1 00:00:02,120 --> 00:00:06,680 Speaker 1: Well, welcome back to another episode of Algamists. Can Paul 2 00:00:06,720 --> 00:00:10,719 Speaker 1: feels that Kevin, Hey, I don't know, maybe there is 3 00:00:11,160 --> 00:00:13,600 Speaker 1: a jolly fellow with a flowing beard. It comes down 4 00:00:13,680 --> 00:00:17,320 Speaker 1: the chimney if you're more nice than Noddy. But if 5 00:00:17,360 --> 00:00:20,280 Speaker 1: I have to leave cookies and milk out Christmas Eve 6 00:00:20,400 --> 00:00:23,840 Speaker 1: to find out, fuck that and fuck you? But I 7 00:00:23,920 --> 00:00:26,760 Speaker 1: digres like me there, how came Micheller, no particular order. 8 00:00:26,800 --> 00:00:31,600 Speaker 1: Let's please welcome Chris Alvarado FaceTime. Are you all about 9 00:00:31,680 --> 00:00:36,920 Speaker 1: Captain Lee or Captain Sandy? And why Captain Sandy? Sandy? 10 00:00:38,440 --> 00:00:42,200 Speaker 1: I respect, I respect her. She's she's fair and honest 11 00:00:42,240 --> 00:00:45,920 Speaker 1: to her crew. She gives them a room to grow. 12 00:00:46,760 --> 00:00:48,240 Speaker 1: And you know what, you know what? I can't stand 13 00:00:48,280 --> 00:00:51,160 Speaker 1: with Captain Lee. I don't like his like, um, he's 14 00:00:51,200 --> 00:00:54,560 Speaker 1: like saying his quips, his jokes, they're so old, timy 15 00:00:54,640 --> 00:00:59,040 Speaker 1: and like borderline unsettling, always like I'm sweating like a 16 00:00:59,160 --> 00:01:05,759 Speaker 1: horror of chur. I was like, what are you doing, dude? Man? 17 00:01:06,160 --> 00:01:08,440 Speaker 1: That's fantastic. She did lose her ship on Malia a 18 00:01:08,480 --> 00:01:11,080 Speaker 1: little bit. A little bit she did, she did. I 19 00:01:11,120 --> 00:01:13,920 Speaker 1: think she was hurt. Though she was hurt, she felt betrayed, 20 00:01:14,160 --> 00:01:16,319 Speaker 1: you know, and you got you gotta tell. You gotta 21 00:01:16,319 --> 00:01:18,680 Speaker 1: tell the captain when someone gets injured, you gotta She 22 00:01:18,840 --> 00:01:20,600 Speaker 1: was in the right to be upset, but I think 23 00:01:20,640 --> 00:01:23,400 Speaker 1: she'd like that moment back. I think you're right with 24 00:01:23,560 --> 00:01:31,479 Speaker 1: the f bombing. Yeah, um, Gary Williams, all right, put 25 00:01:31,560 --> 00:01:35,120 Speaker 1: the bottle down, man, sparkling water and I don't like 26 00:01:35,319 --> 00:01:38,640 Speaker 1: regular water at all. I like it sparkling. I'm gonna 27 00:01:38,640 --> 00:01:42,759 Speaker 1: prefer the fizz. Yeah. Always still out of the toilet, 28 00:01:42,840 --> 00:01:45,040 Speaker 1: but I like that fizz. Yeah, that's what I want. 29 00:01:45,360 --> 00:01:51,440 Speaker 1: Come on, I came on. Uh, let's go to you 30 00:01:51,600 --> 00:01:54,080 Speaker 1: for a moment. Please with your continuing coverage of the 31 00:01:54,240 --> 00:01:58,360 Speaker 1: Squirrel report, g man, I gotta tell you left town 32 00:01:58,440 --> 00:02:01,320 Speaker 1: for a few days. My girlfriend and I Squirrel did 33 00:02:01,480 --> 00:02:04,680 Speaker 1: not come back after that. And then one morning, walking 34 00:02:04,720 --> 00:02:07,000 Speaker 1: out of the house, she's standing at the back door. 35 00:02:08,200 --> 00:02:10,720 Speaker 1: What do you have for me? What do you have 36 00:02:10,919 --> 00:02:13,200 Speaker 1: for me? After that, she starts following me from the 37 00:02:13,320 --> 00:02:18,320 Speaker 1: back yard to the front yard and she's back full force. 38 00:02:18,760 --> 00:02:21,760 Speaker 1: That's exciting as hell. Thank you, And now our weekly 39 00:02:21,840 --> 00:02:24,760 Speaker 1: dose of Craig Atkowski. Cow, how many times this year 40 00:02:25,520 --> 00:02:33,359 Speaker 1: did you use a hammer? Give her? Well? I did 41 00:02:33,560 --> 00:02:36,959 Speaker 1: listen to uh Mike a single of please hammer don't 42 00:02:37,040 --> 00:02:41,160 Speaker 1: hurt him. Uh, And that's probably more than I did 43 00:02:41,320 --> 00:02:44,720 Speaker 1: any sort of hard labor around the house. I think 44 00:02:44,760 --> 00:02:48,480 Speaker 1: I may have hung a hung a framed uh vhoto 45 00:02:48,600 --> 00:02:54,280 Speaker 1: with one and uh, we're gonna go with one. Yeah, 46 00:02:54,800 --> 00:02:56,760 Speaker 1: and I killed I killed a mouse with a hammer. 47 00:02:57,400 --> 00:03:03,799 Speaker 1: Oh my god, I don't know why that escaped. I 48 00:03:03,840 --> 00:03:05,519 Speaker 1: don't know how I get that out of my head. 49 00:03:05,600 --> 00:03:09,280 Speaker 1: But thank you for sharing all of that. And there're 50 00:03:09,400 --> 00:03:12,600 Speaker 1: James he need Jacko wacko. Jim walk us through what 51 00:03:12,720 --> 00:03:17,680 Speaker 1: happens when you need to confront a total stranger. Well, 52 00:03:17,720 --> 00:03:20,040 Speaker 1: it happened that the relph's just a couple of days ago. 53 00:03:20,240 --> 00:03:22,840 Speaker 1: And the truth is it turned out that this was 54 00:03:22,919 --> 00:03:25,040 Speaker 1: one of those times where I didn't confront the stranger. 55 00:03:25,120 --> 00:03:27,200 Speaker 1: I just kind of walked around the stranger like three 56 00:03:27,320 --> 00:03:29,760 Speaker 1: or four times. They weren't wearing a mask, and they 57 00:03:29,800 --> 00:03:32,000 Speaker 1: were they had a big leather jacket on, and they 58 00:03:32,120 --> 00:03:33,679 Speaker 1: just I felt like I just needed to say and 59 00:03:33,760 --> 00:03:35,960 Speaker 1: I debated two things. First, I was gonna say, put 60 00:03:36,000 --> 00:03:38,880 Speaker 1: a fucking mask on, and I was like, oh, I 61 00:03:39,000 --> 00:03:41,320 Speaker 1: can probably phrase this a little better. And then I 62 00:03:41,480 --> 00:03:43,040 Speaker 1: was like, well, what I'm gonna do is to tell 63 00:03:43,120 --> 00:03:45,520 Speaker 1: him I just want to be respectful. I'm about to 64 00:03:45,560 --> 00:03:47,680 Speaker 1: tell the security guard that you don't have a mask on. 65 00:03:48,160 --> 00:03:50,280 Speaker 1: And then I walked away further and the guy at 66 00:03:50,360 --> 00:03:53,520 Speaker 1: the by the end started to realize I was vulture hawking, 67 00:03:53,680 --> 00:03:56,480 Speaker 1: like circling him, and then I walked away. So what 68 00:03:56,600 --> 00:03:59,560 Speaker 1: I usually do in my head with the strangers, I 69 00:03:59,600 --> 00:04:03,080 Speaker 1: think is what I'm gonna do gonna make the world 70 00:04:03,160 --> 00:04:06,880 Speaker 1: a better place. How much of a sacrifice of my 71 00:04:07,040 --> 00:04:11,480 Speaker 1: own life is it gonna take? And uh, and that's 72 00:04:11,520 --> 00:04:13,760 Speaker 1: those are the two things and if they and at 73 00:04:13,840 --> 00:04:15,400 Speaker 1: that point in time, I was like, this guy, I'm 74 00:04:15,440 --> 00:04:17,080 Speaker 1: only gonna be in here for a couple more minutes. 75 00:04:17,320 --> 00:04:20,560 Speaker 1: This guy looks like he's here to be confronted. I 76 00:04:20,680 --> 00:04:23,000 Speaker 1: think he's waiting for me so that he can attack back. 77 00:04:23,600 --> 00:04:25,880 Speaker 1: So to answer my question, what happens when you need 78 00:04:25,960 --> 00:04:28,600 Speaker 1: to confront a total stranger, I believe the answer would 79 00:04:28,640 --> 00:04:33,280 Speaker 1: be a no confrontation, be a tremendous amount of anxiety, 80 00:04:34,520 --> 00:04:37,360 Speaker 1: and and three a lot of overthinking what you what 81 00:04:37,520 --> 00:04:41,440 Speaker 1: you'd like to do? Yeah, but sometimes it's like sometimes 82 00:04:41,680 --> 00:04:44,400 Speaker 1: I make the mistake and it happens more often than 83 00:04:44,440 --> 00:04:48,280 Speaker 1: I'd like where I confront the person and nine times 84 00:04:48,320 --> 00:04:51,880 Speaker 1: out of ten regret it. Sure that makes sense. Appreciate 85 00:04:51,960 --> 00:04:54,960 Speaker 1: all that. And last, but Dr Schul's foot pukes. If 86 00:04:55,000 --> 00:04:58,400 Speaker 1: you think of Lee's it's Joey Greer dream killer shopping 87 00:04:58,440 --> 00:05:03,360 Speaker 1: online and one only only shop online. I'll tell you why. 88 00:05:03,560 --> 00:05:05,520 Speaker 1: The mom and pop, the brick and mortars and small 89 00:05:05,560 --> 00:05:09,240 Speaker 1: business owners wipe them out. We need to have only 90 00:05:09,560 --> 00:05:13,799 Speaker 1: online stories. That's it. That's it. The future is digital. 91 00:05:13,880 --> 00:05:16,840 Speaker 1: If you're not plugging into the metaverse right now, you're 92 00:05:16,880 --> 00:05:19,480 Speaker 1: not part of the future. All right, give yourself up 93 00:05:19,839 --> 00:05:22,719 Speaker 1: to the overlords. They're here. They can mess your life. 94 00:05:23,120 --> 00:05:25,400 Speaker 1: So you know how many times have had to tell 95 00:05:25,480 --> 00:05:28,160 Speaker 1: someone to put a mask on while I was online shopping. 