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Speaker 1: Hey guys. Support for today's show comes from dash Lane.

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Speaker 1: Dash Lane makes everything you do online easier. Fill out

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Speaker 1: forms fast, remember all your passwords, and keep your online

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Speaker 1: data accessible and safe. With this all in one app,

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Speaker 1: I have really enjoyed using Dashlane. I do want to

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Speaker 1: talk about my previous experience with information security and passwords.

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Speaker 1: Of course, thank you for sharing this, so I for

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Speaker 1: many you know, I've like sort of gotten into crypto

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Speaker 1: bitcoin absolutely, yes, no, you talk about this a lot, yes,

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Speaker 1: and not just Bitcoin, Hayes, others as well. There's every

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Speaker 1: different kind of coin. There's of course kevin Coin, which

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Speaker 1: is honestly tanking and taking the rest of the economy

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Speaker 1: with it.

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Speaker 2: I like to say it's dripping, which the same direction

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Speaker 2: as tanking.

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Speaker 1: It is dripping, it's dripping blood from essentially being double

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Speaker 1: tapped economic and economic terms. Anyway, it's crypto and crypto,

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Speaker 1: you know, I like expanded on like my research on this,

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Speaker 1: and you can actually use it for a lot of

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Speaker 1: stuff where like if you were in terms of like

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Speaker 1: password management is a great example, like you use like

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Speaker 1: a network of servers that are constantly operating and coming

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Speaker 1: up with random uh passwords to be like the constantly regenerated,

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Speaker 1: so it's totally impossible to ever figure out what someone's

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Speaker 1: password is. Uh, And after like doing a lot of

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Speaker 1: research in this, I decided to explore it myself and uh.

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Speaker 1: To that end, I made that password. I made my

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Speaker 1: password Hay's bitcoin.

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Speaker 3: Right, and which unfortunately was also the password that protected

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Speaker 3: all of your bitcoin exactly.

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Speaker 1: And so the problem with that was I put it

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Speaker 1: in a very uh like, especially hackable exposed account on

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Speaker 1: a computer that was facing out my window, which in

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Speaker 1: retrospect was a mistake.

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Speaker 3: Why why even have it?

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Speaker 1: Yeah, well, so I can be outside, but the computer

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Speaker 1: is not outside because it gets too hot.

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Speaker 3: No, I know, But looking back, it's like, why even

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Speaker 3: have it like that?

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Speaker 1: Well, I just said, but uh But then so, of

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Speaker 1: course the a passing hacker saw my screen that says

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Speaker 1: my password is Hayes Bitcoin.

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Speaker 3: He must have wondered why you had it like that.

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Speaker 1: That's possible he hadn't just been told, So it's very possible. Anyway, Yes,

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Speaker 1: it was my password to protect my bitcoin, and I

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Speaker 1: did lose every single one of my cryptos. Stick around

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Speaker 1: later in the show to hear how dash Ley it

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Speaker 1: has helped us out. Yes, we are doing another onely

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Speaker 1: with him.

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Speaker 2: Hey everyone. Last week, the Scoop Troops started a gofund

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Speaker 2: me to raise money for Black Lives Matter, the NAACP

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Speaker 2: Legal Defense and Education Fund, Color of Change, Reclaimed the Block,

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Speaker 2: and the Okra Project. Their initial goal was to raise

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Speaker 2: one thousand dollars, but as of this recording, they're currently

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Speaker 2: at sixty six thousand dollars. So because of this extremely

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Speaker 2: generous donation, Sean and Hayes wanted to do a call

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Speaker 2: in episode with the fans who helped fundraise all of

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Speaker 2: that money. The Scoop Troop also created a fan made

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Speaker 2: version of the theme song, which is how we're going

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Speaker 2: to start the episode again. We just wanted to say

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Speaker 2: thank you to everyone who donated. We really appreciate it

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Speaker 2: and enjoy the episode.

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Speaker 4: Welcome post.

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Speaker 5: You are now in the host room in kN Man

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Speaker 5: to your college from the Collins Studio web in recording.

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Speaker 6: Small small, small, small, small, small.

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Speaker 7: Pay for Sean whoa Hollywood handbuck proversion.

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Speaker 1: It's nice, it is nice, it's nice. I've tried it.

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Speaker 1: It is plagiarism. It is against the law. I think

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Speaker 1: that goes without saying. It is a criminal act. Of course,

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Speaker 1: it's illegal.

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Speaker 3: Of course, only a criminal would be able to make it. Certainly,

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Speaker 3: even us playing it has exposed us to legal action

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Speaker 3: from ourselves enormous liability.

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Speaker 1: It is something that only the mind of a thief

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Speaker 1: could even devise. But it is nice. So the fans

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Speaker 1: made that. Is that what happened, Kevin? I'm speaking to you.

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Speaker 1: Well you think I'm taya sean Kevin.

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Speaker 3: Can He explained that he would be muted before we started.

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Speaker 2: Yes, hey, guys, chef Kevin here. Yes, the Scoop Troop

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Speaker 2: made that. They all got together and chipped in a little.

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Speaker 2: Then that's all of them, that's every every member of

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Speaker 2: the screen, the entire Scoop Troop.

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Speaker 3: Do you know why they call it a cover song, Kevin?

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Speaker 2: There's a difference between a cover and a tribute.

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Speaker 1: Do you know why they call it a cover song? Kevin?

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Speaker 2: I used to and then something happened.

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Speaker 3: They call it a cover song because it obscures the

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Speaker 3: original song, because it covers over the artist's work and

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Speaker 3: makes it harder to discover. So when someone covers a song,

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Speaker 3: what they're saying is nobody look at the real song.

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Speaker 3: This is mine now, and that is why it is

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Speaker 3: so illegal, and that is why this Supreme Court actually

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Speaker 3: is going to be kicking the shit out of the

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Speaker 3: Scoop Troop.

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Speaker 1: Oh no, they will be.

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Speaker 3: Kicking the entire Scoop troops ass all the way up

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Speaker 3: and down Main Street and rolling the ball.

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Speaker 1: And dribbling them and passing them to each other. And

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Speaker 1: mm hmm.

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Speaker 3: They can just look out the window and see the

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Speaker 3: notorious RBG and all of her buddies just dunking the

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Speaker 3: Scoop Troop wrapped up into a big ball through a

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Speaker 3: giant hoop that someone put out on the street, also illegally.

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Speaker 3: That person's in trouble to talk, and that's going to

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Speaker 3: be that Supreme Basketball Court.

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Speaker 1: Mm hmm.

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Speaker 3: Yeah, no, no, this is a reason that it's called

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Speaker 3: the Court.

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Speaker 1: So this is a Collin show. I would like to

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Speaker 1: take this opportunity to explain the rules. The callers will

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Speaker 1: be organized in a Q. When you are in the queue,

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Speaker 1: announce your position in the Q, like say your number

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Speaker 1: in order, so we'll be able to tell how to

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Speaker 1: organize what people are in form teams based on the

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Speaker 1: theme of your question.

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Speaker 3: We encourage alliances. We obviously don't want to hear the

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Speaker 3: same question from five or six different people. So if

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Speaker 3: you have a question that is even similar, even share

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Speaker 3: some of the same words as another member of the queue,

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Speaker 3: go ahead, group up and you guys can come in

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Speaker 3: together or assign a leader to speak for you, and

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Speaker 3: we will deal with you in that fashion. If we

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Speaker 3: hear the same question twice in a row, we will

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Speaker 3: end the episode and you will be sent to the

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Speaker 3: Supreme Court where they will dug your ass and brig

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Speaker 3: and drown you and gatorade.

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Speaker 1: This is, of course, in response to the Scoop troup

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Speaker 1: putting together a fundraiser that ended up raising a huge

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Speaker 1: amount of money which I think we all assumed was

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Speaker 1: design to essentially purchase in like an auction format, the

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Speaker 1: opportunity to do a call in show. I was Kevin,

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Speaker 1: you tell me that is not what it was for.

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Speaker 2: No, it turns out they were fundraising for different organizations,

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Speaker 2: but it did kind of turn into that. So I

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Speaker 2: guess everybody wins different organizations.

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Speaker 1: How much was.

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Speaker 3: Left over after they did make their contributions, and how

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Speaker 3: do we uh access that?

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Speaker 2: Yeah, I think there's like, uh, we wanted to raise

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Speaker 2: like one hundred bucks and so I guess we could

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Speaker 2: try to split it up from there, the remainder everything

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Speaker 2: that they got out.

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Speaker 3: Kevin, you are so off your game today. I understand

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Speaker 3: why you wanted to be on mute.

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Speaker 2: Do you want that?

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Speaker 1: You couldn't.

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Speaker 3: That, you couldn't answer why they call it a cover song,

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Speaker 3: and you went into some tribute.

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Speaker 1: Thing answering a completely different question. Then you said something

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Speaker 1: happened to you that made you forget.

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Speaker 3: Yeah, then you bring it up. You said we wanted

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Speaker 3: to raise I think a hundred bucks, when actually the

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Speaker 3: real goal of one thousand dollars wound up being comically low.

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Speaker 3: We didn't need to exaggerate that and make it a hundred, right,

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Speaker 3: that was.

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Speaker 2: The joke, because they raised so much more than that.

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Speaker 1: But what he's saying is you took the reality, which

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Speaker 1: was already very impressive, and slightly tweaked it to turn

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Speaker 1: it into it.

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Speaker 3: Could have said they wanted to raise one thousand dollars,

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Speaker 3: We ended up raising sixty nine thousand, nice half.

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Speaker 2: Of one thirty eight.

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Speaker 3: And then and and so there was sixty eight left over.

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Speaker 3: So once after they contributed the thousand dollars, how do

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Speaker 3: we split up the other sixty eight, which, of course

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Speaker 3: would be illegal to donate because it was over the goal.

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Speaker 1: Kevin's blasted. Kevin is like crushingly hungover.

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Speaker 2: I'm on another level right now.

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Speaker 3: Too many quaranties. Last night one of too many quarantinies.

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Speaker 1: Did you hear? I said, Sean, no hit me? I say,

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Speaker 1: Kevin is William hung Over?

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Speaker 3: Okay, that is sweet.

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Speaker 2: She bangs, she bang.

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Speaker 1: Remember, don't do, don't don't do the voice? Is that

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Speaker 1: a cover?

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Speaker 3: Kevin is HBO's Hungover starring Thomas Jane.

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Speaker 1: Kevin is the movie hung Over, the Hedge, Over the Hedge.

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Speaker 1: I like it. It was the third one.

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Speaker 3: I mean, he's well, you've been infected by Kevin as well,

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Speaker 3: then why I did the first one. I step up

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Speaker 3: my game when Kevin's on his game, I step up

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Speaker 3: and come over the top. When Kevin is this fucked up,

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Speaker 3: I had to do some warm ups. I dragged myself

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Speaker 3: down to the level of my competition. And it is

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Speaker 3: a competition.

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Speaker 2: I'm in the Bradley Coop movie, The Hungover.

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Speaker 1: That's what it is, naved after. It's the same idea.

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Speaker 2: We really should get to these calls.

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Speaker 1: All right. Engineer Devon is here to to further explain

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Speaker 1: the rules. Go ahead, engineer, Devin.

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Speaker 8: Oh, well, so I mean we're gonna we're gonna pick people.

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Speaker 8: They're gonna say that maybe I'm playing.

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Speaker 1: To the first The first caller may bring the caller on,

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Speaker 1: and then we can kind of explain the rules to

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Speaker 1: that caller, and that caller can be an emissary to

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Speaker 1: the other callers for how this is gonna work. All right,

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Speaker 1: bring them on. Hello caller, Hell, Hello, And who is this?

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Speaker 9: This is Read Andrews, the organizer of this fundraiser.

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Speaker 1: Read Andrews. I've heard of read books, but read Andrews.

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Speaker 1: Read Andrews organized the fundraiser. Congratulations, Read, you did a

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Speaker 1: great job. Must been scary to see it go up

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Speaker 1: so high. And I know that your original plan for

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Speaker 1: absconding with the money would have to be revised because

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Speaker 1: it just became too much. Is that right?

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Speaker 9: Yes, I am now a little bit too financially liable.

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Speaker 9: I think people would start to notice if I follow

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Speaker 9: through on jumping over to Canada.

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Speaker 3: Would you say that Hayes and I exposed you by

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Speaker 3: sharing it on our feed and saying, look at this

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Speaker 3: scoundrel who is trying to use the good name of

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Speaker 3: our podcast in order to line his own pockets and

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Speaker 3: that at that point you were in the spotlight. It's

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Speaker 3: almost like the film The Producers, isn't it.

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Speaker 9: Well, in a way, you guys are heroes, I believe.

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Speaker 9: I mean I thought you were doing that intentionally to

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Speaker 9: stop me.

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Speaker 3: Yes, it was.

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Speaker 1: And we did destroy you, we did, and we did

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Speaker 1: expose you. But now you get to be a hero

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Speaker 1: as well. Congratulations, Read, Read Where are you? Where are

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Speaker 1: you from? Where is this call coming from?

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Speaker 7: Uh?

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Speaker 9: Smack dab in the middle of Illinois around the Pure area.

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Speaker 1: Boy, one day, one day, Read's going to get out

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Speaker 1: of this this po dunk town. Mm hmmm one. How

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Speaker 1: many horses in that town? Just the one?

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Speaker 9: Just the way, it's only a one horse town, that

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Speaker 9: is correct.

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Speaker 1: Yeah, just BoJack BoJack horseman lives there, Just BoJack.

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Speaker 3: He's BoJack Man. That's a small town, Bozak the horse man.

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Speaker 9: Yeah, we frequent the same bar.

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Speaker 1: Frequent, is right? Read? Talk about your the new friends

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Speaker 1: you've made as part of this process, and also, Devin,

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Speaker 1: make sure to explain the rules to Read eventually, because

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Speaker 1: he is, of course the emissary for the rest of

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Speaker 1: the queue. But talk about your new friends.

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Speaker 9: My new friend are a colorful collection of people. They

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Speaker 9: were very excited for this call in show until Yeah,

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Speaker 9: just before it started, you guys mentioned maybe have a

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Speaker 9: question or something ready, and I think that just too

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Speaker 9: much to ask.

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Speaker 1: Did not say have a question ready? We said, or

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Speaker 1: if you do have a question, organize yourselves into teams. Yep, gotcha. Sorry,

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Speaker 1: And so one team would be the no question team. Yeah,

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Speaker 1: it sounds like it's a pretty big team. Devin will

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Speaker 1: put them all through it once. They will just kind

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Speaker 1: of hang there on the lide.

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Speaker 3: Just breathe through their mouth into the phone and we'll

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Speaker 3: kind of pick up that sound and then we will,

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Speaker 3: as always, be left to fill the dead air.

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Speaker 1: Devin, can you explain the rules to read? Please?

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Speaker 8: If there is no question, all of your responses must

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Speaker 8: contain a rhyme of some sort.

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Speaker 1: This is Devin's sick thing.

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Speaker 8: If you don't have if you I have a question,

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Speaker 8: you can just ask the question. I'm not going to

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Speaker 8: obviously impose that the question itself rhyme.

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Speaker 1: That's crazy.

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Speaker 3: I'm sorry. Read this is like a porno thing for Devin.

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Speaker 3: It's like a and I and I hesitate to use

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Speaker 3: that word, but he has like a rhyming fetish and

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Speaker 3: it's disgusting and I do not want to feed into

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Speaker 3: his sick disturbed. You know, various bedroom piccadillos.

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Speaker 1: You know how like Catwoman, the Michelle Pfeiffer Catwoman and

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Speaker 1: the original Catwoman in general was kind of based off

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Speaker 1: of like fetish culture. Devin has like a similar thing

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Speaker 1: for Jim Carrey's The Riddler.

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Speaker 9: Well, let me feed into your fetish a little bit, Devin.

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Speaker 9: I actually have a question for Kevin.

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Speaker 1: Oh for Kevin, and that was a rhyme. Yeah, that

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Speaker 1: was great rhyme for you.

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Speaker 10: Yeah, it was.

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Speaker 1: It was phenomenal.

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Speaker 9: Your podcast, the so affectionately referred to Scoop Troop. We're

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Speaker 9: able to get more dollars for this fundraiser in a

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Speaker 9: week than the show was able to amass over likely

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Speaker 9: it's lifetime. Speak on that.

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Speaker 1: Please, what do you mean that the show was able

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Speaker 1: to amass like ad sales and stuff?

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Speaker 9: Sure, maybe I don't understand how to use that word,

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Speaker 9: I guess.

