1 00:00:00,800 --> 00:00:07,880 Speaker 1: The real people, real celebrity joined the Breakfast Morning. Everybody 2 00:00:08,039 --> 00:00:11,000 Speaker 1: is DJ Envy angela ye, Charlemagne the guy. We are 3 00:00:11,039 --> 00:00:13,840 Speaker 1: the Breakfast Club. We got a special guest in the building, 4 00:00:14,440 --> 00:00:18,279 Speaker 1: Case Case walks in here incins ANGELI, thank you for 5 00:00:18,400 --> 00:00:23,239 Speaker 1: last night. Thank you nice damn touch me? Tease me? 6 00:00:24,040 --> 00:00:28,120 Speaker 1: Whoa Okay, don't be jealous, guys, what happened last night? 7 00:00:28,160 --> 00:00:30,840 Speaker 1: He Actually I was at Case was performing. He has 8 00:00:30,880 --> 00:00:40,440 Speaker 1: an album now right now thing, Okay, she's hosting What's 9 00:00:40,520 --> 00:00:46,000 Speaker 1: Wrong with You? It's like your sixth studio album, right fifth? Okay, okay, okay. 10 00:00:46,120 --> 00:00:47,680 Speaker 1: You know, do you feel like you even got to 11 00:00:47,680 --> 00:00:50,120 Speaker 1: make new music? Because Tyres said his next album is 12 00:00:50,120 --> 00:00:51,640 Speaker 1: gonna be his last album because he feels like his 13 00:00:51,680 --> 00:00:57,040 Speaker 1: catalog is enough. That's what's up. I mean, if that's 14 00:00:57,040 --> 00:00:58,640 Speaker 1: how you feel. I mean, I make music because I 15 00:00:58,720 --> 00:01:01,960 Speaker 1: enjoy it. But I mean that I didn't hear that one. 16 00:01:01,960 --> 00:01:04,520 Speaker 1: That's that's all right, he said, that's all right. Yeah. Now, 17 00:01:04,560 --> 00:01:06,440 Speaker 1: you started off in a group that you've been solo 18 00:01:06,520 --> 00:01:09,360 Speaker 1: ever since, right, would you ever consider doing something like, 19 00:01:09,520 --> 00:01:12,720 Speaker 1: you know, trying to do a supergroup. Actually, it was 20 00:01:12,760 --> 00:01:14,240 Speaker 1: something that I was supposed to do. Like that, but 21 00:01:14,280 --> 00:01:16,360 Speaker 1: it wasn't gonna be like a TGT type of thing. 22 00:01:16,400 --> 00:01:19,440 Speaker 1: It's gonna be like rock music. Oh really, Yeah, we 23 00:01:19,600 --> 00:01:22,280 Speaker 1: just never got his neighbor, never able to get off 24 00:01:22,319 --> 00:01:25,480 Speaker 1: the ground yet, but we was working on it a 25 00:01:25,520 --> 00:01:28,559 Speaker 1: love rock, love rock. Was it people that we would 26 00:01:28,560 --> 00:01:30,480 Speaker 1: know that you were planning to him? Yeah? It was 27 00:01:30,520 --> 00:01:33,600 Speaker 1: me um Nokio from Drew Hill, and we was trying 28 00:01:33,600 --> 00:01:35,480 Speaker 1: to figure out who else, but we couldn't find nobody 29 00:01:35,560 --> 00:01:38,400 Speaker 1: that wasn't that was gonna fit, that was like minded. 30 00:01:38,440 --> 00:01:41,280 Speaker 1: And yeah, it was always something wrong with him, like 31 00:01:44,440 --> 00:01:48,080 Speaker 1: some got to be wrong with got wrong with somebody 32 00:01:48,200 --> 00:01:51,160 Speaker 1: and that's okay, but we it just it got a 33 00:01:51,200 --> 00:01:53,200 Speaker 1: mesh on some level and then we could deal with 34 00:01:53,200 --> 00:01:56,600 Speaker 1: the nonsense later. It never really meshed. So well, it's 35 00:01:56,640 --> 00:01:59,080 Speaker 1: been so was this in this course of time? It's 36 00:01:59,080 --> 00:02:01,520 Speaker 1: been five years since you about your last album? Was 37 00:02:01,560 --> 00:02:03,760 Speaker 1: it during that time or before that? Man, We've been 38 00:02:03,760 --> 00:02:06,120 Speaker 1: talking about this forever and doing it like we'd do 39 00:02:06,200 --> 00:02:08,640 Speaker 1: a song here song man. So I mean it's been 40 00:02:08,639 --> 00:02:11,959 Speaker 1: going on for the longest. Still a possibility maybe since 41 00:02:11,960 --> 00:02:14,200 Speaker 1: you had some Yeah, yeah, yeah, I mean it's definitely 42 00:02:14,200 --> 00:02:16,079 Speaker 1: a possibility. You think they'll accept you as that dough 43 00:02:16,080 --> 00:02:17,760 Speaker 1: because they know you as the R and B guy. 44 00:02:18,040 --> 00:02:20,680 Speaker 1: Happily ever After, you know, touch Me Tease Me. You 45 00:02:20,680 --> 00:02:23,919 Speaker 1: think they'll accept the rest. I mean they may or 46 00:02:23,960 --> 00:02:26,120 Speaker 1: they may not, but it's something that that I enjoy 47 00:02:26,600 --> 00:02:28,160 Speaker 1: and like, I mean, at least I can say I 48 00:02:28,160 --> 00:02:29,280 Speaker 1: did it. You know what I'm saying. It'd be a 49 00:02:29,360 --> 00:02:31,160 Speaker 1: challenge for me. But how much money you think you've 50 00:02:31,160 --> 00:02:33,359 Speaker 1: made off touch Me Tease Me and Happily ever After? Man, 51 00:02:33,639 --> 00:02:36,960 Speaker 1: those are two records that you probably could sustaining forever. Yeah, 52 00:02:37,000 --> 00:02:39,280 Speaker 1: because everybody went, yeah, yeah, everybody want to hear that 53 00:02:39,320 --> 00:02:42,480 Speaker 1: they wedding it, touched Me Tease Me. Yeah, they still 54 00:02:42,480 --> 00:02:44,600 Speaker 1: play that like it just came out. I'm with that though. 55 00:02:46,840 --> 00:02:48,200 Speaker 1: Now I just got to get it to the point 56 00:02:48,200 --> 00:02:51,119 Speaker 1: where where I could stop because my catalog from Nose 57 00:02:51,240 --> 00:02:54,520 Speaker 1: is enough. I gotta get to that. So you gotta 58 00:02:54,520 --> 00:02:59,200 Speaker 1: get on your job. Was saying though, because it's like 59 00:02:59,200 --> 00:03:01,000 Speaker 1: people wanted to hear the classics. You go out there, 60 00:03:01,080 --> 00:03:03,760 Speaker 1: it's like new music may or may not be received well, 61 00:03:03,800 --> 00:03:08,079 Speaker 1: but classics are always gonna be classics. Yeah, I mean, 62 00:03:08,160 --> 00:03:10,560 Speaker 1: what's wrong? I got classics? But I'm still doing new music. 