WEBVTT - Obsession

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<v Speaker 1>The relationship between the girl growing up and her father.

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<v Speaker 1>That is what makes a woman attracted to a bad

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<v Speaker 1>boy of any type.

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<v Speaker 2>Did these girls brush him off and reject him and

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<v Speaker 2>he felt rejected in want revenge? Or were they actually nice?

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<v Speaker 2>Did they say hi to him and he suddenly said, oh,

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<v Speaker 2>they love me.

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<v Speaker 3>This is the Idaho Massacre, a production of KATI Studios

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<v Speaker 3>and iHeartRadio, Season two, Episode nine, Obsession. I'm Courtney Armstrong,

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<v Speaker 3>a producer at KATI Studios with Stephanie Leideger and Gabe Castillo.

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<v Speaker 3>Last episode, we left off on a short conversation between Stephanie,

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<v Speaker 3>journalist Connor Powell and data analyst Body Movin. They were

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<v Speaker 3>talking about women who are deeply, sometimes obsessively, attracted to

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<v Speaker 3>dangerous men behind bars. I continued the conversation with Body,

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<v Speaker 3>asking her to describe what is going on online with

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<v Speaker 3>women gathering professing their love for a Ques murderer, Brian Coberger.

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<v Speaker 4>If you look at the photos the Bribe Brys are

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<v Speaker 4>posting to the subreddit to Brian's Girls subreddit, they're very childlike.

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<v Speaker 4>They make these edits of Brian with you know, hearts

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<v Speaker 4>in the background, and one of them has an altar

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<v Speaker 4>with candles and pictures. I think these people are doing

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<v Speaker 4>it for shock value reasons, like they're lacking something at home,

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<v Speaker 4>or some believe they can change a man as cruel

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<v Speaker 4>and powerful as a serial killer, because they don't really

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<v Speaker 4>have any real connection to men. You know, some people

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<v Speaker 4>hope to share in the media, spotlight, maybe get a

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<v Speaker 4>book and movie deal. A couple of these people have

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<v Speaker 4>had their names in the paper now. So when I

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<v Speaker 4>look at the and I read their subreddit, because I

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<v Speaker 4>do read it, it's not private, I feel like a

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<v Speaker 4>lot of them are just angsty young people who are

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<v Speaker 4>lashing back at society in any way they can. I

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<v Speaker 4>know that some people will disagree with me, and that's

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<v Speaker 4>totally fine. It's just my opinion and my very uneducated opinion.

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<v Speaker 4>But I'm very educated when it comes to that behavior,

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<v Speaker 4>when it comes to troll behaviors, and it's it feels

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<v Speaker 4>very trollish, but I think a lot of it comes

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<v Speaker 4>down to a shock value. It's like when you're a

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<v Speaker 4>teenager and you get a mohawk just to piss off

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<v Speaker 4>your mom. It's kind of like that. And when you

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<v Speaker 4>look at the memes and stuff that they're creating, a Brian.

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<v Speaker 4>One of them put him in a barb meme and

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<v Speaker 4>made him look like Ken. It's very immature. And when

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<v Speaker 4>I say immature, I don't mean that their attitude is immature.

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<v Speaker 4>I mean the edits they're making to these photos. And

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<v Speaker 4>I just get a troll feeling from them.

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<v Speaker 3>First of all, thank you for you know, giving a

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<v Speaker 3>great picture of what's online. And yeah, it's I'm so

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<v Speaker 3>curious to me, is there a context I'm not grocking

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<v Speaker 3>with the barbies or I just.

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<v Speaker 4>Think it's an immature kid, not necessarily a kid, but

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<v Speaker 4>a young woman who lives in a fantasy world. Maybe

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<v Speaker 4>she maladaptive, daydreams all day. And because there is this

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<v Speaker 4>notion that she's going to have this perfect relationship with

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<v Speaker 4>Brian Coberger. You know, he's not going to leave his

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<v Speaker 4>socks on the floor. You know, he's behind bars. She's protected,

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<v Speaker 4>she's not going to have to endure any day to

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<v Speaker 4>day issues that most relationships have to, you know, go through,

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<v Speaker 4>not going to have to There's not going to be

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<v Speaker 4>any cooking or laundry. He's not gonna cheat on her,

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<v Speaker 4>you know what I mean. Like it's the perfect boyfriend

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<v Speaker 4>if you think about it, and he's famous on top

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<v Speaker 4>of it, right. I do think that some of them

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<v Speaker 4>do actually suffer from this paraphilia, though I really do,

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<v Speaker 4>and the others their families need to get them some help,

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<v Speaker 4>some mental health help, and I'm not qualified to speak

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<v Speaker 4>about that.

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<v Speaker 3>To better understand the phenomena, we reached out to board

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<v Speaker 3>certified psychiatrist known as America's psychiatrist, doctor Krol Lieberman. Here

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<v Speaker 3>the conversation Stephanie and I had with her.

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<v Speaker 1>Hybristophilia is basically the love and sexual attraction to men

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<v Speaker 1>who have committed crimes.

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<v Speaker 3>Is hybristophilia? Is that a recognized psychiatric disorder?

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<v Speaker 1>I mean it is a term that is recognized. There

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<v Speaker 1>isn't a DSM diagnostic and statistical manual category for it,

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<v Speaker 1>but more like a descriptive term than an actual separate diagnosis.

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<v Speaker 5>I mean.

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<v Speaker 1>In my book bad Boys, Why We Love Them, how

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<v Speaker 1>to live with them, and when to leave them? I

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<v Speaker 1>have twelve different types of bad boys that I describe,

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<v Speaker 1>and the lethal lover is what I described as the ultimate,

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<v Speaker 1>the worst type of bad boy. These are men who

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<v Speaker 1>are in prison or who have committed crimes and the

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<v Speaker 1>women who love them. In a general sense. You know,

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<v Speaker 1>it comes from the relationship between the girl the growing

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<v Speaker 1>up and her father. That is what makes a woman

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<v Speaker 1>attracted to a bad boy of any type. And with

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<v Speaker 1>the lethal lover type of bad boys, the fathers are

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<v Speaker 1>particularly cruel and she grew up in a very dark, gloomy,

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<v Speaker 1>dangerous household, very cold. And the way that the dysfunctional

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<v Speaker 1>relationship with the father works is that it makes the

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<v Speaker 1>girl growing up believe that she is not lovable. And

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<v Speaker 1>there are many reasons why women are attracted to lethal lovers.

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<v Speaker 5>Another reason why, in.

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<v Speaker 1>General, is because they see the sad little boy inside

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<v Speaker 1>and so they feel that they can not only tame him.

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<v Speaker 5>But they can make him happy. They can fix him.

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<v Speaker 1>And of course who needs fixing more than guys who

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<v Speaker 1>have permitted crimes. And another reason why they're attracted to

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<v Speaker 1>them is because they represent danger, and that's very powerful.

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<v Speaker 1>It's an aphrodisiac when a man is dangerous. There are

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<v Speaker 1>so many of these criminals behind bars who have so

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<v Speaker 1>many women writing to them professing their love to them back.

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<v Speaker 1>There was something just the other day about how one

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<v Speaker 1>of the Boston bomber terrorists he has fifty thousand dollars

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<v Speaker 1>or twenty thousand dollars some huge amount of money in

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<v Speaker 1>his canteen in the prison that comes from women giving

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<v Speaker 1>him money.

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<v Speaker 5>I mean, he's a terrorist. He killed people.

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<v Speaker 6>Convicted, I might add, it's not even up for conversation,

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<v Speaker 6>like these are violent criminals, you know, because that's a distinction.

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<v Speaker 6>But is there a big distinction between a bad boy

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<v Speaker 6>who rides a motorcycle and seeks out at night and

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<v Speaker 6>maybe is a little rough and tumble versus a straight

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<v Speaker 6>violent criminal and maybe moreover, someone who's going to be

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<v Speaker 6>behind bars till the end of days potentially? What is

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<v Speaker 6>it about that being attractive? Is it the fact that

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<v Speaker 6>they're so dependent on you and there's no competition, you

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<v Speaker 6>know where they are at night? Are they just maybe

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<v Speaker 6>more faithful because you know that they're locked in a

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<v Speaker 6>cell for the rest of their lives.

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<v Speaker 5>All of that.

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<v Speaker 1>I mean, look Brian Coburger, for example, he hasn't been convicted,

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<v Speaker 1>so yes, he might be in jail forever. And yet

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<v Speaker 1>still there are all these women who are attracted to him.

