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Speaker 1: This is the almost famous podcast with her radio Hi,

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Speaker 1: Bob Guinea, Tristan Sutter name, Yeah, that's me and O G.

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Speaker 1: A F O G podcast coming to you live. Well,

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Speaker 1: I'm sure it's not live. I am. It's been a

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Speaker 1: crazy busy week. Thank you for being flexible. I was

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Speaker 1: speaking of love, which we do so often. I was

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Speaker 1: just in San Francisco witnessing the nuptials of my brother

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Speaker 1: in law, my wife's younger brother, and uh yeah, very

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Speaker 1: unconventional guy. So he did a very unconventional wedding on

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Speaker 1: a Tuesday in San fran That's crazy. Was it during

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Speaker 1: the day or during at night? At least? So people

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Speaker 1: during the day for in the afternoon, my gosh, and

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Speaker 1: who's gotten or it on a Tuesday, Tuesday at three o'clock. Well,

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Speaker 1: the original plan was that they were going to go

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Speaker 1: to the courthouse, and they had this courthouse they loved

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Speaker 1: in San Francisco, and so I think that's why the

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Speaker 1: time and the day were kind of reserved. And then

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Speaker 1: they change their mind and decided they're going to do

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Speaker 1: it at the Rotunda, which is at the Palace of

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Speaker 1: the Fine Arts right downtown San Francisco. Very beautiful location. Yeah,

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Speaker 1: very pretty but definitely unconventional so it was fun. Though

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Speaker 1: it was fun. I mean, that's a way to get

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Speaker 1: your location. Do it on a Tuesday at three pm,

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Speaker 1: and I'll bet you save money on a location Fezza

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Speaker 1: and I can't imagine high demand time. But I'd like

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Speaker 1: to take a moment to wish them a very happy

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Speaker 1: life together. And I thought it was a wonderful wedding,

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Speaker 1: so I was proud to be there for them. That's

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Speaker 1: very sweet. I would also like to take a moment

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Speaker 1: to congratulate or I hate saying congratulations for this, but

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Speaker 1: to say I'm really happy for Lauren and Chris Lane,

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Speaker 1: who just announced that they are pregnant with their second baby.

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Speaker 1: I am just so happy for them. Dotton, their little

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Speaker 1: boy is freaking cutest. I am obsessed with him on Instagram,

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Speaker 1: Like any time she has a story, I'm just like,

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Speaker 1: I love that kid. I want to meet him some

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Speaker 1: day in person, and just pleasing me so cute. Um

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Speaker 1: she does have she she did talk about how she

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Speaker 1: was diagnosed with something. I think it was called, uh

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Speaker 1: something chord insertion minor chord insertion. I can't remember what

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Speaker 1: it's called, but it's basically where I guess the cord

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Speaker 1: inserts into the placenta close to the uterine wall or

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Speaker 1: or near the wall instead of in the center of

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Speaker 1: the placenta, so it could potentially mean that the baby

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Speaker 1: won't get as many nutrients as it should. So for

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Speaker 1: another reason, marginal umbilical cord insertion. Thank you. Anyway, it

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Speaker 1: seems a little scary, um, I mean, when you're diagnosed

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Speaker 1: with anything, when you're pregnant. I know I was diagnosed

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Speaker 1: with tons of stuff. It is terrifying. At least she's

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Speaker 1: had one, so she knows that all can go well,

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Speaker 1: and hopefully it does. I'm sending her my love my prayers,

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Speaker 1: um that this this pregnancy is just as healthy or

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Speaker 1: healthier for Dutton's and they get to welcome a sweet

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Speaker 1: little baby. Oh, I'm not going to see a boy

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Speaker 1: or girl. Yeah, yeah, I hope so too. I don't

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Speaker 1: know her personally, she seems lovely and then, um, I've

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Speaker 1: got friends who are mutual friends with Chris, so I

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Speaker 1: feel like I know them even though I don't. But man,

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Speaker 1: I sure hope, I sure hope it all goes well,

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Speaker 1: and you know, everything comes through in wonderful fashion for

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Speaker 1: both of them. Yeah, agreed. I mean another Bachelor Baby,

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Speaker 1: even though they didn't meet really through the Bachelor and

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Speaker 1: he wasn't from the Bachelor. She is, And of course

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Speaker 1: everybody that is part of the show was part of

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Speaker 1: Bachelor Nation. And I'm really excited for another Bachelor Baby,

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Speaker 1: I know, speaking of people who are part of the

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Speaker 1: show that are part of Bachelor Nation. A little bit

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Speaker 1: later to we're going to be joined by a very

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Speaker 1: special guest who was a huge pivotal person in both

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Speaker 1: of our experiences on both The Bachelorette and The Bachelor. Well,

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Speaker 1: you're the Bachelor, then the Bachelotte, and then me the Bachelorte,

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Speaker 1: then the Bachelor, and um, you're very excited to have

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Speaker 1: him on. The producer for the show named Jason Carbone,

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Speaker 1: who I like to call him Carbone and arcolect carbon

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Speaker 1: and narcoleptokok is what I call him. Please. Yes, I'll

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Speaker 1: explain it when he's here, but I will tell you

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Speaker 1: it has to do with sleeping, uh in weird places,

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Speaker 1: and so yeah, because that's what you have to do

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Speaker 1: as a producer. You got to catch a cat time.

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Speaker 1: I'm telling you, right, how else you gonna never get

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Speaker 1: any rest. I mean, honestly, most of the time, they

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Speaker 1: are on set all hours of the night too. They

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Speaker 1: don't all the time get to go home, especially the

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Speaker 1: people who are with the lead, because the lead is

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Speaker 1: always as we both know, you don't get a lot

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Speaker 1: of sleep. You don't we would come back. I'll never

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Speaker 1: forget when I when I really started realizing, because you know,

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Speaker 1: I think you know, the process in and of itself

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Speaker 1: can make you a little a little self absorbed, right,

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Speaker 1: because everything is sort of around you. And and I

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Speaker 1: remember I was complaining about being tired or something, and

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Speaker 1: I remember Carbone and and Saliencelsano both are like, bro um,

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Speaker 1: We're with you on everything. And when you actually do

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Speaker 1: go to sleep, we're over at the house with the

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Speaker 1: ladies filming them. I'm like, oh my god, or editing

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Speaker 1: or talking to the you know, execs or whatever. Yeah,

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Speaker 1: makes you realize you can't really complain in those moments

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Speaker 1: because you know you're you're at least getting to have

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Speaker 1: fun and do fun things, and so are they. But

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Speaker 1: you know, it's it's a definitely experience. But what I

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Speaker 1: loved and I'm sure probably had a similar experience to me,

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Speaker 1: and this one is several of the producers, even though

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Speaker 1: technically they're not supposed to became your friends and became

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Speaker 1: people that you you know, and and Jason was definitely

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Speaker 1: one of those people. I feel like he was. He

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Speaker 1: was a friend of both of us and still is

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Speaker 1: to this day. And um, so you know, I can't

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Speaker 1: wait to talk with him when we have that opportunity.

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Speaker 1: And I have to say that we were going to

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Speaker 1: have Ashley Eden's on, but she's sick so she couldn't

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Speaker 1: show up. So Ashley, if you're listening, we really wish

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Speaker 1: you could have been here today, and hopefully we'll have

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Speaker 1: her on um in an upcoming show. I would love.

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Speaker 1: We haven't brought this up yet, but we need to

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Speaker 1: have our spouses on this show. Oh yeah, oh yeah.

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Speaker 1: Danyan will not do it, probably without you calling her

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Speaker 1: and telling her she has to do it. If I say, okay, baby,

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Speaker 1: let's go on the show, she'll be like, now, if

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Speaker 1: you call, she'll probably do it. So we'll see what happens.

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Speaker 1: Although although you saw what happens when our kids are

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Speaker 1: left unattended. Oh um, you know you saw Grayson come

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Speaker 1: in here and ramshackle this place, so I'm not sure

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Speaker 1: that's a good idea we might have top we should have. Um,

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Speaker 1: I'm sure Sugarman would pay for a babysitter. You know what,

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Speaker 1: I'll call her, I'll get I'll get Sugarman on the line.

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Speaker 1: Sure I need a nanny. I want to have my

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Speaker 1: wife on the episode. Yeah, let's bring him in. I'm excited.

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Speaker 1: Jason Carbone is coming, my boy, ingredients and salutations, Mr Guinea.

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Speaker 1: I unfortunately don't have a guinea at the ready. Oh

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Speaker 1: now see that's that's problematic because I always do. My

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Speaker 1: friend there you go always does. Welcome to the show,

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Speaker 1: the almost famous o G Podcast starring yours truly tristerren

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Speaker 1: Nay Sutter or the Sutter and a Rent and uh

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Speaker 1: Me TV's Bob Getting Now, Jason, I want to have

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Speaker 1: you help me with this real quickly, before we get

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Speaker 1: into why we both mutually love you. I told Trista

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Speaker 1: that when when you and I were spending so much

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Speaker 1: time together two seasons in a row there that you

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Speaker 1: you came under the name of Jason Carbona Narcoleptico. Yes, indeed,

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Speaker 1: And she's like, you need to explain that. I said, no, No,

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Speaker 1: we're gonna wait, We're gonna hold off on this until

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Speaker 1: Jason's here. Um, so one of you know how Trista

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Speaker 1: every season they do the I'm not sure they don't

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Speaker 1: do the bloopers anymore really, but they also don't do

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Speaker 1: they don't do that pre interview that you did to

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Speaker 1: sit down for where the event in question occurred. Yes,

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Speaker 1: that's a valid point. So we did, like the pre

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Speaker 1: interview with with Harrison, Yes, yeah, and so you know this,

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Speaker 1: this did show up in my blooper reel at the

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Speaker 1: end of the season because Jason, you know, like we

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Speaker 1: were just talking about, you know, if if if one

