1 00:00:00,160 --> 00:00:06,960 Speaker 1: We're gonna do this in three two one blast off? 2 00:00:07,560 --> 00:00:09,719 Speaker 1: What would you talk about on your on your podcast? 3 00:00:10,000 --> 00:00:21,880 Speaker 1: Phone presents? Fifteen minute morning showy do die? And it's 4 00:00:21,920 --> 00:00:23,840 Speaker 1: not the twelve minute, it's like the thirteen year, the 5 00:00:23,880 --> 00:00:28,480 Speaker 1: fourteen It's a fifteen minute morning show podcast. I'm Greg 6 00:00:28,560 --> 00:00:33,000 Speaker 1: g and that is Garrett. Yep, Garret. You will not 7 00:00:33,040 --> 00:00:35,120 Speaker 1: get it. Yes, indeed he do die? From me? No, 8 00:00:35,200 --> 00:00:38,839 Speaker 1: but you do you love that word? Yes, indeed you die? Yes, 9 00:00:38,960 --> 00:00:41,639 Speaker 1: did you die? Here's the deal, you guys know, when 10 00:00:41,640 --> 00:00:44,159 Speaker 1: you hear Greg tan Garrett, there's only one thing and 11 00:00:44,200 --> 00:00:47,160 Speaker 1: that means there's a bigger name online to not really 12 00:00:47,200 --> 00:00:49,800 Speaker 1: almost ran morning show is interviewing. No one's being an 13 00:00:49,840 --> 00:00:52,920 Speaker 1: interview with the rest of the show. Realizes that the 14 00:00:52,960 --> 00:00:56,800 Speaker 1: boss is away. What they're out of here? Hold on 15 00:00:56,840 --> 00:01:03,120 Speaker 1: a minute, Hold on a minute. Are you telling me, Garrett? Yes, 16 00:01:03,880 --> 00:01:05,720 Speaker 1: that the two of us are sitting here right now. 17 00:01:06,040 --> 00:01:09,160 Speaker 1: Everybody else is like probably halfway home because they don't 18 00:01:09,200 --> 00:01:14,440 Speaker 1: want to work, which is odd because normally, what kind 19 00:01:14,480 --> 00:01:19,080 Speaker 1: of shit is that. You gotta be kidding me. Yeah, No, 20 00:01:19,240 --> 00:01:22,920 Speaker 1: that's the truth. That is unbelievable. Man. It's funny, you 21 00:01:22,959 --> 00:01:25,000 Speaker 1: know when you step in someone else's shoes. You always 22 00:01:25,000 --> 00:01:26,840 Speaker 1: hear the term, you know, you should try walking in 23 00:01:26,920 --> 00:01:29,280 Speaker 1: someone else's shoes, a mile in someone else's shoes. Nate's 24 00:01:29,280 --> 00:01:31,520 Speaker 1: actually doing that right now. Now. Normally Nate would be 25 00:01:31,600 --> 00:01:33,880 Speaker 1: hanging out with us and doing the fifteen minute morning shows. 26 00:01:34,120 --> 00:01:38,800 Speaker 1: But after four hours of guiding the the Elvis durand Ship, 27 00:01:39,240 --> 00:01:43,120 Speaker 1: Oh no, we're all in this together. No apparently not 28 00:01:43,160 --> 00:01:47,440 Speaker 1: it you and I. But what I mean really, you 29 00:01:47,480 --> 00:01:49,560 Speaker 1: don't get a chance to pick and choose when you 30 00:01:49,600 --> 00:01:51,279 Speaker 1: want to work or when you don't want to work. 31 00:01:51,920 --> 00:01:54,600 Speaker 1: You have to be a part of everything. Like like 32 00:01:54,720 --> 00:01:59,240 Speaker 1: Chevy Chase said, we're all in this together. Well, he's 33 00:01:59,280 --> 00:02:02,680 Speaker 1: not here, nor is anybody else. It's just you and me, buddy. Well, 34 00:02:02,760 --> 00:02:04,080 Speaker 1: what the hell are we going to talk about for 35 00:02:04,240 --> 00:02:06,440 Speaker 1: fifteen minutes? For real? Now we've got thirteen minutes left. 