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Speaker 1: Are you leaving? I you wanna way back home? Either way,

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Speaker 1: we want to be there. Doesn't matter how much baggage

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Speaker 1: you claim and give us time and a terminal and gay.

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Speaker 1: We want to send you off InStyle. We wanna welcome

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Speaker 1: you back home. Tell us all about it. We scared her?

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Speaker 1: Was it fine? Malborn?

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Speaker 2: Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need to ride?

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Speaker 2: Ride with Karen and Chris welcome to Do you need

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Speaker 2: a ride? This is Chris.

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Speaker 1: Fairbanks and this is Karen Kilgarriff.

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Speaker 2: Karen Kilgarriff.

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Speaker 3: I don't know if you noticed, but I cut off

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Speaker 3: my cartoonish hair.

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Speaker 1: You know what's funny? I should have noticed, and I

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Speaker 1: actually didn't.

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Speaker 3: Well, it's still got. It's just I'm not gonna hear anymore.

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Speaker 3: Carrot top side show. Bob comments, you've shaped it, you

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Speaker 3: sculpted it? It is, Yes, it's more rounded and more

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Speaker 3: like a nineteen eighty eight dad.

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Speaker 1: Cool.

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Speaker 2: Yeah, and is that what you asked for?

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Speaker 3: I already yes, I brought in pictures of different dads

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Speaker 3: from television.

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Speaker 2: Nice and the guy obliged.

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Speaker 3: But I've yeah, I can already tell people are treating

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Speaker 3: me with respect and no one's going to pick any

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Speaker 3: fights with me.

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Speaker 2: Me hippie at a laundromat.

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Speaker 3: That was kind of a sketchy situation. But yeah, I

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Speaker 3: just wanted you to know because I don't know if

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Speaker 3: you were a big fan of my cartoon clown hair.

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Speaker 1: I didn't. Now that it's gone, I can say I

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Speaker 1: did not like it, because can I say why?

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Speaker 2: Yes?

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Speaker 1: First of all, because we're friends and I'm honest.

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Speaker 4: With you, Yes, please.

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Speaker 1: The ends, first of all, look like you were doing

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Speaker 1: joke hare. So anytime people do presentational stuff with their

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Speaker 1: person I just go like, take it easy. But you're

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Speaker 1: not the type to do that. But it looked like

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Speaker 1: you were doing it. Then I was like, hey, especially quarantine. Yeah,

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Speaker 1: he can do what he wants.

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Speaker 3: When I was on stage, that's when it dawned on me,

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Speaker 3: Oh my god, I have comedic hair. Yes, walking around

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Speaker 3: during this pandemic, I didn't have comedy. I needed some

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Speaker 3: kind of an outlet. It might as well be my hair.

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Speaker 3: But you said the ends, the actual split ends, you

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Speaker 3: weren't a fan of it.

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Speaker 1: Seems like I don't know if there was split I

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Speaker 1: never got to be that close to you, but it

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Speaker 1: had a flyaway like a kind of presentation. And you're right,

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Speaker 1: I think when you're on stage and you're doing like

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Speaker 1: funny stuff with your presence, I don't know what your image.

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Speaker 2: My physical my pratfalls and all that.

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Speaker 1: Yeah, there's nothing to play again. Suddenly it's like, look

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Speaker 1: the clown is here.

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Speaker 2: Yeah, you know what I mean.

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Speaker 1: So then it's like, right, Hong Kong, get on with it.

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Speaker 1: Whereas when you come on and you have you know,

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Speaker 1: sometimes when you like gel your hair down and you

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Speaker 1: kind of look like you're from the twenties, then people

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Speaker 1: are like, oh, look at this dapper gentleman and boom,

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Speaker 1: here come the hard jokes. Yeah, they don't see it coming. Yeah,

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Speaker 1: it's a total shock.

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Speaker 2: You're right.

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Speaker 3: There has to be that contrast because my material certainly

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Speaker 3: isn't dapper or gentlemanly. Rite I really pushed the envelope.

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Speaker 3: Speaking of envelope pushing and physical comedy.

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Speaker 2: You know, our guests today from Karen doesn't He.

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Speaker 1: Does clubs and colleges all over the country.

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Speaker 3: Comedy clubs and colleges, right, both numerous colleges. He actually

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Speaker 3: and I wanted to talk to him about it. He

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Speaker 3: made the funniest video. I don't think that he's celebrated

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Speaker 3: enough for his physical comedy, but we'll talk to him

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Speaker 3: about it. Everyone think, hey, Manoir, Hey.

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Speaker 4: Thank you, thank you, thank you for having me. I

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Speaker 4: didn't know I do so many colleges. I'm learning about

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Speaker 4: my career.

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Speaker 3: Yeah, we say that, and I think we have yet

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Speaker 3: to have a comic that's done to college in the

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Speaker 3: last ten years.

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Speaker 1: But it really goes. It's all the k sounds in

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Speaker 1: the intro. Yeah, it makes it seem like you're doing

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Speaker 1: things people don't even know sure are possible, right and everywhere, Yeah, everywhere.

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Speaker 4: I love that. That's such a boiler plate intro. When

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Speaker 4: you bring up another comic, it's like this next guy.

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Speaker 4: Clubs and colleges all over, Like people are impressed just

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Speaker 4: by the sheer quantity. Me too, all over both Wow,

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Speaker 4: clubs and colleges.

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Speaker 3: But to us that is impressive because I only go

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Speaker 3: to two colleges. I have an ability with bringing up

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Speaker 3: something I found online or saw once that the comic

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Speaker 3: is not at all out of But I have a

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Speaker 3: feeling you are proud of yours.

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Speaker 4: Well. I like that. I like the deep dive b

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Speaker 4: side more than something everyone has seen. Yeah, because there's

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Speaker 4: like a deeper level of appreciation and understanding. So when

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Speaker 4: it's the thing no one else points to, I love that.

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Speaker 2: Well now I hope no one has.

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Speaker 3: I mean it was sort of recent, maybe two years ago,

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Speaker 3: but you did a self tape audition for the Invisible

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Speaker 3: Man movie. And I don't know if you've seen it, Karen,

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Speaker 3: but he just I mean it's he's basically so you're

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Speaker 3: the Invisible Man, huh, and.

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Speaker 2: Then he just beats himself up.

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Speaker 3: But your ability to throw a punch and have it

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Speaker 3: seem like an invisible person is holding your arm up

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Speaker 3: and then making you hit your own self in the balls.

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Speaker 2: I watched that over and over.

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Speaker 3: You're not even saying much in it, but your physical

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Speaker 3: ability is unprecedented.

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Speaker 4: That's deeply appreciated. Like that that was one take, believe

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Speaker 4: it or not? Really one take? Yeah, And what's absurd

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Speaker 4: is like that Instagram video made it into the Comedy

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Speaker 4: Store documentary on Showtime. I'm like watching it and I'm like,

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Speaker 4: that's what you picked from me? Just an Instagram video

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Speaker 4: I made during quarantine.

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Speaker 3: Here's something you may not have known. I edited that

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Speaker 3: Comedy Central documentary.

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Speaker 4: Ah, that's why you put it in there. You have

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Speaker 4: a soft spot. Okay, Okay, I am the biggest fan.

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Speaker 4: Now it makes sense.

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Speaker 3: You're an Invisible Man self tape.

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Speaker 4: I mean, I just remember I was watching that movie

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Speaker 4: with this girl I was dating at the time, and

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Speaker 4: we're watching the it's it's a drama, The Invisible Man,

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Speaker 4: you know, the reboot with uh yeah, is it Elizabeth

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Speaker 4: moss Yep. Yeah. So but then that scene happens in there,

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Speaker 4: like I pretty much it's almost like I'm just making

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Speaker 4: fun of that scene, Like I just bust out laughing

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Speaker 4: in the middle of this drama, and I'm like, thank God,

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Speaker 4: Like I'm watching this during Quarantine because I would have

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Speaker 4: to leave the movie theater. I was laughing so hard.

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Speaker 3: Yeah, the only one laughing because you saw a lot

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Speaker 3: of your moves.

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Speaker 4: Yeah, because it's supposed to be terrifying.

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Speaker 1: I saw it in the theater and I had the

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Speaker 1: same reaction where I really loved the house that it

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Speaker 1: started in or she went to where I was like,

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Speaker 1: this is an amazing architecture or whatever, but I'm like,

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Speaker 1: that's not the point of this. And then my friend

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Speaker 1: was like raving about it, and I was like, so

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Speaker 1: you love it when people look around? Because that was

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Speaker 1: the entire movie was just her like looking like really

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Speaker 1: dramatically looking around a room. It's like that. It was

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Speaker 1: truly like thirty solid minutes if you edited just those

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Speaker 1: parts together where she's like, he's there but she can't see.

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Speaker 4: Yes, he's in business.

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Speaker 3: The search the movie should have been as long as

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Speaker 3: Fame's video. What I don't like about that film if

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Speaker 3: we're going to keep talking about and we are, this

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Speaker 3: whole podcast is about The Invisible Man.

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Speaker 2: I hope you're ready.

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Speaker 1: Every single hard pivot, it's.

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Speaker 3: Just another movie where everyone she knows that she trusts,

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Speaker 3: like her closest friend, no one believes her her own sister.

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Speaker 3: And it gets so frustrating when that is the because

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Speaker 3: of course Sarat gonna believe her, but that's the whole movie.

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Speaker 4: No one believes her, and it's like, ah, but I

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Speaker 4: watched the whole thing, Well, yeah, someone believes her. The

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Speaker 4: movie's over, right.

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Speaker 2: I suppose that would throw a wrench in it.

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Speaker 4: The lesson is believe all women. I think from Invisible Man,

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Speaker 4: that is the takeaway.

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Speaker 3: A lot of people don't see it coming, but it's

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Speaker 3: a very, very arguably the most important film of this decade,

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Speaker 3: I'm going to say.

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Speaker 1: And of the women's movement, yeah, I think, And that's

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Speaker 1: very few women actually saw that movie and it's doing

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Speaker 1: a lot of work on their behalf, So we got

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Speaker 1: to get the word out.

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Speaker 3: It probably is in the women's movement category. On Netflix.

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Speaker 3: Everyone they have these categories sometimes like black Lives, and

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Speaker 3: they'll just have the most They should be ashamed at

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Speaker 3: some of the are you listening Netflix? I always like

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Speaker 3: to build good relationships with people that could make or

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Speaker 3: break my career.

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Speaker 2: What am I doing?

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Speaker 4: I like when they change the thumbnail on me, like

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Speaker 4: now I'm going to watch it, Like okay, I like

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Speaker 4: this thumbnail.

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Speaker 3: What if you see an actual scene from the movie

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Speaker 3: and not a the poster.

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Speaker 1: I like the auto play of a scene from the

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Speaker 1: movie starts and I have a reaction. I think this

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Speaker 1: is also being stuck in a house for a year

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Speaker 1: and a half. But it's almost like if it's something

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Speaker 1: I don't want to watch or I'm not interested in,

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Speaker 1: if the auto play starts, I rush to like flip forward,

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Speaker 1: where it's like it's fine if you hear part of

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Speaker 1: a movie you're not going to watch, Like I have

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Speaker 1: some very strange reaction, like if it starts, I'm gonna

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Speaker 1: have to watch it, and then then where will I be.

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Speaker 4: I have the same anxiety when it auto plays. I

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Speaker 4: don't like it. I have to get it off of it.

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Speaker 2: Yep, I agree, it's a bad choice.

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Speaker 3: Plus I click on the movie sometimes because I want

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Speaker 3: to see the end of that scene and then you're disappointed,

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Speaker 3: like the start of the whole movie.

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Speaker 2: I don't have time for that.

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Speaker 3: I just wanted to see how that argument ended and

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Speaker 3: Act three.

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Speaker 4: Yeah, I thought I was the only one freaked out

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Speaker 4: with the AutoPlay. It's sort of too much pressure. Yeah,

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Speaker 4: it's sort of like clicking on a sponsored ad. I

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Speaker 4: feel so bad. I feel like I set myself back,

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Speaker 4: like all the good will I've been like avoiding all

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Speaker 4: these commercials, but then when I accidentally click on a

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Speaker 4: banner ad that pops up, you know how, like a

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Speaker 4: little a web page, and then it kind of shifts

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Speaker 4: to the left a bit, and they're like, ah, fuck,

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Speaker 4: you got me. And I accidentally clicked on a banner post.

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Speaker 4: Then I feel like I'm gonna get a bunch more

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Speaker 4: of those. And that's what it feels like with the AutoPlay, Yeah.

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Speaker 3: Yeah, you just end up accidentally watching Marge, Sampson and

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Speaker 3: Homer in some sexual situation.

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Speaker 1: Yeah, or like on Netflix, the algorithm might think you

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Speaker 1: like that because you somehow were interacting with it. I

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Speaker 1: think it's that I'm always so embarrassed when I see

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Speaker 1: things I've been watching where it's like, oh, I wouldn't

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Speaker 1: want people to come in and be like, are you really?

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Speaker 1: Are you an alien theorist? Like what's happening here that

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Speaker 1: you're well?

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Speaker 4: You know what's even more intimate than that is when

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Speaker 4: your YouTube page comes up, because that gets way more

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Speaker 4: niche like, Netflix is kind of a little window into

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Speaker 4: what you want, and you're not going to be that.

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Speaker 4: You might be a little embarrassed, but if someone sees

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Speaker 4: your YouTube splash page, that's like a diary.

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Speaker 3: Yeah really is that someone would think I work on

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Speaker 3: Honda chords for because that's all I've looked on YouTube

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Speaker 3: is how to put on hubcaps and headlights.

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Speaker 1: I look at a lot of these days. I think

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Speaker 1: I look a lot of at a lot of people

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Speaker 1: reading tarot cards based on your sign, which is not

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Speaker 1: necessarily something I like it. I think it's kind of interesting.

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Speaker 1: But it's not like you would think I lived my

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Speaker 1: life by these readings because there are so many of

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Speaker 1: them on there, because I'll just kind of let them

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Speaker 1: play through or like. But then when those automatic ads

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Speaker 1: come up, I always notice how mad I get. You know,

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Speaker 1: you have to wait five seconds, yeah before, and then

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Speaker 1: you can click then you can skip it. There's one

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Speaker 1: lady that's at the beginning of one ad. I don't

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Speaker 1: even know what it's for. When she starts talking, it's like,

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Speaker 1: I fucking hate this lady, and it's like, you don't,

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Speaker 1: you don't. It's fine, like you get to click off.

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Speaker 1: It's only five seconds, but she's my enemy for sure.

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Speaker 4: I get it. My pep peeve is like when you're

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Speaker 4: watching maybe an hour long video on YouTube and you

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Speaker 4: hit pause and then you leave the house and you

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Speaker 4: come back to it later that night and you hit

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Speaker 4: play and they play ads, and I'm like, you don't

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Speaker 4: get to do that, Okay, I wasn't at an AD point.

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Speaker 4: You just know that I left the house for a

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Speaker 4: couple hours and you're trying to stuff some ads. I

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Speaker 4: hit back. I don't let them have the satisfaction.

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Speaker 3: I watch a new video, we just thought maybe you

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Speaker 3: were at the store that whole time and you maybe

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Speaker 3: forgot to purchase.

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Speaker 4: Yeah, you don't get to squeeze in new ads because

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Speaker 4: I hit pause.

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Speaker 1: Last year I bought the Always Pan. Have you ever

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Speaker 1: seen the ad for the always Pan?

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Speaker 4: No? Wait, what is it? How is it?

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Speaker 1: It's like, well, first of all, the lady pronounces it

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Speaker 1: the always Pond, and so I was watching it and

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Speaker 1: just laughing at first, but then the longer I watched

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Speaker 1: the video, it was like the perfect skillet. Basically, it's like.

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Speaker 2: It's codd you can always use it, yes.

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Speaker 1: And there's like a steam basket in it, and there's

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Speaker 1: all these ways to use it Always Pan. And I

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Speaker 1: ended up buying one for my sister and my cousin

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Speaker 1: Kim for Christmas. And I was just like, oh, this

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Speaker 1: is this is I'm the dream person right now that

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Speaker 1: like stumbled upon, watched the whole ad and then bought

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Speaker 1: several of the products, Like how often does that happen?

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Speaker 4: Right? That's the jackpot? So you love the Pan? Huh?

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Speaker 1: I love it. I actually really do love the always Pond?

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Speaker 2: But do you always every day? Ah comedy? Have you

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Speaker 2: ever bought anything like that online? Fame. Have you just

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Speaker 2: like impulse infomercial purchase.

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Speaker 4: Not the not like infomercial, but like I did get

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Speaker 4: on the cast iron skillet kick for a bit, and

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Speaker 4: I was watching a lot of YouTube videos on that,

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Speaker 4: like how to what's it called? This called something your pants? Yes,

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Speaker 4: he's in your pan? All that? How to clean the pan?

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Speaker 4: So that, And then I was on an air frier

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Speaker 4: kick for a while. I bought people air fryers. Yeah,

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Speaker 4: I was like the Oprah for my podcast they did

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Speaker 4: like I did an airfire giveaway. I was like, I

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Speaker 4: go tell me why you deserve one, and I'll send

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Speaker 4: you one. And then I sent one for like to

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Speaker 4: like two or three people.

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Speaker 1: Nice. Wait, are you a big believer because someone just

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Speaker 1: me an air fire?

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Speaker 4: Oh my god? Yes, okay, I'm a big fan.

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Speaker 1: What's the good?

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Speaker 2: What can you do with this?

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Speaker 1: Yeah?

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Speaker 4: It please? Okay, okay, all right. So there's so many

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Speaker 4: levels as to why it's great. Just on a baseline

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Speaker 4: level reheating food alone, it's worth it for that. It's

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Speaker 4: a time machine. It doesn't taste like something you reheated

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Speaker 4: in the microwave. It like if you put pizza in there.

