WEBVTT - 104: Enemy of the State w/ Liza Weil

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<v Speaker 1>Unpacking the Toolbox is a production of Shondoland Audio in

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<v Speaker 1>partnership with iHeartRadio Katie. My son today got his cast off.

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<v Speaker 1>Oh yeah, how does he feel? Is he happy? Well?

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<v Speaker 1>Now he has to be in a brace, but we

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<v Speaker 1>have a cast off party this afternoon. He's requested two

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<v Speaker 1>friends to be a Pokemon trading company. Were you ever

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<v Speaker 1>into Pokemon? Hell no, yeah, I still don't understand it.

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<v Speaker 1>I still didn't even understand what Pokemon is. Boys. Pikachu

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<v Speaker 1>is the a cat, is the mouse? What is he?

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<v Speaker 1>It's a bunny. I think it's a bunny. I have

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<v Speaker 1>no idea. I literally have no cluthes going on. But

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<v Speaker 1>my son is so into it. And for the first time. Okay,

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<v Speaker 1>he's only the cards. He gets our shit ass knockoffs

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<v Speaker 1>that are like five cents because I'm not spending money

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<v Speaker 1>on this show. And some of these cards are like

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<v Speaker 1>five hundred dollars. It's like collecting baseball card, like limited edition,

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<v Speaker 1>you know, Pokemons being around for thirty years or something.

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<v Speaker 1>So when he got his cast off, I got him

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<v Speaker 1>his first like real it was like sixteen dollars card.

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<v Speaker 1>Oh and as big fear is that he's going to

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<v Speaker 1>like still be into this in like ten years and

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<v Speaker 1>try to trade these knockoff piece of shit card They're like, kid,

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<v Speaker 1>this is this is a fake. Like this is a fake.

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<v Speaker 1>You're a fake, You're a phony, you're parents phones. Yo.

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<v Speaker 1>The only time I loved Pikachu is when when Pikachu

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<v Speaker 1>was a fucking happy meal box? Do you remember that?

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<v Speaker 1>Just a few months ago? And all I listen, I

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<v Speaker 1>don't love anything more than I love a good happy meal.

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<v Speaker 1>It makes the food taste better. Well, you could either

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<v Speaker 1>have a hamburger or cheeseburger, and then it comes with

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<v Speaker 1>small fries, apple slices, or yogurt, and that's pretty much.

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<v Speaker 1>I always get the hamburger with the fries. But y'all,

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<v Speaker 1>for a stint, for a little for a period there,

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<v Speaker 1>the Happy Meal boxes were an actual Pikachu and you

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<v Speaker 1>could fold the ears up and it looked like That's

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<v Speaker 1>the only time I was interested in Pikachu, the only

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<v Speaker 1>time we were into it. It It is so annoying, but

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<v Speaker 1>he loves it so much, and he was very brave

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<v Speaker 1>and actually surprisingly have you ever had a broken bone?

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<v Speaker 1>Uh in my foot? Yeah? I have? Oh did you

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<v Speaker 1>have to have a cast? Uh? No? You know you

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<v Speaker 1>know what in my hand too. Yeah, I had to

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<v Speaker 1>have a I had to have a cast. So I

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<v Speaker 1>remember when I was a kid, I broke my leg.

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<v Speaker 1>I remembered them taking the cast off and it hurt

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<v Speaker 1>so so so badly, and it was so scary. And

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<v Speaker 1>I feel like the thing like touched my skin and

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<v Speaker 1>it was like a saw. Now, it's things have come

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<v Speaker 1>so far from when way we were kidding. I have

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<v Speaker 1>this like saw machine that takes off cast now and

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<v Speaker 1>kids for in literally under one minute. It tickles their

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<v Speaker 1>skin as it's doing it. I don't know how that's possible.

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<v Speaker 1>But and Albi was husterical laughing. Are you serious? Yes,

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<v Speaker 1>he's so ticklish and he's stile laughing and had the

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<v Speaker 1>best time of his life. Like he wasn't scared. I

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<v Speaker 1>thought he was gonna be like Jesus Christ, this is

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<v Speaker 1>like a loud saw. Meanwhile, back in the day, we're like,

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<v Speaker 1>please don't cut my arm off? Were you taking the

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<v Speaker 1>cast off skin? Like I'm terrified. Um, it's not like

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<v Speaker 1>that at all. It's come very far. Um. And so

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<v Speaker 1>I've had a very active mourning. I tid Freeman, do

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<v Speaker 1>you ever hike I have? Yeah, I like hiking Freeman

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<v Speaker 1>is a is a trail up here in a North Hollywood, right,

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<v Speaker 1>what do we end Like, is that considered North Hollywood? Yeah,

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<v Speaker 1>it's in it's in Studio City, yeah, And it's a

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<v Speaker 1>a trailhead and it's like a three mile hike. It's

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<v Speaker 1>like a mile and a half up into my half

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<v Speaker 1>down and it's really beautiful. And it's very clear right

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<v Speaker 1>now in Los Angeles because we've had rains, which means

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<v Speaker 1>the smog has sort of moved out, and you can

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<v Speaker 1>see that there's like snow capped mountains nearby, and it's

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<v Speaker 1>really beautiful and I love it because it I zen out.

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<v Speaker 1>But today when I got there, I was following the

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<v Speaker 1>whole time, like seventy five teenage girls on this crash.

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<v Speaker 1>It was awful. You gotta let them go ahead. You

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<v Speaker 1>should have put off to the side and sat down

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<v Speaker 1>for a second. Get ahead. I couldn't get behind, I

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<v Speaker 1>couldn't figure out where I fit. And the whole fucking

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<v Speaker 1>hike I'm hearing like such annoying shit, and I just

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<v Speaker 1>was like, fuck, is this my fee Like God, damn it,

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<v Speaker 1>teenage girls are the fucking worst. Like it was so annoying. Wait,

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<v Speaker 1>you didn't have music or anything. You didn't have music

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<v Speaker 1>and music in my ear and it made no difference.

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<v Speaker 1>It was like like it was just so and so disturbing.

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<v Speaker 1>And if I went too far, because they were all

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<v Speaker 1>in clumps, like their little clicks. It was like seventy

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<v Speaker 1>five girls all split up up around you, all around me.

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<v Speaker 1>I was surrounded and I only had a certain amount

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<v Speaker 1>of time. So really, if I had been smart, I

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<v Speaker 1>would have just pulled over for like a long time.

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<v Speaker 1>And really, you didn't have time. I still want caught up.

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<v Speaker 1>I'm a fast fucking hiker. You are. We gotta go

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<v Speaker 1>hiking one day together. I love hiking. I would love it.

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<v Speaker 1>I do too. It's like it's like the only the

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<v Speaker 1>only form of working out that I actually enjoy. Yeah,

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<v Speaker 1>Like I just enjoy it. I like look around, I

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<v Speaker 1>like thin outdoors. You're listening to Madonna. I listen to podcasts.

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<v Speaker 1>I'm listening to Madonna. I'm my iPod, which they don't

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<v Speaker 1>even make them anymore. Right, I have to tell you

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<v Speaker 1>are the only person on planet Earth that I know

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<v Speaker 1>that still uses an iPod. I love my iPod? Is

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<v Speaker 1>she here? Oh shit, we're already in it. We're already

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<v Speaker 1>laughing because the greatest guest is here, the one and

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<v Speaker 1>only lies a while. Hi Liza, Hi, right, Yes you

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<v Speaker 1>did it, you crush it. Welcome to the Scandal Rewatch Podcast.

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<v Speaker 1>It's so nice to be here, you guys. I'm so

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<v Speaker 1>fit to dig in this with you. Man, you're unpacking

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<v Speaker 1>the toolbox. We're talking about episode one oh four called

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<v Speaker 1>Enemy of the State, which originally aired on April twenty

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<v Speaker 1>sixth of twenty twelve, and it was written by Richard E.

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<v Speaker 1>Robbins who I don't remember this writer, Katie, And it

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<v Speaker 1>was directed by Michael Cattleman, and I don't remember that director.

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<v Speaker 1>Gar guest starring Liza Wild, Amanda Tanner, Brendan Hines is Gidey,

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<v Speaker 1>and Wallace Bellamy Young his first Lady, Mellie Grant, Dan

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<v Speaker 1>Bucatinsky as James Novak, Joshua Molina as David Rosen, Matt

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<v Speaker 1>Lesher is Billy Chambers, Jose Zuniga as Hened, Benicio Flores,

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<v Speaker 1>Valerie Cruz is Carolina Flordes, leland Orcer as Sanders Black,

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<v Speaker 1>and Kate McGregor stewart as Mary. And just to take

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<v Speaker 1>you guys, scandal pace through the synopsis like we do.

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<v Speaker 1>When a dictator shows up at the OPA office pleading

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<v Speaker 1>for help to find his missing wife and children, Olivia

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<v Speaker 1>faces a moral dilemma on taking the case. Then, when

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<v Speaker 1>the truth comes out about the dictators missing family, the

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<v Speaker 1>entire team faces an even more difficult situation. Olivia and

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<v Speaker 1>Cyrus navigate the Amanda Tanner case. And who better to

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<v Speaker 1>have on the Scandal Rewatch podcast than the one and

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<v Speaker 1>only Amanda fucking Tanner? Yeah? Yo, lines up? How did

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<v Speaker 1>this part? Like? Did you guests are on all the

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<v Speaker 1>other great like all the other shandaland shows? I mean,

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<v Speaker 1>obviously you and Paul were husband wife. You knew Shanna

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<v Speaker 1>that way? How did you get Amanda Tanna? Okay? Well,

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<v Speaker 1>I mean I think we're gonna get We're just gonna

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<v Speaker 1>get right into it. I had done an episode of

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<v Speaker 1>Private Practice, and I think I did an episode of

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<v Speaker 1>Grades Anatomy. I went in for Scandal and read for

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<v Speaker 1>Quinn and Abby. What I didn't know that shit that either? Yeah,

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<v Speaker 1>But the weird thing was is that I read for

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<v Speaker 1>Quinn and then they um found you, which is like

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<v Speaker 1>Chef's Kiss. They had me come in right into a

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<v Speaker 1>test for Abby and I like had a complete psychotic

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<v Speaker 1>break in the audition room. It really stands as one

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<v Speaker 1>of the worst auditions experiences of my life. I was

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<v Speaker 1>so freaked out. I was like, I don't know, I

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<v Speaker 1>don't I don't know who this Abbey Willen person is.

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<v Speaker 1>I don't feel like connected to it. And they kept

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<v Speaker 1>insisting that I come right into a test, and I

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<v Speaker 1>was like, Linda, can I just come to your office

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<v Speaker 1>and like read this through? Like I don't know what

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<v Speaker 1>I'm doing. And I left my body in the audition

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<v Speaker 1>room and like was watching myself and I started doing

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<v Speaker 1>the anxiety thing when you're like narrating everything that's going

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<v Speaker 1>through your head and you're out loud. Ye so um

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<v Speaker 1>real Arlie, real, real bad you? Were you crying? Were

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<v Speaker 1>you hyperventilating? Was your heart racing? I remember like turning

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<v Speaker 1>away from them and like facing a corner of the

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<v Speaker 1>audition room and just sort of like touching the wall,

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<v Speaker 1>like trying to like bring my bring myself back to

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<v Speaker 1>some ground yourself. Yeah. So it was really humiliating and embarrassing.

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<v Speaker 1>They were so lovely, however, I think that they saw

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<v Speaker 1>a little bit of like an interesting, unhinged perfect Oh

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<v Speaker 1>my god, which is like you know, I mean, it's

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<v Speaker 1>one of the sort of all time great like switcherus

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<v Speaker 1>of it working out in like a really bizarre, beautiful

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<v Speaker 1>way that they could see past what I considered like

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<v Speaker 1>a huge sort of weakness and failure and it was

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<v Speaker 1>just like, no, just channel that into this other thing here.