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Speaker 1: So let me teach you a little bit about the

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Speaker 1: economics of podcasting as someone who's been doing this for

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Speaker 1: a minute. We pull in unbelievable bookoo bucks and have

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Speaker 1: like from the very beginning with ad sales of we've

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Speaker 1: how many ads have we done for this show? Kevin?

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Speaker 1: It's in the thousands of do you want a reality? Yes,

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Speaker 1: at least a thousand for have you ever heard of

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Speaker 1: the concept of seventy five dollars each? So if we

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Speaker 1: could just be heard it for a minute, no, no, no,

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Speaker 1: read don't just say yes, have you heard of this?

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Speaker 9: I have heard of this specifically? Yes, oh you have?

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Speaker 3: Oh that's lucky. Then maybe you can do the rest

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Speaker 3: of the math for me and realize that in the

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Speaker 3: six years that we've done the show, we've actually out

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Speaker 3: earned your little fundraiser, which was three or four days,

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Speaker 3: by almost six thousand dollars. Obviously we have to pay

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Speaker 3: the ad sales team like that. You know that's not cheap.

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Speaker 1: It's a whole group of But you said dollars a math,

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Speaker 1: I mean you're talking gross the amassed.

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Speaker 3: Yeah, because because some of the yeah, even some of

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Speaker 3: the money you raised, there's a percentage that goes to

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Speaker 3: the platform. Yeah. Yeah, So Kevin, can you go off

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Speaker 3: video while you are animated speaking to the people silently

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Speaker 3: who are smiling at you guys, and well, but can

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Speaker 3: you go? But can you go off video, and can

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Speaker 3: you make your name disappear as well from the little box.

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Speaker 1: There you go, So read really great, try at raising

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Speaker 1: more money than we have, but do come talk to

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Speaker 1: us when you've raised six thousand and one more dollars.

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Speaker 9: I'm sure if the fundraiser keeps going for another week,

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Speaker 9: we will we will accomplish that.

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Speaker 1: Okay, well, we will have raised keep in mind that

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Speaker 1: we will probably have raised an additional bucks. Yeah, seventy

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Speaker 1: five two one hundred and fifty dollars at that point,

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Speaker 1: So a week from now the goal will have stretched

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Speaker 1: that much farther. So please come talk to me when

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Speaker 1: you've raised six one hundred and fifty dollars at that point.

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Speaker 1: Certainly will any other rules for for read, Well, it's

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Speaker 1: got to be some sort of sign off. There has

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Speaker 1: to be some sort of sign off for the Yeah, just.

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Speaker 3: So real, here's a little freedom for you read them,

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Speaker 3: read them. Hey, come here, get off of that thing.

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Speaker 1: So we read them.

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Speaker 3: So you get to do something creative and cool, which

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Speaker 3: is uh. At least you get to take a crack

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Speaker 3: at We obviously reserve the right to veto it. Devising

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Speaker 3: the sign off that all callers will use for the

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Speaker 3: rest of the episode. So go ahead and pitch. What

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Speaker 3: do you think should be the funny and cool and

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Speaker 3: efficient sign off that everyone else uses when they end

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Speaker 3: their call.

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Speaker 1: But sweet and like heart, you know, this is like

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Speaker 1: a nice episode.

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Speaker 3: So and it should be sort of clever and like

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Speaker 3: sort of like goofy and yeah, but also it should

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Speaker 3: feel like adult.

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Speaker 9: Right when in doubt, whip them out?

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Speaker 1: Okay, we can and we don't have to get at

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Speaker 1: the first, So happy, I reserve the right to veto.

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Speaker 1: We can go back and forth on a little bit.

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Speaker 1: And I guess it's like, you know, whip your wallets

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Speaker 1: out for the fundraiser. That's kind of in. That's nice, sure,

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Speaker 1: but I think we can improve on that a little bit.

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Speaker 1: That that is a rhyme, and I like that and

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Speaker 1: I appreciate that, thank you. Maybe it's like when maybe

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Speaker 1: I can't improve on this. Do you have any notes,

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Speaker 1: Sean M Do you have any notes? What was happening outside?

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Speaker 1: Sean just went to close his window.

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Speaker 3: My yeah, my wife is playing with my baby in

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Speaker 3: the yard, and the yard is of course outside the window.

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Speaker 3: And I'm I yes, I closed the window as hard

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Speaker 3: as I could, and then I made a face and

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Speaker 3: the listeners won't be able to see this face, but

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Speaker 3: maybe Hayes can describe it.

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Speaker 1: And I went like, yeah, it was like it's really

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Speaker 1: hard to describe, but it was. It's the what the

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Speaker 1: face says is I'm recording my flagship podcast. Okay, do

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Speaker 1: you have any notes on read sign off? What?

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Speaker 11: Was it?

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Speaker 3: Still the same one?

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Speaker 1: It's still the same. Yeah, I'm having trouble, like I'm thinking,

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Speaker 1: like nibbling around the edges of it, but there's something

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Speaker 1: at the core of it that does not working.

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Speaker 3: Yeah, I would to me it is a page one rewrite, Yeah,

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Speaker 3: I would. I would start over from scratch.

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Speaker 1: Do you want to try again read?

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Speaker 12: Sure?

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Speaker 9: Can go with a standard I love you and I'm

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Speaker 9: in love with you?

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Speaker 1: Okay, I like that it's from the show. Yeah. It

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Speaker 1: is once again plagiarism, which we've already established as illegal,

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Speaker 1: and that's merch. So that is something that has been

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Speaker 1: licensed copyright by such your premium. So maybe, but we

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Speaker 1: can tweak it a little bit and do it as

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Speaker 1: kind of like a sound alike, which is as.

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Speaker 3: A saying that is like, if you come for our merch,

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Speaker 3: you might get merked. And it's not literal obviously, but

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Speaker 3: figuratively you would get merked because the Supreme Court would

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Speaker 3: kick down your door and the notorious RPG will will

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Speaker 3: turn you into a basketball about you around the damn

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Speaker 3: street Main Street.

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Speaker 1: That is so.

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Speaker 3: Yeah, if you want to do a sound to like,

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Speaker 3: I hug you and I'm in hug with you.

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Speaker 1: Yeah, I hug you and I'm in hug with you,

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Speaker 1: and I love being with you today. It's good.

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Speaker 9: That's wonderful.

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Speaker 1: Yeah, I hug you.

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Speaker 3: Do the whole thing with you. Yeah, give us the

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Speaker 3: whole things.

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Speaker 1: We can hear it.

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Speaker 9: Yeah, I hug you and I'm in a hug with you,

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Speaker 9: and I love being with you here today, and we all.

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Speaker 1: Give each other a hug.

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Speaker 3: Mmm mm hmm, big video hug, red, give us a hug. Reed,

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Speaker 3: Come on, Read, doesn't sound like you're hugging. Yeah, it

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Speaker 3: doesn't sound like if you're really hug and tight, you

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Speaker 3: make a little noise like this, and I and I'll

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Speaker 3: do it again.

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Speaker 1: Read, I'm trying my beard.

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Speaker 9: I'm scraping it on the microphone.

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Speaker 11: No.

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Speaker 3: Reed that no one asked that that's not necessary for

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Speaker 3: the hug. The hug makes a little noise like this,

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Speaker 3: and I'll give you one more try and and do

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Speaker 3: open in your ears and close your mouth on this one.

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Speaker 1: Mm hm m m mmmmmm. Hey, that is a nice hug.

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Speaker 3: And I hug you, and I've been hugged with you,

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Speaker 3: and I love being here with you today.

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Speaker 11: Read.

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00:24:17,359 --> 00:24:18,560
Speaker 9: That's the nicest thing I've heard.

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Speaker 1: Okay, thank you, Read.

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Speaker 11: Thank you.

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Speaker 9: Bye, guys, Bye.

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Speaker 1: Who's next? Can we see who's coming? Devin? I can

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Speaker 1: message you. What why don't you message me with your

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00:24:33,040 --> 00:24:36,600
Speaker 1: dang mouth? This Pandora's box? Okay?

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Speaker 8: Well, next is Anna, who helped social media posts for GoFundMe.

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Speaker 8: Let's bring in Anna.

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Speaker 1: Anna by guys, the post.

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Speaker 3: Anna Banana.

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Speaker 4: Yeah, I'm sorry, Catfishy.

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Speaker 9: You called me tony me and.

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Speaker 1: It's because your name was Tony online.

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00:24:57,440 --> 00:25:06,760
Speaker 13: Correct, Yes, yeah, my worst nightmare. I'm Tony the Tingler. Yeah,

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00:25:06,960 --> 00:25:10,200
Speaker 13: the one and only. I don't deserve the Tony moniker

429
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Speaker 13: though your name.

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Speaker 1: And actually I think the only solution going forward for

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Speaker 1: you to uncatfish me is that your name is Tony

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Speaker 1: and it was always Tony, and that is what you

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Speaker 1: will be referred to today. Tony talk about creating the

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Speaker 1: perfect post.

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Speaker 14: Well, you first have to get a thesaurus because you

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Speaker 14: can't use regular words.

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00:25:41,080 --> 00:25:44,320
Speaker 4: You have to, you know, I don't know.

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Speaker 13: You gotta make it sparkle, you know. Yes, birds are

439
00:25:48,480 --> 00:25:51,160
Speaker 13: the mouths paintings.

440
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Speaker 1: And that is really true. And the tongue is the brush,

441
00:25:54,080 --> 00:25:58,800
Speaker 1: isn't it? And the saliva is the paint. The saliva

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00:25:58,880 --> 00:26:04,639
Speaker 1: is the paint. The lips are the frame. Yeah, and

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Speaker 1: the canvas is a friendly ear m. Tony, where are you?

444
00:26:12,240 --> 00:26:16,199
Speaker 13: I'm in my you mean, like geographically located, I'm in

445
00:26:16,280 --> 00:26:18,320
Speaker 13: my living room?

446
00:26:18,720 --> 00:26:22,200
Speaker 3: Can we back up? I called I'm sorry, I called

447
00:26:22,240 --> 00:26:24,920
Speaker 3: you uh, and this was maybe rude. I called you

448
00:26:24,960 --> 00:26:26,800
Speaker 3: anna banana when you first got on the line. I

449
00:26:26,840 --> 00:26:32,000
Speaker 3: would like, Devin, if you could punch in Tony balt it.

450
00:26:32,320 --> 00:26:33,880
Speaker 15: Thank you, Tony Baloney.

451
00:26:33,960 --> 00:26:36,000
Speaker 3: Are you any relation to Bosh's boss?

452
00:26:38,560 --> 00:26:41,640
Speaker 16: I didn't want to mention it, M, but I guess

453
00:26:41,720 --> 00:26:44,320
Speaker 16: I'm forced. I guess you forced my hand given that,

454
00:26:45,720 --> 00:26:48,560
Speaker 16: I mean, I am Tony now a.

455
00:26:49,320 --> 00:26:54,040
Speaker 13: Powerful but way less hairy than the Tony's boss.

456
00:26:54,359 --> 00:26:59,040
Speaker 3: So you didn't catfish Hayes. You actually just cat Hayes.

457
00:27:00,040 --> 00:27:01,680
Speaker 16: I guess I don't have to feel bad then.

458
00:27:01,800 --> 00:27:04,119
Speaker 3: Yeah, So you are Tony. You are kat You are

459
00:27:04,160 --> 00:27:07,240
Speaker 3: Bosh's boss. Can you talk about how important hard hats

460
00:27:07,240 --> 00:27:08,439
Speaker 3: are around the work site.

461
00:27:10,440 --> 00:27:13,240
Speaker 14: Yeah, we're trying to avoid concussions as much as possible.

462
00:27:13,560 --> 00:27:14,159
Speaker 3: Thank you.

463
00:27:14,200 --> 00:27:18,800
Speaker 1: Who's who's chuckles over here? What's this chuckles? I keep hearing?

464
00:27:20,160 --> 00:27:24,040
Speaker 13: Oh, I had to get I had to get a well, okay,

465
00:27:25,080 --> 00:27:27,640
Speaker 13: funny story, so it wouldn't let me call in.

466
00:27:27,960 --> 00:27:30,520
Speaker 16: So I had a friend get in for me, and

467
00:27:30,560 --> 00:27:32,280
Speaker 16: he is also on the line.

468
00:27:32,520 --> 00:27:34,480
Speaker 1: So I would let me call in.

469
00:27:34,600 --> 00:27:37,240
Speaker 3: So I had a friend get in for me. I'm

470
00:27:37,240 --> 00:27:43,520
Speaker 3: gonna regret trying to untangle this one. What was it?

471
00:27:43,960 --> 00:27:48,919
Speaker 3: Why wouldn't it let you who's the friend?

472
00:27:49,160 --> 00:27:51,520
Speaker 14: The number I guess got overloaded.

473
00:27:52,400 --> 00:27:55,840
Speaker 13: Yeah, and it wouldn't let me call even though I'm

474
00:27:55,880 --> 00:27:57,040
Speaker 13: apparently a VIP.

475
00:27:58,080 --> 00:28:00,159
Speaker 1: I hate when I get that message. I guess it

476
00:28:00,200 --> 00:28:02,320
Speaker 1: all the time. You call somebody and says this number

477
00:28:02,560 --> 00:28:03,640
Speaker 1: is overloaded.

478
00:28:05,280 --> 00:28:10,480
Speaker 3: Do you have any friends? Please call a friend. This

479
00:28:10,600 --> 00:28:15,760
Speaker 3: number is overloaded. It won't let you in. Do you

480
00:28:15,920 --> 00:28:18,320
Speaker 3: have a big friend?

481
00:28:20,480 --> 00:28:21,359
Speaker 1: Who's your friend?

482
00:28:21,840 --> 00:28:23,000
Speaker 16: I did have a big friend.

483
00:28:23,680 --> 00:28:27,360
Speaker 13: And then Carlton, Carlton, you want to say something.

484
00:28:27,480 --> 00:28:31,760
Speaker 12: Carl tony, Yeah, yeah, this is Carlton and.

485
00:28:31,760 --> 00:28:32,960
Speaker 1: You work at the job site.

486
00:28:35,200 --> 00:28:36,520
Speaker 12: Yeah, yeah, I am employed.

487
00:28:36,800 --> 00:28:37,959
Speaker 1: And Tony is your boss.

488
00:28:39,440 --> 00:28:43,200
Speaker 3: Yes, talk about permitting and city contracts.

489
00:28:45,560 --> 00:28:52,200
Speaker 17: Well, it's important to obtain contract before you we didn't

490
00:28:52,200 --> 00:28:54,400
Speaker 17: work on your you know.

491
00:28:54,800 --> 00:28:56,880
Speaker 3: I think you're reversing it. I think it's important to

492
00:28:57,160 --> 00:28:58,040
Speaker 3: obtain a permit.

493
00:28:59,640 --> 00:29:00,880
Speaker 12: Yeah, not really on the paperwork.

494
00:29:00,920 --> 00:29:01,280
Speaker 16: Excited?

495
00:29:02,680 --> 00:29:08,320
Speaker 3: Okay, sorry my misunderstanding. You're the hammer maker.

496
00:29:09,880 --> 00:29:13,360
Speaker 12: Well no, I'm more of a hammer swinger. Oh wow,

497
00:29:14,880 --> 00:29:15,640
Speaker 12: that mine breaks?

498
00:29:16,640 --> 00:29:20,720
Speaker 1: He flings it. You watch him fling a hammer and

499
00:29:20,760 --> 00:29:26,280
Speaker 1: it sticks, sticks into the tree. B with the the

500
00:29:26,480 --> 00:29:30,720
Speaker 1: blund end the hammer, the wow.

501
00:29:31,080 --> 00:29:32,000
Speaker 3: Right into the tree.

502
00:29:32,080 --> 00:29:33,800
Speaker 1: WHOA. This guy's strong as hell.

503
00:29:35,120 --> 00:29:37,840
Speaker 16: He's very good at his job. That's why I keep

504
00:29:37,920 --> 00:29:38,560
Speaker 16: him employed.

505
00:29:39,840 --> 00:29:43,040
Speaker 1: Anna, you didn't say what I don't want to know

506
00:29:43,120 --> 00:29:43,640
Speaker 1: this town?

507
00:29:44,040 --> 00:29:49,719
Speaker 3: Who's Anna Tony's Well, it's a little bit your fault too.

508
00:29:52,040 --> 00:29:58,040
Speaker 16: I'm I'm in Koreatown right now. A nice guys.

509
00:29:58,360 --> 00:29:59,760
Speaker 1: That is a nice locale.