63 00:03:10,560 --> 00:03:15,280 Speaker 1: I mean, that's that's a defeatist mentality that that kind 64 00:03:15,280 --> 00:03:18,120 Speaker 1: of sounds like giving up. Yeah, I can see why 65 00:03:18,120 --> 00:03:20,440 Speaker 1: you would say that, Like, yeah, I'm like, make new 66 00:03:20,520 --> 00:03:21,800 Speaker 1: music if that's what you know what I'm saying, that's 67 00:03:21,800 --> 00:03:24,200 Speaker 1: what you enjoying. If you don't enjoy doing it anymore, 68 00:03:24,680 --> 00:03:27,119 Speaker 1: then I can see. But the way you said, I'm like, yeah, 69 00:03:27,120 --> 00:03:33,360 Speaker 1: my catalog is enough, Like that's I'm like, wow, peasants, 70 00:03:33,560 --> 00:03:36,800 Speaker 1: That's that's how That's how I take it. He said. 71 00:03:36,800 --> 00:03:38,400 Speaker 1: He goes still do group stuff though he said, here's 72 00:03:38,440 --> 00:03:42,000 Speaker 1: no more solo albums. Here's my thing. Stevie Wonders catalog 73 00:03:42,120 --> 00:03:43,480 Speaker 1: is enough, but he put out a new album a 74 00:03:43,480 --> 00:03:45,440 Speaker 1: couple of years ago. True, because that's that's what you 75 00:03:45,560 --> 00:03:46,960 Speaker 1: like to do it because you love it. I don't 76 00:03:46,960 --> 00:03:49,240 Speaker 1: think most people probably could do R and B music 77 00:03:49,280 --> 00:03:54,480 Speaker 1: and be successful at it if they don't love it. Right, 78 00:03:54,840 --> 00:03:58,120 Speaker 1: And he's been doing stuff forever, like I mean his catalog, 79 00:03:58,240 --> 00:04:01,280 Speaker 1: I would say, his catalog is enough. But you've been 80 00:04:01,280 --> 00:04:03,760 Speaker 1: in the game for twenty years almost, right, Yeah, and 81 00:04:03,800 --> 00:04:05,520 Speaker 1: a lot has changed from when you first came out 82 00:04:05,600 --> 00:04:08,400 Speaker 1: until now, especially with social media and all of that. Stuff. 83 00:04:10,200 --> 00:04:12,720 Speaker 1: I'm glad that you had a lot of drama back 84 00:04:12,720 --> 00:04:14,520 Speaker 1: in the day. I had a lot of fun and 85 00:04:14,560 --> 00:04:16,320 Speaker 1: you had a lot of fun, okay, And all I 86 00:04:16,360 --> 00:04:20,560 Speaker 1: had to worry about was Wendy's cameras everywhere. I'm looking 87 00:04:20,560 --> 00:04:22,479 Speaker 1: for the next shot. You actually shot yourself in the 88 00:04:22,480 --> 00:04:24,960 Speaker 1: next one time? Right? Yeah? Yeah, that wasn't fun. How 89 00:04:24,960 --> 00:04:26,839 Speaker 1: do you do that? That wasn't fun. That wasn't fun. 90 00:04:27,360 --> 00:04:29,560 Speaker 1: I am be real. I was drunk and I was 91 00:04:29,640 --> 00:04:31,400 Speaker 1: moving the gun and it had a hair trigger and 92 00:04:31,440 --> 00:04:34,800 Speaker 1: it went off. Yeah, and it went in right there. 93 00:04:34,839 --> 00:04:36,960 Speaker 1: It came out the back. You are so lucky, boy. 94 00:04:37,160 --> 00:04:39,760 Speaker 1: That ain't luck. That's blessed. Now. I was in Atlanta, 95 00:04:40,120 --> 00:04:42,080 Speaker 1: Now that's blessed. That ain't luck. Ain't no luck about that. 96 00:04:42,080 --> 00:04:43,760 Speaker 1: How would you move? You holding the gun like this? 97 00:04:43,880 --> 00:04:46,120 Speaker 1: Like what you? I'm like this And I picked it 98 00:04:46,200 --> 00:04:48,000 Speaker 1: up and I'm sitting on the bed. I picked it 99 00:04:48,080 --> 00:04:51,080 Speaker 1: up off the thing and it went off. Damn bang? 100 00:04:51,320 --> 00:04:52,840 Speaker 1: What was you moving it to? Just to put it up? 101 00:04:52,839 --> 00:04:54,840 Speaker 1: Some one y'all put it in the closet. Oh didn't 102 00:04:54,839 --> 00:04:57,000 Speaker 1: Maybe the stir said the kids were around, but they 103 00:04:57,000 --> 00:05:00,200 Speaker 1: were coming right and to make sure they didn't you know. Yeah, 104 00:05:00,200 --> 00:05:05,159 Speaker 1: so you were being safe still but kind of yeah 105 00:05:05,200 --> 00:05:08,280 Speaker 1: yeah yeah, no, No, I had the best intentions. I 106 00:05:08,320 --> 00:05:09,760 Speaker 1: don't know how I saved out. I had the best 107 00:05:09,760 --> 00:05:14,560 Speaker 1: intentions though. Who called the my girl at the time, Yeah, 108 00:05:14,600 --> 00:05:16,440 Speaker 1: she was the people thought you tried to kill yourself. 109 00:05:17,480 --> 00:05:20,120 Speaker 1: I heard one person. No, let me tell you the 110 00:05:20,120 --> 00:05:23,280 Speaker 1: crazy point. Everybody thought, my girl shot me, like my 111 00:05:23,279 --> 00:05:26,040 Speaker 1: moms flew down there. I'm like, mom, cool, yeah, I'm 112 00:05:26,080 --> 00:05:28,680 Speaker 1: at the airport like everybody, and everybody's looking at her 113 00:05:28,760 --> 00:05:31,320 Speaker 1: up and down like they never got past that. Wow. 114 00:05:34,839 --> 00:05:37,600 Speaker 1: To make sure you can still sing? Because yeah, when 115 00:05:37,600 --> 00:05:40,640 Speaker 1: I came to I got up and I went because 116 00:05:40,640 --> 00:05:42,120 Speaker 1: I didn't know where it hit me. I looked in 117 00:05:42,160 --> 00:05:46,120 Speaker 1: the mirror and I tried to sing because I'm like, yeah, 118 00:05:47,279 --> 00:05:49,480 Speaker 1: you mean immediately after you got shot. I mean what 119 00:05:49,560 --> 00:05:52,120 Speaker 1: I mean when I when I first got up, yeah, 120 00:05:52,160 --> 00:05:54,160 Speaker 1: I wanted to see where it hit me. And then 121 00:05:54,160 --> 00:05:56,760 Speaker 1: when I saw I'm like, oh hell no. So I 122 00:05:56,800 --> 00:05:59,360 Speaker 1: tried to sing, like, not like full out like a song, 123 00:05:59,400 --> 00:06:01,239 Speaker 1: but I just wanted to see could I talk but sing? 124 00:06:01,720 --> 00:06:04,440 Speaker 1: And then I was like, cool, I could sing. I'm good. Yeah, 125 00:06:04,480 --> 00:06:06,359 Speaker 1: I'm good because if I can't sing. We might have 126 