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Speaker 1: Hi, everybody. Today's show is brought to you by Casper

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Speaker 1: dot com. Received fifty dollars towards any mattress purchase at

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Speaker 1: www dot Casper Trial dot com. Forward slash Lost Culture

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Speaker 1: Rista and by Warby Parker dot com get a free

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Speaker 1: five day home try on it www dot Warby Parker

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Speaker 1: Trial dot com. Forward Slash Lost Culture Ristas five pairs,

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Speaker 1: five days, one percent free. Lost Cultural Restas is brought

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Speaker 1: to you by the Forever Dog podcast Network. Be sure

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Speaker 1: to check out more original comedy podcasts at Forever Dog

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Speaker 1: podcast dot com. My grandma and your grandma was sitting

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Speaker 1: by the fire. My grandma to your grandma. I'm gonna say, funny,

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Speaker 1: you're talking about Hina. I like go on day Jagomo

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Speaker 1: Jago Dog, Lost Culture Restac. You know what I think

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Speaker 1: would be fun? What paras sailing? You know what else

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Speaker 1: I think would be fun? Um? What another episode of

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Speaker 1: Last Cultures? Come on? I'm down for parasailing and another episode. Honey,

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Speaker 1: we can't afford parasailing, but you know what we can't

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Speaker 1: afford to do as another episode. Absolutely, I'm really excited

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Speaker 1: about this. This is a this is a great day.

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Speaker 1: This is a great episode. Um god, this guest, what

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Speaker 1: a fucking I don't think I saw you know what?

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Speaker 1: She laughs in her chair, But there was not a

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Speaker 1: more iconic image than her floating on that fucking pretzel.

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Speaker 1: And you knew it, and you knew and you knew it.

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Speaker 1: You were siling. We're musling her now, but she's going

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Speaker 1: to speak to this later, you guys. She's um the writer, creator,

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Speaker 1: executive producer, star of Crazy Ex Girlfriend, Golden Globe Award

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Speaker 1: winning t c A Award winning and you know what,

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Speaker 1: I think the t c A is is a gag.

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Speaker 1: I love the t c A because and we'll get

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Speaker 1: into it, but listen, come on, come on, give it up.

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Speaker 1: It's Rachel Bloom. Rachel, do you you fucking knew what

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Speaker 1: you were doing with that pretzel? Um? Yeah? And you

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Speaker 1: know who else did is Mark Webb, who directed it.

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Speaker 1: He was like, that pretzel is going to be iconic,

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Speaker 1: and then but then we might here we go give it.

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Speaker 1: Right before I started this, you have to know, it's

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Speaker 1: been a long day and I got stuck on the

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Speaker 1: our train and I got here and demanded food from Ronnie.

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Speaker 1: But in such a great Ronnie is our new tech.

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Speaker 1: Everyone little taps for Ronnie and he looks amazing and

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Speaker 1: what I believe to be sembre and Ronnie is paying

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Speaker 1: tribute to the new divas. Ronnie was playing some Carlyon

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Speaker 1: Charlie Xacs Grimes, Kalani, Ronnie, did you do that on purpose?

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Speaker 1: Was your playlist on purpose? Because you knew there were

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Speaker 1: some gays coming in here? You know what? You have

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Speaker 1: great tastes, Grimes a diva. I mean, you know, we

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Speaker 1: can't even refer to Carly Ridge as I'll quote Gloria

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Speaker 1: steff On here. She said this at the seven, She goes,

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Speaker 1: you know, I don't belong up here. If anything, I'm

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Speaker 1: a divette Rachel, would you would you just scarf down

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Speaker 1: like some toast toast and almond butter. It was good,

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Speaker 1: but now my stomach is like it actually has things

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Speaker 1: to process. So the gases are coming up, and which

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Speaker 1: is fine, the iconic gases, which ties back into the

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Speaker 1: food that she rode into our hearts on. Yeah. The

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Speaker 1: pretzel also, so Mark Webb, who directed that, was like,

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Speaker 1: we need to make the pretzel look amazing, and that

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Speaker 1: whole thing costs like a ton of money. Um, And

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Speaker 1: then when they tested the pilot, like the dials went

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Speaker 1: slightly down during the West Covina number, which like broke

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Speaker 1: Mark's heart because I think, look, when you test a show,

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Speaker 1: it's random people coming in. You don't know what they're

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Speaker 1: about to watch. So when they were like, ah, fuck,

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Speaker 1: this is a musical from it's like, yeah, it is

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Speaker 1: getting get on board. Also, I thought potentially it went

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Speaker 1: down because people didn't like image of a pretzel. So

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Speaker 1: that's like I thought that could have been it. Or

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Speaker 1: was it that you stepped out of the car and

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Speaker 1: then the dial went down just the whole the second

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Speaker 1: the musical number. Well, the thing is those people, I'm

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Speaker 1: willing to say those people don't matter. Well. But then

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Speaker 1: on the flip side, like once they were used to

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Speaker 1: the music, they were like all right, this is a musical. Uh.

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Speaker 1: And there was apparently live this like Big I wasn't

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Speaker 1: allowed to be at the testing because they didn't want

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Speaker 1: actors there, but it was apparently this like big biker

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Speaker 1: dude who they were like going around asking like what

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Speaker 1: they liked about the show. This is when we were

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Speaker 1: still a showtime and the biker who was like, she's

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Speaker 1: on a journey. He gets it, he gets it. Yeah,

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Speaker 1: Joseph Campbell. He mentioned George Joseph Campbell's I rewatched the

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Speaker 1: pilot recently. It is so incredible. Um, it's great, and

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Speaker 1: I fucking love the show. I want to say this

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Speaker 1: season finale is I think, come on, not even being hyperbolic,

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Speaker 1: I think it's my favorite season finale of anything. Wow,

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Speaker 1: thank you. I mean it was great because it really

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Speaker 1: it got it did what a season finale should do,

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Speaker 1: which is like it tied up enough and then it

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Speaker 1: gave you so much more to look forward to, because

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Speaker 1: now you know, we're getting the new iteration of crazy

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Speaker 1: exc Yes, Oh my god, you guys, you guys get

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Speaker 1: it so hard. My co creator lean Brush McKenna, who's brilliant,

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Speaker 1: wrote the Devil Worse product. Come on, We've praised that

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Speaker 1: on this show many times, voted about a fourth of

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Speaker 1: the movie. She's she's she's amazing. And I get to

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Speaker 1: say being a boss. Now, being a boss makes you

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Speaker 1: feel for Miranda Priestley, the one line of details of

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Speaker 1: your incompetence do not interest me. That's yeah, I mean

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Speaker 1: I really feel that. And I've told her that and

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Speaker 1: she's like, oh yeah, like you sympathize with Miranda when

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Speaker 1: you're a boss, and those are all things that I

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Speaker 1: could picture Elene is uh. Some of the things Miranda

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Speaker 1: says are like things I was walking through work today

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Speaker 1: and the like, and we're doing this like spring campaign

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Speaker 1: that has florals, and just what popps into my head

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Speaker 1: was force for spraying ground break. Elena has a pillow

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Speaker 1: in her office that says that by all means move

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Speaker 1: at a glacial paste. There's so much. Also, I must

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Speaker 1: meet her one day because I have to ask her,

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Speaker 1: like if the that's all was because we were talking

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Speaker 1: about Meryl and we were talking about how any actress

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Speaker 1: looks at that script and they see that's all and

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Speaker 1: they deliver it like that's all. But Meryl Streep fucking

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Speaker 1: takes that and and goes. And I wonder if that

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Speaker 1: was Eileen's intention when she wrote that, for it to

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Speaker 1: be this small dismissal, or if that was and how

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Speaker 1: she felt when when Meryl interpreted it that way. If

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Speaker 1: I had to guess, I would guess that is her intention,

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Speaker 1: because Eileen likes writing for like people being natural and small,

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Speaker 1: and especially the way that Miranda's she's so quietly dismissive.

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Speaker 1: She never really she never explodes. Uh, she said that,

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Speaker 1: I mean she is the best things to say about

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Speaker 1: Meryl Streep and was basically, Meryl Streep is a brilliant

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Speaker 1: improviser too. And the last line of go was a

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Speaker 1: direction in the script because sometimes a lean style of

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Speaker 1: writing is she'll put stage directions that seemed like they

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Speaker 1: should be lines or whatever, just to give intensition. And

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Speaker 1: so Merrill actually just went go, like, oh, that's great,

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Speaker 1: come on, leave it, leave it. Wait, I want to

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Speaker 1: talk about the finale. Um and so the finale Aleen

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Speaker 1: wrote the finale and directed the finale. She directed it

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Speaker 1: to was on her first episode that she directed the

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Speaker 1: last season finale too great. Yes, she's brilliant, and there's

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Speaker 1: just so much there and also like guess that's so

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Speaker 1: much to look forward to. The last images of it

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Speaker 1: are just great, like okay, and like I remember pouring

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Speaker 1: over like all these like just like the A V. Clubs,

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Speaker 1: the vultures, like there are those recaps and the A

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Speaker 1: V Club pointed out, I don't know if this is intentional,

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Speaker 1: but that last shot of just the four women was

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Speaker 1: that evocative of the craft. Okay, it wasn't. The weird

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Speaker 1: thing is it wasn't a lot of people asked, but

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Speaker 1: it no, it and I haven't seen the crafting years.

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Speaker 1: I mean, I think what it was is evocative of

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Speaker 1: things about women scorned getting revenge, which the Craft obviously

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Speaker 1: like masters, but it wasn't a specific take on the Craft.

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Speaker 1: But what a fun alignment anyway. I mean, yeah, but

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Speaker 1: it's like it just it turns that whole premise on

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Speaker 1: its like on its head, but it's still like it

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Speaker 1: makes it we're crazy ex girlfriend, but now she's like,

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Speaker 1: I'm going to destroy you because it meant something in

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Speaker 1: the first season, and meant something in the second season,

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Speaker 1: and now it'll mean something new in the third season.

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Speaker 1: Can you reveal this and if you can't know worries

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Speaker 1: is Robert a thing in season three? Or no? Um, okay,

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Speaker 1: oh my god, don't don't, don't don't say it. Don't

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Speaker 1: say it. Okay, I'm not I won't. Yeah, I won't

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Speaker 1: reveal anything, but I just I love it anyway, just

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Speaker 1: that whole Okay, that whole fucking thing. And the finale

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Speaker 1: was brilliant. I thought, Yeah, I loved it. Yeah. We

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Speaker 1: always knew from the beginning that she'd had some sort

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Speaker 1: of affair with a professor um from pretty early on

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Speaker 1: because we were like, this is not the first time

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Speaker 1: she's gotten two into something. There's no way that she

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Speaker 1: just lived in a vacuum and never fell in love again,

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Speaker 1: and so we've been waiting to do We were actually

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Speaker 1: going to, oh I can say this, yeah, because it's

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Speaker 1: not happening anymore. I just realized this. We were going

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Speaker 1: to open season two, um with Rebecca in bed like

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Speaker 1: cuddling zone, saying I love you, and her turning over

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Speaker 1: and it would be Robert and there would be a

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Speaker 1: chiron that' say would say like six years earlier in

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Speaker 1: the beginning to then yes, But then what happened was

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Speaker 1: it just um, there was so much else we had

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Speaker 1: to do with the season. Robert wasn't pertinent until the

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Speaker 1: end of the season because because she wasn't being stockery

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Speaker 1: to like we were going to maybe let it trickle

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Speaker 1: out throughout the season and kind of have it be

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Speaker 1: a slow burn breaking bad um you know where you

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Speaker 1: see that Teddy verything. But it, um, we just had

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Speaker 1: so much else to do, especially getting Greg out the door,

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Speaker 1: Like putting Robert flashbacks would have been like wait, huh,

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Speaker 1: like there it was just too much. I also love

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Speaker 1: the misdirect of Greg leaving and the ship the ship

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Speaker 1: show song, and then coming back at the end and

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Speaker 1: they got that amazing fucking tap number, which you know,

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Speaker 1: who fucking blows me away is Vincent Rodriguez, Like he

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Speaker 1: he I didn't know he was such a dancer. And

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Speaker 1: then I watched the second season and I'm like, not

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Speaker 1: only just that tap number, but also that that number

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Speaker 1: where you visualize the ballet. Fucking amazing. Vinny was working

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Speaker 1: as like a musical theater dance guy, like that's what

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Speaker 1: he was earning his and it's it's funny because he

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Speaker 1: seems like, at least to me when he's acting, like, oh,

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Speaker 1: you are a serious actor. But no, he was like

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Speaker 1: in the on the Tour of White Christmas, he was

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Speaker 1: he's basically worked as a dance guy and then became

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Speaker 1: the dance captain. He was the dance captain of Hunchback,

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Speaker 1: of Notre Dame and in LaToya like he primarily yeah,

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Speaker 1: he's a dance captor. Okay, youances, then you got your

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Speaker 1: dance captain's all right, here we go. He is a

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Speaker 1: dance He's a captain of dance and it's so funny

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Speaker 1: because he's not really like well, there are elements of

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Speaker 1: him that overlap with this character, but he based the

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Speaker 1: character kind of on friends he grew up with in

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Speaker 1: northern California. So wait, hold on, I have a question

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Speaker 1: about the show because I was thinking about this. So

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Speaker 1: you have writers on your show and then when the

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Speaker 1: music comes in, now is that does the writer of

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Speaker 1: the episode have a hand in writing the lyrics or

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Speaker 1: do you kind of like write the lyrics with Aileen

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Speaker 1: and Jack? The songs are pretty separate. Basically, all the

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Speaker 1: songs are written by either me, Jack Dolgin, or Adam

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Speaker 1: Slessinger who also co produces the songs with this guy,

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Speaker 1: Stephen Gold. Generally, what happens is the songs come from

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Speaker 1: like Adam and I were just talking about this today,

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Speaker 1: the songs will nine times out of ten come from me,

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Speaker 1: Like I'll kind of spearhead the general direction of the songs,

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Speaker 1: but the the actual like writing of the songs. It

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Speaker 1: varies song to songs, and there have been songs that

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Speaker 1: only Adam wrote. There have been songs that only Jack wrote.

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Speaker 1: There have been songs that mostly like I mostly only wrote.

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Speaker 1: Although Adam and up always getting credited because I write

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Speaker 1: so much musical theater stuff and Adam is just so good. Yeah,

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Speaker 1: so I was thinking about this because the first number

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Speaker 1: is so like a musical theater Was there, ever, did

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Speaker 1: you always want to go really into like a specific

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Speaker 1: genre just to vary it up, or was there ever

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Speaker 1: a version of the show that was like, this is

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Speaker 1: like a music this this lives in the world of

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Speaker 1: musical theater. What do you mean, like, for example, like

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Speaker 1: every song would kind of be like that, like it

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Speaker 1: was essentially like a Robbie musical on screen in that

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Speaker 1: kind of grand style. Or did you know we also

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Speaker 1: want to do like a kind of like UM R

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Speaker 1: and B song or like or sort of like this

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Speaker 1: is going to be a rap number or like a

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Speaker 1: very popular team. It was always going to be different

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Speaker 1: genres because of because it was a lean discovered me

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Speaker 1: through my music videos, which so it was always going

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Speaker 1: to be pop and and yeah, I mean the pilot

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Speaker 1: is I mean the West Covina came before Sexy Getting

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Speaker 1: Ready song, But originally there was going to be there

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Speaker 1: was going to be another song called something like I'm

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Speaker 1: Batchet Crazy for Your Love, which which which we replaced

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Speaker 1: with Sexy getting Ready sauce. Yeah, my friend I sing

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Speaker 1: all the time dream Ghost. I listened to dream Ghost

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Speaker 1: all the time. And Michael Hyatt, who sings that song

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Speaker 1: is it's just her voice is unbelievable. She's amazing. And

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Speaker 1: also just Amber Riley and Fricky Lake being on it

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Speaker 1: is Hey, we want to come on the show, and

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Speaker 1: we were like, great, oh my god, Math of Love Triangles.

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Speaker 1: I think I'm really really proud of that one. Yeah, yeah,

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Speaker 1: oh my god. Anyway, Um, Rachel, We're gonna ask you

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Speaker 1: what we ask all of our guests. What is the

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Speaker 1: culture that shaped you? What is the culture that made you? Say?

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Speaker 1: Culture is for me? Yeah, I want to step into

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Speaker 1: a cultural direction. Um. I mean I'm just such a

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Speaker 1: musical theater kids, so musical theater culture. I mean I

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Speaker 1: met my best friend when we were both in UM

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Speaker 1: Community theater production of Crazy for You and he was

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Speaker 1: holding court, um, dissecting rent this fifteen year old he's gay,

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Speaker 1: but we dated because of course, um you got and

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Speaker 1: so I just think musical musical theater culture really shaped me.

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Speaker 1: And then and then when I got into comedy, sketch

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Speaker 1: comedy culture specifically like around you see be the kind

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Speaker 1: of collaborative, the collaborative theatrical nature of comedy theaters. Those

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Speaker 1: two things lovely, um crazy for you was interesting because

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Speaker 1: then you came full circle with that moment with that

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Speaker 1: with the continent, and he was there. He was there. Wait,

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Speaker 1: I so that was my I think that's I think

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Speaker 1: it's a great I think that's one of my favorite

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Speaker 1: shows and musical. I think it's like pretty pretty solid.

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Speaker 1: Oh yeah, I think it's great. How was the concert?

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Speaker 1: What did you saying? Like were your Well, I was

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Speaker 1: it wasn't. Look it's so they said it was a

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Speaker 1: stage reading. We did the Broadway showed you guys doing

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Speaker 1: the number. You know, we did. We literally the Laura

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Speaker 1: fucking Ozma's Laura and my god Laura's first names law Laura,

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Speaker 1: Osna and um Tony yasbec had the week before along

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Speaker 1: with the dancers to learn it, and then a lot

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Speaker 1: of us, a lot of us other principles came in

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Speaker 1: the next week, but which gave everyone two weeks at

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Speaker 1: most to learn an entire show. An entire show concert.

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Speaker 1: It's not it was THEO just with like concerty costumes.

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Speaker 1: Let's let everyone know it was the show it was.

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Speaker 1: It was the Broadway show. They out um and then

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Speaker 1: my number I sing the song naughty Baby, which was

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Speaker 1: so fun. I mean I had just come off of

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Speaker 1: having very bad vertigo. I was sick and then my

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Speaker 1: like inner ear nerves got swolen and so I was

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Speaker 1: on like vertigo medicine, which is good because my number

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Speaker 1: was me dancing on a table being lifted in the

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Speaker 1: air by a bunch of men at ben Mare. Always

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Speaker 1: top of my class. All the boys were under me.

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Speaker 1: Dirty lyric, dirty lyric. I don't know the show, which

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Speaker 1: I did. Yeah, I mean I have many questions based

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Speaker 1: on I had many questions about my character. Um yeah,

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Speaker 1: I had a lot of questions, Uh it is it is?

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Speaker 1: Um yeah, there were because it's you know, it's written

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Speaker 1: in this kind of old school style there there literally

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Speaker 1: the motive of my character was telling Tony Asbec's character like,

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Speaker 1: we're engaged and we're gonna get married, and he's like, no,

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Speaker 1: we're not. I've never met you. And so the justification

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Speaker 1: that I came up with was that they like kept

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Speaker 1: hooking up and he kept like fucking er but then

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Speaker 1: being like no, but this isn't a thing, and she's

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Speaker 1: like but you're sucking me, and and that one time

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Speaker 1: she had a pregnancy scare but it's but it wasn't

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Speaker 1: and then but like that that's and I think I

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Speaker 1: told Tony at one point I was like, so I

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Speaker 1: think what happens is they hook up and and she's like, well,

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Speaker 1: we're getting married now, and he's like, no, we're not.

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Speaker 1: But but but he kept kinger because that's what people do. Yeah,

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Speaker 1: that is actually those men and I and I came

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Speaker 1: up with the idea that Bobby Child is not very

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Speaker 1: good in the sack, that he was very very vanilla,

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Speaker 1: and that uh, Jerry O'Connell play the guy who I

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Speaker 1: end up with is like a fucking beast. Love it.

