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Speaker 1: So I'm running so fast, just just like booking it

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Speaker 1: so hard with with uh, with Carter Bass, Carter Bays,

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Speaker 1: co creator of hem yim uh, and we are so

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Speaker 1: it was so great. And the good Win Games funny.

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Speaker 2: You think of him from a himyum for me, He's

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Speaker 2: all good Win Games.

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Speaker 1: So we are so this is what was so sad.

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Speaker 1: Good Win Games is like on the air, it's going great,

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Speaker 1: uh and then a battery pops out of the camera

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Speaker 1: and we're running because we are chasing it down the hill.

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Speaker 2: No, it's rolling.

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Speaker 1: Because if that battery rolls into the sewer, that's the

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Speaker 1: end of the good Win Games. And the entire cast

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Speaker 1: helped me out, help me, help me, help me. And

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Speaker 1: if Becky Newton, Becky Newton, not Jennifer good One keep.

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Speaker 2: Helping me, that would have been nice, though, huh, help.

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Speaker 1: Me help me?

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Speaker 2: Wouldn't that happen?

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Speaker 1: There was two guys, two guys.

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Speaker 2: I only know them as their characters, you know what

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Speaker 2: I mean. Like I try to divorce the concept of

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Speaker 2: an actor being in a project like that, I get

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Speaker 2: lost in my imagination and I really like, just live

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Speaker 2: in that world where the game was happening, and Goodwin's

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Speaker 2: trying to stop stop it or trying to win, and

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Speaker 2: they're not above cutting up and being a little bit

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Speaker 2: silly as well.

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Speaker 1: So we're like, we're running so hard. And also you say, yeah, right,

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Speaker 1: is that you've seen me do this? You've seen how

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Speaker 1: fast I can run? Especially I have.

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Speaker 2: I have seen you run in a way where it's

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Speaker 2: clear that you think you're going very fast. And then

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Speaker 2: and the noises that you make and the face you're

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Speaker 2: making and the sort of like motion of your arms

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Speaker 2: and stuff is like, whoa, this guy really feels like

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Speaker 2: he's trucking.

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Speaker 1: So what I say, Okay, well you okay like this this,

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Speaker 1: you will admit admit this. My legs are going up

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Speaker 1: and down very fast. I'm not getting the necessarily like

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Speaker 1: the like lateral push moment.

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Speaker 2: Yes, that's right, you're not moving across the earth very quickly.

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Speaker 2: Your body's moving very.

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Speaker 1: Fast, thank you. Yes, my legs are. My legs are

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Speaker 1: travel turning up and down. I am going I would

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Speaker 1: just not. It's much more up and down than it is.

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Speaker 3: It's slower than walking, and it destroys people's that's ablest.

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Speaker 1: What you just said is able us. Hey, welcome to

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Speaker 1: Hollywood ham again. I just kicking button dropping names in

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Speaker 1: the red carpet lineback. Ha.

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Speaker 2: Always this industry we call showbiz. What what up? And

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Speaker 2: so nice to be here again and doing a show.

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Speaker 1: No sorry, yes, Sean, I forgot to do this. If

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Speaker 1: you go ahead.

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Speaker 2: I love my listeners, my fans. Thank you for tuning in.

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Speaker 2: If you're hearing this in your ears right now, kiss kiss, kiss, kiss,

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Speaker 2: kiss open Mike Eagle, the same to you, of course.

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Speaker 4: Oh did you kiss inside my ear too? Because that's weird.

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Speaker 2: And if you don't like it, then just pull your

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Speaker 2: headphones away from your ear a little bit as well,

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Speaker 2: do as it'll be in the air right near you.

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Speaker 1: But now, so wait, but say what's weird? Is it weird?

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Speaker 1: The location of the kiss is weird? Or the or

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Speaker 1: the time of the kiss within the episode is weird?

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Speaker 1: It's too early to have a kiss.

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Speaker 4: I think with the guests a situation where there's factors

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Speaker 4: of weird and and but most of it comes down

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Speaker 4: to the fact that I didn't I didn't expect a

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Speaker 4: kiss in the ear. And I think that's the worst

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Speaker 4: time to get a kiss in the ear is when

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Speaker 4: you didn't know one was coming.

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Speaker 1: You want to say, Okay, ready, wait, ready, wait, wait

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Speaker 1: a second and closer yeah ready.

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Speaker 2: Now open open Mike.

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Speaker 4: You hate surprises, Yeah a little, But now I'm like

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Speaker 4: anxious because I feel like you were going to do

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Speaker 4: it again, and so I'm not even sure that it

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Speaker 4: was really the preparation thing. I think it might be

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Speaker 4: some other issue I'm having entirely.

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Speaker 2: Okay, and I and thank you for admitting that. But

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Speaker 2: this is on you.

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Speaker 4: No, no, no, mostly it's mostly me.

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Speaker 1: Open Mike Eagle, Rapper, comedian, Comedy Central show, mm hmm,

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Speaker 1: talk about the deal. But the money tell you money

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Speaker 1: deal was what's this money? Money?

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Speaker 4: There was there was a bidding war and somebody else

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Speaker 4: wanted it and we were gonna we were gonna go

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Speaker 4: with them, like we had closed the deal, and then uh,

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Speaker 4: we didn't, and then we went. We went with Comedy Central.

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Speaker 4: So that other company hates us, it won't do anything

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Speaker 4: with us ever. And but yeah, Comedy Central offered a

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Speaker 4: bunch more money, so we took them.

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Speaker 2: With more money than the other company.

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Speaker 4: They did.

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Speaker 2: This other company I'm assuming was like a bodega or something.

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Speaker 2: If they're getting out mad by Comedy Central.

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Speaker 4: Yeah, but I think they were both good to Comedy

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Speaker 4: Central had a specific beef with Ah.

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Speaker 1: I got news for unfortunately that that other company was

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Speaker 1: also Comedy Central. And when they left the room and

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Speaker 1: we're like, let's let's let's think about this deal for

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Speaker 1: a second, and then came in the other door as

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Speaker 1: like like you know, basically in a disguise that was

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Speaker 1: comedy that was Comedy Central and.

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Speaker 2: One of them where they're closed backwards go ahead.

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Speaker 4: Yes and twirl tly mustache.

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Speaker 1: No.

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Speaker 4: The funny thing is and this is a legitimately true story.

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Speaker 4: Since then, the two companies have merged.

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Speaker 1: Uh huh uh.

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Speaker 2: So what I'm thinking is this was an all access

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Speaker 2: type of deal. And of course no one has to say,

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Speaker 2: but it just feels to me like and I know

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Speaker 2: a little bit about the business, let's face handbook.

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Speaker 1: Yeah, we have to face it up to this.

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Speaker 2: Yeah no, no, no, that's not to anyone's benefit. So

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Speaker 2: I want to know more about the deal. Points on

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Speaker 2: the back end, Mike, of course, always a lot of points.

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Speaker 1: Back end is huge right now.

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Speaker 4: Never there's never enough points, So I don't you know,

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Speaker 4: I wouldn't say a lot, but you.

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Speaker 2: Knows, are we working with way too many yeah, too

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Speaker 2: many cooks for sure. Some of them you don't know.

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Speaker 4: Huh yeah.

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Speaker 2: I mean you're like, who is Connor? Why is he getting.

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Speaker 1: You're paying extra to check all those producers. It's true

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Speaker 1: on the plane.

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Speaker 4: You have a title card at the end.

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Speaker 1: I did not.

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Speaker 4: That's the one place my lawyer failed me, and other

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Speaker 4: people's lawyers didn't fail him.

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Speaker 1: Does Baron Vaughan ever talk about Leonard Malton?

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Speaker 4: Not enough? I don't. I don't hear enough Leonard stories.

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Speaker 4: It's like it's like it's the chapter of his life

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Speaker 4: that he's ashamed of or something.

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Speaker 1: What the ear Wolf chapter? Kevin? Did you hear that?

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Speaker 4: It's gotta be He don't talk about it. Who would

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Speaker 4: do a podcast when Leonard Malton?

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Speaker 2: It?

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Speaker 4: Never bring it up, Kevin.

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Speaker 1: He doesn't talk about the show he did with Earwolf ever, Kevin,

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Speaker 1: because he thinks because he has a TV show now

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Speaker 1: that that's better. He's got five TV shows than an

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Speaker 1: ear Wolf podcast that's like close to an Earwolf podcast

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Speaker 1: or specifically a wolf Pop podcast. He doesn't talk about

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Speaker 1: wolf Pop.

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Speaker 5: Hey, guys, chef, Kevin here, I recorded some of those episodes.

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Speaker 1: And he and you would never know because he will

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Speaker 1: never speak of it ever.

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Speaker 2: You might as well not exist.

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Speaker 5: Kevin, I'll have to write to him, jog his memory

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Speaker 5: a little bit.

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Speaker 4: It sounds like a euphemism from beating him up.

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Speaker 1: Yeah, he's gonna be up.

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Speaker 5: Me and the engineers are gonna help help remind him.

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Speaker 2: Pay him a little visit.

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Speaker 5: Don't memory lane give him map quest directions?

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Speaker 4: Boy, does that mean brass knuckles?

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Speaker 1: Is that what that means?

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Speaker 5: It sounds like I'm gonna ask Jeeves to help me

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Speaker 5: deliver the map quest.

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Speaker 2: Kevin puts the brass knuckles in his mouth, and then

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Speaker 2: he just sort of thrust his head back and forth.

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Speaker 4: That could be painful, It's yeah, it doesn't.

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Speaker 1: It definitely could be. It definitely could be. They're really

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Speaker 1: heavy too, so like he you can definitely that first

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Speaker 1: like head butt is really hard, but then he can't

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Speaker 1: lift his head back up necessarily.

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Speaker 2: Yeah, that's the thing. He'll get you once sort of

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Speaker 2: in the like shoulder area pretty good, and then you

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Speaker 2: kind of got to help him up.

