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Speaker 1: This is your wake up Hall Breakfast Club to show

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Speaker 1: you love to hate from the East to the West Coast.

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Speaker 1: DJ Envigel Charlomane, the god, the really show on the planet.

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Speaker 1: This is where I respect this show because this is

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Speaker 1: a voice of society. Sames in the game, guys are

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Speaker 1: the coveted morning show. What y'all earning? Impacting the coach

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Speaker 1: up in the morning and the stay want to hear

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Speaker 1: that Breakfast the world's most dangerous morning show. And all

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Speaker 1: right he took the hell I don't know what's going

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Speaker 1: over headed again, Jesus Christ, what was that? I act

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Speaker 1: like I never did this before. I wasn't learning out.

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Speaker 1: Good morning Usa, joo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo Angels in Miami, we're

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Speaker 1: having problems with her. Mike Charlomagne was popping the planet

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Speaker 1: is Thursday, Yes, it's Thursday. Yeah, we're trying to figure

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Speaker 1: out this thing. What's going on? So I got logic

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Speaker 1: in Miami. Yes, I don't know who the engineer is

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Speaker 1: there at one or three five to beat in Miami,

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Speaker 1: but they'll figure it out. We'll get it together there there.

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Speaker 1: Every time I talk, I hear myself twice. Yes, that's

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Speaker 1: the last thing I want to do is hear myself

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Speaker 1: to you and me already hear voices in my head

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Speaker 1: as it is. Okay, now, um shout to Kola House.

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Speaker 1: Kola House is a restaurant slash event space here in

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Speaker 1: uh New York City. Charlemagne actually had his book release

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Speaker 1: party there. I did have my book launch party there.

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Speaker 1: I didn't know that it's actually a real restaurant, did

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Speaker 1: you know that? I kind of assumed it because you

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Speaker 1: when you walk in, they have like tables and stuff

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Speaker 1: like that, and waitresses and waiters in a bar. Nah,

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Speaker 1: don't you well you know what? Yes, yeah, I didn't

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Speaker 1: know that. I did a couple of it and they

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Speaker 1: were serving food at my book. I didn't know it

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Speaker 1: was an actual restaurant. I went there last night and

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Speaker 1: they have amazing food. Man, it was a banquet all.

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Speaker 1: I thought it was just a face like, you know,

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Speaker 1: just an event space all events I did. I did

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Speaker 1: an event with Fat Joe there. I came to your

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Speaker 1: event there. I didn't know that it was an actual

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Speaker 1: sit down restaurant. But yes, it is. I went there

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Speaker 1: last night, had amazing food. It was very very good.

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Speaker 1: Shout out to the people at coal House. We got

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Speaker 1: a great time. Yes, I don't believe you, but you

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Speaker 1: know whatever, if you want to tell that liar early

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Speaker 1: in the morning on the radio, cool, I don't. I

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Speaker 1: don't care either way, all right, but congratulations, right drop

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Speaker 1: want to close bomb for coal House? All right? The

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Speaker 1: damn bomb. The bomb's not working. And he looked at

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Speaker 1: us like he actually hit the ball. You can hear it.

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Speaker 1: That makes the headphones his master. He got the headphone

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Speaker 1: in the row. Listen to the listeners at home. Can't

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Speaker 1: hear the bomb, sir? Now try to get hit again.

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Speaker 1: Now we heard that, damn bob. Now let's try to

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Speaker 1: talk to you again. Something about this radio show, the

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Speaker 1: most Yankee radio show. This has to be the most

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Speaker 1: jankie success full radio show of all time. Show is

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Speaker 1: syndicated in seventy plus markets, and I really don't know why.

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Speaker 1: I'm gonna be totally honest with We are a little

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Speaker 1: jankie as one like. The show is put together with

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Speaker 1: duct tape, okay, scotch tape, Jesus d. You know, back

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Speaker 1: in the day the blowing in Nintendo game to make

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Speaker 1: it work. You gotta blow on this show at five

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Speaker 1: fifty five just to get it to play right at

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Speaker 1: definitely on both side. Jesus Christ, this is this is

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Speaker 1: this is horrible. Man. Does anybody care about the breakfast club? Hey, hey,

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Speaker 1: hey guys, we're out here. No no, it's all alone

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Speaker 1: on this little island trying to figure it out. No, no, no,

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Speaker 1: well Marsha Ambrosis will be joining. That makes me happy.

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Speaker 1: Marsha Ambrosis is one of my favorite artists ever historically,

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Speaker 1: since Floortree. When you think of sex and Marsha Ambrosis,

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Speaker 1: you have to think charge. You have no idea how

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Speaker 1: much me and my wife have sex to Marsha Ambrose's music,

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Speaker 1: whether it's late night and early mornings. Um, what's the

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Speaker 1: other CD car? I can't think of it right now.

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Speaker 1: I'm drawing a blank. I'm looking at it in my head. No,

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Speaker 1: that's he said to say, Yes, that's the Floortry song,

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Speaker 1: not the name of the alb Betty say yes. You

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Speaker 1: haven't love to say yes? Yes, baby, better say yes.

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Speaker 1: I'm drawing a blank right now. But I love Marsha

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Speaker 1: Ambrosio's music right so much Angelie, you can button anytime.

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Speaker 1: Your micsus to work again. No friends they nights and

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Speaker 1: early mornings and friends and lovers. Boom, okay, I love

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Speaker 1: Marsha bro. She got a new single light not called

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Speaker 1: love You Yaya. Oh we'll kick him with Marsha Ambross.

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Speaker 1: If you don't know who she is, will put you

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Speaker 1: onto game. You don't know who she is, it's just

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Speaker 1: not for you. But tell your mama and your aunts

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Speaker 1: that Marsa mar b morn on this morning. If you don't,

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Speaker 1: if you don't take myself twice, it's the stupidest girl.

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Speaker 1: That sounds like the old mixtape day like yeah yeah, yeah,

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Speaker 1: yeah yeah and me and cool clue clue. Pas. News

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Speaker 1: is next. It's the Breakfast Club. Good morning morning. Everybody

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Speaker 1: is DJ Envy Angela yee, Charlomagne the guy we are

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Speaker 1: The Breakfast Club's getting some front page news. In sports

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Speaker 1: last night, the Cavaliers beat the Raptors once only five

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Speaker 1: one h three. The Cavs lead the series two oh oh.

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Speaker 1: The Raptors don't even care huh didn't know the Eastern

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Speaker 1: Conference playoffs? I don't think so. And also the Spurs

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Speaker 1: beat the Rockets one twenty one ninety six. All right,

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Speaker 1: they tied the series one one. It is Angeli there, Angelie.

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Speaker 1: I guess not he Angela. Now I'm not prepared for

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Speaker 1: the front page because I usually don't do it. I

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Speaker 1: thought Angeli ye would have to be ready. But that

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Speaker 1: Mike's a little messed up. It seems like in Barack

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Speaker 1: Obama's biography he talks about proposing to another woman twice

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Speaker 1: before he met Michelle, and I then showed the woman.

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Speaker 1: I don't believe that Rock Obama proposed that job. Man,

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Speaker 1: I just don't believe that. Well, she's not fully, she's

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Speaker 1: she was mixed with something as I read it. Yeah, okay,

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Speaker 1: hold on, I ain't see it with a little leg out.

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Speaker 1: She looked at it right now. I saw the other picture.

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Speaker 1: I saw it. I didn't see all that that. Now,

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Speaker 1: let's say the audio. That's all we got. In school,

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Speaker 1: he was with a woman at the Columbia with a

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Speaker 1: woman named Genevieve Cook, who was a little older than

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Speaker 1: he was. She was white. She said at the time

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Speaker 1: that he was very conflicted about his race. You know,

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Speaker 1: he really had been raised by his white grandparents and uh, Honolulu.

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Speaker 1: He's on the prep schools. He didn't feel that he

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Speaker 1: connected with the average Black America, and then he hugged

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Speaker 1: that that beautiful woman named Michelle Obama never changed and

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Speaker 1: never went back. Okay, he glowed up from there. Tropoint

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Speaker 1: clue bumps with Barack Obama. But how you dying over that? Now?

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Speaker 1: Just sneezing? Now? Also, don't nothing look crazy? They're on

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Speaker 1: the beage person try to hold in the sneeze? Would

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Speaker 1: I like your brothers tried to hold in the day?

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Speaker 1: I thought if he was dying to see on the

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Speaker 1: mic Now. Also, Angelae suposed to do front page news,

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Speaker 1: It's not happening. So tell us about Steve Harvey yesterday

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Speaker 1: you on the Steve Harvey Show. Are you just making

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Speaker 1: stuff up? Absolutely? That has nothing to do it from

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Speaker 1: time's supposed to be. But yeah, I was on my

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Speaker 1: guy Steve Harvey Show yesterday promoting my book Black Privilege.

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Speaker 1: Opportunity Comes to those who created. New York Times Best

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Speaker 1: Sellers list came out again yesterday. So on the second week,

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Speaker 1: I'm number ten on the list. This week dropped on that.

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Speaker 1: How was that experiencing down with Steve? I love sitting

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Speaker 1: down with Steve Harber contra to Contrary to a lot

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Speaker 1: of people's probably belief, I think Steve is a very

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Speaker 1: real individual and we have a really good conversations about life. See.

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Speaker 1: I like listening to my elders because they've lived a

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Speaker 1: life that we have yet to live. Like the Brothers

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Speaker 1: sixty sixty one years old, got like twenty five plus

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Speaker 1: years on me. Absolutely, okay, Like I love sitting down

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Speaker 1: kicking it with people like that because anything that I

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Speaker 1: possibly could be going through, uh, he's already went through.

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Speaker 1: Oh absolutely. I listen when I when I hit the

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Speaker 1: New York Times Bestsellers US last week, Steve sent me

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Speaker 1: a text and it was like a Phesian six ten

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Speaker 1: to twelve, and he said, you need to have your

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Speaker 1: whole Alma God on right now because it's gonna be

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Speaker 1: so called friends and so called family who flipped. He said,

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Speaker 1: mark my words, it's gonna come from nowhere. That stuff was, Oh,

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Speaker 1: it's already, oh, definitely, without question. Who's slipping. And it

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Speaker 1: doesn't even matter, It don't even matter. They can all

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Speaker 1: disappear fall like all right, Oh listen. I love having

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Speaker 1: a reason not to deal with somebody. You know, me,

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Speaker 1: you and me both. I love to put my phone

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Speaker 1: on do not disturb, all right, block your number my

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Speaker 1: last front page news that tell them why you're mad

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Speaker 1: eight hundred five eight five one O five one, or

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Speaker 1: tell them why you're blessed. If you're mad, you can

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Speaker 1: call us up and put your live on the air.

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Speaker 1: You can explain why you are mad, or if you

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Speaker 1: feel blessed, you want to press some positivity. Maybe your birthday,

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Speaker 1: whatever it may be. Maybe a co worker is in

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Speaker 1: Miami and her MIC's not working. Who knows. Eight hundred

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Speaker 1: five eighty five one O five one. It is the

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Speaker 1: Breakfast Club. Good morning, the Breakfast Club. This is your

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Speaker 1: time to get it off your chest, whether you're mad

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Speaker 1: or blast so people have the same We want to

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Speaker 1: hear from you on the Breakfast Club. Hello, who's this

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Speaker 1: from Jersey? Hey Julia, Now we can hear you clearly.

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Speaker 1: Tell them why you're mad. Mama. I'm mad because I

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Speaker 1: worked for a security company overnight at a trucking site

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Speaker 1: and they provide a trust but it's no seat. But

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Speaker 1: he does not work, and I was freezing all night

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Speaker 1: last night and nobody cares. They didn't expected to still

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Speaker 1: be cold in April in New York and New Jersey.

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Speaker 1: But it is I have a coat on right now. Yeah,

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Speaker 1: I have my coat on this morning. I'm sorry for you, Mama.

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Speaker 1: They know what it is. They just wanted to suffer.

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Speaker 1: Put your hands near your vagina. I know you've vagina

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Speaker 1: giving off a little warmth this morning. Hello. Who's this? Hey?

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Speaker 1: This is Kali from o'calla, Florida. Who's up? Bro? Tell them?

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Speaker 1: Why you many? Good morning to get heavy as Charlotte

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Speaker 1: and Julie even though he might not working, but hey,

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Speaker 1: I'm not mad. Just want to definitely blush today I

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Speaker 1: turned thirty. Oh and I might work, and hey, you

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Speaker 1: get no Charlotte dropped wanting a cool bomb for me,

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Speaker 1: drop on a cloth. Bombs for you for what you

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Speaker 1: turns your birthday? Help me born there. You're thirty, man,

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Speaker 1: I appreciate you thirty, all right, what you're doing to night?

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Speaker 1: Don't say dirty thirty? Hey, people say that what you're

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Speaker 1: doing in that about I'm harpa. Go down to Miami.

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Speaker 1: There you go, that's a good place to spend your thirty. Yeah,

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Speaker 1: he's down there, and look for her. All right, I'm

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Speaker 1: gonna help you. Then, listen, go down there and get

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Speaker 1: you a nice curable STD. Okay, don't you dead? No? No,

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Speaker 1: never that. Hello, who's this Jade Jasmine? You blessed this morning?

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Speaker 1: I am morning because I'm graduating from Porida Atlantic University

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Speaker 1: with a Bachelorism nursing. That's what I like to hear.

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Speaker 1: That's what I like to hear. Absolutely, congratulations, mamma. Thank

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Speaker 1: you guys so so so much. I listen to y'all

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Speaker 1: every morning. Thank you. Go out there. You'd be the

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Speaker 1: best nurse you can be. Man. I had a dude.

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Speaker 1: I was at a Saint Peter's University yesterday and uh,

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Speaker 1: you know, because I'm doing a book signing and a

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Speaker 1: guy walked up to me. He goes, You're gonna be

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Speaker 1: a star, and I'm like, oh god, here we go

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Speaker 1: about the time he gonna be a rapper athlete. He goes,

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Speaker 1: I'm gonna be a physical therapist. And I was like, man,

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Speaker 1: that's what I'm talking about, brother, Because success is subjective,

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Speaker 1: you know what I'm saying. In America, we are quick success,

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Speaker 1: his celebrity, but it is so many people out here

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Speaker 1: that are successful who are just not famous. Yeah. Absolutely,

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Speaker 1: salute to everybody out there that is living that beautiful

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Speaker 1: successful not famous life. Hello, who's this twenty four hour major? Man?

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Speaker 1: How you going? Twenty four hour major? Tell them why

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Speaker 1: you're mad? Man? I met George? Man, what up? Savannah?

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Speaker 1: Gotta get to Savannah? Man, I love Savannah? Why you man? Man? Oh? Man? Man,

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Speaker 1: my girl Man, she's tripping man like like, okay, okay,

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Speaker 1: like my grandma, right, she staying, She staying with me.

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Speaker 1: She got it. We gotta grandma ahead. She's sad with me, man,

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Speaker 1: So we know she's going through some time. So she

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Speaker 1: staying with you? And I damn how you grew up

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Speaker 1: in with her? No? No, no, what happened was? It's

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Speaker 1: it's a long it's a long story, man. But I

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Speaker 1: thought that my girl, man, my girl tripping man, my girl, Man,

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Speaker 1: she's b how Man's how you ain't gonna tell us why?

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Speaker 1: She felt? You just want us to guess, okay, okay, okay.

