WEBVTT - Nellie McKay 

0:00:00.160 --> 0:00:03.440
<v Speaker 1>This is me, Craig Ferguson. I'm inviting you to come

0:00:03.480 --> 0:00:05.920
<v Speaker 1>and see my brand new comedy hour. Well it's actually

0:00:05.920 --> 0:00:07.400
<v Speaker 1>it's about an hour and a half and I don't

0:00:07.400 --> 0:00:09.959
<v Speaker 1>have an opener because these guys cost money. But what

0:00:10.000 --> 0:00:13.000
<v Speaker 1>I'm saying is I'll be on stage for a while. Anyway,

0:00:13.000 --> 0:00:15.520
<v Speaker 1>come and see me live on the Pants on Fire

0:00:15.920 --> 0:00:19.680
<v Speaker 1>Tour in your region. Tickets are on sale now and

0:00:19.760 --> 0:00:23.959
<v Speaker 1>we'll be adding more as the tour continues throughout twenty twenty.

0:00:23.640 --> 0:00:24.920
<v Speaker 2>Five and beyond.

0:00:25.600 --> 0:00:28.080
<v Speaker 1>For a full list of dates, go to the Craig

0:00:28.120 --> 0:00:31.640
<v Speaker 1>Ferguson show dot com. See you on the road, my DearS.

0:00:33.520 --> 0:00:36.760
<v Speaker 1>My name is Craig Ferguson. The name of this podcast

0:00:37.120 --> 0:00:41.880
<v Speaker 1>is Joy. I talk to interesting people about what brings

0:00:41.880 --> 0:00:48.720
<v Speaker 1>them happiness. Hello everyone, it is I Craig Ferguson. Welcome

0:00:48.720 --> 0:00:52.360
<v Speaker 1>to the Joy Podcast, coming to you from London, England.

0:00:52.640 --> 0:00:54.440
<v Speaker 2>Well I'm in London, England.

0:00:54.560 --> 0:00:57.400
<v Speaker 1>My guest today is not there, although she was born

0:00:57.520 --> 0:00:58.840
<v Speaker 1>in London, England.

0:00:58.480 --> 0:01:01.360
<v Speaker 3>Which is a strange Quinn, It's not really.

0:01:01.600 --> 0:01:05.319
<v Speaker 1>She's a true American genius and someone I really get

0:01:05.360 --> 0:01:06.000
<v Speaker 1>a kick out of.

0:01:06.160 --> 0:01:08.040
<v Speaker 3>And I think you wrote to please.

0:01:07.880 --> 0:01:12.520
<v Speaker 1>Welcome the wonderful Nellie Mackay.

0:01:14.400 --> 0:01:17.800
<v Speaker 2>I am very excited to be talking to you again.

0:01:17.880 --> 0:01:18.160
<v Speaker 3>Nellie.

0:01:18.280 --> 0:01:20.759
<v Speaker 1>It's been it's been a while, it's been a it's

0:01:20.880 --> 0:01:22.520
<v Speaker 1>actually been a minute or two.

0:01:22.720 --> 0:01:25.000
<v Speaker 3>Where are you? Is it Christmas? Where you are?

0:01:25.240 --> 0:01:27.920
<v Speaker 2>It looks very, very festive behind you.

0:01:28.400 --> 0:01:30.720
<v Speaker 3>It's always Christmas. And in fact, I don't know if

0:01:30.760 --> 0:01:33.000
<v Speaker 3>you ever worked at piano bars, but I once got

0:01:33.760 --> 0:01:37.399
<v Speaker 3>fired from one for playing Christmas music in July. But

0:01:37.520 --> 0:01:38.840
<v Speaker 3>that's the best time to do it.

0:01:39.360 --> 0:01:41.440
<v Speaker 2>I've never worked a piano bars, but let me ask

0:01:41.480 --> 0:01:44.160
<v Speaker 2>you this. Have you worked a lot of piano bars?

0:01:44.319 --> 0:01:47.000
<v Speaker 3>Oh? Yeah, And I still think about it because it's

0:01:47.000 --> 0:01:49.120
<v Speaker 3>like the Beatles in Hamburg. You got to play eight

0:01:49.120 --> 0:01:52.440
<v Speaker 3>hours a night or you know you actually you probably

0:01:52.480 --> 0:01:54.720
<v Speaker 3>know this, but you perform less once you go pro

0:01:55.160 --> 0:01:57.480
<v Speaker 3>Oh yeah, I know, that's for sure. Yeah, because then

0:01:57.560 --> 0:02:01.120
<v Speaker 3>is always for money. And you're like, I don't die

0:02:01.200 --> 0:02:02.280
<v Speaker 3>of not doing it for it.

0:02:02.560 --> 0:02:06.600
<v Speaker 4>But I don't know what I do. You're kind of

0:02:06.640 --> 0:02:09.200
<v Speaker 4>ron all the time, really, aren't. Yeah, you're just kind

0:02:09.200 --> 0:02:12.640
<v Speaker 4>of talking. I just talk, or I just talk. Let

0:02:12.720 --> 0:02:14.799
<v Speaker 4>me ask you about the piano bar though, because I'm

0:02:14.880 --> 0:02:17.160
<v Speaker 4>kind of interested. There's a piano bar that I keep

0:02:17.200 --> 0:02:18.880
<v Speaker 4>walking by. I don't know if you know it. It's

0:02:18.919 --> 0:02:22.440
<v Speaker 4>on the Upper east Side in Manhattan.

0:02:23.120 --> 0:02:25.600
<v Speaker 1>I think it's called Hang on a second, Megan, what's

0:02:25.639 --> 0:02:31.320
<v Speaker 1>the name of that piano bar, Randy's, Brandy's Brandy's Piano

0:02:31.400 --> 0:02:33.560
<v Speaker 1>Bar on the Upper east Side?

0:02:33.600 --> 0:02:37.240
<v Speaker 3>Do you know it? No? Maybe it changed name. It

0:02:37.320 --> 0:02:37.839
<v Speaker 3>might have done.

0:02:37.840 --> 0:02:39.680
<v Speaker 1>But every time I walk by, there's a lot of

0:02:39.720 --> 0:02:42.840
<v Speaker 1>fabulous looking men outside smoking cigarettes, and then they go

0:02:42.919 --> 0:02:46.160
<v Speaker 1>back in and start singing again. It seems like Bohemian

0:02:46.240 --> 0:02:48.920
<v Speaker 1>Rhapsody is very popular in there. I want to go in.

0:02:49.040 --> 0:02:52.639
<v Speaker 3>Maybe I should. Can you play piano? No?

0:02:52.720 --> 0:02:55.480
<v Speaker 1>I can't play piano, but I can sing raucously with

0:02:55.560 --> 0:02:56.200
<v Speaker 1>a bunch.

0:02:55.960 --> 0:02:58.320
<v Speaker 2>Of middle aged gay men, and I feel that's enough.

0:03:01.040 --> 0:03:03.959
<v Speaker 3>Well, and you can do their hair too, yes, I can.

0:03:05.320 --> 0:03:06.080
<v Speaker 2>Let me ask you this.

0:03:07.480 --> 0:03:09.440
<v Speaker 3>Are you in Rehrassal right now? Are you in Hssal

0:03:09.440 --> 0:03:12.200
<v Speaker 3>in New York? No? We start right after labor days,

0:03:12.200 --> 0:03:16.520
<v Speaker 3>like going back to school, right, Because what's the name

0:03:16.560 --> 0:03:18.440
<v Speaker 3>of the play. It's a new play, isn't it. They're

0:03:18.480 --> 0:03:23.440
<v Speaker 3>doing It's called Let's Love. Oh that sends upbeat? Is

0:03:23.480 --> 0:03:27.360
<v Speaker 3>it upbeat? Well? I think it should be called congestion

0:03:27.560 --> 0:03:30.840
<v Speaker 3>tax because I hate the congestion tax so much. But

0:03:31.280 --> 0:03:34.560
<v Speaker 3>I'm going to work on Ethan. Yeah, there's a lot

0:03:34.560 --> 0:03:36.800
<v Speaker 3>I'm going to do when he's not around for matinees.

0:03:37.440 --> 0:03:40.800
<v Speaker 1>So I wouldn't go confess in that right now at

0:03:40.800 --> 0:03:44.600
<v Speaker 1>this early stage in the game. But Ethan Cohen, who

0:03:44.600 --> 0:03:49.080
<v Speaker 1>wrote the play, I mean, he's written some very dark stuff.

0:03:49.120 --> 0:03:53.120
<v Speaker 1>I mean he did the screenplay for Fargo and No

0:03:53.240 --> 0:03:56.080
<v Speaker 1>Country for Old Men, and you know.

0:03:56.160 --> 0:03:59.280
<v Speaker 2>Is it but this is this more cheerful or is

0:03:59.280 --> 0:04:01.800
<v Speaker 2>there a lot of people getting killed with oxygen containers

0:04:01.800 --> 0:04:02.320
<v Speaker 2>and stuff?

0:04:02.920 --> 0:04:06.240
<v Speaker 3>I want there to be. I suggested that. I suggested,

0:04:06.280 --> 0:04:10.480
<v Speaker 3>like after every love scene, I could stab someone. Yeah,

0:04:10.520 --> 0:04:16.159
<v Speaker 3>but uh, you know there's so many reasons. There's that

0:04:16.520 --> 0:04:19.559
<v Speaker 3>Wayn's Brothers movie I think is it called Scary movie

0:04:19.640 --> 0:04:22.760
<v Speaker 3>or something, and where people just start going on a

0:04:22.800 --> 0:04:25.600
<v Speaker 3>rampage and the hasidic guy comes over to people in

0:04:25.640 --> 0:04:28.000
<v Speaker 3>the audience starts stabbing and he's like you talk during

0:04:28.040 --> 0:04:31.640
<v Speaker 3>Shittler's List, you know, like there's just so many random

0:04:32.120 --> 0:04:34.040
<v Speaker 3>you can you can stab people.

0:04:34.839 --> 0:04:37.040
<v Speaker 1>I think it's I don't know that it's allowed to

0:04:37.200 --> 0:04:39.320
<v Speaker 1>usually go out and stab people who are in the audience.

0:04:39.480 --> 0:04:42.240
<v Speaker 1>But you know what, what theaters and tell me that

0:04:42.320 --> 0:04:43.680
<v Speaker 1>because maybe it will be Okay.

0:04:43.800 --> 0:04:46.520
<v Speaker 3>Where are you? It's on twentieth Street, so I say

0:04:46.560 --> 0:04:48.039
<v Speaker 3>anything goes Yeah.

0:04:47.880 --> 0:04:50.240
<v Speaker 1>I think I think below thirty fourth Street. Yeah, I

0:04:50.279 --> 0:04:52.360
<v Speaker 1>think you can stab members of the audience, and that's

0:04:52.400 --> 0:04:54.440
<v Speaker 1>all right. I don't It's an old by law in

0:04:54.480 --> 0:04:56.839
<v Speaker 1>New York. We should probably find out, do you know.

0:04:56.960 --> 0:04:58.359
<v Speaker 1>I want to ask you about it because I'm in

0:04:58.400 --> 0:05:00.320
<v Speaker 1>London tho, as you can tell behind me, if you

0:05:00.360 --> 0:05:02.640
<v Speaker 1>look out the window, you could probably see there are

0:05:03.839 --> 0:05:09.360
<v Speaker 1>chimney sweeps and singing urchins and all sorts of people

0:05:10.200 --> 0:05:12.800
<v Speaker 1>with their thumbs behind their lapels.

0:05:14.480 --> 0:05:18.440
<v Speaker 3>You're from London, are you? Weren't you born here? Well?

0:05:18.480 --> 0:05:22.000
<v Speaker 3>I was born there, yes, so I have dual citizenship.

0:05:22.200 --> 0:05:24.359
<v Speaker 3>That would seem like a fail safe. But I've heard

0:05:24.440 --> 0:05:27.920
<v Speaker 3>that the first on the nuclear bomb list is London.

0:05:28.760 --> 0:05:30.440
<v Speaker 1>Is it really like if it.

0:05:30.320 --> 0:05:32.440
<v Speaker 3>Broke out, they say that's the first place they would hit.

0:05:32.839 --> 0:05:34.400
<v Speaker 2>Why would they go for London first?

0:05:34.440 --> 0:05:39.560
<v Speaker 1>I guess, well, it's close, it's close if they're going

0:05:39.600 --> 0:05:41.440
<v Speaker 1>to be coming out. I don't think about it much.

0:05:41.520 --> 0:05:43.680
<v Speaker 1>I used to think about it a lot in the eighties,

0:05:44.040 --> 0:05:47.400
<v Speaker 1>but that was kind of way before your time, seeming

0:05:47.560 --> 0:05:51.680
<v Speaker 1>I was like twenty when you were born, and during

0:05:51.680 --> 0:05:53.920
<v Speaker 1>the eighties we rose terrified in nuclear wars.

0:05:53.960 --> 0:05:56.000
<v Speaker 2>Do you worry about nuclear wars? I?

0:05:56.360 --> 0:05:58.159
<v Speaker 3>Yeah, you know, and I shouldn't. I should be the

0:05:58.240 --> 0:06:01.440
<v Speaker 3>last person because I know it humans do so I

0:06:01.480 --> 0:06:05.480
<v Speaker 3>should be hoping for annihilation. But all these people who

0:06:05.520 --> 0:06:09.960
<v Speaker 3>they like to go kayaking, they're not worried about it. Yeah.

0:06:10.000 --> 0:06:13.119
<v Speaker 1>Well, I think if you're kayaking, which is a fair point,

0:06:13.400 --> 0:06:17.359
<v Speaker 1>if you are kayaking, then it's unlikely that you'll be

0:06:17.400 --> 0:06:21.240
<v Speaker 1>in a place that's going to be nuclear attacked because kayaking,

0:06:21.279 --> 0:06:23.800
<v Speaker 1>by his very nature, is not usually done in central London.

