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Speaker 1: R and B money.

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Speaker 2: We are.

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Speaker 1: Thanks. We are the authority on all things R and B, ladies, and.

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Speaker 3: This the R and B the fucking podcast, the authority

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Speaker 3: on all things R and B.

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Speaker 4: Listen, name in the building. Yeah, yeah, we got a brother.

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Speaker 1: We gotta love one.

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Speaker 2: We you know, we gotta start saying to the authority

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Speaker 2: on R and B, money, R and B, everything and

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Speaker 2: everything that come along with R and B.

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Speaker 4: You heard it, he said that I can come from

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Speaker 4: now on because everything come come along with R and B.

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Speaker 1: Listen, man, I'm not gonna make the intro too long. Man. Okay, okay,

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Speaker 1: the change you might make everybody mad. The change is

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Speaker 1: big and the money is long.

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Speaker 5: Come on, man, come on, man, come on man.

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Speaker 4: First, first, let me say like this, let me say this,

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Speaker 4: let me let me get this off my chest. First

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Speaker 4: of all, O T is the nicest, nicest, funniest guy

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Speaker 4: in the world.

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Speaker 1: When I say, in the world, in the world, always smiling.

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Speaker 6: But don't play with it, don't play with don't play

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Speaker 6: with him, don't play with his people because for the

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Speaker 6: smallest thing, I'm talking the smallest thing, O T will

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Speaker 6: go there.

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Speaker 4: I'm like, like, big bro, what's what what's going on. Oh, man,

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Speaker 4: he brought me some cold fries.

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Speaker 5: Cold fries.

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Speaker 1: God, who brought you the fries? God? Oh, it's just frighting.

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Speaker 1: Ain't your fries. It's the principal girl. They taking your

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Speaker 1: kind of weakness.

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Speaker 3: God, they trying to say you cold out here, you

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Speaker 3: hot out here the street.

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Speaker 1: I'm gonna have a hundred niggas. It's just fright. It's

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Speaker 1: the principal car.

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Speaker 2: He will go, Hey, listen, that's movie.

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Speaker 1: Listen. He can really fight. That's the problem. That's the problem.

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Speaker 4: But I love it because nigga, he's standing on all

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Speaker 4: the business. If he's fucking with you and he got

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Speaker 4: love for your nigga, he're not gonna let nobody play

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Speaker 4: with you.

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Speaker 3: Yeah yeah, it starts there. Yeah yeah.

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Speaker 5: Oh.

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Speaker 1: This is a few incidents I could go into. I'm

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Speaker 1: just like, oh no, stop it, please, don't do this.

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Speaker 3: I't let nobody play with my role.

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Speaker 4: Man, it ain't happening. We'll be having hit that switch.

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Speaker 4: I don't be sad. I'll be sad for the other

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Speaker 4: We're just bowling. I'm a bonus nigger.

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Speaker 1: I'll be having to go back to the people and apologize.

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Speaker 1: I'm so sorry, my little brother you know, he laughing

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Speaker 1: like that because I really was like tired.

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Speaker 3: To me?

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Speaker 5: What you mean?

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Speaker 1: He he just love heart. I'm sorry. I thought my

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Speaker 1: life was in it was, but don't worry about it.

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Speaker 3: He's fine, man, oh man, I just had to get

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Speaker 3: that off of my chest. Man, brother, I appreciate you, right.

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Speaker 1: Oh.

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Speaker 4: You know, we've had many a deep conversation man, And

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Speaker 4: you know I think that for me, and of course

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Speaker 4: I can speak for Jay bringing you here on the

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Speaker 4: R and B Money Podcast, it's like, you know, it's

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Speaker 4: it's one of those things where you know, maybe maybe

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Speaker 4: maybe as an overall title, you consider yourself a rapper.

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Speaker 4: I consider you a songwriter for sure. Yeah, I consider

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Speaker 4: you a hit songwriter.

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Speaker 1: You know what I'm saying.

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Speaker 4: And you've done that, whether it just be rap, or

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Speaker 4: whether it be melodic, or whether you go ahead and

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Speaker 4: just fucking sing, get your remix on to it, like

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Speaker 4: you've done all of that. And I think that that

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Speaker 4: conversation is and that information is important for everybody all

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Speaker 4: the across the border. So let's go. Let's go back

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Speaker 4: to the beginning. That's what what was what was a

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Speaker 4: little old tie them the beach? Yeah, I was, I was.

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Speaker 3: I was in like I was in Long Beach, running around,

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Speaker 3: you know, shooting dice at school, you know, selling candy

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Speaker 3: for some money, you know, all that type of stuff. Obviously,

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Speaker 3: like I'm from Long be so you know we have

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Speaker 3: a certain type of thing over there.

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Speaker 1: I don't know if you say that on this part.

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Speaker 6: For you.

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Speaker 3: Yeah, so you know we come from like crypt culture

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Speaker 3: and everything like that. I wanted to play football, but

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Speaker 3: I was bad as hell, so I was always ineligible.

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Speaker 1: You know, look, you know, look at you right now.

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Speaker 1: I ball up nigga fast, he ain't got a grade?

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Speaker 4: Iigga fastest, well low hiszy grade, make sure he don't play.

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Speaker 4: And so my grades was bad. But I never I never.

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Speaker 4: I never got to like I'm one of the dudes

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Speaker 4: that like, I always used to get confused. And then

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Speaker 4: I start saying for school only because I.

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Speaker 1: Like go there and I like, do I do good?

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Speaker 1: I do?

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Speaker 3: I finish all my homework and then failed all the

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Speaker 3: time because I would never like retain I can retain

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Speaker 3: the information. I'll just make sure I complete what I

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Speaker 3: need to complete, you know what I'm saying.

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Speaker 1: And so.

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Speaker 3: And so I started doing music. Then like by the

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Speaker 3: time I'm like sixteen. But then I went to like

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Speaker 3: like seven high schools you went to I went to

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Speaker 3: like seven yeah, because I was yeah, because everybody wanted

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Speaker 3: me to go to their school.

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Speaker 1: I'll be over there next week. It's not a party,

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Speaker 1: I pull up. No I got. I got kicked out

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Speaker 1: of all of all the schools I was. I was,

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Speaker 1: I was going to it.

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Speaker 3: So I got kicked out at every school that I

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Speaker 3: went to, and then I found in high school.

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Speaker 1: Yeah yeah, yeah.

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Speaker 3: Because I was getting I was getting kicked out of

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Speaker 3: like districts and so and so I would so I

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Speaker 3: would start like in one and then I go like,

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Speaker 3: I gotta go from me surreto.

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Speaker 4: We don't want you to go to any of these

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Speaker 4: ten schools, right, you can't go to none of it.

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Speaker 2: So what you're saying is you've been doing club hosting.

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Speaker 1: You permitt he only had two hour requirements. He come

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Speaker 1: to his hour and a half.

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Speaker 3: I was kidding so like because they were like I

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Speaker 3: was so bad, they were like, now we kick you

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Speaker 3: out of the district, not out of the school. It's

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Speaker 3: not gonna expel you from the school. You're gonna go

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Speaker 3: down there and do the same ship. So we get

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Speaker 3: kicked up whatever. But I was doing music and I

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Speaker 3: used to like go online and go, I want to

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Speaker 3: go back to something real quick, go to the music.

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Speaker 3: I want to go to this. I was so bad

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Speaker 3: because I was really bad in school. Yeah, And I

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Speaker 3: don't know why I was really bad at school, Like

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Speaker 3: I was just up for whatever challenge, whatever another nigga

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Speaker 3: wouldn't do right right right before.

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Speaker 4: It was before I got to high school, right before

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Speaker 4: I found the Lord. The Lord changed me, but before that,

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Speaker 4: and the psychologists tried to give me, you know, all

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Speaker 4: these reasons as to why, and your parents and they

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Speaker 4: left you early and went overseas without you. It's just

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Speaker 4: your rebel. Like I was like, no, I'm not rebeling.

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Speaker 4: The nigga just said do you want to fight? And

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Speaker 4: I was with it. Teacher said some bullshit and I

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Speaker 4: called him an asshole. I was That's just what.

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Speaker 1: I was on.

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Speaker 4: What was your thing? What was it that made you

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Speaker 4: that way? Was it just you were just like taking

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Speaker 4: all challenges?

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Speaker 3: Yeah, I was, especially when I left Long Beach because

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Speaker 3: when you kick me out of school, I'm like it

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Speaker 3: was kind of like I felt that like I was

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Speaker 3: already I was already bad because like like when I

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Speaker 3: had to I always had to catch the bus. So

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Speaker 3: I catch the bus when I get to like the

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Speaker 3: train station, like they're banging on you on a train

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Speaker 3: station for those who don't know what's like, where are

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Speaker 3: you from?

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Speaker 1: So you start to get it, you get in that energy.

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Speaker 3: I already had that energy before you even get to school,

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Speaker 3: you know what I'm saying. And then we like shoot

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Speaker 3: dice at the McDonald's outside of my school in the morning,

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Speaker 3: like so we'll try to get with that's that that

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Speaker 3: that's what makes us get up early.

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Speaker 1: You know you said, we gotta we got shoot dice

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Speaker 1: at McDonald's before we before we across the street.

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Speaker 3: And so but but my, my, my, my, you know,

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Speaker 3: all through my youth, I have to catch the bus

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Speaker 3: and catch the training. That's when you run into niggas

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Speaker 3: and you run into.

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Speaker 1: Whoop and where you're from. Oh oh damn. We gotta

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Speaker 1: get off on this stop because over there, you know

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Speaker 1: what I mean.

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Speaker 3: And so so then when I when I left Jordan

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Speaker 3: My my my main school, that's like my homeschool across

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Speaker 3: like down street from.

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Speaker 1: My and I left out of Long Beach.

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Speaker 3: I'm always looking at other niggas different, you know, because

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Speaker 3: they looking at me and I'm like, you know, so

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Speaker 3: I'm instantly it's a it's a defense mechanism, you know.

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Speaker 3: And but I'm like, I'm tripping, and I'm like I

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Speaker 3: always now now I'm I'm I'm always trying to prove

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Speaker 3: myself to somebody, you know what I mean, and prove

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Speaker 3: that I ain't no bitch, I ain't no that I

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Speaker 3: come from here. You know, So when somebody says something

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Speaker 3: to you here, even if it's not.

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Speaker 1: Even if it's not.

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Speaker 3: Like really threatening like that, you take it like that

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Speaker 3: because you know, you come from a certain place. So

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Speaker 3: I can't the way I'm trying to collect this information

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Speaker 3: that you're telling me right now.

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Speaker 1: It all it all feels, it all feel the same.

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Speaker 3: Yeah, yeah, And so I mean by that, yeah, so

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Speaker 3: I would I would do that. I would do that,

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Speaker 3: you know what I mean. I had like I used

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Speaker 3: to have like my you don't have the eye, the

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Speaker 3: I seven thirty, the next tails and all that, you know.

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Speaker 3: I used to do that, bring like yeah, call my homies,

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Speaker 3: you know what I mean, Like bring guns to school.

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Speaker 3: I used to have my little douce fires and my

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Speaker 3: little backpack and everything like that. Like I used to

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Speaker 3: be like I used to be like on bullshit too.

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Speaker 3: You just really out of control.

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Speaker 1: Yeah yeah, yeah yeah, but but.

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Speaker 3: Yeah, but it was like because every time I get

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Speaker 3: on a bus stop and I get on the train,

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Speaker 3: they got this thing called the Blue Line, right, and

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Speaker 3: they go from Long Beach. You got the Long Beach station,

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Speaker 3: the Artisa station, then you got the Wilmington station, which

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Speaker 3: is Compton. Then you got the one hundred and third station,

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Speaker 3: which is Wis you know, and your shit keep going

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Speaker 3: all the way from Long Beach or downtown to then somebody.

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Speaker 1: So you're going through every hood and when.

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Speaker 3: You get off, you get off the train, you know,

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Speaker 3: it's sometimes a niggas sitting outside. They just sitting outside

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Speaker 3: the train station tripping, you know what I mean, Like

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Speaker 3: just get nobody, want no money, no nothing. We just

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Speaker 3: hear trip you know what I'm saying. And so I

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Speaker 3: was always moving that way to protect myself. So I'm like,

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Speaker 3: I'm like overly protective by myself. But at the same time,

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Speaker 3: I'm like I'm like I'm aggressive because I'm overly protected

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Speaker 3: by myself.

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Speaker 1: And at sixteen, you can't turn that on and off.

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Speaker 3: Yeah, it's not like, oh now I'm in a classroom.

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Speaker 2: Now I'm ana turn. I'm gonna turn this, this this

224
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Speaker 2: tripping off. No, I'm tripping on.

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Speaker 3: Everything because I gotta be like this to happen to protection.

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Speaker 3: So I gotta be like this for nothing, nothing that

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Speaker 3: happened to me, you know what I'm saying. So you

228
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Speaker 3: got initiated, so motherfuckers. No exactly exactly him alone, exactly.

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Speaker 3: I'm not waiting for a nigga run up on me.

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Speaker 3: And I'm like, as soon as I get off, I'm.

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Speaker 1: Saying it instantly. I ain't.

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Speaker 3: And I always felt like I had to be that way,

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Speaker 3: you know, and that obviously that's what God me kicked

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Speaker 3: out of all these damn schools. You know, there's others

235
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Speaker 3: I gotta be. I always feel like I had to

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Speaker 3: be the breast, you know. So he was going into

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Speaker 3: the computer, into the music. Yeah, so so I would

238
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Speaker 3: I would look on online and I would see certain

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Speaker 3: things where on damn, what's that site?

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Speaker 1: Was it? Liire back then? No? No, no, no, no,

241
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Speaker 1: where they like sell stuff in cars.

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Speaker 3: And and crazy right, and then like people were like

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Speaker 3: you know, and they just like people would put up

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Speaker 3: like shows into where you like, artists gotta sell tickets

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Speaker 3: and everything.

246
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Speaker 1: And back then they.

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Speaker 3: Had Shine Heagley, they had all this all this stuff

248
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Speaker 3: right where like that's what is that golden voice?

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Speaker 1: Yeah, I think it was.

250
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Speaker 3: And so like they would have like artists perform, but

251
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Speaker 3: you had to sell like ten tickets, but what to

252
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Speaker 3: get on the show. So it's like if I sell team,

253
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Speaker 3: he sell team, he sell t he sell got packed.

254
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Speaker 1: We got a packed show and.

255
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Speaker 3: All our people was there. So I would that's what

256
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Speaker 3: That's what I would do whatever. But every time I performed,

257
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Speaker 3: it was like, damn, you're a great performer. D We

258
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Speaker 3: love your music, Blase, but this is me young, you know.

