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Speaker 1: Al Zone Media. All right, it's the most wonderful time

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Speaker 1: of the year for podcasters in that season of the

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Speaker 1: time of the year is rerun time. Oh yes, especially

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Speaker 1: if you do like a weekly good lord, a daily podcast.

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Speaker 1: Got dog, so glad I could run a rerun. So

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Speaker 1: the rerun we're running is the State of the Blackness,

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Speaker 1: Part one, because next week will be the full year

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Speaker 1: State of the Blackness, because it's been quite a year

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Speaker 1: for black people anyway. It is to Malay season. So

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Speaker 1: I am going to leave this recording office, this little

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Speaker 1: in the back of the crib where I record the pod,

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Speaker 1: and I am going to gorge myself on to my

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Speaker 1: list because I'm in Los Angeles and my wife is

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Speaker 1: from Mexico.

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Speaker 2: Deuces.

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Speaker 1: You know, sometimes you just wake up and choose violence.

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Speaker 1: There are so many sayings that have because of the

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Speaker 1: Internet and specifically black Twitter, which will be the content

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Speaker 1: of the episode following this one. But wake it up

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Speaker 1: and choose violence again as a black saying that you

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Speaker 1: know where we say what we mean most of the time,

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Speaker 1: we choose peace to stay on point and again follow follow,

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Speaker 1: follow the way that our slang works. This is very

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Speaker 1: important because it's all connected you stay woke. I know

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Speaker 1: y'all Inn stole the term, but what we mean by

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Speaker 1: that is aware of the ways that you are being oppressed,

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Speaker 1: Like don't fall asleep at the wheel the way the

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Speaker 1: white people say, just let somebody else steer the ship.

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Speaker 1: Like you got to stay awake. You gotta know what's

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Speaker 1: happening around you. Stay aware, stay informed, and you stay

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Speaker 1: on point. You be about your paper, you be about

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Speaker 1: your business. You understand. So a lot of the stuff

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Speaker 1: we talk about is we mean to be like yo,

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Speaker 1: you stay on mission, like you don't let nobody shake

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Speaker 1: you off mission. Don't let these people's foolishness detract you

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Speaker 1: from the goal, from the mission, from the elevation. You

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Speaker 1: do stuff for the culture, for the family, you know,

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Speaker 1: and you choose peace. You choose that. But sometimes, as

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Speaker 1: Kendrick say, you got to pop out and show niggas

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Speaker 1: these sayings, these ways we have as a black community,

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Speaker 1: they're all connected. We understand them all because they all

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Speaker 1: from the same cultural experience. So all of our phrases,

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Speaker 1: they're connected, but they're connected by the connected tissue of

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Speaker 1: our shared experience of our culture. I hope this is

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Speaker 1: makeing sense to you. These are things that you just

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Speaker 1: I don't if you if you are like us again,

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Speaker 1: like Kendrick said, I would not have to explain these

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Speaker 1: things because you would just know. And it's not This

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Speaker 1: isn't a slight, this is just a reality. There are ways. Again,

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Speaker 1: this is gonna be this part I'm gonna I should

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Speaker 1: probably say for again the next week about black Twitter.

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Speaker 1: But it's for context for you to understand that, like listen,

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Speaker 1: we are. The way we communicate in a lot of

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Speaker 1: ways is we can be deeply serious about very unserious

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Speaker 1: things and be dead serious about really unseerious stuff and

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Speaker 1: never lose sight as to which is what and how

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Speaker 1: they're both happening at the same time, and we truly

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Speaker 1: understand which is which, and nobody's confused. But if you

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Speaker 1: aren't confused, we understand. I tweeted this once and on

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Speaker 1: my own girls was like, man, my my sister's daughter's

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Speaker 1: hamster died. And my response was like, oh man, who

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Speaker 1: did the body? I don't have time to explain to

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Speaker 1: you why that is so funny, but everybody black would

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Speaker 1: get it.

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Speaker 2: Now.

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Speaker 1: The reason I do this preamble is because I want

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Speaker 1: to do a couple episodes around Juneteenth, you know, which

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Speaker 1: is at this point coming up about blackness. I think that,

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Speaker 1: especially with the celebration of Juneteenth. I think that, like,

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Speaker 1: I can't believe I haven't done a full episode on

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Speaker 1: what Juneteenth is already anyway. I guess partially because realizing

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Speaker 1: like I needed to know who my audience was, and

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Speaker 1: it was just like there's a lot of not black

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Speaker 1: people listening. So I was like, Oh, we need to

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Speaker 1: make sure that y'all, y'all really know what's you know.

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Speaker 1: I gotta I gotta some things I gotta say to you,

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Speaker 1: you know. I mean, sometimes I explain stuff that's black

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Speaker 1: just out of solidarity with other black people, where I'm

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Speaker 1: just like, dude, like this is crazy, right, it's so fun.

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Speaker 1: Other times I'm like realizing that, like, oh, you you

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Speaker 1: don't know this about our culture. Okay, so let me

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Speaker 1: lay it out for you. So this is me laying

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Speaker 1: it out and also celebrating It's both blackness. But there's

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Speaker 1: something special about twenty twenty four that for some reason

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Speaker 1: we have decided as a culture and a community that

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Speaker 1: we just have time this year. What do I mean

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Speaker 1: by that, Oh, we got time this year? Like again,

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Speaker 1: usually you don't wake up and choose violence. You got

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Speaker 1: to be on your mission and you ain't got time

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Speaker 1: for no foolishness. On time to be messy. Messiness is

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Speaker 1: for the weekend, like we you know, we'll do that later.

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Speaker 1: Like if you just gonna be messy us right now,

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Speaker 1: I got stuff to do on time for your foolishness.

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Speaker 1: This year, however, for some reason, we all decided that

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Speaker 1: we got time, and that has manifested itself in ways

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Speaker 1: for which we have ducked with things in house. There

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Speaker 1: were things we needed to talk about amongst ourselves, and

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Speaker 1: then there was some foolishness that we were just done

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Speaker 1: dealing with.

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Speaker 3: Now.

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Speaker 1: My theory is there might be something to the fact

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Speaker 1: that I think, as Black Americans we just understand the

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Speaker 1: reality of our two presidential options and prepping ourselves for

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Speaker 1: the four years we about to experience, and there was

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Speaker 1: foolishness that we stood for early on. Then we ain't

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Speaker 1: realize the depth for which the Caucasidy was gonna show itself.

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Speaker 1: I think we was a little unprepared for that. Unprepared

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Speaker 1: in the sense that we thought that y'all had some

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Speaker 1: sense there might have been the semblance of progress. Maybe

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Speaker 1: we was maybe things were not like they used to be.

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Speaker 1: Maybe there was, and then the white lash happened. We

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Speaker 1: was like, oh, oh, it's what we knew. We were

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Speaker 1: hoping it was something else, but noah, it's what we knew.

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Speaker 1: And it just seems like this year we decided, you

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Speaker 1: know what, we got time, We're gonna deal with this.

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Speaker 1: We said what we said, you're gonna get this work.

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Speaker 1: So today, at the six month mark of the year,

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Speaker 1: I think it's time to reflect on and look forward

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Speaker 1: to how black people have decided in twenty twenty four.

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Speaker 1: We got time the politics, y'all. Now, before we get

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Speaker 1: into this, let me hit y'all to with the weekly

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Speaker 1: roundup of We'll see it's.

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Speaker 4: Kind of like this bull look is like this.

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Speaker 1: Bull look is like this all right, So it's like this,

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Speaker 1: you know, the Hunter Biden case jumps off and I

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Speaker 1: shouldn't be smiling because the testimony went out and essentially.

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Speaker 3: Hunter just ratchet like he.

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Speaker 1: Was sad about his brother, and the niggas started to

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Speaker 1: do a crack like it's not funny. Okay, the man

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Speaker 1: got himself a gun, got yourself a gun, and and

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Speaker 1: had it for eleven days till this girl threw it out.

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Speaker 1: Apparently it was never loaded, and he, according to this case,

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Speaker 1: lied about being on drugs and illegally got a gun. Now,

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Speaker 1: according to the defense, he had a signed paper that

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Speaker 1: he had gone through rehab and he was supposedly sober

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Speaker 1: at the time, right that, and then you know, relapsed after.

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Speaker 1: But either way, dog, y'all, they done dragged. They brought

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Speaker 1: his ex girl out, his brother's girl out, his kids out,

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Speaker 1: being like, nah, homie bro had problems, and they was like, look,

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Speaker 1: you said it in your own book, you had problems.

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Speaker 1: You gotta you gotta, you gotta run this fade big

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Speaker 1: dog now.

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Speaker 3: Poem, it's not funny.

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Speaker 1: And I don't feel bad for nobody rich kid, but

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Speaker 1: like I do feel bad. It's that he like, damn

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Speaker 1: I Dodn't I done mess this up with my daddy?

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Speaker 3: Like guys, okay, okay.

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Speaker 1: Now, Normally in cases like this, people bring up the

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Speaker 1: gun charge as far as like you illegally attained a

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Speaker 1: gun when that gun was involved in some other crime,

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Speaker 1: like if that gun had a body on it, if

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Speaker 1: that gun was involved in some sort of robbery or something,

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Speaker 1: if some sort of crime was admitted on the gun.

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Speaker 3: So usually just add this thing to you add this.

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Speaker 1: Type of charge to the docative charges that are already

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Speaker 1: there to just kind of like you know, up the

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Speaker 1: anti ad the sassa to the tacos. Usually this type

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Speaker 1: of charge ain't the thing. But usually we not talking

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Speaker 1: about the president's son, you feel me. And not only that,

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Speaker 1: we talk about the president the current president's son brought

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Speaker 1: with a federal case.

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Speaker 3: You know what I'm saying, when his daddy in charge.

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Speaker 1: You feel me. So it's a lot going on right here. This,

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Speaker 1: I mean, you could read this however you want. This

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Speaker 1: could be a sacrificial like this could be like a

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Speaker 1: sacrificial lamb, like I gotta throw my son to the wolves.

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Speaker 1: This could be you know because in any other case,

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Speaker 1: like you look at Trump, Trump out of way of

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Speaker 1: like getting all he either get the stuff thrown out

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Speaker 1: or or get the joint delayed till February thirtieth, You

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Speaker 1: feel me like he figured out how to get out

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Speaker 1: of all this stuff, and it just kind of it

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Speaker 1: just kind of to me seemed like Biden is your

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Speaker 1: run of them or Hunter Biden, your runn of this,

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Speaker 1: your run of the mill rich kids you know who

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Speaker 1: ain't figure out how to hit the lick as good

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Speaker 1: as the other rich kids, because the Trump and didn't

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Speaker 1: is they didn't figure out how to use their richness.

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Speaker 3: You you just keep.

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Speaker 1: Messing up and if and in his defense, it might

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Speaker 1: be honestly because when he lost his brother, he just

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Speaker 1: lost his mind. I don't know.

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Speaker 4: Next.

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Speaker 1: Look like Israel got fux hostages, they got full hostages back,

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Speaker 1: that's beautiful. Were glad that y'all home and it shot

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Speaker 1: two hundred and seventy People on the way out were like.

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Speaker 4: Come on, fail got dog man? You what do you.

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Speaker 1: Oh?

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Speaker 3: I don't even know how to just.

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Speaker 1: You had your You had your hostages, dude, like just

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Speaker 1: you had them like you their home once you shooting

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Speaker 1: for never mind. And lastly, old Biden. You know, one

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Speaker 1: of the first episodes I've done on iHeart was called

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Speaker 1: Joe Biden from Long Beach, which got me in a

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Speaker 1: little bit in trouble with some actual like gang members

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Speaker 1: because they was like, you saying, here crip And I'm like,

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Speaker 1: I could see how you would say that, because most

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Speaker 1: Long Beach, if you black cripping. What I'm saying is

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Speaker 1: he is no different than Trump, just saying it nicer

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Speaker 1: and what you find out about a lot of like

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Speaker 1: like take like a Vince Staples, like there's no question

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Speaker 1: about his certification. Take a Snoop Dazz. These are some

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Speaker 1: of the Like they're the most likable dudes. They're just

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Speaker 1: super likable, intelligent, fun loving guys that are murderers. Like

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Speaker 1: you can't like, there is no question about the gang

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Speaker 1: banging in like they're not safe men, they're just chilling.

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Speaker 4: Like you know.

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Speaker 1: So what I'm saying is like, don't don't let the

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Speaker 1: fact that they chilling fool you, like you know. So,

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Speaker 1: what Joe is doing at the border with his new

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Speaker 1: immigration policy is the weirdest. It's there's there is no

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Speaker 1: difference in his new policy. Then what Trump would say,

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Speaker 1: The only difference is he not calling him vermit. But

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Speaker 1: the policy is, Hey, we're gonna stop accepting any asylum

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Speaker 1: seekers and we're gonna send y'all back within the next

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Speaker 1: four days because we got too many of you. Y'all

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Speaker 1: gotta stay out of here. We don't know what to

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Speaker 1: do with you. You gotta go, like, we're not accepted,

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Speaker 1: no more asylums. Ye what, that's what Trump says, No,

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Speaker 1: it's different, niggas the same anyway, we'll unpack that much later.

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Speaker 1: Now let's get to this story.

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Speaker 4: Blackness, all right.

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Speaker 1: Like I said, this is a reflection on the past

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Speaker 1: six months where we are the state of the blackness

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Speaker 1: address if you will, and just with the Queen, Congresswoman

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Speaker 1: Jasmine Crockett with her dropping to call this alliteration just cooking,

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Speaker 1: Marjorie Taylor, green bleach, blonde, bad built, butch body just

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Speaker 1: out which I can't even say it without laughing. First

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Speaker 1: of all, it's the perfect example of us being unserious

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Speaker 1: and serious at the same time. That moment, which we

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Speaker 1: will build to by the end of this episode, is

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Speaker 1: exactly what I mean. Her display of the sophistication, the

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Speaker 1: sophistic ratchetness of what it means to be a black

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Speaker 1: professional and why I will say and shout on the

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Speaker 1: rooftop that our double consciousness by cultural understanding of what

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Speaker 1: it means to be professional, how we can speak the

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Speaker 1: king's tongue, how to play respectability politics, and how to

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Speaker 1: not be one to be played with because we are

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Speaker 1: from where we're from and we said what we said.