0:06:24.520 --> 0:06:26.360
<v Speaker 3>You would think that, but they have all kind of

0:06:26.360 --> 0:06:29.119
<v Speaker 3>sights all over the world. In fact, you can stay

0:06:29.120 --> 0:06:30.680
<v Speaker 3>in bunkers on Airbnb.

0:06:31.560 --> 0:06:34.840
<v Speaker 1>Well, no way. Are we happy about this or are

0:06:34.880 --> 0:06:37.520
<v Speaker 1>we sad about this? And also as a follow up

0:06:37.600 --> 0:06:40.880
<v Speaker 1>kind of question as well, why this hatred of people

0:06:40.960 --> 0:06:42.520
<v Speaker 1>kayaking is there?

0:06:42.600 --> 0:06:49.680
<v Speaker 3>Do you have a problem with guys yet? I don't

0:06:49.720 --> 0:06:50.240
<v Speaker 3>know why.

0:06:50.400 --> 0:06:54.080
<v Speaker 1>There's no smug Yeah, I kind of feel the say,

0:06:54.120 --> 0:06:55.880
<v Speaker 1>and I'll take a lot of hate for this, but

0:06:55.960 --> 0:06:57.320
<v Speaker 1>I kind of feel the same.

0:06:57.080 --> 0:06:59.520
<v Speaker 2>Way about people who cycle.

0:07:00.320 --> 0:07:01.440
<v Speaker 4>Not the.

0:07:02.880 --> 0:07:05.320
<v Speaker 1>Yah yeah people who but people who wear all the

0:07:05.360 --> 0:07:06.920
<v Speaker 1>outfits and the tiny little.

0:07:06.720 --> 0:07:08.720
<v Speaker 2>Hats and stuff, I can't do it.

0:07:09.360 --> 0:07:12.640
<v Speaker 3>Just their tight butts alone that they go ahead.

0:07:12.320 --> 0:07:14.880
<v Speaker 1>And yeah, they kind of wave them in your face literally,

0:07:15.000 --> 0:07:16.800
<v Speaker 1>kind of saying, this is what you don't have.

0:07:17.320 --> 0:07:20.240
<v Speaker 2>That's what I feel like is going on. Let me

0:07:20.280 --> 0:07:23.200
<v Speaker 2>ask you this. If you don't kayak and you don't bicycle,

0:07:23.280 --> 0:07:24.400
<v Speaker 2>how do you get around New York?

0:07:24.440 --> 0:07:30.200
<v Speaker 1>Suty that a hitchhikest That would be very dangerous.

0:07:30.480 --> 0:07:33.880
<v Speaker 3>That would be a very dangerous thing to do. Why

0:07:33.880 --> 0:07:36.040
<v Speaker 3>do you think it got so dangerous. My mother used

0:07:36.080 --> 0:07:38.280
<v Speaker 3>to hitchhike and one time she had a guy. He

0:07:38.360 --> 0:07:40.080
<v Speaker 3>drove her out to the desert and he said, I've

0:07:40.080 --> 0:07:42.200
<v Speaker 3>had a lot of Spanish fly and she had to

0:07:42.280 --> 0:07:44.560
<v Speaker 3>kind of fend him off and then run through the

0:07:44.600 --> 0:07:47.920
<v Speaker 3>cactus and the dark and wilderness to get away from him.

0:07:47.960 --> 0:07:50.880
<v Speaker 3>But mostly in the sixties and previous, it was a

0:07:50.960 --> 0:07:53.840
<v Speaker 3>legitimate way to get around, and there was a lot

0:07:53.920 --> 0:07:57.040
<v Speaker 3>less fear for both the people picking up the hitchhikers

0:07:57.040 --> 0:07:57.880
<v Speaker 3>and the hitchhikers.

0:07:58.080 --> 0:08:01.840
<v Speaker 1>What changed, See, I have a theory about this that

0:08:02.240 --> 0:08:04.800
<v Speaker 1>may not fit into the narrative I don't think it

0:08:04.880 --> 0:08:05.679
<v Speaker 1>has changed.

0:08:06.040 --> 0:08:08.280
<v Speaker 3>I think the coverage of it has changed.

0:08:08.640 --> 0:08:11.280
<v Speaker 1>So I think all of the scary shit was going

0:08:11.320 --> 0:08:15.800
<v Speaker 1>on before, but it wasn't so like hyperbolic all over

0:08:15.840 --> 0:08:18.120
<v Speaker 1>the place. I think people have been dreadful for a

0:08:18.280 --> 0:08:21.440
<v Speaker 1>very long time, and I don't think that they're getting

0:08:21.480 --> 0:08:21.960
<v Speaker 1>any worse.

0:08:22.040 --> 0:08:25.280
<v Speaker 2>I think they're just getting more noticed.

0:08:25.640 --> 0:08:28.640
<v Speaker 1>There's more, there's more news to fill, there's more kind

0:08:28.640 --> 0:08:33.160
<v Speaker 1>of stories to tell. Every tabloid, every Instagram account. People

0:08:33.160 --> 0:08:35.720
<v Speaker 1>have got to tell a story. But I want to

0:08:35.720 --> 0:08:38.320
<v Speaker 1>just bring you back to your mother and what happened.

0:08:38.840 --> 0:08:42.200
<v Speaker 3>Oh, I guess she got out. I mean might one

0:08:42.240 --> 0:08:44.959
<v Speaker 3>time they found a gal who had been you know, hurt,

0:08:45.160 --> 0:08:47.520
<v Speaker 3>and I think she had been than her body had

0:08:47.559 --> 0:08:50.200
<v Speaker 3>been burned. Oh my god. All they found they said

0:08:50.240 --> 0:08:53.720
<v Speaker 3>she was a redhead who wore hoop earrings. And I

0:08:53.720 --> 0:08:56.320
<v Speaker 3>think that kind of took it out of my nana.

0:08:56.600 --> 0:08:58.600
<v Speaker 3>And then when her mom, my mom called a couple

0:08:58.600 --> 0:09:02.120
<v Speaker 3>of days later, she's like, oh, Robin, she was from England. Yeah,

0:09:02.840 --> 0:09:05.440
<v Speaker 3>oh Robin. But you know, I mean, it's the kind

0:09:05.480 --> 0:09:08.160
<v Speaker 3>of thing that makes your heart stop. So I guess

0:09:08.360 --> 0:09:11.320
<v Speaker 3>I guess eventually my mom, you know, she stopped doing it.

0:09:11.400 --> 0:09:13.200
<v Speaker 3>I think one time the cops picked her up and

0:09:13.200 --> 0:09:15.200
<v Speaker 3>they said, you know, this is illegal, and they drove

0:09:15.200 --> 0:09:18.040
<v Speaker 3>her back home. And I'm getting all these stories mixed up.

0:09:18.040 --> 0:09:20.840
<v Speaker 3>But she fell asleep to the sounds of the dishwasher

0:09:21.120 --> 0:09:22.960
<v Speaker 3>and she felt so safe. It was probably one of

0:09:22.960 --> 0:09:25.920
<v Speaker 3>the earliest dishwashers. And then one time she lived with

0:09:25.960 --> 0:09:28.400
<v Speaker 3>a guy. I think he was making mess. Again, I'm

0:09:28.440 --> 0:09:32.160
<v Speaker 3>probably getting all these stories miss mixed up. But the

0:09:32.320 --> 0:09:34.520
<v Speaker 3>cooker and you cook it right, and it's set the

0:09:34.520 --> 0:09:38.000
<v Speaker 3>house on fire. So then again the fireman and the

0:09:38.040 --> 0:09:41.000
<v Speaker 3>police came, and so she hid under a pile of laundry.

0:09:41.040 --> 0:09:44.160
<v Speaker 3>She actually fell asleep and they didn't catch her. You

0:09:44.160 --> 0:09:45.120
<v Speaker 3>should talk to my mom.

0:09:45.240 --> 0:09:47.840
<v Speaker 1>She has much better stories. I feel like I perhaps

0:09:47.840 --> 0:09:49.440
<v Speaker 1>should talk to your mom, or at least in the

0:09:49.520 --> 0:09:55.040
<v Speaker 1>FBI should talk to your mom. The So it must

0:09:55.120 --> 0:09:57.440
<v Speaker 1>be quite difficult for your mom, if she had such

0:09:57.440 --> 0:10:01.839
<v Speaker 1>a colorful young life herself, to be a disciplinarian with you.

0:10:02.040 --> 0:10:03.839
<v Speaker 3>Was she very strict? Was you when you were little?

0:10:04.640 --> 0:10:08.640
<v Speaker 3>But you know, it's no fun being the disciplinarian, being

0:10:08.679 --> 0:10:12.120
<v Speaker 3>the organizational one. It's fun being you know. And she

0:10:12.480 --> 0:10:15.480
<v Speaker 3>always had a taste. She was on tour in Hong

0:10:15.559 --> 0:10:19.439
<v Speaker 3>Kong with Albert Finnie and she she wound up getting

0:10:19.440 --> 0:10:21.640
<v Speaker 3>in an argument with him at a bar, which is

0:10:21.679 --> 0:10:27.000
<v Speaker 3>the best thing you can do with Albert Finnie, you know. Yeah,

0:10:27.120 --> 0:10:29.160
<v Speaker 3>so you got to find somebody to manage your tour,

0:10:29.200 --> 0:10:32.319
<v Speaker 3>who you know who doesn't want to go have fun?

0:10:32.400 --> 0:10:36.080
<v Speaker 3>And you know, because you know who enjoys who enjoys

0:10:36.080 --> 0:10:39.040
<v Speaker 3>filling out forms and uh checking in the hotels?

0:10:39.080 --> 0:10:42.440
<v Speaker 1>And does anyone enjoy that? I don't know that people

0:10:42.559 --> 0:10:42.960
<v Speaker 1>enjoy that.

0:10:43.600 --> 0:10:50.800
<v Speaker 3>Yes, what's a whole sub what do you call it? Fetish?

0:10:51.160 --> 0:10:56.559
<v Speaker 2>Is this a kin people who liked doing like doing hotel.

0:10:56.360 --> 0:10:57.360
<v Speaker 3>Filling in forms?

0:10:57.520 --> 0:10:59.640
<v Speaker 1>I guess it's like if you're if you, if you're

0:10:59.720 --> 0:11:01.880
<v Speaker 1>used to tax forms and stuff.

0:11:01.600 --> 0:11:02.920
<v Speaker 2>Do you do your own taxes?

0:11:03.360 --> 0:11:08.120
<v Speaker 3>Hell no, I don't even know they're gonna get me. Yeah,

0:11:08.200 --> 0:11:09.679
<v Speaker 3>I should evaded them, right like.

0:11:09.679 --> 0:11:12.480
<v Speaker 1>John Bias, I do think he should have a vade

0:11:12.480 --> 0:11:16.200
<v Speaker 1>your taxes. It never goes well for anyone to evade

0:11:16.200 --> 0:11:16.920
<v Speaker 1>your taxes.

0:11:17.440 --> 0:11:19.840
<v Speaker 3>I just heard about Percy Sledge because we're thinking about

0:11:19.840 --> 0:11:23.679
<v Speaker 3>a tuna his for the Ethan Show, and apparently he

0:11:23.720 --> 0:11:26.520
<v Speaker 3>got in trouble for that. And also he had to

0:11:26.520 --> 0:11:30.960
<v Speaker 3>have a fundraiser for medical care. Craig after a man

0:11:31.000 --> 0:11:33.400
<v Speaker 3>loves a woman, he had to have a fund He

0:11:33.440 --> 0:11:35.840
<v Speaker 3>lived in Baton Rouge. I mean that's like a fifth

0:11:35.880 --> 0:11:39.000
<v Speaker 3>of the price of stuff in New York. He had

0:11:39.040 --> 0:11:40.920
<v Speaker 3>to have a fundraiser for medical care.

0:11:41.080 --> 0:11:44.720
<v Speaker 1>We should move to your house. Why would Percy Sledge?

0:11:44.760 --> 0:11:47.120
<v Speaker 1>Would Percy Sledge would not be comfortable in my house.

0:11:47.160 --> 0:11:50.400
<v Speaker 1>He's not still around anyway, Percy Sledge? Is he?

0:11:50.760 --> 0:11:53.800
<v Speaker 3>No? But I am. But it's just in this country.

0:11:53.840 --> 0:11:55.920
<v Speaker 3>I mean, I know, do you have in trouble with

0:11:56.000 --> 0:11:59.400
<v Speaker 3>the elites going after the National Health which used to

0:11:59.440 --> 0:12:03.000
<v Speaker 3>be sacri sanct in Britain? But I mean here, we

0:12:03.040 --> 0:12:05.240
<v Speaker 3>don't even pretend you're just on your own.

0:12:05.600 --> 0:12:07.960
<v Speaker 1>Wait a minute, I must I feel I may have

0:12:08.000 --> 0:12:12.040
<v Speaker 1>misled you. I am in London visiting. I do not

0:12:12.440 --> 0:12:17.239
<v Speaker 1>live in London. I'm in London right now, but I live.

0:12:17.360 --> 0:12:18.280
<v Speaker 3>In New York City.

0:12:19.200 --> 0:12:23.320
<v Speaker 1>Oh that's a nice Yes, So I'll be coming to

0:12:23.360 --> 0:12:27.200
<v Speaker 1>see the show. Sure, Yeah, of course I don't like

0:12:27.280 --> 0:12:30.280
<v Speaker 1>to go below you know, below Midtown, but I'll do

0:12:30.360 --> 0:12:30.760
<v Speaker 1>it for you.

0:12:30.920 --> 0:12:31.959
<v Speaker 2>I'll go and see the show.

0:12:32.160 --> 0:12:34.520
<v Speaker 3>Yes, what's in Meddown?

