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Speaker 3: Head over to your nearest boost mobile store and make

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Speaker 3: the most out of your tax refundah. Looking back at

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Speaker 3: the cost of living forty years ago in nineteen eighty five,

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Speaker 3: which one of these items surprises you the most? A

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Speaker 3: new house costs eighty fourth thousand, three hundred. The average

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Speaker 3: income was twenty three thousand, six hundred. Minimum wage was

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Speaker 3: three thirty five an hour, average rent four hundred and

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Speaker 3: thirty two dollars a month, college tuition forty five hundred

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Speaker 3: and sixty dollars. A spanking brand new car was less

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Speaker 3: than seventy seven hundred dollars. Milk was two twenty a gallon.

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Speaker 3: Eggs was eighty five seven dozen A loaf of bread

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Speaker 3: cost sixty eight cents, a movie ticket was three fifty five,

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Speaker 3: and gas costs a dollar twelve a gallon.

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Speaker 1: Now, listen, one thing I want to say about this.

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Speaker 1: I remember these days nineteen eighty five.

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Speaker 2: Yeah, I remember I was the junior and high school. Yeah. Hey, listen,

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Speaker 2: I was a freshman in high school.

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Speaker 1: Now, when I think about it, they always say history

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Speaker 1: repeats itself.

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Speaker 2: No, that ain't happening. Wait, listen to me, stay with me.

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Speaker 1: Now, if you look at some of the things going

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Speaker 1: on fashion, politics, some of the thing that's going on

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Speaker 1: in the world, we're going back to the sixties and

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Speaker 1: the seventies in certain areas and aid spects in life

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Speaker 1: if you actually pay attention to certain things. Now, we

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Speaker 1: talked about history repeating itself, At what point would we

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Speaker 1: get back to this?

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Speaker 3: Never, You're never gonna buy a house for less than

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Speaker 3: one hundred thousand dollars less.

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Speaker 2: It's a row house. List, it's a crack house. You

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Speaker 2: ain't getting no new car.

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Speaker 3: You ain't getting no new car for those seventy seven

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Speaker 3: hundred dollars for joke, Hey, gas eight will ever be

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Speaker 3: a dollar twelve a gallon? Hey?

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Speaker 2: On eggs? Was eighty five cents.

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Speaker 1: I was eighty eggs was eighty five per since per dozen?

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Speaker 2: Yeah, I was, Lord, I was seventeen. I remember it. Yes,

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Speaker 2: Oh my goodness, Yes, I remember I told you you

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Speaker 2: used to get three loads of bread for a dollar.

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Speaker 3: I remember you get three loads load for bread with

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Speaker 3: sixty cents now, but I remember you can get three

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Speaker 3: loads of bread for a dollar. Yes, I remember this.

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Speaker 3: I was seventeen. I remember this now. I ain't know

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Speaker 3: nothing about no new house, the house we call. Probably

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Speaker 3: we stayed there and probably cost fifteen hundred dollars.

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Speaker 2: But yeah, I remember this.

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Speaker 1: The funny thing about it is, is the price of

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Speaker 1: everything keeping going up, right Yahing around us is keeping

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Speaker 1: going up. They're taking jobs away from people using technology

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Speaker 1: chat beat, chat chat, GPT and and AI and all

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Speaker 1: this other stuff automated services.

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Speaker 2: But minimum wage isn't going up the way it should.

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Speaker 1: No, I remember, to be able to offset the price

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Speaker 1: of everything going up.

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Speaker 2: So something something way.

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Speaker 3: Exact wages are going up, yeah, average consumer, the hourly

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Speaker 3: is not because it's what seven thirty a now?

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Speaker 2: Yeah, I worked for three thirty five an hours so

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Speaker 2: I know.

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Speaker 3: Yeah, oh yoven back then, Oh, Joe. You look at

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Speaker 3: that faith, Damn bro, My grandma called hell even in

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Speaker 3: eighty five cents, even at sixty eight cents for a

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Speaker 3: loaf of bread, it was still hell on the port

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Speaker 3: of sharp household.

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Speaker 2: And you look at the price of night like that. Yes, yeah, yes,

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Speaker 2: that's crazy.

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Speaker 3: Gallery gas was a dollar twelve a galer and you

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Speaker 3: weren't going nowhere unless you had two dollars to put

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Speaker 3: in my tape.

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Speaker 2: So it wasn't no free ride.

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Speaker 3: Hey, come take No, you got to pay right, Yeah,

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Speaker 3: I'm yeah, I remember that like yesterday.

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Speaker 2: That's crazy. New car? What do you know if for

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Speaker 2: seven thousand wars?

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Speaker 3: Oh?

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Speaker 2: Can I can imagine you buy a car?

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Speaker 3: By Grady made one hundred and ninety seven dollars every

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Speaker 3: two weeks, so she made less than four thousand dollars

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Speaker 3: a year. So how did you're gonna pay for a

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Speaker 3: new car? Yeah, you're right, and buy and buy and

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Speaker 3: buy food?

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Speaker 2: Can you imagine if everybody ren was four hundred and

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Speaker 2: thirty dollars? Still? Do you know how much money that

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Speaker 2: was back then? Yeah? I already know. You have to

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Speaker 2: tell me. I was there.

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Speaker 3: You looking you looking at today's money when you make

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Speaker 3: it today's money and you looking at yesterday's prices.

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Speaker 2: Right right right, trans brought your hands back there.

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Speaker 3: You know how your grandma, how your mama's pregnant struggle

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Speaker 3: to pay four hundred and thirty something dollars or that

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Speaker 3: was a phone on the money.

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Speaker 2: Yeah, I already know, but just imagine. Tell granny granny made.

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Speaker 3: Five hundred dollars a month, so you're gonna pay rent

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Speaker 3: at four thirty two of money she made five hundred.

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Speaker 1: Mm And so funny. You notice how they made it

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Speaker 1: work back then? They made a way. Yeah, matter what,

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Speaker 1: because you.

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Speaker 3: Ain't lost, you make pig feet, you ate cool, You

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Speaker 3: at squirrel, You ain't rabbit, you ain't possum. Yes, that's

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Speaker 3: how you ain't tried. You ain't my noise. Just that's

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Speaker 3: how you made it. You went and caught the mess

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Speaker 3: a fish and you ain't. Yes, that's how you made

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Speaker 3: it work. You wasn't eat no steak, no lamb chop,

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Speaker 3: no lobster, no crab legs, those lops, no scallops.

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Speaker 2: No, you're eating that right.

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Speaker 3: I never I had never heard of a person eating

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Speaker 3: crab like oh till you know them dungeons, crab them

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Speaker 3: blue crab, but like them king krab leg, I ain't

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Speaker 3: never heard nobody eat no lobster, nobody need no lobster.

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Speaker 2: Tking about can we go get some? Uh?

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Speaker 3: We were gotten called like a senior and got guy.

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Speaker 3: Tell me, man, I'm gonna take old girl, the red lobster.

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Speaker 3: You want lost her. But you know guys who you

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Speaker 3: got that uh that work study money. You know you

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Speaker 3: got that work study money. Oh, Joe, you try to

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Speaker 3: press somebody you think about to eat something, please die,

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Speaker 3: eating salmon croquette in the can, eating buying the sausages

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Speaker 3: and eating baloona, that tube bloona with the red with

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Speaker 3: the with the you know the tube, the lone tube

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Speaker 3: of bologna, Joe, not the lost bob with the slicer.

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Speaker 3: You wasn't getting that right. You get that big ass tube.

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Speaker 2: Hold on what you know? I bet you ain't had

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Speaker 2: no beanies and whenies. Nah, we didn't eat that.

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Speaker 3: We didn't have porking bees though, okay you know, yeah.

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Speaker 1: Porking beans and porking beans. And you you chake the

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Speaker 1: hot dogs and cut the hot dogs up in the porgram.

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Speaker 2: Yeah okay, and now you're talking. We got the we

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Speaker 2: got the hot dogs. The fifty came in the pack,

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Speaker 2: but the hot dogs still had the chasing on them.

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Speaker 3: See they were pink. Yeah, yeah, get down what I'm

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Speaker 3: talking about, Joe. You ain't getting no you ain't getting

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Speaker 3: no no good, no Hebrew National. But I'm looking at

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Speaker 3: the presced I'm like, if I look back at this

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Speaker 3: and now, O Joe, and I think, boy, we were

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Speaker 3: bad off, O Joe, we might have been bad worse

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Speaker 3: than I previously thought, right, boy.

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Speaker 1: And there was some days that boy, boy, hey, there

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Speaker 1: was some days. Oh yeah, hey, when when life is

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Speaker 1: simple that.

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Speaker 3: Y'all get ready, it's time for your favorite sakem but

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Speaker 3: it's time for spello sinko what you had where your

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Speaker 3: had on?

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Speaker 2: Joe, put your hat on?

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Speaker 1: Hey, and you you know who got mad at me

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Speaker 1: and cut my hat up a long time ago.

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Speaker 2: That's why I stopped winning. You heard me? Yeah?

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Speaker 3: Yeah, okay, O Joe, I'm gonna start you.

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Speaker 2: Let me lock in first, Let me lock you that.

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Speaker 2: Don't rush me. Don't rush me.

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Speaker 1: Let me let me lock in and focus so I

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Speaker 1: can I can chat. This is for y'all. Tonight is

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Speaker 1: for y'all.

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Speaker 2: Chat. I'm telling you, I want to Spelling nineteen seventy nine.

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Speaker 3: Be able to give oo the strength to lock in

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Speaker 3: and dispel. These words help them to focus, understand, and

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Speaker 3: as I enunciate these words correctly, just give o Jo

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Speaker 3: the strength and the courage to spell these words with conviction. Yes,

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Speaker 3: we asked all these things in your name. Amen's up, Let's.

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Speaker 1: Go, Amen, Amen, Amen your first word, first word?

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Speaker 2: You bick with us. You bick with us.

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Speaker 3: You won't be to get ahead by the gamelaneously you

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Speaker 3: biq with us?

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Speaker 2: How you come out the game with something like that. Okay,

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Speaker 2: it's gonna get easy er. Okay, okay, we start were

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Speaker 2: starting with that? You you you say it again? You

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Speaker 2: bick with us?

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Speaker 1: You biquous? Now, yes, I'm I'm assuming its u B.

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Speaker 1: Let's start there.

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Speaker 2: You big, you big? Now big lighter is b I

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Speaker 2: C So I'm gonna go U B I C.

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Speaker 3: You big?

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Speaker 2: Who where b U b I C Q T I

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Speaker 2: S t.

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Speaker 5: U b I q U I t O U s

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Speaker 5: U biq with us? Now you know now you knew

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Speaker 5: I was gonna get that. Now that I thought you

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Speaker 5: get that with I thought that was the chance. What okay, okay,

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00:12:07,320 --> 00:12:09,600
Speaker 5: how about this with out Joe this one, and you've

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Speaker 5: heard of this one? A demigog Oh, a demi God?

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00:12:18,200 --> 00:12:19,680
Speaker 2: Wait, you mean a demi god.

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Speaker 3: A demigg demi god is a leader exploring emotions to

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Speaker 3: gain power.

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Speaker 2: A demi god? Man, are these words even? Excuse me?

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Speaker 2: Are these words even in the sours? I've never stood

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Speaker 2: at before? A Demi? Say it one more time? I

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Speaker 2: bet you get.

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Speaker 6: A demi god A d E m I A demi

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Speaker 6: god g O D Where the hell you get a from?

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Speaker 6: I said demigog?

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Speaker 2: Oh, you said demi? I thought you said demi God. No,

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Speaker 2: but you're wrong. D E m A g O G

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Speaker 2: you e demigod? Oh my goodness, hey, un.

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Speaker 1: And not only do I not know these words, the

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Speaker 1: chat don't know me that, And I hope nobody in

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Speaker 1: the chat is laughing at me because I know you're not.

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Speaker 1: Finna say and pretend that y'all know some of the

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Speaker 1: words I'm talking about, because I ain't never heard of

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Speaker 1: the last one, and I definitely don't know how to

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Speaker 1: spell the first one we did.

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Speaker 2: How about this paradigm? Paradigm? Oh p A r A

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Speaker 2: d I g N No, what p A R A

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Speaker 2: d I g M. That's what I just said, sound

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Speaker 2: like you said chat. Do you see how fast I

254
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Speaker 2: spelled it because I knew how to spell it. We're

255
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Speaker 2: running back. We'll give you that one. How about this one?

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Speaker 1: Let's stop playing with me. Channel dope huh antidote antidote

257
00:13:58,600 --> 00:14:04,360
Speaker 1: A A N T I anthidote A N A N

258
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Speaker 1: T I D O T E antidote.

259
00:14:07,040 --> 00:14:11,480
Speaker 2: A N E C D O T E antidote. God,

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00:14:11,800 --> 00:14:22,800
Speaker 2: don't get man, Jesus, elucidate what to clarify, explain clearly,

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00:14:23,040 --> 00:14:32,160
Speaker 2: elucidate a lucid date elucidate to clarify or explain clearly elucidate.

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00:14:33,600 --> 00:14:41,200
Speaker 1: Aluser so elusive elusive elusive is e L So a

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Speaker 1: lucid date would probably be e L as well, you

264
00:14:46,840 --> 00:14:51,120
Speaker 1: s elucidate I D A T E lucidate.

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Speaker 2: E l U s I D A T E elucidate.

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00:14:58,960 --> 00:15:05,080
Speaker 2: So that's not what I just No, Hey, this is

267
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Speaker 2: gonna be the eest one if you don't get this one.

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Speaker 2: A bore to detest strongly dislike I A bore you

269
00:15:16,160 --> 00:15:24,040
Speaker 2: A bore? Oh, my goodness, A bore. I mean it

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Speaker 2: could be a bore like a b o r A

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Speaker 2: I mean, my bad A b o A r. But

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Speaker 2: it could be a b o r E what where

273
00:15:36,520 --> 00:15:40,920
Speaker 2: are you going with? Or a bore A b o r?

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Speaker 2: Which one of the three is it?

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Speaker 3: That's I mean, I didn't go to Harvard. I went

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Speaker 3: to deliver A high school. That's far I got to understand.

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Speaker 3: I went to Harvard for one semester. Okay, that should

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Speaker 3: be enough to help these words.

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Speaker 2: I mean that's when they saw my application and knew

280
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Speaker 2: it was fake, and that's when they got thrown out.

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Speaker 7: Yes, so what what are you going with? A boar

282
00:16:07,280 --> 00:16:09,360
Speaker 7: A boar A b o r A b A b

283
00:16:09,520 --> 00:16:14,480
Speaker 7: o r A b h or r A bore Okay,

284
00:16:14,720 --> 00:16:15,320
Speaker 7: I got it right.

285
00:16:15,800 --> 00:16:18,280
Speaker 2: No you didn't. No, I said, the night is sigling.

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00:16:18,800 --> 00:16:23,680
Speaker 2: No damn what Joe? You there? I got out one

287
00:16:23,720 --> 00:16:27,600
Speaker 2: for four, one for five. Well, listen, if I if

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Speaker 2: I played baseball, I'd be a Hall of Famer.

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00:16:32,040 --> 00:16:36,520
Speaker 3: Not actually you wouldn't. That's below the Bendoza lined there.

290
00:16:38,680 --> 00:16:40,800
Speaker 3: You gotta be at least two two fifty. I can

291
00:16:40,880 --> 00:16:43,960
Speaker 3: work with you three at the ballpark. Okay, on yo,

292
00:16:44,440 --> 00:16:49,160
Speaker 3: this is dump on up n c A A oops, okay,

293
00:16:49,280 --> 00:16:50,040
Speaker 3: here we go, here we go?

294
00:16:50,160 --> 00:16:59,160
Speaker 1: Hey, I gotta go back then, I gotta study month

295
00:16:59,160 --> 00:17:03,880
Speaker 1: of Saurus or so man because Jesus Christ a Chat,

296
00:17:03,880 --> 00:17:07,040
Speaker 1: I apologize, chat. I'm glad this wasn't the life of

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00:17:07,080 --> 00:17:09,560
Speaker 1: that situation because y'all would be playing my funeral.

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00:17:10,280 --> 00:17:13,760
Speaker 2: My goodness, that was abusinal. That was horrible. Yeah, that

299
00:17:14,480 --> 00:17:18,320
Speaker 2: was God. Hey them some crazy words though. Okay, here

300
00:17:18,359 --> 00:17:21,600
Speaker 2: we go. Dunk on Uncle n C double A Hoops

301
00:17:23,000 --> 00:17:24,399
Speaker 2: Riddle Edition. Okay.

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00:17:29,040 --> 00:17:31,720
Speaker 1: He played for the Kentucky Wildcats. He won the twenty

303
00:17:31,800 --> 00:17:35,600
Speaker 1: twelveth n C Double A National Championship. Known for his

304
00:17:35,800 --> 00:17:38,200
Speaker 1: elite defense and shot blocking.

