WEBVTT - Hour 2 - Richard Roeper (02-06-20)

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<v Speaker 1>Thank you for listening to this podcast one production now

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<v Speaker 1>Broadcasting from the Mercedes Man Clu A very handsome feel.

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<v Speaker 1>This is Dan Patrick. Welcome to the program. It's hour

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<v Speaker 1>two of this Thursday Stan Patrick Show. I'm still scarred

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<v Speaker 1>by your conversation. But JJ want Todd. It's uh, it's

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<v Speaker 1>a little questionable. It's got that playful note I sent

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<v Speaker 1>a playful note back, and uh, that's what happens, you know,

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<v Speaker 1>But you wat blocked because it is his guy, And

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<v Speaker 1>I had no I had no business dring that. I

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<v Speaker 1>got caught up in the moment when he brought up

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<v Speaker 1>his ravishing good looks, even though he was being playful

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<v Speaker 1>and and joking, I felt the need to respond to

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<v Speaker 1>recognize his handsomeness. No, no, you did, which had abolutely

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<v Speaker 1>nothing to do with book him on the show or anything.

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<v Speaker 1>I was just totally out of line and out of place.

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<v Speaker 1>And I could have just said, Okay, we'll look forward

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<v Speaker 1>having you on tomorrow. That could have been the end

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<v Speaker 1>of it. Yeah, Todd does this little thing that you

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<v Speaker 1>don't even hear or see, Dan, and the listeners and

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<v Speaker 1>viewers would never see. When a guest calls in, Todd

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<v Speaker 1>almost always picks up the phone. There's some very famous

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<v Speaker 1>people to call in and seeing you could back me up.

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<v Speaker 1>So let's see John Smaltz calls in. He's been on

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<v Speaker 1>a show a one hundred times. Were he like John Smolts.

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<v Speaker 1>He briefly went to Michigan State, right, And so taggle

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<v Speaker 1>Dan pat show, Hey Spartan, He'll say hey Sparton to

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<v Speaker 1>John Smault. I will try to work in a nickname

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<v Speaker 1>or an alumni thing or something playful. You know, they're

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<v Speaker 1>already usually in a good mood and excited to come

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<v Speaker 1>on with you. So there's really no need for me

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<v Speaker 1>to do that. It's not like they call in and

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<v Speaker 1>they're doing us a big favor or they're got a

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<v Speaker 1>miserable state of mind that I got to cheer them up.

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<v Speaker 1>But I get I get caught up in the moment.

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<v Speaker 1>I'm still kidding the candy store and they decided to

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<v Speaker 1>have on the people that we have on every day,

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<v Speaker 1>and I get a little get a little loose on

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<v Speaker 1>the old hotline here, Thank you Todd. When Reggie Miller

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<v Speaker 1>calls in, do you say hey Bruin? Didn't say hey

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<v Speaker 1>brun I've said many other things. Now say is he'll

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<v Speaker 1>pick up the phone and go Reggie Miller's office. I'll

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<v Speaker 1>do that. I'll mix it up like like Reggie would

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<v Speaker 1>be calling his own office, like somehow he misdialed the

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<v Speaker 1>dam Patrick Show and called his own office or Reggie

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<v Speaker 1>Miller's office. Do you play it straight with anybody? Not? Really?

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<v Speaker 1>I get Shack calls in. Shack's a little intimidate, even

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<v Speaker 1>though he's like the most playful teddy bear of them all.

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<v Speaker 1>But I usually like to, you know, have a little

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<v Speaker 1>fun with them. If it's someone we haven't had on before,

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<v Speaker 1>I think they have a serious personality, and I'll be

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<v Speaker 1>all business to say thanks for coming out. I'll let

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<v Speaker 1>Dan know you're on the line and make it very brief.

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<v Speaker 1>But if it's a regular or can't make it brief,

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<v Speaker 1>I can't. I don't know what brief you do for me? Yeah, yeah,

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<v Speaker 1>And you don't even wear briefs, so you can't even

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<v Speaker 1>be brief when you need to be brief, including today, yes, Polly.

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<v Speaker 1>As recently as Tuesday, Fritzie said Happy New Year to

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<v Speaker 1>somebody's February. There's people in my neighborhood. It's not that

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<v Speaker 1>Christmas tree up and lights and stuffing in that bizarre

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<v Speaker 1>like by Valentine's Day next week? Look when how lazy

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<v Speaker 1>can you be? Or I know you we all love

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<v Speaker 1>Christmas and everything. When is that time come with? It's like,

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<v Speaker 1>you know what, it's not Christmas saying. But I don't

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<v Speaker 1>know how long you like, how long can you go

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<v Speaker 1>before you don't need to say Happy New Year? Because

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<v Speaker 1>I went into Seven Seas restaurant last night and Mike

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<v Speaker 1>the bartender goes, Happy New Year, and I go what

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<v Speaker 1>and he goes, yeah, I've been seen you, so Happy

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<v Speaker 1>New Year. And he hadn't seen me, but it was

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<v Speaker 1>just kind of odd. Yeah. Point, I have the rule

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<v Speaker 1>on this. It's the second Monday in January. So you

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<v Speaker 1>saw people at work that first Monday of January, if

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<v Speaker 1>you were back at work, But the second Monday of January,

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<v Speaker 1>there's no more Happy New Year. You're back. That's it.

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<v Speaker 1>It's over. Okay. Yeah. See, I'm still writing twenty nineteen

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<v Speaker 1>on every night, and then I'm having the internal debate

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<v Speaker 1>of like, wait, no, twenty, Like no, no, this one

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<v Speaker 1>was just nineteen, next one, it's twenty that. Still I

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<v Speaker 1>can't keep it straight. Yeah, it's usually a week after

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<v Speaker 1>New Year's where I might say Happy New Year. But

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<v Speaker 1>you see, the only time I say Happy New Year

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<v Speaker 1>is the night of Happy New Year. Like as soon

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<v Speaker 1>as it turns midnight, you go Happy New Year. And

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<v Speaker 1>that's it. When you're by yourself, Yeah, in the base

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<v Speaker 1>in the basement and it's like, hey, Happy New Year.

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<v Speaker 1>In the air, going to bed. But I do enjoy

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<v Speaker 1>my company I mean, I will say your own company. Yes, yeah,

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<v Speaker 1>I like sitting with just me. You think it's damn funny.

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<v Speaker 1>I am. I am, And the more I drank, the

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<v Speaker 1>funnier I casting yourself up. I'm just there. Like my

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<v Speaker 1>wife will come down into the basement. I'll be watching something.

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<v Speaker 1>She won't even say anything. She'll just like just breeze

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<v Speaker 1>right by me, and that's it. Like I'm good. She

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<v Speaker 1>knows I'm good, you know. But like today, for three hours,

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<v Speaker 1>I don't need to talk love you, that's it. I mean,

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<v Speaker 1>if I'm a knee deep and extra watching Billy Bush

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<v Speaker 1>or entertainment tonight, there's no need to interrupt me there.

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<v Speaker 1>I'm good. Who do you make jokes to? Instannarky comments

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<v Speaker 1>just in your head? The cat? Do you do? I'm

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<v Speaker 1>allowed to the cat. Yeah, I'll talk to Hanky, you

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<v Speaker 1>know the cat. Look, it's a lonely existence, but it's

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<v Speaker 1>the existence I've chosen. I like it instead of you know,

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<v Speaker 1>because we went to a super Bowl party. We didn't

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<v Speaker 1>stay for the super Bowl. I just said, you know,

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<v Speaker 1>we'll do a drive by and I'll be there for

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<v Speaker 1>an hour, an hour and a half and then that's it.

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<v Speaker 1>It got to be like six fifteen because somebody said

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<v Speaker 1>to me. The host of the party goes, oh, man,

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<v Speaker 1>I'm surprised you're not working today. I go, why I

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<v Speaker 1>have to? I gotta go. He goes, yeah, I understand that.

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<v Speaker 1>I'm like, good God, thank you for saying that. Yes time.

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<v Speaker 1>But unless your whole thing be a dent in front

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<v Speaker 1>of millions of people, you can't really go these days

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<v Speaker 1>to a sporting event without getting in name, you know,

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<v Speaker 1>questions about things, and like you supposed to know who

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<v Speaker 1>the best middle reliever is on the Royals. You're just

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<v Speaker 1>asking for trouble, aren't you hanging out with a people

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<v Speaker 1>out of sporting Amen. I just want to I just

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<v Speaker 1>want to watch the game. They won't let you, though,

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<v Speaker 1>Yeah you can't. You know. It's just I'd rather go

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<v Speaker 1>home and watch it by myself, have a cigar and

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<v Speaker 1>then sit there and have a drink. That's it. You

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<v Speaker 1>don't have to wait in line for anything. That's good.

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<v Speaker 1>So as my wife was upstairs watching TV and I

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<v Speaker 1>was downstairs watching the super Bowl, and that was fun.

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<v Speaker 1>We were both good. The cat a good audience. Look

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<v Speaker 1>the cat walk away. You know, how do you know

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<v Speaker 1>if your materials working. If you set something clu I

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<v Speaker 1>don't say stay awake, you know, so if he starts

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<v Speaker 1>to fall asleep, then I realized I'm losing the audience there. Yeah,

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<v Speaker 1>you meaginet had a pet and the pet had to

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<v Speaker 1>see comments over and over at home, Mike, even a

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<v Speaker 1>dog man's best friend. I don't you'd put that to

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<v Speaker 1>the test. I'm definitely protected in any kind of response

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<v Speaker 1>that they have to a couple of the experiences on stage. Enough,

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<v Speaker 1>how it would be the one show in his belly

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<v Speaker 1>waiting to get scratched and try to keat the dog. Yeah,

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<v Speaker 1>pet my belly, whitch me behind? Come on skipping? Alrighty,

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<v Speaker 1>welcome to the first weekend without football, And if you're

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<v Speaker 1>wondering what to do with your time, you're not alone.

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<v Speaker 1>Football defines our lives in a lot of ways. So

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<v Speaker 1>now we got to figure out March madness is right

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<v Speaker 1>around the corner. So got to do our college basketball

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<v Speaker 1>crash course, NBA, NHL playoffs, now they're coming up, the

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<v Speaker 1>NFL Draft. You got the combine there. Maybe the XFL

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<v Speaker 1>XFL gets started this weekend this Saturday at Cleve Yeah, XFL.

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<v Speaker 1>In fact, Steve Levy is the main voice for the

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<v Speaker 1>mothership for the XFL, hill Join is coming up by

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<v Speaker 1>believing the final hour of the show. Maybe you could

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<v Speaker 1>take a walk with family and friends, maybe you pick

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<v Speaker 1>up a hobby. All right, maybe not, because it still

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<v Speaker 1>feels like in the NFL, from what I'm told, would

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<v Speaker 1>like to extend their season if you add one more week,

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<v Speaker 1>another regular season game, and then you add another bye week.

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<v Speaker 1>So now I've extended it. We'd be having the super

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<v Speaker 1>Bowl this weekend, right next weekend, So you've extended it.

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<v Speaker 1>Now you own February, you own you know, September, October, November, December, January, February.

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<v Speaker 1>Then you also own leading up to the draft, also

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<v Speaker 1>the combine, fallout from the combine. There's so you'd pretty

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<v Speaker 1>much be a ten month out of the year where

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<v Speaker 1>you'd probably still be the headliner. Yeah, Paully. Do you

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<v Speaker 1>guys think if they added the seventeenth game, they would

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<v Speaker 1>add a round of playoffs or would that be simultaneous?

