WEBVTT - Is She The Villain? with Amanda Schull • 721

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<v Speaker 1>First of all, you don't know me. We all about

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<v Speaker 1>that high school drama, Girl Drama, Girl, all about them.

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<v Speaker 2>High school queens. We'll take you for a ride. And

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<v Speaker 2>our comic girl shared for the right team Drama Queens.

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<v Speaker 2>Jaylie's my girl Girl Fashion, but your tough girl. You

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<v Speaker 2>could sit with us.

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<v Speaker 1>Girl Drama, Queens Drama, Queens Drama, Queens Drama, John the

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<v Speaker 1>Queens Drama Queens.

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<v Speaker 2>Hi Friends, welcome back. We have Amanda Shule today and

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<v Speaker 2>we're talking all about episode seven one. What's in the

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<v Speaker 2>ground belongs to you? We have a synopsis. Here is

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<v Speaker 2>it in the chat? Amanda, Amanda, do you want to

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<v Speaker 2>do the honors and read the synopsis for us?

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<v Speaker 3>Oh? Nathan struggles to reach an increasingly despondent Haley, while

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<v Speaker 3>Quinn leads Jamie on this is an in it, but

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<v Speaker 3>what an epic Tree Hill treasure hunt? Oh yeah, holy

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<v Speaker 3>col Julian shows his finished film to Brook and Clay

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<v Speaker 3>is for to deal with deranged.

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<v Speaker 4>Katie after he spent the whole Q and A trying

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<v Speaker 4>to humanize her.

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<v Speaker 2>Yeah, de ranged. This was directed by Peter Kowalski. Yeah,

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<v Speaker 2>let's get into it, guys. Wow, where do we start?

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<v Speaker 4>What a fun episode.

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<v Speaker 2>It really was. I have to say I was all

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<v Speaker 2>here for this treasure hunt that this was my favorite

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<v Speaker 2>thing in the episode. I just kept waiting for these

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<v Speaker 2>scenes to come back. I was. I loved watching Chantelle

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<v Speaker 2>and Jackson run around Wilmington. You could tell Chantelle was

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<v Speaker 2>having the time of her life. Jackson clearly was too.

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<v Speaker 2>It was such a great idea, and as a parent,

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<v Speaker 2>I'm like, oh, what didn't I think I hire yes,

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<v Speaker 2>my kids.

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<v Speaker 4>And the choice to open up though on the shot

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<v Speaker 4>of her digging in the woods by herself and having

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<v Speaker 4>the camera at a low angle, Oh yeah, I was like,

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<v Speaker 4>miss is she bearing a body?

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<v Speaker 2>Yes, she preparing to marry a body? What is going on?

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<v Speaker 4>That was a great, great little teaser.

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<v Speaker 3>M Oh yeah. I really enjoyed because she I did

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<v Speaker 3>believe everything that Chantal was saying. I believe it, and

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<v Speaker 3>I loved how she like led him along with it.

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<v Speaker 3>She never did like a wink wink you know. Yeah,

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<v Speaker 3>it was she was at his level, just playing, having fun,

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<v Speaker 3>and that was really enjoyable. But every single time they appeared,

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<v Speaker 3>I was like, she waded into a fountain earlier that

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<v Speaker 3>day for this ye holy cow, she dug She went

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<v Speaker 3>on like a creepy boat, almost like like this is

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<v Speaker 3>like the Aunt of the Year award.

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<v Speaker 2>Yeah, that is so chantal too, by the way, I

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<v Speaker 2>mean one hundred percent her personality. She would do that

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<v Speaker 2>without hesitation for anyone she leaves.

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<v Speaker 4>It's so sweet. She goes full out. But it was

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<v Speaker 4>it was so good. We were talking about this last

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<v Speaker 4>episode because there was a scene where Skills took Jamie,

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<v Speaker 4>just the two of them, to have lunch, and I

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<v Speaker 4>was saying, as a parent, it means so much when

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<v Speaker 4>you see another adult actually invest in your child and

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<v Speaker 4>show up for your child, And so I was saying

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<v Speaker 4>it was for me as a viewer and as a dad.

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<v Speaker 4>I watched it, and I because I've been sort of

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<v Speaker 4>upset with Skills lately from some of his behavior in

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<v Speaker 4>the way he's treating his friends and Lauren, and then

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<v Speaker 4>that scene happened. I was like, well, Okay, you're all right,

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<v Speaker 4>I guess.

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<v Speaker 3>Isn't it interesting how it colors everything you see now

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<v Speaker 3>as a parent, like you see the world through a

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<v Speaker 3>different lens. You're watching television that's not children's television or

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<v Speaker 3>like anything specifically kid related. Either you're watching it and

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<v Speaker 3>seeing it and appreciating it differently, and now you have

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<v Speaker 3>like a new fondness for a character of your own offspring.

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<v Speaker 4>And to see that Quinn put listen. It would have

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<v Speaker 4>been enough if she just showed up with goonies. Yeah, yeah,

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<v Speaker 4>it was like, Hey, this is something important to me

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<v Speaker 4>that I think you might like. Let's have this experience together.

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<v Speaker 4>That would have been great. But the fact that she did,

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<v Speaker 4>I mean, let's be honest, that's about a whole day's

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<v Speaker 4>worth of work. Yeah, prior to give him that experience,

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<v Speaker 4>because that's what kids remember, you know. It's not so

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<v Speaker 4>much the gifts as is the experience is like he's

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<v Speaker 4>going to remember that for the rest of his life.

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<v Speaker 4>That was just I mean, what a great way to

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<v Speaker 4>show a character's character. M Yeah, I loved it, and

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<v Speaker 4>I agree. It was also fun as heck, I love

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<v Speaker 4>the movie or the Goonies personally, so like you, I

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<v Speaker 4>was on board for all of it.

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<v Speaker 2>Yeah, epic, epic treasure hunt, Quinn saving the day.

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<v Speaker 4>How about the opposite of Quinn. Yeah, I think we're

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<v Speaker 4>falling apart. That was another shade of it was that

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<v Speaker 4>it wasn't just Quinn being a great mom. It was

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<v Speaker 4>her taking the temperature of the room and realizing that

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<v Speaker 4>she needed to kind of step in and you know

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<v Speaker 4>and be there while while Haley was sort of absent, Yeah.

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<v Speaker 3>Not needing to talk about it either. That That's also

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<v Speaker 3>kind of something lovely that I noticed. It wasn't like, hey,

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<v Speaker 3>so let's sit down and talk about your mom, you

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<v Speaker 3>know which kids. I mean, he's a little bit older,

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<v Speaker 3>but kids don't want to talk about the thing. You know.

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<v Speaker 3>She let him just be a kid, and then he

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<v Speaker 3>guided her back, you know, at the very end, and

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<v Speaker 3>then that beautiful sweet note you know where we all

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<v Speaker 3>just kind of broke a little bit, you know, But

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<v Speaker 3>but it is, it is. It is really different to

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<v Speaker 3>watch it as a parent now, to see an adult

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<v Speaker 3>showing up and not needing it to show up because

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<v Speaker 3>of the thing. I'm just showing up because I love

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<v Speaker 3>this movie and we're just gonna watch this movie. You know.

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<v Speaker 2>That's so true. Kids don't want to talk about the thing,

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<v Speaker 2>and they don't necessarily need to, Like I learned that

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<v Speaker 2>just being a parent. You know that I'm such a

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<v Speaker 2>problem solver. I love to dive into things and dissect

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<v Speaker 2>things and figure out the thing and having a having

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<v Speaker 2>a kid really gave me a new ability to just

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<v Speaker 2>step back and like, we don't have to solve everything

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<v Speaker 2>right now. We don't have to dissect everything right now. Like,

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<v Speaker 2>if there's something you want to talk about, what's the

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<v Speaker 2>what's the most efficient least amount of talking that we

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<v Speaker 2>can do. We can say one or two things to

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<v Speaker 2>each other and then move on. If I've got a

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<v Speaker 2>point to make, I better make it quick, because she

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<v Speaker 2>jumps on me too. She'll be like, Okay, Mom, I'm lost,

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<v Speaker 2>you're boring me. I don't. I'm it's too much. Okay.

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<v Speaker 2>So it takes it's a skill to learn how to

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<v Speaker 2>do that. And I love that Quinn has that skill

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<v Speaker 2>without even being a mom. She she just has that

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<v Speaker 2>instinct to no, we're pals, let's just let's just hang.

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<v Speaker 2>Things get worked out Sometimes just by being in someone's presence,

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<v Speaker 2>you don't always have to talk about it.

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<v Speaker 3>Yeah, I think it don't like to talk about it,

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<v Speaker 3>and kids can work through it more easily. I've noticed

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<v Speaker 3>that with my son. First of all, something I've learned

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<v Speaker 3>from him is how to just get over stuff. He

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<v Speaker 3>doesn't dwell on stuff, and he's taught me kind of

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<v Speaker 3>the art of not just forgiveness, but of just yeah,

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<v Speaker 3>people do some creuddy things sometimes, and then it's up

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<v Speaker 3>to you to get over it, you know, And he'll

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<v Speaker 3>just get over it and if he wants to talk

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<v Speaker 3>about it a little bit, you know, and I'll say

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<v Speaker 3>I'm sorry that I got upset earlier. I was really

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<v Speaker 3>frustrated and I was in a rush or you know,

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<v Speaker 3>whatever it is, and he's like, it's okay. Where rather

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<v Speaker 3>than just dwelling on it and being like, yes when

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<v Speaker 3>you got up, you know, he's just he's a kid,

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<v Speaker 3>and these little things happen and you just move on.

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<v Speaker 2>Do you think it's partially because of what we were

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<v Speaker 2>talking about earlier about how people, you know, the very

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<v Speaker 2>human nature to want to compartmentalize and reduce people down

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<v Speaker 2>in the moment to whatever the worst moment is that

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<v Speaker 2>as as adults, we feel the need to explain ourselves

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<v Speaker 2>so that we don't get reduced down. And kid kids

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<v Speaker 2>don't have that instinct. It's just like they they can

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<v Speaker 2>see you as a whole picture, and that one little

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<v Speaker 2>thing doesn't follow the whole picture. The way that we

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<v Speaker 2>are we overthinking things like what is that.

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<v Speaker 4>All the time we are all the time we are.

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<v Speaker 4>I mean think I try to remind myself it's like,

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<v Speaker 4>whatever happens, it's all just information, and it's the narrative

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<v Speaker 4>that I choose to hang on it that makes it

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<v Speaker 4>painful or joyful. And I think the thing with kids

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<v Speaker 4>is they're just they're they're not putting a narrative on things.

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<v Speaker 4>It's like that happened, I'm going to feel it and

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<v Speaker 4>then it's gone. Whereas adult it's like I got cut

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<v Speaker 4>off in traffic. What's because that person thinks their time

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<v Speaker 4>is more valuable than mine. They don't care about me.

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<v Speaker 4>They probably think they're better than me. It's like I

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<v Speaker 4>will my brain is a meaning making machine and it

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<v Speaker 4>is constantly telling me a story, and I offer because

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<v Speaker 4>of that story, not so much because of what actually happened,

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<v Speaker 4>you know. And I think kids just they haven't had

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<v Speaker 4>that drama yet, they haven't had whatever had to develop

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<v Speaker 4>the coping mechanism yet, so they're just like, cool, you

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<v Speaker 4>did that thing, it's dunk. Great, what do we have

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<v Speaker 4>to lunch?

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<v Speaker 3>Yeah?

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<v Speaker 2>And they take you at your word too, like if

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<v Speaker 2>I do something that is, if I am dismissive or

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<v Speaker 2>I don't pay attention to her in a moment when

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<v Speaker 2>she is asking me to and then I forget what

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<v Speaker 2>she said. When I apologize, they it's okay, okay.

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<v Speaker 3>Thank you some of your apology, accept it and move on. Yes, man, Hey, hey,

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<v Speaker 3>can the three of us make a pact that we

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<v Speaker 3>are going to accept apologies and move the f on? Yes,

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<v Speaker 3>at least the next month. Let's work on the next one.

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<v Speaker 3>Can we do that?

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<v Speaker 4>Guys, we're like the emotional goonies. Okay, we're going on

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<v Speaker 4>our own adventure hoping to find serenity in peace. Yes, Like,

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<v Speaker 4>let's check back in a month. I'm so in for that.

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<v Speaker 4>I'm in it. And I have a note in my phone.

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<v Speaker 4>I have two notes that I keep at the bottom

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<v Speaker 4>of my to do list so I see them every day,

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<v Speaker 4>and one of them is just don't take it all

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<v Speaker 4>so seriously, which I need to remind myself of all

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<v Speaker 4>the time and stop assuming you know how this is

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<v Speaker 4>supposed to go. Yeah, good, because it's like, but the kids,

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<v Speaker 4>you're right, It's like, just don't take it so seriously

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<v Speaker 4>because in my head it's like, come on, we're gonna

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<v Speaker 4>you know, this isn't when we do bath times. It's

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<v Speaker 4>like it's bath time. It's just a bath like it's

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<v Speaker 4>the steaks couldn't be lower. You're just tired and you

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<v Speaker 4>haven't had a meal in eight hours. Have a snack,

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<v Speaker 4>take a breath.

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<v Speaker 3>It's all okay, the stakes couldn't below.

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<v Speaker 2>I see it. But it really grows in us the

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<v Speaker 2>older we get. You know, my daughter's thirteen. Now I

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<v Speaker 2>can see in her and her friends the fear around

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<v Speaker 2>school around you know, even if something as simple as

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<v Speaker 2>raising your hand in a classroom, that fear grows in us.

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<v Speaker 2>It's not that wasn't there when she was five and

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<v Speaker 2>six in kindergarten, first grade. If she had a question,

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<v Speaker 2>you just raise your hand and you just shout it out.

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<v Speaker 2>And it's the repetitive squashing of curiosity, I think, and

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<v Speaker 2>that grows this sense of fear around oh maybe I.

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<v Speaker 3>And judgment and yes, right, squashing of curiosity and also

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<v Speaker 3>the judgment like, well, people might think I'm silly or

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<v Speaker 3>stupid for asking this question, or you know this, my

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<v Speaker 3>son will just hear music and just break into dance. Yeah,

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<v Speaker 3>probably won't do that his whole life, right, No, because

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<v Speaker 3>he's going to feel self conscious at a certain point.

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<v Speaker 2>And the sense of with good classroom stuff with worrying

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<v Speaker 2>about am I am I going to get a good grade?

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<v Speaker 2>Am I going to do well in the test? And

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<v Speaker 2>there's so much pressure and there's so much stress, and

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<v Speaker 2>I'm like, it's six's and it's eighth grade. Like this

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<v Speaker 2>is when you're learning how to. You can't no one's

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<v Speaker 2>expecting you to do perfectly. This is what life is

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<v Speaker 2>for right now, is learning how to how to make

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<v Speaker 2>mistakes and be okay with it and forgive yourself and

0:12:16.000 --> 0:12:18.120
<v Speaker 2>forgive other people, and like this is what we should

0:12:18.120 --> 0:12:21.400
<v Speaker 2>be learning. But this standard of perfection that they're always

0:12:21.400 --> 0:12:22.040
<v Speaker 2>trying to hit.

