:15:40,280 --> 00:15:43,000 Speaker 1: of all of them. Um, but the Princess Bride. He 321 00:15:43,040 --> 00:15:47,160 Speaker 1: did that movie, not a documentary, regular future film. And 322 00:15:47,160 --> 00:15:51,160 Speaker 1: then Mascots, which I never saw mascots came. Have you 323 00:15:51,160 --> 00:15:56,120 Speaker 1: seen mascut Mascots? I feel like it's a fraud. I'm 324 00:15:56,120 --> 00:15:58,120 Speaker 1: not coming. It's like me going, wait, there's another John 325 00:15:58,160 --> 00:16:02,400 Speaker 1: Mayor album that I don't know about. H Whenever MIKEA 326 00:16:02,520 --> 00:16:04,880 Speaker 1: was gonna come on and talk about these movies. Mine 327 00:16:04,960 --> 00:16:07,240 Speaker 1: is not a rating, but I think about my favorite 328 00:16:07,320 --> 00:16:09,720 Speaker 1: music movies because I know we've talked about favorite biopicks before. 329 00:16:10,600 --> 00:16:18,040 Speaker 1: But if I could recommend one that's Searching for Silverman fantastic. 330 00:16:18,560 --> 00:16:23,360 Speaker 1: Why do I get to Silverman thing searching for Sugarman 331 00:16:24,320 --> 00:16:26,800 Speaker 1: and it's on Netflix? I think, yeah, I should still 332 00:16:26,840 --> 00:16:28,360 Speaker 1: be on there. You know. It's a documentary about a 333 00:16:28,360 --> 00:16:31,160 Speaker 1: guy who was from Detroit, was like a you know, 334 00:16:31,400 --> 00:16:34,760 Speaker 1: rock blues kind of guys, sixties guy, and just stop 335 00:16:34,840 --> 00:16:37,600 Speaker 1: making music. But then he found out that they took 336 00:16:37,600 --> 00:16:39,440 Speaker 1: his music to South Africa. He didn't know about it, 337 00:16:39,880 --> 00:16:43,480 Speaker 1: and he was wildly famous, but the people thought he 338 00:16:43,480 --> 00:16:46,240 Speaker 1: had died. They had told him he died, so yes, 339 00:16:46,240 --> 00:16:47,960 Speaker 1: they had a made up story about him that he 340 00:16:48,000 --> 00:16:50,480 Speaker 1: had committed suicide, and so I mean, I'm sure that 341 00:16:50,520 --> 00:16:54,600 Speaker 1: added to the to the fact the admiration of this guy, like, 342 00:16:54,600 --> 00:16:56,480 Speaker 1: oh my gosh, this is great, this is look listen 343 00:16:56,480 --> 00:16:58,200 Speaker 1: to his music and we don't have him anymore. And 344 00:16:58,240 --> 00:17:01,480 Speaker 1: that one album was You So while he was living 345 00:17:01,520 --> 00:17:06,040 Speaker 1: in Detroit, poor, in poverty. So the guy's wildly famous 346 00:17:06,040 --> 00:17:10,760 Speaker 1: in South Africa. Doesn't know it. They worship a Dore, 347 00:17:11,080 --> 00:17:13,199 Speaker 1: They're all massive fans. There was no social media for 348 00:17:13,240 --> 00:17:15,720 Speaker 1: him to be connected back through. Their story of him 349 00:17:15,760 --> 00:17:17,280 Speaker 1: was all wrong and they couldn't get ahold of him. 350 00:17:17,560 --> 00:17:20,520 Speaker 1: So it's that story of his music blowing up, how 351 00:17:20,560 --> 00:17:24,000 Speaker 1: he got robbed his life, and then what happens at 352 00:17:24,000 --> 00:17:26,159 Speaker 1: the end. The ending is fantastic. I would put that 353 00:17:26,240 --> 00:17:29,440 Speaker 1: as a really great music movie. Um, I would put 354 00:17:29,520 --> 00:17:33,400 Speaker 1: Ray up there, such a good movie, and Jamie Fox 355 00:17:33,440 --> 00:17:36,000 Speaker 1: is so good and Jamie Fox is so talented. And 356 00:17:36,040 --> 00:17:40,760 Speaker 1: the fact that Jamie Fox blindfolding himself two like live 357 00:17:40,800 --> 00:17:46,239 Speaker 1: in character for that movie crazy. I mean, that's some 358 00:17:46,440 --> 00:17:49,640 Speaker 1: dedication to a character. And the hardcore drugs that Ray 359 00:17:49,680 --> 00:17:53,680 Speaker 1: did did something I didn't know. You don't think about that, 360 00:17:54,119 --> 00:17:57,880 Speaker 1: you know, And how he treated certain people too. Yeah, 361 00:17:57,960 --> 00:18:02,399 Speaker 1: not always a wonderful story, meaning not warm and fuzzy 362 00:18:02,440 --> 00:18:07,600 Speaker 1: all the time. But I think Ray is fantastic. Um 363 00:18:07,600 --> 00:18:12,199 Speaker 1: searching for Sugarman Walk the line is pretty good. Again 364 00:18:12,840 --> 00:18:16,919 Speaker 1: when you have people that are involved at protecting the 365 00:18:16,960 --> 00:18:19,399 Speaker 1: image of something that they're connected to. I thought the 366 00:18:19,480 --> 00:18:22,000 Speaker 1: movie was good, but I didn't go into it like 367 00:18:22,960 --> 00:18:25,720 Speaker 1: that was completely one believable. I think on your list 368 00:18:25,760 --> 00:18:29,679 Speaker 1: definitely was eight Mile. Yeah, as a like a bio, 369 00:18:30,359 --> 00:18:33,320 Speaker 1: but that's not really a bio pick, but it's loosely 370 00:18:33,440 --> 00:18:35,879 Speaker 1: based on a minute. I had one other one I 371 00:18:35,880 --> 00:18:41,639 Speaker 1: wanted to bring up. Let me see what it was. Um, 372 00:18:41,720 --> 00:18:43,359 Speaker 1: do you like a stars not in mine? Would you 373 00:18:43,400 --> 00:18:45,080 Speaker 1: like a Star was Born? I did, like a Star 374 00:18:45,119 --> 00:18:48,120 Speaker 1: was Born? Yeah, But but again I'd seen all the movie. 375 00:18:48,119 --> 00:18:51,000 Speaker 1: I've seen all the versions of Stars Born. I started 376 00:18:51,040 --> 00:18:56,040 Speaker 1: watching Stars Born with the ninety version. That's the one 377 00:18:56,080 --> 00:18:58,240 Speaker 1: I saw first. And then I saw that Chris Christofferson. 378 00:18:59,359 --> 00:19:01,119 Speaker 1: I love the movies, and so then I saw the 379 00:19:01,160 --> 00:19:03,600 Speaker 1: Chris Christofferson one. I'm like, that's really good. It was 380 00:19:03,960 --> 00:19:07,879 Speaker 1: Chris Christofferson and Barbra Streisan, and it was like, this 381 00:19:07,960 --> 00:19:10,359 Speaker 1: is such a cool story. So When I went into 382 00:19:10,400 --> 00:19:12,720 Speaker 1: the new one, I knew the story and I knew 383 00:19:12,720 --> 00:19:15,560 Speaker 1: how it was going to pan out, So it wasn't 384 00:19:16,000 --> 00:19:18,399 Speaker 1: as exciting to me as most people said it was 385 00:19:18,600 --> 00:19:20,800 Speaker 1: because I knew the storyline. But still I thought they 386 00:19:20,840 --> 00:19:22,480 Speaker 1: did a great job. The other couple that I made 387 00:19:22,480 --> 00:19:25,280 Speaker 1: a note on was that thing you do, not a 388 00:19:25,280 --> 00:19:29,680 Speaker 1: bio pick, but the story of fictional movie music movie 389 00:19:29,320 --> 00:19:33,919 Speaker 1: The Neaterers, but the Wonders, but they spelled it one. Oh, 390 00:19:34,000 --> 00:19:38,480 Speaker 1: any the o Needers. I quit, I quit, I quit. 391 00:19:38,600 --> 00:19:40,840 Speaker 1: That was good. In the Blues, Brothers, which is a 392 00:19:40,840 --> 00:19:45,000 Speaker 1: great one, had a number one album at the same 393 00:19:45,080 --> 00:19:49,639 Speaker 1: time that John Belushi had a number one TV show 394 00:19:49,840 --> 00:19:51,800 Speaker 1: sn L at the same time he had a number 395 00:19:51,800 --> 00:19:54,920 Speaker 1: one movie at Animal House all the same time. Crazy 396 00:19:55,160 --> 00:19:57,399 Speaker 1: just blowing up. You imagine his career just flying at 397 00:19:57,440 --> 00:19:59,479 Speaker 1: that point. Yeah, that's why he died. It's just a 398 00:19:59,520 --> 00:20:02,800 Speaker 1: lot at once and freaking odeed. You're just supposed to 399 00:20:02,800 --> 00:20:06,480 Speaker 1: be in Ghostbusters. Oh wasn't Bill Murray take that spot? 400 00:20:07,280 --> 00:20:11,080 Speaker 1: They ended up? Yeah, he was gonna be Bill, they 401 00:20:11,119 --> 00:20:13,880 Speaker 1: ended up. That's what they made him slimer, They made 402 00:20:13,920 --> 00:20:17,560 Speaker 1: him look like him. The homage the Bill. Because I 403 00:20:17,560 --> 00:20:19,399 Speaker 1: saw the movies that made us on that I think 404 00:20:19,440 --> 00:20:22,680 Speaker 1: it's Bill Murray right, and that it was like the 405 00:20:22,760 --> 00:20:24,320 Speaker 1: day before and they still don't know Bill Murray was 406 00:20:24,320 --> 00:20:27,359 Speaker 1: gonna show up like even there the same as he 407 00:20:27,480 --> 00:20:29,360 Speaker 1: is now. It's not like he just turned into this weirdow. 