1 00:00:00,080 --> 00:00:02,720 Speaker 1: Unpacking the Toolbox is a production of Shondoland Audio in 2 00:00:02,759 --> 00:00:36,040 Speaker 1: partnership with iHeartRadio Katie. My son today got his cast off. 3 00:00:36,479 --> 00:00:39,640 Speaker 1: Oh yeah, how does he feel? Is he happy? Well? 4 00:00:39,680 --> 00:00:42,120 Speaker 1: Now he has to be in a brace, but we 5 00:00:42,200 --> 00:00:46,200 Speaker 1: have a cast off party this afternoon. He's requested two 6 00:00:46,320 --> 00:00:50,919 Speaker 1: friends to be a Pokemon trading company. Were you ever 7 00:00:51,000 --> 00:00:54,200 Speaker 1: into Pokemon? Hell no, yeah, I still don't understand it. 8 00:00:54,240 --> 00:00:57,960 Speaker 1: I still didn't even understand what Pokemon is. Boys. Pikachu 9 00:00:58,720 --> 00:01:01,000 Speaker 1: is the a cat, is the mouse? What is he? 10 00:01:01,160 --> 00:01:03,680 Speaker 1: It's a bunny. I think it's a bunny. I have 11 00:01:03,840 --> 00:01:06,880 Speaker 1: no idea. I literally have no cluthes going on. But 12 00:01:06,959 --> 00:01:10,560 Speaker 1: my son is so into it. And for the first time. Okay, 13 00:01:10,720 --> 00:01:14,840 Speaker 1: he's only the cards. He gets our shit ass knockoffs 14 00:01:15,080 --> 00:01:17,319 Speaker 1: that are like five cents because I'm not spending money 15 00:01:17,319 --> 00:01:19,600 Speaker 1: on this show. And some of these cards are like 16 00:01:19,600 --> 00:01:22,880 Speaker 1: five hundred dollars. It's like collecting baseball card, like limited edition, 17 00:01:22,959 --> 00:01:25,120 Speaker 1: you know, Pokemons being around for thirty years or something. 18 00:01:25,600 --> 00:01:27,760 Speaker 1: So when he got his cast off, I got him 19 00:01:27,840 --> 00:01:32,760 Speaker 1: his first like real it was like sixteen dollars card. 20 00:01:33,040 --> 00:01:35,160 Speaker 1: Oh and as big fear is that he's going to 21 00:01:35,560 --> 00:01:37,959 Speaker 1: like still be into this in like ten years and 22 00:01:38,040 --> 00:01:42,600 Speaker 1: try to trade these knockoff piece of shit card They're like, kid, 23 00:01:43,319 --> 00:01:48,320 Speaker 1: this is this is a fake. Like this is a fake. 24 00:01:48,400 --> 00:01:51,600 Speaker 1: You're a fake, You're a phony, you're parents phones. Yo. 25 00:01:51,720 --> 00:01:54,800 Speaker 1: The only time I loved Pikachu is when when Pikachu 26 00:01:54,920 --> 00:01:57,200 Speaker 1: was a fucking happy meal box? Do you remember that? 27 00:01:57,280 --> 00:02:00,160 Speaker 1: Just a few months ago? And all I listen, I 28 00:02:00,880 --> 00:02:03,760 Speaker 1: don't love anything more than I love a good happy meal. 29 00:02:04,120 --> 00:02:06,160 Speaker 1: It makes the food taste better. Well, you could either 30 00:02:06,200 --> 00:02:08,440 Speaker 1: have a hamburger or cheeseburger, and then it comes with 31 00:02:08,600 --> 00:02:13,240 Speaker 1: small fries, apple slices, or yogurt, and that's pretty much. 32 00:02:13,240 --> 00:02:16,200 Speaker 1: I always get the hamburger with the fries. But y'all, 33 00:02:16,280 --> 00:02:18,680 Speaker 1: for a stint, for a little for a period there, 34 00:02:18,520 --> 00:02:21,920 Speaker 1: the Happy Meal boxes were an actual Pikachu and you 35 00:02:21,919 --> 00:02:25,160 Speaker 1: could fold the ears up and it looked like That's 36 00:02:25,200 --> 00:02:27,480 Speaker 1: the only time I was interested in Pikachu, the only 37 00:02:27,520 --> 00:02:29,680 Speaker 1: time we were into it. It It is so annoying, but 38 00:02:29,760 --> 00:02:32,160 Speaker 1: he loves it so much, and he was very brave 39 00:02:32,360 --> 00:02:34,919 Speaker 1: and actually surprisingly have you ever had a broken bone? 40 00:02:35,800 --> 00:02:38,720 Speaker 1: Uh in my foot? Yeah? I have? Oh did you 41 00:02:38,760 --> 00:02:41,520 Speaker 1: have to have a cast? Uh? No? You know you 42 00:02:41,520 --> 00:02:43,200 Speaker 1: know what in my hand too. Yeah, I had to 43 00:02:43,200 --> 00:02:45,360 Speaker 1: have a I had to have a cast. So I 44 00:02:45,400 --> 00:02:47,000 Speaker 1: remember when I was a kid, I broke my leg. 45 00:02:47,000 --> 00:02:48,960 Speaker 1: I remembered them taking the cast off and it hurt 46 00:02:49,800 --> 00:02:52,280 Speaker 1: so so so badly, and it was so scary. And 47 00:02:52,320 --> 00:02:54,520 Speaker 1: I feel like the thing like touched my skin and 48 00:02:54,560 --> 00:02:58,040 Speaker 1: it was like a saw. Now, it's things have come 49 00:02:58,160 --> 00:03:00,280 Speaker 1: so far from when way we were kidding. I have 50 00:03:00,360 --> 00:03:02,799 Speaker 1: this like saw machine that takes off cast now and 51 00:03:02,919 --> 00:03:07,480 Speaker 1: kids for in literally under one minute. It tickles their 52 00:03:07,520 --> 00:03:10,359 Speaker 1: skin as it's doing it. I don't know how that's possible. 53 00:03:10,400 --> 00:03:15,160 Speaker 1: But and Albi was husterical laughing. Are you serious? Yes, 54 00:03:15,240 --> 00:03:17,920 Speaker 1: he's so ticklish and he's stile laughing and had the 55 00:03:17,960 --> 00:03:19,959 Speaker 1: best time of his life. Like he wasn't scared. I 56 00:03:20,000 --> 00:03:21,639 Speaker 1: thought he was gonna be like Jesus Christ, this is 57 00:03:21,680 --> 00:03:24,360 Speaker 1: like a loud saw. Meanwhile, back in the day, we're like, 58 00:03:24,400 --> 00:03:26,880 Speaker 1: please don't cut my arm off? Were you taking the 59 00:03:26,919 --> 00:03:31,680 Speaker 1: cast off skin? Like I'm terrified. Um, it's not like 60 00:03:31,720 --> 00:03:35,200 Speaker 1: that at all. It's come very far. Um. And so 61 00:03:35,240 --> 00:03:40,320 Speaker 1: I've had a very active mourning. I tid Freeman, do 62 00:03:40,360 --> 00:03:44,200 Speaker 1: you ever hike I have? Yeah, I like hiking Freeman 63 00:03:45,560 --> 00:03:49,360 Speaker 1: is a is a trail up here in a North Hollywood, right, 64 00:03:49,360 --> 00:03:52,280 Speaker 1: what do we end Like, is that considered North Hollywood? Yeah, 65 00:03:52,440 --> 00:03:56,760 Speaker 1: it's in it's in Studio City, yeah, And it's a 66 00:03:56,760 --> 00:03:59,000 Speaker 1: a trailhead and it's like a three mile hike. It's 67 00:03:59,000 --> 00:04:00,320 Speaker 1: like a mile and a half up into my half 68 00:04:00,360 --> 00:04:02,760 Speaker 1: down and it's really beautiful. And it's very clear right 69 00:04:02,760 --> 00:04:05,000 Speaker 1: now in Los Angeles because we've had rains, which means 70 00:04:05,000 --> 00:04:06,520 Speaker 1: the smog has sort of moved out, and you can 71 00:04:06,520 --> 00:04:09,000 Speaker 1: see that there's like snow capped mountains nearby, and it's 72 00:04:09,040 --> 00:04:11,760 Speaker 1: really beautiful and I love it because it I zen out. 73 00:04:11,880 --> 00:04:14,960 Speaker 1: But today when I got there, I was following the 74 00:04:15,000 --> 00:04:19,840 Speaker 1: whole time, like seventy five teenage girls on this crash. 75 00:04:20,120 --> 00:04:22,599 Speaker 1: It was awful. You gotta let them go ahead. You 76 00:04:22,600 --> 00:04:25,599 Speaker 1: should have put off to the side and sat down 77 00:04:25,600 --> 00:04:28,960 Speaker 1: for a second. Get ahead. I couldn't get behind, I 78 00:04:29,000 --> 00:04:32,279 Speaker 1: couldn't figure out where I fit. And the whole fucking 79 00:04:32,360 --> 00:04:36,360 Speaker 1: hike I'm hearing like such annoying shit, and I just 80 00:04:36,480 --> 00:04:39,040 Speaker 1: was like, fuck, is this my fee Like God, damn it, 81 00:04:39,120 --> 00:04:43,760 Speaker 1: teenage girls are the fucking worst. Like it was so annoying. Wait, 82 00:04:43,800 --> 00:04:45,880 Speaker 1: you didn't have music or anything. You didn't have music 83 00:04:45,920 --> 00:04:47,880 Speaker 1: and music in my ear and it made no difference. 84 00:04:47,880 --> 00:04:53,400 Speaker 1: It was like like it was just so and so disturbing. 85 00:04:54,200 --> 00:04:56,200 Speaker 1: And if I went too far, because they were all 86 00:04:56,240 --> 00:04:58,640 Speaker 1: in clumps, like their little clicks. It was like seventy 87 00:04:58,640 --> 00:05:04,080 Speaker 1: five girls all split up up around you, all around me. 88 00:05:04,480 --> 00:05:06,479 Speaker 1: I was surrounded and I only had a certain amount 89 00:05:06,480 --> 00:05:09,080 Speaker 1: of time. So really, if I had been smart, I 90 00:05:09,080 --> 00:05:11,440 Speaker 1: would have just pulled over for like a long time. 91 00:05:11,800 --> 00:05:14,800 Speaker 1: And really, you didn't have time. I still want caught up. 92 00:05:14,800 --> 00:05:17,320 Speaker 1: I'm a fast fucking hiker. You are. We gotta go 93 00:05:17,400 --> 00:05:19,840 Speaker 1: hiking one day together. I love hiking. I would love it. 94 00:05:20,040 --> 00:05:22,920 Speaker 1: I do too. It's like it's like the only the 95 00:05:22,960 --> 00:05:27,880 Speaker 1: only form of working out that I actually enjoy. Yeah, 96 00:05:27,920 --> 00:05:30,200 Speaker 1: Like I just enjoy it. I like look around, I 97 00:05:30,240 --> 00:05:33,920 Speaker 1: like thin outdoors. You're listening to Madonna. I listen to podcasts. 98 00:05:34,080 --> 00:05:42,320 Speaker 1: I'm listening to Madonna. I'm my iPod, which they don't 99 00:05:42,320 --> 00:05:44,880 Speaker 1: even make them anymore. Right, I have to tell you 100 00:05:45,040 --> 00:05:50,159 Speaker 1: are the only person on planet Earth that I know 101 00:05:50,440 --> 00:05:54,599 Speaker 1: that still uses an iPod. I love my iPod? Is 102 00:05:54,640 --> 00:05:58,000 Speaker 1: she here? Oh shit, we're already in it. We're already 103 00:05:58,080 --> 00:06:02,520 Speaker 1: laughing because the greatest guest is here, the one and 104 00:06:02,480 --> 00:06:07,240 Speaker 1: only lies a while. Hi Liza, Hi, right, Yes you 105 00:06:07,279 --> 00:06:12,960 Speaker 1: did it, you crush it. Welcome to the Scandal Rewatch Podcast. 106 00:06:14,279 --> 00:06:16,159 Speaker 1: It's so nice to be here, you guys. I'm so 107 00:06:16,279 --> 00:06:20,160 Speaker 1: fit to dig in this with you. Man, you're unpacking 108 00:06:20,240 --> 00:06:23,960 Speaker 1: the toolbox. We're talking about episode one oh four called 109 00:06:24,160 --> 00:06:27,200 Speaker 1: Enemy of the State, which originally aired on April twenty 110 00:06:27,240 --> 00:06:30,680 Speaker 1: sixth of twenty twelve, and it was written by Richard E. 111 00:06:31,000 --> 00:06:34,479 Speaker 1: Robbins who I don't remember this writer, Katie, And it 112 00:06:34,520 --> 00:06:37,880 Speaker 1: was directed by Michael Cattleman, and I don't remember that director. 