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Speaker 1: of the leads would ever complain about how tired they

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Speaker 1: must be, all they really had to do was put

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Speaker 1: themselves in your body for the for the wet uh

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Speaker 1: six weeks now eight twelve weeks, whatever they do. Um,

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Speaker 1: because not only were you with us at all times

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Speaker 1: and everything we were doing, but then you were also editing,

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Speaker 1: talking to the you know, the girls at the mansion, uh,

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Speaker 1: you know, dealing with whoever whoever, and so the people

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Speaker 1: that were really probably even more exhausted than than us,

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Speaker 1: had to be you the producers. Right, Well, I look

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Speaker 1: at it the same way I kind of look at

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Speaker 1: my then tolerance to booze. It was an acquired skill set, right,

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Speaker 1: So like over time, you know, like when I was younger,

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Speaker 1: uh and doing this show, I could drink far more

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Speaker 1: than I can drink today. Conversionly, it took a while

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Speaker 1: to get to that level of tolerance. And in the

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Speaker 1: same way, it took a little while to get to

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Speaker 1: you know, you were at that point, Bob, I want

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Speaker 1: to say season or yes, yes, right, so you have

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Speaker 1: like the fourth run of this So at that point

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Speaker 1: in time, I had had my track shoes. I've been

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Speaker 1: to the Nike factory and they were of your game. Yes,

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Speaker 1: pretty close to it. So free interview And in the

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Speaker 1: middle of the interview, like Chris asks me a pressing question,

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Speaker 1: and I remember thinking like is there any truly pressing questions?

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Speaker 1: One I remember pontificating and sitting there thinking to myself

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Speaker 1: And while I paused, I hear no ye and Harrison

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Speaker 1: and I are both looking at each other here again,

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Speaker 1: and we're like, what is going on? Is there a

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Speaker 1: bear on the loose? Like where are we? I mean,

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Speaker 1: we are in Malibul. You never know what could happen.

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Speaker 1: And then all of a sudden we realize Jason he

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Speaker 1: had laid down behind the couch or whatever with you know,

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Speaker 1: his headset on and is is it all that stuff?

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Speaker 1: And he dozed off. He needed to catch a cat

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Speaker 1: nap before that evening's festivities and uh, and so that

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Speaker 1: was there. That was the onset of Jason carbon and NARCOLEPTICOC.

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Speaker 1: So just to put a finishing button on this, I

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Speaker 1: have subsequently been diagnosed with sleep atnia and I now

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Speaker 1: sleep with a c PAP machine. So not only was

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Speaker 1: I working really hard, but I was dying several times

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Speaker 1: a night, every night. Uh, in my sleep. Yeah, because

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Speaker 1: you stopped breathing with sleep atnia. Oh my gosh. So

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Speaker 1: now I thought machine that I travel with, and I

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Speaker 1: literally I feel like I did when I was sixteen again,

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Speaker 1: where like sleeping very well. And you know, as I

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Speaker 1: refer to that machine now was the life extender. Yeah,

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Speaker 1: well you look younger, you look at me. Yep. I

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Speaker 1: got a wife who cooks like she's a shift So

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Speaker 1: I bet she's got the good stuff. She's legit. A

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Speaker 1: few family dinners there at the Carbone household, and I

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Speaker 1: will say they were always delicious. And of course you're

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Speaker 1: a proud father. Proudly I mean, so let's ask you this.

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Speaker 1: When you came off the show, and I know, I

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Speaker 1: know you. You came off, you went off and started

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Speaker 1: your own production company and immediately jumped into doing a

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Speaker 1: whole bunch of different things Life of Ryan, a bunch

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Speaker 1: of different things of that nature. Um, were you like

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Speaker 1: finally at that point, like, oh my god, I'm off

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Speaker 1: the hamster wheel, like I I can get some sleep.

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Speaker 1: Or was it just did that just shoot you into

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Speaker 1: the next level? It's just a different hamster wheel, Bob. Yeah,

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Speaker 1: it's like you know, it's it's that realization you have

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Speaker 1: when you set a goal for yourself and you climbed

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Speaker 1: to the top of the mountain and you get there

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Speaker 1: and you're just like, man, I'm at the top of

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Speaker 1: the mountain, and when you start to look around, you

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Speaker 1: realize there's thousands of other peaks that you're not at

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Speaker 1: the top of the mountain. Just so, it's it's as

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Speaker 1: long as you want to have a career and as

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Speaker 1: long as you want to continue to be paid to

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Speaker 1: be creative, you're constantly you're you're constantly you know. It's

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Speaker 1: it's the thing that nobody realizes is that you know,

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Speaker 1: we're all independent contractors, right, like we all are looking

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Speaker 1: for our next gig. So when I went to work

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Speaker 1: for Mike on The Bachelor, he offered me something that

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Speaker 1: I hadn't had in a long time, and that was security. Right.

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Speaker 1: He was just like, here's a two year contract. Um.

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Speaker 1: At that point in time, he had just sold the

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Speaker 1: idea of The Bachelor, and he had just showed the

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Speaker 1: idea of a show called High School Reunion, and he

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Speaker 1: was the first two shows that I'm going to make.

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Speaker 1: And you know, he said directly to me, he said,

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Speaker 1: I can come up with these ideas and I can

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Speaker 1: be crazier than the next guy. I need somebody to

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Speaker 1: make the stuff. And you know that's what he was. Hey.

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Speaker 1: So I would love to know, um, if you remember

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Speaker 1: being part of either of our our interview like interviews,

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Speaker 1: you know, like when we were audition interviews. Were you there?

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Speaker 1: Were you in the room with both of us? Okay?

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Speaker 1: Can you tell us? Like I I remember only a little,

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Speaker 1: you know, little bits and pieces, but I love like

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Speaker 1: your perspective from those those moments. So, Trista for yours,

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Speaker 1: you were the first cast that we saw in mass

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Speaker 1: right because on your season, it was the very first

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Speaker 1: time we were casting bachelorettes and so, but were you

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Speaker 1: there for Bachelor too? Were you there for Bachelor for both,

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Speaker 1: but it was the first time we were casting bachelorettes

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Speaker 1: for our Bachelor, right, we were casting twenty women to

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Speaker 1: meet Alex Michelle so um when we did it at

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Speaker 1: the Universe at Universal in one of the hotels that

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Speaker 1: I want to say, the Hilton or the Sheraton, and

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Speaker 1: we had a conference room and we were shooting it

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Speaker 1: and you guys thought we were shooting it for tape

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Speaker 1: to be on the show, but we were also be

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Speaker 1: mean all of that into another big room where a

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Speaker 1: bunch of executives and ABC folks were all sitting there

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Speaker 1: with food and drink and hanging out and imagining it

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Speaker 1: like it's a TV show and everyone's making your notes.

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Speaker 1: Yeah exactly. So it's, uh, you know, the thing that

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Speaker 1: you have to remember for your first season, Tristo, when

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Speaker 1: you were you were competing with twenty four other women

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Speaker 1: for Alex's affection. We needed to prove the thesis of

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Speaker 1: the show and proved that it was a legitimate way

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Speaker 1: to find romance. Like now we all take it for granted,

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Speaker 1: but you know, back then we had to prove to

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Speaker 1: the audience that this wasn't Alart right, and so the

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Speaker 1: part of that was Alex had degrees from Stanford and Harvard.

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Speaker 1: He was really smart, and that alone validated it from

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Speaker 1: his perspective. And conversely, if you look at that group

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Speaker 1: of ladies compared to where they are today, we had doctors, lawyers,

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Speaker 1: we had legit people, because again, we were trying to

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Speaker 1: prove a theory. We were trying to prove invalidate that

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Speaker 1: this wasn't just a television show, but a legitimate way

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Speaker 1: a man and woman could meet and fall in love.

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Speaker 1: And in order to do that, we needed a higher

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Speaker 1: caliber of contestants than I believe they go after the day. Yeah,

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Speaker 1: that's interesting. Um, so, do you remember anything specific about

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Speaker 1: anything that we said or anything we did that stood

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Speaker 1: out that everyone we were laughing at at us about

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Speaker 1: you were both slam dunks. Let's be honest, Trista. You

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Speaker 1: were a nurse working with physicals okay, all good, working

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Speaker 1: with children while also sidelining as a Miami Heat cheerleader.

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Speaker 1: Check check check check check check check checked. Yeah, no doubt.

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Speaker 1: And you're you're incredibly smart, very articulate, beautiful, studyingly beautiful

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Speaker 1: like you. You literally checked everything we were looking for,

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Speaker 1: and in the room Lisa and I were like tough

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Speaker 1: for yeah number one. No, I'm just kidding. That's what

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Speaker 1: I always say, Like top four about Ryan when everyone's

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Speaker 1: like did you meet did you fall in love with him?

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Speaker 1: The first night? And I'm like, he was top four.

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Speaker 1: He was one of my top four, you know, he

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Speaker 1: was favorite, early favorite, Yeah, early favorite. World World really

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Speaker 1: kind of put put him up a notch yea, yeah, yeah,

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Speaker 1: I think what I mean the playfulness, but also the

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Speaker 1: poem that ended up being the poem that he changed

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Speaker 1: into a song and it was our first dance. Um,

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Speaker 1: we had like that really awkward kiss. Oh and speaking

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Speaker 1: of awkward, okay, I have to pere moment Jamie blythe

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Speaker 1: what what no? No no? Not that one said the

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Speaker 1: word awkward, sorry was triggered awkward Jamie Blythe what no

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Speaker 1: no awkward was in Seattle. Oh yeah, here we go,

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Speaker 1: he knows. So in Seattle we get the note that

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Speaker 1: that you know we can we can forego or into

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Speaker 1: individual rooms to spend the night stayed together in the

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Speaker 1: fantasy suite. Sweet yes yours like check please didn at

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Speaker 1: all so Ryan was like check please, and he's like

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Speaker 1: paying the guy to speed to get to the hotel.

