1 00:00:11,000 --> 00:00:14,640 Speaker 1: Welcome to the Therapy for Black Girls Podcast, a weekly 2 00:00:14,720 --> 00:00:19,480 Speaker 1: conversation about mental health, personal development, and all the small 3 00:00:19,520 --> 00:00:22,680 Speaker 1: decisions we can make to become the best possible versions 4 00:00:22,680 --> 00:00:26,800 Speaker 1: of ourselves. I'm your host, doctor Joy hard and Bradford, 5 00:00:27,160 --> 00:00:32,239 Speaker 1: a licensed psychologist in Atlanta, Georgia. For more information or 6 00:00:32,360 --> 00:00:35,760 Speaker 1: to find a therapist in your area, visit our website 7 00:00:35,880 --> 00:00:39,600 Speaker 1: at Therapy for Blackgirls dot com. While I hope you 8 00:00:39,640 --> 00:00:43,639 Speaker 1: love listening to and learning from the podcast, it is 9 00:00:43,680 --> 00:00:46,600 Speaker 1: not meant to be a substitute for a relationship with 10 00:00:46,640 --> 00:00:57,720 Speaker 1: a licensed mental health professional. Hey, y'all, thanks so much 11 00:00:57,760 --> 00:01:00,600 Speaker 1: for joining me for session three sixty of the Black 12 00:01:00,600 --> 00:01:04,720 Speaker 1: Girls Podcast. We'll get right into our conversation afterword from 13 00:01:04,720 --> 00:01:16,319 Speaker 1: our sponsors. It's been a while since we had some 14 00:01:16,440 --> 00:01:19,039 Speaker 1: time on the podcast to catch up on all things TV, 15 00:01:19,280 --> 00:01:22,679 Speaker 1: music and pop culture, and y'all, there is a lot 16 00:01:22,720 --> 00:01:26,639 Speaker 1: to unpack, from the well documented wrapped beef between Kendrick 17 00:01:26,720 --> 00:01:30,039 Speaker 1: Lamar and Drake to our Queen Beyonce's latest release of 18 00:01:30,080 --> 00:01:33,520 Speaker 1: Cowboy Carterer, and not to mention the recent met Gala. 19 00:01:34,120 --> 00:01:35,840 Speaker 1: I figured it was time to sit down and have 20 00:01:35,880 --> 00:01:39,160 Speaker 1: another one of our fan favorite producer chats. Joining me 21 00:01:39,280 --> 00:01:43,000 Speaker 1: for today's pop culture rundown is our TBG production team, 22 00:01:43,400 --> 00:01:47,760 Speaker 1: including senior producer Elise Ellis and production assistants Aria Taylor. 23 00:01:48,560 --> 00:01:52,120 Speaker 1: We discuss all of the aforementioned topics, plus dive into 24 00:01:52,160 --> 00:01:55,360 Speaker 1: some of my recent obsessions like the CW drama All 25 00:01:55,400 --> 00:01:59,760 Speaker 1: American and this year's WNBA Boom. If something resonates with 26 00:01:59,800 --> 00:02:03,000 Speaker 1: you on enjoying our conversation, please share with us on 27 00:02:03,040 --> 00:02:08,080 Speaker 1: social media using the hashtag TBG in Session or join 28 00:02:08,160 --> 00:02:10,200 Speaker 1: us over in the sister Circle to talk more about 29 00:02:10,200 --> 00:02:13,400 Speaker 1: the episode. You can join us at community dot Therapy 30 00:02:13,440 --> 00:02:20,720 Speaker 1: for Blackgirls dot com. Here's our conversation. All right, so 31 00:02:20,840 --> 00:02:24,000 Speaker 1: the TVG team is back together again for a little 32 00:02:24,040 --> 00:02:26,800 Speaker 1: pop culture catchup. It feels like we're coming late with 33 00:02:26,840 --> 00:02:29,440 Speaker 1: this one this year because we haven't had one so 34 00:02:29,520 --> 00:02:32,280 Speaker 1: far in twenty twenty four, so we definitely want to 35 00:02:32,360 --> 00:02:34,680 Speaker 1: weigh in on all the things that we've been watching, 36 00:02:34,919 --> 00:02:38,560 Speaker 1: listening to reading. I'm very excited for us to do 37 00:02:38,600 --> 00:02:41,519 Speaker 1: a little bit of ketchup. So I'm here today joined 38 00:02:41,520 --> 00:02:44,760 Speaker 1: by Elise and Zaria from our team. Do you want 39 00:02:44,760 --> 00:02:47,200 Speaker 1: to introduce yourselves and tell us what you do here 40 00:02:47,320 --> 00:02:49,840 Speaker 1: at Therapy for Black Girls Hi everyone. 41 00:02:49,919 --> 00:02:53,160 Speaker 2: My name is Zaria Taylor. I am the production assistant 42 00:02:53,200 --> 00:02:53,960 Speaker 2: here at TVG. 43 00:02:54,440 --> 00:02:55,680 Speaker 3: My name's Elise Ellis. 44 00:02:55,760 --> 00:02:59,160 Speaker 2: I am now the senior producer of the podcast, and 45 00:02:59,240 --> 00:03:01,760 Speaker 2: I'm super excited to talk about pop culture, definitely one 46 00:03:01,800 --> 00:03:03,160 Speaker 2: of my favorite topics. 47 00:03:03,520 --> 00:03:06,080 Speaker 1: So we are going to start, and I feel like 48 00:03:06,120 --> 00:03:08,520 Speaker 1: I owe the audience a bit of an apology because 49 00:03:08,600 --> 00:03:12,200 Speaker 1: I was late to this show All American and All 50 00:03:12,240 --> 00:03:14,760 Speaker 1: American Homecoming, and I feel like I have kind of 51 00:03:14,760 --> 00:03:17,880 Speaker 1: failed y'all because there's been so much to talk about, 52 00:03:18,240 --> 00:03:19,839 Speaker 1: and I definitely feel like we could have been doing 53 00:03:19,840 --> 00:03:24,160 Speaker 1: some recap episodes all throughout when these seasons were actively airing. 54 00:03:24,720 --> 00:03:26,639 Speaker 1: But we're gonna do a little catch up now because 55 00:03:26,680 --> 00:03:29,280 Speaker 1: I binge watched most of them, I think over the 56 00:03:29,320 --> 00:03:32,440 Speaker 1: holiday break and have now become obsessed. So I'm now 57 00:03:32,480 --> 00:03:36,480 Speaker 1: watching All American in real time every Monday and then 58 00:03:36,560 --> 00:03:39,560 Speaker 1: waiting for All American Homecoming. The new season I think 59 00:03:39,640 --> 00:03:44,360 Speaker 1: starts in July. So Elise, you were faithfully watching All 60 00:03:44,400 --> 00:03:47,760 Speaker 1: American as it was airing, So tell me what you 61 00:03:47,880 --> 00:03:50,960 Speaker 1: have enjoyed about the show and what you are thinking 62 00:03:50,960 --> 00:03:52,160 Speaker 1: about this newest season. 63 00:03:52,800 --> 00:03:57,480 Speaker 2: I do think at its essence, it follows like a similar, 64 00:03:57,720 --> 00:04:01,160 Speaker 2: very slightly storyline of The Fresh Rent. So you have 65 00:04:01,840 --> 00:04:05,480 Speaker 2: this guy not related to a family, but from a 66 00:04:05,560 --> 00:04:09,320 Speaker 2: quote unquote like troubled neighborhood who kind of infiltrates this 67 00:04:09,440 --> 00:04:14,160 Speaker 2: privileged environment, and so I do enjoy that storyline on television. 68 00:04:14,800 --> 00:04:19,480 Speaker 2: I won't say that acting is the best, but every 69 00:04:19,520 --> 00:04:24,559 Speaker 2: episode gives us drama. And something that can be hard 70 00:04:24,600 --> 00:04:28,040 Speaker 2: for me with television is when the plot doesn't move quickly. 71 00:04:28,160 --> 00:04:30,960 Speaker 2: Sometimes with All American it moves too fast. But I 72 00:04:31,000 --> 00:04:33,840 Speaker 2: do appreciate the writers know how to keep us interested 73 00:04:34,000 --> 00:04:38,440 Speaker 2: every episode. I just like good teen drama shows, and 74 00:04:38,480 --> 00:04:40,800 Speaker 2: I think especially with the CW, we saw a lot 75 00:04:40,839 --> 00:04:43,920 Speaker 2: of shows that didn't really have any black characters, or 76 00:04:44,000 --> 00:04:46,720 Speaker 2: the black characters were in the background. So this being 77 00:04:46,760 --> 00:04:51,080 Speaker 2: the show where it's centered around a black man, most 78 00:04:51,120 --> 00:04:54,440 Speaker 2: of the supporting characters are black, and then it's really 79 00:04:54,440 --> 00:04:56,520 Speaker 2: the white characters who are in the background. I think 80 00:04:56,520 --> 00:05:00,000 Speaker 2: it's fun to see that switch. And although I started 81 00:05:00,120 --> 00:05:04,200 Speaker 2: watching this show when I was in college, I'm happy 82 00:05:04,279 --> 00:05:06,960 Speaker 2: that high schoolers have a high school show with black 83 00:05:07,040 --> 00:05:09,520 Speaker 2: kids because I thought that was missing for a long 84 00:05:09,560 --> 00:05:12,200 Speaker 2: time too, like we had Insecure and then I think 85 00:05:12,279 --> 00:05:15,719 Speaker 2: there are things for younger kids almost cartoonish, So this 86 00:05:16,240 --> 00:05:19,040 Speaker 2: sitting in the middle, I'm just happy it exists. 87 00:05:19,520 --> 00:05:21,919 Speaker 1: So it's really interesting you bring up that point because 88 00:05:22,120 --> 00:05:24,560 Speaker 1: they feel so much older to me. I mean, they're 89 00:05:24,600 --> 00:05:27,560 Speaker 1: in college now, but even when they were supposed to 90 00:05:27,560 --> 00:05:29,880 Speaker 1: be in high school, like, they have always felt so 91 00:05:30,000 --> 00:05:32,880 Speaker 1: much older to me than high schoolers. And I don't 92 00:05:32,880 --> 00:05:36,359 Speaker 1: know if it's because I'm older, or are high school 93 00:05:36,480 --> 00:05:39,680 Speaker 1: kids actually having these kinds of conversations and these kinds 94 00:05:39,680 --> 00:05:42,159 Speaker 1: of interactions, Like it just felt like there was not 95 00:05:42,240 --> 00:05:46,120 Speaker 1: a lot of adult involvement ever happening, Like not a 96 00:05:46,160 --> 00:05:49,960 Speaker 1: lot of supervision, Like just way too much leniency. I 97 00:05:49,960 --> 00:05:52,560 Speaker 1: don't know, maybe that is like a function of the privilege, right, 98 00:05:52,640 --> 00:05:54,839 Speaker 1: I don't know that could be the case, but I 99 00:05:54,880 --> 00:05:56,200 Speaker 1: definitely found that kind of join. 100 00:05:56,760 --> 00:05:59,960 Speaker 2: I definitely think it is a function of the privilege. 101 00:06:00,040 --> 00:06:03,400 Speaker 2: And then I also think about just from my experience 102 00:06:03,600 --> 00:06:06,279 Speaker 2: living in a major city. So this is based in 103 00:06:06,360 --> 00:06:09,880 Speaker 2: Los Angeles. I'm not saying parents who aren't in major 104 00:06:09,920 --> 00:06:15,120 Speaker 2: cities don't work, but I think we see his dad, 105 00:06:15,360 --> 00:06:17,720 Speaker 2: Billy is the football coach, so he's a little more 106 00:06:17,720 --> 00:06:20,320 Speaker 2: involved with the mom is a lawyer, so I don't 107 00:06:20,320 --> 00:06:23,599 Speaker 2: know if she has time to be involved. But then 108 00:06:23,720 --> 00:06:26,880 Speaker 2: they're driving themselves to school, which kids everywhere do. But 109 00:06:26,920 --> 00:06:29,560 Speaker 2: I think sometimes when you live in like a bigger city, 110 00:06:29,640 --> 00:06:32,040 Speaker 2: there's so much more to do that your parents aren't 111 00:06:32,080 --> 00:06:35,520 Speaker 2: really interjecting in that way. But I definitely do think 112 00:06:35,680 --> 00:06:38,760 Speaker 2: some of the themes are a bit more mature. I 113 00:06:38,800 --> 00:06:42,279 Speaker 2: think this wasn't All American before it was All American Homecoming. 114 00:06:43,000 --> 00:06:48,240 Speaker 2: They went to Vegas and someone got married, and I 115 00:06:48,320 --> 00:06:51,000 Speaker 2: was just like, this is completely unrealistic. 116 00:06:50,320 --> 00:06:51,120 Speaker 3: For high school. 117 00:06:51,360 --> 00:06:54,120 Speaker 2: But I think that is what makes honestly any CW 118 00:06:54,160 --> 00:06:57,200 Speaker 2: show really good, is that there's just a level of absurdity, 119 00:06:57,400 --> 00:06:59,599 Speaker 2: but especially for the age group. 120 00:07:00,120 --> 00:07:01,760 Speaker 1: Very good point. Yeah, and I grew up in the 121 00:07:01,800 --> 00:07:05,320 Speaker 1: country and so family was always around, like even if 122 00:07:05,600 --> 00:07:07,760 Speaker 1: our parents were working, like you could get in touch 123 00:07:07,800 --> 00:07:10,520 Speaker 1: with them pretty easily, Like aunts and uncles and cousins 124 00:07:10,520 --> 00:07:13,119 Speaker 1: were around. So I definitely think that's a great point 125 00:07:13,160 --> 00:07:15,520 Speaker 1: that a major city it has a little bit of 126 00:07:15,520 --> 00:07:18,280 Speaker 1: a different vibe and in a rhythm to it. SOO, Arria, 127 00:07:18,360 --> 00:07:20,160 Speaker 1: do you watch All American? 128 00:07:20,800 --> 00:07:23,800 Speaker 2: I don't watch All American. I watched the first season 129 00:07:23,880 --> 00:07:26,560 Speaker 2: of it, and to me it was a little campy. 130 00:07:26,920 --> 00:07:28,840 Speaker 2: I don't know, it's just a little corny to me. 131 00:07:29,280 --> 00:07:31,440 Speaker 2: I feel like it's probably like one step above like 132 00:07:31,440 --> 00:07:34,160 Speaker 2: a Tyler Perry production. In terms of quality. It's like 133 00:07:34,200 --> 00:07:36,680 Speaker 2: soap opera vibes. So it's not something that I enjoy. 134 00:07:36,840 --> 00:07:38,760 Speaker 2: But I did watch the first season. I remember like 135 00:07:38,800 --> 00:07:41,360 Speaker 2: bits and pieces of it. It's funny that you say that, sorry, 136 00:07:41,360 --> 00:07:44,520 Speaker 2: because I want to confirm when like season one, Yes, 137 00:07:44,600 --> 00:07:48,120 Speaker 2: it was twenty eighteen. I had never been able to 138 00:07:48,160 --> 00:07:51,440 Speaker 2: watch All American when I feel like I'm quote unquote 139 00:07:51,440 --> 00:07:54,640 Speaker 2: living my real life. But I started watching it when 140 00:07:54,680 --> 00:07:58,600 Speaker 2: I was living in London studying abroad, and then I stopped, 141 00:07:58,680 --> 00:08:00,200 Speaker 2: and then I. 142 00:08:00,280 --> 00:08:02,880 Speaker 3: Up on it during the pandemic, and. 143 00:08:02,880 --> 00:08:05,000 Speaker 2: So I always think it gives me a level of 144 00:08:05,080 --> 00:08:07,640 Speaker 2: drama when things are kind of chill. But it is 145 00:08:07,680 --> 00:08:11,480 Speaker 2: a soap opera, and I do agree some of the 146 00:08:11,520 --> 00:08:15,680 Speaker 2: twists and turns of the season. I'm just like, Okay, 147 00:08:15,800 --> 00:08:18,440 Speaker 2: this is in the world of Tyler Perry. It's not 148 00:08:18,800 --> 00:08:22,960 Speaker 2: as dramatic or as contrived, but there are times where 149 00:08:23,040 --> 00:08:25,120 Speaker 2: it toes that line. 150 00:08:25,520 --> 00:08:28,520 Speaker 1: So I love even the generational differences that are showing up, 151 00:08:28,560 --> 00:08:30,800 Speaker 1: even as we are talking about whether we enjoy this 152 00:08:30,840 --> 00:08:33,440 Speaker 1: show or not, because Sary, you, of course are probably 153 00:08:33,480 --> 00:08:36,920 Speaker 1: closest to the age of who these characters are supposed 154 00:08:36,960 --> 00:08:38,960 Speaker 1: to be, and you're like, absolutely not, this is not 155 00:08:39,040 --> 00:08:42,240 Speaker 1: for me versus me who did grow up watching soap 156 00:08:42,240 --> 00:08:44,920 Speaker 1: operas with my grandmother, right, and really fell in love 157 00:08:44,960 --> 00:08:49,040 Speaker 1: with like Victor Newman and all the Shenanigans of all 158 00:08:49,040 --> 00:08:50,440 Speaker 1: my children and all the places. 