113 00:06:38,000 --> 00:06:44,120 Speaker 1: Gar guest starring Liza Wild, Amanda Tanner, Brendan Hines is Gidey, 114 00:06:44,120 --> 00:06:46,360 Speaker 1: and Wallace Bellamy Young his first Lady, Mellie Grant, Dan 115 00:06:46,400 --> 00:06:51,480 Speaker 1: Bucatinsky as James Novak, Joshua Molina as David Rosen, Matt 116 00:06:51,560 --> 00:06:55,760 Speaker 1: Lesher is Billy Chambers, Jose Zuniga as Hened, Benicio Flores, 117 00:06:56,120 --> 00:07:00,200 Speaker 1: Valerie Cruz is Carolina Flordes, leland Orcer as Sanders Black, 118 00:07:00,279 --> 00:07:03,040 Speaker 1: and Kate McGregor stewart as Mary. And just to take 119 00:07:03,080 --> 00:07:05,680 Speaker 1: you guys, scandal pace through the synopsis like we do. 120 00:07:06,240 --> 00:07:08,359 Speaker 1: When a dictator shows up at the OPA office pleading 121 00:07:08,400 --> 00:07:10,440 Speaker 1: for help to find his missing wife and children, Olivia 122 00:07:10,480 --> 00:07:13,080 Speaker 1: faces a moral dilemma on taking the case. Then, when 123 00:07:13,120 --> 00:07:15,800 Speaker 1: the truth comes out about the dictators missing family, the 124 00:07:15,920 --> 00:07:18,640 Speaker 1: entire team faces an even more difficult situation. Olivia and 125 00:07:18,640 --> 00:07:23,000 Speaker 1: Cyrus navigate the Amanda Tanner case. And who better to 126 00:07:23,120 --> 00:07:25,840 Speaker 1: have on the Scandal Rewatch podcast than the one and 127 00:07:25,880 --> 00:07:30,880 Speaker 1: only Amanda fucking Tanner? Yeah? Yo, lines up? How did 128 00:07:30,920 --> 00:07:34,280 Speaker 1: this part? Like? Did you guests are on all the 129 00:07:34,320 --> 00:07:37,560 Speaker 1: other great like all the other shandaland shows? I mean, 130 00:07:37,760 --> 00:07:40,440 Speaker 1: obviously you and Paul were husband wife. You knew Shanna 131 00:07:40,520 --> 00:07:42,679 Speaker 1: that way? How did you get Amanda Tanna? Okay? Well, 132 00:07:42,720 --> 00:07:44,360 Speaker 1: I mean I think we're gonna get We're just gonna 133 00:07:44,360 --> 00:07:48,160 Speaker 1: get right into it. I had done an episode of 134 00:07:48,320 --> 00:07:51,480 Speaker 1: Private Practice, and I think I did an episode of 135 00:07:51,520 --> 00:07:56,240 Speaker 1: Grades Anatomy. I went in for Scandal and read for 136 00:07:56,600 --> 00:08:03,200 Speaker 1: Quinn and Abby. What I didn't know that shit that either? Yeah, 137 00:08:03,240 --> 00:08:06,160 Speaker 1: But the weird thing was is that I read for 138 00:08:06,240 --> 00:08:09,720 Speaker 1: Quinn and then they um found you, which is like 139 00:08:10,560 --> 00:08:17,440 Speaker 1: Chef's Kiss. They had me come in right into a 140 00:08:17,560 --> 00:08:21,920 Speaker 1: test for Abby and I like had a complete psychotic 141 00:08:21,960 --> 00:08:25,320 Speaker 1: break in the audition room. It really stands as one 142 00:08:25,360 --> 00:08:27,720 Speaker 1: of the worst auditions experiences of my life. I was 143 00:08:27,760 --> 00:08:30,640 Speaker 1: so freaked out. I was like, I don't know, I 144 00:08:30,680 --> 00:08:33,360 Speaker 1: don't I don't know who this Abbey Willen person is. 145 00:08:33,400 --> 00:08:36,080 Speaker 1: I don't feel like connected to it. And they kept 146 00:08:36,120 --> 00:08:38,360 Speaker 1: insisting that I come right into a test, and I 147 00:08:38,400 --> 00:08:39,959 Speaker 1: was like, Linda, can I just come to your office 148 00:08:39,960 --> 00:08:42,440 Speaker 1: and like read this through? Like I don't know what 149 00:08:42,559 --> 00:08:47,320 Speaker 1: I'm doing. And I left my body in the audition 150 00:08:47,400 --> 00:08:51,160 Speaker 1: room and like was watching myself and I started doing 151 00:08:51,200 --> 00:08:54,600 Speaker 1: the anxiety thing when you're like narrating everything that's going 152 00:08:54,640 --> 00:08:59,200 Speaker 1: through your head and you're out loud. Ye so um 153 00:08:59,360 --> 00:09:03,160 Speaker 1: real Arlie, real, real bad you? Were you crying? Were 154 00:09:03,160 --> 00:09:07,040 Speaker 1: you hyperventilating? Was your heart racing? I remember like turning 155 00:09:07,040 --> 00:09:09,680 Speaker 1: away from them and like facing a corner of the 156 00:09:09,679 --> 00:09:12,440 Speaker 1: audition room and just sort of like touching the wall, 157 00:09:12,960 --> 00:09:16,760 Speaker 1: like trying to like bring my bring myself back to 158 00:09:16,880 --> 00:09:23,760 Speaker 1: some ground yourself. Yeah. So it was really humiliating and embarrassing. 159 00:09:24,080 --> 00:09:27,679 Speaker 1: They were so lovely, however, I think that they saw 160 00:09:27,720 --> 00:09:36,200 Speaker 1: a little bit of like an interesting, unhinged perfect Oh 161 00:09:36,440 --> 00:09:39,160 Speaker 1: my god, which is like you know, I mean, it's 162 00:09:39,200 --> 00:09:42,560 Speaker 1: one of the sort of all time great like switcherus 163 00:09:42,760 --> 00:09:46,840 Speaker 1: of it working out in like a really bizarre, beautiful 164 00:09:46,960 --> 00:09:51,560 Speaker 1: way that they could see past what I considered like 165 00:09:51,600 --> 00:09:54,120 Speaker 1: a huge sort of weakness and failure and it was 166 00:09:54,160 --> 00:09:56,800 Speaker 1: just like, no, just channel that into this other thing here. 167 00:09:56,880 --> 00:09:59,160 Speaker 1: Here you go. A lot of actors, I know, like 168 00:09:59,280 --> 00:10:04,760 Speaker 1: literally take beta blockers, like oh, they take like they 169 00:10:04,800 --> 00:10:07,880 Speaker 1: actually take like beta blocker, which is far less than 170 00:10:08,000 --> 00:10:10,000 Speaker 1: like um Araz of Pamm or an ad a Van 171 00:10:10,120 --> 00:10:14,840 Speaker 1: or something, because because they're going to have a full 172 00:10:14,920 --> 00:10:18,240 Speaker 1: bone anxiety. This is our lives as actors. Like that 173 00:10:18,280 --> 00:10:21,320 Speaker 1: shit happens for me. How it manifests for me is 174 00:10:21,320 --> 00:10:24,160 Speaker 1: my hand shake and I'll be holding sides. So now 175 00:10:24,400 --> 00:10:26,559 Speaker 1: I got a tip from another actor, Gary Perez, my 176 00:10:26,559 --> 00:10:28,480 Speaker 1: my buddy, and he was like, just bring a heavy, 177 00:10:28,480 --> 00:10:30,840 Speaker 1: heavy book and hold the sides on top of that 178 00:10:30,880 --> 00:10:33,040 Speaker 1: book and it sort of gives weight to your hand. 179 00:10:33,080 --> 00:10:36,160 Speaker 1: Because I sometimes I get so nervous that my hands 180 00:10:36,160 --> 00:10:38,520 Speaker 1: are shaking and then all I'm thinking about they're looking 181 00:10:38,520 --> 00:10:41,520 Speaker 1: at my shaking hands and my shaking Baby, I've had 182 00:10:43,920 --> 00:10:48,960 Speaker 1: fucking tongue rock by the way, like that's happened to 183 00:10:49,000 --> 00:10:52,000 Speaker 1: me before on like like a live talk show. And 184 00:10:52,040 --> 00:10:55,240 Speaker 1: then some days you feel amazing like a fucking king 185 00:10:55,280 --> 00:10:57,040 Speaker 1: and a queen right in the room and you're like 186 00:10:57,760 --> 00:11:01,720 Speaker 1: the most confident and chill. Yeah, but you just mis 187 00:11:01,800 --> 00:11:04,480 Speaker 1: chasing it. And then yes, I think why we keep 188 00:11:04,559 --> 00:11:07,480 Speaker 1: doing it is to like chase that that gray zone 189 00:11:07,640 --> 00:11:14,240 Speaker 1: right like and it's so rare, so trippy. Well without yeah, 190 00:11:14,280 --> 00:11:17,720 Speaker 1: I also I'm a firm believer that yeah, without Amanda Tanner, 191 00:11:18,080 --> 00:11:20,040 Speaker 1: like I needed to do Amanda Tanner, but I could 192 00:11:20,040 --> 00:11:23,520 Speaker 1: have never done Bonnie when her Bottom without being Amanda First. 193 00:11:23,559 --> 00:11:27,280 Speaker 1: I think it definitely like opened a door to like 194 00:11:27,600 --> 00:11:33,240 Speaker 1: the dark weirdness that so I was like, this is 195 00:11:33,280 --> 00:11:37,120 Speaker 1: my comeback story, guys, all right, like I am gonna 196 00:11:37,240 --> 00:11:40,720 Speaker 1: I gotta crush this and I and it felt really good. 197 00:11:40,760 --> 00:11:43,920 Speaker 1: But mostly I think because I was like, I didn't 198 00:11:44,840 --> 00:11:49,760 Speaker 1: get weird and have a meltdown. This is a triumph. 199 00:11:49,800 --> 00:11:52,719 Speaker 1: I did it. When you booked Amanda Tanner, did you 200 00:11:52,920 --> 00:11:56,800 Speaker 1: know that she was going to die? Did you know mine? 201 00:11:56,960 --> 00:12:02,960 Speaker 1: Did you know what it could be? So? Um, I 202 00:12:03,040 --> 00:12:04,600 Speaker 1: don't think I knew any of it. I think I 203 00:12:04,720 --> 00:12:07,720 Speaker 1: gradually heard that it was going to turn into like 204 00:12:07,760 --> 00:12:09,720 Speaker 1: a little bit of an arc and be like five 205 00:12:09,840 --> 00:12:12,920 Speaker 1: or six episodes. But I didn't know anything. I mean, 206 00:12:12,960 --> 00:12:16,400 Speaker 1: and you guys, because I'm so curious about your experience 207 00:12:16,440 --> 00:12:19,240 Speaker 1: going back and watching this as well. But I'm realizing 208 00:12:19,280 --> 00:12:22,400 Speaker 1: now that it was such a primer for me in 209 00:12:22,480 --> 00:12:26,760 Speaker 1: terms of uh, sort of the the shandaland staple of 210 00:12:26,880 --> 00:12:30,760 Speaker 1: really like going for a fucking ride because you wouldn't 211 00:12:30,800 --> 00:12:33,240 Speaker 1: know anything. You don't know anything as actors. You didn't 212 00:12:33,240 --> 00:12:36,360 Speaker 1: know the Quinn background. You didn't know the background of 213 00:12:37,120 --> 00:12:40,520 Speaker 1: any of these Oh yeah, so it just it really 214 00:12:40,679 --> 00:12:42,520 Speaker 1: is like a car pulling up in front of your 215 00:12:42,520 --> 00:12:45,400 Speaker 1: house being like come on, get in. You're like, where 216 00:12:45,440 --> 00:12:48,880 Speaker 1: are we going, and they're like it doesn't matter, just yeah, 217 00:12:49,000 --> 00:12:53,040 Speaker 1: you trust it. Yeah you trust again. First some actors 218 00:12:53,080 --> 00:12:56,560 Speaker 1: it's like wildly unsettling and they don't like it, and 219 00:12:56,559 --> 00:12:58,720 Speaker 1: they're sort of used to like sitting down with the 220 00:12:58,760 --> 00:13:01,480 Speaker 1: showrunner at the beginning of season and hearing what their 221 00:13:01,480 --> 00:13:03,160 Speaker 1: whole characters arc is going to be in with the 222 00:13:03,160 --> 00:13:05,960 Speaker 1: writer's room has planned for them and all of that 223 00:13:06,120 --> 00:13:09,320 Speaker 1: in Shanda Universe, which tell me if it was was 224 00:13:09,360 --> 00:13:11,960 Speaker 1: it the same for how to get with for Murder too. Yes, yeah, 225 00:13:11,960 --> 00:13:14,320 Speaker 1: oh yeah, so you were not told a fucking thing. 226 00:13:14,360 --> 00:13:17,600 Speaker 1: We showed the table read. You're not you don't ask questions, 227 00:13:17,640 --> 00:13:19,360 Speaker 1: you don't know where your character is going. I think 228 00:13:19,360 --> 00:13:22,240 Speaker 1: it's because they don't know really where your character right, 229 00:13:23,000 --> 00:13:25,040 Speaker 1: They're kind of waiting to see what you do and 230 00:13:25,080 --> 00:13:28,920 Speaker 1: what develops and like build off of that true what 231 00:13:29,080 --> 00:13:34,160 Speaker 1: I found complete freedom in it. Yeah, it becomes I 232 00:13:34,200 --> 00:13:37,440 Speaker 1: think can very liberating. There is like a you know, 233 00:13:37,520 --> 00:13:41,040 Speaker 1: a wonky like adjustment period because I think you also 234 00:13:41,160 --> 00:13:45,600 Speaker 1: just like you're you're up against so many other things. 