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Speaker 1: We get there, we look at the hotel and all

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Speaker 1: of its its beauty, and we proceed to hang out

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Speaker 1: on the couch, hang out meaning make out on the

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Speaker 1: couch as Jason, I feel like you were maybe in

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Speaker 1: front of us. No, it was at the W Hotel.

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Speaker 1: It was at the W. You had part of the

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Speaker 1: date on a house post after this exactly. That was

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Speaker 1: earlier that day, and that was hot and steamy too.

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Speaker 1: That this particular part was like yeah, for sure about

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Speaker 1: it couldn't have been better than with Greg though at

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Speaker 1: his apartment that was pretty cool. But no, so we're

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Speaker 1: making out and Jason is sitting like, I know, twenty

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Speaker 1: feet away something like that, and it had been how

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Speaker 1: long do you think it was? I think it was

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Speaker 1: probably like two hours? Stop yourself, you have no sense

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Speaker 1: of time. Was not a two hour makeout session, not

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Speaker 1: even but but but but you know what, you were

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Speaker 1: lost in the moment triest and had no meaning. Yeah

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Speaker 1: until we were like, dude, can you please leave because

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Speaker 1: we really just want to have this fantasy suite to

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Speaker 1: ourselves Like that was always awkward and even in Guinea's season,

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Speaker 1: like we changed that, we changed it up a little

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Speaker 1: bit because we had, uh, there's a great shot that

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Speaker 1: never saw the light of day. But in one of

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Speaker 1: Bob's fantasy suites, we had a camera set up in

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Speaker 1: the corner that was on record, and Bob and I

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Speaker 1: forget who it was, went into the bedroom and they

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Speaker 1: were canoe to leading. All of a sudden, Bobs like,

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Speaker 1: what's that red light over there? And you put me

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Speaker 1: on high alert. He made a bee line for it,

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Speaker 1: and I was like, oh, we got to use that

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Speaker 1: bee line of Bob going and turning off the camera

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Speaker 1: because that was that was a good shot, right It

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Speaker 1: was a different way of shutting the door and putting

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Speaker 1: the tag on it. They would use that nowadays. Right

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Speaker 1: like then it was like, no, we can't. You know, yeah, definitely.

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Speaker 1: Well I remember I remember being with Jason and so

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Speaker 1: many circumstances, and always the hard part was, you know,

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Speaker 1: because we had become true friends. It's like I I'd

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Speaker 1: looked to you for advice on things, and when things

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Speaker 1: would be froggy and weird, I'd be like, and you know,

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Speaker 1: you forget you're on camera and you're supposed to be,

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Speaker 1: you know, just laboring over a decision, and I'm just

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Speaker 1: like Carbone, man, what do you think. I don't even know.

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Speaker 1: I mean, I'm just lost right now. And He's like,

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Speaker 1: look over there, you like, you know, I'm here, Yeah,

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00:22:00,320 --> 00:22:05,080
Speaker 1: not not in the room here, Yeah, totally. That is

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00:22:05,119 --> 00:22:08,240
Speaker 1: so true. You want to have those conversations with these people,

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Speaker 1: including you, Sally Anne, Lise Levinson, whomever was participating, Ashley

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Speaker 1: Eden's who was supposed to be on the call today

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Speaker 1: but she's sick so she can't be here. But I

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Speaker 1: know I love Ashley, um. But you know, whoever was there,

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Speaker 1: you wanted to have a conversation. And it is a

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Speaker 1: really kind of weird, hard situation that the leads have

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Speaker 1: to be put in because you have to act like

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Speaker 1: no one is around and you get used to it,

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Speaker 1: but it is true. It's like, you know, we're around

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Speaker 1: you guys. Um, you know when we're sleeping and you're not,

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Speaker 1: or you're sleeping and we're not sleeping. Now there's not

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Speaker 1: a lot of that, not a lot. I think it's

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Speaker 1: interesting because like with both of you, I developed a

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Speaker 1: relationship past the television show. Right, this is now, This

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Speaker 1: is now over a decade's relationship, right, And I was

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Speaker 1: at your wedding, Trista, and we're for Bob you as

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Speaker 1: you've gone from NBC to this or that, like we're

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Speaker 1: always in constant contact. And I think that, you know,

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Speaker 1: I can't say that about all of the seasons I did, right,

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Speaker 1: But I would also say that on both of your seasons, like,

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Speaker 1: I think the producers made time off camera to make

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Speaker 1: sure that you were supported and you felt that stuff

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Speaker 1: was going on that was sometimes larger than the show,

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Speaker 1: and we understood that, and there were times that the

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Speaker 1: show needed to take a back seat to what you

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Speaker 1: guys were dealing with. And you know, I think that, um,

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Speaker 1: you know, I dare say there was a bit of

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Speaker 1: a heart there at the time, you know where I

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Speaker 1: think now it's a little less annesty and a little

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Speaker 1: more reality TV. I agree. Yeah. We we've actually had

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Speaker 1: that discussion on this show quite a bit where it's

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Speaker 1: been like, you know, how things changed over the years,

390
00:24:09,640 --> 00:24:13,359
Speaker 1: and the comedy of it is it's it's it's literally

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Speaker 1: night and day. I mean, the show is called the

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Speaker 1: same thing, but when it really comes down to it,

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Speaker 1: you know, I mean, for for trista season or for

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Speaker 1: mine really too for that matter. I mean, especially on

395
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Speaker 1: Trista season of The Bachelrette, we had no idea what

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Speaker 1: you're getting into. Right. It was the first time she

397
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Speaker 1: was on, the first time the show had ever been taped,

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Speaker 1: and then all of a sudden, she's doing the first

399
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Speaker 1: version of the female lead, and so it now it's

400
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Speaker 1: a lot like I'll just be really candid there, like

401
00:24:43,080 --> 00:24:45,440
Speaker 1: she was the torch bearer, and she was the torch

402
00:24:45,480 --> 00:24:49,520
Speaker 1: bearer on a television show that very easily could have

403
00:24:49,640 --> 00:24:54,920
Speaker 1: feared into slut shaming, and h we we worked really

404
00:24:55,040 --> 00:24:58,240
Speaker 1: hard for that not to happen. But you know, I

405
00:24:58,280 --> 00:25:00,719
Speaker 1: don't want to speak out of school, but but I

406
00:25:00,880 --> 00:25:06,040
Speaker 1: recall several instances where it was abundantly clear to me

407
00:25:06,400 --> 00:25:08,960
Speaker 1: that there was no need to shoot anything, but there

408
00:25:09,080 --> 00:25:11,000
Speaker 1: was a need to spend some time with Trista to

409
00:25:11,560 --> 00:25:18,399
Speaker 1: make sure that, um, that everything was a okay. But

410
00:25:18,520 --> 00:25:24,439
Speaker 1: more importantly, like when you get on that wheel and

411
00:25:24,520 --> 00:25:29,959
Speaker 1: it gets going, there are times where my job is

412
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Speaker 1: to acknowledge that the star of the show can't keep

413
00:25:34,359 --> 00:25:37,760
Speaker 1: that wheel going and we need to either help them

414
00:25:37,800 --> 00:25:42,640
Speaker 1: and run next to them or oftentimes literally pick them

415
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Speaker 1: up get off the hamster wheel and say we're taking

416
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Speaker 1: a break and when we're we're good, we'll get back

417
00:25:49,000 --> 00:25:51,479
Speaker 1: on that hamster wheel. But it's not until you're good.

418
00:25:51,760 --> 00:25:54,800
Speaker 1: And I think that I can recall two instances off

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Speaker 1: the top of my head where Tristan needed that time

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Speaker 1: and it was just like I get it, Like we're asking.

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00:26:01,800 --> 00:26:06,880
Speaker 1: I don't think people realize just what is required when

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00:26:06,920 --> 00:26:09,920
Speaker 1: you are the lead on this television show. You can

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00:26:10,000 --> 00:26:12,680
Speaker 1: have an idea, but even talk to people that are

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Speaker 1: on the show now, when they get into that role,

425
00:26:15,720 --> 00:26:18,320
Speaker 1: they will still tell you you'd think you know, but

426
00:26:18,480 --> 00:26:21,639
Speaker 1: you don't know. Yeah, you know, you can't know until

427
00:26:21,680 --> 00:26:35,520
Speaker 1: you're really in that position. Do do you recall those

428
00:26:35,560 --> 00:26:39,919
Speaker 1: two instances? What? Because of course I'm on the wheel,

429
00:26:40,000 --> 00:26:42,040
Speaker 1: so all I'm thinking about is the wheel and the

430
00:26:42,080 --> 00:26:44,879
Speaker 1: guys and my emotions and trying to keep it all

431
00:26:44,960 --> 00:26:49,040
Speaker 1: straight in my head. And um, like, I think it's

432
00:26:49,040 --> 00:26:51,520
Speaker 1: really interesting to talk to you from your perspective, like

433
00:26:51,560 --> 00:26:55,040
Speaker 1: you're watching us go through this knowing what the what

434
00:26:55,160 --> 00:26:58,640
Speaker 1: the premises, what we're hoping for at the end, and

435
00:26:59,000 --> 00:27:03,240
Speaker 1: you see us actually going through all of these emotions,

436
00:27:03,600 --> 00:27:07,119
Speaker 1: but from a distance, like you can't always be in

437
00:27:07,160 --> 00:27:09,960
Speaker 1: it with us or talk to us about it while

438
00:27:10,000 --> 00:27:13,280
Speaker 1: it's happening. So I'd love to hear your perspective, like

439
00:27:13,320 --> 00:27:17,160
Speaker 1: what were those moments? Um? Well, for me, just real

440
00:27:17,240 --> 00:27:21,639
Speaker 1: quick and I'll talk to those moments. I think that, Um,

441
00:27:21,720 --> 00:27:28,679
Speaker 1: while I didn't study psychology in college, this show was

