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Speaker 1: Listen to you every single day.

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Speaker 2: Breakfast club, God, Damny, the breakfast club.

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Speaker 3: What that ass up on a breakfast club?

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Speaker 2: Brady. They can't say breakfast club without the refless club.

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Speaker 3: You're like this rare air.

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Speaker 4: She got platforms and partners all over the place. Because

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Speaker 4: your man is so high, people want to be invested

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Speaker 4: with the breakfast block. I don't think white people know

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Speaker 4: how popular you guys are. DJ Envy just hilarious, Charlemagne

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Speaker 4: the God.

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Speaker 2: You guys really are like the hip hop early morning,

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Speaker 2: late night talk. Y'all know what you'all talking about.

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Speaker 5: From today?

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Speaker 2: Is it your time to get it off your chest?

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Speaker 6: Wait up, whether you're mad or blessed, time to get

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Speaker 6: up and get something.

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Speaker 4: Call up now eight hundred and five eighty five one

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Speaker 4: O five one. We want to hear from you on

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Speaker 4: the breakfast club.

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Speaker 7: Hello.

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Speaker 2: Who's this?

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Speaker 8: It's Jonathan?

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Speaker 2: Jonathan?

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Speaker 3: What up?

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Speaker 2: Get it off your chest? Bro?

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Speaker 5: I just call and tell you just hilarious and they

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Speaker 5: n be. I appreciate what y'all do. Y'all keep me

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Speaker 5: rolling out here in the morning, Tony's cause all right, that's.

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Speaker 2: What it is. We appreciate your service. Wait, do you

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Speaker 2: toe cars?

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Speaker 9: As far as you deliver them or you you pick

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Speaker 9: up cars with people that didn't pay their bill or tickets.

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Speaker 10: I'm repossession agent, damn it.

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Speaker 3: Okay, well, I appreciate that. We keep you going to

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Speaker 3: do that.

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Speaker 9: Now, if somebody's out there while you repossess them, you

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Speaker 9: give them a little shot or little chance and say

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Speaker 9: get out of here or you taking it.

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Speaker 5: I'll give them a chance to try to get the

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Speaker 5: stuff out of trying to call they finance company working

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Speaker 5: out before I take it. You know, sometimes you gotta

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Speaker 5: work with the people. Is you never know what they're going.

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Speaker 11: I ain't go front and it's a TV show on

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Speaker 11: I can't remember what channel, but.

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Speaker 3: Oh my god, yeah, I know what you're talking about.

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Speaker 9: But that is so interesting to see them. I think

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Speaker 9: it's in Baltimore, Philly. It's one of those areas. And

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Speaker 9: then people be fighting, y'all.

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Speaker 2: Miami.

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Speaker 9: In Miami, they be fighting y'all. They be swinging at y'all,

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Speaker 9: throwing stuff at y'all. See somebody pull out a gun

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Speaker 9: on one of y'all. You can say something, Miami.

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Speaker 3: Don't be trying to say that's bottom on us.

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Speaker 5: Oh yeah, someone just got shot down in Florida, m Florida.

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Speaker 2: Damnit man eight O three? What's happening? All right, we'll

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Speaker 2: be safe out there. Hea. Hey, Felicia, good morning, get

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Speaker 2: it off your chest?

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Speaker 12: Hey, good morning.

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Speaker 6: How you doing me?

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Speaker 12: I'm good, thank you.

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Speaker 10: Well.

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Speaker 12: I was actually just calling because there's a lot of

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Speaker 12: dads out here that actually take care of their kids,

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Speaker 12: and I just feel like you should be acknowledged for that.

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Speaker 12: And I want to because there's being out here to

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Speaker 12: actually take care of their kids. And then I would

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Speaker 12: like to sell my raggedy ass baby daddy under the

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Speaker 12: bus because he don't take care of our dad.

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Speaker 3: That's right.

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Speaker 2: Salute your raggedy ass baby daddy.

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Speaker 7: Man.

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Speaker 2: You know what I'm saying. I don't know what the

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Speaker 2: reasoning is when not taking care.

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Speaker 12: Of Give him a donkey for me, please.

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Speaker 11: I need to hear both sides, stop and shout all

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Speaker 11: the dads out there doing the right thing, taking care

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Speaker 11: of their kids and doing what they're supposed to be doing.

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Speaker 2: Salute all the dads.

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Speaker 7: Definitely, you, mam.

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Speaker 11: I need to hear both sides because he might call

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Speaker 11: up here and say that right, my raggedy ass baby

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Speaker 11: mama talks thembut I ain't doing nothing for my children.

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Speaker 2: Hello, who's this?

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Speaker 10: This is franky, But look I was calling Look check

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Speaker 10: this out. So I just bought a car. I don't

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Speaker 10: know what my look, kid is with car. In the

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Speaker 10: last ten years, I had nine cars. I done bought

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Speaker 10: a car twelve days ago. I wake up this morning,

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Speaker 10: it won't even start.

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Speaker 11: Oh wow, yeah, well, maybe you should go to a

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Speaker 11: dealership that offers a warranty.

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Speaker 2: My last here, Well you should have a warranty on

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Speaker 2: it then, right, yeah, yeah, no.

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Speaker 10: I gotta wait fromim. I gotta wait from it open up,

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Speaker 10: and I'm gonna take it right back to him, because like, look,

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Speaker 10: you know I paid for what I paid for twelve days.

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Speaker 10: That's not adding up.

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Speaker 2: Well yeah, but you should get Usually get it from

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Speaker 2: a dealership. They'll give you warranty.

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Speaker 11: If there's an issue or problem, they'll give you a

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Speaker 11: loan until they fix it.

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Speaker 10: Oh yeah, most definitely. I've been on it all morning.

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Speaker 10: I'm just you know, like.

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Speaker 8: Waiting to wake up.

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Speaker 10: But hey, look I can't wait to see y'all next month.

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Speaker 10: Ess hilarious. I'm so proud of you. Ain't about to

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Speaker 10: do anything. I actually once you've been on here, I

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Speaker 10: start from going back watching your movies and all that

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Speaker 10: stuff like that. You can't do anything. I'm very proudly

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Speaker 10: congratulations on the baby.

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Speaker 3: I appreciate you, babe. Stay away from them lemons.

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Speaker 10: All right, I'll be good.

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Speaker 11: Hello.

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Speaker 2: Who's this?

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Speaker 7: DJ Envy? Just Hilarry and Charlotte.

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Speaker 10: Made the dog Good morning.

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Speaker 2: Forever?

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Speaker 7: Man, I go hey, listen, man. You know I'll be

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Speaker 7: trying to call you know how that go? You know

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Speaker 7: how gonna stop? Listen, man, I just want to say

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Speaker 7: congratulations to you, justs on the pregnancy and receiving that

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Speaker 7: third spot as well deserved. And I also just want

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Speaker 7: to say, May God continue to bless your families, the

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Speaker 7: whole Breakfast Clumb family staff up there with great health

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Speaker 7: and much success. You know what I mean. But listen,

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Speaker 7: it's bar time, baby. Check it out, I said, listen,

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Speaker 7: taking time, just the outline, See what I got in place,

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Speaker 7: protecting my spaece through paragraph easy to day ten. Oh

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Speaker 7: g them bars fifty. They remember me taking time off

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Speaker 7: the slot. They call me contemporary. Take cover. Just got

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Speaker 7: a test, a type of simulation in your head these shots.

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Speaker 7: Then let examine the transportation. Why not the game is

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Speaker 7: the need of something that's threaded right. Too many water

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Speaker 7: down on that yo string and that puppet light from

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Speaker 7: sitting low, pull up slow, they claim in the next

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Speaker 7: to bloke, So I show him bookies, the vest and

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Speaker 7: how it's supposed to go on the bright lights.

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Speaker 10: I'm the best.

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Speaker 7: They ain't got nothing for me and knockdown shoot a

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Speaker 7: big shot. The visions of Rob Harley switching up on them.

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Speaker 7: The ninety's been real good to me, So for twenty

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Speaker 7: four I wrecked for gg and kolbe respectfully are Rob.

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Speaker 13: P it's so g.

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Speaker 2: I that balls? You got some balls?

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Speaker 10: Jesse?

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Speaker 2: You got some balls this morning?

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Speaker 3: Just no, I'm good you go, oh you go ahead.

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Speaker 11: I got some in a minute all one two one

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Speaker 11: two one two one two on O g Rob. Early

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Speaker 11: this morning, Charlemagne invited mad people to his d Now

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Speaker 11: it was a line outside.

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Speaker 2: But that ain't gonna beat.

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Speaker 3: Me, because Virginia, that's why when you were tell you.

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Speaker 11: Hold up wait a minute, like I'm meek s w V,

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Speaker 11: I'll make you weak. Don't like me. You can kiss

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Speaker 11: my cheeks. That's all I got.

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Speaker 2: Yes, cars, all right.

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Speaker 7: Y'all have a good week, and I appreciate y'all y'all love.

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Speaker 9: Brother, alright, get it off your chest eight hundred five

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Speaker 9: eight five one oh five one.

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Speaker 2: If you need event, let's discuss this the breakfast slug.

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Speaker 2: Good morning, the breakfast club.

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Speaker 4: Wait, this is your time to get it off your chest.

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Speaker 4: Eight hundred five eight five one o five one. We

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Speaker 4: want to hear from you on the breakfast club.

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Speaker 2: Hello, who's this? What's up?

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Speaker 8: Y'all?

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Speaker 5: What's up?

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Speaker 2: What's up?

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Speaker 12: Draft?

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Speaker 8: Yeah? What's up?

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Speaker 7: Draft?

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Speaker 10: Are you doing?

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Speaker 2: Baby?

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Speaker 3: Good morning?

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Speaker 8: Sure?

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Speaker 2: Drave? What up?

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Speaker 8: Says?

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Speaker 11: I see you still be lying under people comments? You

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Speaker 11: still delusion on hunh? You still delusion on hunh?

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Speaker 8: Happened?

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Speaker 7: Stop hating on my girl?

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Speaker 10: To leave my girl toe alone.

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Speaker 8: I'm talking.

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Speaker 2: I ain't talking about I'm talking about you Lyons, still

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Speaker 2: about Jake Cole.

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Speaker 13: Oh, you don't need to stop lying talking about this though,

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Speaker 13: jay Hole.

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Speaker 10: It's still the top rapper, top three, number one, true three,

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Speaker 10: not number two.

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Speaker 2: That's not true. Who I've been telling you is the

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Speaker 2: leading way. Who have I've been telling you is the

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Speaker 2: leader of the new school for this generation for forever.

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Speaker 8: Huh.

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Speaker 10: Sorry, let me tell you talking strong, I'm not distressing me.

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Speaker 13: I'm not distressing those straight men today, just say it, okay, man,

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Speaker 13: shout out to that gay hold, you know, showing song.

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Speaker 7: For letting us know it's still gay.

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Speaker 13: You know, it's still black music mane and I'm black

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Speaker 13: and I'm gay and I do music, So celebrating.

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Speaker 2: Me, okay, trap, okay, yes.

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Speaker 13: All right, and I'll say you missed it. You wasn't

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Speaker 13: here last week, but I called in and I was

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Speaker 13: denouncing some gaye and DJ MBS sixteen nine gay no more?

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Speaker 8: I denounced him, did Gaze?

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Speaker 2: And why why are you always on Stone? Like I know.

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Speaker 10: I'm announcing him too.

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Speaker 8: You're not getting no more.

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Speaker 10: We kick you out the l DBC community.

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Speaker 2: Damn. All right, Well if that's and be hung up

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Speaker 2: on your travel, I want you to know that yes

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Speaker 2: he did. He ain't learned nothing from yesterday with mister

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Speaker 2: Kirk Travis.

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Speaker 11: Okay, so with Sewan Stone, come on a Sean, Oh god,

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Speaker 11: here's you go.

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Speaker 8: Do this man? Good morning a trash.

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Speaker 14: Hey, listen, draft, I love that you represented for the Gates.

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Speaker 8: Okay, I'm gonna represent for the straight team.

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Speaker 14: Okay, Well, hey, try where you're going, Hey, trave where

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Speaker 14: you're going to be at the breakfast again I'm gonna

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Speaker 14: come up there and meet you. Man.

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Speaker 2: You want to get his kid, Sean, want to get.

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Speaker 10: His You gotta be.

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Speaker 2: Damn why you gotta call me?

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Speaker 7: What you are?

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Speaker 8: All right? All right?

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Speaker 10: Goodbye?

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Speaker 8: Traft.

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Speaker 11: I'm trying to think Traves mounted you out, Sean? He

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Speaker 11: talked to you crazy. What I'm showing all around your Wow?

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Speaker 8: You know why? You know why he talked to me

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Speaker 8: like that because I don't really care that he's here,

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Speaker 8: you know what I mean. But he's very disrespectful. I

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Speaker 8: don't be disrespecting him. And you want to meet him, right?

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Speaker 2: But what's up?

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Speaker 8: Traft?

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Speaker 2: Your nickname for him and his phone and your phone

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Speaker 2: is a young oxtail? Is that true?

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Speaker 8: I'm not even in his phone. What are you talking about?

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Speaker 8: But what up?

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Speaker 2: Sewing chest?

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Speaker 8: Hey, listen man, shout out to all the fathers out there,

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Speaker 8: and happy Father's Day. Man. We don't get a lot

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Speaker 8: of recognition out here.

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Speaker 2: Father's Day already passed.

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Speaker 7: And day, yeah, every day his Father's Day, boy, and

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Speaker 7: Mother's Day?

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Speaker 8: Can I quote? Can I quote something shoul man? Uh?

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Speaker 14: It says a real father never deprived his child from

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Speaker 14: being a part of his life. And a real father

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Speaker 14: is like a farmer that take care of all his

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Speaker 14: seeds with the same affection and intention for a positive brow.

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Speaker 8: Okay, you could.

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Speaker 2: Have wrapped that.

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Speaker 8: That was written by Ryan.

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Speaker 2: Huh, you could have wrapped that or something.

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Speaker 8: Bro.

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Speaker 2: There was no rhythm that.

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Speaker 8: Oh my goodness, Charlotte man, go check out the poetry online. Okay, yes, sir,

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Speaker 8: you're always shooting me down, brother.

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Speaker 2: Have a good well travels always.

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Speaker 7: Charlotmade always shooting me down.

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Speaker 2: Brother, I always shooting you up.

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Speaker 8: You know what I mean?

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Speaker 2: Which way you all right?

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Speaker 8: Man?

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Speaker 2: Leave show have a hard time. I say he loved it.

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Speaker 2: Where you excivent hits the poke.

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Speaker 11: Gas get it off your chest eight hundred and five

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Speaker 11: five one oh five one if you need to be

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Speaker 11: hit this up now.

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Speaker 2: It's the Breakfast Logan Wing, the Breakfast Club.

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Speaker 11: Want everybody is dj En v Jesse, Larry Charlamage the guy.

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Speaker 2: We are the Breakfast Club. We got a special guest

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Speaker 2: in the balance. Indeed, the brother tank some tank way here. Man,

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Speaker 2: look at young and young every time we see you.

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Speaker 4: Yeah, that's I use a good exfoliant. You know what

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Speaker 4: I'm saying.

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Speaker 2: Routine in the morning, you gotta face routine in the morning.

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Speaker 4: Well, I use my my wife's you know, beauty tools

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Speaker 4: and stuff. You know what I'm saying, Xena Foster beauty,

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Speaker 4: get over there, Gotta get you, gotta get you. Yeah,

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Speaker 4: I get you right. But that's about it, you know

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Speaker 4: what I'm saying.

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Speaker 2: A little dove there you go.

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Speaker 4: You know what I'm saying. I keep it clean.

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Speaker 2: Take always happy. Every time you see take happen.

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Speaker 9: Okay, wherever you see taking, if it's a club, if

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Speaker 9: it's out in the street.

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Speaker 4: Halfy mo listen, she's apparently been listening to my music.

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Speaker 4: So I feel good about that.

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Speaker 2: Take. Just somebody been in there.

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Speaker 4: And didn't get out. Ain't funny.

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Speaker 11: You know what I'm saying.

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Speaker 4: This is serious, that's really awesome. I'm really happy for you.

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Speaker 11: Do you make your movie, I mean, you make your

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Speaker 11: music for those those moments?

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Speaker 4: Yeah, yeah, that's I mean that was kind of a

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Speaker 4: point in the beginning. You know, like everything we do

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Speaker 4: is for the attention of a woman, or women for

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Speaker 4: that matter, depending on how you plan it, you know

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Speaker 4: what I'm saying. So for me musically, like I want

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Speaker 4: to be connected to as many of those moments as

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Speaker 4: humanly possible. I want to be responsible for bringing life

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Speaker 4: into the universe.

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Speaker 2: Have people.

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Speaker 4: The club I've met the kids, Yeah, no, I was

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Speaker 4: born because I've met I'm that old now you know

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Speaker 4: what I'm saying to where I've met the children the

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Speaker 4: offspring of my music. So I'm really proud of that.

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Speaker 9: Absolutely, I see it feels like R and B, especially

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Speaker 9: the nineties two thousands, R and B has picked up

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Speaker 9: a lot more.

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Speaker 2: Have you noticed that as well?

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Speaker 4: Absolutely, the feeling I was right, it's the feeling of

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Speaker 4: it is what's back people want to and it's what's

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Speaker 4: crazy is that. Of course, I give credit to the

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Speaker 4: women for keeping R and B in the main extreame

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Speaker 4: conversation right. They have been kicking ass and taking names, right,

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Speaker 4: But I gotta give some credit to hip hop, to

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Speaker 4: the sampling of.

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Speaker 2: All of this old R and.

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Speaker 4: B that they've been bringing back to the forefront and

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Speaker 4: making people take a deep dive into what those samples

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Speaker 4: are and rediscovering the original feelings and now desiring those things.

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Speaker 4: Give me some examples. I was just listening to Doja Cat.

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Speaker 2: Those just did it. She just had record with the

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Speaker 2: Troop record.

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Speaker 4: I mean, originally Michael Jackson five. But I remember the

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Speaker 4: first time you heard true shout out to Little Steve

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Speaker 4: and and like Chucky Booker and them like that type

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Speaker 4: of production. We don't even do that no more. So

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Speaker 4: you have to actually outsource it by going to the crates,

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Speaker 4: you know what I'm saying, and bringing that feeling back

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Speaker 4: and they don't know why it's connecting. We know because

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Speaker 4: we were there, but it's it's something about that frequent see.

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Speaker 4: It just makes you feel good, like.

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Speaker 3: Like your first you did it with yourself, with your

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Speaker 3: own music. You recreated I deserve and was it? No,

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Speaker 3: it was you recreated.

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Speaker 4: I did a well one of my own I deserve.

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Speaker 4: I was like, let me sample it for somebody else

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Speaker 4: sample it because they're gonna take all the money.

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Speaker 3: And then I know it was a Brian McKnight one

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Speaker 3: that you did, Chris Brown.

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Speaker 4: It was Brian originally Michelle and Degcello. Okay, you know

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Speaker 4: what I'm saying. So there there was that, and I

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Speaker 4: was like, you know what, I might as well get

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Speaker 4: in on this too, because we rarely do that. And

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Speaker 4: I was like, let me just tap into some old

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Speaker 4: and of course Brian me and I, you know, one

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Speaker 4: of my inspirations growing up and Michelle and deg Cello

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Speaker 4: is absolutely one of my favorites. So I just had

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Speaker 4: to get some of that.

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Speaker 2: I'm going to ask you man, that was one of

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Speaker 2: my quarters I have for you. Is R and B

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Speaker 2: music a sound or a feeling?

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Speaker 4: It's both. It's both because it's like the feeling is

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Speaker 4: express through the sounds, you know what I mean? Like

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Speaker 4: you like think about like Davante, like how was he

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Speaker 4: feeling when he made that when they were making joicy music?

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Speaker 8: Like what was he on?

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Speaker 4: You know what I'm saying. When when Casey says, take

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Speaker 4: my money, Jesus Christ, my house and house in my car.

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Speaker 4: You let him work, let him work. You gotta you

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Speaker 4: gotta mean that in order for it to resonate, like

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Speaker 4: like yes, you can take my money, my house in

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Speaker 4: my car for one hit of you.

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Speaker 2: I mean them to this day, to this day. I

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Speaker 2: mean now, but you don't hear that now out of

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Speaker 2: that soul and that feeling. That a slick way of

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Speaker 2: telling somebody, I'll give you the world.

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Speaker 4: Yeah yeah, but we moved into this, you know kind

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Speaker 4: of you know, simp and all of these things. When

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Speaker 4: it comes to taking care of women, I just think

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Speaker 4: then men are just they've they've been programmed to not

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Speaker 4: be vulnerable. You know what I'm saying, They've been programmed

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Speaker 4: to not to not cater. I don't know who started that.

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Speaker 4: You know what I'm saying. It ain't pimping, It ain't player.

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Speaker 4: You know what I'm saying, because all the pemps and

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Speaker 4: the players I grew up watching taking care that they women.

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Speaker 2: But when did it end? Like what era did it end?

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Speaker 9: Because even early trade songs was was singing his ass

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Speaker 9: off to the women, expressing his love.

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Speaker 11: I think when the RB singers started wanting to be rappers,

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Speaker 11: and when a lot of these RnB singers probably started

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Speaker 11: having sex with directors.

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Speaker 4: I don't even know what that means.

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Speaker 11: But not saying that, not saying that a man can't

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Speaker 11: make songs about another man and it'll still be a

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Speaker 11: love song, just saying I think that they started loving

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Speaker 11: on each other so much that they really.

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Speaker 2: Was on some f the women stuff. Yeah, and I

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Speaker 2: think I could have seen face like the no. But

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Speaker 2: I also think that, you.

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Speaker 4: Know, you know, with with the with the wanting to

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Speaker 4: be with hip hop's emergence, right, it became this really

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Speaker 4: cool thing that was taking over everything, the airwaves and radio,

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Speaker 4: the clubs and all of that. And so as R

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Speaker 4: and B artists getting left behind, we're trying to figure

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00:17:09,080 --> 00:17:12,320
Speaker 4: out how to compete and stay relevant. And so you

402
00:17:12,480 --> 00:17:15,760
Speaker 4: and the club and you, you know, you're decently hot artist,

403
00:17:16,200 --> 00:17:18,040
Speaker 4: but none of your songs are being played in here.

404
00:17:18,520 --> 00:17:21,400
Speaker 4: And all the songs are about bottles, and they're about cars,

405
00:17:21,480 --> 00:17:24,920
Speaker 4: and they're about money, and it's about it's not about women,

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Speaker 4: it's about and so it's like, and I got to

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Speaker 4: incorporate some of this into my music if I'm going

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Speaker 4: to survive in this new landscape. And so as we

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Speaker 4: took that turn, or as R and B took that

410
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Speaker 4: turn and never found its balance, I think it's the

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Speaker 4: DJ fault.

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Speaker 11: And I tell you why, because there used to be

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Speaker 11: a time when we was growing up in the clubs,

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Speaker 11: there would be a moment where the slow songs played. Yeah, absolutely,

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Speaker 11: but regardless, y'all don't turn down there everybody be on

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00:17:52,320 --> 00:17:53,040
Speaker 11: too much drugs.

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Speaker 2: Well yeah, I mean there was a time, and usually

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Speaker 2: it was at the end of the party. But now

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Speaker 2: it comes back. Now I have a set in the

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Speaker 2: middle of my part way.

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Speaker 11: I play R and B music in this and that's

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Speaker 11: usually the biggest part of it because people are singing,

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Speaker 11: they feel that that how it felt to be during

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Speaker 11: that time.

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Speaker 2: We got more with take when we come back, don't move.

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Speaker 2: It's to Breakfast Club. Good Morning, the Breakfast Club Morning.

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Speaker 11: Everybody's j En Vy, Jess, Larry Charlamage the guy we

428
00:18:19,680 --> 00:18:22,680
Speaker 11: are the Breakfast Club and tanks in the building, Jess.

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Speaker 3: What about to go on to with another og? Carl Thomas.

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Speaker 2: Carl Thomas one of the greatest R and B albums

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Speaker 2: of all time, not even close.

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Speaker 4: And people I've seen people ask me, you know, people

433
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Speaker 4: ask me why you know, why you choose Carl Thomas,

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Speaker 4: why you choose Carry Hilson. I'm like, you don't hear it.

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Speaker 11: Emotion is literally one of the greatest RMB albums. Like

436
00:18:42,600 --> 00:18:45,280
Speaker 11: you don't you don't top the bottom love making music,

437
00:18:45,320 --> 00:18:45,480
Speaker 11: you know.

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00:18:45,480 --> 00:18:46,760
Speaker 4: What I'm saying. Like when we down at them do

439
00:18:46,880 --> 00:18:48,639
Speaker 4: ops with My Girl are down and down in uh

440
00:18:48,760 --> 00:18:51,720
Speaker 4: in Miami, and then Carl Thomas records come on. It's

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00:18:51,800 --> 00:18:56,120
Speaker 4: a thing, absolutely really happens. Play some of them Carry

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Speaker 4: Hilson Records Like things happen.

