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Speaker 1: He is Drink Chants, mothering fucking podcast. Make si He's

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Speaker 1: a legendary queen's rapper. He ain't sagree. That is your

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Speaker 1: boy in O R E. He's a Miami hipp hop lionaire.

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Speaker 1: Put up. It's d J E f n Together they

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Speaker 1: drink it up with some of the biggest players, you

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Speaker 1: know what I mean.

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Speaker 2: And the most professional, unprofessional podcast and your number one

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Speaker 2: source for drunk.

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Speaker 1: Drink chants every day is New Year's c Listen, It's

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Speaker 1: time for Drink Champs. Drink up, motherfuck mother. He ain't sagree,

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Speaker 1: hop it SAVI, this is your boy in O R E.

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Speaker 1: What off?

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Speaker 3: It's d J E Fen and his motherfucking military.

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Speaker 1: Crazy work Drink Champs podcast, Make it up and right now.

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Speaker 1: If you enjoy hip hop, if you enjoy.

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Speaker 3: Music period, this is hands down one of the top producers,

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Speaker 3: one of the top artists development persons in the world.

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Speaker 1: The man has took.

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Speaker 3: People from nobody and made them superstars. Not once, not twice,

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Speaker 3: not three times. I'm talking about over ten times. He

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Speaker 3: was the guy with the go to hits. At one point,

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Speaker 3: if you didn't have a JD record, you just wasn't

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Speaker 3: lit on his back to Oha. He definitely put a

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Speaker 3: Lanta on his back. Landa's running hip hop right now.

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Speaker 3: We got motherfucking one of my favorite producers in the world,

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Speaker 3: Jermaine dupri.

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Speaker 1: Now off top Chriss Cross just turned twenty five. The

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Speaker 1: album just turned twenty five, Like, how is that? How

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Speaker 1: did that feel? They don't feel like it's twenty five.

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Speaker 4: Now.

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Speaker 2: But it's crazy because you know, like that's that's I

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Speaker 2: never thought it would even be something that people even

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Speaker 2: care about it, you know what I mean. So for

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Speaker 2: people to still care about it, and you know it's

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Speaker 2: my that's my.

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Speaker 1: History, right and they're grown folks now, Chris Kell, that's

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Speaker 1: the way. So now, JD.

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Speaker 3: You have such a like remarkable reputation, like you worked,

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Speaker 3: you work with kids. Yet you've never had an allegations

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Speaker 3: of doing no crazy ship like you, not no r

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Speaker 3: kelly ship around around you at all.

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Speaker 1: Your ship is super clean. Like people people give you the.

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Speaker 5: Say, take my kid.

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Speaker 1: And make them star. It is real and you're never

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Speaker 1: like like, you know, I.

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Speaker 3: Paid tres to the rumors just because I'm in the

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Speaker 3: same industry. You have a clean reputation is nothing like

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Speaker 3: you just you're just really there. To make stars, I guess.

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Speaker 3: And how how is that though? Like, how is that?

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Speaker 3: Because I can see like I can see the chain

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Speaker 3: Angel Bow, Like I was too young to see criss Cross, right,

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Speaker 3: but you know on Bow Wow, I would go backstage

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Speaker 3: and I would see you guys, and I seen him

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Speaker 3: go from like a kid to an actual grown man.

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Speaker 1: Now how is that to see the transition when you

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Speaker 1: see people?

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Speaker 2: I mean, you know what's really funny is that when

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Speaker 2: you speak about the kids, there's only the only ever

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Speaker 2: worked with two kid artists, Criss Crossing Chris. But everybody

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Speaker 2: thinks I work with that's all I worked with. But yeah,

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Speaker 2: so I mean really both of them. Just watching them

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Speaker 2: grow up, you know, I mean it's it's like it's

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Speaker 2: like having a kid, you know, like.

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Speaker 1: You see him and you watch him and was quote

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Speaker 1: unquote she was a team.

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Speaker 2: Everybody was escape and everybody's been teenage and you started

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Speaker 2: young too.

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Speaker 1: You was dancing with twelve.

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Speaker 3: That's that's the pop right there, that's real, that's real,

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Speaker 3: right the man, so you like you cast to me

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Speaker 3: was like the first people like stepping up for Atlanta

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Speaker 3: showing people that because at this time.

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Speaker 1: And from the South at this.

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Speaker 3: Time, But you're from Miami. He's from Atlanta, off of

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Speaker 3: New York. At this time, us in New York, we

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Speaker 3: always thought it was like Bama's and y'all was slow,

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Speaker 3: and then you came out with your music.

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Speaker 1: Outcast came into the music, and we realized, oh, they're

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Speaker 1: pretty much the same as US, just with a little accent.

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Speaker 3: But how do you feel like seeing Atlanta be at

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Speaker 3: the forefront of hip hop?

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Speaker 1: Now you ever thought this day?

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Speaker 2: But I mean, I think I think it's amazing because

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Speaker 2: I Chris Crush was actually the first you know, rappers

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Speaker 2: to bring platinum music to Atlanta basically as far as

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Speaker 2: rap goes, you know, based artists coming out of Atlanta too,

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Speaker 2: So that All Stars was my artist too. But I'm

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Speaker 2: saying as far as like you know, Chris crust first album,

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Speaker 2: they sold eight million records, you know what I mean.

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Speaker 2: So it's like they was the first people in Atlanta

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Speaker 2: to create what y'all see right now?

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Speaker 3: Hold on, Hank, you can't just say, yeah, it's likely

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Speaker 3: like that.

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Speaker 1: How old was you at that time? I was seventeen?

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Speaker 1: What you so? Eight million records and the godamn spaceal

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Speaker 1: noise for him?

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Speaker 3: I don't even know how to I don't even know

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Speaker 3: to count that.

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Speaker 1: That's just a lot of money at seventeen super So was.

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Speaker 3: It ever a time when you went like you realize that,

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Speaker 3: you know, you're not yourself no more like you got

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Speaker 3: Hollywood basically?

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Speaker 1: Ever won?

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Speaker 3: Nah?

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Speaker 6: Nah nah?

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Speaker 1: Because I you know, I had this.

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Speaker 2: I always had people that seemed like they didn't you know,

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Speaker 2: they wanted to check me, you know what I mean,

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Speaker 2: because I was so young, So I was I always

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Speaker 2: had to deal with the young thing, like I'm the

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Speaker 2: young nigga, so everybody think they got one up on

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Speaker 2: B side. I was always out here to just try

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Speaker 2: to prove myself constantly over and over against So like

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Speaker 2: when I was mixing, I was, I was excited like

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Speaker 2: that one day what.

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Speaker 1: You're talking about, Like I was.

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Speaker 2: I was on my Hollywood ship at the studio, and

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Speaker 2: I was excited. Chris Cross was number one and Bruce

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Speaker 2: Springsteen was like number two, and like we was popping

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Speaker 2: hip hop and and and I was. I was running

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Speaker 2: around the studio just really excited. And and it's like

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Speaker 2: the first day I met Babyface, and Babyface was at

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Speaker 2: the studio and he came in and he was like

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Speaker 2: I was like, oh, ships, Babyface. It was like, yeah,

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Speaker 2: what's up? And he's like, yeah, you got that little record?

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Speaker 3: Jump home, jump jump jump jump.

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Speaker 2: Ahead.

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Speaker 1: I'm sorry the moment he hit me with the.

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Speaker 2: Little record and I'm like, little record, nigga, we popping,

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Speaker 2: like that's where I was at. But then he hit

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Speaker 2: me with the you know, yeah you got a little record.

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Speaker 2: This pop is good, right, But he didn't really seem

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Speaker 2: like it didn't seem like.

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Speaker 3: I did nothing that towards you or was that towards

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Speaker 3: rap period and now it was towards me.

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Speaker 2: I felt like it was towards it like that, you know,

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Speaker 2: And he was just like, you know, as a producer songwriter,

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Speaker 2: you know that don't really mean nothing until you can

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Speaker 2: do a multiple time. When he said that, my Hollywood

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Speaker 2: ship went out the window. Like okay, Babyface just tried

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Speaker 2: to stunt on me. I gotta get this nigga back.

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Speaker 2: I gotta go working, you know what I mean. So

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Speaker 2: I just from that point on, I just started like

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Speaker 2: focusing on putting out more and more artists. I wouldn't

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Speaker 2: even thinking about nothing else Hollywood or nothing.

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Speaker 1: Let's go all right, that's real right there.

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Speaker 3: Now I can to ask you about this line said,

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Speaker 3: I gotta see be with.

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Speaker 1: Jermaine because he owes me for the Jump? Ship? What

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Speaker 1: did he what is he talking about? You don't remember

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Speaker 1: that he never did he ever get paid? I don't know,

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Speaker 1: but you do. What was that about? Like?

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Speaker 7: Nah? You know, like.

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Speaker 2: Everybody thought I stole that song, and everybody wanted to

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Speaker 2: say I stole a song from somebody like I don't.

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Speaker 1: I don't know why, but you.

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Speaker 2: Know, it's just like like I said, when you when

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Speaker 2: you were young, there's a young producers, young artists, rapping

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Speaker 2: and hip hop. At that particular point in time, young

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Speaker 2: niggas was getting to like the straight son like nah, nah, nah,

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Speaker 2: weren't letting y'all.

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Speaker 1: We're not letting y'all.

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Speaker 2: N Then the record got super big and it was like,

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Speaker 2: oh ship, they end what we're gonna do?

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Speaker 1: Right?

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Speaker 2: So then it was like House of Pains the Stolen record.

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Speaker 2: The records come out the same year. No Jump came

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Speaker 2: before a House of Paying record. But they think that

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Speaker 2: they house jumping around. Okay, they said that the label

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Speaker 2: because we signed a rough House and Joe Joe Nicolo

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Speaker 2: basically Joe the Butcher basically signed us it was his label,

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Speaker 2: so I think they thought that Joe played their version

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Speaker 2: of the song for me and then I went and

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Speaker 2: redid it. You know, there's people just trying to find

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Speaker 2: ship all the time, and you know, uh, and then

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Speaker 2: Naughtie they did jump or they did something before they.

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Speaker 1: Did I don't remember, and they didn't Yeah, before they

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Speaker 1: did O p P. They used to do this jump

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Speaker 1: thing on stage.

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Speaker 2: It was a part of their act, like the so

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Speaker 2: so you know they felt like I took that from

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Speaker 2: them from for the song as well.

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Speaker 3: Okay, did you ever get together and talk about the

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Speaker 3: squash it or anything?

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Speaker 1: I mean, me and KG was cool a whole time.

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Speaker 1: You know, Trench just was like Trench translation like that.

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Speaker 3: We all now recently we did have that Hip Hop

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Speaker 3: Honors Awards. Right now, they say I'm a hater because

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Speaker 3: they never invite me, right but that's not what I'm

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Speaker 3: bringing up right now.

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Speaker 1: But they didn't. But let me just tell you something.

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Speaker 3: The only part of the show was I didn't appreciate

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Speaker 3: you a masterpiece sharing that moment.

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Speaker 1: I felt like you needed you had you needed your

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Speaker 1: own moment. I felt like he needed his own moment.

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Speaker 1: Is that well?

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Speaker 2: I mean you know, it's my second time being on it,

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Speaker 2: so I think that they was like I think probably

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Speaker 2: I don't know VH one product if they you know,

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Speaker 2: they even thought about it. I did it before where

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Speaker 2: I really you know, me and Puff performed. I did

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Speaker 2: Chriss Cross Franchise Boys. I did like a whole big

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Speaker 2: performance before when I was on it the first time.

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Speaker 2: So I think this time it was just they was

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Speaker 2: just really trying to like show which labels they felt

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Speaker 2: like from the South. It wasn't really about me per se.

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Speaker 2: It was about the labels. So that's why I think

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Speaker 2: we shared. It was really like what labels they feel like?

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Speaker 2: Put light in the South.

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Speaker 1: Okay, you could be humble. I'm not gonna be humped.

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Speaker 1: You deserve your own moment. They should have had you

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Speaker 1: out there. They should have had saluted the whole so

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Speaker 1: so depth. Sometimes they were mixing songs. They had a

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Speaker 1: big Fat.

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Speaker 3: Joe and Remy Ma performed with what Trick Daddy.

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Speaker 1: Yeah, it was like they did like it made.

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Speaker 3: It's like, I feel like, I feel like hip hop

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Speaker 3: deserves more, not that this is that the hip hop at.

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Speaker 1: All deserve more.

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Speaker 3: I felt like that whole moment should have been a

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Speaker 3: social death moment. It should have been like like I

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Speaker 3: felt like your artist should have came out and performed

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Speaker 3: for you. You know what I'm saying at that moment, like

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Speaker 3: all the artists or people that were just fans and

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Speaker 3: you like even like you know, I not this is

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Speaker 3: throwing it out there be even like a jay Z

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Speaker 3: gonna come out and you know, do money anything with

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Speaker 3: one of the new young artists. I just felt like

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Speaker 3: they could have did better more because for us, going

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Speaker 3: all these years, we were not celebrated.

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Speaker 1: Now we're living in the times where it's social media

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Speaker 1: so we can celebrate it. And another thing, this is

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Speaker 1: what I want to tell you. I don't want to

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Speaker 1: tell you.

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Speaker 3: If what was guy's names you know where I'm going

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Speaker 3: A rap Radarat was disgusting.

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Speaker 1: He said you wasn't top ten producer. He got a game.

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Speaker 1: I gotta I gotta be that.

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Speaker 3: I said, Yo, I don't understanda he gotta relax. It's

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Speaker 3: like I was, I wanted you to walk out of

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Speaker 3: an interview, but I was just like, like you are

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Speaker 3: hands down, Like listen. There was times where you know,

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Speaker 3: labels would it would sit around, they'd be like you

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Speaker 3: need a Jermaine the pre record, like this is real

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Speaker 3: ship and I'm talking about people had to come and

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Speaker 3: then like what Jay said, he said, I'm even make

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Speaker 3: your shit tighter. There was a time where you really

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Speaker 3: had to come to see you in order to make

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Speaker 3: it hit, like you define the world hit record.

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Speaker 1: Do you believe? You know, you believe?

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Speaker 2: I think that's a hard Like I carry that that's hard.

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Speaker 1: So I never really try to pay too much attention.

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Speaker 2: Somebody come to you. They come and trying to get

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Speaker 2: a record, and that's you know that, it's not even

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Speaker 2: no room for me to even like just be cool

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Speaker 2: and do anything. It's like, oh God, they want they

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Speaker 2: want this, they want that, they want this. I gotta

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Speaker 2: try to get this.

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Speaker 1: Again, you know what?

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Speaker 3: You know what I noticed and maybe you can help

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Speaker 3: me with this that if you kind of maintained being

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Speaker 3: a producer, you won't ever fall off. Like at some

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Speaker 3: point they're gonna get tired of the artists because he's

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Speaker 3: the front man. But if you're producing records and you

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Speaker 3: know how to do it and you maintain a certain

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Speaker 3: a producer can never fall off.

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Speaker 1: Is that true?

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Speaker 3: Nah?

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Speaker 2: Now you can't if you start like copying your sound

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Speaker 2: copying your your sound like you know, like when people

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Speaker 2: like people will come to me and say, I got

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Speaker 2: a new artist, I want to give me, give me

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Speaker 2: some of them Usher records that you got, and I'm like, no,

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Speaker 2: I'm not. I'm never gonna do that. Like I would,

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Speaker 2: I would always try to stay away from that. That

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Speaker 2: was reading my job even harder. Basically because Chrisscross sounded

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Speaker 2: like Chris Cross, Mariah Carey sound like Mariah Carey, Usher

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Speaker 2: sound like this brand sound like this Nobody Records sounded

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Speaker 2: like I took this and gave it to this person.

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Speaker 1: You know what I mean. I couldn't do that.

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Speaker 3: Did you ever have to be in the studio if

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Speaker 3: a riot Carrey said a wrong vocal and you have

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Speaker 3: to tell us.

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Speaker 1: To do it better. No, she's she's probably she would

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Speaker 1: be scared of you.

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Speaker 2: If she's not that, she's not that artist. She's he's

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Speaker 2: cold in the studio. She knows exactly what she want

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Speaker 2: to do. She's telling me like sample this nigga, this,

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Speaker 2: oh okay.

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Speaker 3: Hip hop hip hop like a motherfucker. Now, Now you

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Speaker 3: worked with Jay. Jay made about actually just random industry stuff.

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Speaker 3: Jay made this album four four four right now now

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Speaker 3: had I would have loved that album and twenty five

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Speaker 3: what I would have loved it at thirty five? I'm forty,

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Speaker 3: I just turned forty.

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Speaker 1: I love it, But.

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Speaker 3: Is it because I'm forty or is it because it's

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Speaker 3: just a great body of work.

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Speaker 1: You love it because Jay's rapping? You know what I mean? Right,

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Speaker 1: He's rapping right, That's what you want to hear jay

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Speaker 1: Z rapp. He's rapping right like.

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Speaker 2: He's he's giving niggas balls, he's throwing shots, he's doing he's.

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Speaker 1: Doing what we wanted to hear jay Z do.

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Speaker 2: And then then on a on a different level, like

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Speaker 2: the way No I D chopped these samples up. It's

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Speaker 2: like this is new by the way, the music sounds

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Speaker 2: like nothing else that's ever came out right, So you

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Speaker 2: should love it.

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Speaker 1: If you love hip hop, should you should be You should.

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Speaker 2: Cherish this album because it doesn't sound like anything else

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Speaker 2: that's out and it made.

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Speaker 3: Him seem like he wasn't trying to sound like that

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Speaker 3: sound neither like so many It hurts me sometimes when

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Speaker 3: we have legendary artists who are legends, they'll need nothing

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Speaker 3: to add on to their career, and they go to

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Speaker 3: try to you know, get get the new Future sound

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Speaker 3: or the new UZI verse.

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Speaker 1: I always kind of like hate that because it's like

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Speaker 1: you don't always have to.

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Speaker 3: Be the same, but you can always just just stay

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Speaker 3: in that realm. And what Jay did was completely opposite.

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Speaker 3: It was just like he just did him.

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Speaker 2: Yeah, I mean that album's called to me, Like I said,

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Speaker 2: I think that from a production standpoint, I think it

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Speaker 2: was genius that he went and found one producer, like

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Speaker 2: nobody else has been doing that recently, right, They just

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Speaker 2: did something else that was just a mindset of separate than.

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Speaker 1: What's going on in the game right now.

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Speaker 4: You think, you think the way he released the music

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Speaker 4: also has something to do with him having the luxury

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Speaker 4: to be able to do that album the way he

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Speaker 4: did it, like you know, putting it out through the

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Speaker 4: through the phones and not having to worry about certain

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Speaker 4: you know, expectations of releasing records of what it used

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Speaker 4: to be.

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Speaker 1: I don't I think.

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Speaker 2: I think I think he had a responsibility that people

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Speaker 2: was holding it to him, Like niggas wanted jay Z

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Speaker 2: to come out and rat like yo, let's hear jay

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Speaker 2: Z all right, and jay Z let's hear jay Z

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Speaker 2: in a way that none of these other little young

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Speaker 2: rappers could.

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Speaker 1: Let's make sure that.

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Speaker 2: They don't sound like they could even come nowhere around right.

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Speaker 1: He did. He did that. He basically, you know, definitely

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Speaker 1: did that tone like, Yo, this this.

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Speaker 2: What y'all do. This is what I do any given time.

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Speaker 2: Y'all want to come over here?

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Speaker 1: Ya gotta get your ship right now. Let me ask

350
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Speaker 1: you a question as the producer, right.

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Speaker 3: You haven't gotten to a studio. Can you pop one

352
00:16:56,800 --> 00:16:57,880
Speaker 3: of these bottles? Pop it over there?

353
00:16:57,880 --> 00:16:59,000
Speaker 1: Because you know you're not that skilled.

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Speaker 3: Have you ever been in a studio with an artist,

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Speaker 3: any artist, it doesn't have to be hip hop, and

356
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Speaker 3: they just didn't deliver it and it turned you off?

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Speaker 1: Yeah, yeah, let's talk about it. Jad oh man.

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Speaker 2: I mean, it's happened a bunch of times. It's happened

359
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Speaker 2: a bunch of times. I won't say that they turned

360
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Speaker 2: me off. It's just a learn it's a learning lesson

361
00:17:26,320 --> 00:17:29,479
Speaker 2: for me, right and be careful.

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Speaker 1: That's hot.

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Speaker 8: But is that I guess one of the one of

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Speaker 8: the one of the I guess one of the ones

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Speaker 8: that really shocked me the most was that.

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Speaker 1: Whitney Houston. I was in the studio with yeah, yeah, yeah,

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Speaker 1: yeah yeah yeah yeah.

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Speaker 3: Jeez to look that that was when.

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Speaker 1: You was in the studio with Yeah.

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Speaker 2: So my caenance of writing is of a rapper, So

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Speaker 2: I write songs like rap records, right, So I try

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Speaker 2: to get the artists to sing like rappers, you know

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Speaker 2: what I mean? So you listen like Usha, he basically

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Speaker 2: sounds like he's rapping when he's singing these songs.

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Speaker 1: So my canans. Hey, yo, EFN, what's good man? Man?

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380
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381
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Speaker 3: So who's still going to the post office? When you

382
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Speaker 3: get it on demand, it come to your career, pick

383
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384
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385
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386
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387
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390
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391
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Speaker 3: deliver my dog's toenails.

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Speaker 1: I do things like that with stamps dot com.

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Speaker 4: Yeah, man, you know, I just don't want to deal

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395
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397
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398
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00:19:09,680 --> 00:19:12,240
Speaker 1: So right now, use our name for this special offer.

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00:19:12,560 --> 00:19:16,520
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402
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403
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404
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405
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406
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408
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Speaker 1: Spring Chance, Baby, let's do it.

409
00:19:37,280 --> 00:19:40,240
Speaker 2: A lot of times, these older artists, they can't really

410
00:19:40,359 --> 00:19:43,399
Speaker 2: catch the cadence and that that was really shocking to me.

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00:19:43,520 --> 00:19:45,280
Speaker 1: That was like a learning lesson to me. That let

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Speaker 1: me know that what I was doing was something that

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00:19:48,720 --> 00:19:51,960
Speaker 1: was was younger.

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Speaker 2: I guess, I don't know whatever you want to call it,

415
00:19:54,800 --> 00:19:56,840
Speaker 2: but I had Whitney Houston in the studio. I wrote

416
00:19:56,880 --> 00:19:59,080
Speaker 2: a song for her and she couldn't catch my cadence

417
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Speaker 2: and I was like, I was really fucked up.

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Speaker 1: Its Whitney Houston.

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Speaker 2: I'm like, she wanted the best singer in the world, like,

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00:20:06,080 --> 00:20:10,560
Speaker 2: but she can sing, but that that that Cadence just wasn't.

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00:20:10,920 --> 00:20:13,200
Speaker 1: That wasn't what she was used to. So it didn't

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00:20:13,240 --> 00:20:16,520
Speaker 1: really it didn't like make me like I hate.

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00:20:16,359 --> 00:20:19,040
Speaker 2: This artist, but it really it really let me understand

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00:20:19,080 --> 00:20:21,159
Speaker 2: that what I was doing was something different than what

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00:20:21,720 --> 00:20:22,399
Speaker 2: they was used to.

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00:20:23,359 --> 00:20:26,159
Speaker 1: Now have you ever had an artist get Hollywood on you? Soidek,

427
00:20:26,720 --> 00:20:28,399
Speaker 1: this is to you, man right now, this is J

428
00:20:28,560 --> 00:20:30,679
Speaker 1: D Jermaine Dupris. I don't know what to call them

429
00:20:31,520 --> 00:20:34,080
Speaker 1: today all night, god damnit. We celebrated your life, we

430
00:20:34,160 --> 00:20:36,240
Speaker 1: celebrate your career, and we celebrating you.

431
00:20:36,560 --> 00:20:36,919
Speaker 5: Make some.

432
00:20:40,440 --> 00:20:44,320
Speaker 3: Like you ever got get Hollywood on you, like like,

433
00:20:44,440 --> 00:20:46,920
Speaker 3: you know, come to the session Lake, come there and

434
00:20:47,119 --> 00:20:49,280
Speaker 3: just not perform and just you know what I mean,

435
00:20:49,520 --> 00:20:51,560
Speaker 3: just you know, drink some Hennessy and you're like, man,

436
00:20:52,040 --> 00:20:53,560
Speaker 3: I remember you from the beginning and.

437
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Speaker 1: Now you just you know what I mean.

438
00:20:57,320 --> 00:20:59,560
Speaker 2: No, I ain't never I mean because you know, like

439
00:20:59,640 --> 00:21:02,480
Speaker 2: I'm really when it comes to the studio, shit I'm

440
00:21:02,560 --> 00:21:07,200
Speaker 2: really like, I'm way different than any other producers. Like

441
00:21:07,280 --> 00:21:09,399
Speaker 2: I don't like I don't like people in the studio

442
00:21:09,480 --> 00:21:11,359
Speaker 2: when I'm working, I don't be with the girls in

443
00:21:11,400 --> 00:21:11,879
Speaker 2: the studio.

444
00:21:11,920 --> 00:21:13,880
Speaker 1: I don't I don't be with none of that. I'm

445
00:21:13,920 --> 00:21:15,639
Speaker 1: trying to get the work done right.

446
00:21:15,720 --> 00:21:17,760
Speaker 2: So a lot of people don't really, a lot of artists,

447
00:21:17,800 --> 00:21:21,119
Speaker 2: they don't even they think my shit is too like

448
00:21:21,240 --> 00:21:21,800
Speaker 2: cookie cutter.

449
00:21:21,880 --> 00:21:22,840
Speaker 1: But I mean that's how I do.

450
00:21:22,960 --> 00:21:26,800
Speaker 2: That's how I've been doing forever, right, and so it's

451
00:21:26,880 --> 00:21:29,280
Speaker 2: really like straight to the point when I go to

452
00:21:29,359 --> 00:21:32,000
Speaker 2: the studio, I don't really have nobody come like too loose.

453
00:21:33,080 --> 00:21:35,600
Speaker 2: I mean, I doe had situations in the studio that's crazy.

454
00:21:35,680 --> 00:21:37,720
Speaker 1: Though, Let's let's get to it. Let's talk about it.

455
00:21:38,840 --> 00:21:41,239
Speaker 2: I mean, I thought about this one on the way

456
00:21:41,280 --> 00:21:43,040
Speaker 2: over here, and I never told nobody about this. I

457
00:21:43,119 --> 00:21:44,359
Speaker 2: know you wanted this story, Yes.

458
00:21:44,440 --> 00:21:46,200
Speaker 1: Please, I wanted. I don't know what it is, but

459
00:21:46,240 --> 00:21:47,320
Speaker 1: I want to go that. Let's go.

460
00:21:50,040 --> 00:21:52,040
Speaker 2: I was in the studio big right now, the first

461
00:21:52,080 --> 00:21:54,479
Speaker 2: time I ever seen Biggie, at first time I ever

462
00:21:54,560 --> 00:21:57,639
Speaker 2: seen anybody not write their lyrics.

463
00:21:57,680 --> 00:22:00,800
Speaker 1: Now this is before, this is before full money and anything,

464
00:22:01,680 --> 00:22:03,399
Speaker 1: keep it. I don't want to cut because I'm definitely

465
00:22:03,440 --> 00:22:04,240
Speaker 1: not cutting up the story.

466
00:22:04,520 --> 00:22:07,000
Speaker 3: But isn't it scary to see if motherfuckers go like

467
00:22:07,080 --> 00:22:08,560
Speaker 3: this in their head, they'd be like, that's how people

468
00:22:08,600 --> 00:22:11,520
Speaker 3: write rhyns without they be like and it's like, yo,

469
00:22:13,040 --> 00:22:13,600
Speaker 3: you're going.

470
00:22:13,480 --> 00:22:19,600
Speaker 2: Even further big, never mouth nothing big with biggest smoke

471
00:22:20,560 --> 00:22:26,880
Speaker 2: ten blunts, listen to the beat, and never mouth one time.

472
00:22:27,240 --> 00:22:30,159
Speaker 2: He's not even bobbing either, I mean be bothering, but

473
00:22:30,280 --> 00:22:33,360
Speaker 2: he never was like crazy, never, not one time.

474
00:22:33,400 --> 00:22:34,600
Speaker 1: I'll sit there and watch them.

475
00:22:35,640 --> 00:22:37,680
Speaker 2: I'm like, I gotta see how you do this, because,

476
00:22:38,119 --> 00:22:40,520
Speaker 2: by the way, I wasn't doing this, I was still

477
00:22:40,560 --> 00:22:45,399
Speaker 2: writing my wraps on paper, but I saw this firsthand

478
00:22:45,520 --> 00:22:45,920
Speaker 2: by him.

479
00:22:47,160 --> 00:22:49,320
Speaker 1: I'm like, I gotta learn how to do this? Ship

480
00:22:49,440 --> 00:22:49,960
Speaker 1: like what is what?

481
00:22:50,240 --> 00:22:50,720
Speaker 2: How do you know?

482
00:22:51,320 --> 00:22:53,080
Speaker 1: How do you? I don't write to do that. I

483
00:22:53,119 --> 00:22:56,200
Speaker 1: don't write anything that a special education. How do you?

484
00:22:57,600 --> 00:23:01,720
Speaker 1: I'm like, how so? And he don't even he's not

485
00:23:01,840 --> 00:23:04,639
Speaker 1: talking to you by what he's doing this. He's like.

486
00:23:12,000 --> 00:23:16,359
Speaker 2: Roll and I'm like this nigga's changed, smoking blunts and

487
00:23:16,520 --> 00:23:18,479
Speaker 2: his verse is done right there, and he's like, yo,

488
00:23:19,000 --> 00:23:21,320
Speaker 2: put the Michael I'm ready, and I'm like, when did

489
00:23:21,359 --> 00:23:24,640
Speaker 2: you write the rap? And he was like, I got

490
00:23:24,720 --> 00:23:27,159
Speaker 2: it in my head and he goes into going to

491
00:23:27,240 --> 00:23:30,199
Speaker 2: vocal booth. It's not like he's experimented with.

492
00:23:32,359 --> 00:23:33,480
Speaker 1: Like it sounds.

493
00:23:33,960 --> 00:23:35,720
Speaker 2: It sounded like he was out there rapping, but he

494
00:23:35,800 --> 00:23:40,720
Speaker 2: didn't do it. So that studio session was this song

495
00:23:40,800 --> 00:23:43,520
Speaker 2: called just like Me with Usher. Right, So what he

496
00:23:43,600 --> 00:23:46,359
Speaker 2: did was he wrote the rap for Little Kim and

497
00:23:46,440 --> 00:23:48,960
Speaker 2: Little Kim at this particular.

498
00:23:48,600 --> 00:23:49,000
Speaker 1: Point in time.

499
00:23:49,119 --> 00:23:53,680
Speaker 2: This was the time when Big I'm thinking he fucked

500
00:23:53,760 --> 00:23:57,560
Speaker 2: Kim's sister, right, this was this was going this is

501
00:23:57,600 --> 00:24:01,400
Speaker 2: in the music is the music and she found out

502
00:24:01,400 --> 00:24:04,159
Speaker 2: about it. So she was upset when she came to

503
00:24:04,240 --> 00:24:09,960
Speaker 2: the studio about this, and and and he and she

504
00:24:10,400 --> 00:24:13,480
Speaker 2: he couldn't really get her to do the rat and

505
00:24:13,920 --> 00:24:16,240
Speaker 2: me and Usher was just you know, we was there young,

506
00:24:16,880 --> 00:24:20,239
Speaker 2: watching what's going on, and Big pulled the strap out

507
00:24:20,320 --> 00:24:23,639
Speaker 2: on her on camp yes and.

508
00:24:23,840 --> 00:24:28,000
Speaker 1: To lay the verse or just let her killing Oh

509
00:24:28,119 --> 00:24:31,359
Speaker 1: my god, Okay, I was about to say he was.

510
00:24:36,800 --> 00:24:39,359
Speaker 2: Real ship like signed the Big you gotta watch himself.

511
00:24:39,680 --> 00:24:43,320
Speaker 2: She was upset and really couldn't do what she walling

512
00:24:43,359 --> 00:24:43,679
Speaker 2: out though.

513
00:24:44,240 --> 00:24:45,040
Speaker 1: Was she walling out.

514
00:24:45,400 --> 00:24:49,320
Speaker 2: Yeah, like she came, but she didn't really want to

515
00:24:49,359 --> 00:24:51,600
Speaker 2: come because she was upset. And he was like, yo,

516
00:24:51,680 --> 00:24:53,240
Speaker 2: we got j D and Usher here. You can't be

517
00:24:53,320 --> 00:24:55,200
Speaker 2: acting like you know, And I'm.

518
00:24:55,119 --> 00:24:57,520
Speaker 1: Like, what's going on? What is going on right now?

519
00:24:58,119 --> 00:25:00,359
Speaker 2: And it just went around for a minute, Like he said,

520
00:25:00,359 --> 00:25:03,560
Speaker 2: it was that kind of deterred the studio session. But

521
00:25:04,240 --> 00:25:06,080
Speaker 2: it got to a point where she she really couldn't

522
00:25:06,080 --> 00:25:08,879
Speaker 2: do her rat so he pulled out the studio and

523
00:25:08,960 --> 00:25:12,800
Speaker 2: they went into the hallway. And when the hallway, I

524
00:25:12,920 --> 00:25:14,159
Speaker 2: thought they was gonna go out there to talk, so

525
00:25:14,200 --> 00:25:15,800
Speaker 2: I just went out there to watch and see what's

526
00:25:15,800 --> 00:25:17,359
Speaker 2: going on. I went out in the hallway and followed

527
00:25:17,359 --> 00:25:19,000
Speaker 2: them out in the hallway and Big and they start

528
00:25:19,040 --> 00:25:22,359
Speaker 2: having an argument. Current Big they have an argument and

529
00:25:23,160 --> 00:25:25,640
Speaker 2: it got so heated that he asked his man see

530
00:25:25,680 --> 00:25:26,800
Speaker 2: gut and he said give me the gun.

531
00:25:27,760 --> 00:25:30,240
Speaker 1: And I was like, the gun. Are you about to

532
00:25:30,280 --> 00:25:34,760
Speaker 1: do this? And he was gonna shoot it right right

533
00:25:34,920 --> 00:25:40,800
Speaker 1: in the hallway. This is great, This is crazy. That's

534
00:25:41,040 --> 00:25:44,720
Speaker 1: that's that's one of my crazy stories. Definitely it I'm

535
00:25:44,720 --> 00:25:51,440
Speaker 1: gonna actually okay, okay, I knew you wasn't gonna smoke though.

536
00:25:51,680 --> 00:25:57,720
Speaker 1: But now let's speak about the down. Where's it that

537
00:25:57,840 --> 00:25:58,440
Speaker 1: you're trying.

538
00:25:58,240 --> 00:25:58,639
Speaker 7: To hide it?

539
00:25:58,720 --> 00:26:03,919
Speaker 1: Now? You're scared of you to bring that I'm drinking.

540
00:26:04,640 --> 00:26:06,360
Speaker 1: I just want to know because this is a very

541
00:26:06,400 --> 00:26:09,840
Speaker 1: distinctive drink. Where's the ballad just came in? I'm not

542
00:26:10,000 --> 00:26:11,560
Speaker 1: talking about. That's what I'm talking about.

543
00:26:11,600 --> 00:26:12,320
Speaker 5: Put the chair up.

544
00:26:16,160 --> 00:26:24,960
Speaker 1: You drinking? Goddamn? Yeah, very very I told you I'm not.

545
00:26:25,080 --> 00:26:33,760
Speaker 1: D's a dog. Julio. Oh my god, you gotta stop this. Okay, stop,

546
00:26:34,040 --> 00:26:36,800
Speaker 1: don't eat you closer to it? Can you grab that?

547
00:26:36,960 --> 00:26:39,600
Speaker 1: I gotta stop that. We're gonna get it done, Holio. Yeah,

548
00:26:39,680 --> 00:26:41,639
Speaker 1: so look, let me let me let me ask you something. Right,

549
00:26:42,359 --> 00:26:45,960
Speaker 1: this is it's a hundredth episode. Oh this is.

550
00:26:47,440 --> 00:26:53,159
Speaker 3: So every every episode is funny to me because I

551
00:26:53,240 --> 00:26:54,879
Speaker 3: think I know what the artist because I'm you know,

552
00:26:54,920 --> 00:26:56,760
Speaker 3: I've been in this game twenty years, so I think I.

553
00:26:56,800 --> 00:26:57,320
Speaker 1: Know the artist.

554
00:26:57,680 --> 00:27:00,399
Speaker 3: So I pretty much say what I think artist is

555
00:27:00,440 --> 00:27:02,879
Speaker 3: gonna order like to drink. And I knew bow I

556
00:27:02,960 --> 00:27:03,800
Speaker 3: was gonna order to rob.

557
00:27:03,920 --> 00:27:05,639
Speaker 1: You know what I'm saying. Whether it was a relationship

558
00:27:05,680 --> 00:27:07,240
Speaker 1: with public or not that I did.

559
00:27:07,760 --> 00:27:08,320
Speaker 5: I can do that.

560
00:27:08,840 --> 00:27:12,879
Speaker 3: But when you said Dawn Hold nineteen forty two. You

561
00:27:13,040 --> 00:27:16,280
Speaker 3: are the only guests who's ever requested this. Now, I

562
00:27:16,520 --> 00:27:18,320
Speaker 3: know this is a rich ship because I got a

563
00:27:18,359 --> 00:27:21,080
Speaker 3: homegirl named Mona, and she goes to the club and

564
00:27:21,160 --> 00:27:23,520
Speaker 3: she takes seventy dollars shots of this ship. Goddamnit, let's

565
00:27:23,560 --> 00:27:24,640
Speaker 3: make some noise for seventy dollars.

566
00:27:28,160 --> 00:27:30,000
Speaker 1: So I need you to break this down for me.

567
00:27:30,320 --> 00:27:33,359
Speaker 1: Tell me why it's this special. I mean, that's just

568
00:27:33,440 --> 00:27:36,800
Speaker 1: a I mean, if you're gonna drink tequila, I mean.

569
00:27:36,680 --> 00:27:38,159
Speaker 2: It's a lot like let me say, this is not

570
00:27:38,280 --> 00:27:41,000
Speaker 2: the only to killer, but it's just that that this

571
00:27:41,200 --> 00:27:42,360
Speaker 2: that party to kill.

572
00:27:44,040 --> 00:27:44,720
Speaker 1: More less party.

573
00:27:44,760 --> 00:27:47,399
Speaker 2: It's that party to Killer. It's like that and and

574
00:27:47,520 --> 00:27:50,840
Speaker 2: it go down smooth. I can drink a whole bottle

575
00:27:50,880 --> 00:27:51,000
Speaker 2: of this.

576
00:27:51,240 --> 00:27:52,520
Speaker 1: You can drink a whole bottle of that.

577
00:27:52,640 --> 00:27:54,440
Speaker 3: We're gonna try to see you know this is a

578
00:27:54,520 --> 00:27:57,680
Speaker 3: drink class man, Tell yo bad while we're here celebrating.

579
00:27:57,760 --> 00:27:59,520
Speaker 1: Jermaine dupri you know what I'm saying.

580
00:28:04,240 --> 00:28:12,000
Speaker 3: Said, I'm excited ad because I feel and I known

581
00:28:12,200 --> 00:28:12,960
Speaker 3: co sign me on this.

582
00:28:13,160 --> 00:28:17,600
Speaker 1: Fully, I feel like you're a producer that gets more

583
00:28:17,760 --> 00:28:21,920
Speaker 1: crops just worldly as opposed to just hip hop and

584
00:28:22,119 --> 00:28:24,560
Speaker 1: hip hop. We gotta praise you more.

585
00:28:25,160 --> 00:28:27,480
Speaker 3: And if hip hop ain't praising you, right or they not,

586
00:28:27,720 --> 00:28:28,639
Speaker 3: I'm gonna praise you.

587
00:28:29,040 --> 00:28:31,800
Speaker 1: We gonna praise you. Drink Champ's gonna praise We're gonna

588
00:28:31,800 --> 00:28:33,280
Speaker 1: have fun tonight. I'm drinking.

589
00:28:33,600 --> 00:28:37,520
Speaker 5: Drink you gonna do it.

590
00:28:38,600 --> 00:28:42,840
Speaker 1: So this is a smooth. Describe this to kill me.

591
00:28:42,880 --> 00:28:45,280
Speaker 1: And it's just, you know, like like ship describe the bottle.

592
00:28:45,360 --> 00:28:47,240
Speaker 1: It's like it's like it's like rich.

593
00:28:47,480 --> 00:28:50,720
Speaker 2: It's like drinking don like you know, like when we

594
00:28:50,840 --> 00:28:53,520
Speaker 2: first started drinking champagne. We was drinking all kind of

595
00:28:53,880 --> 00:28:56,160
Speaker 2: was trying to see what was going on, right, And

596
00:28:56,640 --> 00:29:00,520
Speaker 2: I found a safe place with Don Perry on the

597
00:29:00,640 --> 00:29:05,680
Speaker 2: Don p and putting like by the way, Grandma in

598
00:29:05,760 --> 00:29:09,440
Speaker 2: the top, mixed Grandma inside the bottom of damp and

599
00:29:09,560 --> 00:29:10,240
Speaker 2: it's amazing.

600
00:29:11,560 --> 00:29:12,440
Speaker 1: Did he say Grandma?

601
00:29:12,560 --> 00:29:12,680
Speaker 3: Ye?

602
00:29:12,960 --> 00:29:14,560
Speaker 1: And then continue.

603
00:29:17,920 --> 00:29:20,520
Speaker 2: We put the Grandmay inside the dump and you know

604
00:29:20,640 --> 00:29:24,720
Speaker 2: it was stupid, right, But then as time went on,

605
00:29:24,920 --> 00:29:28,600
Speaker 2: we started drinking this this, this rose and then it's gotta,

606
00:29:28,800 --> 00:29:29,400
Speaker 2: you know, it's gotta.

607
00:29:29,480 --> 00:29:32,520
Speaker 1: It's got a very very smooth taste. Same thing with this.

608
00:29:32,800 --> 00:29:37,320
Speaker 1: He started out drinking what was this ship called what.

609
00:29:39,880 --> 00:29:40,200
Speaker 5: Other t.

610
00:29:42,040 --> 00:29:43,200
Speaker 4: Huh huh.

611
00:29:45,000 --> 00:29:47,480
Speaker 1: Silver You like the patrol if people started drinking.

612
00:29:47,760 --> 00:29:50,360
Speaker 3: People who drink Patron, they like to die at night,

613
00:29:50,720 --> 00:29:52,760
Speaker 3: Like at night they just died and they just come

614
00:29:52,800 --> 00:29:53,280
Speaker 3: back to life.

615
00:29:53,440 --> 00:29:57,600
Speaker 1: Yea tron. That Patron just was too too hot, too hot,

616
00:29:58,240 --> 00:30:00,680
Speaker 1: go straight to the bottom of the best. Let me

617
00:30:00,760 --> 00:30:02,440
Speaker 1: let me float to the bottom. You know what I'm saying.

618
00:30:04,720 --> 00:30:08,360
Speaker 1: So then as we was moving around from the you know,

619
00:30:08,640 --> 00:30:11,680
Speaker 1: the Patron, this came about. So you wanted to stay

620
00:30:11,680 --> 00:30:13,640
Speaker 1: with tequila? Is what you wanted to do. I mean

621
00:30:13,680 --> 00:30:16,520
Speaker 1: I didn't want to. I just just fell on this.

622
00:30:17,200 --> 00:30:20,040
Speaker 1: I'm gonna be honest with you. J D as a

623
00:30:20,240 --> 00:30:23,520
Speaker 1: as A as a real drinker. You just described yourself

624
00:30:23,640 --> 00:30:27,120
Speaker 1: as a real drinker. I didn't know the first time

625
00:30:27,200 --> 00:30:29,520
Speaker 1: someone described like the way he didn't look at he

626
00:30:29,600 --> 00:30:37,640
Speaker 1: described the move glass. I'm not the ice this hot. Rather,

627
00:30:37,720 --> 00:30:40,280
Speaker 1: go on, let me get the cupcas. I don't want

628
00:30:40,280 --> 00:30:41,680
Speaker 1: to put it on. The ice was with my honey,

629
00:30:43,200 --> 00:30:47,560
Speaker 1: I'm I'm sitting. I'm still somebody.

630
00:30:47,720 --> 00:30:48,280
Speaker 5: I see.

631
00:30:48,320 --> 00:30:52,760
Speaker 1: That's what they don't know. Last night last night. Let's

632
00:30:52,760 --> 00:30:58,600
Speaker 1: get into let's get it. Let's get into as it's

633
00:30:58,600 --> 00:31:01,760
Speaker 1: talking about rooms that grade my birthday last night and live.

634
00:31:01,840 --> 00:31:05,960
Speaker 1: Oh you a virgo. I'm a legalib over your your cousin. Okay,

635
00:31:06,000 --> 00:31:09,600
Speaker 1: go ahead, virgo. Yeah, okay, I get along. Way Yeah, yeah, okay,

636
00:31:09,680 --> 00:31:11,200
Speaker 1: go ahead. Yeah. So I got to take a shot

637
00:31:11,280 --> 00:31:13,760
Speaker 1: to that. Yeah, okay, let men, gotta take some of that.

638
00:31:14,120 --> 00:31:16,320
Speaker 1: You got, all right? Cool to kill a guy. I'm

639
00:31:16,440 --> 00:31:18,920
Speaker 1: calling that out there. I'm gonna start sweating like sunny

640
00:31:18,960 --> 00:31:21,080
Speaker 1: dB T, hey give it, give me a little to

641
00:31:21,080 --> 00:31:24,880
Speaker 1: give a little like you gotta only take a sip

642
00:31:24,920 --> 00:31:27,280
Speaker 1: of that because this is yeah, now you gotta throw

643
00:31:27,320 --> 00:31:29,160
Speaker 1: that back. Okay ahead.