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<v Speaker 6>There are women that love him, that write him daily,

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<v Speaker 6>that basically say that they see the little boy in him,

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<v Speaker 6>just like you described. And look, he's a nice looking,

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<v Speaker 6>well raised young man. What he's being accused of is

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<v Speaker 6>wildly violent. So even if that's a TBD, and yes

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<v Speaker 6>he has not been convicted and claims his innocence, but

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<v Speaker 6>what if these are.

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<v Speaker 1>Women who typically have not had much success themselves in

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<v Speaker 1>their love life, and so part of them also identifies

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<v Speaker 1>with him.

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<v Speaker 3>We asked doctor Carol as she had experience with any

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<v Speaker 3>other notorious men behind bars.

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<v Speaker 1>When I was on Sally Jesse Raphael, the show was

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<v Speaker 1>Women who Love Men in Jail, Men in Prison, And

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<v Speaker 1>there were three or four different men, and then there

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<v Speaker 1>were the women who loved them. And Richard Ramirez was

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<v Speaker 1>one of the men, and he obviously he wasn't in

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<v Speaker 1>the studio. They had him on camera from the jail.

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<v Speaker 1>So for the other two men, each one had a

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<v Speaker 1>woman who loved them. For Richard Ramirez, there were two women,

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<v Speaker 1>and the thing was that neither one of them knew

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<v Speaker 1>about the other. They thought they were going to marry

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<v Speaker 1>Richard Ramirez, the nightstalker. The nightstalker, Yes, he had killed women,

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<v Speaker 1>strangled them, raped them, all kinds of horrible things, but

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<v Speaker 1>they wanted to marry him. So when they saw each other,

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<v Speaker 1>they couldn't believe it. You write to Richard Ramirez, you

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<v Speaker 1>talked to her what and they started fighting with each other.

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<v Speaker 1>They started a brawl right there on the stage. And

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<v Speaker 1>the gist of it was, why would you think that

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<v Speaker 1>a man who had murdered, rape, strangled thirteen women at

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<v Speaker 1>least would be faithful to you like he did all

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<v Speaker 1>these other horrible things, and you think he's gonna.

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<v Speaker 5>Be a good boy.

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<v Speaker 1>You could trust him, he's gonna be a loving husband.

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<v Speaker 1>I mean, it was so crazy that they just kind

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<v Speaker 1>of assumed that they were it. There were tons of

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<v Speaker 1>women writing to him, so they probably each thought they

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<v Speaker 1>were the only one.

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<v Speaker 3>I asked doctor Carroll about an open letter she wrote

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<v Speaker 3>for Newsweek. It was addressed to a woman named Brittany

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<v Speaker 3>Heislope who made it publicly known that she's in love

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<v Speaker 3>with Brian Coburger and calls him, quote the perfect man.

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<v Speaker 1>As you saw in my article in Newsweek, I wrote

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<v Speaker 1>a letter to this woman, Brittany J.

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<v Speaker 5>Heislope. She was the first one or the first one.

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<v Speaker 1>That was known widely in terms of the lovers of Coburger,

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<v Speaker 1>Brian Coburger, and so I wrote to her about that.

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<v Speaker 1>I'll read you some of the things that I wrote. Okay,

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<v Speaker 1>So she describes herself as feeling love sick about Coburger

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<v Speaker 1>when she wrote letters to him on Facebook. You know

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<v Speaker 1>he's your one true love, and your love is very real.

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<v Speaker 1>This is what you think you feel. He's lonely and

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<v Speaker 1>sad in jail, and that no one understands him like

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<v Speaker 1>you do. You want to rescue Brian. He's been misunderstood

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<v Speaker 1>all his life. You know what that feels like, because

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<v Speaker 1>you've been misunderstood too. You want to believe he's not guilty.

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<v Speaker 1>Have you thought about the fact that he may have

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<v Speaker 1>other women writing to him too, other women who have

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<v Speaker 1>fallen in love with him like you. You might never

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<v Speaker 1>know about this until you've wasted years pining for him.

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<v Speaker 1>So then I conclude by saying, get some psychotherapy and

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<v Speaker 1>work on your feelings of not being lovable enough. But

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<v Speaker 1>with therapy you'll discover that a man who is already

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<v Speaker 1>out in the real world will make you happier than

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<v Speaker 1>you deserve it.

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<v Speaker 3>It turns out Coburger was not this woman's first time

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<v Speaker 3>experiencing obsessive feelings for an incarcerated man. In fact, doctor

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<v Speaker 3>Carroll has spoken with the mother of a man Brittany

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<v Speaker 3>High Slope used to visit while he was in prison.

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<v Speaker 1>This was a man who was accused of killing somebody.

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<v Speaker 1>As she gave him money, she put money in his canteen.

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<v Speaker 1>In the end, after a few months, this young man

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<v Speaker 1>told his mother to tell her to stop, you know,

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<v Speaker 1>writing to him and coming to visit him and all that.

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<v Speaker 1>She didn't stop after the mother told her to stop,

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<v Speaker 1>and so one time when she was visiting him, the

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<v Speaker 1>next time he told her that she had to stop.

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<v Speaker 1>I mean, in other words, the mother said she was

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<v Speaker 1>even too crazy for my son, even with all the perks,

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<v Speaker 1>you know, the nice letters, love you, blah blah blah,

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<v Speaker 1>and the money, and he couldn't deal with her, you know.

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<v Speaker 1>He It's so ironic with Brian Coburger because throughout his

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<v Speaker 1>life he has been rejected time and time again, starting

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<v Speaker 1>in middle school. This got worse in high school. It's

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<v Speaker 1>so ironic because now that he's in jail, now he

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<v Speaker 1>has all these women throwing themselves at him. His reward,

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<v Speaker 1>so to speak, is getting all these women who he

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<v Speaker 1>never got before to write him love letters and want

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<v Speaker 1>to marry him.

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<v Speaker 5>And all of that.

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<v Speaker 3>Is there any part on the women's part of being

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<v Speaker 3>wrapped up in sort of the notoriety.

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<v Speaker 5>That's a part of it too.

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<v Speaker 1>Yes, sometimes women want to marry the man because if

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<v Speaker 1>they did, you know, had a jail house wedding, there

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<v Speaker 1>would be tons of media and they.

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<v Speaker 5>Would get to be as famous as the man.

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<v Speaker 3>Are you familiar with the online group of the bride

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<v Speaker 3>Ryese or Brian's Girls. It seems to me it's like

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<v Speaker 3>a group mentality, all of these women professing their love

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<v Speaker 3>and putting together pictures of the accused in alter scenarios

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<v Speaker 3>or with hearts all around him. And I was curious

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<v Speaker 3>from sort of a psychological perspective of are these women

0:13:23.320 --> 0:13:25.600
<v Speaker 3>do you imagine they're egging each other on? Do you

0:13:25.640 --> 0:13:28.320
<v Speaker 3>imagine that it's competition between them?

0:13:29.160 --> 0:13:32.439
<v Speaker 1>Well, it's interesting, you know, because that's that's a little

0:13:32.440 --> 0:13:35.400
<v Speaker 1>different than what I was describing with Richard Ramirez. Now

0:13:35.520 --> 0:13:39.840
<v Speaker 1>in the group Brian's Girls, it's kind of interesting that they,

0:13:40.520 --> 0:13:44.080
<v Speaker 1>I mean, I guess they're finding companionship or support in

0:13:44.120 --> 0:13:47.280
<v Speaker 1>the fact that that other women are so entranced by

0:13:47.360 --> 0:13:50.360
<v Speaker 1>him too. And I'll bet you though that each one

0:13:50.400 --> 0:13:52.880
<v Speaker 1>of them, I'm sure they've been writing to him, not

0:13:53.080 --> 0:13:56.400
<v Speaker 1>just you know, not just in this group. Each one

0:13:56.440 --> 0:13:59.800
<v Speaker 1>of them must think that Brian really loves them, that

0:13:59.840 --> 0:14:04.960
<v Speaker 1>they she's his girl. These girls, may you be writing

0:14:05.000 --> 0:14:08.400
<v Speaker 1>all these things online and we can talk about him. Yes,

0:14:08.520 --> 0:14:12.040
<v Speaker 1>isn't he adorable and blah blah blah, but each one

0:14:12.120 --> 0:14:14.880
<v Speaker 1>is probably thinking or at least hoping, that they're the

0:14:14.920 --> 0:14:15.880
<v Speaker 1>one he really loves.

