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Speaker 1: You can watch the original episode we'll be discussing in

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Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the

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Speaker 1: new and final season, on Max. You can also watch

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Speaker 1: the video version of the History of Curby Enthusiasm podcast

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Speaker 1: on Max and YouTube, as well. Links available in the

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Speaker 1: episode description. Okay, so I'm Susie Esmond.

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Speaker 2: And I'm Jeff Caerlin.

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Speaker 1: Hi everybody, and we're here for season four, Episode two,

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Speaker 1: Ben's birthday. And we start off with Larry in rehearsal

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Speaker 1: tapping with the choreographer played by Patrick Bristow.

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Speaker 2: Who, by the way, Groundlings.

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Speaker 1: Groundlings very very funny and has some real gem stuff

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Speaker 1: later on, which.

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Speaker 2: Is why for years before this I was up whenever

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Speaker 2: I did comedy stuff. And he is just he's hilarious.

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Speaker 3: It's very funny.

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Speaker 2: I mean, he would be a working class comedian, do

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Speaker 2: you know what I mean? He's not, you know, and

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Speaker 2: he will make any project you do as.

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Speaker 3: This funny, funny.

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Speaker 2: Yeah. And the first line that he says in the

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Speaker 2: episode is thank god you stopped.

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Speaker 4: Okay, I'm not even gonna get into what's wrong with

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Speaker 4: the actual choreography. I'm gonna start with your shoes Okay,

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Speaker 4: I told you to get Kipezia Jazz, I will get

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Speaker 4: those shoes today. You're gonna get the shoes, but you're

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Speaker 4: also gonna get the steps. So we're gonna break it

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Speaker 4: down one more time and just watch only my feet.

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Speaker 2: Thank god you stopped. Yeah, thank god you stuffed. I'm

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Speaker 2: sorry gold from the get go right.

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Speaker 1: I love that Larry doesn't understand and I kind of

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Speaker 1: agree with him.

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Speaker 5: Why can't you just do this?

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Speaker 3: And he shuffles around, like, what.

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Speaker 5: Do you have to do?

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Speaker 2: The tap? Why can't you just go this? And by

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Speaker 2: the way, you've seen your share of Broadway shows? Do

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Speaker 2: you think it doesn't make a difference. Really, No, it

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Speaker 2: does make a difference, of course it does. But I

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Speaker 2: understand his logic though, because he.

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Speaker 3: Can't I just shuffle around?

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Speaker 2: Why do I have to do so?

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Speaker 1: Then the pianist walks in and it is blind Michael,

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Speaker 1: who we met.

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Speaker 3: I think it was in season one or two.

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Speaker 2: Where Richard Joys one. I believe Richard Lewis and Larry helping,

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Speaker 2: and he's very unrealizarious.

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Speaker 1: Yes, yes, And he walks in with a woman on

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Speaker 1: his arms, and that is Patrick Kerr is the actor

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Speaker 1: who plays Michael and Jackie Hoffman and Jackie Hoffman who's

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Speaker 1: you know, Yeah.

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Speaker 2: I mean she's Second City. But here's what I want.

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Speaker 2: I want to say about Jackie Hoffman. When I first

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Speaker 2: moved as a young comedian and improviser to Chicago to

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Speaker 2: do the Second City theater, other people had the same

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Speaker 2: dream and they came and you. But you started, you

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Speaker 2: got lucky if when you got there you got a

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Speaker 2: job as a bar back, a server. Yeah, you can

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Speaker 2: make a living. But they only gave those jobs to

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Speaker 2: the actors that they believed in. So for a long time,

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Speaker 2: Jackie Hoffman and I were the box office employees. Okay,

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Speaker 2: hold on. One other person joined us for a long time,

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Speaker 2: Stephen Colbert. Really, so the box office at Second City

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Speaker 2: at that time was Jackie Hoffman, uh, Stephen Colbert and myself.

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Speaker 2: Which is really funny. Yeah, because to a degree, one

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Speaker 2: degree or another, like, Jackie is really big in New York.

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Speaker 1: She does a lot of Broadway, she does a lot

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Speaker 1: of one woman shows shows all the time, and she's

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Speaker 1: been on Broadway in many, many things. Yeah, I recently

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Speaker 1: saw her in the Yiddish Fiddler on the Roof. She

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Speaker 1: knows Yiddish yes, she was terrific.

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Speaker 2: No, she's but I also she played the maid something.

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Speaker 1: In in in with with the behind the scenes viewed.

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Speaker 3: With that, she played Joan Crawford's maid, but.

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Speaker 2: She gets hired. She was she was in I forgot

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Speaker 2: the name of the movie Birdman or whatever with Michael Keaton.

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Speaker 2: She shows up in every New York movie, always cast

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Speaker 2: it appropriately, Like when you see her do these parts,

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Speaker 2: you think, I can't imagine anyone else doing this part. Yeah, yeah, yeah.

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Speaker 1: So she comes in and she is Michael, who is blind.

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Speaker 1: She's his girlfriend, and Larry looks at him. He's like,

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Speaker 1: you see on Larry's face, this guy looks familiar and

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Speaker 1: then he realizes who he was and he says to him,

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Speaker 1: I helped you move with Richard Lewis three years ago.

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Speaker 1: Turns out Michael is the rehearsal pianist, right, and he

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Speaker 1: introduces He says, this is.

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Speaker 2: My girlfriend Ronda. Hello, and Larry, Hi, can you believe it?

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Speaker 2: I hooked up with a model boy? You lucked out?

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Speaker 1: Can you believe I hooked up with a model? I

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Speaker 1: love this guy, Patrick Kerr.

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Speaker 2: I love his voice. I love no he's great, A

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Speaker 2: lovely man too. By the way, Who better than Jackie

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Speaker 2: Hoffman to bullshit a blind guy that she's a model

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Speaker 2: and Angenoux? Do you know what I mean? Who better?

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Speaker 2: Because immediately it's gotten boom. You know, she's a character

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Speaker 2: actress and it just and I never thought that somebody

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Speaker 2: could do that realistically, could lie to somebody who's blind

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Speaker 2: as to what they look like.

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Speaker 1: Well, you know, that's how Larry's brain works, because he thinks,

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Speaker 1: wouldn't it be great if this woman was blind? And

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Speaker 1: I told her I looked like Paul Newman. You know,

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Speaker 1: that's how his brain works.

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Speaker 2: Yeah, so that's why he put it in there. Yeah, exactly.

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Speaker 1: And then Ben enters and he's introduced to Michael, and

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Speaker 1: Michael introduces his girlfriend Ronda, and he says hands off

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Speaker 1: to Ben.

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Speaker 2: Right. So that's all good and fine, But I want

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Speaker 2: to say something about Ben Stiller, his greatness as an

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Speaker 2: actor and a director. I don't know if you watched

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Speaker 2: his show Severance. I have seen it. It is subtle,

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Speaker 2: it is beautiful, but as an actor, his reaction, he

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Speaker 2: doesn't say a word like the woman I said in

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Speaker 2: the last episode, who did it all with her face? Yeah?

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Speaker 2: Who's very handsome? But he says it all with his face,

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Speaker 2: so he says hands off, and the look on Ben's

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Speaker 2: face is the laugh, and then he turns to Larry

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Speaker 2: and this begins a relationship that goes up. It's a

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Speaker 2: roller coaster. Yes, it's a true, true roller coaster.

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Speaker 3: And that's a delight to watch.

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Speaker 2: Well it is, but Ben is sot. He's such a

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Speaker 2: wonderful actor. I hope he acts again.

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Speaker 1: He invites everybody there to his birthday party, right, and

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Speaker 1: he says his birthday was two weeks ago, but they're

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Speaker 1: gonna do it Saturday and no gifts. And Larry's like,

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Speaker 1: why have it at all? If it was two weeks ago,

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Speaker 1: why have a party at all? What's the whole point

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Speaker 1: of it? And he's at lunch with Richard Lewis and

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Speaker 1: Larry's brings up to Richard Lewis the total scam that

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Speaker 1: Michael introducing. You know, Lewis knows Michael also because he

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Speaker 1: was with Larry when they moved him episodes ago, and

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Speaker 1: the total scam. He introduced her as a model, and

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Speaker 1: that she's bullshitting him.

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Speaker 2: She's clear not a model.

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Speaker 1: And Richard then brings up that his friend's daughter, so

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Speaker 1: he's like uncle Richard, who's like a niece to him,

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Speaker 1: wants breast implants, and that Richard is supposed to be

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Speaker 1: doing a breast intervention, and he asked Larry to help

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Speaker 1: him talk her out of Kim is her name? Help

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Speaker 1: help me talk with Kim out of getting a breast enhancement.

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Speaker 3: And then Richard says.

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Speaker 1: To Larry, you never confide in me, right, which I

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Speaker 1: found interesting.

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Speaker 2: You know, it's like, you don't confide in me.

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Speaker 1: And then his fake niece Kim shows up, and Kim

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Speaker 1: wants ld to look at her reel, of course, and

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Speaker 1: Larry says, out of nowhere that added Nicole Smith, what

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Speaker 1: a pair of knockers on her?

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Speaker 2: Yeah, and you can see the woman knowing what he's doing,

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Speaker 2: the young lady.

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Speaker 1: Right, But it was the exact wrong thing to say.

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Speaker 2: Well, by the way, it's a complete run. But that

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Speaker 2: was also his character because he even said to Lewis,

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Speaker 2: how do I approach this right?

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Speaker 3: No idea?

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Speaker 2: That was his attempt. He went from zero to sixty.

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Speaker 1: Larry is the last person I would ask to do

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Speaker 1: something like that.

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Speaker 2: See, I disagree. I think Larry is brilliant in uncomfortable situations.

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Speaker 2: And I also think he's not as good as you.

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Speaker 2: He's a great advice guy.

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Speaker 1: Just like No, he is a great advice But I

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Speaker 1: just know that he would feel so uncomfortable in something

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Speaker 1: like that that I would never ask him.

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Speaker 2: But if he had to do it, he'd be good

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Speaker 2: at it. That's what I'm saying.

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Speaker 1: And that Larry and Cheryl walk into Ben's party and

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Speaker 1: they see a table full of gifts and there's like,

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Speaker 1: what I thought, no gifts, And Jeff and Susie then

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Speaker 1: approach and he says, did you bring gifts?

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Speaker 3: Susie's like, yeah, of course, and we brooke gifts.

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Speaker 1: He said it said no gifts, and nobody means that

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Speaker 1: right now. This is one of those those curb things.

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Speaker 1: This is a typical curb thing of no gifts, Do

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Speaker 1: you bring a gift? Everybody means bring a gift when

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Speaker 1: they say no gifts, and it's bullshit.

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Speaker 2: Well, by the way, for the most part, no gifts parties,

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Speaker 2: there's lots of gifts there.

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Speaker 1: You know what I don't never see to if somebody

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Speaker 1: a gift.

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Speaker 2: When you get to a certain age that's really like no, no, no,

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Speaker 2: you like gifts, but make them thoughtful. They don't even

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Speaker 2: have to be expensive. Just make it a thoughtful gift

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Speaker 2: to where my eyes will go big and go.

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Speaker 1: Wow, Well, did you happen to be a terrific gift

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Speaker 1: giver as am I?

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Speaker 2: I didn't know that. Yes, I'm a very good gift giver.

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Speaker 2: Oh yeah, I gave you the Mickey Mantle card.

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Speaker 3: Get me a Mickey Mano card.

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Speaker 2: Yeah.

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Speaker 1: And then they're passing out or dures and there's a

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Speaker 1: skewer with chicken on it, you know, like a kebab thing,

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Speaker 1: and Larry takes the skewer and Ben and Christine enter

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Speaker 1: and Larry's like, what.

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Speaker 3: Do you do with these skewers? I don't know what

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Speaker 3: you're supposed to do with the skewers, And he and Ben.