510
00:30:00,600 --> 00:30:01,200
Speaker 3: Mm hmmmm.

511
00:30:02,840 --> 00:30:06,120
Speaker 1: And what's up with the and is your friend there

512
00:30:06,880 --> 00:30:07,320
Speaker 1: as well?

513
00:30:08,720 --> 00:30:12,320
Speaker 13: Carlton isn't with me physically, but he is with me

514
00:30:12,600 --> 00:30:16,880
Speaker 13: emotionally as far as holding my hand through all of this.

515
00:30:17,160 --> 00:30:18,600
Speaker 16: He's in Atlanta, right.

516
00:30:18,640 --> 00:30:22,120
Speaker 1: He's in Atlanta. You've got a route, so very often

517
00:30:22,160 --> 00:30:29,680
Speaker 1: you do have to route the phone calls through Atlanta, Georgia, the.

518
00:30:29,720 --> 00:30:34,520
Speaker 3: Busiest airport in the world. And it's no different with phones.

519
00:30:34,560 --> 00:30:36,760
Speaker 3: I mean, phones are basically just a flight that your

520
00:30:36,760 --> 00:30:39,720
Speaker 3: mouth takes when you're about to paint a canvas of

521
00:30:39,760 --> 00:30:43,120
Speaker 3: a friendly ear with your words, using your tongue paint brush,

522
00:30:43,520 --> 00:30:48,320
Speaker 3: your saliva paint, and framing it between your lips. So

523
00:30:49,520 --> 00:30:52,720
Speaker 3: I understand why you had to call Atlanta to get

524
00:30:52,840 --> 00:30:56,360
Speaker 3: to us in La even though you're actually physically so

525
00:30:56,480 --> 00:30:58,760
Speaker 3: much closer to the two of us. And are you

526
00:30:58,760 --> 00:31:01,360
Speaker 3: stopping it all at the little station that turned into

527
00:31:01,400 --> 00:31:03,560
Speaker 3: a coffee shop that you is like now a drive

528
00:31:03,600 --> 00:31:05,760
Speaker 3: through coffee shop, and you pulp and go springing, and

529
00:31:05,800 --> 00:31:11,600
Speaker 3: then you go, uh one uh latte please, one oats

530
00:31:11,600 --> 00:31:12,320
Speaker 3: with raisins.

531
00:31:12,360 --> 00:31:12,680
Speaker 1: Please?

532
00:31:12,760 --> 00:31:13,640
Speaker 3: Are you stopping there?

533
00:31:16,240 --> 00:31:16,840
Speaker 4: I have a.

534
00:31:16,760 --> 00:31:18,400
Speaker 16: Car, but I've always wanted to go.

535
00:31:18,560 --> 00:31:21,520
Speaker 1: I don't think they are you walking through? They'll let you.

536
00:31:22,160 --> 00:31:23,479
Speaker 1: And if you got a dog, they give your dog

537
00:31:23,480 --> 00:31:24,120
Speaker 1: a little biscuit.

538
00:31:24,680 --> 00:31:27,680
Speaker 11: Mm hmm, that's also true.

539
00:31:28,720 --> 00:31:33,120
Speaker 3: Yeah, go ahead and do that and then call back, okay,

540
00:31:33,800 --> 00:31:35,320
Speaker 3: and we'll hear from you at the end of the show,

541
00:31:35,400 --> 00:31:37,400
Speaker 3: Tony and do you want to say you're sign off?

542
00:31:37,480 --> 00:31:40,200
Speaker 3: Carlton and Tony, do you want to hit us with that?

543
00:31:41,680 --> 00:31:42,280
Speaker 1: You both said?

544
00:31:42,560 --> 00:31:43,320
Speaker 11: Do I have to say?

545
00:31:45,760 --> 00:31:48,080
Speaker 3: If you think you can beat Reid, you again, get

546
00:31:48,120 --> 00:31:50,800
Speaker 3: one pitch at it. But we actually helped him write it,

547
00:31:50,880 --> 00:31:52,680
Speaker 3: and I think it's gonna be tough to top.

548
00:31:55,040 --> 00:31:57,880
Speaker 16: Oh, I met the whatever he said before you guys,

549
00:31:57,920 --> 00:31:58,880
Speaker 16: you know, punched it up?

550
00:31:59,200 --> 00:32:02,000
Speaker 3: No, no, no, no, punched up version is the final version?

551
00:32:02,280 --> 00:32:03,760
Speaker 1: That one? Yeah, that one's over.

552
00:32:04,880 --> 00:32:06,240
Speaker 16: Are you going to take a shot at saying this

553
00:32:06,320 --> 00:32:06,960
Speaker 16: in unison?

554
00:32:08,080 --> 00:32:08,280
Speaker 9: Yeah?

555
00:32:08,400 --> 00:32:09,480
Speaker 12: Sure it?

556
00:32:09,640 --> 00:32:15,280
Speaker 4: Okay, I hug hug you, and I'm in hug with you,

557
00:32:15,640 --> 00:32:20,000
Speaker 4: and I am with you to hug with you.

558
00:32:20,000 --> 00:32:20,080
Speaker 7: No.

559
00:32:20,480 --> 00:32:22,440
Speaker 3: And I love being with you, being here with you,

560
00:32:22,800 --> 00:32:25,720
Speaker 3: with you here, I love being with you here today.

561
00:32:27,320 --> 00:32:31,120
Speaker 1: Wow, Wow, you want to do it again?

562
00:32:31,840 --> 00:32:33,840
Speaker 16: Spoken word? Is your medium, not mine?

563
00:32:35,160 --> 00:32:35,520
Speaker 1: Okay?

564
00:32:35,760 --> 00:32:36,400
Speaker 3: How does it end?

565
00:32:36,400 --> 00:32:37,440
Speaker 1: Do you remember posting?

566
00:32:38,800 --> 00:32:39,560
Speaker 3: And how does it end?

567
00:32:41,000 --> 00:32:43,479
Speaker 4: And I hugged being with you here with you today.

568
00:32:43,640 --> 00:32:45,360
Speaker 1: But we have to we have to all give each

569
00:32:45,360 --> 00:32:47,440
Speaker 1: other a hug. Okay, I'm a big hug.

570
00:32:50,520 --> 00:32:51,480
Speaker 3: A little pat.

571
00:32:53,480 --> 00:32:53,880
Speaker 12: Enjoyed that.

572
00:32:55,320 --> 00:32:56,120
Speaker 3: Okay, thank you?

573
00:32:57,680 --> 00:33:02,840
Speaker 1: All right? Shall we? He talked to Katherine. Sure, good call.

574
00:33:02,920 --> 00:33:06,160
Speaker 1: Good to talk to Tony. Definitely nice catching up with

575
00:33:06,240 --> 00:33:07,440
Speaker 1: Tony and Carl.

576
00:33:08,720 --> 00:33:11,200
Speaker 8: I didn't mind Carl Tony being on there, But what

577
00:33:11,280 --> 00:33:14,080
Speaker 8: was he doing? It sounded like he was constructing something

578
00:33:14,080 --> 00:33:14,840
Speaker 8: in the background.

579
00:33:15,960 --> 00:33:17,320
Speaker 1: He's constructing a hammer.

580
00:33:17,600 --> 00:33:19,640
Speaker 3: No, I mean, I could see him out my window.

581
00:33:20,640 --> 00:33:22,560
Speaker 1: It'd be nice if they could down tools just for

582
00:33:22,600 --> 00:33:26,720
Speaker 1: the duration of the call. Are you gonna pay for it?

583
00:33:26,720 --> 00:33:29,320
Speaker 1: It's a good point. Are you gonna pay for those hours?

584
00:33:29,600 --> 00:33:33,240
Speaker 1: It's a good point. Let's talk to Katherine.

585
00:33:34,320 --> 00:33:37,440
Speaker 18: Hello, Hello, Hi, Sean, Hi, Hayes.

586
00:33:37,480 --> 00:33:37,800
Speaker 19: What up?

587
00:33:37,840 --> 00:33:38,240
Speaker 17: What up?

588
00:33:38,760 --> 00:33:40,440
Speaker 1: Catherine? What's just sipping on?

589
00:33:41,960 --> 00:33:46,560
Speaker 18: I'm sipping on water from the Hollywood Handbook. Camelback Bottle.

590
00:33:47,200 --> 00:33:52,600
Speaker 1: The Camelback Bottle has revolutionized so many lives, it really has.

591
00:33:52,800 --> 00:33:56,800
Speaker 18: I've had about three people ask me about what the

592
00:33:57,080 --> 00:34:00,360
Speaker 18: Hollywood Handbook is all about, and I've failed to get

593
00:34:00,400 --> 00:34:03,480
Speaker 18: them honest fans, I apologize.

594
00:34:02,760 --> 00:34:04,720
Speaker 3: Well, you've done no worse than us when we talk

595
00:34:04,800 --> 00:34:09,600
Speaker 3: about doing good, lots of people, you know, we've been

596
00:34:09,600 --> 00:34:11,480
Speaker 3: talking about like how to do good in the world.

597
00:34:12,520 --> 00:34:15,759
Speaker 3: And I think one of our lasting legacies is this

598
00:34:15,840 --> 00:34:23,520
Speaker 3: indestructible bottle that I think you can say, Catherine that

599
00:34:23,560 --> 00:34:26,240
Speaker 3: it actually has done a pretty good job holding your

600
00:34:26,400 --> 00:34:27,239
Speaker 3: water inside it.

601
00:34:27,320 --> 00:34:28,000
Speaker 1: Is that correct?

602
00:34:28,600 --> 00:34:31,440
Speaker 18: It's not an excellent job of containing my water. I

603
00:34:31,520 --> 00:34:33,600
Speaker 18: like putting it in the refrigerator at.

604
00:34:33,440 --> 00:34:36,680
Speaker 1: Work, and if it's pretty well in there, doesn't it?

605
00:34:36,680 --> 00:34:38,080
Speaker 18: It really fits well?

606
00:34:38,440 --> 00:34:42,440
Speaker 3: And it can be pretty and Catherine, please don't interrupt me.

607
00:34:42,640 --> 00:34:46,120
Speaker 3: And Catherine, it can be pretty satisfying to chomp on

608
00:34:46,239 --> 00:34:48,200
Speaker 3: the water while you're drinking it, which is what the

609
00:34:48,280 --> 00:34:50,080
Speaker 3: camelback technology allows for.

610
00:34:50,239 --> 00:34:51,840
Speaker 1: Isn't it You bite the water?

611
00:34:52,160 --> 00:34:53,040
Speaker 3: Yeah, you bite the.

612
00:34:52,960 --> 00:34:54,800
Speaker 18: Water when I drink water.

613
00:34:55,800 --> 00:34:57,759
Speaker 1: Have you ever seen have you ever seen it? Please

614
00:34:57,760 --> 00:34:58,440
Speaker 1: step in Europe?

615
00:34:58,600 --> 00:35:00,600
Speaker 3: Have you ever seen a dog when you when you

616
00:35:01,080 --> 00:35:03,960
Speaker 3: are shooting a hose at a dog and it's chomping,

617
00:35:04,040 --> 00:35:06,879
Speaker 3: trying to bite the water. And doesn't that look fun?

618
00:35:06,880 --> 00:35:08,760
Speaker 3: And isn't that what the camelback allows.

619
00:35:09,600 --> 00:35:10,839
Speaker 9: That does look like.

620
00:35:10,800 --> 00:35:14,080
Speaker 20: A lot of fun, and that is what the camelback allows.

621
00:35:14,680 --> 00:35:18,080
Speaker 20: May I apologize for interrupting?

622
00:35:18,680 --> 00:35:20,239
Speaker 1: I was one.

623
00:35:20,320 --> 00:35:24,560
Speaker 20: I'd like to apologize for interrupting. Okay, I'd like to apologize,

624
00:35:25,080 --> 00:35:26,760
Speaker 20: and I apologize for interrupting again.

625
00:35:27,280 --> 00:35:31,640
Speaker 18: I'd like to apologize for committing the crime of assisting

626
00:35:31,800 --> 00:35:34,240
Speaker 18: with the tribute song that you played at the beginning

627
00:35:34,239 --> 00:35:36,200
Speaker 18: of the episode.

628
00:35:36,280 --> 00:35:37,760
Speaker 1: You were one of the singing parts.

629
00:35:39,480 --> 00:35:40,920
Speaker 18: I was one of the singing parts.

630
00:35:40,960 --> 00:35:41,799
Speaker 1: Which part did you say?

631
00:35:41,840 --> 00:35:53,560
Speaker 18: Apologize Richard gear Glint? Okay, all small small whoa Hollywood handbook?

632
00:35:54,000 --> 00:35:54,320
Speaker 7: Wow?

633
00:35:54,600 --> 00:35:55,400
Speaker 18: Those were the parts.

634
00:35:56,000 --> 00:35:56,879
Speaker 1: That's a lot of it.

635
00:35:57,200 --> 00:36:00,560
Speaker 3: That's a ton of it. You are so lie for

636
00:36:00,719 --> 00:36:02,520
Speaker 3: so much of the damages.

637
00:36:03,600 --> 00:36:05,359
Speaker 18: What would these damages consist of?

638
00:36:05,760 --> 00:36:05,960
Speaker 7: Wow?

639
00:36:05,960 --> 00:36:07,920
Speaker 3: Why did you watch season one of Damages and get

640
00:36:07,920 --> 00:36:10,920
Speaker 3: back to me, because actually it's all it's a lot,

641
00:36:11,080 --> 00:36:15,360
Speaker 3: a lot is happening in there. Okay, go ahead, tune.

642
00:36:15,120 --> 00:36:18,359
Speaker 18: Into that to be upfront and honest. Should I do

643
00:36:18,400 --> 00:36:20,000
Speaker 18: that now and then come back.

644
00:36:19,840 --> 00:36:20,440
Speaker 4: On the line.

645
00:36:21,120 --> 00:36:23,200
Speaker 1: You'd come back on the line.

646
00:36:24,000 --> 00:36:25,960
Speaker 3: But do come back as well after you do watch

647
00:36:26,000 --> 00:36:27,040
Speaker 3: season one of Damages.

648
00:36:27,880 --> 00:36:30,720
Speaker 1: I'll do that, Catherine. Did you have any trouble calling

649
00:36:30,760 --> 00:36:32,319
Speaker 1: in I did not.

650
00:36:32,800 --> 00:36:36,040
Speaker 7: I called it a couple of times and it didn't

651
00:36:36,080 --> 00:36:38,000
Speaker 7: go through, but then it went through. I did have

652
00:36:38,080 --> 00:36:41,480
Speaker 7: trouble responding to Kevin when he screened me, because I

653
00:36:41,560 --> 00:36:44,279
Speaker 7: just thought it was part of the episode and I

654
00:36:44,320 --> 00:36:47,640
Speaker 7: thought I was there quietly saying nothing while he said.

655
00:36:47,400 --> 00:36:51,399
Speaker 18: Hello, Hello. So yeah, trouble would be on my end

656
00:36:51,440 --> 00:36:52,440
Speaker 18: and not on Kevin's son.

657
00:36:52,600 --> 00:36:54,600
Speaker 1: That's actually the right way to do it. You just

658
00:36:54,680 --> 00:36:56,480
Speaker 1: let him wear himself out a little bit. If you

659
00:36:56,520 --> 00:37:02,359
Speaker 1: respond the first to the first Hello, then you won't

660
00:37:02,520 --> 00:37:05,040
Speaker 1: like what comes next. But if you just like let him,

661
00:37:05,360 --> 00:37:07,879
Speaker 1: it's a ropen dope strategy. When you're on the phone with.

662
00:37:08,480 --> 00:37:11,319
Speaker 3: Yeah, you let him punch himself out. He's exhausted by

663
00:37:11,320 --> 00:37:13,760
Speaker 3: the time you actually get into conversation and he can't

664
00:37:13,800 --> 00:37:15,240
Speaker 3: do all his little stuff.

665
00:37:15,880 --> 00:37:21,160
Speaker 1: Yeah, but I do think we're like so ultimately, I

666
00:37:21,440 --> 00:37:23,560
Speaker 1: wonder if it is your phone that is overloading the

667
00:37:23,600 --> 00:37:28,399
Speaker 1: line because the phone, Yeah, the fact that you were

668
00:37:28,480 --> 00:37:32,600
Speaker 1: able to get in so easily suggests to me that

669
00:37:32,600 --> 00:37:35,880
Speaker 1: that that is what is it like effectively created the

670
00:37:35,880 --> 00:37:36,680
Speaker 1: system clog.

