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Speaker 1: I leave in I you wanna way back home? Either way,

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Speaker 1: we want to be there, doesn't matter how much baggage

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Speaker 1: you claim and.

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Speaker 2: Give us time and a terminol and gay aid.

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Speaker 1: We want to send you off insta.

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Speaker 2: We wanna welcome you back home.

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Speaker 1: Tell us all about it. Re scared her? Was it fine? Malborn?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need to ride? Do your need to ride? Ride?

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Speaker 3: Do you need with Karen and Chris welcome to Do

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Speaker 3: you need a ride? This is Chris Fairbanks.

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Speaker 1: And this is Karen Kilgareth.

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Speaker 3: We're in a car right now.

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Speaker 1: It's happening. Guys.

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Speaker 3: I've been so excited and it's so far lived up

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Speaker 3: to the hype.

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Speaker 2: I've been excited, but I'm the one that always has

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Speaker 2: to warn and be like careful and be like the

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Speaker 2: one that's like, we can't do it now because of

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Speaker 2: this and that. But that has nothing to do with

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Speaker 2: the level of wanting to be in the car.

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Speaker 3: I'm happy to hear you say that, because I wasn't

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Speaker 3: sure if you wanted.

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Speaker 2: I wanted and have since COVID began, since the first

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Speaker 2: cough of covid uh splattered all over California. I was like,

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Speaker 2: get us back in that car. That's where our personal

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Speaker 2: brand of comedy magic happens.

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Speaker 1: And we're back.

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Speaker 3: I'm so much less liable to repeat myself because when

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Speaker 3: I see it coming, when I start thinking about my cat,

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Speaker 3: that's right, when a biker will cut in front of.

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Speaker 1: Us, I'll slap my hand against your.

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Speaker 3: Chest out of safety.

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Speaker 1: Safety is not repeating yourself.

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Speaker 3: It's so weird. You don't realize you miss things until

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Speaker 3: they're gone. And you treating me like a book bad

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Speaker 3: the book bag that might spill everywhere is such a

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Speaker 3: heartwarming since the first time you did it, I mean.

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Speaker 1: How long have we been doing this, bug jaut? Do

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Speaker 1: you have the night?

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Speaker 3: I'm just going to start saying a decade?

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Speaker 1: Yeah, no, eight years, eight or nine.

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Speaker 3: It might be a decade.

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Speaker 1: It might be because it's been a while. And this

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Speaker 1: is the very road we first started, is it Ventura,

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Speaker 1: We were coming the other way.

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Speaker 3: I was traumatized because of a story that I'm not

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Speaker 3: gonna tell again, a bit of a car happening and

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Speaker 3: we were in the same model. Yeah, the memories they're

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Speaker 3: coming back. The Honda fit days yes, and and here

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Speaker 3: we aren't a much safer vehicle. And it's so quiet,

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Speaker 3: it's studio quiet. It's in here.

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Speaker 2: I said, when I was car shopping on the Auto.

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Speaker 3: Wall studio on wheels, I said, I.

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Speaker 2: Need a sound per vehicle. Can I have this same

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Speaker 2: car that? I can't think of anything that records in

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Speaker 2: a car besides us.

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Speaker 3: And yes, and that's.

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Speaker 1: And John Daily and John Tall John's podcasts.

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Speaker 3: There are many, now, yes, are there? It seems like, well,

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Speaker 3: there's the famous Seinfeld one, but he's in like old

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Speaker 3: you know, steam powered engine cars and everything you know

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Speaker 3: from the sixties. There's no way that's gotta be like,

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Speaker 3: that's got to be like. That's one thing we have

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Speaker 3: on that possibly more famous recording is quality.

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Speaker 2: Yes, and thanks to Onalise for providing that quality of

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Speaker 2: sound on.

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Speaker 3: Aalise in the back seat.

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Speaker 1: I'm so happy to be here.

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Speaker 3: Thank you for being had.

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Speaker 1: Listen. That sounded very facetious. I'm sorry. This truly is

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Speaker 1: a dream come true. But that also sounds fastious.

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Speaker 2: It's hard not to sound facetious when we talk these days.

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Speaker 3: Yeah. Yeah, anytime I say something genuine, it will be

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Speaker 3: easily confused for sarcasm. But I'm very happy.

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Speaker 1: We're doing this me too. And also, you know, I

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Speaker 1: was on vacation for basically a.

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Speaker 2: Month last month, and so I haven't been in Los Angeles,

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Speaker 2: and I think you understand that feeling of when you

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Speaker 2: leave LA, you don't appreciate LA when you're here. LA

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Speaker 2: when you're here, not you personally, everybody kind of hates

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Speaker 2: it all the time. Yeah, you go away and you

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Speaker 2: go to other places, and then you come back and

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Speaker 2: you're like, no, I like it here.

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Speaker 3: Yeah. Yeah, I mean you were in Italy. I was

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Speaker 3: in Italy, which is much more It's a.

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Speaker 1: Lot better than LA.

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Speaker 3: Yeah, hands down. Yeah, I was in New York. But

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Speaker 3: the same thing I do appreciate here. I do like

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Speaker 3: being able to just get in a car and not

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Speaker 3: on a metro train. I appreciate it.

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Speaker 2: Yeah, we I mean, there's just there's positives. Here's the

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Speaker 2: thing I'll tell you about Italy that was one of

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Speaker 2: the funniest, slash death defying, scariest things when we were

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Speaker 2: in cars. Italian drivers treat the road like it's a

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Speaker 2: one way street going their way until a car comes,

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Speaker 2: and then they just move over about three quarters of

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Speaker 2: an inch and it is truly one of the garious,

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Speaker 2: most insane things I've ever seen.

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Speaker 1: They never crash. They tailgate each other like on the highway,

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Speaker 1: right up against each other's bumpers, and that's just how it's.

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Speaker 2: They're very aggressive drivers and they're also very they get

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Speaker 2: they know how much space is on the outside of

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Speaker 2: their car, and they don't. The roads aren't wide enough

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Speaker 2: to move over any.

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Speaker 3: Further and right, they're all narrow. Right, that's a European there,

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Speaker 3: I mean, that was my experience in Spain and in England, yes.

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Speaker 2: Because it's all kind of old, and you know, they're

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Speaker 2: basically based on what the Roman soldiers built when they

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Speaker 2: were coming through, unlike La where it's all it was

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Speaker 2: all built about two months ago.

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Speaker 3: Yeah, yeah, this road is about two months old. It's

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Speaker 3: a very young road.

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Speaker 1: It's young and it's wide, and I appreciate the space

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Speaker 1: we have here in California. Anyway, it was just kind

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Speaker 1: of funny.

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Speaker 2: There was a couple of times where we truly thought

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Speaker 2: we were gonna die, but our drivers were so they

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Speaker 2: handled shits so well. They there was one guy that

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Speaker 2: he was driving through the mountains, uh like truly very

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Speaker 2: steep mountainous roads and he was. It was a stick

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Speaker 2: shift van and he was texting, so he was shifting

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Speaker 2: with his left hand. He'd reach over and shift while

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Speaker 2: he was texting with his right hand.

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Speaker 3: You know, I appreciate multitasking.

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Speaker 2: I mean, he could really do it. He was a

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Speaker 2: real argument for men multitasking.

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Speaker 3: I'm just not I don't think I'll ever be there.

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Speaker 3: I have to limit my expectations of myself because I'm

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Speaker 3: a full grown adult. I don't know that I'll ever

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Speaker 3: get better at juggling different things while driving.

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Speaker 1: Yeah. No, don't do any of that. Don't just focus,

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Speaker 1: just focus.

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Speaker 3: Yeah, well, there must be a reason that all those

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Speaker 3: race car drivers are from Italy. Yeah, they're all adept.

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Speaker 3: That's a blanket statement. I'm sorry. I think it's a

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Speaker 3: driver from Italy and it's like, what about me? Me out?

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Speaker 2: Oh yeah, but you know what, those people aren't stepping

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Speaker 2: forward because they'd never admit it, because they're a prideful people.

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Speaker 2: It's one of the many things I loved about them.

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Speaker 2: It's such a wonderful country.

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Speaker 3: What about the food. Did you enjoy the food?

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Speaker 1: You know, I didn't love the food. No, just kidding,

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Speaker 1: it was unbelievable.

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Speaker 3: Well, I heard that when you go get into like

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Speaker 3: an Italian sausage, it's very related to a hot dog.

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Speaker 3: Is that true?

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Speaker 1: Well, no, I don't think so.

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Speaker 3: There's been americanized and what we know.

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Speaker 2: Okay, No, you were talking to someone who went to

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Speaker 2: a baseball game stoned.

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Speaker 1: I think right, and they thought they were they had.

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Speaker 3: Misconstructions with Italian friend.

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Speaker 2: Yes, they didn't go to Italy. They just hung out

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Speaker 2: with a guy from Brooklyn, probably.

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Speaker 3: Well in Italy. What was the what was the thing

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Speaker 3: that stands out the most?

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Speaker 2: Well, I was it was a thing that I was

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Speaker 2: very surprised happened because I'm just not this person, never

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Speaker 2: have been. I got completely hit on in the street

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Speaker 2: in a way that I couldn't stop laughing because I

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Speaker 2: was like, I don't know the lines for this part.

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Speaker 1: I'm never this person. And there it was like this

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Speaker 1: guy came out.

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Speaker 2: Of nowhere and basically told me he wanted to get

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Speaker 2: to know me. And it was one and he was

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Speaker 2: beautiful and Italian. He looked like a soccer player and

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Speaker 2: it was so to know you. I know, but I

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Speaker 2: first of all didn't speak Italian, he didn't really speak English.

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Speaker 2: He knew these phrases like I just want to know

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Speaker 2: you and how long are you here? And I couldn't

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Speaker 2: stop laughing because I was just like, I just didn't

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Speaker 2: I couldn't believe it was happening.

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Speaker 3: Yeah, that's cartoon initially, what you've see in movies or

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Speaker 3: TikTok videos exactly, you will be swept off your feet

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Speaker 3: by someone on the street.

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Speaker 2: Yes, And I was kind of like, I just wasn't prepared.

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Speaker 2: If I could do it again, I would do it

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Speaker 2: very differently. But it was also just funny because it

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Speaker 2: was he was very like, you can tell it's something

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Speaker 2: he does a lot. It's like he's probably working that

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Speaker 2: part of the street that's not where it really is.

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Speaker 3: Someone's eventually going to say yes.

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Speaker 1: Right, which I respect in a way.

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Speaker 2: But yeah, I was kind of thinking I would be

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Speaker 2: seeing it happen too, because there's a million Americans there.

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Speaker 2: There's lots of like groups of young women with their

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Speaker 2: friends having the time of their life. And so I

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Speaker 2: was like, yeah, sure, that's great, this is I would

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Speaker 2: love to witness it. And then I got some up

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Speaker 2: close and it was a real you know, I got

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Speaker 2: my groove back. It was a real huge compliment and

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Speaker 2: you kind of can't pay for an experience like that,

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Speaker 2: or you can, but I wouldn't.

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Speaker 3: Is that just something that very rarely happens here? Because

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Speaker 3: when I was in New York, that's my only comparison

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Speaker 3: my European trip to New York. I found that I

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Speaker 3: was having a lot of open, friendly interactions in a

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Speaker 3: place where you know, historically you're supposed to like, hey,

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Speaker 3: fuck you, fuck nuts stuff like that. And I made

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Speaker 3: friends everywhere I went. Yeah, I'm like, is it me?

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Speaker 3: Am I acting different? And I'm more approachable here, I

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Speaker 3: feel like and not the way we just said, we

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Speaker 3: love it where we live, but I do feel like

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Speaker 3: you're this is the place where you're least liable to

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Speaker 3: get approached.

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Speaker 2: Yes, in the street, I think this, Yes, there's no

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Speaker 2: love in the streets here. I think this is a

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Speaker 2: tough town to be open in or have like a

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Speaker 2: big smile on your.

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Speaker 3: Face in right right big eye contact.

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Speaker 1: Yeah. But you know, it's funny.

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Speaker 2: I've always found New York to be like that, where

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Speaker 2: people I think because people are smashed together, they get

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Speaker 2: along better. And it's like here people think they're supposed

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Speaker 2: to act stuck up, so they do.

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Speaker 1: Whereas New York. It's like people will start asking. They'll

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Speaker 1: be like, hey, should I buy this for my girlfriend.

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Speaker 2: In like the aisle at CVS, And then you get

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Speaker 2: into a conversation.

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Speaker 3: I love it. I love it too, And I think here,

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Speaker 3: especially in recent years, I've gotten so used to not

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Speaker 3: interacting that it would just felt great. I love's I'm

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Speaker 3: going to change this city. You start talking to people. Yeah,

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Speaker 3: that's my New Year's resolution. Starting now.

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Speaker 1: It's hot girl summer for you and I. Yeah, we're

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Speaker 1: gonna we're gonna bring that open energy to one of

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Speaker 1: the more closed areas of the nation. Clothed.

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Speaker 3: Yes, I'm not doing this at the beach.

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Speaker 1: That's the hardest time to really be open and vulnerable.

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Speaker 3: Yeah, but I'll start by doing it indoors. But eventually

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Speaker 3: I'm gonna take this openness to the streets. You should

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Speaker 3: and and that's what I'll think about taking some clothes off.

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Speaker 1: Yeah, because you paste that out.

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Speaker 3: Don't do it all at once. No, No, you can't just

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Speaker 3: start talking to people and get naked in the same day.

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Speaker 1: They can't process all of the you need to go

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Speaker 1: in levels and stuffs. Yeah. Yeah, but also, hey, Fiat,

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Speaker 1: get the fuck over and go.

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Speaker 3: Well, there's a car in front of them.

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Speaker 1: Thank you.

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Speaker 3: Also, why are you so small? Now? I get mad?

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Speaker 3: Fiats have to be that small?

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Speaker 1: Sir?

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Speaker 2: Oh there's a car in front of him. I thought

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Speaker 2: you meant a car coming toward it.

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Speaker 3: Oh you didn't see it was totally totally locked. Yeah,

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Speaker 3: they are of the same shape. But now that they're

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Speaker 3: next to each other, isn't it funny because the other

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Speaker 3: car is much larger, So much larger. That's perspective for

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Speaker 3: you guys.

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Speaker 2: This is a perspective that podcast listeners cannot have or appreciate.

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Speaker 3: I do think they appreciate it, our listeners. Okay, yeah,

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Speaker 3: I used to worry about it. And then I've been

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Speaker 3: told that specifically people like when we're talking about things

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Speaker 3: happening in the street that they can't see. It's like

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Speaker 3: a radio show. And well we're doing, uh, you know,

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Speaker 3: fully work. I have shoes on my hands and I'm

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Speaker 3: crunching on gravel. Hey, mug, and then I punched some meat.