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Speaker 4: And I feel like each strike costs him a tooth.

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Speaker 4: Oh yeah, the cost price of engagement.

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Speaker 1: You know, Uh, coronavirus, this is real or fake?

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Speaker 2: You think the novel coronavirus.

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Speaker 4: I don't like when people call it the novel coronavirus.

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Speaker 4: It's the great Yeah, it's not. This isn't This is

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Speaker 4: not like. This isn't literature. This isn't the virus isn't

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Speaker 4: going to win the Nobel Literature Prize. Okay, it's not.

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Speaker 4: And and even even.

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Speaker 2: You heard you heard in coronavirus, he's counting you out

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Speaker 2: prove him wrong.

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Speaker 4: I'm saying. And even in the novel in the sense

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Speaker 4: of time, it's been around. It's been around a while now.

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Speaker 4: The novelty is worn off for you, precisely, precisely that

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Speaker 4: this virus is old hat.

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Speaker 1: But isn't it interesting that The Great Gatsby is fake

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Speaker 1: and that novel is fake? And so maybe all along

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Speaker 1: they were saying this is actually oh you thought this

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Speaker 1: was real. It actually is completely fake.

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Speaker 2: It's actually a novel. It's the sort of thing that

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Speaker 2: Michael Crichton would come up with, more so than it

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Speaker 2: would happen in the real world.

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Speaker 1: Jeff Kevin has been explained to us that this, uh,

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Speaker 1: that this is all completely fake. None of it is happening,

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Speaker 1: and uh, people are happening, actually getting healthier. WHOA yeah,

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Speaker 1: that'd be the greatest trick. The devil overpool gets you

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Speaker 1: healthier until you you're getting sicker.

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Speaker 6: That's what I keep saying.

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Speaker 1: Kevin's been saying this, hats.

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Speaker 2: Off to the devil if he pulls that one off.

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Speaker 4: Old hats off.

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Speaker 6: Mm hmm.

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Speaker 1: Talk about let's talk about ive streaming. Uh backdrops? I

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Speaker 1: see you have one there, you're mostly you're mostly concealing it.

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Speaker 4: Yeah, I'll get out of the way for a moment.

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Speaker 1: Magic is on the air. Yeah, this is w.

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Speaker 7: Z r D.

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Speaker 4: So the Imaginary Quarantine Radio that show that I do

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Speaker 4: every day, we also call WZRD. But it's only because

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Speaker 4: I have the banner already, Okay, And I stole the

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Speaker 4: banner from a set of a television show I was

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Speaker 4: co starring on last year that nobody ever saw. And

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Speaker 4: so this is my proof that it happened, because I

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Speaker 4: did not make this banner myself.

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Speaker 1: What show was that different show?

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Speaker 4: Yes, it was called Live from w z r D,

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Speaker 4: and it was on vr V. It was T and

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Speaker 4: T's its Favorite, its Favorite Daughter vr V. And this

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Speaker 4: was w z r D on on VRV, which yes, yes,

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Speaker 4: verve and yeah, so that this happened.

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Speaker 2: V r V.

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Speaker 1: That's the that turned Harmontown guys into the cartoon correct.

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Speaker 4: Yes, they didn't turn us into cartoons b r V.

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Speaker 2: I believe is how Dracula abbreviates be right back? Is

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Speaker 2: this trip.

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Speaker 4: Spot on a spot on spot on? It might be.

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Speaker 4: I think maybe there's there's only like it's it's secretly

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Speaker 4: just like a vampire money laundering scheme. I think the

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Speaker 4: whole thing because I think, like, yeah, they have they

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Speaker 4: have shows, but they don't promote them.

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Speaker 1: Yeah, but what and what evidence is there that it

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Speaker 1: is actually.

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Speaker 2: The check The head of the network goes, oh, be

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Speaker 2: right back, and then it just turns into a bat

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Speaker 2: and flies out the window.

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Speaker 4: It's almost like you were there. And also like this

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Speaker 4: is like oddly blood colored.

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Speaker 2: Yes, I didn't notice that at first, but that's probably

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Speaker 2: what's getting them so excited.

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Speaker 4: So they probably really mad at me because I took

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Speaker 4: the I took the blood banner.

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Speaker 1: Mm hmmm mm hmmm. Oh no, wonder and Baron Vaughan

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Speaker 1: killed this show have jealousy? No, he was on it too,

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Speaker 1: and he was on it as well. Yeah he was

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Speaker 1: he well he he was on one episode. So this

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Speaker 1: is a really funny thing.

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Speaker 4: That happened. You should put this in your handbook for

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Speaker 4: for for for people in the business. Don't know this, well,

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Speaker 4: he said, it's.

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Speaker 2: A really funny thing that happened. Doesn't sound like it

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Speaker 2: would go in our handbook the way.

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Speaker 1: We have it constructed, but we could sell it to

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Speaker 1: somebody else that's true might like it.

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Speaker 4: Well, this is a pitch, then you can you can

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Speaker 4: take it or leave it. So we shot the New

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Speaker 4: Negroes and it was in a can a year before

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Speaker 4: they aired it. And then so they gave us they

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Speaker 4: had a pretty good long lead out to give us

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Speaker 4: like a target date of when they're going to start

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Speaker 4: airing it. And all I told the people the v

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Speaker 4: r V because our show came together and we shot

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Speaker 4: it in like two months. I was like, if you're

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Speaker 4: going to erit, don't erit on this uh, like this month,

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Speaker 4: because that's when my other show is starting and I'm

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Speaker 4: not sure that all the promotion is going to be

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Speaker 4: able to like hold up at the same time. And

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Speaker 4: they aired him on the exact same day premiere date.

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Speaker 1: It was.

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Speaker 4: It was amazing. It was amazing.

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Speaker 2: So yes, essentially forcing you to force your fans.

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Speaker 4: To choose well, yeah, just it forced me to. It

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Speaker 4: forced me to do two sets of tweets that day.

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Speaker 1: Oh no, and for East Coast and West Coast.

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Speaker 4: Yeah, well time doesn't exist on VRV, so that that

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Speaker 4: was good to me.

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Speaker 2: It would send the message I would go, he's not

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Speaker 2: committed to either of these products, like he doesn't care,

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Speaker 2: just recommending things all over, like you go here and

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Speaker 2: watch this or what.

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Speaker 4: I wish we'd spoke before this happened. I feel like

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Speaker 4: I should have run this by you and you would

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Speaker 4: have told me how it would have made you feel.

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Speaker 2: And I would have kept it a secret.

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Speaker 4: Damn, that's not the value.

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Speaker 1: Yeah, uh open mic eagle. Yes, freestyle rap.

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Speaker 4: Yeah, I do it.

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Speaker 2: You're one of the masters of it. Is this true?

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Speaker 4: I'm I'm I'm pretty great. I'm pretty great. I'm making

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Speaker 4: it up. Wraps man.

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Speaker 1: He makes it, and he makes them up without doing

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Speaker 1: it before, and he does it right at the time

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Speaker 1: that you are watching it happen.

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Speaker 4: Yes, improve too. As we say in the business.

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Speaker 2: You're sort of the middle ditch and Schwartz of wraps.

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Speaker 2: Is this correct?

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Speaker 4: You both together? Yes, just two sides of the brain.

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Speaker 4: You know.

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Speaker 1: There's the the Yes, there's the the middle ditch lobe

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Speaker 1: and the schwartz lobe. Yeah, and they compliment each other

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Speaker 1: and they compete with each other, yes.

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Speaker 2: They Yes, they inspire each other, you know, to to

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Speaker 2: continue striving. And your brain is just doing that to itself. Yes,

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Speaker 2: the one side of it will go like how about

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Speaker 2: this rhyme? On the other side, don't go, but do

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Speaker 2: but check out this rhyme. And that is cool. And

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Speaker 2: that's nice that you're making it up on the spot.

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Speaker 2: I guess we're sort of handicapping for you.

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Speaker 4: And when you do that, Yeah, you're.

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Speaker 2: Part of what's impressive, right, is that it's just happening now.

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Speaker 2: So I go, well, it's even if it's not great,

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Speaker 2: it's still like even if it's very good, it's still

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Speaker 2: great because like you just made it.

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Speaker 4: Up right, like and then and then I make a

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Speaker 4: lot of mistakes, but they're beautiful mistakes, you know.

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Speaker 1: M that's part of it. Yeah, it's like you do

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Speaker 1: on purpose. Like the Sufi weaver. Sean talk about this,

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Speaker 1: introduce this idea.

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Speaker 2: Are you familiar with the Sufi weaver?

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Speaker 4: No, I've never heard of it.

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Speaker 2: So the Sufi weaver, when a mistake was made on

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Speaker 2: their loop would actually the mistake until it became a

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Speaker 2: part of the pattern beautiful and therefore it wasn't a

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Speaker 2: mistake at all.

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Speaker 4: Wow.

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Speaker 1: I yes, I have purchased a huge medieval loom to

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Speaker 1: create personal protective equipment. Oh yes, out of very thick

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Speaker 1: like kind of ropes. So like one mask I can

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Speaker 1: make out of like basically three huge cords of rope

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Speaker 1: that you just wrap around you just kind of tie

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Speaker 1: around your head and it has to be like kind

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Speaker 1: of sawed off at the end of the but it's

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Speaker 1: not going to fall off.

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Speaker 4: It's nice and sturdy.

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Speaker 1: Let's talk about doing a rap where we are actually

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Speaker 1: really thinking about it though, and instead of freestyle rap,

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Speaker 1: we're we're doing actually very deliberate rap. Let's think about this.