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Speaker 1: So it was a happy ending, really happy ending, lovely,

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Speaker 1: really good for everyone. He just sucking. He just gives

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Speaker 1: it to her, He just lays it in the end. Yeah, yeah,

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Speaker 1: there you go. So you study musical theater at college

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Speaker 1: and also simultaneously were hammerkats n y U director. Now

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Speaker 1: did you ever feel because I also have we're we're

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Speaker 1: in a musical sketch group popular lat and we kind

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Speaker 1: of fused the two as well, like sketch comedy and

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Speaker 1: musical theater or whatever. But we have some friends who

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Speaker 1: were also in CAP twenty one and like didn't discover

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Speaker 1: comedy till later, almost because they felt like they couldn't

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Speaker 1: because the musical theater world is so different it. Did

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Speaker 1: you feel ever like like how am I gonna like?

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Speaker 1: Like you obviously had too strong interests? Like did you

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Speaker 1: ever feel like that was very hard to get satisfied

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Speaker 1: in what you were doing? Absolutely all the time. I

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Speaker 1: mean I felt that, um and I yeah, I mean

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Speaker 1: I didn't felt like I fit in in the musical

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Speaker 1: theater program. I resented the fact that like a lot

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Speaker 1: of musical theater is like not amazing and that a

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Speaker 1: lot of it's dated. And then, but simultaneously, although I

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Speaker 1: loved Hammer Kats, I felt like there was a lack

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Speaker 1: of emotion that was missing. And I felt like I

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Speaker 1: felt like when I first got into comedy. This is

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Speaker 1: all testament to also a testament to the people who

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Speaker 1: were the directors at the time. I felt like in

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Speaker 1: order to go into comedy, I suddenly had to like

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Speaker 1: become a dude. I had to be like sad my jack,

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Speaker 1: you know, and um, yeah, and it's funny. I was

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Speaker 1: just sitting why are you talking about this today? So

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Speaker 1: it's fresh in my head. But I don't know if

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Speaker 1: you knew this. I'll try to be vague. But um, So,

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Speaker 1: when I was young, I was I was going to

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Speaker 1: be director of Hammercats. My sophomore year, I got involved

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Speaker 1: in a love triangle with um a couple of the

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Speaker 1: older guys, some of whom were alumni, not my current husband,

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Speaker 1: who is an alumni, but he's a different alumni. That's right, Hi,

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Speaker 1: I love you so much. We never met, dam but

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Speaker 1: I love you too, know, and I would love to

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Speaker 1: think you've got my husband right. I've met Dan and

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Speaker 1: he started danger Box too. Let me give social media

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Speaker 1: love every now and then to each other. I'm I'm

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Speaker 1: laying my hands on your man. He's he's the best.

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Speaker 1: He's the best. So anyway, I got involved in a

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Speaker 1: love triangle. I was nineteen years old. I lost my

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Speaker 1: virginity to one of these guys, and then like his

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Speaker 1: other friends started hitting on me, and again, I was

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Speaker 1: nineteen and I basically it was a whole kerfuffle where

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Speaker 1: like they were all in like a comedy group together,

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Speaker 1: and basically I got removed as director and head writer

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Speaker 1: of Hammercats, which is which is which is a little

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Speaker 1: thing called sexual harassment, and then I was so then

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Speaker 1: I was named like assistant director the next year by

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Speaker 1: the people who replaced me. I was replaced with two men. Uh,

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Speaker 1: and then I became like director senior year because like

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Speaker 1: one of the guys quit because he wasn't happy. It

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Speaker 1: was a whole thing, but it was, here's the thing

378
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Speaker 1: I I should have. I should have quit. I should have,

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Speaker 1: you know, And I didn't because being on the sketch

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Speaker 1: group was my identity in school and I loved comedy

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Speaker 1: so much. But I didn't have to be on the

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Speaker 1: sketch group to do comedy. But I don't necessarily regret it,

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Speaker 1: because we created our own sketch groups. Ever. We created

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Speaker 1: our a new sketch comedy show every month, and it

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Speaker 1: trained me and like when I and it trained me

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Speaker 1: to write a lot, and it's how I got good

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Speaker 1: at writing. But like, man, the lack of self respect

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Speaker 1: I had for myself in college makes me want to puke.

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Speaker 1: You know. It's so interesting because you look back and

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Speaker 1: you're like, man, what a warp situation. I went into

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Speaker 1: my audition for hammerck Ats, I didn't do my hair,

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Speaker 1: and I made sure I wore a shirt with Heath

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Speaker 1: Ledger as the joker on it because I was like,

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Speaker 1: I must be perceived as straight. They will not allow

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Speaker 1: me into that group. You you weren't all my senior year.

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Speaker 1: You had just and um, but you were in the

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Speaker 1: room for my audition. And I went in and I

398
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Speaker 1: was like, and I look back at it and I

399
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Speaker 1: was like, I can't believe that I have shown in

400
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Speaker 1: that audition because I was being the opposite of myself.

401
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Speaker 1: I played like very agro like dad character and those

402
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Speaker 1: old old auditions, things, Olderian things I went to. And

403
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Speaker 1: now it's like, I feel like what makes me special

404
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Speaker 1: as a performer is so different than that. But I

405
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Speaker 1: was literally like fighting for my life to get on

406
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Speaker 1: that group because I had just come out of the

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Speaker 1: closet and I was like, I must do comedy. It's

408
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Speaker 1: what I must do. I had just been cut in

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Speaker 1: the first round of Danger Box the day prior Danger Boxes,

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Speaker 1: the improv group, and yeah, the last culture is this.

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Speaker 1: Listeners have heard us talk about these groups before, but

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Speaker 1: this is this is we have hammer cuts. But this

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Speaker 1: is the family in the in the room, so we

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Speaker 1: must talk about it. This is a deeper layer. We

415
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Speaker 1: haven't talked about this, but yeah, this was really hard

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Speaker 1: because I was like, and it's still when I got

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Speaker 1: on the group, I was like, Okay, at what point

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Speaker 1: do I really start being myself? And it was really tough.

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Speaker 1: And then we continued to be objectified. Do you remember

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Speaker 1: when they threw us a wedding? Okay? I do, well

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Speaker 1: you sent us you were like wedding? Well, okay, how

422
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Speaker 1: much do we want to? Okay, So here's what you know.

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Speaker 1: I mean, what happened was you were the I mean

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Speaker 1: basically the only two gig guys on the two main

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Speaker 1: sketch groups, and everyone was like, you guys should get

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Speaker 1: married because you're gay. There is this person who was

427
00:22:37,680 --> 00:22:40,920
Speaker 1: involved in the comedy groups, who has quite a lot

428
00:22:40,960 --> 00:22:48,800
Speaker 1: of money, who is eccentric, and this person literally was like,

429
00:22:48,840 --> 00:22:50,760
Speaker 1: we should throw them a wedding, and you guys were

430
00:22:50,800 --> 00:22:54,040
Speaker 1: like ha ha right, and then she, she she them

431
00:22:54,240 --> 00:22:59,720
Speaker 1: fake threw you a wedding like spent money. Wasn't it

432
00:22:59,760 --> 00:23:02,760
Speaker 1: a Rassic Park themes park theme wedding? And you know

433
00:23:02,800 --> 00:23:05,200
Speaker 1: what looking back on it, and and then we were

434
00:23:05,320 --> 00:23:08,720
Speaker 1: of course we wrote our own vows. What was your

435
00:23:08,920 --> 00:23:10,560
Speaker 1: how did you when did you Did you know this

436
00:23:10,640 --> 00:23:12,720
Speaker 1: was going to happen? I had, we knew that there

437
00:23:12,760 --> 00:23:14,480
Speaker 1: was going to be an event. I just didn't. I

438
00:23:14,520 --> 00:23:16,000
Speaker 1: didn't know how much it was going to go into it.

439
00:23:16,040 --> 00:23:19,679
Speaker 1: And what you have to understand is how humiliating that is,

440
00:23:19,760 --> 00:23:21,600
Speaker 1: despite the fact that you're trying to have fun with

441
00:23:23,320 --> 00:23:26,040
Speaker 1: And I'm like, you know what, like we have a

442
00:23:26,040 --> 00:23:29,040
Speaker 1: sense of humor about this, like and I think that's good,

443
00:23:29,320 --> 00:23:31,199
Speaker 1: but at the same time, like we both know this

444
00:23:31,280 --> 00:23:33,960
Speaker 1: is fucked up right where we were like, but no one,

445
00:23:34,160 --> 00:23:36,359
Speaker 1: I think everyone else thought it was Oh, you know what,

446
00:23:36,400 --> 00:23:41,000
Speaker 1: I remember this. My friend was there, Danny was there,

447
00:23:41,040 --> 00:23:42,919
Speaker 1: and he was texting me updates and I was like,

448
00:23:43,000 --> 00:23:47,919
Speaker 1: wait a second, what right? I remember being harried And

449
00:23:47,960 --> 00:23:52,400
Speaker 1: basically this is one of our friends, like probably got

450
00:23:52,440 --> 00:23:55,720
Speaker 1: stoned one night and made a fake wedding website through

451
00:23:55,760 --> 00:23:58,480
Speaker 1: like then not the wedding, a full wedding registry for us,

452
00:23:58,480 --> 00:24:01,239
Speaker 1: Like honestly, it was funny, like in the way that

453
00:24:01,320 --> 00:24:05,760
Speaker 1: like ha ha, gay is funny when you're admittedly one

454
00:24:05,800 --> 00:24:08,680
Speaker 1: and not the best version of yourself. That's no shade

455
00:24:08,680 --> 00:24:11,840
Speaker 1: to anyone at the time, Like, seriously, we're fine. Did

456
00:24:11,880 --> 00:24:13,960
Speaker 1: it was there like a tenth of me that was

457
00:24:14,040 --> 00:24:16,800
Speaker 1: like funk, still dealing with this, like still this is

458
00:24:16,800 --> 00:24:19,040
Speaker 1: like how you guys see me a little bit, but

459
00:24:19,119 --> 00:24:20,920
Speaker 1: like I'm not a humorless I got that it was

460
00:24:20,960 --> 00:24:24,679
Speaker 1: funny the event that like literal thousands of dollars that

461
00:24:24,720 --> 00:24:28,320
Speaker 1: were being thrown into this event, thousands of dollars a

462
00:24:29,600 --> 00:24:32,480
Speaker 1: bizarre and like honestly, at that point, I was like, okay,

463
00:24:32,520 --> 00:24:35,160
Speaker 1: well we have to at least have the opportunity to respond.

464
00:24:36,040 --> 00:24:40,240
Speaker 1: So Bowen improvised quote unquote his vows because he was

465
00:24:40,400 --> 00:24:43,840
Speaker 1: as an improviser. You guys had to do a ceremony,

466
00:24:44,040 --> 00:24:49,000
Speaker 1: walked down the Bowen wore a vail. It was, um,

467
00:24:49,000 --> 00:24:50,520
Speaker 1: oh my god, it's all coming back to me, all

468
00:24:50,560 --> 00:24:52,560
Speaker 1: these text messages because I was in l A and

469
00:24:52,600 --> 00:24:56,760
Speaker 1: I was like, what's going on? Yeah, So then I

470
00:24:56,800 --> 00:24:58,560
Speaker 1: wrote my vows and I was like, you know, this

471
00:24:58,640 --> 00:25:02,200
Speaker 1: night is about so many things. It's about love, it's

472
00:25:02,240 --> 00:25:08,600
Speaker 1: about friendship, but mostly it's about money. And I thought

473
00:25:08,600 --> 00:25:13,080
Speaker 1: it was so I thought I was justified, and then

474
00:25:13,520 --> 00:25:15,800
Speaker 1: the person got very upset and I was told by

475
00:25:15,800 --> 00:25:17,920
Speaker 1: the person that made the wedding registry that I had

476
00:25:17,960 --> 00:25:20,080
Speaker 1: to make it right. And I'm like, let me tell you,

477
00:25:20,080 --> 00:25:24,919
Speaker 1: didn't this person say you ruined the wedding or am?

478
00:25:24,920 --> 00:25:27,560
Speaker 1: I don't really know what was said. All I know

479
00:25:27,640 --> 00:25:30,800
Speaker 1: is that we had to then deal with this person's

480
00:25:31,240 --> 00:25:34,199
Speaker 1: I was like, you know what, this is ridiculous because like,

481
00:25:34,480 --> 00:25:37,120
Speaker 1: and their justification was they just wanted to do something nice.

482
00:25:37,280 --> 00:25:39,880
Speaker 1: So Matt I had to walk outside while they were

483
00:25:39,920 --> 00:25:45,040
Speaker 1: like sitting on the stoop basically just like we despondent.

484
00:25:45,200 --> 00:25:48,040
Speaker 1: And then Matt and I were just like, hey, we

485
00:25:48,119 --> 00:25:49,720
Speaker 1: just want to make sure everything is okay. But also

486
00:25:49,800 --> 00:25:52,960
Speaker 1: and I will never forget this, Matt literally, we were

487
00:25:52,960 --> 00:25:56,320
Speaker 1: both everyone involved was very hammered, and Matt just screams

488
00:25:56,320 --> 00:26:00,560
Speaker 1: to the person, we didn't ask for this, which is

489
00:26:00,640 --> 00:26:05,360
Speaker 1: kind of perfect. I actually, um, does this person listen

490
00:26:05,359 --> 00:26:07,359
Speaker 1: to the podcast? I have no idea, you know what.

491
00:26:07,440 --> 00:26:10,080
Speaker 1: I reached out to this person recently to kind of

492
00:26:10,640 --> 00:26:14,840
Speaker 1: uh Men's fences because I saw this person in the

493
00:26:14,840 --> 00:26:18,520
Speaker 1: show and thought they were fabulous, and you know I I, yeah,

494
00:26:19,200 --> 00:26:23,520
Speaker 1: in a show and a show a person an uh

495
00:26:22,960 --> 00:26:25,920
Speaker 1: and it was a prop show, and I reached out

496
00:26:25,920 --> 00:26:30,639
Speaker 1: and I thought it was it was reacting, which was acting.

497
00:26:31,480 --> 00:26:34,720
Speaker 1: But anyway, so I reached out and was like, hey,

498
00:26:34,840 --> 00:26:36,440
Speaker 1: you know what, I think we've been through our ups

499
00:26:36,480 --> 00:26:38,040
Speaker 1: and downs, but I just wanted to tell you like

500
00:26:38,080 --> 00:26:40,560
Speaker 1: that you were great. I just wanted to at least

501
00:26:41,080 --> 00:26:43,120
Speaker 1: like reach out and put a button on that because

502
00:26:43,200 --> 00:26:45,119
Speaker 1: we had a weird moment after the show and I

503
00:26:45,160 --> 00:26:46,920
Speaker 1: was just like, I don't really want to be thinking

504
00:26:46,960 --> 00:26:50,080
Speaker 1: about this anymore. Like like I said, I truly I

505
00:26:50,200 --> 00:26:52,440
Speaker 1: funked up so many times when I was that age,

506
00:26:52,680 --> 00:26:55,800
Speaker 1: Like I said, nasty, maybe this is still me this

507
00:26:56,000 --> 00:26:59,679
Speaker 1: person is it was older than you though, yes, But

508
00:26:59,760 --> 00:27:02,040
Speaker 1: the thing is like it just meant something to me

509
00:27:02,119 --> 00:27:04,240
Speaker 1: to reach out and men that bridge. And I think

510
00:27:04,320 --> 00:27:07,080
Speaker 1: maybe I think everyone had regrets about it. This person

511
00:27:07,160 --> 00:27:09,240
Speaker 1: say like, oh yeah, like I've thought about that and

512
00:27:09,280 --> 00:27:11,439
Speaker 1: that was so weird. They just kind of thanked me.

513
00:27:11,560 --> 00:27:14,119
Speaker 1: It's fine, you know what. I don't expect that person

514
00:27:14,160 --> 00:27:16,800
Speaker 1: to be the bigger person. It's okay. I think maybe

515
00:27:16,800 --> 00:27:19,520
Speaker 1: they're you know, it's just it's just it's all fine.

516
00:27:19,640 --> 00:27:22,080
Speaker 1: But looking back on it, I was like, yeah, that

517
00:27:22,200 --> 00:27:23,720
Speaker 1: was a little bit of a fund up night to

518
00:27:23,760 --> 00:27:25,879
Speaker 1: begin with. That for me at the end of the

519
00:27:25,960 --> 00:27:29,040
Speaker 1: night to feel like I was the one who funked up.

520
00:27:29,160 --> 00:27:33,120
Speaker 1: That's gas lighting. Yeah, And it was a homophobic night.

521
00:27:33,400 --> 00:27:37,000
Speaker 1: It was a night of it's the problem that it's

522
00:27:37,000 --> 00:27:40,719
Speaker 1: the problem that happens, you know what bothers me is like,

523
00:27:40,800 --> 00:27:44,000
Speaker 1: because there are some women who really, I'm sorry, I

524
00:27:44,000 --> 00:27:47,520
Speaker 1: am dealing with like my stomach processing all of the toast.

525
00:27:47,560 --> 00:27:52,120
Speaker 1: I just ate it like pains. So anyway, there's some

526
00:27:53,520 --> 00:27:56,040
Speaker 1: like I hate I hate it when there are some

527
00:27:56,080 --> 00:27:57,960
Speaker 1: girls who are like where my gaze at and it's

528
00:27:57,960 --> 00:28:02,000
Speaker 1: like they're not your gaze. They're they're all individual people.

529
00:28:02,600 --> 00:28:07,040
Speaker 1: And there is a tokenism with the way people, especially

530
00:28:07,040 --> 00:28:11,399
Speaker 1: straight women act towards gay men that I'm very cognizant

531
00:28:11,400 --> 00:28:13,760
Speaker 1: of because I used to do it because I and

532
00:28:14,040 --> 00:28:17,760
Speaker 1: I don't know why, I naturally really get along with game.

533
00:28:18,480 --> 00:28:21,560
Speaker 1: I don't know why, but there but like I could

534
00:28:21,560 --> 00:28:24,400
Speaker 1: totally see a world. There's probably a world in which,

535
00:28:24,440 --> 00:28:26,960
Speaker 1: like in college, I was like my game and it's

536
00:28:27,080 --> 00:28:31,240
Speaker 1: just like, um, I'll never forget I read Elliott Glazer wrote,

537
00:28:31,400 --> 00:28:34,959
Speaker 1: um an amazing it was like an op ed. This

538
00:28:35,000 --> 00:28:37,080
Speaker 1: is like six seven, eight years ago about how like

539
00:28:37,960 --> 00:28:40,920
Speaker 1: there was a woman who like wrote a humorous op

540
00:28:41,040 --> 00:28:42,680
Speaker 1: ed that had been going around that was like I

541
00:28:42,720 --> 00:28:45,800
Speaker 1: need a gay best friend. And he responded to that

542
00:28:45,840 --> 00:28:49,560
Speaker 1: and was like, we're not your accessories, We're not your purse.

543
00:28:50,600 --> 00:28:53,960
Speaker 1: Were people right? I know we had a sense. And

544
00:28:53,960 --> 00:28:55,640
Speaker 1: I don't know if you felt it this way, but like,

545
00:28:55,680 --> 00:28:57,320
Speaker 1: because I was on the team, I was gay, I

546
00:28:57,320 --> 00:28:59,800
Speaker 1: was like, well there, they won't add another one, and

547
00:28:59,840 --> 00:29:02,920
Speaker 1: they be That was unfair of me to think. And

548
00:29:03,080 --> 00:29:05,400
Speaker 1: I always think, you know, like RuPaul says, how much

549
00:29:05,440 --> 00:29:07,680
Speaker 1: of this is the calls coming inside of the house.

550
00:29:08,440 --> 00:29:11,479
Speaker 1: Um calls coming from inside the house. But you know,

551
00:29:12,680 --> 00:29:14,680
Speaker 1: it makes you think a little bit, like it was,

552
00:29:14,760 --> 00:29:17,560
Speaker 1: it was much harder for women to become directors of

553
00:29:17,600 --> 00:29:21,120
Speaker 1: that group. Uh. And then when I think we had

554
00:29:21,240 --> 00:29:24,680
Speaker 1: I mean fabulous David Sirov was amazing. I mean he

555
00:29:24,760 --> 00:29:27,560
Speaker 1: ran such an amazing group. And the group really changed.