0:12:22.480 --> 0:12:24.920
<v Speaker 3>But that's also I mean, kids are sponges and they

0:12:24.920 --> 0:12:28.560
<v Speaker 3>reflect everything we do. So they'll see I mean once

0:12:28.600 --> 0:12:30.800
<v Speaker 3>they get out of the home and they see other

0:12:30.840 --> 0:12:33.640
<v Speaker 3>adults doing that too, but they just want to mimic everything, right,

0:12:33.960 --> 0:12:36.679
<v Speaker 3>So if they see us judging things, and if they

0:12:36.679 --> 0:12:39.920
<v Speaker 3>see us, you know, second guessing our behavior, they're going

0:12:39.920 --> 0:12:42.280
<v Speaker 3>to do the exact same thing. Yeah, my son is

0:12:42.320 --> 0:12:45.400
<v Speaker 3>like the most resilient human I have ever seen in

0:12:45.440 --> 0:12:47.880
<v Speaker 3>my entire life. And I would love to take credit

0:12:47.960 --> 0:12:50.000
<v Speaker 3>for it, but I can't. It's like he's not Kids

0:12:50.040 --> 0:12:53.640
<v Speaker 3>are naturally resilient, you know, yeah, like, oh I messed

0:12:53.720 --> 0:12:55.160
<v Speaker 3>up on this, but that's okay. I can still do

0:12:55.200 --> 0:12:57.320
<v Speaker 3>this and he'll turn it into something else. Is it'll

0:12:57.400 --> 0:13:00.640
<v Speaker 3>drawing or whatever it is, Like maybe all have that

0:13:00.720 --> 0:13:03.160
<v Speaker 3>outlook on our own lives, you know.

0:13:03.960 --> 0:13:06.400
<v Speaker 2>Yeah, and we're seeing it in Jamie in this episode too.

0:13:07.320 --> 0:13:10.959
<v Speaker 2>He's just well bouncing back, but isn't it.

0:13:10.960 --> 0:13:14.840
<v Speaker 4>It was so heartbreaking though, because so he walks out

0:13:14.960 --> 0:13:18.080
<v Speaker 4>when Haley sort of just despondent by the pool, and

0:13:18.120 --> 0:13:20.440
<v Speaker 4>he says, MoMA, I made my own breakfast and cleaned

0:13:20.440 --> 0:13:23.880
<v Speaker 4>everything up, and I don't even think Haley makes eye

0:13:23.880 --> 0:13:25.839
<v Speaker 4>contact with him. She just says, what do you want

0:13:25.840 --> 0:13:29.480
<v Speaker 4>a gold star? And it was so sad on two fronts.

0:13:29.600 --> 0:13:34.439
<v Speaker 4>One that obviously you know that he's just being admonished,

0:13:34.800 --> 0:13:37.840
<v Speaker 4>you know, and discarded, is so sad. But it's also

0:13:37.880 --> 0:13:40.840
<v Speaker 4>sad because at that young of an age, I don't

0:13:40.880 --> 0:13:43.760
<v Speaker 4>know where the line is between caring about someone and

0:13:43.800 --> 0:13:47.640
<v Speaker 4>feeling responsible for someone else's feelings, because a child should

0:13:47.679 --> 0:13:50.680
<v Speaker 4>never feel responsible for their parents' feelings. Yeah, like it

0:13:50.760 --> 0:13:54.240
<v Speaker 4>is not my kid's job to regulate my mood and

0:13:54.280 --> 0:13:57.359
<v Speaker 4>my feelings. My child is not responsible for my happiness,

0:13:57.559 --> 0:13:59.720
<v Speaker 4>and so there was a pot So I think just

0:13:59.720 --> 0:14:01.400
<v Speaker 4>because I also had that in me, I watched it

0:14:01.400 --> 0:14:03.959
<v Speaker 4>and I was like, ooh, I love that you love

0:14:04.040 --> 0:14:06.360
<v Speaker 4>your mom. But I also it's a bummer that you're

0:14:06.640 --> 0:14:11.320
<v Speaker 4>eight and you are trying to fix her happiness. Yeah,

0:14:11.960 --> 0:14:14.120
<v Speaker 4>that's a that's a weight a child should never carry,

0:14:14.160 --> 0:14:14.360
<v Speaker 4>you know.

0:14:14.760 --> 0:14:17.840
<v Speaker 2>I think it's such a natural inclination that and that

0:14:18.120 --> 0:14:24.960
<v Speaker 2>has to be taught because empathy is I mean, that's

0:14:25.000 --> 0:14:28.400
<v Speaker 2>what grows in us as we get older. So I

0:14:28.440 --> 0:14:33.000
<v Speaker 2>think it's beautiful that he was feeling that way. But

0:14:33.200 --> 0:14:34.880
<v Speaker 2>that would have been the moment if Haley was in

0:14:34.920 --> 0:14:37.960
<v Speaker 2>her right mind to say, hey, but you don't have

0:14:38.040 --> 0:14:39.880
<v Speaker 2>to do things to make me feel better. And I

0:14:39.920 --> 0:14:43.080
<v Speaker 2>hope you know that, you know, because the instinct for

0:14:43.160 --> 0:14:46.160
<v Speaker 2>him to do that because like I care about my mom.

0:14:46.720 --> 0:14:49.040
<v Speaker 2>What do I think would make her happy? It's the

0:14:49.080 --> 0:14:51.280
<v Speaker 2>same thing I do for my friends. Like if my

0:14:51.320 --> 0:14:53.280
<v Speaker 2>friends having a bad day, I'm like, what would make her?

0:14:53.520 --> 0:14:55.000
<v Speaker 2>What would make her happy? Like I'm going to send

0:14:55.000 --> 0:14:57.040
<v Speaker 2>her a little juice delivery. Maybe I'll just pick her

0:14:57.120 --> 0:14:59.120
<v Speaker 2>up and take her to the taker shopping or whatever

0:14:59.280 --> 0:15:02.560
<v Speaker 2>like you know, So those but there is a line

0:15:02.760 --> 0:15:05.560
<v Speaker 2>and those are the teachable moments, and it was heartbreaking

0:15:05.560 --> 0:15:08.600
<v Speaker 2>that Haley wasn't able to acknowledge that in that moment

0:15:08.640 --> 0:15:10.720
<v Speaker 2>and actually kind of go the opposite direction.

0:15:11.800 --> 0:15:14.800
<v Speaker 4>Yes, and you're right, because kids they're just they sort

0:15:14.800 --> 0:15:17.920
<v Speaker 4>of repeat the behavior they've been modeled. And obviously Nathan

0:15:17.920 --> 0:15:19.760
<v Speaker 4>and Haley are a good couple. They're in tune with

0:15:19.800 --> 0:15:21.960
<v Speaker 4>each other, and so, yeah, you're right, and that's probably

0:15:21.960 --> 0:15:23.960
<v Speaker 4>just what it was, was him doing what he has

0:15:24.000 --> 0:15:27.000
<v Speaker 4>seen happen in the household, in the family. But yeah,

0:15:27.000 --> 0:15:29.560
<v Speaker 4>that she she shut it down, because you're right, it

0:15:29.560 --> 0:15:31.640
<v Speaker 4>would have been a perfect teachable moment.

0:15:31.920 --> 0:15:33.920
<v Speaker 2>Yeah, like it's okay to do things too, but just

0:15:33.960 --> 0:15:35.800
<v Speaker 2>as long as you're not doing it so that I'll

0:15:35.800 --> 0:15:39.240
<v Speaker 2>be happy, Like that's that's and that's the moment. But yeah,

0:15:39.280 --> 0:15:42.440
<v Speaker 2>she just couldn't. And I was thinking, I was like, oh,

0:15:42.560 --> 0:15:47.880
<v Speaker 2>that hit me so hard, and thinking about what frame

0:15:47.960 --> 0:15:51.800
<v Speaker 2>of mind would Haley be in, Like where did I

0:15:51.880 --> 0:15:57.920
<v Speaker 2>go to justify that? And I think it was I

0:15:57.920 --> 0:16:01.760
<v Speaker 2>think it was the idea that it's like, you're why

0:16:01.840 --> 0:16:05.120
<v Speaker 2>is everyone expecting? Like I can see it from where

0:16:05.120 --> 0:16:09.560
<v Speaker 2>Hayley's brain was in that moment, the idea that you're

0:16:09.800 --> 0:16:12.960
<v Speaker 2>supposed to clean your room, Like, why are you coming

0:16:13.000 --> 0:16:17.840
<v Speaker 2>to me for accolades for doing your chore?

0:16:18.080 --> 0:16:18.200
<v Speaker 4>Like?

0:16:19.080 --> 0:16:21.440
<v Speaker 2>Just do what you're supposed to do. I'm not justifying

0:16:21.440 --> 0:16:24.560
<v Speaker 2>her answer. I think it was appalling, but also appropriate

0:16:24.600 --> 0:16:28.760
<v Speaker 2>for the character in the moment and good for character flaws. Well.

0:16:28.920 --> 0:16:31.200
<v Speaker 3>Sometimes as a mom though, you feel like everyone expects

0:16:31.240 --> 0:16:34.200
<v Speaker 3>something from you. Yeah, and they could also be that

0:16:34.520 --> 0:16:36.880
<v Speaker 3>it's like, yeah, great, you're supposed to do that. What

0:16:36.880 --> 0:16:38.440
<v Speaker 3>do you want? What do you want from yeah?

0:16:38.800 --> 0:16:43.040
<v Speaker 2>The exhaustion? Yeah, yeah, I think maybe I relate to that,

0:16:43.200 --> 0:16:45.680
<v Speaker 2>Like I feel that in life sometimes do you guys

0:16:45.680 --> 0:16:48.000
<v Speaker 2>ever feel that when people somebody you can tell somebody

0:16:48.040 --> 0:16:51.080
<v Speaker 2>is just really trying to gain your approval. It's like,

0:16:51.840 --> 0:16:52.720
<v Speaker 2>what do you want from me?

0:16:53.280 --> 0:16:55.840
<v Speaker 4>And when you're emotionally tapped out, all you want is

0:16:55.880 --> 0:16:59.400
<v Speaker 4>to have people not need stuff from you. Yeah, So

0:16:59.440 --> 0:17:02.200
<v Speaker 4>even if they do you reporting back something favorable when

0:17:02.240 --> 0:17:05.679
<v Speaker 4>you know they are also looking for a response, that

0:17:05.760 --> 0:17:08.359
<v Speaker 4>in itself can be just tiring and frustrating. Yeah.

0:17:08.400 --> 0:17:10.359
<v Speaker 2>It's like, oh, so you did the dishes so that

0:17:10.440 --> 0:17:13.119
<v Speaker 2>you could get me to congratulate you for doing the dishes,

0:17:13.160 --> 0:17:15.359
<v Speaker 2>So you still need something from me. It wasn't just

0:17:15.440 --> 0:17:17.960
<v Speaker 2>you doing something to make me happy or to like

0:17:18.080 --> 0:17:20.639
<v Speaker 2>make my life easier. You're looking for something in it,

0:17:21.359 --> 0:17:25.359
<v Speaker 2>which is an adult relationship issue, not apparent child relationship.

0:17:26.359 --> 0:17:31.840
<v Speaker 3>God, people are such jerks. What a bunch of jerks we.

0:17:31.880 --> 0:17:48.840
<v Speaker 4>Are speaking of jerks. I loved the way that both

0:17:48.920 --> 0:17:52.840
<v Speaker 4>Nathan though and Jamie really tried to rally around Haley,

0:17:53.240 --> 0:17:57.200
<v Speaker 4>and to the point where when they are in traffic

0:17:57.400 --> 0:18:00.560
<v Speaker 4>Nathan and Haley. By the way, I had forgotten that

0:18:00.880 --> 0:18:05.720
<v Speaker 4>Nathan had bought the red Porsche episode. So when you

0:18:06.119 --> 0:18:11.280
<v Speaker 4>when Haley take car in Tree Hill, true, yes, But

0:18:11.359 --> 0:18:13.679
<v Speaker 4>when you did the episode prior, I think at your

0:18:13.720 --> 0:18:16.280
<v Speaker 4>music video when you got in the red portion took off,

0:18:16.320 --> 0:18:18.720
<v Speaker 4>I thought, oh my gosh, she got in the like

0:18:18.960 --> 0:18:23.119
<v Speaker 4>prop car and peeled out. I didn't realize it was

0:18:23.119 --> 0:18:24.720
<v Speaker 4>your own car. That makes a lot more sense. But

0:18:25.240 --> 0:18:29.720
<v Speaker 4>when you guys are in traffic and you Haley just

0:18:29.840 --> 0:18:33.800
<v Speaker 4>randomly gets out of the car and and Nathan doesn't

0:18:33.800 --> 0:18:36.679
<v Speaker 4>even think twice. He's like, Okay, this seems like the

0:18:36.720 --> 0:18:39.080
<v Speaker 4>responsible thing to do. Two lane road. I'm just gonna

0:18:39.119 --> 0:18:41.399
<v Speaker 4>leave my Porsche right in the middle of it.

0:18:41.400 --> 0:18:46.080
<v Speaker 2>It's so good. It's such a great husband, like here, moment, move,

0:18:46.600 --> 0:18:46.960
<v Speaker 2>that's it.

0:18:47.040 --> 0:18:49.520
<v Speaker 4>And he didn't even go like, I'm leaving my car,

0:18:49.600 --> 0:18:52.080
<v Speaker 4>you know, like he he didn't burden her. He was like, cool,

0:18:52.080 --> 0:18:53.639
<v Speaker 4>this is what we're doing, and I'm here for it.

0:18:53.760 --> 0:18:55.920
<v Speaker 3>I think he said, you're right. It's it's a nice

0:18:55.920 --> 0:19:03.000
<v Speaker 3>say for walks something. Yeah, you're right, good idea, let's

0:19:03.000 --> 0:19:04.160
<v Speaker 3>stretch those legs.

0:19:04.480 --> 0:19:08.199
<v Speaker 4>They have an exchange later in the episode where I

0:19:08.240 --> 0:19:11.600
<v Speaker 4>think Nathan says to Jamie something to the effect of,

0:19:12.680 --> 0:19:16.760
<v Speaker 4>you know, mom is our everything and right now we

0:19:16.840 --> 0:19:19.320
<v Speaker 4>need to be the everything for mom, or something to

0:19:19.400 --> 0:19:21.760
<v Speaker 4>that effect, and it was very very sweet. You know.

0:19:21.800 --> 0:19:25.119
<v Speaker 4>So the whole time, it's I just feel like everyone

0:19:25.240 --> 0:19:28.080
<v Speaker 4>is seen, and especially Haley because that's who the kind

0:19:28.080 --> 0:19:29.600
<v Speaker 4>of the focus is on right now. But it was

0:19:29.720 --> 0:19:33.480
<v Speaker 4>nice to see like an attentive, loving partner. He's not

0:19:33.600 --> 0:19:36.240
<v Speaker 4>forcing it, he's giving it space. He's just being there

0:19:36.280 --> 0:19:39.280
<v Speaker 4>for her, a son who's emotionally attuned enough to go,

0:19:39.359 --> 0:19:41.879
<v Speaker 4>my mom's a court low, I'm gonna see if I

0:19:41.920 --> 0:19:45.280
<v Speaker 4>can help out. Yeah, you know, and then Quinn rallies around,

0:19:45.400 --> 0:19:47.680
<v Speaker 4>Brooke comes by the house. It was really nice to

0:19:47.720 --> 0:19:51.160
<v Speaker 4>see people rally around someone that they loved going through

0:19:51.160 --> 0:19:52.399
<v Speaker 4>a really difficult season.