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Speaker 3: I've always you know, like shoes. I just my point is,

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Speaker 3: when are we going to go the new R route

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Speaker 3: with this uh new R? Yeah? Film noir? Noir? Am

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Speaker 3: I pronouncing that wrong a.

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Speaker 2: Little bit at the first all but you you came

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Speaker 2: around the second time, and then I understood what you meant.

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Speaker 3: Now the fashion brand is it douau No dooya dooya?

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Speaker 1: It's doya doya. Who are you wearing tonight?

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Speaker 3: Doya no doya.

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Speaker 2: See, I've made the classic la error, as if I

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Speaker 2: haven't lived here for thirty nine fucking years, getting in

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Speaker 2: the left lane when you're going down Franklin under the

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Speaker 2: overpass by the extra space uh RET storage facility. You

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Speaker 2: do not want to be in this left lane. You

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Speaker 2: get stuck here because there's left turn people. I mean

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Speaker 2: it up and here comes a school bus.

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Speaker 3: You're also podcasting. If I was driving right now, and

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Speaker 3: I'm not trying to put this in a position where

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Speaker 3: you will always be the driver, I promise I will

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Speaker 3: give it a go.

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Speaker 1: I will always be the driver.

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Speaker 3: I thank you God. I don't want to drive, please.

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Speaker 3: I would be on the curve. I would be disrupting

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Speaker 3: that man's abode. There's a man's abode.

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Speaker 1: There is an abode. We don't know if it's a

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Speaker 1: man or a woman.

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Speaker 3: Yeah, you know what. It's put together so haphazardly. I

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Speaker 3: think it reminds me of my dad and I building

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Speaker 3: a deck in under eight hours.

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Speaker 1: Don't rush a deck.

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Speaker 3: No, you can't. People stand on that for so long.

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Speaker 3: Yeah after Yeah, if it's a good barbecue, they'll stay.

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Speaker 2: Here's what I was going to say about our hot

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Speaker 2: girl summer, that we're both agreeing to participate in.

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Speaker 3: This summer tanning. I'm going to be tanning.

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Speaker 1: Oh but we're gonna get We're gonna get lip injections,

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Speaker 1: We're gonna wear tube tops, We're gonna go to every

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Speaker 1: party we get invited to.

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Speaker 3: I am definitely doing that.

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Speaker 2: Okay, well I'm gonna do it too, so don't leave

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Speaker 2: me out. But here's a vibe that I picked up

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Speaker 2: on in Italy that when people are and I it

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Speaker 2: was the men, but when they are being appreciative of

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Speaker 2: women in the street, the underlying energy of it was

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Speaker 2: very loving and respectful.

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Speaker 1: It wasn't creepy.

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Speaker 3: Ever.

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Speaker 2: Now maybe that's because a lot of them are wildly

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Speaker 2: beautiful to a degree that doesn't make sense.

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Speaker 3: That's kind of the deciding factor.

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Speaker 2: But you have definitely met and interacted with hot people

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Speaker 2: with terrible vibes that you're like, this person is dangerous. Yeah,

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Speaker 2: so it's possible, but over there it felt like they

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Speaker 2: were like everything was.

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Speaker 1: Kind of like, oh, look at you, ladies. It was

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Speaker 1: that kind of thing where you don't normally hear.

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Speaker 2: If someone was like saying something about my parents, I'd

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Speaker 2: be like, how about you don't talk about my parents

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Speaker 2: and instead.

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Speaker 1: You respect my mind or some shit.

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Speaker 3: Yeah. I never said that in my life, But do

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Speaker 3: you do you think that was the trick of the

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Speaker 3: the accent. Yes, I think if if tone in the

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Speaker 3: right tone in Italian, I would appreciate anything anyone says.

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Speaker 1: Because it has a little bit of a sing song.

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Speaker 2: They literally do have an put an a at the

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Speaker 2: end of every word, because that's kind of more like

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Speaker 2: their language, you know.

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Speaker 1: So it's like, uh, would you like a menua?

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Speaker 3: Really?

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Speaker 1: Uh huh? Not that bad, but no good. A general

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Speaker 1: vibe of driving.

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Speaker 3: Now pass what used to be the one on one diner,

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Speaker 3: some of our some of our early tune of melts, Yes,

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Speaker 3: the earlier melts that we shared.

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Speaker 1: And now have you been to the Clark Street Diner.

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Speaker 1: It's awesome, I have it. The food is really fucking good.

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Speaker 1: It was amazing.

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Speaker 3: Well, the early meetings you had with Georgia, was there

340
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Speaker 3: that's right. I mean so much history.

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Speaker 1: A true.

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Speaker 2: They used to have a comedy show there before it

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Speaker 2: was even Redone, back when it was still kind of shitty,

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Speaker 2: and there was weird curtains and stuff in there that

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Speaker 2: we all would do.

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Speaker 3: I don't know if you lived in it, No, I didn't.

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00:18:18,880 --> 00:18:22,159
Speaker 3: I only remember visiting and doing laundromats with you, a

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Speaker 3: series of landermats, a tradition that I'm glad has disappeared.

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Speaker 2: That was the laundrymat show was so hard and so funny,

350
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Speaker 2: like no one did well. Everyone just would get up

351
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Speaker 2: and eat it while other people tried to ignore them

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Speaker 2: while they did their laundry.

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Speaker 3: I had decided to move here and was just visiting,

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Speaker 3: and I felt like I was making a huge mistake.

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Speaker 3: But yeah, I was also doing that show with you

356
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Speaker 3: and CJ. Arabia, and I was nervous. I was. I

357
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Speaker 3: was nervous for ten years here every time I got

358
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Speaker 3: on stage. Now I'm nervous again because I've stopped drinking

359
00:19:02,800 --> 00:19:05,920
Speaker 3: before every show. How's that going. It's been going great.

360
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Speaker 3: Have been wanting to talk to you about it because

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Speaker 3: I didn't go through any sort of program. I just

362
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Speaker 3: kind of stopped and my brain works better, I think,

363
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Speaker 3: except that I find that during this recording so far

364
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Speaker 3: I have had to search for words. So I'm in

365
00:19:23,119 --> 00:19:27,560
Speaker 3: a little bit of a lull. I feel bored lately.

366
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Speaker 3: It used to be a reason to do things. Yeah,

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Speaker 3: but I can tell that my productivity will be up

368
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Speaker 3: and I feel better about myself. And I'm not getting angry.

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Speaker 3: I'm not getting depressed all those emotions that are depressant

370
00:19:43,280 --> 00:19:44,760
Speaker 3: surging through your blood. Yeah.

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Speaker 1: And when you're on stage, do you lose words or no?

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Speaker 3: No, I don't. I feel like I remember all my jokes.

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Speaker 3: But I yes, I am nervous. I have that new

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Speaker 3: feeling or that old feeling of being nervous every time

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Speaker 3: I get on stage. But it's a good good it's

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00:20:02,040 --> 00:20:04,919
Speaker 3: a good yeah. That's energy, right, Yeah, it's energy.

377
00:20:05,000 --> 00:20:07,800
Speaker 1: That's like actually being in your own body.

378
00:20:08,400 --> 00:20:10,719
Speaker 3: And there was a number of times we recorded this

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Speaker 3: podcast and I would because I was nervous, I would

380
00:20:13,760 --> 00:20:15,840
Speaker 3: have a drink or two. I'm gonna admit that, and

381
00:20:16,080 --> 00:20:18,320
Speaker 3: we're just talking white Claws or something. I wouldn't get

382
00:20:18,320 --> 00:20:22,080
Speaker 3: hammered like the NASA episode. But that in my evac

383
00:20:22,119 --> 00:20:25,359
Speaker 3: I was at a party and I suppose I knew

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Speaker 3: we were podcasting that day, but it didn't stop me.

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Speaker 1: Tip having which did you say the NASA episode.

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Speaker 3: We drove and people will remember in the mountains and

387
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Speaker 3: just ended up at a nursing.

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Speaker 1: Yeah, that's right. Yeah, yes, I picked you up from

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Speaker 1: Al Madrigal's party.

390
00:20:40,800 --> 00:20:45,320
Speaker 3: That's right. Yes. And then we both auditioned to be astronauts. Auditioned,

391
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Speaker 3: We sang and danced about the moon.

392
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Speaker 1: Do you want us here? We'd be really good on

393
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Speaker 1: your moon.

394
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Speaker 3: I'll do anything that doesn't involved math.

395
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Speaker 1: Oh. Look, wait, this roundabout is news.

396
00:21:04,119 --> 00:21:07,399
Speaker 3: We're discovering new things about the town. You know what

397
00:21:07,440 --> 00:21:12,000
Speaker 3: this means? Eighty percent more accidents but zero fatalities. That's

398
00:21:12,080 --> 00:21:13,280
Speaker 3: the story of the roundabout.

399
00:21:13,480 --> 00:21:14,000
Speaker 1: Is that true?

400
00:21:14,240 --> 00:21:20,040
Speaker 3: That's in a roundabout. Sorry, I'm sorry.

401
00:21:20,240 --> 00:21:21,560
Speaker 1: It was a beautiful set up.

402
00:21:22,200 --> 00:21:23,159
Speaker 3: Thank you, thank you.

403
00:21:23,200 --> 00:21:24,439
Speaker 1: Well, you're welcome from me.

404
00:21:25,359 --> 00:21:28,200
Speaker 3: Thank you. I actually thought it would get quite the ground.

405
00:21:29,480 --> 00:21:31,800
Speaker 1: I hear I've made a large error on my first

406
00:21:31,880 --> 00:21:34,280
Speaker 1: in car episode. Oh, I do not think we're in

407
00:21:34,280 --> 00:21:34,879
Speaker 1: the right place.

408
00:21:34,920 --> 00:21:39,840
Speaker 3: Oh I think we are. I think yeah, wait a minute,

409
00:21:40,400 --> 00:21:43,840
Speaker 3: you perhaps are correct.

410
00:21:44,040 --> 00:21:46,840
Speaker 2: You know what I'm doing. I'm going to Laura Milligan's

411
00:21:46,840 --> 00:21:50,919
Speaker 2: old house. Do you know Laura Milligan? She might be

412
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Speaker 2: a pre moving hair person.

413
00:21:53,080 --> 00:21:55,560
Speaker 3: Should we just break the news to Margaret and pick.

414
00:21:55,400 --> 00:21:57,600
Speaker 1: Up she doesn't live here anymore?

415
00:21:57,720 --> 00:22:01,159
Speaker 3: Oh no, she should be the news to each of

416
00:22:01,240 --> 00:22:06,880
Speaker 3: them and just pick up whoever lives here. Hello, Oh

417
00:22:07,160 --> 00:22:07,720
Speaker 3: oh god.

418
00:22:07,800 --> 00:22:10,400
Speaker 1: So I'll just jump on the freeway.

419
00:22:11,119 --> 00:22:14,600
Speaker 3: Missed this chaos. We went the wrong way and it

420
00:22:14,640 --> 00:22:15,320
Speaker 3: feels great.

421
00:22:15,560 --> 00:22:19,200
Speaker 1: But on a last we're still recording, right. Oh yeah, Golden,

422
00:22:19,280 --> 00:22:20,560
Speaker 1: that's all we care about.

423
00:22:21,520 --> 00:22:25,480
Speaker 3: Nice Okay, I stopped for nothing and then we run

424
00:22:25,520 --> 00:22:33,840
Speaker 3: over someone, So we bringing us back to this pre

425
00:22:34,040 --> 00:22:37,600
Speaker 3: mentioned I mean, and it's true, they really there's no

426
00:22:37,760 --> 00:22:41,040
Speaker 3: fatalities here, but of course people panic and they just

427
00:22:41,160 --> 00:22:44,560
Speaker 3: run into each other. Yeah, but but are you making

428
00:22:44,560 --> 00:22:48,760
Speaker 3: that up or no? No? Eight more accidents?

429
00:22:49,640 --> 00:22:50,960
Speaker 1: Where are you getting this down?

430
00:22:51,080 --> 00:22:55,200
Speaker 3: Venders? From the roundabouts of my hometown of Miszoula, there

431
00:22:55,280 --> 00:22:58,680
Speaker 3: was a corner where many people were hit on bicycles

432
00:22:58,680 --> 00:23:03,879
Speaker 3: if they had started to be called the malfunction junction,

433
00:23:04,760 --> 00:23:10,080
Speaker 3: and uh, I got them quick and the the the

434
00:23:10,119 --> 00:23:12,240
Speaker 3: bikes were just kind of locked to a pole. To

435
00:23:12,280 --> 00:23:15,840
Speaker 3: remind you, they were painted white and it was very sad.

436
00:23:16,040 --> 00:23:18,879
Speaker 3: And then they that's where they put Misula's first roundabout

437
00:23:18,960 --> 00:23:21,920
Speaker 3: and there has since there has been no fatalities anymore.

438
00:23:21,960 --> 00:23:25,800
Speaker 3: But people kept crashing because they weren't used to roundabouts.

439
00:23:25,840 --> 00:23:28,000
Speaker 3: I think they are now. You know what, I don't

440
00:23:28,000 --> 00:23:31,479
Speaker 3: think it's a bad thing that our first episode in

441
00:23:31,520 --> 00:23:34,679
Speaker 3: the car and the inaugural episode of a fourth season,

442
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Speaker 3: Am I Right? Or am I out of School? Out

443
00:23:37,880 --> 00:23:39,640
Speaker 3: of turn four?

444
00:23:39,800 --> 00:23:42,080
Speaker 1: This is season four wheel Drive.

445
00:23:44,320 --> 00:23:48,800
Speaker 3: I mean that's great too, these plays, it's one of

446
00:23:48,800 --> 00:23:52,119
Speaker 3: my favorite, not only in advertising but with comedy. It

447
00:23:52,240 --> 00:23:55,640
Speaker 3: just turns a phrase and it's a fun surprise.

448
00:23:55,960 --> 00:23:58,760
Speaker 2: Wait, sorry, what are these two people doing? Is are

449
00:23:58,760 --> 00:24:01,679
Speaker 2: they being filmed? There's two people just sitting at a

450
00:24:01,760 --> 00:24:03,159
Speaker 2: table on the sidewalk.

451
00:24:03,520 --> 00:24:06,560
Speaker 3: Yeah, they're looking around, like look at me, look at me. Yeah,

452
00:24:06,960 --> 00:24:16,600
Speaker 3: that's a reality show. And uh, I do too. It

453
00:24:16,640 --> 00:24:18,640
Speaker 3: makes me nervous, but it makes me cry.

454
00:24:18,760 --> 00:24:19,920
Speaker 1: It's so good.