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Speaker 4: The thing about the freestyling, right, is that you have

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Speaker 4: you don't have a lot of time, so like you

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Speaker 4: have to just come up with what you can do

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Speaker 4: best and short amount of time. So what you're doing, yes,

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Speaker 4: like I'm not sure it would work in time because

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Speaker 4: you don't have the time to think, which is the

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Speaker 4: reason you have to kind of say whatever you just

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Speaker 4: thought of.

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Speaker 1: Well, we have now for the rest of this court record,

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Speaker 1: our forty five minutes.

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Speaker 6: Yeah, at least at least.

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Speaker 2: In hour and forty five minutes left on the clock

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Speaker 2: until you're allowed to leave.

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Speaker 4: So after we have to tell my kid that because

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Speaker 4: he's gonna expect lunch at some point. But I'll take

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Speaker 4: care of him. Grub up, it'll it'll be fine.

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Speaker 1: I got a kid supt.

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Speaker 2: Come on, kid, just put on a suit and then

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Speaker 2: wipe off your burger with leech and get down to town.

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Speaker 2: So one thing that it's going to take to do

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Speaker 2: this deliberate wrap. There's a little bit of bravery and

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Speaker 2: believing in ourselves.

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Speaker 4: I'm not good because it's it's.

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Speaker 2: Fear based to freestyle, isn't it.

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Speaker 4: It is your I mean, I didn't know we were

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Speaker 4: going to get down to that level on it, but yeah,

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Speaker 4: you know, I.

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Speaker 2: Just made it up. Oh I just made it up.

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Speaker 1: Did you not like it?

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Speaker 2: Well, I just made it up. If you really work

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Speaker 2: on it for an hour and forty five minutes, then

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Speaker 2: you have to say, like, this is actually what I

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Speaker 2: think is the best thing I can do.

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Speaker 1: And Sean, you you've done television shows and Sean and

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Speaker 1: I have as well. Yea, And so that's a big

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Speaker 1: reason why exactly something like Ghosted, where a group of

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Speaker 1: how many thirteen or fourteen extremely highly paid professionals got

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Speaker 1: together in a room for not an hour and forty

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Speaker 1: five minutes, really more like five to seven months.

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Speaker 2: Yeah, and for sometimes we were there for like fifteen hours.

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Speaker 1: So between certainly no ways sell the product. So between

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Speaker 1: eight and fifteen hour days. But then you watch the

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Speaker 1: show and you say, oh, that's why they did that. Oh,

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Speaker 1: that's why they at all that money and put in

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Speaker 1: all that work.

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Speaker 2: Oh, this harkens to John Carpenter's the thing.

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Speaker 4: A counterpoint though, what about the idea of doing impromptu

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Speaker 4: television where you don't think and you just make television

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Speaker 4: on the spot because you don't have time. So what

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Speaker 4: about what I think you guys haven't tried that, But

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Speaker 4: what if that produces a more like, you know, urgent

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Speaker 4: style of product. How about taking freestyle the principles of

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Speaker 4: freestyle rap and applying them to a long form television.

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Speaker 1: The interview that sticks with me the most because every

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Speaker 1: once in a while you'll come upon an interview with

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Speaker 1: an actor where they say that the most of the

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Speaker 1: show is actually improvised, just like every now and then,

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Speaker 1: and yeah, the one that has stuck with me. That

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Speaker 1: I was very impressed by was an interview with an

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Speaker 1: actor on the show Friday Night Lights where they said

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Speaker 1: that most of what they were doing on that show

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Speaker 1: was improvised, and I was like, wow, it's amazing. Yes,

399
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Speaker 1: it really did not feel that way. No, it really

400
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Speaker 1: felt like that. I mean that certainly seems like it

401
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Speaker 1: would be a difficult task to improvise that show, and

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Speaker 1: yet they managed to do it.

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Speaker 4: So did they just like play football most of the

404
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Speaker 4: time without a script?

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Speaker 1: They improvised? They were like, hey, what if in the

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Speaker 1: seam we had a football game? Yeah?

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Speaker 2: I think when they showed up to set, everyone was

408
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Speaker 2: kind of just standing around, and they were like, there's

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Speaker 2: a high school about a half a mile from here.

410
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Speaker 2: What if we went there and started costing around the pigskin.

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Speaker 4: I wish they had marketed it that way. I would

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Speaker 4: have watched it right if they had have told me

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Speaker 4: that's what it was like.

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Speaker 1: And instead they had to go to go to time

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Speaker 1: out on direct TV for a year. So so a

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Speaker 1: lot of shows do do that, but but like, it's

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Speaker 1: weird to me to see the product and a show

418
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Speaker 1: like Ghosted or on HBO's Divorce where we spent an

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Speaker 1: entire year, I said, writing the show. Then to see

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Speaker 1: that product on screen and be like, oh, let's do

421
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Speaker 1: something else, Let's do something cheaper. It's like, no, let's

422
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Speaker 1: keep doing this.

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Speaker 2: Yes, where when you when you turn on the screen

424
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Speaker 2: and Divorce is on or ghost it is on, and

425
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Speaker 2: you go, oh wow, everything I dreamed, all the sweat

426
00:22:21,920 --> 00:22:25,240
Speaker 2: equity that was put in, all these minds coming together

427
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Speaker 2: and working and throwing out the script and saying no,

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Speaker 2: it's not good enough, and starting over from scratch. It's

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Speaker 2: all worth it. When you watch and you you laugh, Yes,

430
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Speaker 2: you feel scared. Yeah, some of those ghosting episodes were

431
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Speaker 2: scary as shit.

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Speaker 7: Man.

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Speaker 2: That had me pissing my fucking drawers.

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Speaker 7: Dude, when they were getting chased by the monster, or

435
00:22:51,880 --> 00:22:54,080
Speaker 7: when all the kids at the birthday party were turning

436
00:22:54,200 --> 00:22:58,760
Speaker 7: to basically zombies, you go, wow, it's good that we

437
00:22:58,840 --> 00:22:59,320
Speaker 7: spent the.

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Speaker 2: Time that we did it.

439
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Speaker 1: Uh So, maybe what we'll do is Kevin will give

440
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Speaker 1: us a suggestion. Mike, you can start uh riffing on

441
00:23:08,840 --> 00:23:12,560
Speaker 1: that suggestion like you would, and then we will of

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00:23:12,600 --> 00:23:17,280
Speaker 1: course stop you and begin the process of opening the

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Speaker 1: writer's room and work shopping this wrap and we'll see

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Speaker 1: what comes out of that. And also it will cost

445
00:23:24,200 --> 00:23:24,720
Speaker 1: more money.

446
00:23:26,160 --> 00:23:28,000
Speaker 4: It sounds like it's going to make me very uncomfortable.

447
00:23:28,000 --> 00:23:29,520
Speaker 4: But I feel like there's a lesson for me there.

448
00:23:31,240 --> 00:23:33,720
Speaker 4: And also I don't know what's going on in my neighborhood,

449
00:23:33,720 --> 00:23:36,600
Speaker 4: but it happens all the time. Whatever it is, constantly

450
00:23:38,000 --> 00:23:39,080
Speaker 4: something weird.

451
00:23:40,560 --> 00:23:44,159
Speaker 1: Okay, Kevin, go ahead. I think it's their sounds like

452
00:23:44,160 --> 00:23:45,120
Speaker 1: it might be the circus.

453
00:23:45,640 --> 00:23:47,920
Speaker 4: To me, it sounded like the circuit another eleant.

454
00:23:48,760 --> 00:23:52,520
Speaker 6: Yes, uh fiance.

455
00:23:53,720 --> 00:23:59,480
Speaker 1: So h Kevin? Uh the word fiance. Uh. Sean was

456
00:23:59,520 --> 00:24:01,920
Speaker 1: talking about being scared by some of the content he's

457
00:24:01,960 --> 00:24:05,399
Speaker 1: created before, and the word fiance to Kevin is a

458
00:24:05,480 --> 00:24:12,520
Speaker 1: very scary concept. He's in a long term, happy relationship

459
00:24:13,600 --> 00:24:19,840
Speaker 1: that he refuses to make honest. So what does that

460
00:24:20,320 --> 00:24:22,560
Speaker 1: make you think about?

461
00:24:22,760 --> 00:24:25,399
Speaker 4: Anxiety? It makes me think about anxiety.

462
00:24:25,640 --> 00:24:30,080
Speaker 2: M h okay, okay, well, getting anxious anxiety, fear. I

463
00:24:30,080 --> 00:24:34,640
Speaker 2: mean this makes me think of Ghosted episode seven when

464
00:24:34,680 --> 00:24:39,240
Speaker 2: they discovered the Kronos machine beneath the exclusive country club

465
00:24:39,840 --> 00:24:43,960
Speaker 2: where the membership was training people of their life for

466
00:24:44,080 --> 00:24:51,840
Speaker 2: us in order to stay young. So that Chronos machine anxiety,

467
00:24:52,640 --> 00:24:54,280
Speaker 2: I'm getting close to something.

468
00:24:54,800 --> 00:24:58,960
Speaker 1: Fiance's what's an example of like a rhyme that you

469
00:24:59,000 --> 00:25:03,240
Speaker 1: would turn that into, Mike, just like like what's the baseline?

470
00:25:03,320 --> 00:25:08,360
Speaker 1: So we yeah, just like the Yeah, I would be like.

471
00:25:10,040 --> 00:25:15,800
Speaker 4: In the shower, whispering something quietly, uh to myself about

472
00:25:15,840 --> 00:25:19,119
Speaker 4: my anxiety or something something like such. Yeah, would be

473
00:25:19,160 --> 00:25:19,960
Speaker 4: where I would start.

474
00:25:20,320 --> 00:25:22,680
Speaker 1: So whispering something in the shower.

475
00:25:23,200 --> 00:25:26,720
Speaker 4: Quietly, yes, as in as in to not be heard

476
00:25:26,720 --> 00:25:27,520
Speaker 4: by said fiance.