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Speaker 1: How that is displayed in this one clip is again

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Speaker 1: my foundational premise, which is we are more equipped than

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Speaker 1: anyone else in this world to do the jobs that

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Speaker 1: we do.

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Speaker 3: Because this was perfect.

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Speaker 1: It was again black people showing you, oh we got time.

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Speaker 1: I'm done with all this. I got time. So it's

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Speaker 1: gonna culminate with that. But what I want to start

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Speaker 1: rewind the clock back to a couple moments in this

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Speaker 1: year that has just made me realize, like, yeah, we

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Speaker 1: just decided this year that we got time. So let's

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Speaker 1: start first with how the year started. Club Sha Sha

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Speaker 1: and Kat Williams. Okay, the year kicked off with a

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Speaker 1: bang with this interview from comedian Kat Williams, who just

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Speaker 1: now released a Netflix comedy special which I'm gonna lie

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Speaker 1: to you kind of mid wasn't as funny as I

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Speaker 1: was hoping it would be. That being said, this interview

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Speaker 1: was one of the funniest things I've ever heard ever

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Speaker 1: in my life because Kat decided he was going to

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Speaker 1: spill all the tea. To understand why this is so

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Speaker 1: important is you kind of have to understand who Shannon

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Speaker 1: Sharp is and what he represents to us as a culture. Now.

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Speaker 1: Shannon Sharp former NFL player, then he was a sports

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Speaker 1: NFL commentator. He started his YouTube podcast called Club sha sha.

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Speaker 1: He's got cognac in it. It's listened to us called

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Speaker 1: sha sha. Now, black people are very it's a very

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Speaker 1: normal like other Latinos will call the cardino, a very

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Speaker 1: normal cardino that you would give our our children, where

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Speaker 1: we just say they names twice you cut their names.

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Speaker 1: Kai Kai says, like, that's a normal thing that we

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Speaker 1: do with our children. It's just it's a it's a

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Speaker 1: term of envieriment again, a cardinho, like if you speak Spanish,

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Speaker 1: like there's no the translation is not direct, but you

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Speaker 1: know what I mean when I say it's a cardigno. Right, So,

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Speaker 1: and y'all, you know, white people should make fun of

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Speaker 1: it with like honey booboo like okay, but y'all don't

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Speaker 1: understand like bubo like calling our kids stuff like that.

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Speaker 1: First of all, bubo is is doodoo like it's but

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Speaker 1: it's also a petna is anyway, it's complicated, so Saysha

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Speaker 1: is already a throwback to just very just blackness. Shannon

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Speaker 1: is sharp in the way that he enunciates, the way

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Speaker 1: that he articulates his facial expressions, the points he makes,

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Speaker 1: even the depth of knowledge that he has about things.

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Speaker 1: But yet it's said in such a country manner. Is

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Speaker 1: he's collectively our uncle because it's so authentic. He's actually

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Speaker 1: very well informed, very curious, knows what he's doing, super professional.

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Speaker 1: But he never lost. And and I don't know him

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Speaker 1: well enough to know, but everybody else that knows him says, no,

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Speaker 1: that's real. That's really him. The you know him with

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Speaker 1: him would have black and mild and some and some

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Speaker 1: crown royal in it in you know, slapping spades, playing domino,

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Speaker 1: siping cognac like he is. This is our uncle, all

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Speaker 1: of it, like everything was so so his character, not

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Speaker 1: in a derogatory term, but just in the person with

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Speaker 1: the persona the person we're seeing on the screen, whether

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Speaker 1: it's authentic to him or not, which again I believe

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Speaker 1: it is. He is so familiar to us. That's unk.

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Speaker 1: He unk, like you know what I'm saying, Like unk

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Speaker 1: is obviously short for uncle, which is just again it's

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Speaker 1: a it's a term of respect we give to older

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Speaker 1: black men who aren't necessarily our fathers, right or not,

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Speaker 1: like the in between, like a big homie or a

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Speaker 1: big cousin, you know what I'm saying, Like a big homye.

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Speaker 1: A lot of times is a little closer to your age,

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Speaker 1: but like your unk, like he a little older, you

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Speaker 1: know what I'm saying. Like you know a few years ago,

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Speaker 1: it would be like the dude with the you know,

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Speaker 1: with the bluetooth with the with the funny looking bluetooth

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Speaker 1: in his ear, like he just oh, heah, what's up, chuck,

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Speaker 1: Like the Spice Adams character. Like now that person has

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Speaker 1: gotten a little older, a little more older. Like our

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Speaker 1: unks now are again more like Shannon Sharp. They little

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Speaker 1: more style, They got a little They don't dress like seventies,

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Speaker 1: you feel me, Like they dress the way he dressed.

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Speaker 1: He a little younger. He still be outside, he still

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Speaker 1: be courtside, you know what I'm saying. But like y'all

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Speaker 1: seen them clips where he looked back at homeboy that

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Speaker 1: really wanted to wanted to smoke with him where he like,

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Speaker 1: I'm still willing to. I'll dance with you, young boys.

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Speaker 1: I'm still willing to get down. Like my knees are

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Speaker 1: still okay. You know. The old heads, like the Spice

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Speaker 1: Adams characters, they needs don't they needs ain't working, you

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Speaker 1: know you spraying the juke on. These boys are still

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Speaker 1: in the club a little older than us. So that's unk.

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Speaker 1: You feel me right that the girls they bringing around

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Speaker 1: probably got a got grown children, you all saying, and

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Speaker 1: maybe like a one or two year old grand baby.

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Speaker 1: But mama still Grandma's still bad. She's still kind of young.

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Speaker 1: You know, she's still bad. She's still out party. That's

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Speaker 1: who unck bring around. Like, so he already that to us.

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Speaker 1: And then you add in Kat Williams. Now Kat Williams

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Speaker 1: a legendary black comic, but he loved odd. He always

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Speaker 1: has been a little odd. He decided to absolutely eviscerate

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Speaker 1: every other black comic short of a fuel and he

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Speaker 1: was like, you gonna not disrespect Bernie Max's name. You

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Speaker 1: gonna not disrespect D. L. Hugeley's name because he like

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Speaker 1: they put in the work. But he's like, I want

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Speaker 1: all the smoke. I ain't got no respect for no,

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Speaker 1: Steve Harvey, for no, said the entertainer. I'm saying that

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Speaker 1: Kevin Hart's an industry plan. Like he just lit everybody up.

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Speaker 1: And then then he talked about faise on Love, which

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Speaker 1: was gave us the quote of what I thought was

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Speaker 1: gonna be the quote of the year, where he said

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Speaker 1: nobody knew that you know a minor was coming yet,

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Speaker 1: but at the time when he said you have a

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Speaker 1: strange alliance with losers and that is not like you,

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Speaker 1: he was talking about the fact that like Faisan who

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Speaker 1: played Big Worm and Friday has never had no specials

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Speaker 1: and just never that he because he's his point is

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Speaker 1: the man's not that funny.

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Speaker 3: This happened and he was.

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Speaker 1: Making all these kind of like wild outlandish claims, and

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Speaker 1: then video started surfacing where he was basically saying said

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Speaker 1: being stealing jokes this whole time. He stole the whole

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Speaker 1: show from Mark Curry, who we all loved, from Michelle

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Speaker 1: called Hagem and mister Cooper, and then all these clips

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Speaker 1: of said the entertainer actually ripping off jokes and it

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Speaker 1: was like wow, like wait a minute, none of us

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Speaker 1: ever thought of that. And then he's making claims about

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Speaker 1: him being able to run like a four point four

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Speaker 1: forty yard dash, and then the video come out like

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Speaker 1: that man really running that fast, and it was like

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Speaker 1: nobody like just he wanted all. He came hot and

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Speaker 1: Uck couldn't keep up with him. So it set the

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Speaker 1: tone for the entire year. And sometimes like people say,

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Speaker 1: like people say this all like again in the black spaces, like, yo,

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Speaker 1: we blaming this whole year on Cat Williams. Cat Williams

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Speaker 1: was like, I'm spilling all the tea. I'm ready to

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Speaker 1: be messy. Kat decided he had time and he's out,

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Speaker 1: and I will argue this. He definitely set the tone

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Speaker 1: for the rest of the year. Now, I can't blame

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Speaker 1: everything else on him, but I tell you what, that

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Speaker 1: was prophetic. We should have known this year black people

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Speaker 1: have decided we got time and we're gonna deal with

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Speaker 1: our own here. There needed to be a reckoning with that.

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Speaker 1: Now what he said about Kevin Hart, I don't know.

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Speaker 1: I'm not I don't know that part of the industry,

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Speaker 1: but I do know that we was like, yo, this

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Speaker 1: is a much better way of starting this year than

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Speaker 1: we expected to or you know, cause were like, look,

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Speaker 1: there a potential for January sixth, Part two, an electric

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Speaker 1: Boogoaloo January sixth. The potential is here. So he was

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Speaker 1: already on edge, and I think that that might be

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Speaker 1: a part of why we was like, all right, look, no,

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Speaker 1: we're not playing around. So Kat Williams set us off.

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Speaker 1: The next thing was Sean p Diddy, Puffy Combs, my

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Speaker 1: GoF next, all right, we're back. Let me back up

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Speaker 1: a second to the me too movement. Now, remember, first

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Speaker 1: of all, me too movement black woman who first coined

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Speaker 1: the phrase. Just make sure let's remember that, because again blackness.

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Speaker 1: The discussion among my world was the fact that me

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Speaker 1: too hadn't touched hip hop yet. And when it does,

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Speaker 1: my lord, that was you know, around the time that yeah,

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Speaker 1: like me to first kicked out, kicked off with the

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Speaker 1: you know, Harvey Weinstein and came with everybody that you know,

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Speaker 1: dropped off, the Matt Lawers of the world, all this

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Speaker 1: stuff that was about powerful white dudes in corporate situations,

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Speaker 1: you know, Bill Cosby, of course, R Kelly, of course.

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Speaker 1: But those were ones that like, yeah, we kind of

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Speaker 1: already knew that's blackness, but I hadn't hitten hip hop yet.

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Speaker 1: One could argue that like R Kelly, but R Kelly

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Speaker 1: A's an R and B singer that's not specifically hip

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Speaker 1: hop influence, is not hip hop okay. But because of

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Speaker 1: the way that misogyny has played such a huge role

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Speaker 1: in rap music and the history of how black women

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Speaker 1: have bore the brunt of the the emotional and spiritual

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Speaker 1: heavy lifting within the black community have been the first

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Speaker 1: to protect black men, most of the time to their

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Speaker 1: own detriment. Don't. I try not to get into the

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Speaker 1: battle of the sexes. But it's just that's just the reality.

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Speaker 1: This isn't to drag black men. Listen, that's not what

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Speaker 1: I'm saying. I'm talking specifically about the experience of black women,

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Speaker 1: whether we're looking at Megan thee Stallion situation, which the

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Speaker 1: reality is, the more that we understand about kind of

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Speaker 1: what happened, she lied, of course out front, but she

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Speaker 1: lied to protect Tory as in Tory Lanes, because she knows,

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Speaker 1: like all black women in Memoriam, that if you turn

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Speaker 1: black men over to them white people, they not gonna

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Speaker 1: show them no mercy. And Megan from the streets, so

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Speaker 1: like you know, you just don't. You don't snitch on

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Speaker 1: the homies. You deal with it in house.

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Speaker 4: Right.

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Speaker 1: This point I'm making as far or is like the

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Speaker 1: historical precedence and trauma of saying if we pop off

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Speaker 1: about about these black men, they're gonna lynch him. They're

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Speaker 1: gonna deal with this in a way that's gonna cause

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Speaker 1: more damage to our community. So a lot of times

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Speaker 1: black women in hopes to protect our children, to protect

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Speaker 1: our community, and even to protect them is like they

429
00:26:24,880 --> 00:26:27,800
Speaker 1: they take on, they take on a lot of the suffering. Also,

430
00:26:28,119 --> 00:26:30,359
Speaker 1: we get so beat up as black men when we

431
00:26:30,400 --> 00:26:34,040
Speaker 1: go outside by this dominant white culture, this white supremacist culture.

432
00:26:34,080 --> 00:26:35,720
Speaker 1: We get beat up. By the time we go home,

433
00:26:35,880 --> 00:26:38,080
Speaker 1: we ain't got nothing left, and who's nursing us to

434
00:26:38,160 --> 00:26:41,040
Speaker 1: health and a lot of times taking up brunt of

435
00:26:41,440 --> 00:26:45,280
Speaker 1: us not being able to express ourselves fully when we outside,

436
00:26:45,320 --> 00:26:48,680
Speaker 1: like we we I'm saying we because I'm talking about

437
00:26:48,680 --> 00:26:50,760
Speaker 1: black men. We take it out on our ladies, super

438
00:26:51,040 --> 00:26:56,399
Speaker 1: you know, fraudulent, coming at them sideways, finding our our manliness,

439
00:26:56,400 --> 00:27:00,000
Speaker 1: our masculinity, in our violence and in our sexual prowess.

440
00:27:00,359 --> 00:27:03,000
Speaker 1: Like this is just this is just historical Black experience.

441
00:27:03,040 --> 00:27:04,520
Speaker 1: This is kind of just what it's been like. This

442
00:27:04,600 --> 00:27:07,520
Speaker 1: is one of our maladies. Now, of course I'm speaking

443
00:27:07,680 --> 00:27:11,720
Speaker 1: in a type of generality, but understand that like these

444
00:27:11,720 --> 00:27:15,639
Speaker 1: are some of the pieces of trauma and PTSD that

445
00:27:15,760 --> 00:27:17,840
Speaker 1: kind of sits in our bones and sits in our community.

446
00:27:17,920 --> 00:27:21,560
Speaker 1: That being said, when we make our music, there is

447
00:27:21,600 --> 00:27:24,679
Speaker 1: an understanding a lot of times that look, we just

448
00:27:24,680 --> 00:27:27,680
Speaker 1: out here that the music is the escape. Sometimes it's

449
00:27:27,720 --> 00:27:30,399
Speaker 1: the expression of what we're going through, and other times

450
00:27:30,440 --> 00:27:33,120
Speaker 1: it's the escape or the hope of what we wish

451
00:27:33,200 --> 00:27:36,040
Speaker 1: we were going through. Like when you take like the

452
00:27:36,119 --> 00:27:39,600
Speaker 1: old school early hip hop rappers that were like Shaddy

453
00:27:39,680 --> 00:27:42,440
Speaker 1: Coop the Vial back then lay Back Coop the Vial,

454
00:27:42,560 --> 00:27:44,840
Speaker 1: it's like, you don't these brothers lived in the projects.