455
00:24:20,119 --> 00:24:23,199
Speaker 3: It can be most things. But I I was going

456
00:24:23,240 --> 00:24:25,520
Speaker 3: to say that it's a good thing that this will

457
00:24:25,720 --> 00:24:27,800
Speaker 3: no doubt be a two hour episode. Yeah, I think

458
00:24:27,800 --> 00:24:28,520
Speaker 3: that that's fine.

459
00:24:28,680 --> 00:24:32,639
Speaker 2: Yes, Well, here's the thing as a podcast fan myself,

460
00:24:33,320 --> 00:24:36,800
Speaker 2: when I have a podcast that I've dug into and

461
00:24:37,240 --> 00:24:39,000
Speaker 2: like say, I do the dishes in the morning, then

462
00:24:39,040 --> 00:24:41,439
Speaker 2: I have to stop and go do a meeting, and

463
00:24:41,480 --> 00:24:44,439
Speaker 2: I get to go back to the same podcast to

464
00:24:44,560 --> 00:24:45,159
Speaker 2: go to do.

465
00:24:46,080 --> 00:24:47,320
Speaker 1: Is that there's what hill?

466
00:24:47,400 --> 00:24:51,600
Speaker 3: Sorry, my book bag fell everywhere? Where was your arm

467
00:24:51,680 --> 00:24:55,880
Speaker 3: on that one? I could have used a nice chest caress. Oh,

468
00:24:55,960 --> 00:24:59,399
Speaker 3: we aren't doing that, windy serpentine. We're going up this

469
00:24:59,480 --> 00:25:02,240
Speaker 3: blue snow here we go nice.

470
00:25:02,400 --> 00:25:05,640
Speaker 2: Oh, this is like truly some sweet ass back road ship.

471
00:25:06,119 --> 00:25:11,480
Speaker 3: We also made the decision of doing this during rush hour. Yeah,

472
00:25:11,520 --> 00:25:15,080
Speaker 3: but that's because there's more fodder for conversation.

473
00:25:16,080 --> 00:25:16,280
Speaker 1: Yeah.

474
00:25:16,320 --> 00:25:21,240
Speaker 2: I think rush hour LA is the pinnacle of Los

475
00:25:21,240 --> 00:25:22,040
Speaker 2: Angeles living.

476
00:25:22,280 --> 00:25:23,560
Speaker 3: Would you say, ye?

477
00:25:24,560 --> 00:25:24,879
Speaker 1: Really?

478
00:25:25,160 --> 00:25:27,840
Speaker 3: Wow, we're doing this? Oh, I'm telling you. When I

479
00:25:27,880 --> 00:25:32,880
Speaker 3: said blue snake, I met look out out of my way,

480
00:25:33,200 --> 00:25:34,760
Speaker 3: there's a blue snake in my lap.

481
00:25:34,920 --> 00:25:37,880
Speaker 2: Okay, when I was home, So I flew home from

482
00:25:37,920 --> 00:25:42,920
Speaker 2: Italy to Pedaluma I mean to San Francisco, but ultimately

483
00:25:42,920 --> 00:25:43,159
Speaker 2: got to.

484
00:25:43,160 --> 00:25:46,160
Speaker 1: Pedaluma Mill Valley and I was short driving.

485
00:25:45,760 --> 00:25:48,240
Speaker 2: With my sister and there was a guy jogging on

486
00:25:48,280 --> 00:25:50,760
Speaker 2: the side of the road holding a stick with a

487
00:25:50,760 --> 00:25:54,000
Speaker 2: big dead snake on it. That's something I saw as

488
00:25:54,040 --> 00:25:56,320
Speaker 2: she was dropping me off to come home to La.

489
00:25:57,320 --> 00:26:00,359
Speaker 1: How hilarious is that? Like he found the snake or

490
00:26:00,400 --> 00:26:02,560
Speaker 1: somebody ran over it, he was going to keep it.

491
00:26:03,040 --> 00:26:06,520
Speaker 3: Maybe he was designing a flag for society made all

492
00:26:06,560 --> 00:26:07,160
Speaker 3: of snakes.

493
00:26:08,680 --> 00:26:10,359
Speaker 1: Oh, keep going, we are.

494
00:26:10,240 --> 00:26:13,080
Speaker 3: Doing this, I swear right now. We're in someone's driveway.

495
00:26:13,280 --> 00:26:20,320
Speaker 2: Yeah, a rich person. Yeah, Yeah, hello ding dong, we're here.

496
00:26:22,440 --> 00:26:27,200
Speaker 3: You were calling hello ding dong in the car.

497
00:26:30,160 --> 00:26:32,640
Speaker 1: I don't think I've ever called anyone a ding dong.

498
00:26:32,920 --> 00:26:36,240
Speaker 2: No, this person that's on the wrong side of the road,

499
00:26:36,960 --> 00:26:37,920
Speaker 2: whatever in.

500
00:26:37,960 --> 00:26:41,320
Speaker 3: Progress, whatever you were to the right.

501
00:26:42,000 --> 00:26:42,960
Speaker 1: This is exciting.

502
00:26:43,320 --> 00:26:44,000
Speaker 3: Yeah it is.

503
00:26:44,160 --> 00:26:45,200
Speaker 1: I've been up here.

504
00:26:45,800 --> 00:26:49,160
Speaker 3: This I'm I really have to say again. I'm I'm

505
00:26:49,240 --> 00:26:52,040
Speaker 3: excited for has to be back in the car. This

506
00:26:52,280 --> 00:26:56,080
Speaker 3: is Uh. At first I felt like I was nervous,

507
00:26:56,119 --> 00:26:58,880
Speaker 3: almost like I was doing a new thing. That seems

508
00:26:58,920 --> 00:27:01,000
Speaker 3: so it's just great to be back.

509
00:27:01,240 --> 00:27:02,159
Speaker 1: Yeah, it really is.

510
00:27:03,240 --> 00:27:07,120
Speaker 3: There's lady helping her child. He's not in the stroller.

511
00:27:07,240 --> 00:27:09,000
Speaker 3: He refuses to get in the stroller.

512
00:27:09,040 --> 00:27:11,160
Speaker 1: You wanted to look at a rock. That thing babies

513
00:27:11,200 --> 00:27:11,640
Speaker 1: love to.

514
00:27:11,520 --> 00:27:14,720
Speaker 3: Do towury snakes. They love picking them up, hold.

515
00:27:14,520 --> 00:27:16,080
Speaker 1: Them on a stick. But what if that was a

516
00:27:16,080 --> 00:27:18,080
Speaker 1: baby that was jogging with the snake on a stick.

517
00:27:18,400 --> 00:27:20,560
Speaker 1: Look at that cool house Hong Kong.

518
00:27:20,720 --> 00:27:24,399
Speaker 3: I can see, yeah, doing karate in there. You're silhouette.

519
00:27:24,440 --> 00:27:25,560
Speaker 1: Hey, mister Miagi.

520
00:27:25,880 --> 00:27:29,639
Speaker 3: Yeah it's very Miagi like that looks like very Oh

521
00:27:29,640 --> 00:27:31,080
Speaker 3: there's a dojo up there.

522
00:27:31,320 --> 00:27:34,760
Speaker 1: Whoa, there's a lot of nice houses up here. Yeah.

523
00:27:34,800 --> 00:27:37,440
Speaker 3: That's one thing about driving in the city. I want

524
00:27:37,520 --> 00:27:39,159
Speaker 3: to scream what the hell do you do for a

525
00:27:39,160 --> 00:27:40,360
Speaker 3: living to everyone?

526
00:27:40,560 --> 00:27:41,359
Speaker 1: Yeah.

527
00:27:41,480 --> 00:27:44,320
Speaker 3: When you first move here, you think, oh, all these houses,

528
00:27:44,480 --> 00:27:47,720
Speaker 3: it's rich people because they're movie stars. No, a lot

529
00:27:47,720 --> 00:27:50,000
Speaker 3: of those A lot of those movie stars just rent

530
00:27:50,000 --> 00:27:50,639
Speaker 3: an apartment.

531
00:27:50,920 --> 00:27:52,440
Speaker 1: Yep, they can't afford it.

532
00:27:52,560 --> 00:27:58,879
Speaker 3: These people work on augmenting chins, or they get murderers

533
00:27:58,920 --> 00:28:01,840
Speaker 3: off or uh you know, jobs like that.

534
00:28:02,119 --> 00:28:05,240
Speaker 1: If the glove doesn't fit, you must have quit down, black.

535
00:28:05,080 --> 00:28:08,320
Speaker 3: Up, turned right, Yes I should be doing this. Yes

536
00:28:08,359 --> 00:28:12,600
Speaker 3: you should and I well, now forever you're a navigator.

537
00:28:13,480 --> 00:28:14,280
Speaker 1: Look at this.

538
00:28:14,760 --> 00:28:18,200
Speaker 3: We're coming up on a park. Will turn right.

539
00:28:18,200 --> 00:28:22,480
Speaker 1: Okay, yeah, perfect, we're gonna dump out of Oh. I

540
00:28:22,520 --> 00:28:23,199
Speaker 1: see where we are.

541
00:28:23,359 --> 00:28:24,160
Speaker 3: I see where we.

542
00:28:24,119 --> 00:28:28,040
Speaker 1: Are too, I see more.

543
00:28:29,400 --> 00:28:35,600
Speaker 2: Look at this great Oh wow, we really did circumvent

544
00:28:36,880 --> 00:28:37,320
Speaker 2: this is.

545
00:28:37,320 --> 00:28:42,400
Speaker 3: The park Griffith Park, Yes, it is. It's a it's

546
00:28:42,400 --> 00:28:47,640
Speaker 3: a large park. There's about three Griffith Parks in this city,

547
00:28:47,720 --> 00:28:49,440
Speaker 3: and it took me a while to realize they were

548
00:28:49,480 --> 00:28:51,480
Speaker 3: all one park. Yeah, you can just approach it for

549
00:28:51,840 --> 00:28:54,240
Speaker 3: so many different areas. There's a mountain in the middle

550
00:28:54,280 --> 00:28:57,280
Speaker 3: as far as I know, and uh, it's a great

551
00:28:57,280 --> 00:29:01,320
Speaker 3: place to picnic or just hang out bush and try

552
00:29:01,360 --> 00:29:02,160
Speaker 3: and meet new people.

553
00:29:03,440 --> 00:29:06,080
Speaker 1: Bring that open energy to this any kind of a

554
00:29:06,120 --> 00:29:07,040
Speaker 1: bush or shrubbery.

555
00:29:07,160 --> 00:29:10,720
Speaker 3: I'm doing it. Twenty twenty three, that's this is the year. Yeah,

556
00:29:10,840 --> 00:29:13,840
Speaker 3: to leap out and surprise people with my presence in

557
00:29:13,880 --> 00:29:14,360
Speaker 3: their life.

558
00:29:14,400 --> 00:29:17,040
Speaker 1: How's your height? You yell real loud, all at once.

559
00:29:17,880 --> 00:29:20,600
Speaker 3: That's the thing. I just bit my tongue. I'll try

560
00:29:20,640 --> 00:29:23,040
Speaker 3: to ignore it. That's the thing in New York that

561
00:29:23,120 --> 00:29:27,720
Speaker 3: I didn't expect. I was so sore every single day. Yeah,

562
00:29:27,920 --> 00:29:30,560
Speaker 3: because all you do is ride city bikes and walk

563
00:29:30,680 --> 00:29:34,240
Speaker 3: and run to trains. And my watch was freaking out, like,

564
00:29:34,280 --> 00:29:37,360
Speaker 3: who is this new? Who are you? Jim Fits it said,

565
00:29:37,880 --> 00:29:39,280
Speaker 3: in case you need a reference to.

566
00:29:39,200 --> 00:29:40,360
Speaker 1: No one, Jim Fix.

567
00:29:40,680 --> 00:29:43,160
Speaker 3: He wrote about being healthy and then died.

568
00:29:43,320 --> 00:29:43,880
Speaker 1: Jim Fix.

569
00:29:44,240 --> 00:29:45,800
Speaker 3: Jim Fix two exes.

570
00:29:46,360 --> 00:29:48,600
Speaker 2: Really he was the jogger guy that died of a

571
00:29:48,600 --> 00:29:49,800
Speaker 2: heart attack while jogging.

572
00:29:50,000 --> 00:29:53,120
Speaker 3: Yes, yes, there was a Bill Hicks joke about him

573
00:29:53,200 --> 00:29:55,440
Speaker 3: dying around the same time as Yule Brenner in the

574
00:29:55,640 --> 00:29:59,680
Speaker 3: contrast and their lifestyles and basically you should just live

575
00:29:59,720 --> 00:30:03,840
Speaker 3: your life because they both died. Yeah, yes, so true,

576
00:30:04,040 --> 00:30:08,120
Speaker 3: but oh lost my train of thought. Beautiful park is

577
00:30:08,160 --> 00:30:08,720
Speaker 3: what I say.

578
00:30:08,960 --> 00:30:12,760
Speaker 2: Same if we're going to equate my New York City

579
00:30:12,840 --> 00:30:18,600
Speaker 2: Italy trip. Yes, same where Adrian had her fit bit

580
00:30:19,280 --> 00:30:22,680
Speaker 2: and we were walking twenty thousand steps a day. Yes,

581
00:30:22,720 --> 00:30:26,080
Speaker 2: because we were just hauling ass all over every city

582
00:30:26,120 --> 00:30:26,440
Speaker 2: we were in.

583
00:30:26,600 --> 00:30:28,440
Speaker 3: That's what I heard from my friend who lied about

584
00:30:28,480 --> 00:30:33,480
Speaker 3: the hot dogs, is that they were and everywhere people

585
00:30:33,680 --> 00:30:36,560
Speaker 3: who were actively eating hot dogs left and right. No,

586
00:30:37,320 --> 00:30:42,360
Speaker 3: that have so many just ballpark franks and everyone was

587
00:30:42,520 --> 00:30:47,320
Speaker 3: like fit yes because there's so much walking. And I

588
00:30:47,400 --> 00:30:50,280
Speaker 3: realized not to keep bringing up New York. But I

589
00:30:50,320 --> 00:30:52,560
Speaker 3: haven't been to Italy, and I like to steam roll

590
00:30:52,640 --> 00:30:53,920
Speaker 3: your possible stories.

591
00:30:54,280 --> 00:30:59,080
Speaker 2: I think they really kind of jigsaw puzzle piece very

592
00:30:59,160 --> 00:30:59,880
Speaker 2: nicely together.

593
00:31:00,160 --> 00:31:05,880
Speaker 3: Yeah. Yeah, because they're both on a grid system.

594
00:31:06,960 --> 00:31:08,160
Speaker 1: Also in Italy.

595
00:31:08,760 --> 00:31:10,520
Speaker 2: I'm going to be the person I talked about Italy

596
00:31:10,520 --> 00:31:14,160
Speaker 2: for I like you after I come back, but they

597
00:31:14,360 --> 00:31:15,240
Speaker 2: and now so I'm.