0:19:53.040 --> 0:19:58.560
<v Speaker 2>Actually, in consideration of the Nathan storyline arc since season one,

0:19:59.520 --> 0:20:02.479
<v Speaker 2>it's really beautiful to see the level of maturity that

0:20:02.680 --> 0:20:06.919
<v Speaker 2>he's reached because younger Nathan, even earlier in their marriage,

0:20:07.440 --> 0:20:12.520
<v Speaker 2>when when things got hard, Nathan freaked out, he didn't

0:20:12.520 --> 0:20:14.760
<v Speaker 2>know what to do. He would act out, he would

0:20:14.800 --> 0:20:17.159
<v Speaker 2>go like, that's how he got himself ended up in

0:20:17.200 --> 0:20:19.840
<v Speaker 2>a wheelchair, that's how uh.

0:20:20.359 --> 0:20:20.880
<v Speaker 3>And then.

0:20:22.600 --> 0:20:25.920
<v Speaker 2>Well the whole thing with the him not being able

0:20:25.920 --> 0:20:29.240
<v Speaker 2>to go to Duke because of the cheating, like there

0:20:29.359 --> 0:20:32.560
<v Speaker 2>was there were so many moments throughout this the history

0:20:32.560 --> 0:20:36.320
<v Speaker 2>of the show where Nathan freaks out and can't handle

0:20:36.359 --> 0:20:39.840
<v Speaker 2>it and makes bad decisions when things are bad. So

0:20:40.440 --> 0:20:43.359
<v Speaker 2>I especially really loved seeing him step up to the

0:20:43.400 --> 0:20:46.639
<v Speaker 2>plate and made me happy to see his level of maturity.

0:20:46.760 --> 0:20:51.920
<v Speaker 2>People grow all he grew up. Yeah, what's the other

0:20:52.080 --> 0:20:55.080
<v Speaker 2>what's next? We got We got Clay and Katie, we

0:20:55.160 --> 0:20:59.800
<v Speaker 2>got Brooke and Julian, we have Josh and alex we

0:20:59.840 --> 0:21:02.400
<v Speaker 2>have have Alexander and Victoria.

0:21:03.040 --> 0:21:06.040
<v Speaker 4>Let's do Josh and alex because I feel like that

0:21:06.080 --> 0:21:08.040
<v Speaker 4>one we can we can wrap up pretty quickly, but

0:21:08.200 --> 0:21:12.440
<v Speaker 4>I I there was so I love the dynamic of

0:21:12.480 --> 0:21:14.440
<v Speaker 4>the scene where they're about to go on the talk show,

0:21:14.720 --> 0:21:16.560
<v Speaker 4>and it's it's that perfect thing where we get to

0:21:16.600 --> 0:21:21.440
<v Speaker 4>see that public perception is so often not an indication

0:21:21.600 --> 0:21:24.520
<v Speaker 4>of reality, and in this case it's the happy couple

0:21:24.560 --> 0:21:28.680
<v Speaker 4>that is quietly under their breath, absolutely roasting each other,

0:21:29.000 --> 0:21:32.600
<v Speaker 4>just vitual. What was interesting, though, was that I did

0:21:32.640 --> 0:21:37.639
<v Speaker 4>not feel like there was an an equality to the

0:21:37.680 --> 0:21:38.960
<v Speaker 4>severity of their burns.

0:21:39.640 --> 0:21:46.360
<v Speaker 5>Oh yeah, makes a horrible comment to her, and her

0:21:46.440 --> 0:21:50.960
<v Speaker 5>retort is, you have bad breath, And I thought those

0:21:50.960 --> 0:21:53.240
<v Speaker 5>two are not in the same league.

0:21:54.040 --> 0:21:57.680
<v Speaker 4>Not okay, and then and then they go. Then My

0:21:57.720 --> 0:22:02.280
<v Speaker 4>other comment was there, they are already promoting a movie

0:22:02.320 --> 0:22:06.639
<v Speaker 4>that has not even been color timed, finished editing, like it.

0:22:06.680 --> 0:22:08.480
<v Speaker 2>Didn't even get into the festival yet.

0:22:08.640 --> 0:22:12.199
<v Speaker 4>It's conceivably like six months away from being locked, and

0:22:12.240 --> 0:22:14.000
<v Speaker 4>they are on a talk show promoting it.

0:22:14.720 --> 0:22:16.560
<v Speaker 2>Those publicists are working.

0:22:16.920 --> 0:22:19.960
<v Speaker 3>But aren't they aren't they also doing damage control from

0:22:20.160 --> 0:22:22.800
<v Speaker 3>the other movie?

0:22:23.240 --> 0:22:25.560
<v Speaker 4>Yeah they are. It's just funny that the host is like,

0:22:26.240 --> 0:22:28.280
<v Speaker 4>these love birds have a movie coming out, and they

0:22:28.280 --> 0:22:30.760
<v Speaker 4>also have a movie already out, and it's like Ross

0:22:31.000 --> 0:22:33.399
<v Speaker 4>I don't know when promoted a movie that they wrapped

0:22:33.400 --> 0:22:35.640
<v Speaker 4>four days prior, But my god.

0:22:36.520 --> 0:22:40.320
<v Speaker 2>Did you guys also talk about last week that the

0:22:40.520 --> 0:22:46.040
<v Speaker 2>moment where Alex tells Julian I released the tape because

0:22:46.080 --> 0:22:48.760
<v Speaker 2>I wanted you to know that I support you and

0:22:48.880 --> 0:22:51.520
<v Speaker 2>I did this come up? Please tell me you guys

0:22:51.520 --> 0:22:52.160
<v Speaker 2>addressed this.

0:22:52.480 --> 0:22:54.960
<v Speaker 4>Gosh, yes, I had a huge we both we both

0:22:55.000 --> 0:22:55.639
<v Speaker 4>went in on this.

0:22:55.880 --> 0:22:57.840
<v Speaker 2>Okay, Okay, I'm glad. I'll listen to it. I haven't

0:22:57.840 --> 0:23:00.080
<v Speaker 2>heard it yet. I don't want to rehash everything for

0:23:00.359 --> 0:23:01.520
<v Speaker 2>people who've already listened.

0:23:01.520 --> 0:23:06.360
<v Speaker 4>But yeah, it was terribly misguided. There was a lot

0:23:06.359 --> 0:23:10.600
<v Speaker 4>of Alex falling on the sword that just didn't make sense,

0:23:11.119 --> 0:23:15.040
<v Speaker 4>and a lot of downplaying of what happened to Alex

0:23:15.560 --> 0:23:19.199
<v Speaker 4>in that tape that got was treated lighthearted, as if

0:23:19.200 --> 0:23:20.840
<v Speaker 4>it wasn't a big deal. So yeah, we spent a

0:23:20.880 --> 0:23:23.919
<v Speaker 4>good amount of time, okay, talking about how that didn't

0:23:24.240 --> 0:23:25.000
<v Speaker 4>quite sit right.

0:23:25.440 --> 0:23:28.439
<v Speaker 2>Yeah, so now we're still dealing with the aftermath of that.

0:23:28.600 --> 0:23:30.840
<v Speaker 2>In a sort of tongue in cheek ha ha. Well

0:23:30.920 --> 0:23:34.040
<v Speaker 2>let's make the best of it kind of way. But

0:23:34.600 --> 0:23:39.600
<v Speaker 2>I do enjoy watching the two of them. I mean

0:23:39.960 --> 0:23:43.720
<v Speaker 2>it's really it's really fun to see them, to see

0:23:43.720 --> 0:23:46.960
<v Speaker 2>any couple that has chemistry, watching them hate each other

0:23:47.040 --> 0:23:49.480
<v Speaker 2>and then play like they love each other. It's kind

0:23:49.480 --> 0:23:50.480
<v Speaker 2>of a fun device.

0:23:51.440 --> 0:23:54.360
<v Speaker 4>Also to your point about how it was the way,

0:23:54.400 --> 0:23:56.119
<v Speaker 4>it's just sort of the whole tape thing got like

0:23:56.440 --> 0:23:59.400
<v Speaker 4>laughed at and downplayed. There's a scene in the episode

0:23:59.440 --> 0:24:03.080
<v Speaker 4>where it's after the talk show appearance. Alex goes to

0:24:03.160 --> 0:24:07.399
<v Speaker 4>trick Chase, our favorite bartender, apparently the only bartender outside

0:24:07.400 --> 0:24:10.120
<v Speaker 4>of Grabs and Olive Tree Hill. But that's great, I'll

0:24:10.119 --> 0:24:12.600
<v Speaker 4>take all the Stephen Clady I can get. But it's like,

0:24:12.640 --> 0:24:14.159
<v Speaker 4>can we get him in a scene outside of the

0:24:14.200 --> 0:24:17.720
<v Speaker 4>bar soon? But anyways, he's there and he's sulking because

0:24:17.760 --> 0:24:19.320
<v Speaker 4>we find out me I broke up with him over

0:24:19.359 --> 0:24:24.600
<v Speaker 4>text message bummer, and Alex is sulking and she says,

0:24:25.760 --> 0:24:27.600
<v Speaker 4>you know, I'm having a bad day.

0:24:28.160 --> 0:24:28.320
<v Speaker 3>You know.

0:24:28.400 --> 0:24:30.760
<v Speaker 4>He's like, you're in a relations what do you have

0:24:30.760 --> 0:24:33.159
<v Speaker 4>to complain about? And he's like, the talk show's currently on,

0:24:33.240 --> 0:24:35.760
<v Speaker 4>and she's like it's fake. It's all because of the

0:24:35.800 --> 0:24:39.600
<v Speaker 4>sex tape. And Chase doesn't even look up at her

0:24:39.640 --> 0:24:44.119
<v Speaker 4>and goes, yeah, seeing it, you're prettier in person, dude.

0:24:44.200 --> 0:24:46.720
<v Speaker 4>What First of all, Chase has been a sensitive guy.

0:24:46.800 --> 0:24:48.440
<v Speaker 4>He has showed a lot of heart up to this point,

0:24:48.440 --> 0:24:54.280
<v Speaker 4>and I just thought that was the most inappropriate dismissive comment.

0:24:54.400 --> 0:24:57.800
<v Speaker 4>How you could casually say no, Yeah, I watched the

0:24:57.840 --> 0:25:02.320
<v Speaker 4>sex tape you're in and it's like I had to

0:25:02.560 --> 0:25:04.439
<v Speaker 4>pause it and rewinding because I thought for sure I

0:25:04.560 --> 0:25:07.680
<v Speaker 4>misheard what he said. Nope, with the subtitles on, that's

0:25:07.720 --> 0:25:11.520
<v Speaker 4>what he said, the subtitle song. What is that?

0:25:12.040 --> 0:25:12.360
<v Speaker 3>I mean?

0:25:12.400 --> 0:25:16.720
<v Speaker 2>This is the stuff that frustrated me behind the scenes

0:25:17.200 --> 0:25:21.399
<v Speaker 2>on our show is when they started giving lines of

0:25:21.520 --> 0:25:23.840
<v Speaker 2>dialogue like that. Our boss would start giving lines of

0:25:23.880 --> 0:25:28.199
<v Speaker 2>dialogue like that to actors who were not series regulars

0:25:28.840 --> 0:25:31.960
<v Speaker 2>and who didn't really have the ability to say, you

0:25:32.000 --> 0:25:35.240
<v Speaker 2>know what, this doesn't feel right, like this not only

0:25:35.240 --> 0:25:38.080
<v Speaker 2>does this not connect with my character, but it's degrading

0:25:38.119 --> 0:25:39.800
<v Speaker 2>and like, I don't think that's what we're trying to

0:25:39.840 --> 0:25:42.080
<v Speaker 2>do on this show. Is there something else I can say?

0:25:42.119 --> 0:25:45.080
<v Speaker 2>Is there another way we could phrase this? They those

0:25:45.119 --> 0:25:47.480
<v Speaker 2>actors weren't in a position to speak up and say

0:25:47.480 --> 0:25:50.280
<v Speaker 2>anything like that because there was this looming threat of like, oh,

0:25:50.359 --> 0:25:53.439
<v Speaker 2>if you say anything other than exactly what's on the page,

0:25:54.160 --> 0:25:56.960
<v Speaker 2>or even have a question about it, like we'll just

0:25:57.040 --> 0:25:58.960
<v Speaker 2>replace you. We don't need you on this show. We'll

0:25:58.960 --> 0:26:01.720
<v Speaker 2>bring in another person to fill in our huge cast.

0:26:02.160 --> 0:26:05.040
<v Speaker 3>May I say, as a guest star, not necessarily on

0:26:05.640 --> 0:26:09.520
<v Speaker 3>this show, but I have been lucky enough to be

0:26:09.560 --> 0:26:13.240
<v Speaker 3>a guest star on a lot of other shows. You're

0:26:14.840 --> 0:26:18.439
<v Speaker 3>you're just sitting at the table for the day. You know,

0:26:19.280 --> 0:26:23.720
<v Speaker 3>it's not your class, you know, you're just it's somebody

0:26:23.720 --> 0:26:26.639
<v Speaker 3>else's house, and you just kind of do what you're told.

0:26:27.920 --> 0:26:31.639
<v Speaker 3>And I know I, personally, especially at that point in

0:26:31.680 --> 0:26:36.320
<v Speaker 3>my career, wouldn't have felt comfortable if I had had

0:26:36.359 --> 0:26:41.000
<v Speaker 3>the opportunity to, you know, to have dialogue that felt

0:26:41.000 --> 0:26:44.960
<v Speaker 3>dismissive or unkind or sexist or bigoted or you know whatever,

0:26:45.080 --> 0:26:48.439
<v Speaker 3>you know, fill in the blank. I wouldn't have felt

0:26:48.440 --> 0:26:50.720
<v Speaker 3>comfortable just because maybe that is the tone of the

0:26:50.760 --> 0:26:53.840
<v Speaker 3>show and I just don't understand maybe that is where

0:26:53.840 --> 0:26:56.000
<v Speaker 3>they want to go. And for the reason that you

0:26:56.040 --> 0:27:00.280
<v Speaker 3>just said, also, you know the retribution personally that you

0:27:00.280 --> 0:27:05.080
<v Speaker 3>you my face. But there were definitely times when I

0:27:05.119 --> 0:27:06.840
<v Speaker 3>was a guest on a show and I'd be like, well,

0:27:06.920 --> 0:27:12.320
<v Speaker 3>not what I would say personally, But it's their show. Yeah,

0:27:12.359 --> 0:27:15.560
<v Speaker 3>just show up, stay my langes lines, stand on my mark.