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<v Speaker 1>You have too, so that means there's an extra week.

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<v Speaker 1>So now we're going three more weeks in the February.

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<v Speaker 1>You're looking at February twentieth to twenty fifth for the

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<v Speaker 1>super Bowl. If you have wild Card weekend, you could

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<v Speaker 1>still have all those games wild Card weekend. If you

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<v Speaker 1>wanted to split it up and have two games on

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<v Speaker 1>Saturday and two games on Sunday, you could do that

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<v Speaker 1>as well. But I can't imagine adding a seventeenth game

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<v Speaker 1>without having something of importance attached to that aside from

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<v Speaker 1>a paycheck. And the importance is will give you another

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<v Speaker 1>bye week and then we're going to have two more

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<v Speaker 1>teams make the postseason as wild cards like something like that.

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<v Speaker 1>I think you got to be careful that you don't

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<v Speaker 1>get into what we have with college football with bowl games. Hey,

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<v Speaker 1>just go six and six and you can go to

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<v Speaker 1>a bowl game. Hey you went seven and nine, but

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<v Speaker 1>you qualify for a wild card berth there. You know that.

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<v Speaker 1>That's where you don't want to water it down too much.

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<v Speaker 1>But I do think there's no reason to have a

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<v Speaker 1>seventeenth game other than just greed, that's all. And hey,

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<v Speaker 1>greed is good. I get it. Now. The players are

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<v Speaker 1>gonna want that money and the owners we know are

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<v Speaker 1>gonna want it. And I was told that the you

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<v Speaker 1>know that an owner Jerry Jones values that extra game,

0:10:48.440 --> 0:10:52.480
<v Speaker 1>that extra week at a billion dollars and players are

0:10:52.480 --> 0:10:54.040
<v Speaker 1>going to say, all right, what do we get out

0:10:54.040 --> 0:10:56.640
<v Speaker 1>of this? And I certainly understand that if you like

0:10:56.640 --> 0:10:58.280
<v Speaker 1>to get in touch with the program. I believe we

0:10:58.320 --> 0:11:00.760
<v Speaker 1>have a poll question, right, Nick Lovin? Yeah, we put

0:11:00.800 --> 0:11:03.720
<v Speaker 1>in who is the next team after the Big three? Clippers,

0:11:03.840 --> 0:11:09.000
<v Speaker 1>Lakers and Boxing kind fifty seven heat over the Raptors, Celtics, Rockets,

0:11:09.000 --> 0:11:11.080
<v Speaker 1>and Nuggets. And they're not done yet. You know, if

0:11:11.080 --> 0:11:13.040
<v Speaker 1>they get Gallinari, who is a guy who can get

0:11:13.080 --> 0:11:15.920
<v Speaker 1>twenty eighteen to twenty a night. He's you know, still

0:11:16.200 --> 0:11:20.320
<v Speaker 1>not great knockdown shooter. I mean, Angudala is a nice player,

0:11:21.040 --> 0:11:24.360
<v Speaker 1>but am i Miami. I'm giving a two year deal

0:11:24.679 --> 0:11:28.880
<v Speaker 1>for thirty million, all right? And gives you He gives

0:11:28.880 --> 0:11:31.800
<v Speaker 1>you experience. You got a young team there. I get it.

0:11:32.600 --> 0:11:35.000
<v Speaker 1>I've always liked Justice Winslow, but you know, he's been

0:11:35.040 --> 0:11:37.920
<v Speaker 1>injured and some Memphis gets him. I think Memphis has

0:11:37.960 --> 0:11:41.120
<v Speaker 1>done well. You know, Agudalla didn't want to play. All right,

0:11:41.120 --> 0:11:43.120
<v Speaker 1>we'll send you and we get a guy who's a

0:11:43.160 --> 0:11:46.760
<v Speaker 1>younger player, ten years younger. Man. I like what Memphis

0:11:46.760 --> 0:11:49.560
<v Speaker 1>is doing. I think that there's a chance there that

0:11:49.960 --> 0:11:51.679
<v Speaker 1>over the next couple of years, you're gonna look at

0:11:51.760 --> 0:11:54.480
<v Speaker 1>a playoff team. I don't know if the Lakers do anything.

0:11:55.360 --> 0:11:58.320
<v Speaker 1>I had a source tell me that they have to

0:11:58.360 --> 0:12:01.440
<v Speaker 1>get rid of Kuzma because he's just not mature enough

0:12:02.040 --> 0:12:05.920
<v Speaker 1>for this big stage. And I went, okay, brandon Ingram.

0:12:06.720 --> 0:12:09.319
<v Speaker 1>You know, I forget Reggie Miller said he needed to

0:12:09.320 --> 0:12:11.400
<v Speaker 1>get out of LA because he didn't he didn't play

0:12:11.440 --> 0:12:14.720
<v Speaker 1>well in a big city, and he's flourished in New Orleans.

0:12:15.240 --> 0:12:17.920
<v Speaker 1>But I don't know if if you're looking at Kyle

0:12:18.000 --> 0:12:20.960
<v Speaker 1>Kuzman and say and plus, you know, it feels like

0:12:21.000 --> 0:12:24.679
<v Speaker 1>there's Lebron, doesn't d doesn't fit in with Lebron, and

0:12:24.760 --> 0:12:27.040
<v Speaker 1>therefore if you don't fit in with Lebron, then you'll

0:12:27.080 --> 0:12:30.040
<v Speaker 1>be gone. What can you get for Kyle Kuzma that's

0:12:30.080 --> 0:12:32.000
<v Speaker 1>going to make you a better team. It's one thing

0:12:32.040 --> 0:12:35.920
<v Speaker 1>to get rid of somebody additioned by subtraction. I like Kuzma.

0:12:36.080 --> 0:12:38.439
<v Speaker 1>I don't know if we've seen the ceiling on Kuzma.

0:12:38.840 --> 0:12:41.679
<v Speaker 1>If he's going to be a great player. He's been

0:12:41.679 --> 0:12:44.880
<v Speaker 1>a surprising player, but I don't know where he goes now. Yeah,

0:12:45.200 --> 0:12:46.559
<v Speaker 1>I got a ton of articles in front of me

0:12:46.679 --> 0:12:50.280
<v Speaker 1>from last summer with the Davis trade, Kuzma's untouchable, the

0:12:50.320 --> 0:12:52.760
<v Speaker 1>one guy in the roster. You can't trade Ingram Go,

0:12:52.960 --> 0:12:55.720
<v Speaker 1>Lonzo Ball go. They wanted, they wanted them gone. Nobody

0:12:55.720 --> 0:12:57.719
<v Speaker 1>wanted to keep Ingram. You can't find a lot of

0:12:57.720 --> 0:13:00.600
<v Speaker 1>people saying Ingram's the one to stay and you know,

0:13:01.040 --> 0:13:03.839
<v Speaker 1>ship everybody else out Yeah, it feels like Kuzman is

0:13:03.840 --> 0:13:05.560
<v Speaker 1>the odd man out here. But I just don't know

0:13:05.640 --> 0:13:09.120
<v Speaker 1>what you want? What you like Marcus Morris from the Knicks,

0:13:09.240 --> 0:13:13.080
<v Speaker 1>like you want to get an intimidator here, you know. Yeah,

0:13:13.080 --> 0:13:16.079
<v Speaker 1>I saw if the Clippers have an untouchable player. That

0:13:16.160 --> 0:13:18.800
<v Speaker 1>surprised me at that shooting guard Landry shamm It. Yeah,

0:13:19.360 --> 0:13:21.959
<v Speaker 1>another Sixers draft pick. By the way, Well, certain Knicks

0:13:21.960 --> 0:13:25.080
<v Speaker 1>are interested in him. Yeah, and the Clippers that dude

0:13:25.120 --> 0:13:28.679
<v Speaker 1>become untouchable clip Clippers said, uh said no to that.

0:13:28.679 --> 0:13:30.600
<v Speaker 1>That's true. That's truck me as odd because I don't

0:13:30.600 --> 0:13:32.640
<v Speaker 1>think a lot of people know much about him. No,

0:13:32.720 --> 0:13:35.199
<v Speaker 1>they don't, but he is a He's one of those

0:13:35.240 --> 0:13:37.760
<v Speaker 1>surprising players, you know, a good shooter. This is when

0:13:37.800 --> 0:13:40.199
<v Speaker 1>I was watching the Clippers before they got Paul George

0:13:40.440 --> 0:13:44.960
<v Speaker 1>and Kauai you're you were seeing a really good, good, young,

0:13:45.040 --> 0:13:48.720
<v Speaker 1>aggressive team that played hard um and that's what I

0:13:48.760 --> 0:13:50.840
<v Speaker 1>loved about them, And that's what I loved about the Nets.

0:13:51.080 --> 0:13:52.800
<v Speaker 1>You know, the thing with the Clippers is you've got

0:13:52.800 --> 0:13:55.400
<v Speaker 1>Paul George and Kwai Leonards, so now they've moved it

0:13:55.520 --> 0:13:58.520
<v Speaker 1>to that elite status, whereas you're still waiting to see

0:13:58.559 --> 0:14:00.720
<v Speaker 1>if Brooklyn's able to do the same thing, you know,

0:14:00.760 --> 0:14:04.320
<v Speaker 1>with Kyrie and then Kevin Durant eventually. But I thought

0:14:04.320 --> 0:14:07.920
<v Speaker 1>the Clippers and Nets last year were mirror images of

0:14:07.920 --> 0:14:10.560
<v Speaker 1>each other, that they were just young players, played hard,

0:14:10.640 --> 0:14:13.839
<v Speaker 1>never gave up, and were playoff caliber teams. Yeah, I'm

0:14:13.840 --> 0:14:16.640
<v Speaker 1>the club everybody wants shooting. Everyone wants Jj Reddick on

0:14:16.760 --> 0:14:19.120
<v Speaker 1>touch of all, you know a guy like Shammitt and like,

0:14:19.280 --> 0:14:22.040
<v Speaker 1>why how come our boy Jammer produs not in today's NBA.

0:14:22.080 --> 0:14:23.440
<v Speaker 1>I feel like all you have to do is to

0:14:23.560 --> 0:14:25.440
<v Speaker 1>be able to shoot a threeporter and you can make

0:14:25.480 --> 0:14:27.720
<v Speaker 1>it in today's NBA. Yeah, And they always say, oh,

0:14:27.720 --> 0:14:30.800
<v Speaker 1>who's he gonna guard? That drives me crazy when I

0:14:30.800 --> 0:14:34.720
<v Speaker 1>hear that, Oh, who's he gonna guard Steve Nash? Did

0:14:34.760 --> 0:14:37.600
<v Speaker 1>anybody say that, Well, who's he gonna guard. It's like

0:14:37.680 --> 0:14:40.800
<v Speaker 1>I expect my guy might be a little bit better

0:14:40.800 --> 0:14:42.840
<v Speaker 1>than your guy. You have to you have to guard

0:14:42.920 --> 0:14:45.160
<v Speaker 1>my guy as well. And I'm gonna I'm gonna win

0:14:45.240 --> 0:14:47.680
<v Speaker 1>that bout. Oh who's he gonna guard? I don't know

0:14:47.680 --> 0:14:53.240
<v Speaker 1>who Larry Bird ever guarded, Magic Ever guarded, but you

0:14:53.280 --> 0:14:56.600
<v Speaker 1>know hunt nobody was guarding them. Yeah. Poe the Gimmer

0:14:56.760 --> 0:15:00.280
<v Speaker 1>thirty years old. He's been on five NBA teams. He

0:15:00.280 --> 0:15:03.360
<v Speaker 1>started seven games. They're all his rookie year, his best season.