96 00:05:29,760 --> 00:05:32,920 Speaker 1: Let's do damn show our scenes suggestions gathered from your 97 00:05:33,760 --> 00:05:37,000 Speaker 1: emails or from our patron v I P supporters have 98 00:05:37,080 --> 00:05:41,080 Speaker 1: become a patron supporter the show and joy exclusive content 99 00:05:41,600 --> 00:05:44,440 Speaker 1: like bonus, hantalone scenes, video about recordings right now, and 100 00:05:44,720 --> 00:05:48,840 Speaker 1: all sorts of other high level action. Please head on 101 00:05:48,920 --> 00:05:50,800 Speaker 1: over to patreon dot com slash alchemy this. If you 102 00:05:50,920 --> 00:05:55,120 Speaker 1: like to suggest a scene via email, please do love 103 00:05:55,200 --> 00:05:57,440 Speaker 1: to read them just right to us at alcome to 104 00:05:57,440 --> 00:05:59,479 Speaker 1: this email at gmail dot com dotcom to this emailers. 105 00:06:03,200 --> 00:06:07,680 Speaker 1: Seen one comes from Patron v I P. Jonathan, who wrote, Hey, guys, 106 00:06:07,720 --> 00:06:09,800 Speaker 1: I have a seen suggestion. But first I wanted to 107 00:06:09,880 --> 00:06:12,040 Speaker 1: say that I was listening to the episode where James 108 00:06:12,160 --> 00:06:16,840 Speaker 1: is asking what being on the lamb is and basically 109 00:06:17,560 --> 00:06:22,200 Speaker 1: lamb stands for the word flight, so it means to 110 00:06:22,400 --> 00:06:26,360 Speaker 1: run away. M Anyway, I had no clue if he 111 00:06:26,480 --> 00:06:30,200 Speaker 1: was still wondering that or found out himself. Did you 112 00:06:30,240 --> 00:06:33,400 Speaker 1: find out in your own I mean, not specifically, but 113 00:06:33,560 --> 00:06:37,560 Speaker 1: that doesn't really answer my question. Why question? Why does 114 00:06:37,760 --> 00:06:41,719 Speaker 1: lamb stand for flight? There's no lambs that are flying around, 115 00:06:42,000 --> 00:06:43,680 Speaker 1: by the way, there's no be at the end of 116 00:06:43,720 --> 00:06:48,120 Speaker 1: that word. Literally, just had this conversation with my girlfriend, 117 00:06:48,240 --> 00:06:52,520 Speaker 1: who was that must be some old word, and that's 118 00:06:52,839 --> 00:06:56,360 Speaker 1: just it's so common knowledge to me. I never even 119 00:06:56,440 --> 00:06:58,960 Speaker 1: thought that people didn't use that term. I'm with you. 120 00:06:59,160 --> 00:07:01,800 Speaker 1: I'm with you, Gary. You want to weigh in on 121 00:07:01,960 --> 00:07:07,599 Speaker 1: word use. Uh, it may be rooted in the Scandinavian 122 00:07:07,760 --> 00:07:12,720 Speaker 1: verb lamb. What my research is turning up right now, 123 00:07:13,080 --> 00:07:16,560 Speaker 1: I'll tell you right now, let's see let's see synonyms 124 00:07:16,640 --> 00:07:20,960 Speaker 1: for the root of it all. Okay, Well, honestly, I'm 125 00:07:21,000 --> 00:07:24,360 Speaker 1: already way more smart than I was five minutes ago, 126 00:07:24,400 --> 00:07:28,080 Speaker 1: because I was trying to picture lambs flying and that's 127 00:07:28,120 --> 00:07:30,800 Speaker 1: not at all. There's no use of lamb is in 128 00:07:30,920 --> 00:07:37,080 Speaker 1: fift and the nown usage was in eighteen. And Craig 129 00:07:37,240 --> 00:07:40,000 Speaker 1: is right there perhaps a Scandinavian origin akin to old Norse, 130 00:07:41,240 --> 00:07:45,800 Speaker 1: to thrash akin to old English lama. I'm still trying 131 00:07:45,800 --> 00:07:47,640 Speaker 1: to figure out why Gary was suggesting to his girl 132 00:07:47,680 --> 00:07:53,680 Speaker 1: friend that they go on the lambright scene suggestions students 133 00:07:54,040 --> 00:07:59,000 Speaker 1: find a time capsule from the Triassic period. Thanks for 134 00:07:59,040 --> 00:08:04,520 Speaker 1: all the last while I were, Jonathan, Look, look, if 135 00:08:04,520 --> 00:08:06,840 Speaker 1: we just bury the body right here, no one will 136 00:08:06,880 --> 00:08:09,640 Speaker 1: ever know. And then, you know, summer breaks coming up, 137 00:08:09,680 --> 00:08:11,760 Speaker 1: and we'll all go off and we'll have a good 138 00:08:11,920 --> 00:08:14,200 Speaker 1: fun summer and nobody will know. When you say no 139 00:08:14,280 --> 00:08:16,760 Speaker 1: one will ever know, that seems like something everyone says, 140 00:08:16,840 --> 00:08:19,080 Speaker 1: and then later everyone times out, Okay, this is not 141 00:08:19,120 --> 00:08:20,679 Speaker 1: what we need right now. We need Look at Bobby. 142 00:08:20,960 --> 00:08:23,800 Speaker 1: Bobby's already digging. Okay, you all helped kill this guy. 143 00:08:24,360 --> 00:08:27,040 Speaker 1: Who helped, so let's also help bury this guy. I 144 00:08:27,080 --> 00:08:29,080 Speaker 1: would like to help make sure no one finds him. 145 00:08:29,160 --> 00:08:36,760 Speaker 1: Excuse man, uh family, Thompson Front couldn't help, but no 146 00:08:36,960 --> 00:08:38,640 Speaker 1: this I was on the hill over there, I saw 147 00:08:38,720 --> 00:08:41,360 Speaker 1: the sparkling another shovel. You guys up the good and 148 00:08:41,440 --> 00:08:46,959 Speaker 1: no good out trees, planting trees. They provide what what 149 00:08:47,040 --> 00:08:57,960 Speaker 1: do they provide? Young man? Carbon monoxide? Because we breathe out? What? Continue? 150 00:08:58,880 --> 00:09:02,120 Speaker 1: Have a drink? Share? Yes? Can I ask you for 151 00:09:02,200 --> 00:09:08,839 Speaker 1: a favor? He can hold your gun? Yeah, I must 152 00:09:08,880 --> 00:09:12,800 Speaker 1: have been about your age when at first got into gunentertainment. 153 00:09:13,240 --> 00:09:18,600 Speaker 1: You go cool, you mean, hey, always, sheriff, I'm looking 154 00:09:18,600 --> 00:09:27,520 Speaker 1: at the bad guys. Yeah, that's funny. Back Now you're welcome. 155 00:09:28,600 --> 00:09:32,080 Speaker 1: Carry on, happen, family, carry on, Thank you, sheriff, Banky, sheriff, 156 00:09:32,640 --> 00:09:34,960 Speaker 1: Thank you, sheriff. He said his goodbyes, he was leaving, 157 00:09:35,040 --> 00:09:36,960 Speaker 1: and then you want to play with his gun. What's happening? 158 00:09:37,520 --> 00:09:40,599 Speaker 1: What's happening? What I mean? Do you want us to 159 00:09:40,640 --> 00:09:42,800 Speaker 1: get caught because you want us to know? You know, 160 00:09:42,840 --> 00:09:48,319 Speaker 1: my parents fill guns. Yeah, a lot of opportunity. Okay, 161 00:09:48,480 --> 00:09:53,080 Speaker 1: so this was your rob got it? Okay, guys, there's 162 00:09:53,120 --> 00:09:56,120 Speaker 1: something there's something metal down here. What do you mean, 163 00:09:57,120 --> 00:09:59,520 Speaker 1: I mean, can you see down those holes have been taken. 164 00:10:00,000 --> 00:10:03,560 Speaker 1: It's probably like a sprinkler head or something. We can 165 00:10:03,640 --> 00:10:06,520 Speaker 1: actually help me push the shovel handle down. We can 166 00:10:06,559 --> 00:10:12,840 Speaker 1: lover this. I don't know what looks like a pill, 167 00:10:13,160 --> 00:10:18,160 Speaker 1: A giant metal pill, metal pill. I don't know that. 168 00:10:18,800 --> 00:10:22,760 Speaker 1: Oh you're it on screws. I think right, twisted, twist 169 00:10:22,800 --> 00:10:37,080 Speaker 1: it twist o. What the mm hmm? Wow? That thing 170 00:10:37,280 --> 00:10:40,040 Speaker 1: opened up and there's a lot of smoke. It's probably 171 00:10:40,440 --> 00:10:44,280 Speaker 1: just dust. Maybe. I don't know what it was to 172 00:10:44,679 --> 00:10:49,400 Speaker 1: my family. I have a notice if I was back 173 00:10:49,440 --> 00:10:51,920 Speaker 1: on the hill then I saw a giant puff a 174 00:10:52,040 --> 00:10:56,600 Speaker 1: dust come up. I was okay, Well, sheriff, we found 175 00:10:56,679 --> 00:10:58,199 Speaker 1: this thing when we were trying to plant trees. We 176 00:10:58,280 --> 00:11:03,440 Speaker 1: found this big metal pill, that metal pill there, sheriff, 177 00:11:03,600 --> 00:11:05,439 Speaker 1: quick question. You spend a lot of time on the hill. 178 00:11:05,520 --> 00:11:07,840 Speaker 1: What's going on up there? Well? I like to look 179 00:11:07,920 --> 00:11:12,240 Speaker 1: over and uh what they call think back on the 180 00:11:12,360 --> 00:11:17,120 Speaker 1: past reminiscent up there. Yeah. I like to reminisce from 181 00:11:17,760 --> 00:11:20,959 Speaker 1: from way up there. Okay, so this is why I 182 00:11:21,040 --> 00:11:23,199 Speaker 1: throw my hammers. I throw hammers from up there and 183 00:11:23,360 --> 00:11:27,199 Speaker 1: try to try to kill