455
00:27:44,920 --> 00:27:47,800
Speaker 1: They didn't have they were driving o Coop the Vill's nigga.

456
00:27:47,840 --> 00:27:50,200
Speaker 1: They was on the bus, the gold chains and all

457
00:27:50,240 --> 00:27:54,160
Speaker 1: that stuff like this is us finding ways to find value.

458
00:27:54,320 --> 00:27:57,600
Speaker 1: We understood in that sense that like Yo Black Memo

459
00:27:57,680 --> 00:28:01,840
Speaker 1: was a part of this. Nowack women expressing their sexuality

460
00:28:02,000 --> 00:28:06,199
Speaker 1: and and they're they're expressing themselves, whether it's twerking or

461
00:28:06,240 --> 00:28:08,960
Speaker 1: the booty shaking and stuff like that. Like back down South,

462
00:28:08,960 --> 00:28:10,720
Speaker 1: they used to call it pussy popping. That was just

463
00:28:10,720 --> 00:28:12,520
Speaker 1: a name, that was just what it was called, right,

464
00:28:12,640 --> 00:28:15,760
Speaker 1: you know, and then he turned into the term twert

465
00:28:15,880 --> 00:28:18,440
Speaker 1: But like black women expressing themselves, you know, whether it's

466
00:28:18,440 --> 00:28:21,720
Speaker 1: salt and pepper being like very sexualized for jj fad like,

467
00:28:22,119 --> 00:28:24,679
Speaker 1: they expressed themselves just like everybody else does. And that

468
00:28:24,800 --> 00:28:28,359
Speaker 1: was again an understanding in hip hop. But then we

469
00:28:28,400 --> 00:28:31,119
Speaker 1: started then It got weird because there was still a

470
00:28:31,200 --> 00:28:35,760
Speaker 1: type of misogyny in the concept of hip hop. Bitches

471
00:28:35,760 --> 00:28:39,400
Speaker 1: ain't shit but hose and tricks, right, like not send

472
00:28:39,480 --> 00:28:43,120
Speaker 1: suck that deck, It ain't no fun if the hommies

473
00:28:43,120 --> 00:28:46,800
Speaker 1: came ha none and girls singing along now, granted with

474
00:28:46,880 --> 00:28:48,960
Speaker 1: an understanding that like you bet, and I wish nigga

475
00:28:48,960 --> 00:28:50,720
Speaker 1: would say that to me, like you bet, not actually

476
00:28:50,720 --> 00:28:53,000
Speaker 1: ever say that to me? Yeah, like the fact that

477
00:28:53,040 --> 00:28:55,480
Speaker 1: like Rhap City just put an album out and she's like, look,

478
00:28:55,960 --> 00:28:57,440
Speaker 1: let me tell you why I'm not in your top

479
00:28:57,480 --> 00:29:01,200
Speaker 1: five argument. It's because I don't have we make we'd

480
00:29:01,320 --> 00:29:04,280
Speaker 1: like everybody else. There are other they're seventy cents to

481
00:29:04,360 --> 00:29:07,680
Speaker 1: the dollar in hip hop, like women who are rapping,

482
00:29:07,800 --> 00:29:14,600
Speaker 1: Like why why isn't Latifa, Lil Kim, Foxy Brown MC light,

483
00:29:14,760 --> 00:29:17,840
Speaker 1: Why are they not in the arguments for Mount Rushmoorris.

484
00:29:17,840 --> 00:29:20,320
Speaker 1: You know people talking about Nikki now NICKI owe her

485
00:29:20,360 --> 00:29:22,760
Speaker 1: career to Little Kim, Like, let's be real, there would

486
00:29:22,800 --> 00:29:24,600
Speaker 1: be no Megan's, there would be none of that. It

487
00:29:24,640 --> 00:29:26,880
Speaker 1: would be no Cardi B's if it wasn't for somebody

488
00:29:26,920 --> 00:29:27,600
Speaker 1: like a Little Kim.

489
00:29:27,840 --> 00:29:29,200
Speaker 3: And then you take rhaps City.

490
00:29:29,240 --> 00:29:32,600
Speaker 1: Who for me, I'm like, oh, I don't know nobody

491
00:29:32,680 --> 00:29:36,000
Speaker 1: rapping like rhap City right now. Like there's again she

492
00:29:36,360 --> 00:29:39,040
Speaker 1: The argument is she is right, she should be in

493
00:29:39,080 --> 00:29:41,560
Speaker 1: the top five. We still have a problem with Massogi.

494
00:29:41,720 --> 00:29:43,960
Speaker 1: We still have a problem with patriarchy. We still don't

495
00:29:44,040 --> 00:29:47,640
Speaker 1: understand this. That being said, it was understood and kind

496
00:29:47,640 --> 00:29:49,720
Speaker 1: of like nobody's saying the quiet thing out loud. I

497
00:29:49,720 --> 00:29:51,320
Speaker 1: feel like Charlamage and the God may have brought this

498
00:29:51,440 --> 00:29:53,800
Speaker 1: up once that like wait till Me two hits the

499
00:29:53,840 --> 00:29:57,320
Speaker 1: hip hop community. It's because the music industry, specifically in

500
00:29:57,400 --> 00:30:01,280
Speaker 1: hip hop, it's some weird, weird stuff that goes on,

501
00:30:01,760 --> 00:30:04,560
Speaker 1: and a lot of it has to do with in

502
00:30:04,600 --> 00:30:10,120
Speaker 1: my mind power. Before I get to that, there was

503
00:30:10,520 --> 00:30:14,720
Speaker 1: an interview with IRV Gotti or no, with Ashanti about

504
00:30:14,800 --> 00:30:17,080
Speaker 1: IRV Gotti, you know, over at Murder Inc. And some

505
00:30:17,120 --> 00:30:19,800
Speaker 1: of this just horrible things he would say to her,

506
00:30:19,960 --> 00:30:21,920
Speaker 1: like I made every nigga in the world. Won't a

507
00:30:21,960 --> 00:30:24,320
Speaker 1: fuck you mind? I made you You're not even that cute,

508
00:30:24,360 --> 00:30:27,080
Speaker 1: like just trash, just just things you would never say

509
00:30:27,120 --> 00:30:29,160
Speaker 1: to a person, like unless you're a pimp. And then

510
00:30:29,200 --> 00:30:31,520
Speaker 1: some of these niggas since they were kingmakers, just like

511
00:30:31,560 --> 00:30:35,280
Speaker 1: Harvey Weinstein and them, like they were untouchable. You couldn't

512
00:30:35,480 --> 00:30:38,640
Speaker 1: there was nothing you could say because if they blacklisted you,

513
00:30:38,640 --> 00:30:41,280
Speaker 1: you was done. But finally somebody spoke of and it

514
00:30:41,320 --> 00:30:44,720
Speaker 1: was Cassie p Ditty's girl, who was, first of all,

515
00:30:45,240 --> 00:30:47,640
Speaker 1: is twenty years younger than him, So there's that right.

516
00:30:48,200 --> 00:30:51,800
Speaker 1: But that being said, Cassie brought the indictment. But in

517
00:30:51,840 --> 00:30:57,280
Speaker 1: the indictment, it brought a cascade of so many other

518
00:30:57,360 --> 00:31:00,640
Speaker 1: things to the point to which Diddy's house was rated.

519
00:31:00,840 --> 00:31:04,760
Speaker 1: Now this happened again because black people decided we had

520
00:31:04,800 --> 00:31:08,680
Speaker 1: time today. This happened at the same time that Beyonce

521
00:31:08,840 --> 00:31:11,800
Speaker 1: dropped the country out and we was like, listen country

522
00:31:11,800 --> 00:31:12,320
Speaker 1: black too.

523
00:31:12,640 --> 00:31:15,360
Speaker 3: I'm tired of letting you, y'all because we got.

524
00:31:15,160 --> 00:31:17,880
Speaker 1: Tired this year. I'm tired of letting y'all think that

525
00:31:18,000 --> 00:31:21,440
Speaker 1: this your music. No, no, no, no, no, that's black too.

526
00:31:21,600 --> 00:31:25,320
Speaker 1: Beyonce said, I'm reclaiming my time for all of us

527
00:31:25,520 --> 00:31:29,680
Speaker 1: country music. Black do your homework. I got time. I'm

528
00:31:29,720 --> 00:31:33,239
Speaker 1: making an album and I'm proving to y'all that's not

529
00:31:33,320 --> 00:31:36,360
Speaker 1: your music. And look, Higo, one hundred other black country

530
00:31:36,440 --> 00:31:39,360
Speaker 1: artists for you to check out who been putting in work.

531
00:31:39,600 --> 00:31:40,600
Speaker 3: I'm here for them.

532
00:31:40,840 --> 00:31:44,360
Speaker 1: This is all happening while we realizing what's going on.

533
00:31:44,320 --> 00:31:47,560
Speaker 3: With p Diddy, that that man was whooping her tail.

534
00:31:47,920 --> 00:31:50,480
Speaker 1: And what was so interesting about that is, like Diddy,

535
00:31:51,040 --> 00:31:53,680
Speaker 1: he was the worst kept secret. Everybody knew this, you

536
00:31:53,760 --> 00:31:55,840
Speaker 1: just don't say nothing about it. Black people decided they

537
00:31:55,920 --> 00:31:58,360
Speaker 1: had time this year. I don't know, it's somewhere in

538
00:31:58,400 --> 00:32:01,680
Speaker 1: the spirit, like we heard the spirit talking. Ezekio saw

539
00:32:01,680 --> 00:32:04,680
Speaker 1: the wheel my nigga man, that is a Black church reference.

540
00:32:04,760 --> 00:32:07,720
Speaker 1: What was the church reference? But like Ekyo Ezekielo saw

541
00:32:07,760 --> 00:32:10,640
Speaker 1: the wheel way up in the middle of the air.

542
00:32:10,720 --> 00:32:14,320
Speaker 1: Ezekiel saw the wheel way in the middle of the air.

543
00:32:14,800 --> 00:32:18,760
Speaker 1: If you know, you know now in this moment, it

544
00:32:18,880 --> 00:32:22,720
Speaker 1: was not only what he was doing to her, but

545
00:32:22,760 --> 00:32:27,400
Speaker 1: what was happening in his relationship to other young rappers,

546
00:32:27,680 --> 00:32:31,520
Speaker 1: whether it was Meek Mill Usher. So now the rumors

547
00:32:31,520 --> 00:32:34,640
Speaker 1: started started just going all over the place where Diddy

548
00:32:34,720 --> 00:32:38,720
Speaker 1: was either making them commit sexual acts or they were

549
00:32:39,560 --> 00:32:42,720
Speaker 1: like for him to watch, or he was actually doing

550
00:32:42,760 --> 00:32:45,520
Speaker 1: it to them. It was understood that Diddy got cameras

551
00:32:45,520 --> 00:32:47,720
Speaker 1: all over his house, and the understanding is he got

552
00:32:47,720 --> 00:32:50,840
Speaker 1: cameras all over his house, be so that nobody talks

553
00:32:50,920 --> 00:32:52,760
Speaker 1: because I got you on camera. Now, I'm telling you

554
00:32:52,800 --> 00:32:55,280
Speaker 1: this story firsthand from one of my homies. I was there,

555
00:32:55,600 --> 00:32:57,800
Speaker 1: so firsthand from his story. You'd be at one of

556
00:32:57,840 --> 00:33:00,560
Speaker 1: his parties, somebody tap you on the shoulder and it's like, hey,

557
00:33:00,600 --> 00:33:02,920
Speaker 1: it's probably you might want to go ahead and leave now.

558
00:33:03,040 --> 00:33:07,080
Speaker 1: And as you seeing who coming in, that's your clue, like, yeah,

559
00:33:07,200 --> 00:33:08,760
Speaker 1: we should probably bounce on me.

560
00:33:08,880 --> 00:33:11,520
Speaker 3: Like this stuff and like thank God for that food.

561
00:33:11,640 --> 00:33:13,920
Speaker 1: That's like, look, it's time for you to go, because

562
00:33:14,000 --> 00:33:17,000
Speaker 1: things got real hectic after that. Now inside of that

563
00:33:17,080 --> 00:33:20,880
Speaker 1: indictment is now, I mean there's photos of like you know,

564
00:33:21,000 --> 00:33:24,400
Speaker 1: being like making young men force their penetration on other men,

565
00:33:24,520 --> 00:33:26,480
Speaker 1: like all kind of stuff that was happening. It was

566
00:33:26,480 --> 00:33:29,280
Speaker 1: like nature was like curing itself. Because again, if you

567
00:33:29,320 --> 00:33:31,520
Speaker 1: were in the music industry, you knew all this. You

568
00:33:31,600 --> 00:33:34,400
Speaker 1: knew that these were the type of things that he did.

569
00:33:34,600 --> 00:33:36,760
Speaker 1: But what we didn't know was what he was keeping

570
00:33:36,840 --> 00:33:40,640
Speaker 1: quiet about his girl. Then CNN decided to be the

571
00:33:40,680 --> 00:33:44,680
Speaker 1: shade rule, Like it's so crazy, CNN, I like, I

572
00:33:44,680 --> 00:33:47,479
Speaker 1: couldn't believe this. I saw a comedian just talk about this.

573
00:33:47,680 --> 00:33:50,080
Speaker 1: What wait, what's the home girl name? Hold on, y'all,

574
00:33:50,120 --> 00:33:54,200
Speaker 1: Monika Sanders, that's her name. She was like, listen, CNN

575
00:33:54,280 --> 00:33:56,840
Speaker 1: decided that y'all don't watch the news anyway, y'all don't

576
00:33:56,840 --> 00:33:59,040
Speaker 1: care about stuff that really that really go on, so

577
00:33:59,080 --> 00:34:00,960
Speaker 1: we might as well show you TMZ of it all.

578
00:34:01,120 --> 00:34:02,200
Speaker 3: Just let's get messy.

579
00:34:02,280 --> 00:34:04,200
Speaker 1: She was like, they on some nigga shit, which is

580
00:34:04,280 --> 00:34:06,040
Speaker 1: hilarious because it's kind of true.