598
00:31:15,080 --> 00:31:16,920
Speaker 1: Like, hey, was that person Italian? Then I just saw

599
00:31:16,960 --> 00:31:17,120
Speaker 1: it a.

600
00:31:17,480 --> 00:31:18,960
Speaker 3: Yeah, yeah, you want them here.

601
00:31:19,120 --> 00:31:21,600
Speaker 1: I'm like Jacomo Choo choo.

602
00:31:22,720 --> 00:31:26,600
Speaker 2: The food there is all so beautifully farm fresh and

603
00:31:26,960 --> 00:31:30,160
Speaker 2: whole whole food that you're walking a ton and then

604
00:31:30,160 --> 00:31:33,400
Speaker 2: you're not eating preservatives and chemicals and shit that is

605
00:31:33,440 --> 00:31:36,120
Speaker 2: a huge thing, and you can't. There's not a lot

606
00:31:36,160 --> 00:31:39,720
Speaker 2: of processed food available. Like there was one store that

607
00:31:39,800 --> 00:31:43,760
Speaker 2: was almost like a novelty shop of snacks. It had

608
00:31:43,800 --> 00:31:46,680
Speaker 2: some snack name and that's where all the chips were.

609
00:31:46,960 --> 00:31:51,760
Speaker 2: And other than that, the only really like food you

610
00:31:51,800 --> 00:31:54,480
Speaker 2: had to go to like a you know, a stand

611
00:31:54,600 --> 00:31:55,720
Speaker 2: or a restaurant or whatever.

612
00:31:56,000 --> 00:31:57,120
Speaker 1: Wow, there wasn't like.

613
00:31:57,120 --> 00:32:03,800
Speaker 3: It was like American themed. Welcome to this heavy breathing America.

614
00:32:04,160 --> 00:32:08,160
Speaker 3: I'd like that my attempt at the accent to be

615
00:32:08,240 --> 00:32:09,520
Speaker 3: stricken from the record.

616
00:32:10,120 --> 00:32:12,160
Speaker 2: I'm sorry it has to go on the permanent record.

617
00:32:12,200 --> 00:32:13,160
Speaker 2: That's just the rules.

618
00:32:13,440 --> 00:32:16,920
Speaker 3: I wonder if all fr conversions does is make a

619
00:32:17,040 --> 00:32:24,800
Speaker 3: giant black metal billboard for a bumper. I see, it's

620
00:32:24,880 --> 00:32:25,840
Speaker 3: quite the conversion.

621
00:32:26,800 --> 00:32:31,000
Speaker 2: Do you what are they trying to keep mud off

622
00:32:31,040 --> 00:32:32,200
Speaker 2: of their license plate?

623
00:32:32,200 --> 00:32:36,120
Speaker 3: In the back of this Toyota family wagon has basically

624
00:32:36,160 --> 00:32:39,120
Speaker 3: a snowplow, And that's the conversion.

625
00:32:39,200 --> 00:32:42,080
Speaker 1: But oh, the license plates up there, I see.

626
00:32:42,160 --> 00:32:45,400
Speaker 2: I was about to say, you can't cover your license

627
00:32:45,400 --> 00:32:48,040
Speaker 2: plate like that, but it's directly in front of my stay.

628
00:32:48,160 --> 00:32:51,400
Speaker 3: Yeah, it's it's it's bright and clearly inside.

629
00:32:53,760 --> 00:32:57,360
Speaker 1: Fr conversions is so distracting that I couldn't spot the

630
00:32:57,400 --> 00:32:58,040
Speaker 1: license plate.

631
00:32:58,280 --> 00:33:00,240
Speaker 3: That's why they do it so they can have made

632
00:33:00,320 --> 00:33:00,920
Speaker 3: the coppers.

633
00:33:01,080 --> 00:33:02,080
Speaker 1: That's the conversion.

634
00:33:02,800 --> 00:33:03,080
Speaker 3: Yep.

635
00:33:03,680 --> 00:33:06,560
Speaker 2: That's like it's like James Bond style where it's like, right,

636
00:33:06,640 --> 00:33:07,760
Speaker 2: we fucked with your mind.

637
00:33:07,920 --> 00:33:09,400
Speaker 1: Now you can't report us.

638
00:33:09,640 --> 00:33:12,920
Speaker 3: Do you remember in Cannonball one or two, or perhaps

639
00:33:12,920 --> 00:33:17,480
Speaker 3: it was three, which everyone had dom Delouise, they would

640
00:33:18,000 --> 00:33:21,400
Speaker 3: they had a car they were they were driving haphazardly

641
00:33:21,440 --> 00:33:23,160
Speaker 3: and they were getting pulled over and they had they

642
00:33:23,240 --> 00:33:25,600
Speaker 3: had a Lamborghini or something. It was yellow, and then

643
00:33:25,640 --> 00:33:28,280
Speaker 3: they pulled over and washed the paint off, and then

644
00:33:28,320 --> 00:33:30,320
Speaker 3: all of a sudden it was white. And then the

645
00:33:30,360 --> 00:33:32,320
Speaker 3: cops didn't know what to do. And I thought, I

646
00:33:32,400 --> 00:33:36,120
Speaker 3: was like, yellow Lamborghini, I want to do that In

647
00:33:36,120 --> 00:33:42,040
Speaker 3: real life, except like with a hypercolor temperature triggered, just

648
00:33:42,080 --> 00:33:43,080
Speaker 3: so you know, my life.

649
00:33:43,120 --> 00:33:45,520
Speaker 2: A crime that's coming up, Oh yeah, the one you're planning.

650
00:33:45,760 --> 00:33:47,880
Speaker 2: Is that also for Hot Girl summer? Because I don't

651
00:33:47,880 --> 00:33:48,920
Speaker 2: know if we can do all those things.

652
00:33:49,240 --> 00:33:52,360
Speaker 3: Yeah, no more rules, and that includes those of the law.

653
00:33:52,520 --> 00:33:56,320
Speaker 1: Okay, okay, the ultimate rules, not just societal Okay.

654
00:33:56,360 --> 00:33:59,160
Speaker 3: But I am gonna be more open to take my

655
00:33:59,200 --> 00:34:03,400
Speaker 3: clothes off more and I'm going to start doing home invasions.

656
00:34:04,400 --> 00:34:05,840
Speaker 1: Thanks to FR conversions.

657
00:34:05,960 --> 00:34:10,000
Speaker 3: Yeah, thank you FR Conversions, which is so many free commercials.

658
00:34:10,080 --> 00:34:12,000
Speaker 3: I hope the people that pay for real ones don't

659
00:34:12,000 --> 00:34:12,680
Speaker 3: get upset.

660
00:34:13,000 --> 00:34:18,080
Speaker 2: But if if this basically what looks listener like a

661
00:34:18,440 --> 00:34:22,360
Speaker 2: black piece of plastic someone shoved up under their back bumper,

662
00:34:22,680 --> 00:34:26,320
Speaker 2: that says FR Conversions at the bottom, If that's the advertisement,

663
00:34:27,400 --> 00:34:29,240
Speaker 2: what are they advertising?

664
00:34:29,520 --> 00:34:32,319
Speaker 3: I think now that I'm looking at it, and it's

665
00:34:32,440 --> 00:34:39,000
Speaker 3: grippy nature that comes out at an angle, comes down

666
00:34:39,239 --> 00:34:45,040
Speaker 3: and becomes an access ramp. Oh yeah, oh, and we

667
00:34:45,160 --> 00:34:50,480
Speaker 3: both learned something and I appreciate what everything f our

668
00:34:50,520 --> 00:34:51,560
Speaker 3: Conversions does.

669
00:34:51,560 --> 00:34:55,640
Speaker 1: Now I understand conversions conversions.

670
00:34:55,719 --> 00:34:59,000
Speaker 2: If you need a ramp on your car, that also

671
00:34:59,160 --> 00:35:03,239
Speaker 2: kind of looks like you could maybe kill people with it,

672
00:35:03,440 --> 00:35:04,160
Speaker 2: or I did the.

673
00:35:04,160 --> 00:35:06,960
Speaker 1: Law right, which I bet you. I bet you.

674
00:35:07,239 --> 00:35:13,120
Speaker 2: People with disabilities or other abilities, they they're sick of

675
00:35:13,239 --> 00:35:16,640
Speaker 2: just something looking like kind of technical. Yeah, they want

676
00:35:16,680 --> 00:35:17,760
Speaker 2: something a little sexier.

677
00:35:18,000 --> 00:35:20,960
Speaker 3: Yeah, probably, and that even though it's out of our

678
00:35:21,000 --> 00:35:24,319
Speaker 3: lives forever now, Yeah, it's somehow gotten some pob lane.

679
00:35:24,320 --> 00:35:25,480
Speaker 3: Where the hell did that family go?

680
00:35:26,040 --> 00:35:28,000
Speaker 2: But you know what, they f are converted right the

681
00:35:28,000 --> 00:35:31,799
Speaker 2: fuck to the right, and now they're gone and we

682
00:35:31,920 --> 00:35:33,359
Speaker 2: don't remember their license plate.

683
00:35:33,400 --> 00:35:34,440
Speaker 1: I think there was a two in it.

684
00:35:35,080 --> 00:35:38,640
Speaker 3: Yeah, we could have read that out loud. I smell

685
00:35:38,680 --> 00:35:43,720
Speaker 3: a lawsuit we should. We're in. As I mentioned before,

686
00:35:43,760 --> 00:35:45,960
Speaker 3: that rush hour traffic. I don't think it's a bad thing.

687
00:35:46,560 --> 00:35:50,560
Speaker 3: I just it is something that's happening. It is people work.

688
00:35:50,680 --> 00:35:53,800
Speaker 3: I forget about nine to five jobs, traditional humans.

689
00:35:54,600 --> 00:35:56,480
Speaker 1: We haven't had.

690
00:35:56,360 --> 00:35:59,920
Speaker 2: To deal with this level of traffic on the show

691
00:36:00,280 --> 00:36:03,120
Speaker 2: right in three and a half years.

692
00:36:02,800 --> 00:36:05,000
Speaker 3: And we used to be really good at it. Need

693
00:36:05,080 --> 00:36:06,759
Speaker 3: I remind you of the times we used to go

694
00:36:06,760 --> 00:36:10,320
Speaker 3: to the airport and drop people out. I cannot believe

695
00:36:10,400 --> 00:36:11,080
Speaker 3: we ever did that.

696
00:36:12,120 --> 00:36:14,520
Speaker 1: It was so kind of us, it really was.

697
00:36:14,719 --> 00:36:17,120
Speaker 3: That's why I say, I can't believe it because we've

698
00:36:17,160 --> 00:36:19,919
Speaker 3: become so unkind.

699
00:36:21,239 --> 00:36:26,319
Speaker 1: The pandemic shrunk our hearts like two grenches mm hm.

700
00:36:26,920 --> 00:36:29,920
Speaker 1: And that's the other thing we're fighting against this summer

701
00:36:30,320 --> 00:36:33,080
Speaker 1: is basically the smallness.

702
00:36:32,640 --> 00:36:35,799
Speaker 2: Of the pandemic. Yeah, and I think it's we're going

703
00:36:35,840 --> 00:36:37,480
Speaker 2: to get it solved in this traffic.

704
00:36:37,719 --> 00:36:40,440
Speaker 3: Yeah, we're certainly by the end of the episode, we're

705
00:36:40,440 --> 00:36:41,000
Speaker 3: going to have this.

706
00:36:41,320 --> 00:36:43,000
Speaker 2: Yeah, because this episode's going to be four and a

707
00:36:43,000 --> 00:36:45,040
Speaker 2: half hours long. If this traffic gets any.

708
00:36:44,960 --> 00:36:49,759
Speaker 3: Worse again, any anything. And I'm speaking for myself when

709
00:36:49,320 --> 00:36:52,840
Speaker 3: I mentioned something there's a lull or I make zero sense,

710
00:36:52,880 --> 00:36:55,080
Speaker 3: we can just trim that out right in the least.

711
00:36:55,160 --> 00:36:57,520
Speaker 1: Yeah, Yeah, Yeah.

712
00:36:57,239 --> 00:36:58,839
Speaker 3: That'll be fun. Editing's fun.

713
00:36:58,960 --> 00:36:59,560
Speaker 1: It's fine.

714
00:37:00,200 --> 00:37:04,000
Speaker 3: Some it's a passion to find the walls take them out.

715
00:37:04,360 --> 00:37:12,040
Speaker 1: For some, it's a passion. So when you were in

716
00:37:12,040 --> 00:37:13,240
Speaker 1: New York, did you do shows?

717
00:37:13,520 --> 00:37:17,759
Speaker 3: I did? And I loved every minute of it. I

718
00:37:18,920 --> 00:37:22,040
Speaker 3: did you kill I did? I felt great. And you know,

719
00:37:22,160 --> 00:37:24,040
Speaker 3: I'm not one to be braggadocious.

720
00:37:24,640 --> 00:37:26,600
Speaker 1: I asked, so you had to answer that.

721
00:37:26,760 --> 00:37:29,759
Speaker 3: I've really felt like I was doing well and I

722
00:37:29,840 --> 00:37:33,600
Speaker 3: felt comfortable, and I was like well, this joke will work.

723
00:37:33,640 --> 00:37:35,680
Speaker 3: I'll do this one. And I realized it was just

724
00:37:35,840 --> 00:37:38,279
Speaker 3: all my favorite jokes were working, and all the ones

725
00:37:38,320 --> 00:37:42,160
Speaker 3: I've done to be relatable on the road or to

726
00:37:42,239 --> 00:37:47,040
Speaker 3: get a cheap laft or involve my passion of Genitalia,

727
00:37:48,080 --> 00:37:51,720
Speaker 3: none of those needed or they weren't appreciated. People would

728
00:37:51,760 --> 00:37:55,600
Speaker 3: celebrate the ones that I liked, and it made me think, Man,

729
00:37:55,640 --> 00:37:58,040
Speaker 3: should I have moved here? Not that I'm living in

730
00:37:58,040 --> 00:38:01,279
Speaker 3: the past or ever regrets, but sometimes I feel like

731
00:38:01,480 --> 00:38:02,640
Speaker 3: I could have been in New York.

732
00:38:02,880 --> 00:38:06,359
Speaker 2: Well, it's a very human to entertain that idea when

733
00:38:06,360 --> 00:38:08,279
Speaker 2: you're killing right right.

734
00:38:08,120 --> 00:38:10,440
Speaker 3: It's like, but the minute I have four roommates and

735
00:38:10,440 --> 00:38:12,600
Speaker 3: we're all in bunk beds and.