671
00:37:37,120 --> 00:37:39,640
Speaker 3: You got a big ass phone, Catherine, and it's not

672
00:37:39,960 --> 00:37:43,480
Speaker 3: you know, it's this is not any kind of judgment.

673
00:37:43,600 --> 00:37:45,720
Speaker 3: I'm not saying it's good or bad. But the fact

674
00:37:45,719 --> 00:37:48,040
Speaker 3: that your phone kind of barreled its way in and

675
00:37:48,080 --> 00:37:51,120
Speaker 3: got on the line so quickly means we're dealing with

676
00:37:51,200 --> 00:37:54,600
Speaker 3: one big ass phone and it probably is blocking a

677
00:37:54,640 --> 00:37:57,839
Speaker 3: lot of the other phones out. Oh dear from being

678
00:37:57,880 --> 00:38:01,080
Speaker 3: able to speak on the line. So it's you know,

679
00:38:02,280 --> 00:38:05,120
Speaker 3: God bless you. I mean, it could have happened to anybody.

680
00:38:05,160 --> 00:38:09,080
Speaker 3: But when you do call in with there's no other

681
00:38:09,120 --> 00:38:11,920
Speaker 3: way to say it, a big ass phone like this,

682
00:38:14,200 --> 00:38:19,000
Speaker 3: what you're creating. Have you ever corked a bottle?

683
00:38:20,360 --> 00:38:22,160
Speaker 18: I don't drink it.

684
00:38:22,440 --> 00:38:24,799
Speaker 1: Well, that's the perfect way to not drink. Mean neither,

685
00:38:25,360 --> 00:38:28,959
Speaker 1: mean neither, But I do cork bottles when you put

686
00:38:29,000 --> 00:38:32,399
Speaker 1: the bottle in. That is the opposite of drinking, when

687
00:38:32,400 --> 00:38:33,880
Speaker 1: you put the cork in the bottle.

688
00:38:34,160 --> 00:38:37,200
Speaker 3: Yeah, when you cork it. Which is which is what

689
00:38:37,280 --> 00:38:39,080
Speaker 3: your big ass phone has done to the line, is

690
00:38:39,160 --> 00:38:43,960
Speaker 3: you create all this pressure behind it. And my fear is,

691
00:38:44,040 --> 00:38:46,120
Speaker 3: of course, we do have to get you off the

692
00:38:46,160 --> 00:38:48,160
Speaker 3: line at some point so that other callers can get

693
00:38:48,200 --> 00:38:51,200
Speaker 3: in that they will rush in with such force that

694
00:38:51,280 --> 00:38:54,560
Speaker 3: we could get hit in the face with their you know,

695
00:38:54,640 --> 00:38:58,800
Speaker 3: with their word paintings. Because there's so much pressure built

696
00:38:58,880 --> 00:39:00,120
Speaker 3: up behind your phone.

697
00:39:00,880 --> 00:39:03,800
Speaker 18: Then maybe you should just let me go very slowly

698
00:39:03,840 --> 00:39:06,440
Speaker 18: and I'll just ease out, and we're gonna need to

699
00:39:06,719 --> 00:39:07,440
Speaker 18: such a rush.

700
00:39:07,560 --> 00:39:10,439
Speaker 1: We're going to need to fade you out, Yeah, very

701
00:39:10,600 --> 00:39:13,959
Speaker 1: very very slowly. So Kevin, we can't if dabor you out,

702
00:39:14,080 --> 00:39:19,800
Speaker 1: We're in trouble, right, Can we sort of begin begin

703
00:39:20,000 --> 00:39:24,320
Speaker 1: the fade? Begin the fade as as Catherine does her

704
00:39:24,640 --> 00:39:28,600
Speaker 1: sign off? Here and Catherine, can we hear the sign

705
00:39:28,640 --> 00:39:30,160
Speaker 1: off that we've designated for today?

706
00:39:30,760 --> 00:39:34,080
Speaker 18: Of course, I hug you and I'm in hug with you.

707
00:39:34,480 --> 00:39:36,400
Speaker 18: I love being here with you today.

708
00:39:37,560 --> 00:39:40,520
Speaker 1: That's very nice. We do our little hug and Devin,

709
00:39:40,600 --> 00:39:42,160
Speaker 1: can I hear the hug? Please?

710
00:39:47,400 --> 00:39:47,480
Speaker 7: Ye?

711
00:39:48,280 --> 00:39:54,240
Speaker 1: Nice, very nice hug? And soever, so carefully we release

712
00:39:54,640 --> 00:39:59,480
Speaker 1: How's how's the fade going? It's completed, It is completed,

713
00:40:00,040 --> 00:40:05,839
Speaker 1: and she is gone. Okay, thank you Catherine, goodbye, Hey guys.

714
00:40:05,840 --> 00:40:08,480
Speaker 1: Support for today's show comes from dash Lane. Dashline makes

715
00:40:08,520 --> 00:40:11,600
Speaker 1: everything you do easier. Fill out forms fast, remember all

716
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Speaker 1: your passwords, and keep your online data accessible and safe.

717
00:40:14,320 --> 00:40:17,360
Speaker 1: With this all in one app. Dashlane even safely remembers

718
00:40:17,360 --> 00:40:19,799
Speaker 1: and auto fills all your login information so you won't

719
00:40:19,800 --> 00:40:22,920
Speaker 1: get slowed down by forgotten her misspelled passwords. Sean, do

720
00:40:22,920 --> 00:40:26,799
Speaker 1: you have any stories about password management that you and

721
00:40:26,920 --> 00:40:31,640
Speaker 1: today you share a story? Yes, No, I do have.

722
00:40:33,040 --> 00:40:37,880
Speaker 3: Obviously we all have experiences in this modern world with cybersecurity,

723
00:40:38,160 --> 00:40:42,200
Speaker 3: and I'm always trying to make sure my stuff is protected.

724
00:40:42,360 --> 00:40:47,400
Speaker 3: And one way that I used to sort of protect

725
00:40:47,400 --> 00:40:51,200
Speaker 3: myself is I would create a password, I would immediately

726
00:40:51,440 --> 00:40:54,040
Speaker 3: conk myself in the head so that I would forget it. Yeah,

727
00:40:54,080 --> 00:40:56,200
Speaker 3: and then I would have it written down on a

728
00:40:56,239 --> 00:40:59,760
Speaker 3: little piece of paper that I gave to my smartest

729
00:40:59,800 --> 00:41:03,040
Speaker 3: friend to hang on to so that they could tell

730
00:41:03,080 --> 00:41:06,560
Speaker 3: it to me if I ever needed an emergency. Unfortunately,

731
00:41:06,600 --> 00:41:10,719
Speaker 3: that friend did turn out to actually be a total

732
00:41:10,800 --> 00:41:15,120
Speaker 3: dumbass who kept his computer pointing out the window. Yeah,

733
00:41:15,160 --> 00:41:20,000
Speaker 3: and thought that just saying like basically like that's what

734
00:41:20,080 --> 00:41:23,600
Speaker 3: I felt like doing was enough of an explanation that

735
00:41:23,719 --> 00:41:27,640
Speaker 3: it would make sense and that he didn't owe anyone

736
00:41:27,760 --> 00:41:30,400
Speaker 3: anything else, and that actually it was cool that he

737
00:41:30,440 --> 00:41:33,399
Speaker 3: did it that way, even though everybody knows that of course,

738
00:41:33,440 --> 00:41:35,560
Speaker 3: a hacker walked by and did see him from the

739
00:41:35,600 --> 00:41:40,120
Speaker 3: sidewalk and did hack his whole ass, and probably also

740
00:41:40,280 --> 00:41:42,520
Speaker 3: got the little piece of paper that I had my

741
00:41:42,560 --> 00:41:44,680
Speaker 3: password written down out of him too, because he probably

742
00:41:44,760 --> 00:41:47,480
Speaker 3: left that sticking out the window, because like, I don't know,

743
00:41:47,520 --> 00:41:49,759
Speaker 3: why why might he do that? Hayes, you seem good

744
00:41:49,760 --> 00:41:51,520
Speaker 3: at coming up with reasons for stuff like this.

745
00:41:51,760 --> 00:41:53,640
Speaker 1: No that, I mean, that's so weird. I'm so sorry

746
00:41:53,680 --> 00:42:00,120
Speaker 1: that happened to your friend. The idea of him pointing

747
00:42:00,160 --> 00:42:03,399
Speaker 1: the computer at the window actually does make a lot

748
00:42:03,400 --> 00:42:09,120
Speaker 1: of sense. That aspect of it, I think actually is

749
00:42:09,239 --> 00:42:11,080
Speaker 1: very smart, and I understand why you call them your

750
00:42:11,080 --> 00:42:16,400
Speaker 1: smartest friend. The computer is very hot. You cannot in

751
00:42:16,480 --> 00:42:19,480
Speaker 1: many cases be inside in the same place as the computer.

752
00:42:19,880 --> 00:42:22,399
Speaker 1: You must have the computer facing out the window, and

753
00:42:22,600 --> 00:42:27,440
Speaker 1: you are outside and you are typing through the window

754
00:42:27,480 --> 00:42:33,480
Speaker 1: screen that you have punched two holes it. So I

755
00:42:33,520 --> 00:42:38,560
Speaker 1: can't speak to your friend, But what you're describing actually

756
00:42:38,560 --> 00:42:41,440
Speaker 1: sounds very smart and just an unfortunate sort of fact

757
00:42:41,480 --> 00:42:44,320
Speaker 1: of our new reality, which is there is no real

758
00:42:45,280 --> 00:42:50,399
Speaker 1: expectation of personal privacy when it comes to computers. And

759
00:42:51,320 --> 00:42:52,880
Speaker 1: you know, if they're facing out the window, which in

760
00:42:52,880 --> 00:42:56,279
Speaker 1: many cases they have to be, people can walk by

761
00:42:56,320 --> 00:42:58,839
Speaker 1: and see them unless you are using dash lane.

762
00:43:00,160 --> 00:43:02,839
Speaker 3: And yeah, well that's really the point is that dash

763
00:43:02,960 --> 00:43:05,920
Speaker 3: lane solves the problems for both of us, me for

764
00:43:06,040 --> 00:43:09,200
Speaker 3: having a friend who is a tremendous dumb ass.

765
00:43:10,000 --> 00:43:12,960
Speaker 1: And then again, I'm really sorry more about you having

766
00:43:12,960 --> 00:43:16,120
Speaker 1: a friend like that. That's tell me too, and I

767
00:43:16,280 --> 00:43:18,759
Speaker 1: hate to ever meet that guy. Can't trust him with

768
00:43:18,760 --> 00:43:21,200
Speaker 1: my passwords anymore, so I don't. I can't do it

769
00:43:21,200 --> 00:43:22,520
Speaker 1: that way, so I have to give him a dash

770
00:43:22,520 --> 00:43:25,880
Speaker 1: line who I actually do trust dash Lane? Who I

771
00:43:25,920 --> 00:43:30,120
Speaker 1: do trust? Who is good? My friend's got me so blustered.

772
00:43:30,520 --> 00:43:30,640
Speaker 11: Uh.

773
00:43:30,800 --> 00:43:34,360
Speaker 3: And it solves your problem, which is, I guess you

774
00:43:36,320 --> 00:43:41,319
Speaker 3: have a medical condition where your head is stuffed all

775
00:43:41,400 --> 00:43:42,040
Speaker 3: the way up.

776
00:43:41,880 --> 00:43:47,960
Speaker 1: Your damn ass. Pleasant works across across devices, so you

777
00:43:47,960 --> 00:43:50,399
Speaker 1: can access your accounts no matter what device you're using,

778
00:43:50,440 --> 00:43:54,440
Speaker 1: computer or phone. Ready to enter a radically easier Internet,

779
00:43:54,520 --> 00:43:57,480
Speaker 1: visit dashlane dot com Slash Handbook to start your thirty

780
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Speaker 1: day free trial of dash Lane no credit card or

781
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Speaker 1: dashlane dot com Slash Handbook and Code Handbook at checkout

784
00:44:09,760 --> 00:44:11,960
Speaker 1: for twenty five percent off your premium subscription.

785
00:44:12,600 --> 00:44:15,200
Speaker 2: Can I tell you, guys, my password is clear.

786
00:44:15,000 --> 00:44:17,640
Speaker 1: Your throat first before you do anything.

787
00:44:17,360 --> 00:44:22,319
Speaker 2: Guy, I tell you, guys, it's Kevin Bitcoin, but I

788
00:44:22,400 --> 00:44:23,919
Speaker 2: replace the oh with an.

789
00:44:24,080 --> 00:44:32,680
Speaker 1: H oh ham book Kevin. Are you still there? Yes, Saddie, Okay,

790
00:44:32,719 --> 00:44:34,520
Speaker 1: So Kevin went off cam, but I do need you

791
00:44:34,560 --> 00:44:36,560
Speaker 1: to check in every once in a while and like it'

792
00:44:36,640 --> 00:44:40,239
Speaker 1: just a normal way, just so I know, not even

793
00:44:40,360 --> 00:44:41,960
Speaker 1: that you're there, but just where you are.

794
00:44:42,640 --> 00:44:45,440
Speaker 3: Okay, I need you off cam, but I can't trust

795
00:44:45,520 --> 00:44:47,200
Speaker 3: you to be off cam for that long.

796
00:44:49,400 --> 00:44:51,040
Speaker 2: Just poke my head in every now and then.

797
00:44:51,440 --> 00:44:53,839
Speaker 3: Mm hmm, just a quick little flash and go. I'm

798
00:44:53,880 --> 00:44:56,279
Speaker 3: here and I want to see both your hands and

799
00:44:56,560 --> 00:44:57,560
Speaker 3: that is all.

800
00:44:57,960 --> 00:45:02,640
Speaker 2: Okay, I'm here, both my hands are up, and I'm leaving.

801
00:45:03,840 --> 00:45:13,160
Speaker 1: Okay, And who's next. We've got Pete and repeat? Right, Hey, Bete, Hey.

802
00:45:13,760 --> 00:45:15,919
Speaker 3: I guess repeat fell off the boat this time?

803
00:45:16,040 --> 00:45:19,480
Speaker 11: Uh yeah, big slash, big.

804
00:45:19,360 --> 00:45:23,920
Speaker 3: Slash for that big splash from repeat. Beete, what's your

805
00:45:23,960 --> 00:45:26,319
Speaker 3: claim to fame? Why are we dealing with you and

806
00:45:26,360 --> 00:45:28,200
Speaker 3: not one of the other people in the queue. Go

807
00:45:28,239 --> 00:45:32,160
Speaker 3: ahead and earn your place, take up that space for me, Pete.

808
00:45:32,800 --> 00:45:34,640
Speaker 1: Taste yourself a little bit, you know what I mean?

809
00:45:36,280 --> 00:45:40,280
Speaker 11: Oh see, yeah, no, that's no problem. Yeah. The reason

810
00:45:40,280 --> 00:45:43,640
Speaker 11: you're talking to me today, I'm guessing, is probably because

811
00:45:44,400 --> 00:45:49,160
Speaker 11: me and Tony you talk to, as well as Catherine,

812
00:45:49,239 --> 00:45:53,880
Speaker 11: a couple other folks, our friend Emily, our friend Hansen

813
00:45:54,840 --> 00:46:00,280
Speaker 11: was there, but also our friend Truey. We were all

814
00:46:00,400 --> 00:46:05,120
Speaker 11: at your show in San Francisco and a series of

815
00:46:05,160 --> 00:46:08,160
Speaker 11: events happened and we all ended up banded together to

816
00:46:08,200 --> 00:46:10,880
Speaker 11: make this newest version of the scoop Troop on Facebook,

817
00:46:11,719 --> 00:46:16,000
Speaker 11: and we've been moderating that as much as one.

818
00:46:15,800 --> 00:46:18,680
Speaker 1: Can everything in moderation, am I right?

819
00:46:19,440 --> 00:46:19,680
Speaker 7: Yeah?

820
00:46:19,760 --> 00:46:23,640
Speaker 11: Yeah, yeah absolutely, And our friend Reid came up with

821
00:46:23,719 --> 00:46:27,640
Speaker 11: the idea to donate to, as Kevin put it, a

822
00:46:27,680 --> 00:46:30,879
Speaker 11: couple of different organizations, including a couple of like Black

823
00:46:30,920 --> 00:46:32,800
Speaker 11: Lives Matter associated organizations.

824
00:46:32,800 --> 00:46:35,000
Speaker 1: We're the Kevin wouldn't say that, don't you agree?