00:06:06,400 --> 00:06:09,560 Speaker 1: to finish that off. Now you're gonna hand your girl 127 00:06:09,600 --> 00:06:14,200 Speaker 1: the gun and say, yeah, yeah, I don't ask you 128 00:06:14,240 --> 00:06:15,600 Speaker 1: to do a lot, but I need you to do 129 00:06:15,680 --> 00:06:18,360 Speaker 1: something for me right now. So it wasn't It wasn't 130 00:06:18,400 --> 00:06:21,280 Speaker 1: like nowhere near being fatal. Then it could have been, 131 00:06:21,800 --> 00:06:24,520 Speaker 1: but it missed everything. Yeah, they said like a couple 132 00:06:24,520 --> 00:06:27,120 Speaker 1: of millimeters, and yeah it could have been other than 133 00:06:27,160 --> 00:06:28,640 Speaker 1: that that you was pretty clean. I mean I never 134 00:06:28,640 --> 00:06:30,080 Speaker 1: heard anything about you. I mean you had you had 135 00:06:30,120 --> 00:06:34,719 Speaker 1: a nice little roster of chicks allegedly. Well, I see, 136 00:06:35,000 --> 00:06:37,240 Speaker 1: that's why I'm saying I'm glad social media wasn't around. 137 00:06:37,279 --> 00:06:38,960 Speaker 1: All I had to worry about was Wendy and me. 138 00:06:39,000 --> 00:06:40,920 Speaker 1: And Wendy was cool. She would call me and be like, look, 139 00:06:41,520 --> 00:06:44,440 Speaker 1: I got a stack of stuff about tracks facts because yeah, 140 00:06:44,440 --> 00:06:46,880 Speaker 1: she would get the facts and she would given to me. 141 00:06:46,920 --> 00:06:49,120 Speaker 1: I read them. She'd be like, I'm just telling you, 142 00:06:49,160 --> 00:06:52,880 Speaker 1: I'm not gonna blow you up Williams talking about Okay, 143 00:06:53,000 --> 00:06:54,800 Speaker 1: why would she like you so much not to do that? 144 00:06:55,040 --> 00:07:02,800 Speaker 1: I'm likable? Oh no, no, not like that. But then too, 145 00:07:02,880 --> 00:07:08,120 Speaker 1: you know what I forgot, um, I was I went 146 00:07:08,160 --> 00:07:10,640 Speaker 1: to I was in like third grade with Wendy's husband 147 00:07:11,680 --> 00:07:15,000 Speaker 1: and when he proposed to her, I sang. He was like, Yo, 148 00:07:15,040 --> 00:07:16,920 Speaker 1: I'm just start singing. I'm a proposed to her. So 149 00:07:16,960 --> 00:07:19,840 Speaker 1: maybe that was why. I don't know. Yeah, I grew 150 00:07:19,880 --> 00:07:21,560 Speaker 1: up in Brooklyn and then I moved to my under 151 00:07:21,600 --> 00:07:23,800 Speaker 1: when I was a teenager, so maybe that was it. Okay, yeah, 152 00:07:23,840 --> 00:07:25,880 Speaker 1: that's your messing with her husband. Y'all was cool. You 153 00:07:25,920 --> 00:07:28,760 Speaker 1: sang for them. She can't let you, yeah, and I'm 154 00:07:28,800 --> 00:07:31,560 Speaker 1: with that. I was with that. I'm like that, She's like, 155 00:07:31,600 --> 00:07:33,720 Speaker 1: I'm just calling to let you know that you need 156 00:07:33,760 --> 00:07:35,560 Speaker 1: to move a little different. And I mean they were 157 00:07:35,560 --> 00:07:38,080 Speaker 1: straight snatching, yeah, because people were saying you was dead 158 00:07:38,080 --> 00:07:40,040 Speaker 1: and Beyonce, I know you've denied that, but she was 159 00:07:40,080 --> 00:07:43,080 Speaker 1: in the video. Happily anybody in the video they say 160 00:07:43,120 --> 00:07:46,600 Speaker 1: you're dating. Did you ever notice that anybody or anybody 161 00:07:46,600 --> 00:07:51,320 Speaker 1: you do a song with. I never knowed anytime, but 162 00:07:51,400 --> 00:07:53,840 Speaker 1: anytime the girl is in the video, oh yeah, they 163 00:07:53,920 --> 00:07:55,960 Speaker 1: go together like I guess you're supposed to have that 164 00:07:56,600 --> 00:07:58,960 Speaker 1: type of chemistry though, that's the point of doing a video, 165 00:07:59,000 --> 00:08:01,560 Speaker 1: so it looks real, like you know, yeah, but they 166 00:08:01,640 --> 00:08:03,760 Speaker 1: just go all away with it. Did you pick her 167 00:08:03,760 --> 00:08:07,000 Speaker 1: for it? Because they wanted? Um there was like different 168 00:08:07,080 --> 00:08:09,040 Speaker 1: video chicks that was out of the time, and I 169 00:08:09,120 --> 00:08:10,920 Speaker 1: was like, they was in too much stuff. I wanted 170 00:08:10,960 --> 00:08:15,120 Speaker 1: somebody knew, So I was like, that's who I want 171 00:08:15,760 --> 00:08:18,760 Speaker 1: the no no no no no videos. And a matter 172 00:08:18,760 --> 00:08:20,640 Speaker 1: of fact, I was in his office. I'm like, yeah, 173 00:08:20,760 --> 00:08:24,520 Speaker 1: right there, yeah, so yeah, yeah yeah. Did did you 174 00:08:24,560 --> 00:08:26,280 Speaker 1: know that you could look at her until it? She's 175 00:08:26,320 --> 00:08:30,520 Speaker 1: gonna be your superstar? Yeah? Man? If not she was. 176 00:08:30,680 --> 00:08:32,800 Speaker 1: I knew she was gonna be in that video. I 177 00:08:32,880 --> 00:08:36,240 Speaker 1: knew that. I knew that. I was still up Kevin 178 00:08:36,320 --> 00:08:39,440 Speaker 1: Lao's death, like this is happening. He was like you sure, yes, 179 00:08:39,520 --> 00:08:43,480 Speaker 1: I'm sure. There was resistance. Yeah he wanted. Yeah, they wanted, 180 00:08:43,559 --> 00:08:48,839 Speaker 1: Like who wanted? I don't even Nia Long would have 181 00:08:48,840 --> 00:08:53,120 Speaker 1: been bad And then there was Yeah. Then people were saying, 182 00:08:53,160 --> 00:08:55,720 Speaker 1: like foolishness. I'm like, nab, you couldn't lose either way 183 00:08:55,760 --> 00:08:57,959 Speaker 1: with nia Long or Beyonce though, But at that time, 184 00:08:58,000 --> 00:09:00,240 Speaker 1: I think nia Long was in something else and that's 185 00:09:00,280 --> 00:09:02,800 Speaker 1: why I didn't want to do it. Okay, she was 186 00:09:02,800 --> 00:09:04,920 Speaker 1: in somebody else's video, I think, and I didn't want 187 00:09:04,920 --> 00:09:07,240 Speaker 1: to be that guy. So I'm like, I need to 188 00:09:07,280 --> 00:09:09,760 Speaker 1: do something different. And Foxy Brownie said she did that 189 00:09:09,800 --> 00:09:12,080 Speaker 1: feature for free because she was begging her up, touch me, 190 00:09:12,120 --> 00:09:17,760 Speaker 1: tease me. Just throwed him against them all and see 191 00:09:17,800 --> 00:09:23,000 Speaker 1: if it sticks. Now that I've never heard, but I 192 00:09:23,440 --> 00:09:26,400 Speaker 1: would like to categorically did not that one? Which one 193 00:09:26,440 --> 00:09:30,040 Speaker 1: that she did the feature for free? That I smaster? Okay? Category? 