1 00:00:00,240 --> 00:00:02,000 Speaker 1: The nik Gliser podcasts. 2 00:00:11,400 --> 00:00:13,240 Speaker 2: Here I am, It's Nicky Glazer podcast. 3 00:00:13,560 --> 00:00:17,160 Speaker 3: Welcome to it. It's just me today in studio with 4 00:00:17,320 --> 00:00:21,840 Speaker 3: this no Name dog. Brian Frangie is back from gallbladder surgery. 5 00:00:21,880 --> 00:00:23,480 Speaker 3: Still back from that, feeling good. 6 00:00:23,640 --> 00:00:28,960 Speaker 1: Yeah, tour, gallbladder tour surgery, doing my tour of my 7 00:00:29,200 --> 00:00:30,160 Speaker 1: organs being removed. 8 00:00:30,200 --> 00:00:31,520 Speaker 2: We're promoting it right now, right. 9 00:00:31,880 --> 00:00:35,960 Speaker 1: Yeah, we recorded it and it's gonna come out later 10 00:00:36,040 --> 00:00:37,080 Speaker 1: this year on Netflix. 11 00:00:37,159 --> 00:00:40,160 Speaker 2: And yeah, did reg just in Kelly this morning? 12 00:00:40,560 --> 00:00:45,200 Speaker 1: Yes, they were. They were rough. I mean they hated. 13 00:00:45,320 --> 00:00:47,559 Speaker 1: I think they wait, isn't real? Just dead? 14 00:00:48,120 --> 00:00:49,640 Speaker 2: Yeah, that's that's why it was rough. 15 00:00:50,240 --> 00:00:52,240 Speaker 1: Yeah, he was sitting there. He didn't he didn't give. 16 00:00:52,120 --> 00:00:53,000 Speaker 2: Me his ashes. 17 00:00:53,040 --> 00:00:55,400 Speaker 3: Still have a show where he people just assume what 18 00:00:55,520 --> 00:00:58,200 Speaker 3: he might have asked people and those singers he might 19 00:00:58,200 --> 00:00:58,480 Speaker 3: have had. 20 00:00:58,520 --> 00:01:00,400 Speaker 2: He was amazing and he is missed. 21 00:01:00,400 --> 00:01:02,400 Speaker 3: And I got to meet him one time because we 22 00:01:02,440 --> 00:01:04,440 Speaker 3: were doing this thing on our MTV show, Me and 23 00:01:04,560 --> 00:01:07,120 Speaker 3: Sarah Schaeffer, where we were just trying to touch as 24 00:01:07,120 --> 00:01:09,240 Speaker 3: many celebrities as possible. That was like our goal and 25 00:01:09,280 --> 00:01:13,200 Speaker 3: it was pre me too, because this would not have flown. 26 00:01:12,920 --> 00:01:14,160 Speaker 2: And I was never inappropriate. 27 00:01:14,160 --> 00:01:16,160 Speaker 3: With my touching in terms of like the only times 28 00:01:16,200 --> 00:01:17,920 Speaker 3: I got like on the chest with it or something like, 29 00:01:18,000 --> 00:01:19,839 Speaker 3: I felt really bad about doing it. And I only 30 00:01:19,840 --> 00:01:22,640 Speaker 3: did it because it was like almost like that's the gimmick, 31 00:01:23,160 --> 00:01:24,800 Speaker 3: and I felt kind of pressured into it. And I'm 32 00:01:24,800 --> 00:01:26,399 Speaker 3: not gonna say I did it like I'm not gonna 33 00:01:26,600 --> 00:01:28,680 Speaker 3: it's it's I had my own constitution. 34 00:01:28,760 --> 00:01:29,520 Speaker 2: I could have not done it. 35 00:01:29,520 --> 00:01:31,480 Speaker 3: But I remember one time a guy got annoyed with 36 00:01:31,520 --> 00:01:33,160 Speaker 3: us touching him, but it was a funny bit because 37 00:01:33,160 --> 00:01:34,679 Speaker 3: generally I just like his head or something like. 38 00:01:34,880 --> 00:01:36,440 Speaker 2: The whole thing is not good. I didn't like doing 39 00:01:36,440 --> 00:01:37,280 Speaker 2: any of it, to be honest with me. 40 00:01:37,440 --> 00:01:39,759 Speaker 3: While on the show, we just try to wein Sarah 41 00:01:39,840 --> 00:01:42,440 Speaker 3: C who can touch the celebrity the most times while interviewing, 42 00:01:43,080 --> 00:01:45,319 Speaker 3: And it's so like the premise is disgusting and wouldn't 43 00:01:45,360 --> 00:01:48,600 Speaker 3: make it past a thought in a bright head now, 44 00:01:48,640 --> 00:01:51,280 Speaker 3: I would never even land in a U in a 45 00:01:51,320 --> 00:01:52,000 Speaker 3: meeting live. 46 00:01:53,400 --> 00:01:53,680 Speaker 1: With it. 47 00:01:54,680 --> 00:01:55,280 Speaker 2: That is true. 48 00:01:56,440 --> 00:01:59,760 Speaker 3: I want to get I I want to have her 49 00:01:59,800 --> 00:02:03,880 Speaker 3: in an interview both emotionally and physically. I'm dying to 50 00:02:03,880 --> 00:02:06,400 Speaker 3: get an interviewed by Ruberry were because she I know 51 00:02:06,880 --> 00:02:09,280 Speaker 3: how fucking charming she is. I've been interviewed by her 52 00:02:09,320 --> 00:02:11,600 Speaker 3: on Zoom and even then I felt molested. 53 00:02:11,639 --> 00:02:12,840 Speaker 2: And that's crazy that she was. 54 00:02:12,880 --> 00:02:15,880 Speaker 3: She sent someone actually who was in a hazmat suit 55 00:02:15,919 --> 00:02:17,399 Speaker 3: to touch me in the ways that she wanted to 56 00:02:17,440 --> 00:02:20,560 Speaker 3: hold my hand in that moment. Now I did her 57 00:02:20,560 --> 00:02:22,760 Speaker 3: shows on Zoom and it's not the same. So I 58 00:02:22,760 --> 00:02:23,840 Speaker 3: want to be in person at some point. 59 00:02:23,840 --> 00:02:26,240 Speaker 1: Speaking of hazmat suits, that's the first time I was 60 00:02:26,280 --> 00:02:29,840 Speaker 1: ever on TV was in a hazmat suit on Not Safe. 61 00:02:30,360 --> 00:02:30,800 Speaker 2: WHOA. 62 00:02:30,840 --> 00:02:34,079 Speaker 3: That's so full circle And I think I actually when 63 00:02:34,120 --> 00:02:38,160 Speaker 3: I was grasping for that reference and that when I 64 00:02:38,160 --> 00:02:39,920 Speaker 3: said it just now, I like kind of was like 65 00:02:39,960 --> 00:02:42,320 Speaker 3: I've heard this recently, Like I was pulling from something 66 00:02:42,360 --> 00:02:44,200 Speaker 3: i'd heard, which is like what you do? I mean, 67 00:02:44,840 --> 00:02:47,040 Speaker 3: that's what I learned, Like great stand up is just 68 00:02:47,080 --> 00:02:50,400 Speaker 3: paying attention to detail and having it on call for 69 00:02:50,480 --> 00:02:53,359 Speaker 3: your brain when you need it, paying attention to funny 70 00:02:53,400 --> 00:02:56,200 Speaker 3: things like I've recently started doing that where I'm like, Okay, 71 00:02:56,240 --> 00:02:58,160 Speaker 3: this is why people who read a lot do well 72 00:02:58,200 --> 00:03:02,680 Speaker 3: with just being orators. They're just you're good at picking 73 00:03:02,720 --> 00:03:05,600 Speaker 3: up words, you're good at communicating. You you but I 74 00:03:05,600 --> 00:03:07,280 Speaker 3: think there's a way to bypass it, which is I'm 75 00:03:07,320 --> 00:03:10,840 Speaker 3: just trying to pay more attention to funny words and 76 00:03:10,960 --> 00:03:13,799 Speaker 3: just references and going like, Okay, when you need a 77 00:03:13,960 --> 00:03:16,959 Speaker 3: store in a strip mall in a bad neighborhood, boost mobile, 78 00:03:17,160 --> 00:03:20,160 Speaker 3: that's a funny reference, Like did you just cement memorize 79 00:03:20,160 --> 00:03:23,079 Speaker 3: boost mobile right now? When you need it, just grab it. 80 00:03:23,120 --> 00:03:24,840 Speaker 3: Because a lot of times I'll be like, Okay, I 81 00:03:24,880 --> 00:03:27,560 Speaker 3: have all the parameters of what this perfect reference would be, 82 00:03:27,800 --> 00:03:31,160 Speaker 3: but my mind can't fill in the blank. And like, 83 00:03:31,240 --> 00:03:33,600 Speaker 3: for me, that's why improv scares me so much, because 84 00:03:33,600 --> 00:03:37,040 Speaker 3: sometimes my mind really will not serve up anything, not 85 00:03:37,600 --> 00:03:41,360 Speaker 3: just like not something unfunny, literally nothing, and that's too 86 00:03:41,400 --> 00:03:42,000 Speaker 3: scary to me. 87 00:03:42,520 --> 00:03:43,600 Speaker 1: Zip. 88 00:03:44,360 --> 00:03:46,880 Speaker 2: Yeah, that's we've done. Brian was trying to like get 89 00:03:46,880 --> 00:03:48,240 Speaker 2: me into improv games when we were. 90 00:03:48,800 --> 00:03:52,200 Speaker 1: Writing I was trying to get you into no. 91 00:03:52,000 --> 00:03:52,400 Speaker 2: No, sorry. 92 00:03:52,440 --> 00:03:54,520 Speaker 3: I requested that he get me into it because I 93 00:03:54,600 --> 00:03:56,800 Speaker 3: was like, I am insecure about not being good at improv. 94 00:03:56,840 --> 00:03:58,240 Speaker 3: I want to be better. Is it a muscle that 95 00:03:58,320 --> 00:04:00,760 Speaker 3: you can learn? Because it's so impressive to. 96 00:04:00,680 --> 00:04:02,400 Speaker 1: Me, And that's the conceed is that it is a 97 00:04:02,480 --> 00:04:03,440 Speaker 1: muscle you can learn. 98 00:04:03,400 --> 00:04:06,000 Speaker 2: Otherwise do you want to learn it? 99 00:04:06,000 --> 00:04:10,240 Speaker 1: It is, It's definitely helpful. We were just doing some 100 00:04:10,560 --> 00:04:13,320 Speaker 1: improv exercises to get you like warmed up, to see 101 00:04:13,320 --> 00:04:14,840 Speaker 1: if that helped it all, which I don't even think 102 00:04:14,840 --> 00:04:15,160 Speaker 1: it did. 103 00:04:15,520 --> 00:04:16,920 Speaker 2: It did well, it totally did. 104 00:04:16,960 --> 00:04:19,920 Speaker 3: I often remember your improv game that I kind of 105 00:04:19,920 --> 00:04:22,760 Speaker 3: play with myself sometimes that I invented that you invented, 106 00:04:22,760 --> 00:04:24,200 Speaker 3: which is so good. You should stare with people. This 107 00:04:24,279 --> 00:04:26,120 Speaker 3: is just a good way to get your brain working. 108 00:04:26,600 --> 00:04:28,760 Speaker 1: Yes, I invented an improv game called bagage. 109 00:04:28,800 --> 00:04:30,640 Speaker 2: I don't want to play it because it's so embarrassing, 110 00:04:30,640 --> 00:04:31,160 Speaker 2: how bad I am. 111 00:04:31,320 --> 00:04:32,720 Speaker 1: No, no, no, we'd have to play it. But it's 112 00:04:32,720 --> 00:04:35,080 Speaker 1: called bag of Fun. I invented it in you know, 113 00:04:35,120 --> 00:04:36,839 Speaker 1: it's a derivative of other for it. 114 00:04:36,920 --> 00:04:40,840 Speaker 3: Next time I pay, I have to do a couple 115 00:04:40,920 --> 00:04:44,520 Speaker 3: hours past. I'm in a Google doc on this improv game. 116 00:04:44,800 --> 00:04:45,920 Speaker 3: So what's the what's the game? 117 00:04:47,000 --> 00:04:48,720 Speaker 1: I just want to say I did invent this. I 118 00:04:48,760 --> 00:04:50,760 Speaker 1: invented this in like two thousand and four. So if 119 00:04:50,760 --> 00:04:52,880 Speaker 1: you're thinking like, oh, but in twenty sixteen, I did 120 00:04:52,880 --> 00:04:55,040 Speaker 1: this with my college imprograms, no, no, no, no, no, I 121 00:04:55,080 --> 00:04:59,279 Speaker 1: invented this it's called bag of fun, and you're just 122 00:04:59,320 --> 00:05:03,800 Speaker 1: holding a bad and a fake improv bag obviously, and 123 00:05:03,839 --> 00:05:06,000 Speaker 1: you come out and someone goes, hey, what you got there, 124 00:05:06,000 --> 00:05:07,719 Speaker 1: and you go, I have a bag of fun and 125 00:05:07,760 --> 00:05:09,520 Speaker 1: they go what's in the bag of fun? And then 126 00:05:09,560 --> 00:05:11,000 Speaker 1: you just pull something out of the bag and you 127 00:05:11,040 --> 00:05:12,400 Speaker 1: say what it is, and that's the start of it. 128 00:05:12,440 --> 00:05:15,040 Speaker 1: You go, oh, I got it literally anything. I've got 129 00:05:15,080 --> 00:05:18,320 Speaker 1: a carburetor, I've got a toothbrush. And then someone who's 130 00:05:18,400 --> 00:05:20,680 Speaker 1: running the game if you keep doing things that are similar, 131 00:05:20,720 --> 00:05:22,400 Speaker 1: like if I have a car seat and a car 132 00:05:22,440 --> 00:05:24,640 Speaker 1: manual in a car, then you go no car things. 133 00:05:24,720 --> 00:05:26,960 Speaker 1: Then you oh, I've got a dog and a cow, 134 00:05:27,080 --> 00:05:28,680 Speaker 1: and you know, no animals, no, no animal. 135 00:05:28,800 --> 00:05:31,440 Speaker 3: Yeah, just giving you challenges of where your brain can 136 00:05:31,440 --> 00:05:35,120 Speaker 3: go creatively on the fly when you have literally anything 137 00:05:35,120 --> 00:05:35,720 Speaker 3: to choose. 138 00:05:35,520 --> 00:05:37,320 Speaker 1: From, anything to choose from. And then you just start 139 00:05:37,320 --> 00:05:39,800 Speaker 1: giving parameters, which almost makes it easier. You go things 140 00:05:39,800 --> 00:05:42,320 Speaker 1: that start with f y, things that you can find 141 00:05:42,360 --> 00:05:45,000 Speaker 1: in Texas, things that you would find in a classroom, 142 00:05:45,320 --> 00:05:47,960 Speaker 1: and then you can say double time. Then everyone starts 143 00:05:47,960 --> 00:05:50,320 Speaker 1: clapping in your face and you have to go twice 144 00:05:50,320 --> 00:05:52,000 Speaker 1: as fast as you pull out tooth things. You go, 145 00:05:52,240 --> 00:05:55,160 Speaker 1: I've got a cow and a jockstrap. I've got a 146 00:05:57,279 --> 00:06:01,160 Speaker 1: pullover necklace and a pullover sweater and a jockstrack. Yeah, 147 00:06:01,200 --> 00:06:01,800 Speaker 1: this is a very. 148 00:06:01,760 --> 00:06:04,880 Speaker 3: Jotra exercise for me to do because I really, I 149 00:06:04,920 --> 00:06:07,880 Speaker 3: mean people, I do think I'm funny, and I do 150 00:06:08,040 --> 00:06:10,200 Speaker 3: think I'm a great writer, but I need a little 151 00:06:10,200 --> 00:06:10,720 Speaker 3: bit of time. 152 00:06:10,800 --> 00:06:12,160 Speaker 2: And it's not always the like. 153 00:06:12,480 --> 00:06:15,159 Speaker 3: The thing is, it comes up fast when it comes 154 00:06:15,240 --> 00:06:18,440 Speaker 3: up like nothing really, whatever way you write, whether it's 155 00:06:18,440 --> 00:06:20,160 Speaker 3: you come up with something hilarious at a Starbucks in 156 00:06:20,160 --> 00:06:21,839 Speaker 3: front of a computer, or you come up with something 157 00:06:21,880 --> 00:06:24,440 Speaker 3: hilarious on stage, it's still just a thought that shows 158 00:06:24,480 --> 00:06:26,560 Speaker 3: up in your mind. So it doesn't really to me 159 00:06:26,720 --> 00:06:30,440 Speaker 3: where it get, where you get it, it doesn't really matter. 160 00:06:30,520 --> 00:06:32,279 Speaker 3: It's not like that's amazing to come up with something 161 00:06:32,279 --> 00:06:34,200 Speaker 3: on stage, and it's not amazing to come up within 162 00:06:34,240 --> 00:06:37,359 Speaker 3: his Starbucks. It's like the same thing to me anyway. 163 00:06:37,600 --> 00:06:40,000 Speaker 3: But I was really scared to play this game, and 164 00:06:40,040 --> 00:06:43,560 Speaker 3: I still am because my bride brain, Brian, one of 165 00:06:43,560 --> 00:06:45,599 Speaker 3: the worst things that's ever happened to me is when 166 00:06:45,600 --> 00:06:48,280 Speaker 3: my brain like I had to be doing like kind 167 00:06:48,320 --> 00:06:50,960 Speaker 3: of to improv in the moment and a huge audience 168 00:06:51,000 --> 00:06:58,000 Speaker 3: at the iHeart Music Awards and for with Usher and 169 00:06:58,000 --> 00:07:01,160 Speaker 3: and he like handed. I took the mic because he 170 00:07:01,200 --> 00:07:02,720 Speaker 3: was trying to get me to dance, which is humiliating, 171 00:07:02,720 --> 00:07:05,120 Speaker 3: and so I begged him to is this whole story? 172 00:07:05,600 --> 00:07:06,520 Speaker 2: Have I told it before? 173 00:07:07,279 --> 00:07:08,200 Speaker 1: No? I don't think so. 174 00:07:08,960 --> 00:07:10,320 Speaker 2: Oh I should do it after the break. 175 00:07:10,320 --> 00:07:13,080 Speaker 3: But I really I had a moment on stage in 176 00:07:13,120 --> 00:07:16,720 Speaker 3: front of so many people that I care about my 177 00:07:17,240 --> 00:07:21,320 Speaker 3: not looking stupid front and not to mention a gigantic pact. 178 00:07:21,920 --> 00:07:25,320 Speaker 3: Where was it? It was somewhere. It was some center, 179 00:07:25,560 --> 00:07:27,400 Speaker 3: you know, like in front of like thousands of people. 180 00:07:27,400 --> 00:07:29,400 Speaker 3: I mean it's probably a six thousand theater. But like, 181 00:07:29,840 --> 00:07:33,840 Speaker 3: do you recall any moments where your brain completely failed 182 00:07:33,840 --> 00:07:38,240 Speaker 3: you in a situation where you know, Kevin Hart thing 183 00:07:38,240 --> 00:07:39,960 Speaker 3: when I couldn't give what to say? Like do I 184 00:07:40,000 --> 00:07:41,840 Speaker 3: say a movie that is his that I know? 185 00:07:42,040 --> 00:07:42,280 Speaker 2: Or not? 186 00:07:42,440 --> 00:07:45,680 Speaker 3: Like in that moment, and like, I don't like being 187 00:07:45,760 --> 00:07:47,840 Speaker 3: in those positions. They're so painful to me, so I 188 00:07:47,880 --> 00:07:49,560 Speaker 3: try to avoid them at all. Do you have any 189 00:07:49,640 --> 00:07:50,640 Speaker 3: ones that stand out to you? 190 00:07:51,000 --> 00:07:54,080 Speaker 1: It was in the Los Angeles Dolby Theater May twenty seventh, 191 00:07:54,280 --> 00:07:55,120 Speaker 1: twenty twenty one. 192 00:07:55,480 --> 00:07:58,920 Speaker 3: Wow, okay, yes, Dolby Theater. What's the capacity on that? 193 00:08:01,280 --> 00:08:04,320 Speaker 3: For me, Google knows to look up capacity of theaters, 194 00:08:04,360 --> 00:08:04,880 Speaker 3: because that's all. 195 00:08:04,800 --> 00:08:05,200 Speaker 2: I want to know. 196 00:08:05,240 --> 00:08:06,680 Speaker 3: When I type in a theater name that's still in, 197 00:08:06,760 --> 00:08:09,880 Speaker 3: they go, do you mean capacity? And then they know movies. 