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Speaker 1: So so so I'm in the studio all night and

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Speaker 1: she noticed, he noticed, right, she noticed? Right. I get

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Speaker 1: a call my grandma. She crime like, what what's wrong?

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Speaker 1: The true my girlfriend and box my grandma's in the

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Speaker 1: face and put out the house. Right. So I'm on

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Speaker 1: my way back to the house and soon when I

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Speaker 1: get her. When I get home and I see I

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Speaker 1: see two, I se like three or two or three

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Speaker 1: cars I sat so when I get when I get

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Speaker 1: in the house, it's like two of my homies and

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Speaker 1: three other dude, my girl, and you are like you

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Speaker 1: are you know what they're doing. I really think you're

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Speaker 1: making this up as you go along. I can't take

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Speaker 1: any more. You have a blessed dad. I don't know

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Speaker 1: what you man. I'm gonna be honest. I like when

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Speaker 1: y'all mad, you know, because we have a feature car

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Speaker 1: telling why you're mad. But I just that was too

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Speaker 1: draining for me. You lost me when you said you

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Speaker 1: was in the studio recording. Get it off your chest.

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Speaker 1: If you're mad or you blessed, call us now eight

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Speaker 1: hundred five eight five one on five one. It is

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Speaker 1: to breakfast club the morning, the breakfast club. This is

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Speaker 1: your time to get it off your chest. Whether you're mans,

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Speaker 1: get from you on the breakfast club. But you got

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Speaker 1: something on your mind? Leg Hello, who's this Hello? Breakfast club?

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Speaker 1: What's up? Bro? You blessed this morning? I'm blessed and

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Speaker 1: I'm mad? All right? Tell us both all right, First,

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Speaker 1: let me tell you why I'm mad now. I love

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Speaker 1: a breakfast club. I love Charlot Man. That's my dude.

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Speaker 1: You know what I'm saying. I don't get me wrong,

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Speaker 1: because I love DJ Envy and Angelie is well okay,

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Speaker 1: But Charlomagne says week Day that they played my man's

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Speaker 1: song Exchange, you know, for you know, for show. It's

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Speaker 1: the same beat J Cole used, and y'all play J

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Speaker 1: Cole every day the sky if you want it? So

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Speaker 1: why beat? Because Charlomagnet get mad about my man's exchange song,

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Speaker 1: but it's the same beat. Maybe maybe maybe I'm getting

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Speaker 1: confused and thinking it's the same song. But I will

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Speaker 1: say this, Bryson Tiller sent us a platinum plaque, right

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Speaker 1: and he did. And I'll be honest with you, I

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Speaker 1: didn't even know I wanted a platinum plaque fro Bryson Tiller,

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Speaker 1: But when he sent it, I was like, you know what.

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Speaker 1: For as much as we got to hear that damn

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Speaker 1: Exchange song every day, I appreciate this platinum plaque from you.

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Speaker 1: Bryson tell us okay, earlier, Hello, y'all, what's going on? Son?

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Speaker 1: What's up? You mad? You busted? This morning? I'm blessed

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Speaker 1: this morning, son, right, you blessed? Tell us why? Yo?

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Speaker 1: I just want to get a blessed shout out to

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Speaker 1: my girl man this tuesday out of Brooklyn. You know

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Speaker 1: what I mean. She bust me off this morning like

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Speaker 1: a can of butterm bit kiss this morning three in

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Speaker 1: the morning. Just want to say I'm blessed to her

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Speaker 1: shout man was from Atlanta. Minute, did you just say

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Speaker 1: she busted me off? I think he definitely said. I

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Speaker 1: think you meant to say you busted off? Well, she

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Speaker 1: busted me off. Hello? Who's this from the seventh? Five? Hey?

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Speaker 1: Seven five seven VA? You blessed him? Mad this morning? Mama,

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Speaker 1: I'm bold O. Can't tell us? Well, I'm blassing because

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Speaker 1: I was fortunate enough to go Chris Brown when he

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Speaker 1: came to the eight two weeks ago. But I'm mad

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Speaker 1: because I'm not the black piramid tattoo and I got

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Speaker 1: the state of Virginia tattoo and it says maybe it's

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Speaker 1: the Virginia Emmy and I fosted on Instagram and he

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Speaker 1: didn't even reposted. So you got Chris Brown's clothing company

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Speaker 1: tattered on your ass. It's all arm But yeah, why

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Speaker 1: do you feel stupid. No, I love him. I'm feel

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Speaker 1: great and then I'm dropping he too, and I'm black,

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Speaker 1: So I feel like you know, it did incorporate some

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Speaker 1: earth thing. What do you think it? Because you got

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Speaker 1: a tattoo of Chris Brown's clothing line on your body,

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Speaker 1: you're entitled to meet him. Now, you know she's wanted

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Speaker 1: to retweet. No, I just wanted him to repost, that's all.

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Speaker 1: Why did you tattoo that on your arm? You think

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Speaker 1: you'd be to him? You get a chance to meet him,

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Speaker 1: talk to him, touch him, love him. What's your Instagram?

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Speaker 1: What's your Instagram? How old are you? Two day? What's

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Speaker 1: your Instagram? Bu it's at e M underscore as stole Okay,

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Speaker 1: everybody at her and at Chris Brown and tag tag

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Speaker 1: tag her picture of Chris Brown's tattoo in the post.

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Speaker 1: Yeah so Chris can see it. Okay, thank you, mama,

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Speaker 1: thank you. Now, Charlemagne, what do you do right? Your

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Speaker 1: daughter comes home and she has a Chris Brown tattoo

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Speaker 1: at home. That's not gonna happen. Let's say it does happen.

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Speaker 1: Let's say and she has a Kodak black tattoo at all. Man,

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Speaker 1: it's not gonna happen. All right, you're doin things not

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Speaker 1: gonna happen in my life. Your daughter comes home and

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Speaker 1: she has a drink owl on her home, it's not

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Speaker 1: gonna happen. First of all, my daughters. Eight all right,

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Speaker 1: None of those people you name will be hot when

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Speaker 1: my daughter starts getting into their music. Okay, if if

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Speaker 1: it was like ten years from now, when my daughter

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Speaker 1: really starts getting into hip hop or whatever, they will

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Speaker 1: not be hot. Sorry, It'll be some guy that we

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Speaker 1: ain't never heard of that we'll all be too old

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Speaker 1: to be interviewing at that point, right, all right, So

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Speaker 1: I'm not even worried about. So if she comes on

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Speaker 1: with a tattoo of her favorite artists on her at

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Speaker 1: the age of twenty one, what do you say? I mean,

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Speaker 1: what can I say? I got Wolverine on mine. I

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Speaker 1: guess you're right. I gotta talk out Wolverine from the

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Speaker 1: X Men on my right. I just kid family. I

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Speaker 1: guess that's why I showed her this tattoo all the time,

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Speaker 1: to let her know not to make the same mistakes

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Speaker 1: that I did when I was younger. Okay, all right,

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Speaker 1: we'll tell them why you're mad. Eight hundred and five

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Speaker 1: eight five, one on five. I want to tell him

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Speaker 1: why you're blessed. Now, let me check, let me see

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Speaker 1: if he's around. Yay, Hey, hey, we got rumors on

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Speaker 1: the way. You can hear me? Not really, but just

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Speaker 1: yell loud if I yell this loud, can you hear me? Yes,

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Speaker 1: we got roomors on the way. Yes, we are going

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Speaker 1: to be talking about schoolboy Q and his armed robbery charges.

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Speaker 1: What happened with that? Also, does Drake have a baby

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Speaker 1: on the way. Okay, we'll get into all that when

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Speaker 1: we come back. Welcome to the show. You hi, we

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Speaker 1: missed you. It's the Breakfast Club. Good morning, the Breakfast Club.

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Speaker 1: It's about report report angela. Ye, the Breakfast Club. Yeah. So,

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Speaker 1: now there's yet another woman who was saying that she's

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Speaker 1: pregnant with the Drake's baby. If you recall, there was

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Speaker 1: a woman named Layla Lai's first who said that she

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Speaker 1: was pregnant, but according to Drake, he's never even met her.

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Speaker 1: She just wanted attention. Well, now there's this woman named

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Speaker 1: Sophie Brusso and she has already hired a lawyer to

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Speaker 1: get the paternity test going. She said she's three and

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Speaker 1: a half months pregnant, and she says that the conception

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Speaker 1: happened either January twentieth or twenty first. She has a

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Speaker 1: picture with Drake that was taken at a restaurant and Nam,

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Speaker 1: Siam on January twenty fourth. She's a retired porn star

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Speaker 1: and she actually allegedly has text messages between her and Drake.

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Speaker 1: It says, Drake, I want to I want you to

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Speaker 1: have an abortion. She says, I can't kill my baby

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Speaker 1: simply to indulge you. Sorry, he says, indulge me. F you?

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Speaker 1: She said what and he said, you do know what

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Speaker 1: you're doing. You think you're going to get money? And

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Speaker 1: she says she's having a girl about time. Somebody trapped

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Speaker 1: that Canadian? What do you all right, we don't even

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Speaker 1: know that it's true. Well, well, we don't know if

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Speaker 1: it's true, but allegedly you've been letting Drake just be

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Speaker 1: out here flourish and having sex with every woman in

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Speaker 1: the world. You know what I'm saying. Somebody finally called him. Good.

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Speaker 1: Now you sound like a hater. I'm not hating. I'm

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Speaker 1: just get PPM, which is proper poom poom management. Okay,

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Speaker 1: if you're gonna According to one of Drake's rep says,

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Speaker 1: if it is in fact Drake's child, but she does

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Speaker 1: not believe he would do the right thing by the child. Well,

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Speaker 1: if you're gonna trap one, Drake is the one to trap,

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Speaker 1: and she should name the baby who it's gracious who

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Speaker 1: named the baby? Who? That should be the baby's name?

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Speaker 1: Why you name them? Who's the owl? You know? It's

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Speaker 1: crazy though, that anybody could accuse you of getting them

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Speaker 1: pregnant and you have to get a porternity tests. Well,

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Speaker 1: it's nothing, even if it's somebody you never ever even met. Well,

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Speaker 1: even if it's not Drake's baby, I'm not knocking that

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Speaker 1: girl for trying. Okay, that's the one. If you're gonna

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Speaker 1: trap one, that's a good one to trap. Phrase the

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Speaker 1: large Charlemagne is not a woman. Boy all right? Now?

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Speaker 1: Schoolboy who knew he was even under investigation and for

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Speaker 1: felony armed robbery. But fortunately for him, he's not going

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Speaker 1: to be charged now, according to law enforcement sources, so

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Speaker 1: happened back in March there was a concert that schoolboy

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Speaker 1: que was performing at. Some victims said they filed him

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Speaker 1: to an after party, and when they arrived, two people

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Speaker 1: robbed them at gunpoint, and they felt like schoolboy Que

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Speaker 1: was the one who set them up. Yes, now, police

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Speaker 1: said that he showed up in another car while it

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Speaker 1: was happening, but the alleged victims actually did not report

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Speaker 1: the robbery at the time. They had no interest in

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Speaker 1: filing charges at first, so they just actually rejected the case.

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Speaker 1: So boy Q is doing AOK sounds right? Yeah, schoolboy

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Speaker 1: Que does not have to rob nobody, now, I don't

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Speaker 1: sound like a reach. Schoolboy Que definitely seemed like the

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Speaker 1: type that will rob you, but he wouldn't do I

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Speaker 1: don't he have no reasons, not right now? Yeah, not

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Speaker 1: right now maybe, but he seems like he would do that.

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Speaker 1: Staff was a cool, last laid back dude, but I

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Speaker 1: can tell that he'll pull a pistol lot all right.

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Speaker 1: And Courtney Kardashian has a new boo. Now. We told

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Speaker 1: you about Scott Dizzick earlier in the week and how

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Speaker 1: he would caught while he was out with another woman

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Speaker 1: and Kim Kardashian walked in on him in the room

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Speaker 1: with her called the woman a whore. Well, now she's

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Speaker 1: dating somebody and he's only twenty three years old. She's

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Speaker 1: actually a model, So you know, twenty three years old?

417
00:20:14,880 --> 00:20:20,000
Speaker 1: How old this Courtney Kardashian about thirty seven? Thirty nine? Courtney? Fine, No,

418
00:20:20,040 --> 00:20:22,680
Speaker 1: I ain't gonna lie to you. And look she's having

419
00:20:22,720 --> 00:20:25,600
Speaker 1: a good time. She's single now she's got the kids.

420
00:20:25,720 --> 00:20:27,919
Speaker 1: She probably wants to just you know, get out there.

421
00:20:28,040 --> 00:20:30,879
Speaker 1: I mean before that she was dating Justin Bieber allegedly,

422
00:20:31,119 --> 00:20:34,520
Speaker 1: so why not? All right, Well I'm Angela Yee and

423
00:20:34,600 --> 00:20:36,840
Speaker 1: that is your rumor report. All right, thank you, miss

424
00:20:37,119 --> 00:20:41,160
Speaker 1: ye morning. Everybody is DJ Envy Angela Yee, Cholamine the guy.

425
00:20:41,240 --> 00:20:43,680
Speaker 1: We are the breakfast club. We have a special guest

426
00:20:43,760 --> 00:20:47,479
Speaker 1: in the building, oh man, one of my favorites, Marsha Ambroses. Fine,

427
00:20:47,840 --> 00:20:53,680
Speaker 1: you said it right, Yay, good morning. Glad to have

428
00:20:53,800 --> 00:20:59,880
Speaker 1: your back. Thank you. Motherhood amazing, just amazing. It's late

429
00:21:00,080 --> 00:21:03,800
Speaker 1: nights and early mornings like I've never known. But it's great.

430
00:21:04,800 --> 00:21:08,000
Speaker 1: Changed you in any way, shape or form, absolutely, yeah, yeah,

431
00:21:08,200 --> 00:21:13,359
Speaker 1: it just makes you cautious or where way more honest

432
00:21:13,480 --> 00:21:17,720
Speaker 1: than I've ever been. You just have no filter. It

433
00:21:17,920 --> 00:21:20,040
Speaker 1: is because I really had none. I know, I know

434
00:21:20,520 --> 00:21:23,680
Speaker 1: this is very very true, not that I had any filter,

435
00:21:23,840 --> 00:21:27,000
Speaker 1: but now as a mother, it's it's a it's a.

436
00:21:27,480 --> 00:21:29,359
Speaker 1: I don't know. It's just opened me up to a

437
00:21:29,440 --> 00:21:35,720
Speaker 1: whole new thing. Four months' day. Excited about I am,

438
00:21:36,040 --> 00:21:38,520
Speaker 1: but I was just saying in the UK, Mother's Day

439
00:21:38,600 --> 00:21:41,240
Speaker 1: is on a completely different day. Really, it's weird. It's

440
00:21:41,280 --> 00:21:43,639
Speaker 1: like in March or something. And I keep saying this

441
00:21:43,640 --> 00:21:46,320
Speaker 1: because my mother gets on my nerves about where's my

442
00:21:46,359 --> 00:21:48,399
Speaker 1: Mother's Day card? And I can't buy anything in the

443
00:21:48,480 --> 00:21:50,320
Speaker 1: States because they don't have them on the shelves yet

444
00:21:50,359 --> 00:21:53,160
Speaker 1: because it's so late. It's in May. So I'm like, Mama,

445
00:21:53,240 --> 00:21:57,399
Speaker 1: love you. I did in America, so she did get

446
00:21:57,440 --> 00:21:59,320
Speaker 1: me a Mother's Day card from the UK already, so

447
00:21:59,359 --> 00:22:01,240
Speaker 1: I kind of sell breed it a little bit there

448
00:22:01,440 --> 00:22:04,040
Speaker 1: and March, but now I get my first United States.