0:14:16.520 --> 0:14:19.680
<v Speaker 3>There was one and this was reported on the news.

0:14:20.080 --> 0:14:24.080
<v Speaker 3>A woman in the group. I believe she's the leader,

0:14:24.160 --> 0:14:29.120
<v Speaker 3>the founder of the group. She physically carved Brian Kohlberger's

0:14:29.360 --> 0:14:33.480
<v Speaker 3>entire name and his initials into her skin.

0:14:34.400 --> 0:14:36.160
<v Speaker 5>That is definitely sick.

0:14:36.520 --> 0:14:42.960
<v Speaker 1>I mean, that is definitely goes beyond just loving you know,

0:14:43.160 --> 0:14:47.040
<v Speaker 1>a bad boy. I mean some of these women are

0:14:47.400 --> 0:14:50.720
<v Speaker 1>actually mentally ill. Some of them take it beyond the

0:14:50.840 --> 0:14:53.280
<v Speaker 1>edge and they do have some kind of mental illness.

0:14:53.880 --> 0:14:57.880
<v Speaker 1>They could be borderline, or they could be manic, depressive, bipolar,

0:14:58.080 --> 0:15:02.560
<v Speaker 1>but have some kind of diagnosible mental disorder. Because that,

0:15:02.960 --> 0:15:05.920
<v Speaker 1>I mean, that's supposed to show that she loves him

0:15:05.960 --> 0:15:09.480
<v Speaker 1>the most. Right, Look, I love him more than you girls.

0:15:09.760 --> 0:15:12.720
<v Speaker 1>Look what I did. You know, I'm the real one,

0:15:12.880 --> 0:15:14.440
<v Speaker 1>that his real love.

0:15:14.280 --> 0:15:16.960
<v Speaker 5>And all that kind of stuff. He needs mental health help.

0:15:17.000 --> 0:15:19.680
<v Speaker 1>She needs to be in therapy, just like I recommended

0:15:19.680 --> 0:15:22.680
<v Speaker 1>to Brittany Heislope that that girl definitely needs to be

0:15:22.680 --> 0:15:23.120
<v Speaker 1>in therapy.

0:15:23.360 --> 0:15:24.840
<v Speaker 3>Is there anything else you'd like to share?

0:15:25.480 --> 0:15:28.480
<v Speaker 1>I'll just say that if you are a woman who

0:15:28.600 --> 0:15:32.000
<v Speaker 1>is thinking about writing letters too, or becoming in love

0:15:32.080 --> 0:15:35.040
<v Speaker 1>with or wanting to marry one of these criminals.

0:15:34.840 --> 0:15:35.480
<v Speaker 5>Think twice.

0:15:35.760 --> 0:15:38.080
<v Speaker 1>Realize that this is a reflection about yourself and your

0:15:38.120 --> 0:15:41.320
<v Speaker 1>insecurity and your relationship with your father, and get therapy

0:15:41.360 --> 0:15:42.520
<v Speaker 1>instead of writing letters.

0:15:45.960 --> 0:15:48.560
<v Speaker 3>Let's stop here for a break. We'll be back in

0:15:48.600 --> 0:15:58.720
<v Speaker 3>a moment. The women we've been speaking about are looking

0:15:58.760 --> 0:16:01.720
<v Speaker 3>in on the accused, hoping to be part of his world,

0:16:01.920 --> 0:16:06.760
<v Speaker 3>while simultaneously posting outwardly on social media so everyone will

0:16:06.800 --> 0:16:09.560
<v Speaker 3>know they are the ones in love with an alleged murderer.

0:16:11.160 --> 0:16:15.120
<v Speaker 3>From looking at this psychological perspective, we switch the lens

0:16:15.160 --> 0:16:18.320
<v Speaker 3>to a pop culture perspective and look at how those

0:16:18.360 --> 0:16:22.720
<v Speaker 3>influences might possibly imprint on a murderer. How does the

0:16:22.760 --> 0:16:26.440
<v Speaker 3>presentation of violence and horror movies mirror back what's going

0:16:26.480 --> 0:16:30.680
<v Speaker 3>on in our own worlds. As for accused murderer Brian Coburger,

0:16:31.000 --> 0:16:34.400
<v Speaker 3>there's a much reported on example that starts very close

0:16:34.440 --> 0:16:34.800
<v Speaker 3>to home.

0:16:39.240 --> 0:16:44.560
<v Speaker 6>Brian Coberger's sister was an actress and she was in

0:16:44.600 --> 0:16:49.239
<v Speaker 6>this movie called Two Days Back, and the loose timeline

0:16:49.760 --> 0:16:53.920
<v Speaker 6>story plot on that is that co eds go out

0:16:53.920 --> 0:16:58.000
<v Speaker 6>into the woods and not all of them return. In fact,

0:16:58.360 --> 0:17:01.760
<v Speaker 6>several of them meet their own untimely death in very

0:17:01.800 --> 0:17:05.960
<v Speaker 6>scary ways, including with a knife and a hatchet, and

0:17:06.440 --> 0:17:09.360
<v Speaker 6>it's a slash reflick and just looking at the timeline.

0:17:09.600 --> 0:17:12.000
<v Speaker 6>That particular movie that his older sister was in was

0:17:12.040 --> 0:17:16.640
<v Speaker 6>released on November eighteenth, twenty eleven, and the murders happened,

0:17:17.040 --> 0:17:20.520
<v Speaker 6>as we know, on November thirteenth, twenty twenty two. But

0:17:20.600 --> 0:17:23.719
<v Speaker 6>what we're really trying to pinpoint here is something that

0:17:24.240 --> 0:17:26.880
<v Speaker 6>we've been learning about, which is kind of about these

0:17:26.920 --> 0:17:32.719
<v Speaker 6>social imprints that maybe set into somebody's mind that similarly

0:17:32.760 --> 0:17:36.879
<v Speaker 6>how police investigators and detectives create a wall that has

0:17:37.280 --> 0:17:40.080
<v Speaker 6>the facts and how this piece of evidence was found

0:17:40.080 --> 0:17:42.000
<v Speaker 6>here and then this piece of evidence was found there.

0:17:42.240 --> 0:17:46.040
<v Speaker 6>Those are the facts, and then sometimes there's a psychological

0:17:46.080 --> 0:17:51.080
<v Speaker 6>profile that looks at certain imprints of a person's life

0:17:51.240 --> 0:17:54.600
<v Speaker 6>and to see if that tells a story. And obviously,

0:17:54.600 --> 0:17:57.080
<v Speaker 6>in no way are we saying that Brian Koberger is

0:17:57.080 --> 0:18:00.680
<v Speaker 6>guilty of the crimes that he claims his since four

0:18:00.840 --> 0:18:03.160
<v Speaker 6>to this day and has not been found guilty yet.

0:18:03.240 --> 0:18:08.000
<v Speaker 6>But in the spirit of this unpacking what imprints maybe

0:18:08.119 --> 0:18:12.360
<v Speaker 6>would have shaped a potential killer's mind. Is there any

0:18:12.359 --> 0:18:16.680
<v Speaker 6>crossover there? So we brought in pop culture expert Dorano Fear.

0:18:17.400 --> 0:18:19.200
<v Speaker 7>I'm a horror fan.

0:18:19.840 --> 0:18:24.679
<v Speaker 2>I like to compare the historical relevance of horror and

0:18:24.680 --> 0:18:28.159
<v Speaker 2>how it affects society's deepest fears. And it's always been

0:18:28.200 --> 0:18:31.520
<v Speaker 2>a reflection because what happens in our real world then

0:18:31.880 --> 0:18:34.600
<v Speaker 2>inspires horror, and it's been going on, you know, since

0:18:34.640 --> 0:18:38.560
<v Speaker 2>the twenties, the event of film. How So, during the

0:18:38.640 --> 0:18:41.400
<v Speaker 2>time of post World War One, it was the rise

0:18:41.440 --> 0:18:44.439
<v Speaker 2>of German expressionism. So that's when we got movies in

0:18:44.440 --> 0:18:47.920
<v Speaker 2>the Silent era that were like Nosferatu or The Cabinet

0:18:47.920 --> 0:18:51.879
<v Speaker 2>of Doctor Kilgarry, which explored themes of madness, extential dread,

0:18:52.400 --> 0:18:55.880
<v Speaker 2>the unknown. Horror has always gone into the darker themes,

0:18:56.040 --> 0:18:58.600
<v Speaker 2>and if you look at classic horror movies like Frankenstein,

0:18:59.040 --> 0:19:01.199
<v Speaker 2>it was the people that turned on the monster, but

0:19:01.240 --> 0:19:03.639
<v Speaker 2>the monster wasn't the epitome of evil and when you

0:19:03.680 --> 0:19:06.720
<v Speaker 2>really look a decade by decade, you know, the fifties

0:19:06.760 --> 0:19:10.640
<v Speaker 2>brought about like a Cold War paranoia, and pop culture

0:19:10.680 --> 0:19:12.360
<v Speaker 2>reflected that instantly.

