1 00:00:01,720 --> 00:00:05,200 Speaker 1: And that's what you really missed with Jenna and Kevin 2 00:00:05,480 --> 00:00:10,600 Speaker 1: an iHeartRadio podcast, Welcome to you, and that's what you 3 00:00:10,640 --> 00:00:16,599 Speaker 1: really missed Theatricality. I'm Jenna, I'm Kevin, and today we're 4 00:00:16,600 --> 00:00:21,680 Speaker 1: getting We're getting into it. We're really going for it. 5 00:00:22,160 --> 00:00:26,920 Speaker 1: You thought the show was gay before? Get ready? I 6 00:00:27,080 --> 00:00:32,400 Speaker 1: love this episode so much fun. Yeah, so happy. I 7 00:00:32,479 --> 00:00:35,320 Speaker 1: have an audio memory from this episode. And when I 8 00:00:35,360 --> 00:00:38,559 Speaker 1: think of this episode, I just think of you. I 9 00:00:38,600 --> 00:00:40,600 Speaker 1: could hear you before, I could see you walking in 10 00:00:40,640 --> 00:00:45,640 Speaker 1: those plastic bubbles everywhere you went, just swishing, swaying through 11 00:00:45,720 --> 00:00:49,839 Speaker 1: the stages. And when Jenna gets annoyed, she gets this 12 00:00:50,280 --> 00:00:53,000 Speaker 1: look on her face because you can't sit in an 13 00:00:53,000 --> 00:00:56,160 Speaker 1: outfit that's just bubbles. We'll get into it, Yeah, we'll 14 00:00:56,160 --> 00:00:59,240 Speaker 1: get into it. That's my memory of this. Okay. So 15 00:00:59,560 --> 00:01:04,120 Speaker 1: Theatricality originally aired May twenty fifth, twenty ten. It was 16 00:01:04,160 --> 00:01:07,760 Speaker 1: episode twenty out of twenty two. So we're almost at 17 00:01:07,760 --> 00:01:13,320 Speaker 1: the end. Oh my gosh, do you remember. So when 18 00:01:13,720 --> 00:01:15,880 Speaker 1: we were we were also on tour this time, Like 19 00:01:15,880 --> 00:01:20,520 Speaker 1: we said last week, we had performed in La and 20 00:01:20,560 --> 00:01:23,240 Speaker 1: I remember Ryan coming in backstage saying they were going 21 00:01:23,319 --> 00:01:25,840 Speaker 1: to swap the order of two of the episodes. If 22 00:01:25,840 --> 00:01:29,440 Speaker 1: I remember correctly, this episode and the next episode of 23 00:01:29,440 --> 00:01:33,720 Speaker 1: Funk were shot and the opposite order. We shot Funk 24 00:01:33,840 --> 00:01:36,360 Speaker 1: first and then we shot Theatricality, and then they swapped 25 00:01:36,400 --> 00:01:40,440 Speaker 1: them in airing order because they wanted this episode to 26 00:01:40,440 --> 00:01:42,840 Speaker 1: be out sooner. I don't know, why do you remember that? 27 00:01:43,080 --> 00:01:45,360 Speaker 1: We like, what does that mean? Did we all suck 28 00:01:45,400 --> 00:01:49,120 Speaker 1: in Funk and they swapped it? Probably? Yeah, that that 29 00:01:49,160 --> 00:01:53,040 Speaker 1: could be the King Wow. Interesting, I didn't know that. 30 00:01:53,320 --> 00:01:56,120 Speaker 1: I don't remember that. I mean, we're not making that up, 31 00:01:56,160 --> 00:01:59,320 Speaker 1: but I think that's vaguely No, No, it sounds vaguely familiar. 32 00:01:59,400 --> 00:02:01,680 Speaker 1: But yeah, you're right. And then I remember watching Funking 33 00:02:01,760 --> 00:02:04,560 Speaker 1: being like, this wasn't my favorite episode. Yeah, I think 34 00:02:04,560 --> 00:02:06,480 Speaker 1: that we'll see about next week here because I feel 35 00:02:06,480 --> 00:02:08,720 Speaker 1: like they I feel like Ryan then also showed us 36 00:02:08,720 --> 00:02:12,040 Speaker 1: a trailer for Theatricality or something like that, like we 37 00:02:12,040 --> 00:02:17,400 Speaker 1: were very