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Speaker 4: It's like the first time. You got it. So even

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Speaker 4: just for like reheating pizza, let's say, and.

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Speaker 2: I'm already sold you had to do that, But there's more,

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Speaker 2: there's more.

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Speaker 4: There's no way, is my opening argument.

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Speaker 2: Okay, still sitting in the studio audience.

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Speaker 4: Yes, tater tots in seven minutes. I mean, come on,

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Speaker 4: that's too quick. There's no way they're as good as

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Speaker 4: my normal half hour. But they are, and they're crispy

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Speaker 4: and they're perfect.

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Speaker 2: Yeah, and then I clap.

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Speaker 4: Yeah, you can do salmon in it. You can do steak,

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Speaker 4: and well steak. I have a little hybrid method I'll do.

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Speaker 4: I'll start it out in the air fire, but then

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Speaker 4: I'll finish it on the ski. It to like crust it.

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Speaker 3: I notice you're mentioning things that aren't traditionally fried, though,

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Speaker 3: what about everyone's American favorite French fries.

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Speaker 4: Yeah, you could throw that in there. I mean, look,

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Speaker 4: it's not like oil that you're dunking it in. And

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Speaker 4: then frying supposedly is healthier healthy. Yeah, we'll say that it's.

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Speaker 1: Healthier, but it makes you think it's not. It tastes

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Speaker 1: like it isn't.

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Speaker 4: Uh no, it just it does fries well, it does

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Speaker 4: like Mazzarelli sticks, like, oh boy, any of those type

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Speaker 4: of foods are like chicken nuggets, but you could do

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Speaker 4: proper food like salmon, and it's like way shorter time

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Speaker 4: than an oven. I feel like the microwave is for

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Speaker 4: like pasta, and that's it.

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Speaker 3: I use my microwave a lot lately, and I do

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Speaker 3: feel like kind of a loser when I depend on

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Speaker 3: the microwave.

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Speaker 4: It's still good. There's a time and place.

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Speaker 1: Yeah, I mean, but not every day.

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Speaker 2: Not every day.

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Speaker 4: You use it every day I have been, Yeah.

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Speaker 1: And you're cooking in it like I.

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Speaker 3: Actually, you know, I reheat my leftovers and then I

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Speaker 3: you know, I do that probably every other day. So

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Speaker 3: every other day I feel like a loser because of

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Speaker 3: my microwave.

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Speaker 4: Yeah, but you're reheating. That's not as bad.

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Speaker 1: That's what it's for.

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Speaker 3: I've already sold me on the air fire. I'm gonna

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Speaker 3: get one. I'm not gonna wait and sleep on it

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Speaker 3: like I did the Floaby and then you get it

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Speaker 3: twenty years later and it doesn't even work with curly hair.

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Speaker 4: The wait did you do it? I did get a floaby? Yeah,

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Speaker 4: hold on, when did you get it?

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Speaker 2: About ten years ago?

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Speaker 4: It had the it was you remember the Floby man Like,

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Speaker 4: I don't know anyone who's actually purchased one. So this

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Speaker 4: is like a gold mine for me, Like, yeah, it

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Speaker 4: is getting to relive a conversation I never got to have.

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Speaker 3: Yeah, well ask away. I mean you do have to

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Speaker 3: hook it up to a conventional vacuum with a shop bag. Yeah,

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Speaker 3: a shop back. Maybe it would have worked on my hair.

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Speaker 4: Okay, so any vacuum cleaner you attach it?

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Speaker 3: Yeah, yeah, I had an old tired red devil, But

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Speaker 3: if I had had a shop back, I think it

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Speaker 3: probably would have.

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Speaker 4: We just would have ripped it out of your head.

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Speaker 4: If it was a shop.

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Speaker 3: It's just just a bald, bloody patch. Wow, that is short,

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Speaker 3: but yeah, that is. It even has the as scene

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Speaker 3: on TV logo.

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Speaker 1: How many times did you cut your hair with it?

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Speaker 2: One time?

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Speaker 1: Time?

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Speaker 2: Two times?

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Speaker 4: Sorry, just start singing, that's part for the course, for

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Speaker 4: the flow be like, no one's like I've used it

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Speaker 4: eighty seven times. I think, yeah, it's once for the

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Speaker 4: novelty and you go, I can never do this again.

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Speaker 2: Well, it's a lot like my massager that I just got.

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Speaker 3: You really need to not live alone, you think you're

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Speaker 3: gonna just this will be great. I'm gonna cut my

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Speaker 3: hair on my own all day and you kind of

386
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Speaker 3: need someone's help.

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Speaker 4: Yeah, of course, Like what the did it not look

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Speaker 4: great when you did it?

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Speaker 3: Well, I'm not going to hire someone to come over

390
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Speaker 3: and cut I might as well go to a hair

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Speaker 3: couver if I'm involving a second person.

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Speaker 4: But you have like great curls and stuff. I feel like,

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Speaker 4: thank you. Yeah, the curls can like hide a lot

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Speaker 4: of the approximation of a haircut, so you could do

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Speaker 4: it on your own.

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Speaker 3: Yeah, I have before. Yeah, it's just in the back there.

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Speaker 3: There's a bit of a problem if I do if

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Speaker 3: I go.

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Speaker 4: You ever noticed during the pandemic though, because of zoom,

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Speaker 4: like it was almost like those sets when you're in

401
00:18:18,080 --> 00:18:20,480
Speaker 4: a Hollywood lot. You just had to look good from

402
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Speaker 4: like here to hear, and no one knew what a

403
00:18:23,040 --> 00:18:24,960
Speaker 4: wreck it was, you know, they just have like the

404
00:18:24,960 --> 00:18:28,040
Speaker 4: front of a house at like paramount, like that was

405
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Speaker 4: your faith. It was great because you didn't have to

406
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Speaker 4: get ready as long as you normally would, because you

407
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Speaker 4: have to be three dimensionally good looking in the real

408
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Speaker 4: world when there's no pandemic.

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Speaker 2: Yeah, you could do you have to rotate and public.

410
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Speaker 4: Yeah, but when you're on Zoom you're just two dimensional.

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Speaker 4: You're like super Nintendo and like, as long as this

412
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Speaker 4: looks good, your money.

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Speaker 3: Yeah, and then little did they know and back there's

414
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Speaker 3: leave some band aids.

415
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Speaker 4: There's twigs.

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Speaker 2: In your special theme you dance that.

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Speaker 3: I like that bit where you're like all comics dance

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Speaker 3: at the beginning of when they're brought out. What if

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Speaker 3: you kept dancing and behem dances Karen for like I

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Speaker 3: think three minutes. Yeah, first of all, you're a good

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00:19:11,720 --> 00:19:14,200
Speaker 3: Do you ever dance seriously or are you just jokingly

422
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Speaker 3: really good at dancing?

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Speaker 4: You know, it's interesting, like sometimes I will dance seriously,

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Speaker 4: but because because sometimes I'll dance on my Instagram just

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Speaker 4: like because I like a song and it's fun, and

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Speaker 4: you sometimes I think that things could just be entertaining.

427
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Speaker 4: Sometimes we forget his comedians or there's this thought like

428
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Speaker 4: I gotta be biting and the smartest guy in the room.

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Speaker 4: Sometimes things can just be like joyful and entertaining. And

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Speaker 4: so sometimes I'll just post a dance video just because

431
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Speaker 4: I like the song and I like the dance or whatever.

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Speaker 4: But then people because I'm a comedian, like whire is

433
00:19:44,960 --> 00:19:47,920
Speaker 4: it crossed? Thee are like, that's hilarious, and a little

434
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Speaker 4: of me is like heart like, it's not supposed to

435
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Speaker 4: be hilarious. But I'm glad you took something away from it.

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00:19:54,400 --> 00:19:56,119
Speaker 3: The main thing I took away is that at the

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Speaker 3: end of your three minute dance you appear to be

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Speaker 3: not at all out of breath. So then I wondered,

439
00:20:01,280 --> 00:20:04,399
Speaker 3: what other physical Are you a runner? Do you swim

440
00:20:04,440 --> 00:20:06,600
Speaker 3: all day? How the hell were you not breathing?

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00:20:06,680 --> 00:20:08,119
Speaker 1: Do you train? Were you trained?

442
00:20:08,200 --> 00:20:08,640
Speaker 2: Isa?

443
00:20:08,680 --> 00:20:10,639
Speaker 4: That'd be funny if I trained for my special just

444
00:20:10,680 --> 00:20:13,080
Speaker 4: for that three minute dance bit, like I was just

445
00:20:13,160 --> 00:20:16,320
Speaker 4: doing holding my breath underwater and like cycling.

446
00:20:15,960 --> 00:20:19,119
Speaker 1: And Debbie Allen is there, yeah making stuff.

447
00:20:19,240 --> 00:20:22,840
Speaker 4: Yeah, I'm training with whim Hoff for breathing techniques just

448
00:20:22,840 --> 00:20:25,080
Speaker 4: to do this dance bit. No, I mean just like

449
00:20:25,119 --> 00:20:27,800
Speaker 4: regular gym stuff. And it was just like that slice

450
00:20:27,840 --> 00:20:30,240
Speaker 4: that was kind of I don't know, physical, but I

451
00:20:30,280 --> 00:20:32,399
Speaker 4: was okay after it. But if I have two shows

452
00:20:32,400 --> 00:20:33,880
Speaker 4: and you do a weekend somewhere and you do something

453
00:20:33,920 --> 00:20:35,720
Speaker 4: like that, you're pretty sweaty by the second show.

454
00:20:36,520 --> 00:20:38,359
Speaker 1: You can't wear your silk shirt. Are you.

455
00:20:38,440 --> 00:20:39,920
Speaker 4: Yeah, I used to wear silk get the pits. I

456
00:20:39,920 --> 00:20:41,840
Speaker 4: could do silk for like a five minute set, you know,

457
00:20:41,920 --> 00:20:44,760
Speaker 4: but once if they tell me it's gonna be twenty minutes,

458
00:20:44,800 --> 00:20:46,359
Speaker 4: I go, I can't. I can't wear that kind of fabric.

459
00:20:46,560 --> 00:20:48,760
Speaker 3: Did you ever get caught up in the nineties with

460
00:20:48,880 --> 00:20:51,720
Speaker 3: this silk boxer craze fahim.

461
00:20:51,760 --> 00:20:53,600
Speaker 4: No, I never even really got caught up in the

462
00:20:53,640 --> 00:20:56,720
Speaker 4: box or face like I was. I was like whitey

463
00:20:56,800 --> 00:20:59,199
Speaker 4: tidies for the longest time. Oh wow, just because my

464
00:20:59,280 --> 00:21:01,280
Speaker 4: mom would buy the and like I really didn't give

465
00:21:01,280 --> 00:21:05,600
Speaker 4: a shit about like fashion or underwear. It's just easier,

466
00:21:05,800 --> 00:21:07,159
Speaker 4: Like my mom got it. I don't want to go

467
00:21:07,200 --> 00:21:09,320
Speaker 4: to the store. So I would do whitey tidies for

468
00:21:09,359 --> 00:21:11,719
Speaker 4: a long time. And then boxers felt like too much freedom.

469
00:21:11,760 --> 00:21:13,320
Speaker 4: Oh yeah, I need boundaries.

470
00:21:13,320 --> 00:21:16,480
Speaker 1: I need constraints as a dancer.

471
00:21:16,480 --> 00:21:18,320
Speaker 4: You can't have it all hanging out. Come on, you

472
00:21:18,440 --> 00:21:20,760
Speaker 4: have to Yeah, it needs to be rained in. And

473
00:21:20,800 --> 00:21:23,639
Speaker 4: then as I got older, I graduated a boxer briefs.

474
00:21:23,680 --> 00:21:25,280
Speaker 4: It was a nice I think hyper.

475
00:21:25,160 --> 00:21:28,760
Speaker 3: Yeah, see, that's what everyone should have done. Regular boxers

476
00:21:28,800 --> 00:21:32,800
Speaker 3: were stiff, unstretchable cotton. For a while, I was getting

477
00:21:32,800 --> 00:21:35,040
Speaker 3: silk ones. I think my dad was getting them for me.

478
00:21:35,240 --> 00:21:39,000
Speaker 3: You should have fancy adult underpants. But they defied gravity

479
00:21:39,080 --> 00:21:41,639
Speaker 3: and they would pillow up just throughout the day. You

480
00:21:41,640 --> 00:21:43,760
Speaker 3: had a wedgie. I don't know what was pulling them

481
00:21:43,840 --> 00:21:47,080
Speaker 3: up to the sky. Yeah, but inevitably they just rip

482
00:21:47,119 --> 00:21:49,880
Speaker 3: in the crotch. You do one karate kick or one

483
00:21:49,920 --> 00:21:53,440
Speaker 3: comedic kick and came from front to back.

484
00:21:54,320 --> 00:21:57,840
Speaker 4: Just but also feels too sensual, like to be wearing

485
00:21:57,920 --> 00:22:01,040
Speaker 4: silk boxers every day, that type of friction.

486
00:22:01,480 --> 00:22:03,720
Speaker 3: At my age, I was like fourteen, I shouldn't have

487
00:22:03,760 --> 00:22:04,440
Speaker 3: had the sensual.

488
00:22:04,880 --> 00:22:08,040
Speaker 4: Yeah, it's too ticklish, like, uh, if you're in the

489
00:22:08,080 --> 00:22:10,960
Speaker 4: porn industry or something, all right, if you're if you

490
00:22:11,000 --> 00:22:12,719
Speaker 4: need to excite your day to day. But that's not

491
00:22:12,760 --> 00:22:14,200
Speaker 4: like the Hondel Court of underwear.

492
00:22:14,359 --> 00:22:17,600
Speaker 1: That's like you're trying to you you have a secret,

493
00:22:18,359 --> 00:22:20,920
Speaker 1: and maybe, like in the Bull Durham Way, you're trying

494
00:22:20,920 --> 00:22:23,800
Speaker 1: to distract yourself from something else you're worried about, so

495
00:22:23,880 --> 00:22:25,080
Speaker 1: you have special underwear.

496
00:22:25,080 --> 00:22:27,680
Speaker 4: Of yes, it's a mental thing. Doesn't seem very really,

497
00:22:27,720 --> 00:22:31,399
Speaker 4: it's not practical. It's not a practical underwear. Where'd you

498
00:22:31,400 --> 00:22:33,119
Speaker 4: grow up Seattle.

499
00:22:33,880 --> 00:22:38,840
Speaker 3: Oh, the rainy, the rainy, the old needle, the.

500
00:22:38,880 --> 00:22:41,840
Speaker 1: Old funny in Seattle proper HUTU.

501
00:22:42,320 --> 00:22:46,520
Speaker 4: No, like the burbs, like first Lindwood, then Woodenville. My

502
00:22:46,560 --> 00:22:47,600
Speaker 4: parents are in Woodenville.

503
00:22:47,640 --> 00:22:49,280
Speaker 2: You ever spend time in Kirkland.

504
00:22:49,480 --> 00:22:52,920
Speaker 4: Oh yeah, come on, man, my brother's in Kirkland. I'll

505
00:22:53,000 --> 00:22:55,520
Speaker 4: check it out almost every year. I know all the towns.

506
00:22:55,600 --> 00:23:00,680
Speaker 3: Dude, any relation to Kirkland. The signature bridge is yeah,

507
00:23:00,720 --> 00:23:03,879
Speaker 3: I see. I didn't even know that, but I assumed it.

508
00:23:04,080 --> 00:23:06,240
Speaker 4: Yeah, they make good stuff Kirkln. Huh.

509
00:23:06,280 --> 00:23:10,720
Speaker 1: Did you ever have seasonal depressive disorder because you lived

510
00:23:10,760 --> 00:23:11,160
Speaker 1: in the rain?

511
00:23:11,280 --> 00:23:13,240
Speaker 4: I don't think so. You know, people are always like,

512
00:23:13,240 --> 00:23:15,119
Speaker 4: oh man, did it sucked being in the rain or

513
00:23:15,160 --> 00:23:17,560
Speaker 4: redepressed all the time? But when you grow up there,

514
00:23:18,040 --> 00:23:21,439
Speaker 4: you don't know any different, you know, so like maybe

515
00:23:21,440 --> 00:23:23,480
Speaker 4: if I was a transplant, like if you came from

516
00:23:23,600 --> 00:23:26,200
Speaker 4: la and then lived in Seattle, that might be tough,

517
00:23:26,920 --> 00:23:29,320
Speaker 4: But I had no I just thought that's the way

518
00:23:29,320 --> 00:23:29,679
Speaker 4: life is.

519
00:23:29,760 --> 00:23:33,040
Speaker 1: Did you ever see any grunge bands, like before they

520
00:23:33,040 --> 00:23:34,560
Speaker 1: were huge in the wild.

521
00:23:34,800 --> 00:23:37,399
Speaker 4: I was too young. I was like in middle school

522
00:23:37,440 --> 00:23:39,320
Speaker 4: in high school when it was the big grunge like

523
00:23:39,400 --> 00:23:46,159
Speaker 4: Nirvana and like who does Black Hole Sun, like Sound Garden,

524
00:23:46,240 --> 00:23:48,919
Speaker 4: Pearl Jam, all those guys. But I was into like

525
00:23:49,080 --> 00:23:53,159
Speaker 4: nineties gangster rap, like the Chronic dog Food by the

526
00:23:53,200 --> 00:23:56,399
Speaker 4: dog Pound, Doggy Style by Snoop Dogg. I was all

527
00:23:56,440 --> 00:23:59,240
Speaker 4: about that, all about dogs. I was all about dogs.

528
00:24:00,480 --> 00:24:03,320
Speaker 2: Do you still listen? I still listen to really nineties

529
00:24:03,400 --> 00:24:03,760
Speaker 2: hip hop?