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<v Speaker 1>Here you go. A lot of actors, I know, like

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<v Speaker 1>literally take beta blockers, like oh, they take like they

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<v Speaker 1>actually take like beta blocker, which is far less than

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<v Speaker 1>like um Araz of Pamm or an ad a Van

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<v Speaker 1>or something, because because they're going to have a full

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<v Speaker 1>bone anxiety. This is our lives as actors. Like that

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<v Speaker 1>shit happens for me. How it manifests for me is

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<v Speaker 1>my hand shake and I'll be holding sides. So now

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<v Speaker 1>I got a tip from another actor, Gary Perez, my

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<v Speaker 1>my buddy, and he was like, just bring a heavy,

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<v Speaker 1>heavy book and hold the sides on top of that

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<v Speaker 1>book and it sort of gives weight to your hand.

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<v Speaker 1>Because I sometimes I get so nervous that my hands

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<v Speaker 1>are shaking and then all I'm thinking about they're looking

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<v Speaker 1>at my shaking hands and my shaking Baby, I've had

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<v Speaker 1>fucking tongue rock by the way, like that's happened to

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<v Speaker 1>me before on like like a live talk show. And

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<v Speaker 1>then some days you feel amazing like a fucking king

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<v Speaker 1>and a queen right in the room and you're like

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<v Speaker 1>the most confident and chill. Yeah, but you just mis

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<v Speaker 1>chasing it. And then yes, I think why we keep

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<v Speaker 1>doing it is to like chase that that gray zone

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<v Speaker 1>right like and it's so rare, so trippy. Well without yeah,

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<v Speaker 1>I also I'm a firm believer that yeah, without Amanda Tanner,

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<v Speaker 1>like I needed to do Amanda Tanner, but I could

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<v Speaker 1>have never done Bonnie when her Bottom without being Amanda First.

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<v Speaker 1>I think it definitely like opened a door to like

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<v Speaker 1>the dark weirdness that so I was like, this is

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<v Speaker 1>my comeback story, guys, all right, like I am gonna

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<v Speaker 1>I gotta crush this and I and it felt really good.

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<v Speaker 1>But mostly I think because I was like, I didn't

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<v Speaker 1>get weird and have a meltdown. This is a triumph.

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<v Speaker 1>I did it. When you booked Amanda Tanner, did you

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<v Speaker 1>know that she was going to die? Did you know mine?

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<v Speaker 1>Did you know what it could be? So? Um, I

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<v Speaker 1>don't think I knew any of it. I think I

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<v Speaker 1>gradually heard that it was going to turn into like

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<v Speaker 1>a little bit of an arc and be like five

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<v Speaker 1>or six episodes. But I didn't know anything. I mean,

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<v Speaker 1>and you guys, because I'm so curious about your experience

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<v Speaker 1>going back and watching this as well. But I'm realizing

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<v Speaker 1>now that it was such a primer for me in

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<v Speaker 1>terms of uh, sort of the the shandaland staple of

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<v Speaker 1>really like going for a fucking ride because you wouldn't

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<v Speaker 1>know anything. You don't know anything as actors. You didn't

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<v Speaker 1>know the Quinn background. You didn't know the background of

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<v Speaker 1>any of these Oh yeah, so it just it really

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<v Speaker 1>is like a car pulling up in front of your

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<v Speaker 1>house being like come on, get in. You're like, where

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<v Speaker 1>are we going, and they're like it doesn't matter, just yeah,

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<v Speaker 1>you trust it. Yeah you trust again. First some actors

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<v Speaker 1>it's like wildly unsettling and they don't like it, and

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<v Speaker 1>they're sort of used to like sitting down with the

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<v Speaker 1>showrunner at the beginning of season and hearing what their

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<v Speaker 1>whole characters arc is going to be in with the

0:13:03.160 --> 0:13:05.960
<v Speaker 1>writer's room has planned for them and all of that

0:13:06.120 --> 0:13:09.320
<v Speaker 1>in Shanda Universe, which tell me if it was was

0:13:09.360 --> 0:13:11.960
<v Speaker 1>it the same for how to get with for Murder too. Yes, yeah,

0:13:11.960 --> 0:13:14.320
<v Speaker 1>oh yeah, so you were not told a fucking thing.

0:13:14.360 --> 0:13:17.600
<v Speaker 1>We showed the table read. You're not you don't ask questions,

0:13:17.640 --> 0:13:19.360
<v Speaker 1>you don't know where your character is going. I think

0:13:19.360 --> 0:13:22.240
<v Speaker 1>it's because they don't know really where your character right,

0:13:23.000 --> 0:13:25.040
<v Speaker 1>They're kind of waiting to see what you do and

0:13:25.080 --> 0:13:28.920
<v Speaker 1>what develops and like build off of that true what

0:13:29.080 --> 0:13:34.160
<v Speaker 1>I found complete freedom in it. Yeah, it becomes I

0:13:34.200 --> 0:13:37.440
<v Speaker 1>think can very liberating. There is like a you know,

0:13:37.520 --> 0:13:41.040
<v Speaker 1>a wonky like adjustment period because I think you also

0:13:41.160 --> 0:13:45.600
<v Speaker 1>just like you're you're up against so many other things.

0:13:45.640 --> 0:13:49.000
<v Speaker 1>It's really hard to be good on TV, you know,

0:13:49.200 --> 0:13:53.280
<v Speaker 1>like I'm fast paced, like you're just up against so much.

0:13:53.480 --> 0:13:57.320
<v Speaker 1>But there is a there is a a liberation I

0:13:57.360 --> 0:13:59.120
<v Speaker 1>think once you're like, I don't know what's going to

0:13:59.200 --> 0:14:01.360
<v Speaker 1>happen to me tomorrow in life, I don't know what

0:14:01.559 --> 0:14:04.800
<v Speaker 1>you know, Like, yeah, so it I think it can

0:14:04.840 --> 0:14:09.800
<v Speaker 1>be really fun and beautiful, but it's scary. Yeah, it's scary.

0:14:09.880 --> 0:14:12.439
<v Speaker 1>I like the part of TV two of doing an

0:14:12.440 --> 0:14:15.880
<v Speaker 1>episodic like like Scandal or Murderer, that you you know,

0:14:15.920 --> 0:14:18.679
<v Speaker 1>you don't have time to stress out or get too

0:14:18.720 --> 0:14:23.160
<v Speaker 1>nervous about something because the shooting pace is so freaking

0:14:23.440 --> 0:14:25.720
<v Speaker 1>fast and just going, going, going, Yeah, you don't have

0:14:25.800 --> 0:14:29.920
<v Speaker 1>time to be like I'm gonna stress and overthink this monologue.

0:14:29.920 --> 0:14:31.760
<v Speaker 1>You don't have time for that shit. You just gotta go, go,

0:14:31.760 --> 0:14:33.760
<v Speaker 1>go and keep doing it. And I guess that's that's

0:14:33.920 --> 0:14:35.640
<v Speaker 1>kind of a good thing, because you know, with my

0:14:35.760 --> 0:14:40.080
<v Speaker 1>crazy brain, my anxious brain, Yeah, was Amanda Tanner your

0:14:40.200 --> 0:14:42.840
<v Speaker 1>like big job after Gilmore I mean, I know you

0:14:42.840 --> 0:14:44.520
<v Speaker 1>worked a ton, but like, was it your first life?

0:14:44.560 --> 0:14:48.240
<v Speaker 1>Did you say Gilmore Girls? Wait a minute, Garmo love Gilmour.

0:14:50.200 --> 0:14:52.840
<v Speaker 1>Garmo fucking loves gilmar Girls. When we had Shanna on

0:14:52.880 --> 0:14:55.080
<v Speaker 1>the podcast for episode one, he was like, Seana, you

0:14:55.080 --> 0:14:57.880
<v Speaker 1>watched Gilmore Girls. And Seana was like no, and Garmos

0:14:57.880 --> 0:15:00.960
<v Speaker 1>like almost died. I was I almost. I almost turned

0:15:01.000 --> 0:15:04.080
<v Speaker 1>off my camera and like left the podcast. Now, No,

0:15:04.240 --> 0:15:08.200
<v Speaker 1>because because Liza, because she cast you, she cast the

0:15:08.280 --> 0:15:12.760
<v Speaker 1>lovely actress who played Lane on Gilmore Girls. Yes, and

0:15:12.800 --> 0:15:16.160
<v Speaker 1>then of course Hollis Doyle who was Greg Henry also

0:15:16.160 --> 0:15:19.240
<v Speaker 1>on Gilmore Girls. Like all these like wonderful people that

0:15:19.280 --> 0:15:22.440
<v Speaker 1>were on Gilmore Girls, and oh man, I always assumed

0:15:22.520 --> 0:15:24.520
<v Speaker 1>that she did watch it, but I that's news to

0:15:24.560 --> 0:15:26.720
<v Speaker 1>me that she did. She never saw it, which is

0:15:26.720 --> 0:15:28.520
<v Speaker 1>so crazy because when I go back and I think

0:15:28.520 --> 0:15:31.960
<v Speaker 1>about like the fast paced talking shows, it's like West Wing,

0:15:32.080 --> 0:15:35.960
<v Speaker 1>Gilmore Girls, Scandal, Like there's not so many shows where

0:15:36.000 --> 0:15:40.200
<v Speaker 1>like the Secret Sauce one of them in the recipe

0:15:40.240 --> 0:15:43.280
<v Speaker 1>is speaking as fast as humanly fucking possible. Yes, one

0:15:43.360 --> 0:15:47.080
<v Speaker 1>hundred percent. I mean I Gilmore Girls ended, I got married,

0:15:47.440 --> 0:15:49.960
<v Speaker 1>and then I was having like a really hard time

0:15:50.720 --> 0:15:53.080
<v Speaker 1>going back into audition rooms. I feel like the whole

0:15:53.120 --> 0:15:56.480
<v Speaker 1>time I was on Gilmore Girls, I wasn't really getting

0:15:56.480 --> 0:15:59.240
<v Speaker 1>out for other things, so like the audition muscle was

0:15:59.320 --> 0:16:04.320
<v Speaker 1>like I had no idea like and again just a

0:16:04.400 --> 0:16:08.040
<v Speaker 1>lot of panic attacks and a lot of anxiety, just

0:16:08.120 --> 0:16:11.280
<v Speaker 1>a lot of straight up anxiety because yeah, so I

0:16:11.320 --> 0:16:14.640
<v Speaker 1>didn't work for for like three years, I think after

0:16:14.720 --> 0:16:18.680
<v Speaker 1>Gilmore Girls, and then oh well I had my daughter,

0:16:19.240 --> 0:16:22.360
<v Speaker 1>so yeah, Amanda Tanner was like the first job back

0:16:22.400 --> 0:16:25.520
<v Speaker 1>after having a baby and sort of all of it,

0:16:25.560 --> 0:16:28.360
<v Speaker 1>and I was freaked out. I was really really nervous

0:16:28.480 --> 0:16:32.120
<v Speaker 1>because you guys were you know, you got us with

0:16:32.200 --> 0:16:36.200
<v Speaker 1>guys who were coming to play. We were not. You were.