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Speaker 3: Yeah.

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Speaker 4: I was like, first of all, I want to go

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Speaker 4: into my friends, I want to go toward people I like,

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Speaker 4: but then too, I want to I want to be

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Speaker 4: out there. It's an R and B money tour. I

448
00:19:05,280 --> 00:19:08,320
Speaker 4: want the catalog to be expensive, with some expensive catalogs,

449
00:19:09,040 --> 00:19:11,840
Speaker 4: you know, carry got Hot one hundreds. Carl Thomas has

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Speaker 4: timeless R and B.

451
00:19:15,960 --> 00:19:19,639
Speaker 3: Parties today right now with Summer Raine. They played that

452
00:19:20,280 --> 00:19:22,000
Speaker 3: at the top, in the middle of the party at

453
00:19:22,000 --> 00:19:24,000
Speaker 3: the end like they what And I grabbed him like

454
00:19:24,000 --> 00:19:26,760
Speaker 3: I don't care where I'm at, no karaoke even playing.

455
00:19:27,680 --> 00:19:31,280
Speaker 4: Let me give me a little come on, you gotta

456
00:19:31,280 --> 00:19:34,399
Speaker 4: pay for that Charlamagne has given us. He's blessed us with.

457
00:19:34,480 --> 00:19:41,640
Speaker 3: His storming Come on outside when she keeps me home.

458
00:19:42,280 --> 00:19:42,840
Speaker 3: That's my song.

459
00:19:42,960 --> 00:19:46,399
Speaker 2: That was.

460
00:19:49,280 --> 00:19:52,600
Speaker 11: My wife and college rocking with car Time Carl Thomas

461
00:19:52,640 --> 00:19:55,000
Speaker 11: emotional and Joe my name is Joe.

462
00:19:58,080 --> 00:20:00,760
Speaker 4: I gotta I gotta do a tour with Joe too. Yeah, man,

463
00:20:00,960 --> 00:20:01,640
Speaker 4: touring a song.

464
00:20:01,920 --> 00:20:02,359
Speaker 2: I love that.

465
00:20:02,720 --> 00:20:04,960
Speaker 4: People have been wanting that for quite some time. You

466
00:20:05,000 --> 00:20:06,760
Speaker 4: know what I'm saying, I get you. You know, Joe

467
00:20:06,880 --> 00:20:10,159
Speaker 4: likes to hide until it's time. You know what I'm saying, Like, well,

468
00:20:10,240 --> 00:20:12,080
Speaker 4: you know I'll be I'll be out playboy. You know

469
00:20:12,080 --> 00:20:13,159
Speaker 4: what I'm saying I'm a pop out of.

470
00:20:14,680 --> 00:20:17,680
Speaker 2: You mentioned everybody with TGD. I ain't no boy, no

471
00:20:17,720 --> 00:20:18,800
Speaker 2: tire reason genuine.

472
00:20:19,400 --> 00:20:22,920
Speaker 11: Yeah, but you was in the studio where I saw

473
00:20:22,960 --> 00:20:24,640
Speaker 11: you in the studio working on My Beautiful Pain.

474
00:20:25,680 --> 00:20:30,879
Speaker 4: Yeah, I think you know, I think we we're at

475
00:20:30,920 --> 00:20:34,040
Speaker 4: a great place, man, We're at a great place where

476
00:20:34,080 --> 00:20:39,639
Speaker 4: I think now we all everybody collectively sees the value

477
00:20:40,400 --> 00:20:44,800
Speaker 4: in what we are, in what we created. And it's again,

478
00:20:44,880 --> 00:20:48,320
Speaker 4: it's this resurgence of just that feeling of R and B.

479
00:20:48,600 --> 00:20:51,280
Speaker 4: So you got you got two guys from the nineties

480
00:20:51,600 --> 00:20:54,399
Speaker 4: who got classicalogs. You got me coming in from the

481
00:20:54,440 --> 00:20:57,879
Speaker 4: two thousands, who came came up under these guys, and

482
00:20:58,640 --> 00:21:01,840
Speaker 4: and people are hungry and thirsty for that. And so

483
00:21:01,960 --> 00:21:04,879
Speaker 4: you're going to see You're going to see some T

484
00:21:05,040 --> 00:21:09,359
Speaker 4: G T you know. Fortunately, thank god, you're gonna get

485
00:21:09,400 --> 00:21:12,359
Speaker 4: that album. I don't know if we have an album,

486
00:21:12,440 --> 00:21:15,080
Speaker 4: but we do have we do have a couple of

487
00:21:15,160 --> 00:21:17,720
Speaker 4: moments that we're that we're lining up that are going

488
00:21:17,760 --> 00:21:19,520
Speaker 4: to be very special. So that's all. That's all I

489
00:21:19,600 --> 00:21:21,720
Speaker 4: can really really say about that.

490
00:21:22,040 --> 00:21:23,960
Speaker 11: And I saw you the other night, man, I forgot

491
00:21:23,960 --> 00:21:25,760
Speaker 11: I don't know where y'all was at but Flavor Flav

492
00:21:26,000 --> 00:21:26,399
Speaker 11: was singing.

493
00:21:27,080 --> 00:21:29,320
Speaker 2: He was what was so I forgot what he was singing?

494
00:21:29,480 --> 00:21:32,560
Speaker 4: Was it we were honoring, they were honoring. I don't

495
00:21:32,600 --> 00:21:36,159
Speaker 4: want to get this wrong to be I don't remember

496
00:21:36,240 --> 00:21:38,440
Speaker 4: be there. I can't, I don't. I don't want to

497
00:21:38,440 --> 00:21:40,920
Speaker 4: mess up the name of the organization. Seana hit me.

498
00:21:41,320 --> 00:21:43,560
Speaker 4: It was like, we're honoring Jimmy jam and Terry Lewis,

499
00:21:44,240 --> 00:21:47,159
Speaker 4: and we need you to do what you do. And

500
00:21:47,240 --> 00:21:49,000
Speaker 4: I was like, cool, I mean you say Jimmy Jam

501
00:21:49,000 --> 00:21:49,520
Speaker 4: and Terry Lewis.

502
00:21:49,560 --> 00:21:50,160
Speaker 2: I'm in I don't.

503
00:21:50,160 --> 00:21:52,680
Speaker 4: I don't care what it is. And so we're honoring them,

504
00:21:52,840 --> 00:21:56,159
Speaker 4: and and and baby Face is there, and you know,

505
00:21:56,200 --> 00:21:58,560
Speaker 4: I don't want to pressure baby Face to sing, but

506
00:21:59,200 --> 00:22:02,560
Speaker 4: he's there, and I'm like, Babyface, if you want to sing,

507
00:22:03,480 --> 00:22:06,080
Speaker 4: you can, you don't have to. And they started playing

508
00:22:06,119 --> 00:22:08,000
Speaker 4: one of his songs and we were singing in faces

509
00:22:08,040 --> 00:22:11,000
Speaker 4: like na, na, let me let me handle that. He

510
00:22:11,119 --> 00:22:13,280
Speaker 4: started singing. Just Flavor Flav just came out of nowhere

511
00:22:13,680 --> 00:22:15,560
Speaker 4: and just started and just started singing.

512
00:22:15,680 --> 00:22:17,160
Speaker 2: You look surprised that you could hold an oak.

513
00:22:17,720 --> 00:22:20,840
Speaker 4: No, if that wasn't surprise, It was just like they

514
00:22:20,920 --> 00:22:21,439
Speaker 4: think about it.

515
00:22:21,600 --> 00:22:22,960
Speaker 2: Like, why did you take the mic from Babyface to

516
00:22:22,960 --> 00:22:23,480
Speaker 2: give it a flavor?

517
00:22:25,840 --> 00:22:30,560
Speaker 4: My thing is, Babyface is singing all right, and Flavor

518
00:22:30,680 --> 00:22:35,720
Speaker 4: flav has the gall and audacity to take the micro

519
00:22:36,359 --> 00:22:40,560
Speaker 4: to run up and started singing against the baby Face.

520
00:22:43,600 --> 00:22:45,680
Speaker 2: Why didn't you stop it? That's why the game need referees.

521
00:22:45,840 --> 00:22:47,920
Speaker 11: You supposed to stop that, right then you're big enough

522
00:22:47,960 --> 00:22:50,040
Speaker 11: to stopping polls at that moment.

523
00:22:51,280 --> 00:22:55,480
Speaker 4: Right, it only goes one way. It only looks like

524
00:22:55,680 --> 00:22:59,600
Speaker 4: disrespect in front of that many people. You know what

525
00:22:59,600 --> 00:23:02,880
Speaker 4: I'm saying, Like to now, it's now, it's flavor Flake.

526
00:23:02,960 --> 00:23:05,919
Speaker 4: He is flavor Flake. Let's not discredit him.

527
00:23:05,960 --> 00:23:06,840
Speaker 1: He is who he is.

528
00:23:07,520 --> 00:23:09,720
Speaker 4: And then I run up on him saying baby Face singing,

529
00:23:09,760 --> 00:23:13,000
Speaker 4: hold on right now, hold on, hold on, baby facing away.

530
00:23:13,640 --> 00:23:22,080
Speaker 4: Baby Face has to fight that battle. Listen, and don't

531
00:23:22,119 --> 00:23:24,960
Speaker 4: think that baby Face felt the way. He wouldn't have

532
00:23:25,119 --> 00:23:30,359
Speaker 4: handled it, Babyfaces, Listen. The songs are nice and soft

533
00:23:30,440 --> 00:23:34,040
Speaker 4: and meek. Baby Face is not. He's a nice guy,

534
00:23:34,080 --> 00:23:37,840
Speaker 4: but he's nobody sucker. I promise you if he felt

535
00:23:37,880 --> 00:23:40,520
Speaker 4: the way, and he would have and I was kind

536
00:23:40,560 --> 00:23:43,240
Speaker 4: of following his lead, the baby Face would have looked

537
00:23:43,320 --> 00:23:46,280
Speaker 4: like he wasn't feeling it. Then we would have handled

538
00:23:46,320 --> 00:23:47,880
Speaker 4: that way, but he was. It was all in good fun.

539
00:23:49,560 --> 00:23:51,800
Speaker 2: R and B money. The vault is out, vault say

540
00:23:51,880 --> 00:23:54,440
Speaker 2: it again. The vault is out right now, and we

541
00:23:54,560 --> 00:23:55,560
Speaker 2: appreciate you for joining.

542
00:23:55,760 --> 00:23:59,080
Speaker 4: Twenty six Yes, right, yeah, that's what's out right now

543
00:23:59,160 --> 00:24:02,200
Speaker 4: right now? Okay, are you gonna what do you? What

544
00:24:02,240 --> 00:24:03,480
Speaker 4: are you gonna do with this music?

545
00:24:03,800 --> 00:24:04,600
Speaker 2: You already know what I'm doing.

546
00:24:04,640 --> 00:24:06,440
Speaker 3: I got I can't ain't too much I can do

547
00:24:06,520 --> 00:24:08,840
Speaker 3: right now because I can't get pregnant twice and one.

548
00:24:09,000 --> 00:24:10,639
Speaker 2: You know how far along are you?

549
00:24:11,600 --> 00:24:12,040
Speaker 3: Five months?

550
00:24:12,040 --> 00:24:14,720
Speaker 1: I'm gonna be six five months? Yeah, that's a good time.

551
00:24:15,040 --> 00:24:19,840
Speaker 3: Yeah, I'm still I'm still money, still having.

552
00:24:21,240 --> 00:24:22,240
Speaker 2: I'm still moving a head.

553
00:24:23,119 --> 00:24:24,640
Speaker 8: Believe. Let me tell you something.

554
00:24:25,359 --> 00:24:26,240
Speaker 4: My wife is ragnant.

555
00:24:26,280 --> 00:24:30,199
Speaker 2: Some of the best, the best time, some of the best. Crazy.

556
00:24:35,560 --> 00:24:36,840
Speaker 4: It's something extra in there.

557
00:24:37,240 --> 00:24:38,680
Speaker 2: It is. Can I swim in your ocean?

558
00:24:42,600 --> 00:24:43,040
Speaker 10: That's right?

559
00:24:43,240 --> 00:24:48,080
Speaker 3: I know that people put on money. It's a skip.

560
00:24:48,320 --> 00:24:53,200
Speaker 4: It's like an ointment, all right, taut right now, it's

561
00:24:53,280 --> 00:24:55,040
Speaker 4: take It's the practice club.

562
00:24:55,080 --> 00:24:58,800
Speaker 2: Good morning morning. Everybody is d j en Vy just hilarious.

563
00:24:58,840 --> 00:25:01,199
Speaker 11: Charlamagne the Guy we all the breakfast club now if

564
00:25:01,200 --> 00:25:02,159
Speaker 11: you're just joining us.

565
00:25:02,440 --> 00:25:04,320
Speaker 2: I was talking to Jess in the other room.

566
00:25:04,640 --> 00:25:06,560
Speaker 11: Me and my wife do this podcast called the Casey

567
00:25:06,600 --> 00:25:09,119
Speaker 11: Crew Podcast, and on the last episode, I was talking

568
00:25:09,280 --> 00:25:12,600
Speaker 11: about how I felt when she was telling me about

569
00:25:12,800 --> 00:25:13,920
Speaker 11: the rolls, the sex toy.

570
00:25:14,000 --> 00:25:15,720
Speaker 2: Me and my wife talk about everything. One night went

571
00:25:15,760 --> 00:25:16,399
Speaker 2: bad and she was telling me.

572
00:25:16,440 --> 00:25:18,720
Speaker 11: She was like, look, one of my friends recommended this

573
00:25:18,920 --> 00:25:21,040
Speaker 11: rose and when I tried it, she was like, yo,

574
00:25:21,440 --> 00:25:23,040
Speaker 11: she said, it got to the point I had to stop.

575
00:25:23,119 --> 00:25:25,919
Speaker 11: It was going so my body was shaking, my fingernails

576
00:25:25,960 --> 00:25:27,800
Speaker 11: was shaky. She was like it was something I never seen,

577
00:25:27,880 --> 00:25:29,920
Speaker 11: like an out of body experience, and I felt a

578
00:25:29,960 --> 00:25:32,240
Speaker 11: way damn Like. I was like, word, I no doubt,

579
00:25:32,280 --> 00:25:33,520
Speaker 11: I'm going to sleep and she was like, Dad, you

580
00:25:33,560 --> 00:25:35,120
Speaker 11: ain't even ask me no questions. I said, I want

581
00:25:35,119 --> 00:25:35,560
Speaker 11: to ask them.

582
00:25:35,600 --> 00:25:37,359
Speaker 2: I mean you gave me all info. Yeah, I'm getting

583
00:25:38,359 --> 00:25:39,760
Speaker 2: so I kind of turned over and went to sleep,

584
00:25:40,280 --> 00:25:42,200
Speaker 2: and damn you turned it back to it. I definitely

585
00:25:42,240 --> 00:25:44,200
Speaker 2: turned my back. I definitely turned my back.

586
00:25:44,760 --> 00:25:46,399
Speaker 11: So we had a discussion and I was like, yo,

587
00:25:46,440 --> 00:25:48,560
Speaker 11: I feel a little way like I felt insecure and

588
00:25:48,680 --> 00:25:49,879
Speaker 11: kind of jealous of the rose.

589
00:25:50,520 --> 00:25:52,320
Speaker 9: So you know, the question is eight hundred and five

590
00:25:52,400 --> 00:25:54,480
Speaker 9: eight five one oh five one. Do people feel the

591
00:25:54,560 --> 00:25:56,680
Speaker 9: same way, like like I did, Like I even took

592
00:25:56,720 --> 00:25:57,360
Speaker 9: the batteries out.

593
00:25:57,800 --> 00:26:02,159
Speaker 3: Jesus, that is crazy. Now Chris has hidden my toys

594
00:26:02,320 --> 00:26:06,320
Speaker 3: like he hides them because he'll get in the bed,

595
00:26:06,640 --> 00:26:07,320
Speaker 3: want to be in the bed.

596
00:26:07,480 --> 00:26:09,000
Speaker 1: It won't be behind it. You know what I'm saying,

597
00:26:09,680 --> 00:26:10,640
Speaker 1: the toys you got in the bed?

598
00:26:11,560 --> 00:26:17,159
Speaker 3: All right, Listen, my dad and I are grown together.

599
00:26:17,320 --> 00:26:19,640
Speaker 3: So he understands I'm pregnant right now and nothing nothing

600
00:26:19,640 --> 00:26:21,040
Speaker 3: more than that dad to see.

601
00:26:22,000 --> 00:26:23,880
Speaker 1: So no, he's a truck driver.

602
00:26:24,000 --> 00:26:25,080
Speaker 3: He's gone most of the time.

603
00:26:25,280 --> 00:26:27,960
Speaker 2: And yeah, so he just hides them.

604
00:26:28,440 --> 00:26:30,440
Speaker 3: Yes, he's like, yo, you know I was going to

605
00:26:30,440 --> 00:26:32,520
Speaker 3: be home, like you can't put him up, like you

606
00:26:32,560 --> 00:26:33,080
Speaker 3: know what I'm saying.

607
00:26:33,400 --> 00:26:35,959
Speaker 2: So Solamon, you use him with your wife. First of all,

608
00:26:37,240 --> 00:26:39,280
Speaker 2: don't don't worry about what me and my wife do.

609
00:26:39,720 --> 00:26:42,639
Speaker 11: But I will tell you sensitive light skin individuals out there,

610
00:26:42,680 --> 00:26:43,520
Speaker 11: you sensitive light skin.

611
00:26:44,640 --> 00:26:45,199
Speaker 2: Yes, he is a.

612
00:26:47,680 --> 00:26:50,480
Speaker 11: Sex toys or tools and you know, same way you

613
00:26:50,600 --> 00:26:53,119
Speaker 11: need a wrench and a screwdriver and a hammer to

614
00:26:53,160 --> 00:26:55,240
Speaker 11: get things done around the house. It's the same with

615
00:26:55,359 --> 00:26:57,080
Speaker 11: sex toys, look at him as tools. Will get you

616
00:26:57,080 --> 00:26:58,480
Speaker 11: a little work belt, you know what I'm saying, a

617
00:26:58,520 --> 00:26:59,840
Speaker 11: little Batman utility belt.

618
00:27:00,040 --> 00:27:01,720
Speaker 2: Have you satisfy your pro two on it?

619
00:27:01,920 --> 00:27:04,120
Speaker 11: Have your g spot, tongue vibrated, you know what I'm saying,

620
00:27:04,320 --> 00:27:07,080
Speaker 11: have your rolls, have your cardless wan vibe okay, and

621
00:27:07,200 --> 00:27:07,800
Speaker 11: get the work.

622
00:27:07,880 --> 00:27:10,720
Speaker 1: I know that's get the damn basically describe his nights.

623
00:27:13,119 --> 00:27:15,320
Speaker 2: I know that the work. What's wrong with you?

624
00:27:15,400 --> 00:27:15,719
Speaker 8: All man?

625
00:27:16,400 --> 00:27:16,840
Speaker 2: Insecure?

626
00:27:16,960 --> 00:27:19,320
Speaker 11: A toys hiding battery like she don't got three backups?

627
00:27:21,720 --> 00:27:27,120
Speaker 11: He come in there, Leonard, the landscape, build her.

628
00:27:28,240 --> 00:27:30,520
Speaker 15: Melvin, good morning, good morning. How you're doing?

629
00:27:31,000 --> 00:27:33,040
Speaker 2: That's going on? What's what's your thoughts? Melbourn.

630
00:27:33,600 --> 00:27:36,800
Speaker 15: I wouldn't say I'm secure, but I do get upset

631
00:27:36,880 --> 00:27:39,879
Speaker 15: when she might promise me something of the day and

632
00:27:40,000 --> 00:27:42,440
Speaker 15: I found that to use her road, but then she'd

633
00:27:42,480 --> 00:27:43,000
Speaker 15: be good for the.

634
00:27:43,400 --> 00:27:43,840
Speaker 8: For the night.

635
00:27:43,880 --> 00:27:44,360
Speaker 15: You know what I mean.

636
00:27:44,480 --> 00:27:46,359
Speaker 3: Oh yeah, that's crazy.

637
00:27:46,440 --> 00:27:47,159
Speaker 2: So you get upset.

638
00:27:47,520 --> 00:27:49,320
Speaker 15: Yeah, I get upset because I'm like, you promised me

639
00:27:49,400 --> 00:27:51,400
Speaker 15: one thing, then you use you know what I'm saying,

640
00:27:51,440 --> 00:27:53,160
Speaker 15: your jon't promises?

641
00:27:55,160 --> 00:27:58,160
Speaker 2: Okay, thank you, Melvin. I'm with him on that jazz.

642
00:27:58,240 --> 00:27:59,040
Speaker 2: Good morning, jazz.

643
00:27:59,400 --> 00:28:00,840
Speaker 10: What's up, y'all? What's up?

644
00:28:02,520 --> 00:28:03,919
Speaker 2: What's your thoughts? Morning?

645
00:28:04,880 --> 00:28:09,119
Speaker 15: My thought it says, yes, me get the chore as

646
00:28:09,160 --> 00:28:11,520
Speaker 15: far as you're using the roads. I had the same

647
00:28:11,680 --> 00:28:15,120
Speaker 15: issue with an ex boyfriend of mine and the current

648
00:28:15,160 --> 00:28:16,919
Speaker 15: voice of mine. But I just decided not to use

649
00:28:17,000 --> 00:28:18,359
Speaker 15: the roads, just to not get it.

650
00:28:18,480 --> 00:28:19,640
Speaker 13: So they wait.

651
00:28:20,040 --> 00:28:22,720
Speaker 10: Ify. I see why you brought the topic up, because

652
00:28:22,800 --> 00:28:27,439
Speaker 10: they nick to do what y'all from yo.

653
00:28:28,080 --> 00:28:33,320
Speaker 15: Woman, You y'all take each other all the time back then, you.

654
00:28:33,359 --> 00:28:33,880
Speaker 4: Know what I think?

655
00:28:33,920 --> 00:28:34,280
Speaker 10: I wonder.

656
00:28:34,440 --> 00:28:36,720
Speaker 11: I wonder if men are getting jealous or if they

657
00:28:36,840 --> 00:28:39,120
Speaker 11: feel more so like the brother who just called Phil,

658
00:28:39,280 --> 00:28:43,200
Speaker 11: like once a woman does it, she don't want them anymore.

659
00:28:43,560 --> 00:28:47,000
Speaker 2: She doesn't you know, got her fization.

660
00:28:46,040 --> 00:28:47,880
Speaker 3: Is already for fell like that, it's already. You know

661
00:28:47,920 --> 00:28:48,320
Speaker 3: what I'm saying.

662
00:28:48,360 --> 00:28:50,600
Speaker 2: I wanted them more disappointed that they didn't get some

663
00:28:50,880 --> 00:28:52,360
Speaker 2: as opposed to being jealous.

664
00:28:53,360 --> 00:28:56,640
Speaker 1: Video yo, video, Oh yo?

665
00:28:56,760 --> 00:28:57,160
Speaker 15: What's up?

666
00:28:57,240 --> 00:28:57,440
Speaker 3: Man?

667
00:28:57,720 --> 00:28:58,040
Speaker 8: All right?

668
00:28:58,080 --> 00:29:01,480
Speaker 10: So I'm listening to you, right, do it?

669
00:29:01,760 --> 00:29:03,240
Speaker 15: I think you kind of looking at the wrong I

670
00:29:03,320 --> 00:29:05,560
Speaker 15: think instead of resistant a road.

671
00:29:05,640 --> 00:29:07,320
Speaker 10: You gotta look at it as part of the part

672
00:29:07,360 --> 00:29:12,040
Speaker 10: of the team, you know. Y'ah, y'all, that's right. You

673
00:29:12,080 --> 00:29:13,880
Speaker 10: gotta incorporate you to the whole situation.

674
00:29:14,720 --> 00:29:15,920
Speaker 15: Don't work out for your problem.

675
00:29:16,160 --> 00:29:19,320
Speaker 11: It's a tool, bro, it's a tool. Look at it

676
00:29:19,440 --> 00:29:22,040
Speaker 11: like it's a tool. Like you can't when you're around

677
00:29:22,120 --> 00:29:24,040
Speaker 11: the house. There's certain things you know, like when your

678
00:29:24,040 --> 00:29:24,760
Speaker 11: toilet called up?

679
00:29:24,800 --> 00:29:28,160
Speaker 2: What do you grab? You need a tool. Look at

680
00:29:28,200 --> 00:29:31,120
Speaker 2: these things as tools. Man, you're looking at it all wrong.

681
00:29:32,080 --> 00:29:33,040
Speaker 2: It's a tool, bro.

682
00:29:33,360 --> 00:29:33,640
Speaker 8: Pops.