736
00:38:12,560 --> 00:38:14,640
Speaker 1: You're hanging your bike from the ceiling. Yeah.

737
00:38:14,719 --> 00:38:17,120
Speaker 2: That was something I saw in a Brooklyn apartment one time,

738
00:38:17,120 --> 00:38:20,040
Speaker 2: and I was just like, guys, I don't know if

739
00:38:20,040 --> 00:38:20,879
Speaker 2: this is worth it.

740
00:38:20,960 --> 00:38:23,280
Speaker 1: You're hanging a bunch of shit from the ceiling.

741
00:38:23,680 --> 00:38:24,120
Speaker 3: Yeah.

742
00:38:24,239 --> 00:38:26,120
Speaker 1: Yeah, it's like you live on a submarine.

743
00:38:26,400 --> 00:38:29,600
Speaker 3: Yeah. And I saw a friend that I was golfing

744
00:38:29,640 --> 00:38:32,120
Speaker 3: with here and he had moved back to New York,

745
00:38:32,280 --> 00:38:35,200
Speaker 3: and I said, no, do you golfer he's like, oh no,

746
00:38:35,320 --> 00:38:38,800
Speaker 3: I'm done doing that. Like you can't. There are certain

747
00:38:38,840 --> 00:38:41,560
Speaker 3: things that I would have to sacrifice and I don't

748
00:38:41,600 --> 00:38:42,600
Speaker 3: think I can do that.

749
00:38:42,840 --> 00:38:44,080
Speaker 1: Yeah, you need to be outside.

750
00:38:44,640 --> 00:38:48,640
Speaker 3: I do. I'm an outdoorsy guy. Yeah, the lion needs

751
00:38:48,640 --> 00:38:52,840
Speaker 3: to get walked, that's right, or or if not, it

752
00:38:52,880 --> 00:38:55,440
Speaker 3: gets frustrated, needs to remind folks that he's king of

753
00:38:55,480 --> 00:38:55,960
Speaker 3: the jungle.

754
00:38:56,080 --> 00:38:58,280
Speaker 1: I hate to interrupt you, but is that jim Iroquay.

755
00:39:00,080 --> 00:39:04,279
Speaker 3: That's spiritual insanity for you to have said that. That

756
00:39:04,440 --> 00:39:07,319
Speaker 3: is the I want that hat. I love that that

757
00:39:07,360 --> 00:39:08,600
Speaker 3: person's wearing that hat.

758
00:39:09,960 --> 00:39:13,000
Speaker 1: Oh wait, there's another kicky hat. Look at her. Did

759
00:39:13,040 --> 00:39:13,680
Speaker 1: you see the woman?

760
00:39:13,880 --> 00:39:17,240
Speaker 3: Are we in that hat neighborhood? Oh wow, yeah, that's

761
00:39:17,239 --> 00:39:17,759
Speaker 3: more of a.

762
00:39:18,000 --> 00:39:20,040
Speaker 1: Oh we must be. We must have just crossed the

763
00:39:20,080 --> 00:39:21,120
Speaker 1: line into Silver Lake.

764
00:39:21,280 --> 00:39:24,600
Speaker 3: Here we are. Yeah, guys, silver Lake is the landa.

765
00:39:24,360 --> 00:39:26,600
Speaker 2: Hat also a bunch of seventy five year old women

766
00:39:26,680 --> 00:39:31,320
Speaker 2: with very hip hats. If it were nineteen ninety two, awesome.

767
00:39:31,880 --> 00:39:36,560
Speaker 3: I love the dreamier a quay. Am I saying that white?

768
00:39:37,080 --> 00:39:40,640
Speaker 3: Am I saying that white dreamier a quay. Anyway, The

769
00:39:40,680 --> 00:39:46,600
Speaker 3: point is not drinking makes you a sharp communicator. Dreamier

770
00:39:46,640 --> 00:39:52,160
Speaker 3: a quay, am I saying that white Yes you are, Yes, sir,

771
00:39:52,200 --> 00:39:54,680
Speaker 3: you are indeed saying it in the whitest way and.

772
00:39:54,719 --> 00:39:55,799
Speaker 1: The whitest way you came.

773
00:39:55,920 --> 00:40:00,239
Speaker 3: I love Jamia Quay. I love how he dances that

774
00:40:00,280 --> 00:40:01,120
Speaker 3: conveyor belt.

775
00:40:01,680 --> 00:40:04,640
Speaker 1: What if that was you actually channeling the woman who

776
00:40:04,680 --> 00:40:06,600
Speaker 1: was wearing that hat? And that's what she says all

777
00:40:06,600 --> 00:40:06,959
Speaker 1: the time.

778
00:40:08,160 --> 00:40:10,920
Speaker 2: I love Jimmy ra Quay and people are like, ma'am,

779
00:40:11,200 --> 00:40:13,759
Speaker 2: just ring up your stuff at the self check, gut

780
00:40:13,840 --> 00:40:14,080
Speaker 2: and go.

781
00:40:15,040 --> 00:40:19,440
Speaker 3: She only goes because of the conveyor belt. But the

782
00:40:19,480 --> 00:40:22,680
Speaker 3: time she tried to dance on it was not well received.

783
00:40:23,000 --> 00:40:25,759
Speaker 1: We're going to have to call our guest and be like, hey,

784
00:40:25,800 --> 00:40:27,760
Speaker 1: so do you actually want to do this two hours

785
00:40:27,800 --> 00:40:29,080
Speaker 1: after we set the time for.

786
00:40:29,719 --> 00:40:32,799
Speaker 3: Yeah. I am a little nervous because I feel like

787
00:40:34,080 --> 00:40:36,480
Speaker 3: today's guest is going to be Margaret Cho I'm just

788
00:40:36,520 --> 00:40:38,160
Speaker 3: going to go ahead and say it might as well.

789
00:40:38,920 --> 00:40:42,480
Speaker 3: She has done so much that it's hard to believe

790
00:40:42,520 --> 00:40:45,840
Speaker 3: she isn't someone that probably has something else to do today.

791
00:40:45,920 --> 00:40:50,120
Speaker 2: She absolutely probably does. But you know, like we were

792
00:40:50,160 --> 00:40:52,400
Speaker 2: going to drive her to the market. I believe, yes,

793
00:40:52,440 --> 00:40:54,440
Speaker 2: But if we don't have enough time we can just

794
00:40:54,560 --> 00:40:56,480
Speaker 2: drive around with her and be like, hey, we can

795
00:40:56,520 --> 00:40:58,120
Speaker 2: get a solid thirty minutes out of you.

796
00:40:58,400 --> 00:41:00,759
Speaker 1: Chris and I just put in an hour hour. So

797
00:41:01,360 --> 00:41:02,840
Speaker 1: whatever whatever she can.

798
00:41:02,680 --> 00:41:05,839
Speaker 3: Give us will tape, right, and if and if, even

799
00:41:05,880 --> 00:41:07,719
Speaker 3: if it's not recording, and I'm going to make this

800
00:41:07,760 --> 00:41:10,560
Speaker 3: promise to her without her even being in the car,

801
00:41:10,680 --> 00:41:13,160
Speaker 3: we will still take her to the market. Yeah how

802
00:41:13,160 --> 00:41:13,600
Speaker 3: about that?

803
00:41:13,719 --> 00:41:17,400
Speaker 1: Sure, absolutely, you've done that already.

804
00:41:17,600 --> 00:41:22,040
Speaker 3: I mean I've in a non podcast environment, it said, okay,

805
00:41:22,080 --> 00:41:26,080
Speaker 3: I will still There's been times where the recording didn't

806
00:41:26,120 --> 00:41:28,279
Speaker 3: work out, but we still did an airport drop up.

807
00:41:28,320 --> 00:41:28,640
Speaker 1: Oh right.

808
00:41:28,760 --> 00:41:33,160
Speaker 3: I think that has happened. And I've personally, I've picked

809
00:41:33,160 --> 00:41:35,840
Speaker 3: people up and they thought it was going to be

810
00:41:35,880 --> 00:41:37,200
Speaker 3: the podcast.

811
00:41:37,840 --> 00:41:39,640
Speaker 1: And you're like, no, this is your star friendship.

812
00:41:39,680 --> 00:41:44,320
Speaker 3: I thought you just wanted to ride. Why everyone wants something?

813
00:41:44,480 --> 00:41:46,360
Speaker 1: Why are you? Why do you want me to record

814
00:41:46,400 --> 00:41:47,000
Speaker 1: you all the time?

815
00:41:47,160 --> 00:41:51,920
Speaker 3: Yeah, all the time as well? You're sleeping to figure

816
00:41:51,960 --> 00:41:53,760
Speaker 3: out your sleep cycle?

817
00:41:54,960 --> 00:41:55,240
Speaker 1: Okay.

818
00:41:55,239 --> 00:41:57,240
Speaker 3: The reason to record someone sleeping.

819
00:41:57,200 --> 00:42:01,399
Speaker 1: Oh right, just to see if they have or or.

820
00:42:01,360 --> 00:42:03,680
Speaker 3: Have they blurt out good ideas in their dreams that

821
00:42:03,760 --> 00:42:05,880
Speaker 3: you can steal. That was going to be. My invention

822
00:42:06,239 --> 00:42:10,040
Speaker 3: is because I always think of funny, good ideas when

823
00:42:10,040 --> 00:42:12,200
Speaker 3: I'm dreaming, and the minute I wake up, I'm back

824
00:42:12,239 --> 00:42:15,960
Speaker 3: to my dull day brain. So I wanted an apparatus

825
00:42:16,000 --> 00:42:19,479
Speaker 3: that the minute I woke up, a Pulley system would

826
00:42:19,520 --> 00:42:22,520
Speaker 3: yank me out of bed, something else like a Rupe

827
00:42:22,560 --> 00:42:25,480
Speaker 3: Goldberg machine, shoot a pen in my hand, immediate piece

828
00:42:25,480 --> 00:42:28,360
Speaker 3: of paper, and I would write down jokes. This was

829
00:42:28,400 --> 00:42:29,040
Speaker 3: an invention.

830
00:42:29,360 --> 00:42:32,000
Speaker 1: Give me an example of one of these great ideas.

831
00:42:32,080 --> 00:42:34,160
Speaker 3: Well. There are so many times that I've woken up

832
00:42:34,200 --> 00:42:36,239
Speaker 3: and I'm like, that's such a funny idea, or that's

833
00:42:36,239 --> 00:42:39,000
Speaker 3: a great idea, or I just drammed a movie, and

834
00:42:39,040 --> 00:42:41,640
Speaker 3: then one minute later I've forgotten all of it. I

835
00:42:41,719 --> 00:42:44,840
Speaker 3: do not remember my dreams. I just don't. And so

836
00:42:44,960 --> 00:42:47,719
Speaker 3: I thought, maybe in that little window of time, if

837
00:42:47,760 --> 00:42:52,279
Speaker 3: I immediately was able to write, cell phones have changed it.

838
00:42:52,360 --> 00:42:55,200
Speaker 3: I got things in my notes. They never make sense,

839
00:42:55,600 --> 00:42:57,120
Speaker 3: but I do immediately write them.

840
00:42:57,920 --> 00:42:59,920
Speaker 1: I mean, because that was what I was going to say.

841
00:43:00,000 --> 00:43:02,719
Speaker 2: I remember having very specifically having a dream, because I

842
00:43:02,760 --> 00:43:07,080
Speaker 2: do remember my dreams, and it's all kind of nonsense.

843
00:43:07,160 --> 00:43:09,839
Speaker 2: But I do remember one time when I very first

844
00:43:09,840 --> 00:43:13,080
Speaker 2: started stand up. I think maybe it was younger, and

845
00:43:13,160 --> 00:43:15,600
Speaker 2: I dreamed I was in the Mervins in our town,

846
00:43:16,080 --> 00:43:17,920
Speaker 2: but I was up on stage in the center of

847
00:43:17,960 --> 00:43:20,160
Speaker 2: Mervins and there was I was like doing comedy.

848
00:43:20,480 --> 00:43:21,760
Speaker 3: So this was a nightmare.

849
00:43:22,000 --> 00:43:25,120
Speaker 1: It was I didn't know yet that that kind of

850
00:43:25,160 --> 00:43:27,160
Speaker 1: show would be horrible, and it was in the round

851
00:43:27,239 --> 00:43:31,960
Speaker 1: even worse. And I said this thing about penguins, and

852
00:43:32,040 --> 00:43:35,359
Speaker 1: everybody like lost their minds. And when I woke up,

853
00:43:35,400 --> 00:43:37,360
Speaker 1: I was like, should I write that down? I'm like, no,

854
00:43:37,520 --> 00:43:42,600
Speaker 1: it's fucking blather. Like that's how dreams work, where you're

855
00:43:42,600 --> 00:43:45,080
Speaker 1: in a different reality where people would think that was fun.

856
00:43:45,280 --> 00:43:47,520
Speaker 3: Yeah, there's only been a handful of times where it

857
00:43:47,600 --> 00:43:48,800
Speaker 3: actually was a good idea.

858
00:43:49,040 --> 00:43:49,279
Speaker 1: Yeah.

859
00:43:49,440 --> 00:43:53,080
Speaker 3: Usually it's just your brain convincing you it's a good idea.

860
00:43:53,280 --> 00:43:57,640
Speaker 1: Yeah, and it's blather. But that's okay because then that

861
00:43:57,880 --> 00:43:59,920
Speaker 1: enables you to go to New York and make it

862
00:44:00,040 --> 00:44:01,120
Speaker 1: there and make it anywhere.

863
00:44:01,280 --> 00:44:03,480
Speaker 3: You know what, people love penguins, Karen.

864
00:44:04,120 --> 00:44:05,080
Speaker 1: They're funny as hell.

865
00:44:05,320 --> 00:44:09,520
Speaker 3: They are they are dressed up for formal events, they

866
00:44:09,640 --> 00:44:23,080
Speaker 3: walk hilariously, they have their own books. No, I just

867
00:44:24,080 --> 00:44:26,360
Speaker 3: I went from what the fuck are you talking about

868
00:44:26,480 --> 00:44:30,919
Speaker 3: to seeing that perfect little logo, and and then and

869
00:44:30,960 --> 00:44:32,920
Speaker 3: then I thought that the shirts, and then like, do

870
00:44:33,000 --> 00:44:36,880
Speaker 3: they make those shirts too? Yeah, penguins.

871
00:44:36,960 --> 00:44:39,200
Speaker 1: Penguins are super fucking relatable.

872
00:44:39,760 --> 00:44:44,600
Speaker 3: Yeah. They it's a rich area. They love once and

873
00:44:45,520 --> 00:44:51,640
Speaker 3: they can't walk backwards, and they only love once and

874
00:44:51,880 --> 00:44:58,000
Speaker 3: never again. They're loyal and they're not afraid to stand

875
00:44:58,080 --> 00:44:58,920
Speaker 3: up for their friends.