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Speaker 1: Start to talk about the rehearsal a lot of dancing,

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Speaker 1: and Ben's like, well, you have to work on the

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Speaker 1: off hours. And you see Ben already is feeling like

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Speaker 1: he's not doing enough, He's not carrying his weight, and

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Speaker 1: Larry's it looks like a lot of effort, and Ben

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Speaker 1: is saying, like, you're not putting the effort in, and

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Speaker 1: we see the riftstore forward and Larry's just focusing on

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Speaker 1: the skewer What am I going to do with the skewer?

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Speaker 2: What are which is a natural question that I have

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Speaker 2: to this day of what you do with the skewer? Yes,

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Speaker 2: people come by, but what if you're stuck there and

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Speaker 2: nobody's coming by. It's an issue, it actually is that

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Speaker 2: has not changed, and.

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Speaker 1: It's happened to me since we've done this episode numerous times.

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Speaker 2: Say he was right.

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Speaker 1: Yeah, I'm standing here holding the skewer and I have

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Speaker 1: no where to put it, and as usual he's.

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Speaker 2: Right, Yeah, he's right with the setup, correct, Like those

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Speaker 2: are one of the things, like people look at some

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Speaker 2: of them and go most of them. It's like a

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Speaker 2: release for people watching. I feel the exact same way,

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Speaker 2: right right, you know our show, which is politically incorrect,

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Speaker 2: but in a thoughtful way, not a shocking way and

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Speaker 2: irreverent people watching especially today, if like.

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Speaker 3: It gives them permission.

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Speaker 2: No, no, no, no, you know, crying makes you feel

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Speaker 2: better when you're feeling bad. Yes, I think that the

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Speaker 2: laughs from our show really do the same, yea to

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Speaker 2: people in that way.

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Speaker 1: In that way, tears are natural endorphins that are painkillers,

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Speaker 1: as his laughter laughter, you know.

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Speaker 2: So I think it's a big release for people when

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Speaker 2: he takes something that's happened to them to the nth degree,

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Speaker 2: you know, which he does.

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Speaker 1: Yes, And then I start telling Larry about my new

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Speaker 1: business that I'm making these sweatshirts that are dazzled and

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Speaker 1: they're selling like hotcakes, and I've got a whole bunch

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Speaker 1: in the trunk. You want to see them. He doesn't

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Speaker 1: want to see them.

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Speaker 3: He's not.

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Speaker 2: Okay, hold on, you're skipping the big point. What There

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Speaker 2: are two times where Susie begins the doll Yeah, and

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Speaker 2: this episode because you're wearing slightly loud clothes, your jacket,

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Speaker 2: especially in the scene where you open up and show

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Speaker 2: the things, but the bedazzling and those shirts of beautiful

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Speaker 2: hold on. Not only, but not only in horrible taste

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Speaker 2: and ridiculous, but that's the beginning of you having always

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Speaker 2: some sort of clothing business. Yeah down the road kaftans,

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Speaker 2: you know. Yeah, from this moment on, you have horrible

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Speaker 2: taste and you are making things that are horrible that

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Speaker 2: no humans should.

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Speaker 1: Also had the soaps on business too, where I was

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Speaker 1: selling like hand creams and I know, but you're entrepreneurial, I.

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Speaker 2: Know, but you're wearing your outfits when you're doing the soap. Yes, exactly,

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Speaker 2: you know what I mean. So it's a turn, it's

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Speaker 2: it's a slight beginning to what we're gonna get with Susie. Yeah,

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Speaker 2: you saying.

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Speaker 1: And I think season five is where it really all

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Speaker 1: comes together, which we'll get to.

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Speaker 2: We'll be right back. Stay tuned, and we're back.

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Speaker 1: Then Larry sees Michael, the blind pianist come in and

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Speaker 1: Michael tells him Tuesday night he's doing a show at

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Speaker 1: the Mint and it's show tunes, And he asked Larry

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Speaker 1: if he thinks Ronda is beautiful.

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Speaker 3: Ronda had walked away to go to the bathroom.

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Speaker 2: Hold on one. He asked him if he'll go, and

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Speaker 2: Larry says, no, I've got a clan meeting.

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Speaker 3: That, I got a clan meeting that speaking of the clan.

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Speaker 2: Yes, And then and he doesn't believe Larry, like he laughs,

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Speaker 2: he knows Larry's joking, ye, And then the look on

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Speaker 2: Larry's faces, Oh, I guess they have to go to

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Speaker 2: this fucking show.

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Speaker 3: But Larry likes show tunes as do I.

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Speaker 1: Well, no, I know, then walks away and he and

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Speaker 1: Michael askes ld if he thinks he's beautiful.

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Speaker 2: Larry's like, you know, what's the difference what she looks like?

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Speaker 2: You can't see her anyway? What that's one of the advantages,

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Speaker 2: right in the good hearing good hearing? What is that

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Speaker 2: a myth? I thought blind people had better hearing?

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Speaker 1: What's the difference what she looks like? You can't see

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Speaker 1: her anyway. That's one of the advantages being blind. That

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Speaker 1: and the good hearing. You know, it's just constantly making

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Speaker 1: it worse and worse. Hearing, according to Michael, is a myth.

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Speaker 2: Is this where he tells Michael that she's not an engeneue? No,

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Speaker 2: because this scene she walks up.

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Speaker 1: If I'm r exactly she does, so he hasn't told

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Speaker 1: him yet, Okay, and then we cut to you and

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Speaker 1: and Larry and I are out at the car and

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Speaker 1: I'm showing him my creations.

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Speaker 2: Wait do you see them? You are gonna die?

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Speaker 5: Okay? Now is this cute?

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Speaker 3: I mean, how much fun?

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Speaker 2: Is this? Huh? Great?

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Speaker 5: Right?

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Speaker 2: You know? Nice? Yeah, not going my cup of tea,

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Speaker 2: but you know it's nice, all right? You know what?

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Speaker 3: Fuck you and fuck your teeth?

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Speaker 2: What whoever said you had taste? Mister hushpuppy rumpled suit.

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Speaker 2: Look what, it's nice, it's just not you know, we

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Speaker 2: all can't like the same things.

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Speaker 1: I'll tell you when I showed him to Ben still

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Speaker 1: or he happened to love them, right.

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Speaker 2: Honey, he went nuts free, he went crazy for them.

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Speaker 5: Yeah, he has taste.

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Speaker 2: I'm sorry. I think it's it's nice, it's just not

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Speaker 2: stop right now.

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Speaker 6: Now.

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Speaker 2: This scene is classic Susie.

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Speaker 7: Yes, excited, excited, excited, and then excited and pissed and

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Speaker 7: then excited, and you tell Larry to go fuck himself

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Speaker 7: because he doesn't like them.

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Speaker 1: Well, he says they're not my cup of tea, and

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Speaker 1: I said, fuck you and fuck your tea.

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Speaker 2: Right, But that's still I know, which leads us down

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Speaker 2: the road. But I'm just saying this is the first scene.

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Speaker 2: We've already established your your bite. Yeah, but at this

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Speaker 2: point we see the levels how proud you are to

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Speaker 2: show Larry you know, Larry's important to you, and then

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Speaker 2: you turn on a dime and get you know, boom,

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Speaker 2: I'm hitting you hard in the face. And also between

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Speaker 2: that and these horrible shirts, this is the first of

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Speaker 2: many quintessential Susie scenes. We'd never done anything like this

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Speaker 2: before this. Larry knew this was funny, and he knew

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Speaker 2: how great you were. This is when an actor does

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Speaker 2: something in a small moment where the producer thinks to himself,

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Speaker 2: all right, this is something I'm gonna run.

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Speaker 1: You know how I feel about it is Larry knew

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Speaker 1: how to use me. Larry knew how to use me.

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Speaker 2: Without a doubt. I'm not saying that, I'm just saying

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Speaker 2: the way it was portrayed in that scene we had

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Speaker 2: never done before, and that's when he went he knew

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Speaker 2: you were capable of it. You're so great at this part.

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Speaker 2: But it was the first where he realized I don't

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Speaker 2: remember if we had a conversation about it, but the trunk,

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Speaker 2: the showing, and by the way, there are numerous trunk

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Speaker 2: showings and coming up. You know your trunk.

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Speaker 1: Okay, So then you know, fuck you, fuck you tea

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Speaker 1: Ben still I love him. Then Larry goes back to

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Speaker 1: the house and he sees Katie Huffman, who is the

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Speaker 1: statuesque blonde, and Ben introduced Larry to Katie, and Ben

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Speaker 1: leaves to go to the bathroom and Larry, you know again,

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Speaker 1: talking to a beautiful woman. He can't help but be

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Speaker 1: a ridiculous person. Yeah right, you know it's not really

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Speaker 1: his birthday. It's you know, there should be a statute

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Speaker 1: of limitations on the birthday.

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Speaker 3: And then he goes on a skewer. I don't like

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Speaker 3: a kebab.

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Speaker 2: What do you doing it? The cordial thing he says

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Speaker 2: about cordial because he can't be cordial. Oh no, Larry

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Speaker 2: can't be cordial. That's what I wrote down. Yes, his

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Speaker 2: character has an inability to go in and just be like, hi,

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Speaker 2: how are you. Yeah, he can't do it.

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Speaker 1: Yeah, and yeah, the stick you stick yourself in the scrotum.

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Speaker 1: You put it in your pocket, you stick yourself in

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Speaker 1: the scrotum.

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Speaker 2: I made a mistake because the proper thing to say,

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Speaker 2: which Ben said, that's why you said Ben loved them,

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Speaker 2: is to say, oh, those are lovely. Being cordial, he

354
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Speaker 2: can't do it. But you say, what do you know

355
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Speaker 2: in your hush mister hush? No you said mister hushpuppy

356
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Speaker 2: rumpled suit. I believe you said. Maybe you said your shirt,

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Speaker 2: but nonetheless that was awesome. And by the way, I

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Speaker 2: also want to say at that party, I don't know

359
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Speaker 2: if you remember this, And this is another time you

360
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Speaker 2: saving me on a personal level, I was sitting down.

361
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Speaker 2: There was a coffee table and couches around it, and

362
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Speaker 2: I'm sitting there watching a scene and hanging out. This scene,

363
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Speaker 2: isn't it? Whatever we were shooting, it's not necessary for

364
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Speaker 2: me to have a thought try and make it better.

365
00:18:43,280 --> 00:18:47,639
Speaker 2: It was purely something simple and exposition. And I was

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Speaker 2: there mid scene. I got up and I banged my

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Speaker 2: knee into the table. Oh, I remember so fucking hard.

368
00:18:55,320 --> 00:18:59,040
Speaker 2: I've never banged like this before, and I screamed. But

369
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Speaker 2: also you went and got me. You said, you know,

370
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Speaker 2: rap up your pants now, and you went and got

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Speaker 2: an ice pack. Put it on now. Mind you. It

372
00:19:07,960 --> 00:19:12,320
Speaker 2: was literally before my eyes turning into a baseball on

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Speaker 2: my leg. Yeah, And you said, just hold this here.

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Speaker 2: Do not know heat? Because someone wanted to put some

375
00:19:18,160 --> 00:19:21,320
Speaker 2: heat on it, And you're like, no ice. And I'll

376
00:19:21,359 --> 00:19:24,359
Speaker 2: be damned if the damn thing didn't go down. But

377
00:19:24,400 --> 00:19:28,960
Speaker 2: it's another time of Susie Esmond saving Jeff Garland. Even

378
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Speaker 2: on that level, keep going, I'm a mother.

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Speaker 3: What can I tell you?

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Speaker 1: Well, so he totally alienates Katie Huffman. You see, she

381
00:19:36,800 --> 00:19:39,760
Speaker 1: can't wait to walk away from him. The skewer you

382
00:19:39,800 --> 00:19:41,840
Speaker 1: put it in your pocket. You said stick yourself in

383
00:19:41,920 --> 00:19:45,560
Speaker 1: the screw to He's ridiculous. He clearly does not know

384
00:19:45,600 --> 00:19:48,200
Speaker 1: how to talk to women and where, and the audience

385
00:19:48,280 --> 00:19:51,240
Speaker 1: is thinking he's never gonna find somebody to fuck him for.