198 00:08:10,080 --> 00:08:11,360 Speaker 3: If I type in a movie name. 199 00:08:11,400 --> 00:08:13,880 Speaker 2: Running time thirty three hundred. 200 00:08:14,320 --> 00:08:18,400 Speaker 3: Okay, yeah, that's I was not I was half right 201 00:08:19,320 --> 00:08:22,880 Speaker 3: like my dad. Okay, yes, but I don't want to 202 00:08:22,880 --> 00:08:24,600 Speaker 3: get into it. But when have you felt that way? 203 00:08:25,120 --> 00:08:27,240 Speaker 3: And you're like where your brain failed. 204 00:08:27,000 --> 00:08:30,520 Speaker 1: You all the time, which is why in a way that's. 205 00:08:30,360 --> 00:08:32,920 Speaker 3: On a scale similar to that in terms of your life, 206 00:08:32,960 --> 00:08:34,280 Speaker 3: like a big moment. 207 00:08:34,200 --> 00:08:36,280 Speaker 1: Like so I have to downgrade the scale because there's 208 00:08:36,320 --> 00:08:38,200 Speaker 1: no moment where of course what ussher? 209 00:08:38,679 --> 00:08:40,400 Speaker 2: No, no, no, But it's all relative. 210 00:08:41,400 --> 00:08:46,760 Speaker 1: When I interviewed for the Lower Decks that Star Trek 211 00:08:46,800 --> 00:08:49,559 Speaker 1: cartoon in front of the Rick and Morty executive producer 212 00:08:49,600 --> 00:08:51,679 Speaker 1: and the people who made Star Trek Voyager, I fucked 213 00:08:51,720 --> 00:08:55,199 Speaker 1: up that. Wow so bad? How I just well, I 214 00:08:55,240 --> 00:08:58,560 Speaker 1: think I've talked about it before, where I I didn't 215 00:08:58,559 --> 00:09:01,600 Speaker 1: know anything about Star Trek and they asked me but 216 00:09:01,679 --> 00:09:04,640 Speaker 1: there was also moments in that interview where I just 217 00:09:04,760 --> 00:09:06,920 Speaker 1: totally like it was also because I was dealing with 218 00:09:07,000 --> 00:09:10,560 Speaker 1: like psychosomatic brain fog symptoms and I was so so 219 00:09:10,600 --> 00:09:13,200 Speaker 1: that happens to me a lot. And I was just 220 00:09:13,240 --> 00:09:16,160 Speaker 1: sitting there and they were like, what's your favorite cartoon? 221 00:09:16,800 --> 00:09:19,600 Speaker 1: And I just like got like really small. I got 222 00:09:19,679 --> 00:09:22,760 Speaker 1: really small in the couch and I was like, well, 223 00:09:23,080 --> 00:09:25,400 Speaker 1: I don't want to say. I really felt like I 224 00:09:25,480 --> 00:09:29,160 Speaker 1: sounded like that, Oh God, I don't want to say, 225 00:09:29,360 --> 00:09:29,880 Speaker 1: and then. 226 00:09:30,040 --> 00:09:32,240 Speaker 2: Oh, no, it sounds like a character. 227 00:09:32,960 --> 00:09:35,680 Speaker 1: And the answer really at the time was Rick and Morty, 228 00:09:36,000 --> 00:09:38,040 Speaker 1: And I felt weird saying Rick and Morty because the 229 00:09:38,080 --> 00:09:39,480 Speaker 1: guy who executive produced Rick and. 230 00:09:39,400 --> 00:09:41,280 Speaker 2: Morty is one who that guy is dying for you 231 00:09:41,320 --> 00:09:41,680 Speaker 2: to say. 232 00:09:43,760 --> 00:09:48,040 Speaker 1: Here's how embarrassing it. Here's what happened. I go, I 233 00:09:48,080 --> 00:09:51,560 Speaker 1: don't want to say, and then the guy goes just 234 00:09:51,800 --> 00:09:54,880 Speaker 1: say it, and that made it even more embarrassing because 235 00:09:54,880 --> 00:09:57,080 Speaker 1: he knew what I was gonna say. He knew I 236 00:09:57,120 --> 00:10:00,360 Speaker 1: was being sheepish. And I really thought I had a 237 00:10:00,440 --> 00:10:04,600 Speaker 1: chance to get that job because I had a pre interview. 238 00:10:04,920 --> 00:10:07,440 Speaker 1: This is the second round, Oh damn, and my first 239 00:10:07,440 --> 00:10:08,880 Speaker 1: interview was just with the. 240 00:10:08,840 --> 00:10:10,680 Speaker 2: EP, you already had it in your mind. 241 00:10:11,040 --> 00:10:12,920 Speaker 1: Yes, I had it in my mind. And my interview 242 00:10:13,000 --> 00:10:16,079 Speaker 1: with just the EP of Rick and Morty went so well. 243 00:10:16,160 --> 00:10:18,680 Speaker 1: It went. We started talking just about like life and 244 00:10:18,720 --> 00:10:21,600 Speaker 1: death in that interview, it got it got way beyond 245 00:10:21,640 --> 00:10:24,200 Speaker 1: like what's your experience. And then when I showed up 246 00:10:24,240 --> 00:10:26,320 Speaker 1: for the second interview, I was sitting in the waiting 247 00:10:26,400 --> 00:10:28,520 Speaker 1: room and uh, they were like, we got to call 248 00:10:28,559 --> 00:10:32,920 Speaker 1: in the next candidate. And then the EP goes, oh, 249 00:10:33,000 --> 00:10:36,880 Speaker 1: Brian like he was like joking around with me, Oh wow, 250 00:10:36,960 --> 00:10:40,560 Speaker 1: and then he was so like loose with me. Yeah 251 00:10:40,640 --> 00:10:42,800 Speaker 1: that the the Star Trek people said, oh, do you 252 00:10:42,880 --> 00:10:43,640 Speaker 1: know him already? 253 00:10:43,840 --> 00:10:47,160 Speaker 3: Well, this is so relatable, like feeling just this is 254 00:10:47,200 --> 00:10:49,680 Speaker 3: like after a good first date and you're like already 255 00:10:49,720 --> 00:10:52,000 Speaker 3: there your boyfriend in your head and like you're just 256 00:10:52,400 --> 00:10:54,720 Speaker 3: you got it locked down and then you just. 257 00:10:55,240 --> 00:10:57,960 Speaker 2: Did shit shit and I ate shit. 258 00:10:58,480 --> 00:11:00,640 Speaker 3: You story like this too that I want you to 259 00:11:00,640 --> 00:11:01,960 Speaker 3: tell somebody that was so good. 260 00:11:02,520 --> 00:11:05,600 Speaker 1: Yeah, well the Daily Show. Yeah, well yeah, I mean 261 00:11:05,600 --> 00:11:07,480 Speaker 1: there's that too. I mean that those are the two 262 00:11:07,600 --> 00:11:11,200 Speaker 1: biggest like regretful career moments in my life. Fucking up 263 00:11:11,200 --> 00:11:12,640 Speaker 1: those two interviews. 264 00:11:12,200 --> 00:11:14,040 Speaker 2: But you know, like it led you to where you are. 265 00:11:14,080 --> 00:11:15,800 Speaker 3: Is there any part of you that like realizes that 266 00:11:15,840 --> 00:11:17,920 Speaker 3: now and says, oh, I'm grateful I didn't get that 267 00:11:18,040 --> 00:11:19,680 Speaker 3: job because I goes that way. 268 00:11:19,800 --> 00:11:22,600 Speaker 1: If I got the Daily Show in when was that, 269 00:11:22,679 --> 00:11:25,720 Speaker 1: like twenty fifteen, it was the first year that Trevor 270 00:11:25,720 --> 00:11:28,959 Speaker 1: Noah was the host. I my life would be completely different. 271 00:11:29,000 --> 00:11:30,800 Speaker 1: I'd still be in New York probably, but. 272 00:11:30,760 --> 00:11:31,720 Speaker 2: You wouldn't have met Ali. 273 00:11:32,520 --> 00:11:34,800 Speaker 1: No, I wouldn't have I wouldn't have worked on your show. 274 00:11:35,320 --> 00:11:38,120 Speaker 3: Yeah, I mean like your life, Yeah, we wouldn't. I 275 00:11:38,160 --> 00:11:39,800 Speaker 3: would still know you because I knew you at that point, 276 00:11:39,840 --> 00:11:42,640 Speaker 3: but yeah, yvery everything would be so different. 277 00:11:42,880 --> 00:11:44,760 Speaker 1: Who knows, maybe it would have been better. I don't know. 278 00:11:45,000 --> 00:11:46,680 Speaker 2: It has hard to imagine. 279 00:11:46,920 --> 00:11:50,640 Speaker 1: Yeah, I mean, maybe. 280 00:11:49,160 --> 00:11:51,120 Speaker 2: Throw in your life to see what that life would 281 00:11:51,160 --> 00:11:53,760 Speaker 2: have been like right now? Would you? 282 00:11:53,880 --> 00:11:56,320 Speaker 1: No? No, Because you know, I know people who write 283 00:11:56,320 --> 00:11:58,960 Speaker 1: for The Daily Show, and now that John Stewart's back, 284 00:11:59,000 --> 00:12:02,040 Speaker 1: it's a lot like more like fun, but like it 285 00:12:02,080 --> 00:12:04,000 Speaker 1: does become like how am I going to get out 286 00:12:04,040 --> 00:12:05,720 Speaker 1: of here? It's like writing for SNL. If you write 287 00:12:05,720 --> 00:12:07,840 Speaker 1: for it for too long, well, man, I eventually you're like, 288 00:12:07,880 --> 00:12:08,760 Speaker 1: how do I get out of this? 289 00:12:09,160 --> 00:12:11,360 Speaker 3: Yeah, it's it's such an honor to I think that 290 00:12:11,440 --> 00:12:16,040 Speaker 3: probably the best part of getting jobs is when you get. 291 00:12:15,880 --> 00:12:17,480 Speaker 2: The call that you've got it before you have to 292 00:12:17,480 --> 00:12:18,040 Speaker 2: start doing it. 293 00:12:18,360 --> 00:12:20,120 Speaker 3: That's always as it is for me, because then the 294 00:12:20,120 --> 00:12:22,520 Speaker 3: pressure's on and the pressure don't stop till it's over. 295 00:12:22,559 --> 00:12:24,440 Speaker 3: And if you get a writing job, that pressure is 296 00:12:24,480 --> 00:12:28,160 Speaker 3: never over and I can't mine get released. You know, 297 00:12:28,160 --> 00:12:30,760 Speaker 3: the roast happens, and I perform, and then it's done 298 00:12:30,800 --> 00:12:32,560 Speaker 3: and I get to like, oh, And I'm sure that's 299 00:12:32,559 --> 00:12:34,280 Speaker 3: what writers feel like when they get to go on 300 00:12:34,480 --> 00:12:37,560 Speaker 3: these breaks eventually and let loose. But it's like they 301 00:12:37,600 --> 00:12:40,360 Speaker 3: know what's looming, whereas I don't really know what's looming 302 00:12:40,400 --> 00:12:42,600 Speaker 3: next in terms of hard work, Like I see some stuff, 303 00:12:42,640 --> 00:12:45,800 Speaker 3: but I can't I don't know the exact people involved 304 00:12:45,880 --> 00:12:46,839 Speaker 3: or whatever it is, and so. 305 00:12:46,800 --> 00:12:48,160 Speaker 2: That would be really hard. 306 00:12:48,480 --> 00:12:50,400 Speaker 3: Yeah, But so it in nine to five where you 307 00:12:50,400 --> 00:12:52,360 Speaker 3: see the same people everywhere every day. 308 00:12:52,960 --> 00:12:55,480 Speaker 1: That's what I keep reminding myself every time. I feel like, 309 00:12:56,400 --> 00:12:58,880 Speaker 1: I am so lucky to be married to someone who 310 00:12:58,920 --> 00:13:02,080 Speaker 1: has a regular job, because every day I see someone 311 00:13:02,080 --> 00:13:05,880 Speaker 1: who has to suffer through these endless zoom calls with 312 00:13:06,040 --> 00:13:11,040 Speaker 1: bullshit people talking about bullshit things for fucking all day 313 00:13:11,160 --> 00:13:14,560 Speaker 1: Monday through Friday, having to go into an office. It's 314 00:13:14,640 --> 00:13:17,520 Speaker 1: I'm so lucky. I feel like the. 315 00:13:18,040 --> 00:13:22,600 Speaker 3: DJ is soul sucking desk jobs. Oh yeah, doubles DJs. Yeah, 316 00:13:22,600 --> 00:13:26,240 Speaker 3: and people we know, you know, most listeners have them. Yeah, 317 00:13:26,720 --> 00:13:29,320 Speaker 3: or they're stuck at home with their kids all day long. Sure, 318 00:13:29,440 --> 00:13:32,320 Speaker 3: shout out to those people too. Speaking of, but there's 319 00:13:32,320 --> 00:13:35,160 Speaker 3: an out because your kids eventually grow up. No one 320 00:13:35,240 --> 00:13:38,200 Speaker 3: sees retirement really in the future, and it's just like 321 00:13:38,240 --> 00:13:38,760 Speaker 3: this till like. 322 00:13:38,720 --> 00:13:41,320 Speaker 1: So far off and well nowadays you can't even retire 323 00:13:41,360 --> 00:13:45,800 Speaker 1: you don't make enough money. But speaking of, I. 324 00:13:45,800 --> 00:13:47,640 Speaker 2: Think only rich people can retire. 325 00:13:48,640 --> 00:13:50,160 Speaker 1: Yeah, that's true, like athletes. 326 00:13:50,200 --> 00:13:53,319 Speaker 3: You hear that word in athletics, but because they're forced 327 00:13:53,320 --> 00:13:54,400 Speaker 3: because of their bones or. 328 00:13:54,360 --> 00:13:58,520 Speaker 1: If you're Daniel da Lewis, I yeah, he retired. He 329 00:13:58,559 --> 00:14:00,680 Speaker 1: did Phantom Thread, which was pretty good. 330 00:14:01,440 --> 00:14:03,760 Speaker 2: And yeah, Phantom Thread was amazing. 331 00:14:04,440 --> 00:14:06,679 Speaker 1: He's it's it's amazing because he's in it. 332 00:14:06,720 --> 00:14:08,400 Speaker 2: I think, oh, yeah, it was. It was. 333 00:14:09,040 --> 00:14:10,600 Speaker 1: His counterpart was also good. 334 00:14:11,840 --> 00:14:13,000 Speaker 2: Yeah, she was good. They were sick. 335 00:14:13,040 --> 00:14:15,240 Speaker 3: It was like a relationship based on taking care of 336 00:14:15,400 --> 00:14:16,520 Speaker 3: a person with the other person's release. 337 00:14:16,800 --> 00:14:19,400 Speaker 1: Yeah. The reason why I didn't love it was because 338 00:14:19,400 --> 00:14:22,960 Speaker 1: I found it until the very very end of Phantom Thread. 339 00:14:23,240 --> 00:14:25,960 Speaker 1: I found it to be predictable because it's just it's 340 00:14:26,000 --> 00:14:29,880 Speaker 1: like misery. It's a classic unhealthy to any A Graham type. 341 00:14:29,920 --> 00:14:31,240 Speaker 2: I forget the very very end. 342 00:14:31,800 --> 00:14:34,040 Speaker 1: Yeah, well, the very very end is kind of surprising, 343 00:14:34,520 --> 00:14:37,320 Speaker 1: and Daniel day Lewis at his best that that face. 344 00:14:38,760 --> 00:14:40,360 Speaker 2: I might have to revisit it then because of this 345 00:14:40,480 --> 00:14:41,960 Speaker 2: end is quite surprising. I don't remember. 346 00:14:42,400 --> 00:14:44,240 Speaker 1: The very very end is quite surprising. 347 00:14:44,320 --> 00:14:45,640 Speaker 2: Does it involve soup. 348 00:14:47,200 --> 00:14:50,520 Speaker 1: And involves mushrooms? Ah? 349 00:14:50,640 --> 00:14:53,720 Speaker 3: Yes, I think I remember it. They try and they 350 00:14:53,760 --> 00:14:55,840 Speaker 3: go to Fish at the Sphere. 351 00:14:56,240 --> 00:14:58,360 Speaker 1: They go to Fish at the Sphere and Daniel day 352 00:14:58,400 --> 00:15:01,640 Speaker 1: Lewis takes a and throws it into the sphere and 353 00:15:01,640 --> 00:15:04,680 Speaker 1: the spear splits open, and I was like, this is. 354 00:15:04,600 --> 00:15:07,160 Speaker 2: Such a cool graphic for the you two show that 355 00:15:07,200 --> 00:15:07,600 Speaker 2: we saw. 356 00:15:07,960 --> 00:15:12,120 Speaker 1: Oh god, amazing. They could have done anything. 357 00:15:11,960 --> 00:15:14,240 Speaker 3: And I got to go back to the sphere. I 358 00:15:14,640 --> 00:15:17,040 Speaker 3: am I'm not swearing the sphere off. 359 00:15:17,520 --> 00:15:19,800 Speaker 1: No, No, we can't swear. We can't because it's it 360 00:15:19,880 --> 00:15:20,360 Speaker 1: is cool. 361 00:15:20,360 --> 00:15:22,240 Speaker 3: Believe I didn't go back last I guess the Grateful 362 00:15:22,280 --> 00:15:24,160 Speaker 3: Dead were their last time and I was performing with Nights. 363 00:15:24,160 --> 00:15:25,560 Speaker 3: I was there, but I should have extended it to 364 00:15:25,560 --> 00:15:27,080 Speaker 3: see what was. I got to check what's at the 365 00:15:27,120 --> 00:15:28,720 Speaker 3: Sphere next time, because I'm gonna give the Sphere a 366 00:15:28,720 --> 00:15:29,320 Speaker 3: second chance. 367 00:15:29,480 --> 00:15:30,120 Speaker 2: I'm gonna get. 368 00:15:30,040 --> 00:15:32,040 Speaker 1: If not the Sphere's fault, the Sphere is now. 369 00:15:32,680 --> 00:15:35,200 Speaker 2: You know, the amazing screens is miss Taylor Swift. 370 00:15:35,240 --> 00:15:37,760 Speaker 3: I'm so excited to go see her screens because it's 371 00:15:38,120 --> 00:15:41,680 Speaker 3: some of it's transcendent and like and this new stuff 372 00:15:41,680 --> 00:15:44,680 Speaker 3: for the Tortured Poets that's in her live stuff. The 373 00:15:44,760 --> 00:15:47,360 Speaker 3: new album that she's added to the Era's tour is 374 00:15:48,080 --> 00:15:50,400 Speaker 3: so graphics are so good, and she does this really 375 00:15:50,400 --> 00:15:53,000 Speaker 3: cool thing with this. I'm gonna swift out for a second. 376 00:15:53,000 --> 00:15:54,280 Speaker 3: I know you don't care, but like, I just have 377 00:15:54,320 --> 00:15:56,080 Speaker 3: to let this out. I'm so excited to see it 378 00:15:56,080 --> 00:15:57,840 Speaker 3: because I'm about to see her five times in Europe 379 00:15:57,920 --> 00:15:59,120 Speaker 3: and I can't wait to see. 380 00:15:59,440 --> 00:16:00,000 Speaker 1: So where you going. 