194 00:09:30,320 --> 00:09:33,679 Speaker 1: Yeah she was young too, she was young. Yeah, she's 195 00:09:33,679 --> 00:09:35,640 Speaker 1: a little under age. I don't know. Let me look 196 00:09:35,640 --> 00:09:38,000 Speaker 1: at the legal age. I can say when you shoot 197 00:09:38,000 --> 00:09:43,400 Speaker 1: the video at look, there was witnesses, there was Ratner 198 00:09:43,400 --> 00:09:47,200 Speaker 1: shot that video. Yeah. What about Mary J. Blige? What 199 00:09:47,240 --> 00:09:51,200 Speaker 1: about her? Say y'all dated? That was allegedly said that 200 00:09:51,240 --> 00:09:53,760 Speaker 1: was straight you guys dated? And they said you said 201 00:09:53,800 --> 00:09:56,440 Speaker 1: she was abusive towards you. I didn't say, she na, 202 00:09:56,559 --> 00:09:58,200 Speaker 1: that's not what I said. That's not what I said. 203 00:09:58,280 --> 00:10:00,920 Speaker 1: I felt bad. Nah, that wasn't what I said. Let 204 00:10:00,920 --> 00:10:02,160 Speaker 1: me tell you, Let me tell you what happened. This 205 00:10:02,200 --> 00:10:04,480 Speaker 1: is this is how people twist stuff up. So I'm 206 00:10:04,480 --> 00:10:07,640 Speaker 1: doing an interview with this dude, right, and he was like, UM, 207 00:10:08,160 --> 00:10:09,720 Speaker 1: I have to ask you about these rumors. So he 208 00:10:09,760 --> 00:10:11,800 Speaker 1: was saying different stuff He's like, and what about the 209 00:10:11,840 --> 00:10:13,520 Speaker 1: rumor that you used to beat up marry I'm like, 210 00:10:13,559 --> 00:10:15,720 Speaker 1: I ain't never beat up no girls. Like if anything 211 00:10:15,720 --> 00:10:17,960 Speaker 1: I said got scars from her throwing stuff and hitting me, 212 00:10:18,080 --> 00:10:20,440 Speaker 1: That's what I said. And they took that little thing 213 00:10:20,480 --> 00:10:22,880 Speaker 1: and turned into the case said he was abuse. Really 214 00:10:23,200 --> 00:10:27,800 Speaker 1: I mean, but that's not how they said it. Though. 215 00:10:27,960 --> 00:10:30,240 Speaker 1: He was like, hey, Casey said he was battert it. No, 216 00:10:30,480 --> 00:10:32,640 Speaker 1: it was it was in passing. I'm like, yo, what 217 00:10:32,679 --> 00:10:36,360 Speaker 1: did you do it? Whatever was there? Whatever was there 218 00:10:36,440 --> 00:10:41,000 Speaker 1: was mad at you for it? Though? Were you cheating 219 00:10:41,160 --> 00:10:45,960 Speaker 1: or she didn't trust me? Hell? Yeah, no cheating? Yeah? 220 00:10:45,960 --> 00:10:47,280 Speaker 1: What could she be mad at you for? What would 221 00:10:47,320 --> 00:10:49,280 Speaker 1: what would make a woman want to throw something at you? 222 00:10:49,280 --> 00:10:51,160 Speaker 1: You write a song called Happily Ever After, don't live 223 00:10:51,200 --> 00:10:52,640 Speaker 1: and then live up to that. We were talking about 224 00:10:52,679 --> 00:10:55,040 Speaker 1: that last night. That video caused me so much headaches 225 00:10:55,240 --> 00:10:58,880 Speaker 1: because then like, well you should be more romantic. Yeah, 226 00:10:58,920 --> 00:11:03,120 Speaker 1: he's supposed to want to marry. Yeah, but that was 227 00:11:03,200 --> 00:11:06,199 Speaker 1: kind of over the top. So now even though I did, 228 00:11:06,240 --> 00:11:08,280 Speaker 1: I did do that one time for somebody's birthday? Did 229 00:11:08,280 --> 00:11:10,360 Speaker 1: the flowers? Never did it again? Though? You never did 230 00:11:10,360 --> 00:11:13,120 Speaker 1: the Flowers again, you only see the girl flowers once. 231 00:11:13,160 --> 00:11:17,120 Speaker 1: You know, I'm saying I did the flowers like happily. Yeah, yeah, yeah, yeah, 232 00:11:20,520 --> 00:11:23,000 Speaker 1: it's just too much. That is a lot of pressure. 233 00:11:23,000 --> 00:11:24,959 Speaker 1: Always ask there's a lot of pressures, like yo, y'all 234 00:11:24,960 --> 00:11:27,440 Speaker 1: have because y'all Sidney sexy songs. Y'all gotta live up 235 00:11:27,480 --> 00:11:30,360 Speaker 1: to that. Man. Well, you don't got to, but they try, 236 00:11:30,440 --> 00:11:32,600 Speaker 1: they try to make you. They put the pressure on. 237 00:11:32,640 --> 00:11:34,719 Speaker 1: What's what's the most of a different Valentine's Day for 238 00:11:34,800 --> 00:11:37,320 Speaker 1: a young lady where you felt like, boy, I am 239 00:11:37,400 --> 00:11:40,480 Speaker 1: really case oh this one. This used to be my thing. 240 00:11:41,360 --> 00:11:42,599 Speaker 1: He used to be like you sure you're doing it 241 00:11:42,640 --> 00:11:45,760 Speaker 1: for the right reason. Yeah. Like, my girl was in La, 242 00:11:45,920 --> 00:11:48,280 Speaker 1: so I had her friends have her somewhere at a 243 00:11:48,280 --> 00:11:50,640 Speaker 1: certain time. So she actually she was watching me on 244 00:11:50,640 --> 00:11:52,520 Speaker 1: one or six in part because you know, the taped 245 00:11:52,520 --> 00:11:54,920 Speaker 1: the day before. And then I walked in and walked 246 00:11:55,000 --> 00:11:57,640 Speaker 1: up behind her. So she started crying stuff because that's 247 00:11:57,640 --> 00:12:01,640 Speaker 1: what girls do. Your daughter was live, yeah, ok, yeah, 248 00:12:01,679 --> 00:12:03,320 Speaker 1: but she had no idea I was coming to La. 249 00:12:03,960 --> 00:12:06,520 Speaker 1: So then I came walked up behind her. So I 250 00:12:06,559 --> 00:12:08,080 Speaker 1: was like, well, I'm about to go to the hotel. 