0:19:12.600 --> 0:19:15.560
<v Speaker 7>It caught up to it, like in real time.

0:19:15.720 --> 0:19:18.160
<v Speaker 2>And then the biggest movies of that decade were things

0:19:18.240 --> 0:19:21.720
<v Speaker 2>like Invasion of the Body Snackers or The Day the

0:19:21.760 --> 0:19:23.480
<v Speaker 2>Earth Shirt. Still and by the way, this is a

0:19:23.480 --> 0:19:27.080
<v Speaker 2>global thing. This is not an American thing, because you know,

0:19:27.160 --> 0:19:30.840
<v Speaker 2>Japan released Godzilla and that was you know, until this day.

0:19:30.960 --> 0:19:37.240
<v Speaker 2>These are icons of pop culture heroism and fear. Now

0:19:37.280 --> 0:19:39.040
<v Speaker 2>you get into a whole other era when you get

0:19:39.040 --> 0:19:40.680
<v Speaker 2>into the sixties and we start dealing with like the

0:19:40.720 --> 0:19:44.280
<v Speaker 2>Civil Rights movement is social and heaval. And look, that's

0:19:44.320 --> 0:19:47.159
<v Speaker 2>where I started getting involved because when I first saw

0:19:47.680 --> 0:19:50.040
<v Speaker 2>Knight of a Living Dead, I was really stunned by

0:19:50.040 --> 0:19:53.719
<v Speaker 2>that movie because first of all, it was George Romero

0:19:53.880 --> 0:19:56.919
<v Speaker 2>invented the concept of the zombie in film, it was

0:19:57.000 --> 0:20:01.000
<v Speaker 2>a terrifying portrayal of this other and this idea that

0:20:01.359 --> 0:20:03.159
<v Speaker 2>people come back to life and they are here to

0:20:03.240 --> 0:20:05.679
<v Speaker 2>kill you and eat you. But it was really an

0:20:05.720 --> 0:20:08.480
<v Speaker 2>allegory because that's a movie about racism. So it's a

0:20:08.520 --> 0:20:11.399
<v Speaker 2>reflection in horror and that was the first movie to

0:20:11.440 --> 0:20:14.920
<v Speaker 2>really show very graphic violence, you know, and it reflected

0:20:15.000 --> 0:20:19.320
<v Speaker 2>social instability and the questioning of authority and norms. And

0:20:19.400 --> 0:20:21.760
<v Speaker 2>it was in nineteen sixty that we got the first

0:20:22.240 --> 0:20:28.560
<v Speaker 2>real Hollywood serial killer with Anthony Perkins in his portrayal

0:20:28.560 --> 0:20:31.679
<v Speaker 2>of Psycho, which was kind of the first time that

0:20:31.760 --> 0:20:35.880
<v Speaker 2>American audiences had to face the idea of mental illness

0:20:36.400 --> 0:20:40.679
<v Speaker 2>and the idea of psychopathy, which really has stayed with

0:20:40.760 --> 0:20:45.040
<v Speaker 2>us since we got into religious temitar like The Exorcist

0:20:45.119 --> 0:20:46.800
<v Speaker 2>and The Omen, which, by the way, The Omen is

0:20:46.800 --> 0:20:49.040
<v Speaker 2>my favorite horror movie of all time. But that was

0:20:49.119 --> 0:20:52.600
<v Speaker 2>also the birth of the real slasher movies. Although Psycho

0:20:52.640 --> 0:20:55.000
<v Speaker 2>is considered a slasher movie, but you never really saw

0:20:55.440 --> 0:20:58.440
<v Speaker 2>you never saw the violence it was perceived, and that's

0:20:58.440 --> 0:21:02.480
<v Speaker 2>what made it so terrifying. Roman Polanski used Rosemary's Baby

0:21:02.640 --> 0:21:06.919
<v Speaker 2>as a sort of a view a capitalist theory, because

0:21:07.000 --> 0:21:09.520
<v Speaker 2>the truth is is that Rosemary's Baby, although dealing with

0:21:09.520 --> 0:21:13.119
<v Speaker 2>satanism and the fear of women and birth and the

0:21:13.240 --> 0:21:17.239
<v Speaker 2>non control of their own body, it also exhibited the

0:21:17.240 --> 0:21:21.920
<v Speaker 2>betrayal of the people that she loved most for economic gain,

0:21:22.640 --> 0:21:24.960
<v Speaker 2>because her husband sells her out in that again, this

0:21:25.000 --> 0:21:26.359
<v Speaker 2>is going to be all spoiler.

0:21:25.960 --> 0:21:29.040
<v Speaker 6>Alerts for fame by the way he sells her out

0:21:29.200 --> 0:21:32.399
<v Speaker 6>so he can be famous. That's such an interesting theme

0:21:32.840 --> 0:21:34.639
<v Speaker 6>that we're kind of seeing there a little bit for

0:21:34.720 --> 0:21:35.520
<v Speaker 6>the first time.

0:21:36.040 --> 0:21:38.959
<v Speaker 2>Well, it deals with the idea of capitalism, you know,

0:21:39.080 --> 0:21:43.040
<v Speaker 2>and simultaneously because socially, women are now becoming standing on

0:21:43.080 --> 0:21:46.280
<v Speaker 2>their own and their world of feminism and abortion is

0:21:46.320 --> 0:21:49.800
<v Speaker 2>the topic, and the freedom of sexuality after the sixties

0:21:49.840 --> 0:21:53.520
<v Speaker 2>and the free love movement. The religious kind of connotation

0:21:54.400 --> 0:21:59.639
<v Speaker 2>is that morals were gone. So you then experience the

0:21:59.680 --> 0:22:03.040
<v Speaker 2>birth of the slasher movie, the real slasher movies, and

0:22:03.080 --> 0:22:07.160
<v Speaker 2>it starts with Texas jamesaw Massacre and Toby Hooper terrified

0:22:07.160 --> 0:22:09.480
<v Speaker 2>the world with that. Now that was also loosely based

0:22:09.520 --> 0:22:12.600
<v Speaker 2>on a real story. So that was loosely based on

0:22:12.600 --> 0:22:15.760
<v Speaker 2>the serial killer Ed Geen, you know, who's murdered people

0:22:16.040 --> 0:22:20.240
<v Speaker 2>and he wore their skins, which that theme gets repeated

0:22:20.280 --> 0:22:22.840
<v Speaker 2>over and over again, including Silence of the Lambs. So

0:22:22.880 --> 0:22:25.720
<v Speaker 2>you're seeing a pattern here of how audiences want to

0:22:25.840 --> 0:22:29.600
<v Speaker 2>escape their internal fears or see their internal fears projected

0:22:29.640 --> 0:22:32.359
<v Speaker 2>on a big screen where they can process it, which

0:22:32.400 --> 0:22:35.719
<v Speaker 2>is very similar of why true crime and the realism

0:22:35.760 --> 0:22:39.280
<v Speaker 2>of fear now works because people can't process it in

0:22:39.320 --> 0:22:42.280
<v Speaker 2>their brain or imagine the horror of it until they

0:22:42.359 --> 0:22:45.360
<v Speaker 2>see it. And then once they see it, it becomes

0:22:45.440 --> 0:22:48.720
<v Speaker 2>less afraid because they can process how to deal with

0:22:48.760 --> 0:22:53.240
<v Speaker 2>it if it ever comes knocking. At this point in time,

0:22:54.160 --> 0:22:58.040
<v Speaker 2>movies still had the Motion Picture Ratings Association had a

0:22:58.080 --> 0:23:00.720
<v Speaker 2>lot of control, so they were rated movies to stop

0:23:00.800 --> 0:23:04.879
<v Speaker 2>kids from watching it. But that really lost power with

0:23:05.119 --> 0:23:08.359
<v Speaker 2>nineteen seventy eight and the birth of Michael Myers and Halloween,

0:23:08.640 --> 0:23:10.919
<v Speaker 2>and when you deal with that, now you're dealing with

0:23:11.680 --> 0:23:15.000
<v Speaker 2>the concept of true evil in a child form that

0:23:15.040 --> 0:23:19.040
<v Speaker 2>becomes an adult and his whole reason for killing goes

0:23:19.080 --> 0:23:22.719
<v Speaker 2>back to this moral compass. Why was he killing co eds?