477
00:25:27,960 --> 00:25:32,680
Speaker 1: Yeah, okay, that's interesting. I think people find baths a

478
00:25:32,680 --> 00:25:33,800
Speaker 1: little more relatable.

479
00:25:34,119 --> 00:25:36,960
Speaker 6: Okay, just what I think.

480
00:25:36,760 --> 00:25:42,880
Speaker 2: People don't take showers just because m hmm. It's it's

481
00:25:42,920 --> 00:25:46,840
Speaker 2: sort of freaky. That's like almost like water fingers coming

482
00:25:46,880 --> 00:25:50,440
Speaker 2: down and grabbing you. Whereas if you can ease into

483
00:25:50,480 --> 00:25:53,280
Speaker 2: a bath, that's probably what I would say about ninety

484
00:25:53,280 --> 00:25:54,720
Speaker 2: percent of people do every day.

485
00:25:55,040 --> 00:25:58,479
Speaker 4: I agree, because then there's I think after people saw cycle,

486
00:25:58,640 --> 00:26:03,120
Speaker 4: they stopped showering, So I think you're right the industry

487
00:26:03,640 --> 00:26:07,840
Speaker 4: mm hmm. So but the thing about the bath, the

488
00:26:07,880 --> 00:26:10,240
Speaker 4: reason that you know you whisper something in the shower

489
00:26:10,280 --> 00:26:13,280
Speaker 4: is because the waters loud, so you can say something

490
00:26:13,280 --> 00:26:15,600
Speaker 4: about people in the bath. We'd have to have something

491
00:26:16,840 --> 00:26:17,760
Speaker 4: that is making.

492
00:26:17,560 --> 00:26:23,760
Speaker 1: Noise something loud X men master mold machine. Ooh, that

493
00:26:23,880 --> 00:26:24,840
Speaker 1: makes sentinels.

494
00:26:25,400 --> 00:26:28,000
Speaker 4: What about mother mold? A mother mold is even louder.

495
00:26:28,119 --> 00:26:32,960
Speaker 1: Mother mold makes master mold indeed machines. And so imagine

496
00:26:33,000 --> 00:26:36,359
Speaker 1: how loud that would be. So taking a bath next

497
00:26:36,400 --> 00:26:42,320
Speaker 1: to that would like in essentially a mother mold facility.

498
00:26:42,960 --> 00:26:44,520
Speaker 1: Now that's very loud.

499
00:26:45,240 --> 00:26:47,600
Speaker 4: And maybe the one that's hovering around the sun. So

500
00:26:47,640 --> 00:26:50,680
Speaker 4: it's it's it's it's even louder. Like there's so much

501
00:26:50,720 --> 00:26:53,080
Speaker 4: noise that you can whisper anything, you can yell, and

502
00:26:53,119 --> 00:26:54,720
Speaker 4: it would be like a whisper because no one could

503
00:26:54,720 --> 00:26:57,240
Speaker 4: hear you in its space where they can hear you whimper.

504
00:26:58,119 --> 00:27:04,680
Speaker 1: So talking normally in the bath next to the mother

505
00:27:04,800 --> 00:27:10,760
Speaker 1: mold machine going around the sun. So my girlfriend doesn't here.

506
00:27:12,640 --> 00:27:16,880
Speaker 2: Senator Kelly, hear you. Just I feel like he would

507
00:27:16,920 --> 00:27:22,720
Speaker 2: have that thing bugged. Yeah, maybe that's my anxiety talking again,

508
00:27:22,760 --> 00:27:24,800
Speaker 2: But I just if Senator Kelly, here's what I'm saying

509
00:27:24,840 --> 00:27:27,199
Speaker 2: about my fiance, he's the type to really use that

510
00:27:27,240 --> 00:27:28,200
Speaker 2: information against me.

511
00:27:29,040 --> 00:27:32,240
Speaker 4: He'll he'll make a law about you based on what

512
00:27:32,280 --> 00:27:35,360
Speaker 4: he heard you whimpering in the outlaw.

513
00:27:35,440 --> 00:27:38,440
Speaker 2: The fear of commitment. He is, Yeah, and everyone like.

514
00:27:38,440 --> 00:27:43,080
Speaker 1: Me is going to be, well, what, at what point

515
00:27:43,320 --> 00:27:48,720
Speaker 1: are you so incapable of marriage that you are essentially

516
00:27:48,760 --> 00:27:50,080
Speaker 1: a mutant?

517
00:27:50,240 --> 00:27:53,000
Speaker 4: Like, like that's your power that you just won't commit.

518
00:27:52,880 --> 00:27:57,040
Speaker 1: Yeah, I mean like there must be all like we

519
00:27:57,119 --> 00:28:00,240
Speaker 1: see that, like, oh, there's like telekinesis, and like they

520
00:28:00,280 --> 00:28:02,080
Speaker 1: all seem to have like kind of the same powers.

521
00:28:02,080 --> 00:28:05,200
Speaker 1: But there must be some out there that just have

522
00:28:05,480 --> 00:28:07,760
Speaker 1: like an infinite range of powers. And one is not

523
00:28:07,840 --> 00:28:09,720
Speaker 1: being able to get married.

524
00:28:09,880 --> 00:28:12,440
Speaker 2: Genetically unable to get down on one knee and tell

525
00:28:12,440 --> 00:28:15,480
Speaker 2: someone you love them, the next step in evolution.

526
00:28:16,520 --> 00:28:17,480
Speaker 4: Oh, I like it.

527
00:28:19,240 --> 00:28:20,840
Speaker 1: So this could be a good rap.

528
00:28:21,320 --> 00:28:23,960
Speaker 4: Uh huh, it could be an album.

529
00:28:23,480 --> 00:28:23,880
Speaker 6: Mm hm.

530
00:28:25,720 --> 00:28:31,480
Speaker 1: The Marriage Mutant And it's about Senator Kelly trying to

531
00:28:31,520 --> 00:28:35,560
Speaker 1: pass a law outloing me. Oh and so what if

532
00:28:35,600 --> 00:28:40,520
Speaker 1: it's this, it's it's Kevin has to attempt to get

533
00:28:40,560 --> 00:28:44,720
Speaker 1: married in order to prove that he's not a mutant.

534
00:28:45,120 --> 00:28:50,400
Speaker 1: Oh my god, And so Senator Kelly will not put

535
00:28:50,480 --> 00:28:52,040
Speaker 1: him in a crushing machine.

536
00:28:52,600 --> 00:28:55,560
Speaker 4: So there's just sentinels watching him all the time, like

537
00:28:55,640 --> 00:28:57,680
Speaker 4: waiting for him to pop the questions.

538
00:28:57,840 --> 00:29:00,520
Speaker 1: Yeah, sentinels are sort of flying. You know, they have

539
00:29:00,600 --> 00:29:02,840
Speaker 1: those little like rockets on their boots and the so

540
00:29:02,920 --> 00:29:06,320
Speaker 1: they're sort of like hovering around behind Kevin.

541
00:29:07,880 --> 00:29:11,560
Speaker 4: As he ket Mutant ship or get off the pot.

542
00:29:12,600 --> 00:29:16,120
Speaker 1: As he takes a trip to Paris with his girlfriend.

543
00:29:17,840 --> 00:29:19,440
Speaker 2: But this has to rhyme too.

544
00:29:19,640 --> 00:29:22,640
Speaker 4: It has to rhyme about the rhyming part.

545
00:29:23,200 --> 00:29:27,600
Speaker 2: But it also has it does have to rhyme, So

546
00:29:27,680 --> 00:29:29,960
Speaker 2: we may want to just come up. I mean, one

547
00:29:30,000 --> 00:29:33,040
Speaker 2: thing I think could be productive is if we break

548
00:29:33,040 --> 00:29:37,960
Speaker 2: off a side room. Maybe Kevin runs that room, and uh,

549
00:29:38,040 --> 00:29:40,960
Speaker 2: that'll just be you know, we'll keep talking about the story.

550
00:29:41,440 --> 00:29:43,680
Speaker 2: But Kevin could run a b room maybe with like

551
00:29:43,920 --> 00:29:46,520
Speaker 2: engineer Sam an engineer Ryan, where they just come up

552
00:29:46,520 --> 00:29:49,960
Speaker 2: with rhymes like things that rhyme with mutant, so that

553
00:29:50,040 --> 00:29:53,360
Speaker 2: we have because we're gonna need that. We're gonna need

554
00:29:53,360 --> 00:29:54,680
Speaker 2: some stuff that rhymes with Kelly.

555
00:29:57,120 --> 00:29:58,800
Speaker 4: I think I'm gonna send it. I'm gonna send him,

556
00:29:58,800 --> 00:30:03,640
Speaker 4: send him with this, no out in this universe. Instead

557
00:30:03,640 --> 00:30:05,760
Speaker 4: of the ex Gene, you have the ex boyfriend Gene.

558
00:30:06,120 --> 00:30:08,600
Speaker 1: Yes, yes, that's all.

559
00:30:09,120 --> 00:30:09,440
Speaker 4: That's all.

560
00:30:09,680 --> 00:30:12,320
Speaker 1: Write that down, Kevin. Take that take put take that

561
00:30:12,440 --> 00:30:14,440
Speaker 1: roll of the whiteboard into the next room with that

562
00:30:14,600 --> 00:30:14,920
Speaker 1: on it.

563
00:30:14,960 --> 00:30:16,920
Speaker 6: All right, I'll be over here, and.

564
00:30:16,880 --> 00:30:20,840
Speaker 1: Can I suggest something Kevin that rhymes with mutant pewtin

565
00:30:22,200 --> 00:30:26,800
Speaker 1: pewtin mm hmmm. And now we're getting Now we're making

566
00:30:26,800 --> 00:30:28,680
Speaker 1: this actually relevant in the news.

567
00:30:29,000 --> 00:30:31,200
Speaker 4: Like this, Uh not, it's topical.