381 00:16:01,440 --> 00:16:05,920 Speaker 3: I'm going to Dublin, then I'm to Amsterdam, and then 382 00:16:05,960 --> 00:16:09,280 Speaker 3: I'm gonna do Amsterdam three times, and I go to 383 00:16:09,400 --> 00:16:11,920 Speaker 3: Zurich and ended on Zurich, but I would be going 384 00:16:11,960 --> 00:16:14,720 Speaker 3: two times in Dublin and two times in Zurich, except 385 00:16:14,760 --> 00:16:16,720 Speaker 3: I have a gig that got booked before I got 386 00:16:16,760 --> 00:16:17,960 Speaker 3: these tickets, so I couldn't get out of. 387 00:16:17,960 --> 00:16:19,760 Speaker 2: It, which I'm excited to do because I don't need 388 00:16:19,800 --> 00:16:21,320 Speaker 2: to see your six times. I only needs your five, 389 00:16:21,640 --> 00:16:25,240 Speaker 2: okay now in America America that I'm flying straight from. 390 00:16:25,280 --> 00:16:28,280 Speaker 3: I'm going straight from Arizona to Dublin to meet my 391 00:16:28,320 --> 00:16:30,360 Speaker 3: parents and then we're going to see Taylor that you know. 392 00:16:30,600 --> 00:16:33,280 Speaker 1: So your parents are going with you to Europe. 393 00:16:33,200 --> 00:16:33,840 Speaker 2: Yes, and so. 394 00:16:34,560 --> 00:16:36,960 Speaker 3: And I'm taking my mom to every show, all five 395 00:16:37,000 --> 00:16:38,920 Speaker 3: and then my dad is going to go at least one, 396 00:16:38,960 --> 00:16:40,680 Speaker 3: and I think he'll probably be like, I'm not going 397 00:16:40,680 --> 00:16:42,480 Speaker 3: to two. And so I think Chris is flying into 398 00:16:42,560 --> 00:16:46,600 Speaker 3: Zurich to go to the other one and where Switzerland, Switzerland, 399 00:16:46,920 --> 00:16:50,400 Speaker 3: which I just kind of found out. It wasn't really 400 00:16:50,480 --> 00:16:52,440 Speaker 3: clear on that. But that's only one. I have an 401 00:16:52,480 --> 00:16:55,960 Speaker 3: actual ticket to the other four kind of in in 402 00:16:56,920 --> 00:16:59,320 Speaker 3: I think I'm like ninety nine percent sure they're good 403 00:16:59,320 --> 00:17:00,840 Speaker 3: to go, but I'm a little bit worried because they're 404 00:17:00,840 --> 00:17:03,600 Speaker 3: not in my hand yet. So I'm going over there 405 00:17:03,600 --> 00:17:05,159 Speaker 3: a little bit like, Okay, this might just be a 406 00:17:05,200 --> 00:17:07,760 Speaker 3: trip to Ireland where everyone's dressed in swift stuff and 407 00:17:07,760 --> 00:17:09,680 Speaker 3: I'm not going to the show, but I will sell 408 00:17:09,720 --> 00:17:12,000 Speaker 3: some my body to get in that night. There's no 409 00:17:12,000 --> 00:17:15,639 Speaker 3: way I won't go. I'll find some way. It might 410 00:17:15,640 --> 00:17:18,320 Speaker 3: be the first time I've ever turned tricks. Yeah, but no, 411 00:17:18,359 --> 00:17:20,359 Speaker 3: you can't buy one online. There's none available for the 412 00:17:20,400 --> 00:17:23,240 Speaker 3: Dublin shows to buy. Second, I think it's really a 413 00:17:23,240 --> 00:17:24,760 Speaker 3: good thing going to get one. 414 00:17:25,240 --> 00:17:27,320 Speaker 2: I will. I have an in with I get. 415 00:17:27,920 --> 00:17:31,520 Speaker 3: I buy special tickets that are for like it's it's 416 00:17:31,600 --> 00:17:34,240 Speaker 3: a thing, a connection I got that gets lets me 417 00:17:34,280 --> 00:17:38,679 Speaker 3: buy regular price seats in certain sections and so but 418 00:17:38,680 --> 00:17:41,919 Speaker 3: it's through like every every new city has a different 419 00:17:42,040 --> 00:17:44,200 Speaker 3: third party kind of managing that ticket situation. 420 00:17:44,280 --> 00:17:45,800 Speaker 2: So I got a call from an irishman the other 421 00:17:45,880 --> 00:17:46,679 Speaker 2: day and he's. 422 00:17:46,560 --> 00:17:48,960 Speaker 3: Like, so, I've got you down for you know, three 423 00:17:49,000 --> 00:17:52,639 Speaker 3: tickets on the twenty ninth and then two on the thirtieth. 424 00:17:52,640 --> 00:17:54,359 Speaker 3: And I was like, it's actually gonna be no tickets 425 00:17:54,359 --> 00:17:55,760 Speaker 3: on the twenty ninth. And I was like, and I'll 426 00:17:55,760 --> 00:17:57,520 Speaker 3: take two on the thirty if that that's all you have. 427 00:17:57,600 --> 00:17:59,360 Speaker 3: But I would love to have three for the thirty 428 00:17:59,440 --> 00:18:01,159 Speaker 3: fifth if possible, and he was like, oh, we can 429 00:18:01,240 --> 00:18:03,440 Speaker 3: make that happen. I'll call you right back. And I'm like, really, 430 00:18:03,520 --> 00:18:05,320 Speaker 3: oh my god, great, okay, well, I'll be on my phone. 431 00:18:05,359 --> 00:18:06,960 Speaker 3: So he's like, we'll call you on right back from 432 00:18:06,960 --> 00:18:07,359 Speaker 3: this number. 433 00:18:07,400 --> 00:18:08,840 Speaker 2: And then they haven't called me back and it was 434 00:18:08,880 --> 00:18:11,560 Speaker 2: a day ago, and so I'm just like, yeah, and 435 00:18:11,600 --> 00:18:13,399 Speaker 2: if you call them back, it's just not a it's 436 00:18:13,440 --> 00:18:14,000 Speaker 2: an operating thing. 437 00:18:14,040 --> 00:18:16,199 Speaker 3: So I'm just like, he sounded very nice. He sounded 438 00:18:16,240 --> 00:18:19,199 Speaker 3: in control, and I'm going to trust that her. What 439 00:18:19,359 --> 00:18:21,479 Speaker 3: she has going on there, they don't fuck around. They 440 00:18:21,520 --> 00:18:23,399 Speaker 3: hire the best people and it's gonna get done. So 441 00:18:23,440 --> 00:18:30,639 Speaker 3: I'm not worried, but I will. Yeah. But anyway, so 442 00:18:31,000 --> 00:18:33,320 Speaker 3: there's just this great moment that she has with her 443 00:18:33,359 --> 00:18:36,960 Speaker 3: screen where it's like, because the the lyric is like 444 00:18:37,240 --> 00:18:40,040 Speaker 3: and I leap from from the why can't I think 445 00:18:40,040 --> 00:18:43,960 Speaker 3: of the I levitates down your street crash the party 446 00:18:44,040 --> 00:18:46,119 Speaker 3: like she's talking about, and I leap from the I 447 00:18:46,200 --> 00:18:49,080 Speaker 3: leap from the gallows in I levitate down your street 448 00:18:49,359 --> 00:18:53,080 Speaker 3: and crash the party like a circus freak, as I shriek, 449 00:18:53,320 --> 00:18:56,240 Speaker 3: who's afraid of little old me. But okay, So the 450 00:18:56,280 --> 00:18:58,680 Speaker 3: graphic has this girl like levitating out of a window 451 00:18:58,720 --> 00:19:00,960 Speaker 3: and then going down the street, and then Taylor in 452 00:19:01,040 --> 00:19:04,119 Speaker 3: that moment like leans on this pole that she's able 453 00:19:04,119 --> 00:19:06,360 Speaker 3: to like lean forward Michael Jackson's style, you know, where 454 00:19:06,600 --> 00:19:08,879 Speaker 3: her legs are back, and it looks like she's literally 455 00:19:08,960 --> 00:19:12,520 Speaker 3: levitating in the same way the art on the screen does. 456 00:19:12,560 --> 00:19:14,960 Speaker 1: And it looks so fucking cool. 457 00:19:14,680 --> 00:19:15,760 Speaker 2: And I'm so excited. 458 00:19:16,359 --> 00:19:18,480 Speaker 3: And when we get back, we are going to talk 459 00:19:18,520 --> 00:19:23,600 Speaker 3: about Travis showing up on stage with Taylor because I 460 00:19:23,600 --> 00:19:25,960 Speaker 3: I don't have time to do a special Taylor Swift episode, 461 00:19:26,240 --> 00:19:28,280 Speaker 3: Gush says, So I'm gonna fit some in here, which 462 00:19:28,280 --> 00:19:30,560 Speaker 3: I already have and I appreciate Brian free listening, so 463 00:19:30,560 --> 00:19:34,600 Speaker 3: it will be right right back up with this. All right, 464 00:19:34,640 --> 00:19:43,359 Speaker 3: we're back, So, h Taylor Swift on stage this weekend. Travis, 465 00:19:43,520 --> 00:19:45,679 Speaker 3: do you find out about did you know that this happened? 466 00:19:46,560 --> 00:19:47,399 Speaker 1: No? 467 00:19:47,400 --> 00:19:49,680 Speaker 2: No, you are you on? Have you been on Instagram 468 00:19:49,720 --> 00:19:50,520 Speaker 2: the past three days? 469 00:19:51,000 --> 00:19:52,480 Speaker 1: But I'm on the same Instagram as you. 470 00:19:52,800 --> 00:19:56,080 Speaker 3: Isn't that so interesting because it is literally as if 471 00:19:56,119 --> 00:19:58,520 Speaker 3: the president just got shot. In terms of how many 472 00:19:58,600 --> 00:20:01,520 Speaker 3: videos I have and footage and people talking about it. 473 00:20:01,520 --> 00:20:02,199 Speaker 2: I'm not kidding you. 474 00:20:02,240 --> 00:20:04,919 Speaker 3: It is like it's a global phenomenon to me, And 475 00:20:04,920 --> 00:20:06,879 Speaker 3: so I obviously didn't think you were getting all that 476 00:20:06,880 --> 00:20:08,760 Speaker 3: I'm getting. I'm not that I've gotten nothing, but I 477 00:20:08,760 --> 00:20:11,000 Speaker 3: thought you would at least have heard one or two things. 478 00:20:10,840 --> 00:20:14,119 Speaker 1: About I'm getting served right now. Is the hawk Tua girl? 479 00:20:15,000 --> 00:20:17,000 Speaker 3: Yes, she's getting served to me, but not as much. 480 00:20:17,040 --> 00:20:19,720 Speaker 3: I was slightly late to that. What about the Stanley Cup. 481 00:20:19,760 --> 00:20:21,320 Speaker 3: I'm not seeing anything on my feet about that, but 482 00:20:21,320 --> 00:20:22,840 Speaker 3: that seemed like a big deal last night, and I 483 00:20:22,840 --> 00:20:25,400 Speaker 3: was like, interesting that I'm not getting any news. 484 00:20:25,840 --> 00:20:28,720 Speaker 1: No, yeah, I don't get any hockey news news. I 485 00:20:28,760 --> 00:20:32,080 Speaker 1: get the most esoteric football news, which is weird that 486 00:20:32,119 --> 00:20:34,440 Speaker 1: I'm not getting the Travis Kelcey thing. 487 00:20:34,480 --> 00:20:39,440 Speaker 3: Timberlake's d U I was September eleventh, to my phone, 488 00:20:40,320 --> 00:20:43,520 Speaker 3: it was, it really was. I got I got an 489 00:20:43,920 --> 00:20:46,240 Speaker 3: amber alert sound to it like that. No, that his 490 00:20:46,600 --> 00:20:50,000 Speaker 3: arrest was like did you see my post on my story? 491 00:20:50,040 --> 00:20:52,639 Speaker 3: It was like seven posts in a row of his face. Wow, 492 00:20:52,680 --> 00:20:56,080 Speaker 3: on my story or on my feed, on my main feed. 493 00:20:56,160 --> 00:20:57,600 Speaker 3: It's like they know what I want. 494 00:20:57,680 --> 00:20:59,240 Speaker 1: They interrupted your programming. 495 00:20:59,400 --> 00:21:01,960 Speaker 3: But okay, so so Taylor's it's a big deal to us. 496 00:21:01,960 --> 00:21:04,840 Speaker 3: Swifty's Brian because Taylor Swift just for the first time 497 00:21:05,040 --> 00:21:09,000 Speaker 3: tagged Travis in a post, which is like, obviously they've 498 00:21:09,000 --> 00:21:10,919 Speaker 3: been together, but that's like the official, like he's my 499 00:21:11,080 --> 00:21:12,639 Speaker 3: man kind of thing. It was like happened the other 500 00:21:12,720 --> 00:21:14,959 Speaker 3: night when the Royal family came to see her in Wembley, 501 00:21:15,000 --> 00:21:16,280 Speaker 3: and so she tagged him on a post and I 502 00:21:16,280 --> 00:21:17,720 Speaker 3: guess that was a big deal. I didn't notice it, 503 00:21:17,760 --> 00:21:19,240 Speaker 3: but in hindsight, people were like. 504 00:21:19,359 --> 00:21:21,000 Speaker 2: This was a big weekend for them. 505 00:21:21,280 --> 00:21:23,760 Speaker 3: So then the next night she's on stage and she 506 00:21:23,840 --> 00:21:27,120 Speaker 3: does this whole song the Smallest Man who Ever Lived, 507 00:21:27,119 --> 00:21:29,080 Speaker 3: which the Smallest Man who Ever lived Bridge, which I've 508 00:21:29,080 --> 00:21:31,360 Speaker 3: been complaining about on the gush Fest, is the thing 509 00:21:31,400 --> 00:21:34,679 Speaker 3: I wanted to sing with. Any bestie who ever had 510 00:21:34,720 --> 00:21:36,520 Speaker 3: a meet and greet and wanted to sing the Smallest 511 00:21:36,520 --> 00:21:37,920 Speaker 3: Man who Ever lived with. 512 00:21:37,920 --> 00:21:40,119 Speaker 2: Me Bridge, I would do it. I didn't realize how 513 00:21:40,160 --> 00:21:40,639 Speaker 2: long it is. 514 00:21:40,800 --> 00:21:42,080 Speaker 3: So I did have a girl take me up on 515 00:21:42,080 --> 00:21:45,280 Speaker 3: this this weekend and it was so fun and it's 516 00:21:45,320 --> 00:21:49,760 Speaker 3: on my TikTok but y TikTok. Yeah, I'm posting on 517 00:21:49,800 --> 00:21:51,440 Speaker 3: tich A lot of things are happening on TikTok. I 518 00:21:51,480 --> 00:21:53,520 Speaker 3: don't even know what's happening over there because my friend 519 00:21:53,600 --> 00:21:56,000 Speaker 3: Emily is running it. She works for my social media 520 00:21:56,040 --> 00:21:58,080 Speaker 3: company and she's amazing and I trust her, and so 521 00:21:58,119 --> 00:22:00,360 Speaker 3: she just films me and makes videos and I don't 522 00:22:00,400 --> 00:22:02,919 Speaker 3: even watch them. I'm just like, I'm kind of watching 523 00:22:03,000 --> 00:22:05,640 Speaker 3: some of them because they're actually really funny and random. 524 00:22:05,640 --> 00:22:07,800 Speaker 3: But she just shoots like slice of life stuff and 525 00:22:07,800 --> 00:22:08,560 Speaker 3: then puts it together. 526 00:22:08,600 --> 00:22:10,760 Speaker 1: And so, do you have people following you filming you 527 00:22:10,800 --> 00:22:11,520 Speaker 1: on the road now? 528 00:22:12,800 --> 00:22:14,240 Speaker 2: I did this weekend for the first time. 529 00:22:14,680 --> 00:22:18,679 Speaker 1: Yeah, hold on on, Okay, let's put a pin in 530 00:22:18,680 --> 00:22:21,120 Speaker 1: that and talk about the Taylor Swift thing first. Yeah. 531 00:22:21,160 --> 00:22:24,159 Speaker 3: So yeah, anyway, so I filmed a reaction video to 532 00:22:24,200 --> 00:22:25,959 Speaker 3: watching it actually that I think is up on TikTok 533 00:22:26,000 --> 00:22:28,240 Speaker 3: as well. But so I waited to watch it because 534 00:22:28,240 --> 00:22:29,520 Speaker 3: I'm getting all the news alerts and I'm like, oh, 535 00:22:29,520 --> 00:22:31,240 Speaker 3: this will be good to film a reaction shot because 536 00:22:31,720 --> 00:22:34,480 Speaker 3: my passion right now is watching people react to Taylor Swift. 537 00:22:34,600 --> 00:22:36,440 Speaker 3: It's like, I know, as a Swift ye, it's kind 538 00:22:36,440 --> 00:22:38,359 Speaker 3: of a there's a group of us who like to 539 00:22:38,359 --> 00:22:39,840 Speaker 3: watch this shit. So I was like, oh, I'll make 540 00:22:39,880 --> 00:22:43,240 Speaker 3: some reaction stuff. So I watched it, but with sitting 541 00:22:43,240 --> 00:22:45,480 Speaker 3: with it for a while, it's okay. So she sings 542 00:22:45,480 --> 00:22:47,359 Speaker 3: the Smallest Man who Ever lived, and she at the 543 00:22:47,440 --> 00:22:50,479 Speaker 3: end of it, she she's pretty much marching to battle 544 00:22:50,680 --> 00:22:52,919 Speaker 3: to be like with waving a white flag, being like, 545 00:22:53,080 --> 00:22:55,360 Speaker 3: I want to save this relationship. I still love you 546 00:22:55,440 --> 00:22:58,560 Speaker 3: even though you're like and why did you end it? 547 00:22:58,600 --> 00:23:00,120 Speaker 3: I don't even want you back. I just want to know. 548 00:23:00,200 --> 00:23:02,119 Speaker 3: Like she's kind of like, I guess she's surrendering. I 549 00:23:02,119 --> 00:23:03,440 Speaker 3: know I'm never gonna get you back, but give me 550 00:23:03,480 --> 00:23:07,800 Speaker 3: some fucking answersrender. Yeah, she's so, she's but I'm wondering 551 00:23:07,800 --> 00:23:10,120 Speaker 3: what she's surrendering to, Like she's surrendering to the fact 552 00:23:10,119 --> 00:23:12,000 Speaker 3: that it's she's never gonna get him back, or so 553 00:23:12,160 --> 00:23:14,280 Speaker 3: I don't know what it is, and that she doesn't 554 00:23:14,280 --> 00:23:17,040 Speaker 3: even want him back, but she still wants to know. 555 00:23:17,160 --> 00:23:21,440 Speaker 3: If you know, was wrecking my was wrecking my I'm 556 00:23:21,720 --> 00:23:23,560 Speaker 3: mixing up the lyrics girls because for some reason I 557 00:23:23,560 --> 00:23:25,359 Speaker 3: can't think of them when i'm it's not playing. But 558 00:23:25,600 --> 00:23:27,479 Speaker 3: was was wrecking my sparkling summer? 