0:23:22.760 --> 0:23:24.679
<v Speaker 2>Why was he killing high school kids? Why was he

0:23:24.760 --> 0:23:28.120
<v Speaker 2>killing women in particular? And going after the main character?

0:23:28.560 --> 0:23:32.720
<v Speaker 2>And the immediate follow to that was Friday the Thirteenth. Now,

0:23:32.800 --> 0:23:35.639
<v Speaker 2>the original Friday the Thirteenth isn't Jason Vorhees, but it

0:23:35.720 --> 0:23:40.040
<v Speaker 2>is the concept of kids at a summer camp losing

0:23:40.080 --> 0:23:43.960
<v Speaker 2>their morals, not paying attention to the children, going off

0:23:44.000 --> 0:23:46.600
<v Speaker 2>into the woods and having sex and running around in

0:23:46.960 --> 0:23:51.399
<v Speaker 2>crop tops. And the girls are very probiscuous and they

0:23:51.440 --> 0:23:55.119
<v Speaker 2>are killed for it. And it's a reflection of the

0:23:55.119 --> 0:23:57.440
<v Speaker 2>fears of that time because this was the first time

0:23:57.440 --> 0:24:00.480
<v Speaker 2>women really controlled their own sexuality, and it was a

0:24:00.520 --> 0:24:04.960
<v Speaker 2>weird signal that maybe you shouldn't maybe you should be

0:24:05.040 --> 0:24:08.520
<v Speaker 2>afraid of this because it's immorl And now the creepy

0:24:08.520 --> 0:24:10.720
<v Speaker 2>boogeyman in the woods that used to scare you under

0:24:10.760 --> 0:24:14.320
<v Speaker 2>your bed as a child is judging you. And that

0:24:14.480 --> 0:24:17.000
<v Speaker 2>was a really big leap. And when you started to

0:24:17.000 --> 0:24:20.919
<v Speaker 2>see these movies, they also glamorized it because Jason became

0:24:20.960 --> 0:24:24.320
<v Speaker 2>a hero to a lot of people. The Halloween costume

0:24:24.359 --> 0:24:27.359
<v Speaker 2>of Jason became the number one Halloween costume, followed by

0:24:27.400 --> 0:24:32.800
<v Speaker 2>Michael Myers, and societally, we now enter the eighties and

0:24:32.840 --> 0:24:37.040
<v Speaker 2>the eighties become something completely different because we get inundated

0:24:37.040 --> 0:24:41.119
<v Speaker 2>in the rise of consumer culture. The AIDS epidemic is everywhere,

0:24:41.160 --> 0:24:44.919
<v Speaker 2>so fear of disease and pandemic. So it was really

0:24:45.000 --> 0:24:48.280
<v Speaker 2>the next level of the explosion of the slasher films

0:24:48.560 --> 0:24:51.080
<v Speaker 2>because Friday the Thirteenth came out literally in nineteen eighty

0:24:51.840 --> 0:24:54.000
<v Speaker 2>and then you followed things like Nightmare and elm Street,

0:24:54.359 --> 0:24:58.080
<v Speaker 2>which dealt with the psychological fears of damage, and that

0:24:58.119 --> 0:25:00.560
<v Speaker 2>was in nineteen eighty four, and in a way weird way,

0:25:00.600 --> 0:25:02.679
<v Speaker 2>it was also the birth way they started to blend

0:25:02.800 --> 0:25:06.359
<v Speaker 2>horror and comedy to try and alleviate some of this

0:25:06.480 --> 0:25:10.800
<v Speaker 2>fear and tension, which is why Freddy Krueger in Nightmare

0:25:10.800 --> 0:25:14.359
<v Speaker 2>and Elm Street tended to be campy or funny, but

0:25:14.400 --> 0:25:17.479
<v Speaker 2>the truth was he was terrifying as a movie monster.

0:25:18.640 --> 0:25:22.439
<v Speaker 6>So any movie that Jamie Lee Curtis, for example, was

0:25:22.560 --> 0:25:26.240
<v Speaker 6>in really did sort of speak to the idea of

0:25:26.280 --> 0:25:30.879
<v Speaker 6>the popular kids, the ones that were enjoying life the

0:25:30.960 --> 0:25:33.719
<v Speaker 6>most and living their best life, like those were the

0:25:33.720 --> 0:25:35.520
<v Speaker 6>ones to go first. Is that accurate?

0:25:36.000 --> 0:25:37.760
<v Speaker 2>Well, they always said yes, that it was about the

0:25:37.800 --> 0:25:42.280
<v Speaker 2>popular or the outsider's view in so that really I

0:25:42.320 --> 0:25:44.000
<v Speaker 2>think the first movie that pops in my head when

0:25:44.000 --> 0:25:46.560
<v Speaker 2>it comes to that is Carrie. Carrie was this innocent

0:25:46.600 --> 0:25:49.040
<v Speaker 2>girl of a religious family that happened to have this

0:25:49.520 --> 0:25:52.960
<v Speaker 2>telekinesist power, and it was the cheerleaders and the popular ones.

0:25:53.359 --> 0:25:56.080
<v Speaker 2>And one of the most insane scenes in that movie

0:25:56.640 --> 0:25:59.320
<v Speaker 2>was the bullying of Carrie in the locker room by

0:25:59.320 --> 0:26:03.520
<v Speaker 2>the other girl, where she gets her period for the

0:26:03.520 --> 0:26:06.960
<v Speaker 2>first time, and they pummel her withay the tampons and

0:26:07.080 --> 0:26:10.760
<v Speaker 2>the humiliation of that, and so for her, Carrie is

0:26:10.800 --> 0:26:14.359
<v Speaker 2>a movie of revenge. It's taking pain, the hurt and

0:26:14.400 --> 0:26:17.840
<v Speaker 2>the rage and taking out on those that bullied her.

0:26:18.640 --> 0:26:20.959
<v Speaker 2>Or you could also flip the script and say who

0:26:21.040 --> 0:26:23.200
<v Speaker 2>she might have envied to be more like. So you're

0:26:23.280 --> 0:26:26.080
<v Speaker 2>right about that. It was always the pretty, the beautiful,

0:26:26.359 --> 0:26:29.680
<v Speaker 2>And yes, you're also talking about the other a campy

0:26:29.880 --> 0:26:33.280
<v Speaker 2>comedy horror movie which which if you talk to modern

0:26:33.359 --> 0:26:36.600
<v Speaker 2>day director as the reference was sleep Away Camp. And

0:26:36.800 --> 0:26:39.520
<v Speaker 2>what's insane about sleep Away Camp in the eighties was

0:26:39.800 --> 0:26:43.560
<v Speaker 2>that sleep Away Camp was the murders of those kinds

0:26:43.560 --> 0:26:47.320
<v Speaker 2>of people, the popular, the sexy, the coach, the cheerleader,

0:26:47.359 --> 0:26:51.879
<v Speaker 2>all of that. But the killer in that was a

0:26:51.920 --> 0:26:55.840
<v Speaker 2>transgender and that is also sort of was referenced by

0:26:56.160 --> 0:27:00.280
<v Speaker 2>ed Geen, the serial killer from Texas Chainsaw Massacre. What

0:27:00.440 --> 0:27:04.680
<v Speaker 2>became the pop culture teen sensation globally was the birth

0:27:04.720 --> 0:27:08.080
<v Speaker 2>of the Scream franchise. Scream was a sort of horror

0:27:08.160 --> 0:27:10.800
<v Speaker 2>comedy that was based on the tropes of all these

0:27:10.840 --> 0:27:13.639
<v Speaker 2>other movies of who dies first, Which answers your question

0:27:14.000 --> 0:27:16.080
<v Speaker 2>you know, it was always like the virgin survives at

0:27:16.080 --> 0:27:18.560
<v Speaker 2>the end, and they kind of twisted that on its ear.