408 00:20:29,680 --> 00:20:32,400 Speaker 1: He's always been that weirdow. And they were like, Bill 409 00:20:32,440 --> 00:20:34,280 Speaker 1: even gonna show up, and then he showed up like 410 00:20:34,440 --> 00:20:36,840 Speaker 1: the day they started filming. Have you seen the Bill 411 00:20:37,000 --> 00:20:40,120 Speaker 1: the Bill Murray Stories, Well, I've seen the like, don't 412 00:20:40,119 --> 00:20:41,680 Speaker 1: know what's it called. The I don't know the official 413 00:20:41,760 --> 00:20:43,320 Speaker 1: name of the documentary, but this is where people just 414 00:20:43,359 --> 00:20:45,600 Speaker 1: tell the stories of how they met Bill Murray. It's 415 00:20:45,680 --> 00:20:49,040 Speaker 1: so crazy. The one of the guys in Austin that 416 00:20:49,520 --> 00:20:51,439 Speaker 1: it was like it was some bar or something and 417 00:20:51,440 --> 00:20:52,880 Speaker 1: Bill Murray's in a bar and they're like, hey, we're 418 00:20:52,880 --> 00:20:55,360 Speaker 1: playing music. And then he just goes to that house 419 00:20:55,480 --> 00:20:57,160 Speaker 1: and like chills and there's like a little house music 420 00:20:57,160 --> 00:20:59,359 Speaker 1: and he's playing like drawing. Do you remember that band 421 00:20:59,520 --> 00:21:01,920 Speaker 1: that's in that. I don't know the like they would 422 00:21:01,920 --> 00:21:03,680 Speaker 1: come to our studio all the time at my television 423 00:21:03,680 --> 00:21:06,440 Speaker 1: We will work there. Yeah, Yeah, they were really good. 424 00:21:06,480 --> 00:21:08,359 Speaker 1: Three girls called the like and I don't know if 425 00:21:08,359 --> 00:21:10,640 Speaker 1: they're still together, but they were really good back then 426 00:21:10,720 --> 00:21:13,920 Speaker 1: and and we I don't remember where they were from. 427 00:21:13,920 --> 00:21:15,800 Speaker 1: I think they were from the Northeast, but every time 428 00:21:15,800 --> 00:21:17,320 Speaker 1: they were in Awesome, they would stop by the studio. 429 00:21:17,840 --> 00:21:19,560 Speaker 1: So when I saw that documentary, like, I know those 430 00:21:19,600 --> 00:21:22,840 Speaker 1: girls and they're hanging out with Bill Murray. Yeah, he 431 00:21:22,840 --> 00:21:24,600 Speaker 1: would just be random places. And I guess he lives 432 00:21:24,600 --> 00:21:27,280 Speaker 1: in South Carolina, I think so. Yeah, and that's why 433 00:21:27,280 --> 00:21:29,960 Speaker 1: he's a big South Carolina Minor League baseball person. I 434 00:21:29,960 --> 00:21:33,159 Speaker 1: think he's part owner of that of that team. And 435 00:21:33,200 --> 00:21:34,959 Speaker 1: then he has a big red phone that you just 436 00:21:35,000 --> 00:21:37,199 Speaker 1: call and leave a message and you may get to 437 00:21:37,200 --> 00:21:40,600 Speaker 1: what he may not no cell phone, And I think 438 00:21:40,600 --> 00:21:42,480 Speaker 1: when those stories first started coming out that that was 439 00:21:42,560 --> 00:21:45,400 Speaker 1: just his thing. And he's being crazy Bell mur right now. 440 00:21:45,560 --> 00:21:48,359 Speaker 1: But No, apparently has always been like that, even on 441 00:21:48,440 --> 00:21:51,000 Speaker 1: that movie he did with Scarlett Johansson in Japan. It's 442 00:21:51,000 --> 00:21:53,600 Speaker 1: such a good lost in translation, but that was a thing. Well. 443 00:21:53,840 --> 00:21:55,399 Speaker 1: I don't think they got along that well because he 444 00:21:55,440 --> 00:21:59,879 Speaker 1: was so weird, but I'm sure she was weird to France. 445 00:22:00,200 --> 00:22:04,080 Speaker 1: What's her name, who's the director of that Sofia Coppola, 446 00:22:04,119 --> 00:22:07,920 Speaker 1: which is Francis Ford Coppola's daughter. Have you never seen 447 00:22:07,960 --> 00:22:11,520 Speaker 1: that movie Bones? It's really good. I think, weirdly, it's 448 00:22:11,560 --> 00:22:14,600 Speaker 1: your style where it's very it's very sad. It's got 449 00:22:14,600 --> 00:22:17,760 Speaker 1: a sad kind of feel to the whole thing, lonely feel. Yeah, 450 00:22:17,760 --> 00:22:20,640 Speaker 1: but I'm not lonely anymore, like we said earlier. Girlfriend 451 00:22:20,640 --> 00:22:21,920 Speaker 1: now yeah, she's been ever like a week and a 452 00:22:21,960 --> 00:22:25,560 Speaker 1: half now, I think, Um, Mike appreciate that. You can 453 00:22:25,640 --> 00:22:28,480 Speaker 1: check out Mike D's podcast. He was talking music movies here, 454 00:22:28,520 --> 00:22:31,000 Speaker 1: but he talks movie movies all the time. And what 455 00:22:31,040 --> 00:22:33,640 Speaker 1: are you talking about on this latest episode? I'm going 456 00:22:33,680 --> 00:22:36,760 Speaker 1: through how movies make money so overall, like at the 457 00:22:36,840 --> 00:22:38,480 Speaker 1: end of the day, what they have to do to 458 00:22:38,520 --> 00:22:40,480 Speaker 1: make money and then how all that revenue comes back 459 00:22:40,520 --> 00:22:41,480 Speaker 1: to them, Like what do they have to do? I 460 00:22:41,520 --> 00:22:43,080 Speaker 1: don't understand, like that you put it on, then you 461 00:22:43,080 --> 00:22:44,840 Speaker 1: make money to the box office and there you go. Well, 462 00:22:44,880 --> 00:22:46,679 Speaker 1: it's like all the cost in between of them, like 463 00:22:46,720 --> 00:22:49,320 Speaker 1: having a like make the actual movies that go to 464 00:22:49,359 --> 00:22:51,600 Speaker 1: movie theaters that they put in there, all the promotion 465 00:22:51,680 --> 00:22:53,800 Speaker 1: that goes into it, like all the hidden costs behind 466 00:22:53,800 --> 00:22:55,920 Speaker 1: when you hear like the growth income that a movie makes. 467 00:22:56,800 --> 00:22:58,520 Speaker 1: That's not really what they end up taking away, what 468 00:22:58,600 --> 00:23:00,320 Speaker 1: it seems like. So there's a bunch of other stuff 469 00:23:00,320 --> 00:23:02,919 Speaker 1: in there. I've always wondered if the theater has to 470 00:23:03,000 --> 00:23:06,760 Speaker 1: purchase the movie just knowing, just not knowing if it's 471 00:23:06,800 --> 00:23:08,280 Speaker 1: going to be a hit or not. Can I speculate 472 00:23:08,280 --> 00:23:09,840 Speaker 1: because I don't know the answer to this, Okay, I 473 00:23:09,840 --> 00:23:12,199 Speaker 1: can tell me if I'm right or not. What I 474 00:23:12,200 --> 00:23:17,800 Speaker 1: think is that theaters only make money off concessions and 475 00:23:17,800 --> 00:23:20,800 Speaker 1: food and things inside the theater and make no money 476 00:23:20,800 --> 00:23:27,520 Speaker 1: off the tickets. They the movie, the production companies that 477 00:23:27,600 --> 00:23:31,560 Speaker 1: the movie companies they send movies to theaters, so it 478 00:23:31,640 --> 00:23:34,800 Speaker 1: serves kind of like a venue or help me out 479 00:23:35,800 --> 00:23:37,679 Speaker 1: sort of. They do pay a little bit to actually 480 00:23:37,720 --> 00:23:39,520 Speaker 1: rent the movie. They do. Yeah, so they get a 481 00:23:39,520 --> 00:23:41,600 Speaker 1: big hard drive that the movie is on and they 482 00:23:41,640 --> 00:23:45,919 Speaker 1: take that hard drive out your kids. They take that 483 00:23:46,000 --> 00:23:47,919 Speaker 1: hard drive and they you know, they play it and 484 00:23:47,960 --> 00:23:50,320 Speaker 1: they factor it out based on the demand for tickets 485 00:23:50,320 --> 00:23:52,960 Speaker 1: for that movie. But really where they make money is 486 00:23:53,480 --> 00:23:56,160 Speaker 1: concessions and all that stuff. Does the theater make any 487 00:23:56,200 --> 00:24:01,520 Speaker 1: money off a movie? Yes, it's it's maybe like of 488 00:24:01,560 --> 00:24:03,960 Speaker 1: what they take home so very little. Yeah, but really 489 00:24:03,960 --> 00:24:06,000 Speaker 1: what they make is like people coming in and buying stuff. 