rhodos from up there you hys, 184 00:11:27,240 --> 00:11:33,200 Speaker 1: have a good day. Thank you, sheriff. Wow, look at 185 00:11:33,240 --> 00:11:36,160 Speaker 1: this stuff. It must be from two hundred and fifty 186 00:11:36,240 --> 00:11:43,120 Speaker 1: one two million years ago? Why so specific? Well, I 187 00:11:43,200 --> 00:11:45,079 Speaker 1: don't know. It just seems like it would be the 188 00:11:45,200 --> 00:11:48,800 Speaker 1: beginning of the Jurassic period two one three, six m 189 00:11:48,880 --> 00:11:55,839 Speaker 1: I eight. You know, just man and these dinosaurs are 190 00:11:56,040 --> 00:12:00,360 Speaker 1: naked with each other in this boodo. Okay, my parents 191 00:12:00,440 --> 00:12:03,880 Speaker 1: don't believe in dinosaurs, so well, look at this. This 192 00:12:04,040 --> 00:12:06,480 Speaker 1: is proof. This is you know what this is? This 193 00:12:06,640 --> 00:12:09,319 Speaker 1: is a time capsule. No, no, I think it was 194 00:12:09,400 --> 00:12:14,079 Speaker 1: planet here. If you're listen, you know what. You know 195 00:12:14,120 --> 00:12:16,000 Speaker 1: what you need to tell your parents. You need to 196 00:12:16,040 --> 00:12:18,480 Speaker 1: tell him that the Triassic is the first and shortest 197 00:12:18,520 --> 00:12:24,800 Speaker 1: period of the Mesozoic era. Okay, wow, look at this record. Okay, guys, 198 00:12:24,880 --> 00:12:28,160 Speaker 1: every everybody needs to contribute something to the to the 199 00:12:28,240 --> 00:12:31,120 Speaker 1: type capsule. Alright, this is this is this is an 200 00:12:31,120 --> 00:12:34,599 Speaker 1: important time, you know, mammals to start to repair on this. 201 00:12:34,640 --> 00:12:46,720 Speaker 1: Why don't we put in nude photos of right, let's 202 00:12:46,760 --> 00:12:49,400 Speaker 1: sell him out, let's sear him off him. Oh I 203 00:12:49,400 --> 00:12:52,040 Speaker 1: don't I don't think he's serious about it, but wet 204 00:12:52,679 --> 00:12:55,720 Speaker 1: wed goddamn other inventions in there. How haven't we show 205 00:12:55,800 --> 00:13:00,480 Speaker 1: him some new footies? Huh? I have something to can tribute. 206 00:13:01,280 --> 00:13:04,200 Speaker 1: Oh what do you got? I have a record vinyl. 207 00:13:04,720 --> 00:13:08,760 Speaker 1: I recorded it myself. It's me singing popular songs of 208 00:13:08,880 --> 00:13:13,280 Speaker 1: today vinyl that's so played out, but I guess everything 209 00:13:13,360 --> 00:13:16,680 Speaker 1: comes back. Everything comes back. Why not have the artists 210 00:13:16,720 --> 00:13:26,199 Speaker 1: who sing it down that yourself in the future. It's 211 00:13:26,240 --> 00:13:28,439 Speaker 1: also hard to listen to Rex when he's got a 212 00:13:28,520 --> 00:13:33,000 Speaker 1: huge boner that they just think we should don't just 213 00:13:33,400 --> 00:13:39,400 Speaker 1: uh just it's hard for Rex to deal with the 214 00:13:39,440 --> 00:13:44,040 Speaker 1: boner with his hands like that. Maybe I'm gonna treat you. 215 00:13:44,040 --> 00:13:47,559 Speaker 1: I'm gonna come three, Okay, I'm gonna call the sheriff. 216 00:13:47,559 --> 00:13:50,319 Speaker 1: Back down, Sheriff, sheriff. Everybody wave your hands, rest you 217 00:13:50,320 --> 00:14:00,440 Speaker 1: can see some Hello, Hi staff, you're older, right I am? 218 00:14:00,520 --> 00:14:04,079 Speaker 1: I'm Would you cast a guess ma? Thank you? Do 219 00:14:04,160 --> 00:14:06,800 Speaker 1: you have a record player? Of course I have one. 220 00:14:07,840 --> 00:14:09,400 Speaker 1: Do you think maybe we could play this record we 221 00:14:09,480 --> 00:14:12,040 Speaker 1: found in that metal pill If you boys want to 222 00:14:12,240 --> 00:14:15,240 Speaker 1: hop in the back of my sheriff wagon and come 223 00:14:15,320 --> 00:14:18,000 Speaker 1: to my home. I love to play that fort What 224 00:14:18,120 --> 00:14:21,640 Speaker 1: do you say for us? I started to stay hoping 225 00:14:21,640 --> 00:14:24,640 Speaker 1: I wouldn't go in the back of a sheriff's car. Uh, 226 00:14:26,880 --> 00:14:29,040 Speaker 1: I got a book in my side, right, What then 227 00:14:29,200 --> 00:14:31,840 Speaker 1: is this? Look at this? You see this in my scope? 228 00:14:32,760 --> 00:14:37,800 Speaker 1: What is that? I don't know? It's a body? Actor, 229 00:14:37,840 --> 00:14:38,760 Speaker 1: take a look at this. What do you think? This 230 00:14:38,880 --> 00:14:44,400 Speaker 1: is a lookst like a like a body. You're just 231 00:14:44,480 --> 00:14:49,120 Speaker 1: saying that because he said I always have a hard 232 00:14:49,160 --> 00:14:54,400 Speaker 1: time seeing through binoculars. Just where do you, pa, I'm 233 00:14:54,440 --> 00:14:57,600 Speaker 1: just I'm seeing my eyelashes. Yeah, you're not looking through it? 234 00:15:00,320 --> 00:15:02,200 Speaker 1: Do you rest it against your eye bow? That's what 235 00:15:02,320 --> 00:15:03,920 Speaker 1: I was telling. Well, he know what is he's pressing 236 00:15:04,000 --> 00:15:05,680 Speaker 1: too far hard on? Look, just just give you a 237 00:15:05,720 --> 00:15:07,800 Speaker 1: little distance between not too much. I mean, I'm talking 238 00:15:07,840 --> 00:15:10,880 Speaker 1: like I can ever do this magic, I think either. Actor. 239 00:15:11,000 --> 00:15:12,880 Speaker 1: Let's go ahead and get your reading tests. If you 240 00:15:13,000 --> 00:15:18,240 Speaker 1: just read the top line for me, okay, okay, that's 241 00:15:18,320 --> 00:15:29,760 Speaker 1: right now, the second line, the third line. Menema, just 242 00:15:30,000 --> 00:15:34,160 Speaker 1: as I suspected, your eyelashes rob grown Hector, we're going 243 00:15:34,200 --> 00:15:39,120 Speaker 1: to have to have them clipped. No, Doc, No, they're beautiful. 244 00:15:39,320 --> 00:15:42,400 Speaker 1: Everybody tells me they're beautiful. I mean, if you have 245 00:15:42,520 --> 00:15:45,320 Speaker 1: to for surgery. But then maybe, like we see other people. 246 00:15:45,440 --> 00:15:48,640 Speaker 1: I guess I knew it. I knew it. I knew 247 00:15:48,680 --> 00:15:51,040 Speaker 1: I'd lose you if I lost my eye. Last is 248 00:15:51,120 --> 00:15:53,400 Speaker 1: that's how I am to you know, Hector. It's just look, 249 00:15:53,440 --> 00:15:55,080 Speaker 1: I just think it's easier if I just leave now, 250 00:15:55,160 --> 00:15:57,600 Speaker 1: if I have everything already hacked. Look, Actor, we're gonna 251 00:15:57,600 --> 00:15:59,720 Speaker 1: have to ask you to leave the warehouse. You know 252 00:15:59,800 --> 00:16:02,840 Speaker 1: you're good on a forklift, but you know things are changing. 253 00:16:03,080 --> 00:16:05,880 Speaker 1: You get it? Am I just around here for my looks? 254 00:16:06,920 --> 00:16:13,360 Speaker 1: You get it? Yeah? Okay, stop saying it like that. Honey, 255 00:16:13,440 --> 00:16:15,160 Speaker 1: did you talked to Hector? Didn't tell him that he 256 00:16:15,200 --> 00:16:18,960 Speaker 1: can't work at the warehouse anymore? Yeah? And what did 257 00:16:19,040 --> 00:16:22,280 Speaker 1: he say through those gorgeous eyelashes and eyebrows of his? 258 00:16:23,560 --> 00:16:26,720 Speaker 1: You know what he said? I how you get it? 259 00:16:26,840 --> 00:16:32,200 Speaker 1: I did? I did? I did? I did? I did? Well. 260 00:16:32,240 --> 00:16:34,000 Speaker 1: Everything's pretty good on the resume here. I mean, you 261 00:16:34,120 --> 00:16:38,040 Speaker 1: look like you have a forklift certification. But uh, I 262 00:16:38,040 --> 00:16:39,800 Speaker 1: don't know how to say this. You're not you're not 263 00:16:39,880 --> 00:16:43,040 Speaker 1: as beautiful as we expected. But we might be able 264 00:16:43,120 --> 00:16:45,960 Speaker 1: to move some things around. Maybe you maybe get to 265 00:16:45,960 --> 00:16:49,280 Speaker 1: your shift or two, but I can't guarantee anything. Okay, 266 00:16:49,880 --> 00:16:53,120 Speaker 1: all right, I see what's going on here, all right? 267 00:16:53,280 --> 00:16:58,080 Speaker 1: Do you see? No, I don't. I can't really see, 268 00:16:58,360 --> 00:17:04,480 Speaker 1: but wow, sheriff, this is a pretty cool house. Thank 269 00:17:04,560 --> 00:17:08,160 Speaker 1: you so much. Boy. If uh normally I say, don't 270 00:17:08,320 --> 00:17:10,600 Speaker 1: let anyone take you to the second location. But the 271 00:17:11,000 --> 00:17:15,520 Speaker 1: record players down in the garage that's underground in my basement. 