0:12:36.040 --> 0:12:38.720
<v Speaker 1>The barrier between the Upper east Side where I live

0:12:39.040 --> 0:12:41.560
<v Speaker 1>and downtown, which I'm happy to go to, but I

0:12:41.559 --> 0:12:43.520
<v Speaker 1>don't like going to Midtown st busy.

0:12:44.160 --> 0:12:46.160
<v Speaker 3>No, you're on the Upper east so that means that

0:12:46.240 --> 0:12:47.839
<v Speaker 3>must be the new hip district.

0:12:48.280 --> 0:12:51.600
<v Speaker 2>No, I think it's more than the hip replacement district.

0:12:52.000 --> 0:12:52.880
<v Speaker 3>It's the.

0:12:55.800 --> 0:13:01.600
<v Speaker 1>It's a little more kind of genteel and quiet. That's

0:13:01.600 --> 0:13:04.199
<v Speaker 1>why I like it. You know, the heap districts are Brooklyn,

0:13:04.240 --> 0:13:08.400
<v Speaker 1>Brooklyn is Williamsburg. And said, uh, where where are you?

0:13:08.480 --> 0:13:10.880
<v Speaker 1>What neighborhood are You don't say that, but just like

0:13:11.000 --> 0:13:11.760
<v Speaker 1>general area.

0:13:12.280 --> 0:13:15.360
<v Speaker 3>Oh, I mean, I can't tell you. And it's not

0:13:15.520 --> 0:13:19.520
<v Speaker 3>your race, it's your class because you can't help it.

0:13:19.760 --> 0:13:23.719
<v Speaker 3>Once people reach a certain level, yoga studios and cupcake

0:13:23.800 --> 0:13:29.400
<v Speaker 3>shops appear, and that's just it's just how Craig, how

0:13:29.400 --> 0:13:31.520
<v Speaker 3>can there be so many people? I know they buy

0:13:31.600 --> 0:13:34.240
<v Speaker 3>up apartments like a real estate deals. How can there

0:13:34.280 --> 0:13:36.960
<v Speaker 3>be so many people who can pay you know, eight

0:13:37.000 --> 0:13:38.800
<v Speaker 3>thousand a month in New York?

0:13:39.200 --> 0:13:41.079
<v Speaker 2>You know, so the coming for it.

0:13:41.520 --> 0:13:44.360
<v Speaker 3>So you got hey, you go, you gotta hide, you know,

0:13:44.440 --> 0:13:48.280
<v Speaker 3>you gotta hide. So where where are you hiding? Where?

0:13:48.480 --> 0:13:51.520
<v Speaker 1>Where's your neighborhood. Give me a rough idea, Give me

0:13:51.600 --> 0:13:52.360
<v Speaker 1>a rough idea.

0:13:52.640 --> 0:13:55.600
<v Speaker 3>I think I'm gonna be I'm going to be pretty

0:13:55.600 --> 0:13:56.960
<v Speaker 3>close to the theater.

0:13:56.800 --> 0:13:59.960
<v Speaker 1>You know, right, that's enough down't townishnish.

0:14:00.280 --> 0:14:02.640
<v Speaker 3>Yeah, but get this, I mean you'll Brinner when he

0:14:02.720 --> 0:14:04.760
<v Speaker 3>was performed, my mom used to work for you, Brenner.

0:14:05.080 --> 0:14:07.880
<v Speaker 3>She was his second assistant. So he would come off

0:14:07.920 --> 0:14:10.439
<v Speaker 3>of the stage after shall we dance and go right

0:14:10.480 --> 0:14:14.520
<v Speaker 3>to the oxygen machine and go And then his first

0:14:14.520 --> 0:14:18.439
<v Speaker 3>assistant was Claire, so he would say, c Clare, I

0:14:18.440 --> 0:14:21.280
<v Speaker 3>don't know how to talk with Claire. Claire, I need

0:14:21.680 --> 0:14:26.640
<v Speaker 3>uh oh, yes, I need fourthy fourth inch rubber bands

0:14:26.680 --> 0:14:29.000
<v Speaker 3>from Fort Dam and Mason's. And she would say, yes,

0:14:29.040 --> 0:14:32.960
<v Speaker 3>mister Benner, Robin, mister Brinnan needs fourth inch rubber bands

0:14:32.960 --> 0:14:36.480
<v Speaker 3>from Fort and Mason. He says, no, Claire, I need

0:14:36.520 --> 0:14:39.480
<v Speaker 3>half inch rubber bands from Fortuham and miss oh yes,

0:14:39.520 --> 0:14:43.480
<v Speaker 3>mister Brinner, Robin, mister Brinnan needs And this is this great,

0:14:43.640 --> 0:14:45.800
<v Speaker 3>it's really a living it is.

0:14:45.840 --> 0:14:48.240
<v Speaker 2>But what do you need those rubber bands for? What

0:14:48.280 --> 0:14:50.560
<v Speaker 2>did you Brennan need the rubber bands for?

0:14:51.360 --> 0:14:54.120
<v Speaker 3>I don't know what. Probably this is between Mattinee and

0:14:54.200 --> 0:15:00.160
<v Speaker 3>evening he would go h be with Marlena in and

0:15:00.280 --> 0:15:02.880
<v Speaker 3>wherever he was staying. I don't think he got a

0:15:02.880 --> 0:15:05.680
<v Speaker 3>lot of rest. And then afterwards, I think after the

0:15:05.720 --> 0:15:08.800
<v Speaker 3>show he always liked to wind down. Man, people can

0:15:08.840 --> 0:15:12.960
<v Speaker 3>really kill themselves with the performing thing. Well, you can

0:15:13.200 --> 0:15:14.840
<v Speaker 3>do that affair with Marlena thing.

0:15:15.000 --> 0:15:17.120
<v Speaker 2>Yeah, they're fair? Was it Marlina detreat?

0:15:17.240 --> 0:15:17.480
<v Speaker 3>Was that?

0:15:17.520 --> 0:15:18.000
<v Speaker 1>Who was?

0:15:18.760 --> 0:15:21.600
<v Speaker 3>Yes? And Mommy thinks that it didn't work because they're

0:15:21.600 --> 0:15:22.320
<v Speaker 3>too much alike.

0:15:23.400 --> 0:15:26.240
<v Speaker 2>Yeah, I think that that's possible.

0:15:26.320 --> 0:15:29.040
<v Speaker 1>I having not met either one of them, I'm going

0:15:29.040 --> 0:15:31.920
<v Speaker 1>to decide that that's actually what happened and they.

0:15:31.760 --> 0:15:32.480
<v Speaker 3>Were too alike.

0:15:37.200 --> 0:15:40.840
<v Speaker 1>Hello, this is Greig Ferguson and I want to let

0:15:40.880 --> 0:15:42.880
<v Speaker 1>you know I have a brand new stand up comedy

0:15:42.920 --> 0:15:46.800
<v Speaker 1>special out now on YouTube. It's called I'm So Happy,

0:15:47.280 --> 0:15:50.440
<v Speaker 1>and I would be so happy if you checked it out.

0:15:50.760 --> 0:15:52.920
<v Speaker 1>To watch the special, just go to my YouTube channel

0:15:53.320 --> 0:15:56.080
<v Speaker 1>at the Craig Ferguson Show and is this right there?

0:15:56.480 --> 0:15:58.680
<v Speaker 1>Just click it and play it and it's free.

0:15:59.080 --> 0:15:59.640
<v Speaker 3>I can't look.

0:15:59.640 --> 0:16:01.040
<v Speaker 1>I'm not going to come around your house and show

0:16:01.040 --> 0:16:02.360
<v Speaker 1>you how to do it. If you can't do it,

0:16:02.400 --> 0:16:03.920
<v Speaker 1>then you can't have it, but if you can figure

0:16:03.920 --> 0:16:11.720
<v Speaker 1>it out, it's yours. I mean, haven't had a parent

0:16:11.760 --> 0:16:14.680
<v Speaker 1>who was so involved in show business like that, in

0:16:14.720 --> 0:16:18.440
<v Speaker 1>that kind of like really inside the world. Do you

0:16:18.520 --> 0:16:23.720
<v Speaker 1>think that that your work travels across and one of

0:16:23.720 --> 0:16:26.080
<v Speaker 1>the things I love about your music is it travels

0:16:26.440 --> 0:16:31.480
<v Speaker 1>between so many wildly varying genres. It feels like sometimes

0:16:32.040 --> 0:16:34.320
<v Speaker 1>it's like Trent Resner was born in the night it

0:16:34.400 --> 0:16:36.680
<v Speaker 1>was working in the nineteen twenties, you know what I mean.

0:16:36.800 --> 0:16:39.000
<v Speaker 1>It's like you can get very dark and also have

0:16:39.040 --> 0:16:41.640
<v Speaker 1>about ooh ah, it's wonderful.

0:16:41.840 --> 0:16:42.520
<v Speaker 3>How you do that?

0:16:42.560 --> 0:16:46.400
<v Speaker 1>Do you think that the diversity of your influence is

0:16:46.480 --> 0:16:47.600
<v Speaker 1>to do with your parents?

0:16:47.640 --> 0:16:51.320
<v Speaker 2>Because your father's very kind of clever play right as well.

0:16:51.240 --> 0:16:54.440
<v Speaker 3>Isn't he? Oh yeah, I think I think there's something

0:16:54.480 --> 0:16:57.440
<v Speaker 3>called genetic memory, So who knows how far it goes back.

0:16:57.880 --> 0:17:00.160
<v Speaker 3>I mean, I don't know if you've done any I've

0:17:00.200 --> 0:17:03.480
<v Speaker 3>done very little. But I do think that maybe some

0:17:03.560 --> 0:17:06.840
<v Speaker 3>of my family were part of the pirates of Penzance, Okay,

0:17:06.920 --> 0:17:10.160
<v Speaker 3>and so that's why I we you know, and there's

0:17:10.200 --> 0:17:12.800
<v Speaker 3>lots of ways to be a modern day pirate, and

0:17:13.440 --> 0:17:16.080
<v Speaker 3>you know, you got to live out, to live outside

0:17:16.160 --> 0:17:17.399
<v Speaker 3>the law, you must be honest.

0:17:18.880 --> 0:17:22.720
<v Speaker 1>There has to be a certain order amongst thieves and performers,

0:17:22.760 --> 0:17:23.240
<v Speaker 1>for sure.

0:17:24.040 --> 0:17:26.960
<v Speaker 2>My wife always says circus folk. We are circus folk,

0:17:27.560 --> 0:17:29.280
<v Speaker 2>and so the rules are a little bit of it.

0:17:29.960 --> 0:17:33.959
<v Speaker 3>You know that. Well, what does she do? Yeah?

0:17:34.600 --> 0:17:39.399
<v Speaker 1>Uh, circusy, she's a little circusy rides horses. You can

0:17:39.480 --> 0:17:45.840
<v Speaker 1>ride a horse with one leg and stuff like that. No, yeah, yeah,

0:17:46.040 --> 0:17:48.159
<v Speaker 1>can you do that? Do you ever ride horses around

0:17:48.160 --> 0:17:49.240
<v Speaker 1>downtown neighborhoods?

0:17:49.920 --> 0:17:53.119
<v Speaker 3>Oh? No, I just want to pet them.

0:17:53.280 --> 0:17:55.080
<v Speaker 1>Well, I think that's perfectly acceptable.

0:17:55.119 --> 0:17:56.200
<v Speaker 3>You can pet horses.

0:17:56.720 --> 0:18:00.639
<v Speaker 1>You're quite vocal about animal rights and stuff. Factually, as

0:18:00.680 --> 0:18:03.800
<v Speaker 1>I remember on we bonded over veganism. As I recall

0:18:04.480 --> 0:18:05.920
<v Speaker 1>the last time I spoke to you.

0:18:06.080 --> 0:18:09.439
<v Speaker 3>Oh that's right. Yeah, how is it going for you, Craig?

0:18:10.160 --> 0:18:12.679
<v Speaker 1>Well, I'll be honest, there was a time where I

0:18:12.760 --> 0:18:15.360
<v Speaker 1>returned to the harsh world of the carnivar.

0:18:15.720 --> 0:18:17.400
<v Speaker 3>I'm not going to lie to you, Nelly.

0:18:17.560 --> 0:18:21.560
<v Speaker 1>During the lockdown, I went beef and chicken a little

0:18:21.560 --> 0:18:25.320
<v Speaker 1>bit for a while. But I'm back and uh, and

0:18:25.440 --> 0:18:28.720
<v Speaker 1>I have was interesting. I don't know if this is

0:18:28.760 --> 0:18:30.600
<v Speaker 1>of any interest to you, but it certainly was to me.

0:18:31.480 --> 0:18:33.159
<v Speaker 1>For the first time in my life. I got a

0:18:33.200 --> 0:18:36.360
<v Speaker 1>medical exam and the doctor said, your cholesterol is up.

0:18:36.840 --> 0:18:39.480
<v Speaker 1>You need to go back to the your vegan diet.

0:18:40.119 --> 0:18:43.399
<v Speaker 1>And I said, or take statins. And I was like, well, no,

0:18:43.600 --> 0:18:45.640
<v Speaker 1>I don't want to take status if I can avoid them.

0:18:45.720 --> 0:18:46.080
<v Speaker 3>Thanks.

0:18:46.840 --> 0:18:49.600
<v Speaker 2>So I so I have returned to the way of

0:18:49.640 --> 0:18:50.080
<v Speaker 2>the hair.

0:18:50.000 --> 0:18:53.399
<v Speaker 3>Before I'm back. That was wonderful. Yeah, but it was

0:18:53.400 --> 0:18:54.520
<v Speaker 3>a you know, it was a right.

0:18:55.000 --> 0:18:57.760
<v Speaker 1>I imagine you're still where you are with it, right,

0:18:57.800 --> 0:18:59.560
<v Speaker 1>You've remained true to.