259
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Speaker 3: And I kept doing that, kept doing that, kept doing that,

260
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Speaker 3: and you know, you you start to meet people, and

261
00:14:12,040 --> 00:14:14,640
Speaker 3: you start to grow, and people start to grow, you know,

262
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Speaker 3: as you guys are going up and and then I

263
00:14:18,360 --> 00:14:21,320
Speaker 3: start meeting people. That's like they're like, yo, we're gonna

264
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Speaker 3: put you on this show. And you know, you win

265
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Speaker 3: this contest.

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Speaker 1: You you do.

267
00:14:29,360 --> 00:14:31,160
Speaker 3: A song with Lil Wayne, you know what I mean,

268
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Speaker 3: Like what and then you know, then they have this

269
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Speaker 3: and then but the whole time they like they finishing

270
00:14:37,360 --> 00:14:40,200
Speaker 3: you your bread, you know what I'm saying. And so

271
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Speaker 3: they trying to figure out who can sell the most tickets,

272
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Speaker 3: so you can sell thirty, you know, thirty tickets at

273
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Speaker 3: ten ten dollars each or twenty twenty dollars each, you.

274
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Speaker 1: Know, and this how the people how they was making money.

275
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Speaker 3: So so years after that go by and I do

276
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Speaker 3: a song.

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Speaker 1: Out here.

278
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Speaker 3: It was a song called Touchdown that I did, and

279
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Speaker 3: I met this guy there and this guy so I

280
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Speaker 3: think it was a Jamaican guy. He was like, yo,

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Speaker 3: you signed and signing anybody. I'm like nah, He's like,

282
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Speaker 3: all right, cool, I got I got I got somebody

283
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Speaker 3: you know for you to talk to. I'm like, okay, cool.

284
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Speaker 3: So so comeing to happen. The guy that he was

285
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Speaker 3: talking about was his name was Dino's name was Dino Devaye.

286
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Speaker 3: So he had signed cast Money and he was trying

287
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Speaker 3: to sign fifty. But when he was trying to sign

288
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Speaker 3: fifty at University originally before fifty went to in the

289
00:15:28,920 --> 00:15:33,160
Speaker 3: scope and so he's still but University didn't want to

290
00:15:33,200 --> 00:15:36,760
Speaker 3: sign fifth because of all the shit the guns this,

291
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Speaker 3: so like we're not we're not signing him.

292
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Speaker 1: So I guess so Fifth still.

293
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Speaker 3: Kept a relationship with him because he was trying to

294
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Speaker 3: make something happen, you know. And then he sent over

295
00:15:48,200 --> 00:15:51,680
Speaker 3: the music. So Dino sent over the music to Fifth,

296
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Speaker 3: and then Fifth called me and I'm helping, Like I'm

297
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Speaker 3: helping my boy move. I got a refrigerator. Like I'm

298
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Speaker 3: on a dolly helping my homewoy move out of his apartment.

299
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Speaker 1: You know what I'm saying.

300
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Speaker 3: It's like, yeah, they like, yo, d da da da,

301
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Speaker 3: some guy get on the phone. I'm on the phone

302
00:16:05,640 --> 00:16:09,520
Speaker 3: then and then he goes, yo, yeah, yeah, that guy's fifty.

303
00:16:10,440 --> 00:16:11,680
Speaker 1: What some one the phone?

304
00:16:11,800 --> 00:16:12,120
Speaker 3: What's up?

305
00:16:12,200 --> 00:16:12,800
Speaker 1: Niggah?

306
00:16:13,280 --> 00:16:14,800
Speaker 3: So now me and Fifth on the phone, we're talking

307
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Speaker 3: for like an hour.

308
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Speaker 1: You still got a refrigerator. So so.

309
00:16:18,760 --> 00:16:20,120
Speaker 3: Look I got the I got, I got all of

310
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Speaker 3: It's like we got all. We got the truck right there.

311
00:16:23,200 --> 00:16:25,800
Speaker 3: We're really moving, bro, Like I'm really helping him move.

312
00:16:26,520 --> 00:16:28,440
Speaker 3: And so Fifth it's like, yo, so we're chopping up.

313
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Speaker 3: He's like, look, man, we gonna do something.

314
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Speaker 1: So listen.

315
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Speaker 3: When we got off his phone, I think he said

316
00:16:33,080 --> 00:16:34,800
Speaker 3: he was I remember he was like, we got the phone.

317
00:16:35,000 --> 00:16:37,360
Speaker 3: Don't go around telling your whole hood you're rich, right,

318
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Speaker 3: he was like the last thing.

319
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Speaker 1: Yeah, he said, don't go around telling your whole hood

320
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Speaker 1: you rich, right, and so.

321
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Speaker 3: He was like, I'm gonna come meet you in la

322
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Speaker 3: all right. Cool, So he can't meet me in l A.

323
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Speaker 3: We chopped it up and then that's around the time

324
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Speaker 3: he was doing like his s K headphones, his energy dreams,

325
00:16:54,840 --> 00:16:56,400
Speaker 3: all that stuff. So we was running around. Me was

326
00:16:56,440 --> 00:16:57,840
Speaker 3: like me and him and Floyd. That's when him and

327
00:16:57,920 --> 00:17:02,000
Speaker 3: Floyd was like super tight. And but I didn't know

328
00:17:02,040 --> 00:17:04,480
Speaker 3: what a single deal was. You know what I'm saying.

329
00:17:04,640 --> 00:17:07,679
Speaker 3: You just know you got to deal. You know that

330
00:17:07,760 --> 00:17:12,639
Speaker 3: song for the exactly touchdown and so okay, boom. So

331
00:17:12,680 --> 00:17:14,280
Speaker 3: now that deal is over and I'm kind of like, yeah,

332
00:17:14,320 --> 00:17:16,040
Speaker 3: what's going on, what's going on? What's going But I'm

333
00:17:16,040 --> 00:17:18,040
Speaker 3: not knowing that this is a single dis this is

334
00:17:18,080 --> 00:17:22,400
Speaker 3: for one song you've been signed for. And I was okay, cool,

335
00:17:22,440 --> 00:17:24,560
Speaker 3: But I always say it in contact with him, I

336
00:17:24,560 --> 00:17:26,679
Speaker 3: always check you know, I mean check in, check in whatever,

337
00:17:27,480 --> 00:17:28,879
Speaker 3: So maybe I'm not.

338
00:17:29,040 --> 00:17:32,040
Speaker 1: So I tell Dino who song came out.

339
00:17:32,280 --> 00:17:34,760
Speaker 3: Yeah, it came out, it came out, Yeah, it came out,

340
00:17:35,200 --> 00:17:41,639
Speaker 3: and it was all right, But then I tell Dino

341
00:17:41,760 --> 00:17:44,240
Speaker 3: became my manager at that time, if he made the place.

342
00:17:44,280 --> 00:17:47,040
Speaker 3: So I'm like, what's going on? So you know this

343
00:17:47,160 --> 00:17:49,080
Speaker 3: is just a single deal, was like, this is how

344
00:17:49,119 --> 00:17:50,879
Speaker 3: things work or whatever. I'm like, I thought I was

345
00:17:51,160 --> 00:17:52,480
Speaker 3: fifty forever, you know what I mean?

346
00:17:54,280 --> 00:18:03,680
Speaker 1: Yeah, yeah, chef is on Dad. You know, wow, man,

347
00:18:04,119 --> 00:18:08,800
Speaker 1: you gotta come through. You gotta come through. So I

348
00:18:08,800 --> 00:18:10,720
Speaker 1: don't you know, I don't know. You know what I'm saying.

349
00:18:10,840 --> 00:18:11,280
Speaker 1: I don't know.

350
00:18:11,560 --> 00:18:15,800
Speaker 3: I'm so I'm new to this and whatever. So I

351
00:18:15,880 --> 00:18:17,960
Speaker 3: just buggled down, kept recording.

352
00:18:18,640 --> 00:18:19,200
Speaker 1: And then.

353
00:18:20,960 --> 00:18:27,400
Speaker 3: Three years later, I mean, playhouse out here and I'm performing,

354
00:18:28,080 --> 00:18:30,679
Speaker 3: and then I meet Buster and Buster's like, yo, you're

355
00:18:30,680 --> 00:18:34,679
Speaker 3: starting to I'm like nobody. He's like, oh, let's go

356
00:18:34,720 --> 00:18:36,760
Speaker 3: talk to the studio. In the studio, let's go talk

357
00:18:36,800 --> 00:18:37,280
Speaker 3: about cool.

358
00:18:37,320 --> 00:18:40,080
Speaker 1: Cool. And then when I go home, like, what's up

359
00:18:40,119 --> 00:18:42,160
Speaker 1: all these New York niggas? You know what I mean,

360
00:18:42,440 --> 00:18:45,639
Speaker 1: I'm right here, you know what I mean? And so.

361
00:18:47,320 --> 00:18:49,000
Speaker 3: And so I meet him at the studio. We start

362
00:18:49,080 --> 00:18:51,879
Speaker 3: chopping it up. We started talking about life and and

363
00:18:52,080 --> 00:18:55,000
Speaker 3: and principles and you know everything. I was telling him like,

364
00:18:55,160 --> 00:18:57,960
Speaker 3: as a man, like you know what, I go forward.

365
00:18:58,000 --> 00:19:00,639
Speaker 3: I ain't going for a while. You know, certain things

366
00:19:00,680 --> 00:19:05,240
Speaker 3: like and and so be cool. So he goes to Atlantic,

367
00:19:06,840 --> 00:19:10,560
Speaker 3: gives me a deal at Atlantic, you know when they

368
00:19:10,560 --> 00:19:11,560
Speaker 3: give him a label deal.

369
00:19:11,640 --> 00:19:13,200
Speaker 1: They give me a deal, get a label deal. It

370
00:19:13,680 --> 00:19:14,040
Speaker 1: was to me.

371
00:19:15,000 --> 00:19:19,240
Speaker 3: And so now they gave me some money.

372
00:19:20,760 --> 00:19:23,080
Speaker 1: Nigga, I ain't recorded for damn near a year.

373
00:19:23,480 --> 00:19:27,160
Speaker 3: Right off for your advance. Yeah, I'm spending the money. Right,

374
00:19:28,240 --> 00:19:29,320
Speaker 3: I'm busy.

375
00:19:30,280 --> 00:19:32,520
Speaker 1: So I'm spending the money. Now, you got it. Now

376
00:19:32,520 --> 00:19:34,440
Speaker 1: you have a full record, right right right, I have

377
00:19:34,480 --> 00:19:37,639
Speaker 1: a full record deal. So now I'm not knowing that.

378
00:19:37,720 --> 00:19:40,199
Speaker 1: I just know they gave me some money. Nobody's teaching me.

379
00:19:40,960 --> 00:19:45,720
Speaker 1: And why here is this? This is two thousand and fourteen.

380
00:19:46,160 --> 00:19:50,720
Speaker 3: Wow, okay, wait yeah, no, no, it's twenty thirteen.

381
00:19:51,640 --> 00:19:53,880
Speaker 1: It was thirteen. And then.

382
00:19:55,280 --> 00:19:59,440
Speaker 3: The December of twenty thirteen when it's happened, and so

383
00:19:59,720 --> 00:20:03,399
Speaker 3: it to like August and the A and R comes

384
00:20:03,400 --> 00:20:07,040
Speaker 3: my A and R Riggs. At the time, he came

385
00:20:07,080 --> 00:20:09,200
Speaker 3: with some verbage. I don't know what he's talking about,

386
00:20:09,680 --> 00:20:11,520
Speaker 3: so I did. I'm like what he's doing. They're like, oh,

387
00:20:11,560 --> 00:20:13,919
Speaker 3: they're saying that they're about to drop you. You know,

388
00:20:13,960 --> 00:20:15,800
Speaker 3: at the end of the year, you haven't put out

389
00:20:15,840 --> 00:20:16,280
Speaker 3: no music.

390
00:20:16,280 --> 00:20:20,960
Speaker 1: It's no, no nothing. I'm like, oh, Ship, So I'm panicking, right,

391
00:20:21,880 --> 00:20:23,840
Speaker 1: so because you're not at this point, they just paid

392
00:20:23,840 --> 00:20:27,440
Speaker 1: you the party. Yeah, I was hoping, so.

393
00:20:29,240 --> 00:20:31,800
Speaker 3: Look hoping that they gave me some money. I'm thinking,

394
00:20:31,840 --> 00:20:33,600
Speaker 3: look right now, I'm like, they ain't gave me some money.

395
00:20:33,640 --> 00:20:35,800
Speaker 3: I'm like, you know, y'all ain't you know? I had

396
00:20:35,800 --> 00:20:37,200
Speaker 3: to like hustle for Ship like this.

397
00:20:37,240 --> 00:20:40,160
Speaker 1: Like, y'all give me some money. Okay? Cool? And so.

398
00:20:41,720 --> 00:20:46,480
Speaker 3: We get into August. They gave me that conversation. We

399
00:20:46,560 --> 00:20:52,640
Speaker 3: get the September, I dropped I record Coco right, and

400
00:20:53,880 --> 00:20:56,040
Speaker 3: I record Coco and I was about to was about

401
00:20:56,040 --> 00:20:59,440
Speaker 3: to shoot another video for a different song that I did, right,

402
00:20:59,520 --> 00:21:04,679
Speaker 3: So this this is the coldest thing ever. So this

403
00:21:04,800 --> 00:21:08,680
Speaker 3: song was about to put out and we shot a video, everything,

404
00:21:08,880 --> 00:21:11,360
Speaker 3: big budget video everything. I was like, oh, this shit

405
00:21:11,440 --> 00:21:15,720
Speaker 3: is about to be lit right. And I saw the

406
00:21:15,840 --> 00:21:19,800
Speaker 3: video and I was like, I don't like it. And

407
00:21:19,840 --> 00:21:22,520
Speaker 3: this is when I start going. I started paying attention

408
00:21:22,560 --> 00:21:25,120
Speaker 3: where I really started to understand videos and understand that

409
00:21:25,560 --> 00:21:27,240
Speaker 3: editors make.

410
00:21:27,119 --> 00:21:29,919
Speaker 1: The video as well, you know what I mean. So

411
00:21:30,000 --> 00:21:32,200
Speaker 1: I'm like, what happened? To that scene. What happened that scene?

412
00:21:32,200 --> 00:21:33,520
Speaker 1: What happened in that scene? You see?