159 00:08:50,559 --> 00:08:50,719 Speaker 2: Right. 160 00:08:51,040 --> 00:08:53,560 Speaker 1: I have definitely enjoyed this show, but I think it 161 00:08:53,600 --> 00:08:56,120 Speaker 1: does feel very soap opera, is right, and some pieces 162 00:08:56,160 --> 00:08:59,440 Speaker 1: feel very predictable, so you can see what's going to 163 00:08:59,480 --> 00:09:01,240 Speaker 1: happen and you get wrapped up in the drama. And 164 00:09:01,280 --> 00:09:03,400 Speaker 1: so I think I probably like it for some of 165 00:09:03,440 --> 00:09:06,400 Speaker 1: the same reasons that I actually enjoyed soap opera. So 166 00:09:06,440 --> 00:09:08,560 Speaker 1: you bring up a very good point. So the thing 167 00:09:08,600 --> 00:09:11,079 Speaker 1: that I have found most fascinating, I think is that 168 00:09:11,240 --> 00:09:15,120 Speaker 1: the family dynamics on this show run really deep. We 169 00:09:15,200 --> 00:09:18,280 Speaker 1: even see some storylines around therapy, so you know, at 170 00:09:18,320 --> 00:09:20,920 Speaker 1: some point Spencer starts going to therapy. I think he 171 00:09:21,000 --> 00:09:26,480 Speaker 1: started going after he was shot, if I'm not mistaken, Yes, yes, yeah, so, 172 00:09:26,520 --> 00:09:28,640 Speaker 1: I mean so I think that there's just lots of 173 00:09:28,679 --> 00:09:33,000 Speaker 1: interesting family dynamics to unpack, especially with him and his mom, 174 00:09:33,559 --> 00:09:36,800 Speaker 1: him and with his dad, who he reconnects with later 175 00:09:36,880 --> 00:09:40,319 Speaker 1: in life. Then with Billy, who is his football coach 176 00:09:40,360 --> 00:09:43,839 Speaker 1: but also like a surrogate father figure I think to him. 177 00:09:44,160 --> 00:09:46,280 Speaker 1: So I just think that there have been lots of like, 178 00:09:46,320 --> 00:09:50,160 Speaker 1: really interesting family dynamics. And I also think that the 179 00:09:50,200 --> 00:09:53,880 Speaker 1: presentation of black masculinity on this show, I think is 180 00:09:53,920 --> 00:09:57,680 Speaker 1: done particularly well. Like I think the characters feel very 181 00:09:57,760 --> 00:10:00,840 Speaker 1: well developed and not one dimensional, which I think is 182 00:10:00,880 --> 00:10:04,559 Speaker 1: really not something that you always see with primetime shows. 183 00:10:05,080 --> 00:10:07,000 Speaker 3: I definitely do agree with that. 184 00:10:07,200 --> 00:10:11,920 Speaker 2: I really enjoy seeing the friendship between Spencer and Jordan 185 00:10:12,000 --> 00:10:15,960 Speaker 2: and how it develops and ebbs and flows. They're definitely 186 00:10:16,120 --> 00:10:19,320 Speaker 2: at points is a rivalry there, but then there's elements 187 00:10:19,320 --> 00:10:20,720 Speaker 2: of brotherhood and family. 188 00:10:21,040 --> 00:10:21,920 Speaker 3: But something I. 189 00:10:21,840 --> 00:10:24,240 Speaker 2: Also do appreciate about the show it doesn't try to 190 00:10:24,280 --> 00:10:29,640 Speaker 2: create fake unity between black people. There still is tension, 191 00:10:29,679 --> 00:10:33,160 Speaker 2: and I think that is something I grapple with with 192 00:10:33,440 --> 00:10:35,960 Speaker 2: a lot of black shows. Sometimes the drama can seem 193 00:10:36,000 --> 00:10:40,800 Speaker 2: so petty that it's unrealistic, or sometimes to kumbaya, where 194 00:10:40,800 --> 00:10:43,040 Speaker 2: I'm like, are we not allowed to argue? And disagree 195 00:10:43,120 --> 00:10:46,760 Speaker 2: with each other. This show marries that perfectly, and I think, 196 00:10:46,800 --> 00:10:50,800 Speaker 2: like what you said, the characters are multi dimensional, and 197 00:10:50,840 --> 00:10:55,079 Speaker 2: I think one of my favorite characters both Layla and 198 00:10:55,520 --> 00:10:56,720 Speaker 2: what's the other girl's name? 199 00:10:57,360 --> 00:10:57,880 Speaker 1: Olivia? 200 00:10:58,520 --> 00:11:00,160 Speaker 3: Yes, both Layla and Olivia. 201 00:11:00,559 --> 00:11:03,280 Speaker 2: Also, how the show approaches their mental health struggles, I 202 00:11:03,280 --> 00:11:07,679 Speaker 2: think is very intricate, and so seeing all of the 203 00:11:07,800 --> 00:11:11,679 Speaker 2: characters one, we see them party, we see them at school, 204 00:11:11,840 --> 00:11:13,520 Speaker 2: we see them have conflict with each other. But I 205 00:11:13,559 --> 00:11:15,920 Speaker 2: think there's a level of self awareness with themselves that 206 00:11:15,960 --> 00:11:18,040 Speaker 2: I don't think we see with a lot of teen 207 00:11:18,160 --> 00:11:20,880 Speaker 2: characters or young adult characters on television. 208 00:11:21,360 --> 00:11:24,280 Speaker 1: I agree with it. So how are you feeling about 209 00:11:24,320 --> 00:11:25,400 Speaker 1: this newest season? 210 00:11:26,559 --> 00:11:29,120 Speaker 2: So I'm not all the way caught up, doctor Joy, 211 00:11:29,520 --> 00:11:32,880 Speaker 2: but it's a lot and I actually say that in 212 00:11:32,960 --> 00:11:34,120 Speaker 2: a bad way. 213 00:11:34,880 --> 00:11:36,719 Speaker 3: I think the. 214 00:11:36,760 --> 00:11:40,320 Speaker 2: Show has over indexed on a relationship drama a bit, 215 00:11:41,040 --> 00:11:44,360 Speaker 2: and I do think I'm tired of seeing like the 216 00:11:44,400 --> 00:11:47,400 Speaker 2: same characters kind of drag through the mud time and 217 00:11:47,440 --> 00:11:50,120 Speaker 2: time again in similar situations. 218 00:11:50,480 --> 00:11:52,760 Speaker 3: You know, there's always going to be tension between Spencer 219 00:11:52,800 --> 00:11:53,280 Speaker 3: and Jordan. 220 00:11:53,360 --> 00:11:56,559 Speaker 2: I think that's where I left off, but I would 221 00:11:56,600 --> 00:11:59,000 Speaker 2: like to see that develop a bit. You know, they're 222 00:11:59,040 --> 00:12:01,280 Speaker 2: both headed for the nf fell draft. I don't know, 223 00:12:01,320 --> 00:12:06,280 Speaker 2: it feels very familiar to all American That's one thing. 224 00:12:06,520 --> 00:12:07,040 Speaker 3: Olivia. 225 00:12:07,360 --> 00:12:10,400 Speaker 2: It seems like she's always on this journey of finding herself, 226 00:12:10,600 --> 00:12:13,439 Speaker 2: which is a central theme to her character, which we'll 227 00:12:13,440 --> 00:12:16,880 Speaker 2: probably see throughout the show. But it's starting to get 228 00:12:16,920 --> 00:12:20,360 Speaker 2: a bit repetitive, and from what I've seen of like 229 00:12:20,440 --> 00:12:25,000 Speaker 2: TikTok spoilers, is now there is drama between her best 230 00:12:25,000 --> 00:12:29,040 Speaker 2: friend who she met in London and Spencer, which I 231 00:12:29,040 --> 00:12:31,880 Speaker 2: think is a good twist. But what I actually like 232 00:12:31,920 --> 00:12:36,599 Speaker 2: about that is it brings up male female friendship dynamics 233 00:12:36,600 --> 00:12:39,160 Speaker 2: and boundaries and relationships in a way that doesn't feel 234 00:12:39,280 --> 00:12:42,440 Speaker 2: very contrived. So that's something I appreciate about this season. 235 00:12:42,480 --> 00:12:46,480 Speaker 2: But I've appreciated it about the show overall. But I 236 00:12:46,480 --> 00:12:48,920 Speaker 2: don't know, I'm a little tired of like the relationship drama. 237 00:12:48,920 --> 00:12:50,640 Speaker 3: But I don't know what more I would want. 238 00:12:50,520 --> 00:12:55,840 Speaker 1: From Yeah, true, I do see your point there, And 239 00:12:55,880 --> 00:12:58,679 Speaker 1: there is something about this season that is not feeling 240 00:12:58,760 --> 00:13:02,760 Speaker 1: as fulfilling to me as previous seasons, And I wonder 241 00:13:02,840 --> 00:13:05,760 Speaker 1: if it is that we are seeing less of like 242 00:13:06,240 --> 00:13:09,720 Speaker 1: their entire lives right because they're off in college now, 243 00:13:09,760 --> 00:13:11,880 Speaker 1: they're living on their own, and so I think a 244 00:13:11,920 --> 00:13:14,440 Speaker 1: part of what really made it compelling for me was 245 00:13:14,480 --> 00:13:18,240 Speaker 1: the dynamics with their parents, right, especially Spencer's mom. She 246 00:13:18,320 --> 00:13:21,079 Speaker 1: had very strong relationships with him, but also with a 247 00:13:21,080 --> 00:13:22,959 Speaker 1: lot of the other kids in the circle, and so 248 00:13:23,080 --> 00:13:26,280 Speaker 1: you would see her a lot the administrators and teachers 249 00:13:26,320 --> 00:13:29,400 Speaker 1: from the school like they had pivotal roles, and so 250 00:13:29,520 --> 00:13:31,800 Speaker 1: I feel like, maybe that's what's missing that I'm not 251 00:13:32,080 --> 00:13:34,600 Speaker 1: loving it as much this season and it feels like 252 00:13:34,640 --> 00:13:38,400 Speaker 1: it's moving really slow. Is maybe I am missing those 253 00:13:38,520 --> 00:13:41,280 Speaker 1: interactions that they had with the adults in their lives. 254 00:13:41,520 --> 00:13:45,120 Speaker 2: I definitely do agree with that, and some of the 255 00:13:46,040 --> 00:13:49,360 Speaker 2: nods to Billy in this season are the best to 256 00:13:49,440 --> 00:13:54,280 Speaker 2: moments this season of all American. It reminds me of 257 00:13:55,040 --> 00:13:57,320 Speaker 2: I obviously didn't watch it in real times too young, 258 00:13:57,360 --> 00:14:00,199 Speaker 2: but when Netflix had DVDs, I would get the DVDs 259 00:14:00,280 --> 00:14:04,120 Speaker 2: of Saved by the Bell, and then once they went 260 00:14:04,160 --> 00:14:06,160 Speaker 2: to college, I was like, Okay, I've checked out of 261 00:14:06,240 --> 00:14:08,560 Speaker 2: this show. And so I do think a lot of 262 00:14:08,600 --> 00:14:12,319 Speaker 2: those supporting characters made the dynamics feel I don't want 263 00:14:12,320 --> 00:14:15,800 Speaker 2: to say more real, but like you said, more multi dimensional, 264 00:14:16,360 --> 00:14:20,720 Speaker 2: which I appreciated. And then I think something I went 265 00:14:20,800 --> 00:14:24,560 Speaker 2: sat with college shows are like the moments where they 266 00:14:24,600 --> 00:14:27,480 Speaker 2: may over index on, like seeing someone drunk or partying, 267 00:14:27,520 --> 00:14:30,720 Speaker 2: to really sell the college experience, and I think that's 268 00:14:30,760 --> 00:14:33,320 Speaker 2: what this season is doing a little too much. 269 00:14:34,880 --> 00:14:37,480 Speaker 1: So we know that the next season and we're not 270 00:14:37,480 --> 00:14:38,960 Speaker 1: sure if it's going to be the last. It feels 271 00:14:39,000 --> 00:14:40,960 Speaker 1: like they're can saying that there's maybe the last season 272 00:14:41,120 --> 00:14:44,760 Speaker 1: of All American Homecoming. So how did you feel about 273 00:14:44,760 --> 00:14:47,400 Speaker 1: the fact that there was a spinoff in general? And 274 00:14:47,480 --> 00:14:51,200 Speaker 1: how have you maybe appreciated or have not appreciated the 275 00:14:51,200 --> 00:14:54,560 Speaker 1: spinoff versus the traditional All American. 276 00:14:55,000 --> 00:14:58,640 Speaker 2: I've referenced, like I guess hinted at this a few times. 277 00:14:58,760 --> 00:15:02,680 Speaker 2: Are I don't think shows have gotten college students right. 278 00:15:03,520 --> 00:15:04,120 Speaker 3: I think this. 279 00:15:04,200 --> 00:15:07,880 Speaker 2: Show, no matter how dramatic, I think it was true 280 00:15:07,960 --> 00:15:11,040 Speaker 2: to high school students, and I did appreciate that. I 281 00:15:11,080 --> 00:15:15,520 Speaker 2: don't think we necessarily needed a spin off. I think 282 00:15:15,560 --> 00:15:22,160 Speaker 2: with All American Homecoming, I am not understanding the central 283 00:15:22,240 --> 00:15:26,160 Speaker 2: characters enough in their storylines and like their motivations, which 284 00:15:26,200 --> 00:15:29,480 Speaker 2: I think was really developed in All American which is 285 00:15:29,520 --> 00:15:34,240 Speaker 2: why although it's annoying at times, the relationship drama and 286 00:15:34,280 --> 00:15:38,600 Speaker 2: how they like all day each other and this ongoing 287 00:15:38,720 --> 00:15:43,000 Speaker 2: tension or friendship between Spencer and Jordan, it makes sense 288 00:15:43,040 --> 00:15:46,520 Speaker 2: because we understand what their motivations are, we understand their 289 00:15:46,600 --> 00:15:51,640 Speaker 2: lore per se. With All American Homecoming, of course we 290 00:15:51,680 --> 00:15:55,600 Speaker 2: see characters from the original show there, but they weren't 291 00:15:55,640 --> 00:15:58,520 Speaker 2: the central characters. So I think there's still a piece missing, 292 00:15:58,560 --> 00:16:00,840 Speaker 2: and like, why do they act the way they act? 293 00:16:01,080 --> 00:16:04,160 Speaker 2: And then I do think this is gonna sound bad, 294 00:16:04,320 --> 00:16:06,520 Speaker 2: but I do think I don't like how the I. 295 00:16:06,520 --> 00:16:10,680 Speaker 3: Would say HBCU setting is portrayed. I don't. I just 296 00:16:10,760 --> 00:16:12,280 Speaker 3: don't think it's done well enough. 297 00:16:12,960 --> 00:16:16,440 Speaker 2: I think sometimes it can be just like cherry picking 298 00:16:17,320 --> 00:16:19,240 Speaker 2: parts of HBCU culture. And I didn't go to one 299 00:16:19,280 --> 00:16:22,600 Speaker 2: that are like you see on social media. It's one dimensional. 