0:15:03.400 --> 0:15:06.560
<v Speaker 1>He ever five point nine points per game. He just

0:15:06.720 --> 0:15:09.480
<v Speaker 1>never hit. Yeah. I thought that Golden State would have

0:15:09.520 --> 0:15:11.520
<v Speaker 1>been great for him. Just get into the flow, bring

0:15:11.560 --> 0:15:13.480
<v Speaker 1>him off the bed. She'd be able to hit some jumpers.

0:15:13.520 --> 0:15:16.240
<v Speaker 1>There a couple of phone calls here. Richard Roper, the

0:15:16.240 --> 0:15:19.240
<v Speaker 1>great movie critic, will join Is there any drama leading

0:15:19.320 --> 0:15:22.520
<v Speaker 1>up to the Academy Awards, Because when Fritzie said, do

0:15:22.560 --> 0:15:24.120
<v Speaker 1>we want a movie critic on to talk about the

0:15:24.160 --> 0:15:27.920
<v Speaker 1>Academy Awards, I go, I guess, but I don't know

0:15:27.960 --> 0:15:31.040
<v Speaker 1>if there's any drama, I guess. You know, we'll talk

0:15:31.080 --> 0:15:33.560
<v Speaker 1>to Richard about the movie that we should see or

0:15:33.760 --> 0:15:37.080
<v Speaker 1>we should have seen, and it feels like there's some

0:15:37.120 --> 0:15:40.840
<v Speaker 1>sneaky movies that you know. It feels like those at

0:15:40.840 --> 0:15:45.280
<v Speaker 1>Parasite and Jojo Rabbit, or two movies that were so

0:15:45.320 --> 0:15:48.640
<v Speaker 1>I thought sneaky. Great. Yeah, Paul, on the plane down

0:15:48.640 --> 0:15:50.560
<v Speaker 1>in Miami, I saw Once upon a Time in Hollywood.

0:15:50.560 --> 0:15:51.840
<v Speaker 1>I got to see the whole thing because there's a

0:15:51.840 --> 0:15:54.920
<v Speaker 1>three hour flight. You were completely right there. There's a

0:15:54.920 --> 0:15:56.560
<v Speaker 1>bunch of scenes where they could have cut twenty five

0:15:56.600 --> 0:15:58.120
<v Speaker 1>percent of the scene out and it would have been

0:15:58.200 --> 0:16:00.680
<v Speaker 1>moved faster. I like the film making. I like the

0:16:01.000 --> 0:16:04.040
<v Speaker 1>comedy in it, the intensity of it. The ending is

0:16:04.080 --> 0:16:07.240
<v Speaker 1>fantastic and original and campy and fun. I don't think

0:16:07.240 --> 0:16:09.480
<v Speaker 1>I'm ever gonna watch it again, you know what I mean.

0:16:09.600 --> 0:16:12.600
<v Speaker 1>I it was interesting the first time. The ending was

0:16:12.760 --> 0:16:15.880
<v Speaker 1>over the top, violent and crazy and totally a shift

0:16:15.920 --> 0:16:18.600
<v Speaker 1>of what really happened in that situation. Yeah, I don't

0:16:18.640 --> 0:16:21.040
<v Speaker 1>think I'm gonna and I appreciate the movie. There's some funny, stuffy.

0:16:21.200 --> 0:16:23.200
<v Speaker 1>But how many movies do you watch again? A lot?

0:16:23.920 --> 0:16:26.120
<v Speaker 1>Most of them? Really. If I think a movie is great,

0:16:27.120 --> 0:16:30.480
<v Speaker 1>I watched shawsh you know, like different, but m Rudy

0:16:30.560 --> 0:16:32.720
<v Speaker 1>is different movie like True Romance. Okay, it's kind of

0:16:32.760 --> 0:16:36.400
<v Speaker 1>a violent movie. When's the last time you watch that?

0:16:36.480 --> 0:16:38.440
<v Speaker 1>Never soon, Like, when's the last time you watch that?

0:16:39.480 --> 0:16:42.320
<v Speaker 1>These these movies nowadays, I don't know how many of

0:16:42.360 --> 0:16:44.720
<v Speaker 1>you're going. Boy, I'm always going to be watching, you know,

0:16:44.800 --> 0:16:47.200
<v Speaker 1>I'll watch every time it's on. Though. Is The Revenant?

0:16:47.680 --> 0:16:49.760
<v Speaker 1>I watch it every single time it's on. I didn't

0:16:49.760 --> 0:16:51.600
<v Speaker 1>even watch it all the way through the first but god,

0:16:51.640 --> 0:16:54.120
<v Speaker 1>it's the best part of it is because I like

0:16:54.200 --> 0:16:56.000
<v Speaker 1>the story. Some of it is just because I like

0:16:56.040 --> 0:16:58.040
<v Speaker 1>the scenery and the way it's shot. Oh that, I'll

0:16:58.080 --> 0:17:00.120
<v Speaker 1>give you that. It's great. But yeah, like that's if

0:17:00.160 --> 0:17:01.760
<v Speaker 1>you're sitting at home, you could watch it. It's easy,

0:17:01.800 --> 0:17:04.439
<v Speaker 1>you fall asleep, watch it it whatever. But what is

0:17:04.680 --> 0:17:07.880
<v Speaker 1>a recent movie in the last five years where you

0:17:08.280 --> 0:17:11.440
<v Speaker 1>love watching that no matter when it's on. Yeah, but

0:17:11.600 --> 0:17:13.520
<v Speaker 1>you know, movie get Out. It's never gonna be as

0:17:13.520 --> 0:17:14.800
<v Speaker 1>good as the first time you see it. But when

0:17:14.800 --> 0:17:16.199
<v Speaker 1>it's on and I see it's on, I'm like, oh,

0:17:16.200 --> 0:17:18.359
<v Speaker 1>I'm gonna put that up for a couple of minutes.

0:17:18.520 --> 0:17:21.160
<v Speaker 1>I've never watched it again. I watched it once thought

0:17:21.160 --> 0:17:24.760
<v Speaker 1>it was wonderful. Yeah, but I have no interest to

0:17:24.800 --> 0:17:27.320
<v Speaker 1>go yeah, I'm gonna watch that again. Yeah, McLevin. I

0:17:27.400 --> 0:17:30.000
<v Speaker 1>have a hot take on the nominated movies. The one

0:17:30.040 --> 0:17:33.960
<v Speaker 1>that I saw last night that doesn't belong Ford versus Ferrari.

0:17:34.200 --> 0:17:36.399
<v Speaker 1>Is it not to me in the same caliber as

0:17:37.040 --> 0:17:39.760
<v Speaker 1>the other movies, is that it feels like a mainstream

0:17:40.000 --> 0:17:43.000
<v Speaker 1>pop movie. It's not a bad it's a good movie,

0:17:43.320 --> 0:17:46.320
<v Speaker 1>but it's not a memorable movie. I mean, Christian Bale

0:17:46.359 --> 0:17:49.600
<v Speaker 1>is Christian Bale. Does that deserve to be nominated a

0:17:49.640 --> 0:17:51.879
<v Speaker 1>movie like that? Well, they can, they can nominate up

0:17:51.880 --> 0:17:54.720
<v Speaker 1>to ten. Is that why we're seeing a movie? Yeah?

0:17:54.800 --> 0:17:57.359
<v Speaker 1>So they would that they're not that's on a top

0:17:57.440 --> 0:18:02.320
<v Speaker 1>five movie. Yeah. Um, I'll watch Joker again for sure.

0:18:02.520 --> 0:18:05.240
<v Speaker 1>I definitely will. I would watch it up until the

0:18:05.280 --> 0:18:07.920
<v Speaker 1>final scenes where he's on the talk show with de Niro,

0:18:08.960 --> 0:18:12.520
<v Speaker 1>Like after that it took forever for that scene. Ever.

0:18:12.760 --> 0:18:15.639
<v Speaker 1>I thought it was terrible the way that that was

0:18:15.680 --> 0:18:18.200
<v Speaker 1>show Like you have the drama at the end there

0:18:18.240 --> 0:18:21.240
<v Speaker 1>and then nobody rushes the stage where the Joker. Joker

0:18:21.320 --> 0:18:24.760
<v Speaker 1>just did something and you're going, uh, it just dragged

0:18:24.840 --> 0:18:27.240
<v Speaker 1>the dragged. Oh see, I thought, like the tension of it,

0:18:27.280 --> 0:18:29.359
<v Speaker 1>all of us. Oh, there was tension. Then all of

0:18:29.400 --> 0:18:31.840
<v Speaker 1>a sudden, I'm going, okay, come on, let's go, let's

0:18:31.840 --> 0:18:34.000
<v Speaker 1>go at that. What Black Panther I've seen a bunch

0:18:34.000 --> 0:18:36.760
<v Speaker 1>of times, yes time. I don't know. I wasn't in

0:18:36.800 --> 0:18:38.399
<v Speaker 1>the last five years. But close it up. This is

0:18:38.440 --> 0:18:41.280
<v Speaker 1>forty with Paul Lood and Leslie Man Bad Moms. Those

0:18:41.320 --> 0:18:43.119
<v Speaker 1>are a couple that I thought were hysterical that I

0:18:43.119 --> 0:18:47.359
<v Speaker 1>would happened to come across it. I'll totally leave that ony. Yeah,

0:18:47.400 --> 0:18:51.160
<v Speaker 1>but like Academy Award nominated movies, not well. I think

0:18:51.200 --> 0:18:53.520
<v Speaker 1>the comedies. Do you watch again? I think he has

0:18:53.600 --> 0:18:56.000
<v Speaker 1>he's hitting on topthing. Like I watched Prize of Bathing.

0:18:56.040 --> 0:18:59.800
<v Speaker 1>It's easier to watch comedies multiple times. Yeah, yeah, that's true.

0:19:01.000 --> 0:19:03.160
<v Speaker 1>You know that movie I'm never gonna watch ever, ever,

0:19:03.320 --> 0:19:05.119
<v Speaker 1>ever again. And I wish that I hadn't seen it.

0:19:05.119 --> 0:19:07.760
<v Speaker 1>And I don't even know why it was made. Manchester

0:19:07.840 --> 0:19:12.000
<v Speaker 1>by the Sea, No reason to make that movie. What

0:19:12.040 --> 0:19:14.200
<v Speaker 1>the hell? I know there's a book, Okay, he wrote

0:19:14.200 --> 0:19:15.560
<v Speaker 1>the book. That's fine. What the hell do you have

0:19:15.600 --> 0:19:21.119
<v Speaker 1>to make that movie? For good? God? Little disturbing, a

0:19:21.160 --> 0:19:24.200
<v Speaker 1>whole lot disturbing. There's like nothing good about it. Other

0:19:24.240 --> 0:19:27.560
<v Speaker 1>than like, you know, a performance. Don't be an idiot.

0:19:28.160 --> 0:19:30.240
<v Speaker 1>You have a casey apple, like won the Academy Award,

0:19:30.280 --> 0:19:33.159
<v Speaker 1>didn't he? Oh yeah, it was tremendous. Yeah, but that

0:19:33.280 --> 0:19:34.720
<v Speaker 1>was another you know what part of it. So the

0:19:34.760 --> 0:19:37.280
<v Speaker 1>movie was great, it was awesome, but the accents were terrible.