413
00:21:33,560 --> 00:21:36,399
Speaker 3: All those dope moments that made you excited about the

414
00:21:36,480 --> 00:21:39,359
Speaker 3: video is not in the video. You go, oh, man

415
00:21:39,240 --> 00:21:41,960
Speaker 3: I I don't like it. Then go so what you

416
00:21:42,000 --> 00:21:43,520
Speaker 3: want to do? And then Bus like, so what you

417
00:21:43,560 --> 00:21:46,280
Speaker 3: want to do? I'm like, man I I don't like it.

418
00:21:46,480 --> 00:21:48,600
Speaker 3: Hed you got another song? Like I got another song

419
00:21:48,680 --> 00:21:49,080
Speaker 3: I want.

420
00:21:48,960 --> 00:21:49,360
Speaker 1: To put out.

421
00:21:50,359 --> 00:21:53,000
Speaker 3: This is exactly how I went. We're supposed to put

422
00:21:53,000 --> 00:21:57,680
Speaker 3: this video. The whole second song after No No, this

423
00:21:57,760 --> 00:21:59,720
Speaker 3: is this song. It was a song called Yum yum

424
00:21:59,760 --> 00:22:02,200
Speaker 3: did I did right? And we're supposed to put it out.

425
00:22:03,080 --> 00:22:06,359
Speaker 3: I didn't like the video, big budget video, everything. I

426
00:22:06,359 --> 00:22:07,440
Speaker 3: didn't like it.

427
00:22:07,480 --> 00:22:08,000
Speaker 1: I don't like it.

428
00:22:08,000 --> 00:22:09,600
Speaker 3: I'm not I'm not putting that I don't like it.

429
00:22:09,960 --> 00:22:11,960
Speaker 3: So Bus looking at me like, so what you want

430
00:22:12,000 --> 00:22:14,800
Speaker 3: to do? Old Tam and he's like stressed out, like

431
00:22:14,840 --> 00:22:17,920
Speaker 3: what the we just shot a whole spend that money

432
00:22:17,920 --> 00:22:18,119
Speaker 3: on you.

433
00:22:18,880 --> 00:22:19,840
Speaker 1: I'm like, I don't want to do.

434
00:22:19,880 --> 00:22:22,040
Speaker 3: I recorded some ship the other night that I want

435
00:22:22,040 --> 00:22:26,520
Speaker 3: to do. Right cool. So he's like, all right, work

436
00:22:26,560 --> 00:22:30,399
Speaker 3: them here. So that's SOM's Coco. You go shoot the

437
00:22:30,480 --> 00:22:32,280
Speaker 3: video on the project. It ain't no budget no more,

438
00:22:35,200 --> 00:22:38,680
Speaker 3: you know what I mean? But yeah, exactly, shoot that video.

439
00:22:40,720 --> 00:22:44,159
Speaker 3: Everybody was scared, like, look at all this ship you

440
00:22:44,240 --> 00:22:47,879
Speaker 3: put in the video or drop that bitch and motherfucker.

441
00:22:49,200 --> 00:22:49,720
Speaker 1: That Lessen.

442
00:23:05,640 --> 00:23:09,000
Speaker 2: I remember the first time I heard it. I remember,

443
00:23:09,840 --> 00:23:13,960
Speaker 2: I want to say, I was in Graystone. Yeah, what

444
00:23:14,080 --> 00:23:19,080
Speaker 2: year is that, twenty fourteen? Yes, yeah, around that time. Yeah,

445
00:23:19,680 --> 00:23:21,919
Speaker 2: and that shit kicked in and I was like, what

446
00:23:21,960 --> 00:23:27,679
Speaker 2: the fuck is that? And we had no idea you

447
00:23:27,800 --> 00:23:28,679
Speaker 2: was from California?

448
00:23:29,040 --> 00:23:33,000
Speaker 1: Yeah? I love that part. We had no idea you

449
00:23:33,040 --> 00:23:33,879
Speaker 1: was from California.

450
00:23:33,920 --> 00:23:35,359
Speaker 2: And I kind of want to go back to what

451
00:23:35,480 --> 00:23:38,520
Speaker 2: when you were saying you were like all these cats from.

452
00:23:38,359 --> 00:23:40,480
Speaker 1: New York had reached out to you.

453
00:23:40,520 --> 00:23:45,439
Speaker 2: Do you feel like the politic with the culture that

454
00:23:45,520 --> 00:23:49,159
Speaker 2: y'all have in l a kind of kept people away

455
00:23:49,200 --> 00:23:50,840
Speaker 2: from reaching out.

456
00:23:50,720 --> 00:23:54,720
Speaker 1: To you to do a deal. I think that. I

457
00:23:54,760 --> 00:23:55,200
Speaker 1: think that.

458
00:23:59,280 --> 00:24:01,439
Speaker 3: Let me tell you, let me tell you this short story.

459
00:24:03,000 --> 00:24:05,800
Speaker 3: I used to run around with just DJ DJ Amen

460
00:24:07,359 --> 00:24:12,520
Speaker 3: Yeah and Amen did everything to try to get me on,

461
00:24:13,640 --> 00:24:15,760
Speaker 3: but they were like the music that he does, everything,

462
00:24:15,800 --> 00:24:17,919
Speaker 3: he don't sound like a West Coast artist. This is

463
00:24:17,960 --> 00:24:22,800
Speaker 3: what people DJ's are saying, right, And I used to

464
00:24:22,880 --> 00:24:24,960
Speaker 3: hustle in Atlanta all the time. I used to hustle,

465
00:24:25,480 --> 00:24:29,760
Speaker 3: and so everybody was like, he's from Atlanta, He's I

466
00:24:29,800 --> 00:24:32,040
Speaker 3: never said I wasn't. I never said nothing. I'm like,

467
00:24:32,080 --> 00:24:36,159
Speaker 3: I'm gonna play the game. And so it's crazy because

468
00:24:36,200 --> 00:24:38,880
Speaker 3: your own city be like, oh, well, if you don't

469
00:24:38,920 --> 00:24:41,399
Speaker 3: sound like you're from here, you from here, then you

470
00:24:41,440 --> 00:24:43,400
Speaker 3: ain't from here, you know what I mean.

471
00:24:44,240 --> 00:24:48,240
Speaker 1: But nigga, I'm from here for a shelf or southah.

472
00:24:48,359 --> 00:24:50,119
Speaker 3: But they're like, oh, if you're gonna sound like you

473
00:24:50,200 --> 00:24:52,439
Speaker 3: from here, then we can't give you that love like

474
00:24:52,480 --> 00:24:56,320
Speaker 3: that because we feel like that's that maybe not it's

475
00:24:56,320 --> 00:24:59,480
Speaker 3: maybe not deemed authentic to our culture, you know, as

476
00:24:59,480 --> 00:25:03,680
Speaker 3: far as is concerned. And so when I understood that,

477
00:25:05,080 --> 00:25:08,760
Speaker 3: I played the card. And by the time they realized

478
00:25:08,800 --> 00:25:11,680
Speaker 3: bro from it was too late. So that so when

479
00:25:11,680 --> 00:25:15,320
Speaker 3: it was like, oh, you see walking over here, long

480
00:25:15,920 --> 00:25:20,720
Speaker 3: down the street, right, and anybody who knows here like, oh,

481
00:25:20,760 --> 00:25:21,320
Speaker 3: he cold.

482
00:25:21,680 --> 00:25:23,800
Speaker 1: So I just played the game the system. That's how

483
00:25:23,800 --> 00:25:25,040
Speaker 1: it came That's how it came back.

484
00:25:25,920 --> 00:25:29,199
Speaker 2: Now you had to love me, yeah, yeah, and it

485
00:25:29,280 --> 00:25:30,320
Speaker 2: worked out in your favor.

486
00:25:30,359 --> 00:25:31,480
Speaker 1: Absolutely, because that's how.

487
00:25:31,359 --> 00:25:33,640
Speaker 2: It came back around from Obviously, I'm from the Bay

488
00:25:33,680 --> 00:25:35,520
Speaker 2: and from the Bay, and he had been telling me

489
00:25:35,520 --> 00:25:38,919
Speaker 2: about right and I didn't realize it was the same artists.

490
00:25:39,240 --> 00:25:40,920
Speaker 1: Yeah, I didn't realize the same artist.

491
00:25:40,960 --> 00:25:44,240
Speaker 3: Crazy because like you said, when you first hear Coco,

492
00:25:44,840 --> 00:25:47,040
Speaker 3: you can't you really can't say where the artist.

493
00:25:46,880 --> 00:25:47,320
Speaker 1: Where he's from.

494
00:25:47,359 --> 00:25:50,240
Speaker 2: Yeah, yeah, yeah, yeah yeah, because for one, you're always

495
00:25:50,320 --> 00:25:51,000
Speaker 2: yelling at people.

496
00:25:51,880 --> 00:25:55,240
Speaker 1: I don't know what that's about. You like to yell.

497
00:25:56,920 --> 00:25:57,160
Speaker 3: Love.

498
00:25:59,560 --> 00:26:06,640
Speaker 4: I didn't know the Spanish got torn.

499
00:26:09,160 --> 00:26:11,399
Speaker 1: So funny, you know what I'm saying. Listen, I'm with

500
00:26:11,480 --> 00:26:14,520
Speaker 1: Floyd Mayweather and the Strip Club. That's a great place

501
00:26:14,560 --> 00:26:19,040
Speaker 1: to hear. He like, what's your take? What's your that's

502
00:26:19,040 --> 00:26:22,119
Speaker 1: so came on. I know he records, I know he

503
00:26:22,280 --> 00:26:27,400
Speaker 1: records records. Like, who the fuck is what you're doing?

504
00:26:27,440 --> 00:26:33,560
Speaker 1: This he's doing? I said, what the fuck is sid nigga?

505
00:26:33,960 --> 00:26:36,400
Speaker 1: I want to strip club? Floyd. Floyd went to the Strict Club.

506
00:26:36,440 --> 00:26:40,159
Speaker 3: He played that I was in there, play again, play

507
00:26:41,280 --> 00:26:42,440
Speaker 3: that was his favorite song.

508
00:26:43,000 --> 00:26:45,600
Speaker 1: Play back. He has to walk around with the what's

509
00:26:45,600 --> 00:26:46,240
Speaker 1: the what's the ship?

510
00:26:46,359 --> 00:26:46,399
Speaker 3: That?

511
00:26:47,040 --> 00:26:48,920
Speaker 2: Not before that, before the iPhone, they had the I

512
00:26:49,280 --> 00:26:49,439
Speaker 2: was it.

513
00:26:49,560 --> 00:26:52,680
Speaker 1: I it was like the little the I Pop.

514
00:26:52,760 --> 00:26:54,399
Speaker 2: Yeah, he used to walk around the iPod with the

515
00:26:54,440 --> 00:26:55,800
Speaker 2: motherfucking headphones off.

516
00:26:55,920 --> 00:27:01,520
Speaker 3: When I say that, Nigga played that song over no.

517
00:27:02,960 --> 00:27:03,600
Speaker 1: Pretty uh.

518
00:27:05,119 --> 00:27:09,560
Speaker 4: Pretty bottles to it, one hundred thousand and one to it.

519
00:27:09,640 --> 00:27:12,280
Speaker 1: Yeah, yep, I seen him. I've seen him.

520
00:27:12,560 --> 00:27:16,600
Speaker 3: I seen him in the club go throw like eighty

521
00:27:16,920 --> 00:27:19,600
Speaker 3: and it was all on Coco, back to back to

522
00:27:19,800 --> 00:27:21,960
Speaker 3: back to back to back, and I'm in there like

523
00:27:22,720 --> 00:27:25,400
Speaker 3: and and when when they come in with they coming

524
00:27:25,480 --> 00:27:27,800
Speaker 3: with boxes. You know what I'm saying, They can with boxes.

525
00:27:27,800 --> 00:27:29,199
Speaker 3: They got to put the money in the boxes.

526
00:27:29,840 --> 00:27:32,320
Speaker 1: So it's too much and.

527
00:27:32,240 --> 00:27:35,000
Speaker 3: It's over and it's my ship though, and I'm like,

528
00:27:35,640 --> 00:27:36,880
Speaker 3: this ship is crazy.

529
00:27:38,720 --> 00:27:41,840
Speaker 1: It's crazy. Fact that it's not another song. Now, one

530
00:27:41,960 --> 00:27:42,360
Speaker 1: other song.

531
00:27:42,440 --> 00:27:44,320
Speaker 3: Come on, He's like, if you want me to keep

532
00:27:44,320 --> 00:27:46,640
Speaker 3: throwing this money, keep playing this song.

533
00:27:46,720 --> 00:27:49,359
Speaker 2: So so I'm going to I'm going to just guess

534
00:27:49,400 --> 00:27:51,200
Speaker 2: that Atlantic didn't drop.

535
00:27:50,960 --> 00:27:55,280
Speaker 3: You know, and that And at that point when I

536
00:27:55,280 --> 00:27:57,960
Speaker 3: started to understand music, I said, damn, I wish they did.

537
00:27:59,640 --> 00:28:01,000
Speaker 1: That and dependent.

538
00:28:06,760 --> 00:28:09,320
Speaker 2: Because this whole time I thought that he had Coco

539
00:28:09,440 --> 00:28:11,080
Speaker 2: independent before you did that deal.

540
00:28:11,160 --> 00:28:11,960
Speaker 7: You didn't.

541
00:28:13,240 --> 00:28:15,400
Speaker 1: You did that record? Because they literally did that.

542
00:28:15,680 --> 00:28:19,200
Speaker 3: I dropped I literally recorded Coco Boom with like September

543
00:28:20,640 --> 00:28:24,760
Speaker 3: shot the shot the video late September. Dropped Coco November

544
00:28:24,880 --> 00:28:27,440
Speaker 3: twenty fourteen, and they said when they were supposed to

545
00:28:27,560 --> 00:28:30,800
Speaker 3: drop me at the end of the year, So I

546
00:28:30,800 --> 00:28:34,400
Speaker 3: probably had like one month month now. And mind you,

547
00:28:34,960 --> 00:28:38,800
Speaker 3: mind you when I dropped it, they didn't service it.

548
00:28:38,800 --> 00:28:41,800
Speaker 3: It just went got you boom and then they had

549
00:28:41,800 --> 00:28:42,560
Speaker 3: to catch on land.

550
00:28:42,720 --> 00:28:44,400
Speaker 1: It was to It was too it was too big,

551
00:28:44,960 --> 00:28:45,600
Speaker 1: it was too big.

552
00:28:46,040 --> 00:28:49,360
Speaker 2: So how much do you think that cost you? The

553
00:28:49,440 --> 00:28:51,920
Speaker 2: video would have been independent? How much money you think

554
00:28:51,960 --> 00:28:53,920
Speaker 2: it cost you being signed to?