644
00:31:29,160 --> 00:31:31,640
Speaker 3: I'm not the to kill a porold. As you can see,

645
00:31:31,720 --> 00:31:33,520
Speaker 3: I'm not a great guy when it comes to kill

646
00:31:33,560 --> 00:31:35,800
Speaker 3: a porol. So listen, this is your shot for you.

647
00:31:36,760 --> 00:31:39,440
Speaker 3: This is my first, by the way, by the way,

648
00:31:39,480 --> 00:31:41,840
Speaker 3: this is my first. Took mine already, it's my first.

649
00:31:42,320 --> 00:31:47,479
Speaker 3: Dawn birthday nineteen forty two, mister Least said, I had

650
00:31:47,520 --> 00:31:49,080
Speaker 3: it one time in the club, but I was drunk

651
00:31:49,080 --> 00:31:50,400
Speaker 3: and I remember, so that doesn't count.

652
00:31:50,680 --> 00:31:57,920
Speaker 1: So let's go. Oh, that's smooth. It is smooth.

653
00:31:57,960 --> 00:32:01,400
Speaker 3: It's smooth that you know what it is, It's that

654
00:32:01,680 --> 00:32:03,920
Speaker 3: salt that the kill of rings, that salt, that tap.

655
00:32:04,240 --> 00:32:06,480
Speaker 1: That's the ship I hate because it reminds me of Mexico,

656
00:32:06,880 --> 00:32:10,120
Speaker 1: like when I was like, just I just woke up.

657
00:32:10,200 --> 00:32:11,360
Speaker 1: That is good.

658
00:32:11,400 --> 00:32:17,840
Speaker 2: That period, this is this you know you could see

659
00:32:17,880 --> 00:32:20,120
Speaker 2: that's that's when I hear that being tequila sip.

660
00:32:20,200 --> 00:32:23,280
Speaker 1: I never understood it, but now I guess it. Let

661
00:32:23,360 --> 00:32:25,760
Speaker 1: me ask you, Jed D, what's your favorite era in

662
00:32:25,880 --> 00:32:32,080
Speaker 1: hip hop? I like that, right, I like that was

663
00:32:33,040 --> 00:32:37,880
Speaker 1: like I got thinking about the questions. You know what

664
00:32:37,920 --> 00:32:40,960
Speaker 1: I'm saying, because that's a good question though, right it is.

665
00:32:41,040 --> 00:32:42,040
Speaker 1: I gotta dig myself up.

666
00:32:43,280 --> 00:32:48,680
Speaker 2: I think like for me, it was probably like, let's

667
00:32:48,800 --> 00:32:51,880
Speaker 2: say the nineties, the last part of the last part

668
00:32:51,960 --> 00:32:53,080
Speaker 2: of the eighties.

669
00:32:54,880 --> 00:32:56,880
Speaker 3: Fuck me up with that one, now, last part of

670
00:32:56,880 --> 00:32:59,360
Speaker 3: the eighties because of hiped music in general, hip hop?

671
00:32:59,640 --> 00:33:02,280
Speaker 1: Okay five subscribe that ever, who's the man we're talking

672
00:33:02,320 --> 00:33:04,239
Speaker 1: about rock him? We're talking about run.

673
00:33:05,320 --> 00:33:07,640
Speaker 2: I'm talking I run dm C m C Okay, Daddy,

674
00:33:07,960 --> 00:33:09,880
Speaker 2: my big daddy came coming into the game.

675
00:33:10,080 --> 00:33:11,760
Speaker 1: Now what came we talking about? Came with the with

676
00:33:11,840 --> 00:33:14,240
Speaker 1: the with the three three, Messing with my daughter.

677
00:33:15,360 --> 00:33:19,280
Speaker 2: Now that that's that's Hollywood. That was later I'm talking

678
00:33:19,880 --> 00:33:27,200
Speaker 2: about Green Came. That's your favorite errand hip, That's my favorite.

679
00:33:27,400 --> 00:33:31,720
Speaker 2: I mean because I'm I'm I got broke, I'm into that.

680
00:33:31,960 --> 00:33:34,160
Speaker 2: That's that's my you know, Slick Rink is my favorite

681
00:33:34,240 --> 00:33:35,080
Speaker 2: rapp up of all time.

682
00:33:35,880 --> 00:33:38,720
Speaker 1: Slick are you looking for you? Dougie fresh To. I

683
00:33:38,960 --> 00:33:42,280
Speaker 1: just found out that Slick Rick almost shot Big Daddy

684
00:33:42,360 --> 00:33:48,960
Speaker 1: Came you're talking about. I was like, yeah, you're trying

685
00:33:49,000 --> 00:33:50,720
Speaker 1: to kill somebody. You try to shoot them on the tour,

686
00:33:51,120 --> 00:33:54,720
Speaker 1: like right here in the bus.

687
00:33:56,600 --> 00:34:00,280
Speaker 3: Because apparently, you know, sometimes when I do drinks, I

688
00:34:00,320 --> 00:34:01,880
Speaker 3: don't immediately go back and watch it.

689
00:34:01,960 --> 00:34:04,880
Speaker 1: But whatever. Eric Sherman said, Yeah, he said to me.

690
00:34:05,000 --> 00:34:07,400
Speaker 1: He said, my phone is going crazy, and I just

691
00:34:07,520 --> 00:34:10,520
Speaker 1: changed my number. People are like, yo, he missed this one.

692
00:34:11,040 --> 00:34:15,600
Speaker 3: I'm like, look, you know he's describing the epmdhd P

693
00:34:15,600 --> 00:34:16,839
Speaker 3: hobles with rock Her back.

694
00:34:16,760 --> 00:34:17,120
Speaker 1: In the days.

695
00:34:17,120 --> 00:34:19,840
Speaker 3: You know they're all cool now. But I had didn't

696
00:34:19,880 --> 00:34:22,640
Speaker 3: know that because I was a spectator at that time.

697
00:34:22,640 --> 00:34:24,560
Speaker 3: I'm just from the sideline. I didn't even really technically

698
00:34:24,600 --> 00:34:26,319
Speaker 3: come out to ninety seven, you know what I mean.

699
00:34:26,400 --> 00:34:28,960
Speaker 3: So me looking at that and so many people is calling,

700
00:34:29,080 --> 00:34:31,080
Speaker 3: like and they told me that story that Slick Rick

701
00:34:31,200 --> 00:34:34,120
Speaker 3: actually had beef, but Big Daddy camee and actually pulled

702
00:34:34,160 --> 00:34:35,359
Speaker 3: a gun down and try to shoot him.

703
00:34:35,840 --> 00:34:38,080
Speaker 1: And then they told me that Caine and Rock Kim

704
00:34:39,120 --> 00:34:39,520
Speaker 1: had people.

705
00:34:39,600 --> 00:34:41,400
Speaker 3: I was just listen, I gotta say that for when

706
00:34:41,400 --> 00:34:43,640
Speaker 3: they have let's be back to We're gonna have Big

707
00:34:43,680 --> 00:34:44,200
Speaker 3: Daddy came so.

708
00:34:45,160 --> 00:34:48,920
Speaker 1: So, Bob, what is your favorite era hip hop? The nineties? Nineties?

709
00:34:49,520 --> 00:34:54,880
Speaker 1: It's got that make some noise. I got down why

710
00:34:54,960 --> 00:34:56,320
Speaker 1: you picked that era because.

711
00:34:56,120 --> 00:34:57,960
Speaker 9: I was like there where I first fell in love

712
00:34:58,040 --> 00:34:58,520
Speaker 9: with hip hop.

713
00:34:59,239 --> 00:35:01,239
Speaker 1: Any specific time in the nineties, the middle of the.

714
00:35:01,320 --> 00:35:06,319
Speaker 9: League, anywhere from like ninety three to like ninety six,

715
00:35:06,480 --> 00:35:07,360
Speaker 9: ninety three, ninety.

716
00:35:07,200 --> 00:35:08,359
Speaker 1: Seven, that's my favorite area.

717
00:35:09,080 --> 00:35:10,800
Speaker 9: It's not even a chance to really lived through the eighties.

718
00:35:10,840 --> 00:35:13,680
Speaker 9: You know, had the YouTube ball that the good ship

719
00:35:13,719 --> 00:35:15,280
Speaker 9: that was going on in the eighties. But the nineties

720
00:35:15,280 --> 00:35:16,320
Speaker 9: I lived that, you know what I mean? That was

721
00:35:16,960 --> 00:35:19,760
Speaker 9: death Row Pop Snoopway everything.

722
00:35:20,840 --> 00:35:21,040
Speaker 1: See.

723
00:35:21,080 --> 00:35:23,040
Speaker 2: For me, it was just the most the creative. The

724
00:35:23,160 --> 00:35:26,360
Speaker 2: creative era of hip hop was the best. It is

725
00:35:26,520 --> 00:35:29,040
Speaker 2: like people was trying to do something, trying to different.

726
00:35:29,080 --> 00:35:32,760
Speaker 2: Nobody like we gotta mentionmer Like even in the nineties.

727
00:35:32,800 --> 00:35:34,520
Speaker 3: We gotta say that even when you came out with

728
00:35:34,560 --> 00:35:37,520
Speaker 3: original style, there was versions of fake wu tangs, There

729
00:35:37,640 --> 00:35:40,680
Speaker 3: was versions of fake mab beeps, there was version versions

730
00:35:40,719 --> 00:35:43,799
Speaker 3: of fake MP So they were like the copy meat

731
00:35:43,800 --> 00:35:45,040
Speaker 3: style that people are doing now.

732
00:35:45,360 --> 00:35:47,400
Speaker 1: Like I can't say that it exists the nineties, but

733
00:35:47,440 --> 00:35:49,200
Speaker 1: it didn't fly in the nineties. Oh no, no, no,

734
00:35:49,360 --> 00:35:52,040
Speaker 1: you got check it flies, you got checks fly in

735
00:35:52,080 --> 00:35:54,920
Speaker 1: the night. Yeah. Yeah, So that I mean that era,

736
00:35:55,120 --> 00:35:57,040
Speaker 1: like you know, just just like.

737
00:35:58,840 --> 00:36:03,239
Speaker 2: Identifying all, you know, brands and beaters and like what

738
00:36:03,520 --> 00:36:07,040
Speaker 2: was gonna be what niggas wear the future?

739
00:36:07,120 --> 00:36:10,440
Speaker 1: Like just seeing that and being able to like you.

740
00:36:10,560 --> 00:36:12,480
Speaker 2: Asked that question and being able to go back and

741
00:36:12,560 --> 00:36:14,800
Speaker 2: look and say which one I really like? It was

742
00:36:14,920 --> 00:36:19,200
Speaker 2: that eraway where people was really like this what y'all

743
00:36:19,239 --> 00:36:19,800
Speaker 2: gonna wear.

744
00:36:20,360 --> 00:36:22,160
Speaker 1: Down the road? This what's gonna be? You know what

745
00:36:22,160 --> 00:36:24,799
Speaker 1: I mean? Like that's why Chris Crust to me, was so.

746
00:36:26,400 --> 00:36:28,960
Speaker 2: Fly to people because they had they had all of

747
00:36:29,040 --> 00:36:32,279
Speaker 2: that flavor and it was like, cow'd you discover them

748
00:36:32,640 --> 00:36:35,760
Speaker 2: in the mall walking walking through the mall in Atlanta

749
00:36:35,920 --> 00:36:38,680
Speaker 2: just heard them rhyme. They wasn't rappers at all.

750
00:36:38,719 --> 00:36:41,160
Speaker 1: They never rapped. So you just said, you guys are

751
00:36:41,160 --> 00:36:47,000
Speaker 1: gonna rap Lenox Green Rocky Green Rock. Yeah. Did you

752
00:36:47,080 --> 00:36:53,040
Speaker 1: ever cut them? The mallar check? Never right? Was his idea?

753
00:36:55,360 --> 00:36:58,040
Speaker 1: You just what? You just you just the o. They

754
00:36:58,120 --> 00:37:00,680
Speaker 1: was in the mall and they just look like like

755
00:37:01,400 --> 00:37:03,719
Speaker 1: grown ass men. Wow. At eleven and.

756
00:37:03,719 --> 00:37:05,560
Speaker 2: Twelve, they was in they was in foot locker then

757
00:37:05,560 --> 00:37:09,040
Speaker 2: they already they was and they was just shopping and

758
00:37:09,120 --> 00:37:12,840
Speaker 2: they was buying sneakers. And I thought, I thought it

759
00:37:12,920 --> 00:37:14,719
Speaker 2: was a group that already came out that I ain't

760
00:37:14,719 --> 00:37:16,839
Speaker 2: know nothing about it because the girls in the mall

761
00:37:17,000 --> 00:37:19,239
Speaker 2: was tripping, like girl. They had girls at the store

762
00:37:19,360 --> 00:37:21,960
Speaker 2: buying them ship and all kinds of stuff, And I'm like,

763
00:37:22,000 --> 00:37:23,439
Speaker 2: what who are these little guys?

764
00:37:24,080 --> 00:37:26,320
Speaker 1: And I walked up to him like what do y'all do?

765
00:37:26,520 --> 00:37:27,880
Speaker 1: We don't do nothing. We just kick it.

766
00:37:27,920 --> 00:37:33,960
Speaker 2: And I'm like, y'all just kick it like they had

767
00:37:34,080 --> 00:37:36,759
Speaker 2: so much swag. I was just like they got a

768
00:37:36,800 --> 00:37:40,279
Speaker 2: big record, somebody got it. You gotta do something. I mean,

769
00:37:40,280 --> 00:37:42,480
Speaker 2: I've seen it immediately like they had this they just

770
00:37:42,520 --> 00:37:44,799
Speaker 2: had this area about them. And then we went back

771
00:37:44,840 --> 00:37:46,680
Speaker 2: once I met him, I mean, we talked. Then we

772
00:37:46,719 --> 00:37:48,239
Speaker 2: went to that we went back to my house and

773
00:37:48,280 --> 00:37:50,719
Speaker 2: we started creating the idea and then it was like

774
00:37:51,560 --> 00:37:55,200
Speaker 2: everything was about gear, like everything was about wearing clothes,

775
00:37:55,400 --> 00:37:59,000
Speaker 2: starters and all like whatever flash yeah, all that.

776
00:37:59,160 --> 00:38:03,359
Speaker 1: Everything was a bit everything when Pepe. It was hot

777
00:38:03,400 --> 00:38:07,480
Speaker 1: at its sound the Spanish, so I had to be

778
00:38:07,560 --> 00:38:08,080
Speaker 1: down with it. You know.

779
00:38:10,320 --> 00:38:16,279
Speaker 2: It wasn't hard for real, So we was, we was

780
00:38:16,400 --> 00:38:18,200
Speaker 2: were they were just trying to figure out clothes and

781
00:38:18,280 --> 00:38:22,160
Speaker 2: there it was like one day the light skin Chris

782
00:38:22,239 --> 00:38:24,480
Speaker 2: Chris Smith came to the house and he had this

783
00:38:24,840 --> 00:38:28,320
Speaker 2: big ass Jibo jump on and the jumper was so

784
00:38:28,440 --> 00:38:30,600
Speaker 2: big that you could actually spin around in it and

785
00:38:30,760 --> 00:38:34,480
Speaker 2: not even like it was so big because like the oversize.

786
00:38:34,800 --> 00:38:37,279
Speaker 2: So I was like, I was like, yeah, you should

787
00:38:37,280 --> 00:38:40,399
Speaker 2: flip it around backwards because it was already so big,

788
00:38:40,440 --> 00:38:42,360
Speaker 2: and it didn't make no, it wouldn't make no difference.

789
00:38:42,600 --> 00:38:46,800
Speaker 2: They couldn't tell. And our Baramada was the mall, you

790
00:38:46,840 --> 00:38:48,120
Speaker 2: know what I mean. I found him at the mall.

791
00:38:48,160 --> 00:38:49,400
Speaker 2: So we was gonna go back to the mall and

792
00:38:49,440 --> 00:38:51,920
Speaker 2: see if this works. So he put his jump on

793
00:38:52,040 --> 00:38:54,239
Speaker 2: backwards and we went to Linny Square and we went

794
00:38:54,280 --> 00:38:54,880
Speaker 2: to Lineary.

795
00:38:54,640 --> 00:38:57,359
Speaker 1: Square with no we still had no record. They still

796
00:38:57,440 --> 00:38:59,560
Speaker 1: had no record. We went to Lenny Square.

797
00:38:59,600 --> 00:39:01,680
Speaker 2: He had a jump on backwards, and the whole mall

798
00:39:01,840 --> 00:39:04,120
Speaker 2: was acting like they never seen nothing like this evident.

799
00:39:04,160 --> 00:39:07,799
Speaker 1: They're not even fingers, and I'm like, what the fuck

800
00:39:07,960 --> 00:39:11,399
Speaker 1: just happened? How is this possible? But what were people doing?

801
00:39:11,480 --> 00:39:13,160
Speaker 2: Like they was just like, oh my god, what is

802
00:39:13,239 --> 00:39:14,800
Speaker 2: this what y'all got on? I'm like, it's just a

803
00:39:14,920 --> 00:39:17,240
Speaker 2: regular as jumper turned around backwards?

804
00:39:17,680 --> 00:39:18,439
Speaker 1: Was it cross color?

805
00:39:22,440 --> 00:39:25,799
Speaker 2: And they just freaking out. So then from that point

806
00:39:25,800 --> 00:39:29,880
Speaker 2: I was like, Okay, we're way out closed backwards. We

807
00:39:29,960 --> 00:39:33,040
Speaker 2: still ain't have no song though, so it's like, we

808
00:39:33,160 --> 00:39:35,360
Speaker 2: gotta get a song to go with this. If I

809
00:39:35,440 --> 00:39:37,319
Speaker 2: get a hit record to go with this, y'all gone.

810
00:39:37,400 --> 00:39:39,960
Speaker 2: That's what I just kept telling them, Like it's old.

811
00:39:40,120 --> 00:39:42,239
Speaker 2: They ain't have brains or nothing. We just start like

812
00:39:42,440 --> 00:39:45,560
Speaker 2: just trying to figure it out, like okay, I had

813
00:39:45,640 --> 00:39:48,640
Speaker 2: brainment here, you know what I mean. So it's just

814
00:39:48,760 --> 00:39:50,960
Speaker 2: it was like just really just like trying to and

815
00:39:51,320 --> 00:39:53,919
Speaker 2: Left Eye from t OC that was my group before

816
00:39:53,920 --> 00:39:54,520
Speaker 2: they got signed.

817
00:39:54,520 --> 00:39:57,799
Speaker 1: They face so left I was living at my house and.

818
00:40:00,000 --> 00:40:01,160
Speaker 5: And so it was.

819
00:40:04,120 --> 00:40:07,160
Speaker 1: And sh please please Drick some moment.

820
00:40:07,239 --> 00:40:09,240
Speaker 2: Yes, so left I was living at my house without

821
00:40:09,280 --> 00:40:11,360
Speaker 2: my mother even knowing she lived. And she lived inside

822
00:40:11,400 --> 00:40:14,080
Speaker 2: my house before TLC. Yeah, before t C oh t o.

823
00:40:14,120 --> 00:40:16,080
Speaker 1: C was my group. It was called second Nature.

824
00:40:16,160 --> 00:40:20,160
Speaker 2: But when was and left eye okay, right, and but

825
00:40:20,320 --> 00:40:23,840
Speaker 2: left I stayed with me and she was on the

826
00:40:24,120 --> 00:40:26,319
Speaker 2: like trying to get an image thing all the time,

827
00:40:26,440 --> 00:40:29,080
Speaker 2: like the patches and the and all that ship. We

828
00:40:29,239 --> 00:40:31,239
Speaker 2: was there every day just trying to we was doing

829
00:40:31,239 --> 00:40:34,200
Speaker 2: ship to ourselves that like cut our whole eyebrows off,

830
00:40:34,320 --> 00:40:36,040
Speaker 2: like we was doing crazy ship just to try to

831
00:40:36,120 --> 00:40:37,800
Speaker 2: be like figure out what we could come up with

832
00:40:37,960 --> 00:40:41,239
Speaker 2: to be to stand out. And she was partially part

833
00:40:41,320 --> 00:40:43,840
Speaker 2: of helping me, you know, developed cross that.

834
00:40:45,160 --> 00:40:48,600
Speaker 3: Now. I've seen you on a reality forget which one

835
00:40:48,640 --> 00:40:51,160
Speaker 3: it was, but they bring you a white kid and

836
00:40:51,560 --> 00:40:53,320
Speaker 3: I think he's sung for you, and you said, this

837
00:40:53,480 --> 00:40:57,480
Speaker 3: kid has talent immediately, right, And I imagine that's how

838
00:40:57,520 --> 00:40:59,680
Speaker 3: you felt, because that's how you just describe crist Cours.

839
00:40:59,680 --> 00:41:01,759
Speaker 3: Youve seen them and you knew it. Have you ever

840
00:41:01,920 --> 00:41:04,480
Speaker 3: been wrong? I said, I don't see it, and then

841
00:41:04,840 --> 00:41:06,160
Speaker 3: the person goes and blows up.

842
00:41:07,280 --> 00:41:13,080
Speaker 1: Yeah, I want to say that.

843
00:41:13,400 --> 00:41:17,080
Speaker 2: Listen I want to say what you say. I wasn't wrong,

844
00:41:17,960 --> 00:41:20,839
Speaker 2: but I I the people around me was wrong.

845
00:41:21,000 --> 00:41:23,840
Speaker 1: Okay, let's get to it right. So so because I

846
00:41:23,880 --> 00:41:25,319
Speaker 1: don't know what you mean just now, like.

847
00:41:30,120 --> 00:41:32,520
Speaker 2: John Madden, I don't know what year it was, gonna

848
00:41:32,520 --> 00:41:38,120
Speaker 2: sign two thousands, John Madden two thousands. This was the

849
00:41:38,160 --> 00:41:40,279
Speaker 2: first time they wanted to put rap music in the

850
00:41:40,400 --> 00:41:42,799
Speaker 2: video game. They never had rap music in the video games.

851
00:41:43,040 --> 00:41:43,680
Speaker 1: So they came to me.

852
00:41:43,719 --> 00:41:45,000
Speaker 2: They was like, yo, we want you to make an

853
00:41:45,040 --> 00:41:49,960
Speaker 2: intro for John Madden. And I ain't had no artists.

854
00:41:50,000 --> 00:41:51,520
Speaker 2: I mean I had artists, but I ain't think that

855
00:41:51,760 --> 00:41:54,480
Speaker 2: my artist was like animated enough and right. And it

856
00:41:54,600 --> 00:41:56,680
Speaker 2: was this guy who was on the radio name Chris

857
00:41:56,760 --> 00:42:00,000
Speaker 2: Love of Love Right, and he was making these animates.

858
00:42:00,160 --> 00:42:06,040
Speaker 1: It as commercial sounding radio. So I went and got him.

859
00:42:06,120 --> 00:42:07,719
Speaker 1: He was in my neighborhood. I went and got him.

860
00:42:07,719 --> 00:42:09,360
Speaker 2: I said, I'm gonna put you on this John Madden

861
00:42:10,200 --> 00:42:13,880
Speaker 2: video game. And I basically signed him at that point,

862
00:42:14,080 --> 00:42:19,480
Speaker 2: like I yo, I co signed Ris Right, and he

863
00:42:19,600 --> 00:42:21,880
Speaker 2: was on the John matt and they sold whatever you

864
00:42:21,920 --> 00:42:25,239
Speaker 2: know went on Joe Madden. That ship popped and at

865
00:42:25,280 --> 00:42:27,600
Speaker 2: that point I went back to my office, and I

866
00:42:27,719 --> 00:42:31,520
Speaker 2: asked everybody in my office. I say, yo, we should

867
00:42:31,520 --> 00:42:35,640
Speaker 2: signed Luther Chris and everybody told me no, But he

868
00:42:35,719 --> 00:42:37,800
Speaker 2: was Chris Love Love. It was Chris Love Lover and

869
00:42:37,920 --> 00:42:41,600
Speaker 2: every but the whole staff to everybody was like, it's animated.

870
00:42:41,640 --> 00:42:43,600
Speaker 1: They ain't really don't know what that's gonna be. But

871
00:42:43,719 --> 00:42:45,239
Speaker 1: animation was hot. At that time.

872
00:42:45,360 --> 00:42:47,320
Speaker 3: We had busted ROMs. I always could see the busting

873
00:42:47,360 --> 00:42:52,480
Speaker 3: hys red Man animated, very very animated.

874
00:42:52,520 --> 00:42:53,440
Speaker 1: I mean I was into it.

875
00:42:53,520 --> 00:42:54,920
Speaker 2: I just but at the same time I was I

876
00:42:55,120 --> 00:42:58,759
Speaker 2: was dancing between trying to be an executive and letting

877
00:42:58,760 --> 00:43:01,399
Speaker 2: the people at my office actually do something right.

878
00:43:01,719 --> 00:43:05,600
Speaker 1: So I asked people and they was like, nah, we

879
00:43:05,680 --> 00:43:06,560
Speaker 1: don't really know about that.

880
00:43:07,320 --> 00:43:10,440
Speaker 2: And to this day I'm mad because that was my

881
00:43:10,760 --> 00:43:12,319
Speaker 2: Was he already rolling with Shot at that time?

882
00:43:12,440 --> 00:43:13,200
Speaker 1: Huh with Shaka?

883
00:43:13,840 --> 00:43:16,160
Speaker 2: Of course they was, they've been together. Yeah, So I mean,

884
00:43:16,239 --> 00:43:18,160
Speaker 2: that's that's the that's the only one. And I wasn't

885
00:43:18,160 --> 00:43:20,680
Speaker 2: wrong because I used him. I already had put him

886
00:43:20,719 --> 00:43:23,719
Speaker 2: on the John Mann, so I knew what he was cool.

887
00:43:23,840 --> 00:43:26,480
Speaker 2: I just didn't react like I should have. Fun fact

888
00:43:26,840 --> 00:43:28,799
Speaker 2: fun fact in two thousand and two.

889
00:43:28,920 --> 00:43:32,320
Speaker 1: Okay, goddamn hot five, goddamn you want to go in.

890
00:43:33,480 --> 00:43:35,239
Speaker 1: I was waiting for you to like the blows. Okay,

891
00:43:37,600 --> 00:43:40,239
Speaker 1: got your baby. You know what we enjoyed that you

892
00:43:40,280 --> 00:43:48,799
Speaker 1: can listen. Listen, we got new microphones. I was gonna say,

893
00:43:49,960 --> 00:43:53,080
Speaker 1: it's a couple of artists that jad because I'm telling

894
00:43:53,120 --> 00:43:54,200
Speaker 1: me he was supposed to sigh, geez.

895
00:43:58,840 --> 00:43:59,279
Speaker 5: I threw that.

896
00:44:00,800 --> 00:44:09,000
Speaker 1: What you got, what you got little more? Yeah? Earlier? Yeah?

897
00:44:09,719 --> 00:44:14,480
Speaker 1: Who brought him to you? Crew Love, Kudo Love? I

898
00:44:14,600 --> 00:44:22,440
Speaker 1: was cool, It is true, but it wasn't no signing though.

899
00:44:22,480 --> 00:44:25,439
Speaker 1: It was like he brought them to me. They came,

900
00:44:25,600 --> 00:44:28,080
Speaker 1: but it wasn't never like yo, I don't know, it

901
00:44:28,200 --> 00:44:30,640
Speaker 1: just ain't never seemed like it was at that time.

902
00:44:30,760 --> 00:44:33,759
Speaker 3: I'm gonna be honest, Saint Louis. It's not even like

903
00:44:33,880 --> 00:44:35,759
Speaker 3: back on the map. They weren't on the map at all.

904
00:44:36,160 --> 00:44:38,560
Speaker 3: So it was a risk because I remember telling Penalty

905
00:44:38,640 --> 00:44:41,000
Speaker 3: Records because he's a coming there with Cool Love. Cool

906
00:44:41,120 --> 00:44:44,080
Speaker 3: Love had my my homeboy, who was my man, and

907
00:44:44,160 --> 00:44:45,960
Speaker 3: now I just met him back there. It was Pierre

908
00:44:46,080 --> 00:44:51,520
Speaker 3: Cardad damn so bro Kudle Love had brong Nelly to

909
00:44:51,880 --> 00:44:54,160
Speaker 3: Penalty Records, and I heard this ship, and I was like, yo,

910
00:44:54,440 --> 00:44:55,279
Speaker 3: I said, yo, listen.

911
00:44:55,600 --> 00:44:58,640
Speaker 1: I didn't know how to sign anything. I was a

912
00:44:58,719 --> 00:45:03,160
Speaker 1: record too, and you I'm gonna signed Dawn Down. I

913
00:45:03,280 --> 00:45:05,640
Speaker 1: think he was shopping to deal with that. Yeah, I

914
00:45:05,680 --> 00:45:07,400
Speaker 1: swear to go. I told Neil Levine and I was

915
00:45:07,480 --> 00:45:10,080
Speaker 1: like yo, I said, yo, listen. That's how I knew Neil.

916
00:45:10,160 --> 00:45:11,960
Speaker 3: If if you listen to that first album he shots

917
00:45:12,040 --> 00:45:14,239
Speaker 3: me out two times on that album. I had know

918
00:45:14,320 --> 00:45:16,319
Speaker 3: him because I went to them. Because that's the same

919
00:45:16,400 --> 00:45:20,040
Speaker 3: time David Banner didn't David Banner. David Bannon was signed

920
00:45:20,080 --> 00:45:22,040
Speaker 3: to the Penalty and Queer Letters.

921
00:45:22,040 --> 00:45:25,120
Speaker 1: Excuse me, you're right, and they wouldn't give them money

922
00:45:25,160 --> 00:45:27,200
Speaker 1: for their budget. So I said, what, take take the

923
00:45:27,239 --> 00:45:28,200
Speaker 1: money out of my budget.

924
00:45:28,320 --> 00:45:30,240
Speaker 3: Didn't know this guy was gonna wind up being David

925
00:45:30,280 --> 00:45:33,879
Speaker 3: fucking Banner years later, but I told them, motherfuckers with Nelly.

926
00:45:33,960 --> 00:45:36,320
Speaker 1: I said, yo, look, I said, yo, look, this is different.

927
00:45:36,680 --> 00:45:39,399
Speaker 3: See the thing is a lot of times New York

928
00:45:39,440 --> 00:45:41,920
Speaker 3: companies who couldn't think outside the box. See me, I

929
00:45:41,960 --> 00:45:44,200
Speaker 3: would go to these towns. I would go to Saint

930
00:45:44,280 --> 00:45:46,600
Speaker 3: Louis and I would go hang out in the worst club,

931
00:45:46,680 --> 00:45:49,560
Speaker 3: the ship whatever. We they only see you come like

932
00:45:49,600 --> 00:45:52,040
Speaker 3: this a bottle and they just bring you. They don't

933
00:45:52,080 --> 00:45:55,400
Speaker 3: give you the bottle. They bring and give me plastic.

934
00:45:55,520 --> 00:45:57,960
Speaker 3: You're like, hold up, then I want a bottle. This

935
00:45:58,120 --> 00:46:00,200
Speaker 3: is just that type of place, like you can't have

936
00:46:00,280 --> 00:46:02,880
Speaker 3: a bottle here. And I was out there, Saint Louis

937
00:46:02,960 --> 00:46:05,080
Speaker 3: is real like this. This was blood and cripping for

938
00:46:05,200 --> 00:46:07,319
Speaker 3: real out there. I told the labeyl I said, yo,

939
00:46:07,520 --> 00:46:08,279
Speaker 3: but so you had.

940
00:46:08,200 --> 00:46:17,040
Speaker 1: A chance to do it thirty thirty million, damn. Now

941
00:46:17,239 --> 00:46:18,480
Speaker 1: you know you got to be on the drink champs

942
00:46:18,520 --> 00:46:22,879
Speaker 1: to damn one.

943
00:46:23,200 --> 00:46:27,200
Speaker 3: That's the only one. But when I said, giez about

944
00:46:27,280 --> 00:46:31,400
Speaker 3: you a little bit, let me but all right, so

945
00:46:31,480 --> 00:46:33,200
Speaker 3: let me ask you, speaking of Jiz, let me ask

946
00:46:33,239 --> 00:46:34,280
Speaker 3: you Atlanta.

947
00:46:34,480 --> 00:46:35,279
Speaker 1: Yep, you got you.

948
00:46:35,360 --> 00:46:37,640
Speaker 3: Guys got to see the b m F era right

949
00:46:38,400 --> 00:46:40,440
Speaker 3: like the beat that like that ship was big for

950
00:46:40,560 --> 00:46:43,680
Speaker 3: us because that was like modern day alphole mind Dave Rich,

951
00:46:43,960 --> 00:46:47,560
Speaker 3: We've never seen we've never heard of like these guys,

952
00:46:48,640 --> 00:46:51,439
Speaker 3: like these type of guys in the South, like we've

953
00:46:51,520 --> 00:46:54,759
Speaker 3: heard of like that in Harlem and the Bronx and Queen.

954
00:46:54,920 --> 00:46:57,360
Speaker 3: So the first time New York people was hearing the

955
00:46:57,760 --> 00:47:00,640
Speaker 3: bm F they're like, what the fuck? But you you

956
00:47:00,760 --> 00:47:03,839
Speaker 3: got you too, right, you got to live in that era.

957
00:47:04,200 --> 00:47:05,719
Speaker 9: I lived in Atlanta at the time. I don't think

958
00:47:05,760 --> 00:47:07,200
Speaker 9: I was old enough to getting to the club yet.

959
00:47:07,520 --> 00:47:10,520
Speaker 9: But your name, I've seen it.

960
00:47:11,760 --> 00:47:12,239
Speaker 1: I've seen it.

961
00:47:12,360 --> 00:47:14,560
Speaker 2: I seen I seen it, you know, first hand. I

962
00:47:14,640 --> 00:47:17,600
Speaker 2: seen it actually come to life. That's that's crazy, that's right,

963
00:47:19,280 --> 00:47:21,879
Speaker 2: that's even like the fifty. I hope that he really

964
00:47:21,960 --> 00:47:25,279
Speaker 2: got the story the way it's supposed to be, Like

965
00:47:25,400 --> 00:47:26,200
Speaker 2: they should have called me.

966
00:47:26,360 --> 00:47:27,360
Speaker 1: I've seen the ship.

967
00:47:27,200 --> 00:47:31,600
Speaker 2: From scratch like they one like before it was even

968
00:47:31,880 --> 00:47:34,640
Speaker 2: like a crew like this I seen. I know, you know,

969
00:47:34,680 --> 00:47:36,239
Speaker 2: I meet you used to be in the club. Me,

970
00:47:36,920 --> 00:47:38,440
Speaker 2: we used to be in the club and it was

971
00:47:38,560 --> 00:47:41,799
Speaker 2: just like him and like one person. Matter of fact,

972
00:47:41,840 --> 00:47:43,800
Speaker 2: I had a security guard that he took from me,

973
00:47:44,560 --> 00:47:46,520
Speaker 2: my man, Big Jay. He took my man, He took

974
00:47:46,600 --> 00:47:49,040
Speaker 2: my security and that that was who he was rolling

975
00:47:49,080 --> 00:47:52,320
Speaker 2: around Atlanta with. And then like he got this idea

976
00:47:52,960 --> 00:47:55,600
Speaker 2: to just turn that ship into a game and make

977
00:47:55,680 --> 00:47:57,560
Speaker 2: it bigger than what it is him.

978
00:47:59,320 --> 00:48:06,320
Speaker 1: I can't keep it now. Listen, this is drinking. You

979
00:48:06,360 --> 00:48:07,840
Speaker 1: don't want to stud you don't want to show you

980
00:48:07,920 --> 00:48:11,600
Speaker 1: what buff didn't. We don't want to show you like Jeffrey. Yeah,

981
00:48:11,640 --> 00:48:12,920
Speaker 1: he made a Jeffrey you know what that is?

982
00:48:13,120 --> 00:48:17,520
Speaker 3: And he mixed, he mixed everything, everything, everything on here

983
00:48:17,680 --> 00:48:18,680
Speaker 3: and put it in one cup.

984
00:48:18,800 --> 00:48:19,360
Speaker 1: I ain't gonna lie.

985
00:48:19,400 --> 00:48:21,920
Speaker 10: I die for twelve seconds, Like twelve seconds. I was like,

986
00:48:24,040 --> 00:48:30,120
Speaker 10: is Reverend say I'm coming, I'm coming Jeffrey.

987
00:48:30,200 --> 00:48:34,240
Speaker 3: No, you don't gotta do that. You don't gonna do that, Jady. Oh, okay,

988
00:48:34,320 --> 00:48:37,359
Speaker 3: that's that's but this is fly, that's nineteen forty two.

989
00:48:37,719 --> 00:48:40,920
Speaker 1: What's that like? Just made? Seconds made? That's the new Grandma?

990
00:48:41,040 --> 00:48:44,520
Speaker 1: Yeah instead of Grandma. Yeah, you bringing the rose, don't it?

991
00:48:44,560 --> 00:48:47,040
Speaker 1: Don't look bad? Though? I can't even lie. It looks good.

992
00:48:47,320 --> 00:48:52,879
Speaker 1: This might be something, right, So drink all the ship.

993
00:48:53,120 --> 00:48:56,719
Speaker 1: So now I actually your favorite ever. But what is

994
00:48:56,760 --> 00:48:59,320
Speaker 1: the most fun you had in music?

995
00:49:00,239 --> 00:49:00,279
Speaker 3: Me?

996
00:49:00,840 --> 00:49:03,520
Speaker 1: Is the eighties? The eighties? Yeah, because I mean you

997
00:49:03,680 --> 00:49:05,719
Speaker 1: wasn't really on in the eighties, were you? I was?

998
00:49:06,880 --> 00:49:08,120
Speaker 1: I was? I was on tour.

999
00:49:09,280 --> 00:49:11,440
Speaker 2: But you know, for me, it was like it's a

1000
00:49:11,520 --> 00:49:16,360
Speaker 2: story that nobody else, you know. I like being a

1001
00:49:16,440 --> 00:49:19,000
Speaker 2: part of stuff that that I can't share with other people,

1002
00:49:19,520 --> 00:49:21,919
Speaker 2: you know what I mean? Like at twelve years old.

1003
00:49:22,080 --> 00:49:24,759
Speaker 1: I was realized there was a role. That's the end

1004
00:49:24,840 --> 00:49:30,480
Speaker 1: off of im. Sorry over me so fry at twelve.

1005
00:49:30,640 --> 00:49:33,480
Speaker 2: At twelve, I've seen ship that like niggas that's fifty

1006
00:49:33,520 --> 00:49:35,560
Speaker 2: ain't never even seen, you know what I mean. So

1007
00:49:36,000 --> 00:49:40,000
Speaker 2: so it's like that that that that era for me,

1008
00:49:40,239 --> 00:49:43,120
Speaker 2: just like that's where I learned. That's what I saw,

1009
00:49:43,360 --> 00:49:43,799
Speaker 2: you know what I mean?

1010
00:49:43,880 --> 00:49:48,440
Speaker 1: I was, I was. I lost my virginity at twelve.

1011
00:49:48,640 --> 00:49:50,680
Speaker 1: God damn goad JD.

1012
00:49:52,880 --> 00:49:55,320
Speaker 3: You know, I don't think we ever talked about virginity

1013
00:49:55,360 --> 00:49:56,000
Speaker 3: on drink camps.

1014
00:49:56,000 --> 00:49:57,560
Speaker 1: I like that, let's go.

1015
00:49:59,320 --> 00:50:06,000
Speaker 3: You talk about Yeah, you're talking about that later on.

1016
00:50:06,640 --> 00:50:11,160
Speaker 2: Yeah, but yeah, that era just me running around and

1017
00:50:11,640 --> 00:50:15,759
Speaker 2: actually seeing, like you said, going to different cities and

1018
00:50:15,840 --> 00:50:20,120
Speaker 2: actually realizing that it's other stuff going on besides where

1019
00:50:20,160 --> 00:50:22,440
Speaker 2: I was at. Right, So that was just like the

1020
00:50:22,480 --> 00:50:26,120
Speaker 2: most fun for me. It was just like I got

1021
00:50:26,200 --> 00:50:28,880
Speaker 2: a chance to actually really just like run around and

1022
00:50:29,080 --> 00:50:31,840
Speaker 2: see ship and be on tour with run DMC and

1023
00:50:32,320 --> 00:50:37,040
Speaker 2: the Fat Boys and Grandmaster, Grandmaster Flash and Whodeni.

1024
00:50:36,640 --> 00:50:40,200
Speaker 1: At twelve, thirteen, fourteen years old. I don't know what's

1025
00:50:40,280 --> 00:50:40,759
Speaker 1: better than that.

1026
00:50:42,360 --> 00:50:44,880
Speaker 3: Now as a person, I could tell I know you

1027
00:50:45,000 --> 00:50:49,239
Speaker 3: love music just from your gestography, but was you ever

1028
00:50:49,400 --> 00:50:50,439
Speaker 3: frustrated with music?

1029
00:50:50,960 --> 00:50:53,480
Speaker 1: Was ever one time when you was like, man, fuck

1030
00:50:53,600 --> 00:50:54,040
Speaker 1: this shit?

1031
00:50:55,200 --> 00:50:58,279
Speaker 2: Like yeah, as far as not frustrated with music, just

1032
00:50:58,320 --> 00:51:01,240
Speaker 2: frustrated with the fact that the way people looked at Atlanta,

1033
00:51:01,840 --> 00:51:04,000
Speaker 2: you know, like you said already about the bamush like

1034
00:51:04,760 --> 00:51:06,640
Speaker 2: I was catching it. I had a group before Criss

1035
00:51:06,640 --> 00:51:10,800
Speaker 2: Cross called Silk Time's Leather. There was two girls that

1036
00:51:11,000 --> 00:51:14,200
Speaker 2: was on geffing and uh they was like the girlfriends

1037
00:51:14,239 --> 00:51:15,880
Speaker 2: of Houdini and uh and.

1038
00:51:16,040 --> 00:51:27,759
Speaker 1: And real life yeah, real life, real in real life.

1039
00:51:27,800 --> 00:51:28,680
Speaker 1: There was the girlfriends of.

1040
00:51:28,640 --> 00:51:30,759
Speaker 2: Who that they happened to live in Atlanta. I met

1041
00:51:30,840 --> 00:51:33,359
Speaker 2: them one too when I was young and like, oh

1042
00:51:33,400 --> 00:51:35,880
Speaker 2: you're living in Atlanta. Yeah, okay, well ship, when I

1043
00:51:35,960 --> 00:51:38,120
Speaker 2: get back home, let's kick it. And then I got

1044
00:51:38,160 --> 00:51:40,160
Speaker 2: this idea about them. But when I was putting out

1045
00:51:40,200 --> 00:51:42,360
Speaker 2: their records, I used to go to New York and

1046
00:51:42,880 --> 00:51:45,080
Speaker 2: have to give my record to like Red Alert and

1047
00:51:45,320 --> 00:51:48,600
Speaker 2: Chuck chill Out, And I think I remember Chuck chill

1048
00:51:48,600 --> 00:51:52,200
Speaker 2: Out saying like, man, I can't really play this country

1049
00:51:52,200 --> 00:51:53,200
Speaker 2: ship oh.

1050
00:51:53,160 --> 00:51:56,000
Speaker 1: Wow, like something like that, and I just was like,

1051
00:51:56,200 --> 00:51:57,080
Speaker 1: that's that's when.

1052
00:51:56,960 --> 00:52:00,320
Speaker 2: I really like, oh, I'm I'm gonna make this nigga,

1053
00:52:00,480 --> 00:52:02,360
Speaker 2: he's gonna he gonna change his words.

1054
00:52:02,560 --> 00:52:06,600
Speaker 3: But it is that how you developed like being global,

1055
00:52:06,800 --> 00:52:09,600
Speaker 3: because like when you hear a Jermaine the pre record,

1056
00:52:09,680 --> 00:52:11,000
Speaker 3: it's like it's for everybody.

1057
00:52:11,120 --> 00:52:13,640
Speaker 1: Yeah, that's what it was. I didn't want I didn't

1058
00:52:13,680 --> 00:52:15,920
Speaker 1: want to be stuck like that, you know what.

1059
00:52:15,920 --> 00:52:17,480
Speaker 2: I because I felt like, like I said, I was,

1060
00:52:17,600 --> 00:52:20,400
Speaker 2: I was the one taking the hardest shots. Outcast was

1061
00:52:20,520 --> 00:52:22,960
Speaker 2: not when Chris Crust came out, you know what I mean,

1062
00:52:23,040 --> 00:52:26,640
Speaker 2: they weren't even even they actually outcasts told me they

1063
00:52:26,719 --> 00:52:27,879
Speaker 2: tried to sign and social death.

1064
00:52:27,960 --> 00:52:31,400
Speaker 1: That's one group that I that I didn't I k

1065
00:52:31,840 --> 00:52:35,000
Speaker 1: man shot that. I'm gonna tell me about hold on.

1066
00:52:35,200 --> 00:52:37,120
Speaker 1: You had a chance to sound but I ain't.

1067
00:52:37,160 --> 00:52:39,440
Speaker 2: No, okay, they said they was calling my office, but

1068
00:52:39,480 --> 00:52:41,880
Speaker 2: I don't. You know, it wasn't never no meeting like that.

1069
00:52:42,760 --> 00:52:44,360
Speaker 3: So they didn't have a buzz in the neighborhood. I

1070
00:52:44,400 --> 00:52:47,600
Speaker 3: would think back then, that's how everything was trying to

1071
00:52:47,600 --> 00:52:49,520
Speaker 3: get that like no, no, but I'm saying artists back

1072
00:52:49,560 --> 00:52:51,319
Speaker 3: then you had to have like a buzz in your

1073
00:52:51,600 --> 00:52:55,720
Speaker 3: actual neighborhood before you even got to any offices anywhere,

1074
00:52:55,800 --> 00:52:57,880
Speaker 3: So I would think outcasts had like a buzz and

1075
00:52:57,920 --> 00:52:59,120
Speaker 3: the local hood.

1076
00:52:59,120 --> 00:53:01,719
Speaker 1: I mean, I found out like Florida was with us

1077
00:53:01,800 --> 00:53:02,160
Speaker 1: last night.