0:18:59.520 --> 0:19:03.160
<v Speaker 3>The con Oh, it's a struggle every day because everywhere

0:19:03.200 --> 0:19:06.919
<v Speaker 3>you go, you know, there's this or that. Yeah, of course,

0:19:07.160 --> 0:19:09.520
<v Speaker 3>I think it's very good that you're honest, because you know,

0:19:10.040 --> 0:19:12.439
<v Speaker 3>we live in a world where there's constant temptation in

0:19:12.480 --> 0:19:15.240
<v Speaker 3>so many ways and so many people. It can be

0:19:15.280 --> 0:19:19.320
<v Speaker 3>hard to understand. Other people, like the pianist Mary Lou Williams,

0:19:19.560 --> 0:19:23.080
<v Speaker 3>had a severe gambling addiction. That's something I've never had,

0:19:23.960 --> 0:19:26.680
<v Speaker 3>but I you know, so it can be hard to

0:19:26.960 --> 0:19:30.800
<v Speaker 3>get inside that. When if I play a casino or something,

0:19:30.840 --> 0:19:32.960
<v Speaker 3>I mean to me, it just seems like such a scam,

0:19:33.440 --> 0:19:35.919
<v Speaker 3>you know, it's such an obvious I ain't waiting around

0:19:35.920 --> 0:19:41.080
<v Speaker 3>for that slot machine. But everyone has their thing, and

0:19:41.119 --> 0:19:43.800
<v Speaker 3>I think, especially the more pressure you're under, you're under

0:19:43.800 --> 0:19:47.560
<v Speaker 3>a thoughtful profession. I mean, if I could make a

0:19:47.640 --> 0:19:51.080
<v Speaker 3>decent living, like just working for the park service, you know,

0:19:51.280 --> 0:19:54.000
<v Speaker 3>an equivalent, I mean I would. It's so nice not

0:19:54.080 --> 0:19:57.959
<v Speaker 3>to think, you know, and you've got to be witty

0:19:58.040 --> 0:20:00.400
<v Speaker 3>and you've got to make decisions, and that's it's tough

0:20:00.440 --> 0:20:03.800
<v Speaker 3>on you. So you know, everybody's under some kind of pressure.

0:20:03.840 --> 0:20:07.560
<v Speaker 3>And food is such a oh it's just it's something

0:20:07.560 --> 0:20:10.760
<v Speaker 3>you can rely upon, and it's home and family. It's

0:20:11.040 --> 0:20:14.560
<v Speaker 3>it's tricky. It's so you know, we all got to

0:20:14.600 --> 0:20:17.080
<v Speaker 3>be kind to one another and ourselves.

0:20:17.640 --> 0:20:19.800
<v Speaker 1>That's a wonderful thing to say about it. I feel

0:20:19.840 --> 0:20:23.640
<v Speaker 1>so much better, you know, if the if the musician

0:20:23.760 --> 0:20:27.240
<v Speaker 1>thing hadn't worked out, I think some kind of therapy

0:20:27.359 --> 0:20:30.119
<v Speaker 1>or spiritual guide position for you would have been great.

0:20:30.359 --> 0:20:32.879
<v Speaker 5>I really feel a little better having listened to you

0:20:32.920 --> 0:20:35.800
<v Speaker 5>say that. But Craig, don't you think that if your work.

0:20:35.880 --> 0:20:37.960
<v Speaker 5>Actually I know someone who worked in a prison, right,

0:20:38.280 --> 0:20:41.080
<v Speaker 5>and it's this this tricky thing, because the worst criminals

0:20:41.080 --> 0:20:45.200
<v Speaker 5>aren't in prison. They die on you know, the maximum

0:20:45.240 --> 0:20:48.240
<v Speaker 5>count bed sheets, and they go to the fanciest restaurants

0:20:48.280 --> 0:20:51.879
<v Speaker 5>and they live lives of luxury. However, if I worked

0:20:51.880 --> 0:20:55.080
<v Speaker 5>in a prison, I can just see so, I mean,

0:20:55.119 --> 0:20:59.120
<v Speaker 5>people would I you know, I'd be letting people out

0:20:59.119 --> 0:21:02.080
<v Speaker 5>of their cells left and right, and they probably stabbed.

0:21:01.640 --> 0:21:03.919
<v Speaker 3>Me, you know, yes, they probably would.

0:21:04.520 --> 0:21:06.560
<v Speaker 1>Have you ever done a gig in a prison, I've

0:21:06.600 --> 0:21:08.520
<v Speaker 1>never done a gig in When I've visited a friends

0:21:08.560 --> 0:21:12.520
<v Speaker 1>in prison, but I've never I've never played a prison.

0:21:12.840 --> 0:21:14.880
<v Speaker 3>Who did you visit? If you can say?

0:21:15.240 --> 0:21:17.960
<v Speaker 1>I can't really, but but it was it was in

0:21:18.000 --> 0:21:21.359
<v Speaker 1>a prison in Scotland and it was a friend of

0:21:21.359 --> 0:21:23.080
<v Speaker 1>mine who I was actually a guitarist I was in

0:21:23.119 --> 0:21:23.720
<v Speaker 1>a band.

0:21:23.520 --> 0:21:25.800
<v Speaker 3>With and he got he got up to.

0:21:25.760 --> 0:21:27.960
<v Speaker 1>Some nonsense and he went to a very harsh prison

0:21:28.040 --> 0:21:30.800
<v Speaker 1>in Scotland and I went to visit them. It's any

0:21:30.840 --> 0:21:33.520
<v Speaker 1>time I've been inside a prison actually, and I thought,

0:21:33.640 --> 0:21:36.800
<v Speaker 1>oh gosh, I I really would never like to come

0:21:36.840 --> 0:21:39.399
<v Speaker 1>back here ever again, if that's all possible, if I

0:21:39.440 --> 0:21:42.760
<v Speaker 1>can avoid ever coming here. And it was at that point, Nellie,

0:21:42.800 --> 0:21:45.359
<v Speaker 1>that I stopped cooking mess in the washing machine.

0:21:49.240 --> 0:21:52.200
<v Speaker 3>But well, where's mass legal is there any place.

0:21:52.480 --> 0:21:54.879
<v Speaker 2>I don't think it is, and I don't think it.

0:21:55.520 --> 0:21:56.439
<v Speaker 3>No, I don't think it.

0:21:56.440 --> 0:21:58.600
<v Speaker 1>I don't think there's anywhere like you can go and

0:21:58.640 --> 0:22:01.399
<v Speaker 1>they say, oh, yes, have six pack of math or

0:22:01.480 --> 0:22:03.800
<v Speaker 1>whatever people take it. I don't think it is. We

0:22:04.080 --> 0:22:06.920
<v Speaker 1>is legal, but I don't know that that's helped at all.

0:22:07.000 --> 0:22:08.840
<v Speaker 1>I used to be very kind of like, yeah, ever

0:22:08.920 --> 0:22:09.960
<v Speaker 1>it and should be legal, but.

0:22:10.200 --> 0:22:13.080
<v Speaker 2>I'm not sure it's helped at all. But I don't

0:22:13.119 --> 0:22:13.760
<v Speaker 2>take Anathan.

0:22:13.840 --> 0:22:18.080
<v Speaker 3>Do you take anathing? Oh? The only one working? Oh?

0:22:18.200 --> 0:22:22.639
<v Speaker 3>Interesting really because socially it actually it bothers people. But

0:22:22.640 --> 0:22:24.199
<v Speaker 3>there was like, do you need a drink? I said, well,

0:22:24.200 --> 0:22:26.879
<v Speaker 3>when I need to drink now, I'm happy. But working

0:22:27.000 --> 0:22:29.679
<v Speaker 3>is you know. It's that thing. I had a bed

0:22:30.200 --> 0:22:33.120
<v Speaker 3>you know, Craig. Actually it's funny you mentioned this because

0:22:33.119 --> 0:22:35.200
<v Speaker 3>I got two things. First of all, I had a

0:22:35.200 --> 0:22:37.680
<v Speaker 3>bed gig in front of Mike Nichols, who had seen

0:22:37.680 --> 0:22:40.160
<v Speaker 3>me as a thing. My mother wrote me this pristine joke,

0:22:40.920 --> 0:22:43.040
<v Speaker 3>you know, and it went over so well. So then

0:22:43.080 --> 0:22:45.840
<v Speaker 3>Mike Nichols, he was like a butterfly at my side,

0:22:45.880 --> 0:22:48.199
<v Speaker 3>and he kept saying things I didn't know, like he

0:22:48.400 --> 0:22:53.840
<v Speaker 3>was saying me directing Beckett is like you reciting folkup.

0:22:53.960 --> 0:22:56.040
<v Speaker 3>I didn't know what he was saying, so I just

0:22:56.040 --> 0:23:01.440
<v Speaker 3>went ha ha. So he came with Diane Sawyer do

0:23:01.920 --> 0:23:04.040
<v Speaker 3>the gig. I was like, I'm gonna drop out, man,

0:23:04.320 --> 0:23:07.680
<v Speaker 3>you know, but he showed up with the answer. And

0:23:07.840 --> 0:23:10.320
<v Speaker 3>I worked so hard on these big band arrangements, not

0:23:10.480 --> 0:23:13.280
<v Speaker 3>thinking you got to get your material right right, So

0:23:13.320 --> 0:23:16.399
<v Speaker 3>I didn't, so said I bombed the flop sweat, you know,

0:23:17.560 --> 0:23:22.160
<v Speaker 3>flooded downtown and he came over to the table afterwards

0:23:22.160 --> 0:23:23.960
<v Speaker 3>the meet and greet him and Diane. I could just

0:23:24.080 --> 0:23:27.400
<v Speaker 3>tell it was over, and then he died. So that's

0:23:27.880 --> 0:23:29.760
<v Speaker 3>so then you realize you either got to get your

0:23:29.760 --> 0:23:32.159
<v Speaker 3>material or you got to have some substances. But the

0:23:32.200 --> 0:23:34.200
<v Speaker 3>second time was when I played a prison in West

0:23:34.240 --> 0:23:37.080
<v Speaker 3>Virginia and I had my gigbag, so I had all

0:23:37.160 --> 0:23:42.280
<v Speaker 3>kinds of embarrassing things, including a couple of little vodka bottles.

0:23:42.720 --> 0:23:45.320
<v Speaker 3>So who knew that. I think that's a felony in

0:23:45.440 --> 0:23:48.080
<v Speaker 3>West Virginia to take that into a prison. But the

0:23:48.480 --> 0:23:50.760
<v Speaker 3>worst thing they did is they have now barred me

0:23:50.800 --> 0:23:53.680
<v Speaker 3>from ever setting foot in a West Virginia prison, which

0:23:53.760 --> 0:23:57.120
<v Speaker 3>doesn't entirely feel like a bad thing.

0:23:57.600 --> 0:23:59.399
<v Speaker 2>It's not a punishment really anyway.

0:23:59.400 --> 0:24:02.240
<v Speaker 3>But yeah, only on the job, you know. But Craig,

0:24:02.280 --> 0:24:04.880
<v Speaker 3>you got to make people happy whatever it takes.

0:24:06.200 --> 0:24:11.000
<v Speaker 1>Yeah, it's true. But whenever I, you know, used aol,

0:24:11.200 --> 0:24:14.280
<v Speaker 1>alcohol was my thing. Whenever I used that in performing,

0:24:14.640 --> 0:24:17.560
<v Speaker 1>I thought I was doing great with my performance. But

0:24:17.880 --> 0:24:20.680
<v Speaker 1>everyone has assured me that since I stopped doting alcohol,

0:24:21.000 --> 0:24:23.920
<v Speaker 1>my performing skills have improved immeasurably.

0:24:25.280 --> 0:24:27.280
<v Speaker 3>So I don't know.

0:24:27.359 --> 0:24:30.119
<v Speaker 1>I feel like I couldn't do my job when I

0:24:30.240 --> 0:24:33.159
<v Speaker 1>was high. But I think with musicians it's a little different.

0:24:33.280 --> 0:24:34.240
<v Speaker 1>I think because they.

0:24:34.760 --> 0:24:37.040
<v Speaker 3>Can again to a groove. I know it certainly not

0:24:37.080 --> 0:24:37.359
<v Speaker 3>a lot of.

0:24:37.400 --> 0:24:41.520
<v Speaker 1>Musicians who who play in a very older state a

0:24:41.560 --> 0:24:46.400
<v Speaker 1>lot of the time, some very successful people. But then again,

0:24:46.440 --> 0:24:49.720
<v Speaker 1>I know others who can't perform at all unless they're clean.

0:24:50.880 --> 0:24:53.000
<v Speaker 3>Right. Well, I know Brett Butler. I think it took

0:24:53.119 --> 0:24:55.280
<v Speaker 3>alcohol to be able to get her to start her

0:24:55.320 --> 0:24:59.280
<v Speaker 3>whole career. Yeah. For instance, I love her memoir. Yeah,

0:24:59.400 --> 0:25:02.600
<v Speaker 3>I I don't know if i've read that, ma'am. Is

0:25:02.640 --> 0:25:02.960
<v Speaker 3>it good?

0:25:03.760 --> 0:25:04.600
<v Speaker 1>Oh it's good.

0:25:05.119 --> 0:25:07.520
<v Speaker 3>Oh, it's so good. And I know there's an audio

0:25:07.640 --> 0:25:10.520
<v Speaker 3>version which it probably breaks. It's in her accent. Yeah, no,

0:25:10.560 --> 0:25:11.960
<v Speaker 3>it's funny. I know. I right.

0:25:12.040 --> 0:25:14.960
<v Speaker 1>I'm very friendly with Tom Straw, who was the showrunner

0:25:15.040 --> 0:25:16.440
<v Speaker 1>of that sitcom.

0:25:16.560 --> 0:25:20.919
<v Speaker 3>She was on what was it called again the Are

0:25:21.040 --> 0:25:22.000
<v Speaker 3>You under Fire?