555
00:28:55,240 --> 00:28:56,880
Speaker 1: How much money do you think you would have got

556
00:28:57,320 --> 00:28:59,480
Speaker 1: in your pocket if you would have been in d

557
00:29:00,080 --> 00:29:02,040
Speaker 1: with that record? What do you think?

558
00:29:03,800 --> 00:29:06,160
Speaker 2: I don't mean to make you mad to think about this,

559
00:29:06,200 --> 00:29:11,880
Speaker 2: but you know, if you drop Coco as an independent artist, it.

560
00:29:11,800 --> 00:29:13,800
Speaker 3: Takes all the same way.

561
00:29:13,960 --> 00:29:22,400
Speaker 4: Label eighty five, fifteen, ninety ten. How many are souls?

562
00:29:28,840 --> 00:29:30,760
Speaker 1: What's the numbers today on Coco?

563
00:29:30,920 --> 00:29:33,920
Speaker 3: For how much? How much I'm playing? Well, but I'm

564
00:29:33,920 --> 00:29:36,760
Speaker 3: gonna take you one thing. I tell you one thing,

565
00:29:37,080 --> 00:29:40,160
Speaker 3: because your performance royalties alone.

566
00:29:39,880 --> 00:29:43,880
Speaker 1: My performance royalties is crazy alone. But how much money

567
00:29:43,880 --> 00:29:48,200
Speaker 1: I made on the road just on just doing shows

568
00:29:48,280 --> 00:29:48,880
Speaker 1: off of Coco.

569
00:29:49,560 --> 00:29:54,360
Speaker 3: Like I'm like somewhere like in like ten, I can

570
00:29:54,400 --> 00:29:56,000
Speaker 3: believe it. Yeah I'm talking.

571
00:29:57,880 --> 00:29:59,960
Speaker 1: Yeah, yeah, just off Cocoa.

572
00:30:00,120 --> 00:30:02,120
Speaker 3: Just off they just off the shows, you know what

573
00:30:02,120 --> 00:30:04,640
Speaker 3: I'm saying. Yeah, just off the show. And then I

574
00:30:04,840 --> 00:30:09,240
Speaker 3: want to go double back. And everybody's like, oh, he's

575
00:30:09,240 --> 00:30:10,000
Speaker 3: a one hit winner.

576
00:30:10,040 --> 00:30:10,480
Speaker 1: He's done that.

577
00:30:10,520 --> 00:30:12,320
Speaker 3: And I'm like I'm hearing this the whole time, right,

578
00:30:13,440 --> 00:30:15,840
Speaker 3: and I'm like, oh, ship, So what I'm gonna do.

579
00:30:15,880 --> 00:30:17,640
Speaker 3: I'm like, damn, I'm still getting money on the road.

580
00:30:17,880 --> 00:30:20,040
Speaker 3: And when I'm doing interviews, they asked me, so, what's next?

581
00:30:20,840 --> 00:30:21,760
Speaker 3: You know what I did after that?

582
00:30:22,520 --> 00:30:28,720
Speaker 1: Cut it? Boom were young question? Let me ask your question.

583
00:30:29,400 --> 00:30:30,880
Speaker 1: Cut it. I'm gonna tell you what he used to

584
00:30:30,920 --> 00:30:31,960
Speaker 1: be doing when we be in the club.

585
00:30:33,960 --> 00:30:35,560
Speaker 4: Come on and that nigga take it just look at

586
00:30:35,600 --> 00:30:40,640
Speaker 4: me like that. I used to sing like a shirt.

587
00:30:40,960 --> 00:30:43,000
Speaker 4: I used to sing like a thinking. When he comes

588
00:30:43,040 --> 00:30:45,959
Speaker 4: up and say cut it, cut it, cut cut it,

589
00:30:45,960 --> 00:30:49,320
Speaker 4: cut it, cut it cut it long.

590
00:30:49,480 --> 00:30:53,960
Speaker 3: You gotta cut it, cut it from it long and

591
00:30:54,120 --> 00:30:58,200
Speaker 3: breaks his way too. You gotta cut it along, cut

592
00:30:58,240 --> 00:30:58,600
Speaker 3: It cut.

593
00:31:01,520 --> 00:31:03,360
Speaker 4: Let me ask you a question because because because now

594
00:31:03,400 --> 00:31:05,840
Speaker 4: we're starting to get into now we're starting to get

595
00:31:05,840 --> 00:31:10,600
Speaker 4: into songwriting and consistency and understand and understanding and being

596
00:31:10,600 --> 00:31:12,800
Speaker 4: a professional at this ship being able to dial it

597
00:31:12,880 --> 00:31:16,520
Speaker 4: up on demand. When you did Coco, did you feel

598
00:31:16,520 --> 00:31:19,920
Speaker 4: like you had found something that you took from uh

599
00:31:20,600 --> 00:31:23,680
Speaker 4: just just just from a format standpoint to to do

600
00:31:23,800 --> 00:31:25,760
Speaker 4: cut it or was cut It just the new build

601
00:31:25,840 --> 00:31:26,120
Speaker 4: for you?

602
00:31:26,160 --> 00:31:32,360
Speaker 1: Completely? Really, I'm not even gonna lie. I was just

603
00:31:32,440 --> 00:31:35,840
Speaker 1: drinking alcohol and I'm.

604
00:31:38,720 --> 00:31:41,080
Speaker 2: You want to write here, records kids, you want to

605
00:31:41,080 --> 00:31:46,640
Speaker 2: write record and and sometimes it's just open like because like.

606
00:31:48,440 --> 00:31:51,440
Speaker 3: I'm not trying to promote drinking, right, But what I

607
00:31:51,480 --> 00:31:56,920
Speaker 3: say is like when I'm when I'm drinking, like even

608
00:31:56,920 --> 00:31:59,680
Speaker 3: with my personality, like the only thing it does is

609
00:31:59,880 --> 00:32:01,800
Speaker 3: a base it, you know what I'm saying.

610
00:32:01,920 --> 00:32:05,920
Speaker 1: So, but i could be be really happy, really upset.

611
00:32:06,080 --> 00:32:09,080
Speaker 3: You know, But when I'm in a studio and I'm drinking,

612
00:32:09,120 --> 00:32:11,720
Speaker 3: I'm in, I'm in I'm at home. You know, it's

613
00:32:11,760 --> 00:32:14,000
Speaker 3: the vibes. I feel like I'm in the club for

614
00:32:14,200 --> 00:32:18,560
Speaker 3: like I'm you know, And so I actually recorded cut

615
00:32:18,600 --> 00:32:20,880
Speaker 3: it and push it the same night, go get the money.

616
00:32:21,200 --> 00:32:23,680
Speaker 3: I record that shit the same night. I recorded them

617
00:32:23,720 --> 00:32:25,200
Speaker 3: the same night, same night, the same night.

618
00:32:25,280 --> 00:32:27,479
Speaker 1: Yeah and so and so.

619
00:32:29,000 --> 00:32:32,600
Speaker 4: But it's not like you're encouraging like, oh, drink and

620
00:32:32,640 --> 00:32:34,920
Speaker 4: you're gonna make it records. I think you're speaking from

621
00:32:34,920 --> 00:32:38,600
Speaker 4: a place of your just your comfort zone. Yeah, yeah, studio,

622
00:32:38,760 --> 00:32:43,320
Speaker 4: having a beverage, having a good time, just having Everybody

623
00:32:43,440 --> 00:32:46,040
Speaker 4: has the methods, everybody has their their environment.

624
00:32:46,680 --> 00:32:50,239
Speaker 3: Because because when I was coming up and I was

625
00:32:50,240 --> 00:32:54,280
Speaker 3: making music, it was always fun for me. And so

626
00:32:56,360 --> 00:32:58,080
Speaker 3: then when I started getting a deal and everything, and

627
00:32:58,120 --> 00:33:00,760
Speaker 3: I watch everybody else, I'm like, damn, everybody so serious,

628
00:33:01,480 --> 00:33:03,360
Speaker 3: you know, and I'm like, it ain't.

629
00:33:03,480 --> 00:33:04,280
Speaker 1: It ain't fun no.

630
00:33:04,280 --> 00:33:07,040
Speaker 3: More so when you when you when you create that

631
00:33:07,040 --> 00:33:08,400
Speaker 3: that lanes where.

632
00:33:10,000 --> 00:33:12,280
Speaker 1: It's fun again and you like a kid again.

633
00:33:12,760 --> 00:33:16,760
Speaker 3: That's when you start making all like that your best music,

634
00:33:17,600 --> 00:33:19,360
Speaker 3: you know what I mean, because it's fun, you know.

635
00:33:19,800 --> 00:33:23,120
Speaker 3: You know, sometimes we we you know, we're worry about

636
00:33:23,720 --> 00:33:26,040
Speaker 3: criticism or other people, how other people think, whatever.

637
00:33:26,120 --> 00:33:28,960
Speaker 1: But so much press, so much pressure, necessary pressure.

638
00:33:29,360 --> 00:33:33,280
Speaker 3: But but you never felt that when you were trying

639
00:33:33,320 --> 00:33:34,880
Speaker 3: to get on, you know what I mean, We were

640
00:33:34,880 --> 00:33:36,720
Speaker 3: trying to get on. It was just like, this is

641
00:33:36,720 --> 00:33:39,440
Speaker 3: who I am just doing that? You're singing your ass off,

642
00:33:39,440 --> 00:33:42,480
Speaker 3: you're doing it. Nothing was a bad song. Nothing was that.

643
00:33:42,720 --> 00:33:45,440
Speaker 3: Nothing was you keep listening to that ship your whole

644
00:33:45,560 --> 00:33:48,360
Speaker 3: leader studio. You get a copy of that, you listening

645
00:33:48,360 --> 00:33:49,160
Speaker 3: to the whole way.

646
00:33:48,960 --> 00:33:51,080
Speaker 1: Home, like damn.

647
00:33:51,200 --> 00:33:55,200
Speaker 3: And so I had to you know, psychological for me.

648
00:33:55,240 --> 00:33:56,960
Speaker 3: So I had to go, you know what, let's get

649
00:33:57,000 --> 00:33:59,239
Speaker 3: back in that lane. Let me just have fun. And

650
00:33:59,280 --> 00:34:01,840
Speaker 3: even if I don't courd nothing tonight, that's okay.

651
00:34:02,320 --> 00:34:04,360
Speaker 1: I bring people to the studio, everybody having drink.

652
00:34:04,400 --> 00:34:06,320
Speaker 3: Y'all have a drink here, we go party, have whatever

653
00:34:06,360 --> 00:34:08,120
Speaker 3: comes to me comes to me. And if I don't

654
00:34:08,120 --> 00:34:11,240
Speaker 3: record anything this night, that's what that's okay. I'm okay

655
00:34:11,280 --> 00:34:13,400
Speaker 3: with that, you know what I mean, because I know

656
00:34:13,480 --> 00:34:15,879
Speaker 3: what I came. I came to have a good time.

657
00:34:16,480 --> 00:34:20,279
Speaker 4: Yeah, listen, and within that good time, even if it's

658
00:34:20,320 --> 00:34:23,120
Speaker 4: not that night, reflecting on that good time.

659
00:34:24,120 --> 00:34:26,040
Speaker 1: Oh ship, there's a record.

660
00:34:26,040 --> 00:34:28,360
Speaker 4: There's a gym in there, there's a there's a moment

661
00:34:28,400 --> 00:34:31,600
Speaker 4: where we was saying whatever we were saying, we'll put

662
00:34:31,640 --> 00:34:36,040
Speaker 4: that in it. Like the experience is what makes the record. Yeah, yeah.

663
00:34:36,239 --> 00:34:38,840
Speaker 1: Yeah. Living this ship is what makes the records. You know.

664
00:34:38,880 --> 00:34:40,640
Speaker 4: People ask me like, how do you stay current? I

665
00:34:40,640 --> 00:34:44,000
Speaker 4: was like, I just stay alive. Yeah, for real, that's

666
00:34:44,000 --> 00:34:48,000
Speaker 4: how you stay. I write about today. I write about

667
00:34:48,040 --> 00:34:51,160
Speaker 4: things I actually do. I'm doing these things. I'm putting

668
00:34:51,160 --> 00:34:53,319
Speaker 4: the ship on. You know what I'm saying.

669
00:34:53,360 --> 00:34:57,000
Speaker 3: I'm at Naven Marcus, I'm surfing through the through the drip.

670
00:34:57,120 --> 00:34:58,279
Speaker 1: Yeah, you know. You know what I'm saying.

671
00:34:59,760 --> 00:35:01,400
Speaker 4: I'm you know, I'm at the strip club, you know,

672
00:35:01,520 --> 00:35:03,680
Speaker 4: so I know where they got the best chicken tenders.

673
00:35:04,280 --> 00:35:07,200
Speaker 4: I know where the best impossible burd is a magic

674
00:35:07,280 --> 00:35:11,879
Speaker 4: city in there. So it's like as you as you live,

675
00:35:12,080 --> 00:35:14,440
Speaker 4: and you're in it and you stay in it. It

676
00:35:14,480 --> 00:35:16,319
Speaker 4: don't matter if you do it that night or even

677
00:35:16,440 --> 00:35:18,440
Speaker 4: even that we don't put don't put that unecessarily.

678
00:35:19,080 --> 00:35:21,879
Speaker 3: Yeah, yeah, yeah, yeah, guard it ain't like that.

679
00:35:22,040 --> 00:35:22,239
Speaker 1: Yep.

680
00:35:22,360 --> 00:35:24,960
Speaker 3: You just know at the end of the day, I'm

681
00:35:24,960 --> 00:35:27,720
Speaker 3: gonna get back to the plate and I'm a bad again.

682
00:35:27,800 --> 00:35:30,960
Speaker 4: That's it, so Coco. And then the second one is

683
00:35:31,520 --> 00:35:34,200
Speaker 4: cut it, cut it, and then the third one is

684
00:35:34,640 --> 00:35:35,239
Speaker 4: push it.

685
00:35:36,400 --> 00:35:37,000
Speaker 1: And then.

686
00:35:40,200 --> 00:35:43,719
Speaker 3: After that was I didn't think I did thick with

687
00:35:43,800 --> 00:35:44,800
Speaker 3: two chains.

688
00:35:46,160 --> 00:35:49,000
Speaker 2: So did you what did you what did you realize

689
00:35:49,040 --> 00:35:52,719
Speaker 2: though that you were doing or do you realize that

690
00:35:52,840 --> 00:35:55,000
Speaker 2: you do motivational music?

691
00:35:56,280 --> 00:35:58,360
Speaker 1: You know what? I feel like I can lift the

692
00:35:58,400 --> 00:36:00,800
Speaker 1: whole gym when I'm listening and teacher.