490 00:24:06,040 --> 00:24:08,679 Speaker 1: That's why stuff is so expensive interesting, and why they 491 00:24:08,680 --> 00:24:11,360 Speaker 1: don't want stuff to move straight to streaming, and why 492 00:24:11,400 --> 00:24:15,160 Speaker 1: all the lobbies are full of video games and dance 493 00:24:15,240 --> 00:24:18,880 Speaker 1: dance revolution anyway to make money. But then another level 494 00:24:18,920 --> 00:24:21,000 Speaker 1: on that of what I go into is like some 495 00:24:21,080 --> 00:24:24,080 Speaker 1: movies are basically just a commercial for other things. So 496 00:24:24,119 --> 00:24:26,800 Speaker 1: like Disney movies, while you see them, it's like, okay, 497 00:24:26,800 --> 00:24:29,080 Speaker 1: this is a you know, a Disney movie for kids. 498 00:24:29,240 --> 00:24:32,120 Speaker 1: What really they're pushing towards is selling merchandise. Like those 499 00:24:32,119 --> 00:24:35,439 Speaker 1: movies are basically just hour and a half commercials. They 500 00:24:35,480 --> 00:24:37,440 Speaker 1: make the money, make as much money on a big 501 00:24:37,440 --> 00:24:39,399 Speaker 1: movie as they will selling craping, but like like a 502 00:24:39,400 --> 00:24:42,000 Speaker 1: toy story will make so much money. But when they 503 00:24:42,000 --> 00:24:44,639 Speaker 1: really kill it is in the merchandise after like with 504 00:24:44,680 --> 00:24:47,600 Speaker 1: the Star Wars movies back in the day right now, Yeah, 505 00:24:47,680 --> 00:24:50,240 Speaker 1: like those movies, they would only sell that amount of 506 00:24:50,280 --> 00:24:52,440 Speaker 1: merchandise win a movie was out. When those movies weren't 507 00:24:52,440 --> 00:24:55,440 Speaker 1: in theaters, they weren't making as much. So check it out. 508 00:24:55,440 --> 00:24:59,040 Speaker 1: You like movies, just learned something to movie mix movie podcast. 509 00:24:59,160 --> 00:25:01,439 Speaker 1: Check it out. You can just start movie Mike and 510 00:25:01,520 --> 00:25:03,960 Speaker 1: put it on your podcast. Listen, let's be honest. You're 511 00:25:03,960 --> 00:25:08,119 Speaker 1: all quarantine in anyway. Look at my stuff to do, 512 00:25:08,800 --> 00:25:10,560 Speaker 1: and you're not gonna play video games? And this is over. 513 00:25:11,560 --> 00:25:13,400 Speaker 1: I saw and my man, I are going to get 514 00:25:13,400 --> 00:25:16,200 Speaker 1: into headset Call of Duty soon. Have you played? Though 515 00:25:16,280 --> 00:25:18,720 Speaker 1: I haven't played, haven't. I haven't opened it. I downloaded 516 00:25:18,760 --> 00:25:21,679 Speaker 1: it took like eight hours. I saw. You know, my 517 00:25:21,720 --> 00:25:23,119 Speaker 1: internet kept going out, so it took me like four 518 00:25:23,200 --> 00:25:29,000 Speaker 1: days download. It's like how the Pilgrims just download games. Yeah, yeah, 519 00:25:29,280 --> 00:25:31,680 Speaker 1: the Shore they download a lot of games. I'm worried 520 00:25:31,720 --> 00:25:34,560 Speaker 1: about the time you guys are gonna be wasting who 521 00:25:34,760 --> 00:25:37,520 Speaker 1: you guys doing what playing one game of Call of Duty? 522 00:25:37,520 --> 00:25:40,400 Speaker 1: I don't waste time, like, for example, our basketball game, 523 00:25:40,640 --> 00:25:43,080 Speaker 1: Like it was fun. I had a blast minutes before 524 00:25:43,119 --> 00:25:45,720 Speaker 1: you know, that was almost an hour and we're like, wow, yeah, 525 00:25:45,800 --> 00:25:47,600 Speaker 1: I need that stuff because I have a lot of 526 00:25:47,640 --> 00:25:49,600 Speaker 1: goals during this break, Yes you do. I got I'm 527 00:25:49,600 --> 00:25:52,000 Speaker 1: gonna write like twenty words for a new book. Hopefully, 528 00:25:52,320 --> 00:25:55,119 Speaker 1: I'm gonna you're gonna get two workouts in a day. 529 00:25:55,160 --> 00:25:56,800 Speaker 1: When I started doing this show from this House because 530 00:25:56,800 --> 00:25:59,119 Speaker 1: it's gonna happen. At some point, it's gonna happen. I 531 00:25:59,119 --> 00:26:02,440 Speaker 1: was just watching the news and uh, the doctor that 532 00:26:02,480 --> 00:26:05,280 Speaker 1: works for the White House just said, most likely we'll 533 00:26:05,320 --> 00:26:07,520 Speaker 1: see a peak in corona cases in forty five days 534 00:26:07,680 --> 00:26:12,440 Speaker 1: a peak. So we haven't seen anything yet, almost nothing yet. Yeah, yeah, 535 00:26:12,440 --> 00:26:15,400 Speaker 1: so that's five weeks for the peak, So you're talking 536 00:26:15,400 --> 00:26:18,440 Speaker 1: about eight or nine weeks. I don't peloton a lot 537 00:26:19,280 --> 00:26:21,920 Speaker 1: twice a day. So um, all right, check out Movie 538 00:26:21,960 --> 00:26:25,160 Speaker 1: Mix Movie Podcast, And if there's ever something you would 539 00:26:25,160 --> 00:26:26,359 Speaker 1: like us to talk about on this, because this is 540 00:26:26,359 --> 00:26:29,480 Speaker 1: a music podcast, go to the Bobby Cast Instagram page 541 00:26:29,560 --> 00:26:31,240 Speaker 1: or Twitter and send us a note and say, hey, 542 00:26:31,240 --> 00:26:32,480 Speaker 1: be cool if you guys talked about this, because it 543 00:26:32,600 --> 00:26:35,000 Speaker 1: was like talk about and you know, we bring people in. 544 00:26:35,119 --> 00:26:36,400 Speaker 1: I don't know if I'll be able to bring guests 545 00:26:36,400 --> 00:26:37,760 Speaker 1: in for a while. I have to do them on 546 00:26:37,800 --> 00:26:42,600 Speaker 1: the phone because nobody wants to get the corona. Not 547 00:26:42,680 --> 00:26:43,840 Speaker 1: that we will, but nobody wants to get it in 548 00:26:43,840 --> 00:26:45,400 Speaker 1: and then not get sick and past it to somebody else. 549 00:26:45,520 --> 00:26:47,280 Speaker 1: Do you think it'd be easy to get guests now 550 00:26:47,320 --> 00:26:50,200 Speaker 1: that they're all quarantine and not touring and phone. Yes, 551 00:26:50,240 --> 00:26:51,440 Speaker 1: I do. I think it'll be a lot easier just 552 00:26:51,480 --> 00:26:53,359 Speaker 1: to get somebody pick up. So you're gonna aim high? 553 00:26:54,040 --> 00:26:58,800 Speaker 1: Well yeah, so later on Tony, Yeah, how wasn't gonna 554 00:26:58,800 --> 00:27:03,720 Speaker 1: go out? I was going rolling stones. Mick and Richard 555 00:27:03,720 --> 00:27:06,200 Speaker 1: would be you gotta protect them. They're like a hundred 556 00:27:06,560 --> 00:27:11,640 Speaker 1: Oh gosh, there very was suspect susceptible. All right, there 557 00:27:11,640 --> 00:27:20,560 Speaker 1: you go, Thanks Mike, Jannet phone, Hey it's Bobby. Is 558 00:27:20,600 --> 00:27:25,280 Speaker 1: this my I need someone to answer my phone for 559 00:27:25,359 --> 00:27:33,280 Speaker 1: me like that? Hey, Michael's happened to slash cook? Hey 560 00:27:33,280 --> 00:27:36,919 Speaker 1: do do you cook? Oh boy, there's just like a 561 00:27:36,920 --> 00:27:42,719 Speaker 1: whole family thing like my house. Hey, what's happening? I'm 562 00:27:42,720 --> 00:27:46,000 Speaker 1: gonna go hide in my closet. How are you? We're good? 563 00:27:46,040 --> 00:27:48,159 Speaker 1: I was. I just hit your Instagram story because I 564 00:27:48,160 --> 00:27:49,560 Speaker 1: wanted to be caught up on what was going on. 565 00:27:49,720 --> 00:27:52,800 Speaker 1: I had no idea that this