0:16:36.320 --> 0:16:37.920
<v Speaker 1>I want to I want we wanted to talk about

0:16:37.960 --> 0:16:43.400
<v Speaker 1>this episode, but literally I will never forget that scene

0:16:43.960 --> 0:16:49.040
<v Speaker 1>in the pilot with you and the dog and Carrie

0:16:49.080 --> 0:16:54.760
<v Speaker 1>Washington and her having that monologue about you better get

0:16:54.800 --> 0:16:56.560
<v Speaker 1>out of town and here's all the things she's going

0:16:56.600 --> 0:16:58.320
<v Speaker 1>to do to you if you don't, and where'd you

0:16:58.360 --> 0:17:02.080
<v Speaker 1>get that dog? And you just have to literally sob

0:17:02.400 --> 0:17:05.520
<v Speaker 1>for like ever take it? Yeah, I mean, do you

0:17:05.600 --> 0:17:09.040
<v Speaker 1>remember that day and how the generous thing that Carrie

0:17:09.200 --> 0:17:12.400
<v Speaker 1>did of I remember, but please tell okay because it's

0:17:12.480 --> 0:17:15.160
<v Speaker 1>so it was you know, it was there was a

0:17:15.160 --> 0:17:18.119
<v Speaker 1>big build up for that scene and like it was

0:17:18.200 --> 0:17:22.719
<v Speaker 1>a long process, and I was like, I think I

0:17:22.760 --> 0:17:27.840
<v Speaker 1>had kind of blown my wad. Yeah yeah, yeah yeah,

0:17:27.880 --> 0:17:30.760
<v Speaker 1>And she did not as we say, we called for

0:17:30.840 --> 0:17:33.320
<v Speaker 1>tear stick, which I did all the time. Liza never

0:17:33.440 --> 0:17:38.600
<v Speaker 1>did that. Well, I think my moment, But honestly, it

0:17:38.680 --> 0:17:41.199
<v Speaker 1>was again like the motivation, like the motivation for crying

0:17:41.320 --> 0:17:44.840
<v Speaker 1>was out of like I am going to like whiff this,

0:17:45.240 --> 0:17:48.600
<v Speaker 1>like I this is I'm going to fail publicly. So

0:17:48.960 --> 0:17:52.560
<v Speaker 1>it was all just like you know, you better fucking

0:17:52.960 --> 0:17:57.040
<v Speaker 1>do this. Um. But then I remember having to break

0:17:57.080 --> 0:18:00.480
<v Speaker 1>for lunch and then before they part Ridge and I

0:18:00.520 --> 0:18:03.800
<v Speaker 1>was like, oh no, no, no, no, please please, let's

0:18:03.800 --> 0:18:05.879
<v Speaker 1>not break for lunch. And then just like sitting in

0:18:05.920 --> 0:18:10.000
<v Speaker 1>the honeywagon like rocking back and forth, like trying to starving,

0:18:10.200 --> 0:18:12.400
<v Speaker 1>starving because you know you're not going to eat. Yeah.

0:18:12.880 --> 0:18:15.760
<v Speaker 1>But Harry did like the thing for my coverage where

0:18:15.800 --> 0:18:19.200
<v Speaker 1>she just it just wasn't there, and she went off

0:18:19.280 --> 0:18:23.879
<v Speaker 1>script and sort of like added some personal stuff that

0:18:23.920 --> 0:18:26.119
<v Speaker 1>would sort of get a response out of me. She

0:18:26.240 --> 0:18:29.280
<v Speaker 1>knew that, you know, we were starting to try to

0:18:29.359 --> 0:18:31.480
<v Speaker 1>like find child care for our daughter and it was

0:18:31.520 --> 0:18:33.800
<v Speaker 1>so stressful, and it was like I was leaving her

0:18:33.800 --> 0:18:35.880
<v Speaker 1>alone for the first time, and she put she kind

0:18:35.920 --> 0:18:42.520
<v Speaker 1>of like sprinkled into the yeah, and and it just

0:18:42.800 --> 0:18:47.119
<v Speaker 1>saved my ass, man, And I was so grateful for

0:18:47.160 --> 0:18:51.400
<v Speaker 1>her to her for that. Uh well, let's stricken plays man,

0:18:51.440 --> 0:18:56.359
<v Speaker 1>because that scene. I'm convinced like that scene is probably

0:18:56.359 --> 0:18:58.359
<v Speaker 1>why we even like got to pick up for the

0:18:58.440 --> 0:19:03.240
<v Speaker 1>second season. Oh stop, Yeah, that's one of those iconic

0:19:03.359 --> 0:19:06.399
<v Speaker 1>fucking scenes where we know who Olivia Pope really is.

0:19:07.280 --> 0:19:09.879
<v Speaker 1>We know like what length she's willing to go for

0:19:09.920 --> 0:19:13.600
<v Speaker 1>her for her love for the president. We see that

0:19:13.640 --> 0:19:15.800
<v Speaker 1>she doesn't give a fuck that this girl is just

0:19:15.840 --> 0:19:18.200
<v Speaker 1>like a regular girl who was in the fucking wrong

0:19:18.200 --> 0:19:20.800
<v Speaker 1>place at the wrong time, although we kind of learned

0:19:20.800 --> 0:19:24.320
<v Speaker 1>that that's not who Amanda Tana. Yeah, and that scene

0:19:24.320 --> 0:19:26.240
<v Speaker 1>they use that they use that scene and a lot

0:19:26.280 --> 0:19:28.800
<v Speaker 1>of promos too, like that's the scene that when the

0:19:28.840 --> 0:19:32.560
<v Speaker 1>show first started sort of being publicized, right, Yeah, it's

0:19:32.840 --> 0:19:36.240
<v Speaker 1>iconic and you were phenomenal and however you got there,

0:19:36.680 --> 0:19:39.720
<v Speaker 1>like I just remember it was forever. That scene was

0:19:39.760 --> 0:19:42.320
<v Speaker 1>first of all outside, which is impossible. They can't like

0:19:42.720 --> 0:19:45.480
<v Speaker 1>really control lots of things that needed to be controlled.

0:19:46.240 --> 0:19:49.959
<v Speaker 1>He did shoot it, like wides and masters and Carrie's

0:19:50.040 --> 0:19:53.639
<v Speaker 1>coverage eight billion times for hours before we turned it

0:19:53.640 --> 0:19:56.200
<v Speaker 1>around on Liza. So by the time we turned around

0:19:56.200 --> 0:19:59.320
<v Speaker 1>on Liza, she's like, I can't hear this. Like when

0:19:59.320 --> 0:20:01.560
<v Speaker 1>I hear this doesn't have any effect on me anymore.

0:20:01.680 --> 0:20:05.440
<v Speaker 1>I've heard it one fucking thousand times. Yeah, and so

0:20:05.520 --> 0:20:07.840
<v Speaker 1>for Carrie, Yeah, she would. She used to do that

0:20:07.880 --> 0:20:09.080
<v Speaker 1>to me too. I don't know if she ever do

0:20:09.160 --> 0:20:10.960
<v Speaker 1>that to you Garmo too, But sometimes she'd just save

0:20:11.040 --> 0:20:13.720
<v Speaker 1>your ass and she would be like sprinkling just a

0:20:13.800 --> 0:20:16.679
<v Speaker 1>little something that would make me feel a different sound, different,

0:20:16.760 --> 0:20:19.560
<v Speaker 1>wake up, like, let me have an She didn't give

0:20:19.600 --> 0:20:23.400
<v Speaker 1>me shit. She barely remembered her lines when they were

0:20:23.400 --> 0:20:30.680
<v Speaker 1>doing my coverage. I'm kidding. She's great. Now. In this episode,

0:20:31.200 --> 0:20:37.159
<v Speaker 1>we have so many firsts it's insane, Like, yes, we

0:20:37.240 --> 0:20:40.320
<v Speaker 1>have so many first First we have like Carrie Washington

0:20:40.440 --> 0:20:44.159
<v Speaker 1>speaking Spanish, which she knows how to speak Spanish, right, Guermo,

0:20:44.240 --> 0:20:46.800
<v Speaker 1>because the case of the week is this, yes, this

0:20:46.880 --> 0:20:53.440
<v Speaker 1>dictator from yeah, Benicio Florides. I don't remember where he's from,

0:20:53.480 --> 0:20:56.040
<v Speaker 1>but like he comes in and needs help because his

0:20:56.160 --> 0:20:59.200
<v Speaker 1>children are and wife are missing. And Olivia speaks. Why

0:20:59.320 --> 0:21:01.280
<v Speaker 1>does Olivia I mean, excuse me, why does Kerry Washing

0:21:01.359 --> 0:21:03.960
<v Speaker 1>know how to speak Spanish fluently? Know how to do

0:21:04.080 --> 0:21:11.000
<v Speaker 1>everything fluently? Oh my god, she's really smart, right and

0:21:11.119 --> 0:21:15.440
<v Speaker 1>she knows probably all the things. Yeah, we have Amanda

0:21:15.600 --> 0:21:18.840
<v Speaker 1>wants to revisit the five minute like all you want,

0:21:19.080 --> 0:21:22.960
<v Speaker 1>like all you want for your end game. Olivia. Pope

0:21:23.000 --> 0:21:25.639
<v Speaker 1>is saying to you like okay, great, like what do

0:21:25.680 --> 0:21:29.320
<v Speaker 1>you want, and You're like, I want, oh the god,

0:21:29.440 --> 0:21:34.240
<v Speaker 1>you fucking kill you want fucking five minutes with the president.

0:21:34.320 --> 0:21:36.720
<v Speaker 1>Five minutes with the president. Yeah, Oh that scene is

0:21:36.760 --> 0:21:38.880
<v Speaker 1>so good. This way you say I want them all

0:21:38.920 --> 0:21:42.720
<v Speaker 1>to burn for this? Yes, yes it is, Yes it is.

0:21:44.480 --> 0:21:47.800
<v Speaker 1>That would be so hard to do for so many

0:21:47.840 --> 0:21:50.080
<v Speaker 1>people and do well. You guys are really nice, man,

0:21:50.160 --> 0:21:53.960
<v Speaker 1>I mean, because I think it could be kind of melodramatic,

0:21:54.880 --> 0:21:58.359
<v Speaker 1>you know what I mean. Yeah, we'll be right back. Guys.

0:22:03.520 --> 0:22:06.040
<v Speaker 1>Did you rewatch this episode Liza? And it's okay if

0:22:06.040 --> 0:22:09.840
<v Speaker 1>you didn't. We we I did. Was it nice being

0:22:09.880 --> 0:22:12.960
<v Speaker 1>sort of separated, like having the time from you know,

0:22:12.960 --> 0:22:15.200
<v Speaker 1>because I always talk about how we were so close

0:22:15.240 --> 0:22:17.639
<v Speaker 1>to the material and the show when we were shooting it,

0:22:17.720 --> 0:22:19.560
<v Speaker 1>so it was hard to be really be like, oh,

0:22:19.560 --> 0:22:21.959
<v Speaker 1>this is a great show because I would remember stupid

0:22:21.960 --> 0:22:23.760
<v Speaker 1>shit I didn't like that I did or whatever. But

0:22:23.840 --> 0:22:27.160
<v Speaker 1>now having that time, I'm like, it's such a great show.

0:22:27.600 --> 0:22:29.520
<v Speaker 1>It's such a great show. I mean I started, I

0:22:30.200 --> 0:22:32.680
<v Speaker 1>like burned through like six episodes, like I couldn't stop

0:22:32.680 --> 0:22:35.719
<v Speaker 1>watching it, Like I had the intention of just watching

0:22:35.800 --> 0:22:38.840
<v Speaker 1>until episode four, and then now I'm like fully in

0:22:38.920 --> 0:22:41.880
<v Speaker 1>it again. It's and it's just it's such a it's

0:22:41.960 --> 0:22:46.560
<v Speaker 1>such a delight. Yeah. How did you prepare for scenes

0:22:46.600 --> 0:22:48.480
<v Speaker 1>like like the burn for this? Were you working with

0:22:48.520 --> 0:22:51.720
<v Speaker 1>anybody at the time, or were you just like, I like,

0:22:51.840 --> 0:22:54.720
<v Speaker 1>how what was your like prep? Yeah? I was not

0:22:54.840 --> 0:22:57.560
<v Speaker 1>working with anybody at the time. I mean I think

0:22:57.600 --> 0:23:02.080
<v Speaker 1>I was just doing problem belief and like not great

0:23:02.400 --> 0:23:12.040
<v Speaker 1>unhealthy prep of like just self hatred and um. But again,

0:23:12.080 --> 0:23:17.680
<v Speaker 1>I think so much of of my fuel was just

0:23:18.320 --> 0:23:22.560
<v Speaker 1>a real, like authentic fear of not doing well like

0:23:22.600 --> 0:23:25.520
<v Speaker 1>this one. And it was such a exciting set to

0:23:25.640 --> 0:23:28.760
<v Speaker 1>be on. I mean, you guys were just so it

0:23:28.800 --> 0:23:32.400
<v Speaker 1>was just so lively and like there was such a potent,

0:23:32.640 --> 0:23:37.840
<v Speaker 1>palpable feeling of like joy and commitment and enthusiasm that

0:23:38.280 --> 0:23:43.080
<v Speaker 1>was so special to be around. Um, it was just

0:23:43.200 --> 0:23:48.280
<v Speaker 1>it felt very um just charged with all the things

0:23:48.359 --> 0:23:52.040
<v Speaker 1>that you really want to be around as an actor.