0:27:15.960 --> 0:27:18.639
<v Speaker 2>I find that so unfortunate though, because the nature of

0:27:18.720 --> 0:27:21.879
<v Speaker 2>acting is exploration and play, and there should be a

0:27:21.960 --> 0:27:24.760
<v Speaker 2>space for everyone to come to the table with their

0:27:24.840 --> 0:27:28.120
<v Speaker 2>own ideas rather than just showing up and sitting there

0:27:28.160 --> 0:27:32.080
<v Speaker 2>and saying the lines. And I understand the pace of

0:27:32.160 --> 0:27:34.760
<v Speaker 2>TV that we don't have a lot of time to

0:27:34.840 --> 0:27:37.840
<v Speaker 2>sit and explore everyone's thoughts and ideas, but also like

0:27:38.440 --> 0:27:40.640
<v Speaker 2>you should have the phone number of the person who

0:27:40.720 --> 0:27:43.240
<v Speaker 2>is in charge, to the director or the producer whoever,

0:27:43.280 --> 0:27:45.760
<v Speaker 2>And hey, I'm just thinking about this, Like there should

0:27:45.840 --> 0:27:50.880
<v Speaker 2>be a space of, I mean, an attitude of creativity

0:27:50.920 --> 0:27:53.760
<v Speaker 2>and collaboration on every set. I think it would be

0:27:53.880 --> 0:27:58.480
<v Speaker 2>so much more healthy and you'd probably get better performances

0:27:58.480 --> 0:28:02.720
<v Speaker 2>from everyone across the board any show. And if the

0:28:02.760 --> 0:28:05.480
<v Speaker 2>answers no, the answers no. But to not be able

0:28:05.520 --> 0:28:07.719
<v Speaker 2>to ask a question, to not be able to like

0:28:07.920 --> 0:28:11.400
<v Speaker 2>raise the idea of could this go a different way?

0:28:11.400 --> 0:28:13.440
<v Speaker 2>Like I'm wondering about this. I'm wondering about that. I

0:28:13.560 --> 0:28:15.160
<v Speaker 2>know I've been a guest star too, I know how

0:28:15.160 --> 0:28:19.200
<v Speaker 2>that feels. It's like, oh, it's uncomfortable, but I think

0:28:19.240 --> 0:28:22.520
<v Speaker 2>people should feel like they they can do that because

0:28:22.520 --> 0:28:25.280
<v Speaker 2>the work turns out better when you do. But it's

0:28:25.359 --> 0:28:27.600
<v Speaker 2>usually a power trip, you know the thing. It's hard

0:28:27.640 --> 0:28:29.400
<v Speaker 2>to find that it's.

0:28:29.359 --> 0:28:31.200
<v Speaker 4>And it's so hard to do when you're the guest

0:28:31.240 --> 0:28:33.719
<v Speaker 4>star because, like Amanda said, you are a visitor at

0:28:33.720 --> 0:28:36.080
<v Speaker 4>the dinner party. You're a guest. Yeah, you don't live there.

0:28:36.520 --> 0:28:40.080
<v Speaker 4>And it's also it's kind of not barring something like

0:28:40.200 --> 0:28:43.200
<v Speaker 4>wildly egregious. You know, it's it's not really the response.

0:28:43.200 --> 0:28:45.240
<v Speaker 4>It's not fair for the responsibility to be on the

0:28:45.240 --> 0:28:48.240
<v Speaker 4>guest star because you don't know what's been happening in

0:28:48.280 --> 0:28:50.600
<v Speaker 4>all of the episodes prior that haven't aired. You don't

0:28:50.600 --> 0:28:53.800
<v Speaker 4>know if there's been a tonal shift lately. So it's

0:28:53.920 --> 0:28:56.080
<v Speaker 4>it's hard. It's hard for you to be the one

0:28:57.160 --> 0:28:59.800
<v Speaker 4>sort of deciding whether it's too far or not. Like

0:28:59.800 --> 0:29:03.000
<v Speaker 4>that that's the case when you know the onset producer

0:29:03.040 --> 0:29:05.600
<v Speaker 4>in an ideal world who has a firm grasp on

0:29:05.680 --> 0:29:09.719
<v Speaker 4>the tone and the stories goes yeah yeah, Like as

0:29:09.720 --> 0:29:11.560
<v Speaker 4>the guest are you're kind of like the best question

0:29:11.720 --> 0:29:14.720
<v Speaker 4>you can ask is this seems a little harsh. Yeah,

0:29:14.840 --> 0:29:17.680
<v Speaker 4>you know, and Hope the director who's also just a

0:29:17.720 --> 0:29:21.080
<v Speaker 4>guest star, you know, goes, yes, here's why, you know,

0:29:21.120 --> 0:29:24.240
<v Speaker 4>But it's TV. When you're making it's different when you

0:29:24.280 --> 0:29:27.280
<v Speaker 4>do like a movie. Right, it gets collaborative with the

0:29:27.360 --> 0:29:30.360
<v Speaker 4>right crew because it's a short sprint. When you're doing

0:29:30.400 --> 0:29:33.840
<v Speaker 4>twenty four episodes a year, it very quickly turns into

0:29:33.840 --> 0:29:36.880
<v Speaker 4>a factory where every directors are just trying to make

0:29:36.920 --> 0:29:39.239
<v Speaker 4>a day. People are just trying to do it, and

0:29:39.280 --> 0:29:41.960
<v Speaker 4>so it's not an environment at all that's conducive to going.

0:29:42.600 --> 0:29:44.440
<v Speaker 4>Can we circle up and talk about this, you know.

0:29:44.560 --> 0:29:47.640
<v Speaker 2>Yeah, yeah, that's fair. But Stephen COLLETTI was and maybe

0:29:47.680 --> 0:29:50.560
<v Speaker 2>that's true for you're popping in for one episode, like

0:29:50.600 --> 0:29:53.960
<v Speaker 2>I get that, but Stephen was around. I mean, he

0:29:54.120 --> 0:29:56.600
<v Speaker 2>was a staple on the show. He wasn't a series regular,

0:29:56.720 --> 0:30:02.200
<v Speaker 2>but he was technically a guest are recurring. But also

0:30:02.320 --> 0:30:06.400
<v Speaker 2>still in this position where I don't think there was

0:30:06.440 --> 0:30:12.160
<v Speaker 2>a culture on our show of collaboration, especially unless you

0:30:12.200 --> 0:30:14.520
<v Speaker 2>were a series regular, and then you could, you know,

0:30:14.560 --> 0:30:17.240
<v Speaker 2>you had the space to push back. So I hope anyway,

0:30:17.240 --> 0:30:22.960
<v Speaker 2>I'm just saying, I hope that that culture of collaboration

0:30:23.040 --> 0:30:26.280
<v Speaker 2>and creativity is something that there are producers out there

0:30:26.320 --> 0:30:29.640
<v Speaker 2>who are looking for and trying to create in their environments.

0:30:29.680 --> 0:30:33.880
<v Speaker 2>And I bet that's why lines like this slipped through

0:30:33.960 --> 0:30:37.480
<v Speaker 2>the cracks, because it isn't in keeping with Chase's character.

0:30:38.360 --> 0:30:40.920
<v Speaker 2>I don't know why, you know, it's the only thing

0:30:40.920 --> 0:30:43.440
<v Speaker 2>I could come up with with. Why Stephen wouldn't have

0:30:44.000 --> 0:30:44.479
<v Speaker 2>changed it?

0:30:45.120 --> 0:30:47.680
<v Speaker 3>Yeah, who knows. Maybe he did change it and that's

0:30:47.720 --> 0:30:48.720
<v Speaker 3>just not the take they used.

0:30:48.960 --> 0:30:51.960
<v Speaker 2>Oh that's true too, Yeah, you know what that often happens.

0:30:52.240 --> 0:30:54.120
<v Speaker 2>Just yeah, try it your way. Just let's do it

0:30:54.280 --> 0:30:54.640
<v Speaker 2>for you.

0:30:55.280 --> 0:30:57.160
<v Speaker 4>Let's do one is scripted, and then we can let's

0:30:57.200 --> 0:30:58.880
<v Speaker 4>go with what you have. Ye did I have a

0:30:59.040 --> 0:31:14.680
<v Speaker 4>roll on the second tape. Let's get to some of

0:31:14.720 --> 0:31:21.840
<v Speaker 4>the real fun, juicy stuff involving yourself. I had this thought,

0:31:21.920 --> 0:31:25.240
<v Speaker 4>so when Clay sees the grape juice in the fridge,

0:31:26.720 --> 0:31:29.040
<v Speaker 4>because this is one of the things I vaguely remember

0:31:29.080 --> 0:31:32.720
<v Speaker 4>because at first I thought, why is Clay looking at

0:31:32.880 --> 0:31:36.160
<v Speaker 4>the grape juice like it's a childhood bully? And then

0:31:36.200 --> 0:31:39.520
<v Speaker 4>I remembered, and I thought, listen. And then there's the

0:31:39.560 --> 0:31:42.480
<v Speaker 4>next scene where he comes home and Katie's doing dishes.

0:31:43.720 --> 0:31:49.160
<v Speaker 4>No one wants a stalker, obviously, Yeah, horrendous, But hear

0:31:49.240 --> 0:31:53.480
<v Speaker 4>me out, a stalker who makes your favorite drink, so

0:31:53.520 --> 0:31:55.640
<v Speaker 4>it's ready for you chewing in the fridge when you

0:31:55.680 --> 0:32:01.480
<v Speaker 4>come home and does your dishes, you know. So it's

0:32:01.520 --> 0:32:05.480
<v Speaker 4>not all bad that storm cloud houses silver lining on it.

0:32:06.440 --> 0:32:08.320
<v Speaker 3>Yeah, thoughts, I'm not arguing that.

0:32:09.280 --> 0:32:12.240
<v Speaker 2>I wondered for a minute if Clay was going to

0:32:12.680 --> 0:32:17.560
<v Speaker 2>buy it only a little like you were so convincing, Amanda,

0:32:18.080 --> 0:32:21.000
<v Speaker 2>you're very good. I did wonder if Clay was going

0:32:21.040 --> 0:32:22.400
<v Speaker 2>to be like, am I crazy?

0:32:22.600 --> 0:32:25.240
<v Speaker 3>Well, there's a mislead at the very end, not to

0:32:25.320 --> 0:32:28.680
<v Speaker 3>jump ahead when we as an audience are supposed to

0:32:28.720 --> 0:32:30.880
<v Speaker 3>think that he did buy it, right, Yeah, yeah, that's

0:32:31.240 --> 0:32:35.239
<v Speaker 3>it's my wife, you know. And and so there is

0:32:35.320 --> 0:32:38.840
<v Speaker 3>that that that at the very end. But in that moment, Yeah,

0:32:38.880 --> 0:32:40.840
<v Speaker 3>I can see if you come home a little unsettling.

0:32:41.120 --> 0:32:46.720
<v Speaker 3>The door isn't broken somehow, master lock bicker, but in

0:32:46.800 --> 0:32:50.760
<v Speaker 3>there doing the dishes and like frying up eggs or

0:32:50.840 --> 0:32:54.960
<v Speaker 3>you know whatever, not the worst thing to come home too.

0:32:56.040 --> 0:32:58.080
<v Speaker 4>Yeah, she didn't make a mess. She tied it up.

0:32:58.120 --> 0:33:01.960
<v Speaker 4>You pay people to do that. Yeah, he's a bit ungrateful,

0:33:02.080 --> 0:33:03.880
<v Speaker 4>is what I'm saying. I mean, she didn't have a

0:33:03.880 --> 0:33:06.040
<v Speaker 4>stalker buddy, could show a little gratitude.

0:33:06.080 --> 0:33:06.320
<v Speaker 3>You know.

0:33:07.280 --> 0:33:11.120
<v Speaker 4>I had this conversation with Sophia last week where it's

0:33:11.160 --> 0:33:14.160
<v Speaker 4>this really funny thing that our show does, but also

0:33:14.280 --> 0:33:17.160
<v Speaker 4>I think a lot of shows and movies do where

0:33:17.200 --> 0:33:21.080
<v Speaker 4>there is this weird thing that happens when a character

0:33:21.320 --> 0:33:25.040
<v Speaker 4>goes off the deep end. They not only go a

0:33:25.040 --> 0:33:29.680
<v Speaker 4>bit cracker Jacks, but they also simultaneously become an expert

0:33:29.760 --> 0:33:33.720
<v Speaker 4>lock pick, lock picker and cat burglar. Where it's like,

0:33:33.800 --> 0:33:37.760
<v Speaker 4>with with You're crazy, is gonna come some incredible sleuthing

0:33:37.800 --> 0:33:40.440
<v Speaker 4>and lock picking. Because all of a sudden, Katie is

0:33:40.480 --> 0:33:44.080
<v Speaker 4>scaling second story balconies, she is expertly getting into the

0:33:44.080 --> 0:33:48.400
<v Speaker 4>house undetected. She's getting back an alarm system the art gallery.

0:33:48.440 --> 0:33:51.200
<v Speaker 4>It's like, I don't know how a tennis player is

0:33:51.200 --> 0:33:52.840
<v Speaker 4>suddenly new, but I just like that we all make

0:33:52.880 --> 0:33:56.880
<v Speaker 4>this leap in logic where it's like, well, guys, she's

0:33:57.520 --> 0:34:00.120
<v Speaker 4>she's gone cuckoo for cocoa puff, so clearly she can

0:34:00.160 --> 0:34:02.360
<v Speaker 4>pick a lock and hack an alarm system.

0:34:02.520 --> 0:34:06.440
<v Speaker 3>I appreciate that you're seeing it so one sidedly you're

0:34:06.520 --> 0:34:08.640
<v Speaker 3>not her first victim.

0:34:13.160 --> 0:34:17.960
<v Speaker 4>Play was her first and only room.

0:34:18.000 --> 0:34:20.560
<v Speaker 3>Sorry, that's fair.

0:34:20.680 --> 0:34:28.120
<v Speaker 4>It's a fair point to Clay. Wow, hard truths being

0:34:28.160 --> 0:34:32.719
<v Speaker 4>shared on this episode of Drama Queens. You played it great, though.

0:34:32.840 --> 0:34:36.520
<v Speaker 4>I mean there's some really awesome scenes in seven twenty

0:34:36.600 --> 0:34:41.759
<v Speaker 4>between you and Quinn at the art gallery where you're

0:34:42.000 --> 0:34:46.400
<v Speaker 4>just there. I think there's there is a an inexperienced

0:34:46.440 --> 0:34:49.719
<v Speaker 4>actors choice when they're told to play a character who's

0:34:49.800 --> 0:34:54.040
<v Speaker 4>unhinged to do more and to be bigger, and I

0:34:54.080 --> 0:34:59.520
<v Speaker 4>think there's a power and doing less. And that's what

0:34:59.600 --> 0:35:02.440
<v Speaker 4>you did in the art gallery with Quinn, especially when

0:35:02.520 --> 0:35:05.399
<v Speaker 4>you kind of corner her in the back room. There

0:35:05.480 --> 0:35:08.480
<v Speaker 4>is a real ominous feeling throughout that whole scene where

0:35:08.520 --> 0:35:11.600
<v Speaker 4>she's sort of the trapped prey and you're the predator,

0:35:12.160 --> 0:35:18.160
<v Speaker 4>and your stillness works so well for creating such an uncomfortable,

0:35:18.280 --> 0:35:19.280
<v Speaker 4>tense feeling.