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Speaker 2: The anniversary, which is good that they think that, Yes,

387
00:19:54,280 --> 00:19:58,520
Speaker 2: But I also want to say he is obsessed with cutoffs.

388
00:19:58,760 --> 00:20:03,399
Speaker 2: When the cutoff is like Happy New Years. Yeah, but

389
00:20:03,680 --> 00:20:06,040
Speaker 2: we do that in the future episode what time you

390
00:20:06,119 --> 00:20:08,840
Speaker 2: can call, what time you can't? But he loves the.

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Speaker 8: Cutoffs statutal limitations, Yeah, yeah, yeah, And then we cut

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Speaker 8: to We're in the kitchen and I'm playing telephone with

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Speaker 8: all the kids, and Larry comes in and sits down

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Speaker 8: and I don't want him there.

395
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Speaker 1: I clearly I'm pissed off at him about the you know,

396
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Speaker 1: not my cup of tea thing, and he sits down

397
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Speaker 1: to play telephone and the waitress leans over with huge cleavage.

398
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Speaker 2: I love tits.

399
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Speaker 1: That's funny to you, It's funny to say that in

400
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Speaker 1: a room full of children.

401
00:20:49,280 --> 00:20:51,159
Speaker 2: What the what's the matter with you? That's what he

402
00:20:51,200 --> 00:20:53,520
Speaker 2: said to me. What did you say to him? I

403
00:20:53,560 --> 00:20:56,760
Speaker 2: love pigs, I love people, Ammy, What did you say?

404
00:20:57,040 --> 00:20:58,439
Speaker 2: I love pigs?

405
00:20:58,520 --> 00:21:01,480
Speaker 1: Larry and he whips to the kid next to him,

406
00:21:01,800 --> 00:21:04,880
Speaker 1: I love tits, and the kid announces I love tits,

407
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Speaker 1: just when Cheryl walks in in the background, and here's

408
00:21:08,119 --> 00:21:10,640
Speaker 1: this in the background, And what the kid had said

409
00:21:10,720 --> 00:21:12,800
Speaker 1: was I love pigs. That's what it was supposed to be.

410
00:21:13,359 --> 00:21:15,400
Speaker 1: And you know, I go off on him with his sick,

411
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Speaker 1: perverted mind, and Cheryl drags him away to sing Happy birthday.

412
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Speaker 2: Okay. So I just want to say this. I've always

413
00:21:23,320 --> 00:21:27,679
Speaker 2: been mischievous. And you're in first grade. Everyone since a circle.

414
00:21:27,720 --> 00:21:30,920
Speaker 2: You're about to play telephone no matter what. Duck duck

415
00:21:31,000 --> 00:21:34,520
Speaker 2: kuse duc duck goose, of course, but that's a little younger. Anyhow,

416
00:21:34,880 --> 00:21:39,320
Speaker 2: whatever I heard didn't matter. I would whisper to the

417
00:21:39,400 --> 00:21:41,879
Speaker 2: kid's next let's say it was why am I not

418
00:21:41,920 --> 00:21:44,639
Speaker 2: surprised at this? Okay? What would be a thing that

419
00:21:44,680 --> 00:21:45,600
Speaker 2: someone would say.

420
00:21:45,400 --> 00:21:48,800
Speaker 1: In that I like pigs, that's what that's what Sammy

421
00:21:48,800 --> 00:21:49,440
Speaker 1: said or whatever.

422
00:21:49,560 --> 00:21:53,960
Speaker 2: So I would say I love skirt steaks, and you

423
00:21:54,000 --> 00:21:56,479
Speaker 2: have to say it like that, so you pass it around.

424
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Speaker 2: So you would do that at what age six? Seven, seven?

425
00:22:00,720 --> 00:22:01,000
Speaker 3: Okay?

426
00:22:01,240 --> 00:22:04,040
Speaker 2: And then also when adults played that, I would do that.

427
00:22:04,480 --> 00:22:08,919
Speaker 2: It was like, why my attitude was a saboteur. I

428
00:22:08,960 --> 00:22:12,080
Speaker 2: am a sabateur, but my thought process, even at the

429
00:22:12,200 --> 00:22:15,880
Speaker 2: young age, is this is stupid. Why are we doing this?

430
00:22:16,320 --> 00:22:19,359
Speaker 2: Because at the best, at the end, it's going to

431
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Speaker 2: be a slight iteration. So I thought, I'm going to

432
00:22:22,520 --> 00:22:25,800
Speaker 2: spin it on the sh I'm going to the bathroom,

433
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Speaker 2: I would whisper, and then it would get to I'm

434
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Speaker 2: going to the bathroom, and the teacher would be so frustrated,

435
00:22:32,240 --> 00:22:33,160
Speaker 2: and then she looked.

436
00:22:32,960 --> 00:22:36,840
Speaker 1: At you must have driven your teachers crazy.

437
00:22:37,160 --> 00:22:41,159
Speaker 2: All except one psychology teacher in high school who was

438
00:22:41,240 --> 00:22:44,480
Speaker 2: the only teacher in history that embraced me and told

439
00:22:44,480 --> 00:22:47,840
Speaker 2: me keep being who I am. And I'll think of

440
00:22:47,840 --> 00:22:51,000
Speaker 2: her name probably after the episode, But isn't that amazing.

441
00:22:51,040 --> 00:22:54,120
Speaker 2: She's always been in my heart. A psychology somebody said,

442
00:22:54,119 --> 00:22:56,400
Speaker 2: you're okay the way you are? Of course, of course

443
00:22:56,400 --> 00:23:00,440
Speaker 2: a psychology teacher. Yeah, but yeah. It was like I've

444
00:23:00,480 --> 00:23:03,280
Speaker 2: never in any class, even the other students who were

445
00:23:03,359 --> 00:23:06,040
Speaker 2: all a year older than me. It was just I

446
00:23:06,440 --> 00:23:07,480
Speaker 2: don't know how I was in there.

447
00:23:07,440 --> 00:23:09,119
Speaker 3: Because were they a year older than you?

448
00:23:09,480 --> 00:23:12,600
Speaker 2: They were like I was in the birthdays in June,

449
00:23:12,720 --> 00:23:14,800
Speaker 2: so I was no, no, no, no, no, no no. I

450
00:23:14,920 --> 00:23:17,879
Speaker 2: was in ninth grade. No, I was in tenth grade.

451
00:23:18,359 --> 00:23:19,400
Speaker 2: They were in eleventh.

452
00:23:20,000 --> 00:23:22,320
Speaker 3: It wasn't like I was.

453
00:23:23,000 --> 00:23:26,600
Speaker 2: But even all the kids in that class were so

454
00:23:26,880 --> 00:23:33,480
Speaker 2: thoughtful about me and my misbehavior and my add mind.

455
00:23:33,680 --> 00:23:35,800
Speaker 1: You know, you know, you know what I used to get, Jeff,

456
00:23:35,800 --> 00:23:37,400
Speaker 1: I used to get. The teacher would call my mother

457
00:23:37,560 --> 00:23:40,560
Speaker 1: and they would say, she's a natural born leader, but

458
00:23:40,680 --> 00:23:42,680
Speaker 1: she leads the class in the wrong direction.

459
00:23:44,480 --> 00:23:47,679
Speaker 2: I don't think that can ever be topped. My funny

460
00:23:47,680 --> 00:23:50,560
Speaker 2: story is not about me. It's about James when he

461
00:23:50,680 --> 00:23:54,440
Speaker 2: was in preschool. And by the way, I was never

462
00:23:54,480 --> 00:23:58,840
Speaker 2: sarcastic with my children, because children don't understand sarcasm. They don't.

463
00:23:59,280 --> 00:24:02,000
Speaker 2: It goes way over their head. It's not right. But

464
00:24:02,160 --> 00:24:04,919
Speaker 2: I would say silly things around the house although I

465
00:24:05,119 --> 00:24:08,960
Speaker 2: was a present father. Marla and I get called to

466
00:24:09,000 --> 00:24:11,760
Speaker 2: the school because she needs to talk to us about James.

467
00:24:11,840 --> 00:24:13,560
Speaker 2: James is in class with all the other kids. She

468
00:24:13,880 --> 00:24:16,280
Speaker 2: we're at the door and she says, we have a problem.

469
00:24:16,920 --> 00:24:20,879
Speaker 2: And Marli, I believe, said, well, what's the problem? She said,

470
00:24:21,320 --> 00:24:26,480
Speaker 2: James keeps saying bikini, Oh god, you know, which is

471
00:24:26,520 --> 00:24:28,760
Speaker 2: one of my words that I've always loved. It's one

472
00:24:28,800 --> 00:24:32,320
Speaker 2: of the funniest sounding words ever. But this little boy,

473
00:24:33,080 --> 00:24:35,879
Speaker 2: who I never said to him, Hey, James, bikini whatever,

474
00:24:36,160 --> 00:24:39,480
Speaker 2: he just kicked it out. Yeah, and he's always saying bikini.

475
00:24:39,520 --> 00:24:42,359
Speaker 2: You talk about chip off the old block. But I've

476
00:24:42,359 --> 00:24:46,040
Speaker 2: heard these before about people and what they write on

477
00:24:46,080 --> 00:24:50,399
Speaker 2: the report or whatever. Born leader. But she's taking the

478
00:24:50,480 --> 00:24:56,199
Speaker 2: children in the wrong direction. I have's that's amazing. That's amazing.

479
00:24:56,520 --> 00:24:59,920
Speaker 2: And as for me, it's the right direction. It's our to.

480
00:25:00,400 --> 00:25:03,800
Speaker 1: Well it was listen, we're comics. It's always a skewed direction.

481
00:25:03,960 --> 00:25:05,120
Speaker 2: Yeah, yeah, yeah, okay.

482
00:25:05,240 --> 00:25:08,159
Speaker 1: So now they bring in the cake and everybody's singing

483
00:25:08,200 --> 00:25:13,160
Speaker 1: Happy birthday except for who Larry and Ban of course

484
00:25:13,280 --> 00:25:15,920
Speaker 1: notices and they've done in Cheryl.

485
00:25:15,960 --> 00:25:17,160
Speaker 2: You know, Cheryl's so funny.

486
00:25:17,240 --> 00:25:20,240
Speaker 3: Why didn't you sing? Why weren't you singing?

487
00:25:20,720 --> 00:25:24,119
Speaker 1: Cheryl says, and Larry, I don't sing the birthday song whatever.

488
00:25:24,280 --> 00:25:26,280
Speaker 2: By the way, I don't think he sings the bird.

489
00:25:26,440 --> 00:25:29,960
Speaker 2: He doesn't. He doesn't sing. Yes, so do everyday the story.

490
00:25:30,080 --> 00:25:31,720
Speaker 2: You were in New York, so you went there. I

491
00:25:31,760 --> 00:25:34,480
Speaker 2: had a birthday party, I remember, with a food truck

492
00:25:34,520 --> 00:25:38,520
Speaker 2: of this great Mexican food and Larry came. He looks

493
00:25:38,520 --> 00:25:41,280
Speaker 2: at me. He's probably been there forty five minutes. He goes,

494
00:25:42,080 --> 00:25:45,280
Speaker 2: I did it. Oh see you later, like he was

495
00:25:45,400 --> 00:25:49,639
Speaker 2: doing it because he loved me, wanted to be no,

496
00:25:49,720 --> 00:25:52,600
Speaker 2: but at a certain point I thought he's more so

497
00:25:52,680 --> 00:25:55,080
Speaker 2: now than he used to be. Way more, way more

498
00:25:55,200 --> 00:25:57,760
Speaker 2: change with that. But this was in definitely the era

499
00:25:57,840 --> 00:26:02,320
Speaker 2: where that was not Yeah, okay, I did it. And

500
00:26:02,359 --> 00:26:06,840
Speaker 2: then he left right away, didn't say goodbye to anyone else, nothing,

501
00:26:07,119 --> 00:26:11,240
Speaker 2: He just walked out. God because I thanked him and

502
00:26:11,280 --> 00:26:15,160
Speaker 2: I said, I know what you had. He came for you,

503
00:26:15,359 --> 00:26:17,000
Speaker 2: and I told my much I appreciate it, and that

504
00:26:17,080 --> 00:26:20,239
Speaker 2: was not shocked. But okay, I've done it, which is

505
00:26:20,400 --> 00:26:24,480
Speaker 2: just so fucking funny. Yeah, it's him. Yeah, we'll be

506
00:26:24,600 --> 00:26:25,040
Speaker 2: right back.