251 00:12:08,200 --> 00:12:10,760 Speaker 1: So we got to the hotel, had like some champagne. 252 00:12:11,160 --> 00:12:13,120 Speaker 1: It was like a diamond bracelet in the bathroom. It 253 00:12:13,160 --> 00:12:16,640 Speaker 1: was a diamond necklace under the pillow. It was Yeah, 254 00:12:16,480 --> 00:12:18,679 Speaker 1: that was funny. That was a hell of a night. 255 00:12:19,080 --> 00:12:22,000 Speaker 1: It was wifey, you married him now because everybody thought 256 00:12:22,040 --> 00:12:28,439 Speaker 1: she shot me. That's not why. Now we broke it 257 00:12:28,559 --> 00:12:31,680 Speaker 1: for other reasons. But that didn't help. That didn't help. 258 00:12:31,880 --> 00:12:36,040 Speaker 1: My mom is looking at her crazy ever since. Yeah. Now, 259 00:12:36,040 --> 00:12:38,360 Speaker 1: but sounds like faded pictures, missing you, not your friend? 260 00:12:38,400 --> 00:12:41,240 Speaker 1: Did you write all of those? Um? Joe wrote missing 261 00:12:41,280 --> 00:12:46,200 Speaker 1: you and faded pictures? Umho. Timmy Bob wrote not your friend? 262 00:12:46,280 --> 00:12:48,360 Speaker 1: But you wrote for other artists also, Yeah, and I 263 00:12:48,400 --> 00:12:51,400 Speaker 1: wrote I wrote almost all the songs that I've recorded. 264 00:12:51,600 --> 00:12:52,880 Speaker 1: Can you make a lot of money when those who 265 00:12:52,880 --> 00:12:55,920 Speaker 1: wrote your records like that? Yeah, I mean you can. 266 00:12:56,040 --> 00:12:57,760 Speaker 1: You can. You can make it on shows and stuff 267 00:12:57,800 --> 00:12:59,760 Speaker 1: like that. But most of the stuff that I've had 268 00:12:59,800 --> 00:13:02,679 Speaker 1: him albums, I've written A co wrote, I mean co written, Wow, 269 00:13:02,720 --> 00:13:05,600 Speaker 1: that was that was different, co wrote, co written. Ain'tven 270 00:13:05,600 --> 00:13:11,319 Speaker 1: asleep yet? Um, you're an abused man. We understand me 271 00:13:11,400 --> 00:13:16,960 Speaker 1: talking about get us all whooped you? Jojo been your 272 00:13:16,960 --> 00:13:20,080 Speaker 1: manager for what the whole time? Right? Na na um, 273 00:13:20,080 --> 00:13:22,760 Speaker 1: me and Jojo just got back together on that on 274 00:13:22,760 --> 00:13:25,880 Speaker 1: that type of thing about what like summertime. But we've 275 00:13:25,880 --> 00:13:30,959 Speaker 1: been like best friends for like twenty five years. Yeah, 276 00:13:31,200 --> 00:13:33,880 Speaker 1: you know all albums we did together. So I remember 277 00:13:33,880 --> 00:13:35,680 Speaker 1: reading in two thousand and eleven you were working on 278 00:13:35,720 --> 00:13:37,760 Speaker 1: this album. So it took you quite some time to 279 00:13:38,120 --> 00:13:40,440 Speaker 1: get it done. Are you smoking it here? No, that's 280 00:13:40,440 --> 00:13:44,840 Speaker 1: not smoke. He just pulled out it. Yeah, that would 281 00:13:44,840 --> 00:13:48,080 Speaker 1: have been a real rocket roll just like you know 282 00:13:48,120 --> 00:13:51,120 Speaker 1: Snoop did that? Is all right? And just by it 283 00:13:51,200 --> 00:13:54,920 Speaker 1: up absolutely, that's but yeah, so what so it took 284 00:13:54,920 --> 00:13:56,280 Speaker 1: you a long time to kind of get this done? 285 00:13:56,280 --> 00:13:59,199 Speaker 1: How many songs did you do? And what was the delay? Um, 286 00:13:59,320 --> 00:14:02,559 Speaker 1: it wasn't really a delay. Actually there was um a 287 00:14:02,559 --> 00:14:05,640 Speaker 1: different producer that we had that was and he did 288 00:14:05,720 --> 00:14:09,040 Speaker 1: like was seven songs, So we wasted a whole bunch 289 00:14:09,040 --> 00:14:12,720 Speaker 1: of time. Did he turn out to be a lady? So? 290 00:14:12,880 --> 00:14:16,559 Speaker 1: I bet yeah he was a lady operation Yeah? No, no, no, 291 00:14:16,760 --> 00:14:19,840 Speaker 1: he might as well though he just fee yeah yeah, 292 00:14:19,680 --> 00:14:21,160 Speaker 1: yeah he's a bitch. That's one way to say it. 293 00:14:21,440 --> 00:14:26,840 Speaker 1: I prefer a lady, Okay, somebody people know, Yeah, just 294 00:14:26,960 --> 00:14:36,840 Speaker 1: a guy. Nothing if you're a lady. So none did. 295 00:14:36,840 --> 00:14:39,160 Speaker 1: He did like seven eight songs on the album, and 296 00:14:39,200 --> 00:14:41,520 Speaker 1: then once that fell out, I was like, I, well, 297 00:14:41,560 --> 00:14:44,120 Speaker 1: I start over. So we went started over. The din't 298 00:14:44,160 --> 00:14:46,440 Speaker 1: the paperwork wasn't right or he was making it's not 299 00:14:46,480 --> 00:14:48,760 Speaker 1: even that good. It's not even that good. He tried 300 00:14:48,800 --> 00:14:51,400 Speaker 1: to leverage the songs to get a different situation that 301 00:14:51,520 --> 00:14:54,520 Speaker 1: had nothing to do with me resolved. He basically tried 302 00:14:54,520 --> 00:14:56,080 Speaker 1: to strong on me. He tried to call my bluff 303 00:14:56,400 --> 00:14:58,280 Speaker 1: and I don't play that game. I'm like a game 304 00:14:58,400 --> 00:15:02,840 Speaker 1: the finger. Later, does he have any hit tons? Really? Yeah? 305 00:15:03,560 --> 00:15:05,400 Speaker 1: I did to figure out who? He said, what's one 306 00:15:05,440 --> 00:15:10,000 Speaker 1: of them? He said, what's one of them? But yeah, 307 00:15:10,080 --> 00:15:14,480 Speaker 1: so um we went through that and nah, he's not 308 00:15:14,520 --> 00:15:20,680 Speaker 1: relevant anymore. Nah, I'm about the Google. I've no he 309 00:15:20,720 --> 00:15:26,440 Speaker 1: was googling the whole time, producer. But no, it was 310 00:15:26,480 --> 00:15:29,040 Speaker 1: it was. It just took a while. We did about 311 00:15:29,080 --> 00:15:33,080 Speaker 1: maybe thirty songs something like that. Who do you listen to? Now? 312 00:15:34,200 --> 00:15:36,200 Speaker 1: Only thing I listen while right now I'm listening to Kendrick. 