568
00:30:32,720 --> 00:30:34,280
Speaker 1: So what would that sound like, Kevin?

569
00:30:35,800 --> 00:30:36,880
Speaker 6: Uh?

570
00:30:37,360 --> 00:30:42,200
Speaker 1: And Mike can help you if you struggle, but don't

571
00:30:42,880 --> 00:30:43,160
Speaker 1: do not.

572
00:30:44,040 --> 00:30:48,000
Speaker 2: Our preference is not to over extend Mike. We need

573
00:30:48,040 --> 00:30:50,600
Speaker 2: him in our room.

574
00:30:50,800 --> 00:30:52,360
Speaker 4: I have. I have a hard time focusing on more

575
00:30:52,400 --> 00:30:54,680
Speaker 4: than one storyline at a time. I'll just say that.

576
00:30:55,360 --> 00:30:58,320
Speaker 1: So let's, you know, let's try to do this Kevin

577
00:30:58,360 --> 00:30:59,720
Speaker 1: without struggling at all.

578
00:31:00,560 --> 00:31:02,120
Speaker 6: Yeah.

579
00:31:02,600 --> 00:31:07,000
Speaker 5: I turn on CNN and I think I see a mutant.

580
00:31:07,520 --> 00:31:10,120
Speaker 5: Oh wait a second, it's actually mister Putin.

581
00:31:10,720 --> 00:31:13,880
Speaker 4: Oh kind of lost me there.

582
00:31:14,840 --> 00:31:17,240
Speaker 1: Yeah, I think you lost a lot of people, Kevin.

583
00:31:19,040 --> 00:31:21,600
Speaker 4: It's just me. You know, I was just having problems tracking.

584
00:31:21,720 --> 00:31:23,680
Speaker 4: That's all that's been tracking.

585
00:31:26,440 --> 00:31:27,120
Speaker 6: I'll work on that.

586
00:31:28,480 --> 00:31:37,000
Speaker 1: Okay, we'll call you in if we need you. Thanks, Okay,

587
00:31:37,040 --> 00:31:42,760
Speaker 1: So that's bars. Uh what else? Uh? Like, where can

588
00:31:42,840 --> 00:31:43,280
Speaker 1: this go?

589
00:31:43,680 --> 00:31:43,800
Speaker 4: Like?

590
00:31:43,880 --> 00:31:47,040
Speaker 1: What like you know we need is there a B

591
00:31:47,320 --> 00:31:49,960
Speaker 1: story to this? Well?

592
00:31:50,080 --> 00:31:54,840
Speaker 2: Yeah, I mean the B story should be Gambit kissing

593
00:31:54,880 --> 00:31:55,960
Speaker 2: rogue while she's asleep.

594
00:31:56,480 --> 00:32:00,480
Speaker 4: Okay, so what is gambit? Gambit has some he's got

595
00:32:00,480 --> 00:32:03,240
Speaker 4: another secret he's trying to hide, and the she's gonna

596
00:32:03,280 --> 00:32:04,400
Speaker 4: learn the secret.

597
00:32:04,520 --> 00:32:09,800
Speaker 1: But he's not from Louisiana. Yeah, is that why?

598
00:32:10,120 --> 00:32:12,080
Speaker 4: Maybe that's why his accident is so bad all the time.

599
00:32:12,200 --> 00:32:13,120
Speaker 1: He's from Maine.

600
00:32:13,840 --> 00:32:16,520
Speaker 2: He's overdoing it in a big way. Yeah, if he

601
00:32:16,600 --> 00:32:18,640
Speaker 2: was really from there, he wouldn't feel the need to

602
00:32:18,720 --> 00:32:22,240
Speaker 2: lean into it so hard every single sentence. Yeah he's

603
00:32:22,240 --> 00:32:24,960
Speaker 2: from Maine. He's from Uh, he's from a gun Quit.

604
00:32:25,400 --> 00:32:29,360
Speaker 4: I'm liking I'm liking this. See where's he from again?

605
00:32:29,440 --> 00:32:30,080
Speaker 1: What'd you say?

606
00:32:30,440 --> 00:32:32,120
Speaker 4: Aquit a gunk Quit?

607
00:32:32,440 --> 00:32:36,959
Speaker 1: But not in like a like a towny way like

608
00:32:37,040 --> 00:32:42,400
Speaker 1: his parents like got we're really rich and like retired early. Uh,

609
00:32:42,440 --> 00:32:44,720
Speaker 1: and so like he grew up there on like a

610
00:32:44,760 --> 00:32:47,960
Speaker 1: really large property. It's like in the way the Bush

611
00:32:48,000 --> 00:32:52,000
Speaker 1: family was, Yeah, we're from Kennebunk Port or whatever. It's

612
00:32:52,040 --> 00:32:54,800
Speaker 1: like yeah, yeah.

613
00:32:53,920 --> 00:32:56,680
Speaker 2: Yeah, he's he's nearby there. But yeah, they've got a

614
00:32:56,720 --> 00:33:00,560
Speaker 2: cool like sort of each side of state. And he

615
00:33:00,600 --> 00:33:03,200
Speaker 2: would steal from the candy shop as a kid, those

616
00:33:03,200 --> 00:33:06,120
Speaker 2: little styrofoam flying saucer candies you know that are like

617
00:33:06,200 --> 00:33:09,640
Speaker 2: filled with little like babies, almost different colors.

618
00:33:10,560 --> 00:33:13,520
Speaker 4: So that way with these No, that's where's that's where

619
00:33:13,520 --> 00:33:15,800
Speaker 4: his powers first to walk though, right.

620
00:33:16,040 --> 00:33:16,240
Speaker 1: Ah.

621
00:33:17,280 --> 00:33:21,560
Speaker 4: His his initial thievery when he made the candy blow

622
00:33:21,640 --> 00:33:23,480
Speaker 4: up and did he he must have hurt somebody really

623
00:33:23,520 --> 00:33:24,360
Speaker 4: bad that first time.

624
00:33:24,760 --> 00:33:27,400
Speaker 1: M M yeah, yeah, the candy guy.

625
00:33:27,920 --> 00:33:31,000
Speaker 4: Yeah, the candy Yeah, he must have do that guy's

626
00:33:31,040 --> 00:33:31,680
Speaker 4: whole face off.

627
00:33:31,760 --> 00:33:36,080
Speaker 1: Huh. Yeah, he created the candy man, mister Omary, right.

628
00:33:36,720 --> 00:33:40,080
Speaker 2: And the candy man's in the movie Show in the.

629
00:33:40,120 --> 00:33:44,920
Speaker 4: Rat right in the song in the song, and mister

630
00:33:44,960 --> 00:33:46,320
Speaker 4: Omary was actually his dad.

631
00:33:47,680 --> 00:33:49,280
Speaker 1: Yeah, his dad.

632
00:33:49,280 --> 00:33:50,920
Speaker 4: People in a town where they would be like his

633
00:33:51,040 --> 00:33:53,440
Speaker 4: dad and another guy, so they have the same person.

634
00:33:54,280 --> 00:33:57,200
Speaker 1: That was so his dad of course like got really

635
00:33:57,320 --> 00:34:01,320
Speaker 1: rich from like whatever natural gas extraction and then retired

636
00:34:02,000 --> 00:34:04,280
Speaker 1: to Maine to be like, oh, I'm like a normal

637
00:34:04,280 --> 00:34:06,160
Speaker 1: guy who's like opening a candy shot, but all those

638
00:34:06,200 --> 00:34:09,799
Speaker 1: guys are like so rich and just do and you know,

639
00:34:09,920 --> 00:34:12,920
Speaker 1: just doing it for fun. Basically, he was run this.

640
00:34:13,560 --> 00:34:16,960
Speaker 2: Run this into Kevin's room real quick. Mister o'meary kind

641
00:34:16,960 --> 00:34:21,359
Speaker 2: of sounds like o'miry kind of sounds like Mary and

642
00:34:21,440 --> 00:34:25,080
Speaker 2: like we're getting into like getting married stuff. Yeah, so

643
00:34:25,160 --> 00:34:27,359
Speaker 2: I feel like there's something there. Again, I don't want

644
00:34:27,480 --> 00:34:30,080
Speaker 2: I feel like we're on a really good path getting

645
00:34:30,120 --> 00:34:33,880
Speaker 2: a lot of shit done in this room. So let's

646
00:34:33,960 --> 00:34:37,960
Speaker 2: just get his room kind of bubbling on that and

647
00:34:38,040 --> 00:34:43,480
Speaker 2: see what they can put together. And and Kevin, actually Kevin,

648
00:34:43,680 --> 00:34:46,200
Speaker 2: and get us a few options. I don't want to

649
00:34:46,200 --> 00:34:48,359
Speaker 2: just hear like Maury sounds like married. It's like that's

650
00:34:48,360 --> 00:34:50,440
Speaker 2: what we're giving you. But give us a few different

651
00:34:50,440 --> 00:34:51,359
Speaker 2: ways we can use that.

652
00:34:52,000 --> 00:34:53,839
Speaker 6: Okay, you got it.

653
00:34:54,520 --> 00:34:56,399
Speaker 4: I got another pitch too, real quick to help you out.

654
00:34:57,160 --> 00:35:00,640
Speaker 4: So mister Omary got his face blone off. But mister Amery,

655
00:35:00,680 --> 00:35:03,120
Speaker 4: who is Gamba's dad, is also a mutant too, and

656
00:35:03,320 --> 00:35:06,120
Speaker 4: his power is that whenever he gets his face blown off,

657
00:35:06,680 --> 00:35:09,160
Speaker 4: there's another face underneath, and it's the face of your

658
00:35:09,200 --> 00:35:12,359
Speaker 4: future fiance. Every time.

659
00:35:12,400 --> 00:35:17,320
Speaker 2: It's just how it is so good.