excited because Ryan's episode. Yes, so what was 38 00:02:17,440 --> 00:02:21,359 Speaker 1: going on in the world at this time? Jenna Um 39 00:02:21,639 --> 00:02:25,520 Speaker 1: number one song is still OMG. The No. One movie though, 40 00:02:26,360 --> 00:02:30,160 Speaker 1: is Shrek Forever after? That's right, I've not seen any 41 00:02:30,160 --> 00:02:36,440 Speaker 1: other Shrek movies. What I've only seen the first one. Oh, 42 00:02:36,480 --> 00:02:39,200 Speaker 1: you're missing out, and the sequel to Shrek. The second 43 00:02:39,200 --> 00:02:42,480 Speaker 1: Shrek is incredible. Oh I gotta watch. I don't love 44 00:02:42,480 --> 00:02:46,040 Speaker 1: the third one, but the second one feels what I'm saying. Okay, fine, 45 00:02:46,480 --> 00:02:48,840 Speaker 1: I have a child, so now's your time. Yeah, I 46 00:02:48,919 --> 00:02:50,760 Speaker 1: just wait till she gets the old or she actually 47 00:02:50,760 --> 00:02:53,920 Speaker 1: watched TV, so I let her watch TV. Um. Okay, 48 00:02:54,440 --> 00:02:56,480 Speaker 1: Glee News. This week, you said we were on tour. 49 00:02:56,600 --> 00:03:01,799 Speaker 1: Where were we we were during this date? On May 50 00:03:01,800 --> 00:03:05,119 Speaker 1: twenty fifth, we were performing in Chicago. We did two 51 00:03:05,200 --> 00:03:08,720 Speaker 1: nights in Chicago. Do you remember we got a police 52 00:03:08,880 --> 00:03:13,359 Speaker 1: escort to and from the theater. I really felt like 53 00:03:13,919 --> 00:03:19,560 Speaker 1: the Obama's It really felt very important legit. Yeah, do 54 00:03:19,600 --> 00:03:25,400 Speaker 1: you remember that? Crazy? I also remember yeah, well okay, 55 00:03:25,720 --> 00:03:28,440 Speaker 1: so we got a private jet. It was Thomas the 56 00:03:28,480 --> 00:03:31,960 Speaker 1: Stango private jet. It wasn't it was like a commuter 57 00:03:31,960 --> 00:03:36,360 Speaker 1: place anyway. It's not just our expectations. Yeah you hear, 58 00:03:36,400 --> 00:03:39,240 Speaker 1: private plane. It's not one of those beautiful thing about 59 00:03:39,240 --> 00:03:41,160 Speaker 1: like one of those planes that like you take for 60 00:03:41,200 --> 00:03:43,600 Speaker 1: an hour flight somewhere right like it's the second leg 61 00:03:43,640 --> 00:03:50,200 Speaker 1: of your flight. I remember getting off that flight and 62 00:03:50,240 --> 00:03:52,240 Speaker 1: then they got us sprinter vans and we had to 63 00:03:52,240 --> 00:03:54,280 Speaker 1: split up, you know, because there's two minion of us 64 00:03:54,320 --> 00:03:56,600 Speaker 1: to fit in one car. We split open the sprinter 65 00:03:56,680 --> 00:04:01,400 Speaker 1: vans and there was always somebody that had to pee. 66 00:04:01,640 --> 00:04:05,200 Speaker 1: Oh oh wait, maybe this was Chicago the second tour. 67 00:04:06,040 --> 00:04:09,200 Speaker 1: It could have been this was Chicago the second door. 68 00:04:09,200 --> 00:04:11,960 Speaker 1: But I'm gonna tell you great Chicago the second tour. 69 00:04:12,200 --> 00:04:14,080 Speaker 1: This is the second Now we're there, we're going to stay. 70 00:04:14,120 --> 00:04:18,240 Speaker 1: We're going to the hotel. Um where we stay was 71 00:04:18,360 --> 00:04:25,200 Speaker 1: the illusion? Anyway? Okay, Um, We're on the way and 72 00:04:25,360 --> 00:04:27,320 Speaker 1: Harry has to be really bad and we're in like 73 00:04:27,720 --> 00:04:33,279 Speaker 1: bumper to bumper traffic, like NonStop traffic, um. And he's 74 00:04:33,279 --> 00:04:36,720 Speaker 1: standing at the door where