1 00:00:00,160 --> 00:00:03,520 Speaker 1: Hey everybody. Hey, yeah, welcome back to the show. Very 2 00:00:03,520 --> 00:00:08,479 Speaker 1: excited for today's ridiculous romance. I'm Eli, I'm Diana. We 3 00:00:08,560 --> 00:00:11,120 Speaker 1: are going to be reading some of your letters today. 4 00:00:11,200 --> 00:00:14,120 Speaker 1: So if you don't like this episode, you know, blame yourself. 5 00:00:14,200 --> 00:00:18,720 Speaker 1: Yeah you wrote this. Yeah, either for writing these letters 6 00:00:18,800 --> 00:00:22,560 Speaker 1: or for not writing us better ones. Yeah, look inwards. No, 7 00:00:22,680 --> 00:00:25,239 Speaker 1: this is great. I love this stuff. Very excited to 8 00:00:25,320 --> 00:00:30,120 Speaker 1: hear your words. And what else are we very excited for, Diana? Well, 9 00:00:30,120 --> 00:00:33,479 Speaker 1: we are performing this Friday. Yeah, I'm very excited about that. 10 00:00:33,840 --> 00:00:36,520 Speaker 1: We're actually doing kind of a tiny, eighty bitty version 11 00:00:36,560 --> 00:00:39,520 Speaker 1: of this show on stage. That's right, first time, which 12 00:00:39,520 --> 00:00:42,879 Speaker 1: is so cool. Yes, the show is called Solved for X. 13 00:00:43,000 --> 00:00:46,360 Speaker 1: It's for the Atlanta Science Festival. Our friend Ray Pendergrass 14 00:00:46,400 --> 00:00:48,280 Speaker 1: hosts it, and she just brings in a bunch of 15 00:00:48,280 --> 00:00:51,040 Speaker 1: different talented performers to get up on stage and do 16 00:00:51,080 --> 00:00:56,560 Speaker 1: their thing for five to seven minutes somehow related to science. Right, 17 00:00:56,600 --> 00:00:59,600 Speaker 1: And it doesn't have to be educational right necessarily, And 18 00:00:59,600 --> 00:01:01,600 Speaker 1: it's start won't be because one of the games is 19 00:01:02,080 --> 00:01:06,000 Speaker 1: someone has to do their pH d dissertation as an 20 00:01:06,040 --> 00:01:08,800 Speaker 1: interpretive dance. Yeah, and then someone else who has no 21 00:01:08,840 --> 00:01:14,000 Speaker 1: idea what they're talking about, has to translate everything like improvisationally. Yeah, 22 00:01:14,040 --> 00:01:16,600 Speaker 1: so you we'll get it completely wrong. Yeah, it's gonna 23 00:01:16,600 --> 00:01:19,720 Speaker 1: be hilarious. Um so yeah, if you're in the Atlanta area, 24 00:01:19,840 --> 00:01:22,400 Speaker 1: come check that out. It'll be tonight if you're listening 25 00:01:22,400 --> 00:01:26,360 Speaker 1: to this episode as it drops. True. Yeah, but it'll 26 00:01:26,400 --> 00:01:28,280 Speaker 1: be fun. It'll be at a brewery and we'll be 27 00:01:28,319 --> 00:01:30,720 Speaker 1: talking about Ida and Jupe who had sex in an 28 00:01:30,840 --> 00:01:33,560 Speaker 1: MRI machine. If you guys listen to that episode, that's 29 00:01:33,600 --> 00:01:35,759 Speaker 1: such a good episode. I can't wait too. I mean, 30 00:01:35,800 --> 00:01:37,800 Speaker 1: we only get to do like a seven minute version 31 00:01:37,840 --> 00:01:39,560 Speaker 1: of it, but I think I got a lot of 32 00:01:39,560 --> 00:01:42,560 Speaker 1: good info. But yeah, but that's sort of rapid fire pace. 33 00:01:42,600 --> 00:01:46,280 Speaker 1: I think will only add to the insanity of that episode. Yeah, 34 00:01:46,400 --> 00:01:48,640 Speaker 1: very true, very cool. So I can't wait for that. 35 00:01:48,680 --> 00:01:50,760 Speaker 1: It's cauld be so fun to be on stage and 36 00:01:51,080 --> 00:01:54,160 Speaker 1: do a little bit of ridiculous romance from our regular 37 00:01:54,280 --> 00:01:59,360 Speaker 1: from our I guess our og home before before our 38 00:01:59,400 --> 00:02:02,240 Speaker 1: worldwide live tour, which I think we're still waiting on 39 00:02:02,360 --> 00:02:06,800 Speaker 1: y'all to flood iHeartRadio with emails about it. But once 40 00:02:06,840 --> 00:02:09,680 Speaker 1: they hit five million emails, I'm telling you they're gonna 41 00:02:09,680 --> 00:02:11,360 Speaker 1: do I'm going to do it, so get on it. 42 00:02:11,440 --> 00:02:15,320 Speaker 1: That's your job, everybody, bring us to your town. Right. Well, 43 00:02:15,360 --> 00:02:17,440 Speaker 1: I think it's time that we just get to it, 44 00:02:17,520 --> 00:02:20,359 Speaker 1: because again, we've got a bunch of emails and messages 45 00:02:20,400 --> 00:02:22,440 Speaker 1: and everything from y'all that we want to read today. 46 00:02:23,080 --> 00:02:27,600 Speaker 1: Because you send so many wonderful things in we often 47 00:02:27,639 --> 00:02:30,240 Speaker 1: don't have time to read them in the episodes. We figured, hey, 48 00:02:30,280 --> 00:02:33,280 Speaker 1: we'll just dedicate one episode to what we're hearing from you, 49 00:02:33,480 --> 00:02:36,160 Speaker 1: and we've got some of your own stories and poems. 50 00:02:36,160 --> 00:02:38,880 Speaker 1: We've got a couple of little corrections from stories we've 51 00:02:38,880 --> 00:02:43,480 Speaker 1: told in the past, some brand new, pretty interesting info, 52 00:02:44,000 --> 00:02:46,799 Speaker 1: and some of y'all actually just expounded on stories that 53 00:02:46,840 --> 00:02:49,560 Speaker 1: we already told. So some really cool stuff coming at 54 00:02:49,600 --> 00:02:52,079 Speaker 1: you for this one. Yes, I cannot wait. You get 55 00:02:52,160 --> 00:02:55,720 Speaker 1: into it. Let's go. Hey the French, come listen. Well, 56 00:02:56,240 --> 00:02:59,840 Speaker 1: Eli and Diana got some stories to tell. There's no matchmaking, 57 00:03:00,160 --> 00:03:04,799 Speaker 1: romantic tips. It's just about ridiculous relationships. A lover might 58 00:03:04,840 --> 00:03:07,799 Speaker 1: be any type of version at all, and abstract cons 59 00:03:07,800 --> 00:03:10,359 Speaker 1: a dot, a concrete wall. But if they're just don't 60 00:03:10,480 --> 00:03:16,200 Speaker 1: wet the second clinch. Ridiculous Roles, a production of iHeartRadio. 61 00:03:17,240 --> 00:03:21,120 Speaker 1: Our first email was sent from Amanda n December second. 62 00:03:21,680 --> 00:03:26,120 Speaker 1: She writes, Hello Eli and Diana, and happy birthday Eli. Ah, 63 00:03:26,120 --> 00:03:29,280 Speaker 1: thank you. I mean it's nice to hear her happy birthday. 64 00:03:29,280 --> 00:03:31,359 Speaker 1: A few months later. Still, I know, right, and it 65 00:03:31,440 --> 00:03:34,040 Speaker 1: has since been my birthday, So I will just assume 66 00:03:34,120 --> 00:03:36,120 Speaker 1: that she also wanted to wish me. Yeah, we'll go 67 00:03:36,120 --> 00:03:37,560 Speaker 1: ahead and plug that in. She just didn't know what 68 00:03:37,640 --> 00:03:41,320 Speaker 1: it was yet she had written this. She continues, I 69 00:03:41,440 --> 00:03:43,560 Speaker 1: just have to say I love the podcast and the 70 00:03:43,680 --> 00:03:46,080 Speaker 1: both of you so much. You guys are one of 71 00:03:46,120 --> 00:03:48,360 Speaker 1: the few podcasts that I have to listen to as 72 00:03:48,440 --> 00:03:52,120 Speaker 1: soon as the episode drops. Fantastic. Thank you, that's amazing, 73 00:03:52,800 --> 00:03:55,800 Speaker 1: She says. I just listened to The Emperorswen Song Part 74 00:03:55,840 --> 00:03:58,680 Speaker 1: two episode and had to tell you about this Chinese 75 00:03:58,760 --> 00:04:00,560 Speaker 1: drama that you might be interested it in if you 76 00:04:00,600 --> 00:04:04,440 Speaker 1: like Asian dramas. It is called Rebel Princess. You can 77 00:04:04,480 --> 00:04:08,640 Speaker 1: find it on Prime and Raccutin Viki, which is Rakuten 78 00:04:08,720 --> 00:04:10,240 Speaker 1: Viki is a new one for me. Do you know 79 00:04:10,360 --> 00:04:11,680 Speaker 1: what that? Yeah, I looked it up. It is. It's 80 00:04:11,680 --> 00:04:14,960 Speaker 1: an American streaming service that does a lot of Asian programming. 81 00:04:15,240 --> 00:04:17,159 Speaker 1: Oh okay, I think I've heard of you know what, 82 00:04:17,320 --> 00:04:18,880 Speaker 1: Now that you say that, I feel like i've heard 83 00:04:18,920 --> 00:04:22,760 Speaker 1: some animes. Yeah, yeah, Rackettence, that makes sense. Not sponsors 84 00:04:22,800 --> 00:04:25,240 Speaker 1: haven't tried him, No, but you know, if they want 85 00:04:25,240 --> 00:04:27,400 Speaker 1: a sponsor, happy to tell you how great they are. 86 00:04:28,080 --> 00:04:32,240 Speaker 1: Amanda continues that Rebel Princess is centered on an unexpected 87 00:04:32,360 --> 00:04:36,440 Speaker 1: romance and a world full of war, backstabbing, plays for power, 88 00:04:36,600 --> 00:04:39,080 Speaker 1: and drama. Of course, I don't know if this is 89 00:04:39,080 --> 00:04:41,520 Speaker 1: based on any particular true story or legend, but it 90 00:04:41,600 --> 00:04:44,320 Speaker 1: is a really good show. I haven't finished watching it yet. 91 00:04:44,320 --> 00:04:47,680 Speaker 1: They're like sixty some episodes. I think. The main character 92 00:04:47,800 --> 00:04:50,760 Speaker 1: is a princess. Her uncle is the Emperor, and she's 93 00:04:50,800 --> 00:04:53,440 Speaker 1: in love with one of his sons, but political plays 94 00:04:53,480 --> 00:04:56,799 Speaker 1: and other schemes prevent them from running away together. She's 95 00:04:56,839 --> 00:04:59,360 Speaker 1: married off to an up and coming war general and 96 00:04:59,440 --> 00:05:02,360 Speaker 1: they spectively fall in true love. And I don't want 97 00:05:02,360 --> 00:05:04,880 Speaker 1: to give anything else away. It is very similar to 98 00:05:04,920 --> 00:05:07,640 Speaker 1: the story of Emperor's One Song right now, Okay, so 99 00:05:07,680 --> 00:05:10,159 Speaker 1: Amanda says, if we'd like the Emperor's Song story, we 100 00:05:10,240 --> 00:05:13,120 Speaker 1: might check out this show, which I did find is 101 00:05:13,160 --> 00:05:16,919 Speaker 1: adapted from a novel. Okay, um, yeah, but not not 102 00:05:17,000 --> 00:05:21,640 Speaker 1: a true story. No novel is called Emperor's Conquest by 103 00:05:21,720 --> 00:05:25,240 Speaker 1: may U Je. Definitely read that. Yeah, that sounds like something. 