507
00:26:25,119 --> 00:26:37,639
Speaker 5: Stay tuned, and we're back.

508
00:26:38,560 --> 00:26:41,000
Speaker 1: So then Larry is telling you about a golf he's

509
00:26:41,000 --> 00:26:43,919
Speaker 1: giving you a golf tip he just heard, and he goes,

510
00:26:44,080 --> 00:26:45,080
Speaker 1: he's with the skewer.

511
00:26:45,119 --> 00:26:46,800
Speaker 2: He still has a skewer in his hand.

512
00:26:47,119 --> 00:26:49,840
Speaker 1: All the way back to many many scenes ago, he's

513
00:26:49,840 --> 00:26:51,040
Speaker 1: still holding the skewer.

514
00:26:51,480 --> 00:26:53,720
Speaker 2: No, it's a I think it's a new skewer. He

515
00:26:53,760 --> 00:26:54,960
Speaker 2: put the other one on the thing.

516
00:26:55,000 --> 00:26:57,320
Speaker 3: He just happens to be got another skewer.

517
00:26:57,440 --> 00:27:00,400
Speaker 1: Yeah, and he swings back using the skew were as

518
00:27:00,440 --> 00:27:03,399
Speaker 1: the golf club and he swings to show you the

519
00:27:03,400 --> 00:27:06,320
Speaker 1: golf tip, you know, something about the hands whatever, and

520
00:27:06,359 --> 00:27:09,920
Speaker 1: the skewer sticks Ben in the and the.

521
00:27:09,920 --> 00:27:12,640
Speaker 2: Follow stick's Ben in the eye. Dick's Ben in the eye.

522
00:27:12,840 --> 00:27:14,840
Speaker 2: And it's bad. That was, you know.

523
00:27:14,960 --> 00:27:18,040
Speaker 1: I remember how good Ben was that I thought he

524
00:27:18,119 --> 00:27:19,320
Speaker 1: really got hit in the eye.

525
00:27:19,560 --> 00:27:24,120
Speaker 2: Well, no, no, Ben is maybe the greatest of all the

526
00:27:24,440 --> 00:27:29,520
Speaker 2: guys who were comedians. Ben is phenomenal because everything he

527
00:27:29,600 --> 00:27:33,520
Speaker 2: does is nuanced, even something that broad, it's real. It

528
00:27:33,560 --> 00:27:33,920
Speaker 2: was real.

529
00:27:34,160 --> 00:27:36,879
Speaker 1: It was so real in the moment, I remember thinking

530
00:27:36,920 --> 00:27:38,760
Speaker 1: he got he actually hit him in the eye. I

531
00:27:38,760 --> 00:27:41,400
Speaker 1: remember thinking that even though heline was.

532
00:27:41,480 --> 00:27:44,200
Speaker 2: And then Christine looked at Larry and said, what's wrong

533
00:27:44,280 --> 00:27:45,320
Speaker 2: with you? Yeah?

534
00:27:45,640 --> 00:27:51,639
Speaker 1: Yeah, okay, And next we cut to rehearsal and Larry

535
00:27:51,640 --> 00:27:54,800
Speaker 1: finally has the right shoes for his tap and the

536
00:27:54,880 --> 00:27:59,359
Speaker 1: choreographer Patrick shows him that he's doing the tap dancing,

537
00:27:59,520 --> 00:28:02,560
Speaker 1: but it's actually double time of what that was, and

538
00:28:02,560 --> 00:28:04,840
Speaker 1: he's supposed to speeding it up. And then they take

539
00:28:04,920 --> 00:28:09,520
Speaker 1: five and Larry complains to Michael about the tempo and

540
00:28:09,840 --> 00:28:12,200
Speaker 1: it's like the flash the guy in the red costume,

541
00:28:12,680 --> 00:28:15,040
Speaker 1: but he doesn't know what the flashes. He's blind, he's

542
00:28:15,040 --> 00:28:17,840
Speaker 1: never seen the red costume. And Michael tells him that

543
00:28:17,880 --> 00:28:20,560
Speaker 1: he's exhausted because Ronda and he had a fight all night.

544
00:28:20,760 --> 00:28:23,879
Speaker 1: And then Ben comes in with the massive patch and

545
00:28:24,080 --> 00:28:26,960
Speaker 1: eye thing and he's got to scratch Retina, and he

546
00:28:27,080 --> 00:28:30,720
Speaker 1: confronts Larry about not singing the birthday song, that he

547
00:28:30,760 --> 00:28:34,280
Speaker 1: didn't bring a gift, and everyone knows that no gift

548
00:28:34,359 --> 00:28:36,400
Speaker 1: is bullshit, That's what Ben says.

549
00:28:36,720 --> 00:28:40,400
Speaker 2: Come on, Larry, everybody knows that's bullshit. Bullshit. Yeah, how's

550
00:28:40,440 --> 00:28:41,520
Speaker 2: that bullshit? It's bullshit.

551
00:28:41,560 --> 00:28:42,760
Speaker 9: You say no gifts, you bring a gift?

552
00:28:42,760 --> 00:28:44,200
Speaker 2: Well, why did you even say it?

553
00:28:45,400 --> 00:28:47,760
Speaker 9: I'm just saying this as a friend. You really have

554
00:28:47,840 --> 00:28:49,800
Speaker 9: a little ways to go when it comes to dealing

555
00:28:49,800 --> 00:28:53,080
Speaker 9: with people. Really, So you don't even shake my hand

556
00:28:53,080 --> 00:28:55,360
Speaker 9: the first time I see you, you know the theater.

557
00:28:55,480 --> 00:28:57,480
Speaker 2: Yes, it's not on your hand, it's just sneeze. That

558
00:28:57,640 --> 00:28:59,720
Speaker 2: was a dry sneeze, Larry. It wasn't a sneeze. It

559
00:28:59,760 --> 00:29:02,240
Speaker 2: was I can't assume Jrhy I gotta assume what it's

560
00:29:02,320 --> 00:29:02,960
Speaker 2: air coming out.

561
00:29:02,960 --> 00:29:04,280
Speaker 9: I'm not gonna put out my hand if it's full

562
00:29:04,280 --> 00:29:04,840
Speaker 9: of snotch, I.

563
00:29:04,960 --> 00:29:07,360
Speaker 2: Know its hair. I thought I saw some little speckles flying.

564
00:29:07,600 --> 00:29:09,160
Speaker 2: I would assume you would know me. Won't have to

565
00:29:09,200 --> 00:29:10,320
Speaker 2: know that. I'm not going to give you a handful

566
00:29:10,320 --> 00:29:11,840
Speaker 2: of snot to shake your hand. And by the way,

567
00:29:11,880 --> 00:29:13,760
Speaker 2: because you don't know snot speckles are coming out, I

568
00:29:13,760 --> 00:29:16,520
Speaker 2: saw snot speckels flying and everyone.

569
00:29:16,200 --> 00:29:19,240
Speaker 1: Knows no gift is bullshit, and that he didn't shake

570
00:29:19,280 --> 00:29:19,680
Speaker 1: his hand.

571
00:29:19,720 --> 00:29:22,480
Speaker 3: It was a dry sneeze. And Larry carries.

572
00:29:22,240 --> 00:29:24,840
Speaker 1: On about he saw speckles of snot coming out, and

573
00:29:24,880 --> 00:29:25,520
Speaker 1: you think it.

574
00:29:25,440 --> 00:29:26,320
Speaker 3: Was a dry sneeze.

575
00:29:26,320 --> 00:29:28,680
Speaker 1: But I saw speckles of snot in the air, yes,

576
00:29:28,800 --> 00:29:29,600
Speaker 1: not speckles.

577
00:29:29,680 --> 00:29:29,920
Speaker 2: Yeah.

578
00:29:29,920 --> 00:29:33,280
Speaker 1: And then we say, already this relationship is not going well.

579
00:29:33,320 --> 00:29:36,760
Speaker 2: It's a roller coaster. Hi, Larry, Uh, what the fuck

580
00:29:36,840 --> 00:29:39,600
Speaker 2: did you do? Hi Larry, what the fuck did you do?

581
00:29:40,000 --> 00:29:42,200
Speaker 3: It's literally like that exactly.

582
00:29:42,560 --> 00:29:45,600
Speaker 1: Then we cut to Larry's at home and he's practicing

583
00:29:45,640 --> 00:29:47,920
Speaker 1: his dancing at home and there's a knock on the

584
00:29:48,200 --> 00:29:51,920
Speaker 1: door and it's Kim Richard Lewis's fake niece and she's

585
00:29:52,000 --> 00:29:55,840
Speaker 1: dropping off her reel and headshot to Larry, and Kim

586
00:29:55,960 --> 00:29:59,040
Speaker 1: is like, whoa, whoa, don't you notice anything? And she

587
00:29:59,320 --> 00:30:02,000
Speaker 1: clearly got her enhancement all right, And.

588
00:30:01,920 --> 00:30:04,480
Speaker 2: Don't they look real? She's like, don't they look real?

589
00:30:04,560 --> 00:30:05,080
Speaker 2: Check them out?

590
00:30:05,080 --> 00:30:07,240
Speaker 1: They're good, right, and she lifts up her shirt to

591
00:30:07,280 --> 00:30:09,960
Speaker 1: show Larry.

592
00:30:08,720 --> 00:30:14,640
Speaker 4: Oh boy, that's it, that's it, it's all done already.

593
00:30:14,760 --> 00:30:17,320
Speaker 3: That was fast, an hour in and out done.

594
00:30:17,840 --> 00:30:21,320
Speaker 2: Boobs genius. Don't they look real? I remember how you

595
00:30:21,320 --> 00:30:22,440
Speaker 2: said they were not going to look real?

596
00:30:22,480 --> 00:30:23,320
Speaker 9: Do they not look real?

597
00:30:23,640 --> 00:30:24,320
Speaker 3: You want to see them?

598
00:30:24,640 --> 00:30:25,080
Speaker 1: Check them out?

599
00:30:25,160 --> 00:30:27,880
Speaker 3: Check them out? Look they're good right right?

600
00:30:27,960 --> 00:30:28,400
Speaker 2: Feel them?

601
00:30:28,400 --> 00:30:29,560
Speaker 6: They feel totally natural.

602
00:30:30,080 --> 00:30:31,960
Speaker 2: Come on, Larry, don't be so tight. Come here, let

603
00:30:32,000 --> 00:30:32,480
Speaker 2: me feel them.

604
00:30:32,560 --> 00:30:33,040
Speaker 3: Check them out.

605
00:30:33,360 --> 00:30:36,280
Speaker 2: They feel good, right, Squeeze them, give them a little.

606
00:30:38,920 --> 00:30:40,880
Speaker 1: I will tell you who did that to me when

607
00:30:40,920 --> 00:30:45,240
Speaker 1: she got breast implants backstage at a comedy club, Brett Butler,

608
00:30:45,600 --> 00:30:48,280
Speaker 1: she got breast in plants and I was backstage and

609
00:30:48,320 --> 00:30:50,480
Speaker 1: she lifted them up and she told me to touch

610
00:30:50,560 --> 00:30:52,440
Speaker 1: them to feel how real they felt?