272 00:17:15,600 --> 00:17:18,760 Speaker 1: I have an underground basement garage, Jeff Snaxt, real quick, 273 00:17:18,840 --> 00:17:21,640 Speaker 1: before we go down. Kenny Land pieces in the bull 274 00:17:21,720 --> 00:17:24,080 Speaker 1: is up for everybody. Those candy Land pieces up for you. 275 00:17:24,280 --> 00:17:29,119 Speaker 1: Be careful of those cups are full of urine. Alright, boys, 276 00:17:30,600 --> 00:17:32,440 Speaker 1: how are your parents? By the way, there's just these 277 00:17:32,480 --> 00:17:36,359 Speaker 1: are just questions. The sheriff asked. Kids working mm hmm 278 00:17:36,600 --> 00:17:43,000 Speaker 1: dead m hmm, Well my parents the one one works 279 00:17:43,040 --> 00:17:45,960 Speaker 1: at home and the others out stop searching all day 280 00:17:47,600 --> 00:17:51,040 Speaker 1: but not employees, but not at home. All right? Yeah, 281 00:17:52,000 --> 00:17:55,680 Speaker 1: right behind this door here, here's the record player. I men, 282 00:17:55,880 --> 00:18:00,639 Speaker 1: just open this door with this key, put it turned 283 00:18:00,760 --> 00:18:13,639 Speaker 1: it left. You don't done knob the switch there? Wow? Ye, 284 00:18:13,760 --> 00:18:16,199 Speaker 1: it kind of looks like you you interrogate people in here. 285 00:18:16,280 --> 00:18:19,240 Speaker 1: It's just like, don't be rude, Dade Luke. It's got 286 00:18:19,280 --> 00:18:22,440 Speaker 1: that one swinging light. That's it's just well, it's not 287 00:18:22,560 --> 00:18:24,639 Speaker 1: swinging right now, but what look what happens when I 288 00:18:24,680 --> 00:18:31,480 Speaker 1: just swings back and forth? Looks it looks like you 289 00:18:31,600 --> 00:18:34,000 Speaker 1: boys have been doing some digging. Well you shouldn't have 290 00:18:34,160 --> 00:18:41,760 Speaker 1: been digging. Uh, perhaps I didn't introduce myself. I'm Sheriff Rex. 291 00:18:43,119 --> 00:18:44,800 Speaker 1: My great great great great great great great great great 292 00:18:44,840 --> 00:18:51,520 Speaker 1: grandfather was Taranno Saris. It looks like you stepped in 293 00:18:51,680 --> 00:18:55,280 Speaker 1: a pile of dinosaur ship and you can't get your 294 00:18:55,520 --> 00:19:00,480 Speaker 1: shoes clean. Let me see that big metal pill, you boys? 295 00:19:00,600 --> 00:19:05,000 Speaker 1: Half him? Uh, give it to him. He's got a 296 00:19:05,040 --> 00:19:08,080 Speaker 1: gun and he's got a chair that has straps on it. Okay, okay, 297 00:19:08,119 --> 00:19:13,200 Speaker 1: here's the weirdest improvis I'm gonna play this record while 298 00:19:13,240 --> 00:19:15,159 Speaker 1: I examine the rest of this pill, and I want 299 00:19:15,200 --> 00:19:18,159 Speaker 1: you guys to listen to exactly what's on this record. 300 00:19:19,440 --> 00:19:22,560 Speaker 1: Put it on the player said it on seventy eight. 301 00:19:23,480 --> 00:19:27,040 Speaker 1: And you never noticed how short your arms were, Uh, 302 00:19:27,560 --> 00:19:30,240 Speaker 1: of course, because when you got eyes like this, nobody 303 00:19:30,320 --> 00:19:34,800 Speaker 1: ever looks below your chin. That's smart playing it now, 304 00:19:38,240 --> 00:19:52,480 Speaker 1: Blue Moon, not one Oh Baby. The same too comes 305 00:19:52,560 --> 00:19:57,119 Speaker 1: from listener Audrey, who wrote What's Up? Malcolmist, you know 306 00:19:57,240 --> 00:20:02,480 Speaker 1: you're great, okay, Seince suggestion when Moses asked the burning bush, 307 00:20:02,760 --> 00:20:09,119 Speaker 1: who are you, and God replied, I am huh. It 308 00:20:09,320 --> 00:20:12,800 Speaker 1: wasn't profound. He just couldn't come up with a fake 309 00:20:12,960 --> 00:20:23,640 Speaker 1: name under pressure. Thanks, Audrey. Al Right, what happened out? 310 00:20:23,920 --> 00:20:26,280 Speaker 1: I'm telling you. I went up to the fucking mountain. 311 00:20:26,680 --> 00:20:29,520 Speaker 1: I went looking for goats, because you know how I am. 312 00:20:30,800 --> 00:20:33,879 Speaker 1: And there was a tree up there, or shrub or whatever, 313 00:20:34,000 --> 00:20:39,359 Speaker 1: and it was on fire. Moses already start telling us 314 00:20:40,240 --> 00:20:42,840 Speaker 1: what happened? When did you come down? Jimmy, Jimmy, it's 315 00:20:42,880 --> 00:20:49,119 Speaker 1: every day? Every day was yeah, it's okay. It's not okay. 316 00:20:49,200 --> 00:20:52,000 Speaker 1: It's running. It's running, it's catching up. It's I'm sorry, 317 00:20:52,040 --> 00:20:54,840 Speaker 1: I'm made fine. He's anxious, guys, just us. It's not. 318 00:20:55,119 --> 00:20:58,560 Speaker 1: It's just disrespectful to our time. If you're late every time, 319 00:20:58,680 --> 00:21:01,280 Speaker 1: you know that you want to care about your lives. 320 00:21:01,640 --> 00:21:05,280 Speaker 1: So this is about me. What where? Where we where? Where? 321 00:21:05,280 --> 00:21:07,439 Speaker 1: Where we were? What's going on with you? Why are 322 00:21:07,480 --> 00:21:09,760 Speaker 1: you always late? There we go, There we go. Let's 323 00:21:09,760 --> 00:21:12,040 Speaker 1: get to the bottom of this. Do you know why 324 00:21:12,040 --> 00:21:14,440 Speaker 1: I'm always late? You know? Why? Why are we doing this? 325 00:21:14,640 --> 00:21:16,119 Speaker 1: Right now. I just want to hear I want to 326 00:21:16,119 --> 00:21:19,360 Speaker 1: hear Moses story. What's going on? Why are you late? 327 00:21:19,880 --> 00:21:28,439 Speaker 1: Damn it? You broke me? Cough it up many Cheryl. Okay, 328 00:21:29,080 --> 00:21:31,840 Speaker 1: Cheryl's always holding me. She's always holding she She's always 329 00:21:31,880 --> 00:21:35,439 Speaker 1: holding me up. Come on, maybe a little more kind 330 00:21:35,480 --> 00:21:37,480 Speaker 1: of time before you leave the bed. And you know 331 00:21:37,560 --> 00:21:40,760 Speaker 1: I'm supposed to mean Moses, and it'll make little time 332 00:21:40,960 --> 00:21:45,720 Speaker 1: I'm supposed to be. Okay, Okay, Now I'm gonna tell 333 00:21:45,720 --> 00:21:48,160 Speaker 1: you three things I love about you, and you're gonna 334 00:21:48,200 --> 00:21:51,679 Speaker 1: tell me three things. I love your eyes, I love 335 00:21:51,760 --> 00:21:54,000 Speaker 1: your heart. I love your heart. I love your eyes, 336 00:21:54,160 --> 00:21:57,439 Speaker 1: I love your heart, I love your last thing. Can 337 00:21:57,520 --> 00:22:01,040 Speaker 1: I go now to see Moses and bufless? Okay? Here 338 00:22:01,119 --> 00:22:18,080 Speaker 1: we come back, though, Okay, one long kiss? No no, 339 00:22:18,280 --> 00:22:23,320 Speaker 1: no one more. So, he asked, He asked, who are you? 340 00:22:23,920 --> 00:22:26,680 Speaker 1: And I just I freaked out. I freaked out. I 341 00:22:26,800 --> 00:22:31,320 Speaker 1: froze up because I'm a burning talking bush like I 342 00:22:31,640 --> 00:22:33,840 Speaker 1: I just imagined that everyone would take that as a 343 00:22:33,920 --> 00:22:36,960 Speaker 1: sign that I'm got right. But all all I could 344 00:22:37,000 --> 00:22:40,919 Speaker 1: come up with was I am I I just got 345 00:22:41,040 --> 00:22:43,159 Speaker 1: I have to be faster up. How is that an answer? 346 00:22:44,720 --> 00:22:49,280 Speaker 1: I am Uh, Lucifer, that this is this is this 347 00:22:49,480 --> 00:22:51,600 Speaker 1: is not the time and place. It seems like the 348 00:22:51,680 --> 00:22:54,800 Speaker 1: exact place I am playing game. You've got You've got 349 00:22:54,880 --> 00:22:57,399 Speaker 1: the point of my story. That's not a good answer. 350 00:22:58,840 --> 00:23:01,680 Speaker 1: I happened to know, and this ain't causeingb like me 351 00:23:01,840 --> 00:23:05,680 Speaker 1: with hiding watching. I happen to know. You also slipped 352 00:23:05,720 --> 00:23:11,280 Speaker 1: in the great I am the Great. Then you followed 353 00:23:11,359 --> 00:23:15,359 Speaker 1: it up there it is I am. Maybe we can 354 00:23:15,480 --> 00:23:17,119 Speaker 1: change it, and maybe you can just say that he 355 00:23:17,200 --> 00:23:20,680 Speaker 1: mishurt you and you said your name's Iam. Yeah, great, 356 00:23:21,119 --> 00:23:23,840 Speaker 1: the truth comes out. It isn't I am? It is 357 00:23:24,000 --> 00:23:28,600 Speaker 1: I am great first and foremost your number one. Well 358 00:23:28,760 --> 00:23:32,000 Speaker 1: look at this. The new God can't even come up 359 00:23:32,040 --> 00:23:33,720 Speaker 1: with a name. You know, I can turn into any 360 00:23:33,760 --> 00:23:39,919 Speaker 1: animal I want or anything. Alright, alright, alright, god, um, 361 00:23:40,280 --> 00:23:45,440 Speaker 1: welcome to this is a corporate improv personal session. Here 362 00:23:46,960 --> 00:23:52,600 Speaker 1: that want the corporate Sorry, I just wanted. I wanted 363 00:23:52,680 --> 00:23:58,680 Speaker 1: up a getter class. Hi. I'm Joel. I run marketing 364 00:23:59,359 --> 00:24:02,520 Speaker 1: for wixed dot com, and uh, I'm here because I 365 00:24:02,680 --> 00:24:06,800 Speaker 1: want to kind of feel more comfortable talking in meetings. 