556
00:29:27,760 --> 00:29:30,440
Speaker 1: And then I was director, and then Sudi was director,

557
00:29:30,480 --> 00:29:32,880
Speaker 1: Jenny Jaffey was director, and it became it felt it

558
00:29:32,920 --> 00:29:35,360
Speaker 1: felt like a different atmosphere, like a much more accepting.

559
00:29:35,480 --> 00:29:37,840
Speaker 1: It was a great when I was on there, it

560
00:29:37,880 --> 00:29:41,280
Speaker 1: was not great, And I yeah, I have many thoughts

561
00:29:41,320 --> 00:29:43,959
Speaker 1: and regrets and it's partially what shaped my comedy now.

562
00:29:44,160 --> 00:29:48,760
Speaker 1: Is my I dated my mentors. They completely turned on me.

563
00:29:49,520 --> 00:29:51,800
Speaker 1: Uh and I was at a certain point trying to

564
00:29:51,800 --> 00:29:53,520
Speaker 1: be like them, and then I was like, funk these guys.

565
00:29:53,560 --> 00:29:58,280
Speaker 1: And I my comedy began to get more emotional feminine

566
00:29:58,280 --> 00:30:00,840
Speaker 1: is the wrong word, but more specific two things that

567
00:30:00,880 --> 00:30:04,000
Speaker 1: affected me as a as a woman, and it shipped

568
00:30:04,040 --> 00:30:06,040
Speaker 1: and then I started to write more musical comedy. Yeah,

569
00:30:06,080 --> 00:30:07,960
Speaker 1: and that's fabulous, And there wasn't this but this kind

570
00:30:08,000 --> 00:30:11,800
Speaker 1: of like masculine passing is so real and it didn't

571
00:30:11,840 --> 00:30:13,880
Speaker 1: really fully dawn on me until now that like you

572
00:30:13,960 --> 00:30:16,880
Speaker 1: had to, like I feel like you had to grow

573
00:30:16,960 --> 00:30:19,000
Speaker 1: up in order to like fit in, or that you

574
00:30:19,080 --> 00:30:22,480
Speaker 1: had to like wear specific teeth. That's really upsetting and

575
00:30:22,520 --> 00:30:25,360
Speaker 1: funked up that you felt like you had to just

576
00:30:25,400 --> 00:30:27,520
Speaker 1: because you knew the comedy community was so like kind

577
00:30:27,520 --> 00:30:32,200
Speaker 1: of like what you know it was half that well

578
00:30:32,240 --> 00:30:33,680
Speaker 1: it's a boys club, and I knew that it was

579
00:30:33,680 --> 00:30:35,240
Speaker 1: a boys club, but like I had gone to UCB

580
00:30:35,360 --> 00:30:37,680
Speaker 1: shows all year. Also all that summer, I had taken

581
00:30:37,680 --> 00:30:40,040
Speaker 1: a one oh one at uc B, And you know

582
00:30:40,320 --> 00:30:43,760
Speaker 1: that's how I know that when you walk into those

583
00:30:43,760 --> 00:30:45,960
Speaker 1: classes that you see be like you're all anxious because

584
00:30:46,000 --> 00:30:47,600
Speaker 1: it's like improv and you know, am I going to

585
00:30:47,680 --> 00:30:49,440
Speaker 1: be funny or whatever? But when you walk in and

586
00:30:49,440 --> 00:30:52,160
Speaker 1: you're the only one, no matter what that means, like

587
00:30:52,200 --> 00:30:54,480
Speaker 1: if it means due to your race, to your sexual orientation,

588
00:30:54,560 --> 00:30:57,960
Speaker 1: maybe you're the only woman in a class. Um you

589
00:30:58,600 --> 00:31:03,280
Speaker 1: take that class differently, your experience is wildly different. And

590
00:31:03,360 --> 00:31:07,000
Speaker 1: so maybe, But I think a lot of it also

591
00:31:07,000 --> 00:31:09,320
Speaker 1: had to do with my upbringing because I'm from Long

592
00:31:09,320 --> 00:31:11,920
Speaker 1: Island and it's a very like toxic kind of masculine

593
00:31:12,720 --> 00:31:15,920
Speaker 1: um culture there, and you know, they just don't even

594
00:31:15,960 --> 00:31:18,440
Speaker 1: really know that it's happening. They don't know that the

595
00:31:18,480 --> 00:31:21,280
Speaker 1: minorities on Long Island field the way they do that.

596
00:31:21,440 --> 00:31:23,320
Speaker 1: I believe that if they did know, and if they

597
00:31:23,360 --> 00:31:25,440
Speaker 1: knew that people grew up this way and we're so

598
00:31:25,640 --> 00:31:28,200
Speaker 1: hurt this way, like maybe they would change. And also

599
00:31:28,280 --> 00:31:33,160
Speaker 1: maybe I'm giving them too much credit. Um yeah, did

600
00:31:33,200 --> 00:31:37,840
Speaker 1: you ever feel like that um mine is more ethnicity based?

601
00:31:37,880 --> 00:31:41,440
Speaker 1: I think like walking into the danger box audition, I'm

602
00:31:41,520 --> 00:31:44,920
Speaker 1: sure I pulled out like ten Asian jokes, and that

603
00:31:45,120 --> 00:31:48,120
Speaker 1: is because what I was used to, the moments I

604
00:31:48,200 --> 00:31:51,240
Speaker 1: was used to were um uh, it was it was

605
00:31:51,280 --> 00:31:54,080
Speaker 1: just having to make people feel comfortable and appease them

606
00:31:54,080 --> 00:31:58,120
Speaker 1: by like playing this caricature Asian person, so by like

607
00:31:58,720 --> 00:32:00,920
Speaker 1: and so yeah and like yeah, I even regret that,

608
00:32:01,000 --> 00:32:03,719
Speaker 1: Like thinking back on that, that's kind of really upsetting

609
00:32:03,760 --> 00:32:05,280
Speaker 1: and makes me want to puke. But like probably I

610
00:32:05,280 --> 00:32:07,400
Speaker 1: don't know, but that's the history of that's so that's

611
00:32:07,720 --> 00:32:10,640
Speaker 1: especially in America, the history of how anyone who is

612
00:32:10,640 --> 00:32:13,680
Speaker 1: in a straight white male has been in in art

613
00:32:13,800 --> 00:32:18,760
Speaker 1: and culture and media is is often playing up a

614
00:32:18,840 --> 00:32:23,040
Speaker 1: straight white male gaze version of themselves or or playing

615
00:32:23,080 --> 00:32:27,040
Speaker 1: a stereotype because that's only what you'd be cast as.

616
00:32:27,080 --> 00:32:29,040
Speaker 1: And then you know, and then Mickey Rooney takes your job.

617
00:32:29,080 --> 00:32:31,880
Speaker 1: And then I tried to watch I had actually never

618
00:32:31,920 --> 00:32:35,080
Speaker 1: seen Breakfast to Tiffany's and Gregor and I tried to

619
00:32:35,200 --> 00:32:39,000
Speaker 1: watch it, and we were like, oh no, we were,

620
00:32:39,040 --> 00:32:41,000
Speaker 1: we were we could, we couldn't watch it. It's awful.

621
00:32:41,080 --> 00:32:45,360
Speaker 1: It's bad. I mean, yeah, it's good for the fashion,

622
00:32:45,560 --> 00:32:47,200
Speaker 1: but you know what, Okay, I want to mention this.

623
00:32:47,960 --> 00:32:53,520
Speaker 1: I want to mention talking about Mickey Rooney's adorable that

624
00:32:53,560 --> 00:32:56,440
Speaker 1: was all gardens like kimono. I want to mention this,

625
00:32:56,640 --> 00:33:00,440
Speaker 1: um welcome we show sophomore Yere, I like just laid

626
00:33:00,520 --> 00:33:03,280
Speaker 1: those Asian jokes on thick and then Andrew Farmer pulled

627
00:33:03,280 --> 00:33:05,239
Speaker 1: me aside before the nuxt show went up, and he

628
00:33:05,280 --> 00:33:08,440
Speaker 1: was like, hey, this year and hopefully for the rest

629
00:33:08,480 --> 00:33:10,440
Speaker 1: of time, I don't want you to make another Asian

630
00:33:10,520 --> 00:33:13,920
Speaker 1: joke on stage over oh God blessing. And I was like,

631
00:33:14,040 --> 00:33:16,160
Speaker 1: at first it really made me nervous, and then I

632
00:33:16,200 --> 00:33:19,080
Speaker 1: was like, oh, but he's so right, and then I

633
00:33:19,200 --> 00:33:20,880
Speaker 1: like that was a moment for me and I have

634
00:33:20,920 --> 00:33:23,040
Speaker 1: Andrew to think, but like, I'll still make an Asian joke,

635
00:33:23,120 --> 00:33:24,840
Speaker 1: and like I get to pull that card out whenever

636
00:33:24,880 --> 00:33:27,920
Speaker 1: I want now, But like that was like him telling

637
00:33:27,920 --> 00:33:30,400
Speaker 1: me to lean off the crutch, don't use it anymore.

638
00:33:30,480 --> 00:33:33,000
Speaker 1: And then it just took me to the next You're right,

639
00:33:33,000 --> 00:33:35,479
Speaker 1: it becomes it's like it's anything, and I say, this

640
00:33:35,560 --> 00:33:37,360
Speaker 1: is like a Jewish person, which growing up in l

641
00:33:37,400 --> 00:33:40,440
Speaker 1: A and living in New York is not really, but

642
00:33:40,480 --> 00:33:44,040
Speaker 1: it's like you you begin to it's a defense mechanism.

643
00:33:44,080 --> 00:33:47,040
Speaker 1: You you turn what you're insecure about into your sword.

644
00:33:47,560 --> 00:33:51,520
Speaker 1: But then but then that sword becomes a crutch. What

645
00:33:51,600 --> 00:33:54,720
Speaker 1: were the Asian jokes she made about had to do

646
00:33:54,800 --> 00:33:59,840
Speaker 1: with like laundromats and like fro Yo places and places yeah,

647
00:34:00,080 --> 00:34:03,280
Speaker 1: Barry and like just every f places like operated by agents.

648
00:34:04,720 --> 00:34:08,719
Speaker 1: Actually I never clocked that. I never see I've pulled

649
00:34:08,719 --> 00:34:10,080
Speaker 1: that out in my stand up a couple of times,

650
00:34:10,080 --> 00:34:12,840
Speaker 1: and it has like a fifty percent hit, right, so

651
00:34:12,880 --> 00:34:15,120
Speaker 1: maybe yeah, you know what, Yeah, that's that's fair. But

652
00:34:15,360 --> 00:34:19,400
Speaker 1: it's so it's so funny that you say that when

653
00:34:19,480 --> 00:34:21,520
Speaker 1: you when you started to get angry, that's when you

654
00:34:21,520 --> 00:34:27,200
Speaker 1: started to get musical, because the same like when I graduated,

655
00:34:27,239 --> 00:34:29,440
Speaker 1: we started to do pap Roulette, and that's when I

656
00:34:29,480 --> 00:34:31,640
Speaker 1: really started to feel like, oh wow, I'm really writing

657
00:34:31,640 --> 00:34:34,480
Speaker 1: what I want to write well, And maybe there's something

658
00:34:34,560 --> 00:34:36,440
Speaker 1: to that thing where they say when you can no

659
00:34:36,520 --> 00:34:38,880
Speaker 1: longer speak, you sing. But it felt like me too.

660
00:34:38,920 --> 00:34:42,320
Speaker 1: It felt like it felt like I remember one of

661
00:34:42,360 --> 00:34:44,279
Speaker 1: the dudes in fact, who I was in the trigle with,

662
00:34:44,320 --> 00:34:45,919
Speaker 1: it was like, when you're gonna stop the musical theater

663
00:34:45,960 --> 00:34:48,600
Speaker 1: thing and just do comedy, and it's like and so

664
00:34:48,640 --> 00:34:50,759
Speaker 1: when I turned against these guys a little bit, I

665
00:34:50,800 --> 00:34:52,279
Speaker 1: was like, I'm gonna do what I want, and I

666
00:34:52,480 --> 00:34:55,320
Speaker 1: fucking love musicals, and I went I took a musical

667
00:34:55,360 --> 00:34:57,839
Speaker 1: theater writing class at the Graduate Musical Theater Program over

668
00:34:57,880 --> 00:35:00,640
Speaker 1: the summer, and I really started to like because the

669
00:35:00,640 --> 00:35:03,120
Speaker 1: guys that ever discouraged me from writing musical sketches even

670
00:35:03,120 --> 00:35:05,879
Speaker 1: it just like I had discouraged myself because I wanted

671
00:35:05,920 --> 00:35:08,000
Speaker 1: to fit in. I wanted to do the type of

672
00:35:08,040 --> 00:35:10,360
Speaker 1: things I thought they thought were funny because it's a

673
00:35:10,440 --> 00:35:14,799
Speaker 1: feminine slash gay impulse, and that means it can't be mainstream,

674
00:35:14,960 --> 00:35:17,800
Speaker 1: or it can't be cool, or it can't be whatever.

675
00:35:17,960 --> 00:35:21,879
Speaker 1: And it's such bullshit because who the funk said that? Right?

676
00:35:22,120 --> 00:35:24,120
Speaker 1: But then it came full circle. This is another full

677
00:35:24,160 --> 00:35:27,080
Speaker 1: circle moment that I'm just like dragging out with your

678
00:35:27,080 --> 00:35:29,319
Speaker 1: Golden Globe speech. It was like, and now there is

679
00:35:29,360 --> 00:35:33,799
Speaker 1: a musical like comedy on Network and we I don't

680
00:35:33,800 --> 00:35:39,239
Speaker 1: know if you saw the Instagram, we screamed we were

681
00:35:39,280 --> 00:35:41,440
Speaker 1: so proud of you, and we are so proud of you.

682
00:35:41,480 --> 00:35:44,440
Speaker 1: Have to oh, I want to see that. Honestly, I

683
00:35:44,520 --> 00:35:47,040
Speaker 1: knew you were going to win when when you got nominated.

684
00:35:47,120 --> 00:35:49,319
Speaker 1: I said to everyone, I was like, she is gonna win.

685
00:35:49,520 --> 00:35:51,920
Speaker 1: I was like absolutely, because Gina Rodriguez had one the

686
00:35:51,960 --> 00:35:54,720
Speaker 1: year before, and I felt like I was like, they're

687
00:35:55,000 --> 00:35:57,239
Speaker 1: gonna want and I knew. I knew. I was like,

688
00:35:57,280 --> 00:36:00,280
Speaker 1: you're so charming. She's killing it with with every buddy

689
00:36:00,320 --> 00:36:02,080
Speaker 1: that that talks to her. I was like, let me

690
00:36:02,120 --> 00:36:04,720
Speaker 1: tell you something, There was absolutely no way that anyone

691
00:36:04,760 --> 00:36:07,560
Speaker 1: watches this show or even meets her and checks off

692
00:36:07,600 --> 00:36:10,719
Speaker 1: Another box for me was that the first for me

693
00:36:10,800 --> 00:36:13,279
Speaker 1: first season after the Doctor Phil episode where you just

694
00:36:13,320 --> 00:36:16,239
Speaker 1: like Rebecca starts to like fully unravel, I was like,

695
00:36:16,680 --> 00:36:18,800
Speaker 1: she's gonna win, She's gonna win some awards this season.

696
00:36:18,800 --> 00:36:22,080
Speaker 1: And then it came trip, it came true. I can't

697
00:36:22,200 --> 00:36:24,120
Speaker 1: I can't wait to see that instagram. We'll show you.

698
00:36:24,160 --> 00:36:27,000
Speaker 1: We were screaming and actually the instagram was the second.

699
00:36:27,000 --> 00:36:29,120
Speaker 1: We didn't like film it like the first time because

700
00:36:29,120 --> 00:36:31,799
Speaker 1: we were watching with bated breath, but we filmed, we

701
00:36:31,840 --> 00:36:35,520
Speaker 1: rewound it and like we watched it again, re reacted.

702
00:36:37,080 --> 00:36:40,720
Speaker 1: But um, okay, so we should take a quick breath.

703
00:36:41,440 --> 00:36:43,000
Speaker 1: I have. I don't know if it's like up to

704
00:36:44,600 --> 00:36:47,239
Speaker 1: something's happening, whatever's in Rachel. We're going to get out

705
00:36:47,239 --> 00:36:49,040
Speaker 1: of her. I need to bend over like a dog

706
00:36:49,120 --> 00:36:51,600
Speaker 1: and just like someone needs to give me, like we're

707
00:36:51,600 --> 00:36:55,239
Speaker 1: gonna exercise, and we're going to be right back to

708
00:36:55,360 --> 00:37:02,800
Speaker 1: Rachel Blue. Okay, bitch, all you out there listening to

709
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733
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734
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749
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Speaker 1: All right, that's enough, let's get back to the Come on,

750
00:39:19,640 --> 00:39:23,880
Speaker 1: let's go, and we're back with Rachel Blade. You know

751
00:39:23,880 --> 00:39:27,280
Speaker 1: why we're going to jump back in because I'm sticky.

752
00:39:27,600 --> 00:39:30,120
Speaker 1: We talked about this in the break. So Rachel Blue

753
00:39:30,160 --> 00:39:32,440
Speaker 1: came into town last year to be on Late Night

754
00:39:32,520 --> 00:39:35,520
Speaker 1: with Seth Mine with Seth Meyers heard of it um

755
00:39:35,600 --> 00:39:38,000
Speaker 1: and afterwards we were hanging out and then Rachel was

756
00:39:38,000 --> 00:39:41,080
Speaker 1: telling me about how Vinny Rodriguez was telling you all

757
00:39:41,080 --> 00:39:44,480
Speaker 1: about Rice queens. And then I informed you about the

758
00:39:44,480 --> 00:39:46,640
Speaker 1: concept of okay, So Rice Queen's first of all, are

759
00:39:47,520 --> 00:39:50,640
Speaker 1: any gay man, regardless of ethnic city, who fetishized as

760
00:39:50,680 --> 00:39:54,520
Speaker 1: Asian men is almost exclusively into Asian men. So then

761
00:39:54,640 --> 00:39:56,799
Speaker 1: I told Rice Queen is a Rice Queen. I told

762
00:39:56,880 --> 00:39:59,920
Speaker 1: Rachel about the concept of sticky Rice or being stick

763
00:40:00,520 --> 00:40:05,360
Speaker 1: which is Asian on Asian fetishism, which and and so, Rachel,

764
00:40:05,400 --> 00:40:07,560
Speaker 1: I think you were very shocked at this revelation. Well,

765
00:40:07,880 --> 00:40:10,239
Speaker 1: because the idea that that it's a comment that there

766
00:40:10,239 --> 00:40:12,200
Speaker 1: are Asian guys who don't want to date other Asian guys,

767
00:40:12,200 --> 00:40:15,600
Speaker 1: so they'll be like, sorry, I'm not sticky, right, And

768
00:40:15,719 --> 00:40:17,799
Speaker 1: we were just talking on during the break about how

769
00:40:17,840 --> 00:40:21,239
Speaker 1: that is also casually racist, but I mean, yeah, I

770
00:40:21,239 --> 00:40:24,880
Speaker 1: mean it's interesting, like at what point is your you know,

771
00:40:24,920 --> 00:40:27,120
Speaker 1: what your dick wants or what your vagina wants, Like

772
00:40:27,239 --> 00:40:30,319
Speaker 1: is that diserting race racism or is that just what

773
00:40:30,400 --> 00:40:32,600
Speaker 1: your dick wants and your what your vagina wants. But

774
00:40:32,600 --> 00:40:34,239
Speaker 1: it's like, and I, as a white person, have no

775
00:40:34,320 --> 00:40:37,319
Speaker 1: opinion on this, and then should have no opinion. There's

776
00:40:37,360 --> 00:40:42,080
Speaker 1: also no such thing as preferring one. I don't think

777
00:40:42,080 --> 00:40:44,920
Speaker 1: so anyway, because like you're attracted to, like there's no

778
00:40:45,080 --> 00:40:48,080
Speaker 1: limit on attraction, Like it's you not admitting to yourself

779
00:40:48,080 --> 00:40:50,520
Speaker 1: that you're attracted to certain people or thinking you should

780
00:40:50,560 --> 00:40:53,799
Speaker 1: be attracted to someone else. Like honestly, like if I

781
00:40:53,880 --> 00:40:56,799
Speaker 1: saw fucking Chris Evans walk in this goddamn room, I

782
00:40:56,800 --> 00:40:59,080
Speaker 1: cannot promise you that I'd be attracted to him because

783
00:40:59,120 --> 00:41:01,799
Speaker 1: I haven't my body isn't in the same room as him. Yet,

784
00:41:02,000 --> 00:41:05,400
Speaker 1: I like, it's all fake. It's all fucking fake. But

785
00:41:05,440 --> 00:41:07,080
Speaker 1: even then, it's like the gay men who say they're

786
00:41:07,080 --> 00:41:10,399
Speaker 1: not into Asians, like if they saw Vinny, like, would

787
00:41:10,400 --> 00:41:13,040
Speaker 1: they change their minds? Like it's that kind of thing works. Yeah,

788
00:41:13,040 --> 00:41:15,000
Speaker 1: it's like what do you what are you saying you're

789
00:41:15,040 --> 00:41:18,000
Speaker 1: not into Asian people because that's what your idea of,

790
00:41:18,160 --> 00:41:22,000
Speaker 1: whatever you think, whatever, like you think you might be

791
00:41:22,080 --> 00:41:25,719
Speaker 1: into that a person of Asian descent doesn't fit that. Yep,

792
00:41:25,840 --> 00:41:28,960
Speaker 1: that's it, That's what it is. I mean people, I

793
00:41:29,000 --> 00:41:31,640
Speaker 1: would say, like the big the most comments we get

794
00:41:31,680 --> 00:41:34,319
Speaker 1: on our show are like god, no, no, no, no, no

795
00:41:34,239 --> 00:41:37,000
Speaker 1: no no. I was just like saying no now now

796
00:41:37,040 --> 00:41:39,640
Speaker 1: now I'm just talking about attractive Asian, attractive Asian man.