whatever just happened where 566 00:27:52,800 --> 00:27:54,399 Speaker 1: you were flying back from a movie. I literally was 567 00:27:54,400 --> 00:27:56,280 Speaker 1: gonna I like to talk to Janna whenever we have 568 00:27:56,280 --> 00:27:59,159 Speaker 1: nothing to talk about, because we're bringing people on to 569 00:27:59,240 --> 00:28:02,320 Speaker 1: do their five uarantine songs. And I had a friend 570 00:28:02,320 --> 00:28:04,720 Speaker 1: on yesterday that's not a music at all named Matt Jones, 571 00:28:04,920 --> 00:28:06,320 Speaker 1: who was so funny. I was like, you know, you 572 00:28:06,359 --> 00:28:09,240 Speaker 1: go to talk to us, Janna, and then wait, give 573 00:28:09,280 --> 00:28:11,280 Speaker 1: me like a thirty second story of what just you 574 00:28:11,400 --> 00:28:14,960 Speaker 1: came back from Canada from a movie? Okay, thirty second story. Um, 575 00:28:15,000 --> 00:28:18,480 Speaker 1: I booked a movie. I was supposed to leave on Saturday, 576 00:28:18,880 --> 00:28:22,160 Speaker 1: and I, you know, everything was kind of happening here, 577 00:28:22,200 --> 00:28:25,399 Speaker 1: but everyone in Canada. Producer said everything signed in Canada, 578 00:28:25,520 --> 00:28:28,000 Speaker 1: like let's go, like you need to be here. So 579 00:28:28,040 --> 00:28:29,480 Speaker 1: I was like, all right, So I got on the 580 00:28:29,480 --> 00:28:32,199 Speaker 1: flight with my family and the kids because I was 581 00:28:32,240 --> 00:28:35,640 Speaker 1: advised that everything was sign there. And then some more 582 00:28:35,680 --> 00:28:37,920 Speaker 1: cases started popping up in Canada, and then I started 583 00:28:37,960 --> 00:28:40,480 Speaker 1: to get really nervous and they started talking about border closes, 584 00:28:41,040 --> 00:28:44,200 Speaker 1: you know, the borders closing. And then we shot our 585 00:28:44,240 --> 00:28:48,120 Speaker 1: first scene on Monday, and then the second scene, the 586 00:28:48,200 --> 00:28:50,440 Speaker 1: producer said, we're pulling the movie and you have to 587 00:28:50,440 --> 00:28:53,520 Speaker 1: get back to the State's asap. And I just freaking out. 588 00:28:54,280 --> 00:28:56,960 Speaker 1: And so forty eight hours later, packed everything back up 589 00:28:57,040 --> 00:29:00,600 Speaker 1: because we had packed about a month's worth of worth 590 00:29:00,640 --> 00:29:03,160 Speaker 1: of clothes and bags, so packed it all up and 591 00:29:03,200 --> 00:29:06,240 Speaker 1: then all of our flights were canceled. But then my 592 00:29:06,280 --> 00:29:08,200 Speaker 1: best friend, her dad had a plane and then she 593 00:29:08,280 --> 00:29:11,960 Speaker 1: sended up to Canada and they got us, really, is 594 00:29:11,960 --> 00:29:15,640 Speaker 1: your best friend super loaded? Is she famous? Tells more, No, 595 00:29:15,960 --> 00:29:19,760 Speaker 1: she's She's just her dad just you know, they're very 596 00:29:19,760 --> 00:29:22,440 Speaker 1: fortunate people. And I called their bawling my eyes out, 597 00:29:22,480 --> 00:29:24,360 Speaker 1: and she's like, don't worry, we'll figure it out. We'll 598 00:29:24,400 --> 00:29:26,800 Speaker 1: get you out of there. So I was going to 599 00:29:26,880 --> 00:29:28,880 Speaker 1: ask you about how you got back into the States 600 00:29:28,920 --> 00:29:31,080 Speaker 1: because as I watched a lot of these people coming 601 00:29:31,080 --> 00:29:33,320 Speaker 1: back to America that are Americans, they can't get back 602 00:29:33,320 --> 00:29:36,360 Speaker 1: through customs. But if if you fly private, you don't 603 00:29:36,360 --> 00:29:38,880 Speaker 1: have to go customs, right. Well, so actually what we 604 00:29:38,920 --> 00:29:40,920 Speaker 1: had to do is we had to cross the border 605 00:29:41,400 --> 00:29:43,520 Speaker 1: through New York. So we had to drive about an 606 00:29:43,520 --> 00:29:47,640 Speaker 1: hour and a half to Ogdenburg, New York, and then 607 00:29:47,880 --> 00:29:50,400 Speaker 1: we that's where we caught the plane. But the border 608 00:29:50,440 --> 00:29:52,560 Speaker 1: people there was it was just us crossing the border. 609 00:29:52,560 --> 00:29:54,040 Speaker 1: At the time, I thought it was gonna be crazy, 610 00:29:54,120 --> 00:29:56,840 Speaker 1: but they, you know, they let us go through. But 611 00:29:56,840 --> 00:29:58,560 Speaker 1: they asked a bunch of questions, you know, if we 612 00:29:58,640 --> 00:30:01,720 Speaker 1: were running a fever and everything else, But we got through. 613 00:30:01,960 --> 00:30:07,760 Speaker 1: They just asked you. You're sweating. God, I swear I'm fine, 614 00:30:07,960 --> 00:30:10,040 Speaker 1: just vomiting, and trust me, I'm all good. So you 615 00:30:10,120 --> 00:30:12,600 Speaker 1: guys are back in Nashville. Yeah, we're back. So we 616 00:30:12,680 --> 00:30:17,360 Speaker 1: got back last night. And who's quarantined in your house? You? 617 00:30:17,400 --> 00:30:19,959 Speaker 1: Mike and the two kids? So me, Mike, Yeah, and 618 00:30:20,040 --> 00:30:24,720 Speaker 1: both kids. And so you got like, what is it 619 00:30:24,760 --> 00:30:26,640 Speaker 1: gonna be five or six weeks where you're doing this? 620 00:30:26,720 --> 00:30:28,000 Speaker 1: What are you gonna do with the kids that long? 621 00:30:28,040 --> 00:30:30,400 Speaker 1: Think it's going to be five or six weeks? Oh? Yeah, 622 00:30:30,440 --> 00:30:32,040 Speaker 1: I think it would be more than that. I mean, 623 00:30:32,320 --> 00:30:35,080 Speaker 1: I was watching again. It's so fluid that every day 624 00:30:35,080 --> 00:30:37,680 Speaker 1: it changes. But every day also they're shutting us down 625 00:30:37,680 --> 00:30:40,200 Speaker 1: more and more, meaning they're going northern California, you're about 626 00:30:40,200 --> 00:30:41,880 Speaker 1: to be locked down. New York has about to be 627 00:30:41,920 --> 00:30:44,320 Speaker 1: locked down. And everything is coming from the coasts and 628 00:30:44,400 --> 00:30:48,520 Speaker 1: coming inward because there are more people in no spots, right, 629 00:30:48,840 --> 00:30:52,720 Speaker 1: So the more people, the more cases, and it is 630 00:30:52,760 --> 00:30:55,840 Speaker 1: slowly closing in. We're eventually they're gonna have to go 631 00:30:55,880 --> 00:30:58,120 Speaker 1: all right, We're just gonna tell everybody to sit down, 632 00:30:58,160 --> 00:30:59,600 Speaker 1: shut up, and stay in your house for a bit. 633 00:31:00,880 --> 00:31:04,240 Speaker 1: But so, yes, I think we're all feel a little 634 00:31:04,480 --> 00:31:07,200 Speaker 1: silly that I was so naive about it. I don't 635 00:31:07,240 --> 00:31:10,200 Speaker 1: think you're the only one that was naive, though, because 636 00:31:10,920 --> 00:31:12,880 Speaker 1: I really felt like I was. Like I even went 637 00:31:12,920 --> 00:31:15,880 Speaker 1: on my Instagram and was like, oh my gosh, like 638 00:31:16,000 --> 00:31:18,560 Speaker 1: I'm not going to live in fear, I'm going to Canada. 639 00:31:18,640 --> 00:31:20,000 Speaker 1: And then I look back on that, I'm like, you're 640 00:31:20,000 --> 00:31:24,520 Speaker 1: an idiot. It's so fluid. But here's what I'm gonna say. 641 00:31:24,520 --> 00:31:27,120 Speaker 1: It's so fluid that you had people saying even three 642 00:31:27,200 --> 00:31:30,080 Speaker 1: days ago, hey, go out to a bar or club, 643 00:31:30,120 --> 00:31:32,760 Speaker 1: who cares, like, go live your life. But now they're going, 644 00:31:32,800 --> 00:31:35,280 Speaker 1: if we're wrong. And I was watching Fox News yesterday 645 00:31:35,400 --> 00:31:37,360 Speaker 1: because I will, for the most part, watch the nn 646 00:31:37,520 --> 00:31:39,320 Speaker 1: I feel like it's the best in the middle. I 647 00:31:39,360 --> 00:31:41,960 Speaker 1: can't watch Fox. They're way too far on the right. 