36 00:02:06,480 --> 00:02:08,960 Speaker 1: We've kind of made, uh somewhat of a career out 37 00:02:09,000 --> 00:02:11,480 Speaker 1: of it. I'm just figuring it all out. Well, today 38 00:02:11,560 --> 00:02:15,880 Speaker 1: is Ali's birthday. So Ali, um, she is the new 39 00:02:16,360 --> 00:02:19,640 Speaker 1: web person digital director. Yeah, she's our she has a 40 00:02:19,639 --> 00:02:22,000 Speaker 1: new title. I always gotta make it sound sound better 41 00:02:22,000 --> 00:02:24,000 Speaker 1: than initially is. Like when you worked at the gas station. 42 00:02:24,080 --> 00:02:27,760 Speaker 1: You were in a petroleum engineer. Goe, you sound you 43 00:02:27,800 --> 00:02:31,400 Speaker 1: sound more bigger than you actually are. That's right. When 44 00:02:31,440 --> 00:02:33,560 Speaker 1: you are a teacher in college, you're no longer a teacher, 45 00:02:33,600 --> 00:02:37,639 Speaker 1: you are a professor. Or those those uh, those those 46 00:02:37,680 --> 00:02:40,360 Speaker 1: things on your elbows when you're with your velvet jacket, 47 00:02:41,600 --> 00:02:44,880 Speaker 1: that's right. So Ali is our what is she? Director? 48 00:02:44,919 --> 00:02:49,520 Speaker 1: Digital digital director? Digital directors Ali? So Ali is celebrating 49 00:02:49,520 --> 00:02:52,440 Speaker 1: your birthday today, and uh, the whole morning show we 50 00:02:52,480 --> 00:02:54,120 Speaker 1: always wait until the very end of the show to 51 00:02:54,440 --> 00:02:56,280 Speaker 1: bringing a birthday cake. It's your birthday and we all 52 00:02:56,320 --> 00:02:59,639 Speaker 1: sing Happy Birthday, YadA, YadA YadA. But I gotta tell you, man, 53 00:03:00,080 --> 00:03:02,680 Speaker 1: it's time to shake it up. I am done with 54 00:03:02,800 --> 00:03:05,960 Speaker 1: the happy Birthday song. I think that the happy Birthday 55 00:03:06,000 --> 00:03:09,119 Speaker 1: song is so played out. Is this where you're gonna 56 00:03:09,120 --> 00:03:11,799 Speaker 1: bring in your Benigan song? I'm listen. I know that 57 00:03:11,840 --> 00:03:14,920 Speaker 1: you've heard me rant about it before, But think about this, Garrett. 58 00:03:15,360 --> 00:03:19,160 Speaker 1: The Happy Birthday song has been around for ages. Why 59 00:03:19,200 --> 00:03:22,519 Speaker 1: because it's universally known. I know that, but it's so 60 00:03:22,720 --> 00:03:25,320 Speaker 1: boring at this point. It's not boring that it's your birthday. 61 00:03:25,639 --> 00:03:28,560 Speaker 1: It's boring that that's the song that we that we sing, yes, 62 00:03:28,760 --> 00:03:32,880 Speaker 1: happy birthday to you. In comparison, your Bennigan's song when 63 00:03:32,960 --> 00:03:36,840 Speaker 1: you clap and then you sway and you sing, that 64 00:03:37,000 --> 00:03:40,080 Speaker 1: is annoying as well. The course of time, how what 65 00:03:40,160 --> 00:03:42,240 Speaker 1: do I mean? Okay, but the course of time is 66 00:03:42,280 --> 00:03:45,560 Speaker 1: not nearly as long as the happy Birthday song and 67 00:03:45,640 --> 00:03:48,760 Speaker 1: happy birthday. When you're singing happy Birthday, you're not clapping, 68 00:03:48,760 --> 00:03:50,480 Speaker 1: you're not having to do a dance. And when you 69 00:03:50,600 --> 00:03:53,920 Speaker 1: do your Bennigan's which you should do it right now, right, 70 00:03:53,960 --> 00:03:55,880 Speaker 1: but I will, But doesn't