559 00:23:27,800 --> 00:23:28,520 Speaker 2: Was that the goal? 560 00:23:28,960 --> 00:23:30,640 Speaker 3: And I don't even want you back. I just want 561 00:23:30,720 --> 00:23:34,520 Speaker 3: to know. Uh, I just now I'm fucking out. Paul 562 00:23:34,560 --> 00:23:36,520 Speaker 3: Lyrics and Swifties are so disappointed me. But anyway, so 563 00:23:36,520 --> 00:23:38,720 Speaker 3: the bridge is, she's finally she's marching to battle and 564 00:23:38,760 --> 00:23:41,399 Speaker 3: then she gets shot and then she's like, oh and 565 00:23:41,440 --> 00:23:43,240 Speaker 3: she It's so dramatic, it's so amazing. 566 00:23:43,320 --> 00:23:44,119 Speaker 2: I can't wait to see it. 567 00:23:44,200 --> 00:23:47,280 Speaker 3: I literally I'm going to It's gonna be the most 568 00:23:47,960 --> 00:23:50,320 Speaker 3: excited my body has ever felt in my life seeing 569 00:23:50,600 --> 00:23:53,040 Speaker 3: this bridge for the first time live and then five 570 00:23:53,080 --> 00:23:54,800 Speaker 3: times in a row. I don't I think it's gonna 571 00:23:54,800 --> 00:23:57,040 Speaker 3: be our gasmic to watch because I'm so obsessed with it. 572 00:23:57,080 --> 00:23:59,399 Speaker 3: So she gets shot once and then she's like and 573 00:23:59,400 --> 00:24:01,480 Speaker 3: then she is you know. Then she falls to her 574 00:24:01,560 --> 00:24:04,400 Speaker 3: knees and she's like begging him, like what's going on? 575 00:24:04,520 --> 00:24:08,080 Speaker 3: And it doesn't but it also doesn't matter, and she's like, 576 00:24:09,960 --> 00:24:13,880 Speaker 3: and I'll forget why, you know, I forget anyway, It's 577 00:24:13,920 --> 00:24:15,560 Speaker 3: it lends on her. Sorry, I'm all over the place 578 00:24:15,600 --> 00:24:20,360 Speaker 3: because now I'm so embarrassed. I can't remember the fucking lyrics. 579 00:24:20,400 --> 00:24:21,000 Speaker 2: I really am. 580 00:24:21,080 --> 00:24:25,440 Speaker 3: But then she falls down and she goes, uh, I'll 581 00:24:25,840 --> 00:24:29,440 Speaker 3: forget but I'll never forgive the smallest man whoever lived. 582 00:24:29,480 --> 00:24:31,560 Speaker 3: And she then she dies and so then after that 583 00:24:31,920 --> 00:24:34,480 Speaker 3: her these guys like in circus costumes come and pick 584 00:24:34,560 --> 00:24:37,520 Speaker 3: her up. Yeah, and she's like literally like roof like 585 00:24:37,560 --> 00:24:39,640 Speaker 3: she looks like she's roofied, like she's limp and it's 586 00:24:39,680 --> 00:24:42,119 Speaker 3: so cool because it's yeah, and then they pick her 587 00:24:42,160 --> 00:24:44,280 Speaker 3: up and then they carry her back to this platform 588 00:24:44,520 --> 00:24:46,520 Speaker 3: and then the music kind of shifts and she starts. 589 00:24:46,560 --> 00:24:48,800 Speaker 3: They start getting her dressed because she has another performance, 590 00:24:49,200 --> 00:24:51,800 Speaker 3: and they kind of like they're like doing funny things 591 00:24:51,800 --> 00:24:53,840 Speaker 3: with her hands and they're like keep flying like picking 592 00:24:53,880 --> 00:24:55,200 Speaker 3: her up, like you've got to get dressed, and they're 593 00:24:55,240 --> 00:24:57,280 Speaker 3: dressing her for this next thing. It's not a sexual thing. 594 00:24:57,280 --> 00:24:59,480 Speaker 3: It's really just like she's just like, no. 595 00:24:59,359 --> 00:24:59,760 Speaker 2: I don't want to. 596 00:25:00,040 --> 00:25:01,280 Speaker 3: She kind of wakes up and she's like I don't 597 00:25:01,280 --> 00:25:03,480 Speaker 3: want to go, and they're like you gotta go. Come on, snap, snap, 598 00:25:03,520 --> 00:25:04,960 Speaker 3: and they kind of do a dance to shore, like 599 00:25:05,040 --> 00:25:07,159 Speaker 3: put on your smile, and she's like I don't want to, 600 00:25:07,400 --> 00:25:09,200 Speaker 3: and then they push her out and then she's like, oh, 601 00:25:09,200 --> 00:25:10,840 Speaker 3: fighting it, and then she just turns on a dime 602 00:25:10,880 --> 00:25:11,320 Speaker 3: and is like. 603 00:25:11,480 --> 00:25:13,439 Speaker 2: I can read your mind. 604 00:25:13,480 --> 00:25:15,000 Speaker 3: And then she sings a song I Can Do It 605 00:25:15,040 --> 00:25:17,399 Speaker 3: with a broken Heart about performing when you're depressed and 606 00:25:17,400 --> 00:25:19,399 Speaker 3: when you're broken up with and sad, and then she 607 00:25:19,480 --> 00:25:22,280 Speaker 3: hits her mark and she's killing it. But that part, 608 00:25:23,240 --> 00:25:25,760 Speaker 3: Travis Kelcey comes out and he's the one that carries 609 00:25:25,800 --> 00:25:28,520 Speaker 3: her back, and he's the one that's telling her like, 610 00:25:28,520 --> 00:25:30,199 Speaker 3: you gotta dance like this, and you can do it, 611 00:25:30,320 --> 00:25:32,400 Speaker 3: come on, do it, and then he powders her face 612 00:25:32,440 --> 00:25:34,440 Speaker 3: at the end, which was all the Swifti's figured out 613 00:25:34,600 --> 00:25:37,440 Speaker 3: is a reference to the line about how the color 614 00:25:37,520 --> 00:25:39,480 Speaker 3: drained from her face from all these guys. There's a 615 00:25:39,480 --> 00:25:41,679 Speaker 3: lot of lyrics about the color in her face with 616 00:25:41,720 --> 00:25:44,200 Speaker 3: this one relationship and how it changed, and then she's 617 00:25:44,240 --> 00:25:46,240 Speaker 3: talking about her next love and how they put the 618 00:25:46,240 --> 00:25:48,399 Speaker 3: color back into her face, and so he puts blush 619 00:25:48,400 --> 00:25:49,879 Speaker 3: on her face. So we're like, oh my god, this 620 00:25:50,040 --> 00:25:52,199 Speaker 3: fucking poet. She even made her boyfriend do like a 621 00:25:52,200 --> 00:25:54,399 Speaker 3: comedy thing that involved a reference to the lyric. 622 00:25:54,760 --> 00:25:55,400 Speaker 2: She's so good. 623 00:25:55,680 --> 00:25:57,680 Speaker 3: And then he's the one that pushes her out there 624 00:25:57,960 --> 00:26:00,320 Speaker 3: and it's so cute, and all the videos there's like 625 00:26:00,359 --> 00:26:02,240 Speaker 3: a moment where you know, he's playing a character of 626 00:26:02,280 --> 00:26:04,960 Speaker 3: like a guy getting hit this doll ready to perform, 627 00:26:05,080 --> 00:26:06,480 Speaker 3: but at one point he goes to like put the 628 00:26:06,520 --> 00:26:08,159 Speaker 3: blush on her, and he like goes he with his 629 00:26:08,240 --> 00:26:10,840 Speaker 3: other hand, he almost touches her waist, but then he realizes, 630 00:26:10,880 --> 00:26:13,000 Speaker 3: like he's that's not the character, but he's so used 631 00:26:13,040 --> 00:26:15,640 Speaker 3: to like touching her waist that it's so cute, and like, 632 00:26:16,160 --> 00:26:19,120 Speaker 3: I'm just like, I I love that they did this. 633 00:26:19,200 --> 00:26:21,960 Speaker 3: I wonder what led what was the discussion that led to, 634 00:26:22,080 --> 00:26:25,760 Speaker 3: like what if you came on stage with me? Like 635 00:26:25,800 --> 00:26:27,879 Speaker 3: who pitched it? I mean, I know it was mastermind, 636 00:26:27,880 --> 00:26:29,679 Speaker 3: I know miss Swift came up with it, but like 637 00:26:29,720 --> 00:26:31,679 Speaker 3: I want to know that conversation of like would you 638 00:26:31,720 --> 00:26:34,000 Speaker 3: do it? And he's like yeah, I'd be down, and 639 00:26:34,040 --> 00:26:36,280 Speaker 3: she's like, yeah, we could do it, So then you'd 640 00:26:36,400 --> 00:26:39,280 Speaker 3: oh and then you'd maybe do my makeup. Hmm wait, 641 00:26:39,359 --> 00:26:41,120 Speaker 3: maybe you could put blush on me because the color 642 00:26:41,119 --> 00:26:41,920 Speaker 3: back into my face. 643 00:26:41,920 --> 00:26:43,000 Speaker 2: Oh my god, this is so good. 644 00:26:43,119 --> 00:26:45,439 Speaker 3: And I could see her like churning up ideas and 645 00:26:45,480 --> 00:26:47,760 Speaker 3: he's like I'm down, and then he fucked by the way, 646 00:26:47,760 --> 00:26:50,960 Speaker 3: he fucking nailed it, Like he gave such a great performance. 647 00:26:51,000 --> 00:26:52,879 Speaker 3: Would love to see this guy on Broadway. Like he 648 00:26:52,920 --> 00:26:56,520 Speaker 3: can act. He was comedic, he was prince charming. It 649 00:26:56,600 --> 00:26:59,120 Speaker 3: was just such a good look for him. He shined 650 00:26:59,160 --> 00:27:01,320 Speaker 3: like a star and then he let her go shine 651 00:27:01,359 --> 00:27:02,880 Speaker 3: like a star. And then there was footage of him 652 00:27:02,920 --> 00:27:05,000 Speaker 3: watching her later and just being so in awe of her, 653 00:27:05,040 --> 00:27:08,760 Speaker 3: And it was just a great weekend to be a swift. Ye. 654 00:27:09,520 --> 00:27:11,719 Speaker 1: Yeah, it's Tess. You ever had a boyfriend on stage 655 00:27:11,720 --> 00:27:14,200 Speaker 1: before with other musicians and no. 656 00:27:14,200 --> 00:27:16,200 Speaker 3: I mean she's performed live with John Mayer and people 657 00:27:16,200 --> 00:27:18,359 Speaker 3: speculate maybe they were like talking at that point, but 658 00:27:18,359 --> 00:27:21,720 Speaker 3: that doesn't count. Like there's never been this like playful, 659 00:27:21,880 --> 00:27:25,919 Speaker 3: we're together energy performing together. I mean, that's insane, it's 660 00:27:26,160 --> 00:27:32,119 Speaker 3: serous and I'm so excited about it. Wild it's so cute, 661 00:27:32,160 --> 00:27:34,680 Speaker 3: And that's exactly the kind of thing like I liked. 662 00:27:34,720 --> 00:27:36,880 Speaker 3: I know what she's feeling, like, like it's so fun 663 00:27:36,880 --> 00:27:40,479 Speaker 3: to perform with your boyfriend who you're in love with 664 00:27:40,520 --> 00:27:42,920 Speaker 3: and like be like, I've done that before with Chris 665 00:27:42,960 --> 00:27:44,359 Speaker 3: and I get to do it so frequently and it 666 00:27:44,400 --> 00:27:46,199 Speaker 3: makes it so much more fun and it makes it 667 00:27:46,240 --> 00:27:48,199 Speaker 3: so much better when your boyfriend is there at the 668 00:27:48,200 --> 00:27:50,160 Speaker 3: show like you just are more dazzling. 669 00:27:50,200 --> 00:27:52,600 Speaker 2: I know, I always am sure. I hope he's at 670 00:27:52,640 --> 00:27:53,480 Speaker 2: the Dublin show. 671 00:27:53,640 --> 00:27:57,200 Speaker 1: You like being watched, Yeah, I do. 672 00:27:57,280 --> 00:28:02,280 Speaker 3: I like I like when someone is going, wow, she's amazing, 673 00:28:04,240 --> 00:28:05,959 Speaker 3: like not even laughing. I just want people to be 674 00:28:06,000 --> 00:28:10,520 Speaker 3: like wow, I think that's the is that my god? 675 00:28:10,560 --> 00:28:10,679 Speaker 1: Did? 676 00:28:10,720 --> 00:28:11,320 Speaker 2: I just yeah? 677 00:28:11,359 --> 00:28:11,520 Speaker 1: Ah? 678 00:28:11,720 --> 00:28:12,520 Speaker 2: I want awe. 679 00:28:12,800 --> 00:28:17,600 Speaker 1: Yeah. You want people that you know look at her thinking, 680 00:28:17,800 --> 00:28:19,920 Speaker 1: oh this is really sad. 681 00:28:19,920 --> 00:28:20,639 Speaker 2: That's the worst. 682 00:28:22,400 --> 00:28:25,120 Speaker 1: Oh god, no, the worst. There's worse than all. There's 683 00:28:25,160 --> 00:28:25,760 Speaker 1: worse than all. 684 00:28:26,920 --> 00:28:27,840 Speaker 2: Ah. 685 00:28:27,880 --> 00:28:30,560 Speaker 3: There's lots of odds you can get of like, oh fuck, 686 00:28:30,560 --> 00:28:33,640 Speaker 3: I can't believe she said that. Oh I I feel 687 00:28:33,640 --> 00:28:35,320 Speaker 3: sorry for you. I've definitely gotten the all. 688 00:28:35,680 --> 00:28:37,399 Speaker 1: But it's worse than that. It's worse. 689 00:28:37,840 --> 00:28:43,480 Speaker 3: The worst thing you can get, I can't even think 690 00:28:43,480 --> 00:28:44,000 Speaker 3: of what it is. 691 00:28:44,160 --> 00:28:47,040 Speaker 1: The worst thing you can get is silence where they 692 00:28:47,040 --> 00:28:49,560 Speaker 1: don't even really know what to say. Dude, after the 693 00:28:49,600 --> 00:28:52,400 Speaker 1: show's over, and you're like you want them to say 694 00:28:52,600 --> 00:28:54,240 Speaker 1: that was that was a rough one, or you want 695 00:28:54,280 --> 00:28:55,560 Speaker 1: them to say like that was amazing, and. 696 00:28:55,560 --> 00:28:58,400 Speaker 2: They said nothing after and not during the joke. 697 00:28:59,200 --> 00:29:02,480 Speaker 1: Yeah, like after usually it's after, but just like that 698 00:29:02,600 --> 00:29:04,840 Speaker 1: I don't even really know what I say because we're 699 00:29:04,880 --> 00:29:05,880 Speaker 1: both thinking the same thing. 700 00:29:05,960 --> 00:29:07,080 Speaker 2: I get the fuck out of there. 701 00:29:07,240 --> 00:29:08,960 Speaker 3: I've never had a set where I can't look people 702 00:29:08,960 --> 00:29:10,560 Speaker 3: in the eye afterwards, and if I do, I just go, 703 00:29:10,640 --> 00:29:13,360 Speaker 3: that was horrible, And I tell everything they don't have to, 704 00:29:13,440 --> 00:29:15,120 Speaker 3: and I yeah, I bring. 705 00:29:15,000 --> 00:29:17,960 Speaker 1: The no no or they say and they go, oh no. 706 00:29:17,960 --> 00:29:19,000 Speaker 2: They go that crowd sucked. 707 00:29:19,360 --> 00:29:21,960 Speaker 3: Yeah it was you know this room, the laughs get 708 00:29:21,960 --> 00:29:22,719 Speaker 3: caught in the carpet. 709 00:29:22,720 --> 00:29:25,640 Speaker 2: I'm like, no, they didn't. They got caught inside. 710 00:29:25,720 --> 00:29:27,600 Speaker 1: Keep it full of flatties right now. 711 00:29:27,520 --> 00:29:32,000 Speaker 3: Because I didn't get them out. Yeah. Yes, there's always 712 00:29:32,040 --> 00:29:33,840 Speaker 3: something to blame. Toddglass used to say, like when you 713 00:29:34,200 --> 00:29:36,600 Speaker 3: go into a club every club weekend, like there's always 714 00:29:36,600 --> 00:29:38,520 Speaker 3: an excuse why the numbers aren't good. They're like, oh, 715 00:29:38,560 --> 00:29:41,720 Speaker 3: the fairs in town this weekend, Like you're completing with 716 00:29:41,760 --> 00:29:44,240 Speaker 3: the fair. There's always a fair in town, the Strawberry Festival. 717 00:29:44,320 --> 00:29:47,000 Speaker 3: You know, that's why. Don't don't take it personally, which 718 00:29:47,000 --> 00:29:48,000 Speaker 3: is a nice thing for them to say. 719 00:29:48,000 --> 00:29:50,800 Speaker 2: I mean, sometimes could just make you fair rain this morning. 720 00:29:51,040 --> 00:29:51,400 Speaker 1: Whatever. 721 00:29:52,200 --> 00:29:54,480 Speaker 2: No, there's always an excuse why it's not you. Sometimes 722 00:29:54,520 --> 00:29:58,360 Speaker 2: it is you, you know, sometimes and that's. 723 00:29:58,240 --> 00:30:01,400 Speaker 1: Okay, you're just fizzling and you're not good for that, 724 00:30:01,480 --> 00:30:03,640 Speaker 1: for that for that region. 725 00:30:04,040 --> 00:30:05,280 Speaker 2: I heard this girl Aurora. 726 00:30:05,360 --> 00:30:07,600 Speaker 3: She's like a musician that I heard on Stern once 727 00:30:07,640 --> 00:30:09,720 Speaker 3: and I really haven't looked into her since, but she's 728 00:30:09,800 --> 00:30:14,160 Speaker 3: very like ethereal and like maybe she just like seems 729 00:30:14,200 --> 00:30:16,600 Speaker 3: of this of space. 730 00:30:16,560 --> 00:30:17,640 Speaker 2: Like from another planet. 731 00:30:18,160 --> 00:30:21,320 Speaker 3: Had a thunburgie but like pop star but just and 732 00:30:21,360 --> 00:30:24,440 Speaker 3: she was talking. She's Norwegian too, so maybe that's it too. 733 00:30:24,520 --> 00:30:25,240 Speaker 3: She has the you. 734 00:30:25,200 --> 00:30:29,240 Speaker 1: Know, she's got a weird accent accents, but she sings. 735 00:30:29,040 --> 00:30:31,440 Speaker 3: Beautifully and she has this really good David Bowie cover 736 00:30:31,640 --> 00:30:34,880 Speaker 3: of ground control. So maybe that's why I think of 737 00:30:34,920 --> 00:30:36,680 Speaker 3: space when I think of she the only. 738 00:30:39,000 --> 00:30:44,440 Speaker 1: Now I can now it's making sense. She literally then 739 00:30:44,520 --> 00:30:45,400 Speaker 1: I heard her talking. 740 00:30:45,600 --> 00:30:47,160 Speaker 3: I haven't heard of her for years, but I just 741 00:30:47,200 --> 00:30:48,920 Speaker 3: saw a clip that was like she was like they 742 00:30:48,920 --> 00:30:49,760 Speaker 3: were like, but who are you? 743 00:30:49,840 --> 00:30:51,800 Speaker 2: And she's like, I don't care who I am. It 744 00:30:51,840 --> 00:30:53,560 Speaker 2: doesn't matter. It's not up to me who I am. 745 00:30:53,560 --> 00:30:55,840 Speaker 2: I am not. I can be anyone any day, I 746 00:30:55,840 --> 00:30:57,840 Speaker 2: can change any time. I can be impressive one day, 747 00:30:57,880 --> 00:30:59,880 Speaker 2: I can be disappointing the next I can be some 748 00:31:00,120 --> 00:31:02,520 Speaker 2: who does something very bad, and then someone who does goes, 749 00:31:02,640 --> 00:31:04,720 Speaker 2: I don't want to do that anymore. Every day I'm 750 00:31:04,760 --> 00:31:06,760 Speaker 2: someone who this is none of my business who I am. 751 00:31:06,800 --> 00:31:08,320 Speaker 3: It was something like that, and I was kind of like, 752 00:31:08,680 --> 00:31:13,560 Speaker 3: that's an interesting concept that enough psychedelics might get into 753 00:31:13,720 --> 00:31:17,280 Speaker 3: and deprivation tanks or how do I get there? 