1078
00:53:02,200 --> 00:53:04,960
Speaker 2: Floradda also told me that he came to Atlanta, came

1079
00:53:05,000 --> 00:53:06,600
Speaker 2: to my office and tried to get me to sign

1080
00:53:06,680 --> 00:53:08,560
Speaker 2: him and I never.

1081
00:53:08,480 --> 00:53:10,600
Speaker 1: Met him at that time, so you know, so there's

1082
00:53:10,600 --> 00:53:11,400
Speaker 1: a lot of that going on.

1083
00:53:11,560 --> 00:53:14,600
Speaker 2: But anyway, like Chris Cross was the first rap group

1084
00:53:15,160 --> 00:53:18,320
Speaker 2: to go in, like I said, from a platinum standpoint,

1085
00:53:18,640 --> 00:53:20,560
Speaker 2: so it was nobody else there. So we was taking

1086
00:53:20,640 --> 00:53:23,919
Speaker 2: all of the heat as like you know, these little

1087
00:53:23,960 --> 00:53:25,479
Speaker 2: young niggas, country niggas from.

1088
00:53:25,360 --> 00:53:27,759
Speaker 1: Atlanta blah blah blah blah, and we was getting that.

1089
00:53:28,120 --> 00:53:30,680
Speaker 2: So I was just determined to like you know, change

1090
00:53:30,719 --> 00:53:32,520
Speaker 2: people's mind from that from that place.

1091
00:53:32,920 --> 00:53:38,840
Speaker 1: Right, So after Criss Cross, you were running too a

1092
00:53:40,680 --> 00:53:44,600
Speaker 1: female from Chicago. How did how did how did you

1093
00:53:44,880 --> 00:53:47,440
Speaker 1: link up with the bride? How did that happen? Well?

1094
00:53:47,640 --> 00:53:54,920
Speaker 1: Escape came after Chris I apologized, go to the skate.

1095
00:53:57,360 --> 00:54:02,040
Speaker 2: Escape came first and escaped. They came to my birthday.

1096
00:54:02,760 --> 00:54:05,160
Speaker 2: I had a birthday party in like my neighborhood. They

1097
00:54:05,239 --> 00:54:07,880
Speaker 2: came and they sung Happy birthday to me, and you

1098
00:54:08,000 --> 00:54:11,480
Speaker 2: knew the group or somebody got Ian Birke. He brought

1099
00:54:11,560 --> 00:54:13,520
Speaker 2: him to my house and let him sing Happy birthday

1100
00:54:13,560 --> 00:54:15,480
Speaker 2: to me. I ain't even had no label at this time.

1101
00:54:15,920 --> 00:54:20,640
Speaker 2: They came and sang, and I told him that day, like, yo,

1102
00:54:20,719 --> 00:54:22,920
Speaker 2: when I'm gonna get it, I'm gonna get a label deal.

1103
00:54:23,600 --> 00:54:25,120
Speaker 1: But I get a label deal, I'm gonna sign y'all

1104
00:54:25,200 --> 00:54:27,359
Speaker 1: was my first group. This is what I told him.

1105
00:54:27,400 --> 00:54:29,320
Speaker 1: And they probably ain't believe me or whatever whatever, but

1106
00:54:29,400 --> 00:54:29,959
Speaker 1: it did happen.

1107
00:54:30,040 --> 00:54:32,920
Speaker 2: That's what happened. So so that's what you know, the

1108
00:54:33,200 --> 00:54:36,839
Speaker 2: escape story. Like that's they sing at my birthday and they.

1109
00:54:36,800 --> 00:54:37,319
Speaker 1: Live right now.

1110
00:54:37,400 --> 00:54:38,560
Speaker 5: One of them is a housewive.

1111
00:54:38,920 --> 00:54:47,560
Speaker 1: The one is a housewive. Get together right now, back

1112
00:54:47,600 --> 00:54:51,080
Speaker 1: together is good. I think I think I think music

1113
00:54:51,160 --> 00:54:52,800
Speaker 1: should be universal. I think you should be able to

1114
00:54:52,840 --> 00:54:55,640
Speaker 1: do music until you can't, until you can't do it,

1115
00:54:55,880 --> 00:54:59,480
Speaker 1: until you can't, Yeah, everybody else do it. Then what

1116
00:55:01,040 --> 00:55:04,239
Speaker 1: what you want to do? He's playing, That's what I'm like.

1117
00:55:05,480 --> 00:55:08,439
Speaker 1: I told you. Now you want you want to listen,

1118
00:55:09,040 --> 00:55:11,919
Speaker 1: you can set it up. But that's the one a hoard.

1119
00:55:12,840 --> 00:55:14,759
Speaker 1: Come on it, okay. I want the table that right

1120
00:55:14,840 --> 00:55:18,560
Speaker 1: through that. I'm not drinking that shoo. Yeah, j d First,

1121
00:55:18,719 --> 00:55:20,960
Speaker 1: you gotta be taking what it is. It's herbs. It's

1122
00:55:21,080 --> 00:55:23,439
Speaker 1: no sign of faith. This is in the juice balls.

1123
00:55:23,520 --> 00:55:27,600
Speaker 1: You know, juice balls because it's jim. You want to

1124
00:55:27,640 --> 00:55:29,239
Speaker 1: take a shot of that with you the same way

1125
00:55:29,320 --> 00:55:31,239
Speaker 1: y'all explained it that we all gotta drink it. It's

1126
00:55:31,320 --> 00:55:31,759
Speaker 1: very healthy.

1127
00:55:31,960 --> 00:55:33,560
Speaker 4: No, no, you got it.

1128
00:55:33,600 --> 00:55:37,239
Speaker 1: Try to. You gotta try, man, you gotta ball man,

1129
00:55:37,360 --> 00:55:42,319
Speaker 1: you got it. Dam it is a drinks. Died four

1130
00:55:42,560 --> 00:55:47,080
Speaker 1: Rick Ross died four fifty. Did four fifty? Did he do?

1131
00:55:47,400 --> 00:55:51,440
Speaker 1: He definitely did it. He did five shots, five shots.

1132
00:55:51,440 --> 00:55:52,960
Speaker 1: But that it's just a shot, all right, come on,

1133
00:55:53,040 --> 00:55:54,560
Speaker 1: let's just get the let's get the shot glass going

1134
00:55:56,440 --> 00:55:58,360
Speaker 1: back here. Put it in there. You definitely put it

1135
00:55:59,080 --> 00:56:11,319
Speaker 1: you Claus there even death that still got to kill.

1136
00:56:14,680 --> 00:56:14,920
Speaker 1: All right?

1137
00:56:14,960 --> 00:56:15,120
Speaker 5: Cool?

1138
00:56:15,680 --> 00:56:20,640
Speaker 1: Are you gonna poor? Please, you're gonna be respectful. My

1139
00:56:20,719 --> 00:56:23,759
Speaker 1: birthday still light it off, my birthday and litter to

1140
00:56:23,880 --> 00:56:27,080
Speaker 1: it is sent on fire. Right look at that, yo,

1141
00:56:27,560 --> 00:56:29,080
Speaker 1: and let me let me tell you. Let me let

1142
00:56:29,120 --> 00:56:29,799
Speaker 1: me tell you one thing.

1143
00:56:31,760 --> 00:56:34,480
Speaker 3: Not not only I respect you, but the world respects

1144
00:56:35,040 --> 00:56:38,360
Speaker 3: the world respects how you stand by your people like.

1145
00:56:38,520 --> 00:56:42,080
Speaker 1: You always stand by even I went a little crazy.

1146
00:56:41,840 --> 00:56:42,239
Speaker 3: For a week.

1147
00:56:42,920 --> 00:56:49,160
Speaker 1: It was maybe too maybe two weeks. You still said.

1148
00:56:50,600 --> 00:56:51,200
Speaker 11: That's my like.

1149
00:56:51,440 --> 00:56:53,600
Speaker 1: I love that. I wouldn't take no mentions with him.

1150
00:56:53,600 --> 00:57:02,040
Speaker 1: I was ship. It was about the Trump on my

1151
00:57:02,160 --> 00:57:05,960
Speaker 1: phone's the past that on? Everybody s hold hold on,

1152
00:57:06,120 --> 00:57:09,400
Speaker 1: where's your You got your own? I got all right out.

1153
00:57:09,440 --> 00:57:10,840
Speaker 1: We do it, Jay, this is how we do it.

1154
00:57:10,880 --> 00:57:12,719
Speaker 1: It's the only day you should the smelled. But this

1155
00:57:12,840 --> 00:57:15,000
Speaker 1: is smell. Listen, this is the only how we do it.

1156
00:57:15,040 --> 00:57:19,600
Speaker 1: It's it's come on you ready, you gotta take the

1157
00:57:19,600 --> 00:57:21,640
Speaker 1: glasses off. Just just what this just just a little bit,

1158
00:57:21,800 --> 00:57:24,360
Speaker 1: but you put them right back. He's gonna right back on.

1159
00:57:24,440 --> 00:57:27,959
Speaker 1: Come on, come on by y'all making me drink shot. Listen,

1160
00:57:27,960 --> 00:57:32,240
Speaker 1: you gotta shot. You gotta drink that. I just wanting you.

1161
00:57:33,360 --> 00:57:56,200
Speaker 5: You are here, you you come on, Let's go, come on,

1162
00:57:56,800 --> 00:57:57,040
Speaker 5: let's go.

1163
00:57:59,360 --> 00:58:08,720
Speaker 1: You gonna know you got go away. I tell you

1164
00:58:11,520 --> 00:58:13,320
Speaker 1: change your tell your sex.

1165
00:58:16,560 --> 00:58:16,840
Speaker 5: Change.

1166
00:58:16,920 --> 00:58:29,360
Speaker 1: It's a long way from gets. It's good. Let's look

1167
00:58:29,400 --> 00:58:37,520
Speaker 1: at your phone, peop. Why do higgas drink this? I'm

1168
00:58:37,520 --> 00:58:41,080
Speaker 1: gonna let this story. You tell me what you're doing

1169
00:58:41,800 --> 00:58:45,200
Speaker 1: drink it. Actually, it's actually a good story. It's good

1170
00:58:45,240 --> 00:58:48,120
Speaker 1: to be a sex drive. It's early, like they say that.

1171
00:58:48,160 --> 00:58:49,880
Speaker 3: There's people that break up in the morning, they take

1172
00:58:49,880 --> 00:58:52,200
Speaker 3: a shadow that they clean off, go to work, then

1173
00:58:52,200 --> 00:58:53,240
Speaker 3: they come back home and they.

1174
00:58:53,120 --> 00:58:54,920
Speaker 1: Take a shot because if it gets you up and

1175
00:58:55,000 --> 00:58:56,600
Speaker 1: then hustle with your ass to sleep. Look at that

1176
00:58:57,600 --> 00:59:03,920
Speaker 1: boy you said sex wid thing. It's not like you're

1177
00:59:03,920 --> 00:59:06,919
Speaker 1: walking around like you know, the average will be knocking

1178
00:59:06,960 --> 00:59:09,240
Speaker 1: sh it down. It's not that it's like but if

1179
00:59:09,280 --> 00:59:12,680
Speaker 1: you play the game, you'll be ready. It's you have

1180
00:59:13,240 --> 00:59:14,960
Speaker 1: to play the game, you'll be ready. You go all

1181
00:59:15,040 --> 00:59:30,600
Speaker 1: that no more, no more. That's that ships at least

1182
00:59:30,760 --> 00:59:31,880
Speaker 1: not the version with real type.

1183
00:59:31,960 --> 00:59:35,840
Speaker 3: So let me let let me ask you something, get

1184
00:59:35,840 --> 00:59:39,040
Speaker 3: a little real right now, because you did multiple records

1185
00:59:39,080 --> 00:59:42,440
Speaker 3: were Big was after Big Past did it?

1186
00:59:42,800 --> 00:59:43,880
Speaker 1: Because I don't think.

1187
00:59:43,960 --> 00:59:47,840
Speaker 3: In hip hop we would have thought that first off,

1188
00:59:47,920 --> 00:59:50,800
Speaker 3: that like using big lyrics that we wouldn't have thought

1189
00:59:50,840 --> 00:59:51,960
Speaker 3: hip hop would have made it this far.

1190
00:59:52,560 --> 00:59:54,720
Speaker 1: And now that hip hop has, we wouldn't have thought

1191
00:59:54,720 --> 00:59:56,960
Speaker 1: that hip hop would have took it there where actually

1192
00:59:57,280 --> 00:59:59,920
Speaker 1: you could actually die in hip hop, like how how

1193
01:00:00,080 --> 01:00:01,480
Speaker 1: how did your life change after that.

1194
01:00:06,080 --> 01:00:06,360
Speaker 12: I don't.

1195
01:00:06,440 --> 01:00:09,440
Speaker 1: I mean, I'm in it.

1196
01:00:09,560 --> 01:00:11,160
Speaker 2: I mean, I've been in it since I was twelve,

1197
01:00:11,240 --> 01:00:13,720
Speaker 2: So it just feels like the dirt that I come from.

1198
01:00:14,840 --> 01:00:17,320
Speaker 2: I've seen way more shit than just you know, the

1199
01:00:17,400 --> 01:00:20,640
Speaker 2: Big I mean, I was the craziest part about BIG's

1200
01:00:20,680 --> 01:00:21,800
Speaker 2: death is that I was.

1201
01:00:22,800 --> 01:00:26,160
Speaker 1: In the truck before I had got in the truck

1202
01:00:26,760 --> 01:00:30,040
Speaker 1: with him. Yeah. I got in the truck.

1203
01:00:30,360 --> 01:00:34,040
Speaker 2: Because it was LA and every the tension was, you know,

1204
01:00:34,200 --> 01:00:38,320
Speaker 2: everybody was already on like this high alert in La.

1205
01:00:38,520 --> 01:00:42,200
Speaker 1: So when we came out the party, I was.

1206
01:00:42,240 --> 01:00:46,080
Speaker 2: Coming out the party with Big, and Big was like

1207
01:00:46,200 --> 01:00:48,200
Speaker 2: my man, like he was always looking out for me.

1208
01:00:48,320 --> 01:00:50,480
Speaker 2: So he was like, Yo, Jennie, you can't stand out

1209
01:00:50,520 --> 01:00:53,640
Speaker 2: here this LA. You can't stand outside. Big say, yeah,

1210
01:00:53,640 --> 01:00:55,440
Speaker 2: he telling me this because my car wasn't My car

1211
01:00:55,520 --> 01:00:57,200
Speaker 2: hadn't come up yet, so his car was there.

1212
01:00:57,520 --> 01:00:58,800
Speaker 1: He's like, Yo, you can't stand outside.

1213
01:00:58,840 --> 01:01:01,320
Speaker 2: Yo, you get in here with us and and and

1214
01:01:01,840 --> 01:01:04,160
Speaker 2: when you you know, we're whatever, how are.

1215
01:01:04,080 --> 01:01:06,160
Speaker 1: You gonna do it? So I jumped into I was

1216
01:01:06,240 --> 01:01:07,720
Speaker 1: basically in that that truck.

1217
01:01:09,400 --> 01:01:12,320
Speaker 2: My car pulled up right before they pulled off, and

1218
01:01:12,440 --> 01:01:15,200
Speaker 2: I got out the truck and I got in my car,

1219
01:01:15,680 --> 01:01:17,640
Speaker 2: they pulled off and that's when I heard the shots.

1220
01:01:18,720 --> 01:01:26,800
Speaker 1: Oh you actually heard that, right? Whoa? So how did

1221
01:01:26,880 --> 01:01:28,160
Speaker 1: you start moving? Different?

1222
01:01:28,640 --> 01:01:31,000
Speaker 2: Was like, yeah, I mean we had a whole bunch

1223
01:01:31,040 --> 01:01:34,640
Speaker 2: of that, like we had like Tommy Matola had got

1224
01:01:34,720 --> 01:01:35,880
Speaker 2: us security.

1225
01:01:36,960 --> 01:01:39,640
Speaker 1: At the time. That's the time. Yeah, it was crazy.

1226
01:01:39,680 --> 01:01:41,440
Speaker 2: I mean you had to like because you ain't really know,

1227
01:01:42,560 --> 01:01:45,720
Speaker 2: like you you definitely realized.

1228
01:01:47,280 --> 01:01:47,880
Speaker 1: That it was real.

1229
01:01:47,960 --> 01:01:51,600
Speaker 2: But but like I said, me, ship that people don't

1230
01:01:51,640 --> 01:01:54,400
Speaker 2: notice that that beef between Puff and Shug started at

1231
01:01:54,440 --> 01:01:55,320
Speaker 2: my birthday party.

1232
01:01:55,520 --> 01:02:01,080
Speaker 3: Okay, whoa, Okay, yeah, okay, but we got to get

1233
01:02:01,120 --> 01:02:03,480
Speaker 3: straight into that. But lookten, let me ask you, are

1234
01:02:03,520 --> 01:02:06,640
Speaker 3: you ready for because this is something that that that

1235
01:02:06,880 --> 01:02:08,000
Speaker 3: that was was crazy to me?

1236
01:02:08,080 --> 01:02:10,240
Speaker 1: You ready for the Puff day when we have Pop

1237
01:02:10,320 --> 01:02:12,400
Speaker 1: on drink champs. We want to be here? What Pop said?

1238
01:02:12,480 --> 01:02:17,320
Speaker 1: I already said, Okay, I already know stupid. Okay, yeah,

1239
01:02:17,440 --> 01:02:19,160
Speaker 1: we're trying to be professional with j Come on, this

1240
01:02:19,280 --> 01:02:27,640
Speaker 1: is the first we did this. We're trying to be professional.

1241
01:02:31,520 --> 01:02:35,880
Speaker 1: Has your phwne home making us look and you know

1242
01:02:35,960 --> 01:02:38,320
Speaker 1: homeboy was in the tunnel, you know, and we go

1243
01:02:38,480 --> 01:02:40,440
Speaker 1: and have a conversation this is time where we run

1244
01:02:40,520 --> 01:02:41,360
Speaker 1: the tunnel. You know what I'm saying.

1245
01:02:41,360 --> 01:02:44,120
Speaker 13: Episode to make a long story short, you know, this

1246
01:02:44,280 --> 01:02:46,240
Speaker 13: is where at the parties that of course at this.

1247
01:02:46,280 --> 01:02:48,720
Speaker 1: World famous tunnel. And so then when I had that,

1248
01:02:48,920 --> 01:02:50,840
Speaker 1: I ran up and I asked him and he said, now,

1249
01:02:51,040 --> 01:02:52,000
Speaker 1: so about your main.

1250
01:02:51,920 --> 01:02:55,360
Speaker 5: Dupree, And I was just like yeah.

1251
01:02:55,400 --> 01:03:01,760
Speaker 1: I was just like, hold on, okay, okay, now let's person.

1252
01:03:04,840 --> 01:03:06,720
Speaker 1: I just know your answer on the way. He just

1253
01:03:07,720 --> 01:03:10,360
Speaker 1: I don't know what you want me to say. I

1254
01:03:10,400 --> 01:03:15,600
Speaker 1: don't know the fact that the party, but well, I

1255
01:03:15,680 --> 01:03:19,760
Speaker 1: mean that's what Poff said that sure came into came

1256
01:03:19,800 --> 01:03:21,560
Speaker 1: into tunnel and told him he was looking for me.

1257
01:03:23,040 --> 01:03:26,240
Speaker 2: That when he said at the source of awards talking

1258
01:03:26,280 --> 01:03:32,280
Speaker 2: about me right right, which side do you think?

1259
01:03:32,360 --> 01:03:34,680
Speaker 1: It's just a little come on, man, y'all know better

1260
01:03:34,760 --> 01:03:36,960
Speaker 1: than that. That's not that's not. I mean, we was there.

1261
01:03:37,080 --> 01:03:37,320
Speaker 1: I was.

1262
01:03:37,480 --> 01:03:40,120
Speaker 2: I was there by the way, like I said, I'm

1263
01:03:40,160 --> 01:03:42,400
Speaker 2: I'm I'm the guy that's been like at the forefront

1264
01:03:42,440 --> 01:03:43,400
Speaker 2: of everybody movement.

1265
01:03:43,640 --> 01:03:45,240
Speaker 1: Me and Snoop, Me and Snoop was.

1266
01:03:45,280 --> 01:03:48,960
Speaker 2: Like this, that's how yes, I came like so me

1267
01:03:49,120 --> 01:03:51,680
Speaker 2: having beef with death Row never was like that wasn't

1268
01:03:51,720 --> 01:03:54,960
Speaker 2: even sure was in my office coming to learn and

1269
01:03:55,240 --> 01:03:58,160
Speaker 2: kicking it like hanging out in my office. And that's

1270
01:03:58,200 --> 01:04:01,800
Speaker 2: what I'm saying. Like I invited Shug to my birthday party.

1271
01:04:02,000 --> 01:04:04,040
Speaker 2: Sug came to my birthday party with just him and

1272
01:04:04,200 --> 01:04:07,400
Speaker 2: his one dude. I invited Puff to my birthday party.

1273
01:04:07,440 --> 01:04:11,440
Speaker 2: Puff came with the whole bad boy crew. They had

1274
01:04:11,520 --> 01:04:14,000
Speaker 2: beef from that from that source of ship. But I

1275
01:04:14,120 --> 01:04:15,880
Speaker 2: wasn't never even thinking like it was no real beef.

1276
01:04:15,920 --> 01:04:17,760
Speaker 2: I wouldn't even invite it. I wasn't thinking about it

1277
01:04:17,880 --> 01:04:21,560
Speaker 2: like that. But the whole night went. The party was great,

1278
01:04:21,680 --> 01:04:23,760
Speaker 2: beautiful party. Everybody had a good time. Then we went

1279
01:04:23,760 --> 01:04:26,080
Speaker 2: to this after party. We went to the after party.

1280
01:04:26,520 --> 01:04:28,880
Speaker 2: I guess Puff and Sugar had some kind of like

1281
01:04:29,240 --> 01:04:33,400
Speaker 2: saying said something to each other before whatever at my party.

1282
01:04:34,200 --> 01:04:37,080
Speaker 2: So when they got to this after party, Sug came

1283
01:04:37,160 --> 01:04:42,080
Speaker 2: to the club and Puff went outside and they had

1284
01:04:42,160 --> 01:04:43,840
Speaker 2: their words in the middle of what's.

1285
01:04:43,760 --> 01:04:47,640
Speaker 1: The street, Maurice, what street was on?

1286
01:05:00,240 --> 01:05:03,000
Speaker 2: So anyway, they had they had like their little words right,

1287
01:05:03,360 --> 01:05:05,880
Speaker 2: and they went outside and they were in the middle

1288
01:05:05,880 --> 01:05:08,680
Speaker 2: of the street. They were in the middle of the

1289
01:05:08,760 --> 01:05:11,320
Speaker 2: middle of the middle of the street, Puff and Shug

1290
01:05:12,080 --> 01:05:16,760
Speaker 2: outside in Atlanta and at your party. Is it a

1291
01:05:16,800 --> 01:05:21,480
Speaker 2: calm conversation. It's no, it's not a calm conversation. But

1292
01:05:21,600 --> 01:05:26,480
Speaker 2: it's a very hostile conversation. And the cruises no crew,

1293
01:05:26,560 --> 01:05:29,640
Speaker 2: I mean, sure got one person, Puff got a crew,

1294
01:05:30,400 --> 01:05:37,120
Speaker 2: should got one dude with him, right, And all I

1295
01:05:37,240 --> 01:05:41,840
Speaker 2: know is Puff started drinking his champagne while they was talking,

1296
01:05:41,880 --> 01:05:43,960
Speaker 2: and I guess somebody must have said something to him.

1297
01:05:44,760 --> 01:05:47,720
Speaker 1: And next day, I know, you know, Wolf rest in peace.

1298
01:05:48,400 --> 01:05:51,120
Speaker 2: You know, he let off a shot and let off

1299
01:05:51,120 --> 01:05:53,760
Speaker 2: a couple of shots and sugar Man got killed right

1300
01:05:53,840 --> 01:05:59,520
Speaker 2: there in Atlanta. That was the beginning of that whole ship. Like,

1301
01:06:00,160 --> 01:06:01,920
Speaker 2: I mean, you started at the Saucer Wars, but I'm

1302
01:06:01,960 --> 01:06:04,400
Speaker 2: saying for for like it got rich.

1303
01:06:04,520 --> 01:06:08,320
Speaker 3: So so you're saying like like Big and maybe Pop

1304
01:06:08,720 --> 01:06:12,080
Speaker 3: might have been like they ain't even have nothing to

1305
01:06:12,120 --> 01:06:14,600
Speaker 3: do with this, Yeah, but it affected like it.

1306
01:06:15,440 --> 01:06:16,800
Speaker 1: Went into that, but they didn't have nothing to do

1307
01:06:16,880 --> 01:06:20,080
Speaker 1: with this. This was all like CEO the CEO ship

1308
01:06:21,560 --> 01:06:23,480
Speaker 1: and what Papa were we talking about? Then? Did he

1309
01:06:23,600 --> 01:06:26,440
Speaker 1: have Big at that time? Or yeah? And then what

1310
01:06:26,920 --> 01:06:31,680
Speaker 1: this ship? Who was should the whole the old Death Throe.

1311
01:06:32,360 --> 01:06:36,480
Speaker 2: I mean it's like this after saying after that, after

1312
01:06:36,600 --> 01:06:40,360
Speaker 2: he's saying, this is like, you know, after Sourcer War,

1313
01:06:40,440 --> 01:06:42,800
Speaker 2: and you know, I start having the birthday parts where

1314
01:06:42,800 --> 01:06:45,440
Speaker 2: I call people and have everybody come to my birthday.

1315
01:06:45,520 --> 01:06:47,480
Speaker 1: So it's like, did you call it bitch your ship?

1316
01:06:47,520 --> 01:06:52,160
Speaker 1: Because I remember you was the Temple ship. I don't

1317
01:06:53,520 --> 01:06:54,080
Speaker 1: say your side.

1318
01:06:54,120 --> 01:06:56,720
Speaker 2: You know, everybody coming, they came to Atlanta and this

1319
01:06:56,840 --> 01:06:58,760
Speaker 2: happened that you know, it actually happened.

1320
01:06:58,520 --> 01:07:01,600
Speaker 1: At my at my party. Nobody don't ever talk about that.

1321
01:07:01,760 --> 01:07:02,560
Speaker 1: Nobody don't actually know.

1322
01:07:02,680 --> 01:07:06,160
Speaker 2: This is like Friday Exclusive for y'all, right, excuse exclusive

1323
01:07:06,160 --> 01:07:06,400
Speaker 2: for them?

1324
01:07:06,440 --> 01:07:07,040
Speaker 1: You want another child?

1325
01:07:07,080 --> 01:07:09,720
Speaker 3: In nineteen forty two, I just I just been like,

1326
01:07:09,760 --> 01:07:12,320
Speaker 3: and it's your birthday too. Man, It's Saturday night and

1327
01:07:12,360 --> 01:07:14,640
Speaker 3: I'm in Miami. I'm gonna take another song.

1328
01:07:17,920 --> 01:07:20,440
Speaker 1: Nineteen You want to do what you do?

1329
01:07:20,720 --> 01:07:22,440
Speaker 5: Yeah, you can trust me.

1330
01:07:23,120 --> 01:07:28,320
Speaker 3: Yeah, I gotta go in right, This is after dad.

1331
01:07:30,880 --> 01:07:33,120
Speaker 1: I want to see if it's on your birthday. I

1332
01:07:33,160 --> 01:07:35,120
Speaker 1: want to say, if it's a real ape DJ okay,

1333
01:07:35,200 --> 01:07:41,400
Speaker 1: yeah definitely yeah. But now look now up, every let

1334
01:07:41,440 --> 01:07:41,960
Speaker 1: me tell you why.

1335
01:07:41,960 --> 01:07:43,040
Speaker 5: I gotta big you up too.

1336
01:07:44,920 --> 01:07:47,640
Speaker 3: For one week, right, at least a Leas'm gonna way

1337
01:07:47,680 --> 01:07:50,800
Speaker 3: more than one week. Everywhere I went, people were just

1338
01:07:50,960 --> 01:07:54,800
Speaker 3: hating on you. They said, damn, fuck this, niggajmains a

1339
01:07:54,880 --> 01:07:58,360
Speaker 3: pre fuck you bad Cannon Jackson.

1340
01:07:58,000 --> 01:08:00,400
Speaker 1: God, damn excuse me, excuse me, Let me let me

1341
01:08:00,480 --> 01:08:08,919
Speaker 1: be Yeah, be nice, bro you bad Penny nice. Listen

1342
01:08:09,000 --> 01:08:13,560
Speaker 1: to me. Listen to me. That is everybody's child was

1343
01:08:13,600 --> 01:08:18,800
Speaker 1: hating on you. Did you listen? I'm telling you from

1344
01:08:18,840 --> 01:08:19,719
Speaker 1: the other time.

1345
01:08:21,680 --> 01:08:27,120
Speaker 2: Walking like I was actually hearing Miami going into what's

1346
01:08:27,160 --> 01:08:29,800
Speaker 2: the club that that that on Monday night out here?

1347
01:08:31,560 --> 01:08:34,080
Speaker 2: King of Diamond's, No the one that that just be

1348
01:08:34,200 --> 01:08:39,680
Speaker 2: going to the one? No, all right, So Mocha was

1349
01:08:39,720 --> 01:08:43,320
Speaker 2: a different club. But we had pulled up to me

1350
01:08:43,400 --> 01:08:44,880
Speaker 2: and Janet had pulled up to Mocha.

1351
01:08:45,040 --> 01:08:48,040
Speaker 1: Hold on, I like the way this is make laws

1352
01:08:48,080 --> 01:08:48,280
Speaker 1: for the.

1353
01:08:51,240 --> 01:08:51,599
Speaker 3: Everybody.

1354
01:08:51,880 --> 01:08:56,800
Speaker 5: Make penny.

1355
01:08:56,920 --> 01:09:02,240
Speaker 1: That's penny. You you prepared for the ship looking bad.

1356
01:09:02,360 --> 01:09:05,120
Speaker 1: You're boun't do it. You're on camera, y'all. You don't

1357
01:09:05,240 --> 01:09:14,400
Speaker 1: kill you don't even gotta shot making up. Yeah, come on,

1358
01:09:16,160 --> 01:09:21,240
Speaker 1: let's this is yeah solo. By the way, niggas chase this,

1359
01:09:21,479 --> 01:09:23,800
Speaker 1: I don't even need to chase it. With this ship.

1360
01:09:24,920 --> 01:09:27,679
Speaker 1: Oh ship, Maybe want to go to B Street? B Street?

1361
01:09:29,880 --> 01:09:34,599
Speaker 1: I don't feel him, you don't. I ain't a lot

1362
01:09:34,640 --> 01:09:36,479
Speaker 1: of CEOs that come on the show they go in.

1363
01:09:36,720 --> 01:09:40,400
Speaker 1: I mean that is bad. I had to walk over there.

1364
01:09:40,439 --> 01:09:44,200
Speaker 1: I'm good. That is bad either I might take it's

1365
01:09:44,240 --> 01:09:46,439
Speaker 1: not bad. Let me tell you something I gotta do.

1366
01:09:46,479 --> 01:09:47,360
Speaker 1: Three three is my limit.

1367
01:09:47,680 --> 01:09:51,080
Speaker 3: Look, I've been drinking tangle bone for twenty years and

1368
01:09:51,120 --> 01:09:52,080
Speaker 3: I'm still not used to it.

1369
01:09:52,560 --> 01:09:57,519
Speaker 1: But twenty years we got video of us military. Listen, JD.

1370
01:09:57,680 --> 01:10:03,160
Speaker 3: Lemington, niggas never seen this coming. Like you, I think

1371
01:10:03,200 --> 01:10:04,599
Speaker 3: you created a celebrity couple.

1372
01:10:05,520 --> 01:10:06,040
Speaker 2: Mm hmm.

1373
01:10:08,560 --> 01:10:12,519
Speaker 1: Yeah, but that was meant to be like everybody else.

1374
01:10:12,680 --> 01:10:15,599
Speaker 3: Like you know, like when they see the celebrity couples,

1375
01:10:15,720 --> 01:10:19,000
Speaker 3: they think they think of that because he Bobby and Whitney,

1376
01:10:19,080 --> 01:10:22,160
Speaker 3: they were the same person in reverse.

1377
01:10:24,240 --> 01:10:29,920
Speaker 1: I understand you know what I mean due respect when

1378
01:10:29,960 --> 01:10:31,640
Speaker 1: I said, but they were the same. I get it.

1379
01:10:31,720 --> 01:10:34,560
Speaker 1: Like that's why you can't you can't, Well, Michael and

1380
01:10:34,600 --> 01:10:36,600
Speaker 1: the press leg that was the opposite. You can't be

1381
01:10:36,720 --> 01:10:39,120
Speaker 1: with a girl if you smoked weed, You're not supposed

1382
01:10:39,120 --> 01:10:40,160
Speaker 1: to be with a weed smoker.

1383
01:10:40,439 --> 01:10:42,320
Speaker 3: I'm just throwing it out there because at some point

1384
01:10:42,360 --> 01:10:45,320
Speaker 3: you're gonna be like, yo, damn, did you just move?

1385
01:10:47,160 --> 01:10:52,120
Speaker 1: You can't? Just so I know, I went a little crazy.

1386
01:10:52,240 --> 01:10:55,960
Speaker 1: All right, let's get back to this. So how did

1387
01:10:56,040 --> 01:10:57,600
Speaker 1: how did not come on?

1388
01:10:57,960 --> 01:11:00,519
Speaker 3: Most black people who grew up in that errand and

1389
01:11:00,680 --> 01:11:04,000
Speaker 3: seeing good times, it's even scared to even speak to.

1390
01:11:05,479 --> 01:11:08,080
Speaker 1: Did I stard the story on the on the podcast?

1391
01:11:08,760 --> 01:11:13,519
Speaker 3: One day, I was in the studio and they said,

1392
01:11:13,640 --> 01:11:16,760
Speaker 3: everybody gotta walk out the studio, right, And.

1393
01:11:16,880 --> 01:11:18,760
Speaker 1: I was mad as fuck, like what, I gotta walk

1394
01:11:18,800 --> 01:11:19,439
Speaker 1: off the studio?

1395
01:11:19,880 --> 01:11:22,760
Speaker 3: And then they said, because Janet Jackson is about to

1396
01:11:22,800 --> 01:11:24,880
Speaker 3: walk through. Mind you, we're in the studios to clue

1397
01:11:25,040 --> 01:11:27,639
Speaker 3: you whispering, because that's how much I was spat Penny.

1398
01:11:27,920 --> 01:11:34,000
Speaker 1: God damn it, they said, Jana Jason. At first I

1399
01:11:34,080 --> 01:11:35,120
Speaker 1: was like, why I gotta get up?

1400
01:11:35,640 --> 01:11:37,320
Speaker 3: And then I'm with Chris Lighty and Ship you know,

1401
01:11:37,400 --> 01:11:40,840
Speaker 3: he's rich as ship, and they go, you gotta walk out.

1402
01:11:40,840 --> 01:11:44,200
Speaker 1: He's like, I ain't walking out, and he said, but because.

1403
01:11:44,040 --> 01:11:45,960
Speaker 3: Janet has to walk through. So when she walks through

1404
01:11:45,960 --> 01:11:49,880
Speaker 3: the studio, everybody has to walk out. So when they

1405
01:11:49,960 --> 01:11:53,240
Speaker 3: said it was Penny, I said.

1406
01:11:53,080 --> 01:12:01,759
Speaker 1: I'm like, I'm respecting whatever Penny wants. Give me o. Chris, Chrissy.

1407
01:12:02,040 --> 01:12:06,000
Speaker 1: Chris was like I said, Chris, you gotta relax. Certain

1408
01:12:06,000 --> 01:12:08,040
Speaker 1: people you just gotta walk out. And then they let

1409
01:12:08,160 --> 01:12:10,439
Speaker 1: Janet Jackson walk through, and that was the highlight of

1410
01:12:10,520 --> 01:12:13,479
Speaker 1: my life. I have never seen to her ever after that.

1411
01:12:13,840 --> 01:12:16,320
Speaker 1: But you back, that was your girl. Gonna make sure

1412
01:12:16,360 --> 01:12:18,400
Speaker 1: she hear you say that. Give me a high five?

1413
01:12:18,960 --> 01:12:24,560
Speaker 1: Give you do you know what good times meant to

1414
01:12:24,800 --> 01:12:25,400
Speaker 1: our era?

1415
01:12:26,240 --> 01:12:27,040
Speaker 5: Like we grew up.

1416
01:12:27,080 --> 01:12:31,160
Speaker 1: That was Pamela what was it called, What's the Foxy

1417
01:12:31,200 --> 01:12:34,439
Speaker 1: Brown Lady? That was?

1418
01:12:34,800 --> 01:12:37,679
Speaker 3: That was like the idea of woman, Like every black

1419
01:12:37,760 --> 01:12:39,920
Speaker 3: man wanted that, like if you're from the wood, you

1420
01:12:40,000 --> 01:12:40,800
Speaker 3: wanted pay him grit.

1421
01:12:40,880 --> 01:12:43,160
Speaker 1: That was the era before. But then my era came

1422
01:12:43,800 --> 01:12:47,320
Speaker 1: and then that Janet Jackson and you got that he

1423
01:12:47,439 --> 01:12:48,719
Speaker 1: whispers everything he says.

1424
01:12:48,520 --> 01:12:54,280
Speaker 3: That, like you understand, like I'm asking some person ship,

1425
01:12:54,360 --> 01:12:57,360
Speaker 3: but it's respect because like as a nigga, that's a

1426
01:12:57,560 --> 01:13:00,400
Speaker 3: that's entertainment. Like we didn't think people we could go

1427
01:13:00,479 --> 01:13:03,280
Speaker 3: outside the box like we rappers.

1428
01:13:03,439 --> 01:13:05,960
Speaker 1: Was just like we didn't we didn't see that. We

1429
01:13:06,040 --> 01:13:07,680
Speaker 1: didn't see that coming. Even when you said you said,

1430
01:13:07,720 --> 01:13:10,479
Speaker 1: you said Bobby and Whitney. Bobby was technically R and B.

1431
01:13:11,800 --> 01:13:14,960
Speaker 1: You represented hip hop, So just how did that happen?

1432
01:13:17,040 --> 01:13:21,800
Speaker 1: I was crazy? But you know, like I mean that,

1433
01:13:22,000 --> 01:13:24,960
Speaker 1: I don't know how to tell you. I don't know, yeah,

1434
01:13:25,200 --> 01:13:29,080
Speaker 1: just playing ship. I don't know how to take this one.

1435
01:13:33,320 --> 01:13:33,960
Speaker 1: I'm not saying.

1436
01:13:34,000 --> 01:13:36,160
Speaker 2: You know, you get to talk with people just like

1437
01:13:36,280 --> 01:13:39,600
Speaker 2: anybody else. Like you know, you get your shot, you

1438
01:13:39,680 --> 01:13:41,080
Speaker 2: shoot it that you got to shoot that.

1439
01:13:43,200 --> 01:13:48,519
Speaker 1: I shot my naked commercial. I shot my shot and

1440
01:13:48,800 --> 01:13:53,360
Speaker 1: you know what I mean, and it worked and it worked.

1441
01:13:53,840 --> 01:13:56,760
Speaker 1: How did this go down? You didn't mean that like live?

1442
01:13:57,760 --> 01:14:00,760
Speaker 1: Like with did job? First? Honestly? Did we met at

1443
01:14:00,840 --> 01:14:05,280
Speaker 1: like live? We met? Not like live alright live type?

1444
01:14:05,880 --> 01:14:07,120
Speaker 1: You know it's crazy is that.

1445
01:14:08,680 --> 01:14:12,280
Speaker 2: I met Janet with Chriss Krusz and we got to

1446
01:14:12,360 --> 01:14:16,519
Speaker 2: go backstage and see her, and I was like, not

1447
01:14:17,880 --> 01:14:20,040
Speaker 2: so famous, but they was famous.

1448
01:14:20,760 --> 01:14:25,000
Speaker 1: So they were fourteen, she famous fourteen.

1449
01:14:25,120 --> 01:14:30,640
Speaker 2: But then they got all attention. So they actually was

1450
01:14:30,680 --> 01:14:33,080
Speaker 2: the ones that that she really wanted to meet more

1451
01:14:33,160 --> 01:14:37,760
Speaker 2: or less than anything. So they had but I was

1452
01:14:38,040 --> 01:14:41,960
Speaker 2: like the crew. I was the dem plus JD. So

1453
01:14:42,520 --> 01:14:44,360
Speaker 2: I was got a chance the opportunity to go through there.

1454
01:14:44,400 --> 01:14:44,960
Speaker 1: So we went.

1455
01:14:44,920 --> 01:14:47,880
Speaker 2: Backstage and they were talking to her, and all I

1456
01:14:47,960 --> 01:14:49,719
Speaker 2: remember saying was, y'all, I'm gonna see you again.

1457
01:14:50,320 --> 01:14:52,680
Speaker 1: You gonna see me again, That's what I told her.

1458
01:14:53,680 --> 01:15:01,640
Speaker 1: And I was and you saw again, saw again. And

1459
01:15:01,760 --> 01:15:04,120
Speaker 1: I read somewhere that she said, Man, I miss j

1460
01:15:04,240 --> 01:15:05,760
Speaker 1: D or something like that. I ain't gonna lie. Go

1461
01:15:05,880 --> 01:15:15,320
Speaker 1: get that back, y'all. I read it somewhere. Look, I

1462
01:15:15,400 --> 01:15:18,439
Speaker 1: read it somewhere. It's like somewhere. It was somewhere. I said,

1463
01:15:18,479 --> 01:15:20,280
Speaker 1: Oh ship, I said, damn, I wish I had. I

1464
01:15:20,400 --> 01:15:22,040
Speaker 1: wish I had your number at that moment. I swear

1465
01:15:22,120 --> 01:15:23,960
Speaker 1: to God, I would have called you with some real

1466
01:15:24,040 --> 01:15:30,280
Speaker 1: nigga ship, like the real nigga to bail Nigga, Bring

1467
01:15:30,400 --> 01:15:32,400
Speaker 1: back to the A man, bring go back to the

1468
01:15:34,320 --> 01:15:41,400
Speaker 1: five Nigga, because that's dope, like like like J and B.

1469
01:15:41,720 --> 01:15:44,200
Speaker 1: Like that ship just looks right. I ain't even gonna lie,

1470
01:15:45,360 --> 01:15:48,800
Speaker 1: this is my man. He probably don't. They probably don't

1471
01:15:48,800 --> 01:15:51,200
Speaker 1: give a fun But I like seeing Nas and Nikki

1472
01:15:51,640 --> 01:15:52,160
Speaker 1: like it's.

1473
01:15:52,040 --> 01:15:57,720
Speaker 6: Just it's something about that that I like though was right.

1474
01:15:57,960 --> 01:16:00,240
Speaker 6: But the niggas out there and Gucci suits I'm like,

1475
01:16:00,240 --> 01:16:04,360
Speaker 6: go ahead, nigga, go ahead, nigga.

1476
01:16:04,520 --> 01:16:05,000
Speaker 1: Ya listen.

1477
01:16:05,120 --> 01:16:06,560
Speaker 3: This is the first time I wanted to be a

1478
01:16:06,680 --> 01:16:10,000
Speaker 3: troll like I wanted to because people, oh man, he

1479
01:16:10,080 --> 01:16:10,800
Speaker 3: wanted to post up.

1480
01:16:10,920 --> 01:16:14,840
Speaker 1: I wanted to be like it was yours. Let a

1481
01:16:14,960 --> 01:16:18,400
Speaker 1: man be happy after you forty people be lonely. I'm happy.

1482
01:16:18,479 --> 01:16:20,960
Speaker 1: I love my wife. Right. Sometimes I look at my wife.

1483
01:16:21,200 --> 01:16:25,639
Speaker 1: I love. That's what people need. And when I see nas,

1484
01:16:25,720 --> 01:16:28,280
Speaker 1: I'm like, that's seeing what nigga? What call the simple?

1485
01:16:28,360 --> 01:16:31,960
Speaker 1: Whatever you think about that? That man look happy? Man?

1486
01:16:32,560 --> 01:16:35,920
Speaker 3: Fuck it, that's the nigga about Who cares? Would anybody think?

1487
01:16:36,000 --> 01:16:39,599
Speaker 3: You's your personal opinion on whatever. Let the niggas be happy.

1488
01:16:39,680 --> 01:16:41,080
Speaker 3: Let a nigga try for love.

1489
01:16:41,200 --> 01:16:44,879
Speaker 1: Goddamnit. Hip hop can't be in love. You gotta relax.

1490
01:16:45,760 --> 01:16:54,800
Speaker 1: Everybody makes so love. I got lost.

1491
01:16:58,360 --> 01:17:00,400
Speaker 3: Look listen, by the way you can get fair amal.

1492
01:17:00,520 --> 01:17:02,720
Speaker 3: All the time we get people to send us check

1493
01:17:02,760 --> 01:17:04,639
Speaker 3: it out. But Nigga invites us to his wedding.

1494
01:17:05,000 --> 01:17:09,240
Speaker 1: I feel like he's a fan invite. We're gonna, we're gonna.

1495
01:17:09,360 --> 01:17:13,040
Speaker 1: We've got a big already passed. Yeah, we found where's

1496
01:17:13,040 --> 01:17:15,839
Speaker 1: the cameras at showers. Let me see what's.

1497
01:17:17,200 --> 01:17:23,759
Speaker 2: Because in my wedding Honesta Colosso and a Barta.

1498
01:17:24,720 --> 01:17:27,360
Speaker 1: Oh this is Spanish people. Oh that's why. Definitely the

1499
01:17:27,479 --> 01:17:29,679
Speaker 1: marriage of we. I don't know if we can make it, guys,

1500
01:17:29,720 --> 01:17:30,519
Speaker 1: but let me see where's that?

1501
01:17:30,600 --> 01:17:31,200
Speaker 9: What is that?