449
00:22:04,280 --> 00:22:06,399
Speaker 1: It's already on display in your music, Motherhood. You put

450
00:22:06,440 --> 00:22:09,520
Speaker 1: out the EP Don't Wake the Baby. The cover art

451
00:22:10,320 --> 00:22:14,439
Speaker 1: was very exhausted mom, very, I've been up all night. Breastfeeding,

452
00:22:14,760 --> 00:22:18,720
Speaker 1: breast pumping, the whole, nipples protruding. They're the things that

453
00:22:18,880 --> 00:22:22,240
Speaker 1: they don't warn you about. It sounds so glamorous. Oh,

454
00:22:22,240 --> 00:22:26,920
Speaker 1: you're gonna have a kid, breastfeed The nectar of woman goodness,

455
00:22:27,280 --> 00:22:30,840
Speaker 1: and it is good. He loved it. It was delicious. No,

456
00:22:30,960 --> 00:22:41,840
Speaker 1: he actually had tasted a couple of turbs. Might slipped

457
00:22:41,880 --> 00:22:43,520
Speaker 1: up one time. I drink the milk from a cow.

458
00:22:45,680 --> 00:22:47,600
Speaker 1: He might slipped up a day or two. But yeah,

459
00:22:47,920 --> 00:22:51,600
Speaker 1: I put that on display because that's what real women do.

460
00:22:52,280 --> 00:22:57,760
Speaker 1: And there's all this glamorized editorial version of what motherhood

461
00:22:57,800 --> 00:23:00,320
Speaker 1: looks like until you actually get in it. And big

462
00:23:00,400 --> 00:23:04,720
Speaker 1: panty drawers that you have to wear because vagina linking

463
00:23:04,880 --> 00:23:08,280
Speaker 1: like I didn't just flush out a seven pounds seven

464
00:23:08,320 --> 00:23:11,359
Speaker 1: hours baby. Yeah, it's real down there at that time,

465
00:23:11,480 --> 00:23:16,639
Speaker 1: so so real down there at that time. So I

466
00:23:16,840 --> 00:23:19,320
Speaker 1: really put that cover art for all mothers that didn't

467
00:23:19,440 --> 00:23:23,600
Speaker 1: feel as sexy as they should. Unfortunately, could start having

468
00:23:23,640 --> 00:23:27,080
Speaker 1: sex now right. Listen when that doctor told me you

469
00:23:27,200 --> 00:23:33,960
Speaker 1: can go forth into the wind, and it was the greatest. No, Seriously,

470
00:23:34,000 --> 00:23:38,160
Speaker 1: you don't realize how long you anticipate something and want

471
00:23:38,240 --> 00:23:42,840
Speaker 1: something so bad you just can't have it physically. Could

472
00:23:42,920 --> 00:23:45,400
Speaker 1: not even think about a penis going in my vagina.

473
00:23:45,840 --> 00:23:49,240
Speaker 1: After that baby came my wife, she she felt like

474
00:23:49,320 --> 00:23:51,720
Speaker 1: I didn't want to after she had a baby, which

475
00:23:51,720 --> 00:23:54,199
Speaker 1: wasn't true. Our first I got two daughters, but our

476
00:23:54,240 --> 00:23:56,199
Speaker 1: first child. I just didn't know when it was all right,

477
00:24:00,040 --> 00:24:07,840
Speaker 1: can we what you made you? Physically? Didn't they go wow?

478
00:24:10,000 --> 00:24:12,720
Speaker 1: I was gonna say okay, that was yeah, well with

479
00:24:12,920 --> 00:24:15,439
Speaker 1: my case when he said it was okay. Now now

480
00:24:15,560 --> 00:24:18,000
Speaker 1: we just do it at any given time, which is

481
00:24:18,040 --> 00:24:21,200
Speaker 1: why I don't wake the baby was so appropriate. Initially

482
00:24:21,240 --> 00:24:24,560
Speaker 1: I'd written it for Beyonce. This is like a year

483
00:24:24,600 --> 00:24:27,440
Speaker 1: and a half ago, so I wasn't I didn't have

484
00:24:27,520 --> 00:24:29,960
Speaker 1: a baby. I didn't have there was none of that

485
00:24:30,080 --> 00:24:32,000
Speaker 1: in the work, so it didn't apply to my life.

486
00:24:32,040 --> 00:24:35,680
Speaker 1: And at the time she was recording um Lemonade, I

487
00:24:35,720 --> 00:24:37,720
Speaker 1: didn't know this. We were just at a rioter's camp

488
00:24:37,840 --> 00:24:41,159
Speaker 1: for this secret Squirrel Beyonce project jay Z project that

489
00:24:41,280 --> 00:24:44,880
Speaker 1: was going to happen. So my interpretation of their love

490
00:24:45,600 --> 00:24:48,920
Speaker 1: was realism, like you're in a real relationship, like you argue,

491
00:24:49,000 --> 00:24:51,920
Speaker 1: you're fussing, you fight, but bottom line is as good

492
00:24:51,960 --> 00:24:55,520
Speaker 1: old Marsha Ambrosiers songwriting skills boiled down to you still

493
00:24:55,640 --> 00:24:59,960
Speaker 1: want to have sex though, absolutely, But I'm pretty sure

494
00:25:00,560 --> 00:25:02,680
Speaker 1: I got a big enough house and nanny's that blew

495
00:25:02,760 --> 00:25:04,040
Speaker 1: can be on a whole nother side of the room.

496
00:25:04,200 --> 00:25:06,960
Speaker 1: You say that, and then you have a kid and

497
00:25:07,040 --> 00:25:10,159
Speaker 1: you realize that none of that matters. It's too busy.

498
00:25:10,520 --> 00:25:16,520
Speaker 1: There's kids involved, there's money involved, it's so many factors

499
00:25:16,600 --> 00:25:19,840
Speaker 1: that go into relationships, and you're like, you know what,

500
00:25:20,000 --> 00:25:22,920
Speaker 1: I just I just want to do it. Let's put

501
00:25:23,000 --> 00:25:25,000
Speaker 1: the baby to Aleep. I didn't even hear the song.

502
00:25:25,359 --> 00:25:28,280
Speaker 1: I think she did. She had several songs and it

503
00:25:28,520 --> 00:25:32,920
Speaker 1: was it wasn't that they weren't great, it was greatness.

504
00:25:33,480 --> 00:25:37,480
Speaker 1: She just wasn't there. She was at Lemonade. The Lemonade

505
00:25:37,560 --> 00:25:40,400
Speaker 1: was like the complete opposite of approach, you know, as

506
00:25:40,440 --> 00:25:43,680
Speaker 1: far as you know the concept. So I was like, dang,

507
00:25:43,760 --> 00:25:45,639
Speaker 1: I hadn't known he was in that place and of

508
00:25:45,720 --> 00:25:51,159
Speaker 1: giving you something else but not allegedly whatever you go

509
00:25:51,240 --> 00:25:53,280
Speaker 1: through in your relationships. I'm like, okay, I would have

510
00:25:53,440 --> 00:25:56,960
Speaker 1: approached it differently. But then thankfully that song applies to

511
00:25:57,440 --> 00:26:01,280
Speaker 1: my life now and I sing it with curious gloriousness.

512
00:26:02,080 --> 00:26:04,120
Speaker 1: Your new single kind of could fit into that van

513
00:26:04,240 --> 00:26:07,520
Speaker 1: to love you. My wife loves you, she's always loved

514
00:26:07,520 --> 00:26:08,960
Speaker 1: you the Flory Street. So I was letting her hit

515
00:26:09,000 --> 00:26:10,840
Speaker 1: the song. Afterday She's like, I like how it sounds,

516
00:26:10,840 --> 00:26:12,760
Speaker 1: but I don't like the content and I didn't catch it.

517
00:26:13,080 --> 00:26:15,280
Speaker 1: And she was like, you gonna let the man running

518
00:26:15,280 --> 00:26:17,159
Speaker 1: the street and then just come home. Now, this is

519
00:26:17,240 --> 00:26:21,720
Speaker 1: the thing, lyrically, I didn't catch that. If you run

520
00:26:21,800 --> 00:26:24,119
Speaker 1: in these streets as long as you come home to me,

521
00:26:24,320 --> 00:26:26,639
Speaker 1: I think that's the line she's referring to. Yes, just

522
00:26:26,800 --> 00:26:31,720
Speaker 1: really the posthook. And I'm not necessarily absolutely saying he's

523
00:26:31,800 --> 00:26:36,200
Speaker 1: running these streets. I'm talking about our kids are our cousins,

524
00:26:36,280 --> 00:26:40,359
Speaker 1: our uncles, are our men that have to go to

525
00:26:40,440 --> 00:26:43,440
Speaker 1: work every day, and as mothers that are sitting at home,

526
00:26:44,240 --> 00:26:47,400
Speaker 1: I anticipate that moment where you walk through that door again. Yeah,

527
00:26:47,480 --> 00:26:49,280
Speaker 1: these streets are just as well that we have to

528
00:26:49,359 --> 00:26:52,040
Speaker 1: live in, and as black men, that's all this is

529
00:26:52,080 --> 00:26:58,840
Speaker 1: to us. Sometimes you know the streets. He wasn't selling

530
00:26:58,920 --> 00:27:02,760
Speaker 1: any dope or it was literally you know, when you're

531
00:27:02,840 --> 00:27:04,800
Speaker 1: running these streets of the world without me, I just

532
00:27:04,880 --> 00:27:07,600
Speaker 1: hope you come home. He just wasn't cheating exactly. The

533
00:27:08,280 --> 00:27:12,160
Speaker 1: first that comes one, I was gonna say, I don't

534
00:27:12,160 --> 00:27:17,200
Speaker 1: know there now, I didn't say that. All right, we

535
00:27:17,280 --> 00:27:19,520
Speaker 1: got more with marsha ambrosis when we come back matter

536
00:27:19,520 --> 00:27:21,600
Speaker 1: of fact, let's get into her song, her new song.

537
00:27:21,680 --> 00:27:23,360
Speaker 1: Let's play a little bit of It's to Breakfast Club,

538
00:27:23,359 --> 00:27:27,040
Speaker 1: Go Morning Morning. Everybody is DJ Envy, Angela Yee, Charlo

539
00:27:27,119 --> 00:27:30,080
Speaker 1: Mine the guy, we are the Breakfast Club, Marsha Ambrosis

540
00:27:30,240 --> 00:27:32,479
Speaker 1: is in the building. It was Flowtree's the last time

541
00:27:32,520 --> 00:27:35,280
Speaker 1: you guys spoke a lot of people at the very

542
00:27:35,480 --> 00:27:40,359
Speaker 1: last day of last year's reunion tour that yeah, we

543
00:27:40,520 --> 00:27:43,159
Speaker 1: did two years back to back of a reunion and

544
00:27:43,840 --> 00:27:48,640
Speaker 1: on my end, it was absolutely to um reconcile, forgive

545
00:27:48,880 --> 00:27:53,399
Speaker 1: Barry the hatchet and clean slay everything with anticipation to

546
00:27:53,520 --> 00:27:56,600
Speaker 1: possibly move on to father things now the fast year

547
00:27:56,680 --> 00:28:00,480
Speaker 1: that definitely didn't work out, um in good faith. I

548
00:28:00,600 --> 00:28:05,440
Speaker 1: attempted another time, which was last year, and definitely didn't

549
00:28:05,440 --> 00:28:09,119
Speaker 1: work out again. But it was strictly for where did

550
00:28:09,200 --> 00:28:12,760
Speaker 1: we start. The truth is growing apart is real and

551
00:28:12,880 --> 00:28:16,920
Speaker 1: it just happens. And the last thing that was done

552
00:28:17,880 --> 00:28:24,320
Speaker 1: on that second tour wasn't I even put this into words.

553
00:28:25,600 --> 00:28:28,159
Speaker 1: I found out that I was pregnant week one of

554
00:28:28,280 --> 00:28:31,000
Speaker 1: that tour. I had no clue. We were just out

555
00:28:31,520 --> 00:28:33,639
Speaker 1: on the road. Did a couple of shows in Oakland,

556
00:28:33,680 --> 00:28:37,000
Speaker 1: get to La. So it's round about show six, show seven,

557
00:28:37,600 --> 00:28:41,200
Speaker 1: and decided to take a pregnancy test, and it was like, wow, babe,

558
00:28:41,240 --> 00:28:44,160
Speaker 1: we're pregnant. We have a whole tour to do, like

559
00:28:44,520 --> 00:28:48,640
Speaker 1: forty dates to go. So it's a high risk pregnancy,

560
00:28:48,680 --> 00:28:51,680
Speaker 1: as told by my doctor. So I'm already cautious on

561
00:28:51,800 --> 00:28:55,560
Speaker 1: a tour bus. This tour bus etiquette anyway, if I'm

562
00:28:55,720 --> 00:28:58,800
Speaker 1: vocally going for blood every night as I did on

563
00:28:58,920 --> 00:29:01,280
Speaker 1: that tour, I really want any smoking on the bus.

564
00:29:01,400 --> 00:29:03,960
Speaker 1: I don't want to smoke on the bus anyway. So

565
00:29:04,800 --> 00:29:07,680
Speaker 1: I didn't disclose that I was pregnant until the last

566
00:29:07,720 --> 00:29:09,720
Speaker 1: week of the tour because I was so nervous. It

567
00:29:09,800 --> 00:29:11,840
Speaker 1: was very, very early in the pregnancy. I was like

568
00:29:11,960 --> 00:29:14,400
Speaker 1: five weeks, six weeks when I found out. So come

569
00:29:14,480 --> 00:29:17,320
Speaker 1: the end of the tour, I'm like ten to eleven weeks,

570
00:29:17,360 --> 00:29:20,520
Speaker 1: I'm at that mark way, Okay, I can tell people now.

571
00:29:21,080 --> 00:29:23,600
Speaker 1: So I was throwing up on the first row of

572
00:29:23,760 --> 00:29:28,160
Speaker 1: several crowds and backstage and yeah, though I was way wrong,

573
00:29:28,720 --> 00:29:31,360
Speaker 1: and at that point I had to disclose that, look, guys,

574
00:29:31,600 --> 00:29:35,840
Speaker 1: not wasted or anything. I'm pregnant. And I remember telling

575
00:29:35,920 --> 00:29:38,280
Speaker 1: her and she said, oh, I kind of figured that,

576
00:29:38,560 --> 00:29:46,280
Speaker 1: kind of figured out. I was like, okay, anks, welcome.

577
00:29:46,800 --> 00:29:50,200
Speaker 1: I don't know how to respond. No, no, So I

578
00:29:50,320 --> 00:29:55,240
Speaker 1: left that at that petty petty in me, I'm just like, okay, no, congrats, Okay,

579
00:29:55,520 --> 00:29:59,680
Speaker 1: I'll leave that be. Eventually congratulations came into order. But

580
00:30:00,000 --> 00:30:03,040
Speaker 1: and the last day of the tour, myself and my

581
00:30:03,120 --> 00:30:07,880
Speaker 1: fiance or on one side of the tour bus. What's

582
00:30:07,920 --> 00:30:14,240
Speaker 1: that smell? Wow? Really yeah, just smoking at the back

583
00:30:14,280 --> 00:30:17,120
Speaker 1: of the bus, and I was like, Oh, that's that's

584
00:30:17,200 --> 00:30:19,320
Speaker 1: the nail in the coffin. That's that's the closure I

585
00:30:19,440 --> 00:30:24,120
Speaker 1: needed to affirm that you just won't be able to

586
00:30:24,200 --> 00:30:27,240
Speaker 1: get right with me. So we just never be good.