581
00:34:06,280 --> 00:34:08,320
Speaker 3: Why is Diddy on CNN?

582
00:34:08,840 --> 00:34:12,640
Speaker 1: And then, as a bonus for all of us real ones,

583
00:34:13,400 --> 00:34:16,120
Speaker 1: somebody messed up and booked Cameron.

584
00:34:17,320 --> 00:34:19,920
Speaker 3: To come talk about this thing.

585
00:34:20,120 --> 00:34:23,480
Speaker 1: And apparently y'all forgot about Cameron on Bill O'Reilly, but

586
00:34:23,520 --> 00:34:27,560
Speaker 1: they put her up against a black commentator on CNN.

587
00:34:27,680 --> 00:34:31,280
Speaker 3: That was like, and Camron does what he does?

588
00:34:32,200 --> 00:34:35,200
Speaker 4: He don't, Oh my.

589
00:34:35,120 --> 00:34:37,520
Speaker 3: God, he's the most so hard. Look y'all gotta go

590
00:34:37,520 --> 00:34:38,920
Speaker 3: look at this clip of Cameron on.

591
00:34:39,000 --> 00:34:41,800
Speaker 1: See it there he in Vegas City? Like you know

592
00:34:41,880 --> 00:34:44,440
Speaker 1: what I'm saying, Like, you know, I don't speak on Like,

593
00:34:44,480 --> 00:34:48,279
Speaker 1: I don't really know Diddy, so I wasn't even there.

594
00:34:48,440 --> 00:34:50,839
Speaker 1: I was talking about like did you Because the lady

595
00:34:50,920 --> 00:34:53,560
Speaker 1: was like, yo, Is this the Diddy you recognize? And

596
00:34:53,560 --> 00:34:57,080
Speaker 1: he's like, got here, I ain't zoomed into the photo

597
00:34:57,160 --> 00:35:00,160
Speaker 1: to see if I recognize him this Diddy? I mean no,

598
00:35:00,280 --> 00:35:02,520
Speaker 1: I you know, I don't condone none of them actions,

599
00:35:02,520 --> 00:35:04,759
Speaker 1: but all that like other stuff like I don't I

600
00:35:04,840 --> 00:35:07,280
Speaker 1: wasn't there. He ain't doude. I don't know that stuff.

601
00:35:07,640 --> 00:35:12,319
Speaker 1: I don't know Diddy like that. She was like, were

602
00:35:12,320 --> 00:35:15,960
Speaker 1: you was there a reputation around the industry about his behavior.

603
00:35:15,960 --> 00:35:18,040
Speaker 1: He's like, are you really hang with Diddy like that?

604
00:35:18,680 --> 00:35:20,040
Speaker 3: Then he SIPs this.

605
00:35:21,520 --> 00:35:26,480
Speaker 1: Oh my god, he SIPs this alixir that like in

606
00:35:26,520 --> 00:35:28,479
Speaker 1: New York that's like a thing you go get these

607
00:35:28,560 --> 00:35:32,800
Speaker 1: like little like uh tincture, little juices that you would sip,

608
00:35:32,800 --> 00:35:35,120
Speaker 1: and he goes, I'm sorry, I'm about to get some

609
00:35:35,200 --> 00:35:37,879
Speaker 1: cheeks later, so I gotta I gotta, I gotta siff this.

610
00:35:38,880 --> 00:35:41,839
Speaker 1: And then he's like, yo, who's the talent agent? Why

611
00:35:41,880 --> 00:35:43,760
Speaker 1: you got me on here? Speaking on Diddy?

612
00:35:44,280 --> 00:35:45,239
Speaker 4: Just in it a.

613
00:35:45,520 --> 00:35:50,520
Speaker 1: Disaster, But but it's so Cameron.

614
00:35:51,160 --> 00:35:55,360
Speaker 4: That's how he be. He forget him on bill o'readdy?

615
00:35:55,400 --> 00:35:56,040
Speaker 4: Oh you mad?

616
00:35:56,280 --> 00:35:58,680
Speaker 1: Oh you mad? You big mad? That's where we got

617
00:35:58,680 --> 00:36:01,880
Speaker 1: that from, you mad bro? It was Cameron on the

618
00:36:01,920 --> 00:36:06,040
Speaker 1: bill O'Reilly show. Oh my god, just greatness they got

619
00:36:06,040 --> 00:36:09,120
Speaker 1: because let me back up. There was footage from a

620
00:36:09,160 --> 00:36:15,319
Speaker 1: hotel where Diddy grossly abuses this young lady. She's trying

621
00:36:15,320 --> 00:36:17,840
Speaker 1: to leave her hotel room. She's at the elevator. He

622
00:36:18,360 --> 00:36:22,560
Speaker 1: follows her in a towel, no less, just nasty work,

623
00:36:22,600 --> 00:36:24,640
Speaker 1: grabs her by the head, throws her down, kicks her,

624
00:36:24,719 --> 00:36:25,399
Speaker 1: grabs her back.

625
00:36:25,520 --> 00:36:28,400
Speaker 3: Just horrible, horrible, horrible.

626
00:36:28,000 --> 00:36:31,960
Speaker 1: Horrible, this inexcusable. There's time where he sits down, he

627
00:36:32,040 --> 00:36:36,600
Speaker 1: throws something at her. Nasty work, diabolical in a towel.

628
00:36:36,960 --> 00:36:40,200
Speaker 1: Just hell is your problem? The word is he had

629
00:36:40,200 --> 00:36:42,759
Speaker 1: paid that hotel fifty thousand dollars to make sure that

630
00:36:42,760 --> 00:36:45,200
Speaker 1: that don't go out. It got out. CNN got it.

631
00:36:45,200 --> 00:36:46,920
Speaker 1: I don't know how they got it, but they got it,

632
00:36:46,960 --> 00:36:49,520
Speaker 1: and then they aired it. It was just funny because

633
00:36:49,560 --> 00:36:52,480
Speaker 1: we were like, I was like, of all the people

634
00:36:52,480 --> 00:36:55,200
Speaker 1: to get this in the air, it CNN y'all supposed

635
00:36:55,239 --> 00:36:55,440
Speaker 1: to be.

636
00:36:56,160 --> 00:36:57,040
Speaker 4: I thought, y'all was.

637
00:36:57,000 --> 00:36:59,439
Speaker 1: The serious stuff this is we're doing now we shave

638
00:36:59,560 --> 00:37:03,759
Speaker 1: room right, which is hilarious, but the brud needed to

639
00:37:03,760 --> 00:37:06,160
Speaker 1: be aired out. It's been going on too long. Black

640
00:37:06,160 --> 00:37:09,360
Speaker 1: people decided this year we got time now. He the

641
00:37:09,400 --> 00:37:14,400
Speaker 1: next day puts up his apology. That was hard because,

642
00:37:14,960 --> 00:37:17,480
Speaker 1: first of all, in his defense, he owned it all.

643
00:37:17,520 --> 00:37:19,120
Speaker 1: There's no excuse. Well, I mean, what could you do.

644
00:37:19,239 --> 00:37:20,759
Speaker 1: I mean you could be like Trump and be like

645
00:37:20,760 --> 00:37:23,280
Speaker 1: that wasn't me, or it y'all don't got the whole picture.

646
00:37:23,280 --> 00:37:25,400
Speaker 1: You didn't see the whole situation. He was like, nah,

647
00:37:25,440 --> 00:37:28,920
Speaker 1: that's inexcusable. There was nothing I was wrong. I was

648
00:37:28,920 --> 00:37:32,000
Speaker 1: the darkest place I've ever been, and essentially like, well,

649
00:37:32,040 --> 00:37:34,319
Speaker 1: of course I tried to cover it up because it

650
00:37:34,360 --> 00:37:37,120
Speaker 1: was dirty work and I'm ashamed, and yeah, I didn't

651
00:37:37,120 --> 00:37:38,600
Speaker 1: want it to get out because it would destroy me

652
00:37:38,640 --> 00:37:41,000
Speaker 1: and it's embarrassing and it's wrong and I'm wrong. He

653
00:37:41,120 --> 00:37:43,600
Speaker 1: said he's gone to therapy since and tried to make

654
00:37:43,680 --> 00:37:46,680
Speaker 1: himself a better person, which you could discuss amongst yourselves

655
00:37:46,719 --> 00:37:49,239
Speaker 1: how you feel about that. Maybe he did. I don't

656
00:37:49,280 --> 00:37:52,520
Speaker 1: know him personally, and maybe it was like this was

657
00:37:52,560 --> 00:37:56,719
Speaker 1: a dark moment. I just don't know personally how you

658
00:37:56,760 --> 00:38:01,160
Speaker 1: can get to those moments. Aren't just isolated, like you

659
00:38:01,280 --> 00:38:04,040
Speaker 1: build to that type of violence. It happens like my

660
00:38:04,120 --> 00:38:05,960
Speaker 1: mom used to say, it's the little foxes. It's the

661
00:38:06,000 --> 00:38:08,360
Speaker 1: little things. You know, you don't pull them little weeds earlier.

662
00:38:08,400 --> 00:38:10,120
Speaker 1: You don't deal with them little things before they become

663
00:38:10,160 --> 00:38:12,880
Speaker 1: big things, and then little things. Is the commentary that

664
00:38:13,320 --> 00:38:16,600
Speaker 1: I want to talk to y'all about. As somebody who

665
00:38:16,680 --> 00:38:19,400
Speaker 1: understands politics and you being from the hood, you know,

666
00:38:19,440 --> 00:38:22,400
Speaker 1: there's some people and I think this was a prime

667
00:38:22,440 --> 00:38:26,439
Speaker 1: example of that. They get off on power. Now him

668
00:38:26,520 --> 00:38:28,920
Speaker 1: doing a lot of the gay stuff. I'm calling it

669
00:38:28,960 --> 00:38:31,239
Speaker 1: that because I'm trying to speak hood. That's not what

670
00:38:31,280 --> 00:38:33,759
Speaker 1: I mean by it. But follow me has converted the

671
00:38:33,840 --> 00:38:38,839
Speaker 1: term pause to no didty. So if you say something like, oh, yeah, man,

672
00:38:39,000 --> 00:38:41,799
Speaker 1: I was banging that fool hard no diddy like you're

673
00:38:42,280 --> 00:38:45,719
Speaker 1: it's it's a homophobic phrase. Pause is already homophobic. It's

674
00:38:45,760 --> 00:38:48,600
Speaker 1: when you say something that sounds like, you know, sexual

675
00:38:48,760 --> 00:38:50,920
Speaker 1: towards another man. You're supposed to be like pause, which

676
00:38:51,000 --> 00:38:54,000
Speaker 1: is a visual which is a verbal representation of what's

677
00:38:54,000 --> 00:38:56,759
Speaker 1: supposed what was supposed to be happening visually. That's where

678
00:38:56,760 --> 00:38:58,840
Speaker 1: pause kind of came from. It's like when you accidentally

679
00:38:58,920 --> 00:39:01,000
Speaker 1: say like, nah, I get it. You know, they want

680
00:39:01,000 --> 00:39:03,040
Speaker 1: me to cut my message in half and give you

681
00:39:03,080 --> 00:39:04,800
Speaker 1: the six inch, but I'm gonna shove the whole foot

682
00:39:04,800 --> 00:39:06,800
Speaker 1: long down your throat. You're supposed to like stop and

683
00:39:06,840 --> 00:39:08,640
Speaker 1: look at each other with like big eyes, which is

684
00:39:08,680 --> 00:39:10,880
Speaker 1: like pause, Like wait what I just say? Did that

685
00:39:10,920 --> 00:39:13,680
Speaker 1: sound gay? So pause? Is already that? So now that's

686
00:39:13,719 --> 00:39:17,080
Speaker 1: been and I think Mace coined it, which is its

687
00:39:17,120 --> 00:39:20,160
Speaker 1: own funniness to be like nah no Diddy. So that's

688
00:39:20,200 --> 00:39:24,200
Speaker 1: the homophobicness that's in our culture already. But sit that aside, okay,

689
00:39:24,280 --> 00:39:26,640
Speaker 1: because it sucks that. That's the one thing that niggas

690
00:39:26,640 --> 00:39:29,279
Speaker 1: really got mad about was the gayness, not all the

691
00:39:29,320 --> 00:39:31,960
Speaker 1: other stuff. The gayness. But now that the video came out,

692
00:39:32,000 --> 00:39:34,400
Speaker 1: it's like, all right, fellas, like we really got it,

693
00:39:34,480 --> 00:39:39,759
Speaker 1: like this some bullshit and in our defense the general understanding,

694
00:39:39,920 --> 00:39:42,759
Speaker 1: of course, this isn't the case with everything. If you

695
00:39:42,920 --> 00:39:44,919
Speaker 1: like a real nigga, like I keep saying nigga because

696
00:39:44,920 --> 00:39:46,480
Speaker 1: I'm trying to get you'll understand the way we talk

697
00:39:46,560 --> 00:39:49,640
Speaker 1: like among our neighborhoods, A real man don't put their

698
00:39:49,680 --> 00:39:52,279
Speaker 1: hands on no female stuff like that gets you. That

699
00:39:52,320 --> 00:39:54,480
Speaker 1: gets you packed out, like you don't put your hands

700
00:39:54,480 --> 00:39:57,400
Speaker 1: on no female like you're not a man. It's just

701
00:39:57,680 --> 00:40:00,520
Speaker 1: so like there are certain things you don't You don't

702
00:40:01,160 --> 00:40:04,520
Speaker 1: touch no kids, and you don't hit no female like

703
00:40:04,840 --> 00:40:07,319
Speaker 1: you just we just don't accept that. But the point

704
00:40:07,360 --> 00:40:10,799
Speaker 1: I'm getting to here is niggas being like, oh if

705
00:40:10,840 --> 00:40:12,520
Speaker 1: you just gay, you gay nigga, like you just on

706
00:40:12,600 --> 00:40:14,719
Speaker 1: the gates, like just just you know, all a nigga gay?

707
00:40:14,719 --> 00:40:16,719
Speaker 1: You know what I'm saying, Like why you front? Like look, nigga,

708
00:40:16,800 --> 00:40:17,040
Speaker 1: you gay?

709
00:40:17,080 --> 00:40:17,359
Speaker 4: You gay?