1502
01:17:32,160 --> 01:17:37,040
Speaker 1: I see Sunday the twenty fourth of September, were coming.

1503
01:17:39,040 --> 01:17:42,640
Speaker 1: Oh fuck, I hope, I hope. So let's wear what

1504
01:17:42,720 --> 01:17:45,680
Speaker 1: is that? Because from Hartford, Connecticut. But this is what

1505
01:17:45,680 --> 01:17:47,960
Speaker 1: we're gonna do for our f Let's Field, Massachusetts. Listen,

1506
01:17:48,000 --> 01:17:50,720
Speaker 1: what we're gonna do. Fans who really want us that

1507
01:17:50,760 --> 01:17:51,200
Speaker 1: they wear it.

1508
01:17:51,240 --> 01:17:52,800
Speaker 12: I don't know why this is crazy because they think

1509
01:17:52,800 --> 01:17:54,519
Speaker 12: we're gonna just drink with everybody.

1510
01:17:55,040 --> 01:17:57,040
Speaker 1: The fans really want us that they were to send us.

1511
01:17:57,120 --> 01:17:57,880
Speaker 1: And what we're gonna do.

1512
01:17:58,160 --> 01:18:00,320
Speaker 3: We're gonna crash some fucking We'll pick a couple of

1513
01:18:00,880 --> 01:18:04,920
Speaker 3: it's gonna crash and announce you're gonna walk in with

1514
01:18:05,000 --> 01:18:09,160
Speaker 3: tiger Mom. I'm gonna get suited and booty I bring. Wow, man,

1515
01:18:09,360 --> 01:18:09,640
Speaker 3: that's it?

1516
01:18:09,920 --> 01:18:12,920
Speaker 1: What you want with the pockets up here? Yeah? You

1517
01:18:13,000 --> 01:18:18,120
Speaker 1: know there's one that don't got with the pockets right there?

1518
01:18:18,200 --> 01:18:18,640
Speaker 1: You do?

1519
01:18:19,120 --> 01:18:21,839
Speaker 3: Are you cool with the New Wives without the pockets

1520
01:18:21,920 --> 01:18:25,080
Speaker 3: right there. I know it's kindly because I always my

1521
01:18:25,200 --> 01:18:27,000
Speaker 3: weed or my cigarettes right there. You know what I'm

1522
01:18:27,000 --> 01:18:30,240
Speaker 3: saying that that's Spanish ship right there, that's Spanish right there.

1523
01:18:30,920 --> 01:18:33,519
Speaker 1: You and bow got lost for a second. You got

1524
01:18:33,720 --> 01:18:40,920
Speaker 1: relast bow wows India. You know that that's not getting

1525
01:18:40,920 --> 01:18:46,000
Speaker 1: that challenge when they what I got the TV show?

1526
01:18:46,600 --> 01:18:49,400
Speaker 1: You got the power cause TV Showkay, hold on, hold

1527
01:18:49,400 --> 01:18:52,679
Speaker 1: on about you? You flows on the train.

1528
01:18:53,200 --> 01:18:53,439
Speaker 2: Hold on.

1529
01:18:54,200 --> 01:18:55,960
Speaker 1: It's the first time I ever announced.

1530
01:18:55,880 --> 01:18:57,920
Speaker 3: We're gonnounce it right now. Come on, everybody hit the table.

1531
01:18:58,479 --> 01:18:59,360
Speaker 3: Everybody hit the table.

1532
01:19:00,040 --> 01:19:02,800
Speaker 1: Our challenge show's coping. Okay, So with TV it's okay,

1533
01:19:03,000 --> 01:19:06,320
Speaker 1: it's cool. Bow Wow challenge. Oh you killed that. The

1534
01:19:06,439 --> 01:19:08,599
Speaker 1: niggas made fun of you and you made millions.

1535
01:19:08,680 --> 01:19:08,960
Speaker 2: Got that.

1536
01:19:14,400 --> 01:19:15,519
Speaker 1: Tell us about I just think.

1537
01:19:15,439 --> 01:19:18,160
Speaker 9: Of this niggas, this niggas, it's gonna be kind of

1538
01:19:18,200 --> 01:19:20,960
Speaker 9: like a combination of if you were to combined like

1539
01:19:21,040 --> 01:19:22,000
Speaker 9: a catfish.

1540
01:19:21,600 --> 01:19:23,360
Speaker 1: And a punk together. You know what I'm saying, And

1541
01:19:23,360 --> 01:19:24,160
Speaker 1: it's pretty much that.

1542
01:19:24,280 --> 01:19:26,800
Speaker 9: It's pretty much we just yeah, because you've got people

1543
01:19:26,800 --> 01:19:29,040
Speaker 9: who will front on the ground for certain reasons.

1544
01:19:29,080 --> 01:19:30,959
Speaker 1: You know what I'm saying. If it's you know, motherfucker's

1545
01:19:31,000 --> 01:19:32,040
Speaker 1: dealing with bullying.

1546
01:19:31,720 --> 01:19:35,200
Speaker 9: Situations, or you know, they feel like having positive comments

1547
01:19:35,240 --> 01:19:36,240
Speaker 9: makes him feel some type of way.

1548
01:19:36,240 --> 01:19:37,160
Speaker 1: But at the end of the day, it's just like

1549
01:19:37,200 --> 01:19:39,680
Speaker 1: be who you are, but we bust them. It's like

1550
01:19:39,680 --> 01:19:41,400
Speaker 1: a family member or friend might be like, Yo, man,

1551
01:19:41,400 --> 01:19:43,200
Speaker 1: the homie be always on the grammy, be doing that,

1552
01:19:43,320 --> 01:19:44,880
Speaker 1: but he really ain't, so we set him up.

1553
01:19:44,880 --> 01:19:46,880
Speaker 9: They'll set him up. We're gonna come bust on me.

1554
01:19:47,400 --> 01:19:49,519
Speaker 9: And I got two cast members so I can't name

1555
01:19:49,840 --> 01:19:52,360
Speaker 9: just yet. And then we go ahead and crack down

1556
01:19:52,760 --> 01:19:54,200
Speaker 9: on the on the on the case, which is you

1557
01:19:54,280 --> 01:20:03,600
Speaker 9: know positive if you so, and that's coming top of

1558
01:20:03,640 --> 01:20:05,840
Speaker 9: the year, and I'm like, you fake trying to be

1559
01:20:05,920 --> 01:20:09,280
Speaker 9: a producer now like my producer Nigga and me is like,

1560
01:20:09,360 --> 01:20:10,640
Speaker 9: you suck niggas.

1561
01:20:11,640 --> 01:20:14,760
Speaker 1: That's all. It's coming top of the year because you

1562
01:20:14,840 --> 01:20:16,559
Speaker 1: know what I thow the trolls.

1563
01:20:16,640 --> 01:20:19,080
Speaker 3: You ever thought of that, like troll like going to

1564
01:20:19,160 --> 01:20:22,559
Speaker 3: meet the actual trolls, Like, let's suppose the person say something.

1565
01:20:22,880 --> 01:20:26,400
Speaker 3: I'm I think main On and Lovell was in the

1566
01:20:26,479 --> 01:20:28,920
Speaker 3: mall one time and then somebody said something to them

1567
01:20:29,120 --> 01:20:32,200
Speaker 3: and they actually turned around and they went and approached them.

1568
01:20:32,240 --> 01:20:33,599
Speaker 1: It was like, Yo, why did you just say something?

1569
01:20:34,360 --> 01:20:37,040
Speaker 3: And I was like, damn, that actual show actually works,

1570
01:20:37,120 --> 01:20:39,120
Speaker 3: like you know, you know, I landed in Ohio and

1571
01:20:39,640 --> 01:20:40,600
Speaker 3: some nigga said, what.

1572
01:20:40,760 --> 01:20:42,320
Speaker 1: Fuck you, I'll hire on the fuck with you. And

1573
01:20:42,400 --> 01:20:44,120
Speaker 1: they're like, all right, you pulled right up on him

1574
01:20:44,160 --> 01:20:45,480
Speaker 1: and Cheezburger babies.

1575
01:20:45,439 --> 01:20:46,920
Speaker 5: And what did you just.

1576
01:20:48,520 --> 01:20:51,320
Speaker 1: Like? Oh, ship, you know you don't know this guy.

1577
01:20:51,439 --> 01:20:55,559
Speaker 1: This guy is he's a troll. You know, I thought

1578
01:20:55,600 --> 01:20:57,840
Speaker 1: of that show. But yes, show that show is, it's coming.

1579
01:20:58,040 --> 01:20:59,920
Speaker 9: And then like whatever they was they was front with,

1580
01:21:00,040 --> 01:21:02,000
Speaker 9: we actually give them a chance to like live that

1581
01:21:02,120 --> 01:21:03,920
Speaker 9: life for like a day, you know what I'm saying.

1582
01:21:04,000 --> 01:21:08,640
Speaker 1: So, yeah, you already shot something. Shot the blood. Absolutely

1583
01:21:09,240 --> 01:21:11,120
Speaker 1: think you do. Come on, I think you do, baby.

1584
01:21:11,479 --> 01:21:13,439
Speaker 1: I think should hit the blood for the first time.

1585
01:21:13,439 --> 01:21:15,960
Speaker 1: You know, Jamie, don't smoke. But I think because you

1586
01:21:16,000 --> 01:21:17,559
Speaker 1: know what I'm saying now, we don't. We don't if

1587
01:21:17,600 --> 01:21:19,559
Speaker 1: you never smoke, No, we don't want that. You don't

1588
01:21:19,600 --> 01:21:19,800
Speaker 1: want to.

1589
01:21:21,680 --> 01:21:23,559
Speaker 3: I feel like, if you smoked on the weekend, I'll

1590
01:21:23,560 --> 01:21:25,080
Speaker 3: be like, all right, cool, But if you never smoked,

1591
01:21:25,080 --> 01:21:25,840
Speaker 3: I don't want to do that.

1592
01:21:26,240 --> 01:21:30,280
Speaker 1: It's Okay, I'll take another side of a tiger. You

1593
01:21:30,360 --> 01:21:34,080
Speaker 1: want to go back to eighteen forty two. Oh my god,

1594
01:21:37,479 --> 01:21:38,920
Speaker 1: I'm trying to see it stretch.

1595
01:21:42,120 --> 01:21:45,160
Speaker 3: Alright, Wait, that's we had two three three is My

1596
01:21:45,320 --> 01:21:48,280
Speaker 3: Lucky my last movie, so this will be.

1597
01:21:48,280 --> 01:21:51,280
Speaker 1: The last I got you. I'm gonna me up right now.

1598
01:21:51,400 --> 01:21:52,000
Speaker 1: This is crazy.

1599
01:21:52,080 --> 01:21:54,519
Speaker 2: Come on, you said I'm gonna go out after we

1600
01:21:54,640 --> 01:21:59,559
Speaker 2: need okay, and you're single right now, I'm just gonna

1601
01:21:59,600 --> 01:22:00,400
Speaker 2: throw this out there.

1602
01:22:00,600 --> 01:22:03,960
Speaker 1: I just want you to be prepared for my penny

1603
01:22:04,040 --> 01:22:07,240
Speaker 1: come back. We gotta do.

1604
01:22:07,280 --> 01:22:08,760
Speaker 3: You gotta do this in the name of hip hop

1605
01:22:09,200 --> 01:22:12,599
Speaker 3: and the you're putting that pressure on me a little bit,

1606
01:22:12,760 --> 01:22:13,200
Speaker 3: a little bit.

1607
01:22:13,360 --> 01:22:15,080
Speaker 1: Yeah, we gotta bring that back to hip hop. You

1608
01:22:15,160 --> 01:22:17,120
Speaker 1: know because listen, JD.

1609
01:22:17,560 --> 01:22:19,720
Speaker 3: This is something something that I've I've been I've been

1610
01:22:19,840 --> 01:22:22,559
Speaker 3: thinking about, and we've been speaking about on this podcast

1611
01:22:22,640 --> 01:22:25,360
Speaker 3: a lot. Hip hop should be its own religion, like

1612
01:22:25,479 --> 01:22:28,439
Speaker 3: we should. We should have our own award shows, you

1613
01:22:28,439 --> 01:22:31,599
Speaker 3: should have our own union, we should have our own everything.

1614
01:22:31,680 --> 01:22:33,840
Speaker 3: Like if a person gets sick, let's abold somebody from

1615
01:22:33,880 --> 01:22:35,800
Speaker 3: Whodini got sick right now?

1616
01:22:37,080 --> 01:22:37,600
Speaker 1: It should be a.

1617
01:22:37,720 --> 01:22:41,360
Speaker 3: Union that just just come and just you know, provide

1618
01:22:41,400 --> 01:22:45,240
Speaker 3: those services, you know what I mean? Of course you

1619
01:22:45,479 --> 01:22:49,240
Speaker 3: with your relations to them. But see, do you think

1620
01:22:49,280 --> 01:22:49,600
Speaker 3: this this.

1621
01:22:49,720 --> 01:22:52,559
Speaker 1: Union should is this? Yeah? I think it should. Damn

1622
01:22:52,560 --> 01:22:57,320
Speaker 1: I totally forgot me. We said yes to this. Okay, no, no, no, no,

1623
01:22:57,680 --> 01:23:01,000
Speaker 1: I'm cool. You can do it. This is just a

1624
01:23:01,080 --> 01:23:05,679
Speaker 1: burger shot, though you want to switch. Two is my max.

1625
01:23:06,280 --> 01:23:09,240
Speaker 1: Three three is a looking Three is your max. You

1626
01:23:11,080 --> 01:23:15,000
Speaker 1: can pour somebouty was you can pour somebody some because

1627
01:23:15,000 --> 01:23:18,080
Speaker 1: you don't got a lot. Okay, that's no trouble. Hit him,

1628
01:23:18,160 --> 01:23:22,640
Speaker 1: pour something on your ship. Took a shot. That's a

1629
01:23:22,680 --> 01:23:26,000
Speaker 1: good shot. All right? Cool? Cool? This is it? Make

1630
01:23:26,080 --> 01:23:29,840
Speaker 1: it to the club to god, damn it's over God damn.

1631
01:23:29,880 --> 01:23:36,519
Speaker 1: All right? Cool? Niggas is crazy? Oh man, that's awesome.

1632
01:23:37,040 --> 01:23:41,160
Speaker 1: What's crazy? Listen? Yeah, what's crazy about this is that

1633
01:23:42,240 --> 01:23:42,719
Speaker 1: we listen.

1634
01:23:42,880 --> 01:23:43,439
Speaker 14: That's not good.

1635
01:23:43,520 --> 01:23:48,280
Speaker 1: I'm vegan. It goes with you. That's why, that's why

1636
01:23:48,360 --> 01:23:49,320
Speaker 1: you want it more. I'm gonna be.

1637
01:23:49,320 --> 01:23:53,120
Speaker 2: Honest this No, it ain't that bad. You know, like

1638
01:23:53,840 --> 01:23:56,080
Speaker 2: you know what I says, like alcohol, No more like

1639
01:23:56,760 --> 01:23:59,719
Speaker 2: it's herbs fermented alcohol.

1640
01:23:59,720 --> 01:24:02,960
Speaker 1: You eat meat, you but it used to be not

1641
01:24:03,560 --> 01:24:04,160
Speaker 1: is it alcohol?

1642
01:24:04,760 --> 01:24:05,200
Speaker 5: It used to be.

1643
01:24:08,120 --> 01:24:10,080
Speaker 1: Yeah, I mean it's starting to not change like its

1644
01:24:10,080 --> 01:24:14,800
Speaker 1: considered one is what they call that bad look look

1645
01:24:14,920 --> 01:24:17,600
Speaker 1: look at it. Don't even borron no more? Come on

1646
01:24:18,640 --> 01:24:21,080
Speaker 1: still partner my throat and don't barron no more. Good.

1647
01:24:21,160 --> 01:24:25,680
Speaker 1: I'm good with I can do four. Oh man, I'll

1648
01:24:25,680 --> 01:24:31,360
Speaker 1: do with you too. Read this this invitation. Look, let

1649
01:24:31,400 --> 01:24:33,080
Speaker 1: me ask you, what's.

1650
01:24:32,880 --> 01:24:35,960
Speaker 3: The wildest moment you and my rio like making music

1651
01:24:36,120 --> 01:24:40,320
Speaker 3: had Like what was the craziest Like you want that story?

1652
01:24:40,520 --> 01:24:42,479
Speaker 1: Yes I do. I kind of do. I kind of do.

1653
01:24:43,360 --> 01:24:49,800
Speaker 1: I kind of feel like all MC don't kill me.

1654
01:24:50,960 --> 01:25:04,240
Speaker 2: But this is this is exclusive drink Champs exclusive. So

1655
01:25:05,040 --> 01:25:09,519
Speaker 2: I went to do Always Be my Baby remix right

1656
01:25:09,640 --> 01:25:14,360
Speaker 2: with Brat and escape at her house. And she lived

1657
01:25:14,479 --> 01:25:19,519
Speaker 2: next door to Ravlaran and uh like upstate New York

1658
01:25:19,600 --> 01:25:26,040
Speaker 2: right Hollo again. And she couldn't never really drive m

1659
01:25:26,400 --> 01:25:29,080
Speaker 2: cause she Rian Carrey. They wouldn't and she was married.

1660
01:25:29,080 --> 01:25:31,519
Speaker 2: They told me so he wouldn't let her drive cause

1661
01:25:31,520 --> 01:25:33,040
Speaker 2: the security have to drive around.

1662
01:25:33,280 --> 01:25:34,080
Speaker 1: But she ain't like that.

1663
01:25:34,240 --> 01:25:37,920
Speaker 2: She wanted to get out a drive. So Bratt became her.

1664
01:25:40,120 --> 01:25:46,200
Speaker 2: Oh yeah, like yo, let's go. So I'm downstairs making

1665
01:25:46,240 --> 01:25:50,280
Speaker 2: the bed in the studio, her and Brat. They done

1666
01:25:50,320 --> 01:25:53,120
Speaker 2: broke out, took a car and left, no security, don't

1667
01:25:53,120 --> 01:25:56,519
Speaker 2: know what's going on. Some downstairs trying to make the song,

1668
01:25:56,600 --> 01:25:59,040
Speaker 2: get the R song right, and then all of a sudden,

1669
01:25:59,040 --> 01:26:01,760
Speaker 2: it's like a long going off in the house and

1670
01:26:01,920 --> 01:26:04,439
Speaker 2: people running around frantic, like you what the fuck is

1671
01:26:04,479 --> 01:26:07,960
Speaker 2: going on? And like you go to Tommy Mottola house.

1672
01:26:09,120 --> 01:26:12,200
Speaker 2: I guess I could say this, like people outside they

1673
01:26:12,360 --> 01:26:17,200
Speaker 2: with guns, I believe, So my security come, they make

1674
01:26:17,320 --> 01:26:20,559
Speaker 2: us check out straps because everybody else got their strap.

1675
01:26:20,640 --> 01:26:21,760
Speaker 1: You don't need no strap over here.

1676
01:26:21,840 --> 01:26:24,600
Speaker 2: Everybody got guns. So that's how this house was. It

1677
01:26:24,720 --> 01:26:30,919
Speaker 2: was like, that's what's going on. So Tommy and everybody's

1678
01:26:30,960 --> 01:26:35,200
Speaker 2: looking for Mariah. She's disappeared, she's completely left the house,

1679
01:26:36,360 --> 01:26:41,599
Speaker 2: and I'm downstairs and and Brats with him, so they think,

1680
01:26:41,640 --> 01:26:44,400
Speaker 2: I know, think I'm in on it. So I'm getting

1681
01:26:44,560 --> 01:26:46,280
Speaker 2: like questioned and I'm like, I don't know what the

1682
01:26:46,360 --> 01:26:49,120
Speaker 2: fuck is going on, And they actually really questioned me,

1683
01:26:49,320 --> 01:26:54,160
Speaker 2: like nigga, you know, you know what's happening with Mariah's people. Yeah,

1684
01:26:54,479 --> 01:27:00,720
Speaker 2: everybody's security and they went to McDonald's like bullshit, like

1685
01:27:01,479 --> 01:27:05,760
Speaker 2: they went to McDonald's carried and went to McDonald's.

1686
01:27:05,760 --> 01:27:09,360
Speaker 1: Okay, now I want to know who order it. I

1687
01:27:09,400 --> 01:27:10,559
Speaker 1: don't know, because you.

1688
01:27:10,640 --> 01:27:13,000
Speaker 2: Had to be Brad was probably high, so she probably

1689
01:27:13,360 --> 01:27:17,720
Speaker 2: all the food. But anyway, I mean like, so I'm

1690
01:27:17,760 --> 01:27:22,880
Speaker 2: in this house getting basically question like where's this woman at?

1691
01:27:23,080 --> 01:27:24,880
Speaker 2: And I don't know, I don't know nothing about it,

1692
01:27:24,960 --> 01:27:27,640
Speaker 2: but they're not they're not believe in me right and

1693
01:27:27,720 --> 01:27:30,839
Speaker 2: the security dude's about to get fired because he allowed

1694
01:27:30,880 --> 01:27:32,599
Speaker 2: her to she snuck out.

1695
01:27:32,920 --> 01:27:36,720
Speaker 1: It was just like some real crazy ship that Mawaiah security. Yeah,

1696
01:27:38,240 --> 01:27:39,519
Speaker 1: like Tom's gonna.

1697
01:27:39,400 --> 01:27:42,519
Speaker 2: Kill him, Like you're about to die because you let

1698
01:27:42,560 --> 01:27:44,360
Speaker 2: her get out this house without you know what I mean?

1699
01:27:44,439 --> 01:27:48,200
Speaker 2: Like that was crazy to me because I'm I'm I'm fresh,

1700
01:27:48,640 --> 01:27:49,960
Speaker 2: like just from Atlanta.

1701
01:27:50,280 --> 01:27:52,920
Speaker 1: I'm like, what's going on? And I'm way out in

1702
01:27:53,000 --> 01:27:55,479
Speaker 1: this house that's way out upstate New York.

1703
01:27:55,640 --> 01:27:58,280
Speaker 2: And it's like that was crazy ship right there, Like

1704
01:27:58,720 --> 01:28:02,439
Speaker 2: just to see a a star that level, you know,

1705
01:28:02,720 --> 01:28:04,960
Speaker 2: actually want to do something that's different in their life

1706
01:28:05,520 --> 01:28:08,200
Speaker 2: and she did it. And it was like to see

1707
01:28:08,240 --> 01:28:11,880
Speaker 2: people panicing and niggas almost like beat me up.

1708
01:28:13,080 --> 01:28:17,559
Speaker 1: That level as well. It's crazy. What's what's the funniest

1709
01:28:17,600 --> 01:28:23,040
Speaker 1: session you ever had? The best studio session like that?

1710
01:28:23,200 --> 01:28:26,080
Speaker 3: One time was just perfect. You walked in the beat,

1711
01:28:26,320 --> 01:28:30,360
Speaker 3: the sample was on point. Everything like me and Nelly.

1712
01:28:32,280 --> 01:28:38,680
Speaker 1: Grills, m I can't hear you, I can't hear you.

1713
01:28:38,800 --> 01:28:41,000
Speaker 1: Come on, come on, come over here, come over here,

1714
01:28:42,439 --> 01:28:48,720
Speaker 1: sing sing a nigga. We can't hear you, we can't

1715
01:28:48,760 --> 01:29:03,920
Speaker 1: hear What does he say? Did you make the whole top?

1716
01:29:08,320 --> 01:29:14,200
Speaker 1: That was almost good? That was okay, so so so

1717
01:29:14,760 --> 01:29:17,800
Speaker 1: basically this session was was.

1718
01:29:19,160 --> 01:29:21,920
Speaker 2: Me and Nelly had an idea and he was gonna

1719
01:29:21,920 --> 01:29:26,880
Speaker 2: take the the the LL cool J candy ship like

1720
01:29:27,120 --> 01:29:31,799
Speaker 2: candy in the bottle land the man then a definitive

1721
01:29:31,880 --> 01:29:33,960
Speaker 2: man then and then and now he took the flow

1722
01:29:34,040 --> 01:29:35,600
Speaker 2: from from Candy.

1723
01:29:35,439 --> 01:29:37,880
Speaker 1: Right, that was the flow he wanted to put on

1724
01:29:37,960 --> 01:29:38,880
Speaker 1: his legs. His idea.

1725
01:29:39,320 --> 01:29:40,760
Speaker 2: Now that is his idea he wanted to take, you know,

1726
01:29:40,800 --> 01:29:43,600
Speaker 2: because Nelly was you know, buff, so he's kind of.

1727
01:29:43,600 --> 01:29:46,920
Speaker 1: Like a Saint Louis version of LL cool Jo, you

1728
01:29:46,920 --> 01:29:48,680
Speaker 1: know what I mean, Like that's hue.

1729
01:29:56,320 --> 01:29:59,280
Speaker 2: So so it came up with the you know, let

1730
01:29:59,360 --> 01:30:01,519
Speaker 2: me see your grill and then we was like, well, shit,

1731
01:30:03,120 --> 01:30:04,960
Speaker 2: we do a song about grills. We gotta get Paul

1732
01:30:05,000 --> 01:30:07,560
Speaker 2: Wall because Paul Wall made he made the grip. So

1733
01:30:07,600 --> 01:30:10,559
Speaker 2: we're like, yo, you gotta get Paul Wall on a song. Now,

1734
01:30:10,560 --> 01:30:13,720
Speaker 2: I don't know why this song had to happen this night,

1735
01:30:14,720 --> 01:30:16,760
Speaker 2: Like you can make a record like a week, but

1736
01:30:16,920 --> 01:30:20,880
Speaker 2: we this God Nelly wanted this song to happen right

1737
01:30:20,880 --> 01:30:23,080
Speaker 2: as soon as we started making the idea. So we

1738
01:30:23,160 --> 01:30:26,640
Speaker 2: made the idea and then we went to the one

1739
01:30:26,760 --> 01:30:30,559
Speaker 2: twelve one World War one twelve where the players, yeah

1740
01:30:30,640 --> 01:30:34,000
Speaker 2: that we went to one twelve and we got drunk.

1741
01:30:34,640 --> 01:30:38,280
Speaker 2: I'm talking about completely like drunk as or skunks. Yeah,

1742
01:30:38,400 --> 01:30:41,240
Speaker 2: we got fucked up, right, So we was fucked up.

1743
01:30:41,520 --> 01:30:43,760
Speaker 2: But in the midst of that, on the way to

1744
01:30:43,840 --> 01:30:46,280
Speaker 2: the club, Nelly's like, Yo, I'm gonna call Paul Wall

1745
01:30:46,400 --> 01:30:47,920
Speaker 2: and tell him I'm gonna send him a flight.

1746
01:30:48,200 --> 01:30:50,200
Speaker 1: He gonna come to the studio while we at the club.

1747
01:30:51,320 --> 01:30:52,240
Speaker 1: This actually happened.

1748
01:30:52,439 --> 01:30:55,280
Speaker 2: Carlwall got on a plane, came to the studio, got

1749
01:30:55,360 --> 01:30:56,760
Speaker 2: to the studio, and he heard the song.

1750
01:30:57,680 --> 01:30:59,240
Speaker 1: We was at the club partying.

1751
01:31:00,120 --> 01:31:01,760
Speaker 2: Least thinking like, yeah, when I get through, we're gonna

1752
01:31:01,760 --> 01:31:02,479
Speaker 2: get back to the studio.

1753
01:31:02,520 --> 01:31:04,920
Speaker 1: Is Paul Wall park gonna be done. So we leave

1754
01:31:05,160 --> 01:31:06,880
Speaker 1: one twelve. We get back to the studio. Paul Wall

1755
01:31:07,000 --> 01:31:07,280
Speaker 1: is there.

1756
01:31:07,720 --> 01:31:11,000
Speaker 2: He got he got his part, and the studio is

1757
01:31:11,120 --> 01:31:13,320
Speaker 2: popping right. Like I said before, I don't really have

1758
01:31:13,560 --> 01:31:15,880
Speaker 2: like a whole bunch of people in my session. But

1759
01:31:16,000 --> 01:31:18,960
Speaker 2: this was like Nellys session is weird. It's all kind

1760
01:31:19,000 --> 01:31:19,479
Speaker 2: of ship going.

1761
01:31:19,720 --> 01:31:24,760
Speaker 1: Didn't sign him, you felt bad anyway. So so and

1762
01:31:24,880 --> 01:31:28,040
Speaker 1: this is the first night I tried Lean. Let's go,

1763
01:31:28,160 --> 01:31:32,120
Speaker 1: let's let's take it down. I'm like, I got lean

1764
01:31:32,280 --> 01:31:34,800
Speaker 1: story too. It fucked me up. It's the first night.

1765
01:31:35,160 --> 01:31:38,120
Speaker 2: So so Paul Wall got he pulling up right, and

1766
01:31:38,240 --> 01:31:42,320
Speaker 2: I'm like, man, let me try that ship. So he like,

1767
01:31:42,439 --> 01:31:43,880
Speaker 2: j D, you don't want you don't want to get

1768
01:31:43,920 --> 01:31:44,439
Speaker 2: on this leg.

1769
01:31:44,840 --> 01:31:47,040
Speaker 1: I'm like, man, lit is that what movie is that

1770
01:31:50,640 --> 01:31:51,240
Speaker 1: you don't want?

1771
01:31:54,439 --> 01:31:56,640
Speaker 2: I'm sorry, I tell you, Like you don't want to

1772
01:31:56,680 --> 01:31:58,200
Speaker 2: try this, I'm like, man, let me get on this.

1773
01:31:58,280 --> 01:32:00,680
Speaker 2: I want to see what it did. So he got

1774
01:32:00,760 --> 01:32:03,080
Speaker 2: this this like to he's a treaty.

1775
01:32:03,160 --> 01:32:04,479
Speaker 1: That's what they drink like.

1776
01:32:04,640 --> 01:32:09,479
Speaker 2: He's a treaty's treat He's a treat that they they

1777
01:32:09,560 --> 01:32:11,360
Speaker 2: poort a ship with this to he's a treaty some

1778
01:32:11,760 --> 01:32:15,320
Speaker 2: some ship. I'm like, okay, so I'm thinking this just

1779
01:32:15,320 --> 01:32:21,439
Speaker 2: ship looked like like like some kool aid. I got

1780
01:32:21,479 --> 01:32:23,679
Speaker 2: on that ship and I'm like, man, this ship ain't nothing.

1781
01:32:24,360 --> 01:32:28,000
Speaker 2: I'm drinking boom boom, turning up boom, give me some

1782
01:32:28,120 --> 01:32:30,000
Speaker 2: more boom, Like this ain't nothing.

1783
01:32:31,120 --> 01:32:31,479
Speaker 1: I don't know.

1784
01:32:31,600 --> 01:32:32,400
Speaker 5: I was going there.

1785
01:32:32,600 --> 01:32:35,479
Speaker 1: I'm like, it's that kind of right now. I was.

1786
01:32:35,680 --> 01:32:37,880
Speaker 2: I was really like mad because I'm like, wait a minute,

1787
01:32:37,960 --> 01:32:39,599
Speaker 2: y'all nigga said this ship was something.

1788
01:32:39,640 --> 01:32:42,120
Speaker 1: I think I'm about to start talking slow and kind

1789
01:32:42,160 --> 01:32:44,240
Speaker 1: of ship. I don't know what's going on. But none

1790
01:32:44,280 --> 01:32:46,960
Speaker 1: of that ship happened to me. So I'm like, I'm good,

1791
01:32:47,840 --> 01:32:51,519
Speaker 1: but I was not good. I wasn't a whole nother ba.

1792
01:32:52,640 --> 01:33:00,280
Speaker 1: I was dancing shirt off the studio, look like it's

1793
01:33:00,320 --> 01:33:04,559
Speaker 1: just tripper Like that's like yo ju wild. I had

1794
01:33:04,720 --> 01:33:06,880
Speaker 1: I had a fight. I had to fight that at

1795
01:33:07,080 --> 01:33:10,040
Speaker 1: six a m. That morning. That happened, but I was

1796
01:33:10,160 --> 01:33:11,800
Speaker 1: up all night new you know, and.

1797
01:33:11,880 --> 01:33:14,160
Speaker 2: I was drinking lean they were smoking with so I

1798
01:33:14,240 --> 01:33:16,720
Speaker 2: probably getting in contact and all kinds of ship, but.

1799
01:33:16,800 --> 01:33:20,240
Speaker 1: I was going it was The music was right. Paul

1800
01:33:20,280 --> 01:33:23,080
Speaker 1: Wall versus Fresh We talking about grills.

1801
01:33:23,160 --> 01:33:25,120
Speaker 2: I was like, this ship, this ship gonna be a hit.

1802
01:33:25,439 --> 01:33:27,519
Speaker 2: I knew that song was gonna be a hit. I

1803
01:33:27,600 --> 01:33:30,479
Speaker 2: got on that plane, man, I threw up in the

1804
01:33:30,640 --> 01:33:37,639
Speaker 2: first class. Man, I never threw up on the plane before.

1805
01:33:37,680 --> 01:33:40,400
Speaker 1: I ain't gonna lie. I want to picture throwing up

1806
01:33:40,400 --> 01:33:44,880
Speaker 1: in first class on the pitch of your maneuvers. Okay,

1807
01:33:44,960 --> 01:33:47,439
Speaker 1: which way did you move? Because you got a window?

1808
01:33:47,520 --> 01:33:49,880
Speaker 1: Seater had a window. So I had to I had

1809
01:33:49,920 --> 01:33:50,559
Speaker 1: to let the lady.

1810
01:33:50,680 --> 01:33:52,240
Speaker 2: I had to let the person know that was sitting

1811
01:33:52,320 --> 01:33:56,080
Speaker 2: with me, like, yo, I don't feel right. This ain't

1812
01:33:56,080 --> 01:33:56,639
Speaker 2: gonna be good.

1813
01:33:56,960 --> 01:34:00,320
Speaker 1: So I was like, I got doggy backs the way

1814
01:34:00,360 --> 01:34:00,640
Speaker 1: I got it.

1815
01:34:01,680 --> 01:34:03,439
Speaker 2: They got a little bad, the little thing when you're

1816
01:34:03,439 --> 01:34:05,479
Speaker 2: supposed to do it then and I'm like, this ain't

1817
01:34:05,600 --> 01:34:06,160
Speaker 2: I got.

1818
01:34:06,360 --> 01:34:08,080
Speaker 1: I feel like it's gonna be way too much. But

1819
01:34:08,920 --> 01:34:12,760
Speaker 1: this ain't laughing. I ended up throwing up other lady

1820
01:34:12,840 --> 01:34:17,560
Speaker 1: on his I was fucked up. Yeah, that was my

1821
01:34:17,680 --> 01:34:23,519
Speaker 1: experience with Lean. I'm not funking with that. That sham

1822
01:34:23,720 --> 01:34:26,400
Speaker 1: be twisted. That sham't be twisted.

1823
01:34:26,439 --> 01:34:26,680
Speaker 11: That ship.

1824
01:34:28,160 --> 01:34:30,240
Speaker 1: No, I never do it. I'm mad.

1825
01:34:35,680 --> 01:34:37,600
Speaker 3: Because you know you know what, I hate answering and

1826
01:34:37,800 --> 01:34:39,800
Speaker 3: the whole questions in first class, They're like, so what

1827
01:34:39,920 --> 01:34:40,240
Speaker 3: do you do?

1828
01:34:40,720 --> 01:34:47,280
Speaker 1: I mean so tempted to be like myself, cried, I

1829
01:34:47,479 --> 01:34:48,439
Speaker 1: do I do?

1830
01:34:48,640 --> 01:34:49,599
Speaker 5: I do it all the time.

1831
01:34:49,840 --> 01:34:53,639
Speaker 1: This depends on what happens. You're One time dude said

1832
01:34:53,680 --> 01:34:58,680
Speaker 1: to me, my man, you know everybody's recognizing you. What

1833
01:34:58,800 --> 01:35:00,639
Speaker 1: do you do? I was like ship in the back

1834
01:35:00,680 --> 01:35:14,080
Speaker 1: of the iPhone. I told the nigga's the camera because

1835
01:35:15,720 --> 01:35:22,599
Speaker 1: that's about to tell. I wanted to be smoking, I said, yo,

1836
01:35:22,920 --> 01:35:28,920
Speaker 1: saying camera, I have to tell because I don't want

1837
01:35:28,960 --> 01:35:31,240
Speaker 1: to say I'm a rapper. Sometimes it's embarrassing to me.

1838
01:35:32,080 --> 01:35:33,439
Speaker 5: I know what you I know what you mean.

1839
01:35:33,520 --> 01:35:35,840
Speaker 1: You know what I'm saying because I say actor in

1840
01:35:35,920 --> 01:35:36,679
Speaker 1: the right situation.

1841
01:35:37,600 --> 01:35:40,120
Speaker 3: I don't want to say, is that embarrassing because like

1842
01:35:40,360 --> 01:35:43,320
Speaker 3: a typical black Yeah, I'm good.

1843
01:35:45,320 --> 01:35:48,160
Speaker 1: You must have been, you know, flying on, pragic and

1844
01:35:48,240 --> 01:35:50,400
Speaker 1: all that all the time. Like I mean with the

1845
01:35:50,840 --> 01:35:53,120
Speaker 1: regular rich white folks to just sit there and be like,

1846
01:35:53,200 --> 01:35:56,960
Speaker 1: so what do you do? Boy? My own producer sounds good?

1847
01:35:57,200 --> 01:36:02,479
Speaker 1: I said, cry all the time, I've been going on

1848
01:36:02,760 --> 01:36:07,880
Speaker 1: and off because sometimes they the niggas come on and

1849
01:36:07,920 --> 01:36:10,400
Speaker 1: play a niggas of guitar.

1850
01:36:11,920 --> 01:36:14,000
Speaker 3: Yeah, I told That's what I told the niggas, because

1851
01:36:14,040 --> 01:36:16,040
Speaker 3: it's just I don't want to say rapper, like I

1852
01:36:16,080 --> 01:36:18,120
Speaker 3: don't want to say media. And the thing about it

1853
01:36:18,280 --> 01:36:20,120
Speaker 3: is I can get away with anything I say as

1854
01:36:20,200 --> 01:36:21,160
Speaker 3: long as somebody don't.

1855
01:36:21,080 --> 01:36:23,759
Speaker 1: Walk through there and be like, yo, yo, what else.

1856
01:36:25,240 --> 01:36:27,639
Speaker 5: I mean going?

1857
01:36:28,360 --> 01:36:30,600
Speaker 1: I just told this the guy and visited the microphone.

1858
01:36:32,320 --> 01:36:35,720
Speaker 9: Yeah, I understand when I'm walking through customs or something

1859
01:36:35,720 --> 01:36:37,040
Speaker 9: like that, when I'm always seeing this and they say,

1860
01:36:37,040 --> 01:36:40,719
Speaker 9: what do you do? I'm acting straight up say rapping,

1861
01:36:40,840 --> 01:36:41,920
Speaker 9: want to pull you off and go through?

1862
01:36:42,000 --> 01:36:44,040
Speaker 1: Yeah, rapping? Yo, Yo, this happened?

1863
01:36:44,120 --> 01:36:44,320
Speaker 5: Weed?

1864
01:36:44,479 --> 01:36:46,479
Speaker 1: What else is I fronic? Man? Pull him on? Yo?

1865
01:36:46,600 --> 01:36:49,160
Speaker 1: At one point, I'm gonna be honest, I've been down.

1866
01:36:49,680 --> 01:36:51,160
Speaker 1: My first I was ninety seven.

1867
01:36:51,280 --> 01:36:55,800
Speaker 3: So from ninety seven to like with Sony No no, no,

1868
01:36:56,000 --> 01:36:58,360
Speaker 3: that that's just my first solo I was in nineteen

1869
01:36:58,400 --> 01:37:02,719
Speaker 3: ninety eight, then released okay, so first release was componing

1870
01:37:02,760 --> 01:37:06,120
Speaker 3: over So from I remember, it was one point you

1871
01:37:06,160 --> 01:37:09,960
Speaker 3: could say I'm a rapper and the police would be like, yo, yo,

1872
01:37:10,240 --> 01:37:11,479
Speaker 3: give this nigga an escort.

1873
01:37:13,320 --> 01:37:17,240
Speaker 1: Then you you said you're rapper? What they pull more?

1874
01:37:18,040 --> 01:37:21,280
Speaker 5: Oh my god, oh ship.

1875
01:37:23,200 --> 01:37:26,000
Speaker 1: Ya, I seen the error shift.

1876
01:37:27,040 --> 01:37:29,240
Speaker 3: So like when I can sit down and the person

1877
01:37:29,320 --> 01:37:31,559
Speaker 3: asked me what I do, I just be cautious.

1878
01:37:31,680 --> 01:37:33,599
Speaker 1: I'm like, I don't know if he's a Trump supporter.

1879
01:37:35,240 --> 01:37:36,880
Speaker 1: I don't know where this is going.

1880
01:37:37,240 --> 01:37:40,400
Speaker 2: I had I had that one time, but I fixed that, Okay,

1881
01:37:41,120 --> 01:37:43,360
Speaker 2: fixed it. You know, like the you know the magazine

1882
01:37:43,479 --> 01:37:44,560
Speaker 2: is on the airplane.

1883
01:37:45,760 --> 01:37:49,360
Speaker 1: The depend you shot from, because they get me all

1884
01:37:49,400 --> 01:37:53,840
Speaker 1: the time. I got. I got to somebody.

1885
01:37:55,120 --> 01:38:00,639
Speaker 2: I got to cover that magazine. So walk up the ship.

1886
01:38:02,680 --> 01:38:04,679
Speaker 2: I walked on playing and I had to cover this ship.

1887
01:38:04,800 --> 01:38:07,599
Speaker 2: And niggas knew what the fuck I was doing there

1888
01:38:07,600 --> 01:38:11,000
Speaker 2: at that point, Like it was like I had that speculation.

1889
01:38:11,280 --> 01:38:12,839
Speaker 2: Why are you talking about the speculation?

1890
01:38:12,920 --> 01:38:14,760
Speaker 1: But I was on the cover of every seat, so

1891
01:38:14,920 --> 01:38:17,760
Speaker 1: everybody knew who you was. And you sat there was

1892
01:38:17,760 --> 01:38:20,200
Speaker 1: a good moment. That's a good moment. That's a good

1893
01:38:20,240 --> 01:38:22,599
Speaker 1: moment to take something. JD. Let me tell you something

1894
01:38:22,640 --> 01:38:25,760
Speaker 1: in case you don't know, man, we've seen what you did.

1895
01:38:25,840 --> 01:38:28,960
Speaker 3: We seen you sit here and take an error of

1896
01:38:29,160 --> 01:38:32,800
Speaker 3: music and take an artist like about a while, like

1897
01:38:32,920 --> 01:38:37,479
Speaker 3: a the brat, like a crisscross, like a jagged edge,

1898
01:38:37,880 --> 01:38:39,719
Speaker 3: like an escape and we seen.

1899
01:38:39,560 --> 01:38:43,439
Speaker 1: You tell them how to make hit music, and that

1900
01:38:43,720 --> 01:38:45,719
Speaker 1: was the beautiful part of it. A lot of people

1901
01:38:45,800 --> 01:38:49,439
Speaker 1: get paid you and puff together like you're the part.

1902
01:38:49,240 --> 01:38:54,880
Speaker 3: Of the South or whatever, but it is, it is,

1903
01:38:55,479 --> 01:38:58,960
Speaker 3: you're kind of like each other. But you did your

1904
01:38:59,000 --> 01:39:01,960
Speaker 3: own market music. You set it off, you did what

1905
01:39:02,040 --> 01:39:04,280
Speaker 3: you had to do, and we want to salute that.

1906
01:39:04,600 --> 01:39:08,360
Speaker 1: Thank you. You understand we want to sit back. I'm

1907
01:39:08,400 --> 01:39:14,320
Speaker 1: clapping up for that. And don't you ever do an

1908
01:39:14,360 --> 01:39:16,120
Speaker 1: interview with any podcast.

1909
01:39:16,760 --> 01:39:20,400
Speaker 3: I don't say your top three because to me, it's

1910
01:39:20,600 --> 01:39:21,879
Speaker 3: this is the top three producer.

1911
01:39:21,920 --> 01:39:28,559
Speaker 1: This is to me, it's it's Puff, Dre and Jamane.

1912
01:39:29,560 --> 01:39:31,040
Speaker 1: That's the top three to me.

1913
01:39:32,040 --> 01:39:39,120
Speaker 3: Then after that generation becomes for real Timberlands, the Swiss beats,

1914
01:39:39,479 --> 01:39:42,679
Speaker 3: this is for me and prem comes.

1915
01:39:44,200 --> 01:39:46,800
Speaker 1: Because we gotta gotta that's a little bit before Dre

1916
01:39:47,000 --> 01:39:52,840
Speaker 1: and them. But that and you know what, fuck hip hop.

1917
01:39:52,920 --> 01:39:55,920
Speaker 1: We don't have to like sometimes sometimes when I say that,

1918
01:39:56,280 --> 01:39:56,599
Speaker 1: I say.

1919
01:39:59,080 --> 01:40:02,519
Speaker 3: Like a little fuck that that category because when a

1920
01:40:02,600 --> 01:40:06,680
Speaker 3: person you know, you know, you know going in I'm

1921
01:40:06,720 --> 01:40:10,160
Speaker 3: going to But when I just say listen.

1922
01:40:09,960 --> 01:40:11,400
Speaker 1: Listen, I want to make a point. I want to

1923
01:40:11,439 --> 01:40:13,040
Speaker 1: make a point. I want to make a point.

1924
01:40:13,320 --> 01:40:15,400
Speaker 3: Oh fuck you niggas still called Veggie the like we

1925
01:40:15,520 --> 01:40:19,280
Speaker 3: got more title Veggie like Chris is in the building.

1926
01:40:20,160 --> 01:40:25,400
Speaker 1: Let me we didn't drink that whole bottle. We got

1927
01:40:25,400 --> 01:40:31,200
Speaker 1: another one. Okay, listen, God, what I'm saying is, see

1928
01:40:31,400 --> 01:40:33,960
Speaker 1: when you say when you say, when you.