693
00:36:02,560 --> 00:36:07,960
Speaker 2: Okay, throw your whole back out.

694
00:36:13,080 --> 00:36:14,680
Speaker 3: I was at the airport the other day in the

695
00:36:15,520 --> 00:36:16,200
Speaker 3: air for the day.

696
00:36:16,880 --> 00:36:19,760
Speaker 1: I was buying I buy some chips.

697
00:36:19,960 --> 00:36:23,560
Speaker 3: This this lady was like, damn, I just got back

698
00:36:23,560 --> 00:36:25,359
Speaker 3: from the gym listening to you, you know what I mean?

699
00:36:26,960 --> 00:36:28,960
Speaker 3: And I and I never knew it like that. I

700
00:36:29,080 --> 00:36:31,920
Speaker 3: just always because I used to like and still to

701
00:36:31,960 --> 00:36:35,120
Speaker 3: this day, like like, I party so much and have

702
00:36:35,160 --> 00:36:37,360
Speaker 3: a good time so much. So when I am like

703
00:36:37,400 --> 00:36:39,440
Speaker 3: I spent so much time in the club, like girls

704
00:36:39,480 --> 00:36:43,200
Speaker 3: just like you always in the club, I'm like, yeah,

705
00:36:43,200 --> 00:36:45,040
Speaker 3: well my music is there too, sweetheart.

706
00:36:45,320 --> 00:36:49,720
Speaker 1: What are you doing here? You do research?

707
00:36:50,239 --> 00:36:54,319
Speaker 3: Yeah, I'm actually yeah, yeah, and so so I So

708
00:36:54,840 --> 00:36:59,160
Speaker 3: I listened to the vibration, the sounds. I listened to

709
00:36:59,239 --> 00:37:02,239
Speaker 3: the pockets, listening to other people like and so I

710
00:37:02,280 --> 00:37:05,920
Speaker 3: start making recordst where it starts becoming like chance.

711
00:37:06,120 --> 00:37:08,880
Speaker 1: You know, and I'm not knowing it, but I'm knowing it,

712
00:37:08,960 --> 00:37:09,760
Speaker 1: you know. What I'm saying.

713
00:37:10,200 --> 00:37:11,919
Speaker 3: And so when I spend the time in the club

714
00:37:11,920 --> 00:37:15,120
Speaker 3: and I'm partying, then I said, I can hear what

715
00:37:15,640 --> 00:37:19,399
Speaker 3: catches somebody, and I go, okay, I'm not.

716
00:37:19,320 --> 00:37:20,560
Speaker 1: Gonna do exactly what that is.

717
00:37:20,600 --> 00:37:22,000
Speaker 3: But if I do what I do and I get

718
00:37:22,040 --> 00:37:25,160
Speaker 3: to catch them the way that caught them, then you

719
00:37:25,200 --> 00:37:25,719
Speaker 3: know I'm good.

720
00:37:25,800 --> 00:37:26,759
Speaker 1: So when I am in.

721
00:37:26,800 --> 00:37:30,040
Speaker 3: The studio, I'm in the club, you know, and and

722
00:37:30,280 --> 00:37:33,520
Speaker 3: and I'm near and I'm like, what if, I'm like, no, no,

723
00:37:33,520 --> 00:37:36,040
Speaker 3: not that I'm sound right. Okay, Now I said too

724
00:37:36,080 --> 00:37:38,600
Speaker 3: many words right here. It's not gonna be to the

725
00:37:38,640 --> 00:37:41,560
Speaker 3: to the to the human ear.

726
00:37:43,719 --> 00:37:47,160
Speaker 1: So I gotta what's catchy? What to be there? Okay,

727
00:37:47,360 --> 00:37:51,320
Speaker 1: I say this, Okay, then I play it back. I'm like, alright, cool,

728
00:37:51,760 --> 00:37:54,759
Speaker 1: I look good. I look like back. You know what

729
00:37:54,800 --> 00:37:56,799
Speaker 1: I'm saying, Like you know what I mean? Like you

730
00:37:56,800 --> 00:37:57,200
Speaker 1: know what I mean.

731
00:37:57,200 --> 00:38:00,600
Speaker 2: It's so much you giving real information right now, You're

732
00:38:00,640 --> 00:38:07,240
Speaker 2: giving a masterclass in songwriting. Because listen, you know your pocket,

733
00:38:07,320 --> 00:38:10,560
Speaker 2: you know where your music belongs. You make music for

734
00:38:10,640 --> 00:38:13,840
Speaker 2: the club. You make music for the club. So okay,

735
00:38:13,880 --> 00:38:17,120
Speaker 2: what are the elements of the club. People are either

736
00:38:17,160 --> 00:38:20,279
Speaker 2: singing off key. You know what I'm saying. They really

737
00:38:20,280 --> 00:38:22,040
Speaker 2: can't remember a whole bunch of shit because they might

738
00:38:22,080 --> 00:38:24,680
Speaker 2: be drunk. So they need only a certain amount of

739
00:38:24,719 --> 00:38:27,640
Speaker 2: words like you said, like okay, maybe I said too much.

740
00:38:28,000 --> 00:38:32,160
Speaker 2: That is that is songwriting. That is truly songwriting. Somebody

741
00:38:32,160 --> 00:38:34,120
Speaker 2: could try to you know, you got the purest of

742
00:38:34,120 --> 00:38:36,920
Speaker 2: the world that be like, oh no, you must do this,

743
00:38:37,040 --> 00:38:42,640
Speaker 2: No motherfucker, you must take yourself away from your extreme

744
00:38:42,800 --> 00:38:47,480
Speaker 2: talented self and say, what with these people, the person

745
00:38:47,480 --> 00:38:52,120
Speaker 2: who hasn't been to Berkeley School of Music? What are

746
00:38:52,120 --> 00:38:55,239
Speaker 2: they going to dance to? How can I motivate them

747
00:38:55,880 --> 00:38:57,720
Speaker 2: in their lives? What do they want to ride around

748
00:38:57,719 --> 00:38:58,080
Speaker 2: in the car?

749
00:38:58,239 --> 00:39:01,399
Speaker 1: Too? Right? Right, that's exactly what you've been doing.

750
00:39:01,520 --> 00:39:04,400
Speaker 3: Right, And it's like who's in the club, who's in

751
00:39:04,400 --> 00:39:06,160
Speaker 3: the class, who's my client?

752
00:39:06,200 --> 00:39:07,280
Speaker 1: Who's my clean tale?

753
00:39:08,120 --> 00:39:15,000
Speaker 4: Tell I, like, listen, it's drug dealers, it's gangsters and

754
00:39:16,200 --> 00:39:19,200
Speaker 4: all the other niggas in there, the niggas that beautiful.

755
00:39:21,320 --> 00:39:22,759
Speaker 1: And the most beautiful women.

756
00:39:22,920 --> 00:39:25,400
Speaker 4: Yeah, to put they put that ship on to be

757
00:39:25,560 --> 00:39:30,759
Speaker 4: recognized or seen by the So you you you give

758
00:39:30,840 --> 00:39:32,040
Speaker 4: them voices.

759
00:39:31,760 --> 00:39:37,920
Speaker 3: And I also understand that that if I want to

760
00:39:37,960 --> 00:39:42,440
Speaker 3: get the attention of these women, that's here. If I

761
00:39:42,480 --> 00:39:45,880
Speaker 3: get the attention of these guys, that's here. These guys

762
00:39:45,880 --> 00:39:48,600
Speaker 3: are the one that's paying for these tables, and these

763
00:39:48,640 --> 00:39:51,520
Speaker 3: women are the ones that singing the song with these guys,

764
00:39:51,560 --> 00:39:53,919
Speaker 3: because these guys are the guys with the money who's

765
00:39:53,920 --> 00:39:58,759
Speaker 3: paying for so they attach themselves to them. So so

766
00:39:58,800 --> 00:40:02,080
Speaker 3: and so girls will go you see girls pull up. Uh,

767
00:40:02,280 --> 00:40:04,200
Speaker 3: you go to a house party, go to even you

768
00:40:04,280 --> 00:40:06,000
Speaker 3: go to a hooker lounge, go to whatever, and a

769
00:40:06,080 --> 00:40:08,120
Speaker 3: girl grab the ice core. You're like, how she noticed

770
00:40:08,360 --> 00:40:09,880
Speaker 3: she had heard this because she was hanging with that

771
00:40:09,960 --> 00:40:12,200
Speaker 3: nigga over there with all that money, and she was

772
00:40:12,239 --> 00:40:13,239
Speaker 3: hanging with him, and.

773
00:40:13,200 --> 00:40:14,680
Speaker 1: That's that became her favorite song.

774
00:40:14,960 --> 00:40:21,400
Speaker 3: Yeah, research research, Yeah, like that songwriting.

775
00:40:22,719 --> 00:40:26,839
Speaker 1: Yea, being in those spaces. Yeah, you gotta be in it. Yeah,

776
00:40:26,880 --> 00:40:27,480
Speaker 1: you gotta be in it.

777
00:40:27,560 --> 00:40:33,160
Speaker 3: Yeah yeah, yeah, you gotta be You gotta get some

778
00:40:33,360 --> 00:40:35,879
Speaker 3: you gotta get some on you get yeah.

779
00:40:35,960 --> 00:40:37,120
Speaker 1: Yeah. Okay.

780
00:40:37,120 --> 00:40:41,720
Speaker 3: So it's like you just like you're here and you go, okay,

781
00:40:42,560 --> 00:40:46,480
Speaker 3: thinks like you're talking about something. You're talking about something, Valentin.

782
00:40:46,680 --> 00:40:49,960
Speaker 3: You're like, y'all talking about this or this experience. Y'all

783
00:40:50,280 --> 00:40:53,400
Speaker 3: singing to a woman and you talking about experiences that

784
00:40:53,480 --> 00:40:56,000
Speaker 3: you had and all this stuff. But you guys never

785
00:40:56,760 --> 00:40:58,560
Speaker 3: done this, you know what I mean? Or you guys

786
00:40:58,680 --> 00:41:02,520
Speaker 3: never you know, please the woman this way, but you're

787
00:41:02,520 --> 00:41:06,359
Speaker 3: talking about it's not gonna feel the same.

788
00:41:05,520 --> 00:41:09,840
Speaker 1: It doesn't send off the same exact rations. It can't exactly.

789
00:41:09,840 --> 00:41:12,799
Speaker 3: So when you're when you're there and you're doing that

790
00:41:13,680 --> 00:41:16,520
Speaker 3: and you talk about that, that's when I don't write

791
00:41:16,520 --> 00:41:20,600
Speaker 3: from a mystical place. I write from your reality.

792
00:41:20,640 --> 00:41:23,560
Speaker 1: I do. Yeah, yeah, now your reality, even if I

793
00:41:23,560 --> 00:41:24,680
Speaker 1: got to write it ten times.

794
00:41:24,760 --> 00:41:29,240
Speaker 4: Yeah, nigga Tank always sucking up. Yeah in the songs,

795
00:41:29,640 --> 00:41:38,839
Speaker 4: well always I fucked up a lot better now, Yeah,

796
00:41:38,920 --> 00:41:40,840
Speaker 4: you know what I'm saying. Yeah, there was runnwn the

797
00:41:40,840 --> 00:41:42,440
Speaker 4: list of songs. Man, we would we were just we

798
00:41:42,480 --> 00:41:44,680
Speaker 4: would just get into some to some more songs. Okay,

799
00:41:44,760 --> 00:41:45,120
Speaker 4: let's start.

800
00:41:45,760 --> 00:41:48,480
Speaker 2: Because as they were interviewing you, asking you what was next,

801
00:41:49,280 --> 00:41:51,400
Speaker 2: think you was a one hit wonder, No no, and

802
00:41:51,440 --> 00:41:52,240
Speaker 2: then you went crazy.

803
00:41:52,280 --> 00:41:55,360
Speaker 1: You went crazy after that.

804
00:41:57,400 --> 00:42:00,839
Speaker 2: Cut, after that push it, push it, push it thick,

805
00:42:01,520 --> 00:42:02,880
Speaker 2: thick it was thick.

806
00:42:05,080 --> 00:42:11,080
Speaker 1: W bay looked like be mm hmm, everybody.

807
00:42:10,640 --> 00:42:17,480
Speaker 4: Man, let's started stuff, right, there stop, everybody relax, We're

808
00:42:17,480 --> 00:42:19,720
Speaker 4: gonna post up right here, get into the mondy.

809
00:42:21,160 --> 00:42:24,359
Speaker 1: Everybody mad. And you know who heard that? You know

810
00:42:24,400 --> 00:42:26,800
Speaker 1: who heard that record? Yeah, I'm gonna dance that.

811
00:42:26,960 --> 00:42:27,239
Speaker 3: You know.

812
00:42:27,320 --> 00:42:33,160
Speaker 4: The Queen yeah said I need some of this for myself.

813
00:42:33,320 --> 00:42:34,840
Speaker 1: Yeah yeah yeah.

814
00:42:35,000 --> 00:42:41,319
Speaker 4: Listen, man, how does that feel? My brother from Long

815
00:42:41,440 --> 00:42:47,200
Speaker 4: Beach kicked out of seven districts, told he was only

816
00:42:47,239 --> 00:42:52,239
Speaker 4: gonna have well ship, wasn't promised life past eighteen right

817
00:42:52,760 --> 00:42:56,640
Speaker 4: right right then you get an opportunity. I was told

818
00:42:57,040 --> 00:42:59,879
Speaker 4: you're not gonna have another one of these right now?

819
00:43:01,480 --> 00:43:03,399
Speaker 4: We five six in deep.

820
00:43:08,040 --> 00:43:11,960
Speaker 3: Yeah, yeah, we ain't talking about the track.

821
00:43:12,239 --> 00:43:24,839
Speaker 1: Were talking about the track. Beyonce the Queen, Yeah, yes,

822
00:43:25,640 --> 00:43:32,080
Speaker 1: you know what. Nigga cheers, Yeah, yeah yeah it was

823
00:43:32,080 --> 00:43:45,160
Speaker 1: a man, we got to this. This cheers, My brother cheers.

824
00:43:49,800 --> 00:43:54,759
Speaker 4: The Queen says, I need these bars, I need this

825
00:43:54,840 --> 00:43:59,200
Speaker 4: moment in my show. And you get to see that

826
00:43:59,520 --> 00:44:03,920
Speaker 4: live with the choreography with the band. I mean, is

827
00:44:03,960 --> 00:44:04,600
Speaker 4: this Coachella?

828
00:44:05,719 --> 00:44:06,560
Speaker 1: I mean this is around.