0:35:19.719 --> 0:35:24.359
<v Speaker 3>Oh well, thank you. I think that people who are

0:35:24.360 --> 0:35:29.560
<v Speaker 3>more contained are way less scarier than those who like

0:35:29.760 --> 0:35:33.480
<v Speaker 3>somebody like a fighter, you know, like a physical fighter

0:35:33.960 --> 0:35:36.680
<v Speaker 3>who can channel and focus all of their energy, so

0:35:36.719 --> 0:35:39.879
<v Speaker 3>their outbursts are like a viper. You know, you don't

0:35:39.960 --> 0:35:43.080
<v Speaker 3>expect it as opposed to somebody who shows their cards,

0:35:43.760 --> 0:35:46.920
<v Speaker 3>you know, and is flailing all around. It's way scarier

0:35:46.960 --> 0:35:51.239
<v Speaker 3>to have the rage simmering, you know, and where it's

0:35:51.239 --> 0:35:53.560
<v Speaker 3>not on display and you don't know what the next

0:35:53.600 --> 0:35:54.360
<v Speaker 3>move is going to be.

0:35:54.760 --> 0:35:56.360
<v Speaker 2>Yeah, there's an unpredictability.

0:35:58.400 --> 0:36:00.120
<v Speaker 3>That's the better word for it.

0:36:00.200 --> 0:36:05.279
<v Speaker 4>So let's continue then with it, because it does not disappoint.

0:36:05.520 --> 0:36:08.320
<v Speaker 4>The crazy train stays on the rails, picks up some speed.

0:36:09.840 --> 0:36:15.320
<v Speaker 4>Clay gets a phone call and I was very confused

0:36:15.400 --> 0:36:18.359
<v Speaker 4>as to why that phone call wouldn't be because it's

0:36:18.360 --> 0:36:20.799
<v Speaker 4>from the police, obviously saying this. Gal says she knows you.

0:36:20.840 --> 0:36:22.840
<v Speaker 4>She's hanging from a bridge, which, by the way, a

0:36:22.880 --> 0:36:26.080
<v Speaker 4>bridge that is definitely not high enough to do bodily harm.

0:36:26.440 --> 0:36:28.560
<v Speaker 4>At worst you would sprain an ankle or get a

0:36:28.600 --> 0:36:31.919
<v Speaker 4>really bad belly flog. Yeah, but I love that all

0:36:31.960 --> 0:36:33.960
<v Speaker 4>of the police in tree Hill have shown up for

0:36:34.000 --> 0:36:35.400
<v Speaker 4>this potential sprained ankle.

0:36:35.560 --> 0:36:39.120
<v Speaker 3>I don't Also, by the way, that was way lower

0:36:39.160 --> 0:36:40.960
<v Speaker 3>than the bridge that you and I jumped off.

0:36:41.120 --> 0:36:45.399
<v Speaker 4>Yes, it wasn't the same bridge, No, oh no, because

0:36:45.400 --> 0:36:47.239
<v Speaker 4>the one we jumped off was a proper bridge. This

0:36:47.360 --> 0:36:47.880
<v Speaker 4>was a pier.

0:36:48.360 --> 0:36:51.000
<v Speaker 2>Oh right, Why didn't they send you guys to the

0:36:51.000 --> 0:36:52.880
<v Speaker 2>same bridge. Wouldn't that have been kind of the point

0:36:52.960 --> 0:36:53.480
<v Speaker 2>with Katie?

0:36:53.760 --> 0:36:56.200
<v Speaker 3>Yeah, but she would have survived that one. I guess

0:36:56.320 --> 0:36:58.880
<v Speaker 3>maybe the thought is that she'd time it with the

0:36:59.000 --> 0:37:02.600
<v Speaker 3>tide so that it would be it would wash.

0:37:04.239 --> 0:37:07.520
<v Speaker 4>But if that's the case, don't show the whole pier

0:37:07.600 --> 0:37:10.239
<v Speaker 4>in a master shot. Yeah, never show us that, just

0:37:10.280 --> 0:37:11.960
<v Speaker 4>and let us fill in the blank, and we will

0:37:12.000 --> 0:37:16.279
<v Speaker 4>paint a much higher peer in our imagination. So the

0:37:16.360 --> 0:37:18.399
<v Speaker 4>fact that you would be hanging the outside of it

0:37:18.640 --> 0:37:22.240
<v Speaker 4>and anyone would be like, ma'am, you could hurt yourself

0:37:22.280 --> 0:37:24.840
<v Speaker 4>falling fifteen feet into water, are you okay? You know,

0:37:24.960 --> 0:37:27.640
<v Speaker 4>like it was so confusing. But the fact that Clay

0:37:27.680 --> 0:37:29.919
<v Speaker 4>gets a call from all of the police departments saying

0:37:29.920 --> 0:37:31.960
<v Speaker 4>you gotta come quick. This gal's twenty feet up in

0:37:31.960 --> 0:37:36.759
<v Speaker 4>the air above water, and he doesn't go no, yeah, yeah,

0:37:36.760 --> 0:37:38.799
<v Speaker 4>she's my stalker. Absolutely not.

0:37:39.280 --> 0:37:40.800
<v Speaker 2>Yeah, good luck, guys. Bye.

0:37:41.360 --> 0:37:43.080
<v Speaker 3>He wants the notebook back, okay.

0:37:43.120 --> 0:37:44.800
<v Speaker 4>See that's fair. And I also think it's one of

0:37:44.840 --> 0:37:47.080
<v Speaker 4>those moments of just getting to see Clay's character and

0:37:47.120 --> 0:37:51.080
<v Speaker 4>that he sees beyond the unhinged behavior and he sees

0:37:51.080 --> 0:37:53.040
<v Speaker 4>a person underneath and he's choosing to show up for

0:37:53.080 --> 0:37:56.920
<v Speaker 4>that person, which I thought very compassionate. Right, So he

0:37:57.000 --> 0:38:02.480
<v Speaker 4>plays along, he does the ruse. Katie is supposedly gonna

0:38:02.480 --> 0:38:04.680
<v Speaker 4>get help, but when they yeah, but when then they

0:38:04.719 --> 0:38:07.680
<v Speaker 4>cut to the master and you can see that the

0:38:07.719 --> 0:38:10.239
<v Speaker 4>pier is like, at best twenty feet above water. I

0:38:10.320 --> 0:38:14.359
<v Speaker 4>was like, what if it is low tide, then why

0:38:14.440 --> 0:38:15.920
<v Speaker 4>not have her go on the ledge of a building?

0:38:17.360 --> 0:38:17.560
<v Speaker 5>You know?

0:38:17.760 --> 0:38:20.479
<v Speaker 4>It was just it was odd, it was.

0:38:20.400 --> 0:38:24.000
<v Speaker 2>Pretty, it was pretty. There was something sort of sadly

0:38:24.120 --> 0:38:27.800
<v Speaker 2>romantic about the whole thing. I really it broke my heart.

0:38:27.880 --> 0:38:31.200
<v Speaker 2>I mean, when you let her go into the arms

0:38:31.200 --> 0:38:33.520
<v Speaker 2>of the police and you're like, it's gonna be okay,

0:38:33.520 --> 0:38:36.919
<v Speaker 2>They're going to help you. I guess I felt maybe

0:38:37.080 --> 0:38:41.800
<v Speaker 2>maybe he felt the the sting of having to send Sarah,

0:38:41.840 --> 0:38:43.680
<v Speaker 2>like he knows it's not Sarah, but she looks so

0:38:43.760 --> 0:38:45.480
<v Speaker 2>much like him. Is there a part of you that

0:38:45.560 --> 0:38:49.520
<v Speaker 2>felt like you had to or that Clay had to

0:38:50.200 --> 0:38:52.719
<v Speaker 2>wrestle with that, or were you in full like she's

0:38:52.760 --> 0:38:54.560
<v Speaker 2>fully crazy the whole thing, And I was just putting

0:38:54.560 --> 0:38:55.879
<v Speaker 2>my own interpretation on that.

0:38:57.080 --> 0:39:01.160
<v Speaker 4>I think it was Clay was grieving, and I think

0:39:01.200 --> 0:39:04.799
<v Speaker 4>there is one form of grieving, which is just avoidance.

0:39:05.320 --> 0:39:10.000
<v Speaker 4>So I don't know, Uh, I just remember thinking that

0:39:10.440 --> 0:39:13.840
<v Speaker 4>it's it's not easy for Clay because he's not actively

0:39:13.880 --> 0:39:16.440
<v Speaker 4>facing it every day, like he's sort of doing a

0:39:16.480 --> 0:39:19.680
<v Speaker 4>slow grieving, But having to play this game with Katie

0:39:20.239 --> 0:39:22.440
<v Speaker 4>is really bringing it right up to the forefront and

0:39:22.520 --> 0:39:26.719
<v Speaker 4>having to say things aloud like Sarah died, She's not

0:39:26.880 --> 0:39:29.720
<v Speaker 4>here anymore. Oh, He's like he is having to echo

0:39:29.800 --> 0:39:32.160
<v Speaker 4>the painful truths that he may not wanting to be

0:39:32.200 --> 0:39:33.200
<v Speaker 4>facing every day.

0:39:33.960 --> 0:39:37.920
<v Speaker 3>So Katie is actually facilitating his recovery.

0:39:38.280 --> 0:39:40.960
<v Speaker 4>Keisha, I'm telling you, did I not say five minutes ago?

0:39:40.960 --> 0:39:43.040
<v Speaker 4>He should have a little more gratitude for Katy.

0:39:44.640 --> 0:39:47.840
<v Speaker 3>Yeah, she does the dishes and she helps with mental

0:39:47.880 --> 0:39:50.960
<v Speaker 3>health on your side, not so much hers.

0:39:51.000 --> 0:39:53.520
<v Speaker 4>For her, she's selfless. She's a really good friend if

0:39:53.520 --> 0:39:56.759
<v Speaker 4>we think about it. She makes his favorite juice, she

0:39:56.880 --> 0:40:00.160
<v Speaker 4>cleans his house, she helps his emotional and mental well being.

0:40:00.920 --> 0:40:02.920
<v Speaker 4>And how does he say thank you? He gets her

0:40:02.960 --> 0:40:03.480
<v Speaker 4>locked up.

0:40:03.800 --> 0:40:05.040
<v Speaker 2>Yeah, Clay's the.

0:40:05.000 --> 0:40:07.520
<v Speaker 4>Villain in this story. I think we're finding out guys clearly.

0:40:07.719 --> 0:40:10.120
<v Speaker 3>Yeah, this is a plot twist we're just discovering now.

0:40:11.080 --> 0:40:13.799
<v Speaker 4>I can't wait for the spinoff of Katie in her

0:40:13.880 --> 0:40:17.080
<v Speaker 4>roommate just doing whatever they do.

0:40:17.280 --> 0:40:20.000
<v Speaker 3>The things we did for those ungrateful men.

0:40:20.520 --> 0:40:21.359
<v Speaker 4>It's going to be good.

0:40:21.800 --> 0:40:21.920
<v Speaker 3>Ye.

0:40:23.040 --> 0:40:25.840
<v Speaker 4>Speaking of good, I loved Alexander and Victoria's storyline the

0:40:25.880 --> 0:40:26.759
<v Speaker 4>whole episode.

0:40:27.239 --> 0:40:28.400
<v Speaker 2>Yeah, that was fun.

0:40:29.000 --> 0:40:32.360
<v Speaker 4>They have been so fun to watch. And I was

0:40:32.480 --> 0:40:36.520
<v Speaker 4>worried that when Brooke called out Victoria last episode and

0:40:36.520 --> 0:40:39.840
<v Speaker 4>she goes, oh, so you're not ashamed of this, I

0:40:39.840 --> 0:40:41.200
<v Speaker 4>thought that was going to be the end of it.

0:40:41.239 --> 0:40:42.879
<v Speaker 4>I thought, as soon as the cat's out of the bag,

0:40:42.960 --> 0:40:43.680
<v Speaker 4>the fund's gone.

0:40:44.120 --> 0:40:44.560
<v Speaker 2>Yeah.

0:40:44.600 --> 0:40:47.000
<v Speaker 4>But the fact that she's into him and he's into

0:40:47.040 --> 0:40:50.200
<v Speaker 4>her and now they're talking about doing clothes or excuse

0:40:50.200 --> 0:40:54.080
<v Speaker 4>me close four bros in New York together. I love it.

0:40:54.320 --> 0:40:55.360
<v Speaker 2>Yeah, it's really sweet.

0:40:56.120 --> 0:40:58.000
<v Speaker 4>The only thing I didn't like about it was that

0:40:58.040 --> 0:40:59.880
<v Speaker 4>it makes me sad because does that mean we're going

0:40:59.920 --> 0:41:02.080
<v Speaker 4>to be seeing less Victoria in future episodes?

0:41:02.239 --> 0:41:05.680
<v Speaker 2>You know? I think so? I think it does. I know.

0:41:05.800 --> 0:41:07.839
<v Speaker 2>She's so good. Oh man, I remember doing that scene

0:41:07.880 --> 0:41:09.520
<v Speaker 2>with her too, The scene.

0:41:09.400 --> 0:41:13.080
<v Speaker 6>Oh that was a beautiful scene and her bros where

0:41:13.160 --> 0:41:16.479
<v Speaker 6>she just sits me down and talks about my mother

0:41:16.520 --> 0:41:19.440
<v Speaker 6>and what my mother would want for me as Haley.

0:41:20.320 --> 0:41:23.600
<v Speaker 2>I remember shooting that scene with Daphne. Daphnie and I

0:41:23.640 --> 0:41:25.520
<v Speaker 2>were getting close at the time, like we were really

0:41:25.520 --> 0:41:30.000
<v Speaker 2>spending a lot more time together off behind the scenes

0:41:30.000 --> 0:41:33.160
<v Speaker 2>as well, having dinners and just running errands together, and

0:41:33.440 --> 0:41:35.319
<v Speaker 2>she was becoming a mentor for.

0:41:35.400 --> 0:41:36.760
<v Speaker 3>Me, and.

0:41:38.160 --> 0:41:41.000
<v Speaker 2>Which I desperately needed at that time in my life.

0:41:42.800 --> 0:41:45.960
<v Speaker 2>And so that scene holds a special place in my

0:41:46.000 --> 0:41:49.360
<v Speaker 2>heart because I remember it feeling very similar to a

0:41:49.440 --> 0:41:51.960
<v Speaker 2>lot of conversations as she and I were having offline,

0:41:52.040 --> 0:41:56.840
<v Speaker 2>you know, off screen. She's such a wonderful woman, like

0:41:56.960 --> 0:42:02.040
<v Speaker 2>really deep, soulful, brilliant woman, and I love seeing that

0:42:02.080 --> 0:42:05.480
<v Speaker 2>come out in Victoria finally too, who we never expected

0:42:05.480 --> 0:42:06.040
<v Speaker 2>that from.