648 00:31:42,080 --> 00:31:44,160 Speaker 1: MSNBC is way too far on the left for me 649 00:31:44,240 --> 00:31:46,280 Speaker 1: to believe that their narrative is true. Like I think 650 00:31:46,320 --> 00:31:49,640 Speaker 1: they're both trying to protect what they feel is sacred 651 00:31:49,720 --> 00:31:52,360 Speaker 1: the most, and I get it. But even on Fox 652 00:31:52,400 --> 00:31:54,200 Speaker 1: News yesterday, they were going I was watching The Five 653 00:31:54,400 --> 00:31:57,960 Speaker 1: and they were going, yeah, we're wrong about going out 654 00:31:58,000 --> 00:32:00,920 Speaker 1: to places like you should didn't go to places we 655 00:32:00,920 --> 00:32:03,720 Speaker 1: were wrong, and so to see them even say that, 656 00:32:03,960 --> 00:32:05,640 Speaker 1: My point is I think we were all we were 657 00:32:05,640 --> 00:32:08,280 Speaker 1: all becoming less naive as we're told to be less naive, 658 00:32:08,840 --> 00:32:11,600 Speaker 1: and so no, I don't. And if you did it 659 00:32:11,720 --> 00:32:14,200 Speaker 1: now after being told that, I would feel different about it. 660 00:32:14,240 --> 00:32:17,240 Speaker 1: But you did. The West Virginia governor today was telling 661 00:32:17,240 --> 00:32:21,120 Speaker 1: their people, hey, go eat dinner. They don't have any 662 00:32:21,760 --> 00:32:26,760 Speaker 1: He was, but they're gonna lock us all down. I mean, 663 00:32:27,880 --> 00:32:29,560 Speaker 1: I just want people to be safe because I start 664 00:32:29,640 --> 00:32:31,920 Speaker 1: thinking about my grandparents and that's where I just start 665 00:32:32,000 --> 00:32:35,240 Speaker 1: to feel real um guilty about the choices that I 666 00:32:35,240 --> 00:32:36,680 Speaker 1: made a couple of days ago, because I'm like, I 667 00:32:36,680 --> 00:32:39,480 Speaker 1: just don't want to affect people that could really hurt 668 00:32:39,520 --> 00:32:41,920 Speaker 1: from this. You know, well, we're gonna be quarantined in. 669 00:32:42,560 --> 00:32:45,480 Speaker 1: We're lucky, We're gonna be fine in the end. We're 670 00:32:45,520 --> 00:32:47,640 Speaker 1: all going to do our our best to make sure 671 00:32:47,680 --> 00:32:50,920 Speaker 1: that the people that would feel it the worst, don't 672 00:32:51,040 --> 00:32:53,920 Speaker 1: you know. I was talking to one of our best 673 00:32:53,960 --> 00:32:58,240 Speaker 1: friends whose wife is Amino compromise because she's had some 674 00:32:58,240 --> 00:33:02,000 Speaker 1: some some stuff happened recently and he's thirty three years old, 675 00:33:02,040 --> 00:33:05,720 Speaker 1: and she's you know, in thirties and early forties, but 676 00:33:05,800 --> 00:33:07,800 Speaker 1: he doesn't leave his house because if he leaves his 677 00:33:07,840 --> 00:33:09,200 Speaker 1: house and he gets it and doesn't even know he 678 00:33:09,200 --> 00:33:11,720 Speaker 1: hasn't takes it to her, then it could really affect her. 679 00:33:12,080 --> 00:33:14,320 Speaker 1: Um and I was watching watching the Doctor today say that, hey, 680 00:33:14,560 --> 00:33:19,040 Speaker 1: young people anybody below, like, yeah, you're probably gonna be okay. 681 00:33:19,080 --> 00:33:20,520 Speaker 1: You may not even know you got it, but if 682 00:33:20,520 --> 00:33:22,200 Speaker 1: you have it and you pass it to somebody that 683 00:33:22,240 --> 00:33:24,840 Speaker 1: isn't okay, Like, that's where the bad news is going 684 00:33:24,880 --> 00:33:29,040 Speaker 1: to happen. So as we quarantine ourselves. I brought Jana 685 00:33:29,080 --> 00:33:31,360 Speaker 1: on because once, she's just great to talk to, and 686 00:33:31,400 --> 00:33:34,720 Speaker 1: two I thought it would be fun too. Um one 687 00:33:35,080 --> 00:33:38,240 Speaker 1: in a second, well, talk about your podcast, also talk 688 00:33:38,320 --> 00:33:41,320 Speaker 1: about good enough. But here what your five quarantine songs 689 00:33:41,320 --> 00:33:42,920 Speaker 1: would be? You're locked in your house, you're gonna add 690 00:33:42,920 --> 00:33:47,280 Speaker 1: it to our quarantine playlist? What is song number one? Okay? 691 00:33:47,400 --> 00:33:49,880 Speaker 1: So it's my go to for any time I have 692 00:33:49,920 --> 00:33:52,120 Speaker 1: an anxiety attack. It brings me right back to home 693 00:33:53,120 --> 00:33:56,440 Speaker 1: Fire and Rain. James Taylor. It's a good one. Good 694 00:33:56,520 --> 00:33:59,200 Speaker 1: You ever see James Taylor with long here before he 695 00:33:59,200 --> 00:34:02,600 Speaker 1: started losing his hair. No, it's crazy because we only 696 00:34:02,600 --> 00:34:05,680 Speaker 1: know James Taylor is bald, old man James Taylor, but 697 00:34:05,720 --> 00:34:10,640 Speaker 1: like sixties and seventies, cool looking long here good right after, 698 00:34:11,480 --> 00:34:17,600 Speaker 1: not the old bald guy with glasses I've seen fun 699 00:34:17,800 --> 00:34:21,640 Speaker 1: jamp this is a good one, which is brings me 700 00:34:21,640 --> 00:34:24,879 Speaker 1: to the question, oh wait what why do you say that? 701 00:34:25,719 --> 00:34:28,120 Speaker 1: It just reminds me of being up north camp fire 702 00:34:28,239 --> 00:34:31,000 Speaker 1: where you know I was a kid, nothing was wrong 703 00:34:31,120 --> 00:34:33,960 Speaker 1: and just I don't know. It's like anytime my therapist 704 00:34:34,000 --> 00:34:37,200 Speaker 1: ever says, okay, picture the place you know, your safe place, 705 00:34:37,239 --> 00:34:39,920 Speaker 1: and up North, Michigan is always my safe place. And 706 00:34:40,040 --> 00:34:43,920 Speaker 1: that song one of your last Instagram stories had um 707 00:34:44,239 --> 00:34:46,480 Speaker 1: you have mentioned something about going to couples therapy. I've 708 00:34:46,560 --> 00:34:48,640 Speaker 1: been in a relationship for four months or so now, 709 00:34:49,040 --> 00:34:51,239 Speaker 1: so no, I'm so happy for you. Congratulation, Thank you 710 00:34:51,320 --> 00:34:53,360 Speaker 1: very much. So you guys see, I just want to 711 00:34:53,360 --> 00:34:55,640 Speaker 1: say a side note. I know you don't like no, no, 712 00:34:55,680 --> 00:34:57,640 Speaker 1: I'm no no, no, go ahead, I'll sit back ahead. 713 00:34:58,120 --> 00:35:00,960 Speaker 1: Oh I like it, okay. Side note, I have never 714 00:35:01,320 --> 00:35:04,399 Speaker 1: seen you authentically as happy as you look right now, 715 00:35:04,400 --> 00:35:06,520 Speaker 1: Like even when I watch your stories, there's a difference 716 00:35:06,520 --> 00:35:08,799 Speaker 1: in your eyes, there's a difference in your just how 717 00:35:08,920 --> 00:35:12,399 Speaker 1: you interact, how you talk. You just seem so happy, Eddie. 