they had long slider dar doors, 75 00:04:36,720 --> 00:04:38,520 Speaker 1: and he's staring out the window and he's like, what 76 00:04:38,560 --> 00:04:41,080 Speaker 1: if I pee on the side of the shoulder and 77 00:04:41,120 --> 00:04:43,200 Speaker 1: we're not moving And here he's like, I'm gonna get 78 00:04:43,200 --> 00:04:44,960 Speaker 1: out and do it, and the drivers like, don't do it, sir, 79 00:04:46,040 --> 00:04:48,760 Speaker 1: please don't. He's like, I gotta I gotta go. And 80 00:04:48,839 --> 00:04:52,000 Speaker 1: the whole time he's just staring out the big wind 81 00:04:52,680 --> 00:04:57,640 Speaker 1: with his hands and I think he's going to pee 82 00:04:57,640 --> 00:05:00,240 Speaker 1: his pants. Like I think this is this is really 83 00:05:00,240 --> 00:05:03,640 Speaker 1: really bad. He made it. He made it, but um, 84 00:05:03,680 --> 00:05:05,720 Speaker 1: there were other times we didn't make it where we 85 00:05:05,760 --> 00:05:07,560 Speaker 1: had to stop on the side of the roads and 86 00:05:07,600 --> 00:05:09,960 Speaker 1: pee I peted in Michigan on the side of the 87 00:05:10,600 --> 00:05:13,039 Speaker 1: willow and it was yelled. Remember that one, Yes, yeah, 88 00:05:13,120 --> 00:05:15,880 Speaker 1: that was second Anyway, Sorry I'm confusing tours, but we 89 00:05:15,960 --> 00:05:19,000 Speaker 1: peat a lot on the side of the roads, you know, 90 00:05:19,480 --> 00:05:22,640 Speaker 1: hurting cats, and then and then next week we go 91 00:05:22,720 --> 00:05:31,080 Speaker 1: to New York City, so radio City. Okay, I think 92 00:05:31,080 --> 00:05:33,279 Speaker 1: we should just talk about theatricality because there's a lot 93 00:05:33,320 --> 00:05:37,440 Speaker 1: of stuff to talk about. Written and directed by Ryan Um. 94 00:05:37,520 --> 00:05:41,240 Speaker 1: He clearly wanted some Gaga. We got Gaga and we 95 00:05:41,320 --> 00:05:45,359 Speaker 1: got a DNA man Zelle for the big big reveal. 96 00:05:46,920 --> 00:05:49,640 Speaker 1: Mm hmm. There was no Jane Lynch in this episode. 97 00:05:49,800 --> 00:05:54,320 Speaker 1: There's no Jessely, no Jane and no Chamber and jesselyn 98 00:05:54,440 --> 00:05:57,320 Speaker 1: We know, like Terry's kind of gone, like Terry's kind 99 00:05:57,320 --> 00:06:00,440 Speaker 1: of out of this now. Um, but he's here without 100 00:06:00,440 --> 00:06:05,080 Speaker 1: Seal Survester, Like there's no Sue Vester U storyline. But 101 00:06:05,440 --> 00:06:10,440 Speaker 1: there's a lot of other stuff going on. Um, tell us, 102 00:06:10,760 --> 00:06:13,560 Speaker 1: tell us about the songs. In this episode, Kevin, So, 103 00:06:13,680 --> 00:06:16,920 Speaker 1: even though this episode to us feels like Gaga, it 104 00:06:17,000 --> 00:06:23,400 Speaker 1: is theatricality. So we get some funny Girl, we get 105 00:06:23,440 --> 00:06:26,200 Speaker 1: bad Romance by Lady Gaga, we get shouted out loud 106 00:06:26,240 --> 00:06:29,880 Speaker 1: and Beth by Kiss is very theatrical, and then we 107 00:06:29,920 --> 00:06:33,039 Speaker 1: get poker Faced by Lady Gaga, one of my favorite 108 00:06:33,600 --> 00:06:37,720 Speaker 1: covers in the history of the show. Oh wow, I 109 00:06:37,920 --> 00:06:42,480 Speaker 1: love it absolutely rich what happens this episode, Jenna all right, 110 00:06:42,560 --> 00:06:47,640 Speaker 1: So Will encourages the Glee club to express themselves like 111 00:06:47,680 --> 00:06:52,160 Speaker 1: my daughter using the music of Lady Gaga and Kiss. 112 00:06:52,880 --> 00:06:58,240 Speaker 1: And meanwhile Rachel confronts her mom shall we um because 113 00:06:58,279 --> 00:07:01,039 Speaker 1: she knows it's her birth mother. She's figured it out. 114 00:07:01,520 --> 00:07:05,200 Speaker 1: Last episode, we learned that we listened to the tapes. 