797
00:41:39,680 --> 00:41:42,520
Speaker 1: But like, yeah, I mean I feel like the people, well, no, no,

798
00:41:42,560 --> 00:41:45,239
Speaker 1: the purpose person who's objectified most is David Hall's white Josh,

799
00:41:45,280 --> 00:41:51,759
Speaker 1: but but Vinnie's is objectified quite ant. Vinny Vinnie's very hot,

800
00:41:51,840 --> 00:41:54,040
Speaker 1: and then and then Rene and then Renee has been

801
00:41:54,680 --> 00:41:57,600
Speaker 1: there is quite I mean, father Bris a fan favorite,

802
00:41:57,640 --> 00:42:00,120
Speaker 1: but women are like, oh my god father, Brise so

803
00:42:00,239 --> 00:42:02,960
Speaker 1: freaking sexy. I mean because because he's a priest too

804
00:42:03,239 --> 00:42:07,959
Speaker 1: hot show. Also, did you know Vella? No? I never

805
00:42:08,320 --> 00:42:11,279
Speaker 1: knew her. That is insane to me, because you know

806
00:42:11,360 --> 00:42:13,960
Speaker 1: how I know Vella. I don't know her personally, but

807
00:42:14,040 --> 00:42:18,280
Speaker 1: she's been Facebook married to Preston Martin for a decade. Hilarious.

808
00:42:18,440 --> 00:42:20,920
Speaker 1: And I was like, when I saw that she was

809
00:42:21,000 --> 00:42:22,600
Speaker 1: on the show, I was like, Oh, I wonder if

810
00:42:22,719 --> 00:42:24,920
Speaker 1: Rachel has been friends with her. It's the weirdest thing.

811
00:42:26,239 --> 00:42:29,600
Speaker 1: Plays Heather and I she she was two years above

812
00:42:29,680 --> 00:42:31,360
Speaker 1: me at the experimental theater Wing and n y U.

813
00:42:31,480 --> 00:42:33,880
Speaker 1: We never met. I never knew each other. We have

814
00:42:34,520 --> 00:42:36,480
Speaker 1: all the same mutual friends. And when we cast her

815
00:42:36,520 --> 00:42:38,680
Speaker 1: on the show, it was just from her audition. She's

816
00:42:38,719 --> 00:42:40,239
Speaker 1: so good. I must have met her. And then I

817
00:42:40,360 --> 00:42:42,120
Speaker 1: was like, she came to a hammerketch show. But I

818
00:42:42,160 --> 00:42:46,360
Speaker 1: think just doesn't remember me, which is fine. And I

819
00:42:46,719 --> 00:42:49,480
Speaker 1: I saw her in in a show The Dibbic, and

820
00:42:49,560 --> 00:42:55,040
Speaker 1: I don't remember her either, so it's weird. That's I'm

821
00:42:55,080 --> 00:42:57,040
Speaker 1: kind of glad because I was a mess in college.

822
00:42:57,160 --> 00:43:01,520
Speaker 1: I'm really glad she's getting Rachel and this is a

823
00:43:01,640 --> 00:43:04,520
Speaker 1: real thing. Here we go Bowen and I are. First

824
00:43:04,560 --> 00:43:07,200
Speaker 1: time we ever met was our friend Munk took us

825
00:43:07,239 --> 00:43:10,520
Speaker 1: to a Hammercats show and we sat in silver and

826
00:43:10,600 --> 00:43:12,919
Speaker 1: watched a Hammercat show and there was like thirteen people there.

827
00:43:13,200 --> 00:43:15,800
Speaker 1: And you were the reason I wanted to audition for

828
00:43:15,920 --> 00:43:18,560
Speaker 1: the group, because you said you you delivered a line

829
00:43:18,640 --> 00:43:22,239
Speaker 1: so good, so perfectly. It was a show where, um,

830
00:43:22,480 --> 00:43:25,879
Speaker 1: it was speed dating, but all the dates were with voiceovers,

831
00:43:26,200 --> 00:43:28,040
Speaker 1: and you played the sex in the City of voiceover

832
00:43:28,200 --> 00:43:31,040
Speaker 1: and you turned out to the audience and said, I

833
00:43:31,160 --> 00:43:34,800
Speaker 1: had to wonder, are we really speed dating or is

834
00:43:34,880 --> 00:43:39,080
Speaker 1: the speed dating us? And I was like, that is

835
00:43:39,280 --> 00:43:41,719
Speaker 1: so funny. Hold on a second. This is a group

836
00:43:41,760 --> 00:43:44,719
Speaker 1: at my school, Like I have to be in this.

837
00:43:45,360 --> 00:43:47,480
Speaker 1: And it was that moment that I think I decided

838
00:43:47,560 --> 00:43:49,560
Speaker 1: not only to like next year, I was gonna come

839
00:43:49,600 --> 00:43:51,800
Speaker 1: out next year. I was gonna try to do comedy.

840
00:43:52,040 --> 00:43:54,000
Speaker 1: I was gonna admit to myself all my interests. And

841
00:43:54,080 --> 00:43:55,719
Speaker 1: it was like at that show that I was like,

842
00:43:56,120 --> 00:43:58,040
Speaker 1: I was going to transfer to Tish, Like I I

843
00:43:58,480 --> 00:44:01,400
Speaker 1: decided at that show, I was like, this is definitely

844
00:44:01,440 --> 00:44:03,640
Speaker 1: what I have to do and that I never knew

845
00:44:03,680 --> 00:44:10,000
Speaker 1: that that yeah, that was And also the fact that

846
00:44:10,040 --> 00:44:12,880
Speaker 1: that's the first time I met you. Wow, what's and

847
00:44:13,120 --> 00:44:16,640
Speaker 1: here we are in this room. Here we are years later,

848
00:44:16,719 --> 00:44:18,680
Speaker 1: ten years later, Rachel, you know us when you probably

849
00:44:18,719 --> 00:44:20,880
Speaker 1: you knew me when I was still in the closet,

850
00:44:21,239 --> 00:44:24,759
Speaker 1: and yeah, well I remember having a really in depth

851
00:44:24,800 --> 00:44:26,359
Speaker 1: no no, no no, But this is when you were

852
00:44:26,400 --> 00:44:29,200
Speaker 1: out because we remember we went out for dinner USC

853
00:44:29,400 --> 00:44:31,480
Speaker 1: and you were on the fence about you were going

854
00:44:31,520 --> 00:44:33,880
Speaker 1: to be a doctor. There was a time when he

855
00:44:33,960 --> 00:44:36,000
Speaker 1: was going to move back to Denver and I was like, whoa.

856
00:44:36,200 --> 00:44:38,080
Speaker 1: Rachel took me out to dinner after the show at

857
00:44:38,160 --> 00:44:40,399
Speaker 1: USC and it was I still remember to this day.

858
00:44:40,400 --> 00:44:43,040
Speaker 1: That was the nicest thing, one of the nicest things

859
00:44:43,080 --> 00:44:45,160
Speaker 1: anyone's ever done. I mean, but we had that long

860
00:44:45,200 --> 00:44:47,239
Speaker 1: conversation where yeah, I was you were like I don't

861
00:44:47,280 --> 00:44:50,359
Speaker 1: You were like, I love comedy, but also I'm premed right,

862
00:44:50,560 --> 00:44:53,440
Speaker 1: and I was like, I was like, what did I say?

863
00:44:53,480 --> 00:44:56,359
Speaker 1: I was like, don't help people. I mean, I'm trying

864
00:44:56,360 --> 00:44:58,400
Speaker 1: to remember. I think I was like she was a

865
00:44:58,520 --> 00:45:01,880
Speaker 1: huge cigar. I was like, that's don't help people. You

866
00:45:02,000 --> 00:45:04,719
Speaker 1: just sounded like medicine wasn't your passion at all. And

867
00:45:04,800 --> 00:45:07,040
Speaker 1: I was like, why would you be a doctor if

868
00:45:07,120 --> 00:45:09,479
Speaker 1: you don't. I was like, being a doctor's really hard.

869
00:45:10,320 --> 00:45:12,279
Speaker 1: You have to like, you have to like it, you

870
00:45:12,320 --> 00:45:13,880
Speaker 1: know what. That was the moment where I realized that

871
00:45:13,920 --> 00:45:15,759
Speaker 1: being a doctor was going to be really hard and

872
00:45:15,800 --> 00:45:18,719
Speaker 1: it wasn't a star A star. Yeah. I think that's

873
00:45:18,719 --> 00:45:22,000
Speaker 1: also like you were just so distinct and your voice

874
00:45:22,040 --> 00:45:25,280
Speaker 1: has always been so distinct, and I was like, oh, huh,

875
00:45:25,880 --> 00:45:29,520
Speaker 1: doctor doesn't really know I mean, you'd be the funniest doctor,

876
00:45:30,640 --> 00:45:35,279
Speaker 1: best best singer. Oh doctor, um no, but that that

877
00:45:35,480 --> 00:45:37,920
Speaker 1: no for real though, real talk. That was actually probably

878
00:45:38,000 --> 00:45:40,840
Speaker 1: like one of the first moments where like someone was

879
00:45:40,920 --> 00:45:43,120
Speaker 1: saying to me, like, well, maybe that's not the right

880
00:45:43,200 --> 00:45:46,680
Speaker 1: thing to pursue, and did you did you change majors?

881
00:45:46,960 --> 00:45:50,960
Speaker 1: And change majors? Rachel? I had a full depression era

882
00:45:51,960 --> 00:45:54,520
Speaker 1: personal depression. I shouldn't I shouldn't pair those words together.

883
00:46:00,120 --> 00:46:02,160
Speaker 1: It was after college, like I didn't realize, Like I

884
00:46:02,200 --> 00:46:04,960
Speaker 1: remember being at graduation at Yankee Stadium and Matt was

885
00:46:05,000 --> 00:46:07,680
Speaker 1: sucking on the field singing with all reality show so

886
00:46:07,760 --> 00:46:10,720
Speaker 1: I sang learned to love and live on the field,

887
00:46:11,800 --> 00:46:16,200
Speaker 1: and I remember feeling sad in that moment. I was

888
00:46:16,320 --> 00:46:20,279
Speaker 1: like I don't want to do this thing where I'm

889
00:46:20,280 --> 00:46:22,120
Speaker 1: going to go to med school, and so I like

890
00:46:22,280 --> 00:46:25,040
Speaker 1: pulled out on my my applications and then just like

891
00:46:25,520 --> 00:46:27,839
Speaker 1: I didn't follow through and then spent like the year

892
00:46:27,920 --> 00:46:32,000
Speaker 1: after that, the intervening year between college and doing Papuarlett

893
00:46:32,000 --> 00:46:34,680
Speaker 1: and like doing comedy shows like temping and trying to

894
00:46:34,760 --> 00:46:37,040
Speaker 1: survive and like all of that. You really made the

895
00:46:37,160 --> 00:46:41,040
Speaker 1: right decision, I think. So I took into Bapiano on

896
00:46:41,280 --> 00:46:45,320
Speaker 1: university and I was like please being I was like,

897
00:46:45,719 --> 00:46:50,080
Speaker 1: grace us with you because he had heard to the

898
00:46:50,120 --> 00:46:52,360
Speaker 1: grapevine that you were thinking about moving back home, and

899
00:46:52,440 --> 00:46:54,440
Speaker 1: I was like, that's not acceptable. And we had been

900
00:46:54,480 --> 00:46:56,839
Speaker 1: talking in Papulette about like because how much we loved

901
00:46:56,840 --> 00:46:58,440
Speaker 1: you and how much you wanted you to be on anyway,

902
00:46:58,520 --> 00:47:00,880
Speaker 1: this is getting a little too inside. When did you

903
00:47:01,000 --> 00:47:03,680
Speaker 1: When did you come out again? It was the middle

904
00:47:03,680 --> 00:47:06,319
Speaker 1: of sophomore year. Was the weekend before the groups went

905
00:47:06,400 --> 00:47:10,040
Speaker 1: to Skidmore our sophomore year, talking on the table, right,

906
00:47:10,160 --> 00:47:13,600
Speaker 1: wait were you a year I was a freshman where

907
00:47:13,640 --> 00:47:18,120
Speaker 1: when you were graduating? Yeah? Okay, um, so anyway, and

908
00:47:18,160 --> 00:47:20,879
Speaker 1: then that was and then I remember screaming to Neil

909
00:47:20,960 --> 00:47:23,080
Speaker 1: Casey at the after part. Oh, this is the best

910
00:47:23,120 --> 00:47:28,760
Speaker 1: story ever. Was the after party of skid More. Bowen

911
00:47:28,920 --> 00:47:32,799
Speaker 1: came out at Skidmore screamed in Neil Casey's face, I'm

912
00:47:32,880 --> 00:47:36,880
Speaker 1: a big old fan. Oh my god. And He's like,

913
00:47:36,920 --> 00:47:41,000
Speaker 1: that's great, man, that's fantastic great. Like Neil was so

914
00:47:41,160 --> 00:47:43,920
Speaker 1: cool about it. I was fucking and I stormed over

915
00:47:44,040 --> 00:47:49,680
Speaker 1: and I was like, what that was? Yeah? That was anyway. Wait,

916
00:47:49,800 --> 00:47:53,640
Speaker 1: Rachel speaking of fun nights, and I secretly want okay,

917
00:47:53,680 --> 00:47:57,080
Speaker 1: but first, Matt, you go, here's here's what I think

918
00:47:57,239 --> 00:48:00,120
Speaker 1: the Golden Globes is. Like, okay, oh right, let's get

919
00:48:00,160 --> 00:48:03,000
Speaker 1: into it. Well, you wake up in the morning and

920
00:48:03,080 --> 00:48:05,200
Speaker 1: your eyes open and you say this is the day,

921
00:48:06,280 --> 00:48:10,239
Speaker 1: and someone hands you a mimosa, and so then they

922
00:48:10,320 --> 00:48:13,000
Speaker 1: say it's time and you get in the chair, and

923
00:48:13,120 --> 00:48:15,319
Speaker 1: of course you get your glam squad. Now, I would

924
00:48:15,360 --> 00:48:17,759
Speaker 1: get beat to the gods. And I've already thought about

925
00:48:17,800 --> 00:48:19,279
Speaker 1: if I ever go to the Golden Globes what I

926
00:48:19,320 --> 00:48:23,959
Speaker 1: would wear. I would wear a canary yellow tuxedo top

927
00:48:24,040 --> 00:48:26,479
Speaker 1: brings out the olive tones and the black pants because

928
00:48:26,520 --> 00:48:30,800
Speaker 1: I would be positive that I wouldn't win right, so

929
00:48:31,560 --> 00:48:38,160
Speaker 1: then um, when um, when the camera cuts to me

930
00:48:38,320 --> 00:48:41,000
Speaker 1: from what I'm nominating, I would just do the kind

931
00:48:41,040 --> 00:48:45,879
Speaker 1: of phrase of like you can't see but he's it's

932
00:48:45,960 --> 00:48:49,200
Speaker 1: like he's, um, come on a little, it's like he's

933
00:48:49,239 --> 00:48:51,719
Speaker 1: he's he's someone just he's in a business meeting and

934
00:48:51,800 --> 00:48:54,600
Speaker 1: someone just like pitched that they all go home early.

935
00:48:55,040 --> 00:48:59,239
Speaker 1: Come on. Really, there's no way, by the way, I

936
00:48:59,280 --> 00:49:02,400
Speaker 1: should backtrack. So I get all glammed up. I'm literally

937
00:49:02,480 --> 00:49:05,239
Speaker 1: contoured like Kim Kardashian. Oh you you'd get like I

938
00:49:05,400 --> 00:49:07,439
Speaker 1: show up now when you're saying like you get done,

939
00:49:07,840 --> 00:49:10,839
Speaker 1: like are you going to get work like botox before

940
00:49:10,880 --> 00:49:14,640
Speaker 1: this or would never? Just like you know, like just

941
00:49:14,719 --> 00:49:18,960
Speaker 1: like a full face of sup I look like Kimchi. Yeah.

942
00:49:19,239 --> 00:49:23,520
Speaker 1: So I I step out of the limousine and immediately

943
00:49:23,640 --> 00:49:26,719
Speaker 1: Leonardo DiCaprio is heading on me. It's just like get

944
00:49:26,840 --> 00:49:29,840
Speaker 1: out of here, leaving alone. I'm with my friends. I

945
00:49:29,960 --> 00:49:33,600
Speaker 1: bring Bow into the ceremony plus one and my plus one.

946
00:49:34,440 --> 00:49:37,759
Speaker 1: He'll be nominated next year the same category. I'm your

947
00:49:37,760 --> 00:49:43,680
Speaker 1: busy phillips. No, actually, I'm busy in your Michelle Williams

948
00:49:43,719 --> 00:49:47,480
Speaker 1: take busy phillips every every every award show, it's always

949
00:49:47,520 --> 00:49:49,960
Speaker 1: Michelle Williams and Busy is always right there. And that's

950
00:49:49,960 --> 00:49:54,000
Speaker 1: why I keep seeing Billy Busy Phillips places. Yes, Okay,

951
00:49:54,040 --> 00:49:57,480
Speaker 1: Busy Phillips is always where Michellilliams is. The award shows

952
00:49:57,640 --> 00:50:00,960
Speaker 1: their dates always, So anyway, I I win and it's

953
00:50:01,000 --> 00:50:03,520
Speaker 1: like this incredibly shocked moment and then the rest of

954
00:50:03,560 --> 00:50:06,480
Speaker 1: the night is just a blur, even in my retelling

955
00:50:06,520 --> 00:50:10,800
Speaker 1: of it right now. So I do want to know,

956
00:50:11,800 --> 00:50:13,640
Speaker 1: can you just walk us through what that is? What

957
00:50:13,880 --> 00:50:17,440
Speaker 1: what is it like to go to the Golden So well,

958
00:50:17,440 --> 00:50:19,080
Speaker 1: I'll tell you what I did this year was um

959
00:50:20,000 --> 00:50:23,160
Speaker 1: because I went to Okay, so the first year I

960
00:50:23,239 --> 00:50:27,120
Speaker 1: was nominated, we were invited to this fancy schmancy fashion

961
00:50:27,200 --> 00:50:29,960
Speaker 1: party at the Chateau Marmont the night before and I'm like,

962
00:50:30,080 --> 00:50:33,319
Speaker 1: this is gonna be amazing. I'm nominating and sure enough,

963
00:50:33,360 --> 00:50:35,040
Speaker 1: like I get out of the car, someone immediately takes

964
00:50:35,080 --> 00:50:37,360
Speaker 1: my picture like this great. My husband and I go up.