587
00:30:27,800 --> 00:30:31,160
Speaker 1: It's never gonna be cool because she'll never just be

588
00:30:31,280 --> 00:30:33,160
Speaker 1: there for me like a friend should be. I'm a

589
00:30:33,240 --> 00:30:35,480
Speaker 1: loyal leo to the very end. So I was just

590
00:30:35,720 --> 00:30:40,800
Speaker 1: expecting or love and like you know how people like. Additionally,

591
00:30:41,360 --> 00:30:44,800
Speaker 1: business I wish and like I said, I did two

592
00:30:44,960 --> 00:30:49,000
Speaker 1: tours back to back for fans, strictly for business, but

593
00:30:49,120 --> 00:30:51,960
Speaker 1: sometimes there isn't a penny worth of bulls. In the

594
00:30:52,240 --> 00:30:59,120
Speaker 1: year the first year met my fiance, the band had

595
00:30:59,280 --> 00:31:03,840
Speaker 1: this app called Zello. I remember sprint shirt phones, so

596
00:31:03,960 --> 00:31:06,120
Speaker 1: when you used to send the message, you're like, yo,

597
00:31:06,200 --> 00:31:07,640
Speaker 1: what's up, and it will come up on your phone

598
00:31:07,680 --> 00:31:10,000
Speaker 1: as a voicemail I mean a voice note, so it'll

599
00:31:10,000 --> 00:31:12,680
Speaker 1: be on loud to be so granted. We're sitting there,

600
00:31:13,240 --> 00:31:15,400
Speaker 1: his phone is on the table, we're out of Dinah,

601
00:31:15,440 --> 00:31:17,440
Speaker 1: chopping it up like getting to know each other type,

602
00:31:18,840 --> 00:31:22,920
Speaker 1: and on the loud speakers like yo, Dad, you ain't kid.

603
00:31:24,560 --> 00:31:30,720
Speaker 1: I'm like, I'm like, I'm like, um. I was like, no,

604
00:31:30,920 --> 00:31:33,920
Speaker 1: please let it play, please, because I'm a ball player. First,

605
00:31:34,240 --> 00:31:36,840
Speaker 1: I'm done locker room talk. I can handle that. That's cool.

606
00:31:37,320 --> 00:31:39,600
Speaker 1: Another band member chimes in and it's like, no, you

607
00:31:39,680 --> 00:31:46,560
Speaker 1: ain't puppy. You know, she's everybody in Philly like legendary.

608
00:31:49,480 --> 00:31:51,320
Speaker 1: I'm fine, I'm trying to figure out all of these

609
00:31:51,360 --> 00:31:54,400
Speaker 1: Philly people out. Another one shimes in and it's her,

610
00:31:54,920 --> 00:31:58,600
Speaker 1: Yeah it, dad, stop it. I wish I can't make

611
00:31:58,680 --> 00:32:02,160
Speaker 1: this up, and it's it's messed up. It was messed

612
00:32:02,240 --> 00:32:14,400
Speaker 1: up because say she signed ah, it didn't even matter

613
00:32:14,520 --> 00:32:20,400
Speaker 1: at that point. It was co signing everyone else's lines. Wow, yeah,

614
00:32:20,480 --> 00:32:23,320
Speaker 1: that's what's up with you? So I was like, okay,

615
00:32:23,920 --> 00:32:27,240
Speaker 1: um once again affirmation. If someone shows you they are

616
00:32:27,320 --> 00:32:29,600
Speaker 1: just believing, believe and believe and believe them every time.

617
00:32:29,920 --> 00:32:33,040
Speaker 1: So I let it go. But then what they wouldn't

618
00:32:33,120 --> 00:32:36,680
Speaker 1: understand is I then had to get on stage every

619
00:32:36,840 --> 00:32:40,040
Speaker 1: night with this pe, with these people. So I'm looking

620
00:32:40,080 --> 00:32:42,280
Speaker 1: at these bad members and I couldn't hold them to fall.

621
00:32:42,360 --> 00:32:45,640
Speaker 1: I'm supposed to be locker room talk. Guys gonna be guys,

622
00:32:45,680 --> 00:32:47,680
Speaker 1: are gonna be guy, so I can let that slide.

623
00:32:47,840 --> 00:32:51,560
Speaker 1: I said about huh nah, not so much like nah,

624
00:32:51,840 --> 00:32:54,080
Speaker 1: you know you don't ride for me like that. So

625
00:32:54,320 --> 00:32:56,400
Speaker 1: I still got on stage every night for the fans

626
00:32:56,440 --> 00:32:58,560
Speaker 1: and what I had to do. But that app Zelo.

627
00:32:59,000 --> 00:33:02,480
Speaker 1: It saves everything his voice notes, Yeah, everything like it's

628
00:33:02,520 --> 00:33:05,280
Speaker 1: all recorded. It's just in their phones. I'm pretty sure

629
00:33:05,800 --> 00:33:08,400
Speaker 1: you know. There's some very very nervous people out like

630
00:33:08,800 --> 00:33:10,960
Speaker 1: hearing that I'm on the Breakfast Club, like, oh, she's

631
00:33:10,960 --> 00:33:13,760
Speaker 1: gonna say it, I'm gonna say it, and the best

632
00:33:14,080 --> 00:33:17,360
Speaker 1: voice note ever saved on there. It's like, wow, Zello's

633
00:33:17,360 --> 00:33:23,320
Speaker 1: gonna get somebody fired. It did oh oh, I sent

634
00:33:23,480 --> 00:33:29,880
Speaker 1: all that to focus. I'm get into that, but it's

635
00:33:30,800 --> 00:33:32,560
Speaker 1: just petty and oh six when y'all broke up as

636
00:33:32,560 --> 00:33:37,880
Speaker 1: well well without the technology. Um possibly, but we we

637
00:33:38,080 --> 00:33:40,560
Speaker 1: both were in our own ways, but there were certain

638
00:33:40,600 --> 00:33:43,520
Speaker 1: things that were just happening that just got out of hand.

639
00:33:43,920 --> 00:33:48,440
Speaker 1: She was in a serious relationship and the guy was very,

640
00:33:48,680 --> 00:33:55,440
Speaker 1: very off, just just abusive, both verbally emotionally, and it's

641
00:33:55,480 --> 00:33:57,880
Speaker 1: hard to watch your friend go through that. So if

642
00:33:57,880 --> 00:33:59,840
Speaker 1: i'm your homie, I'm your writer die and I'm like,

643
00:34:00,080 --> 00:34:02,680
Speaker 1: you know, we need to get out, and she's dang

644
00:34:02,800 --> 00:34:05,680
Speaker 1: this suicidal. I can't ride with you when you want

645
00:34:05,720 --> 00:34:08,200
Speaker 1: to actually jump off the edge of the cliff and

646
00:34:08,320 --> 00:34:11,960
Speaker 1: then be guilt ridden into not jumping with you. The

647
00:34:12,160 --> 00:34:15,440
Speaker 1: rumors that were flying around about what was happening were

648
00:34:15,520 --> 00:34:18,759
Speaker 1: better than the actual, like what was actually going on.

649
00:34:19,000 --> 00:34:20,719
Speaker 1: I was like, oh, I can take people saying that

650
00:34:20,760 --> 00:34:24,440
Speaker 1: we were lesbians, and because that's absolutely not true what

651
00:34:24,640 --> 00:34:27,920
Speaker 1: was actually going on, it was way worse to me.

652
00:34:28,920 --> 00:34:33,360
Speaker 1: I never wanted to say until none of that mattered anymore,

653
00:34:33,400 --> 00:34:35,839
Speaker 1: because according to her, it was because our manager got

654
00:34:35,880 --> 00:34:39,840
Speaker 1: over zealous and he wanted me to go solo. And

655
00:34:40,400 --> 00:34:44,239
Speaker 1: at one point, she said, he blacklisted her from the

656
00:34:45,280 --> 00:34:47,800
Speaker 1: United States and she couldn't work here anymore. She couldn't

657
00:34:47,840 --> 00:34:52,200
Speaker 1: get booked. At some point, you just have to acknowledge

658
00:34:52,239 --> 00:34:54,359
Speaker 1: that you're not getting booked, and that's okay. I lived

659
00:34:54,400 --> 00:34:57,000
Speaker 1: in Philly for seventeen years. The Routes have never booked

660
00:34:57,040 --> 00:35:00,359
Speaker 1: me for a routs picnic. Sometimes you just not gonna

661
00:35:00,360 --> 00:35:04,840
Speaker 1: get a show, and by default I've done it. I

662
00:35:04,960 --> 00:35:08,960
Speaker 1: did the hook Thanks Quess Love. But you know, you know,

663
00:35:09,000 --> 00:35:10,960
Speaker 1: I'm just saying, at some point, you're just you have

664
00:35:11,000 --> 00:35:12,520
Speaker 1: to get in where you're fit in. So for me,

665
00:35:12,760 --> 00:35:16,440
Speaker 1: it was the guilt trip of all of these people

666
00:35:16,520 --> 00:35:18,440
Speaker 1: that are getting all of these stories. So by the

667
00:35:18,520 --> 00:35:21,160
Speaker 1: time the two years of the flow, true reunion came about,

668
00:35:22,239 --> 00:35:25,320
Speaker 1: you know, everyone takes sides, so it's like you just

669
00:35:25,520 --> 00:35:27,600
Speaker 1: knew you was never going to see me again. So

670
00:35:27,760 --> 00:35:31,800
Speaker 1: all of the Chinese whispers, all of the wouldn't say lies, whatever,

671
00:35:31,960 --> 00:35:35,560
Speaker 1: over exaggeration portion of the story is over here, there's

672
00:35:35,600 --> 00:35:38,000
Speaker 1: one over here too, So when everyone confronts each other,

673
00:35:38,080 --> 00:35:43,040
Speaker 1: it's like, what's up. There's two sides to every story,

674
00:35:43,080 --> 00:35:46,120
Speaker 1: but there's just facts and the fact that I attempted

675
00:35:46,160 --> 00:35:51,759
Speaker 1: to reconcile twice two years back to back. I only

676
00:35:51,800 --> 00:35:53,719
Speaker 1: got blessed because of that. I wouldn't have met my

677
00:35:53,800 --> 00:35:55,759
Speaker 1: fiance if it wasn't for that. I mean I might have,

678
00:35:56,000 --> 00:36:00,200
Speaker 1: but just not under those circumstances. I like, I a

679
00:36:00,280 --> 00:36:05,440
Speaker 1: wife to be and I have a baby now at

680
00:36:05,520 --> 00:36:07,480
Speaker 1: this point, it doesn't matter. When when it came to

681
00:36:07,600 --> 00:36:09,759
Speaker 1: the smoking on the bus and all the things said,

682
00:36:09,800 --> 00:36:12,839
Speaker 1: it was enough. So it was I don't even want

683
00:36:12,880 --> 00:36:14,879
Speaker 1: to see your face. I can't hear your voice. It's

684
00:36:14,880 --> 00:36:18,040
Speaker 1: gonna I was nervous as health last time. Mother. I

685
00:36:18,120 --> 00:36:23,000
Speaker 1: don't want any negative energy whatsoever. It's like, please, please,

686
00:36:23,040 --> 00:36:25,759
Speaker 1: please say it's high risk. We are the Breakfast Club.

687
00:36:26,160 --> 00:36:28,960
Speaker 1: We have Marcia Ambross from the group Flowtree in the building.

688
00:36:29,880 --> 00:36:33,040
Speaker 1: How does a woman, uh convince a man that I

689
00:36:33,120 --> 00:36:37,520
Speaker 1: guess she's not a whole because he's get you, don't.

690
00:36:38,239 --> 00:36:41,799
Speaker 1: I mean, it's crazy that first all, when we were

691
00:36:41,920 --> 00:36:45,360
Speaker 1: talking and I'm disclosing all of my business because I

692
00:36:45,480 --> 00:36:47,160
Speaker 1: was like, this is something that's about to be serious.

693
00:36:47,200 --> 00:36:52,000
Speaker 1: I'm gonna tell you everything, whole facts. You know, he

694
00:36:52,120 --> 00:36:55,520
Speaker 1: said to me. You know, he said to me already,

695
00:36:55,600 --> 00:37:01,920
Speaker 1: no wow, because she'd already Oh y'all was that close.

696
00:37:02,520 --> 00:37:03,920
Speaker 1: I mean, I know y'all was a group together, but

697
00:37:04,920 --> 00:37:09,640
Speaker 1: nut group all right, this is when you have to

698
00:37:10,080 --> 00:37:13,319
Speaker 1: and Babe, this before I met you. This is where

699
00:37:13,320 --> 00:37:17,960
Speaker 1: you have to. My count is very limited. Like I

700
00:37:18,120 --> 00:37:21,040
Speaker 1: was never a whole. I actually lied on my vagina

701
00:37:21,200 --> 00:37:23,600
Speaker 1: just so my horrish friends didn't feel so bad that

702
00:37:23,719 --> 00:37:26,080
Speaker 1: they were being whores and I was over here just

703
00:37:26,239 --> 00:37:30,720
Speaker 1: absolutely That's how I maintained my vagina by telling everyone

704
00:37:30,760 --> 00:37:32,239
Speaker 1: I was doing this, dude, and not all of my

705
00:37:32,360 --> 00:37:36,800
Speaker 1: songs dictated that I did it? So why not smashed

706
00:37:36,880 --> 00:37:39,040
Speaker 1: everyone I work with? That is that is true? Always

707
00:37:39,120 --> 00:37:41,320
Speaker 1: think that, like like women like who sing about it

708
00:37:41,400 --> 00:37:44,160
Speaker 1: as much as you do? Y'all. I was never No,

709
00:37:44,360 --> 00:37:48,560
Speaker 1: that's not say that you ever had as much I said.

710
00:37:49,560 --> 00:37:52,640
Speaker 1: I wasn't smashing as many people. There you go. So

711
00:37:53,280 --> 00:37:57,279
Speaker 1: when that was nothing, I was back to crickets. Gad,

712
00:37:58,760 --> 00:38:03,040
Speaker 1: did you ever smashed the floor the floortress? You know,

713
00:38:03,600 --> 00:38:05,040
Speaker 1: just asking that. I don't know. I'm just throwing it

714
00:38:05,080 --> 00:38:14,400
Speaker 1: out there, just asking him. It's touchy feeling when it

715
00:38:14,480 --> 00:38:17,960
Speaker 1: comes to that. It's um. It wasn't even that like

716
00:38:18,320 --> 00:38:22,440
Speaker 1: um her manager at the time. I think, do I

717
00:38:22,520 --> 00:38:28,280
Speaker 1: have a green light for facts? Maybe green light for facts?