876
00:44:59,480 --> 00:45:00,960
Speaker 1: Oh really yeah.

877
00:45:01,080 --> 00:45:03,400
Speaker 3: Oh if you push a little penguin over and you

878
00:45:03,480 --> 00:45:05,920
Speaker 3: will want to because it's funny to see him fall,

879
00:45:06,280 --> 00:45:11,760
Speaker 3: their friends will all gang up. I've seen it in videos.

880
00:45:11,800 --> 00:45:16,040
Speaker 3: I haven't experienced it. They will, they will. They will

881
00:45:16,280 --> 00:45:18,920
Speaker 3: dive in for a friend that falls in the ice.

882
00:45:19,040 --> 00:45:20,200
Speaker 3: They they're very loyal.

883
00:45:20,840 --> 00:45:23,520
Speaker 1: And you got all of this from your friend, mister Popper.

884
00:45:23,680 --> 00:45:32,279
Speaker 3: Yes, doctor pimple Popper. Hey his side interest as penguins, Yeah,

885
00:45:32,320 --> 00:45:34,560
Speaker 3: I got. I get most of my stories.

886
00:45:34,719 --> 00:45:36,799
Speaker 1: From the doctor from that good.

887
00:45:38,680 --> 00:45:41,400
Speaker 3: When we pick up Margaret in the morning, do you

888
00:45:42,120 --> 00:45:43,680
Speaker 3: think we should offer breakfast?

889
00:45:43,840 --> 00:45:48,719
Speaker 1: We're just rolling along at this as, as Meryl Streep said,

890
00:45:48,800 --> 00:45:50,239
Speaker 1: a glacial.

891
00:45:49,800 --> 00:45:53,759
Speaker 2: Pace here just I mean, we're at the height of

892
00:45:54,239 --> 00:45:58,600
Speaker 2: LA traffic four forty eight pm. Everybody's out looking around.

893
00:45:59,239 --> 00:46:02,239
Speaker 2: Everybody knows it's hot girl summer. You can tell the

894
00:46:02,400 --> 00:46:06,200
Speaker 2: energy from these cars. Yeah, everybody's got their eyes peeled.

895
00:46:06,400 --> 00:46:08,000
Speaker 3: They are just so horny.

896
00:46:08,520 --> 00:46:10,319
Speaker 1: Chow Bella, they all say.

897
00:46:11,200 --> 00:46:16,920
Speaker 3: Is that Italian? It's Italian and it means what does

898
00:46:16,960 --> 00:46:17,279
Speaker 3: it mean?

899
00:46:17,360 --> 00:46:20,560
Speaker 1: Put it together? You know what choo means.

900
00:46:20,960 --> 00:46:30,839
Speaker 3: Goodbye and bella. I'm guessing your name is Bella. I

901
00:46:30,880 --> 00:46:32,520
Speaker 3: don't know, No, I don't know what bello.

902
00:46:32,640 --> 00:46:34,200
Speaker 1: Choo is a little bit of a loha.

903
00:46:34,400 --> 00:46:39,280
Speaker 2: For Italy, it's hello and goodbye, okay, although I learned

904
00:46:39,360 --> 00:46:41,279
Speaker 2: that they don't say it as much as Americans say

905
00:46:41,320 --> 00:46:45,920
Speaker 2: it to them. Oh but uh chio Bella means hello, beautiful.

906
00:46:46,280 --> 00:46:49,600
Speaker 3: Oh okay, Well that I should You're right. I should

907
00:46:49,640 --> 00:46:52,040
Speaker 3: know that because of my niece. Her name is Bella.

908
00:46:52,640 --> 00:46:58,560
Speaker 3: Oh really Isabella, which means is a beautiful. Oh god,

909
00:46:58,680 --> 00:47:02,240
Speaker 3: you know I've enjoyed myself from that that loving self

910
00:47:02,320 --> 00:47:10,160
Speaker 3: snort rears. It's ugly giant nostrils. I'm sorry, but thank you.

911
00:47:10,760 --> 00:47:13,120
Speaker 3: So we're gonna want to get in these right lanes.

912
00:47:13,560 --> 00:47:14,400
Speaker 3: You already know that.

913
00:47:14,880 --> 00:47:15,200
Speaker 1: I do.

914
00:47:15,920 --> 00:47:17,800
Speaker 3: I feel like people obey.

915
00:47:18,280 --> 00:47:22,680
Speaker 1: This car kind of. It's a little bit like you

916
00:47:22,719 --> 00:47:25,040
Speaker 1: have to fight your way in well you're.

917
00:47:24,840 --> 00:47:25,640
Speaker 3: Doing a great job.

918
00:47:25,760 --> 00:47:26,160
Speaker 1: Thank you.

919
00:47:27,760 --> 00:47:31,120
Speaker 3: Oh my gosh, your little map has other little cars. Yeah,

920
00:47:31,200 --> 00:47:34,520
Speaker 3: it's like frogg er yeah, no, frogs. It's like, don't

921
00:47:34,520 --> 00:47:37,160
Speaker 3: go over there. Oh they're gonna do it.

922
00:47:38,480 --> 00:47:41,120
Speaker 1: Oh we're turing right or are we getting on the freeway.

923
00:47:41,320 --> 00:47:43,479
Speaker 1: We're getting on the entrance of the freeway. Yeah, I five,

924
00:47:43,520 --> 00:47:45,920
Speaker 1: which is up ahead a little bit. Oh yeah, so

925
00:47:45,960 --> 00:47:47,800
Speaker 1: we don't. We don't have to go over there to

926
00:47:47,840 --> 00:47:48,520
Speaker 1: go five south.

927
00:47:48,840 --> 00:47:49,360
Speaker 3: Yeah.

928
00:47:49,440 --> 00:47:53,440
Speaker 1: Oh that's there, motherfucker. So roll down your window and

929
00:47:53,440 --> 00:47:54,120
Speaker 1: put your arm out.

930
00:47:54,640 --> 00:47:57,879
Speaker 3: I will do that. I've never done that.

931
00:47:57,960 --> 00:47:58,719
Speaker 1: Can we get over?

932
00:47:58,960 --> 00:47:59,839
Speaker 3: Can we get in there?

933
00:48:00,239 --> 00:48:00,399
Speaker 1: Hi?

934
00:48:00,680 --> 00:48:02,560
Speaker 3: They have tinted windows. I don't know if they were

935
00:48:02,600 --> 00:48:03,600
Speaker 3: open or receptive.

936
00:48:04,080 --> 00:48:04,239
Speaker 1: Hi.

937
00:48:04,719 --> 00:48:07,120
Speaker 3: Oh no, no, they are not open or receptive.

938
00:48:07,200 --> 00:48:07,319
Speaker 1: Hi.

939
00:48:07,480 --> 00:48:09,319
Speaker 3: Thank you, thank you, thank you.

940
00:48:09,400 --> 00:48:09,919
Speaker 1: Good job.

941
00:48:10,400 --> 00:48:12,960
Speaker 3: I find that if I just save HI over and over,

942
00:48:13,719 --> 00:48:14,520
Speaker 3: smiling like.

943
00:48:15,440 --> 00:48:20,040
Speaker 2: Ridiculous, that car didn't know what we wanted or needed.

944
00:48:20,200 --> 00:48:25,719
Speaker 3: Well, there was they it was not within the confines

945
00:48:25,760 --> 00:48:28,480
Speaker 3: of the law. That that shade of tint was way

946
00:48:28,760 --> 00:48:29,320
Speaker 3: too dark.

947
00:48:29,520 --> 00:48:30,439
Speaker 1: They couldn't see out.

948
00:48:30,840 --> 00:48:33,760
Speaker 3: Yeah, and and god knows what they were doing in there.

949
00:48:34,000 --> 00:48:36,320
Speaker 1: And so I'm going to take a left after.

950
00:48:36,080 --> 00:48:39,440
Speaker 3: The slice, we're going to cross under hyperion. Okay, then

951
00:48:39,560 --> 00:48:40,880
Speaker 3: take an immediate left.

952
00:48:41,040 --> 00:48:47,160
Speaker 1: Perfect a couple. It's literally going to be dark when

953
00:48:47,239 --> 00:48:47,720
Speaker 1: we get.

954
00:48:47,520 --> 00:48:52,239
Speaker 3: To It's okay, it's it's it's we've we've had some

955
00:48:52,360 --> 00:48:56,240
Speaker 3: time off. We've had some time off and we we didn't.

956
00:48:57,120 --> 00:48:59,000
Speaker 3: It's okay. We'll get better, hopefully.

957
00:48:59,040 --> 00:49:02,279
Speaker 1: Our friend Mark, we've known for a very long time.

958
00:49:02,320 --> 00:49:05,920
Speaker 3: You've known You've known her very well. I'm she's a

959
00:49:05,960 --> 00:49:09,760
Speaker 3: new friend, Yes, I hope, I think so. It's I'm

960
00:49:10,760 --> 00:49:15,480
Speaker 3: she is such an icon in comedy that she's someone

961
00:49:15,520 --> 00:49:18,600
Speaker 3: I'm nervous around, much like I am when I meet

962
00:49:19,200 --> 00:49:21,719
Speaker 3: a pro skateboarder. I look up to her. But most

963
00:49:21,760 --> 00:49:25,040
Speaker 3: comics it isn't that way anymore, you know. But with

964
00:49:25,040 --> 00:49:28,279
Speaker 3: with Margaret, it is that way, and that of course

965
00:49:28,360 --> 00:49:29,280
Speaker 3: it's a compliment.

966
00:49:30,200 --> 00:49:33,200
Speaker 2: She is the kind of person that'll be like, you know,

967
00:49:33,400 --> 00:49:35,680
Speaker 2: if she can't, if it doesn't work for her, she'll

968
00:49:35,760 --> 00:49:38,960
Speaker 2: let us know, and she mostly probably doesn't care, right,

969
00:49:39,040 --> 00:49:43,200
Speaker 2: I would imagine, yeah, especially because she knows me, and

970
00:49:43,239 --> 00:49:44,719
Speaker 2: I'm the kind of person that's like, hey, I went

971
00:49:44,760 --> 00:49:48,520
Speaker 2: to your old house and she's like, uh huh, Because that's.

972
00:49:48,360 --> 00:49:49,279
Speaker 1: The kind of thing I do.

973
00:49:51,960 --> 00:49:54,160
Speaker 2: And now we're just getting right onto the five South

974
00:49:54,520 --> 00:49:59,200
Speaker 2: to complete gridlocked traffic. Oh man, Oh the big old

975
00:49:59,280 --> 00:50:00,600
Speaker 2: jacked up trucks.

976
00:50:00,719 --> 00:50:01,560
Speaker 1: That's interesting.

977
00:50:01,960 --> 00:50:05,279
Speaker 3: Yeah, that's not northern California bro behavior.

978
00:50:06,880 --> 00:50:09,360
Speaker 1: Normally, those guys try to shoot at you.

979
00:50:09,480 --> 00:50:12,439
Speaker 3: Yeah, it's a shame that I think that of trucks now,

980
00:50:12,480 --> 00:50:15,480
Speaker 3: but I do like that is a jacked up truck.

981
00:50:15,960 --> 00:50:18,840
Speaker 3: There's a firearm and the guys socks are going to

982
00:50:18,880 --> 00:50:20,040
Speaker 3: be pulled up to his knees.

983
00:50:20,280 --> 00:50:24,840
Speaker 2: Yeah, although socks to the knees, that's also skateboard behaviors.

984
00:50:25,080 --> 00:50:25,440
Speaker 1: I know.

985
00:50:25,640 --> 00:50:29,239
Speaker 3: It's a fine line, you know. Whether it's depends on

986
00:50:29,280 --> 00:50:31,800
Speaker 3: the foot That's when I have to investigate the footwear.

987
00:50:32,320 --> 00:50:35,200
Speaker 1: And then what does the footwear tell you? Cowboy boots

988
00:50:35,200 --> 00:50:37,960
Speaker 1: with tall socks, Yes, then you know you're in danger.

989
00:50:38,200 --> 00:50:41,160
Speaker 3: No, that's someone that shouldn't be operating a motor vehicle.

990
00:50:41,960 --> 00:50:45,840
Speaker 3: If you have got my boots with socks, well maybe

991
00:50:45,840 --> 00:50:49,960
Speaker 3: that's just a cowboy on summer on summer, hot, a.

992
00:50:50,040 --> 00:50:51,280
Speaker 1: Hot cowboy on summer.

993
00:50:53,440 --> 00:50:55,920
Speaker 3: I have been thinking about getting boots. I was in

994
00:50:56,000 --> 00:50:59,080
Speaker 3: Austin and I did look at some. I'm glad I

995
00:50:59,120 --> 00:51:01,080
Speaker 3: didn't pull trigger on them.

996
00:51:01,120 --> 00:51:04,960
Speaker 2: But as a person with wide feet, I can't consider

997
00:51:05,080 --> 00:51:06,360
Speaker 2: that's they're just not for me.

998
00:51:06,640 --> 00:51:09,439
Speaker 3: Yeah, it's one of those shoes like a crop where

999
00:51:09,480 --> 00:51:12,320
Speaker 3: someone says, oh, they're so comfortable. I'm like, in spite

1000
00:51:12,360 --> 00:51:16,240
Speaker 3: of them not being comfortable, they're surprisingly comfortable.

1001
00:51:16,280 --> 00:51:19,759
Speaker 2: They somehow are defying the laws of physics.

1002
00:51:19,920 --> 00:51:20,920
Speaker 1: That's being comfortable.

1003
00:51:21,040 --> 00:51:23,720
Speaker 3: Comfortable if the heel's made of a block of wood.

1004
00:51:24,800 --> 00:51:29,239
Speaker 1: Also, it's like, I get they're comfortable if you are

1005
00:51:29,280 --> 00:51:33,680
Speaker 1: a cowboy that does a certain job. Right, ma'am, what

1006
00:51:33,840 --> 00:51:34,800
Speaker 1: are you doing?

1007
00:51:35,000 --> 00:51:39,040
Speaker 3: She's just preparing for the inevitable merge.

1008
00:51:40,040 --> 00:51:45,600
Speaker 1: When go now, go now? That is a seventeen year

1009
00:51:45,640 --> 00:51:50,200
Speaker 1: old case bug. Oh for an eighty year old. It

1010
00:51:50,360 --> 00:51:52,680
Speaker 1: helps when you're looking for your car in a parking lot.

1011
00:51:54,000 --> 00:51:57,040
Speaker 3: Yeah. I used to write my name on my underwear

1012
00:51:57,800 --> 00:51:58,040
Speaker 3: so you.

1013
00:51:58,040 --> 00:51:59,200
Speaker 1: Can find them in a parking lot.