825
00:46:36,520 --> 00:46:40,920
Speaker 11: Yeah? It was basically Read's idea that like, hey, can

826
00:46:40,960 --> 00:46:44,319
Speaker 11: we like put together it goes fund me and we've

827
00:46:44,320 --> 00:46:47,600
Speaker 11: been chatting about it in the group chat and he

828
00:46:47,719 --> 00:46:51,000
Speaker 11: set the target of one thousand, and where are we

829
00:46:51,120 --> 00:46:56,400
Speaker 11: at now, we're like sixty sixty six. Last time I

830
00:46:56,440 --> 00:46:59,240
Speaker 11: saw it, it was sixty six six six six, which obviously

831
00:46:59,360 --> 00:47:00,200
Speaker 11: is very scary.

832
00:47:00,400 --> 00:47:03,000
Speaker 1: M that's the number and the number of beast.

833
00:47:03,400 --> 00:47:04,799
Speaker 3: That's the best number it was.

834
00:47:04,960 --> 00:47:06,080
Speaker 11: It's beasts number.

835
00:47:06,239 --> 00:47:11,279
Speaker 3: Yeah, that's beast from X Men's number. If you dial that,

836
00:47:11,440 --> 00:47:13,960
Speaker 3: Beast from x men will answer the phone and it

837
00:47:14,040 --> 00:47:15,360
Speaker 3: is Kelsey Grammer's voice.

838
00:47:15,640 --> 00:47:17,840
Speaker 11: Oh, I was gonna ask, is it Kelsey Grammar?

839
00:47:18,400 --> 00:47:20,720
Speaker 3: It's yeah, it could have been Nicholas Holt, I suppose,

840
00:47:21,239 --> 00:47:22,879
Speaker 3: but it is Kelsey Grammer in this game.

841
00:47:22,960 --> 00:47:26,120
Speaker 11: Yeah, not as distinct. It doesn't have as much like

842
00:47:26,800 --> 00:47:30,080
Speaker 11: sort of barrel age flavor.

843
00:47:30,880 --> 00:47:36,760
Speaker 1: M Oh, I'm savoring, oh, savoring your words? Okay?

844
00:47:36,880 --> 00:47:39,840
Speaker 3: And Pete is painting something delicious.

845
00:47:42,440 --> 00:47:46,239
Speaker 1: Pete, let's talk about Reid. Read is uh something of

846
00:47:46,440 --> 00:47:49,640
Speaker 1: a a pimp and a boss? Correct?

847
00:47:49,920 --> 00:47:53,239
Speaker 11: Mm, yeah, I no see, I hear because I was

848
00:47:53,280 --> 00:47:55,600
Speaker 11: on the line with Kevin for a second there and

849
00:47:55,680 --> 00:47:58,640
Speaker 11: I came back and I've been monitoring this group chat

850
00:47:58,840 --> 00:48:02,720
Speaker 11: and basically every one and said that Reid went full joker.

851
00:48:03,760 --> 00:48:06,640
Speaker 11: And I'm not quite sure what he did, what has

852
00:48:06,680 --> 00:48:08,560
Speaker 11: he done? What is read done to us?

853
00:48:08,920 --> 00:48:10,239
Speaker 1: Read? Is jokerfied?

854
00:48:12,160 --> 00:48:14,160
Speaker 11: Unfortunately? Yeah, sounds like it.

855
00:48:14,360 --> 00:48:17,520
Speaker 3: He's dancing on the steps, the chiming of the bells

856
00:48:17,600 --> 00:48:20,160
Speaker 3: one of the most beautiful scenes in all of cinema history.

857
00:48:20,480 --> 00:48:25,000
Speaker 3: And he's also a pimp and a boss. And even

858
00:48:25,000 --> 00:48:29,320
Speaker 3: though he is the joker, he ain't no clown ass.

859
00:48:29,400 --> 00:48:34,000
Speaker 3: And I'd like you to speak a little bit about

860
00:48:34,040 --> 00:48:36,880
Speaker 3: the impact that Reid getting jokerphied has had on you

861
00:48:36,920 --> 00:48:37,400
Speaker 3: and the rest of.

862
00:48:37,400 --> 00:48:38,000
Speaker 1: The Scoop Troop.

863
00:48:39,040 --> 00:48:41,760
Speaker 11: Well, one of the most important things to me about

864
00:48:41,800 --> 00:48:47,000
Speaker 11: all of this, you know. First, well, let me start

865
00:48:47,000 --> 00:48:49,240
Speaker 11: with the bottom of the list. It's a two point list.

866
00:48:49,800 --> 00:48:52,160
Speaker 11: The second point is that we have to raise money

867
00:48:52,160 --> 00:48:55,479
Speaker 11: for these organizations because they really need our help right now.

868
00:48:56,320 --> 00:48:58,560
Speaker 11: And the first point is that please don't embarrass me.

869
00:49:00,800 --> 00:49:04,839
Speaker 11: And unfortunately Reid has broken the first rule. Yeah, and

870
00:49:05,760 --> 00:49:08,840
Speaker 11: I am probably going to have to fall asleep for

871
00:49:09,000 --> 00:49:12,440
Speaker 11: a day, perhaps two days, just to get over this

872
00:49:12,520 --> 00:49:14,879
Speaker 11: embarrassment sleep.

873
00:49:14,600 --> 00:49:23,960
Speaker 3: And I broke up. Actually, yeah, now I'm seeing Coffee now, yeah, you.

874
00:49:24,000 --> 00:49:28,879
Speaker 11: And Corey Booker, who well you're both seeing her.

875
00:49:30,160 --> 00:49:32,839
Speaker 3: That's news to me. But we we haven't put any

876
00:49:32,920 --> 00:49:36,080
Speaker 3: labels on it yet, so I actually want there's one

877
00:49:36,120 --> 00:49:40,400
Speaker 3: level Maxwellhouse, shut up, don't it.

878
00:49:43,000 --> 00:49:48,560
Speaker 1: Shut up? Pete. Sorry, I am sorry about that, Pete,

879
00:49:48,560 --> 00:49:50,440
Speaker 1: but you do just have to shut.

880
00:49:50,239 --> 00:49:50,640
Speaker 11: Up for what.

881
00:49:55,040 --> 00:49:57,200
Speaker 3: We appreciate everything you guys have done. It was so

882
00:49:57,400 --> 00:50:00,759
Speaker 3: kind of made us look great. I mean, the fact

883
00:50:00,760 --> 00:50:02,160
Speaker 3: that you started it and the way it took off

884
00:50:02,160 --> 00:50:06,000
Speaker 3: and all the organization and uh, it really was touching

885
00:50:06,880 --> 00:50:09,759
Speaker 3: and meant so much to us, and you just have

886
00:50:09,840 --> 00:50:15,279
Speaker 3: to shut up for just one minute and do not

887
00:50:15,400 --> 00:50:17,200
Speaker 3: talk again until I give you permission.

888
00:50:19,960 --> 00:50:25,840
Speaker 1: I so something you noticed that Kevin didn't say black

889
00:50:25,840 --> 00:50:28,080
Speaker 1: lives matter before? But those were a lot of the

890
00:50:28,400 --> 00:50:30,200
Speaker 1: organizations that you all were giving to.

891
00:50:30,600 --> 00:50:31,040
Speaker 11: I did.

892
00:50:31,080 --> 00:50:36,560
Speaker 1: I did see him workshopping a phrase earlier that I

893
00:50:36,560 --> 00:50:39,200
Speaker 1: think he's like maybe a little shy about using. But

894
00:50:40,000 --> 00:50:44,960
Speaker 1: he has been saying you can't spell black Lives matter

895
00:50:45,239 --> 00:50:53,080
Speaker 1: without Kevis Bartelt, which I guess is true. The black

896
00:50:53,080 --> 00:50:55,120
Speaker 1: Lives Matter does contain all the letters.

897
00:50:56,880 --> 00:51:00,200
Speaker 3: He said, you know, we can repeat it for you. Yeah,

898
00:51:00,239 --> 00:51:01,799
Speaker 3: I thought repeat fell off.

899
00:51:01,840 --> 00:51:06,160
Speaker 11: Actually, my fucking kid keeps acting up.

900
00:51:07,120 --> 00:51:09,719
Speaker 1: Your kids started crying when he heard when he heard

901
00:51:09,760 --> 00:51:14,880
Speaker 1: that phrase, Kevin, do you do you want to say it?

902
00:51:14,880 --> 00:51:16,960
Speaker 1: It's a it's a little confusing to me. Do you

903
00:51:17,000 --> 00:51:17,640
Speaker 1: want to say it?

904
00:51:17,880 --> 00:51:19,279
Speaker 3: Kevin? Do you want to hit us with it? I

905
00:51:19,320 --> 00:51:20,680
Speaker 3: know you've been practicing it.

906
00:51:21,239 --> 00:51:24,520
Speaker 2: I'm screening calls right now. Okay, okay, what were you

907
00:51:24,560 --> 00:51:25,320
Speaker 2: guys saying.

908
00:51:26,280 --> 00:51:28,480
Speaker 1: About your phrase that you've been introducing, which is you

909
00:51:28,520 --> 00:51:32,560
Speaker 1: can't spell you can't spell black Lives matter without Kevis Bartelt?

910
00:51:33,800 --> 00:51:34,120
Speaker 7: Wow?

911
00:51:34,640 --> 00:51:37,480
Speaker 2: Yeah, I forgot that. I was workshopping that with you guys.

912
00:51:38,520 --> 00:51:41,520
Speaker 1: It is true, but your name is not Kevis.

913
00:51:42,840 --> 00:51:43,160
Speaker 4: Wow.

914
00:51:44,160 --> 00:51:48,840
Speaker 2: Yeah, you know I'm still screening calls, so let me

915
00:51:48,880 --> 00:51:49,440
Speaker 2: come back.

916
00:51:49,760 --> 00:51:54,040
Speaker 3: And you should probably add a middle name that has

917
00:51:54,080 --> 00:51:57,960
Speaker 3: the rest of the letters because we're so close.

918
00:51:58,640 --> 00:52:01,919
Speaker 1: Yeah, I mean yeah, because we need an I mean

919
00:52:02,000 --> 00:52:02,840
Speaker 1: we need an M.

920
00:52:03,760 --> 00:52:04,200
Speaker 11: Yeah.

921
00:52:04,320 --> 00:52:07,799
Speaker 1: Yeah, you you figure it it, don't figure it out

922
00:52:07,800 --> 00:52:08,560
Speaker 1: like on Myra.

923
00:52:09,040 --> 00:52:14,840
Speaker 3: We could use a C as well. Okay, Kevis mc bartel.

924
00:52:15,440 --> 00:52:20,800
Speaker 1: Mc kevis mc, Kevin's Bartell, Kevin's better Kevis Mick Bartel.

925
00:52:21,480 --> 00:52:25,640
Speaker 1: Oh okay, that's my Mick.

926
00:52:26,520 --> 00:52:28,959
Speaker 3: The mic coming to Fox.

927
00:52:31,360 --> 00:52:35,239
Speaker 1: Pete. What's the how do we say goodbye? You're allowed

928
00:52:35,280 --> 00:52:36,399
Speaker 1: to say goodbye? That's it?

929
00:52:37,560 --> 00:52:40,640
Speaker 11: Oh, I can. I can definitely say goodbye to you, guys.

930
00:52:41,080 --> 00:52:42,680
Speaker 11: I really appreciate you putting us on.

931
00:52:43,280 --> 00:52:45,479
Speaker 1: No, that's not what we say. That's not what we say.

932
00:52:45,560 --> 00:52:45,959
Speaker 3: We say.

933
00:52:46,080 --> 00:52:50,760
Speaker 11: Yeah. No, see, I was following along with the hugging

934
00:52:51,040 --> 00:52:54,000
Speaker 11: and the business. I've been wanting to say, I yield

935
00:52:54,040 --> 00:52:57,480
Speaker 11: my time, but that's that's not what the design is.

936
00:52:58,000 --> 00:53:01,040
Speaker 11: It's a I hug you. I'm doing I'm doing hugs

937
00:53:01,080 --> 00:53:05,759
Speaker 11: with you, and Okay, big hugs.

938
00:53:06,360 --> 00:53:09,160
Speaker 1: No, you know better than this. It should we should

939
00:53:09,200 --> 00:53:12,040
Speaker 1: add big hugs. I hug you, I'm in big hugs

940
00:53:12,040 --> 00:53:14,040
Speaker 1: with you. I'm big hugs with you.

941
00:53:14,360 --> 00:53:16,840
Speaker 11: It's just such hugs. I'm sorry.

942
00:53:18,600 --> 00:53:22,040
Speaker 1: We should definitely add and I'm sorry. So the new

943
00:53:22,080 --> 00:53:24,239
Speaker 1: phrase is I hug you, I'm in big hugs with you.

944
00:53:24,360 --> 00:53:29,600
Speaker 1: I'm sorry that I love being here with you today.

945
00:53:30,960 --> 00:53:37,760
Speaker 1: And now we do our hug. Ah. Oh yeah, very nice,

946
00:53:38,080 --> 00:53:45,359
Speaker 1: very very nice. Bye Pete, bye. All right, we have

947
00:53:45,560 --> 00:53:47,920
Speaker 1: Lisa next. Who do we have? How many people in

948
00:53:47,960 --> 00:53:48,440
Speaker 1: the queue?

949
00:53:48,840 --> 00:53:52,040
Speaker 8: Oh, there's there's loads. And I would like to I

950
00:53:52,040 --> 00:53:54,360
Speaker 8: would like to propose at this point that at the

951
00:53:54,480 --> 00:53:57,200
Speaker 8: end we just turn on everybody and just see what happens.

952
00:53:57,280 --> 00:54:00,360
Speaker 3: Yeah, and we got to start cycling through people a

953
00:54:00,440 --> 00:54:03,440
Speaker 3: little bit faster. And this is if anybody read our

954
00:54:03,800 --> 00:54:08,200
Speaker 3: read at Ama, when people said, do you like when

955
00:54:08,200 --> 00:54:10,560
Speaker 3: people are hanging out after the show, you can feel

956
00:54:10,600 --> 00:54:11,600
Speaker 3: how Hayes talks.

957
00:54:11,400 --> 00:54:12,520
Speaker 1: To people for too long.

958
00:54:15,360 --> 00:54:17,799
Speaker 3: I don't know what it is about this guy, but

959
00:54:17,880 --> 00:54:21,400
Speaker 3: it's like I was so done with Pete. Nice guy.

960
00:54:21,680 --> 00:54:26,320
Speaker 3: I actually prefer repeat great guy, great guy, great hugger,

961
00:54:27,640 --> 00:54:28,560
Speaker 3: very nice hug.

962
00:54:29,000 --> 00:54:34,640
Speaker 1: But it's like we were done. They just kind of

963
00:54:34,719 --> 00:54:38,279
Speaker 1: time just kind of flattens out for me when I'm

964
00:54:38,280 --> 00:54:38,759
Speaker 1: talking to.

965
00:54:39,000 --> 00:54:41,000
Speaker 3: Yeah, no, you are in a state of flow.

966
00:54:41,440 --> 00:54:45,479
Speaker 1: Yeah, do you two it once. Let's do two it once.

967
00:54:45,640 --> 00:54:46,720
Speaker 1: That's that's allowed.

968
00:54:47,360 --> 00:54:50,160
Speaker 3: Yeah, let's get this team in here, all right.

969
00:54:50,239 --> 00:54:58,200
Speaker 1: Let's bring in Lisa. Hello, Hello, Hi Lisa, and let's

970
00:54:58,200 --> 00:55:07,120
Speaker 1: introduce to the other member of Lisa's team, that is Travis. Travis, Hello, Hello,

971
00:55:08,400 --> 00:55:18,439
Speaker 1: Hi guys. Your name can be rearranged you spell Vartis, Yeah,

972
00:55:18,719 --> 00:55:20,719
Speaker 1: and Lisa's name can be rearranged a spell.

973
00:55:23,320 --> 00:55:33,040
Speaker 3: Same, So vartuesl the Unstoppable team. You guys, remember what

974
00:55:33,200 --> 00:55:36,320
Speaker 3: did you ever when you were like picking teams in school,

975
00:55:36,520 --> 00:55:38,600
Speaker 3: you know, and you would and you and your buddy

976
00:55:38,600 --> 00:55:40,439
Speaker 3: would stand next to her and you go, package, We're

977
00:55:40,480 --> 00:55:43,160
Speaker 3: package package. Did anybody else do this?

978
00:55:44,239 --> 00:55:47,200
Speaker 1: No, you would be a package deal. Yeah.