0:25:22.200 --> 0:25:23.120
<v Speaker 2>Grace under Fire?

0:25:23.280 --> 0:25:27.080
<v Speaker 1>Yeah, and Tom Straw was who's a good friend of mine.

0:25:27.119 --> 0:25:29.560
<v Speaker 3>He's been on this podcast. Tom was the.

0:25:31.240 --> 0:25:33.840
<v Speaker 1>Was the showrunner, the kind of lead writer on that

0:25:34.000 --> 0:25:38.000
<v Speaker 1>and Tom. Funnily enough, when she and she was having

0:25:38.000 --> 0:25:40.080
<v Speaker 1>a very difficult time during this is n her behavior

0:25:40.200 --> 0:25:42.800
<v Speaker 1>was very crazy. He will not hear a word against her.

0:25:43.240 --> 0:25:45.680
<v Speaker 1>He's like, nope, she's super talented.

0:25:45.760 --> 0:25:48.879
<v Speaker 2>He loves her. It's it's very interesting, you know, she

0:25:49.000 --> 0:25:49.800
<v Speaker 2>was having an hard time.

0:25:49.840 --> 0:25:51.960
<v Speaker 3>Then. I've never met the woman. I don't know. Do

0:25:51.960 --> 0:25:55.160
<v Speaker 3>you know her? I met her once. She played underneath

0:25:55.160 --> 0:25:57.760
<v Speaker 3>Madison Square Garden. I guess there's a comedy club there,

0:25:58.359 --> 0:26:02.120
<v Speaker 3>and she was very She said, Oh, I wish I

0:26:02.160 --> 0:26:05.400
<v Speaker 3>was a little girl named Nelly.

0:26:06.280 --> 0:26:10.359
<v Speaker 2>Well, I've wished that in my life too, but not

0:26:10.560 --> 0:26:11.280
<v Speaker 2>for a while.

0:26:11.600 --> 0:26:12.359
<v Speaker 3>I don't think.

0:26:12.440 --> 0:26:15.040
<v Speaker 1>I think you do it so much better than I do,

0:26:15.200 --> 0:26:16.920
<v Speaker 1>so I wouldn't want to get in the way of that.

0:26:18.680 --> 0:26:21.800
<v Speaker 3>Do you ever, do you ever perform over here in London?

0:26:21.840 --> 0:26:23.640
<v Speaker 3>Do you ever do you do? You work over here

0:26:23.680 --> 0:26:27.040
<v Speaker 3>a lot? I hope so. I'd loved to. Last time

0:26:27.040 --> 0:26:30.480
<v Speaker 3>I was there, I got so sick. But it wasn't

0:26:30.760 --> 0:26:33.680
<v Speaker 3>It was Linda McCartney's vegan sausages. But it wasn't the

0:26:33.720 --> 0:26:36.159
<v Speaker 3>fault of the sausages that I took them to the

0:26:36.200 --> 0:26:38.560
<v Speaker 3>hotel microwave and I think they put them on for

0:26:38.640 --> 0:26:41.959
<v Speaker 3>too little time, so it wasn't her fault. But anyway,

0:26:42.000 --> 0:26:43.320
<v Speaker 3>I was very sick the next day, and then I

0:26:43.359 --> 0:26:46.800
<v Speaker 3>went to go see my friend Richard Kind doing Guys

0:26:46.800 --> 0:26:47.360
<v Speaker 3>and Dolls?

0:26:48.040 --> 0:26:48.560
<v Speaker 1>Chard Kind?

0:26:48.720 --> 0:26:50.920
<v Speaker 3>Did you see that I saw.

0:26:52.400 --> 0:26:54.080
<v Speaker 2>When he was doing the Producers?

0:26:54.960 --> 0:26:58.159
<v Speaker 1>Richard Kind was doing the Producers and I went to

0:26:58.200 --> 0:27:00.359
<v Speaker 1>see him that night he was on this spot. Asked

0:27:00.880 --> 0:27:04.199
<v Speaker 1>like a few weeks ago, and Richard. I went to

0:27:04.200 --> 0:27:06.679
<v Speaker 1>see him that night and then after it. This is

0:27:06.800 --> 0:27:09.760
<v Speaker 1>a long time ago, because after I went out and

0:27:09.840 --> 0:27:11.600
<v Speaker 1>I met the woman that.

0:27:11.520 --> 0:27:13.600
<v Speaker 3>I'm now married that night.

0:27:15.040 --> 0:27:16.800
<v Speaker 1>When I went to see Richard cau So, I always

0:27:16.840 --> 0:27:20.120
<v Speaker 1>think of Richard Kryd in a very fun way.

0:27:21.160 --> 0:27:24.679
<v Speaker 3>He's a lovely man. Richard, where did you go and

0:27:24.720 --> 0:27:25.520
<v Speaker 3>meet your lady?

0:27:27.040 --> 0:27:30.040
<v Speaker 2>It was an event after the theater I had to

0:27:30.040 --> 0:27:30.240
<v Speaker 2>go to.

0:27:30.240 --> 0:27:31.800
<v Speaker 3>It was a party. I didn't want to go.

0:27:31.800 --> 0:27:34.040
<v Speaker 2>It wasn't a party, well, it was a party. It

0:27:34.119 --> 0:27:35.280
<v Speaker 2>was New Yorkers for.

0:27:35.359 --> 0:27:38.080
<v Speaker 1>Children charity event, and I didn't want to go, but

0:27:38.119 --> 0:27:39.840
<v Speaker 1>I said I was going to go. So I went

0:27:39.880 --> 0:27:42.760
<v Speaker 1>to this New Yorkers for Children charity event and I

0:27:42.840 --> 0:27:45.480
<v Speaker 1>met this woman and we've been married for years.

0:27:45.800 --> 0:27:48.159
<v Speaker 3>Oh my goodness, always the event you don't want to

0:27:48.200 --> 0:27:48.439
<v Speaker 3>go to.

0:27:48.880 --> 0:27:50.919
<v Speaker 1>It's not funny. She says the same thing. I mean,

0:27:50.960 --> 0:27:52.520
<v Speaker 1>because she didn't want to go to the thing either.

0:27:52.600 --> 0:27:55.240
<v Speaker 1>She was like, all right, and she went.

0:27:55.840 --> 0:27:56.840
<v Speaker 3>And it's an interest.

0:27:56.920 --> 0:27:59.359
<v Speaker 1>And now we say that to our kids, which is

0:27:59.600 --> 0:28:02.320
<v Speaker 1>always go to the party because you never know who you're.

0:28:02.160 --> 0:28:06.680
<v Speaker 3>Going to meet. That's a beautiful story.

0:28:09.480 --> 0:28:10.440
<v Speaker 2>It's all Richard Kind.

0:28:10.600 --> 0:28:11.000
<v Speaker 3>My god.

0:28:11.440 --> 0:28:14.640
<v Speaker 1>So anyway, I interrupted you because you said you were

0:28:14.880 --> 0:28:18.360
<v Speaker 1>seeing Richard Kind and guys and dolls in London.

0:28:18.440 --> 0:28:21.320
<v Speaker 3>Oh that I mean, that's basically yeah. And then yeah.

0:28:21.640 --> 0:28:25.000
<v Speaker 3>I left him a little Bernie sticker backstage and I said,

0:28:25.000 --> 0:28:27.520
<v Speaker 3>you know, if you want to hang out, and so

0:28:27.680 --> 0:28:30.760
<v Speaker 3>he came to my gig and it was funny. Walked

0:28:30.760 --> 0:28:33.840
<v Speaker 3>me back to the elevator, and elevators can be very

0:28:34.400 --> 0:28:39.520
<v Speaker 3>dangerous situation, so I appreciate his protection. Well, I don't know.

0:28:39.600 --> 0:28:43.560
<v Speaker 1>I mean, given your mother's experience with the hitchhiker, I

0:28:43.640 --> 0:28:47.520
<v Speaker 1>think an elevator is probably a lot safer than you're

0:28:47.600 --> 0:28:50.440
<v Speaker 1>used to in your family's history. Really, I mean, Richard

0:28:50.520 --> 0:28:53.000
<v Speaker 1>kind in an elevator is not a dangerous situation at all.

0:28:53.440 --> 0:28:55.760
<v Speaker 3>But I don't know if you've ever read it's a

0:28:55.840 --> 0:29:00.600
<v Speaker 3>really I haven't even gotten that far into it. But

0:29:00.640 --> 0:29:04.040
<v Speaker 3>Susan Brown Miller recently died, and she had wrote a

0:29:04.040 --> 0:29:08.360
<v Speaker 3>book called Against Our Will, and whoa Once you read that,

0:29:08.760 --> 0:29:11.840
<v Speaker 3>oh holy crow. I mean they say say with prostitutes

0:29:11.920 --> 0:29:14.640
<v Speaker 3>that the most dangerous place is more a hotel room

0:29:15.120 --> 0:29:18.720
<v Speaker 3>than if you're on the street. So you know, you

0:29:18.880 --> 0:29:21.080
<v Speaker 3>just never know be paranoid.

0:29:21.440 --> 0:29:23.640
<v Speaker 1>You know, I think I do a pretty good job

0:29:23.680 --> 0:29:28.240
<v Speaker 1>of being paranoid. I stay paranoid a lot of the time.

0:29:28.440 --> 0:29:31.880
<v Speaker 1>Are you nervous about that? Do you get paranoid?

0:29:31.880 --> 0:29:34.400
<v Speaker 3>Are you a nervous person? Do you think? Well? You

0:29:34.520 --> 0:29:36.640
<v Speaker 3>have to, because if I got attacked, what I would

0:29:36.680 --> 0:29:39.360
<v Speaker 3>just be? Woody Allen. I just I tear up my

0:29:39.480 --> 0:29:43.240
<v Speaker 3>driver's license. I mean, I knew because I grew up

0:29:43.280 --> 0:29:46.920
<v Speaker 3>in Harlem and we had a what do you call it,

0:29:47.880 --> 0:29:53.200
<v Speaker 3>a roommate who was a right wing folk singer from Minnesota.

0:29:53.520 --> 0:29:55.440
<v Speaker 3>But he was a real white boy, you know, and

0:29:55.520 --> 0:29:57.520
<v Speaker 3>he used to get so nervous he would push a

0:29:57.560 --> 0:30:01.480
<v Speaker 3>shopping cart and and pee his pants and talk to

0:30:01.560 --> 0:30:07.360
<v Speaker 3>himself so he wouldn't get mugged. So you know, everybody, uh,

0:30:07.760 --> 0:30:11.240
<v Speaker 3>you know, I always feel like I'll hurt people's feelings,

0:30:11.320 --> 0:30:13.520
<v Speaker 3>you know, if I you know, it's like you suspect

0:30:13.560 --> 0:30:16.520
<v Speaker 3>any guy that they could, but they are all bigger

0:30:16.560 --> 0:30:20.080
<v Speaker 3>than you. You know. No, of course it's not just Harlem.

0:30:20.280 --> 0:30:23.400
<v Speaker 3>It's just that at that time it was. It was

0:30:24.440 --> 0:30:27.080
<v Speaker 3>in New York in the eighties. You know, was was

0:30:27.080 --> 0:30:31.120
<v Speaker 3>was pretty. I remember it was rougher, but but there

0:30:31.200 --> 0:30:33.680
<v Speaker 3>was a beauty to it, Craig, because you know, I mean,

0:30:33.720 --> 0:30:36.960
<v Speaker 3>it's it's ruled by thieves, but there they'd steal a

0:30:37.000 --> 0:30:40.400
<v Speaker 3>lot more. You know, it's it's Dylan. It's uh still

0:30:40.440 --> 0:30:42.360
<v Speaker 3>a little in Ittorian jail, still a lot and they

0:30:42.400 --> 0:30:45.600
<v Speaker 3>make you king. Yeah, well that it was ever us.

0:30:45.800 --> 0:30:48.600
<v Speaker 1>It's interesting though, that if I was a right wing

0:30:48.840 --> 0:30:53.200
<v Speaker 1>folk singer, I don't think Harlem would be even today,

0:30:53.360 --> 0:30:56.520
<v Speaker 1>the place where I would choose to live. I feel

0:30:56.520 --> 0:31:00.000
<v Speaker 1>like there are other domestic arrangements that may be more.

0:31:01.480 --> 0:31:03.000
<v Speaker 3>It so lubras to your.

0:31:02.920 --> 0:31:05.400
<v Speaker 2>Chosen profession, but I get it.

0:31:05.800 --> 0:31:08.680
<v Speaker 3>He was also an opera student, which maybe has a layer,

0:31:08.920 --> 0:31:11.400
<v Speaker 3>but also Craig, I mean, it's just the facts of life.

0:31:11.400 --> 0:31:13.400
<v Speaker 3>It's working, you afford to live, but go ahead.

0:31:13.600 --> 0:31:22.560
<v Speaker 1>Yeah. In the nineteen eighties, I lived in the Lower

0:31:22.600 --> 0:31:24.960
<v Speaker 1>East Side and there was a lad, a lady, a

0:31:25.000 --> 0:31:27.560
<v Speaker 1>woman that we all knew in the neighborhood, and she

0:31:27.760 --> 0:31:33.160
<v Speaker 1>was also an opera singer, but she wasn't she wasn't

0:31:33.320 --> 0:31:35.280
<v Speaker 1>very well known, and she was young, and she started

0:31:35.280 --> 0:31:38.040
<v Speaker 1>her career. So she worked in a restaurant. She was

0:31:38.080 --> 0:31:40.400
<v Speaker 1>a waitress in a restaurant. She worked at a table

0:31:40.400 --> 0:31:42.680
<v Speaker 1>at a restaurant, and on the way home every night,

0:31:42.760 --> 0:31:43.840
<v Speaker 1>she used to sing.

