1 00:00:04,200 --> 00:00:06,160 Speaker 1: Hey, I'm welcome to the short stuff. I'm Josh, and 2 00:00:06,200 --> 00:00:09,160 Speaker 1: there's Chuck in Hollywood. Dave c is not here, but 3 00:00:09,240 --> 00:00:12,200 Speaker 1: he's here in spirit. I was going to make a 4 00:00:12,200 --> 00:00:14,360 Speaker 1: tasteless joke, but we'll just send it there. 5 00:00:16,720 --> 00:00:21,080 Speaker 2: Yeah, we are talking today about the Hollywood Sign, which 6 00:00:21,239 --> 00:00:23,960 Speaker 2: this year, the year twenty twenty three at which time 7 00:00:23,960 --> 00:00:29,159 Speaker 2: we're recording, is celebrating its centennial. Right there at the 8 00:00:29,200 --> 00:00:32,839 Speaker 2: top of Mount Lee and Griffith Park in Central Los Angeles, 9 00:00:32,840 --> 00:00:36,000 Speaker 2: Central Hollywood. That iconic sign is turning one hundred. 10 00:00:36,280 --> 00:00:39,160 Speaker 1: That's amazing. Did not realize it was that old, because 11 00:00:39,159 --> 00:00:40,600 Speaker 1: you don't think of Hollywood that old. 12 00:00:40,479 --> 00:00:44,640 Speaker 2: Doe, No, do you. I used to think Hollywood was 13 00:00:44,680 --> 00:00:48,440 Speaker 2: not a place but a mere euphemism for the film industry. 14 00:00:48,760 --> 00:00:49,280 Speaker 1: It's both. 15 00:00:49,720 --> 00:00:51,240 Speaker 2: It's both, for sure. 16 00:00:51,360 --> 00:00:54,560 Speaker 1: But the whole idea of Hollywood, at least with the sign, 17 00:00:55,240 --> 00:00:58,120 Speaker 1: was that it was initially constructed and built all the 18 00:00:58,160 --> 00:01:02,080 Speaker 1: way back in nineteen twenty three as essentially a big 19 00:01:02,120 --> 00:01:06,960 Speaker 1: billboard for a real estate development called Hollywood Land, and 20 00:01:07,000 --> 00:01:10,640 Speaker 1: the original Hollywood sign originally said Hollywood Land. 21 00:01:11,480 --> 00:01:14,200 Speaker 2: Yeah, and by the way, thanks to Kate Morgan and 22 00:01:14,360 --> 00:01:17,319 Speaker 2: houstuffworks dot Com for this one. This is something I 23 00:01:17,440 --> 00:01:21,200 Speaker 2: talked about in a Movie Crush episode. Occasionally, on the 24 00:01:21,240 --> 00:01:24,160 Speaker 2: many episodes, Nola and I would go over like it 25 00:01:24,280 --> 00:01:27,040 Speaker 2: just a little bit of like Hollywood history, and this 26 00:01:27,120 --> 00:01:29,880 Speaker 2: was one of them. And it's funny. I mean, I 27 00:01:29,920 --> 00:01:33,440 Speaker 2: know people, some people may have seen the original Hollywood 28 00:01:33,520 --> 00:01:36,280 Speaker 2: Land sign that said Hollywood Land and kind of thought, like, 29 00:01:36,360 --> 00:01:39,039 Speaker 2: what is that even all about? But that's what it was. 30 00:01:39,080 --> 00:01:41,039 Speaker 2: It was a real estate company. It was just an 31 00:01:41,080 --> 00:01:46,760 Speaker 2: advertisement to go buy houses in that development. And it 32 00:01:46,800 --> 00:01:48,600 Speaker 2: was lit up with light bulbs at the time, about 33 00:01:48,640 --> 00:01:53,640 Speaker 2: four thousand of them that blinked all night long. Because 34 00:01:53,640 --> 00:01:56,920 Speaker 2: the Hollywood Sign is not lit up at night, you 35 00:01:57,000 --> 00:01:59,680 Speaker 2: might falsely picture it in your head as something that's 36 00:01:59,680 --> 00:02:02,000 Speaker 2: like up in the hills all night. That's not the case. 37 00:02:02,600 --> 00:02:08,120 Speaker 1: No, And by the way, before we move any further forward, 38 00:02:08,200 --> 00:02:10,640 Speaker 1: I did an entire episode on the Hollywood Sign in 39 00:02:10,680 --> 00:02:12,200 Speaker 1: the End of the World with Josh Clark. 