979
00:55:47,320 --> 00:55:49,560
Speaker 3: It would be like, you cannot pick me for your

980
00:55:49,600 --> 00:55:52,399
Speaker 3: team without my best friend. We will only play out

981
00:55:52,400 --> 00:55:55,000
Speaker 3: the same team so that the following team will get

982
00:55:55,000 --> 00:55:57,640
Speaker 3: two picks if they picked the package. And that's sort

983
00:55:57,680 --> 00:56:00,040
Speaker 3: of what we have here with vartisl.

984
00:56:01,000 --> 00:56:01,239
Speaker 21: Yeah.

985
00:56:01,480 --> 00:56:03,600
Speaker 14: I'd do a similar thing, except I would just scream

986
00:56:03,680 --> 00:56:06,320
Speaker 14: like he's in a pod and then if they didn't pick.

987
00:56:06,200 --> 00:56:09,440
Speaker 3: Us, he's in a pod the similar concept.

988
00:56:11,400 --> 00:56:14,320
Speaker 19: Yes, I would often announce it and then the person

989
00:56:14,360 --> 00:56:16,160
Speaker 19: next to me would be like, no.

990
00:56:16,920 --> 00:56:18,120
Speaker 3: It's okay, you can pick.

991
00:56:18,320 --> 00:56:21,440
Speaker 1: Yeah, they didn't know, they didn't side off. Be a

992
00:56:21,440 --> 00:56:27,319
Speaker 1: good package with you. Yeah, and you're much They're much

993
00:56:27,360 --> 00:56:30,080
Speaker 1: better than you are at the sport.

994
00:56:33,280 --> 00:56:34,720
Speaker 12: Or just like making friends.

995
00:56:34,840 --> 00:56:39,200
Speaker 1: Yeah, where is everyone calling from today? And what are

996
00:56:39,280 --> 00:56:40,080
Speaker 1: you sipping on?

997
00:56:41,800 --> 00:56:45,680
Speaker 7: I am from San Diego area and I am sipping

998
00:56:45,680 --> 00:56:46,160
Speaker 7: on water?

999
00:56:47,200 --> 00:56:50,799
Speaker 1: And are you using them from Travis? If you'd shut

1000
00:56:50,840 --> 00:56:53,640
Speaker 1: up for a second, hangout, Are you at the zoo?

1001
00:56:55,440 --> 00:56:59,480
Speaker 1: Are you using the the famous the Hollywood Handbook camelback

1002
00:56:59,680 --> 00:57:01,880
Speaker 1: to say your water unfortunately?

1003
00:57:02,360 --> 00:57:02,440
Speaker 7: No?

1004
00:57:02,719 --> 00:57:06,160
Speaker 1: Okay, well then your water's getting everywhere. Your water is

1005
00:57:06,200 --> 00:57:09,640
Speaker 1: actually falling out. Well, congratulations. I hope you have a towel.

1006
00:57:11,840 --> 00:57:13,200
Speaker 4: I'm slurping it from the carpet.

1007
00:57:13,239 --> 00:57:15,800
Speaker 1: It's kind of hard, so go outside.

1008
00:57:15,800 --> 00:57:17,640
Speaker 3: If you're going to drink without the camel back, take

1009
00:57:17,680 --> 00:57:24,520
Speaker 3: that outside, and now, Travis.

1010
00:57:25,720 --> 00:57:29,160
Speaker 19: Politely, I am from Connecticut, Connecticut.

1011
00:57:29,520 --> 00:57:29,840
Speaker 1: Yuck.

1012
00:57:30,280 --> 00:57:33,120
Speaker 19: Please could I announce that I am from Connecticut?

1013
00:57:33,200 --> 00:57:40,120
Speaker 6: Yes, I'm in Connecticut where Mystic Marlborough.

1014
00:57:39,520 --> 00:57:41,080
Speaker 12: Which is just outside of Hartburt.

1015
00:57:41,320 --> 00:57:42,040
Speaker 3: Oh, I know it.

1016
00:57:43,880 --> 00:57:44,760
Speaker 4: Yeah, believe me.

1017
00:57:46,640 --> 00:57:48,080
Speaker 3: You got your Marlborough miles.

1018
00:57:48,160 --> 00:57:53,600
Speaker 19: Huh well, I just moved here, just bought a house. So,

1019
00:57:53,840 --> 00:57:55,439
Speaker 19: but I am going by the marb world.

1020
00:57:55,480 --> 00:57:56,280
Speaker 3: Where were you before?

1021
00:57:58,520 --> 00:57:59,360
Speaker 12: Uh well?

1022
00:57:59,480 --> 00:58:02,040
Speaker 19: I was born in Newington. I was raised in Newington.

1023
00:58:02,360 --> 00:58:10,560
Speaker 3: Yep, right, yeah, brand Newington. Yeah, Connecticut Center for Massage Therapy,

1024
00:58:11,760 --> 00:58:14,920
Speaker 3: little school in Newington. Might see, might see one of

1025
00:58:14,920 --> 00:58:17,320
Speaker 3: your friends pictures on the wall there among one of

1026
00:58:17,360 --> 00:58:20,480
Speaker 3: the graduated classes, if you if you ever want to

1027
00:58:20,480 --> 00:58:22,480
Speaker 3: take the trip back home, so I'll tell you what.

1028
00:58:23,200 --> 00:58:25,120
Speaker 19: One of Connecticut's favorite sons.

1029
00:58:26,120 --> 00:58:30,920
Speaker 3: Yes, I'm new I'm one of new Inten's favorites Connecticut.

1030
00:58:31,120 --> 00:58:32,120
Speaker 12: Yeah, yeah, yeah.

1031
00:58:32,920 --> 00:58:35,960
Speaker 19: You and the guy from Perfect Strangers.

1032
00:58:36,640 --> 00:58:37,520
Speaker 12: I can't think of his name.

1033
00:58:37,760 --> 00:58:38,320
Speaker 1: Which guy?

1034
00:58:39,240 --> 00:58:40,320
Speaker 12: He's also Connecticut?

1035
00:58:40,880 --> 00:58:44,240
Speaker 19: Uh not Bronze and Fin Shops, Okay, the other guys

1036
00:58:44,240 --> 00:58:46,080
Speaker 19: from Weathersfield mm hmm.

1037
00:58:47,680 --> 00:58:48,480
Speaker 1: Tougher.

1038
00:58:50,160 --> 00:58:52,840
Speaker 15: Yeah there you go, of course in Larry.

1039
00:58:54,560 --> 00:58:56,720
Speaker 1: Travis and you are sipping on what now?

1040
00:58:58,000 --> 00:59:01,760
Speaker 9: I just finished an iced coffee boy, and I.

1041
00:59:02,080 --> 00:59:02,960
Speaker 1: Could hear it too.

1042
00:59:03,120 --> 00:59:07,800
Speaker 3: Damn dude, I'm looking at his damn way. I'm in

1043
00:59:07,840 --> 00:59:12,080
Speaker 3: a damn funhouse mirror. This guy's in Connecticut drinking ice coffee.

1044
00:59:11,760 --> 00:59:15,800
Speaker 19: Right, Sean, you want to start talking about the meadows?

1045
00:59:16,640 --> 00:59:18,480
Speaker 1: Yeah?

1046
00:59:18,640 --> 00:59:19,680
Speaker 3: You ever jump the fence?

1047
00:59:20,440 --> 00:59:20,800
Speaker 12: Weird?

1048
00:59:21,680 --> 00:59:22,560
Speaker 3: You ever jumped the fence?

1049
00:59:22,640 --> 00:59:26,120
Speaker 19: Only when we when I saw Raggae and some machine

1050
00:59:26,160 --> 00:59:29,240
Speaker 19: and Wu Tang, I actually wasn't at that show, to

1051
00:59:29,240 --> 00:59:29,640
Speaker 19: be honest with you.

1052
00:59:29,760 --> 00:59:30,200
Speaker 1: I was there.

1053
00:59:30,240 --> 00:59:31,960
Speaker 3: I got hit in the head with a big piece

1054
00:59:32,000 --> 00:59:38,000
Speaker 3: of sod. I got drilled him. I got fucking drilled

1055
00:59:38,040 --> 00:59:40,760
Speaker 3: with a huge piece of sod. They started ripping up

1056
00:59:40,800 --> 00:59:42,760
Speaker 3: the lawn and I was just like walking to get

1057
00:59:42,760 --> 00:59:45,919
Speaker 3: a soda or whatever in my like huge Wu Tang shirt,

1058
00:59:45,920 --> 00:59:48,080
Speaker 3: and I was like, I'm part of the fun crew.

1059
00:59:48,480 --> 00:59:52,720
Speaker 3: And then hey cool. And then I got fucking hammered.

1060
00:59:52,800 --> 00:59:56,400
Speaker 3: Somebody just basically like body slammed a giant section of

1061
00:59:56,440 --> 00:59:59,160
Speaker 3: the lawn onto my head, rocks and shit in my mouth.

1062
01:00:00,200 --> 01:00:03,440
Speaker 1: It was fun. Imagine being at that show and you're

1063
01:00:03,480 --> 01:00:07,640
Speaker 1: listening to that message and you're like, these guys are right.

1064
01:00:08,920 --> 01:00:12,080
Speaker 1: Some of those that workforces are the same that burn crosses.

1065
01:00:13,320 --> 01:00:15,320
Speaker 1: Let's let's rip out the sod.

1066
01:00:15,760 --> 01:00:18,200
Speaker 3: They got the we'll get the sod. Yeah, they got

1067
01:00:18,240 --> 01:00:21,840
Speaker 3: the fence, ripped up the fence, burned it sod it

1068
01:00:21,880 --> 01:00:25,960
Speaker 3: was fun. Uh did did you ever jump the fence?

1069
01:00:25,960 --> 01:00:26,160
Speaker 11: Though?

1070
01:00:27,280 --> 01:00:27,920
Speaker 12: No, I didn't.

1071
01:00:27,960 --> 01:00:33,440
Speaker 19: I did, I was, I wasn't athletic or badass?

1072
01:00:34,560 --> 01:00:34,920
Speaker 1: Sale?

1073
01:00:36,520 --> 01:00:38,280
Speaker 3: Can I tell you what? I jumped the fence to

1074
01:00:39,280 --> 01:00:43,760
Speaker 3: jewel in Rusted Root, jewel In Rusted Root, and again

1075
01:00:43,840 --> 01:00:46,320
Speaker 3: for Paul Sibon and Bob Dylan and again for the

1076
01:00:46,440 --> 01:00:49,160
Speaker 3: Day Matthews Band. So when you talk about being athletic

1077
01:00:49,200 --> 01:00:53,600
Speaker 3: and badass, I guess you're talking to the right guy.

1078
01:00:54,120 --> 01:01:01,360
Speaker 1: I would like to hear from so sale, sale failure.

1079
01:01:01,440 --> 01:01:06,640
Speaker 1: What childhood or a teen concert did you go to?

1080
01:01:09,160 --> 01:01:14,520
Speaker 14: Oh, I'm trying to think of one that is.

1081
01:01:13,760 --> 01:01:15,760
Speaker 3: Not the answer to security question for your bank.

1082
01:01:16,200 --> 01:01:18,480
Speaker 4: Not too obscure because I was very cool.

1083
01:01:20,040 --> 01:01:21,800
Speaker 1: Try me honestly.

1084
01:01:21,960 --> 01:01:24,320
Speaker 4: I saw this band called Harry and the Potters. It

1085
01:01:24,440 --> 01:01:26,120
Speaker 4: was big at the time, to do Wizard.

1086
01:01:26,520 --> 01:01:28,600
Speaker 1: Yeah, I remember Harry and the Potters.

1087
01:01:30,400 --> 01:01:33,920
Speaker 4: Yeah. So they had shows up Library.

1088
01:01:33,680 --> 01:01:34,760
Speaker 1: And Nerd Core.

1089
01:01:35,120 --> 01:01:36,000
Speaker 4: I went to too.

1090
01:01:36,080 --> 01:01:39,080
Speaker 1: I think, yeah, nerd Core is back.

1091
01:01:39,960 --> 01:01:45,400
Speaker 3: Mm hmm, get em c Chris on the line. And

1092
01:01:45,440 --> 01:01:48,240
Speaker 3: now my kids crying, what did Pete do?

1093
01:01:51,560 --> 01:01:51,760
Speaker 11: Well?

1094
01:01:51,760 --> 01:01:53,880
Speaker 19: Mine was just trying to get on to the.

1095
01:01:53,840 --> 01:01:54,720
Speaker 12: Phone while I was.

1096
01:01:56,240 --> 01:02:02,960
Speaker 3: Artists with you a sucking up all of sales time sale,

1097
01:02:04,480 --> 01:02:12,320
Speaker 3: you're the main caller. I'm good. What other concert that.

1098
01:02:12,320 --> 01:02:13,760
Speaker 1: I do know? Did you go to?

1099
01:02:14,880 --> 01:02:15,240
Speaker 11: No? I?

1100
01:02:16,400 --> 01:02:18,400
Speaker 1: Harry and the Potters like was good? I was more

1101
01:02:18,440 --> 01:02:27,200
Speaker 1: into hungry in the games? Yeah, I was listening to

1102
01:02:27,360 --> 01:02:39,040
Speaker 1: Ready and the player ones? What other ones? All of them?

1103
01:02:39,120 --> 01:02:40,000
Speaker 1: Every single one.

1104
01:02:40,680 --> 01:02:41,720
Speaker 14: I didn't get many.

1105
01:02:41,880 --> 01:02:42,120
Speaker 4: Okay.

1106
01:02:42,200 --> 01:02:44,240
Speaker 14: I had a chance to feat anti flag, but I

1107
01:02:44,280 --> 01:02:45,840
Speaker 14: didn't go because I didn't think my mom would let

1108
01:02:45,840 --> 01:02:48,000
Speaker 14: me a chance.

1109
01:02:49,760 --> 01:02:50,440
Speaker 18: I was a teen.

1110
01:02:53,240 --> 01:03:00,840
Speaker 1: I didn't anti Surely you mean pro flag, that's your mom.

1111
01:03:01,120 --> 01:03:06,360
Speaker 11: Unfortunately, No, yeah.

1112
01:03:04,520 --> 01:03:06,560
Speaker 16: Yeah, I didn't even bring it up.

1113
01:03:06,560 --> 01:03:09,960
Speaker 5: I didn't even ask because, yeah, not happening.

1114
01:03:10,560 --> 01:03:11,880
Speaker 18: It's a pro pro flag.

1115
01:03:12,280 --> 01:03:14,760
Speaker 4: Yeah mm hmmm.

1116
01:03:15,120 --> 01:03:17,360
Speaker 3: And you ever see a government mule?

1117
01:03:19,680 --> 01:03:24,560
Speaker 1: I did? My dad took me to see government Yeah. Man,

1118
01:03:25,040 --> 01:03:28,520
Speaker 1: Warren Haynes, Baby, we're gonna give you a little of

1119
01:03:28,600 --> 01:03:29,840
Speaker 1: the education today.

1120
01:03:30,360 --> 01:03:33,480
Speaker 3: Government mule and rat playing together?

1121
01:03:35,960 --> 01:03:40,280
Speaker 8: Had those two Leon Russell Leons a double bill man, Yeah,

1122
01:03:40,920 --> 01:03:41,400
Speaker 8: red dog.

1123
01:03:42,560 --> 01:03:46,640
Speaker 1: We gotta get through these, yep, we gotta do it.

1124
01:03:46,680 --> 01:03:50,440
Speaker 1: Can we hear the sign off please in unison preferably?

1125
01:03:50,760 --> 01:03:51,040
Speaker 12: Okay?

1126
01:03:51,880 --> 01:03:58,760
Speaker 19: All right, I I love you and I now.

1127
01:03:58,720 --> 01:04:00,760
Speaker 1: I'm in a big hut with you, big hugs with you.

1128
01:04:02,040 --> 01:04:08,880
Speaker 4: And I'm in I'm in biggs with you, and I'm sorry.

1129
01:04:08,960 --> 01:04:09,280
Speaker 11: Hello.

1130
01:04:09,840 --> 01:04:11,960
Speaker 1: You have to you have to apologize right before that.

1131
01:04:12,040 --> 01:04:12,600
Speaker 1: I'm sorry.

1132
01:04:13,800 --> 01:04:16,240
Speaker 12: I'm sorry.

1133
01:04:16,040 --> 01:04:22,680
Speaker 15: I love love talk being here, being being here with you,

1134
01:04:22,840 --> 01:04:27,800
Speaker 15: being with you, with you, to being here with you.