611
00:30:52,680 --> 00:30:56,960
Speaker 2: Okay, what if I told you two maybe three times

612
00:30:57,480 --> 00:31:00,480
Speaker 2: I was asked to look and I was asked, hold,

613
00:31:01,160 --> 00:31:05,600
Speaker 2: and this is all I'm married. Different people you would know, Yeah,

614
00:31:05,720 --> 00:31:09,120
Speaker 2: the people you would know who wanted to show them

615
00:31:09,160 --> 00:31:12,960
Speaker 2: off and me to feel them. Now, I said no

616
00:31:13,080 --> 00:31:15,800
Speaker 2: every time I said please, don't you wants to do that?

617
00:31:15,920 --> 00:31:16,080
Speaker 4: No?

618
00:31:16,080 --> 00:31:17,800
Speaker 2: No, But I was like, please keep your shirt down

619
00:31:17,880 --> 00:31:22,040
Speaker 2: when I knew they were starting. No, because even if

620
00:31:23,120 --> 00:31:26,320
Speaker 2: there's no way, that's so disrespectful to your wife. Even

621
00:31:26,520 --> 00:31:30,400
Speaker 2: if so, I think, Larry, well go on. But Larry

622
00:31:30,840 --> 00:31:34,840
Speaker 2: the next moment is a victim. He's uncomfortable holding, very uncomfortable,

623
00:31:34,920 --> 00:31:37,200
Speaker 2: and very forceful about it.

624
00:31:37,680 --> 00:31:39,200
Speaker 3: Yes, but white insistent.

625
00:31:39,880 --> 00:31:43,160
Speaker 2: Also on the side shot, you see he's really holding

626
00:31:43,160 --> 00:31:46,360
Speaker 2: her breasts. Yes, she's stopless and he's holding her breath.

627
00:31:46,440 --> 00:31:48,720
Speaker 2: And she's like, check them out. They're good, right, but

628
00:31:49,160 --> 00:31:53,040
Speaker 2: touch them and they feel totally natural. Squeeze them, squeeze them. Okay,

629
00:31:53,080 --> 00:31:57,000
Speaker 2: But I want to say this, itnt show business. Your

630
00:31:57,280 --> 00:32:02,840
Speaker 2: hands are on a woman's breasts. That's not acting. Uh, well,

631
00:32:02,880 --> 00:32:04,200
Speaker 2: I don't know what you mean. What do you mean

632
00:32:04,720 --> 00:32:09,160
Speaker 2: he puts his hands on her breast. There's no acting there.

633
00:32:09,320 --> 00:32:13,120
Speaker 2: Maybe what they're doing, but his hands are on her breast. Yes,

634
00:32:13,280 --> 00:32:18,840
Speaker 2: that's a real man's hand. An attractive woman's breasts, and

635
00:32:18,920 --> 00:32:21,080
Speaker 2: so for me a lot of times. By the way,

636
00:32:21,120 --> 00:32:24,000
Speaker 2: I'm not saying that that shouldn't be done in movies,

637
00:32:24,280 --> 00:32:26,400
Speaker 2: but it always makes me think. And a lot of

638
00:32:26,440 --> 00:32:30,880
Speaker 2: love scenes when they're actually naked and they have significant others,

639
00:32:30,920 --> 00:32:34,400
Speaker 2: what have you there? You're naked in bed with another

640
00:32:34,520 --> 00:32:35,520
Speaker 2: woman's right.

641
00:32:37,240 --> 00:32:41,120
Speaker 1: Though we know that there's a million cameras are it's

642
00:32:41,160 --> 00:32:42,920
Speaker 1: not exactly hot, but by the way.

643
00:32:44,880 --> 00:32:48,320
Speaker 2: Run it's so technical and now they even have a

644
00:32:48,360 --> 00:32:50,640
Speaker 2: person it works out every move.

645
00:32:50,960 --> 00:32:55,320
Speaker 1: It's it's called an intimacy director or an intimacy advisor

646
00:32:55,440 --> 00:32:56,120
Speaker 1: or something like that.

647
00:32:56,440 --> 00:32:59,920
Speaker 2: When I was much younger, maybe even in high school college,

648
00:33:00,160 --> 00:33:03,840
Speaker 2: there was a movie called Tattoo with Bruce Dern and

649
00:33:03,920 --> 00:33:07,000
Speaker 2: Maud Adams, and the rumor out there was they really

650
00:33:07,000 --> 00:33:11,640
Speaker 2: had sex, and also Donald Suddent and Julie Christie and

651
00:33:11,720 --> 00:33:16,080
Speaker 2: don't look back, it was also out there that their

652
00:33:16,160 --> 00:33:16,920
Speaker 2: sex was real.

653
00:33:17,640 --> 00:33:20,560
Speaker 1: Someone well, maybe Donald Sutherland or Julie Christy. You'll call

654
00:33:20,600 --> 00:33:21,280
Speaker 1: in and let us know.

655
00:33:21,760 --> 00:33:23,800
Speaker 2: All right, See that's sarcasm, and I don't like it.

656
00:33:23,840 --> 00:33:25,080
Speaker 3: I'm not being sarcastic.

657
00:33:27,560 --> 00:33:28,640
Speaker 2: Where's our hotline?

658
00:33:28,680 --> 00:33:32,120
Speaker 1: What the fuck are you now?

659
00:33:32,120 --> 00:33:34,560
Speaker 2: They're writing it, where do they write? What do you

660
00:33:34,640 --> 00:33:36,440
Speaker 2: think Julie Christie isn't a curb fan?

661
00:33:36,600 --> 00:33:37,520
Speaker 3: I bet you she is.

662
00:33:38,000 --> 00:33:41,800
Speaker 2: Well what's her name? Kim Novak said when she retired

663
00:33:42,320 --> 00:33:45,040
Speaker 2: and they said would you ever act again? And she said,

664
00:33:45,120 --> 00:33:49,520
Speaker 2: only on curby your enthusiasm? And for me that was

665
00:33:49,880 --> 00:33:52,600
Speaker 2: how can I write something that she's right for as

666
00:33:52,640 --> 00:33:56,400
Speaker 2: fast as I can? Larry Shrugged, how about that? You

667
00:33:56,400 --> 00:33:59,880
Speaker 2: know what I mean? Tim Novak? What the fuck? But

668
00:34:00,680 --> 00:34:03,600
Speaker 2: by the way you watch the sex scenes, I don't

669
00:34:03,600 --> 00:34:05,800
Speaker 2: think I've ever seen tattoo, but I've seen don't look,

670
00:34:06,160 --> 00:34:10,160
Speaker 2: don't look now, ye don't look now, and it looks

671
00:34:10,200 --> 00:34:13,239
Speaker 2: like they were having sex. It's it looks real.

672
00:34:13,719 --> 00:34:17,359
Speaker 1: So luckily as a as a comedian, I've never been

673
00:34:17,400 --> 00:34:18,200
Speaker 1: in that position.

674
00:34:19,040 --> 00:34:20,280
Speaker 3: I have no interest.

675
00:34:20,640 --> 00:34:26,000
Speaker 2: Hold on, I have directed a scene with a naked

676
00:34:26,040 --> 00:34:29,160
Speaker 2: young lady and a naked man. It's a comedy And

677
00:34:29,239 --> 00:34:32,799
Speaker 2: she had a patch over her vagina and breasts, and

678
00:34:32,840 --> 00:34:36,400
Speaker 2: he was wearing some flesh colored underwear what have you.

679
00:34:36,719 --> 00:34:40,719
Speaker 2: But he's still in bed with a beautiful young oznou

680
00:34:41,239 --> 00:34:45,040
Speaker 2: with large breasts, a killer body. He's handsome as hell,

681
00:34:45,520 --> 00:34:49,359
Speaker 2: and they're rubbing against each other. Yeah, yes, they're doing

682
00:34:49,400 --> 00:34:51,479
Speaker 2: a scene. But what the fuck.

683
00:34:51,640 --> 00:34:53,960
Speaker 1: I'm sure that people get aroused all the time. I

684
00:34:53,960 --> 00:34:55,040
Speaker 1: don't see how you cannot.

685
00:34:55,239 --> 00:35:00,560
Speaker 2: Well, though, that would be very embarrassing, you know. Ray

686
00:35:00,640 --> 00:35:03,920
Speaker 2: Ramano once said to me one time, if you have

687
00:35:04,000 --> 00:35:09,400
Speaker 2: a masseuse and she's even remotely attractive, you have to

688
00:35:09,480 --> 00:35:13,520
Speaker 2: work hard the whole massage. That's noting. No, No, I know,

689
00:35:13,840 --> 00:35:16,200
Speaker 2: to not get a boner, you have to work. And

690
00:35:16,239 --> 00:35:19,880
Speaker 2: it's so true because I think any massuse is knocked

691
00:35:19,960 --> 00:35:23,239
Speaker 2: up a category with how they look. Women.

692
00:35:23,400 --> 00:35:25,279
Speaker 3: Women don't have to deal with that.

693
00:35:25,280 --> 00:35:27,520
Speaker 2: It's not necessarily true. No, we don't have something that

694
00:35:27,680 --> 00:35:29,400
Speaker 2: shows that you're want to know.

695
00:35:29,600 --> 00:35:29,640
Speaker 7: No.

696
00:35:30,080 --> 00:35:31,759
Speaker 2: In other words, if that happened.

697
00:35:31,800 --> 00:35:34,080
Speaker 1: You, you might get excited or arouse, but it's not

698
00:35:34,200 --> 00:35:36,000
Speaker 1: sticking up in the air, you know what I mean?

699
00:35:36,560 --> 00:35:36,880
Speaker 2: Right?

700
00:35:37,239 --> 00:35:40,800
Speaker 1: Yeah, Okay, Larry is touching her breasts, and we see

701
00:35:40,920 --> 00:35:45,160
Speaker 1: Cheryl at the window seeing all of this, and Cheryl

702
00:35:45,160 --> 00:35:48,160
Speaker 1: says to him, happy anniversary. Touching a breast is sex.

703
00:35:48,520 --> 00:35:51,400
Speaker 1: You just had your anniversary game and it's over.

704
00:35:51,760 --> 00:35:53,879
Speaker 2: Do you blame her in that moment.

705
00:35:54,160 --> 00:35:57,440
Speaker 1: That she's absolutely on her side?

706
00:35:58,640 --> 00:35:59,359
Speaker 2: Yeah? No.

707
00:35:59,440 --> 00:36:02,160
Speaker 1: Men house runs by and Larry says it's a tit mouse,

708
00:36:02,400 --> 00:36:03,480
Speaker 1: and Cheryl's like, you're.

709
00:36:03,320 --> 00:36:04,440
Speaker 3: Obsessed with tits.

710
00:36:04,760 --> 00:36:07,040
Speaker 1: He did tits in the in the telephone with the

711
00:36:07,120 --> 00:36:08,760
Speaker 1: kids anyway.

712
00:36:08,920 --> 00:36:12,359
Speaker 2: Then Michael calls, by the way, I know that term.

713
00:36:12,680 --> 00:36:14,920
Speaker 2: I've never seen anyone use it.

714
00:36:14,920 --> 00:36:18,040
Speaker 3: It's a real term, but I've never you know.

715
00:36:18,280 --> 00:36:21,200
Speaker 2: And by the way, do you know how many times

716
00:36:21,880 --> 00:36:26,760
Speaker 2: they in movies, old movies, they talk about a mouse,

717
00:36:26,920 --> 00:36:29,360
Speaker 2: but when you see it, it's a fucking rat because

718
00:36:29,400 --> 00:36:33,960
Speaker 2: little mice are actually cute. It's weird, but they're actually

719
00:36:34,040 --> 00:36:37,160
Speaker 2: if you look at them, especially pet mice, they're really.

720
00:36:36,880 --> 00:36:39,680
Speaker 3: Add like them. I don't like any of it.