115 00:07:05,320 --> 00:07:08,320 Speaker 1: Jesse Jesse Saint James got her to listen to the tape. 116 00:07:08,720 --> 00:07:12,200 Speaker 1: So Rachel goes to visit Vocal Adrenaline. She hears her 117 00:07:12,240 --> 00:07:17,200 Speaker 1: seeing funny Girl. We'll get into it. Yeah, you know, 118 00:07:17,720 --> 00:07:22,200 Speaker 1: trouble is a foot. I was so excited to do 119 00:07:22,320 --> 00:07:27,280 Speaker 1: this episode. I was so happy, and I think Ryan 120 00:07:27,400 --> 00:07:29,560 Speaker 1: knew how much I loved Gaga because this is when 121 00:07:29,600 --> 00:07:32,600 Speaker 1: we start to see like you start to get storylines 122 00:07:33,280 --> 00:07:36,720 Speaker 1: for shows or artists that you love. He started to 123 00:07:36,760 --> 00:07:44,160 Speaker 1: like really listen. Um. And then Gaga actually responded to 124 00:07:44,240 --> 00:07:46,520 Speaker 1: this episode and the fact that we did some of 125 00:07:46,560 --> 00:07:53,440 Speaker 1: her music, which the beginning of doing her music. Um. Okay, 126 00:07:54,240 --> 00:07:57,080 Speaker 1: there's a review from Tim Stack, our friend Tim Stack, 127 00:07:57,120 --> 00:08:00,880 Speaker 1: who was with EW at the time. Do you remember what? 128 00:08:01,000 --> 00:08:02,560 Speaker 1: Do you want to read? What he said? Kevin? Yeah, 129 00:08:02,560 --> 00:08:04,720 Speaker 1: he said, Tonight's Glee was definitely one of my favorite 130 00:08:04,720 --> 00:08:07,520 Speaker 1: hours of the entire season. I had no idea it 131 00:08:07,560 --> 00:08:11,040 Speaker 1: would be so emotional, or that I would be so emotional. Seriously, 132 00:08:11,040 --> 00:08:14,560 Speaker 1: how many of you Gleeks shed said major tears during theatricality, 133 00:08:14,960 --> 00:08:18,559 Speaker 1: but the episode also had several shiver producing performances and laughs. 134 00:08:18,600 --> 00:08:20,960 Speaker 1: I think that's why it was so phenomenal. It does 135 00:08:20,960 --> 00:08:24,320 Speaker 1: what Glee does best, which is combining comedy, music and 136 00:08:24,520 --> 00:08:28,040 Speaker 1: emotional truths. And then I love that Gaga was like 137 00:08:28,280 --> 00:08:31,600 Speaker 1: she said, I love Glee. Um. I love the cast 138 00:08:31,720 --> 00:08:33,880 Speaker 1: and the creativity of the writers. I went to musical 139 00:08:33,920 --> 00:08:36,360 Speaker 1: theater school and used to dream that someday the students 140 00:08:36,440 --> 00:08:40,280 Speaker 1: would be singing my songs. Um. And then she tweeted 141 00:08:40,280 --> 00:08:44,240 Speaker 1: out Glee was so amazing. How cool but wild. That 142 00:08:44,240 --> 00:08:47,679 Speaker 1: felt very cool. That was before Jenna actually became friends 143 00:08:47,679 --> 00:08:54,520 Speaker 1: with Lady g g This was pretty before becoming friends 144 00:08:54,520 --> 00:09:00,200 Speaker 1: with good old Steph. What do you want to call you? 145 00:09:00,280 --> 00:09:04,800 Speaker 1: Steph or Gaga? Either one? God. Jenna would come home 146 00:09:04,800 --> 00:09:06,960 Speaker 1: we live together and tell me stories hang out with Gaga, 147 00:09:07,040 --> 00:09:09,800 Speaker 1: and I was like, I can't handle this. Why don't 148 00:09:09,800 --> 00:09:13,320 Speaker 1: you invite me on these trips with the best? It 149 00:09:13,440 --> 00:09:17,920 Speaker 1: was the best, the best, the best, the highland of 150 00:09:17,960 --> 00:09:22,800 Speaker 1: my life. Um, all right, that's season two. We'll talk 151 00:09:22,800 --> 00:09:30,719 Speaker 1: about that more. Okay, So Tina has quite an incredible story. Um, 152 00:09:30,800 --> 00:09:32,480 Speaker 1: what do you want to tell your own story, Jenna? 