660
00:35:17,960 --> 00:35:20,760
Speaker 4: I'm really I'm really happy about it now that shaky

661
00:35:20,800 --> 00:35:21,080
Speaker 4: about it.

662
00:35:21,440 --> 00:35:26,359
Speaker 1: I'm if we could just get the rioting element, like

663
00:35:27,000 --> 00:35:27,880
Speaker 1: this song is.

664
00:35:27,960 --> 00:35:29,880
Speaker 4: That always comes last, the rhyming comes down, so we

665
00:35:30,000 --> 00:35:32,600
Speaker 4: get the story first, you know, And then we'll lock.

666
00:35:32,680 --> 00:35:34,640
Speaker 4: We'll locke into rhymes like right before we go into

667
00:35:34,680 --> 00:35:35,000
Speaker 4: the booth.

668
00:35:35,719 --> 00:35:39,080
Speaker 1: So that's interesting, Kevin, you will, I guess, never really

669
00:35:39,320 --> 00:35:44,279
Speaker 1: know if you're in this position whether the person you

670
00:35:44,320 --> 00:35:49,880
Speaker 1: are proposing to is your girlfriend or your dad. M Okay,

671
00:35:51,000 --> 00:35:53,719
Speaker 1: so think about so think about that as your as

672
00:35:53,719 --> 00:35:55,960
Speaker 1: you're doing your rhymes. And again, it would be really

673
00:35:56,000 --> 00:35:59,480
Speaker 1: great to get a usable version of this on the

674
00:35:59,480 --> 00:36:02,640
Speaker 1: first track and not have to like be get like

675
00:36:02,960 --> 00:36:05,280
Speaker 1: you know, be going back and forth with it for

676
00:36:05,320 --> 00:36:05,919
Speaker 1: a long time.

677
00:36:06,120 --> 00:36:08,239
Speaker 2: It's just like take all day doing that. It's like

678
00:36:08,320 --> 00:36:11,000
Speaker 2: measure twice cut once, you know, like we're coming up

679
00:36:11,040 --> 00:36:14,360
Speaker 2: with this great story, all this stuff in the song

680
00:36:14,840 --> 00:36:17,919
Speaker 2: mister Omer the candy Man, Gambit blows the space off.

681
00:36:18,000 --> 00:36:21,280
Speaker 2: Kevin's fiance were whispering in the tub, which is next

682
00:36:21,280 --> 00:36:21,680
Speaker 2: to the.

683
00:36:22,600 --> 00:36:26,520
Speaker 4: Mother machine, just started to something like a party song.

684
00:36:26,560 --> 00:36:28,920
Speaker 4: I think, I think this can be really yeah.

685
00:36:29,120 --> 00:36:31,400
Speaker 2: Yeah, this could be like a I Love College type

686
00:36:31,480 --> 00:36:35,960
Speaker 2: like this could be an Asher Roth type fucking banger.

687
00:36:38,040 --> 00:36:41,600
Speaker 1: Okay, So we we know that Gambit has this secret.

688
00:36:42,080 --> 00:36:47,280
Speaker 1: He is rich, he's from Maine, his his dad looks

689
00:36:47,320 --> 00:36:51,680
Speaker 1: like his future fiance. He wants to kiss Rogue in

690
00:36:51,760 --> 00:36:54,440
Speaker 1: her sleep, the only safe time to kiss the one,

691
00:36:54,480 --> 00:36:56,880
Speaker 1: because then they will certainly while you're asleep, you're not

692
00:36:57,040 --> 00:36:58,160
Speaker 1: expecting to get married.

693
00:36:58,719 --> 00:37:03,279
Speaker 2: Well, I don't want Gambit is uh a scamp. We

694
00:37:03,360 --> 00:37:07,000
Speaker 2: don't want him to be terribly predatory. So I think

695
00:37:07,040 --> 00:37:11,879
Speaker 2: that Siloc should implant into his mind a message from

696
00:37:12,000 --> 00:37:15,680
Speaker 2: Rogue that she wants a kiss. She's asleep, so she

697
00:37:15,760 --> 00:37:18,440
Speaker 2: can't object. Of course, when he kisses her, she cannot

698
00:37:18,440 --> 00:37:22,120
Speaker 2: make physical contact with another mutant. She absorbs their powers

699
00:37:22,280 --> 00:37:25,960
Speaker 2: and uh sort of blasts them and makes them very weak.

700
00:37:26,560 --> 00:37:30,880
Speaker 2: He could be, you know, essentially made catatonic from delivering

701
00:37:30,880 --> 00:37:38,960
Speaker 2: the kiss. Siloc is doing it because I'd love to

702
00:37:38,960 --> 00:37:43,120
Speaker 2: give her a strong motivation. I think Gambit finish her

703
00:37:43,200 --> 00:37:45,719
Speaker 2: apple go apocalypse.

704
00:37:45,840 --> 00:37:50,040
Speaker 1: No, yeah, I was thinking of the apocalypse, that it'll

705
00:37:50,080 --> 00:37:52,680
Speaker 1: be tough to get your up to be the Gambit

706
00:37:52,719 --> 00:37:53,839
Speaker 1: finished her apple.

707
00:37:53,760 --> 00:37:58,000
Speaker 4: Apples are more relatable and apple in the he ate

708
00:37:58,040 --> 00:38:04,920
Speaker 4: the apple in the bath. Oh no, this is like

709
00:38:04,960 --> 00:38:06,920
Speaker 4: a wet apple like it's gonna be It's gonna be

710
00:38:06,920 --> 00:38:07,600
Speaker 4: a great visual.

711
00:38:08,040 --> 00:38:10,280
Speaker 2: Is this romantic sort of bobbing for apples?

712
00:38:10,280 --> 00:38:15,120
Speaker 1: And you okay that that eats a little bit of

713
00:38:15,200 --> 00:38:25,120
Speaker 1: my lunch, go ahead. Uh is it romantic to text

714
00:38:25,480 --> 00:38:29,200
Speaker 1: your wife? Uh? Asking if she wants to go bobbing

715
00:38:29,200 --> 00:38:32,000
Speaker 1: for apples? And then she comes to the bathroom and

716
00:38:32,040 --> 00:38:36,799
Speaker 1: you are sitting in a very hot bath that is,

717
00:38:36,920 --> 00:38:40,040
Speaker 1: and you're surrounded by apples, and I'm asking if this

718
00:38:40,160 --> 00:38:43,920
Speaker 1: is romantic for for for to do with your wife

719
00:38:44,160 --> 00:38:46,040
Speaker 1: for your anniversary.

720
00:38:46,360 --> 00:38:47,080
Speaker 4: Huh. I can't.

721
00:38:47,080 --> 00:38:49,040
Speaker 1: And that's a present in a way to right, that's

722
00:38:49,080 --> 00:38:51,240
Speaker 1: an anniversary present, all those apples.

723
00:38:51,880 --> 00:38:54,279
Speaker 4: So I'm sorry, I'm getting a little sidetracked because I

724
00:38:54,320 --> 00:38:55,800
Speaker 4: have this idea I can't let go of, and I

725
00:38:55,840 --> 00:38:57,239
Speaker 4: couldn't think of a good time to say it. But

726
00:38:57,280 --> 00:39:00,160
Speaker 4: I think like a great you know, a song on

727
00:39:00,200 --> 00:39:03,759
Speaker 4: this album is like I woke up married, because like

728
00:39:03,800 --> 00:39:06,600
Speaker 4: that's the most terrifying thing that could happen. Yes, so

729
00:39:06,680 --> 00:39:09,200
Speaker 4: this guy is that like he hats asleep still afraid

730
00:39:09,200 --> 00:39:13,200
Speaker 4: of commitment and wakes up married. Oh my god.

731
00:39:13,480 --> 00:39:15,040
Speaker 1: Uh huh yeah, this is this is.

732
00:39:15,040 --> 00:39:16,560
Speaker 4: This is We're talking pure terror here.

733
00:39:17,080 --> 00:39:20,960
Speaker 1: Especially you kiss, uh, like, you try to kiss your

734
00:39:21,000 --> 00:39:25,439
Speaker 1: girlfriend rogue and she you get like knocked out, catatonic

735
00:39:25,560 --> 00:39:28,000
Speaker 1: and you wake up and it turns out you were

736
00:39:28,000 --> 00:39:30,320
Speaker 1: married and you actually married, miss Deek.

737
00:39:31,000 --> 00:39:35,399
Speaker 2: Oh, sample alert, Oh, sample alert. Okay, we can get

738
00:39:35,440 --> 00:39:39,120
Speaker 2: this sample for this one. It's and it's Chef Kevin's voice,

739
00:39:39,120 --> 00:39:44,479
Speaker 2: and he's going I gotta get into his voice. Okay. Hey, hey, hey,

740
00:39:45,600 --> 00:39:52,680
Speaker 2: hey's Chef Kevin here. Okay, this is not my beautiful wife,

741
00:39:54,120 --> 00:39:56,840
Speaker 2: Dan's go by and I woke up married.

742
00:39:56,920 --> 00:40:00,680
Speaker 4: Now I think we can get David an attached.

743
00:40:01,640 --> 00:40:04,080
Speaker 2: Oh God, really help us.

744
00:40:04,200 --> 00:40:06,560
Speaker 4: I hear he's taking pictures, so maybe he'll want to

745
00:40:06,600 --> 00:40:08,359
Speaker 4: be an executive producer as well.

746
00:40:09,080 --> 00:40:10,200
Speaker 2: Always use more of those.

747
00:40:10,719 --> 00:40:14,480
Speaker 1: He's hired some of the CIS folks, the people that

748
00:40:14,520 --> 00:40:17,360
Speaker 1: were kind of like cut loose after SISO shut down.