754 00:31:17,520 --> 00:31:18,280 Speaker 2: And do I want to be? 755 00:31:18,440 --> 00:31:20,320 Speaker 1: You're gonna take a bunch of shrooms and d MT 756 00:31:20,560 --> 00:31:23,280 Speaker 1: and release yourself from your ego. And I think people 757 00:31:23,320 --> 00:31:25,600 Speaker 1: like that are quite frankly and sufferable. 758 00:31:26,400 --> 00:31:29,080 Speaker 3: Yeah, I liked I would like to be around this girl, 759 00:31:29,200 --> 00:31:31,240 Speaker 3: But I also like someone who has a lot of 760 00:31:31,320 --> 00:31:33,480 Speaker 3: humility and a little bit of shame about themselves because 761 00:31:33,480 --> 00:31:36,000 Speaker 3: it makes them a little more interesting to me, and 762 00:31:36,320 --> 00:31:37,720 Speaker 3: you know, you want to be around. 763 00:31:37,640 --> 00:31:39,840 Speaker 1: Yeah, But she's like saying, like, I don't even she 764 00:31:40,240 --> 00:31:42,760 Speaker 1: doesn't have an identity. When you talk to her, you're 765 00:31:42,800 --> 00:31:43,840 Speaker 1: not talking to a person. 766 00:31:44,920 --> 00:31:46,960 Speaker 2: She gets it because it is true. We're all like 767 00:31:47,120 --> 00:31:48,960 Speaker 2: just machines, all have. 768 00:31:50,440 --> 00:31:52,720 Speaker 1: Yes, well, you and her will get along. I would 769 00:31:52,760 --> 00:31:55,520 Speaker 1: be like, can you just stop. I would think she's 770 00:31:55,560 --> 00:31:59,040 Speaker 1: an act because it makes her feel superior to everyone 771 00:31:59,040 --> 00:32:01,520 Speaker 1: else to be like I'm beyond ego and it's like, well, 772 00:32:01,520 --> 00:32:02,760 Speaker 1: aren't you fucking special? 773 00:32:03,160 --> 00:32:06,360 Speaker 2: Yeah, that's a good point. I don't know. 774 00:32:06,440 --> 00:32:08,400 Speaker 3: I don't really encounter that many people like that, and 775 00:32:08,440 --> 00:32:10,240 Speaker 3: I guess there's a reason for that because they probably 776 00:32:10,280 --> 00:32:15,080 Speaker 3: are insufferable. But I was thinking about Yeah, so like 777 00:32:15,200 --> 00:32:18,920 Speaker 3: just that, I guess the clips I'm being sent on Instagram, 778 00:32:19,720 --> 00:32:22,360 Speaker 3: I really now I'm gonna pay attention to this because 779 00:32:22,480 --> 00:32:24,840 Speaker 3: I don't like the fact that you did not even 780 00:32:24,880 --> 00:32:27,640 Speaker 3: see that Travis Taylor thing, because it's all I saw, 781 00:32:27,640 --> 00:32:29,480 Speaker 3: and that's not fair that that's all they're giving me. 782 00:32:29,640 --> 00:32:32,080 Speaker 2: What did you like? What am I missing out on? 783 00:32:32,360 --> 00:32:34,600 Speaker 3: And do I I just bought the Washington Post because 784 00:32:34,600 --> 00:32:38,200 Speaker 3: I'm like, stop, Nikki, stop not paying fifty dollars a 785 00:32:38,320 --> 00:32:42,800 Speaker 3: year because there's a paywall support journalism read news Like 786 00:32:43,280 --> 00:32:46,560 Speaker 3: I'm like, I'm I'm done not paying for I'm gonna 787 00:32:46,560 --> 00:32:49,040 Speaker 3: buy every fucking magazine now that anytime there's a paywall, 788 00:32:49,040 --> 00:32:52,440 Speaker 3: I'm buying it. If it's like a good institution of journalism, 789 00:32:52,480 --> 00:32:52,880 Speaker 3: I have to. 790 00:32:53,080 --> 00:32:55,160 Speaker 1: Yeah, I get that. That's been happening to me a 791 00:32:55,200 --> 00:32:57,200 Speaker 1: lot too, And it's like you used to get it 792 00:32:57,240 --> 00:32:59,440 Speaker 1: for free on the Internet. And I think that's why 793 00:32:59,520 --> 00:33:01,560 Speaker 1: the put back is there, because you're like, wait, now 794 00:33:01,600 --> 00:33:03,280 Speaker 1: you're going to make me pay three dollars, and it's 795 00:33:03,320 --> 00:33:06,560 Speaker 1: like it's three dollars, whereas if it was always three 796 00:33:06,600 --> 00:33:09,520 Speaker 1: dollars you would have you would be like whatever, who cares? 797 00:33:09,840 --> 00:33:12,560 Speaker 2: Yeah, and it should be people need to make a 798 00:33:12,600 --> 00:33:13,440 Speaker 2: fucking living writing. 799 00:33:13,640 --> 00:33:15,240 Speaker 1: Yeah, it makes sense. I don't know if it's I 800 00:33:15,240 --> 00:33:17,080 Speaker 1: don't know if it's worth what they're charging, like if 801 00:33:17,320 --> 00:33:21,800 Speaker 1: it's a sustainable uh business, but we need it. It's 802 00:33:21,880 --> 00:33:25,200 Speaker 1: requirement for democracy is the press, the free press? 803 00:33:25,400 --> 00:33:28,600 Speaker 2: Yeah, why isn't a tax support? Why isn't it like 804 00:33:28,920 --> 00:33:30,120 Speaker 2: tax supported. 805 00:33:30,040 --> 00:33:36,120 Speaker 1: Like public Well, there's NPR, there's PBS. No, the BBC, 806 00:33:36,440 --> 00:33:40,600 Speaker 1: which is BBC, which is publicly supported in the UK, 807 00:33:40,960 --> 00:33:44,120 Speaker 1: is the most trusted news source out of any news 808 00:33:44,120 --> 00:33:45,760 Speaker 1: source regulated. 809 00:33:45,800 --> 00:33:47,480 Speaker 2: If the government does pay for it. 810 00:33:48,560 --> 00:33:52,920 Speaker 1: They just have honor. They just don't. They don't. BBCs 811 00:33:53,080 --> 00:33:55,400 Speaker 1: is perceived as in the latest polls. 812 00:33:55,520 --> 00:33:57,760 Speaker 3: How do they let them have honor if they're controlling 813 00:33:57,920 --> 00:33:58,960 Speaker 3: the pucket book. 814 00:33:58,800 --> 00:34:02,280 Speaker 1: Because they're not in they're not for profit. Their goal 815 00:34:02,400 --> 00:34:05,480 Speaker 1: is not to shock you or to appease you. 816 00:34:05,880 --> 00:34:08,920 Speaker 3: I'm just saying if the government is paying for something. Yeah, 817 00:34:08,960 --> 00:34:10,799 Speaker 3: the government seems to be like, I want it done 818 00:34:10,800 --> 00:34:13,040 Speaker 3: the way I want to do it. So I how 819 00:34:13,080 --> 00:34:14,520 Speaker 3: does that not get corrupt? 820 00:34:15,200 --> 00:34:17,359 Speaker 1: I'm sure it's a little bit corrupt. 821 00:34:17,680 --> 00:34:19,600 Speaker 3: But yeah, Like the government is going to just be like, 822 00:34:19,640 --> 00:34:21,680 Speaker 3: we're gonna let the road guys build the roads where 823 00:34:21,680 --> 00:34:23,960 Speaker 3: they want to build them. No, we're going to tell 824 00:34:24,000 --> 00:34:26,719 Speaker 3: them that this is the highway we want and the 825 00:34:26,760 --> 00:34:27,840 Speaker 3: direction we wanted to go in. 826 00:34:28,000 --> 00:34:30,080 Speaker 1: I mean, you got to imagine that everyone's corrupt and 827 00:34:30,120 --> 00:34:32,400 Speaker 1: the whole world's corrupt, and the BBC is no different, 828 00:34:32,440 --> 00:34:34,760 Speaker 1: but they do at least perceive themselves as just delivering 829 00:34:34,760 --> 00:34:38,520 Speaker 1: the facts and not delivering all of this extra analysis 830 00:34:38,560 --> 00:34:40,080 Speaker 1: that kind of pushes you towards. 831 00:34:40,200 --> 00:34:44,239 Speaker 2: Words that can make you completely feel differently about the thing. 832 00:34:44,640 --> 00:34:46,120 Speaker 1: Yes, yeah, and no comments. 833 00:34:46,200 --> 00:34:48,520 Speaker 3: I love when a news organization doesn't have a common section, 834 00:34:48,640 --> 00:34:53,279 Speaker 3: like mostly because they don't have any subscribers to generate discourse. 835 00:34:53,760 --> 00:34:56,799 Speaker 3: But I like not like looking for comments and I'll go, no, oh, 836 00:34:56,800 --> 00:34:58,400 Speaker 3: you don't get any. Nikki has to make your own 837 00:34:58,440 --> 00:35:01,680 Speaker 3: opinion up about this one. What are you gonna do, Nikky? 838 00:35:02,160 --> 00:35:04,400 Speaker 1: You try to find that crutch of the comments like 839 00:35:04,400 --> 00:35:06,319 Speaker 1: I'm not sure what a feel it, and then you 840 00:35:06,360 --> 00:35:08,319 Speaker 1: try to find them when there's on your back. I 841 00:35:08,320 --> 00:35:09,400 Speaker 1: gotta do it myself. 842 00:35:09,760 --> 00:35:11,920 Speaker 3: Yeah, I go to Reddit and I go which which 843 00:35:12,680 --> 00:35:14,520 Speaker 3: place do I trust to discuss this? 844 00:35:15,080 --> 00:35:16,960 Speaker 2: Like who's talking about this right now? Yeah? 845 00:35:16,960 --> 00:35:20,600 Speaker 3: It's like which is good? You seek what other people? Like, 846 00:35:20,640 --> 00:35:23,800 Speaker 3: what's the cultural thought about this? But it is interesting, 847 00:35:23,920 --> 00:35:27,120 Speaker 3: like we're talking about actually the Will Smith slap the 848 00:35:27,160 --> 00:35:30,440 Speaker 3: other night and how like we each on our own 849 00:35:30,760 --> 00:35:32,840 Speaker 3: were like we were all like alone when that happened. 850 00:35:32,880 --> 00:35:34,799 Speaker 3: It was kind of late at night most people were 851 00:35:35,120 --> 00:35:37,400 Speaker 3: when they saw it live, and like what your initial 852 00:35:37,520 --> 00:35:40,160 Speaker 3: thought was? And then then you start just in who 853 00:35:40,200 --> 00:35:42,440 Speaker 3: you called first, and like how did you process that 854 00:35:43,040 --> 00:35:45,439 Speaker 3: insane insane thing? 855 00:35:45,920 --> 00:35:49,200 Speaker 1: Yeah, I mean Bad Boys Too is out now, So 856 00:35:49,360 --> 00:35:51,080 Speaker 1: I think Will Smith's been forgiven. 857 00:35:51,400 --> 00:35:53,840 Speaker 3: Oh yeah, it's that's all. It just takes a little 858 00:35:53,840 --> 00:35:56,840 Speaker 3: bit of time. Yeah, but everyone can come back. Jt' 859 00:35:57,320 --> 00:35:59,799 Speaker 3: he's gonna be a He's gonna be better than he ever. 860 00:36:00,440 --> 00:36:03,440 Speaker 1: I fucking hope. So, because I am really I am 861 00:36:03,480 --> 00:36:06,600 Speaker 1: really anti driving under the influence. I think if you 862 00:36:06,680 --> 00:36:08,839 Speaker 1: do that time you should have your head cut off. 863 00:36:09,400 --> 00:36:09,760 Speaker 2: Well. 864 00:36:10,600 --> 00:36:15,279 Speaker 3: I also empathize with addicts that don't have the abilities 865 00:36:15,640 --> 00:36:17,640 Speaker 3: to make good decisions because they have a disease, and 866 00:36:17,719 --> 00:36:21,359 Speaker 3: unfortunately that disease can land them behind a wheel. And 867 00:36:21,400 --> 00:36:24,080 Speaker 3: we would have compassion for other people's diseases that made 868 00:36:24,120 --> 00:36:26,319 Speaker 3: them do crazy things, But alcoholism seems to be like 869 00:36:26,760 --> 00:36:28,719 Speaker 3: it's your You're in control of it, and a lot 870 00:36:28,760 --> 00:36:30,359 Speaker 3: of people aren't. So I do have empathy if that's 871 00:36:30,400 --> 00:36:33,040 Speaker 3: the way this is going. Also think it's the worst 872 00:36:33,040 --> 00:36:34,520 Speaker 3: thing ever. And if you're rich enough, you should have 873 00:36:34,560 --> 00:36:36,359 Speaker 3: a plan in place that if I ever drink, I 874 00:36:36,400 --> 00:36:39,839 Speaker 3: don't drive. Yeah, but you know, he could be just 875 00:36:39,880 --> 00:36:41,560 Speaker 3: like pulling back a little bit and trying to make 876 00:36:41,600 --> 00:36:42,879 Speaker 3: cuts budget cuts here and there. 877 00:36:42,920 --> 00:36:44,200 Speaker 2: We don't know what his life is like. 878 00:36:44,600 --> 00:36:46,920 Speaker 1: Yeah he's got a fifty seven. 879 00:36:47,040 --> 00:36:49,040 Speaker 2: Dollar Uber black. 880 00:36:50,360 --> 00:36:53,440 Speaker 3: But yeah, what were we saying about JT or what 881 00:36:53,560 --> 00:36:55,359 Speaker 3: was I think it was saying something before him? 882 00:36:56,239 --> 00:36:59,320 Speaker 1: Yeah that they just getting your ideas from the comments 883 00:36:59,320 --> 00:37:01,840 Speaker 1: section and going on Reddit and finding out where I 884 00:37:01,920 --> 00:37:02,520 Speaker 1: gotta just. 885 00:37:02,480 --> 00:37:04,480 Speaker 3: Get new things up in there. I don't want to 886 00:37:04,480 --> 00:37:09,080 Speaker 3: see any more facial surgery suggestions. 887 00:37:09,200 --> 00:37:12,040 Speaker 1: Yeah, you're your algorithm is now getting boring, So all 888 00:37:12,080 --> 00:37:12,760 Speaker 1: you have to do. 889 00:37:12,880 --> 00:37:15,440 Speaker 2: Is going boring, it's getting it's ruining. 890 00:37:16,280 --> 00:37:18,360 Speaker 1: Yeah, you're in a you're targetting. 891 00:37:17,920 --> 00:37:19,680 Speaker 2: Me in a way that I'm like, it's bullying me. 892 00:37:20,760 --> 00:37:24,000 Speaker 1: You're in an echo chamber, just like everybody else. The 893 00:37:24,000 --> 00:37:25,720 Speaker 1: way you get out of the echo chamber is easy. 894 00:37:26,200 --> 00:37:28,360 Speaker 2: Oh no, no, Will Smith's slap. I want to know 895 00:37:28,400 --> 00:37:29,839 Speaker 2: where you were, That's what I was talking about. 896 00:37:29,840 --> 00:37:31,680 Speaker 1: Oh where I was? I was just I was with 897 00:37:31,680 --> 00:37:33,000 Speaker 1: my wife. I think I was sitting. 898 00:37:33,120 --> 00:37:34,920 Speaker 2: Did you think it was a bit at first? That's 899 00:37:34,480 --> 00:37:35,400 Speaker 2: what it was. 900 00:37:35,560 --> 00:37:37,640 Speaker 1: With my wife because she was texting me about it, like, 901 00:37:37,680 --> 00:37:39,880 Speaker 1: can you believe that you just that that just happened. 902 00:37:40,040 --> 00:37:42,960 Speaker 1: I don't know where I was when this, but I 903 00:37:43,000 --> 00:37:46,000 Speaker 1: do remember thinking I'm on Chris rock side no matter 904 00:37:46,040 --> 00:37:46,719 Speaker 1: what happens. 905 00:37:46,440 --> 00:37:48,000 Speaker 2: Because I did you think it was a bit at first? 906 00:37:48,120 --> 00:37:48,640 Speaker 2: Is my question? 907 00:37:49,080 --> 00:37:51,200 Speaker 1: Right? I definitely felt like it was. It must be 908 00:37:51,280 --> 00:37:52,520 Speaker 1: a bit at first, But then. 909 00:37:52,400 --> 00:37:54,000 Speaker 2: The slap was how many seconds? 910 00:37:55,320 --> 00:37:59,120 Speaker 1: Five seconds? Because Chris Rocks after the slap, After the slap, 911 00:37:59,200 --> 00:38:02,520 Speaker 1: when he's walking up there, I'm like, this is a bit. Obviously, 912 00:38:02,760 --> 00:38:03,800 Speaker 1: there's no way that this is. 913 00:38:03,800 --> 00:38:05,799 Speaker 3: There was not one second I thought it was a bit, 914 00:38:05,840 --> 00:38:07,120 Speaker 3: And I don't know why. I'm proud of that, but 915 00:38:07,160 --> 00:38:11,040 Speaker 3: I just knew not one second. I can't believe people 916 00:38:11,120 --> 00:38:14,239 Speaker 3: even did because for me, maybe let's say it was 917 00:38:14,280 --> 00:38:17,560 Speaker 3: one second. Instantly I go, this is bomb, this is 918 00:38:17,600 --> 00:38:20,560 Speaker 3: not good. Yeah, and neither of these people would ever 919 00:38:20,640 --> 00:38:22,520 Speaker 3: allow something not this not good to happen. 920 00:38:22,719 --> 00:38:24,360 Speaker 2: I was just like this, this can't happen. 921 00:38:24,880 --> 00:38:27,840 Speaker 1: Yeah. Well, the audience certainly was tricked because the audience 922 00:38:27,920 --> 00:38:31,720 Speaker 1: was still laughing even after the slap, which is really 923 00:38:32,000 --> 00:38:35,200 Speaker 1: that's crazy that you can see like an assault happened 924 00:38:35,200 --> 00:38:36,560 Speaker 1: and be like ha ha ha No. 925 00:38:36,600 --> 00:38:38,360 Speaker 3: Because I think a lot of people thought it was 926 00:38:38,440 --> 00:38:41,840 Speaker 3: a bit an even post slap for a while. 