530
00:24:03,800 --> 00:24:07,600
Speaker 3: I actually need to update my hip hop knowledge, but

531
00:24:07,680 --> 00:24:10,000
Speaker 3: because I still just go back to the nineties.

532
00:24:09,760 --> 00:24:12,159
Speaker 4: I'm so out of touch. Man, like I listened to

533
00:24:12,480 --> 00:24:14,399
Speaker 4: I was like really into rap, you know when I

534
00:24:14,440 --> 00:24:17,040
Speaker 4: was growing up, like nineties gangster rep and then even

535
00:24:17,080 --> 00:24:20,879
Speaker 4: some like p Diddy, Mace, They's big, Like that was

536
00:24:20,880 --> 00:24:23,200
Speaker 4: my jam. But then I got into dance music in

537
00:24:23,280 --> 00:24:25,400
Speaker 4: high school and I just didn't keep up with rap.

538
00:24:25,440 --> 00:24:27,960
Speaker 4: So nowadays I used to have no idea, Wait, were

539
00:24:28,000 --> 00:24:30,840
Speaker 4: you like a raver? I have this weird relationship with

540
00:24:30,880 --> 00:24:34,080
Speaker 4: like music and dance. Like I'm a huge officionado and

541
00:24:34,119 --> 00:24:36,760
Speaker 4: like I scrub for tracks like on Spotify all the time.

542
00:24:36,800 --> 00:24:39,080
Speaker 4: Almost every day, I'm searching for new music and I

543
00:24:39,119 --> 00:24:42,120
Speaker 4: can dance. But I never went to nightclubs. I never

544
00:24:42,200 --> 00:24:44,159
Speaker 4: like went to raves. I would just do all this

545
00:24:44,160 --> 00:24:44,960
Speaker 4: stuff privately.

546
00:24:45,800 --> 00:24:46,439
Speaker 2: That's great.

547
00:24:47,520 --> 00:24:49,639
Speaker 4: It's like it's like a religion. You know, some people

548
00:24:49,680 --> 00:24:52,400
Speaker 4: go to church, but I had like a personal relationship

549
00:24:52,440 --> 00:24:53,000
Speaker 4: with music.

550
00:24:53,119 --> 00:24:53,359
Speaker 1: Yep.

551
00:24:53,760 --> 00:24:56,920
Speaker 3: I grew up not that far away in Missoula, Montana,

552
00:24:57,000 --> 00:25:00,520
Speaker 3: and anytime we went to Seattle or just part way

553
00:25:00,600 --> 00:25:03,960
Speaker 3: to Spokane as a teenager, you want to go to

554
00:25:04,280 --> 00:25:07,200
Speaker 3: an all ages dance clubs. So I've probably been to

555
00:25:07,320 --> 00:25:10,560
Speaker 3: more dance clubs, oh, probably in Spokane areas than you.

556
00:25:10,680 --> 00:25:13,720
Speaker 4: Yeah, you know. And sometimes because like people on Instagram

557
00:25:13,560 --> 00:25:15,200
Speaker 4: on the videos, when they're not laughing at me, the

558
00:25:15,240 --> 00:25:18,320
Speaker 4: ones who actually like the videos, they'll be like WHOA,

559
00:25:18,440 --> 00:25:21,119
Speaker 4: like you must you must get all the chicks, or

560
00:25:21,480 --> 00:25:24,080
Speaker 4: you must have cleaned house because you could dance like that.

561
00:25:24,600 --> 00:25:27,880
Speaker 4: But then I always think, like, how do you parlay

562
00:25:27,880 --> 00:25:31,720
Speaker 4: that into getting chicks? Because it's just like I understand

563
00:25:31,720 --> 00:25:33,879
Speaker 4: the girls like guys who could dance, but like to

564
00:25:34,080 --> 00:25:37,679
Speaker 4: enter that scenario, it's very awkward, the iterations of it.

565
00:25:37,760 --> 00:25:39,560
Speaker 4: So what I show up to the club by myself

566
00:25:40,000 --> 00:25:43,200
Speaker 4: and then I just start dancing and hopefully the girl

567
00:25:43,240 --> 00:25:45,480
Speaker 4: like I look like a weirdo. I'm just by myself dancing,

568
00:25:45,560 --> 00:25:47,720
Speaker 4: even if it's good it's like, what's the backstory here?

569
00:25:47,960 --> 00:25:50,760
Speaker 4: This guy's creepy, and then what's the alternative? I come

570
00:25:50,800 --> 00:25:51,399
Speaker 4: with my buddy.

571
00:25:51,480 --> 00:25:53,240
Speaker 3: I think about it all the time. How do you

572
00:25:53,280 --> 00:25:56,840
Speaker 3: segue from? Because when I dance anywhere, it's by myself.

573
00:25:56,880 --> 00:26:00,000
Speaker 3: It's a solo street style. I don't involve I don't

574
00:26:00,119 --> 00:26:03,280
Speaker 3: know how to dance with another person. So you do

575
00:26:03,400 --> 00:26:06,480
Speaker 3: your moves and then you pretend. The only way I

576
00:26:06,480 --> 00:26:08,720
Speaker 3: can dance is if I pretend no one is there.

577
00:26:09,119 --> 00:26:13,120
Speaker 3: If I start acknowledging another person, I hover above myself

578
00:26:13,160 --> 00:26:16,240
Speaker 3: and I see the human situation I'm in, and suddenly

579
00:26:16,280 --> 00:26:18,120
Speaker 3: the concept of dancing.

580
00:26:18,119 --> 00:26:19,320
Speaker 2: Is so ridiculous.

581
00:26:19,440 --> 00:26:21,960
Speaker 3: This happened the other night. I went to this place

582
00:26:22,000 --> 00:26:23,960
Speaker 3: by my house. People were dancing, and I just was

583
00:26:24,240 --> 00:26:26,360
Speaker 3: and I'm like, what are we doing as humans? We're

584
00:26:26,840 --> 00:26:29,760
Speaker 3: moving our bodies to this sound. The last thing I'm

585
00:26:29,760 --> 00:26:31,320
Speaker 3: going to do is try and get it tap.

586
00:26:31,480 --> 00:26:34,840
Speaker 4: Like if you go by yourself, you're like a SimCity character.

587
00:26:35,000 --> 00:26:37,359
Speaker 4: Like if I dance, if I dance close enough to

588
00:26:37,400 --> 00:26:38,800
Speaker 4: these girls at a bar, they'll be.

589
00:26:38,760 --> 00:26:42,320
Speaker 1: Interested or something like they're going to circle up around you,

590
00:26:42,480 --> 00:26:44,360
Speaker 1: Like if you're good enough, they're going to be like

591
00:26:44,560 --> 00:26:48,359
Speaker 1: come on guys, because I can't. I stop drinking like

592
00:26:48,400 --> 00:26:50,960
Speaker 1: when I was twenty seven, so I can't really dance

593
00:26:51,480 --> 00:26:53,679
Speaker 1: like I think drinking is the kid. It helps me, right,

594
00:26:53,800 --> 00:26:55,440
Speaker 1: if you're just a little drunk, then you don't give

595
00:26:55,440 --> 00:26:58,960
Speaker 1: a shit and you kind of that self consciousness is gone.

596
00:26:58,960 --> 00:27:01,639
Speaker 1: But I want some my friend's wedding like a couple

597
00:27:01,640 --> 00:27:04,240
Speaker 1: of years ago, and there was someone that I knew

598
00:27:04,240 --> 00:27:07,239
Speaker 1: that tried to call me onto the dance floor like

599
00:27:07,320 --> 00:27:09,600
Speaker 1: he was like, yeah, come on, come on like that,

600
00:27:09,720 --> 00:27:13,240
Speaker 1: and I was so furious because it was so obvious

601
00:27:13,280 --> 00:27:17,439
Speaker 1: that's like you are. It was like a half step

602
00:27:17,600 --> 00:27:21,280
Speaker 1: before like a proposal at a hockey game that goes

603
00:27:21,359 --> 00:27:23,000
Speaker 1: up on the screen or whatever where it's just like

604
00:27:23,040 --> 00:27:25,840
Speaker 1: everyone knows this person wants you to come and dance

605
00:27:25,840 --> 00:27:29,200
Speaker 1: with them. So your only option, like a big fucking idiots,

606
00:27:29,200 --> 00:27:32,119
Speaker 1: to stand up and be like you know, like it was.

607
00:27:32,640 --> 00:27:34,760
Speaker 1: I was just staring at him like I'm going to

608
00:27:34,880 --> 00:27:37,560
Speaker 1: kill you. I don't and it's someone else's weddings, so

609
00:27:37,600 --> 00:27:39,679
Speaker 1: you can't be like a wet blanket and like but

610
00:27:39,760 --> 00:27:42,800
Speaker 1: it's like but I'm stone cold, sober, like everyone on

611
00:27:42,840 --> 00:27:46,040
Speaker 1: the dance floor is at least four drinks in and

612
00:27:46,200 --> 00:27:49,440
Speaker 1: I have to get out there and so furious worses.

613
00:27:49,480 --> 00:27:51,520
Speaker 4: You have to put like pace that smile on your

614
00:27:51,560 --> 00:27:54,320
Speaker 4: face even though you want to kill them, and you're

615
00:27:54,359 --> 00:27:57,359
Speaker 4: like she's into it and you just want to strangle him.

616
00:27:58,359 --> 00:28:01,159
Speaker 3: Yeah, no one in history ever been like, I'm so

617
00:28:01,320 --> 00:28:03,960
Speaker 3: glad you pulled me out there. I don't know why

618
00:28:03,960 --> 00:28:06,600
Speaker 3: I was apprehensive. That was the best time I've ever had.

619
00:28:06,800 --> 00:28:08,760
Speaker 1: You're the one that went out there. You had to

620
00:28:08,800 --> 00:28:12,000
Speaker 1: like stand by your own dumb choice. That's not my

621
00:28:12,240 --> 00:28:14,520
Speaker 1: don't bring me into it. I can't fix this for you.

622
00:28:14,720 --> 00:28:14,960
Speaker 4: Yeah.

623
00:28:15,080 --> 00:28:18,320
Speaker 3: So, other than dancing, do you have any skills that

624
00:28:18,400 --> 00:28:20,160
Speaker 3: no one knows about outside of comedy?

625
00:28:20,280 --> 00:28:22,560
Speaker 4: I don't know. That's the trouble is, like sometimes you

626
00:28:22,560 --> 00:28:24,320
Speaker 4: talk to people and they're like, yeah, I kayak, I

627
00:28:24,480 --> 00:28:26,840
Speaker 4: rock climb. I do all this stuff with my downtime,

628
00:28:26,920 --> 00:28:29,760
Speaker 4: and I just like love stand up and like sketches,

629
00:28:29,800 --> 00:28:31,840
Speaker 4: and I just love comedy so like I even do

630
00:28:31,920 --> 00:28:34,840
Speaker 4: it with my free time. I'm not like writing comedy.

631
00:28:35,000 --> 00:28:37,199
Speaker 4: I can't wait to climb a rock after this.

632
00:28:37,600 --> 00:28:37,840
Speaker 1: Yeah.

633
00:28:37,920 --> 00:28:40,160
Speaker 4: Yeah, So I don't have a bunch of like super

634
00:28:40,200 --> 00:28:43,760
Speaker 4: specific outside interests, like I'll play basketball every now and then,

635
00:28:43,800 --> 00:28:45,880
Speaker 4: I guess, or I guess music and dance is the

636
00:28:45,960 --> 00:28:47,760
Speaker 4: most specific thing. But outside of that.

637
00:28:47,680 --> 00:28:50,520
Speaker 3: It's almost a distraction and I have to snap out

638
00:28:50,520 --> 00:28:52,600
Speaker 3: of it soon because I've spent all this time, the

639
00:28:52,680 --> 00:28:55,560
Speaker 3: last year and a half just skateboarding and golfing, and

640
00:28:55,600 --> 00:28:57,720
Speaker 3: now I'm like, oh, yeah, I have to do comedy.

641
00:28:58,360 --> 00:29:01,840
Speaker 3: I'm kind of cool enjoying the these other things it is,

642
00:29:01,920 --> 00:29:04,840
Speaker 3: but I feel like it's better as a comic to

643
00:29:04,840 --> 00:29:06,680
Speaker 3: be one hundred percent focused on it.

644
00:29:06,800 --> 00:29:10,120
Speaker 4: Like uh yes and no, though, because sometimes, I mean

645
00:29:10,160 --> 00:29:12,720
Speaker 4: I've noticed this even with myself. Sometimes you could be

646
00:29:12,840 --> 00:29:15,960
Speaker 4: you could drill down so much into comedy and you

647
00:29:16,040 --> 00:29:18,440
Speaker 4: need to like live regular life to be able to

648
00:29:18,480 --> 00:29:21,080
Speaker 4: have to do the job right, because if you're just

649
00:29:21,120 --> 00:29:23,960
Speaker 4: like comedy comedy, comedy, you're not living enough life to

650
00:29:24,200 --> 00:29:26,720
Speaker 4: extract from it. Like are all your jokes about hitting

651
00:29:26,720 --> 00:29:27,640
Speaker 4: different mics?

652
00:29:28,080 --> 00:29:28,280
Speaker 1: Yeah?

653
00:29:28,400 --> 00:29:29,480
Speaker 2: Yeah.

654
00:29:29,520 --> 00:29:31,680
Speaker 3: On the other hand, though, I don't have a single

655
00:29:32,400 --> 00:29:36,160
Speaker 3: anecdote about golf or skateboarding in my act, you know

656
00:29:36,200 --> 00:29:36,600
Speaker 3: what I mean.

657
00:29:36,680 --> 00:29:40,120
Speaker 4: Well, it could be sort of like a mind defragging though,

658
00:29:40,320 --> 00:29:43,920
Speaker 4: so even though it's not super immediate, Yeah, it could

659
00:29:43,920 --> 00:29:46,480
Speaker 4: be running in the background and give you perspective on

660
00:29:46,560 --> 00:29:47,640
Speaker 4: stuff that you wouldn't have.

661
00:29:47,920 --> 00:29:51,040
Speaker 3: Yeah, I suppose it forcing me to just be around

662
00:29:51,080 --> 00:29:55,160
Speaker 3: regular people and interact and remember how regular people think

663
00:29:55,640 --> 00:29:58,680
Speaker 3: is the most valuable thing. I should start talking more

664
00:29:58,720 --> 00:30:01,000
Speaker 3: to the people I golf skate with. It'll help for

665
00:30:01,120 --> 00:30:02,120
Speaker 3: ideas that'll help you.

666
00:30:02,320 --> 00:30:03,959
Speaker 2: Yeah, I'm studying human behavior.

667
00:30:04,000 --> 00:30:06,080
Speaker 4: That's cool. You can skate though, I'm so envious of

668
00:30:06,520 --> 00:30:08,840
Speaker 4: because Instagram knows what you're into, like it knows that

669
00:30:09,280 --> 00:30:11,720
Speaker 4: I'll look at skateboarding clips. I don't know a ton.

670
00:30:11,800 --> 00:30:13,800
Speaker 4: I don't like you know, some people know every skater,

671
00:30:13,880 --> 00:30:16,520
Speaker 4: they know every crew. I'm just like a cursory fan.

672
00:30:16,680 --> 00:30:18,720
Speaker 4: Sometimes you don't pay attention for a while and you go, oh,

673
00:30:18,960 --> 00:30:21,560
Speaker 4: humans are doing that now, And I've paid attention the

674
00:30:21,600 --> 00:30:23,800
Speaker 4: whole time, and Monday it'll hit me like I can't

675
00:30:23,840 --> 00:30:26,920
Speaker 4: believe what who is skateboarding now and what they're able

676
00:30:26,960 --> 00:30:27,200
Speaker 4: to do?

677
00:30:27,320 --> 00:30:29,960
Speaker 2: It just it amazes me. I like it a lot.

678
00:30:30,080 --> 00:30:31,360
Speaker 2: I think about it all the time.

679
00:30:31,480 --> 00:30:35,720
Speaker 1: But I also am a cursory fan who, like Chris

680
00:30:35,760 --> 00:30:38,040
Speaker 1: showed me a clip of this guy that did this

681
00:30:38,320 --> 00:30:41,800
Speaker 1: jump off of that it was like a Jiffy lube

682
00:30:41,840 --> 00:30:43,640
Speaker 1: on sunset that like everyone, oh.

683
00:30:43,720 --> 00:30:46,240
Speaker 2: That car wash. Yeah, they put a handrail up, no

684
00:30:46,320 --> 00:30:47,160
Speaker 2: more jumping off.

685
00:30:47,640 --> 00:30:50,840
Speaker 1: But it was like such an accomplishment where it's like,

686
00:30:51,040 --> 00:30:54,120
Speaker 1: so that guy must have done that fifteen times and

687
00:30:54,360 --> 00:30:57,240
Speaker 1: just bit it and like and he didn't get scared,

688
00:30:57,280 --> 00:31:00,320
Speaker 1: he didn't give up. He didn't, you know, do it

689
00:31:00,360 --> 00:31:02,400
Speaker 1: so badly he went to the hospital. He just kept

690
00:31:02,400 --> 00:31:04,840
Speaker 1: doing it until he could actually and it was like

691
00:31:04,880 --> 00:31:08,120
Speaker 1: a it was really high, like it seemed really dangerous.

692
00:31:08,520 --> 00:31:11,000
Speaker 3: Yeah, it's a roof and then a drop and then

693
00:31:11,040 --> 00:31:14,200
Speaker 3: you're landing on this. I'm glad because I sent you

694
00:31:14,280 --> 00:31:16,400
Speaker 3: the raw footage of him trying it over and over.