305
00:17:38,320 --> 00:17:41,960
Speaker 2: Went number one overall in the Anthony Davis Well God,

306
00:17:42,040 --> 00:17:46,639
Speaker 2: can I finish? Now? I'm gonna hold you. Okay, you

307
00:17:46,720 --> 00:17:48,840
Speaker 2: got that one? You got that one? Okay, here we go,

308
00:17:49,240 --> 00:17:49,600
Speaker 2: Here we go.

309
00:17:50,440 --> 00:17:53,560
Speaker 1: He played for the Yukon Huskies, went fourth to four

310
00:17:53,760 --> 00:17:57,080
Speaker 1: in the NC Double A Championship twenty thirteen, the twenty

311
00:17:57,160 --> 00:18:00,560
Speaker 1: sixteen never lost the NCUBLEA Tournament game. One of the

312
00:18:00,640 --> 00:18:04,080
Speaker 1: greatest women's college basketball players ever.

313
00:18:04,800 --> 00:18:09,359
Speaker 2: Where am I she went four for four? Oh? Oh Stewart,

314
00:18:09,480 --> 00:18:14,280
Speaker 2: Breonna Stewart, God damn it. Okay, okay, okay, okay, you

315
00:18:14,400 --> 00:18:16,480
Speaker 2: two you two for two? Okay, Okay, you know you

316
00:18:16,600 --> 00:18:19,520
Speaker 2: know your stuff. Huh A little bit. Okay, here we go.

317
00:18:20,800 --> 00:18:24,480
Speaker 1: Coach for the Duke Blue Devils won five n CUAA

318
00:18:24,640 --> 00:18:28,240
Speaker 1: Championships nineteen ninety one, nineteen ninety two, two thousand and one,

319
00:18:28,359 --> 00:18:29,120
Speaker 1: twenty ten.

320
00:18:29,160 --> 00:18:39,120
Speaker 2: Oh damn. Okay, okay, okay, hey, you're on a roll today.

321
00:18:39,240 --> 00:18:39,359
Speaker 1: Huh.

322
00:18:40,359 --> 00:18:41,720
Speaker 2: I'm gonna ask you for the I'm gonna ask you

323
00:18:41,720 --> 00:18:44,360
Speaker 2: for the numbers for the lotto after this. Okay, here

324
00:18:44,400 --> 00:18:44,560
Speaker 2: we go.

325
00:18:46,440 --> 00:18:50,600
Speaker 1: Legendary coacher, the Tennessee Lady Balls won eight summit.

326
00:18:54,160 --> 00:18:57,160
Speaker 2: Actually her middle name is pat Head Summit. She married.

327
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Speaker 3: The guy's last name was Someer. Her actually maid name

328
00:18:59,640 --> 00:19:06,600
Speaker 3: is patt Head. But he tried, you know what, the

329
00:19:06,680 --> 00:19:08,960
Speaker 3: scoring she got beat. She got beating the tournament game.

330
00:19:09,280 --> 00:19:10,960
Speaker 3: And she was about to give birth to a son.

331
00:19:11,080 --> 00:19:12,480
Speaker 3: And they said they wanted the land to play in

332
00:19:12,600 --> 00:19:14,960
Speaker 3: Virginia and she said, no, I'm not having my son

333
00:19:15,040 --> 00:19:15,520
Speaker 3: in Virginia.

334
00:19:20,680 --> 00:19:22,520
Speaker 1: Hey boy, you're showing off the night in front the company.

335
00:19:22,600 --> 00:19:28,479
Speaker 1: Huh okay, okay, here we go, here we go, Let

336
00:19:28,480 --> 00:19:29,520
Speaker 1: me putt my glasses back on.

337
00:19:30,440 --> 00:19:32,399
Speaker 2: He played for the Blue Duke. He played for the

338
00:19:32,480 --> 00:19:35,000
Speaker 2: Duke Blue Devils scored forty one points. In the nineteen

339
00:19:35,080 --> 00:19:37,520
Speaker 2: ninety two Elite eight game versus Kentucky.

340
00:19:37,880 --> 00:19:40,359
Speaker 3: He was perfect from the floor. Christian Latner, He didn't

341
00:19:40,359 --> 00:19:43,119
Speaker 3: miss a single shot or free throw. He hit the buzzer,

342
00:19:43,160 --> 00:19:49,399
Speaker 3: beat her. Yep, remember like yesterday, caught the pass from

343
00:19:49,440 --> 00:19:51,760
Speaker 3: Grant Hill at the top of the key, turned around,

344
00:19:51,960 --> 00:19:53,800
Speaker 3: bam ball game.

345
00:19:55,440 --> 00:19:56,320
Speaker 2: Do you remember that game on?

346
00:19:56,480 --> 00:19:56,600
Speaker 6: Joe?

347
00:19:57,520 --> 00:20:02,520
Speaker 1: Oh, hey, man, come on man, hell nah, Okay, here

348
00:20:02,560 --> 00:20:05,680
Speaker 1: we go. Last one. All right, you ain't gonna get

349
00:20:05,680 --> 00:20:09,119
Speaker 1: this one. Played for the Iowa Hawkeys, known for the

350
00:20:09,200 --> 00:20:11,040
Speaker 1: triple doubles and record breaking performances.

351
00:20:11,320 --> 00:20:13,600
Speaker 2: One of the top scores in NC double A history.

352
00:20:14,160 --> 00:20:25,879
Speaker 2: Revolutionized women's basketball, not Kitlyn Clark. Go Joe, Hey, I

353
00:20:26,040 --> 00:20:27,480
Speaker 2: want to know who briefed you before this.

354
00:20:29,240 --> 00:20:30,719
Speaker 3: I thought you was gonna give me like, well, who

355
00:20:30,800 --> 00:20:33,400
Speaker 3: won the nineteen seventy five national championship and the men?

356
00:20:34,400 --> 00:20:35,960
Speaker 3: I thought you were gonna ask me something like that.

357
00:20:37,720 --> 00:20:41,359
Speaker 1: Who won the national championship in nineteen seventy five for

358
00:20:41,440 --> 00:20:41,760
Speaker 1: the men?

359
00:20:42,280 --> 00:20:45,760
Speaker 2: Yeah? I think n C State.

360
00:20:48,040 --> 00:20:52,080
Speaker 3: Because seventy six was Indiana, seventy seven was Marquette, seventy

361
00:20:52,119 --> 00:20:56,520
Speaker 3: eight was Kentucky, seventy nine was Michigan State. Eighty was Louisville,

362
00:20:56,920 --> 00:20:59,960
Speaker 3: eighty one was Indiana again, eighty two was Michael Jordan

363
00:21:00,000 --> 00:21:03,200
Speaker 3: this year. Eighty three was in c State, eighty four

364
00:21:03,280 --> 00:21:09,680
Speaker 3: with Georgetown. God damn, yes, you tell that one. So

365
00:21:09,760 --> 00:21:17,879
Speaker 3: when did David Thompson win seventy four? Hey, I got

366
00:21:18,000 --> 00:21:18,720
Speaker 3: I got a problem.

367
00:21:19,840 --> 00:21:20,440
Speaker 2: We got it.

368
00:21:20,480 --> 00:21:22,800
Speaker 1: We got a whole court, especially with the chat, the check.

369
00:21:22,920 --> 00:21:25,040
Speaker 1: We all we all got a whole court. But there's

370
00:21:25,080 --> 00:21:29,560
Speaker 1: a there's a small discrepancy and the level of difficulty

371
00:21:30,560 --> 00:21:35,159
Speaker 1: and my questions when it's time to spell, and the

372
00:21:35,359 --> 00:21:36,879
Speaker 1: questions that you get on dunk on.

373
00:21:37,240 --> 00:21:38,920
Speaker 3: I thought you was gonna ask me some like some

374
00:21:39,160 --> 00:21:41,359
Speaker 3: n c A stuff like you know who won the

375
00:21:42,400 --> 00:21:45,600
Speaker 3: ninety six National Championship, or.

376
00:21:47,160 --> 00:21:49,640
Speaker 2: Tell me, ask me something about Cheryl Swoops.

377
00:21:49,800 --> 00:21:56,320
Speaker 3: Right Lynette Wadard Right, I mean you can't ask me

378
00:21:56,400 --> 00:21:58,400
Speaker 3: something about coach k Right.

379
00:21:58,600 --> 00:22:01,040
Speaker 2: Okay, don't worry about it. I got listen. Next time,

380
00:22:01,080 --> 00:22:02,720
Speaker 2: I got you, I got you.

381
00:22:03,200 --> 00:22:07,920
Speaker 1: I'm gonna take the degree of difficulty maximum the way

382
00:22:07,960 --> 00:22:08,960
Speaker 1: you can do with my words.

383
00:22:09,440 --> 00:22:14,840
Speaker 3: Yeah, ask me where Oscar Robertson played or something like that. Right, Okay,

384
00:22:15,600 --> 00:22:17,560
Speaker 3: you know Jerry West played the Ohio State So don't

385
00:22:17,560 --> 00:22:19,760
Speaker 3: ask me that. Now you played at West Virginia.

386
00:22:20,680 --> 00:22:22,200
Speaker 2: Now they played Ohio State, didn't he?

387
00:22:23,520 --> 00:22:26,359
Speaker 3: I was there, Me and Jerry, Me and Jerry might

388
00:22:26,440 --> 00:22:28,960
Speaker 3: have been a West Virgeriy Lucas played at Ohio State.

389
00:22:30,440 --> 00:22:33,439
Speaker 2: Damn why oh I had a bad night to night

390
00:22:33,520 --> 00:22:35,760
Speaker 2: for yeah, West Virginia, Jerry, because that's where he's from,

391
00:22:35,960 --> 00:22:46,119
Speaker 2: Jerry Lucas. Oh, I had a bad night, Chad, I

392
00:22:46,840 --> 00:22:47,120
Speaker 2: you did?

393
00:22:47,200 --> 00:22:50,760
Speaker 3: Oh Joe, Uh, it's time to welcome. His birthday was yesterday.

394
00:22:51,160 --> 00:22:54,600
Speaker 3: He celebrated so happy belated birthday. He's the owner. He's

395
00:22:54,640 --> 00:22:58,639
Speaker 3: a co owner of the iconic smash burger joint trill Burger.

396
00:22:58,840 --> 00:23:00,760
Speaker 3: And if I follow him and I think he just

397
00:23:00,920 --> 00:23:04,320
Speaker 3: opened up another one trio burger.

398
00:23:05,600 --> 00:23:08,760
Speaker 2: Bun be what did do? Hey? Hey, what's going on? Gentlemen?

399
00:23:08,800 --> 00:23:12,920
Speaker 2: What's going on? Thanks for having old man? What's making?

400
00:23:12,960 --> 00:23:15,040
Speaker 2: What's good? I see?

401
00:23:15,520 --> 00:23:17,359
Speaker 8: I see shining over that little something man. You know,

402
00:23:17,400 --> 00:23:19,760
Speaker 8: I got a the lotion on, that's all it is, lotion.

403
00:23:21,840 --> 00:23:23,320
Speaker 8: Buy Let me ASKI you this, let me let let's

404
00:23:23,359 --> 00:23:24,960
Speaker 8: let's kick it off with this. But when did you

405
00:23:25,040 --> 00:23:26,800
Speaker 8: come up with the idea to start tril Burger.

406
00:23:27,359 --> 00:23:29,119
Speaker 3: I didn't come up with the idea I did. It

407
00:23:29,240 --> 00:23:32,480
Speaker 3: was brought to me by two mutual friends of mine. Okay,

408
00:23:32,960 --> 00:23:35,720
Speaker 3: one that I knew in the previous career as a

409
00:23:35,880 --> 00:23:38,840
Speaker 3: clothing line designer and the other I knew in the

410
00:23:38,880 --> 00:23:42,640
Speaker 3: previous career as a podcaster for the Texans. They both

411
00:23:42,720 --> 00:23:45,920
Speaker 3: moved into new paths, one becoming a restaurant tour the

412
00:23:46,040 --> 00:23:51,840
Speaker 3: other becoming marketing and promotions manager of restaurants. So the

413
00:23:51,880 --> 00:23:55,280
Speaker 3: restaurant tour Andy Wynn came up with an idea forrest

414
00:23:55,359 --> 00:23:59,320
Speaker 3: mash Burger, but smashburger phenomenon was already moving on the

415
00:23:59,359 --> 00:23:59,840
Speaker 3: West coast.

416
00:23:59,840 --> 00:24:00,840
Speaker 2: He from California.

417
00:24:01,280 --> 00:24:03,399
Speaker 3: He saw the trend starting to move east and he

418
00:24:03,480 --> 00:24:05,520
Speaker 3: was like, if I don't catch it by Texas, I'm

419
00:24:05,560 --> 00:24:07,200
Speaker 3: a miss the whole smash burger trend.

420
00:24:07,600 --> 00:24:10,800
Speaker 2: But I don't have as strong a brand out there.

421
00:24:11,000 --> 00:24:12,359
Speaker 2: I need someone to partner with.

422
00:24:12,760 --> 00:24:15,200
Speaker 3: And my other friend, Nick Skurfield, was like, well, I

423
00:24:15,280 --> 00:24:18,119
Speaker 3: know Bun has had a food blog for many years

424
00:24:18,520 --> 00:24:20,280
Speaker 3: called you Got to Eat This dot com Go check

425
00:24:20,400 --> 00:24:23,720
Speaker 3: us out. And he was like, I know Bud's been

426
00:24:23,720 --> 00:24:27,440
Speaker 3: looking for an entry point into the culinary space. I

427
00:24:27,560 --> 00:24:30,280
Speaker 3: didn't want to do a full restaurant because there's so

428
00:24:30,359 --> 00:24:32,960
Speaker 3: many different menu items, and there's so many different ingredients

429
00:24:33,280 --> 00:24:35,920
Speaker 3: that you shock and a lot of things you lose

430
00:24:36,000 --> 00:24:38,720
Speaker 3: and people don't and people don't come in and buy

431
00:24:38,800 --> 00:24:41,880
Speaker 3: that that shrimp in a day or two. That shrimp

432
00:24:41,920 --> 00:24:43,879
Speaker 3: starts to go bad by day three, and you lose it.

433
00:24:43,960 --> 00:24:46,160
Speaker 3: A lot of stuff off slaws, you know what I'm saying.

434
00:24:46,240 --> 00:24:49,560
Speaker 2: So but this was a very refined, very simple concept.

435
00:24:49,960 --> 00:24:51,040
Speaker 2: I went and met up with him.

436
00:24:51,040 --> 00:24:53,720
Speaker 3: I tried to burger and I thought, not only was

437
00:24:53,800 --> 00:24:55,560
Speaker 3: it one of the best burgers I've ever had, I

438
00:24:55,600 --> 00:24:57,880
Speaker 3: thought it was one of the best meals I'd ever had.

439
00:24:57,960 --> 00:24:59,960
Speaker 2: The flavor combination is incredible.

440
00:25:00,240 --> 00:25:02,359
Speaker 3: Anybody that's ever had it will tell you they may

441
00:25:02,440 --> 00:25:05,680
Speaker 3: have had good burgers, but no one has ever done.

442
00:25:06,560 --> 00:25:07,280
Speaker 2: With a hamburger.

443
00:25:07,359 --> 00:25:09,200
Speaker 3: What we've done, and what I mean by what we've

444
00:25:09,280 --> 00:25:11,880
Speaker 3: done is we care about it more than I think

445
00:25:12,080 --> 00:25:15,760
Speaker 3: the people care about a burger. Most burgers are after dawns.

446
00:25:16,800 --> 00:25:18,800
Speaker 3: You know, something like, I got thirty minutes for lunch work?

447
00:25:18,800 --> 00:25:20,080
Speaker 3: Can I go and get something real quick?

448
00:25:20,800 --> 00:25:20,960
Speaker 2: Man?

449
00:25:21,240 --> 00:25:22,800
Speaker 3: I left this club. I'm full of this look. I

450
00:25:22,840 --> 00:25:24,560
Speaker 3: got to try to soak it up with something. You

451
00:25:24,640 --> 00:25:26,879
Speaker 3: know what, I'm got to absorb that bing, gotta absorb it.

452
00:25:26,960 --> 00:25:29,320
Speaker 3: But you know, but we found a real sweet spot, man.