that doesn't that bring a 71 00:03:55,920 --> 00:03:58,960 Speaker 1: little bit more excitement into the song? So let's just 72 00:03:58,960 --> 00:04:00,960 Speaker 1: say so we had a birthday yesterday, we had a 73 00:04:01,000 --> 00:04:05,080 Speaker 1: birthday today, and imagine clapping every time you have to 74 00:04:05,120 --> 00:04:07,480 Speaker 1: sing this birthday? So okay, so let's imagine this are 75 00:04:07,480 --> 00:04:11,400 Speaker 1: so here we so exhibit A is the happy birthday song, 76 00:04:11,440 --> 00:04:13,800 Speaker 1: which we all know. So let's do it for Ali, right, 77 00:04:14,600 --> 00:04:19,880 Speaker 1: Happy birthday to you, Happy birthday to you. Birthday. You 78 00:04:20,200 --> 00:04:22,240 Speaker 1: don't go see did you see what you did? Already? 79 00:04:22,560 --> 00:04:26,120 Speaker 1: You already like was like because everybody knows it, right, 80 00:04:26,160 --> 00:04:28,760 Speaker 1: you're over it, But no, I'm over the fact that 81 00:04:28,800 --> 00:04:32,080 Speaker 1: you're trying to make your birthday song happen. Okay, now 82 00:04:32,160 --> 00:04:36,039 Speaker 1: here my birthday song. It goes like this, happy happy clap. No, 83 00:04:36,160 --> 00:04:39,000 Speaker 1: you clap, you clap the entire time because that's what 84 00:04:39,040 --> 00:04:43,320 Speaker 1: you do. Okay, three to one, Happy happy birthday on 85 00:04:43,400 --> 00:04:47,039 Speaker 1: this your special day. Hey, happy happy birthday. And this 86 00:04:47,120 --> 00:04:50,800 Speaker 1: is what we say, Hey, happy happy birthday. And you're stopping. 87 00:04:50,880 --> 00:04:53,080 Speaker 1: You go and you and you put your hands together 88 00:04:53,240 --> 00:04:55,479 Speaker 1: like your interlock your fingers, and then you do like 89 00:04:55,520 --> 00:04:59,320 Speaker 1: a wave and you go, may all your dreams come 90 00:04:59,520 --> 00:05:02,880 Speaker 1: true like that, like in a wave. Arms, everything are 91 00:05:02,920 --> 00:05:05,640 Speaker 1: in a wave here rocking a baby, May all your 92 00:05:05,760 --> 00:05:08,520 Speaker 1: dreams come true. And then you go back to the 93 00:05:08,520 --> 00:05:11,520 Speaker 1: clapping and you go, happy happy birthday. And then you 94 00:05:11,560 --> 00:05:14,560 Speaker 1: would say from the Elvis Duran Morning Show to you, 95 00:05:16,400 --> 00:05:20,000 Speaker 1: and then everybody would clap. So there's so much more 96 00:05:20,040 --> 00:05:23,719 Speaker 1: than the original birthday song is quicker, yes, quicker, but 97 00:05:23,760 --> 00:05:26,600 Speaker 1: again you're not you're not having to do a physical activity. 98 00:05:26,600 --> 00:05:28,480 Speaker 1: But why do you want to gloss over somebody? That 99 00:05:28,560 --> 00:05:33,400 Speaker 1: happens once band of the day, and it's like, outside 100 00:05:33,400 --> 00:05:36,080 Speaker 1: of the person celebrating their birthday, no one really wants 101 00:05:36,080 --> 00:05:38,800 Speaker 1: to sing happy Birthday. Well, so for you to go, 102 00:05:38,880 --> 00:05:42,440 Speaker 1: you know what, it's time to incorporate choreograph dance moves 103 00:05:42,640 --> 00:05:45,359 Speaker 1: into singing happy Birthday for a coworker. I'm trying to 104 00:05:45,440 --> 00:05:47,760 Speaker 1: jag it up. You're asking for too much, man, I'm 105 00:05:47,800 --> 00:05:50,320 Speaker 1: not trying to