1929
01:40:34,040 --> 01:40:37,960
Speaker 3: Say, or you give a person the title goat, which

1930
01:40:39,000 --> 01:40:40,920
Speaker 3: goat means greatest of all times.

1931
01:40:42,680 --> 01:40:46,080
Speaker 1: This should be everybody. There's a lot of people that

1932
01:40:46,200 --> 01:40:48,880
Speaker 1: could be the greatest of all times. They can't just

1933
01:40:48,960 --> 01:40:49,519
Speaker 1: be one.

1934
01:40:51,120 --> 01:40:54,040
Speaker 3: In boxing, you say the greatest of all times. Mike

1935
01:40:54,120 --> 01:40:56,000
Speaker 3: Tyson might be the greatest of all times for the

1936
01:40:56,160 --> 01:40:59,519
Speaker 3: nineties era. Muhammad Ali might be the greatest of all

1937
01:40:59,600 --> 01:41:00,960
Speaker 3: times for the eighties era.

1938
01:41:02,479 --> 01:41:03,479
Speaker 1: Pakia might be the.

1939
01:41:03,520 --> 01:41:06,639
Speaker 3: Greatest of all times from the two thousand and such

1940
01:41:06,640 --> 01:41:10,200
Speaker 3: and such era. Maywell is the greatest of all times.

1941
01:41:10,280 --> 01:41:12,840
Speaker 3: But that's who the fuck is my favorite boxer?

1942
01:41:14,000 --> 01:41:14,160
Speaker 5: Right?

1943
01:41:14,560 --> 01:41:18,639
Speaker 1: But so why in hip hop we can't have multiple

1944
01:41:18,800 --> 01:41:21,600
Speaker 1: greatest of all times? I mean, you actually can, but

1945
01:41:21,760 --> 01:41:22,560
Speaker 1: it's like we do.

1946
01:41:22,960 --> 01:41:26,439
Speaker 3: We do, and I'm going to change that single handedly.

1947
01:41:27,000 --> 01:41:28,720
Speaker 3: There's a lot of people that's the greatest of all

1948
01:41:28,800 --> 01:41:30,960
Speaker 3: times of their era, and I don't want to salute that.

1949
01:41:31,200 --> 01:41:33,679
Speaker 3: It's just like big Daddy k Come on, Haitian people,

1950
01:41:33,680 --> 01:41:38,160
Speaker 3: you gotta help us. My friends, the Haitian people that

1951
01:41:38,280 --> 01:41:40,320
Speaker 3: got Supra you, they finally happy.

1952
01:41:40,400 --> 01:41:46,240
Speaker 1: They say, hey, didn't come back. We went to another place.

1953
01:41:49,360 --> 01:41:53,400
Speaker 1: But listen, what I'm saying is we we have we

1954
01:41:53,560 --> 01:41:54,120
Speaker 1: have to keep.

1955
01:41:55,400 --> 01:41:57,439
Speaker 3: That's the thing I respect about you, Like I've never

1956
01:41:57,640 --> 01:42:01,360
Speaker 3: really heard you go at somebody else, Like did you

1957
01:42:01,439 --> 01:42:02,480
Speaker 3: ever do a disrecord?

1958
01:42:02,840 --> 01:42:03,320
Speaker 1: You did.

1959
01:42:04,760 --> 01:42:09,720
Speaker 2: Get it to this doctor Drey had got meet him

1960
01:42:09,720 --> 01:42:12,160
Speaker 2: and Eminem they had did like a little song something

1961
01:42:12,200 --> 01:42:12,479
Speaker 2: about me?

1962
01:42:12,960 --> 01:42:13,920
Speaker 1: What little song.

1963
01:42:15,920 --> 01:42:16,599
Speaker 15: Some song hre?

1964
01:42:16,640 --> 01:42:17,360
Speaker 1: They was this me?

1965
01:42:17,560 --> 01:42:20,200
Speaker 2: I don't know, but but but but you know, like

1966
01:42:20,720 --> 01:42:24,880
Speaker 2: it's the sensitive hip hop niggas that, like I say,

1967
01:42:24,920 --> 01:42:28,000
Speaker 2: some real ship and niggas get sensitive and want to

1968
01:42:28,280 --> 01:42:31,240
Speaker 2: be defensive, right because what I had said was that

1969
01:42:31,960 --> 01:42:34,400
Speaker 2: if you put doctor Dre in a room and you

1970
01:42:34,520 --> 01:42:36,160
Speaker 2: put me in a room, who gonna come out with

1971
01:42:36,200 --> 01:42:36,920
Speaker 2: a song first?

1972
01:42:38,160 --> 01:42:38,840
Speaker 1: They ain't like that.

1973
01:42:39,320 --> 01:42:41,320
Speaker 2: But the truth of the matter is I'm gonna come

1974
01:42:41,320 --> 01:42:43,120
Speaker 2: out with the song before he does. I don't need

1975
01:42:43,160 --> 01:42:46,000
Speaker 2: no niggas to write nothing for me. I make the

1976
01:42:46,080 --> 01:42:47,920
Speaker 2: beats and I'm gonna write the lyrics and I'm gonna

1977
01:42:48,080 --> 01:42:49,760
Speaker 2: do the whole song. I'm gonna come out with the

1978
01:42:49,840 --> 01:42:53,040
Speaker 2: song first. Like that was my if you want to

1979
01:42:53,120 --> 01:42:54,560
Speaker 2: challenge me, anybody want to do that?

1980
01:42:54,680 --> 01:42:55,760
Speaker 1: That was that.

1981
01:42:59,520 --> 01:43:02,160
Speaker 2: It's a true statement, and like at that particular point,

1982
01:43:04,280 --> 01:43:07,320
Speaker 2: that's why they didn't like that statement, you know what

1983
01:43:07,320 --> 01:43:08,960
Speaker 2: I mean. They thought I was trying to shine on

1984
01:43:09,080 --> 01:43:11,240
Speaker 2: I wasn't really trying to shine Just like I have

1985
01:43:11,360 --> 01:43:14,400
Speaker 2: to let people know it's a difference between how I

1986
01:43:14,479 --> 01:43:16,479
Speaker 2: make records and other people make records. Like even when

1987
01:43:16,520 --> 01:43:19,320
Speaker 2: people say about me and Puff, me and Puff do

1988
01:43:19,520 --> 01:43:22,759
Speaker 2: have a very similar style as far as like marketing

1989
01:43:22,840 --> 01:43:27,040
Speaker 2: our artists and being labels that move in the same

1990
01:43:27,120 --> 01:43:30,240
Speaker 2: type of motion. But when it comes to making records,

1991
01:43:30,760 --> 01:43:32,120
Speaker 2: Puff don't make records like me.

1992
01:43:33,280 --> 01:43:35,120
Speaker 1: Nobody don't make records like that. I mean, it's people

1993
01:43:35,160 --> 01:43:35,920
Speaker 1: that make records like me.

1994
01:43:36,000 --> 01:43:38,320
Speaker 2: But I'm just saying it's a different it's a different situation,

1995
01:43:38,439 --> 01:43:40,559
Speaker 2: and I wasn't like even like I'm saying that about Puff,

1996
01:43:40,560 --> 01:43:43,720
Speaker 2: I'm not dising Puff. I'm saying, like we just I

1997
01:43:43,880 --> 01:43:47,880
Speaker 2: make records differently. I can write a whole song Crisskruss

1998
01:43:48,120 --> 01:43:51,680
Speaker 2: that eight million I wrote the entire album, wrote all

1999
01:43:51,720 --> 01:43:53,679
Speaker 2: their lyrics, every every line.

2000
01:43:54,000 --> 01:44:03,400
Speaker 1: Wow. Wow takes so much for that eight Man. God, damnit,

2001
01:44:04,840 --> 01:44:06,920
Speaker 1: I'll love to count nobody money. But I'm just thinking

2002
01:44:06,920 --> 01:44:10,280
Speaker 1: about it, like damn, eight Man in the nineties.

2003
01:44:10,320 --> 01:44:13,439
Speaker 3: This is the eighties or ninety nineties, nineties, ninety two,

2004
01:44:13,680 --> 01:44:19,160
Speaker 3: she got it realized. You know, like thousand dollars in

2005
01:44:19,240 --> 01:44:22,000
Speaker 3: the eighties ben different than inflation.

2006
01:44:22,760 --> 01:44:30,519
Speaker 1: Just something, man, I know, drunk, it's felt like drug

2007
01:44:30,600 --> 01:44:34,280
Speaker 1: dealer money. Yes, this is this like push yeah, I

2008
01:44:34,360 --> 01:44:37,120
Speaker 1: mean hip hop, that's what we should celebrate. We should

2009
01:44:37,120 --> 01:44:37,720
Speaker 1: celebrate that.

2010
01:44:37,880 --> 01:44:40,960
Speaker 3: Listen, man, there's a lot of brothers out there doing

2011
01:44:41,000 --> 01:44:43,960
Speaker 3: the wrong thing, doing doing a thing to free day family,

2012
01:44:44,000 --> 01:44:45,720
Speaker 3: and we can't judge that. That's not that's not what

2013
01:44:45,800 --> 01:44:51,280
Speaker 3: we're here to do. But Leo Colom said this on

2014
01:44:51,400 --> 01:44:54,320
Speaker 3: the podcast, and he came in. He said, this is

2015
01:44:54,400 --> 01:44:58,080
Speaker 3: the perfect time to get into the music business. And

2016
01:44:58,160 --> 01:45:00,439
Speaker 3: the reason why he's saying that now is because remember

2017
01:45:00,520 --> 01:45:03,720
Speaker 3: back then, we had to press the cee, the we

2018
01:45:03,840 --> 01:45:05,880
Speaker 3: had to do the artwork, you had to do.

2019
01:45:06,000 --> 01:45:09,280
Speaker 16: The cut the middle of the photo shoot, like right now,

2020
01:45:09,920 --> 01:45:12,920
Speaker 16: like that serious. Any kid that could go in the

2021
01:45:13,080 --> 01:45:16,960
Speaker 16: back of his room pick up a fucking footy.

2022
01:45:16,680 --> 01:45:21,519
Speaker 3: Loops anything time that I've had, and then just and

2023
01:45:21,760 --> 01:45:24,840
Speaker 3: make a whole career like back then, like.

2024
01:45:25,240 --> 01:45:27,920
Speaker 1: You have to be ill to get out in the

2025
01:45:28,000 --> 01:45:30,439
Speaker 1: eighties you said your favorite was the eighties. Do you

2026
01:45:30,560 --> 01:45:33,840
Speaker 1: have to beat again? In the studio was difficult? Just yeah,

2027
01:45:34,520 --> 01:45:37,679
Speaker 1: they probably woudn't even take your account. And then back

2028
01:45:37,720 --> 01:45:40,400
Speaker 1: then they had the eight inch rails. That's like carrying

2029
01:45:40,439 --> 01:45:45,240
Speaker 1: a Dorf like that.

2030
01:45:45,479 --> 01:45:47,240
Speaker 3: Like I got a human here and you cut this

2031
01:45:47,400 --> 01:45:49,720
Speaker 3: take from me, and then you remember back then, I'm

2032
01:45:49,960 --> 01:45:51,120
Speaker 3: I'm showing my age a little bit.

2033
01:45:51,120 --> 01:45:54,200
Speaker 1: I'm forty years old. I'm gonna throws. But you couldn't

2034
01:45:54,240 --> 01:45:56,439
Speaker 1: punch in. You don't remember that that era where you

2035
01:45:56,520 --> 01:46:00,760
Speaker 1: had to do your whole verse. That era, no, like

2036
01:46:00,920 --> 01:46:03,000
Speaker 1: I was part of the punch in you you can

2037
01:46:03,040 --> 01:46:09,800
Speaker 1: punch it, punch it. It wasn't yo, No six Unique studios.

2038
01:46:10,840 --> 01:46:13,320
Speaker 1: They had no punching. You had to they had to

2039
01:46:13,360 --> 01:46:17,320
Speaker 1: cut take. Yeah, yeah, Unique studios. It's real.

2040
01:46:17,880 --> 01:46:20,439
Speaker 3: But you're across the street from MTV. You go street,

2041
01:46:20,439 --> 01:46:23,080
Speaker 3: you like yo, you're fucking and you gotta you gotta yo,

2042
01:46:23,200 --> 01:46:27,200
Speaker 3: so yo. That's why I do you notice like haz

2043
01:46:27,400 --> 01:46:28,000
Speaker 3: is my internet.

2044
01:46:28,160 --> 01:46:31,599
Speaker 1: Keep it real. My minimum is seven songs a night,

2045
01:46:31,800 --> 01:46:32,240
Speaker 1: like when I.

2046
01:46:32,920 --> 01:46:34,640
Speaker 3: Like, when I'm focused, I go to the studio, I

2047
01:46:34,720 --> 01:46:36,960
Speaker 3: do seven songs like this four hours.

2048
01:46:37,840 --> 01:46:39,599
Speaker 1: My young boys be sitting there still right.

2049
01:46:39,840 --> 01:46:42,280
Speaker 3: I'm like, I wrote my whole ship before I came,

2050
01:46:42,920 --> 01:46:46,320
Speaker 3: because that ship was crazy, like coming from where I was.

2051
01:46:46,320 --> 01:46:49,799
Speaker 1: From, playing twenty five hundred a session was serious.

2052
01:46:53,479 --> 01:46:55,960
Speaker 2: Like nobody they don't know nothing about that either. They

2053
01:46:56,120 --> 01:46:59,160
Speaker 2: just making the records in their bedroom and they on

2054
01:46:59,280 --> 01:46:59,679
Speaker 2: their laps.

2055
01:46:59,720 --> 01:47:02,479
Speaker 3: I say, like me, I was trying to get out

2056
01:47:02,520 --> 01:47:05,880
Speaker 3: the hood. So I like, I'm not like, I can't.

2057
01:47:06,080 --> 01:47:09,920
Speaker 3: I can't live the way like I'm still to this day.

2058
01:47:10,080 --> 01:47:13,000
Speaker 1: If I book a studio, if I pay for somebody else,

2059
01:47:13,040 --> 01:47:16,120
Speaker 1: ship like, I have the song written, I have five

2060
01:47:16,240 --> 01:47:16,920
Speaker 1: songs written.

2061
01:47:17,479 --> 01:47:19,519
Speaker 2: That's how you should have. You should be going to

2062
01:47:19,600 --> 01:47:22,240
Speaker 2: the studio ready. Don't play in the studio.

2063
01:47:22,600 --> 01:47:24,960
Speaker 1: It's not a spot to play. It's not starting to play.

2064
01:47:25,760 --> 01:47:28,400
Speaker 1: And you still love the studio after all these years. Yeah,

2065
01:47:28,720 --> 01:47:29,240
Speaker 1: keep it real.

2066
01:47:29,520 --> 01:47:31,400
Speaker 3: You ain't lose a little bit of love for music

2067
01:47:31,520 --> 01:47:34,120
Speaker 3: at some point. Come on tell us that story. Dad,

2068
01:47:34,200 --> 01:47:36,960
Speaker 3: You got pissed off one day why, I don't.

2069
01:47:36,760 --> 01:47:39,160
Speaker 2: Know I don't know you just said you never said

2070
01:47:39,240 --> 01:47:41,200
Speaker 2: now because I got I got goals, Like I got

2071
01:47:41,320 --> 01:47:43,400
Speaker 2: these goals that I ain't never really achieved yet.

2072
01:47:43,439 --> 01:47:46,280
Speaker 1: So I still like, you know, come on, I'm still

2073
01:47:46,280 --> 01:47:48,680
Speaker 1: out here. I think you achieved everything. What does it

2074
01:47:48,760 --> 01:47:50,559
Speaker 1: take for you to yeah, like, what are the goals

2075
01:47:50,560 --> 01:47:53,200
Speaker 1: that you still haven't achieved? What goals have you not

2076
01:47:53,320 --> 01:47:53,960
Speaker 1: achieved yet?

2077
01:47:54,160 --> 01:47:56,559
Speaker 2: I mean like, like, so so when I first started

2078
01:47:56,640 --> 01:47:58,600
Speaker 2: working with us and we did My Way album, and

2079
01:47:58,720 --> 01:48:00,479
Speaker 2: we did when we got to confess, since.

2080
01:48:01,560 --> 01:48:16,400
Speaker 1: This is my confession, this is like, this is my confessions.

2081
01:48:16,520 --> 01:48:20,360
Speaker 2: Listen, we got we got, we got the confessions. We

2082
01:48:20,439 --> 01:48:25,400
Speaker 2: had this conversation about like we gotta sell ten million records.

2083
01:48:27,520 --> 01:48:29,840
Speaker 1: That's the type of talk you be having. Yeah, it's

2084
01:48:30,000 --> 01:48:33,479
Speaker 1: very scared to talk to you. I understand THEMN like

2085
01:48:33,520 --> 01:48:35,800
Speaker 1: because we know like you don't it don't mean nothing

2086
01:48:36,120 --> 01:48:37,479
Speaker 1: if you don't do nothing like that.

2087
01:48:37,840 --> 01:48:41,040
Speaker 2: Right, as far as where I'm coming from, people look

2088
01:48:41,120 --> 01:48:42,920
Speaker 2: at me like, you know, I not have success after

2089
01:48:42,960 --> 01:48:45,080
Speaker 2: success of the niggas still look at me the same way.

2090
01:48:45,120 --> 01:48:49,840
Speaker 1: So it's like you gotta do something just like backflips. Right.

2091
01:48:49,920 --> 01:48:52,840
Speaker 2: So we was at the studio, like we gotta sell

2092
01:48:52,920 --> 01:48:58,240
Speaker 2: ten millions. This album gotta go diamond, and and and

2093
01:48:59,280 --> 01:49:03,400
Speaker 2: it did it did it went diamond. So the last

2094
01:49:03,520 --> 01:49:07,600
Speaker 2: this was his confession, it's the last black artist to

2095
01:49:07,640 --> 01:49:09,679
Speaker 2: sell ten million, ten million records.

2096
01:49:13,680 --> 01:49:22,080
Speaker 3: Clap but holds you plotted this before it happened. All right,

2097
01:49:22,200 --> 01:49:23,840
Speaker 3: let's take it back to the ship.

2098
01:49:24,800 --> 01:49:28,400
Speaker 2: But but but but like that is still like small

2099
01:49:28,479 --> 01:49:30,360
Speaker 2: compared to what we was actually trying to do. Like

2100
01:49:30,439 --> 01:49:32,960
Speaker 2: we was looking at Quincy Jones. Quincy Jones is like

2101
01:49:33,560 --> 01:49:35,400
Speaker 2: the master to me, is my idol.

2102
01:49:35,560 --> 01:49:38,320
Speaker 3: Right, and if you want the hip hop Jones, in

2103
01:49:38,400 --> 01:49:40,639
Speaker 3: case you didn't know that, you are the hip hop

2104
01:49:40,760 --> 01:49:41,519
Speaker 3: Quincy Jones.

2105
01:49:41,640 --> 01:49:48,919
Speaker 1: Okay, I appreciate that, you know, it's a real compliment.

2106
01:49:49,240 --> 01:49:51,400
Speaker 1: I mean. But but at the same time saying that

2107
01:49:52,280 --> 01:49:53,320
Speaker 1: I can't really take.

2108
01:49:53,240 --> 01:49:55,439
Speaker 2: That yet because he did way more than me. He

2109
01:49:55,600 --> 01:50:00,000
Speaker 2: still got way more under his belt than I have achieved.

2110
01:50:00,680 --> 01:50:07,120
Speaker 2: And at fifty, Quincy Jones made Thriller. Oh wow, at

2111
01:50:07,200 --> 01:50:09,479
Speaker 2: fifty years old, that's when he created that album, which

2112
01:50:09,560 --> 01:50:12,120
Speaker 2: became the biggest selling album in the history of music.

2113
01:50:12,600 --> 01:50:17,719
Speaker 1: At fifty, I just turned forty. So you giving me hope,

2114
01:50:19,439 --> 01:50:21,760
Speaker 1: let's go. So with that being said, when you ask

2115
01:50:21,840 --> 01:50:25,679
Speaker 1: me what my like, I'm still looking at that, like, yo, okay,

2116
01:50:26,400 --> 01:50:31,240
Speaker 1: I'm not I'm not fifty. If he did it, I

2117
01:50:31,320 --> 01:50:34,280
Speaker 1: got opportunity to do something bigger than that. I gotta

2118
01:50:34,360 --> 01:50:36,680
Speaker 1: try it. So I just that's my goal is just

2119
01:50:36,760 --> 01:50:39,320
Speaker 1: to try to be like some some artists. I don't

2120
01:50:39,320 --> 01:50:40,040
Speaker 1: know if it's gonna be us.

2121
01:50:40,160 --> 01:50:41,840
Speaker 2: I don't know it's gonna be, but somebody we're gonna

2122
01:50:41,880 --> 01:50:43,040
Speaker 2: do something that's gonna be crazy.

2123
01:50:43,640 --> 01:50:46,280
Speaker 3: Now, I like I liked it the way, but USh

2124
01:50:46,479 --> 01:50:51,000
Speaker 3: just going through this, you know what was that controversy

2125
01:50:51,479 --> 01:50:53,400
Speaker 3: and the first person you see Usho.

2126
01:50:53,360 --> 01:50:56,280
Speaker 1: Taking a picture of what is you? You still hold on?

2127
01:50:56,800 --> 01:50:59,160
Speaker 3: I took my shot to tag we got new shots

2128
01:50:59,760 --> 01:51:04,280
Speaker 3: shot to say I felt like a botherd me. I

2129
01:51:04,439 --> 01:51:07,479
Speaker 3: love the way you stood right there by your boy's side.

2130
01:51:07,720 --> 01:51:10,599
Speaker 3: You didn't give a fuck about no controversy.

2131
01:51:10,080 --> 01:51:14,839
Speaker 1: None of that. Like I actually enjoy that type of loyalty.

2132
01:51:15,400 --> 01:51:18,800
Speaker 3: Like why isn't that that type of loyalty respected more

2133
01:51:18,920 --> 01:51:19,840
Speaker 3: in the industry than.

2134
01:51:20,040 --> 01:51:22,120
Speaker 2: Because it ain't really nobody that really do it, like

2135
01:51:22,200 --> 01:51:24,200
Speaker 2: you know what I mean, Like niggas act like they're

2136
01:51:24,240 --> 01:51:27,360
Speaker 2: your homies, they ain't really you know, like I know,

2137
01:51:27,520 --> 01:51:29,800
Speaker 2: like all my artists, they came to me at the

2138
01:51:29,880 --> 01:51:32,160
Speaker 2: time when they ain't really have no other friends period,

2139
01:51:32,520 --> 01:51:34,800
Speaker 2: you know what I'm saying, Like us was at my

2140
01:51:34,880 --> 01:51:35,880
Speaker 2: house where we made my way.

2141
01:51:35,880 --> 01:51:36,439
Speaker 1: It was just him.

2142
01:51:36,520 --> 01:51:40,160
Speaker 2: He come to the studio by hisself, no friends, no assistant,

2143
01:51:40,280 --> 01:51:43,639
Speaker 2: no nothing. So I actually became like a real true

2144
01:51:43,680 --> 01:51:46,240
Speaker 2: friend to him, not like just a producer. I'm doing

2145
01:51:46,320 --> 01:51:47,880
Speaker 2: everything fun him. I'm like, you know what I mean,

2146
01:51:47,920 --> 01:51:51,280
Speaker 2: I'm hooking on with girls, I'm doing everything. So if

2147
01:51:51,520 --> 01:51:54,280
Speaker 2: that's our relationship, you know what I'm saying, I don't.

2148
01:51:54,600 --> 01:51:56,599
Speaker 2: I'm still I gotta be the person to tell him,

2149
01:51:56,680 --> 01:51:59,840
Speaker 2: like this is bullshit. You know this is bullshit, Like,

2150
01:52:00,760 --> 01:52:02,559
Speaker 2: let's go through it. You know what I mean, other

2151
01:52:02,600 --> 01:52:05,080
Speaker 2: people gonna talk to him differently. I'm gonna talk to

2152
01:52:05,160 --> 01:52:07,840
Speaker 2: him the way that that's supposed to be talked to. So,

2153
01:52:08,080 --> 01:52:09,400
Speaker 2: I mean, I don't, I don't know if it's a

2154
01:52:09,439 --> 01:52:11,360
Speaker 2: lot of that in the world. You know, Niggas call

2155
01:52:11,479 --> 01:52:13,240
Speaker 2: niggas when they need something. They don't really actually be

2156
01:52:13,280 --> 01:52:15,680
Speaker 2: fucking with niggas when they ain't got you know, when

2157
01:52:15,680 --> 01:52:16,639
Speaker 2: they're in a different place.

2158
01:52:17,240 --> 01:52:18,800
Speaker 1: God damn goddam makes me.

2159
01:52:22,200 --> 01:52:25,400
Speaker 3: So so so now we got y'all both here, Like,

2160
01:52:27,439 --> 01:52:31,080
Speaker 3: you know, there's been moments where in the hip hop

2161
01:52:31,560 --> 01:52:32,799
Speaker 3: you guys didn't agree.

2162
01:52:34,160 --> 01:52:36,680
Speaker 1: How did you and and and you.

2163
01:52:38,320 --> 01:52:41,160
Speaker 3: You came back and you said, Yo, you're normal. That's

2164
01:52:41,240 --> 01:52:43,519
Speaker 3: my big homie, you know what I'm saying. But like,

2165
01:52:43,680 --> 01:52:46,160
Speaker 3: how how did that just feel? Like when you know

2166
01:52:46,240 --> 01:52:48,240
Speaker 3: a person you come into the game with y'all just

2167
01:52:48,320 --> 01:52:52,680
Speaker 3: not seeing out of eye and it's different opinions. But

2168
01:52:52,920 --> 01:52:55,000
Speaker 3: the thing is, every time you voice your opinion, it's

2169
01:52:55,040 --> 01:52:56,840
Speaker 3: in the public eye, whether you think it is.

2170
01:52:56,960 --> 01:52:59,360
Speaker 1: Or not, whether you think it is or not. Like,

2171
01:52:59,720 --> 01:53:04,040
Speaker 1: how how is that to go through that? I'm gonna

2172
01:53:04,080 --> 01:53:07,080
Speaker 1: drop my shot? Okay, I'm in.

2173
01:53:09,760 --> 01:53:09,800
Speaker 2: This.

2174
01:53:11,160 --> 01:53:16,680
Speaker 1: This up so far? Good good man? Yeah, no, I

2175
01:53:16,760 --> 01:53:17,519
Speaker 1: mean pretty much.

2176
01:53:17,840 --> 01:53:18,400
Speaker 5: You know, it was.

2177
01:53:20,560 --> 01:53:22,679
Speaker 9: We were like the same person, you know what I'm saying.

2178
01:53:23,320 --> 01:53:28,160
Speaker 9: Yeah that that shot made that But it's just it's

2179
01:53:28,240 --> 01:53:30,800
Speaker 9: just it's the same person, you know what I'm saying.

2180
01:53:30,840 --> 01:53:32,000
Speaker 1: He pretty much raised me.

2181
01:53:32,080 --> 01:53:34,320
Speaker 9: So it was kind of like, uh, you know, all

2182
01:53:34,360 --> 01:53:35,920
Speaker 9: the game and all the lessons I learned from him.

2183
01:53:35,920 --> 01:53:38,560
Speaker 9: At one point I felt like, like ship, you know,

2184
01:53:39,080 --> 01:53:40,880
Speaker 9: I wanted to start calling some shots and putting my

2185
01:53:40,960 --> 01:53:43,360
Speaker 9: ideas into things, and sometimes we want to see how

2186
01:53:43,360 --> 01:53:45,080
Speaker 9: the right because he was the coach, he was the

2187
01:53:45,240 --> 01:53:48,160
Speaker 9: you know, he was the teacher. You know, I wanted

2188
01:53:48,200 --> 01:53:50,160
Speaker 9: that was shining the master. I thought, you know, I

2189
01:53:50,280 --> 01:53:52,120
Speaker 9: wanted to play it my way.

2190
01:53:52,760 --> 01:53:55,439
Speaker 3: It's it's at some point, I'm I'm standing up for you.

2191
01:53:57,200 --> 01:54:00,360
Speaker 3: Every artist at some point start feeling themselves and you

2192
01:54:00,439 --> 01:54:02,880
Speaker 3: know what they do. They said, I did this ship,

2193
01:54:03,600 --> 01:54:07,560
Speaker 3: and they forget about everybody else because in order to

2194
01:54:07,600 --> 01:54:10,200
Speaker 3: make somebody great, it's three or four people behind absolute.

2195
01:54:10,240 --> 01:54:12,960
Speaker 1: But me, I've done it. Everybody does it. Everybody just

2196
01:54:13,120 --> 01:54:15,400
Speaker 1: what the fuck? I did this on my own? Yeah,

2197
01:54:15,640 --> 01:54:17,559
Speaker 1: so you had that moment, Yeah, you had that moment.

2198
01:54:18,000 --> 01:54:20,200
Speaker 1: Did the third album? I had that moment, did this thing?

2199
01:54:20,280 --> 01:54:21,800
Speaker 9: But it just didn't feel right, you know what I mean.

2200
01:54:21,840 --> 01:54:23,320
Speaker 9: I was in the studio with Tipped, me and Tea.

2201
01:54:23,360 --> 01:54:25,640
Speaker 9: I was working on my third album together and it

2202
01:54:25,800 --> 01:54:28,360
Speaker 9: just was different, you know what I'm saying. And I

2203
01:54:28,439 --> 01:54:30,559
Speaker 9: came to the conclusion like, if I can't get down

2204
01:54:30,880 --> 01:54:32,640
Speaker 9: what you wanted on the fourth album, then I'm cool

2205
01:54:32,680 --> 01:54:33,120
Speaker 9: on music.

2206
01:54:33,200 --> 01:54:33,880
Speaker 1: I got movies.

2207
01:54:34,320 --> 01:54:36,880
Speaker 9: I could do that ship for life, so I don't

2208
01:54:36,920 --> 01:54:38,400
Speaker 9: really got to do it no more. And I remember

2209
01:54:38,520 --> 01:54:40,760
Speaker 9: just going to Malibu and pulling up on JD and

2210
01:54:40,840 --> 01:54:42,400
Speaker 9: just telling him like, look, fuck, all the business.

2211
01:54:42,400 --> 01:54:46,480
Speaker 1: Ship was still looking for a house. And then I

2212
01:54:46,600 --> 01:54:49,200
Speaker 1: just tell you, like, man, all the business just kick

2213
01:54:49,240 --> 01:54:50,960
Speaker 1: all that ship to the side. We gotta get back.

2214
01:54:51,320 --> 01:54:54,800
Speaker 9: When I got back platinum, next album platinum, and we

2215
01:54:54,880 --> 01:54:57,960
Speaker 9: wrote them, we right back and pocket. Then I had

2216
01:54:58,000 --> 01:54:59,560
Speaker 9: to listen to him. It was records I ain't want.

2217
01:55:00,040 --> 01:55:01,560
Speaker 9: I'm like, I don't want you that ship and all,

2218
01:55:01,640 --> 01:55:03,640
Speaker 9: and I just buckled down and did them. They came

2219
01:55:03,720 --> 01:55:06,200
Speaker 9: number one hit. So sometimes you just gotta you do,

2220
01:55:06,320 --> 01:55:08,520
Speaker 9: gotta listen because he been doing this shit way longer

2221
01:55:08,520 --> 01:55:08,880
Speaker 9: than I have.

2222
01:55:09,080 --> 01:55:12,160
Speaker 1: So you want some down on them. No, No, you

2223
01:55:12,240 --> 01:55:14,560
Speaker 1: can take that with you to go place. I'm just

2224
01:55:14,640 --> 01:55:15,320
Speaker 1: checking it out, Okay.

2225
01:55:15,360 --> 01:55:17,240
Speaker 3: You know we're gonna put that, We're gonna package that

2226
01:55:17,360 --> 01:55:18,400
Speaker 3: up birthday President.

2227
01:55:18,880 --> 01:55:21,040
Speaker 1: Definitely, you can take that with you to check it out.

2228
01:55:21,240 --> 01:55:24,480
Speaker 1: That's good because that's some real I don't know what

2229
01:55:24,880 --> 01:55:28,160
Speaker 1: to call it, you know, yeah, because it's it's kind

2230
01:55:28,200 --> 01:55:30,680
Speaker 1: of crazy. I mean, you might, but you this is this.

2231
01:55:31,080 --> 01:55:33,000
Speaker 1: This is some premium ship that y'all need to keep

2232
01:55:33,040 --> 01:55:36,880
Speaker 1: this here. No birth that we're good.

2233
01:55:36,920 --> 01:55:39,000
Speaker 3: We're gonna have a bottom for you anytime you come back,

2234
01:55:39,400 --> 01:55:41,920
Speaker 3: because I just want both of y'all to know that

2235
01:55:44,520 --> 01:55:46,960
Speaker 3: this is this is a big platform. What I mean

2236
01:55:47,040 --> 01:55:50,000
Speaker 3: by that, I'm not trying to tell you know, but

2237
01:55:50,240 --> 01:55:53,240
Speaker 3: what it means to hip hop is when they when

2238
01:55:53,280 --> 01:55:55,480
Speaker 3: they told us how numbers, it gets a fuck. But

2239
01:55:55,760 --> 01:55:57,280
Speaker 3: when they told us and when they told us our

2240
01:55:57,320 --> 01:56:00,440
Speaker 3: demographics from sixteen to twenty four, I fuck me up

2241
01:56:01,160 --> 01:56:04,720
Speaker 3: because we didn't have like people on here under thirty,

2242
01:56:04,840 --> 01:56:06,080
Speaker 3: like we praised legends.

2243
01:56:06,160 --> 01:56:08,320
Speaker 1: We say, you gotta be a hip hop legend.

2244
01:56:08,840 --> 01:56:12,840
Speaker 3: And for this to be working, this show, it means

2245
01:56:13,000 --> 01:56:16,600
Speaker 3: that even though people don't give a fuck, Oh whatever's

2246
01:56:16,640 --> 01:56:19,480
Speaker 3: the hit right now, people want to learn what happened

2247
01:56:19,480 --> 01:56:20,160
Speaker 3: in the hip.

2248
01:56:19,960 --> 01:56:22,440
Speaker 2: Hop Oh yeah, I mean, but that's but that's that's

2249
01:56:22,680 --> 01:56:24,520
Speaker 2: you know, like that's what I said. That's what that's

2250
01:56:24,600 --> 01:56:27,960
Speaker 2: why I picked that era up because it's like the

2251
01:56:28,080 --> 01:56:32,600
Speaker 2: stories today in hip hop, they don't mean nothing like

2252
01:56:33,080 --> 01:56:36,000
Speaker 2: the stories that you know what I'm saying, Like the

2253
01:56:36,120 --> 01:56:41,000
Speaker 2: story like it's just ship that you actually live in life,

2254
01:56:41,160 --> 01:56:42,720
Speaker 2: you know what I mean? And make these records was

2255
01:56:42,840 --> 01:56:46,040
Speaker 2: like you know how I made money and anything. It

2256
01:56:46,120 --> 01:56:49,960
Speaker 2: was like I was driving down the street and I

2257
01:56:50,280 --> 01:56:52,080
Speaker 2: and I heard jay Z, hold.

2258
01:56:51,920 --> 01:56:54,520
Speaker 1: On, please let me stop. You're here. That's my very

2259
01:56:54,640 --> 01:56:59,760
Speaker 1: next question. This niggas God go ahead, y'all, this nigga

2260
01:56:59,800 --> 01:57:03,080
Speaker 1: cold gool. I just tacked in my cold and my

2261
01:57:03,200 --> 01:57:04,880
Speaker 1: phone cause I'm like, yo, just I have to make

2262
01:57:04,960 --> 01:57:07,400
Speaker 1: God next question and you went there come, I'm let

2263
01:57:07,440 --> 01:57:09,160
Speaker 1: me shit the fuck up this alright, this is yo

2264
01:57:09,240 --> 01:57:13,640
Speaker 1: to Saw. I'm I'm I'm driving. I'm driving. First of all,

2265
01:57:13,680 --> 01:57:19,480
Speaker 1: I got. I got like Atlanta. Atlanta was like a.

2266
01:57:19,600 --> 01:57:23,280
Speaker 2: City that nobody knew what was going on in Atlanta, right, right,

2267
01:57:24,200 --> 01:57:26,640
Speaker 2: But everybody was paying attention to New York in LA.

2268
01:57:27,200 --> 01:57:27,360
Speaker 1: Right.

2269
01:57:27,640 --> 01:57:30,520
Speaker 2: But it was like this this this this article that

2270
01:57:30,680 --> 01:57:32,960
Speaker 2: came out one day one morning I read and it

2271
01:57:33,040 --> 01:57:35,800
Speaker 2: was like Puff did a article and they was interviewing

2272
01:57:35,880 --> 01:57:37,480
Speaker 2: him and they was like, yo, we went to interview

2273
01:57:37,520 --> 01:57:41,200
Speaker 2: Puff and he's driving around you know, Manhattan in the

2274
01:57:41,600 --> 01:57:44,960
Speaker 2: Bentley you know, and he cud he had back.

2275
01:57:45,040 --> 01:57:46,160
Speaker 1: What would do they? You know?

2276
01:57:46,240 --> 01:57:49,440
Speaker 2: They explained, like the black man that really ain't supposed

2277
01:57:49,440 --> 01:57:52,120
Speaker 2: to be into Bentley driving around bent They was actually

2278
01:57:52,280 --> 01:57:57,640
Speaker 2: s describing his life wom and it really frustrated me

2279
01:57:57,720 --> 01:57:59,440
Speaker 2: because it was like the morning that I was going

2280
01:57:59,480 --> 01:58:00,600
Speaker 2: to p up jay Z.

2281
01:58:00,720 --> 01:58:01,440
Speaker 1: From the airport.

2282
01:58:02,720 --> 01:58:05,880
Speaker 2: I was in a Bentley Continental t driving around Atlanta

2283
01:58:05,920 --> 01:58:10,120
Speaker 2: with a do rag on who had the same ship.

2284
01:58:10,280 --> 01:58:12,400
Speaker 2: But nobody will see it. Nobody wasn't seeing what I

2285
01:58:12,520 --> 01:58:15,080
Speaker 2: was doing. So I was I was like, I gotta

2286
01:58:15,160 --> 01:58:17,520
Speaker 2: make my records, gotta be big. My rex's gotta be

2287
01:58:17,560 --> 01:58:19,280
Speaker 2: bigger so niggas can see what's going.

2288
01:58:19,120 --> 01:58:20,160
Speaker 11: On and.

2289
01:58:22,400 --> 01:58:24,440
Speaker 1: On the way to that's so, by the way, this song,

2290
01:58:24,920 --> 01:58:26,960
Speaker 1: I had no idea what the song was gonna be.

2291
01:58:27,160 --> 01:58:29,800
Speaker 1: I just want to make money. I just want to

2292
01:58:29,800 --> 01:58:33,200
Speaker 1: make a record with jay Z. So I'm driving.

2293
01:58:34,560 --> 01:58:40,600
Speaker 2: And I'm listening Can't Knock the Hustle, and he said

2294
01:58:41,360 --> 01:58:43,960
Speaker 2: deep South, Deep in the South, kicking up top game,

2295
01:58:44,480 --> 01:58:45,560
Speaker 2: screaming through the some roof.

2296
01:58:45,480 --> 01:58:50,480
Speaker 1: Money and anything. And I'm like, whow deep in the South.

2297
01:58:54,240 --> 01:58:57,520
Speaker 1: That sounds like me. That sounds like he talking about me.

2298
01:58:58,560 --> 01:59:01,040
Speaker 1: But what song he said that different? So no, he

2299
01:59:01,120 --> 01:59:06,200
Speaker 1: says that in the Hustle. He says this and Can't

2300
01:59:06,240 --> 01:59:06,840
Speaker 1: Knock the Hustle.

2301
01:59:06,960 --> 01:59:10,400
Speaker 2: So I'm listening to doctor Hustle and I'm like, he

2302
01:59:10,560 --> 01:59:15,320
Speaker 2: said this, That's what I song gonna be called, so

2303
01:59:15,440 --> 01:59:17,680
Speaker 2: you're gonna kick him up from the airport. And when

2304
01:59:17,680 --> 01:59:19,480
Speaker 2: he got in the car, so literally when you were

2305
01:59:19,520 --> 01:59:22,120
Speaker 2: picking him up, you heard I was starting, Yeah, this

2306
01:59:22,200 --> 01:59:24,160
Speaker 2: is coming, like going to the airport. So I get

2307
01:59:24,200 --> 01:59:26,320
Speaker 2: to the airport, pick him up, he get my car,

2308
01:59:27,200 --> 01:59:31,360
Speaker 2: and I tell him right then and there, I'm like, Yo,

2309
01:59:31,440 --> 01:59:33,400
Speaker 2: the song gonna be caught Money Anything. And I heard

2310
01:59:33,800 --> 01:59:36,080
Speaker 2: I said, I want to use this part from Can't

2311
01:59:36,120 --> 01:59:38,880
Speaker 2: Knock the Hustle Deep in the South, kicking up top Game,

2312
01:59:38,960 --> 01:59:39,800
Speaker 2: screaming through the sun.

2313
01:59:39,720 --> 01:59:43,880
Speaker 1: Roof money anything. And he was like, Okay, you got

2314
01:59:44,040 --> 01:59:46,320
Speaker 1: to beat. But I had made a beat before. I

2315
01:59:46,480 --> 01:59:49,960
Speaker 1: had made the beat before I left. Oh it's not tall.

2316
01:59:51,640 --> 01:59:52,320
Speaker 1: I made a beat.

2317
01:59:52,400 --> 01:59:54,160
Speaker 2: I made the beat before I went to the to

2318
01:59:54,480 --> 01:59:58,720
Speaker 2: the airport, so I had the the Steve arringtone weaken

2319
01:59:58,760 --> 01:59:59,200
Speaker 2: my knees.

2320
01:59:59,720 --> 02:00:02,560
Speaker 1: I I had to be looped up already, and I

2321
02:00:02,680 --> 02:00:04,200
Speaker 1: was like, we're gonna rap over this shit.

2322
02:00:05,720 --> 02:00:07,800
Speaker 2: And the only reason I had picked that beat was

2323
02:00:07,840 --> 02:00:11,360
Speaker 2: because if he did this freestyle on the Clue mixtape

2324
02:00:11,360 --> 02:00:14,720
Speaker 2: where he took he took the the Drew Hill beat

2325
02:00:15,000 --> 02:00:17,000
Speaker 2: that I used for the sleeping in My Best Shit

2326
02:00:17,240 --> 02:00:22,720
Speaker 2: Sleep man. He and he was like, he's like, y'all

2327
02:00:22,800 --> 02:00:25,600
Speaker 2: want to he took my whole intro, y'all want to dance?

2328
02:00:25,800 --> 02:00:28,000
Speaker 2: I wanna make it he but he changed it, and

2329
02:00:28,120 --> 02:00:30,640
Speaker 2: I was like, damn, this nigga jay Z be listening

2330
02:00:30,720 --> 02:00:30,880
Speaker 2: to me.

2331
02:00:32,800 --> 02:00:33,600
Speaker 1: That's how I felt like.

2332
02:00:33,680 --> 02:00:36,360
Speaker 2: I'm like cause he was like the real super super

2333
02:00:36,440 --> 02:00:40,320
Speaker 2: backpack rapper. People gave him all kind of respect. I

2334
02:00:40,360 --> 02:00:42,200
Speaker 2: would never thought he was really checking out what I

2335
02:00:42,280 --> 02:00:44,840
Speaker 2: was doing. And I heard that he took my whole part,

2336
02:00:45,160 --> 02:00:47,400
Speaker 2: so I was like, oh, this nigga really be listening

2337
02:00:47,400 --> 02:00:47,560
Speaker 2: to me.

2338
02:00:47,720 --> 02:00:48,560
Speaker 1: He took my ship.

2339
02:00:49,440 --> 02:00:51,520
Speaker 2: So then I just put this whole thing together in

2340
02:00:51,680 --> 02:00:53,840
Speaker 2: like twenty minutes of how we was gonna make this record.

2341
02:00:54,040 --> 02:00:56,200
Speaker 2: And when he got in the car, I said, Yo,

2342
02:00:56,280 --> 02:00:57,600
Speaker 2: this is gonna be the song. He was like, what

2343
02:00:57,680 --> 02:00:59,000
Speaker 2: the beat sounded like? I said, ween, we get to

2344
02:00:59,080 --> 02:01:01,040
Speaker 2: my mom house. Were gonna listen to the beat. We

2345
02:01:01,160 --> 02:01:03,760
Speaker 2: got to my mother house. I had played the beat

2346
02:01:03,840 --> 02:01:07,480
Speaker 2: for him, and the beat went around for like ten balls,

2347
02:01:07,640 --> 02:01:10,600
Speaker 2: sixteen maybe maybe twenty four balls, and the niggas I

2348
02:01:10,680 --> 02:01:12,040
Speaker 2: got my wrap, let's go, and.

2349
02:01:12,120 --> 02:01:15,440
Speaker 1: I was like, what, how the fuck? Where is this?

2350
02:01:15,600 --> 02:01:17,960
Speaker 1: The biggie ship. I'm like, what the fuck? When did

2351
02:01:18,000 --> 02:01:19,920
Speaker 1: you write your rap? Like I just wrote it.

2352
02:01:20,040 --> 02:01:23,440
Speaker 2: Let's go, let's get in the studio. I'm like, I

2353
02:01:23,520 --> 02:01:27,200
Speaker 2: gotta learn that trick. I got to learn to do

2354
02:01:27,280 --> 02:01:31,160
Speaker 2: that tomorrow. Like, and that was the last day I stopped.

2355
02:01:31,240 --> 02:01:35,360
Speaker 2: I stopped writing on paper. I've never written anything since then.

2356
02:01:37,800 --> 02:01:47,400
Speaker 1: What years were talking about? Let's yo.