453
00:25:29,400 --> 00:25:31,960
Speaker 3: You know. We found a way to not only introduce

454
00:25:32,880 --> 00:25:36,840
Speaker 3: a better product into the public, but also for me personally,

455
00:25:37,400 --> 00:25:40,240
Speaker 3: a way to transition my cultural equity that I built

456
00:25:40,280 --> 00:25:43,600
Speaker 3: up in the entertainment industry into the culinary industry in

457
00:25:43,680 --> 00:25:45,879
Speaker 3: a way that I could capitalize off of it a

458
00:25:45,960 --> 00:25:48,080
Speaker 3: lot better than I could in the music industry because

459
00:25:48,080 --> 00:25:50,439
Speaker 3: of the contractual agreements that I signed at a very

460
00:25:50,520 --> 00:25:53,240
Speaker 3: young age, and with this I was able to own

461
00:25:53,280 --> 00:25:56,679
Speaker 3: everything outright with my partners. There was no investors as

462
00:25:56,760 --> 00:25:58,280
Speaker 3: it was with the record company where you take that

463
00:25:58,400 --> 00:26:00,680
Speaker 3: advance up in front. We did all this out of pocket.

464
00:26:00,720 --> 00:26:02,880
Speaker 3: We continue to do it out of pocket. We don't

465
00:26:02,920 --> 00:26:04,960
Speaker 3: take any money out of the company so that the

466
00:26:05,040 --> 00:26:08,600
Speaker 3: company can grow, be selfless, sained, so we don't need investors,

467
00:26:09,000 --> 00:26:12,520
Speaker 3: We don't need finances from anybody, and we just tried

468
00:26:12,560 --> 00:26:14,320
Speaker 3: to build something that we believe the last longer than

469
00:26:14,400 --> 00:26:14,680
Speaker 3: we will.

470
00:26:15,200 --> 00:26:17,840
Speaker 2: I like that. I want to go back with it

471
00:26:17,960 --> 00:26:21,159
Speaker 2: being your birthday. You know you turn the young are

472
00:26:21,359 --> 00:26:22,359
Speaker 2: you you're getting younger?

473
00:26:22,880 --> 00:26:27,960
Speaker 1: You know your recent birthday bonanza at Houston Rodeo Obby.

474
00:26:28,119 --> 00:26:31,320
Speaker 1: It featured a diverse lineup man you had Keith Sweat,

475
00:26:31,440 --> 00:26:35,880
Speaker 1: Don Tolliver, Yolanda Adams. What inspired you to blend hip hop,

476
00:26:36,240 --> 00:26:38,680
Speaker 1: R and B and gospel for this event?

477
00:26:40,280 --> 00:26:43,240
Speaker 3: You know, we've done a lot of different lineups with

478
00:26:43,440 --> 00:26:47,200
Speaker 3: my shows at the Houston Livestock Showing Rodeo. Last year

479
00:26:47,359 --> 00:26:50,240
Speaker 3: was the first year that they'd ever had two full

480
00:26:50,400 --> 00:26:53,119
Speaker 3: rap nights. One was My night and one was with

481
00:26:53,320 --> 00:26:56,840
Speaker 3: fifty cent his tour, and it kind of started to

482
00:26:56,880 --> 00:27:00,679
Speaker 3: get away from what the Houston Livestock Showing Rodeo as

483
00:27:00,720 --> 00:27:03,760
Speaker 3: far as Black Hair Today has always been, and that's

484
00:27:03,840 --> 00:27:07,119
Speaker 3: been a very inclusive evening that was always family friendly,

485
00:27:07,680 --> 00:27:10,560
Speaker 3: and with some of this rap music, it could get

486
00:27:10,560 --> 00:27:14,119
Speaker 3: away from being a family friendly environment very quickly. And

487
00:27:14,240 --> 00:27:15,920
Speaker 3: so the Rodeo is like, look, we would love to

488
00:27:16,000 --> 00:27:19,560
Speaker 3: reset the bar, Like we appreciate what your hip hop

489
00:27:19,640 --> 00:27:21,639
Speaker 3: contributions and all of the talent that you brought to

490
00:27:21,720 --> 00:27:24,399
Speaker 3: the stage have done for the Rodeo, but we think

491
00:27:24,480 --> 00:27:27,359
Speaker 3: we need to reset the bar because if we don't,

492
00:27:27,440 --> 00:27:29,560
Speaker 3: we're going to lose the demographic. And that was the

493
00:27:29,640 --> 00:27:32,439
Speaker 3: problem with the Rodeo before, was that the Rodeo had

494
00:27:32,520 --> 00:27:33,440
Speaker 3: aged itself out.

495
00:27:33,840 --> 00:27:36,679
Speaker 2: The Rodeo did not bring in hip hop and.

496
00:27:36,800 --> 00:27:41,240
Speaker 3: Younger music in a timely manner, so they started to

497
00:27:41,359 --> 00:27:44,520
Speaker 3: age people away from the Rodeo younger people. And when

498
00:27:44,560 --> 00:27:46,720
Speaker 3: I say younger, this may sound crazy, but when I

499
00:27:46,760 --> 00:27:50,320
Speaker 3: say younger, I mean like fifty another. Right, there was

500
00:27:50,400 --> 00:27:52,680
Speaker 3: nothing that was catering to them. Nothing in popular music

501
00:27:52,800 --> 00:27:55,719
Speaker 3: was catering to them. Nothing in popular culture was catering

502
00:27:55,760 --> 00:27:58,200
Speaker 3: to them. And so it they became a concerted effort

503
00:27:58,320 --> 00:28:01,200
Speaker 3: to try to make sure that the people on stage

504
00:28:01,840 --> 00:28:05,720
Speaker 3: reflected the diversity of the city of Houston, which is arguably.

505
00:28:05,320 --> 00:28:07,080
Speaker 2: Be the most diverse city in America right now.

506
00:28:07,320 --> 00:28:10,200
Speaker 3: There's over one hundred spoken languages and so many different

507
00:28:10,320 --> 00:28:14,440
Speaker 3: cross culture things happening in the city, and so we

508
00:28:14,600 --> 00:28:16,359
Speaker 3: did a good job of diversifying it.

509
00:28:16,480 --> 00:28:19,240
Speaker 2: But at the same time, you don't want to leave

510
00:28:19,320 --> 00:28:19,880
Speaker 2: people out.

511
00:28:20,200 --> 00:28:22,680
Speaker 3: And I could tell that if we did one more

512
00:28:22,800 --> 00:28:26,200
Speaker 3: show that was Rahap centric, my mama wasn't gonna want.

513
00:28:26,080 --> 00:28:26,560
Speaker 2: To come no more.

514
00:28:26,840 --> 00:28:30,720
Speaker 3: And we're gonna want to come no more because it

515
00:28:30,840 --> 00:28:33,000
Speaker 3: can be a little much. The way people dance to it,

516
00:28:33,080 --> 00:28:34,639
Speaker 3: I get it. There's an energy, and we want to

517
00:28:34,640 --> 00:28:37,680
Speaker 3: bring energy and entertainment, but we don't want to do

518
00:28:37,920 --> 00:28:40,200
Speaker 3: that and make sure that other people don't isolate.

519
00:28:40,800 --> 00:28:41,280
Speaker 2: Absolutely.

520
00:28:41,320 --> 00:28:43,440
Speaker 3: You know, my mother comes to the rodeo, my siblings,

521
00:28:43,520 --> 00:28:46,360
Speaker 3: my wife's siblings, our children, our nieces and nephews, and

522
00:28:46,520 --> 00:28:48,640
Speaker 3: now our grandchildren all come.

523
00:28:48,840 --> 00:28:49,600
Speaker 2: So I got it.

524
00:28:49,800 --> 00:28:52,080
Speaker 3: I wanted to make sure that I got something that

525
00:28:52,320 --> 00:28:54,680
Speaker 3: from my mama and my wife's mother that they could

526
00:28:54,720 --> 00:28:57,720
Speaker 3: relate to things that we can relate to my children

527
00:28:57,880 --> 00:29:00,480
Speaker 3: and my grandchildren. So that's why you get a keep

528
00:29:00,520 --> 00:29:02,840
Speaker 3: Sweat for us, you get your line of Adams for

529
00:29:03,240 --> 00:29:06,479
Speaker 3: the older and more Christian grandmothers and aunties and whatnot.

530
00:29:06,640 --> 00:29:09,320
Speaker 3: And you get a Don Tollivan for a younger artist, uh,

531
00:29:09,600 --> 00:29:12,000
Speaker 3: Coco Jones for a younger artists, you know what I'm saying.

532
00:29:12,280 --> 00:29:14,760
Speaker 2: And then the more for my base. You know Luda

533
00:29:14,920 --> 00:29:16,800
Speaker 2: t I. You know, we hit him, put you in

534
00:29:16,880 --> 00:29:18,080
Speaker 2: the chest with that hip hop.

535
00:29:18,200 --> 00:29:20,440
Speaker 3: So we want to make sure that when people come down,

536
00:29:20,440 --> 00:29:23,320
Speaker 3: because now it's become a tourist attraction. There's literally it

537
00:29:23,480 --> 00:29:27,040
Speaker 3: is that that come down for this thing. Now, I

538
00:29:27,080 --> 00:29:29,480
Speaker 3: want to make sure that they get hung and what

539
00:29:29,680 --> 00:29:31,800
Speaker 3: look anytime you know the triple O G Bun b

540
00:29:32,000 --> 00:29:33,560
Speaker 3: is on it. You know it's gonna be big, and

541
00:29:33,680 --> 00:29:35,719
Speaker 3: you know he gonna do right. He gonna do right

542
00:29:35,800 --> 00:29:38,680
Speaker 3: by Agtown because the age town down he bought in bread.

543
00:29:38,800 --> 00:29:41,560
Speaker 3: He Hey, he believe in that. And I love that.

544
00:29:42,120 --> 00:29:44,720
Speaker 3: But I love the fact that the Rodeo came to

545
00:29:44,800 --> 00:29:47,360
Speaker 3: you and said, we we really appreciate it, but let's

546
00:29:47,440 --> 00:29:50,040
Speaker 3: not get too far away from what we intended to

547
00:29:50,120 --> 00:29:54,240
Speaker 3: Rodeo beat, because we'll while we're bringing it one demo,

548
00:29:54,560 --> 00:29:55,800
Speaker 3: we're losing another demo.

549
00:29:56,160 --> 00:29:59,200
Speaker 2: How can we blend these demo together and grow it

550
00:29:59,440 --> 00:30:00,920
Speaker 2: so they still come?

551
00:30:01,360 --> 00:30:03,480
Speaker 3: More of you guys still come and guess what We

552
00:30:03,600 --> 00:30:05,800
Speaker 3: expand this thing, And a lot of people didn't really

553
00:30:05,920 --> 00:30:09,920
Speaker 3: understand it, because you know, I don't tell everybody who's coming.

554
00:30:10,040 --> 00:30:13,120
Speaker 3: I typically keep about two or three surprises to innovate

555
00:30:13,200 --> 00:30:15,560
Speaker 3: people on the spot. So when I was saying, hey,

556
00:30:15,640 --> 00:30:18,360
Speaker 3: I got Don Tolliver and I got Keep Sweat, and

557
00:30:18,440 --> 00:30:21,360
Speaker 3: I got Coco Jones and I got Yolanda Adams, people

558
00:30:21,360 --> 00:30:23,560
Speaker 3: don't see how that mix is in the room right.

559
00:30:23,680 --> 00:30:26,080
Speaker 3: People don't see how those genres blend together. And people

560
00:30:26,200 --> 00:30:29,000
Speaker 3: really didn't understand the vision. We knew what we were

561
00:30:29,080 --> 00:30:32,520
Speaker 3: doing the whole time. Alanda Adams was specifically brought in

562
00:30:32,680 --> 00:30:35,560
Speaker 3: to be a part of their memorial program where we

563
00:30:35,640 --> 00:30:37,680
Speaker 3: aunted all of the legends that have fallen and then

564
00:30:37,920 --> 00:30:39,400
Speaker 3: we thought it was good to have some praise in

565
00:30:39,440 --> 00:30:41,880
Speaker 3: the room. I feel very blessed to have this opportunity.

566
00:30:41,960 --> 00:30:44,040
Speaker 3: I've done this for sure four times. I've sold over

567
00:30:44,120 --> 00:30:47,440
Speaker 3: three hundred thousand tickets and just four shows, we're averaging

568
00:30:47,760 --> 00:30:50,800
Speaker 3: seventy four thousand people every time we've done this, So

569
00:30:51,000 --> 00:30:53,840
Speaker 3: it's been a beautiful opportunity, not just for me, for

570
00:30:54,040 --> 00:30:56,800
Speaker 3: my family, for my business. I've been able to pass

571
00:30:56,840 --> 00:30:58,960
Speaker 3: it on to other people that grew up in Houston

572
00:30:59,320 --> 00:31:01,440
Speaker 3: dreaming of doing on the rodeo. Now they've actually been

573
00:31:01,440 --> 00:31:03,560
Speaker 3: able to do it. I grew up at a time where,

574
00:31:04,200 --> 00:31:06,320
Speaker 3: you know, you didn't even think that somebody that did

575
00:31:06,400 --> 00:31:08,560
Speaker 3: hip hop music would even be on that stage, and

576
00:31:08,680 --> 00:31:11,160
Speaker 3: now we exist where I live as an example to

577
00:31:11,240 --> 00:31:12,040
Speaker 3: the next generation.

578
00:31:12,400 --> 00:31:14,840
Speaker 2: Maybe one day I can do the rodeo like bun Beee.

579
00:31:15,000 --> 00:31:15,680
Speaker 2: You know what I'm saying.

580
00:31:15,840 --> 00:31:19,800
Speaker 3: So we understand, We understand how deeply this thing resonates

581
00:31:19,920 --> 00:31:22,040
Speaker 3: with so many different people, and we don't want to

582
00:31:22,080 --> 00:31:24,560
Speaker 3: let people down, especially right now. I don't want to

583
00:31:24,600 --> 00:31:27,800
Speaker 3: seem like I'm leaving people out of something because this

584
00:31:27,920 --> 00:31:29,400
Speaker 3: world is so divisive right now.

585
00:31:29,880 --> 00:31:32,640
Speaker 2: Yeah, and things are not really as inclusive.

586
00:31:32,680 --> 00:31:35,160
Speaker 3: And I don't think people understand no culture is more

587
00:31:35,200 --> 00:31:37,480
Speaker 3: inclusive as black people, because black people understand what it's

588
00:31:37,480 --> 00:31:39,200
Speaker 3: like to be left out. So we don't want people

589
00:31:39,280 --> 00:31:40,960
Speaker 3: left out of a good time, you know what I'm saying.

590
00:31:41,120 --> 00:31:42,480
Speaker 3: And we know that you don't need a bunch of

591
00:31:42,520 --> 00:31:44,160
Speaker 3: money to have a good time, So we try to

592
00:31:44,200 --> 00:31:49,000
Speaker 3: make entertainment as authentic and realistic and approachable as possible

593
00:31:49,040 --> 00:31:49,360
Speaker 3: for people.

594
00:31:49,400 --> 00:31:50,640
Speaker 2: And I think we've been able to do that with

595
00:31:50,720 --> 00:31:51,160
Speaker 2: the Rodeo.

596
00:31:51,600 --> 00:31:53,680
Speaker 3: Hey buy You know, we've been makingself out of nothing

597
00:31:53,720 --> 00:31:55,760
Speaker 3: with nobody for the longust time. Hey, we don't need

598
00:31:55,880 --> 00:31:58,040
Speaker 3: no money, So when I get five dollars, it's a

599
00:31:58,120 --> 00:32:01,080
Speaker 3: part of part for sure. Hey we had on the

600
00:32:01,120 --> 00:32:04,800
Speaker 3: more Hood party one dollars. Hey we got the block lid.

601
00:32:05,320 --> 00:32:07,520
Speaker 3: You know what I'm saying by let me ask you this,

602
00:32:07,680 --> 00:32:09,720
Speaker 3: but when you when you were growing up, did you

603
00:32:09,760 --> 00:32:11,840
Speaker 3: go to the Rodeo when you were growing up? Yeah,

604
00:32:11,880 --> 00:32:13,920
Speaker 3: that was my first concert ever. That's a big there's

605
00:32:13,920 --> 00:32:16,480
Speaker 3: a big inside joke about it. The first concert I

606
00:32:16,520 --> 00:32:19,960
Speaker 3: ever went to was Conway Twitter and Loretta Lynn when

607
00:32:20,000 --> 00:32:24,000
Speaker 3: I was eight years old. The funny the coy body's

608
00:32:24,040 --> 00:32:26,680
Speaker 3: doing the lorrela lyd. Yeah, my mom had gotten a

609
00:32:26,760 --> 00:32:30,640
Speaker 3: car wreck and a man had hit her, and she

610
00:32:30,840 --> 00:32:33,520
Speaker 3: was very nervous because this was in the seventies, you

611
00:32:33,520 --> 00:32:35,760
Speaker 3: know what I'm saying. The black woman by herself in

612
00:32:35,840 --> 00:32:37,880
Speaker 3: an accident with a white man. She just knew for

613
00:32:38,000 --> 00:32:41,200
Speaker 3: exact that she would be at fault. But the police came.

614
00:32:41,280 --> 00:32:43,720
Speaker 3: He told the police it was my fault. She did nothing.