235 00:13:45,640 --> 00:13:49,000 Speaker 1: It's really hard to be good on TV, you know, 236 00:13:49,200 --> 00:13:53,280 Speaker 1: like I'm fast paced, like you're just up against so much. 237 00:13:53,480 --> 00:13:57,320 Speaker 1: But there is a there is a a liberation I 238 00:13:57,360 --> 00:13:59,120 Speaker 1: think once you're like, I don't know what's going to 239 00:13:59,200 --> 00:14:01,360 Speaker 1: happen to me tomorrow in life, I don't know what 240 00:14:01,559 --> 00:14:04,800 Speaker 1: you know, Like, yeah, so it I think it can 241 00:14:04,840 --> 00:14:09,800 Speaker 1: be really fun and beautiful, but it's scary. Yeah, it's scary. 242 00:14:09,880 --> 00:14:12,439 Speaker 1: I like the part of TV two of doing an 243 00:14:12,440 --> 00:14:15,880 Speaker 1: episodic like like Scandal or Murderer, that you you know, 244 00:14:15,920 --> 00:14:18,679 Speaker 1: you don't have time to stress out or get too 245 00:14:18,720 --> 00:14:23,160 Speaker 1: nervous about something because the shooting pace is so freaking 246 00:14:23,440 --> 00:14:25,720 Speaker 1: fast and just going, going, going, Yeah, you don't have 247 00:14:25,800 --> 00:14:29,920 Speaker 1: time to be like I'm gonna stress and overthink this monologue. 248 00:14:29,920 --> 00:14:31,760 Speaker 1: You don't have time for that shit. You just gotta go, go, 249 00:14:31,760 --> 00:14:33,760 Speaker 1: go and keep doing it. And I guess that's that's 250 00:14:33,920 --> 00:14:35,640 Speaker 1: kind of a good thing, because you know, with my 251 00:14:35,760 --> 00:14:40,080 Speaker 1: crazy brain, my anxious brain, Yeah, was Amanda Tanner your 252 00:14:40,200 --> 00:14:42,840 Speaker 1: like big job after Gilmore I mean, I know you 253 00:14:42,840 --> 00:14:44,520 Speaker 1: worked a ton, but like, was it your first life? 254 00:14:44,560 --> 00:14:48,240 Speaker 1: Did you say Gilmore Girls? Wait a minute, Garmo love Gilmour. 255 00:14:50,200 --> 00:14:52,840 Speaker 1: Garmo fucking loves gilmar Girls. When we had Shanna on 256 00:14:52,880 --> 00:14:55,080 Speaker 1: the podcast for episode one, he was like, Seana, you 257 00:14:55,080 --> 00:14:57,880 Speaker 1: watched Gilmore Girls. And Seana was like no, and Garmos 258 00:14:57,880 --> 00:15:00,960 Speaker 1: like almost died. I was I almost. I almost turned 259 00:15:01,000 --> 00:15:04,080 Speaker 1: off my camera and like left the podcast. Now, No, 260 00:15:04,240 --> 00:15:08,200 Speaker 1: because because Liza, because she cast you, she cast the 261 00:15:08,280 --> 00:15:12,760 Speaker 1: lovely actress who played Lane on Gilmore Girls. Yes, and 262 00:15:12,800 --> 00:15:16,160 Speaker 1: then of course Hollis Doyle who was Greg Henry also 263 00:15:16,160 --> 00:15:19,240 Speaker 1: on Gilmore Girls. Like all these like wonderful people that 264 00:15:19,280 --> 00:15:22,440 Speaker 1: were on Gilmore Girls, and oh man, I always assumed 265 00:15:22,520 --> 00:15:24,520 Speaker 1: that she did watch it, but I that's news to 266 00:15:24,560 --> 00:15:26,720 Speaker 1: me that she did. She never saw it, which is 267 00:15:26,720 --> 00:15:28,520 Speaker 1: so crazy because when I go back and I think 268 00:15:28,520 --> 00:15:31,960 Speaker 1: about like the fast paced talking shows, it's like West Wing, 269 00:15:32,080 --> 00:15:35,960 Speaker 1: Gilmore Girls, Scandal, Like there's not so many shows where 270 00:15:36,000 --> 00:15:40,200 Speaker 1: like the Secret Sauce one of them in the recipe 271 00:15:40,240 --> 00:15:43,280 Speaker 1: is speaking as fast as humanly fucking possible. Yes, one 272 00:15:43,360 --> 00:15:47,080 Speaker 1: hundred percent. I mean I Gilmore Girls ended, I got married, 273 00:15:47,440 --> 00:15:49,960 Speaker 1: and then I was having like a really hard time 274 00:15:50,720 --> 00:15:53,080 Speaker 1: going back into audition rooms. I feel like the whole 275 00:15:53,120 --> 00:15:56,480 Speaker 1: time I was on Gilmore Girls, I wasn't really getting 276 00:15:56,480 --> 00:15:59,240 Speaker 1: out for other things, so like the audition muscle was 277 00:15:59,320 --> 00:16:04,320 Speaker 1: like I had no idea like and again just a 278 00:16:04,400 --> 00:16:08,040 Speaker 1: lot of panic attacks and a lot of anxiety, just 279 00:16:08,120 --> 00:16:11,280 Speaker 1: a lot of straight up anxiety because yeah, so I 280 00:16:11,320 --> 00:16:14,640 Speaker 1: didn't work for for like three years, I think after 281 00:16:14,720 --> 00:16:18,680 Speaker 1: Gilmore Girls, and then oh well I had my daughter, 282 00:16:19,240 --> 00:16:22,360 Speaker 1: so yeah, Amanda Tanner was like the first job back 283 00:16:22,400 --> 00:16:25,520 Speaker 1: after having a baby and sort of all of it, 284 00:16:25,560 --> 00:16:28,360 Speaker 1: and I was freaked out. I was really really nervous 285 00:16:28,480 --> 00:16:32,120 Speaker 1: because you guys were you know, you got us with 286 00:16:32,200 --> 00:16:36,200 Speaker 1: guys who were coming to play. We were not. You were. 287 00:16:36,320 --> 00:16:37,920 Speaker 1: I want to I want we wanted to talk about 288 00:16:37,960 --> 00:16:43,400 Speaker 1: this episode, but literally I will never forget that scene 289 00:16:43,960 --> 00:16:49,040 Speaker 1: in the pilot with you and the dog and Carrie 290 00:16:49,080 --> 00:16:54,760 Speaker 1: Washington and her having that monologue about you better get 291 00:16:54,800 --> 00:16:56,560 Speaker 1: out of town and here's all the things she's going 292 00:16:56,600 --> 00:16:58,320 Speaker 1: to do to you if you don't, and where'd you 293 00:16:58,360 --> 00:17:02,080 Speaker 1: get that dog? And you just have to literally sob 294 00:17:02,400 --> 00:17:05,520 Speaker 1: for like ever take it? Yeah, I mean, do you 295 00:17:05,600 --> 00:17:09,040 Speaker 1: remember that day and how the generous thing that Carrie 296 00:17:09,200 --> 00:17:12,400 Speaker 1: did of I remember, but please tell okay because it's 297 00:17:12,480 --> 00:17:15,160 Speaker 1: so it was you know, it was there was a 298 00:17:15,160 --> 00:17:18,119 Speaker 1: big build up for that scene and like it was 299 00:17:18,200 --> 00:17:22,719 Speaker 1: a long process, and I was like, I think I 300 00:17:22,760 --> 00:17:27,840 Speaker 1: had kind of blown my wad. Yeah yeah, yeah yeah, 301 00:17:27,880 --> 00:17:30,760 Speaker 1: And she did not as we say, we called for 302 00:17:30,840 --> 00:17:33,320 Speaker 1: tear stick, which I did all the time. Liza never 303 00:17:33,440 --> 00:17:38,600 Speaker 1: did that. Well, I think my moment, But honestly, it 304 00:17:38,680 --> 00:17:41,199 Speaker 1: was again like the motivation, like the motivation for crying 305 00:17:41,320 --> 00:17:44,840 Speaker 1: was out of like I am going to like whiff this, 306 00:17:45,240 --> 00:17:48,600 Speaker 1: like I this is I'm going to fail publicly. So 307 00:17:48,960 --> 00:17:52,560 Speaker 1: it was all just like you know, you better fucking 308 00:17:52,960 --> 00:17:57,040 Speaker 1: do this. Um. But then I remember having to break 309 00:17:57,080 --> 00:18:00,480 Speaker 1: for lunch and then before they part Ridge and I 310 00:18:00,520 --> 00:18:03,800 Speaker 1: was like, oh no, no, no, no, please please, let's 311 00:18:03,800 --> 00:18:05,879 Speaker 1: not break for lunch. And then just like sitting in 312 00:18:05,920 --> 00:18:10,000 Speaker 1: the honeywagon like rocking back and forth, like trying to starving, 313 00:18:10,200 --> 00:18:12,400 Speaker 1: starving because you know you're not going to eat. Yeah. 314 00:18:12,880 --> 00:18:15,760 Speaker 1: But Harry did like the thing for my coverage where 315 00:18:15,800 --> 00:18:19,200 Speaker 1: she just it just wasn't there, and she went off 316 00:18:19,280 --> 00:18:23,879 Speaker 1: script and sort of like added some personal stuff that 317 00:18:23,920 --> 00:18:26,119 Speaker 1: would sort of get a response out of me. She 318 00:18:26,240 --> 00:18:29,280 Speaker 1: knew that, you know, we were starting to try to 319 00:18:29,359 --> 00:18:31,480 Speaker 1: like find child care for our daughter and it was 320 00:18:31,520 --> 00:18:33,800 Speaker 1: so stressful, and it was like I was leaving her 321 00:18:33,800 --> 00:18:35,880 Speaker 1: alone for the first time, and she put she kind 322 00:18:35,920 --> 00:18:42,520 Speaker 1: of like sprinkled into the yeah, and and it just 323 00:18:42,800 --> 00:18:47,119 Speaker 1: saved my ass, man, And I was so grateful for 324 00:18:47,160 --> 00:18:51,400 Speaker 1: her to her for that. Uh well, let's stricken plays man, 325 00:18:51,440 --> 00:18:56,359 Speaker 1: because that scene. I'm convinced like that scene is probably 326 00:18:56,359 --> 00:18:58,359 Speaker 1: why we even like got to pick up for the 327 00:18:58,440 --> 00:19:03,240 Speaker 1: second season. Oh stop, Yeah, that's one of those iconic 328 00:19:03,359 --> 00:19:06,399 Speaker 1: fucking scenes where we know who Olivia Pope really is. 329 00:19:07,280 --> 00:19:09,879 Speaker 1: We know like what length she's willing to go for 330 00:19:09,920 --> 00:19:13,600 Speaker 1: her for her love for the president. We see that 331 00:19:13,640 --> 00:19:15,800 Speaker 1: she doesn't give a fuck that this girl is just 332 00:19:15,840 --> 00:19:18,200 Speaker 1: like a regular girl who was in the fucking wrong 333 00:19:18,200 --> 00:19:20,800 Speaker 1: place at the wrong time, although we kind of learned 334 00:19:20,800 --> 00:19:24,320 Speaker 1: that that's not who Amanda Tana. Yeah, and that scene 335 00:19:24,320 --> 00:19:26,240 Speaker 1: they use that they use that scene and a lot 336 00:19:26,280 --> 00:19:28,800 Speaker 1: of promos too, like that's the scene that when the 337 00:19:28,840 --> 00:19:32,560 Speaker 1: show first started sort of being publicized, right, Yeah, it's 338 00:19:32,840 --> 00:19:36,240 Speaker 1: iconic and you were phenomenal and however you got there, 339 00:19:36,680 --> 00:19:39,720 Speaker 1: like I just remember it was forever. That scene was 340 00:19:39,760 --> 00:19:42,320 Speaker 1: first of all outside, which is impossible. They can't like 341 00:19:42,720 --> 00:19:45,480 Speaker 1: really control lots of things that needed to be controlled. 342 00:19:46,240 --> 00:19:49,959 Speaker 1: He did shoot it, like wides and masters and Carrie's 343 00:19:50,040 --> 00:19:53,639 Speaker 1: coverage eight billion times for hours before we turned it 344 00:19:53,640 --> 00:19:56,200 Speaker 1: around on Liza. So by the time we turned around 345 00:19:56,200 --> 00:19:59,320 Speaker 1: on Liza, she's like, I can't hear this. Like when 346 00:19:59,320 --> 00:20:01,560 Speaker 1: I hear this doesn't have any effect on me anymore. 