313 00:15:36,560 --> 00:15:38,560 Speaker 1: But other than that, I listened Unless there's something like 314 00:15:38,600 --> 00:15:40,400 Speaker 1: that that comes out. I listened to all old music. 315 00:15:40,440 --> 00:15:43,400 Speaker 1: I listened to all motown, Marvin Gay, Stevie, one of 316 00:15:43,400 --> 00:15:46,360 Speaker 1: the Michael Jackson, David Ruffin Temptations, all that stuff. That's like, 317 00:15:46,360 --> 00:15:49,280 Speaker 1: none of the O G R and B cats respect 318 00:15:49,560 --> 00:15:52,120 Speaker 1: what's going on in R and B right now. I 319 00:15:52,160 --> 00:15:55,760 Speaker 1: respect it to an extent, but I think that it 320 00:15:55,800 --> 00:15:58,080 Speaker 1: needs to be balanced, Like we can't always be in 321 00:15:58,080 --> 00:16:00,600 Speaker 1: the club. Every song can't be about trying to take 322 00:16:00,640 --> 00:16:03,040 Speaker 1: these two strippers out the club to the because I mean, 323 00:16:03,080 --> 00:16:05,680 Speaker 1: we all that's fine, but most of my life happens 324 00:16:05,680 --> 00:16:08,160 Speaker 1: outside the club, and I think it's other things that 325 00:16:08,240 --> 00:16:10,200 Speaker 1: we that we could sing about, it we could talk about, 326 00:16:10,840 --> 00:16:13,120 Speaker 1: and that's that's my only thing with is that there 327 00:16:13,160 --> 00:16:14,640 Speaker 1: needs to be some balance, Like it can't be that 328 00:16:14,840 --> 00:16:16,440 Speaker 1: all the time. What do you what do you think 329 00:16:16,440 --> 00:16:24,960 Speaker 1: it is? You think that ladies aren't the same anymore? Na? 330 00:16:25,280 --> 00:16:26,880 Speaker 1: That could be a little bit of it. But what 331 00:16:26,920 --> 00:16:28,520 Speaker 1: I really think is that when hip hop and R 332 00:16:28,560 --> 00:16:31,920 Speaker 1: and B got together, that somewhere along the lines of 333 00:16:31,960 --> 00:16:34,840 Speaker 1: that R and B lusts identity and became more hip 334 00:16:34,920 --> 00:16:39,000 Speaker 1: hop than R and B. And that's yeah, yeah, hip 335 00:16:39,000 --> 00:16:41,760 Speaker 1: hop maintained this identity and but R and B didn't. 336 00:16:41,800 --> 00:16:43,520 Speaker 1: It kind of merged into it and now it's some 337 00:16:44,480 --> 00:16:46,960 Speaker 1: mutant offspring. Now. I was reading an article about why 338 00:16:47,040 --> 00:16:50,120 Speaker 1: marriages don't work today anymore like they used to, and 339 00:16:50,200 --> 00:16:52,560 Speaker 1: a lot of what they said in the article was 340 00:16:52,600 --> 00:16:53,920 Speaker 1: a lot of it has to do with social media. 341 00:16:54,000 --> 00:16:56,080 Speaker 1: We're distracted. We go to bed, we're not in bed alone. 342 00:16:56,120 --> 00:16:58,480 Speaker 1: We're in bed with our phone, paying attention to other things, 343 00:16:58,880 --> 00:17:01,360 Speaker 1: looking at other people that have like bodies that we 344 00:17:01,440 --> 00:17:06,199 Speaker 1: don't have, and you know, pop yeah to those ideas, 345 00:17:06,200 --> 00:17:08,120 Speaker 1: and that's why a lot of people can't maintain marriages. 346 00:17:08,119 --> 00:17:10,320 Speaker 1: And I had a conversation about that last night. Yeah. 347 00:17:10,359 --> 00:17:12,840 Speaker 1: And it's sad too because a lot of the stuff 348 00:17:12,880 --> 00:17:14,879 Speaker 1: that you see on social media is fake. It's like 349 00:17:14,920 --> 00:17:16,480 Speaker 1: when you get member. People used to get like the 350 00:17:16,560 --> 00:17:20,639 Speaker 1: Nissan and put like a Ferrari kid on it. They 351 00:17:20,640 --> 00:17:22,879 Speaker 1: put the Bentley kid on the filor that's what they 352 00:17:22,960 --> 00:17:24,879 Speaker 1: doing with their bodies. You're still a Nissan, but you 353 00:17:24,960 --> 00:17:27,280 Speaker 1: got the kid on it, and now you're on Instagram. 354 00:17:27,320 --> 00:17:30,000 Speaker 1: But like we were talking about that yesterday, it's kind 355 00:17:30,000 --> 00:17:32,560 Speaker 1: of sad. But I want to go back to the 356 00:17:32,640 --> 00:17:34,840 Speaker 1: hip hop arm and be thinking when you was Was 357 00:17:34,880 --> 00:17:36,480 Speaker 1: that a conscious decision you would make when you would 358 00:17:36,480 --> 00:17:38,119 Speaker 1: do records with hip hop artists like, yo, let me 359 00:17:38,160 --> 00:17:40,359 Speaker 1: maintain my R and bs, I'm not gonna sing about 360 00:17:40,400 --> 00:17:44,840 Speaker 1: shooting tonight or whatever. You know what. My thing is 361 00:17:44,840 --> 00:17:47,000 Speaker 1: that I always try to make music from an honest place, 362 00:17:47,119 --> 00:17:49,440 Speaker 1: and so that was never like if I'm sitting there 363 00:17:49,440 --> 00:17:51,320 Speaker 1: coming out with something that would never even cross my 364 00:17:51,359 --> 00:17:54,000 Speaker 1: mind this thing about that honestly. So that's why that's 365 00:17:54,040 --> 00:17:56,200 Speaker 1: why I never did. And I've had songs where people 366 00:17:56,320 --> 00:17:58,520 Speaker 1: was like, say, right, we had songs where it's like 367 00:17:59,560 --> 00:18:02,359 Speaker 1: some crazy tom foolery and I'm like, yeah, I'm not 368 00:18:02,440 --> 00:18:06,199 Speaker 1: saying that, like I'm not doing it. Like so if 369 00:18:06,200 --> 00:18:08,360 Speaker 1: people wrote for you up, yeah yeah, yeah, okay, yeah, 370 00:18:08,480 --> 00:18:11,679 Speaker 1: I'm like, Yo, did you hear like nav, I'm not 371 00:18:11,720 --> 00:18:13,880 Speaker 1: saying that it's the craziest thing that you just threw 372 00:18:13,880 --> 00:18:16,000 Speaker 1: off the table and get that out of the studio. Oh, 373 00:18:16,040 --> 00:18:22,119 Speaker 1: there's tons of them, um, the craziest Uh, I don't know, 374 00:18:22,160 --> 00:18:24,600 Speaker 1: it's a ton of them. But it's like, uh, drip drop, 375 00:18:24,640 --> 00:18:28,080 Speaker 1: drip drip drop. I've had worked way worse than that. 376 00:18:29,080 --> 00:18:33,720 Speaker 1: Drip drop kind of I don't love it, but I 377 00:18:33,760 --> 00:18:35,440 Speaker 1: like it. When I first thought, I was like ah, 378 00:18:35,720 --> 00:18:37,639 Speaker 1: but then it's like, can't get that? And then you 379 00:18:37,720 --> 00:18:42,720 Speaker 1: walking around the crib like drop. Yeah, but no, it's 380 00:18:42,760 --> 00:18:44,919 Speaker 1: a lot of times you get like some nonsense and 381 00:18:44,920 --> 00:18:46,560 Speaker 1: I don't even want to call it nonsense. But if 382 00:18:46,600 --> 00:18:49,199 Speaker 1: I don't, it's just not me. So I don't do 383 00:18:49,240 --> 00:18:51,880 Speaker 1: stuff that's that's not me. People can tell when you're faking. 