749
00:40:18,120 --> 00:40:21,759
Speaker 1: They have joined his his pod uh and they are

750
00:40:21,840 --> 00:40:25,560
Speaker 1: taking meetings. I understand, Yes, Kevin, Uh, do you want

751
00:40:25,600 --> 00:40:26,960
Speaker 1: to come in with those rhymes?

752
00:40:27,960 --> 00:40:29,839
Speaker 6: Okay, here we go.

753
00:40:30,760 --> 00:40:32,200
Speaker 1: Okay, I'm noticing the whiteboard.

754
00:40:33,120 --> 00:40:36,000
Speaker 4: There's a lot of stuff, Penis.

755
00:40:36,920 --> 00:40:37,879
Speaker 6: It's a rocket ship.

756
00:40:38,719 --> 00:40:47,960
Speaker 4: Okay, same thing, olks. Not appropriate in the workplace, Sean.

757
00:40:48,360 --> 00:40:51,960
Speaker 2: Hey, same thing. Hey. Look, I'm protected as a comedy writer.

758
00:40:54,680 --> 00:40:57,640
Speaker 2: I have to allow my mind to investigate some of

759
00:40:57,680 --> 00:41:01,560
Speaker 2: the most fucked up dark corners of the psyche. So

760
00:41:01,840 --> 00:41:06,000
Speaker 2: me comparing Pete's in a rocket ship. That's necessary to

761
00:41:06,080 --> 00:41:10,439
Speaker 2: the song. Creatively. If we shut that off, we're never

762
00:41:10,480 --> 00:41:12,200
Speaker 2: gonna have any content we could use.

763
00:41:14,880 --> 00:41:19,200
Speaker 5: Senator Kelly is a little smelly something anything.

764
00:41:18,800 --> 00:41:22,320
Speaker 1: There, Okay, that doesn't have any I just want to

765
00:41:22,360 --> 00:41:26,560
Speaker 1: remind you as we move forward here what the assignment was.

766
00:41:27,040 --> 00:41:28,840
Speaker 4: Yeah, I kind of feel like you've been wasting our time.

767
00:41:29,000 --> 00:41:33,239
Speaker 1: For this room that you put together. It was that

768
00:41:33,000 --> 00:41:37,840
Speaker 1: that mister o'meary, who is your dad, who looks like

769
00:41:38,000 --> 00:41:43,600
Speaker 1: your future fiance, owner of the candy store that sort

770
00:41:43,600 --> 00:41:47,799
Speaker 1: of rhymes with Mary so in in two assignments.

771
00:41:47,840 --> 00:41:52,760
Speaker 2: Initially we did give him mutant rhymes and Senator Kelly rhymes.

772
00:41:53,000 --> 00:41:56,120
Speaker 1: Thank you, Sean, you said Senator Kelly rhymes.

773
00:41:56,120 --> 00:42:00,680
Speaker 2: Specifically, I mentioned Senator Kelly is something else that I

774
00:42:00,719 --> 00:42:03,920
Speaker 2: think what I meant to say was obviously we're not

775
00:42:03,920 --> 00:42:04,720
Speaker 2: going to do smelly.

776
00:42:05,800 --> 00:42:07,439
Speaker 6: Okay, I'll circle back.

777
00:42:07,640 --> 00:42:10,120
Speaker 4: Yeah, I had I had not I had not smelly

778
00:42:10,160 --> 00:42:10,760
Speaker 4: in my notes.

779
00:42:11,440 --> 00:42:15,359
Speaker 2: Yeah, I that I think I can't believe I even

780
00:42:15,400 --> 00:42:17,719
Speaker 2: have to say it, like, we're not going to do that.

781
00:42:19,000 --> 00:42:24,840
Speaker 5: Wait a second, mister oh Mary blows raspberries on Senator

782
00:42:25,000 --> 00:42:26,040
Speaker 5: Kelly's belly.

783
00:42:27,600 --> 00:42:31,080
Speaker 4: This took a real turn. Are we working blue? Where

784
00:42:31,080 --> 00:42:33,719
Speaker 4: are we? Where we pitching it working blue?

785
00:42:34,040 --> 00:42:34,959
Speaker 1: Like mystique?

786
00:42:35,440 --> 00:42:43,200
Speaker 2: Oh my gosh, she's really blue only when she's not.

787
00:42:43,280 --> 00:42:48,120
Speaker 1: Working And Senator Kelly did turn out to be mystique?

788
00:42:48,160 --> 00:42:52,000
Speaker 1: At what point that's true? Okay?

789
00:42:53,600 --> 00:42:58,000
Speaker 2: So so let's think for a second. I guess, yeah,

790
00:42:58,520 --> 00:43:00,000
Speaker 2: it would be good to figure out what the whole

791
00:43:00,200 --> 00:43:02,000
Speaker 2: miss for this, because obviously if we want to be

792
00:43:02,080 --> 00:43:07,600
Speaker 2: able to go to Disney Plus or any more family

793
00:43:07,760 --> 00:43:14,239
Speaker 2: friendly type of network, any like, yeah, any of the

794
00:43:14,239 --> 00:43:16,840
Speaker 2: Big Four, they're not going to let us blow raspberries

795
00:43:16,840 --> 00:43:19,480
Speaker 2: on center Kelly's belly. Like, that's not going to be Do.

796
00:43:19,440 --> 00:43:27,959
Speaker 1: You guys remember when Bruce Davison uh transformed into nude

797
00:43:28,000 --> 00:43:31,680
Speaker 1: Rebecca Romance Daymos in the in the movie.

798
00:43:31,640 --> 00:43:32,960
Speaker 4: I do I don't?

799
00:43:33,760 --> 00:43:34,600
Speaker 2: I do remember that?

800
00:43:35,160 --> 00:43:36,160
Speaker 1: What do you think about that?

801
00:43:38,040 --> 00:43:39,480
Speaker 2: How often do I think about it?

802
00:43:43,160 --> 00:43:43,319
Speaker 1: Yeah?

803
00:43:43,440 --> 00:43:45,359
Speaker 2: Well every forty five seconds or so?

804
00:43:50,280 --> 00:43:52,520
Speaker 1: Do you don't remember that, Mike?

805
00:43:52,880 --> 00:43:55,000
Speaker 4: I don't. That sounds like the kind of thing I

806
00:43:55,040 --> 00:43:55,920
Speaker 4: would try to forget.

807
00:43:56,440 --> 00:43:57,800
Speaker 1: It was crazy.

808
00:43:59,640 --> 00:44:04,160
Speaker 4: Those so it was so implanting that false memory into

809
00:44:04,200 --> 00:44:04,960
Speaker 4: my mind.

810
00:44:05,360 --> 00:44:10,480
Speaker 2: You guys, think about how like Rebecca Romaine became Rebecca

811
00:44:10,600 --> 00:44:14,120
Speaker 2: Romain Stamos when she married John Stamos. But now she's

812
00:44:14,160 --> 00:44:17,560
Speaker 2: been married a lot longer to Jerry O'Connell and she

813
00:44:17,680 --> 00:44:21,800
Speaker 2: ain't taken O'Connell. That's gotta feel like shit, dude.

814
00:44:22,040 --> 00:44:28,280
Speaker 4: And then she became Jennifer Lawrence when she got fired. Yeah, yeah,

815
00:44:28,520 --> 00:44:30,840
Speaker 4: that Mistique is is really powerful.

816
00:44:31,200 --> 00:44:36,600
Speaker 1: She transformed. She can be anyone. Well, Jennifer Lawrence in

817
00:44:36,640 --> 00:44:41,680
Speaker 1: the world of the movie is a famous actress. And

818
00:44:41,719 --> 00:44:44,240
Speaker 1: so in a way she's chasing clout. Mistique is chasing

819
00:44:44,280 --> 00:44:47,680
Speaker 1: clout by being by pretending to be Jennifer Lawrence.

820
00:44:47,960 --> 00:44:49,320
Speaker 2: Kevin knows something about that.

821
00:44:49,480 --> 00:44:50,320
Speaker 6: Who can relate?

822
00:44:51,440 --> 00:44:53,000
Speaker 1: Who can relate to this?

823
00:44:53,520 --> 00:44:58,759
Speaker 2: Who can relate? Also, did you guys think about how

824
00:44:58,920 --> 00:45:02,840
Speaker 2: like Kevin changed the name o'meary in his rhyme?

825
00:45:04,560 --> 00:45:05,400
Speaker 1: What did he change it to?

826
00:45:05,800 --> 00:45:10,279
Speaker 2: He said, he said, mister o'mary is blowing raspberry's on

827
00:45:10,440 --> 00:45:14,480
Speaker 2: Senator Kelly's belly. Not really, but like we said, o'meary

828
00:45:14,680 --> 00:45:17,439
Speaker 2: sounds like Mary. And then he was like, well, I'll

829
00:45:17,480 --> 00:45:20,560
Speaker 2: just say Mary then and then Ryman with Berry.

830
00:45:20,360 --> 00:45:22,080
Speaker 4: And then he's gonna and then he said, I'm gonna

831
00:45:22,080 --> 00:45:28,600
Speaker 4: pronounce raspberry really weird. I'm gonna say raspberry raspberry, I'm

832
00:45:28,640 --> 00:45:30,600
Speaker 4: gonna put the stress syllable on berry.

833
00:45:31,000 --> 00:45:33,520
Speaker 2: Oh but this, all this adding ras to the front

834
00:45:33,520 --> 00:45:40,160
Speaker 2: of a word has got me to mutant resputant. Wow,

835
00:45:40,200 --> 00:45:44,880
Speaker 2: so that's a little bit like Putin. Yeah, also Russian.

836
00:45:45,320 --> 00:45:48,680
Speaker 4: Wait a minute, arras Putin related? Did he just drop

837
00:45:48,760 --> 00:45:51,720
Speaker 4: the rass whoa day before he ran for office?

838
00:45:51,800 --> 00:45:52,440
Speaker 1: Is that what happened?