0:42:06.160 --> 0:42:12.480
<v Speaker 3>I also really appreciated that your character didn't respond, that

0:42:12.600 --> 0:42:16.080
<v Speaker 3>it wasn't just a sudden light bulb moment where she

0:42:17.360 --> 0:42:21.359
<v Speaker 3>writers felt compelled to make you say, Okay, I get

0:42:21.400 --> 0:42:27.000
<v Speaker 3>it now, because her words were so sage that another

0:42:27.040 --> 0:42:31.520
<v Speaker 3>script could have the light bulb moment you get it

0:42:32.400 --> 0:42:36.680
<v Speaker 3>and then be just fine, you know, and that's not

0:42:36.760 --> 0:42:39.560
<v Speaker 3>what it was. You processed it, but you were still

0:42:39.600 --> 0:42:41.239
<v Speaker 3>angry at the world, you know.

0:42:41.800 --> 0:42:44.399
<v Speaker 2>Yeah, Yeah, it still gives us somewhere to go.

0:42:44.960 --> 0:42:48.200
<v Speaker 4>The softer side of Victoria has been so much fun

0:42:48.440 --> 0:42:51.759
<v Speaker 4>to watch come to light and the way she has

0:42:52.760 --> 0:42:55.800
<v Speaker 4>shown up for Brook throughout the season and then Millie

0:42:56.239 --> 0:42:58.960
<v Speaker 4>and now Haley, and it was the perfect thing. It's

0:42:59.000 --> 0:43:03.520
<v Speaker 4>kind of like Amanda saying there was such a finesse

0:43:03.560 --> 0:43:07.080
<v Speaker 4>to the scene in that it wasn't forced. Victoria started

0:43:07.080 --> 0:43:08.759
<v Speaker 4>by being like, you want to snap at each other,

0:43:09.000 --> 0:43:11.400
<v Speaker 4>I can play this game. I'm better than you. In fact,

0:43:12.080 --> 0:43:14.960
<v Speaker 4>sit down, And then when she sits down, she's like, Okay,

0:43:15.760 --> 0:43:17.400
<v Speaker 4>now I'm gonna hit you with some mom truths and

0:43:17.440 --> 0:43:19.879
<v Speaker 4>some love, you know. And it's not a hard cell.

0:43:20.880 --> 0:43:22.680
<v Speaker 4>She's just telling her what is and then she's not

0:43:22.719 --> 0:43:24.799
<v Speaker 4>looking for a response, and to the scene's credit, she

0:43:24.840 --> 0:43:28.960
<v Speaker 4>doesn't get it. Yeah, there's nothing forced. Also, before anyone

0:43:28.960 --> 0:43:30.759
<v Speaker 4>comes from me in the comments, I apologize it was

0:43:30.760 --> 0:43:33.400
<v Speaker 4>not grape juice, Clay's favorite drink. Apparently it was grape

0:43:33.520 --> 0:43:37.080
<v Speaker 4>kool aid, because I surely would have been roasted for that,

0:43:37.239 --> 0:43:39.920
<v Speaker 4>So that's right, noted fixed.

0:43:40.320 --> 0:43:44.439
<v Speaker 2>Also seeing Brooke respond to Victoria, just emotionally being able

0:43:44.480 --> 0:43:47.520
<v Speaker 2>to watch her mom be a mom, like show up

0:43:47.560 --> 0:43:51.440
<v Speaker 2>as a mom for somebody else. It looked like it

0:43:51.480 --> 0:43:53.440
<v Speaker 2>was really healing for Brook's heart to know that her

0:43:53.480 --> 0:43:55.920
<v Speaker 2>mom has that capacity, and you know, to see the

0:43:56.040 --> 0:43:58.600
<v Speaker 2>arc of their relationship over the course of the last

0:43:58.640 --> 0:44:01.640
<v Speaker 2>few seasons that she she also has grown and arrived

0:44:01.640 --> 0:44:04.879
<v Speaker 2>in this place where she's much more open hearted and

0:44:05.080 --> 0:44:08.680
<v Speaker 2>willing to be vulnerable. I really loved that, And I

0:44:08.760 --> 0:44:11.440
<v Speaker 2>think Brooke is getting so much right now. It's really

0:44:11.560 --> 0:44:15.280
<v Speaker 2>nice to see after her struggling through so many things

0:44:15.320 --> 0:44:17.919
<v Speaker 2>that finally all the pieces are starting to fall into

0:44:17.920 --> 0:44:22.319
<v Speaker 2>place relationally for her. That does my heart good as

0:44:22.360 --> 0:44:24.760
<v Speaker 2>a fan to watch. It's really cool.

0:44:25.239 --> 0:44:27.560
<v Speaker 4>Huge. We talked about this last episode that was saying,

0:44:27.600 --> 0:44:31.320
<v Speaker 4>it's so nice to get a whole episode of Brilliant

0:44:31.520 --> 0:44:35.279
<v Speaker 4>just being happy, yes, and just delighting in each other

0:44:35.440 --> 0:44:38.160
<v Speaker 4>and having cute date nights and fun bantern being back

0:44:38.200 --> 0:44:40.160
<v Speaker 4>because I'm with you. I'm a big fan of the

0:44:40.200 --> 0:44:44.120
<v Speaker 4>two of them, and yeah, they have just been through it.

0:44:44.200 --> 0:44:46.040
<v Speaker 4>We got an episode without Sophia crying, and I was like,

0:44:46.080 --> 0:44:48.080
<v Speaker 4>it's about I know, and.

0:44:48.040 --> 0:44:50.839
<v Speaker 2>Even though he's made some bad decisions and she's had

0:44:50.840 --> 0:44:54.040
<v Speaker 2>some misunderstandings and reacted poorly to things without asking the

0:44:54.080 --> 0:44:57.400
<v Speaker 2>right questions or whatever, like, it's just normal relationship stuff.

0:44:57.920 --> 0:45:00.759
<v Speaker 2>But I really loved being able to see that work

0:45:00.840 --> 0:45:04.120
<v Speaker 2>through those things instead of what teenagers do, which is

0:45:04.160 --> 0:45:05.680
<v Speaker 2>what we saw for so many years on the show,

0:45:05.719 --> 0:45:07.560
<v Speaker 2>which is just blow up at each other and then

0:45:07.760 --> 0:45:10.560
<v Speaker 2>you break up or you disappear like they're really having

0:45:10.560 --> 0:45:14.040
<v Speaker 2>a very mature adult relationship and not reducing each other

0:45:14.120 --> 0:45:17.440
<v Speaker 2>down to their worst qualities and making space for I

0:45:17.480 --> 0:45:19.279
<v Speaker 2>accept you for who you are. This part of you

0:45:19.360 --> 0:45:22.640
<v Speaker 2>really bothers me, but I can manage it, and we're

0:45:22.680 --> 0:45:25.800
<v Speaker 2>going to grow. We'll grow through it. It's just so adult.

0:45:25.920 --> 0:45:29.120
<v Speaker 4>I love it. Yeah, and the way she is showing

0:45:29.200 --> 0:45:32.520
<v Speaker 4>up for him as a teammate when yes, he's waiting

0:45:32.520 --> 0:45:34.279
<v Speaker 4>to hear about the festival and she's just kind of

0:45:34.320 --> 0:45:36.040
<v Speaker 4>calming and cheering him on.

0:45:36.280 --> 0:45:41.239
<v Speaker 3>You know, well she's also already plugged the name of

0:45:41.320 --> 0:45:43.920
<v Speaker 3>the festival into her phone. I know.

0:45:45.480 --> 0:45:46.400
<v Speaker 2>So sweet.

0:45:47.400 --> 0:45:48.279
<v Speaker 4>She's willing it.

0:45:48.800 --> 0:45:49.279
<v Speaker 5>She is.

0:46:02.920 --> 0:46:07.160
<v Speaker 2>Did we talk about India and grubs yet? Or no,

0:46:07.200 --> 0:46:08.319
<v Speaker 2>Miranda un grubs yet?

0:46:08.560 --> 0:46:10.120
<v Speaker 4>Let's talk about Miranda and grubs.

0:46:11.200 --> 0:46:13.760
<v Speaker 3>That was not the travel outfit I would have chosen

0:46:14.000 --> 0:46:15.399
<v Speaker 3>for an international fight.

0:46:16.040 --> 0:46:20.279
<v Speaker 6>That was the thing that was like, that's perfect.

0:46:20.200 --> 0:46:22.160
<v Speaker 3>No, But that was literally the first thing I thought,

0:46:22.160 --> 0:46:25.680
<v Speaker 3>I was like, that's possible for like a like an

0:46:25.719 --> 0:46:27.680
<v Speaker 3>international that's a long that's a long time to be

0:46:28.000 --> 0:46:28.480
<v Speaker 3>I think.

0:46:28.320 --> 0:46:31.080
<v Speaker 2>Miranda strikes me as the kind of person who also

0:46:31.160 --> 0:46:36.239
<v Speaker 2>travels with folded, like carefully folded cashmere pajama sweatsuit in

0:46:36.280 --> 0:46:39.960
<v Speaker 2>a silk bag that probably is in her carry on,

0:46:40.200 --> 0:46:44.480
<v Speaker 2>so she'll dip into the first class lou and change.

0:46:45.560 --> 0:46:47.120
<v Speaker 3>Look at you using the lingo.

0:46:47.680 --> 0:46:52.439
<v Speaker 2>I mean, I feel like this is her vibe. Man.

0:46:52.719 --> 0:46:56.000
<v Speaker 2>I like the device of this as a way to

0:46:56.080 --> 0:47:01.680
<v Speaker 2>get Grubs and Mia together. I don't know if they

0:47:01.719 --> 0:47:04.480
<v Speaker 2>have a romance or if they just start making music together.

0:47:04.640 --> 0:47:09.359
<v Speaker 2>And I can't remember, but I do like this this

0:47:09.440 --> 0:47:12.880
<v Speaker 2>piece of the puzzle. But it's kind of sad. It's like,

0:47:13.200 --> 0:47:14.760
<v Speaker 2>does this also mean India's leaving?

0:47:15.360 --> 0:47:18.920
<v Speaker 4>Is? Yeah? I mean I hope not. But is she

0:47:19.040 --> 0:47:21.880
<v Speaker 4>doing is she pulling a Harry in the Henderson's Is

0:47:21.920 --> 0:47:24.560
<v Speaker 4>she doing the thing with him where at the end

0:47:24.560 --> 0:47:26.920
<v Speaker 4>when she's like, because I don't want you to come,

0:47:27.280 --> 0:47:28.920
<v Speaker 4>because he's like, you didn't ask if i'd go, and

0:47:28.960 --> 0:47:31.440
<v Speaker 4>she screams at him really harshly.

0:47:31.520 --> 0:47:32.480
<v Speaker 2>Yeah, that was intense.

0:47:32.680 --> 0:47:34.399
<v Speaker 4>Is she doing the Harry and the Henderson thing where

0:47:34.480 --> 0:47:36.399
<v Speaker 4>she really likes him, but she she just knows what's

0:47:36.440 --> 0:47:37.040
<v Speaker 4>better for him.

0:47:37.280 --> 0:47:37.840
<v Speaker 3>I don't.

0:47:39.120 --> 0:47:41.800
<v Speaker 2>Purpose would they send him back out into the wilderness.

0:47:41.880 --> 0:47:47.880
<v Speaker 3>Yeah, the ending scene is Casablanca. Like, I feel like

0:47:47.920 --> 0:47:52.560
<v Speaker 3>we've got Harry and the Henderson because A I've already

0:47:52.600 --> 0:47:54.720
<v Speaker 3>used it on the show, so people have probably googled

0:47:54.719 --> 0:47:56.560
<v Speaker 3>it or they already know it too.

0:47:56.640 --> 0:47:58.480
<v Speaker 4>I have so little original material.

0:47:58.800 --> 0:48:02.040
<v Speaker 3>They went to their local Blockbuster and got their VHS

0:48:02.160 --> 0:48:02.799
<v Speaker 3>and watched it.

0:48:02.920 --> 0:48:03.799
<v Speaker 2>That's right.

0:48:04.200 --> 0:48:06.600
<v Speaker 4>It's the end of it where John Lithgout takes the

0:48:06.600 --> 0:48:09.040
<v Speaker 4>Bigfoot out to the woods because he realized he can't

0:48:09.080 --> 0:48:11.520
<v Speaker 4>have the life he's supposed to have, living a domestic

0:48:11.560 --> 0:48:14.520
<v Speaker 4>life with his family, and Bigfoot's like, what are we

0:48:14.600 --> 0:48:16.920
<v Speaker 4>doing here? And he's like get out of here? Bigfoot?

0:48:16.920 --> 0:48:18.680
<v Speaker 4>Of course it is like no, we're best friends, and

0:48:18.680 --> 0:48:21.640
<v Speaker 4>he's like get and then he goes he hits him,

0:48:21.640 --> 0:48:24.000
<v Speaker 4>and he goes, don't you see we don't watch you here?

0:48:24.360 --> 0:48:26.560
<v Speaker 4>Go in Bigfoot? Of course, it's like, what the hell

0:48:26.719 --> 0:48:29.360
<v Speaker 4>just happened? Fine, and he walks off in nature and

0:48:29.360 --> 0:48:31.399
<v Speaker 4>then Liftgout turns to Cameron and he's a tear rolling

0:48:31.400 --> 0:48:34.160
<v Speaker 4>down his cheek and he's like, goodbye, my friend.

0:48:34.080 --> 0:48:36.960
<v Speaker 2>I don't ever want to watch this show. That sounds terrible.

0:48:37.280 --> 0:48:39.200
<v Speaker 4>Oh you want to hear terrible news. I just found

0:48:39.200 --> 0:48:44.440
<v Speaker 4>out this is India's last episode. What oh on? This

0:48:44.480 --> 0:48:46.400
<v Speaker 4>is how we send her off being rude to sweet

0:48:46.400 --> 0:48:47.120
<v Speaker 4>sweet Grubs.

0:48:48.000 --> 0:48:51.200
<v Speaker 3>Boom is I bet she had something else she was

0:48:51.239 --> 0:48:51.920
<v Speaker 3>going off to do.

0:48:52.520 --> 0:48:53.640
<v Speaker 2>I'm sure she did.

0:48:54.080 --> 0:48:58.320
<v Speaker 3>Yes, she's a very busy working actor, so I'm sure

0:48:58.320 --> 0:49:01.680
<v Speaker 3>that that was the device that exit.

0:49:02.360 --> 0:49:05.239
<v Speaker 2>Yeah had to have been. Yeah, well, I think it

0:49:05.320 --> 0:49:07.440
<v Speaker 2>was that she was just pushing him away, like I

0:49:07.480 --> 0:49:10.879
<v Speaker 2>don't want you to go. I don't I she knew

0:49:10.880 --> 0:49:13.279
<v Speaker 2>that he'd be better off there. He's not gonna he's

0:49:13.280 --> 0:49:15.040
<v Speaker 2>not going to build a whole new start, a whole

0:49:15.040 --> 0:49:18.840
<v Speaker 2>new life, a whole new career in England. And yeah,

0:49:18.840 --> 0:49:19.359
<v Speaker 2>she was.

0:49:19.560 --> 0:49:22.719
<v Speaker 3>She was John Let though he was Harry. She was

0:49:22.719 --> 0:49:23.320
<v Speaker 3>the Harrison.