718 00:35:12,440 --> 00:35:17,520 Speaker 1: Do you feel that way, yes, that you feel that way? Yes, yeah, absolutely, 719 00:35:17,560 --> 00:35:19,520 Speaker 1: I feel like you're a lot happier. I feel just 720 00:35:19,560 --> 00:35:22,759 Speaker 1: the way you're demeanor is every day, like I think 721 00:35:22,800 --> 00:35:29,480 Speaker 1: you're truly happy inside, interesting, all the fields right now, Okay, 722 00:35:29,760 --> 00:35:32,080 Speaker 1: I I mean I am happier. I just wonder if 723 00:35:32,120 --> 00:35:34,000 Speaker 1: it's because you know I'm in a relationship, so you 724 00:35:34,040 --> 00:35:36,280 Speaker 1: look for that and you kind of make your own stories, 725 00:35:36,480 --> 00:35:38,640 Speaker 1: tell how you interact and like even like the games 726 00:35:38,680 --> 00:35:40,759 Speaker 1: you do and when you do the you know, the 727 00:35:40,800 --> 00:35:43,320 Speaker 1: review of the movies. You're just you have that cute 728 00:35:43,320 --> 00:35:46,320 Speaker 1: like Bobby smile, like inside you're like, I'm really happy 729 00:35:46,400 --> 00:35:50,239 Speaker 1: right now? Well thank you? What are we right? Yeah? 730 00:35:50,239 --> 00:35:53,480 Speaker 1: I mean I'm definitely happier, yes, But but I want 731 00:35:53,480 --> 00:35:55,600 Speaker 1: to because you're from you're coming from two different places, 732 00:35:55,640 --> 00:35:59,520 Speaker 1: because she is from someone who we see each other 733 00:36:00,600 --> 00:36:02,719 Speaker 1: at times through the year in person. We talked more 734 00:36:02,800 --> 00:36:04,960 Speaker 1: on Instagram through text, but we don't see each other 735 00:36:05,000 --> 00:36:06,960 Speaker 1: that often because she's working and I'm working. Were you 736 00:36:06,960 --> 00:36:08,400 Speaker 1: and I see each other basically every day? And I 737 00:36:08,440 --> 00:36:11,680 Speaker 1: wondered if you both had the same feeling. Absolutely Okay, alright, 738 00:36:11,920 --> 00:36:15,600 Speaker 1: that means something, you know what I mean? Well, what 739 00:36:15,840 --> 00:36:18,520 Speaker 1: was my point? I don't know. I don't love a 740 00:36:18,640 --> 00:36:20,880 Speaker 1: couple of therapy, that's my questioning. No, no, not yet. 741 00:36:21,080 --> 00:36:23,719 Speaker 1: We've only been together four months, but she doesn't want 742 00:36:23,719 --> 00:36:33,000 Speaker 1: to scare her yet. When do you suppose you start going? Um, Personally, 743 00:36:33,520 --> 00:36:35,719 Speaker 1: I would say the sooner the better. I mean, I 744 00:36:35,760 --> 00:36:39,360 Speaker 1: think a six month mark is is a pretty good 745 00:36:39,400 --> 00:36:44,640 Speaker 1: point to go. Interesting, are you there? But well, we're 746 00:36:44,680 --> 00:36:49,960 Speaker 1: not six months yet close four, But I mean it 747 00:36:50,040 --> 00:36:51,600 Speaker 1: just depends like how fast. I mean, Mike and I 748 00:36:51,600 --> 00:36:54,680 Speaker 1: obviously went sooner than six months. We went around the 749 00:36:54,680 --> 00:36:56,680 Speaker 1: four months mark. But it's just it's just a kind 750 00:36:56,719 --> 00:36:59,880 Speaker 1: of depends, you know, how far along the relationship is 751 00:37:00,000 --> 00:37:02,400 Speaker 1: on that level. Well, let me ask you this question. 752 00:37:02,560 --> 00:37:05,000 Speaker 1: Because I go to a couples therapists, I just go 753 00:37:05,080 --> 00:37:07,920 Speaker 1: alone and I'm her first solo clients. You need to 754 00:37:07,960 --> 00:37:11,919 Speaker 1: go see someone else then, that's my recommendation. You should 755 00:37:11,960 --> 00:37:13,839 Speaker 1: have your own one and then you all should go 756 00:37:14,000 --> 00:37:16,560 Speaker 1: to one that's neutral parties. So like our couple of 757 00:37:16,560 --> 00:37:20,200 Speaker 1: therapists will not see a solo Well, my question is 758 00:37:20,239 --> 00:37:23,120 Speaker 1: because in when I will play ball. The coach's son 759 00:37:23,200 --> 00:37:25,520 Speaker 1: was always one of those treated the harshest. I'm afraid 760 00:37:25,560 --> 00:37:27,040 Speaker 1: to go into her with my girlfriend because she was 761 00:37:27,080 --> 00:37:28,719 Speaker 1: like cracked down on me all the time, trying to 762 00:37:28,840 --> 00:37:33,600 Speaker 1: prove a point. It's the best when that happens. But 763 00:37:33,800 --> 00:37:38,040 Speaker 1: um yeah, I just I would say keep that one 764 00:37:38,320 --> 00:37:41,560 Speaker 1: to yourself and then have the neutral because she will 765 00:37:41,600 --> 00:37:45,279 Speaker 1: probably go more her side, just to to show her that, 766 00:37:45,360 --> 00:37:48,840 Speaker 1: like she's not just team Bobby, you know. Well, I 767 00:37:48,840 --> 00:37:53,200 Speaker 1: wish anybody would be team Bobby these days. I'm all 768 00:37:53,280 --> 00:37:58,000 Speaker 1: news now, all right, what's your second quarantine song? Janna? Um? Okay, 769 00:37:58,040 --> 00:38:01,320 Speaker 1: So what we do in our family we have dance parties. 770 00:38:01,480 --> 00:38:03,360 Speaker 1: So one of the songs that we danced too in 771 00:38:03,360 --> 00:38:05,760 Speaker 1: the house is never Enough, Like the Greatest Showman soundtrack 772 00:38:05,880 --> 00:38:09,520 Speaker 1: is our jam right now and never Enough is up there? 773 00:38:09,880 --> 00:38:12,440 Speaker 1: Have you seen Greatest Showman? Yes, I've seen the movie. 774 00:38:12,520 --> 00:38:14,239 Speaker 1: I don't know the song though, Okay, here is the 775 00:38:14,239 --> 00:38:19,759 Speaker 1: Greatest Showman never Enough. Can you hear that? Janna? Oh? 776 00:38:19,800 --> 00:38:23,560 Speaker 1: I can hear it? And then my daughter does never 777 00:38:26,120 --> 00:38:27,640 Speaker 1: it's the hard park to dance to right here? Who 778 00:38:27,680 --> 00:38:29,440 Speaker 1: is this singing? You know? I promise you it's like 779 00:38:29,640 --> 00:38:32,200 Speaker 1: it's like a lyrical dance, and my daughter it's so cute, 780 00:38:32,239 --> 00:38:34,520 Speaker 1: and we just go, oh, you do a lyrical dances? 781 00:38:35,440 --> 00:38:38,400 Speaker 1: Does it ever bump up? It does? I promised you 782 00:38:38,440 --> 00:38:41,440 Speaker 1: with some up and like the middle to the end. 783 00:38:42,040 --> 00:38:45,120 Speaker 1: Who is this singing? Is this Sandia? I honestly, I 784 00:38:45,160 --> 00:38:48,239 Speaker 1: have no clue. Mike Lauren al Red, I don't know 785 00:38:48,239 --> 00:38:57,799 Speaker 1: who that is? All here we go. But I liked 786 00:38:57,840 --> 00:39:01,600 Speaker 1: this movie and I watched it with no hype. It 787 00:39:01,680 --> 00:39:04,480 Speaker 1: was just on it is early. I bought it, watched it, 788 00:39:04,480 --> 00:39:05,880 Speaker 1: and some people said it socks and people said they 789 00:39:05,960 --> 00:39:08,240 Speaker 1: liked it, but it ended up being I just remember 790 00:39:08,239 --> 00:39:10,400 Speaker 1: from Dance on the Stars. I danced to it as 791 00:39:10,480 --> 00:39:13,160 Speaker 1: my final you did see. I had no desire to 792 00:39:13,160 --> 00:39:16,160 Speaker 1: watch it at all, But then Mike kept playing. He 793 00:39:16,160 --> 00:39:19,200 Speaker 1: he always things like the Hugh Jackman songs on the album, 794 00:39:19,280 --> 00:39:21,160 Speaker 1: and I started to love the music. So I'm like, 795 00:39:21,200 --> 00:39:23,440 Speaker 1: all right, I gotta actually see the movie now. And 796 00:39:23,440 --> 00:39:25,600 Speaker 1: and I because I love the soundtrack so much, I 797 00:39:25,640 --> 00:39:27,160 Speaker 1: thought the movie was great. All right, what else you 798 00:39:27,160 --> 00:39:31,239 Speaker 1: got over there? Um? Cinderella Man, eminem Man. This was 799 00:39:31,239 --> 00:39:33,160 Speaker 1: the song that I would listen to before I had 800 00:39:33,200 --> 00:39:37,040 Speaker 1: any big appearance. It was Riley. Yes, I love this 801 00:39:37,080 --> 00:39:39,359 Speaker 1: song because it's like the underdog stories to hype you up. 802 00:39:39,400 --> 00:39:41,520 Speaker 1: You're listening, well, I would listen to this song all 803 00:39:41,560 --> 00:39:43,680 Speaker 1: the time. I remember before I went on read this 804 00:39:44,480 --> 00:39:48,120 Speaker 1: or I wanted to guess what's that show? And I 805 00:39:48,160 --> 00:39:49,920 Speaker 1: listened to this all morning long before I went in, 806 00:39:50,080 --> 00:39:52,600 Speaker 1: because it's like it's just so good. It hyped me 807 00:39:52,680 --> 00:39:54,480 Speaker 1: up before I just I'm like, okay, like let's just 808 00:39:54,560 --> 00:39:57,520 Speaker 1: do it. Stop the panic, stop the anxiety, and just 809 00:39:57,640 --> 00:40:00,560 Speaker 1: like go because the Cinderella Man red for instance, Well 810 00:40:00,560 --> 00:40:02,759 Speaker 1: there's a boxer right the movie Cinderella Band. But it's 811 00:40:02,760 --> 00:40:04,759 Speaker 1: like what Cinderella is. It's the underdog, the person you 812 00:40:04,800 --> 00:40:08,640 Speaker 1: don't expect, the the the working class person that is 813 00:40:08,680 --> 00:40:11,440 Speaker 1: now going you know what, I am the Cinderella story. 