721
00:36:40,600 --> 00:36:44,040
Speaker 2: Cargo was walking down the street. I passed an alley

722
00:36:44,040 --> 00:36:48,160
Speaker 2: in the city and there's a rat and baby, I'm

723
00:36:48,160 --> 00:36:52,360
Speaker 2: exaggerating some the size of a pig and hissing it

724
00:36:52,400 --> 00:36:55,320
Speaker 2: at me. Ye and I read I have a phobia.

725
00:36:55,400 --> 00:36:56,640
Speaker 3: We're not going to discuss this.

726
00:36:57,480 --> 00:37:00,799
Speaker 2: Did you know that phobia? I know someone close to

727
00:37:00,840 --> 00:37:02,279
Speaker 2: me he's got a wreck inophobia.

728
00:37:02,640 --> 00:37:06,040
Speaker 3: Truly, really okay, that doesn't I.

729
00:37:06,040 --> 00:37:10,560
Speaker 2: Don't like spiders, but I hate spiders, but sometheless.

730
00:37:10,200 --> 00:37:13,239
Speaker 1: I'm I don't like insects. They don't bother me. But

731
00:37:13,480 --> 00:37:15,320
Speaker 1: rodents I have a phobia.

732
00:37:15,600 --> 00:37:17,480
Speaker 2: Okay, by the way, when I grew up, no one

733
00:37:17,520 --> 00:37:21,120
Speaker 2: more thing. People freak out from lizards. I never do,

734
00:37:21,360 --> 00:37:21,960
Speaker 2: no matter what.

735
00:37:22,120 --> 00:37:23,480
Speaker 3: Snakes don't bother me.

736
00:37:24,280 --> 00:37:28,840
Speaker 2: Snakes freak me out. Oh any garden, run for the hills.

737
00:37:29,360 --> 00:37:32,440
Speaker 2: That being said, and pull anything out that might be attacked.

738
00:37:33,040 --> 00:37:36,360
Speaker 2: What have you? Well, no, I cleared the area. But

739
00:37:37,120 --> 00:37:40,200
Speaker 2: like chameleons. You know it's I grew up with chameleons,

740
00:37:40,280 --> 00:37:42,239
Speaker 2: so lizards are cool.

741
00:37:42,040 --> 00:37:46,359
Speaker 3: I love coamellions in sou and sal So.

742
00:37:46,360 --> 00:37:48,520
Speaker 2: You know what was great in Florida because I was

743
00:37:48,560 --> 00:37:51,200
Speaker 2: born in Chicago, lived there as a kid, and explained,

744
00:37:51,560 --> 00:37:54,080
Speaker 2: but high school, junior high school, and high school and

745
00:37:54,200 --> 00:37:57,400
Speaker 2: college University of Miami, I lived there. I started comedy

746
00:37:57,400 --> 00:38:01,160
Speaker 2: in Florida, so I lived there from twelve to twenty two,

747
00:38:01,320 --> 00:38:06,400
Speaker 2: ten years of my life. And what was great about

748
00:38:06,520 --> 00:38:11,320
Speaker 2: chameleons was they ate cockroaches, So they were my heroes

749
00:38:11,600 --> 00:38:15,240
Speaker 2: because I fucking hate cockroaches. And you know, of course,

750
00:38:15,760 --> 00:38:18,919
Speaker 2: the horrible palmetto bug, which for those of you who

751
00:38:18,920 --> 00:38:23,359
Speaker 2: don't know, are large cockroaches that fly, hold on that

752
00:38:23,520 --> 00:38:27,200
Speaker 2: fly a flying cockroach that's big.

753
00:38:27,400 --> 00:38:30,280
Speaker 3: Shoot, all right, let's let's move on from this discussion.

754
00:38:30,280 --> 00:38:30,799
Speaker 3: I don't like it.

755
00:38:31,080 --> 00:38:33,840
Speaker 2: By the way, I enjoyed it. It was very revealing.

756
00:38:34,120 --> 00:38:38,400
Speaker 1: So so Michael calls Larry. He broke up with Rhonda

757
00:38:38,480 --> 00:38:40,560
Speaker 1: and he needs Larry to help him because he has

758
00:38:40,600 --> 00:38:43,160
Speaker 1: nobody to help him. So then we have a whole montage.

759
00:38:43,239 --> 00:38:46,040
Speaker 1: Larry's taking him to the supermarket, to the shoe store,

760
00:38:46,239 --> 00:38:47,920
Speaker 1: to the laundromat.

761
00:38:47,320 --> 00:38:49,560
Speaker 2: To buy glasses to eat pie.

762
00:38:50,719 --> 00:38:54,799
Speaker 1: They stop at stop at the Greens, but please, but.

763
00:38:54,719 --> 00:38:56,640
Speaker 2: I always want to say when he's at the cereal.

764
00:38:57,680 --> 00:39:01,760
Speaker 2: By the way, that was written as a montage, unlike

765
00:39:01,880 --> 00:39:06,759
Speaker 2: the special section where I said it was so disappointed

766
00:39:06,800 --> 00:39:10,040
Speaker 2: that it turned into a montage, But that one was

767
00:39:10,080 --> 00:39:14,880
Speaker 2: written as a mostage. It was all good until Larry mind,

768
00:39:15,680 --> 00:39:18,360
Speaker 2: you know, talking when they're athlete. He pulls out a

769
00:39:18,360 --> 00:39:20,960
Speaker 2: box of sea where the camera is and you can

770
00:39:21,000 --> 00:39:24,040
Speaker 2: see Larry explaining the serial tim which is strange to

771
00:39:24,080 --> 00:39:26,640
Speaker 2: begin with, but he's like, for those of who on

772
00:39:26,680 --> 00:39:31,799
Speaker 2: YouTube can see me, and so the listeners, I'm just

773
00:39:31,840 --> 00:39:35,319
Speaker 2: bouncing my lips. But the point being is that was

774
00:39:35,360 --> 00:39:39,560
Speaker 2: a real montage which served a purpose. We got in

775
00:39:39,719 --> 00:39:44,360
Speaker 2: twenty seconds fifteen seconds, which if you shot that regular

776
00:39:44,480 --> 00:39:48,799
Speaker 2: you're looking at five seven minutes. So it did its job,

777
00:39:48,960 --> 00:39:51,000
Speaker 2: and it's not important enough to have dialogue.

778
00:39:51,120 --> 00:39:54,880
Speaker 1: Oh it was a necessary montage. Yes, that wasn't necessary,

779
00:39:55,040 --> 00:39:55,279
Speaker 1: was it?

780
00:39:55,280 --> 00:39:55,360
Speaker 6: It?

781
00:39:55,400 --> 00:39:55,919
Speaker 2: Would it work?

782
00:39:56,080 --> 00:39:56,160
Speaker 4: No?

783
00:39:56,280 --> 00:39:58,719
Speaker 2: I thought it was necessary to the story. We'll be

784
00:39:58,800 --> 00:40:00,000
Speaker 2: right back, stay tuned.

785
00:40:11,000 --> 00:40:11,960
Speaker 5: Okay, we're back.

786
00:40:12,400 --> 00:40:14,560
Speaker 2: And then Larry comes to our house.

787
00:40:14,880 --> 00:40:18,440
Speaker 1: And so Larry wants to buy a one of my sweatshirts,

788
00:40:18,440 --> 00:40:21,560
Speaker 1: one of my bedazzle sweatshirts. Ben was mad about the

789
00:40:21,600 --> 00:40:27,320
Speaker 1: birthday song. And you know, I was right about the stricks,

790
00:40:27,360 --> 00:40:28,920
Speaker 1: though I don't know what the sticks.

791
00:40:28,920 --> 00:40:30,520
Speaker 3: Oh yeah, he was right about the sticks.

792
00:40:30,719 --> 00:40:34,560
Speaker 1: And you say to Larry, say the shirt is for you.

793
00:40:34,640 --> 00:40:37,120
Speaker 1: Don't say it's for Ben, say it's for you. You tell

794
00:40:37,200 --> 00:40:41,239
Speaker 1: him entred, and Larry tells me that he wants to

795
00:40:41,239 --> 00:40:44,680
Speaker 1: buy a shirt he needs more flair, and I say, yeah,

796
00:40:44,680 --> 00:40:47,560
Speaker 1: the red would look good. You're pale and pasty.

797
00:40:48,000 --> 00:40:51,239
Speaker 2: How much sixty? But he did get a lot of

798
00:40:51,320 --> 00:40:54,919
Speaker 2: sensive hold on though he buys the first one out.

799
00:40:55,440 --> 00:40:58,000
Speaker 2: You well, I said the red would be good for him.

800
00:40:58,200 --> 00:41:01,920
Speaker 2: He's pale and pasty, yes, but there was no looking

801
00:41:01,960 --> 00:41:03,040
Speaker 2: at other ones he had.

802
00:41:02,920 --> 00:41:06,560
Speaker 1: No interest, so he's like, how much is it?

803
00:41:06,680 --> 00:41:10,239
Speaker 2: Sixty dollars? Hold on, wait, wait wait Indiana, Indiana. I

804
00:41:10,280 --> 00:41:12,960
Speaker 2: know I actually I have that one. I kept that one,

805
00:41:13,239 --> 00:41:15,359
Speaker 2: did you keep? Yes? I keep that one. Well, by

806
00:41:15,440 --> 00:41:18,719
Speaker 2: the way, he says, I used to a friend of

807
00:41:18,760 --> 00:41:22,120
Speaker 2: mine's sister went to Indiana the university, And you say,

808
00:41:22,560 --> 00:41:26,640
Speaker 2: all the better the yeah, because you're excited.

809
00:41:26,800 --> 00:41:29,040
Speaker 1: I'm excited, and I won't take his money. I'm like,

810
00:41:29,160 --> 00:41:31,359
Speaker 1: laugh from me to you, Mike, gift you. I'm so

811
00:41:31,480 --> 00:41:34,520
Speaker 1: excited that he likes the shirts, and I'm truly excited

812
00:41:34,560 --> 00:41:35,040
Speaker 1: about it.

813
00:41:35,560 --> 00:41:37,759
Speaker 2: Well, by the way, oh, hold on, hold on a

814
00:41:37,760 --> 00:41:43,120
Speaker 2: second here, uh in this episode, like when Larry's dancing

815
00:41:43,120 --> 00:41:47,359
Speaker 2: and he grabs the breasts and this scene, we're both

816
00:41:47,400 --> 00:41:51,000
Speaker 2: in new houses. Ours is a new house. That's right,

817
00:41:51,040 --> 00:41:51,960
Speaker 2: His is a new house.

818
00:41:52,040 --> 00:41:53,680
Speaker 1: Well, I told you why we had to have a

819
00:41:53,719 --> 00:41:56,560
Speaker 1: new house last time, because they kicked us out after

820
00:41:56,760 --> 00:41:59,359
Speaker 1: in season three when I was throwing your clothes out

821
00:41:59,360 --> 00:42:01,400
Speaker 1: the window and screaming and cursing, and.

822
00:42:03,120 --> 00:42:06,040
Speaker 2: Yes, yes, and that was the house tour house.

823
00:42:06,320 --> 00:42:09,960
Speaker 1: No, no, yes, but that was when I'm throwing your

824
00:42:09,960 --> 00:42:10,480
Speaker 1: clothes up there.

825
00:42:10,800 --> 00:42:13,240
Speaker 3: I know when that was Larry, Joseph and Mary.