710
00:40:18,080 --> 00:40:20,319
Speaker 1: It's like, listen, I don't think you understand what's going

711
00:40:20,360 --> 00:40:24,759
Speaker 1: on here. It's power some people. And understand this for

712
00:40:24,800 --> 00:40:27,840
Speaker 1: your politics because if you understand this about people and

713
00:40:27,880 --> 00:40:29,600
Speaker 1: about a person you talk to, you understand, then you

714
00:40:29,640 --> 00:40:31,839
Speaker 1: can understand they moves and what they doing. You get

715
00:40:31,880 --> 00:40:36,080
Speaker 1: off on power. So if you know you hold a

716
00:40:36,120 --> 00:40:40,160
Speaker 1: person's career in your hands, that you can make or

717
00:40:40,200 --> 00:40:45,680
Speaker 1: break them, then it's just it's almost erotic. It's like

718
00:40:45,920 --> 00:40:50,640
Speaker 1: it's an arousal to flex that power. Because at that

719
00:40:50,760 --> 00:40:55,200
Speaker 1: level of celebrity, you have essentially had sex with every

720
00:40:55,320 --> 00:41:00,000
Speaker 1: prom queen in every city. You've had sex with every

721
00:41:00,040 --> 00:41:05,399
Speaker 1: beauty pageant winner across the world. You' there is no there,

722
00:41:05,719 --> 00:41:08,319
Speaker 1: There is no box you haven't visited. So it's like

723
00:41:08,600 --> 00:41:10,879
Speaker 1: a beautiful woman just doesn't do it for you no more.

724
00:41:11,040 --> 00:41:13,640
Speaker 1: Like it's the law of diminishing returns a lot of

725
00:41:13,680 --> 00:41:15,400
Speaker 1: times with these people like it, don't do it, Like,

726
00:41:15,440 --> 00:41:17,640
Speaker 1: there's what's the drive? The drive was to be famous.

727
00:41:17,680 --> 00:41:20,120
Speaker 1: I'm already famous, okay. The driver was to bag the

728
00:41:20,360 --> 00:41:22,360
Speaker 1: baddest chick. I've bagged the baddest chick and everything, Like

729
00:41:22,360 --> 00:41:25,160
Speaker 1: what else is there? What else is it? Money? I'll

730
00:41:25,239 --> 00:41:26,960
Speaker 1: never be able to spend the amount of money that

731
00:41:27,000 --> 00:41:28,640
Speaker 1: I have now, I'll never be able to do it.

732
00:41:28,719 --> 00:41:30,600
Speaker 1: Stuff don't get you off no more. And what gets

733
00:41:30,640 --> 00:41:33,239
Speaker 1: them off is power is telling a young man who

734
00:41:33,520 --> 00:41:36,040
Speaker 1: produced an amazing track that like, I'm not gonna put

735
00:41:36,040 --> 00:41:38,000
Speaker 1: it out unless you suck my homeboys, Dick, and I

736
00:41:38,080 --> 00:41:39,680
Speaker 1: just want to watch it happen because I get off

737
00:41:39,719 --> 00:41:43,880
Speaker 1: not on not on the homo eroticism, but on the power.

738
00:41:44,080 --> 00:41:46,200
Speaker 1: Dudes get off on power, on the fact that I

739
00:41:46,200 --> 00:41:47,960
Speaker 1: can say what I want to say to you and

740
00:41:48,000 --> 00:41:49,840
Speaker 1: you're not gonna do nothing because you know I'm a

741
00:41:49,840 --> 00:41:51,960
Speaker 1: shot caller. You know I'll run the business, you know.

742
00:41:52,440 --> 00:41:55,040
Speaker 1: So that turns them on because like, how why would

743
00:41:55,080 --> 00:41:58,080
Speaker 1: you put your hands on somebody you love, especially especially

744
00:41:58,120 --> 00:42:00,799
Speaker 1: if you're a strong man on a young fee. Why

745
00:42:00,800 --> 00:42:03,800
Speaker 1: would you date somebody that much younger than you. It's power?

746
00:42:04,239 --> 00:42:07,520
Speaker 1: Power to why else? Because that's what turns that's what

747
00:42:07,560 --> 00:42:10,560
Speaker 1: he enjoys. I'm not saying he did he because I

748
00:42:10,560 --> 00:42:12,319
Speaker 1: don't know him, But I'm saying this is the type

749
00:42:12,360 --> 00:42:15,640
Speaker 1: of behavior that that displays when people what they love

750
00:42:15,800 --> 00:42:17,520
Speaker 1: is not the job, it's not that.

751
00:42:17,560 --> 00:42:19,800
Speaker 3: What they get off on is power.

752
00:42:20,120 --> 00:42:22,719
Speaker 1: And when you understand people like that, what makes them,

753
00:42:22,880 --> 00:42:25,600
Speaker 1: what drives them crazy is when they lose power, is

754
00:42:25,640 --> 00:42:30,160
Speaker 1: when they can't control the situation. When you become ungovernable,

755
00:42:30,360 --> 00:42:32,440
Speaker 1: they can be mad all they won't like. Listen, if

756
00:42:32,480 --> 00:42:34,400
Speaker 1: I'm in a room, I write a dope hug for

757
00:42:34,440 --> 00:42:36,680
Speaker 1: somebody and he say, hey, we're not gonna do this.

758
00:42:36,960 --> 00:42:39,040
Speaker 1: You know what I'm saying, Unless you diddle this dude's booty,

759
00:42:39,080 --> 00:42:41,680
Speaker 1: I'm gonna unplug my laptop and leave. And it's fine.

760
00:42:42,000 --> 00:42:44,040
Speaker 1: It's okay if I'm not a start black lists me.

761
00:42:44,280 --> 00:42:49,799
Speaker 1: I don't need this. So when you remove their oxygen

762
00:42:49,880 --> 00:42:52,000
Speaker 1: tank of power, when they when they see that they

763
00:42:52,040 --> 00:42:54,319
Speaker 1: don't have it, they either they either black list, you

764
00:42:54,360 --> 00:42:57,279
Speaker 1: block you off, or it makes them freakishly angry and

765
00:42:57,320 --> 00:43:00,840
Speaker 1: they lose it. If Cassie left, he would lose power,

766
00:43:01,080 --> 00:43:04,040
Speaker 1: and he desperately because no, we're still not talking about

767
00:43:04,040 --> 00:43:05,160
Speaker 1: why Shine is in prison.

768
00:43:05,320 --> 00:43:06,640
Speaker 3: All go do your googles.

769
00:43:07,680 --> 00:43:11,800
Speaker 1: Power. So when you understand that about your politics, about

770
00:43:11,800 --> 00:43:15,239
Speaker 1: what's happening across the world, about your Benjamin Nett and

771
00:43:15,320 --> 00:43:18,040
Speaker 1: Yahoo's about all these different things happening, like when people

772
00:43:18,160 --> 00:43:24,560
Speaker 1: just it's power. That's the drug, that's the aphrodijiac. So

773
00:43:24,960 --> 00:43:26,920
Speaker 1: when I had to tell one of these OG's, I

774
00:43:26,920 --> 00:43:28,960
Speaker 1: was in this conversation with like one of these all heads,

775
00:43:28,960 --> 00:43:30,719
Speaker 1: and I was like, look, nigga, it's not I'm not

776
00:43:30,840 --> 00:43:33,839
Speaker 1: I don't think. I don't think he's necessarily gay. First

777
00:43:33,840 --> 00:43:36,520
Speaker 1: of all, there's such thing as bisexual, which blew this

778
00:43:36,640 --> 00:43:39,279
Speaker 1: all hands mind. It was like, wait, I'm like, yes, nigga,

779
00:43:39,320 --> 00:43:42,000
Speaker 1: that's a thing you could be attracted to both. Because

780
00:43:42,080 --> 00:43:45,480
Speaker 1: to the old head, if you like men's booties, you gay.

781
00:43:46,080 --> 00:43:48,919
Speaker 1: That's just it to them. But I'm like, you can

782
00:43:49,040 --> 00:43:52,000
Speaker 1: like a lot. But my argument is he's not attracted

783
00:43:52,000 --> 00:43:53,720
Speaker 1: to booties or titties.

784
00:43:53,880 --> 00:43:55,480
Speaker 3: He's attracted to power.

785
00:43:56,000 --> 00:43:58,840
Speaker 1: That's what gets in oflved and then after we explained it,

786
00:43:58,840 --> 00:44:01,440
Speaker 1: he was like, dang, yeah, I get it because dudes

787
00:44:01,480 --> 00:44:04,520
Speaker 1: go to jail. How do you when you're raping another

788
00:44:04,640 --> 00:44:10,120
Speaker 1: man in jail? It's not because you're expressing dominant and

789
00:44:10,200 --> 00:44:12,759
Speaker 1: black people. Was done dealing with this. We needed the

790
00:44:12,880 --> 00:44:16,000
Speaker 1: nature to heal itself. It's too much at stake right

791
00:44:16,040 --> 00:44:18,960
Speaker 1: now for y'all to be active crazy. The next person

792
00:44:19,000 --> 00:44:21,759
Speaker 1: that had time this year, which I don't need to

793
00:44:21,760 --> 00:44:27,239
Speaker 1: get too deep into, is Kendrick Lamar. We've already done

794
00:44:27,239 --> 00:44:31,719
Speaker 1: a three episode, now four episodes about how again it

795
00:44:31,800 --> 00:44:34,719
Speaker 1: called to deciding we had time. It's okay, listen. Why

796
00:44:34,800 --> 00:44:37,080
Speaker 1: I say this year was the year was because you

797
00:44:37,120 --> 00:44:38,920
Speaker 1: have to remember, this is a ten to twelve year

798
00:44:39,000 --> 00:44:44,120
Speaker 1: feud and apparently it involved the entirety of rap music. Everybody.

799
00:44:45,120 --> 00:44:47,759
Speaker 1: Everybody had a problem with Drake. The only person that

800
00:44:47,800 --> 00:44:50,680
Speaker 1: ever says something slightly nice was twenty one Savage and

801
00:44:50,680 --> 00:44:53,640
Speaker 1: what he said was like, man, I'm friends with both

802
00:44:53,680 --> 00:44:56,360
Speaker 1: of them, which is when you are like, that's the reality.

803
00:44:56,400 --> 00:44:59,279
Speaker 1: When you family with everybody like that's your stance you're

804
00:44:59,280 --> 00:45:01,719
Speaker 1: supposed to be. You like, look, man, like this ain't

805
00:45:01,719 --> 00:45:03,640
Speaker 1: my fight. I'm friends with both of them. I hope

806
00:45:03,680 --> 00:45:05,480
Speaker 1: they work it out, you know, and you could be

807
00:45:05,520 --> 00:45:08,000
Speaker 1: truthful like Drake do some sideway stuff. I don't know

808
00:45:08,080 --> 00:45:10,160
Speaker 1: Kendrick the way I know Drake. I hope they could

809
00:45:10,160 --> 00:45:13,959
Speaker 1: work it out and it worked out. We have successfully

810
00:45:14,120 --> 00:45:18,200
Speaker 1: identified what we mean by a culture vulture, by a colonizer,

811
00:45:18,440 --> 00:45:20,640
Speaker 1: and we decided this year we just not gonna stand

812
00:45:20,640 --> 00:45:22,920
Speaker 1: for it. You're not gonna cosplay. And that's so crazy

813
00:45:22,920 --> 00:45:25,440
Speaker 1: that like that's essentially what happened. It was like, Okay,

814
00:45:25,480 --> 00:45:27,960
Speaker 1: you know what, we got time this year. I'm addressing

815
00:45:27,960 --> 00:45:31,359
Speaker 1: the cosplayer, I'm addressing the colonizer. We kicking this shit

816
00:45:31,400 --> 00:45:34,319
Speaker 1: out of the culture. And Drake has become jaw Rule.

817
00:45:34,560 --> 00:45:37,600
Speaker 1: Apparently we had time this year. Now we'll see how

818
00:45:37,680 --> 00:45:40,239
Speaker 1: Drake comes back. Maybe we'll see what he does.

819
00:45:40,719 --> 00:45:41,080
Speaker 4: I don't know.

820
00:45:41,120 --> 00:45:43,919
Speaker 1: I don't know how this turns out. I'm just saying

821
00:45:43,960 --> 00:45:47,160
Speaker 1: this is a midyear reflection. And lastly, which is what

822
00:45:47,840 --> 00:45:51,200
Speaker 1: made me decide to do this whole show, was the

823
00:45:51,280 --> 00:46:29,960
Speaker 1: bleach blonde, bad built butcher body next. Okay, now, in

824
00:46:30,520 --> 00:46:35,240
Speaker 1: a moment that would probably go down in black Twitter history,

825
00:46:35,440 --> 00:46:40,080
Speaker 1: were it still a thing, if Elon didn't break the app.

826
00:46:40,520 --> 00:46:43,440
Speaker 1: I mean, this would this would be like at the

827
00:46:43,520 --> 00:46:47,279
Speaker 1: level of Meet Me in Temecula the Nigga Navy, which

828
00:46:47,360 --> 00:46:49,960
Speaker 1: was really my favorite. Yeah, that was probably my favorite

829
00:46:49,960 --> 00:46:52,799
Speaker 1: black Twitter moment. This would go on in there. Do

830
00:46:52,840 --> 00:46:56,080
Speaker 1: you guys know what the House Oversight Committee is? It's

831
00:46:56,080 --> 00:46:58,200
Speaker 1: actually very important to the messiness of the story and

832
00:46:58,239 --> 00:47:00,920
Speaker 1: why black people finally decided to add and how that

833
00:47:01,080 --> 00:47:06,360
Speaker 1: is completely manifested in Sweet Sister Jasmine. So when you

834
00:47:06,400 --> 00:47:10,600
Speaker 1: become a congressman, congresswoman and you join, when you join

835
00:47:10,640 --> 00:47:14,000
Speaker 1: the House of Representatives, you you have to join. You

836
00:47:14,000 --> 00:47:15,719
Speaker 1: don't just get to be there. You got to join

837
00:47:15,760 --> 00:47:19,000
Speaker 1: a clique. You have to join a committee you know,

838
00:47:19,040 --> 00:47:21,840
Speaker 1: which I'm calling a click that serves on that serves

839
00:47:21,880 --> 00:47:24,600
Speaker 1: different roles in the government for the actual use of goverment.