0:31:43.600 --> 0:31:45.080
<v Speaker 2>These areas really loud.

0:31:45.120 --> 0:31:47.760
<v Speaker 1>We used to hear her walking down the neighborhood because

0:31:47.920 --> 0:31:51.360
<v Speaker 1>if ever the music stopped, ifever she stopped singing, people

0:31:51.360 --> 0:31:53.239
<v Speaker 1>would look out on the fire escapes to see what

0:31:53.320 --> 0:31:55.080
<v Speaker 1>was going on. So it was kind of a way

0:31:55.120 --> 0:31:58.080
<v Speaker 1>of protecting herself as she was walking home that she

0:31:58.120 --> 0:32:01.280
<v Speaker 1>would sing this beautiful music into the neighborhood and we

0:32:01.280 --> 0:32:04.000
<v Speaker 1>would all hear going home. And if she stopped saying, someone, go, hey,

0:32:04.040 --> 0:32:05.040
<v Speaker 1>what's going on down here?

0:32:05.160 --> 0:32:05.800
<v Speaker 3>Get the music?

0:32:05.840 --> 0:32:07.960
<v Speaker 2>Bat, they would you know, it would come back up again,

0:32:08.280 --> 0:32:08.800
<v Speaker 2>no kidding.

0:32:08.840 --> 0:32:09.800
<v Speaker 3>That was in New York.

0:32:10.160 --> 0:32:15.720
<v Speaker 1>Yeah, it was on Eleventh Street on First Avenue, right

0:32:15.800 --> 0:32:19.040
<v Speaker 1>down like you know where Veneera's Bakery is down there,

0:32:20.040 --> 0:32:20.400
<v Speaker 1>right there?

0:32:20.600 --> 0:32:22.080
<v Speaker 3>Yeah, yeah, right there.

0:32:22.520 --> 0:32:24.640
<v Speaker 2>I used to live above that bakery technique.

0:32:24.960 --> 0:32:28.400
<v Speaker 3>Yeah, I thought it was very clever. Oh yeah, yeah,

0:32:28.520 --> 0:32:32.160
<v Speaker 3>I still love that bakery. I still love it. Well,

0:32:32.160 --> 0:32:35.400
<v Speaker 3>I'm glad you come back here. Are just are you still?

0:32:35.520 --> 0:32:38.560
<v Speaker 3>Oh no, you're on your freeze side? But do they deliver?

0:32:40.040 --> 0:32:42.560
<v Speaker 1>I'm sure they would for a price. But I don't

0:32:42.600 --> 0:32:46.600
<v Speaker 1>mind getting on the subway and going downtown. I because

0:32:46.600 --> 0:32:48.760
<v Speaker 1>first of all, you can get right past Midtown by

0:32:48.800 --> 0:32:51.080
<v Speaker 1>just staying on the train, so you know, you get

0:32:51.160 --> 0:32:53.440
<v Speaker 1>on the eighty sixth Street and then you mess it

0:32:53.480 --> 0:32:55.840
<v Speaker 1>all out and now you're in Union Square and everything's fine.

0:32:56.960 --> 0:33:00.120
<v Speaker 1>And the other thing is, like you talked about New

0:33:00.200 --> 0:33:02.760
<v Speaker 1>York and they like this. People complain about the subway

0:33:02.760 --> 0:33:05.320
<v Speaker 1>in New York. Now I'm like you guys, have no idea.

0:33:05.680 --> 0:33:09.840
<v Speaker 1>This thing is plaicial now. Used to the subway used

0:33:09.880 --> 0:33:13.040
<v Speaker 1>to be so awful, and now it's like, this is.

0:33:13.040 --> 0:33:15.200
<v Speaker 3>Actually pretty nice. It's all right.

0:33:15.280 --> 0:33:19.080
<v Speaker 2>It goes everywhere very I don't see much trouble.

0:33:19.120 --> 0:33:21.520
<v Speaker 1>It's kind of clean ash.

0:33:21.560 --> 0:33:26.920
<v Speaker 3>It's not bad. That's fine. We used to live in Queensland.

0:33:26.920 --> 0:33:29.040
<v Speaker 3>I was growing up for Harlem and we were on

0:33:29.080 --> 0:33:32.240
<v Speaker 3>the Vomit Comet was what they called the all like that,

0:33:32.320 --> 0:33:34.400
<v Speaker 3>and that was where they had the first subway. Fires

0:33:34.520 --> 0:33:37.280
<v Speaker 3>was our stop, the Halsey Street station. But you know,

0:33:37.800 --> 0:33:40.720
<v Speaker 3>if you're in near eighty sixth I saw Rita Moreno

0:33:41.080 --> 0:33:43.400
<v Speaker 3>do a book talk there at the Barnes and Noble

0:33:44.040 --> 0:33:48.160
<v Speaker 3>and afterwards, yeah, boy, but I messed up with Rita.

0:33:48.440 --> 0:33:50.320
<v Speaker 3>I said, because i'd met her because I did another

0:33:50.440 --> 0:33:54.520
<v Speaker 3>off broad ray show. And I said, oh, after all that,

0:33:54.560 --> 0:33:57.280
<v Speaker 3>I said, you must be tired. She think she was

0:33:57.280 --> 0:34:00.720
<v Speaker 3>in her eighties. She gave me such a look. Oh

0:34:00.760 --> 0:34:03.760
<v Speaker 3>you shouldn't say that. Don't mess with the riata.

0:34:04.440 --> 0:34:09.319
<v Speaker 1>You know, it's funny when you meet especially and this

0:34:09.440 --> 0:34:11.640
<v Speaker 1>must have happened you quite a lot. But when you

0:34:11.680 --> 0:34:14.240
<v Speaker 1>start doing well and people start listening to your stuff,

0:34:14.239 --> 0:34:17.200
<v Speaker 1>you start to meet people that you've vitalized, and it

0:34:17.239 --> 0:34:21.960
<v Speaker 1>can be kind of awkward. It's an odd dynamic to

0:34:22.040 --> 0:34:22.840
<v Speaker 1>be put into.

0:34:22.920 --> 0:34:23.520
<v Speaker 3>Do you remember the.

0:34:24.160 --> 0:34:26.600
<v Speaker 2>First of your heroes that you ever actually met or

0:34:26.640 --> 0:34:27.600
<v Speaker 2>that you worked with?

0:34:28.000 --> 0:34:30.879
<v Speaker 3>Oh? Gee, I don't know even the first, but well,

0:34:30.920 --> 0:34:35.400
<v Speaker 3>Phil Woods used to teach me. He's a wonderful saxophone player, legend,

0:34:35.880 --> 0:34:38.680
<v Speaker 3>and he always said you talked too much about music.

0:34:39.680 --> 0:34:44.080
<v Speaker 3>But then I remember David Byrne. I think the last

0:34:44.080 --> 0:34:47.719
<v Speaker 3>time I saw, one of the last times, I kind

0:34:47.719 --> 0:34:49.640
<v Speaker 3>of locked him in the dressing room because I didn't

0:34:49.640 --> 0:34:53.040
<v Speaker 3>want to let him go, and I kept saying, Mom,

0:34:53.040 --> 0:34:57.719
<v Speaker 3>can I let David out? But you know, people are

0:34:57.840 --> 0:34:59.840
<v Speaker 3>just people. I think it's better if you don't know

0:35:00.080 --> 0:35:03.160
<v Speaker 3>their work, you know, So I try and I try

0:35:03.200 --> 0:35:05.399
<v Speaker 3>not to look at it and watch anything or listen

0:35:05.440 --> 0:35:05.920
<v Speaker 3>to anything.

0:35:05.960 --> 0:35:08.719
<v Speaker 2>Really, you know, it's funny. I know exactly what you mean.

0:35:08.800 --> 0:35:11.800
<v Speaker 1>I spend no time or a very little time talking

0:35:11.880 --> 0:35:16.520
<v Speaker 1>to comedians or or like if I if I'm if

0:35:16.560 --> 0:35:19.839
<v Speaker 1>I'm talking to a comedian or a writer, it is

0:35:19.920 --> 0:35:24.080
<v Speaker 1>probably that I don't socialize with with people that kind

0:35:24.080 --> 0:35:26.240
<v Speaker 1>of do the same as me. Not very often anyway,

0:35:26.280 --> 0:35:29.279
<v Speaker 1>I can't because especially if I really like what they do,

0:35:29.360 --> 0:35:32.080
<v Speaker 1>I'm like, and I'll just make a fool of myself.

0:35:32.120 --> 0:35:36.080
<v Speaker 1>I'll say something stupid. It's interesting you mentioned David Byrne though,

0:35:36.080 --> 0:35:40.439
<v Speaker 1>because it was this thing that I remember from when

0:35:40.480 --> 0:35:47.360
<v Speaker 1>Talking Heads we're doing I guess the album Fear of Music.

0:35:47.400 --> 0:35:51.400
<v Speaker 1>I think it says an early album and or fairly

0:35:51.440 --> 0:35:55.400
<v Speaker 1>early album. They I found out that David Byrne was

0:35:55.440 --> 0:35:58.280
<v Speaker 1>from Scotland. Did you know that. We were all super

0:35:58.320 --> 0:35:59.520
<v Speaker 1>excited when we found out.

0:35:59.600 --> 0:36:00.000
<v Speaker 3>Yeah.

0:36:00.320 --> 0:36:02.920
<v Speaker 1>Yeah, I was like, David Berne is Scottish.

0:36:03.040 --> 0:36:06.719
<v Speaker 2>Like the coolest person on earth is Scotty. I mean,

0:36:06.880 --> 0:36:09.360
<v Speaker 2>like apart from Boy, but you know, boys no longer

0:36:09.360 --> 0:36:11.920
<v Speaker 2>with us. So it is in vit David burn now

0:36:13.160 --> 0:36:14.440
<v Speaker 2>and he's from Scotland.

0:36:14.960 --> 0:36:17.919
<v Speaker 3>I hardly believe it. But I've never met him. I've

0:36:17.920 --> 0:36:18.600
<v Speaker 3>never he was.

0:36:19.560 --> 0:36:23.000
<v Speaker 1>He's another guy that I kind of thought, like, especially

0:36:23.080 --> 0:36:25.400
<v Speaker 1>when I was doing Late Night and I'd be like, no,

0:36:25.520 --> 0:36:28.799
<v Speaker 1>I don't want to invite people on that I really like.

0:36:28.880 --> 0:36:31.680
<v Speaker 1>I idolize too often. I mean it did happen. There

0:36:31.719 --> 0:36:33.640
<v Speaker 1>were you know, people on that I did adlize, but

0:36:34.360 --> 0:36:36.320
<v Speaker 1>Boy was one of David Burne was another. I was like,

0:36:36.360 --> 0:36:38.160
<v Speaker 1>don't ask them, just in case they say.

0:36:38.040 --> 0:36:41.839
<v Speaker 3>Yes, no, really you didn't go for it.

0:36:43.520 --> 0:36:47.719
<v Speaker 6>No, no, Craig, Maybe maybe now would be okay, maybe

0:36:47.719 --> 0:36:50.239
<v Speaker 6>now would be a little different, because I notice when

0:36:50.320 --> 0:36:54.120
<v Speaker 6>you get older, it kind of it doesn't stop you

0:36:54.280 --> 0:36:57.480
<v Speaker 6>enjoying people's work or really appreciating it.

0:36:58.080 --> 0:37:02.279
<v Speaker 1>But the idea of being intimidated by people like that,

0:37:02.400 --> 0:37:03.840
<v Speaker 1>it doesn't do the same to me.

0:37:03.920 --> 0:37:06.000
<v Speaker 2>Does it still have that effect on you? If you

0:37:06.000 --> 0:37:07.560
<v Speaker 2>meet a giant in your field.

0:37:07.560 --> 0:37:09.560
<v Speaker 3>Well, you just want to have something to say. What

0:37:09.560 --> 0:37:11.799
<v Speaker 3>do you say that hasn't been said before? You know,

0:37:11.920 --> 0:37:15.319
<v Speaker 3>I know you know that that that's it. You want

0:37:15.320 --> 0:37:17.839
<v Speaker 3>to work with them, you know. And I'm sure you

0:37:17.880 --> 0:37:21.000
<v Speaker 3>have so many ideas I didn't have, but I'll put

0:37:21.040 --> 0:37:24.000
<v Speaker 3>it up. But my mug that says tomorrow is just

0:37:24.000 --> 0:37:28.840
<v Speaker 3>a future yesterday, which always wigs me. You can't be

0:37:28.880 --> 0:37:32.960
<v Speaker 3>saying that the stoners man, you know, but it's right

0:37:33.000 --> 0:37:36.160
<v Speaker 3>there in my cabinet. Every morning is ah, you know,

0:37:36.200 --> 0:37:38.240
<v Speaker 3>like the monks say they wake up in the morning,

0:37:38.880 --> 0:37:41.200
<v Speaker 3>Buddhist monks, and the first thing you're supposed to think

0:37:41.239 --> 0:37:44.080
<v Speaker 3>about is death, because that's supposed to kind of orient

0:37:44.200 --> 0:37:48.920
<v Speaker 3>your priorities for the day. I don't know. I don't know,

0:37:49.040 --> 0:37:52.520
<v Speaker 3>but but you know, now you should? You should? Why

0:37:52.560 --> 0:37:55.239
<v Speaker 3>not write songs for David or you guys could do

0:37:55.280 --> 0:37:58.680
<v Speaker 3>it with just one song together? And you know, I

0:37:58.719 --> 0:38:02.120
<v Speaker 3>mean he has a hue huge library in his studio

0:38:02.239 --> 0:38:05.200
<v Speaker 3>and he has he climbs a staircase to get to it,

0:38:05.480 --> 0:38:07.560
<v Speaker 3>and he brought me down a lot of music. I

0:38:07.640 --> 0:38:10.680
<v Speaker 3>was very sweet of him, which I've never returned because

0:38:10.719 --> 0:38:13.520
<v Speaker 3>how could you It has his initials in it. I

0:38:13.520 --> 0:38:17.719
<v Speaker 3>don't want to give that back. Written music like manuscripts. No,

0:38:17.800 --> 0:38:23.120
<v Speaker 3>it's more like obscure Argentine, Tinian orchestras. It has dB

0:38:24.680 --> 0:38:26.080
<v Speaker 3>you know, I mean, look at how he dressed. He

0:38:26.080 --> 0:38:27.319
<v Speaker 3>seems quite meticulous.