442
00:27:29,000 --> 00:27:36,000
Speaker 1: a wonderful um place to learn about the human condition. Sure,

443
00:27:36,040 --> 00:27:38,720
Speaker 1: I think it's one of the reason that reasons that

444
00:27:38,800 --> 00:27:42,399
Speaker 1: people loved watching it in the beginning at least, you know,

445
00:27:42,560 --> 00:27:46,760
Speaker 1: ye for me, I was able, you know you you

446
00:27:46,760 --> 00:27:50,600
Speaker 1: know I did between and Bachelor. I think I did

447
00:27:50,680 --> 00:27:54,400
Speaker 1: eight seasons of the show, right. So, like anything, when

448
00:27:54,440 --> 00:27:59,000
Speaker 1: you turn around and you look backwards, you begin to

449
00:27:59,119 --> 00:28:02,719
Speaker 1: see things that line up, and so you're beginning to

450
00:28:02,760 --> 00:28:06,040
Speaker 1: see patterns emerge, and you're beginning to see, oh, when

451
00:28:06,040 --> 00:28:09,320
Speaker 1: this happens, that happens, and so you begin to see

452
00:28:09,400 --> 00:28:13,680
Speaker 1: cause and effect emotionally in a different way. And so

453
00:28:14,359 --> 00:28:17,840
Speaker 1: it got to the point at the end where you're

454
00:28:17,920 --> 00:28:22,480
Speaker 1: almost able to predict what's going to happen, and oftentimes

455
00:28:22,880 --> 00:28:26,800
Speaker 1: altered circumstances, so something different happens because you know, if

456
00:28:26,840 --> 00:28:31,439
Speaker 1: you do there, you go so um, but to yours,

457
00:28:31,520 --> 00:28:35,720
Speaker 1: like one I'll be really honest. One was when uh,

458
00:28:35,800 --> 00:28:39,920
Speaker 1: we were shooting a video because if you remember that season,

459
00:28:40,160 --> 00:28:43,360
Speaker 1: you made videos that you sent to us for the

460
00:28:43,440 --> 00:28:46,640
Speaker 1: faith right, and they popped in a little tape into

461
00:28:46,640 --> 00:29:00,280
Speaker 1: the VCR. We had made a custom Chargers jersey into

462
00:29:00,720 --> 00:29:06,640
Speaker 1: a dress, and you know those jerseys have a lot

463
00:29:06,720 --> 00:29:12,560
Speaker 1: of holes in them, and so when Trista put it on,

464
00:29:14,240 --> 00:29:18,760
Speaker 1: there was a moment where Trista wasn't necessarily comfortable wearing

465
00:29:18,800 --> 00:29:23,600
Speaker 1: the outfit, right, So there was a moment where I said, Trista,

466
00:29:23,720 --> 00:29:25,880
Speaker 1: I totally get it. You need to be comfortable. Why

467
00:29:25,880 --> 00:29:27,720
Speaker 1: don't you go upstairs take a look at yourself in

468
00:29:27,720 --> 00:29:30,960
Speaker 1: the mirror. If you're not comfortable, will change something. We'll

469
00:29:31,000 --> 00:29:33,680
Speaker 1: do this. We'll do that knowing full well that life

470
00:29:33,800 --> 00:29:39,560
Speaker 1: is the biggest Charger fan in the world. I'm gonna

471
00:29:39,600 --> 00:29:44,200
Speaker 1: get fired, But I have to say that Trista is

472
00:29:44,240 --> 00:29:47,200
Speaker 1: good to go, because this is early on and we're

473
00:29:47,240 --> 00:29:49,800
Speaker 1: still in group dates. You know, we're early in the show,

474
00:29:49,840 --> 00:29:53,560
Speaker 1: and I don't want to disappoint Trista at all, let

475
00:29:53,600 --> 00:29:56,560
Speaker 1: alone in the first week of shooting. Yeah, So that

476
00:29:56,720 --> 00:30:01,280
Speaker 1: was one other, and I know Bob remembers that moment.

477
00:30:01,320 --> 00:30:05,680
Speaker 1: I remember him being because that that No, that wasn't

478
00:30:05,720 --> 00:30:08,760
Speaker 1: the serial date. That was the Chargers date because I

479
00:30:08,800 --> 00:30:11,800
Speaker 1: was wearing the Chargers jersey. I remember you in the jersey.

480
00:30:11,960 --> 00:30:14,800
Speaker 1: I remember the whole video. I remember standing there talking

481
00:30:14,840 --> 00:30:17,640
Speaker 1: to a little child up and it was a reveal

482
00:30:17,840 --> 00:30:24,800
Speaker 1: and on my legs. Yeah, it was crazy in the house.

483
00:30:24,880 --> 00:30:28,320
Speaker 1: Exactly what you anticipated, you know it was. It was

484
00:30:28,360 --> 00:30:30,040
Speaker 1: a big moment in the house and all those guys

485
00:30:30,040 --> 00:30:33,040
Speaker 1: were thrilled to be going to a Chargers game. Yeah,

486
00:30:33,040 --> 00:30:36,680
Speaker 1: it was really fun. I still have my jersey from

487
00:30:36,800 --> 00:30:39,240
Speaker 1: oh gosh, what was the player's name? And I threw

488
00:30:39,360 --> 00:30:44,760
Speaker 1: past a dog freaking flutie like dog flutie. It was awesome,

489
00:30:44,800 --> 00:30:48,080
Speaker 1: and met Drew Brees that's when he was with the Chargers.

490
00:30:48,760 --> 00:30:52,320
Speaker 1: Lee LT that wasn't LT came out and gave me

491
00:30:52,400 --> 00:30:57,720
Speaker 1: a jersey. Yeah, that was a really fun date. Um anyway, Okay,

492
00:30:57,880 --> 00:30:59,880
Speaker 1: enough about me. I don't want to talk about me.

493
00:31:00,360 --> 00:31:03,640
Speaker 1: I want to know if you had the opportunity to

494
00:31:03,720 --> 00:31:06,520
Speaker 1: work on the show, with all of the changes that

495
00:31:06,560 --> 00:31:09,920
Speaker 1: have happened to date, would you, like we always get

496
00:31:09,960 --> 00:31:13,320
Speaker 1: the question, would you be on the show if you

497
00:31:13,720 --> 00:31:16,840
Speaker 1: knew everything about the Bachelor to date? Would you be

498
00:31:16,960 --> 00:31:20,760
Speaker 1: on it? Now? So the same goes for you, would

499
00:31:20,760 --> 00:31:23,040
Speaker 1: you would you do the show? Would you do Paradise

500
00:31:23,120 --> 00:31:30,760
Speaker 1: or not Paradise? Bachelor in Paradise? Would you do? Um?

501
00:31:30,880 --> 00:31:36,080
Speaker 1: You know, it was a different time when we did

502
00:31:36,120 --> 00:31:40,840
Speaker 1: the show, right. It was literally like the Beatles were

503
00:31:40,880 --> 00:31:46,320
Speaker 1: coming to town. When we rolled. It was like doors

504
00:31:46,480 --> 00:31:50,920
Speaker 1: opened up. Things that you didn't anticipate even being possible

505
00:31:51,000 --> 00:31:53,959
Speaker 1: were suddenly possible. And that's not to say that those

506
00:31:54,000 --> 00:31:58,280
Speaker 1: things don't happen on today's show, but I believe then

507
00:31:58,360 --> 00:32:03,520
Speaker 1: there was a level of uh intimacy amongst everybody where

508
00:32:03,920 --> 00:32:07,080
Speaker 1: we were all in this together. It was that kind

509
00:32:07,120 --> 00:32:10,560
Speaker 1: of sense, and so there was a familial aspect to

510
00:32:10,640 --> 00:32:13,400
Speaker 1: it that I thought was really important. But I think

511
00:32:13,400 --> 00:32:15,320
Speaker 1: the most important thing, and I think this is the

512
00:32:15,320 --> 00:32:21,080
Speaker 1: biggest difference between then and now, is we really were

513
00:32:21,160 --> 00:32:25,440
Speaker 1: doing a Disney show. We were doing Cinderella. Right. It

514
00:32:25,560 --> 00:32:28,040
Speaker 1: was like the you're going to the ball, you have

515
00:32:28,080 --> 00:32:30,440
Speaker 1: a chance to fall in love with the prince. It's

516
00:32:30,480 --> 00:32:33,800
Speaker 1: a ticking clock toick to kick, and we're all the

517
00:32:33,840 --> 00:32:37,840
Speaker 1: mice and the you know, you know, fairy Godmother's making

518
00:32:37,880 --> 00:32:42,000
Speaker 1: magic happen. Behind the scenes, so it really was Cinderella.

519
00:32:42,120 --> 00:32:45,520
Speaker 1: I think that they've gone away from that, and I

520
00:32:45,600 --> 00:32:49,400
Speaker 1: don't think it's quite the fantasy that it once was.

521
00:32:49,760 --> 00:32:53,920
Speaker 1: I think it is now much more just a really

522
00:32:54,040 --> 00:33:00,360
Speaker 1: high end kind of uh you know love. Yeah, I

523
00:33:00,360 --> 00:33:02,120
Speaker 1: don't disagree with that. I mean, I think I think

524
00:33:02,120 --> 00:33:05,960
Speaker 1: you're absolutely right. The fantasy was the goal, right, that

525
00:33:06,080 --> 00:33:07,880
Speaker 1: was the end game when we were on the show.