0:27:19.200 --> 0:27:23.760
<v Speaker 2>And what's pretty interesting about the Idaho massacre is that

0:27:24.200 --> 0:27:27.960
<v Speaker 2>it has certain similarities to the serial killer Danny Rollins

0:27:28.600 --> 0:27:33.120
<v Speaker 2>of the nineteen ninety University of Florida killings in Gainesville.

0:27:33.240 --> 0:27:35.720
<v Speaker 2>You know, he killed five co eds and he did

0:27:35.760 --> 0:27:39.960
<v Speaker 2>it in a kind of a pornographic view of violence

0:27:40.000 --> 0:27:44.760
<v Speaker 2>and torture, and the world stopped and were terrified by

0:27:44.760 --> 0:27:47.480
<v Speaker 2>the concept that somebody could go and do this. There

0:27:47.520 --> 0:27:51.800
<v Speaker 2>are similarities to that because we haven't had really a

0:27:52.440 --> 0:27:56.480
<v Speaker 2>college co ed murder spree that was coming from a

0:27:56.520 --> 0:28:00.960
<v Speaker 2>place of psychopathy. And that is probably what I think

0:28:01.040 --> 0:28:05.520
<v Speaker 2>makes the Idaho massacre most like film Scream two takes

0:28:05.520 --> 0:28:08.800
<v Speaker 2>place on a college campus. It's not directly about sorority murders,

0:28:09.160 --> 0:28:11.439
<v Speaker 2>but it features a sorority setting, and you know, the

0:28:11.480 --> 0:28:13.640
<v Speaker 2>subplot involves murder of sorority sisters.

0:28:14.200 --> 0:28:16.720
<v Speaker 6>So if we were looking at Brian Coberger, because some

0:28:16.840 --> 0:28:19.879
<v Speaker 6>of it a little bit, again not accusing anybody of murder,

0:28:19.880 --> 0:28:23.200
<v Speaker 6>but there is seemingly a couple of touch points. One

0:28:23.640 --> 0:28:27.159
<v Speaker 6>if what we have been told regarding Brian Coberger in

0:28:27.200 --> 0:28:30.439
<v Speaker 6>his backstory air quotes is that he was bullied and

0:28:30.480 --> 0:28:33.359
<v Speaker 6>he was sort of the outsider, and that likely his

0:28:33.440 --> 0:28:37.040
<v Speaker 6>connection to the victims was one from a distance where

0:28:37.400 --> 0:28:42.280
<v Speaker 6>maybe he was observing them and watching them as someone

0:28:42.400 --> 0:28:47.720
<v Speaker 6>who was looking in and maybe looking in often, which

0:28:47.880 --> 0:28:50.680
<v Speaker 6>has some creepy undertones to some of the movies that

0:28:50.720 --> 0:28:54.320
<v Speaker 6>you've since brought up. And then just the idea of

0:28:54.640 --> 0:28:58.280
<v Speaker 6>a slasher flick in general, it's pretty uncommon from what

0:28:58.320 --> 0:29:02.120
<v Speaker 6>we've been told that in a sale would use a knife,

0:29:02.360 --> 0:29:06.840
<v Speaker 6>for example, to murder, frankly, anyone, because a it's not exact,

0:29:06.960 --> 0:29:11.400
<v Speaker 6>it's extremely messy as you could imagine, and requires a

0:29:11.480 --> 0:29:15.680
<v Speaker 6>level of energy and for a very ordinary guy that

0:29:15.760 --> 0:29:18.120
<v Speaker 6>seems hard to picture. You only see that in the

0:29:18.160 --> 0:29:21.720
<v Speaker 6>horror movies. Where does he fit in this timeline?

0:29:22.000 --> 0:29:22.280
<v Speaker 7>Horror?

0:29:23.000 --> 0:29:27.520
<v Speaker 2>It mirrors society's deepest fears. Right, So, now, when you

0:29:27.600 --> 0:29:31.400
<v Speaker 2>get into this story, if all of the things are true,

0:29:31.400 --> 0:29:34.680
<v Speaker 2>first of all, personally, as an opinion, I don't really

0:29:34.840 --> 0:29:39.000
<v Speaker 2>buy that any of it is excusable. And we now

0:29:39.080 --> 0:29:42.320
<v Speaker 2>live in a society where people try and justify the

0:29:42.400 --> 0:29:48.720
<v Speaker 2>actions of brutality and violence as warranted. In some way,

0:29:48.960 --> 0:29:50.680
<v Speaker 2>I think that That is where we get into a

0:29:50.720 --> 0:29:57.000
<v Speaker 2>situation of societal collapse. To be honest, because there are

0:29:57.160 --> 0:29:57.960
<v Speaker 2>fine lines.

0:29:58.120 --> 0:29:59.400
<v Speaker 7>There is right, there is wrong.

0:30:00.200 --> 0:30:03.200
<v Speaker 2>Up until recently, I would say in the last fifteen years,

0:30:03.600 --> 0:30:07.040
<v Speaker 2>ten to fifteen years, we knew who the villains were.

0:30:07.080 --> 0:30:10.320
<v Speaker 2>We knew who the monsters were. There is a throwback

0:30:10.320 --> 0:30:12.920
<v Speaker 2>to what I brought up with Frankenstein. Where was Frankenstein

0:30:12.920 --> 0:30:16.280
<v Speaker 2>truly a monster? But we're talking about psychopathy.

0:30:19.560 --> 0:30:22.640
<v Speaker 3>Let's stop here for another break. We'll be back in

0:30:22.680 --> 0:30:34.160
<v Speaker 3>a moment. Stephanie continues her conversation with pop culture expert

0:30:34.240 --> 0:30:35.080
<v Speaker 3>Doronto Fear.

0:30:37.680 --> 0:30:40.320
<v Speaker 2>We live at a time of social media where nothing

0:30:40.520 --> 0:30:44.240
<v Speaker 2>is real, and every single scroll, every single post, every

0:30:44.280 --> 0:30:49.160
<v Speaker 2>single TikTok or snap is fully produced and curated by

0:30:49.200 --> 0:30:51.760
<v Speaker 2>the person posting it. We all laugh when we take

0:30:51.760 --> 0:30:53.160
<v Speaker 2>a selfie, we go, let me see it, and don't

0:30:53.160 --> 0:30:55.520
<v Speaker 2>post it without me looking at it, right, And that's

0:30:55.520 --> 0:30:59.000
<v Speaker 2>a very common trait. But when you're curating a fake

0:30:59.080 --> 0:31:01.360
<v Speaker 2>world so that other people will see you in a

0:31:01.400 --> 0:31:06.000
<v Speaker 2>certain light, it brings about envy For somebody that can't

0:31:06.000 --> 0:31:10.840
<v Speaker 2>differentiate between that, it becomes envy watching in you know,

0:31:10.880 --> 0:31:13.320
<v Speaker 2>they'll say, oh, well, if you don't have haters, you

0:31:13.360 --> 0:31:18.800
<v Speaker 2>don't have a life. Well, yes and no, because the

0:31:18.840 --> 0:31:24.480
<v Speaker 2>haters can become very dangerous and they don't see themselves.

0:31:24.520 --> 0:31:27.920
<v Speaker 2>And the rise of the en cell or you know,

0:31:27.960 --> 0:31:33.400
<v Speaker 2>that concept and the unattainability for men and women. Now

0:31:34.040 --> 0:31:37.920
<v Speaker 2>that is another question about gender here. Women have always

0:31:38.000 --> 0:31:42.600
<v Speaker 2>dealt with the concept of higher standards in media and

0:31:42.640 --> 0:31:46.000
<v Speaker 2>pop culture. You know, they've always looked to fashion magazines

0:31:46.040 --> 0:31:49.240
<v Speaker 2>and flipped through it and tried to see themselves as

0:31:49.280 --> 0:31:52.959
<v Speaker 2>the models, which led to a lot of self degradation.