0:19:37.800 --> 0:19:40.040
<v Speaker 1>Why is it we can't get a Boston act? I know, yes,

0:19:40.280 --> 0:19:44.840
<v Speaker 1>it's broken. That's broken too, like stop stop, it's when

0:19:45.400 --> 0:19:48.159
<v Speaker 1>it's it's people who try to do it, even people

0:19:48.200 --> 0:19:50.639
<v Speaker 1>from Boston, when they try to do a Boston accent.

0:19:50.680 --> 0:19:53.399
<v Speaker 1>I'm like, no, no, you already have the accent. We

0:19:53.480 --> 0:19:56.480
<v Speaker 1>got to overdo it. He's from Boston, though, isn't that

0:19:56.600 --> 0:20:00.919
<v Speaker 1>his accent? But it sounded fake that that was Michelle

0:20:00.920 --> 0:20:03.720
<v Speaker 1>Williams anyway that I was doing, not Oh yes, yeah,

0:20:04.000 --> 0:20:06.159
<v Speaker 1>she's not from there. But but I don't know what

0:20:06.200 --> 0:20:09.359
<v Speaker 1>that is about a Boston accent. But watch, uh what's

0:20:09.359 --> 0:20:11.920
<v Speaker 1>his name? Good Will Hunting? Who's Will Hunting? What's that? Matt?

0:20:12.359 --> 0:20:14.840
<v Speaker 1>Matt Damon? He does the worst Boston I know. I

0:20:14.920 --> 0:20:17.480
<v Speaker 1>said the same thing when I watched that, Like it

0:20:17.640 --> 0:20:20.320
<v Speaker 1>just felt like, no, Matt, you have a Boston accent.

0:20:20.880 --> 0:20:23.760
<v Speaker 1>All you have to do is be around your neighborhood

0:20:23.920 --> 0:20:26.120
<v Speaker 1>for a week and that accent will come right back

0:20:26.160 --> 0:20:28.040
<v Speaker 1>and it will be natural. You know, the guys who

0:20:28.119 --> 0:20:30.920
<v Speaker 1>go over the top John Krasinski with that commercial in

0:20:30.960 --> 0:20:35.520
<v Speaker 1>the smart talk whatever, like they're they're going over their

0:20:35.640 --> 0:20:38.439
<v Speaker 1>caricature of that accent. But when you're Ben Affleck knocking

0:20:38.440 --> 0:20:41.960
<v Speaker 1>off banks in the town or whatever, and yeah, talk

0:20:42.000 --> 0:20:45.840
<v Speaker 1>about potty and tell I know it doesn't sound natural.

0:20:46.359 --> 0:20:50.760
<v Speaker 1>And they're from there. I don't get that. Ya. We'll

0:20:50.760 --> 0:20:54.240
<v Speaker 1>talk to Richard Roper, Steve Levey from the Mothership, will

0:20:54.280 --> 0:20:56.600
<v Speaker 1>stop bots. Well, we'll get to your phone calls. Yes.

0:20:57.480 --> 0:20:59.280
<v Speaker 1>I like movies where they just don't care about it.

0:20:59.280 --> 0:21:02.120
<v Speaker 1>What's the movie? Uh? What's the movie with the submarine?

0:21:02.119 --> 0:21:05.280
<v Speaker 1>Movie with Hunt for Red October? And they're all speaking English,

0:21:05.320 --> 0:21:07.800
<v Speaker 1>the entire speaking English, the entire movie. One of the

0:21:07.840 --> 0:21:11.639
<v Speaker 1>guys in the Scottish accent, Connor's got a Scottish accent.

0:21:13.720 --> 0:21:19.200
<v Speaker 1>Let's just all speak English. Screw its subtitles, subtitles. What's

0:21:19.240 --> 0:21:22.000
<v Speaker 1>that movie? Oh gosh, I'm trying to think what it is.

0:21:22.359 --> 0:21:29.640
<v Speaker 1>Oh well, um, the Steve Bushemi Stalin movie, the one

0:21:29.680 --> 0:21:32.840
<v Speaker 1>you Love You Like last year, not the Death of

0:21:32.880 --> 0:21:36.240
<v Speaker 1>Stalin or or something like that. Yeah, but there they

0:21:36.320 --> 0:21:38.720
<v Speaker 1>just had English accent, like they just said regular accents.

0:21:38.720 --> 0:21:41.000
<v Speaker 1>They didn't try to be Russian in that. What's the

0:21:41.080 --> 0:21:48.240
<v Speaker 1>name of that movie? Yeah, which is it's a funny movie.

0:21:48.640 --> 0:21:51.159
<v Speaker 1>But they just have regular accents in their Russian. What

0:21:51.400 --> 0:21:57.199
<v Speaker 1>was the one? Uh? The uh? Oh? That was? That was?

0:21:57.560 --> 0:22:02.200
<v Speaker 1>That was the one Churchill movie? Is Is it called

0:22:02.280 --> 0:22:13.639
<v Speaker 1>Darkness Hour? Gary, He's got his cigar and he's in

0:22:13.680 --> 0:22:18.920
<v Speaker 1>front of everybody flopping around in the bath. Yeah, it's

0:22:18.960 --> 0:22:23.320
<v Speaker 1>called Darkness Hour. All right, we'll take a break twenty

0:22:23.320 --> 0:22:25.600
<v Speaker 1>one after the hour and get to your phone calls

0:22:25.600 --> 0:22:28.000
<v Speaker 1>coming up here on the Dan Patrick Show. Hey, it's

0:22:28.000 --> 0:22:29.919
<v Speaker 1>Pauli Paps to the Damn Patrick Show. We've got an

0:22:29.960 --> 0:22:32.040
<v Speaker 1>awesome podcast to tell you about today. It's The Big

0:22:32.080 --> 0:22:34.640
<v Speaker 1>Podcast with Shack. Of course, it's Big tune in every

0:22:34.640 --> 0:22:37.240
<v Speaker 1>week is Shack and his crew cover sports, entertainment, and

0:22:37.280 --> 0:22:39.159
<v Speaker 1>a lot more. With Shack that's the only way the

0:22:39.160 --> 0:22:41.280
<v Speaker 1>Diesel does it. The show is full of laughs and

0:22:41.320 --> 0:22:43.920
<v Speaker 1>amazing stories. Stay tuned. The end of this episode from

0:22:43.920 --> 0:22:46.439
<v Speaker 1>a great clip from The Big Podcast with Shack. Let

0:22:46.480 --> 0:22:49.359
<v Speaker 1>me sure to subscribe on podcast one Apple Podcast and

0:22:49.440 --> 0:22:53.879
<v Speaker 1>many other podcasts listening apps so you don't miss an episode.

0:22:54.520 --> 0:22:57.639
<v Speaker 1>Five hour Energy helps you get screw You're crazy on

0:22:57.680 --> 0:23:00.920
<v Speaker 1>the gold Light and now it comes into great tropical

0:23:00.960 --> 0:23:05.479
<v Speaker 1>flavors Strawberry Banana and Tropical Burst. They're delicious and can

0:23:05.560 --> 0:23:10.280
<v Speaker 1>transport YouTube a tropical paradise. Try them both, then vote

0:23:10.280 --> 0:23:13.600
<v Speaker 1>for your favorite at five hwin dot com. You could

0:23:13.600 --> 0:23:15.879
<v Speaker 1>be on the go to someplace you actually want to go.

0:23:16.119 --> 0:23:18.880
<v Speaker 1>Offer end seven thirty one twenty Terms of Fly. See

0:23:19.040 --> 0:23:24.680
<v Speaker 1>www dot five hwin dot com for details. Keep sending

0:23:24.720 --> 0:23:27.359
<v Speaker 1>in the Meat Friday songs. We have a couple of

0:23:27.400 --> 0:23:29.359
<v Speaker 1>them that we're gonna play. Let me see if I

0:23:29.440 --> 0:23:33.000
<v Speaker 1>have one. UH. It might take a little bit of

0:23:33.000 --> 0:23:36.800
<v Speaker 1>time to find the Meat Friday songs. Here is Ben

0:23:36.800 --> 0:23:41.919
<v Speaker 1>in Michigan with his uh entrance with a Meat Friday

0:23:41.920 --> 0:24:11.560
<v Speaker 1>song from I'm creating a monster because nobody wants to

0:24:11.600 --> 0:24:13.919
<v Speaker 1>eat sausage no more. They want crazy. I'm shopping up.

0:24:14.160 --> 0:24:15.720
<v Speaker 1>But if you want breaking, this is what I was

0:24:15.920 --> 0:24:18.240
<v Speaker 1>you under Obata. Beat me with some high pickle, some

0:24:18.280 --> 0:24:20.359
<v Speaker 1>tacos that will John stopping my fust workers in the

0:24:20.440 --> 0:24:22.879
<v Speaker 1>shop of hot Stars. It's the postable Mamma, swap my

0:24:22.960 --> 0:24:25.080
<v Speaker 1>shorts out and stop the cravings. But I'm buying all

0:24:25.119 --> 0:24:27.359
<v Speaker 1>the sweet with the costo saying that if you waited

0:24:27.400 --> 0:24:29.440
<v Speaker 1>a year to stop debating Ben in pack, he's on

0:24:29.560 --> 0:24:31.920
<v Speaker 1>the rest and not complaining grill shots. No about eating

0:24:31.920 --> 0:24:33.680
<v Speaker 1>man a test for crazy mouse. I was hunting in

0:24:33.760 --> 0:24:36.400
<v Speaker 1>the song that was regulator, and so yes, I ain't

0:24:36.440 --> 0:24:38.920
<v Speaker 1>get to see any song. I'm better that I'm blessed

0:24:38.920 --> 0:24:41.000
<v Speaker 1>in you. I'm trying to get a song about Beggie

0:24:41.480 --> 0:24:44.440
<v Speaker 1>putting is so efty without beating the stone, come on,

0:24:44.560 --> 0:24:46.840
<v Speaker 1>spreading pub on the rib, smoke beat a couple of

0:24:46.880 --> 0:24:48.879
<v Speaker 1>the bitch stuff. I'm gonna missing getting ready because this

0:24:48.920 --> 0:24:50.800
<v Speaker 1>trigger is not to get happy and I'm stilling all

0:24:50.800 --> 0:24:54.880
<v Speaker 1>the OUs. That's great. Ben did't regulators last year. That's

0:24:54.920 --> 0:24:58.800
<v Speaker 1>Ben in Michigan. I think, yeah, Paul, I don't know how,

0:24:58.880 --> 0:25:00.200
<v Speaker 1>but I would love to get em and him to

0:25:00.280 --> 0:25:02.760
<v Speaker 1>cover that song. I don't know. He seems to have time.

0:25:04.200 --> 0:25:05.840
<v Speaker 1>Can we reach out to him to be your permission?