1135
01:04:29,840 --> 01:04:33,080
Speaker 4: Bye bye bye.

1136
01:04:35,080 --> 01:04:35,840
Speaker 1: Get in here.

1137
01:04:37,480 --> 01:04:39,919
Speaker 8: We've got a couple more lined up. Okay, crank through.

1138
01:04:41,800 --> 01:04:47,520
Speaker 8: Here's Mario Mario. Hello Mario Mario.

1139
01:04:48,560 --> 01:04:59,560
Speaker 1: Yeah, yeah, okay, what hi Mario. Lots of people would

1140
01:04:59,600 --> 01:05:07,240
Speaker 1: do some sort of Italian joke, super Mario.

1141
01:05:07,320 --> 01:05:09,440
Speaker 3: I will say that the way you said yeah, I'm

1142
01:05:09,480 --> 01:05:12,320
Speaker 3: here was much more in keeping with the attitude of

1143
01:05:12,360 --> 01:05:18,080
Speaker 3: Warrio than Mario. There was a lot of tude on it,

1144
01:05:18,280 --> 01:05:20,520
Speaker 3: and it was It was the sort of negativity I

1145
01:05:20,560 --> 01:05:24,800
Speaker 3: would expect more from Warrio. Do you have anything to confess?

1146
01:05:25,960 --> 01:05:29,920
Speaker 11: Yeah, I do have a dark side. I bet I

1147
01:05:30,640 --> 01:05:32,240
Speaker 11: drink water.

1148
01:05:33,120 --> 01:05:35,280
Speaker 12: Oh, also, I'm slipping on water.

1149
01:05:35,320 --> 01:05:37,600
Speaker 10: Okay from t shirt?

1150
01:05:38,240 --> 01:05:41,400
Speaker 1: You are ringing from the shirt water out of a

1151
01:05:41,400 --> 01:05:42,760
Speaker 1: Hollywood Handbook T shirt.

1152
01:05:44,080 --> 01:05:47,080
Speaker 3: That is another way to stop from a mess.

1153
01:05:47,600 --> 01:05:51,320
Speaker 1: Yeah. Once you so, if you don't have if you

1154
01:05:51,360 --> 01:05:55,120
Speaker 1: don't have the camelback. That's okay, it's very expensive. The

1155
01:05:55,200 --> 01:05:58,200
Speaker 1: water is going to get everywhere. You may use your

1156
01:05:58,240 --> 01:06:02,440
Speaker 1: Hollywood Handbook T shirt as a water catcher on the floor.

1157
01:06:02,960 --> 01:06:05,520
Speaker 3: You can mop up the spilled water with your Hollywood

1158
01:06:05,520 --> 01:06:08,120
Speaker 3: Handbook T shirt and then squeeze the shirt into your

1159
01:06:08,200 --> 01:06:11,600
Speaker 3: mouth and chew on the shirt and suck and get

1160
01:06:11,640 --> 01:06:16,360
Speaker 3: the water out of it. That is allowed. So thank

1161
01:06:16,400 --> 01:06:18,040
Speaker 3: you Mario for being polite.

1162
01:06:20,000 --> 01:06:21,440
Speaker 1: Where are you calling from, Mario?

1163
01:06:22,520 --> 01:06:24,520
Speaker 12: San Diego too?

1164
01:06:24,680 --> 01:06:27,520
Speaker 3: San Diego two? Is it better than San Diego One?

1165
01:06:28,360 --> 01:06:30,520
Speaker 3: I know go in much for sequels these days?

1166
01:06:33,080 --> 01:06:34,280
Speaker 12: We are parts here.

1167
01:06:36,080 --> 01:06:41,920
Speaker 1: You have parrots, Mario, Mario, I don't know if it's

1168
01:06:41,920 --> 01:06:45,840
Speaker 1: parrots or parents, the famous San Diego parents. Well, I

1169
01:06:45,880 --> 01:06:48,600
Speaker 1: guess that's why they call the padres.

1170
01:06:49,760 --> 01:06:57,280
Speaker 3: Were the top that Why don't you sign off for us?

1171
01:06:57,320 --> 01:06:59,440
Speaker 1: Ma, We've got moms, dads.

1172
01:07:03,480 --> 01:07:04,720
Speaker 12: And the Sunde occurrence.

1173
01:07:07,120 --> 01:07:11,280
Speaker 1: Uh, Mario. Unfortunately you are part of the new phase

1174
01:07:11,320 --> 01:07:14,160
Speaker 1: of callers that gets maybe a third as much time

1175
01:07:14,200 --> 01:07:16,600
Speaker 1: as everyone else because we have to How many are there, Devin,

1176
01:07:16,680 --> 01:07:21,160
Speaker 1: and we still have about five in? Okay?

1177
01:07:21,520 --> 01:07:21,720
Speaker 11: Thought?

1178
01:07:22,200 --> 01:07:25,640
Speaker 1: All right, okay, Well we're gonna try and get through everyone.

1179
01:07:26,400 --> 01:07:28,680
Speaker 3: Okay, yeah, well I've got seven minutes, so.

1180
01:07:29,960 --> 01:07:35,480
Speaker 1: Okay, well let's move on there. Here's Connie Mario, take

1181
01:07:35,520 --> 01:07:37,960
Speaker 1: care of yourself. Hug you, I'm and hug with you.

1182
01:07:38,040 --> 01:07:41,560
Speaker 1: And sorry. Hi Connie, Oh Hi Connie, Connie.

1183
01:07:42,120 --> 01:07:42,320
Speaker 15: Hi?

1184
01:07:42,440 --> 01:07:42,720
Speaker 5: Hello.

1185
01:07:43,880 --> 01:07:47,440
Speaker 1: Yes, what's that short for conn Edison?

1186
01:07:48,520 --> 01:07:49,360
Speaker 19: What is that short for?

1187
01:07:50,080 --> 01:07:53,840
Speaker 22: It's short for Constanza. So I don't tell that two

1188
01:07:53,840 --> 01:07:56,400
Speaker 22: people about because they don't know how to pronounce that.

1189
01:07:56,480 --> 01:08:06,360
Speaker 3: Our George Constanza, George Constanta. I love that show. I

1190
01:08:06,480 --> 01:08:09,640
Speaker 3: love that show. I'm sort of the Cramer of my

1191
01:08:09,720 --> 01:08:15,880
Speaker 3: friend group, Constanta.

1192
01:08:16,080 --> 01:08:18,080
Speaker 4: I think I'm the of my group.

1193
01:08:18,479 --> 01:08:23,120
Speaker 1: Yes, what are you sipping on? Where are you calling from?

1194
01:08:23,439 --> 01:08:27,600
Speaker 22: I'm sipping on green tea and I'm calling from Vancouver, green.

1195
01:08:27,400 --> 01:08:28,720
Speaker 1: Tea and Vancouver.

1196
01:08:29,120 --> 01:08:31,320
Speaker 3: And what's the green tea coming out of? Just a

1197
01:08:31,360 --> 01:08:32,080
Speaker 3: normal cup?

1198
01:08:34,120 --> 01:08:35,120
Speaker 4: Just a normal cup.

1199
01:08:35,200 --> 01:08:37,600
Speaker 22: But I was wondering what your thoughts are on U

1200
01:08:37,600 --> 01:08:42,120
Speaker 22: seeing the Hollywood Handbook stickers to scoop up liquids now

1201
01:08:42,160 --> 01:08:44,679
Speaker 22: that shirts are allowed, Yes, you.

1202
01:08:44,600 --> 01:08:47,280
Speaker 3: Can make a funnel with the Hollywood Handbook sticker. So

1203
01:08:47,320 --> 01:08:49,760
Speaker 3: it is a circle and you can twist it into

1204
01:08:49,800 --> 01:08:51,840
Speaker 3: sort of a cone that will be a little hole

1205
01:08:51,880 --> 01:08:56,000
Speaker 3: at the end. You can put that in your mouth

1206
01:08:56,040 --> 01:08:58,800
Speaker 3: and pour the liquid through that, and that is a

1207
01:08:58,840 --> 01:09:01,320
Speaker 3: safe way to get most of the liquid. Now, if

1208
01:09:01,320 --> 01:09:04,360
Speaker 3: the green tea is very hot, it will melt the sticker.

1209
01:09:06,040 --> 01:09:11,760
Speaker 3: Don't get nervous. The sticker is vitamins.

1210
01:09:15,400 --> 01:09:18,880
Speaker 1: We're in Vancouver, Constanta, gas town.

1211
01:09:22,040 --> 01:09:23,920
Speaker 4: Uh No, I'm from it.

1212
01:09:24,240 --> 01:09:27,400
Speaker 22: I'm living in nearby city because it's very expensive.

1213
01:09:26,880 --> 01:09:27,280
Speaker 4: To live in.

1214
01:09:27,720 --> 01:09:29,920
Speaker 1: Okay, so not Vancouver, is what I'm hearing.

1215
01:09:30,200 --> 01:09:31,679
Speaker 3: Are you on top of Mount Whistler?

1216
01:09:32,960 --> 01:09:35,880
Speaker 4: I wish Surrey?

1217
01:09:36,200 --> 01:09:40,360
Speaker 1: Yes, Okay. I knew it first. As soon as she

1218
01:09:40,439 --> 01:09:42,760
Speaker 1: said that she was calling for Vancouver, I was like,

1219
01:09:42,800 --> 01:09:44,599
Speaker 1: I don't know. It sounds like a Surrey.

1220
01:09:44,760 --> 01:09:46,840
Speaker 3: I would know if you were in Vancouver. It sounds

1221
01:09:46,840 --> 01:09:48,160
Speaker 3: like one of these Surres.

1222
01:09:50,080 --> 01:09:50,280
Speaker 4: Yeah.

1223
01:09:50,320 --> 01:09:51,880
Speaker 22: I think you can hear it in my voice.

1224
01:09:51,920 --> 01:09:59,400
Speaker 3: Hey Surrey, Hey Surrey, Hey Surrey, that rain activated?

1225
01:09:59,479 --> 01:10:00,680
Speaker 1: Stop it? Stop it?

1226
01:10:01,240 --> 01:10:05,920
Speaker 3: Hey Suri, how do I make a spatcho? Okay, well

1227
01:10:06,360 --> 01:10:09,519
Speaker 3: this has been so good, Constanza. We do have to

1228
01:10:09,760 --> 01:10:11,840
Speaker 3: you are in the new the new new phase of

1229
01:10:11,840 --> 01:10:15,640
Speaker 3: callers who gets even less time than Mario Doria, and

1230
01:10:15,760 --> 01:10:17,799
Speaker 3: we do need to hear the sign off very quickly.

1231
01:10:19,040 --> 01:10:22,400
Speaker 22: Okay, I think I have it. I hug you and

1232
01:10:22,439 --> 01:10:26,000
Speaker 22: I'm in big hugs with you and I'm sorry. I

1233
01:10:26,120 --> 01:10:27,559
Speaker 22: love being here with you today.

1234
01:10:27,720 --> 01:10:32,439
Speaker 1: Wow, that was really good. That it was really perfect,

1235
01:10:32,520 --> 01:10:36,599
Speaker 1: very well executed. Thank you, thank you. This is this

1236
01:10:36,680 --> 01:10:41,440
Speaker 1: is worth so much more than than sixty six thousand dollars.

1237
01:10:41,920 --> 01:10:42,200
Speaker 7: I know.

1238
01:10:43,600 --> 01:10:46,120
Speaker 3: Connie actually should have gotten more time than a few

1239
01:10:46,160 --> 01:10:50,080
Speaker 3: of our other callers because she nailed the sign off. Yeah,

1240
01:10:50,120 --> 01:10:53,000
Speaker 3: and she lied about where she was, which to me

1241
01:10:53,240 --> 01:10:54,560
Speaker 3: is like so intriguing.

1242
01:10:58,520 --> 01:11:00,360
Speaker 1: And she asked that sticker question. I think a lot

1243
01:11:00,400 --> 01:11:02,720
Speaker 1: of people were wondering about. What you can do with

1244
01:11:02,760 --> 01:11:05,120
Speaker 1: the stickers is if your friend has a camelback, you

1245
01:11:05,160 --> 01:11:07,679
Speaker 1: can take the stickers and kind of create a mold

1246
01:11:07,920 --> 01:11:11,280
Speaker 1: in the shape of the camelback and sort of lightly

1247
01:11:11,360 --> 01:11:14,000
Speaker 1: hair dry them so just so you can like schlorp

1248
01:11:14,080 --> 01:11:18,120
Speaker 1: it off the candleback and now you basically have your

1249
01:11:18,160 --> 01:11:27,120
Speaker 1: own camelback. Yeah, who's next? Another Travis, Yet another Travis.

1250
01:11:27,640 --> 01:11:31,599
Speaker 1: Travis is all the way down. Hey everyone, Hey everyone,

1251
01:11:32,040 --> 01:11:38,559
Speaker 1: that's Matt Appadaca's phrase. As long as we're yeah, please, I.

1252
01:11:38,479 --> 01:11:40,160
Speaker 6: Do mean to jump in right off the det with

1253
01:11:40,240 --> 01:11:43,519
Speaker 6: more copyright infringement. So I would like to apologize to.

1254
01:11:43,520 --> 01:11:47,600
Speaker 1: Matt appadaka Bibe Devon calling location. You do sound a

1255
01:11:47,600 --> 01:11:47,960
Speaker 1: lot like you.

1256
01:11:48,640 --> 01:11:49,439
Speaker 3: Sound like Devon.

1257
01:11:50,000 --> 01:11:51,000
Speaker 1: He doesn't sound like me.

1258
01:11:55,439 --> 01:11:58,880
Speaker 23: This is Devon's tricky ass. Devin, how are you doing this?

1259
01:11:58,960 --> 01:12:00,559
Speaker 23: I can see you on the video. Did you pre

1260
01:12:00,640 --> 01:12:04,400
Speaker 23: record this? I know I'll say something you wouldn't expect

1261
01:12:04,439 --> 01:12:05,840
Speaker 23: and it'll throw your script off.

1262
01:12:09,640 --> 01:12:15,080
Speaker 3: Oh no, Uh, I'm so unpredictable. I could say anything

1263
01:12:15,120 --> 01:12:19,040
Speaker 3: at any time. That's why people listen to the show.

1264
01:12:20,280 --> 01:12:23,000
Speaker 3: I've painted myself in a corner with this wild persona

1265
01:12:23,920 --> 01:12:25,759
Speaker 3: smatching up perfectly with everything.

1266
01:12:26,680 --> 01:12:28,720
Speaker 6: I would like to take this moment to say that

1267
01:12:28,760 --> 01:12:32,599
Speaker 6: I've never thought about doing improv on a podcast before.

1268
01:12:32,640 --> 01:12:35,400
Speaker 6: And when you're in the moment, you get very scared.

1269
01:12:35,920 --> 01:12:40,000
Speaker 1: Well that's the whole lesson, isn't it. Don't think that's

1270
01:12:40,040 --> 01:12:43,440
Speaker 1: what don't think is.

1271
01:12:42,640 --> 01:12:47,040
Speaker 3: Twice was trying to teach us, Yes, this is your

1272
01:12:47,040 --> 01:12:48,240
Speaker 3: weekend live audition.

1273
01:12:49,760 --> 01:12:51,880
Speaker 11: Okay, the stakes just have gotten much higher.

1274
01:12:52,000 --> 01:12:57,640
Speaker 6: So I would like to apologize to Devin for, you know,

1275
01:12:57,960 --> 01:13:01,200
Speaker 6: I mean, not using his voice to the standards that

1276
01:13:01,240 --> 01:13:02,960
Speaker 6: would be expected on Hollywood handbook.

1277
01:13:04,160 --> 01:13:05,680
Speaker 1: I don't know what I'm doing either. I wouldn't worry

1278
01:13:05,680 --> 01:13:12,920
Speaker 1: about it and the modesty uncharacteristic travin, what are you

1279
01:13:12,920 --> 01:13:13,439
Speaker 1: snipping on?

1280
01:13:14,560 --> 01:13:21,599
Speaker 6: Yeah, I am sipping on a nice cold, foamy Kevin

1281
01:13:21,680 --> 01:13:24,760
Speaker 6: Crusher cold style ale with lemon. And that is my

1282
01:13:24,800 --> 01:13:26,879
Speaker 6: little shout out to Summon Brewing Company.

1283
01:13:27,760 --> 01:13:31,160
Speaker 1: Where where's that?

1284
01:13:31,160 --> 01:13:32,639
Speaker 12: That is in St?

1285
01:13:32,640 --> 01:13:33,720
Speaker 11: Paul, Minnesota?