829
00:44:07,080 --> 00:44:10,640
Speaker 3: This is the first night, the first time, yeah, the

830
00:44:10,719 --> 00:44:13,160
Speaker 3: first the first time she did is Coachella. What goes

831
00:44:13,200 --> 00:44:16,600
Speaker 3: through your mind when you see that? Now watch this Okay.

832
00:44:17,600 --> 00:44:20,839
Speaker 3: I had a show in North Carolina at the time.

833
00:44:21,280 --> 00:44:23,600
Speaker 3: So I did a show in North Carolina, and then

834
00:44:23,640 --> 00:44:26,080
Speaker 3: I had to do an after party. And I was

835
00:44:26,120 --> 00:44:28,239
Speaker 3: on my way to the after party while this was

836
00:44:28,280 --> 00:44:31,200
Speaker 3: going on to Coachella. And as I'm on way to

837
00:44:31,239 --> 00:44:34,400
Speaker 3: the after party, my phone is blowing up. But I

838
00:44:34,480 --> 00:44:37,560
Speaker 3: keep inding everybody because I'm on the OX score. I'm

839
00:44:37,920 --> 00:44:40,759
Speaker 3: you're trying to play. I'm trying to play. My man

840
00:44:41,400 --> 00:44:44,560
Speaker 3: was yeah, And so my brother called me. My older

841
00:44:44,560 --> 00:44:47,000
Speaker 3: brother called me, yo. I'm like, what's up?

842
00:44:47,440 --> 00:44:51,960
Speaker 1: You see what? Yo?

843
00:44:52,040 --> 00:44:54,680
Speaker 3: I checked my I checked my Instagram. It's bumble bees

844
00:44:54,880 --> 00:44:57,120
Speaker 3: everywhere everywhere.

845
00:44:59,040 --> 00:45:02,080
Speaker 1: What I'm what happened? I see it?

846
00:45:02,480 --> 00:45:12,400
Speaker 3: And then I get to play it back and watching it? Oh, no, fucking.

847
00:45:18,760 --> 00:45:21,440
Speaker 1: So my brother were going with it.

848
00:45:21,520 --> 00:45:29,440
Speaker 3: Cham pushing, pushed the keys, push the kings.

849
00:45:29,200 --> 00:45:29,960
Speaker 1: Push the keys.

850
00:45:30,000 --> 00:45:30,160
Speaker 6: Man.

851
00:45:32,960 --> 00:45:35,000
Speaker 4: You know, and your and your travels and in the

852
00:45:35,040 --> 00:45:39,400
Speaker 4: design of your melodies, You've you've You've come across some

853
00:45:40,080 --> 00:45:40,600
Speaker 4: other R.

854
00:45:40,640 --> 00:45:41,840
Speaker 1: And B singers.

855
00:45:43,080 --> 00:45:47,680
Speaker 4: Aside from yourself, aside for yourself, that.

856
00:45:46,520 --> 00:45:51,279
Speaker 1: You also thought were great in developing your style. T

857
00:45:51,480 --> 00:45:52,200
Speaker 1: who's your.

858
00:45:53,600 --> 00:45:55,000
Speaker 3: Top five?

859
00:45:58,040 --> 00:45:59,440
Speaker 1: Your top five.

860
00:46:01,760 --> 00:46:03,400
Speaker 5: Top fun.

861
00:46:06,120 --> 00:46:09,360
Speaker 1: You're tough, fu me saying.

862
00:46:09,880 --> 00:46:12,880
Speaker 8: Let's say. Sure, he can't out saying alright me, so

863
00:46:13,160 --> 00:46:16,080
Speaker 8: honest thing that he came out saying, you man, you'll

864
00:46:16,200 --> 00:46:21,800
Speaker 8: be tripping, You'll be cripping now you do, but we

865
00:46:22,080 --> 00:46:24,680
Speaker 8: are know your top.

866
00:46:27,080 --> 00:46:50,600
Speaker 7: Yeah, shop far oot fun, let's go, let's go, let's go.

867
00:46:53,200 --> 00:46:55,839
Speaker 1: Yeah you still you still think you the kig?

868
00:46:57,040 --> 00:46:57,279
Speaker 3: Yeah?

869
00:47:00,920 --> 00:47:10,520
Speaker 1: Ot ship your top five R and B singers, My

870
00:47:10,760 --> 00:47:18,320
Speaker 1: top five R and B singers. Okay, who.

871
00:47:20,400 --> 00:47:22,080
Speaker 3: I love R and B man, so it's kind of

872
00:47:22,160 --> 00:47:31,080
Speaker 3: already know you do. Oh okay, I go with not

873
00:47:31,239 --> 00:47:31,879
Speaker 3: in any order.

874
00:47:31,960 --> 00:47:37,320
Speaker 1: I go with Beyonce. I mean you got to do that,

875
00:47:38,000 --> 00:47:42,279
Speaker 1: you got to do that. You're gonna have some more

876
00:47:42,360 --> 00:47:53,080
Speaker 1: bees under the episode. Yeah uh, I would say a.

877
00:47:54,520 --> 00:48:00,520
Speaker 7: Yeah, oh real quick, yeah yeah yeah, yeah, yeah.

878
00:48:01,120 --> 00:48:05,200
Speaker 3: Niggas don't talk enough about A yeah, cold bloody yeah

879
00:48:05,719 --> 00:48:07,239
Speaker 3: if my cold blooded.

880
00:48:08,880 --> 00:48:16,680
Speaker 1: M oh this is good. Wow, it's nice. I will

881
00:48:16,800 --> 00:48:23,439
Speaker 1: go with Keith Sweat Yeah yeah, new edition.

882
00:48:24,320 --> 00:48:30,759
Speaker 3: Yeah yeah, because I'm not saying it because you hear,

883
00:48:30,840 --> 00:48:32,680
Speaker 3: because you have one of my greatest songs that you

884
00:48:32,760 --> 00:48:33,640
Speaker 3: still don't know that you do?

885
00:48:33,800 --> 00:48:35,239
Speaker 1: You do know because I told you to sing it

886
00:48:35,320 --> 00:48:39,000
Speaker 1: before I go A tang. God damn it. Come on, man,

887
00:48:39,080 --> 00:48:43,359
Speaker 1: you know what I mean. I can't make you love

888
00:48:43,440 --> 00:48:52,080
Speaker 1: me singing? Yeah, I love it. I love that to

889
00:48:52,120 --> 00:48:54,840
Speaker 1: find a clip, I can't make that song where. I

890
00:48:54,960 --> 00:48:56,640
Speaker 1: love that song. Bro, I'm not gonna lie to you.

891
00:48:56,800 --> 00:48:59,759
Speaker 1: I promise you. I love that fucking song. Brother. I

892
00:48:59,800 --> 00:49:01,960
Speaker 1: don't don't know what where you, what you was, what

893
00:49:02,120 --> 00:49:04,160
Speaker 1: was going on? Where he was at? What part of

894
00:49:04,280 --> 00:49:07,279
Speaker 1: we just left me and him? We just left King

895
00:49:07,320 --> 00:49:13,160
Speaker 1: of Diamonds for real. Yeah, circle House, circle house in Miami. Wow,

896
00:49:14,719 --> 00:49:18,399
Speaker 1: still a little drunk. I did think a circle house. Listen.

897
00:49:18,440 --> 00:49:21,839
Speaker 3: They make records, make hit records, and game great cookies. Yeah,

898
00:49:21,840 --> 00:49:22,760
Speaker 3: they make fire cookies.

899
00:49:23,960 --> 00:49:27,359
Speaker 1: Wow. Yeah, I said all the time.

900
00:49:27,360 --> 00:49:30,400
Speaker 3: Because it's some it's something like a lot of people have,

901
00:49:30,600 --> 00:49:34,200
Speaker 3: like a lot of you know, anybody have like big

902
00:49:34,239 --> 00:49:36,360
Speaker 3: catalogs and everything in the music, especially with R and B,

903
00:49:36,520 --> 00:49:39,480
Speaker 3: you know, but it's certain songs that just were like, Damn,

904
00:49:39,520 --> 00:49:41,960
Speaker 3: that's a fucking beautiful that's.

905
00:49:41,960 --> 00:49:45,919
Speaker 1: That song right there. I always like, Damn, that's that ship.

906
00:49:46,360 --> 00:49:49,120
Speaker 9: You know, every rapper had that R and B song.

907
00:49:49,200 --> 00:49:51,719
Speaker 9: They wish that they that they that they you know,

908
00:49:52,840 --> 00:49:56,200
Speaker 9: something that was like that one. That one you should

909
00:49:56,239 --> 00:49:58,520
Speaker 9: read you should remake I can't make you let me? Yeah,

910
00:49:59,200 --> 00:50:02,279
Speaker 9: that would be your next easy I gotta hear. I've

911
00:50:02,320 --> 00:50:02,799
Speaker 9: seen him.

912
00:50:04,000 --> 00:50:12,920
Speaker 1: I can't wait. After drink starting to set in you,

913
00:50:13,400 --> 00:50:14,880
Speaker 1: maybe maybe the lyric can be you.

914
00:50:16,560 --> 00:50:26,759
Speaker 5: Can't cot me, niggas ca out come me.

915
00:50:30,480 --> 00:50:33,920
Speaker 1: Trust me, I'll figure it out. I know you, I

916
00:50:34,080 --> 00:50:39,680
Speaker 1: know you are. Okay, take your top five.

917
00:50:41,040 --> 00:50:51,319
Speaker 3: R and B songs, Okay, r Kelly, I decided dang,

918
00:50:51,400 --> 00:50:53,120
Speaker 3: I can't make you love me? Obviously it's one of

919
00:50:53,160 --> 00:50:59,200
Speaker 3: my favorites. Beyonce, best thing I ever had, Wow, Wow,

920
00:50:59,640 --> 00:51:03,240
Speaker 3: race right, Charlie Wilson, I can do magic.

921
00:51:03,960 --> 00:51:08,560
Speaker 1: Come on, uncle Charlie. He sweat twisted. Yeah, yeah, you.

922
00:51:10,520 --> 00:51:18,600
Speaker 5: Know you sound man.

923
00:51:19,719 --> 00:51:22,920
Speaker 1: She came in there like, but I got up the man, I.

924
00:51:22,960 --> 00:51:23,520
Speaker 3: Got out of the.

925
00:51:26,800 --> 00:51:31,799
Speaker 1: Wrong. That's when you know you got a great song. Yeah,

926
00:51:32,440 --> 00:51:34,880
Speaker 1: when Nicking immediately down the immediately.

927
00:51:35,880 --> 00:51:40,520
Speaker 3: Record, sweat was right and own it and what and

928
00:51:40,600 --> 00:51:43,080
Speaker 3: the fucked it up with l s G too my

929
00:51:43,239 --> 00:51:46,920
Speaker 3: body ls G. He's the prototype. Yeah, you want to

930
00:51:46,960 --> 00:51:48,520
Speaker 3: be you want to be like something in this R

931
00:51:48,560 --> 00:51:51,960
Speaker 3: and B business. I got too much and then like

932
00:51:52,440 --> 00:51:54,319
Speaker 3: y'all putting me on the spots like damn, I gotta.

933
00:51:54,760 --> 00:51:58,520
Speaker 4: I mean, it's it all changes every day because every

934
00:51:58,520 --> 00:52:02,000
Speaker 4: time you hear you did you, I'm like, oh, Ship,

935
00:52:03,600 --> 00:52:05,759
Speaker 4: I forget, like it's too many.

936
00:52:06,040 --> 00:52:07,080
Speaker 1: Yes, all right, here we go.

937
00:52:07,200 --> 00:52:09,839
Speaker 4: We're gonna make what's called the R and B vultron Right,

938
00:52:10,200 --> 00:52:12,320
Speaker 4: We're going to make your super R and B artists.

939
00:52:12,920 --> 00:52:16,200
Speaker 4: So you need to decide, as we're building this artist,

940
00:52:16,719 --> 00:52:19,600
Speaker 4: who you want to get the vocal from, who you

941
00:52:19,680 --> 00:52:22,879
Speaker 4: want to get the performance style from, who you want

942
00:52:22,920 --> 00:52:25,880
Speaker 4: to get the styling from, and who you want to

943
00:52:25,920 --> 00:52:29,040
Speaker 4: get the passion from the heart of the artists, all

944
00:52:29,120 --> 00:52:33,400
Speaker 4: of your R and B vocalists for your super R

945
00:52:33,480 --> 00:52:36,520
Speaker 4: and B artists, your vultual You're getting the vocal from.

946
00:52:37,920 --> 00:52:39,520
Speaker 1: Ship. This is this is good?

947
00:52:39,960 --> 00:52:44,080
Speaker 3: All right, I'm getting a vocal well damn okay, yeah,

948
00:52:44,080 --> 00:52:45,479
Speaker 3: because I'm building the R and B artist.

949
00:52:45,880 --> 00:52:49,480
Speaker 1: It's okay, so I'm getting a vocal man.

950
00:52:49,480 --> 00:52:49,560
Speaker 3: What.

951
00:52:52,920 --> 00:52:56,040
Speaker 1: So it can't be me? Because I let me think

952
00:52:56,160 --> 00:52:59,560
Speaker 1: real quick, because I'm.

953
00:52:59,480 --> 00:53:03,759
Speaker 4: Clearly the choice for There is no way I could

954
00:53:03,800 --> 00:53:04,680
Speaker 4: pick anybody else.

955
00:53:05,600 --> 00:53:11,719
Speaker 3: You know, I'm getting I'm getting the vocals from Roy

956
00:53:11,800 --> 00:53:12,680
Speaker 3: carry Monster.

957
00:53:13,760 --> 00:53:17,240
Speaker 1: Who you're getting the performance style from the performance stage.

958
00:53:17,840 --> 00:53:23,880
Speaker 1: I'm getting the performance from Bobby Brown. Yeah, who you're

959
00:53:23,920 --> 00:53:27,000
Speaker 1: getting the styling from the drip, I'm.

960
00:53:26,880 --> 00:53:31,520
Speaker 3: Getting the styling from I'm gonna style it from David

961
00:53:31,600 --> 00:53:32,919
Speaker 3: ruff Yeah.

962
00:53:33,040 --> 00:53:40,680
Speaker 1: Put I'm getting I'm getting that styllar. Yeah, custom like

963
00:53:42,360 --> 00:53:44,880
Speaker 1: who you're getting the passion of the heart of the

964
00:53:45,000 --> 00:53:48,120
Speaker 1: artists who mean it. I think I'm getting the passion

965
00:53:48,200 --> 00:53:49,000
Speaker 1: from David Ruffing.