0:49:24.040 --> 0:49:27.239
<v Speaker 4>Ugh, you have such dated references, Amanda. Couldn't you've used

0:49:27.280 --> 0:49:29.520
<v Speaker 4>like Casa Blanca or something younger and hipper?

0:49:29.600 --> 0:49:34.279
<v Speaker 3>Gosh, okay, boomer asa Blanc of younger and Hipper. I know, oh,

0:49:34.360 --> 0:49:39.920
<v Speaker 3>I know, that's the magic of your comedy.

0:49:41.840 --> 0:49:45.880
<v Speaker 2>But getting Mia and Grubs into the same room having

0:49:45.920 --> 0:49:50.240
<v Speaker 2>that intro happen. Also a little I was like watching

0:49:50.280 --> 0:49:52.800
<v Speaker 2>her walk in when she just broke up with Chase

0:49:52.920 --> 0:49:57.080
<v Speaker 2>on text message and she still passes through the bar like, hey, sorry,

0:49:57.120 --> 0:49:58.640
<v Speaker 2>I broke up with you, but I do need to

0:49:58.640 --> 0:50:02.279
<v Speaker 2>get into the office, Can I can? I can? I

0:50:02.400 --> 0:50:03.959
<v Speaker 2>just go into the recording.

0:50:03.600 --> 0:50:04.399
<v Speaker 3>Studio real quick?

0:50:04.480 --> 0:50:04.960
<v Speaker 2>Sorry?

0:50:05.680 --> 0:50:08.640
<v Speaker 4>And also wasn't the whole text like, Hey, this isn't

0:50:08.719 --> 0:50:11.560
<v Speaker 4>fair to either of us. I'm not around, like I'm

0:50:11.680 --> 0:50:14.600
<v Speaker 4>busy away doing stuff. And then she shows up and

0:50:14.640 --> 0:50:18.600
<v Speaker 4>she's like, gotcha, I actually done. Just don't want to

0:50:18.640 --> 0:50:22.080
<v Speaker 4>be your girlfriend. Yeah. It was odd because she when

0:50:22.080 --> 0:50:25.680
<v Speaker 4>they go outside to talk basically just says this is

0:50:25.760 --> 0:50:28.640
<v Speaker 4>better for you. Why you're here now?

0:50:29.200 --> 0:50:33.040
<v Speaker 2>Yeah. Also, the text message on his phone was clearly

0:50:33.680 --> 0:50:36.759
<v Speaker 2>written on the phone on the phone on his phone

0:50:36.760 --> 0:50:38.680
<v Speaker 2>because it had a cursor at the end of it.

0:50:38.760 --> 0:50:41.160
<v Speaker 2>That I was like, are we not Are we supposed

0:50:41.160 --> 0:50:43.080
<v Speaker 2>to believe that this is the message that Mia sent

0:50:43.640 --> 0:50:46.320
<v Speaker 2>because it's clearly something that he just wrote on his phone.

0:50:46.360 --> 0:50:49.560
<v Speaker 3>He's just writing it over and over again self punishment.

0:50:56.360 --> 0:50:59.240
<v Speaker 4>It did lead to a wonderful scene though, with Julian,

0:50:59.520 --> 0:51:04.880
<v Speaker 4>Alex and Chase where they all come in pretty salty

0:51:05.640 --> 0:51:08.960
<v Speaker 4>and just sort of throwing like barbs at each other.

0:51:08.880 --> 0:51:11.720
<v Speaker 3>And it's no, I'm in more pain.

0:51:13.760 --> 0:51:18.840
<v Speaker 4>The pity pool was crowded that day. And I also

0:51:18.920 --> 0:51:22.759
<v Speaker 4>love though, how it turned into Alex giving Julian a

0:51:22.800 --> 0:51:26.839
<v Speaker 4>reality check sort of a prospective shift and helping him

0:51:26.880 --> 0:51:29.640
<v Speaker 4>see that like, no, man, this is a this is

0:51:29.680 --> 0:51:33.080
<v Speaker 4>a monster win and it felt very genuine and believable.

0:51:33.560 --> 0:51:35.239
<v Speaker 2>Yeah. I liked it too.

0:51:35.440 --> 0:51:37.399
<v Speaker 4>And then did we find out that he got in?

0:51:37.480 --> 0:51:40.560
<v Speaker 4>At the end? He got a call? Didn't he?

0:51:40.560 --> 0:51:42.480
<v Speaker 2>He said hello? And then that was it?

0:51:42.640 --> 0:51:42.879
<v Speaker 1>Right?

0:51:43.360 --> 0:51:44.360
<v Speaker 2>Or did I miss something?

0:51:45.239 --> 0:51:47.600
<v Speaker 4>I think That's all I remember is that she goes, well,

0:51:47.640 --> 0:51:49.680
<v Speaker 4>look who it is or something like that, and he

0:51:49.800 --> 0:51:53.000
<v Speaker 4>answers it. Yeah, but I'm assuming he gets in because

0:51:53.040 --> 0:51:54.440
<v Speaker 4>isn't that why we went to Park City?

0:51:55.520 --> 0:51:57.000
<v Speaker 2>Yes? It is, that's right.

0:51:57.360 --> 0:52:00.520
<v Speaker 4>Yeah, okay, spoiler he got in?

0:52:01.320 --> 0:52:05.239
<v Speaker 3>Alert. Yeah, didn't you all go? Shoot? There? You all

0:52:05.280 --> 0:52:09.560
<v Speaker 3>went on location, didn't you? We did? Yeah? I remember,

0:52:09.680 --> 0:52:12.839
<v Speaker 3>I was. I was disappointed that I wasn't. The more

0:52:12.880 --> 0:52:14.120
<v Speaker 3>pivotal part in.

0:52:14.120 --> 0:52:17.960
<v Speaker 2>That she follows she breaks out of the psychiatric hospital

0:52:18.000 --> 0:52:19.400
<v Speaker 2>and follows him.

0:52:19.239 --> 0:52:22.440
<v Speaker 3>There you go? Yeah, No, I remember you all getting

0:52:22.520 --> 0:52:27.120
<v Speaker 3>ready to go. Oh bummer for.

0:52:27.160 --> 0:52:30.359
<v Speaker 4>Me, I'm excited to see where the Katie stuff goes.

0:52:30.400 --> 0:52:34.319
<v Speaker 4>I remember some of the broad stroke endgame things, but

0:52:34.440 --> 0:52:37.560
<v Speaker 4>I don't. I don't remember the road to getting there.

0:52:37.960 --> 0:52:41.400
<v Speaker 2>I don't either. I don't. This has actually been fun

0:52:41.480 --> 0:52:45.319
<v Speaker 2>for me to watch because I definitely did not watch

0:52:45.360 --> 0:52:49.560
<v Speaker 2>these episodes, and especially with everything going on in my

0:52:49.600 --> 0:52:53.360
<v Speaker 2>personal life and then with Katie, I mean sorry, not Katie,

0:52:53.360 --> 0:52:58.759
<v Speaker 2>with Lydia dying and Haley's whole storyline revolving around depression,

0:53:00.560 --> 0:53:04.440
<v Speaker 2>I just was not. I wasn't aware of really anyone

0:53:04.440 --> 0:53:06.920
<v Speaker 2>else's storyline. I would get the scripts at this point

0:53:06.960 --> 0:53:10.480
<v Speaker 2>and read my scenes and make sure that I wasn't.

0:53:10.560 --> 0:53:12.719
<v Speaker 2>You know, whatever I was connected to I understood, but

0:53:12.800 --> 0:53:17.000
<v Speaker 2>everything else I just I didn't have the capacity.

0:53:16.440 --> 0:53:19.560
<v Speaker 3>For during that time. Did you didn't read the scripts holistically?

0:53:20.480 --> 0:53:22.800
<v Speaker 2>No? I was going through such a I don't know

0:53:22.840 --> 0:53:24.960
<v Speaker 2>if you know. I wrote a book about being in

0:53:24.960 --> 0:53:27.399
<v Speaker 2>a cult. So I was the New.

0:53:27.360 --> 0:53:30.120
<v Speaker 4>York Times best selling book about being in a cult.

0:53:30.440 --> 0:53:33.360
<v Speaker 3>Thank you, Darling, Jennifer Vampire, excuse me King, I was

0:53:33.360 --> 0:53:35.080
<v Speaker 3>about to say, please, thank you.

0:53:35.160 --> 0:53:39.960
<v Speaker 2>Yeah. So yes, that was at the sort of pivotal

0:53:40.400 --> 0:53:42.719
<v Speaker 2>time in my life when everything was really at its

0:53:42.719 --> 0:53:47.400
<v Speaker 2>absolute worst and I was just surviving and on autopilot.

0:53:47.960 --> 0:53:51.040
<v Speaker 2>So I would get the scripts and just didn't I

0:53:51.080 --> 0:53:54.400
<v Speaker 2>didn't have the capacity. I didn't know how to invest

0:53:54.480 --> 0:53:57.160
<v Speaker 2>myself in other people's storylines. I just had to like

0:53:57.719 --> 0:54:00.560
<v Speaker 2>get my scripts, learn my lines, and do enough to

0:54:00.600 --> 0:54:03.399
<v Speaker 2>be professional to show up and still keep my job,

0:54:04.000 --> 0:54:07.839
<v Speaker 2>and then I would get offset and go deal with

0:54:07.880 --> 0:54:11.080
<v Speaker 2>my personal life. And so this has been really fun

0:54:11.160 --> 0:54:14.239
<v Speaker 2>to watch back. I didn't even know about this, this

0:54:14.280 --> 0:54:19.080
<v Speaker 2>scavenger Hunt storyline with Chantelle and Jackson. No, I know

0:54:19.280 --> 0:54:23.040
<v Speaker 2>very little about what's coming up with Katie and Clay,

0:54:23.080 --> 0:54:25.880
<v Speaker 2>except for this big fight in the rain, because Chantelle

0:54:25.880 --> 0:54:28.920
<v Speaker 2>and I were friends and talking and so I would

0:54:29.239 --> 0:54:32.680
<v Speaker 2>she'd come have a coffee with me after work and

0:54:32.760 --> 0:54:36.600
<v Speaker 2>be still in her bruises and cuts and scrapes and

0:54:36.640 --> 0:54:39.120
<v Speaker 2>from whatever you guys were doing together. So I know,

0:54:39.239 --> 0:54:40.600
<v Speaker 2>something crazy we did.

0:54:40.600 --> 0:54:43.400
<v Speaker 3>That was one of the first scenes, one of the

0:54:43.440 --> 0:54:48.840
<v Speaker 3>first like people do stunts, actors do more of the action,

0:54:49.000 --> 0:54:50.560
<v Speaker 3>And that was one of the first times I ever

0:54:50.680 --> 0:54:55.280
<v Speaker 3>did like an action fight with another actor.

0:54:55.760 --> 0:54:58.440
<v Speaker 2>Wow, I think that's fun.

0:54:58.520 --> 0:55:01.240
<v Speaker 4>When you do ventions. Or when you're out in public

0:55:01.239 --> 0:55:04.640
<v Speaker 4>and you get approached by a fan, how much like

0:55:04.680 --> 0:55:08.040
<v Speaker 4>what's the ratio of they talk about Katie versus they

0:55:08.040 --> 0:55:12.040
<v Speaker 4>talk about Sarah. Who if you had to say, who's

0:55:12.080 --> 0:55:14.160
<v Speaker 4>the fan favorite? Is it Katie or is it Sarah.

0:55:14.320 --> 0:55:17.239
<v Speaker 3>Katie's not a fan favorite, but she's a fan fascination.

0:55:18.680 --> 0:55:25.560
<v Speaker 3>You know. People don't like Katie, but they like to

0:55:25.600 --> 0:55:29.560
<v Speaker 3>not like her, you know, yea, And people were already

0:55:29.600 --> 0:55:33.319
<v Speaker 3>invested in Clay's storyline at that point, so they are

0:55:33.360 --> 0:55:36.200
<v Speaker 3>sort of mad. I think. Also, I don't know whether

0:55:36.239 --> 0:55:39.879
<v Speaker 3>you've talked about this a lot, but I have been

0:55:40.080 --> 0:55:44.200
<v Speaker 3>on a few shows as the mean woman.

0:55:44.239 --> 0:55:46.840
<v Speaker 2>Or okay, you did pretty Little Liars after.

0:55:46.680 --> 0:55:49.880
<v Speaker 3>That, Pretty Little Liars, But on other shows my character

0:55:50.200 --> 0:55:57.360
<v Speaker 3>has taken a turn, and women really love to pile

0:55:57.840 --> 0:56:05.160
<v Speaker 3>on the the judgment and the the anger to other women.

0:56:05.800 --> 0:56:11.520
<v Speaker 3>And I've had a lot of confusion between Haiti and Amanda.

0:56:12.680 --> 0:56:19.120
<v Speaker 3>And at first it was so strange, hurtful, and then

0:56:19.160 --> 0:56:21.880
<v Speaker 3>it was actually quite complimentary.

0:56:23.040 --> 0:56:25.240
<v Speaker 2>Yes, I'm that good.

0:56:25.600 --> 0:56:28.439
<v Speaker 3>Well, it was more just like there was during that time,

0:56:28.520 --> 0:56:31.760
<v Speaker 3>it was, you know, Twitter was just starting to get big,

0:56:31.960 --> 0:56:35.799
<v Speaker 3>and I I started a Twitter account, kind of just

0:56:35.840 --> 0:56:38.719
<v Speaker 3>around the time that I was doing these, around these episodes,

0:56:39.280 --> 0:56:47.160
<v Speaker 3>and somebody started to say some really unkind things to

0:56:47.200 --> 0:56:52.880
<v Speaker 3>me on top on Twitter. And at first, you know,

0:56:52.960 --> 0:56:56.279
<v Speaker 3>I would vacillate between like either not responding or just

0:56:56.360 --> 0:56:58.759
<v Speaker 3>doing like a little you know, short response or whatever.

0:56:58.800 --> 0:57:01.799
<v Speaker 3>I never like, I don't read member really engaging, but

0:57:02.800 --> 0:57:04.480
<v Speaker 3>and they would have to. I think they would get

0:57:04.480 --> 0:57:07.239
<v Speaker 3>shut down because they would change their address quite a bit,

0:57:07.280 --> 0:57:11.759
<v Speaker 3>their handle. And then it was like I just had

0:57:11.760 --> 0:57:14.200
<v Speaker 3>this shift, this mental shift where I was like, thank you,

0:57:15.200 --> 0:57:19.960
<v Speaker 3>thank you so much for being confused, because that means

0:57:19.960 --> 0:57:23.920
<v Speaker 3>I did my job and I appreciate you. Yes, And

0:57:24.000 --> 0:57:25.680
<v Speaker 3>once I kind of said that, and I said if

0:57:25.720 --> 0:57:27.600
<v Speaker 3>you ever want to I think I do remember saying

0:57:27.600 --> 0:57:29.840
<v Speaker 3>if you ever, you know, want to get together to

0:57:29.920 --> 0:57:32.640
<v Speaker 3>discuss it. Once I called out this person and said

0:57:32.640 --> 0:57:34.360
<v Speaker 3>that I would engage face to face, it was like

0:57:34.400 --> 0:57:37.960
<v Speaker 3>game over, you know, yeah, because nobody wanted to step

0:57:38.000 --> 0:57:40.920
<v Speaker 3>out behind the safety of the computer screen. But it

0:57:41.000 --> 0:57:45.560
<v Speaker 3>was like people people did love to hate Katie, you know.