104 00:05:27,360 --> 00:05:29,360 Speaker 1: It sounds like a lot of fun. Yeah, and it 105 00:05:29,640 --> 00:05:33,040 Speaker 1: really does sound like one of our very far reaching 106 00:05:34,279 --> 00:05:36,640 Speaker 1: Chinese dramas that we've done, where you're like, all right, 107 00:05:36,680 --> 00:05:39,680 Speaker 1: here's eighty names. Well, and you can see how these 108 00:05:39,800 --> 00:05:43,919 Speaker 1: fictional narratives, you know, find their their complex. Drama's an 109 00:05:43,920 --> 00:05:47,280 Speaker 1: inspiration because, as we've seen, the history is real. It's 110 00:05:47,400 --> 00:05:49,839 Speaker 1: very it's right there. Yeah, it's right there. Well, thank 111 00:05:49,880 --> 00:05:53,839 Speaker 1: you Amanda for setting that in. Yes, that was awesome, Hope. 112 00:05:54,000 --> 00:05:56,680 Speaker 1: I don't know if we have a sixty episode show 113 00:05:56,720 --> 00:05:59,839 Speaker 1: in our future. Now it sounds like a good, good choice. 114 00:06:00,000 --> 00:06:02,480 Speaker 1: We'll give it a shout. Maybe our next podcast will 115 00:06:02,600 --> 00:06:06,720 Speaker 1: just do a rewatch of Rebel Princess. I love report back. 116 00:06:07,720 --> 00:06:11,040 Speaker 1: It's very niche, but whatever. H Okay. Our next email 117 00:06:11,160 --> 00:06:13,240 Speaker 1: is from Sea Joy lies and By and it was 118 00:06:13,279 --> 00:06:17,279 Speaker 1: sent December fifth. She's kind of filling in some of 119 00:06:17,279 --> 00:06:20,680 Speaker 1: the gaps on those Emperors Went Song episodes as well. 120 00:06:20,839 --> 00:06:23,880 Speaker 1: She said she just finished listening to them and writes, 121 00:06:24,440 --> 00:06:27,679 Speaker 1: I'm sure, you're getting plenty of emails explaining the legend 122 00:06:27,720 --> 00:06:30,400 Speaker 1: of the Cowherd and the weaver made, so I apologize 123 00:06:30,440 --> 00:06:34,920 Speaker 1: for adding to the glut. Well, guess what, Guess what. Nope, 124 00:06:34,960 --> 00:06:36,760 Speaker 1: this is the only one. And I'm really glad you 125 00:06:36,839 --> 00:06:39,720 Speaker 1: said it, because I would love to have been flooded 126 00:06:40,240 --> 00:06:43,120 Speaker 1: with information on that. But yours is all we needed 127 00:06:43,360 --> 00:06:47,240 Speaker 1: and all we got. Unfortunately, it's all we needed. She 128 00:06:47,320 --> 00:06:50,080 Speaker 1: says that it is a common theme in Chinese and 129 00:06:50,160 --> 00:06:53,480 Speaker 1: Japanese poetry, which I love so much that I've studied 130 00:06:53,520 --> 00:06:56,560 Speaker 1: Chinese and Japanese in order to translate it. Cool and 131 00:06:56,680 --> 00:06:58,919 Speaker 1: come to think of it, it was the Song of 132 00:06:58,960 --> 00:07:02,680 Speaker 1: Everlasting Saw that first got me interested in Chinese poetry 133 00:07:02,880 --> 00:07:05,160 Speaker 1: when I read some lines from it quoted in the 134 00:07:05,200 --> 00:07:08,120 Speaker 1: Tale of Genji. And that's a double episode alert because 135 00:07:08,160 --> 00:07:10,720 Speaker 1: of course Song of ever Lasting Sorrow is the Emperor 136 00:07:10,760 --> 00:07:13,120 Speaker 1: Juen Song and Yang Guifa story that we told on 137 00:07:13,160 --> 00:07:17,240 Speaker 1: this and also the Tale of Genji. Yeah, which was 138 00:07:17,280 --> 00:07:20,239 Speaker 1: like one of the very first novels ever written, ever written, 139 00:07:20,240 --> 00:07:23,560 Speaker 1: written by Murasaki Shikibu. We mentioned the festival of the 140 00:07:23,600 --> 00:07:26,720 Speaker 1: Cowherd and the weavermaid in the Juen Song episode because 141 00:07:27,680 --> 00:07:30,920 Speaker 1: he and young Gui Fee would meet up every seventh 142 00:07:31,040 --> 00:07:34,560 Speaker 1: night of the seventh lunar month to pledge their eternal 143 00:07:34,600 --> 00:07:36,600 Speaker 1: love together. And they said they would be together in 144 00:07:36,640 --> 00:07:40,120 Speaker 1: all future lives. You know, whether or not they were 145 00:07:40,880 --> 00:07:46,240 Speaker 1: coming back as birds or plants, or books or or noodles, whatever, 146 00:07:46,920 --> 00:07:50,840 Speaker 1: they were gonna be together. Twine tangle together. But we 147 00:07:50,840 --> 00:07:53,239 Speaker 1: didn't get a chance to dig deeper into that story. 148 00:07:53,440 --> 00:07:56,800 Speaker 1: And so see joy lys and be sent in this 149 00:07:56,920 --> 00:08:00,520 Speaker 1: she said. According to the legend, the star Vega is 150 00:08:00,560 --> 00:08:03,559 Speaker 1: a goddess called the weaver Maid. On the other side 151 00:08:03,560 --> 00:08:05,720 Speaker 1: of the milky Way. That the actual strip of the 152 00:08:05,720 --> 00:08:07,920 Speaker 1: milky way that we can see in the side which 153 00:08:07,920 --> 00:08:11,120 Speaker 1: in Chinese is called the River of Heaven, is a 154 00:08:11,160 --> 00:08:15,040 Speaker 1: god called the Cowherd, and that's the star Altaire. Now 155 00:08:15,080 --> 00:08:17,480 Speaker 1: in the story, the god and the goddess fell in 156 00:08:17,520 --> 00:08:20,120 Speaker 1: love and got married, but they spent so much time 157 00:08:20,160 --> 00:08:23,720 Speaker 1: together that the weaver maid neglected her duties or weaving, 158 00:08:24,320 --> 00:08:27,680 Speaker 1: and so her father, the King of Heaven, banished the 159 00:08:27,800 --> 00:08:31,400 Speaker 1: husband and wife to opposite sides of the River of Heaven. 160 00:08:31,600 --> 00:08:34,400 Speaker 1: So he's like, you two are spending too much time together. 161 00:08:34,640 --> 00:08:38,120 Speaker 1: I'm separating you. It reminds me of Valentina in the 162 00:08:38,160 --> 00:08:43,240 Speaker 1: second season of White Lotus with the two. Concierge is 163 00:08:43,240 --> 00:08:46,080 Speaker 1: the front. She's like, you two are flirting too much. 164 00:08:46,600 --> 00:08:51,880 Speaker 1: You get onto the beach club? Yeah, so mad, right, 165 00:08:52,000 --> 00:08:55,720 Speaker 1: she told the cowherd you're working the pool now. Yeah. 166 00:08:55,760 --> 00:08:58,680 Speaker 1: The email goes on that these two are only able 167 00:08:58,720 --> 00:09:00,840 Speaker 1: to meet one night a year, and that's the seventh 168 00:09:01,000 --> 00:09:04,959 Speaker 1: night of the seventh Month, which became a holiday celebrating love. 169 00:09:05,000 --> 00:09:08,120 Speaker 1: According to one version of the legend, magpies fly up 170 00:09:08,120 --> 00:09:10,560 Speaker 1: to make a bridge over the River of Heaven for 171 00:09:10,640 --> 00:09:15,520 Speaker 1: the lovers to cross and see joy. Leisenby says that 172 00:09:15,600 --> 00:09:17,400 Speaker 1: this version of the legend is one of the reasons 173 00:09:17,400 --> 00:09:21,320 Speaker 1: that they got a magpie tattoo. Oh cool. Yeah, we 174 00:09:21,400 --> 00:09:26,040 Speaker 1: have a friend named Lauren Palata Stemberg who is an 175 00:09:26,160 --> 00:09:29,240 Speaker 1: artist and she loves magpies because she uses them a 176 00:09:29,280 --> 00:09:31,280 Speaker 1: lot in her art. Yes, so that just made me 177 00:09:31,280 --> 00:09:35,040 Speaker 1: think of her. She's awesome. Oh yeah, incredible. So the 178 00:09:35,080 --> 00:09:37,120 Speaker 1: email goes on that in Japan, this holiday is called 179 00:09:37,120 --> 00:09:40,400 Speaker 1: the Tanabata Festival, which is celebrated by writing wishes on 180 00:09:40,440 --> 00:09:43,520 Speaker 1: slips of paper and hanging them from bamboo branches and 181 00:09:43,600 --> 00:09:46,680 Speaker 1: hopes that they'll be granted by Arahime, which is the 182 00:09:46,760 --> 00:09:49,679 Speaker 1: Japanese name for the weaver mate. So there you go, 183 00:09:49,840 --> 00:09:52,600 Speaker 1: that's cool. Yeah, I'd love to have that story filled in. 184 00:09:52,679 --> 00:09:56,840 Speaker 1: I think that obviously, the astrological significance is that that's 185 00:09:56,840 --> 00:10:01,600 Speaker 1: when those stars are closest together, believe, so that's where 186 00:10:01,600 --> 00:10:03,240 Speaker 1: this story came from. I love I love them. People 187 00:10:03,240 --> 00:10:05,040 Speaker 1: just look up at the sky, you know, at a 188 00:10:05,080 --> 00:10:07,240 Speaker 1: time when they're holding not much to do, okay, and 189 00:10:07,320 --> 00:10:10,840 Speaker 1: like after three years they're like, you know, every seven months, 190 00:10:10,880 --> 00:10:12,960 Speaker 1: these stars are pretty close together. I wonder if there's 191 00:10:12,960 --> 00:10:16,000 Speaker 1: a story there. I know, right, people are great for real, 192 00:10:16,120 --> 00:10:19,360 Speaker 1: and so much like Greek mythology is about stars and stuff, 193 00:10:19,400 --> 00:10:22,000 Speaker 1: and sometimes you look at constellations and you're like, yeah, 194 00:10:22,040 --> 00:10:24,880 Speaker 1: we're really tripping out if you saw a guy with 195 00:10:24,960 --> 00:10:30,280 Speaker 1: a bow, because this is like seven stars. Me, what 196 00:10:30,480 --> 00:10:32,960 Speaker 1: am I doing all night and all day? Nothing? I 197 00:10:33,040 --> 00:10:36,360 Speaker 1: had nothing? You know what a sweet spot in history. 