683
00:29:33,680 --> 00:29:38,040
Speaker 11: What you say, just Alaris pops his head got come

684
00:29:38,080 --> 00:29:42,600
Speaker 11: to the mic. O G oh god, Michael, Ladies and gentlemen,

685
00:29:42,680 --> 00:29:45,720
Speaker 11: this is just Alarics poppy. He's spending the day with that.

686
00:29:45,760 --> 00:29:49,600
Speaker 6: Why would you because he's O GV what's happening.

687
00:29:52,600 --> 00:29:53,160
Speaker 2: He's America.

688
00:29:53,240 --> 00:29:55,160
Speaker 6: What I feel is, uh, I would be upset for

689
00:29:55,200 --> 00:29:56,800
Speaker 6: a while, but then I think it frees up time

690
00:29:56,880 --> 00:30:01,880
Speaker 6: for Sports Center. I never really watched the whole thing,

691
00:30:01,920 --> 00:30:03,920
Speaker 6: but I think that the rose asked to the element

692
00:30:04,040 --> 00:30:05,680
Speaker 6: is you can get to watch the front half and

693
00:30:05,760 --> 00:30:06,640
Speaker 6: the back half.

694
00:30:07,280 --> 00:30:09,760
Speaker 2: Because it gets things done so good. Yeah okay, okay,

695
00:30:09,840 --> 00:30:11,440
Speaker 2: I feel you're saying. I never look at it like that.

696
00:30:11,520 --> 00:30:14,440
Speaker 2: Oh yeah. Sometimes you can just get more dumpy yourself

697
00:30:14,520 --> 00:30:15,920
Speaker 2: you know I got you bowling.

698
00:30:16,880 --> 00:30:19,040
Speaker 3: Yeah, so you'll be tired more so like you just

699
00:30:19,120 --> 00:30:20,760
Speaker 3: like you tired. You know, sex all the time.

700
00:30:20,800 --> 00:30:23,280
Speaker 6: So it's like you you you appreciate the rules, like

701
00:30:24,080 --> 00:30:26,440
Speaker 6: maybe I can go first and let the rose finish up.

702
00:30:28,560 --> 00:30:28,840
Speaker 2: Versa.

703
00:30:28,920 --> 00:30:29,400
Speaker 8: You know, I just.

704
00:30:32,840 --> 00:30:35,160
Speaker 2: I think you should always let let the roads open

705
00:30:35,240 --> 00:30:36,200
Speaker 2: up for you, though, because.

706
00:30:35,960 --> 00:30:38,959
Speaker 11: Then you ensure she gets hurts. So if you get

707
00:30:39,040 --> 00:30:41,520
Speaker 11: in there, you know that, and it don't take one.

708
00:30:41,640 --> 00:30:44,960
Speaker 3: That's the problem. The rose takes care of all the rolls.

709
00:30:45,680 --> 00:30:47,560
Speaker 3: We were tired after the rose. It's like, all right,

710
00:30:47,640 --> 00:30:49,560
Speaker 3: so we know you never let the rules open up.

711
00:30:49,600 --> 00:30:52,880
Speaker 3: You let the ruse headline. Okay, okay, okay, the guy

712
00:30:52,960 --> 00:30:55,160
Speaker 3: opens up, and then you're doing a lot.

713
00:30:55,240 --> 00:30:58,760
Speaker 9: I know, I know, fie O five one if you're

714
00:30:58,800 --> 00:31:01,160
Speaker 9: just joining us. I was about me and my wife's podcast.

715
00:31:01,200 --> 00:31:02,920
Speaker 9: We have a podcast called the Caacy Crew podcast. We

716
00:31:02,960 --> 00:31:05,080
Speaker 9: were talking about one night. She was telling me about

717
00:31:05,080 --> 00:31:07,840
Speaker 9: the roles that one of her friends recommended to her.

718
00:31:07,960 --> 00:31:09,480
Speaker 9: She got it and she was like, the rolls was

719
00:31:09,640 --> 00:31:11,320
Speaker 9: this and that, and it made me feel the way

720
00:31:11,360 --> 00:31:13,040
Speaker 9: like it made me feel the way where I hit

721
00:31:13,080 --> 00:31:13,400
Speaker 9: the battle.

722
00:31:13,440 --> 00:31:16,000
Speaker 2: I just want one story and I just want one

723
00:31:16,800 --> 00:31:20,960
Speaker 2: of you actually satisfying your wife, just one past. I

724
00:31:21,040 --> 00:31:23,440
Speaker 2: need to start listening. Listen to the stories that you'll

725
00:31:23,520 --> 00:31:24,040
Speaker 2: be presenting.

726
00:31:25,560 --> 00:31:27,000
Speaker 8: Don't you.

727
00:31:30,680 --> 00:31:34,200
Speaker 11: Listen to them, because that's normal since you've been working here,

728
00:31:34,240 --> 00:31:35,000
Speaker 11: have you heard one?

729
00:31:39,360 --> 00:31:40,719
Speaker 2: I got six and sex stories?

730
00:31:40,800 --> 00:31:41,160
Speaker 8: All right?

731
00:31:41,760 --> 00:31:43,600
Speaker 2: That no success?

732
00:31:43,800 --> 00:31:45,320
Speaker 3: Yeah, don't play them?

733
00:31:45,440 --> 00:31:46,320
Speaker 1: Kids came out to deal.

734
00:31:46,480 --> 00:31:47,920
Speaker 2: That's right, success story.

735
00:31:48,160 --> 00:31:48,440
Speaker 8: Hello?

736
00:31:48,840 --> 00:31:50,640
Speaker 2: Hello, who's this y'all?

737
00:31:50,720 --> 00:31:53,240
Speaker 10: What up?

738
00:31:53,560 --> 00:31:54,040
Speaker 2: Talk to us?

739
00:31:54,120 --> 00:31:54,320
Speaker 8: Rio?

740
00:31:54,840 --> 00:31:55,000
Speaker 2: Man?

741
00:31:55,080 --> 00:31:58,080
Speaker 10: Look and bro, look, tell you you can't beat the machine. Bro.

742
00:31:58,160 --> 00:31:58,960
Speaker 8: You gotta join it.

743
00:32:00,160 --> 00:32:02,200
Speaker 10: You gotta join it, Bro, you can't. You can't beat

744
00:32:02,240 --> 00:32:04,520
Speaker 10: it here already. We gotta deal with it.

745
00:32:04,680 --> 00:32:07,040
Speaker 2: It's like AI. You ain't gonna be able to fight it.

746
00:32:07,200 --> 00:32:08,920
Speaker 8: Better learn to use it, man.

747
00:32:09,160 --> 00:32:11,120
Speaker 10: You gotta use it all her. Don't don't let her

748
00:32:11,320 --> 00:32:12,560
Speaker 10: use it on her stuff. You got to use it

749
00:32:12,640 --> 00:32:14,560
Speaker 10: on her. And you add to a little thing to it.

750
00:32:14,840 --> 00:32:16,800
Speaker 10: I'm telling you, bro, she can use it all she

751
00:32:16,920 --> 00:32:18,080
Speaker 10: want to, but she ain't gonna get this in in

752
00:32:18,160 --> 00:32:18,880
Speaker 10: sancty like you.

753
00:32:19,000 --> 00:32:19,480
Speaker 8: Use it on it.

754
00:32:19,600 --> 00:32:20,000
Speaker 10: You feel me.

755
00:32:20,080 --> 00:32:22,360
Speaker 11: And I'm glad you said that, my brother, because that's

756
00:32:22,360 --> 00:32:24,880
Speaker 11: why I keep saying it's a tool. When you when

757
00:32:24,960 --> 00:32:29,040
Speaker 11: you and that thing together are working is one. Now

758
00:32:29,080 --> 00:32:31,720
Speaker 11: you're really doing something, but see that.

759
00:32:32,080 --> 00:32:34,440
Speaker 3: No, you ain't really doing nothing but hurt none. You're

760
00:32:34,480 --> 00:32:37,360
Speaker 3: trying to kill the cat basically because what the rose

761
00:32:37,440 --> 00:32:40,720
Speaker 3: is designed to do, it's everything all in one already.

762
00:32:40,960 --> 00:32:43,840
Speaker 3: So you even use the rods to get you excited,

763
00:32:44,000 --> 00:32:46,240
Speaker 3: but don't go go all the way in. Let the

764
00:32:46,280 --> 00:32:49,000
Speaker 3: man finish, or you let the man and you ain't done.

765
00:32:49,080 --> 00:32:52,120
Speaker 3: And then you use the roads because you you only

766
00:32:52,200 --> 00:32:54,760
Speaker 3: you know your body. You know your body more than

767
00:32:54,800 --> 00:32:58,240
Speaker 3: the man. That thing is powered up, especially when especially

768
00:32:58,240 --> 00:33:00,280
Speaker 3: your joy the batteries is, you know, doing other.

769
00:33:00,200 --> 00:33:02,280
Speaker 2: Things while the roses working. You can be kissing on her.

770
00:33:02,240 --> 00:33:03,360
Speaker 1: Neck, yes like that.

771
00:33:03,680 --> 00:33:07,040
Speaker 3: Yeah, but if it's too much construction going on down there,

772
00:33:07,160 --> 00:33:09,240
Speaker 3: it will it will get destroyed.

773
00:33:09,680 --> 00:33:11,680
Speaker 2: So you gotta thing you handle the rest.

774
00:33:11,640 --> 00:33:14,440
Speaker 3: Because it's like seventeen modes and and then this, you

775
00:33:14,520 --> 00:33:18,840
Speaker 3: know it's and then the cycles.

776
00:33:19,200 --> 00:33:20,840
Speaker 1: So you don't want to beat it up like.

777
00:33:21,120 --> 00:33:24,400
Speaker 2: You'd be like dang and then be running seventeen.

778
00:33:26,600 --> 00:33:26,760
Speaker 4: Like this.

779
00:33:27,400 --> 00:33:31,080
Speaker 3: Yeah, but the power in that thing is crazy, so no,

780
00:33:31,360 --> 00:33:33,200
Speaker 3: just let her do it and then you yeah, like

781
00:33:33,240 --> 00:33:35,400
Speaker 3: you said, you kiss on her neck, get on the mood.

782
00:33:35,480 --> 00:33:38,480
Speaker 1: Talk to it because Roses can't talk roses roses, so

783
00:33:38,600 --> 00:33:39,720
Speaker 1: you have to talk to him.

784
00:33:39,840 --> 00:33:41,560
Speaker 9: But you know, you know what I feel disgusted about

785
00:33:42,080 --> 00:33:43,320
Speaker 9: the fact that you know what I have in my

786
00:33:43,400 --> 00:33:46,600
Speaker 9: mind Charlomagne walking around his bedroom, but ass nigga with

787
00:33:46,600 --> 00:33:47,440
Speaker 9: a utility.

788
00:33:49,200 --> 00:33:53,760
Speaker 2: On one side, rolls on one side three thousand. It

789
00:33:53,840 --> 00:33:55,520
Speaker 2: ain't no plugs in the back like that. Just you

790
00:33:55,600 --> 00:33:58,720
Speaker 2: know what discussed me, The fact that ain't orgasm in

791
00:33:58,800 --> 00:33:59,320
Speaker 2: ten years?

792
00:34:00,000 --> 00:34:03,040
Speaker 11: Okay told us that. Now you're telling us that she's

793
00:34:03,080 --> 00:34:05,120
Speaker 11: using a sex toy and you mad about that. Why

794
00:34:05,160 --> 00:34:06,400
Speaker 11: won't you let her be happy?

795
00:34:07,320 --> 00:34:07,680
Speaker 5: Okay?

796
00:34:10,560 --> 00:34:13,640
Speaker 11: You know what discussed me. You don't have one success story,

797
00:34:13,800 --> 00:34:19,760
Speaker 11: a million of you don't have one all the success stories, man, million,

798
00:34:20,120 --> 00:34:22,960
Speaker 11: I'm tired of you doing this. I'm laying yourself down.

799
00:34:22,840 --> 00:34:23,560
Speaker 3: On this craw.

800
00:34:26,160 --> 00:34:28,200
Speaker 16: Brother for years.

801
00:34:28,480 --> 00:34:30,120
Speaker 2: Million enough last year when.

802
00:34:30,080 --> 00:34:32,600
Speaker 11: When Real Love came out two years ago, I ain't

803
00:34:32,640 --> 00:34:35,640
Speaker 11: make my wife all gas mainteen years, I'm hiding my

804
00:34:35,719 --> 00:34:36,960
Speaker 11: wife batteries.

805
00:34:37,880 --> 00:34:39,840
Speaker 2: The die, you take the caps.

806
00:34:39,880 --> 00:34:41,799
Speaker 8: You doing this, you do what everybody.

807
00:34:43,040 --> 00:34:44,800
Speaker 2: You go crazy? This is crazy to me.

808
00:34:45,320 --> 00:34:48,040
Speaker 11: Your utility about that? I am because you know what

809
00:34:48,080 --> 00:34:49,480
Speaker 11: I want you to do. I want you to get

810
00:34:49,520 --> 00:34:51,319
Speaker 11: some get back. I act like it's your vibrator. Put

811
00:34:51,320 --> 00:34:54,640
Speaker 11: a little brown on the end of it. Make her jealous.

812
00:34:54,719 --> 00:34:55,000
Speaker 2: Back in.

813
00:35:00,120 --> 00:35:04,760
Speaker 4: Breakfast club, everybody.

814
00:35:04,480 --> 00:35:07,520
Speaker 9: Is DJ n V Jess hilarious, Cholamine the guy. We

815
00:35:07,640 --> 00:35:09,480
Speaker 9: are the breakfast club. You got a special guest in

816
00:35:09,520 --> 00:35:11,839
Speaker 9: the building, A good sister. Tiffany Hadish is back.

817
00:35:11,920 --> 00:35:13,000
Speaker 2: Welcome, he's booting.

818
00:35:13,120 --> 00:35:16,560
Speaker 1: Yeah, I'm feeling fantastic. How are you feeling?

819
00:35:16,640 --> 00:35:17,440
Speaker 2: God bless black and.

820
00:35:19,560 --> 00:35:20,160
Speaker 1: I feel good.

821
00:35:20,239 --> 00:35:20,600
Speaker 8: There you go.

822
00:35:20,960 --> 00:35:23,960
Speaker 2: Yeah, new book. I curse you with Joy. Talk to

823
00:35:24,040 --> 00:35:24,440
Speaker 2: me about it.

824
00:35:24,520 --> 00:35:26,600
Speaker 17: But you know it's funny. Everybody's called it, I curse

825
00:35:26,640 --> 00:35:28,480
Speaker 17: you with joy, but I call it it's at the

826
00:35:28,520 --> 00:35:30,080
Speaker 17: top of the page. If you look at the front

827
00:35:30,120 --> 00:35:33,000
Speaker 17: page and say, Tiffany Hattish, I curt you with joy?

828
00:35:33,200 --> 00:35:33,520
Speaker 8: Got you?

829
00:35:34,000 --> 00:35:35,600
Speaker 1: Yeah, I need to say that, But you can say

830
00:35:35,600 --> 00:35:36,319
Speaker 1: I cut you with joy.

831
00:35:37,080 --> 00:35:39,840
Speaker 2: You've been saying that since I've known you. You always

832
00:35:39,920 --> 00:35:41,640
Speaker 2: do that, like curse people with joy.

833
00:35:41,760 --> 00:35:43,840
Speaker 1: Yeah, because there's a lot of unhappy people.

834
00:35:44,400 --> 00:35:46,480
Speaker 17: And I mean, if you look at the Internet, you

835
00:35:46,520 --> 00:35:48,560
Speaker 17: can see it's a lot of like it's a lot

836
00:35:48,640 --> 00:35:52,120
Speaker 17: of hate and anger and sadness out there. And I could,

837
00:35:52,280 --> 00:35:54,600
Speaker 17: like you know, combat that with the same thing, or

838
00:35:54,640 --> 00:35:56,120
Speaker 17: I could say, you know what, I cut you with

839
00:35:56,200 --> 00:35:59,040
Speaker 17: some joy, because you obviously are not happy. So I'm

840
00:35:59,080 --> 00:36:02,880
Speaker 17: sharing some stories this book. It's a series of essays,

841
00:36:02,960 --> 00:36:06,440
Speaker 17: if you will. And then I'm sharing some dark things

842
00:36:06,480 --> 00:36:10,200
Speaker 17: about my existence and how I find the bright side

843
00:36:10,239 --> 00:36:10,400
Speaker 17: of it.

844
00:36:10,920 --> 00:36:12,680
Speaker 9: You know what got you to the point to write

845
00:36:12,719 --> 00:36:14,759
Speaker 9: the book? Was it a particular comment, was it something

846
00:36:14,800 --> 00:36:16,920
Speaker 9: that somebody said, or you just was all of the above?

847
00:36:17,480 --> 00:36:17,520
Speaker 14: No.

848
00:36:17,640 --> 00:36:20,160
Speaker 17: I had always wanted to do that because the first book,

849
00:36:20,560 --> 00:36:23,960
Speaker 17: Tiffany hottis the Last Black Unicorn. That first one I

850
00:36:24,080 --> 00:36:25,640
Speaker 17: had edited down when I had took a lot of

851
00:36:25,640 --> 00:36:28,560
Speaker 17: stuff out because it was too long. I don't like

852
00:36:28,640 --> 00:36:31,360
Speaker 17: super long, but I don't like them too long personally.

853
00:36:31,840 --> 00:36:33,480
Speaker 1: If I'm not gonna read it, why would I expect

854
00:36:33,520 --> 00:36:34,360
Speaker 1: somebody else to read it?

855
00:36:34,480 --> 00:36:34,600
Speaker 8: Right?

856
00:36:35,160 --> 00:36:38,360
Speaker 17: So I took a lot out. So on this next book,

857
00:36:38,800 --> 00:36:40,880
Speaker 17: I curse you with joy. All the stuff that I

858
00:36:40,920 --> 00:36:42,520
Speaker 17: had took out the first book I put in this

859
00:36:42,719 --> 00:36:46,520
Speaker 17: book plus more of the journey of being this you know,

860
00:36:47,040 --> 00:36:49,640
Speaker 17: shot out of a cannon star, I guess you would say.

861
00:36:50,239 --> 00:36:53,120
Speaker 17: And it's been it's been an interesting journey. You guys

862
00:36:53,160 --> 00:36:55,640
Speaker 17: have known me since the beginning of the journey. You

863
00:36:55,680 --> 00:36:57,640
Speaker 17: guys have seen the whole ups and downs and all

864
00:36:57,680 --> 00:37:00,520
Speaker 17: of that. I'm like, this is the craziest roller coaster.

865
00:37:00,640 --> 00:37:02,800
Speaker 17: And nobody gives you a manual on how to be famous.

866
00:37:03,120 --> 00:37:06,760
Speaker 17: Nobody gives you a manual on how to handle certain things.

867
00:37:07,080 --> 00:37:09,120
Speaker 1: And you have to figure that. You got to figure

868
00:37:09,120 --> 00:37:12,399
Speaker 1: it out, and it's it is hard. It is very hard,

869
00:37:12,440 --> 00:37:13,680
Speaker 1: but I'm having fun doing it.

870
00:37:13,800 --> 00:37:15,560
Speaker 2: What was the most difficult part, you said you figured

871
00:37:15,560 --> 00:37:15,799
Speaker 2: it out.

872
00:37:15,840 --> 00:37:18,120
Speaker 17: The most difficult part was not rolling up on somebody

873
00:37:18,160 --> 00:37:21,680
Speaker 17: and whipping the ass. Because I'm from the nineteen hundred

874
00:37:21,960 --> 00:37:24,640
Speaker 17: and we will show up to your mama house and

875
00:37:24,719 --> 00:37:27,080
Speaker 17: beat your ass. That's what it's like, the good old days.

876
00:37:27,120 --> 00:37:28,880
Speaker 17: You know, Oh you're talking, Okay, I'm gonna come over

877
00:37:28,920 --> 00:37:29,640
Speaker 17: there and beat you up.

878
00:37:30,160 --> 00:37:30,320
Speaker 4: You know.

879
00:37:30,640 --> 00:37:32,399
Speaker 3: When of my period come on and I got some time,

880
00:37:32,560 --> 00:37:34,879
Speaker 3: I will call people. I will make a phone call.

881
00:37:35,480 --> 00:37:39,279
Speaker 9: That you were Actually I guess you found an app

882
00:37:39,320 --> 00:37:41,200
Speaker 9: that you could actually find out where these people live

883
00:37:41,280 --> 00:37:41,959
Speaker 9: or find a number.

884
00:37:42,120 --> 00:37:43,960
Speaker 1: Yeah, yeah, you can find you can find people.

885
00:37:44,040 --> 00:37:44,160
Speaker 2: You know.

886
00:37:44,239 --> 00:37:46,360
Speaker 17: I used to be married to a private investigator, so

887
00:37:46,440 --> 00:37:47,680
Speaker 17: I know how to get in your business.

888
00:37:47,800 --> 00:37:48,360
Speaker 1: If I want to.

889
00:37:48,960 --> 00:37:51,680
Speaker 17: And so when the lady in the red dress show up,

890
00:37:51,760 --> 00:37:54,640
Speaker 17: I become a little evil and I'll be having time.

891
00:37:54,800 --> 00:37:57,600
Speaker 17: Sometimes sometimes I have time. So then I decided to

892
00:37:57,640 --> 00:38:00,840
Speaker 17: take that time to invest in it. People that like

893
00:38:00,920 --> 00:38:03,719
Speaker 17: to talk, and I'll just put your business out there,

894
00:38:03,800 --> 00:38:06,040
Speaker 17: not like docs you or nothing like that, but you

895
00:38:06,120 --> 00:38:09,400
Speaker 17: know I'll call you or I'll make comments on your

896
00:38:09,440 --> 00:38:11,560
Speaker 17: page and you won't know it's me, but i'll make

897
00:38:11,640 --> 00:38:14,000
Speaker 17: comments about you know, police recordsitions.

898
00:38:14,040 --> 00:38:16,160
Speaker 2: So when you call theseros, you calls in, this is

899
00:38:16,200 --> 00:38:17,520
Speaker 2: Tiffany Hattis. Yeah.

900
00:38:18,080 --> 00:38:20,680
Speaker 17: Yeah, I'll be like, is this blah blah blah and

901
00:38:20,719 --> 00:38:22,880
Speaker 17: they'd be like, yep, I'd be like this Tiffany Hatish.

902
00:38:22,880 --> 00:38:26,800
Speaker 1: They'd be like what nah what, No, No, this is

903
00:38:26,840 --> 00:38:27,480
Speaker 1: Tiffany Hattis.

904
00:38:27,600 --> 00:38:29,759
Speaker 17: I said, first of all, I want to say I

905
00:38:29,920 --> 00:38:32,759
Speaker 17: know you loved me because you spent three hours making

906
00:38:32,800 --> 00:38:33,200
Speaker 17: a video.

907
00:38:33,520 --> 00:38:36,239
Speaker 1: The video was three hours, so I know you spent at.

908
00:38:36,239 --> 00:38:40,240
Speaker 17: Least six editing it and all of that, like searching

909
00:38:40,320 --> 00:38:44,480
Speaker 17: for pictures and finally like thank you, I appreciate you,

910
00:38:44,960 --> 00:38:47,840
Speaker 17: or you know, I see your whole YouTube pages about me.

911
00:38:48,480 --> 00:38:50,680
Speaker 17: So I just wanted to say thank you, and I

912
00:38:50,760 --> 00:38:52,480
Speaker 17: wanted to let you know that I'm about to monetize

913
00:38:52,520 --> 00:38:55,960
Speaker 17: your videos because you know, you use something my content there,

914
00:38:56,000 --> 00:38:58,160
Speaker 17: so I'm gonna need to get paid too, And they'd

915
00:38:58,160 --> 00:39:00,640
Speaker 17: be like you crazy, ain't nobody this is you and no, no, no,

916
00:39:00,840 --> 00:39:03,280
Speaker 17: no no no, I'm not crazy. I'm not crazy.

917
00:39:03,280 --> 00:39:07,200
Speaker 1: I have endometriosis. And so I'll tell you I'm using it.

918
00:39:07,400 --> 00:39:09,320
Speaker 3: Yeah, I'm using it.

919
00:39:09,480 --> 00:39:12,759
Speaker 17: I'm using the energy towards something positive. So I just

920
00:39:12,840 --> 00:39:15,239
Speaker 17: wanted to let you know how I know you let me.

921
00:39:17,040 --> 00:39:18,920
Speaker 3: Therapeutic for you don't like in any way.

922
00:39:19,360 --> 00:39:19,719
Speaker 1: I don't know.