366 00:24:07,320 --> 00:24:11,240 Speaker 1: I am Jared from Subway and I'm here for similar 367 00:24:11,280 --> 00:24:21,640 Speaker 1: reasons oh Jesus, okay, I can't do what anything about him? Yes, 368 00:24:22,600 --> 00:24:24,840 Speaker 1: I'll get to him later. Then to my pillow guy, 369 00:24:25,160 --> 00:24:31,560 Speaker 1: and uh, she's I really I don't want the corporate glass. Okay, God, 370 00:24:31,600 --> 00:24:36,520 Speaker 1: he's just getting to this. It was supposed to be. 371 00:24:36,840 --> 00:24:39,280 Speaker 1: But it's okay. We're gonna go with the floor. As 372 00:24:39,320 --> 00:24:42,399 Speaker 1: they said, I am the Lord God. Yeah, yeah, way, Jehovah, 373 00:24:42,520 --> 00:24:53,960 Speaker 1: I am grace saying God. It actually was fun. I 374 00:24:54,160 --> 00:24:57,080 Speaker 1: came in with an attitude, but by the end when 375 00:24:57,119 --> 00:25:00,560 Speaker 1: I was riffing, I was riffing with my a little guy. 376 00:25:02,640 --> 00:25:07,480 Speaker 1: SEUs says what he feels. Who says what he knows? Yeah, 377 00:25:07,560 --> 00:25:10,440 Speaker 1: and I know this. Why is your name just God? 378 00:25:10,960 --> 00:25:14,280 Speaker 1: What could you come up with some cool? So competitive 379 00:25:14,440 --> 00:25:17,880 Speaker 1: with you? Zeus face? Could you're creeping on my territory? 380 00:25:18,080 --> 00:25:20,879 Speaker 1: Hey God, I'm just calling into my weekly corporate improv 381 00:25:21,080 --> 00:25:24,680 Speaker 1: check in, and I thought I would give you a 382 00:25:24,760 --> 00:25:29,080 Speaker 1: little homework. Okay, okay for anything, Okay, good. I say, 383 00:25:29,119 --> 00:25:32,480 Speaker 1: You're going back to the same mountain, same burning bush, 384 00:25:33,320 --> 00:25:37,000 Speaker 1: and this time when you're asked who you are, you know, 385 00:25:37,840 --> 00:25:42,040 Speaker 1: go nuts, go nuts. Yeah, when it comes to your mind, 386 00:25:42,080 --> 00:25:47,680 Speaker 1: no judging it. Oh please, please pace place. If if 387 00:25:47,720 --> 00:25:50,280 Speaker 1: you're steam rolling a situations because they can't take care 388 00:25:50,320 --> 00:25:53,080 Speaker 1: of themselves, that's not up to you. Okay. I just 389 00:25:53,200 --> 00:25:56,000 Speaker 1: feel like in class when you give examples, you're so clever. 390 00:25:57,600 --> 00:26:02,440 Speaker 1: It's just it's yeah, listen, listen. The difference between the 391 00:26:02,440 --> 00:26:05,080 Speaker 1: good improviser and a great improviser. Maybe God, right, it's 392 00:26:05,080 --> 00:26:06,960 Speaker 1: a thousand shows, you know what I mean. It's just 393 00:26:07,080 --> 00:26:08,639 Speaker 1: that's the only difference between you and me. I've just 394 00:26:08,720 --> 00:26:12,600 Speaker 1: been doing it longer. God, we had Jared on the 395 00:26:12,640 --> 00:26:15,119 Speaker 1: phone for you. Do you want to he said, he 396 00:26:15,160 --> 00:26:18,680 Speaker 1: worked with doing something improv class. Guy, Yes, yes, it's 397 00:26:18,720 --> 00:26:25,360 Speaker 1: Jared for my improv class. Is the go ahead? Hey? Man? Hey, hey, 398 00:26:25,480 --> 00:26:29,159 Speaker 1: God is Jared? Hey? I know that you said, like 399 00:26:29,520 --> 00:26:31,240 Speaker 1: you know, we're tight. Now you got my back and 400 00:26:31,359 --> 00:26:40,080 Speaker 1: everything right? Yes, so whatever I do is cool. You 401 00:26:40,200 --> 00:26:44,400 Speaker 1: have my blessing. My friend an improv class friend has 402 00:26:44,440 --> 00:26:49,240 Speaker 1: a free path mostes. I don't know if you realize this, 403 00:26:49,359 --> 00:26:52,680 Speaker 1: but it's borderline an ar gate down here. If you 404 00:26:52,800 --> 00:26:55,360 Speaker 1: met God, I want you to go up there gets 405 00:26:55,400 --> 00:26:58,760 Speaker 1: the rules for us to follow. Okay, so you want 406 00:26:58,880 --> 00:27:02,080 Speaker 1: me to come down with some guidelines for everybody any 407 00:27:02,440 --> 00:27:04,560 Speaker 1: thing that people will follow so we can have some 408 00:27:04,840 --> 00:27:16,200 Speaker 1: sort of normal seat downs here. Yeah. Yeah, and so 409 00:27:16,320 --> 00:27:21,639 Speaker 1: I agree. Yeah, it's not my fault. This time behind, 410 00:27:21,760 --> 00:27:27,520 Speaker 1: this time right? Were you? Have you gone up? Have 411 00:27:27,640 --> 00:27:29,800 Speaker 1: you gone up? Touch of God? No? Did you want 412 00:27:29,840 --> 00:27:32,840 Speaker 1: to go with me? No? Did you want to go 413 00:27:32,920 --> 00:27:35,640 Speaker 1: instead of me? No? I just wanted to keep track 414 00:27:35,680 --> 00:27:38,040 Speaker 1: of where where you were if you had already on 415 00:27:38,119 --> 00:27:41,080 Speaker 1: the way up. Appreciate that God light hit it. Yeah, 416 00:27:41,080 --> 00:27:44,680 Speaker 1: you're here, just in time to see me off, Magi, 417 00:27:45,240 --> 00:27:48,520 Speaker 1: speak to me, Tell me what the gods say divine 418 00:27:48,600 --> 00:27:54,359 Speaker 1: for me? What is the next move? I'm sorry, sir, 419 00:27:54,560 --> 00:27:57,800 Speaker 1: Magi this one second magic, I will be here just second, 420 00:27:57,840 --> 00:28:02,119 Speaker 1: just one second, place, sir, alright, mag I. Yeah, someone's 421 00:28:02,119 --> 00:28:05,679 Speaker 1: on the other line for you. There's anything from Osirius 422 00:28:06,000 --> 00:28:13,119 Speaker 1: or maybe isis. Go ahead and put him through, Go 423 00:28:13,200 --> 00:28:16,840 Speaker 1: ahead and put him through. Okay, one second, sir, you 424 00:28:17,119 --> 00:28:21,159 Speaker 1: are on this isis? How can I help? Let me 425 00:28:21,320 --> 00:28:31,440 Speaker 1: speak first? My god match I or they're taking a break? 426 00:28:31,440 --> 00:28:34,160 Speaker 1: O Rooney here? Yeah, totally. Who gives a ship about 427 00:28:34,160 --> 00:28:36,480 Speaker 1: the magic? I'm talking to this here? How are you? 428 00:28:37,000 --> 00:28:40,760 Speaker 1: I'm good? Honestly, it's hard to find good work or 429 00:28:40,840 --> 00:28:43,719 Speaker 1: see stays, tell me about it. I can't get enough 430 00:28:43,760 --> 00:28:50,240 Speaker 1: pyramids built. I was just asking for some divination. I 431 00:28:50,440 --> 00:28:55,000 Speaker 1: needed to know, as farah, where's a lucky number? So 432 00:28:55,120 --> 00:28:56,920 Speaker 1: if you got anything like a two in it, go 433 00:28:57,000 --> 00:29:02,080 Speaker 1: ahead and double down. Etch that in stone. To please Moses, 434 00:29:03,200 --> 00:29:07,640 Speaker 1: you must lead the Israelites out of Egypt. I didn't 435 00:29:07,720 --> 00:29:14,720 Speaker 1: do canean right, right? Okay? All right? And anything else? 436 00:29:17,080 --> 00:29:20,120 Speaker 1: Aren't you going to ask me who I am? I 437 00:29:20,200 --> 00:29:22,440 Speaker 1: thought we'd covered this, but sure, let's do this again. 438 00:29:22,560 --> 00:29:30,320 Speaker 1: I just want a second chance everyone. Sorry to God, 439 00:29:30,440 --> 00:29:33,600 Speaker 1: so your froze again? Huh, Well, he didn't give me 440 00:29:33,680 --> 00:29:36,840 Speaker 1: the right cue lot. You know you can't go into 441 00:29:36,920 --> 00:29:40,200 Speaker 1: a scene expecting it to go the way you want to. Again, 442 00:29:40,360 --> 00:29:42,959 Speaker 1: I don't want to be this motherfucker who's hiding listening stuff. 443 00:29:43,440 --> 00:29:46,640 Speaker 1: I actually heard him ask a question instead of make 444 00:29:46,720 --> 00:29:48,840 Speaker 1: a statement. Okay, so we know we can't do that. 445 00:29:49,040 --> 00:29:54,640 Speaker 1: We know we can't do that. So joel again Wicks Marketing. 446 00:29:55,080 --> 00:29:58,200 Speaker 1: I I'm having a I'm having a big, big problem 447 00:29:58,280 --> 00:30:01,720 Speaker 1: with kind of like physicality. You know, I'm normally a sinner, 448 00:30:02,280 --> 00:30:04,880 Speaker 1: and I'm seeing God just kind of take on different poms, 449 00:30:04,920 --> 00:30:07,000 Speaker 1: going to bushes and Burnham and and is that something 450 00:30:07,080 --> 00:30:09,400 Speaker 1: I should be doing too? I should like my gramifire 451 00:30:09,640 --> 00:30:11,160 Speaker 1: hear me out, listen, I don't do this all the 452 00:30:11,200 --> 00:30:12,800 Speaker 1: time because it's up to you. But I was just 453 00:30:13,040 --> 00:30:15,720 Speaker 1: starting a two person show, two person group. Maybe you 454 00:30:15,760 --> 00:30:18,920 Speaker 1: are that I think you are. I think you are, 455 00:30:18,960 --> 00:30:21,200 Speaker 1: and I think I think you know over at Wicks 456 00:30:21,320 --> 00:30:24,320 Speaker 1: you would you would start to you know, his strength 457 00:30:24,440 --> 00:30:27,440 Speaker 1: can start to become your strength. If I hear that. 458 00:30:27,520 --> 00:30:30,000 Speaker 1: But I mean, I just looked at what I assume 459 00:30:30,120 --> 00:30:32,280 Speaker 1: is the cloth of him and half of my face 460 00:30:32,440 --> 00:30:35,960 Speaker 1: aged and and just so I don't What are you 461 00:30:36,080 --> 00:30:40,520 Speaker 1: doing Friday at seven pm? Uh? Probably dinner with my wife? Okay? 462 00:30:40,880 --> 00:30:44,240 Speaker 1: Canceled that for in the indie performance on the Mountain, right, 463 00:30:44,440 --> 00:30:48,720 Speaker 1: I'm helping Moses part the Red Sea. Okay, Okay, this 464 00:30:48,800 --> 00:30:51,280 Speaker 1: is the greatest. This is the show that you produced? 