0:23:52.080 --> 0:23:55.000
<v Speaker 1>So I just remember how exciting it felt. I was

0:23:55.240 --> 0:24:00.000
<v Speaker 1>lucky in this episode that Michael Cattleman, who directed this episode,

0:24:00.160 --> 0:24:03.479
<v Speaker 1>tell us who that is? Okay, well he's he's been

0:24:03.520 --> 0:24:08.560
<v Speaker 1>around forever, but he was a very beloved supervising director

0:24:08.600 --> 0:24:12.520
<v Speaker 1>on Gilmore Girls for a couple of seasons and we

0:24:13.560 --> 0:24:18.480
<v Speaker 1>loved him, like he was Oh, what a gift for you.

0:24:19.240 --> 0:24:22.959
<v Speaker 1>Um that show was hard, like it was you know,

0:24:23.080 --> 0:24:28.320
<v Speaker 1>as you were saying, very dialogue heavy and we were

0:24:28.320 --> 0:24:33.400
<v Speaker 1>shooting crazy, crazy hours on that show. Um, but Michael

0:24:33.760 --> 0:24:37.679
<v Speaker 1>came in and just he was like the whisperer you

0:24:37.720 --> 0:24:41.719
<v Speaker 1>know to everybody, just very soothing, calming and like just

0:24:41.800 --> 0:24:44.679
<v Speaker 1>made it feel good there. So I'm so glad that

0:24:44.760 --> 0:24:47.239
<v Speaker 1>he was your person during this episode because you just

0:24:47.320 --> 0:24:50.200
<v Speaker 1>have a lot of heavy lifting in this episode, Like,

0:24:50.440 --> 0:24:52.879
<v Speaker 1>well and you get fucking kids. We gotta get there,

0:24:52.920 --> 0:24:57.119
<v Speaker 1>we gotta get there. Yeah, I mean I remember Katie,

0:24:57.119 --> 0:25:00.720
<v Speaker 1>like I loved Arla of Amanda and Quinn st so

0:25:00.800 --> 0:25:03.720
<v Speaker 1>much because it just felt like when I got to

0:25:03.720 --> 0:25:05.280
<v Speaker 1>be in a scene with you that I was just

0:25:05.320 --> 0:25:10.120
<v Speaker 1>being bathed in like warmth and kindness because Carrie as

0:25:10.160 --> 0:25:14.240
<v Speaker 1>Olivia really was pretty harsh with Amanda, and she would

0:25:14.280 --> 0:25:16.359
<v Speaker 1>just look at me like a fucking piece of shit,

0:25:17.000 --> 0:25:21.280
<v Speaker 1>like and like so much judgment. Yeah, well she thinks

0:25:21.320 --> 0:25:25.200
<v Speaker 1>you're pregnant with her fucking love yeah boyfriend with her boyfriend.

0:25:25.560 --> 0:25:30.200
<v Speaker 1>What am I saying? It's so so complicated for her, Yeah,

0:25:30.400 --> 0:25:34.960
<v Speaker 1>and it isn't really intense thing for her to take on.

0:25:35.080 --> 0:25:39.840
<v Speaker 1>It is webby as fuck, you know. Yeah, But Quinn

0:25:39.840 --> 0:25:41.760
<v Speaker 1>and Quinn and Amanda were just like I'm just like

0:25:41.800 --> 0:25:44.520
<v Speaker 1>I just want you to be Okay, yeah, it doesn't

0:25:44.560 --> 0:25:47.080
<v Speaker 1>have to be your story. Yeah, come be a client.

0:25:47.480 --> 0:25:49.720
<v Speaker 1>I come be a client, And like I'm trying to

0:25:49.760 --> 0:25:52.119
<v Speaker 1>do a good job. And I felt I feel like

0:25:52.200 --> 0:25:54.840
<v Speaker 1>Quinn feels so bad for her, Like I just think

0:25:54.880 --> 0:25:57.760
<v Speaker 1>she relates to her in a way too, right, Yeah,

0:25:58.320 --> 0:26:02.120
<v Speaker 1>there's empathy there, yeah, for sure. I mean, also, let's

0:26:02.119 --> 0:26:04.760
<v Speaker 1>take it back to like this is the cook Man.

0:26:04.800 --> 0:26:07.840
<v Speaker 1>This storyline Aman Tanner sleeping with the president. I mean

0:26:08.119 --> 0:26:11.680
<v Speaker 1>that is literally ripped from Judy Smith, who Olivia Pope

0:26:11.720 --> 0:26:16.879
<v Speaker 1>is based on representing Monica Lewinsky. Yes, yes, right, that's

0:26:16.920 --> 0:26:21.360
<v Speaker 1>a lot of pressure. I mean, your your case and

0:26:21.440 --> 0:26:25.280
<v Speaker 1>your person is very loosely inspired by probably the most

0:26:25.359 --> 0:26:30.280
<v Speaker 1>famous political presidential scandal in the history of time other

0:26:30.320 --> 0:26:34.240
<v Speaker 1>than Nixon, and like yeah, yeah, I mean there was

0:26:34.280 --> 0:26:36.600
<v Speaker 1>also a thing where, you know, the writers were sort

0:26:36.600 --> 0:26:38.200
<v Speaker 1>of like, we don't really know if she did sleep

0:26:38.240 --> 0:26:43.800
<v Speaker 1>with him, you know, yeah, Mike having to be like, Okay, well,

0:26:43.800 --> 0:26:45.960
<v Speaker 1>I think I just have to play that I did,

0:26:46.680 --> 0:26:49.000
<v Speaker 1>but I think it also, I mean to get kind

0:26:49.040 --> 0:26:51.520
<v Speaker 1>of raw about it. It was bringing up like a

0:26:51.600 --> 0:26:55.320
<v Speaker 1>lot of interesting things for me because I was like,

0:26:55.920 --> 0:26:58.840
<v Speaker 1>I did just have a baby. It was like really

0:26:58.880 --> 0:27:03.000
<v Speaker 1>a little sense of about being kind of on TV

0:27:03.200 --> 0:27:05.679
<v Speaker 1>and being looked at, and also been adding that element

0:27:05.720 --> 0:27:12.160
<v Speaker 1>of like, is anybody gonna believe that he slept with me? Like, yes,

0:27:12.320 --> 0:27:15.920
<v Speaker 1>I don't know. Man. You you're gorgeous. We're our worst enemies,

0:27:16.000 --> 0:27:21.159
<v Speaker 1>ourselves we are. Yeah, you are gorgeous every day of

0:27:21.200 --> 0:27:26.760
<v Speaker 1>your life, like in any any version of you. Brew brunette, blonde,

0:27:26.760 --> 0:27:30.480
<v Speaker 1>short hair, long hair, post baby. That's not why I'm

0:27:30.480 --> 0:27:32.400
<v Speaker 1>bringing that up. I didn't mean it to be a high.

0:27:33.840 --> 0:27:35.520
<v Speaker 1>We're going to be the ones to tell you, and

0:27:35.560 --> 0:27:38.640
<v Speaker 1>then we've and also you're doing some mad sketchy shit.

0:27:38.720 --> 0:27:40.760
<v Speaker 1>It's not in this episode, but in previous episodes you're

0:27:40.760 --> 0:27:43.119
<v Speaker 1>like on the phone and you're like, I have to

0:27:43.160 --> 0:27:46.080
<v Speaker 1>tell her. I can't like lie anymore. I had no

0:27:46.160 --> 0:27:49.200
<v Speaker 1>idea who I was calling. By the way, who you're talking.

0:27:49.240 --> 0:27:51.560
<v Speaker 1>You don't know you're talking to Billy Chambers. You don't

0:27:51.560 --> 0:27:54.520
<v Speaker 1>know you're actually pregnant with Billy Chambers. Baby. No, I

0:27:54.560 --> 0:27:56.440
<v Speaker 1>have none of that information. But it was such a

0:27:56.480 --> 0:27:58.879
<v Speaker 1>great way in going back, I have to say, like

0:27:58.920 --> 0:28:02.040
<v Speaker 1>I was like, oh, I wish I made a little

0:28:02.040 --> 0:28:05.080
<v Speaker 1>bit more of a choice. There because it was a

0:28:05.160 --> 0:28:08.280
<v Speaker 1>pretty general We all felt like that. I keep going

0:28:08.280 --> 0:28:10.399
<v Speaker 1>back and I'm like, God, why was I playing that?

0:28:10.440 --> 0:28:12.520
<v Speaker 1>And then I'm like, oh, because I didn't know. You

0:28:12.600 --> 0:28:15.800
<v Speaker 1>didn't know, but I worked. It worked. Yeah, you just

0:28:15.960 --> 0:28:19.000
<v Speaker 1>have to embrace like the general, like I'll just do

0:28:19.080 --> 0:28:22.760
<v Speaker 1>something general. Yeah. I remember distinctly one day on set,

0:28:22.840 --> 0:28:26.040
<v Speaker 1>not in this episode, on an earlier episode, I want

0:28:26.080 --> 0:28:28.840
<v Speaker 1>to say, maybe even the pilot. Yeah. I think it

0:28:28.920 --> 0:28:32.040
<v Speaker 1>was the pilot. The scenes where you are in bed

0:28:32.160 --> 0:28:36.080
<v Speaker 1>after you've slit your wrist. Oh. Yeah, and you brought

0:28:36.200 --> 0:28:42.920
<v Speaker 1>Josephine to set. Oh, and she met Shonda and it

0:28:42.960 --> 0:28:45.520
<v Speaker 1>was so stressed, Like I was like as a like

0:28:45.600 --> 0:28:47.480
<v Speaker 1>as a person who wanted to be a mom. I

0:28:47.560 --> 0:28:51.400
<v Speaker 1>just remember like looking at you and being like, oh

0:28:51.440 --> 0:28:55.760
<v Speaker 1>my god, Like she's married to an actor and she

0:28:56.200 --> 0:28:59.280
<v Speaker 1>is bringing her child to set and she's working and

0:28:59.400 --> 0:29:02.000
<v Speaker 1>you're doing it amazing job. Like I just remember being like,

0:29:02.080 --> 0:29:04.760
<v Speaker 1>holy shit, Like I hadn't I hadn't seen that before

0:29:04.800 --> 0:29:09.120
<v Speaker 1>because I only guest starred on procedurals where men were

0:29:09.120 --> 0:29:13.280
<v Speaker 1>the leads. I really hadn't seen any people bring babies

0:29:13.280 --> 0:29:15.000
<v Speaker 1>on set. It was the first time. I mean Shanda

0:29:15.120 --> 0:29:18.800
<v Speaker 1>like was very like she's obsessed with babies obviously. I

0:29:18.800 --> 0:29:21.520
<v Speaker 1>mean people don't know this. Sean is obsessed with babies

0:29:22.840 --> 0:29:24.440
<v Speaker 1>from Grays and Private and all that. And she just

0:29:24.520 --> 0:29:27.200
<v Speaker 1>was so like welcoming and happy that you brought her

0:29:27.280 --> 0:29:31.440
<v Speaker 1>to set. And I just remember being like, oh my god, like, yeah,

0:29:31.480 --> 0:29:34.840
<v Speaker 1>she was lovely about that. Okay. A few other firsts

0:29:34.840 --> 0:29:37.520
<v Speaker 1>and orders of business that I need to touch upon

0:29:38.640 --> 0:29:42.080
<v Speaker 1>is this is the first time we see Olivia drink

0:29:42.160 --> 0:29:44.320
<v Speaker 1>the biggest fucking glass of red wine in the history

0:29:44.320 --> 0:29:48.400
<v Speaker 1>of fucking television, which became a staple. Yea, it really

0:29:48.480 --> 0:29:51.920
<v Speaker 1>does make you want to have wine immediately the way

0:29:52.000 --> 0:29:54.560
<v Speaker 1>she drinks it. You're just like, ah, so she does

0:29:54.600 --> 0:29:57.800
<v Speaker 1>this huge wine thing, which became such a staple, like

0:29:57.880 --> 0:30:00.600
<v Speaker 1>such a joke. Like I remember seeing so much any sketches,

0:30:00.640 --> 0:30:02.360
<v Speaker 1>I think even on SNL or some shit that just

0:30:02.440 --> 0:30:05.760
<v Speaker 1>had like some Olivia Pope thing with a glass like

0:30:05.800 --> 0:30:09.680
<v Speaker 1>the size of a room. We meet James played by

0:30:09.760 --> 0:30:13.400
<v Speaker 1>Dan Bugatinski, and we learned that Cyrus is gay. Yeah,

0:30:14.760 --> 0:30:19.920
<v Speaker 1>fucking episode, Oh my god, that is huge. I mean,

0:30:20.000 --> 0:30:22.200
<v Speaker 1>Jeff Perry will have when we have him on, like

0:30:22.240 --> 0:30:24.960
<v Speaker 1>he didn't know Cyrus was gay. I remember talking Dan

0:30:25.040 --> 0:30:28.760
<v Speaker 1>about it. Yeah, he had no clue, And I mean,

0:30:28.960 --> 0:30:31.120
<v Speaker 1>we have to have Dan Bugatinski on who plays James

0:30:31.120 --> 0:30:34.880
<v Speaker 1>Novakian's performance is absolutely legendary, and it starts in this episode.