153 00:09:32,640 --> 00:09:37,840 Speaker 1: I think you should. Tina has a very specific look. 154 00:09:38,320 --> 00:09:43,480 Speaker 1: She is God and obviously we've known this, but um 155 00:09:43,880 --> 00:09:46,880 Speaker 1: we cut to her in principal Figgins office with mister 156 00:09:46,960 --> 00:09:50,400 Speaker 1: Shoe asking if she's in trouble, and mister Shoe blindly 157 00:09:50,440 --> 00:09:53,320 Speaker 1: thinks that she's going to have perfect attendance and she's 158 00:09:53,360 --> 00:09:57,640 Speaker 1: going to be commended for it. Um. Figgins is actually 159 00:09:58,720 --> 00:10:04,280 Speaker 1: afraid of vampire real He thinks vampires are real, and um, 160 00:10:04,360 --> 00:10:12,000 Speaker 1: so he he is concerned that Tina's look is it's 161 00:10:12,040 --> 00:10:16,400 Speaker 1: going to be an issue. Um, but mister Shoe kind 162 00:10:16,400 --> 00:10:18,080 Speaker 1: of defends her and says, this is the way that 163 00:10:18,120 --> 00:10:21,559 Speaker 1: she's going to defend herself, um or starting to defend herself, 164 00:10:21,600 --> 00:10:26,120 Speaker 1: express herself, express yourself. And then obviously that's where mister 165 00:10:26,200 --> 00:10:30,319 Speaker 1: Shoe gets his um um theme for the week, because 166 00:10:30,679 --> 00:10:36,240 Speaker 1: it can't just be preplanned. He's never planned out plan ever. 167 00:10:36,520 --> 00:10:40,520 Speaker 1: Can you please say you're lying about Twilight? My parents 168 00:10:40,520 --> 00:10:42,400 Speaker 1: won't even let me watch Twilight. My mom says she 169 00:10:42,440 --> 00:10:48,520 Speaker 1: thinks Christian Stewart seems like a bitch. It's so good 170 00:10:49,280 --> 00:10:51,840 Speaker 1: I just got PTSD, like bringing Tina bag and done 171 00:10:51,920 --> 00:10:56,800 Speaker 1: with money. Yeah that whoa thank you for You're a 172 00:10:56,800 --> 00:10:59,000 Speaker 1: good friend, Thank you for doing that for me. So, 173 00:10:59,240 --> 00:11:03,080 Speaker 1: mister Shoe, this is inspired by Tina, who has to 174 00:11:03,200 --> 00:11:08,760 Speaker 1: then basically were do nothing goth and wear a sweatshirt 175 00:11:08,800 --> 00:11:11,360 Speaker 1: and no makeup, which was very wild to see me 176 00:11:11,559 --> 00:11:15,040 Speaker 1: look like me on screen. I mean I remember shooting 177 00:11:15,080 --> 00:11:19,240 Speaker 1: this episode and Ryan being like no makeup for Jenna, 178 00:11:19,400 --> 00:11:24,319 Speaker 1: no makeup, and Aaron Krueger was like, no makeup. So 179 00:11:24,440 --> 00:11:26,600 Speaker 1: I get to set in Ryan's like you're wearing makeup 180 00:11:26,720 --> 00:11:32,200 Speaker 1: and I was like that twenty three year old face 181 00:11:35,000 --> 00:11:38,840 Speaker 1: is the twenty three year old face right there. Oh 182 00:11:38,880 --> 00:11:42,920 Speaker 1: my god. So this was favor. This was really fun 183 00:11:42,960 --> 00:11:45,560 Speaker 1: for me because I took zero time in the makeup 184 00:11:45,600 --> 00:11:48,440 Speaker 1: trailer and it was super comfy. I was in a 185 00:11:48,600 --> 00:11:51,560 Speaker 1: gray sweatshirt. I was so happy. But she looks so sad. 186 00:11:51,880 --> 00:11:55,920 Speaker 1: So mister Shoe um comes up with the idea that 187 00:11:56,280 --> 00:12:01,400 Speaker 1: we are going to do Gaga because is Rachel has 188 00:12:01,440 --> 00:12:04,559 Speaker 1: gone to spy on Shelby, which we'll talk about later. 