526
00:33:07,960 --> 00:33:10,280
Speaker 1: And now it's like, you know, you've got people coming

527
00:33:10,280 --> 00:33:12,560
Speaker 1: in as characters ahead of time. They're riding in on

528
00:33:12,600 --> 00:33:20,040
Speaker 1: horses or up states really important and this is huge,

529
00:33:20,320 --> 00:33:21,800
Speaker 1: and this and this and this, to me is the

530
00:33:21,840 --> 00:33:25,360
Speaker 1: greatest difference social media. When you guys did the show,

531
00:33:25,760 --> 00:33:27,600
Speaker 1: no one came on the show thinking they were going

532
00:33:27,640 --> 00:33:30,280
Speaker 1: to become an influencer, thinking that they were going to

533
00:33:30,360 --> 00:33:34,200
Speaker 1: get followers, or it could turn their appearance into a

534
00:33:34,280 --> 00:33:39,120
Speaker 1: lifestyle or even a job. Right, Like, these were things

535
00:33:39,120 --> 00:33:42,200
Speaker 1: that were You did the show, and you then went

536
00:33:42,200 --> 00:33:45,480
Speaker 1: back to your normal life. That's not happening anymore. So

537
00:33:45,560 --> 00:33:50,320
Speaker 1: I think that you just starting there, you already have

538
00:33:50,400 --> 00:33:52,680
Speaker 1: a level of artifice because you can go on the

539
00:33:52,680 --> 00:33:55,600
Speaker 1: show now thinking okay, well if I come in second place,

540
00:33:55,680 --> 00:33:57,920
Speaker 1: I could potentially be the person who stars in the

541
00:33:57,920 --> 00:34:01,080
Speaker 1: next show, and if by making ass myself or on

542
00:34:01,200 --> 00:34:03,560
Speaker 1: a star but don't make it very far, I can

543
00:34:03,560 --> 00:34:06,680
Speaker 1: go on Bachelor in Paradise and if I don't do

544
00:34:06,720 --> 00:34:09,719
Speaker 1: any of that, some show on we TV, you'll have

545
00:34:09,840 --> 00:34:12,760
Speaker 1: me for something. All deference to your parents on we Trista,

546
00:34:14,400 --> 00:34:16,759
Speaker 1: they were very nice. I love everybody, but but but

547
00:34:16,760 --> 00:34:18,480
Speaker 1: but you know what I'm saying. It's just like there's

548
00:34:18,520 --> 00:34:21,879
Speaker 1: an ecosystem that now exists for all of these people

549
00:34:21,920 --> 00:34:25,040
Speaker 1: who appear on these shows that never happened before. That's

550
00:34:25,080 --> 00:34:27,560
Speaker 1: so true. People living out of it now, like they

551
00:34:27,600 --> 00:34:30,080
Speaker 1: go on and it's like, you know, four or five,

552
00:34:30,200 --> 00:34:33,239
Speaker 1: six times around, it's like, okay, you know, BLUs, there

553
00:34:33,280 --> 00:34:35,279
Speaker 1: was a lot. There was a lot of unpredictability too.

554
00:34:36,640 --> 00:34:38,200
Speaker 1: I should I shouldn't say that. Should I have to

555
00:34:38,200 --> 00:34:40,880
Speaker 1: say there's a lot more like predictability. I should say

556
00:34:41,080 --> 00:34:43,200
Speaker 1: to what we did it? And then all of a sudden,

557
00:34:43,200 --> 00:34:45,080
Speaker 1: it's like now people randomly show up when they've been

558
00:34:45,160 --> 00:34:47,279
Speaker 1: kicked off three weeks later, and then you show up

559
00:34:47,280 --> 00:34:49,960
Speaker 1: on a date and it's like, whatever manufactures the drama?

560
00:34:50,120 --> 00:34:54,880
Speaker 1: You know I started that? Actually one did? Yeah, Plece

561
00:34:55,360 --> 00:34:59,120
Speaker 1: Pwicce came to me after the Rose, after the um,

562
00:34:59,160 --> 00:35:05,160
Speaker 1: after hometown I think it was just before exotic. So

563
00:35:05,239 --> 00:35:07,320
Speaker 1: what is that there's four hometown dates? Back then you

564
00:35:07,400 --> 00:35:09,520
Speaker 1: have four hometowns and then you went to exotics, right,

565
00:35:09,800 --> 00:35:14,600
Speaker 1: So the most like our first female villain, Trish, she

566
00:35:14,680 --> 00:35:17,839
Speaker 1: was wonderful lady, so touched with her to this day.

567
00:35:17,920 --> 00:35:24,000
Speaker 1: But yeah, she got kicked out on after hometown dates

568
00:35:24,200 --> 00:35:26,280
Speaker 1: and Mike was just like, she's the best thing about

569
00:35:26,320 --> 00:35:28,399
Speaker 1: this show. You gotta figure out a way to get

570
00:35:28,440 --> 00:35:33,120
Speaker 1: her on on exotics. And I was like, huh, you

571
00:35:33,120 --> 00:35:35,680
Speaker 1: wanted to show up on an exotic and he was like,

572
00:35:36,280 --> 00:35:42,160
Speaker 1: figure it out. So uh. At that point in time,

573
00:35:42,200 --> 00:35:45,600
Speaker 1: I really wasn't doing those exit interviews anymore. But I

574
00:35:45,760 --> 00:35:48,479
Speaker 1: got into the back of the limo and an hour

575
00:35:48,640 --> 00:35:51,640
Speaker 1: later she was convinced that she needed to go to

576
00:35:51,760 --> 00:36:00,080
Speaker 1: Washington and speak her mind. I think that's really a

577
00:36:00,160 --> 00:36:02,799
Speaker 1: common thing. You need to speak your mind because in

578
00:36:02,880 --> 00:36:04,960
Speaker 1: this show, and it happened to me on The Bachelor,

579
00:36:05,520 --> 00:36:07,200
Speaker 1: which I don't know that we've talked about on this

580
00:36:07,239 --> 00:36:09,879
Speaker 1: podcast yet, but and I don't know if you were

581
00:36:09,920 --> 00:36:12,120
Speaker 1: involved in the conversation. It was Mike and Lisa, to

582
00:36:12,160 --> 00:36:15,960
Speaker 1: my knowledge, I'm sure you were involved somehow, Carbone. But um,

583
00:36:16,280 --> 00:36:20,919
Speaker 1: when when Alex said goodbye to me the next day,

584
00:36:21,080 --> 00:36:27,480
Speaker 1: I was like yeah, I was like, dude, the hell

585
00:36:27,680 --> 00:36:30,799
Speaker 1: brought Alex to you? No, he didn't come to me,

586
00:36:30,840 --> 00:36:33,359
Speaker 1: we just got on the phone. No, there was there

587
00:36:33,440 --> 00:36:35,319
Speaker 1: was a point there. There was a point in time

588
00:36:35,360 --> 00:36:40,319
Speaker 1: where like, well, maybe there's so many things that are

589
00:36:40,400 --> 00:36:46,720
Speaker 1: amalgamations at this point in right seasons. It's like, I'm sure.

590
00:36:47,040 --> 00:36:49,160
Speaker 1: But so I was like, you know, you finished, and

591
00:36:50,040 --> 00:36:54,680
Speaker 1: the guy is like, the guy's like okay, you're not

592
00:36:54,760 --> 00:36:57,879
Speaker 1: the one. You're like, oh, okay, goodbye, and you have

593
00:36:58,120 --> 00:37:01,320
Speaker 1: nothing else to say, Like it was, it was really

594
00:37:01,360 --> 00:37:03,959
Speaker 1: really awkward. And so I reached out and I said

595
00:37:04,000 --> 00:37:06,080
Speaker 1: I need to talk to him. I'm sorry, but I

596
00:37:06,120 --> 00:37:10,040
Speaker 1: need to talk to him. And they godd Lisa and

597
00:37:10,080 --> 00:37:13,040
Speaker 1: Mike were like, okay, you can talk to him, but

598
00:37:13,280 --> 00:37:15,880
Speaker 1: nothing is going to happen, because you guys are not

599
00:37:15,920 --> 00:37:19,319
Speaker 1: meant to be like in their minds, you know. Um,

600
00:37:19,400 --> 00:37:21,359
Speaker 1: so we're not going to let you guys meet. We're

601
00:37:21,360 --> 00:37:24,120
Speaker 1: just going to have a conversation that is recorded in

602
00:37:24,160 --> 00:37:29,319
Speaker 1: case anything does happen. And and they like, wouldn't let me,

603
00:37:29,400 --> 00:37:33,880
Speaker 1: because thank god they didn't, because if they hadn't, maybe

604
00:37:33,880 --> 00:37:36,799
Speaker 1: things would be different. Yeah, I know it's true. So

605
00:37:37,320 --> 00:37:40,279
Speaker 1: I think that, Um, it is really interesting at the end.

606
00:37:40,680 --> 00:37:43,640
Speaker 1: Um and I do think that there is a way

607
00:37:43,680 --> 00:37:46,200
Speaker 1: to bring I don't know, maybe that's a change that

608
00:37:46,239 --> 00:37:48,680
Speaker 1: they can make in the future, but some kind of closure.

609
00:37:48,800 --> 00:37:50,759
Speaker 1: I don't know. There's too many people for closure, so

610
00:37:50,800 --> 00:37:53,319
Speaker 1: I guess you can. I don't think anyone's ever gonna

611
00:37:54,160 --> 00:37:56,600
Speaker 1: too many people to get closure. But you know what

612
00:37:56,760 --> 00:38:00,200
Speaker 1: I quickly realized after that first season and see so

613
00:38:00,280 --> 00:38:05,200
Speaker 1: many people walk away with regret. Um was my speech,

614
00:38:05,239 --> 00:38:08,759
Speaker 1: and the limos from that point forward involved the three

615
00:38:08,840 --> 00:38:11,360
Speaker 1: words that I think are the key to success on

616
00:38:11,400 --> 00:38:17,080
Speaker 1: The Bachelor. Could have, should have? Would? Yeah, what was

617
00:38:17,120 --> 00:38:19,680
Speaker 1: you done differently now that you're in the limo? Right? Yeah,

618
00:38:20,160 --> 00:38:22,280
Speaker 1: Like I get in the limo and I would say, guys,

619
00:38:22,400 --> 00:38:24,800
Speaker 1: don't walk away from this show with these three words

620
00:38:24,840 --> 00:38:29,120
Speaker 1: ringing in your head. Could would, Yeah, you guys came here,

621
00:38:29,200 --> 00:38:32,040
Speaker 1: you packed a lot of dresses into a lot of suitcases,

622
00:38:32,280 --> 00:38:35,000
Speaker 1: you got all balled up, give it your best shot.