615
00:32:43,800 --> 00:32:45,800
Speaker 3: He took care of everything, and then he asked her,

616
00:32:45,840 --> 00:32:47,680
Speaker 3: would you like some tickets to go to the rodeo

617
00:32:47,760 --> 00:32:48,960
Speaker 3: when the rodeo come, and.

618
00:32:49,040 --> 00:32:49,720
Speaker 2: She said sure.

619
00:32:49,840 --> 00:32:51,719
Speaker 3: She gave him my information the address, and she never

620
00:32:51,760 --> 00:32:53,640
Speaker 3: thought nothing of it, and a couple of weeks later

621
00:32:53,720 --> 00:32:57,120
Speaker 3: the ticket showed up and so they took the family

622
00:32:57,160 --> 00:32:59,320
Speaker 3: into the rodeo and that was my first concert, my

623
00:32:59,400 --> 00:33:02,080
Speaker 3: first time for being in the astronout, you know what

624
00:33:02,120 --> 00:33:04,680
Speaker 3: I'm saying. And it left a lasting memory on me,

625
00:33:04,840 --> 00:33:07,800
Speaker 3: like like one of my first musical memories is the

626
00:33:07,880 --> 00:33:11,600
Speaker 3: Houston Livestock Showing Rodeo concert and just you know, over

627
00:33:11,680 --> 00:33:14,000
Speaker 3: the years going every different time. My wife shares these

628
00:33:14,080 --> 00:33:16,120
Speaker 3: kind of memories. My wife saw Michael Jackson for the

629
00:33:16,200 --> 00:33:17,520
Speaker 3: first time at the rodeo.

630
00:33:17,600 --> 00:33:18,160
Speaker 2: You know, a lot of.

631
00:33:18,160 --> 00:33:21,760
Speaker 3: People have you know, you can basically, you know, have

632
00:33:21,880 --> 00:33:25,000
Speaker 3: a timeline of your life based on different experiences at

633
00:33:25,080 --> 00:33:27,280
Speaker 3: the rodeo, the first time you went as a youngster,

634
00:33:27,560 --> 00:33:29,840
Speaker 3: the first time your parents dropped you off, because it's

635
00:33:29,880 --> 00:33:32,760
Speaker 3: literally the safest environment you can be in at the rodeo.

636
00:33:32,960 --> 00:33:35,120
Speaker 3: So there was a time when you get fifteen and sixteen,

637
00:33:35,360 --> 00:33:37,600
Speaker 3: your mama would drop you off at the rodeo during

638
00:33:37,640 --> 00:33:39,800
Speaker 3: spring break and you and your friends can hang out

639
00:33:39,840 --> 00:33:41,560
Speaker 3: all night and then get picked up later because it

640
00:33:41,640 --> 00:33:43,400
Speaker 3: was a safe thing, you know what I'm saying. So

641
00:33:43,480 --> 00:33:46,840
Speaker 3: it's been a part of many people's lives over the years,

642
00:33:46,920 --> 00:33:50,840
Speaker 3: and now people actually have a real time experience at

643
00:33:50,880 --> 00:33:53,200
Speaker 3: the Rodeo and not just w when I perform. We

644
00:33:53,360 --> 00:33:56,760
Speaker 3: have like a nine thousand square foot installation called Trill

645
00:33:56,840 --> 00:33:59,840
Speaker 3: Town where we do the burgers, we do our trill tenders.

646
00:34:00,120 --> 00:34:04,160
Speaker 3: We have merged trail lemonade. We have a bar, you know,

647
00:34:04,320 --> 00:34:06,880
Speaker 3: basketball goal for people who play little games, win hats,

648
00:34:06,920 --> 00:34:11,520
Speaker 3: win merchandise. So we've made it something that everybody that

649
00:34:11,640 --> 00:34:14,759
Speaker 3: celebrates Houston culture can come in and feel comfortable. I

650
00:34:14,880 --> 00:34:17,959
Speaker 3: know that there are people from other races that feel

651
00:34:18,080 --> 00:34:21,400
Speaker 3: funny trying to celebrate other cultures and mixed company because

652
00:34:21,440 --> 00:34:23,319
Speaker 3: they're not allowed to be as free as they would

653
00:34:23,400 --> 00:34:25,080
Speaker 3: like to be amongst some of their own people.

654
00:34:25,360 --> 00:34:27,439
Speaker 2: We provide a night where everybody can come.

655
00:34:27,400 --> 00:34:29,120
Speaker 3: And be who they want to be, and nobody's gonna

656
00:34:29,120 --> 00:34:31,239
Speaker 3: look at you sideways, because in order to enjoy it,

657
00:34:31,280 --> 00:34:33,439
Speaker 3: you gotta leave your prejudice at the dope. You don't

658
00:34:33,480 --> 00:34:35,360
Speaker 3: like white folks, you can't compass white folks gonna be

659
00:34:35,360 --> 00:34:37,359
Speaker 3: there having a good time. You don't like black folks,

660
00:34:37,360 --> 00:34:39,520
Speaker 3: you can't compass black folks gonna be have a good time,

661
00:34:39,760 --> 00:34:41,840
Speaker 3: Straight folks gave folks from Mexican's Asians.

662
00:34:41,880 --> 00:34:44,000
Speaker 2: Everybody comes out and they all have a good time.

663
00:34:44,080 --> 00:34:45,960
Speaker 3: So the only way you can enjoy is leave your bulls,

664
00:34:46,160 --> 00:34:49,720
Speaker 3: your bull stuff at the dope, and hopefully we believe

665
00:34:49,760 --> 00:34:51,719
Speaker 3: that if people have a good enough time with other

666
00:34:51,800 --> 00:34:54,000
Speaker 3: people of other cultes and make friends and learn things,

667
00:34:54,320 --> 00:34:54,759
Speaker 3: maybe they.

668
00:34:54,640 --> 00:34:56,400
Speaker 2: Won't pick it up when they leave and they can

669
00:34:56,480 --> 00:34:58,839
Speaker 2: leave their prejudices outside. For us. That's live man, listen.

670
00:34:59,120 --> 00:34:59,839
Speaker 2: But when you're talking.

671
00:35:00,040 --> 00:35:03,080
Speaker 1: When you're talking, I can hear a passion enthusiasm in

672
00:35:03,200 --> 00:35:04,960
Speaker 1: your voice the way you're explaining everything.

673
00:35:05,280 --> 00:35:08,000
Speaker 2: Listen, it's a new light. Yah, yuck, it's a new

674
00:35:08,080 --> 00:35:11,200
Speaker 2: light on me. Listen. You've always been vocal about social issues.

675
00:35:11,239 --> 00:35:15,400
Speaker 1: You know, you've engaged in various, various community initiatives in Houston.

676
00:35:15,920 --> 00:35:17,960
Speaker 2: Man, what drives you still?

677
00:35:18,360 --> 00:35:18,520
Speaker 3: You know?

678
00:35:18,719 --> 00:35:23,120
Speaker 1: And your commitment to always give back to the community.

679
00:35:23,360 --> 00:35:26,280
Speaker 1: And do you have any upcoming projects that you're excited

680
00:35:26,280 --> 00:35:27,279
Speaker 1: about that you can tell us.

681
00:35:29,719 --> 00:35:34,640
Speaker 3: We in Houston as entertainers, athletes, what have you. We

682
00:35:34,760 --> 00:35:37,560
Speaker 3: have a different relationship with the public as other places do.

683
00:35:38,640 --> 00:35:41,920
Speaker 3: I believe that there are lines that are drawing, cultural lines,

684
00:35:42,680 --> 00:35:45,319
Speaker 3: neighborhood lines, other things that come into play, and other

685
00:35:45,440 --> 00:35:48,759
Speaker 3: major cities in America where people can't really bond in

686
00:35:48,840 --> 00:35:53,120
Speaker 3: the way that we bond right Like La has cultural lines,

687
00:35:53,160 --> 00:35:55,880
Speaker 3: it has neighborhood lines that some people can't cross, so

688
00:35:56,040 --> 00:35:58,920
Speaker 3: that city can very very seldom come together and unite.

689
00:35:59,239 --> 00:36:01,279
Speaker 2: Same thing with with New York. Some people might be

690
00:36:01,320 --> 00:36:02,759
Speaker 2: from Queens or Brooklyn or whatever.

691
00:36:03,120 --> 00:36:06,440
Speaker 3: In Houston, we had division maybe twenty five thirty years

692
00:36:06,480 --> 00:36:08,120
Speaker 3: ago between the North Side and the South Side.

693
00:36:08,160 --> 00:36:09,240
Speaker 2: That doesn't exist anymore.

694
00:36:09,400 --> 00:36:12,279
Speaker 3: Everybody sees themselves as Ustonias, no matter who you are

695
00:36:12,480 --> 00:36:14,759
Speaker 3: and where you come from in the city. So we've

696
00:36:14,800 --> 00:36:17,680
Speaker 3: been able to build a connection with people that's different.

697
00:36:17,760 --> 00:36:19,799
Speaker 3: People see us in the grocery store, people see us

698
00:36:19,840 --> 00:36:22,040
Speaker 3: in the mall, people see us in restaurants and car

699
00:36:22,280 --> 00:36:24,839
Speaker 3: washers in the gym. We're very visible and we're very

700
00:36:24,920 --> 00:36:29,600
Speaker 3: approachable and very personable. So people feel like when they

701
00:36:29,680 --> 00:36:31,799
Speaker 3: buy our music, they're not just investing in music, they're

702
00:36:31,840 --> 00:36:35,000
Speaker 3: investing in people. They're investing in neighborhoods, and they look

703
00:36:35,080 --> 00:36:38,120
Speaker 3: at us as cultural exports, like you know what I'm saying,

704
00:36:38,160 --> 00:36:39,879
Speaker 3: Like when you come to Houston, we don't brag about

705
00:36:39,880 --> 00:36:42,239
Speaker 3: who the best big ee jay z are nows. We

706
00:36:42,320 --> 00:36:45,480
Speaker 3: brag about who the best slim thug, Kiki mumbeet. You

707
00:36:45,520 --> 00:36:47,400
Speaker 3: know what I'm saying, scarface. Those are the kind of

708
00:36:47,440 --> 00:36:50,000
Speaker 3: like we have a lot of pride. You know, Texas

709
00:36:50,040 --> 00:36:52,279
Speaker 3: has always been a self sustained entity. It was its

710
00:36:52,320 --> 00:37:00,239
Speaker 3: own country, and so we felt fully embraced then till

711
00:37:00,400 --> 00:37:02,680
Speaker 3: very recently, everything we wanted we had to make it

712
00:37:02,760 --> 00:37:04,560
Speaker 3: on our own. Entertainment wise, if you wanted to be

713
00:37:04,840 --> 00:37:07,320
Speaker 3: a recording artist, you know, a New York label or

714
00:37:07,400 --> 00:37:09,640
Speaker 3: LA label was probably not gonna sign, So you had

715
00:37:09,680 --> 00:37:12,000
Speaker 3: to go out. You had to make relationships with wholesalers

716
00:37:12,040 --> 00:37:14,919
Speaker 3: and distributors and record stores and radio stations and club

717
00:37:14,920 --> 00:37:16,399
Speaker 3: bonis and all of that and make your way.

718
00:37:16,600 --> 00:37:17,560
Speaker 2: And we all had to do it.

719
00:37:17,640 --> 00:37:20,320
Speaker 3: So there's a common respect that we all have for

720
00:37:20,440 --> 00:37:22,080
Speaker 3: each other because we all kind of had to progress

721
00:37:22,440 --> 00:37:24,279
Speaker 3: that particular path in order to make it.

722
00:37:24,560 --> 00:37:27,759
Speaker 2: But it's the people. It's not just the artists. It's

723
00:37:27,800 --> 00:37:30,800
Speaker 2: the people of Houston who don't look at us in

724
00:37:30,920 --> 00:37:31,200
Speaker 2: that way.

725
00:37:31,280 --> 00:37:33,400
Speaker 3: Yeah, there may be somebody that's never seen me before

726
00:37:33,680 --> 00:37:35,400
Speaker 3: and might be excited to get a picture, But if

727
00:37:35,440 --> 00:37:39,400
Speaker 3: you rolled with me through Houston for twelve fourteen hours,

728
00:37:39,560 --> 00:37:42,080
Speaker 3: you hear a lot of what's up, Oga, what's up,

729
00:37:42,160 --> 00:37:44,680
Speaker 3: b what's up. It's not a lot of oh my god,

730
00:37:44,800 --> 00:37:47,960
Speaker 3: oh Wowuse. We don't put those walls with people, and

731
00:37:48,040 --> 00:37:50,600
Speaker 3: that's why the relationship with us is a lot different,

732
00:37:50,719 --> 00:37:53,360
Speaker 3: you know what I'm saying. As far as projects, we

733
00:37:53,520 --> 00:37:57,279
Speaker 3: are opening the second store probably within the next seven days,

734
00:37:57,320 --> 00:37:59,960
Speaker 3: seven to ten days. The second location of the Treilberger

735
00:38:00,120 --> 00:38:03,040
Speaker 3: be open in Spring, Texas. We'll have two more locations

736
00:38:03,800 --> 00:38:05,440
Speaker 3: but by the end of the year. And I'm currently

737
00:38:05,560 --> 00:38:09,840
Speaker 3: in Dallas right now with the wife mainly let you

738
00:38:09,920 --> 00:38:12,480
Speaker 3: know some myer anniversary. My birthday is four days and points,

739
00:38:12,520 --> 00:38:15,360
Speaker 3: so I would never forget my anniversary, you.

740
00:38:15,400 --> 00:38:17,200
Speaker 2: Know what I'm saying. So that's what's up.

741
00:38:17,880 --> 00:38:20,239
Speaker 3: So we spent the daytime, well on the anniversary, letting

742
00:38:20,320 --> 00:38:23,400
Speaker 3: us shop. We spent nighttime with me going to my

743
00:38:23,480 --> 00:38:26,280
Speaker 3: favorite restaurant. There's a Carbone here. It's the closest Karlone

744
00:38:26,640 --> 00:38:28,760
Speaker 3: I can get to in Houston. That's my favorite restaurant.

745
00:38:28,960 --> 00:38:31,120
Speaker 3: So we drove up here. We did a little shopping,

746
00:38:31,560 --> 00:38:33,919
Speaker 3: we did some did some dinner with a good friend

747
00:38:34,000 --> 00:38:36,040
Speaker 3: of mine, and uh, you know, probably look at some

748
00:38:36,160 --> 00:38:39,200
Speaker 3: locations tomorrow right around Presno and playing over at a

749
00:38:39,239 --> 00:38:41,800
Speaker 3: couple of different spots, you know, and looking for a location.

750
00:38:41,880 --> 00:38:44,279
Speaker 2: But we hope to be in Dallas and Austin by

751
00:38:44,320 --> 00:38:45,480
Speaker 2: the by summer next year.

752
00:38:45,480 --> 00:38:48,000
Speaker 3: If LUs, hey, hey boy, Chad us out what you

753
00:38:48,040 --> 00:38:53,680
Speaker 3: think about nightcap at the rodeo. I think there's room

754
00:38:53,960 --> 00:38:58,600
Speaker 3: to possibly do it at my activation like that, because

755
00:38:58,800 --> 00:39:00,880
Speaker 3: I'm to understand, I don't think people understand what the

756
00:39:00,960 --> 00:39:07,160
Speaker 3: Rodeo is. The Rodeo is a twenty one day event. Yeah,

757
00:39:07,280 --> 00:39:11,400
Speaker 3: I'm only one night of twenty one nights of concerts

758
00:39:11,480 --> 00:39:16,000
Speaker 3: that that take place in the NRG Stadium, the Football stay. Yeah,

759
00:39:16,080 --> 00:39:19,040
Speaker 3: average about sixty five sixty six thousand people at night.

760
00:39:19,239 --> 00:39:19,959
Speaker 2: Easy. Wow.

761
00:39:20,800 --> 00:39:23,680
Speaker 3: So it's arguably the biggest music festival in the world

762
00:39:23,719 --> 00:39:26,120
Speaker 3: that isn't promoted as a music festival. Could we talking

763
00:39:26,120 --> 00:39:29,440
Speaker 3: about twenty one concerts day after day after day after day?

764
00:39:30,239 --> 00:39:33,520
Speaker 3: You know what I'm saying. It's a huge undertaking. Now

765
00:39:33,600 --> 00:39:36,080
Speaker 3: that being said, my space, my wife thought of the

766
00:39:36,160 --> 00:39:39,480
Speaker 3: idea of bringing in the DJ and DJ booth and

767
00:39:39,560 --> 00:39:42,040
Speaker 3: some space up there there, so there is a stage.