814 00:40:11,480 --> 00:40:13,080 Speaker 1: I'm not supposed to make it, but I'm about to 815 00:40:14,440 --> 00:40:18,000 Speaker 1: amen to that. Bobby, Was this song made for the movie? No? 816 00:40:18,120 --> 00:40:20,280 Speaker 1: Okay now, but yeah, this is one of my favorite 817 00:40:20,320 --> 00:40:22,000 Speaker 1: hype songs too, of all time. That's a good one. 818 00:40:22,400 --> 00:40:23,560 Speaker 1: That's a good one. That's a good one. Are you 819 00:40:23,560 --> 00:40:27,160 Speaker 1: a big imminent fan because you're Detroit one thousand percents? 820 00:40:27,280 --> 00:40:29,960 Speaker 1: Have you ever met him never, but I know where 821 00:40:29,960 --> 00:40:31,840 Speaker 1: his house was in so in high school we'd always 822 00:40:31,880 --> 00:40:33,640 Speaker 1: like to drive by his house and kind of stop 823 00:40:33,680 --> 00:40:37,200 Speaker 1: them to see you outside. He's never where he lived then, 824 00:40:37,480 --> 00:40:40,960 Speaker 1: or like eight Mile house. So I mean, like the 825 00:40:41,040 --> 00:40:44,759 Speaker 1: real pretty mansion had the guard out front, was a 826 00:40:44,840 --> 00:40:49,000 Speaker 1: huge danna. It was ginormous. I don't know if you 827 00:40:49,080 --> 00:40:52,080 Speaker 1: still live there or not. But of Michigan, I'll give 828 00:40:52,120 --> 00:40:55,200 Speaker 1: you the address. A mile pretty bad place, like heart, 829 00:40:55,239 --> 00:41:00,279 Speaker 1: like crime. I mean, I wouldn't want to go there. Yeah, 830 00:41:00,320 --> 00:41:03,280 Speaker 1: I mean, it's it's um And I was born in Detroit, 831 00:41:03,400 --> 00:41:06,040 Speaker 1: but I can't say I'm from Detroit, even though I 832 00:41:06,080 --> 00:41:08,160 Speaker 1: like to give me like some street cred, but I'm 833 00:41:08,200 --> 00:41:12,359 Speaker 1: from Importing minutes northeast. So it's yeah, it's it's not great. 834 00:41:12,400 --> 00:41:14,040 Speaker 1: But I mean I feel like any big city kind 835 00:41:14,040 --> 00:41:18,080 Speaker 1: of has struggles with with crime and stuff. I feel 836 00:41:18,160 --> 00:41:21,560 Speaker 1: Nashville is getting bad parts of sure, parts of anywhere 837 00:41:21,680 --> 00:41:23,719 Speaker 1: it can be. I went to Watts on American. I 838 00:41:23,760 --> 00:41:25,880 Speaker 1: don't like, they were like, would you go to what 839 00:41:26,239 --> 00:41:28,080 Speaker 1: she's been in gangs? And she lives with Watts And 840 00:41:28,080 --> 00:41:30,319 Speaker 1: I was like, I knew they weren't gonna send Ryan 841 00:41:31,120 --> 00:41:32,880 Speaker 1: he's worth too much. I wouldn't send Ryan either, I 842 00:41:32,920 --> 00:41:35,200 Speaker 1: wouldn't send the Superstar. And so we packed up a 843 00:41:35,239 --> 00:41:40,480 Speaker 1: van and drove into Watts whatever either here. The general 844 00:41:40,560 --> 00:41:43,759 Speaker 1: rule is in life, the same as it is in 845 00:41:43,800 --> 00:41:46,240 Speaker 1: bad neighborhoods, the same as it is in the woods. 846 00:41:47,080 --> 00:41:49,320 Speaker 1: You don't mess with things that you that you shouldn't 847 00:41:49,320 --> 00:41:50,560 Speaker 1: mess with. They're not gonna mess with you for the 848 00:41:50,560 --> 00:41:55,320 Speaker 1: most part, unless they're hungry or really really really bad timing. 849 00:41:55,360 --> 00:41:57,359 Speaker 1: For the most part, you don't mess with people. Doesn't matter, 850 00:41:57,360 --> 00:41:59,240 Speaker 1: they're not gonna mess with you. It's like a snake. 851 00:41:59,719 --> 00:42:02,760 Speaker 1: You know. People always get that people are right of snakes. 852 00:42:02,800 --> 00:42:04,160 Speaker 1: But here's the thing. If you if you do a 853 00:42:04,239 --> 00:42:05,960 Speaker 1: step on a snake or the snakes not in the 854 00:42:06,040 --> 00:42:09,320 Speaker 1: odd may, you're fine. What was your thing, Jenna, Well, no, 855 00:42:09,520 --> 00:42:11,839 Speaker 1: I just this is the weirdest thing. And I don't 856 00:42:11,840 --> 00:42:13,880 Speaker 1: know why, but I've always wanted to, Like when I 857 00:42:13,920 --> 00:42:15,680 Speaker 1: was in high school, I always wanted to do like 858 00:42:15,719 --> 00:42:17,480 Speaker 1: the say the Last Dance, you know where she goes 859 00:42:17,520 --> 00:42:21,279 Speaker 1: to the school. And I don't know why. I like, 860 00:42:21,360 --> 00:42:24,080 Speaker 1: I don't know why I wanted to with the Michelle Peiffer, 861 00:42:24,120 --> 00:42:28,080 Speaker 1: a movie which is what's that one? Mike? Oh my god, 862 00:42:28,160 --> 00:42:33,319 Speaker 1: that was Yanks. Paradise was the song. Yeah, Like I don't. 863 00:42:33,320 --> 00:42:34,880 Speaker 1: I'm like, I don't know why. I'm like, I just 864 00:42:35,080 --> 00:42:36,759 Speaker 1: like just for one week, I just want to like 865 00:42:37,480 --> 00:42:42,120 Speaker 1: be there. I'm not sure why. Yeah, you know, I 866 00:42:42,239 --> 00:42:46,239 Speaker 1: come from kind of like a small town version of that. Um. Yeah, 867 00:42:46,280 --> 00:42:48,400 Speaker 1: maybe for like a day. My high school is bad. 868 00:42:48,440 --> 00:42:52,120 Speaker 1: People got stabbed there. They gang kids from all the 869 00:42:52,160 --> 00:42:54,640 Speaker 1: other schools to our school because we would take them. 870 00:42:54,760 --> 00:42:57,440 Speaker 1: So we only had some of that. Did breath knuckles, 871 00:42:57,560 --> 00:43:01,400 Speaker 1: But you know, come on, we all had brass at 872 00:43:01,400 --> 00:43:05,799 Speaker 1: our school. You got brass, n you can go to 873 00:43:05,800 --> 00:43:08,719 Speaker 1: school without it. Yeah, they gave up. Okay, what's your 874 00:43:08,719 --> 00:43:11,800 Speaker 1: next song? Janna? Okay, I'm going back down. Come away 875 00:43:11,800 --> 00:43:14,280 Speaker 1: with me. Nora Jones, that's my chill in the bath 876 00:43:14,320 --> 00:43:16,319 Speaker 1: glass of wine. At the end of the day, I 877 00:43:16,360 --> 00:43:20,920 Speaker 1: saw her at what was the outdoor venue in Austin backyard. Backyard. Yeah, 878 00:43:21,000 --> 00:43:23,320 Speaker 1: we all set in white fluffy chairs and watched Norah 879 00:43:23,400 --> 00:43:29,480 Speaker 1: Jones and something so relaxing about her voice and that 880 00:43:29,640 --> 00:43:33,399 Speaker 1: song just piece. I just remember being really small, really 881 00:43:33,400 --> 00:43:37,920 Speaker 1: always good. But I went to meet her afterward. No, no, 882 00:43:38,040 --> 00:43:42,040 Speaker 1: small isn't like her stature or physical stature. Small because 883 00:43:42,080 --> 00:43:44,400 Speaker 1: she's up and she's so good and just doing her 884 00:43:44,400 --> 00:43:47,279 Speaker 1: little jazz thing. And she only had two songs that 885 00:43:47,320 --> 00:43:50,000 Speaker 1: we knew at the time, Come Away with Me and 886 00:43:50,280 --> 00:43:52,839 Speaker 1: the Big One. I don't know why you didn't call 887 00:43:53,000 --> 00:43:58,759 Speaker 1: that one and yeah and your final song, Janna Okay. 888 00:43:58,880 --> 00:44:01,200 Speaker 1: Because of everything going on, it's probably one of the 889 00:44:01,239 --> 00:44:05,840 Speaker 1: best written songs I've ever heard. Wash your hands okay, 890 00:44:07,880 --> 00:44:11,439 Speaker 1: Number one kids, You're crazy, number one kids song. I'm 891 00:44:11,480 --> 00:44:14,000 Speaker 1: telling you, it's so good. I played for the kids, 892 00:44:14,000 --> 00:44:19,080 Speaker 1: and there's thank you. We're pretty listen. That one came 893 00:44:19,120 --> 00:44:21,200 Speaker 1: back out of