198 00:10:36,400 --> 00:10:38,280 Speaker 1: And I mean like, obviously it's probably very difficult to 199 00:10:38,320 --> 00:10:40,640 Speaker 1: live back then, but the idea of like okay, we've 200 00:10:40,640 --> 00:10:44,160 Speaker 1: got buildings and stuff. We're not sleeping outside anymore, but 201 00:10:44,600 --> 00:10:47,360 Speaker 1: we're not you know, there's no internet right, we're not 202 00:10:48,320 --> 00:10:50,960 Speaker 1: hustle culture ain't started yet, not so much. We get 203 00:10:51,000 --> 00:10:52,400 Speaker 1: a lot of time to just kind of chill and 204 00:10:52,600 --> 00:10:54,720 Speaker 1: think and look at the sky and come up with 205 00:10:54,760 --> 00:10:57,920 Speaker 1: crazy wacky stories about it, right, I mean, take me back, 206 00:10:59,520 --> 00:11:02,640 Speaker 1: just make me not a peasant. Right. Yeah, and if 207 00:11:02,640 --> 00:11:04,480 Speaker 1: we could throw air conditioning in there, that'd be great. 208 00:11:04,559 --> 00:11:08,640 Speaker 1: Oh my god, thank you so much for sending this in. Yeah, 209 00:11:09,360 --> 00:11:11,040 Speaker 1: are really cool to get this story now we know 210 00:11:11,160 --> 00:11:13,679 Speaker 1: now we all know, right, that's really great. We almost 211 00:11:13,720 --> 00:11:18,160 Speaker 1: brought this Tonabata festival up when we first started talking 212 00:11:18,160 --> 00:11:21,480 Speaker 1: about the Penis Festival in Japan in that last episode. 213 00:11:21,520 --> 00:11:23,199 Speaker 1: It was going to be about a bunch of different festivals, 214 00:11:23,200 --> 00:11:25,280 Speaker 1: but of course the Penis Festival ended up taking up 215 00:11:25,880 --> 00:11:28,400 Speaker 1: the bulk of the time, the bulk of the time, 216 00:11:28,480 --> 00:11:30,920 Speaker 1: I write, So we didn't get to it. But I'm 217 00:11:30,920 --> 00:11:33,280 Speaker 1: glad that now we have a chance to. Yeah, totally, 218 00:11:33,320 --> 00:11:35,040 Speaker 1: and like all the more reason to go to Japan. 219 00:11:35,080 --> 00:11:37,319 Speaker 1: Now there's two festivals I want to see. Oh my god, 220 00:11:37,360 --> 00:11:40,360 Speaker 1: I bet there's more, Oh my god, plenty. Okay. Our 221 00:11:40,440 --> 00:11:46,040 Speaker 1: next email is from Ian Normoyle, sent February first, and 222 00:11:46,080 --> 00:11:49,080 Speaker 1: he writes, Hello, Eli and Diana, Big fan of the show. 223 00:11:49,200 --> 00:11:52,840 Speaker 1: It always keeps my long commute fun and interesting. I'm 224 00:11:52,840 --> 00:11:55,760 Speaker 1: more or less obsessed with history and the sometimes strange 225 00:11:55,800 --> 00:11:58,160 Speaker 1: relationships that can shape it, and I'm glad to have 226 00:11:58,200 --> 00:12:02,080 Speaker 1: found something to feed that. Thank you. That's exactly what 227 00:12:02,080 --> 00:12:07,320 Speaker 1: this I'm writing specifically though, about the two episodes you 228 00:12:07,360 --> 00:12:10,800 Speaker 1: guys made on Jeopardy, as my family has a bit 229 00:12:10,840 --> 00:12:15,000 Speaker 1: of a romance related to Jeopardy as well. I'm related 230 00:12:15,040 --> 00:12:19,360 Speaker 1: to two competitors on Jeopardy myself, my mother's cousin, Jeff Hopps, 231 00:12:19,480 --> 00:12:23,040 Speaker 1: and his wife, Larissa Kelly. Jeff had the misfortune of 232 00:12:23,040 --> 00:12:25,560 Speaker 1: going up against Ken Jennings in two thousand and four, 233 00:12:26,120 --> 00:12:28,600 Speaker 1: but Larissa had a long run in two thousand and 234 00:12:28,600 --> 00:12:31,960 Speaker 1: eight and is the second highest earning woman in Jeopardy's history. 235 00:12:32,160 --> 00:12:36,239 Speaker 1: But nice job, Larrissa. Okay girl, that's a That's a 236 00:12:36,240 --> 00:12:39,959 Speaker 1: pretty good little asterisk by someone's name in my opinion. 237 00:12:40,000 --> 00:12:43,400 Speaker 1: Ian goes on to say their romance wasn't particularly ridiculous, 238 00:12:43,440 --> 00:12:46,120 Speaker 1: but the Jeopardy episodes made me fondly remember some of 239 00:12:46,160 --> 00:12:48,600 Speaker 1: my own family stories in history, and for that I 240 00:12:48,679 --> 00:12:52,040 Speaker 1: have to thank you all the best, Ian Normoyle. Ian, 241 00:12:52,080 --> 00:12:56,120 Speaker 1: I gotta ask you doesn't it make you feel smarter 242 00:12:57,240 --> 00:13:00,400 Speaker 1: being connected to people who are on Jeopardy Because I've 243 00:13:00,400 --> 00:13:02,400 Speaker 1: got I think I said this in the last episode, 244 00:13:02,400 --> 00:13:06,439 Speaker 1: but my my fifth grade teacher was on Jeopardy. My 245 00:13:07,559 --> 00:13:13,440 Speaker 1: first girlfriend went on Jeopardy long after we were we 246 00:13:13,480 --> 00:13:17,240 Speaker 1: were adults at this point we've lost contact, and then 247 00:13:17,440 --> 00:13:19,720 Speaker 1: um a couple other friends as well. Actually, I've had 248 00:13:19,760 --> 00:13:22,000 Speaker 1: one friend from high school and another guy I knew 249 00:13:22,040 --> 00:13:24,840 Speaker 1: in college. I'll go on Jeopardy, and yeah, it's a 250 00:13:24,880 --> 00:13:29,280 Speaker 1: bragging point for me. I've never been on Jeopardy, but 251 00:13:29,320 --> 00:13:32,640 Speaker 1: I do know several people, not very well who I'm 252 00:13:34,280 --> 00:13:37,840 Speaker 1: smart enough for people who go on Jeopardy to want 253 00:13:37,840 --> 00:13:42,160 Speaker 1: to hang out with me. Basically, wow, not bad. I mean, 254 00:13:42,200 --> 00:13:44,160 Speaker 1: I can't say that I don't know anybody well, but 255 00:13:44,360 --> 00:13:48,640 Speaker 1: you married me, so like a third degree Jeopardy contestant, 256 00:13:48,960 --> 00:13:51,320 Speaker 1: a guy that people who are smart enough to be 257 00:13:51,360 --> 00:13:55,199 Speaker 1: on Jeopardy would definitely hang out with, at least when 258 00:13:55,200 --> 00:13:58,520 Speaker 1: he was like ten years old. Ten you said fifth 259 00:13:58,920 --> 00:14:02,240 Speaker 1: high school in college? Fifth? Where did you get fifth grade? 260 00:14:03,120 --> 00:14:07,079 Speaker 1: My fifth grade teacher? Oh wow? Whatever? High school girlfriend, 261 00:14:07,480 --> 00:14:11,160 Speaker 1: college high school friend, and college friend. Well, I'm the 262 00:14:11,280 --> 00:14:20,280 Speaker 1: lady that guy married congratulations. I'm Jeopardy adjacent. Now see 263 00:14:20,480 --> 00:14:25,680 Speaker 1: people like Ian and us. We're doing okay. We didn't 264 00:14:25,680 --> 00:14:29,080 Speaker 1: actually have to get on the show, right, but we 265 00:14:29,200 --> 00:14:32,280 Speaker 1: get to brag about it anyway. Right, Pretty sweet spot, 266 00:14:32,520 --> 00:14:36,560 Speaker 1: Pretty sweet. Well, speaking of Jeopardy, I guess we're going 267 00:14:36,600 --> 00:14:40,760 Speaker 1: to take a commercial break. Jeopardy has commercial breaks. Great transition, Eli, 268 00:14:40,880 --> 00:14:44,800 Speaker 1: what is a great transition? That's that's correct. You win 269 00:14:44,800 --> 00:14:48,320 Speaker 1: the daily double for five million dollars. Stick around, We're 270 00:14:48,320 --> 00:14:54,720 Speaker 1: gonna be right back. Welcome back to the show. All right. 271 00:14:54,800 --> 00:14:57,480 Speaker 1: So our next email comes from Louise. This was sent 272 00:14:57,520 --> 00:15:03,320 Speaker 1: in February. She says, Hey, they're friends. Like the theme song. Hey, 273 00:15:03,360 --> 00:15:06,760 Speaker 1: that's in the theme song. Love it. Everyone should greet 274 00:15:06,800 --> 00:15:09,560 Speaker 1: people like that. True and sing it too, I mean 275 00:15:09,640 --> 00:15:11,760 Speaker 1: you know, yeah, and then sing the whole song and 276 00:15:11,840 --> 00:15:13,800 Speaker 1: tell all your friends and uncles Nancy list with the show. 277 00:15:14,240 --> 00:15:17,520 Speaker 1: Louise says that she's just been listening to the Agnes 278 00:15:17,520 --> 00:15:21,320 Speaker 1: of Dunbar episode. Yes, this is great stuff, she says, 279 00:15:21,840 --> 00:15:24,240 Speaker 1: love that story, the Agnes of Dunbar. If you haven't 280 00:15:24,240 --> 00:15:28,239 Speaker 1: heard that, one Scottish lady defends the castle all by herself, incredible, 281 00:15:28,400 --> 00:15:31,320 Speaker 1: amazing taunts the shit out of the English right, so 282 00:15:31,400 --> 00:15:34,400 Speaker 1: much fun, hilarious. That was one where I like, I 283 00:15:34,440 --> 00:15:36,360 Speaker 1: found the story and I was like, this one has 284 00:15:36,360 --> 00:15:40,120 Speaker 1: to happen next. Yeah, I just I'm obsessed with it. Well, 285 00:15:40,200 --> 00:15:42,600 Speaker 1: Louise says, I grew up in Scotland and sadly the 286 00:15:42,600 --> 00:15:45,960 Speaker 1: school history curriculum didn't cover a lot of Scottish history, 287 00:15:46,080 --> 00:15:48,720 Speaker 1: so I didn't know about any of her story. Maybe 288 00:15:48,720 --> 00:15:50,560 Speaker 1: if I'd been closer to the border it might have 289 00:15:50,600 --> 00:15:53,440 Speaker 1: come up more. I lived in Robert Burns Country previous 290 00:15:53,440 --> 00:15:57,000 Speaker 1: episode or so, he and more recent local Boy Made 291 00:15:57,040 --> 00:16:00,440 Speaker 1: Good Alexander Fleming were the main characters in local history. 