840
00:47:24,680 --> 00:47:26,440
Speaker 1: Like that's what your job description is. You got to

841
00:47:26,480 --> 00:47:29,160
Speaker 1: join a particular committee. So it's like that's the particular

842
00:47:29,200 --> 00:47:32,040
Speaker 1: clique that you work with. It's like, look your group project, right,

843
00:47:32,480 --> 00:47:35,360
Speaker 1: So there's the finance one. You know. Then you know

844
00:47:35,440 --> 00:47:38,360
Speaker 1: they have you've you've heard things like like the Black

845
00:47:38,360 --> 00:47:40,040
Speaker 1: Caucus and stuff like that. That's not what I'm talking

846
00:47:40,040 --> 00:47:42,480
Speaker 1: about I'm talking specifically about being in the House of

847
00:47:42,520 --> 00:47:45,520
Speaker 1: Representatives or a congress person. This one is called the

848
00:47:45,560 --> 00:47:50,279
Speaker 1: House Oversight Committee, and the Oversight Committee. Their job is

849
00:47:50,320 --> 00:47:53,200
Speaker 1: it's is exactly how it sounds. This is supposed to

850
00:47:53,239 --> 00:47:59,200
Speaker 1: be for accountability among each other. Right, they provide oversight

851
00:47:59,719 --> 00:48:06,080
Speaker 1: for the actions of elected officials and task force that

852
00:48:06,080 --> 00:48:09,040
Speaker 1: have been put together, right, So they're a panel. So

853
00:48:09,120 --> 00:48:14,479
Speaker 1: whenever you're seeing fools get grilled by like you seen

854
00:48:14,560 --> 00:48:17,520
Speaker 1: on the news, when you're seeing fools get grilled by

855
00:48:17,560 --> 00:48:23,120
Speaker 1: the Congress, it's it's this They put together subpoenas. They're

856
00:48:23,160 --> 00:48:24,759
Speaker 1: able to say, Yo, you need to come in. You

857
00:48:24,760 --> 00:48:27,640
Speaker 1: need to testify as to like you know, what the

858
00:48:27,680 --> 00:48:30,440
Speaker 1: hell was going on? Like you need to tell us

859
00:48:30,440 --> 00:48:33,239
Speaker 1: what happened was and what your thinking was for why

860
00:48:33,280 --> 00:48:37,440
Speaker 1: this was happening. Some of the more historical ones was

861
00:48:37,680 --> 00:48:41,360
Speaker 1: around you know, the nine to eleven attacks, right, somebody

862
00:48:41,480 --> 00:48:44,880
Speaker 1: had to talk to what was going on with like

863
00:48:44,920 --> 00:48:48,320
Speaker 1: the Abu Grand prison, Like how were there any leaks?

864
00:48:48,320 --> 00:48:52,120
Speaker 1: Did anybody know what was going on? Stuff around Hurricane Katrina?

865
00:48:52,640 --> 00:48:56,520
Speaker 1: Like why is there why did FEMA move so slowly?

866
00:48:56,640 --> 00:48:59,080
Speaker 1: Like tell us, tell us what happened here, right, So

867
00:48:59,440 --> 00:49:03,080
Speaker 1: there's a lot of things wwe was investigated by them,

868
00:49:03,160 --> 00:49:05,399
Speaker 1: Like so you just we just need to know if

869
00:49:05,400 --> 00:49:08,560
Speaker 1: it's a national situation, is there really a case here?

870
00:49:08,800 --> 00:49:10,880
Speaker 1: And we could subpoena people to come talk to the

871
00:49:10,920 --> 00:49:14,600
Speaker 1: government to just for us to know the people Michael

872
00:49:14,680 --> 00:49:16,480
Speaker 1: Cohen had to sit in front of this is the Senate,

873
00:49:16,719 --> 00:49:19,520
Speaker 1: this is the House Oversight Committee for us to know,

874
00:49:20,120 --> 00:49:23,760
Speaker 1: like how do we keep all this stuff accountable? Like now,

875
00:49:24,120 --> 00:49:28,600
Speaker 1: like everything else, it's become freakishly partisan. If you can,

876
00:49:29,120 --> 00:49:33,719
Speaker 1: as your party control who's in charge of what in

877
00:49:33,800 --> 00:49:37,080
Speaker 1: the committee, then you get to pick the cases and

878
00:49:37,200 --> 00:49:41,200
Speaker 1: how those come now right now, the majority in the

879
00:49:41,239 --> 00:49:44,960
Speaker 1: Oversight Committee is Republican. The guy that sits as the

880
00:49:45,040 --> 00:49:49,839
Speaker 1: chair is a man named James Comer from Kentucky who

881
00:49:50,400 --> 00:49:56,719
Speaker 1: really a substitute teacher, looking head ass like bruhs just

882
00:49:57,120 --> 00:49:59,719
Speaker 1: everything he feels like he's he got dad jokes just

883
00:49:59,760 --> 00:50:02,160
Speaker 1: like right out on the tip of his tongue at

884
00:50:02,200 --> 00:50:07,200
Speaker 1: all times. But I'm gonna save the roaster for later anyway. Oh,

885
00:50:07,320 --> 00:50:10,880
Speaker 1: another thing I could say too about the the Senate

886
00:50:11,080 --> 00:50:14,279
Speaker 1: or the House Overside Committee is like on the sixteenth

887
00:50:14,280 --> 00:50:17,359
Speaker 1: of May, like so this just happened, right, They are

888
00:50:17,520 --> 00:50:22,239
Speaker 1: holding Attorney General Merrick Garland in contempt of Congress for

889
00:50:22,320 --> 00:50:26,440
Speaker 1: refusal to comply with any subpoena issued by the Committee

890
00:50:26,440 --> 00:50:27,080
Speaker 1: of Oversights.

891
00:50:27,160 --> 00:50:29,480
Speaker 3: So this just happened. So they get the right to.

892
00:50:29,480 --> 00:50:32,040
Speaker 1: Do stuff like that, like, Yo, we subpoenaed you. You saying

893
00:50:32,080 --> 00:50:33,960
Speaker 1: no about it? Like we get to hold you in content,

894
00:50:34,280 --> 00:50:37,160
Speaker 1: which is what this meeting we're about to talk about. Now.

895
00:50:37,200 --> 00:50:39,640
Speaker 1: The meeting got off late because a lot of the

896
00:50:39,640 --> 00:50:41,680
Speaker 1: old Trump heads was up in New York trying to

897
00:50:41,719 --> 00:50:44,560
Speaker 1: defend you know, his cheeto seal in his situation. So

898
00:50:44,640 --> 00:50:46,360
Speaker 1: they was up in New York. The rest of the

899
00:50:46,400 --> 00:50:49,760
Speaker 1: homies was on this City House I keep calling it Senate,

900
00:50:49,880 --> 00:50:53,280
Speaker 1: this House Overside committee, talking about can we hold Merrick

901
00:50:53,320 --> 00:50:55,719
Speaker 1: Garland in content? So you're supposed to go back and

902
00:50:55,760 --> 00:51:00,640
Speaker 1: forth about like are we down with this? Now? Enter

903
00:51:01,160 --> 00:51:06,520
Speaker 1: Marjorie Taylor Green. Now, if you know her, which you should,

904
00:51:06,640 --> 00:51:09,719
Speaker 1: I mean, she is a fully she's the fully evolved

905
00:51:09,880 --> 00:51:15,440
Speaker 1: pokemon of white woman privilege. Like she's the I'm sorry, guys,

906
00:51:15,760 --> 00:51:19,440
Speaker 1: she is the avatar of this. She worked the system

907
00:51:19,480 --> 00:51:22,320
Speaker 1: to the system work for her because I really, honestly

908
00:51:22,360 --> 00:51:26,560
Speaker 1: don't really know what she believes or feels. I just

909
00:51:26,680 --> 00:51:30,600
Speaker 1: know she's the queen of the wild takes extreme maga Republican,

910
00:51:31,000 --> 00:51:32,839
Speaker 1: like to the point of where what she say don't

911
00:51:32,840 --> 00:51:36,279
Speaker 1: make sense, like this ain't even conservative, this is just like,

912
00:51:36,520 --> 00:51:39,839
Speaker 1: I don't even know what you're talking about. She has

913
00:51:39,960 --> 00:51:44,200
Speaker 1: very little decorum because if you and this is just factual,

914
00:51:44,239 --> 00:51:47,120
Speaker 1: because if you go back to the last two State

915
00:51:47,200 --> 00:51:51,120
Speaker 1: of the Union's address, she booing, she popping off, she's

916
00:51:51,200 --> 00:51:55,160
Speaker 1: interrupting the dude, like just she pop off at all times.

917
00:51:55,440 --> 00:51:57,960
Speaker 1: She's looking for the hot takes. She's always looking for

918
00:51:58,000 --> 00:52:02,480
Speaker 1: a zinger. A lot of times she be incredibly conspiracy

919
00:52:02,600 --> 00:52:05,600
Speaker 1: theory pilled, but she pop off because she got the

920
00:52:05,600 --> 00:52:07,400
Speaker 1: back end of the big Homy y'all know what I

921
00:52:07,440 --> 00:52:09,040
Speaker 1: mean by the big hom and people a lot of

922
00:52:09,040 --> 00:52:12,879
Speaker 1: times let hers live because she famous like she's I mean,

923
00:52:12,920 --> 00:52:15,120
Speaker 1: she's hot right now. She's like, let's be real, like

924
00:52:15,160 --> 00:52:17,239
Speaker 1: in the world, she hot right now, and she's been

925
00:52:17,280 --> 00:52:19,480
Speaker 1: hot for a while. Remember the whole fifty dig ya

926
00:52:19,640 --> 00:52:21,400
Speaker 1: thing I talked about a long time ago, and I

927
00:52:21,400 --> 00:52:23,319
Speaker 1: was like, none of y'all counted for Margie Taylor Green,

928
00:52:23,520 --> 00:52:26,879
Speaker 1: the girl knows how to get a headline, and how

929
00:52:26,880 --> 00:52:29,680
Speaker 1: she does this is in these meetings that are supposed

930
00:52:29,719 --> 00:52:33,319
Speaker 1: to be rather boring and procedural. She pops off, it's

931
00:52:33,360 --> 00:52:36,880
Speaker 1: been real late they at this meeting, and she continue

932
00:52:36,920 --> 00:52:39,520
Speaker 1: to interrupt the meeting, asking questions that really ain't got

933
00:52:39,640 --> 00:52:41,600
Speaker 1: nothing to do what we talking about? So she out

934
00:52:41,600 --> 00:52:44,279
Speaker 1: of nowhere asked this question of the panel, are any

935
00:52:44,280 --> 00:52:48,480
Speaker 1: of the Democrats employing Judge Marshaan's daughter? Who is Judge

936
00:52:48,480 --> 00:52:51,080
Speaker 1: Marshaan doesn't matter for the story because it don't matter

937
00:52:51,120 --> 00:52:54,440
Speaker 1: for the hearing either. Now you hear what obviously is

938
00:52:54,480 --> 00:52:58,440
Speaker 1: a black woman, which which you can safely assume is

939
00:52:58,800 --> 00:53:02,080
Speaker 1: Jasmine Crockett off camera because this is all this is

940
00:53:02,080 --> 00:53:04,840
Speaker 1: all recorded because it has to be so it's off camera.

941
00:53:05,160 --> 00:53:08,000
Speaker 1: You hear what is clearly a black woman say, please

942
00:53:08,040 --> 00:53:10,520
Speaker 1: tell me what this has to do with with Mary Garland,

943
00:53:10,840 --> 00:53:13,480
Speaker 1: essentially like half of what the hell are you talking about?

944
00:53:14,160 --> 00:53:20,800
Speaker 1: And then you hear, which is the funniest one of

945
00:53:21,160 --> 00:53:23,640
Speaker 1: the second funniest thing in this clip, is you hear

946
00:53:23,760 --> 00:53:27,640
Speaker 1: James Comer. Remember I told you substitute teacher head ass

947
00:53:28,280 --> 00:53:29,959
Speaker 1: like goes? Is she a porn star?

948
00:53:30,480 --> 00:53:35,320
Speaker 3: Like what and people it's all like is he advising it?

949
00:53:35,400 --> 00:53:35,440
Speaker 1: What?

950
00:53:35,680 --> 00:53:35,759
Speaker 2: Like?

951
00:53:35,800 --> 00:53:37,640
Speaker 1: What is she talking about? Like you can hear the

952
00:53:37,680 --> 00:53:41,000
Speaker 1: sound of blackness being like, what is this bitch?

953
00:53:41,080 --> 00:53:41,120
Speaker 2: What?

954
00:53:41,760 --> 00:53:43,680
Speaker 1: What do you know what we're here for? Does she

955
00:53:43,760 --> 00:53:44,520
Speaker 1: know what we're here for?

956
00:53:44,920 --> 00:53:46,680
Speaker 3: Like just like can you believe this?

957
00:53:46,840 --> 00:53:49,239
Speaker 1: Half? Like what is you talking about? So, but she's

958
00:53:49,280 --> 00:53:52,480
Speaker 1: on mike because it's just like, what's happening right now? What?

959
00:53:53,440 --> 00:53:55,839
Speaker 1: So that was strike one. So then Marjorie pops off

960
00:53:55,840 --> 00:53:58,000
Speaker 1: with her finger. Oh, oh you know, do we know

961
00:53:58,040 --> 00:54:00,520
Speaker 1: what you do? You know what you're here for? She goes, no,

962
00:54:00,640 --> 00:54:03,000
Speaker 1: do you know what you're here for? Then she makes

963
00:54:03,000 --> 00:54:06,680
Speaker 1: her fatal mistake. I think your fake eyelashes is getting

964
00:54:06,719 --> 00:54:08,959
Speaker 1: in the way. And then that's when the gavel hits

965
00:54:09,000 --> 00:54:12,359
Speaker 1: old order Order Order, So they like, mister chairman, can

966
00:54:12,400 --> 00:54:13,600
Speaker 1: you get a hold of your community?

967
00:54:13,600 --> 00:54:15,759
Speaker 3: Can you get your girl? Because she talking out.