923
00:39:19,800 --> 00:39:22,000
Speaker 17: I've been therapy so long, I don't know. I don't

924
00:39:22,040 --> 00:39:23,520
Speaker 17: know if it was therapeutic. I felt like it was

925
00:39:23,600 --> 00:39:26,719
Speaker 17: more so informative for others, like it was my way

926
00:39:26,719 --> 00:39:30,880
Speaker 17: of sharing. For others, some parts are a little cathartic

927
00:39:31,000 --> 00:39:33,120
Speaker 17: or whatever, but for me, it was more so I

928
00:39:33,280 --> 00:39:35,200
Speaker 17: want people to know they're not the only person going

929
00:39:35,320 --> 00:39:38,640
Speaker 17: through what they're going through, like and just because somebody's

930
00:39:38,680 --> 00:39:42,640
Speaker 17: famous doesn't mean they're not a regular human being, and that.

931
00:39:42,760 --> 00:39:43,960
Speaker 1: There's not like bad days.

932
00:39:44,000 --> 00:39:47,200
Speaker 17: There's sometimes it's more bad days than good, especially like

933
00:39:47,600 --> 00:39:49,920
Speaker 17: I don't know, dealing with the Greek losing my grandma

934
00:39:50,040 --> 00:39:52,320
Speaker 17: really kind of just threw me for a loop. I

935
00:39:52,400 --> 00:39:54,000
Speaker 17: feel like my soul was like, look, we're gonna have

936
00:39:54,120 --> 00:39:56,200
Speaker 17: we don't have too many losses at this point, so

937
00:39:56,320 --> 00:39:57,719
Speaker 17: we're gonna have to sit down and deal with it.

938
00:39:57,760 --> 00:39:59,040
Speaker 17: And if you don't sit down and deal with it,

939
00:39:59,120 --> 00:40:01,400
Speaker 17: I'm I'm a ma. You do things, that's gonna have

940
00:40:01,440 --> 00:40:02,640
Speaker 17: to make you sit down and deal with it.

941
00:40:03,520 --> 00:40:05,560
Speaker 2: So was the Daddy issues chapter hard.

942
00:40:05,800 --> 00:40:08,360
Speaker 17: That was the hardest one. That was the hard That

943
00:40:08,560 --> 00:40:12,800
Speaker 17: was the hardest one because I realized, like, man, is

944
00:40:15,200 --> 00:40:18,080
Speaker 17: it's hard not having a dad. And then like when

945
00:40:18,760 --> 00:40:21,000
Speaker 17: I met my dad, it was like I was a

946
00:40:21,080 --> 00:40:24,240
Speaker 17: little girl all over again, and like I remember everything

947
00:40:24,280 --> 00:40:26,239
Speaker 17: about him, you know, even though I was three years

948
00:40:26,280 --> 00:40:27,319
Speaker 17: old the last time I saw him.

949
00:40:27,320 --> 00:40:29,759
Speaker 1: I remember how he smelled, I remember what he sound like.

950
00:40:30,400 --> 00:40:32,440
Speaker 17: Just hearing his voice, my whole soul lit up, like

951
00:40:32,600 --> 00:40:36,080
Speaker 17: nobody sound like my daddy. Nobody could be my daddy.

952
00:40:36,840 --> 00:40:37,120
Speaker 5: And so.

953
00:40:38,719 --> 00:40:40,920
Speaker 17: But there was years I was trying to find my dad, like,

954
00:40:41,480 --> 00:40:44,480
Speaker 17: you know, through other men and through whatever I was

955
00:40:44,560 --> 00:40:45,040
Speaker 17: doing stupid.

956
00:40:45,280 --> 00:40:45,759
Speaker 4: I was done.

957
00:40:45,880 --> 00:40:47,279
Speaker 17: And it's a lot of us out here like that.

958
00:40:47,840 --> 00:40:50,000
Speaker 17: But you can you can pull past all that and

959
00:40:50,280 --> 00:40:51,440
Speaker 17: grow and be successful.

960
00:40:51,440 --> 00:40:54,120
Speaker 2: You about to make me cry? Is it true? Women

961
00:40:54,200 --> 00:40:56,160
Speaker 2: really look for that? And men like do they look

962
00:40:56,200 --> 00:40:57,680
Speaker 2: like look for somebody that's like their daddy.

963
00:40:57,840 --> 00:40:58,200
Speaker 18: I don't know.

964
00:40:58,360 --> 00:40:59,680
Speaker 1: I don't know what other women looking for. I know

965
00:40:59,719 --> 00:41:01,279
Speaker 1: what I'm I was looking for it. I was looking

966
00:41:01,360 --> 00:41:01,560
Speaker 1: for it.

967
00:41:01,760 --> 00:41:05,160
Speaker 17: I was looking for like safety. I wanted to feel safe.

968
00:41:06,840 --> 00:41:11,279
Speaker 17: I wanted to feel like no fear. For so many

969
00:41:11,440 --> 00:41:12,640
Speaker 17: years growing up, it.

970
00:41:12,800 --> 00:41:15,520
Speaker 1: Was like every day was scary, you know, to be

971
00:41:15,680 --> 00:41:16,440
Speaker 1: scared every day.

972
00:41:17,040 --> 00:41:19,760
Speaker 17: So then to decide like I'm not gonna be scared

973
00:41:19,800 --> 00:41:22,440
Speaker 17: no more, and I'm gonna find somebody that's gonna do

974
00:41:22,600 --> 00:41:24,440
Speaker 17: this with me and protect me and love on me

975
00:41:24,560 --> 00:41:27,040
Speaker 17: and hold me, like take care of me and kiss

976
00:41:27,120 --> 00:41:30,399
Speaker 17: on me and tell me I'm doing good. But it's

977
00:41:30,440 --> 00:41:34,400
Speaker 17: hard to find. Also, I'm a little difficult. I'm sweet

978
00:41:34,440 --> 00:41:39,120
Speaker 17: though a little difficult. I want to do what I

979
00:41:39,200 --> 00:41:42,160
Speaker 17: want to do because I never that's part of I think,

980
00:41:42,960 --> 00:41:44,920
Speaker 17: not growing up with the fathers. Like I know how

981
00:41:44,960 --> 00:41:47,080
Speaker 17: to take orders and I know how to get things done.

982
00:41:47,120 --> 00:41:48,480
Speaker 17: If you ask me to do something, I'm gonna get

983
00:41:48,480 --> 00:41:50,000
Speaker 17: it done for you, but I'm gonna do it on

984
00:41:50,120 --> 00:41:52,520
Speaker 17: my time. When I feel like it. And if a

985
00:41:52,560 --> 00:41:54,120
Speaker 17: man's like I need you to call me when you

986
00:41:54,239 --> 00:41:55,359
Speaker 17: leave out of there. I want you to be here

987
00:41:55,400 --> 00:41:57,840
Speaker 17: at this time whatever if you not, if I'm not

988
00:41:57,880 --> 00:41:59,719
Speaker 17: getting a paycheck, I'm gonna show up when I feel

989
00:41:59,760 --> 00:42:01,040
Speaker 17: like it. I'm gonna be at your house when I

990
00:42:01,040 --> 00:42:02,759
Speaker 17: feel like coming to your house. You know That's I

991
00:42:02,800 --> 00:42:05,399
Speaker 17: think that's been the biggest issue, is like I don't

992
00:42:05,440 --> 00:42:07,560
Speaker 17: want to feel like I got an answer to this man.

993
00:42:08,200 --> 00:42:10,239
Speaker 3: So you've never had that type of relationship yet where

994
00:42:10,320 --> 00:42:12,919
Speaker 3: you would be like, Okay, I'm gonna let this man lead,

995
00:42:13,040 --> 00:42:16,440
Speaker 3: Like no one has ever shown you that they that.

996
00:42:16,760 --> 00:42:19,120
Speaker 17: I let men lead all the time. I let them lead.

997
00:42:19,239 --> 00:42:22,520
Speaker 17: But that don't mean I'm gonna follow all the way.

998
00:42:25,560 --> 00:42:29,879
Speaker 17: I'm gonna saying like this is not going I don't

999
00:42:29,920 --> 00:42:33,000
Speaker 17: feel safe. This don't feel safe. I'm not gonna be

1000
00:42:33,160 --> 00:42:34,759
Speaker 17: like you know what I'm saying, Like I need to

1001
00:42:34,840 --> 00:42:37,120
Speaker 17: feel safe. I need to feel like this is where

1002
00:42:37,480 --> 00:42:40,400
Speaker 17: I'm gonna be Like spiritually, I need to feel safe, emotionally,

1003
00:42:40,520 --> 00:42:44,080
Speaker 17: I need to feel safe, physically, I need to feel safe, financially,

1004
00:42:44,200 --> 00:42:46,200
Speaker 17: I need to feel safe and I and I don't

1005
00:42:46,239 --> 00:42:46,520
Speaker 17: need to.

1006
00:42:46,480 --> 00:42:47,759
Speaker 1: Be feeling like I'm being used.

1007
00:42:47,840 --> 00:42:50,120
Speaker 17: If I feel any type of way, I'm being used

1008
00:42:50,160 --> 00:42:51,680
Speaker 17: or manipulated in some kind of way.

1009
00:42:52,320 --> 00:42:53,080
Speaker 4: Uh what like?

1010
00:42:53,280 --> 00:42:53,320
Speaker 8: No?

1011
00:42:53,840 --> 00:42:55,520
Speaker 17: And if you're using me, tell me you using me

1012
00:42:55,600 --> 00:42:57,239
Speaker 17: so I could use you to like, Oh, I can

1013
00:42:57,320 --> 00:42:59,640
Speaker 17: help you use me better. I'm here to be used.

1014
00:42:59,680 --> 00:43:02,319
Speaker 17: We are here to be used for some purpose something right.

1015
00:43:02,719 --> 00:43:04,719
Speaker 17: But tell me what you're using me for and I

1016
00:43:04,840 --> 00:43:08,560
Speaker 17: might help you get it done better. Don't don't sneak it.

1017
00:43:08,640 --> 00:43:11,400
Speaker 17: Don't do it sneakily like think I'm stupid because I'm not.

1018
00:43:11,719 --> 00:43:13,440
Speaker 1: I might be. I might be setting you up to

1019
00:43:13,480 --> 00:43:13,719
Speaker 1: give it.

1020
00:43:14,320 --> 00:43:15,360
Speaker 2: Use me, don't misuse me.

1021
00:43:15,600 --> 00:43:17,239
Speaker 1: Yeah, use me, don't abuse me.

1022
00:43:18,120 --> 00:43:20,160
Speaker 9: We got more with Tiffany Hattish when we come back,

1023
00:43:20,239 --> 00:43:21,480
Speaker 9: don't move. It's the Breakfast Club.

1024
00:43:21,520 --> 00:43:24,719
Speaker 11: Good morning, wanting everybody your cej N V, Jesse Lari

1025
00:43:24,920 --> 00:43:27,160
Speaker 11: Charlamage the God. We are the Breakfast Club. We're still

1026
00:43:27,200 --> 00:43:29,879
Speaker 11: kicking it with Tiffany Hattish. Now it says you haven't

1027
00:43:29,920 --> 00:43:31,000
Speaker 11: been drinking in seven months?

1028
00:43:31,200 --> 00:43:32,160
Speaker 1: Has it been seven months?

1029
00:43:32,520 --> 00:43:32,560
Speaker 8: No?

1030
00:43:32,920 --> 00:43:35,920
Speaker 17: No, no, no, I haven't had sex since October. That's

1031
00:43:36,000 --> 00:43:40,680
Speaker 17: seven months. Oh that I said, drank since November twenty.

1032
00:43:40,880 --> 00:43:43,479
Speaker 17: When was the twenty third, Thanksgiving twenty third.

1033
00:43:44,160 --> 00:43:46,240
Speaker 2: Yeah, yeah, how was it affecting your comedy?

1034
00:43:46,239 --> 00:43:48,479
Speaker 9: You know sometimes when you look at comedians or even

1035
00:43:48,840 --> 00:43:51,840
Speaker 9: rappers actors, sometimes that's that's what they use because they

1036
00:43:51,960 --> 00:43:52,200
Speaker 9: used to it.

1037
00:43:52,239 --> 00:43:54,120
Speaker 2: They drink and they do a show. So the fact

1038
00:43:54,160 --> 00:43:56,200
Speaker 2: that you haven't drink it doesn't make your show. Is

1039
00:43:56,280 --> 00:43:58,640
Speaker 2: it easier? Is it more difficult? Are you seeing clear room?

1040
00:43:59,280 --> 00:44:02,759
Speaker 17: I see everything clear for sure. But I didn't really

1041
00:44:02,880 --> 00:44:06,640
Speaker 17: drink before shows. I will probably drink during, like while

1042
00:44:06,719 --> 00:44:08,719
Speaker 17: I'm on stage. I'm gonna have a drink while I'm

1043
00:44:08,760 --> 00:44:12,000
Speaker 17: on stage. But like before, No, I didn't smoke, no

1044
00:44:12,080 --> 00:44:14,200
Speaker 17: weed before, none of that, not before the show. But

1045
00:44:14,320 --> 00:44:16,120
Speaker 17: maybe by the second or third show at the night.

1046
00:44:16,200 --> 00:44:19,279
Speaker 17: I'm proud I probably need it because I started drinking

1047
00:44:19,320 --> 00:44:21,960
Speaker 17: on the first show. But I notice now like by

1048
00:44:22,040 --> 00:44:24,600
Speaker 17: the but if there's more than two shows in the night,

1049
00:44:24,680 --> 00:44:26,920
Speaker 17: by the end of that second show, I'm sleepy.

1050
00:44:27,880 --> 00:44:29,880
Speaker 1: I'm so tired. I'm so sleepy.

1051
00:44:29,880 --> 00:44:31,239
Speaker 17: I just want to go to bed, like I want

1052
00:44:31,280 --> 00:44:33,560
Speaker 17: to go to bed at ten o'clock, nine thirty, and

1053
00:44:33,719 --> 00:44:35,920
Speaker 17: you know, but comedy happens at night. And then I've

1054
00:44:35,960 --> 00:44:37,880
Speaker 17: been getting up super early in the morning working out,

1055
00:44:37,960 --> 00:44:40,440
Speaker 17: so I make sure I get my afternoon nap. If

1056
00:44:40,480 --> 00:44:42,719
Speaker 17: I'm getting on nap in the afternoon, I'm pretty much

1057
00:44:43,080 --> 00:44:44,960
Speaker 17: the rest of the evening. But I feel like my

1058
00:44:45,080 --> 00:44:47,439
Speaker 17: comedy is I've been listening to it because I record

1059
00:44:47,520 --> 00:44:49,399
Speaker 17: every set. I've been recording every set for the last

1060
00:44:49,520 --> 00:44:53,440
Speaker 17: like five years through my phones and my recording devices.

1061
00:44:53,440 --> 00:44:56,560
Speaker 17: And I was listening to like before my grandma died,

1062
00:44:57,000 --> 00:44:59,400
Speaker 17: how much joy was in my voice, and then like

1063
00:44:59,600 --> 00:45:02,239
Speaker 17: after my Grandma died, like I don't know, I'm about

1064
00:45:02,239 --> 00:45:08,560
Speaker 17: to like maybe when Jesus died. It was before Jesus death, see, yeah,

1065
00:45:10,719 --> 00:45:11,360
Speaker 17: before Grandma.

1066
00:45:12,160 --> 00:45:15,200
Speaker 1: I don't know, but yeah, bg ag Yeah.

1067
00:45:15,360 --> 00:45:17,880
Speaker 17: Anyways, I just noticed there's a big difference in like

1068
00:45:18,440 --> 00:45:20,880
Speaker 17: people like, oh, you're saying you look good, you feel good,

1069
00:45:21,040 --> 00:45:23,440
Speaker 17: like your energy is good. And I do feel good

1070
00:45:23,480 --> 00:45:25,000
Speaker 17: and I am happy for the most part. But I

1071
00:45:25,080 --> 00:45:27,880
Speaker 17: feel like this is huge grief hanging over me. Like

1072
00:45:28,000 --> 00:45:29,480
Speaker 17: I just feel like grief.

1073
00:45:30,680 --> 00:45:31,360
Speaker 3: Do you write on that?

1074
00:45:31,840 --> 00:45:32,080
Speaker 13: Yeah?

1075
00:45:32,239 --> 00:45:32,880
Speaker 1: I write on that.

1076
00:45:33,360 --> 00:45:35,560
Speaker 17: Yeah, I talk I talk about it on stage, like

1077
00:45:35,640 --> 00:45:37,759
Speaker 17: deal with my grief. Like some days it'd be so heavy.

1078
00:45:37,800 --> 00:45:39,840
Speaker 17: I'm like, oh, I gotta do something for Granny today,

1079
00:45:40,000 --> 00:45:42,360
Speaker 17: and I'll put a picture of her up in the backyard.

1080
00:45:42,480 --> 00:45:45,320
Speaker 17: I put on some music and I do rhythmic dance

1081
00:45:45,560 --> 00:45:48,680
Speaker 17: from gymnastics and with ribbons and stuff, and I dance

1082
00:45:48,719 --> 00:45:49,680
Speaker 17: around in my backyard.

1083
00:45:50,160 --> 00:45:54,160
Speaker 1: I hope nobody ever sees. It's just for my grandma.

1084
00:45:54,239 --> 00:45:57,080
Speaker 2: To god, we do you think you more focused alcohol?

1085
00:45:57,680 --> 00:46:00,520
Speaker 1: No, because I wasn't. I was drinking.

1086
00:46:00,560 --> 00:46:03,440
Speaker 2: It wasn't getting okay, you think about something now.

1087
00:46:09,120 --> 00:46:13,680
Speaker 1: I just had a flash my head and I'm just like,

1088
00:46:14,960 --> 00:46:16,319
Speaker 1: mediums my face.

1089
00:46:17,480 --> 00:46:18,080
Speaker 3: Stop smoking.

1090
00:46:20,120 --> 00:46:22,759
Speaker 1: Now I'm back smoking weed. I started smoking after my

1091
00:46:22,840 --> 00:46:23,359
Speaker 1: court date.

1092
00:46:25,160 --> 00:46:25,200
Speaker 8: Me.

1093
00:46:26,640 --> 00:46:28,080
Speaker 1: I'm not I'm not gonna drink no more.

1094
00:46:28,120 --> 00:46:31,640
Speaker 17: I probably will never drink alcohol again until like I'm

1095
00:46:31,680 --> 00:46:34,320
Speaker 17: engaged to get married, just so he could see like

1096
00:46:34,480 --> 00:46:39,080
Speaker 17: my full crazy yeah, like there's like no restriction.

1097
00:46:39,440 --> 00:46:42,000
Speaker 1: I feel like though I have more restrictions. I was

1098
00:46:42,160 --> 00:46:43,919
Speaker 1: like I was way too nice.

1099
00:46:44,760 --> 00:46:46,480
Speaker 17: I feel like when I would be drinking, I'd be

1100
00:46:46,520 --> 00:46:49,600
Speaker 17: way too nice, way too accommodating, probably way too loud

1101
00:46:49,600 --> 00:46:53,279
Speaker 17: because alcohol make you death. And I think I'm a

1102
00:46:53,320 --> 00:46:58,880
Speaker 17: little meaner now I'm quick to tell people no. Now, yeah, boundaries,

1103
00:46:59,000 --> 00:47:02,160
Speaker 17: I feel like boundaries mean no, it can't be. I

1104
00:47:02,239 --> 00:47:04,360
Speaker 17: know I'm protecting it. I'm protecting it.

1105
00:47:05,520 --> 00:47:07,319
Speaker 2: Had a conversation since she was on a club station.

1106
00:47:07,719 --> 00:47:11,799
Speaker 17: No, we have not had no conversation. We barely ever

1107
00:47:11,880 --> 00:47:14,560
Speaker 17: had a conversation ever. I've you know, tried to talk

1108
00:47:14,560 --> 00:47:15,920
Speaker 17: to her here and there or whatever, but no, we

1109
00:47:16,000 --> 00:47:18,080
Speaker 17: haven't had no conversation. I slid on her DM since

1110
00:47:18,120 --> 00:47:18,439
Speaker 17: she got.

1111
00:47:18,360 --> 00:47:20,120
Speaker 2: My number, if she checked, Oh you just sent her

1112
00:47:20,160 --> 00:47:20,800
Speaker 2: your number.

1113
00:47:21,600 --> 00:47:26,040
Speaker 17: I sit to a statement, Yeah, and here's my number

1114
00:47:26,080 --> 00:47:27,480
Speaker 17: two and here's my number. If you want to talk

1115
00:47:27,480 --> 00:47:28,279
Speaker 17: about it, what.

1116
00:47:28,320 --> 00:47:29,239
Speaker 2: Do you think? What do you think of that?

1117
00:47:29,520 --> 00:47:31,279
Speaker 11: The whole state of black comedy since the top of

1118
00:47:31,320 --> 00:47:33,080
Speaker 11: the year, It's like, since kat Wims did that interview,

1119
00:47:33,080 --> 00:47:35,399
Speaker 11: it feels like everybody just been kind of at each other.

1120
00:47:35,680 --> 00:47:38,200
Speaker 2: Like it's almost like you go to club just to

1121
00:47:38,280 --> 00:47:39,320
Speaker 2: get that other comedians.

1122
00:47:39,400 --> 00:47:40,560
Speaker 1: Yeah, I don't know about that.

1123
00:47:41,200 --> 00:47:44,719
Speaker 17: Godfrey didn't go at other time, Brell didn't go at

1124
00:47:44,760 --> 00:47:48,359
Speaker 17: other comedians just a little bit, just a little bit.

1125
00:47:48,440 --> 00:47:48,800
Speaker 3: I don't know.

1126
00:47:49,080 --> 00:47:51,040
Speaker 17: I feel like that's something we do in the club,

1127
00:47:51,640 --> 00:47:53,600
Speaker 17: Like if you got some beef with somebody, you like

1128
00:47:53,840 --> 00:47:55,520
Speaker 17: tell them to they face. I mean, I know I

1129
00:47:55,600 --> 00:47:58,239
Speaker 17: have I've definitely gone up to people in their face

1130
00:47:58,239 --> 00:48:01,000
Speaker 17: and said I don't like you or what you did

1131
00:48:01,080 --> 00:48:01,600
Speaker 17: was stuff.

1132
00:48:01,840 --> 00:48:03,640
Speaker 1: I ain't feeling that, Like I haven't had.

1133
00:48:03,560 --> 00:48:05,680
Speaker 17: To do it too often because there's not too many

1134
00:48:05,719 --> 00:48:08,160
Speaker 17: people that like really get on my nerves like that.

1135
00:48:08,880 --> 00:48:09,600
Speaker 1: Just a few people.

1136
00:48:10,280 --> 00:48:12,920
Speaker 17: I mean, that's comedy, like you're supposed to. It's a

1137
00:48:13,000 --> 00:48:14,960
Speaker 17: little challenge. But I don't know about doing it in

1138
00:48:15,000 --> 00:48:16,560
Speaker 17: front of the world like that. I don't know about

1139
00:48:16,560 --> 00:48:16,759
Speaker 17: all that.

1140
00:48:18,080 --> 00:48:22,480
Speaker 9: It was a bunch this weekend, I think a Netflix brunch. Yeah,

1141
00:48:22,520 --> 00:48:25,000
Speaker 9: I was dead, like everybody that was beefing with each

1142
00:48:25,000 --> 00:48:26,120
Speaker 9: other were all in the same room.

1143
00:48:26,280 --> 00:48:28,600
Speaker 1: Yeah, but you know what was crazy. You know what

1144
00:48:28,800 --> 00:48:29,160
Speaker 1: was crazy.

1145
00:48:29,239 --> 00:48:32,040
Speaker 17: We was outside, Okay, so we wasn't in the same room.

1146
00:48:32,120 --> 00:48:35,680
Speaker 17: We was outside and everybody was there, and Kat was

1147
00:48:35,760 --> 00:48:39,919
Speaker 17: there and he was looking very interesting. He was looking

1148
00:48:40,000 --> 00:48:42,680
Speaker 17: very interested, very shiny, and it was super cool, and

1149
00:48:43,000 --> 00:48:45,319
Speaker 17: he's talking to everybody, moving around, moving around the room

1150
00:48:45,400 --> 00:48:48,160
Speaker 17: and stuff, talking to everybody. And then as soon as

1151
00:48:48,320 --> 00:48:51,440
Speaker 17: Kevin got there, nobody could find Kat. I don't know

1152
00:48:51,480 --> 00:48:54,239
Speaker 17: where Kat went. But then he did perform live, but

1153
00:48:54,440 --> 00:48:55,880
Speaker 17: it was like one.

1154
00:48:56,000 --> 00:48:56,640
Speaker 2: In the afternoon.

1155
00:48:57,200 --> 00:48:58,640
Speaker 1: Yeah, the brunch started at.

1156
00:48:58,560 --> 00:49:01,239
Speaker 17: Twelve and then and then Kevin got there, like one

1157
00:49:01,680 --> 00:49:04,920
Speaker 17: one point thirty and then CAV was gone, did you

1158
00:49:04,960 --> 00:49:05,520
Speaker 17: speak the cat?