40 00:02:13,160 --> 00:02:17,000 Speaker 2: Did you really know? Jeez, man, you were getting me 41 00:02:17,280 --> 00:02:20,000 Speaker 2: I know so much lately Left and right? 42 00:02:20,720 --> 00:02:22,600 Speaker 1: Is my delivery even drier than usual? 43 00:02:23,160 --> 00:02:26,000 Speaker 2: No, it's just it's so earnest and I'm just falling 44 00:02:26,080 --> 00:02:26,600 Speaker 2: for it. Man. 45 00:02:27,080 --> 00:02:29,320 Speaker 1: That's how I get you because I thought it might. 46 00:02:29,160 --> 00:02:31,720 Speaker 2: Have been in a part of another I just I'm 47 00:02:31,760 --> 00:02:32,320 Speaker 2: so dumb. 48 00:02:32,639 --> 00:02:34,360 Speaker 1: No you're not. I'm just that earnest. 49 00:02:35,160 --> 00:02:38,200 Speaker 2: You're a good actor these days. Thanks. I wish you 50 00:02:38,200 --> 00:02:39,840 Speaker 2: would have been when we were on our TV show. 51 00:02:40,240 --> 00:02:43,840 Speaker 1: Hey hey, zing I did great. But anyway, no, you 52 00:02:43,840 --> 00:02:47,000 Speaker 1: did great. So Hollywood Land. It was originally the sign 53 00:02:47,080 --> 00:02:51,639 Speaker 1: this billboard, and the Hollywood Land developer spent I think 54 00:02:52,400 --> 00:02:55,240 Speaker 1: it's twenty one grand to build it, which I believe 55 00:02:55,320 --> 00:02:57,680 Speaker 1: is in nineteen twenty three dollars, which would make it 56 00:02:57,960 --> 00:03:01,880 Speaker 1: about almost four hundred thousand dollars. And despite that price, 57 00:03:01,960 --> 00:03:05,160 Speaker 1: they just expected it to last about eighteen months. But 58 00:03:05,240 --> 00:03:07,400 Speaker 1: the crazy thing about it is, even though it was 59 00:03:07,440 --> 00:03:12,919 Speaker 1: built of essentially plywood, it outlasted the Hollywood Land development 60 00:03:13,080 --> 00:03:14,920 Speaker 1: itself well into the forties. 61 00:03:15,760 --> 00:03:18,680 Speaker 2: Yeah, I did. It had gone through a couple of 62 00:03:19,200 --> 00:03:24,240 Speaker 2: stages of disrepair over the years. In the late nineteen forties, 63 00:03:24,280 --> 00:03:28,400 Speaker 2: it was looking pretty rough. That company, that Hollywood Land Company, 64 00:03:28,440 --> 00:03:31,040 Speaker 2: was long gone and it was sort of a thing 65 00:03:31,040 --> 00:03:32,520 Speaker 2: in the city. They were like, should we tear this 66 00:03:32,520 --> 00:03:34,160 Speaker 2: thing down now? Is it kind of dumb to have 67 00:03:34,200 --> 00:03:37,120 Speaker 2: this old billboard up? And then the Hollywood Chamber of 68 00:03:37,160 --> 00:03:40,080 Speaker 2: Commerce stepped in and said, you know what, let's rebuild 69 00:03:40,120 --> 00:03:42,920 Speaker 2: this thing. Sure, let's drop the land and let's just 70 00:03:43,040 --> 00:03:45,880 Speaker 2: have a sign that says Hollywood. And it was going 71 00:03:45,960 --> 00:03:50,480 Speaker 2: strong again for about three decades until the nineteen seventies 72 00:03:50,520 --> 00:03:52,560 Speaker 2: when it was in very bad shape once again. 