0:30:35.240 --> 0:30:39.480
<v Speaker 1>We also this Sanders Black played by leland Or ser

0:30:41.000 --> 0:30:44.920
<v Speaker 1>gets hired by the White House, and we learn for

0:30:44.960 --> 0:30:48.040
<v Speaker 1>the first time some of the like stray dogs in

0:30:48.120 --> 0:30:53.360
<v Speaker 1>OPA their backstory. For example, that Hawk's a killer. We

0:30:53.520 --> 0:30:57.560
<v Speaker 1>learned that Abby was beaten, which we didn't know before.

0:30:57.760 --> 0:31:02.360
<v Speaker 1>We've really We learned that Quinn Perkins didn't exist until

0:31:02.400 --> 0:31:08.760
<v Speaker 1>two thousand eight, motherfucker. And we learned that Harrison Wright

0:31:09.120 --> 0:31:13.520
<v Speaker 1>was like a car salesman kind of you know, slimy

0:31:13.600 --> 0:31:17.400
<v Speaker 1>dude turned lawyer, right, yeah, and we got caught up

0:31:17.400 --> 0:31:20.000
<v Speaker 1>in some money like yeah, he was some money laundering

0:31:20.760 --> 0:31:24.360
<v Speaker 1>type bad shit, and that Stephen Stephen was an attorney

0:31:24.360 --> 0:31:28.600
<v Speaker 1>as well who had a breakdown. Yeah, yeah, doing a

0:31:28.680 --> 0:31:31.520
<v Speaker 1>case and Olivia brought him sort of took him under

0:31:31.520 --> 0:31:34.240
<v Speaker 1>her wing. Yeah, oh right, he had a breakdown. Yeah.

0:31:34.280 --> 0:31:37.840
<v Speaker 1>And then I have my next note is Jeff gives

0:31:37.880 --> 0:31:41.479
<v Speaker 1>the best monologue ever whoa Well he says, you know,

0:31:42.080 --> 0:31:44.520
<v Speaker 1>you've got a man of Tanner's pregnant, and the President

0:31:44.640 --> 0:31:46.840
<v Speaker 1>is like, well, what happens now? And he takes him

0:31:46.880 --> 0:31:50.560
<v Speaker 1>through the trajectory of like what is like his downfall

0:31:51.040 --> 0:31:54.800
<v Speaker 1>and ultimately like you're you know, his demise and like

0:31:54.880 --> 0:31:58.720
<v Speaker 1>how he's just his life is just completely ruined and

0:31:58.800 --> 0:32:01.560
<v Speaker 1>he's gonna shoot himself with that gun that his dad

0:32:01.560 --> 0:32:05.000
<v Speaker 1>gave him, blow the back of his skull out. Yeah,

0:32:05.040 --> 0:32:09.840
<v Speaker 1>so good God, nobody can do what Jeff Perry does.

0:32:10.000 --> 0:32:15.440
<v Speaker 1>It is like, I watch him with such wonder There

0:32:15.440 --> 0:32:19.440
<v Speaker 1>should be an entire podcast just devoted to how he like,

0:32:19.560 --> 0:32:23.959
<v Speaker 1>how he brings stuff off the page. It is just astounding.

0:32:24.560 --> 0:32:27.680
<v Speaker 1>And then yeah, he has this little giggle at the

0:32:27.800 --> 0:32:30.600
<v Speaker 1>end as he's walking out the door. Do you remember that, Liza? Yes,

0:32:31.280 --> 0:32:33.240
<v Speaker 1>And he's like, huh no, but write your speech like

0:32:33.280 --> 0:32:38.400
<v Speaker 1>that matters, that's important, brilliant. Just that little moment is like, oh,

0:32:38.440 --> 0:32:41.360
<v Speaker 1>it's so amazing. He's so good. And then we're prepping

0:32:41.360 --> 0:32:43.840
<v Speaker 1>a man a Tanner for Diane Sawyer and it seems

0:32:43.920 --> 0:32:47.280
<v Speaker 1>like she may not want to Yeah, because that paternity

0:32:47.360 --> 0:32:51.320
<v Speaker 1>suit's going to be a little bit of when we

0:32:51.560 --> 0:32:54.920
<v Speaker 1>do that and we realize that she's not pregnant with

0:32:55.840 --> 0:32:59.120
<v Speaker 1>the president's husband, I mean the president's baby. And this

0:32:59.280 --> 0:33:03.600
<v Speaker 1>for the next first is that we've got the words.

0:33:03.640 --> 0:33:06.760
<v Speaker 1>Abby throws papers at her when I wanted to leave Charles,

0:33:06.800 --> 0:33:10.320
<v Speaker 1>and she has the most beautiful scene. Oh well I

0:33:10.360 --> 0:33:13.720
<v Speaker 1>wanted to leave Charles. Yeah, well, I wanted to leave Charles.

0:33:13.680 --> 0:33:15.640
<v Speaker 1>Abbey and Olivia have been at odds for a while

0:33:15.680 --> 0:33:18.520
<v Speaker 1>because Abby thinks Olivia keeps fucking up. She's her gut

0:33:18.560 --> 0:33:20.080
<v Speaker 1>is not in the right place, she's taking on the

0:33:20.080 --> 0:33:24.760
<v Speaker 1>wrong cases, she's she's misstepping right and left in Yeah.

0:33:24.800 --> 0:33:28.000
<v Speaker 1>For the first time, Abby says the phrase over a cliff, yes,

0:33:28.440 --> 0:33:32.600
<v Speaker 1>which like are you choking? Like who comes up with

0:33:32.640 --> 0:33:35.080
<v Speaker 1>this shit? I also, Katie, I don't know if you

0:33:35.200 --> 0:33:37.440
<v Speaker 1>if you notice, this is the first time that we

0:33:37.560 --> 0:33:42.520
<v Speaker 1>hear um. Abby mentions um Olivia taking a tire iron

0:33:42.560 --> 0:33:46.320
<v Speaker 1>to her ex husband's kneecap. Yes, And it's the first time,

0:33:46.600 --> 0:33:48.040
<v Speaker 1>Like I heard it for the first time when I

0:33:48.040 --> 0:33:50.760
<v Speaker 1>watched it on this rewatch and I was like, oh shit,

0:33:50.920 --> 0:33:54.640
<v Speaker 1>Like Olivia got violent on this dude because he, you know,

0:33:54.720 --> 0:33:57.800
<v Speaker 1>he hit her friend. And I was like, oh, wow,

0:33:57.880 --> 0:34:02.520
<v Speaker 1>that's that's cool. That's interesting information. Shadowing of kills what's

0:34:02.520 --> 0:34:06.400
<v Speaker 1>his name with the chair? Oh wow, yes, yes, which

0:34:06.440 --> 0:34:10.520
<v Speaker 1>is like seasons later. Um. I cry so hard in

0:34:10.520 --> 0:34:13.799
<v Speaker 1>this episode because of the fucking don't ever show me

0:34:13.840 --> 0:34:16.759
<v Speaker 1>an episode of television anywhere anytime where a baby's being

0:34:16.840 --> 0:34:19.480
<v Speaker 1>ripped away from its mother while the baby's fucking crying.

0:34:19.719 --> 0:34:26.120
<v Speaker 1>Baby's performance is amazing. I can't watch this. This baby

0:34:26.200 --> 0:34:28.760
<v Speaker 1>is unbelievable. I don't know whether the baby's really crying

0:34:28.840 --> 0:34:31.200
<v Speaker 1>or they added it in post, but it is absolutely

0:34:34.960 --> 0:34:40.719
<v Speaker 1>face and oh yeah, it's it's really heart wrenching. I mean,

0:34:40.760 --> 0:34:48.360
<v Speaker 1>it is absolutely heart wrenching that the dickhead dictator who's

0:34:48.400 --> 0:34:52.120
<v Speaker 1>abusive and a piece of shit, like the wife wants

0:34:52.160 --> 0:34:54.600
<v Speaker 1>to save her family and leave him because he's not

0:34:54.640 --> 0:34:57.200
<v Speaker 1>the man she married. And he's like, yeah, fine, you

0:34:57.200 --> 0:34:58.960
<v Speaker 1>can leave me, but I'm going to take all the children.

0:34:59.080 --> 0:35:01.760
<v Speaker 1>And they have to like and over the sobbing baby

0:35:01.880 --> 0:35:06.279
<v Speaker 1>and the older son, and it is just absolutely heartbreaking.

0:35:06.400 --> 0:35:08.920
<v Speaker 1>And those those guest stars, can I just say really quickly, Jose,

0:35:09.040 --> 0:35:11.520
<v Speaker 1>Oh my god, yes, Jose's Uniga, who plays hid A

0:35:11.680 --> 0:35:14.880
<v Speaker 1>Benicio Floridez. Oh, he's been in a like over one

0:35:14.920 --> 0:35:17.279
<v Speaker 1>hundred and forty like films and TV shows like, he's

0:35:17.280 --> 0:35:20.080
<v Speaker 1>in everything. Yeah, And speaking of first, me and him

0:35:20.200 --> 0:35:22.799
<v Speaker 1>did my first movie ever, Fresh where I got my

0:35:22.880 --> 0:35:26.040
<v Speaker 1>sag card, a movie with Sam Jackson and Bouchet. Right, Um,

0:35:26.440 --> 0:35:28.879
<v Speaker 1>Jose was in that film with me? Is that we did?

0:35:29.080 --> 0:35:31.359
<v Speaker 1>He was in, you know, my first first movie ever.

0:35:33.760 --> 0:35:36.080
<v Speaker 1>I love that anyway, he's he's a wonderful actor. And

0:35:36.120 --> 0:35:39.640
<v Speaker 1>then and then um, Valerie Cruz who plays Catolina Florides,

0:35:39.800 --> 0:35:42.239
<v Speaker 1>She's amazing and she was on Off the Map. Do

0:35:42.280 --> 0:35:46.520
<v Speaker 1>you remember that, Katie? Oh yes, I knew. She looks

0:35:46.560 --> 0:35:49.200
<v Speaker 1>familiar to me. Oh my god, that's where it was

0:35:49.239 --> 0:35:50.960
<v Speaker 1>that that was a Shonda land show right now. It

0:35:51.040 --> 0:35:53.920
<v Speaker 1>was the Doctor's Without Borders like Gray's Anatomy sort of

0:35:53.960 --> 0:35:56.640
<v Speaker 1>spinoff that lasted for one season and it was the

0:35:56.640 --> 0:36:01.680
<v Speaker 1>only show that did not become a huge zow And

0:36:01.800 --> 0:36:04.520
<v Speaker 1>I tested sort of for like all three female doctors

0:36:04.560 --> 0:36:06.760
<v Speaker 1>that didn't get them. And it was the year before Scandal,

0:36:06.840 --> 0:36:10.440
<v Speaker 1>and thank god, because I wasn't supposed to be fucking

0:36:10.600 --> 0:36:14.680
<v Speaker 1>doing that. And our makeup artists are amazing. Makeup artist

0:36:14.719 --> 0:36:17.839
<v Speaker 1>Denise worked on Off the Map and I remember her

0:36:17.840 --> 0:36:21.479
<v Speaker 1>and Valerie always just chatting and connecting and reminiscing about

0:36:21.480 --> 0:36:23.800
<v Speaker 1>shooting that show. I think they shot it in Hawaii

0:36:23.920 --> 0:36:27.680
<v Speaker 1>or something, right, Yeah, yeah, yeah, yeah. I have a question.