465 00:30:51,400 --> 00:30:54,240 Speaker 1: Is this this is yours? Yes? Yeah, it's one of 466 00:30:54,280 --> 00:30:56,120 Speaker 1: my one of my shows I produced. Yeah, so I 467 00:30:56,240 --> 00:31:02,440 Speaker 1: tell friends to friends otherwise shows it's a it's just 468 00:31:02,600 --> 00:31:04,880 Speaker 1: really put yourself to get physical there, Okay, reach for 469 00:31:04,960 --> 00:31:07,680 Speaker 1: your environment. He can't make it, neither can I. We can't. 470 00:31:07,800 --> 00:31:09,320 Speaker 1: He I have he has the party and I have 471 00:31:09,480 --> 00:31:11,600 Speaker 1: the dinner right. No, I'm saying we can make the 472 00:31:11,640 --> 00:31:16,480 Speaker 1: party of the show. Okay, all right, yeah, I hope 473 00:31:16,600 --> 00:31:18,720 Speaker 1: we can have dinner on the banks of the Nile. 474 00:31:19,680 --> 00:31:21,440 Speaker 1: Before you go, I need a team name because I 475 00:31:21,520 --> 00:31:30,000 Speaker 1: needed I need to know what to put on the poster. Okay, 476 00:31:30,120 --> 00:31:34,240 Speaker 1: that's the tip of my time. Josh, could you shut 477 00:31:34,320 --> 00:31:38,200 Speaker 1: the door behind yourself and sit down. I need to 478 00:31:38,240 --> 00:31:42,040 Speaker 1: talk to you about that last meeting you ran. Yeah, 479 00:31:42,120 --> 00:31:45,720 Speaker 1: what's up? M hm? You know what, I'm mistake people 480 00:31:45,760 --> 00:31:48,160 Speaker 1: all the time. You're not who I thought you were. Oh, 481 00:31:48,440 --> 00:31:51,320 Speaker 1: I bet that guy. Who's that guy in the meeting 482 00:31:51,640 --> 00:31:56,960 Speaker 1: that lit his hair on fire? Michael, No, we were 483 00:31:57,040 --> 00:32:01,400 Speaker 1: doing the Wicks meeting. We're doing the Wicks meeting. So 484 00:32:01,560 --> 00:32:05,000 Speaker 1: there was the Wicks guy that was Oh, well, okay, 485 00:32:05,640 --> 00:32:07,880 Speaker 1: you know what, I've messed up a lot of stuff 486 00:32:07,960 --> 00:32:12,600 Speaker 1: here to get the guy. I'm sorry. I'm sorry to 487 00:32:12,720 --> 00:32:15,320 Speaker 1: bug barge in here. It's my apologize for lighting myself 488 00:32:15,360 --> 00:32:23,320 Speaker 1: on j Just go with it, Just go with it. 489 00:32:25,000 --> 00:32:27,960 Speaker 1: Oh my God, God, thank you, thank you God. Yes, 490 00:32:28,120 --> 00:32:30,800 Speaker 1: I've I've had my five thousand hours at this point. 491 00:32:31,640 --> 00:32:35,000 Speaker 1: Are you talking to God? Yeah? Yes, Joel, I am, 492 00:32:35,440 --> 00:32:36,840 Speaker 1: can you ask him why he didn't show up to 493 00:32:36,880 --> 00:32:48,800 Speaker 1: the indie night? Scene to scene to see three comes 494 00:32:48,800 --> 00:32:52,440 Speaker 1: from page V I P Philip or Philip I like 495 00:32:52,520 --> 00:32:56,360 Speaker 1: to come Philip, who wrote I'll try a tough one. 496 00:32:57,280 --> 00:33:01,840 Speaker 1: It goes like this a breakup, but the receiving breakup 497 00:33:02,000 --> 00:33:09,000 Speaker 1: E won't accept it. Thank you, Philip. Here's your table 498 00:33:09,280 --> 00:33:11,840 Speaker 1: for two. I hope you guys enjoy. Thanks very much. 499 00:33:11,960 --> 00:33:14,720 Speaker 1: There any specials we should not know about? Absolutely so, 500 00:33:14,920 --> 00:33:16,880 Speaker 1: I'm so glad you asked. But let me ask you 501 00:33:16,960 --> 00:33:22,440 Speaker 1: a question. What's your favorite meal? Uh? You know, beef? 502 00:33:22,800 --> 00:33:26,720 Speaker 1: Nothing too expensive. I'm just can I just answer the 503 00:33:26,760 --> 00:33:31,360 Speaker 1: man's questions to have bread? Certainly we do have bread, yes, ma'am. 504 00:33:32,080 --> 00:33:35,160 Speaker 1: That very good. I'll bring you some bread. By the way, 505 00:33:35,280 --> 00:33:38,680 Speaker 1: the special is beef. We actually do you mind? Just 506 00:33:40,680 --> 00:33:43,880 Speaker 1: can can I have a cocktail? Please? Absolutely? Ma'am. May 507 00:33:43,920 --> 00:33:47,720 Speaker 1: I ask you a question? What's your tail? Well? My favorite, 508 00:33:47,840 --> 00:33:53,600 Speaker 1: don't say I guess, don't say it. I'm martini. I 509 00:33:53,680 --> 00:33:57,960 Speaker 1: will bring you a tequila martini. That's the only kind 510 00:33:58,040 --> 00:34:00,800 Speaker 1: we have here, madam. I'll bring you look at that. 511 00:34:01,600 --> 00:34:05,840 Speaker 1: It's run of the mill here. You're incredibly special. Tequila 512 00:34:05,920 --> 00:34:10,200 Speaker 1: martini is all they have. I guess it's becoming more 513 00:34:10,280 --> 00:34:14,239 Speaker 1: popular because people like it. What is it? Just tell 514 00:34:14,280 --> 00:34:15,560 Speaker 1: me what it is. Just tell me what it is. 515 00:34:17,840 --> 00:34:19,640 Speaker 1: That's just eat and then then we'll go home. No, no, 516 00:34:19,840 --> 00:34:21,960 Speaker 1: tell me what a funking tequila martini is because I 517 00:34:22,000 --> 00:34:25,600 Speaker 1: don't get it. Oh that's oh, it's just like four 518 00:34:25,640 --> 00:34:29,879 Speaker 1: ounces of tequila shaking or stirred with Yeah, you're looking 519 00:34:29,960 --> 00:34:32,680 Speaker 1: to crawl out here? That's one of martini. Is it 520 00:34:32,800 --> 00:34:35,640 Speaker 1: just foots like a double of whatever, be a ship 521 00:34:35,719 --> 00:34:39,160 Speaker 1: ton of just straight liquor. Why don't you just this 522 00:34:39,320 --> 00:34:41,279 Speaker 1: is what I don't understand after all these years. Just 523 00:34:41,400 --> 00:34:50,600 Speaker 1: not gonna have vermouth. Stop drink solid and sorry, sir. 524 00:34:51,280 --> 00:34:56,960 Speaker 1: How's the how's the salad bar here? Oh my god, sir, 525 00:34:57,120 --> 00:34:59,520 Speaker 1: the salad bar is exceptional. I was about to serve 526 00:34:59,600 --> 00:35:03,120 Speaker 1: the lady sequa martini. I think you should apologize to 527 00:35:03,239 --> 00:35:06,279 Speaker 1: both her and me, sir that I apologize to you 528 00:35:06,680 --> 00:35:09,600 Speaker 1: because I like you a lot. Thank you, Thank you. 529 00:35:09,960 --> 00:35:16,840 Speaker 1: I was not talking to you, honey. What were you 530 00:35:16,920 --> 00:35:20,080 Speaker 1: calling me? Were you calling him? Honey? I was calling 531 00:35:20,120 --> 00:35:23,080 Speaker 1: the beefalo suited across from me, Honey. I'm sorry, Chuck, 532 00:35:23,160 --> 00:35:27,360 Speaker 1: I I'm gonna have to say no. I'm gonna have 533 00:35:27,440 --> 00:35:29,759 Speaker 1: to say no. I think what we've got is a 534 00:35:29,800 --> 00:35:37,520 Speaker 1: really good thing going uh. I uh, this wasn't a 535 00:35:37,680 --> 00:35:43,399 Speaker 1: question I was you know, No, I deny it. Well, 536 00:35:44,400 --> 00:35:48,440 Speaker 1: we're gonna stop paying you to be here, so and 537 00:35:48,560 --> 00:35:50,959 Speaker 1: we prefer you not come to the office anymore because 538 00:35:50,960 --> 00:35:53,239 Speaker 1: this is we don't feel like it's a good thing 539 00:35:53,320 --> 00:35:56,560 Speaker 1: going here. No. Not. That's not gonna work on my end. 540 00:35:58,080 --> 00:36:00,719 Speaker 1: I don't I've never had any We're laying off a 541 00:36:00,760 --> 00:36:04,719 Speaker 1: lot of people. So it's not just you, Uh, it's us, honestly. 542 00:36:05,400 --> 00:36:08,400 Speaker 1: So this here is the severance package. I'm sliding it 543 00:36:08,480 --> 00:36:11,360 Speaker 1: towards you on the table. Okay, So why don't I 544 00:36:11,480 --> 00:36:14,360 Speaker 1: make you a counter. I'll slide the seferance back to 545 00:36:14,480 --> 00:36:16,719 Speaker 1: you and let you know I'll keep working the rest 546 00:36:16,760 --> 00:36:19,160 Speaker 1: of the day and you'll pay me my normal rate. 547 00:36:20,920 --> 00:36:25,160 Speaker 1: Uh listen, let me just be honest place, I'll be honest. 