623
00:38:35,239 --> 00:38:38,000
Speaker 1: Don't go in there and suddenly you get overwhelmed by

624
00:38:38,040 --> 00:38:41,120
Speaker 1: the cameras because if you do odds are you ain't

625
00:38:41,120 --> 00:38:44,000
Speaker 1: making out of making it out of tonight? Yeah, yeah,

626
00:38:44,040 --> 00:38:46,279
Speaker 1: you're right. I mean you really have to have that

627
00:38:46,320 --> 00:38:49,040
Speaker 1: mentality when you're on the show because if you don't

628
00:38:49,080 --> 00:38:51,680
Speaker 1: go for it, then you're never going to let your

629
00:38:51,680 --> 00:38:55,359
Speaker 1: walls down, You're never going to fall in love. Because

630
00:38:55,400 --> 00:38:57,799
Speaker 1: it's such a short period time, especially it was for

631
00:38:57,880 --> 00:39:00,680
Speaker 1: us because we were only six weeks and yeah, we were,

632
00:39:01,040 --> 00:39:05,879
Speaker 1: we were that was quick. That was just relentless. Oh

633
00:39:05,920 --> 00:39:08,239
Speaker 1: my gosh. I was talking about in particular, I was

634
00:39:08,280 --> 00:39:10,680
Speaker 1: talking about the one night with someone not too long

635
00:39:10,680 --> 00:39:14,880
Speaker 1: ago actually, where we went on a date to Vegas.

636
00:39:15,880 --> 00:39:18,919
Speaker 1: On the way back from Vegas, we land and they're like, okay, Bob,

637
00:39:18,960 --> 00:39:20,320
Speaker 1: we've we've got to do your I T M S.

638
00:39:20,360 --> 00:39:22,239
Speaker 1: You know, we gotta get you through this. We get

639
00:39:22,239 --> 00:39:23,960
Speaker 1: through it. It's like four thirty in the morning and

640
00:39:24,000 --> 00:39:27,400
Speaker 1: Carbones like, all right, jump in the shower, we're picking

641
00:39:27,440 --> 00:39:29,359
Speaker 1: you up at five. You go on a hot air

642
00:39:29,400 --> 00:39:31,759
Speaker 1: balloon date. But we gotta catch we gotta catch as

643
00:39:31,760 --> 00:39:33,640
Speaker 1: the sun's coming up, baby, so let's go. Let's And

644
00:39:33,680 --> 00:39:36,400
Speaker 1: I'm like okay, And so you know, I get in

645
00:39:36,440 --> 00:39:39,200
Speaker 1: there and and it was just like this, but you

646
00:39:39,320 --> 00:39:41,560
Speaker 1: were there too, so it's like, you know, I really

647
00:39:41,560 --> 00:39:44,040
Speaker 1: couldn't sit there and bitch and complain about being exhausted,

648
00:39:44,040 --> 00:39:47,200
Speaker 1: because it's like they picked me up and it's me

649
00:39:47,360 --> 00:39:49,239
Speaker 1: carbone again. You know, here we go. I felt I

650
00:39:49,239 --> 00:39:51,920
Speaker 1: was dating Jason. Well, that was my role to a

651
00:39:51,920 --> 00:39:56,439
Speaker 1: certain degree, was like I was both of yours kind

652
00:39:56,480 --> 00:39:59,240
Speaker 1: of like shepherd for lack of a better term, where

653
00:39:59,640 --> 00:40:01,200
Speaker 1: I was here to make sure that we were up

654
00:40:01,200 --> 00:40:03,200
Speaker 1: in the morning and that you had something in you

655
00:40:03,320 --> 00:40:05,920
Speaker 1: so we could start the day. If you needed something

656
00:40:05,960 --> 00:40:07,879
Speaker 1: on the way to wherever we were going, Let's take

657
00:40:07,880 --> 00:40:10,799
Speaker 1: care of that. Uh. You know, both of you at

658
00:40:10,840 --> 00:40:13,359
Speaker 1: times would whisper in my wear, make sure I'm not

659
00:40:13,440 --> 00:40:15,560
Speaker 1: having to spend it an inordinate amount of time. What's

660
00:40:15,560 --> 00:40:19,200
Speaker 1: so and so? And you know we were unless I

661
00:40:19,280 --> 00:40:21,399
Speaker 1: look back at you and I said, I'm sorry, it's

662
00:40:21,440 --> 00:40:23,839
Speaker 1: too good a TV show, Bob. You need to talk

663
00:40:23,920 --> 00:40:26,560
Speaker 1: to her. You know, it's funny. I was. It's just

664
00:40:26,719 --> 00:40:29,080
Speaker 1: I was talking earlier and I just kind of I didn't.

665
00:40:29,080 --> 00:40:31,439
Speaker 1: I didn't say anything, but I was remembering one time

666
00:40:31,480 --> 00:40:34,279
Speaker 1: when you swooped in and saved me. Actually, and we

667
00:40:34,360 --> 00:40:37,880
Speaker 1: won't name any names, but I remember saying literally, I'm like,

668
00:40:37,920 --> 00:40:39,920
Speaker 1: you know what, I'm excuse myself and go to the bathroom.

669
00:40:40,000 --> 00:40:42,200
Speaker 1: And I go into the bathroom and knowing that, I

670
00:40:42,280 --> 00:40:44,200
Speaker 1: Mike that I don't unpack my because I didn't have

671
00:40:44,239 --> 00:40:46,040
Speaker 1: to go to the bathroom and I'm washing my hands,

672
00:40:46,040 --> 00:40:47,480
Speaker 1: I like, guys, I need to get the hell out

673
00:40:47,480 --> 00:40:49,560
Speaker 1: of here, and we need to go. We just need

674
00:40:49,560 --> 00:40:53,319
Speaker 1: to go. I uh And and I came walking back

675
00:40:53,360 --> 00:40:56,279
Speaker 1: out and I got one of these. I'm like, okay,

676
00:40:56,560 --> 00:40:59,160
Speaker 1: so I sit back down, I have, you know, cheers. Guys,

677
00:40:59,160 --> 00:41:01,040
Speaker 1: what a lovely pleasure me you all, It's really time

678
00:41:01,560 --> 00:41:04,880
Speaker 1: we should probably go. But it was like I was,

679
00:41:05,000 --> 00:41:06,799
Speaker 1: I literally was in the bathroom going, guys, I can't

680
00:41:06,800 --> 00:41:12,920
Speaker 1: I can't do it. Oss. I remember that? Remember that? Well, Jason?

681
00:41:13,000 --> 00:41:16,720
Speaker 1: One last question. Do you remember when um Ryan couldn't

682
00:41:16,760 --> 00:41:19,960
Speaker 1: be found on the final were you the one searching

683
00:41:20,040 --> 00:41:23,080
Speaker 1: for him? So let's talk a little Let's unpack this

684
00:41:23,120 --> 00:41:27,800
Speaker 1: a little bit because there is so much here. Okay,

685
00:41:28,160 --> 00:41:32,000
Speaker 1: So you're talking about the Bachelor and the Bachelorette parties

686
00:41:32,040 --> 00:41:35,279
Speaker 1: that took place on St. Martin in the correct no,

687
00:41:35,480 --> 00:41:37,640
Speaker 1: I'm not talking about that. I'm talking about the very

688
00:41:37,880 --> 00:41:40,680
Speaker 1: last well that also was that we didn't know where

689
00:41:40,719 --> 00:41:43,439
Speaker 1: Ryan was. Sorry, I kind of I led you down

690
00:41:43,440 --> 00:41:46,520
Speaker 1: another road, but when he couldn't be found for the

691
00:41:46,560 --> 00:41:52,600
Speaker 1: final Rows ceremony, I think what happened is St. Martin

692
00:41:53,120 --> 00:41:58,920
Speaker 1: so overshadowed that because of so many other confluence of

693
00:41:58,960 --> 00:42:03,279
Speaker 1: events that were hurrying on that island, Like like, there

694
00:42:03,360 --> 00:42:06,560
Speaker 1: was so much going on there, and your parents were there,

695
00:42:06,760 --> 00:42:11,239
Speaker 1: and there was a level of everyone everyone was there

696
00:42:11,280 --> 00:42:15,040
Speaker 1: and and if you remember correctly, I got viral vertigo

697
00:42:15,360 --> 00:42:22,200
Speaker 1: while I was there stand and literally like they at

698
00:42:22,239 --> 00:42:24,680
Speaker 1: one point they were like, we don't know what's wrong

699
00:42:24,719 --> 00:42:26,800
Speaker 1: with him. We might need to meta back him out

700
00:42:26,800 --> 00:42:31,919
Speaker 1: of here. Totally remember that I forgot like and as

701
00:42:32,000 --> 00:42:34,720
Speaker 1: this is all going on, I like, I am going

702
00:42:34,840 --> 00:42:39,920
Speaker 1: from post to post, holding onto things, trying to direct

703
00:42:40,080 --> 00:42:44,880
Speaker 1: and now trying to find Ryan. And then after that day,

704
00:42:44,920 --> 00:42:48,120
Speaker 1: literally I was confined, confined to a bed until they

705
00:42:48,160 --> 00:42:50,800
Speaker 1: flew me out, And it took me a week after

706
00:42:50,840 --> 00:42:55,560
Speaker 1: I got home for me to have some I can't

707
00:42:55,560 --> 00:42:59,239
Speaker 1: even imagine the worst experience. It was one of those

708
00:42:59,280 --> 00:43:03,520
Speaker 1: experience is where I remember, specifically on the car ride

709
00:43:03,560 --> 00:43:06,600
Speaker 1: home from the airport, every like quarter of a mile,

710
00:43:06,719 --> 00:43:13,000
Speaker 1: I said to the driver, you gotta pull over a well.