0:36:27.840 --> 0:36:32.160
<v Speaker 1>Gideon watches the tape in this episode where the President's

0:36:32.200 --> 0:36:35.799
<v Speaker 1>like whispering in your ear. Do you remember shooting that.

0:36:36.040 --> 0:36:39.080
<v Speaker 1>I do remember shooting it was he saying. I think

0:36:39.160 --> 0:36:41.440
<v Speaker 1>he was just leaning in and he didn't say anything,

0:36:41.719 --> 0:36:44.719
<v Speaker 1>but I think and that was I remember it was.

0:36:44.960 --> 0:36:47.560
<v Speaker 1>There was a lot of discussion I think about like

0:36:47.719 --> 0:36:51.319
<v Speaker 1>how they wanted it to look and it was, so

0:36:51.440 --> 0:36:53.960
<v Speaker 1>I don't I don't recall him. I mean, I think

0:36:53.960 --> 0:36:56.040
<v Speaker 1>he was probably just joking around when we did it,

0:36:56.080 --> 0:36:58.759
<v Speaker 1>and just you know, at the end of the episode

0:36:58.880 --> 0:37:04.120
<v Speaker 1>when you get a man a Tanner gets kidnapped, it's amazing,

0:37:04.520 --> 0:37:09.360
<v Speaker 1>it's eerie, it's fucking terrifying. Did you was it George

0:37:09.440 --> 0:37:12.200
<v Speaker 1>Newburn doing it to you or was it like just

0:37:12.280 --> 0:37:14.520
<v Speaker 1>a stand No, I think it was a stunt person.

0:37:15.160 --> 0:37:17.279
<v Speaker 1>So you didn't know at the time when you were

0:37:17.280 --> 0:37:20.560
<v Speaker 1>shooting it that it was Charlie. I didn't. Nope, didn't

0:37:20.560 --> 0:37:23.560
<v Speaker 1>know any of that. Yeah, yeah, nope, I didn't. No. Shit,

0:37:24.400 --> 0:37:26.360
<v Speaker 1>the yeah, the needle and the foot you know. I

0:37:26.360 --> 0:37:28.560
<v Speaker 1>think I remember reading that episode and being like, oh,

0:37:28.600 --> 0:37:31.600
<v Speaker 1>I think this is my last episode. Because the needle,

0:37:31.960 --> 0:37:33.920
<v Speaker 1>the needle in the toe, I was like, this is

0:37:34.040 --> 0:37:37.360
<v Speaker 1>end you come back from that. Your your foot acting

0:37:37.480 --> 0:37:41.080
<v Speaker 1>was on point, like no pun intended to Ballerina's yo.

0:37:41.120 --> 0:37:45.919
<v Speaker 1>That ship was on point the way trying to pull

0:37:45.960 --> 0:37:48.759
<v Speaker 1>away from that needle. It was so good. It's such

0:37:48.760 --> 0:37:51.200
<v Speaker 1>a great scene. Funny watching it is that I realized

0:37:51.360 --> 0:37:55.080
<v Speaker 1>that I couldn't. I wasn't keeping my eyes open, like

0:37:55.360 --> 0:37:59.120
<v Speaker 1>my my instinct was to like just be squint and

0:37:59.320 --> 0:38:01.840
<v Speaker 1>I so wished were you watching? And I'm like, open

0:38:01.880 --> 0:38:05.400
<v Speaker 1>your eyes, dummy, open your eyes. Don't even see who's

0:38:05.440 --> 0:38:08.200
<v Speaker 1>doing it? Like see was seeing what's happening? Yeah, like

0:38:08.320 --> 0:38:10.680
<v Speaker 1>and it wasn't. And I so that's I wish I

0:38:10.719 --> 0:38:13.919
<v Speaker 1>did that differently as well. But I think I didn't

0:38:13.960 --> 0:38:17.319
<v Speaker 1>even think of that. I just I just I see

0:38:17.400 --> 0:38:20.479
<v Speaker 1>is that you're fucking terrified, and like, yeah, but that's

0:38:20.480 --> 0:38:22.319
<v Speaker 1>so fucked up. When I'm watching it, I don't even

0:38:22.360 --> 0:38:26.080
<v Speaker 1>think I realized. I don't know if tell me if

0:38:26.080 --> 0:38:28.239
<v Speaker 1>I'm completely wrong. Do you think everybody was like, oh,

0:38:28.280 --> 0:38:31.040
<v Speaker 1>this is when she's dead? I just assumed that he

0:38:31.120 --> 0:38:33.480
<v Speaker 1>puts something in you to make you fall asleep, not

0:38:33.600 --> 0:38:37.400
<v Speaker 1>something that kills you. Yeah, I guess. I yeah, I

0:38:37.480 --> 0:38:40.200
<v Speaker 1>probably just went to the worst case scenario for myself

0:38:40.239 --> 0:38:45.359
<v Speaker 1>as an actor. Yeah. Yeah, Like, gee, did you think

0:38:45.440 --> 0:38:48.000
<v Speaker 1>this like that Amanda Tanner is dead or were you

0:38:48.040 --> 0:38:49.560
<v Speaker 1>like she's going to be put out and we're not

0:38:49.640 --> 0:38:52.239
<v Speaker 1>done with her yet exactly? Yeah, I didn't think. I

0:38:52.280 --> 0:38:55.239
<v Speaker 1>didn't think they were going to kill her off neither. Yeah,

0:38:55.280 --> 0:38:58.040
<v Speaker 1>at least at that point, I think Shanda brought me

0:38:58.080 --> 0:39:00.520
<v Speaker 1>in and told me that she is to die, but

0:39:00.640 --> 0:39:03.240
<v Speaker 1>that there was going to be like some flashback stuff

0:39:03.320 --> 0:39:05.439
<v Speaker 1>and then wait, we need to talk about that while

0:39:05.480 --> 0:39:07.680
<v Speaker 1>we have you though, I'll remember that day like nobody

0:39:07.760 --> 0:39:10.359
<v Speaker 1>like we were in Long Beach, I think, and then

0:39:10.400 --> 0:39:12.200
<v Speaker 1>she told me that they're going to pull my body

0:39:12.239 --> 0:39:13.799
<v Speaker 1>out of the river, and I was like, can I

0:39:13.880 --> 0:39:17.799
<v Speaker 1>please do that? Oh man, I have no idea what

0:39:17.800 --> 0:39:22.160
<v Speaker 1>disgusting thing happens. But you were pulled up on this

0:39:22.520 --> 0:39:27.400
<v Speaker 1>vest this ragon and just dangling it was it freezing

0:39:27.440 --> 0:39:29.920
<v Speaker 1>cold they put I mean they really geared me up.

0:39:29.960 --> 0:39:32.879
<v Speaker 1>I mean I think I had like layers of wetsuits

0:39:32.960 --> 0:39:37.160
<v Speaker 1>on under my clothes and everything and they painted you blue.

0:39:37.640 --> 0:39:41.040
<v Speaker 1>They like painted you. Your makeup was like obviously someone

0:39:41.080 --> 0:39:43.200
<v Speaker 1>who had been dropped in the Potomac. There was a

0:39:43.200 --> 0:39:47.239
<v Speaker 1>lot of discussion about like keep your mouth closed, like

0:39:47.360 --> 0:39:54.359
<v Speaker 1>make sure like this water is probably not great, that's disgusting.

0:39:54.719 --> 0:39:57.440
<v Speaker 1>So they dunked your ass in. They dunked you and

0:39:57.480 --> 0:40:00.080
<v Speaker 1>pulled you out for the scene. Well, there was the

0:40:00.160 --> 0:40:01.920
<v Speaker 1>thing that they did have a stunt person because I

0:40:01.960 --> 0:40:04.760
<v Speaker 1>guess that you're not allowed to be like I couldn't

0:40:04.840 --> 0:40:07.960
<v Speaker 1>be underwater and pulled up, so they so they yeah,

0:40:08.040 --> 0:40:10.440
<v Speaker 1>so they did the stunt person for that, but then

0:40:10.480 --> 0:40:12.360
<v Speaker 1>they did let me just like when it was like

0:40:12.400 --> 0:40:16.080
<v Speaker 1>the close up on your face and really knowing who

0:40:16.160 --> 0:40:19.960
<v Speaker 1>it was that to do that, and it was so fun,

0:40:20.000 --> 0:40:22.400
<v Speaker 1>Like I was like so excited to do that. That

0:40:22.480 --> 0:40:24.640
<v Speaker 1>was just some next level like I cannot believe I

0:40:24.719 --> 0:40:27.759
<v Speaker 1>get to be doing this. This is so cool. That's

0:40:27.840 --> 0:40:33.240
<v Speaker 1>so fun, like River Death, Yeah, yes please, y un

0:40:33.400 --> 0:40:38.160
<v Speaker 1>fucking believable and also so effective for us because you know,

0:40:38.200 --> 0:40:42.000
<v Speaker 1>we have so many episodes after you die where we're talking.

0:40:42.080 --> 0:40:44.200
<v Speaker 1>You know, it's so crazy that you're not there because

0:40:44.200 --> 0:40:46.240
<v Speaker 1>you're so a lot. You know, it's like those plays

0:40:46.239 --> 0:40:48.160
<v Speaker 1>where like you never meet the dad, but the pictures

0:40:48.200 --> 0:40:51.120
<v Speaker 1>on the wall and they dad so much or whatever,

0:40:51.680 --> 0:40:53.800
<v Speaker 1>but like it felt like that, like you were so

0:40:54.080 --> 0:40:55.920
<v Speaker 1>I mean, you were the engine and the fire of

0:40:55.960 --> 0:41:00.640
<v Speaker 1>the whole first season. Yeah yeah, and if people didn't

0:41:00.640 --> 0:41:04.520
<v Speaker 1>really care and feel for you, it would never have worked.

0:41:04.560 --> 0:41:08.080
<v Speaker 1>And that's just like such a testament to everything you did. Wow.

0:41:08.560 --> 0:41:12.320
<v Speaker 1>Thanks guys. We will be back with more after the break.