826
00:42:13,360 --> 00:42:16,160
Speaker 2: Yeah. Yeah, but I'm just saying that's the one from

827
00:42:16,160 --> 00:42:20,680
Speaker 2: the house tour, and then somewhere at a new house. Uh,

828
00:42:21,120 --> 00:42:25,440
Speaker 2: and then Larry's new house. By the way, it's not

829
00:42:25,560 --> 00:42:28,919
Speaker 2: the house anymore. No, no, but he mentions we had

830
00:42:28,960 --> 00:42:32,839
Speaker 2: to what does he say about we moved the other

831
00:42:33,760 --> 00:42:36,799
Speaker 2: We had to move because the other neighborhood they were

832
00:42:36,800 --> 00:42:40,320
Speaker 2: filming all the time, right right, because we got kicked

833
00:42:40,360 --> 00:42:44,960
Speaker 2: out of that house because of what's his name, Fraser

834
00:42:45,000 --> 00:42:49,600
Speaker 2: who plays Fraser Kese Kelsey Grammar lived in the area

835
00:42:50,120 --> 00:42:53,640
Speaker 2: and limited the amount. He passed a bill. This is

836
00:42:53,640 --> 00:42:56,520
Speaker 2: a not a bill, but a local ordinance because he

837
00:42:56,560 --> 00:43:00,279
Speaker 2: lived in Malibu. This is a guy, fucking Fraser who

838
00:43:00,400 --> 00:43:05,360
Speaker 2: said you could only film this these this many days

839
00:43:06,600 --> 00:43:09,480
Speaker 2: in a period of time. Well, you know what, didn't

840
00:43:09,480 --> 00:43:12,960
Speaker 2: work for our schedule, so we moved. And by the way,

841
00:43:13,000 --> 00:43:16,239
Speaker 2: he didn't.

842
00:43:14,760 --> 00:43:16,960
Speaker 1: It is quite an imposition. I mean, we'll hold on

843
00:43:17,360 --> 00:43:19,839
Speaker 1: to the house, we take over the whole block.

844
00:43:19,920 --> 00:43:23,279
Speaker 2: Okay, but I agree with the one that we used

845
00:43:23,320 --> 00:43:26,359
Speaker 2: to live in. Okay, but I want And by the way,

846
00:43:26,440 --> 00:43:29,600
Speaker 2: when we were in the Palisades, all the houses were great.

847
00:43:29,840 --> 00:43:30,680
Speaker 2: What I was going to do.

848
00:43:30,800 --> 00:43:30,840
Speaker 6: Was.

849
00:43:30,880 --> 00:43:33,440
Speaker 2: I have a difference of opinion in the Malibu situation

850
00:43:33,840 --> 00:43:36,920
Speaker 2: because it was self contained. There were no trucks down

851
00:43:36,960 --> 00:43:40,400
Speaker 2: the block that fit the driveway, and also the house

852
00:43:40,520 --> 00:43:44,120
Speaker 2: was isolated, so he had to have only heard we

853
00:43:44,120 --> 00:43:48,279
Speaker 2: were filming because we weren't loud. The only outside thing

854
00:43:48,320 --> 00:43:51,840
Speaker 2: I remember shooting is I'll tell I'll talk about it

855
00:43:51,880 --> 00:43:55,239
Speaker 2: in the future. Yeah. But there was a scene that

856
00:43:55,480 --> 00:43:58,239
Speaker 2: was cut, and it was cut a while later and

857
00:43:58,239 --> 00:44:02,080
Speaker 2: we had to reshoot it different lowcasian, different tone, and

858
00:44:02,080 --> 00:44:04,440
Speaker 2: it's so scene that people will remember. Okay.

859
00:44:05,040 --> 00:44:07,600
Speaker 1: So now, so I sell Larry the shirt and I

860
00:44:07,600 --> 00:44:09,920
Speaker 1: say to him, which is the first time I said it,

861
00:44:09,920 --> 00:44:11,320
Speaker 1: and I've said it so many times.

862
00:44:11,600 --> 00:44:15,560
Speaker 2: All is forgiven. I said that to him so many times.

863
00:44:15,880 --> 00:44:18,000
Speaker 3: Yeah, okay, So now we cut to rehearsal.

864
00:44:18,000 --> 00:44:22,000
Speaker 1: Ben is rehearsing and the choreographer Patrick says, it's perfect.

865
00:44:22,160 --> 00:44:25,319
Speaker 1: You get everything the first time. He's so askissy to him,

866
00:44:25,640 --> 00:44:27,280
Speaker 1: and Larry comes in with Michael.

867
00:44:27,440 --> 00:44:30,680
Speaker 2: I actually think the opposite. I think Ben does do

868
00:44:30,760 --> 00:44:32,000
Speaker 2: it perfect every time.

869
00:44:32,080 --> 00:44:34,239
Speaker 3: But Ben does it perfect because he rehearses.

870
00:44:34,800 --> 00:44:37,080
Speaker 2: I know he works hard practice. And Larry is in

871
00:44:37,160 --> 00:44:38,359
Speaker 2: a blitter. He doesn't know.

872
00:44:38,960 --> 00:44:45,040
Speaker 1: Okay, so Larry brings Ben a gift Happy birthday.

873
00:44:45,160 --> 00:44:45,960
Speaker 3: This is ridiculous.

874
00:44:46,000 --> 00:44:48,080
Speaker 2: Well you don't have to do that, Larry. I didn't

875
00:44:48,120 --> 00:44:49,400
Speaker 2: have to. I wanted to.

876
00:44:49,480 --> 00:44:52,040
Speaker 9: I'm sorry. Okay, let me just say I'm sorry. I'm

877
00:44:52,480 --> 00:44:55,040
Speaker 9: really no. No, I've been like stressed out of my.

878
00:44:55,160 --> 00:44:56,799
Speaker 2: Mind and I stabbed you in the eye.

879
00:44:56,960 --> 00:44:59,000
Speaker 9: No, no, no, no, I've been crazy about this thing, and

880
00:44:59,000 --> 00:45:01,080
Speaker 9: I'm like getting into your space and I shouldn't get

881
00:45:01,080 --> 00:45:02,680
Speaker 9: into your space. You're doing what you're doing. I'm doing

882
00:45:02,680 --> 00:45:04,960
Speaker 9: what i'm doing. We're working together, we're gonna make it work.

883
00:45:05,160 --> 00:45:09,839
Speaker 2: And I'm sorry. I'm sorry. Okay, let's just let's be friends. Okay, okay,

884
00:45:10,239 --> 00:45:11,880
Speaker 2: all right, And you didn't have to get me a

885
00:45:12,000 --> 00:45:16,719
Speaker 2: gift on what is this? Open it up? Oh you

886
00:45:16,800 --> 00:45:28,359
Speaker 2: got me a gift. I knew you liked it. Oh yeah, yeah, yeah,

887
00:45:28,400 --> 00:45:30,800
Speaker 2: it's one of those. It's a sweatshirt with studs on it.

888
00:45:30,960 --> 00:45:34,520
Speaker 3: Yeah, Indian And Ben apologizes.

889
00:45:34,560 --> 00:45:37,520
Speaker 1: He says he's been stressed and uh, it's you know,

890
00:45:37,760 --> 00:45:38,360
Speaker 1: He's sorry.

891
00:45:38,360 --> 00:45:39,800
Speaker 2: They got off on the wrong foot.

892
00:45:40,040 --> 00:45:42,759
Speaker 1: And he opens the gift and it's the sweatshirt with

893
00:45:42,880 --> 00:45:46,640
Speaker 1: studs and Ben says, it's a sweatshirt with stuts.

894
00:45:47,000 --> 00:45:50,680
Speaker 2: Okay, I also want to say him getting the gift,

895
00:45:51,120 --> 00:45:54,600
Speaker 2: Ben apologizing the two of them, and Ben even says,

896
00:45:54,719 --> 00:45:56,720
Speaker 2: let's be friends. And I don't know. If they hug,

897
00:45:56,920 --> 00:45:59,880
Speaker 2: they hug, the hug they hug. And so this is

898
00:46:00,040 --> 00:46:04,480
Speaker 2: what I'm talking about with Ben. Every scene is different,

899
00:46:04,560 --> 00:46:07,200
Speaker 2: and it's nuanced from one scene to the next. Right,

900
00:46:07,320 --> 00:46:10,759
Speaker 2: and this scene goes both ways because he's about to

901
00:46:11,000 --> 00:46:14,000
Speaker 2: he opens the package. It's one of your shirts, and

902
00:46:14,040 --> 00:46:17,920
Speaker 2: he was probably being courteous to you. Of course you

903
00:46:18,000 --> 00:46:21,600
Speaker 2: showed him the shirts, and then it was interpreted by you.

904
00:46:21,960 --> 00:46:25,640
Speaker 2: Ben Stiller loves the shirts. And then so Larry thought,

905
00:46:25,719 --> 00:46:26,680
Speaker 2: oh this will work.

906
00:46:27,120 --> 00:46:30,960
Speaker 3: Go ahead, and it's a sweatshirt with studs.

907
00:46:31,400 --> 00:46:33,520
Speaker 1: And then they start to rehearse and Ben says to him,

908
00:46:33,560 --> 00:46:35,480
Speaker 1: you're not Larry as for a script, and he says,

909
00:46:35,480 --> 00:46:36,520
Speaker 1: you're not off book yet.

910
00:46:36,760 --> 00:46:38,080
Speaker 3: You know there was that little.

911
00:46:37,880 --> 00:46:41,520
Speaker 1: Dig there TM we go into the stage right stage

912
00:46:41,560 --> 00:46:43,799
Speaker 1: left thing, which I have to say still to this

913
00:46:43,880 --> 00:46:44,799
Speaker 1: day confuses me.

914
00:46:45,640 --> 00:46:49,080
Speaker 2: Well, no, by the way, it did confuse me until

915
00:46:49,120 --> 00:46:52,520
Speaker 2: I rewatched the episode, because I had forgotten exactly and

916
00:46:52,560 --> 00:46:55,680
Speaker 2: it's facing out right left. That's what it is. That's

917
00:46:55,719 --> 00:46:58,600
Speaker 2: why they'll say, if I'm standing on stage stage right,

918
00:46:58,680 --> 00:47:02,560
Speaker 2: is my right? Yeah? Ok, yes, that's that's the uh

919
00:47:02,960 --> 00:47:06,000
Speaker 2: each By the way, when I was in Second City,

920
00:47:06,760 --> 00:47:11,439
Speaker 2: holy Craft, remembering that of which entrance and laying out

921
00:47:11,440 --> 00:47:12,359
Speaker 2: the chairs.

922
00:47:12,040 --> 00:47:16,000
Speaker 1: For people, just for our people in our listening audience,

923
00:47:16,280 --> 00:47:18,880
Speaker 1: there's a lot of lingo in the theater. We're not

924
00:47:18,920 --> 00:47:21,400
Speaker 1: really all that familiar because we're not theater people, but

925
00:47:21,480 --> 00:47:22,560
Speaker 1: there's a lot of lingo.

926
00:47:23,160 --> 00:47:25,080
Speaker 2: Do you know. I was a drama major. I was

927
00:47:25,120 --> 00:47:30,640
Speaker 2: an acting major in college, and I like, I wasn't good.

928
00:47:30,680 --> 00:47:33,920
Speaker 2: I wasn't a good actor. You know, I was fine,

929
00:47:34,239 --> 00:47:36,920
Speaker 2: especially back then. And I've got a whole story about

930
00:47:36,920 --> 00:47:39,680
Speaker 2: that that I'm not gonna tell. What is it when

931
00:47:39,719 --> 00:47:42,439
Speaker 2: you build the stuff, you build the wooden things, whether

932
00:47:42,600 --> 00:47:47,520
Speaker 2: stagecraft stagecraft. We went from acting on stage and stuff,

933
00:47:47,600 --> 00:47:51,600
Speaker 2: and then we began the stage crash craft portion. Well,

934
00:47:51,640 --> 00:47:55,520
Speaker 2: I'm backstage and I'm like, we're building things. I quit.

935
00:47:56,760 --> 00:48:01,200
Speaker 2: I quit. I quit. I moved to film from from

936
00:48:01,560 --> 00:48:05,960
Speaker 2: acting because I don't want to build things. I want

937
00:48:05,960 --> 00:48:11,000
Speaker 2: someone to build. I didn't have to do the scenic design. Oh, well,

938
00:48:11,040 --> 00:48:13,719
Speaker 2: that takes real talent well as soon as the stage grow.