189 00:12:05,000 --> 00:12:09,160 Speaker 1: Um and finds out that Vocal Adrenaline is doing Gaga, 190 00:12:09,360 --> 00:12:14,360 Speaker 1: and so obviously mister Shoe steals that idea and hopefully 191 00:12:14,480 --> 00:12:19,160 Speaker 1: helping Tina find a different look for herself, for a 192 00:12:19,200 --> 00:12:21,920 Speaker 1: way to her to express herself by the way that 193 00:12:22,000 --> 00:12:27,360 Speaker 1: Vocal Adrenaline performance and the outfits. That red lace is 194 00:12:27,880 --> 00:12:36,800 Speaker 1: absolutely diabolical eyes. No, they're a singing group, you know, 195 00:12:36,960 --> 00:12:40,640 Speaker 1: and you can't see their mouths on faces at all. 196 00:12:41,040 --> 00:12:45,320 Speaker 1: They're not breathing. No, it's absolutely crazy and beautiful to 197 00:12:45,360 --> 00:12:51,240 Speaker 1: look at, you know. So when, of course, sort of 198 00:12:51,280 --> 00:12:54,560 Speaker 1: like Madonna, when Shoe pitches the whole Gaga thing to 199 00:12:54,640 --> 00:12:57,360 Speaker 1: the glee club, the boys have a problem with it, 200 00:12:57,400 --> 00:13:03,240 Speaker 1: of course, except Kurt m who says Lady Gaga as 201 00:13:03,240 --> 00:13:05,559 Speaker 1: a woman, she's only the biggest pop act to come 202 00:13:05,559 --> 00:13:08,240 Speaker 1: along in decades. She's boundary pushing the most theatrical form 203 00:13:08,280 --> 00:13:10,320 Speaker 1: of our generation. And she changes her look faster than 204 00:13:10,360 --> 00:13:16,559 Speaker 1: brit changes sexual partners, which is true. Yeah, true, And 205 00:13:16,800 --> 00:13:23,600 Speaker 1: so the guys don't want to do Gaga? Did Arreadie agree? Nope? Okay, 206 00:13:24,080 --> 00:13:27,120 Speaker 1: but another reason why Laradie and Kevin were not the same, right, 207 00:13:28,320 --> 00:13:32,560 Speaker 1: so they get to do yes, But Finn will go 208 00:13:32,600 --> 00:13:36,040 Speaker 1: to mister Shoe basically and say this is not their 209 00:13:36,360 --> 00:13:38,959 Speaker 1: I don't really and you haven't really been listening to 210 00:13:39,040 --> 00:13:44,079 Speaker 1: the guys, and Mister Shoe, surprisingly to finn sprise, says okay, 211 00:13:44,600 --> 00:13:47,440 Speaker 1: so you're going to do Kiss I hear you? Yeah, 212 00:13:47,559 --> 00:13:51,160 Speaker 1: which all right, fine, which was fun because it was 213 00:13:51,400 --> 00:13:53,840 Speaker 1: I mean, of course I'd rather do Gaga, but dressing 214 00:13:53,880 --> 00:13:55,679 Speaker 1: up as Kiss was wild, and we got to wear 215 00:13:55,720 --> 00:13:58,520 Speaker 1: these gigantic platform shoes and have all that crazy ass 216 00:13:58,840 --> 00:14:02,560 Speaker 1: maker looked insane. But Nia and I did try on 217 00:14:02,559 --> 00:14:06,960 Speaker 1: each other's outfits. Oh my god, I fit into her 218 00:14:07,040 --> 00:14:11,000 Speaker 1: little black lace outfit she did, because how stunning did 219 00:14:11,040 --> 00:14:13,960 Speaker 1: she look? I mean unbelievable to look a little spider 220 00:14:14,080 --> 00:14:18,320 Speaker 1: she just like linking around on that floor. She sounded great, 221 00:14:18,360 --> 00:14:31,080 Speaker 1: she looked great. I mean, come on, when did you 222 00:14:31,120 --> 00:14:32,640 Speaker 1: know you were going to be in the bubble outfit? 