0:41:16.160 --> 0:41:19.920
<v Speaker 1>If this was twenty twelve, right, this aired on table

0:41:19.960 --> 0:41:22.040
<v Speaker 1>twenty six and two twelve. Do you remember when you

0:41:22.120 --> 0:41:27.440
<v Speaker 1>first shot Murder twenty fourteen? So it was two years? Yeah,

0:41:27.480 --> 0:41:32.200
<v Speaker 1>two years, that's yeah, that's why. My god, I remember

0:41:32.239 --> 0:41:34.919
<v Speaker 1>being at the one of the evening before parties, those

0:41:34.960 --> 0:41:37.279
<v Speaker 1>Emmy parties as a scandal, Cassie. We were already on

0:41:37.320 --> 0:41:39.040
<v Speaker 1>season I don't know what season we were on, two

0:41:39.120 --> 0:41:42.040
<v Speaker 1>or three, maybe right before Murder started, and then all

0:41:42.080 --> 0:41:43.640
<v Speaker 1>of a sudden, How To get Away with Murder was

0:41:43.680 --> 0:41:48.200
<v Speaker 1>a hot show, huge. Yeah. Yeah, did you have scenes

0:41:48.239 --> 0:41:51.759
<v Speaker 1>again with Carrie when she crossed over to How To

0:41:51.760 --> 0:41:54.239
<v Speaker 1>get Away with Murder? Because we did it, that's right. No,

0:41:54.600 --> 0:41:56.640
<v Speaker 1>they had to do a really weird thing with me

0:41:56.760 --> 0:42:02.120
<v Speaker 1>because they couldn't have Amanda Tanner and Vonnie winner Bottom

0:42:02.160 --> 0:42:07.960
<v Speaker 1>exist in the same universe. Oh shit, Oh my god,

0:42:08.040 --> 0:42:12.640
<v Speaker 1>that's insane. Did someone tell you that? No, I mean

0:42:12.680 --> 0:42:14.440
<v Speaker 1>I think that it occurred to them in the room

0:42:14.480 --> 0:42:16.759
<v Speaker 1>when they were trying to break that crossover of like

0:42:17.160 --> 0:42:22.000
<v Speaker 1>she's gonna like I was kind of problematic. I had

0:42:22.040 --> 0:42:24.120
<v Speaker 1>to think about that either, because you also look so

0:42:24.480 --> 0:42:27.440
<v Speaker 1>different between the two roles. I mean, I mean you're

0:42:27.640 --> 0:42:29.719
<v Speaker 1>also you're a kamelion of an actor, but like you

0:42:29.760 --> 0:42:33.000
<v Speaker 1>look wildly different. I mean you have a short, blonde

0:42:33.040 --> 0:42:36.480
<v Speaker 1>bob and you're in these suits and like really powerful

0:42:36.600 --> 0:42:39.799
<v Speaker 1>and just such. I mean, honestly, I don't even know

0:42:40.120 --> 0:42:42.680
<v Speaker 1>if I didn't know you that you were the same person,

0:42:42.880 --> 0:42:45.560
<v Speaker 1>that you would connect that. Yeah, which is which is great.

0:42:46.000 --> 0:42:48.240
<v Speaker 1>I wish I got to be a part of those scenes.

0:42:48.280 --> 0:42:50.760
<v Speaker 1>But yeah, they just didn't. They just didn't bring Bonnie

0:42:50.800 --> 0:42:56.200
<v Speaker 1>into that story. Holy shit. I never even thought about that. Wow,

0:42:56.480 --> 0:43:00.760
<v Speaker 1>that would have flipped fans out. Yeah, yeah, yo, Liza,

0:43:01.160 --> 0:43:03.560
<v Speaker 1>were you ever on how to get it with murder?

0:43:03.840 --> 0:43:05.759
<v Speaker 1>Did you ever have days where you were like, I

0:43:05.760 --> 0:43:08.080
<v Speaker 1>don't know what the fuck is happening in the story,

0:43:08.800 --> 0:43:11.759
<v Speaker 1>Like what and then just do do it because me

0:43:11.800 --> 0:43:14.200
<v Speaker 1>and Katie talked about that. There'd be days where I'd

0:43:14.239 --> 0:43:16.440
<v Speaker 1>be like, Katie, I don't know, I don't know what

0:43:16.440 --> 0:43:18.759
<v Speaker 1>the fuck is happening in the storyline. I really don't.

0:43:19.000 --> 0:43:21.840
<v Speaker 1>I'm so lost. Yeah, but I'm just gonna act the

0:43:21.840 --> 0:43:23.880
<v Speaker 1>shit out of it or try. Like I don't know

0:43:23.920 --> 0:43:26.880
<v Speaker 1>what's happening. And we were on the show and I

0:43:26.920 --> 0:43:28.920
<v Speaker 1>know how to get watching how to get it with murders.

0:43:28.960 --> 0:43:31.480
<v Speaker 1>Sometimes I'd be like I'd have to rewatch and read

0:43:31.520 --> 0:43:34.359
<v Speaker 1>because I was like, wait, what I say? Why? Yeah?

0:43:34.640 --> 0:43:37.040
<v Speaker 1>If we were braiding time in such a weird way

0:43:37.080 --> 0:43:39.520
<v Speaker 1>too on that show, well, they were like going back

0:43:39.560 --> 0:43:42.600
<v Speaker 1>and forth and jumping back in time and the night

0:43:42.640 --> 0:43:44.440
<v Speaker 1>of the thing, and then other than that, I'm like,

0:43:44.480 --> 0:43:47.319
<v Speaker 1>I don't know where we are. Yeah, I mean, yes,

0:43:47.440 --> 0:43:49.640
<v Speaker 1>we were constantly doing that. And it was also like

0:43:49.719 --> 0:43:52.120
<v Speaker 1>our you know, like the night X stuff, like we

0:43:52.160 --> 0:43:56.239
<v Speaker 1>would shoot the murder night stuff um that that you

0:43:56.280 --> 0:43:58.320
<v Speaker 1>know that comes together at the end of the season.

0:43:58.560 --> 0:44:01.080
<v Speaker 1>But they hadn't even figured it out, like they didn't

0:44:01.120 --> 0:44:05.160
<v Speaker 1>know the trajectory. So we're shooting it and like piece

0:44:05.320 --> 0:44:09.239
<v Speaker 1>me a little sections as well, and they've never they

0:44:09.320 --> 0:44:13.279
<v Speaker 1>never wanted to break that story fully, so everybody was

0:44:13.320 --> 0:44:15.480
<v Speaker 1>just completely in the dark, like they would be like,

0:44:15.880 --> 0:44:18.560
<v Speaker 1>you know, like season five, or like we're gonna have you,

0:44:18.840 --> 0:44:22.560
<v Speaker 1>um smothering somebody in the snow. We don't know who

0:44:22.600 --> 0:44:26.040
<v Speaker 1>that person is or while you're doing this. So if

0:44:26.120 --> 0:44:30.400
<v Speaker 1>you could just do that, do that with like a

0:44:30.560 --> 0:44:36.080
<v Speaker 1>neutral expression on ourthing. Um, you know, like run out

0:44:36.080 --> 0:44:38.120
<v Speaker 1>of the house like you just killed somebody. Now run

0:44:38.160 --> 0:44:40.279
<v Speaker 1>out of the house like you didn't kill somebody, but

0:44:40.360 --> 0:44:42.880
<v Speaker 1>you still there's still an urgency that you're running like

0:44:42.920 --> 0:44:46.319
<v Speaker 1>we don't. It's just like, oh my god. You know,

0:44:46.360 --> 0:44:48.920
<v Speaker 1>we had the whole season of like Who's under the Sheet?

0:44:49.080 --> 0:44:50.680
<v Speaker 1>Like we know we were told like one of you

0:44:50.800 --> 0:44:53.399
<v Speaker 1>is gonna die, we don't know who it is. I mean,

0:44:53.800 --> 0:44:56.800
<v Speaker 1>Scandal became a show sort of like that. I remember

0:44:56.840 --> 0:44:58.239
<v Speaker 1>I was actually just gonna ask you this question, like

0:44:58.239 --> 0:45:02.640
<v Speaker 1>scal when when James died. Oh yeah, you know, we

0:45:02.400 --> 0:45:07.440
<v Speaker 1>we were we were very very quickly shaken to realize like,

0:45:07.480 --> 0:45:10.839
<v Speaker 1>oh yeah, people can die on this show, like like

0:45:11.000 --> 0:45:16.240
<v Speaker 1>Columbus Shorts character died, like James died, and I remember

0:45:16.280 --> 0:45:19.560
<v Speaker 1>being like, oh shit, none of us are safe. But

0:45:19.680 --> 0:45:22.239
<v Speaker 1>how do you survive it. I mean it's too much,

0:45:23.320 --> 0:45:26.839
<v Speaker 1>you know, when you're on such serious shows, it's like

0:45:26.880 --> 0:45:30.680
<v Speaker 1>you gotta like let some of that air out. M

0:45:32.600 --> 0:45:35.520
<v Speaker 1>We also make farting sounds all the time. Oh my god, Liza,

0:45:35.600 --> 0:45:39.239
<v Speaker 1>that's what we do, Like right before shooting, we would

0:45:39.239 --> 0:45:47.200
<v Speaker 1>do that all the time, and then we'd go it's levity, man,

0:45:47.239 --> 0:45:50.080
<v Speaker 1>you gotta have the levity. I know, I can't. I

0:45:50.560 --> 0:45:53.239
<v Speaker 1>wish we could like all go back and we're going

0:45:53.280 --> 0:45:59.000
<v Speaker 1>to make this scandal musical comedy. Yes, oh I know.

0:45:59.120 --> 0:46:00.880
<v Speaker 1>I mean if you guys think that there will be

0:46:00.960 --> 0:46:04.520
<v Speaker 1>like a reboot thing like or like, I don't. I

0:46:04.520 --> 0:46:08.320
<v Speaker 1>think has always been like, no, it doesn't in the cards,

0:46:08.320 --> 0:46:10.960
<v Speaker 1>but I whenever I whenever we've like set it in

0:46:11.000 --> 0:46:13.799
<v Speaker 1>passing like carry or anyone. I know that the whole

0:46:13.840 --> 0:46:17.760
<v Speaker 1>cast would do anything because we really loved working together

0:46:17.880 --> 0:46:21.000
<v Speaker 1>and we yeah, you know, I think that's the hardest part.

0:46:21.120 --> 0:46:23.719
<v Speaker 1>I think so much about Scanal being over is more.

0:46:24.640 --> 0:46:26.719
<v Speaker 1>I mean, yes, we loved the material and the ride,

0:46:26.719 --> 0:46:28.480
<v Speaker 1>but the greatest is like, oh, I'm never going to

0:46:28.520 --> 0:46:30.480
<v Speaker 1>be at five o'clock in the morning on a Monday

0:46:30.560 --> 0:46:33.240
<v Speaker 1>morning and a makeup trailer with Hermo Diaz and Carrie

0:46:33.280 --> 0:46:36.759
<v Speaker 1>Washington and Darby Stansfield, like just shooting the shit. It's

0:46:36.800 --> 0:46:40.800
<v Speaker 1>like that only exists in the time that we had. Yeah,

0:46:41.120 --> 0:46:44.440
<v Speaker 1>I know, that's the stuff, man, It's it's magic, it's

0:46:44.480 --> 0:46:48.960
<v Speaker 1>the stuff. Yeah, all right, y'all, let's get into our

0:46:48.960 --> 0:46:59.520
<v Speaker 1>favorite tweet time. Y'all. We read some of the tweets

0:46:59.520 --> 0:47:01.600
<v Speaker 1>of the time. Were you on Twitter during this time?

0:47:01.640 --> 0:47:04.200
<v Speaker 1>I wasn't yet. I was, we were. I was mandated

0:47:04.280 --> 0:47:07.480
<v Speaker 1>to get Twitter and Instagram when Murder started and so

0:47:07.520 --> 0:47:10.520
<v Speaker 1>I but I wasn't fully doing it. I remember watching

0:47:10.520 --> 0:47:12.680
<v Speaker 1>you guys do that. Well, I guess you guys didn't

0:47:12.680 --> 0:47:16.000
<v Speaker 1>start the live tweeting phenomena until season two, right, that

0:47:16.120 --> 0:47:19.640
<v Speaker 1>was like the big ship pilot. Okay, it was the pilot,

0:47:19.880 --> 0:47:22.920
<v Speaker 1>ye I believe. So, yeah, we started tweeting from the

0:47:22.960 --> 0:47:25.799
<v Speaker 1>from the beginning, but it took off later. Yeah, yeah,

0:47:25.840 --> 0:47:29.120
<v Speaker 1>it took off second season, but the first season we

0:47:29.160 --> 0:47:32.279
<v Speaker 1>started it. But some of the tweets from April twenty seven,

0:47:32.320 --> 0:47:34.279
<v Speaker 1>from twenty twelve, this is like going back into our

0:47:35.560 --> 0:47:42.560
<v Speaker 1>our time capsule. Liza is at end the fact it said,

0:47:43.000 --> 0:47:48.400
<v Speaker 1>whoever this Amanda Turner is has balls of steel? Lying

0:47:48.520 --> 0:47:53.959
<v Speaker 1>like that hashtag scandal. Nice job, Amanda Turner. They would

0:47:54.000 --> 0:47:56.360
<v Speaker 1>they would mess up our names all the time. I

0:47:56.480 --> 0:48:02.640
<v Speaker 1>get called hawk, Oh my, would be like I love Puck. Yeah,

0:48:04.000 --> 0:48:07.279
<v Speaker 1>I got Puck or Hawk, love that Hawk. I'm like, yo,

0:48:07.960 --> 0:48:11.120
<v Speaker 1>you're all um this stay at home. I stay at

0:48:11.160 --> 0:48:15.800
<v Speaker 1>home daughter at fuddle Cutter says me while watching Scandal. Bitch,

0:48:15.880 --> 0:48:18.320
<v Speaker 1>you know they can kill you, right. Take the fucking

0:48:18.400 --> 0:48:22.240
<v Speaker 1>money serious, which is not wrong. Where's the lie? Where's

0:48:22.239 --> 0:48:25.480
<v Speaker 1>the lie in that statement? Yeah? Nowhere it was ten

0:48:25.600 --> 0:48:29.799
<v Speaker 1>million dollars. Amanda Turner said no to ten millions. Five,

0:48:30.960 --> 0:48:32.920
<v Speaker 1>wasn't it? Yeah? It was ten million. I thought they

0:48:32.920 --> 0:48:37.279
<v Speaker 1>were offering her right. Oh gosh, she wasn't really love

0:48:37.360 --> 0:48:42.480
<v Speaker 1>that Billy Chambers yea like she loved that Billy Chambers.