300 00:16:22,640 --> 00:16:26,560 Speaker 1: I'd say, mm hmmm, So those are great points. So 301 00:16:26,720 --> 00:16:30,160 Speaker 1: I did go to an HBCU. So I love seeing 302 00:16:30,200 --> 00:16:34,640 Speaker 1: like HBCU culture portrayed in shows. Now. I definitely think 303 00:16:34,720 --> 00:16:37,280 Speaker 1: they have gotten something's wrong, but I think that they 304 00:16:37,320 --> 00:16:40,040 Speaker 1: have gotten a lot right. But I agree with you 305 00:16:40,080 --> 00:16:42,960 Speaker 1: that it doesn't feel like we know these characters as 306 00:16:43,000 --> 00:16:45,800 Speaker 1: well as we knew. Of course, All American like the 307 00:16:45,840 --> 00:16:49,400 Speaker 1: main show, and so of course spinoffs are typically driven 308 00:16:49,480 --> 00:16:51,640 Speaker 1: because the numbers are there, right, So I'm guessing All 309 00:16:51,680 --> 00:16:54,720 Speaker 1: American did so well that they thought like, Okay, let's 310 00:16:54,840 --> 00:16:57,440 Speaker 1: try to maybe grow with our audience or like expand 311 00:16:57,480 --> 00:17:01,040 Speaker 1: this you know universe. But it definitely feels like they 312 00:17:01,040 --> 00:17:03,960 Speaker 1: have rushed the development a little bit, just in the 313 00:17:03,960 --> 00:17:06,159 Speaker 1: interest of having a spin off as opposed to us 314 00:17:06,200 --> 00:17:07,960 Speaker 1: really getting to know these characters. 315 00:17:08,640 --> 00:17:11,720 Speaker 2: And back to my point about it showing the moments 316 00:17:11,720 --> 00:17:14,919 Speaker 2: that are maybe glorified in pop culture. In terms of 317 00:17:15,040 --> 00:17:18,199 Speaker 2: HBCU culture, I think the reason why it feels like 318 00:17:18,240 --> 00:17:20,520 Speaker 2: that is because we don't know the characters, and so 319 00:17:21,040 --> 00:17:23,920 Speaker 2: then it seems like the characters are more a vehicle 320 00:17:24,040 --> 00:17:28,280 Speaker 2: to display this campus culture as opposed to being individual 321 00:17:28,359 --> 00:17:31,960 Speaker 2: characters on their own, and I think that's what I don't. 322 00:17:31,760 --> 00:17:32,880 Speaker 3: Appreciate about the show. 323 00:17:32,880 --> 00:17:36,320 Speaker 2: And even you know, Simone is the main character from 324 00:17:36,359 --> 00:17:39,960 Speaker 2: the original show, and even on that show, we know 325 00:17:40,040 --> 00:17:42,399 Speaker 2: that she's a tennis player, we know that there's a 326 00:17:42,440 --> 00:17:45,119 Speaker 2: storyline with Jordan and the baby, but other than that, 327 00:17:45,320 --> 00:17:49,720 Speaker 2: I felt like there was something missing. And even in 328 00:17:50,480 --> 00:17:52,960 Speaker 2: all American Homecoming. I think in All American they started 329 00:17:52,960 --> 00:17:56,040 Speaker 2: to explore her relationship with her parents. I don't think 330 00:17:56,080 --> 00:17:58,760 Speaker 2: we fully get that in All American Homecoming, and that 331 00:17:58,800 --> 00:18:02,080 Speaker 2: would have maybe her into a more fully realized character. 332 00:18:02,640 --> 00:18:04,800 Speaker 1: Great point. So we see that she ends up going 333 00:18:04,840 --> 00:18:07,600 Speaker 1: to Bringston because her aunt is on the faculty there. Right, 334 00:18:07,680 --> 00:18:10,160 Speaker 1: so when she was exploring colleges, she went and had 335 00:18:10,160 --> 00:18:12,440 Speaker 1: a visit. We saw much of the All American cast 336 00:18:12,560 --> 00:18:15,200 Speaker 1: visit the campus for homecoming and got a taste of it. 337 00:18:15,440 --> 00:18:17,240 Speaker 1: And so then she ends up going there because her 338 00:18:17,280 --> 00:18:19,760 Speaker 1: aunt is on faculty. And so even in the first 339 00:18:19,760 --> 00:18:23,560 Speaker 1: season of All American Homecoming, we see that the students 340 00:18:23,560 --> 00:18:26,040 Speaker 1: on campus have this close relationship with the aunt. But 341 00:18:26,080 --> 00:18:28,119 Speaker 1: then she gets promoted and they have to have a 342 00:18:28,160 --> 00:18:32,240 Speaker 1: more distant relationship. And so I think again that added 343 00:18:32,280 --> 00:18:35,159 Speaker 1: some dimension to them that I think is maybe missing 344 00:18:35,280 --> 00:18:38,600 Speaker 1: in these later seasons. Now, now, they did leave us 345 00:18:38,640 --> 00:18:42,439 Speaker 1: on a cliffhanger, so I am curious to know, like, Okay, 346 00:18:42,520 --> 00:18:45,280 Speaker 1: who is Simone going to be interested in. Is it 347 00:18:45,320 --> 00:18:48,040 Speaker 1: going to be Damon or is it Lanston? I think 348 00:18:48,080 --> 00:18:50,640 Speaker 1: it's Lengthston, Yeah, yeah, So which one is she going 349 00:18:50,680 --> 00:18:54,160 Speaker 1: to choose? I'm not sure, but I'm definitely interested in 350 00:18:54,359 --> 00:18:57,280 Speaker 1: this next season and hope we will get another season 351 00:18:57,400 --> 00:18:59,520 Speaker 1: or otherwise. I'm not sure how they're going to like 352 00:18:59,560 --> 00:19:00,560 Speaker 1: tie it off together. 353 00:19:00,920 --> 00:19:03,000 Speaker 2: I'm very curious how they're going to tie it all together. 354 00:19:03,040 --> 00:19:04,719 Speaker 2: And I do agree with what you're saying that it 355 00:19:04,720 --> 00:19:09,280 Speaker 2: does seem as if they're hinting towards the end. Maybe 356 00:19:09,280 --> 00:19:13,199 Speaker 2: not with Homecoming, but with All American, especially with the 357 00:19:13,240 --> 00:19:16,560 Speaker 2: talk of the NFL Draft. Like I don't personally want 358 00:19:16,600 --> 00:19:19,520 Speaker 2: to see the show going that would be too much 359 00:19:19,720 --> 00:19:22,640 Speaker 2: for me, but then again, knowing the CW and knowing 360 00:19:22,640 --> 00:19:24,960 Speaker 2: how All American is, anyway they might take it there. 361 00:19:25,680 --> 00:19:28,960 Speaker 1: Very good point one from our conversation after the break, 362 00:19:29,480 --> 00:19:32,080 Speaker 1: But first, a quick snippet of what's coming up next 363 00:19:32,080 --> 00:19:33,120 Speaker 1: week on TBG. 364 00:19:34,000 --> 00:19:36,320 Speaker 2: I went to Spelman College. I was an international studies major, 365 00:19:36,359 --> 00:19:39,600 Speaker 2: and I studied abroad in Barcelona, Spain. So the black 366 00:19:39,640 --> 00:19:42,560 Speaker 2: travel movement that you see today did not exist in 367 00:19:42,640 --> 00:19:47,840 Speaker 2: two thousand and nine, and so people would assume you 368 00:19:47,880 --> 00:19:51,080 Speaker 2: were African if you were traveling throughout Europe. No one 369 00:19:51,240 --> 00:19:54,399 Speaker 2: understood the concept of a black American and so I 370 00:19:54,440 --> 00:19:57,240 Speaker 2: again wanted to a make sure that other girls that 371 00:19:57,280 --> 00:19:59,520 Speaker 2: looked like me. Knew that this was not something that 372 00:19:59,600 --> 00:20:02,240 Speaker 2: was only designated for a certain type of people, whether 373 00:20:02,280 --> 00:20:04,359 Speaker 2: that be around race, class, et cetera. 374 00:20:04,640 --> 00:20:05,760 Speaker 3: And then I also. 375 00:20:05,720 --> 00:20:08,879 Speaker 2: Knew that my family had a really hard time understanding 376 00:20:08,920 --> 00:20:12,479 Speaker 2: the point as well, And so that was another reason 377 00:20:12,680 --> 00:20:15,080 Speaker 2: why I thought it was important to, again on both sides, 378 00:20:15,119 --> 00:20:18,080 Speaker 2: make sure that people are educated and aware that travel 379 00:20:18,359 --> 00:20:19,920 Speaker 2: is more than just a vacation. 380 00:20:20,160 --> 00:20:22,679 Speaker 3: It truly is a transformative learning experience. 381 00:20:36,760 --> 00:20:40,359 Speaker 1: So switching gears a little bit. I'm curious to hear 382 00:20:40,760 --> 00:20:44,560 Speaker 1: whether you all are still pressing play on Cowboy Carter. 383 00:20:45,160 --> 00:20:46,959 Speaker 1: So we missed the role out. We didn't even get 384 00:20:46,960 --> 00:20:49,320 Speaker 1: a chance to dig in about our feelings about that. 385 00:20:49,440 --> 00:20:52,080 Speaker 1: So I'm curious to hear you know how you have 386 00:20:52,160 --> 00:20:55,760 Speaker 1: felt about Cowboycarter. Is this something that you're still listening to? 387 00:20:56,119 --> 00:20:57,240 Speaker 1: What's a giving for you all? 388 00:20:57,800 --> 00:21:00,880 Speaker 2: So I would say, and my friends have said, I'm 389 00:21:00,880 --> 00:21:04,400 Speaker 2: crazy for this, But comparing it to Renaissance, I liked 390 00:21:04,440 --> 00:21:06,840 Speaker 2: Cowboy Carter more on my first listen than I liked 391 00:21:06,920 --> 00:21:08,960 Speaker 2: Renaissance on my first listen. Now that doesn't mean that 392 00:21:09,000 --> 00:21:11,119 Speaker 2: Renaissance is the worst album, because it's not. I like 393 00:21:11,160 --> 00:21:14,320 Speaker 2: Renaissance better, but I feel like with Renaissance, I was 394 00:21:14,320 --> 00:21:17,760 Speaker 2: not expecting Beyonce to do something so different from what 395 00:21:17,840 --> 00:21:20,000 Speaker 2: she had been doing her whole career, like house music. 396 00:21:20,040 --> 00:21:21,920 Speaker 2: I was not expecting that, so it took a couple 397 00:21:22,000 --> 00:21:23,919 Speaker 2: listens for me to kind of get with the program. 398 00:21:24,000 --> 00:21:26,320 Speaker 2: But with Cowboy Carter the rollout, we all knew it 399 00:21:26,359 --> 00:21:27,840 Speaker 2: was going to be a country album, so because I 400 00:21:27,840 --> 00:21:30,600 Speaker 2: had set my expectations, I liked it way more on 401 00:21:30,600 --> 00:21:32,679 Speaker 2: the first listen, I liked way more songs on it, 402 00:21:32,720 --> 00:21:34,760 Speaker 2: and I am still playing it to this day. I 403 00:21:34,800 --> 00:21:37,720 Speaker 2: need that vinyl really badly, So I love Cowboy Carter. 404 00:21:38,000 --> 00:21:39,880 Speaker 2: It was way better than what I was expecting because 405 00:21:39,920 --> 00:21:41,719 Speaker 2: I don't listen to country music, and I think I 406 00:21:41,760 --> 00:21:44,000 Speaker 2: speak for a lot of Beyonce's fans that this was 407 00:21:44,040 --> 00:21:47,120 Speaker 2: my first time ever listening to country album in full, 408 00:21:47,600 --> 00:21:51,960 Speaker 2: so it definitely exceeded my expectations. I would not say 409 00:21:52,560 --> 00:21:56,159 Speaker 2: I am a country music fan, but I listened to 410 00:21:56,200 --> 00:22:00,160 Speaker 2: country music and I thoroughly enjoyed this album. 411 00:22:00,600 --> 00:22:01,840 Speaker 3: Am I still listening to it? 412 00:22:01,920 --> 00:22:04,359 Speaker 2: Definitely yes, but I'm not listening to it in full 413 00:22:04,440 --> 00:22:08,080 Speaker 2: like the first month I would listen to the album 414 00:22:08,320 --> 00:22:12,320 Speaker 2: from American Requiem to Aimen in full multiple times a 415 00:22:12,400 --> 00:22:15,600 Speaker 2: day now, I found, Okay, what are the songs I'm 416 00:22:15,640 --> 00:22:17,520 Speaker 2: listening to, like on my morning walk, what are the 417 00:22:17,520 --> 00:22:19,280 Speaker 2: songs I'm listening to in the shower, What are the 418 00:22:19,320 --> 00:22:21,920 Speaker 2: songs I'm listening to in my workout routine. I think 419 00:22:21,920 --> 00:22:25,760 Speaker 2: that's how I'm now consuming the album. I have been 420 00:22:25,760 --> 00:22:28,640 Speaker 2: taking a dance class as of recently, and we did 421 00:22:28,680 --> 00:22:32,879 Speaker 2: some choreography to Tyrant and what was the other song 422 00:22:33,040 --> 00:22:35,680 Speaker 2: we did, oh to Jolene, And so that was really 423 00:22:35,720 --> 00:22:40,320 Speaker 2: fun to see the instructor weave in line dancing and 424 00:22:40,359 --> 00:22:43,760 Speaker 2: like hip hop dancing into the choreography. 425 00:22:43,840 --> 00:22:46,560 Speaker 3: But I absolutely enjoy this album. 426 00:22:46,760 --> 00:22:49,119 Speaker 2: I think if I had to compare it to Renaissance, 427 00:22:49,119 --> 00:22:52,400 Speaker 2: it's not better than Renaissance, but it's just as expansive 428 00:22:52,520 --> 00:22:54,920 Speaker 2: as Renaissance. And that's really what I appreciate about both 429 00:22:54,960 --> 00:23:00,119 Speaker 2: of those albums. I think vocally, Beyonce is challenge WHI 430 00:23:00,560 --> 00:23:02,800 Speaker 2: the songwriting is really good. I don't think we hear 431 00:23:02,880 --> 00:23:06,119 Speaker 2: enough people talk about that, and then, especially on this album, 432 00:23:06,160 --> 00:23:08,840 Speaker 2: more than Renaissance, I think Renaissance from a production and 433 00:23:08,960 --> 00:23:12,200 Speaker 2: songwriting standpoint, we see a lot of collaboration, but these 434 00:23:12,240 --> 00:23:16,760 Speaker 2: songs with other people like Miley Cyrus, Dolly Pardon Shaboozie. 435 00:23:16,880 --> 00:23:17,800 Speaker 3: I really love. 436 00:23:17,680 --> 00:23:20,199 Speaker 2: Seeing her kind of match up with other artists and 437 00:23:20,640 --> 00:23:22,760 Speaker 2: lean into their styles a little bit. So I'm a 438 00:23:22,840 --> 00:23:24,240 Speaker 2: big Cowboy Carter fan. 439 00:23:24,640 --> 00:23:28,000 Speaker 1: Okay, okay, So like you, Zaria, I am not a 440 00:23:28,040 --> 00:23:32,560 Speaker 1: country songs fan, but it was Beyonce, so I was like, okay, girl, 441 00:23:32,640 --> 00:23:34,800 Speaker 1: we're gonna go wherever you take us. I'm gonna be 442 00:23:34,840 --> 00:23:38,440 Speaker 1: open to this project. And I definitely enjoyed it much 443 00:23:38,520 --> 00:23:42,040 Speaker 1: more on first list and then I expected myself to. 444 00:23:42,680 --> 00:23:45,560 Speaker 1: But like you, Elise, I have also made a playlist 445 00:23:45,600 --> 00:23:47,520 Speaker 1: of the ones that I want to go back to 446 00:23:47,720 --> 00:23:49,960 Speaker 1: over and over again, like I typically play it in 447 00:23:50,040 --> 00:23:53,879 Speaker 1: the shower, and I also really enjoy the songs with 448 00:23:53,960 --> 00:23:57,120 Speaker 1: other people. So the song with Miley Cyrus Too Most 449 00:23:57,200 --> 00:24:00,920 Speaker 1: Wanted probably was the most surprising song on the album 450 00:24:01,000 --> 00:24:04,120 Speaker 1: for me, because one I didn't expect like a Miley 451 00:24:04,280 --> 00:24:08,040 Speaker 1: Cyrus matchup, Like I didn't even consider that this would 452 00:24:08,040 --> 00:24:10,439 Speaker 1: be something that would happen. But the way that their 453 00:24:10,520 --> 00:24:13,920 Speaker 1: voices blend so beautifully on that song, I think makes 454 00:24:13,960 --> 00:24:16,800 Speaker 1: it probably one of my favorite songs on the album. 455 00:24:16,840 --> 00:24:19,240 Speaker 1: If not my favorite, I kind of go back and forth. 