223 00:14:33,080 --> 00:14:35,560 Speaker 1: All right? So I started having fittings for this pretty 224 00:14:35,560 --> 00:14:40,560 Speaker 1: early on, and they built this bubble outfit. And when 225 00:14:40,600 --> 00:14:42,240 Speaker 1: they first hit me and they fit me in a 226 00:14:42,360 --> 00:14:47,960 Speaker 1: nude leotard, and they came and they basically took measurements, 227 00:14:48,760 --> 00:14:53,040 Speaker 1: and then I went back and they sewed these bubbles 228 00:14:53,160 --> 00:14:57,640 Speaker 1: on by hand. And these bubbles were like, imagine going 229 00:14:57,640 --> 00:15:02,680 Speaker 1: to my goals and getting like really hard acrylic bubbles, 230 00:15:02,720 --> 00:15:07,200 Speaker 1: clear bubbles in all different sizes. These bubbles are like 231 00:15:07,440 --> 00:15:13,080 Speaker 1: imagine a Christmas tree, That's what it was. And I 232 00:15:13,120 --> 00:15:15,800 Speaker 1: remember them putting these on and I was like, this 233 00:15:15,880 --> 00:15:19,120 Speaker 1: is so cool. And then the wig and the gloves 234 00:15:19,120 --> 00:15:21,280 Speaker 1: and the cool little go Go boots and I'm like 235 00:15:21,920 --> 00:15:25,920 Speaker 1: so excited. Tina's got a storyline and we're doing the 236 00:15:25,920 --> 00:15:28,760 Speaker 1: first scene, and I think the first one we did 237 00:15:29,480 --> 00:15:35,000 Speaker 1: was walking down the hall when Kurovski pushes Tina and 238 00:15:35,360 --> 00:15:39,120 Speaker 1: hurt is there. You guys get bullied as soon as 239 00:15:39,120 --> 00:15:41,320 Speaker 1: you start showing up to school in these outfits by 240 00:15:41,360 --> 00:15:46,960 Speaker 1: Krofsking and Senio, Um, I'm walking and I'm walking, and 241 00:15:47,680 --> 00:15:49,920 Speaker 1: I think it's just because I'm walking down the hall 242 00:15:49,960 --> 00:15:56,560 Speaker 1: that they're making sounds. But imagine literally Christmas tree and 243 00:15:56,720 --> 00:16:00,280 Speaker 1: sound is like oh my god, and they're like, could 244 00:16:00,280 --> 00:16:04,880 Speaker 1: you walk less noisy? And I'm like, you, guys, I this. 245 00:16:05,040 --> 00:16:08,040 Speaker 1: I didn't do this, Okay, I didn't do this. So 246 00:16:08,080 --> 00:16:10,200 Speaker 1: we think it's that, and then I start to feel 247 00:16:10,240 --> 00:16:13,880 Speaker 1: like and like a bubble rolls away and I'm like, 248 00:16:14,160 --> 00:16:17,840 Speaker 1: oh my god. And they're sewing bubbles back on me 249 00:16:17,960 --> 00:16:21,040 Speaker 1: in between takes, and so there's constantly somebody like touching 250 00:16:21,080 --> 00:16:23,080 Speaker 1: you at all times, and I have to keep my 251 00:16:23,200 --> 00:16:26,000 Speaker 1: arms up because if I put my arms down, the 252 00:16:26,040 --> 00:16:31,600 Speaker 1: balls fall off. So I just said, like the scarecrow, 253 00:16:32,200 --> 00:16:38,280 Speaker 1: that's right. It's about time my arms are like scarecrows. 254 00:16:39,360 --> 00:16:43,600 Speaker 1: So then we get into the next scene where we're 255 00:16:43,600 --> 00:16:45,560 Speaker 1: all in the choir room. This I think this is 256 00:16:45,640 --> 00:16:49,440 Speaker 1: when Rachel comes in with the stuffed animal look and 257 00:16:49,600 --> 00:16:52,000 Speaker 1: we're all in our gaga looks and I'm sitting on 258 00:16:52,080 --> 00:16:56,000 Speaker 1: the stool and we're in between what we're about to 259 00:16:56,000 --> 00:16:58,280 Speaker 1: call action and they're like, hold hold please for sound, 260 00:17:00,000 --> 00:17:01,320 Speaker 1: and they're like, what is that, and I'm like, I 261 00:17:01,360 --> 00:17:05,440 Speaker 1: think it's me. I was so mad at this point. 