968
00:54:15,680 --> 00:54:18,200
Speaker 1: Her neck and the whole room's like, oh, like, yo,

969
00:54:18,280 --> 00:54:21,359
Speaker 1: what is why are you popping off? And Marjorie real

970
00:54:21,360 --> 00:54:24,439
Speaker 1: proud of herself, like oh boom roasted, like she proud

971
00:54:24,440 --> 00:54:25,520
Speaker 1: of herself at this moment.

972
00:54:25,719 --> 00:54:27,920
Speaker 3: It's kind of funny watching.

973
00:54:29,640 --> 00:54:34,160
Speaker 1: All the clerks come and wild the guy that's supposed

974
00:54:34,200 --> 00:54:34,960
Speaker 1: to be in charge.

975
00:54:35,080 --> 00:54:37,040
Speaker 3: He needed to check the playbook.

976
00:54:36,680 --> 00:54:38,600
Speaker 1: Like wait, can you are you allowed to say this?

977
00:54:38,680 --> 00:54:40,719
Speaker 1: Can you talk like that? Do we need to strike this?

978
00:54:40,960 --> 00:54:43,800
Speaker 1: I wait, what are the rules right now? Like the

979
00:54:43,880 --> 00:54:47,960
Speaker 1: nigga confused cuz cause he like, I don't know what

980
00:54:48,080 --> 00:54:49,600
Speaker 1: we supposed to do right now?

981
00:54:51,280 --> 00:54:52,200
Speaker 4: What? Right?

982
00:54:52,520 --> 00:54:55,600
Speaker 1: And then the whole girl, the hall girl, Jenny from

983
00:54:55,640 --> 00:54:57,279
Speaker 1: the block, you know what I'm saying. The hall girl,

984
00:54:57,280 --> 00:55:01,759
Speaker 1: AOC is like hot, jumps in and is like, yo, hey,

985
00:55:01,800 --> 00:55:02,400
Speaker 1: do we got.

986
00:55:02,280 --> 00:55:03,120
Speaker 3: Like a point of order?

987
00:55:03,160 --> 00:55:04,600
Speaker 1: Like? Yo, do we got a point of order? And

988
00:55:04,640 --> 00:55:06,480
Speaker 1: then one white boy kind of steps in and he's

989
00:55:06,520 --> 00:55:09,479
Speaker 1: asking about finance and stuff, which really was him trying

990
00:55:09,480 --> 00:55:12,839
Speaker 1: to get his bars off too, and AOC you hear

991
00:55:12,840 --> 00:55:15,680
Speaker 1: her in the back like, yo, that's that's disgusting. It's

992
00:55:15,760 --> 00:55:18,080
Speaker 1: absolutely disgusting. She goes, you know what, actually, I have

993
00:55:18,160 --> 00:55:20,440
Speaker 1: a point of order like a person who actually understand

994
00:55:20,480 --> 00:55:23,640
Speaker 1: how the rules work. She finally started talking. She was like, listen,

995
00:55:24,000 --> 00:55:27,600
Speaker 1: I removed my point of order is that the parliamentarian

996
00:55:27,920 --> 00:55:31,799
Speaker 1: strikes the words of Congresswoman Marjor Taylor Green because that

997
00:55:31,920 --> 00:55:35,120
Speaker 1: is disgusting. You not allowed to talk about somebody's body

998
00:55:35,200 --> 00:55:37,719
Speaker 1: like this man strike this from the record. She like,

999
00:55:37,800 --> 00:55:41,319
Speaker 1: that's absolutely disgusting, Marley Treyley Treen popping off like oh

1000
00:55:41,400 --> 00:55:42,520
Speaker 1: are your feelings hurt?

1001
00:55:42,760 --> 00:55:45,640
Speaker 3: All like just completely out of pocket.

1002
00:55:45,760 --> 00:55:49,000
Speaker 1: But again, stay with me now, most of the time

1003
00:55:49,400 --> 00:55:50,960
Speaker 1: we ain't got time for none of this. So when

1004
00:55:50,960 --> 00:55:53,440
Speaker 1: she's like, oh are your feelings hurt? Ao was like,

1005
00:55:53,560 --> 00:55:57,600
Speaker 1: oh girl, baby, girl, Like basically like, girl, you listen,

1006
00:55:57,800 --> 00:56:01,000
Speaker 1: if you only knew I just did this show. This

1007
00:56:01,040 --> 00:56:02,759
Speaker 1: is a side note, but it's very important. I just

1008
00:56:02,800 --> 00:56:08,920
Speaker 1: did this this show at Joseph Harp Correctional Facility President Okay,

1009
00:56:08,920 --> 00:56:11,880
Speaker 1: see performed out there, and I was talking to the

1010
00:56:11,920 --> 00:56:15,279
Speaker 1: brus about about having inner piece, about like what's going

1011
00:56:15,320 --> 00:56:16,960
Speaker 1: on in your own head and that you know you

1012
00:56:17,000 --> 00:56:18,799
Speaker 1: deserve to have that type of piece and whatever work

1013
00:56:18,840 --> 00:56:20,360
Speaker 1: you gotta do, man, I encourage you to do that

1014
00:56:20,400 --> 00:56:22,520
Speaker 1: work right to get that piece inside your head because

1015
00:56:22,520 --> 00:56:24,759
Speaker 1: a lot of times people see us and they think,

1016
00:56:24,960 --> 00:56:27,880
Speaker 1: and especially you, because y'all are here, they think y'all crazy.

1017
00:56:28,000 --> 00:56:31,520
Speaker 1: And I'm like, you only know what I tell you

1018
00:56:31,600 --> 00:56:34,000
Speaker 1: if you like you don't know what I don't say,

1019
00:56:34,520 --> 00:56:37,520
Speaker 1: Like if y'all knew, if y'all knew what I was

1020
00:56:37,640 --> 00:56:40,239
Speaker 1: keeping on myself. Oh baby, you wouldn't. You don't know

1021
00:56:40,719 --> 00:56:44,600
Speaker 1: half of the crazy. So essentially, what AOC is saying

1022
00:56:44,719 --> 00:56:48,160
Speaker 1: is like, oh, baby girl, oh if you only knew

1023
00:56:48,160 --> 00:56:52,760
Speaker 1: how much I hold back. Like look and right now,

1024
00:56:53,040 --> 00:56:56,440
Speaker 1: who she was talking who who Margie was talking about

1025
00:56:56,480 --> 00:57:00,200
Speaker 1: was Congresswoman Jasmine Crockett. She was talking about her black woman,

1026
00:57:00,320 --> 00:57:03,160
Speaker 1: young black lady. She was talking about her. But AOC

1027
00:57:03,400 --> 00:57:07,000
Speaker 1: jumps in and was like, hell, oh hell no, right,

1028
00:57:07,160 --> 00:57:09,759
Speaker 1: and the white boys still can't figure out how to

1029
00:57:09,760 --> 00:57:12,640
Speaker 1: get ordered right, which is so funny to me. But again,

1030
00:57:13,200 --> 00:57:16,200
Speaker 1: none of them can control Marjorie. She do whatever she won't.

1031
00:57:16,400 --> 00:57:19,760
Speaker 1: But yeah, AOC like, listen, baby, don't even play like,

1032
00:57:19,800 --> 00:57:21,720
Speaker 1: don't play with me. You have to understand for a

1033
00:57:21,720 --> 00:57:24,600
Speaker 1: person of color, if a woman of color, I'm gonna

1034
00:57:24,600 --> 00:57:28,720
Speaker 1: say specifically black or Latina, if she say don't play

1035
00:57:28,760 --> 00:57:31,600
Speaker 1: with me, right, you need to stop. Kendrick had a

1036
00:57:31,600 --> 00:57:33,720
Speaker 1: song on Damn that said stop playing with me for

1037
00:57:33,840 --> 00:57:36,560
Speaker 1: I turn you to a song he's talking about Drake,

1038
00:57:36,600 --> 00:57:39,560
Speaker 1: stop playing with me. That for black people, that's your

1039
00:57:39,640 --> 00:57:42,400
Speaker 1: last warning when when white people say you're on thin

1040
00:57:42,440 --> 00:57:45,920
Speaker 1: ice bucko that's that is the black version of that.

1041
00:57:46,640 --> 00:57:50,520
Speaker 1: Stop playing with me. That means you understand what it means.

1042
00:57:50,680 --> 00:57:56,480
Speaker 1: So Ao's like, hey, don't play right. So somebody seconds

1043
00:57:56,520 --> 00:57:58,560
Speaker 1: the motion that like I second the motion that those

1044
00:57:58,560 --> 00:58:02,440
Speaker 1: words are struck, and the people running it is still confused.

1045
00:58:02,760 --> 00:58:05,840
Speaker 1: That's the funniest part. They looking at documents like, wait,

1046
00:58:05,880 --> 00:58:07,720
Speaker 1: what are we supposed to do? How do we do

1047
00:58:07,800 --> 00:58:12,280
Speaker 1: this right? They have lost all control of this. Mug

1048
00:58:12,440 --> 00:58:15,200
Speaker 1: Alc is like, I'm not having it. That is unacceptable.

1049
00:58:15,240 --> 00:58:17,000
Speaker 1: We're striking that. That is no way in the world

1050
00:58:17,000 --> 00:58:18,720
Speaker 1: that's going in the record. But they're like, but they

1051
00:58:18,720 --> 00:58:20,640
Speaker 1: don't know how to do it. So they're like, oh okay,

1052
00:58:20,840 --> 00:58:22,680
Speaker 1: So they get the director. The leaders get the directors

1053
00:58:22,880 --> 00:58:25,560
Speaker 1: like do you agree to strike your words from the record?

1054
00:58:26,880 --> 00:58:29,320
Speaker 1: Margie Taylor Green was like I get like, I still

1055
00:58:29,320 --> 00:58:32,040
Speaker 1: have four minutes of twenty second, which, as a side note,

1056
00:58:32,120 --> 00:58:34,200
Speaker 1: was like, nigga, you've been talking this whole time and

1057
00:58:34,240 --> 00:58:36,400
Speaker 1: none of it has been your time, so what are

1058
00:58:36,400 --> 00:58:37,520
Speaker 1: you talking about? Right?

1059
00:58:37,600 --> 00:58:38,840
Speaker 3: But forget that part.

1060
00:58:39,160 --> 00:58:41,680
Speaker 1: She goes, yeah, yeah, I agree to strike it. ALC's like,

1061
00:58:41,720 --> 00:58:44,400
Speaker 1: you need to apologize you were out of line, and

1062
00:58:44,440 --> 00:58:48,600
Speaker 1: she's like I ain't apologizing, Like no, if they could cuss,

1063
00:58:48,600 --> 00:58:51,160
Speaker 1: it had been like, no, bitch, you need to apologize,

1064
00:58:51,200 --> 00:58:53,920
Speaker 1: Like I can hear those words in there. It's not

1065
00:58:54,000 --> 00:58:57,000
Speaker 1: happening there because somebody trying to be a professional. And

1066
00:58:57,040 --> 00:58:58,320
Speaker 1: then Margie Taylor.

1067
00:58:58,080 --> 00:58:59,160
Speaker 3: Was like, why don't you debate me?

1068
00:59:00,040 --> 00:59:02,680
Speaker 1: AOC was like, uh, it's evan and you ain't got

1069
00:59:02,720 --> 00:59:05,160
Speaker 1: the intelligence for that, like and they, and so this

1070
00:59:05,240 --> 00:59:07,760
Speaker 1: is all happening while while the white boys is still

1071
00:59:07,760 --> 00:59:10,480
Speaker 1: trying to get ordered. Hey, like I haven't even recognized you.

1072
00:59:10,560 --> 00:59:11,240
Speaker 4: Blah blah blah.

1073
00:59:11,360 --> 00:59:13,600
Speaker 1: Right, so all this has happening. They don't know how

1074
00:59:13,640 --> 00:59:15,200
Speaker 1: to work. They don't know how the laws work, they

1075
00:59:15,200 --> 00:59:17,760
Speaker 1: don't know the rules. It's too confusing. We never been

1076
00:59:17,760 --> 00:59:20,520
Speaker 1: in this situation. So he finally he's like, okay, okay, everybody, okay,

1077
00:59:20,520 --> 00:59:22,880
Speaker 1: calm down, misscreen, we got two points of order. Everybody

1078
00:59:22,880 --> 00:59:25,520
Speaker 1: popping off. We want to strike AOC's word. We wanna

1079
00:59:25,520 --> 00:59:27,840
Speaker 1: stark margin tar. We got two points of order, y'ata.

1080
00:59:28,400 --> 00:59:31,480
Speaker 1: It's like, okay, everybody, every dight calmed down. Everybody, everybody

1081
00:59:31,480 --> 00:59:32,880
Speaker 1: shut up, shut up, shut up, shut u shut up.

1082
00:59:32,880 --> 00:59:35,840
Speaker 1: Do you agree humanimously to strike your words Margie Taylor Green. Yes,

1083
00:59:35,880 --> 00:59:38,520
Speaker 1: but I'm not apologizing these people be heard off words.

1084
00:59:38,520 --> 00:59:41,400
Speaker 1: He's like, ma'am, oh my god, do you agree to

1085
00:59:41,440 --> 00:59:43,240
Speaker 1: just strike the word? That's all I need from you,

1086
00:59:44,000 --> 00:59:45,240
Speaker 1: and then here go to order.

1087
00:59:45,320 --> 00:59:45,920
Speaker 3: We're gonna do this.

1088
00:59:46,000 --> 00:59:47,960
Speaker 1: Then we're gonna give you. You're gonna agree to this,

1089
00:59:48,280 --> 00:59:50,640
Speaker 1: and we're gonna give you four minutes. She's like, okay, word.

1090
00:59:51,040 --> 00:59:54,000
Speaker 1: Then you hear Jasmine speak up, which I bet you

1091
00:59:54,560 --> 00:59:57,720
Speaker 1: y'all listen, if I could only have been sitting next

1092
00:59:57,720 --> 00:59:59,200
Speaker 1: to her at this time, let me tell you how

1093
00:59:59,240 --> 01:00:02,720
Speaker 1: hard we be laughing right now. So she says, my

1094
01:00:02,840 --> 01:00:05,160
Speaker 1: request for you right now is to just take a

1095
01:00:05,200 --> 01:00:11,720
Speaker 1: second and do your googles about miss Jasmine Bona Fides

1096
01:00:11,880 --> 01:00:17,760
Speaker 1: to just know how unbelievably intelligent this woman is. Now, okay,

1097
01:00:18,000 --> 01:00:19,840
Speaker 1: I have a point of order. They was like, who

1098
01:00:20,680 --> 01:00:24,320
Speaker 1: this jazz? Okay, Miss Crockett, she said, I just need

1099
01:00:24,360 --> 01:00:28,240
Speaker 1: some clarity. I just want to know if someone were

1100
01:00:28,280 --> 01:00:33,400
Speaker 1: to start talking about a bleach blonde, bad built, butch body,

1101
01:00:33,720 --> 01:00:35,520
Speaker 1: that that would be a point of contention, Like, am

1102
01:00:35,560 --> 01:00:36,560
Speaker 1: I allowed to say that.