73 00:03:53,240 --> 00:03:57,360 Speaker 1: Yes, and who of all people stepped in? Well, we'll 74 00:03:57,400 --> 00:03:59,320 Speaker 1: tell you right after this commercial. 75 00:03:58,880 --> 00:04:38,680 Speaker 3: Break, Josh and. 76 00:04:22,480 --> 00:04:34,400 Speaker 1: Things, Jock and job all right, Chuck, Who have all 77 00:04:34,440 --> 00:04:39,479 Speaker 1: people stepped in to save the Hollywood sign from being bulldozed? Uh? 78 00:04:40,040 --> 00:04:42,760 Speaker 2: Josh Clark, creator of End of the World with Josh 79 00:04:42,760 --> 00:04:48,000 Speaker 2: Clark wrong? Hm hmmm uh. Oh, I don't know. Bob Guccioni, 80 00:04:48,360 --> 00:04:50,440 Speaker 2: who ran Penthouse Magazine. 81 00:04:50,160 --> 00:04:54,000 Speaker 1: Very nice, or maybe Larry Flint who ran Larry Flint. No, 82 00:04:54,440 --> 00:04:56,800 Speaker 1: or maybe Jim Bob Jones who ran Club. 83 00:04:58,480 --> 00:05:03,520 Speaker 2: Now see is that a real guy? I no anymore? Okay, God, 84 00:05:03,920 --> 00:05:05,560 Speaker 2: we should do a you know what I want to 85 00:05:05,560 --> 00:05:10,080 Speaker 2: do an episode of Gullibility. Okay, No, I don't see. 86 00:05:10,960 --> 00:05:12,159 Speaker 1: Oh man, you got me. 87 00:05:13,360 --> 00:05:18,680 Speaker 2: I actually do. Hugh Hefner stepped in, obviously Playboy magazine 88 00:05:19,000 --> 00:05:22,440 Speaker 2: founder in chief, and he raised money by throwing a 89 00:05:22,480 --> 00:05:26,360 Speaker 2: big party in nineteen seventy eight at his very famous, 90 00:05:26,600 --> 00:05:30,200 Speaker 2: so may say, infamous playboy mansion. And what he did 91 00:05:30,320 --> 00:05:32,800 Speaker 2: was he said, is, hey, are you a company, are 92 00:05:34,120 --> 00:05:37,159 Speaker 2: you a rich person? And you want to sponsor a 93 00:05:37,240 --> 00:05:40,280 Speaker 2: letter and had that thing restored? You can do that 94 00:05:40,320 --> 00:05:41,360 Speaker 2: for twenty seven grand. 95 00:05:42,000 --> 00:05:44,160 Speaker 1: Yeah, he held an auction and invited all of his 96 00:05:44,160 --> 00:05:48,360 Speaker 1: famous rich friends and apparently the guy who sponsored or 97 00:05:48,400 --> 00:05:53,000 Speaker 1: purchased the o was none other than Alice Cooper. Yeah, 98 00:05:53,120 --> 00:05:55,719 Speaker 1: and he got the o in honor of Graucho Marx, 99 00:05:55,760 --> 00:05:57,159 Speaker 1: which I thought was really cool. 100 00:05:57,640 --> 00:06:00,279 Speaker 2: That's right. And hey, shout out to Nita strap Else. 101 00:06:00,760 --> 00:06:03,800 Speaker 2: Oh yeah, Hurricane Hurricane Nita. I don't know if she's 102 00:06:03,800 --> 00:06:05,760 Speaker 2: still playing with Alice Cooper, but she was kind enough 103 00:06:05,800 --> 00:06:08,880 Speaker 2: to invite us to that concert when she came through Atlanta. 104 00:06:09,120 --> 00:06:10,120 Speaker 1: And it was great. 105 00:06:10,440 --> 00:06:13,120 Speaker 2: It was really awesome. But Alice Cooper bought one Warner 106 00:06:13,120 --> 00:06:17,840 Speaker 2: Brothers Records, or rather sponsored one. Gene Autry did, of course. 