548 00:36:25,400 --> 00:36:27,120 Speaker 1: There's two ways you leave in this room with this 549 00:36:27,239 --> 00:36:30,920 Speaker 1: sefarence package, proud of the works that you've done in 550 00:36:31,000 --> 00:36:32,560 Speaker 1: the time. That and we we're gonna have a party 551 00:36:32,600 --> 00:36:35,160 Speaker 1: at the end of the week for everyone we're laying off, 552 00:36:38,640 --> 00:36:44,080 Speaker 1: but I'll have your your honor. What was my sentence again? 553 00:36:45,360 --> 00:36:49,799 Speaker 1: Fifteen years? Fifteen years? What if I did? What if 554 00:36:49,840 --> 00:36:55,120 Speaker 1: I did fifteen minutes? That's not how the legal system works. 555 00:36:56,040 --> 00:36:58,919 Speaker 1: I like the number fifteen, Like that's a good, good 556 00:36:59,080 --> 00:37:04,520 Speaker 1: round number. You were convicted rightfully in this court of law. 557 00:37:04,680 --> 00:37:09,080 Speaker 1: You were found guilty. That no one's disputing. What you're 558 00:37:09,280 --> 00:37:12,920 Speaker 1: disputing is the time that you must serve. We the 559 00:37:13,040 --> 00:37:19,320 Speaker 1: jury kind of agree fifteen minutes. It's like fifteen is 560 00:37:19,360 --> 00:37:23,960 Speaker 1: in there and like right for supp I don't know. 561 00:37:27,120 --> 00:37:30,400 Speaker 1: Let me speak with my other judges and sure be 562 00:37:30,600 --> 00:37:32,879 Speaker 1: right back with you. Just stay there, I'll get them 563 00:37:32,880 --> 00:37:40,080 Speaker 1: on the speed dial. Okay, did Judge Michaelson are you there? Michaelson? 564 00:37:40,120 --> 00:37:43,279 Speaker 1: Are you there? Hello? And Judge Thomas along, let me 565 00:37:43,360 --> 00:37:47,600 Speaker 1: call him. Just stay on, Judge Conn Judge Michaelson, I'm 566 00:37:47,600 --> 00:37:49,279 Speaker 1: gonna go out for a smoke while you do this. 567 00:37:49,880 --> 00:37:53,600 Speaker 1: Go ahead, okay, hello, hey, Judge Thomas, Judge Michaelson, are 568 00:37:53,600 --> 00:37:57,839 Speaker 1: you both there? Judge Michaels, Josh Thomas are you there? 569 00:37:59,320 --> 00:38:00,440 Speaker 1: Let me hold on? Let me how did we call 570 00:38:00,520 --> 00:38:07,279 Speaker 1: him again? Is this where the tin bus leaves, Thomas, 571 00:38:07,320 --> 00:38:11,200 Speaker 1: Are you there? Hello, Jess Thom's you're on. You're on 572 00:38:11,320 --> 00:38:13,000 Speaker 1: with me and I believe Jess my cols. Are you 573 00:38:13,080 --> 00:38:20,080 Speaker 1: still there? Oh funk? I dropped out? Hey look yeah, 574 00:38:20,160 --> 00:38:23,200 Speaker 1: the tin bus comes at this spot. Actually it's like 575 00:38:23,239 --> 00:38:29,120 Speaker 1: cool and it's like cool, awesome, sweet. Oh shit, oh shit, 576 00:38:29,640 --> 00:38:32,319 Speaker 1: just dropped this fucking goddamnit. It dropped the fired cake. 577 00:38:32,480 --> 00:38:35,200 Speaker 1: God damn it. How can you help me? Can you 578 00:38:35,239 --> 00:38:36,920 Speaker 1: guys help me on? I got it. I'm helping through 579 00:38:36,960 --> 00:38:41,520 Speaker 1: this party. Probably people got fired. Yeah, it's I supposed 580 00:38:41,520 --> 00:38:43,800 Speaker 1: to supposed to light on fire and it's just crazy. 581 00:38:43,880 --> 00:38:46,760 Speaker 1: It's just like filled with like gas and ship anyway, 582 00:38:48,120 --> 00:38:51,480 Speaker 1: celebrating fire or someone being fired. A whole bunch of 583 00:38:51,520 --> 00:38:55,000 Speaker 1: people got fired. So we got a fired cake. Get 584 00:38:55,080 --> 00:39:01,080 Speaker 1: the cake I got. Hir's like I got tired to? 585 00:39:02,360 --> 00:39:06,719 Speaker 1: Is horrible human being? Are you? I just work? I 586 00:39:06,800 --> 00:39:08,920 Speaker 1: just work at a party storeman, I work at part 587 00:39:09,000 --> 00:39:12,600 Speaker 1: of me ass all right, And that's what store. I 588 00:39:12,760 --> 00:39:17,520 Speaker 1: robbed that store? Huh, I rubbed part of me ass 589 00:39:18,760 --> 00:39:23,040 Speaker 1: just a whip like two guys. All right, right, that's right. 590 00:39:24,520 --> 00:39:27,680 Speaker 1: You wait manager what he called you? Honey? And now 591 00:39:27,840 --> 00:39:32,799 Speaker 1: you're you're now on the date. I guess, yeah, I'm 592 00:39:32,800 --> 00:39:38,440 Speaker 1: not on the date with that. Yeah, bring me one 593 00:39:38,480 --> 00:39:42,200 Speaker 1: of those. Uh, manager, Mr Todd manager, are you here? Yes? 594 00:39:42,600 --> 00:39:48,200 Speaker 1: Right here? Um? I never correct people, but it's mags 595 00:39:48,280 --> 00:39:54,719 Speaker 1: my life. Excuse me. You've been served? You mean in 596 00:39:54,800 --> 00:40:01,360 Speaker 1: the restaurant? No, no, jury danced, You're not going whatever? 597 00:40:01,600 --> 00:40:06,279 Speaker 1: I served you? No, you didn't you did, No, you did. Yes, 598 00:40:06,800 --> 00:40:10,080 Speaker 1: I take an improv class with God. Trust me. If 599 00:40:10,080 --> 00:40:12,000 Speaker 1: I want to say you didn't, that means you didn't. 600 00:40:12,000 --> 00:40:14,799 Speaker 1: You whatever. Man, I don't have to yes and ship, 601 00:40:14,840 --> 00:40:17,920 Speaker 1: But I served you. I'm done. But this improv not this. 602 00:40:18,080 --> 00:40:21,240 Speaker 1: This is life, man, this is real life. You got served. 603 00:40:21,280 --> 00:40:25,720 Speaker 1: Just deal with it. I gotta go fuck Okay, okay, 604 00:40:25,800 --> 00:40:30,799 Speaker 1: now when reality meets improv? Honey, how was your day 605 00:40:30,840 --> 00:40:36,560 Speaker 1: of serving people? Such incredibly bad news? Funked up? Sucked up? 606 00:40:36,800 --> 00:40:38,640 Speaker 1: One of the worst things in my life. Brought up improv. 607 00:40:39,360 --> 00:40:42,800 Speaker 1: Oh I'm going to attack by dogs. People should have 608 00:40:42,840 --> 00:40:46,399 Speaker 1: run me over. But this was shot I was shot 609 00:40:46,440 --> 00:40:49,040 Speaker 1: at and then I was shot through. Someone shot through me. Well, 610 00:40:49,120 --> 00:40:53,360 Speaker 1: of course. A whale harpoon an eighteen sixteen whale harpoon. 611 00:40:53,680 --> 00:40:57,120 Speaker 1: Once in my goddamn femur does not compet. Larry, have 612 00:40:57,280 --> 00:41:01,840 Speaker 1: you seen my whale harpoon? It should be It was 613 00:41:01,920 --> 00:41:05,480 Speaker 1: as far as an load it into the gun, because Larry, 614 00:41:05,719 --> 00:41:10,239 Speaker 1: your hands smell like the trigger of my well harpoon gun. 615 00:41:12,360 --> 00:41:14,920 Speaker 1: Have you been playing with my way harpoon? Looked me 616 00:41:14,960 --> 00:41:17,160 Speaker 1: and stop looking at my titters. Looked me in the eyes? 617 00:41:17,400 --> 00:41:21,680 Speaker 1: Have you been playing? It wasn't playing. I was using. 618 00:41:22,520 --> 00:41:25,200 Speaker 1: Did you fire it at someone? Larry? Looked me? Stop 619 00:41:25,320 --> 00:41:30,040 Speaker 1: looking at my neighbor looking. I fired it not at someone, 620 00:41:30,160 --> 00:41:36,120 Speaker 1: but through someone. That's what I hope you would say. 621 00:41:40,480 --> 00:41:46,000 Speaker 1: What That's all I have for you? Baby? Come back 622 00:41:46,040 --> 00:41:51,520 Speaker 1: to bed. Why did the judge call you at home? Anyway? Baby? Yeah, 623 00:41:51,560 --> 00:41:56,640 Speaker 1: I'm sorry, Okay, hold on, I think I think we 624 00:41:56,760 --> 00:42:00,839 Speaker 1: have a party line mixed up. I'm sorry, okay, Yeah, 625 00:42:01,160 --> 00:42:06,719 Speaker 1: I was coming through my I don't know who you are. 626 00:42:06,800 --> 00:42:09,080 Speaker 1: You're coming through my alexa right now? Hi? Can you 627 00:42:09,160 --> 00:42:12,560 Speaker 1: hear me? I can? This is weird, but I'm not mad. 628 00:42:13,120 --> 00:42:17,239 Speaker 1: My name is Gary Anthony Williams. Okay, nice to meet you. 629 00:42:17,320 --> 00:42:21,920 Speaker 1: My name is Craigness. Oh that's a beautiful name. I 630 00:42:22,000 --> 00:42:24,080 Speaker 1: gotta turn that. This is too weird for me. I'm 631 00:42:24,440 --> 00:42:30,120 Speaker 1: I'm lave, I got don't leave. What are you watching? 632 00:42:31,600 --> 00:42:33,680 Speaker 1: I'm hoping i'd be quiet, and you thought I was gone. 633 00:42:34,520 --> 00:42:38,480 Speaker 1: I'm watching. They knew the Queen's the Queen's whatever it 634 00:42:38,600 --> 00:42:41,879 Speaker 1: is about the lady who places checkers or whatever. Oh yeah, yeah, yeah, 635 00:42:41,960 --> 00:42:47,400 Speaker 1: the Queen's rabbit. Yes, all got in Joel tonight seven 636 00:42:47,480 --> 00:42:53,680 Speaker 1: thirty tonight. Check it out over here at the mountain top? 637 00:42:55,080 --> 00:42:58,759 Speaker 1: Was it? What kind of show is? It's show we 638 00:42:58,880 --> 00:43:00,560 Speaker 1: make everything up. We just get us just for you. 639 00:43:01,680 --> 00:43:08,200 Speaker 1: I'm Joel and we're together where So what what kind 640 00:43:08,200 --> 00:43:16,720 Speaker 1: of gonna do for you? Guys? I just got served earlier. 