695
00:31:16,800 --> 00:31:18,920
Speaker 3: I know now you didn't watch it because he did

696
00:31:18,960 --> 00:31:22,480
Speaker 3: indeed break his leg and his foot's going in the yeah,

697
00:31:22,600 --> 00:31:26,880
Speaker 3: and then he rehabilitated, healed and then did it like

698
00:31:27,000 --> 00:31:30,440
Speaker 3: first try after that, Okay, a year later. I'm sorry

699
00:31:30,480 --> 00:31:32,880
Speaker 3: I sent it to you and I didn't realize and

700
00:31:32,960 --> 00:31:35,800
Speaker 3: I don't like seeing injuries. I don't ever want to

701
00:31:35,840 --> 00:31:39,360
Speaker 3: see a foot going the wrong way. And I'm like,

702
00:31:39,440 --> 00:31:41,640
Speaker 3: I can't believe I just sent that to Karen. It's

703
00:31:41,680 --> 00:31:44,680
Speaker 3: pretty So don't ever open that video I sent you.

704
00:31:44,320 --> 00:31:47,400
Speaker 1: You know, It's funny. I almost never open any video

705
00:31:47,520 --> 00:31:50,560
Speaker 1: anyone sends me because I know if they care enough,

706
00:31:50,600 --> 00:31:53,440
Speaker 1: they'll bring it up again. And most of the time

707
00:31:53,920 --> 00:31:55,760
Speaker 1: I go, do I have three minutes to sit here

708
00:31:55,800 --> 00:31:58,640
Speaker 1: and give this my full focus? Or will I? And

709
00:31:58,680 --> 00:32:00,600
Speaker 1: the answer is no, And so then I'm just like,

710
00:32:00,640 --> 00:32:01,680
Speaker 1: we'll talk about that later.

711
00:32:01,800 --> 00:32:03,720
Speaker 4: Yeah, if it's really important, you have to care enough,

712
00:32:03,720 --> 00:32:04,400
Speaker 4: they'll follow up.

713
00:32:04,480 --> 00:32:07,400
Speaker 1: Yes, exactly. It has to be like a double request.

714
00:32:07,480 --> 00:32:09,160
Speaker 4: Basically, that's a good rule.

715
00:32:10,080 --> 00:32:12,640
Speaker 1: Kind of a pain in the ass, but fahim, you

716
00:32:12,920 --> 00:32:15,040
Speaker 1: have you worked through the pandemic. You had to go

717
00:32:15,080 --> 00:32:16,000
Speaker 1: to work today, right.

718
00:32:16,120 --> 00:32:19,640
Speaker 4: Yeah, So it was interesting, Like I mean, before the pandemic,

719
00:32:19,640 --> 00:32:21,800
Speaker 4: I was just sort of like stand up, just doing

720
00:32:21,800 --> 00:32:23,160
Speaker 4: a lot of stand up and then an acting thing

721
00:32:23,240 --> 00:32:25,560
Speaker 4: here and there, and stand up was a constant, and

722
00:32:25,560 --> 00:32:28,200
Speaker 4: everything else was just kind of like piecemeal. And then

723
00:32:28,600 --> 00:32:31,360
Speaker 4: stand up stopped because of COVID. There was nothing going

724
00:32:31,360 --> 00:32:34,560
Speaker 4: on in LA and that was kind of strange for everybody,

725
00:32:34,680 --> 00:32:37,160
Speaker 4: especially stand ups, where it's like part therapy, part going

726
00:32:37,200 --> 00:32:39,720
Speaker 4: to the gym, just it's part of your routine. And

727
00:32:39,760 --> 00:32:41,840
Speaker 4: then it's also a way to like have a livelihood, right,

728
00:32:41,920 --> 00:32:44,320
Speaker 4: and then out of the Sky. I got this like

729
00:32:44,640 --> 00:32:47,520
Speaker 4: writing job like the EPs for United States of Al

730
00:32:47,800 --> 00:32:50,520
Speaker 4: on CBS. They were trying to staff up for They

731
00:32:50,560 --> 00:32:53,720
Speaker 4: wanted Afghan writers because this it comes about this marine

732
00:32:53,800 --> 00:32:56,800
Speaker 4: and his Afghan interpreter, and so they wanted to you know,

733
00:32:57,080 --> 00:32:59,520
Speaker 4: represent the room honestly and stuff. So and they were

734
00:32:59,520 --> 00:33:02,480
Speaker 4: familiar my stand up as well. So it's just random

735
00:33:02,560 --> 00:33:06,320
Speaker 4: that during a pandemic, this like staff running job just

736
00:33:06,320 --> 00:33:09,200
Speaker 4: presented itself. And I was doing that over zoom for

737
00:33:09,320 --> 00:33:11,360
Speaker 4: like season one and then now we're back at Warner

738
00:33:11,400 --> 00:33:14,760
Speaker 4: Brothers in the lot like you know, writing over there.

739
00:33:15,400 --> 00:33:17,160
Speaker 4: But yeah, it was just I just got kind of

740
00:33:17,240 --> 00:33:19,080
Speaker 4: lucky that that fell in my lap during the pandemic.

741
00:33:19,320 --> 00:33:20,120
Speaker 1: Yeah that's cool.

742
00:33:20,320 --> 00:33:21,480
Speaker 4: Yeah, and you like it.

743
00:33:21,200 --> 00:33:22,480
Speaker 1: It's a cool room.

744
00:33:22,600 --> 00:33:25,080
Speaker 4: It's cool. Yeah, it's a different thing. Yeah, everyone's great.

745
00:33:25,120 --> 00:33:26,520
Speaker 4: I mean most of any job is just sort of

746
00:33:26,560 --> 00:33:28,800
Speaker 4: like who you work with, and people are lovely and

747
00:33:28,840 --> 00:33:31,000
Speaker 4: they're great, Like you really looked out and now stand

748
00:33:31,040 --> 00:33:32,800
Speaker 4: up is open, so I get to do both like

749
00:33:32,840 --> 00:33:34,960
Speaker 4: all work by day and then do a set at

750
00:33:35,000 --> 00:33:36,040
Speaker 4: the Comedy Store And.

751
00:33:36,360 --> 00:33:39,160
Speaker 3: Have you been doing that like Laurie Kilmartin or something

752
00:33:39,160 --> 00:33:42,320
Speaker 3: where I know that she works every day, and then

753
00:33:42,360 --> 00:33:44,120
Speaker 3: I would see her at every show I did.

754
00:33:44,360 --> 00:33:47,840
Speaker 2: Yeah, and she has kids or a kid. I'm like,

755
00:33:48,280 --> 00:33:50,240
Speaker 2: that's crazy. Yeah, the fact that she does all that.

756
00:33:50,440 --> 00:33:52,160
Speaker 2: I'm too lazy. I couldn't do it.

757
00:33:52,480 --> 00:33:56,720
Speaker 4: You just kind of learn your threshold. It's a balancing act,

758
00:33:56,840 --> 00:33:59,840
Speaker 4: you know. Obviously I'm not doing as many sets as

759
00:34:00,120 --> 00:34:03,000
Speaker 4: before the pandemic and before the job, but also the

760
00:34:03,040 --> 00:34:05,800
Speaker 4: pandemic kind of made me prioritize things. I think a

761
00:34:05,840 --> 00:34:08,360
Speaker 4: lot of people, even outside of comedy, just sort of

762
00:34:08,600 --> 00:34:11,360
Speaker 4: evaluated their life and were like, do I need to

763
00:34:11,360 --> 00:34:14,440
Speaker 4: be doing these things? Are going this hard on? Like

764
00:34:14,440 --> 00:34:16,040
Speaker 4: do I need to do three sets at night? Right?

765
00:34:16,160 --> 00:34:18,600
Speaker 4: And I think it's just carryover from when you're a

766
00:34:18,640 --> 00:34:21,239
Speaker 4: younger comic and you just said yes to every set,

767
00:34:21,440 --> 00:34:23,640
Speaker 4: but nuts and bolts when you look at it, like

768
00:34:23,719 --> 00:34:26,120
Speaker 4: what am I learning between set one in the night

769
00:34:26,200 --> 00:34:28,680
Speaker 4: and set three? Like I could do one every night

770
00:34:28,840 --> 00:34:31,520
Speaker 4: or like four a week not have that much change

771
00:34:31,600 --> 00:34:32,720
Speaker 4: in growth.

772
00:34:32,960 --> 00:34:35,000
Speaker 3: Yeah, I can't think of a time where I had

773
00:34:35,000 --> 00:34:37,520
Speaker 3: three sets in one night, So I already know you

774
00:34:37,560 --> 00:34:41,080
Speaker 3: work harder. Maybe in New York where it's like, oh,

775
00:34:41,120 --> 00:34:43,600
Speaker 3: you could just walk down to this other Yeah, they

776
00:34:43,640 --> 00:34:44,640
Speaker 3: talk like that there too.

777
00:34:44,719 --> 00:34:46,800
Speaker 2: By the way, Yeah, you walk down to thirty eighth

778
00:34:46,840 --> 00:34:48,719
Speaker 2: and the other UCB.

779
00:34:48,960 --> 00:34:51,480
Speaker 3: Yeah, oh they're out of business. I shouldn't have brought

780
00:34:51,480 --> 00:34:51,799
Speaker 3: that up.

781
00:34:52,360 --> 00:34:54,680
Speaker 4: But you also need enough time between sets to kind

782
00:34:54,680 --> 00:34:57,800
Speaker 4: of like marinate on what happened, to have perspective a

783
00:34:57,840 --> 00:34:59,560
Speaker 4: little bit, because if you're just rushing to get to

784
00:34:59,560 --> 00:35:03,120
Speaker 4: every set, you're not fully digesting what happened in every

785
00:35:03,320 --> 00:35:04,920
Speaker 4: I don't know, there's there's different schools of thought. The

786
00:35:04,920 --> 00:35:07,319
Speaker 4: New York guys suppost be like you do eight of

787
00:35:07,360 --> 00:35:10,080
Speaker 4: them in a day. You just grind yourself into a

788
00:35:10,160 --> 00:35:14,040
Speaker 4: nub and that's how you get funny. And maybe in

789
00:35:14,080 --> 00:35:16,839
Speaker 4: the first three years it's important to get up just

790
00:35:16,880 --> 00:35:19,600
Speaker 4: like a ton, But once you know yourself, I don't

791
00:35:19,640 --> 00:35:21,040
Speaker 4: know if you need to be doing like four sets

792
00:35:21,040 --> 00:35:21,319
Speaker 4: a night.

793
00:35:21,480 --> 00:35:24,720
Speaker 1: It seems like you save it for if you're prepping

794
00:35:24,760 --> 00:35:28,200
Speaker 1: for something or there's some kind of like yeah, because

795
00:35:28,239 --> 00:35:31,279
Speaker 1: if you're just doing a ten minute set and it's

796
00:35:31,360 --> 00:35:32,200
Speaker 1: kind of the same.

797
00:35:32,000 --> 00:35:34,520
Speaker 4: All the time, you know, yeah, what are you learning?

798
00:35:34,880 --> 00:35:36,200
Speaker 1: What are you doing? Yeah?

799
00:35:36,320 --> 00:35:38,840
Speaker 2: Yeah, I do that all the time. I think I

800
00:35:39,040 --> 00:35:39,839
Speaker 2: just enjoy it.

801
00:35:39,880 --> 00:35:42,160
Speaker 3: I'm like, well, I gotta go do stand up because

802
00:35:42,200 --> 00:35:45,000
Speaker 3: I know I'll be happy after that.

803
00:35:47,239 --> 00:35:51,120
Speaker 4: It's like, I gotta go feel normal stand up. WI help,

804
00:35:51,160 --> 00:35:53,200
Speaker 4: I'm doing that in a couple of days. I'll just

805
00:35:53,239 --> 00:35:55,200
Speaker 4: wait till then and stay on the couch.

806
00:35:55,800 --> 00:35:57,839
Speaker 3: Is your family happy that you have a writing job

807
00:35:57,920 --> 00:36:01,319
Speaker 3: sometimes that legitimized as a common your career or oh yeah,

808
00:36:01,480 --> 00:36:03,680
Speaker 3: they already support you being a stand.

809
00:36:03,440 --> 00:36:06,960
Speaker 4: Up uh, like for my dad, Like my dad is

810
00:36:07,000 --> 00:36:09,799
Speaker 4: kind of like the last holdout on like comedy being

811
00:36:09,840 --> 00:36:12,919
Speaker 4: a legitimate career or a thing that you could tell

812
00:36:13,000 --> 00:36:17,120
Speaker 4: other people and not be embarrassed by. Yeah, And it's

813
00:36:17,160 --> 00:36:18,560
Speaker 4: just so funny that, like, you know, I've been doing

814
00:36:18,640 --> 00:36:20,200
Speaker 4: stand up for a long time, and I've had some

815
00:36:20,600 --> 00:36:23,399
Speaker 4: great milestones that like other parents would be very proud

816
00:36:23,440 --> 00:36:25,799
Speaker 4: of and stuff. But it wasn't until I got a

817
00:36:25,920 --> 00:36:29,080
Speaker 4: writing job that like my dad kind of finally was

818
00:36:29,120 --> 00:36:31,239
Speaker 4: proud or could understand it. Yeah, like my dad can

819
00:36:31,320 --> 00:36:34,360
Speaker 4: only understand day jobs. You can you can only understand

820
00:36:34,680 --> 00:36:38,440
Speaker 4: going into work, sitting at a desk, getting coffee from

821
00:36:38,440 --> 00:36:41,279
Speaker 4: the breakroom. If it doesn't if it doesn't fit into that,

822
00:36:42,560 --> 00:36:43,440
Speaker 4: like what is it?

823
00:36:43,640 --> 00:36:45,799
Speaker 1: Yeah, you're just having fun with your friends and then

824
00:36:45,880 --> 00:36:46,680
Speaker 1: you're just fucking around.

825
00:36:46,719 --> 00:36:49,440
Speaker 4: Yeah, then I'm like guest on at Disneyland or something like.

826
00:36:49,480 --> 00:36:52,520
Speaker 4: He doesn't he doesn't get it well.

827
00:36:52,520 --> 00:36:55,080
Speaker 1: Also, if you work on like working on a lot too,

828
00:36:55,239 --> 00:36:59,400
Speaker 1: I think is really uh exciting for family members and

829
00:36:59,440 --> 00:37:02,200
Speaker 1: people that are like that's like you're not just justified,

830
00:37:02,200 --> 00:37:03,440
Speaker 1: You're like, that's glamorous.

831
00:37:03,480 --> 00:37:06,919
Speaker 4: That's like for normal people. For normal people, yeah, they'd

832
00:37:06,960 --> 00:37:10,640
Speaker 4: be like, oh wow, the water towers there, they're filming movies.

833
00:37:10,960 --> 00:37:13,759
Speaker 4: All these famous movies were shot there. But for my

834
00:37:13,920 --> 00:37:17,160
Speaker 4: dad's just like, oh, you have a parking space and

835
00:37:17,200 --> 00:37:19,920
Speaker 4: you have a building you go into for eight hours.

836
00:37:20,160 --> 00:37:22,239
Speaker 4: Like all of the cool things he doesn't even care about.

837
00:37:22,360 --> 00:37:26,080
Speaker 4: Is just sort of like, oh you you have health insurance.

838
00:37:26,360 --> 00:37:29,319
Speaker 3: Yeah, that was always on my mind when I had

839
00:37:29,320 --> 00:37:31,920
Speaker 3: a writing job. It's like going into a parking garage

840
00:37:32,080 --> 00:37:33,719
Speaker 3: and feeling like I was.

841
00:37:33,640 --> 00:37:38,359
Speaker 2: A legitimate adult all of a sudden. But I just

842
00:37:38,400 --> 00:37:40,240
Speaker 2: wanted to do stand up more.

843
00:37:40,640 --> 00:37:42,520
Speaker 4: I get that. I get that, like I.

844
00:37:42,480 --> 00:37:44,440
Speaker 3: Just want to make sure you're still doing stand up

845
00:37:44,440 --> 00:37:46,040
Speaker 3: because you make me laugh.

846
00:37:46,320 --> 00:37:48,799
Speaker 4: Thanks man. Yeah, I never want to leave stand up.

847
00:37:48,880 --> 00:37:52,719
Speaker 4: And it's kind of cool knowing the different animals now,

848
00:37:52,920 --> 00:37:55,040
Speaker 4: just like stand up and writing. Writing is cool. It's

849
00:37:55,040 --> 00:37:57,319
Speaker 4: a different type of beast. You kind of lend a

850
00:37:57,400 --> 00:38:01,200
Speaker 4: piece of you to the story or whatever your perspective is.

851
00:38:01,200 --> 00:38:03,600
Speaker 4: But it's a collaborative effort. So it's like a percentage

852
00:38:03,600 --> 00:38:06,000
Speaker 4: of you is being added to this comedic thing, where

853
00:38:06,040 --> 00:38:08,000
Speaker 4: a stand up is like one hundred percent you, and

854
00:38:08,160 --> 00:38:09,680
Speaker 4: that's like super fulfillent. Yeah.

855
00:38:09,800 --> 00:38:12,359
Speaker 3: What I like about your stand up is you, throughout

856
00:38:12,560 --> 00:38:15,719
Speaker 3: without presenting it like and now I'm going to show

857
00:38:15,719 --> 00:38:18,279
Speaker 3: you what that would look like. You kind of just

858
00:38:18,480 --> 00:38:23,120
Speaker 3: act out things and do sound effects throughout entire stories.

859
00:38:23,480 --> 00:38:25,200
Speaker 2: So I always forget that.

860
00:38:25,320 --> 00:38:27,319
Speaker 3: I like when I see a comic do that, and

861
00:38:27,360 --> 00:38:29,440
Speaker 3: maybe I used to do it more, but you do

862
00:38:29,520 --> 00:38:32,640
Speaker 3: it throughout and it's not like a let's see what

863
00:38:32,719 --> 00:38:33,719
Speaker 3: that might look like.

864
00:38:34,000 --> 00:38:34,720
Speaker 4: Thanks man.