107 00:06:17,880 --> 00:06:21,600 Speaker 2: Andy Williams sponsored one and it was restored and it 108 00:06:21,640 --> 00:06:25,360 Speaker 2: was They actually didn't restore it, they tore it down 109 00:06:25,360 --> 00:06:28,640 Speaker 2: and rebuilt it. Yeah, which was a smart thing because, 110 00:06:28,680 --> 00:06:31,520 Speaker 2: like you said, that plywood and sheet metal was just 111 00:06:31,640 --> 00:06:36,160 Speaker 2: not very hearty. So this time it was steel, steel 112 00:06:36,200 --> 00:06:36,760 Speaker 2: on steel. 113 00:06:37,080 --> 00:06:39,320 Speaker 1: Yeah. They built it bigger, stronger and faster. 114 00:06:40,320 --> 00:06:42,440 Speaker 2: Yeah. And steel and Steel was also a record by 115 00:06:43,560 --> 00:06:48,040 Speaker 2: Mega Death I think, right, I don't know. No, Okay, 116 00:06:48,520 --> 00:06:49,240 Speaker 2: it's possible. 117 00:06:49,279 --> 00:06:51,200 Speaker 1: It sounds like it would be a Mega Death record. 118 00:06:51,480 --> 00:06:53,159 Speaker 2: Elsie, Now you're afraid to agree with something. 119 00:06:54,240 --> 00:06:56,560 Speaker 1: No, I'm just yeah, I'm just gonna be wishy washy 120 00:06:56,640 --> 00:06:58,040 Speaker 1: for the rest of our career. 121 00:06:59,720 --> 00:07:02,960 Speaker 2: So so here's another little a few more little interesting tidbits. 122 00:07:03,480 --> 00:07:06,719 Speaker 2: There was another threat that came along later because and 123 00:07:06,760 --> 00:07:09,080 Speaker 2: this wasn't that long ago. It was in twenty ten 124 00:07:10,040 --> 00:07:12,960 Speaker 2: when it was found out that all that land, I 125 00:07:12,960 --> 00:07:15,720 Speaker 2: think because it's in Griffith Park on top of Mount Lee, 126 00:07:15,800 --> 00:07:19,160 Speaker 2: everyone just figured it's like the city owns it. And 127 00:07:19,360 --> 00:07:23,880 Speaker 2: that is not true because Howard Hughes actually owned land 128 00:07:23,960 --> 00:07:26,840 Speaker 2: just to the left of the H And I'm sure 129 00:07:26,840 --> 00:07:30,320 Speaker 2: some people knew this, but not many did until years 130 00:07:30,360 --> 00:07:32,720 Speaker 2: later when someone was like, Hey, we're going to sell 131 00:07:32,760 --> 00:07:35,120 Speaker 2: this land and develop it, and the city went, you 132 00:07:35,280 --> 00:07:37,400 Speaker 2: can't develop next to the H. 133 00:07:37,800 --> 00:07:40,760 Speaker 1: They said, yeah, we can. Have you ever heard of capitalism? Suckers? 134 00:07:41,160 --> 00:07:43,880 Speaker 1: And the Los Angeles City Council went to the dictionary 135 00:07:43,880 --> 00:07:47,680 Speaker 1: and they're like, oh my god. And apparently the developer 136 00:07:47,760 --> 00:07:51,240 Speaker 1: bought that parcel for one point sixty seven million dollars 137 00:07:51,320 --> 00:07:53,320 Speaker 1: in two thousand and two and put it up eight 138 00:07:53,360 --> 00:07:55,920 Speaker 1: years later for twenty two million dollars, which is quite 139 00:07:55,920 --> 00:07:59,240 Speaker 1: an inflated price, but they knew that the city was 140 00:07:59,240 --> 00:08:01,360 Speaker 1: going to scramble to do to put it together. 141 00:08:01,840 --> 00:08:02,120 Speaker 2: Uh huh. 142 00:08:02,240 --> 00:08:05,440 Speaker 1: And you said that it was owned by Howard Hughes. 