768
00:39:42,120 --> 00:39:45,440
Speaker 3: Now next year we can make it a little bit bigger. Okay,

769
00:39:45,960 --> 00:39:51,920
Speaker 3: hey bigger that way we can up there, Yes, absolutely,

770
00:39:52,160 --> 00:39:54,560
Speaker 3: may What do you think about nightcap that trial time?

771
00:39:54,920 --> 00:40:00,799
Speaker 2: Two thumbs up. That's what's wiped out bringing it. Oh

772
00:40:00,880 --> 00:40:04,080
Speaker 2: we're gonnay, were gonna pay he Hey, oh gee, you

773
00:40:04,120 --> 00:40:06,840
Speaker 2: know we're gonna circle back on this night. Were real taught? Now? No,

774
00:40:07,480 --> 00:40:09,320
Speaker 2: I'm open to it because I want to make it

775
00:40:10,080 --> 00:40:11,399
Speaker 2: a bigger weekend for people.

776
00:40:11,480 --> 00:40:13,560
Speaker 3: We realize now that and you know, you look at

777
00:40:13,600 --> 00:40:16,000
Speaker 3: the music, Boots on the ground and all this other

778
00:40:16,120 --> 00:40:19,640
Speaker 3: soul that's blowing up right now, that that black cowboy

779
00:40:19,760 --> 00:40:24,200
Speaker 3: country Western lifestyle, yes always existed, is now in the forefront.

780
00:40:24,800 --> 00:40:27,359
Speaker 2: And my weekend at the rodeo is becoming a big

781
00:40:27,440 --> 00:40:29,279
Speaker 2: proponent of that. You know what I'm saying.

782
00:40:29,320 --> 00:40:31,920
Speaker 3: It gives a place that's big enough for everybody, because

783
00:40:31,920 --> 00:40:34,719
Speaker 3: a lot of black rodeos, unfortunately, are still smaller. They're

784
00:40:34,719 --> 00:40:37,239
Speaker 3: still growing. They got a lot of momentum energy, but

785
00:40:37,320 --> 00:40:40,600
Speaker 3: they still they're still growing. They're still smaller. My rodeo

786
00:40:40,760 --> 00:40:43,279
Speaker 3: is the largest rodeo in the world, you know what

787
00:40:43,320 --> 00:40:46,080
Speaker 3: I'm saying, So do you wouldn't have a larger audience

788
00:40:46,120 --> 00:40:48,680
Speaker 3: that cater to with that type of movement in motion.

789
00:40:48,840 --> 00:40:51,120
Speaker 3: My wife brought in DJ paying me from South Carolina.

790
00:40:51,160 --> 00:40:53,759
Speaker 3: He's the biggest line dance and Southern soul DJ in

791
00:40:53,840 --> 00:40:56,359
Speaker 3: the country, and we had people. Our space couldn't even

792
00:40:56,440 --> 00:40:59,320
Speaker 3: hold how many people wanted to dance. They were dancing

793
00:40:59,400 --> 00:41:01,400
Speaker 3: in the street. You know what I'm saying. It's just

794
00:41:01,480 --> 00:41:03,760
Speaker 3: such a great way for people to come together and commune.

795
00:41:03,880 --> 00:41:05,799
Speaker 3: That's what music has always been for people of color.

796
00:41:05,800 --> 00:41:07,759
Speaker 3: It's always been a reason for us to get together

797
00:41:07,800 --> 00:41:11,600
Speaker 3: and commute that Domino's playing called barbecue crawfish. Those are

798
00:41:11,680 --> 00:41:15,040
Speaker 3: all excuses for us as a culture to come together

799
00:41:15,040 --> 00:41:17,880
Speaker 3: and spend time together. We don't even like each other.

800
00:41:17,960 --> 00:41:20,000
Speaker 3: But if so and so who doing the barbecue trade

801
00:41:20,040 --> 00:41:20,640
Speaker 3: doing the barbeque?

802
00:41:20,640 --> 00:41:20,880
Speaker 2: All right?

803
00:41:20,920 --> 00:41:25,399
Speaker 3: I come who cooking potato salad? Us to doing potato sad?

804
00:41:25,440 --> 00:41:27,560
Speaker 3: All right, I'll show up. Yet, it's an excuse for

805
00:41:27,640 --> 00:41:30,200
Speaker 3: us to get together. I like and so I'm I'm

806
00:41:30,560 --> 00:41:34,040
Speaker 3: I'm looking at that. We built something that now gives

807
00:41:34,200 --> 00:41:36,520
Speaker 3: people an entry point. If you don't know about it,

808
00:41:36,640 --> 00:41:38,960
Speaker 3: you haven't had any experience. This is a very easy

809
00:41:39,120 --> 00:41:41,920
Speaker 3: entry point into this cultural representation. But for those of

810
00:41:41,960 --> 00:41:46,040
Speaker 3: them that know, oh, it's it's the bat sitting, it's

811
00:41:46,080 --> 00:41:46,600
Speaker 3: the bat set.

812
00:41:47,640 --> 00:41:49,799
Speaker 1: When you when you talk about this, man, I'm thinking

813
00:41:49,800 --> 00:41:52,799
Speaker 1: about your plate. Well, your plate is full, man, Your

814
00:41:52,840 --> 00:41:53,480
Speaker 1: plate is full.

815
00:41:53,640 --> 00:41:53,799
Speaker 3: Man.

816
00:41:53,880 --> 00:41:56,640
Speaker 1: At this is your role as a musician or entrepreneur,

817
00:41:57,000 --> 00:41:58,080
Speaker 1: you're a community leader.

818
00:41:58,680 --> 00:41:58,839
Speaker 3: Man.

819
00:41:58,920 --> 00:42:01,560
Speaker 2: How to hear you balance all these different facets of

820
00:42:01,640 --> 00:42:04,400
Speaker 2: your career? And what then? What keep you motivated?

821
00:42:04,480 --> 00:42:04,719
Speaker 3: Baby?

822
00:42:04,960 --> 00:42:07,440
Speaker 2: Because just listen to it. This is a lot. It

823
00:42:08,880 --> 00:42:09,320
Speaker 2: is it is.

824
00:42:09,440 --> 00:42:13,800
Speaker 3: But I think everybody on this knows that God doesn't

825
00:42:13,800 --> 00:42:15,200
Speaker 3: give you more than you can handle. You just got

826
00:42:15,239 --> 00:42:18,040
Speaker 3: to figure out how to handle it right. I have

827
00:42:18,160 --> 00:42:21,919
Speaker 3: an amazing support system. I have a beautiful, strong black

828
00:42:21,960 --> 00:42:24,440
Speaker 3: woman as a wife in my corner. And the reason

829
00:42:24,480 --> 00:42:27,200
Speaker 3: I've gotten this far it is not because I know

830
00:42:27,320 --> 00:42:29,719
Speaker 3: it all. I could do it all. My wife refuses

831
00:42:30,040 --> 00:42:32,520
Speaker 3: to settle for a lesser version of me. So when

832
00:42:32,560 --> 00:42:34,480
Speaker 3: you know I'm not going all the way in and

833
00:42:34,560 --> 00:42:37,880
Speaker 3: not giving one hundred percent, she'll hold me account. I like, like,

834
00:42:38,000 --> 00:42:39,560
Speaker 3: you know you could do better than that. You know

835
00:42:39,600 --> 00:42:41,840
Speaker 3: you're supposed to be doing more than that. There be

836
00:42:41,840 --> 00:42:43,239
Speaker 3: a lot of times I want to phone it in.

837
00:42:43,400 --> 00:42:45,040
Speaker 3: I'll be like, man, I just want to stay home. Now,

838
00:42:45,040 --> 00:42:46,879
Speaker 3: Why would you do that? Knowing you told them people

839
00:42:46,880 --> 00:42:50,120
Speaker 3: you was gonna come. You know, my wife, I can't.

840
00:42:50,200 --> 00:42:50,800
Speaker 3: I can't do it.

841
00:42:50,880 --> 00:42:51,560
Speaker 2: My wife knows.

842
00:42:51,840 --> 00:42:55,360
Speaker 3: My wife believes it, has always believed in my greatness.

843
00:42:55,760 --> 00:42:58,000
Speaker 3: And when I don't live up to it, because she

844
00:42:58,120 --> 00:43:01,680
Speaker 3: talks about it, she holds me account. So I go

845
00:43:01,840 --> 00:43:03,320
Speaker 3: out and do the rodeo and all that, and the

846
00:43:03,320 --> 00:43:05,040
Speaker 3: next day I gotta come home and put the trash out.

847
00:43:05,680 --> 00:43:07,720
Speaker 3: You know, I got to pick up stuff in the garage.

848
00:43:07,760 --> 00:43:09,200
Speaker 3: I got to make sure I don't need a kitchen

849
00:43:09,280 --> 00:43:12,560
Speaker 3: light on all those things. We have moments where we

850
00:43:12,640 --> 00:43:14,520
Speaker 3: are very blessed that we get to see the world

851
00:43:14,560 --> 00:43:16,279
Speaker 3: and travel the world and do all of that. But

852
00:43:16,400 --> 00:43:18,960
Speaker 3: every other day, man, we are family trying to exist,

853
00:43:19,239 --> 00:43:21,960
Speaker 3: making sure our children, our grandchildren are okay, that we

854
00:43:22,080 --> 00:43:24,520
Speaker 3: got a good home that's comfortable for us to live in.

855
00:43:24,719 --> 00:43:26,239
Speaker 2: You know, all I got to do is give her

856
00:43:26,239 --> 00:43:28,759
Speaker 2: a house. Is she gonna make her home? She was

857
00:43:29,120 --> 00:43:30,799
Speaker 2: what he just said, Oh you see what I'm talking about.

858
00:43:31,320 --> 00:43:34,799
Speaker 2: Ye what I've been telling you that. But I'm trying

859
00:43:34,800 --> 00:43:36,480
Speaker 2: to get him to settle down. But I'm trying. I'm

860
00:43:36,480 --> 00:43:37,719
Speaker 2: trying to get him to find my wife.

861
00:43:37,840 --> 00:43:40,439
Speaker 1: Because listen, the way you're talking, the way you explaining things,

862
00:43:40,719 --> 00:43:42,799
Speaker 1: it shouldn't be hard after hear what you just said.

863
00:43:44,200 --> 00:43:45,759
Speaker 3: But she got to keep up with him though. That's

864
00:43:45,800 --> 00:43:48,440
Speaker 3: the thing. You gotta keep up with him. He got

865
00:43:48,520 --> 00:43:50,239
Speaker 3: to find a woman that's so busy he could jail.

866
00:43:50,360 --> 00:43:50,480
Speaker 4: Hey.

867
00:43:50,520 --> 00:43:54,920
Speaker 2: Listen, we found from one hey buy, we found one farm.

868
00:43:55,320 --> 00:43:59,759
Speaker 2: He interviewed it not too long ago. Waituse, she ain't

869
00:43:59,760 --> 00:44:01,920
Speaker 2: got wait wait till she ain't got no time for him.

870
00:44:01,920 --> 00:44:04,319
Speaker 3: Were gonna find out where he's saying that he's gonna

871
00:44:04,320 --> 00:44:07,920
Speaker 3: try to spend that money, sitting that plane, playing that vacation,

872
00:44:08,200 --> 00:44:10,359
Speaker 3: anything he can and spend time with that woman. When

873
00:44:10,400 --> 00:44:12,759
Speaker 3: he started, Oh Joe, when he started disregarding things he

874
00:44:12,800 --> 00:44:15,839
Speaker 3: don't normally just start and and them, but sisters.

875
00:44:15,520 --> 00:44:17,480
Speaker 2: Started having to do things that he normally going to do,

876
00:44:18,400 --> 00:44:21,719
Speaker 2: he got on. He got something on mind. I got

877
00:44:21,719 --> 00:44:23,520
Speaker 2: I got one more question, I got one more question.

878
00:44:23,600 --> 00:44:25,000
Speaker 1: This is going I'm sure a lot of people in

879
00:44:25,040 --> 00:44:27,759
Speaker 1: the chat would love to hit his answer because I

880
00:44:28,080 --> 00:44:31,080
Speaker 1: definitely want to hear it. Who are your top five

881
00:44:31,640 --> 00:44:36,200
Speaker 1: Houston rappers? Your top value Manut Rushmore. Now I'm just

882
00:44:36,280 --> 00:44:39,000
Speaker 1: adding the fifth. I'm gonna make it five.

883
00:44:39,040 --> 00:44:39,719
Speaker 2: Instead of folk.

884
00:44:40,200 --> 00:44:44,640
Speaker 3: Okay, uh, We're gonna start with Krino. Carino as the

885
00:44:44,680 --> 00:44:47,839
Speaker 3: OG of Houston rappers. He's the He's he's the he's

886
00:44:47,880 --> 00:44:51,520
Speaker 3: the height, He's the epity me of what Houston Raps

887
00:44:51,600 --> 00:44:54,480
Speaker 3: Foundation should have been getting taught. So we had the

888
00:44:54,600 --> 00:44:57,520
Speaker 3: right ojeez to start it off for us obvious least

889
00:44:57,560 --> 00:44:59,680
Speaker 3: Garface one of the not just one of the best

890
00:45:00,160 --> 00:45:02,799
Speaker 3: writers in rappers in Houston, but just I mean.

891
00:45:03,280 --> 00:45:06,759
Speaker 2: Arguably the best teller that hip hop has ever had ever.

892
00:45:07,600 --> 00:45:11,120
Speaker 3: Very few people, I think only Tupac can really invade

893
00:45:11,760 --> 00:45:14,840
Speaker 3: it convey emotion through words on a rap song and

894
00:45:14,880 --> 00:45:17,439
Speaker 3: the way that Scarface does. When Scarface talks about death,

895
00:45:17,880 --> 00:45:20,960
Speaker 3: you feel that loss. When he talks about friends. You know,

896
00:45:21,440 --> 00:45:26,000
Speaker 3: he phrases, it's all called suicide, and I'm talking about

897
00:45:26,200 --> 00:45:30,240
Speaker 3: I had never heard a song about somebody delving into

898
00:45:30,400 --> 00:45:33,640
Speaker 3: the psychea of somebody that they thought was okay but

899
00:45:33,880 --> 00:45:37,439
Speaker 3: wasn't okay, and then you start to question making sure

900
00:45:37,520 --> 00:45:41,280
Speaker 3: you're okay like this. So the depth of callfaces of writing, talents,

901
00:45:41,320 --> 00:45:45,640
Speaker 3: and mentality man have been criminally underrated in the world

902
00:45:45,680 --> 00:45:46,200
Speaker 3: of hip hop.

903
00:45:47,239 --> 00:45:50,520
Speaker 2: I think number three, you Gotta Go Willie DH. Wily

904
00:45:50,560 --> 00:45:51,400
Speaker 2: D has been about.

905
00:45:52,040 --> 00:45:55,200
Speaker 3: Willi D is the prototype, Like WILLI D is the

906
00:45:55,280 --> 00:45:57,400
Speaker 3: type of person that when you think of a Houston

907
00:45:57,480 --> 00:45:59,880
Speaker 3: rapper meeting one in a dark alley, WILLI D is

908
00:46:00,480 --> 00:46:05,200
Speaker 3: you project liny. You know that's somebody that you know

909
00:46:05,480 --> 00:46:09,760
Speaker 3: has stood on all ten toes constantly, consistently and still

910
00:46:09,920 --> 00:46:13,040
Speaker 3: does the fun thing about watching Willie D one he

911
00:46:13,160 --> 00:46:15,359
Speaker 3: loved the culture just as much as he always had

912
00:46:15,719 --> 00:46:17,799
Speaker 3: and two he about that just as much as he's

913
00:46:17,840 --> 00:46:20,520
Speaker 3: always been. There's certain things that you can you can

914
00:46:20,640 --> 00:46:22,800
Speaker 3: count on, and WILLI D being about that life is

915
00:46:22,880 --> 00:46:25,800
Speaker 3: absolutely one of them. He still leads by example, and

916
00:46:25,880 --> 00:46:28,200
Speaker 3: he still makes us proud to be from Houston and

917
00:46:28,360 --> 00:46:30,279
Speaker 3: knowing that, you know, whatever you say in this world,

918
00:46:30,320 --> 00:46:32,320
Speaker 3: you better stand on him, because with some people it

919
00:46:32,400 --> 00:46:34,880
Speaker 3: might be a fight with it, right, you know what

920
00:46:34,880 --> 00:46:40,239
Speaker 3: I'm saying. Number four, Number four, I might have to

921
00:46:40,320 --> 00:46:42,080
Speaker 3: go out on the limb here, man, I may have

922
00:46:42,160 --> 00:46:45,200
Speaker 3: to go out on the limb with this one. I

923
00:46:45,239 --> 00:46:50,719
Speaker 3: don't know how everybody's gonna feel about this, but I

924
00:46:50,840 --> 00:46:54,240
Speaker 3: think Gainst Ennip and maybe one of the best rappers

925
00:46:54,320 --> 00:46:57,040
Speaker 3: from Houston. And I'll tell you why. The only reason

926
00:46:57,120 --> 00:46:59,840
Speaker 3: that people really didn't get into Gainst Nip is because

927
00:46:59,840 --> 00:47:00,719
Speaker 3: of subject matter.