865
00:38:34,920 --> 00:38:37,680
Speaker 3: Yeah, if you're writing for someone else, do you ever,

866
00:38:38,040 --> 00:38:40,400
Speaker 3: and this is like a writing question for both of you,

867
00:38:40,560 --> 00:38:44,480
Speaker 3: do you ever in parentheses say at that point you

868
00:38:44,480 --> 00:38:47,759
Speaker 3: would look down and laugh and start dancing, And then

869
00:38:48,520 --> 00:38:51,799
Speaker 3: like how much do or do you let them interpret it?

870
00:38:51,840 --> 00:38:53,879
Speaker 4: I mean some of it, like is the actor's choice.

871
00:38:53,920 --> 00:38:55,279
Speaker 4: You know, they'll do it a certain way. But then

872
00:38:55,320 --> 00:38:59,200
Speaker 4: if it's like a very physical particular beat. It's like

873
00:38:59,200 --> 00:39:02,280
Speaker 4: in the stage direction and you could put that in there. Yeah, yeah,

874
00:39:02,320 --> 00:39:04,560
Speaker 4: But when it comes to stand up, I like that

875
00:39:04,600 --> 00:39:06,640
Speaker 4: you noticed that work because like some comics, it'll be

876
00:39:06,800 --> 00:39:11,160
Speaker 4: very and now and it's very presentational of this physicality.

877
00:39:11,880 --> 00:39:14,080
Speaker 4: But I mean it's always joke first for me, and

878
00:39:14,160 --> 00:39:17,879
Speaker 4: then the physicality in the act out is just kind

879
00:39:17,880 --> 00:39:19,200
Speaker 4: of like I see it in my mind's eye and

880
00:39:19,239 --> 00:39:21,319
Speaker 4: I'm just sort of like it's an extension of the bit.

881
00:39:21,440 --> 00:39:23,919
Speaker 4: I'm just seeing it to fruition, like I'm not even

882
00:39:24,040 --> 00:39:25,759
Speaker 4: I don't even know I'm doing it or whatever. So

883
00:39:26,520 --> 00:39:28,719
Speaker 4: I always like to have this organic quality to it

884
00:39:28,760 --> 00:39:31,520
Speaker 4: instead of like, here's a guy skiing, like you could

885
00:39:31,520 --> 00:39:33,640
Speaker 4: tell that the comic saw himself in the mirror.

886
00:39:33,719 --> 00:39:35,920
Speaker 1: That is a good bit. Though your skiing bit is

887
00:39:35,960 --> 00:39:36,359
Speaker 1: so good.

888
00:39:36,440 --> 00:39:38,080
Speaker 4: That was my early stuff where I just said, here's

889
00:39:38,120 --> 00:39:38,680
Speaker 4: the guy skiing.

890
00:39:38,760 --> 00:39:41,200
Speaker 3: My favorite is your pigure new doesn't want to fly,

891
00:39:41,360 --> 00:39:43,320
Speaker 3: that decides to walk downstairs.

892
00:39:43,480 --> 00:39:46,160
Speaker 4: That's when of That was the real story in Kathound

893
00:39:46,200 --> 00:39:48,719
Speaker 4: this pigeon. You have to see it to get it.

894
00:39:49,640 --> 00:39:52,040
Speaker 3: I remember when a comic I rarely respect I'm not

895
00:39:52,080 --> 00:39:55,120
Speaker 3: gonna name names, but went up after me, and she

896
00:39:55,320 --> 00:39:58,040
Speaker 3: was like, well, I wish I had more act outs

897
00:39:58,280 --> 00:40:00,760
Speaker 3: because I guess I was doing a lot of act

898
00:40:00,760 --> 00:40:03,719
Speaker 3: out and it hurt me for like for so long

899
00:40:03,760 --> 00:40:06,440
Speaker 3: that I kind of did stand up differently after that.

900
00:40:06,600 --> 00:40:08,560
Speaker 3: I'm like, oh, maybe it's a bad thing that I'm

901
00:40:08,840 --> 00:40:10,040
Speaker 3: no acting things out.

902
00:40:10,080 --> 00:40:10,480
Speaker 2: I don't know.

903
00:40:10,719 --> 00:40:11,920
Speaker 1: Was that also Lori Kilmark?

904
00:40:12,320 --> 00:40:12,759
Speaker 2: It was.

905
00:40:16,239 --> 00:40:19,239
Speaker 3: You couldn't even beat it out of me. I'll tell

906
00:40:19,280 --> 00:40:20,560
Speaker 3: you when we're done recording.

907
00:40:20,760 --> 00:40:22,760
Speaker 4: I think that's more of a testament to that comics

908
00:40:22,800 --> 00:40:25,759
Speaker 4: insecurity than to like what you've got going on. You're

909
00:40:25,800 --> 00:40:28,799
Speaker 4: just doing you you know. Yeah, yeah, there's nothing wrong

910
00:40:28,840 --> 00:40:31,800
Speaker 4: with act outs unless it's the here's a guy skiing,

911
00:40:31,880 --> 00:40:32,759
Speaker 4: then that's a different thing.

912
00:40:33,160 --> 00:40:36,040
Speaker 3: But yeah, yeah, Or I mean, we couldn't all draw

913
00:40:36,080 --> 00:40:39,520
Speaker 3: the line at humping a stool. I think that historically

914
00:40:39,640 --> 00:40:41,920
Speaker 3: I wanted to do a bit where I got humped

915
00:40:42,000 --> 00:40:44,520
Speaker 3: by the stool, like I get fucked by the stool.

916
00:40:45,320 --> 00:40:47,560
Speaker 4: And the bits called the stool's revenge.

917
00:40:51,239 --> 00:40:53,640
Speaker 2: From all the years of comics fucking it.

918
00:40:53,719 --> 00:40:56,120
Speaker 4: But you know, I've had this thought. Okay, so like

919
00:40:56,239 --> 00:40:58,880
Speaker 4: I think in the club circuit, like fucking the stool

920
00:40:59,280 --> 00:41:02,040
Speaker 4: is like no, universally is hack. But I would say,

921
00:41:02,080 --> 00:41:04,920
Speaker 4: like the alt equivalent of stool fucking is like reading

922
00:41:04,960 --> 00:41:07,560
Speaker 4: a letter you wrote, or like a Yelp review, Like

923
00:41:07,600 --> 00:41:09,920
Speaker 4: when you pull something out and you're like, so I

924
00:41:10,120 --> 00:41:13,480
Speaker 4: wrote and it's this long ass thing. That's that's the

925
00:41:13,520 --> 00:41:14,840
Speaker 4: alt version of stool fucking.

926
00:41:15,200 --> 00:41:17,919
Speaker 3: Yeah, I've done that before and not realized it used

927
00:41:17,920 --> 00:41:20,400
Speaker 3: to bother me so much when someone was just reading

928
00:41:20,440 --> 00:41:22,440
Speaker 3: a thing. You just get used to it. One day

929
00:41:22,440 --> 00:41:24,880
Speaker 3: you're on stage like, oh my god, I'm reading something.

930
00:41:25,280 --> 00:41:28,480
Speaker 4: Yeah, I'm reading a letter or like a subsack thing.

931
00:41:28,800 --> 00:41:30,080
Speaker 1: Who have I become.

932
00:41:31,280 --> 00:41:34,319
Speaker 3: Reading a thing while humping a stool and worst of

933
00:41:34,440 --> 00:41:35,200
Speaker 3: both worlds.

934
00:41:35,320 --> 00:41:37,200
Speaker 4: But it is impressive and just hard cut to the

935
00:41:37,200 --> 00:41:38,480
Speaker 4: earth and then exploding.

936
00:41:43,200 --> 00:41:45,759
Speaker 3: Well, I thought maybe there would be a lull like that,

937
00:41:45,960 --> 00:41:49,719
Speaker 3: so I did the liberty of looking up good questions

938
00:41:49,719 --> 00:41:50,839
Speaker 3: to ask comedians.

939
00:41:52,320 --> 00:41:55,439
Speaker 2: I don't ever do any preparations, so I thought, uh, where, Yeah,

940
00:41:55,480 --> 00:41:56,359
Speaker 2: what'd you get? Well?

941
00:41:56,480 --> 00:42:00,239
Speaker 3: A lot of them are interview questions from movies, and

942
00:42:00,280 --> 00:42:02,399
Speaker 3: a lot of them are questions that you should never

943
00:42:03,200 --> 00:42:07,080
Speaker 3: ask a comedian, and all and all, I'll start with

944
00:42:07,160 --> 00:42:13,440
Speaker 3: those for him. Do you write your own routines? That's

945
00:42:13,520 --> 00:42:16,040
Speaker 3: like the isn't it then?

946
00:42:16,400 --> 00:42:19,880
Speaker 4: Like Norms podcast where he'd be like like where do

947
00:42:19,920 --> 00:42:21,960
Speaker 4: you or how do you write your stuff? Or where

948
00:42:21,960 --> 00:42:23,200
Speaker 4: do you come up with? Like that was just like

949
00:42:23,200 --> 00:42:26,160
Speaker 4: an ongoing runner, like a joke. Yeah, yeah, like a

950
00:42:26,320 --> 00:42:29,359
Speaker 4: joke question where do you? Where do you get your stuff? Yeah? Right,

951
00:42:29,520 --> 00:42:31,600
Speaker 4: it's so funny. Like people ask that all the time,

952
00:42:31,640 --> 00:42:34,160
Speaker 4: Like when civilians find out way do stand up? They go,

953
00:42:34,719 --> 00:42:37,719
Speaker 4: do you write your own stuff? Or it's just such

954
00:42:37,719 --> 00:42:39,719
Speaker 4: a foreign concept to them.

955
00:42:39,920 --> 00:42:43,680
Speaker 3: I snap back at them with like an almost attitude

956
00:42:44,400 --> 00:42:48,040
Speaker 3: like yes everyone should, No one doesn't.

957
00:42:47,920 --> 00:42:50,040
Speaker 2: And I'm like, why am I so angry? Sorry?

958
00:42:50,160 --> 00:42:52,160
Speaker 3: I mean, if someone's famous and they go to the

959
00:42:52,160 --> 00:42:55,440
Speaker 3: same city three times a year, they sometimes hire and.

960
00:42:55,440 --> 00:42:57,440
Speaker 4: Pay a right, that'd be funniest to be like, but

961
00:42:57,480 --> 00:43:00,520
Speaker 4: I don't do that yet. I hire people to write

962
00:43:00,600 --> 00:43:02,239
Speaker 4: my ash. I mean, how funny would it be to

963
00:43:02,280 --> 00:43:04,440
Speaker 4: like be at our level and just say, like I

964
00:43:04,560 --> 00:43:07,960
Speaker 4: hire writers. I find them off Craigslist. Like you're already

965
00:43:08,120 --> 00:43:11,480
Speaker 4: like making no money and you're gonna farm out the writing.

966
00:43:11,920 --> 00:43:14,760
Speaker 1: Yeah, just easier. It's how I want to spend my money.

967
00:43:14,800 --> 00:43:15,440
Speaker 1: It's easier.

968
00:43:15,800 --> 00:43:16,680
Speaker 2: I would do it.

969
00:43:16,880 --> 00:43:20,000
Speaker 4: Another pet peeve is when they go, oh, let me

970
00:43:20,400 --> 00:43:22,640
Speaker 4: let me know when your next show is like, like,

971
00:43:22,680 --> 00:43:24,799
Speaker 4: I've been doing stand up for three months and I'm

972
00:43:24,840 --> 00:43:27,560
Speaker 4: just doing bringer shows where I have to bring my

973
00:43:27,600 --> 00:43:30,440
Speaker 4: own audience members. Like and then here's here's how that

974
00:43:30,440 --> 00:43:32,839
Speaker 4: plays out. You think I'll come to you, Okay, some

975
00:43:32,880 --> 00:43:34,959
Speaker 4: acquaintance or some guy I meet at a house party

976
00:43:35,040 --> 00:43:37,839
Speaker 4: or something. I'm gonna get his info and say, hey,

977
00:43:37,920 --> 00:43:41,000
Speaker 4: I'm performing next week, do you want to come. It's

978
00:43:41,080 --> 00:43:43,120
Speaker 4: it's like the adult version of watch me jump off

979
00:43:43,120 --> 00:43:48,600
Speaker 4: this diving board and then what's gonna happen? And then

980
00:43:48,600 --> 00:43:50,480
Speaker 4: I'm gonna call him and be like, hey, it's Fahim

981
00:43:50,520 --> 00:43:53,480
Speaker 4: and he's like who And I'm like him from the party,

982
00:43:53,560 --> 00:43:57,000
Speaker 4: remember the stand up comedian. He's like, oh, yeah, well

983
00:43:57,040 --> 00:43:59,319
Speaker 4: you said, like you know, tell tell you when I

984
00:43:59,320 --> 00:44:00,920
Speaker 4: have a show. I have a show Tuesday. Do you

985
00:44:00,920 --> 00:44:04,239
Speaker 4: want to come? And he's like, ah, I'm busy, Okay,

986
00:44:04,280 --> 00:44:07,359
Speaker 4: well what about Wednesday? I have a show. And then yeah,

987
00:44:07,400 --> 00:44:08,520
Speaker 4: just sort of like working out.

988
00:44:10,800 --> 00:44:12,000
Speaker 1: He asked me to do this.

989
00:44:12,080 --> 00:44:14,640
Speaker 4: If you care enough, you'll find me. You'll you'll google

990
00:44:14,680 --> 00:44:15,879
Speaker 4: me and come to a show.

991
00:44:16,040 --> 00:44:17,360
Speaker 2: Yeah that is so funny.

992
00:44:17,480 --> 00:44:20,120
Speaker 3: Everyone says that let me know when you have a show,

993
00:44:20,280 --> 00:44:22,799
Speaker 3: and I always just lie and say I sure will,

994
00:44:23,320 --> 00:44:26,440
Speaker 3: I sure will let you know. Isn't it crazy posting

995
00:44:26,480 --> 00:44:28,120
Speaker 3: about it on my social media?

996
00:44:28,400 --> 00:44:32,640
Speaker 4: And then I'll it's just a societal lie that both

997
00:44:32,640 --> 00:44:34,960
Speaker 4: of you have to tell each other like nothing has happened.

998
00:44:35,120 --> 00:44:37,680
Speaker 4: He doesn't mean let me know when you have a show,

999
00:44:38,040 --> 00:44:40,839
Speaker 4: and you don't mean when you say, I'll definitely let

1000
00:44:40,840 --> 00:44:41,080
Speaker 4: you know.

1001
00:44:41,920 --> 00:44:44,000
Speaker 3: And one of my rules, or I wish I could

1002
00:44:44,040 --> 00:44:46,400
Speaker 3: 'tenforce it is strangers only.

1003
00:44:46,560 --> 00:44:46,600
Speaker 5: No.

1004
00:44:47,000 --> 00:44:49,239
Speaker 4: I don't want anyone I know to be dude. I

1005
00:44:49,280 --> 00:44:51,680
Speaker 4: love that you have that rule. I mean I preach that,

1006
00:44:51,800 --> 00:44:54,360
Speaker 4: especially in the early years. I never understood the people

1007
00:44:54,680 --> 00:44:57,400
Speaker 4: who started doing stand up for like three months and

1008
00:44:57,440 --> 00:45:00,000
Speaker 4: they invite every person they've ever known in their life

1009
00:45:00,520 --> 00:45:03,320
Speaker 4: just to make every relationship awkward from that point forward.

1010
00:45:03,719 --> 00:45:06,120
Speaker 2: Yeah yeah, yeah, and they're all wooing.

1011
00:45:06,600 --> 00:45:08,520
Speaker 3: You know, someone filled a room when they're all just

1012
00:45:08,560 --> 00:45:11,759
Speaker 3: going whoo after a joke instead of laughing.

1013
00:45:11,520 --> 00:45:13,640
Speaker 4: Give yourself the opportunity to bomb.

1014
00:45:14,120 --> 00:45:16,640
Speaker 1: I had met a guy one time at a wedding

1015
00:45:17,360 --> 00:45:19,480
Speaker 1: and someone had told him I did stand up and

1016
00:45:19,520 --> 00:45:21,640
Speaker 1: he goes, yeah, I like to go to comedy clubs

1017
00:45:21,640 --> 00:45:22,160
Speaker 1: in Heckel.

1018
00:45:22,600 --> 00:45:25,680
Speaker 4: Oh oh my god, there's someone actually to be proud

1019
00:45:25,719 --> 00:45:25,880
Speaker 4: of that.

1020
00:45:26,000 --> 00:45:29,440
Speaker 1: Oh my. He was really proud and a little confrontational

1021
00:45:29,560 --> 00:45:31,920
Speaker 1: or was just like, all right, well, I'm not going

1022
00:45:31,960 --> 00:45:34,360
Speaker 1: to fight you on behalf of all stand up comics.

1023
00:45:34,400 --> 00:45:34,960
Speaker 1: I don't care.

1024
00:45:35,160 --> 00:45:37,839
Speaker 2: I feel like that has gone away a little bit.

1025
00:45:38,000 --> 00:45:40,960
Speaker 3: Of course, people get drunk and they they don't know

1026
00:45:41,080 --> 00:45:43,960
Speaker 3: that they're yelling things because they're used to talking to

1027
00:45:44,000 --> 00:45:46,279
Speaker 3: their TVs or something. But there used to be a thing,

1028
00:45:46,440 --> 00:45:49,000
Speaker 3: like ten years ago where people thought, if I'm if

1029
00:45:49,040 --> 00:45:52,040
Speaker 3: I show myself, first of all, I'm helping the show.

1030
00:45:53,320 --> 00:45:57,040
Speaker 3: And also maybe they think that they're gonna get discovered

1031
00:45:57,080 --> 00:46:00,200
Speaker 3: in some weird way and go to some Heckler fine.