718
00:38:28,400 --> 00:38:34,640
Speaker 1: Her manager, UM at the time was someone that I

719
00:38:34,880 --> 00:38:37,960
Speaker 1: was involved with in the UK that we mutually both

720
00:38:38,040 --> 00:38:40,920
Speaker 1: knew a mutual friend like I was about twenty one

721
00:38:41,080 --> 00:38:42,640
Speaker 1: twenty two, and I have it right before I came

722
00:38:42,640 --> 00:38:45,799
Speaker 1: out here, and she knew this. I ended up having

723
00:38:45,840 --> 00:38:50,399
Speaker 1: a miscarriage. She knew this, and years later I would

724
00:38:50,440 --> 00:38:54,680
Speaker 1: find out that she had appointed him, of all people,

725
00:38:55,239 --> 00:38:58,560
Speaker 1: as her manager. So me holding on an harboring onto

726
00:38:58,600 --> 00:39:00,640
Speaker 1: all of those thoughts and feelings, I'm like, yo, you

727
00:39:00,760 --> 00:39:03,560
Speaker 1: are just the pettiest of all time, like just the

728
00:39:03,640 --> 00:39:08,279
Speaker 1: pay is of all time, And learning years later that

729
00:39:08,719 --> 00:39:11,960
Speaker 1: she would tell me, oh, you know I had I

730
00:39:12,000 --> 00:39:16,400
Speaker 1: had a miscarriage too, and I had empathy for that.

731
00:39:17,360 --> 00:39:19,640
Speaker 1: And years later she would tell me she lied about that.

732
00:39:20,120 --> 00:39:23,239
Speaker 1: Who is this woman? It's not about who is this woman.

733
00:39:23,280 --> 00:39:25,600
Speaker 1: I'm just trying to get you some understanding and clarity

734
00:39:25,680 --> 00:39:29,799
Speaker 1: as to why that trigger on me. Where people are

735
00:39:29,840 --> 00:39:34,920
Speaker 1: like soot, it's glorious. The music was phenomenal. We landed

736
00:39:35,000 --> 00:39:38,400
Speaker 1: in Philly when Jill Scott was recording her first album

737
00:39:38,640 --> 00:39:42,840
Speaker 1: music Soul Child, but lowd Glenn Lewis kindred like Class

738
00:39:43,000 --> 00:39:48,600
Speaker 1: six flowetic happened to jump on that wave. That wave

739
00:39:48,880 --> 00:39:51,239
Speaker 1: wasn't a temporary wave. That wave still gets me to

740
00:39:51,360 --> 00:39:53,719
Speaker 1: tour to this day. I can still sing say Yes

741
00:39:53,840 --> 00:39:56,680
Speaker 1: like I wrote it yesterday. I wrote it's seventeen years

742
00:39:56,719 --> 00:40:00,880
Speaker 1: ago in Philly. That's what was happening for us. So

743
00:40:01,320 --> 00:40:04,279
Speaker 1: even with the Michael Jackson situation, all of that was

744
00:40:04,360 --> 00:40:07,680
Speaker 1: the same. Yeah, like all of these demos flying around Yeah,

745
00:40:08,320 --> 00:40:10,920
Speaker 1: say yes too. Say Yes was for ron Eisley and

746
00:40:11,040 --> 00:40:14,399
Speaker 1: he didn't take it. Thank you, Ry, like you changed

747
00:40:14,440 --> 00:40:17,759
Speaker 1: my life. Like, but all of these things were happening then,

748
00:40:17,880 --> 00:40:21,480
Speaker 1: So I'm not faulting what created the music. Marsha makes

749
00:40:21,520 --> 00:40:24,759
Speaker 1: great make love music. You don't put Marsha albums on

750
00:40:24,880 --> 00:40:28,759
Speaker 1: with the side chick, well you do, but she's She's

751
00:40:28,800 --> 00:40:39,319
Speaker 1: going to be the permanent music for sex though, like lovers,

752
00:40:39,400 --> 00:40:41,200
Speaker 1: late nights and early morning like you can, I mean,

753
00:40:41,320 --> 00:40:44,799
Speaker 1: all the way through, just throw them one. The moves disgusting,

754
00:40:45,760 --> 00:40:48,920
Speaker 1: but it's good. I don't know where that comes from.

755
00:40:49,000 --> 00:40:51,759
Speaker 1: It it's a natural gift. You have sexy old music.

756
00:40:53,520 --> 00:40:58,600
Speaker 1: I have, I have it is, but the certain songs

757
00:40:58,640 --> 00:41:01,359
Speaker 1: that we've created that just cold for it. Just ain't

758
00:41:01,360 --> 00:41:04,120
Speaker 1: gonna test drive it. Test drive your own work. So

759
00:41:04,239 --> 00:41:06,960
Speaker 1: when it's released, like yo, something I'm a oh yeah,

760
00:41:07,000 --> 00:41:08,880
Speaker 1: I know, trust me. What's the one on the new

761
00:41:08,920 --> 00:41:12,200
Speaker 1: album that absolutely gonna make the condom come off? Oh? Man,

762
00:41:12,360 --> 00:41:18,640
Speaker 1: the condom off? Okay, condom off? Sex um flood whoa

763
00:41:19,840 --> 00:41:24,399
Speaker 1: like a lot. It's like a squirter squo flood will

764
00:41:24,440 --> 00:41:29,600
Speaker 1: do it? Um let out, let it help. I love

765
00:41:29,680 --> 00:41:33,560
Speaker 1: these titles. When's it coming? When's it dropping? When I

766
00:41:34,080 --> 00:41:43,920
Speaker 1: know what I mean? Good ship this new album? Neither

767
00:41:44,280 --> 00:41:46,120
Speaker 1: wash it and bro anything else you need to get

768
00:41:46,120 --> 00:41:47,680
Speaker 1: off your chest? Anybody else you need to clap at

769
00:41:47,719 --> 00:41:52,160
Speaker 1: real quickly unnecessary. I'm just in a great place, so mappy,

770
00:41:53,440 --> 00:41:57,160
Speaker 1: just be happy. People like don't hold on to let

771
00:41:57,239 --> 00:42:00,719
Speaker 1: it go. Man Portry's dead though that's never happening. It's

772
00:42:00,920 --> 00:42:04,480
Speaker 1: um prayed for her and wish her none nothing but

773
00:42:04,600 --> 00:42:07,719
Speaker 1: the best as I always have. And it's okay to

774
00:42:07,840 --> 00:42:11,080
Speaker 1: leave it at that. No one thing. You tried it again,

775
00:42:11,160 --> 00:42:15,680
Speaker 1: know what Amanda seals? Like Amanda seals, I want to

776
00:42:15,719 --> 00:42:19,440
Speaker 1: say sorry to you because I never. I can't say

777
00:42:19,480 --> 00:42:21,600
Speaker 1: I never. It was a lot of hands that were

778
00:42:21,680 --> 00:42:25,040
Speaker 1: in that to make that the situation that it was.

779
00:42:25,320 --> 00:42:28,600
Speaker 1: You know, I tried to fight her. I was, yeah,

780
00:42:28,800 --> 00:42:31,120
Speaker 1: I was gonna fight her in Atlanta at the Rich

781
00:42:31,200 --> 00:42:36,480
Speaker 1: Carlton Why because she was getting frustrated. I guess the

782
00:42:37,719 --> 00:42:40,320
Speaker 1: other girl in Flowtree had done an interview with Wendy

783
00:42:40,360 --> 00:42:43,680
Speaker 1: Williams and was saying that this is some temporary bullshit,

784
00:42:43,840 --> 00:42:47,280
Speaker 1: YadA YadA, YadA. So you know, bullets fly, and Amanda

785
00:42:47,360 --> 00:42:49,320
Speaker 1: calls me in my hotel room, like you know what,

786
00:42:49,440 --> 00:42:52,759
Speaker 1: I'm sick of this. You hangs up with me so

787
00:42:52,840 --> 00:42:55,480
Speaker 1: she don't buy her husband, but I have to respect it.

788
00:42:55,719 --> 00:42:58,360
Speaker 1: But I'm mad too, so I'm like, hold up. I

789
00:42:58,440 --> 00:43:00,480
Speaker 1: called her hotel room. She picks up, so I was like,

790
00:43:00,560 --> 00:43:03,080
Speaker 1: you just a next door. We're on the same damn floor.

791
00:43:03,320 --> 00:43:07,120
Speaker 1: So I banging on the door. I mean she didn't

792
00:43:07,160 --> 00:43:08,520
Speaker 1: cause we had to get on the stage that night,

793
00:43:08,880 --> 00:43:11,120
Speaker 1: so our manager kind of had to diffuse the situation.

794
00:43:11,280 --> 00:43:13,680
Speaker 1: And it was a bad situation for everybody. I've never

795
00:43:14,000 --> 00:43:16,600
Speaker 1: had to or wanted to confront someone to fight. So

796
00:43:16,640 --> 00:43:19,680
Speaker 1: it wasn't even about her no more. It was about everything.

797
00:43:19,760 --> 00:43:22,040
Speaker 1: It was the bullet that was flow a Tree and

798
00:43:22,280 --> 00:43:24,040
Speaker 1: the bull that turned out to be because I was

799
00:43:24,080 --> 00:43:27,279
Speaker 1: still signed to the label and they're like, you have

800
00:43:27,360 --> 00:43:30,960
Speaker 1: an album to push and the other chick had her

801
00:43:31,080 --> 00:43:34,279
Speaker 1: dude managing her and said, you know, give her a

802
00:43:34,360 --> 00:43:38,359
Speaker 1: solo deal or we're walking. So Jimmy Iveen and from

803
00:43:38,440 --> 00:43:42,080
Speaker 1: Fair said walk. So then she's out the group. I'm

804
00:43:42,120 --> 00:43:43,960
Speaker 1: still signed to the label and I'm out with a

805
00:43:44,040 --> 00:43:47,400
Speaker 1: man Adeva. I mean, I'm at the Seals and you know,

806
00:43:47,520 --> 00:43:50,000
Speaker 1: I'm so happy for everything that she's doing. Now she's

807
00:43:50,040 --> 00:43:53,879
Speaker 1: a hustler. Oh yeah, so you never would do that again,

808
00:43:53,880 --> 00:43:55,480
Speaker 1: like grab somebody else to say, let's do floor Tree.

809
00:43:55,560 --> 00:43:57,799
Speaker 1: We don't have to flow A tree is the flow

810
00:43:57,880 --> 00:44:00,640
Speaker 1: assist and the songstress not at least do it. And

811
00:44:00,680 --> 00:44:04,360
Speaker 1: Marsha Ambroses, forever that never dies. Music never dies. What

812
00:44:04,520 --> 00:44:08,759
Speaker 1: we did in that moment is solidified that wave and

813
00:44:08,920 --> 00:44:10,680
Speaker 1: we were part of it and managed to have a

814
00:44:10,840 --> 00:44:16,319
Speaker 1: classic album and several songs that you know will live forever. Right,

815
00:44:18,560 --> 00:44:22,520
Speaker 1: Marsha Ambroses, it's the Breakfast Club. Good morning, the Breakfast

816
00:44:22,560 --> 00:44:36,719
Speaker 1: clubs just out Breakfast Club. So, man, did you guys

817
00:44:36,760 --> 00:44:38,800
Speaker 1: have the opportunity to watch Mary J But I just

818
00:44:38,920 --> 00:44:41,520
Speaker 1: Strength of a Woman's documentary on VH one. I didn't

819
00:44:41,520 --> 00:44:43,040
Speaker 1: even know what was coming on. I thought people tweeting

820
00:44:43,040 --> 00:44:46,360
Speaker 1: about it. I don't see. Yeah, so she's still She

821
00:44:46,520 --> 00:44:48,080
Speaker 1: was in there with Neo. She was in the studio

822
00:44:48,160 --> 00:44:50,440
Speaker 1: he produced some tracks on a new album, and she

823
00:44:50,520 --> 00:44:52,960
Speaker 1: had some things to say about the woman that her

824
00:44:53,080 --> 00:44:55,920
Speaker 1: husband cheated on her birth can Do. And here's what

825
00:44:56,040 --> 00:44:58,960
Speaker 1: she said. You have a studio there in the other place, right,

826
00:44:59,280 --> 00:45:04,640
Speaker 1: she do not look, do you know? Do not let

827
00:45:04,719 --> 00:45:08,360
Speaker 1: her nowhere near what you do for me, because she's

828
00:45:08,600 --> 00:45:13,359
Speaker 1: she's a reasonable away. That's why Beckie wuld get here.

829
00:45:13,960 --> 00:45:18,400
Speaker 1: Wow christ right, she's saying, do not let that woman.

830
00:45:18,600 --> 00:45:21,839
Speaker 1: And obviously it was the artist's Starshell, that's what everybody's saying.

831
00:45:21,880 --> 00:45:24,320
Speaker 1: That Mary J. Blige, he was working with allegedly, that

832
00:45:24,480 --> 00:45:29,000
Speaker 1: was her. I guess, protege what you're doing with me.

833
00:45:29,080 --> 00:45:30,839
Speaker 1: I would have loved to see Neil's face in that moment.

834
00:45:30,880 --> 00:45:32,719
Speaker 1: I know, them big old wheels in that big old

835
00:45:32,760 --> 00:45:35,479
Speaker 1: head was just returning. You should actually watch the clip

836
00:45:35,560 --> 00:45:37,920
Speaker 1: so you can see his face and see he's like, uh,

837
00:45:39,480 --> 00:45:41,759
Speaker 1: all right. But as she goes on to say that,

838
00:45:42,520 --> 00:45:45,480
Speaker 1: other people are saying that the woman that cheated, she

839
00:45:45,760 --> 00:45:49,120
Speaker 1: cheated uh with can Do is not remorseable. She's just

840
00:45:49,200 --> 00:45:51,280
Speaker 1: a poor girl from outside the bus and who slept

841
00:45:51,320 --> 00:45:53,799
Speaker 1: her way to the middle. Yeah, I'm not even a top,

842
00:45:54,120 --> 00:45:56,720
Speaker 1: said the top said she stepped away to the middle.

843
00:45:56,760 --> 00:45:58,719
Speaker 1: She'll be to the top of ken Do get them

844
00:45:58,760 --> 00:46:03,359
Speaker 1: payments from Mary J. Blide some spousal schools famous. All right,

845
00:46:03,400 --> 00:46:06,640
Speaker 1: well let's discuss something some good news. French Montana tweeted out,

846
00:46:06,680 --> 00:46:09,680
Speaker 1: my trip to Uganda was unforgettable. I got inspired to

847
00:46:09,760 --> 00:46:11,799
Speaker 1: help their community and want to help some donating one

848
00:46:11,880 --> 00:46:15,560
Speaker 1: hundred thousand dollars to expand the sub health clinic and Uganda.

849
00:46:15,640 --> 00:46:17,759
Speaker 1: You can help to donate now. So that is on

850
00:46:17,960 --> 00:46:19,960
Speaker 1: his Twitter page, So if you want to donate, you

851
00:46:20,000 --> 00:46:24,439
Speaker 1: can go over there and do that. Inspiration absolutely y'all

852
00:46:24,440 --> 00:46:26,200
Speaker 1: say he got that dance from Africa, so that's the

853
00:46:26,280 --> 00:46:29,640
Speaker 1: least he can do is give them some money back, right.

854
00:46:29,640 --> 00:46:32,000
Speaker 1: I like when people are inspired to do great things.