965
00:50:38,520 --> 00:50:42,439
Speaker 1: No one gives a ship. No one gives a fucking ship.

966
00:50:42,920 --> 00:50:45,920
Speaker 1: The chateau is crowded, by the way. I have to say,

967
00:50:46,000 --> 00:50:48,760
Speaker 1: like these parties that are thrown at the Chateau Marmont,

968
00:50:48,840 --> 00:50:51,759
Speaker 1: which is like it's a tiny space, there are a

969
00:50:51,880 --> 00:50:56,560
Speaker 1: lot of bodies. I I moderated an event for like

970
00:50:56,640 --> 00:50:59,400
Speaker 1: this nonprofit at the chateau, and there was at one

971
00:50:59,440 --> 00:51:01,759
Speaker 1: point a little girl was on stage playing guitar, and

972
00:51:01,840 --> 00:51:04,439
Speaker 1: I literally people were outside talking and I literally went, hey,

973
00:51:04,880 --> 00:51:07,719
Speaker 1: oh god, I went put down the cocaine and shut

974
00:51:07,800 --> 00:51:11,440
Speaker 1: the funk up. Out down a girl. He's playing guitar.

975
00:51:12,239 --> 00:51:16,160
Speaker 1: And it was great. Oh my god, it was great.

976
00:51:16,280 --> 00:51:18,600
Speaker 1: So so we went to the chateau. We ended up

977
00:51:18,680 --> 00:51:20,640
Speaker 1: just being the only people eating the food, which is

978
00:51:20,680 --> 00:51:23,040
Speaker 1: great when you're at like a party in l A.

979
00:51:23,440 --> 00:51:26,600
Speaker 1: There's no line for the food. It was great. And

980
00:51:26,719 --> 00:51:30,520
Speaker 1: so the night before we're like housing food. So so

981
00:51:30,680 --> 00:51:33,880
Speaker 1: then come this year, I get invited to like a

982
00:51:34,000 --> 00:51:36,960
Speaker 1: ton of events, but the night before the Golden Globes,

983
00:51:37,640 --> 00:51:39,359
Speaker 1: and then I get an email from my friends saying,

984
00:51:40,600 --> 00:51:43,600
Speaker 1: and it's half a bit, saying, hey, guys, the Pomona

985
00:51:43,680 --> 00:51:47,200
Speaker 1: Reptile shows in town. Do you want to go? And

986
00:51:47,320 --> 00:51:51,080
Speaker 1: I was like, you know what, yeah, because I was like,

987
00:51:51,160 --> 00:51:54,279
Speaker 1: I'm nominated for a Golden Globe. I'm not gonna like

988
00:51:54,520 --> 00:51:57,240
Speaker 1: get more nominated for a Golden Globe going to these events.

989
00:51:57,320 --> 00:52:00,200
Speaker 1: I'm already gonna be on TV. I'm going to the

990
00:52:00,280 --> 00:52:02,920
Speaker 1: Reptile Show. And so by that point that day, I

991
00:52:02,920 --> 00:52:04,440
Speaker 1: had already had my nails done because this year to

992
00:52:04,440 --> 00:52:07,040
Speaker 1: the Globes, I went with um nail art of all

993
00:52:07,080 --> 00:52:09,800
Speaker 1: of the cast members faces. And so I'm at the

994
00:52:09,880 --> 00:52:13,080
Speaker 1: Reptile Show and I'm holding get Gos with my fancy

995
00:52:13,200 --> 00:52:17,200
Speaker 1: nails and just like falling in love with tortoises. And

996
00:52:18,080 --> 00:52:19,799
Speaker 1: and then after we went out for Chinese food because

997
00:52:19,800 --> 00:52:21,600
Speaker 1: we went to Monterey Park for Chinese food because that's

998
00:52:21,640 --> 00:52:25,200
Speaker 1: where all the good Chinese food is um. And then

999
00:52:26,040 --> 00:52:27,480
Speaker 1: so like I just because I just knew, I was

1000
00:52:27,520 --> 00:52:30,120
Speaker 1: like all these pre events, like I'm already nominated for

1001
00:52:30,160 --> 00:52:31,640
Speaker 1: the big thing, which is the Golden Globe. I'm gonna

1002
00:52:31,640 --> 00:52:38,600
Speaker 1: meet some lizards. So so the thing that I I

1003
00:52:38,719 --> 00:52:41,319
Speaker 1: want to say the last two years ago I got

1004
00:52:41,320 --> 00:52:43,759
Speaker 1: like a facial but like, honestly don't have to, like

1005
00:52:43,960 --> 00:52:46,239
Speaker 1: I go to the Globes kind of in the middle

1006
00:52:46,280 --> 00:52:49,439
Speaker 1: of filming or like I had just come back from

1007
00:52:50,360 --> 00:52:54,000
Speaker 1: vacation this year. So all right, you wake up, your

1008
00:52:54,000 --> 00:52:56,719
Speaker 1: eyes flight open, and you're like today's day. No one

1009
00:52:56,760 --> 00:52:58,520
Speaker 1: hand you a momissa. I guess you can hire someone

1010
00:52:58,560 --> 00:53:04,759
Speaker 1: to do that, take a shower, you eat normally. I mean,

1011
00:53:04,840 --> 00:53:07,000
Speaker 1: to be honest, my days have been pretty normal. Like

1012
00:53:07,800 --> 00:53:11,239
Speaker 1: glam they called glam, which is hair and makeup. Glam

1013
00:53:11,320 --> 00:53:15,800
Speaker 1: squad comes a couple hours before and you sit in

1014
00:53:15,880 --> 00:53:20,640
Speaker 1: a chair and they um put the things on you.

1015
00:53:21,239 --> 00:53:23,520
Speaker 1: Here's the thing is, I'm not one to like blast

1016
00:53:23,840 --> 00:53:25,800
Speaker 1: music while getting here and makeup. I like taking the

1017
00:53:25,880 --> 00:53:27,360
Speaker 1: quiet time. So when I get hair and makeup on,

1018
00:53:27,440 --> 00:53:30,800
Speaker 1: I meditate. Um. But oh well, we have to know

1019
00:53:31,000 --> 00:53:33,680
Speaker 1: is both years I got a dress custom made for

1020
00:53:33,760 --> 00:53:41,279
Speaker 1: me by Christian Siriano. He's great. So so I did

1021
00:53:41,400 --> 00:53:45,800
Speaker 1: fittings before that, which feels glamorous. But you're also like

1022
00:53:45,880 --> 00:53:48,560
Speaker 1: in the fittings and there isn't like music playing. I

1023
00:53:48,600 --> 00:53:50,400
Speaker 1: mean I could play music. I guess in all of

1024
00:53:50,440 --> 00:53:52,520
Speaker 1: these scenarios, I could be playing music and it would

1025
00:53:52,560 --> 00:53:57,160
Speaker 1: make it feel more like But the hair and makeup,

1026
00:53:57,200 --> 00:54:00,560
Speaker 1: it's it's beautiful. And then you here's the thing is,

1027
00:54:00,640 --> 00:54:02,880
Speaker 1: like you get to the globes and it's just so

1028
00:54:03,600 --> 00:54:06,560
Speaker 1: ironically glamorous. It really is, and the red carpet ship

1029
00:54:06,760 --> 00:54:11,160
Speaker 1: is is really it's really crazy. I mean, it's a

1030
00:54:11,480 --> 00:54:13,759
Speaker 1: it's a skill to learn how to be on it

1031
00:54:13,840 --> 00:54:17,160
Speaker 1: because there's people shouting your name and you actually have

1032
00:54:17,239 --> 00:54:18,719
Speaker 1: to turn around and kind of stretch out your face

1033
00:54:18,800 --> 00:54:21,080
Speaker 1: because you're smiling so much. You start to like twitch

1034
00:54:22,200 --> 00:54:25,160
Speaker 1: and oh my god, you don't even think about this ship.

1035
00:54:25,680 --> 00:54:27,160
Speaker 1: And well, the first time I did it, I was

1036
00:54:27,239 --> 00:54:31,000
Speaker 1: so confused. No one told me what to do, and

1037
00:54:31,080 --> 00:54:32,960
Speaker 1: so I thought, I literally everyone who shouted my name.

1038
00:54:32,960 --> 00:54:35,120
Speaker 1: I thought I had to just look at them, and

1039
00:54:35,200 --> 00:54:37,520
Speaker 1: so I spent all this time looking at each individual camera.

1040
00:54:37,520 --> 00:54:38,800
Speaker 1: And then someone was like, no, you just look in

1041
00:54:38,880 --> 00:54:41,520
Speaker 1: the general direction and you do whatever the funk you

1042
00:54:41,560 --> 00:54:46,520
Speaker 1: want to. Yeah. Um, So that's like a chaotic moment. Yeah,

1043
00:54:47,000 --> 00:54:50,440
Speaker 1: and then it's really cool. And then but then like

1044
00:54:50,560 --> 00:54:53,160
Speaker 1: you're waiting in line for the red carpet and there's

1045
00:54:53,160 --> 00:54:55,200
Speaker 1: like waiting in line and everyone just like waits in line,

1046
00:54:56,440 --> 00:54:58,879
Speaker 1: and so then you go in and you sit down

1047
00:54:59,120 --> 00:55:05,160
Speaker 1: and it does everyone actually get drunk? Um? I you

1048
00:55:05,280 --> 00:55:07,840
Speaker 1: kept it together? Did this year? I got I got

1049
00:55:07,880 --> 00:55:09,640
Speaker 1: a little drunk this year. The first year I didn't

1050
00:55:09,920 --> 00:55:12,120
Speaker 1: because I was so nervous. And then I won and

1051
00:55:12,160 --> 00:55:14,000
Speaker 1: I didn't have time to drink. But this year, Like

1052
00:55:14,320 --> 00:55:16,000
Speaker 1: I was pretty sure I wasn't gonna win, and then

1053
00:55:16,040 --> 00:55:19,040
Speaker 1: when I didn't, I was just like time to get plastered. Yeah,

1054
00:55:19,920 --> 00:55:23,080
Speaker 1: the first year, when you're there, like did you think,

1055
00:55:23,200 --> 00:55:29,440
Speaker 1: like I think I might win? Uh? Two days before

1056
00:55:29,600 --> 00:55:31,560
Speaker 1: Rolling Stone come out with came out with their predictions

1057
00:55:31,600 --> 00:55:33,319
Speaker 1: and they predicted me. And that's when my writing partner

1058
00:55:33,360 --> 00:55:36,640
Speaker 1: Rolne was like, baby, you might win, and so I

1059
00:55:36,840 --> 00:55:40,120
Speaker 1: wrote a speech was positive. I mean, getting to the

1060
00:55:40,120 --> 00:55:41,960
Speaker 1: Globes of the first year was crazy because I step out,

1061
00:55:42,960 --> 00:55:45,200
Speaker 1: it's so glad. I'm overwhelmed with how glamorous it is.

1062
00:55:45,239 --> 00:55:47,239
Speaker 1: You know, the handy champagne, you're doing, all this red

1063
00:55:47,280 --> 00:55:51,200
Speaker 1: carpet stuff you're doing, You're doing entertainment tonight, and like

1064
00:55:51,320 --> 00:55:54,600
Speaker 1: you're next to all these celebrities who were like finishing

1065
00:55:54,680 --> 00:55:57,520
Speaker 1: up their interviews and I just remember them being like,

1066
00:55:57,600 --> 00:56:00,279
Speaker 1: now you're this year's it girl or whatever, and I

1067
00:56:00,440 --> 00:56:04,840
Speaker 1: was like, yeah, I guess. And then you know, you

1068
00:56:04,960 --> 00:56:09,480
Speaker 1: win the Globe and then immediately your whist off to

1069
00:56:09,640 --> 00:56:13,880
Speaker 1: press and so there's a video online of my press conference,

1070
00:56:13,920 --> 00:56:17,000
Speaker 1: but you have You've just won a Golden Globe and

1071
00:56:17,120 --> 00:56:19,760
Speaker 1: suddenly earning a press conference and luckily my press conference,

1072
00:56:20,239 --> 00:56:25,359
Speaker 1: I talked about diversity and then Israel. So when they

1073
00:56:25,440 --> 00:56:28,120
Speaker 1: call it, they call your name, and that's a ridiculous.

1074
00:56:28,440 --> 00:56:31,520
Speaker 1: It was overwhelming and I was like maybe expecting it,

1075
00:56:31,680 --> 00:56:33,440
Speaker 1: and then when they said it, I was like, oh

1076
00:56:33,880 --> 00:56:37,759
Speaker 1: holy and I just my husband screamed like someone had died.

1077
00:56:39,440 --> 00:56:43,000
Speaker 1: I I and then I had memorized my speech because

1078
00:56:43,040 --> 00:56:44,920
Speaker 1: like I wrote it, I had written it up and

1079
00:56:45,000 --> 00:56:48,759
Speaker 1: so that's why, like I had I think in the moment,

1080
00:56:48,800 --> 00:56:50,279
Speaker 1: I spoke so fast. I wanted to make sure to

1081
00:56:50,320 --> 00:56:52,000
Speaker 1: get everyone's name in. But of course I forgot to

1082
00:56:52,040 --> 00:56:57,680
Speaker 1: thank the Hollywood for impressed you did. That speech was great?

1083
00:56:58,520 --> 00:57:02,000
Speaker 1: It was, yeah, it was. It was crazy. And then

1084
00:57:02,000 --> 00:57:03,520
Speaker 1: the rest of the night I just like walked around

1085
00:57:03,560 --> 00:57:06,960
Speaker 1: holding the Golden Globe, which is heavy, and I am

1086
00:57:07,080 --> 00:57:11,560
Speaker 1: not fit. Um When you're up there, though, do you

1087
00:57:12,400 --> 00:57:15,800
Speaker 1: I guess was Meryl Streep there that year? Did you

1088
00:57:15,880 --> 00:57:18,080
Speaker 1: clock the celebs in front of you because you're looking

1089
00:57:18,280 --> 00:57:20,400
Speaker 1: you know, I was just kind of looking out into

1090
00:57:20,440 --> 00:57:23,440
Speaker 1: the crowd. Yeah, you know what, you know what it was.

1091
00:57:23,560 --> 00:57:26,880
Speaker 1: I went into stand up bit mode. The thing is,

1092
00:57:26,880 --> 00:57:29,040
Speaker 1: when you're up there, you want to do a bit

1093
00:57:29,040 --> 00:57:31,280
Speaker 1: because it's safe. Well, well, it also just feels like

1094
00:57:31,320 --> 00:57:33,600
Speaker 1: you're doing a big show, like a big stand up show,

1095
00:57:34,160 --> 00:57:35,720
Speaker 1: and so you kind of go into that mode and

1096
00:57:35,760 --> 00:57:37,480
Speaker 1: you don't realize, oh no, I'm also on TV. Like

1097
00:57:37,560 --> 00:57:41,200
Speaker 1: the Like watching myself on TV after the fact was

1098
00:57:41,320 --> 00:57:44,400
Speaker 1: so weird because I remember it being just like you're

1099
00:57:44,440 --> 00:57:48,000
Speaker 1: in a not massive room with a group of people

1100
00:57:49,880 --> 00:57:51,480
Speaker 1: and you're like, Okay, I gotta play to the room

1101
00:57:52,120 --> 00:57:55,200
Speaker 1: a little bit, yeah, a little bit, yes, yes, and

1102
00:57:55,320 --> 00:57:58,439
Speaker 1: you have that high from performing. It feels like, yeah,

1103
00:57:58,560 --> 00:58:00,600
Speaker 1: I think what made that speech so great and so

1104
00:58:00,800 --> 00:58:03,840
Speaker 1: genuine and so earnest was you just screaming oh my

1105
00:58:04,040 --> 00:58:08,240
Speaker 1: god like that. I don't know. I don't know how

1106
00:58:08,320 --> 00:58:14,680
Speaker 1: anyone doesn't, Well, how do you give a composed Yeah?

1107
00:58:14,720 --> 00:58:16,280
Speaker 1: I mean, look, Jennier Lawrence is like won an Oscar

1108
00:58:16,320 --> 00:58:20,880
Speaker 1: or whatever. But like you know, when people ask me,

1109
00:58:21,600 --> 00:58:24,880
Speaker 1: people ask you. The morning you get nominated is really

1110
00:58:24,920 --> 00:58:28,760
Speaker 1: nerve racking because they announced it at five am the

1111
00:58:28,920 --> 00:58:31,520
Speaker 1: night before. There's very few things in life where it's

1112
00:58:31,560 --> 00:58:33,920
Speaker 1: like you will know at this particular time when a

1113
00:58:34,080 --> 00:58:37,040
Speaker 1: massive thing is about to happen. There just aren't things

1114
00:58:37,120 --> 00:58:39,680
Speaker 1: like that, especially in actual show business. You don't know

1115
00:58:39,720 --> 00:58:41,880
Speaker 1: when someone's gonna call, if they're if you're gonna get apart,

1116
00:58:41,960 --> 00:58:45,240
Speaker 1: if they'll ever call, but you're like, Okay, at five

1117
00:58:45,320 --> 00:58:48,840
Speaker 1: am tomorrow I will know this. And the same thing

1118
00:58:48,880 --> 00:58:51,520
Speaker 1: with the Emmy's where it's like at seven am, I

1119
00:58:51,640 --> 00:58:55,160
Speaker 1: will know this and it's fucking nerve wracking. You're adrenaline

1120
00:58:55,280 --> 00:58:58,400
Speaker 1: so high. I couldn't sleep. Yeah, the night before the

1121
00:58:58,440 --> 00:59:00,920
Speaker 1: Emmys this year was bad. I could not um. It

1122
00:59:00,960 --> 00:59:02,760
Speaker 1: feels like the Emmys has a, guess, a little bit

1123
00:59:02,800 --> 00:59:05,600
Speaker 1: of a bias towards shows on maybe the c W,

1124
00:59:05,880 --> 00:59:08,480
Speaker 1: like the Emmy's doesn't like the Emmys eighteen thou people.

1125
00:59:08,760 --> 00:59:10,880
Speaker 1: So it's it's whatever the most kind of I think,

1126
00:59:11,040 --> 00:59:12,560
Speaker 1: And that's saying that stuff doesn't deserve it, but like

1127
00:59:12,720 --> 00:59:15,920
Speaker 1: it is more known stuff of course because it's the

1128
00:59:16,000 --> 00:59:21,280
Speaker 1: Hollywood form presses ninety people the Emmys. Well there you go, so, um,

1129
00:59:21,520 --> 00:59:23,880
Speaker 1: what was I gonna say? Uh No, It's like, well,

1130
00:59:24,000 --> 00:59:25,960
Speaker 1: at that moment of like knowing the time, it's sort

1131
00:59:25,960 --> 00:59:28,880
Speaker 1: of like sort of like theater Camper High School. It's

1132
00:59:28,880 --> 00:59:31,200
Speaker 1: like when the Castles goes out, that's exactly That's exactly

1133
00:59:31,240 --> 00:59:32,680
Speaker 1: what it feels like. It feels like the cast list

1134
00:59:32,760 --> 00:59:35,480
Speaker 1: is going up, and so the morning I got nominated

1135
00:59:35,560 --> 00:59:37,440
Speaker 1: for the Globe felt like I won because that was

1136
00:59:37,600 --> 00:59:39,720
Speaker 1: just no one saw it coming, and I kind of

1137
00:59:39,800 --> 00:59:41,720
Speaker 1: did because I felt good about the press conference that

1138
00:59:41,760 --> 00:59:44,080
Speaker 1: I did, but I didn't know. And so when that happened,

1139
00:59:45,240 --> 00:59:47,959
Speaker 1: I was, I mean hearing it was. It was Dennis Quaid,

1140
00:59:50,800 --> 00:59:54,800
Speaker 1: our friend Jack's dad, and like I was the first

1141
00:59:54,880 --> 00:59:56,720
Speaker 1: one because of my name alphabetically. And then this year

1142
00:59:56,760 --> 01:00:01,400
Speaker 1: was Don Cheatle and that was that felt like I won.