711
00:43:13,080 --> 00:43:15,600
Speaker 1: I mean one of those lovely gifts that the bachelor

712
00:43:15,640 --> 00:43:20,799
Speaker 1: gave to you was like the host and it was

713
00:43:20,880 --> 00:43:26,680
Speaker 1: it was insanity, that's right. And then in St. Martin

714
00:43:27,200 --> 00:43:30,160
Speaker 1: was was like the best of times and the worst

715
00:43:30,200 --> 00:43:33,600
Speaker 1: of Yes, yeah, true story. I do remember the casino

716
00:43:33,719 --> 00:43:35,640
Speaker 1: there too. I remember going to the casino there and

717
00:43:35,719 --> 00:43:39,520
Speaker 1: gambling and having a great time. And you guys must

718
00:43:39,560 --> 00:43:41,880
Speaker 1: have done that on your thing, because we went to

719
00:43:41,960 --> 00:43:44,800
Speaker 1: this bar and we had dinner, and then the girls

720
00:43:44,840 --> 00:43:49,319
Speaker 1: gave me like a Dare list or whatever that I

721
00:43:49,360 --> 00:43:52,600
Speaker 1: had to check off the boxes and like take a

722
00:43:52,640 --> 00:43:56,160
Speaker 1: picture with the We also had a very early kind

723
00:43:56,160 --> 00:43:58,759
Speaker 1: of harbinger of things to come on the internet with

724
00:43:58,920 --> 00:44:03,279
Speaker 1: shopbop be down there, and if you remember Trista, you

725
00:44:03,360 --> 00:44:07,080
Speaker 1: and all of your bridesmaids got to like have your

726
00:44:07,160 --> 00:44:09,719
Speaker 1: run of Shop Pop. They basically set up a little

727
00:44:09,760 --> 00:44:13,480
Speaker 1: boutique there and you and your friends went crazy at

728
00:44:13,520 --> 00:44:17,480
Speaker 1: Shop Bop before Shop Bop was appointed by Amazons. I

729
00:44:17,480 --> 00:44:20,280
Speaker 1: didn't know that. Yeah, I remember we got those jelly

730
00:44:20,320 --> 00:44:31,640
Speaker 1: purses Amazon. You put them on the map. You're welcome. Yeah, no,

731
00:44:31,920 --> 00:44:37,080
Speaker 1: it's uh, you know, it's there's been books written about

732
00:44:37,120 --> 00:44:40,239
Speaker 1: the show, but the reality is is that there's no

733
00:44:40,680 --> 00:44:45,840
Speaker 1: there's nothing yet that really kind of represents what it

734
00:44:45,960 --> 00:44:48,680
Speaker 1: is we all shared and what it is we you know,

735
00:44:49,040 --> 00:44:53,520
Speaker 1: like in all candor, you were both trailblazers, right you, Tristan,

736
00:44:53,640 --> 00:44:59,719
Speaker 1: particularly you, you were, uh, you were doing things that

737
00:45:01,680 --> 00:45:04,440
Speaker 1: it took a lot of courage to do, and so

738
00:45:04,520 --> 00:45:07,920
Speaker 1: I commend you for that. I certainly wouldn't want my

739
00:45:08,000 --> 00:45:10,839
Speaker 1: daughter doing those things at the age you were when

740
00:45:10,840 --> 00:45:13,840
Speaker 1: you were on our show. So I think my parents

741
00:45:13,960 --> 00:45:17,480
Speaker 1: probably that uh, you know, it speaks I'll think a

742
00:45:17,520 --> 00:45:20,600
Speaker 1: lot to the way you were raised. Yeah, yeah, I

743
00:45:20,640 --> 00:45:22,879
Speaker 1: think about it. She went on the first show, then

744
00:45:22,920 --> 00:45:27,200
Speaker 1: she's the first female lead, then they televised her wedding.

745
00:45:27,239 --> 00:45:29,359
Speaker 1: I mean, there are a lot of things going on there.

746
00:45:29,400 --> 00:45:31,600
Speaker 1: There was a lot of pressure on you to deliver

747
00:45:31,680 --> 00:45:35,160
Speaker 1: one of my favorite moments, and Tristan, I'm going to

748
00:45:35,280 --> 00:45:38,640
Speaker 1: tell a story about you at the wedding. Okay. So

749
00:45:39,560 --> 00:45:43,720
Speaker 1: we're at the wedding and things were going a little

750
00:45:43,800 --> 00:45:46,359
Speaker 1: slow with Tristan. Okay, she was I've been a hard

751
00:45:46,400 --> 00:45:49,759
Speaker 1: time getting out the door. So I was sent in

752
00:45:50,320 --> 00:45:54,080
Speaker 1: to see what the situation was and what was going on.

753
00:45:54,280 --> 00:45:58,000
Speaker 1: And you know, there was a million different trade outs

754
00:45:58,280 --> 00:46:03,560
Speaker 1: for that, right there was tradeouts for everything short of

755
00:46:03,680 --> 00:46:09,479
Speaker 1: socks because bombas hadn't been invented yet. And um, so

756
00:46:09,880 --> 00:46:14,160
Speaker 1: I go in and they wanted Trista to wear this

757
00:46:14,360 --> 00:46:20,320
Speaker 1: earring and necklace set that was just like monstrously large

758
00:46:20,400 --> 00:46:24,200
Speaker 1: and a very gaudy. And I go in and Trista

759
00:46:24,440 --> 00:46:26,600
Speaker 1: is I'm saying, I don't want to wear this on

760
00:46:26,640 --> 00:46:30,400
Speaker 1: my wedding day. And I have I'm talking to Trista.

761
00:46:30,440 --> 00:46:32,799
Speaker 1: And while I'm talking to Trista, I have people in

762
00:46:32,800 --> 00:46:35,360
Speaker 1: my ear saying, Carbone, what's going on? She trip me

763
00:46:35,360 --> 00:46:38,160
Speaker 1: walking down the hallway. They're ready to start. Where is she?

764
00:46:42,800 --> 00:46:45,960
Speaker 1: And I literally saw. I looked at Trista and I go, Trista,

765
00:46:45,960 --> 00:46:47,839
Speaker 1: give me one second. And I turned around and I'm

766
00:46:47,880 --> 00:46:51,880
Speaker 1: just like, um, I'm having a moment with Trista and

767
00:46:52,040 --> 00:46:55,800
Speaker 1: I need five minutes and you all need to relax.

768
00:46:57,920 --> 00:46:59,920
Speaker 1: And so I turned back to Trista and I said, Trista,

769
00:47:00,000 --> 00:47:01,640
Speaker 1: it's your wedding day. You're not going to have to

770
00:47:01,680 --> 00:47:04,880
Speaker 1: wear anything you don't want to wear. Yeah, And Trista

771
00:47:04,880 --> 00:47:07,360
Speaker 1: looked at me and she was just like, you understand me,

772
00:47:07,600 --> 00:47:11,840
Speaker 1: thank you, And I was just like wa. Then she

773
00:47:11,880 --> 00:47:14,399
Speaker 1: wore she didn't wear the ear rings, or she didn't

774
00:47:14,440 --> 00:47:16,480
Speaker 1: wear the neck, she didn't wear one of the one

775
00:47:16,520 --> 00:47:18,640
Speaker 1: of the pieces. And I was just like, we're good.

776
00:47:18,920 --> 00:47:21,040
Speaker 1: We didn't get it all, but we got half of it, guys,

777
00:47:21,080 --> 00:47:23,040
Speaker 1: and that's going to have to be good enough. And

778
00:47:23,120 --> 00:47:30,919
Speaker 1: in three yes, like that's what you want, Like as

779
00:47:31,040 --> 00:47:34,680
Speaker 1: is in life or as the lead on the Bachelor

780
00:47:34,719 --> 00:47:37,840
Speaker 1: of the bachelorrete you just sometimes want to be heard

781
00:47:38,000 --> 00:47:41,719
Speaker 1: and seen, and especially when it's your freaking wedding day.

782
00:47:43,040 --> 00:47:45,080
Speaker 1: It was just like you had all these people scared

783
00:47:45,760 --> 00:47:49,800
Speaker 1: to upset Trista and scared to upset all the sponsors. Yeah.

784
00:47:50,719 --> 00:47:52,320
Speaker 1: I was just like, you know, the only person we

785
00:47:52,360 --> 00:47:57,600
Speaker 1: don't want to upset on her wedding day is Tristatas.

786
00:47:57,920 --> 00:48:02,200
Speaker 1: We're good. We've got all the weird you We're good, Like,

787
00:48:02,280 --> 00:48:04,239
Speaker 1: let's not worry about this, this is a big day.

788
00:48:04,320 --> 00:48:10,719
Speaker 1: Let's see all those picked chairs. Yeah, we love you, Carbone,

789
00:48:10,920 --> 00:48:13,239
Speaker 1: thank you so much, Funny, thanks for joining us on

790
00:48:13,280 --> 00:48:17,960
Speaker 1: the show. And you guys, we could do to him.

791
00:48:18,000 --> 00:48:20,160
Speaker 1: We were like, well, still a whole hour or more,

792
00:48:20,360 --> 00:48:25,680
Speaker 1: not a problem. Yeah, continued success and tell everyone we

793
00:48:25,719 --> 00:48:43,759
Speaker 1: said hello, alright Jason carbone Man that m Yes. I

794
00:48:43,800 --> 00:48:48,040
Speaker 1: have called him so many times over the years. You know,

795
00:48:48,239 --> 00:48:49,640
Speaker 1: I want to do this with you. I want to

796
00:48:49,640 --> 00:48:51,799
Speaker 1: do that with you. What should I do in this situation?