1286
01:13:33,840 --> 01:13:39,480
Speaker 1: Oh, sum is that where you are? This is Devid

1287
01:13:40,200 --> 01:13:42,439
Speaker 1: is This might actually be me Yeah.

1288
01:13:42,280 --> 01:13:43,320
Speaker 3: Not being Devin.

1289
01:13:43,439 --> 01:13:47,479
Speaker 6: We have being embarrassed to be a vit to be

1290
01:13:47,520 --> 01:13:48,360
Speaker 6: in a podcast with.

1291
01:13:48,400 --> 01:13:54,120
Speaker 1: Not a that's a freaking doppel Devid. This is like

1292
01:13:54,160 --> 01:13:57,800
Speaker 1: the movie Enemy. This is like, oh yeah, or the

1293
01:13:57,880 --> 01:14:03,080
Speaker 1: lesser scene Joseph Gordon lev An movie The Double.

1294
01:14:04,560 --> 01:14:06,160
Speaker 3: Was it Jesse Eisenberg or no?

1295
01:14:06,320 --> 01:14:10,599
Speaker 1: It's just exactly that's good point.

1296
01:14:11,520 --> 01:14:13,880
Speaker 3: Okay, Well, we already have a Devin on the show,

1297
01:14:13,920 --> 01:14:16,960
Speaker 3: so unfortunately that is your time. You're stealing from the

1298
01:14:17,000 --> 01:14:18,360
Speaker 3: people who are not Devin.

1299
01:14:19,040 --> 01:14:19,400
Speaker 11: Uh.

1300
01:14:19,560 --> 01:14:22,640
Speaker 3: Please do say the sign off and don't give the

1301
01:14:22,840 --> 01:14:25,519
Speaker 3: sort of nastiness to it that I would expect from

1302
01:14:25,600 --> 01:14:27,120
Speaker 3: a freaking the Devin ganger.

1303
01:14:29,640 --> 01:14:31,320
Speaker 12: And you're gonna make this as nice as possible.

1304
01:14:32,320 --> 01:14:36,440
Speaker 6: I hug you, I am in hug with you. I

1305
01:14:36,439 --> 01:14:40,000
Speaker 6: am sorry. I enjoyed being here.

1306
01:14:41,000 --> 01:14:44,040
Speaker 3: Okay, no idea. How big the hugs was, but it's

1307
01:14:44,200 --> 01:14:46,599
Speaker 3: it doesn't matter at this point. Goodbye.

1308
01:14:47,120 --> 01:14:50,360
Speaker 1: Make it sound about how big the Devin dump yourself.

1309
01:14:53,000 --> 01:14:56,280
Speaker 1: I turned me off. I'm gone, okay, and I basically

1310
01:14:56,360 --> 01:14:57,080
Speaker 1: have to be done.

1311
01:14:57,080 --> 01:14:57,240
Speaker 11: Now.

1312
01:14:57,240 --> 01:14:58,240
Speaker 3: How many people do we have.

1313
01:14:58,280 --> 01:15:03,040
Speaker 1: Left in the queue? Oh? My god? More? We can

1314
01:15:03,080 --> 01:15:06,280
Speaker 1: turn them all on at once. Okay, let's get them

1315
01:15:06,320 --> 01:15:09,559
Speaker 1: all we'll roll through them. Let's do a party party here.

1316
01:15:10,200 --> 01:15:14,000
Speaker 1: You're on the party line. Ay, your parents don't know

1317
01:15:14,560 --> 01:15:18,519
Speaker 1: this is a mean? Hello, that was a mean? How

1318
01:15:18,520 --> 01:15:20,080
Speaker 1: do we know for sure that was a mean?

1319
01:15:20,280 --> 01:15:20,479
Speaker 11: Yeah?

1320
01:15:22,960 --> 01:15:24,320
Speaker 1: Okay, that sounds like a mean.

1321
01:15:24,520 --> 01:15:27,080
Speaker 3: Tell me something. Only a mean would say, Ah, yes,

1322
01:15:27,160 --> 01:15:32,479
Speaker 3: you can't. You're saying, uh, so can since we have

1323
01:15:32,640 --> 01:15:35,559
Speaker 3: six and the way you said hello gave me an idea,

1324
01:15:35,600 --> 01:15:36,760
Speaker 3: can we have everyone.

1325
01:15:36,439 --> 01:15:41,360
Speaker 1: Go hello, Hello, Hello, Hello? Yes, you announce them one

1326
01:15:41,400 --> 01:15:43,280
Speaker 1: at a time and they say no, it has to

1327
01:15:43,360 --> 01:15:45,639
Speaker 1: be better organized than that. Yeah. Please.

1328
01:15:45,920 --> 01:15:50,840
Speaker 8: Toby is also on the line. Now, Yeah, there's Toby.

1329
01:15:51,520 --> 01:15:57,680
Speaker 1: Sorry, hello? Okay, yes, good and here's Alex. Start from

1330
01:15:57,720 --> 01:15:58,560
Speaker 1: the beginning with the me.

1331
01:15:59,000 --> 01:15:59,080
Speaker 11: No.

1332
01:15:59,280 --> 01:16:00,960
Speaker 1: The effect is we have to get it all one.

1333
01:16:01,080 --> 01:16:03,759
Speaker 3: We want it to be layered. So somebody's gonna do hello,

1334
01:16:03,880 --> 01:16:05,640
Speaker 3: and as they sustained the note, then you say the

1335
01:16:05,680 --> 01:16:07,439
Speaker 3: next name, and then we'll get a new hello.

1336
01:16:07,920 --> 01:16:10,160
Speaker 8: Yes, got it, got it, got it, got it? Okay,

1337
01:16:10,240 --> 01:16:17,760
Speaker 8: So I mean, if you could begin, please Hello, Toby, Alex.

1338
01:16:20,640 --> 01:16:27,719
Speaker 1: Ryan Okay, great?

1339
01:16:27,960 --> 01:16:29,839
Speaker 3: All right? Well that four was awesome.

1340
01:16:30,760 --> 01:16:34,959
Speaker 1: Yeah, that was amazing. That was that freaking pitch perfect.

1341
01:16:35,920 --> 01:16:38,839
Speaker 3: I really felt like I was I was watching the pitches.

1342
01:16:41,280 --> 01:16:47,519
Speaker 8: Oh should we bring back everyone and do something together?

1343
01:16:48,000 --> 01:16:51,599
Speaker 1: Everyone who called previously, they're all right here. They all

1344
01:16:51,640 --> 01:16:54,080
Speaker 1: stayed on the line. They sure did.

1345
01:16:54,320 --> 01:16:56,400
Speaker 3: Well, these people haven't gotten there, dude, Does anyone have

1346
01:16:56,479 --> 01:17:00,200
Speaker 3: anything really interesting to say?

1347
01:17:00,680 --> 01:17:02,320
Speaker 1: Is anyone sipping on anything?

1348
01:17:02,400 --> 01:17:02,599
Speaker 15: Cool?

1349
01:17:02,640 --> 01:17:12,160
Speaker 1: Travis three? Yes, I have a ginger ale Wow, strong stuff.

1350
01:17:12,479 --> 01:17:13,880
Speaker 12: I would like strong.

1351
01:17:14,280 --> 01:17:16,880
Speaker 1: Wait, okay, you want to tell me what.

1352
01:17:18,000 --> 01:17:21,800
Speaker 10: There was a time the ad for quick toothbrushes. I

1353
01:17:21,880 --> 01:17:25,120
Speaker 10: was working at a house and I started laughing when

1354
01:17:25,200 --> 01:17:28,000
Speaker 10: you did the ads, and uh, the person I was

1355
01:17:28,040 --> 01:17:30,519
Speaker 10: working for asked me what I was laughing at. So

1356
01:17:30,560 --> 01:17:32,920
Speaker 10: I had to explain it, and that dude was an

1357
01:17:32,960 --> 01:17:36,800
Speaker 10: airline pilot and he has not been comfortable leaving his

1358
01:17:36,880 --> 01:17:40,200
Speaker 10: stuff at an airport or at a hotel since then.

1359
01:17:40,439 --> 01:17:43,599
Speaker 3: Okay, so thank you? Okay, what was the question from

1360
01:17:43,720 --> 01:17:44,559
Speaker 3: Alex Maybe?

1361
01:17:44,640 --> 01:17:44,880
Speaker 11: Wait?

1362
01:17:44,880 --> 01:17:45,320
Speaker 1: Who was that?

1363
01:17:45,439 --> 01:17:45,600
Speaker 11: Was that?

1364
01:17:45,680 --> 01:17:45,960
Speaker 1: Ian?

1365
01:17:47,040 --> 01:17:47,200
Speaker 11: Yeah?

1366
01:17:48,040 --> 01:17:50,000
Speaker 3: Yeah, I thought so, thank you Ian.

1367
01:17:51,080 --> 01:17:56,240
Speaker 21: My question was who won the Rory Scovil season of

1368
01:17:56,280 --> 01:18:01,320
Speaker 21: The Bachelor? Or was production halted due to coronavirus?

1369
01:18:01,360 --> 01:18:05,639
Speaker 3: Really interesting? So we did find ways to do socially

1370
01:18:05,680 --> 01:18:10,360
Speaker 3: distant dates. We weren't able to film them, but a

1371
01:18:10,400 --> 01:18:20,720
Speaker 3: transcript of the entire season will be released, and the

1372
01:18:20,960 --> 01:18:25,519
Speaker 3: romance in text is unbelievable. It's honestly the most dramatic

1373
01:18:25,560 --> 01:18:33,120
Speaker 3: finale ever. Rory does end up staying with his wife,

1374
01:18:34,600 --> 01:18:36,799
Speaker 3: who is on all the dates with him, if you recall.

1375
01:18:39,520 --> 01:18:41,920
Speaker 3: But it still is like, it's really good, and I

1376
01:18:41,920 --> 01:18:46,000
Speaker 3: think who won or probably the audience, and that probably did.

1377
01:18:46,040 --> 01:18:52,640
Speaker 1: The audience did did with Rory.

1378
01:18:52,720 --> 01:18:55,200
Speaker 3: Mary's the audience, the whole audience.

1379
01:18:55,439 --> 01:18:56,880
Speaker 21: Thank you so much. I've been waiting.

1380
01:18:57,040 --> 01:18:59,839
Speaker 1: He turns the camera and he says, I'd like to propose,

1381
01:19:00,120 --> 01:19:02,360
Speaker 1: and he turns the Cameron says the girl watching this.

1382
01:19:03,800 --> 01:19:09,720
Speaker 3: And then he goes, not you you He goes, yes you, No,

1383
01:19:09,920 --> 01:19:13,559
Speaker 3: not her, don't. Why are you looking at Why are

1384
01:19:13,560 --> 01:19:19,320
Speaker 3: you looking at her? Looked at me, I'm talking to you.

1385
01:19:19,360 --> 01:19:20,200
Speaker 1: Who else is here?

1386
01:19:21,800 --> 01:19:21,960
Speaker 18: Else?

1387
01:19:22,000 --> 01:19:24,120
Speaker 1: I have Ryan and Paul.

1388
01:19:24,040 --> 01:19:30,760
Speaker 3: Paul Ryan, Hello, dude, what's your fitness rotee?

1389
01:19:33,160 --> 01:19:35,960
Speaker 11: I just love pump and iron, you know, I'll tell

1390
01:19:36,000 --> 01:19:39,120
Speaker 11: you what, man, you don't know, like like the golf iron.

1391
01:19:39,840 --> 01:19:40,960
Speaker 1: What are you sipping on?

1392
01:19:42,640 --> 01:19:45,640
Speaker 10: I'm sipping on water and I'm calling from Indianapolis.

1393
01:19:45,640 --> 01:19:47,360
Speaker 3: We've got a hydrated group today.

1394
01:19:47,479 --> 01:19:53,360
Speaker 1: We sure do. For real, we sure do Indianapolis. You

1395
01:19:53,360 --> 01:19:57,439
Speaker 1: ever you ever see uh any of those those cutters

1396
01:19:57,479 --> 01:20:00,559
Speaker 1: around Indiana University?

1397
01:20:01,760 --> 01:20:06,559
Speaker 11: Uh? In the university is all the way down in Bloomington, all.

1398
01:20:06,360 --> 01:20:08,840
Speaker 1: The way down like it's like the biggest state ever.

1399
01:20:09,000 --> 01:20:10,040
Speaker 1: It's not that big.

1400
01:20:10,080 --> 01:20:11,479
Speaker 3: It's a lot closer to you than.

1401
01:20:11,360 --> 01:20:11,840
Speaker 1: Me, buddy.

1402
01:20:11,920 --> 01:20:14,040
Speaker 15: It's an hour and a half, so all.

1403
01:20:13,960 --> 01:20:16,240
Speaker 1: The way down, Oh my god, an hour and a half.

1404
01:20:16,840 --> 01:20:21,120
Speaker 3: Yeah, what are we possibly gonna do? Listen to freaking

1405
01:20:21,320 --> 01:20:31,080
Speaker 3: one comedy bang bang, fuck off?

1406
01:20:32,400 --> 01:20:33,679
Speaker 1: You obviously breaking away?

1407
01:20:34,720 --> 01:20:38,640
Speaker 11: I have, Yes, your rocks pretty pretty wild.

1408
01:20:38,880 --> 01:20:41,720
Speaker 1: Some pretty wild stuff in there for sure. Should we

1409
01:20:41,760 --> 01:20:43,960
Speaker 1: have Catherine say what season one of Damages was?

1410
01:20:44,000 --> 01:20:44,080
Speaker 11: Like?

1411
01:20:45,880 --> 01:20:50,559
Speaker 1: Please? She can tell she can have an audience here?

1412
01:20:51,840 --> 01:20:56,320
Speaker 18: Hello, Hello, I'm sorry you're interrupting me while I'm watching

1413
01:20:56,400 --> 01:20:57,320
Speaker 18: season one of Damages.

1414
01:20:57,360 --> 01:21:00,400
Speaker 1: Okay, you just summarize what you've learned from season one

1415
01:21:00,400 --> 01:21:02,479
Speaker 1: of Damaged so far, and then we'll be then we'll

1416
01:21:02,479 --> 01:21:02,840
Speaker 1: be out.

1417
01:21:04,400 --> 01:21:07,080
Speaker 18: Okay, what I have learned since season one of Damages

1418
01:21:07,200 --> 01:21:13,280
Speaker 18: so far as there's someone named Patty. It's a drama.

1419
01:21:13,400 --> 01:21:18,800
Speaker 18: There's legal stuff involved, and it's just whacking my brain out.

1420
01:21:18,840 --> 01:21:19,040
Speaker 16: Man.

1421
01:21:19,680 --> 01:21:23,000
Speaker 1: Yeah. It takes a little time to really to kind

1422
01:21:23,000 --> 01:21:25,880
Speaker 1: of process it. It's a lot to ask that we

1423
01:21:27,960 --> 01:21:31,719
Speaker 1: take to understand what's going on with Patty.

1424
01:21:31,880 --> 01:21:35,040
Speaker 3: So we'll do this again next week. Now I have

1425
01:21:35,120 --> 01:21:37,120
Speaker 3: to take off. Do we have everyone on?

1426
01:21:37,280 --> 01:21:42,560
Speaker 1: Now? Everyone is on the line right now. Bye, Okay,

1427
01:21:43,000 --> 01:21:45,679
Speaker 1: thank you so much for everyone. Everyone say the sign

1428
01:21:45,720 --> 01:21:48,400
Speaker 1: off at the same time and we'll do it too.

1429
01:21:48,680 --> 01:21:50,360
Speaker 11: Oh ship.

1430
01:21:51,040 --> 01:21:56,559
Speaker 1: The sign off actually doesn't have the word in it.

1431
01:21:58,960 --> 01:22:01,880
Speaker 1: I you, So someone's going to count it off.

1432
01:22:02,439 --> 01:22:07,240
Speaker 4: One, one, two, three.

1433
01:22:08,360 --> 01:22:15,559
Speaker 1: I hug you, and I'm with you, and I'm sorry,

1434
01:22:15,680 --> 01:22:21,120
Speaker 1: I'm sorry, and I love and I lom with you.

1435
01:22:21,120 --> 01:22:23,439
Speaker 15: You here here today to do.

1436
01:22:25,080 --> 01:22:25,320
Speaker 11: Here?

1437
01:22:25,520 --> 01:22:34,440
Speaker 1: Now say now, say bye bye, Hollywood.

1438
01:22:34,479 --> 01:22:34,639
Speaker 11: Ham