939
00:48:13,840 --> 00:48:17,680
Speaker 3: Yeah, yeah, yeah, which is you know the same thing

940
00:48:17,719 --> 00:48:18,160
Speaker 3: with film.

941
00:48:18,200 --> 00:48:18,719
Speaker 2: I mean it is.

942
00:48:18,920 --> 00:48:23,080
Speaker 1: They're all completely collaborative processes and so many people contribute.

943
00:48:23,440 --> 00:48:25,520
Speaker 1: You know, you see our faces out there, but there's

944
00:48:25,600 --> 00:48:26,839
Speaker 1: a lot of other people.

945
00:48:27,000 --> 00:48:31,040
Speaker 2: And a great crew. A great crew can make a difference,

946
00:48:31,560 --> 00:48:34,760
Speaker 2: by the way, a great crew that not even making

947
00:48:34,800 --> 00:48:38,720
Speaker 2: a difference, help set a tone for the set. Yes,

948
00:48:39,880 --> 00:48:42,360
Speaker 2: like the groove that we had the past three seasons,

949
00:48:42,400 --> 00:48:45,160
Speaker 2: which got better every season because we had one crew

950
00:48:45,239 --> 00:48:50,760
Speaker 2: that was great, but they only lasted till Larry stop.

951
00:48:50,880 --> 00:48:55,040
Speaker 1: We took we took a six year hiatus, and.

952
00:48:54,320 --> 00:48:56,839
Speaker 3: Everybody scattered and had different jobs. It was hard.

953
00:48:57,080 --> 00:49:00,319
Speaker 2: I think the only person Thomas the hair was going

954
00:49:00,400 --> 00:49:04,359
Speaker 2: to be on their show Who did your hair? Yeah?

955
00:49:03,840 --> 00:49:07,040
Speaker 2: Who else came back after that? I'm trying to even run.

956
00:49:07,320 --> 00:49:10,520
Speaker 3: John Party came back for one is a great camera.

957
00:49:10,239 --> 00:49:14,200
Speaker 2: Man, and uh and Richard Tippetts.

958
00:49:14,120 --> 00:49:16,719
Speaker 3: Richard Tippets of course, and Jonas came back.

959
00:49:18,000 --> 00:49:18,239
Speaker 2: Yes.

960
00:49:20,000 --> 00:49:23,520
Speaker 1: Okay, So next we're at the Mint and Michael is

961
00:49:23,560 --> 00:49:27,160
Speaker 1: playing the piano, performing and he's wearing the Indiana sweatshirt

962
00:49:27,239 --> 00:49:29,680
Speaker 1: that I gave to Larry who gave it to Ben,

963
00:49:30,000 --> 00:49:33,080
Speaker 1: who then Ben gave it to Michael the blind Man

964
00:49:33,120 --> 00:49:38,480
Speaker 1: because he can't even see. Michael is really bad. He's horrible,

965
00:49:38,600 --> 00:49:43,600
Speaker 1: really horrible. And people are out left and right singing.

966
00:49:43,280 --> 00:49:48,360
Speaker 2: In a way that's passable. He's playing piano perfectly, but

967
00:49:48,480 --> 00:49:51,560
Speaker 2: his singing is passable. Who wants to watch someone?

968
00:49:51,840 --> 00:49:55,080
Speaker 3: Nobody wants to sit and listen to Michael singing.

969
00:49:55,239 --> 00:49:57,400
Speaker 2: A fine Mione.

970
00:50:00,280 --> 00:50:11,799
Speaker 6: Stand the world again.

971
00:50:12,239 --> 00:50:24,160
Speaker 2: Turning up the lights. Okay, it's the outside.

972
00:50:25,920 --> 00:50:33,160
Speaker 1: That Bucky star right, talk about pace, and people are

973
00:50:33,200 --> 00:50:37,799
Speaker 1: walking out left and right. And before people start walking out,

974
00:50:38,040 --> 00:50:41,520
Speaker 1: there's a whole series of you know, the camera goes

975
00:50:41,520 --> 00:50:44,400
Speaker 1: to Ben and you see Ben pissed off at Larry,

976
00:50:44,560 --> 00:50:46,920
Speaker 1: and then you see me making a gesture. Why is

977
00:50:46,960 --> 00:50:50,080
Speaker 1: Michael wearing the shirt I give you? And everybody's managed,

978
00:50:50,280 --> 00:50:51,120
Speaker 1: by the way.

979
00:50:51,040 --> 00:50:55,000
Speaker 2: If I may, this is the first of many times

980
00:50:55,000 --> 00:50:56,200
Speaker 2: you're doing that to Larry.

981
00:50:56,320 --> 00:50:59,600
Speaker 1: No, not true. When happen I did it in the

982
00:50:59,680 --> 00:51:01,360
Speaker 1: Dog where I said.

983
00:51:02,600 --> 00:51:08,000
Speaker 2: Oh yeah, theater, okay, my mistake. That was the first time.

984
00:51:08,080 --> 00:51:11,840
Speaker 3: But I enjoyed doing that. I enjoyed making a figure.

985
00:51:12,800 --> 00:51:14,680
Speaker 2: Yeah, we don't hear a word you're saying, but we

986
00:51:14,760 --> 00:51:16,880
Speaker 2: know what it could be. Of course I love that.

987
00:51:17,200 --> 00:51:19,799
Speaker 1: And then everybody's walking out and Cheryl wants to go,

988
00:51:19,840 --> 00:51:26,120
Speaker 1: and Larry's like it's gypsy, everything's coming up roses and

989
00:51:26,160 --> 00:51:29,040
Speaker 1: that's it. Larry's the only one left. Michael singing and

990
00:51:29,120 --> 00:51:31,560
Speaker 1: Larry's the only one left. But Michael doesn't even know it.

991
00:51:32,520 --> 00:51:35,520
Speaker 2: No, it's fun. It's a beautiful ending. It's a very

992
00:51:35,560 --> 00:51:41,080
Speaker 2: fun episode. And this episode really it's like the first

993
00:51:41,120 --> 00:51:43,880
Speaker 2: time we did it was the restaurant. And by the way,

994
00:51:44,040 --> 00:51:47,920
Speaker 2: and he mentioned the restaurant, as I've said before, No, no,

995
00:51:48,160 --> 00:51:49,320
Speaker 2: it never existed.

996
00:51:49,760 --> 00:51:52,080
Speaker 1: Well, now, interesting, you should bring that up because I

997
00:51:52,120 --> 00:51:55,840
Speaker 1: brought this up last time when I you and Larry

998
00:51:55,880 --> 00:51:57,239
Speaker 1: and I go out to the car and I'm going

999
00:51:57,280 --> 00:52:00,200
Speaker 1: to show him the sweatshirts, I do say to and

1000
00:52:00,239 --> 00:52:01,440
Speaker 1: I remember we discussed it.

1001
00:52:01,520 --> 00:52:04,040
Speaker 2: I say to him, it's great because I could work.

1002
00:52:03,840 --> 00:52:06,000
Speaker 1: From home and take care of the baby, because I

1003
00:52:06,040 --> 00:52:09,920
Speaker 1: supposedly had a baby in the season before. In season three,

1004
00:52:10,239 --> 00:52:13,279
Speaker 1: that's the only time it's ever mentioned, and we discussed it.

1005
00:52:13,360 --> 00:52:14,160
Speaker 3: Larry and I discussed it.

1006
00:52:14,160 --> 00:52:16,239
Speaker 1: I said, I'll throw on something about the baby here

1007
00:52:16,280 --> 00:52:17,680
Speaker 1: because we've never mentioned it.

1008
00:52:17,880 --> 00:52:18,480
Speaker 2: And that was it.

1009
00:52:18,480 --> 00:52:19,560
Speaker 3: It's never mentioned again.

1010
00:52:19,880 --> 00:52:22,000
Speaker 2: Yeah, well no, but did it make the cut? I

1011
00:52:22,000 --> 00:52:25,359
Speaker 2: didn't even Yes, it was in the cut. Oh really, Well,

1012
00:52:25,400 --> 00:52:29,680
Speaker 2: by the way, we firmly established Sammy getting drunk last season,

1013
00:52:29,719 --> 00:52:32,319
Speaker 2: for sure, but this season she's at the party, so

1014
00:52:32,360 --> 00:52:35,800
Speaker 2: that's kind of she's too old. It's about the baby

1015
00:52:35,840 --> 00:52:40,959
Speaker 2: that I had, Yes, right exactly. So the thing, Oh wow,

1016
00:52:41,000 --> 00:52:43,400
Speaker 2: that's surprising that he put it in, because if I

1017
00:52:43,440 --> 00:52:46,760
Speaker 2: would have said to him, shall we mention the restaurant? No? No,

1018
00:52:46,760 --> 00:52:49,480
Speaker 2: no no. And this one is the producer. You know,

1019
00:52:49,640 --> 00:52:54,080
Speaker 2: we live in a world this season after this, the

1020
00:52:54,120 --> 00:52:58,400
Speaker 2: season after this, Larry never did. The producers never mentioned

1021
00:52:59,080 --> 00:53:02,200
Speaker 2: you know. It's like every season is its own self

1022
00:53:02,239 --> 00:53:06,000
Speaker 2: contained wealth. It used to be the first two seasons

1023
00:53:06,200 --> 00:53:11,160
Speaker 2: is every episode was its own contained world, and then

1024
00:53:11,239 --> 00:53:15,239
Speaker 2: this is now seasons are contained, which we never stopped.

1025
00:53:14,920 --> 00:53:18,319
Speaker 1: Doing season season This is season four, This is the

1026
00:53:18,800 --> 00:53:21,000
Speaker 1: season five is one of my favorite seasons of all

1027
00:53:21,040 --> 00:53:21,400
Speaker 1: of them.

1028
00:53:21,640 --> 00:53:25,480
Speaker 2: Which one is it? But which one is that Lewis

1029
00:53:25,480 --> 00:53:29,719
Speaker 2: needs a kidney the kidney, Well, there's one scene that

1030
00:53:29,800 --> 00:53:33,200
Speaker 2: actually I'm lucky enough Larry myself, you and Bob Einstein

1031
00:53:33,800 --> 00:53:37,680
Speaker 2: one of the best scenes ever Your Enthusiasm. We will.

1032
00:53:37,680 --> 00:53:39,800
Speaker 2: It's one of my favorites. Also, I know it is

1033
00:53:39,920 --> 00:53:43,560
Speaker 2: so amazing. I mean really, as we're doing it, in

1034
00:53:43,640 --> 00:53:46,640
Speaker 2: between the takes, we burst out laughing, all of us

1035
00:53:47,040 --> 00:53:49,040
Speaker 2: because it was so fucking funny.

1036
00:53:49,600 --> 00:53:55,120
Speaker 1: So next next week we will do episode three and

1037
00:53:55,520 --> 00:53:56,960
Speaker 1: season season.

1038
00:53:56,600 --> 00:53:59,279
Speaker 2: Five, but the next and six, we're never stopping. By

1039
00:53:59,320 --> 00:54:03,200
Speaker 2: the way, you even after we go through season twelve,

1040
00:54:03,520 --> 00:54:06,239
Speaker 2: I think we should do a fantasy version and just

1041
00:54:06,280 --> 00:54:10,239
Speaker 2: make up a story about one night. Jeff Susie, I

1042
00:54:10,320 --> 00:54:14,640
Speaker 2: love you too, and everybody. I really appreciate you listening

1043
00:54:14,719 --> 00:54:26,120
Speaker 2: or watching. It's very kind of him. Bye.

1044
00:54:26,920 --> 00:54:29,319
Speaker 1: The History of carb Your Enthusiasm is a production of

1045
00:54:29,400 --> 00:54:33,200
Speaker 1: iHeart Radio. From More podcasts from iHeart Radio, visit the

1046
00:54:33,280 --> 00:54:36,600
Speaker 1: iHeart Radio app, Apple Podcasts, or wherever you listen to

1047
00:54:36,600 --> 00:54:37,480
Speaker 1: your favorite shows.