797
00:48:51,960 --> 00:48:55,200
Speaker 1: You know, just for advice or just to chat. I

798
00:48:55,200 --> 00:49:00,239
Speaker 1: mean he's just solid, you know, not just not just

799
00:49:01,120 --> 00:49:04,359
Speaker 1: a great producer, right, or someone who knows their way

800
00:49:04,360 --> 00:49:07,160
Speaker 1: around the industry, but someone who's willing to let their

801
00:49:07,200 --> 00:49:08,400
Speaker 1: go down a little bit and be real and be

802
00:49:08,480 --> 00:49:11,040
Speaker 1: honest and be your friend. Even during both of our

803
00:49:11,080 --> 00:49:13,279
Speaker 1: experiences on that show. When you know, if you think

804
00:49:13,280 --> 00:49:15,040
Speaker 1: about it, that's the one thing you don't really have

805
00:49:15,560 --> 00:49:17,239
Speaker 1: right as the lead when you're there. You don't have

806
00:49:17,280 --> 00:49:20,719
Speaker 1: any of your friends or family there. Well you let them.

807
00:49:21,719 --> 00:49:24,239
Speaker 1: I did have friends, No, that was that was one

808
00:49:24,280 --> 00:49:27,600
Speaker 1: of the only seasons that I was allowed. So I

809
00:49:27,640 --> 00:49:32,800
Speaker 1: had my best friend from Shannon Oliver who was on

810
00:49:32,960 --> 00:49:37,160
Speaker 1: The Bachelor with her, and then Missy Babone who was

811
00:49:37,280 --> 00:49:40,080
Speaker 1: my best friend from grad school, and I got to

812
00:49:40,120 --> 00:49:42,360
Speaker 1: have all of them there. They lived in the house

813
00:49:42,400 --> 00:49:45,319
Speaker 1: with you guys. They got to vote on who I

814
00:49:45,400 --> 00:49:48,440
Speaker 1: was taking on dates, like I would evaluate us, they

815
00:49:48,480 --> 00:49:51,800
Speaker 1: would evaluate us from conversations and stuff. I remember that totally.

816
00:49:53,160 --> 00:49:57,200
Speaker 1: So I had a very unique situation and that they

817
00:49:57,360 --> 00:49:59,759
Speaker 1: let me have my friends that that was something that

818
00:49:59,800 --> 00:50:02,839
Speaker 1: I I requested, like can I have some friends come

819
00:50:02,880 --> 00:50:04,920
Speaker 1: and help me. They're a huge part of my life

820
00:50:05,040 --> 00:50:07,000
Speaker 1: and I feel, like I have said over the years,

821
00:50:07,000 --> 00:50:09,879
Speaker 1: they need to bring that, bring that back. But but

822
00:50:09,920 --> 00:50:12,560
Speaker 1: when we don't have my season for one episode, like

823
00:50:12,600 --> 00:50:15,799
Speaker 1: not even an episode like one to day. I don't

824
00:50:15,840 --> 00:50:17,760
Speaker 1: even think it's two days. I think it was one day,

825
00:50:17,960 --> 00:50:20,440
Speaker 1: and it was because it works so well on your season,

826
00:50:21,000 --> 00:50:23,799
Speaker 1: they carried it over to my season. I remember doing it. Yeah,

827
00:50:24,000 --> 00:50:28,160
Speaker 1: but it was only one day. Yeah, I mean even

828
00:50:28,200 --> 00:50:31,360
Speaker 1: though I did have friends there for for most of it.

829
00:50:31,880 --> 00:50:34,680
Speaker 1: The producers you're with them all the time, and you

830
00:50:34,840 --> 00:50:38,480
Speaker 1: just you you have to vibe like even the producers

831
00:50:38,520 --> 00:50:41,480
Speaker 1: to this day. You have to have a producer who

832
00:50:41,560 --> 00:50:46,879
Speaker 1: can get along with all different personalities, who can make

833
00:50:46,960 --> 00:50:49,880
Speaker 1: people feel seen and feel heard, because that's where the

834
00:50:49,920 --> 00:50:53,080
Speaker 1: good stuff comes from, that's where the reality comes from.

835
00:50:53,080 --> 00:50:55,640
Speaker 1: For reality television, you got to trust for people you're

836
00:50:55,680 --> 00:50:59,879
Speaker 1: talking to I agree with you. I agree. Well, yeah,

837
00:51:00,080 --> 00:51:03,320
Speaker 1: another wonderful episode of the almost famous O G S

838
00:51:03,480 --> 00:51:05,960
Speaker 1: and we had that was a true O G right there.

839
00:51:06,120 --> 00:51:09,000
Speaker 1: That was a trio G from a production perspective. Having

840
00:51:09,000 --> 00:51:11,600
Speaker 1: Carbone on, I mean, man alive. I love that guy.

841
00:51:11,880 --> 00:51:16,160
Speaker 1: I just love he's doing great. Oh my god, so good.

842
00:51:16,400 --> 00:51:20,719
Speaker 1: I know, I know, so good. Okay, Well, thanks for

843
00:51:20,840 --> 00:51:23,680
Speaker 1: sending in questions everybody. We were going to try to

844
00:51:23,760 --> 00:51:27,319
Speaker 1: get to them today, but we don't have a lot

845
00:51:27,360 --> 00:51:29,560
Speaker 1: of time, so we're just going to roll that over

846
00:51:29,600 --> 00:51:32,160
Speaker 1: into next episode. I don't know who we'll have, but

847
00:51:32,200 --> 00:51:34,920
Speaker 1: I am going to pitch that we have our our

848
00:51:34,960 --> 00:51:40,239
Speaker 1: spouses on soon. I can say I'm gonna write I'm

849
00:51:40,239 --> 00:51:42,400
Speaker 1: gonna write us, and I'm gonna say, please come and

850
00:51:42,480 --> 00:51:45,799
Speaker 1: chat with me. She'll do it for you, she will

851
00:51:45,800 --> 00:51:47,400
Speaker 1: not do it for me. I'm gonna shure you. And

852
00:51:47,600 --> 00:51:49,560
Speaker 1: you probably didn't notice, but you know, during a few

853
00:51:49,560 --> 00:51:51,680
Speaker 1: of the stories, I was like muting my line because

854
00:51:51,719 --> 00:51:54,400
Speaker 1: my son was literally trying to break in here. I'm like,

855
00:51:54,520 --> 00:52:00,160
Speaker 1: oh mg, here we go again on the door. He's like, Dad,

856
00:52:00,640 --> 00:52:04,720
Speaker 1: why aren't you opening that door? I was like, okay,

857
00:52:04,960 --> 00:52:06,600
Speaker 1: and I'm like, and I would literally mute it. I'd

858
00:52:06,600 --> 00:52:11,320
Speaker 1: be like, big, let's go hello, help anybody. So yeah,

859
00:52:11,400 --> 00:52:14,279
Speaker 1: oh my gosh. But you know what, the next next

860
00:52:14,280 --> 00:52:18,280
Speaker 1: week is Father's Day, right, and that's a big day

861
00:52:18,320 --> 00:52:21,000
Speaker 1: and a big day for me, a big day for

862
00:52:21,000 --> 00:52:23,479
Speaker 1: for Ryan, big day for all the dads out there.

863
00:52:23,560 --> 00:52:25,200
Speaker 1: I don't know how many dads listen to our show.

864
00:52:25,200 --> 00:52:28,759
Speaker 1: I hope, I hope a bunch. But Carbones a father.

865
00:52:28,840 --> 00:52:31,560
Speaker 1: I mean, you know, I'll tell you man. I waited,

866
00:52:31,600 --> 00:52:33,919
Speaker 1: of course, until later in life to have kids, and

867
00:52:34,040 --> 00:52:37,120
Speaker 1: it is such a special experience for me too. I'm

868
00:52:37,160 --> 00:52:38,880
Speaker 1: so thankful that it worked out the way that it

869
00:52:38,920 --> 00:52:40,680
Speaker 1: worked out for me to be at this age where

870
00:52:40,680 --> 00:52:43,200
Speaker 1: I think I think I would have always wanted to

871
00:52:43,200 --> 00:52:45,680
Speaker 1: be a super invested in dad dad, but like to

872
00:52:45,719 --> 00:52:47,680
Speaker 1: go through COVID and be able to be at my

873
00:52:47,760 --> 00:52:50,040
Speaker 1: house for basically a year and a half with my

874
00:52:50,080 --> 00:52:54,239
Speaker 1: son and my dad. Um, I'm gonna get myself emotional here,

875
00:52:54,239 --> 00:52:55,480
Speaker 1: but it's like one of those things where it's like

876
00:52:55,520 --> 00:52:58,160
Speaker 1: you go through those experiences in life, timing just has

877
00:52:58,200 --> 00:53:00,200
Speaker 1: a way of working out right, and it's like, you're

878
00:53:00,239 --> 00:53:03,319
Speaker 1: so thankful to h to be a dad right now.

879
00:53:03,360 --> 00:53:06,560
Speaker 1: So I'm excited for Father's Day. Yeah you should be.

880
00:53:06,719 --> 00:53:08,759
Speaker 1: We get to celebrate you and all the great dads

881
00:53:08,760 --> 00:53:11,319
Speaker 1: out there, including some from Bachelor Nation. And we won't

882
00:53:11,320 --> 00:53:14,200
Speaker 1: tell you who's visiting. You'll just have to tune into

883
00:53:14,280 --> 00:53:19,160
Speaker 1: a fo G next week for our Father's Day episode

884
00:53:19,160 --> 00:53:23,920
Speaker 1: by Trista. All right, thanks Bob, bye everybody, Bye everybody.

885
00:53:23,920 --> 00:53:25,479
Speaker 1: Thank you,