reinvent the wheel. The wheel would be 106 00:05:50,360 --> 00:05:53,400 Speaker 1: like making somebody have a different birthday. I'm just saying 107 00:05:53,440 --> 00:05:57,320 Speaker 1: that the song yourself happy Birthday is gotten all. You're 108 00:05:57,360 --> 00:06:00,240 Speaker 1: trying to reinvent the wheel in the sense of redoing 109 00:06:00,360 --> 00:06:04,120 Speaker 1: a established birthday song that people just come along just 110 00:06:04,200 --> 00:06:08,520 Speaker 1: to get through it catching even then, let me ask 111 00:06:08,520 --> 00:06:11,440 Speaker 1: you something. Okay, fine, off the heels of this happy 112 00:06:11,440 --> 00:06:16,920 Speaker 1: birthday conversation. Hold right, happy Happy Birthday from the morning 113 00:06:16,960 --> 00:06:20,760 Speaker 1: show to you. Imagine doing you got fifteen people here, 114 00:06:20,800 --> 00:06:23,480 Speaker 1: that's fifteen about the energy in the room, the loud 115 00:06:23,600 --> 00:06:26,719 Speaker 1: first time, first time, like anything in life would be great. Okay. 116 00:06:26,800 --> 00:06:28,800 Speaker 1: Then now let me ask you something. By time eight, 117 00:06:28,920 --> 00:06:31,279 Speaker 1: we'd be like, oh my god. Okay, attached to the 118 00:06:31,320 --> 00:06:34,960 Speaker 1: happy birthday conversation. So then you let's take it out 119 00:06:34,960 --> 00:06:37,560 Speaker 1: of the here. You are a person that is not 120 00:06:37,760 --> 00:06:42,680 Speaker 1: looking for change. Really, you're looking for Everything's okay, It's 121 00:06:42,720 --> 00:06:46,159 Speaker 1: not broke, don't fix it. It's it's a silly song. 122 00:06:46,200 --> 00:06:48,080 Speaker 1: It's like it's like waking up in the morning and 123 00:06:48,120 --> 00:06:50,400 Speaker 1: putting on your shoes. You're like, why do I Why 124 00:06:50,440 --> 00:06:53,040 Speaker 1: should I go downstairs and put the shoes on when 125 00:06:53,040 --> 00:06:54,719 Speaker 1: I just put them on right by my bed and 126 00:06:54,720 --> 00:06:56,920 Speaker 1: I'm good to go, right, Well, don't you want to 127 00:06:57,000 --> 00:06:59,599 Speaker 1: change it up? Maybe you go downstairs? You have all people, 128 00:06:59,760 --> 00:07:02,320 Speaker 1: miss I was built on the foundation of creature, of 129 00:07:02,400 --> 00:07:05,800 Speaker 1: habit now says Okay, I'm breaking the mold and I'll 130 00:07:05,839 --> 00:07:08,760 Speaker 1: go against the grind and sing heavy birthday. And that 131 00:07:08,760 --> 00:07:10,880 Speaker 1: would mean also that you like, like, for instance, you 132 00:07:10,920 --> 00:07:12,920 Speaker 1: have a car, and your car is getting up there 133 00:07:12,960 --> 00:07:15,720 Speaker 1: in mileage, but it still runs really well. So you're like, 134 00:07:15,760 --> 00:07:18,240 Speaker 1: why am I getting traded in and go get something 135 00:07:18,280 --> 00:07:20,920 Speaker 1: new when my car clearly is running just fine. But 136 00:07:21,040 --> 00:07:24,480 Speaker 1: here's the thing. Your birthday song isn't new. If it 137 00:07:24,560 --> 00:07:28,560 Speaker 1: was a brand new song that that someone just created 138 00:07:28,680 --> 00:07:31,080 Speaker 1: literally a week ago, and you know what, it's gonna 139 00:07:31,120 --> 00:07:33,960 Speaker 1: take the world by storm, right. But this is if 140 00:07:33,960 --> 00:07:36,280 Speaker 1: more and more people start hearing about my birthday, saw 141 00:07:36,720 --> 00:07:41,200 Speaker 1: yours it's been again's birthday song. Okay, So there's a restaurants. Right, 142 00:07:41,240 --> 00:07:43,320 Speaker 1: it's not around anymore. And it's one of those. It's 143 00:07:43,360 --> 00:07:49,240 Speaker 1: like a T G I Friday's. It's like Ruby Tuesdays exactly. 