143 00:08:05,880 --> 00:08:07,720 Speaker 1: He bought it so he could build a mansion for 144 00:08:07,760 --> 00:08:11,320 Speaker 1: his fiance at the time, Ginger Rogers, but she refused 145 00:08:11,320 --> 00:08:14,920 Speaker 1: to move up there because she said that basically, this 146 00:08:14,960 --> 00:08:17,560 Speaker 1: guy's off his nut and he will hold me prisoner 147 00:08:17,640 --> 00:08:19,800 Speaker 1: up there, so I'm not even gonna go up there. 148 00:08:20,000 --> 00:08:21,960 Speaker 1: And it just kind of like fell into disuse and 149 00:08:22,040 --> 00:08:24,480 Speaker 1: was forgotten and became part of the Hughes estate. I'm 150 00:08:24,520 --> 00:08:26,920 Speaker 1: not sure how it was rediscovered and put up for sale, 151 00:08:27,000 --> 00:08:30,240 Speaker 1: But when the city of Los Angeles was basically presented 152 00:08:30,520 --> 00:08:33,080 Speaker 1: with either losing the land just to the left of 153 00:08:33,640 --> 00:08:36,360 Speaker 1: the Big h in Hollywood or coughing up twenty two 154 00:08:36,360 --> 00:08:39,920 Speaker 1: million dollars, they really went and tried to raise that money, 155 00:08:40,000 --> 00:08:44,040 Speaker 1: and they couldn't quite do it, but luckily someone stepped in. 156 00:08:44,400 --> 00:08:45,559 Speaker 1: Who was it, Chuck. 157 00:08:46,320 --> 00:08:49,960 Speaker 2: Pob GUCCIONI Nope, that would have been great if it 158 00:08:50,000 --> 00:08:53,040 Speaker 2: was Gooch on that second go round. Sure, but it 159 00:08:53,080 --> 00:08:54,079 Speaker 2: was Hugh Hefner again. 160 00:08:54,360 --> 00:08:54,880 Speaker 1: Yeah. 161 00:08:55,040 --> 00:08:57,240 Speaker 2: I think he felt like, you know, I did this once. 162 00:08:57,280 --> 00:08:59,800 Speaker 2: I'd probably look like a heel if I didn't do 163 00:08:59,840 --> 00:09:00,680 Speaker 2: it second time. 164 00:09:01,120 --> 00:09:05,160 Speaker 1: Or he could have been like, I'm tapped out you. 165 00:09:05,280 --> 00:09:06,040 Speaker 1: I helped you once. 166 00:09:07,120 --> 00:09:11,240 Speaker 2: Yeah, he's like, the Internet has killed my nudy magazine business. 167 00:09:12,760 --> 00:09:16,120 Speaker 2: But I don't even think he auctioned off letters this time. 168 00:09:16,280 --> 00:09:17,880 Speaker 2: I think he just stepped in and kind of made 169 00:09:17,920 --> 00:09:18,480 Speaker 2: them whole, right. 170 00:09:18,559 --> 00:09:20,640 Speaker 1: Yeah, I think he made of the difference, like you're saying. Yeah, 171 00:09:20,679 --> 00:09:24,319 Speaker 1: so the sign is safe again, including the land around it. 172 00:09:25,520 --> 00:09:29,680 Speaker 1: And there's a book that was written by an author 173 00:09:29,840 --> 00:09:36,560 Speaker 1: named Casey Shriner called Discovering Griffith Park Colon a locals 174 00:09:36,600 --> 00:09:40,640 Speaker 1: Guide and how stuff Works. Talk to Casey Shiner and 175 00:09:40,880 --> 00:09:44,320 Speaker 1: he said that you can get all sorts of really 176 00:09:44,360 --> 00:09:47,560 Speaker 1: good views of the Hollywood Sign. In fact, there's fourteen 177 00:09:47,640 --> 00:09:49,920 Speaker 1: of them that he describes in detail where to go 178 00:09:49,960 --> 00:09:51,960 Speaker 1: to get a good view. But one of them is 179 00:09:52,000 --> 00:09:54,760 Speaker 1: not up at the Hollywood Sign. Which if you stop 180 00:09:54,760 --> 00:09:56,480 Speaker 1: and think about it makes total sense. But a lot 181 00:09:56,480 --> 00:09:59,280 Speaker 1: of people don't realize that