0:25:06.280 --> 0:25:10.600
<v Speaker 1>Two days? Who did tregulators? Oh, Kenny and Los Angeles

0:25:10.680 --> 0:25:16.760
<v Speaker 1>did regulators? Okay, but Ben did it two days to

0:25:16.920 --> 0:25:18.440
<v Speaker 1>have to find out that's why he did, like a

0:25:18.520 --> 0:25:21.040
<v Speaker 1>guess who's back? Yeah that's why? Yeah? I thought, yeah,

0:25:21.440 --> 0:25:24.439
<v Speaker 1>T Regulators was great. Yeah, Regulators was fantastic. I had

0:25:24.440 --> 0:25:26.640
<v Speaker 1>a couple of phone calls in Richard Roper, the Great

0:25:26.720 --> 0:25:30.679
<v Speaker 1>movie movie Critics Chicago sometimes will joine Alex and Cincinnati. Hi, Alex,

0:25:30.720 --> 0:25:33.920
<v Speaker 1>what do you have for me today? Hey? Dan? Five

0:25:34.080 --> 0:25:38.600
<v Speaker 1>ten one seventy, Hey, I just wanted to weigh in

0:25:38.680 --> 0:25:40.680
<v Speaker 1>on the Burrows stuff for real quick. Hopefully put it

0:25:40.720 --> 0:25:43.320
<v Speaker 1>to rest for a while, since we've got seventy eight long,

0:25:43.400 --> 0:25:46.639
<v Speaker 1>grueling days until the draft. I think you're reading a

0:25:46.800 --> 0:25:49.480
<v Speaker 1>little bit too much into Burrows comments. I thought he

0:25:49.560 --> 0:25:52.879
<v Speaker 1>answered the question perfectly. Had he said you know you

0:25:52.960 --> 0:25:55.239
<v Speaker 1>can't wait to play for the Bengals or you being

0:25:55.240 --> 0:25:57.200
<v Speaker 1>in the best interviewer in the business there, you would

0:25:57.200 --> 0:26:00.359
<v Speaker 1>immediately asked him like why, um, you know, you probably

0:26:00.400 --> 0:26:03.639
<v Speaker 1>would have backed themselves into a corner, so he avoided that.

0:26:04.240 --> 0:26:06.600
<v Speaker 1>But how do you explain this though, Just how do

0:26:06.680 --> 0:26:10.160
<v Speaker 1>you explain this that you got Carson Palmer, whose brother

0:26:10.280 --> 0:26:13.359
<v Speaker 1>Jordan Palmer is training Joe Burrow. Carson Palmer said the

0:26:13.400 --> 0:26:16.680
<v Speaker 1>Bengals weren't serious about winning Super Bowls, and Joe said

0:26:16.720 --> 0:26:18.879
<v Speaker 1>he wanted to go number one and a place committed

0:26:18.920 --> 0:26:21.879
<v Speaker 1>to winning Super Bowls, right, so, he said that Former

0:26:21.960 --> 0:26:25.040
<v Speaker 1>Bengals wide receiver t J. Hushman Zada, also working with

0:26:25.160 --> 0:26:29.680
<v Speaker 1>Joe Burrow, said that the Bengals should strongly consider any

0:26:29.760 --> 0:26:33.760
<v Speaker 1>gigantic trade offers that they might get. It feels like

0:26:33.800 --> 0:26:37.760
<v Speaker 1>there's just something there. You know. I'm not a conspiracy theorist,

0:26:38.000 --> 0:26:39.680
<v Speaker 1>and I don't want to read into this and put

0:26:39.760 --> 0:26:43.480
<v Speaker 1>words in his mouth, but I understand if they're keeping

0:26:43.560 --> 0:26:47.000
<v Speaker 1>their options open. I think that's smart for Joe and

0:26:47.400 --> 0:26:50.360
<v Speaker 1>his reps and his family to do. He's not making

0:26:50.400 --> 0:26:52.840
<v Speaker 1>any demands, Alex. It just feels like he is keeping

0:26:52.920 --> 0:26:56.639
<v Speaker 1>his options open. And you're close to it. You're a

0:26:56.680 --> 0:26:59.240
<v Speaker 1>Bengal fan, you live in Cincinnati. I'm removed from it.

0:26:59.320 --> 0:27:01.159
<v Speaker 1>All I do is ask the questions and listen to

0:27:01.240 --> 0:27:03.919
<v Speaker 1>the answers, and even his dad saying, you know, when

0:27:03.960 --> 0:27:09.200
<v Speaker 1>his dad sent that text to a Fox nineteen, I'm

0:27:09.240 --> 0:27:12.720
<v Speaker 1>not sure where that information is coming from. Jimmy Burrow said,

0:27:13.119 --> 0:27:15.479
<v Speaker 1>we're all excited Joe has put himself in a position

0:27:15.520 --> 0:27:18.359
<v Speaker 1>to be considered as a possible high draft choice. Okay,

0:27:19.119 --> 0:27:21.080
<v Speaker 1>he didn't say anything about the Bengals. He just wants

0:27:21.119 --> 0:27:23.600
<v Speaker 1>to be a high draft choice there, and that's why

0:27:23.880 --> 0:27:26.879
<v Speaker 1>if I'm reading something into it, Yeah, I hope Joe

0:27:26.920 --> 0:27:29.439
<v Speaker 1>Burrow goes to Cincinnati. I don't blame him if he's

0:27:29.520 --> 0:27:32.280
<v Speaker 1>keeping his options open, but thank you, Alex. Yes, part

0:27:32.320 --> 0:27:34.080
<v Speaker 1>of it does feel like the media wants him to

0:27:34.119 --> 0:27:37.399
<v Speaker 1>trade out. Maybe it'd be a way more fun story

0:27:37.760 --> 0:27:40.200
<v Speaker 1>if the media if he did trade out of that pick.

0:27:40.240 --> 0:27:43.000
<v Speaker 1>So there's sort of like almost like the tail wagging

0:27:43.040 --> 0:27:44.680
<v Speaker 1>the dog, like I think he should trade out of

0:27:44.720 --> 0:27:47.040
<v Speaker 1>this pick. So that's why we're reading into Oh wait,

0:27:47.080 --> 0:27:48.480
<v Speaker 1>what did he just say? See he is going to

0:27:48.520 --> 0:27:49.920
<v Speaker 1>trade out. He does want to trade out of that.

0:27:50.119 --> 0:27:51.639
<v Speaker 1>It's sort of like what we want him to do.

0:27:52.040 --> 0:27:55.080
<v Speaker 1>If he says I want to go number one and

0:27:55.200 --> 0:27:58.480
<v Speaker 1>that means going to Cincinnati, and I'm excited about that opportunity,

0:27:58.560 --> 0:28:00.639
<v Speaker 1>but then does that, But then he's say, what happens

0:28:00.640 --> 0:28:03.000
<v Speaker 1>if the Dolphins trade up to number one to go

0:28:03.040 --> 0:28:04.280
<v Speaker 1>get him? Now he doesn't want to play for the

0:28:04.320 --> 0:28:06.920
<v Speaker 1>Dolphins because he wanted to play for Cincinnati. No, he's

0:28:06.920 --> 0:28:10.480
<v Speaker 1>saving his options open. Yeah, but I don't necessarily give

0:28:10.520 --> 0:28:13.879
<v Speaker 1>him the benefit of the doubt. Because Carson Palmer is

0:28:13.960 --> 0:28:16.560
<v Speaker 1>working with Jordan Palmer, and Carson said that they don't

0:28:16.560 --> 0:28:19.320
<v Speaker 1>want to win Super Bowls, and he quit the Bengals,

0:28:20.359 --> 0:28:23.920
<v Speaker 1>and then you got T. J. Hushmnzada. They should strongly consider,

0:28:24.520 --> 0:28:26.919
<v Speaker 1>you know, looking at a big package deal. These are

0:28:26.960 --> 0:28:29.680
<v Speaker 1>the people are with Joe Burrow. Those aren't good comments

0:28:29.760 --> 0:28:36.040
<v Speaker 1>there so. Richard Roper, Chicago Suntimes nationally syndicated columnist, movie critic,

0:28:36.160 --> 0:28:39.600
<v Speaker 1>and his new podcast The Best Movies ongoing series with

0:28:39.760 --> 0:28:42.400
<v Speaker 1>various episodes, including a six part series on the best

0:28:42.480 --> 0:28:45.480
<v Speaker 1>movies of the decade, upcoming series on the Best Teams

0:28:45.560 --> 0:28:51.120
<v Speaker 1>Bond Movies. Follow him on Twitter at Richard E. Europer, Hi,

0:28:51.320 --> 0:28:55.000
<v Speaker 1>Richard Dan always good to stop. How you doing. I'm great.

0:28:55.200 --> 0:28:58.360
<v Speaker 1>Give me the movie in the last five years Academy

0:28:58.440 --> 0:29:02.360
<v Speaker 1>Award nominated movie that you would watch over and over?

0:29:03.800 --> 0:29:11.080
<v Speaker 1>Oh wow, last five years, over and over. My first

0:29:11.120 --> 0:29:13.040
<v Speaker 1>thought is the movie I never want to see again,

0:29:13.080 --> 0:29:15.920
<v Speaker 1>which should be Bohemian Rhapsody. Being a critic, of course,

0:29:15.920 --> 0:29:19.840
<v Speaker 1>I always go in the opposite direction. We talk about repeatability.

0:29:19.880 --> 0:29:21.840
<v Speaker 1>I'd say the movie in the last five years that

0:29:21.960 --> 0:29:25.600
<v Speaker 1>I'd watched over and over is a movie from twenty nineteen.

0:29:26.000 --> 0:29:28.320
<v Speaker 1>Once upon a Time in Hollywood. It's the type of

0:29:28.400 --> 0:29:30.480
<v Speaker 1>movie you can, you know, you could drop in any time.

0:29:30.520 --> 0:29:32.880
<v Speaker 1>It's like a Scorsese film, you know, a Good Fellas,

0:29:32.920 --> 0:29:35.480
<v Speaker 1>anything like that, any moment. And Once upon a Time

0:29:35.520 --> 0:29:39.959
<v Speaker 1>in Hollywood is a brilliant scene. Why did Tarantino continue

0:29:40.080 --> 0:29:44.360
<v Speaker 1>to drag out all of the scenes. Well, I think

0:29:44.400 --> 0:29:46.840
<v Speaker 1>when you got a good thing going, you keep going

0:29:46.920 --> 0:29:49.280
<v Speaker 1>with it. That's sort of like asking why did let

0:29:49.400 --> 0:29:51.360
<v Speaker 1>Zeppelin make stair Way to have an eight and a

0:29:51.400 --> 0:29:54.560
<v Speaker 1>half minutes I like that pacing Dan, and I know

0:29:54.760 --> 0:29:57.400
<v Speaker 1>with What's Upon a Time in Hollywood and certainly with

0:29:57.560 --> 0:30:00.720
<v Speaker 1>The Irishman, some people get a little fidgety because the

0:30:00.800 --> 0:30:03.600
<v Speaker 1>scenes don't cut like normal movies do, or I should

0:30:03.600 --> 0:30:06.920
<v Speaker 1>say typical movies do these day. I like it what

0:30:07.080 --> 0:30:11.240
<v Speaker 1>a movie gives a scene a chance to breathe. I'll

0:30:11.280 --> 0:30:13.600
<v Speaker 1>give you that, because you got a lot. You could

0:30:13.600 --> 0:30:15.880
<v Speaker 1>have cut that movie by thirty minutes and nobody would

0:30:15.880 --> 0:30:20.240
<v Speaker 1>have missed anything there. And look, he's a brilliant filmmaker,

0:30:20.400 --> 0:30:22.720
<v Speaker 1>and I always, you know, love to watch what he

0:30:22.840 --> 0:30:24.920
<v Speaker 1>does and the craft that he has with it. But

0:30:25.360 --> 0:30:27.520
<v Speaker 1>it just felt like there were there was a scene

0:30:27.560 --> 0:30:29.239
<v Speaker 1>that you go, okay, and then it ends there it's

0:30:29.280 --> 0:30:31.000
<v Speaker 1>good end, and then all of a sudden it continue

0:30:31.120 --> 0:30:33.800
<v Speaker 1>is the little girl talks to Leonardo DiCaprio, and then

0:30:33.840 --> 0:30:35.640
<v Speaker 1>it goes on and on and on. I go, all right,

0:30:36.080 --> 0:30:39.959
<v Speaker 1>but um, and Brad Pitch probably winning an Academy Award, right,

0:30:40.640 --> 0:30:42.720
<v Speaker 1>He's definitely gonna win Dan And you know, here's the

0:30:42.760 --> 0:30:46.200
<v Speaker 1>thing with Brad Pitt. Out of the Supporting Actor nominees

0:30:46.280 --> 0:30:48.040
<v Speaker 1>this year, he's the only one that doesn't have an

0:30:48.080 --> 0:30:52.280
<v Speaker 1>acting victory and acting Oscar and he's really really good

0:30:52.320 --> 0:30:54.160
<v Speaker 1>in Once Upon a Time in Hollywood. As you know,

0:30:54.520 --> 0:30:56.400
<v Speaker 1>it's really a co lead. You know, he and Leo

0:30:56.480 --> 0:30:58.760
<v Speaker 1>are co leads in the movie. They put Leo up

0:30:58.800 --> 0:31:01.680
<v Speaker 1>for lead and then Brad for supporting. But he's a

0:31:01.760 --> 0:31:04.600
<v Speaker 1>popular guy. He's a guy everyone likes to work with.