144 00:07:49,280 --> 00:07:52,080 Speaker 1: First day, you know, mud slides. We'll get you your 145 00:07:52,160 --> 00:07:55,040 Speaker 1: lunch in fifteen minutes or less, or it's free. One 146 00:07:55,040 --> 00:07:57,679 Speaker 1: of those, one of those places the buttons on your shirt. 147 00:07:57,800 --> 00:08:01,040 Speaker 1: You question, you question how fast they make the food? Yes, right, 148 00:08:01,160 --> 00:08:03,040 Speaker 1: you send it back. You always wonder if they come 149 00:08:03,080 --> 00:08:04,840 Speaker 1: back and they're spitting it. That type of place. So 150 00:08:04,960 --> 00:08:07,480 Speaker 1: I worked at a ben Agans. It was called ben Agan's. 151 00:08:07,520 --> 00:08:09,840 Speaker 1: I worked at a ben Agan's for about maybe three 152 00:08:09,880 --> 00:08:12,960 Speaker 1: weeks because I was appeasing my mom because I used 153 00:08:13,000 --> 00:08:15,360 Speaker 1: to work at a gas station, which I loved working 154 00:08:15,360 --> 00:08:17,640 Speaker 1: at the gas station. Birthday, at the guest station. You know, 155 00:08:18,160 --> 00:08:21,040 Speaker 1: at the gas station, you got beers, you hung out. 156 00:08:21,240 --> 00:08:24,160 Speaker 1: I had cut off shorts, nice T shirt, I got 157 00:08:24,200 --> 00:08:27,280 Speaker 1: dirty who cares? And I hit on some some good 158 00:08:27,280 --> 00:08:31,440 Speaker 1: looking girls that came in there at Bennigan's. Not the case. 159 00:08:31,520 --> 00:08:34,400 Speaker 1: Black shoes, black pants, Benigan's shirt with a with a 160 00:08:34,679 --> 00:08:36,680 Speaker 1: you know, with a button on that says my name 161 00:08:36,720 --> 00:08:39,040 Speaker 1: is Greg. And you gotta wear like, you know, an 162 00:08:39,040 --> 00:08:41,679 Speaker 1: apron and a hat and some more buttons and forced 163 00:08:41,679 --> 00:08:44,480 Speaker 1: to sing a horrible birthday song. Right. So there they 164 00:08:45,040 --> 00:08:47,800 Speaker 1: made this new song, and that's where I got it from, 165 00:08:47,880 --> 00:08:50,400 Speaker 1: and I've taken it from there and I've brought it 166 00:08:50,720 --> 00:08:54,040 Speaker 1: with me in life. I think it's time we change it. 167 00:08:54,120 --> 00:08:57,800 Speaker 1: Let'sten do it one more time. Happy Birthday. I'm this 168 00:08:57,920 --> 00:09:01,480 Speaker 1: your special day. Hey, happy happy birthday. And this is 169 00:09:01,480 --> 00:09:04,880 Speaker 1: what we say, Hey, Happy happy birthday. May all your 170 00:09:04,960 --> 00:09:08,320 Speaker 1: dreams come true. Happy happy birthday from the Morning Show 171 00:09:08,360 --> 00:09:13,319 Speaker 1: to you. Hey, that's happy again, right out of the 172 00:09:13,400 --> 00:09:18,719 Speaker 1: bat first maybe handful of times awesome days to hear 173 00:09:18,760 --> 00:09:27,280 Speaker 1: that song rather than Happy birthday to you, Happy birthday 174 00:09:27,320 --> 00:09:36,920 Speaker 1: to you, Happy birthday, dear Ali, Happy birthday? Do you okay? 175 00:09:36,920 --> 00:09:40,000 Speaker 1: Everybody get ready to clap every And you're asking for 176 00:09:40,080 --> 00:09:44,240 Speaker 1: way too much for something so so miniscule in the 177 00:09:44,280 --> 00:09:47,520 Speaker 1: sense of everyone coming together to celebrate. By the way, 178 00:09:47,679 --> 00:09:50,800 Speaker 1: so are we're talking about our digital director Ali is 179 00:09:50,840 --> 00:09:54,240 Speaker 1: celebrating our birthdays? Um? You know, and we got pity 180 00:09:54,440 --> 00:09:57,840 Speaker 1: pity birthday invite the night before last night. Um, and 181 00:09:57,880 --> 00:10:01,960 Speaker 1: it says that you're attending. No, so I missed. I'm 182 00:10:01,960 --> 00:10:05,320 Speaker 1: not going. You're re sending your your I'm not I'm 183 00:10:05,360 --> 00:10:07,319 Speaker 1: not telling anybody because I'm said you're going here, but 184 00:10:08,000 --> 00:10:09,880 Speaker 1: I'm not. Now you're not going to show you at least, 185 00:10:09,960 --> 00:10:12,959 Speaker 1: I'm never going you at least owe her something or nothing. 186 00:10:13,040 --> 00:10:15,480 Speaker 1: You said you were going. I clicked it to clear 187 00:10:15,520 --> 00:10:18,760 Speaker 1: it because they sent an invite and I am so 188 00:10:18,840 --> 00:10:21,320 Speaker 1: tired from this past weekend that my voice can't even 189 00:10:21,320 --> 00:10:23,439 Speaker 1: come back because you smoke so much. I don't smoke. 190 00:10:23,559 --> 00:10:26,640 Speaker 1: My voice is just like hired. It's like my voice 191 00:10:26,640 --> 00:10:29,880 Speaker 1: is just going, I want to go to bed. Your 192 00:10:29,920 --> 00:10:32,720 Speaker 1: voice is also saying stop. Some you did smoke this weekend. 193 00:10:32,800 --> 00:10:35,679 Speaker 1: You smoked over the because we partied a lot, because 194 00:10:35,840 --> 00:10:39,560 Speaker 1: for some reason, partying and smoking goes hand in hand. Yes, 195 00:10:39,840 --> 00:10:42,440 Speaker 1: I don't. I'm sorry, but it's like your birthday. So anyway, 196 00:10:42,760 --> 00:10:45,160 Speaker 1: So I am not going to the alley thing at all. 197 00:10:45,280 --> 00:10:48,120 Speaker 1: I'm not going. In the mass email to about fifty 198 00:10:48,160 --> 00:10:52,240 Speaker 1: five people, it says Greg t will be there. Who 199 00:10:52,320 --> 00:10:54,439 Speaker 1: else did it say? Look I'm yawning on the microphone. 200 00:10:54,480 --> 00:10:56,240 Speaker 1: Who else to say? Who else? Who else? It gonna 201 00:10:56,240 --> 00:10:58,440 Speaker 1: be there? I gotta check. I'm not gonna be there. 202 00:10:59,000 --> 00:11:00,719 Speaker 1: What are you checking right now? It says, you're going. 203 00:11:01,559 --> 00:11:04,080 Speaker 1: I'll call Ali right now and let her know you check. 204 00:11:04,559 --> 00:11:12,960 Speaker 1: Keep talking to Okay as you go get Ali. Yeah. Nonetheless, 205 00:11:13,000 --> 00:11:15,640 Speaker 1: Gregg is about to tell her on her birthday that 206 00:11:15,800 --> 00:11:22,240 Speaker 1: he's not attending. She's celebrating her birthday. That's what she's doing. 