1159
00:49:05,800 --> 00:49:05,840
Speaker 2: No?

1160
00:49:07,040 --> 00:49:09,480
Speaker 1: No, I smiled and waved you cursed him with joy.

1161
00:49:11,080 --> 00:49:11,600
Speaker 1: He looked at me.

1162
00:49:11,840 --> 00:49:13,680
Speaker 17: I don't think he recognized me because I had a

1163
00:49:13,719 --> 00:49:15,680
Speaker 17: wig onso. I don't think he realized it was me.

1164
00:49:16,280 --> 00:49:18,759
Speaker 17: That's what I'm telling myself. Or he just was like,

1165
00:49:19,080 --> 00:49:21,120
Speaker 17: I ain't right now talk crazy too.

1166
00:49:21,600 --> 00:49:24,440
Speaker 11: But that's fine though. Yeah, everybody put their boundaries up.

1167
00:49:24,440 --> 00:49:27,279
Speaker 11: I rather y'all not speak than see each other in

1168
00:49:27,320 --> 00:49:28,440
Speaker 11: public and be crascinating.

1169
00:49:28,640 --> 00:49:30,680
Speaker 1: I wouldn't. First of all, I love me some cat.

1170
00:49:30,760 --> 00:49:31,799
Speaker 1: Me and cat ain't got no beef.

1171
00:49:31,880 --> 00:49:33,800
Speaker 17: I mean, he do like saying my name, and I

1172
00:49:33,840 --> 00:49:36,560
Speaker 17: think it's because my name garnishes clicks for some reason,

1173
00:49:36,960 --> 00:49:39,239
Speaker 17: especially if you say like one negative thing around my name.

1174
00:49:39,280 --> 00:49:40,960
Speaker 1: Everybody's clicking on like, oh what she do?

1175
00:49:41,080 --> 00:49:41,799
Speaker 4: Now? What you do? Now?

1176
00:49:41,880 --> 00:49:42,440
Speaker 1: What you do now?

1177
00:49:42,920 --> 00:49:45,440
Speaker 17: So like, and I think he knows that he's a genius,

1178
00:49:46,000 --> 00:49:47,880
Speaker 17: so he's like, Okay, what's gonna get me the clicks?

1179
00:49:47,880 --> 00:49:50,200
Speaker 17: What's gonna get there? You know, she's just randomly say

1180
00:49:50,239 --> 00:49:52,560
Speaker 17: my name and don't say something else, just to they

1181
00:49:52,640 --> 00:49:56,040
Speaker 17: adish and live aftery and then let me tell you

1182
00:49:56,080 --> 00:50:03,560
Speaker 17: about this Kenny. He's like, he's like, I'm the one

1183
00:50:03,600 --> 00:50:05,680
Speaker 17: that put her on she was in school dance with me.

1184
00:50:05,800 --> 00:50:08,320
Speaker 17: And I'm like, I never said that you that you

1185
00:50:08,400 --> 00:50:10,480
Speaker 17: didn't put me on it that you did. But Nick

1186
00:50:10,560 --> 00:50:13,040
Speaker 17: Cannon did put me in school dance for that road,

1187
00:50:13,280 --> 00:50:14,360
Speaker 17: not Cat Williams.

1188
00:50:14,440 --> 00:50:15,840
Speaker 1: But we did kill that together.

1189
00:50:16,320 --> 00:50:18,400
Speaker 17: Like we did that together and that was awesome, and

1190
00:50:18,520 --> 00:50:21,440
Speaker 17: it's like a viral moment online and I love kat.

1191
00:50:21,480 --> 00:50:23,400
Speaker 17: I sent him a script and he's like, we got

1192
00:50:23,640 --> 00:50:25,359
Speaker 17: we gotta work on that, writing on that script. Okay,

1193
00:50:25,440 --> 00:50:26,839
Speaker 17: let's work on Like who do you want to write?

1194
00:50:26,920 --> 00:50:29,359
Speaker 17: Like whatever, Like, let's make it happen, Let's make a movie.

1195
00:50:29,840 --> 00:50:29,880
Speaker 8: Like.

1196
00:50:30,080 --> 00:50:30,640
Speaker 2: I love him.

1197
00:50:30,719 --> 00:50:31,920
Speaker 1: I think he's super talented.

1198
00:50:32,200 --> 00:50:33,880
Speaker 2: It is strange when people try you do get on

1199
00:50:33,920 --> 00:50:34,600
Speaker 2: my mother nerves.

1200
00:50:34,680 --> 00:50:35,000
Speaker 1: Sometimes.

1201
00:50:35,160 --> 00:50:38,279
Speaker 2: It is strange when people act like you didn't you

1202
00:50:38,360 --> 00:50:40,719
Speaker 2: didn't come come up, come up like everybody else like

1203
00:50:40,840 --> 00:50:43,080
Speaker 2: you was in the comedy clubs, you busted your ass,

1204
00:50:43,160 --> 00:50:43,719
Speaker 2: you did all that.

1205
00:50:43,920 --> 00:50:46,040
Speaker 17: Yeah, I mean, can't put me out, can't put me

1206
00:50:46,080 --> 00:50:50,320
Speaker 17: out the club Tollywood Parkersino. I was underage and he

1207
00:50:50,480 --> 00:50:53,360
Speaker 17: was doing the Hollywood Parkasino every week and I was

1208
00:50:53,400 --> 00:50:54,640
Speaker 17: too young to be in there and he put me

1209
00:50:54,719 --> 00:50:57,359
Speaker 17: out like you ain't got nobody, you can't be in here,

1210
00:50:57,480 --> 00:50:58,520
Speaker 17: and like you put me out there.

1211
00:50:58,600 --> 00:50:59,879
Speaker 1: Finally I got an eye.

1212
00:51:00,040 --> 00:51:02,279
Speaker 17: You know, I was old enough and uh he let

1213
00:51:02,360 --> 00:51:04,920
Speaker 17: me perform and then he commenced to roast to me

1214
00:51:05,000 --> 00:51:07,480
Speaker 17: for like probably twenty minutes after I got off stage,

1215
00:51:07,840 --> 00:51:09,040
Speaker 17: and I felt so proud.

1216
00:51:09,080 --> 00:51:11,480
Speaker 1: I was like, God, William is this talking about?

1217
00:51:11,560 --> 00:51:17,000
Speaker 17: He was roasting me back then? He roasted me, and

1218
00:51:17,080 --> 00:51:18,920
Speaker 17: I'm like, do you remember this? He's like, not too

1219
00:51:18,920 --> 00:51:21,200
Speaker 17: many I remember this. I showed him a picture. He

1220
00:51:21,320 --> 00:51:25,360
Speaker 17: was like, oh, that was your skinny app So I

1221
00:51:25,480 --> 00:51:26,120
Speaker 17: felt honored.

1222
00:51:26,440 --> 00:51:26,600
Speaker 10: You know.

1223
00:51:26,920 --> 00:51:29,759
Speaker 17: It's funny because some people don't even like I remember them,

1224
00:51:29,800 --> 00:51:31,880
Speaker 17: but they don't remember me. They like, no, we just

1225
00:51:32,000 --> 00:51:35,480
Speaker 17: met today. I'm like, no, we met back in two

1226
00:51:35,600 --> 00:51:38,279
Speaker 17: thousand and one at this place and they're like no.

1227
00:51:38,600 --> 00:51:40,200
Speaker 17: And then I show him a picture and they're like, oh,

1228
00:51:40,600 --> 00:51:42,239
Speaker 17: you were calling me, but now you're nice.

1229
00:51:42,280 --> 00:51:42,799
Speaker 1: So I cool.

1230
00:51:43,239 --> 00:51:45,160
Speaker 2: We got more with Tiffany hats when we come back.

1231
00:51:45,200 --> 00:51:47,480
Speaker 9: It's the Breakfast Club the morning wan did everybody get

1232
00:51:47,520 --> 00:51:50,800
Speaker 9: on the Breakfast Club? We're still kicking it with Tiffany Hattish.

1233
00:51:51,080 --> 00:51:54,279
Speaker 9: Uh huh uh a lot going on, Drake, Kendrick, what

1234
00:51:54,480 --> 00:51:57,480
Speaker 9: you got to ask what goes to the court.

1235
00:52:05,920 --> 00:52:09,279
Speaker 17: I'm a Jewish business woman and I'm about what's entertaining.

1236
00:52:09,880 --> 00:52:12,359
Speaker 17: And if I'm going with the entertainment factor of it all,

1237
00:52:12,719 --> 00:52:15,920
Speaker 17: Kendrick is killing that ass. Like I am, very entertained.

1238
00:52:15,960 --> 00:52:18,640
Speaker 17: He got all the good punchlines. Drake got good punchlines

1239
00:52:18,680 --> 00:52:20,279
Speaker 17: and all that too. And I just want to give

1240
00:52:20,480 --> 00:52:23,680
Speaker 17: Drake you doing a good job. I'm proud of you because.

1241
00:52:23,480 --> 00:52:25,840
Speaker 1: You know he's sensitive. He went off on me before.

1242
00:52:25,920 --> 00:52:26,480
Speaker 10: He said.

1243
00:52:28,760 --> 00:52:33,320
Speaker 1: No, not in my DMS, in my face. He told me,

1244
00:52:33,840 --> 00:52:36,640
Speaker 1: he told me I didn't like that. That hurt my feelings.

1245
00:52:36,680 --> 00:52:37,080
Speaker 5: What is that?

1246
00:52:37,280 --> 00:52:40,360
Speaker 17: I'm sorry, I will talk I will not talk about

1247
00:52:40,400 --> 00:52:42,480
Speaker 17: that no more. Although I did tell you I was

1248
00:52:42,520 --> 00:52:45,160
Speaker 17: gonna talk about that, and he said it hurt his feelings,

1249
00:52:45,400 --> 00:52:46,560
Speaker 17: and I said, okay, I'm sorry.

1250
00:52:47,040 --> 00:52:48,000
Speaker 2: What did you talk about him?

1251
00:52:48,040 --> 00:52:49,120
Speaker 1: I talked about how his daddy.

1252
00:52:49,120 --> 00:52:50,480
Speaker 17: I told him I wasn't gonna talk about it no more,

1253
00:52:50,480 --> 00:52:53,239
Speaker 17: but I'm gonna talk about him his daddy. His dad

1254
00:52:53,320 --> 00:52:55,680
Speaker 17: be trying to Yeah, his daddy be trying to holler.

1255
00:52:55,719 --> 00:52:57,400
Speaker 17: He don't like that, I said, I much rather be

1256
00:52:57,680 --> 00:52:59,839
Speaker 17: your baby mama than your step mama.

1257
00:53:00,520 --> 00:53:02,600
Speaker 3: Ain't like that hurt his feelings.

1258
00:53:02,719 --> 00:53:04,600
Speaker 2: That hurt his feeling That's kind of like playing hating

1259
00:53:04,640 --> 00:53:06,160
Speaker 2: on your daddy though a little bit right, like why

1260
00:53:06,200 --> 00:53:08,000
Speaker 2: you caught blocking your daddy if your daddy trying to

1261
00:53:08,000 --> 00:53:08,719
Speaker 2: holler while you mad.

1262
00:53:09,040 --> 00:53:11,000
Speaker 1: I don't want to like it. I like his dad,

1263
00:53:11,080 --> 00:53:11,719
Speaker 1: but not like that.

1264
00:53:14,840 --> 00:53:15,320
Speaker 2: His feelings.

1265
00:53:16,880 --> 00:53:21,160
Speaker 1: Because I talked about it on stage. I talked about it.

1266
00:53:21,360 --> 00:53:23,000
Speaker 3: There was a lot of commodating to you that then

1267
00:53:23,160 --> 00:53:24,880
Speaker 3: since you talked about it on stage and it got

1268
00:53:24,920 --> 00:53:28,200
Speaker 3: back to him, it's like his daddy's interesting.

1269
00:53:28,520 --> 00:53:29,080
Speaker 14: But no, the.

1270
00:53:30,800 --> 00:53:33,520
Speaker 1: No any interesting.

1271
00:53:33,560 --> 00:53:33,600
Speaker 14: No.

1272
00:53:33,680 --> 00:53:35,720
Speaker 17: I see him at different events and stuff in different

1273
00:53:35,840 --> 00:53:37,719
Speaker 17: like he'd be at Jewish stuff and all that. His

1274
00:53:37,840 --> 00:53:39,560
Speaker 17: daddy be around, Like I don't know if you're looking

1275
00:53:39,600 --> 00:53:41,680
Speaker 17: for his next Jewish back mama, what, but he ben

1276
00:53:41,800 --> 00:53:42,320
Speaker 17: be outside.

1277
00:53:42,880 --> 00:53:47,480
Speaker 1: He'd be outside. So but as far as the beef goes, uh,

1278
00:53:47,800 --> 00:53:50,279
Speaker 1: the rap battle, I'm loving it. I'm here for it.

1279
00:53:50,640 --> 00:53:52,360
Speaker 1: I think I'm so proud of Kendrick.

1280
00:53:52,400 --> 00:53:56,160
Speaker 17: I'm so proud of him, Like, uh, he's killing it

1281
00:53:56,280 --> 00:53:58,560
Speaker 17: and he's like in the lap just bringing it in

1282
00:53:58,880 --> 00:54:02,440
Speaker 17: the punchlines. They like he's killing it. I'm proud of him,

1283
00:54:02,520 --> 00:54:05,040
Speaker 17: and I'm proud of Drake too. He has an airplane.

1284
00:54:06,880 --> 00:54:07,719
Speaker 1: An airplane.

1285
00:54:08,200 --> 00:54:10,080
Speaker 17: Now, I think it's a little they're getting a little

1286
00:54:10,120 --> 00:54:15,359
Speaker 17: they going a little blow the belt, but they're going

1287
00:54:15,560 --> 00:54:19,720
Speaker 17: yeah it's deep, Yeah, but it's it's like a real.

1288
00:54:19,719 --> 00:54:21,200
Speaker 1: Rat batter a little you know what I'm saying. Like

1289
00:54:21,280 --> 00:54:23,200
Speaker 1: we did it at a safe Man.

1290
00:54:23,280 --> 00:54:25,759
Speaker 3: Yeah, they had one of these in a long time. Yeah,

1291
00:54:26,080 --> 00:54:26,799
Speaker 3: a real good one.

1292
00:54:27,000 --> 00:54:27,200
Speaker 8: Yeah.

1293
00:54:27,280 --> 00:54:28,879
Speaker 1: I feel like I'm back on the school bus.

1294
00:54:29,600 --> 00:54:32,920
Speaker 2: What happened at Where was you at the outside Joke appearance?

1295
00:54:33,520 --> 00:54:33,680
Speaker 8: Yeah?

1296
00:54:33,719 --> 00:54:38,400
Speaker 17: So I was at the Netflix is not a joke. Netflix,

1297
00:54:38,480 --> 00:54:42,000
Speaker 17: not a joke. I was at the show outside Netflix.

1298
00:54:42,040 --> 00:54:44,799
Speaker 2: Went on a rent, I went on att Yeah, I.

1299
00:54:44,800 --> 00:54:47,799
Speaker 17: Went off because people were saying, you know, they were

1300
00:54:47,800 --> 00:54:50,040
Speaker 17: saying what they were saying, and they was like, you

1301
00:54:50,080 --> 00:54:51,799
Speaker 17: got to support the colleges, and I'm like, I don't

1302
00:54:51,800 --> 00:54:54,520
Speaker 17: want to. I don't want to support people tearing up

1303
00:54:54,600 --> 00:54:56,759
Speaker 17: a school. I don't think that's the way to go

1304
00:54:56,840 --> 00:54:58,680
Speaker 17: about it. If you really want to, if you want

1305
00:54:59,160 --> 00:55:02,120
Speaker 17: stuff like this to stop happening, if you're protesting the

1306
00:55:02,239 --> 00:55:05,280
Speaker 17: genocide that's going on and you want that to stop, happening.

1307
00:55:05,640 --> 00:55:07,879
Speaker 17: I think there's some better ways to go about making

1308
00:55:07,920 --> 00:55:11,239
Speaker 17: it stop happening. Blocking people from going to class is

1309
00:55:11,360 --> 00:55:13,000
Speaker 17: not going to be the thing. I don't think that's

1310
00:55:13,040 --> 00:55:14,680
Speaker 17: gonna be the thing, because that's what the I mean,

1311
00:55:14,760 --> 00:55:17,719
Speaker 17: that's what the Nazis did. They blocked the Jews, they

1312
00:55:17,800 --> 00:55:20,839
Speaker 17: blocked the Jehovah witnesses. They killed a lot of people.

1313
00:55:20,840 --> 00:55:24,320
Speaker 17: They didn't just kill Jews. They was killing everybody that

1314
00:55:24,640 --> 00:55:27,880
Speaker 17: was not like them, so like, and they were blocking

1315
00:55:27,920 --> 00:55:30,319
Speaker 17: them from getting their education, blocking them for being able

1316
00:55:30,360 --> 00:55:31,160
Speaker 17: to have a living.

1317
00:55:31,520 --> 00:55:32,799
Speaker 1: They were hurting them.

1318
00:55:33,320 --> 00:55:35,680
Speaker 17: And so like to me, if you really want to

1319
00:55:35,719 --> 00:55:37,359
Speaker 17: be changed, you want to make change, you really want

1320
00:55:37,400 --> 00:55:40,120
Speaker 17: to be effective, you really want this to stop, then

1321
00:55:40,239 --> 00:55:43,440
Speaker 17: start learning, get yourself educated, and get in there and

1322
00:55:43,600 --> 00:55:48,160
Speaker 17: change the laws, change how become, get in NATO or whatever,

1323
00:55:48,200 --> 00:55:51,160
Speaker 17: the international or whatever. You got to be on Senate,

1324
00:55:51,680 --> 00:55:54,439
Speaker 17: all that, Like, change the laws, change how we move.

1325
00:55:55,120 --> 00:55:57,439
Speaker 17: That's what I would do. That's what if you really

1326
00:55:57,520 --> 00:56:01,240
Speaker 17: wanted to change, like, be effective in get involved in government.

1327
00:56:02,120 --> 00:56:03,920
Speaker 2: To protest. You disagree with how they protest.

1328
00:56:04,040 --> 00:56:06,360
Speaker 17: How they protesting is not don't I don't agree with

1329
00:56:06,440 --> 00:56:09,840
Speaker 17: how they're protesting. Yeah, protests yes, protests. Yes, if you

1330
00:56:09,880 --> 00:56:12,120
Speaker 17: think that's gonna make it change. Yeah, if you think

1331
00:56:12,160 --> 00:56:14,200
Speaker 17: it's gonna make a difference, you it's gonna make people

1332
00:56:14,200 --> 00:56:17,680
Speaker 17: pay attention. Yeah, But the way y'all going about it,

1333
00:56:17,719 --> 00:56:18,920
Speaker 17: I don't think this is right. I don't think you're

1334
00:56:19,000 --> 00:56:22,239
Speaker 17: spray paying the library is gonna really make anything change.

1335
00:56:22,280 --> 00:56:24,520
Speaker 17: I know niggas been spray paying the library for years

1336
00:56:25,120 --> 00:56:28,880
Speaker 17: and they just shut the library down. That's all they did. Like,

1337
00:56:29,120 --> 00:56:31,480
Speaker 17: so no, I don't think that's the way to go

1338
00:56:31,560 --> 00:56:33,160
Speaker 17: about it. I think the way to go about it

1339
00:56:33,360 --> 00:56:36,200
Speaker 17: is to get into legislation, to show up to your

1340
00:56:36,360 --> 00:56:40,200
Speaker 17: congressman's office, show up to your senator's office, show up,

1341
00:56:40,320 --> 00:56:43,640
Speaker 17: sit outside they office, and protest. Put the pressure on them.

1342
00:56:44,000 --> 00:56:46,000
Speaker 17: Doing it at the schools ain't putting no pressure on them.

1343
00:56:46,040 --> 00:56:47,399
Speaker 17: They're just like, oh, they up there at the school

1344
00:56:47,400 --> 00:56:51,680
Speaker 17: cutting up whatever. Like and we like, as a twenty

1345
00:56:51,719 --> 00:56:54,760
Speaker 17: something year old, like do you invigorate it, teenager?

1346
00:56:54,880 --> 00:56:55,080
Speaker 13: Yet?

1347
00:56:55,239 --> 00:56:59,800
Speaker 17: Like that's protests, it's been happening every decade. It's always

1348
00:56:59,840 --> 00:57:02,040
Speaker 17: had and women was out there burning their bras. But

1349
00:57:02,160 --> 00:57:05,239
Speaker 17: y'all out here angry about you know what's going on

1350
00:57:05,400 --> 00:57:08,360
Speaker 17: over there in Gayza and it's genocide. When they're about

1351
00:57:08,360 --> 00:57:12,000
Speaker 17: to make pass laws over our bodies, women's bodies.

1352
00:57:11,719 --> 00:57:13,239
Speaker 1: We ain't gonna be able to have no choice in

1353
00:57:13,480 --> 00:57:16,400
Speaker 1: what we doing, like overturn.

1354
00:57:16,920 --> 00:57:19,920
Speaker 17: Yeah, like hello, we need to be paying attention to

1355
00:57:20,000 --> 00:57:22,440
Speaker 17: distraction is real, Like, you're not gonna it's gonna be

1356
00:57:22,440 --> 00:57:25,320
Speaker 17: Handmad's tail out here when you start really read reading

1357
00:57:25,480 --> 00:57:28,560
Speaker 17: all the legislative read everything like it's about to be

1358
00:57:28,680 --> 00:57:31,320
Speaker 17: Handmad's tail out here. You're about to be like it's

1359
00:57:31,320 --> 00:57:34,800
Speaker 17: gonna be crazy, Like you voluntarily want to be pregnant. Yeah,

1360
00:57:35,120 --> 00:57:38,080
Speaker 17: that's a voluntary thing, Like, but there's gonna be situations

1361
00:57:38,080 --> 00:57:40,720
Speaker 17: where it's gonna be involuntary, Like I mean, if you

1362
00:57:41,280 --> 00:57:44,080
Speaker 17: read the legislations and I'm not I might not be

1363
00:57:44,240 --> 00:57:47,280
Speaker 17: articulating it's the best, but I'm concerned. I'm concerned for

1364
00:57:47,440 --> 00:57:51,240
Speaker 17: our future and I'm concerned when our youth are all

1365
00:57:51,320 --> 00:57:55,200
Speaker 17: their knowledges coming from TikTok and Instagram and they not

1366
00:57:55,400 --> 00:57:58,720
Speaker 17: really like doing the real research and really reading. They

1367
00:57:58,880 --> 00:58:02,440
Speaker 17: just taking some some bloggers word for it. It's like, no,

1368
00:58:03,160 --> 00:58:05,920
Speaker 17: go look this up. Go to the go look up

1369
00:58:06,000 --> 00:58:09,240
Speaker 17: these legislations. Like there's no doubt there's there is a

1370
00:58:09,320 --> 00:58:12,200
Speaker 17: genocide happening, There's no doubt about that. But like, that's

1371
00:58:12,280 --> 00:58:14,680
Speaker 17: not the only one that's happening right now. So if

1372
00:58:14,680 --> 00:58:17,320
Speaker 17: we're gonna be protesting genocide, if we against genocide, we

1373
00:58:17,360 --> 00:58:19,800
Speaker 17: need to be against all the genocides now, just the

1374
00:58:19,920 --> 00:58:26,120
Speaker 17: lighter genocide, all the like, the black, the the everybody, everybody.

1375
00:58:26,440 --> 00:58:27,960
Speaker 1: We're not it. Don't need to just be from the

1376
00:58:28,040 --> 00:58:28,480
Speaker 1: river to this.

1377
00:58:28,600 --> 00:58:31,120
Speaker 17: You need to be like, uh, recycle these cell phones

1378
00:58:31,120 --> 00:58:34,560
Speaker 17: and stop can killing the Congolesese like, but don't get

1379
00:58:34,640 --> 00:58:38,560
Speaker 17: me start. I'm sorry, Okay, anyways, I curse you with Joyce.

1380
00:58:39,320 --> 00:58:43,439
Speaker 17: It's out today. Get it audio or a physical book

1381
00:58:43,480 --> 00:58:46,680
Speaker 17: hard copy at any local bookstore. The audio version is

1382
00:58:46,800 --> 00:58:49,400
Speaker 17: off the chain because I'm definitely bringing it and some

1383
00:58:49,560 --> 00:58:50,480
Speaker 17: of my music is.

1384
00:58:51,120 --> 00:58:53,840
Speaker 1: On there, and I'm really excited about the music that's

1385
00:58:53,920 --> 00:58:56,960
Speaker 1: coming for you. So yeah, all right, well.

1386
00:58:56,840 --> 00:58:57,360
Speaker 2: There you have it.