855
00:46:32,360 --> 00:46:34,920
Speaker 1: All right. So that car that Aaron Hernandez was allegedly

856
00:46:35,040 --> 00:46:37,600
Speaker 1: driving during the twenty twelve drive by shooting that had

857
00:46:37,680 --> 00:46:40,440
Speaker 1: him in jail, it was on eBay, right. They were

858
00:46:40,480 --> 00:46:42,480
Speaker 1: trying to sell this two thousand and six Toyota for

859
00:46:42,600 --> 00:46:45,640
Speaker 1: a runner and they were also going to sell I

860
00:46:45,680 --> 00:46:47,719
Speaker 1: think one of his jerseys with it as well, an

861
00:46:47,719 --> 00:46:51,880
Speaker 1: autograph and all of that. So weird that they actually

862
00:46:51,960 --> 00:46:53,600
Speaker 1: had pulled it off an eBay. But guess what, the

863
00:46:53,680 --> 00:46:56,640
Speaker 1: bidding broke the one hundred thousand dollar mark. How crazy

864
00:46:56,800 --> 00:46:59,040
Speaker 1: is that? Now the seller is saying he took that

865
00:46:59,120 --> 00:47:02,680
Speaker 1: auction down, and a rep said the listing was removed

866
00:47:02,760 --> 00:47:06,120
Speaker 1: as it violated our offensive materials policy items related to

867
00:47:06,280 --> 00:47:09,600
Speaker 1: violent felons. Any listing on the eBay platform that violates

868
00:47:09,640 --> 00:47:11,920
Speaker 1: our policies are removed and we take appropriate action with

869
00:47:12,000 --> 00:47:13,920
Speaker 1: the sellers. So I can't believe they got up to

870
00:47:13,960 --> 00:47:16,239
Speaker 1: one hundred thousand already. So in the post that said

871
00:47:16,320 --> 00:47:20,480
Speaker 1: this is the car that was that, yes, Aaron Hernandez used, wow,

872
00:47:20,840 --> 00:47:24,879
Speaker 1: why why would you want that? Won't point? I don't

873
00:47:24,880 --> 00:47:26,800
Speaker 1: know people are I don't know why people bid on

874
00:47:26,840 --> 00:47:28,120
Speaker 1: the things that they've been on. I don't know if

875
00:47:28,800 --> 00:47:31,080
Speaker 1: what type of collector's item that could pass kind of

876
00:47:31,120 --> 00:47:32,480
Speaker 1: money you have to have just to say you know

877
00:47:32,520 --> 00:47:35,279
Speaker 1: what I want to buy? Aeron Nan does card. It's

878
00:47:35,400 --> 00:47:37,560
Speaker 1: very weird, you're very bored and you just got money

879
00:47:37,600 --> 00:47:40,080
Speaker 1: to burn all right. Now, we've been talking about Melby

880
00:47:40,239 --> 00:47:42,600
Speaker 1: and her former nanny, the one that she says got

881
00:47:42,680 --> 00:47:47,200
Speaker 1: pregnant by her husband, Stephen Belafonte, and allegedly they were

882
00:47:47,239 --> 00:47:49,920
Speaker 1: having three sums and all of that. Well, she just

883
00:47:50,080 --> 00:47:53,880
Speaker 1: got a restraining order for five years against that nanny,

884
00:47:54,080 --> 00:47:58,439
Speaker 1: all right, Lorraine Gills. She's a nanny who she says

885
00:47:58,440 --> 00:48:00,680
Speaker 1: her husband had an affair with. Now, she says that

886
00:48:01,360 --> 00:48:04,479
Speaker 1: Jills has been verbally abusive toward her, disrespecting her, rolling

887
00:48:04,520 --> 00:48:08,120
Speaker 1: her eyes during conversation. She would make exacerbated sounds that

888
00:48:08,200 --> 00:48:11,160
Speaker 1: were just to annoy her, and she would call Melby's

889
00:48:11,280 --> 00:48:14,840
Speaker 1: kids her kids. That's enough right there. So the restraining

890
00:48:14,960 --> 00:48:17,640
Speaker 1: order is in effect, like we said, for five years.

891
00:48:17,719 --> 00:48:20,440
Speaker 1: It's a rap for that. You know, why would you

892
00:48:20,480 --> 00:48:22,840
Speaker 1: want that person around you? All right? I'm angela ye,

893
00:48:22,960 --> 00:48:27,600
Speaker 1: and that's your rumor report. I was born a donkey.

894
00:48:27,800 --> 00:48:43,720
Speaker 1: It's the Donkey of the Death. That's Charlemagne Devil, Breakfast Club,

895
00:48:45,120 --> 00:48:47,279
Speaker 1: Donkey to Day for Thursday, made fourth goals to the

896
00:48:47,320 --> 00:48:51,279
Speaker 1: Swanson Funeral Home in Flint, Michigan. This story will absolutely

897
00:48:51,400 --> 00:48:53,520
Speaker 1: let you know that the water isn't the only thing

898
00:48:53,600 --> 00:48:55,600
Speaker 1: they can't get right in Flint. Okay. Now, it's a

899
00:48:55,640 --> 00:48:59,120
Speaker 1: couple of places that I absolutely positively do not expect

900
00:48:59,160 --> 00:49:01,560
Speaker 1: to get my order on. Chick fil A is one

901
00:49:01,560 --> 00:49:03,879
Speaker 1: of those places, and a funeral home is the other.

902
00:49:04,200 --> 00:49:06,000
Speaker 1: When I order a number one with cheese from Chick

903
00:49:06,040 --> 00:49:08,239
Speaker 1: fil A, that's what I expect to get. Okay, Chick

904
00:49:08,320 --> 00:49:10,840
Speaker 1: fil A is shooting a high percentage from the field

905
00:49:10,840 --> 00:49:14,120
Speaker 1: when it comes to getting orders. Correct. I knock on wood.

906
00:49:14,440 --> 00:49:16,759
Speaker 1: You know, have never had that experience at Chick fil A.

907
00:49:17,080 --> 00:49:18,840
Speaker 1: All right. The only other place in the world I

908
00:49:18,920 --> 00:49:21,440
Speaker 1: expect to have that high standard is any and every

909
00:49:21,520 --> 00:49:24,879
Speaker 1: funeral home across the country. Their job is actually quite

910
00:49:24,880 --> 00:49:27,000
Speaker 1: easier than Chick fil A. I mean, you have the

911
00:49:27,080 --> 00:49:31,160
Speaker 1: funeral director who oversees funeral arrangement, works with grieving family members,

912
00:49:31,640 --> 00:49:33,440
Speaker 1: does a lot of paperwork. Then you have the mortician

913
00:49:33,440 --> 00:49:36,359
Speaker 1: who prepares the bodies of the deceased for burial our

914
00:49:36,440 --> 00:49:38,759
Speaker 1: cremation in some cases. No, no, I know you're saying,

915
00:49:38,800 --> 00:49:41,239
Speaker 1: damn Charlemagne. Sounds like a mortician's job would be way

916
00:49:41,280 --> 00:49:43,759
Speaker 1: harder than working at Chick fil A. Okay, maybe, but

917
00:49:44,000 --> 00:49:46,200
Speaker 1: morticians and funeral directors don't have to remember to give

918
00:49:46,200 --> 00:49:48,600
Speaker 1: you extra Polynesian or Chick fil A sauce. Okay, slightly

919
00:49:48,680 --> 00:49:52,200
Speaker 1: higher degree of difficulty people, but let's stay focused on

920
00:49:52,320 --> 00:49:55,279
Speaker 1: the matter at hand. Swansan funeral Home got someone's order

921
00:49:55,400 --> 00:49:58,440
Speaker 1: on Maurice done saluted that brother had to put his mother,

922
00:49:58,520 --> 00:50:01,160
Speaker 1: Alice done the rest last week. When the family showed

923
00:50:01,200 --> 00:50:04,040
Speaker 1: up to the funeral home they say that goodbyes, they

924
00:50:04,160 --> 00:50:06,120
Speaker 1: realized that the wrong order was put in the casket.

925
00:50:06,160 --> 00:50:08,640
Speaker 1: Go to wn E, MTV CBS file for the report.

926
00:50:08,680 --> 00:50:11,399
Speaker 1: Police Maurice Dunn says he had to put his mother,

927
00:50:11,560 --> 00:50:14,680
Speaker 1: Alice Dunne, to rest last week, but when the family

928
00:50:14,800 --> 00:50:17,880
Speaker 1: showed up to the funeral home to say their last goodbyes,

929
00:50:18,400 --> 00:50:22,640
Speaker 1: what they saw left them stunned. Total stranger dressed in

930
00:50:22,719 --> 00:50:26,239
Speaker 1: the clothing that my brother Joey and the wig selected

931
00:50:26,280 --> 00:50:29,480
Speaker 1: for our mother. You heard that right, The wrong person

932
00:50:29,719 --> 00:50:32,360
Speaker 1: put into the mother's casket. I told him that's not

933
00:50:32,480 --> 00:50:35,880
Speaker 1: our mama. Dunne says. Once they alerted employees at Swanson

934
00:50:35,960 --> 00:50:38,160
Speaker 1: Funeral Home in Flynn that there had been a big

935
00:50:38,320 --> 00:50:41,399
Speaker 1: mix up, he says they started to deny it. Well.

936
00:50:41,719 --> 00:50:45,520
Speaker 1: The funeralstab insisted that it was our mother and that

937
00:50:45,960 --> 00:50:50,040
Speaker 1: a name Van is the reason he definitively know that's

938
00:50:50,040 --> 00:50:53,520
Speaker 1: our mother. It wasn't professional at all. Alice's other son, Joe,

939
00:50:53,600 --> 00:50:56,759
Speaker 1: says the funeral home eventually brought out their mother. They

940
00:50:56,840 --> 00:51:00,640
Speaker 1: did not offer the family a lot of the nations

941
00:51:00,800 --> 00:51:04,319
Speaker 1: except that it did occur. Now. I did catch up

942
00:51:04,360 --> 00:51:07,879
Speaker 1: with O'Neill Swanson, the president of Swanson Funeral Home here

943
00:51:07,920 --> 00:51:10,719
Speaker 1: in Flint, earlier this afternoon. He told me he was

944
00:51:10,800 --> 00:51:13,160
Speaker 1: going to give me a callback, so we called him back.

945
00:51:13,560 --> 00:51:15,880
Speaker 1: Still no answer. We also reached out to the funeral

946
00:51:15,960 --> 00:51:18,640
Speaker 1: home and they're telling us that O'Neill is not available

947
00:51:18,719 --> 00:51:23,399
Speaker 1: right now. Chick fil A would never what. Let's unpack this, Okay,

948
00:51:23,440 --> 00:51:25,520
Speaker 1: if Chick fil A was to make this kind of mistake,

949
00:51:25,560 --> 00:51:27,879
Speaker 1: they would own it. They would admit to being wrong.

950
00:51:28,200 --> 00:51:30,880
Speaker 1: Swanson Funeral Home looked Maurice done in the family in

951
00:51:30,960 --> 00:51:33,960
Speaker 1: the face and insisted that it was indeed their mother

952
00:51:34,040 --> 00:51:36,040
Speaker 1: in the casket. Now, I hate funerals. I don't go

953
00:51:36,160 --> 00:51:37,839
Speaker 1: to him. I'm not going to mind if I can

954
00:51:37,920 --> 00:51:39,480
Speaker 1: help it. But I have been to a couple of

955
00:51:39,560 --> 00:51:42,000
Speaker 1: weeks and yes, people look slightly different in the casket,

956
00:51:42,040 --> 00:51:44,040
Speaker 1: but you still know it's them. But there's no way

957
00:51:44,080 --> 00:51:46,839
Speaker 1: in hell you're gonna tell me that's my mama when

958
00:51:46,880 --> 00:51:49,600
Speaker 1: that's not my mama. Okay, imagine that the woman that

959
00:51:49,800 --> 00:51:52,600
Speaker 1: raised you, yo mama, the vagina from which you came

960
00:51:52,680 --> 00:51:54,840
Speaker 1: out of, yo mama. You know what she looks like,

961
00:51:55,000 --> 00:51:57,640
Speaker 1: smells like, sounds like even when she did you know

962
00:51:57,719 --> 00:52:00,760
Speaker 1: who your mama is in this funeral home? Swapson Funeral

963
00:52:00,840 --> 00:52:03,800
Speaker 1: Home tells you that your mama is in the casket

964
00:52:04,000 --> 00:52:06,799
Speaker 1: and you know that's not your mammy. Are you dumb?

965
00:52:06,960 --> 00:52:09,560
Speaker 1: And then when they finally realize the jig is up

966
00:52:09,800 --> 00:52:11,840
Speaker 1: and can see that this is not your mama, they

967
00:52:11,960 --> 00:52:14,759
Speaker 1: just will one body back and will or other one

968
00:52:14,800 --> 00:52:18,320
Speaker 1: out like my bad. Okay. This is the equivalent of

969
00:52:18,400 --> 00:52:20,680
Speaker 1: you order in a spicy chicken sandwich, you bite into

970
00:52:20,719 --> 00:52:22,480
Speaker 1: it and it's not spicy. You tell Chick fil A

971
00:52:22,560 --> 00:52:24,320
Speaker 1: it's not spicy, and they say, yes it is. You're like,

972
00:52:24,360 --> 00:52:26,200
Speaker 1: I know it's not spicy, and they say yes it is.

973
00:52:26,320 --> 00:52:28,160
Speaker 1: You say, hell no, I know what spicy tastes like.

974
00:52:28,239 --> 00:52:30,040
Speaker 1: I eat spicy every other day. Then Chick fil A

975
00:52:30,120 --> 00:52:32,600
Speaker 1: finally emits it's not spicy, and then they finally bring

976
00:52:32,680 --> 00:52:35,160
Speaker 1: you your spicy chicken sandwich. But that would never happen

977
00:52:35,200 --> 00:52:37,719
Speaker 1: at Chick fil A, and it shouldn't happen at a

978
00:52:37,760 --> 00:52:41,799
Speaker 1: funeral home. Did you compare? Needs you to relax? Please

979
00:52:41,840 --> 00:52:44,080
Speaker 1: get Swansons, Please get the Swanson funeral home to the

980
00:52:44,120 --> 00:52:49,920
Speaker 1: biggest sea hall place. What I'm actually comparing is the

981
00:52:50,040 --> 00:52:52,960
Speaker 1: fact that it's two places I should never ever get

982
00:52:53,080 --> 00:52:55,960
Speaker 1: my order wrong at, and that's chick fil A and

983
00:52:56,040 --> 00:53:01,919
Speaker 1: a funeral home. I expect the highest quality spice. Yes,

984
00:53:02,239 --> 00:53:04,560
Speaker 1: I'm hungry now that's what you want to eat? The

985
00:53:04,640 --> 00:53:08,600
Speaker 1: dead body or some Chick fil A? Okay, but technically

986
00:53:08,719 --> 00:53:11,799
Speaker 1: is the same. It is dead chicken body, dead human body.

987
00:53:11,800 --> 00:53:14,200
Speaker 1: Its technically the same. Okay, all right, Well, thank you

988
00:53:14,280 --> 00:53:16,280
Speaker 1: for that. Donkey to day when we come back. Ask

989
00:53:16,600 --> 00:53:18,920
Speaker 1: Ye eight hundred five A five one oh five one.

990
00:53:18,960 --> 00:53:20,960
Speaker 1: If you got a question for Ye, you can call

991
00:53:21,040 --> 00:53:23,400
Speaker 1: her right now. She'll help y out with all your problems.