928
00:47:00,800 --> 00:47:02,640
Speaker 2: He did a lot of horror c you know, he

929
00:47:02,719 --> 00:47:03,920
Speaker 2: wrote stuff for Bushwick and.

930
00:47:03,920 --> 00:47:06,680
Speaker 3: A lot of stuff was a lot of his music

931
00:47:06,840 --> 00:47:10,520
Speaker 3: existed in this in this world of horror and gore

932
00:47:10,640 --> 00:47:11,800
Speaker 3: and all of that type of stuff.

933
00:47:11,800 --> 00:47:14,960
Speaker 2: Friday the thirteen, Jason, all of that type of stuff.

934
00:47:14,719 --> 00:47:18,720
Speaker 3: That but his flow in the in the mid nineties,

935
00:47:18,800 --> 00:47:20,560
Speaker 3: in the early nineties and I mean, it's some of

936
00:47:20,600 --> 00:47:23,960
Speaker 3: the best rapping I've ever seen and done in my life.

937
00:47:24,440 --> 00:47:27,120
Speaker 3: At number five, I'm not gonna put Pimp here because

938
00:47:27,120 --> 00:47:29,840
Speaker 3: I feel like Pimp superseds a lot of things in

939
00:47:29,960 --> 00:47:35,520
Speaker 3: this argument, I'm gonna go with Killer Collie on. I

940
00:47:35,560 --> 00:47:38,680
Speaker 3: don't think anybody wants to be the best rapping in

941
00:47:38,760 --> 00:47:42,279
Speaker 3: Houston more than him. I don't think anybody takes the

942
00:47:42,520 --> 00:47:45,759
Speaker 3: art of lyricism as serious as he does. Now, we

943
00:47:45,840 --> 00:47:47,719
Speaker 3: got people that got a lot of motion. Max So

944
00:47:48,239 --> 00:47:54,439
Speaker 3: got motion, Meghan has got motion, Travis ot Walker, There's

945
00:47:54,440 --> 00:47:56,600
Speaker 3: a lot of people from Houston, young artists, up and

946
00:47:56,640 --> 00:47:59,800
Speaker 3: coming talent that got our that have motion and have

947
00:48:00,120 --> 00:48:03,680
Speaker 3: fan bases and and really making major moves. But when

948
00:48:03,680 --> 00:48:07,360
Speaker 3: we talk about just rap rapping, like rapping and like

949
00:48:07,440 --> 00:48:10,040
Speaker 3: looking in the motherfucker face and meaning what you say

950
00:48:10,080 --> 00:48:12,640
Speaker 3: when you wrap this stuff, I don't think anybody conveys

951
00:48:12,719 --> 00:48:15,359
Speaker 3: that more than Killer Khalil. I think Killer Kalie Old

952
00:48:15,400 --> 00:48:19,040
Speaker 3: could potentially be the best lyricist to ever come out

953
00:48:19,080 --> 00:48:21,680
Speaker 3: of the city of Houston. He just got to the

954
00:48:21,760 --> 00:48:24,279
Speaker 3: problem is he got too much respect for his predecessors,

955
00:48:24,600 --> 00:48:26,680
Speaker 3: And I feel like in some form of fashion as

956
00:48:26,719 --> 00:48:29,200
Speaker 3: a competitor. At some point you can respect the goat

957
00:48:29,200 --> 00:48:31,120
Speaker 3: and still want to beat the goat at the same time.

958
00:48:31,560 --> 00:48:32,000
Speaker 2: I like it.

959
00:48:32,400 --> 00:48:33,839
Speaker 3: You're gonna get you out of here on this one.

960
00:48:34,000 --> 00:48:36,239
Speaker 3: I'm just good at what they say. Man, they f

961
00:48:36,239 --> 00:48:38,120
Speaker 3: all that. Man, they're fun being all of them. I'm

962
00:48:38,160 --> 00:48:40,480
Speaker 3: ball for the time and that's what it gets. That's

963
00:48:40,480 --> 00:48:49,960
Speaker 3: when it would be the best, Bob. We're gonna get

964
00:48:49,960 --> 00:48:52,799
Speaker 3: you out of here on this one. Which Houston team

965
00:48:53,040 --> 00:48:56,920
Speaker 3: are you most excited about this year? Your Cougars, your Rockets,

966
00:48:57,280 --> 00:48:59,120
Speaker 3: your Texans or your Astros?

967
00:48:59,239 --> 00:49:01,839
Speaker 2: Now that's the great question. That is a great question.

968
00:49:02,239 --> 00:49:04,480
Speaker 3: It's always easy to be excited about the Coogas because

969
00:49:04,480 --> 00:49:06,400
Speaker 3: there at this point, that's a program that does this

970
00:49:07,280 --> 00:49:09,839
Speaker 3: for US basketball, That men's basketball team does this. At

971
00:49:09,880 --> 00:49:13,560
Speaker 3: this point, they've they've gone into the last four marches

972
00:49:13,600 --> 00:49:16,360
Speaker 3: being heavily favored. They've made it to the to the

973
00:49:16,480 --> 00:49:18,759
Speaker 3: eight at least two three times. I think I know

974
00:49:18,840 --> 00:49:20,600
Speaker 3: the last two years for sure. I think they got

975
00:49:20,680 --> 00:49:22,520
Speaker 3: a great chance of going all the way this season. So,

976
00:49:23,000 --> 00:49:25,239
Speaker 3: but that's at this point with that program, that's to

977
00:49:25,320 --> 00:49:29,719
Speaker 3: be expected. These Astros are going through transition, right we

978
00:49:30,200 --> 00:49:32,560
Speaker 3: lost break Man that was a hometown hero. We love

979
00:49:32,880 --> 00:49:36,680
Speaker 3: Alex Bragman. You know, as we lost career, we lost

980
00:49:36,719 --> 00:49:38,800
Speaker 3: a couple of other guys, but we're bringing in We

981
00:49:38,920 --> 00:49:41,200
Speaker 3: always bring in young talent. That's been a great thing

982
00:49:41,680 --> 00:49:44,520
Speaker 3: about this Astros organization that the Cranes have always brought

983
00:49:44,560 --> 00:49:47,239
Speaker 3: in and nurtured young talent. They draft well and they

984
00:49:47,320 --> 00:49:49,920
Speaker 3: build talented up. They don't look to just go out

985
00:49:49,960 --> 00:49:52,360
Speaker 3: and try to buy a player. They're about winning several

986
00:49:52,360 --> 00:49:54,480
Speaker 3: They're not about winning this year. They want to win

987
00:49:54,680 --> 00:49:57,120
Speaker 3: several years. They've tasted it, they know what it takes

988
00:49:57,200 --> 00:49:58,600
Speaker 3: to get there, and they believe they can do it.

989
00:49:58,680 --> 00:50:01,640
Speaker 3: But there's still in a little bit of rebuilding right now.

990
00:50:01,800 --> 00:50:03,880
Speaker 3: Lost a couple of pictures, got my colors back, so

991
00:50:04,120 --> 00:50:07,520
Speaker 3: we're gonna figure it out. Their perennial playoff team, right,

992
00:50:08,040 --> 00:50:10,840
Speaker 3: But it's gonna take more this year to get to

993
00:50:11,000 --> 00:50:12,880
Speaker 3: that final step than I think it has over the

994
00:50:12,960 --> 00:50:18,440
Speaker 3: last two or three seasons. The Rockets, I mean, my goodness,

995
00:50:18,520 --> 00:50:21,480
Speaker 3: look at this young team you talk about, you talk

996
00:50:21,520 --> 00:50:24,520
Speaker 3: about a talented, young team. Tillman has done a great

997
00:50:24,960 --> 00:50:27,400
Speaker 3: job of being like, you know what, we just got

998
00:50:27,520 --> 00:50:31,520
Speaker 3: to start over, like we're not one or two players away.

999
00:50:31,560 --> 00:50:33,759
Speaker 3: We're a team away. But I mean he put this

1000
00:50:33,920 --> 00:50:36,280
Speaker 3: he put this team on the shoulders a green. Jalen

1001
00:50:36,400 --> 00:50:38,439
Speaker 3: is an amazing talent. I think he's a great leader.

1002
00:50:38,920 --> 00:50:43,239
Speaker 3: I think Thompson is a problem. I think he's a

1003
00:50:43,400 --> 00:50:44,959
Speaker 3: beast on that team.

1004
00:50:46,520 --> 00:50:50,520
Speaker 2: I really do. I even got to him. It took

1005
00:50:50,560 --> 00:50:53,960
Speaker 2: away his name. It took a while. It took a

1006
00:50:54,000 --> 00:50:54,680
Speaker 2: while to figure out.

1007
00:50:54,560 --> 00:50:56,600
Speaker 3: How to say his name, but they we got the

1008
00:50:56,640 --> 00:50:59,919
Speaker 3: promise with that young boy and this yeah, I unders

1009
00:51:00,080 --> 00:51:03,040
Speaker 3: saying that he grew up in the game of fundamentals, right,

1010
00:51:03,640 --> 00:51:04,880
Speaker 3: but he's playing with some dogs.

1011
00:51:04,920 --> 00:51:07,240
Speaker 2: I watched another day try to do over the behind

1012
00:51:07,280 --> 00:51:08,839
Speaker 2: the back pasts. He almost had.

1013
00:51:09,320 --> 00:51:13,200
Speaker 3: They teaching him that black top ball, right, they teach

1014
00:51:13,239 --> 00:51:15,120
Speaker 3: they don't have to teach him fundamentals, you know, how

1015
00:51:15,160 --> 00:51:18,239
Speaker 3: to pass? All they teaching him black top no look

1016
00:51:18,480 --> 00:51:21,719
Speaker 3: passes in the paint. When he finds that step that

1017
00:51:22,280 --> 00:51:24,920
Speaker 3: that boy is gonna be a real problem. But I

1018
00:51:25,000 --> 00:51:27,279
Speaker 3: sell all that to say, this team has everything in

1019
00:51:27,320 --> 00:51:32,279
Speaker 3: the and man, you Doka, he's the right coach.

1020
00:51:33,800 --> 00:51:35,759
Speaker 2: And I understand why he couldn't stay where he was,

1021
00:51:35,840 --> 00:51:39,839
Speaker 2: but I'm so glad he's where he is. That's the truth.

1022
00:51:40,120 --> 00:51:41,600
Speaker 2: At the city love because they get to see me

1023
00:51:41,800 --> 00:51:43,320
Speaker 2: every now and then. So the city loved that.

1024
00:51:44,000 --> 00:51:44,200
Speaker 3: Yeah.

1025
00:51:44,760 --> 00:51:48,720
Speaker 2: But them Texans, Man Man, them Texas.

1026
00:51:49,680 --> 00:51:52,600
Speaker 3: I think in two three years, Man, I think they're

1027
00:51:52,640 --> 00:51:54,959
Speaker 3: gonna be the ones to beat Man. It could happen

1028
00:51:55,040 --> 00:51:59,080
Speaker 3: in the next two years. This team is building a

1029
00:51:59,320 --> 00:52:03,120
Speaker 3: strong rupture that Miko knows exactly what he wants. The

1030
00:52:05,120 --> 00:52:08,200
Speaker 3: organization isn't scared to spend the money to give him

1031
00:52:08,200 --> 00:52:10,840
Speaker 3: what he wants. And they're so embrasive of the local culture.

1032
00:52:10,880 --> 00:52:13,719
Speaker 3: They do collaborations with local artists, and they bring in

1033
00:52:14,160 --> 00:52:17,240
Speaker 3: different talent to perform at the games, and they allowed

1034
00:52:17,280 --> 00:52:19,359
Speaker 3: me to bring my burgers into the stadium. They're doing

1035
00:52:19,560 --> 00:52:22,719
Speaker 3: everything they can to be as Houston centric an organization

1036
00:52:22,840 --> 00:52:24,800
Speaker 3: as they can be. They're putting the money where it

1037
00:52:24,960 --> 00:52:27,439
Speaker 3: needs to go. They're trying to strengthen that old line.

1038
00:52:27,480 --> 00:52:31,000
Speaker 3: I know everybody wasn't crazy about losing Tunsul, but I

1039
00:52:31,080 --> 00:52:33,759
Speaker 3: can understand organizationally why they feel they needed to go

1040
00:52:33,920 --> 00:52:36,880
Speaker 3: in another direction. I hear there were locker room problems,

1041
00:52:36,880 --> 00:52:39,719
Speaker 3: there were a ton of penalties right, a lot of

1042
00:52:39,800 --> 00:52:41,919
Speaker 3: things going on, and I just think they were growing

1043
00:52:42,000 --> 00:52:43,120
Speaker 3: in a different direction.

1044
00:52:43,560 --> 00:52:46,440
Speaker 2: I think that they supplemented the defense. Absolutely.

1045
00:52:46,719 --> 00:52:49,120
Speaker 3: They're probably going to have to draft a little more

1046
00:52:49,280 --> 00:52:52,919
Speaker 3: to tighten up that old line because they gotta protect CJ.

1047
00:52:53,120 --> 00:52:56,360
Speaker 3: They gotta protect CJ by all means. I like the

1048
00:52:56,480 --> 00:52:59,120
Speaker 3: Kirk signing. I like bringing Christian Kirk in. I think

1049
00:52:59,160 --> 00:53:01,440
Speaker 3: he's a fast young players, got some good talent. He

1050
00:53:01,560 --> 00:53:04,359
Speaker 3: definitely got hands, and CJ can hit him and drive.

1051
00:53:04,880 --> 00:53:07,680
Speaker 3: You know, because I knew we weren't gonna probably weren't

1052
00:53:07,680 --> 00:53:09,840
Speaker 3: gonna keep Digs another season. I don't think we were

1053
00:53:09,880 --> 00:53:11,880
Speaker 3: going to keep him another season, so they had to

1054
00:53:11,920 --> 00:53:13,600
Speaker 3: start thinking receiver receiver receiver.

1055
00:53:14,040 --> 00:53:16,719
Speaker 2: Tank had his surgery. He's a young guy. I think

1056
00:53:16,760 --> 00:53:17,760
Speaker 2: he'll recover quickly.

1057
00:53:17,840 --> 00:53:20,440
Speaker 3: I think, I honestly think Tank will be ready by

1058
00:53:20,520 --> 00:53:23,880
Speaker 3: game one of a twenty five to twenty six season.

1059
00:53:24,640 --> 00:53:26,880
Speaker 3: But I think the Texans are a team that everybody

1060
00:53:26,920 --> 00:53:28,960
Speaker 3: has got to circle their caunt of the dates when

1061
00:53:29,000 --> 00:53:31,319
Speaker 3: they play that team. That defense is only getting better.

1062
00:53:32,440 --> 00:53:34,440
Speaker 3: I'm curious to see what the new OC is gonna do.

1063
00:53:34,880 --> 00:53:37,239
Speaker 3: I think that's going to be the big test is

1064
00:53:37,600 --> 00:53:39,080
Speaker 3: what the new OC is going to be able to

1065
00:53:39,440 --> 00:53:42,480
Speaker 3: create with with TJ. But at least they won't be

1066
00:53:42,520 --> 00:53:45,799
Speaker 3: as predictable in year two as they were in year

1067
00:53:45,920 --> 00:53:47,960
Speaker 3: three as they were in year two, because year one

1068
00:53:48,080 --> 00:53:50,399
Speaker 3: was a lot of surprises. Year two they pretty much

1069
00:53:50,400 --> 00:53:52,200
Speaker 3: tried to replicate the playbook and people saw it a

1070
00:53:52,280 --> 00:53:54,400
Speaker 3: mile away. With a new OC, I think there's gonna

1071
00:53:54,400 --> 00:53:55,879
Speaker 3: be a new approach. I think he's going to find

1072
00:53:55,920 --> 00:53:58,120
Speaker 3: a better way of working with these new offensive line.

1073
00:53:58,200 --> 00:54:00,359
Speaker 3: I feel positive about what we're doing as a team,

1074
00:54:00,640 --> 00:54:02,600
Speaker 3: So I would put it in that order. I would

1075
00:54:02,600 --> 00:54:06,719
Speaker 3: say Cool's uh, rock Cook's Astros, Rockets infections for the

1076
00:54:06,760 --> 00:54:07,239
Speaker 3: one line.

1077
00:54:08,280 --> 00:54:10,759
Speaker 2: Hey, triple O, g Bunn, beat Bro, thank you for

1078
00:54:10,840 --> 00:54:11,319
Speaker 2: joining us.