1143
01:00:02,160 --> 01:00:07,880
Speaker 1: Hearing my name. I was like, I'm from chet because

1144
01:00:10,160 --> 01:00:13,960
Speaker 1: because of the no but that was huge, I mean

1145
01:00:14,040 --> 01:00:17,600
Speaker 1: that was and then unlike this year, we were done filming.

1146
01:00:17,680 --> 01:00:19,520
Speaker 1: But the first year, I was in the middle of

1147
01:00:19,560 --> 01:00:21,520
Speaker 1: filming and so I had a film later that day

1148
01:00:22,080 --> 01:00:24,600
Speaker 1: and everyone gets you drunk because they're handing you champagne.

1149
01:00:24,840 --> 01:00:26,880
Speaker 1: I remember you posting about that or something. I remember, Yeah,

1150
01:00:27,320 --> 01:00:29,440
Speaker 1: you were still shooting. Oh man, I really want to

1151
01:00:29,480 --> 01:00:31,600
Speaker 1: bring you to the Golden Gloves now, and you're so

1152
01:00:31,760 --> 01:00:33,800
Speaker 1: I'm just gonna like literally step out and Lee I

1153
01:00:33,880 --> 01:00:35,440
Speaker 1: was going to be like, hey, I just want to

1154
01:00:35,480 --> 01:00:40,160
Speaker 1: really know someone that went to her. She was a

1155
01:00:40,160 --> 01:00:44,480
Speaker 1: couple of years ago. Oh quick, Jamie Fox's daughter close.

1156
01:00:44,520 --> 01:00:47,840
Speaker 1: I'm just gonna say it, Soci Bacon, Kevin Bacon. Oh yeah,

1157
01:00:47,920 --> 01:00:52,520
Speaker 1: it's always the child of a celebrity, which I'm He's like,

1158
01:00:53,240 --> 01:00:55,720
Speaker 1: that's trouble. When she told him out old he was

1159
01:00:56,000 --> 01:01:01,520
Speaker 1: she was how three young? But you know whatever, He's

1160
01:01:01,600 --> 01:01:04,240
Speaker 1: Leo DiCaprio. I just want to can I quickly describe

1161
01:01:04,240 --> 01:01:09,560
Speaker 1: my my Golden Globes day. It's super short, because amazing.

1162
01:01:10,360 --> 01:01:13,320
Speaker 1: I can't believe that was the firsthand account primary sores. Um,

1163
01:01:13,800 --> 01:01:17,520
Speaker 1: I wake up. I put on a sheet mask. I

1164
01:01:17,680 --> 01:01:19,880
Speaker 1: let it sit on my face. I'll put on like

1165
01:01:20,040 --> 01:01:24,600
Speaker 1: my electric blue suit. I'll walk out. I'll forget my

1166
01:01:24,680 --> 01:01:28,040
Speaker 1: sheet mask is still on. I'll bring a huge vat

1167
01:01:28,160 --> 01:01:31,400
Speaker 1: of cuticle oil with me and just like dip my

1168
01:01:31,480 --> 01:01:33,520
Speaker 1: hands in it in the limo and then I'll just

1169
01:01:33,680 --> 01:01:36,960
Speaker 1: pull it out. And then I want to do this

1170
01:01:37,160 --> 01:01:38,600
Speaker 1: is like if this is kind of an Amy Streamer

1171
01:01:38,640 --> 01:01:40,040
Speaker 1: crawling on the red carpet kind of moment, but I

1172
01:01:40,120 --> 01:01:42,360
Speaker 1: want to do a red carpet with a sheet mask

1173
01:01:42,440 --> 01:01:47,080
Speaker 1: on my fucking face. That's great, My fear would be

1174
01:01:47,360 --> 01:01:49,480
Speaker 1: because that's the one where you can drink. I would

1175
01:01:49,520 --> 01:01:52,840
Speaker 1: be a camera ye because knowing my history, it's like

1176
01:01:53,200 --> 01:01:55,320
Speaker 1: I was the one that was drunk at every sweet sixteen,

1177
01:01:56,160 --> 01:01:59,320
Speaker 1: Like like, yeah, it happens, but it's okay. If you

1178
01:01:59,360 --> 01:02:03,720
Speaker 1: get drunk, you're here's the thing, the idea, the idea.

1179
01:02:03,800 --> 01:02:06,200
Speaker 1: You know, there's so much composure, like, oh, you know,

1180
01:02:06,280 --> 01:02:08,000
Speaker 1: they asked you on the They asked me the first

1181
01:02:08,080 --> 01:02:10,080
Speaker 1: year I was nominated. They were like, so, what were

1182
01:02:10,120 --> 01:02:11,520
Speaker 1: you doing this morning? And a lot of people are like,

1183
01:02:11,560 --> 01:02:13,440
Speaker 1: oh my god, I didn't even know. I got a

1184
01:02:13,440 --> 01:02:15,000
Speaker 1: phone call from my agent or I was at the gym,

1185
01:02:15,040 --> 01:02:18,080
Speaker 1: and it's like, fuck, you know, I was up watching

1186
01:02:18,200 --> 01:02:21,520
Speaker 1: the broadcast that like the idea, Oh, I'm just gonna

1187
01:02:21,640 --> 01:02:25,560
Speaker 1: play cool I do. It's for the art, guys. This

1188
01:02:25,760 --> 01:02:28,120
Speaker 1: is a show where you're getting a hunk of metal

1189
01:02:29,120 --> 01:02:33,520
Speaker 1: for saying things like it's it's all, it's any it's

1190
01:02:33,640 --> 01:02:37,320
Speaker 1: it's entertainment. We actually ran into Lena and I went

1191
01:02:37,360 --> 01:02:40,040
Speaker 1: to the Vanity Fair Oscar party and we ran into

1192
01:02:40,080 --> 01:02:41,919
Speaker 1: one of the producers of the Oscars and they felt

1193
01:02:41,960 --> 01:02:45,200
Speaker 1: bad about the whole La La land And here's what

1194
01:02:45,280 --> 01:02:46,760
Speaker 1: I and what I said was and this is so

1195
01:02:46,920 --> 01:02:48,400
Speaker 1: like my dad. I became my dad. But I was

1196
01:02:48,480 --> 01:02:53,560
Speaker 1: like Hey, this is a television show. It's great TV,

1197
01:02:53,720 --> 01:02:57,200
Speaker 1: it's great entertainment. It sucks and it's weird, but at

1198
01:02:57,240 --> 01:02:59,400
Speaker 1: the end of the day, it's it's it's a it's

1199
01:02:59,400 --> 01:03:03,520
Speaker 1: a it's a show about entertainment. And so the idea

1200
01:03:03,560 --> 01:03:05,600
Speaker 1: that like, oh I better not get too drunk, it

1201
01:03:05,720 --> 01:03:09,400
Speaker 1: might not be civilized. It's it's like, let's look at

1202
01:03:09,400 --> 01:03:11,240
Speaker 1: the Oscars. You know where the Oscars even come from.

1203
01:03:12,040 --> 01:03:16,240
Speaker 1: I read about this. Uh, I'm gonna butcher this. But basically,

1204
01:03:16,360 --> 01:03:21,560
Speaker 1: Louis B. Mayer in the twenties thirties UH wanted to

1205
01:03:23,080 --> 01:03:26,040
Speaker 1: hire people who worked construction on his movies to build

1206
01:03:26,120 --> 01:03:29,760
Speaker 1: his house, and people refused because they were like, we're

1207
01:03:29,800 --> 01:03:31,200
Speaker 1: in the union. We're not just going to build you

1208
01:03:31,240 --> 01:03:34,080
Speaker 1: a house. And the union started to get stronger with

1209
01:03:34,280 --> 01:03:37,760
Speaker 1: the teamsters and they were afraid that the actors and

1210
01:03:37,880 --> 01:03:40,880
Speaker 1: directors were going to unionize, and they said, well, let's

1211
01:03:40,920 --> 01:03:45,080
Speaker 1: distract everyone. Let's have an award show. Let's we'll start

1212
01:03:45,120 --> 01:03:48,080
Speaker 1: a thing. We'll call it, m hmm, what's something fancy?

1213
01:03:48,360 --> 01:03:52,080
Speaker 1: The Academy of Motion Picture Arts and Sciences the OSCARS

1214
01:03:52,200 --> 01:03:57,440
Speaker 1: were founded to distract people from unionizing by teamsters, but

1215
01:03:57,560 --> 01:04:00,600
Speaker 1: no no, no, just like just like by by the studios. Sure,

1216
01:04:01,240 --> 01:04:04,120
Speaker 1: but it's sparked by these teamsters union. But you know

1217
01:04:04,200 --> 01:04:05,880
Speaker 1: what you if you really think about, of course it

1218
01:04:06,040 --> 01:04:09,760
Speaker 1: was there there could like yeah, it's an industry giving.

1219
01:04:10,040 --> 01:04:12,600
Speaker 1: Here's the thing is the critics giving awards is interesting

1220
01:04:12,680 --> 01:04:18,040
Speaker 1: because and maybe I'm biased because because you are critically claimed,

1221
01:04:18,120 --> 01:04:21,200
Speaker 1: well yes, but also if there's anyone who in the

1222
01:04:21,240 --> 01:04:23,080
Speaker 1: Hollywood form press does watch a lot, but but if

1223
01:04:23,120 --> 01:04:27,640
Speaker 1: there are people who really watch everything, it's Chris the

1224
01:04:27,840 --> 01:04:31,120
Speaker 1: idea of like, because the Television Academy is just everyone

1225
01:04:31,120 --> 01:04:35,880
Speaker 1: who's in the industry, it's interesting. This is why the

1226
01:04:35,960 --> 01:04:39,040
Speaker 1: t c A is a gag because they give one

1227
01:04:39,160 --> 01:04:42,160
Speaker 1: person the award for Drama and one person the award

1228
01:04:42,240 --> 01:04:45,560
Speaker 1: for Comedy. And they gave you the award for comedy

1229
01:04:45,680 --> 01:04:49,120
Speaker 1: and that is big and they don't make mistakes. They

1230
01:04:49,480 --> 01:04:51,800
Speaker 1: always give it to someone who's super deserving. It was

1231
01:04:51,920 --> 01:04:55,080
Speaker 1: you and Sarah Paulson for people v o J to

1232
01:04:55,240 --> 01:04:57,080
Speaker 1: give you a fucking idea. It was It was a

1233
01:04:57,200 --> 01:05:02,400
Speaker 1: really it was really amazing. Um yeah, that was really cool.

1234
01:05:02,480 --> 01:05:05,800
Speaker 1: Cool That night was really cool. That's just I always

1235
01:05:05,840 --> 01:05:08,560
Speaker 1: watched the Critics Choice Awards and and like I always

1236
01:05:08,640 --> 01:05:11,080
Speaker 1: like Clark when I see who they've given that award to,

1237
01:05:11,200 --> 01:05:12,720
Speaker 1: and I always make sure to seek that out. And

1238
01:05:12,800 --> 01:05:14,760
Speaker 1: of course I had already been watching in Crazy X,

1239
01:05:14,880 --> 01:05:18,880
Speaker 1: but I was just like it was, it's just incredible.

1240
01:05:19,160 --> 01:05:21,400
Speaker 1: And I want to give a shout out to watch

1241
01:05:21,560 --> 01:05:24,280
Speaker 1: you on screen and a show that you created. It's

1242
01:05:24,320 --> 01:05:28,800
Speaker 1: your brainchild. And also know that my Palpatel writes for

1243
01:05:28,920 --> 01:05:32,160
Speaker 1: your show and I went to school to learn how

1244
01:05:32,200 --> 01:05:35,840
Speaker 1: to write with her, and she's amazing. She's fantastic. The

1245
01:05:35,880 --> 01:05:38,440
Speaker 1: second lane read script, she's like this, I want this person.

1246
01:05:38,600 --> 01:05:42,560
Speaker 1: This person is brilliant. I'm so proud of her, and

1247
01:05:42,640 --> 01:05:45,280
Speaker 1: I I don't because I'm in New York still and

1248
01:05:45,400 --> 01:05:47,440
Speaker 1: she's in l A obviously doing her thing. I don't

1249
01:05:47,480 --> 01:05:52,080
Speaker 1: see her enough. But it's crazy because Billy Domino and

1250
01:05:52,320 --> 01:05:55,160
Speaker 1: me and so No and my friend Alice Roth, who's

1251
01:05:55,160 --> 01:05:58,040
Speaker 1: a writer producer in New York now we all went.

1252
01:05:58,520 --> 01:06:00,560
Speaker 1: We were in like every class together, and then to

1253
01:06:00,600 --> 01:06:03,480
Speaker 1: see them going to this great success, it's just it's

1254
01:06:03,560 --> 01:06:06,360
Speaker 1: so wild. It makes you think, I said to this

1255
01:06:06,560 --> 01:06:08,920
Speaker 1: when when you started to really check off, and when

1256
01:06:08,960 --> 01:06:10,840
Speaker 1: my friend's study got hired by Usanella. I was like,

1257
01:06:10,920 --> 01:06:12,560
Speaker 1: you know, I said to you, I was like, you know,

1258
01:06:12,720 --> 01:06:17,000
Speaker 1: this community that we had a feeling was special, really was.

1259
01:06:18,240 --> 01:06:20,800
Speaker 1: And that was very emotional for me. I was like,

1260
01:06:21,640 --> 01:06:27,200
Speaker 1: I just was It's just so great. Yeah, oh my god, surreal.

1261
01:06:28,400 --> 01:06:30,000
Speaker 1: Should we move on to I don't think so. I

1262
01:06:30,040 --> 01:06:32,280
Speaker 1: think it's time. Oh yeah, and I want you to

1263
01:06:32,360 --> 01:06:34,360
Speaker 1: give me something to rant about it. I think, okay,

1264
01:06:34,480 --> 01:06:37,120
Speaker 1: I'll dig into the trouble for you. Then, so guys, um,

1265
01:06:38,000 --> 01:06:42,600
Speaker 1: oh wait, can I say one more thing? So I'm

1266
01:06:42,720 --> 01:06:50,760
Speaker 1: making my network television debut. What on April I will

1267
01:06:50,800 --> 01:06:53,640
Speaker 1: be a contestant on who Wants to Be a Millionaire? What?

1268
01:06:54,040 --> 01:06:59,560
Speaker 1: Chris Harris Who? I shot this back in August. I

1269
01:06:59,600 --> 01:07:03,280
Speaker 1: went on a fucking whim. I went after work one

1270
01:07:03,360 --> 01:07:07,120
Speaker 1: day still I'm waiting tables. I get an email from

1271
01:07:07,200 --> 01:07:09,360
Speaker 1: like UCB or the Pit or whatever like hey, they're

1272
01:07:09,880 --> 01:07:13,240
Speaker 1: casting for for a Millionaire. And I'm like, you know what,

1273
01:07:14,280 --> 01:07:19,160
Speaker 1: I knew all these people, Kristin Bartlett, John Bander, Duffy Duffy,

1274
01:07:19,480 --> 01:07:22,360
Speaker 1: Kevin McClean, all these people who had been on fucking Millionaire,

1275
01:07:22,400 --> 01:07:24,360
Speaker 1: And I'm like, how are they getting this? I guess

1276
01:07:24,400 --> 01:07:27,480
Speaker 1: they want like personalities, right, So of course they reat

1277
01:07:27,520 --> 01:07:29,680
Speaker 1: out to the comedy theaters. I get this email that's like,

1278
01:07:29,720 --> 01:07:32,840
Speaker 1: we're going to be auditioning for contestants for Millionaire. I'm like,

1279
01:07:33,880 --> 01:07:35,880
Speaker 1: my one friend won a hundred k on it. I

1280
01:07:35,960 --> 01:07:38,920
Speaker 1: was like, I'm definitely going. So I go down there.

1281
01:07:39,360 --> 01:07:42,640
Speaker 1: I like, pass the test, get interviewed by the producer.

1282
01:07:42,800 --> 01:07:44,760
Speaker 1: I guess they like me enough. Pass me on, do

1283
01:07:44,920 --> 01:07:46,880
Speaker 1: this like fake screen tests? Passed me on. Finally I

1284
01:07:46,920 --> 01:07:50,320
Speaker 1: get an email, You're going you're going to be a contestant. God,

1285
01:07:51,200 --> 01:07:54,280
Speaker 1: So I shot it in August. I can't say anything

1286
01:07:54,320 --> 01:07:57,200
Speaker 1: about how it went, but I was going to be

1287
01:07:57,440 --> 01:08:00,960
Speaker 1: your So do you get a phone of friend? But

1288
01:08:01,280 --> 01:08:02,960
Speaker 1: now it's not phone a friend, it's you can bring

1289
01:08:03,040 --> 01:08:06,400
Speaker 1: a friend in the audience. So I said, because Bowen

1290
01:08:06,520 --> 01:08:08,440
Speaker 1: is very much the other half of my brain, Like

1291
01:08:08,640 --> 01:08:11,919
Speaker 1: I'm very like, you know, like, what is it, right, brain?

1292
01:08:12,400 --> 01:08:13,680
Speaker 1: You don't want to you don't want to bring that.

1293
01:08:14,080 --> 01:08:15,600
Speaker 1: You don't want to bring someone who's the other half

1294
01:08:15,600 --> 01:08:16,960
Speaker 1: of your brain because it's going to tell you what

1295
01:08:17,000 --> 01:08:19,840
Speaker 1: you already know. The thing is like the reason I

1296
01:08:19,960 --> 01:08:24,920
Speaker 1: want somehow it will tell you. This thing here is

1297
01:08:25,120 --> 01:08:29,280
Speaker 1: very scientifically mathematically minded. And also Bowen is genuinely the

1298
01:08:29,320 --> 01:08:33,559
Speaker 1: smartest person right now, you really are anyway, and so anyway,

1299
01:08:33,640 --> 01:08:35,920
Speaker 1: he couldn't go. So I chose the second smartest person

1300
01:08:36,040 --> 01:08:40,439
Speaker 1: I know, Sudy Green. So she comes with me to Vegas.

1301
01:08:41,160 --> 01:08:45,479
Speaker 1: We go, Oh my god, let's just say you're gonna

1302
01:08:45,520 --> 01:08:53,080
Speaker 1: want to tune in and it's going to be a

1303
01:08:53,160 --> 01:08:55,200
Speaker 1: wild episode. I wish you were in l A because

1304
01:08:55,240 --> 01:08:58,800
Speaker 1: we would all have a little screening party. Let's have

1305
01:08:58,880 --> 01:09:02,679
Speaker 1: a screening party. I'll be into it. We had plans

1306
01:09:02,720 --> 01:09:06,280
Speaker 1: to go to Disneyland that day, but I feel like

1307
01:09:06,280 --> 01:09:07,800
Speaker 1: we gotta have a screen We gotta have screen you

1308
01:09:07,840 --> 01:09:10,680
Speaker 1: know what. I volunteer my house. Oh my god, I

1309
01:09:10,720 --> 01:09:15,599
Speaker 1: would love We'll do it in my house. Okay, I'll

1310
01:09:16,280 --> 01:09:18,600
Speaker 1: double check my schedule. I get back the sixteen and

1311
01:09:18,920 --> 01:09:21,280
Speaker 1: I think that's gonna work. But I wanted to say

1312
01:09:21,280 --> 01:09:23,599
Speaker 1: it now because this episode will come out I think

1313
01:09:24,000 --> 01:09:26,599
Speaker 1: than twelve. So you guys, and I'll say it again

1314
01:09:26,680 --> 01:09:30,840
Speaker 1: for the episode. We're gonna have Miss Darcy Cardon on

1315
01:09:30,960 --> 01:09:34,360
Speaker 1: the next episode of Cultures. We're so excited and um

1316
01:09:34,840 --> 01:09:37,400
Speaker 1: so I'll say it again on that episode. But you guys,

1317
01:09:37,479 --> 01:09:39,920
Speaker 1: for twenty. Matt Rodgers is on Who Wants to Be

1318
01:09:39,920 --> 01:09:42,000
Speaker 1: a Millionaire? And I don't want to tune in because

1319
01:09:42,040 --> 01:09:44,240
Speaker 1: there might be some good moments. You kept this, kept

1320
01:09:44,280 --> 01:09:46,040
Speaker 1: things very close to the best, because not even I

1321
01:09:46,120 --> 01:09:50,600
Speaker 1: know what happens in this Wow and Chris Harris, I

1322
01:09:50,640 --> 01:09:52,960
Speaker 1: gotta say, I'm I'm I'm pretty curious about this. I

1323
01:09:53,040 --> 01:09:56,559
Speaker 1: will gladly, I'll host. I'll host the doing Alright, alright,

1324
01:09:57,439 --> 01:10:03,280
Speaker 1: Good's noon. Whenever airs like ABC, it like, oh maybe

1325
01:10:05,560 --> 01:10:07,200
Speaker 1: see the thing is Yeah, you think it's still like

1326
01:10:07,360 --> 01:10:10,120
Speaker 1: a prime time show, but now it's like it's like

1327
01:10:10,320 --> 01:10:12,680
Speaker 1: on every day at noon on ABC. I think it

1328
01:10:12,720 --> 01:10:15,280
Speaker 1: comes on after the View there, so all my all,

1329
01:10:15,360 --> 01:10:18,080
Speaker 1: my fan base will be already watching ABC. Of course,

1330
01:10:18,160 --> 01:10:21,439
Speaker 1: my demographic is women who watched the view like me.