456 00:24:19,320 --> 00:24:22,879 Speaker 1: But I also really love Blackbird. So that was not 457 00:24:23,000 --> 00:24:26,600 Speaker 1: a song that I was familiar with before Beyonce's album, 458 00:24:26,600 --> 00:24:30,040 Speaker 1: before Cowboy Carter, but now of course, knowing more about 459 00:24:30,080 --> 00:24:32,760 Speaker 1: the history about the Beatles and like they wrote it 460 00:24:33,080 --> 00:24:35,879 Speaker 1: out of the inspiration of the civil rights movement and 461 00:24:35,960 --> 00:24:38,880 Speaker 1: the way that she brought the three other black women 462 00:24:39,080 --> 00:24:43,760 Speaker 1: country artists onto that song specifically, I just really love it. 463 00:24:43,840 --> 00:24:46,400 Speaker 1: I love that they have gotten so much more shine 464 00:24:46,920 --> 00:24:49,200 Speaker 1: because of being on the album, and I just feel like, 465 00:24:49,240 --> 00:24:50,800 Speaker 1: you know, they have been doing this work for a 466 00:24:50,840 --> 00:24:52,800 Speaker 1: long time, and so to be able to get this 467 00:24:52,920 --> 00:24:55,600 Speaker 1: Beyonce shout out, I think has really opened some doors 468 00:24:55,640 --> 00:24:57,880 Speaker 1: for them that they have been probably trying to beat 469 00:24:57,920 --> 00:25:00,159 Speaker 1: down for quite some time. So I love the to 470 00:25:00,240 --> 00:25:03,760 Speaker 1: hit Heel's angle of course of Blackbird, but also really 471 00:25:03,840 --> 00:25:05,960 Speaker 1: love like, I feel like the back half of the 472 00:25:06,080 --> 00:25:09,919 Speaker 1: album I enjoy more than the front half. Like it 473 00:25:09,960 --> 00:25:12,560 Speaker 1: feels like that is more the fast paced, like it 474 00:25:12,640 --> 00:25:15,720 Speaker 1: kind of gives me almost a Renaissance vibe. Now, I 475 00:25:15,760 --> 00:25:18,960 Speaker 1: definitely still love Renaissance more, but I definitely feel like 476 00:25:19,000 --> 00:25:21,679 Speaker 1: the back half of the album I enjoy more than 477 00:25:21,720 --> 00:25:22,360 Speaker 1: the front end. 478 00:25:23,000 --> 00:25:26,199 Speaker 2: It's so interesting that you say that, because really, up 479 00:25:26,280 --> 00:25:29,720 Speaker 2: until two weeks ago, I used to stop the album 480 00:25:29,800 --> 00:25:32,720 Speaker 2: at Two Hands to Heaven. I was like, clip, don't 481 00:25:32,720 --> 00:25:36,399 Speaker 2: need to hear anything after that. But I love Tyrant 482 00:25:36,520 --> 00:25:39,679 Speaker 2: Now when I hear Sweet Honey bucking, it jars me 483 00:25:39,880 --> 00:25:41,960 Speaker 2: when it comes on. It's not that I don't like it. 484 00:25:42,200 --> 00:25:44,840 Speaker 2: The transitions are beautiful, which I think is why, Like 485 00:25:44,880 --> 00:25:47,480 Speaker 2: you're able to just listen to the full thing, but 486 00:25:47,800 --> 00:25:49,560 Speaker 2: on its own, I'm like, oh, I'm not listening to 487 00:25:49,600 --> 00:25:51,840 Speaker 2: the song, but within the album, I listened to it. 488 00:25:52,240 --> 00:25:55,919 Speaker 2: My favorite run I think it starts at the Linda 489 00:25:56,000 --> 00:25:59,360 Speaker 2: Martell show through Two Hands to Heaven. That's the part 490 00:25:59,359 --> 00:26:01,879 Speaker 2: of the album that I could listen to over and 491 00:26:01,960 --> 00:26:05,520 Speaker 2: over and over again. But I really do love Just 492 00:26:05,600 --> 00:26:07,800 Speaker 2: for Fun. Like the middle part of the album to 493 00:26:07,880 --> 00:26:12,040 Speaker 2: me is the most country, so starting at Daughter kind 494 00:26:12,040 --> 00:26:14,919 Speaker 2: of through Just for Fun, I love that part of 495 00:26:14,920 --> 00:26:17,280 Speaker 2: the album because I think that's where Beyonce is doing 496 00:26:17,320 --> 00:26:20,879 Speaker 2: country very well. I am like the exact opposite of you. 497 00:26:20,920 --> 00:26:22,960 Speaker 2: At least I'm not gonna lie. The first half I 498 00:26:23,040 --> 00:26:25,400 Speaker 2: used to straight skip. I think it's because I don't 499 00:26:25,440 --> 00:26:27,800 Speaker 2: like country music, so I like the songs that feel 500 00:26:27,880 --> 00:26:30,560 Speaker 2: least like country. Just for fun is the least favorite 501 00:26:30,560 --> 00:26:32,520 Speaker 2: of mine. I'm so sorry. That's a snooze fest to me. 502 00:26:32,760 --> 00:26:35,680 Speaker 2: And also, I just generally I don't like slow songs. 503 00:26:35,720 --> 00:26:38,280 Speaker 2: I like really upbeat songs. It just keeps my attention 504 00:26:38,400 --> 00:26:40,679 Speaker 2: more so. It's the second half all day, every day 505 00:26:40,720 --> 00:26:41,920 Speaker 2: for me, and it still is that way. 506 00:26:42,560 --> 00:26:46,040 Speaker 1: I love that they're often with Beyonce projects. Everybody finds 507 00:26:46,080 --> 00:26:48,480 Speaker 1: their like groove, right. I think that's the beauty of 508 00:26:48,520 --> 00:26:51,440 Speaker 1: her giving us so many songs is that everybody can 509 00:26:51,440 --> 00:26:55,480 Speaker 1: find their own collection of things. So besides Cowboy Chrter 510 00:26:55,560 --> 00:26:57,960 Speaker 1: and it sounds like Renaissance is still on people's playlist, 511 00:26:58,240 --> 00:27:00,639 Speaker 1: what other things are you all listening too that you 512 00:27:00,720 --> 00:27:03,040 Speaker 1: want to maybe dig into a little bit. I don't 513 00:27:03,040 --> 00:27:05,120 Speaker 1: know if you guys listen to Bryson Tiller, but I 514 00:27:05,240 --> 00:27:07,320 Speaker 1: really like his most recent album. 515 00:27:07,400 --> 00:27:08,080 Speaker 3: It's so funny. 516 00:27:08,080 --> 00:27:11,640 Speaker 2: I've never been a Bryson Tiller fan, but I do like. 517 00:27:11,680 --> 00:27:12,879 Speaker 3: Songs on this album. 518 00:27:13,119 --> 00:27:15,200 Speaker 2: If you probably search his name on my Twitter, i'd 519 00:27:15,240 --> 00:27:17,639 Speaker 2: be like, I hate resent her. I just did not 520 00:27:17,760 --> 00:27:20,280 Speaker 2: see the hype in his music at all. I thought 521 00:27:20,320 --> 00:27:22,680 Speaker 2: it was very basic, but I do enjoy this album 522 00:27:22,720 --> 00:27:24,080 Speaker 2: a lot, and I think it's going to do well 523 00:27:24,800 --> 00:27:28,520 Speaker 2: outside over the summer. I think the cover is so ugly, though, 524 00:27:28,560 --> 00:27:31,000 Speaker 2: and I think it speaks to like how I feel 525 00:27:31,000 --> 00:27:32,920 Speaker 2: like a lot of people, myself included, will not click 526 00:27:32,920 --> 00:27:35,040 Speaker 2: on an album with the cover is ugly, same way 527 00:27:35,080 --> 00:27:37,360 Speaker 2: with a book. So I feel like he's limiting himself 528 00:27:37,440 --> 00:27:40,199 Speaker 2: with this cover. But the album is really good. I 529 00:27:40,240 --> 00:27:45,640 Speaker 2: have been listening to Anisia. She's a rapper. I really 530 00:27:45,720 --> 00:27:48,040 Speaker 2: like her music. One of my friends styles her, but 531 00:27:48,520 --> 00:27:51,600 Speaker 2: I appreciate that her albums are short. I really enjoy 532 00:27:51,680 --> 00:27:54,680 Speaker 2: more melodic rap. I don't like things that are really 533 00:27:54,680 --> 00:27:57,600 Speaker 2: fast paced. It kind of overwhelms me. And so her 534 00:27:57,720 --> 00:28:01,880 Speaker 2: voice is very deep, but she's rapping, so I really 535 00:28:01,960 --> 00:28:04,240 Speaker 2: enjoy her music a lot, and I just enjoy her 536 00:28:04,560 --> 00:28:08,880 Speaker 2: personality in general. This album came out like a long 537 00:28:08,920 --> 00:28:09,320 Speaker 2: time ago. 538 00:28:09,400 --> 00:28:10,120 Speaker 3: It was last year. 539 00:28:10,200 --> 00:28:15,080 Speaker 2: Cleo Soul's album Gold I really love, and then Dua 540 00:28:15,200 --> 00:28:17,880 Speaker 2: Lipa just covered one of her songs, so it brought 541 00:28:17,880 --> 00:28:18,800 Speaker 2: that back up for me. 542 00:28:18,880 --> 00:28:21,359 Speaker 3: But I'm always listening to Cleo Soul. 543 00:28:22,119 --> 00:28:24,399 Speaker 2: I have a couple of songs that I've really been playing, 544 00:28:24,440 --> 00:28:26,199 Speaker 2: so there's a song that actually at least put me 545 00:28:26,240 --> 00:28:28,600 Speaker 2: on too. It is called Fisher by Cash Cobain and 546 00:28:28,680 --> 00:28:31,600 Speaker 2: Ice Spice hopped on the remix. I really really like it. 547 00:28:32,000 --> 00:28:33,840 Speaker 2: And then there's a song going viral and TikTok right now. 548 00:28:33,840 --> 00:28:36,760 Speaker 2: It's called million Dollar Baby. And I usually do not 549 00:28:36,800 --> 00:28:39,360 Speaker 2: go for TikTok songs, but that one has been on 550 00:28:39,400 --> 00:28:40,640 Speaker 2: my playlist for a while now. 551 00:28:40,680 --> 00:28:41,560 Speaker 3: I really love that song. 552 00:28:41,680 --> 00:28:45,040 Speaker 2: I love Million Dollar Baby. The artist Tommy Richmond. He's 553 00:28:45,080 --> 00:28:47,320 Speaker 2: from Virginia, so he's from the DMV. I'm from DC, 554 00:28:48,040 --> 00:28:50,720 Speaker 2: so that's really cool to see like artists in this 555 00:28:50,840 --> 00:28:54,000 Speaker 2: area going up. But his song debut number two on Billboard, 556 00:28:54,000 --> 00:28:57,520 Speaker 2: which I think is crazy, and I hadn't seen any 557 00:28:58,320 --> 00:29:01,920 Speaker 2: promo outside of tik talk videos, so I thought that 558 00:29:02,040 --> 00:29:04,400 Speaker 2: was really cool just seeing the song blow up in 559 00:29:04,480 --> 00:29:08,880 Speaker 2: that way. Georgia Smith just release I think it was 560 00:29:09,080 --> 00:29:12,280 Speaker 2: last week, and they were kind of like new arrangements 561 00:29:12,320 --> 00:29:15,280 Speaker 2: of older songs. I saw her in concert in October 562 00:29:15,720 --> 00:29:18,960 Speaker 2: and she did some different arrangements of her classics, and 563 00:29:19,000 --> 00:29:20,480 Speaker 2: so I always appreciate her music. 564 00:29:20,520 --> 00:29:21,960 Speaker 3: I really love kind. 565 00:29:21,760 --> 00:29:24,320 Speaker 2: Of the British R and B scene, as you may 566 00:29:24,320 --> 00:29:26,360 Speaker 2: be able to tell and then I'm always listening to 567 00:29:26,720 --> 00:29:30,000 Speaker 2: Cash Cobaine and Challie. They're from New York. I guess 568 00:29:30,160 --> 00:29:33,280 Speaker 2: the sub genre is sexy drill. I like the music 569 00:29:33,320 --> 00:29:35,840 Speaker 2: because it's rap that you can dance to, and I 570 00:29:35,840 --> 00:29:37,719 Speaker 2: don't think enough people are making that, Like I think 571 00:29:37,760 --> 00:29:39,600 Speaker 2: we see like R and B rap. 572 00:29:39,960 --> 00:29:42,200 Speaker 3: This is more rap over R and B beats, and 573 00:29:42,280 --> 00:29:44,400 Speaker 3: so I appreciate that as well. 574 00:29:44,960 --> 00:29:47,560 Speaker 1: So I do not know most of the people that 575 00:29:47,640 --> 00:29:50,320 Speaker 1: y'all have just said. I'm like, Okay, clearly, I gotta 576 00:29:50,360 --> 00:29:52,480 Speaker 1: go back and do some research on who the young 577 00:29:52,520 --> 00:29:56,040 Speaker 1: folks are listening to. So I am finding myself deep 578 00:29:56,040 --> 00:29:59,480 Speaker 1: in my Tamia bag right now. So for evernybody who 579 00:29:59,560 --> 00:30:01,360 Speaker 1: was not a to me a fan, or for the 580 00:30:01,440 --> 00:30:03,560 Speaker 1: younger folks who might be listening and you did not 581 00:30:04,120 --> 00:30:07,080 Speaker 1: go down the Tamia discography a rabbit hole, I would 582 00:30:07,280 --> 00:30:09,480 Speaker 1: like to introduce you to that because I feel like 583 00:30:09,560 --> 00:30:11,800 Speaker 1: she is somebody who I think got a fair amount 584 00:30:11,800 --> 00:30:14,720 Speaker 1: of shine like when she was most popular, but I 585 00:30:14,760 --> 00:30:17,600 Speaker 1: think just has one of the most beautiful voices in 586 00:30:17,920 --> 00:30:20,760 Speaker 1: her music. I think is just very relaxing but also 587 00:30:20,840 --> 00:30:24,160 Speaker 1: really beautiful and powerful. So I have been re listening 588 00:30:24,160 --> 00:30:26,000 Speaker 1: to a lot of her first albums. 589 00:30:26,080 --> 00:30:30,200 Speaker 2: Recently, one of my goals before my twenties, so I 590 00:30:30,280 --> 00:30:32,960 Speaker 2: have five years left, is to learn to me a 591 00:30:33,000 --> 00:30:33,640 Speaker 2: line dance. 592 00:30:33,800 --> 00:30:35,600 Speaker 1: I oh, now, I'm not going that far it. 593 00:30:38,560 --> 00:30:41,920 Speaker 2: At Thanksgiving last year, people were trying to learn it, 594 00:30:41,960 --> 00:30:43,560 Speaker 2: like some people knew it, some people did it, and 595 00:30:43,600 --> 00:30:45,840 Speaker 2: I was just like, this is not the space. 596 00:30:46,160 --> 00:30:46,400 Speaker 3: I think. 597 00:30:46,480 --> 00:30:51,040 Speaker 2: You need rehearsal, you need individual practice. 598 00:30:51,200 --> 00:30:53,640 Speaker 3: So that is one of my goals is to learn 599 00:30:53,800 --> 00:30:54,440 Speaker 3: that dance. 600 00:30:54,960 --> 00:30:57,880 Speaker 2: As an HBCU student, it's almost required for us to 601 00:30:57,880 --> 00:30:59,440 Speaker 2: know it. So I had to get on my zoom 602 00:30:59,560 --> 00:31:01,360 Speaker 2: and I was in my room learning it myself, and 603 00:31:01,400 --> 00:31:03,520 Speaker 2: it was actually really fun. And once you get it, 604 00:31:03,520 --> 00:31:06,360 Speaker 2: it's not that hard, y'all. It's really not. It looks difficult, 605 00:31:06,400 --> 00:31:09,120 Speaker 2: but it's not hard. That's what everyone says, Like, it's 606 00:31:09,160 --> 00:31:12,400 Speaker 2: really not that difficult. But I mentioned this dance class 607 00:31:12,440 --> 00:31:15,080 Speaker 2: I'm taking through that I've learned that I'm a bit 608 00:31:15,200 --> 00:31:18,560 Speaker 2: directionally challenged when it comes to dance. So it's not 609 00:31:18,600 --> 00:31:20,280 Speaker 2: like I don't have rhythm, but when it comes to 610 00:31:20,320 --> 00:31:24,720 Speaker 2: like directions and like no, that is what's messing me up. 611 00:31:25,000 --> 00:31:28,560 Speaker 2: A stylist woman in fashion London Girl and NYC. I 612 00:31:28,560 --> 00:31:30,960 Speaker 2: follow her on Instagram. She just started a newsletter and 613 00:31:30,960 --> 00:31:34,560 Speaker 2: she interviewed T Dramoses in her newsletter, and so I've 614 00:31:34,600 --> 00:31:37,760 Speaker 2: been listening to more of her music. I've always been 615 00:31:37,800 --> 00:31:40,239 Speaker 2: a fan, but I think everyone points to be Your 616 00:31:40,280 --> 00:31:42,400 Speaker 2: Girl as like her best song, and she has like 617 00:31:42,440 --> 00:31:45,600 Speaker 2: so many other songs. So I've been revisiting her catalog 618 00:31:45,720 --> 00:31:48,000 Speaker 2: as well because of that newsletter. 