347 00:20:01,680 --> 00:20:05,440 Speaker 1: I've heard it one fucking thousand times. Yeah, and so 348 00:20:05,520 --> 00:20:07,840 Speaker 1: for Carrie, Yeah, she would. She used to do that 349 00:20:07,880 --> 00:20:09,080 Speaker 1: to me too. I don't know if she ever do 350 00:20:09,160 --> 00:20:10,960 Speaker 1: that to you Garmo too, But sometimes she'd just save 351 00:20:11,040 --> 00:20:13,720 Speaker 1: your ass and she would be like sprinkling just a 352 00:20:13,800 --> 00:20:16,679 Speaker 1: little something that would make me feel a different sound, different, 353 00:20:16,760 --> 00:20:19,560 Speaker 1: wake up, like, let me have an She didn't give 354 00:20:19,600 --> 00:20:23,400 Speaker 1: me shit. She barely remembered her lines when they were 355 00:20:23,400 --> 00:20:30,680 Speaker 1: doing my coverage. I'm kidding. She's great. Now. In this episode, 356 00:20:31,200 --> 00:20:37,159 Speaker 1: we have so many firsts it's insane, Like, yes, we 357 00:20:37,240 --> 00:20:40,320 Speaker 1: have so many first First we have like Carrie Washington 358 00:20:40,440 --> 00:20:44,159 Speaker 1: speaking Spanish, which she knows how to speak Spanish, right, Guermo, 359 00:20:44,240 --> 00:20:46,800 Speaker 1: because the case of the week is this, yes, this 360 00:20:46,880 --> 00:20:53,440 Speaker 1: dictator from yeah, Benicio Florides. I don't remember where he's from, 361 00:20:53,480 --> 00:20:56,040 Speaker 1: but like he comes in and needs help because his 362 00:20:56,160 --> 00:20:59,200 Speaker 1: children are and wife are missing. And Olivia speaks. Why 363 00:20:59,320 --> 00:21:01,280 Speaker 1: does Olivia I mean, excuse me, why does Kerry Washing 364 00:21:01,359 --> 00:21:03,960 Speaker 1: know how to speak Spanish fluently? Know how to do 365 00:21:04,080 --> 00:21:11,000 Speaker 1: everything fluently? Oh my god, she's really smart, right and 366 00:21:11,119 --> 00:21:15,440 Speaker 1: she knows probably all the things. Yeah, we have Amanda 367 00:21:15,600 --> 00:21:18,840 Speaker 1: wants to revisit the five minute like all you want, 368 00:21:19,080 --> 00:21:22,960 Speaker 1: like all you want for your end game. Olivia. Pope 369 00:21:23,000 --> 00:21:25,639 Speaker 1: is saying to you like okay, great, like what do 370 00:21:25,680 --> 00:21:29,320 Speaker 1: you want, and You're like, I want, oh the god, 371 00:21:29,440 --> 00:21:34,240 Speaker 1: you fucking kill you want fucking five minutes with the president. 372 00:21:34,320 --> 00:21:36,720 Speaker 1: Five minutes with the president. Yeah, Oh that scene is 373 00:21:36,760 --> 00:21:38,880 Speaker 1: so good. This way you say I want them all 374 00:21:38,920 --> 00:21:42,720 Speaker 1: to burn for this? Yes, yes it is, Yes it is. 375 00:21:44,480 --> 00:21:47,800 Speaker 1: That would be so hard to do for so many 376 00:21:47,840 --> 00:21:50,080 Speaker 1: people and do well. You guys are really nice, man, 377 00:21:50,160 --> 00:21:53,960 Speaker 1: I mean, because I think it could be kind of melodramatic, 378 00:21:54,880 --> 00:21:58,359 Speaker 1: you know what I mean. Yeah, we'll be right back. Guys. 379 00:22:03,520 --> 00:22:06,040 Speaker 1: Did you rewatch this episode Liza? And it's okay if 380 00:22:06,040 --> 00:22:09,840 Speaker 1: you didn't. We we I did. Was it nice being 381 00:22:09,880 --> 00:22:12,960 Speaker 1: sort of separated, like having the time from you know, 382 00:22:12,960 --> 00:22:15,200 Speaker 1: because I always talk about how we were so close 383 00:22:15,240 --> 00:22:17,639 Speaker 1: to the material and the show when we were shooting it, 384 00:22:17,720 --> 00:22:19,560 Speaker 1: so it was hard to be really be like, oh, 385 00:22:19,560 --> 00:22:21,959 Speaker 1: this is a great show because I would remember stupid 386 00:22:21,960 --> 00:22:23,760 Speaker 1: shit I didn't like that I did or whatever. But 387 00:22:23,840 --> 00:22:27,160 Speaker 1: now having that time, I'm like, it's such a great show. 388 00:22:27,600 --> 00:22:29,520 Speaker 1: It's such a great show. I mean I started, I 389 00:22:30,200 --> 00:22:32,680 Speaker 1: like burned through like six episodes, like I couldn't stop 390 00:22:32,680 --> 00:22:35,719 Speaker 1: watching it, Like I had the intention of just watching 391 00:22:35,800 --> 00:22:38,840 Speaker 1: until episode four, and then now I'm like fully in 392 00:22:38,920 --> 00:22:41,880 Speaker 1: it again. It's and it's just it's such a it's 393 00:22:41,960 --> 00:22:46,560 Speaker 1: such a delight. Yeah. How did you prepare for scenes 394 00:22:46,600 --> 00:22:48,480 Speaker 1: like like the burn for this? Were you working with 395 00:22:48,520 --> 00:22:51,720 Speaker 1: anybody at the time, or were you just like, I like, 396 00:22:51,840 --> 00:22:54,720 Speaker 1: how what was your like prep? Yeah? I was not 397 00:22:54,840 --> 00:22:57,560 Speaker 1: working with anybody at the time. I mean I think 398 00:22:57,600 --> 00:23:02,080 Speaker 1: I was just doing problem belief and like not great 399 00:23:02,400 --> 00:23:12,040 Speaker 1: unhealthy prep of like just self hatred and um. But again, 400 00:23:12,080 --> 00:23:17,680 Speaker 1: I think so much of of my fuel was just 401 00:23:18,320 --> 00:23:22,560 Speaker 1: a real, like authentic fear of not doing well like 402 00:23:22,600 --> 00:23:25,520 Speaker 1: this one. And it was such a exciting set to 403 00:23:25,640 --> 00:23:28,760 Speaker 1: be on. I mean, you guys were just so it 404 00:23:28,800 --> 00:23:32,400 Speaker 1: was just so lively and like there was such a potent, 405 00:23:32,640 --> 00:23:37,840 Speaker 1: palpable feeling of like joy and commitment and enthusiasm that 406 00:23:38,280 --> 00:23:43,080 Speaker 1: was so special to be around. Um, it was just 407 00:23:43,200 --> 00:23:48,280 Speaker 1: it felt very um just charged with all the things 408 00:23:48,359 --> 00:23:52,040 Speaker 1: that you really want to be around as an actor. 409 00:23:52,080 --> 00:23:55,000 Speaker 1: So I just remember how exciting it felt. I was 410 00:23:55,240 --> 00:24:00,000 Speaker 1: lucky in this episode that Michael Cattleman, who directed this episode, 411 00:24:00,160 --> 00:24:03,479 Speaker 1: tell us who that is? Okay, well he's he's been 412 00:24:03,520 --> 00:24:08,560 Speaker 1: around forever, but he was a very beloved supervising director 413 00:24:08,600 --> 00:24:12,520 Speaker 1: on Gilmore Girls for a couple of seasons and we 414 00:24:13,560 --> 00:24:18,480 Speaker 1: loved him, like he was Oh, what a gift for you. 415 00:24:19,240 --> 00:24:22,959 Speaker 1: Um that show was hard, like it was you know, 416 00:24:23,080 --> 00:24:28,320 Speaker 1: as you were saying, very dialogue heavy and we were 417 00:24:28,320 --> 00:24:33,400 Speaker 1: shooting crazy, crazy hours on that show. Um, but Michael 418 00:24:33,760 --> 00:24:37,679 Speaker 1: came in and just he was like the whisperer you 419 00:24:37,720 --> 00:24:41,719 Speaker 1: know to everybody, just very soothing, calming and like just 420 00:24:41,800 --> 00:24:44,679 Speaker 1: made it feel good there. So I'm so glad that 421 00:24:44,760 --> 00:24:47,239 Speaker 1: he was your person during this episode because you just 422 00:24:47,320 --> 00:24:50,200 Speaker 1: have a lot of heavy lifting in this episode, Like, 423 00:24:50,440 --> 00:24:52,879 Speaker 1: well and you get fucking kids. We gotta get there, 424 00:24:52,920 --> 00:24:57,119 Speaker 1: we gotta get there. Yeah, I mean I remember Katie, 425 00:24:57,119 --> 00:25:00,720 Speaker 1: like I loved Arla of Amanda and Quinn st so 426 00:25:00,800 --> 00:25:03,720 Speaker 1: much because it just felt like when I got to 427 00:25:03,720 --> 00:25:05,280 Speaker 1: be in a scene with you that I was just 428 00:25:05,320 --> 00:25:10,120 Speaker 1: being bathed in like warmth and kindness because Carrie as 429 00:25:10,160 --> 00:25:14,240 Speaker 1: Olivia really was pretty harsh with Amanda, and she would 430 00:25:14,280 --> 00:25:16,359 Speaker 1: just look at me like a fucking piece of shit, 431 00:25:17,000 --> 00:25:21,280 Speaker 1: like and like so much judgment. Yeah, well she thinks 432 00:25:21,320 --> 00:25:25,200 Speaker 1: you're pregnant with her fucking love yeah boyfriend with her boyfriend. 433 00:25:25,560 --> 00:25:30,200 Speaker 1: What am I saying? It's so so complicated for her, Yeah, 434 00:25:30,400 --> 00:25:34,960 Speaker 1: and it isn't really intense thing for her to take on. 435 00:25:35,080 --> 00:25:39,840 Speaker 1: It is webby as fuck, you know. Yeah, But Quinn 436 00:25:39,840 --> 00:25:41,760 Speaker 1: and Quinn and Amanda were just like I'm just like 437 00:25:41,800 --> 00:25:44,520 Speaker 1: I just want you to be Okay, yeah, it doesn't 438 00:25:44,560 --> 00:25:47,080 Speaker 1: have to be your story. Yeah, come be a client. 439 00:25:47,480 --> 00:25:49,720 Speaker 1: I come be a client, And like I'm trying to 440 00:25:49,760 --> 00:25:52,119 Speaker 1: do a good job. And I felt I feel like 441 00:25:52,200 --> 00:25:54,840 Speaker 1: Quinn feels so bad for her, Like I just think 442 00:25:54,880 --> 00:25:57,760 Speaker 1: she relates to her in a way too, right, Yeah, 443 00:25:58,320 --> 00:26:02,120 Speaker 1: there's empathy there, yeah, for sure. I mean, also, let's 444 00:26:02,119 --> 00:26:04,760 Speaker 1: take it back to like this is the cook Man. 445 00:26:04,800 --> 00:26:07,840 Speaker 1: This storyline Aman Tanner sleeping with the president. I mean 446 00:26:08,119 --> 00:26:11,680 Speaker 1: that is literally ripped from Judy Smith, who Olivia Pope 447 00:26:11,720 --> 00:26:16,879 Speaker 1: is based on representing Monica Lewinsky. Yes, yes, right, that's 448 00:26:16,920 --> 00:26:21,360 Speaker 1: a lot of pressure. I mean, your your case and 449 00:26:21,440 --> 00:26:25,280 Speaker 1: your person is very loosely inspired by probably the most 450 00:26:25,359 --> 00:26:30,280 Speaker 1: famous political presidential scandal in the history of time other 451 00:26:30,320 --> 00:26:34,240 Speaker 1: than Nixon, and like yeah, yeah, I mean there was 452 00:26:34,280 --> 00:26:36,600 Speaker 1: also a thing where, you know, the writers were sort 453 00:26:36,600 --> 00:26:38,200 Speaker 1: of like, we don't really know if she did sleep 454 00:26:38,240 --> 00:26:43,800 Speaker 1: with him, you know, yeah, Mike having to be like, Okay, well, 455 00:26:43,800 --> 00:26:45,960 Speaker 1: I think I just have to play that I did, 456 00:26:46,680 --> 00:26:49,000 Speaker 1: but I think it also, I mean to get kind 457 00:26:49,040 --> 00:26:51,520 Speaker 1: of raw about it. It was bringing up like a 458 00:26:51,600 --> 00:26:55,320 Speaker 1: lot of interesting things for me because I was like, 459 00:26:55,920 --> 00:26:58,840 Speaker 1: I did just have a baby. It was like really 460 00:26:58,880 --> 00:27:03,000 Speaker 1: a little sense of about being kind of on TV 461 00:27:03,200 --> 00:27:05,679 Speaker 1: and being looked at, and also been adding that element 462 00:27:05,720 --> 00:27:12,160 Speaker 1: of like, is anybody gonna believe that he slept with me? Like, yes, 463 00:27:12,320 --> 00:27:15,920 Speaker 1: I don't know. Man. You you're gorgeous. We're our worst enemies, 464 00:27:16,000 --> 00:27:21,159 Speaker 1: ourselves we are. Yeah, you are gorgeous every day of 465 00:27:21,200 --> 00:27:26,760 Speaker 1: your life, like in any any version of you. Brew brunette, blonde, 466 00:27:26,760 --> 00:27:30,480 Speaker 1: short hair, long hair, post baby. That's not why I'm 467 00:27:30,480 --> 00:27:32,400 Speaker 1: bringing that up. I didn't mean it to be a high. 468 00:27:33,840 --> 00:27:35,520 Speaker 1: We're going to be the ones to tell you, and 469 00:27:35,560 --> 00:27:38,640 Speaker 1: then we've and also you're doing some mad sketchy shit. 470 00:27:38,720 --> 00:27:40,760 Speaker 1: It's not in this episode, but in previous episodes you're 471 00:27:40,760 --> 00:27:43,119 Speaker 1: like on the phone and you're like, I have to 472 00:27:43,160 --> 00:27:46,080 Speaker 1: tell her. I can't like lie anymore. I had no 473 00:27:46,160 --> 00:27:49,200 Speaker 1: idea who I was calling. By the way, who you're talking. 