384 00:18:52,200 --> 00:18:53,879 Speaker 1: I grew up with Jehovah witness too. By the way, 385 00:18:54,320 --> 00:18:57,280 Speaker 1: Oh you know the pain and struggle. Did you really 386 00:18:57,320 --> 00:19:01,000 Speaker 1: like quit did Jehovah religion just to pursue us? Well? 387 00:19:01,000 --> 00:19:04,040 Speaker 1: I was quitting anyway, or did you get this fellowship? Now? 388 00:19:04,080 --> 00:19:08,520 Speaker 1: I never got baptized my man like my thing? Yeah 389 00:19:08,600 --> 00:19:10,560 Speaker 1: see my thing was day was like as long as 390 00:19:10,560 --> 00:19:13,439 Speaker 1: you in this house, well you know you're not going 391 00:19:13,520 --> 00:19:16,440 Speaker 1: to be doing that because that's worldly. So I was like, well, 392 00:19:16,440 --> 00:19:21,240 Speaker 1: I'm out because I wasn't, couldn't. Here's the best part though, 393 00:19:21,680 --> 00:19:24,240 Speaker 1: By the time touch me, tease me came out, none 394 00:19:24,280 --> 00:19:26,000 Speaker 1: of them getting win no more. And then they looking 395 00:19:26,040 --> 00:19:32,119 Speaker 1: at me at Christmas time like word birthdays. That's now 396 00:19:32,119 --> 00:19:36,520 Speaker 1: I don't nobody. Yeah, yeah, I'm like word now everybody 397 00:19:36,880 --> 00:19:39,919 Speaker 1: marry Christmas? What made you want to leave you just 398 00:19:41,040 --> 00:19:43,720 Speaker 1: because it was it was just too much? Ye like 399 00:19:43,760 --> 00:19:47,639 Speaker 1: it's it's just personally to me, it's like a cult. 400 00:19:48,119 --> 00:19:52,760 Speaker 1: That's my personal opinion. Like anything any organization that alienates 401 00:19:52,800 --> 00:19:56,040 Speaker 1: you from the world or even from your family, there's 402 00:19:56,080 --> 00:19:58,800 Speaker 1: something like not right about that to me anyway, Mama. 403 00:19:58,840 --> 00:20:01,000 Speaker 1: That's his words, not mine. But he was thinking that 404 00:20:01,160 --> 00:20:03,040 Speaker 1: every time people come up here and we start talking 405 00:20:03,040 --> 00:20:04,960 Speaker 1: about being Jehovah witness, she always will send me a 406 00:20:05,000 --> 00:20:08,960 Speaker 1: watchtower in a way because she heard I misconstrued what 407 00:20:09,000 --> 00:20:10,760 Speaker 1: the religion was about. I ain't say none of that. 408 00:20:10,840 --> 00:20:13,080 Speaker 1: Let me tell you the new thing though, did you 409 00:20:13,119 --> 00:20:15,320 Speaker 1: know because you used to go up field service Now absolutely, 410 00:20:15,520 --> 00:20:18,240 Speaker 1: they'd be posted up at the airport now really never 411 00:20:18,280 --> 00:20:20,159 Speaker 1: seen that too recently, right when you're coming in. They 412 00:20:20,200 --> 00:20:21,840 Speaker 1: posted it right when you're coming in. I don't even 413 00:20:21,840 --> 00:20:23,439 Speaker 1: they don't even knock on my door on saturdayny Moore. 414 00:20:23,440 --> 00:20:26,479 Speaker 1: They're not as committed that they used to be any 415 00:20:26,520 --> 00:20:29,439 Speaker 1: more now, sir. Who I grew up there was a 416 00:20:29,520 --> 00:20:31,440 Speaker 1: Kingdom Hall right on my corner where they used to 417 00:20:31,440 --> 00:20:32,480 Speaker 1: come and I used to be like, come on, y'all, 418 00:20:32,520 --> 00:20:34,400 Speaker 1: come here every single week. I see you every week. 419 00:20:34,680 --> 00:20:38,360 Speaker 1: You're gonna answer this door one day? Yeah, I see 420 00:20:38,359 --> 00:20:41,400 Speaker 1: you and they're moving now. I've never heard about other 421 00:20:41,520 --> 00:20:43,520 Speaker 1: R and B artists hating on you too much. Did 422 00:20:43,520 --> 00:20:46,920 Speaker 1: you ever have any of those issues? Uh? Because I 423 00:20:46,960 --> 00:20:49,879 Speaker 1: remember we had um actually Charlotte Mane and Emmy and 424 00:20:49,880 --> 00:20:59,600 Speaker 1: skated a fight between Jagged before and talked about it up. 425 00:21:00,080 --> 00:21:02,359 Speaker 1: I never really had I never really had that problem. No. 426 00:21:04,320 --> 00:21:07,280 Speaker 1: I mean I heard somebody say something and then I 427 00:21:07,320 --> 00:21:09,000 Speaker 1: went and approach him about it, because you know, they 428 00:21:09,000 --> 00:21:14,640 Speaker 1: hadn't say little stuff. It'd be little young man, nah, 429 00:21:14,680 --> 00:21:17,159 Speaker 1: but like it'd be like it would be little stuff 430 00:21:17,200 --> 00:21:19,359 Speaker 1: like when we're doing shows and stuff like I'm not 431 00:21:19,760 --> 00:21:23,680 Speaker 1: going on before and none, and then chalking not knowing 432 00:21:23,720 --> 00:21:25,320 Speaker 1: that you're talking to somebody that I went to high 433 00:21:25,320 --> 00:21:28,040 Speaker 1: school with. And then he calls me and he like, yo, 434 00:21:28,080 --> 00:21:31,520 Speaker 1: your man was talking. So I'm like, yo, what's the problem. Nah? 435 00:21:31,560 --> 00:21:34,160 Speaker 1: I was just saying what's up? Or even he'll walk 436 