1387
00:58:57,440 --> 00:58:58,960
Speaker 9: The book is out right now, make sure you pick

1388
00:58:59,000 --> 00:59:00,920
Speaker 9: it up. It's the Breakfast Club the Tiffany hadis It's

1389
00:59:00,960 --> 00:59:02,840
Speaker 9: time for it's a reed.

1390
00:59:03,400 --> 00:59:06,080
Speaker 1: But you're so good at charlamage.

1391
00:59:06,400 --> 00:59:07,200
Speaker 4: He wants charlomade.

1392
00:59:09,560 --> 00:59:10,960
Speaker 19: Yeah, Solomame, who do you given?

1393
00:59:11,000 --> 00:59:11,200
Speaker 10: Dusk?

1394
00:59:11,200 --> 00:59:11,600
Speaker 3: The other day?

1395
00:59:11,680 --> 00:59:15,400
Speaker 11: Sooner well sexy red Donkey to Day goes to a

1396
00:59:15,480 --> 00:59:18,880
Speaker 11: Catholic priest named Lawrence Kozak. Lawrence is accused of stealing

1397
00:59:18,960 --> 00:59:21,280
Speaker 11: booty from a church in Pennsylvania. And I let the

1398
00:59:21,320 --> 00:59:23,520
Speaker 11: record show when I say this Catholic priest stole booty,

1399
00:59:23,640 --> 00:59:25,040
Speaker 11: I'm not talking about little kids.

1400
00:59:25,160 --> 00:59:26,000
Speaker 2: I'm talking money.

1401
00:59:26,240 --> 00:59:29,440
Speaker 11: Yes, this man stole more than forty grand and expenses

1402
00:59:29,560 --> 00:59:32,720
Speaker 11: over three years, and some of the money was used

1403
00:59:33,520 --> 00:59:36,640
Speaker 11: to buy cell phone games, cell phone video games. You know,

1404
00:59:36,720 --> 00:59:39,080
Speaker 11: I'm a stern believer that it's not a stereotype if

1405
00:59:39,120 --> 00:59:41,000
Speaker 11: it's true, and this story is not going to do

1406
00:59:41,080 --> 00:59:44,600
Speaker 11: anything to defy the stereotype that Catholic priests are pedophiles

1407
00:59:44,640 --> 00:59:47,200
Speaker 11: and child abusers, especially when we die more into why

1408
00:59:47,560 --> 00:59:49,960
Speaker 11: this particular Catholic priest was stealing money.

1409
00:59:50,000 --> 00:59:51,520
Speaker 2: Let's go to wr L for the report.

1410
00:59:51,560 --> 00:59:55,120
Speaker 20: Police, a Pennsylvania Catholic priest is accused of stealing parish

1411
00:59:55,160 --> 00:59:58,760
Speaker 20: funds to play games like Candy Crush. Lawrence Kozak is

1412
00:59:58,880 --> 01:00:02,240
Speaker 20: charged with theft and related crimes. Authorities say he rocked

1413
01:00:02,320 --> 01:00:04,920
Speaker 20: up tens of thousands of dollars and expenses over three

1414
01:00:05,040 --> 01:00:08,160
Speaker 20: years and used some of that cash to play cell

1415
01:00:08,200 --> 01:00:12,040
Speaker 20: phone games like Pokemon Go. The archdiocese has placed Kozak

1416
01:00:12,280 --> 01:00:13,600
Speaker 20: on administrative leave.

1417
01:00:14,400 --> 01:00:16,560
Speaker 11: These poor people, man, they come to the Catholic Church,

1418
01:00:16,840 --> 01:00:19,920
Speaker 11: you know, given tithes and offers, given tithes and offerings,

1419
01:00:20,160 --> 01:00:23,400
Speaker 11: typic tithes and offerings. Okay, giving they ten percent to

1420
01:00:23,480 --> 01:00:26,640
Speaker 11: the Lord. And here go to pastor stealing money because

1421
01:00:26,640 --> 01:00:29,160
Speaker 11: he wants to play Wizard of Our Slots and Candy

1422
01:00:29,280 --> 01:00:34,000
Speaker 11: Crush sogin Cash Frenzy and Mario Kart or in Pokemon Go.

1423
01:00:34,360 --> 01:00:36,919
Speaker 11: I hate to be, you know, the one to break

1424
01:00:36,960 --> 01:00:39,600
Speaker 11: the news to you, but this man, this man might

1425
01:00:39,640 --> 01:00:41,960
Speaker 11: have been buying that fast man. Okay, There's just no

1426
01:00:42,080 --> 01:00:44,360
Speaker 11: way that the Catholic priest steals forty thousands from the church,

1427
01:00:44,520 --> 01:00:46,240
Speaker 11: and a large part of it is going to these

1428
01:00:46,280 --> 01:00:47,760
Speaker 11: apps that are largely aimed at kids.

1429
01:00:47,800 --> 01:00:49,560
Speaker 2: Now, I'm not one of these people who buys into

1430
01:00:49,560 --> 01:00:51,520
Speaker 2: every stereotype. I know that there has a lot of

1431
01:00:51,560 --> 01:00:54,160
Speaker 2: prejudice against the Catholic Church because there are some people

1432
01:00:54,160 --> 01:00:57,200
Speaker 2: who believe that Catholic priests everywhere are pedophiles and child

1433
01:00:57,240 --> 01:00:57,680
Speaker 2: of musers.

1434
01:00:57,920 --> 01:01:00,120
Speaker 11: We know that this is not the case. Every every

1435
01:01:00,200 --> 01:01:02,919
Speaker 11: Catholic priests is not the same. So If I say,

1436
01:01:03,240 --> 01:01:06,840
Speaker 11: what's the difference between Woody from toy Story and a

1437
01:01:06,920 --> 01:01:10,360
Speaker 11: priest and someone replies, only one of them goes limp

1438
01:01:10,400 --> 01:01:12,360
Speaker 11: when a child walks in walks in the room.

1439
01:01:12,520 --> 01:01:14,960
Speaker 2: That does not apply to all priests. Okay, do you understand,

1440
01:01:15,120 --> 01:01:16,680
Speaker 2: but it could apply to Lawrence Kozak.

1441
01:01:16,720 --> 01:01:18,880
Speaker 11: I don't want to get distracted though this man used

1442
01:01:18,920 --> 01:01:22,280
Speaker 11: the church's money that he stole over forty thousand dollars

1443
01:01:22,720 --> 01:01:25,680
Speaker 11: on apps. The thing that bothers me the most about

1444
01:01:25,720 --> 01:01:28,160
Speaker 11: this is that you are taking advantage of people's need

1445
01:01:28,280 --> 01:01:31,800
Speaker 11: to believe. Taking advantage of a person's you need to believe,

1446
01:01:32,200 --> 01:01:33,840
Speaker 11: that's also a form of abuse.

1447
01:01:33,840 --> 01:01:34,120
Speaker 4: All right.

1448
01:01:34,200 --> 01:01:35,520
Speaker 2: These people are sowing a seed.

1449
01:01:35,680 --> 01:01:38,400
Speaker 11: They are showing gratitude for all that God has given

1450
01:01:38,440 --> 01:01:40,680
Speaker 11: and want to return to God a portion of what

1451
01:01:40,800 --> 01:01:42,600
Speaker 11: they have received. And a lot of people do this

1452
01:01:42,720 --> 01:01:45,080
Speaker 11: hoping that they will also come back to them because

1453
01:01:45,120 --> 01:01:47,800
Speaker 11: they need it. People say, when you tie, it brings

1454
01:01:47,840 --> 01:01:50,600
Speaker 11: you closer to God. So you taking advantage of people's

1455
01:01:50,680 --> 01:01:53,160
Speaker 11: need to believe they're hard earned money that they could

1456
01:01:53,200 --> 01:01:56,720
Speaker 11: be spending on food, medical bills, housing, childcare. But you

1457
01:01:56,880 --> 01:02:02,200
Speaker 11: taking these folks, you know money can buy candy crushing

1458
01:02:02,280 --> 01:02:05,480
Speaker 11: Pokemon Go, Pokemon Go.

1459
01:02:06,360 --> 01:02:07,920
Speaker 2: I think you got all these apps because you want

1460
01:02:08,000 --> 01:02:08,560
Speaker 2: the poker kid.

1461
01:02:08,720 --> 01:02:11,680
Speaker 11: But I don't want to reinforce stereotypes, because all Catholic

1462
01:02:11,760 --> 01:02:13,840
Speaker 11: priest should not be judged by the bad actions of

1463
01:02:13,880 --> 01:02:16,320
Speaker 11: a few. Like if I ask what's the difference between

1464
01:02:16,400 --> 01:02:19,560
Speaker 11: acne and a Catholic priest? If someone responds, acne doesn't

1465
01:02:19,560 --> 01:02:21,240
Speaker 11: come on a boy's face until he's thirteen or so,

1466
01:02:21,480 --> 01:02:23,800
Speaker 11: I'm not asking that in reference to all Catholic priests.

1467
01:02:23,840 --> 01:02:24,720
Speaker 2: That just wouldn't be right.

1468
01:02:24,800 --> 01:02:28,320
Speaker 11: Now, Let's just say Lawrence wasn't reinforcing negative stereotypes of

1469
01:02:28,360 --> 01:02:30,360
Speaker 11: Catholic priests, and he was one of the many people

1470
01:02:30,400 --> 01:02:33,080
Speaker 11: who are addicted to these cell phone apps. I truly

1471
01:02:33,160 --> 01:02:37,760
Speaker 11: believe game purchases is an epidemics big as crack or opioids.

1472
01:02:37,800 --> 01:02:40,520
Speaker 11: They get you hooked by giving you something free, but

1473
01:02:40,680 --> 01:02:42,880
Speaker 11: the catch is they make you wait like every hour

1474
01:02:42,960 --> 01:02:45,440
Speaker 11: to refresh. But then they'll offer you a quicker way

1475
01:02:45,480 --> 01:02:48,520
Speaker 11: to get whatever you know, whatever you need replenished, you

1476
01:02:48,720 --> 01:02:52,120
Speaker 11: just gotta pay. Monopoly Go gives you ten dice every hour,

1477
01:02:52,280 --> 01:02:53,600
Speaker 11: or you can get one hundred dice for.

1478
01:02:53,760 --> 01:02:56,400
Speaker 2: Nine to ninety nine, which one are you gonna ultimately

1479
01:02:56,520 --> 01:02:57,840
Speaker 2: choose if you want to play Monopoly?

1480
01:02:57,920 --> 01:02:57,960
Speaker 14: Go?

1481
01:02:58,560 --> 01:03:00,919
Speaker 11: It's kind of like man, remember back, and it still

1482
01:03:01,000 --> 01:03:03,320
Speaker 11: might happen now, Like when the new iPhone comes out

1483
01:03:04,160 --> 01:03:05,760
Speaker 11: and then they ask you if you want an update

1484
01:03:05,800 --> 01:03:07,640
Speaker 11: on your old phone, and then when you update it,

1485
01:03:07,920 --> 01:03:08,680
Speaker 11: it don't quite work.

1486
01:03:08,720 --> 01:03:10,280
Speaker 2: The same that just happened to me. You see what

1487
01:03:10,280 --> 01:03:12,120
Speaker 2: I'm saying. My long clock will not work. Now you

1488
01:03:12,120 --> 01:03:14,000
Speaker 2: see what I'm saying. So now you forced to go

1489
01:03:14,120 --> 01:03:16,440
Speaker 2: buy your new phone. Yeah, that's how they get you.

1490
01:03:17,240 --> 01:03:19,720
Speaker 11: Speaking of getting you, I just really want people to

1491
01:03:19,840 --> 01:03:22,200
Speaker 11: understand that I am not on this radio saying all

1492
01:03:22,320 --> 01:03:25,120
Speaker 11: Catholic priests abuse kids. I'm just saying it's suspicious that

1493
01:03:25,240 --> 01:03:27,720
Speaker 11: this guy was using the church's money to have all

1494
01:03:27,800 --> 01:03:31,560
Speaker 11: these apps for kids on his phone. If I ask

1495
01:03:31,680 --> 01:03:34,560
Speaker 11: Kendrick Lamar, why do Catholic priests like playing the violin?

1496
01:03:34,880 --> 01:03:37,600
Speaker 11: And Kendrick replies, because they get the finger a minor.

1497
01:03:37,800 --> 01:03:40,080
Speaker 11: That a minor that has nothing to do with all

1498
01:03:40,160 --> 01:03:40,840
Speaker 11: Catholic priests.

1499
01:03:40,960 --> 01:03:44,120
Speaker 2: Okay. Now. Father Kozoles was arrested on April.

1500
01:03:43,920 --> 01:03:46,960
Speaker 11: Twenty fifth and face his felony theft charges, and he

1501
01:03:47,280 --> 01:03:52,320
Speaker 11: earned that Father Kozak have you ever wondered why Catholic

1502
01:03:52,400 --> 01:03:55,960
Speaker 11: priests called himselves father because it's too suspicious for kids

1503
01:03:56,000 --> 01:03:58,680
Speaker 11: to call him daddy. But that has nothing to do

1504
01:03:58,840 --> 01:04:03,000
Speaker 11: with all of them, just some Please let remy ma

1505
01:04:03,160 --> 01:04:05,440
Speaker 11: give Lawrence Kozak the biggest he haw he.

1506
01:04:05,680 --> 01:04:09,560
Speaker 2: Haw he ha, you stupid mother? Are you dumb?

1507
01:04:10,160 --> 01:04:11,480
Speaker 4: M m m mmmm.

1508
01:04:13,400 --> 01:04:18,600
Speaker 3: Well mm hmm, that's.

1509
01:04:19,880 --> 01:04:20,040
Speaker 4: Ok.

1510
01:04:20,240 --> 01:04:23,640
Speaker 3: I don't know what his words like Charlemagne or the priest.

1511
01:04:24,400 --> 01:04:26,280
Speaker 2: I didn't do anything. I'm just telling the story.

1512
01:04:26,520 --> 01:04:28,520
Speaker 3: No, I'm not talking about reference to the keys. I'm

1513
01:04:28,520 --> 01:04:31,000
Speaker 3: talking about the way that you just slaughtered a lot

1514
01:04:31,080 --> 01:04:32,920
Speaker 3: of other precesses.

1515
01:04:33,200 --> 01:04:36,520
Speaker 2: No precess something I said, I said some preciss is

1516
01:04:36,520 --> 01:04:40,760
Speaker 2: the word I didn't say. I didn't say all I said.

1517
01:04:40,720 --> 01:04:42,880
Speaker 3: So I know the last little bit. I'm not listening

1518
01:04:42,880 --> 01:04:44,200
Speaker 3: to this gonna be like, oh uh.

1519
01:04:44,240 --> 01:04:51,800
Speaker 11: Uh, well, don't apply, let it fly. Okay, Yes, I said,

1520
01:04:51,840 --> 01:04:52,200
Speaker 11: don't fit.

1521
01:04:52,320 --> 01:04:52,960
Speaker 4: You must have quit.

1522
01:04:54,320 --> 01:04:56,000
Speaker 2: Huh all right, thank you for that.

1523
01:04:58,080 --> 01:04:59,440
Speaker 4: The Breakfast Club.

1524
01:05:02,480 --> 01:05:03,680
Speaker 8: It's j M. V.

1525
01:05:03,880 --> 01:05:06,480
Speaker 9: Jes Hilariy Schela mean the guy we are the Breakfast Club.

1526
01:05:06,600 --> 01:05:08,440
Speaker 9: Now that it's sitting in on this interview, we got

1527
01:05:08,480 --> 01:05:09,720
Speaker 9: a special guest in the building.

1528
01:05:09,880 --> 01:05:12,200
Speaker 11: We got the greatest lyricists in the world whose name

1529
01:05:12,280 --> 01:05:18,080
Speaker 11: is not Kendrick Lamar new album, Please Don't Cry?

1530
01:05:18,160 --> 01:05:21,080
Speaker 2: How are You Anxiety?

1531
01:05:21,560 --> 01:05:23,240
Speaker 11: Okay, we gotta get into it first before we started

1532
01:05:23,280 --> 01:05:25,120
Speaker 11: talking about job on Kendrick and Drinke.

1533
01:05:25,440 --> 01:05:27,560
Speaker 2: Come on, bro, Kendrick, easy call.

1534
01:05:27,920 --> 01:05:30,040
Speaker 19: It's so easy. I could do my eyes closed.

1535
01:05:30,120 --> 01:05:35,320
Speaker 11: Kendrick, what what causes an MC to win a rap battle?

1536
01:05:35,320 --> 01:05:37,720
Speaker 11: Because you're an m c MC, So what causes the

1537
01:05:37,840 --> 01:05:39,040
Speaker 11: MC to win a rap battle?

1538
01:05:39,680 --> 01:05:42,200
Speaker 21: You gotta have strategy, right, I tell people it's like

1539
01:05:42,240 --> 01:05:43,760
Speaker 21: the art of war. You got to know who you're

1540
01:05:43,760 --> 01:05:47,000
Speaker 21: going against. And for this case in particular, the type

1541
01:05:47,000 --> 01:05:49,240
Speaker 21: of person that Kendrick is, you know he's strategic.

1542
01:05:49,600 --> 01:05:52,160
Speaker 19: Like if he goes quiet, you should know that he's cooking.

1543
01:05:52,960 --> 01:05:54,360
Speaker 19: But you gotta have the right beats.

1544
01:05:54,920 --> 01:05:58,400
Speaker 21: You know, your bar has got to be up. Your

1545
01:05:58,680 --> 01:06:01,080
Speaker 21: performance is a thing. Like I think all of those

1546
01:06:01,160 --> 01:06:02,920
Speaker 21: things matter. And the thing that I like that he

1547
01:06:03,040 --> 01:06:03,800
Speaker 21: did he gave you.

1548
01:06:04,240 --> 01:06:06,960
Speaker 19: He cooked that boy so many different ways, Like I.

1549
01:06:07,000 --> 01:06:09,720
Speaker 21: Said, he baked them, me stir fried them, that grilled

1550
01:06:09,800 --> 01:06:12,600
Speaker 21: them like he marinated a little bit, like he gave

1551
01:06:12,640 --> 01:06:14,440
Speaker 21: you stories, He gave you a banger.

1552
01:06:14,960 --> 01:06:17,760
Speaker 19: He gave you the classic hip hop bar joint.

1553
01:06:17,840 --> 01:06:18,040
Speaker 4: It is.

1554
01:06:18,200 --> 01:06:20,680
Speaker 19: However you want it, I got it for you. And

1555
01:06:21,000 --> 01:06:22,640
Speaker 19: you know anything, Drake.

1556
01:06:22,520 --> 01:06:25,040
Speaker 21: Said, he came back and was like he just didn't

1557
01:06:25,080 --> 01:06:27,640
Speaker 21: have rooms. It's like when you're boxing somebody on you

1558
01:06:27,760 --> 01:06:29,200
Speaker 21: can't get your arms nothing.

1559
01:06:29,560 --> 01:06:32,560
Speaker 2: Yeah. The reason I'm glad we started the conversation like

1560
01:06:32,600 --> 01:06:34,280
Speaker 2: this because I'm trying to set the stage for how

1561
01:06:34,720 --> 01:06:37,480
Speaker 2: Dope Rhapsody is for those who still don't know. Like

1562
01:06:37,600 --> 01:06:41,760
Speaker 2: your peers, the mcs MC's hold you in high regard.

1563
01:06:42,400 --> 01:06:44,640
Speaker 2: That's why they do these type of records with you.

1564
01:06:45,280 --> 01:06:47,520
Speaker 19: Yeah, and everybody says it's like you bring the best

1565
01:06:47,560 --> 01:06:50,160
Speaker 19: out of them. I'm just you really do you know?

1566
01:06:50,680 --> 01:06:52,840
Speaker 19: It's a beautiful, healthy competition.

1567
01:06:53,440 --> 01:06:56,400
Speaker 18: I think your features that are on all your projects,

1568
01:06:56,480 --> 01:06:59,720
Speaker 18: from Layla's Wisdom down to this latest one, from like

1569
01:06:59,800 --> 01:07:02,120
Speaker 18: a Black Thought to what Eric Could I Do? To

1570
01:07:02,280 --> 01:07:05,640
Speaker 18: working with Hip Boy, It's like the quality is just different.

1571
01:07:05,720 --> 01:07:08,040
Speaker 18: You know, when you tap into an album like this.

1572
01:07:08,400 --> 01:07:11,280
Speaker 21: It's you know, when I'm creating this about the music,

1573
01:07:11,560 --> 01:07:13,400
Speaker 21: Like the music is the biggest ego in the room,

1574
01:07:13,440 --> 01:07:15,160
Speaker 21: and I think when you approach it from that point

1575
01:07:15,160 --> 01:07:17,680
Speaker 21: of view, everybody's gonna bring it best, you know, it

1576
01:07:17,800 --> 01:07:21,280
Speaker 21: makes it fun and exciting, even on Complexion like you

1577
01:07:21,920 --> 01:07:24,560
Speaker 21: going there, like y'all, I gotta I gotta meet they level,

1578
01:07:24,680 --> 01:07:27,160
Speaker 21: even with the Wayne joint on the album I wrote my.

1579
01:07:27,240 --> 01:07:29,760
Speaker 19: Versal, Yo, I wrote my vers that one.

1580
01:07:29,880 --> 01:07:31,800
Speaker 18: I feel like for a hip hop purists, that's the

1581
01:07:31,840 --> 01:07:32,760
Speaker 18: best one on there.

1582
01:07:32,960 --> 01:07:35,280
Speaker 19: I love that record I did.

1583
01:07:35,520 --> 01:07:37,680
Speaker 21: And I'm not afraid to say that at all, like

1584
01:07:38,280 --> 01:07:41,360
Speaker 21: first time I ever did that. But I sent it

1585
01:07:41,440 --> 01:07:43,240
Speaker 21: to him first, and I was just approaching it like

1586
01:07:43,480 --> 01:07:45,080
Speaker 21: I was trying to grow and like I don't have

1587
01:07:45,160 --> 01:07:47,240
Speaker 21: to be so lyrical. I want to do something that's

1588
01:07:47,400 --> 01:07:49,520
Speaker 21: easier for people to learn, but it's not dumb down,

1589
01:07:49,600 --> 01:07:51,000
Speaker 21: Like it's still me, but it's.

1590
01:07:50,920 --> 01:07:52,120
Speaker 3: Not like just more relaxed.

1591
01:07:52,240 --> 01:07:52,400
Speaker 8: Yeah.

1592
01:07:52,960 --> 01:07:54,800
Speaker 21: When I got his verse back, I was like, nah,

1593
01:07:56,440 --> 01:08:00,160
Speaker 21: I gotta I gotta match his level of raw, Like

1594
01:08:00,280 --> 01:08:01,200
Speaker 21: I gotta match it.

1595
01:08:01,720 --> 01:08:03,960
Speaker 19: So I was like, nah, I can't. I can't get

1596
01:08:03,960 --> 01:08:04,480
Speaker 19: the people that.

1597
01:08:04,800 --> 01:08:05,920
Speaker 3: What do you say when you rewrote it?

1598
01:08:06,600 --> 01:08:07,840
Speaker 19: He said, I just sent it back to him.

1599
01:08:07,840 --> 01:08:09,640
Speaker 21: I was like, I rewrote it. I said, I took

1600
01:08:09,680 --> 01:08:11,600
Speaker 21: your flow and I just put my words to it.

1601
01:08:11,640 --> 01:08:12,800
Speaker 21: I just want to let you know what you think

1602
01:08:13,160 --> 01:08:14,840
Speaker 21: send me fire amojis.

1603
01:08:14,320 --> 01:08:15,080
Speaker 2: And stuff.

1604
01:08:16,439 --> 01:08:19,559
Speaker 11: The wild think about this projects called Please Don't Cry. Yeah,

1605
01:08:19,680 --> 01:08:21,800
Speaker 11: what ironically throughout the album, all you're doing is giving

1606
01:08:21,840 --> 01:08:22,639
Speaker 11: us stuff to cry about.

1607
01:08:24,760 --> 01:08:25,639
Speaker 2: Like what is that about?

1608
01:08:25,680 --> 01:08:25,720
Speaker 8: That?

1609
01:08:26,160 --> 01:08:26,880
Speaker 2: That's the point.

1610
01:08:28,280 --> 01:08:29,719
Speaker 19: It was like the title got a realer.