the trail ends behind the 182 00:09:59,280 --> 00:10:01,960 Speaker 1: Hollywood Sign, So it's not a very good place to 183 00:10:02,000 --> 00:10:02,720 Speaker 1: see the sign. 184 00:10:03,559 --> 00:10:06,800 Speaker 2: No it's not. Nora is standing right under it. If 185 00:10:06,840 --> 00:10:10,400 Speaker 2: you can even manage that, Yeah, because it's really big, right, Yeah, 186 00:10:10,480 --> 00:10:12,440 Speaker 2: it's a how taller do we even know that? 187 00:10:12,720 --> 00:10:15,000 Speaker 1: I'm say, I'm sure some people know that feet. 188 00:10:16,520 --> 00:10:19,839 Speaker 2: Yeah, they're about fifty feet I think. But yeah, you 189 00:10:19,880 --> 00:10:22,439 Speaker 2: want to get a little distance, you know, if you're 190 00:10:22,480 --> 00:10:25,360 Speaker 2: going north on Gower, you get a nice you sort 191 00:10:25,360 --> 00:10:28,559 Speaker 2: of bisect it. Great view if you're just driving through Hollywood, 192 00:10:28,600 --> 00:10:30,880 Speaker 2: and I could see it outside of my apartment window. 193 00:10:31,120 --> 00:10:34,800 Speaker 2: Had a great view of the Hollywood Hills and the 194 00:10:34,960 --> 00:10:37,239 Speaker 2: Griffith Park Observatory in that sign. 195 00:10:37,640 --> 00:10:39,760 Speaker 1: From your room in the Playboy Mansion. 196 00:10:39,679 --> 00:10:42,640 Speaker 2: From my yea hose, I lived under the grotto, which 197 00:10:42,679 --> 00:10:45,959 Speaker 2: is weird. It was. It was awesome. Four hundred and 198 00:10:46,000 --> 00:10:49,280 Speaker 2: fifty bucks a month, which was quite a steel and 199 00:10:49,920 --> 00:10:52,400 Speaker 2: had a great view and it was just a great 200 00:10:52,440 --> 00:10:54,760 Speaker 2: little place that I missed so much. I love that apartment. 201 00:10:56,280 --> 00:11:01,199 Speaker 2: But we should finish, probably by talking about peg Entwinstle 202 00:11:01,280 --> 00:11:04,160 Speaker 2: who was I featured on movie Crush. A lot of 203 00:11:04,200 --> 00:11:07,000 Speaker 2: people know this, but there was a young starlett who 204 00:11:07,040 --> 00:11:09,760 Speaker 2: I guess not a starlett, a Starlette to be that 205 00:11:10,040 --> 00:11:14,280 Speaker 2: leapt off the h and the Hollywood Sign to plunge 206 00:11:14,280 --> 00:11:16,960 Speaker 2: to her death. I named peg Entwhistle. And this was 207 00:11:17,080 --> 00:11:20,480 Speaker 2: in Oh Jeesus, I couldn't even what year was. 208 00:11:20,480 --> 00:11:23,320 Speaker 1: This, nineteen thirty two. I talked a lot about it 209 00:11:23,400 --> 00:11:24,760 Speaker 1: in the End of the World with. 210 00:11:27,240 --> 00:11:30,520 Speaker 2: Oh not this time. She was twenty four years old, 211 00:11:31,040 --> 00:11:34,760 Speaker 2: and you know, as the story goes, she was went 212 00:11:34,800 --> 00:11:38,040 Speaker 2: to Hollywood to make it big and had trouble doing 213 00:11:38,080 --> 00:11:40,400 Speaker 2: that and so took her own life. 214 00:11:40,800 --> 00:11:42,920 Speaker 1: Yeah, and this wasn't like she went out to Hollywood 215 00:11:43,800 --> 00:11:46,040 Speaker 1: like a month or six months or you know whatever. 216 00:11:46,160 --> 00:11:49,880 Speaker 1: Later she failed at it, like she was, she really 217 00:11:49,920 --> 00:11:51,760 Speaker 1: tried it. She had a bit part in a movie. 