207 00:11:23,600 --> 00:11:27,480 Speaker 1: I'm gonna make him sing his birthday song too. Just 208 00:11:27,520 --> 00:11:29,199 Speaker 1: tell her to come in, then come finish the come 209 00:11:29,200 --> 00:11:34,560 Speaker 1: finish the podcast. Ali. Oh my god, no one understands 210 00:11:34,559 --> 00:11:37,080 Speaker 1: English the morning show. So you know, we work here 211 00:11:36,920 --> 00:11:40,200 Speaker 1: the radio station, and there's sound we have. They're having 212 00:11:40,240 --> 00:11:41,800 Speaker 1: a meeting right So now they're having a meeting that 213 00:11:41,840 --> 00:11:43,720 Speaker 1: we're not a part of. So they're having a meeting 214 00:11:43,840 --> 00:11:46,000 Speaker 1: and they don't want to work. Man, this morning show 215 00:11:46,000 --> 00:11:48,640 Speaker 1: needs to be straightened out. Just because Elvis isn't here, 216 00:11:48,720 --> 00:11:50,559 Speaker 1: they don't get a chance to just do whatever they want. 217 00:11:50,840 --> 00:11:53,360 Speaker 1: It's not the way it works. You gotta work here. 218 00:11:54,160 --> 00:11:56,840 Speaker 1: This is why I'm going places, because I've earned my 219 00:11:57,040 --> 00:12:00,560 Speaker 1: keep because I'm work. I'm just saying, so I'm going places, 220 00:12:01,480 --> 00:12:04,079 Speaker 1: cold places, gold places. I'm not gonna stay here and 221 00:12:04,120 --> 00:12:08,400 Speaker 1: be content. I'm going places I am because I work hard, 222 00:12:08,440 --> 00:12:11,280 Speaker 1: because I use up every single minute to do something. 223 00:12:11,480 --> 00:12:12,800 Speaker 1: They don't want to do something. They want to sit 224 00:12:12,840 --> 00:12:14,719 Speaker 1: in the studio. Now they're gonna have a meeting all 225 00:12:14,720 --> 00:12:18,040 Speaker 1: because they're tired as well. Nobody is fully recouped from 226 00:12:18,040 --> 00:12:21,120 Speaker 1: the Elvis durand wedding. Nobody. I mean, my voice is shot. 227 00:12:21,240 --> 00:12:24,400 Speaker 1: It just shot the ship completely. I did as much 228 00:12:24,400 --> 00:12:26,600 Speaker 1: parting as you. My voice isn't as shot the ship. 229 00:12:27,120 --> 00:12:29,120 Speaker 1: But I was yelling and screaming and scooping it up. 230 00:12:29,160 --> 00:12:33,160 Speaker 1: I was going crazy. I was. There's Danielle. Danielle, come 231 00:12:33,160 --> 00:12:36,880 Speaker 1: on here, speaking in a closed studio to a soundproof studio. 232 00:12:37,480 --> 00:12:39,920 Speaker 1: Come here, Danielle, come in here. Oh you got you 233 00:12:40,000 --> 00:12:43,839 Speaker 1: got the hand. She's in another studio. So I pound 234 00:12:43,960 --> 00:12:46,360 Speaker 1: on the glass to ask her to come over here, 235 00:12:46,559 --> 00:12:50,640 Speaker 1: and she gave me the like Cinderella handwave, like not now, 236 00:12:51,120 --> 00:12:55,000 Speaker 1: not now, Like what she's doing important things? I told you, man, 237 00:12:55,080 --> 00:12:57,840 Speaker 1: this is you know. The boss is away. Everyone's getting 238 00:12:57,880 --> 00:12:59,439 Speaker 1: their issue done so they can get the hell out 239 00:12:59,440 --> 00:13:01,840 Speaker 1: of here. But what about us, Garrett, Why don't we 240 00:13:01,880 --> 00:13:03,480 Speaker 1: get a chance to get up and get out of here? 241 00:13:03,679 --> 00:13:06,240 Speaker 1: We get here first, we're the first people in and 242 00:13:06,240 --> 00:13:08,760 Speaker 1: the last to lead. We will we get here and 243 00:13:08,800 --> 00:13:11,280 Speaker 1: we do a five am pre morning show. So here 244 00:13:11,320 --> 00:13:13,400 Speaker 1: in the New York New York City Tri State area, 245 00:13:14,000 --> 00:13:17,120 