292 00:16:01,120 --> 00:16:03,480 Speaker 1: Sure that makes sense, Luss to cover you know, I 293 00:16:03,520 --> 00:16:05,640 Speaker 1: was born. I was born in upstate New York, and 294 00:16:05,880 --> 00:16:08,920 Speaker 1: there was a town near me called Hornell with an 295 00:16:09,080 --> 00:16:12,240 Speaker 1: h and they had a big sign out front that 296 00:16:12,360 --> 00:16:15,800 Speaker 1: said home of Bill Pullman. Oh, and I think Bill 297 00:16:15,840 --> 00:16:17,840 Speaker 1: Pullman lived there, like, you know, for a couple of 298 00:16:17,880 --> 00:16:20,400 Speaker 1: years as a kid or something. I mean, it's like, 299 00:16:21,040 --> 00:16:23,880 Speaker 1: was it Julia Roberts is from Smyrna or something and 300 00:16:23,920 --> 00:16:26,520 Speaker 1: they're like, Julia Robin, I'm like, didn't she leave at 301 00:16:26,560 --> 00:16:29,240 Speaker 1: five or something? Like she doesn't live here, she don't 302 00:16:29,320 --> 00:16:32,880 Speaker 1: claim smyrna. I don't think all of those main characters 303 00:16:32,880 --> 00:16:37,600 Speaker 1: in local history. Um well, Luise goes on. Anyway, thank 304 00:16:37,600 --> 00:16:40,280 Speaker 1: you for covering this. It's a fascinating story and great 305 00:16:40,320 --> 00:16:45,240 Speaker 1: to hear Scottish stories being told. Yes, the accents needs 306 00:16:45,280 --> 00:16:51,520 Speaker 1: some work though link emoji. Oh dare you l my 307 00:16:51,720 --> 00:16:57,120 Speaker 1: Juilliard level Scottish accent needs no polishing, She says. Honestly, 308 00:16:57,160 --> 00:16:59,760 Speaker 1: I've heard worse, but I do hear a bit of 309 00:16:59,840 --> 00:17:03,200 Speaker 1: Irish inflection sometimes. I believe that if I have to knitpick, 310 00:17:03,240 --> 00:17:05,920 Speaker 1: it's the pronunciations that get me signing at the podcast app. 311 00:17:05,960 --> 00:17:09,840 Speaker 1: But I can't really complain. I pronounced Arkansas like a pirate, 312 00:17:09,920 --> 00:17:13,800 Speaker 1: saying Kansas for longer than I'd like to admit Kansas. 313 00:17:15,280 --> 00:17:17,080 Speaker 1: I feel like they should change it. That's a way 314 00:17:17,119 --> 00:17:21,360 Speaker 1: cool earning, you know. I looked up why it's Arkansas 315 00:17:21,560 --> 00:17:27,640 Speaker 1: and Kansas and it's a big, long story about mispronouncing 316 00:17:27,960 --> 00:17:30,480 Speaker 1: Native American words. So look it up sometime. I'm not 317 00:17:30,480 --> 00:17:32,679 Speaker 1: going to tell you the whole thing now, but it was. 318 00:17:32,760 --> 00:17:34,320 Speaker 1: It was more interesting than I thought it would be. 319 00:17:34,440 --> 00:17:37,359 Speaker 1: Oh that's interesting. That's interesting. We'll do our next podcasts 320 00:17:37,400 --> 00:17:40,720 Speaker 1: will be sixteen part series on the pronunciation of Arkansas 321 00:17:40,720 --> 00:17:44,160 Speaker 1: and Kansas. It will be canceled after episode two. Yeah, 322 00:17:44,280 --> 00:17:46,399 Speaker 1: we'll have to continue on Patreon. It could be the 323 00:17:46,400 --> 00:17:49,359 Speaker 1: whole story, Luise goes on. I do feel compelled to 324 00:17:49,359 --> 00:17:53,000 Speaker 1: point out, though, that Dunbar has the emphasis on the bar. 325 00:17:53,400 --> 00:17:56,159 Speaker 1: I think we said dunbar. I think I said it 326 00:17:56,160 --> 00:17:58,040 Speaker 1: at the top of the email Agnes of Dunbar, but 327 00:17:58,040 --> 00:18:01,960 Speaker 1: it's dunbar agness of Dunbar. And what we've been calling 328 00:18:02,400 --> 00:18:06,959 Speaker 1: Barwick is actually pronounced brick with an emphasis on the 329 00:18:07,119 --> 00:18:10,600 Speaker 1: bear and a nice rolled R man That gets me 330 00:18:10,680 --> 00:18:14,560 Speaker 1: every time. That Wick, that's basically Barrick or whatever, right, 331 00:18:14,760 --> 00:18:17,720 Speaker 1: like Warwick Davis. I always called him Warwick Davis, right, 332 00:18:17,800 --> 00:18:19,679 Speaker 1: and then I was like, oh, you don't pronounce that. 333 00:18:19,840 --> 00:18:25,959 Speaker 1: Who knew Warick Davis? Louise says in summary and in conclusion, 334 00:18:26,080 --> 00:18:28,720 Speaker 1: I love the podcast, love the sound effects, love the 335 00:18:28,720 --> 00:18:31,800 Speaker 1: occasional theme song variations. I've been the listen from the 336 00:18:31,800 --> 00:18:33,159 Speaker 1: start and I'll be listening for as long as you 337 00:18:33,240 --> 00:18:37,920 Speaker 1: keep telling the stories. Ya, and she signs it Slungiva, 338 00:18:38,680 --> 00:18:45,240 Speaker 1: Louise Slungiva Scottish toast to your health and I've never 339 00:18:46,000 --> 00:18:51,600 Speaker 1: seen two words pronounced less like they're spelled and sliva. 340 00:18:51,920 --> 00:18:53,679 Speaker 1: I was like, where's the J and there's no j 341 00:18:53,960 --> 00:18:58,200 Speaker 1: or ge, there's no v. It's all m h. Look. Look, 342 00:18:58,280 --> 00:19:02,520 Speaker 1: Scotland's a beautiful with a crazy ass language and I 343 00:19:02,600 --> 00:19:06,119 Speaker 1: love that they just go for it. Oh, incredible, incredible. 344 00:19:06,160 --> 00:19:08,560 Speaker 1: I mean, you know, we're from the south, the American South, 345 00:19:08,640 --> 00:19:11,080 Speaker 1: and there's a lot of kinds of weird pronunciations here too, 346 00:19:11,119 --> 00:19:15,600 Speaker 1: I guess, but nothing quite compares yes to the Gaelic 347 00:19:15,720 --> 00:19:18,760 Speaker 1: languages and the Welsh language, and it comes to what 348 00:19:19,040 --> 00:19:22,280 Speaker 1: the hell right? How do you learn? Our next message 349 00:19:22,320 --> 00:19:25,920 Speaker 1: comes from Corn Shaffley on Instagram. They wrote in after 350 00:19:25,960 --> 00:19:29,760 Speaker 1: the James Barry episode the Doctor James Berry, Yes beautiful episode, 351 00:19:29,840 --> 00:19:33,560 Speaker 1: they write, Hello, there a remark to the James Barry episode. 352 00:19:33,640 --> 00:19:36,280 Speaker 1: You had a long conversation about how it's not possible 353 00:19:36,320 --> 00:19:39,440 Speaker 1: to determine James Berry's gender, and you mentioned that it's 354 00:19:39,480 --> 00:19:42,399 Speaker 1: not about genitalia and clothes, but the only way to 355 00:19:42,400 --> 00:19:44,960 Speaker 1: be sure is to ask a person, which is very cool. 356 00:19:45,240 --> 00:19:47,280 Speaker 1: I also agree that if they were alive today, they 357 00:19:47,359 --> 00:19:51,240 Speaker 1: might define themselves differently than back then. There is, however, 358 00:19:51,320 --> 00:19:53,720 Speaker 1: a respectful way to refer to people whose gender you 359 00:19:53,760 --> 00:19:58,560 Speaker 1: can't determine use they them pronounced right. I'm non binary 360 00:19:58,640 --> 00:20:01,040 Speaker 1: myself and have a lot of non conforming friends, and 361 00:20:01,080 --> 00:20:03,920 Speaker 1: I've never heard of anyone being offended about that, including 362 00:20:03,960 --> 00:20:06,920 Speaker 1: trans and sist people who normally go by she or he. 363 00:20:07,240 --> 00:20:10,840 Speaker 1: Right right, So Yes, actually wrote back to Karin and 364 00:20:10,880 --> 00:20:13,560 Speaker 1: was like, yes, you're so right now. I think we've 365 00:20:13,600 --> 00:20:17,760 Speaker 1: even talked about that on the podcast before, but we 366 00:20:17,880 --> 00:20:19,639 Speaker 1: never did bring it up in that episode, and we 367 00:20:19,640 --> 00:20:22,159 Speaker 1: were both like face palming, like why didn't we do 368 00:20:22,800 --> 00:20:25,480 Speaker 1: why don't we talk about talking about Yeah? Exactly. It's 369 00:20:25,480 --> 00:20:27,880 Speaker 1: a great it's literally the neutral pronouns, so it's great 370 00:20:27,880 --> 00:20:30,439 Speaker 1: for when you don't know or you're uncertain how a 371 00:20:30,480 --> 00:20:33,359 Speaker 1: person would go yeah. Yeah, very easy way to like 372 00:20:33,520 --> 00:20:36,399 Speaker 1: not be offense right there. Karin goes on to say, Anyway, 373 00:20:36,480 --> 00:20:39,080 Speaker 1: since I have a pretty freaky love life myself, I 374 00:20:39,119 --> 00:20:41,159 