839
00:45:52,480 --> 00:45:53,359
Speaker 2: That seems likely?

840
00:45:54,040 --> 00:45:59,680
Speaker 4: Wow? So he's just like God, he's got real uh anger.

841
00:45:59,760 --> 00:46:02,040
Speaker 4: This was like all a revenge trip, you.

842
00:46:02,000 --> 00:46:04,640
Speaker 1: Know, because they shot him and they they were like

843
00:46:05,000 --> 00:46:09,919
Speaker 1: his whatever it is his dad resputant in the river.

844
00:46:10,160 --> 00:46:14,640
Speaker 1: It could be the same guy. He's a sorcerer. Yeah,

845
00:46:15,000 --> 00:46:16,080
Speaker 1: he's a w z R D.

846
00:46:16,960 --> 00:46:19,680
Speaker 4: Yes, he's been alive for three hundred years.

847
00:46:20,760 --> 00:46:23,279
Speaker 1: He he he produces verb.

848
00:46:25,280 --> 00:46:25,960
Speaker 4: It felt like.

849
00:46:25,960 --> 00:46:31,000
Speaker 2: It now open mic. We've only got nine.

850
00:46:30,680 --> 00:46:36,839
Speaker 1: This network is owed by resputant guys.

851
00:46:36,880 --> 00:46:38,440
Speaker 2: I don't want to cut out a line here, but

852
00:46:38,480 --> 00:46:42,280
Speaker 2: can I ask the question? I feel free not to answer,

853
00:46:42,280 --> 00:46:45,240
Speaker 2: but I do I have to ask? Is this network

854
00:46:45,239 --> 00:46:48,480
Speaker 2: owned by rescute?

855
00:46:51,920 --> 00:46:54,600
Speaker 1: Wait? Someone was what was someone was saying they had

856
00:46:54,600 --> 00:46:55,000
Speaker 1: to leave?

857
00:46:55,600 --> 00:46:57,480
Speaker 2: No, I was saying we've only got ninety minutes left

858
00:46:57,480 --> 00:47:01,000
Speaker 2: with you. Oh yes, it's so, I do want to.

859
00:47:01,280 --> 00:47:02,279
Speaker 4: Get my kid just walked by.

860
00:47:04,160 --> 00:47:07,560
Speaker 1: Now, describe what that what is that? What is that looking?

861
00:47:07,600 --> 00:47:10,879
Speaker 4: To look that he gave me was hey, hey Dad,

862
00:47:11,080 --> 00:47:14,040
Speaker 4: Hey dad, I know you're on the computer with your friends.

863
00:47:14,120 --> 00:47:17,560
Speaker 1: But you know, Oh that's what you said.

864
00:47:18,200 --> 00:47:20,160
Speaker 4: So that's what he said. Well that's what the look

865
00:47:20,160 --> 00:47:21,640
Speaker 4: he gave me, that's the look he gave me.

866
00:47:22,239 --> 00:47:24,440
Speaker 1: Oh, but you must have told him you were going

867
00:47:24,480 --> 00:47:25,920
Speaker 1: to be on the computer with your friends.

868
00:47:26,640 --> 00:47:27,120
Speaker 4: I told him.

869
00:47:27,120 --> 00:47:28,520
Speaker 1: Why else would he give you that look?

870
00:47:28,760 --> 00:47:32,359
Speaker 4: Be on the computer. But he doesn't understand. You didn't

871
00:47:32,360 --> 00:47:35,200
Speaker 4: say like this for free. So it have to be

872
00:47:35,280 --> 00:47:38,040
Speaker 4: with friends or else? Why would Why would I do

873
00:47:38,080 --> 00:47:38,799
Speaker 4: this right now?

874
00:47:39,160 --> 00:47:41,200
Speaker 1: So you're saying we So you're saying we must be

875
00:47:41,239 --> 00:47:41,760
Speaker 1: your friends.

876
00:47:41,800 --> 00:47:43,920
Speaker 4: We have to be like or else it would be

877
00:47:43,920 --> 00:47:46,200
Speaker 4: out tossing the football, Like why else would I be

878
00:47:46,280 --> 00:47:48,800
Speaker 4: doing this if it's weren't my friends?

879
00:47:48,840 --> 00:47:50,719
Speaker 2: You know, hey, you got to toss the football with them.

880
00:47:50,719 --> 00:47:56,359
Speaker 2: Friday night lights might break out all somebody walks by,

881
00:47:56,440 --> 00:47:58,399
Speaker 2: starts filming on their phone. All of a sudden, you're

882
00:47:58,440 --> 00:47:59,359
Speaker 2: four seasons deep.

883
00:48:00,040 --> 00:48:01,759
Speaker 4: I'm saying it now, we'll call it, We'll call it

884
00:48:01,800 --> 00:48:03,120
Speaker 4: Saturday Morning Lights.

885
00:48:03,600 --> 00:48:08,920
Speaker 2: Yes, wow, that's that's perfect for VRV's programming.

886
00:48:12,840 --> 00:48:16,440
Speaker 1: Kevin, you'll you know, we didn't. It's not a complete

887
00:48:16,520 --> 00:48:18,160
Speaker 1: song yet. You will, of course.

888
00:48:18,960 --> 00:48:21,080
Speaker 2: Assemble it from what we have though, right.

889
00:48:21,040 --> 00:48:23,080
Speaker 1: And put together a beat. You have a sample, you

890
00:48:23,160 --> 00:48:29,640
Speaker 1: have the entire story, you have many rhymes already, so

891
00:48:29,800 --> 00:48:33,400
Speaker 1: like it's we've we've held your hand ninety percent of

892
00:48:33,440 --> 00:48:33,959
Speaker 1: the way there.

893
00:48:35,280 --> 00:48:40,440
Speaker 2: Yeah, at this point, just like basically cutting and pasting it.

894
00:48:40,520 --> 00:48:40,800
Speaker 6: Great.

895
00:48:40,840 --> 00:48:44,600
Speaker 1: And to open, Mike Eagle, I say thank you for

896
00:48:44,680 --> 00:48:47,560
Speaker 1: doing the show, thank you for saying that we were

897
00:48:47,560 --> 00:48:52,919
Speaker 1: all friends. I love you and I am in love

898
00:48:52,960 --> 00:48:53,239
Speaker 1: with you.

899
00:48:54,200 --> 00:48:54,640
Speaker 2: I see.

900
00:48:55,600 --> 00:48:57,280
Speaker 4: I still wasn't expecting it.

901
00:48:58,760 --> 00:49:02,879
Speaker 1: At the end of the show, so that that was unexpected.

902
00:49:03,120 --> 00:49:04,480
Speaker 4: Yeah, I'm okay.

903
00:49:04,560 --> 00:49:06,200
Speaker 2: I don't know what else I can do.

904
00:49:06,600 --> 00:49:08,799
Speaker 4: It's it's it's me. It's me. I have to talk

905
00:49:08,840 --> 00:49:10,799
Speaker 4: to my therapist about it this week and see see

906
00:49:10,800 --> 00:49:11,680
Speaker 4: what I can come up with.

907
00:49:12,000 --> 00:49:14,000
Speaker 1: And Kevin, did you have anything you wanted to say?

908
00:49:14,440 --> 00:49:16,760
Speaker 5: I love you and I'm in love with you. Oh okay,

909
00:49:17,120 --> 00:49:20,799
Speaker 5: and good and there's a kiss coming in three two one?

910
00:49:22,280 --> 00:49:24,560
Speaker 4: Okay, Well, and then the proposals next.

911
00:49:24,400 --> 00:49:29,560
Speaker 5: Right, and are you free this weekend and for the

912
00:49:29,600 --> 00:49:30,480
Speaker 5: rest of your life?

913
00:49:30,520 --> 00:49:31,920
Speaker 1: Oh that's pretty good.

914
00:49:32,520 --> 00:49:35,879
Speaker 4: Wow, that is not bad at all.

915
00:49:36,560 --> 00:49:40,480
Speaker 1: Man. If I'm if, I'm Leah in the next room

916
00:49:40,760 --> 00:49:48,680
Speaker 1: and I hear how effortlessly. Yeah, he knows the words

917
00:49:49,840 --> 00:49:53,279
Speaker 1: perfect proposal was delivered.

918
00:49:53,000 --> 00:49:54,680
Speaker 4: And now you just burned it. You can't even use

919
00:49:54,680 --> 00:49:55,000
Speaker 4: that one.

920
00:49:55,120 --> 00:49:57,200
Speaker 6: Oh god, I might have to delete this.

921
00:50:00,080 --> 00:50:06,239
Speaker 1: Bye or wait open mic? Did is there something you'd

922
00:50:06,280 --> 00:50:06,840
Speaker 1: like to promote?

923
00:50:07,440 --> 00:50:11,120
Speaker 4: Oh no, I'm on Twitter. People can find me there

924
00:50:11,160 --> 00:50:13,600
Speaker 4: at Mike Underscore Eagle and I talk about everything else

925
00:50:13,640 --> 00:50:14,479
Speaker 4: is going on in my life.

926
00:50:14,480 --> 00:50:19,239
Speaker 1: There, everything else other than the all the ground we

927
00:50:19,320 --> 00:50:20,600
Speaker 1: covered on this episode.

928
00:50:20,640 --> 00:50:22,720
Speaker 4: True because I didn't talk about any of this there before.

929
00:50:22,880 --> 00:50:24,920
Speaker 4: But I didn't you know, this is the Hollywood Handbooks.

930
00:50:24,920 --> 00:50:27,520
Speaker 4: So I came here prepared to bear my soul and

931
00:50:27,560 --> 00:50:29,279
Speaker 4: my business secrets.

932
00:50:30,040 --> 00:50:32,799
Speaker 1: So Kevin used the bye that I did before I

933
00:50:32,840 --> 00:50:36,800
Speaker 1: put it. Bye, Hambo