1611
01:08:29,800 --> 01:08:32,920
Speaker 21: Man, it's about like I was never one to show

1612
01:08:33,000 --> 01:08:35,640
Speaker 21: my emotion in public, or you know, we grow up

1613
01:08:35,720 --> 01:08:39,200
Speaker 21: maybe men, especially what you're crying about. But it's really

1614
01:08:39,240 --> 01:08:42,240
Speaker 21: about allowing yourself to be human. Why you should cry,

1615
01:08:42,600 --> 01:08:44,679
Speaker 21: all the reasons you should cry. Don't cry just because

1616
01:08:44,720 --> 01:08:47,400
Speaker 21: you're sad. Cry because it's something so funny you laugh

1617
01:08:47,479 --> 01:08:50,040
Speaker 21: until you cry, or you so in love, you know,

1618
01:08:50,280 --> 01:08:53,960
Speaker 21: like are you joyful or you angry? Like I cry

1619
01:08:54,000 --> 01:08:56,200
Speaker 21: when i'm mad because if I don't, I'm gonna say

1620
01:08:56,240 --> 01:08:58,960
Speaker 21: something or do something that I'm gonna regret. So I'm

1621
01:08:58,960 --> 01:09:01,839
Speaker 21: gonna just let it come out tears, Like allow yourself

1622
01:09:01,880 --> 01:09:04,439
Speaker 21: to just be human. I don't think we do that enough,

1623
01:09:04,520 --> 01:09:07,439
Speaker 21: especially in a day with social media. It's perfection, perfection

1624
01:09:07,520 --> 01:09:10,160
Speaker 21: in your face all day, like the highlight reel. But

1625
01:09:10,439 --> 01:09:13,559
Speaker 21: where's the raw stuff? So you got to remind people

1626
01:09:13,680 --> 01:09:14,280
Speaker 21: like you human?

1627
01:09:14,840 --> 01:09:17,280
Speaker 2: But you're giving people feelings absolutely.

1628
01:09:17,520 --> 01:09:17,720
Speaker 11: I know.

1629
01:09:18,040 --> 01:09:21,400
Speaker 18: On the first single that you released for the album Asteroid,

1630
01:09:21,479 --> 01:09:23,719
Speaker 18: you talked about how you almost wanted to step.

1631
01:09:23,560 --> 01:09:25,360
Speaker 3: Away from this completely.

1632
01:09:25,439 --> 01:09:28,200
Speaker 19: It was a thought, Yeah that broke my heart. Yeah,

1633
01:09:28,280 --> 01:09:29,439
Speaker 19: why it was.

1634
01:09:29,800 --> 01:09:31,360
Speaker 21: I was just at a place like I was just

1635
01:09:32,040 --> 01:09:34,479
Speaker 21: seeing the music business and everything that was in front

1636
01:09:34,520 --> 01:09:36,720
Speaker 21: of me. I was like, yo, I feel like I'm

1637
01:09:36,760 --> 01:09:39,519
Speaker 21: getting tired, Like there's no place for me, you know

1638
01:09:39,560 --> 01:09:40,600
Speaker 21: what I'm saying, Like I don't know.

1639
01:09:40,560 --> 01:09:41,280
Speaker 19: If people care.

1640
01:09:41,920 --> 01:09:44,000
Speaker 21: And it's like I could do music by myself, Like

1641
01:09:44,000 --> 01:09:45,880
Speaker 21: I don't even have to play this game. I want

1642
01:09:45,920 --> 01:09:48,760
Speaker 21: to get into the film world anyway. But I love

1643
01:09:48,800 --> 01:09:50,920
Speaker 21: it too much. I got too much purpose in it.

1644
01:09:51,280 --> 01:09:53,160
Speaker 21: I have to be the example. I want to be

1645
01:09:53,200 --> 01:09:55,840
Speaker 21: the example. Rather I get to be the example. So

1646
01:09:56,080 --> 01:09:58,800
Speaker 21: you know, but it was a real thought, like man,

1647
01:09:58,920 --> 01:10:00,719
Speaker 21: what does it look like in this space?

1648
01:10:01,240 --> 01:10:03,599
Speaker 19: You know? And you know hip hop likes to aid

1649
01:10:03,680 --> 01:10:05,280
Speaker 19: you out. I was, you know, as a woman.

1650
01:10:05,439 --> 01:10:07,479
Speaker 21: It was just so many things going through my head

1651
01:10:07,560 --> 01:10:09,560
Speaker 21: and it's just like, yo, let me just pause and

1652
01:10:09,720 --> 01:10:10,960
Speaker 21: just really sit with it.

1653
01:10:11,439 --> 01:10:13,080
Speaker 3: So what helped you get over that part of it?

1654
01:10:13,920 --> 01:10:15,640
Speaker 3: Because I can imagine you don't feel that way now,

1655
01:10:15,720 --> 01:10:16,080
Speaker 3: you bet not.

1656
01:10:16,720 --> 01:10:19,320
Speaker 21: You gotta you have to unplug from the matrix, right,

1657
01:10:19,840 --> 01:10:22,000
Speaker 21: And you look at it and you're like, I feel

1658
01:10:22,040 --> 01:10:24,519
Speaker 21: this way because I'm trying to validate myself through all

1659
01:10:24,560 --> 01:10:27,760
Speaker 21: these other things that everybody like, yo, why don't why

1660
01:10:27,920 --> 01:10:31,800
Speaker 21: aren't you know? Why don't I get this award? Or

1661
01:10:31,800 --> 01:10:34,719
Speaker 21: why I'm not in this space or these same spaces

1662
01:10:34,760 --> 01:10:38,439
Speaker 21: as other people? And you figure out like, yo, whatever

1663
01:10:38,560 --> 01:10:39,680
Speaker 21: space is for me is for me.

1664
01:10:40,280 --> 01:10:43,919
Speaker 19: And that's what it was like. I had to validate

1665
01:10:44,000 --> 01:10:46,519
Speaker 19: myself and I look for anybody else and any other

1666
01:10:46,600 --> 01:10:49,360
Speaker 19: these false measurements to do it. You know, it's like,

1667
01:10:49,920 --> 01:10:52,200
Speaker 19: what are you in it for? I was like, damn,

1668
01:10:52,280 --> 01:10:54,639
Speaker 19: I'd just really like to connect with people and make

1669
01:10:54,760 --> 01:10:55,960
Speaker 19: music to inspire people.

1670
01:10:56,120 --> 01:10:56,640
Speaker 8: So do that.

1671
01:10:56,920 --> 01:10:58,080
Speaker 19: Anything else is a blessing.

1672
01:10:58,360 --> 01:10:58,559
Speaker 14: Yeah.

1673
01:10:58,760 --> 01:11:01,800
Speaker 2: So you think we can take off and wrap without

1674
01:11:02,000 --> 01:11:03,400
Speaker 2: a male cold sign because.

1675
01:11:04,439 --> 01:11:06,519
Speaker 19: I think, you know, we have so many resources. If

1676
01:11:06,560 --> 01:11:07,439
Speaker 19: you make great music.

1677
01:11:07,520 --> 01:11:10,240
Speaker 21: One thing Nfe always told me it might take you longer,

1678
01:11:10,320 --> 01:11:13,200
Speaker 21: but people can't deny it. So it's kind of like

1679
01:11:13,479 --> 01:11:17,599
Speaker 21: either down for the marathon or not. That's everybody like, man, woman,

1680
01:11:17,680 --> 01:11:19,679
Speaker 21: it don't matter if the music good is somebody gonna

1681
01:11:19,680 --> 01:11:22,160
Speaker 21: find it eventually I think you can, like, but you

1682
01:11:22,240 --> 01:11:25,080
Speaker 21: gotta you gotta make great music and still be on

1683
01:11:25,160 --> 01:11:25,800
Speaker 21: your brand and in.

1684
01:11:25,880 --> 01:11:28,080
Speaker 19: Marketing and you know, all the little things. But I

1685
01:11:28,160 --> 01:11:29,440
Speaker 19: do think it's possible.

1686
01:11:29,120 --> 01:11:31,160
Speaker 2: Because I always think about how dope it would have

1687
01:11:31,200 --> 01:11:34,400
Speaker 2: been if, like the way a Drake embraces a sexually

1688
01:11:34,439 --> 01:11:37,240
Speaker 2: red Kendrick would embrace you in that way. I just

1689
01:11:37,320 --> 01:11:39,479
Speaker 2: think I think that goes a long way. Sometimes, Yeah,

1690
01:11:39,600 --> 01:11:40,479
Speaker 2: no it does.

1691
01:11:41,240 --> 01:11:45,920
Speaker 19: And he hass you know, Complexion was an all ali

1692
01:11:46,040 --> 01:11:47,200
Speaker 19: big alley for me and.

1693
01:11:47,200 --> 01:11:48,760
Speaker 3: Then a lot I mean, to be honest, a lot

1694
01:11:48,800 --> 01:11:52,439
Speaker 3: of embracing from like you know, older generations. I notice

1695
01:11:52,479 --> 01:11:54,920
Speaker 3: a lot of people like to embrace people that can't

1696
01:11:54,960 --> 01:11:58,280
Speaker 3: touch them, you get what I'm saying, Like they will

1697
01:11:58,360 --> 01:12:02,479
Speaker 3: embrace people that they no cannot touch them, Yeah, beat

1698
01:12:02,520 --> 01:12:06,680
Speaker 3: them lyrically, can't even I'm yeah, you're popularity, You've got

1699
01:12:06,720 --> 01:12:08,880
Speaker 3: the big platform right now. What they want to be like,

1700
01:12:09,040 --> 01:12:13,840
Speaker 3: you're playing and so what you you know, money, drugs all, alright, cool,

1701
01:12:13,880 --> 01:12:15,400
Speaker 3: So I'm gonna take you under my wing, you know

1702
01:12:15,439 --> 01:12:17,719
Speaker 3: what I'm saying, just to keep me in the game.

1703
01:12:17,600 --> 01:12:20,960
Speaker 19: And ye keep my name out there attached. But yeah,

1704
01:12:20,960 --> 01:12:21,599
Speaker 19: that's a real thing.

1705
01:12:21,960 --> 01:12:22,439
Speaker 1: That's crazy.

1706
01:12:22,600 --> 01:12:23,200
Speaker 2: How did this album?

1707
01:12:23,520 --> 01:12:25,000
Speaker 11: Because I've heard you say that this album has brought

1708
01:12:25,000 --> 01:12:26,679
Speaker 11: you the most peace you've ever seen.

1709
01:12:26,840 --> 01:12:29,679
Speaker 2: How does the album this raw and vulnerable bring you peace?

1710
01:12:30,200 --> 01:12:32,840
Speaker 19: It brings me peace because it's the most me I've

1711
01:12:32,880 --> 01:12:33,360
Speaker 19: ever been.

1712
01:12:34,400 --> 01:12:38,280
Speaker 21: I'm I'm so fearless now again like I'm I'm neo,

1713
01:12:38,600 --> 01:12:41,400
Speaker 21: like unplugged from the matrix and living my reality. So

1714
01:12:41,520 --> 01:12:44,240
Speaker 21: that's like everybody's been asking me how you feel, how

1715
01:12:44,280 --> 01:12:46,800
Speaker 21: you feel like the album's about to come out, and

1716
01:12:46,920 --> 01:12:49,240
Speaker 21: I tell them myself, I'm at peace because I have

1717
01:12:49,320 --> 01:12:50,160
Speaker 21: no expectations.

1718
01:12:50,960 --> 01:12:53,160
Speaker 19: I'm not thinking about I need to do this amount

1719
01:12:53,200 --> 01:12:56,000
Speaker 19: of numbers, like, yo, what's good? If do we need

1720
01:12:56,080 --> 01:12:56,400
Speaker 19: to do this?

1721
01:12:56,560 --> 01:12:59,120
Speaker 21: I'm just like people like it or they don't. Yeah,

1722
01:12:59,160 --> 01:13:01,240
Speaker 21: I made an album that I was happy with and

1723
01:13:01,479 --> 01:13:03,439
Speaker 21: I shared things that I wanted to share that with

1724
01:13:03,560 --> 01:13:06,479
Speaker 21: For me, like so many albums, I would shine a

1725
01:13:06,560 --> 01:13:08,920
Speaker 21: light on the world, and this one was like I

1726
01:13:09,040 --> 01:13:11,240
Speaker 21: need to shine light on me and so to be

1727
01:13:11,360 --> 01:13:14,400
Speaker 21: able to like because I'm so private and I protect

1728
01:13:14,439 --> 01:13:16,120
Speaker 21: myself in that way and I held so much and

1729
01:13:16,240 --> 01:13:20,639
Speaker 21: I feel lighter because you know, I'm I'm so confident

1730
01:13:20,720 --> 01:13:23,280
Speaker 21: and again I'm not afraid to just share. I was

1731
01:13:23,320 --> 01:13:26,200
Speaker 21: afraid before because I was afraid of judgment, what people

1732
01:13:26,240 --> 01:13:29,360
Speaker 21: would think, like, you're not perfect, You're not always the

1733
01:13:29,400 --> 01:13:31,840
Speaker 21: good girl. You have disappointed yourself.

1734
01:13:31,479 --> 01:13:34,400
Speaker 19: And some people. But it's like, it's okay, we all

1735
01:13:34,520 --> 01:13:35,160
Speaker 19: do at some point.

1736
01:13:35,600 --> 01:13:37,360
Speaker 2: We got more with rhaps City. When we come back,

1737
01:13:37,400 --> 01:13:38,599
Speaker 2: don't move. It's to Breakfast Club.

1738
01:13:38,640 --> 01:13:42,760
Speaker 11: Good morning warning, everybody's ej nd Jesse, Larry Shallaman the god.

1739
01:13:42,840 --> 01:13:44,800
Speaker 2: We are the breakfast Club. Naala is hanging with us

1740
01:13:44,840 --> 01:13:47,519
Speaker 2: this morning and we're still kicking it with Rhapsody, Nihla.

1741
01:13:47,880 --> 01:13:51,240
Speaker 18: So what pushed you to the point of wanting to

1742
01:13:51,360 --> 01:13:53,760
Speaker 18: live you know, like this much in your truth and

1743
01:13:53,840 --> 01:13:54,760
Speaker 18: be this transparent.

1744
01:13:55,400 --> 01:13:56,320
Speaker 19: I wanted to grow.

1745
01:13:56,800 --> 01:13:59,599
Speaker 21: I had gotten out a relationship when I started this project,

1746
01:14:00,040 --> 01:14:04,680
Speaker 21: and healing from that, you know, therapy, you realize it's

1747
01:14:04,760 --> 01:14:07,720
Speaker 21: never about the person, it's about you. So once you

1748
01:14:08,520 --> 01:14:10,800
Speaker 21: start to sit and ask yourself these questions trying to

1749
01:14:10,840 --> 01:14:13,919
Speaker 21: figure out how to heal from the relationship, the relationship

1750
01:14:14,040 --> 01:14:15,800
Speaker 21: is over with. It's just like, oh, what are the

1751
01:14:16,280 --> 01:14:18,120
Speaker 21: mirrors in front of me? What are the things about

1752
01:14:18,200 --> 01:14:20,920
Speaker 21: me that make me feel incomplete?

1753
01:14:21,439 --> 01:14:23,920
Speaker 19: Or all the things? Why do I act like this

1754
01:14:24,240 --> 01:14:26,400
Speaker 19: when this happens. So it was like an onion. I

1755
01:14:26,520 --> 01:14:28,200
Speaker 19: was just peeling back, pelling back, peeling.

1756
01:14:28,000 --> 01:14:30,639
Speaker 2: Back, and I was just like crying every time.

1757
01:14:33,320 --> 01:14:34,240
Speaker 3: Year was crazy.

1758
01:14:35,880 --> 01:14:38,040
Speaker 21: Yeah, a lot of solitude, a lot of tears, a

1759
01:14:38,120 --> 01:14:41,439
Speaker 21: lot of praying, and I have a beautiful village. So

1760
01:14:41,720 --> 01:14:46,000
Speaker 21: my homegirls would tell me, like, yo, you your next

1761
01:14:46,080 --> 01:14:49,439
Speaker 21: phase is you gotta let people see you the human party.

1762
01:14:49,560 --> 01:14:53,040
Speaker 21: You gotta be vulnerable. And so I love a good challenge.

1763
01:14:53,280 --> 01:14:57,080
Speaker 21: It was hard, uncomfortable, it was not fun, but the

1764
01:14:57,200 --> 01:15:00,160
Speaker 21: other side is so beautiful. So it's like the you

1765
01:15:00,360 --> 01:15:03,479
Speaker 21: really got to let yourself sit in the fire and burn.

1766
01:15:03,960 --> 01:15:05,760
Speaker 21: And some days I was like, man, am I gonna

1767
01:15:05,800 --> 01:15:06,679
Speaker 21: feel like this forever?

1768
01:15:06,920 --> 01:15:10,200
Speaker 2: But now I was going to ask, like which specific

1769
01:15:10,360 --> 01:15:13,400
Speaker 2: experience led to, like the journey of self exploration and

1770
01:15:13,520 --> 01:15:17,000
Speaker 2: self acceptance. So it was a breakup. It's like my

1771
01:15:17,120 --> 01:15:17,679
Speaker 2: life album.

1772
01:15:17,880 --> 01:15:28,520
Speaker 16: Yeah, yeah, it's a lot of my life, all pieces

1773
01:15:28,560 --> 01:15:28,760
Speaker 16: of it.

1774
01:15:29,200 --> 01:15:32,840
Speaker 21: Their relationship was dope, though, like I learned a lot

1775
01:15:32,920 --> 01:15:36,559
Speaker 21: in a relationship about even how to begin this journey.

1776
01:15:37,360 --> 01:15:37,519
Speaker 8: You know.

1777
01:15:37,640 --> 01:15:39,960
Speaker 19: They was back to back relationship. So I got out

1778
01:15:40,000 --> 01:15:42,080
Speaker 19: of the long one, had a little time, and got

1779
01:15:42,160 --> 01:15:42,760
Speaker 19: in another one.

1780
01:15:43,240 --> 01:15:44,920
Speaker 2: But the second one was just a rebound.

1781
01:15:45,280 --> 01:15:46,479
Speaker 8: No really.

1782
01:15:51,160 --> 01:15:53,560
Speaker 21: You I mean, yes, that happened, but that wasn't my

1783
01:15:53,800 --> 01:15:57,200
Speaker 21: my experience. It was the one the relationship that impacted

1784
01:15:57,240 --> 01:16:00,519
Speaker 21: me the most. I wouldn't have become the person I

1785
01:16:00,640 --> 01:16:02,120
Speaker 21: am now without that relationship.

1786
01:16:02,479 --> 01:16:05,960
Speaker 19: So they gave me like the starter pack tools you know,

1787
01:16:06,120 --> 01:16:06,720
Speaker 19: to figure out.

1788
01:16:06,920 --> 01:16:08,880
Speaker 21: They say, you people come into your life for a reason,

1789
01:16:08,960 --> 01:16:12,880
Speaker 21: season or lifetime, and there was definitely reason in this.

1790
01:16:13,040 --> 01:16:15,479
Speaker 19: I think it could be multiple things. But once it

1791
01:16:15,600 --> 01:16:17,439
Speaker 19: was like now you're on your own, you by yourself.

1792
01:16:18,000 --> 01:16:20,600
Speaker 19: I was like, oh, I gotta do the work work, you.

1793
01:16:20,640 --> 01:16:22,400
Speaker 2: Know yo, I'm please don't cry.

1794
01:16:22,479 --> 01:16:25,479
Speaker 11: You got a song about dementia, yeah, which is something

1795
01:16:25,520 --> 01:16:27,840
Speaker 11: that impacts so many of us, like we all have

1796
01:16:27,920 --> 01:16:29,559
Speaker 11: a loved one that suffering from dementia.

1797
01:16:29,600 --> 01:16:31,799
Speaker 2: I had dementia. Like what made you want to speak.

1798
01:16:31,600 --> 01:16:34,080
Speaker 21: On that cause it was such a big part of

1799
01:16:34,160 --> 01:16:37,599
Speaker 21: my life when that time. My aunt, who's my mom's sister,

1800
01:16:37,800 --> 01:16:39,920
Speaker 21: oldest sister, helped raise me. So just like all my

1801
01:16:40,000 --> 01:16:43,360
Speaker 21: aunt's like my second mom's. So when she got diagnosed,

1802
01:16:43,680 --> 01:16:47,040
Speaker 21: it hit me like, yo, my grandmother had it. But

1803
01:16:47,200 --> 01:16:50,479
Speaker 21: to sit with somebody and see it progress is just

1804
01:16:50,560 --> 01:16:52,720
Speaker 21: a big part of my life and it affects me

1805
01:16:52,840 --> 01:16:56,000
Speaker 21: so emotionally, and it was just like I want to

1806
01:16:56,160 --> 01:16:58,519
Speaker 21: talk about it, and because I do know so many

1807
01:16:58,600 --> 01:17:01,280
Speaker 21: people that go through it, I was just everything I

1808
01:17:01,439 --> 01:17:01,840
Speaker 21: was feeling.

1809
01:17:01,880 --> 01:17:04,360
Speaker 19: I was just putting on paper. Yeah, you know, and

1810
01:17:04,479 --> 01:17:07,160
Speaker 19: I think people need that. That's just what it was.

1811
01:17:07,400 --> 01:17:07,439
Speaker 8: Like.

1812
01:17:07,680 --> 01:17:08,920
Speaker 19: I think about how all the time.

1813
01:17:09,640 --> 01:17:11,479
Speaker 21: You know, every time I go home, that's the first

1814
01:17:11,520 --> 01:17:14,160
Speaker 21: place I go sometimes before I stop with my mom.

1815
01:17:14,760 --> 01:17:16,800
Speaker 19: And this last time I went, I was there for

1816
01:17:16,920 --> 01:17:17,719
Speaker 19: like four hours.

1817
01:17:17,760 --> 01:17:21,040
Speaker 21: We was talking, laughing. I think the last hour, somebody

1818
01:17:21,160 --> 01:17:23,000
Speaker 21: came in the house and they was like, you know.

1819
01:17:23,040 --> 01:17:23,560
Speaker 4: Who that is?

1820
01:17:23,800 --> 01:17:24,640
Speaker 2: She was like, I don't know.

1821
01:17:25,200 --> 01:17:28,639
Speaker 19: I was like, damn, yeah, yeah, it's tough.

1822
01:17:28,840 --> 01:17:30,960
Speaker 21: It's tough, and you know, I think about my cousins

1823
01:17:31,280 --> 01:17:33,800
Speaker 21: who's at her kids. So it's just like, you know,

1824
01:17:34,040 --> 01:17:35,840
Speaker 21: a story that I wanted to share, Like, if you

1825
01:17:35,920 --> 01:17:37,479
Speaker 21: want to know me, this is what I go with,

1826
01:17:38,240 --> 01:17:39,120
Speaker 21: this is what I go through.

1827
01:17:38,960 --> 01:17:40,479
Speaker 19: When I'm with my family.

1828
01:17:41,240 --> 01:17:42,479
Speaker 2: Your grandma got to make trade.

1829
01:17:42,560 --> 01:17:42,720
Speaker 4: Yeah.

1830
01:17:43,600 --> 01:17:45,639
Speaker 3: Yeah, And that's why I say that definitely hurts out

1831
01:17:46,080 --> 01:17:48,439
Speaker 3: that to relate to that that it does hurt.

1832
01:17:48,760 --> 01:17:52,320
Speaker 21: There's a hard, hard disease and go through like the

1833
01:17:52,600 --> 01:17:54,040
Speaker 21: mind goes and the memory.

1834
01:17:54,280 --> 01:17:57,280
Speaker 19: Yeah, you know, but same thing. My family's the same way.

1835
01:17:57,400 --> 01:17:59,479
Speaker 21: Like I remember the first time, like she was really

1836
01:17:59,560 --> 01:18:01,240
Speaker 21: doing things where I could really see it because I

1837
01:18:01,280 --> 01:18:03,680
Speaker 21: can always see it before. But I remember the day

1838
01:18:04,280 --> 01:18:06,320
Speaker 21: and my other aunt came over and we were just

1839
01:18:06,400 --> 01:18:08,719
Speaker 21: talking about it. She just said she bust out laughing,

1840
01:18:08,880 --> 01:18:12,640
Speaker 21: you know, like talking to pictures or whatever. I like,

1841
01:18:12,720 --> 01:18:14,880
Speaker 21: I was in my feelings. She started laughing. She's like, girl,

1842
01:18:14,920 --> 01:18:16,320
Speaker 21: we got laugh to keep from crying.

1843
01:18:16,760 --> 01:18:17,760
Speaker 19: And that just changed me.

1844
01:18:17,960 --> 01:18:22,479
Speaker 21: Like so it's beautiful to see, like how the family

1845
01:18:22,560 --> 01:18:25,200
Speaker 21: takes care of her and we just whatever she on

1846
01:18:25,320 --> 01:18:26,720
Speaker 21: that day, we just all a part of it.

1847
01:18:26,840 --> 01:18:27,639
Speaker 3: Yeah, you know what I'm saying.

1848
01:18:27,640 --> 01:18:29,320
Speaker 19: That's good and it makes.

1849
01:18:29,160 --> 01:18:33,000
Speaker 21: It a little easier, but yeah, it's it's tough, is

1850
01:18:33,080 --> 01:18:35,880
Speaker 21: it true? Your credits and notihilating with helping you magast

1851
01:18:36,800 --> 01:18:37,320
Speaker 21: finishing it.