0:31:04.760 --> 0:31:06.280
<v Speaker 1>And I thought it was actually kind of a perfect

0:31:06.360 --> 0:31:09.400
<v Speaker 1>marriage between a guys on screen for Sona and the

0:31:09.600 --> 0:31:12.400
<v Speaker 1>role that Tarantino clearly intended for Brad Pitt to have.

0:31:12.960 --> 0:31:16.720
<v Speaker 1>He was funny, and I think that sometimes when you

0:31:16.800 --> 0:31:20.080
<v Speaker 1>see somebody not playing to what you think their character is.

0:31:20.480 --> 0:31:23.000
<v Speaker 1>That's why he stood out like he had a you know,

0:31:23.280 --> 0:31:27.720
<v Speaker 1>he's sort of a goofy guy, and he is. Yeah, yeah,

0:31:27.720 --> 0:31:29.920
<v Speaker 1>you're absolutely right. He is a goofy guy. He's a guy,

0:31:30.280 --> 0:31:32.600
<v Speaker 1>you know, the DiCaprio character there, these guys are in

0:31:32.640 --> 0:31:36.120
<v Speaker 1>parallel paths in their lives. DiCaprio's character feels like his

0:31:36.280 --> 0:31:39.320
<v Speaker 1>B level career as an actor is coming to an end,

0:31:39.640 --> 0:31:42.040
<v Speaker 1>where his Brad Pitt has long come to terms with

0:31:42.080 --> 0:31:43.680
<v Speaker 1>the fact that he was never going to be a star.

0:31:44.120 --> 0:31:47.520
<v Speaker 1>He's just the stunt man turn glorified gopher, and he's

0:31:47.560 --> 0:31:49.720
<v Speaker 1>okay with that. He's going to enjoy life. He's gonna

0:31:49.720 --> 0:31:52.280
<v Speaker 1>have a beer, he's gonna meet women and and just

0:31:52.440 --> 0:31:56.440
<v Speaker 1>have a good time. My guys are kind of split

0:31:56.560 --> 0:32:03.320
<v Speaker 1>on the irishman. I got board by it. Well, listen,

0:32:03.760 --> 0:32:05.440
<v Speaker 1>you know, I hear this from people all lot, Dan

0:32:05.560 --> 0:32:07.560
<v Speaker 1>and I. You know, you know, people were very intimidated

0:32:08.080 --> 0:32:11.840
<v Speaker 1>by the running time. It does have a certain deliberate pace,

0:32:12.360 --> 0:32:14.360
<v Speaker 1>you know, as someone who sees three hundred and fifty

0:32:14.400 --> 0:32:17.080
<v Speaker 1>movies a year and so many of them are cut

0:32:17.240 --> 0:32:21.080
<v Speaker 1>to appeal to the attention deficit disorder generation, and they

0:32:21.200 --> 0:32:23.720
<v Speaker 1>move it exactly the same, and they move it exactly

0:32:23.800 --> 0:32:26.360
<v Speaker 1>the third you know, I know, I know exactly when

0:32:26.360 --> 0:32:28.120
<v Speaker 1>they're going to cut to the nixtine Dan, I know

0:32:28.160 --> 0:32:30.880
<v Speaker 1>how they're gonna use the visual punchline, and I like it,

0:32:31.040 --> 0:32:33.480
<v Speaker 1>and I you know, listen, I understand what people are saying.

0:32:33.520 --> 0:32:35.760
<v Speaker 1>But when people say to me, hey, listen, man, I

0:32:36.000 --> 0:32:38.360
<v Speaker 1>can't watch The Irishman or one sitting, I'm like, but

0:32:38.600 --> 0:32:41.960
<v Speaker 1>you'll binge watch all six seasons of Ship's Creek without

0:32:42.000 --> 0:32:45.720
<v Speaker 1>ever getting out of bed, or you'll watch six NC

0:32:45.920 --> 0:32:49.520
<v Speaker 1>Double A basketball games on a February on Saturday without

0:32:49.600 --> 0:32:51.920
<v Speaker 1>saying it's too long. So it's all a matter of

0:32:52.000 --> 0:32:54.680
<v Speaker 1>what you're interested in seeing. Yeah, but Creak is better

0:32:54.800 --> 0:32:58.880
<v Speaker 1>than The Irishman, though, I dare quote for the TVD

0:32:59.080 --> 0:33:04.120
<v Speaker 1>box collection, here are the two best movies this year.

0:33:04.720 --> 0:33:11.760
<v Speaker 1>You're ready, I'm ready. Parasite and Joejoe Rabbit. Oh. I'm

0:33:11.800 --> 0:33:13.200
<v Speaker 1>not going to disagree with the other one of those.

0:33:13.280 --> 0:33:15.320
<v Speaker 1>And it's interesting you pick, you know, you picked two

0:33:15.400 --> 0:33:19.000
<v Speaker 1>films that are way outside the norm. Obviously Parasite being

0:33:19.040 --> 0:33:22.120
<v Speaker 1>a foreign language film and really having some great stuff.

0:33:22.160 --> 0:33:24.920
<v Speaker 1>And then Joejoe Rabbit. In this era, we you know,

0:33:24.960 --> 0:33:27.880
<v Speaker 1>we talked about everybody being politically correct, and Afraid to

0:33:27.960 --> 0:33:30.240
<v Speaker 1>take chances, and here's a movie about a ten year

0:33:30.240 --> 0:33:33.440
<v Speaker 1>old boy with Hitlerism as an imaginary friend. Talk about

0:33:33.480 --> 0:33:36.160
<v Speaker 1>a bold move. I love both of those films. Yeah,

0:33:36.200 --> 0:33:39.040
<v Speaker 1>I just thought, and I think Scarlett Johanson has had

0:33:39.040 --> 0:33:43.360
<v Speaker 1>an unbelievable a year. You know, I loved her more

0:33:43.920 --> 0:33:47.440
<v Speaker 1>than Adam Driver in Marriage Story. I thought, I thought

0:33:47.480 --> 0:33:51.400
<v Speaker 1>she was spectacular in there, but she was great. And

0:33:51.480 --> 0:33:54.200
<v Speaker 1>it's interesting too, She's never been nominated for an OSCAR before,

0:33:54.200 --> 0:33:56.720
<v Speaker 1>and now she's got the the Daily Doubles Lead Actress

0:33:56.840 --> 0:33:59.320
<v Speaker 1>and Supporting Actress. I think a lot of people thought, oh,

0:33:59.400 --> 0:34:01.600
<v Speaker 1>she must have been dominated for Lost and Translationship, but no,

0:34:01.760 --> 0:34:04.440
<v Speaker 1>she never was dominated till this year. She was great

0:34:04.480 --> 0:34:07.080
<v Speaker 1>and Lost in Translation. But you know, Bill Burry's character

0:34:07.240 --> 0:34:10.799
<v Speaker 1>was so big that I'm surprised she wouldn't nominated as

0:34:10.880 --> 0:34:14.200
<v Speaker 1>Best Supporting Actress. Yeah, I think most people just assume

0:34:14.280 --> 0:34:16.720
<v Speaker 1>that she had been. And you mentioned Joe Joe Rabbit.

0:34:17.000 --> 0:34:19.760
<v Speaker 1>What I loved about her performance there, Dan was Scarlett

0:34:19.920 --> 0:34:22.120
<v Speaker 1>has often played you know, she plays the black widow,

0:34:22.600 --> 0:34:25.200
<v Speaker 1>or she plays these kind of almost ice queens, and

0:34:25.280 --> 0:34:28.120
<v Speaker 1>then Joejoe Rabbit. She's a mom She's a mother in

0:34:28.239 --> 0:34:31.400
<v Speaker 1>the most trying of circumstances, and I thought it was

0:34:31.480 --> 0:34:36.360
<v Speaker 1>her warmest and most empathetic performance. The look. Okay, so

0:34:36.480 --> 0:34:39.800
<v Speaker 1>who wins Best Movie is going to be It's gonna

0:34:39.800 --> 0:34:43.040
<v Speaker 1>be nineteen seventeen, but Parasite and once upon a time

0:34:43.080 --> 0:34:46.200
<v Speaker 1>in Hollywood still have an outside shot. Okay, Best Actor

0:34:47.360 --> 0:34:50.440
<v Speaker 1>the Martin Phoenix, for sure, he's your mortal lot. You know,

0:34:50.600 --> 0:34:53.239
<v Speaker 1>he's like Yo Lamar Jackson for m VP this year.

0:34:53.280 --> 0:34:55.920
<v Speaker 1>It was a four going conclusion. It's a great performance.

0:34:55.960 --> 0:35:00.200
<v Speaker 1>I hated the ending of that movie though, Yeah, talk

0:35:00.239 --> 0:35:04.680
<v Speaker 1>shown thing with DeNiro, I just dragged and you had

0:35:04.760 --> 0:35:07.960
<v Speaker 1>so much tension and you knew what that something was

0:35:07.960 --> 0:35:10.480
<v Speaker 1>going to happen there, but it just took forever and

0:35:10.680 --> 0:35:13.080
<v Speaker 1>I and I was okay with the very end, with

0:35:13.160 --> 0:35:15.640
<v Speaker 1>the total anarchy, but the talk show portion of that

0:35:16.120 --> 0:35:18.880
<v Speaker 1>was I was bored and DeNiro didn't even seem like

0:35:18.960 --> 0:35:21.800
<v Speaker 1>he was the right person for that role. It's you know,

0:35:21.840 --> 0:35:24.480
<v Speaker 1>it's a polarizing film, and I know de Niro. I

0:35:24.520 --> 0:35:26.560
<v Speaker 1>think it was a double edged sword there because so

0:35:26.719 --> 0:35:28.879
<v Speaker 1>much of that film was clearly based on Taxi Driver

0:35:29.000 --> 0:35:31.440
<v Speaker 1>and King of Comedy, which are two obvious. You know,

0:35:31.560 --> 0:35:35.640
<v Speaker 1>a huge DeNiro films, So the casting felt a little

0:35:35.680 --> 0:35:38.160
<v Speaker 1>bit like suncasting. You know, I see what you're being.

0:35:38.160 --> 0:35:39.759
<v Speaker 1>It kind of took out of the movie a little bit.

0:35:40.360 --> 0:35:43.160
<v Speaker 1>I just thought that the Jaquin Phoenix is wonderful in there.