1014
00:51:59,320 --> 00:52:03,400
Speaker 3: Yeah. At times that's where I wake up. Its chances

1015
00:52:03,440 --> 00:52:08,000
Speaker 3: are all eminence points where that's where my underpants are?

1016
00:52:08,160 --> 00:52:08,719
Speaker 1: Where am I?

1017
00:52:08,800 --> 00:52:11,560
Speaker 2: And then you check your the underpants band and you're

1018
00:52:11,600 --> 00:52:14,160
Speaker 2: like Chris Fairbanks doing fine.

1019
00:52:14,320 --> 00:52:19,600
Speaker 3: Yeah, it's like memento. Everything I need to know about

1020
00:52:19,600 --> 00:52:25,040
Speaker 3: myself is in my underpants. I've always said that since

1021
00:52:25,080 --> 00:52:28,520
Speaker 3: I was a child in Italy. Do they drive on

1022
00:52:28,560 --> 00:52:30,680
Speaker 3: the opposite side of the road? Is at a dumb question?

1023
00:52:30,920 --> 00:52:32,720
Speaker 3: They don't. It's not a dumb question.

1024
00:52:32,840 --> 00:52:33,720
Speaker 1: It was a smart question.

1025
00:52:33,800 --> 00:52:36,479
Speaker 3: Yeah, because I assume we all had.

1026
00:52:36,360 --> 00:52:38,759
Speaker 2: The same question, and then we were very grateful that

1027
00:52:38,800 --> 00:52:40,920
Speaker 2: it was the crux side of the road because we

1028
00:52:40,960 --> 00:52:45,680
Speaker 2: didn't think we could take the fear element of the

1029
00:52:45,719 --> 00:52:48,600
Speaker 2: style of driving combined with being on the other side.

1030
00:52:48,800 --> 00:52:51,520
Speaker 3: Yeah, it's I mean, I've talked about it in a

1031
00:52:51,600 --> 00:52:54,440
Speaker 3: million times, but the time I had to drive in

1032
00:52:54,480 --> 00:52:56,120
Speaker 3: a commercial on the wrong side of the road and

1033
00:52:56,280 --> 00:52:59,720
Speaker 3: added to that where old men on bicycles and sheep

1034
00:53:00,400 --> 00:53:03,439
Speaker 3: and very narrow roads like you said, and yes it's

1035
00:53:03,440 --> 00:53:04,560
Speaker 3: a one lane road.

1036
00:53:04,800 --> 00:53:05,000
Speaker 1: Yeah.

1037
00:53:05,200 --> 00:53:07,840
Speaker 3: Everywhere yea, in England.

1038
00:53:07,960 --> 00:53:10,440
Speaker 1: And in Italy, there's lots of bicyclists.

1039
00:53:11,040 --> 00:53:14,279
Speaker 2: So like say we went to Lake Como and it's

1040
00:53:14,440 --> 00:53:17,680
Speaker 2: real windy, windy, windy, seems like it's a one way street.

1041
00:53:17,920 --> 00:53:21,920
Speaker 2: Then there's like a pod of bicyclists on the side,

1042
00:53:22,000 --> 00:53:24,200
Speaker 2: so the driver gets over and then a car's just

1043
00:53:24,239 --> 00:53:24,960
Speaker 2: coming straight at it.

1044
00:53:25,160 --> 00:53:28,880
Speaker 1: Also, they do a lot of passing on windy mountain roads.

1045
00:53:28,960 --> 00:53:31,400
Speaker 1: Just blind like curve passing.

1046
00:53:31,640 --> 00:53:32,600
Speaker 3: Oh that scares me.

1047
00:53:32,840 --> 00:53:37,239
Speaker 2: It's scary, It's real scary. But then you've got this

1048
00:53:37,560 --> 00:53:41,440
Speaker 2: kind of Italian Stathum esque driver, like the one I

1049
00:53:41,440 --> 00:53:44,160
Speaker 2: told you about the cold text and drive and stick shifted.

1050
00:53:44,440 --> 00:53:45,920
Speaker 3: Did he look like Jason Statham?

1051
00:53:46,080 --> 00:53:49,799
Speaker 2: He had the vibe of Jason Stathum. Oh, I want

1052
00:53:49,840 --> 00:53:52,280
Speaker 2: to be over there, and I don't want to be killed.

1053
00:53:53,239 --> 00:53:56,439
Speaker 3: You're doing Oh cars, got some get up and pap

1054
00:53:56,680 --> 00:53:59,279
Speaker 3: does Look at these guys. Wow, they don't care.

1055
00:53:59,440 --> 00:54:02,520
Speaker 1: Totally allowed this way right nor yes?

1056
00:54:02,760 --> 00:54:07,040
Speaker 3: Yea, yeah, okay, I have no help. I'm so sorry.

1057
00:54:07,280 --> 00:54:07,719
Speaker 1: That's all right.

1058
00:54:08,440 --> 00:54:11,560
Speaker 2: Uh you're doing the more confirming after the fact.

1059
00:54:11,760 --> 00:54:17,520
Speaker 3: Yes, yes, I'm just yes. And it's funny that Lake Cuomo.

1060
00:54:17,800 --> 00:54:20,200
Speaker 3: I did not. I do not think of Italy. I

1061
00:54:20,239 --> 00:54:25,520
Speaker 3: think of Perry Cuomo. It just doesn't. When you said

1062
00:54:25,560 --> 00:54:27,959
Speaker 3: Lake Como, I just think about the state New York

1063
00:54:28,080 --> 00:54:31,640
Speaker 3: or something. And is there another Lake quot? Very am

1064
00:54:31,680 --> 00:54:32,760
Speaker 3: I saying that.

1065
00:54:32,640 --> 00:54:40,560
Speaker 2: Yes, it's Perry Como, it's it's Andrew and his brother

1066
00:54:40,680 --> 00:54:44,200
Speaker 2: whatever Cuomo. Yes, you're right about the state of New

1067
00:54:44,280 --> 00:54:47,359
Speaker 2: York and Cuomo, but in Italy it's Como or like

1068
00:54:47,440 --> 00:54:48,080
Speaker 2: the lake.

1069
00:54:47,920 --> 00:54:51,040
Speaker 3: Is Como you had me with. I'm right about the

1070
00:54:51,040 --> 00:54:53,120
Speaker 3: one in New York because I know I pulled that

1071
00:54:53,239 --> 00:54:54,760
Speaker 3: state out of my ass hat.

1072
00:54:55,239 --> 00:54:57,560
Speaker 1: Good job. Okay, tell me the exit.

1073
00:54:57,760 --> 00:55:02,279
Speaker 3: Now we stay on the freeway for four point four miles.

1074
00:55:02,480 --> 00:55:05,040
Speaker 1: Great, hall ass up here.

1075
00:55:05,200 --> 00:55:09,080
Speaker 3: Yeah, boy, car's got some Peppini step.

1076
00:55:09,320 --> 00:55:09,880
Speaker 1: Yeah.

1077
00:55:10,080 --> 00:55:14,520
Speaker 3: And there's your old car. Yeah there is, Jason Memories.

1078
00:55:14,760 --> 00:55:20,759
Speaker 1: Look at this lunatic like speeding and breaking. Sir, what

1079
00:55:20,880 --> 00:55:21,640
Speaker 1: are you doing?

1080
00:55:23,440 --> 00:55:27,560
Speaker 3: Yeah, that's like double footing. You can't be double footing.

1081
00:55:27,680 --> 00:55:29,400
Speaker 1: Don't double foot not in front of me.

1082
00:55:30,760 --> 00:55:35,560
Speaker 3: Oh, you're good at driving, smooth transition into lanes, right,

1083
00:55:36,520 --> 00:55:42,000
Speaker 3: you drive with purpose and it feel safe. Okay, good,

1084
00:55:42,120 --> 00:55:44,800
Speaker 3: and I'm not being sarcast Okay, good.

1085
00:55:44,239 --> 00:55:46,800
Speaker 1: Yes, this is a real adventure.

1086
00:55:46,880 --> 00:55:51,560
Speaker 2: This is a true kickoff episode one season four Wheel Drive.

1087
00:55:51,840 --> 00:55:55,120
Speaker 3: This is what I needed. There's rare, rarely times where

1088
00:55:55,160 --> 00:55:59,279
Speaker 3: I feel anxious or like I'm gonna screw up when

1089
00:55:59,320 --> 00:56:04,080
Speaker 3: we're doing it for Zoom, which just makes for better,

1090
00:56:04,719 --> 00:56:07,719
Speaker 3: better storytelling. And that's what we're here to do. We're

1091
00:56:07,719 --> 00:56:08,960
Speaker 3: here to tell us.

1092
00:56:08,960 --> 00:56:11,760
Speaker 1: Story We're the succession of podcasts.

1093
00:56:11,160 --> 00:56:15,240
Speaker 3: Yeah, we really are. And this is not our grand

1094
00:56:15,239 --> 00:56:21,000
Speaker 3: Finelle quite the opposite the premiere season four wheel.

1095
00:56:20,680 --> 00:56:21,960
Speaker 1: Trow four wheel drive.

1096
00:56:24,320 --> 00:56:27,840
Speaker 3: Oh enjoyable. Did you stay in the same place the

1097
00:56:27,840 --> 00:56:29,240
Speaker 3: whole time you were in Italy?

1098
00:56:29,480 --> 00:56:33,440
Speaker 2: No, we went to We were in four different places,

1099
00:56:33,480 --> 00:56:36,400
Speaker 2: so we went to Tuscany, we went to Florence, we

1100
00:56:36,440 --> 00:56:38,560
Speaker 2: went to Chinkatara on the coast, and then we went

1101
00:56:38,600 --> 00:56:39,200
Speaker 2: to Lake Como.

1102
00:56:39,239 --> 00:56:42,960
Speaker 3: At the end. Oh man, I bet it's beautiful. They

1103
00:56:43,000 --> 00:56:46,120
Speaker 3: would like a slide show on the projector Okay, I

1104
00:56:46,160 --> 00:56:49,400
Speaker 3: know you own not because of Mac and Me. That

1105
00:56:49,520 --> 00:56:51,920
Speaker 3: was the old one, but it's been replaced with a

1106
00:56:51,920 --> 00:56:54,560
Speaker 3: newer model. I was sent one, but I don't have

1107
00:56:54,600 --> 00:56:57,480
Speaker 3: any white walls to screen my own Mac and Me.

1108
00:56:57,719 --> 00:56:58,399
Speaker 1: Oh, that's right.

1109
00:56:58,719 --> 00:57:01,359
Speaker 2: That would be really funny if I invited people over

1110
00:57:01,400 --> 00:57:03,480
Speaker 2: to show them my vacation pictures.

1111
00:57:03,520 --> 00:57:06,960
Speaker 3: I think you should style. It's something that people used

1112
00:57:07,000 --> 00:57:08,680
Speaker 3: to be a joke, like, oh no, we have to

1113
00:57:08,719 --> 00:57:12,800
Speaker 3: see the slides. Like that would something as a child,

1114
00:57:13,600 --> 00:57:17,800
Speaker 3: there would be fondue and my parents would actually show slides.

1115
00:57:17,840 --> 00:57:19,720
Speaker 3: I don't know where all these photos have gone, because

1116
00:57:19,760 --> 00:57:21,520
Speaker 3: I don't even know what I look like as a

1117
00:57:21,640 --> 00:57:23,320
Speaker 3: child anymore.

1118
00:57:23,480 --> 00:57:27,240
Speaker 1: I think they probably donated them all to like.

1119
00:57:27,760 --> 00:57:31,560
Speaker 3: Very sought after my child's photos, especially the ones who

1120
00:57:31,800 --> 00:57:32,400
Speaker 3: later hosen.

1121
00:57:32,520 --> 00:57:34,960
Speaker 1: God I was a kid kid there were There's a

1122
00:57:35,000 --> 00:57:39,040
Speaker 1: guy on TikTok that goes and finds people's old vacation

1123
00:57:39,960 --> 00:57:43,560
Speaker 1: slides and then puts the slides together on TikTok, which

1124
00:57:43,600 --> 00:57:44,520
Speaker 1: I think is awesome.

1125
00:57:45,200 --> 00:57:52,080
Speaker 3: And because someone offered to find my crosswalking, I already searched,

1126
00:57:52,240 --> 00:57:55,160
Speaker 3: so I know they're very difficult to find. But someone

1127
00:57:55,200 --> 00:57:59,280
Speaker 3: did offer to research and find through microfiche. I guess

1128
00:57:59,360 --> 00:58:02,960
Speaker 3: newspaper stuff, old photos.

1129
00:58:03,080 --> 00:58:05,760
Speaker 1: Oh that's good. Is it starting to rain a little.

1130
00:58:06,680 --> 00:58:07,680
Speaker 3: We're getting some weather.

1131
00:58:09,200 --> 00:58:11,320
Speaker 1: It's been driving so long, the weather change.

1132
00:58:11,520 --> 00:58:15,080
Speaker 3: Yeah, I did want this podcast. The one thing that

1133
00:58:15,160 --> 00:58:19,560
Speaker 3: was missing was possibly slippy streets. And by that I

1134
00:58:19,560 --> 00:58:20,400
Speaker 3: mean slippery.

1135
00:58:21,200 --> 00:58:21,439
Speaker 1: Yeah.

1136
00:58:21,920 --> 00:58:29,480
Speaker 3: Oh we got a case of slippy streets. Uh, be careful,

1137
00:58:29,840 --> 00:58:31,160
Speaker 3: gonna say it a third time.

1138
00:58:31,400 --> 00:58:33,080
Speaker 1: Slippy streets.

1139
00:58:34,920 --> 00:58:39,760
Speaker 3: My favorite certain words just have a nice cadence. Slippy

1140
00:58:39,800 --> 00:58:40,840
Speaker 3: streets is one.

1141
00:58:41,000 --> 00:58:42,720
Speaker 1: Jamira quay is another.

1142
00:58:43,160 --> 00:58:46,360
Speaker 3: Yes, Oh god, that was a beautiful have What was

1143
00:58:46,360 --> 00:58:46,920
Speaker 3: that cagle?

1144
00:58:47,440 --> 00:58:48,960
Speaker 1: It looked like a furry cagle.

1145
00:58:49,760 --> 00:58:51,600
Speaker 3: I wonder if I could get away with that.

1146
00:58:52,240 --> 00:58:55,880
Speaker 2: A lavender furry cagle. That woman was doing it right.

1147
00:58:56,200 --> 00:58:58,080
Speaker 3: You know that she loves that hat. And I wish

1148
00:58:58,120 --> 00:59:00,400
Speaker 3: we had been on foot so we could go great hat,

1149
00:59:00,440 --> 00:59:03,960
Speaker 3: could she'd be like a woman? And Arthur, Oh, I

1150
00:59:04,080 --> 00:59:04,960
Speaker 3: know I've heard.