0:38:27.360 --> 0:38:27.560
<v Speaker 5>You know.

0:38:27.800 --> 0:38:31.839
<v Speaker 3>Oh yeah, yeah, he's a Taurus. You're both Tauruses.

0:38:32.480 --> 0:38:34.719
<v Speaker 1>I should That's what I should say if I ever

0:38:34.800 --> 0:38:37.560
<v Speaker 1>run into David Barn I'll say, look, this may sound

0:38:37.600 --> 0:38:39.720
<v Speaker 1>a little creepy, David, but I know you're from Scotland

0:38:39.760 --> 0:38:40.960
<v Speaker 1>and we're both Taurusts.

0:38:41.000 --> 0:38:43.560
<v Speaker 2>So why not we'll do a song together and we'll

0:38:43.560 --> 0:38:44.280
<v Speaker 2>see what he says.

0:38:44.440 --> 0:38:46.799
<v Speaker 3>I I don't know, I think it might work out.

0:38:47.080 --> 0:38:48.360
<v Speaker 3>Couldn't you start a feud.

0:38:50.480 --> 0:38:53.520
<v Speaker 1>No, I don't want to have a feud with with

0:38:53.640 --> 0:38:54.560
<v Speaker 1>someone I admired.

0:38:54.640 --> 0:38:56.840
<v Speaker 2>That's a terrible idea.

0:38:57.200 --> 0:38:58.200
<v Speaker 3>Have you got any feud?

0:38:58.239 --> 0:39:00.960
<v Speaker 1>Do you have a celebrity feud going on that I

0:39:00.960 --> 0:39:01.759
<v Speaker 1>don't know about it?

0:39:02.440 --> 0:39:07.240
<v Speaker 3>I suggest I suggested it to Ethan because Neil Pepe,

0:39:07.280 --> 0:39:08.960
<v Speaker 3>our director, he was like, we know we're looking for

0:39:09.040 --> 0:39:10.759
<v Speaker 3>ways to promote I said, why don't we have a

0:39:10.800 --> 0:39:13.680
<v Speaker 3>Twitter feud? And Ethan said, oh, I don't do anything

0:39:13.719 --> 0:39:14.000
<v Speaker 3>like that.

0:39:14.440 --> 0:39:14.919
<v Speaker 2>No fun.

0:39:15.160 --> 0:39:18.359
<v Speaker 3>But he's a Virgo. But another Earth sign. I mean,

0:39:18.400 --> 0:39:20.279
<v Speaker 3>I do think if the end of the world came,

0:39:21.000 --> 0:39:23.359
<v Speaker 3>the last to go should be the Earth science because

0:39:23.400 --> 0:39:27.240
<v Speaker 3>you're very grounded. But Scott against Scott. I mean, that's

0:39:27.360 --> 0:39:30.799
<v Speaker 3>that's great. You should look up your respective clans. Maybe

0:39:30.840 --> 0:39:31.720
<v Speaker 3>there's a whole history.

0:39:31.920 --> 0:39:33.720
<v Speaker 1>I don't think we have to. I think they're burn

0:39:34.000 --> 0:39:36.840
<v Speaker 1>and Ferguson. I think that's it. I feel like the

0:39:38.120 --> 0:39:39.879
<v Speaker 1>look nearly. I don't want to get in the way

0:39:39.920 --> 0:39:42.120
<v Speaker 1>of your masterplot. But this is a terrible idea. I

0:39:42.160 --> 0:39:44.600
<v Speaker 1>really like David Byrne. I don't want to be in

0:39:44.600 --> 0:39:47.400
<v Speaker 1>a celebrity feud with David Byrne. But a lot of

0:39:47.440 --> 0:39:50.200
<v Speaker 1>people would be saying, who is this person that David

0:39:50.200 --> 0:39:51.200
<v Speaker 1>Byrne is in a feud with?

0:39:51.520 --> 0:39:53.080
<v Speaker 2>Everybody don't even know who this guy is.

0:39:53.320 --> 0:39:55.719
<v Speaker 1>And David Burner would be like, get very angry and

0:39:55.760 --> 0:39:56.720
<v Speaker 1>wear this big suit.

0:39:57.000 --> 0:40:00.359
<v Speaker 3>I don't want to do that. Does that great?

0:40:00.400 --> 0:40:05.160
<v Speaker 1>You know the British radio show Desert Island Discs.

0:40:05.200 --> 0:40:06.000
<v Speaker 3>Have you ever heard it?

0:40:06.400 --> 0:40:10.719
<v Speaker 1>No? Oh, it's a great show, Nelly. It's a radio show.

0:40:10.760 --> 0:40:13.080
<v Speaker 1>And what they do is they have it's been going

0:40:13.120 --> 0:40:16.280
<v Speaker 1>on for like sixty or seventy or maybe even more years,

0:40:16.760 --> 0:40:19.880
<v Speaker 1>and it's what it is is a guest comes on

0:40:19.960 --> 0:40:21.880
<v Speaker 1>every week and they can be from any part of

0:40:21.920 --> 0:40:24.960
<v Speaker 1>the world and they choose six songs.

0:40:25.120 --> 0:40:26.920
<v Speaker 2>They call it Desert Island Discs. Like you're on a

0:40:26.920 --> 0:40:27.600
<v Speaker 2>desert island.

0:40:27.760 --> 0:40:30.360
<v Speaker 1>You only have six songs that you can listen to

0:40:30.480 --> 0:40:32.360
<v Speaker 1>for the rest of your life on a gramophone.

0:40:32.360 --> 0:40:33.680
<v Speaker 2>That's how long it's been going on.

0:40:34.320 --> 0:40:37.800
<v Speaker 1>So you get to pick six discs and you also

0:40:37.960 --> 0:40:40.319
<v Speaker 1>get to take you get given the full work of

0:40:40.360 --> 0:40:43.239
<v Speaker 1>Shakespeare and the Bible, but you also get to take

0:40:43.280 --> 0:40:46.279
<v Speaker 1>one luxury item and a book or something like that.

0:40:46.320 --> 0:40:48.400
<v Speaker 2>And they talked and David Byrne was on it. I

0:40:48.440 --> 0:40:51.240
<v Speaker 2>heard David Byrne on it, and he was hilarious.

0:40:52.200 --> 0:40:59.160
<v Speaker 3>Hilarious. It's not what I expected at all. That's what

0:40:59.280 --> 0:41:01.960
<v Speaker 3>his former Ben may say. They say, now he's mister Rogers.

0:41:02.160 --> 0:41:02.760
<v Speaker 3>What the fart?

0:41:02.840 --> 0:41:09.560
<v Speaker 2>Yeah, he's he was, He's so he's a very singular,

0:41:10.040 --> 0:41:10.960
<v Speaker 2>a true musician.

0:41:11.000 --> 0:41:15.080
<v Speaker 1>I think, like you, someone who whose mind thinks in music.

0:41:15.280 --> 0:41:19.560
<v Speaker 1>I mean, not someone who really even learns music as

0:41:19.640 --> 0:41:23.200
<v Speaker 1>much as just that's how their brain works. And I

0:41:23.239 --> 0:41:25.560
<v Speaker 1>think I think you're very similar. I think you processed

0:41:25.560 --> 0:41:28.680
<v Speaker 1>the human experience through music. I think he does the

0:41:28.719 --> 0:41:33.840
<v Speaker 1>same thing. Everything is there, don't you think I wish

0:41:33.840 --> 0:41:35.520
<v Speaker 1>I was. I wish I was like that.

0:41:35.640 --> 0:41:38.120
<v Speaker 3>I mean, before to prep for you, I was listening

0:41:38.200 --> 0:41:41.520
<v Speaker 3>to Noam Chomsky on consumerism.

0:41:42.719 --> 0:41:53.000
<v Speaker 1>Which is a perfect choice, you know, you said earlier

0:41:53.080 --> 0:41:55.279
<v Speaker 1>on the Buddhist monks say that when you wake up,

0:41:55.320 --> 0:41:57.440
<v Speaker 1>the first thing you should do is think about death,

0:41:57.880 --> 0:41:59.360
<v Speaker 1>right as you wake up in the morning.

0:41:59.840 --> 0:42:04.479
<v Speaker 2>I have noticed that the older I get, the more

0:42:04.560 --> 0:42:06.480
<v Speaker 2>I do that. I woke up with a month ago,

0:42:06.760 --> 0:42:09.839
<v Speaker 2>still here, Eh, Okay, what are we going to do now?

0:42:10.680 --> 0:42:14.400
<v Speaker 3>It's not bad, But do you have a positive opinion

0:42:14.520 --> 0:42:16.600
<v Speaker 3>of death? When do you think when do you plan

0:42:16.680 --> 0:42:22.800
<v Speaker 3>to live to I was hoping ninety three. I'm sixty

0:42:22.880 --> 0:42:24.880
<v Speaker 3>three right now. That'll be thirty more years.

0:42:25.400 --> 0:42:28.440
<v Speaker 1>But it depends on how the health goes, you know,

0:42:28.480 --> 0:42:31.839
<v Speaker 1>I don't I don't know. I mean, you know, if

0:42:31.840 --> 0:42:33.760
<v Speaker 1>it's going to be very bad for a long time,

0:42:33.840 --> 0:42:35.719
<v Speaker 1>then but I don't know.

0:42:35.800 --> 0:42:37.520
<v Speaker 2>I think I have a.

0:42:37.760 --> 0:42:41.760
<v Speaker 1>Reasonably positive idea of it. What do you think happens

0:42:42.280 --> 0:42:43.120
<v Speaker 1>after it's all over?

0:42:43.160 --> 0:42:45.920
<v Speaker 2>Do you have any any inclination? Do you think about it?

0:42:46.480 --> 0:42:46.640
<v Speaker 1>Well?

0:42:46.680 --> 0:42:49.719
<v Speaker 3>I think we're naturally and of course this shuts out

0:42:49.760 --> 0:42:52.720
<v Speaker 3>pretty much everything in our culture, but we're naturally supposed

0:42:52.760 --> 0:42:56.000
<v Speaker 3>to live to six times the age of maturation, which

0:42:56.000 --> 0:42:58.719
<v Speaker 3>should be one hundred and twenty because we're basically not

0:42:58.880 --> 0:43:02.920
<v Speaker 3>fully formed until about twenty. But of course, you know,

0:43:03.000 --> 0:43:08.320
<v Speaker 3>there's so many ways that is forced upon us that

0:43:09.320 --> 0:43:11.799
<v Speaker 3>goof that up. But I've lost so many people, and

0:43:11.880 --> 0:43:15.960
<v Speaker 3>good people, the bloomers, for God's sake. You know. It

0:43:16.040 --> 0:43:18.040
<v Speaker 3>used to be when I was playing Nursing Homes Craig,

0:43:18.440 --> 0:43:22.480
<v Speaker 3>everybody wanted Tommy Dorsey. Now everybody wants Nick Jagger. They say,

0:43:22.480 --> 0:43:24.960
<v Speaker 3>who's Tommy Dorsey? So it's going to be everybody wants

0:43:25.040 --> 0:43:28.080
<v Speaker 3>David Byrne, this is not okay. I don't accept this,

0:43:28.239 --> 0:43:30.120
<v Speaker 3>you know, you know, and then it's going to be

0:43:30.160 --> 0:43:34.719
<v Speaker 3>the song song you know? But but then what do

0:43:34.880 --> 0:43:37.600
<v Speaker 3>I hope happens? I do think there's something beyond. I

0:43:37.600 --> 0:43:41.759
<v Speaker 3>think all these serendipities are more than just coincidences. There

0:43:41.800 --> 0:43:43.680
<v Speaker 3>are too many things that pop up. And it's not

0:43:43.760 --> 0:43:46.120
<v Speaker 3>just that the devices are listening to us all the time.

0:43:46.520 --> 0:43:49.160
<v Speaker 3>So whatever we're talking about now, I will then receive

0:43:49.200 --> 0:43:52.839
<v Speaker 3>an ad for afterwards. It's not just that there are

0:43:53.000 --> 0:43:57.040
<v Speaker 3>genuine signs, it seems. And when you listen to people

0:43:57.080 --> 0:44:00.920
<v Speaker 3>who have had near death experiences, you get the sense

0:44:01.040 --> 0:44:03.400
<v Speaker 3>of such peace and they never want to come back.

0:44:03.920 --> 0:44:07.120
<v Speaker 3>And then whatever is happening on the writing table works

0:44:07.400 --> 0:44:09.799
<v Speaker 3>and they come back and they're back to pain, but

0:44:09.840 --> 0:44:13.759
<v Speaker 3>they've had this near death experience and it's beautiful. And

0:44:13.760 --> 0:44:16.120
<v Speaker 3>that's what I hope. I just hope we're reunited and

0:44:16.160 --> 0:44:19.759
<v Speaker 3>there's no more misunderstandings or pain, because who needs that.

0:44:20.120 --> 0:44:22.279
<v Speaker 3>I don't know how it is in your relationship, but

0:44:22.320 --> 0:44:26.400
<v Speaker 3>this whole thing of like, you know, relationships are hard, No,

0:44:26.560 --> 0:44:30.480
<v Speaker 3>screw that, work is hard, life is hard. You want

0:44:30.520 --> 0:44:32.000
<v Speaker 3>to come home at the end of the day and

0:44:32.080 --> 0:44:34.960
<v Speaker 3>just be you know, have a cold one or not

0:44:35.120 --> 0:44:37.040
<v Speaker 3>if you want to live to one twenty and be

0:44:37.160 --> 0:44:39.799
<v Speaker 3>happy that.