0:35:43.160 --> 0:35:44.680
<v Speaker 1>I don't know why he had to show that he

0:35:44.760 --> 0:35:47.480
<v Speaker 1>lost all this weight or he's really skinny, because it's

0:35:47.520 --> 0:35:49.160
<v Speaker 1>not like that had anything to do with his role.

0:35:49.200 --> 0:35:50.680
<v Speaker 1>But he takes off his shirt or he has his

0:35:50.719 --> 0:35:53.600
<v Speaker 1>shirt off one time. You go, it's not like you're

0:35:54.080 --> 0:35:56.680
<v Speaker 1>putting you know, this isn't raging bowl here or something.

0:35:56.840 --> 0:35:59.200
<v Speaker 1>It had nothing to do with his character. Yeah, I'm

0:35:59.239 --> 0:36:02.520
<v Speaker 1>over all of the radical weight games and losses when

0:36:02.560 --> 0:36:05.120
<v Speaker 1>we and then we get the inevitable stories from the

0:36:05.160 --> 0:36:07.680
<v Speaker 1>beautiful actress or the hunky dude talking about what a

0:36:07.719 --> 0:36:10.840
<v Speaker 1>sacrificed same made. And you know this classic quote that

0:36:10.920 --> 0:36:13.879
<v Speaker 1>Lawrence Olivia gates Dustin Hoffmann on the set of Marathon Man,

0:36:14.200 --> 0:36:16.000
<v Speaker 1>when he told her, why don't you try acting? It's

0:36:16.000 --> 0:36:22.560
<v Speaker 1>so much easier. So the best supporting is going to

0:36:22.600 --> 0:36:28.040
<v Speaker 1>be Brad Pitt best actor. Uh we already said best, Yeah,

0:36:28.120 --> 0:36:34.400
<v Speaker 1>best actress. Renee's Allweger for Beauty I thought she wanted

0:36:34.719 --> 0:36:36.840
<v Speaker 1>I thought. I went to see it, there is a

0:36:37.000 --> 0:36:39.880
<v Speaker 1>scene at the very end where I thought she was her.

0:36:40.080 --> 0:36:43.000
<v Speaker 1>I thought that she had actually become her, and it's

0:36:43.280 --> 0:36:44.879
<v Speaker 1>you know, at the very end, when she's melting down

0:36:44.920 --> 0:36:47.279
<v Speaker 1>and she wants her one last chance on stage. I

0:36:47.600 --> 0:36:49.400
<v Speaker 1>thought that she was great in a movie that I

0:36:49.480 --> 0:36:52.200
<v Speaker 1>didn't think was great. Yeah, you know, that's exactly right,

0:36:52.200 --> 0:36:54.600
<v Speaker 1>because it's ot any other nominations in any other categories.

0:36:54.880 --> 0:36:57.160
<v Speaker 1>I think it's a classic example of how much Hollywood

0:36:57.239 --> 0:37:00.440
<v Speaker 1>loves itself. I love file picks about it. Help so

0:37:00.680 --> 0:37:03.440
<v Speaker 1>She's gonna win. I didn't love the performance, honestly. I

0:37:03.520 --> 0:37:06.280
<v Speaker 1>thought it was a good impersonation, not a great performance.

0:37:06.520 --> 0:37:11.000
<v Speaker 1>The movie in twenty twenty that we should definitely see. Well,

0:37:11.320 --> 0:37:14.160
<v Speaker 1>there's a lot of great stuff coming out right now,

0:37:14.440 --> 0:37:17.120
<v Speaker 1>you know, in the in the Near Horizon, and I

0:37:17.239 --> 0:37:20.480
<v Speaker 1>have another Sandler movie coming out in twenty twenty. I

0:37:20.560 --> 0:37:23.000
<v Speaker 1>just want to let you know I play it. Did

0:37:23.080 --> 0:37:26.560
<v Speaker 1>Sandler get jobbed here? Yes? First of all, he did.

0:37:26.880 --> 0:37:29.439
<v Speaker 1>I thought it was a great performance. I also thought

0:37:29.800 --> 0:37:33.800
<v Speaker 1>that Kevin Garnett, playing a stylized version of Kevin Garnett,

0:37:34.080 --> 0:37:36.719
<v Speaker 1>gave one of the best performances an athlete has ever

0:37:36.920 --> 0:37:40.080
<v Speaker 1>given in a movie. Wasn't he terrific? I mean, he's

0:37:40.400 --> 0:37:43.080
<v Speaker 1>about him. I mean he's so menacing as he had

0:37:43.120 --> 0:37:45.200
<v Speaker 1>been on court a lot of times, you know, as

0:37:45.239 --> 0:37:47.960
<v Speaker 1>a player. But you know, it's a very dark, wicked

0:37:48.040 --> 0:37:50.880
<v Speaker 1>sense of humor. I think that movie I just deserve

0:37:51.000 --> 0:37:56.520
<v Speaker 1>multiple Obster nominations Best Director. The best acting by an

0:37:56.560 --> 0:38:03.279
<v Speaker 1>athlete in a movie is who? Gosh, I mean, do

0:38:03.360 --> 0:38:09.120
<v Speaker 1>you mean ever any athlete? I'm curious an actor? I'm

0:38:09.200 --> 0:38:11.640
<v Speaker 1>I'm I'm you know, riffling through and rifling through all

0:38:11.640 --> 0:38:13.480
<v Speaker 1>the beginning depends on who we call, you know, who

0:38:13.600 --> 0:38:15.640
<v Speaker 1>who was? Who was really an athlete? Because a lot

0:38:15.680 --> 0:38:18.080
<v Speaker 1>of these guys played a little college ball, like you know,

0:38:18.200 --> 0:38:22.400
<v Speaker 1>Burt Reynolds and Chris Kristofferson and people like that. You

0:38:22.480 --> 0:38:24.680
<v Speaker 1>get to a certain point where you know, are they

0:38:24.840 --> 0:38:30.480
<v Speaker 1>considered more actors for athletes? And you know, I don't know, honestly,

0:38:30.560 --> 0:38:31.520
<v Speaker 1>At the top of I had, I can't tell you

0:38:31.560 --> 0:38:34.000
<v Speaker 1>who I think is the absolute best performance by an athlete.

0:38:34.120 --> 0:38:36.680
<v Speaker 1>Kareem was pretty good. Kareem was pretty good. An airplane

0:38:37.320 --> 0:38:39.960
<v Speaker 1>Kareem is good. You know those roles Kream is good,

0:38:40.120 --> 0:38:42.879
<v Speaker 1>you know, I mean those roles are are served up though,

0:38:43.040 --> 0:38:46.200
<v Speaker 1>you know, Dan, I mean it's when you see again,

0:38:46.400 --> 0:38:49.320
<v Speaker 1>you know, you see somebody like you know, h Garnett

0:38:49.360 --> 0:38:53.319
<v Speaker 1>who's actually asked to play something and actually you know, uh,

0:38:54.000 --> 0:38:56.600
<v Speaker 1>really a participant in the film and not a glorified

0:38:56.719 --> 0:38:59.440
<v Speaker 1>cameo or more impressed by that. It's great to talk

0:38:59.480 --> 0:39:01.719
<v Speaker 1>to you, Richie. Thanks for joining us as always, and

0:39:02.320 --> 0:39:04.880
<v Speaker 1>love to have you back on again. I'd love to

0:39:04.960 --> 0:39:07.320
<v Speaker 1>come on again, Dan, it just won't last. Aside. You

0:39:07.440 --> 0:39:10.160
<v Speaker 1>realize with your movie critiques you're starting to sound like

0:39:10.360 --> 0:39:12.000
<v Speaker 1>the dad in the back row of the theater. You

0:39:12.080 --> 0:39:14.640
<v Speaker 1>do realize that at this point, right you know they're

0:39:14.719 --> 0:39:18.600
<v Speaker 1>too long. Well wait a minute, but I just gave

0:39:18.680 --> 0:39:21.560
<v Speaker 1>you parisite in Joe Joe Rabbit. That's not the dad.

0:39:21.680 --> 0:39:26.319
<v Speaker 1>That's cutting edge movie critic right there that moment than

0:39:28.040 --> 0:39:30.160
<v Speaker 1>I am Jeans Shallotte with a jump shot is what

0:39:30.320 --> 0:39:34.520
<v Speaker 1>I am. There's another quote for somebody to eat. Thank you, Richard.

0:39:34.880 --> 0:39:38.040
<v Speaker 1>That's Richard Roper, Chicago Suntime. You can follow him on

0:39:38.200 --> 0:39:41.719
<v Speaker 1>at Richard E. Roper Take a break, oh, come back

0:39:42.120 --> 0:39:44.480
<v Speaker 1>and discuss a little bit more with the movies and

0:39:44.560 --> 0:39:47.040
<v Speaker 1>your phone calls coming up. Dan Patrick Show. Hey, listeners,

0:39:47.080 --> 0:39:48.799
<v Speaker 1>just wanted to take a minute to thank all our

0:39:48.880 --> 0:39:51.800
<v Speaker 1>great sponsors and all of you great listeners for supporting

0:39:51.840 --> 0:39:54.680
<v Speaker 1>this podcast. We certainly couldn't do without either of you,

0:39:55.280 --> 0:39:57.360
<v Speaker 1>and I wanted to remind you that you can support

0:39:57.400 --> 0:39:59.960
<v Speaker 1>our sponsors by going to our show page of podcast

0:40:00.000 --> 0:40:02.960
<v Speaker 1>at one dot com clicking on to support this podcast

0:40:03.000 --> 0:40:05.640
<v Speaker 1>button and day you will see all our wonderful sponsors

0:40:05.800 --> 0:40:09.480
<v Speaker 1>that help make this show possible. Thank you for downloading, subscribing,

0:40:09.680 --> 0:40:12.279
<v Speaker 1>and of course supporting. And now back to the show.

0:40:13.680 --> 0:40:17.320
<v Speaker 1>Five hour energy. It helps you get through your craziness

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<v Speaker 1>on the go life and now it comes in two

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0:40:33.239 --> 0:40:35.160
<v Speaker 1>You could be on the go to someplace you actually

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<v Speaker 1>of five. See www dot bibhwin dot com for details.

0:40:44.280 --> 0:40:49.160
<v Speaker 1>Adrian Wignarowski says the Knicks plan to hire CIA player

0:40:49.280 --> 0:40:55.040
<v Speaker 1>agent Leon Rose as the franchise's next president, so they're

0:40:55.520 --> 0:40:58.880
<v Speaker 1>taking a piece of well, the Knicks we're going to

0:40:58.960 --> 0:41:01.520
<v Speaker 1>follow with the Laker and the Golden State Warriors did

0:41:01.640 --> 0:41:06.160
<v Speaker 1>by hiring a agent. Here, Nick's adopting the model that

0:41:06.560 --> 0:41:10.440
<v Speaker 1>has gained popularity with the success of the Warriors and Lakers.

0:41:11.400 --> 0:41:14.080
<v Speaker 1>Leon Rose has been a top agent in basketball for years.

0:41:14.239 --> 0:41:18.640
<v Speaker 1>Clients include Joe Lmbad, Chris Paul, Devin Booker, Karl Anthony Towns,

0:41:18.960 --> 0:41:22.960
<v Speaker 1>and Carmelo Anthony. So the Knicks have a new president there.

0:41:23.960 --> 0:41:26.960
<v Speaker 1>Kurt Warners movie is finally being green lit. I just

0:41:27.080 --> 0:41:31.520
<v Speaker 1>saw that where he goes from working at a supermarket

0:41:31.600 --> 0:41:36.200
<v Speaker 1>stocking shelves to Arena League to then winning a Super Bowl. Yeah,

0:41:36.719 --> 0:41:40.160
<v Speaker 1>lions Gate is doing it. It's December eighteenth release American

0:41:40.280 --> 0:41:43.239
<v Speaker 1>Underdog the Kurt Warner story. The script has almost done.