1103
01:00:38,040 --> 01:00:38,880
Speaker 3: Jake's cobra go?

1104
01:00:39,480 --> 01:00:40,240
Speaker 2: But what now?

1105
01:00:48,760 --> 01:00:53,760
Speaker 1: Listen, First of all, the alliteration number two. It's an

1106
01:00:53,800 --> 01:00:57,320
Speaker 1: alliteration that was probably off the head that she probably

1107
01:00:57,360 --> 01:01:01,040
Speaker 1: just thought of right there like that. Because the asylum

1108
01:01:01,160 --> 01:01:04,360
Speaker 1: that black people was raised in. If there's anything we

1109
01:01:04,440 --> 01:01:07,400
Speaker 1: do well, is we gonna roast the hell out of you.

1110
01:01:07,400 --> 01:01:09,720
Speaker 1: You have no chances when it comes to getting roasted

1111
01:01:09,760 --> 01:01:12,600
Speaker 1: with us. We are just too good at this. This

1112
01:01:12,760 --> 01:01:15,360
Speaker 1: is our You have to understand the way we was

1113
01:01:15,560 --> 01:01:18,360
Speaker 1: because we get it from every angle. You get roasted

1114
01:01:18,400 --> 01:01:21,040
Speaker 1: from your cousins younger than you, You get roasted from

1115
01:01:21,080 --> 01:01:25,120
Speaker 1: your mama, your aunties, your uncles, your granddaddy, your grandma.

1116
01:01:25,040 --> 01:01:27,320
Speaker 3: Every We we know how to clap back.

1117
01:01:27,520 --> 01:01:31,200
Speaker 1: There is never a situation where I'm not gonna figure

1118
01:01:31,200 --> 01:01:32,440
Speaker 1: out a way to clap back at you.

1119
01:01:32,920 --> 01:01:33,960
Speaker 3: We are too good at this.

1120
01:01:34,280 --> 01:01:36,960
Speaker 1: And again, what I keep trying to say to you

1121
01:01:37,080 --> 01:01:40,360
Speaker 1: when we say because AOC started it like don't play,

1122
01:01:40,640 --> 01:01:43,200
Speaker 1: is you don't understand what I'm not saying to you.

1123
01:01:43,200 --> 01:01:46,480
Speaker 1: You have no idea because of the angry black woman thing.

1124
01:01:46,640 --> 01:01:48,400
Speaker 1: It's the same thing that happens as an angry black

1125
01:01:48,400 --> 01:01:52,720
Speaker 1: man because of that's that stereotype. The amount of control

1126
01:01:52,840 --> 01:01:56,720
Speaker 1: we have to have, the amount of biting of tongue

1127
01:01:57,080 --> 01:02:00,600
Speaker 1: because when you get to pop off as much you want,

1128
01:02:00,920 --> 01:02:03,960
Speaker 1: but when I defend myself or when I pop off,

1129
01:02:04,280 --> 01:02:08,080
Speaker 1: I'm an angry black person. But sometimes we got time.

1130
01:02:08,320 --> 01:02:11,400
Speaker 1: Sometimes it's time for you to learn a lesson. You

1131
01:02:11,440 --> 01:02:14,600
Speaker 1: remember the fade in the water, the Montgomery, Alabama situation.

1132
01:02:15,040 --> 01:02:16,960
Speaker 1: We had time that day. There are times that we

1133
01:02:17,080 --> 01:02:19,680
Speaker 1: have time that is like, no, you know what this

1134
01:02:19,760 --> 01:02:22,080
Speaker 1: is gonna stop today. You gonna you're gonna stop playing

1135
01:02:22,080 --> 01:02:25,320
Speaker 1: with me. So that's what seriously has happening. But she

1136
01:02:25,520 --> 01:02:27,400
Speaker 1: does it. Like I said, how black we can be

1137
01:02:28,200 --> 01:02:31,640
Speaker 1: very unserious about serious things and be serious about it.

1138
01:02:32,120 --> 01:02:34,400
Speaker 1: So what she gonna say is like, Okay, you got

1139
01:02:34,440 --> 01:02:37,480
Speaker 1: an issue with my eyelashes. You don't understand how hot

1140
01:02:37,520 --> 01:02:40,360
Speaker 1: I could get on your girl. I could cook you

1141
01:02:40,440 --> 01:02:42,880
Speaker 1: so bad right now. You don't even know like there

1142
01:02:42,920 --> 01:02:46,200
Speaker 1: was a be missing obviously, because we know how to

1143
01:02:46,200 --> 01:02:47,080
Speaker 1: control ourselves.

1144
01:02:47,800 --> 01:02:50,360
Speaker 3: But your little tail. If we're gonna start talking about bodies,

1145
01:02:50,360 --> 01:02:51,760
Speaker 3: and they were like whoa whoa you out of?

1146
01:02:51,840 --> 01:02:54,320
Speaker 1: Like she's like, look, I'm just trying to understand cause

1147
01:02:54,360 --> 01:02:57,200
Speaker 1: she gets to talk about she gets to talk about eyelashes.

1148
01:02:57,320 --> 01:02:59,920
Speaker 1: I just want to know what's appropriate or not cauz,

1149
01:03:01,800 --> 01:03:04,960
Speaker 1: So do I need to apologize? So I should apologize

1150
01:03:05,000 --> 01:03:05,720
Speaker 1: about that? Right?

1151
01:03:05,800 --> 01:03:08,240
Speaker 3: Is that the decorum? Is that what we're doing here?

1152
01:03:08,640 --> 01:03:11,360
Speaker 1: So essentially it's like, listen, ma'am. And this is the

1153
01:03:11,480 --> 01:03:17,560
Speaker 1: lesson that I cannot tell you how often in every household,

1154
01:03:18,280 --> 01:03:21,280
Speaker 1: if you a real one and you got children, you've

1155
01:03:21,320 --> 01:03:26,560
Speaker 1: had to tell your younglings. Do not dish out what

1156
01:03:26,600 --> 01:03:30,280
Speaker 1: you cannot take. If you can't take it, don't give it,

1157
01:03:30,840 --> 01:03:33,960
Speaker 1: because oh I'm a serve it full for you. So

1158
01:03:34,200 --> 01:03:37,360
Speaker 1: do not dish out what you can't take. Black people decided.

1159
01:03:37,400 --> 01:03:40,439
Speaker 1: You know, I'm about done with you. You coming into

1160
01:03:40,480 --> 01:03:43,200
Speaker 1: my playing field right now. You not allowed to pop

1161
01:03:43,240 --> 01:03:46,160
Speaker 1: off no more because if you pop off again, I'm

1162
01:03:46,200 --> 01:03:48,720
Speaker 1: gonna roast you even worse. You think I'm worried about

1163
01:03:48,720 --> 01:03:52,840
Speaker 1: these white boys, ma'am, stop playing with me. And you

1164
01:03:53,000 --> 01:03:56,640
Speaker 1: see the senator sitting next to.

1165
01:04:00,720 --> 01:04:02,720
Speaker 3: Sitting next to James Cover.

1166
01:04:04,200 --> 01:04:09,680
Speaker 4: Trying not to laugh, laugh, ho, this is amazing.

1167
01:04:10,280 --> 01:04:12,080
Speaker 1: But then the white lady gets to the white lady

1168
01:04:12,120 --> 01:04:14,880
Speaker 1: get to be like listen, calm down, calm down. She

1169
01:04:14,960 --> 01:04:17,560
Speaker 1: get to call us the angry one, and she's like no, no, no, no, no,

1170
01:04:17,840 --> 01:04:20,520
Speaker 1: you want to smoke, trying to get some clarification. Can

1171
01:04:20,600 --> 01:04:22,640
Speaker 1: we talk like this is we allowed to because you

1172
01:04:22,760 --> 01:04:25,400
Speaker 1: wasn't apologizing. You don't think you're wrong. So I'm just

1173
01:04:25,400 --> 01:04:27,600
Speaker 1: trying to understand if this where we go and if

1174
01:04:27,600 --> 01:04:30,360
Speaker 1: we're gonna get down, we're gonna get am and again

1175
01:04:30,480 --> 01:04:33,240
Speaker 1: the white boys the lost control and Margie Screen is

1176
01:04:33,240 --> 01:04:35,320
Speaker 1: still popping off like calm down, I can't hear you

1177
01:04:35,400 --> 01:04:38,640
Speaker 1: of your anger. She's still popping off about AOC and

1178
01:04:38,680 --> 01:04:41,479
Speaker 1: then AOC come back and like, hold up. I moved

1179
01:04:41,480 --> 01:04:43,960
Speaker 1: to strike her words a second time because of the

1180
01:04:44,000 --> 01:04:47,880
Speaker 1: derogatory thing she's saying about a second person. Listen, black

1181
01:04:47,920 --> 01:04:49,439
Speaker 1: and brown unity out this mug.

1182
01:04:49,680 --> 01:04:51,080
Speaker 3: That's how we roll, y'all.

1183
01:04:52,720 --> 01:04:55,440
Speaker 1: Listen, we got time this year, so they can't even

1184
01:04:55,480 --> 01:04:58,520
Speaker 1: get the whole thing. And AOC gotta explain the rules

1185
01:04:58,560 --> 01:05:00,640
Speaker 1: to the guy that's supposed to be a charge. She's like, listen,

1186
01:05:01,000 --> 01:05:03,600
Speaker 1: I know you saying that she recognized for her four

1187
01:05:03,640 --> 01:05:06,720
Speaker 1: minutes and twenty seconds. The problem is she can't talk

1188
01:05:06,800 --> 01:05:08,840
Speaker 1: yet because you don't know the rules. There is a

1189
01:05:08,920 --> 01:05:11,959
Speaker 1: motion to strike her words the second ones. She's still

1190
01:05:11,960 --> 01:05:14,200
Speaker 1: popping off about me that needs to get struck before

1191
01:05:14,240 --> 01:05:15,320
Speaker 1: you can recognize her.

1192
01:05:15,680 --> 01:05:17,840
Speaker 3: You have to acknowledge this. How come? Why am I

1193
01:05:17,880 --> 01:05:19,880
Speaker 3: explaining the rules to you?

1194
01:05:19,960 --> 01:05:24,200
Speaker 1: Usually you just let pettiness be pettiness because we keep

1195
01:05:24,240 --> 01:05:27,880
Speaker 1: our eyes on the prize. But sometimes you gotta pop

1196
01:05:27,920 --> 01:05:30,200
Speaker 1: out and show me. We got time this year and

1197
01:05:30,240 --> 01:05:33,880
Speaker 1: it's only this is only June, and I cannot be

1198
01:05:33,960 --> 01:05:37,520
Speaker 1: more proud. How these black and brown women are showing up.

1199
01:05:38,360 --> 01:05:40,800
Speaker 1: So let's just see man. Hope hopefully we keep this

1200
01:05:40,920 --> 01:05:44,479
Speaker 1: same energy. You know, this is the look.

1201
01:05:44,640 --> 01:05:45,200
Speaker 3: I love it.

1202
01:05:46,240 --> 01:06:01,320
Speaker 1: We got time this year politics. Y'all. All right, now,

1203
01:06:01,360 --> 01:06:03,960
Speaker 1: don't you hit stop on this pod. You better listen

1204
01:06:04,040 --> 01:06:06,160
Speaker 1: to these credits. I need you to finish this thing

1205
01:06:06,280 --> 01:06:10,400
Speaker 1: so I can get the download numbers. Okay, so don't

1206
01:06:10,440 --> 01:06:14,919
Speaker 1: stop it yet, but listen. This was recorded in East

1207
01:06:15,000 --> 01:06:18,680
Speaker 1: Lost Boyle Heights by your boy Propaganda. Tap in with

1208
01:06:18,760 --> 01:06:21,360
Speaker 1: me at prop hip hop dot com. If you're in

1209
01:06:21,360 --> 01:06:24,720
Speaker 1: the Coldbrew coffee we got terraform Coldbrew. You can go

1210
01:06:24,840 --> 01:06:28,520
Speaker 1: there dot com and use promo code hood get twenty

1211
01:06:28,560 --> 01:06:32,320
Speaker 1: percent off get yourself some coffee. This was mixed, edited,

1212
01:06:32,400 --> 01:06:36,200
Speaker 1: and mastered by your boy Matt Alsowski killing the Beast Softly.

1213
01:06:36,280 --> 01:06:39,800
Speaker 1: Check out his website Matdowsowski dot com. I'm a spell

1214
01:06:39,800 --> 01:06:43,480
Speaker 1: it for you because I know M A T T

1215
01:06:43,800 --> 01:06:50,000
Speaker 1: O s O W s ki dot com Matthowsowski dot com.

1216
01:06:50,120 --> 01:06:51,880
Speaker 1: He got more music and stuff like that on there,

1217
01:06:51,920 --> 01:06:55,400
Speaker 1: so gonna check out The heat. Politics is a member

1218
01:06:55,440 --> 01:06:59,800
Speaker 1: of cool Zone Media, Executive produced by Sophie Lichterman, part

1219
01:06:59,840 --> 01:07:04,480
Speaker 1: of the iHeartMedia podcast network. Your theme music and scoring

1220
01:07:04,560 --> 01:07:07,400
Speaker 1: is also by the one and nobly mattow Sowski. Still

1221
01:07:07,520 --> 01:07:11,000
Speaker 1: killing the beats softly, So listen. Don't let nobody lie

1222
01:07:11,040 --> 01:07:14,040
Speaker 1: to you. If you understand urban living, you understand politics.

1223
01:07:14,080 --> 01:07:16,880
Speaker 1: These people is not smarter than you. We'll see y'all

1224
01:07:16,880 --> 01:07:31,360
Speaker 1: next week.