1032
00:46:00,880 --> 00:46:04,160
Speaker 4: Where there's a Heckler agent like I like your stuff. Yeah,

1033
00:46:04,280 --> 00:46:05,640
Speaker 4: can you do this at every show?

1034
00:46:06,200 --> 00:46:07,600
Speaker 2: Yeah? Are yeah? Are you ever?

1035
00:46:08,200 --> 00:46:10,760
Speaker 3: Here's that's the one of these, really the worst questions

1036
00:46:10,760 --> 00:46:11,880
Speaker 3: stask a comedian.

1037
00:46:11,960 --> 00:46:12,160
Speaker 1: Are you?

1038
00:46:12,360 --> 00:46:14,719
Speaker 3: Are you ever worried a Heckler will be better than

1039
00:46:14,760 --> 00:46:17,840
Speaker 3: you and end up taking your spot on the stage

1040
00:46:17,920 --> 00:46:20,560
Speaker 3: mid show and catching your check?

1041
00:46:21,239 --> 00:46:24,680
Speaker 4: Is that's one of the hysterical Imagine how little confidence

1042
00:46:24,760 --> 00:46:27,680
Speaker 4: you have in yourself as a performer. If you're performing

1043
00:46:27,760 --> 00:46:30,000
Speaker 4: and the whole time you're like, I hope a heckler

1044
00:46:30,080 --> 00:46:31,799
Speaker 4: isn't pipe up and is way better than me.

1045
00:46:32,360 --> 00:46:35,160
Speaker 2: I hope they don't have a microphone and smarter idea.

1046
00:46:35,360 --> 00:46:37,120
Speaker 4: And I hope they don't pull my pants down when

1047
00:46:37,160 --> 00:46:40,520
Speaker 4: I'm on stage and point out my tiny peepy that's

1048
00:46:40,600 --> 00:46:41,640
Speaker 4: really specific.

1049
00:46:42,280 --> 00:46:43,000
Speaker 2: I hope it doesn't.

1050
00:46:43,239 --> 00:46:45,520
Speaker 1: I'll have a lot of fears. I one time on

1051
00:46:45,600 --> 00:46:48,919
Speaker 1: stage was kind of eating it at the improv and

1052
00:46:49,880 --> 00:46:52,520
Speaker 1: which is how I like to do it. And there's

1053
00:46:52,600 --> 00:46:56,919
Speaker 1: a guy this was like in the mid nineties, I think,

1054
00:46:57,000 --> 00:47:02,040
Speaker 1: And there's a guy to my left and his beeper

1055
00:47:02,160 --> 00:47:05,600
Speaker 1: went off, and so I turned and was like, oh,

1056
00:47:05,880 --> 00:47:08,160
Speaker 1: the doctor's in the house. And I tried to like

1057
00:47:08,400 --> 00:47:10,839
Speaker 1: rip him a new one for having his beaper go off,

1058
00:47:11,280 --> 00:47:13,160
Speaker 1: and he just was staring at me. And then when

1059
00:47:13,200 --> 00:47:17,200
Speaker 1: I like finished the last pseudo insult that I tried

1060
00:47:17,239 --> 00:47:19,279
Speaker 1: to hurl it at me, he just held up his wrist.

1061
00:47:19,360 --> 00:47:21,719
Speaker 1: He was like, it was my watch, and it was

1062
00:47:21,760 --> 00:47:25,200
Speaker 1: just his watch like beeped ten o'clock, you know, like, dude, dude.

1063
00:47:25,239 --> 00:47:28,799
Speaker 1: It was the smallest thing that I had totally overreacted

1064
00:47:28,840 --> 00:47:31,319
Speaker 1: to him. I just stood there staring at him. He

1065
00:47:31,440 --> 00:47:34,600
Speaker 1: just got me in the cleanest, most understanding way where

1066
00:47:34,600 --> 00:47:38,160
Speaker 1: he was like almost in a pitying voice, was just like, hey,

1067
00:47:38,760 --> 00:47:42,400
Speaker 1: like take it easy, but fucking awful.

1068
00:47:42,440 --> 00:47:47,320
Speaker 3: Why you have to have such a loud ass watch? Yeah, okay,

1069
00:47:47,400 --> 00:47:49,400
Speaker 3: loud look at me, Look at my watch.

1070
00:47:49,440 --> 00:47:51,400
Speaker 2: I'm a doctor. I have a loud watch because of

1071
00:47:51,480 --> 00:47:52,400
Speaker 2: my doctor job.

1072
00:47:53,400 --> 00:47:55,440
Speaker 1: That's when I started to realize It's like it is

1073
00:47:55,520 --> 00:47:59,440
Speaker 1: about the ease with which you approach the things that

1074
00:47:59,520 --> 00:48:01,839
Speaker 1: happened to you on stage. It's like, yes, you can

1075
00:48:01,920 --> 00:48:04,480
Speaker 1: think of good stuff to say back, but then if

1076
00:48:04,480 --> 00:48:07,200
Speaker 1: you're really upset as you say it, you're not gonna

1077
00:48:07,239 --> 00:48:08,759
Speaker 1: win it, doesn't you know.

1078
00:48:09,040 --> 00:48:14,040
Speaker 4: It's more about the first thought and just the conversationality

1079
00:48:14,080 --> 00:48:16,880
Speaker 4: of it rather than what is the best line in

1080
00:48:16,920 --> 00:48:19,520
Speaker 4: the world that I can deliver at this, like you

1081
00:48:19,600 --> 00:48:22,319
Speaker 4: expect like an explosion of laughter based on this, like

1082
00:48:22,400 --> 00:48:25,160
Speaker 4: curveball you got instead of just reacting like a human

1083
00:48:25,200 --> 00:48:28,080
Speaker 4: in the moment. But some comics, like the slightest thing

1084
00:48:28,320 --> 00:48:31,279
Speaker 4: will will like be not you know, like a girl

1085
00:48:31,320 --> 00:48:33,359
Speaker 4: will like laugh too loud or say something and they

1086
00:48:33,360 --> 00:48:38,000
Speaker 4: go nuclear and you go no, no, you've lost in goodwill.

1087
00:48:38,440 --> 00:48:41,880
Speaker 3: A lot of people don't go to comedy clubs because

1088
00:48:41,920 --> 00:48:44,640
Speaker 3: that's their biggest fear is someone going nuclear on them

1089
00:48:44,640 --> 00:48:47,319
Speaker 3: for sneezing or having a bad laugh. It's like that

1090
00:48:47,440 --> 00:48:50,439
Speaker 3: has to be that stigma has to go away. All

1091
00:48:50,520 --> 00:48:53,279
Speaker 3: laughs are good. Oh don't yell stuff, But no one's

1092
00:48:53,320 --> 00:48:57,240
Speaker 3: gonna attack you out of because you sit up front.

1093
00:48:57,560 --> 00:49:00,160
Speaker 3: We don't want to sit up front the comedie and

1094
00:49:00,160 --> 00:49:02,280
Speaker 3: I'll pick a fight with us and hurt our feelings.

1095
00:49:02,360 --> 00:49:04,720
Speaker 4: I make a point to rip people in the back

1096
00:49:04,800 --> 00:49:07,360
Speaker 4: row just to let them know, like no one is safe.

1097
00:49:07,400 --> 00:49:10,640
Speaker 4: I have I have night vision, and I have the

1098
00:49:10,800 --> 00:49:13,480
Speaker 4: most amazing I have the night vision, and then I

1099
00:49:13,520 --> 00:49:16,680
Speaker 4: have binoculars and I just roast everyone in the darkness.

1100
00:49:17,239 --> 00:49:18,960
Speaker 4: I go, you guys can't see what I'm looking at,

1101
00:49:18,960 --> 00:49:20,799
Speaker 4: but I'm spawn on with these roasts.

1102
00:49:21,280 --> 00:49:24,160
Speaker 2: Hey, you and the sound booth right behind you.

1103
00:49:24,560 --> 00:49:26,839
Speaker 1: That's actually a really good bit because the people that

1104
00:49:27,080 --> 00:49:28,920
Speaker 1: no one can see there were just like trust me

1105
00:49:28,960 --> 00:49:31,160
Speaker 1: when I tell you, I'm ripping the ship out of

1106
00:49:31,160 --> 00:49:31,600
Speaker 1: the whole air.

1107
00:49:31,680 --> 00:49:34,920
Speaker 4: That's a funny character. It's like back row roaster. The

1108
00:49:35,000 --> 00:49:38,440
Speaker 4: comedian comes on and just roasts everyone that nobody can

1109
00:49:38,480 --> 00:49:40,719
Speaker 4: see and the crowd has to actually take his word

1110
00:49:40,760 --> 00:49:41,040
Speaker 4: for it.

1111
00:49:41,640 --> 00:49:43,520
Speaker 3: If you want to take a minute to write that down,

1112
00:49:43,600 --> 00:49:46,560
Speaker 3: I would love it to come see you do that,

1113
00:49:46,800 --> 00:49:48,719
Speaker 3: if you let me know when money or shows it.

1114
00:49:49,000 --> 00:49:50,719
Speaker 4: Like, you know, a lot of comics do the front

1115
00:49:50,800 --> 00:49:53,200
Speaker 4: row roasting. I'm one of the rare breeds who does

1116
00:49:53,320 --> 00:49:56,200
Speaker 4: back row, back of the room roasting. So put on

1117
00:49:56,239 --> 00:49:58,680
Speaker 4: your hats, folks. Look at this guy over here in

1118
00:49:58,719 --> 00:49:59,240
Speaker 4: the corner.

1119
00:49:59,760 --> 00:50:02,920
Speaker 3: I'm kind of next level where I'll be in the

1120
00:50:03,040 --> 00:50:05,239
Speaker 3: lab at the improv and I'm roasting people in the

1121
00:50:05,280 --> 00:50:11,160
Speaker 3: audience in the main room. Yes, yeah, there there's well,

1122
00:50:11,160 --> 00:50:12,799
Speaker 3: I have an I f B. And there's a guy

1123
00:50:12,800 --> 00:50:15,160
Speaker 3: in the hallway that speaks to me. He's dressed like

1124
00:50:15,200 --> 00:50:15,799
Speaker 3: a door guy.

1125
00:50:16,120 --> 00:50:19,200
Speaker 2: There's a grib. There's like a guy timing next to this.

1126
00:50:19,360 --> 00:50:23,279
Speaker 4: There's like fifteen people in bold FBI guys in a

1127
00:50:23,360 --> 00:50:25,520
Speaker 4: van and like it's surveiled in the main room, and

1128
00:50:25,560 --> 00:50:27,960
Speaker 4: there's an ear piece just giving you info to what

1129
00:50:28,040 --> 00:50:29,360
Speaker 4: the roast. Guy in the bed room.

1130
00:50:32,000 --> 00:50:33,400
Speaker 1: He's crying. He's crying.

1131
00:50:33,760 --> 00:50:36,799
Speaker 4: Yeah, you know, he's looking around confused. He he doesn't

1132
00:50:36,840 --> 00:50:37,920
Speaker 4: know why. There's a camera on him.

1133
00:50:38,120 --> 00:50:41,000
Speaker 3: Is there a moment that was your worst moment on

1134
00:50:41,120 --> 00:50:43,960
Speaker 3: stage that always stands out or is there just a

1135
00:50:44,000 --> 00:50:45,839
Speaker 3: blur of many little moments.

1136
00:50:46,640 --> 00:50:49,239
Speaker 4: No, the big one for me, Like every comic has

1137
00:50:49,239 --> 00:50:53,280
Speaker 4: horror stories, but mine is like Mount Rushmore horror moment.

1138
00:50:53,320 --> 00:50:55,400
Speaker 4: It was I think it was the first couple of

1139
00:50:55,440 --> 00:50:58,279
Speaker 4: months doing stand up. I was seventeen or eighteen, and

1140
00:50:58,320 --> 00:51:01,200
Speaker 4: I did the Paramount Theater and see it was like

1141
00:51:01,360 --> 00:51:04,200
Speaker 4: the Apollo Theater came by every city. Yeah, and like

1142
00:51:04,320 --> 00:51:06,240
Speaker 4: I got on it and then I just got booed

1143
00:51:06,280 --> 00:51:09,760
Speaker 4: by like four thousand people. And that was like my

1144
00:51:10,000 --> 00:51:13,080
Speaker 4: first year of doing stand up. Just it like no

1145
00:51:13,239 --> 00:51:16,320
Speaker 4: human ever experiences that in life, you know, except in

1146
00:51:16,360 --> 00:51:17,000
Speaker 4: their nightmares.

1147
00:51:17,040 --> 00:51:17,640
Speaker 2: Oh my god.

1148
00:51:17,719 --> 00:51:20,640
Speaker 4: And so it's such a surreal experience to get booed

1149
00:51:20,680 --> 00:51:23,000
Speaker 4: by like four thousand or like forty five hundred people.

1150
00:51:23,800 --> 00:51:25,920
Speaker 4: And then but then I kept doing stand up afterward,

1151
00:51:26,000 --> 00:51:28,120
Speaker 4: Like I'm kind of glad that it happened that early

1152
00:51:28,160 --> 00:51:31,000
Speaker 4: in my career because your bulletproof after that, like the

1153
00:51:31,040 --> 00:51:33,560
Speaker 4: worst thing anyone could ever imagine happened it Like, wasn't

1154
00:51:33,560 --> 00:51:35,960
Speaker 4: that bad? Yeah, Like, oh okay, I really love this

1155
00:51:36,000 --> 00:51:36,960
Speaker 4: and I'm driven to do it.

1156
00:51:37,239 --> 00:51:40,880
Speaker 3: Yeah, I did a show and uh, I was just

1157
00:51:41,000 --> 00:51:43,480
Speaker 3: in England working an acting job.

1158
00:51:43,520 --> 00:51:45,600
Speaker 2: But I'm not bragging. That's why I was. I wasn't

1159
00:51:45,600 --> 00:51:47,680
Speaker 2: there to do comedy. I just did a show that

1160
00:51:47,840 --> 00:51:48,920
Speaker 2: was a straight up press.

1161
00:51:48,680 --> 00:51:51,480
Speaker 3: I I it was more to let you know I

1162
00:51:51,600 --> 00:51:54,480
Speaker 3: don't get work in the UK as a stand up

1163
00:51:54,480 --> 00:51:57,520
Speaker 3: comedian and I would like to, but I I called

1164
00:51:57,600 --> 00:52:00,640
Speaker 3: Matt Kershon and he got me a spot a place

1165
00:52:00,680 --> 00:52:02,640
Speaker 3: called the Frog and Bucket and they had a show

1166
00:52:02,680 --> 00:52:06,440
Speaker 3: where there was some three or four booked comics, but

1167
00:52:06,719 --> 00:52:09,040
Speaker 3: in between them all it was like an open mic,

1168
00:52:09,600 --> 00:52:12,800
Speaker 3: and they handed three signs to the audience, a little

1169
00:52:12,800 --> 00:52:17,400
Speaker 3: frog on a stick, and people gradually raise these signs

1170
00:52:17,480 --> 00:52:20,040
Speaker 3: like the opposite of pushing the button on American Idol.

1171
00:52:20,520 --> 00:52:23,000
Speaker 3: And once you see the third frog, you have to

1172
00:52:23,040 --> 00:52:26,879
Speaker 3: get off stage. And I was so worried that they

1173
00:52:27,000 --> 00:52:30,479
Speaker 3: because they're still holding them during my book fifteen minute set.

1174
00:52:31,840 --> 00:52:33,520
Speaker 2: But they were so polite about it.

1175
00:52:33,560 --> 00:52:36,439
Speaker 3: Even when all three frogs went up, the comic would

1176
00:52:36,440 --> 00:52:40,600
Speaker 3: be like, oh sorry, I'll better next time. Sorry, And

1177
00:52:41,160 --> 00:52:43,319
Speaker 3: every no one got bent out of shape, like if

1178
00:52:43,320 --> 00:52:44,879
Speaker 3: you did that here, people will be.

1179
00:52:44,800 --> 00:52:47,000
Speaker 4: Like, fuck you, what do you know, well, that's the

1180
00:52:47,080 --> 00:52:49,879
Speaker 4: whole reason they have the Sandman with the Apollo, because

1181
00:52:50,080 --> 00:52:51,560
Speaker 4: no one would be like, all right, see you later.

1182
00:52:51,760 --> 00:52:53,839
Speaker 4: They need a guy to literally like sweep you off

1183
00:52:53,840 --> 00:52:54,240
Speaker 4: the stage.

1184
00:52:54,440 --> 00:52:56,680
Speaker 3: Swear to god, I wasn't going to ask about that,

1185
00:52:56,800 --> 00:52:59,239
Speaker 3: but I didn't know if I conjured it from some

1186
00:53:00,080 --> 00:53:04,279
Speaker 3: in Living Color spoo for something, if does a guy

1187
00:53:04,320 --> 00:53:05,799
Speaker 3: come with a broom or did I.

1188
00:53:05,840 --> 00:53:06,880
Speaker 4: That's the whole that's the whole thing.

1189
00:53:06,880 --> 00:53:09,319
Speaker 2: That's all okay. I thought for a minute that was

1190
00:53:09,400 --> 00:53:11,440
Speaker 2: from a parody of that.

1191
00:53:12,160 --> 00:53:12,759
Speaker 4: I could see that.

1192
00:53:12,840 --> 00:53:14,920
Speaker 1: So for him, that happened to you when you did

1193
00:53:14,960 --> 00:53:17,480
Speaker 1: it in Seattle, that happened the Sandman came out.

1194
00:53:17,640 --> 00:53:20,680
Speaker 4: Yeah, But I was like the British people because like

1195
00:53:20,840 --> 00:53:22,880
Speaker 4: I know how the Apollo works. I didn't wait to

1196
00:53:22,880 --> 00:53:26,160
Speaker 4: get swept. Like I heard the siren go off and

1197
00:53:26,200 --> 00:53:28,840
Speaker 4: I was like, goodbye, goodbye.