00:21:34,200 --> 00:21:36,200 Speaker 1: up see how me and you right here. He'll walk 437 00:21:36,280 --> 00:21:37,719 Speaker 1: past me and go to him be like, yo, your 438 00:21:37,720 --> 00:21:39,719 Speaker 1: man got a problem with me. He's like you just 439 00:21:39,720 --> 00:21:44,080 Speaker 1: walked away from him. But but I never really got 440 00:21:44,080 --> 00:21:46,280 Speaker 1: too much hate, not in my face anyway. Do you 441 00:21:46,320 --> 00:21:48,760 Speaker 1: plan on going on torning how to support this album? Yeah, 442 00:21:48,760 --> 00:21:50,159 Speaker 1: we got a big toy working on this for the 443 00:21:50,200 --> 00:21:53,399 Speaker 1: sum time. By yourself, are going to be a na 444 00:21:53,640 --> 00:21:56,720 Speaker 1: not by myself. It's gonna be a thing though, the thing. Yeah, 445 00:21:56,720 --> 00:21:59,280 Speaker 1: it's gonna be a big thing. It's like a secret 446 00:21:59,359 --> 00:22:04,080 Speaker 1: right now to the press conference. Press conference. Yeah, we're 447 00:22:04,119 --> 00:22:07,480 Speaker 1: in the press conference. Yeah. Yeah, it's gonna be crazy. 448 00:22:07,520 --> 00:22:08,760 Speaker 1: All right. Well. I did get a chance to see 449 00:22:08,800 --> 00:22:10,880 Speaker 1: case before him just recently, so it was a great show. 450 00:22:11,000 --> 00:22:12,359 Speaker 1: It was good to hear the hits and a new 451 00:22:12,440 --> 00:22:14,159 Speaker 1: song sound great too. Thank you, thank you, No, I 452 00:22:14,160 --> 00:22:16,600 Speaker 1: know you just put out Timeless and then yeah you 453 00:22:16,760 --> 00:22:19,359 Speaker 1: all shook up for that, I guess and yeah yeah 454 00:22:19,400 --> 00:22:22,160 Speaker 1: yeah they was. Yeah, that was interested last night. Though 455 00:22:22,440 --> 00:22:26,000 Speaker 1: we had some technical issues. Yeah. He kept stopping and 456 00:22:26,119 --> 00:22:28,480 Speaker 1: being like, y'all gonna start that song over because we're 457 00:22:28,480 --> 00:22:31,119 Speaker 1: not doing it like that? Yo. It was yeah, it 458 00:22:31,200 --> 00:22:36,760 Speaker 1: was it was rough. Yo. I'm like, yo, we how 459 00:22:36,840 --> 00:22:40,840 Speaker 1: y'all can't start touching me? Hold on, start that again me? Yo. 460 00:22:40,880 --> 00:22:44,000 Speaker 1: They tried five times to start touching me TV. How 461 00:22:44,000 --> 00:22:45,600 Speaker 1: hard did the start touching me. He was like, this 462 00:22:45,720 --> 00:22:48,000 Speaker 1: the biggest song. The song is big in New York 463 00:22:48,440 --> 00:22:51,520 Speaker 1: and y'all gonna messed that up every d It was 464 00:22:51,560 --> 00:22:56,320 Speaker 1: the band. It was the band, Oh messing up? Yeah, Nah, 465 00:22:56,400 --> 00:22:59,640 Speaker 1: that's the problem is, Yeah, how much did the music 466 00:22:59,640 --> 00:23:04,600 Speaker 1: refle your actual life? Right now? It's like your new music. Uh, 467 00:23:05,000 --> 00:23:08,280 Speaker 1: not a whole lot right this moment. But I mean 468 00:23:08,320 --> 00:23:11,320 Speaker 1: there's things that I've been through and things that I'm 469 00:23:11,320 --> 00:23:14,040 Speaker 1: sure I will go through again. But for the most part, 470 00:23:14,040 --> 00:23:17,240 Speaker 1: I'm kind of cool right now. So and then I'd 471 00:23:17,240 --> 00:23:22,120 Speaker 1: probably start some drama when it's time, right enough album Yeah, yeah, 472 00:23:23,080 --> 00:23:25,600 Speaker 1: just coming to crib. He was breathing, No real man, 473 00:23:25,640 --> 00:23:29,240 Speaker 1: brothers that get abused never represented stories. Man, you know 474 00:23:29,240 --> 00:23:31,399 Speaker 1: what I'm saying. Mary made a lot of money off Herman, 475 00:23:32,000 --> 00:23:34,520 Speaker 1: that's funny. Why can't you? And that could be the 476 00:23:34,560 --> 00:23:37,760 Speaker 1: album cover. Just a picture of a scar that's gangster. 477 00:23:38,760 --> 00:23:42,640 Speaker 1: That's gangster. You have a picture of that's my name name. 478 00:23:44,800 --> 00:23:47,879 Speaker 1: I was named that actually. Now let me tell the 479 00:23:47,880 --> 00:23:50,320 Speaker 1: funny part is that I was named after somebody that 480 00:23:50,400 --> 00:23:52,119 Speaker 1: where he got it from I don't know, but I 481 00:23:52,160 --> 00:23:54,560 Speaker 1: had My godfather's name was Case. He had a son 482 00:23:54,640 --> 00:23:56,680 Speaker 1: named case and his son got killed when he was sixteen, 483 00:23:57,040 --> 00:23:59,760 Speaker 1: and they asked my mom's could they name their first 484 00:23:59,760 --> 00:24:03,919 Speaker 1: sun Casey. And I hated my name growing up because 485 00:24:03,960 --> 00:24:06,800 Speaker 1: from the time I was two, I got teased by 486 00:24:06,880 --> 00:24:11,240 Speaker 1: my cousins. Didn't school, you're a bad case Case it is, y'all. 487 00:24:11,240 --> 00:24:13,400 Speaker 1: I was sick. I'm like, yo, to the point where 488 00:24:13,400 --> 00:24:14,919 Speaker 1: my mom said to me one day, she was like, 489 00:24:14,920 --> 00:24:17,800 Speaker 1: remember you wanted to change her name to Craig. I'm like, 490 00:24:17,840 --> 00:24:19,640 Speaker 1: I bet you, I bet you. Glad. Now I'm like, yeah, 491 00:24:19,680 --> 00:24:24,720 Speaker 1: I'm cool Nowad's name. Yeah, I'm glad. She didn't go 492 00:24:24,720 --> 00:24:26,120 Speaker 1: through it that last Craig. We knew it was Mac 493 00:24:26,119 --> 00:24:32,560 Speaker 1: and that didn't turn out. Yeah, before it just ya. 494 00:24:34,040 --> 00:24:39,040 Speaker 1: You won't be around next year. The album's out right now. 495 00:24:39,040 --> 00:24:40,920 Speaker 1: I told the name of the album again. Heaven's Door. 496 00:24:41,040 --> 00:24:43,600 Speaker 1: Heaven's Door, and we appreciate you joining us, Thank you 497 00:24:43,720 --> 00:24:45,880 Speaker 1: for having me. Man. It's the Breakfast Club Gamani