619 00:31:48,560 --> 00:32:01,680 Speaker 1: Okay, more from our conversation after the break, anything else 620 00:32:01,680 --> 00:32:03,560 Speaker 1: to put on the radar that people might not be 621 00:32:03,600 --> 00:32:04,400 Speaker 1: paying attention to. 622 00:32:05,080 --> 00:32:06,880 Speaker 2: I know we might get into this a little later, 623 00:32:07,320 --> 00:32:10,040 Speaker 2: but I have not stopped listening to not Like Us 624 00:32:10,120 --> 00:32:14,600 Speaker 2: the Kendrick lamartis as someone who really does love hip hop. 625 00:32:15,040 --> 00:32:17,520 Speaker 2: I have been checked out of this beef. I know 626 00:32:17,600 --> 00:32:21,280 Speaker 2: what goes on because of social media, but I really 627 00:32:21,320 --> 00:32:23,600 Speaker 2: wasn't listening to the songs, like maybe I'll listen to 628 00:32:23,680 --> 00:32:25,200 Speaker 2: them once, but I'm not revisiting them. 629 00:32:25,240 --> 00:32:28,040 Speaker 3: I'm not unpacking what's going on. But then I would 630 00:32:28,040 --> 00:32:29,760 Speaker 3: see the videos or. 631 00:32:29,720 --> 00:32:32,360 Speaker 2: Like the memes from Not Like Us and I was like, okay, 632 00:32:32,400 --> 00:32:35,000 Speaker 2: I need to listen, and now I will listen to that. 633 00:32:35,000 --> 00:32:35,880 Speaker 3: Song on a loop. 634 00:32:36,400 --> 00:32:38,640 Speaker 2: And I told myself today is the day where I 635 00:32:38,680 --> 00:32:41,080 Speaker 2: will go one day without listening to the song. I'm 636 00:32:41,120 --> 00:32:43,520 Speaker 2: just like, I'm not tired of it, but I'm over 637 00:32:43,600 --> 00:32:44,479 Speaker 2: indexing on it. 638 00:32:44,520 --> 00:32:46,880 Speaker 3: I need to space it out. What's so crazy is 639 00:32:46,920 --> 00:32:47,920 Speaker 3: I was about to say the same thing. 640 00:32:47,960 --> 00:32:51,000 Speaker 2: Euphoria and not Like Us are both on my replay, 641 00:32:51,120 --> 00:32:53,720 Speaker 2: especially Euphoria. I almost know all the lyrics to Euphoria 642 00:32:53,720 --> 00:32:56,480 Speaker 2: and that's like a six minute song. Yeah, I think 643 00:32:56,520 --> 00:32:58,840 Speaker 2: I know all the lyrics to not Like Us now, 644 00:32:59,440 --> 00:33:02,520 Speaker 2: which it didn't take me that long, but yeah, I 645 00:33:02,560 --> 00:33:04,640 Speaker 2: got a press pause for a few days. 646 00:33:04,960 --> 00:33:07,280 Speaker 1: Yeah, So I definitely am not all the way caught 647 00:33:07,360 --> 00:33:10,080 Speaker 1: up on how we got to this place. I have 648 00:33:10,240 --> 00:33:12,480 Speaker 1: been also enjoying Not Like Us though, but I also 649 00:33:12,520 --> 00:33:15,480 Speaker 1: think I just like DJ Mustard's beat, and so I 650 00:33:15,520 --> 00:33:18,360 Speaker 1: think most songs that he produces I typically am going 651 00:33:18,360 --> 00:33:20,920 Speaker 1: to enjoy. But not Like Us definitely is the favorite 652 00:33:20,920 --> 00:33:24,280 Speaker 1: song of this whole beef that we have going on. 653 00:33:24,840 --> 00:33:26,720 Speaker 1: Is there anything else that we want to get into 654 00:33:26,880 --> 00:33:29,400 Speaker 1: related to this that y'all think would be helpful to 655 00:33:29,440 --> 00:33:31,280 Speaker 1: talk about that you feel like you really want to 656 00:33:31,280 --> 00:33:34,320 Speaker 1: share some thoughts on and maybe a little crash course 657 00:33:34,400 --> 00:33:36,800 Speaker 1: into how we got here, Like I'm not quite sure 658 00:33:36,800 --> 00:33:39,480 Speaker 1: that I understand, so maybe other members of the community 659 00:33:39,800 --> 00:33:42,120 Speaker 1: also don't understand, Like, how do we get to this 660 00:33:42,200 --> 00:33:45,240 Speaker 1: place where Drake and Kendrick are going at each other? 661 00:33:45,960 --> 00:33:47,640 Speaker 3: They've been beefing for years. 662 00:33:47,920 --> 00:33:52,200 Speaker 2: We have Poetic Justice, which came out My Goodness in 663 00:33:52,320 --> 00:33:58,520 Speaker 2: twenty twelve. They clapped on that song. But Kendrick diss 664 00:33:58,640 --> 00:34:03,440 Speaker 2: Drake on All the Stars on the Black Father Sound, which. 665 00:34:03,320 --> 00:34:05,880 Speaker 1: I'm just learning. I love that song. I never knew 666 00:34:05,920 --> 00:34:07,200 Speaker 1: that that was like a Drake dis. 667 00:34:08,120 --> 00:34:11,520 Speaker 2: Drake dissed him on one hundred, which is a song 668 00:34:11,560 --> 00:34:13,920 Speaker 2: he did with the game, and that one was a 669 00:34:13,920 --> 00:34:17,480 Speaker 2: little more known, and at the time when Drake was 670 00:34:17,560 --> 00:34:21,319 Speaker 2: in la he was allegedly scared for his life, so 671 00:34:21,880 --> 00:34:24,759 Speaker 2: it goes that far back. But what I think is 672 00:34:24,920 --> 00:34:29,440 Speaker 2: interesting about this beef is, although if you're maybe a 673 00:34:29,480 --> 00:34:32,480 Speaker 2: casual listener of rap music, they seem to be at 674 00:34:32,520 --> 00:34:35,080 Speaker 2: the same stature or the same celebrity, but I think 675 00:34:35,080 --> 00:34:39,440 Speaker 2: there are two completely different artists, and it can seem 676 00:34:39,480 --> 00:34:42,359 Speaker 2: maybe like a little elitist to say, Okay, Kendrick has 677 00:34:42,400 --> 00:34:45,200 Speaker 2: won a Pulitzer and it puts him in a different 678 00:34:45,280 --> 00:34:48,640 Speaker 2: category as Drake. But I think it does not just 679 00:34:48,680 --> 00:34:51,120 Speaker 2: because of who's a better rapper. I think actually both 680 00:34:51,120 --> 00:34:53,160 Speaker 2: of them are really good rappers. I think we hear 681 00:34:53,320 --> 00:34:56,560 Speaker 2: Kendrick rap in the traditional kind of style of what 682 00:34:56,560 --> 00:34:59,360 Speaker 2: we view as serious hip hop more than Drake. But 683 00:34:59,440 --> 00:35:01,200 Speaker 2: I think not gonna say they're gonna go toe to 684 00:35:01,200 --> 00:35:03,279 Speaker 2: toe with lyricism. But I'll never say Drake is a 685 00:35:03,280 --> 00:35:07,320 Speaker 2: bad rapper. I think what's interesting if you back it 686 00:35:07,440 --> 00:35:09,799 Speaker 2: up to Like earlier this year, there's a podcast called 687 00:35:09,800 --> 00:35:12,279 Speaker 2: The Cutting Room Floor. It's really a fashion podcast, but 688 00:35:12,880 --> 00:35:15,560 Speaker 2: Most Deaf was on the show and this cliff went 689 00:35:15,640 --> 00:35:18,920 Speaker 2: viral where he said Drake is pop music and I 690 00:35:19,120 --> 00:35:22,960 Speaker 2: liken his music to shopping. I think that is where 691 00:35:23,200 --> 00:35:27,600 Speaker 2: their differences come through. I think Kendrick Lamar wants to 692 00:35:27,600 --> 00:35:30,560 Speaker 2: be known as like a serious rapper in the tradition 693 00:35:30,840 --> 00:35:35,480 Speaker 2: of a rapper like most def or a rapper like Common, 694 00:35:36,120 --> 00:35:39,560 Speaker 2: but hip hop is so global and universal that he 695 00:35:40,040 --> 00:35:42,359 Speaker 2: has his toe like in pop culture from a music 696 00:35:42,400 --> 00:35:44,319 Speaker 2: standpoint and just from the way we talk about him. 697 00:35:44,560 --> 00:35:46,840 Speaker 2: And then he's done things like the Black Panther soundtrack, 698 00:35:47,400 --> 00:35:50,960 Speaker 2: so he still makes popular music. But I do think 699 00:35:51,000 --> 00:35:52,680 Speaker 2: he wants to be seen in the tradition as like 700 00:35:52,680 --> 00:35:55,239 Speaker 2: a serious rapper. Drake is a pop artist. I don't 701 00:35:55,239 --> 00:35:58,400 Speaker 2: think anyone can deny that. I think the songs people 702 00:35:58,480 --> 00:36:02,000 Speaker 2: enjoy the most from him are the songs that you 703 00:36:02,040 --> 00:36:04,680 Speaker 2: can dance to or are more melodic. 704 00:36:04,760 --> 00:36:04,960 Speaker 1: To me. 705 00:36:05,040 --> 00:36:10,760 Speaker 2: When he's trying to be this hard, storytelling, taking shots rapper, 706 00:36:10,960 --> 00:36:13,960 Speaker 2: I don't enjoy it, and so I think taste wise, 707 00:36:14,000 --> 00:36:16,840 Speaker 2: they're very different, and Kendrick is maybe not very vocal, 708 00:36:16,840 --> 00:36:18,600 Speaker 2: but it's more distinct. I'm like, I don't like Drake 709 00:36:18,640 --> 00:36:20,760 Speaker 2: for those reasons. We're not the same type of rapper. 710 00:36:20,800 --> 00:36:23,200 Speaker 2: I don't want to be compared to him. Now, there 711 00:36:23,239 --> 00:36:27,280 Speaker 2: may be other subcontexts in the beef that we're missing, 712 00:36:27,360 --> 00:36:29,799 Speaker 2: but I think that's where it comes from, and I 713 00:36:29,840 --> 00:36:32,879 Speaker 2: think it's fair if I want to be seen as 714 00:36:33,000 --> 00:36:35,680 Speaker 2: one type of rapper. I will not say Kendrick is 715 00:36:35,719 --> 00:36:37,960 Speaker 2: a conscious rapper at all, but I think that's what 716 00:36:38,040 --> 00:36:41,000 Speaker 2: he's trying to be and Drake is not that. It's 717 00:36:41,040 --> 00:36:42,839 Speaker 2: just like, don't compare us. I don't want to be 718 00:36:43,040 --> 00:36:46,439 Speaker 2: in the same kind of universe as you at all. 719 00:36:46,680 --> 00:36:48,920 Speaker 2: But something I don't appreciate about this beef is how 720 00:36:48,920 --> 00:36:52,000 Speaker 2: I do feel like women are the punchline in. 721 00:36:51,880 --> 00:36:57,120 Speaker 3: So many of these songs. For years, rumors blind. 722 00:36:56,840 --> 00:37:01,200 Speaker 2: Items circling that Drake messes with underrage women. There's also 723 00:37:01,320 --> 00:37:05,319 Speaker 2: rumors that Kendrick has physically abused his wife. Kendrick has 724 00:37:05,360 --> 00:37:09,879 Speaker 2: not addressed those allegations. Drake did address the underage women allegations, 725 00:37:10,120 --> 00:37:12,960 Speaker 2: but even though he did address them, there has been 726 00:37:12,960 --> 00:37:17,719 Speaker 2: like multiple instances where it seems more than plausible. But 727 00:37:18,239 --> 00:37:21,319 Speaker 2: what's interesting is, well, if both of you have known 728 00:37:21,360 --> 00:37:23,080 Speaker 2: this for so long and it seems to be an 729 00:37:23,080 --> 00:37:26,640 Speaker 2: open secret in the industry, what are the repercussions? And 730 00:37:26,680 --> 00:37:28,360 Speaker 2: I think we see this time and time again, like 731 00:37:28,440 --> 00:37:31,200 Speaker 2: with what's going on with Diddy now and so many 732 00:37:31,280 --> 00:37:32,880 Speaker 2: other men in the industry. It's like, oh, yeah, we 733 00:37:32,920 --> 00:37:34,520 Speaker 2: know that they act this way, but it's only going 734 00:37:34,600 --> 00:37:38,160 Speaker 2: to be revealed in a legal setting or if someone 735 00:37:38,200 --> 00:37:41,080 Speaker 2: has like beef with someone. That's what's rubbing me the 736 00:37:41,080 --> 00:37:43,360 Speaker 2: wrong way about it and the reason why I've checked 737 00:37:43,360 --> 00:37:46,360 Speaker 2: out a bit. But overall, I think it's bringing up 738 00:37:46,360 --> 00:37:49,120 Speaker 2: a lot of interesting conversations about comparing it to like 739 00:37:49,560 --> 00:37:53,360 Speaker 2: Biggie Tupac. There's been conversations about like does Toronto have 740 00:37:53,440 --> 00:37:57,000 Speaker 2: a regional sound. Allegedly, most artists in Toronto do not 741 00:37:57,280 --> 00:37:59,080 Speaker 2: like Drake. So I think a lot of things are 742 00:37:59,080 --> 00:38:00,920 Speaker 2: being uncovered from this beef, which I. 743 00:38:00,840 --> 00:38:03,360 Speaker 3: Think is more interesting than the actual music itself. 744 00:38:03,880 --> 00:38:05,840 Speaker 2: Yeah, there's so much I want to piggyback on that 745 00:38:05,880 --> 00:38:07,759 Speaker 2: you said at least, but I'll just start by saying 746 00:38:07,800 --> 00:38:10,840 Speaker 2: I didn't know all of the history that was involved 747 00:38:10,840 --> 00:38:12,480 Speaker 2: in like the starting of this beef. I was under 748 00:38:12,480 --> 00:38:15,439 Speaker 2: the impression that when j Cole and Drake had First 749 00:38:15,440 --> 00:38:17,600 Speaker 2: Person Shooter and they talked about, oh, the Big Three, 750 00:38:17,760 --> 00:38:20,200 Speaker 2: that Kendrick got offended by that. He was like, fter 751 00:38:20,239 --> 00:38:22,240 Speaker 2: big Three, It's just big me and that's how it started. 752 00:38:22,440 --> 00:38:23,839 Speaker 2: And that was crazy to me because it's like, now 753 00:38:23,840 --> 00:38:25,919 Speaker 2: they brought in children and wives and all that over 754 00:38:26,120 --> 00:38:29,160 Speaker 2: just kind of an ego competition over who's the best rapper. 755 00:38:29,400 --> 00:38:31,319 Speaker 2: But now I hear that like it's more than that. 756 00:38:31,920 --> 00:38:35,239 Speaker 2: But generally, I was checked out from the beginning in 757 00:38:35,280 --> 00:38:37,840 Speaker 2: this beef because I don't care for either Drake or Kendrick. 