nowhere. Yes, did you know that we 894 00:44:21,280 --> 00:44:23,480 Speaker 1: took on baby Shark and we beat it? That's right, 895 00:44:24,320 --> 00:44:26,759 Speaker 1: I mean, guys, that's a huge accomplishment. Thank you, Thank 896 00:44:26,760 --> 00:44:31,759 Speaker 1: you Baby sharks scared of us? Amazing? So is the 897 00:44:32,960 --> 00:44:38,719 Speaker 1: car shark one? Right now? What's baby car room room 898 00:44:38,760 --> 00:44:41,840 Speaker 1: boom boom? They have a baby car that is that? 899 00:44:41,920 --> 00:44:44,279 Speaker 1: Like the same people that did that. I had no 900 00:44:44,320 --> 00:44:48,399 Speaker 1: idea baby car room broom, broom room that what it is? Yeah, 901 00:44:48,440 --> 00:44:52,600 Speaker 1: it's no baby car room room boom boom, baby car 902 00:44:52,680 --> 00:44:55,719 Speaker 1: room room boom boom, And it Grandma, Yeah, and then 903 00:44:55,719 --> 00:44:58,960 Speaker 1: it goes in monster chuck, monster chuck, boom boom room. 904 00:44:59,440 --> 00:45:03,400 Speaker 1: I guess you guts do all those huh all sounds 905 00:45:03,480 --> 00:45:06,920 Speaker 1: all things. Yeah, should we start coming up? Well, no, 906 00:45:07,040 --> 00:45:09,560 Speaker 1: we can't because we didn't write that melody. But hey, Janna, 907 00:45:09,560 --> 00:45:11,200 Speaker 1: I'm gonna play a little bit of good enough. Here. 908 00:45:11,239 --> 00:45:13,400 Speaker 1: Here is Janna song good Are You So Sweet? There 909 00:45:13,440 --> 00:45:33,959 Speaker 1: we go? This is her latest single. Tell me about 910 00:45:33,960 --> 00:45:38,040 Speaker 1: the song, Jenna um I was writing a song about 911 00:45:38,080 --> 00:45:41,279 Speaker 1: because I always feel like whenever relationships end, it's like 912 00:45:41,800 --> 00:45:43,879 Speaker 1: I always go to why wasn't I good enough? Why 913 00:45:43,880 --> 00:45:46,040 Speaker 1: did he leave? Why did this happen? And it's such 914 00:45:46,080 --> 00:45:48,840 Speaker 1: a reverse way of thinking. And when I was writing 915 00:45:48,840 --> 00:45:50,200 Speaker 1: the song, I'm like, why am I writing a song 916 00:45:50,239 --> 00:45:51,920 Speaker 1: about why I'm not good enough for someone else? Like 917 00:45:51,960 --> 00:45:53,560 Speaker 1: I just should be good enough for myself and then 918 00:45:53,560 --> 00:45:56,160 Speaker 1: maybe that's when I'll find the the great love I've 919 00:45:56,200 --> 00:45:58,239 Speaker 1: always kind of looked for. And so that was just 920 00:45:58,320 --> 00:46:00,759 Speaker 1: kind of one of those female and power meant, you know, 921 00:46:00,960 --> 00:46:03,080 Speaker 1: wanting to be like, hey, just be good enough for 922 00:46:03,120 --> 00:46:06,760 Speaker 1: you and you know everything else will will be okay. 923 00:46:06,800 --> 00:46:09,839 Speaker 1: But I almost feel like right now I should up 924 00:46:09,880 --> 00:46:12,279 Speaker 1: I have a song coming out in April. It's called Untouchable, 925 00:46:12,360 --> 00:46:14,040 Speaker 1: so I feel like maybe that should come out now 926 00:46:14,840 --> 00:46:17,680 Speaker 1: since we can't really touch anything. So oh, I get it. 927 00:46:17,800 --> 00:46:20,040 Speaker 1: There you go, Thank you folks. You'll be here all 928 00:46:20,040 --> 00:46:23,680 Speaker 1: the way. Um uh. And and are you still doing 929 00:46:23,680 --> 00:46:27,279 Speaker 1: the Moms and Babe box? Yeah, I am. It's man, 930 00:46:27,320 --> 00:46:29,480 Speaker 1: It's it's a hard business, so I'll play you up. 931 00:46:29,480 --> 00:46:31,440 Speaker 1: But I'm just you know, I'm just throwing darts and 932 00:46:31,560 --> 00:46:34,680 Speaker 1: stuff and just cranking away and trying to, you know, 933 00:46:35,239 --> 00:46:38,960 Speaker 1: um do what I can and support the family. And 934 00:46:39,080 --> 00:46:41,319 Speaker 1: the podcast has been really fun, you know, obviously I 935 00:46:41,360 --> 00:46:43,480 Speaker 1: do you know that. And then we've did some touring, 936 00:46:43,520 --> 00:46:46,200 Speaker 1: which is obviously I'm told right now, but it's you know, 937 00:46:46,320 --> 00:46:48,240 Speaker 1: just trying to grow as much as I can and 938 00:46:48,840 --> 00:46:52,239 Speaker 1: support the good old family on the Wine Down first 939 00:46:52,239 --> 00:46:54,360 Speaker 1: of all our podcasts called Wine Down, w h I 940 00:46:54,400 --> 00:46:56,879 Speaker 1: and The wind Down with Jana and Mike. And so 941 00:46:57,040 --> 00:46:59,080 Speaker 1: when you do the tour though, because I'm curious if 942 00:46:59,080 --> 00:47:00,600 Speaker 1: people want to come out to a show you do, 943 00:47:01,080 --> 00:47:04,200 Speaker 1: like a podcast, a talk, but then you do music too, 944 00:47:05,040 --> 00:47:07,320 Speaker 1: so it's more of like an evening with so this 945 00:47:07,520 --> 00:47:09,520 Speaker 1: when you come like we have a right now are 946 00:47:09,960 --> 00:47:14,160 Speaker 1: u l A dates are rescheduled to May. Um hopefully 947 00:47:14,200 --> 00:47:16,680 Speaker 1: it's still Sands, but UM, it's yeah, it's more it's 948 00:47:16,680 --> 00:47:18,440 Speaker 1: like an evening with Mike and I. We cold, you know, 949 00:47:18,440 --> 00:47:20,480 Speaker 1: we go out there and we talk. We UM. We 950 00:47:20,520 --> 00:47:22,920 Speaker 1: have a few things that we touch on, UM, some 951 00:47:23,000 --> 00:47:25,600 Speaker 1: really good communicating tools that we've learned in therapy. But 952 00:47:25,640 --> 00:47:28,239 Speaker 1: then it's also funny too, so it's not just we 953 00:47:28,239 --> 00:47:31,160 Speaker 1: We kind of share two things that we're really imperative 954 00:47:31,200 --> 00:47:35,240 Speaker 1: that we learned in therapy, So we share those UM 955 00:47:35,280 --> 00:47:38,160 Speaker 1: and then we you know, we say a few jokes 956 00:47:38,200 --> 00:47:41,319 Speaker 1: and we laugh, and then we answer questions. So we 957 00:47:41,360 --> 00:47:43,680 Speaker 1: do that for about like sixty to ninety minutes, and 958 00:47:43,680 --> 00:47:46,560 Speaker 1: then I'll sing for about thirty minutes, and after that, 959 00:47:46,640 --> 00:47:49,799 Speaker 1: well we'll sign and and need everybody. So it's it's 960 00:47:49,800 --> 00:47:52,400 Speaker 1: a really really fun time, and it's nice to hear 961 00:47:52,440 --> 00:47:55,880 Speaker 1: people's stories because sometimes you know, it's hard to put 962 00:47:55,960 --> 00:47:58,840 Speaker 1: your life out there and receive criticism. But then you 963 00:47:58,920 --> 00:48:02,040 Speaker 1: also and I'm like, man, I sometimes regret doing that, 964 00:48:02,360 --> 00:48:04,799 Speaker 1: but at the same time, it's nice to meet people 965 00:48:04,800 --> 00:48:07,440 Speaker 1: out there that it's actually helping. We'll go check out 966 00:48:07,520 --> 00:48:09,200 Speaker 1: the tour when it's back up, and it will be 967 00:48:09,239 --> 00:48:13,160 Speaker 1: back up. We will together beat Corona and we will 968 00:48:13,560 --> 00:48:15,480 Speaker 1: we will get back on the road, all of us 969 00:48:15,520 --> 00:48:18,440 Speaker 1: get back to work. He crossed. I'm kind of wanting 970 00:48:18,480 --> 00:48:21,520 Speaker 1: to do some kind of virtual reality game hang where 971 00:48:21,520 --> 00:48:24,160 Speaker 1: we can all just hang out, you know, do something 972 00:48:24,719 --> 00:48:27,400 Speaker 1: you can follow Janet when she announced our virtual reality 973 00:48:27,400 --> 00:48:32,320 Speaker 1: tour at Cramer. Girl, thanks for spending some time with Shanna. 974 00:48:32,480 --> 00:48:35,040 Speaker 1: You know we love having you on. No, you're the best. 975 00:48:35,080 --> 00:48:37,800 Speaker 1: Thanks for having me. Love you both all right, Bye, Janna, Janna. Okay, 976 00:48:37,880 --> 00:48:38,320 Speaker 1: By guys,