Speaker 1: really enjoy the show and how you mostly find the 375 00:20:41,240 --> 00:20:43,960 Speaker 1: right tone and making fun of people's behavior while also 376 00:20:44,000 --> 00:20:46,880 Speaker 1: being respectful, even if it's something that seemed quite strange 377 00:20:46,920 --> 00:20:49,520 Speaker 1: to you. So thanks for that. I don't know how 378 00:20:49,520 --> 00:20:52,760 Speaker 1: we would do this show otherwise. I mean it's not 379 00:20:52,840 --> 00:20:55,160 Speaker 1: interesting to be close minded. I think you don't really 380 00:20:55,160 --> 00:20:58,040 Speaker 1: get to ask questions, you don't get you don't dig deeper, 381 00:20:58,119 --> 00:21:00,600 Speaker 1: you don't get interested, right, right, And it can't be 382 00:21:00,680 --> 00:21:04,480 Speaker 1: interesting if you're not interested. A men, just remember what 383 00:21:04,520 --> 00:21:08,800 Speaker 1: our boy, Walt Whitman said, be curious, not judgmental. Thank 384 00:21:08,840 --> 00:21:11,880 Speaker 1: you Walt Whitman and Ted lasts. So that's right. Ted 385 00:21:11,920 --> 00:21:15,480 Speaker 1: got it from Walt, Yeah, exactly. Isn't it funny though 386 00:21:15,520 --> 00:21:18,840 Speaker 1: that in a thousand, fifteen hundred years we'll be looking 387 00:21:18,840 --> 00:21:21,280 Speaker 1: in history books and students will be asked like which 388 00:21:21,320 --> 00:21:26,520 Speaker 1: came first, Walt Whitman or Ted Lasso? They were close 389 00:21:26,720 --> 00:21:31,679 Speaker 1: in history, like a couple hundred years apart, both real people. 390 00:21:33,880 --> 00:21:36,160 Speaker 1: So yeah, we had actually written back to Karin and 391 00:21:36,160 --> 00:21:38,640 Speaker 1: we're like yes, we were like face palming ourselves about 392 00:21:38,680 --> 00:21:41,000 Speaker 1: by them, and thank you so much for you know, 393 00:21:41,080 --> 00:21:43,840 Speaker 1: sharing that with us. And then we were like, obviously 394 00:21:44,000 --> 00:21:46,200 Speaker 1: we want the tea, So if you have any freaky 395 00:21:46,240 --> 00:21:50,000 Speaker 1: stories you want to share, send them in. And Karin responded, 396 00:21:50,560 --> 00:21:52,200 Speaker 1: I have a lot of stories I wish I had 397 00:21:52,200 --> 00:21:54,320 Speaker 1: the time to write down, but I want to tell 398 00:21:54,359 --> 00:21:57,040 Speaker 1: you a tiny one. I went to the sauna with 399 00:21:57,080 --> 00:21:59,720 Speaker 1: a group of my polyamorous friends, and one of them 400 00:21:59,760 --> 00:22:03,040 Speaker 1: had another friend with them who was monogamous. And this 401 00:22:03,040 --> 00:22:05,399 Speaker 1: guy asked some questions and we were all happy to 402 00:22:05,440 --> 00:22:08,679 Speaker 1: answer until this one came out of his face, So 403 00:22:08,840 --> 00:22:13,480 Speaker 1: do you guys all have sex with each other? I 404 00:22:13,560 --> 00:22:16,480 Speaker 1: love that. It's like, if you're at all sexually adventurous, 405 00:22:16,480 --> 00:22:19,240 Speaker 1: it must mean you're into anything everything. She's like, not 406 00:22:19,480 --> 00:22:22,680 Speaker 1: the case, Karin goes on. We looked at each other, 407 00:22:22,760 --> 00:22:26,240 Speaker 1: surprised and offended, and after a tense pause, one of 408 00:22:26,320 --> 00:22:30,480 Speaker 1: us went, well I think those two don't, and everyone 409 00:22:30,600 --> 00:22:33,560 Speaker 1: laughed their asses off. I love that. It's just like, 410 00:22:33,920 --> 00:22:37,719 Speaker 1: how dare you ask such a question? Well, I mean, yes, 411 00:22:38,960 --> 00:22:44,120 Speaker 1: I think we kind of do. But hilarious. Oh that's 412 00:22:44,119 --> 00:22:48,040 Speaker 1: so good. Thanks for sharing that, Karen's hilarious. We got 413 00:22:48,040 --> 00:22:52,920 Speaker 1: another Instagram message from Liza Marie Minnelli on December thirtieth. 414 00:22:53,600 --> 00:22:57,000 Speaker 1: Liza says that in the third Hans Christian Anderson episode, 415 00:22:57,040 --> 00:22:59,000 Speaker 1: oh my God, we did? How many did we do? 416 00:22:59,080 --> 00:23:02,680 Speaker 1: I know that was a little HCA. You talked about 417 00:23:02,760 --> 00:23:05,600 Speaker 1: the tree of knowledge, but it's actually the tree of 418 00:23:05,680 --> 00:23:09,000 Speaker 1: knowledge of good and evil. Lisa says, I grew up 419 00:23:09,080 --> 00:23:11,760 Speaker 1: Lutheran and don't remember learning what exactly this is supposed 420 00:23:11,800 --> 00:23:14,440 Speaker 1: to mean. But I never learned knowledge was a sin. 421 00:23:14,880 --> 00:23:17,120 Speaker 1: I took the tree to be like taking the rose 422 00:23:17,119 --> 00:23:20,200 Speaker 1: colored glasses off and finally seeing good and bad. It's 423 00:23:20,240 --> 00:23:22,800 Speaker 1: not all naming animals and hanging out naked in a garden. 424 00:23:23,160 --> 00:23:25,080 Speaker 1: Not much to do with the actual subject to the show. 425 00:23:25,119 --> 00:23:28,440 Speaker 1: Just a friendly hey, by the way, love the show. Okay, 426 00:23:28,800 --> 00:23:32,400 Speaker 1: that's useful because I do remember we were talking about like, oh, 427 00:23:32,480 --> 00:23:35,000 Speaker 1: it's so weird that any religion that says knowledge is 428 00:23:35,040 --> 00:23:38,040 Speaker 1: evil is probably not one that I want to be 429 00:23:38,080 --> 00:23:40,520 Speaker 1: involved in, right, Right, that makes sense to be like, oh, 430 00:23:40,560 --> 00:23:43,720 Speaker 1: it's not that knowledge is wrong, it's just that it 431 00:23:43,800 --> 00:23:47,240 Speaker 1: was a tree that gave you, I guess, a sense 432 00:23:47,320 --> 00:23:49,960 Speaker 1: of morality. Right, It's sort of like or made a 433 00:23:50,040 --> 00:23:51,800 Speaker 1: judgment about what was good or bad. I think it 434 00:23:51,880 --> 00:23:54,919 Speaker 1: sort of perpetuates the existence of evil, then, wouldn't it, 435 00:23:55,240 --> 00:23:58,280 Speaker 1: because if you it's sort of like you can't have 436 00:23:58,600 --> 00:24:02,639 Speaker 1: dark without lights, vice versa. Right, So now it becomes 437 00:24:02,680 --> 00:24:05,159 Speaker 1: these two distinct entities as opposed to sort of this 438 00:24:05,280 --> 00:24:08,120 Speaker 1: like I see everything in one color and it's all 439 00:24:08,160 --> 00:24:10,679 Speaker 1: just kind of neutral and fine. But I don't know. 440 00:24:10,720 --> 00:24:14,960 Speaker 1: I know theologian, and I know that there's been different interpretations. 441 00:24:14,960 --> 00:24:18,080 Speaker 1: I've often heard people talk about it being knowledge and 442 00:24:18,840 --> 00:24:24,240 Speaker 1: Eve was you know, once Eve got woke, you know, 443 00:24:24,320 --> 00:24:26,480 Speaker 1: they kicked her out of the garden. But I think 444 00:24:26,520 --> 00:24:30,080 Speaker 1: that's a misinterpretation that has been both you know, just 445 00:24:30,160 --> 00:24:32,199 Speaker 1: idiots like us talking about it who ain't got no 446 00:24:32,240 --> 00:24:35,160 Speaker 1: business too, and also people in power kind of manipulating 447 00:24:35,200 --> 00:24:38,400 Speaker 1: it in that way to give themselves more control, right, 448 00:24:38,800 --> 00:24:41,280 Speaker 1: very true. Yeah, I also love that it kind of 449 00:24:41,280 --> 00:24:43,879 Speaker 1: points out a big problem, which is where we love 450 00:24:43,920 --> 00:24:46,720 Speaker 1: to take not we you and I, but we as 451 00:24:46,760 --> 00:24:49,800 Speaker 1: in human beings, love to take a phrase and like 452 00:24:49,880 --> 00:24:52,840 Speaker 1: chop off half of it should where it means something 453 00:24:52,880 --> 00:24:55,800 Speaker 1: completely different than the phrase means. Yes, the one that's 454 00:24:55,840 --> 00:24:59,520 Speaker 1: coming to mind is one bad apple, because we've heard 455 00:24:59,520 --> 00:25:02,840 Speaker 1: that one a lot. Don't let one bad apple whatever. 456 00:25:02,920 --> 00:25:06,600 Speaker 1: But the phrase is one bad apple spoils the whole bunch, right, 457 00:25:06,720 --> 00:25:09,800 Speaker 1: So actually one bad apple is the thing you need 458 00:25:09,840 --> 00:25:12,520 Speaker 1: to be worried, Yeah, exactly, or like a jack of 459 00:25:12,560 --> 00:25:15,080 Speaker 1: all trades but a master of none. It sounds like 460 00:25:15,080 --> 00:25:17,240 Speaker 1: it's a bad thing, but the rest of the phrase 461 00:25:17,359 --> 00:25:20,000 Speaker 1: is but better than master of one. So it's better 462 00:25:20,080 --> 00:25:21,720 Speaker 1: to be a jack of all trades than a master 463 00:25:21,800 --> 00:25:25,440 Speaker 1: of one. Good anyway, Oh you think you don't think 464 00:25:25,480 --> 00:25:27,680 Speaker 1: so well. I'm a jack of all trades and I 465 00:25:27,720 --> 00:25:30,160 Speaker 1: don't have a competitive skill set in any of them, 466 00:25:30,640 --> 00:25:34,000 Speaker 1: so it's sometimes hard to find a job. Yeah, but 467 00:25:34,080 --> 00:25:36,440 Speaker 1: I could do a little bit just about everything you need. 468 00:25:36,800 --> 00:25:39,560 Speaker 1: I was for you game nerds out there. I was 469 00:25:39,600 --> 00:25:43,159 Speaker 1: playing sky Rim when it first came out, and I 470 00:25:43,240 --> 00:25:46,680 Speaker 1: was having so much fun. And I got to level thirty, 471 00:25:46,800 --> 00:25:49,840 Speaker 1: and I really and I was somewhere around thirty, late twenties, 472 00:25:50,280 --> 00:25:53,639 Speaker 1: and I realized that I had every time I leveled up, 473 00:25:53,640 --> 00:25:56,840 Speaker 1: I put a point into a different skill, and so 474 00:25:56,960 --> 00:25:59,720 Speaker 1: none of my skills were strong enough to keep me 475 00:25:59,760 --> 00:26:02,720 Speaker 1: a lot. I was getting murdered by everything by this point, 476 00:26:03,160 --> 00:26:04,520 Speaker 1: and I was like, oh my god, this is a 477 00:26:04,560 --> 00:26:10,399 Speaker 1: metaphor for my life. Our next Instagram message came from 478 00:26:10,480 --> 00:26:14,399 Speaker 1: Underscore Locks. Hey guys, I love your podcast and it 479 00:26:14,440 --> 00:26:17,320 Speaker 1: got me through my biggest shock after learning my grandma 480 00:26:17,400 --> 00:26:20,560 Speaker 1: passed away while studying abroad in dark and snowy Finland. 