0:44:40.160 --> 0:44:42.839
<v Speaker 1>I think you're right. I think that there is such

0:44:42.840 --> 0:44:46.480
<v Speaker 1>an odd thing there was once. I'm going to tell

0:44:46.520 --> 0:44:50.000
<v Speaker 1>you something now, something I did. The piece of writing

0:44:50.160 --> 0:44:53.799
<v Speaker 1>that I am most proud of is a short story

0:44:54.520 --> 0:44:58.680
<v Speaker 1>that I wrote for a collection of stories that my

0:44:59.000 --> 0:45:03.840
<v Speaker 1>friend Larry Block, who's a very good writer, was putting together.

0:45:03.840 --> 0:45:07.000
<v Speaker 1>A collection of stories all based on the paintings of

0:45:07.239 --> 0:45:10.839
<v Speaker 1>Edward Hopper. So a bunch of different people, some really

0:45:10.880 --> 0:45:13.440
<v Speaker 1>clever people like Joyce, Carol Oates.

0:45:13.400 --> 0:45:19.399
<v Speaker 3>Stephen King, you know, Scott Truro. They wrote. Everybody wrote

0:45:19.400 --> 0:45:20.040
<v Speaker 3>a short story.

0:45:20.040 --> 0:45:24.560
<v Speaker 1>And I wrote a short story about a church, and

0:45:24.680 --> 0:45:27.240
<v Speaker 1>I just invented a whole thing about a Hopper painting

0:45:27.239 --> 0:45:30.719
<v Speaker 1>of a church in Massachusetts. And it's the best thing

0:45:30.719 --> 0:45:33.360
<v Speaker 1>I've written because it was about death. It was about

0:45:34.000 --> 0:45:37.320
<v Speaker 1>a man who dies in the space of the short story,

0:45:37.360 --> 0:45:43.240
<v Speaker 1>and I mean, as he's dying, something really weird happens

0:45:43.880 --> 0:45:49.680
<v Speaker 1>and he says is he says to the person that

0:45:49.719 --> 0:45:53.640
<v Speaker 1>turns out it's basically Elvis turns up as he's dying

0:45:53.680 --> 0:45:56.399
<v Speaker 1>and Elvis has been long dead, and Elvis he says

0:45:56.400 --> 0:46:00.800
<v Speaker 1>to Elvis, this is just the entertainment of a dying brain,

0:46:00.880 --> 0:46:03.960
<v Speaker 1>isn't It's just the hallucination of a dying brain. And

0:46:04.040 --> 0:46:08.520
<v Speaker 1>Elvis says, I think you can overthink these things. And

0:46:09.000 --> 0:46:12.520
<v Speaker 1>I think that that is such a I felt very

0:46:12.640 --> 0:46:15.040
<v Speaker 1>comfortable with that, and so that's where I'm going to

0:46:15.120 --> 0:46:18.280
<v Speaker 1>set where it's inevitable.

0:46:18.880 --> 0:46:23.719
<v Speaker 3>So why overthinking it'll happen? But do you feel comfortable

0:46:23.960 --> 0:46:26.520
<v Speaker 3>because you're Craig ferguson the end. Also, you have a

0:46:26.560 --> 0:46:29.680
<v Speaker 3>lovely lady that your things will be taken care of

0:46:29.719 --> 0:46:30.320
<v Speaker 3>in treasured.

0:46:32.040 --> 0:46:36.720
<v Speaker 2>I think that I think I own nothing. I own nothing,

0:46:37.160 --> 0:46:39.239
<v Speaker 2>not even your body. You don't even own that. You

0:46:39.280 --> 0:46:44.240
<v Speaker 2>can't even control that. So I think everything is everything

0:46:44.520 --> 0:46:45.040
<v Speaker 2>is gone.

0:46:45.160 --> 0:46:50.280
<v Speaker 1>And so whatever the lovely paintings or automobiles or anything

0:46:50.280 --> 0:46:54.680
<v Speaker 1>that I own, when when I go they're no longer mine,

0:46:55.000 --> 0:46:55.760
<v Speaker 1>what does it matter?

0:46:56.600 --> 0:46:59.040
<v Speaker 3>I know? But I just I hate whist. But it's

0:46:59.080 --> 0:47:01.239
<v Speaker 3>just interesting because we would talk about David Bryn You

0:47:01.280 --> 0:47:03.040
<v Speaker 3>know his song Heaven Do you agree with you?

0:47:03.200 --> 0:47:06.480
<v Speaker 1>Oh? Yeah, it happened is a place everybody's trying to

0:47:06.520 --> 0:47:12.560
<v Speaker 1>get to the bar. The I used to listen to it,

0:47:14.360 --> 0:47:17.319
<v Speaker 1>and it's funny. I think that life is very is

0:47:17.560 --> 0:47:22.120
<v Speaker 1>very perspective driven through the chronology of it. So if,

0:47:22.200 --> 0:47:24.319
<v Speaker 1>for example, I listened to that song a lot when

0:47:24.360 --> 0:47:26.200
<v Speaker 1>I was a young man, he wrote the song when

0:47:26.239 --> 0:47:29.440
<v Speaker 1>he was a young man, and I thought it was

0:47:29.640 --> 0:47:34.839
<v Speaker 1>funny and irreverent and and kind of almost defiant in

0:47:34.880 --> 0:47:35.440
<v Speaker 1>its stance.

0:47:35.520 --> 0:47:35.839
<v Speaker 3>It was.

0:47:35.920 --> 0:47:38.960
<v Speaker 2>It was, it was a satire almost.

0:47:39.280 --> 0:47:41.879
<v Speaker 1>And now I look at it from the perspective I'm

0:47:41.920 --> 0:47:44.279
<v Speaker 1>much further along the beach, so the island I'm looking

0:47:44.320 --> 0:47:48.319
<v Speaker 1>at looks like a different shape now, and and I

0:47:48.360 --> 0:47:53.640
<v Speaker 1>think that's actually quite a relaxing and cool idea that

0:47:54.600 --> 0:47:58.880
<v Speaker 1>nothing ever happens. There's a I think that it's in

0:47:59.440 --> 0:48:02.640
<v Speaker 1>Jewish tradition and the idea of shield, which is a

0:48:02.680 --> 0:48:05.879
<v Speaker 1>place that the world where everybody goes there after death.

0:48:06.400 --> 0:48:09.680
<v Speaker 1>And it's just kind of not very interesting, let's all

0:48:10.200 --> 0:48:11.120
<v Speaker 1>really say about it.

0:48:11.160 --> 0:48:13.520
<v Speaker 2>I don't know enough. I don't know enough about it.

0:48:13.520 --> 0:48:15.920
<v Speaker 1>It's not like, but it's not lakes of fire and

0:48:15.960 --> 0:48:18.160
<v Speaker 1>people prodden you with steaks around like that. It's just

0:48:18.200 --> 0:48:21.160
<v Speaker 1>like it's just a little boring, all right. It's lovely

0:48:21.200 --> 0:48:24.160
<v Speaker 1>catching up with you I do want to come and see.

0:48:24.760 --> 0:48:26.440
<v Speaker 2>Uh, what's the name of.

0:48:26.360 --> 0:48:30.640
<v Speaker 3>The plagua in love? Love? Love?

0:48:31.000 --> 0:48:36.759
<v Speaker 2>It's love, It's all love. Maybe again, let's love, Let's love, yes,

0:48:37.120 --> 0:48:38.560
<v Speaker 2>which I suspect that maybe.

0:48:38.440 --> 0:48:43.680
<v Speaker 3>Irony in that title. But oh boy, it's very smutty.

0:48:43.880 --> 0:48:46.279
<v Speaker 3>You should know, Craig. I hope you're comfortable with that.

0:48:46.600 --> 0:48:51.120
<v Speaker 1>Yeah, actually remarkably so. That's great. I'm very pleased about that.

0:48:51.840 --> 0:48:53.799
<v Speaker 2>Are you do Are you doing all the music for

0:48:53.880 --> 0:48:54.440
<v Speaker 2>it as well?

0:48:54.920 --> 0:48:56.880
<v Speaker 3>Well? Yes, but some of it I think we'll be

0:48:57.080 --> 0:48:59.480
<v Speaker 3>we will be standards. We're still figuring it out now.

0:49:00.160 --> 0:49:04.440
<v Speaker 3>But you know, have you done Broadway or theater shows?

0:49:04.640 --> 0:49:05.520
<v Speaker 3>I've done a lot of theater.

0:49:05.640 --> 0:49:09.560
<v Speaker 1>I'm done Broadway, but I did the West End in London,

0:49:09.600 --> 0:49:12.800
<v Speaker 1>and I've done you know, different theater shows around the world,

0:49:12.840 --> 0:49:13.719
<v Speaker 1>but not Broadway.

0:49:14.640 --> 0:49:16.120
<v Speaker 2>I imagine it's much the same.

0:49:16.600 --> 0:49:19.120
<v Speaker 3>Isn't it fun to just be you know, I've just

0:49:19.200 --> 0:49:21.080
<v Speaker 3>been part of the machine and not have to do

0:49:21.200 --> 0:49:25.480
<v Speaker 3>the whole motor yourself. Yes, it is. It is that.

0:49:25.520 --> 0:49:27.279
<v Speaker 1>It's one of the things I miss about it is

0:49:27.320 --> 0:49:29.440
<v Speaker 1>that you know, somebody will come over and say no,

0:49:29.520 --> 0:49:31.160
<v Speaker 1>what you have to do is stand over there, say

0:49:31.200 --> 0:49:33.319
<v Speaker 1>that sing that. Do that and run out there as

0:49:33.320 --> 0:49:35.960
<v Speaker 1>fast as you can. Don't mess around, just do that,

0:49:36.239 --> 0:49:37.399
<v Speaker 1>and that's your job for the night.

0:49:38.400 --> 0:49:38.720
<v Speaker 3>Okay.

0:49:39.480 --> 0:49:41.520
<v Speaker 1>And then the best advice I got. There's an old

0:49:41.560 --> 0:49:44.000
<v Speaker 1>time performer when I was a young performer, he said,

0:49:44.120 --> 0:49:46.560
<v Speaker 1>when you he said, when you get on stage, lift

0:49:46.600 --> 0:49:48.719
<v Speaker 1>your head up, lift your head up and look up

0:49:48.719 --> 0:49:51.520
<v Speaker 1>because the people at the back have paid as well.

0:49:51.920 --> 0:49:54.120
<v Speaker 1>Eyes and teeth all the way in the back of

0:49:54.160 --> 0:49:54.480
<v Speaker 1>the room.

0:49:54.920 --> 0:50:00.520
<v Speaker 3>I love that, wonderful eyes and teeth as well. And

0:50:00.920 --> 0:50:02.400
<v Speaker 3>but do you know Jim Dale?

0:50:03.520 --> 0:50:06.160
<v Speaker 1>Yes, I mean I don't know him, but yes, I'm

0:50:06.239 --> 0:50:08.800
<v Speaker 1>very aware of his amazing career.

0:50:09.320 --> 0:50:11.200
<v Speaker 3>Yeah, it was fun doing it. He could still do

0:50:11.280 --> 0:50:13.279
<v Speaker 3>high kicks in his seventies. When we did throw me

0:50:13.360 --> 0:50:18.799
<v Speaker 3>off for together. Did you know Alan Rickman? I did.

0:50:18.840 --> 0:50:20.799
<v Speaker 2>I knew him a little bit, a little bit, did

0:50:20.800 --> 0:50:21.600
<v Speaker 2>you what was was.

0:50:21.600 --> 0:50:24.120
<v Speaker 3>He onru open? Did he do it? No? But he

0:50:24.160 --> 0:50:26.600
<v Speaker 3>went to school with my mother and he was always

0:50:26.680 --> 0:50:29.960
<v Speaker 3>organizing things. Yeah, for their final test, he sang a

0:50:30.000 --> 0:50:33.319
<v Speaker 3>thousand clowns. Wait a minute, no, not what he send

0:50:33.400 --> 0:50:37.960
<v Speaker 3>in the clowns and then they they they were They

0:50:38.000 --> 0:50:41.400
<v Speaker 3>were extras on the film A Lucky Man so you

0:50:41.440 --> 0:50:42.880
<v Speaker 3>can see them at the end dancing.

0:50:43.680 --> 0:50:45.959
<v Speaker 2>Oh my god, boy Alan Rickman and your mom.

0:50:46.400 --> 0:50:49.399
<v Speaker 3>Yes, yes, he was. You know. Then when I got

0:50:49.400 --> 0:50:51.640
<v Speaker 3>a record contract, I think it kind of messed him up.

0:50:51.840 --> 0:50:54.399
<v Speaker 3>We started calling him uncle Al and he would say,

0:50:54.480 --> 0:51:02.439
<v Speaker 3>my name is Allen and my name your uncle. All Right,

0:51:03.400 --> 0:51:04.240
<v Speaker 3>we gotta go.

0:51:04.239 --> 0:51:09.680
<v Speaker 1>Good luck with let's love, and I will come and

0:51:09.719 --> 0:51:12.520
<v Speaker 1>see it, particularly if it's smutty and it's downtown. That's

0:51:12.560 --> 0:51:16.480
<v Speaker 1>these are two things that I might to. Okay, so

0:51:17.600 --> 0:51:20.600
<v Speaker 1>take care of yourself. No hitch hiking around New York please,

0:51:23.200 --> 0:51:26.960
<v Speaker 1>and I captain. Yeah, all right, good, I'll tell you so.

0:51:27.200 --> 0:51:28.600
<v Speaker 1>Bye bye, Nelly Bi Graig