641 00:43:17,239 --> 00:43:23,200 Speaker 1: Improv is a lie, Todd, I just got I rarely 642 00:43:23,880 --> 00:43:30,600 Speaker 1: correct people with my lafe. It's told monser. I am 643 00:43:30,680 --> 00:43:34,160 Speaker 1: so sorry. I'm in marketing. I should know this. I 644 00:43:34,320 --> 00:43:36,440 Speaker 1: just voted the last four thousand years of my life 645 00:43:36,480 --> 00:43:38,560 Speaker 1: to improv class. Yeah. I had to vote in my 646 00:43:38,640 --> 00:43:40,360 Speaker 1: life to you too. But I found out when you 647 00:43:40,440 --> 00:43:43,200 Speaker 1: get served that you cannot tell somebody yes and you 648 00:43:44,680 --> 00:43:46,400 Speaker 1: and you have to you have to, you have to 649 00:43:46,480 --> 00:43:50,479 Speaker 1: follow that serving. So forgive me, forgive me for raining 650 00:43:50,520 --> 00:43:53,120 Speaker 1: on your parade. But real ship is going down in 651 00:43:53,280 --> 00:43:56,719 Speaker 1: my or my side of time. So let me get 652 00:43:56,760 --> 00:43:59,600 Speaker 1: this traight. You only have six more minutes left if 653 00:43:59,600 --> 00:44:04,840 Speaker 1: you're sentence. Yeah, yeah, I got I got it negotiated 654 00:44:04,920 --> 00:44:09,239 Speaker 1: down to fifteen. So wow, when I've been in here, 655 00:44:09,480 --> 00:44:12,160 Speaker 1: I've been in for about ten, so it might be 656 00:44:12,239 --> 00:44:15,160 Speaker 1: down like five now. Yeah. Yeah. It would be a 657 00:44:15,200 --> 00:44:17,640 Speaker 1: real ashame if you did something to extend your sentence 658 00:44:17,680 --> 00:44:19,160 Speaker 1: while you were in here. That would be a shame. 659 00:44:19,280 --> 00:44:22,360 Speaker 1: That would be a shame, be a shame. If you 660 00:44:22,400 --> 00:44:25,320 Speaker 1: shift somebody, you know for the cause, Oh man, that 661 00:44:25,320 --> 00:44:27,600 Speaker 1: would be the worst, because like I'm getting out in 662 00:44:27,760 --> 00:44:31,759 Speaker 1: five minutes, probably five minutes. Yeah yeah, like with this 663 00:44:31,840 --> 00:44:34,319 Speaker 1: shift right here, Yeah, like that, I don't don't even 664 00:44:34,360 --> 00:44:36,280 Speaker 1: touch you. I wouldn't even suggest you picked up because 665 00:44:36,360 --> 00:44:38,480 Speaker 1: you picked that up and then no, it's a bad 666 00:44:38,560 --> 00:44:41,680 Speaker 1: idea to oh you're holding you're holding okay, you're holding 667 00:44:42,440 --> 00:44:47,759 Speaker 1: holding the shift. Unlock this door, which one of you up. 668 00:44:48,480 --> 00:44:54,440 Speaker 1: Somebody's time has served through all these keys. Yeah, this 669 00:44:54,680 --> 00:44:57,319 Speaker 1: last thirty seconds left to your old sentence here doing 670 00:44:57,360 --> 00:44:59,920 Speaker 1: thirty seconds left? That went fast. Yeah, do not put 671 00:45:00,160 --> 00:45:01,680 Speaker 1: near a body. You put that ship near a body, 672 00:45:01,800 --> 00:45:05,520 Speaker 1: and you know, never I would never hug it out 673 00:45:05,560 --> 00:45:09,960 Speaker 1: what you're saying. Let's hug it out, all right? Oh, no, 674 00:45:11,360 --> 00:45:18,680 Speaker 1: thank you. We've been we've been got in Joel, Oh God. 675 00:45:18,719 --> 00:45:20,600 Speaker 1: I want to see God and Joel so bad. There's 676 00:45:20,600 --> 00:45:22,439 Speaker 1: no way to describe how badly I want to see 677 00:45:22,480 --> 00:45:28,440 Speaker 1: God and Joel. They're gonna suck. All right, let's all 678 00:45:28,480 --> 00:45:31,520 Speaker 1: right's start our thank you with Mr Chris Alverado. Will 679 00:45:31,560 --> 00:45:34,120 Speaker 1: you be doing some surfing when you're in the area 680 00:45:34,120 --> 00:45:36,080 Speaker 1: of the beach area that you know, I'm only here 681 00:45:36,120 --> 00:45:38,560 Speaker 1: from only here for one day doing some stuff and 682 00:45:38,640 --> 00:45:41,600 Speaker 1: then you know, wedding stuff. Sure, I got it, got 683 00:45:41,719 --> 00:45:45,239 Speaker 1: to get back. Yeah, that's okay, that's okay. Surfing isn't life. 684 00:45:45,360 --> 00:45:49,120 Speaker 1: Improv is life everybody, and uh just know that. Thank 685 00:45:49,160 --> 00:45:51,239 Speaker 1: you for having me. Also, Gary, it's always fun to 686 00:45:51,280 --> 00:45:53,520 Speaker 1: work with your brother. So well you're here today, pleasure man. 687 00:45:54,360 --> 00:45:57,640 Speaker 1: That all right. Let's uh transition right over to Mr 688 00:45:57,680 --> 00:46:00,480 Speaker 1: Gary Anthony Williams. Thank you Gary for being here. And well, 689 00:46:00,560 --> 00:46:03,920 Speaker 1: what what should folks look forward to of your works 690 00:46:04,200 --> 00:46:07,080 Speaker 1: in the coming If you hear this during the holiday season, 691 00:46:07,120 --> 00:46:09,120 Speaker 1: you can look forward to Christmas again on Disney and 692 00:46:09,200 --> 00:46:12,960 Speaker 1: Disney Plus, or you can look forward to the new 693 00:46:14,080 --> 00:46:18,239 Speaker 1: movie Search for Q and on Look starts December three. 694 00:46:18,840 --> 00:46:21,840 Speaker 1: He now, in that Christmas movie you mentioned on the 695 00:46:21,920 --> 00:46:27,040 Speaker 1: Disney Plus, who do you play? I play Santa and seriously, 696 00:46:27,480 --> 00:46:32,279 Speaker 1: very possibly the very first Disney Black Santa Claus. They 697 00:46:32,400 --> 00:46:36,160 Speaker 1: just start putting black Santa Clauses at the at the parks, 698 00:46:36,800 --> 00:46:41,760 Speaker 1: uh this year in November. So it's I know this honestly, 699 00:46:42,440 --> 00:46:47,919 Speaker 1: all this makes up for slavery, slavery whatever. Right, We're done, 700 00:46:48,360 --> 00:46:55,400 Speaker 1: we did do over well. Congratulations at the at the 701 00:46:55,480 --> 00:46:59,840 Speaker 1: center of that. Craig Katkowski. Always great to see you, 702 00:47:00,440 --> 00:47:04,120 Speaker 1: especially now with the addition of the surfboard. Yeah, not 703 00:47:04,320 --> 00:47:08,520 Speaker 1: my surfboard. It's my wife's. She's much more athletic and 704 00:47:08,800 --> 00:47:11,520 Speaker 1: uh and tougher than I am. You can see me 705 00:47:11,640 --> 00:47:14,560 Speaker 1: on a couple episodes of Sex Lives of College Girls 706 00:47:14,600 --> 00:47:18,600 Speaker 1: and HBO Max. It's not pornography, it's a legitimate situation comedy. 707 00:47:19,320 --> 00:47:23,360 Speaker 1: H I play Dale Finkel from Gilbert Arizona. So you 708 00:47:23,480 --> 00:47:28,120 Speaker 1: booked a jew ro I did? Okay, I took away 709 00:47:28,160 --> 00:47:34,439 Speaker 1: from you. James Heeney, Oh wow, I'm so excited about 710 00:47:34,440 --> 00:47:38,959 Speaker 1: the holidays. Won't you join me on YouTube? Game front. 711 00:47:39,400 --> 00:47:42,279 Speaker 1: That would be great for the holidays. What a great 712 00:47:42,320 --> 00:47:46,120 Speaker 1: wish for everyone. Joey Greer, thank you so much for 713 00:47:46,200 --> 00:47:50,359 Speaker 1: being here. Buddy boy, thank you. And if you want 714 00:47:50,400 --> 00:47:51,880 Speaker 1: to see what I'm doing, go go over to the 715 00:47:51,920 --> 00:47:55,239 Speaker 1: Whole Foods in West Hollywood. You're gonna see me breakdancing 716 00:47:55,280 --> 00:47:59,520 Speaker 1: out front. And I all, I all, I want. All 717 00:47:59,600 --> 00:48:02,719 Speaker 1: I want is to maybe get six people all been 718 00:48:02,800 --> 00:48:05,759 Speaker 1: dancing together. And that's my gift. So that's the air 719 00:48:06,320 --> 00:48:09,200 Speaker 1: one in in Sherman out I said, the Whole Foods, 720 00:48:10,200 --> 00:48:19,239 Speaker 1: the Whole Tunes, Uh God and Joel Uh. Let's thank 721 00:48:19,320 --> 00:48:25,160 Speaker 1: our producer for the stars, Mr doug Bane. Fine folks 722 00:48:25,200 --> 00:48:30,040 Speaker 1: that I art mediat Kevin Pollack, reminding you, especially during 723 00:48:30,080 --> 00:48:32,799 Speaker 1: these holiday times, please we kind of each other. It's 724 00:48:32,880 --> 00:48:36,600 Speaker 1: so simple. Uh. And thank you for all that you've 725 00:48:36,680 --> 00:48:40,320 Speaker 1: written about us in your reviews. James will have a 726 00:48:40,440 --> 00:48:44,400 Speaker 1: hot one next time we meet um and again we 727 00:48:44,520 --> 00:48:47,319 Speaker 1: kind do each other. Damnit. Until I'm your host, Kevin 728 00:48:47,320 --> 00:49:00,080 Speaker 1: poll Until next time. W