0:31:53.560 --> 0:31:57.160
<v Speaker 2>It's really roughly since the mid nineties where well, I

0:31:57.200 --> 0:31:59.840
<v Speaker 2>would say now that that's twenty five years, but where

0:32:00.120 --> 0:32:02.800
<v Speaker 2>men have been highly sexualized, you know, with the birth

0:32:02.800 --> 0:32:05.840
<v Speaker 2>of Abercrombie and Finch and all of those you know bags,

0:32:05.880 --> 0:32:08.240
<v Speaker 2>where it was all sexualized men and you would walk

0:32:08.240 --> 0:32:09.920
<v Speaker 2>in the mall and they'd be a shirtless guy standing

0:32:09.920 --> 0:32:13.880
<v Speaker 2>outside like inviting you in. That then created the insecurity

0:32:13.880 --> 0:32:16.560
<v Speaker 2>that women have felt for decades and decades and decades. Suddenly,

0:32:16.560 --> 0:32:21.080
<v Speaker 2>for boys, they suddenly had to look at other males

0:32:21.520 --> 0:32:24.000
<v Speaker 2>and realize where they fitted and the hierarchy of what

0:32:24.080 --> 0:32:26.680
<v Speaker 2>is deemed his beauty and the crowd that they run

0:32:26.720 --> 0:32:30.320
<v Speaker 2>in and who they're with. And an Instagram post where

0:32:30.360 --> 0:32:32.880
<v Speaker 2>there is four guys in a pool with six pretty

0:32:32.880 --> 0:32:36.960
<v Speaker 2>girls behind them. It elicits of why them not me.

0:32:37.480 --> 0:32:41.280
<v Speaker 6>It's such an interesting touch point because it makes me

0:32:41.320 --> 0:32:44.240
<v Speaker 6>think of a couple of things. One, if what Brian

0:32:44.320 --> 0:32:48.520
<v Speaker 6>Coberger is being accused of is accurate, Yes, he was

0:32:48.840 --> 0:32:52.000
<v Speaker 6>allegedly pinging his phone, had been in and around that

0:32:52.520 --> 0:32:56.040
<v Speaker 6>home many many times leading up to the murders and thereafter,

0:32:57.040 --> 0:33:01.959
<v Speaker 6>so it implies that you know he is standing outside

0:33:02.360 --> 0:33:05.560
<v Speaker 6>looking in from a distance under a street light, allegedly

0:33:06.360 --> 0:33:10.200
<v Speaker 6>as again we would see in something very scary. It's

0:33:10.640 --> 0:33:13.720
<v Speaker 6>the person of envying something that they may be see

0:33:13.760 --> 0:33:16.280
<v Speaker 6>And maybe is it possible that the connection that he

0:33:16.400 --> 0:33:21.280
<v Speaker 6>had to Wan or more of the victims was legitimately

0:33:21.600 --> 0:33:25.560
<v Speaker 6>just through this lens of social media, you can see

0:33:25.560 --> 0:33:29.320
<v Speaker 6>how that can happen. We develop relationships with people because

0:33:29.320 --> 0:33:32.560
<v Speaker 6>we see them often and we do not know them.

0:33:32.960 --> 0:33:35.480
<v Speaker 6>It feels real. And if you're someone who doesn't have

0:33:35.640 --> 0:33:40.120
<v Speaker 6>an understanding of social cues or other areas to fill

0:33:40.160 --> 0:33:43.960
<v Speaker 6>that hole with real friends and family, that layer of

0:33:44.080 --> 0:33:49.959
<v Speaker 6>isolation and lonesome behavior or loneliness is really dangerous.

0:33:50.760 --> 0:33:56.280
<v Speaker 2>I think that isolation, loneliness, mental illness all plays a factor.

0:33:56.720 --> 0:33:59.600
<v Speaker 2>But these concepts are not new. What I mean by

0:33:59.680 --> 0:34:02.800
<v Speaker 2>I don't buy it, I buy it. I believe it.

0:34:02.800 --> 0:34:06.360
<v Speaker 2>It's true. I don't think it's an excuse. I don't

0:34:06.400 --> 0:34:10.600
<v Speaker 2>think that when you begin to frame the conversation around

0:34:11.200 --> 0:34:13.160
<v Speaker 2>and I'll keep it in pop culture terms, sort of

0:34:13.200 --> 0:34:14.960
<v Speaker 2>the origin story.

0:34:15.040 --> 0:34:15.960
<v Speaker 7>That it makes it okay.

0:34:16.400 --> 0:34:17.160
<v Speaker 6>That's so fair.

0:34:17.600 --> 0:34:19.759
<v Speaker 2>I think that if you were to cross reference one

0:34:19.800 --> 0:34:22.960
<v Speaker 2>hundred people and talk to one hundred people regarding their history,

0:34:23.400 --> 0:34:29.319
<v Speaker 2>trauma is a permanent and pervasive fact in almost every

0:34:29.320 --> 0:34:32.840
<v Speaker 2>one of the hundred. Nobody lives an idyllic life. The

0:34:32.880 --> 0:34:36.200
<v Speaker 2>concept of how one deals with their childhood trauma or

0:34:36.239 --> 0:34:39.839
<v Speaker 2>psychological trauma, or abuse, or even if it's just environmental,

0:34:40.600 --> 0:34:43.920
<v Speaker 2>the way they handle it moving forward is a mark

0:34:44.000 --> 0:34:50.640
<v Speaker 2>of maturity, of evolutionary adulthood. And by minimizing that and

0:34:50.680 --> 0:34:53.719
<v Speaker 2>saying well, that's an excuse and that's okay, and it

0:34:53.800 --> 0:34:57.160
<v Speaker 2>gives free rein for this. And we see this often

0:34:57.400 --> 0:35:00.480
<v Speaker 2>from a pop culture perspective, where again the heroes and

0:35:00.520 --> 0:35:05.200
<v Speaker 2>the villains are now being blurred. Where you have, you know,

0:35:05.280 --> 0:35:08.239
<v Speaker 2>in the DC comics and the superhero world. One of

0:35:08.280 --> 0:35:13.319
<v Speaker 2>the most greatest psychological psychotic killers of all time is

0:35:13.400 --> 0:35:16.200
<v Speaker 2>The Joker, and he's specifically a psychopath.

0:35:16.360 --> 0:35:17.759
<v Speaker 7>He's written as a psychopath.

0:35:18.000 --> 0:35:21.800
<v Speaker 6>Well, I thought that movie was actually pretty interesting, the

0:35:21.880 --> 0:35:26.680
<v Speaker 6>Joker specifically, which is the Joaquin Phoenix portrayal of the Joker,

0:35:27.440 --> 0:35:31.520
<v Speaker 6>and it really does kind of give exactly to your point,

0:35:32.120 --> 0:35:36.200
<v Speaker 6>an origin story for this villain. I have to be

0:35:36.239 --> 0:35:41.080
<v Speaker 6>honest with you. When this massacre first happened and Brian

0:35:41.160 --> 0:35:44.879
<v Speaker 6>Coberger was arrested, we were just all like, what And

0:35:45.400 --> 0:35:48.600
<v Speaker 6>that's the movie that kind of comes to mind is

0:35:48.680 --> 0:35:53.240
<v Speaker 6>sort of is it the micro aggressions with mental illness

0:35:53.440 --> 0:35:56.799
<v Speaker 6>and isolation? And you know, the Joker had been hit

0:35:56.920 --> 0:35:59.759
<v Speaker 6>one too many times or overlooked one too many times,

0:35:59.840 --> 0:36:02.840
<v Speaker 6>or left out of the conversation one too many times,

0:36:02.920 --> 0:36:06.040
<v Speaker 6>and had had enough and had a wicked relationship with

0:36:06.080 --> 0:36:09.640
<v Speaker 6>his mother or some sort of meaningful backstory that maybe

0:36:09.960 --> 0:36:13.920
<v Speaker 6>not justified but explained his actions.

0:36:14.680 --> 0:36:16.799
<v Speaker 2>I do think that, you know, everybody wants to know

0:36:16.840 --> 0:36:19.200
<v Speaker 2>the reason why why do people do what they do?

0:36:19.640 --> 0:36:22.880
<v Speaker 2>Are is somebody born evil? Is somebody not? You know,

0:36:22.960 --> 0:36:24.560
<v Speaker 2>I always have to look at everything through a pop

0:36:24.560 --> 0:36:27.760
<v Speaker 2>culture lens. It really comes into I've bene of social media.

0:36:27.800 --> 0:36:31.640
<v Speaker 2>With social media as being so prolific, it's like these things, look,

0:36:31.920 --> 0:36:35.879
<v Speaker 2>they fascinate us. We can't get enough of it, and

0:36:36.320 --> 0:36:40.560
<v Speaker 2>so we have this fascination. We have this as a society.