2357
02:01:47,520 --> 02:01:50,440
Speaker 3: But you're definitely like you had straight a's in class

2358
02:01:50,840 --> 02:01:52,720
Speaker 3: onlyas I really could do it good.

2359
02:01:53,080 --> 02:01:57,480
Speaker 1: You had straight I was it was not in resource.

2360
02:01:57,640 --> 02:01:58,840
Speaker 1: I never finished high school.

2361
02:01:59,360 --> 02:02:10,920
Speaker 17: Did you have a special education? Special education? I have

2362
02:02:11,080 --> 02:02:16,280
Speaker 17: seven students and three teachers. Real was real for me,

2363
02:02:17,360 --> 02:02:20,480
Speaker 17: your stupid it was real for me growing up.

2364
02:02:20,800 --> 02:02:23,640
Speaker 1: Really damn. I listen. I can write it round on

2365
02:02:23,800 --> 02:02:25,800
Speaker 1: my head, but that's not gonna take.

2366
02:02:26,080 --> 02:02:28,600
Speaker 2: But listen, Okay, so listen, I'm gonna tell you, like

2367
02:02:29,040 --> 02:02:33,280
Speaker 2: my my Criss Crush theory of how I made Criss

2368
02:02:33,320 --> 02:02:36,640
Speaker 2: Crust into rappers. I got in the car one day

2369
02:02:36,800 --> 02:02:40,040
Speaker 2: and these niggas was like infatuated with ice.

2370
02:02:39,960 --> 02:02:42,160
Speaker 1: Que at eleven and twelve.

2371
02:02:42,200 --> 02:02:45,200
Speaker 2: It was infatuated ice Q and they knew every ice

2372
02:02:45,280 --> 02:02:48,800
Speaker 2: C word lyrics, all word for word.

2373
02:02:49,440 --> 02:02:51,200
Speaker 1: And I'm riding in the car like yo, these niggas

2374
02:02:51,240 --> 02:02:51,440
Speaker 1: saying this.

2375
02:02:51,560 --> 02:02:54,160
Speaker 2: Niggas recited. They were reciting the raps like they know.

2376
02:02:54,840 --> 02:02:56,560
Speaker 2: So I'm like, ship, if I write them a song

2377
02:02:56,680 --> 02:03:01,720
Speaker 2: that they like, they're recited the same way. That's that's

2378
02:03:02,440 --> 02:03:04,879
Speaker 2: that's basically how they became rappers.

2379
02:03:06,000 --> 02:03:09,680
Speaker 1: It's not the cold version that I prefer. But keep

2380
02:03:09,680 --> 02:03:11,960
Speaker 1: going what you're gonna do? No, no, because you see

2381
02:03:12,040 --> 02:03:14,800
Speaker 1: you see how he popped. They got the big bottle

2382
02:03:14,880 --> 02:03:15,840
Speaker 1: right there. You know that.

2383
02:03:16,120 --> 02:03:19,120
Speaker 3: You see did you see how he popped? You're gonna

2384
02:03:19,120 --> 02:03:22,000
Speaker 3: do that that that big bottle pop right now. It's

2385
02:03:22,040 --> 02:03:26,400
Speaker 3: gonna look, we can't even pay for this. By the way,

2386
02:03:26,440 --> 02:03:29,640
Speaker 3: it's gonna throw this out there. We're in Windwood. I

2387
02:03:29,680 --> 02:03:32,440
Speaker 3: don't know if you guys started start. We started from

2388
02:03:32,480 --> 02:03:34,360
Speaker 3: downtown Miami with this podcast.

2389
02:03:34,520 --> 02:03:37,520
Speaker 1: Yeah and yeah, downtown and we went to a little

2390
02:03:37,600 --> 02:03:41,760
Speaker 1: haiti were living rough you was, you came to the spot,

2391
02:03:42,040 --> 02:03:51,680
Speaker 1: came came to the that there we was living down

2392
02:03:52,680 --> 02:03:56,520
Speaker 1: sexy wind Wood. This used to be the Puerto Rican hood.

2393
02:03:56,520 --> 02:03:57,480
Speaker 1: This is the Puerto Rican hood.

2394
02:03:57,840 --> 02:03:59,640
Speaker 2: This is used to be the part of But this

2395
02:03:59,800 --> 02:04:01,800
Speaker 2: is nice now, you know what this is equivalent to

2396
02:04:01,920 --> 02:04:04,200
Speaker 2: this like the village like in New York.

2397
02:04:04,360 --> 02:04:05,640
Speaker 1: Like in New York, this is like the village.

2398
02:04:05,760 --> 02:04:09,680
Speaker 3: Like you walk up, you see a bums or you

2399
02:04:09,720 --> 02:04:12,280
Speaker 3: can see you can see fucking Tommy Matolo right there

2400
02:04:13,520 --> 02:04:14,800
Speaker 3: giving somebody a flower.

2401
02:04:15,160 --> 02:04:18,480
Speaker 1: Don't get it. Keep walking two blocks down you fucked. Yeah,

2402
02:04:19,760 --> 02:04:23,520
Speaker 1: about two blocks down. We were at right here blocks

2403
02:04:24,520 --> 02:04:27,080
Speaker 1: We're good. But but this is like, this is like

2404
02:04:27,200 --> 02:04:31,880
Speaker 1: the happening hood in Miami. Talk about it. What I'm saying,

2405
02:04:31,960 --> 02:04:35,360
Speaker 1: it's the happening hood. Talk about it. I'm not gonna lie.

2406
02:04:36,160 --> 02:04:40,520
Speaker 3: Our cooler system sucks, but we're cooler. Yeah, we need

2407
02:04:40,640 --> 02:04:42,560
Speaker 3: we need refrigerator. At the end of the day, we're

2408
02:04:42,560 --> 02:04:46,960
Speaker 3: gonna get a subject of a viking walking walking freezer

2409
02:04:47,680 --> 02:04:49,520
Speaker 3: to champagne. Because you don't listen, I knew he was

2410
02:04:49,560 --> 02:04:50,879
Speaker 3: gonna order some champagne.

2411
02:04:50,880 --> 02:04:52,200
Speaker 1: You did, I knew it.

2412
02:04:52,720 --> 02:04:56,720
Speaker 3: Like, look, well he ordered both of these joints, that

2413
02:04:56,960 --> 02:04:59,760
Speaker 3: and that. Now, when he ordered that, I said, this, nigga,

2414
02:05:00,280 --> 02:05:05,200
Speaker 3: he is small, name said because I only know a

2415
02:05:05,360 --> 02:05:08,480
Speaker 3: rich motherfucker who ordered that. Like, you gotta be rich

2416
02:05:08,800 --> 02:05:10,760
Speaker 3: to just say I wonder, what is that your going?

2417
02:05:11,040 --> 02:05:13,879
Speaker 1: Jo nineteen forty two. Don't say, don't.

2418
02:05:17,960 --> 02:05:20,200
Speaker 3: He's just nineteen forty two, Like when you order that,

2419
02:05:20,400 --> 02:05:23,320
Speaker 3: like I only see only in my life, Like I'm

2420
02:05:23,360 --> 02:05:25,360
Speaker 3: forty years old again, I'm gonna keep throwing it out there.

2421
02:05:25,440 --> 02:05:28,800
Speaker 3: September sixth and turn forty when the nigga ordered that,

2422
02:05:28,880 --> 02:05:30,440
Speaker 3: I'm like, damn, they like.

2423
02:05:30,480 --> 02:05:34,040
Speaker 1: A different caliber, Like you know what the funny shit is?

2424
02:05:34,360 --> 02:05:36,560
Speaker 1: I know you probably don't even remember this. We and

2425
02:05:36,680 --> 02:05:38,120
Speaker 1: Raido Novada one day.

2426
02:05:39,400 --> 02:05:42,400
Speaker 3: I land, I'm pissed because I had a six hour

2427
02:05:42,600 --> 02:05:46,200
Speaker 3: layover somewhere we ain't known device the Impact convention.

2428
02:05:46,800 --> 02:05:49,360
Speaker 1: You walk through, you say, your playboy is superdug. My

2429
02:05:49,520 --> 02:05:51,280
Speaker 1: super Thug had just came out. You said, I'm gonna

2430
02:05:51,280 --> 02:05:53,600
Speaker 1: remix your ship. I'm like, word, I didn't even know

2431
02:05:53,720 --> 02:05:56,880
Speaker 1: what that meant. Tell us I was so what? I

2432
02:05:57,000 --> 02:06:00,640
Speaker 1: was like, word, like all all right? Like I didn't

2433
02:06:00,640 --> 02:06:03,480
Speaker 1: even know what a remix meant back then. So I

2434
02:06:03,560 --> 02:06:06,560
Speaker 1: was like, all right, cool. And I said, yo, what

2435
02:06:06,680 --> 02:06:07,240
Speaker 1: you're drinking?

2436
02:06:07,480 --> 02:06:10,760
Speaker 3: And you said don perry On and I had the

2437
02:06:10,920 --> 02:06:12,720
Speaker 3: motherfucking president of Pennity say.

2438
02:06:12,920 --> 02:06:16,440
Speaker 1: I was like, I don't know what the fuck. I

2439
02:06:16,520 --> 02:06:19,400
Speaker 1: didn't know what Donon was. It was the Reno the

2440
02:06:19,520 --> 02:06:20,200
Speaker 1: Impact event.

2441
02:06:20,440 --> 02:06:21,080
Speaker 5: Do you remember that?

2442
02:06:21,440 --> 02:06:24,120
Speaker 1: I don't remember talking to you, but yeah, I ain't

2443
02:06:24,120 --> 02:06:25,720
Speaker 1: gonna lie. And you know what you did. Listen, let

2444
02:06:25,720 --> 02:06:28,400
Speaker 1: me tell you something. You also remixed Super Dug.

2445
02:06:29,680 --> 02:06:32,240
Speaker 3: Neil Levigne just gave this think of my vocals back then,

2446
02:06:32,760 --> 02:06:35,080
Speaker 3: just give like, give me this remix.

2447
02:06:35,680 --> 02:06:39,720
Speaker 1: It never came out because somebody has it, got it somewhere.

2448
02:06:40,280 --> 02:06:42,680
Speaker 1: He got it, he got something.

2449
02:06:43,200 --> 02:06:43,400
Speaker 3: Listen.

2450
02:06:43,640 --> 02:06:46,360
Speaker 1: You know I never wanted to remix super the Neo

2451
02:06:46,440 --> 02:06:48,760
Speaker 1: got to take, but I met you at the impact

2452
02:06:48,800 --> 02:06:50,600
Speaker 1: in mentioned in Reno Nevada.

2453
02:06:50,960 --> 02:06:53,440
Speaker 2: This is before because this is by the way, Super

2454
02:06:53,520 --> 02:06:56,760
Speaker 2: Thug didn't need no remix, but the remix and.

2455
02:06:56,800 --> 02:07:00,240
Speaker 1: The white people. I'm being honest. I'm sorry. You know

2456
02:07:00,400 --> 02:07:01,360
Speaker 1: everywhere I love y'all.

2457
02:07:02,560 --> 02:07:05,840
Speaker 3: This is this ain't nothing back to y'all. The white

2458
02:07:05,880 --> 02:07:08,280
Speaker 3: people can say you need to This is that time.

2459
02:07:08,440 --> 02:07:09,440
Speaker 3: This is what I'm doing to tell you.

2460
02:07:09,800 --> 02:07:11,520
Speaker 1: This is that time Nigga said, if you don't have

2461
02:07:11,600 --> 02:07:15,120
Speaker 1: what your main you're over.

2462
02:07:16,600 --> 02:07:16,840
Speaker 6: Shout.

2463
02:07:17,320 --> 02:07:25,600
Speaker 1: Okay, look to it, ja, let me show you. Let

2464
02:07:25,640 --> 02:07:29,520
Speaker 1: me share something. This is class. This is a hooded class. Class.

2465
02:07:29,680 --> 02:07:32,400
Speaker 1: We need a different cut. No, not in the Tiger Bowl.

2466
02:07:33,120 --> 02:07:35,040
Speaker 1: That's not fair, New Cup.

2467
02:07:35,720 --> 02:07:39,360
Speaker 3: This is you know WoT niggas went to France at once,

2468
02:07:40,200 --> 02:07:42,720
Speaker 3: so we learned some ship and we bring it back

2469
02:07:42,760 --> 02:07:43,320
Speaker 3: to America.

2470
02:07:43,440 --> 02:07:44,440
Speaker 11: This is this.

2471
02:07:45,080 --> 02:07:47,760
Speaker 1: Look at that, ja, look at that. J you gotta

2472
02:07:47,800 --> 02:07:53,680
Speaker 1: do like this huge. That was your fault. Okay, I'm

2473
02:07:53,680 --> 02:07:56,040
Speaker 1: wanna let you set up. Don't want let you sew up.

2474
02:07:56,080 --> 02:07:58,640
Speaker 1: Boom boom. Let it look how we do it boom

2475
02:07:58,880 --> 02:08:01,160
Speaker 1: and then we thwis there's no spell. Look at that.

2476
02:08:01,680 --> 02:08:03,680
Speaker 1: Look at that, and then we do it.

2477
02:08:03,920 --> 02:08:06,480
Speaker 3: This is look they little hood nigga, the friends at

2478
02:08:06,560 --> 02:08:10,000
Speaker 3: once and let me the friends. Nah, I can still

2479
02:08:10,040 --> 02:08:12,600
Speaker 3: go out there. I'm saying, you know, my wife loved France.

2480
02:08:12,720 --> 02:08:17,520
Speaker 3: Goddamn it, Yo, Holy moly, guacamo.

2481
02:08:17,840 --> 02:08:21,520
Speaker 1: Oh it's my time. I gotta god. You really went

2482
02:08:21,600 --> 02:08:24,200
Speaker 1: in on the tager bomb perspective. Are we gonna do

2483
02:08:24,280 --> 02:08:27,040
Speaker 1: a dog holio? Na, Na, We're done. You're gonna take

2484
02:08:27,040 --> 02:08:29,600
Speaker 1: that to take that, take that to go. That's my nigga.

2485
02:08:30,000 --> 02:08:32,360
Speaker 2: I'm gonna see if this tiger bomb ship work tonight

2486
02:08:38,680 --> 02:08:41,720
Speaker 2: and then yeah, that's all you, my brother.

2487
02:08:42,080 --> 02:08:42,800
Speaker 1: This is what we do.

2488
02:08:42,920 --> 02:08:45,800
Speaker 3: I don't know if listen, I don't know if you

2489
02:08:45,880 --> 02:08:48,120
Speaker 3: know what we do at drink Champs. The thing is

2490
02:08:49,320 --> 02:08:52,200
Speaker 3: I sat down. One of one of the greatest compliments

2491
02:08:52,240 --> 02:08:56,040
Speaker 3: in the world I ever got was one day Leo comes,

2492
02:08:56,080 --> 02:08:57,640
Speaker 3: he tells me to meet He said, meet.

2493
02:08:57,960 --> 02:09:01,240
Speaker 1: You know how the talks, right, I meet me at.

2494
02:09:01,200 --> 02:09:05,160
Speaker 3: The poor little Levene sure right and badly Hills like

2495
02:09:05,240 --> 02:09:07,600
Speaker 3: I always drove by this shit cause I'm a hood nigga.

2496
02:09:07,800 --> 02:09:09,600
Speaker 1: Like people don't invite me to shit like that, you know.

2497
02:09:09,680 --> 02:09:11,520
Speaker 1: And I've been good with that for twenty years. And

2498
02:09:11,520 --> 02:09:14,800
Speaker 1: I've been like, I understand, but you ain't got you

2499
02:09:14,800 --> 02:09:17,200
Speaker 1: ain't gonna invite me there. I get it. I get

2500
02:09:17,240 --> 02:09:18,960
Speaker 1: it cause I come when niggas like y'all he come

2501
02:09:19,000 --> 02:09:23,080
Speaker 1: on Dominican, you know. I come with niggas that got knives.

2502
02:09:23,120 --> 02:09:25,120
Speaker 3: They don't even get on planes as soon as they

2503
02:09:25,600 --> 02:09:27,600
Speaker 3: they think of the knife man the next day.

2504
02:09:27,920 --> 02:09:29,720
Speaker 1: That's It's just who I am. But I wanna get

2505
02:09:29,720 --> 02:09:32,640
Speaker 1: people jobs like so Hill comes and he.

2506
02:09:32,680 --> 02:09:36,920
Speaker 3: Says, he comes to me and a nigga like dam

2507
02:09:37,160 --> 02:09:40,320
Speaker 3: He said, you know what, I drink cams works And

2508
02:09:40,480 --> 02:09:45,440
Speaker 3: I said no, cause I don't. I'm just giving myself,

2509
02:09:45,520 --> 02:09:48,600
Speaker 3: giving my all, just respecting the hip hop and I'm

2510
02:09:48,880 --> 02:09:50,640
Speaker 3: congratulating the parts of hip hop I.

2511
02:09:50,800 --> 02:09:54,440
Speaker 1: Love and Leo I said, cause you gotta do through gossip.

2512
02:09:55,480 --> 02:09:58,200
Speaker 1: You guys just celebrate the hip hop the way it is.

2513
02:09:58,880 --> 02:10:03,960
Speaker 1: And it's like as complicated as that was, it's very simple.

2514
02:10:05,880 --> 02:10:08,080
Speaker 3: If you're a person that's been down in the hip hop,

2515
02:10:08,120 --> 02:10:12,440
Speaker 3: you know how toughness is to survive more than a year.

2516
02:10:13,600 --> 02:10:16,280
Speaker 1: How many people you know was the hottest dude in

2517
02:10:16,360 --> 02:10:22,040
Speaker 1: the world last year, you've seen him. He might have

2518
02:10:22,080 --> 02:10:24,400
Speaker 1: gave you an elbow, like, what's up, my god? How

2519
02:10:24,480 --> 02:10:32,320
Speaker 1: you doing? Like, oh God, that's who you are.

2520
02:10:33,800 --> 02:10:40,120
Speaker 18: So to survive anywhere more than three, four, five, six,

2521
02:10:40,320 --> 02:10:43,120
Speaker 18: seven years, and I'm talking about if you're talking about

2522
02:10:43,160 --> 02:10:48,880
Speaker 18: double digits, every man who participated in this game should

2523
02:10:48,960 --> 02:10:49,640
Speaker 18: be saluted.

2524
02:10:50,040 --> 02:10:53,840
Speaker 1: Look at football, football, you got like what a year

2525
02:10:54,000 --> 02:10:57,920
Speaker 1: or two year expansion? Basketball?

2526
02:10:58,120 --> 02:10:58,800
Speaker 5: Maybe five?

2527
02:11:00,080 --> 02:11:06,120
Speaker 1: It pop on music, See they limit you. You can

2528
02:11:06,200 --> 02:11:08,560
Speaker 1: go the fuck out of here. So when you have

2529
02:11:08,680 --> 02:11:12,600
Speaker 1: people that's standing there, it's been down, it's drink champs.

2530
02:11:12,640 --> 02:11:16,640
Speaker 3: Don't realize it's nothing organized, but we're very organized.

2531
02:11:16,680 --> 02:11:18,240
Speaker 1: Watch how we throw this shit out. We got you.

2532
02:11:21,360 --> 02:11:24,120
Speaker 3: But you know, when you see people that got double

2533
02:11:24,200 --> 02:11:27,280
Speaker 3: digits in this world, there's no other way that we

2534
02:11:27,480 --> 02:11:29,160
Speaker 3: have to do is salute these people.

2535
02:11:29,560 --> 02:11:32,920
Speaker 1: You gotta sit back and say and now and now yo,

2536
02:11:33,120 --> 02:11:36,040
Speaker 1: you d jing again? Because I heard you started out

2537
02:11:36,080 --> 02:11:39,800
Speaker 1: as a DJ. So you be all here djay, Yeah,

2538
02:11:40,400 --> 02:11:44,880
Speaker 1: let's describe that. That's great, let's describe it. I mean.

2539
02:11:46,400 --> 02:11:49,720
Speaker 2: I started as a DJ. I mean I started making

2540
02:11:50,160 --> 02:11:51,200
Speaker 2: my beats based on.

2541
02:11:53,120 --> 02:11:53,560
Speaker 1: DJing.

2542
02:11:55,320 --> 02:11:57,280
Speaker 2: It was like, that's what I wanted to be before

2543
02:11:57,280 --> 02:11:59,880
Speaker 2: I became a producer of DJ.

2544
02:12:00,960 --> 02:12:01,000
Speaker 1: So.

2545
02:12:01,240 --> 02:12:06,200
Speaker 2: I got these little realistic fake twelve hundreds from Radio

2546
02:12:06,320 --> 02:12:07,800
Speaker 2: Shack and I.

2547
02:12:07,920 --> 02:12:11,920
Speaker 1: Was big Radio Shack. It's big up radio Radio Shack

2548
02:12:12,080 --> 02:12:13,280
Speaker 1: from Brooklyn. Radio Shack.

2549
02:12:13,400 --> 02:12:16,920
Speaker 2: Used job had all the ship that the fake ship. First,

2550
02:12:17,320 --> 02:12:19,040
Speaker 2: all the fake showers came from Radio.

2551
02:12:22,080 --> 02:12:25,320
Speaker 1: So signed like the bell drive turntables from Radio Shack.

2552
02:12:25,640 --> 02:12:29,480
Speaker 1: But this job. But I told my mother and my

2553
02:12:29,600 --> 02:12:31,480
Speaker 1: father I wanted turntables. That's what they bought me.

2554
02:12:31,560 --> 02:12:34,760
Speaker 2: They got the Radio Shack ship and from there I

2555
02:12:34,840 --> 02:12:37,760
Speaker 2: became a DJ. I just started making like mixed tapes,

2556
02:12:37,800 --> 02:12:40,800
Speaker 2: saying doing whatever. I had to do this before I

2557
02:12:40,840 --> 02:12:44,000
Speaker 2: ever made records. So I've been DJing like since I

2558
02:12:44,200 --> 02:12:45,440
Speaker 2: was fourteen.

2559
02:12:47,720 --> 02:12:52,560
Speaker 1: Now when you go to a new crowd, it's people

2560
02:12:52,640 --> 02:12:56,600
Speaker 1: are you're DJing? This? Might be out I'm gonna go

2561
02:12:56,720 --> 02:12:58,280
Speaker 1: out there and say it. It might be a white

2562
02:12:58,360 --> 02:13:00,480
Speaker 1: guy who don't know who you are, come up to

2563
02:13:00,560 --> 02:13:05,720
Speaker 1: you and say, play some fucking Kelly. What's his name?

2564
02:13:06,520 --> 02:13:07,120
Speaker 1: Kelly Price?

2565
02:13:07,200 --> 02:13:12,800
Speaker 2: What's the names to the m TV Award Cary not

2566
02:13:12,920 --> 02:13:20,040
Speaker 2: Cardi By.

2567
02:13:17,400 --> 02:13:22,000
Speaker 1: What's what's her name? Man? Katy Kelly? He said, Kelly

2568
02:13:22,360 --> 02:13:25,800
Speaker 1: liked pas Katy Perry, Like, what are you doing that?

2569
02:13:25,920 --> 02:13:30,200
Speaker 1: Monents do requests? Yeah, no, real DJ does requests. That's

2570
02:13:30,280 --> 02:13:36,920
Speaker 1: not that's not that's not mother we do, we do it.

2571
02:13:37,040 --> 02:13:37,320
Speaker 1: That's it.

2572
02:13:37,520 --> 02:13:39,520
Speaker 2: I'm not doing that request. I don't believe questions, and

2573
02:13:39,840 --> 02:13:41,960
Speaker 2: I don't you know. I mean, for the most part,

2574
02:13:42,000 --> 02:13:43,839
Speaker 2: I don't really be playing all them type of records.

2575
02:13:44,000 --> 02:13:47,240
Speaker 1: Like I played what I what? I listened to you here?

2576
02:13:47,360 --> 02:13:50,440
Speaker 1: You turned up? This guy might have just ordered seventh.

2577
02:13:50,520 --> 02:13:59,240
Speaker 1: I don't care. That's because DJ boar Man DJ said

2578
02:13:59,240 --> 02:14:01,760
Speaker 1: it's like a song for you, Like, let him say this.

2579
02:14:02,000 --> 02:14:04,080
Speaker 2: I'm gonna say this about as far as me DJing,

2580
02:14:04,120 --> 02:14:08,160
Speaker 2: I'm not like I'll dj like a mixtape, right, So

2581
02:14:08,280 --> 02:14:15,320
Speaker 2: once I start DJing as far as tempo and vibe,

2582
02:14:16,480 --> 02:14:18,720
Speaker 2: I don't I don't like people to come tell me, Yo,

2583
02:14:19,040 --> 02:14:20,800
Speaker 2: somebody just bought twenty five bottles.

2584
02:14:20,840 --> 02:14:23,120
Speaker 1: We need to change it and play the champions here

2585
02:14:23,560 --> 02:14:28,480
Speaker 1: like in the midst of my mix, like you j

2586
02:14:28,680 --> 02:14:29,240
Speaker 1: Z one time.

2587
02:14:29,320 --> 02:14:31,960
Speaker 2: That ship is whack, Yo, that ship is by the way,

2588
02:14:32,280 --> 02:14:35,040
Speaker 2: by the way, they don't understand how whack that is.

2589
02:14:35,160 --> 02:14:39,200
Speaker 2: That's so whacked because you you were destroying the momentum.

2590
02:14:38,800 --> 02:14:43,880
Speaker 1: Of the club. Break that down. I'm just saying, I

2591
02:14:44,040 --> 02:14:46,200
Speaker 1: like that. I think yourself.

2592
02:14:46,640 --> 02:14:48,640
Speaker 2: If someone want to go on stage when you're doing

2593
02:14:48,680 --> 02:14:51,360
Speaker 2: the show and stop you and say, nah, I want

2594
02:14:51,400 --> 02:14:52,480
Speaker 2: you to play this record.

2595
02:14:52,960 --> 02:14:55,520
Speaker 1: Motherfuck I got my set to me doing.

2596
02:14:55,440 --> 02:14:55,760
Speaker 9: What I do.

2597
02:14:55,920 --> 02:14:57,960
Speaker 2: I'm just saying to me, that's whack because the club,

2598
02:14:58,360 --> 02:15:02,400
Speaker 2: the club is already fucked up from Instagram and people

2599
02:15:02,520 --> 02:15:05,240
Speaker 2: trying to just like take pictures and not pay attention

2600
02:15:05,280 --> 02:15:07,360
Speaker 2: to party and in the first place. So once you

2601
02:15:07,480 --> 02:15:10,480
Speaker 2: get the club, everybody dancing and doing they gotta doing,

2602
02:15:10,560 --> 02:15:13,840
Speaker 2: people having a good time, and then a motherfucker club

2603
02:15:13,920 --> 02:15:16,200
Speaker 2: owner one to say, yo, we want to.

2604
02:15:19,320 --> 02:15:28,240
Speaker 1: Drink. Man, you know what I'm saying. So come in there,

2605
02:15:28,280 --> 02:15:30,080
Speaker 1: you say that, yo, you want to you want to

2606
02:15:30,200 --> 02:15:32,360
Speaker 1: change the momentum of the club.

2607
02:15:32,400 --> 02:15:35,600
Speaker 2: I'm looking at the people like I'm not like I

2608
02:15:35,720 --> 02:15:38,960
Speaker 2: watched I watched so many DJ's DJ these house DJs

2609
02:15:39,000 --> 02:15:41,280
Speaker 2: and these these E d M DJs. They don't even

2610
02:15:41,320 --> 02:15:43,840
Speaker 2: pay no attention to the crowd. They just be playing music.

2611
02:15:43,880 --> 02:15:47,360
Speaker 2: They don't give a fuck, you know, like not like that.

2612
02:15:47,560 --> 02:15:50,440
Speaker 2: I'm I'm looking at the crowd like, damn, I just

2613
02:15:50,480 --> 02:15:52,160
Speaker 2: played this record and ain't nobody really moving.

2614
02:15:52,200 --> 02:15:54,360
Speaker 1: I gotta get to another song really fast and fine,

2615
02:15:54,440 --> 02:15:56,880
Speaker 1: and the energy dictates how you're gonna move. Yeah, yeah,

2616
02:15:56,880 --> 02:15:58,640
Speaker 1: I don't. I don't like. I don't like you. I

2617
02:15:58,680 --> 02:16:00,320
Speaker 1: don't like you coming in the club to me.

2618
02:16:00,440 --> 02:16:04,000
Speaker 2: I don't if that person buying drinks keep buying drinks, y'all,

2619
02:16:04,120 --> 02:16:05,120
Speaker 2: let light it up.

2620
02:16:05,200 --> 02:16:07,360
Speaker 1: Do what y'all doing. I'm gonna keep doing I'm doing.

2621
02:16:07,480 --> 02:16:09,560
Speaker 1: You gotta keep the party going so you can tell

2622
02:16:09,680 --> 02:16:11,840
Speaker 1: us the spirits like one time. They do it all

2623
02:16:11,880 --> 02:16:13,120
Speaker 1: the time. They try to do it all the time,

2624
02:16:13,560 --> 02:16:17,120
Speaker 1: and I just be like a corny record, like or

2625
02:16:17,280 --> 02:16:20,040
Speaker 1: is it just because you had your set together? I

2626
02:16:20,120 --> 02:16:22,040
Speaker 1: mean I just yeah, a lot of times I'm just

2627
02:16:22,120 --> 02:16:23,520
Speaker 1: like I'm not doing it, you know what I mean?

2628
02:16:23,560 --> 02:16:25,560
Speaker 4: If they want to, they let's just tell people don't

2629
02:16:25,680 --> 02:16:27,200
Speaker 4: go up to the motherfucker DJ.

2630
02:16:29,680 --> 02:16:31,240
Speaker 1: Shout somebody out and I'm like, yo.

2631
02:16:31,200 --> 02:16:34,040
Speaker 3: You yeah, y'all want it is them, right because I

2632
02:16:34,120 --> 02:16:35,920
Speaker 3: never met this nigga in my life, right, but in

2633
02:16:36,040 --> 02:16:38,440
Speaker 3: my mind then niggas my homie.

2634
02:16:39,120 --> 02:16:45,440
Speaker 1: He was Mama, Okay, Prince coming to the club. Nigga

2635
02:16:45,600 --> 02:16:52,039
Speaker 1: just float by you. He's not gonna play Prince.

2636
02:16:52,240 --> 02:16:54,680
Speaker 2: I'll be like, Prince, get on the microphone, shout me out,

2637
02:16:55,160 --> 02:16:57,200
Speaker 2: what record you for you right now?

2638
02:16:57,480 --> 02:16:58,279
Speaker 1: You to this different.

2639
02:16:59,000 --> 02:17:01,360
Speaker 2: If Prince just float he gotta get on. They don't

2640
02:17:01,360 --> 02:17:03,920
Speaker 2: say nothing. Still, I don't care. It's still dangerous in

2641
02:17:04,000 --> 02:17:10,120
Speaker 2: my set. I don't care the Prince. I'm saying, I

2642
02:17:10,160 --> 02:17:11,040
Speaker 2: don't care who you is.

2643
02:17:12,959 --> 02:17:14,160
Speaker 1: Like d J j D.

2644
02:17:15,120 --> 02:17:17,600
Speaker 2: You come in the club, It's all about the vibe

2645
02:17:17,600 --> 02:17:20,040
Speaker 2: of the club. Like if I play a Prince record

2646
02:17:20,080 --> 02:17:23,560
Speaker 2: right now, niggas is trapped out. You fucked up the

2647
02:17:23,640 --> 02:17:24,200
Speaker 2: whole club.

2648
02:17:24,600 --> 02:17:29,960
Speaker 1: The Prince record. On the Prince record, you just he's

2649
02:17:30,720 --> 02:17:42,560
Speaker 1: ever flow through. You gotta plays like that switch the record.

2650
02:17:43,600 --> 02:17:47,760
Speaker 3: I'm telling you, listen, it hit everybody in a certain

2651
02:17:48,000 --> 02:17:51,680
Speaker 3: part of the bones that we didn't understand and because

2652
02:17:51,720 --> 02:17:54,520
Speaker 3: we were sucked up from Mike already, like Mike already

2653
02:17:54,560 --> 02:17:58,480
Speaker 3: came in with the Jackson five fucked us something like

2654
02:17:58,600 --> 02:18:02,920
Speaker 3: damn against the niggas, was like, oh, ship, this is real.

2655
02:18:03,440 --> 02:18:07,280
Speaker 1: A b C. Niggas learn their ABC's through the Jackson five.

2656
02:18:07,360 --> 02:18:07,800
Speaker 1: This is real.

2657
02:18:07,879 --> 02:18:10,000
Speaker 5: Ship like this you like it?

2658
02:18:10,280 --> 02:18:12,560
Speaker 1: No? I don't like it? All right? Cool? You gotta

2659
02:18:12,760 --> 02:18:14,280
Speaker 1: let me see what what is that? That's that? That's

2660
02:18:14,320 --> 02:18:16,000
Speaker 1: that creates a little bit, you know what you want

2661
02:18:16,000 --> 02:18:20,840
Speaker 1: to I don't know. Definitely nineteen they give me every

2662
02:18:20,920 --> 02:18:24,480
Speaker 1: time I go to what is it Bloomingdale? Get they

2663
02:18:24,560 --> 02:18:25,520
Speaker 1: get me and my wife.

2664
02:18:25,600 --> 02:18:28,520
Speaker 3: They got us both lined up every time we walk through.

2665
02:18:28,560 --> 02:18:29,879
Speaker 1: They're like, yeah, this is doing.

2666
02:18:31,240 --> 02:18:31,680
Speaker 2: I don't know what.

2667
02:18:32,440 --> 02:18:34,960
Speaker 1: Yeah, that's cool, that's creedy. Yeah, that's that's that's that

2668
02:18:35,040 --> 02:18:38,200
Speaker 1: real create black. But you know you ain't into the

2669
02:18:38,240 --> 02:18:43,440
Speaker 1: gold baby. It's imperial. It's called right imperial? Alright? Cool?

2670
02:18:43,520 --> 02:18:46,400
Speaker 3: And then the Adventus Adventures. I'm done fucked up. I'm

2671
02:18:46,480 --> 02:18:49,360
Speaker 3: just spraying niggass anyway. I'm in New York City the

2672
02:18:49,440 --> 02:18:54,720
Speaker 3: other day spraying dogs. Don't an adventure? Is that I

2673
02:18:55,000 --> 02:18:58,959
Speaker 3: wasted that bottle? I'm line here, man, like, listen, let

2674
02:18:59,000 --> 02:19:01,640
Speaker 3: me just say something. J D and both of y'all.

2675
02:19:05,680 --> 02:19:10,840
Speaker 3: In life, everybody needs a little bit of therapy, all right,

2676
02:19:11,400 --> 02:19:15,000
Speaker 3: need a little time to get your problems off, talk

2677
02:19:15,080 --> 02:19:16,400
Speaker 3: about whatever whatever.

2678
02:19:17,680 --> 02:19:21,600
Speaker 1: In life. That's what I did. I said, I'm gonna.

2679
02:19:21,920 --> 02:19:24,360
Speaker 3: Take my days off and I'm gonna praise hip hop.

2680
02:19:24,800 --> 02:19:27,480
Speaker 3: I'm gonna praise my legends and hip hop, praise people

2681
02:19:27,520 --> 02:19:30,480
Speaker 3: who contributed to the hip hop. And and that's what

2682
02:19:30,800 --> 02:19:33,640
Speaker 3: why I drink Champs. It's working because this is our

2683
02:19:33,720 --> 02:19:38,160
Speaker 3: form of therapy. And we have not formed a show

2684
02:19:38,520 --> 02:19:40,920
Speaker 3: in like a month to y'all.

2685
02:19:41,040 --> 02:19:55,320
Speaker 1: First hurricanes, and I was, it's just the drink. And

2686
02:19:55,360 --> 02:19:58,360
Speaker 1: we don't give nobody ship but drinks. We got some,

2687
02:19:58,520 --> 02:19:58,880
Speaker 1: we got some.

2688
02:19:59,520 --> 02:20:03,880
Speaker 19: There's no I want to We got your shirts the

2689
02:20:04,200 --> 02:20:12,360
Speaker 19: bone listen, Oh he got the fresh batch to this

2690
02:20:12,520 --> 02:20:12,840
Speaker 19: is this?

2691
02:20:12,920 --> 02:20:16,280
Speaker 1: Is you? This one though? Yeah? Yeah, this is my

2692
02:20:16,440 --> 02:20:20,200
Speaker 1: tager bone shot right. This is terrible. It's a terrible car.

2693
02:20:22,080 --> 02:20:30,000
Speaker 1: Mm now, j D beast this this is the ultimate thing.

2694
02:20:30,480 --> 02:20:33,080
Speaker 1: Is he coming with us to win Wood? What's happening?

2695
02:20:33,200 --> 02:20:36,640
Speaker 1: What's happened? Let's do it? Well? Reready, let's go good.

2696
02:20:37,840 --> 02:20:41,240
Speaker 1: I got everything. You have a drink listen, and why

2697
02:20:41,600 --> 02:20:43,120
Speaker 1: why you put and no ship like that?

2698
02:20:43,959 --> 02:20:47,560
Speaker 3: Because you get while you don't understand Wesly.

2699
02:20:47,240 --> 02:20:50,160
Speaker 1: Waiting in the bottle together like this and he got them.

2700
02:20:50,959 --> 02:20:51,240
Speaker 5: I don't.

2701
02:20:51,280 --> 02:20:54,480
Speaker 7: It's no good what you.

2702
02:20:57,920 --> 02:21:01,040
Speaker 1: Say, what you don't even got. He's like three shadows

2703
02:21:01,959 --> 02:21:06,280
Speaker 1: drinking yours drinking mind and she's saying, we don't. Let'sten.

2704
02:21:06,560 --> 02:21:10,240
Speaker 1: We want to take a listen to one hundred episodes,

2705
02:21:10,959 --> 02:21:14,760
Speaker 1: episode a hundred. Okay, hold on, So that's that's that's

2706
02:21:14,840 --> 02:21:20,040
Speaker 1: that's my that's my that's my Tiger. Okay, that's when

2707
02:21:20,120 --> 02:21:23,200
Speaker 1: you say when you want to wait ye hold up, yeah,

2708
02:21:23,200 --> 02:21:25,480
Speaker 1: you gotta take a strip. Can't Dominican stuff right now.

2709
02:21:26,800 --> 02:21:32,200
Speaker 1: He's doing pop Daddy ship. I respect that. Oh it's bad.

2710
02:21:33,440 --> 02:21:35,840
Speaker 1: I can't funk with that. That'shi. It's crazy. Yeah, and

2711
02:21:36,000 --> 02:21:39,040
Speaker 1: nobody that they don't sponsor us at all. So I

2712
02:21:39,080 --> 02:21:40,400
Speaker 1: won't force you. Everybody.

2713
02:21:40,440 --> 02:21:45,000
Speaker 3: Everybody enjoyed the Tiger niggas, all right, give everybody your

2714
02:21:45,040 --> 02:21:48,760
Speaker 3: hold on that your man boye wow, I want you

2715
02:21:48,879 --> 02:21:49,800
Speaker 3: to be in.

2716
02:21:49,959 --> 02:21:55,600
Speaker 1: That's a baby. So I gotta understand went on the

2717
02:21:55,680 --> 02:21:57,840
Speaker 1: jan this ship too much. I don't want.

2718
02:22:00,240 --> 02:22:03,000
Speaker 3: Trying to make you whisper no, because that's my homie.

2719
02:22:03,040 --> 02:22:04,880
Speaker 3: But I want you to bring them back to hip hop.

2720
02:22:05,560 --> 02:22:08,039
Speaker 3: Bring the drink champs, bring back to hip You gotta

2721
02:22:08,040 --> 02:22:10,160
Speaker 3: come and do with drink. You know how classic is that?

2722
02:22:10,720 --> 02:22:11,640
Speaker 3: Jenny come to drink?

2723
02:22:12,000 --> 02:22:15,400
Speaker 1: You don't like.

2724
02:22:17,040 --> 02:22:17,840
Speaker 5: You got man?

2725
02:22:19,480 --> 02:22:23,920
Speaker 1: Here, come on, you got you gotta do? Okay, what

2726
02:22:24,000 --> 02:22:26,359
Speaker 1: are you doing this? Everybody? Yo?

2727
02:22:26,480 --> 02:22:30,320
Speaker 3: Listen, let me bring up the vegetarian delight, my boy, Chris,

2728
02:22:31,400 --> 02:22:32,439
Speaker 3: veggie delight.

2729
02:22:32,280 --> 02:22:36,600
Speaker 1: The second right there? Yeah, yeah, you know j Ship,

2730
02:22:36,760 --> 02:22:47,360
Speaker 1: he serve me some shick. There's no vegan spout. I

2731
02:22:47,520 --> 02:22:49,720
Speaker 1: never you know what you're talking about.

2732
02:22:50,040 --> 02:22:53,200
Speaker 5: I was that is my for good. You leave you're

2733
02:22:53,240 --> 02:22:53,640
Speaker 5: a vegan?

2734
02:22:53,760 --> 02:22:56,320
Speaker 1: Yeah, see this so you know this is the vegan

2735
02:22:56,440 --> 02:22:59,280
Speaker 1: Dre's what I told you? Okay, that's why I say.

2736
02:22:59,320 --> 02:23:05,160
Speaker 1: You come in the mold got you little back? Are

2737
02:23:05,160 --> 02:23:08,280
Speaker 1: you gonna get that? Deally? What? I need some food?

2738
02:23:08,360 --> 02:23:11,320
Speaker 1: Thom by the way, yeah, this spot clothes? Hey, n

2739
02:23:11,560 --> 02:23:15,480
Speaker 1: you just close. Nigga. Listen, listen, nigga, you will sell

2740
02:23:15,520 --> 02:23:18,880
Speaker 1: it to you. You gotto's so bigga.

2741
02:23:21,440 --> 02:23:21,760
Speaker 5: Let's go.

2742
02:23:22,240 --> 02:23:24,160
Speaker 1: Let's go. Hold on, wait, well listen, let's see what

2743
02:23:24,240 --> 02:23:28,320
Speaker 1: I was gonna do with this handle that I want.

2744
02:23:33,480 --> 02:23:36,120
Speaker 1: I don't see what shot. I don't see what's happening now?

2745
02:23:36,440 --> 02:23:38,920
Speaker 1: Turn that ship up, it's chapping. It's one more time

2746
02:23:39,400 --> 02:23:43,960
Speaker 1: and I'll tell you, yo, come on, mister me. Y'all

2747
02:23:44,000 --> 02:23:46,240
Speaker 1: hear that, your son, Come on, let's do it. You're

2748
02:23:46,280 --> 02:23:49,920
Speaker 1: on your own show right now, yo yo yo yo

2749
02:23:50,080 --> 02:23:52,800
Speaker 1: yo dog I gotta sit down, yo Yo. Let me

2750
02:23:52,879 --> 02:23:56,680
Speaker 1: tell you something, yo. Come on this five right here,

2751
02:23:56,879 --> 02:24:10,879
Speaker 1: all right, bath break it down. It was good. We'll

2752
02:24:10,920 --> 02:24:16,480
Speaker 1: tell you think about Tiger bom good God, oh ship ship.

2753
02:24:18,760 --> 02:24:21,480
Speaker 2: When you drink tag of bed Chambers in this month,

2754
02:24:21,600 --> 02:24:23,120
Speaker 2: somebody daughter is in trouble to night.

2755
02:24:25,120 --> 02:24:28,040
Speaker 3: Listen, when you drink Tiger boone, your soul take a

2756
02:24:28,160 --> 02:24:30,760
Speaker 3: name like your soul will be like, I'm I'm gonna

2757
02:24:30,840 --> 02:24:33,520
Speaker 3: chill out for your soul, your soul.

2758
02:24:33,840 --> 02:24:38,160
Speaker 1: I'm gonna I'm keeping it real, j D. That's fine, right,

2759
02:24:38,760 --> 02:24:43,160
Speaker 1: that's why if it's not only did for somebody did money?

2760
02:24:43,240 --> 02:24:50,800
Speaker 1: Five did fall? That's that six? If you did six,

2761
02:24:50,840 --> 02:24:55,200
Speaker 1: we did, that's six. You're good. Let's do seven. I'm

2762
02:24:55,200 --> 02:24:56,800
Speaker 1: saying one more. You know what I'm saying, you should

2763
02:24:56,840 --> 02:25:18,240
Speaker 1: do one more. Stevens right now, it's the God said seven? God,

2764
02:25:18,440 --> 02:25:24,640
Speaker 1: what the fun? God? Damn Nigga's crazy. We're gonna throw up.

2765
02:25:25,360 --> 02:25:28,240
Speaker 1: This is this is a fact. I don't even want

2766
02:25:28,280 --> 02:25:29,640
Speaker 1: to go south. I don't want to drink it. But

2767
02:25:29,680 --> 02:25:31,760
Speaker 1: I'm you know, we got it. Niggas going out.

2768
02:25:31,959 --> 02:25:35,720
Speaker 3: Jad ain't playing. We told you we celebrated his life.

2769
02:25:36,400 --> 02:25:40,160
Speaker 3: He started out and he's still here having fun, smiling.

2770
02:25:40,560 --> 02:25:43,480
Speaker 1: That's a beautiful thing. I ain't gonna fun. Nigga disrespected me.

2771
02:25:43,959 --> 02:25:47,600
Speaker 1: They give me wait too. We gotta say congratulations to

2772
02:25:47,640 --> 02:25:51,080
Speaker 1: the eating oh ship. They invited us to this, but

2773
02:25:51,240 --> 02:25:53,840
Speaker 1: it already happened. I'm still graduating in my mind. Now

2774
02:25:53,920 --> 02:25:56,439
Speaker 1: that's a little.

2775
02:25:56,400 --> 02:25:59,120
Speaker 2: That's a little, that's a little heavy hangs about what

2776
02:25:59,240 --> 02:25:59,960
Speaker 2: I said.

2777
02:26:02,480 --> 02:26:06,080
Speaker 1: Let me see what that Jamie. It's your birth taken

2778
02:26:06,160 --> 02:26:10,359
Speaker 1: town man, I got urn nineteen. Yes, take it down, taken.