474 00:27:49,240 --> 00:27:51,560 Speaker 1: You don't know you're talking to Billy Chambers. You don't 475 00:27:51,560 --> 00:27:54,520 Speaker 1: know you're actually pregnant with Billy Chambers. Baby. No, I 476 00:27:54,560 --> 00:27:56,440 Speaker 1: have none of that information. But it was such a 477 00:27:56,480 --> 00:27:58,879 Speaker 1: great way in going back, I have to say, like 478 00:27:58,920 --> 00:28:02,040 Speaker 1: I was like, oh, I wish I made a little 479 00:28:02,040 --> 00:28:05,080 Speaker 1: bit more of a choice. There because it was a 480 00:28:05,160 --> 00:28:08,280 Speaker 1: pretty general We all felt like that. I keep going 481 00:28:08,280 --> 00:28:10,399 Speaker 1: back and I'm like, God, why was I playing that? 482 00:28:10,440 --> 00:28:12,520 Speaker 1: And then I'm like, oh, because I didn't know. You 483 00:28:12,600 --> 00:28:15,800 Speaker 1: didn't know, but I worked. It worked. Yeah, you just 484 00:28:15,960 --> 00:28:19,000 Speaker 1: have to embrace like the general, like I'll just do 485 00:28:19,080 --> 00:28:22,760 Speaker 1: something general. Yeah. I remember distinctly one day on set, 486 00:28:22,840 --> 00:28:26,040 Speaker 1: not in this episode, on an earlier episode, I want 487 00:28:26,080 --> 00:28:28,840 Speaker 1: to say, maybe even the pilot. Yeah. I think it 488 00:28:28,920 --> 00:28:32,040 Speaker 1: was the pilot. The scenes where you are in bed 489 00:28:32,160 --> 00:28:36,080 Speaker 1: after you've slit your wrist. Oh. Yeah, and you brought 490 00:28:36,200 --> 00:28:42,920 Speaker 1: Josephine to set. Oh, and she met Shonda and it 491 00:28:42,960 --> 00:28:45,520 Speaker 1: was so stressed, Like I was like as a like 492 00:28:45,600 --> 00:28:47,480 Speaker 1: as a person who wanted to be a mom. I 493 00:28:47,560 --> 00:28:51,400 Speaker 1: just remember like looking at you and being like, oh 494 00:28:51,440 --> 00:28:55,760 Speaker 1: my god, Like she's married to an actor and she 495 00:28:56,200 --> 00:28:59,280 Speaker 1: is bringing her child to set and she's working and 496 00:28:59,400 --> 00:29:02,000 Speaker 1: you're doing it amazing job. Like I just remember being like, 497 00:29:02,080 --> 00:29:04,760 Speaker 1: holy shit, Like I hadn't I hadn't seen that before 498 00:29:04,800 --> 00:29:09,120 Speaker 1: because I only guest starred on procedurals where men were 499 00:29:09,120 --> 00:29:13,280 Speaker 1: the leads. I really hadn't seen any people bring babies 500 00:29:13,280 --> 00:29:15,000 Speaker 1: on set. It was the first time. I mean Shanda 501 00:29:15,120 --> 00:29:18,800 Speaker 1: like was very like she's obsessed with babies obviously. I 502 00:29:18,800 --> 00:29:21,520 Speaker 1: mean people don't know this. Sean is obsessed with babies 503 00:29:22,840 --> 00:29:24,440 Speaker 1: from Grays and Private and all that. And she just 504 00:29:24,520 --> 00:29:27,200 Speaker 1: was so like welcoming and happy that you brought her 505 00:29:27,280 --> 00:29:31,440 Speaker 1: to set. And I just remember being like, oh my god, like, yeah, 506 00:29:31,480 --> 00:29:34,840 Speaker 1: she was lovely about that. Okay. A few other firsts 507 00:29:34,840 --> 00:29:37,520 Speaker 1: and orders of business that I need to touch upon 508 00:29:38,640 --> 00:29:42,080 Speaker 1: is this is the first time we see Olivia drink 509 00:29:42,160 --> 00:29:44,320 Speaker 1: the biggest fucking glass of red wine in the history 510 00:29:44,320 --> 00:29:48,400 Speaker 1: of fucking television, which became a staple. Yea, it really 511 00:29:48,480 --> 00:29:51,920 Speaker 1: does make you want to have wine immediately the way 512 00:29:52,000 --> 00:29:54,560 Speaker 1: she drinks it. You're just like, ah, so she does 513 00:29:54,600 --> 00:29:57,800 Speaker 1: this huge wine thing, which became such a staple, like 514 00:29:57,880 --> 00:30:00,600 Speaker 1: such a joke. Like I remember seeing so much any sketches, 515 00:30:00,640 --> 00:30:02,360 Speaker 1: I think even on SNL or some shit that just 516 00:30:02,440 --> 00:30:05,760 Speaker 1: had like some Olivia Pope thing with a glass like 517 00:30:05,800 --> 00:30:09,680 Speaker 1: the size of a room. We meet James played by 518 00:30:09,760 --> 00:30:13,400 Speaker 1: Dan Bugatinski, and we learned that Cyrus is gay. Yeah, 519 00:30:14,760 --> 00:30:19,920 Speaker 1: fucking episode, Oh my god, that is huge. I mean, 520 00:30:20,000 --> 00:30:22,200 Speaker 1: Jeff Perry will have when we have him on, like 521 00:30:22,240 --> 00:30:24,960 Speaker 1: he didn't know Cyrus was gay. I remember talking Dan 522 00:30:25,040 --> 00:30:28,760 Speaker 1: about it. Yeah, he had no clue, And I mean, 523 00:30:28,960 --> 00:30:31,120 Speaker 1: we have to have Dan Bugatinski on who plays James 524 00:30:31,120 --> 00:30:34,880 Speaker 1: Novakian's performance is absolutely legendary, and it starts in this episode. 525 00:30:35,240 --> 00:30:39,480 Speaker 1: We also this Sanders Black played by leland Or ser 526 00:30:41,000 --> 00:30:44,920 Speaker 1: gets hired by the White House, and we learn for 527 00:30:44,960 --> 00:30:48,040 Speaker 1: the first time some of the like stray dogs in 528 00:30:48,120 --> 00:30:53,360 Speaker 1: OPA their backstory. For example, that Hawk's a killer. We 529 00:30:53,520 --> 00:30:57,560 Speaker 1: learned that Abby was beaten, which we didn't know before. 530 00:30:57,760 --> 00:31:02,360 Speaker 1: We've really We learned that Quinn Perkins didn't exist until 531 00:31:02,400 --> 00:31:08,760 Speaker 1: two thousand eight, motherfucker. And we learned that Harrison Wright 532 00:31:09,120 --> 00:31:13,520 Speaker 1: was like a car salesman kind of you know, slimy 533 00:31:13,600 --> 00:31:17,400 Speaker 1: dude turned lawyer, right, yeah, and we got caught up 534 00:31:17,400 --> 00:31:20,000 Speaker 1: in some money like yeah, he was some money laundering 535 00:31:20,760 --> 00:31:24,360 Speaker 1: type bad shit, and that Stephen Stephen was an attorney 536 00:31:24,360 --> 00:31:28,600 Speaker 1: as well who had a breakdown. Yeah, yeah, doing a 537 00:31:28,680 --> 00:31:31,520 Speaker 1: case and Olivia brought him sort of took him under 538 00:31:31,520 --> 00:31:34,240 Speaker 1: her wing. Yeah, oh right, he had a breakdown. Yeah. 539 00:31:34,280 --> 00:31:37,840 Speaker 1: And then I have my next note is Jeff gives 540 00:31:37,880 --> 00:31:41,479 Speaker 1: the best monologue ever whoa Well he says, you know, 541 00:31:42,080 --> 00:31:44,520 Speaker 1: you've got a man of Tanner's pregnant, and the President 542 00:31:44,640 --> 00:31:46,840 Speaker 1: is like, well, what happens now? And he takes him 543 00:31:46,880 --> 00:31:50,560 Speaker 1: through the trajectory of like what is like his downfall 544 00:31:51,040 --> 00:31:54,800 Speaker 1: and ultimately like you're you know, his demise and like 545 00:31:54,880 --> 00:31:58,720 Speaker 1: how he's just his life is just completely ruined and 546 00:31:58,800 --> 00:32:01,560 Speaker 1: he's gonna shoot himself with that gun that his dad 547 00:32:01,560 --> 00:32:05,000 Speaker 1: gave him, blow the back of his skull out. Yeah, 548 00:32:05,040 --> 00:32:09,840 Speaker 1: so good God, nobody can do what Jeff Perry does. 549 00:32:10,000 --> 00:32:15,440 Speaker 1: It is like, I watch him with such wonder There 550 00:32:15,440 --> 00:32:19,440 Speaker 1: should be an entire podcast just devoted to how he like, 551 00:32:19,560 --> 00:32:23,959 Speaker 1: how he brings stuff off the page. It is just astounding. 552 00:32:24,560 --> 00:32:27,680 Speaker 1: And then yeah, he has this little giggle at the 553 00:32:27,800 --> 00:32:30,600 Speaker 1: end as he's walking out the door. Do you remember that, Liza? Yes, 554 00:32:31,280 --> 00:32:33,240 Speaker 1: And he's like, huh no, but write your speech like 555 00:32:33,280 --> 00:32:38,400 Speaker 1: that matters, that's important, brilliant. Just that little moment is like, oh, 556 00:32:38,440 --> 00:32:41,360 Speaker 1: it's so amazing. He's so good. And then we're prepping 557 00:32:41,360 --> 00:32:43,840 Speaker 1: a man a Tanner for Diane Sawyer and it seems 558 00:32:43,920 --> 00:32:47,280 Speaker 1: like she may not want to Yeah, because that paternity 559 00:32:47,360 --> 00:32:51,320 Speaker 1: suit's going to be a little bit of when we 560 00:32:51,560 --> 00:32:54,920 Speaker 1: do that and we realize that she's not pregnant with 561 00:32:55,840 --> 00:32:59,120 Speaker 1: the president's husband, I mean the president's baby. And this 562 00:32:59,280 --> 00:33:03,600 Speaker 1: for the next first is that we've got the words. 563 00:33:03,640 --> 00:33:06,760 Speaker 1: Abby throws papers at her when I wanted to leave Charles, 564 00:33:06,800 --> 00:33:10,320 Speaker 1: and she has the most beautiful scene. Oh well I 565 00:33:10,360 --> 00:33:13,720 Speaker 1: wanted to leave Charles. Yeah, well, I wanted to leave Charles. 566 00:33:13,680 --> 00:33:15,640 Speaker 1: Abbey and Olivia have been at odds for a while 567 00:33:15,680 --> 00:33:18,520 Speaker 1: because Abby thinks Olivia keeps fucking up. She's her gut 568 00:33:18,560 --> 00:33:20,080 Speaker 1: is not in the right place, she's taking on the 569 00:33:20,080 --> 00:33:24,760 Speaker 1: wrong cases, she's she's misstepping right and left in Yeah. 570 00:33:24,800 --> 00:33:28,000 Speaker 1: For the first time, Abby says the phrase over a cliff, yes, 571 00:33:28,440 --> 00:33:32,600 Speaker 1: which like are you choking? Like who comes up with 572 00:33:32,640 --> 00:33:35,080 Speaker 1: this shit? I also, Katie, I don't know if you 573 00:33:35,200 --> 00:33:37,440 Speaker 1: if you notice, this is the first time that we 574 00:33:37,560 --> 00:33:42,520 Speaker 1: hear um. Abby mentions um Olivia taking a tire iron 575 00:33:42,560 --> 00:33:46,320 Speaker 1: to her ex husband's kneecap. Yes, And it's the first time, 576 00:33:46,600 --> 00:33:48,040 Speaker 1: Like I heard it for the first time when I 577 00:33:48,040 --> 00:33:50,760 Speaker 1: watched it on this rewatch and I was like, oh shit, 578 00:33:50,920 --> 00:33:54,640 Speaker 1: Like Olivia got violent on this dude because he, you know, 579 00:33:54,720 --> 00:33:57,800 Speaker 1: he hit her friend. And I was like, oh, wow, 580 00:33:57,880 --> 00:34:02,520 Speaker 1: that's that's cool. That's interesting information. Shadowing of kills what's 581 00:34:02,520 --> 00:34:06,400 Speaker 1: his name with the chair? Oh wow, yes, yes, which 582 00:34:06,440 --> 00:34:10,520 Speaker 1: is like seasons later. Um. I cry so hard in 583 00:34:10,520 --> 00:34:13,799 Speaker 1: this episode because of the fucking don't ever show me 584 00:34:13,840 --> 00:34:16,759 Speaker 1: an episode of television anywhere anytime where a baby's being 585 00:34:16,840 --> 00:34:19,480 Speaker 1: ripped away from its mother while the baby's fucking crying. 