966
00:53:49,040 --> 00:53:54,480
Speaker 2: Also, I got one more for him. And what R

967
00:53:54,560 --> 00:53:59,600
Speaker 2: and B singer? Would you want to steal the record from?

968
00:54:00,320 --> 00:54:01,640
Speaker 3: Hm? Hmm what?

969
00:54:01,760 --> 00:54:04,200
Speaker 1: I want to steal a record from? Whose? Song?

970
00:54:04,320 --> 00:54:04,480
Speaker 6: Who?

971
00:54:04,600 --> 00:54:04,719
Speaker 7: Who?

972
00:54:04,840 --> 00:54:04,960
Speaker 3: Who?

973
00:54:05,040 --> 00:54:10,239
Speaker 1: Will be next? Oh? That a record that you're like,

974
00:54:10,320 --> 00:54:11,600
Speaker 1: Oh yeah, I gotta get him.

975
00:54:13,600 --> 00:54:17,480
Speaker 3: Oh, I have some ship in mind already too. It

976
00:54:17,560 --> 00:54:20,920
Speaker 3: would probably have to be Mariah Carey.

977
00:54:22,560 --> 00:54:25,279
Speaker 1: The next one. I want to set a song from

978
00:54:26,440 --> 00:54:30,879
Speaker 1: hit you gon hit them? Yeah, I kind of look

979
00:54:30,960 --> 00:54:36,600
Speaker 1: hold on, hold on quick ship. He has way Oh

980
00:54:36,800 --> 00:54:53,759
Speaker 1: my god, my god. Yeah, nigga mine as well. Yeah,

981
00:54:55,280 --> 00:54:59,800
Speaker 1: you're so cold, wait that way, you're so cold with this.

982
00:55:00,120 --> 00:55:00,799
Speaker 1: She axed me that.

983
00:55:06,560 --> 00:55:17,200
Speaker 4: Songwriters, producers, artists on in every genre take notes, perfect.

984
00:55:16,960 --> 00:55:20,560
Speaker 1: What you do and just do more of it.

985
00:55:25,719 --> 00:55:28,399
Speaker 5: Yeah, we're there, we are there.

986
00:55:29,360 --> 00:55:32,160
Speaker 1: I ain't saying no names time. I ain't saying no names.

987
00:55:32,560 --> 00:55:35,160
Speaker 1: I ain't saying no names. Ain't saying no names.

988
00:55:35,200 --> 00:55:36,000
Speaker 3: We will.

989
00:55:38,400 --> 00:55:52,160
Speaker 1: What you did, don't say s I ain't saying no names. Yeah, Nick,

990
00:55:53,120 --> 00:55:54,920
Speaker 1: we've come to that part of this show. Talk to him.

991
00:55:55,040 --> 00:55:56,759
Speaker 1: We can't go ahead. Yeah yeah, yeah, you need you

992
00:55:56,840 --> 00:56:02,680
Speaker 1: need a poet. Okay, okay, So right now we had

993
00:56:02,719 --> 00:56:03,600
Speaker 1: this special segment.

994
00:56:04,560 --> 00:56:07,399
Speaker 2: It's called I ain't saying no names? Will you tell

995
00:56:07,480 --> 00:56:11,160
Speaker 2: us a story? Funny and fucked up? Are funny and

996
00:56:11,480 --> 00:56:17,200
Speaker 2: fucked up? On the journey in the Travels of O

997
00:56:17,440 --> 00:56:24,680
Speaker 2: T Genesis. The only rule to the game you can't

998
00:56:24,719 --> 00:56:27,359
Speaker 2: say no names, no names.

999
00:56:28,200 --> 00:56:35,040
Speaker 1: So this is funny. So I went. I went bowling

1000
00:56:37,280 --> 00:56:41,080
Speaker 1: with this specific artist. When I'm saying no names, and

1001
00:56:43,160 --> 00:56:48,600
Speaker 1: he's like, let's do it this bowl. I feel like

1002
00:56:48,600 --> 00:56:50,560
Speaker 1: I whoop your ass. I feel like I could whoop

1003
00:56:50,560 --> 00:56:56,600
Speaker 1: your ass. And so me there, you know I I had,

1004
00:56:56,719 --> 00:56:58,719
Speaker 1: you know, I have my baby mama with me, yes,

1005
00:56:58,760 --> 00:57:00,760
Speaker 1: a girl with him chilling.

1006
00:57:00,840 --> 00:57:07,520
Speaker 3: So we're bowling. I win the first one, he won,

1007
00:57:07,600 --> 00:57:09,680
Speaker 3: the second, bestide three. I want the first one. He

1008
00:57:09,760 --> 00:57:11,040
Speaker 3: won the second one, and.

1009
00:57:12,640 --> 00:57:13,640
Speaker 1: Ass the third one.

1010
00:57:15,800 --> 00:57:18,360
Speaker 3: But me, I'm not the winner. That's like, I just

1011
00:57:18,480 --> 00:57:28,400
Speaker 3: want one, I'm falling all over the floor. I'm I'm

1012
00:57:28,440 --> 00:57:32,800
Speaker 3: falling all over the floor. I'm screaming, I'm laughing. I'm

1013
00:57:32,960 --> 00:57:35,200
Speaker 3: sitting there. I'm like, oh my god, I got the ball.

1014
00:57:35,240 --> 00:57:37,400
Speaker 3: I'm throwing the ball down the other lane. I'm doing,

1015
00:57:37,520 --> 00:57:38,040
Speaker 3: I'm doing.

1016
00:57:38,160 --> 00:57:39,640
Speaker 1: I'm anything.

1017
00:57:39,720 --> 00:57:42,200
Speaker 3: That's the winner that I am. I'm the type of

1018
00:57:42,280 --> 00:57:45,280
Speaker 3: winner that if you beat me a hundred times, I

1019
00:57:45,400 --> 00:57:46,880
Speaker 3: beat you at once, You're gonna.

1020
00:57:46,680 --> 00:57:48,160
Speaker 1: Feel it because I'm I'm gonna let you hold it.

1021
00:57:48,440 --> 00:57:49,600
Speaker 1: We like we ever play again after.

1022
00:57:53,040 --> 00:57:53,080
Speaker 3: You.

1023
00:57:55,440 --> 00:57:58,840
Speaker 1: So, so I'm doing all of we Waller, we go

1024
00:57:58,920 --> 00:58:04,400
Speaker 1: to the hook A lounget. We're chilling Hooker. He's still sick.

1025
00:58:07,320 --> 00:58:10,120
Speaker 1: He goes. I'm like yeah, He's like, Yo, we're talking

1026
00:58:10,400 --> 00:58:12,880
Speaker 1: and I'm still talking about you know how many Grammys

1027
00:58:12,920 --> 00:58:15,360
Speaker 1: I want? You know how many Grammys I got? No

1028
00:58:17,480 --> 00:58:21,720
Speaker 1: he went to the Grammys. I said, you're still lost.

1029
00:58:24,800 --> 00:58:29,400
Speaker 3: So her so that he's talking like who, But you

1030
00:58:29,480 --> 00:58:29,880
Speaker 3: know I don't.

1031
00:58:29,880 --> 00:58:32,880
Speaker 1: I don't got that that I was a rock. I mean,

1032
00:58:32,920 --> 00:58:34,640
Speaker 1: you know much brace with him? So you know how

1033
00:58:34,680 --> 00:58:35,600
Speaker 1: much coming up?

1034
00:58:35,640 --> 00:58:43,120
Speaker 3: You know how wool that's I'm talking so every Grammy one? Yeah,

1035
00:58:45,560 --> 00:58:49,640
Speaker 3: you know it relates to some So now we get

1036
00:58:49,720 --> 00:58:53,760
Speaker 3: into a show where I take your grammys from you?

1037
00:58:54,040 --> 00:58:56,280
Speaker 1: Come out. Know what you're talking about? You went too,

1038
00:58:56,480 --> 00:59:00,760
Speaker 1: were talking about so now my baby mama, she's uneasy.

1039
00:59:01,520 --> 00:59:04,480
Speaker 1: His girl is uneasy. We made it so weird for

1040
00:59:04,600 --> 00:59:08,720
Speaker 1: the girls, right, we made it so weird for the girls.

1041
00:59:08,760 --> 00:59:12,160
Speaker 3: They looking like they're apologizing to each other.

1042
00:59:13,320 --> 00:59:16,360
Speaker 1: We're going far talking about this grammy. I'm talking about

1043
00:59:16,640 --> 00:59:18,640
Speaker 1: your grammy. I don't give a about none of that.

1044
00:59:19,760 --> 00:59:21,960
Speaker 3: You know, you know what I'm driving. You know that

1045
00:59:22,160 --> 00:59:28,120
Speaker 3: it became a whole thing from bowling right, And I

1046
00:59:28,200 --> 00:59:31,600
Speaker 3: really want to still say his name, but I'm not

1047
00:59:31,680 --> 00:59:37,680
Speaker 3: gonna I take your gray because I already know where

1048
00:59:37,720 --> 00:59:40,600
Speaker 3: you went. I have a hundre nigga outside niggas. Wait

1049
00:59:40,720 --> 00:59:42,040
Speaker 3: right now, nigga, take your whole grammy.

1050
00:59:43,240 --> 00:59:43,640
Speaker 2: I got the.

1051
00:59:46,040 --> 00:59:47,720
Speaker 1: Won't give a funk about none of that. You talking

1052
00:59:47,720 --> 00:59:52,560
Speaker 1: about you? You're talking about some grammy. I was like, good,

1053
00:59:53,120 --> 00:59:57,000
Speaker 1: because you fool with you?

1054
00:59:57,240 --> 00:59:57,400
Speaker 4: Man?

1055
01:00:00,320 --> 01:00:03,240
Speaker 1: How you get from Grandy's to bricks? Nonstand because no,

1056
01:00:03,480 --> 01:00:06,000
Speaker 1: because because I wasn't. I wasn't trying to be. I

1057
01:00:06,120 --> 01:00:08,880
Speaker 1: just don't want the game. But he got so mad

1058
01:00:08,960 --> 01:00:11,160
Speaker 1: the way you won too. You fell all over the.

1059
01:00:13,200 --> 01:00:16,640
Speaker 2: Come on man, accountability, accountability.

1060
01:00:18,400 --> 01:00:21,160
Speaker 1: So you get when I say he was going crazy

1061
01:00:21,360 --> 01:00:25,520
Speaker 1: with the Grammy talk. Oh my god, I said, bro

1062
01:00:25,680 --> 01:00:28,600
Speaker 1: nobody a bunch of grammars. You still lost. First of all,

1063
01:00:28,640 --> 01:00:29,520
Speaker 1: you're a sore loser.

1064
01:00:30,240 --> 01:00:34,400
Speaker 4: You lost the sore winner. The sore winner him a

1065
01:00:34,480 --> 01:00:38,680
Speaker 4: sore loser. You won't let me do my dance. You

1066
01:00:38,760 --> 01:00:41,560
Speaker 4: won't let me dance on your face like you you tripping.

1067
01:00:42,880 --> 01:00:46,760
Speaker 1: But but it's brotos. So it's like, you know, it's

1068
01:00:46,840 --> 01:00:51,840
Speaker 1: the drop of a dime, he started tripping, tripped.

1069
01:00:52,560 --> 01:00:55,720
Speaker 2: I want to bring up something, something is really important

1070
01:00:56,360 --> 01:00:58,439
Speaker 2: and something that I know that you have been there

1071
01:00:58,800 --> 01:01:04,840
Speaker 2: they they passionate about. Yeah, autism absolutely, Yeah, can you

1072
01:01:05,000 --> 01:01:07,520
Speaker 2: kind of give because you know, we we love to

1073
01:01:07,600 --> 01:01:10,800
Speaker 2: bring attention to causes, to you know, to different things

1074
01:01:10,840 --> 01:01:12,960
Speaker 2: that people are behind and that people support.

1075
01:01:13,480 --> 01:01:15,760
Speaker 1: And a lot of people in the black community don't

1076
01:01:15,800 --> 01:01:16,560
Speaker 1: talk about it a lot.

1077
01:01:17,120 --> 01:01:22,240
Speaker 3: Yeah, but a lot of our families have kids, yeah

1078
01:01:22,480 --> 01:01:24,680
Speaker 3: who you know are dealing with autism.

1079
01:01:24,880 --> 01:01:26,960
Speaker 1: Yeah yeah, yeah, because it's like.

1080
01:01:29,680 --> 01:01:34,800
Speaker 3: Right now, I think it's like one in every eight

1081
01:01:35,400 --> 01:01:36,919
Speaker 3: black children.

1082
01:01:36,640 --> 01:01:37,920
Speaker 1: Black little boys, black boys.

1083
01:01:37,960 --> 01:01:42,000
Speaker 3: Yeah, and so yeah, it's definitely something that you know,

1084
01:01:42,080 --> 01:01:45,160
Speaker 3: it's something that we need touch on. But if you

1085
01:01:45,240 --> 01:01:49,400
Speaker 3: don't know, you know, autism is a neurology disorder.

1086
01:01:49,600 --> 01:01:54,280
Speaker 1: You know, and most of the kids.

1087
01:01:55,760 --> 01:01:58,120
Speaker 3: No, like with my son, my son the he's thirteen now,

1088
01:01:58,440 --> 01:02:02,360
Speaker 3: my oldest son, that's my or some he's thirteen now.

1089
01:02:03,600 --> 01:02:06,280
Speaker 3: We found out around the time he was like maybe

1090
01:02:06,320 --> 01:02:09,320
Speaker 3: what like two two and a half three years old,

1091
01:02:10,080 --> 01:02:12,400
Speaker 3: you know, when you call him and then like he

1092
01:02:12,440 --> 01:02:14,640
Speaker 3: couldn't even the answer was kind of like he had

1093
01:02:14,680 --> 01:02:16,360
Speaker 3: selective hearing, but he just wouldn't answer.

1094
01:02:16,400 --> 01:02:19,080
Speaker 1: You say his name, his name, say his name whatever.

1095
01:02:19,480 --> 01:02:20,040
Speaker 1: Figure it out.

1096
01:02:23,560 --> 01:02:24,040
Speaker 2: A lot of.

1097
01:02:26,800 --> 01:02:31,439
Speaker 3: Parents to this day, right, it's they're in denial about

1098
01:02:31,560 --> 01:02:34,440
Speaker 3: you know what I mean, and they don't want to

1099
01:02:34,440 --> 01:02:35,720
Speaker 3: get there. You know, they don't want to get their

1100
01:02:35,800 --> 01:02:38,600
Speaker 3: kids checked or anything like that. Find out they hid

1101
01:02:38,680 --> 01:02:40,960
Speaker 3: him the spectrum. It's kind of like, no, he's not

1102
01:02:41,080 --> 01:02:43,439
Speaker 3: that or that, but they don't a lot of women

1103
01:02:43,480 --> 01:02:46,640
Speaker 3: don't have women or men don't have the information.