992
00:53:24,000 --> 00:53:26,040
Speaker 1: Call her up right now. It's the Breakfast Club. Good

993
00:53:26,040 --> 00:53:30,040
Speaker 1: morning morning. Everybody is DJ Envy Angela, Yee, Charlomagne, that

994
00:53:30,080 --> 00:53:32,879
Speaker 1: guy we are the Breakfast Club is Ask Ye eight

995
00:53:32,960 --> 00:53:34,719
Speaker 1: hundred five A five one oh five one. If you

996
00:53:34,800 --> 00:53:40,160
Speaker 1: got a question for Yee? Hello? Who's this? This? Arietta hiriya?

997
00:53:40,160 --> 00:53:43,640
Speaker 1: What's your question for Ye? Yes? Yes, Hi yee shou

998
00:53:43,760 --> 00:53:46,800
Speaker 1: for you. Okay, I have these eggs right, and he

999
00:53:46,920 --> 00:53:49,360
Speaker 1: wants to really be with me, like we really want to,

1000
00:53:49,480 --> 00:53:50,920
Speaker 1: like I really I want to be with him, and

1001
00:53:51,000 --> 00:53:53,000
Speaker 1: he wants to do with me. But the only thing

1002
00:53:53,200 --> 00:53:55,440
Speaker 1: is I feel like if I stay with it, if

1003
00:53:55,440 --> 00:53:57,200
Speaker 1: I be with him, I'm gonna always shoot on him

1004
00:53:59,400 --> 00:54:03,919
Speaker 1: because he has a small picker. Okay, you're not a whole.

1005
00:54:04,040 --> 00:54:06,399
Speaker 1: That's actually a very valid reason, and I'm sure he's

1006
00:54:06,400 --> 00:54:09,320
Speaker 1: aware of it. I think, I think I think he is,

1007
00:54:09,680 --> 00:54:12,320
Speaker 1: and I'm like, but I like, I really want to

1008
00:54:12,360 --> 00:54:14,200
Speaker 1: be with him, like he loves my kids, he loves me,

1009
00:54:14,719 --> 00:54:19,480
Speaker 1: and but I just all right, So does he make

1010
00:54:19,560 --> 00:54:26,080
Speaker 1: you orgasm? Nod with the top not the bottom. So wait,

1011
00:54:27,000 --> 00:54:30,680
Speaker 1: you've had you've had an orgasm before from him? Yes? Okay,

1012
00:54:30,760 --> 00:54:32,399
Speaker 1: Well here's the thing. I'm gonna tell you a couple

1013
00:54:32,440 --> 00:54:35,399
Speaker 1: of things. I feel your pain. You don't feel any pain,

1014
00:54:35,840 --> 00:54:38,760
Speaker 1: but I will say that usually guys with small penises

1015
00:54:38,800 --> 00:54:41,960
Speaker 1: are great at other things. Is he good at oral sex? Yes?

1016
00:54:43,000 --> 00:54:46,960
Speaker 1: Is he passionate in other ways? Yes? There's no point

1017
00:54:47,000 --> 00:54:48,640
Speaker 1: in you being with somebody if you're just gonna cheat

1018
00:54:48,680 --> 00:54:50,759
Speaker 1: on them. I'll say that much. But there's guys with

1019
00:54:50,920 --> 00:54:53,000
Speaker 1: huge penises that don't know what they're doing. So you

1020
00:54:53,040 --> 00:54:54,640
Speaker 1: should be glad that you have somebody who has a

1021
00:54:54,680 --> 00:54:56,480
Speaker 1: small penis and is able to still if you have

1022
00:54:56,560 --> 00:54:58,960
Speaker 1: an orgasm, and please you in that way, and take

1023
00:54:59,040 --> 00:55:00,800
Speaker 1: great care of your kids and take great care of you.

1024
00:55:01,360 --> 00:55:03,200
Speaker 1: Angelie will tell you what you want to hear. Boy,

1025
00:55:03,880 --> 00:55:07,920
Speaker 1: how have you? I'm saying, have you ever been with

1026
00:55:08,000 --> 00:55:10,960
Speaker 1: a guy with a huge penist that isn't good? I haven't.

1027
00:55:13,760 --> 00:55:21,120
Speaker 1: Charlomagne always orgasms, I have it, but okay, um, I'm

1028
00:55:21,160 --> 00:55:25,840
Speaker 1: just saying, because I'm thinking about this, I like stimulation penetration.

1029
00:55:26,120 --> 00:55:30,520
Speaker 1: I like stimulation penetration on me, like, so it's like

1030
00:55:30,600 --> 00:55:35,560
Speaker 1: it's smallst you know. Let me see. I hold out

1031
00:55:35,600 --> 00:55:41,560
Speaker 1: your hand and yeah, why don't you'll just scissor with

1032
00:55:41,640 --> 00:55:46,000
Speaker 1: each other? Y'all together? What about? Can you guys use toys?

1033
00:55:46,480 --> 00:55:49,279
Speaker 1: I don't think he's been too bad. No, I mean

1034
00:55:49,400 --> 00:55:51,279
Speaker 1: on you, like, if you you got to try and

1035
00:55:51,360 --> 00:55:57,239
Speaker 1: experiment with other things, try to get some vibrators involved

1036
00:55:57,360 --> 00:56:00,319
Speaker 1: and get him to do that to you in now,

1037
00:56:00,480 --> 00:56:03,200
Speaker 1: Biba strap On, Oh wow, No, no, I'm not gonna

1038
00:56:03,200 --> 00:56:05,560
Speaker 1: do that. What I'm saying you can use some toys

1039
00:56:05,600 --> 00:56:08,640
Speaker 1: and stuff like that. I mean like, I'm like, okay,

1040
00:56:08,920 --> 00:56:10,560
Speaker 1: you're gonna make it. Know that I have a little pick.

1041
00:56:10,600 --> 00:56:12,680
Speaker 1: You gotta buy me a big one. Like what. Yeah.

1042
00:56:12,880 --> 00:56:15,320
Speaker 1: Sex is a very important part of your relationship, and

1043
00:56:15,880 --> 00:56:18,560
Speaker 1: so I feel you with that. But I also feel

1044
00:56:18,640 --> 00:56:22,080
Speaker 1: like if he can have that passionate intimate connection with

1045
00:56:22,160 --> 00:56:24,880
Speaker 1: you and still make you orgasm, you should be okay

1046
00:56:24,920 --> 00:56:27,959
Speaker 1: with that. And if you're gonna cheat, then just don't

1047
00:56:28,000 --> 00:56:31,360
Speaker 1: be with him. Find what you want. But remember, the

1048
00:56:31,400 --> 00:56:35,200
Speaker 1: penis isn't always bigger. On the other side, like the

1049
00:56:35,280 --> 00:56:37,600
Speaker 1: grass isn't always greener. You might go get with somebody

1050
00:56:37,640 --> 00:56:39,719
Speaker 1: with a bigger penis and everything else might be wrong,

1051
00:56:40,080 --> 00:56:41,600
Speaker 1: and then you're gonna regret it and then you want

1052
00:56:41,640 --> 00:56:43,920
Speaker 1: to get back with him. This is that's so unfair

1053
00:56:44,000 --> 00:56:45,719
Speaker 1: to be a man. Man. We can't go out and

1054
00:56:45,760 --> 00:56:48,160
Speaker 1: get plastic surgery to make all penises bigger. You can.

1055
00:56:48,280 --> 00:56:52,360
Speaker 1: It won't be that they do have penil and largement.

1056
00:56:52,680 --> 00:56:55,040
Speaker 1: They don't have you tried. It's all girl, I've looked

1057
00:56:55,080 --> 00:56:57,319
Speaker 1: into it. Okay, ain't nothing to do with length, all right,

1058
00:56:57,680 --> 00:57:00,719
Speaker 1: you girls, I can get ass shots and fake asking it, hey,

1059
00:57:00,880 --> 00:57:03,160
Speaker 1: and we've I can't get two extensions from my penis,

1060
00:57:03,680 --> 00:57:06,799
Speaker 1: and you want to leave me just because God bless

1061
00:57:06,840 --> 00:57:10,920
Speaker 1: me with a little peca. And what you don't understand

1062
00:57:11,000 --> 00:57:14,759
Speaker 1: is paper cuts her too, especially when they wet. Okay, well,

1063
00:57:14,920 --> 00:57:24,360
Speaker 1: somebody in this room has a small penis clearly. All right, Well,

1064
00:57:24,400 --> 00:57:26,200
Speaker 1: good luck to you. But listen, don't be with somebody

1065
00:57:26,200 --> 00:57:27,560
Speaker 1: if you're gonna cheat on them. That's all I have

1066
00:57:27,640 --> 00:57:29,680
Speaker 1: to say. That's gonna make him felters. God testing you.

1067
00:57:29,720 --> 00:57:31,040
Speaker 1: And you know what, man, when you're not thankful for

1068
00:57:31,120 --> 00:57:32,520
Speaker 1: the little things you have in life, you don't get

1069
00:57:32,560 --> 00:57:35,880
Speaker 1: blessed with more. And we mean little that right now,

1070
00:57:36,280 --> 00:57:39,680
Speaker 1: all right, ask ye eight hundred five eighty five one

1071
00:57:39,760 --> 00:57:41,480
Speaker 1: O five one. If you got a question for ye,

1072
00:57:41,840 --> 00:57:43,680
Speaker 1: call it right now. It's the Breakfast Local Morning. That

1073
00:57:43,840 --> 00:57:47,880
Speaker 1: was Tory Lane's with Love Morning. Everybody is DJ Envy Angela, Ye,

1074
00:57:48,040 --> 00:57:50,160
Speaker 1: Charlemagne the guy. We are the breakfast club. In the

1075
00:57:50,240 --> 00:57:52,840
Speaker 1: middle of asking ye what you want to go to?

1076
00:57:53,240 --> 00:57:55,480
Speaker 1: I don't know. I don't have any options. Okay, Well,

1077
00:57:55,520 --> 00:57:58,360
Speaker 1: let's go to list six. Hello, who's this? Hello? Hey?

1078
00:57:58,720 --> 00:58:03,000
Speaker 1: What's your name? He? Let it end? Let it be dude. Hey,

1079
00:58:03,120 --> 00:58:08,080
Speaker 1: so I'm um, I'm seeing it from from from Brockton, Massachusetts. Hey,

1080
00:58:08,160 --> 00:58:12,680
Speaker 1: Steve from Massachusetts. Now what's your question? He my beautiful goddess,

1081
00:58:12,800 --> 00:58:15,680
Speaker 1: So listen, my I've been in the laceship for like

1082
00:58:15,760 --> 00:58:17,680
Speaker 1: two years of the dude and he's white, I'm black.

1083
00:58:18,080 --> 00:58:20,320
Speaker 1: And now we started watching this We started watching this

1084
00:58:20,600 --> 00:58:26,000
Speaker 1: Netflix documentary Dear White People. Yes, Lord, I'm saa um

1085
00:58:26,480 --> 00:58:29,520
Speaker 1: and uh freaking So one of the episodes, she's like

1086
00:58:29,560 --> 00:58:31,880
Speaker 1: telling her white boyfriend, dude, you can't say the inn word.

1087
00:58:32,040 --> 00:58:34,800
Speaker 1: And I'm trying to tell my dude, like, you cannot

1088
00:58:35,000 --> 00:58:37,840
Speaker 1: say the inn word. And he's like, I'm obviously not racist.

1089
00:58:38,160 --> 00:58:40,240
Speaker 1: Going together for a long time, this is good. And

1090
00:58:40,360 --> 00:58:42,720
Speaker 1: I'm like and I'm like, okay, well, let me bring

1091
00:58:42,800 --> 00:58:44,480
Speaker 1: you to Jesus real quick. Come to the front of

1092
00:58:44,480 --> 00:58:51,520
Speaker 1: the communication because we got some words away in bed.

1093
00:58:51,560 --> 00:58:53,320
Speaker 1: He can say it though, right did he say it

1094
00:58:53,400 --> 00:58:59,040
Speaker 1: in bed? No? No, we don't play that. Nope. Why

1095
00:58:59,080 --> 00:59:01,160
Speaker 1: did she want to say to where so badly? He

1096
00:59:01,240 --> 00:59:03,080
Speaker 1: doesn't want to You want to be able to say

1097
00:59:03,080 --> 00:59:05,280
Speaker 1: it in conversation and like in music, And I'm like, no,

1098
00:59:05,440 --> 00:59:07,160
Speaker 1: you can't. You can't say if the song. You just

1099
00:59:07,240 --> 00:59:09,280
Speaker 1: need a hum quietly to yourself. Now if he's a

1100
00:59:09,360 --> 00:59:15,320
Speaker 1: bottom and when you put it in, he got that one,

1101
00:59:16,120 --> 00:59:19,840
Speaker 1: you don't, am I ruined the whole mood and any

1102
00:59:19,920 --> 00:59:23,840
Speaker 1: really you know that both men are taking it just um,

1103
00:59:24,800 --> 00:59:28,120
Speaker 1: exactly all right. But I'm gonna say this. He's would

1104
00:59:28,160 --> 00:59:29,880
Speaker 1: he say that in front of other people beside you?

1105
00:59:30,400 --> 00:59:33,480
Speaker 1: He's I't gonna say it to his friends in conversation,

1106
00:59:33,600 --> 00:59:36,240
Speaker 1: And I'm like, um, like he'll say like these little

1107
00:59:36,400 --> 00:59:40,280
Speaker 1: like and words and I'm like, you can't no, first

1108
00:59:40,320 --> 00:59:43,160
Speaker 1: of all, yeah, no longer you're that's not a good

1109
00:59:43,200 --> 00:59:46,080
Speaker 1: friend because he doesn't understand the contact And don't use

1110
00:59:46,120 --> 00:59:48,760
Speaker 1: that word because you do understand the contact and that's

1111
00:59:48,880 --> 00:59:51,040
Speaker 1: very offensive and he should understand that. If he loves

1112
00:59:51,040 --> 00:59:52,920
Speaker 1: you and cares about you and something offends you, and

1113
00:59:53,000 --> 00:59:55,600
Speaker 1: it's something as small as not saying a word that

1114
00:59:55,840 --> 00:59:59,960
Speaker 1: is offensive throughout history and gives you an awful fee,

1115
01:00:00,000 --> 01:00:03,800
Speaker 1: he should respect that. What's so difficult? Yeah, I mean

1116
01:00:04,000 --> 01:00:05,720
Speaker 1: I think it's just growing up in a small white town.

1117
01:00:05,800 --> 01:00:08,440
Speaker 1: You have to educate people. And like I had to,

1118
01:00:08,520 --> 01:00:10,000
Speaker 1: I had to put on sut it off for him

1119
01:00:10,000 --> 01:00:12,800
Speaker 1: and like teach him slowly like about the culture and

1120
01:00:13,680 --> 01:00:23,800
Speaker 1: watching movies exactly, you gotta keep the culture. But um,

1121
01:00:24,240 --> 01:00:26,680
Speaker 1: and is he being respectable that and and not using

1122
01:00:26,720 --> 01:00:29,720
Speaker 1: the word. Oh yeah, but he just doesn't understand it.

1123
01:00:30,040 --> 01:00:31,640
Speaker 1: You'll do it because he loves me, but he won't

1124
01:00:31,680 --> 01:00:34,320
Speaker 1: do it because he knows it's wrong. Well listen, tell him.