586 00:34:19,719 --> 00:34:26,120 Speaker 1: Baby's performance is amazing. I can't watch this. This baby 587 00:34:26,200 --> 00:34:28,760 Speaker 1: is unbelievable. I don't know whether the baby's really crying 588 00:34:28,840 --> 00:34:31,200 Speaker 1: or they added it in post, but it is absolutely 589 00:34:34,960 --> 00:34:40,719 Speaker 1: face and oh yeah, it's it's really heart wrenching. I mean, 590 00:34:40,760 --> 00:34:48,360 Speaker 1: it is absolutely heart wrenching that the dickhead dictator who's 591 00:34:48,400 --> 00:34:52,120 Speaker 1: abusive and a piece of shit, like the wife wants 592 00:34:52,160 --> 00:34:54,600 Speaker 1: to save her family and leave him because he's not 593 00:34:54,640 --> 00:34:57,200 Speaker 1: the man she married. And he's like, yeah, fine, you 594 00:34:57,200 --> 00:34:58,960 Speaker 1: can leave me, but I'm going to take all the children. 595 00:34:59,080 --> 00:35:01,760 Speaker 1: And they have to like and over the sobbing baby 596 00:35:01,880 --> 00:35:06,279 Speaker 1: and the older son, and it is just absolutely heartbreaking. 597 00:35:06,400 --> 00:35:08,920 Speaker 1: And those those guest stars, can I just say really quickly, Jose, 598 00:35:09,040 --> 00:35:11,520 Speaker 1: Oh my god, yes, Jose's Uniga, who plays hid A 599 00:35:11,680 --> 00:35:14,880 Speaker 1: Benicio Floridez. Oh, he's been in a like over one 600 00:35:14,920 --> 00:35:17,279 Speaker 1: hundred and forty like films and TV shows like, he's 601 00:35:17,280 --> 00:35:20,080 Speaker 1: in everything. Yeah, And speaking of first, me and him 602 00:35:20,200 --> 00:35:22,799 Speaker 1: did my first movie ever, Fresh where I got my 603 00:35:22,880 --> 00:35:26,040 Speaker 1: sag card, a movie with Sam Jackson and Bouchet. Right, Um, 604 00:35:26,440 --> 00:35:28,879 Speaker 1: Jose was in that film with me? Is that we did? 605 00:35:29,080 --> 00:35:31,359 Speaker 1: He was in, you know, my first first movie ever. 606 00:35:33,760 --> 00:35:36,080 Speaker 1: I love that anyway, he's he's a wonderful actor. And 607 00:35:36,120 --> 00:35:39,640 Speaker 1: then and then um, Valerie Cruz who plays Catolina Florides, 608 00:35:39,800 --> 00:35:42,239 Speaker 1: She's amazing and she was on Off the Map. Do 609 00:35:42,280 --> 00:35:46,520 Speaker 1: you remember that, Katie? Oh yes, I knew. She looks 610 00:35:46,560 --> 00:35:49,200 Speaker 1: familiar to me. Oh my god, that's where it was 611 00:35:49,239 --> 00:35:50,960 Speaker 1: that that was a Shonda land show right now. It 612 00:35:51,040 --> 00:35:53,920 Speaker 1: was the Doctor's Without Borders like Gray's Anatomy sort of 613 00:35:53,960 --> 00:35:56,640 Speaker 1: spinoff that lasted for one season and it was the 614 00:35:56,640 --> 00:36:01,680 Speaker 1: only show that did not become a huge zow And 615 00:36:01,800 --> 00:36:04,520 Speaker 1: I tested sort of for like all three female doctors 616 00:36:04,560 --> 00:36:06,760 Speaker 1: that didn't get them. And it was the year before Scandal, 617 00:36:06,840 --> 00:36:10,440 Speaker 1: and thank god, because I wasn't supposed to be fucking 618 00:36:10,600 --> 00:36:14,680 Speaker 1: doing that. And our makeup artists are amazing. Makeup artist 619 00:36:14,719 --> 00:36:17,839 Speaker 1: Denise worked on Off the Map and I remember her 620 00:36:17,840 --> 00:36:21,479 Speaker 1: and Valerie always just chatting and connecting and reminiscing about 621 00:36:21,480 --> 00:36:23,800 Speaker 1: shooting that show. I think they shot it in Hawaii 622 00:36:23,920 --> 00:36:27,680 Speaker 1: or something, right, Yeah, yeah, yeah, yeah. I have a question. 623 00:36:27,840 --> 00:36:32,160 Speaker 1: Gideon watches the tape in this episode where the President's 624 00:36:32,200 --> 00:36:35,799 Speaker 1: like whispering in your ear. Do you remember shooting that. 625 00:36:36,040 --> 00:36:39,080 Speaker 1: I do remember shooting it was he saying. I think 626 00:36:39,160 --> 00:36:41,440 Speaker 1: he was just leaning in and he didn't say anything, 627 00:36:41,719 --> 00:36:44,719 Speaker 1: but I think and that was I remember it was. 628 00:36:44,960 --> 00:36:47,560 Speaker 1: There was a lot of discussion I think about like 629 00:36:47,719 --> 00:36:51,319 Speaker 1: how they wanted it to look and it was, so 630 00:36:51,440 --> 00:36:53,960 Speaker 1: I don't I don't recall him. I mean, I think 631 00:36:53,960 --> 00:36:56,040 Speaker 1: he was probably just joking around when we did it, 632 00:36:56,080 --> 00:36:58,759 Speaker 1: and just you know, at the end of the episode 633 00:36:58,880 --> 00:37:04,120 Speaker 1: when you get a man a Tanner gets kidnapped, it's amazing, 634 00:37:04,520 --> 00:37:09,360 Speaker 1: it's eerie, it's fucking terrifying. Did you was it George 635 00:37:09,440 --> 00:37:12,200 Speaker 1: Newburn doing it to you or was it like just 636 00:37:12,280 --> 00:37:14,520 Speaker 1: a stand No, I think it was a stunt person. 637 00:37:15,160 --> 00:37:17,279 Speaker 1: So you didn't know at the time when you were 638 00:37:17,280 --> 00:37:20,560 Speaker 1: shooting it that it was Charlie. I didn't. Nope, didn't 639 00:37:20,560 --> 00:37:23,560 Speaker 1: know any of that. Yeah, yeah, nope, I didn't. No. Shit, 640 00:37:24,400 --> 00:37:26,360 Speaker 1: the yeah, the needle and the foot you know. I 641 00:37:26,360 --> 00:37:28,560 Speaker 1: think I remember reading that episode and being like, oh, 642 00:37:28,600 --> 00:37:31,600 Speaker 1: I think this is my last episode. Because the needle, 643 00:37:31,960 --> 00:37:33,920 Speaker 1: the needle in the toe, I was like, this is 644 00:37:34,040 --> 00:37:37,360 Speaker 1: end you come back from that. Your your foot acting 645 00:37:37,480 --> 00:37:41,080 Speaker 1: was on point, like no pun intended to Ballerina's yo. 646 00:37:41,120 --> 00:37:45,919 Speaker 1: That ship was on point the way trying to pull 647 00:37:45,960 --> 00:37:48,759 Speaker 1: away from that needle. It was so good. It's such 648 00:37:48,760 --> 00:37:51,200 Speaker 1: a great scene. Funny watching it is that I realized 649 00:37:51,360 --> 00:37:55,080 Speaker 1: that I couldn't. I wasn't keeping my eyes open, like 650 00:37:55,360 --> 00:37:59,120 Speaker 1: my my instinct was to like just be squint and 651 00:37:59,320 --> 00:38:01,840 Speaker 1: I so wished were you watching? And I'm like, open 652 00:38:01,880 --> 00:38:05,400 Speaker 1: your eyes, dummy, open your eyes. Don't even see who's 653 00:38:05,440 --> 00:38:08,200 Speaker 1: doing it? Like see was seeing what's happening? Yeah, like 654 00:38:08,320 --> 00:38:10,680 Speaker 1: and it wasn't. And I so that's I wish I 655 00:38:10,719 --> 00:38:13,919 Speaker 1: did that differently as well. But I think I didn't 656 00:38:13,960 --> 00:38:17,319 Speaker 1: even think of that. I just I just I see 657 00:38:17,400 --> 00:38:20,479 Speaker 1: is that you're fucking terrified, and like, yeah, but that's 658 00:38:20,480 --> 00:38:22,319 Speaker 1: so fucked up. When I'm watching it, I don't even 659 00:38:22,360 --> 00:38:26,080 Speaker 1: think I realized. I don't know if tell me if 660 00:38:26,080 --> 00:38:28,239 Speaker 1: I'm completely wrong. Do you think everybody was like, oh, 661 00:38:28,280 --> 00:38:31,040 Speaker 1: this is when she's dead? I just assumed that he 662 00:38:31,120 --> 00:38:33,480 Speaker 1: puts something in you to make you fall asleep, not 663 00:38:33,600 --> 00:38:37,400 Speaker 1: something that kills you. Yeah, I guess. I yeah, I 664 00:38:37,480 --> 00:38:40,200 Speaker 1: probably just went to the worst case scenario for myself 665 00:38:40,239 --> 00:38:45,359 Speaker 1: as an actor. Yeah. Yeah, Like, gee, did you think 666 00:38:45,440 --> 00:38:48,000 Speaker 1: this like that Amanda Tanner is dead or were you 667 00:38:48,040 --> 00:38:49,560 Speaker 1: like she's going to be put out and we're not 668 00:38:49,640 --> 00:38:52,239 Speaker 1: done with her yet exactly? Yeah, I didn't think. I 669 00:38:52,280 --> 00:38:55,239 Speaker 1: didn't think they were going to kill her off neither. Yeah, 670 00:38:55,280 --> 00:38:58,040 Speaker 1: at least at that point, I think Shanda brought me 671 00:38:58,080 --> 00:39:00,520 Speaker 1: in and told me that she is to die, but 672 00:39:00,640 --> 00:39:03,240 Speaker 1: that there was going to be like some flashback stuff 673 00:39:03,320 --> 00:39:05,439 Speaker 1: and then wait, we need to talk about that while 674 00:39:05,480 --> 00:39:07,680 Speaker 1: we have you though, I'll remember that day like nobody 675 00:39:07,760 --> 00:39:10,359 Speaker 1: like we were in Long Beach, I think, and then 676 00:39:10,400 --> 00:39:12,200 Speaker 1: she told me that they're going to pull my body 677 00:39:12,239 --> 00:39:13,799 Speaker 1: out of the river, and I was like, can I 678 00:39:13,880 --> 00:39:17,799 Speaker 1: please do that? Oh man, I have no idea what 679 00:39:17,800 --> 00:39:22,160 Speaker 1: disgusting thing happens. But you were pulled up on this 680 00:39:22,520 --> 00:39:27,400 Speaker 1: vest this ragon and just dangling it was it freezing 681 00:39:27,440 --> 00:39:29,920 Speaker 1: cold they put I mean they really geared me up. 682 00:39:29,960 --> 00:39:32,879 Speaker 1: I mean I think I had like layers of wetsuits 683 00:39:32,960 --> 00:39:37,160 Speaker 1: on under my clothes and everything and they painted you blue. 684 00:39:37,640 --> 00:39:41,040 Speaker 1: They like painted you. Your makeup was like obviously someone 685 00:39:41,080 --> 00:39:43,200 Speaker 1: who had been dropped in the Potomac. There was a 686 00:39:43,200 --> 00:39:47,239 Speaker 1: lot of discussion about like keep your mouth closed, like 687 00:39:47,360 --> 00:39:54,359 Speaker 1: make sure like this water is probably not great, that's disgusting. 688 00:39:54,719 --> 00:39:57,440 Speaker 1: So they dunked your ass in. They dunked you and 689 00:39:57,480 --> 00:40:00,080 Speaker 1: pulled you out for the scene. Well, there was the 690 00:40:00,160 --> 00:40:01,920 Speaker 1: thing that they did have a stunt person because I 691 00:40:01,960 --> 00:40:04,760 Speaker 1: guess that you're not allowed to be like I couldn't 692 00:40:04,840 --> 00:40:07,960 Speaker 1: be underwater and pulled up, so they so they yeah, 693 00:40:08,040 --> 00:40:10,440 Speaker 1: so they did the stunt person for that, but then 694 00:40:10,480 --> 00:40:12,360 Speaker 1: they did let me just like when it was like 695 00:40:12,400 --> 00:40:16,080 Speaker 1: the close up on your face and really knowing who 696 00:40:16,160 --> 00:40:19,960 Speaker 1: it was that to do that, and it was so fun, 697 00:40:20,000 --> 00:40:22,400 Speaker 1: Like I was like so excited to do that. That 698 00:40:22,480 --> 00:40:24,640 Speaker 1: was just some next level like I cannot believe I 699 00:40:24,719 --> 00:40:27,759 Speaker 1: get to be doing this. This is so cool. That's 700 00:40:27,840 --> 00:40:33,240 Speaker 1: so fun, like River Death, Yeah, yes please, y un 701 00:40:33,400 --> 00:40:38,160 Speaker 1: fucking believable and also so effective for us because you know, 702 00:40:38,200 --> 00:40:42,000 Speaker 1: we have so many episodes after you die where we're talking. 