1331
01:10:21,680 --> 01:10:23,400
Speaker 1: Remember when it was weekly and you had to wait

1332
01:10:23,520 --> 01:10:27,080
Speaker 1: until the next week. It was television events. I remember

1333
01:10:27,160 --> 01:10:29,719
Speaker 1: when I remember his name. I remember when John Carpenter

1334
01:10:29,800 --> 01:10:32,240
Speaker 1: one a million dollars was the first one and the

1335
01:10:32,320 --> 01:10:37,439
Speaker 1: question was how far away is the sun from the Earth? No, no, no, no, no,

1336
01:10:37,560 --> 01:10:39,519
Speaker 1: it was it was who was on? Who was the

1337
01:10:39,560 --> 01:10:43,080
Speaker 1: first president to be on network television? The answer was Nixon.

1338
01:10:43,160 --> 01:10:47,800
Speaker 1: On laughing that was on. Well okay, Well then there

1339
01:10:47,880 --> 01:10:50,240
Speaker 1: was another episode which was the answer was the sun

1340
01:10:50,400 --> 01:10:52,720
Speaker 1: is ninety three million miles away from the Earth. You

1341
01:10:53,200 --> 01:10:56,200
Speaker 1: remember that, nu, I remember it very clearly. So maybe

1342
01:10:56,320 --> 01:10:58,680
Speaker 1: maybe we're maybe both of us are. One of us

1343
01:10:58,760 --> 01:11:00,840
Speaker 1: is right, one of us is right. Okay, So guys,

1344
01:11:00,920 --> 01:11:04,680
Speaker 1: who's right? Me or Golden Globe winner Rachel? Take your

1345
01:11:04,760 --> 01:11:07,599
Speaker 1: take your sides, multiple choice quests. Remember that I will

1346
01:11:07,680 --> 01:11:09,160
Speaker 1: go to the Golden Globes one day and I'll be

1347
01:11:09,240 --> 01:11:14,200
Speaker 1: wearing canary. So, um, that's fantastic. Um, you guys, I

1348
01:11:14,479 --> 01:11:17,920
Speaker 1: cannot wait to watch. I'm so excited. I also think

1349
01:11:18,000 --> 01:11:23,280
Speaker 1: I possibly might look dumb, but um, don't spoil. But

1350
01:11:23,600 --> 01:11:26,400
Speaker 1: I'm not spoiling. I'm just saying I'm definitely on. And

1351
01:11:26,640 --> 01:11:29,320
Speaker 1: Sudie Green is my plus one and oh my god,

1352
01:11:29,640 --> 01:11:32,479
Speaker 1: she was one a million dollars and you were keeping

1353
01:11:32,560 --> 01:11:35,559
Speaker 1: it like this close to the vest this whole time. Yeah.

1354
01:11:35,680 --> 01:11:38,439
Speaker 1: I'm not a good secret keeper, so it's been very

1355
01:11:38,560 --> 01:11:40,719
Speaker 1: hard for me to not tell, especially because I shot

1356
01:11:40,760 --> 01:11:43,040
Speaker 1: it a long time. I didn't tell anyone, and I

1357
01:11:43,120 --> 01:11:46,200
Speaker 1: didn't tell well, I did not tell anyone, right, Yeah,

1358
01:11:49,560 --> 01:11:52,000
Speaker 1: that was hard. Have you noticed him fanning himself with money.

1359
01:11:54,360 --> 01:11:56,400
Speaker 1: I have a case full of money behind me, calling

1360
01:11:56,600 --> 01:12:00,280
Speaker 1: people in Switzerland. I don't know. Yeah, he's been like change,

1361
01:12:00,320 --> 01:12:09,040
Speaker 1: he's changed. Um, but you guys watch Yeah, so listen

1362
01:12:09,760 --> 01:12:13,759
Speaker 1: this next segment we have, it's the one you've open

1363
01:12:13,840 --> 01:12:18,080
Speaker 1: fucking waiting for. Um, we had our live show lost

1364
01:12:18,120 --> 01:12:20,280
Speaker 1: coature racist, I don't think so, Honey. Again, I want

1365
01:12:20,280 --> 01:12:21,760
Speaker 1: to say thank you guys so much for making it

1366
01:12:21,840 --> 01:12:25,760
Speaker 1: such a success. We're so excited about it, and there's

1367
01:12:25,800 --> 01:12:28,519
Speaker 1: gonna be. You should definitely stay tuned because I think

1368
01:12:28,560 --> 01:12:30,519
Speaker 1: we're going to be maybe doing another live show very soon.

1369
01:12:30,680 --> 01:12:33,160
Speaker 1: Oh my god, Oh my god, maybe even one in

1370
01:12:33,280 --> 01:12:38,920
Speaker 1: Los Angeles. Everyone that features Rachel Bloom have but try

1371
01:12:38,960 --> 01:12:40,760
Speaker 1: to get you. You let me know what you do it.

1372
01:12:41,160 --> 01:12:43,920
Speaker 1: I heard you're doing the story parts benefit. I'm so

1373
01:12:44,120 --> 01:12:48,040
Speaker 1: excited your story part. No, but I just I'm friends

1374
01:12:48,040 --> 01:12:50,920
Speaker 1: with a lot of story parts. Yeah. So honestly, you

1375
01:12:51,000 --> 01:12:53,120
Speaker 1: got it and you guys both story parts were both

1376
01:12:53,160 --> 01:12:55,360
Speaker 1: story parts. No god, I have so many friends in

1377
01:12:55,400 --> 01:12:58,000
Speaker 1: story part. It's the best for those of you who

1378
01:12:58,000 --> 01:13:02,000
Speaker 1: don't know story parts. Amazing collective of people. We take

1379
01:13:02,040 --> 01:13:04,400
Speaker 1: stories that kids right, making mental shows and there's gonna

1380
01:13:04,400 --> 01:13:06,280
Speaker 1: be a benefit this year, one in l a one

1381
01:13:06,320 --> 01:13:09,040
Speaker 1: in New York there in May, early to mid May.

1382
01:13:09,200 --> 01:13:10,800
Speaker 1: Got to check it out. I don't know this dates,

1383
01:13:10,800 --> 01:13:14,200
Speaker 1: but looking up story parts and Rachel's going to perform um.

1384
01:13:14,320 --> 01:13:16,080
Speaker 1: But you, guys, I don't think so, honey. It's one

1385
01:13:16,160 --> 01:13:19,080
Speaker 1: minute to rail against culture, something that's really been bugging.

1386
01:13:19,120 --> 01:13:21,599
Speaker 1: I've really been sucking us up, and we get takes

1387
01:13:21,640 --> 01:13:26,120
Speaker 1: sixty seconds to really go for it here, Um, do

1388
01:13:26,200 --> 01:13:30,519
Speaker 1: you have something I do? Okay, here we go. I

1389
01:13:30,560 --> 01:13:32,280
Speaker 1: think you're gonna go first. And I got my eye

1390
01:13:32,320 --> 01:13:34,080
Speaker 1: on the time bo when Yang starts now, I don't

1391
01:13:34,080 --> 01:13:36,759
Speaker 1: think so, honey. People at Soul Cycle steal your umbrellas

1392
01:13:36,760 --> 01:13:39,880
Speaker 1: when it's a rainy fucking day. We went yesterday morning

1393
01:13:40,000 --> 01:13:43,680
Speaker 1: for a Gaga versus Beyonce soul Cycle themed ride. I

1394
01:13:43,800 --> 01:13:48,439
Speaker 1: got my life. My endorphins are coursing through my fucking body.

1395
01:13:48,960 --> 01:13:51,439
Speaker 1: And guess what. I walked to the front door, check

1396
01:13:51,520 --> 01:13:55,120
Speaker 1: the bucket. What was not there? My twelve dollar black

1397
01:13:55,240 --> 01:13:58,120
Speaker 1: umbrella from Mooji that is durable and has lasted me

1398
01:13:58,360 --> 01:14:00,400
Speaker 1: months and munch. I don't think so my months. I

1399
01:14:00,400 --> 01:14:02,640
Speaker 1: don't think so, honey. People it's souls who think that

1400
01:14:03,040 --> 01:14:06,000
Speaker 1: it's action, that there are a rock star soul, a

1401
01:14:06,160 --> 01:14:09,200
Speaker 1: rock star athlete, warrior, whatever the fucking things on the

1402
01:14:09,240 --> 01:14:12,600
Speaker 1: posters saying that they they have that that they have

1403
01:14:12,760 --> 01:14:15,439
Speaker 1: the right to steal people's umbrellas in people's protections from

1404
01:14:15,479 --> 01:14:17,960
Speaker 1: the elements. I don't think so, honey. You cannot take

1405
01:14:19,200 --> 01:14:21,439
Speaker 1: when I am trying to just live my life in

1406
01:14:21,479 --> 01:14:24,479
Speaker 1: the city and walked work down Spring Street. Honey, I

1407
01:14:24,520 --> 01:14:27,679
Speaker 1: don't think so, honey. I am dressed a soul warrior

1408
01:14:27,920 --> 01:14:31,160
Speaker 1: who needs sol umbrella and don't you dare fucking touch

1409
01:14:31,280 --> 01:14:34,000
Speaker 1: my my fucking power of Louis. There's some French for you.

1410
01:14:34,160 --> 01:14:38,639
Speaker 1: I don't think so, honey. That's one minute bow and passion.

1411
01:14:39,120 --> 01:14:42,720
Speaker 1: You had the fire in your thank you. I'm um,

1412
01:14:42,840 --> 01:14:45,360
Speaker 1: you know what that that wasn't my strongest, but I

1413
01:14:45,600 --> 01:14:47,720
Speaker 1: really meant it. But you know what I could tell

1414
01:14:47,800 --> 01:14:49,559
Speaker 1: and I want to let everyone know listening at home,

1415
01:14:49,640 --> 01:14:52,559
Speaker 1: that he meant it. I thank you, thank you so much. Um,

1416
01:14:52,840 --> 01:14:54,840
Speaker 1: So don't you dared? Just don't this happened to be

1417
01:14:54,840 --> 01:14:58,080
Speaker 1: a d c M. Last year someone stolen umbrella. Fuck

1418
01:14:58,200 --> 01:15:09,160
Speaker 1: you d c M. Motherfucker's just as we talked about it.

1419
01:15:09,720 --> 01:15:12,120
Speaker 1: You did. I gotta listen to that episode. It's fun. Okay,

1420
01:15:12,160 --> 01:15:13,880
Speaker 1: Matt Rodgers, are you ready for I don't think so, honey.

1421
01:15:14,320 --> 01:15:16,080
Speaker 1: I'm ready. This is Matt Rodgers. I don't think so

1422
01:15:16,160 --> 01:15:20,080
Speaker 1: many time starts now, I don't think so, honey. Lake Michigan.

1423
01:15:20,560 --> 01:15:23,240
Speaker 1: I went with my boyfriend Henry to visit his parents,

1424
01:15:23,320 --> 01:15:25,680
Speaker 1: and bitch, I rolled up on Lake Michigan, and you

1425
01:15:25,840 --> 01:15:28,760
Speaker 1: look like a ocean. Let me tell you something. If

1426
01:15:28,840 --> 01:15:32,439
Speaker 1: I'm seeing waves caress the sand, I'd better be looking

1427
01:15:32,479 --> 01:15:34,840
Speaker 1: at the Long Island Sound. You're telling me you are

1428
01:15:34,960 --> 01:15:37,559
Speaker 1: fresh water, and you still look like an ocean. Don't

1429
01:15:37,640 --> 01:15:41,240
Speaker 1: funk with me. Also, you could never compete with an

1430
01:15:41,280 --> 01:15:44,920
Speaker 1: ocean because the ocean has much cooler marine life and

1431
01:15:45,040 --> 01:15:47,439
Speaker 1: they're much more dangerous. What's going to be in your lake?

1432
01:15:47,520 --> 01:15:51,520
Speaker 1: Some fucking fat Guess what? In the ocean we have octopus,

1433
01:15:51,920 --> 01:15:54,840
Speaker 1: In the ocean, we have seals, and the ocean we

1434
01:15:55,000 --> 01:15:58,280
Speaker 1: have a whale. And what do you have? Not even sharks?

1435
01:15:58,760 --> 01:16:02,120
Speaker 1: Some of you have alligators and not you like Michigan,

1436
01:16:02,160 --> 01:16:05,120
Speaker 1: because guess what all yours too fucking cold. When I

1437
01:16:05,200 --> 01:16:06,920
Speaker 1: see a big gest body of water and I look

1438
01:16:06,960 --> 01:16:08,679
Speaker 1: out and I can't see the other side of the land.

1439
01:16:08,840 --> 01:16:11,360
Speaker 1: I better smell salt, and if I don't, I'm not

1440
01:16:11,479 --> 01:16:14,240
Speaker 1: gaged five seconds. Let me tell you something like Michigan.

1441
01:16:14,880 --> 01:16:20,400
Speaker 1: Fuck you, I don't think and that's one minute. Wow,

1442
01:16:21,160 --> 01:16:23,200
Speaker 1: this is a historic never before has there been and

1443
01:16:23,200 --> 01:16:24,920
Speaker 1: I don't think so. When he gets the body of water,

1444
01:16:25,120 --> 01:16:29,519
Speaker 1: that's that was that was fantastic. Was just with mac

1445
01:16:29,560 --> 01:16:32,040
Speaker 1: Garring and he says, Hi, by the way, Hi man,

1446
01:16:32,760 --> 01:16:35,160
Speaker 1: and I was telling He asked if I had ever

1447
01:16:35,280 --> 01:16:37,320
Speaker 1: been to Michigan, because I told him Henry was from Michigan.

1448
01:16:37,360 --> 01:16:38,800
Speaker 1: And I was like, yeah, and might tell you. I

1449
01:16:38,880 --> 01:16:40,800
Speaker 1: went to see Lake Michigan and I was shocked because

1450
01:16:40,880 --> 01:16:42,920
Speaker 1: it looked like an ocean, it didn't look like a lake,

1451
01:16:43,600 --> 01:16:46,559
Speaker 1: and because the waves like the way that they appear

1452
01:16:46,640 --> 01:16:48,840
Speaker 1: on the land. I was just like very confused. And

1453
01:16:49,520 --> 01:16:52,360
Speaker 1: so he was like, wow, that sounds like you're upset,

1454
01:16:52,360 --> 01:16:54,479
Speaker 1: and I was like, yeah, that's my I don't think.

1455
01:16:54,479 --> 01:16:57,280
Speaker 1: So it's fantastic and I was gonna do my I

1456
01:16:57,320 --> 01:16:59,320
Speaker 1: don't think so, honey about straight men who come for

1457
01:16:59,400 --> 01:17:04,400
Speaker 1: big little because I see you, I see you, I

1458
01:17:04,479 --> 01:17:07,599
Speaker 1: see you saying you don't like Granada. I don't give

1459
01:17:07,640 --> 01:17:09,240
Speaker 1: a funk if you don't like Granada. I don't like

1460
01:17:09,320 --> 01:17:11,920
Speaker 1: any character and always sunny in Philadelphia. I put up

1461
01:17:11,960 --> 01:17:15,800
Speaker 1: with your ship anyway, coming for all the need to

1462
01:17:15,840 --> 01:17:18,120
Speaker 1: watch it. I gotta come for the Straits. But wait,

1463
01:17:18,240 --> 01:17:20,920
Speaker 1: hold on, before you do this, Big Little Eyes finale

1464
01:17:20,960 --> 01:17:23,000
Speaker 1: has aired, you guys, and it was really amazing, and

1465
01:17:23,040 --> 01:17:27,320
Speaker 1: you gotta watches and Rachel when you haven't been, I'm

1466
01:17:27,360 --> 01:17:28,479
Speaker 1: gonna do I mean, you know what. I'm gonna do

1467
01:17:28,479 --> 01:17:31,120
Speaker 1: it all on here. You should. It's all on HBO,

1468
01:17:31,520 --> 01:17:36,120
Speaker 1: all right. So I'm particularly angry at anything right now,

1469
01:17:36,160 --> 01:17:37,800
Speaker 1: which is weird for me. I'm just I think I'm

1470
01:17:37,840 --> 01:17:40,040
Speaker 1: too tired because I flew in today. So I want

1471
01:17:40,080 --> 01:17:41,519
Speaker 1: you to give me a topic to rand about and

1472
01:17:41,520 --> 01:17:43,840
Speaker 1: I will get angry at it for you. So you guys,

1473
01:17:44,040 --> 01:17:47,040
Speaker 1: I'm digging into the troll Ball, which is a new

1474
01:17:47,120 --> 01:17:50,280
Speaker 1: introduction for Rachel Bloom and I have to give credit

1475
01:17:50,280 --> 01:17:51,960
Speaker 1: to and Dresden who came up with the idea for

1476
01:17:52,040 --> 01:17:55,360
Speaker 1: the troll Ball. Um. But here we go. I'm just

1477
01:17:55,439 --> 01:17:58,360
Speaker 1: digging through. Okay, I got it, all right, I have

1478
01:17:58,439 --> 01:18:02,040
Speaker 1: a good one. Okay, Okay, Well, I don't really know

1479
01:18:02,120 --> 01:18:04,439
Speaker 1: if I should do this, because she's another public figure,

1480
01:18:04,640 --> 01:18:06,080
Speaker 1: So I don't know if I should do this. I

1481
01:18:06,200 --> 01:18:08,360
Speaker 1: was gonna say Mariska hergot but I don't want you

1482
01:18:08,439 --> 01:18:10,559
Speaker 1: to come from Ariska heart attack. I don't know much

1483
01:18:10,560 --> 01:18:16,120
Speaker 1: about Mariska. Okay, So, Rachel Rachel Bloom, I don't think so, honey.

1484
01:18:17,400 --> 01:18:19,040
Speaker 1: He let me just get the time set up. This

1485
01:18:19,200 --> 01:18:21,960
Speaker 1: is going to be good your Rachel Rachel Blues. I

1486
01:18:21,960 --> 01:18:28,760
Speaker 1: don't think so, honey. Is kindergarten go? I don't think so, honey. Kindergarten?

1487
01:18:29,240 --> 01:18:32,880
Speaker 1: What are you? Are you a grade or are you preschool?

1488
01:18:33,360 --> 01:18:36,080
Speaker 1: I thought I was done with this nebulous grading ship

1489
01:18:36,240 --> 01:18:38,880
Speaker 1: in preschool. I think that's what I went to fucking

1490
01:18:39,280 --> 01:18:42,439
Speaker 1: sorry for. When I go to an elementary school, I

1491
01:18:42,520 --> 01:18:45,800
Speaker 1: want to be given a great kindergarten. Also, what's with

1492
01:18:45,920 --> 01:18:48,760
Speaker 1: the German name? I'm Jewish? What are we a bunch

1493
01:18:48,800 --> 01:18:51,840
Speaker 1: of fucking Nazis? Kindergarten? Why don't you just call it

1494
01:18:51,960 --> 01:18:55,160
Speaker 1: like child time? I would much rather go. I don't

1495
01:18:55,200 --> 01:18:58,880
Speaker 1: think so, honey. I don't think so, honey. I don't

1496
01:18:59,080 --> 01:19:01,759
Speaker 1: go to an elementary school to be eating brat wars

1497
01:19:02,160 --> 01:19:05,360
Speaker 1: and drinking a rottler, which is what Germans do when

1498
01:19:05,400 --> 01:19:08,880
Speaker 1: they mix beer in sparkling lemonade. I want to eat.