Speaker 1: Garrett and I little tidbit here, Garrett and I go 246 00:13:17,320 --> 00:13:20,840 Speaker 1: on the radio before the entire morning show, we have 247 00:13:20,920 --> 00:13:24,160 Speaker 1: our own one hour show which is called the five 248 00:13:24,200 --> 00:13:27,480 Speaker 1: am Pre Morning Show, which, by the way, after this podcast, 249 00:13:27,520 --> 00:13:30,200 Speaker 1: I have to have a meeting about why without you? 250 00:13:30,400 --> 00:13:32,959 Speaker 1: Without me? Oh my god, well it's now an not 251 00:13:33,080 --> 00:13:35,920 Speaker 1: part of that meeting either. Oh, here comes me, Here 252 00:13:35,960 --> 00:13:39,320 Speaker 1: comes Gandhi. Hey, next thing, you guysn't show up, you know, 253 00:13:39,360 --> 00:13:41,360 Speaker 1: front of your cheap a little bit? Do some work 254 00:13:41,400 --> 00:13:45,240 Speaker 1: around here? Well, you guys are carrying on meetings. Let's 255 00:13:45,240 --> 00:13:49,199 Speaker 1: turn up some microphones here, jump on. What are you 256 00:13:49,200 --> 00:13:52,080 Speaker 1: guys talking about? Actually we're talking about something really good. 257 00:13:52,240 --> 00:13:54,080 Speaker 1: When he first, he's convinced he's the only one that 258 00:13:54,080 --> 00:13:57,679 Speaker 1: does work around the one. My question is your microphone 259 00:13:57,720 --> 00:14:01,000 Speaker 1: on time check too? Want to can you see me? 260 00:14:01,040 --> 00:14:03,400 Speaker 1: Can you hear me? All right? So yeah, alright, so listen, 261 00:14:03,440 --> 00:14:05,560 Speaker 1: here's the thing. We only have a minute left, literally 262 00:14:05,600 --> 00:14:08,199 Speaker 1: sixty seconds. Okay, thank you for giving me your sixty 263 00:14:08,200 --> 00:14:13,280 Speaker 1: seconds time anytime. Here's my question, aren't you tired of 264 00:14:13,320 --> 00:14:18,200 Speaker 1: the old happy birthday song. Agree right, thank you. Now 265 00:14:18,240 --> 00:14:20,440 Speaker 1: you're time to change. You're ready to sing great tea song. 266 00:14:20,520 --> 00:14:22,680 Speaker 1: Every time we have a birthday, I'm here, he goes 267 00:14:22,840 --> 00:14:26,480 Speaker 1: happy happy to clap, happy, happy birthday on this your 268 00:14:26,480 --> 00:14:30,200 Speaker 1: special day. Hey, happy happy birthday. And this is what 269 00:14:30,240 --> 00:14:33,760 Speaker 1: we say, Hey, happy happy birthday, waiting out their fingers together. 270 00:14:33,960 --> 00:14:35,440 Speaker 1: And now you're gonna make like a wave and you go, 271 00:14:35,800 --> 00:14:39,400 Speaker 1: may all your dreams come true. And then back to 272 00:14:39,440 --> 00:14:43,960 Speaker 1: the clap happy happy birthday from the Morning Show to you. Hey, 273 00:14:44,000 --> 00:14:46,800 Speaker 1: I like that. Now do that fifteen times by the 274 00:14:46,840 --> 00:14:50,080 Speaker 1: fourth time every happy Do you understand it's time to 275 00:14:50,200 --> 00:14:52,440 Speaker 1: change the morning Happy, happy birthday song? Can I just 276 00:14:52,480 --> 00:14:54,480 Speaker 1: say that used to be the Ruby Tuesday birthday song? 277 00:14:55,240 --> 00:15:02,720 Speaker 1: Yea room t will do this song on Kay, that's 278 00:15:03,200 --> 00:15:21,080 Speaker 1: that's wrong. That's a that's cloth so that's yeah. Yeah, 279 00:15:21,880 --> 00:15:26,360 Speaker 1: it's hard to change. That's a