481 00:26:20,640 --> 00:26:23,000 Speaker 1: I'm so sorry. That's really sad to hear. Sorry they 482 00:26:23,000 --> 00:26:26,000 Speaker 1: say there was almost no sunshine for four months, but 483 00:26:26,080 --> 00:26:28,640 Speaker 1: I listened to every episode and chuckled my way out 484 00:26:28,640 --> 00:26:31,960 Speaker 1: of that dark time. Oh that's lovely. But as an 485 00:26:32,040 --> 00:26:34,359 Speaker 1: art historian, I feel like I have to let you 486 00:26:34,400 --> 00:26:36,600 Speaker 1: know about what I believe is the correct way to 487 00:26:36,600 --> 00:26:39,879 Speaker 1: pronounce a name. From your recent episode about Claude Cahoun 488 00:26:40,040 --> 00:26:44,000 Speaker 1: and Marcel Moore, that was our episode about the avant 489 00:26:44,040 --> 00:26:48,480 Speaker 1: garde French artists that ended up running an entire resistance 490 00:26:48,480 --> 00:26:52,000 Speaker 1: campaign on the island of Jersey against the Nazi. We 491 00:26:52,080 --> 00:26:55,480 Speaker 1: talked about Marcel Duchamp, the artist having an alter ego 492 00:26:55,680 --> 00:27:00,720 Speaker 1: named rose Celavie. Well Locke says that that should be 493 00:27:00,760 --> 00:27:07,160 Speaker 1: pronounced as the famous expression say leave more like blows brilliant. 494 00:27:07,240 --> 00:27:10,400 Speaker 1: It's spelled se l A v i E. That's right, 495 00:27:10,520 --> 00:27:15,320 Speaker 1: But of course it's a drag name. That's brilliant great. Great. 496 00:27:16,400 --> 00:27:18,720 Speaker 1: That's way better than Sellavie or whatever we say. I 497 00:27:18,760 --> 00:27:20,640 Speaker 1: don't know. It's a good catch, and it's it's one 498 00:27:20,640 --> 00:27:22,760 Speaker 1: of those things that's like you read something over and 499 00:27:22,800 --> 00:27:24,680 Speaker 1: over again without hearing it, and you just don't catch 500 00:27:24,720 --> 00:27:27,480 Speaker 1: these things. Yes, it's so true. I'm so glad you 501 00:27:27,520 --> 00:27:30,760 Speaker 1: caught it. Yes, that's such a good little double entendre. Yeah, 502 00:27:30,800 --> 00:27:33,840 Speaker 1: I love it. And they conclude your episode was an 503 00:27:33,840 --> 00:27:36,720 Speaker 1: absolute delight and a perfect intro to spring and a 504 00:27:36,800 --> 00:27:40,080 Speaker 1: more joyous time. Oh good, thank you. I'm so glad 505 00:27:40,080 --> 00:27:42,360 Speaker 1: that you liked it, and I'm so sorry about your grandma. Yes, 506 00:27:42,680 --> 00:27:46,560 Speaker 1: I hope you're getting twenty hours of sunshine a day now. 507 00:27:46,920 --> 00:27:48,600 Speaker 1: I guess is that how it works? Does it go 508 00:27:48,720 --> 00:27:51,879 Speaker 1: straight to all sunshine? I feel like spring, there's a 509 00:27:51,960 --> 00:27:54,560 Speaker 1: nice balance there. It probably is. It's like the nicest 510 00:27:54,600 --> 00:27:56,879 Speaker 1: time to go to Finland. Yeah, that's when I'd like 511 00:27:56,920 --> 00:28:01,400 Speaker 1: to go to Finland, yes, or something. Although I always 512 00:28:01,440 --> 00:28:06,840 Speaker 1: think of dating myself alert, I always think of rescue 513 00:28:06,920 --> 00:28:10,400 Speaker 1: rangers with Finland because they went to you know, Finland, 514 00:28:10,400 --> 00:28:15,040 Speaker 1: and it was all fish that lived in little fish bowls. Um, 515 00:28:15,080 --> 00:28:17,880 Speaker 1: that had a whole society. I'm like, that's what Finland 516 00:28:17,960 --> 00:28:20,719 Speaker 1: is like. It's mostly fish people. So write and let 517 00:28:20,760 --> 00:28:24,200 Speaker 1: us know if you're a fish person. I guess, corrections, Garner, 518 00:28:24,680 --> 00:28:28,000 Speaker 1: some people in Finland are human. Label all Finnish people 519 00:28:28,000 --> 00:28:33,639 Speaker 1: as fish people. Um, but notmaid, not mermaid, no no 520 00:28:33,640 --> 00:28:38,880 Speaker 1: no no, just fish fish like anthropomoric fish. Wow. All right, Yeah, 521 00:28:39,040 --> 00:28:41,440 Speaker 1: but they still needed to breathe water, so they had 522 00:28:41,520 --> 00:28:44,640 Speaker 1: like reverse scuba suits where it was like water bowls 523 00:28:44,680 --> 00:28:47,480 Speaker 1: over their head. If I'm remembering this correctly, why would 524 00:28:47,520 --> 00:28:50,240 Speaker 1: fish people want to live on land if they had 525 00:28:50,280 --> 00:28:52,680 Speaker 1: to breathe? Well, anyway, I'm not going to question. Look, 526 00:28:53,120 --> 00:28:55,360 Speaker 1: you want to talk to the drug dealers for the 527 00:28:55,360 --> 00:28:58,680 Speaker 1: rescue rangers writers, and you talk to them, Okay, I 528 00:29:00,280 --> 00:29:03,080 Speaker 1: feel it has some really good story. Yes, that's really good. 529 00:29:03,040 --> 00:29:08,200 Speaker 1: Drop too, apparently all right. Next up comes a message 530 00:29:08,360 --> 00:29:12,160 Speaker 1: from super listener Rachel Vaughan. Yes, she let us know 531 00:29:12,280 --> 00:29:15,640 Speaker 1: that the Guinness World Record for the longest underwater kiss 532 00:29:16,040 --> 00:29:20,280 Speaker 1: was broken this year. We had previously reported in our 533 00:29:20,520 --> 00:29:25,880 Speaker 1: Guinness Romance stories that Michelle Fucarino and Eliza Latziana kissed 534 00:29:25,960 --> 00:29:28,600 Speaker 1: underwater for three minutes and twenty four seconds in twenty ten, 535 00:29:29,000 --> 00:29:32,840 Speaker 1: but Rachel let us know that this year Beth Nelle 536 00:29:32,880 --> 00:29:37,360 Speaker 1: forty from South Africa and Miles Clotier thirty three from 537 00:29:37,520 --> 00:29:41,640 Speaker 1: Canada her fiance traveled to the Maldives and they kissed 538 00:29:41,720 --> 00:29:46,160 Speaker 1: underwater for four minutes and six seconds on February fourth 539 00:29:46,160 --> 00:29:49,000 Speaker 1: of twenty twenty three. The couple said that their successful 540 00:29:49,000 --> 00:29:53,640 Speaker 1: record attempt came after three days of practice, and it's 541 00:29:53,640 --> 00:29:55,720 Speaker 1: just three days of trying to hold their faces together 542 00:29:55,800 --> 00:30:00,400 Speaker 1: for four minutes above water, and then can we do 543 00:30:00,440 --> 00:30:05,320 Speaker 1: it underwater? It's the real question. That's wild. I can't 544 00:30:05,320 --> 00:30:08,560 Speaker 1: imagine doing any one thing for four minutes. My brain 545 00:30:08,880 --> 00:30:11,920 Speaker 1: can't stay focused, will not do it. I also love 546 00:30:12,000 --> 00:30:14,680 Speaker 1: the practice part because, like, imagine you did it one 547 00:30:14,760 --> 00:30:16,720 Speaker 1: day and you managed to get four minutes. You know 548 00:30:16,720 --> 00:30:18,680 Speaker 1: what I mean, you broke the record. You were like, oh, 549 00:30:18,680 --> 00:30:20,760 Speaker 1: it's practice, So that always seeks to do it again. 550 00:30:20,920 --> 00:30:24,560 Speaker 1: Ain't that true for every like record setting, Like if 551 00:30:24,560 --> 00:30:27,080 Speaker 1: you're running, you know, a marathon, and you break your 552 00:30:27,120 --> 00:30:31,440 Speaker 1: time on a personal run and then you you biff 553 00:30:31,480 --> 00:30:33,760 Speaker 1: it for the actual competition. You go to the judge 554 00:30:33,800 --> 00:30:36,720 Speaker 1: and you're like, but I did it yesterday, doesn't count 555 00:30:38,160 --> 00:30:43,600 Speaker 1: means nothing. Oh wow, that's um cool, that's pretty awesome. Now, 556 00:30:43,600 --> 00:30:45,880 Speaker 1: how do you breathe? I mean you can't breathe obviously, 557 00:30:46,040 --> 00:30:48,160 Speaker 1: so how does it? Well? I guess that's part of 558 00:30:48,200 --> 00:30:50,120 Speaker 1: the practice is learning how to hold your breath for 559 00:30:50,200 --> 00:30:53,000 Speaker 1: formative right. And we talked about this in that last 560 00:30:53,000 --> 00:30:56,440 Speaker 1: episode two about like do you do you breathe to 561 00:30:56,480 --> 00:30:59,320 Speaker 1: each other? Can you share air that wouldn't last for 562 00:30:59,400 --> 00:31:02,280 Speaker 1: very long. I don't think. Um, but then you know, 563 00:31:02,440 --> 00:31:05,400 Speaker 1: I remember reading about the or hearing all these interviews 564 00:31:05,440 --> 00:31:08,400 Speaker 1: about the Avatar to filming and James Cameron got all 565 00:31:08,400 --> 00:31:10,320 Speaker 1: those actors like holding their breath for like six minutes 566 00:31:10,320 --> 00:31:13,480 Speaker 1: and shit, that's wild. Yeah, what a what a skill. 