1499
01:19:09,000 --> 01:19:11,719
Speaker 1: I want to eat American food at my child time,

1500
01:19:12,439 --> 01:19:16,200
Speaker 1: and preferably call it grade zero if you're gonna like

1501
01:19:16,560 --> 01:19:20,640
Speaker 1: not number it. And also it's not a garden but

1502
01:19:22,080 --> 01:19:28,120
Speaker 1: child garden child time. I don't think so, honey. Also

1503
01:19:28,840 --> 01:19:32,920
Speaker 1: epic and I never realized kindergarten. It's a German word

1504
01:19:33,160 --> 01:19:38,680
Speaker 1: kinda kinda. I live in America, Yes, I mean, come on,

1505
01:19:39,200 --> 01:19:44,560
Speaker 1: my family is fled Europe. If I wanted kindergarten, I

1506
01:19:44,920 --> 01:19:48,960
Speaker 1: I would have stid honestly. Wait. Speaking of change dot org,

1507
01:19:49,280 --> 01:19:51,880
Speaker 1: I started one as a joke and it became a thing.

1508
01:19:53,880 --> 01:19:57,160
Speaker 1: Don't let the Donald trump animatronic in Disney World speak.

1509
01:19:58,200 --> 01:20:01,160
Speaker 1: I heard this one. Did you did it? Catch team

1510
01:20:01,640 --> 01:20:06,160
Speaker 1: has signatures not nearly enough to change anything, and that

1511
01:20:06,280 --> 01:20:10,280
Speaker 1: animatronic will speak. But I felt good that enough people

1512
01:20:10,360 --> 01:20:12,759
Speaker 1: were like on my side about it. Can you fucking

1513
01:20:12,800 --> 01:20:17,000
Speaker 1: believe that it's disgusting? It's fully gross, terrible, But let's

1514
01:20:17,000 --> 01:20:20,479
Speaker 1: start the change or petition. Now change kindergarten to child time,

1515
01:20:20,640 --> 01:20:22,840
Speaker 1: child time. It's just child Tiid's gonna understand what it

1516
01:20:22,880 --> 01:20:26,000
Speaker 1: means child time, child time, and I think there should

1517
01:20:26,000 --> 01:20:28,360
Speaker 1: be more singing. I think it should be more child time.

1518
01:20:28,920 --> 01:20:34,439
Speaker 1: It's child times town, b it's to the tune of

1519
01:20:34,479 --> 01:20:38,200
Speaker 1: its quiet uptown of town. It's child town. There are

1520
01:20:38,320 --> 01:20:43,280
Speaker 1: moments that that the toys don't read. There's a nap time,

1521
01:20:43,400 --> 01:20:48,639
Speaker 1: impossible to bed. You put your coat up on hook

1522
01:20:49,800 --> 01:20:57,240
Speaker 1: and then you do some um listen, guys, barely ever read? Yes,

1523
01:20:57,360 --> 01:21:01,639
Speaker 1: you can barely ever read, barely ever read? You, guys.

1524
01:21:02,840 --> 01:21:06,080
Speaker 1: I feel like I could talk to you forever. I honestly,

1525
01:21:06,880 --> 01:21:09,800
Speaker 1: Rachel is the best. And if you're not watching Crazy

1526
01:21:09,840 --> 01:21:15,000
Speaker 1: Ex Girlfriend? I mean, what's the overlap of people listening

1527
01:21:15,040 --> 01:21:18,080
Speaker 1: to this podcast and not watching Craziest Girlfriend? You know what?

1528
01:21:18,240 --> 01:21:20,559
Speaker 1: I don't know that that that compliments my show too much.

1529
01:21:20,600 --> 01:21:23,240
Speaker 1: I don't know who's I don't know what. I don't know.

1530
01:21:23,880 --> 01:21:26,599
Speaker 1: You know? Well, okay, so have you started season three?

1531
01:21:27,640 --> 01:21:30,400
Speaker 1: We've started kind of. Aleen and I have started writing

1532
01:21:30,439 --> 01:21:32,800
Speaker 1: it ourselves, like before the room. You mentioned on your

1533
01:21:32,840 --> 01:21:34,519
Speaker 1: Facebook live a couple days ago that you guys had

1534
01:21:34,560 --> 01:21:37,600
Speaker 1: written the first song, yes, which is very exciting. I

1535
01:21:37,640 --> 01:21:38,880
Speaker 1: just can't wait to find out what it is. I

1536
01:21:38,880 --> 01:21:41,240
Speaker 1: can't you find out what the theme song is. Is

1537
01:21:41,280 --> 01:21:43,000
Speaker 1: there going to be a whole new theme song? Yes,

1538
01:21:43,200 --> 01:21:48,080
Speaker 1: Oh my god, balls to the wall, bonkers with how

1539
01:21:48,160 --> 01:21:51,000
Speaker 1: Rebecca is now? Um, that's so exciting. You don't know

1540
01:21:51,000 --> 01:21:53,760
Speaker 1: what your target demo was, the target demos, I just

1541
01:21:53,800 --> 01:21:56,840
Speaker 1: don't know, Like it's overlapping, like people who listened to

1542
01:21:56,920 --> 01:21:59,160
Speaker 1: this podcast, like I don't, I don't know, like the

1543
01:21:59,280 --> 01:22:01,120
Speaker 1: Ranchers in the Person on the Street. You know what,

1544
01:22:01,280 --> 01:22:03,040
Speaker 1: if you listen to this podcast and you know, watch

1545
01:22:03,120 --> 01:22:07,720
Speaker 1: Craziest Girlfriend, don't you dare fucking listen to another episode subscribed?

1546
01:22:09,320 --> 01:22:13,479
Speaker 1: We don't want you. We don't want you your review, honey,

1547
01:22:13,520 --> 01:22:17,000
Speaker 1: we are growing, we're moving on from you. Also, I

1548
01:22:17,120 --> 01:22:19,600
Speaker 1: want to end this was one thought. It's fascinating to

1549
01:22:19,600 --> 01:22:21,479
Speaker 1: watch Big Little Lies and Feud at the same time.

1550
01:22:23,080 --> 01:22:24,880
Speaker 1: There you go. I was going to mention something about

1551
01:22:24,880 --> 01:22:27,040
Speaker 1: Feud being a show about entertainment, which is what we touched.

1552
01:22:27,160 --> 01:22:28,840
Speaker 1: You know what, that's what I want to watch both

1553
01:22:28,880 --> 01:22:30,720
Speaker 1: of them. You should watch both of them because, let

1554
01:22:30,760 --> 01:22:32,760
Speaker 1: me tell you, actually is fascinating to watch them both

1555
01:22:32,760 --> 01:22:34,600
Speaker 1: because we have big Little lies, which is this, like

1556
01:22:35,160 --> 01:22:37,680
Speaker 1: you know, just like I think crowning and treatment of

1557
01:22:37,720 --> 01:22:40,200
Speaker 1: television right now, which is giving all these incredible women

1558
01:22:40,240 --> 01:22:42,920
Speaker 1: these incredible parts. And then to watch Feud, and a

1559
01:22:43,280 --> 01:22:45,560
Speaker 1: central topic of the show is like, there are no

1560
01:22:45,840 --> 01:22:48,960
Speaker 1: roles for us, we must make this work, and to

1561
01:22:49,080 --> 01:22:52,360
Speaker 1: watch them like companion pieces, and so there are companion

1562
01:22:52,400 --> 01:22:55,560
Speaker 1: peoples in the way because you know, Feud discusses that

1563
01:22:55,680 --> 01:22:59,160
Speaker 1: topic so much. And then they're so all the actresses

1564
01:22:59,200 --> 01:23:01,120
Speaker 1: are so amazing, and they're all going to be competing

1565
01:23:01,160 --> 01:23:03,800
Speaker 1: in the same category at the Emmy's and you go

1566
01:23:03,920 --> 01:23:06,800
Speaker 1: online and it's like, no, she's better, No, she's better

1567
01:23:07,360 --> 01:23:12,280
Speaker 1: by the way. Oh that's so interesting. Yeah, it's like,

1568
01:23:12,840 --> 01:23:15,160
Speaker 1: oh my god, Nicole and Rees are both so amazing.

1569
01:23:15,200 --> 01:23:18,439
Speaker 1: I love Big Little Less, I love female friendship. Now

1570
01:23:18,960 --> 01:23:25,800
Speaker 1: who should win? It's so there's this movie um with

1571
01:23:25,960 --> 01:23:28,320
Speaker 1: Kevin Klein called In and Out for many years ago.

1572
01:23:29,360 --> 01:23:31,320
Speaker 1: I haven't watched it in many years, so I'm not

1573
01:23:31,439 --> 01:23:33,439
Speaker 1: sure if it's offensive. Here we go. I watched it

1574
01:23:33,439 --> 01:23:36,240
Speaker 1: about a year ago and it's not. Okay, great. There's

1575
01:23:36,240 --> 01:23:40,799
Speaker 1: a line from it it's Christian who plays who plays

1576
01:23:40,880 --> 01:23:44,479
Speaker 1: Cameron Drake? Matt Dylan, Matt Dylan, Matt Dylan plays Cameron Drake.

1577
01:23:44,520 --> 01:23:46,880
Speaker 1: He's at the Oscars and they go, what do you

1578
01:23:46,920 --> 01:23:48,400
Speaker 1: think of the Oscars? And he goes, I think it's

1579
01:23:48,479 --> 01:23:51,559
Speaker 1: wrong the actors be forced to compete against each other

1580
01:23:51,680 --> 01:23:53,360
Speaker 1: like dogs, and they go, so why are you here

1581
01:23:53,600 --> 01:23:57,160
Speaker 1: in case I win? Yes, it's so good. That movie

1582
01:23:57,240 --> 01:23:59,240
Speaker 1: is great. It's a great movie. Right now? What movie

1583
01:23:59,400 --> 01:24:02,200
Speaker 1: is home? Apho book looking Back? Oh no, Miss Congeniality.

1584
01:24:03,360 --> 01:24:05,720
Speaker 1: With Michael Kane's character, Michael Caine is like his cold

1585
01:24:05,760 --> 01:24:09,439
Speaker 1: character is like gay and like Benjamin Brattol characters like dude,

1586
01:24:09,479 --> 01:24:12,920
Speaker 1: I'm not gay. It doesn't hold up, but Sandra Bullock

1587
01:24:12,960 --> 01:24:16,120
Speaker 1: does hold up in it. Sandra Bullock queen, that movie

1588
01:24:16,200 --> 01:24:18,040
Speaker 1: is great. Although they did steal a line from a

1589
01:24:18,080 --> 01:24:22,200
Speaker 1: League of their Own eyebrows, there should be too, Michael

1590
01:24:22,280 --> 01:24:24,320
Speaker 1: Kane goes, eyebrows, that should be too, And that is

1591
01:24:24,360 --> 01:24:26,040
Speaker 1: a line from a League of their Own in the

1592
01:24:26,280 --> 01:24:29,000
Speaker 1: finishing school scene. And I know what if you listen

1593
01:24:29,040 --> 01:24:31,920
Speaker 1: to this podcast and you like Miss Congeniality, we don't

1594
01:24:31,920 --> 01:24:33,760
Speaker 1: want to, we don't want you to take your view

1595
01:24:33,760 --> 01:24:36,080
Speaker 1: off iTunes. But if but League of their Own is

1596
01:24:36,120 --> 01:24:39,559
Speaker 1: the truth, there you go. My husband and I watched

1597
01:24:39,640 --> 01:24:42,880
Speaker 1: that movie a couple of months ago and we in

1598
01:24:43,000 --> 01:24:46,600
Speaker 1: the marl Of scene, wept. We both wept and and

1599
01:24:46,960 --> 01:24:49,120
Speaker 1: and I'm not I used to be a crier when

1600
01:24:49,120 --> 01:24:51,479
Speaker 1: I was depressed, and now I'm on pros X, I

1601
01:24:51,479 --> 01:24:56,519
Speaker 1: don't cry as much. Um and I wept. Honestly, that

1602
01:24:56,680 --> 01:24:59,360
Speaker 1: movie makes me cry. And this is a little known movie,

1603
01:24:59,439 --> 01:25:02,240
Speaker 1: and we should wrap up. But this We're gonna wrap

1604
01:25:02,320 --> 01:25:03,960
Speaker 1: up with this, the three movies that make us cry,

1605
01:25:05,920 --> 01:25:09,320
Speaker 1: all right. It's a film called Heart and Souls with

1606
01:25:09,520 --> 01:25:13,920
Speaker 1: Robert Downey Jr. And Curius Sedgwick and Alfrey Woodard Alfrey

1607
01:25:14,760 --> 01:25:21,280
Speaker 1: Queen Queen Alfrey. And it's about four people who die

1608
01:25:21,320 --> 01:25:24,640
Speaker 1: in a bus accident and becomes souls in the fifties.

1609
01:25:24,920 --> 01:25:27,840
Speaker 1: And they get attached to Robert Downey Jr. When he's

1610
01:25:27,840 --> 01:25:32,599
Speaker 1: a baby, and they become his guardian angels. And they

1611
01:25:32,640 --> 01:25:34,519
Speaker 1: have to leave him when he's a child because they

1612
01:25:34,600 --> 01:25:38,000
Speaker 1: realize he's they're distracting him. But then they they are involved.

1613
01:25:38,040 --> 01:25:40,960
Speaker 1: When he gets he becomes like an obnoxious adult, and

1614
01:25:41,479 --> 01:25:44,040
Speaker 1: they realize that they can only move on to their

1615
01:25:44,080 --> 01:25:48,720
Speaker 1: afterlife when he helps them fulfill their unfinished business. But

1616
01:25:48,840 --> 01:25:51,920
Speaker 1: he's also got a lot of problems. It's a wonderful movie.

1617
01:25:52,000 --> 01:25:54,360
Speaker 1: It's really kind of cheesy and campy, but let me

1618
01:25:54,439 --> 01:25:58,519
Speaker 1: tell you it will make you weep. Queen Alfrey water

1619
01:25:59,400 --> 01:26:06,320
Speaker 1: rule number one culture Queen and Alfrey waded amazing a

1620
01:26:06,479 --> 01:26:08,800
Speaker 1: top of mind. And I've just been coming up with

1621
01:26:08,880 --> 01:26:11,680
Speaker 1: these basic answers on the last few episodes, like with

1622
01:26:11,800 --> 01:26:15,320
Speaker 1: these quin kinds of questions like finding Nemo gets me

1623
01:26:15,400 --> 01:26:19,120
Speaker 1: every time. I'm sorry, it does. It really truly does,

1624
01:26:19,560 --> 01:26:23,439
Speaker 1: especially when he leaves Dory. Again basic. But I'm owning

1625
01:26:23,520 --> 01:26:27,120
Speaker 1: up to it and that, of course you must, you

1626
01:26:27,200 --> 01:26:33,000
Speaker 1: simply must, Rachel. You know what I well, I haven't

1627
01:26:33,040 --> 01:26:34,599
Speaker 1: seen it in the years, but you know a movie

1628
01:26:34,640 --> 01:26:38,320
Speaker 1: made me bawl my eyes out, the Adam Sandler movie Click.

1629
01:26:40,920 --> 01:26:44,600
Speaker 1: Actually it's snuck up on me and I bawled my

1630
01:26:44,680 --> 01:26:47,120
Speaker 1: eyes out. But I want to add a secondary addendum,

1631
01:26:47,560 --> 01:26:51,559
Speaker 1: which is a redundancy a thing that always makes me cry.

1632
01:26:52,800 --> 01:26:56,799
Speaker 1: Uh is um It's not a movie. It's the episode

1633
01:26:56,840 --> 01:27:01,800
Speaker 1: of Futurama about Fry's dolls. Yes, people talk about that

1634
01:27:02,040 --> 01:27:08,200
Speaker 1: dog looks like my dog, and like, literally just thinking

1635
01:27:08,240 --> 01:27:11,240
Speaker 1: about it, like I get you, truly had a moment

1636
01:27:11,600 --> 01:27:15,160
Speaker 1: like this dog, oh my god, this dog waited for

1637
01:27:15,320 --> 01:27:19,400
Speaker 1: him and literally the spoiler alert, the episode ends with

1638
01:27:20,120 --> 01:27:22,600
Speaker 1: fries dog back in your two thousand, just like it

1639
01:27:22,680 --> 01:27:24,800
Speaker 1: turns out the dog waited for him every single day,

1640
01:27:25,720 --> 01:27:28,519
Speaker 1: and then one day the dog just like lays down

1641
01:27:28,600 --> 01:27:31,760
Speaker 1: and close his eyes, and then the episode. You don't

1642
01:27:31,800 --> 01:27:37,479
Speaker 1: expect that from I am not a crier. But if

1643
01:27:37,560 --> 01:27:39,799
Speaker 1: you talk, if you, if you talk about dead dogs,

1644
01:27:40,560 --> 01:27:44,000
Speaker 1: I can't handle dead dog shit. Don't see Marley and me.

1645
01:27:44,280 --> 01:27:47,640
Speaker 1: I've actually never seen Mary. Yeah, here's I have a

1646
01:27:47,760 --> 01:27:51,280
Speaker 1: dog and it's my She's my first dog. Was this

1647
01:27:51,360 --> 01:27:52,920
Speaker 1: the one that you took in that one time? No,

1648
01:27:53,000 --> 01:27:54,599
Speaker 1: because I remember one time you took in a dog

1649
01:27:54,720 --> 01:27:56,479
Speaker 1: and you like wrote something in Facebook like, hey guys,

1650
01:27:56,840 --> 01:27:58,280
Speaker 1: we found a dog. We found a dog and then

1651
01:27:58,320 --> 01:28:00,920
Speaker 1: we found the owners that night. Good kid. Um No,

1652
01:28:01,120 --> 01:28:02,880
Speaker 1: but but my dog is a rescue and she's like

1653
01:28:02,960 --> 01:28:06,000
Speaker 1: seven and a half now, and and my writing partner

1654
01:28:06,120 --> 01:28:07,800
Speaker 1: very expressly I grew up with dogs and was like,

1655
01:28:07,960 --> 01:28:09,880
Speaker 1: I don't have dogs my own because I can't deal

1656
01:28:10,040 --> 01:28:13,160
Speaker 1: with when they get like old and die. And I'm like, well,

1657
01:28:13,240 --> 01:28:17,360
Speaker 1: my dog will never die. So do you follow old

1658
01:28:17,360 --> 01:28:20,960
Speaker 1: friends sancs very on Facebook? No? What is that? It's

1659
01:28:20,960 --> 01:28:24,320
Speaker 1: a senior Dog. No, No, they're so happy and they're

1660
01:28:24,400 --> 01:28:27,400
Speaker 1: they're having a good time. It's going to make you

1661
01:28:27,479 --> 01:28:33,120
Speaker 1: cry old friends, and they're also sweet guys. Um, I

1662
01:28:33,160 --> 01:28:36,720
Speaker 1: want you all to shut your eyes and I want

1663
01:28:36,760 --> 01:28:38,920
Speaker 1: to say thank you so much for listening to this

1664
01:28:39,000 --> 01:28:40,800
Speaker 1: episode of Last Colture says, and I want to thank

1665
01:28:40,880 --> 01:28:45,639
Speaker 1: Rachel Bloom than you be on our show and that's dying.

1666
01:28:47,200 --> 01:28:50,599
Speaker 1: Um My, guys, my name is Matt Rogers. Thank you, Rachel.

1667
01:28:51,800 --> 01:28:59,400
Speaker 1: We love you. Bye. This has been a Forever Dog

1668
01:28:59,479 --> 01:29:04,000
Speaker 1: production executive produced by Joe Cilio, Alex Ramsay, and Brett Boum.

1669
01:29:04,479 --> 01:29:07,880
Speaker 1: For more podcasts, please visit Trevor Dog Productions dot com.

1670
01:29:08,960 --> 01:29:09,000
Speaker 1: M