1852
01:18:40,240 --> 01:18:40,839
Speaker 2: She's sing.

1853
01:18:42,640 --> 01:18:45,000
Speaker 19: Not Lathan can sing, like yeah yeah.

1854
01:18:45,560 --> 01:18:48,320
Speaker 21: And when I worked we worked on the movie on

1855
01:18:48,400 --> 01:18:51,800
Speaker 21: a come Up in twenty twenty one, and she brought

1856
01:18:51,880 --> 01:18:52,800
Speaker 21: me on to help with the.

1857
01:18:52,880 --> 01:18:54,679
Speaker 19: Music and coach the actor.

1858
01:18:55,240 --> 01:18:58,479
Speaker 21: But I got to see how much of a music fan,

1859
01:18:58,680 --> 01:19:01,559
Speaker 21: especially hip hop, she was like i'd send her demos

1860
01:19:01,600 --> 01:19:03,240
Speaker 21: and stuff. She tell me about the beat and what

1861
01:19:03,400 --> 01:19:04,840
Speaker 21: she liked, and I was like, you know what you're

1862
01:19:04,880 --> 01:19:07,679
Speaker 21: talking about. You know, we talked about music a lot.

1863
01:19:07,840 --> 01:19:10,400
Speaker 21: But she was a big part of the healing process

1864
01:19:10,479 --> 01:19:11,640
Speaker 21: for one, right, you.

1865
01:19:11,640 --> 01:19:14,720
Speaker 19: Know, healing goals and phases. So she had put me.

1866
01:19:14,800 --> 01:19:18,280
Speaker 21: Onto this course it's called how to Beemagnetic dot com

1867
01:19:18,479 --> 01:19:21,200
Speaker 21: or whatever. And I did the course and it was

1868
01:19:21,280 --> 01:19:25,520
Speaker 21: so instrumental, like meditation, like she helped.

1869
01:19:25,280 --> 01:19:26,719
Speaker 19: Me get through over the hump.

1870
01:19:26,880 --> 01:19:27,120
Speaker 2: Yeah.

1871
01:19:27,439 --> 01:19:30,640
Speaker 21: So we was in New York at a premiere and

1872
01:19:30,760 --> 01:19:33,200
Speaker 21: she was always asking about the album because you know,

1873
01:19:33,320 --> 01:19:36,320
Speaker 21: we talked about pretty much everything, and she was like,

1874
01:19:36,400 --> 01:19:38,280
Speaker 21: you're not finished with it yet, just like everybody on

1875
01:19:38,360 --> 01:19:40,639
Speaker 21: the edit that I was like, I'm still not fitished.

1876
01:19:40,640 --> 01:19:42,760
Speaker 19: She was like, what's taking so long. I was like,

1877
01:19:42,880 --> 01:19:45,519
Speaker 19: I don't know. I said, I feel like it's too gray,

1878
01:19:45,880 --> 01:19:48,120
Speaker 19: like I see music and color. Sometimes.

1879
01:19:48,200 --> 01:19:49,720
Speaker 21: I said, I don't know, I think it's too gray.

1880
01:19:49,800 --> 01:19:52,720
Speaker 21: It might be too sad, like I'm just overthinking it.

1881
01:19:52,840 --> 01:19:55,080
Speaker 21: I could do that sometimes, And so she was like,

1882
01:19:55,200 --> 01:19:58,960
Speaker 21: play me some songs. So I played her like three

1883
01:19:59,080 --> 01:20:01,840
Speaker 21: or four songs and she was like, it's not too sad.

1884
01:20:01,920 --> 01:20:05,759
Speaker 21: It's exactly what people need. Finished the album, and because

1885
01:20:05,760 --> 01:20:08,439
Speaker 21: she said that, I was like, okay, and I finished

1886
01:20:08,479 --> 01:20:11,040
Speaker 21: the album. Other than I probably would still be recording

1887
01:20:11,160 --> 01:20:11,439
Speaker 21: right now.

1888
01:20:11,520 --> 01:20:12,040
Speaker 19: I believe it.

1889
01:20:12,479 --> 01:20:13,720
Speaker 3: I believe that you.

1890
01:20:17,600 --> 01:20:21,400
Speaker 18: I do love having Felicia on the project.

1891
01:20:21,479 --> 01:20:28,599
Speaker 2: I thought that was full name. Yes, okay, I knew

1892
01:20:28,600 --> 01:20:29,320
Speaker 2: what I was talking about.

1893
01:20:32,040 --> 01:20:35,960
Speaker 18: You have Felicia Rashad Narrate and I love on the intro.

1894
01:20:36,120 --> 01:20:38,720
Speaker 18: The only way out is in. You even know who

1895
01:20:38,800 --> 01:20:41,519
Speaker 18: you are. I'm like, this project really takes you on

1896
01:20:41,600 --> 01:20:43,920
Speaker 18: a ride. But but how did you connect with her?

1897
01:20:44,320 --> 01:20:47,320
Speaker 21: It was a lot easier than I thought. I think big,

1898
01:20:47,360 --> 01:20:49,120
Speaker 21: I'm gonna always go big, and I'm like all they

1899
01:20:49,160 --> 01:20:49,800
Speaker 21: can say is no.

1900
01:20:50,120 --> 01:20:51,280
Speaker 19: So I was just prepared.

1901
01:20:51,280 --> 01:20:53,320
Speaker 21: I was telling my manager. I was like, if she doesn't,

1902
01:20:53,400 --> 01:20:55,920
Speaker 21: we can't get hurt. And this person, this person, this person.

1903
01:20:56,280 --> 01:20:56,680
Speaker 1: Back up.

1904
01:20:57,120 --> 01:21:01,080
Speaker 21: My manager got information on her manager and they just

1905
01:21:01,200 --> 01:21:03,240
Speaker 21: she sent her a request and at first they were like,

1906
01:21:03,439 --> 01:21:05,559
Speaker 21: we want to hear some music. And I was busy

1907
01:21:05,640 --> 01:21:07,920
Speaker 21: at the time, but before I could even send it,

1908
01:21:08,040 --> 01:21:09,000
Speaker 21: it meant two days.

1909
01:21:09,040 --> 01:21:14,200
Speaker 2: When they went by, she was I'm too busy.

1910
01:21:14,520 --> 01:21:19,799
Speaker 19: No I didn't, no, no, no, you, that's not what happened.

1911
01:21:20,400 --> 01:21:22,120
Speaker 19: I was to get you know, the song.

1912
01:21:22,200 --> 01:21:24,240
Speaker 21: I'm trying to figure out what exactly to send it

1913
01:21:24,280 --> 01:21:26,000
Speaker 21: because the album went all the way done.

1914
01:21:26,360 --> 01:21:28,679
Speaker 19: So I was like, you know, I was moving around,

1915
01:21:28,800 --> 01:21:31,280
Speaker 19: so it was maybe two days later.

1916
01:21:32,360 --> 01:21:39,160
Speaker 21: I was traveling, but I think like they asked for

1917
01:21:39,240 --> 01:21:41,080
Speaker 21: the music, and then I think the next day she

1918
01:21:41,360 --> 01:21:43,600
Speaker 21: was just like yes, you know, I don't know if

1919
01:21:43,640 --> 01:21:45,200
Speaker 21: they google, I don't know what happened.

1920
01:21:45,240 --> 01:21:47,519
Speaker 19: But I was like, my mouth was on the floor.

1921
01:21:47,560 --> 01:21:50,479
Speaker 19: I was like what And so I wrote out the

1922
01:21:50,600 --> 01:21:53,040
Speaker 19: parts and sent them to her and she recorded it

1923
01:21:53,320 --> 01:21:54,000
Speaker 19: and she's so.

1924
01:21:54,360 --> 01:21:57,600
Speaker 21: Good, like I just I wrote out my part in

1925
01:21:57,680 --> 01:22:00,679
Speaker 21: her part and she did it on a voice memo

1926
01:22:00,960 --> 01:22:01,679
Speaker 21: in our hotel.

1927
01:22:02,720 --> 01:22:05,840
Speaker 19: But she's she's just so good, like you hear it.

1928
01:22:06,479 --> 01:22:09,080
Speaker 19: But I chose her for that, you know, for the

1929
01:22:09,200 --> 01:22:09,879
Speaker 19: very reason.

1930
01:22:09,720 --> 01:22:13,040
Speaker 21: Or what she represents to the black community to us.

1931
01:22:13,120 --> 01:22:16,280
Speaker 21: I was watching The Matrix and I was so intrigued

1932
01:22:16,320 --> 01:22:19,320
Speaker 21: by the relationship of Neo and the Oracle. You know,

1933
01:22:19,640 --> 01:22:21,640
Speaker 21: it was like that was the journey I was on

1934
01:22:22,240 --> 01:22:25,000
Speaker 21: and how she got it him. So when we were

1935
01:22:25,040 --> 01:22:28,240
Speaker 21: in the studio and I was with Black Odyssey in Austin, Texas.

1936
01:22:28,560 --> 01:22:31,720
Speaker 21: They helped executive produce the album with s one. They

1937
01:22:31,760 --> 01:22:33,920
Speaker 21: were like, how you gonna put pieces together? Not?

1938
01:22:34,240 --> 01:22:35,720
Speaker 19: And that's what I thought of, And she was the

1939
01:22:35,800 --> 01:22:36,599
Speaker 19: only voice.

1940
01:22:36,360 --> 01:22:36,840
Speaker 3: That I heard.

1941
01:22:37,080 --> 01:22:38,920
Speaker 9: How we got more with rhaps City when we come back,

1942
01:22:38,960 --> 01:22:42,439
Speaker 9: don't move. It's to breakfast club. Good morning, the breakfast club.

1943
01:22:44,880 --> 01:22:47,479
Speaker 2: When we are the breakfast club. We have now with

1944
01:22:47,600 --> 01:22:49,479
Speaker 2: us this morning and we're still kicking it with rhaps City.

1945
01:22:49,600 --> 01:22:51,840
Speaker 2: Tell me, I tell you tweeted no such thing as

1946
01:22:51,880 --> 01:22:52,599
Speaker 2: female hip hop.

1947
01:22:52,880 --> 01:22:53,920
Speaker 19: Yeah, I don't like that.

1948
01:22:54,200 --> 01:22:56,920
Speaker 2: What is that elaborate on that little Yeah, it's.

1949
01:22:57,000 --> 01:22:57,960
Speaker 19: It's just hip hop.

1950
01:22:58,200 --> 01:23:00,920
Speaker 21: Like somebody they try to re boto me, like there

1951
01:23:00,960 --> 01:23:03,840
Speaker 21: are women who make songs specifically for women. That's called

1952
01:23:03,840 --> 01:23:10,400
Speaker 21: an audience, sir, audiences women. But what she does is

1953
01:23:10,520 --> 01:23:14,599
Speaker 21: hip hop. Like you, when you label something, labels are

1954
01:23:14,720 --> 01:23:17,360
Speaker 21: just there to separate us. So if you labeling it

1955
01:23:17,600 --> 01:23:19,919
Speaker 21: female hip hop and you putting it in a category

1956
01:23:20,000 --> 01:23:22,640
Speaker 21: with this is just for females, and you looking at

1957
01:23:22,680 --> 01:23:26,160
Speaker 21: it a certain way, it's like, no, they do hip hop,

1958
01:23:26,240 --> 01:23:30,240
Speaker 21: they rap, but their audience may be mostly women, you know,

1959
01:23:30,479 --> 01:23:33,920
Speaker 21: And I just hate the separation and labels. It's already

1960
01:23:33,960 --> 01:23:37,320
Speaker 21: hard for us. It's just another form of sexism too. Yeah,

1961
01:23:37,840 --> 01:23:41,440
Speaker 21: I don't make female hip hop. I rap for everybody.

1962
01:23:41,520 --> 01:23:43,800
Speaker 21: You get it or you don't. And you know my

1963
01:23:43,960 --> 01:23:47,960
Speaker 21: fan base shows that got men, women, older people, younger people.

1964
01:23:48,040 --> 01:23:49,400
Speaker 21: It's just that's what it is.

1965
01:23:49,600 --> 01:23:51,760
Speaker 19: So it's like, we're not about to do that, and

1966
01:23:51,760 --> 01:23:52,840
Speaker 19: I'm gonna advocate for it.

1967
01:23:53,520 --> 01:23:56,520
Speaker 2: What problems you to the dress, questions about your sexuality?

1968
01:23:56,640 --> 01:23:57,960
Speaker 2: Under stand tall records because it.

1969
01:23:58,280 --> 01:24:01,280
Speaker 21: Would be conversations throughout the years of my career, and

1970
01:24:01,439 --> 01:24:04,240
Speaker 21: so it was like things that I internalized to like

1971
01:24:04,680 --> 01:24:07,800
Speaker 21: the way that I dress or whatever. People assume things

1972
01:24:07,840 --> 01:24:11,439
Speaker 21: about you or because you have you don't know who

1973
01:24:11,520 --> 01:24:14,240
Speaker 21: I've been a relationship. I'm private, so they just assume

1974
01:24:14,640 --> 01:24:16,360
Speaker 21: who you are. So it's just like, let me just

1975
01:24:16,439 --> 01:24:19,320
Speaker 21: address it head on. Then you know you hear it

1976
01:24:19,360 --> 01:24:19,640
Speaker 21: from me.

1977
01:24:20,000 --> 01:24:21,920
Speaker 2: He said. Judgment saw me. They wondering if I'm gona

1978
01:24:21,920 --> 01:24:23,880
Speaker 2: eat the Kochie fan all because I choose the style

1979
01:24:23,960 --> 01:24:26,320
Speaker 2: and sneakers and some baggy pants used to make me

1980
01:24:26,439 --> 01:24:28,400
Speaker 2: Aggie want to black out like the Aggie fans.

1981
01:24:28,640 --> 01:24:28,880
Speaker 8: I heard.

1982
01:24:29,920 --> 01:24:33,080
Speaker 3: Of course you did, you, of course you did.

1983
01:24:34,720 --> 01:24:35,720
Speaker 2: That's what I'm yo.

1984
01:24:35,840 --> 01:24:38,000
Speaker 21: I'll be like it's like if you dress like this,

1985
01:24:38,240 --> 01:24:41,040
Speaker 21: oh you do not like men because you're not catering

1986
01:24:41,160 --> 01:24:44,400
Speaker 21: to men what we think or what we think men

1987
01:24:44,800 --> 01:24:46,840
Speaker 21: want to be catered to. And now the conversation I'll

1988
01:24:46,880 --> 01:24:49,439
Speaker 21: be seeing men having it like yo, we miss having

1989
01:24:49,520 --> 01:24:50,560
Speaker 21: some imagination about it.

1990
01:24:50,880 --> 01:24:51,560
Speaker 2: Do you hear me?

1991
01:24:51,920 --> 01:24:54,679
Speaker 3: That's why I'm like, Yo, Y're gonna show us everything.

1992
01:24:55,560 --> 01:24:58,439
Speaker 3: Listen to the man if all with these new you know,

1993
01:24:58,840 --> 01:25:02,240
Speaker 3: newer brand. If women are trying to upheal the men

1994
01:25:02,280 --> 01:25:05,000
Speaker 3: all the time, listen to them. They don't always want

1995
01:25:05,040 --> 01:25:09,040
Speaker 3: to get online and misplaced belly buttons and all that.

1996
01:25:09,320 --> 01:25:13,240
Speaker 1: They don't want to see it all the time, like rather.

1997
01:25:13,200 --> 01:25:14,520
Speaker 3: Not even see the stomach.

1998
01:25:19,400 --> 01:25:21,920
Speaker 2: Showing three for cloth, never showing your stuff off.

1999
01:25:22,160 --> 01:25:28,560
Speaker 19: Like yo, you fly hell, I'm gonna affirm that to you.

2000
01:25:29,240 --> 01:25:31,880
Speaker 21: And yeah, and it's not even just in music, like

2001
01:25:32,479 --> 01:25:35,000
Speaker 21: I hear women in the business they say like I

2002
01:25:35,240 --> 01:25:37,560
Speaker 21: sometimes I cover up just so I can go in

2003
01:25:37,600 --> 01:25:37,920
Speaker 21: the meeting.

2004
01:25:37,960 --> 01:25:40,439
Speaker 19: We can have a straight on meeting. I ain't about

2005
01:25:40,439 --> 01:25:43,360
Speaker 19: to do that, but yeah, it's just like everything is

2006
01:25:43,400 --> 01:25:46,640
Speaker 19: a full display, like you know, I like to I

2007
01:25:46,840 --> 01:25:49,840
Speaker 19: like to have you guessing, like you know, the days

2008
01:25:49,880 --> 01:25:51,160
Speaker 19: we do want to pop out.

2009
01:25:51,080 --> 01:25:55,320
Speaker 16: And be like damnamn, Like yeah, let that reaction.

2010
01:25:56,920 --> 01:25:58,880
Speaker 21: And it's not comfortable. I like to be comfortable and

2011
01:25:59,040 --> 01:26:02,120
Speaker 21: just be real with you. Yeah, them he'lls hurt my feet. Yeah,

2012
01:26:02,360 --> 01:26:04,120
Speaker 21: very excited about your packaging.

2013
01:26:04,280 --> 01:26:07,680
Speaker 3: Your promotion is crazy. You always got a creative way

2014
01:26:07,760 --> 01:26:10,719
Speaker 3: to appeal to your fans, Like when she does Past

2015
01:26:10,760 --> 01:26:13,439
Speaker 3: the Us and she we always have your music. She

2016
01:26:13,479 --> 01:26:16,080
Speaker 3: always says a song like show tell us, like little.

2017
01:26:15,880 --> 01:26:19,920
Speaker 2: Creative ways that you be like like that one time.

2018
01:26:20,200 --> 01:26:22,360
Speaker 3: Yeah, like a T shirt Like, yeah, the T shirt.

2019
01:26:22,960 --> 01:26:24,080
Speaker 3: I'm like, Okay, that's creative.

2020
01:26:24,880 --> 01:26:25,320
Speaker 2: That's dope.

2021
01:26:25,360 --> 01:26:27,240
Speaker 3: That's how you really know who you're connected to as well,

2022
01:26:27,360 --> 01:26:29,240
Speaker 3: like your fans are really loyal to you.

2023
01:26:29,320 --> 01:26:31,519
Speaker 21: It's one of my favorite things about putting out an album,

2024
01:26:31,840 --> 01:26:34,040
Speaker 21: Like the music is of course, but then it's like,

2025
01:26:34,120 --> 01:26:36,719
Speaker 21: all right, that part is fun, Like how we gonna

2026
01:26:36,760 --> 01:26:38,720
Speaker 21: roll this out with this one.

2027
01:26:39,600 --> 01:26:42,000
Speaker 19: I watched the movie Air. I don't know if you've

2028
01:26:42,000 --> 01:26:42,280
Speaker 19: seen it.

2029
01:26:42,520 --> 01:26:47,000
Speaker 3: No, it's it's about Yeah, I'm sorry.

2030
01:26:47,200 --> 01:26:50,600
Speaker 21: I was so inspired by the branding and marketing of it,

2031
01:26:50,720 --> 01:26:52,439
Speaker 21: and it was just like, it ain't about the shoe,

2032
01:26:52,479 --> 01:26:54,680
Speaker 21: It's about the person wearing the shoe. I was like,

2033
01:26:55,200 --> 01:26:56,800
Speaker 21: I called the team. I was like, I want to

2034
01:26:56,880 --> 01:26:58,920
Speaker 21: roll this out like a Nike ad for a shoe,

2035
01:26:59,120 --> 01:27:01,560
Speaker 21: but with the album, how we gonna do that? And

2036
01:27:01,800 --> 01:27:03,760
Speaker 21: you know, we really wanted again, like I was in

2037
01:27:03,840 --> 01:27:06,599
Speaker 21: the place of like free, like I'm not worried about

2038
01:27:06,720 --> 01:27:09,080
Speaker 21: Billboard or nothing like that. It's just like, let's just

2039
01:27:09,160 --> 01:27:12,640
Speaker 21: focus on the fan base. So you know, we just

2040
01:27:12,760 --> 01:27:15,120
Speaker 21: made them a part of it, and we just told

2041
01:27:15,160 --> 01:27:18,040
Speaker 21: the story from that way, just being organic and the

2042
01:27:18,120 --> 01:27:20,680
Speaker 21: ideas we was just flowing. My mind worked like that.

2043
01:27:20,760 --> 01:27:23,800
Speaker 21: I can't explain it, but yeah, I'm glad people are.

2044
01:27:26,040 --> 01:27:26,560
Speaker 3: I can see that.

2045
01:27:27,400 --> 01:27:27,720
Speaker 16: Thank you.

2046
01:27:28,000 --> 01:27:31,040
Speaker 2: And I just noticed this. We each each other, that's

2047
01:27:31,040 --> 01:27:31,479
Speaker 2: your label.

2048
01:27:31,800 --> 01:27:35,760
Speaker 19: Yes, I wasn't ready to announce it.

2049
01:27:41,160 --> 01:27:42,559
Speaker 2: Each other Jack Nation.

2050
01:27:42,640 --> 01:27:52,080
Speaker 3: I'm like, oh yeah, yeah, but it's okay. It's okay.

2051
01:27:54,360 --> 01:27:56,960
Speaker 19: I could still have my moment when that time comes.

2052
01:27:57,040 --> 01:28:00,800
Speaker 21: But yes, I started this is my last album on

2053
01:28:00,920 --> 01:28:04,000
Speaker 21: Jammling Records, and that's my family forever. But it got

2054
01:28:04,040 --> 01:28:06,200
Speaker 21: to a point where I felt like, you know, I've

2055
01:28:06,320 --> 01:28:09,040
Speaker 21: learned so much. I feel like I reached the ceiling.

2056
01:28:09,080 --> 01:28:12,519
Speaker 21: And it's like you leave the nest many times over life,

2057
01:28:12,720 --> 01:28:14,599
Speaker 21: you know, you get eighteen, leave the home, you leave

2058
01:28:14,640 --> 01:28:16,679
Speaker 21: the nest, and I feel like you do it many

2059
01:28:16,760 --> 01:28:17,320
Speaker 21: times over.

2060
01:28:17,479 --> 01:28:19,080
Speaker 19: So you know, I told going Knife, I was like,

2061
01:28:19,160 --> 01:28:21,880
Speaker 19: I think it's time for me, you know, to try

2062
01:28:21,920 --> 01:28:22,679
Speaker 19: this on my own.

2063
01:28:23,439 --> 01:28:26,080
Speaker 21: So I have a business partner, Andre Mego, who's also

2064
01:28:26,160 --> 01:28:29,599
Speaker 21: an artist, and our first artist that we signed together

2065
01:28:29,680 --> 01:28:30,840
Speaker 21: is Nico Brim Yeah.

2066
01:28:31,000 --> 01:28:33,960
Speaker 18: Nico love it.

2067
01:28:34,680 --> 01:28:38,719
Speaker 19: Yeah, So I'm excited to introduce that more to the world.

2068
01:28:39,640 --> 01:28:42,599
Speaker 18: That's why he got his own interlude on the project.

2069
01:28:42,720 --> 01:28:45,200
Speaker 19: Why he has project Yeah.

2070
01:28:45,360 --> 01:28:48,760
Speaker 2: Well, big ceo rap, you know what I mean. It's

2071
01:28:48,800 --> 01:28:49,240
Speaker 2: a pleasure.

2072
01:28:49,320 --> 01:28:51,360
Speaker 21: Thank you for your time as always you thank you

2073
01:28:51,400 --> 01:28:53,400
Speaker 21: all for making space for me. Thank you for always

2074
01:28:53,439 --> 01:28:54,840
Speaker 21: saying my name yr like.

2075
01:28:54,920 --> 01:28:56,640
Speaker 2: I appreciate the love absolutely.

2076
01:28:57,160 --> 01:29:00,280
Speaker 11: Please don't cry. It's out right now and it's rahaps

2077
01:29:00,280 --> 01:29:01,559
Speaker 11: to the y'all. It's the breakfast club.

2078
01:29:03,240 --> 01:29:06,040
Speaker 2: You're like into the breakfast club, pointing everybody.

2079
01:29:06,080 --> 01:29:09,080
Speaker 11: It's j n V Jess hilarious. Charlomagne the God, we

2080
01:29:09,160 --> 01:29:10,840
Speaker 11: are the breakfast Club. It's time to get up out

2081
01:29:10,880 --> 01:29:13,280
Speaker 11: of here. Yes, Charlomagne, you got a positive note. The

2082
01:29:13,360 --> 01:29:16,479
Speaker 11: positive note is this man. You are responsible for your life.

2083
01:29:16,720 --> 01:29:19,679
Speaker 11: You can't keep blaming somebody else for your dysfunction.

2084
01:29:19,880 --> 01:29:20,880
Speaker 2: Breakfast club bitch

2085
01:29:20,960 --> 01:29:22,639
Speaker 1: Is you don't finish for y'all dunks,