1104
01:02:46,840 --> 01:02:48,360
Speaker 1: They don't know what autism is.

1105
01:02:49,160 --> 01:02:53,680
Speaker 3: And it's best to get your you know, your child

1106
01:02:53,800 --> 01:02:56,600
Speaker 3: checked early at an early age, because mom my son

1107
01:02:56,760 --> 01:02:59,880
Speaker 3: is he's he's not severe, but a lot of that

1108
01:03:00,080 --> 01:03:05,200
Speaker 3: at being that we were on it early, early, early, early, early, early,

1109
01:03:05,440 --> 01:03:10,480
Speaker 3: and and it was sad. The sad part about it

1110
01:03:10,720 --> 01:03:14,320
Speaker 3: is my my son's mom. I'm not saying this is

1111
01:03:14,360 --> 01:03:16,720
Speaker 3: the sad part, but the sad part about life. And

1112
01:03:16,800 --> 01:03:18,720
Speaker 3: like people, my son's mom, I was in a position

1113
01:03:18,800 --> 01:03:21,720
Speaker 3: to where I can make sure that she didn't have

1114
01:03:21,800 --> 01:03:27,360
Speaker 3: to work, because it's it gets crazy when both parents

1115
01:03:28,160 --> 01:03:30,600
Speaker 3: have to still make money for the household and one

1116
01:03:30,720 --> 01:03:32,120
Speaker 3: is going and one is going, and so it's like

1117
01:03:33,560 --> 01:03:36,280
Speaker 3: just sending them the speech therapy is okay, cool, but

1118
01:03:36,840 --> 01:03:39,160
Speaker 3: you still need to work on your child at home

1119
01:03:39,400 --> 01:03:42,120
Speaker 3: every day. And a lot of a lot of kids

1120
01:03:42,200 --> 01:03:46,120
Speaker 3: don't have gone because my mommy got to go this way,

1121
01:03:46,200 --> 01:03:47,520
Speaker 3: daddy got to go this way, and then we got

1122
01:03:47,600 --> 01:03:50,680
Speaker 3: to pick up the child, and so some of those

1123
01:03:50,880 --> 01:03:53,800
Speaker 3: and then also at the same time, mommy and daddy's

1124
01:03:53,800 --> 01:03:56,480
Speaker 3: probably tired from working, and so now the child is

1125
01:03:56,560 --> 01:03:59,320
Speaker 3: not getting all the help that he needs in order

1126
01:03:59,440 --> 01:04:02,520
Speaker 3: to you know, to become you know better, and.

1127
01:04:04,200 --> 01:04:06,000
Speaker 1: You know, like.

1128
01:04:07,600 --> 01:04:12,280
Speaker 3: I had, my son's mom was She's always there. She's

1129
01:04:12,400 --> 01:04:14,840
Speaker 3: all about my son. She's all about my son. She's

1130
01:04:14,840 --> 01:04:17,480
Speaker 3: all over my son. It's not about like this steam words.

1131
01:04:17,480 --> 01:04:19,240
Speaker 3: So yeah, we're gonna have fun and we'll run around

1132
01:04:19,240 --> 01:04:22,280
Speaker 3: to the club. And my investment is making sure my

1133
01:04:22,400 --> 01:04:26,520
Speaker 3: child is you know, everything is everything he needs, you

1134
01:04:26,560 --> 01:04:28,360
Speaker 3: know what I mean, because at the end of the day,

1135
01:04:28,400 --> 01:04:31,320
Speaker 3: there is going to be a time where we, you know,

1136
01:04:31,640 --> 01:04:34,080
Speaker 3: God willing, you know, we die before our kids do,

1137
01:04:34,480 --> 01:04:37,800
Speaker 3: you know, and it's gonna be a time where they're

1138
01:04:37,880 --> 01:04:42,640
Speaker 3: left here, you know. And I was told a story

1139
01:04:42,960 --> 01:04:50,520
Speaker 3: from this one kid, and he's autistic, but he's you know,

1140
01:04:50,600 --> 01:04:54,320
Speaker 3: he's better now. But he was saying, like you know,

1141
01:04:54,400 --> 01:04:58,280
Speaker 3: at a younger ages, like especially with the tantrums and

1142
01:04:58,360 --> 01:05:01,760
Speaker 3: everything that they throw, he knew what he wanted to say.

1143
01:05:02,280 --> 01:05:04,920
Speaker 3: The words just wouldn't come out of his mouth. And

1144
01:05:05,040 --> 01:05:07,880
Speaker 3: that's what made him more frustrated and more frustrated and

1145
01:05:08,000 --> 01:05:09,200
Speaker 3: more frustrated and more frustrating.

1146
01:05:09,280 --> 01:05:12,840
Speaker 1: You see all this, you know, to act out exactly.

1147
01:05:14,120 --> 01:05:21,760
Speaker 3: But I think that us as parents, black parents, white, like,

1148
01:05:21,880 --> 01:05:25,480
Speaker 3: we just have to pay attention to our kids, you know,

1149
01:05:25,680 --> 01:05:29,280
Speaker 3: and stay there, stop being in denial because all that

1150
01:05:29,400 --> 01:05:31,480
Speaker 3: time you're being in de now your child is losing

1151
01:05:31,840 --> 01:05:34,440
Speaker 3: from becoming better. You know. All that shit is repetition.

1152
01:05:34,840 --> 01:05:37,200
Speaker 3: Time is of the essence when you talk about autism. Yeah,

1153
01:05:37,360 --> 01:05:39,000
Speaker 3: you know what I mean, like really being able to

1154
01:05:39,040 --> 01:05:42,520
Speaker 3: get into those because now now that we've identified it,

1155
01:05:43,760 --> 01:05:46,480
Speaker 3: you know, as a society and even medically, it's on

1156
01:05:46,560 --> 01:05:50,200
Speaker 3: a whole other level now to where there's so many programs, Yeah,

1157
01:05:50,280 --> 01:05:56,160
Speaker 3: so many different whether it be schooling and whether it

1158
01:05:56,280 --> 01:05:58,680
Speaker 3: be like even gathering places where they can have fun

1159
01:05:58,760 --> 01:06:01,280
Speaker 3: with other kids that are like them. Right, there's so

1160
01:06:01,440 --> 01:06:03,560
Speaker 3: many things in place now. But it goes back to

1161
01:06:03,640 --> 01:06:05,840
Speaker 3: that one thing you said. You have to pay attention

1162
01:06:06,000 --> 01:06:09,200
Speaker 3: to your kid and get them to help early early,

1163
01:06:09,400 --> 01:06:12,640
Speaker 3: or you're gonna miss the window because being because you know,

1164
01:06:12,760 --> 01:06:16,520
Speaker 3: we like obviously we're human, we're humans. So you go,

1165
01:06:17,120 --> 01:06:19,280
Speaker 3: oh damn, like you know, and they because you see

1166
01:06:19,320 --> 01:06:21,200
Speaker 3: somebody in the denial, you're like, no, you got to

1167
01:06:21,280 --> 01:06:25,040
Speaker 3: understand what that is, you know, And and no matter what,

1168
01:06:25,400 --> 01:06:28,240
Speaker 3: you know, God sat here for you. You have to

1169
01:06:28,280 --> 01:06:30,320
Speaker 3: take that and go, Okay, this is what I'm gonna

1170
01:06:30,320 --> 01:06:33,760
Speaker 3: deal with, you know, And and that's that's your job

1171
01:06:33,880 --> 01:06:40,160
Speaker 3: as a I see too many parents personally and they're like.

1172
01:06:40,200 --> 01:06:46,960
Speaker 1: Oh yeah, yeah, but and yeah, the son is you.

1173
01:06:47,000 --> 01:06:52,000
Speaker 3: Know, obviously behavior is really really bad. Everything is really

1174
01:06:52,080 --> 01:06:54,240
Speaker 3: really bad. And I'm not saying because because they're autistic,

1175
01:06:54,320 --> 01:06:56,400
Speaker 3: but because they also don't have to help. So you

1176
01:06:56,520 --> 01:06:59,280
Speaker 3: go year for year for year, that child still hasn't

1177
01:06:59,360 --> 01:07:04,760
Speaker 3: improved because us, you know, that parent is like, well,

1178
01:07:05,640 --> 01:07:07,240
Speaker 3: we're just let the school deal with it, though, we're

1179
01:07:07,280 --> 01:07:09,760
Speaker 3: just let you know, he's supposed you have to stay

1180
01:07:09,880 --> 01:07:10,880
Speaker 3: on top of your child.

1181
01:07:11,000 --> 01:07:12,960
Speaker 1: My son right now, he's.

1182
01:07:14,440 --> 01:07:20,280
Speaker 3: He he was obviously he was in like special classes,

1183
01:07:20,360 --> 01:07:23,080
Speaker 3: but now it's half and half, you know, so now

1184
01:07:23,120 --> 01:07:25,560
Speaker 3: he's in general and especially when he has straight a's,

1185
01:07:25,680 --> 01:07:27,960
Speaker 3: you know, so he's like he's sharp.

1186
01:07:28,040 --> 01:07:31,080
Speaker 1: He's like a super genius, you know what I mean.

1187
01:07:31,200 --> 01:07:33,400
Speaker 1: But most times that's what it is, though.

1188
01:07:33,680 --> 01:07:41,360
Speaker 3: Yeah, they it's crazy because they lack they lack the

1189
01:07:41,520 --> 01:07:45,520
Speaker 3: things that we're great at, and then we lack the

1190
01:07:45,600 --> 01:07:46,000
Speaker 3: things that.

1191
01:07:46,040 --> 01:07:48,600
Speaker 4: They're great at and they're really great at whatever that

1192
01:07:48,840 --> 01:07:53,240
Speaker 4: yeah super yeah, So whether it be a communication thing

1193
01:07:53,360 --> 01:07:57,120
Speaker 4: with them or them or but but when when they're

1194
01:07:57,200 --> 01:08:00,200
Speaker 4: when they're down into what I always say is their

1195
01:08:00,280 --> 01:08:03,400
Speaker 4: purpose because I feel like autistic, you know, a lot

1196
01:08:03,440 --> 01:08:08,000
Speaker 4: of autism is like a hyper focus on on a

1197
01:08:08,120 --> 01:08:12,600
Speaker 4: true design, and sometimes it's about identifying what that is

1198
01:08:13,280 --> 01:08:17,240
Speaker 4: once once somebody you know in an autistic space find

1199
01:08:17,680 --> 01:08:18,160
Speaker 4: that thing.

1200
01:08:18,520 --> 01:08:22,320
Speaker 1: Yeah yeah, magic, yeah, great kids. Magic.

1201
01:08:23,360 --> 01:08:25,080
Speaker 2: I just wanted to I wanted to bring that Stuffy

1202
01:08:25,080 --> 01:08:27,760
Speaker 2: because I just know, you know how how much of

1203
01:08:27,800 --> 01:08:30,600
Speaker 2: an advocate that you are for and you know it,

1204
01:08:30,720 --> 01:08:32,960
Speaker 2: and it's to me, it's not brought up enough in

1205
01:08:33,040 --> 01:08:36,200
Speaker 2: our community, right right, And it happened knowing how much

1206
01:08:36,240 --> 01:08:38,880
Speaker 2: it affects, it happened the most us to us, right,

1207
01:08:39,040 --> 01:08:40,720
Speaker 2: So you know, and just like you said, I think

1208
01:08:40,800 --> 01:08:45,160
Speaker 2: this conversation just hopefully it brings some awareness to someone

1209
01:08:45,200 --> 01:08:48,200
Speaker 2: who may have a young child that they're trying to

1210
01:08:48,240 --> 01:08:51,519
Speaker 2: figure it out. It's like, right, go now, right right,

1211
01:08:51,680 --> 01:08:53,360
Speaker 2: get them checked so that you can get in front

1212
01:08:53,360 --> 01:08:55,280
Speaker 2: of it, right and that you can really help the child.

1213
01:08:55,400 --> 01:09:00,559
Speaker 1: Right. So I appreciate that, No problem, that's really dope. Brother. Yeah.

1214
01:09:01,640 --> 01:09:04,680
Speaker 3: Well, ladies and gentlemen, my name is Tank. This is

1215
01:09:04,720 --> 01:09:07,639
Speaker 3: the R and B Money Podcast, the authority on all things,

1216
01:09:08,880 --> 01:09:09,840
Speaker 3: all things.

1217
01:09:11,200 --> 01:09:15,240
Speaker 1: That R and B touches. Yeah, yeah, we love you, brother,

1218
01:09:15,320 --> 01:09:16,280
Speaker 1: We appreciate you. Man.

1219
01:09:17,760 --> 01:09:22,040
Speaker 3: Your energy is everything, man, and we pray that you know,

1220
01:09:22,120 --> 01:09:24,960
Speaker 3: when people watch this and people see this man, that

1221
01:09:25,160 --> 01:09:27,320
Speaker 3: they they don't take nothing else man that they just

1222
01:09:27,400 --> 01:09:30,679
Speaker 3: figure out. Man, I was just happy, good time like exactly,

1223
01:09:31,000 --> 01:09:32,920
Speaker 3: have a good time relation exactly.

1224
01:09:33,200 --> 01:09:35,280
Speaker 1: You know what I'm saying. Yeah, write it, sing it,

1225
01:09:35,640 --> 01:09:40,479
Speaker 1: produce it, rapp it, whatever you do. Yeah. Yes, be happy,

1226
01:09:40,600 --> 01:09:43,520
Speaker 1: be happy, don't worry. Be happy. Ladies and Gentlemen.

1227
01:09:49,920 --> 01:09:53,360
Speaker 2: And Money R and B Money is a production of

1228
01:09:53,439 --> 01:09:57,800
Speaker 2: the Black Effect podcast Network. For more podcasts from iHeart Radio,

1229
01:09:58,240 --> 01:10:02,240
Speaker 2: visit the iHeartRadio app, Apple Podcasts, or wherever you listen

1230
01:10:02,320 --> 01:10:05,519
Speaker 2: to your favorite shows. Don't forget to subscribe to and

1231
01:10:05,800 --> 01:10:08,040
Speaker 2: rate our show, and you can connect with us on

1232
01:10:08,160 --> 01:10:11,679
Speaker 2: social media at Jay Valentine and at the Real Tank.

1233
01:10:12,120 --> 01:10:17,400
Speaker 2: For the extended episode, subscribe to YouTube dot com, forward Slash,

1234
01:10:17,760 --> 01:10:18,400
Speaker 2: R and B Money