1079
00:54:11,440 --> 00:54:16,319
Speaker 3: Congratulations on everything the Trill Burger franchises, the Rodeo, your

1080
00:54:16,400 --> 00:54:18,840
Speaker 3: big staple in the community. What you do to uplift

1081
00:54:18,880 --> 00:54:22,640
Speaker 3: your community. We appreciate you. We salute you here at nightcap.

1082
00:54:22,760 --> 00:54:25,400
Speaker 3: Thanks for joining us. We'll see you down the road. Absolutely.

1083
00:54:25,520 --> 00:54:27,279
Speaker 3: Thank y'all for doing that drop for the rodeo for

1084
00:54:27,360 --> 00:54:31,600
Speaker 3: me last year too. You know that says we're gonna

1085
00:54:31,640 --> 00:54:33,839
Speaker 3: find some space to put y'all in the matter fact,

1086
00:54:33,840 --> 00:54:36,560
Speaker 3: come bringing that night. People want to say that, not

1087
00:54:36,680 --> 00:54:38,719
Speaker 3: only that, let me perform. You know I can say

1088
00:54:38,840 --> 00:54:47,719
Speaker 3: that I think we're bringing up Yeah, we all appreciate that, y'all.

1089
00:54:48,360 --> 00:54:57,200
Speaker 3: Y'all bet you broke No, I told y'all that's the original.

1090
00:54:57,440 --> 00:54:59,960
Speaker 3: That's the O G like triple O G bunn beat.

1091
00:55:01,320 --> 00:55:06,920
Speaker 3: That's the triple O G I phone that's live. That's

1092
00:55:06,960 --> 00:55:10,240
Speaker 3: the number two version. This one holds ten thousand songs.

1093
00:55:10,520 --> 00:55:14,640
Speaker 3: This one holds a thousand song y'all. Remember the iPad touch,

1094
00:55:15,560 --> 00:55:21,400
Speaker 3: I pod touch, damn and check out. You know that

1095
00:55:21,440 --> 00:55:23,040
Speaker 3: stuff might be worth something because it was like you

1096
00:55:23,120 --> 00:55:26,520
Speaker 3: got to don't worry it might be I mean, guess

1097
00:55:26,520 --> 00:55:28,120
Speaker 3: what it's supposed to be worth something? With this plus

1098
00:55:28,160 --> 00:55:31,920
Speaker 3: fifty two hundred. Wait, come again, it's supposed to be

1099
00:55:31,960 --> 00:55:34,960
Speaker 3: this this plus hundred. All your stuff is in good condition,

1100
00:55:35,120 --> 00:55:37,120
Speaker 3: like make condition. You could probably get a good price

1101
00:55:37,200 --> 00:55:37,360
Speaker 3: for it.

1102
00:55:38,680 --> 00:55:43,239
Speaker 2: Look at this O G. You know what I phone nine? No,

1103
00:55:43,480 --> 00:55:45,360
Speaker 2: that's the original. I thought I thought it started with

1104
00:55:45,480 --> 00:55:48,400
Speaker 2: number nine or my tripping. Then it started with number one.

1105
00:55:49,200 --> 00:55:56,200
Speaker 2: Here you talking about that, y'all? Remember that crazy hey? Hey,

1106
00:55:56,239 --> 00:55:58,319
Speaker 2: you know what you do? Puts the rand rap back

1107
00:55:58,360 --> 00:56:01,759
Speaker 2: in and pretend like it's brand new. No, I ain't

1108
00:56:01,760 --> 00:56:02,320
Speaker 2: getting rid of it.

1109
00:56:03,000 --> 00:56:04,719
Speaker 1: You know how much it ain't never how much money

1110
00:56:04,719 --> 00:56:06,640
Speaker 1: you can get for that, the original iPhone.

1111
00:56:06,880 --> 00:56:09,359
Speaker 3: I mean somebody probably somebody probably give me like five

1112
00:56:09,400 --> 00:56:11,840
Speaker 3: grand for it because it's the original. I know it

1113
00:56:11,880 --> 00:56:13,720
Speaker 3: ain't never, but it ain't. It ain't never been active,

1114
00:56:13,760 --> 00:56:15,320
Speaker 3: it ain't never been turned on. They never had no

1115
00:56:15,360 --> 00:56:16,040
Speaker 3: phoneb How.

1116
00:56:16,040 --> 00:56:19,200
Speaker 2: Much said they can give you for it? Probably about

1117
00:56:19,239 --> 00:56:21,160
Speaker 2: five you go, you go ahead and sell that when

1118
00:56:21,440 --> 00:56:25,080
Speaker 2: you two hundred. No, no, they got to do yours

1119
00:56:25,200 --> 00:56:29,279
Speaker 2: is bad. Yeah, you remember the Samsung. Samsung. That's a joy.

1120
00:56:29,560 --> 00:56:32,800
Speaker 2: I ain't never had. Look at that.

1121
00:56:33,200 --> 00:56:37,120
Speaker 1: Yeah, I ain't never got no joy Gataxy note right there. Oh,

1122
00:56:37,920 --> 00:56:39,680
Speaker 1: I'll tell you one thing. You have a text me

1123
00:56:39,760 --> 00:56:43,719
Speaker 1: and to turn green. I'm gonna block you. Yeah, I'm

1124
00:56:43,719 --> 00:56:51,040
Speaker 1: gonna block you. I got a little stuff I gotta

1125
00:56:51,040 --> 00:56:52,799
Speaker 1: show you all before I got back. I got about

1126
00:56:52,880 --> 00:56:58,160
Speaker 1: seventeen eighteen phones. Damn Yeah, cause I keep them, oh Joe.

1127
00:56:58,400 --> 00:57:01,239
Speaker 3: A debate went viral on Twitter, asking your parents make

1128
00:57:01,320 --> 00:57:04,360
Speaker 3: their kids pay bills if they work a job, and

1129
00:57:04,480 --> 00:57:07,160
Speaker 3: the response with viral said, I'm just gonna say it,

1130
00:57:07,400 --> 00:57:09,520
Speaker 3: this is a big problem in the black community and

1131
00:57:09,600 --> 00:57:12,040
Speaker 3: we have to stop it. A lot of parents need

1132
00:57:12,200 --> 00:57:14,319
Speaker 3: help with their bills, so they take the money from

1133
00:57:14,360 --> 00:57:18,200
Speaker 3: their kids and disguise it as teaching them responsibility, and

1134
00:57:18,320 --> 00:57:20,640
Speaker 3: it's actually pretty effing ridiculous.

1135
00:57:20,880 --> 00:57:24,280
Speaker 1: Oh Joe, what do you think you got to You

1136
00:57:24,360 --> 00:57:27,960
Speaker 1: gotta teach your kids responsibility at some point, you have to.

1137
00:57:28,480 --> 00:57:30,200
Speaker 1: I think if they're staying with you after the age

1138
00:57:30,240 --> 00:57:32,720
Speaker 1: of eighteen, now, if they're saving up, I wouldn't I

1139
00:57:32,720 --> 00:57:35,200
Speaker 1: wouldn't make my kids my kids if they need to

1140
00:57:35,240 --> 00:57:36,640
Speaker 1: stay with me after the age of eighteen?

1141
00:57:37,080 --> 00:57:40,000
Speaker 2: Are you saving up to get yourself a place? You

1142
00:57:40,120 --> 00:57:41,919
Speaker 2: have to have some sense of responsibility.

1143
00:57:42,040 --> 00:57:44,400
Speaker 1: I'm not gonna always be around, so you gonna You're

1144
00:57:44,400 --> 00:57:45,760
Speaker 1: gonna have to be able to be able to fend

1145
00:57:45,800 --> 00:57:46,320
Speaker 1: for yourself.

1146
00:57:46,760 --> 00:57:50,120
Speaker 2: I can teach you how to fish. I can teach

1147
00:57:50,160 --> 00:57:51,760
Speaker 2: you how to fish, so you know how to do

1148
00:57:51,840 --> 00:57:52,680
Speaker 2: it when I'm not around.

1149
00:57:53,440 --> 00:57:55,680
Speaker 1: Now, if I do everything for you and still coddle

1150
00:57:55,760 --> 00:57:58,360
Speaker 1: you and have you up under the roof and you're

1151
00:57:58,400 --> 00:58:00,880
Speaker 1: not having any type of responsibilit and you go out

1152
00:58:00,880 --> 00:58:02,640
Speaker 1: there in the real world, you're gonna be lost.

1153
00:58:04,000 --> 00:58:06,440
Speaker 2: We we can't have that. I mean, we can't have that.

1154
00:58:06,560 --> 00:58:08,960
Speaker 1: We've got to have some type of structure in discipline

1155
00:58:09,400 --> 00:58:12,040
Speaker 1: and method on how things are to go as a

1156
00:58:12,160 --> 00:58:15,680
Speaker 1: grown adult, you'd have to. But being under the roof

1157
00:58:15,760 --> 00:58:17,920
Speaker 1: and making sure allow you to save your money and

1158
00:58:17,960 --> 00:58:20,400
Speaker 1: get yourself together until you're ready to go on on

1159
00:58:20,560 --> 00:58:23,680
Speaker 1: your own and be an adult, start a family, whatever

1160
00:58:23,720 --> 00:58:24,120
Speaker 1: it may be.

1161
00:58:24,880 --> 00:58:26,880
Speaker 2: I'm all for that. I'm all for that.

1162
00:58:29,000 --> 00:58:32,000
Speaker 3: Yeah, I mean, no, Joe. I helped my grandmother with bills,

1163
00:58:32,160 --> 00:58:33,880
Speaker 3: but she didn't ask me to. I just felt it

1164
00:58:33,960 --> 00:58:35,720
Speaker 3: was the right thing to do because I saw my

1165
00:58:35,760 --> 00:58:38,560
Speaker 3: grandmother struggling. I'm making money, and so what I'm going

1166
00:58:38,600 --> 00:58:40,960
Speaker 3: to continue to watch your struggle now. She's struggling trying

1167
00:58:41,000 --> 00:58:43,240
Speaker 3: to put food on the table for us. She's struggling

1168
00:58:43,320 --> 00:58:44,720
Speaker 3: trying to put food, your clues.

1169
00:58:44,480 --> 00:58:45,920
Speaker 2: On our back. So here I am.

1170
00:58:46,000 --> 00:58:47,800
Speaker 3: I got a job, and it's I'm not making a

1171
00:58:47,840 --> 00:58:50,120
Speaker 3: whole lot of money, but ten dollars with a lot

1172
00:58:50,160 --> 00:58:52,160
Speaker 3: of money back in the seventies, twenty dollars with a

1173
00:58:52,200 --> 00:58:55,600
Speaker 3: lot of money back in the in the seventies. So

1174
00:58:55,840 --> 00:58:58,880
Speaker 3: you know, I'm working two jobs. Hey, I mean I

1175
00:58:58,960 --> 00:59:00,400
Speaker 3: remember the first time I got a job. I was

1176
00:59:00,440 --> 00:59:02,760
Speaker 3: five years old. I was walking behind the tobacco picker

1177
00:59:02,760 --> 00:59:07,040
Speaker 3: and tobacco field nineteen seventy three nineteen seventy four, and

1178
00:59:07,120 --> 00:59:09,240
Speaker 3: from that time I started walking from walking behind the

1179
00:59:09,280 --> 00:59:12,920
Speaker 3: back of pickers to carrying a row to doing that.

1180
00:59:13,080 --> 00:59:15,320
Speaker 3: So I'm working ten twelve hours a day doing that,

1181
00:59:15,800 --> 00:59:18,120
Speaker 3: come home, shower, me and my cousin. We played basketball,

1182
00:59:18,320 --> 00:59:21,240
Speaker 3: and then go catch chickens for another three four an hour,

1183
00:59:21,360 --> 00:59:22,920
Speaker 3: three four hours and chicken.

1184
00:59:24,960 --> 00:59:27,800
Speaker 2: A dollar thousand, So we catching eight to twelve thousand

1185
00:59:27,840 --> 00:59:29,440
Speaker 2: a night. That's twelve dollars.

1186
00:59:29,720 --> 00:59:35,040
Speaker 3: Now, you only caught chicken between Sunday, Monday, Tuesday, Wednesday, Thursday,

1187
00:59:35,560 --> 00:59:38,480
Speaker 3: because Friday was the last day. There is nothing going

1188
00:59:38,560 --> 00:59:41,440
Speaker 3: on on Saturday, so you started, so you have so

1189
00:59:41,720 --> 00:59:44,640
Speaker 3: they were gonna be there. No, actually Thursday was the

1190
00:59:44,720 --> 00:59:46,520
Speaker 3: last day. Thursday was the last day. You didn't catch

1191
00:59:46,520 --> 00:59:48,480
Speaker 3: you on Friday because they were off on Saturday and Sunday.

1192
00:59:49,000 --> 00:59:51,040
Speaker 3: The chicken that you caught Sunday they were there for

1193
00:59:51,120 --> 00:59:55,680
Speaker 3: the crew. The plant was operational Monday through Monday through Friday.

1194
00:59:55,960 --> 01:00:00,400
Speaker 3: So you caught Sunday, Sunday, Monday, Tuesday, Wednesday, Thursday.

1195
01:00:00,840 --> 01:00:02,960
Speaker 2: Then they did uh, and so you know, hey, I'm

1196
01:00:03,000 --> 01:00:07,240
Speaker 2: bringing home five dollars a day plus half a day.

1197
01:00:07,240 --> 01:00:09,959
Speaker 2: On Saturday twenty seven fifty plus.

1198
01:00:10,120 --> 01:00:13,240
Speaker 3: We catch eight to twelve thousand, four nights a week,

1199
01:00:13,320 --> 01:00:16,080
Speaker 3: so I'm making maybe sixty dollars, but I'm working a

1200
01:00:16,360 --> 01:00:17,000
Speaker 3: ass got out.

1201
01:00:17,040 --> 01:00:20,640
Speaker 1: Hey, hey listen, okay, back then, you know how how

1202
01:00:20,720 --> 01:00:22,080
Speaker 1: far you to stretch sixty dollars?

1203
01:00:22,160 --> 01:00:22,480
Speaker 2: Back then?

1204
01:00:23,640 --> 01:00:23,840
Speaker 3: Yeah?

1205
01:00:24,920 --> 01:00:25,800
Speaker 2: Man, stop playing.

1206
01:00:25,840 --> 01:00:27,920
Speaker 3: So even if I didn't help, Oh yeah, guess what,

1207
01:00:28,360 --> 01:00:31,680
Speaker 3: I bought my own school clothes there and a whole

1208
01:00:31,760 --> 01:00:33,919
Speaker 3: lot of eight nine, ten year old eleven year olds

1209
01:00:34,160 --> 01:00:36,400
Speaker 3: buying their own school clothes. Well, who else was gonna

1210
01:00:36,400 --> 01:00:38,200
Speaker 3: get them? What the hell I was working for? And

1211
01:00:39,040 --> 01:00:41,280
Speaker 3: I'm working, gonna hold my money, I'm gonna hold my

1212
01:00:41,360 --> 01:00:44,240
Speaker 3: money in my pocket. I'm watching my grandma's struggle. I

1213
01:00:44,320 --> 01:00:45,080
Speaker 3: got a Please.

1214
01:00:46,000 --> 01:00:47,520
Speaker 2: What kind of school did you wor back then? Like

1215
01:00:47,680 --> 01:00:53,960
Speaker 2: Jordan ash? No, no, no, you know, uh you know

1216
01:00:54,080 --> 01:00:56,760
Speaker 2: sisans Rubb was sisans row Okay, okay, I know we

1217
01:00:56,800 --> 01:01:00,160
Speaker 2: had them tough tough skins. But hey, then if I

1218
01:01:00,240 --> 01:01:04,280
Speaker 2: got older, Lee jeans Oh did okay? Yeah? You had, sir?

1219
01:01:05,680 --> 01:01:06,720
Speaker 2: You did have one?

1220
01:01:06,800 --> 01:01:07,000
Speaker 3: Yeah?

1221
01:01:07,400 --> 01:01:10,880
Speaker 2: Yeah, yeah, you have LEVI and stuff like odds on

1222
01:01:11,400 --> 01:01:13,600
Speaker 2: that polo you had? Did you did you ever have

1223
01:01:13,680 --> 01:01:15,920
Speaker 2: a pair of rules? Please? Tell you had rules? With

1224
01:01:16,000 --> 01:01:18,800
Speaker 2: a zip on the side. I didn't you know, you

1225
01:01:18,840 --> 01:01:22,760
Speaker 2: know the rules are right kangaroos. Oh yeah, yeah, yeah, yea,

1226
01:01:22,800 --> 01:01:25,440
Speaker 2: y oh yeah yeah yeah yeah. We ain't have none

1227
01:01:25,440 --> 01:01:30,600
Speaker 2: of that. No, we had no We had chuck. You

1228
01:01:30,680 --> 01:01:33,120
Speaker 2: know back then, Oh Joe, the Chuck Taylor's white. You

1229
01:01:33,200 --> 01:01:33,640
Speaker 2: had to meet.