218 00:11:51,800 --> 00:11:55,360 Speaker 1: She was in a lot of plays. Apparently Betty Davis, 219 00:11:55,360 --> 00:11:57,760 Speaker 1: a very young Betty Davis, saw a play that peg 220 00:11:57,920 --> 00:11:59,959 Speaker 1: Entwistle was in and told her mother she wanted to 221 00:12:00,240 --> 00:12:02,760 Speaker 1: grow up to be like pag and Twistle. So she 222 00:12:03,120 --> 00:12:05,719 Speaker 1: really kept that and finally it was just like, I 223 00:12:05,720 --> 00:12:08,920 Speaker 1: can't do this anymore, and she did. It was at 224 00:12:09,040 --> 00:12:11,920 Speaker 1: least back then that the letters were fifty feet tall, 225 00:12:12,160 --> 00:12:14,120 Speaker 1: and they believe that she got to the top of 226 00:12:14,160 --> 00:12:16,839 Speaker 1: the h by using a ladder that a workman had 227 00:12:16,920 --> 00:12:17,520 Speaker 1: left behind. 228 00:12:19,520 --> 00:12:22,040 Speaker 2: Very sad it is if you want to end with 229 00:12:22,040 --> 00:12:25,040 Speaker 2: a funnier note, though, because there's this great story about 230 00:12:25,080 --> 00:12:27,400 Speaker 2: Betty Davis. I'm not sure if it's true or not, 231 00:12:27,520 --> 00:12:31,560 Speaker 2: but she reportedly was asked one time what the best 232 00:12:31,559 --> 00:12:36,160 Speaker 2: way and aspiring starlet could get into Hollywood, and she said, 233 00:12:36,600 --> 00:12:41,880 Speaker 2: take Fountain, which is a great east west running street 234 00:12:42,000 --> 00:12:45,080 Speaker 2: through Hollywood, and it was always a great sort of 235 00:12:45,080 --> 00:12:48,120 Speaker 2: cut through because most people stick to those main streets 236 00:12:48,160 --> 00:12:51,240 Speaker 2: like Sunset and Santa Monica and Hollywood Boulevard, but if 237 00:12:51,280 --> 00:12:52,800 Speaker 2: you took Fountain, you could get there quicker. 238 00:12:53,480 --> 00:12:56,000 Speaker 1: Well, since we're talking so much about La, I just 239 00:12:56,040 --> 00:12:58,160 Speaker 1: want to shout out minding you May's friends out there, 240 00:12:58,520 --> 00:13:00,400 Speaker 1: Doc and Truth. Hello. 241 00:13:01,600 --> 00:13:04,120 Speaker 2: Are those real people or am you're gonna fool me again? 242 00:13:04,200 --> 00:13:06,280 Speaker 1: They are real people. I'll introduce you to them someday. 243 00:13:06,280 --> 00:13:06,760 Speaker 1: They're great. 244 00:13:07,720 --> 00:13:10,679 Speaker 2: Okay, Duck, I look forward to meeting you and Truth. 245 00:13:10,720 --> 00:13:15,400 Speaker 1: Don't forget truth, Quest and Truth. Yeah, if you want. 246 00:13:15,480 --> 00:13:17,640 Speaker 1: And by the way, Chuck Hippie Rob was real too. 247 00:13:18,960 --> 00:13:20,760 Speaker 2: No, but I doubt if he's in La. 248 00:13:20,880 --> 00:13:25,200 Speaker 1: No, there's no telling where he is. I almost ended 249 00:13:25,200 --> 00:13:27,440 Speaker 1: this one like a regular episode, but instead Chuck, all 250 00:13:27,440 --> 00:13:29,160 Speaker 1: I have to do is say short stuff is out. 251 00:13:32,760 --> 00:13:35,040 Speaker 3: Stuff you Should Know is a production of iHeartRadio. 252 00:13:35,559 --> 00:13:38,760 Speaker 2: For more podcasts my heart Radio, visit the iHeartRadio app, 253 00:13:38,960 --> 00:13:41,880 Speaker 2: Apple Podcasts, or wherever you listen to your favorite shows.