758 00:38:38,040 --> 00:38:40,520 Speaker 2: I did not pick aside because Drake I view as 759 00:38:40,520 --> 00:38:43,120 Speaker 2: a misogynist based off of the shots that he took 760 00:38:43,160 --> 00:38:45,440 Speaker 2: at Megan the Stallion. Since then, I've been completely off 761 00:38:45,480 --> 00:38:48,680 Speaker 2: of him and then Kendrick to me, I generally dislike 762 00:38:48,760 --> 00:38:51,480 Speaker 2: conscious rappers because I feel like a lot of times 763 00:38:51,480 --> 00:38:54,000 Speaker 2: they try to portray an image of being very conscious, 764 00:38:54,040 --> 00:38:57,360 Speaker 2: when in reality they are not. And so with Kendrick, 765 00:38:57,480 --> 00:38:59,719 Speaker 2: I also was offended by his use of the f 766 00:38:59,800 --> 00:39:02,080 Speaker 2: SLAF and his song Auntie Diaries. I know that there's 767 00:39:02,120 --> 00:39:04,440 Speaker 2: a lot of conversation around that, some people defending it, 768 00:39:04,480 --> 00:39:07,239 Speaker 2: but I personally that got me off of Kendrick. So 769 00:39:07,760 --> 00:39:10,560 Speaker 2: with that said, I was uninvested in the beginning. But 770 00:39:10,560 --> 00:39:12,520 Speaker 2: what I will say on Aleast's point of like Drake 771 00:39:12,560 --> 00:39:16,040 Speaker 2: being a pop artist, I can speak for my generation 772 00:39:16,120 --> 00:39:18,919 Speaker 2: and that I'm quicker to put on a Drake song 773 00:39:19,000 --> 00:39:20,680 Speaker 2: than I am to put on a Kendrick song simply 774 00:39:20,680 --> 00:39:22,960 Speaker 2: because I just want to hear upbeat music. I don't 775 00:39:23,000 --> 00:39:25,840 Speaker 2: want to hear godous rap. And that's just the truth 776 00:39:25,880 --> 00:39:28,040 Speaker 2: of the matter. And so even though I recognize that 777 00:39:28,160 --> 00:39:32,319 Speaker 2: Kendrick is lyrically much better of a rapper than Drake is, 778 00:39:32,880 --> 00:39:35,120 Speaker 2: I'm less likely to put on a Kendrick song just 779 00:39:35,160 --> 00:39:37,440 Speaker 2: because sometimes you're just not trying to hear that. So 780 00:39:37,719 --> 00:39:40,160 Speaker 2: that's how I felt about the beef Obviously, I think 781 00:39:40,280 --> 00:39:43,120 Speaker 2: Kendrick has won the beef based off of just the 782 00:39:43,239 --> 00:39:45,400 Speaker 2: lyrics of it all, and also when it comes to 783 00:39:45,480 --> 00:39:48,520 Speaker 2: Drake and the underage girls thing, his defense was so terrible, 784 00:39:48,880 --> 00:39:53,000 Speaker 2: like saying, I'm too famous to be a pedophile. It's like, 785 00:39:53,400 --> 00:39:56,200 Speaker 2: how many examples of famous people do we know, famous 786 00:39:56,280 --> 00:39:57,920 Speaker 2: rich people that we know who have been able to 787 00:39:57,920 --> 00:39:59,560 Speaker 2: get away with this. It was just like a really 788 00:39:59,640 --> 00:40:03,759 Speaker 2: terrible and then him saying that he fed Kendrick's team 789 00:40:03,760 --> 00:40:06,280 Speaker 2: this whole thing about the daughter. There's so much evidence 790 00:40:06,320 --> 00:40:08,960 Speaker 2: that would go otherwise. So I just feel like he's 791 00:40:09,000 --> 00:40:11,360 Speaker 2: spiraling a little bit. But I don't anticipate that this 792 00:40:11,400 --> 00:40:13,720 Speaker 2: will have a large impact on his career just because 793 00:40:14,239 --> 00:40:17,960 Speaker 2: he's Drake. He's like almost intouchable, so I don't anticipate 794 00:40:18,000 --> 00:40:19,759 Speaker 2: this having a real impact on his career. And like 795 00:40:19,800 --> 00:40:24,200 Speaker 2: Alis said, the fact that black women have been the 796 00:40:24,239 --> 00:40:27,799 Speaker 2: punchline in this whole beef and the accusations of being 797 00:40:27,800 --> 00:40:30,360 Speaker 2: a dead bee dad and being a domestic abuser. At 798 00:40:30,400 --> 00:40:31,680 Speaker 2: the end of the day, it's black women who are 799 00:40:31,719 --> 00:40:36,279 Speaker 2: the victims of these accusations that they're throwing around, So 800 00:40:36,400 --> 00:40:39,520 Speaker 2: that has me even less caring about any of what's 801 00:40:39,560 --> 00:40:41,040 Speaker 2: going on with this beef. So that's where I'm at 802 00:40:41,120 --> 00:40:44,160 Speaker 2: right now. I think what's interesting that you said Zaria 803 00:40:44,520 --> 00:40:47,799 Speaker 2: is for someone your age, like they rather listen to 804 00:40:48,640 --> 00:40:49,520 Speaker 2: Drake than to Kendrick. 805 00:40:49,600 --> 00:40:50,960 Speaker 3: That's completely true. 806 00:40:51,640 --> 00:40:53,680 Speaker 2: I feel like I grew up with Kendrick, Like his 807 00:40:53,800 --> 00:40:57,960 Speaker 2: first album came out when I was in middle school, 808 00:40:58,480 --> 00:41:00,920 Speaker 2: and then his second album came out when I started 809 00:41:01,040 --> 00:41:05,600 Speaker 2: high school, and it was an album that really encapsulated 810 00:41:05,600 --> 00:41:08,040 Speaker 2: the high school experience, not from necessarily the lyrics, but 811 00:41:09,040 --> 00:41:10,879 Speaker 2: a lot of it came up at the same time 812 00:41:10,920 --> 00:41:13,920 Speaker 2: as Tumblr. And so I do think if you're anywhere 813 00:41:13,920 --> 00:41:18,080 Speaker 2: from like twenty five to thirty five, like you get Kendrick. 814 00:41:18,760 --> 00:41:21,319 Speaker 3: But I will say it wasn't until his. 815 00:41:21,360 --> 00:41:23,840 Speaker 2: Most recent album that I felt like he stopped making 816 00:41:24,200 --> 00:41:27,600 Speaker 2: popular music. I always thought Kendrick's music was popular. I 817 00:41:27,680 --> 00:41:29,960 Speaker 2: just thought it had more of a storytelling lean that 818 00:41:30,000 --> 00:41:32,520 Speaker 2: some people may think is like boring. So to me, 819 00:41:32,600 --> 00:41:36,319 Speaker 2: it's interesting now Kendrick has taken this. I don't want 820 00:41:36,320 --> 00:41:38,279 Speaker 2: to say a complete shift, because I always saw it 821 00:41:38,320 --> 00:41:41,279 Speaker 2: getting there, but I do think his attitude in this 822 00:41:41,560 --> 00:41:43,719 Speaker 2: entire beef and the reasons why he doesn't like Drake 823 00:41:43,800 --> 00:41:46,840 Speaker 2: leans more into mister Morale and the Big Steppers as 824 00:41:46,880 --> 00:41:51,239 Speaker 2: opposed to like what his music was before. But yeah, 825 00:41:51,280 --> 00:41:53,080 Speaker 2: I do think it's really interesting where you start to 826 00:41:53,080 --> 00:41:56,120 Speaker 2: see differences between them as artists, and I think it's 827 00:41:56,280 --> 00:41:59,000 Speaker 2: come up, you know, in the past. 828 00:41:58,640 --> 00:42:00,799 Speaker 3: Three to four year, and. 829 00:42:00,800 --> 00:42:03,680 Speaker 2: There's always been differences, But like you said, I think 830 00:42:03,760 --> 00:42:07,640 Speaker 2: Kendrick was very offended by like him, J Cole and 831 00:42:07,719 --> 00:42:09,960 Speaker 2: Drake seem to be this click that Kendrick's not a 832 00:42:09,960 --> 00:42:12,359 Speaker 2: part of. But I don't think Kendrick wants to be 833 00:42:12,400 --> 00:42:15,560 Speaker 2: a part of it anyway, So that's very interesting. I'm 834 00:42:15,560 --> 00:42:18,839 Speaker 2: always interested to hear how like younger people are processing it, 835 00:42:18,880 --> 00:42:22,640 Speaker 2: because sometimes when I look at Twitter replies or on TikTok, 836 00:42:22,680 --> 00:42:25,680 Speaker 2: it seems like everyone who's rooting for Drake is very young. 837 00:42:26,000 --> 00:42:29,000 Speaker 2: I'm relatively young too, but everyone who's rooting for Kendrick, 838 00:42:29,520 --> 00:42:33,000 Speaker 2: they're definitely like out of college. But I think maybe 839 00:42:33,040 --> 00:42:35,680 Speaker 2: we have more context to the beef as a whole. 840 00:42:36,160 --> 00:42:39,080 Speaker 1: I guess my question is, would you all say that 841 00:42:39,200 --> 00:42:42,920 Speaker 1: Drake considers himself a serious hip hop person. 842 00:42:43,440 --> 00:42:46,600 Speaker 2: Yeah, He's done a few interviews where he's talked about 843 00:42:46,640 --> 00:42:50,800 Speaker 2: like he loves hip hop like he studies rap, and 844 00:42:50,920 --> 00:42:53,640 Speaker 2: what I've inferred from that is like he just doesn't 845 00:42:53,760 --> 00:42:56,960 Speaker 2: make that type of music. Like I do really like 846 00:42:57,080 --> 00:43:01,520 Speaker 2: Drake's music. What I don't like are this most recent album, 847 00:43:01,600 --> 00:43:03,600 Speaker 2: like her Loss. There are one or two songs that 848 00:43:03,680 --> 00:43:07,480 Speaker 2: I like because I think he's trying to do or 849 00:43:07,520 --> 00:43:10,080 Speaker 2: be something different. Sometimes I feel like he's leaning more 850 00:43:10,120 --> 00:43:14,240 Speaker 2: a little too like mimicking Future, mimicking twenty one Savage, 851 00:43:14,239 --> 00:43:19,600 Speaker 2: who from a popularity standpoint, aren't as big as him globally. 852 00:43:20,480 --> 00:43:23,279 Speaker 2: But even when he made honestly Nevermind, which is like 853 00:43:23,320 --> 00:43:27,120 Speaker 2: the house music album, I loved that album. I loved 854 00:43:27,200 --> 00:43:29,759 Speaker 2: Views because it leaned into the Toronto sound, and so 855 00:43:30,080 --> 00:43:32,120 Speaker 2: I think he's made a wave and hip hop for 856 00:43:32,560 --> 00:43:36,440 Speaker 2: the Toronto sound, for what you can do with just 857 00:43:36,480 --> 00:43:41,120 Speaker 2: like party music in general and more melodic songs. He's 858 00:43:41,120 --> 00:43:43,480 Speaker 2: definitely has his own sound in his own wave, and 859 00:43:43,520 --> 00:43:45,960 Speaker 2: I think he's like diverted from that. When I think 860 00:43:46,000 --> 00:43:49,120 Speaker 2: about what he's done with other Toronto artists or things 861 00:43:49,120 --> 00:43:52,960 Speaker 2: that sound more like that, I might Okay, yes, Drake 862 00:43:53,080 --> 00:43:55,279 Speaker 2: is a serious hip hop person because he's made this 863 00:43:55,480 --> 00:43:57,799 Speaker 2: way for the city that he's from. But then when 864 00:43:57,800 --> 00:44:00,520 Speaker 2: he starts to like borrow from Atlanta or like tag 865 00:44:00,560 --> 00:44:02,880 Speaker 2: Team with all the new artists. That's when I start 866 00:44:02,880 --> 00:44:05,560 Speaker 2: to not respect him. And you know, Kendrick has been 867 00:44:05,600 --> 00:44:08,080 Speaker 2: getting at that, like you're a visitor of the culture 868 00:44:08,480 --> 00:44:11,160 Speaker 2: and you're borrowing from the culture. And I'm like, that's 869 00:44:11,200 --> 00:44:13,360 Speaker 2: what people don't like about Drake. But to me, he 870 00:44:13,400 --> 00:44:15,759 Speaker 2: has carved out such a unique lane that I also 871 00:44:15,800 --> 00:44:18,560 Speaker 2: think he has the stature to say, I am a 872 00:44:18,640 --> 00:44:21,799 Speaker 2: hip hop person, especially for like Canada and Toronto. So 873 00:44:21,840 --> 00:44:25,120 Speaker 2: it's interesting to see him divert from what works for 874 00:44:25,200 --> 00:44:28,360 Speaker 2: him and what solidifies him in the genre time and 875 00:44:28,400 --> 00:44:28,920 Speaker 2: time again. 876 00:44:29,200 --> 00:44:29,799 Speaker 3: I don't get it. 877 00:44:29,960 --> 00:44:32,360 Speaker 1: Yeah, see, And I think my Drake lane is like 878 00:44:32,480 --> 00:44:34,600 Speaker 1: nice for what and in my feelings, like those are 879 00:44:34,640 --> 00:44:37,240 Speaker 1: the songs that I most enjoy, which it also seems 880 00:44:37,239 --> 00:44:39,480 Speaker 1: like Kendrick is alluding to, right, like I like the 881 00:44:39,520 --> 00:44:41,839 Speaker 1: two step Drake, Like I like that kind of thing, 882 00:44:42,239 --> 00:44:44,279 Speaker 1: And I think that's mostly how I see Drake. But 883 00:44:44,360 --> 00:44:48,000 Speaker 1: I don't think I am the intended audience for like 884 00:44:48,040 --> 00:44:50,279 Speaker 1: maybe some of this other stuff, and so I don't 885 00:44:50,280 --> 00:44:52,800 Speaker 1: feel like I know very much about his other songs 886 00:44:52,800 --> 00:44:55,200 Speaker 1: besides the ones that I feel like are most poppy 887 00:44:55,239 --> 00:44:57,440 Speaker 1: and the ones that you see like in commercials and 888 00:44:57,880 --> 00:45:00,560 Speaker 1: that you see people talk about on TikTok D too. 889 00:45:00,920 --> 00:45:03,640 Speaker 1: So I definitely think that is what I most identified 890 00:45:03,680 --> 00:45:04,160 Speaker 1: Drake with. 891 00:45:04,960 --> 00:45:07,480 Speaker 2: I agree, Doctor Joy. I almost viewed Drake as an 892 00:45:07,640 --> 00:45:09,080 Speaker 2: R and B artist in the way I feel like 893 00:45:09,080 --> 00:45:11,720 Speaker 2: his strength is his vocals, because a lot of rappers 894 00:45:11,719 --> 00:45:14,400 Speaker 2: try to sing, but few are as tolerable as it 895 00:45:14,440 --> 00:45:16,839 Speaker 2: is listening to Drake to sing, and so I've never 896 00:45:16,920 --> 00:45:19,799 Speaker 2: really viewed him as a serious hip hop artist. And 897 00:45:19,840 --> 00:45:21,680 Speaker 2: also I don't believe that he writes his music. I 898 00:45:21,760 --> 00:45:24,600 Speaker 2: fully support the ghostwriter allegation, so that also takes away 899 00:45:24,600 --> 00:45:27,920 Speaker 2: from my respect for him in the hip hop realm. 900 00:45:28,120 --> 00:45:30,160 Speaker 2: But I think from his point of view, he probably 901 00:45:30,239 --> 00:45:33,200 Speaker 2: thinks that there's a lot of conversation around him helping 902 00:45:33,239 --> 00:45:35,799 Speaker 2: to elevate other artists by giving them number one hits 903 00:45:35,880 --> 00:45:38,480 Speaker 2: or giving them Billboard success, and so I feel like 904 00:45:38,640 --> 00:45:40,360 Speaker 2: he feels like they should be grateful for that. And 905 00:45:40,360 --> 00:45:43,000 Speaker 2: so that's why you know he's visiting all these different cultures, 906 00:45:43,000 --> 00:45:45,839 Speaker 2: but he feels like, oh, well, I'm giving them all 907 00:45:45,840 --> 00:45:48,040 Speaker 2: this fame. Because it is true, when Drake hops on 908 00:45:48,040 --> 00:45:50,439 Speaker 2: the song, it immediately goes higher, and so I feel 909 00:45:50,440 --> 00:45:52,719 Speaker 2: like he feels like that compensates for the fact that 910 00:45:52,760 --> 00:45:54,720 Speaker 2: he is a visitor in a lot of these cultures. 