0:36:40.680 --> 0:36:44.600
<v Speaker 2>We have this sort of morbid attraction to these things,

0:36:44.719 --> 0:36:47.120
<v Speaker 2>which is why horror is sort of the number one

0:36:47.480 --> 0:36:50.719
<v Speaker 2>entertainment resource, cheap to make millions of view. They like

0:36:50.760 --> 0:36:53.200
<v Speaker 2>the bad ones, they like the good ones, doesn't matter.

0:36:53.400 --> 0:36:57.040
<v Speaker 2>That's your key into any kind of entertainment. And then

0:36:57.239 --> 0:37:00.640
<v Speaker 2>the proliferation of true crime over the last really ten

0:37:00.680 --> 0:37:05.640
<v Speaker 2>to eleven years has been extraordinary, and strangely, women tend

0:37:05.640 --> 0:37:09.200
<v Speaker 2>to be the highest consumers of that because they deal

0:37:09.280 --> 0:37:12.240
<v Speaker 2>with trauma, they deal with genes. You know, it's funny.

0:37:12.239 --> 0:37:13.759
<v Speaker 2>I had a conversation with a man one day who

0:37:13.760 --> 0:37:16.960
<v Speaker 2>doesn't like understand this concept, and I said, when you

0:37:17.000 --> 0:37:19.680
<v Speaker 2>get in an elevator, anytime you get in an elevator,

0:37:19.960 --> 0:37:23.000
<v Speaker 2>are you ever afraid? He said, well, why would I be?

0:37:23.520 --> 0:37:25.919
<v Speaker 2>And I said, do you know that women, no matter

0:37:25.920 --> 0:37:27.920
<v Speaker 2>who they are, wherever they are, when they get in

0:37:27.920 --> 0:37:32.200
<v Speaker 2>an elevator and a man enters, it's not fear. It's

0:37:32.239 --> 0:37:38.760
<v Speaker 2>an immediate alert for potential fear, and men don't realize

0:37:38.760 --> 0:37:41.000
<v Speaker 2>that that is something that women go through every day

0:37:41.120 --> 0:37:43.480
<v Speaker 2>walking through a parking lot, if a light goes out

0:37:43.520 --> 0:37:45.960
<v Speaker 2>in a garage, when they get in their car, they

0:37:46.040 --> 0:37:48.680
<v Speaker 2>check their back seat. And it's not because they're conditioned

0:37:48.719 --> 0:37:53.560
<v Speaker 2>by through crime shows. It's because it is a fact

0:37:53.760 --> 0:37:57.240
<v Speaker 2>for them from childhood. And I think that's why women

0:37:57.280 --> 0:37:59.640
<v Speaker 2>consume this, because they want to know, They want to

0:37:59.680 --> 0:38:01.000
<v Speaker 2>know what to look for, they want to know how

0:38:01.000 --> 0:38:01.760
<v Speaker 2>to protect themselves.

0:38:02.400 --> 0:38:05.319
<v Speaker 6>One question, though, so does that mean just looking at

0:38:05.360 --> 0:38:08.400
<v Speaker 6>that so well I might ed so well said, is

0:38:09.040 --> 0:38:14.200
<v Speaker 6>are women scared in the elevator because they've seen Psycho

0:38:14.320 --> 0:38:19.160
<v Speaker 6>too many times? Or because they've seen women being murdered

0:38:19.520 --> 0:38:23.000
<v Speaker 6>endlessly in horror films or in scary movies throughout the times?

0:38:23.160 --> 0:38:28.560
<v Speaker 6>And now true crime is having this surge because we've

0:38:28.600 --> 0:38:31.720
<v Speaker 6>all lost our minds? Or is it because we really

0:38:31.760 --> 0:38:34.279
<v Speaker 6>think it's important to share stories so that we can

0:38:34.360 --> 0:38:37.439
<v Speaker 6>keep ourselves safe and look out for each other. And

0:38:38.040 --> 0:38:40.799
<v Speaker 6>I believe you can't protect yourself against the boogeyman if

0:38:40.800 --> 0:38:44.200
<v Speaker 6>you don't know the boogeyman exists, and that people don't

0:38:44.200 --> 0:38:45.080
<v Speaker 6>heal alone.

0:38:45.600 --> 0:38:50.200
<v Speaker 7>Well, it's a reflection. It's a reflection of the times.

0:38:50.680 --> 0:38:52.960
<v Speaker 2>I think that women feel like they're prey, and in

0:38:53.000 --> 0:38:55.720
<v Speaker 2>a lot of ways they are. I think it's ingrained

0:38:55.719 --> 0:39:00.440
<v Speaker 2>in the DNA, and I think that it's correct. And

0:39:00.480 --> 0:39:03.600
<v Speaker 2>I think the fascination with true crime is a symptom

0:39:03.640 --> 0:39:07.279
<v Speaker 2>of this. I'm a fan of true crime, but I

0:39:07.400 --> 0:39:09.480
<v Speaker 2>tend to like the ones that deal with it in

0:39:09.520 --> 0:39:12.520
<v Speaker 2>a subject matter that I can at least escape a

0:39:12.560 --> 0:39:15.800
<v Speaker 2>little bit into the humor, like Don't f with Cats.

0:39:16.239 --> 0:39:18.920
<v Speaker 2>I thought that the way that that was told was

0:39:19.000 --> 0:39:22.880
<v Speaker 2>genius in a the most terrifying story of the most

0:39:23.480 --> 0:39:27.880
<v Speaker 2>psychotic killer. And by the way, another one who was

0:39:27.960 --> 0:39:33.280
<v Speaker 2>influenced by pop culture, because Luca thought he was Sharon

0:39:33.360 --> 0:39:36.279
<v Speaker 2>Stone in basic instinct, he basically embodied her character the

0:39:36.280 --> 0:39:39.480
<v Speaker 2>way he imagined her to be. You're tapping into the

0:39:39.520 --> 0:39:43.080
<v Speaker 2>concept of compassion and empathy for the vast majority, there

0:39:43.120 --> 0:39:45.640
<v Speaker 2>are going to be people who will zero in and

0:39:45.719 --> 0:39:50.399
<v Speaker 2>not hear the compassion and empathy and be aroused by

0:39:50.440 --> 0:39:53.279
<v Speaker 2>the concept. And that's the terrifying part. And that's where

0:39:53.320 --> 0:39:57.000
<v Speaker 2>mental illness comes in. Now, if he was the main

0:39:57.120 --> 0:39:59.759
<v Speaker 2>character from You, and he was stalking and he felt

0:39:59.800 --> 0:40:03.000
<v Speaker 2>like that outsider, there's five million ways to look at it.

0:40:03.320 --> 0:40:05.719
<v Speaker 2>Did these girls brush him off and reject him and

0:40:05.760 --> 0:40:07.400
<v Speaker 2>he felt rejected in want revenge?

0:40:07.960 --> 0:40:09.520
<v Speaker 7>Or were they actually nice?

0:40:09.719 --> 0:40:12.520
<v Speaker 2>Did they say hi to him and he suddenly said, oh,

0:40:12.560 --> 0:40:15.279
<v Speaker 2>they love me. So now you go into the two

0:40:15.320 --> 0:40:18.840
<v Speaker 2>sides of psychology, which then becomes like, well, so you

0:40:18.880 --> 0:40:20.319
<v Speaker 2>can't be nice to a person. You can't look at

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<v Speaker 2>person in their eyes. You have to avert them. But

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<v Speaker 2>if you avert them, then are you attracting violence? So

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<v Speaker 2>there is no right answer. The right answer is to

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<v Speaker 2>identify the signs early, the responsibility of family, friends, teachers,

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<v Speaker 2>peers to raise the alarm.

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<v Speaker 3>More on that next time. For more information on the

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<v Speaker 3>case and relevant photos, follow us on Instagram at kat

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<v Speaker 3>Underscore Studios. The Idaho Masker is produced by Stephanie Leideger,

0:40:58.400 --> 0:41:02.920
<v Speaker 3>Gabriel Castillo and me Courtney Armstrong. Editing and sound design

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<v Speaker 3>by Jeff Torois, Music by Jared Aston. The Idaho Mascer

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<v Speaker 3>is a production of Katie's Studios and iHeartRadio. For more

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<v Speaker 3>podcasts like this, visit the iHeartRadio app, Apple Podcasts, or

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<v Speaker 3>wherever you listen to your favorite shows.