0:57:45.560 --> 0:57:48.360
<v Speaker 2>And that's just one example, Yeah, fear of the unknown.

0:57:49.080 --> 0:57:51.720
<v Speaker 4>Maybe that person just needed a little touch of lithium,

0:57:51.760 --> 0:57:53.480
<v Speaker 4>just like this.

0:57:53.520 --> 0:57:55.040
<v Speaker 3>Little little lithium in the kool aid.

0:57:55.840 --> 0:57:59.280
<v Speaker 2>That's it. Yeah, it is people. People are People are

0:57:59.320 --> 0:58:03.760
<v Speaker 2>afraid of things that they don't understand. Speaking of fear

0:58:03.920 --> 0:58:06.200
<v Speaker 2>of things that we don't understand, we have a listener

0:58:06.320 --> 0:58:10.080
<v Speaker 2>question tani is asking when you were younger, what is

0:58:10.080 --> 0:58:13.240
<v Speaker 2>an irrational fear that you had that you thought was

0:58:13.280 --> 0:58:16.000
<v Speaker 2>an extreme issue. I love this.

0:58:15.960 --> 0:58:17.400
<v Speaker 4>Cause this is such a good question.

0:58:20.520 --> 0:58:23.920
<v Speaker 2>Absolutely, the Bermuda triangle I thought was a really big

0:58:23.960 --> 0:58:25.840
<v Speaker 2>problem that we had to solve.

0:58:27.280 --> 0:58:27.520
<v Speaker 3>A lot.

0:58:28.000 --> 0:58:29.960
<v Speaker 2>Oh yeah, but there was the other thing too, Like

0:58:30.240 --> 0:58:33.440
<v Speaker 2>remember the tags on the furniture that say do not remove.

0:58:34.040 --> 0:58:38.680
<v Speaker 2>I was absolutely terrified. I remember one day I ripped

0:58:38.680 --> 0:58:40.960
<v Speaker 2>the tag off. Like I played on my furniture all

0:58:41.000 --> 0:58:43.320
<v Speaker 2>the time. I was always climbing around on things, and

0:58:43.400 --> 0:58:47.240
<v Speaker 2>I remember we spilled something on the cushion and had

0:58:47.240 --> 0:58:49.880
<v Speaker 2>to flip it around, and I ripped the tag off.

0:58:49.920 --> 0:58:52.040
<v Speaker 2>And I look at the tag and it says like

0:58:52.400 --> 0:58:53.800
<v Speaker 2>it's like FBI or some.

0:58:53.960 --> 0:58:57.200
<v Speaker 3>Kind of did people like descend from them? I was

0:58:57.240 --> 0:58:59.680
<v Speaker 3>afraid of your living room for like a week.

0:59:00.000 --> 0:59:01.640
<v Speaker 2>I was like, Oh my god, is someone going to

0:59:01.720 --> 0:59:04.560
<v Speaker 2>come arrest me for taking the tag off of this couch?

0:59:05.320 --> 0:59:07.600
<v Speaker 3>I definitely thought that there was something under my bed

0:59:07.840 --> 0:59:10.480
<v Speaker 3>kind night, Oh certain of it.

0:59:10.600 --> 0:59:14.280
<v Speaker 4>I spent way too much time worried about quicksand than

0:59:14.400 --> 0:59:15.920
<v Speaker 4>was probably necessary.

0:59:16.440 --> 0:59:18.080
<v Speaker 2>The Princess Bride ruined us.

0:59:18.800 --> 0:59:20.800
<v Speaker 4>I don't know why. As a kid growing up in

0:59:20.960 --> 0:59:23.960
<v Speaker 4>suburban southern California, quicksand was at the forefront of my

0:59:24.000 --> 0:59:28.960
<v Speaker 4>fear list. But yeah, things like quicksand acid rain, Oh, rain,

0:59:29.200 --> 0:59:32.320
<v Speaker 4>acid rain. I might drown if I don't wait thirty

0:59:32.360 --> 0:59:34.040
<v Speaker 4>minutes after I eat before I sway.

0:59:34.960 --> 0:59:37.760
<v Speaker 3>Quicksand. I did sink into mud about this high ones

0:59:37.760 --> 0:59:39.120
<v Speaker 3>on a hike when I was really young.

0:59:39.320 --> 0:59:43.960
<v Speaker 2>So WHOA listen, Quicksand is an issue. It's a serious problem.

0:59:44.280 --> 0:59:48.480
<v Speaker 3>Not to reignite any dormant concerns.

0:59:48.680 --> 0:59:52.760
<v Speaker 4>They're rob but listen. If there had been a political

0:59:52.800 --> 0:59:56.440
<v Speaker 4>candidate in nineteen eighty four whose platform was I am

0:59:56.480 --> 0:59:59.200
<v Speaker 4>going to fix the quicksand issue the world, I would

0:59:59.200 --> 1:00:00.160
<v Speaker 4>have had my vote.

1:00:00.280 --> 1:00:03.960
<v Speaker 3>So fast, your four year old vote.

1:00:04.400 --> 1:00:12.120
<v Speaker 4>Yep, so good. Oh, Amanda schul you are a delight always.

1:00:12.360 --> 1:00:15.000
<v Speaker 3>I'm so happy that I got to be here this

1:00:15.040 --> 1:00:18.200
<v Speaker 3>morning with you. What a lovely way to spend the sunrise.

1:00:18.240 --> 1:00:19.280
<v Speaker 3>Thank you for being here with me.

1:00:19.960 --> 1:00:23.400
<v Speaker 4>Well before we say goodbye, because I just wanted to

1:00:23.440 --> 1:00:27.240
<v Speaker 4>get in some preliminary compliments before I really hit you

1:00:27.320 --> 1:00:30.240
<v Speaker 4>with the whole barage of them. Afterwards, we do spin

1:00:30.280 --> 1:00:33.840
<v Speaker 4>a wheel and we do an honorable mention. So we're

1:00:33.880 --> 1:00:36.320
<v Speaker 4>not quite done yet. Let's spin that wheel.

1:00:36.480 --> 1:00:38.840
<v Speaker 2>So the wheel is most likely to Amanda. So it's

1:00:38.840 --> 1:00:40.800
<v Speaker 2>like in your high school yearbook, you've got most likely

1:00:40.840 --> 1:00:44.920
<v Speaker 2>to become president, most likely to know join a tennis

1:00:44.960 --> 1:00:48.920
<v Speaker 2>club or whatever. Anyway, Okay, here's what we have, most

1:00:49.120 --> 1:00:52.440
<v Speaker 2>likely to get locked out of their own house. So

1:00:52.520 --> 1:00:54.560
<v Speaker 2>you have to pick a cast member and then the

1:00:54.680 --> 1:00:56.400
<v Speaker 2>character a character on the show.

1:00:56.440 --> 1:00:59.080
<v Speaker 4>Okay, I'm going to say this. Here's the person who

1:00:59.160 --> 1:01:02.960
<v Speaker 4>is lee likely to ever get locked out of their house.

1:01:03.280 --> 1:01:06.120
<v Speaker 4>It's clearly Katie because she can pick locks.

1:01:06.520 --> 1:01:13.040
<v Speaker 2>Pro Yes, absolutely most likely to get locked out of

1:01:13.040 --> 1:01:14.480
<v Speaker 2>their house. I mean, I've been locked out of my

1:01:14.520 --> 1:01:17.280
<v Speaker 2>house multiple times, so it might be me in real life.

1:01:17.320 --> 1:01:18.760
<v Speaker 4>I'm going to say you Joy, because you sort of

1:01:18.760 --> 1:01:21.400
<v Speaker 4>have a tendency to just like leave things behind occasionally.

1:01:21.560 --> 1:01:25.000
<v Speaker 2>Yeah, I'm really absent minded. I'm such an absent minded professor.

1:01:25.160 --> 1:01:29.120
<v Speaker 3>I would say your character, you know around this time,

1:01:29.240 --> 1:01:30.160
<v Speaker 3>is absent minded.

1:01:30.280 --> 1:01:34.000
<v Speaker 2>So yeah, yeah, Haley right now, might be, but Haley

1:01:34.320 --> 1:01:36.760
<v Speaker 2>in regular life definitely not. Haley's the one who's got

1:01:36.760 --> 1:01:39.120
<v Speaker 2>copies of everyone else's keys and they come to her

1:01:39.200 --> 1:01:40.959
<v Speaker 2>when they lock themselves out of their house.

1:01:41.000 --> 1:01:44.160
<v Speaker 3>Are we discussing this particular point or in general?

1:01:44.240 --> 1:01:45.360
<v Speaker 2>Could could be any time?

1:01:45.600 --> 1:01:47.360
<v Speaker 3>Oh? Okay, oh okay, okay, listen.

1:01:47.400 --> 1:01:49.680
<v Speaker 4>If it's at this particular point, I agree it's Haley.

1:01:49.800 --> 1:01:52.400
<v Speaker 4>If it's in general, I'm going to also throw Clay's

1:01:52.400 --> 1:01:54.680
<v Speaker 4>hat in the ring, because, as we will see, he's

1:01:54.880 --> 1:01:56.440
<v Speaker 4>pretty good at forgetting things.

1:01:56.640 --> 1:02:01.160
<v Speaker 2>Yeah, yep, he's a little spacey right now too, trying

1:02:01.160 --> 1:02:02.040
<v Speaker 2>to stressed out.

1:02:03.320 --> 1:02:06.600
<v Speaker 4>Do you have an honorable mention? It's sort of just

1:02:06.640 --> 1:02:08.080
<v Speaker 4>one thing that stood out to you for the episode.

1:02:08.080 --> 1:02:12.680
<v Speaker 3>You want to shout out an honorable mention? Uh? Well,

1:02:12.720 --> 1:02:16.160
<v Speaker 3>can we just discuss all the women's skin for just

1:02:16.200 --> 1:02:24.440
<v Speaker 3>a split second? Yes, because I was just the skincare

1:02:24.760 --> 1:02:29.760
<v Speaker 3>routine was on point, your like, the lady's skin was

1:02:29.920 --> 1:02:33.320
<v Speaker 3>just a dewy kiss of perfection, and I just want

1:02:33.360 --> 1:02:37.600
<v Speaker 3>to honorably mention your skin, Sophia. Well, listen, everyone's skin

1:02:37.760 --> 1:02:38.960
<v Speaker 3>was just absolutely beautiful.

1:02:40.400 --> 1:02:42.240
<v Speaker 2>Skin was great. I wish we had somebody to help

1:02:42.320 --> 1:02:46.400
<v Speaker 2>us with our eyebrows, because that was rough. Eyebrows were

1:02:46.480 --> 1:02:47.760
<v Speaker 2>real rough for me back then.

1:02:48.040 --> 1:02:50.320
<v Speaker 3>Eros didn't stand out to me. Your skin stood out

1:02:50.360 --> 1:02:50.520
<v Speaker 3>to me.

1:02:50.760 --> 1:02:55.280
<v Speaker 2>I'm so glad, thank you. Honorable mention for me will

1:02:55.320 --> 1:03:01.080
<v Speaker 2>be Paul Tiel until he's done. I just love watching him.

1:03:01.120 --> 1:03:05.280
<v Speaker 2>I also remember, I think he was twenty when we

1:03:05.320 --> 1:03:07.120
<v Speaker 2>did this, so all of us were older than him,

1:03:07.200 --> 1:03:10.760
<v Speaker 2>So he came in at twenty years old playing this,

1:03:11.480 --> 1:03:16.760
<v Speaker 2>you know, hot shot movie star, working with Janna, and

1:03:16.800 --> 1:03:19.800
<v Speaker 2>this might have been his first on camera role too.

1:03:20.880 --> 1:03:24.440
<v Speaker 2>I have to double check that. But he he just

1:03:24.560 --> 1:03:27.120
<v Speaker 2>was so great and so committed and had really great

1:03:27.120 --> 1:03:30.479
<v Speaker 2>instincts and I love I love watching him and always will.

1:03:30.600 --> 1:03:32.520
<v Speaker 2>So yeah, that's.

1:03:32.400 --> 1:03:36.360
<v Speaker 4>A great one. My honorable mention is Aunt Quinn, who

1:03:36.440 --> 1:03:39.320
<v Speaker 4>clearly wins Aunt of the Year. Oh yeah, we heard

1:03:39.480 --> 1:03:42.440
<v Speaker 4>Goonies inspired treasure Hunt with Jamie. That was awesome.

1:03:42.960 --> 1:03:44.360
<v Speaker 2>Agreed, So good?

1:03:44.800 --> 1:03:45.880
<v Speaker 4>What have we got next episode?

1:03:45.920 --> 1:03:49.120
<v Speaker 2>Joy? Well, the next episode Rob is season seven, episode

1:03:49.160 --> 1:03:52.680
<v Speaker 2>twenty two. Almost everything I wish I'd said the last

1:03:52.760 --> 1:03:55.520
<v Speaker 2>time I saw you. That's a very long time a mouthful.

1:03:56.360 --> 1:03:59.200
<v Speaker 2>It just certainly is. I wonder how the episode will.

1:03:59.080 --> 1:04:00.920
<v Speaker 4>Be tune in to find out.

1:04:02.440 --> 1:04:04.720
<v Speaker 2>Thanks everybody, Thank you Amanda for joining us. It's so

1:04:04.800 --> 1:04:07.040
<v Speaker 2>good to see you. That's your contribution today.

1:04:07.600 --> 1:04:11.160
<v Speaker 3>I'm so happy to be here with you all right.

1:04:11.200 --> 1:04:14.800
<v Speaker 4>Bye, guys, you're the best buddy. Bye everyone, Bye friends.

1:04:15.360 --> 1:04:18.000
<v Speaker 2>Hey, thanks for listening. Don't forget to leave us a review.

1:04:18.240 --> 1:04:22.000
<v Speaker 2>You can also follow us on Instagram at Drama Queen's ot.

1:04:22.040 --> 1:04:26.720
<v Speaker 3>H or email us at Drama Queens at iHeartRadio dot com.

1:04:26.960 --> 1:04:31.160
<v Speaker 1>See you next time we all about that high school

1:04:31.240 --> 1:04:35.120
<v Speaker 1>drama Girl, Drama Girl, all about them high school queens.

1:04:35.160 --> 1:04:37.360
<v Speaker 2>We'll take you for a ride at our comic Girl

1:04:38.120 --> 1:04:42.520
<v Speaker 2>cheering for the right teams. Drama Queens, My up girl fashion,

1:04:42.560 --> 1:04:44.480
<v Speaker 2>but your tough girl, you could sit with us.

1:04:44.520 --> 1:04:48.600
<v Speaker 1>Girl Drama Queens, Drama Queens, Drama Queens, Drama Drama Queens,

1:04:48.680 --> 1:04:50.320
<v Speaker 1>Drama Queens