0:48:42.840 --> 0:48:46.640
<v Speaker 1>At Lex Boogie one on April twenty twelve, says I

0:48:46.719 --> 0:48:48.360
<v Speaker 1>just finished doing that. I don't know what that's it,

0:48:48.440 --> 0:48:52.040
<v Speaker 1>replies to llol retweet, Oh here it is, guys. I'm

0:48:52.080 --> 0:48:55.600
<v Speaker 1>just like remembering how to read Twitter at I need

0:48:55.640 --> 0:48:58.359
<v Speaker 1>to watch Cyrus read the President for blood one more

0:48:58.400 --> 0:49:03.640
<v Speaker 1>time on Scandal hashtag DVR. Who's this at row Lake

0:49:04.120 --> 0:49:07.759
<v Speaker 1>says the blondie and newbie on Scandal are kind of

0:49:07.840 --> 0:49:09.640
<v Speaker 1>alle I know, I was trying to figure out who

0:49:09.680 --> 0:49:14.879
<v Speaker 1>they were talking about. Who is that? That's YouTube? That's

0:49:14.960 --> 0:49:21.480
<v Speaker 1>YouTube blonde. She was kind of dirty blonde. Oh was she?

0:49:21.960 --> 0:49:28.279
<v Speaker 1>Oh my god, Oh my god, they're talking about us?

0:49:28.480 --> 0:49:36.480
<v Speaker 1>Fuck you a No, it's fine. Please. That is nothing

0:49:36.520 --> 0:49:38.560
<v Speaker 1>compared to the shit I got for the next seven years.

0:49:38.560 --> 0:49:42.640
<v Speaker 1>It's a very strange thing. The twitters, the blessing and

0:49:42.680 --> 0:49:45.160
<v Speaker 1>a curse. Man, I don't know. The key is not

0:49:45.280 --> 0:49:48.560
<v Speaker 1>responding to to that bullshit, not feedy into that like

0:49:49.000 --> 0:49:50.759
<v Speaker 1>I did in the beginning a little bit, and then

0:49:50.800 --> 0:49:53.160
<v Speaker 1>I was just like, I can't do that. I just

0:49:53.160 --> 0:49:55.360
<v Speaker 1>would mute people. For me, it would be like a

0:49:55.520 --> 0:49:59.440
<v Speaker 1>hundred compliments, but the one thing that someone said that

0:49:59.480 --> 0:50:02.600
<v Speaker 1>was unc behind would be the thing I would think about.

0:50:03.200 --> 0:50:06.799
<v Speaker 1>And my husband would be like, Katie, there's literally like

0:50:07.200 --> 0:50:09.719
<v Speaker 1>ninety nine people telling you that you're pretty or you

0:50:09.760 --> 0:50:12.160
<v Speaker 1>did a good job or something, and the one person

0:50:12.200 --> 0:50:15.279
<v Speaker 1>who said I was had a fat ass, or you know,

0:50:15.360 --> 0:50:18.320
<v Speaker 1>that I was stupid, or somebody fucking killed Quinn Perkins

0:50:18.440 --> 0:50:24.920
<v Speaker 1>or something would be the thing that would like, yeah, yeah,

0:50:24.960 --> 0:50:28.680
<v Speaker 1>It's like yeah. It was such a lesson. But also

0:50:28.760 --> 0:50:31.040
<v Speaker 1>I'm so grateful for it because my god, I have

0:50:31.120 --> 0:50:33.839
<v Speaker 1>a thick skin now, Like I don't even fucking care,

0:50:33.960 --> 0:50:36.200
<v Speaker 1>and like I'm just like, think what you want, Like

0:50:36.400 --> 0:50:40.080
<v Speaker 1>when you get put through that, you're just likely way

0:50:40.120 --> 0:50:42.600
<v Speaker 1>I'm going to survive this is to just yeah, you

0:50:42.680 --> 0:50:46.560
<v Speaker 1>just you just build up immunity to it. You're just like, yeah,

0:50:46.600 --> 0:50:54.160
<v Speaker 1>I can't care. Yeah, yeah, yeah, Liza Vile, you are.

0:50:54.800 --> 0:50:56.759
<v Speaker 1>So we tell us what you're up to now and

0:50:56.840 --> 0:50:58.360
<v Speaker 1>then we'll let you go. We can catch you on

0:50:58.360 --> 0:51:01.120
<v Speaker 1>The Cleaning Lady. You can catch me up The Cleaning Lady. Yes,

0:51:01.320 --> 0:51:03.840
<v Speaker 1>you can watch it on Hulu and I believe that

0:51:03.880 --> 0:51:08.359
<v Speaker 1>the first season is on HBO Max. But yeah, I've

0:51:08.360 --> 0:51:12.800
<v Speaker 1>had a really lovely time recurring on that show. Really

0:51:12.840 --> 0:51:15.920
<v Speaker 1>really nice. I've heard it's amazing. It's a really fun show.

0:51:15.960 --> 0:51:18.280
<v Speaker 1>And again, like I get to do some really fucking

0:51:18.320 --> 0:51:20.520
<v Speaker 1>cool shit on that show. Man, Like what are you playing?

0:51:20.600 --> 0:51:22.960
<v Speaker 1>What are you playing? Now? God, you're such a chameleon.

0:51:23.239 --> 0:51:26.839
<v Speaker 1>Assistant Special Agent in Charge Catherine Russo who is um

0:51:28.040 --> 0:51:32.000
<v Speaker 1>FBI and I play sort of this the boss supervisor

0:51:32.040 --> 0:51:37.359
<v Speaker 1>to Oliver Hudson, who is yes, a little bit of

0:51:37.440 --> 0:51:44.440
<v Speaker 1>a loose cannon rogue rogue agent. This is very cool.

0:51:44.719 --> 0:51:47.560
<v Speaker 1>I'm very into this. Yeah, it's a cool show. But

0:51:47.600 --> 0:51:50.000
<v Speaker 1>I get to um, I got to like fucking jump

0:51:50.040 --> 0:51:53.279
<v Speaker 1>out of a helicopter with like swat gear on, and

0:51:53.840 --> 0:51:57.399
<v Speaker 1>I get to do cool actionly stuff a little bit

0:51:57.800 --> 0:52:00.520
<v Speaker 1>um yo. And Liza's fucking strong as how. I used

0:52:00.520 --> 0:52:03.120
<v Speaker 1>to take pilates private doubles with her. We had the

0:52:03.160 --> 0:52:08.160
<v Speaker 1>same pilates teacher, Juliet Casca. Who's so I can do

0:52:08.239 --> 0:52:11.360
<v Speaker 1>one move? She asked me, like, I'm not a single

0:52:11.520 --> 0:52:15.919
<v Speaker 1>fucking It took me months, Katie, like, like I think

0:52:16.000 --> 0:52:20.640
<v Speaker 1>maybe even a full two babies. I have lost everything

0:52:20.680 --> 0:52:23.680
<v Speaker 1>I ever knew or was when I I mean, I

0:52:23.680 --> 0:52:26.520
<v Speaker 1>started working with her like six months after I had Josephine,

0:52:26.560 --> 0:52:29.400
<v Speaker 1>and I had zero body awareness or like I couldn't

0:52:29.440 --> 0:52:33.920
<v Speaker 1>feel any kind of muscle an ab good luck, I know,

0:52:35.000 --> 0:52:36.840
<v Speaker 1>but I used to do doubles with Liza when I

0:52:36.840 --> 0:52:42.080
<v Speaker 1>was in grade shape. And Liza's a piece. You are

0:52:42.280 --> 0:52:46.200
<v Speaker 1>so fit, and anyone who's anyone should go and watch

0:52:46.239 --> 0:52:48.680
<v Speaker 1>the cleaning lady and watch Liza jump out of helicopters

0:52:48.680 --> 0:52:51.680
<v Speaker 1>and kick some fucking Yeah. Thank you all so much,

0:52:51.680 --> 0:52:54.960
<v Speaker 1>for listening to the Scandal rewatch podcast Unpacking the tool Though,

0:52:55.120 --> 0:52:57.120
<v Speaker 1>and thank you Lisa, Thank you so so much for

0:52:57.200 --> 0:52:59.960
<v Speaker 1>Liza for hanging out with us. Ah, thank you, guys,

0:53:00.000 --> 0:53:01.800
<v Speaker 1>as it's lovely talking to you. I could talk to

0:53:01.840 --> 0:53:04.160
<v Speaker 1>you all day long because it's so fun. Oh my god,

0:53:04.200 --> 0:53:08.200
<v Speaker 1>we drinks and let's do that. I want to hang out, Liza.

0:53:08.280 --> 0:53:11.560
<v Speaker 1>I miss you terribly. Thank you for coming on. Next week.

0:53:11.640 --> 0:53:15.360
<v Speaker 1>We are on episode one oh five called Crash and Burn.

0:53:15.800 --> 0:53:18.719
<v Speaker 1>That's a really good episode. The next one too. Oh yeah,

0:53:18.760 --> 0:53:21.719
<v Speaker 1>there's a huge plane crash. Yes, yeah, you guys got

0:53:21.719 --> 0:53:23.359
<v Speaker 1>to come back and check it out. I'm back check

0:53:23.400 --> 0:53:31.520
<v Speaker 1>it out with Katie Lowez Unpacking the Toolbox. Y. Thank

0:53:31.560 --> 0:53:35.120
<v Speaker 1>you guys for joining us on Unpacking the Toolbox. If

0:53:35.160 --> 0:53:38.560
<v Speaker 1>you enjoyed the show, please subscribe, share with your friends, rate,

0:53:38.680 --> 0:53:41.200
<v Speaker 1>or leave us a review. Scandal is executive produced by

0:53:41.200 --> 0:53:46.160
<v Speaker 1>Sandy Bailey, Alex Alcha, Lauren Homan, Tyler Klang, and Gabrielle Collins.

0:53:46.600 --> 0:53:49.680
<v Speaker 1>Our producer and editor is Vince de Johnny, with music

0:53:49.719 --> 0:53:53.200
<v Speaker 1>by Chad Fisher. Scandal is a production of ABC Signature,

0:53:53.400 --> 0:53:56.040
<v Speaker 1>and you can follow along by rewatching Scandal on Hulu

0:53:56.320 --> 0:53:58.719
<v Speaker 1>Unpacking the Toolbox is a production of Shondaland Audio in

0:53:58.800 --> 0:54:03.080
<v Speaker 1>partnership with Iheartrating. For more podcasts from Shondaland Audio, visit

0:54:03.120 --> 0:54:06.280
<v Speaker 1>the iHeartRadio app or anywhere you subscribe to your favorite shows.