2779
02:26:11,480 --> 02:26:11,760
Speaker 3: All right?

2780
02:26:11,800 --> 02:26:16,840
Speaker 1: Hold on, go away away a little bits, a little bit.

2781
02:26:17,040 --> 02:26:17,280
Speaker 2: You know what.

2782
02:26:17,840 --> 02:26:21,320
Speaker 1: We gotta deal with this thing. I'm gonna take the

2783
02:26:21,360 --> 02:26:23,960
Speaker 1: old day. You take said the whole day.

2784
02:26:24,680 --> 02:26:27,720
Speaker 3: Oh go you as you know why I'm a legend

2785
02:26:28,000 --> 02:26:31,200
Speaker 3: is as. I want the record here, Okay, I want nigga.

2786
02:26:31,440 --> 02:26:34,000
Speaker 3: Niggas gotta break my record. So hem you told me

2787
02:26:34,160 --> 02:26:35,920
Speaker 3: seven right, that's what it is.

2788
02:26:36,000 --> 02:26:53,280
Speaker 1: Oh yes, seven seven. God, it's terrible seven that we're

2789
02:26:53,280 --> 02:27:18,720
Speaker 1: going on. You want that ship seven? Just let's make

2790
02:27:19,400 --> 02:27:20,440
Speaker 1: let's make sure right.

2791
02:27:20,400 --> 02:27:24,240
Speaker 3: No record, hold the record, all right, record JD. Let

2792
02:27:24,280 --> 02:27:26,440
Speaker 3: me just let me just explain to you something. You

2793
02:27:26,520 --> 02:27:29,400
Speaker 3: see my two guys right there, those are both the twins.

2794
02:27:30,360 --> 02:27:32,720
Speaker 3: That's my twin right there. He had just had to

2795
02:27:32,800 --> 02:27:34,160
Speaker 3: reach the accident.

2796
02:27:34,480 --> 02:27:37,280
Speaker 1: And and you crash into me, bro.

2797
02:27:38,840 --> 02:27:41,600
Speaker 3: And he crashed and you know, now he's disabled. It's okay,

2798
02:27:41,680 --> 02:27:44,280
Speaker 3: but we're gonna rob with him every step of the way.

2799
02:27:44,600 --> 02:27:47,199
Speaker 1: And then the other twin right there, he's on mass steroids.

2800
02:27:47,240 --> 02:27:47,520
Speaker 1: He's my.

2801
02:27:49,400 --> 02:27:50,160
Speaker 5: But let me say.

2802
02:27:52,560 --> 02:27:54,199
Speaker 1: This is big. This is big.

2803
02:27:54,440 --> 02:27:57,320
Speaker 13: This is the hundredth episode though, Yo, I could have

2804
02:27:57,400 --> 02:28:00,720
Speaker 13: died on episode forty eight. Now, I ain't gonna let

2805
02:28:00,760 --> 02:28:03,200
Speaker 13: it's a fact though Danny Garcia's episode was the last

2806
02:28:03,240 --> 02:28:06,280
Speaker 13: episode before my accident though. And it's crazy how he

2807
02:28:06,480 --> 02:28:08,640
Speaker 13: recognizes that, because that nigga shows me man love on

2808
02:28:08,720 --> 02:28:11,560
Speaker 13: Instagram and shout out to all the fans in Pakistan

2809
02:28:11,720 --> 02:28:15,879
Speaker 13: and Thailand. My nigga talking about fucking everywhere, Yo, all

2810
02:28:15,920 --> 02:28:18,480
Speaker 13: over the board, the Netherlands. We got people everywhere, we

2811
02:28:18,560 --> 02:28:21,400
Speaker 13: got legends, we got bow waha in here, my nigga,

2812
02:28:21,440 --> 02:28:23,640
Speaker 13: you sleep go to sleeping on bay. Wait money, niggas

2813
02:28:23,640 --> 02:28:27,680
Speaker 13: a legend, know we were pre legends. You mentioned them

2814
02:28:27,760 --> 02:28:30,280
Speaker 13: names people nowhere but were living, were taking shots. I

2815
02:28:30,360 --> 02:28:32,200
Speaker 13: just took my hundred shots. The tagle boone baby, just

2816
02:28:32,280 --> 02:28:32,480
Speaker 13: get it.

2817
02:28:32,560 --> 02:28:41,039
Speaker 1: That seven and the other twin.

2818
02:28:41,560 --> 02:28:43,920
Speaker 3: So that is the other twin that I hang out

2819
02:28:43,959 --> 02:28:48,240
Speaker 3: with him and he wanted to drink taga boneids.

2820
02:28:47,240 --> 02:28:48,080
Speaker 5: And what happened?

2821
02:28:49,720 --> 02:28:54,240
Speaker 1: Come on, twin. I work out seven days a week,

2822
02:28:54,879 --> 02:29:01,240
Speaker 1: six seven mills a day, so I'm not four years ago.

2823
02:29:01,920 --> 02:29:08,519
Speaker 14: He sent me to the hospital with seven shots, saying.

2824
02:29:07,240 --> 02:29:12,280
Speaker 1: To the hospital, vegan the light was had to do

2825
02:29:12,400 --> 02:29:18,320
Speaker 1: something with you trying to commit suicidal?

2826
02:29:18,400 --> 02:29:20,600
Speaker 14: What the fun is at the hospital because I went

2827
02:29:20,640 --> 02:29:25,440
Speaker 14: to the hot because for some reason, tell your cream.

2828
02:29:25,600 --> 02:29:27,760
Speaker 3: Then I'm gonna tell you what's your problem? You can't

2829
02:29:27,800 --> 02:29:38,039
Speaker 3: eat pork the same thing your god you got. I'll

2830
02:29:38,120 --> 02:29:39,480
Speaker 3: take it shot today, though, what's up?

2831
02:29:42,040 --> 02:29:45,320
Speaker 1: Take it today? I'm saying, I take it?

2832
02:29:45,840 --> 02:29:46,320
Speaker 5: Yeah, I get you.

2833
02:29:46,480 --> 02:29:55,600
Speaker 1: You gotta catch up another. No, you're doing another. I'm

2834
02:29:55,600 --> 02:29:59,760
Speaker 1: talking up fun up.

2835
02:30:08,040 --> 02:30:08,760
Speaker 6: We was taking.

2836
02:30:10,200 --> 02:30:14,000
Speaker 1: I was, I was, I was watching blow last night.

2837
02:30:16,480 --> 02:30:20,280
Speaker 1: I thought, oh, by the way. If I wasn't making music,

2838
02:30:20,320 --> 02:30:23,480
Speaker 1: I'd be a drug dealer. Oh fuck flat out going there.

2839
02:30:23,560 --> 02:30:24,440
Speaker 9: I think I.

2840
02:30:26,080 --> 02:30:27,040
Speaker 1: Think everybody here would be.

2841
02:30:27,080 --> 02:30:29,680
Speaker 2: I mean, but I would be a real smart drug dealer. Yeah,

2842
02:30:29,680 --> 02:30:31,520
Speaker 2: we can tell we might be dumb drug dealers.

2843
02:30:31,520 --> 02:30:31,959
Speaker 1: But well.

2844
02:30:34,640 --> 02:30:37,680
Speaker 2: But yeah, Like I actually hate the movie Blow because

2845
02:30:37,720 --> 02:30:39,520
Speaker 2: how they treat my nigga. But I but I but

2846
02:30:39,640 --> 02:30:42,160
Speaker 2: I fuck with it because you know, that's one of

2847
02:30:42,160 --> 02:30:45,480
Speaker 2: the dopest movies. But you know, and the nigga nigga

2848
02:30:45,520 --> 02:30:47,640
Speaker 2: come back from Columbia, and the nigga got the cocaine

2849
02:30:47,680 --> 02:30:49,840
Speaker 2: on the table and the dude telling him like.

2850
02:30:50,640 --> 02:30:52,200
Speaker 1: Like what the rated the cocaine is?

2851
02:30:52,240 --> 02:30:54,720
Speaker 2: He's like usually if it's like one point, you know,

2852
02:30:54,920 --> 02:30:59,400
Speaker 2: one seventy five, the purity, the purity right, and the

2853
02:30:59,480 --> 02:31:03,360
Speaker 2: ship go five and the nigga like, yo, god damn

2854
02:31:03,400 --> 02:31:04,360
Speaker 2: wait the fuck y'all get this?

2855
02:31:04,840 --> 02:31:05,360
Speaker 1: Can I can?

2856
02:31:05,440 --> 02:31:06,920
Speaker 2: I can? I do a lot of this ship And

2857
02:31:06,959 --> 02:31:10,280
Speaker 2: the nigga hit the ship and nigga like they talking

2858
02:31:10,360 --> 02:31:12,320
Speaker 2: and then he just come out of nowhere like I

2859
02:31:12,400 --> 02:31:13,360
Speaker 2: can't feel my face.

2860
02:31:14,959 --> 02:31:29,200
Speaker 1: That's That's how I feel right now. That's what dreat chest.

2861
02:31:29,440 --> 02:31:33,400
Speaker 1: I'm like, y'all I'm touching my lips and ship dream

2862
02:31:35,920 --> 02:31:41,959
Speaker 1: my lip drops. Let me just say something. I want

2863
02:31:42,000 --> 02:31:45,279
Speaker 1: to thank you brothers, because I can talk.

2864
02:31:45,120 --> 02:31:47,160
Speaker 3: To you guys all night. But I know we just

2865
02:31:47,280 --> 02:31:51,000
Speaker 3: have the most fun that we could have. So I'm

2866
02:31:51,040 --> 02:31:54,840
Speaker 3: gonna I'm gonna end it on the stremp of We

2867
02:31:55,040 --> 02:31:57,320
Speaker 3: Loving y'all because we're gonna keep.

2868
02:31:57,200 --> 02:31:59,600
Speaker 1: Going and keep going, keep going. And you know what,

2869
02:31:59,800 --> 02:32:02,480
Speaker 1: you don't thank you for coming here because.

2870
02:32:04,600 --> 02:32:09,080
Speaker 3: The basis of our story, uh me and my partner

2871
02:32:09,240 --> 02:32:12,879
Speaker 3: DJ heir Fan right there. It's like, why don't people

2872
02:32:13,080 --> 02:32:18,199
Speaker 3: respect people after they you don't have success.

2873
02:32:19,280 --> 02:32:23,320
Speaker 1: And continue to do something else like what happened? Why

2874
02:32:23,400 --> 02:32:25,000
Speaker 1: don't in hip hop and.

2875
02:32:25,120 --> 02:32:29,080
Speaker 3: Every other genre of music and roll, rock and roll jazz,

2876
02:32:29,280 --> 02:32:31,400
Speaker 3: like you get to a certain level and.

2877
02:32:31,440 --> 02:32:34,920
Speaker 1: People respect you. People say, but in hip hop they

2878
02:32:35,000 --> 02:32:35,960
Speaker 1: give you a milk date?

2879
02:32:36,720 --> 02:32:39,840
Speaker 3: Would be like you got an inspiration date, motherfucker A

2880
02:32:39,879 --> 02:32:44,600
Speaker 3: by the twenty four fourks September such such and such.

2881
02:32:46,879 --> 02:32:53,120
Speaker 1: Should be. And then carr rest One, which was one

2882
02:32:53,160 --> 02:32:55,440
Speaker 1: of my favorite rappers, said watch what you say because

2883
02:32:55,440 --> 02:32:56,120
Speaker 1: you're attracted.

2884
02:32:58,800 --> 02:33:04,040
Speaker 3: So I hope his message is correct because as a

2885
02:33:04,080 --> 02:33:06,560
Speaker 3: person get older, as a person continue to put in

2886
02:33:06,680 --> 02:33:08,879
Speaker 3: work in hip hop and we continue.

2887
02:33:08,480 --> 02:33:11,480
Speaker 1: To salute them. I want, I want with Carrie Res

2888
02:33:12,120 --> 02:33:18,520
Speaker 1: car Res one message to be lived out. Why should

2889
02:33:18,520 --> 02:33:24,040
Speaker 1: you say because you're attracted. So at one point I

2890
02:33:24,160 --> 02:33:27,000
Speaker 1: heard people say, you know because Jay said, you know.

2891
02:33:28,520 --> 02:33:34,000
Speaker 3: Let me saying he said, you guys on Instagram putting

2892
02:33:34,120 --> 02:33:38,560
Speaker 3: money to your head, that ain't money over here.

2893
02:33:39,760 --> 02:33:42,160
Speaker 1: And I understood what he meant. He was, this is

2894
02:33:42,280 --> 02:33:43,520
Speaker 1: the young generation.

2895
02:33:44,160 --> 02:33:47,480
Speaker 3: He was understand, go get a black card, you do,

2896
02:33:48,160 --> 02:33:52,840
Speaker 3: Go get some credit, go get something, go buy a vehicle, go,

2897
02:33:53,200 --> 02:34:02,520
Speaker 3: you know, so you could actually, but people took that

2898
02:34:02,680 --> 02:34:06,880
Speaker 3: as it was disrespect because of his elderness.

2899
02:34:08,360 --> 02:34:13,160
Speaker 1: So before that, our women came out. What we wanted

2900
02:34:13,200 --> 02:34:16,599
Speaker 1: to do. We wanted to say, the older.

2901
02:34:16,360 --> 02:34:20,080
Speaker 3: You became in hip hop, the more you just kept

2902
02:34:20,200 --> 02:34:23,600
Speaker 3: reigning supreme in hip hop. You want to salute that.

2903
02:34:24,640 --> 02:34:28,200
Speaker 3: We want to respect that. We want to sit back

2904
02:34:28,480 --> 02:34:36,119
Speaker 3: and what's that Sally called the scope? When the ant comes,

2905
02:34:36,280 --> 02:34:37,000
Speaker 3: you put the s.

2906
02:34:39,120 --> 02:34:47,680
Speaker 1: The MAGNIFC put the magnifying glass. Oh yeah, that too.

2907
02:34:48,080 --> 02:34:51,000
Speaker 3: But we were with the magnifying glass of our CEOs,

2908
02:34:51,080 --> 02:34:54,720
Speaker 3: the people that come out here and help keep pushing

2909
02:34:54,840 --> 02:34:57,720
Speaker 3: hip hop forward. Because the thing about it. Hip hop

2910
02:34:57,760 --> 02:34:59,880
Speaker 3: should be its own religion. Hip hop should be a

2911
02:35:00,120 --> 02:35:04,160
Speaker 3: own gospel. It would be its own race, like people should.

2912
02:35:05,080 --> 02:35:08,320
Speaker 3: At some point in the near future, people should register

2913
02:35:08,920 --> 02:35:09,120
Speaker 3: you know.

2914
02:35:09,760 --> 02:35:12,600
Speaker 1: Black white, you know, and then hip hop, hip hop,

2915
02:35:13,360 --> 02:35:17,800
Speaker 1: ord up, bring back the O g up better relaxed

2916
02:35:22,120 --> 02:35:26,360
Speaker 1: about but you should know. But you're right, you're right.

2917
02:35:26,879 --> 02:35:28,480
Speaker 1: But this is a different moment in life.

2918
02:35:28,520 --> 02:35:31,480
Speaker 3: And I'm talking about like at the end of the day,

2919
02:35:31,600 --> 02:35:35,080
Speaker 3: when people should register to vote, we should register hip hop.

2920
02:35:36,760 --> 02:35:39,840
Speaker 1: Like hip hop. Am Amona viol you could tell me please.

2921
02:35:41,560 --> 02:35:45,560
Speaker 3: That you should register hip hop, because that's what we

2922
02:35:45,760 --> 02:35:46,960
Speaker 3: did with boll Rack.

2923
02:35:47,640 --> 02:35:50,240
Speaker 1: It wasn't It wasn't a race thing. Anybody think like

2924
02:35:50,320 --> 02:35:52,840
Speaker 1: it was a race thing. But we knew he was

2925
02:35:52,959 --> 02:35:56,800
Speaker 1: hip hop when he walked, we knew.

2926
02:35:56,879 --> 02:36:00,840
Speaker 3: We knew he knew whole lyrics, ITAs like, he no

2927
02:36:01,000 --> 02:36:04,320
Speaker 3: whole ship, he no illmatic.

2928
02:36:05,440 --> 02:36:09,080
Speaker 1: Let's vote for that name. Yeah, niggas ain't vote for Jesse.

2929
02:36:09,560 --> 02:36:13,120
Speaker 1: Let's just keep it real. I was there, I was like, Jessey,

2930
02:36:13,200 --> 02:36:17,800
Speaker 1: I'm not sure you you voted for Jesse Jesse Jackson.

2931
02:36:18,000 --> 02:36:25,200
Speaker 1: Yeah No, I wasn't nobody voting. Nobody He's voted for Jesse,

2932
02:36:25,480 --> 02:36:30,280
Speaker 1: But I'm trying to take something down right now, you're

2933
02:36:30,280 --> 02:36:34,440
Speaker 1: still single. I respect that. I can always recognize a

2934
02:36:34,520 --> 02:36:38,160
Speaker 1: single nigga right now. I can always recognize the single nigga.

2935
02:36:39,959 --> 02:36:42,879
Speaker 1: More talking about that he don't get everybody here understand

2936
02:36:42,959 --> 02:36:54,240
Speaker 1: that he don't even know. But your slanguage game is ill,

2937
02:36:56,240 --> 02:36:56,920
Speaker 1: because you know why.

2938
02:36:56,920 --> 02:36:59,200
Speaker 3: I want to smoke a cigarette, but I'm gonna smoking

2939
02:36:59,240 --> 02:37:04,640
Speaker 3: some weak But what I'm trying to tell y'all, hip

2940
02:37:04,680 --> 02:37:10,600
Speaker 3: hop started off the park respected Puerto Rico Islands before

2941
02:37:11,840 --> 02:37:13,400
Speaker 3: the fucking United States.

2942
02:37:13,440 --> 02:37:19,520
Speaker 1: Absolutely absolutely still was that, y'all. Puerto Rico's a hip

2943
02:37:19,520 --> 02:37:22,480
Speaker 1: hop came. Hip hop came? Did you? Did you? Did

2944
02:37:22,520 --> 02:37:25,600
Speaker 1: you realize that? I'm sorry, I got political on y'all this,

2945
02:37:25,920 --> 02:37:29,520
Speaker 1: This wasn't a part of the program. Look fuck that.

2946
02:37:30,440 --> 02:37:34,160
Speaker 1: Don't you to complain right there? Ad?

2947
02:37:36,040 --> 02:37:38,720
Speaker 3: Did you see hip hop come to the aid of

2948
02:37:38,840 --> 02:37:41,080
Speaker 3: Puerto Rico before our own president?

2949
02:37:41,720 --> 02:37:45,600
Speaker 1: Did you that before? It's still our president still hasn't.

2950
02:37:45,720 --> 02:37:48,520
Speaker 1: Absolutely he didn't left the man he did, But I'm

2951
02:37:48,520 --> 02:37:51,560
Speaker 1: saying it's still what he's doing is not enough.

2952
02:37:52,320 --> 02:37:55,720
Speaker 4: And hip hop the community is still coming to private

2953
02:37:55,800 --> 02:37:57,480
Speaker 4: citizens are helping.

2954
02:37:57,480 --> 02:37:59,959
Speaker 3: Puerto Rico and then I seen in Atlanta one year,

2955
02:38:00,200 --> 02:38:04,160
Speaker 3: y'all had two feet of snow and y'all, y'all, y'all

2956
02:38:04,200 --> 02:38:04,720
Speaker 3: wasn't crazy.

2957
02:38:06,240 --> 02:38:11,480
Speaker 1: This is not huh. Atlanta never had no never. But

2958
02:38:11,640 --> 02:38:16,000
Speaker 1: how do you feel as American seeing that happen? I mean,

2959
02:38:16,040 --> 02:38:18,640
Speaker 1: that's I think I think that's the that's the beauty

2960
02:38:18,680 --> 02:38:19,160
Speaker 1: of hip hop.

2961
02:38:19,280 --> 02:38:22,480
Speaker 2: Though, I think it's like we shouldn't be surprised because

2962
02:38:22,480 --> 02:38:23,400
Speaker 2: that's what hip hop does.

2963
02:38:23,440 --> 02:38:23,800
Speaker 1: Anyway.

2964
02:38:23,959 --> 02:38:29,200
Speaker 2: Hip hop has introduced people to everybody to different something completely,

2965
02:38:29,720 --> 02:38:32,000
Speaker 2: you know what I mean, Like, you know, I don't

2966
02:38:32,080 --> 02:38:35,600
Speaker 2: I don't even know if that like when I was

2967
02:38:35,879 --> 02:38:37,959
Speaker 2: first started making music. I don't think it's no Puerto

2968
02:38:38,040 --> 02:38:40,800
Speaker 2: Rican girls in Atlanta, you know what I mean. I

2969
02:38:40,840 --> 02:38:45,480
Speaker 2: don't think it was no Puerto Rican girls. I know, well,

2970
02:38:45,520 --> 02:38:47,200
Speaker 2: they wasn't not around in College Park.

2971
02:38:49,320 --> 02:38:49,920
Speaker 1: I'm just saying.

2972
02:38:49,959 --> 02:38:53,160
Speaker 2: So it's like hip hop introduced you to that type

2973
02:38:53,160 --> 02:38:57,000
Speaker 2: of woman. Hip hop introduced you to, you know, going

2974
02:38:57,120 --> 02:38:59,920
Speaker 2: to the Dominican Republic, like we went to d R

2975
02:39:00,200 --> 02:39:01,520
Speaker 2: full what we.

2976
02:39:01,560 --> 02:39:04,680
Speaker 1: Went there for. It's like a music It's like a

2977
02:39:04,760 --> 02:39:09,800
Speaker 1: big conference. He better remember he was wowing over there

2978
02:39:13,640 --> 02:39:17,840
Speaker 1: too much, too much. Late, man, Let's give him the

2979
02:39:17,879 --> 02:39:22,200
Speaker 1: story Wow, the story got.

2980
02:39:35,959 --> 02:39:36,800
Speaker 5: Okay. I gotta tell you.

2981
02:39:38,480 --> 02:39:40,280
Speaker 1: I gotta tell you because I'm drunk and I need

2982
02:39:40,360 --> 02:39:43,400
Speaker 1: some food. I played we got you, We got He

2983
02:39:43,480 --> 02:39:49,039
Speaker 1: ain't ain't working them on a listen, I'm dropped held up.

2984
02:39:52,640 --> 02:39:56,160
Speaker 2: Men bow go to d R were out there before

2985
02:39:56,200 --> 02:40:00,960
Speaker 2: this convention. It's I don't know who convention, it's a

2986
02:40:01,040 --> 02:40:01,760
Speaker 2: DJ convention.

2987
02:40:04,440 --> 02:40:10,400
Speaker 1: And these Dominican girls come back here. That room sounds

2988
02:40:10,440 --> 02:40:10,640
Speaker 1: like a.

2989
02:40:12,920 --> 02:40:16,360
Speaker 2: And they don't speak no English, right, and we don't

2990
02:40:16,360 --> 02:40:20,400
Speaker 2: speak Spanish. So it's just like a whole bunch of

2991
02:40:20,600 --> 02:40:22,440
Speaker 2: just fucked up, like what's going on?

2992
02:40:24,000 --> 02:40:26,640
Speaker 1: But you know, and every.

2993
02:40:27,640 --> 02:40:31,600
Speaker 2: Language getting naked is the same talk and get talk.

2994
02:40:32,680 --> 02:40:39,360
Speaker 2: So this guy bow Wow, I go back into I

2995
02:40:39,480 --> 02:40:43,360
Speaker 2: go in the room. Way's in there, fucking this Dominican girl.

2996
02:40:45,760 --> 02:40:46,840
Speaker 1: Don't getting around that one.

2997
02:40:47,080 --> 02:40:56,920
Speaker 2: And he's talking to her crazy crazy ship in the

2998
02:40:57,000 --> 02:40:59,960
Speaker 2: world to this girl and she don't understand nothing he said.

2999
02:41:01,360 --> 02:41:04,560
Speaker 2: It's like, I'm like, I'm like, Yo, you're going it's

3000
02:41:04,600 --> 02:41:07,800
Speaker 2: not even you know, I'm saying because she don't know

3001
02:41:07,879 --> 02:41:09,000
Speaker 2: what the talking.

3002
02:41:10,800 --> 02:41:13,119
Speaker 1: Yo, I'm not saying this nigga was talking.

3003
02:41:13,200 --> 02:41:17,160
Speaker 2: So President, I'm saying the crazy ship in the world

3004
02:41:17,240 --> 02:41:18,480
Speaker 2: that you can watch me say to her.

3005
02:41:18,879 --> 02:41:30,680
Speaker 7: He's saying this, sir, this is me dude, Yo me

3006
02:41:36,400 --> 02:41:39,440
Speaker 7: listen by the way, I walked in while this was happening,

3007
02:41:40,040 --> 02:41:40,280
Speaker 7: and I.

3008
02:41:40,280 --> 02:41:42,560
Speaker 1: Couldn't believe it. That's why I'm telling y'all because I'm like,

3009
02:41:42,959 --> 02:41:46,280
Speaker 1: this nigga talking to her. She don't know, she don't

3010
02:41:46,320 --> 02:41:48,800
Speaker 1: know nothing he's saying. He's saying it to her like

3011
02:41:49,120 --> 02:41:53,240
Speaker 1: you you gotta come on. She's like, what the fuck you?

3012
02:41:53,680 --> 02:41:54,920
Speaker 1: What are you talking about?

3013
02:41:55,879 --> 02:41:59,920
Speaker 12: Yes, this nigga was a wild before we go about

3014
02:42:00,600 --> 02:42:02,920
Speaker 12: going right to you about you better for me.

3015
02:42:04,959 --> 02:42:12,520
Speaker 1: Look, he's crying. Look but what what? What? What made

3016
02:42:12,560 --> 02:42:16,280
Speaker 1: you know that? That was? Is another door over? There

3017
02:42:16,560 --> 02:42:24,320
Speaker 1: were the same We're in the same room. I mean,

3018
02:42:24,360 --> 02:42:27,480
Speaker 1: we're in the same para. Say about we got a house.

3019
02:42:27,520 --> 02:42:30,360
Speaker 1: We got a house, So what happened about? I mean

3020
02:42:30,600 --> 02:42:35,040
Speaker 1: he pretty much said it. I was wildly. I was

3021
02:42:35,120 --> 02:42:36,240
Speaker 1: wigging because you know.

3022
02:42:36,240 --> 02:42:36,680
Speaker 5: It was fun.

3023
02:42:36,760 --> 02:42:38,119
Speaker 1: I was like, you know what I'm saying. I was like, ship,

3024
02:42:38,200 --> 02:42:40,560
Speaker 1: you don't know. I was like, this is like practice

3025
02:42:40,600 --> 02:42:42,280
Speaker 1: for when I want to talk to an American girl

3026
02:42:42,400 --> 02:42:42,560
Speaker 1: like this.

3027
02:42:43,120 --> 02:42:47,120
Speaker 3: So I was like, I.

3028
02:42:49,120 --> 02:42:51,480
Speaker 1: Was like, yo, we're gonna have some fun. It's my

3029
02:42:51,600 --> 02:42:54,520
Speaker 1: first time. And we really took the jet really took

3030
02:42:57,280 --> 02:42:58,360
Speaker 1: Germany for some reason.

3031
02:42:58,640 --> 02:42:59,039
Speaker 2: So I was like.

3032
02:43:00,520 --> 02:43:03,200
Speaker 1: JD got the plane. We had the nice girls in there,

3033
02:43:03,240 --> 02:43:06,040
Speaker 1: and I was just like fuck it. I was just

3034
02:43:06,160 --> 02:43:07,920
Speaker 1: charged up. We had I had a good time. I

3035
02:43:08,000 --> 02:43:09,760
Speaker 1: had a good time, for sure, had a good time.

3036
02:43:10,120 --> 02:43:11,880
Speaker 1: I ain't never seen no crazy ship like that in

3037
02:43:12,000 --> 02:43:15,840
Speaker 1: my life. What are you talking about? I don't understand

3038
02:43:16,240 --> 02:43:16,840
Speaker 1: saying crazy.

3039
02:43:16,920 --> 02:43:20,240
Speaker 2: I'm saying the girl don't understand you. He's talking to

3040
02:43:20,320 --> 02:43:22,279
Speaker 2: her like she shuck my dicks?

3041
02:43:23,680 --> 02:43:24,320
Speaker 1: So what did she do?

3042
02:43:25,080 --> 02:43:25,320
Speaker 11: Lack?

3043
02:43:28,520 --> 02:43:34,120
Speaker 1: He's talking? So where were you? Where were the instructions going?

3044
02:43:34,240 --> 02:43:39,200
Speaker 1: Idn't understand what you're saying, Bro, you suck my dick? Man?

3045
02:43:39,720 --> 02:43:49,160
Speaker 1: She said you your wait wait listen by the way, listen.

3046
02:43:49,240 --> 02:43:51,760
Speaker 1: Before I came over here, bye, I told me he's like,

3047
02:43:52,680 --> 02:43:57,119
Speaker 1: don't talk about called me and say yo j nor

3048
02:43:57,800 --> 02:43:58,879
Speaker 1: he going with these stories.

3049
02:43:59,280 --> 02:44:02,360
Speaker 2: So I'm trying to give these niggas some stories, right,

3050
02:44:05,080 --> 02:44:09,520
Speaker 2: give you the story. I'm just giving y'all some exclusive ship.

3051
02:44:09,600 --> 02:44:10,080
Speaker 5: You know what I mean?

3052
02:44:15,840 --> 02:44:18,120
Speaker 12: We were literally act it's true because the nigga about

3053
02:44:18,240 --> 02:44:25,320
Speaker 12: the whotel Oh that's one hundred percent. I'm not lying

3054
02:44:25,360 --> 02:44:27,440
Speaker 12: over I'm telling you act real ship.

3055
02:44:28,120 --> 02:44:30,840
Speaker 1: I don't know, lie, that's real ship. You know what.

3056
02:44:31,080 --> 02:44:33,879
Speaker 1: By the way, I get mad about my life right

3057
02:44:34,640 --> 02:44:39,039
Speaker 1: because my life is so real. It's just so real.

3058
02:44:39,520 --> 02:44:41,840
Speaker 1: I see so much ship that niggas ain't never seen.

3059
02:44:42,240 --> 02:44:45,280
Speaker 2: So I like these type of opportunities where I can

3060
02:44:45,520 --> 02:44:49,480
Speaker 2: tell y'all ship and say ship, because I've seen so

3061
02:44:49,760 --> 02:44:53,640
Speaker 2: much since I was twelve that nobody ain't ever seen.

3062
02:44:55,040 --> 02:44:57,920
Speaker 1: You know what I mean? Like, so it's crazy that

3063
02:44:58,040 --> 02:45:00,160
Speaker 1: you have to keep all of this ship like in

3064
02:45:00,680 --> 02:45:03,760
Speaker 1: your drink. Chance you can give us. You gotta give

3065
02:45:03,800 --> 02:45:05,280
Speaker 1: it out, you know what I'm saying. When you want

3066
02:45:05,400 --> 02:45:08,680
Speaker 1: you two more hours, okay, give it up. You gotta

3067
02:45:08,720 --> 02:45:09,760
Speaker 1: give it out. Gonna lie.

3068
02:45:09,800 --> 02:45:13,720
Speaker 3: I've been holding my pee for since my listen. I

3069
02:45:13,800 --> 02:45:20,440
Speaker 3: looked at times eleven fifty eight. We've no no, no, listen,

3070
02:45:20,560 --> 02:45:21,280
Speaker 3: let me take something.

3071
02:45:21,680 --> 02:45:27,720
Speaker 1: Damn it's eleven o'clock. Listen, listen, ship. No, you gotta relax.

3072
02:45:30,120 --> 02:45:34,640
Speaker 1: You gotta relax, You gotta you gotta see that, you

3073
02:45:35,200 --> 02:45:38,080
Speaker 1: gotta relax, you gotta Okay, this is what we do

3074
02:45:38,520 --> 02:45:42,360
Speaker 1: because they see in hip hop, they give us an

3075
02:45:42,440 --> 02:45:43,440
Speaker 1: expiration days like.

3076
02:45:46,000 --> 02:46:01,800
Speaker 5: YO didn't on twin right.

3077
02:46:04,240 --> 02:46:09,000
Speaker 3: Speaking of mad wait listen, that's theoid's twin and that's cocaine.

3078
02:46:12,879 --> 02:46:27,320
Speaker 1: It's okay cocaine. Yeah, oh yeah, you can this forget

3079
02:46:27,959 --> 02:46:29,600
Speaker 1: forget about it. I want to. I really want to

3080
02:46:29,600 --> 02:46:34,360
Speaker 1: say this that I'm all right man this space. Nigga

3081
02:46:34,440 --> 02:46:39,560
Speaker 1: noy was trolling when I did the rap Radar Ship.

3082
02:46:40,520 --> 02:46:43,320
Speaker 1: The nigga was going so hard on me. Yes, I

3083
02:46:43,400 --> 02:46:45,320
Speaker 1: want why the funk is you want them nigga show?

3084
02:46:47,160 --> 02:46:51,400
Speaker 1: It was on Twitter going stupid want reading by call

3085
02:46:51,520 --> 02:46:53,560
Speaker 1: me that. Don't call me like, Yo, you gotta do

3086
02:46:53,680 --> 02:46:56,000
Speaker 1: Nord show man that nigga showed the ship. You gotta

3087
02:46:56,040 --> 02:46:58,480
Speaker 1: go do that nigga show. You did wrong the show. First,

3088
02:46:58,760 --> 02:47:01,840
Speaker 1: I did wrong something show. I wasn't gonna bring it up,

3089
02:47:01,840 --> 02:47:06,360
Speaker 1: but you did, so I I gotta throwing out there.

3090
02:47:06,440 --> 02:47:08,760
Speaker 1: I was like, come on, sla them niggas was out.

3091
02:47:08,879 --> 02:47:11,800
Speaker 1: You do remember reading Nevada when we was out there.

3092
02:47:12,440 --> 02:47:17,879
Speaker 1: You remember you remembers talking about impact. Listen, by the way, impact.

3093
02:47:19,560 --> 02:47:22,160
Speaker 3: You know what, I know what I'm saying, and you

3094
02:47:22,280 --> 02:47:25,959
Speaker 3: know what, Yet there was should niggas that moved when

3095
02:47:26,000 --> 02:47:27,400
Speaker 3: the West Coast niggas came.

3096
02:47:27,600 --> 02:47:30,440
Speaker 1: And I remember j D standing there with me like

3097
02:47:30,640 --> 02:47:33,560
Speaker 1: he he stood there. I was there, but JD was

3098
02:47:33,640 --> 02:47:37,080
Speaker 1: right there. I remember he not moving. So I said, damn,

3099
02:47:37,480 --> 02:47:40,960
Speaker 1: that's my nigga. Like I know, we never officially said that,

3100
02:47:41,440 --> 02:47:42,560
Speaker 1: but I appreciate it.

3101
02:47:42,840 --> 02:47:47,160
Speaker 3: When all the East Coast niggas went upstairs, and that's

3102
02:47:47,200 --> 02:47:49,840
Speaker 3: how I met Forty, because E Forty came to me

3103
02:47:49,920 --> 02:47:52,480
Speaker 3: and said, damn, hey boy from the East Coast went

3104
02:47:52,560 --> 02:47:54,720
Speaker 3: up and I'm the only nigga that actually got a

3105
02:47:55,160 --> 02:47:59,200
Speaker 3: fucking record this in the West Coast. And I wasn't

3106
02:47:59,240 --> 02:48:01,200
Speaker 3: dissing them, but I I was standing up for my

3107
02:48:01,360 --> 02:48:05,040
Speaker 3: coast l A l A. And I stood there and

3108
02:48:05,480 --> 02:48:08,720
Speaker 3: one of the only other motherfuckers that stood there was

3109
02:48:08,879 --> 02:48:09,400
Speaker 3: this nigga.

3110
02:48:10,160 --> 02:48:12,400
Speaker 1: And then this is how I know it's Dawn Perryon

3111
02:48:12,560 --> 02:48:16,279
Speaker 1: story the truth. I said, Yo, what's your drinking.

3112
02:48:17,040 --> 02:48:20,200
Speaker 3: I thought he's gonna say handy straight, and nigga said

3113
02:48:20,280 --> 02:48:21,080
Speaker 3: dog barry All.

3114
02:48:21,160 --> 02:48:22,240
Speaker 1: I was like, oh, ship.

3115
02:48:24,600 --> 02:48:28,520
Speaker 3: To grab the President of Regulator, saneil Levine. This niggas

3116
02:48:28,600 --> 02:48:31,640
Speaker 3: one doll barry On. I'm not moving, I can't move.

3117
02:48:32,120 --> 02:48:34,160
Speaker 3: Get that nigga what you want. And I bought you balked.

3118
02:48:34,320 --> 02:48:34,960
Speaker 3: Do you remember that?

3119
02:48:35,720 --> 02:48:38,920
Speaker 1: Yeah? Yeah, I want you to very I don't even

3120
02:48:38,959 --> 02:48:40,640
Speaker 1: do you drinking? I did you? Just like all right,

3121
02:48:40,680 --> 02:48:43,040
Speaker 1: cool you he was testing me out. He was like,

3122
02:48:43,120 --> 02:48:45,480
Speaker 1: all right, cool, the nigga asked me, when me doing?

3123
02:48:46,040 --> 02:48:48,560
Speaker 1: What's up? I mean I might have drank that ship.

3124
02:48:48,560 --> 02:48:52,480
Speaker 3: I'm gonna keep him real like no, but that was

3125
02:48:52,560 --> 02:48:56,520
Speaker 3: some real ship. Come No, that was some real ship

3126
02:48:56,920 --> 02:49:02,360
Speaker 3: because at that time, it was either you full flashed

3127
02:49:02,959 --> 02:49:07,040
Speaker 3: East coast like Atlanta was looked at as the East coast.

3128
02:49:08,520 --> 02:49:11,280
Speaker 1: Keep it real, like we didn't have the.

3129
02:49:11,400 --> 02:49:14,680
Speaker 3: Division that these kids have now, like you gotta be

3130
02:49:14,720 --> 02:49:18,160
Speaker 3: from Memphest like it was all like it was almost like.

3131
02:49:18,200 --> 02:49:21,240
Speaker 1: The NBA, you know, like the NBA. The NBA, they

3132
02:49:21,240 --> 02:49:22,640
Speaker 1: said this is all East coast.

3133
02:49:22,760 --> 02:49:25,760
Speaker 3: They say Miami's East coast, Atlanta's East coast.

3134
02:49:26,320 --> 02:49:29,440
Speaker 1: It was almost like that. Yeah, it was keep it real,

3135
02:49:29,600 --> 02:49:34,760
Speaker 1: like I'm bucking up. East Coast was East coast. I

3136
02:49:34,840 --> 02:49:35,360
Speaker 1: mean that's what it.

3137
02:49:35,920 --> 02:49:38,480
Speaker 2: Atlanta is the East coast, though Miami's East coast.

3138
02:49:38,520 --> 02:49:39,200
Speaker 11: It is what it is.

3139
02:49:39,480 --> 02:49:44,000
Speaker 3: Yeah, we're all these these cutters took together. Relax, really,

3140
02:49:45,800 --> 02:49:53,160
Speaker 3: y'all want to play your song it's that steroids. It's

3141
02:49:54,000 --> 02:49:58,600
Speaker 3: taking steroids. I don't give He'll be moving on. Man,

3142
02:49:58,680 --> 02:50:01,600
Speaker 3: come on, it's two. Look you see you met the

3143
02:50:01,640 --> 02:50:02,040
Speaker 3: other twin.

3144
02:50:02,160 --> 02:50:02,800
Speaker 1: This is the other twin.

3145
02:50:04,400 --> 02:50:05,000
Speaker 5: You work out.

3146
02:50:08,360 --> 02:50:19,560
Speaker 1: What's stereoys? I know about the cream creative. It's called maintenance.

3147
02:50:20,120 --> 02:50:22,680
Speaker 1: You gotta you gotta maintain every most in your body

3148
02:50:22,760 --> 02:50:23,560
Speaker 1: every week. That's it.

3149
02:50:24,879 --> 02:50:28,480
Speaker 13: If you maintain everybody, every muscle in your body, every week,

3150
02:50:28,680 --> 02:50:29,480
Speaker 13: you'll be as good.

3151
02:50:38,640 --> 02:50:41,160
Speaker 1: I'm so sorry, j D. Let me tell you something. Man.

3152
02:50:44,360 --> 02:50:53,440
Speaker 1: If a person working, you know, come give me a

3153
02:50:53,480 --> 02:50:57,960
Speaker 1: twin you know him and Mike's going. You see him

3154
02:50:58,000 --> 02:50:59,480
Speaker 1: examt l a fitness.

3155
02:51:02,840 --> 02:51:03,440
Speaker 5: Can see the.

3156
02:51:04,959 --> 02:51:09,720
Speaker 1: Er. I'll be sliding on my my nigga, what you

3157
02:51:09,800 --> 02:51:10,800
Speaker 1: canna do is he asked?

3158
02:51:10,879 --> 02:51:11,039
Speaker 9: Now?

3159
02:51:11,200 --> 02:51:16,600
Speaker 1: Keep it? You know? You know listen as show none

3160
02:51:19,120 --> 02:51:19,879
Speaker 1: you're fucking.

3161
02:51:22,720 --> 02:51:25,080
Speaker 13: I have no choice now but to become a professional

3162
02:51:25,160 --> 02:51:25,800
Speaker 13: as eater.

3163
02:51:27,440 --> 02:51:28,279
Speaker 5: Any battle.

3164
02:51:28,840 --> 02:51:35,040
Speaker 1: So they come to my room. How many professional as eater?

3165
02:51:35,200 --> 02:51:35,320
Speaker 4: Now?

3166
02:51:36,160 --> 02:51:37,119
Speaker 1: That's choice?

3167
02:51:37,920 --> 02:51:38,040
Speaker 2: You know?

3168
02:51:38,200 --> 02:51:41,400
Speaker 1: My b just getting bigger now, son, that sh getting thicker.

3169
02:51:41,520 --> 02:51:43,080
Speaker 14: My nigga's because you know what I'm saying, I'm just

3170
02:51:43,120 --> 02:51:44,400
Speaker 14: way under little bead of going.

3171
02:51:45,640 --> 02:51:45,760
Speaker 9: You know.

3172
02:51:45,920 --> 02:51:48,600
Speaker 14: Hey, but look hey, like about all two son, he's

3173
02:51:48,640 --> 02:51:51,320
Speaker 14: like thirty. He still got the little joint. You know

3174
02:51:51,360 --> 02:51:56,359
Speaker 14: what I'm saying, Chinese nigga.

3175
02:51:56,160 --> 02:52:01,040
Speaker 1: He said. Anyway, they don't always got relaxed. Say this,

3176
02:52:01,280 --> 02:52:02,080
Speaker 1: this is the way it works.

3177
02:52:02,080 --> 02:52:04,320
Speaker 9: You love me, You gotta love my twin, You feel me,

3178
02:52:04,480 --> 02:52:06,240
Speaker 9: you love me, you gotta love you, gotta love both

3179
02:52:06,280 --> 02:52:06,560
Speaker 9: of us.

3180
02:52:10,879 --> 02:52:14,360
Speaker 1: Yn't chill chill this, No, no, I'll make this t

3181
02:52:14,520 --> 02:52:16,520
Speaker 1: he like, I'm like, yo, I see a bath in

3182
02:52:16,600 --> 02:52:18,480
Speaker 1: the club. I tell my twin, I'm like, yo, you

3183
02:52:18,560 --> 02:52:21,160
Speaker 1: gotta funk her for me moneygga. And he goes and

3184
02:52:21,240 --> 02:52:23,039
Speaker 1: bags and focusing for me, like that's a fact.

3185
02:52:28,760 --> 02:52:30,640
Speaker 14: I can't bet a dog these nuts on he You

3186
02:52:30,680 --> 02:52:32,000
Speaker 14: know what I'm saying, something like, Yo, you gotta do

3187
02:52:32,080 --> 02:52:32,920
Speaker 14: what I can't do for.

3188
02:52:33,040 --> 02:52:36,480
Speaker 1: Her, you know what I'm saying. But we don't show him. Yeah,

3189
02:52:36,520 --> 02:52:38,520
Speaker 1: he's temporarily out of service for the moment.

3190
02:52:38,600 --> 02:52:39,119
Speaker 5: You feel.

3191
02:52:40,760 --> 02:52:42,920
Speaker 1: Hey, Max, I'm gonna walk again. Man, Fuck that. I

3192
02:52:42,920 --> 02:52:51,640
Speaker 1: ain't the first purple leap. Baby, It's only been ten months.

3193
02:52:51,680 --> 02:52:52,440
Speaker 5: Baby, this did it.

3194
02:52:53,080 --> 02:52:56,320
Speaker 1: Let's get it. Damn got that. We are able all

3195
02:52:56,480 --> 02:53:00,000
Speaker 1: money right now. Let me tell you something.

3196
02:53:00,040 --> 02:53:01,840
Speaker 3: You know, we're in a little eighty before you know

3197
02:53:01,879 --> 02:53:07,119
Speaker 3: who is you die right there now where Winwood.

3198
02:53:07,240 --> 02:53:11,560
Speaker 1: This is very good, right, you know, very bad. It

3199
02:53:11,680 --> 02:53:12,480
Speaker 1: used to be very ready.

3200
02:53:12,840 --> 02:53:15,760
Speaker 3: That's because you're like a like a fisher Miami guy. Okay,

3201
02:53:15,800 --> 02:53:18,960
Speaker 3: you gotta relax, like let's talk about the millennials.

3202
02:53:19,280 --> 02:53:20,280
Speaker 1: All right, it's very good.

3203
02:53:20,360 --> 02:53:23,720
Speaker 3: Now now we're in like an upgrading section. I see

3204
02:53:24,800 --> 02:53:28,160
Speaker 3: and we're still hooding it out, JD. So now we

3205
02:53:28,240 --> 02:53:33,600
Speaker 3: gotta see one more shot, but we're doing one in

3206
02:53:33,720 --> 02:53:34,600
Speaker 3: nineteen forty.