1125
01:00:34,440 --> 01:00:36,520
Speaker 1: He don't even got to understand it. It's offensive to you,

1126
01:00:36,560 --> 01:00:38,320
Speaker 1: it's offensive to a lot of people. And you are

1127
01:00:38,400 --> 01:00:43,360
Speaker 1: saving him an ask weapon, right, praise Lord? All right,

1128
01:00:43,400 --> 01:00:50,240
Speaker 1: well that's good at least, but maybe understand it now.

1129
01:00:50,280 --> 01:00:52,400
Speaker 1: It's gonna say you should have him wet some documentaries

1130
01:00:52,440 --> 01:00:58,760
Speaker 1: so he can understand the power. Ye w yeah, we

1131
01:00:58,840 --> 01:01:02,560
Speaker 1: watch like we I mean our stuff, but um we did.

1132
01:01:02,640 --> 01:01:06,080
Speaker 1: He should doesn't understand it. He understands the historical context

1133
01:01:06,120 --> 01:01:07,800
Speaker 1: of it, but he feels like in a modern society,

1134
01:01:07,960 --> 01:01:10,120
Speaker 1: like how we want the equality of people not saying

1135
01:01:10,160 --> 01:01:13,640
Speaker 1: the F word relations homosexuals. Then, um, you have to

1136
01:01:13,760 --> 01:01:16,280
Speaker 1: use the word and also to the sensitize people to it,

1137
01:01:16,400 --> 01:01:19,280
Speaker 1: which I respect. But at the same time, there's certain words,

1138
01:01:19,720 --> 01:01:23,640
Speaker 1: um that carry any Semitic context or racial context. And

1139
01:01:23,800 --> 01:01:26,440
Speaker 1: guess what if somebody that wasn't gay used the word.

1140
01:01:26,560 --> 01:01:29,520
Speaker 1: That's offensive, right, And it's the same kind of aspople

1141
01:01:29,520 --> 01:01:31,600
Speaker 1: when you gonna get play like I am in the

1142
01:01:31,720 --> 01:01:38,800
Speaker 1: gym third day, don't play. But that's yeah. But um yeah,

1143
01:01:38,800 --> 01:01:40,840
Speaker 1: I'm just saying, but thank you so much. He like,

1144
01:01:41,240 --> 01:01:42,640
Speaker 1: I love you so much, love you on the real

1145
01:01:42,720 --> 01:01:45,080
Speaker 1: love you literally, guys, every morning I can't really got through, like,

1146
01:01:45,520 --> 01:01:50,640
Speaker 1: praise the Lord. Thank you. Yes, and you should definitely

1147
01:01:50,720 --> 01:01:53,200
Speaker 1: go buy him my book Black Privilege, Opportunity comes to it.

1148
01:01:53,720 --> 01:01:55,720
Speaker 1: I read it. I read your book. It's amazing, Like

1149
01:01:55,800 --> 01:01:58,200
Speaker 1: you do an exceptional job. You're revers the culture. They

1150
01:01:58,200 --> 01:02:03,000
Speaker 1: should instead of iron link freaking hi whatever. So they

1151
01:02:03,040 --> 01:02:05,320
Speaker 1: need to have you up, they were Kelly after the

1152
01:02:05,400 --> 01:02:08,880
Speaker 1: morning after the breakfast club bringing people to die. I'll

1153
01:02:08,920 --> 01:02:13,880
Speaker 1: be fine, fine for calling man, and good luck with

1154
01:02:13,960 --> 01:02:16,360
Speaker 1: your problem. Bro. Oh thank you. Make sure he doesn't

1155
01:02:16,440 --> 01:02:18,880
Speaker 1: use that in word. Oh every day, all right, bro?

1156
01:02:19,360 --> 01:02:21,440
Speaker 1: All day, every day, all day, every day, all right,

1157
01:02:21,480 --> 01:02:24,880
Speaker 1: all day every day? All right? Well that was askey.

1158
01:02:24,960 --> 01:02:27,360
Speaker 1: I mean, we help everybody eat. Good job. Yeah, you know,

1159
01:02:27,440 --> 01:02:29,600
Speaker 1: we do our best. Okay, Now we got rumors on

1160
01:02:29,640 --> 01:02:31,480
Speaker 1: the way. Yes, we are going to talk about Brad

1161
01:02:31,520 --> 01:02:33,520
Speaker 1: Pitt and he finally comes clean and does an interview

1162
01:02:33,560 --> 01:02:35,600
Speaker 1: about all the things that went wrong in his relationship.

1163
01:02:36,080 --> 01:02:38,960
Speaker 1: Also the Game. Who does he feel is a legend?

1164
01:02:39,080 --> 01:02:40,800
Speaker 1: Right now? I will tell you some kind words he

1165
01:02:40,880 --> 01:02:42,920
Speaker 1: had to say about an artist who just put out

1166
01:02:42,920 --> 01:02:44,480
Speaker 1: an album. All right, we'll get into that when we

1167
01:02:44,560 --> 01:02:46,520
Speaker 1: come back. Keeping locked this to Breakfast Club, Good morning.

1168
01:02:47,600 --> 01:02:58,120
Speaker 1: This is the rumor report with Angel Well. The Game

1169
01:02:58,200 --> 01:03:00,240
Speaker 1: had to show some love to Ken Duck after Ken't

1170
01:03:00,400 --> 01:03:02,960
Speaker 1: put out his damn album. He posted on Instagram for

1171
01:03:03,120 --> 01:03:05,600
Speaker 1: me to whoever the F is concerned, This album is

1172
01:03:05,720 --> 01:03:08,400
Speaker 1: dope as f blood. It's the Little Homies third LP.

1173
01:03:08,480 --> 01:03:10,240
Speaker 1: If you're a true fan of hip hop, then you

1174
01:03:10,360 --> 01:03:12,320
Speaker 1: have it memorized by now. If you're a hip hop

1175
01:03:12,360 --> 01:03:14,080
Speaker 1: fan and you do not have Ken Jack lamar ish

1176
01:03:14,120 --> 01:03:16,520
Speaker 1: by now, f you that's on Compton bomped it in

1177
01:03:16,600 --> 01:03:18,640
Speaker 1: my hood and my kids my little and we're raw

1178
01:03:18,760 --> 01:03:20,640
Speaker 1: as f and had been that way. So he told

1179
01:03:20,720 --> 01:03:22,840
Speaker 1: k that that he is proud of him, and he

1180
01:03:22,960 --> 01:03:25,280
Speaker 1: told Top Dog you know what it is with og

1181
01:03:25,480 --> 01:03:27,400
Speaker 1: Chuck Homie, I studied the album and I'm proud of

1182
01:03:27,480 --> 01:03:30,400
Speaker 1: this ish. So that's good. That's some luck I can

1183
01:03:30,520 --> 01:03:34,040
Speaker 1: honestly say that I slept on the damn album Like

1184
01:03:34,160 --> 01:03:35,680
Speaker 1: I heard it and I thought I heard it and

1185
01:03:35,720 --> 01:03:37,560
Speaker 1: I thought it was dope. But I'm like, I'm just

1186
01:03:37,720 --> 01:03:40,240
Speaker 1: used to Kendrick being dope, right, So it didn't like

1187
01:03:40,440 --> 01:03:42,360
Speaker 1: it wasn't like a wild to me. But I was

1188
01:03:42,440 --> 01:03:44,560
Speaker 1: sitting in the call in Jersey City yesterday we was

1189
01:03:44,640 --> 01:03:46,120
Speaker 1: riding around listening to Camp. I'm like, you know what

1190
01:03:46,200 --> 01:03:47,880
Speaker 1: this album is, but I listen to it backwards though,

1191
01:03:47,920 --> 01:03:49,920
Speaker 1: because everybody kept telling me to listen to it backwards. Say,

1192
01:03:49,920 --> 01:03:52,680
Speaker 1: if you listen to it backwards, just like listening to

1193
01:03:52,760 --> 01:03:54,760
Speaker 1: it backward, it's like a whole different album. Really like

1194
01:03:54,920 --> 01:03:57,880
Speaker 1: the theme of it, okay, yeah, because it starts with

1195
01:03:58,000 --> 01:04:02,760
Speaker 1: Duckworth and then yeah. So I was like, it's a

1196
01:04:02,880 --> 01:04:05,160
Speaker 1: very dope album. I listened to some of that album

1197
01:04:05,240 --> 01:04:08,680
Speaker 1: at least like three songs every single day, So all right. Now.

1198
01:04:08,760 --> 01:04:11,320
Speaker 1: Brad Pitt did an interview with GQ magazine. It's his

1199
01:04:11,440 --> 01:04:14,960
Speaker 1: first extensive interview since they split up him and Angelina Jolie,

1200
01:04:15,320 --> 01:04:16,920
Speaker 1: and he said he's not going to let things get

1201
01:04:17,040 --> 01:04:19,040
Speaker 1: ugly in court because you know, they do have six

1202
01:04:19,160 --> 01:04:22,200
Speaker 1: kids together. He said, I just refuse and fortunately my

1203
01:04:22,360 --> 01:04:24,840
Speaker 1: partner in this agrees it's very, very jarring for the

1204
01:04:24,960 --> 01:04:28,400
Speaker 1: kids to suddenly have their family ripped apart now. He

1205
01:04:28,480 --> 01:04:31,160
Speaker 1: also said that he hasn't been drinking for the past

1206
01:04:31,360 --> 01:04:33,520
Speaker 1: six months, which is good because I guess he was

1207
01:04:33,560 --> 01:04:36,240
Speaker 1: having some issues with drinking. He said it was a

1208
01:04:36,280 --> 01:04:38,360
Speaker 1: period of time that he calls his stoner days. I

1209
01:04:38,360 --> 01:04:40,400
Speaker 1: wanted to smoke a joint with Jack and Snoop and Willie.

1210
01:04:40,440 --> 01:04:41,920
Speaker 1: You know, when you're a stoner, you get these really

1211
01:04:41,960 --> 01:04:44,480
Speaker 1: stupid ideas. I didn't want to indict the others, but

1212
01:04:44,520 --> 01:04:46,160
Speaker 1: I haven't made it to Willie yet, And he said

1213
01:04:46,200 --> 01:04:48,320
Speaker 1: he doesn't want to live that way anymore, and he

1214
01:04:48,480 --> 01:04:51,320
Speaker 1: isn't struggling with any regrets also, so that's good that

1215
01:04:51,400 --> 01:04:53,760
Speaker 1: he's opened up about things and made some changes in

1216
01:04:53,840 --> 01:04:55,160
Speaker 1: his life for the better, because when you do have

1217
01:04:55,320 --> 01:04:58,840
Speaker 1: six kids, that's a huge responsibility, and but you're will

1218
01:04:58,880 --> 01:05:00,760
Speaker 1: on your way to six kids you have. I got five.

1219
01:05:00,880 --> 01:05:02,840
Speaker 1: You know what, I didn't gonna lie a couple of

1220
01:05:02,920 --> 01:05:04,840
Speaker 1: times the last couple of days. My wife has been

1221
01:05:04,880 --> 01:05:07,280
Speaker 1: putting on some nice heels in the bedroom and and

1222
01:05:08,520 --> 01:05:10,760
Speaker 1: maybe we might well, you never know, we might. You

1223
01:05:10,840 --> 01:05:13,160
Speaker 1: need to start pulling out room. I try, but I can't.

1224
01:05:13,200 --> 01:05:16,920
Speaker 1: It's just too good. I can't. All right now, Floyd

1225
01:05:16,960 --> 01:05:19,760
Speaker 1: Mayweather is talking about why Condo MC record could actually

1226
01:05:19,880 --> 01:05:22,920
Speaker 1: win if they ever fought. You know, Floyd is forty

1227
01:05:23,040 --> 01:05:25,320
Speaker 1: years old now, and he brings that up as well.

1228
01:05:25,400 --> 01:05:27,400
Speaker 1: Here's what he had to say. I can't sit right

1229
01:05:27,440 --> 01:05:29,880
Speaker 1: here and knock kind of a great play. He went

1230
01:05:29,920 --> 01:05:32,120
Speaker 1: out there and done what he had to do to

1231
01:05:32,240 --> 01:05:34,360
Speaker 1: get to the point where he's at. So I'm not hither.

1232
01:05:34,640 --> 01:05:36,720
Speaker 1: It's a bad montham And I've been off for a

1233
01:05:36,800 --> 01:05:39,040
Speaker 1: couple of years, and I'm forty years old now, so

1234
01:05:39,240 --> 01:05:41,480
Speaker 1: I'm a lot older. I mean that could play a

1235
01:05:41,560 --> 01:05:43,320
Speaker 1: major key. We don't know. And he said he's had

1236
01:05:43,360 --> 01:05:46,600
Speaker 1: the hitter, so we'll just see your whore. Every time

1237
01:05:46,680 --> 01:05:51,400
Speaker 1: he goes out there and defeat fighters, he's standing up.

1238
01:05:51,720 --> 01:05:54,640
Speaker 1: So does he have a good chance upsetting Floyd Mayweather?

1239
01:05:55,000 --> 01:05:57,520
Speaker 1: I can't say, but anything can happen in this quarterbox.

1240
01:05:57,760 --> 01:05:59,840
Speaker 1: Who you think we're winning? Floyd Mayweather and kind of

1241
01:06:00,040 --> 01:06:03,760
Speaker 1: Gregor how to fight Floyd Foy. I mean Floyd should

1242
01:06:03,840 --> 01:06:05,720
Speaker 1: win because Floyd's the best defensive fight of all time.

1243
01:06:05,760 --> 01:06:07,680
Speaker 1: But I don't know why Floyd is even doing this fight.

1244
01:06:07,800 --> 01:06:09,960
Speaker 1: I think this is like, this is like when the Apollo.

1245
01:06:10,120 --> 01:06:12,320
Speaker 1: This is like when Apollo fought the Russian. Like, I

1246
01:06:12,360 --> 01:06:14,320
Speaker 1: don't think Floyd should play with his legacy like that,

1247
01:06:14,400 --> 01:06:18,560
Speaker 1: because I don't trust this retired out of retirement kinda

1248
01:06:18,640 --> 01:06:21,520
Speaker 1: might kick him, like kinda might grapple him to the ground.

1249
01:06:21,680 --> 01:06:25,360
Speaker 1: Like it's got to be you're not listening. It's got

1250
01:06:25,480 --> 01:06:27,240
Speaker 1: to be something in the contract that says if you

1251
01:06:27,360 --> 01:06:29,960
Speaker 1: touch me any other way other than boxing, you forfeit

1252
01:06:30,000 --> 01:06:32,120
Speaker 1: your money. Because I don't trust this guy absolutely, Why

1253
01:06:32,160 --> 01:06:34,840
Speaker 1: would you trust this guy? All right? But I'm angela Yean.

1254
01:06:35,000 --> 01:06:38,360
Speaker 1: That's your rumor report. Thank you, miss ye now shout

1255
01:06:38,520 --> 01:06:41,720
Speaker 1: to Revolt. We will see you guys tomorrow. Everybody else

1256
01:06:41,760 --> 01:06:43,480
Speaker 1: the People's Choice mixes up. Next. You want to hear

1257
01:06:43,560 --> 01:06:46,080
Speaker 1: something at dj MVY, get your request in right now

1258
01:06:46,160 --> 01:06:49,200
Speaker 1: and we absolutely positively got you. It's the Breakfast Luggle

1259
01:06:49,240 --> 01:06:49,479
Speaker 1: Morning