1230
01:01:33,680 --> 01:01:36,200
Speaker 3: You had the meeting, the hides, and you had the loads.

1231
01:01:36,480 --> 01:01:38,240
Speaker 3: But you had them in all different colors. They came

1232
01:01:38,280 --> 01:01:40,360
Speaker 3: in black, they came in red, they got blue, they

1233
01:01:40,400 --> 01:01:43,120
Speaker 3: came to green. So you know, you got mainly I

1234
01:01:43,200 --> 01:01:45,280
Speaker 3: only had the white. I had the hide and the lows,

1235
01:01:45,520 --> 01:01:47,080
Speaker 3: and I got a blood a blue pant he you

1236
01:01:47,120 --> 01:01:50,080
Speaker 3: know what's funny, But they go with everything. It don't

1237
01:01:50,080 --> 01:01:53,240
Speaker 3: matter on you wear a black paint, what the white pair?

1238
01:01:53,440 --> 01:01:58,600
Speaker 3: They go with everything, yes, yes, And so that from

1239
01:01:58,760 --> 01:02:00,760
Speaker 3: like I said, for me, I get it. I mean

1240
01:02:01,080 --> 01:02:04,280
Speaker 3: I could see her point trying to teach responsibility, but

1241
01:02:04,400 --> 01:02:07,800
Speaker 3: I was teaching myself responsibility because my whole purpose, like man,

1242
01:02:07,840 --> 01:02:10,120
Speaker 3: I see my grandma struggling. She working that job making

1243
01:02:10,160 --> 01:02:12,440
Speaker 3: one hundred and ninety seven dollars every two weeks, and she,

1244
01:02:12,760 --> 01:02:15,720
Speaker 3: you know, working in a nursing home, the very nursing home.

1245
01:02:15,760 --> 01:02:17,600
Speaker 3: That she ended up living her final days the last

1246
01:02:17,640 --> 01:02:20,000
Speaker 3: two years of her life. Nah, man, I couldn't be

1247
01:02:20,080 --> 01:02:23,680
Speaker 3: good conscience. I could not even good conscious have money

1248
01:02:23,760 --> 01:02:28,000
Speaker 3: in my pocket and then have my grandma worried about. Well, well, boy,

1249
01:02:28,040 --> 01:02:29,360
Speaker 3: I don't know how I'm gonna pay this bill. This

1250
01:02:29,800 --> 01:02:31,360
Speaker 3: I don't know you know, the phone, I don't know

1251
01:02:31,400 --> 01:02:33,800
Speaker 3: about the gas, I don't know about the lights. Man.

1252
01:02:33,920 --> 01:02:34,840
Speaker 2: Please so me.

1253
01:02:35,080 --> 01:02:37,400
Speaker 3: I took it upon myself, and that is still my

1254
01:02:37,520 --> 01:02:40,480
Speaker 3: responsibility to this day is to make sure my family

1255
01:02:40,920 --> 01:02:44,160
Speaker 3: is taking care of But you know, hey, I've done

1256
01:02:44,760 --> 01:02:46,560
Speaker 3: My kids and their moms have done a great job

1257
01:02:46,680 --> 01:02:50,760
Speaker 3: helping them. Understand, that's your daddy money. Now, if he

1258
01:02:50,880 --> 01:02:52,400
Speaker 3: choose to give you something, that's on him.

1259
01:02:52,560 --> 01:02:55,680
Speaker 2: But y'all know I owe you an education, and I

1260
01:02:55,760 --> 01:02:57,640
Speaker 2: gave you the best education because all of you, for

1261
01:02:57,760 --> 01:02:58,919
Speaker 2: the most part, you didn't stay.

1262
01:02:59,120 --> 01:03:01,240
Speaker 3: But you started out in riving school and you had

1263
01:03:01,320 --> 01:03:04,080
Speaker 3: college played for, you got a car, you left college

1264
01:03:04,280 --> 01:03:05,160
Speaker 3: with no with.

1265
01:03:05,360 --> 01:03:10,640
Speaker 2: No debt, no student loans, no car loans. Same. Now,

1266
01:03:11,080 --> 01:03:12,880
Speaker 2: anything I do after that, that's out of the kind

1267
01:03:12,920 --> 01:03:14,600
Speaker 2: that's in my heart. But I don't know you anything.

1268
01:03:15,640 --> 01:03:19,280
Speaker 3: Now, hopefully you've learned a lot from your mom and

1269
01:03:19,360 --> 01:03:22,000
Speaker 3: from your dad to be so self sufficient. Now, I'm

1270
01:03:22,040 --> 01:03:24,320
Speaker 3: not gonna let you drown. No, never, never that or

1271
01:03:24,360 --> 01:03:27,080
Speaker 3: at least uh you know you you you might thank

1272
01:03:27,120 --> 01:03:27,600
Speaker 3: you drowning.

1273
01:03:29,320 --> 01:03:31,720
Speaker 2: Matter of fact, hey, I about let you. I might

1274
01:03:31,880 --> 01:03:33,439
Speaker 2: let you take on some water. Matter of fact.

1275
01:03:33,520 --> 01:03:35,919
Speaker 1: You know my baby, Remember I told you my daughter

1276
01:03:36,040 --> 01:03:38,800
Speaker 1: at PREVNM. You know she graduated. She graduated May sixteen,

1277
01:03:38,880 --> 01:03:41,240
Speaker 1: right May sixteen and May seventeen. Remember what I told

1278
01:03:41,280 --> 01:03:45,120
Speaker 1: you she wanted for graduation. Huh yeah, that that that

1279
01:03:45,280 --> 01:03:47,200
Speaker 1: g Wagon. So we had a conversation when I was

1280
01:03:47,240 --> 01:03:49,320
Speaker 1: with all the kids. I told her, I say, listen,

1281
01:03:49,360 --> 01:03:51,280
Speaker 1: she'd have made the Dean List of Honimals. You'd have

1282
01:03:51,320 --> 01:03:55,040
Speaker 1: made everything. I'm like, well, now what you want?

1283
01:03:55,120 --> 01:03:57,400
Speaker 2: Now? You say you wanted the Mercedes? What is it? So?

1284
01:03:57,440 --> 01:04:01,280
Speaker 1: I'm thinking she's gonna say g Wagon and you say no, Daddy,

1285
01:04:01,280 --> 01:04:02,680
Speaker 1: you know I don't really want no g Wagger.

1286
01:04:02,920 --> 01:04:05,280
Speaker 2: I said, well, what happened? What made you change your mind?

1287
01:04:06,000 --> 01:04:08,400
Speaker 2: He say, I think it's too much the maintenance.

1288
01:04:09,240 --> 01:04:12,160
Speaker 1: Uh, I just I just think I just want to

1289
01:04:12,200 --> 01:04:14,640
Speaker 1: start on. Just give me a C three hundred. I say,

1290
01:04:14,760 --> 01:04:17,080
Speaker 1: now we're talking. Now we're talking.

1291
01:04:17,440 --> 01:04:18,880
Speaker 2: Do you want to you want a white one? I

1292
01:04:18,880 --> 01:04:19,360
Speaker 2: could tell her.

1293
01:04:19,400 --> 01:04:20,920
Speaker 1: I could tell them to make your your your your

1294
01:04:20,960 --> 01:04:23,800
Speaker 1: interior pink, you know, with the ak stisted in the

1295
01:04:23,840 --> 01:04:24,520
Speaker 1: seat and all that.

1296
01:04:25,920 --> 01:04:27,840
Speaker 3: Oh Joe, what happened when you got to get rid

1297
01:04:27,840 --> 01:04:29,439
Speaker 3: of it? You better hope you sell it to another

1298
01:04:29,520 --> 01:04:38,880
Speaker 3: a k man, you know wherever we're coming over with

1299
01:04:38,920 --> 01:04:41,040
Speaker 3: your back. Then guy used to get the headlined to

1300
01:04:41,080 --> 01:04:46,080
Speaker 3: get Gucci. I said, well you better yeah, yeah, I said,

1301
01:04:46,080 --> 01:04:49,200
Speaker 3: well you better hope hey get there to get their initials.

1302
01:04:50,480 --> 01:04:50,800
Speaker 2: Black.

1303
01:04:51,120 --> 01:04:52,840
Speaker 3: I said, you better hope you find another dude name

1304
01:04:52,920 --> 01:04:55,200
Speaker 3: Black back on the by cause I promise you you

1305
01:04:56,360 --> 01:04:58,400
Speaker 3: go back get the great cross the coldes trying to

1306
01:04:58,440 --> 01:05:02,920
Speaker 3: sell it. Syracuse football head coach Fran Brown have a

1307
01:05:02,960 --> 01:05:07,080
Speaker 3: policy that his players must save forty of their nil checks.

1308
01:05:07,360 --> 01:05:09,920
Speaker 3: There's no way as a coach that I'm going to

1309
01:05:10,000 --> 01:05:12,040
Speaker 3: pay you a lot of money and then you're going

1310
01:05:12,120 --> 01:05:15,480
Speaker 3: to walk away from here with no money, says during

1311
01:05:15,480 --> 01:05:17,880
Speaker 3: the upbringing in Camden, New Jersey, it could have been

1312
01:05:17,920 --> 01:05:21,439
Speaker 3: a difference in paying rent, keeping the lights on, buying

1313
01:05:21,520 --> 01:05:22,560
Speaker 3: food for his siblings.

1314
01:05:23,200 --> 01:05:25,880
Speaker 1: Would you think I like that, because at some point,

1315
01:05:26,000 --> 01:05:28,840
Speaker 1: especially when you're that young. You know, kids, kids these

1316
01:05:28,960 --> 01:05:32,360
Speaker 1: days don't understand financial literacy. They get the money, they

1317
01:05:32,440 --> 01:05:33,120
Speaker 1: spend the money.

1318
01:05:33,360 --> 01:05:33,840
Speaker 2: They had this.

1319
01:05:34,000 --> 01:05:37,360
Speaker 1: They had this mindset that that worth and value is

1320
01:05:37,440 --> 01:05:40,520
Speaker 1: based on aesthetics and the accessories that you purchase that

1321
01:05:40,800 --> 01:05:43,400
Speaker 1: makes you feel like you were greater than it makes

1322
01:05:43,440 --> 01:05:45,520
Speaker 1: you worth or it makes you feel special.

1323
01:05:46,680 --> 01:05:48,360
Speaker 2: I want kids to understand it best.

1324
01:05:48,400 --> 01:05:50,120
Speaker 1: The people in the chat that are a lot of

1325
01:05:50,240 --> 01:05:53,160
Speaker 1: players and athletes today in regards to sport that they play,

1326
01:05:53,760 --> 01:05:57,400
Speaker 1: they feel that they have to live way above their

1327
01:05:57,520 --> 01:06:02,240
Speaker 1: means based on the type of money they're making. People

1328
01:06:02,320 --> 01:06:06,080
Speaker 1: in the chat players that see this, there is nothing

1329
01:06:06,360 --> 01:06:09,840
Speaker 1: I guarantee you, and I promise you, there is nothing

1330
01:06:10,000 --> 01:06:14,440
Speaker 1: you can buy that holds more weight or value than

1331
01:06:14,520 --> 01:06:15,360
Speaker 1: your name alone.

1332
01:06:16,200 --> 01:06:19,800
Speaker 2: Nothing no, nothing than the name that's on that birth certificate.

1333
01:06:19,960 --> 01:06:21,640
Speaker 1: Because when you take all the when you take off

1334
01:06:21,680 --> 01:06:24,720
Speaker 1: all that designer, all the jury, all the watches, that

1335
01:06:25,360 --> 01:06:29,560
Speaker 1: in itself is the value. It is Your your car,

1336
01:06:30,080 --> 01:06:32,560
Speaker 1: whatem Borghinis, and your rolls Royce, and your your I

1337
01:06:32,760 --> 01:06:35,120
Speaker 1: sed Out watch and your chains and all and that.

1338
01:06:35,160 --> 01:06:38,760
Speaker 2: Shit don't mean nothing, man, nothing the true value.

1339
01:06:40,000 --> 01:06:44,400
Speaker 1: Can you get the same reaction without the car, without

1340
01:06:44,440 --> 01:06:46,480
Speaker 1: the clothes without the jury.

1341
01:06:46,800 --> 01:06:51,040
Speaker 2: Can you still pull the same chicks? That's your value,

1342
01:06:51,920 --> 01:06:52,959
Speaker 2: that's your real worth.

1343
01:06:54,040 --> 01:06:56,200
Speaker 1: Can you Can you still do the same things you

1344
01:06:56,320 --> 01:06:59,880
Speaker 1: do with all the accessories aesthetics on when you don't

1345
01:06:59,920 --> 01:07:00,360
Speaker 1: have have it on?

1346
01:07:01,640 --> 01:07:06,240
Speaker 2: Yeah, come on, man, stop playing man oh Joe. The

1347
01:07:06,360 --> 01:07:10,160
Speaker 2: things people like. I don't like money. I like freedom.

1348
01:07:11,360 --> 01:07:13,160
Speaker 3: Freedom is what you get where you have money. Those

1349
01:07:13,160 --> 01:07:16,040
Speaker 3: are two different things. Some people just want money, I

1350
01:07:16,160 --> 01:07:16,760
Speaker 3: won't freedom.

1351
01:07:18,960 --> 01:07:19,320
Speaker 2: Mm hmm.

1352
01:07:21,920 --> 01:07:26,200
Speaker 1: Hey, financial freedom is a beautiful thing. And a lot

1353
01:07:26,240 --> 01:07:28,840
Speaker 1: of people we look all the numbers, we look at

1354
01:07:29,000 --> 01:07:33,560
Speaker 1: these these huge, gargantuan contracts. You know, still to this

1355
01:07:33,720 --> 01:07:36,760
Speaker 1: day money keeps going up, right, and one thing that

1356
01:07:36,840 --> 01:07:39,880
Speaker 1: has changed me you look up to statistically, the same

1357
01:07:40,000 --> 01:07:44,680
Speaker 1: amount of players are still going broke two years remove

1358
01:07:44,720 --> 01:07:47,720
Speaker 1: from the game, even though the money continues to rise

1359
01:07:48,400 --> 01:07:54,040
Speaker 1: all that till nothing is changing from a financial standpoint,

1360
01:07:54,280 --> 01:07:57,240
Speaker 1: because there's no structure and discipline when it comes to spending.

1361
01:07:57,480 --> 01:08:00,280
Speaker 2: Because our mindset is, well, if you give me more,

1362
01:08:03,160 --> 01:08:03,959
Speaker 2: I won't go broke.

1363
01:08:04,640 --> 01:08:07,040
Speaker 1: Yeah, But if you ain't got no financial you got

1364
01:08:07,080 --> 01:08:09,520
Speaker 1: no financial discipline, It don't matter how much that gave you,

1365
01:08:09,720 --> 01:08:13,200
Speaker 1: because you're just gonna keep on spinning exactly.

1366
01:08:13,480 --> 01:08:16,080
Speaker 3: The more you make, the more you'll spend, because you all, man,

1367
01:08:16,120 --> 01:08:17,439
Speaker 3: I got this, I got this now.

1368
01:08:17,360 --> 01:08:17,840
Speaker 2: I can do this.

1369
01:08:17,920 --> 01:08:21,120
Speaker 1: Go so fast, man, they go so fast before you

1370
01:08:21,200 --> 01:08:23,639
Speaker 1: look up. You got an entourage. You got an entourage.

1371
01:08:23,920 --> 01:08:27,040
Speaker 1: You you, you the golden goose. You got to feed

1372
01:08:27,120 --> 01:08:28,920
Speaker 1: everybody else. You go shopping now, you got to buy

1373
01:08:29,040 --> 01:08:31,200
Speaker 1: everybody else something. You go to the club, you spend

1374
01:08:31,240 --> 01:08:34,000
Speaker 1: it forty fifty thousands in the section buying bottles. You

1375
01:08:34,080 --> 01:08:36,879
Speaker 1: got a bunch of chicks, you know, try and impress

1376
01:08:36,960 --> 01:08:37,800
Speaker 1: them for what?

1377
01:08:38,720 --> 01:08:40,920
Speaker 2: For what? They don't google how much you're making. You

1378
01:08:41,000 --> 01:08:43,360
Speaker 2: ain't gotta do nothing. Your name alone gonna get you

1379
01:08:43,439 --> 01:08:46,040
Speaker 2: the woman you want. Anyway, They gonna deal with you

1380
01:08:46,120 --> 01:08:48,360
Speaker 2: based off the name alone. You don't, man, what are

1381
01:08:48,400 --> 01:08:49,000
Speaker 2: we doing?

1382
01:08:51,560 --> 01:08:51,680
Speaker 3: Man?

1383
01:08:51,800 --> 01:08:52,479
Speaker 2: Stop playing