0:41:43.239 --> 0:41:44.960
<v Speaker 1>It's the same people who put together the Friday Night

0:41:45.040 --> 0:41:47.759
<v Speaker 1>Lights movie, which did very well and spurnt thing. So

0:41:47.840 --> 0:41:51.280
<v Speaker 1>we're discussing over here, who would you cast as Kurt Warner?

0:41:51.360 --> 0:41:54.239
<v Speaker 1>Now a couple of caveats. Is it Kurt Warner at

0:41:54.280 --> 0:41:57.440
<v Speaker 1>twenty two, twenty three years old? Arena League is a

0:41:57.560 --> 0:42:01.719
<v Speaker 1>Kurt Warner with the card? Is are you covering both

0:42:01.800 --> 0:42:03.880
<v Speaker 1>eras or is it just the early days how he

0:42:03.960 --> 0:42:07.239
<v Speaker 1>got to the NFL. Well, I think working in a

0:42:07.280 --> 0:42:09.719
<v Speaker 1>supermarket's the interesting part of So the twenty three year

0:42:09.719 --> 0:42:13.200
<v Speaker 1>old Kurt Warner. Yeah, well you're probably gonna have to

0:42:13.239 --> 0:42:15.840
<v Speaker 1>get I don't know if you get two different versions

0:42:15.920 --> 0:42:17.799
<v Speaker 1>at Kurt Warner, or you get somebody that you can

0:42:17.880 --> 0:42:19.840
<v Speaker 1>just age where you got somebody at twenty three and

0:42:19.880 --> 0:42:24.160
<v Speaker 1>then somebody at thirty thirty three? Yes, that's I have

0:42:24.200 --> 0:42:26.560
<v Speaker 1>an older and younger Okay, but even the older one

0:42:26.680 --> 0:42:28.600
<v Speaker 1>is the guy that I immediately popped into my head

0:42:28.680 --> 0:42:30.960
<v Speaker 1>is still too old, but maybe he plays his dad

0:42:31.040 --> 0:42:32.600
<v Speaker 1>or something. I feel like Kurt Russell has to be

0:42:32.680 --> 0:42:35.160
<v Speaker 1>in this movie. Kurt Russell could call he needs to

0:42:35.200 --> 0:42:38.680
<v Speaker 1>be in this movie guy. But then young the younger

0:42:38.880 --> 0:42:42.560
<v Speaker 1>version Andrew. Who's the guy who played Captain America? Chris Evans.

0:42:42.680 --> 0:42:45.200
<v Speaker 1>Chris Evan's pretty good that guy? Oh wow, that was

0:42:45.280 --> 0:42:48.560
<v Speaker 1>my pick two. Chris Evans, good hair, good shape. He's

0:42:48.640 --> 0:42:50.800
<v Speaker 1>thirty eight years old, but a young looking guy. He

0:42:50.840 --> 0:42:54.960
<v Speaker 1>could probably pass. But can he passed? They got a

0:42:55.040 --> 0:42:57.600
<v Speaker 1>year to work on that. Can you throw the ball? Yes? Yes?

0:42:57.680 --> 0:43:00.680
<v Speaker 1>Some different stories of Chris Evans. Chris Pratt teller is

0:43:00.719 --> 0:43:03.000
<v Speaker 1>even in the middle. Look at different stories about he

0:43:03.080 --> 0:43:07.799
<v Speaker 1>could have played Brenda Warner o pink. I did see

0:43:07.840 --> 0:43:12.120
<v Speaker 1>that as one of the options. Short hair pink. Now,

0:43:12.200 --> 0:43:15.560
<v Speaker 1>who's that girl that's in suicide Squad that everybody loves,

0:43:15.600 --> 0:43:21.319
<v Speaker 1>Margot Robbie? Yeah, and Margot Robbie doo it shaverhead. Yes.

0:43:21.960 --> 0:43:24.359
<v Speaker 1>You know who looks like Warner is Jim Caviziel from

0:43:24.360 --> 0:43:27.359
<v Speaker 1>Passionate Christ. And then you get the whole religion taggin too.

0:43:27.600 --> 0:43:32.439
<v Speaker 1>But he's a little too old. Yeah if he yeah,

0:43:32.480 --> 0:43:34.520
<v Speaker 1>he could play the forty eight year old current order

0:43:34.520 --> 0:43:39.840
<v Speaker 1>Who's he's forty eight? Now? I believe? Okay, what's up

0:43:41.560 --> 0:43:45.239
<v Speaker 1>Chris Evans? He doesn't strike to be as athletic enough

0:43:45.280 --> 0:43:48.400
<v Speaker 1>to play a quarterback. I don't know what I'm seems

0:43:48.400 --> 0:43:51.839
<v Speaker 1>like a big dude, like a big star or big guy.

0:43:52.360 --> 0:43:54.600
<v Speaker 1>Um like that too big of a star where you're like,

0:43:55.120 --> 0:43:57.400
<v Speaker 1>that's he can't do it. But he's he seems like

0:43:57.440 --> 0:43:59.200
<v Speaker 1>he's really cut. He's like in really good shape. It

0:43:59.239 --> 0:44:03.320
<v Speaker 1>looks like an athlete. Mhm hm are people to do?

0:44:03.680 --> 0:44:05.960
<v Speaker 1>Is this gonna go to the theaters? Or is this

0:44:06.080 --> 0:44:08.160
<v Speaker 1>like a hallmar No? This is the real deal? Lions

0:44:08.200 --> 0:44:12.640
<v Speaker 1>get this is a movie movie? Really? Yeah? Are we?

0:44:13.000 --> 0:44:16.520
<v Speaker 1>Are we anxious to see a montage? Seen and at it? Yeah?

0:44:16.960 --> 0:44:22.319
<v Speaker 1>Grocery store, that's gold. Yeah. I don't know. There are

0:44:22.360 --> 0:44:24.239
<v Speaker 1>times when somebody makes a movie out of something and

0:44:24.280 --> 0:44:26.160
<v Speaker 1>I'll go, nobody's gonna go see that, And then you go,

0:44:26.320 --> 0:44:28.160
<v Speaker 1>oh boy, do you think they're gonna do something cheesy

0:44:28.200 --> 0:44:29.640
<v Speaker 1>where he's got like a can of beans and he

0:44:29.760 --> 0:44:32.320
<v Speaker 1>like throws it out. Yeah, shelf perfect, spiral hits the

0:44:32.400 --> 0:44:34.880
<v Speaker 1>old bang, and then somebody's gonna go, you should be

0:44:34.960 --> 0:44:39.200
<v Speaker 1>playing football. Final hour coming up here Ben on the

0:44:39.239 --> 0:44:43.200
<v Speaker 1>day at San Patrick Hill. As promised, here's a clip

0:44:43.239 --> 0:44:46.040
<v Speaker 1>from the Big Podcast with Scheck. What is going on

0:44:46.280 --> 0:44:49.480
<v Speaker 1>with Dion Waiters? Yeah, that's Dion Waiters had what was

0:44:49.520 --> 0:44:54.480
<v Speaker 1>a go okay, go for it? A confession? You've had

0:44:54.520 --> 0:44:57.880
<v Speaker 1>a weed gumming? Do you? I can know he's a

0:44:57.960 --> 0:45:01.399
<v Speaker 1>big guy, so he took one. He didn't feel nothing,

0:45:01.480 --> 0:45:04.239
<v Speaker 1>so he proceeds to eat the whole bag. Oh yeah,

0:45:04.320 --> 0:45:07.440
<v Speaker 1>so I think, oh that's stupid. You got a big,

0:45:07.600 --> 0:45:11.400
<v Speaker 1>stupid ass friend. Bahol, I'm here, and that's what Dion did.

0:45:11.480 --> 0:45:16.120
<v Speaker 1>I'm not sure. Reportedly, yeah, yeah, yeah, but they said,

0:45:16.160 --> 0:45:17.960
<v Speaker 1>like he ate a whole bag man, man popped them

0:45:18.000 --> 0:45:21.600
<v Speaker 1>things like skittles. Yeah he was, I mean you're dropped.

0:45:21.600 --> 0:45:25.239
<v Speaker 1>The flight from Phoenix to LA, he reportedly overdosed on

0:45:25.400 --> 0:45:29.440
<v Speaker 1>weed gummies, Okay when he woke up, come on, you

0:45:29.520 --> 0:45:32.120
<v Speaker 1>know you know they checked. Well, I got a question.

0:45:32.320 --> 0:45:35.920
<v Speaker 1>The little dudles week dot me smell a week? No smell? No,

0:45:36.000 --> 0:45:39.720
<v Speaker 1>they smell like Okay, the flight from LA to Phoenix,

0:45:40.000 --> 0:45:41.759
<v Speaker 1>you're in you're in the air. What you're in the

0:45:41.840 --> 0:45:45.560
<v Speaker 1>air twenty minutes? Yet how many as be dog said,

0:45:45.600 --> 0:45:47.239
<v Speaker 1>I think he got to the bottom of this thing?

0:45:47.560 --> 0:45:49.560
<v Speaker 1>What did you do? Did you eat? That? Just chugged

0:45:49.600 --> 0:45:53.239
<v Speaker 1>the bag down like seriously, like like shack with the

0:45:53.280 --> 0:45:55.719
<v Speaker 1>new double stuff. When they come in, I mean it's like,

0:45:55.880 --> 0:45:58.239
<v Speaker 1>you know, he ate a little too much. So you

0:45:58.360 --> 0:46:01.239
<v Speaker 1>think they heard it was time? Why then, Hey, I

0:46:01.320 --> 0:46:05.359
<v Speaker 1>just read I just read the the tophole thing, he said,

0:46:06.320 --> 0:46:09.000
<v Speaker 1>because and a lot of people feel us like they're

0:46:09.000 --> 0:46:12.200
<v Speaker 1>giving us opioids, they're giving us pain killers and all

0:46:12.280 --> 0:46:14.640
<v Speaker 1>this stuff. Should they just legalize man? One, wait a minute,

0:46:14.680 --> 0:46:18.120
<v Speaker 1>you just said something they're giving you. Who is they? Oh?

0:46:18.239 --> 0:46:22.879
<v Speaker 1>They is a team doctor. Okay, if the d there's

0:46:22.920 --> 0:46:26.680
<v Speaker 1>a big difference between a citizen who doesn't know. First

0:46:26.719 --> 0:46:30.640
<v Speaker 1>of all, what is in the dummies? Yeah, they're not regulated.

0:46:30.680 --> 0:46:35.520
<v Speaker 1>It's not regulated. Got these from a teammate, just snitch

0:46:35.600 --> 0:46:38.479
<v Speaker 1>on who it was. No, No, I'm asking no, Should

0:46:38.520 --> 0:46:41.799
<v Speaker 1>they just legalize this? We think no, Well no, because

0:46:41.800 --> 0:46:46.040
<v Speaker 1>you're not, because you know why. More than that, I

0:46:46.120 --> 0:46:49.040
<v Speaker 1>think like nineteen Well, I'm talking should they take it

0:46:49.080 --> 0:46:51.319
<v Speaker 1>off the NBA drug list? I would take it off

0:46:51.360 --> 0:46:53.439
<v Speaker 1>the NBA drug list, but only in the cities where

0:46:53.520 --> 0:46:58.200
<v Speaker 1>in the States where it's legal. Five hour energy helps

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