911 00:45:54,800 --> 00:45:57,760 Speaker 1: Very interesting, So I'm definitely curious to hear the community 912 00:45:57,800 --> 00:46:00,680 Speaker 1: weigh in on this because I'm sure that opinions are 913 00:46:00,719 --> 00:46:02,600 Speaker 1: all over the place and people are feeling lots of 914 00:46:02,600 --> 00:46:04,920 Speaker 1: different things. So definitely let us know. Once you listen 915 00:46:04,920 --> 00:46:07,319 Speaker 1: to this episode, hit us up on Twitter or on 916 00:46:07,360 --> 00:46:09,560 Speaker 1: Instagram and let us know where you fall on the 917 00:46:09,600 --> 00:46:13,760 Speaker 1: whole Kendrick and Drake conversation. So I want to also 918 00:46:13,840 --> 00:46:16,680 Speaker 1: talk about something that I have recently become obsessed with 919 00:46:16,760 --> 00:46:19,560 Speaker 1: and I am surprised at myself for this. So I 920 00:46:19,600 --> 00:46:23,239 Speaker 1: have become a huge women's basketball fan, and I feel 921 00:46:23,280 --> 00:46:26,400 Speaker 1: like I like revisit this every year in response to 922 00:46:26,560 --> 00:46:30,560 Speaker 1: like the NCAA tournament just because of the black girls, right, Like, 923 00:46:30,640 --> 00:46:33,640 Speaker 1: I am totally about like supporting the black women who 924 00:46:34,120 --> 00:46:37,160 Speaker 1: have just really been killing it in the game historically, 925 00:46:37,600 --> 00:46:40,120 Speaker 1: and I feel like are not getting enough shine. But 926 00:46:40,160 --> 00:46:42,399 Speaker 1: I feel like I took it a step further this year. 927 00:46:42,480 --> 00:46:44,920 Speaker 1: So now I have purchased the league pass so that 928 00:46:44,960 --> 00:46:48,000 Speaker 1: I can see the WNBA games I'm on the wait 929 00:46:48,040 --> 00:46:51,319 Speaker 1: list to get season tickets for the Atlanta Dreams, so 930 00:46:51,360 --> 00:46:53,960 Speaker 1: I feel like I'm really diving in, and like I 931 00:46:54,000 --> 00:46:56,279 Speaker 1: watched the draft for the first time this year, like 932 00:46:56,360 --> 00:46:59,560 Speaker 1: I have gone fully in. But I have to say, though, 933 00:46:59,719 --> 00:47:02,879 Speaker 1: my love for this season for sure started with Dawn 934 00:47:02,960 --> 00:47:06,360 Speaker 1: Staley and the South Carolina team. So of course I 935 00:47:06,440 --> 00:47:10,239 Speaker 1: knew who Dawn was as both a player and as 936 00:47:10,239 --> 00:47:12,120 Speaker 1: a coach, but I don't feel like I knew as 937 00:47:12,200 --> 00:47:16,160 Speaker 1: much about her before they won the national championship. And 938 00:47:16,200 --> 00:47:18,319 Speaker 1: so I've just been doing a deep dive on all 939 00:47:18,360 --> 00:47:20,920 Speaker 1: of the things written about her, all the interviews that 940 00:47:20,960 --> 00:47:23,840 Speaker 1: she's done, and it just feels like she has created 941 00:47:23,920 --> 00:47:27,640 Speaker 1: such an incredible culture as a coach at South Carolina, 942 00:47:27,760 --> 00:47:31,319 Speaker 1: And so I am fully on the Dawn Staley vandwagon 943 00:47:31,440 --> 00:47:34,040 Speaker 1: and waiting for the new season to start to see, Okay, 944 00:47:34,040 --> 00:47:36,719 Speaker 1: what's the matchup gonna look like, and paying attention to 945 00:47:36,840 --> 00:47:39,000 Speaker 1: like the students at all these other schools, So like 946 00:47:39,040 --> 00:47:43,800 Speaker 1: the Yukon Ladies and Juju at USC, I'm like, Okay, 947 00:47:43,840 --> 00:47:46,400 Speaker 1: what's happening. So I've like followed all of them on TikTok, 948 00:47:46,719 --> 00:47:50,120 Speaker 1: and now my TikTok is like a full women's basketball 949 00:47:51,280 --> 00:47:53,560 Speaker 1: So now I'm not getting like my makeup tutorials. Now 950 00:47:53,600 --> 00:47:56,680 Speaker 1: I'm fully in women's basketball TikTok. So I'm curious to 951 00:47:56,719 --> 00:47:58,680 Speaker 1: know if you all have been paying attention. Is this 952 00:47:58,680 --> 00:48:01,279 Speaker 1: something you have been equally obsessed with like me? 953 00:48:02,040 --> 00:48:04,520 Speaker 2: Yes, I have most definitely been tapped in. I'll say 954 00:48:04,600 --> 00:48:08,600 Speaker 2: I'm generally a fan of basketball, but college basketball hasn't 955 00:48:08,640 --> 00:48:12,960 Speaker 2: been my specific thing until last season with LSU taking 956 00:48:12,960 --> 00:48:14,799 Speaker 2: the W. That was when I really started to get 957 00:48:14,800 --> 00:48:18,280 Speaker 2: invested in this season. I am all the way tapped 958 00:48:18,320 --> 00:48:22,360 Speaker 2: in with Don Staley and specifically Raven who played on 959 00:48:22,400 --> 00:48:24,879 Speaker 2: their team. I know people who know her because she's 960 00:48:24,920 --> 00:48:27,040 Speaker 2: from Atlanta, she went to Westlake and so it's really 961 00:48:27,040 --> 00:48:29,080 Speaker 2: cool seeing her kind of have this revenge season and 962 00:48:29,120 --> 00:48:31,560 Speaker 2: being able to fight back because I know last season 963 00:48:31,560 --> 00:48:33,880 Speaker 2: she had a moment with Kaitlyn Clark where Kaitlyn was 964 00:48:33,880 --> 00:48:36,960 Speaker 2: saying she can't shoot, and now she absolutely took the W. 965 00:48:37,120 --> 00:48:39,240 Speaker 2: So I am all the way interested. I've been all 966 00:48:39,280 --> 00:48:42,239 Speaker 2: over Angel Reese's TikTok and seeing her be on the 967 00:48:42,320 --> 00:48:45,319 Speaker 2: Chicago sky and seeing her elevate in that way. I'm 968 00:48:45,360 --> 00:48:47,439 Speaker 2: so excited to follow the journey of these players because 969 00:48:47,440 --> 00:48:49,680 Speaker 2: they're so talented and I just love seeing young black 970 00:48:49,719 --> 00:48:52,640 Speaker 2: girls just like thrive in this way, echoing that I 971 00:48:52,680 --> 00:48:56,759 Speaker 2: love seeing young black girls thrive. Angel Reese, I think, 972 00:48:56,920 --> 00:49:01,160 Speaker 2: is the second WNBA player to go to the met Gallo, 973 00:49:01,239 --> 00:49:02,200 Speaker 2: which is so exciting. 974 00:49:02,320 --> 00:49:03,000 Speaker 3: She looked beautiful. 975 00:49:03,080 --> 00:49:05,719 Speaker 2: She was also styled by a black woman who's an 976 00:49:05,800 --> 00:49:08,759 Speaker 2: editor at Vogue, and so being able to just see 977 00:49:08,800 --> 00:49:12,520 Speaker 2: her enter the pop culture zeigeist in a really. 978 00:49:12,360 --> 00:49:14,120 Speaker 3: Strong way is amazing. 979 00:49:14,840 --> 00:49:18,680 Speaker 2: I am excited to see what Juju in the team 980 00:49:18,719 --> 00:49:21,160 Speaker 2: at USC will do next season. I got to see 981 00:49:21,160 --> 00:49:25,040 Speaker 2: her play in the Slam High School like All American Classic. 982 00:49:25,040 --> 00:49:26,680 Speaker 2: I think this was two years ago, and I got 983 00:49:26,680 --> 00:49:29,439 Speaker 2: to see a lot of other like young black women 984 00:49:29,520 --> 00:49:32,080 Speaker 2: players play and that was really exciting. And so to 985 00:49:32,160 --> 00:49:38,160 Speaker 2: also see just storied basketball entities support young women in 986 00:49:38,160 --> 00:49:40,640 Speaker 2: the space is really great. Like Slam has Slam Women's 987 00:49:40,640 --> 00:49:42,279 Speaker 2: which has been around for a few years, but to 988 00:49:42,280 --> 00:49:46,920 Speaker 2: see it grow. The WNBA is now chartering all of 989 00:49:46,960 --> 00:49:50,120 Speaker 2: the travel for WNBA players, which probably could have been 990 00:49:50,120 --> 00:49:53,839 Speaker 2: done before, honestly, but just to see the attention and 991 00:49:53,960 --> 00:49:58,000 Speaker 2: care put back into women's sports It's something I'm really 992 00:49:58,040 --> 00:50:01,200 Speaker 2: loving to see. But yeah, I definitely want to go 993 00:50:01,280 --> 00:50:04,120 Speaker 2: to a Chicago sky Gain that is on my twenty 994 00:50:04,160 --> 00:50:05,960 Speaker 2: twenty four bucket lists. 995 00:50:06,320 --> 00:50:09,360 Speaker 1: Absolutely, I love that. Yeah. I also thought that Mangel 996 00:50:09,360 --> 00:50:11,680 Speaker 1: looked beautiful at the met gala, And I love that 997 00:50:11,760 --> 00:50:14,279 Speaker 1: she is just like making the most I think of 998 00:50:14,400 --> 00:50:18,279 Speaker 1: her opportunity. She is somebody who, like you, Zaria, I 999 00:50:18,320 --> 00:50:20,520 Speaker 1: fell in love with last year and feel like she 1000 00:50:20,560 --> 00:50:22,880 Speaker 1: has really gotten a bad rap. I feel like she was, 1001 00:50:22,960 --> 00:50:26,000 Speaker 1: as media often does, two black women, young black women 1002 00:50:26,000 --> 00:50:30,279 Speaker 1: in particular, was villainized. And people can understand the competition 1003 00:50:30,360 --> 00:50:32,640 Speaker 1: of sports when it is not black women, but when 1004 00:50:32,640 --> 00:50:36,040 Speaker 1: black women are involved in all of these different stereotypes 1005 00:50:36,040 --> 00:50:38,719 Speaker 1: and things get placed onto the story. And so I 1006 00:50:38,760 --> 00:50:42,000 Speaker 1: have just really loved how she has been able to 1007 00:50:42,080 --> 00:50:44,279 Speaker 1: handle some of that but also kind of remain true 1008 00:50:44,320 --> 00:50:46,839 Speaker 1: to who she is. And I feel like she has 1009 00:50:46,880 --> 00:50:49,440 Speaker 1: a very solid support system, which I love. Right, So, 1010 00:50:49,880 --> 00:50:51,600 Speaker 1: I know many of us saw the moment with her 1011 00:50:51,640 --> 00:50:54,719 Speaker 1: and Folage when she talked about like all this criticism 1012 00:50:54,719 --> 00:50:56,640 Speaker 1: and how it had impacted her, and so I also 1013 00:50:56,760 --> 00:50:58,919 Speaker 1: love that it feels like she has a very loving 1014 00:50:58,960 --> 00:51:02,239 Speaker 1: support system who really affirm her and really help her 1015 00:51:02,320 --> 00:51:05,280 Speaker 1: to kind of block out some of those negative messages 1016 00:51:05,320 --> 00:51:07,760 Speaker 1: that I think people have tried to say about her. 1017 00:51:08,239 --> 00:51:10,239 Speaker 1: So at least I know the Met Gala is like 1018 00:51:10,320 --> 00:51:12,680 Speaker 1: a big thing for you every year. You are like 1019 00:51:12,760 --> 00:51:16,200 Speaker 1: our resident Met Gala watcher. So what were your thoughts 1020 00:51:16,239 --> 00:51:18,160 Speaker 1: from this year? In addition to Angel? 1021 00:51:18,640 --> 00:51:20,959 Speaker 2: So, I always enjoy the Met Gala, like I love 1022 00:51:21,360 --> 00:51:24,439 Speaker 2: dressing up personally, and I love seeing other people dress 1023 00:51:24,520 --> 00:51:28,400 Speaker 2: up and what they can do with a theme. But overall, 1024 00:51:28,920 --> 00:51:31,400 Speaker 2: although there were a lot of like beautiful gowns, I 1025 00:51:31,440 --> 00:51:35,880 Speaker 2: know that is like a derogatory saying. Sometimes I wasn't 1026 00:51:36,040 --> 00:51:40,200 Speaker 2: wowed by anything in particular. So the theme was Garden 1027 00:51:40,280 --> 00:51:42,799 Speaker 2: of Time, which refers to a short story. I think 1028 00:51:42,840 --> 00:51:46,720 Speaker 2: it's four pages, but basically you have this count Axle 1029 00:51:47,120 --> 00:51:51,040 Speaker 2: who there's like an angry mob approaching his castle and 1030 00:51:51,080 --> 00:51:53,480 Speaker 2: to kind of slow them down, he cuts flowers from 1031 00:51:53,520 --> 00:51:56,320 Speaker 2: the garden. So over time there are no flowers left. 1032 00:51:56,920 --> 00:51:59,799 Speaker 2: And so I think there are themes of erosion and 1033 00:51:59,840 --> 00:52:02,879 Speaker 2: a course, florals are a big theme, but I think 1034 00:52:03,120 --> 00:52:05,520 Speaker 2: the theme of time and how things change over time 1035 00:52:06,080 --> 00:52:07,319 Speaker 2: was what I wanted to see in a lot of 1036 00:52:07,320 --> 00:52:10,080 Speaker 2: the garments that I didn't see, and so people who 1037 00:52:10,120 --> 00:52:13,239 Speaker 2: played into one using textures that he wrote over time 1038 00:52:13,280 --> 00:52:16,080 Speaker 2: and showing that on their garment I think was really great. 1039 00:52:16,320 --> 00:52:19,600 Speaker 2: People who leaned into the delicacy of florals instead of 1040 00:52:19,640 --> 00:52:23,120 Speaker 2: like literal florals I think were really great. But yeah, overall, 1041 00:52:23,160 --> 00:52:26,640 Speaker 2: I wasn't wowed by this carpet. I will say H 1042 00:52:26,719 --> 00:52:30,520 Speaker 2: and M had some of the best dresses on the carpet, 1043 00:52:31,040 --> 00:52:33,960 Speaker 2: so Paloma Elceser wore H and M, and so did 1044 00:52:34,000 --> 00:52:40,080 Speaker 2: Divine Joy Randolph, so I absolutely loved their dresses. I 1045 00:52:40,120 --> 00:52:43,200 Speaker 2: thought Tyler looked really great at the met gala, although 1046 00:52:43,360 --> 00:52:45,640 Speaker 2: she had to. 1047 00:52:44,800 --> 00:52:46,000 Speaker 3: Be carried up the stairs. 1048 00:52:46,000 --> 00:52:47,480 Speaker 2: But I don't think what a lot of people saw 1049 00:52:47,480 --> 00:52:49,840 Speaker 2: it was later her dress was cut into a shorter 1050 00:52:49,960 --> 00:52:52,239 Speaker 2: dress and it started to fall apart, which I thought 1051 00:52:52,280 --> 00:52:56,839 Speaker 2: was really great. I really loved everyone at Loeve and 1052 00:52:56,960 --> 00:53:00,520 Speaker 2: what they wore to the met Gala. Thought like the 1053 00:53:00,560 --> 00:53:04,279 Speaker 2: florals were very literal, they were still really beautifully done. 1054 00:53:04,280 --> 00:53:05,960 Speaker 3: They looked delicate. I think some of them were like 1055 00:53:06,000 --> 00:53:07,520 Speaker 3: hand painted or hands sown. 1056 00:53:08,320 --> 00:53:11,920 Speaker 2: But overall, I was just really happy to see black 1057 00:53:11,960 --> 00:53:13,040 Speaker 2: creators on the carpet. 1058 00:53:13,080 --> 00:53:15,640 Speaker 3: So wisdom. K is a TikTok creator. 1059 00:53:15,960 --> 00:53:18,319 Speaker 2: I love to see like his personal style shine through, 1060 00:53:18,360 --> 00:53:21,000 Speaker 2: so he wears very big coats and dramatic hats. But 1061 00:53:21,160 --> 00:53:23,320 Speaker 2: just the fact that he was invited was really great. 1062 00:53:23,800 --> 00:53:26,000 Speaker 2: I will say overall, it did seem like there was 1063 00:53:26,080 --> 00:53:29,400 Speaker 2: a lack of black designers on the carpet as compared 1064 00:53:29,440 --> 00:53:32,960 Speaker 2: to previous year. So last year, I think Usher was 1065 00:53:33,000 --> 00:53:35,760 Speaker 2: there with Bianca Sanders and his suit was really great, 1066 00:53:36,200 --> 00:53:38,799 Speaker 2: and so I was definitely thinking about that. It felt like, 1067 00:53:39,280 --> 00:53:43,320 Speaker 2: as it does with the Grammys or the Oscars, there's 1068 00:53:43,480 --> 00:53:46,960 Speaker 2: a high in representing kind of black talent and then 1069 00:53:47,040 --> 00:53:49,800 Speaker 2: it falls off. That's what the Met Gala is starting 1070 00:53:49,840 --> 00:53:53,080 Speaker 2: to feel like, both from who's invited from a celebrity 1071 00:53:53,080 --> 00:53:56,560 Speaker 2: standpointorn influencer standpoint, but then also the designers and then 1072 00:53:56,800 --> 00:54:00,520 Speaker 2: another dress. I loved Aurora James, who her brand is 1073 00:54:00,600 --> 00:54:03,880 Speaker 2: Brother Bellies, which is a black brand. She always looks 1074 00:54:03,920 --> 00:54:07,320 Speaker 2: amazing at the Metgala, and my hope is that eventually 1075 00:54:07,360 --> 00:54:08,120 Speaker 2: she'll become. 