927 00:38:41,719 --> 00:38:44,160 Speaker 1: But you see a real slap. I mean that was 928 00:38:44,200 --> 00:38:45,520 Speaker 1: a vicious slap. 929 00:38:45,880 --> 00:38:46,160 Speaker 2: Yeah. 930 00:38:46,200 --> 00:38:48,640 Speaker 1: Even if it was a bit, it's like will like chill, 931 00:38:48,719 --> 00:38:49,720 Speaker 1: it was just a bit. 932 00:38:49,920 --> 00:38:52,279 Speaker 3: It was oh yeah yeah yeah like that, or it 933 00:38:52,320 --> 00:38:54,200 Speaker 3: was a good like I'm sure they could fake. 934 00:38:54,320 --> 00:38:58,960 Speaker 2: Slap that good. I mean they, I mean, don't or 935 00:38:59,040 --> 00:39:01,520 Speaker 2: is that all just like done post. 936 00:39:01,200 --> 00:39:03,880 Speaker 1: I guess that could potentially fake a slap back, but 937 00:39:03,960 --> 00:39:08,880 Speaker 1: it really that seemed like vicious. And even if it 938 00:39:09,040 --> 00:39:12,200 Speaker 1: was fake and it was that vicious, yeah, I'd still 939 00:39:12,360 --> 00:39:14,360 Speaker 1: gasp instead of laughing clap. 940 00:39:14,800 --> 00:39:16,239 Speaker 2: Yeah, yeah, it was. 941 00:39:16,400 --> 00:39:18,000 Speaker 3: It was just a moment that I was like, oh 942 00:39:18,040 --> 00:39:21,239 Speaker 3: my god. I like I remember I compared it to 943 00:39:21,239 --> 00:39:23,759 Speaker 3: something else that was crazy, and Ari got really mad 944 00:39:23,760 --> 00:39:25,640 Speaker 3: at me this weekend was like you could just crazy 945 00:39:25,680 --> 00:39:28,319 Speaker 3: and I go, no, it's just as probable as nine 946 00:39:28,360 --> 00:39:31,480 Speaker 3: to eleven. I compared it to something and I'm just like, 947 00:39:31,480 --> 00:39:33,760 Speaker 3: I'm not saying one is. No, it wasn't nine eleven, 948 00:39:33,760 --> 00:39:36,520 Speaker 3: but it's something kind of catastrophic where people died. And 949 00:39:36,600 --> 00:39:38,440 Speaker 3: ARII was like, that is not the same, and I'm like, 950 00:39:38,440 --> 00:39:40,279 Speaker 3: I don't think it's the same stakes. I'm just saying 951 00:39:40,320 --> 00:39:42,799 Speaker 3: it's the same like craziness where people were just like wait, 952 00:39:42,920 --> 00:39:45,920 Speaker 3: is this real? And I just love when things happened 953 00:39:45,960 --> 00:39:47,759 Speaker 3: like that, especially at the Oscars, where you thought the 954 00:39:47,760 --> 00:39:49,680 Speaker 3: craziest thing that could ever happen is that the Best 955 00:39:49,680 --> 00:39:51,520 Speaker 3: Picture nominee would be the wrong one read. 956 00:39:51,680 --> 00:39:51,960 Speaker 1: Yeah. 957 00:39:52,000 --> 00:39:54,040 Speaker 2: I remember just thinking like, that's the craziest thing I'll 958 00:39:54,080 --> 00:39:54,879 Speaker 2: ever see on TV. 959 00:39:55,360 --> 00:39:57,560 Speaker 1: Wow, And they really taught was that the next year. 960 00:39:58,320 --> 00:40:01,399 Speaker 2: That No, that was like probably six years later. 961 00:40:01,680 --> 00:40:04,360 Speaker 1: I remember watching that too and that I was like, Wow, 962 00:40:04,480 --> 00:40:07,919 Speaker 1: this is just so this was so fucked up. It's 963 00:40:07,920 --> 00:40:11,120 Speaker 1: crazy just how the oscars is like kind of fading 964 00:40:11,160 --> 00:40:13,959 Speaker 1: into obscurity and no and not people don't care about 965 00:40:13,960 --> 00:40:16,640 Speaker 1: it anymore. And he really requires a moment like that 966 00:40:16,760 --> 00:40:19,279 Speaker 1: even to like make the news right. 967 00:40:19,760 --> 00:40:23,120 Speaker 2: That is because watching the Stanley Cup Finals last night, 968 00:40:23,880 --> 00:40:27,640 Speaker 2: it was like such a big deal in Florida wherever 969 00:40:27,680 --> 00:40:27,960 Speaker 2: it was. 970 00:40:28,239 --> 00:40:33,000 Speaker 3: Yeah, Andrew Collin has a tattoo of a panther on 971 00:40:33,040 --> 00:40:36,399 Speaker 3: his arm because he wanted to represent Florida on his arm. 972 00:40:36,600 --> 00:40:38,840 Speaker 2: This couple weeks of his life where he was like getting. 973 00:40:38,640 --> 00:40:42,400 Speaker 3: Tattoos because it's just that face of his sure late thirties, 974 00:40:42,880 --> 00:40:45,200 Speaker 3: and he got this really cool I mean, he's really 975 00:40:45,239 --> 00:40:46,040 Speaker 3: well done this panther. 976 00:40:46,120 --> 00:40:47,319 Speaker 2: And we were all like what is that for? 977 00:40:47,400 --> 00:40:50,160 Speaker 3: He did it alone, and he's like, it's for Florida 978 00:40:50,239 --> 00:40:53,640 Speaker 3: because the Panthers, Like, are you know Florida Florida. 979 00:40:53,320 --> 00:40:55,560 Speaker 2: Panthers, Yeah, which is the hockey team that's h two. 980 00:40:55,800 --> 00:40:59,000 Speaker 3: But like he he also thought panthers were in Florida, 981 00:40:59,239 --> 00:41:02,239 Speaker 3: like that they were like native to Florida, and then 982 00:41:02,280 --> 00:41:02,879 Speaker 3: he checked and. 983 00:41:02,800 --> 00:41:07,680 Speaker 2: They haven't been there since like the Jurassic period. They 984 00:41:07,680 --> 00:41:11,240 Speaker 2: haven't been there since in millennia and it's so funny. 985 00:41:11,239 --> 00:41:13,040 Speaker 3: But I wrote them last night saying like your your 986 00:41:13,080 --> 00:41:15,560 Speaker 3: tattoo is like paying off today, Like that's it's putting 987 00:41:15,600 --> 00:41:17,399 Speaker 3: panthers on the back down there and in a way 988 00:41:17,480 --> 00:41:20,399 Speaker 3: that's beyond But that was Did you even watch the stand? 989 00:41:20,520 --> 00:41:22,160 Speaker 3: Like I watched that and then I go on my Instagram, 990 00:41:22,160 --> 00:41:24,120 Speaker 3: I'm like, wow, I didn't see a single thing from it. 991 00:41:24,160 --> 00:41:26,160 Speaker 3: They know that generally I would not give a fuck, 992 00:41:26,560 --> 00:41:29,560 Speaker 3: but they they're gonna start understanding. Like I wonder when 993 00:41:29,640 --> 00:41:31,279 Speaker 3: sports stuff is going to start making its way in 994 00:41:31,320 --> 00:41:33,160 Speaker 3: my feet because I'm trying. 995 00:41:32,920 --> 00:41:35,239 Speaker 1: To ball, got it? I mean football is definitely gonna 996 00:41:35,280 --> 00:41:37,520 Speaker 1: make its way into your feet eventually, I hope. 997 00:41:37,600 --> 00:41:40,839 Speaker 3: So I need to work on understanding it better. I'm 998 00:41:40,880 --> 00:41:44,520 Speaker 3: really looking forward to doing football related stuff for this fall, 999 00:41:44,600 --> 00:41:47,600 Speaker 3: like on a TV way, because it's really fun and 1000 00:41:47,640 --> 00:41:50,600 Speaker 3: I love working with everyone involved in that world. I 1001 00:41:50,600 --> 00:41:52,120 Speaker 3: feel like they're very similar to comics. 1002 00:41:52,200 --> 00:41:54,360 Speaker 1: Do yeah, agree? All players are awesome. 1003 00:41:54,560 --> 00:41:56,640 Speaker 3: And just like the people are that like sports that 1004 00:41:56,760 --> 00:41:58,920 Speaker 3: like the I don't know. I just feel like I 1005 00:41:58,920 --> 00:42:01,200 Speaker 3: can kind of talk, even though don't literally talk the 1006 00:42:01,280 --> 00:42:03,960 Speaker 3: language of sports. I feel like I can hang with 1007 00:42:03,960 --> 00:42:06,040 Speaker 3: people who do in a genuine way. 1008 00:42:06,120 --> 00:42:07,760 Speaker 1: You're joking all the time. 1009 00:42:07,960 --> 00:42:10,200 Speaker 3: I'm always at I'm talking like I'm at a Buffalo 1010 00:42:10,239 --> 00:42:14,239 Speaker 3: wild wings all day long in the lock like locker room, 1011 00:42:14,360 --> 00:42:15,920 Speaker 3: like all like that in church. 1012 00:42:16,719 --> 00:42:21,279 Speaker 1: So, I uh, the marriage of sports and comedy is 1013 00:42:21,320 --> 00:42:24,080 Speaker 1: so obvious now to me in retrospect, I'm shocked that 1014 00:42:24,120 --> 00:42:26,640 Speaker 1: it hasn't happened in a more significant way prior to 1015 00:42:26,719 --> 00:42:27,680 Speaker 1: basically the roast. 1016 00:42:28,200 --> 00:42:32,279 Speaker 3: I think it's because comedians are so like boned up 1017 00:42:32,360 --> 00:42:36,480 Speaker 3: for sports that they can't relax around athletes in a 1018 00:42:36,520 --> 00:42:40,759 Speaker 3: way like that's I'm just kidding, But I'm not like 1019 00:42:40,800 --> 00:42:43,440 Speaker 3: there might be that vibe where because I know that 1020 00:42:43,520 --> 00:42:47,720 Speaker 3: I couldn't really be comfortable around Taylor Swift like I could, 1021 00:42:47,920 --> 00:42:50,120 Speaker 3: but it would be you know, it would be harder. 1022 00:42:50,280 --> 00:42:54,000 Speaker 3: But because I don't know the magnitude of these people, yeah, 1023 00:42:54,040 --> 00:42:55,000 Speaker 3: it makes it easier for me a. 1024 00:42:55,000 --> 00:42:59,359 Speaker 1: Little bit superpower. You're you're immune to their celebrity. 1025 00:42:59,000 --> 00:43:00,919 Speaker 3: To stop to not hair. But I do care about 1026 00:43:00,920 --> 00:43:03,960 Speaker 3: these people. I love Pat McAfee. Actually I followed him 1027 00:43:04,000 --> 00:43:05,440 Speaker 3: since I did the show and I love him, And 1028 00:43:05,480 --> 00:43:09,200 Speaker 3: he did a post about how Travis Kelce like he 1029 00:43:09,280 --> 00:43:10,920 Speaker 3: was like he had to throw all her ex boyfriends 1030 00:43:11,000 --> 00:43:13,239 Speaker 3: under the bus. But he's like none of those other 1031 00:43:13,440 --> 00:43:17,480 Speaker 3: schlubs that she stated whatever, be this funny and this 1032 00:43:17,600 --> 00:43:18,799 Speaker 3: and put themselves out there like that. 1033 00:43:18,840 --> 00:43:21,600 Speaker 2: And he's right, He's right. I don't think. 1034 00:43:21,680 --> 00:43:24,520 Speaker 3: I do think Joe would have probably performed had she asked, 1035 00:43:24,520 --> 00:43:26,120 Speaker 3: but no, he kind of kept her secret. So I 1036 00:43:26,120 --> 00:43:30,399 Speaker 3: think I think Pat's right that I just love he's 1037 00:43:30,480 --> 00:43:32,560 Speaker 3: just uh. I just like the way these they talk 1038 00:43:32,840 --> 00:43:34,400 Speaker 3: very frank and like harsh. 1039 00:43:34,800 --> 00:43:37,799 Speaker 1: Yeah, and then they're having a good time most most 1040 00:43:37,920 --> 00:43:40,920 Speaker 1: doing what they I mean, Yeah, they they're doing what 1041 00:43:40,960 --> 00:43:43,399 Speaker 1: they love and they like having a good time. And 1042 00:43:43,480 --> 00:43:45,120 Speaker 1: it's it's true if I think a lot of athletes 1043 00:43:45,160 --> 00:43:47,880 Speaker 1: so over across sports. It's not just football, but football 1044 00:43:47,960 --> 00:43:51,120 Speaker 1: is the biggest sport, and these guys are like celebrities. 1045 00:43:50,560 --> 00:43:54,919 Speaker 3: Because they dedicated their like formative years to so many 1046 00:43:54,920 --> 00:43:57,480 Speaker 3: hours practicing that they kind of have a little bit 1047 00:43:57,520 --> 00:43:59,839 Speaker 3: of a stunted growth, which I feel I have as well. 1048 00:44:00,320 --> 00:44:02,280 Speaker 3: What do you what's your level of maturity? 1049 00:44:02,320 --> 00:44:02,720 Speaker 2: You feel? 1050 00:44:02,719 --> 00:44:02,799 Speaker 1: Like? 1051 00:44:02,840 --> 00:44:05,040 Speaker 3: What age do you feel? And I know that's not 1052 00:44:05,080 --> 00:44:07,279 Speaker 3: like across the board you're like this age, but what 1053 00:44:07,360 --> 00:44:08,799 Speaker 3: do you think you feel like you. 1054 00:44:10,440 --> 00:44:12,719 Speaker 1: I've been, you retain a lot of I've been in 1055 00:44:12,760 --> 00:44:15,440 Speaker 1: my fifties. I've been in my fifties since I was 1056 00:44:15,680 --> 00:44:16,359 Speaker 1: eight years old. 1057 00:44:16,560 --> 00:44:18,319 Speaker 2: I mean that's hilarious. 1058 00:44:18,440 --> 00:44:22,359 Speaker 3: Yeah, I've always been something that you haven't been yet. 1059 00:44:22,560 --> 00:44:25,279 Speaker 2: Yeah. No, well at the maturity level emotions, is it 1060 00:44:25,360 --> 00:44:26,040 Speaker 2: going to be amazing? 1061 00:44:26,440 --> 00:44:28,680 Speaker 1: I always said I think my best deck is going 1062 00:44:28,719 --> 00:44:31,640 Speaker 1: to be my forties, and I hope it is. I'm 1063 00:44:31,640 --> 00:44:34,560 Speaker 1: not there yet. I'm trying to set myself up for 1064 00:44:34,640 --> 00:44:35,919 Speaker 1: my forties. That's my whole goal. 1065 00:44:36,440 --> 00:44:38,800 Speaker 3: Forties is good so far, I said. Someone asked me 1066 00:44:38,920 --> 00:44:40,719 Speaker 3: my age and I just got to say forty for 1067 00:44:40,760 --> 00:44:43,680 Speaker 3: the first time. Yeah, I think yesterday and it felt 1068 00:44:43,719 --> 00:44:44,440 Speaker 3: really good. 1069 00:44:44,760 --> 00:44:48,359 Speaker 1: Forty. That's that's peak career. I mean, forties is when 1070 00:44:48,360 --> 00:44:50,319 Speaker 1: you're supposed to be, like, you're past that point where 1071 00:44:50,320 --> 00:44:51,520 Speaker 1: you're figuring things out. 1072 00:44:51,440 --> 00:44:54,400 Speaker 3: A real fucking person in your peak. You know, like 1073 00:44:54,600 --> 00:44:58,080 Speaker 3: if you you are the smartest, you're the you've retained 1074 00:44:58,080 --> 00:45:01,399 Speaker 3: the most information of life while retaining the most brain 1075 00:45:01,520 --> 00:45:02,560 Speaker 3: to use that information with. 1076 00:45:02,719 --> 00:45:04,400 Speaker 2: Now, then it starts to tilt the other way. You 1077 00:45:04,440 --> 00:45:06,840 Speaker 2: lose the brain youating experience. 1078 00:45:07,239 --> 00:45:08,960 Speaker 1: I think fifties are okay too. 1079 00:45:09,040 --> 00:45:10,840 Speaker 2: Yeah, fifties are good. No, I'm not saying, but I 1080 00:45:10,880 --> 00:45:11,520 Speaker 2: think it's forties. 1081 00:45:11,520 --> 00:45:13,600 Speaker 3: It starts where you get this respective like this person's 1082 00:45:13,600 --> 00:45:15,839 Speaker 3: been around, but they're still youthful enough to like use 1083 00:45:15,840 --> 00:45:18,880 Speaker 3: what they've got. Absolutely, and thirties you're still trying to 1084 00:45:18,880 --> 00:45:21,080 Speaker 3: figure it out. But you kind of look almost forty. 1085 00:45:21,120 --> 00:45:23,200 Speaker 3: So people you look like you should have together. I 1086 00:45:23,200 --> 00:45:24,799 Speaker 3: don't know, I'm just this is what people do when 1087 00:45:24,800 --> 00:45:27,000 Speaker 3: they get older. Is they reason why they're decades is 1088 00:45:27,040 --> 00:45:28,960 Speaker 3: the best because they have no choice. 1089 00:45:28,800 --> 00:45:29,200 Speaker 2: But to be here. 1090 00:45:29,239 --> 00:45:31,520 Speaker 1: Oh yeah, Then people in their seventies are like, the 1091 00:45:31,560 --> 00:45:34,120 Speaker 1: seventies is the best decade. All I'm doing is sipping 1092 00:45:34,200 --> 00:45:36,920 Speaker 1: coladas on the beach. Yep, I've got that. 1093 00:45:37,640 --> 00:45:38,480 Speaker 2: Yeah, And I can't wait. 1094 00:45:38,520 --> 00:45:40,040 Speaker 3: I'm glad to hear that, because I do want to 1095 00:45:40,040 --> 00:45:41,759 Speaker 3: look forward to something. We have to go to break 1096 00:45:41,800 --> 00:45:43,480 Speaker 3: and so look forward to that after this. 1097 00:45:45,960 --> 00:45:50,520 Speaker 1: So this kid came to my door yesterday and he 1098 00:45:50,719 --> 00:45:54,239 Speaker 1: was he was he had a mask on, and he 1099 00:45:54,320 --> 00:45:56,959 Speaker 1: seemed like he was maybe a teenager. And he told 1100 00:45:56,960 --> 00:45:59,560 Speaker 1: me that he was selling coupons for his high school 1101 00:45:59,640 --> 00:46:03,960 Speaker 1: for some reason. And I don't know if that's something 1102 00:46:03,960 --> 00:46:05,880 Speaker 1: that high school kids do or if it was just 1103 00:46:05,920 --> 00:46:08,640 Speaker 1: a scam, but I felt like I was getting scammed 1104 00:46:08,719 --> 00:46:11,640 Speaker 1: while I was doing it. I knew this kid wasn't sing. 1105 00:46:11,920 --> 00:46:14,680 Speaker 1: It's like when kids are selling candy for their basketball 1106 00:46:14,680 --> 00:46:16,799 Speaker 1: team on the New York City subway system. I knew 1107 00:46:16,840 --> 00:46:19,479 Speaker 1: the Girl Scouts or the Girl Scouts. Yeah, they're selling 1108 00:46:19,520 --> 00:46:23,160 Speaker 1: cookies for yeah, yeah, funding al Qaeda. I think that 1109 00:46:23,280 --> 00:46:26,600 Speaker 1: this kid was scamming me, and I knew he was 1110 00:46:26,640 --> 00:46:29,239 Speaker 1: scamming me while he was doing it. But he was 1111 00:46:29,400 --> 00:46:34,040 Speaker 1: so good at scamming me that I decided I'm gonna 1112 00:46:34,040 --> 00:46:34,800 Speaker 1: give him the money. 1113 00:46:35,320 --> 00:46:36,680 Speaker 2: You got scammed. Is what happened. 