1198
00:53:29,680 --> 00:53:30,680
Speaker 2: I love that he's.

1199
00:53:30,480 --> 00:53:36,239
Speaker 3: Called the Sandman, the Bringer of Nightmares from Metallica.

1200
00:53:36,280 --> 00:53:38,480
Speaker 1: Have you seen the video of Lauren Hill getting booed

1201
00:53:38,520 --> 00:53:39,880
Speaker 1: off the stage at the Apollo?

1202
00:53:40,040 --> 00:53:41,319
Speaker 2: Oh god no, yeah.

1203
00:53:41,400 --> 00:53:45,480
Speaker 1: She she walks out and starts singing, and it's fucking

1204
00:53:45,560 --> 00:53:48,080
Speaker 1: Lauren Hill. But she was I think she was like sixteen. Yeah,

1205
00:53:48,200 --> 00:53:51,960
Speaker 1: she's pretty young, and it only lasted like fifteen seconds

1206
00:53:52,040 --> 00:53:54,160
Speaker 1: and she got booed off and you like as you're

1207
00:53:54,160 --> 00:53:57,040
Speaker 1: watching it, because she does have a style, you know,

1208
00:53:57,120 --> 00:54:00,680
Speaker 1: her own kind of singing style. But it was it's

1209
00:54:00,760 --> 00:54:03,120
Speaker 1: just the funniest thing. I remember seeing that, having this

1210
00:54:03,200 --> 00:54:07,040
Speaker 1: weird thing snap inside me, where I was just like, oh,

1211
00:54:07,239 --> 00:54:09,600
Speaker 1: it's not like it can happen to anybody. It can

1212
00:54:09,600 --> 00:54:11,200
Speaker 1: happen to the most talented people ever.

1213
00:54:11,440 --> 00:54:15,040
Speaker 4: Yeah, you know, And I think that carries over into

1214
00:54:15,160 --> 00:54:17,320
Speaker 4: other facets of entertainment too. I think this was like

1215
00:54:17,400 --> 00:54:20,719
Speaker 4: a big revelation for me because like, when you are

1216
00:54:20,719 --> 00:54:24,400
Speaker 4: in entertainment, you like it's hard to get into it,

1217
00:54:24,440 --> 00:54:26,919
Speaker 4: and then when you're in it, you feel like it's

1218
00:54:26,960 --> 00:54:30,080
Speaker 4: a final. Every time any opportunity you get, you feel

1219
00:54:30,120 --> 00:54:32,719
Speaker 4: like it's a final. And then you come to realize

1220
00:54:33,239 --> 00:54:35,640
Speaker 4: that it's just the world that you live in and

1221
00:54:35,760 --> 00:54:38,800
Speaker 4: sometimes you do well, sometimes you don't, and the times

1222
00:54:38,840 --> 00:54:41,919
Speaker 4: you don't isn't a reflection on your entire being. It's

1223
00:54:41,920 --> 00:54:44,080
Speaker 4: just maybe you weren't right for that job. Like if

1224
00:54:44,120 --> 00:54:46,600
Speaker 4: you get fired off of a job, or if you

1225
00:54:46,719 --> 00:54:48,520
Speaker 4: excel at this other thing, it's just sort of like

1226
00:54:49,239 --> 00:54:54,480
Speaker 4: it's more about the overall. I don't know your percentage

1227
00:54:54,520 --> 00:54:57,040
Speaker 4: of the overall rather than one particular, Like you can't

1228
00:54:57,040 --> 00:54:59,080
Speaker 4: bat a thousand and that's okay.

1229
00:54:58,960 --> 00:55:01,600
Speaker 1: Right, Yeah, it was good for you to get boot

1230
00:55:01,640 --> 00:55:04,359
Speaker 1: off the stage, Yes, eighteen, that was good.

1231
00:55:04,400 --> 00:55:06,040
Speaker 4: I would have been a monster if everyone is like

1232
00:55:06,080 --> 00:55:08,200
Speaker 4: hoisting on their shoulders, I would just like I would

1233
00:55:08,200 --> 00:55:13,400
Speaker 4: have sunglasses during this whole interview, and I'd be like,

1234
00:55:14,080 --> 00:55:15,160
Speaker 4: what else? What else you got?

1235
00:55:16,000 --> 00:55:16,200
Speaker 2: Yeah?

1236
00:55:16,680 --> 00:55:18,640
Speaker 4: Just look at my two phones, like, all right, I

1237
00:55:18,640 --> 00:55:19,880
Speaker 4: gotta I gotta get out here.

1238
00:55:20,880 --> 00:55:21,120
Speaker 1: Cool?

1239
00:55:21,160 --> 00:55:21,520
Speaker 3: Is that it?

1240
00:55:21,640 --> 00:55:23,239
Speaker 1: Do you just need anything else? All right?

1241
00:55:23,440 --> 00:55:23,840
Speaker 4: Cool?

1242
00:55:25,360 --> 00:55:28,480
Speaker 3: I like that sunglasses are the that's a guy that

1243
00:55:28,640 --> 00:55:30,520
Speaker 3: has it all together and doesn't.

1244
00:55:30,280 --> 00:55:30,799
Speaker 2: Give a ship.

1245
00:55:31,239 --> 00:55:34,560
Speaker 4: I bought these sunglasses during quarantine for a sketch that

1246
00:55:34,600 --> 00:55:36,200
Speaker 4: I ended up not doing. But it was those like

1247
00:55:36,280 --> 00:55:40,520
Speaker 4: flip up sunglasses, so so it's like regular you know,

1248
00:55:41,360 --> 00:55:43,960
Speaker 4: then it's yeah, yeah, exactly. And it's just sometimes I

1249
00:55:44,040 --> 00:55:45,480
Speaker 4: look at myself in the mirror and I have those

1250
00:55:45,480 --> 00:55:48,120
Speaker 4: glasses and it's just amazing how those flip up shades

1251
00:55:48,480 --> 00:55:51,440
Speaker 4: change your entire demeanor. Like if I have them up,

1252
00:55:51,680 --> 00:55:54,600
Speaker 4: I look like a very personal guy. You could talk

1253
00:55:54,680 --> 00:55:56,840
Speaker 4: to me, but then I put them down. You're like,

1254
00:55:56,840 --> 00:56:02,160
Speaker 4: stay away from this guy. What's hisn Where was your

1255
00:56:02,239 --> 00:56:03,040
Speaker 4: I haven't seen you.

1256
00:56:03,040 --> 00:56:05,120
Speaker 3: You probably haven't done it for years, but your character

1257
00:56:05,160 --> 00:56:08,440
Speaker 3: that had you weaved in I think professionally or had

1258
00:56:08,480 --> 00:56:08,920
Speaker 3: it made.

1259
00:56:09,400 --> 00:56:11,680
Speaker 2: Was it a mullt or just a rat tail mullet?

1260
00:56:11,800 --> 00:56:14,080
Speaker 4: No, it was like a mullet. It was like it

1261
00:56:14,120 --> 00:56:16,720
Speaker 4: was two rows. Like I became very aware of women's

1262
00:56:16,760 --> 00:56:19,000
Speaker 4: hair from wearing this. Like I didn't know what a

1263
00:56:19,040 --> 00:56:23,520
Speaker 4: weave was or extensions or how they worked. But yeah,

1264
00:56:23,520 --> 00:56:26,239
Speaker 4: they're like clipping. They're like two rows and it just

1265
00:56:26,280 --> 00:56:29,120
Speaker 4: looks like a legit, straight up mullet. And I would

1266
00:56:29,160 --> 00:56:31,280
Speaker 4: go up at the comedy store on Saturdays, like around

1267
00:56:31,280 --> 00:56:34,200
Speaker 4: midnight and just in a wife beater and like just

1268
00:56:34,280 --> 00:56:36,719
Speaker 4: acid washed jeans, and I would dance for like a

1269
00:56:36,719 --> 00:56:39,160
Speaker 4: minute of top because they'd play this dance music. They'd

1270
00:56:39,160 --> 00:56:41,640
Speaker 4: be like, please welcome Lance against Napolis and then just

1271
00:56:41,680 --> 00:56:45,280
Speaker 4: like dance and then just take questions from the audience

1272
00:56:47,120 --> 00:56:49,360
Speaker 4: and it was all improv and it was just so fun.

1273
00:56:49,680 --> 00:56:52,480
Speaker 3: I think during that time I was I was I

1274
00:56:53,160 --> 00:56:54,960
Speaker 3: should hang out there, but at the time I was

1275
00:56:55,040 --> 00:56:56,840
Speaker 3: trying to hang out there more. And I saw you

1276
00:56:56,920 --> 00:56:59,040
Speaker 3: do it a few times, and it was that was

1277
00:56:59,080 --> 00:57:01,160
Speaker 3: the first time I saw you, and so I just

1278
00:57:01,239 --> 00:57:03,840
Speaker 3: thought that's who you were, and so did the whole audience.

1279
00:57:04,280 --> 00:57:05,560
Speaker 2: So it's a full commitment.

1280
00:57:05,600 --> 00:57:08,640
Speaker 4: Well that's the beauty of it. Like honestly, like seventy

1281
00:57:08,640 --> 00:57:11,120
Speaker 4: percent of the crowd thinks that it's a real guy. Yeah,

1282
00:57:11,160 --> 00:57:13,880
Speaker 4: and and like thirty percent are in on it. And

1283
00:57:14,200 --> 00:57:17,200
Speaker 4: and it's this beautiful because it's great to see faces

1284
00:57:17,200 --> 00:57:18,800
Speaker 4: in the crowd and they're trying to figure out, like

1285
00:57:18,960 --> 00:57:20,560
Speaker 4: is this a joke or is this for real?

1286
00:57:20,680 --> 00:57:21,760
Speaker 1: What's Lance's last name?

1287
00:57:21,920 --> 00:57:28,280
Speaker 3: Can't stop this, can't stop, can't stop this. It don't

1288
00:57:28,360 --> 00:57:29,800
Speaker 3: matter how hard you try.

1289
00:57:29,880 --> 00:57:30,880
Speaker 4: He can't stop that.

1290
00:57:31,000 --> 00:57:33,440
Speaker 3: You gotta be careful with that, though, because we all

1291
00:57:33,520 --> 00:57:37,000
Speaker 3: saw what happened to Larry the cable guys.

1292
00:57:37,640 --> 00:57:39,880
Speaker 4: I know that if I did that continuously, it would

1293
00:57:39,920 --> 00:57:44,120
Speaker 4: devour for himn or. So I consciously refuse to give

1294
00:57:44,120 --> 00:57:45,960
Speaker 4: the audience what they want every week. You know.

1295
00:57:46,200 --> 00:57:48,960
Speaker 3: Yeah, it might be folklore or but I don't know.

1296
00:57:49,040 --> 00:57:51,400
Speaker 3: We'll ask him when we have him on Monday, Karen.

1297
00:57:51,440 --> 00:57:54,040
Speaker 4: But I heard that I like it being a treat

1298
00:57:54,120 --> 00:57:56,520
Speaker 4: that I want to pull out of the treasure chest

1299
00:57:56,640 --> 00:57:59,720
Speaker 4: instead of trying a slave to Lance Can't Stop It.

1300
00:58:00,320 --> 00:58:04,200
Speaker 3: Yes, I heard that people would call uh I forget.

1301
00:58:03,880 --> 00:58:06,840
Speaker 4: His name, his real name, but oh Dan Whitney.

1302
00:58:06,840 --> 00:58:09,520
Speaker 3: They would say, hey, can you Everyone seemed to like

1303
00:58:09,560 --> 00:58:12,640
Speaker 3: that cable guy character you did for ten minutes because

1304
00:58:12,640 --> 00:58:15,240
Speaker 3: he used to leave and come back like hey, I'm.

1305
00:58:15,080 --> 00:58:18,600
Speaker 2: A redneck me uh and uh yeah.

1306
00:58:18,680 --> 00:58:21,200
Speaker 3: That that to me was like a fear of mine,

1307
00:58:21,680 --> 00:58:23,720
Speaker 3: like such a weird thing to be scared of as

1308
00:58:23,760 --> 00:58:24,160
Speaker 3: a comic.

1309
00:58:24,200 --> 00:58:27,360
Speaker 2: When you're starting like don't don't go too deep.

1310
00:58:27,160 --> 00:58:30,920
Speaker 3: Undercover, yeah, or then you end up being a gang.

1311
00:58:31,480 --> 00:58:34,720
Speaker 4: It's like an inception, like you can go too deep,

1312
00:58:34,760 --> 00:58:35,560
Speaker 4: you never come back.

1313
00:58:35,880 --> 00:58:38,400
Speaker 1: You're like, oh, this wasn't a character after all, I

1314
00:58:38,480 --> 00:58:41,480
Speaker 1: was playing a character when I wasn't Lance Can't Stop Less.

1315
00:58:41,800 --> 00:58:44,840
Speaker 1: I have a question though for the Q and A. Sure,

1316
00:58:45,480 --> 00:58:49,320
Speaker 1: so you dance, then you take questions, so you don't

1317
00:58:49,360 --> 00:58:49,880
Speaker 1: have an act.

1318
00:58:50,240 --> 00:58:51,919
Speaker 4: No, no, no, it's just Q and A the whole time.

1319
00:58:51,960 --> 00:58:54,040
Speaker 4: So it's just sort of like answering the questions from

1320
00:58:54,080 --> 00:58:57,080
Speaker 4: the crowd and then like, all right, who else has

1321
00:58:57,240 --> 00:59:02,120
Speaker 4: questions as your Yeah? For fifteen minutes, and it was

1322
00:59:02,240 --> 00:59:06,640
Speaker 4: beautiful because they would watch regular stand up, which is great.

1323
00:59:06,680 --> 00:59:08,880
Speaker 4: You know, people have great X, but you're still operating

1324
00:59:08,920 --> 00:59:11,160
Speaker 4: within the confines of stand up where it's like set

1325
00:59:11,240 --> 00:59:15,560
Speaker 4: up punch jokes. And then Lance is just real, like

1326
00:59:15,640 --> 00:59:19,680
Speaker 4: he's just he's just there dancing, looking at you, talking

1327
00:59:19,720 --> 00:59:22,880
Speaker 4: to you, like getting questions from the audience who are

1328
00:59:22,880 --> 00:59:24,920
Speaker 4: trying to paint him into a corner with their questions,

1329
00:59:25,120 --> 00:59:27,400
Speaker 4: but he weasels out of it, and then he'll start

1330
00:59:27,480 --> 00:59:29,640
Speaker 4: dancing again for no reason, like turn the music on.

1331
00:59:30,400 --> 00:59:32,440
Speaker 4: It's just like fun chaos.

1332
00:59:33,160 --> 00:59:35,160
Speaker 2: Do you do that anymore? Because I want to start

1333
00:59:35,160 --> 00:59:35,560
Speaker 2: doing it.

1334
00:59:35,960 --> 00:59:37,400
Speaker 4: Yeah, I want to see I need to do it

1335
00:59:37,440 --> 00:59:39,600
Speaker 4: like I brought because I didn't do him for like

1336
00:59:39,720 --> 00:59:43,280
Speaker 4: two years, and then I before the pandemic, literally like

1337
00:59:43,280 --> 00:59:45,880
Speaker 4: the week before the Comedy Store closed, I brought him

1338
00:59:45,960 --> 00:59:47,800
Speaker 4: back out and I did a set at the Comedy

1339
00:59:47,840 --> 00:59:50,920
Speaker 4: Store and then the pandemic hit and I haven't done

1340
00:59:50,960 --> 00:59:53,360
Speaker 4: it since. I think I will eventually bring him out.

1341
00:59:53,680 --> 00:59:55,480
Speaker 4: But that set is on YouTube. A couple of Lance

1342
00:59:55,480 --> 00:59:58,160
Speaker 4: sets are on YouTube, so if you search for Lance Canstopolis,

1343
00:59:58,640 --> 01:00:00,440
Speaker 4: you can see kind of a little bit what he does.

1344
01:00:01,240 --> 01:00:02,320
Speaker 2: Oh that's so great.

1345
01:00:02,640 --> 01:00:05,640
Speaker 1: Did you do any zoom comedy shows in quarantine.

1346
01:00:05,640 --> 01:00:08,280
Speaker 4: I was against it for a while, but then part

1347
01:00:08,280 --> 01:00:10,640
Speaker 4: of me was like, let me just see what it

1348
01:00:10,720 --> 01:00:13,680
Speaker 4: is before I kind of swear to never do it. Yeah,

1349
01:00:13,720 --> 01:00:16,880
Speaker 4: so I did one, and I'm like, Okay, I don't

1350
01:00:16,880 --> 01:00:18,320
Speaker 4: love it, but I did it. I'm glad that I

1351
01:00:18,360 --> 01:00:21,080
Speaker 4: did it. But then some opportunities came up through the

1352
01:00:21,120 --> 01:00:24,120
Speaker 4: pandemic where people were putting on zoom comedy shows for

1353
01:00:24,160 --> 01:00:26,880
Speaker 4: like decent money, and I was like, yeah, I'll be

1354
01:00:26,920 --> 01:00:29,000
Speaker 4: on a webcam for fifteen minutes for this amount of money.

1355
01:00:29,560 --> 01:00:32,360
Speaker 2: Yeah, it almost feels bad. I did a couple of those.

1356
01:00:32,400 --> 01:00:34,680
Speaker 3: Two I'm like, oh, you don't have to give me

1357
01:00:34,840 --> 01:00:36,080
Speaker 3: five hundred dollars.

1358
01:00:36,600 --> 01:00:40,400
Speaker 2: I was in my bedroom. Yeah, did it.

1359
01:00:40,360 --> 01:00:41,680
Speaker 1: Really pay that well? Oh?