703 00:40:42,080 --> 00:40:44,200 Speaker 1: You know, it's so crazy that you're not there because 704 00:40:44,200 --> 00:40:46,240 Speaker 1: you're so a lot. You know, it's like those plays 705 00:40:46,239 --> 00:40:48,160 Speaker 1: where like you never meet the dad, but the pictures 706 00:40:48,200 --> 00:40:51,120 Speaker 1: on the wall and they dad so much or whatever, 707 00:40:51,680 --> 00:40:53,800 Speaker 1: but like it felt like that, like you were so 708 00:40:54,080 --> 00:40:55,920 Speaker 1: I mean, you were the engine and the fire of 709 00:40:55,960 --> 00:41:00,640 Speaker 1: the whole first season. Yeah yeah, and if people didn't 710 00:41:00,640 --> 00:41:04,520 Speaker 1: really care and feel for you, it would never have worked. 711 00:41:04,560 --> 00:41:08,080 Speaker 1: And that's just like such a testament to everything you did. Wow. 712 00:41:08,560 --> 00:41:12,320 Speaker 1: Thanks guys. We will be back with more after the break. 713 00:41:16,160 --> 00:41:19,920 Speaker 1: If this was twenty twelve, right, this aired on table 714 00:41:19,960 --> 00:41:22,040 Speaker 1: twenty six and two twelve. Do you remember when you 715 00:41:22,120 --> 00:41:27,440 Speaker 1: first shot Murder twenty fourteen? So it was two years? Yeah, 716 00:41:27,480 --> 00:41:32,200 Speaker 1: two years, that's yeah, that's why. My god, I remember 717 00:41:32,239 --> 00:41:34,919 Speaker 1: being at the one of the evening before parties, those 718 00:41:34,960 --> 00:41:37,279 Speaker 1: Emmy parties as a scandal, Cassie. We were already on 719 00:41:37,320 --> 00:41:39,040 Speaker 1: season I don't know what season we were on, two 720 00:41:39,120 --> 00:41:42,040 Speaker 1: or three, maybe right before Murder started, and then all 721 00:41:42,080 --> 00:41:43,640 Speaker 1: of a sudden, How To get Away with Murder was 722 00:41:43,680 --> 00:41:48,200 Speaker 1: a hot show, huge. Yeah. Yeah, did you have scenes 723 00:41:48,239 --> 00:41:51,759 Speaker 1: again with Carrie when she crossed over to How To 724 00:41:51,760 --> 00:41:54,239 Speaker 1: get Away with Murder? Because we did it, that's right. No, 725 00:41:54,600 --> 00:41:56,640 Speaker 1: they had to do a really weird thing with me 726 00:41:56,760 --> 00:42:02,120 Speaker 1: because they couldn't have Amanda Tanner and Vonnie winner Bottom 727 00:42:02,160 --> 00:42:07,960 Speaker 1: exist in the same universe. Oh shit, Oh my god, 728 00:42:08,040 --> 00:42:12,640 Speaker 1: that's insane. Did someone tell you that? No, I mean 729 00:42:12,680 --> 00:42:14,440 Speaker 1: I think that it occurred to them in the room 730 00:42:14,480 --> 00:42:16,759 Speaker 1: when they were trying to break that crossover of like 731 00:42:17,160 --> 00:42:22,000 Speaker 1: she's gonna like I was kind of problematic. I had 732 00:42:22,040 --> 00:42:24,120 Speaker 1: to think about that either, because you also look so 733 00:42:24,480 --> 00:42:27,440 Speaker 1: different between the two roles. I mean, I mean you're 734 00:42:27,640 --> 00:42:29,719 Speaker 1: also you're a kamelion of an actor, but like you 735 00:42:29,760 --> 00:42:33,000 Speaker 1: look wildly different. I mean you have a short, blonde 736 00:42:33,040 --> 00:42:36,480 Speaker 1: bob and you're in these suits and like really powerful 737 00:42:36,600 --> 00:42:39,799 Speaker 1: and just such. I mean, honestly, I don't even know 738 00:42:40,120 --> 00:42:42,680 Speaker 1: if I didn't know you that you were the same person, 739 00:42:42,880 --> 00:42:45,560 Speaker 1: that you would connect that. Yeah, which is which is great. 740 00:42:46,000 --> 00:42:48,240 Speaker 1: I wish I got to be a part of those scenes. 741 00:42:48,280 --> 00:42:50,760 Speaker 1: But yeah, they just didn't. They just didn't bring Bonnie 742 00:42:50,800 --> 00:42:56,200 Speaker 1: into that story. Holy shit. I never even thought about that. Wow, 743 00:42:56,480 --> 00:43:00,760 Speaker 1: that would have flipped fans out. Yeah, yeah, yo, Liza, 744 00:43:01,160 --> 00:43:03,560 Speaker 1: were you ever on how to get it with murder? 745 00:43:03,840 --> 00:43:05,759 Speaker 1: Did you ever have days where you were like, I 746 00:43:05,760 --> 00:43:08,080 Speaker 1: don't know what the fuck is happening in the story, 747 00:43:08,800 --> 00:43:11,759 Speaker 1: Like what and then just do do it because me 748 00:43:11,800 --> 00:43:14,200 Speaker 1: and Katie talked about that. There'd be days where I'd 749 00:43:14,239 --> 00:43:16,440 Speaker 1: be like, Katie, I don't know, I don't know what 750 00:43:16,440 --> 00:43:18,759 Speaker 1: the fuck is happening in the storyline. I really don't. 751 00:43:19,000 --> 00:43:21,840 Speaker 1: I'm so lost. Yeah, but I'm just gonna act the 752 00:43:21,840 --> 00:43:23,880 Speaker 1: shit out of it or try. Like I don't know 753 00:43:23,920 --> 00:43:26,880 Speaker 1: what's happening. And we were on the show and I 754 00:43:26,920 --> 00:43:28,920 Speaker 1: know how to get watching how to get it with murders. 755 00:43:28,960 --> 00:43:31,480 Speaker 1: Sometimes I'd be like I'd have to rewatch and read 756 00:43:31,520 --> 00:43:34,359 Speaker 1: because I was like, wait, what I say? Why? Yeah? 757 00:43:34,640 --> 00:43:37,040 Speaker 1: If we were braiding time in such a weird way 758 00:43:37,080 --> 00:43:39,520 Speaker 1: too on that show, well, they were like going back 759 00:43:39,560 --> 00:43:42,600 Speaker 1: and forth and jumping back in time and the night 760 00:43:42,640 --> 00:43:44,440 Speaker 1: of the thing, and then other than that, I'm like, 761 00:43:44,480 --> 00:43:47,319 Speaker 1: I don't know where we are. Yeah, I mean, yes, 762 00:43:47,440 --> 00:43:49,640 Speaker 1: we were constantly doing that. And it was also like 763 00:43:49,719 --> 00:43:52,120 Speaker 1: our you know, like the night X stuff, like we 764 00:43:52,160 --> 00:43:56,239 Speaker 1: would shoot the murder night stuff um that that you 765 00:43:56,280 --> 00:43:58,320 Speaker 1: know that comes together at the end of the season. 766 00:43:58,560 --> 00:44:01,080 Speaker 1: But they hadn't even figured it out, like they didn't 767 00:44:01,120 --> 00:44:05,160 Speaker 1: know the trajectory. So we're shooting it and like piece 768 00:44:05,320 --> 00:44:09,239 Speaker 1: me a little sections as well, and they've never they 769 00:44:09,320 --> 00:44:13,279 Speaker 1: never wanted to break that story fully, so everybody was 770 00:44:13,320 --> 00:44:15,480 Speaker 1: just completely in the dark, like they would be like, 771 00:44:15,880 --> 00:44:18,560 Speaker 1: you know, like season five, or like we're gonna have you, 772 00:44:18,840 --> 00:44:22,560 Speaker 1: um smothering somebody in the snow. We don't know who 773 00:44:22,600 --> 00:44:26,040 Speaker 1: that person is or while you're doing this. So if 774 00:44:26,120 --> 00:44:30,400 Speaker 1: you could just do that, do that with like a 775 00:44:30,560 --> 00:44:36,080 Speaker 1: neutral expression on ourthing. Um, you know, like run out 776 00:44:36,080 --> 00:44:38,120 Speaker 1: of the house like you just killed somebody. Now run 777 00:44:38,160 --> 00:44:40,279 Speaker 1: out of the house like you didn't kill somebody, but 778 00:44:40,360 --> 00:44:42,880 Speaker 1: you still there's still an urgency that you're running like 779 00:44:42,920 --> 00:44:46,319 Speaker 1: we don't. It's just like, oh my god. You know, 780 00:44:46,360 --> 00:44:48,920 Speaker 1: we had the whole season of like Who's under the Sheet? 781 00:44:49,080 --> 00:44:50,680 Speaker 1: Like we know we were told like one of you 782 00:44:50,800 --> 00:44:53,399 Speaker 1: is gonna die, we don't know who it is. I mean, 783 00:44:53,800 --> 00:44:56,800 Speaker 1: Scandal became a show sort of like that. I remember 784 00:44:56,840 --> 00:44:58,239 Speaker 1: I was actually just gonna ask you this question, like 785 00:44:58,239 --> 00:45:02,640 Speaker 1: scal when when James died. Oh yeah, you know, we 786 00:45:02,400 --> 00:45:07,440 Speaker 1: we were we were very very quickly shaken to realize like, 787 00:45:07,480 --> 00:45:10,839 Speaker 1: oh yeah, people can die on this show, like like 788 00:45:11,000 --> 00:45:16,240 Speaker 1: Columbus Shorts character died, like James died, and I remember 789 00:45:16,280 --> 00:45:19,560 Speaker 1: being like, oh shit, none of us are safe. But 790 00:45:19,680 --> 00:45:22,239 Speaker 1: how do you survive it. I mean it's too much, 791 00:45:23,320 --> 00:45:26,839 Speaker 1: you know, when you're on such serious shows, it's like 792 00:45:26,880 --> 00:45:30,680 Speaker 1: you gotta like let some of that air out. M 793 00:45:32,600 --> 00:45:35,520 Speaker 1: We also make farting sounds all the time. Oh my god, Liza, 794 00:45:35,600 --> 00:45:39,239 Speaker 1: that's what we do, Like right before shooting, we would 795 00:45:39,239 --> 00:45:47,200 Speaker 1: do that all the time, and then we'd go it's levity, man, 796 00:45:47,239 --> 00:45:50,080 Speaker 1: you gotta have the levity. I know, I can't. I 797 00:45:50,560 --> 00:45:53,239 Speaker 1: wish we could like all go back and we're going 798 00:45:53,280 --> 00:45:59,000 Speaker 1: to make this scandal musical comedy. Yes, oh I know. 799 00:45:59,120 --> 00:46:00,880 Speaker 1: I mean if you guys think that there will be 800 00:46:00,960 --> 00:46:04,520 Speaker 1: like a reboot thing like or like, I don't. I 801 00:46:04,520 --> 00:46:08,320 Speaker 1: think has always been like, no, it doesn't in the cards, 802 00:46:08,320 --> 00:46:10,960 Speaker 1: but I whenever I whenever we've like set it in 803 00:46:11,000 --> 00:46:13,799 Speaker 1: passing like carry or anyone. I know that the whole 804 00:46:13,840 --> 00:46:17,760 Speaker 1: cast would do anything because we really loved working together 805 00:46:17,880 --> 00:46:21,000 Speaker 1: and we yeah, you know, I think that's the hardest part. 806 00:46:21,120 --> 00:46:23,719 Speaker 1: I think so much about Scanal being over is more. 807 00:46:24,640 --> 00:46:26,719 Speaker 1: I mean, yes, we loved the material and the ride, 808 00:46:26,719 --> 00:46:28,480 Speaker 1: but the greatest is like, oh, I'm never going to 809 00:46:28,520 --> 00:46:30,480 Speaker 1: be at five o'clock in the morning on a Monday 810 00:46:30,560 --> 00:46:33,240 Speaker 1: morning and a makeup trailer with Hermo Diaz and Carrie 811 00:46:33,280 --> 00:46:36,759 Speaker 1: Washington and Darby Stansfield, like just shooting the shit. It's 812 00:46:36,800 --> 00:46:40,800 Speaker 1: like that only exists in the time that we had. Yeah, 813 00:46:41,120 --> 00:46:44,440 Speaker 1: I know, that's the stuff, man, It's it's magic, it's 814 00:46:44,480 --> 00:46:48,960 Speaker 1: the stuff. Yeah, all right, y'all, let's get into our 815 00:46:48,960 --> 00:46:59,520 Speaker 1: favorite tweet time. Y'all. We read some of the tweets 816 00:46:59,520 --> 00:47:01,600 Speaker 1: of the time. Were you on Twitter during this time? 817 00:47:01,640 --> 00:47:04,200 Speaker 1: I wasn't yet. I was, we were. I was