3207
02:53:34,400 --> 02:53:35,199
Speaker 1: Two, one.

3208
02:53:36,840 --> 02:53:43,120
Speaker 18: Ago, put right, putting more shot, one more one more

3209
02:53:43,240 --> 02:53:45,720
Speaker 18: shot and that no, you can take that to go.

3210
02:53:46,080 --> 02:53:47,879
Speaker 1: That's you always go back.

3211
02:53:49,440 --> 02:53:55,720
Speaker 15: Shot because yo, because j D, I don't. I thought

3212
02:53:56,440 --> 02:54:02,040
Speaker 15: a great job. O.

3213
02:54:03,120 --> 02:54:07,480
Speaker 1: Look look and that's for you and JD. I just

3214
02:54:07,560 --> 02:54:10,720
Speaker 1: want you to know we could have got like mad

3215
02:54:10,879 --> 02:54:18,240
Speaker 1: journatorial what is that called journal listed journalists? We are

3216
02:54:18,320 --> 02:54:22,119
Speaker 1: both fans and you you know what we do when

3217
02:54:22,879 --> 02:54:25,480
Speaker 1: we're about to film people. We just sit there and

3218
02:54:25,720 --> 02:54:27,160
Speaker 1: just listen to their old music.

3219
02:54:27,560 --> 02:54:30,920
Speaker 3: We come here early and we just sit there and

3220
02:54:31,000 --> 02:54:34,760
Speaker 3: we just listen to their old everything. We make a

3221
02:54:34,840 --> 02:54:41,280
Speaker 3: playlist fact Spotify title high us. Let's give it a

3222
02:54:41,360 --> 02:54:48,800
Speaker 3: good playlist, how people should be represented, And the thing

3223
02:54:48,879 --> 02:54:51,600
Speaker 3: about it is, I guess the reason why this show

3224
02:54:51,680 --> 02:54:54,040
Speaker 3: works is because they quote unquote called me a hip

3225
02:54:54,080 --> 02:54:57,800
Speaker 3: hop legend. But guess what, even if I'm a hip

3226
02:54:57,840 --> 02:55:00,480
Speaker 3: hop legend, it will never take me a way. And

3227
02:55:00,640 --> 02:55:03,680
Speaker 3: my brother djir Fan mixtape King.

3228
02:55:04,440 --> 02:55:06,720
Speaker 1: It would never take away from me not being a

3229
02:55:06,840 --> 02:55:10,959
Speaker 1: fan of would have originally played out. And I've never

3230
02:55:11,080 --> 02:55:15,160
Speaker 1: been scared or afraid to be a fan of anybody.

3231
02:55:15,840 --> 02:55:19,240
Speaker 1: I love being a fan. Why not the thing in

3232
02:55:19,400 --> 02:55:22,600
Speaker 1: hip hop we stop praising being a fan?

3233
02:55:23,520 --> 02:55:27,199
Speaker 3: Yeah, people being afraid of being fast, yo, yo, spread

3234
02:55:27,280 --> 02:55:29,360
Speaker 3: that creed you god damn hold on, that's.

3235
02:55:29,240 --> 02:55:33,520
Speaker 1: What's five hundred to spray. You gotta do, let.

3236
02:55:35,080 --> 02:55:36,600
Speaker 3: And you gotta put this ship in your face when

3237
02:55:36,640 --> 02:55:40,600
Speaker 3: your kids, when you go find some bitches yourself cause

3238
02:55:40,640 --> 02:55:41,560
Speaker 3: little bitsess over here.

3239
02:55:45,040 --> 02:55:48,400
Speaker 1: But but you know this is my nigga. You know

3240
02:55:48,560 --> 02:55:49,400
Speaker 1: you know Twin Good.

3241
02:55:49,520 --> 02:55:51,800
Speaker 3: You can do whatever the fuck you wanna do. Alright,

3242
02:55:51,800 --> 02:55:55,520
Speaker 3: you're gonna popot walk off the show, yo. Hold on,

3243
02:55:55,640 --> 02:55:56,880
Speaker 3: hot champagne kill people.

3244
02:55:57,840 --> 02:56:01,080
Speaker 1: You already enough? So what out? But I wanna continue

3245
02:56:01,080 --> 02:56:06,879
Speaker 1: to do. We continue to praise our legends. D d.

3246
02:56:09,760 --> 02:56:12,120
Speaker 3: In case you don't claim. It's like sometimes people come

3247
02:56:12,200 --> 02:56:15,080
Speaker 3: to me and be like, yo, you put the Neptunes on.

3248
02:56:15,320 --> 02:56:17,760
Speaker 3: I'll be like, h the Neptuness was gonna be here.

3249
02:56:17,800 --> 02:56:21,080
Speaker 3: The Neptunees, whoever, whether they gave me a record or not,

3250
02:56:22,200 --> 02:56:22,880
Speaker 3: they were talent.

3251
02:56:23,040 --> 02:56:26,000
Speaker 1: Put 'em on, though. Yeah, facts you didn't put them on.

3252
02:56:26,160 --> 02:56:29,120
Speaker 3: But that's my way of being, Oh, you know what,

3253
02:56:29,200 --> 02:56:33,680
Speaker 3: you put 'em on, Thank you, thank you, But I

3254
02:56:33,800 --> 02:56:39,520
Speaker 3: don't want you to ever forget what you did for

3255
02:56:39,720 --> 02:56:45,240
Speaker 3: the the whole Northern East Coast m hemisphere. You know,

3256
02:56:46,520 --> 02:56:49,720
Speaker 3: we didn't know what was happening in Atlanta. We didn't

3257
02:56:49,800 --> 02:56:52,320
Speaker 3: have uh, what's the hotels they had?

3258
02:56:54,080 --> 02:56:54,760
Speaker 1: Uh? Y'all had?

3259
02:56:54,840 --> 02:56:58,280
Speaker 3: Y'all had a hotel, I forget it. It was like, no,

3260
02:56:58,480 --> 02:57:01,120
Speaker 3: not a Swiss hotel that came later that was next

3261
02:57:01,240 --> 02:57:03,560
Speaker 3: to Lenox More. Yeah, you think I don't know them

3262
02:57:03,560 --> 02:57:07,000
Speaker 3: from because Switzerland. Yeah, and they had Wolf cris Under

3263
02:57:07,040 --> 02:57:09,840
Speaker 3: there too, and then they also had you also, the

3264
02:57:09,879 --> 02:57:10,760
Speaker 3: Pooring restaurant.

3265
02:57:11,720 --> 02:57:15,040
Speaker 1: I've been through different eras, you know what, but it

3266
02:57:15,160 --> 02:57:20,120
Speaker 1: was like kinda like quinta Queen, like, you know, I

3267
02:57:20,160 --> 02:57:23,480
Speaker 1: was hurting first visit to Atlanta. I was hurting. So

3268
02:57:23,520 --> 02:57:26,280
Speaker 1: I went to like Queen though It's like it's like

3269
02:57:26,440 --> 02:57:30,000
Speaker 1: forty dollars. And then I realized, I said.

3270
02:57:29,959 --> 02:57:34,800
Speaker 3: Damn, these niggas moved the same way. They alligated the

3271
02:57:34,840 --> 02:57:38,760
Speaker 3: same way. They but they got accents. And I said,

3272
02:57:39,040 --> 02:57:40,560
Speaker 3: I said, New York, we were tired.

3273
02:57:41,360 --> 02:57:44,320
Speaker 1: It was rules. You don't you don't go to a

3274
02:57:44,360 --> 02:57:45,520
Speaker 1: strip club in New York.

3275
02:57:46,760 --> 02:57:49,400
Speaker 3: That's what we won it too. If you go to

3276
02:57:49,440 --> 02:57:53,280
Speaker 3: the strip club, you don't throw money, go too, you

3277
02:57:53,320 --> 02:57:54,279
Speaker 3: don't take the ships.

3278
02:57:55,040 --> 02:58:00,840
Speaker 1: Three. I did all that my first week in Miami.

3279
02:58:01,600 --> 02:58:05,400
Speaker 3: But in Atlanta when Players Club, I'm gonna tell you

3280
02:58:05,440 --> 02:58:09,160
Speaker 3: what trans the whole ship when Players You remember when

3281
02:58:09,240 --> 02:58:13,720
Speaker 3: Players Club came out and ice Cube focused on Atlanta

3282
02:58:13,840 --> 02:58:14,560
Speaker 3: strip club?

3283
02:58:15,680 --> 02:58:17,000
Speaker 1: You remember, you know what I'm saying.

3284
02:58:18,240 --> 02:58:21,119
Speaker 3: And then when I went to Atlanta, I don't think

3285
02:58:21,280 --> 02:58:23,600
Speaker 3: the only club that's still open from back then, it's

3286
02:58:23,680 --> 02:58:26,840
Speaker 3: Magie City. That's the only am I correct?

3287
02:58:27,040 --> 02:58:33,000
Speaker 1: Yes, like there was other clubs there was, honest didn't.

3288
02:58:33,120 --> 02:58:37,879
Speaker 3: I just came later, right, came later, and you guys

3289
02:58:38,080 --> 02:58:41,760
Speaker 3: introduced the strip club. Even though Miami has been living

3290
02:58:42,879 --> 02:58:45,000
Speaker 3: what I'm saying, hip hop culture of Miami.

3291
02:58:45,320 --> 02:58:47,760
Speaker 1: But I'm saying through hip hop. Through hip hop here too,

3292
02:58:48,400 --> 02:58:51,240
Speaker 1: we're to live and all of them and Luke and everybody. Yeah,

3293
02:58:51,280 --> 02:58:53,680
Speaker 1: but we we we we can get to Atlanta. We

3294
02:58:53,840 --> 02:58:56,880
Speaker 1: made it. We made the strippers famous. I mean, we

3295
02:58:56,920 --> 02:58:58,080
Speaker 1: can battle that in Miami.

3296
02:59:00,040 --> 02:59:07,960
Speaker 2: In one stripple Brad to start what's his name rat from? Yeah,

3297
02:59:08,320 --> 02:59:12,800
Speaker 2: shut red, that's only one though, you said one, you said,

3298
02:59:15,520 --> 02:59:19,360
Speaker 2: I'm saying like, listen, I'm just saying like, like, I

3299
02:59:19,520 --> 02:59:22,680
Speaker 2: just think birth y'all. Y'all gave birth to the day

3300
02:59:22,760 --> 02:59:25,080
Speaker 2: because when I went to Atlanta, you can't even touch

3301
02:59:25,120 --> 02:59:26,760
Speaker 2: a girl in Atlanta in the strip club.

3302
02:59:27,040 --> 02:59:29,760
Speaker 1: You can't get a real lap dance. You can't get noo.

3303
02:59:29,959 --> 02:59:32,879
Speaker 1: In Miami you could get full on lap dance everything. See,

3304
02:59:33,320 --> 02:59:34,840
Speaker 1: you know what I'm saying. I don't know what time

3305
02:59:34,920 --> 02:59:40,320
Speaker 1: I'm stupid to this from the nineties right back. I'm

3306
02:59:40,360 --> 02:59:41,400
Speaker 1: talking about legs.

3307
02:59:41,480 --> 02:59:44,600
Speaker 2: By the way, Miami, Atlanta, Miami and Atlanta is the

3308
02:59:44,720 --> 02:59:47,800
Speaker 2: only place where it's real strip clubs at absolutely, I

3309
02:59:47,920 --> 02:59:51,280
Speaker 2: believe your true strip clubs you can see a bitch

3310
02:59:51,440 --> 02:59:56,640
Speaker 2: whole inside. I mean, you're right, you're right, But I

3311
02:59:56,680 --> 02:59:58,480
Speaker 2: think what he's saying, this is what we can all

3312
02:59:58,879 --> 03:00:01,000
Speaker 2: agree to is that we broke records.

3313
03:00:01,440 --> 03:00:03,640
Speaker 1: Y'all did y'all did what y'all, y'all did, y'all us

3314
03:00:04,520 --> 03:00:07,160
Speaker 1: in the strip. But what we but what we did?

3315
03:00:07,360 --> 03:00:10,840
Speaker 2: We we we made the strippers famous in Atlanta. That's

3316
03:00:10,840 --> 03:00:16,640
Speaker 2: what we did, like white chocolate sugar man, Like we

3317
03:00:16,760 --> 03:00:19,279
Speaker 2: started making the strippers. The strippers became.

3318
03:00:20,400 --> 03:00:24,000
Speaker 4: Like I'm probably a bad ambassador for the strippers being

3319
03:00:24,080 --> 03:00:27,440
Speaker 4: famous in Miami, but I guarantee you made a lot

3320
03:00:27,520 --> 03:00:28,879
Speaker 4: of strippers in Miami famous.

3321
03:00:29,879 --> 03:00:32,280
Speaker 2: I mean, you know something, But I'm saying that that

3322
03:00:32,440 --> 03:00:35,720
Speaker 2: focus became. Atlanta's focus was like the strippers.

3323
03:00:36,120 --> 03:00:36,240
Speaker 1: Right.

3324
03:00:36,280 --> 03:00:38,160
Speaker 2: It was a club called the Gentlemen's Club, and they

3325
03:00:38,280 --> 03:00:41,960
Speaker 2: used to focus on like the hottest strip of a month. Right,

3326
03:00:42,080 --> 03:00:44,560
Speaker 2: you go to the club, you see the girl. As

3327
03:00:44,600 --> 03:00:45,920
Speaker 2: soon as you walk in the club. You got a

3328
03:00:45,959 --> 03:00:48,280
Speaker 2: big old sign out there like this is stripper of

3329
03:00:48,360 --> 03:00:50,119
Speaker 2: the month, right, the strip of the month.

3330
03:00:50,200 --> 03:00:51,720
Speaker 1: So you start, we was go to the.

3331
03:00:51,760 --> 03:00:57,320
Speaker 2: Clubs for that girl, this girl stripper of the day

3332
03:00:57,400 --> 03:01:00,040
Speaker 2: in Miami. Goddamn guarantee, you know what I mean. And

3333
03:01:00,160 --> 03:01:02,280
Speaker 2: that to me, that's that's when the strip club is lost. Now,

3334
03:01:02,680 --> 03:01:04,880
Speaker 2: the strip clubs, I just think that they'll focus on

3335
03:01:06,000 --> 03:01:09,000
Speaker 2: the South. The strip club culture is a Southern thing.

3336
03:01:10,080 --> 03:01:17,120
Speaker 1: I'm saying things before we before before. The thing is

3337
03:01:17,200 --> 03:01:20,199
Speaker 1: we broke records in the strip club in the South,

3338
03:01:20,440 --> 03:01:23,000
Speaker 1: in Miami and Atlanta. I'm assuming like that's the way

3339
03:01:23,000 --> 03:01:23,640
Speaker 1: he broke records.

3340
03:01:23,640 --> 03:01:25,520
Speaker 3: These are two things I gotta, I gotta. I gotta

3341
03:01:25,560 --> 03:01:28,480
Speaker 3: get established before you get out of here.

3342
03:01:29,360 --> 03:01:29,680
Speaker 1: All right.

3343
03:01:29,879 --> 03:01:33,119
Speaker 3: When you think of the strip club culture, it's as

3344
03:01:33,200 --> 03:01:37,160
Speaker 3: a person from New York East Coaster. I always think

3345
03:01:37,200 --> 03:01:44,320
Speaker 3: of Miami or Atlanta, all right, And for a strange reason,

3346
03:01:44,560 --> 03:01:49,640
Speaker 3: every time I think about Lemon Pepper, I think a

3347
03:01:49,680 --> 03:01:51,880
Speaker 3: Miami all Atlanta.

3348
03:01:53,680 --> 03:01:57,640
Speaker 1: Yeah, mother, No, he's thinking the stripper Lemon Pepper, motherfucker.

3349
03:01:58,600 --> 03:02:01,840
Speaker 1: I need to understand. Now, you from Ohio, right, Yeah,

3350
03:02:01,840 --> 03:02:03,440
Speaker 1: I was born here. I'm from New York, so me

3351
03:02:03,520 --> 03:02:10,640
Speaker 1: and you gotta actually and you from Miami. Correct. Listen,

3352
03:02:11,000 --> 03:02:13,640
Speaker 1: Let's do a game show, right, let's go. Let's do

3353
03:02:13,720 --> 03:02:14,400
Speaker 1: a game show.

3354
03:02:15,600 --> 03:02:18,480
Speaker 3: I don't want to say where did the strip club

3355
03:02:18,600 --> 03:02:19,440
Speaker 3: culture start?

3356
03:02:20,680 --> 03:02:28,840
Speaker 1: And I want to see which one of y'all it started? Anywhere? Okay,

3357
03:02:29,600 --> 03:02:36,600
Speaker 1: strike everywhere? Bro, like no strip up coach that resent

3358
03:02:36,760 --> 03:02:39,480
Speaker 1: sex at some point. That's the reason why New York

3359
03:02:39,560 --> 03:02:41,800
Speaker 1: didn't mess with strip club coach, because we thought you

3360
03:02:41,920 --> 03:02:46,920
Speaker 1: had to buy sex and all that club Plays Club

3361
03:02:47,040 --> 03:02:52,039
Speaker 1: the movie, Actually y'all have pasties in the club. That's horrible. Man, Okay,

3362
03:02:52,120 --> 03:02:52,920
Speaker 1: you win, you win.

3363
03:02:53,920 --> 03:02:57,199
Speaker 3: But after we seen the movie Players Club, New Yorkers

3364
03:02:57,320 --> 03:02:59,400
Speaker 3: was like, oh, that's.

3365
03:02:59,240 --> 03:03:03,960
Speaker 1: What they do. They go there to chill. We didn't

3366
03:03:04,160 --> 03:03:04,760
Speaker 1: know that.

3367
03:03:06,360 --> 03:03:09,600
Speaker 3: You don't agree with me with you wait too young,

3368
03:03:12,200 --> 03:03:15,600
Speaker 3: Well on this one, stay out because you're my brother,

3369
03:03:15,800 --> 03:03:16,760
Speaker 3: but you wait too.

3370
03:03:17,840 --> 03:03:21,440
Speaker 1: The strip was almost like being in a club, j D.

3371
03:03:21,640 --> 03:03:26,920
Speaker 1: You don't worry just to us, we're just here talking.

3372
03:03:27,120 --> 03:03:32,240
Speaker 3: But at that time, when the Players Club came out

3373
03:03:32,440 --> 03:03:37,640
Speaker 3: the movie, you remember that, that's the first time New

3374
03:03:37,760 --> 03:03:43,200
Speaker 3: Yorkers realized that Southern nurse y'all actually go to the

3375
03:03:43,200 --> 03:03:44,240
Speaker 3: strip club that chill.

3376
03:03:44,959 --> 03:03:45,119
Speaker 5: Wait.

3377
03:03:45,200 --> 03:03:46,400
Speaker 1: But what year was Players Club?

3378
03:03:47,560 --> 03:03:49,800
Speaker 3: Because I could imagine we got a guy he got

3379
03:03:49,840 --> 03:03:50,879
Speaker 3: the Google in front of him.

3380
03:03:51,320 --> 03:03:53,959
Speaker 4: Because before that movie came out, y'all was already coming

3381
03:03:54,000 --> 03:03:58,400
Speaker 4: down to Miami for Yeah, it wasn't Luke's Peak show.

3382
03:03:58,920 --> 03:04:02,040
Speaker 1: It was not fucking with strip clubs. Strip clubs was like,

3383
03:04:02,680 --> 03:04:05,120
Speaker 1: he's talking about New York. I'm just saying by the way.

3384
03:04:05,200 --> 03:04:06,640
Speaker 1: By the way, I'm gonna say this, but but I'm

3385
03:04:06,640 --> 03:04:08,920
Speaker 1: saying it was coming down, coming down.

3386
03:04:09,040 --> 03:04:11,480
Speaker 2: Let me just say this, like what he's talking about

3387
03:04:11,560 --> 03:04:14,360
Speaker 2: with the New York ship, Like when I put out

3388
03:04:15,360 --> 03:04:19,800
Speaker 2: when I put out Bone Crusher and I put out

3389
03:04:20,680 --> 03:04:21,840
Speaker 2: the Young Bloods, right.

3390
03:04:22,440 --> 03:04:35,039
Speaker 1: Don't you young Bloods is coming here young blos.

3391
03:04:36,040 --> 03:04:41,560
Speaker 2: So when I when I put these records out, kingse Slay,

3392
03:04:42,160 --> 03:04:45,840
Speaker 2: Casey case he tried to he was dissing me.

3393
03:04:45,920 --> 03:04:47,280
Speaker 1: He was mad at me. I don't know why, but

3394
03:04:47,360 --> 03:04:49,080
Speaker 1: I know, you know, I don't know what it was.

3395
03:04:49,200 --> 03:04:52,160
Speaker 2: But case Slay has said that, like one of my

3396
03:04:52,200 --> 03:04:55,400
Speaker 2: street team guys went out and they're saying that Case

3397
03:04:55,440 --> 03:04:57,640
Speaker 2: Slave was like, yo, if you bring another one of

3398
03:04:57,720 --> 03:05:01,400
Speaker 2: these Southern records in here, we really not with this ship.

3399
03:05:01,640 --> 03:05:03,600
Speaker 1: This is before New York sounded in the way New

3400
03:05:03,680 --> 03:05:05,119
Speaker 1: York sound right now because.

3401
03:05:06,400 --> 03:05:11,440
Speaker 2: So so so the strip club era where he's talking

3402
03:05:11,480 --> 03:05:17,720
Speaker 2: about New York wasn't on this, right, So I New

3403
03:05:17,840 --> 03:05:19,680
Speaker 2: York had their own way of that. They was doing

3404
03:05:19,760 --> 03:05:25,119
Speaker 2: SU's ren devous in the Bronx, right. So I went

3405
03:05:25,160 --> 03:05:27,120
Speaker 2: to Sus and I was checking out how they were

3406
03:05:27,200 --> 03:05:28,640
Speaker 2: going on Sus and I was like, Yo, you know

3407
03:05:28,680 --> 03:05:33,400
Speaker 2: what I'm gonna do Atlanta versus New York. So I

3408
03:05:33,520 --> 03:05:37,800
Speaker 2: got every girl from the Gentlemen's Club, Magicity and Strokers

3409
03:05:37,840 --> 03:05:38,240
Speaker 2: and all.

3410
03:05:38,080 --> 03:05:39,920
Speaker 1: These places, and I put them on this tour bus.

3411
03:05:39,959 --> 03:05:41,600
Speaker 2: And when I took them to New York and we

3412
03:05:41,640 --> 03:05:43,520
Speaker 2: went to New York and we did this battle between

3413
03:05:43,600 --> 03:05:47,280
Speaker 2: Atlanta and New York. Amber Rose was still stripping at

3414
03:05:47,680 --> 03:05:50,760
Speaker 2: Sue's rendevous at this particular point in time. The shot

3415
03:05:51,440 --> 03:05:56,640
Speaker 2: gyms and and and it was like you could tell

3416
03:05:56,760 --> 03:06:00,000
Speaker 2: like it was a completely different era of what was happening.

3417
03:06:00,040 --> 03:06:01,920
Speaker 2: And again Atlanta compared to what was going on in

3418
03:06:02,040 --> 03:06:07,080
Speaker 2: New York. Now, New York looks just like Atlanta. Strip

3419
03:06:07,160 --> 03:06:10,200
Speaker 2: clubs sound everything said back then, y'all killed us.

3420
03:06:10,760 --> 03:06:15,000
Speaker 1: Yeah, we killed you because take over we had. But

3421
03:06:15,120 --> 03:06:16,800
Speaker 1: but but it was it was the culture that you're

3422
03:06:16,800 --> 03:06:17,360
Speaker 1: talking about.

3423
03:06:17,520 --> 03:06:19,520
Speaker 2: We we I brought that to New York with the

3424
03:06:19,680 --> 03:06:24,400
Speaker 2: with the thing and just you know, Atlanta was ahead

3425
03:06:24,440 --> 03:06:27,480
Speaker 2: of the you know, the fake asses, all that ship

3426
03:06:27,520 --> 03:06:27,800
Speaker 2: they was.

3427
03:06:27,959 --> 03:06:33,680
Speaker 1: Atlanta was all that. Atlanta started the Atlanta Atlanta was,

3428
03:06:34,480 --> 03:06:41,040
Speaker 1: Atlanta was all that. And this was this was after Luke.

3429
03:06:41,120 --> 03:06:43,680
Speaker 2: So it wasn't like not like I was just you know,

3430
03:06:43,800 --> 03:06:47,080
Speaker 2: disrespecting Miami, because Miami definitely set this off. But it

3431
03:06:47,200 --> 03:06:51,400
Speaker 2: was like after Luke stopped his penetration of what he

3432
03:06:51,560 --> 03:06:56,280
Speaker 2: was doing, because it was it was you know, Luke

3433
03:06:56,440 --> 03:06:59,240
Speaker 2: was the guy that was letting everybody know what was

3434
03:06:59,280 --> 03:07:02,000
Speaker 2: going on in my AMMI his fall clubs. Once he

3435
03:07:02,120 --> 03:07:04,360
Speaker 2: stopped that, Atlanta took that over.

3436
03:07:05,640 --> 03:07:06,879
Speaker 5: But we took it over.

3437
03:07:07,160 --> 03:07:09,000
Speaker 1: We took it over, like I said, in a in

3438
03:07:09,080 --> 03:07:12,960
Speaker 1: a light that put the light on the dancers, the girls,

3439
03:07:13,160 --> 03:07:15,480
Speaker 1: the girls. That was you know, you wanted to see

3440
03:07:15,520 --> 03:07:16,920
Speaker 1: this girl, You wanted to see this girl. You want

3441
03:07:16,959 --> 03:07:19,200
Speaker 1: to see this girl? That was. That's what Atlanta did.

3442
03:07:19,280 --> 03:07:21,720
Speaker 1: We put the light on the girls. So that's why

3443
03:07:21,800 --> 03:07:24,880
Speaker 1: these chicks got a million followers. Yeah, that's where I

3444
03:07:24,959 --> 03:07:29,160
Speaker 1: started No Heart. That's where I started No Heart. They

3445
03:07:29,320 --> 03:07:35,519
Speaker 1: ruthless out here. You ever see the girls, you gotta relax.

3446
03:07:37,280 --> 03:07:40,680
Speaker 3: What ye Let me tell you, if you ever see

3447
03:07:40,720 --> 03:07:47,920
Speaker 3: the Spanish guys, just bring them to Atlantashish getting no.

3448
03:07:48,120 --> 03:07:56,400
Speaker 1: Love in Atlanta. Everywhere they drive.

3449
03:08:00,240 --> 03:08:00,640
Speaker 11: Was money.

3450
03:08:01,280 --> 03:08:03,200
Speaker 1: You told me you had to bullst off and drove

3451
03:08:03,240 --> 03:08:09,560
Speaker 1: the car. Yeah, yeah, because he was low. Let me

3452
03:08:09,640 --> 03:08:13,120
Speaker 1: tell you something. Cubanes the better swimming. Colum, Listen, listen.

3453
03:08:13,200 --> 03:08:16,279
Speaker 1: When this guy that I saw very authentic, I forget America.

3454
03:08:16,320 --> 03:08:35,960
Speaker 11: I saw real yellow bowls, crazy fucking yellow bulls. I

3455
03:08:36,120 --> 03:08:36,800
Speaker 11: was going crazy.

3456
03:08:36,920 --> 03:08:39,840
Speaker 1: You gotta relax, all right, listen.

3457
03:08:42,080 --> 03:08:46,320
Speaker 3: I'm so sorry your back seat.

3458
03:08:46,320 --> 03:08:49,120
Speaker 1: I've been through this now, I've been through this about

3459
03:08:49,120 --> 03:08:52,119
Speaker 1: I'm just looking at j D now. I was little

3460
03:08:52,200 --> 03:08:52,560
Speaker 1: right by.

3461
03:08:52,560 --> 03:08:54,400
Speaker 5: Why you when I was little?

3462
03:08:54,680 --> 03:08:55,879
Speaker 1: Huh? Please tell us?

3463
03:08:56,240 --> 03:08:59,119
Speaker 2: All these stripper girls around me and Bow just usually

3464
03:08:59,160 --> 03:09:03,680
Speaker 2: be like yo mad because he was just mad.

3465
03:09:03,520 --> 03:09:05,320
Speaker 1: At me because I had on the stripper girls.

3466
03:09:06,520 --> 03:09:08,800
Speaker 2: And the nigga was like the one day like I had.

3467
03:09:08,879 --> 03:09:12,360
Speaker 2: We took this trip to Dallas and the nigga went

3468
03:09:12,440 --> 03:09:14,160
Speaker 2: crazy on the stripper girl in this bunk.

3469
03:09:15,840 --> 03:09:17,480
Speaker 1: They got mad. He was like a glitter.

3470
03:09:17,680 --> 03:09:19,800
Speaker 2: He was like a little kid, but he ain't crazy

3471
03:09:20,360 --> 03:09:23,240
Speaker 2: like he was like like almost like damn, the trying

3472
03:09:23,280 --> 03:09:24,879
Speaker 2: to take everybody hostage or something.

3473
03:09:24,800 --> 03:09:28,480
Speaker 1: Crazy ship because he wanted this strippers so bad.

3474
03:09:28,560 --> 03:09:31,920
Speaker 2: He wanted this girl so bad, and he was mad

3475
03:09:31,920 --> 03:09:34,800
Speaker 2: because I had her with me and he got old

3476
03:09:34,879 --> 03:09:36,720
Speaker 2: enough he wanted to suck all these girls.

3477
03:09:36,760 --> 03:09:41,760
Speaker 1: That was like thet this nigga with him a fun

3478
03:09:41,920 --> 03:09:53,960
Speaker 1: all the girls. So I wasn't I wasn't going to

3479
03:09:54,000 --> 03:09:56,600
Speaker 1: bring this up. Oh my god, I'm so sorry.

3480
03:09:56,720 --> 03:09:58,520
Speaker 3: You know, I'm not a gospel guy. That's what he's

3481
03:09:58,520 --> 03:10:01,920
Speaker 3: gonna bring it up. But because j gave me the

3482
03:10:02,040 --> 03:10:08,200
Speaker 3: super So what is it media takeout that's saying that

3483
03:10:08,360 --> 03:10:10,520
Speaker 3: you responded to future?

3484
03:10:11,520 --> 03:10:13,720
Speaker 1: You know, yeah, no, I've seen that. No, they the

3485
03:10:14,560 --> 03:10:16,400
Speaker 1: media just took what I said and put it to

3486
03:10:17,040 --> 03:10:20,520
Speaker 1: keep it you want to be at all? Not at all.

3487
03:10:20,680 --> 03:10:22,920
Speaker 1: It was actually a lot of check who I took

3488
03:10:23,000 --> 03:10:26,200
Speaker 1: to the islands and then when I took it down

3489
03:10:26,240 --> 03:10:28,120
Speaker 1: to listen, no bullshit.

3490
03:10:28,520 --> 03:10:31,240
Speaker 9: I took the girl to the islands and the whole

3491
03:10:31,320 --> 03:10:33,160
Speaker 9: time she was you know, front, like she didn't have

3492
03:10:33,240 --> 03:10:33,959
Speaker 9: a dude or whatever.

3493
03:10:34,120 --> 03:10:38,280
Speaker 1: So when we got back home, my partners Slimmer, was like, yo,

3494
03:10:38,959 --> 03:10:44,000
Speaker 1: did you know? And I was like, I had nothing

3495
03:10:44,000 --> 03:10:45,800
Speaker 1: to do. I swear to God, had nothing to do him.

3496
03:10:46,920 --> 03:10:49,880
Speaker 9: And when I seen who the nigga was, niggas a celebrity.

3497
03:10:51,040 --> 03:10:53,760
Speaker 9: The niggas a real sucker though. So when I seen it,

3498
03:10:54,560 --> 03:10:56,440
Speaker 9: that's why I was like, oh, Ship, like I really

3499
03:10:56,720 --> 03:11:00,400
Speaker 9: had your bitch and the Bahamas and I see you

3500
03:11:00,520 --> 03:11:04,360
Speaker 9: now on Instagram hugging, loving, holding her hand, kissing her. Now,

3501
03:11:05,560 --> 03:11:08,440
Speaker 9: oh this is not the player move, like her mouth

3502
03:11:08,680 --> 03:11:09,959
Speaker 9: was in places.

3503
03:11:11,440 --> 03:11:13,520
Speaker 1: And so when I saw it. But the crazy shit

3504
03:11:13,680 --> 03:11:15,240
Speaker 1: is she actually called me.

3505
03:11:15,879 --> 03:11:19,039
Speaker 9: When she called me, she said, hey, look look, look,

3506
03:11:19,120 --> 03:11:22,000
Speaker 9: you know, can you just say like we were just broke,

3507
03:11:22,080 --> 03:11:23,480
Speaker 9: like we were just kicking it right when I was

3508
03:11:23,520 --> 03:11:25,240
Speaker 9: in Atlanta, like we wasn't doing nothing right.

3509
03:11:26,560 --> 03:11:28,280
Speaker 1: I'm like, what the fuck are you talking about?

3510
03:11:28,320 --> 03:11:30,200
Speaker 9: But my mind clicked like oh ship, she in front

3511
03:11:30,200 --> 03:11:32,480
Speaker 9: of her dude like I'm gonna just play along with it. No,

3512
03:11:32,640 --> 03:11:34,320
Speaker 9: we cold, we ain't never, we ain't never do nothing

3513
03:11:34,520 --> 03:11:36,280
Speaker 9: just to save her little relationshiphip had going on. But

3514
03:11:36,280 --> 03:11:37,680
Speaker 9: I didn't know who the nigga was. When I seen

3515
03:11:37,720 --> 03:11:39,680
Speaker 9: who the nigga was, I was like, oh, this is

3516
03:11:39,959 --> 03:11:42,800
Speaker 9: this nigga. And that's what prompt me to put the

3517
03:11:42,840 --> 03:11:43,640
Speaker 9: tweet up about the bra.

3518
03:11:44,600 --> 03:11:49,160
Speaker 1: She got real bow wow lost me. So that's I

3519
03:11:49,200 --> 03:11:53,640
Speaker 1: don't know what's going on. I don't know what I'm old.

3520
03:11:55,879 --> 03:12:03,080
Speaker 1: I don't know, but I'm so I believe it's having

3521
03:12:03,120 --> 03:12:09,640
Speaker 1: no idea. Just whatever he said, don't don't do it,

3522
03:12:12,120 --> 03:12:22,800
Speaker 1: don't you poor little pajamas. You know is listen you're

3523
03:12:22,800 --> 03:12:24,840
Speaker 1: a great person. You could do whatever the fuck you

3524
03:12:24,879 --> 03:12:25,280
Speaker 1: want to do.

3525
03:12:25,840 --> 03:12:29,520
Speaker 3: Look boud and that's the great thing about you. The

3526
03:12:29,640 --> 03:12:32,160
Speaker 3: thing is, it's a great conversation. I just heard the

3527
03:12:32,240 --> 03:12:36,920
Speaker 3: other day and they said, you know you you see

3528
03:12:36,959 --> 03:12:41,080
Speaker 3: a think of here a great artist. They say, yeah,

3529
03:12:41,200 --> 03:12:44,400
Speaker 3: all right, cool, Well they artistry starts from such and such.

3530
03:12:44,840 --> 03:12:47,760
Speaker 1: But when it's new school.

3531
03:12:47,560 --> 03:12:50,560
Speaker 3: Artists, you get to see them make mistakes from fourteen

3532
03:12:51,440 --> 03:12:51,920
Speaker 3: all over.

3533
03:12:52,080 --> 03:12:55,640
Speaker 1: Yeah, because we didn't have that back then.

3534
03:12:55,760 --> 03:12:59,280
Speaker 3: Like back then you had to like do something and

3535
03:12:59,400 --> 03:13:02,560
Speaker 3: for order for people to even recognize you. But the

3536
03:13:02,680 --> 03:13:06,280
Speaker 3: new generation is they're throwing the record and you can

3537
03:13:06,320 --> 03:13:09,240
Speaker 3: see their mistakes from the very beginning.

3538
03:13:11,280 --> 03:13:12,280
Speaker 1: Man our era.

3539
03:13:12,520 --> 03:13:15,360
Speaker 3: We we really like you have to actually have a

3540
03:13:15,480 --> 03:13:18,879
Speaker 3: record lab. Like YouTube is everybody's record.

3541
03:13:19,600 --> 03:13:20,160
Speaker 1: Absolutely.

3542
03:13:20,800 --> 03:13:23,120
Speaker 2: I want to say it's speak on what you're saying,

3543
03:13:23,760 --> 03:13:25,600
Speaker 2: like Bow, I ain't making no mistakes like.

3544
03:13:27,160 --> 03:13:30,039
Speaker 1: Speaking, I was speaking about what I'm just saying. I'm saying.

3545
03:13:30,160 --> 03:13:33,879
Speaker 2: I think young generation, which is really weird because people

3546
03:13:33,920 --> 03:13:36,320
Speaker 2: always really got something to say about he never really

3547
03:13:37,800 --> 03:13:43,439
Speaker 2: like that was like the like the Funds, like Funsie.

3548
03:13:43,840 --> 03:13:53,560
Speaker 1: Like sure was like Niggas is mad at because he

3549
03:13:54,120 --> 03:14:05,160
Speaker 1: bitches while you you want to shot like that, I'm

3550
03:14:05,200 --> 03:14:06,960
Speaker 1: just saying like you ain't. You ain't really got no

3551
03:14:07,040 --> 03:14:11,480
Speaker 1: reason to be Daddy Pool, I seen you get you

3552
03:14:11,560 --> 03:14:14,440
Speaker 1: get it in. He calls me. I gotta catch this call.

3553
03:14:14,520 --> 03:14:18,440
Speaker 1: I'm gonna get You're going on, You're gonna do it.

3554
03:14:19,600 --> 03:14:23,480
Speaker 1: We gotta end a picture in the drop. Listen. Thank you' all. Listen.

3555
03:14:23,600 --> 03:14:26,720
Speaker 1: I'm gonna be honest. Good bye, Thank you for coming

3556
03:14:26,760 --> 03:14:30,200
Speaker 1: always man. But but I was a supporter of this show,

3557
03:14:30,240 --> 03:14:39,440
Speaker 1: by the way, Great guess, great guests. Listen. I'm gonna

3558
03:14:39,440 --> 03:14:39,840
Speaker 1: be honest.

3559
03:14:40,120 --> 03:14:42,040
Speaker 3: Just in case both of y'all don't know, I'm gonna

3560
03:14:42,080 --> 03:14:46,119
Speaker 3: reiterate who we represent. There has never been an outlet

3561
03:14:46,200 --> 03:14:51,520
Speaker 3: in media where a rapper is controlling what rap media

3562
03:14:51,720 --> 03:14:52,200
Speaker 3: listens to.

3563
03:14:53,320 --> 03:14:54,440
Speaker 1: I don't know how I did it.

3564
03:14:54,560 --> 03:14:56,600
Speaker 3: I don't know how to funk me and this motherfucker

3565
03:14:57,000 --> 03:14:59,360
Speaker 3: came up with his idea for some reason.

3566
03:15:00,000 --> 03:15:02,400
Speaker 1: People come and tune in and listen to this, And

3567
03:15:02,560 --> 03:15:03,560
Speaker 1: if you don't believe.

3568
03:15:03,360 --> 03:15:05,920
Speaker 3: Me, you will see it on your social media. You

3569
03:15:05,959 --> 03:15:08,920
Speaker 3: will see it because you've seen it when you did

3570
03:15:09,040 --> 03:15:09,520
Speaker 3: Rap Rader.

3571
03:15:13,760 --> 03:15:16,080
Speaker 5: It's my bad, know I know this.

3572
03:15:16,320 --> 03:15:17,680
Speaker 1: Niggas is an impact convention.

3573
03:15:18,280 --> 03:15:20,879
Speaker 3: All right, but that's all people, not this and them,

3574
03:15:21,320 --> 03:15:23,560
Speaker 3: And we don't want to be a competition with nobody.

3575
03:15:23,600 --> 03:15:25,240
Speaker 1: But that's not what we do. We just want to

3576
03:15:25,280 --> 03:15:31,320
Speaker 1: I mean, you was really trailing them that day, no trailing,

3577
03:15:32,600 --> 03:15:32,959
Speaker 1: keeping on.

3578
03:15:36,080 --> 03:15:39,960
Speaker 3: Saying he was like, fucker said, listen, listen that time

3579
03:15:40,040 --> 03:15:42,320
Speaker 3: and the Impact convention, and we know nobody.

3580
03:15:42,320 --> 03:15:44,240
Speaker 1: I don't know if you know them, niggas would have

3581
03:15:44,320 --> 03:15:47,520
Speaker 1: killed all of us. It's West Coast against everybody that day.

3582
03:15:47,840 --> 03:15:52,520
Speaker 1: So anybody who's still in that lobby I respected.

3583
03:15:53,959 --> 03:15:56,920
Speaker 2: I never felt any They were never talking about me, nah,

3584
03:15:56,959 --> 03:15:59,160
Speaker 2: because you, by the way, go back to the puff

3585
03:15:59,240 --> 03:16:01,959
Speaker 2: that he thinks, you know, talking about you know.

3586
03:16:02,000 --> 03:16:05,760
Speaker 1: Why, JD? You made global music. I made straight music

3587
03:16:05,840 --> 03:16:08,120
Speaker 1: at that time. I made music, and especially I had

3588
03:16:08,160 --> 03:16:09,959
Speaker 1: a record called La La.

3589
03:16:10,760 --> 03:16:13,040
Speaker 3: So I stood down there and it was only a

3590
03:16:13,120 --> 03:16:15,080
Speaker 3: couple of people that stood down there, and you stood

3591
03:16:15,120 --> 03:16:18,480
Speaker 3: there and I say you, JD, can I buy you

3592
03:16:18,520 --> 03:16:18,959
Speaker 3: a drink?

3593
03:16:19,000 --> 03:16:20,480
Speaker 1: And you said that shit to me? You said, I

3594
03:16:20,560 --> 03:16:23,400
Speaker 1: want Don Perry on. I said, damn, I didn't know

3595
03:16:23,480 --> 03:16:28,480
Speaker 1: what that was. I turned around. Leavin said he want

3596
03:16:28,600 --> 03:16:32,360
Speaker 1: what I said, Don Perry. That shit was like four

3597
03:16:32,640 --> 03:16:35,520
Speaker 1: sixty at that time said I can't reno to that.

3598
03:16:36,720 --> 03:16:38,800
Speaker 1: I said, I can't tell them, nigga, I ain't got it.

3599
03:16:40,520 --> 03:16:42,760
Speaker 1: The resident of the regular was saying to him. I said,

3600
03:16:42,800 --> 03:16:46,600
Speaker 1: I'm good now anytime I see JD.

3601
03:16:46,800 --> 03:16:50,840
Speaker 3: And you know what, these years later, you probably didn't

3602
03:16:50,840 --> 03:16:53,320
Speaker 3: even know what that moment meant to me. You was

3603
03:16:53,400 --> 03:16:56,600
Speaker 3: probably the only East Coast Nigga that stood there standing

3604
03:16:56,760 --> 03:16:57,000
Speaker 3: with me.

3605
03:16:58,959 --> 03:17:01,480
Speaker 1: I don't even want to talk. There's other people that

3606
03:17:01,640 --> 03:17:04,240
Speaker 1: was there, but they went upstairs.

3607
03:17:04,760 --> 03:17:08,600
Speaker 3: At some point they found their girl and I stood there.

3608
03:17:08,640 --> 03:17:10,960
Speaker 3: You know, the only person I stood there with my

3609
03:17:11,160 --> 03:17:16,960
Speaker 3: uncle wives. This is my mother, brother and my uncle wives.

3610
03:17:17,320 --> 03:17:18,080
Speaker 3: Just stood there and.

3611
03:17:19,720 --> 03:17:21,680
Speaker 1: You didn't know what you did. You're just like, yeah,

3612
03:17:21,720 --> 03:17:22,440
Speaker 1: I say, you let me.

3613
03:17:22,520 --> 03:17:26,360
Speaker 3: Buy your drink. He said, yeah, I drink down perry On.

3614
03:17:26,840 --> 03:17:29,880
Speaker 3: I didn't know what that was, but I went and

3615
03:17:29,959 --> 03:17:34,560
Speaker 3: I went and I did that, and you stood there

3616
03:17:34,640 --> 03:17:39,440
Speaker 3: with it. And then the forty walked. This is all

3617
03:17:39,520 --> 03:17:42,320
Speaker 3: on the podcast. This is all document and then the

3618
03:17:42,600 --> 03:17:44,600
Speaker 3: forty came because they were all.

3619
03:17:44,600 --> 03:17:47,920
Speaker 1: Right there, but they were like that thinking made la Land.

3620
03:17:48,840 --> 03:17:50,800
Speaker 1: But now I'm on the super Dog. What what? What?

3621
03:17:51,040 --> 03:17:53,440
Speaker 1: What have the little one record in the country. Your

3622
03:17:53,480 --> 03:17:58,080
Speaker 1: nigg's gotta relax, but I don't know how the time relax.

3623
03:18:00,080 --> 03:18:02,800
Speaker 1: Don't know. Wow, But I'm like, yo, I'm not a sucker.

3624
03:18:03,400 --> 03:18:06,199
Speaker 1: I just so I'm still right in front of niggas.

3625
03:18:06,600 --> 03:18:11,520
Speaker 1: And then forty game and then ject Jermaine the pre game. Yeah, yeah,

3626
03:18:11,600 --> 03:18:12,560
Speaker 1: I know, you don't even know.

3627
03:18:13,640 --> 03:18:15,040
Speaker 11: I know that.

3628
03:18:15,600 --> 03:18:16,840
Speaker 1: Yeah, I know you don't even know.

3629
03:18:17,240 --> 03:18:17,720
Speaker 3: But thank you.

3630
03:18:17,879 --> 03:18:21,160
Speaker 1: Let's take a picture of this thing drop and I said, oh,