1114 00:46:36,880 --> 00:46:40,759 Speaker 1: I got scammed twenty five dollars. He asked me for 1115 00:46:40,840 --> 00:46:44,000 Speaker 1: twenty five dollars. He knocked on my door. I got 1116 00:46:44,760 --> 00:46:48,560 Speaker 1: a slate of coupons that work at restaurants I would 1117 00:46:48,600 --> 00:46:49,120 Speaker 1: never go to. 1118 00:46:49,719 --> 00:46:51,000 Speaker 2: Chocolate I got. 1119 00:46:51,040 --> 00:46:54,960 Speaker 1: I got coupons to Arbi's and Applebee's, like places I'll 1120 00:46:55,000 --> 00:46:58,000 Speaker 1: never go to. But I I really what was happening 1121 00:46:58,080 --> 00:47:01,400 Speaker 1: was I was very impressed by every technique he was 1122 00:47:01,520 --> 00:47:03,839 Speaker 1: using to make me empathize with him. He did this 1123 00:47:03,880 --> 00:47:05,960 Speaker 1: thing during the middle of the pitch where he goes 1124 00:47:07,120 --> 00:47:10,040 Speaker 1: I think he's probably eighteen or nineteen, but he could 1125 00:47:10,040 --> 00:47:12,839 Speaker 1: have been tricking me. He's wearing a COVID mask, got it. 1126 00:47:13,120 --> 00:47:15,239 Speaker 1: He maybe he was twenty eight. I don't know, yah, 1127 00:47:15,840 --> 00:47:19,680 Speaker 1: he said. But he was so energetic and positive and happy. 1128 00:47:19,760 --> 00:47:22,720 Speaker 1: And then he said, would it be okay? I'm really 1129 00:47:22,760 --> 00:47:24,719 Speaker 1: nervous right now. Would it be okay if I take 1130 00:47:24,719 --> 00:47:28,120 Speaker 1: a deep breath? And I was like, go ahead. He 1131 00:47:28,160 --> 00:47:30,000 Speaker 1: asked me for permission to take a deep breath, which 1132 00:47:30,040 --> 00:47:32,120 Speaker 1: is such an underhand I. 1133 00:47:32,080 --> 00:47:34,240 Speaker 2: Will give him twenty five hundred dollars exactly. 1134 00:47:34,640 --> 00:47:37,279 Speaker 1: That is so sweet, exactly, So I was like, go ahead, 1135 00:47:37,360 --> 00:47:39,800 Speaker 1: take a deep breath. He takes a deep breath before 1136 00:47:39,840 --> 00:47:42,640 Speaker 1: the pitch. He's like in the midst of the pitch. 1137 00:47:42,680 --> 00:47:45,120 Speaker 1: He threw in little tricks like that, every single one 1138 00:47:45,120 --> 00:47:47,520 Speaker 1: of them work, you think, perfectly, I think it was. 1139 00:47:47,800 --> 00:47:52,239 Speaker 1: I can't imagine unless he was just so naturally empathetic. 1140 00:47:52,440 --> 00:47:55,160 Speaker 2: What what percentage of you thinks that it was a trick? Like, truly? 1141 00:47:55,239 --> 00:47:56,840 Speaker 2: What the I want to know because. 1142 00:47:56,600 --> 00:48:01,280 Speaker 1: You're ninety percent. Wow, this guy is a expert scam 1143 00:48:01,360 --> 00:48:05,520 Speaker 1: artist and not some beautiful high school student who you 1144 00:48:05,640 --> 00:48:06,160 Speaker 1: feel for. 1145 00:48:06,280 --> 00:48:08,120 Speaker 2: Yeah, he gave twenty five bucks for the performance. 1146 00:48:08,120 --> 00:48:10,719 Speaker 1: You got to perform. Yeah, well, and also here's where 1147 00:48:10,760 --> 00:48:14,640 Speaker 1: scam artists work, especially for you. Twenty five dollars for 1148 00:48:14,680 --> 00:48:18,719 Speaker 1: the performance, twenty five dollars just to leave you alone. Yeah, 1149 00:48:19,520 --> 00:48:21,439 Speaker 1: I'd pay you twenty five dollars just to leave because 1150 00:48:21,480 --> 00:48:23,759 Speaker 1: I'm not going to do Yeah, I'm not gonna slam 1151 00:48:23,800 --> 00:48:25,239 Speaker 1: the door in your face. I'm not going to say no, 1152 00:48:25,320 --> 00:48:27,880 Speaker 1: thank you, goodbye. I'll give you the money just so 1153 00:48:27,920 --> 00:48:30,719 Speaker 1: you can leave. And basically that's what I did. I 1154 00:48:30,719 --> 00:48:33,680 Speaker 1: gave him twenty five dollars cash for coupons to Arby's 1155 00:48:33,760 --> 00:48:35,839 Speaker 1: and I don't even know if they'll work. I'm I'm 1156 00:48:35,880 --> 00:48:37,480 Speaker 1: I kind of want to go to an Arby's to 1157 00:48:37,520 --> 00:48:39,719 Speaker 1: try to use the coupon and they're like, what the 1158 00:48:39,920 --> 00:48:42,400 Speaker 1: fuck is the sticker? This is not gonna do. This 1159 00:48:42,440 --> 00:48:43,080 Speaker 1: is we can't. 1160 00:48:43,320 --> 00:48:44,640 Speaker 3: And then you take a deep break, you go, can 1161 00:48:44,680 --> 00:48:47,680 Speaker 3: I take it deep? This is the way I can 1162 00:48:47,680 --> 00:48:47,960 Speaker 3: eat it. 1163 00:48:47,960 --> 00:48:50,160 Speaker 1: And he said, I'm wearing a mask. I'm so sorry, 1164 00:48:50,239 --> 00:48:52,759 Speaker 1: I'm wearing my mask. My mom is making me wear 1165 00:48:52,800 --> 00:48:55,080 Speaker 1: the mask because she's afraid gets sick. 1166 00:48:55,400 --> 00:48:55,840 Speaker 2: Bullshit. 1167 00:48:56,320 --> 00:48:58,120 Speaker 1: Yeah, all those little tricks. 1168 00:48:58,160 --> 00:49:00,160 Speaker 2: He has a sick mom and home. That's what that says. 1169 00:49:00,120 --> 00:49:03,200 Speaker 1: All these little tricks were thrown you. 1170 00:49:03,200 --> 00:49:05,640 Speaker 3: Know what great Gary Veder and I last week talked 1171 00:49:05,640 --> 00:49:07,359 Speaker 3: about like I found this Reddit thread of like all 1172 00:49:07,400 --> 00:49:09,719 Speaker 3: these manipula like things you could do with psychology to 1173 00:49:09,719 --> 00:49:12,080 Speaker 3: manipulate people, or like the cool psychology tricks, and a 1174 00:49:12,080 --> 00:49:15,360 Speaker 3: lot of them feel I mean, they're so fascinating that 1175 00:49:15,400 --> 00:49:17,560 Speaker 3: they work the thing subconsciously. 1176 00:49:17,920 --> 00:49:20,239 Speaker 1: It's got to be the right person. I was the 1177 00:49:20,280 --> 00:49:23,000 Speaker 1: type of person who was unwilling to say, get the 1178 00:49:23,040 --> 00:49:25,680 Speaker 1: fuck out of here. No, I know most. 1179 00:49:25,480 --> 00:49:27,200 Speaker 2: People are not willing to even though you're thinking it. 1180 00:49:27,440 --> 00:49:29,080 Speaker 1: I'm thinking, and I'm just like, I don't want to. 1181 00:49:29,120 --> 00:49:29,759 Speaker 1: Can you just leave? 1182 00:49:30,000 --> 00:49:30,200 Speaker 3: Sorry? 1183 00:49:30,840 --> 00:49:33,160 Speaker 1: I don't wish, but it would be nice if I 1184 00:49:33,200 --> 00:49:35,920 Speaker 1: had the foresight to look through my people and say, 1185 00:49:36,440 --> 00:49:38,440 Speaker 1: this guy is a scam and I don't want to 1186 00:49:38,480 --> 00:49:40,400 Speaker 1: even open the door. If I didn't open the door, 1187 00:49:40,440 --> 00:49:42,719 Speaker 1: I would have been safe. But I looked through the 1188 00:49:42,760 --> 00:49:45,480 Speaker 1: people and I thought, for a second, is this ups guy? 1189 00:49:45,560 --> 00:49:47,680 Speaker 1: And is he delivering a package? And that's why I 1190 00:49:47,680 --> 00:49:48,279 Speaker 1: opened the door. 1191 00:49:48,360 --> 00:49:51,239 Speaker 2: Believe Yeah, okay, so that's that's it. He got you 1192 00:49:51,280 --> 00:49:51,680 Speaker 2: in that way. 1193 00:49:51,680 --> 00:49:53,920 Speaker 3: He probably is wearing like kind of the colors of 1194 00:49:53,920 --> 00:49:55,359 Speaker 3: some like if he's given it a lot of thought, 1195 00:49:55,360 --> 00:49:57,440 Speaker 3: they'd kind of dress like someone who might have a 1196 00:49:57,440 --> 00:49:58,160 Speaker 3: package deliver. 1197 00:49:58,520 --> 00:50:01,000 Speaker 2: Yeah, well it's a harmless sam. 1198 00:50:01,160 --> 00:50:03,279 Speaker 1: Yeah, twenty five dollars. I don't know what that kid's 1199 00:50:03,280 --> 00:50:04,880 Speaker 1: going to use the money for. Maybe he will go 1200 00:50:04,920 --> 00:50:06,719 Speaker 1: to his restaurant that he said he wanted to open. 1201 00:50:06,840 --> 00:50:09,959 Speaker 3: Chris was like, there's like a place where homeless people 1202 00:50:10,120 --> 00:50:12,640 Speaker 3: always can't like stay and wait for the you know, 1203 00:50:12,680 --> 00:50:14,160 Speaker 3: at a light and they come to your car. 1204 00:50:14,640 --> 00:50:16,680 Speaker 2: Sometimes I give money, and sometimes. 1205 00:50:16,320 --> 00:50:18,400 Speaker 3: I just don't because I don't have any whatever or 1206 00:50:18,920 --> 00:50:23,520 Speaker 3: some food end up at them. No, but Chris was 1207 00:50:23,520 --> 00:50:25,000 Speaker 3: saying the other day that he saw one just like 1208 00:50:25,040 --> 00:50:28,640 Speaker 3: smoking crack, like right there, like not even trying to 1209 00:50:28,680 --> 00:50:32,080 Speaker 3: hide it and sharing. No, but there was something about 1210 00:50:32,120 --> 00:50:33,480 Speaker 3: like he was like, you know the thing that you 1211 00:50:33,520 --> 00:50:35,000 Speaker 3: think you hope they're not going to do with the 1212 00:50:35,000 --> 00:50:37,319 Speaker 3: money that you like, they was just doing it there, 1213 00:50:37,320 --> 00:50:39,600 Speaker 3: And I'm like, oh no, Actually, when I give them money, 1214 00:50:39,600 --> 00:50:41,839 Speaker 3: I go go get some crack, honey, Like I hope 1215 00:50:41,840 --> 00:50:44,359 Speaker 3: that gets you some good crack tonight, because you know what, 1216 00:50:44,960 --> 00:50:47,520 Speaker 3: fuck it Like, Yeah, I want them to eat, but 1217 00:50:47,560 --> 00:50:52,200 Speaker 3: I also want them to enjoy this fucking life they 1218 00:50:52,400 --> 00:50:54,560 Speaker 3: have been given, and I know crack has led them there, 1219 00:50:54,560 --> 00:50:56,919 Speaker 3: but it's like, the the only reason it makes it, 1220 00:50:57,239 --> 00:50:59,480 Speaker 3: you able. The reason people smoke crack is because how 1221 00:50:59,480 --> 00:51:02,719 Speaker 3: could you on a street otherwise? Bitch, Yeah, Like it's 1222 00:51:02,719 --> 00:51:04,440 Speaker 3: the only way to make it feel comfortable and to 1223 00:51:04,480 --> 00:51:05,920 Speaker 3: not be terrified and all the things. 1224 00:51:05,960 --> 00:51:08,200 Speaker 1: So well, I got to imagine they were smoking crack 1225 00:51:08,320 --> 00:51:10,160 Speaker 1: first and that's what got them to the street, and 1226 00:51:10,160 --> 00:51:12,680 Speaker 1: the crack helps. It's not like they got to the 1227 00:51:12,719 --> 00:51:15,040 Speaker 1: streets and they were like, you know what makes this 1228 00:51:15,080 --> 00:51:15,719 Speaker 1: more comfortable? 1229 00:51:16,120 --> 00:51:17,919 Speaker 3: No, no, no, But I mean they started smoking crack 1230 00:51:18,000 --> 00:51:20,760 Speaker 3: because they were uncomfortable in their brains in some way. Sure, 1231 00:51:20,920 --> 00:51:24,440 Speaker 3: maybe they have trauma for pol a station. So they 1232 00:51:24,480 --> 00:51:26,799 Speaker 3: smoke the crack initially because it feels good because they 1233 00:51:26,800 --> 00:51:30,200 Speaker 3: are in fucking mental pain. And then then they get hooked, 1234 00:51:30,239 --> 00:51:32,160 Speaker 3: and then they then they feel like throwing up all 1235 00:51:32,239 --> 00:51:34,480 Speaker 3: day long, and they feel the worst like gallbladder pain 1236 00:51:34,600 --> 00:51:36,719 Speaker 3: unless they smoke it, and they don't want to go 1237 00:51:36,719 --> 00:51:38,279 Speaker 3: through that, and then they're on the street, and then 1238 00:51:38,560 --> 00:51:41,360 Speaker 3: at that point, what's the point of feeling sick like 1239 00:51:41,360 --> 00:51:43,280 Speaker 3: that on the street, Like you just keep doing it. 1240 00:51:43,280 --> 00:51:45,279 Speaker 1: And then you got to ask yourself, like what would 1241 00:51:45,280 --> 00:51:47,960 Speaker 1: it take in your life for you to sit at 1242 00:51:47,960 --> 00:51:51,200 Speaker 1: this traffic light begging people for money? And then you 1243 00:51:51,320 --> 00:51:53,120 Speaker 1: kind of realize that. 1244 00:51:53,320 --> 00:51:56,240 Speaker 2: I've never loved something the way they love crack. I haven't. 1245 00:51:57,280 --> 00:51:58,839 Speaker 3: That's kind of the point. I was trying to make 1246 00:51:58,840 --> 00:52:01,280 Speaker 3: it my special about people who do hair, like Heroin's 1247 00:52:01,320 --> 00:52:03,279 Speaker 3: the best feeling ever, and everyone it says, you know, 1248 00:52:03,280 --> 00:52:05,080 Speaker 3: you should have a kid. The feeling to be a 1249 00:52:05,080 --> 00:52:06,840 Speaker 3: mom and to love a child is the best feeling. 1250 00:52:06,840 --> 00:52:09,359 Speaker 3: It's like, No, Heroin definitely is, because I don't see 1251 00:52:09,360 --> 00:52:12,880 Speaker 3: you on the sidewalk sprawled out sleeping because you love 1252 00:52:12,920 --> 00:52:13,680 Speaker 3: your kids so much. 1253 00:52:13,719 --> 00:52:15,919 Speaker 2: You know, like, yeah, your life is still You still 1254 00:52:15,920 --> 00:52:17,319 Speaker 2: get to sleep in a bed, you still get to 1255 00:52:17,400 --> 00:52:21,360 Speaker 2: like go to work or whatever, have a life beloved, 1256 00:52:21,480 --> 00:52:22,080 Speaker 2: have the shelter. 1257 00:52:23,160 --> 00:52:25,600 Speaker 3: So yeah, Heroin's gotta feel fucking amazing. You felt it 1258 00:52:25,640 --> 00:52:27,000 Speaker 3: with the morphine. 1259 00:52:26,680 --> 00:52:30,080 Speaker 1: Oh god, I was. I could see myself getting addicted 1260 00:52:30,120 --> 00:52:34,840 Speaker 1: to morphine. Yeah, I have another thing. Final thought, is 1261 00:52:34,840 --> 00:52:37,960 Speaker 1: this a scam? I was driving in my car and 1262 00:52:38,120 --> 00:52:41,239 Speaker 1: there were there was a family, There was a guy 1263 00:52:41,280 --> 00:52:44,000 Speaker 1: in the street, a guy on the sidewalk, and children yep. 1264 00:52:44,040 --> 00:52:46,920 Speaker 1: And they were holding up signs that said this is 1265 00:52:46,960 --> 00:52:50,479 Speaker 1: a scam. They were holding up signs that said we're 1266 00:52:50,560 --> 00:52:54,879 Speaker 1: raising money to pay for funeral expenses. Its dead. 1267 00:52:55,400 --> 00:52:56,120 Speaker 2: Who is a shit? 1268 00:52:56,360 --> 00:52:58,440 Speaker 3: Yes, it's a scam, it's a lie. But you know what, 1269 00:52:58,520 --> 00:53:01,759 Speaker 3: that family can't find job and even if they're looking. 1270 00:53:01,880 --> 00:53:05,160 Speaker 1: So lying about that someone in their family die, even 1271 00:53:05,200 --> 00:53:05,560 Speaker 1: if they. 1272 00:53:05,480 --> 00:53:09,520 Speaker 2: Need it an angle. But what they're doing the kids work. Yeah, 1273 00:53:09,800 --> 00:53:10,879 Speaker 2: begging is work. 1274 00:53:11,000 --> 00:53:13,279 Speaker 3: So when people go like, he's just holding the signal day, 1275 00:53:13,320 --> 00:53:14,080 Speaker 3: would you bitch? 1276 00:53:14,520 --> 00:53:15,440 Speaker 2: Would you like? 1277 00:53:15,480 --> 00:53:16,799 Speaker 3: I don't think it's good and I think it's so 1278 00:53:16,960 --> 00:53:18,960 Speaker 3: sad when they use their kids as like a prop 1279 00:53:19,040 --> 00:53:21,960 Speaker 3: to make to get more empathy. But like things are, 1280 00:53:22,680 --> 00:53:24,279 Speaker 3: life is tough for these people. They don't have the 1281 00:53:24,280 --> 00:53:26,640 Speaker 3: same life as you. You wouldn't do that because you're 1282 00:53:26,680 --> 00:53:29,799 Speaker 3: not them. And so yeah, and it's not nothing to 1283 00:53:29,840 --> 00:53:31,360 Speaker 3: hold to make a sign and to sit there and 1284 00:53:31,400 --> 00:53:33,960 Speaker 3: hold it and beg people people walk by you and 1285 00:53:33,960 --> 00:53:36,680 Speaker 3: actly they don't see you. To literally be a human 1286 00:53:36,719 --> 00:53:39,080 Speaker 3: being who other people ignore and don't even treat like 1287 00:53:39,080 --> 00:53:41,200 Speaker 3: a human being, and to degrade yourself in that way, 1288 00:53:42,040 --> 00:53:45,160 Speaker 3: because we all, whether you want to or not, there's 1289 00:53:45,200 --> 00:53:46,879 Speaker 3: a thing in our society where we look down upon 1290 00:53:46,920 --> 00:53:48,960 Speaker 3: people who are homeless like that, that is not an 1291 00:53:48,960 --> 00:53:50,879 Speaker 3: easy choice to make to do that. So I give 1292 00:53:50,880 --> 00:53:53,440 Speaker 3: them money just by it because I'm like, I wouldn't 1293 00:53:53,440 --> 00:53:55,600 Speaker 3: do that, and I don't think it should be a 1294 00:53:55,719 --> 00:53:58,960 Speaker 3: job per se, But in this country it is a job, and. 1295 00:53:59,120 --> 00:54:01,479 Speaker 1: Got someone's got to do it. Someone's got a sign. 1296 00:54:01,800 --> 00:54:05,160 Speaker 3: And I'm you know, if you can't afford to give 1297 00:54:05,160 --> 00:54:06,920 Speaker 3: to the homeless, I know it's like don't feed the 1298 00:54:07,000 --> 00:54:10,759 Speaker 3: ducks or whatever, but is it, like, I think it 1299 00:54:10,800 --> 00:54:13,200 Speaker 3: is our job to give a couple bucks their way, 1300 00:54:13,239 --> 00:54:15,399 Speaker 3: and it sucks that our government isn't taking care of them, 1301 00:54:15,800 --> 00:54:18,799 Speaker 3: but until they do, I think it's like the nice 1302 00:54:18,840 --> 00:54:20,839 Speaker 3: thing to help them. And now, by by no means 1303 00:54:20,880 --> 00:54:23,440 Speaker 3: am I saying I give like enough to justify this 1304 00:54:23,520 --> 00:54:25,640 Speaker 3: rantom going on. But I should and I would if 1305 00:54:25,640 --> 00:54:28,960 Speaker 3: someone like I know, Sam Harris does this thing called 1306 00:54:29,200 --> 00:54:32,759 Speaker 3: uh it's called something altruism. 