mandated 818 00:47:04,280 --> 00:47:07,480 Speaker 1: to get Twitter and Instagram when Murder started and so 819 00:47:07,520 --> 00:47:10,520 Speaker 1: I but I wasn't fully doing it. I remember watching 820 00:47:10,520 --> 00:47:12,680 Speaker 1: you guys do that. Well, I guess you guys didn't 821 00:47:12,680 --> 00:47:16,000 Speaker 1: start the live tweeting phenomena until season two, right, that 822 00:47:16,120 --> 00:47:19,640 Speaker 1: was like the big ship pilot. Okay, it was the pilot, 823 00:47:19,880 --> 00:47:22,920 Speaker 1: ye I believe. So, yeah, we started tweeting from the 824 00:47:22,960 --> 00:47:25,799 Speaker 1: from the beginning, but it took off later. Yeah, yeah, 825 00:47:25,840 --> 00:47:29,120 Speaker 1: it took off second season, but the first season we 826 00:47:29,160 --> 00:47:32,279 Speaker 1: started it. But some of the tweets from April twenty seven, 827 00:47:32,320 --> 00:47:34,279 Speaker 1: from twenty twelve, this is like going back into our 828 00:47:35,560 --> 00:47:42,560 Speaker 1: our time capsule. Liza is at end the fact it said, 829 00:47:43,000 --> 00:47:48,400 Speaker 1: whoever this Amanda Turner is has balls of steel? Lying 830 00:47:48,520 --> 00:47:53,959 Speaker 1: like that hashtag scandal. Nice job, Amanda Turner. They would 831 00:47:54,000 --> 00:47:56,360 Speaker 1: they would mess up our names all the time. I 832 00:47:56,480 --> 00:48:02,640 Speaker 1: get called hawk, Oh my, would be like I love Puck. Yeah, 833 00:48:04,000 --> 00:48:07,279 Speaker 1: I got Puck or Hawk, love that Hawk. I'm like, yo, 834 00:48:07,960 --> 00:48:11,120 Speaker 1: you're all um this stay at home. I stay at 835 00:48:11,160 --> 00:48:15,800 Speaker 1: home daughter at fuddle Cutter says me while watching Scandal. Bitch, 836 00:48:15,880 --> 00:48:18,320 Speaker 1: you know they can kill you, right. Take the fucking 837 00:48:18,400 --> 00:48:22,240 Speaker 1: money serious, which is not wrong. Where's the lie? Where's 838 00:48:22,239 --> 00:48:25,480 Speaker 1: the lie in that statement? Yeah? Nowhere it was ten 839 00:48:25,600 --> 00:48:29,799 Speaker 1: million dollars. Amanda Turner said no to ten millions. Five, 840 00:48:30,960 --> 00:48:32,920 Speaker 1: wasn't it? Yeah? It was ten million. I thought they 841 00:48:32,920 --> 00:48:37,279 Speaker 1: were offering her right. Oh gosh, she wasn't really love 842 00:48:37,360 --> 00:48:42,480 Speaker 1: that Billy Chambers yea like she loved that Billy Chambers. 843 00:48:42,840 --> 00:48:46,640 Speaker 1: At Lex Boogie one on April twenty twelve, says I 844 00:48:46,719 --> 00:48:48,360 Speaker 1: just finished doing that. I don't know what that's it, 845 00:48:48,440 --> 00:48:52,040 Speaker 1: replies to llol retweet, Oh here it is, guys. I'm 846 00:48:52,080 --> 00:48:55,600 Speaker 1: just like remembering how to read Twitter at I need 847 00:48:55,640 --> 00:48:58,359 Speaker 1: to watch Cyrus read the President for blood one more 848 00:48:58,400 --> 00:49:03,640 Speaker 1: time on Scandal hashtag DVR. Who's this at row Lake 849 00:49:04,120 --> 00:49:07,759 Speaker 1: says the blondie and newbie on Scandal are kind of 850 00:49:07,840 --> 00:49:09,640 Speaker 1: alle I know, I was trying to figure out who 851 00:49:09,680 --> 00:49:14,879 Speaker 1: they were talking about. Who is that? That's YouTube? That's 852 00:49:14,960 --> 00:49:21,480 Speaker 1: YouTube blonde. She was kind of dirty blonde. Oh was she? 853 00:49:21,960 --> 00:49:28,279 Speaker 1: Oh my god, Oh my god, they're talking about us? 854 00:49:28,480 --> 00:49:36,480 Speaker 1: Fuck you a No, it's fine. Please. That is nothing 855 00:49:36,520 --> 00:49:38,560 Speaker 1: compared to the shit I got for the next seven years. 856 00:49:38,560 --> 00:49:42,640 Speaker 1: It's a very strange thing. The twitters, the blessing and 857 00:49:42,680 --> 00:49:45,160 Speaker 1: a curse. Man, I don't know. The key is not 858 00:49:45,280 --> 00:49:48,560 Speaker 1: responding to to that bullshit, not feedy into that like 859 00:49:49,000 --> 00:49:50,759 Speaker 1: I did in the beginning a little bit, and then 860 00:49:50,800 --> 00:49:53,160 Speaker 1: I was just like, I can't do that. I just 861 00:49:53,160 --> 00:49:55,360 Speaker 1: would mute people. For me, it would be like a 862 00:49:55,520 --> 00:49:59,440 Speaker 1: hundred compliments, but the one thing that someone said that 863 00:49:59,480 --> 00:50:02,600 Speaker 1: was unc behind would be the thing I would think about. 864 00:50:03,200 --> 00:50:06,799 Speaker 1: And my husband would be like, Katie, there's literally like 865 00:50:07,200 --> 00:50:09,719 Speaker 1: ninety nine people telling you that you're pretty or you 866 00:50:09,760 --> 00:50:12,160 Speaker 1: did a good job or something, and the one person 867 00:50:12,200 --> 00:50:15,279 Speaker 1: who said I was had a fat ass, or you know, 868 00:50:15,360 --> 00:50:18,320 Speaker 1: that I was stupid, or somebody fucking killed Quinn Perkins 869 00:50:18,440 --> 00:50:24,920 Speaker 1: or something would be the thing that would like, yeah, yeah, 870 00:50:24,960 --> 00:50:28,680 Speaker 1: It's like yeah. It was such a lesson. But also 871 00:50:28,760 --> 00:50:31,040 Speaker 1: I'm so grateful for it because my god, I have 872 00:50:31,120 --> 00:50:33,839 Speaker 1: a thick skin now, Like I don't even fucking care, 873 00:50:33,960 --> 00:50:36,200 Speaker 1: and like I'm just like, think what you want, Like 874 00:50:36,400 --> 00:50:40,080 Speaker 1: when you get put through that, you're just likely way 875 00:50:40,120 --> 00:50:42,600 Speaker 1: I'm going to survive this is to just yeah, you 876 00:50:42,680 --> 00:50:46,560 Speaker 1: just you just build up immunity to it. You're just like, yeah, 877 00:50:46,600 --> 00:50:54,160 Speaker 1: I can't care. Yeah, yeah, yeah, Liza Vile, you are. 878 00:50:54,800 --> 00:50:56,759 Speaker 1: So we tell us what you're up to now and 879 00:50:56,840 --> 00:50:58,360 Speaker 1: then we'll let you go. We can catch you on 880 00:50:58,360 --> 00:51:01,120 Speaker 1: The Cleaning Lady. You can catch me up The Cleaning Lady. Yes, 881 00:51:01,320 --> 00:51:03,840 Speaker 1: you can watch it on Hulu and I believe that 882 00:51:03,880 --> 00:51:08,359 Speaker 1: the first season is on HBO Max. But yeah, I've 883 00:51:08,360 --> 00:51:12,800 Speaker 1: had a really lovely time recurring on that show. Really 884 00:51:12,840 --> 00:51:15,920 Speaker 1: really nice. I've heard it's amazing. It's a really fun show. 885 00:51:15,960 --> 00:51:18,280 Speaker 1: And again, like I get to do some really fucking 886 00:51:18,320 --> 00:51:20,520 Speaker 1: cool shit on that show. Man, Like what are you playing? 887 00:51:20,600 --> 00:51:22,960 Speaker 1: What are you playing? Now? God, you're such a chameleon. 888 00:51:23,239 --> 00:51:26,839 Speaker 1: Assistant Special Agent in Charge Catherine Russo who is um 889 00:51:28,040 --> 00:51:32,000 Speaker 1: FBI and I play sort of this the boss supervisor 890 00:51:32,040 --> 00:51:37,359 Speaker 1: to Oliver Hudson, who is yes, a little bit of 891 00:51:37,440 --> 00:51:44,440 Speaker 1: a loose cannon rogue rogue agent. This is very cool. 892 00:51:44,719 --> 00:51:47,560 Speaker 1: I'm very into this. Yeah, it's a cool show. But 893 00:51:47,600 --> 00:51:50,000 Speaker 1: I get to um, I got to like fucking jump 894 00:51:50,040 --> 00:51:53,279 Speaker 1: out of a helicopter with like swat gear on, and 895 00:51:53,840 --> 00:51:57,399 Speaker 1: I get to do cool actionly stuff a little bit 896 00:51:57,800 --> 00:52:00,520 Speaker 1: um yo. And Liza's fucking strong as how. I used 897 00:52:00,520 --> 00:52:03,120 Speaker 1: to take pilates private doubles with her. We had the 898 00:52:03,160 --> 00:52:08,160 Speaker 1: same pilates teacher, Juliet Casca. Who's so I can do 899 00:52:08,239 --> 00:52:11,360 Speaker 1: one move? She asked me, like, I'm not a single 900 00:52:11,520 --> 00:52:15,919 Speaker 1: fucking It took me months, Katie, like, like I think 901 00:52:16,000 --> 00:52:20,640 Speaker 1: maybe even a full two babies. I have lost everything 902 00:52:20,680 --> 00:52:23,680 Speaker 1: I ever knew or was when I I mean, I 903 00:52:23,680 --> 00:52:26,520 Speaker 1: started working with her like six months after I had Josephine, 904 00:52:26,560 --> 00:52:29,400 Speaker 1: and I had zero body awareness or like I couldn't 905 00:52:29,440 --> 00:52:33,920 Speaker 1: feel any kind of muscle an ab good luck, I know, 906 00:52:35,000 --> 00:52:36,840 Speaker 1: but I used to do doubles with Liza when I 907 00:52:36,840 --> 00:52:42,080 Speaker 1: was in grade shape. And Liza's a piece. You are 908 00:52:42,280 --> 00:52:46,200 Speaker 1: so fit, and anyone who's anyone should go and watch 909 00:52:46,239 --> 00:52:48,680 Speaker 1: the cleaning lady and watch Liza jump out of helicopters 910 00:52:48,680 --> 00:52:51,680 Speaker 1: and kick some fucking Yeah. Thank you all so much, 911 00:52:51,680 --> 00:52:54,960 Speaker 1: for listening to the Scandal rewatch podcast Unpacking the tool Though, 912 00:52:55,120 --> 00:52:57,120 Speaker 1: and thank you Lisa, Thank you so so much for 913 00:52:57,200 --> 00:52:59,960 Speaker 1: Liza for hanging out with us. Ah, thank you, guys, 914 00:53:00,000 --> 00:53:01,800 Speaker 1: as it's lovely talking to you. I could talk to 915 00:53:01,840 --> 00:53:04,160 Speaker 1: you all day long because it's so fun. Oh my god, 916 00:53:04,200 --> 00:53:08,200 Speaker 1: we drinks and let's do that. I want to hang out, Liza. 917 00:53:08,280 --> 00:53:11,560 Speaker 1: I miss you terribly. Thank you for coming on. Next week. 918 00:53:11,640 --> 00:53:15,360 Speaker 1: We are on episode one oh five called Crash and Burn. 919 00:53:15,800 --> 00:53:18,719 Speaker 1: That's a really good episode. The next one too. Oh yeah, 920 00:53:18,760 --> 00:53:21,719 Speaker 1: there's a huge plane crash. Yes, yeah, you guys got 921 00:53:21,719 --> 00:53:23,359 Speaker 1: to come back and check it out. I'm back check 922 00:53:23,400 --> 00:53:31,520 Speaker 1: it out with Katie Lowez Unpacking the Toolbox. Y. Thank 923 00:53:31,560 --> 00:53:35,120 Speaker 1: you guys for joining us on Unpacking the Toolbox. If 924 00:53:35,160 --> 00:53:38,560 Speaker 1: you enjoyed the show, please subscribe, share with your friends, rate, 925 00:53:38,680 --> 00:53:41,200 Speaker 1: or leave us a review. Scandal is executive produced by 926 00:53:41,200 --> 00:53:46,160 Speaker 1: Sandy Bailey, Alex Alcha, Lauren Homan, Tyler Klang, and Gabrielle Collins. 927 00:53:46,600 --> 00:53:49,680 Speaker 1: Our producer and editor is Vince de Johnny, with music 928 00:53:49,719 --> 00:53:53,200 Speaker 1: by Chad Fisher. Scandal is a production of ABC Signature, 929 00:53:53,400 --> 00:53:56,040 Speaker 1: and you can follow along by rewatching Scandal on Hulu 930 00:53:56,320 --> 00:53:58,719 Speaker 1: Unpacking the Toolbox is a production of Shondaland Audio in 931 00:53:58,800 --> 00:54:03,080 Speaker 1: partnership with Iheartrating. For more podcasts from Shondaland Audio, visit 932 00:54:03,120 --> 00:54:06,280 Speaker 1: the iHeartRadio app or anywhere you subscribe to your favorite shows.