1076 00:54:07,920 --> 00:54:10,440 Speaker 3: A host because every year she kills it. 1077 00:54:10,920 --> 00:54:13,440 Speaker 2: I wish we would have seen Solange do this theme, 1078 00:54:13,560 --> 00:54:15,880 Speaker 2: but I haven't seen her do a carpet in like 1079 00:54:15,920 --> 00:54:18,240 Speaker 2: a long time, but anytime she's at the MET gala, 1080 00:54:18,640 --> 00:54:22,640 Speaker 2: she looks absolutely fabulous. Those are my general thoughts. I 1081 00:54:22,680 --> 00:54:25,520 Speaker 2: don't have much to add. I wasn't really tapped into 1082 00:54:25,600 --> 00:54:28,520 Speaker 2: this MET gala. I've been like over it in general. 1083 00:54:28,760 --> 00:54:31,560 Speaker 2: I think it's just like ob seeing displays of wealth. 1084 00:54:31,600 --> 00:54:34,880 Speaker 2: It's just like not my bag. But I will say 1085 00:54:34,960 --> 00:54:37,879 Speaker 2: that I don't like the theme this year. I feel 1086 00:54:37,880 --> 00:54:42,760 Speaker 2: like I more gravitate towards teams that have more interpretations 1087 00:54:42,800 --> 00:54:45,480 Speaker 2: to them, like Camp. I really liked the Camp theme. 1088 00:54:45,800 --> 00:54:48,840 Speaker 2: I feel like garden at the time, people immediately think garden, flowers, 1089 00:54:49,040 --> 00:54:52,359 Speaker 2: time clocks. It is repetitive, so there weren't really any 1090 00:54:52,400 --> 00:54:54,240 Speaker 2: looks that stood out to me. I wasn't like tapped 1091 00:54:54,239 --> 00:54:56,040 Speaker 2: in with this megala as I have been with some 1092 00:54:56,080 --> 00:54:59,600 Speaker 2: past ones. To piggyback off of what Zaria said, I'm 1093 00:54:59,640 --> 00:55:04,120 Speaker 2: tired of, I wouldn't necessarily say themes that. 1094 00:55:04,080 --> 00:55:05,160 Speaker 3: Aren't as literal. 1095 00:55:05,760 --> 00:55:10,920 Speaker 2: But Camp is one definition, one word, very easy, you 1096 00:55:10,960 --> 00:55:11,839 Speaker 2: get it immediately. 1097 00:55:12,280 --> 00:55:14,840 Speaker 3: Punk is in that same tradition. 1098 00:55:15,400 --> 00:55:19,080 Speaker 2: I think, even with the naming of the theme, they 1099 00:55:19,080 --> 00:55:21,640 Speaker 2: could have been a little more literal or suggestive. But 1100 00:55:21,760 --> 00:55:26,000 Speaker 2: I think what I want from Met Gala's in future 1101 00:55:26,120 --> 00:55:28,960 Speaker 2: years is for them to niche down. I like when 1102 00:55:28,960 --> 00:55:32,920 Speaker 2: they lean into specific designers, specific eras of time. I 1103 00:55:32,920 --> 00:55:36,400 Speaker 2: think that always brings a really lively carpet. Although I 1104 00:55:36,440 --> 00:55:40,480 Speaker 2: get where they're going. This theme works for a museum exhibit, 1105 00:55:40,560 --> 00:55:43,319 Speaker 2: but I don't think it works on people interpreting it 1106 00:55:43,360 --> 00:55:46,759 Speaker 2: as a dress code. But it should with designers, but 1107 00:55:46,800 --> 00:55:48,200 Speaker 2: it just doesn't. It doesn't translate. 1108 00:55:48,560 --> 00:55:51,040 Speaker 1: So I appreciate the history of the theme at least 1109 00:55:51,080 --> 00:55:53,600 Speaker 1: because then that to me makes it seem as if 1110 00:55:53,680 --> 00:55:57,040 Speaker 1: Tyler Vin won the night. Now, granted I did not 1111 00:55:57,400 --> 00:55:59,560 Speaker 1: get the reference for her dress until I saw like 1112 00:55:59,600 --> 00:56:01,920 Speaker 1: her little hour glass purse or whatever it was, and 1113 00:56:01,960 --> 00:56:03,719 Speaker 1: then I was like, oh, she's supposed to be an 1114 00:56:03,719 --> 00:56:07,320 Speaker 1: hour glass. So if we are thinking specifically about the theme, 1115 00:56:07,400 --> 00:56:09,840 Speaker 1: I definitely think that she won the night for sure. 1116 00:56:10,160 --> 00:56:12,560 Speaker 1: So it'll be interesting to see what the theme is 1117 00:56:12,680 --> 00:56:15,520 Speaker 1: next year and see what the looks are giving. So 1118 00:56:15,600 --> 00:56:17,680 Speaker 1: as we wrap up, then I would love for you 1119 00:56:17,719 --> 00:56:20,359 Speaker 1: all to talk about maybe one piece of media, whether 1120 00:56:20,400 --> 00:56:24,120 Speaker 1: it be music, something you're watching that is leaving you 1121 00:56:24,200 --> 00:56:26,840 Speaker 1: feeling inspired and maybe uplifted recently. 1122 00:56:27,440 --> 00:56:29,560 Speaker 2: Okay, so my pick is one of my favorite shows 1123 00:56:29,600 --> 00:56:33,440 Speaker 2: of all time, Like I've rewatched it six seven, eight times. 1124 00:56:33,560 --> 00:56:37,680 Speaker 2: Is BoJack Corseman on Netflix and that show people typically 1125 00:56:37,719 --> 00:56:40,400 Speaker 2: say that it's so depressing to them because it is 1126 00:56:40,440 --> 00:56:42,239 Speaker 2: a really candid look at mental health, which is why 1127 00:56:42,280 --> 00:56:44,640 Speaker 2: I love that show. But for me, every time I 1128 00:56:44,680 --> 00:56:46,759 Speaker 2: watch it, it's uplifting to me. I don't know what 1129 00:56:46,800 --> 00:56:50,000 Speaker 2: that says about me, but even the more depressing aspects 1130 00:56:50,000 --> 00:56:51,640 Speaker 2: of the show I just find really interesting. I think 1131 00:56:51,680 --> 00:56:55,640 Speaker 2: it's a great study on like addiction, on depression, on anxiety, 1132 00:56:55,680 --> 00:56:57,480 Speaker 2: and so that's always going to be something that I 1133 00:56:57,560 --> 00:56:59,319 Speaker 2: run back and I'm currently on. Like I said, like 1134 00:56:59,360 --> 00:57:01,640 Speaker 2: my eighth or ninth rewatch, I'm going to start off 1135 00:57:01,640 --> 00:57:05,120 Speaker 2: and say Challengers. I saw Challengers in April. I've seen 1136 00:57:05,120 --> 00:57:07,680 Speaker 2: it twice and I anticipacing in a third time. I 1137 00:57:07,719 --> 00:57:11,799 Speaker 2: honestly think this movie released too early. I think it 1138 00:57:11,840 --> 00:57:15,400 Speaker 2: needed to be the movie of the summer, and April 1139 00:57:15,480 --> 00:57:17,680 Speaker 2: was too early. But either way, I'm happy it's out. 1140 00:57:17,760 --> 00:57:21,360 Speaker 2: I think the movie is just exhilarating. Like the way 1141 00:57:21,400 --> 00:57:25,000 Speaker 2: it's shot, the way the storyline is set up, the 1142 00:57:25,040 --> 00:57:27,320 Speaker 2: tension between the characters is really fun. 1143 00:57:27,800 --> 00:57:29,440 Speaker 3: I'm happy to see. 1144 00:57:29,720 --> 00:57:33,160 Speaker 2: Zendaya in a more mature movie, and I'm excited to 1145 00:57:33,160 --> 00:57:35,920 Speaker 2: see like her career grow from there. I've loved like 1146 00:57:36,000 --> 00:57:38,520 Speaker 2: all the red Carpet looks that she's done just for 1147 00:57:38,600 --> 00:57:41,480 Speaker 2: the press tour in general, and so Challengers is something 1148 00:57:41,520 --> 00:57:43,920 Speaker 2: that has made me really happy seeing all the tweets. 1149 00:57:43,920 --> 00:57:47,400 Speaker 2: I could talk about it four hours, so I anticipate 1150 00:57:47,480 --> 00:57:50,000 Speaker 2: seeing that movie one more time, maybe two more times. 1151 00:57:50,040 --> 00:57:54,920 Speaker 2: I really loved it. And then I recently watched, or 1152 00:57:54,920 --> 00:57:59,320 Speaker 2: I've been rewatching Jane the Virgin, which I watched episode 1153 00:57:59,320 --> 00:58:02,520 Speaker 2: by episode when it first came out, and I think 1154 00:58:02,560 --> 00:58:04,800 Speaker 2: it made me realize that I do like television that 1155 00:58:04,920 --> 00:58:08,880 Speaker 2: is a bit campy and soapy, because that is like 1156 00:58:08,920 --> 00:58:11,360 Speaker 2: a play on a telenovella, and I grew up watching 1157 00:58:11,440 --> 00:58:14,640 Speaker 2: a few telenovellas, so maybe that's where that comes from. 1158 00:58:14,680 --> 00:58:17,400 Speaker 2: But I think it's a really great love story. There's 1159 00:58:17,440 --> 00:58:19,520 Speaker 2: a lot of great family themes. It's just a feel 1160 00:58:19,520 --> 00:58:22,920 Speaker 2: good TV show. And sometimes I think working in media, 1161 00:58:22,960 --> 00:58:26,240 Speaker 2: I feel this pressure to watch everything that's new and 1162 00:58:26,440 --> 00:58:28,760 Speaker 2: have an opinion on it or be able to talk 1163 00:58:28,800 --> 00:58:30,640 Speaker 2: about it with other people. So to kind of slow 1164 00:58:30,720 --> 00:58:33,680 Speaker 2: down and revisit something that I loved when it first 1165 00:58:33,720 --> 00:58:35,160 Speaker 2: came out has been really fun. 1166 00:58:35,480 --> 00:58:38,960 Speaker 1: So I will say, in addition to WNBA games and 1167 00:58:39,200 --> 00:58:42,440 Speaker 1: keeping up with women's basketball, I typically this time of 1168 00:58:42,480 --> 00:58:45,720 Speaker 1: the year get back into like my romance novel kind 1169 00:58:45,800 --> 00:58:48,520 Speaker 1: of bag because I feel like summertime it's the perfect 1170 00:58:48,560 --> 00:58:51,200 Speaker 1: time to like read things that don't require me to 1171 00:58:51,280 --> 00:58:53,200 Speaker 1: like do too much deep diving like that I can 1172 00:58:53,280 --> 00:58:56,040 Speaker 1: just enjoy. So right now I'm reading a love story 1173 00:58:56,040 --> 00:58:59,000 Speaker 1: for Ricky wild by Tia Williams, who was of course 1174 00:58:59,000 --> 00:59:01,520 Speaker 1: a guess on the podcast and Hand seven Days in June. 1175 00:59:01,880 --> 00:59:03,800 Speaker 1: And then next up on my list or the books 1176 00:59:03,840 --> 00:59:07,400 Speaker 1: from Kennedy Ryan that have gotten lots of excitement, and 1177 00:59:07,440 --> 00:59:08,640 Speaker 1: I'm excited to read. 1178 00:59:08,480 --> 00:59:11,880 Speaker 2: Those romance novels so real, Like I just love a 1179 00:59:11,920 --> 00:59:14,160 Speaker 2: good campy romance novel. And I've been really into the 1180 00:59:14,160 --> 00:59:17,000 Speaker 2: Colleen Hoover books, which I know is like terrible because 1181 00:59:17,080 --> 00:59:19,840 Speaker 2: people like hate her, but I just need like a 1182 00:59:19,880 --> 00:59:21,760 Speaker 2: good corny read sometimes, so I've been really into that 1183 00:59:21,800 --> 00:59:25,240 Speaker 2: as well. I will also be reading a love story 1184 00:59:25,240 --> 00:59:28,360 Speaker 2: for Ricky Wilde. It has come about maybe every other 1185 00:59:28,400 --> 00:59:30,240 Speaker 2: month on my ig story, I'll ask what are you 1186 00:59:30,240 --> 00:59:32,760 Speaker 2: guys reading, and like four people said that and it 1187 00:59:32,800 --> 00:59:36,680 Speaker 2: wasn't on my radar at all, so it's now populated 1188 00:59:36,760 --> 00:59:38,120 Speaker 2: my book list for the summer. 1189 00:59:38,400 --> 00:59:41,240 Speaker 1: There you go, so definitely, Like I said, y'all, weigh 1190 00:59:41,280 --> 00:59:43,320 Speaker 1: in on the comments and let us know what you're reading, 1191 00:59:43,360 --> 00:59:46,080 Speaker 1: what you're watching, any reactions to the things that we 1192 00:59:46,200 --> 00:59:48,960 Speaker 1: have shared. So Alisa and Zaria, as we wrap up, 1193 00:59:49,000 --> 00:59:50,920 Speaker 1: please let the people know where they can find you 1194 00:59:50,960 --> 00:59:53,360 Speaker 1: if they are curious about more of your pop culture thoughts. 1195 00:59:53,560 --> 00:59:55,320 Speaker 1: I want to stay connected with you. Where can we 1196 00:59:55,320 --> 00:59:56,360 Speaker 1: find you online? 1197 00:59:56,720 --> 00:59:59,160 Speaker 2: The people can find me. I'm on Instagram at Yours Truly, 1198 00:59:59,280 --> 01:00:01,920 Speaker 2: Zaria Yours Truly. Then my name is spelled C A 1199 01:00:02,120 --> 01:00:04,160 Speaker 2: R I A H. And then I'm on LinkedIn as 1200 01:00:04,240 --> 01:00:08,320 Speaker 2: Zaria Taylor. I'm on LinkedIn at Elise ls so e 1201 01:00:08,440 --> 01:00:10,920 Speaker 2: l l I C E last name E L L 1202 01:00:11,160 --> 01:00:11,840 Speaker 2: I S. 1203 01:00:11,880 --> 01:00:14,360 Speaker 3: And then my Instagram is my first in my last. 1204 01:00:14,200 --> 01:00:16,720 Speaker 1: Name perfect and we will be sure to include that 1205 01:00:16,800 --> 01:00:18,840 Speaker 1: in the show notes. Well, thank y'all so much for 1206 01:00:18,920 --> 01:00:21,040 Speaker 1: joining me for this little pop culture recap. 1207 01:00:21,280 --> 01:00:23,240 Speaker 3: Thank you, doctor Joy, thank you. 1208 01:00:27,240 --> 01:00:29,200 Speaker 1: I'm so glad that Lisa Zier you were able to 1209 01:00:29,320 --> 01:00:32,200 Speaker 1: join me for this conversation to learn more about the 1210 01:00:32,240 --> 01:00:34,600 Speaker 1: work that they're doing. Be sure to visit the show 1211 01:00:34,600 --> 01:00:37,560 Speaker 1: notes at Therapy for Blackgirls dot com slash Session three 1212 01:00:37,680 --> 01:00:40,560 Speaker 1: sixty and don't forget to text two of your girls 1213 01:00:40,640 --> 01:00:43,000 Speaker 1: right now and tell them to check out the episode. 1214 01:00:43,920 --> 01:00:46,640 Speaker 1: If you're looking for a therapist in your area, visit 1215 01:00:46,680 --> 01:00:50,760 Speaker 1: our therapist directory at Therapy for Blackgirls dot com slash directory. 1216 01:00:51,400 --> 01:00:53,680 Speaker 1: And if you want to continue digging into this topic, 1217 01:00:54,400 --> 01:00:57,400 Speaker 1: just be in community with other sisters. Come on over 1218 01:00:57,440 --> 01:01:00,120 Speaker 1: and join us in the Sister Circle. It's our col 1219 01:01:00,280 --> 01:01:03,280 Speaker 1: corner of the Internet designed just for black women. You 1220 01:01:03,320 --> 01:01:07,280 Speaker 1: can join us at community dot Therapy for Blackgirls dot com. 1221 01:01:07,920 --> 01:01:11,240 Speaker 1: This episode was produced by Alice Ellis and Zaria Taylor. 1222 01:01:12,040 --> 01:01:15,960 Speaker 1: Editing was done by Dennison Bradford. Thank y'all so much 1223 01:01:15,960 --> 01:01:18,760 Speaker 1: for joining me again this week. I look forward to 1224 01:01:18,800 --> 01:01:22,919 Speaker 1: continuing this conversation with you all real soon. Take good 1225 01:01:22,960 --> 01:01:23,160 Speaker 1: care 1226 01:01:27,960 --> 01:01:28,080 Speaker 3: What