1307 00:54:33,719 --> 00:54:35,600 Speaker 2: Uh huh, I forget what it's called. 1308 00:54:35,680 --> 00:54:37,960 Speaker 1: It's but it's performative altruism. 1309 00:54:38,280 --> 00:54:40,680 Speaker 2: No, it's not. It's not performative because you don't tell people. 1310 00:54:40,680 --> 00:54:42,239 Speaker 3: You only tell people about it because you want other 1311 00:54:42,239 --> 00:54:44,759 Speaker 3: people to do it, but you donate ten percent of 1312 00:54:44,800 --> 00:54:49,480 Speaker 3: your income to to make that money go the like 1313 00:54:49,520 --> 00:54:52,360 Speaker 3: for if your money, the best use of money I 1314 00:54:52,400 --> 00:54:55,000 Speaker 3: think to save lives is to buy mosquito nuts. 1315 00:54:55,920 --> 00:54:57,200 Speaker 2: I think is what they've determined. 1316 00:54:57,280 --> 00:54:59,520 Speaker 3: So it's like, find the company that will make the 1317 00:54:59,520 --> 00:55:01,719 Speaker 3: best use of that money and donate. Always donate ten 1318 00:55:01,719 --> 00:55:03,719 Speaker 3: percent of your income the rest of your life, and 1319 00:55:03,760 --> 00:55:05,960 Speaker 3: like that is I would like to do that someday. 1320 00:55:06,040 --> 00:55:09,279 Speaker 3: I don't know, I know effective altruism, thank you ea, 1321 00:55:10,719 --> 00:55:12,440 Speaker 3: And I would like to do that someday because I 1322 00:55:13,320 --> 00:55:18,160 Speaker 3: preach a big game. Yeah yeah, but I but it 1323 00:55:18,239 --> 00:55:20,399 Speaker 3: is scary because other people don't. And then you think 1324 00:55:20,400 --> 00:55:22,680 Speaker 3: about all that money, all of the Zar, like I 1325 00:55:22,719 --> 00:55:25,600 Speaker 3: could buy all of Zara like season, this whole season 1326 00:55:25,640 --> 00:55:27,680 Speaker 3: and have the whole shop in my and I'll never 1327 00:55:27,760 --> 00:55:30,080 Speaker 3: do that. I won't even buy myself one Zara shirt. Instead, 1328 00:55:30,080 --> 00:55:32,319 Speaker 3: I'm just gonna keep that money because then it'll make 1329 00:55:32,360 --> 00:55:34,959 Speaker 3: more money that i'll keep keeping. And then that money 1330 00:55:35,000 --> 00:55:36,799 Speaker 3: that I keep will make more money that I will 1331 00:55:36,840 --> 00:55:39,279 Speaker 3: then keep, and then I'll die and it'll go to 1332 00:55:39,280 --> 00:55:41,040 Speaker 3: my niece who will do the same shit with it 1333 00:55:41,480 --> 00:55:42,399 Speaker 3: for generations. 1334 00:55:43,040 --> 00:55:44,800 Speaker 1: Or you'll wind up spending it on something stupid. 1335 00:55:45,400 --> 00:55:47,399 Speaker 3: No, I'll die with so much money. I know I will, 1336 00:55:47,400 --> 00:55:51,160 Speaker 3: because it's the American way. I'll donate it to something 1337 00:55:51,520 --> 00:55:55,279 Speaker 3: in the event of my death. But yeah, I don't. 1338 00:55:55,280 --> 00:55:58,319 Speaker 3: I don't spend money on that stupid of things. So 1339 00:55:58,400 --> 00:56:00,480 Speaker 3: it seems like a good thing to do, so I'll 1340 00:56:00,520 --> 00:56:02,960 Speaker 3: probably this is this conversation has helped me maybe do 1341 00:56:03,000 --> 00:56:03,800 Speaker 3: it sooner than I would have. 1342 00:56:03,880 --> 00:56:04,399 Speaker 2: But who knows. 1343 00:56:05,440 --> 00:56:06,040 Speaker 1: It's a lot. 1344 00:56:06,680 --> 00:56:09,160 Speaker 2: It's a fuck ton, Yeah, it's a fuck ton. 1345 00:56:09,280 --> 00:56:12,239 Speaker 3: But it's also like, if you think about it, if 1346 00:56:12,320 --> 00:56:13,600 Speaker 3: I think I could get to a place where I 1347 00:56:13,600 --> 00:56:15,080 Speaker 3: could do it, because I could just think of it 1348 00:56:15,080 --> 00:56:17,080 Speaker 3: as like that money was never mine. That's just the 1349 00:56:17,320 --> 00:56:19,640 Speaker 3: what's that's the price of being a good human and 1350 00:56:19,920 --> 00:56:21,919 Speaker 3: giving back in a way that you would hope people 1351 00:56:21,920 --> 00:56:24,080 Speaker 3: would get back to you if you were on the 1352 00:56:24,080 --> 00:56:25,480 Speaker 3: receiving end of that ten percent. 1353 00:56:25,760 --> 00:56:28,240 Speaker 1: Yeah. Now, I think if after you hit a certain threshold, 1354 00:56:28,360 --> 00:56:30,719 Speaker 1: like if you're a multimillionaire or a billionaire, you should 1355 00:56:30,760 --> 00:56:33,799 Speaker 1: give more than ten percent because there's just once you 1356 00:56:33,840 --> 00:56:37,000 Speaker 1: read the tax billions, because the tax incentive and yeah, 1357 00:56:37,160 --> 00:56:39,440 Speaker 1: you just gotta you gotta skirt the system. 1358 00:56:39,520 --> 00:56:42,200 Speaker 3: Somehow someone just told me buying a range Rover because 1359 00:56:42,239 --> 00:56:45,040 Speaker 3: it's over two tons, that it counts as like a 1360 00:56:45,080 --> 00:56:47,360 Speaker 3: commercial vehicle and you can write off the entire cost 1361 00:56:47,400 --> 00:56:50,000 Speaker 3: and that's why everyone buys one. And I'm like, for 1362 00:56:50,040 --> 00:56:52,359 Speaker 3: the first time in my life, I'm like, ooh, that's 1363 00:56:52,400 --> 00:56:56,759 Speaker 3: a lot. Like what And I hated that thought of like, oh, 1364 00:56:56,880 --> 00:56:59,640 Speaker 3: I can do it a sneaky tax thing, but that's legal. 1365 00:57:00,200 --> 00:57:00,880 Speaker 1: Person brain. 1366 00:57:01,000 --> 00:57:03,200 Speaker 3: Yeah, I don't want a big honkin car, but that what. 1367 00:57:03,400 --> 00:57:04,880 Speaker 3: But I've been in the Range River and they are 1368 00:57:05,000 --> 00:57:07,080 Speaker 3: very nice, and that is that is a. 1369 00:57:07,080 --> 00:57:10,040 Speaker 1: Huge two tons that you really need a car that heavy. 1370 00:57:10,239 --> 00:57:12,360 Speaker 2: No, that's the thing. I don't want a car that heavy. 1371 00:57:12,360 --> 00:57:13,360 Speaker 2: That's so dangerous. 1372 00:57:13,600 --> 00:57:17,040 Speaker 1: Yeah, so I killed the guy from Star Trek. Really, 1373 00:57:17,720 --> 00:57:19,120 Speaker 1: I don't remember a car he had, but he got 1374 00:57:19,600 --> 00:57:21,480 Speaker 1: smashed by his own car because the break. 1375 00:57:21,560 --> 00:57:25,960 Speaker 2: Oh driveway, No, I don't think it was. 1376 00:57:27,680 --> 00:57:30,760 Speaker 1: I wouldn't want a two ton vehicle to drive up 1377 00:57:30,760 --> 00:57:33,840 Speaker 1: a mountain or that's what they're for. I just feel 1378 00:57:33,840 --> 00:57:36,680 Speaker 1: like it's so heavy, it's like it's almost like dangerous, 1379 00:57:36,680 --> 00:57:38,480 Speaker 1: like it's gonna smash the road or something. 1380 00:57:38,640 --> 00:57:41,280 Speaker 2: Literally is it just feels too much. 1381 00:57:41,160 --> 00:57:43,880 Speaker 1: Too much. I mean now, to be fair though, if 1382 00:57:43,880 --> 00:57:45,840 Speaker 1: you hit into it, if you get into a car accident, 1383 00:57:46,200 --> 00:57:48,120 Speaker 1: you'll just decimate the other person. 1384 00:57:48,400 --> 00:57:50,040 Speaker 2: Yeah, you're gonna be okay. 1385 00:57:50,120 --> 00:57:50,440 Speaker 1: I don't know. 1386 00:57:50,640 --> 00:57:52,960 Speaker 2: I haven't checked the safety on those, but yeah, they're fucked. 1387 00:57:52,960 --> 00:57:53,480 Speaker 2: But that's the thing. 1388 00:57:53,520 --> 00:57:56,360 Speaker 3: I don't want to drive something that can cause mass 1389 00:57:56,440 --> 00:58:00,160 Speaker 3: destruction to like a party bus of teams. Yeah that 1390 00:58:00,200 --> 00:58:03,360 Speaker 3: aren't wearing their seat belts because you know they they 1391 00:58:03,440 --> 00:58:04,080 Speaker 3: ran a red light. 1392 00:58:04,120 --> 00:58:05,480 Speaker 2: It's not gonna be my fault. We know that. 1393 00:58:06,880 --> 00:58:09,800 Speaker 1: But yeah, I do want to say I'm fifty to 1394 00:58:09,800 --> 00:58:13,480 Speaker 1: fifty on the funeral thing. I was really considering giving 1395 00:58:13,520 --> 00:58:17,919 Speaker 1: them like fifty bucks because I was like, I believe them. 1396 00:58:18,400 --> 00:58:21,920 Speaker 3: I would put that at a ninety percent ninety eight percent, 1397 00:58:22,480 --> 00:58:24,760 Speaker 3: ninety eight. I think they're down and out. I think 1398 00:58:24,800 --> 00:58:27,320 Speaker 3: they yes, and I think Grandma did die at some point. 1399 00:58:27,920 --> 00:58:30,120 Speaker 3: But that's where they got the story from. That's remember 1400 00:58:30,120 --> 00:58:31,560 Speaker 3: when we need money for that, that would have been 1401 00:58:31,560 --> 00:58:34,600 Speaker 3: a good thing. Maybe we got money that really seemed 1402 00:58:34,640 --> 00:58:37,439 Speaker 3: to make people give us money. Yeah, they walked through 1403 00:58:37,440 --> 00:58:38,520 Speaker 3: it already. 1404 00:58:38,280 --> 00:58:42,720 Speaker 1: New it was like a real live GoFundMe scam. They 1405 00:58:42,720 --> 00:58:43,800 Speaker 1: were just doing it in person. 1406 00:58:44,160 --> 00:58:48,400 Speaker 3: Yeah, in front of the target. Yeah, it happens a 1407 00:58:48,400 --> 00:58:50,800 Speaker 3: lot here too. It's really sad when the kids are involved. 1408 00:58:50,800 --> 00:58:52,040 Speaker 3: But you know what I always think about, like, oh, 1409 00:58:52,080 --> 00:58:54,320 Speaker 3: I can't wait to read that little girl's book someday, 1410 00:58:55,520 --> 00:58:57,760 Speaker 3: Like I really just I project onto her that she's 1411 00:58:57,800 --> 00:58:59,480 Speaker 3: going to be a star and make something of this 1412 00:58:59,560 --> 00:59:01,080 Speaker 3: and get out to this and this will be just 1413 00:59:01,120 --> 00:59:04,040 Speaker 3: a really great story that enriches the person that she 1414 00:59:04,160 --> 00:59:05,080 Speaker 3: is and what she overcame. 1415 00:59:05,160 --> 00:59:06,920 Speaker 2: But it's it's, uh, you know, that's not. 1416 00:59:07,040 --> 00:59:08,720 Speaker 1: And those are just the ones you hear about now. 1417 00:59:08,760 --> 00:59:11,160 Speaker 1: Most of the time they just kind of drift into 1418 00:59:11,200 --> 00:59:13,280 Speaker 1: obscurity and wind up working at a subway and it's 1419 00:59:13,280 --> 00:59:13,880 Speaker 1: just kind of like. 1420 00:59:13,840 --> 00:59:16,720 Speaker 3: Okay, or a boost mobile. Okay, we made it full circle. 1421 00:59:16,720 --> 00:59:19,160 Speaker 2: Everyone. Thank you for listening to the show. 1422 00:59:19,360 --> 00:59:24,920 Speaker 3: I'm gonna be on tour this weekend tomorrow or tonight 1423 00:59:25,160 --> 00:59:28,080 Speaker 3: in Chandler, Arizona, if you're near the Phoenix area at 1424 00:59:28,160 --> 00:59:32,200 Speaker 3: the River's Otter Casino, the no the River's Edge, the 1425 00:59:32,840 --> 00:59:34,680 Speaker 3: river what was it, the Guila Monster, the. 1426 00:59:34,680 --> 00:59:38,040 Speaker 2: Gila Monster Monster Casino. I think it's called. 1427 00:59:38,040 --> 00:59:40,439 Speaker 1: Otherwise known as the Komodo Dragon River. 1428 00:59:40,520 --> 00:59:43,920 Speaker 3: Gila, Yes, Gila River casino there it's I'm sure it's 1429 00:59:43,920 --> 00:59:44,600 Speaker 3: an enchanting place. 1430 00:59:44,640 --> 00:59:46,200 Speaker 2: I can't wait to go. I'll see you there and 1431 00:59:46,200 --> 00:59:46,840 Speaker 2: then besties. 1432 00:59:46,840 --> 00:59:48,800 Speaker 3: There's just tons of tour dates that you got to 1433 00:59:48,800 --> 00:59:52,600 Speaker 3: hop in on. Note the meet and greets are not 1434 00:59:52,840 --> 00:59:55,480 Speaker 3: happening on new tour dates, So if it's a new 1435 00:59:55,560 --> 00:59:57,280 Speaker 3: added tour date, there's no meet and greet. I just 1436 00:59:57,320 --> 00:59:59,000 Speaker 3: don't want you to get excited. But on the old 1437 00:59:59,040 --> 01:00:01,280 Speaker 3: tour dates where there's single seats, I think a lot 1438 01:00:01,280 --> 01:00:04,480 Speaker 3: of still available. Those do still have meet and greets. 1439 01:00:04,480 --> 01:00:08,480 Speaker 3: So this is the announcement of that. I am, I am. 1440 01:00:09,360 --> 01:00:15,080 Speaker 3: What's the word Weaning yourself away from meet and greets, tapering, tight, trating. 1441 01:00:14,840 --> 01:00:16,080 Speaker 1: Meet and great, getting too much? 1442 01:00:16,160 --> 01:00:17,600 Speaker 2: Huh, it's getting too much. 1443 01:00:17,960 --> 01:00:21,720 Speaker 3: I love meeting people so much, but it is draining 1444 01:00:21,880 --> 01:00:25,360 Speaker 3: of my energy that I need and I feel like 1445 01:00:25,640 --> 01:00:28,120 Speaker 3: it's just it's it's it's worth. 1446 01:00:27,960 --> 01:00:28,640 Speaker 2: It when I meet you. 1447 01:00:28,680 --> 01:00:30,280 Speaker 3: When I meet you, like when I run into you, 1448 01:00:30,720 --> 01:00:34,120 Speaker 3: and if there's a circumstance in which we can meet 1449 01:00:34,120 --> 01:00:35,960 Speaker 3: at some point, I'm always down for that, Like I 1450 01:00:36,000 --> 01:00:37,439 Speaker 3: love you so much, but I just. 1451 01:00:37,400 --> 01:00:39,920 Speaker 1: Nicky in front of the correct Starbucks at the right. 1452 01:00:39,760 --> 01:00:43,520 Speaker 3: Time Honestly, a good thing to do is like go 1453 01:00:43,560 --> 01:00:48,680 Speaker 3: to Starbucks within a like a mile radius of where 1454 01:00:48,680 --> 01:00:50,760 Speaker 3: I'm performing that night, and I probably will be at 1455 01:00:50,760 --> 01:00:53,040 Speaker 3: one because I'm usually staying pretty close by a venue. 1456 01:00:53,080 --> 01:00:55,320 Speaker 3: It's like, you know, by the venue that I'm performing at, 1457 01:00:55,360 --> 01:00:56,840 Speaker 3: and then just hang out at the Starbucks and you 1458 01:00:56,960 --> 01:00:57,440 Speaker 3: might see me. 1459 01:00:57,480 --> 01:00:58,640 Speaker 2: It's like the best bet you can get. 1460 01:00:58,880 --> 01:01:00,880 Speaker 1: But you go to pretty random Starbucks, shre we. 1461 01:01:00,880 --> 01:01:02,640 Speaker 2: Could murder me too in that way. So I just 1462 01:01:02,680 --> 01:01:04,959 Speaker 2: gave I just kind of gave a what did you say, Brian? 1463 01:01:05,160 --> 01:01:07,440 Speaker 1: If you go to random Starbucks, it's gonna it's a 1464 01:01:07,480 --> 01:01:09,760 Speaker 1: tough gamble because on the road you go to some 1465 01:01:09,920 --> 01:01:13,080 Speaker 1: random Starbucks that are just like this one's five miles 1466 01:01:13,080 --> 01:01:14,200 Speaker 1: away from where we're gonna be. 1467 01:01:14,120 --> 01:01:15,960 Speaker 3: In thirty it doesn't have a mobile order. I'm not 1468 01:01:16,000 --> 01:01:17,680 Speaker 3: gonna be at that one. So check if it does 1469 01:01:17,720 --> 01:01:19,960 Speaker 3: mobile order because that'll that'll weed some of those out 1470 01:01:20,000 --> 01:01:22,360 Speaker 3: so you can kind of focus in. But anyway, I 1471 01:01:22,520 --> 01:01:24,800 Speaker 3: do have I think meet and greets will be happening 1472 01:01:24,840 --> 01:01:27,640 Speaker 3: on dates that are into the fall, but it's new 1473 01:01:27,720 --> 01:01:29,640 Speaker 3: tour dates that have been added. Those are second shows, 1474 01:01:29,680 --> 01:01:31,960 Speaker 3: and you can kind of tell when the show was added, 1475 01:01:32,120 --> 01:01:34,400 Speaker 3: check when it was announced. If it was announced post roast, 1476 01:01:34,440 --> 01:01:36,280 Speaker 3: that means no meet and greet, and I'm sorry and 1477 01:01:36,320 --> 01:01:37,920 Speaker 3: I love you so much, and to those who I 1478 01:01:37,960 --> 01:01:40,080 Speaker 3: do get to meet, I'm so fucking excited and I 1479 01:01:40,120 --> 01:01:41,800 Speaker 3: will continue meeting all of you because I'm out and 1480 01:01:41,800 --> 01:01:45,400 Speaker 3: about and also you guys, I'm still right to you 1481 01:01:45,480 --> 01:01:48,440 Speaker 3: and my dms. I'll still heart things, but it's just 1482 01:01:48,480 --> 01:01:49,840 Speaker 3: a little bit too much for now. 1483 01:01:49,880 --> 01:01:51,720 Speaker 2: And I love you and you know I love you, 1484 01:01:51,800 --> 01:01:52,080 Speaker 2: and I'm 1485 01:01:52,360 --> 01:01:55,880 Speaker 3: Still I keep doing the podcast, so thanks for listening, 1486 01:01:55,920 --> 01:01:57,600 Speaker 3: and don't be cud and I'll stealing her Bi