1151
00:59:06,640 --> 00:59:08,000
Speaker 1: Is that a line in Arthur?

1152
00:59:08,280 --> 00:59:11,480
Speaker 3: Yeah, he's drunk and he's about to say he and

1153
00:59:11,520 --> 00:59:13,880
Speaker 3: Susan will not be getting married. He was just beat

1154
00:59:13,960 --> 00:59:19,640
Speaker 3: up by Susan's father and he didn't know what to say.

1155
00:59:19,720 --> 00:59:23,520
Speaker 3: Felt awkward. Everyone's staring at Arthur and he's limping and bloodied.

1156
00:59:23,760 --> 00:59:25,720
Speaker 3: And there is a lady with a floppy hat that

1157
00:59:25,960 --> 00:59:29,480
Speaker 3: she was already complimented by the great Liza Minelly yep,

1158
00:59:29,880 --> 00:59:33,160
Speaker 3: and so just back to back compliments on this floppy

1159
00:59:33,200 --> 00:59:37,120
Speaker 3: hat and she was just elated. So I'm my point

1160
00:59:37,240 --> 00:59:43,040
Speaker 3: is always compliment Oh yeah, that's great lady's hat. Because

1161
00:59:43,080 --> 00:59:45,560
Speaker 3: they're kind of going out on a limb. It's like,

1162
00:59:45,600 --> 00:59:48,440
Speaker 3: I'm gonna wear my fun hat. Yeah, I hope someone

1163
00:59:48,520 --> 00:59:50,560
Speaker 3: reminds me I'm fun do it.

1164
00:59:51,280 --> 00:59:55,840
Speaker 2: Also, I think these days, you know, trunds come big, bold,

1165
00:59:56,560 --> 00:59:59,520
Speaker 2: and you might find yourself wearing a like a bolero

1166
01:00:00,080 --> 01:00:00,360
Speaker 2: in the.

1167
01:00:00,280 --> 01:00:01,040
Speaker 1: Middle of the day.

1168
01:00:01,160 --> 01:00:05,000
Speaker 2: It does feel pretty risky, like you think it's a

1169
01:00:05,000 --> 01:00:07,280
Speaker 2: good idea because it's what everyone else in social media

1170
01:00:07,320 --> 01:00:07,680
Speaker 2: is doing.

1171
01:00:07,840 --> 01:00:08,800
Speaker 1: Yeah, then you're just.

1172
01:00:08,840 --> 01:00:12,400
Speaker 2: Out and about with like a big old wide brim

1173
01:00:12,480 --> 01:00:12,760
Speaker 2: hat on.

1174
01:00:13,040 --> 01:00:16,000
Speaker 3: Yeah, and a lot of times. And I've done this myself,

1175
01:00:16,120 --> 01:00:20,080
Speaker 3: like someone along have a loud, complicated shirt and I'm like,

1176
01:00:20,240 --> 01:00:23,520
Speaker 3: great shirt, when I really don't think so at all.

1177
01:00:23,640 --> 01:00:25,680
Speaker 3: I just know they went out on a limb. They're like,

1178
01:00:25,720 --> 01:00:28,400
Speaker 3: I'm gonna wear my shirt with purple and mustard.

1179
01:00:28,880 --> 01:00:32,640
Speaker 1: Yeah, you're saying, great idea to risk it.

1180
01:00:32,920 --> 01:00:37,600
Speaker 3: Yes, I'm supporting your your your bad taste, your freedoms.

1181
01:00:37,680 --> 01:00:40,160
Speaker 3: But boy, you have bad taste. I leave that part out.

1182
01:00:40,360 --> 01:00:45,880
Speaker 1: I'm supporting your freedoms, your varied freedom. Oh we have a.

1183
01:00:50,320 --> 01:00:52,520
Speaker 3: God. We got to turn on the scanner. That would

1184
01:00:52,520 --> 01:00:53,360
Speaker 3: add to the chaos.

1185
01:00:53,480 --> 01:00:54,760
Speaker 1: I'm gonna drive by this guy.

1186
01:00:54,840 --> 01:01:00,280
Speaker 3: Real, he's evading. I believe we're No, he's just over

1187
01:01:00,440 --> 01:01:04,560
Speaker 3: in orderly fashion. But at first it looked like an evasion.

1188
01:01:06,160 --> 01:01:08,200
Speaker 3: Oh well, they don't have to pull over. That's just

1189
01:01:08,240 --> 01:01:13,320
Speaker 3: a college campus cop. Nope, community yep, Glendale Community College cop.

1190
01:01:13,640 --> 01:01:14,880
Speaker 3: You don't even need to pull over.

1191
01:01:15,040 --> 01:01:18,240
Speaker 1: What did that girl do, Glen?

1192
01:01:18,760 --> 01:01:22,200
Speaker 2: Oh no, this is the Glendale Community College it is.

1193
01:01:22,280 --> 01:01:25,720
Speaker 3: She was doing Glendale Community College stuff, probably looking at

1194
01:01:25,760 --> 01:01:28,000
Speaker 3: her notes on her phone. She's studying for a test

1195
01:01:28,000 --> 01:01:28,680
Speaker 3: while driving.

1196
01:01:28,920 --> 01:01:32,800
Speaker 2: He's like, I know you you have some libraries books

1197
01:01:32,840 --> 01:01:36,400
Speaker 2: that are overdue. Yeah, yeah, put your hands on the hood.

1198
01:01:36,720 --> 01:01:39,240
Speaker 3: A lot of people forget that's a jailable offense.

1199
01:01:41,200 --> 01:01:41,600
Speaker 1: Do you know that?

1200
01:01:41,640 --> 01:01:44,400
Speaker 2: When I was little, I checked out like eight Encyclopedia

1201
01:01:44,440 --> 01:01:47,120
Speaker 2: Brown books and then I didn't return them, and I

1202
01:01:47,200 --> 01:01:49,200
Speaker 2: knew they were overdue, and then they just put them

1203
01:01:49,200 --> 01:01:51,640
Speaker 2: in the back of my closet and never told anybody,

1204
01:01:52,000 --> 01:01:54,320
Speaker 2: and they stayed there for months, And my mom's like,

1205
01:01:54,320 --> 01:01:56,720
Speaker 2: what was the plan here? Like why wouldn't you just

1206
01:01:57,280 --> 01:01:58,960
Speaker 2: tell me and we would go to the library.

1207
01:01:59,080 --> 01:02:02,280
Speaker 3: Were you at an age where you didn't realize you

1208
01:02:03,120 --> 01:02:04,280
Speaker 3: were costing her money?

1209
01:02:05,520 --> 01:02:08,960
Speaker 1: Yes, young enough to not understand the fines. But also.

1210
01:02:10,360 --> 01:02:12,760
Speaker 2: I think it's a good reflection of how my sister

1211
01:02:12,760 --> 01:02:15,000
Speaker 2: and I were often left to our own devices to

1212
01:02:15,040 --> 01:02:18,800
Speaker 2: fix things that were actually adult level problems. Right, So

1213
01:02:18,840 --> 01:02:20,960
Speaker 2: then it was like, oh shit, I don't I can't

1214
01:02:21,040 --> 01:02:23,000
Speaker 2: get to the library, and I don't have the money

1215
01:02:23,000 --> 01:02:24,640
Speaker 2: to pay for this, so I'm just going to hide

1216
01:02:24,680 --> 01:02:25,160
Speaker 2: the books.

1217
01:02:25,280 --> 01:02:28,480
Speaker 3: Yeah, yeah, that's I had a roommate that if a

1218
01:02:28,520 --> 01:02:32,560
Speaker 3: pot or a pan got burnt or was uncleanable, he

1219
01:02:32,760 --> 01:02:37,120
Speaker 3: just put it in our clothes washer and then you'd

1220
01:02:37,200 --> 01:02:42,800
Speaker 3: find it later with last of us mold on it.

1221
01:02:43,560 --> 01:02:49,760
Speaker 3: But then you said Encyclopedia Brown books. I thought Brown Encyclopedias.

1222
01:02:49,800 --> 01:02:52,880
Speaker 3: But Encyclopedia Brown was a child sleuth.

1223
01:02:53,320 --> 01:02:55,560
Speaker 1: Yes, a real smart boy that.

1224
01:02:57,640 --> 01:03:01,160
Speaker 2: Just kind of new trivia stuff and that would help

1225
01:03:01,240 --> 01:03:02,360
Speaker 2: him solve.

1226
01:03:03,680 --> 01:03:04,720
Speaker 1: Mysteries around town.

1227
01:03:04,960 --> 01:03:11,680
Speaker 3: Oh really, yeah really? Oh really? Well, I was thinking trivia.

1228
01:03:11,720 --> 01:03:14,920
Speaker 3: It's not like, what's where is Lake Pomo? And then

1229
01:03:14,960 --> 01:03:16,560
Speaker 3: he's like the murder weapon is here?

1230
01:03:16,760 --> 01:03:18,560
Speaker 1: He's like, it's Lake Cuomo.

1231
01:03:19,880 --> 01:03:27,600
Speaker 3: Uh I should uh? I all these childhood books I

1232
01:03:27,680 --> 01:03:29,080
Speaker 3: never even read back then.

1233
01:03:30,400 --> 01:03:32,520
Speaker 1: You didn't know too cool?

1234
01:03:33,360 --> 01:03:36,520
Speaker 3: Yeah, for school, and there was a lot of reading

1235
01:03:36,600 --> 01:03:39,000
Speaker 3: at school. Yeah, I want to stay cool.

1236
01:03:39,440 --> 01:03:42,360
Speaker 1: Yeah, and so I didn't. Uh you said fuck it?

1237
01:03:42,560 --> 01:03:49,080
Speaker 3: Yeah okay, but still good ease A lot of people had.

1238
01:03:49,480 --> 01:03:51,680
Speaker 1: Did you have ease for excellent?

1239
01:03:52,000 --> 01:03:54,440
Speaker 3: He asking you for unsatisfactory?

1240
01:03:54,960 --> 01:03:57,480
Speaker 1: No, that sounds like some montessory bullshit.

1241
01:03:57,800 --> 01:04:01,480
Speaker 3: Yeah it does, Yeah, yeah, it really does. We created

1242
01:04:01,520 --> 01:04:04,560
Speaker 3: our own lesson plans. Lesson plans.

1243
01:04:04,720 --> 01:04:07,760
Speaker 1: Yeah, I hope that cop isn't gonna pull me over.

1244
01:04:08,080 --> 01:04:11,280
Speaker 3: Well, we were driving like community college kids.

1245
01:04:13,120 --> 01:04:16,000
Speaker 1: Okay, Now we just go all straight down the street.

1246
01:04:16,040 --> 01:04:17,440
Speaker 1: Now I know we're.

1247
01:04:17,200 --> 01:04:19,360
Speaker 3: Yeah, we used to drive in this neighborhood too.

1248
01:04:19,720 --> 01:04:20,240
Speaker 1: Yeah.

1249
01:04:20,400 --> 01:04:23,160
Speaker 3: It's the only way I see the city I live

1250
01:04:23,200 --> 01:04:25,920
Speaker 3: in is through this podcast.

1251
01:04:26,480 --> 01:04:28,120
Speaker 1: And so it's great that we're back in the car.

1252
01:04:28,640 --> 01:04:31,360
Speaker 3: Yeah, it is. It is. It's gonna make me appreciate

1253
01:04:31,400 --> 01:04:33,880
Speaker 3: where I live. It's right up that road.

1254
01:04:34,000 --> 01:04:36,920
Speaker 1: Okay, So should we tell her we're herehow?

1255
01:04:37,280 --> 01:04:37,680
Speaker 3: Yeah?

1256
01:04:37,840 --> 01:04:40,920
Speaker 1: On a Lisa's on it.

1257
01:04:40,920 --> 01:04:42,640
Speaker 2: It would be so funny if Margaret came out with

1258
01:04:42,680 --> 01:04:43,800
Speaker 2: like old age makeup on.

1259
01:04:48,120 --> 01:04:53,160
Speaker 3: That's just what she's doing with your time waiting. Look

1260
01:04:53,160 --> 01:05:00,360
Speaker 3: at her old timey mailbox. So cool. Well, should we

1261
01:05:00,480 --> 01:05:02,439
Speaker 3: practice our apologies on each other?

1262
01:05:02,640 --> 01:05:06,720
Speaker 2: Yeah, okay, Hey, I'm so sorry, Chris and Anally's got

1263
01:05:06,760 --> 01:05:08,560
Speaker 2: to my house and I was blow drying my hair,

1264
01:05:09,120 --> 01:05:10,800
Speaker 2: which is a classic move of mine.

1265
01:05:11,880 --> 01:05:15,360
Speaker 3: So you're gonna take ownership. Yeah, that doesn't mind, doesn't work,

1266
01:05:15,360 --> 01:05:24,400
Speaker 3: because I was gonna blame it on you. I had uh,

1267
01:05:24,440 --> 01:05:28,720
Speaker 3: I had at court Jerry duty. Yep. Then I'm gonna

1268
01:05:28,760 --> 01:05:29,000
Speaker 3: use that.

1269
01:05:29,960 --> 01:05:32,560
Speaker 1: Oh you had it like this morning?

1270
01:05:32,800 --> 01:05:35,800
Speaker 3: Oh wow? It's a nice house.

1271
01:05:36,160 --> 01:05:37,840
Speaker 1: Oh yeah, she has a beautiful home.

1272
01:05:38,480 --> 01:05:44,200
Speaker 3: It is beautiful and well, there she's coming down the walk, yay,

1273
01:05:44,640 --> 01:05:57,040
Speaker 3: wearing a long gray wig. This has been an exactly

1274
01:05:57,160 --> 01:05:57,920
Speaker 3: Right production.

1275
01:05:58,400 --> 01:06:02,560
Speaker 2: Produced by Analise Nelson, mixed by Edson Choi. Our talent

1276
01:06:02,600 --> 01:06:03,960
Speaker 2: booker is Patrick Coottner.

1277
01:06:04,240 --> 01:06:06,200
Speaker 3: Themed song by Karen Kilgarritt.

1278
01:06:06,640 --> 01:06:08,080
Speaker 1: Artwork by Chris Fairbanks.

1279
01:06:08,280 --> 01:06:11,360
Speaker 2: Follow the show on Instagram, Twitter, and Facebook at dinar

1280
01:06:11,480 --> 01:06:14,560
Speaker 2: podcast That's d y nar Podcast.

1281
01:06:15,000 --> 01:06:19,000
Speaker 3: For more information, go to exactly rightmedia dot com. Thank you,

1282
01:06:19,800 --> 01:06:20,840
Speaker 3: Oh you're welcome.