1360
01:00:41,760 --> 01:00:42,000
Speaker 2: Or two?

1361
01:00:42,080 --> 01:00:44,640
Speaker 3: Now, that was just another one of my little humble brags.

1362
01:00:44,640 --> 01:00:47,360
Speaker 3: I like to fit him in there. I was in

1363
01:00:47,400 --> 01:00:51,120
Speaker 3: the UK. You know, it was only five grand. But anyway,

1364
01:00:51,360 --> 01:00:55,080
Speaker 3: just kidding, I didn't. I had a different experience I

1365
01:00:55,080 --> 01:00:57,360
Speaker 3: think than a lot of people where I just I'm like,

1366
01:00:57,880 --> 01:01:01,560
Speaker 3: was in a panic right away, and a weekend of

1367
01:01:01,600 --> 01:01:05,480
Speaker 3: the pandemic, I was just exercising doing pushups. I'm not

1368
01:01:05,560 --> 01:01:09,200
Speaker 3: going to drink and I'm gonna do all these zoom shows.

1369
01:01:09,240 --> 01:01:12,480
Speaker 3: I just did it every night, all these awkward to silence,

1370
01:01:13,080 --> 01:01:15,680
Speaker 3: and then I learned over time that I was becoming

1371
01:01:15,720 --> 01:01:17,040
Speaker 3: an unhappy individual.

1372
01:01:17,200 --> 01:01:21,080
Speaker 2: So everyone learns different ever experienced that differently?

1373
01:01:21,240 --> 01:01:23,480
Speaker 1: So you decided you didn't like them at the end,

1374
01:01:23,840 --> 01:01:25,520
Speaker 1: like you did them and then you were like, you

1375
01:01:25,560 --> 01:01:26,520
Speaker 1: know what, I'm against them?

1376
01:01:26,600 --> 01:01:29,479
Speaker 4: Well I did one or two, and I go, okay,

1377
01:01:29,560 --> 01:01:31,920
Speaker 4: it's okay, but I don't enjoyed enough to keep on

1378
01:01:32,040 --> 01:01:35,040
Speaker 4: doing it for like free. But then they'll throw a

1379
01:01:35,080 --> 01:01:36,960
Speaker 4: number at you and you go, yeah, I don't hate

1380
01:01:36,960 --> 01:01:39,240
Speaker 4: it that much for this money. Yeah, then it was

1381
01:01:39,280 --> 01:01:41,480
Speaker 4: just like a financial thing whenever I'd get presented. But

1382
01:01:41,640 --> 01:01:44,480
Speaker 4: like on an artistic level, I don't love zoom shows.

1383
01:01:44,560 --> 01:01:47,600
Speaker 2: Yeah they're rough, Yeah they are. And they started getting better.

1384
01:01:47,880 --> 01:01:49,680
Speaker 3: I mean they were just about to figure it out

1385
01:01:49,720 --> 01:01:53,760
Speaker 3: as far as like letting in the designated laughers, and

1386
01:01:53,800 --> 01:01:56,800
Speaker 3: the timing got better, and there were nights where I

1387
01:01:56,880 --> 01:01:59,520
Speaker 3: was like, oh, that felt like stand up again.

1388
01:01:59,560 --> 01:01:59,919
Speaker 2: I can't.

1389
01:02:00,400 --> 01:02:03,040
Speaker 3: It just made me hungry for doing stand up again.

1390
01:02:03,080 --> 01:02:06,280
Speaker 3: But that's already worn off. I'm already back to square one.

1391
01:02:06,480 --> 01:02:08,800
Speaker 4: Yeah, well, remember that. Do you do any driving shows

1392
01:02:08,880 --> 01:02:09,600
Speaker 4: during the pandemic?

1393
01:02:09,720 --> 01:02:11,360
Speaker 2: I loved it. That was the other thing.

1394
01:02:11,440 --> 01:02:16,280
Speaker 3: I was so scared about honking cars, and I immediately

1395
01:02:16,360 --> 01:02:19,520
Speaker 3: loved it in some ways more than an audience because

1396
01:02:19,560 --> 01:02:23,280
Speaker 3: there was flashing lights. You could see exactly what areas

1397
01:02:23,320 --> 01:02:25,640
Speaker 3: of the parking lot. I'm just talking about the one

1398
01:02:25,640 --> 01:02:28,240
Speaker 3: at their IRV on improv. And I thought, just because

1399
01:02:28,240 --> 01:02:30,600
Speaker 3: of the way I hate horns, now there might as

1400
01:02:30,640 --> 01:02:34,480
Speaker 3: well be motorcycles revving every time you tell Joe horns

1401
01:02:34,480 --> 01:02:37,280
Speaker 3: are a bad thing. And I immediately was like, oh,

1402
01:02:37,360 --> 01:02:38,360
Speaker 3: now I like horns.

1403
01:02:39,760 --> 01:02:41,800
Speaker 4: Someone when you cut someone off, they honk at you.

1404
01:02:41,800 --> 01:02:42,960
Speaker 4: You go, thank you, thank you.

1405
01:02:43,480 --> 01:02:44,400
Speaker 2: I'll be here all week.

1406
01:02:44,440 --> 01:02:45,320
Speaker 4: I'm here all week.

1407
01:02:45,880 --> 01:02:47,720
Speaker 2: I'm at a red light for a whole week.

1408
01:02:48,040 --> 01:02:49,880
Speaker 4: Yeah, four or five all week.

1409
01:02:49,960 --> 01:02:53,240
Speaker 2: Are you currently then riding on the uh?

1410
01:02:53,440 --> 01:02:56,240
Speaker 4: Yeah, I say so. Yeah.

1411
01:02:56,320 --> 01:02:58,440
Speaker 2: I think we go to late March and then we

1412
01:02:58,520 --> 01:03:01,959
Speaker 2: wrapped the season and that's on CBS CBS.

1413
01:03:02,240 --> 01:03:02,960
Speaker 4: That is correct.

1414
01:03:03,520 --> 01:03:04,640
Speaker 1: Did they buy you lunch?

1415
01:03:05,160 --> 01:03:07,920
Speaker 4: WHOA? I love that? You know this? Yeah? That's that's

1416
01:03:07,920 --> 01:03:10,880
Speaker 4: the other cool thing about like the right job is

1417
01:03:10,920 --> 01:03:14,440
Speaker 4: that lunch is provided and the breakroom situation, like all

1418
01:03:14,480 --> 01:03:17,640
Speaker 4: the snacks gum. He didn't think I would have free gum.

1419
01:03:18,200 --> 01:03:19,760
Speaker 4: I thought I'd have to be a baseball.

1420
01:03:19,360 --> 01:03:22,520
Speaker 1: Player, gum as far as I can see.

1421
01:03:22,640 --> 01:03:24,560
Speaker 4: As far Dente and Ice tried it. What do you want?

1422
01:03:24,600 --> 01:03:25,080
Speaker 4: They got it?

1423
01:03:25,720 --> 01:03:26,479
Speaker 1: Oh my, well there.

1424
01:03:26,560 --> 01:03:28,640
Speaker 2: I had to buy a meal plan at Fox.

1425
01:03:30,120 --> 01:03:32,560
Speaker 4: It's like you're going to elementary school. Yeah, a meal

1426
01:03:32,600 --> 01:03:33,920
Speaker 4: plan like a hot lunch.

1427
01:03:34,200 --> 01:03:36,160
Speaker 3: It was my own money, and I'd just buy it

1428
01:03:36,200 --> 01:03:38,440
Speaker 3: ahead of time. You get at somewhat of a discount

1429
01:03:38,560 --> 01:03:40,640
Speaker 3: depending on the popularity of your show.

1430
01:03:40,720 --> 01:03:42,680
Speaker 2: If I'm not mistaken, that's right.

1431
01:03:42,800 --> 01:03:45,160
Speaker 3: Oh, we're at a You get a ten percent discount

1432
01:03:45,240 --> 01:03:48,480
Speaker 3: with this show. Don't You can't sit by those people.

1433
01:03:48,520 --> 01:03:51,560
Speaker 3: They're on the real Fox. You're just on Fuel TV.

1434
01:03:53,240 --> 01:03:53,760
Speaker 4: Oh god.

1435
01:03:53,880 --> 01:03:56,720
Speaker 1: I did boss at one writing job, who I adored

1436
01:03:56,920 --> 01:04:00,720
Speaker 1: Owen Eleson. He's hilarious and he was upset with lunch,

1437
01:04:01,160 --> 01:04:03,240
Speaker 1: and so he would start the discussion about what we

1438
01:04:03,240 --> 01:04:06,200
Speaker 1: were going to order at like ten thirty, like he

1439
01:04:06,240 --> 01:04:09,240
Speaker 1: couldn't wait, and we would order all kinds of crazy shit.

1440
01:04:09,320 --> 01:04:10,840
Speaker 1: And there was one day where we were all sitting

1441
01:04:10,840 --> 01:04:15,680
Speaker 1: around eating ramen out of these bigs like styrofoam bowls,

1442
01:04:16,000 --> 01:04:19,720
Speaker 1: and it was just like throwing soup at your face,

1443
01:04:19,800 --> 01:04:22,960
Speaker 1: like it was impossible to not eat sloppy and gross,

1444
01:04:22,960 --> 01:04:25,680
Speaker 1: where it's just like this is insane, like this is

1445
01:04:26,640 --> 01:04:29,200
Speaker 1: this is like every dream I've ever had come true,

1446
01:04:29,360 --> 01:04:31,000
Speaker 1: or like I get to be in a room with

1447
01:04:31,080 --> 01:04:33,840
Speaker 1: really great people. But then there's also this kind of

1448
01:04:33,880 --> 01:04:37,400
Speaker 1: food element of like do we all have to agree

1449
01:04:37,440 --> 01:04:41,760
Speaker 1: together what we want today? It just that part of it. Really,

1450
01:04:41,880 --> 01:04:43,560
Speaker 1: I love the camaraderie of it.

1451
01:04:43,760 --> 01:04:47,400
Speaker 3: How about wings with a communal bucket of buffalo sauce.

1452
01:04:48,120 --> 01:04:51,480
Speaker 4: Well, it's always nice when someone suggests like a table

1453
01:04:51,520 --> 01:04:53,240
Speaker 4: food item, like all right, you want to do some

1454
01:04:53,280 --> 01:04:56,080
Speaker 4: table caeso and like no one's going to turn that down,

1455
01:04:56,240 --> 01:04:58,600
Speaker 4: or like yeah, all right, you guys do calamari, calamari

1456
01:04:58,680 --> 01:04:59,240
Speaker 4: for the table.

1457
01:05:01,680 --> 01:05:04,680
Speaker 1: Fancy some kind of fancy sushi that everyone said, Oh yeah,

1458
01:05:04,680 --> 01:05:05,720
Speaker 1: we gotta do it, we gotta do.

1459
01:05:05,840 --> 01:05:08,400
Speaker 4: You feel less bad about the extravagance when you say

1460
01:05:08,400 --> 01:05:14,200
Speaker 4: it's for the table, Uh the dream?

1461
01:05:14,520 --> 01:05:18,160
Speaker 2: Yeah, one day again, one day I'll eat communally.

1462
01:05:18,600 --> 01:05:19,040
Speaker 1: You will.

1463
01:05:19,160 --> 01:05:21,680
Speaker 2: You're gonna get there fingers crossed for him?

1464
01:05:21,760 --> 01:05:23,360
Speaker 1: Is there anything else you want to plug? Yeah?

1465
01:05:23,840 --> 01:05:24,080
Speaker 2: Away?

1466
01:05:27,680 --> 01:05:30,600
Speaker 4: My podcast for he Man were dance hour, that's mine.

1467
01:05:30,640 --> 01:05:33,040
Speaker 4: That's kind of where the space is right here. And

1468
01:05:33,080 --> 01:05:35,200
Speaker 4: then I guess the special that you saw that it

1469
01:05:35,320 --> 01:05:37,360
Speaker 4: was on sisow back in the day, and then Comedy

1470
01:05:37,400 --> 01:05:40,080
Speaker 4: Central got it, so it's on their YouTube. Now. That's great,

1471
01:05:40,120 --> 01:05:42,640
Speaker 4: So that one's called there's no business like show business.

1472
01:05:43,080 --> 01:05:45,240
Speaker 4: I'm starting to put more clips on my just like

1473
01:05:45,680 --> 01:05:48,439
Speaker 4: you know, current stand up clips on my YouTube, which

1474
01:05:48,480 --> 01:05:51,800
Speaker 4: is just YouTube dot com slash himan or and then

1475
01:05:51,840 --> 01:05:54,520
Speaker 4: you know Forhima or for Instagram and Twitter and all that.

1476
01:05:55,400 --> 01:05:56,480
Speaker 4: I think that's about it.

1477
01:05:56,320 --> 01:05:57,360
Speaker 2: And we will see.

1478
01:05:57,400 --> 01:06:00,960
Speaker 3: I can't promote it enough his self audition for the

1479
01:06:01,840 --> 01:06:03,320
Speaker 3: and then of course is.

1480
01:06:03,240 --> 01:06:06,080
Speaker 2: It Dino Can't stopul Us. Now that's someone's real name,

1481
01:06:06,600 --> 01:06:10,360
Speaker 2: that's Lance Can't stopul Us.

1482
01:06:11,600 --> 01:06:13,280
Speaker 4: There's a lot. I think there's a lot of I

1483
01:06:13,320 --> 01:06:15,440
Speaker 4: always try to put like stand up clips or sketches

1484
01:06:15,480 --> 01:06:18,240
Speaker 4: and stuff. So that's like a good entry point if

1485
01:06:18,280 --> 01:06:20,680
Speaker 4: you are any bit curious about me.

1486
01:06:21,040 --> 01:06:23,800
Speaker 3: Yeah, I can't wait to see you again. You're you know,

1487
01:06:23,880 --> 01:06:26,760
Speaker 3: you get tired of watching a lot of comics. And

1488
01:06:26,800 --> 01:06:28,800
Speaker 3: when I'm at the store, I'm like, I don't know

1489
01:06:28,880 --> 01:06:30,840
Speaker 3: a lot of these people. It's not my scene. I

1490
01:06:30,880 --> 01:06:33,200
Speaker 3: was always relieved when you were there.

1491
01:06:33,280 --> 01:06:36,360
Speaker 4: So uh, that's a nice measure. Funds come by, man,

1492
01:06:36,400 --> 01:06:37,680
Speaker 4: I love you too, like it's always nice.

1493
01:06:37,800 --> 01:06:40,280
Speaker 2: Yeah, I will. I'm gonna, I keep saying I will.

1494
01:06:40,440 --> 01:06:43,440
Speaker 3: I just gotta have a private conversation with you about

1495
01:06:43,480 --> 01:06:45,480
Speaker 3: parking and then I'll be there with bells on.

1496
01:06:45,800 --> 01:06:47,919
Speaker 4: Karen, you got to come too, come to the comedy store, will.

1497
01:06:47,840 --> 01:06:50,440
Speaker 1: Hang out absolutely if you do. Lance can't stop us.

1498
01:06:50,960 --> 01:06:53,360
Speaker 1: Be in the front row, and I will have seven questions.

1499
01:06:54,560 --> 01:06:54,959
Speaker 2: I love.

1500
01:06:55,320 --> 01:06:56,200
Speaker 1: I love that idea.

1501
01:06:56,960 --> 01:06:59,200
Speaker 3: Yeah, I'll save all these questions that I was I

1502
01:06:59,280 --> 01:07:00,840
Speaker 3: really did hilarious.

1503
01:07:01,000 --> 01:07:02,560
Speaker 2: Yeah, yeah, so funny.

1504
01:07:02,960 --> 01:07:04,400
Speaker 1: How do you think of these bits? I mean he

1505
01:07:04,400 --> 01:07:05,360
Speaker 1: hasn't done any bit.

1506
01:07:05,520 --> 01:07:07,840
Speaker 4: Yeah, he's like, what are bits? I have no idea

1507
01:07:07,880 --> 01:07:08,320
Speaker 4: what that is.

1508
01:07:09,200 --> 01:07:13,600
Speaker 2: I'm just gonna ask dance related questions. I can't mean.

1509
01:07:13,680 --> 01:07:15,040
Speaker 4: Lance would love nothing more than that.

1510
01:07:16,360 --> 01:07:18,240
Speaker 2: Thanks for being on today, buddy, of course.

1511
01:07:18,240 --> 01:07:19,000
Speaker 4: Thanks for having me.

1512
01:07:19,360 --> 01:07:22,840
Speaker 2: Yeah, yeah, you've been listening to Do You Need a Ride?

1513
01:07:23,160 --> 01:07:31,760
Speaker 2: D yn hey R. This has been an exactly right production.

1514
01:07:32,000 --> 01:07:33,800
Speaker 1: Produced by Analise Nelson.

1515
01:07:33,560 --> 01:07:37,720
Speaker 5: Engineered by Stephen Ray Morris, mixed by Ryo Bown. Theme

1516
01:07:37,800 --> 01:07:41,600
Speaker 5: song by Karen Kilgareth artwork by Chris Fairbanks. Follow the

1517
01:07:41,640 --> 01:07:46,520
Speaker 5: show on Instagram, Twitter, and Facebook at dinar podcast That's

1518
01:07:46,760 --> 01:07:49,360
Speaker 5: d yn Ar Podcast.

1519
01:07:49,600 --> 01:07:52,400
Speaker 1: For more information, go to exactly rightmedia dot com.

1520
01:07:52,640 --> 01:07:57,200
Speaker 5: Listen, subscribe, leave us a review on Apple Podcasts, Stitch

1521
01:07:57,520 --> 01:07:59,400
Speaker 5: or wherever you get your podcasts.

1522
01:07:59,720 --> 01:08:01,720
Speaker 4: Thank you and you're welcome.

1523
01:08:17,840 --> 01:08:19,000
Speaker 2: See I Do sounds too,