567 00:31:13,680 --> 00:31:16,600 Speaker 1: And I'm like, but it's you're animating it. Why do 568 00:31:16,640 --> 00:31:20,560 Speaker 1: I have to be underwater? Cg in my ass? But 569 00:31:20,640 --> 00:31:22,920 Speaker 1: it did look good. It looked real good. I can't 570 00:31:22,920 --> 00:31:26,560 Speaker 1: complain about the results. Yeah. Well, let's take a quick break. 571 00:31:26,600 --> 00:31:28,960 Speaker 1: We've got a couple more emails to get to and 572 00:31:29,000 --> 00:31:32,840 Speaker 1: they're both about one of our favorite episodes, John Wilmot, 573 00:31:33,040 --> 00:31:37,080 Speaker 1: The Poet the Body Poets. Right, so we're gonna take 574 00:31:37,120 --> 00:31:38,920 Speaker 1: a quick break. We'll come back and wrap up with those. 575 00:31:43,320 --> 00:31:48,800 Speaker 1: Welcome back, everybody. So the next message comes from super 576 00:31:48,880 --> 00:31:55,000 Speaker 1: listener Barbara Banks. Hey, my mother m and she is 577 00:31:55,120 --> 00:31:57,280 Speaker 1: one of our biggest fans, which is great for me, 578 00:31:57,560 --> 00:31:59,200 Speaker 1: I know, right, and all you know, if you're an 579 00:31:59,240 --> 00:32:01,880 Speaker 1: artist out there trying to prove to your parents that 580 00:32:01,920 --> 00:32:05,320 Speaker 1: your life is worth something, Um, this is this is 581 00:32:05,320 --> 00:32:07,880 Speaker 1: how you do it. My life is worth something, mother, 582 00:32:09,200 --> 00:32:12,400 Speaker 1: Now my parents have always been overly supportive of my 583 00:32:12,520 --> 00:32:17,680 Speaker 1: artistic ambitions. They were like, yeah, who needs financially stable 584 00:32:17,720 --> 00:32:21,400 Speaker 1: future whatever, just do follow your heart. And all my 585 00:32:21,800 --> 00:32:24,480 Speaker 1: friends they were like my parents. They didn't want me 586 00:32:24,560 --> 00:32:26,800 Speaker 1: to be an artist. They made me go to business school. 587 00:32:26,840 --> 00:32:30,880 Speaker 1: And I'm like, well, now I have a three bedroom house. Yeah, 588 00:32:30,880 --> 00:32:34,960 Speaker 1: now I own things under my own name. Now I 589 00:32:35,000 --> 00:32:37,920 Speaker 1: got my groceries without checking first. Yeah, all right. That's 590 00:32:37,920 --> 00:32:39,960 Speaker 1: what's so funny because sometimes I'll be like, it's so 591 00:32:40,120 --> 00:32:42,440 Speaker 1: cool that you're still doing that thing that you love, 592 00:32:42,640 --> 00:32:45,080 Speaker 1: you know what I mean, And we're both like, I'd 593 00:32:45,080 --> 00:32:47,760 Speaker 1: love to own a house now. I don't know if 594 00:32:47,800 --> 00:32:52,320 Speaker 1: i'd love to own a house now, you know what? Yeah? Yeah, 595 00:32:52,120 --> 00:32:55,400 Speaker 1: uh no, But I'm very grateful for all this. And 596 00:32:56,240 --> 00:33:00,880 Speaker 1: Mom says that after our John Wilmot episode as to 597 00:33:00,920 --> 00:33:04,200 Speaker 1: the Earl's deathbed confession, which just to fill you in, 598 00:33:04,760 --> 00:33:08,680 Speaker 1: when the Earl of Rochester died, his mother had hired 599 00:33:08,680 --> 00:33:11,480 Speaker 1: a Protestant minister to go in and save his soul 600 00:33:11,560 --> 00:33:15,040 Speaker 1: and have him convert to Christianity on his deathbed, and 601 00:33:15,120 --> 00:33:20,360 Speaker 1: according to this minister, Gilbert John Wilmot did have a 602 00:33:20,440 --> 00:33:23,400 Speaker 1: last minute change of heart renouncing his atheism and his 603 00:33:23,480 --> 00:33:27,400 Speaker 1: debaucherous ways and requesting to convert to Anglicism. Yes, but 604 00:33:27,440 --> 00:33:29,120 Speaker 1: we did mention that a lot of scholars are pretty 605 00:33:29,120 --> 00:33:32,760 Speaker 1: skeptical about this because the only account of this exists 606 00:33:32,840 --> 00:33:37,520 Speaker 1: from the Protestant minister Gilbert himself in his writings, and 607 00:33:37,720 --> 00:33:39,760 Speaker 1: the idea being that, of course he would say that 608 00:33:39,840 --> 00:33:43,400 Speaker 1: because John Wilmot was this like insane libertine, and if 609 00:33:43,400 --> 00:33:46,360 Speaker 1: you converted him, that's like the greatest feat a minister 610 00:33:46,400 --> 00:33:51,000 Speaker 1: could achieve, the MVP Most Valuable Priest. Right Well, Barbara 611 00:33:51,040 --> 00:33:54,680 Speaker 1: Bank says that if you're an atheist, there's no reason 612 00:33:54,800 --> 00:33:57,880 Speaker 1: not to lie to keep your mother happy, and if 613 00:33:57,920 --> 00:34:00,840 Speaker 1: you're a preacher seeking handouts, there's all so no reason 614 00:34:00,880 --> 00:34:03,560 Speaker 1: not to lie to a mother whose great solace would 615 00:34:03,560 --> 00:34:07,160 Speaker 1: be her son's purported salvation. So it is possible it's 616 00:34:07,160 --> 00:34:11,719 Speaker 1: true that Gilbert lied about converting just to make his 617 00:34:11,800 --> 00:34:13,480 Speaker 1: mom hay, because he didn't care. He's like, I know 618 00:34:13,520 --> 00:34:15,839 Speaker 1: what's coming for me anyway, so I could say whatever 619 00:34:15,880 --> 00:34:21,280 Speaker 1: I want, right, Or that the preacher was like, yeah, lady, 620 00:34:21,360 --> 00:34:24,720 Speaker 1: he said he converted. He's he knew you'd be so happy, 621 00:34:24,840 --> 00:34:29,880 Speaker 1: And and they were friends to Gilbert Burnett and John Wilmot, Right, 622 00:34:30,320 --> 00:34:33,840 Speaker 1: so they could have even hatched the plan between themselves. Yeah. 623 00:34:33,960 --> 00:34:37,440 Speaker 1: Maybe John's on his deathbed saying, hey, buddy, one last 624 00:34:37,520 --> 00:34:44,120 Speaker 1: prank on my mom. Tell her I converted. And he 625 00:34:44,160 --> 00:34:47,200 Speaker 1: didn't have a chance to tell the punchline. He died 626 00:34:47,200 --> 00:34:51,360 Speaker 1: before the punchline came out every comedian zone. He's like, 627 00:34:51,560 --> 00:34:58,040 Speaker 1: May converted all her ducks PDFs. Gilbert's like, I don't 628 00:34:58,040 --> 00:35:00,080 Speaker 1: know what that means. No, that was a good that 629 00:35:00,080 --> 00:35:01,960 Speaker 1: That's a very good insight because I know we both 630 00:35:01,960 --> 00:35:04,960 Speaker 1: were like, Gilbert, you liar, you know whatever, But um, 631 00:35:05,200 --> 00:35:07,480 Speaker 1: that's a good reason to do to do it is 632 00:35:07,560 --> 00:35:10,200 Speaker 1: to just make your mom happy. So we did not 633 00:35:10,280 --> 00:35:13,680 Speaker 1: think of that. So on my deathbed, after I become 634 00:35:13,840 --> 00:35:19,040 Speaker 1: a wealthy financier, I will tell the whoever my mother 635 00:35:19,120 --> 00:35:22,560 Speaker 1: sends in and I'm fine final moments to say, tell 636 00:35:22,600 --> 00:35:26,120 Speaker 1: her I was happier as an artist. I'm so glad 637 00:35:26,760 --> 00:35:31,239 Speaker 1: for all of the encouragement. I was gonna say, unlikely 638 00:35:31,400 --> 00:35:35,160 Speaker 1: for Barbara to send a priest into your death, I 639 00:35:35,160 --> 00:35:42,960 Speaker 1: don't know. I don't know. She'll send whoever's nearby. You 640 00:35:42,960 --> 00:35:46,239 Speaker 1: go check on him, William. I'm not going in there 641 00:35:46,600 --> 00:35:49,839 Speaker 1: all right. Finally, we have an incredible ending for this 642 00:35:49,920 --> 00:35:53,600 Speaker 1: listener mail. I'm so happy about this one because Heidi 643 00:35:53,680 --> 00:35:56,840 Speaker 1: Kay wrote in on March eighth and said, Hey, guys, 644 00:35:56,920 --> 00:35:59,279 Speaker 1: I've been a listener from the very beginning. I was 645 00:35:59,400 --> 00:36:03,680 Speaker 1: totally inspired by your episode the Body Poems of John Wilmot. 646 00:36:04,280 --> 00:36:07,200 Speaker 1: Since I have been recovering from a full hysterectomy, I've 647 00:36:07,200 --> 00:36:10,600 Speaker 1: been thinking about something Diana said, women like sex and 648 00:36:10,680 --> 00:36:13,239 Speaker 1: want it just as much as men. Thank you. I 649 00:36:13,280 --> 00:36:19,000 Speaker 1: did say that I'm very smart, Heidi says. Since I'm 650 00:36:19,000 --> 00:36:22,000 Speaker 1: currently unable, I thought I'd try to write a poem 651 00:36:22,040 --> 00:36:24,360 Speaker 1: for my husband to show him how much I appreciate 652 00:36:24,480 --> 00:36:28,719 Speaker 1: his patience through it all and also my impatience. Oh yes, 653 00:36:28,840 --> 00:36:32,400 Speaker 1: and for fun, I've included the poem Enjoy my little 654 00:36:32,440 --> 00:36:39,799 Speaker 1: contribution to poetry corner. We've so excited. We're hoping Yo 655 00:36:39,840 --> 00:36:42,399 Speaker 1: would send us your body poems, and Heidi came through. 656 00:36:42,600 --> 00:36:47,399 Speaker 1: Heidi came through. Be like Heidi. So let's go down 657 00:36:47,440 --> 00:36:50,960 Speaker 1: the poetry corner and hear Heidi Kay's body poem for 658 00:36:51,080 --> 00:36:56,719 Speaker 1: her husband. My true love is brilliant, loving and kind. 659 00:36:57,200 --> 00:37:02,880 Speaker 1: His soldier is patient stoic and always inclined. Going on 660 00:37:03,000 --> 00:37:06,799 Speaker 1: twenty five years, under our vows, we've been bound. His 661 00:37:07,040 --> 00:37:11,680 Speaker 1: soldier has never strayed nor disappointed. I've found, but for 662 00:37:11,760 --> 00:37:14,840 Speaker 1: that day they took my daughter's first home, and the 663 00:37:14,880 --> 00:37:18,600 Speaker 1: physician exclaimed, no more shall he roam The flowers in 664 00:37:18,680 --> 00:37:22,279 Speaker 1: the garden, all full of its nectar, shall stay locked up, 665 00:37:22,520 --> 00:37:28,040 Speaker 1: be unseen like a specter weeks of octobule, the doors 666 00:37:28,160 --> 00:37:31,759 Speaker 1: locked like a church. Many ways to show pleasure I've 667 00:37:31,800 --> 00:37:36,040 Speaker 1: tried and researched. This hardy soldier is slow to upset. 668 00:37:36,560 --> 00:37:40,560 Speaker 1: His only wish my pain to offset he has brought 669 00:37:40,640 --> 00:37:45,000 Speaker 1: unto me treats surely scrumptious, my mind only thinking of 670 00:37:45,040 --> 00:37:49,520 Speaker 1: that sweet purky rumpus. How when I'm sad and frustrated 671 00:37:49,560 --> 00:37:52,319 Speaker 1: with the loss of his bucks, he jumps in his 672 00:37:52,440 --> 00:37:57,719 Speaker 1: carriage and seeks out the star of Bucks, where he 673 00:37:57,880 --> 00:38:01,960 Speaker 1: promptly orders a tea bay ice to mine hand. It 674 00:38:02,040 --> 00:38:05,360 Speaker 1: is delivered to make me feel nice. Now the soldier 675 00:38:05,480 --> 00:38:08,279 Speaker 1: is creative, I'll give it to him. For him the 676 00:38:08,320 --> 00:38:12,839 Speaker 1: petals are as sweet as the spell, for he can 677 00:38:12,920 --> 00:38:16,320 Speaker 1: make the whole garden warble with all of his tricks 678 00:38:16,360 --> 00:38:20,680 Speaker 1: and talents of oral alas thrice more weeks we shall 679 00:38:20,719 --> 00:38:23,520 Speaker 1: be made to suffer. For you see, I've been thinking, 680 00:38:23,760 --> 00:38:26,400 Speaker 1: for who is it rougher? When I think to the 681 00:38:26,480 --> 00:38:30,360 Speaker 1: day my gates, he will breach his head to my breast. 682 00:38:30,520 --> 00:38:33,759 Speaker 1: As to God, I do preach no more careful we 683 00:38:33,840 --> 00:38:36,680 Speaker 1: need be. It's all for the best, for the maker 684 00:38:36,719 --> 00:38:40,719 Speaker 1: of babies has been put to rest. And this I 685 00:38:40,760 --> 00:38:44,319 Speaker 1: have learned whilst I swing on life string. He's no 686 00:38:44,440 --> 00:38:49,560 Speaker 1: soldier at all. To me, he's a king. Amazing. I 687 00:38:49,760 --> 00:38:55,440 Speaker 1: love it incredible. First of all, very healthy experience are 688 00:38:55,560 --> 00:38:59,319 Speaker 1: gone through here, very healthy reaction to a necessary thing. 689 00:38:59,360 --> 00:39:01,759 Speaker 1: And that's great that y'all are so supportive of each other. 690 00:39:01,880 --> 00:39:05,360 Speaker 1: I know, what sweet, what a sweet husband you have. Yeah, 691 00:39:05,400 --> 00:39:07,960 Speaker 1: and I hope that Let's see, that was March eighth, 692 00:39:07,960 --> 00:39:12,240 Speaker 1: and you said three weeks, so it's coming up on time. Heidi. 693 00:39:12,400 --> 00:39:15,840 Speaker 1: We can't wait for your gates to be breached. I 694 00:39:15,920 --> 00:39:20,919 Speaker 1: know it's gonna be amazing after all your waiting, right, 695 00:39:21,120 --> 00:39:24,280 Speaker 1: you know it'll be like it'll be like the first 696 00:39:24,320 --> 00:39:29,359 Speaker 1: time I'll look. The pedals are great, but the stem 697 00:39:29,560 --> 00:39:33,960 Speaker 1: is looking for action. I guess the stem has a 698 00:39:33,960 --> 00:39:40,040 Speaker 1: lot to recommended. Oh, I'm so excited that she wrote this. 699 00:39:40,320 --> 00:39:43,719 Speaker 1: She's so happy. More people should write body poems. It's 700 00:39:43,760 --> 00:39:46,960 Speaker 1: so fun, right, I'm telling you. Rhyming is so fun. 701 00:39:47,200 --> 00:39:49,800 Speaker 1: I guess we should write some. Yeah, I guess we should. 702 00:39:50,840 --> 00:39:53,080 Speaker 1: We will try to write a body poem about how 703 00:39:53,160 --> 00:39:55,560 Speaker 1: much we love all of you, yes, and share it 704 00:39:55,600 --> 00:39:59,640 Speaker 1: with you. Yeah. Well, we'll assume we have your concept 705 00:40:00,560 --> 00:40:02,200 Speaker 1: we're going to say. I mean, you know, we're not 706 00:40:02,200 --> 00:40:05,880 Speaker 1: going to say anything. You know, we'll just be talking 707 00:40:05,880 --> 00:40:08,879 Speaker 1: about the palpitations of our hearts. True, whenever we get 708 00:40:08,920 --> 00:40:12,640 Speaker 1: a new email, because that's true. It is very exciting, 709 00:40:12,680 --> 00:40:14,600 Speaker 1: and we get, you know, so multiple times a day 710 00:40:14,640 --> 00:40:17,920 Speaker 1: our hearts palpitate, and not just for the usual reasons 711 00:40:17,960 --> 00:40:21,120 Speaker 1: of too much sodium and not enough exercise. Right, and 712 00:40:21,200 --> 00:40:23,600 Speaker 1: then we like screaming across the house. We gotta do one. Yeah, 713 00:40:23,719 --> 00:40:26,240 Speaker 1: got another message. I know, it never stops being exciting, 714 00:40:26,480 --> 00:40:29,879 Speaker 1: no matter how many thousands and thousands of emails pour 715 00:40:29,960 --> 00:40:33,719 Speaker 1: in by the hour, it still gets very exciting. No, 716 00:40:34,040 --> 00:40:35,600 Speaker 1: I mean, we do get a lot. I know we 717 00:40:35,640 --> 00:40:37,560 Speaker 1: have not had a chance to respond to all of you. 718 00:40:37,719 --> 00:40:39,520 Speaker 1: We haven't even had a chance to read all of them. 719 00:40:39,600 --> 00:40:41,920 Speaker 1: Here on the show. We're going to try and do 720 00:40:41,960 --> 00:40:44,680 Speaker 1: another one of these soon. Um, so please keep sending 721 00:40:44,719 --> 00:40:47,200 Speaker 1: him in because we really too love getting him. And 722 00:40:47,200 --> 00:40:49,399 Speaker 1: when we do read every single one ourselves. We don't 723 00:40:49,440 --> 00:40:51,880 Speaker 1: have our assistant do it. That's right. We don't have 724 00:40:51,960 --> 00:40:58,000 Speaker 1: an our assistant can't read that's right. He's a dog. Well, 725 00:40:58,040 --> 00:41:00,719 Speaker 1: thank you all so much for the beautiful mess. We 726 00:41:00,719 --> 00:41:02,680 Speaker 1: were so happy to be reading all of these and 727 00:41:02,760 --> 00:41:07,000 Speaker 1: learning from you and uh expanding our knowledge and being 728 00:41:07,000 --> 00:41:10,880 Speaker 1: corrected about pronunciations, which is so important. What did I 729 00:41:10,920 --> 00:41:12,920 Speaker 1: say in the last episode when we were when I 730 00:41:12,960 --> 00:41:15,480 Speaker 1: said Australia and France would never allow us back in. 731 00:41:15,560 --> 00:41:18,920 Speaker 1: I said, the Scots will let us in. Then they can. 732 00:41:19,320 --> 00:41:23,080 Speaker 1: They can take it. Maybe they know we're wrong, but 733 00:41:23,200 --> 00:41:26,359 Speaker 1: they laugh at us with us, you know, positively, right, 734 00:41:26,400 --> 00:41:29,600 Speaker 1: that's true. We do have a couple of Scottish fans 735 00:41:29,640 --> 00:41:35,040 Speaker 1: and they're like, come visit and I will your couch. 736 00:41:37,000 --> 00:41:39,480 Speaker 1: So yeah, if you would like to be a part 737 00:41:39,520 --> 00:41:41,920 Speaker 1: of our next listener mail episode, or if you just 738 00:41:41,960 --> 00:41:43,680 Speaker 1: want to reach out and say hi and make our 739 00:41:43,680 --> 00:41:46,920 Speaker 1: hearts palpitate, um, you can do it. Our email address 740 00:41:47,000 --> 00:41:49,440 Speaker 1: is ridict Romance at gmail dot com. That's right, or 741 00:41:49,480 --> 00:41:52,239 Speaker 1: you can always message us on Twitter or Instagram. I'm 742 00:41:52,280 --> 00:41:55,520 Speaker 1: at Oh great, it's Eli, I'm at Dianamite Boom, and 743 00:41:55,640 --> 00:42:00,279 Speaker 1: the show itself is at ridic Romance right. Thanks so 744 00:42:00,320 --> 00:42:02,719 Speaker 1: much again for tuning in. We can't wait to hear 745 00:42:02,719 --> 00:42:04,520 Speaker 1: from you more. We can't break to bring you our 746 00:42:04,560 --> 00:42:07,080 Speaker 1: new episodes next week, so stay tuned and we'll catch 747 00:42:07,080 --> 00:42:11,120 Speaker 1: it in love you bye, so long. Friends, it's time 748 00:42:11,160 --> 00:42:15,239 Speaker 1: to go. Thanks for listening to our show. Tell your 749 00:42:15,320 --> 00:42:18,359 Speaker 1: friends neighbor's uncle s dance to listen to our show 750 00:42:18,440 --> 00:42:19,760 Speaker 1: Ridiculous Roll Dance