262 00:17:05,920 --> 00:17:08,399 Speaker 1: I picture of you sitting next door and like the 263 00:17:08,400 --> 00:17:11,480 Speaker 1: astronomy classroom on a stool, like drinking a diet coke 264 00:17:11,560 --> 00:17:16,520 Speaker 1: or something, just so miserable, and they're like, could you 265 00:17:16,680 --> 00:17:20,960 Speaker 1: not move? And I was like, I'm breathing. So every 266 00:17:21,000 --> 00:17:25,320 Speaker 1: time the leotard would expand my lungs would expand the 267 00:17:25,400 --> 00:17:30,080 Speaker 1: balls would hit each other. I was like, I'll hold 268 00:17:30,119 --> 00:17:33,080 Speaker 1: my breath. Let me just hold my breath for you. 269 00:17:33,960 --> 00:17:37,440 Speaker 1: Just a small oversight of the plastic pubbles. Tiny, But 270 00:17:37,480 --> 00:17:41,879 Speaker 1: then when you get to the dance numbers, it's a 271 00:17:41,920 --> 00:17:49,400 Speaker 1: whole other thing because you look. If you go back 272 00:17:49,400 --> 00:17:51,920 Speaker 1: and you watch, you may have seen it. At the end. 273 00:17:52,000 --> 00:17:54,119 Speaker 1: When I'm in the back, I'm on the top riser, 274 00:17:54,720 --> 00:17:57,840 Speaker 1: there's a move that I do and you just see 275 00:17:57,880 --> 00:18:02,320 Speaker 1: a ball roll down the choir, yes, down the stands, 276 00:18:02,560 --> 00:18:04,919 Speaker 1: and it just starts to roll. It's towards the end 277 00:18:04,920 --> 00:18:07,199 Speaker 1: of the I didn't catch that, and I was like, 278 00:18:07,280 --> 00:18:11,200 Speaker 1: uh huh. They probably couldn't find a taker. There wasn't 279 00:18:11,200 --> 00:18:14,920 Speaker 1: a ball rolling somewhere. And I would during the number 280 00:18:14,920 --> 00:18:18,199 Speaker 1: when we were doing Bad Romance, I would say ball 281 00:18:18,680 --> 00:18:21,359 Speaker 1: because I didn't want anybody to trip on. Yeah, because 282 00:18:21,480 --> 00:18:25,520 Speaker 1: differs were in crazy high heels and also like masks 283 00:18:25,560 --> 00:18:28,280 Speaker 1: like Heather had like a lobster mask on. Oh my god, 284 00:18:28,520 --> 00:18:32,639 Speaker 1: the references of all the different outfits were pretty incredible, amazing. 285 00:18:32,960 --> 00:18:40,080 Speaker 1: So Kurtz was, Um, Alexander McQueen, McQueen dress was there 286 00:18:40,160 --> 00:18:43,920 Speaker 1: for a performance in Sydney. You texted Chris. I wanted 287 00:18:43,920 --> 00:18:47,280 Speaker 1: to ask him about the shoes. Oh, because I if 288 00:18:47,280 --> 00:18:51,040 Speaker 1: I remember correctly, they made those shoes to look like 289 00:18:51,080 --> 00:18:52,920 Speaker 1: the real ales in and McQueen shoes because I don't 290 00:18:52,960 --> 00:18:55,800 Speaker 1: think you can dance and those and they're probably very expensive, 291 00:18:56,080 --> 00:18:58,760 Speaker 1: that's right. Um. So he sent me a voice memo 292 00:19:00,320 --> 00:19:04,160 Speaker 1: and here's what he said. So Lou made those from scratch. 293 00:19:04,600 --> 00:19:08,040 Speaker 1: They were a pair of red high heels that they 294 00:19:08,040 --> 00:19:11,520 Speaker 1: got out of a drag shop. Um, red silettos. I 295 00:19:11,520 --> 00:19:14,960 Speaker 1: think there were ten inch heels and they created them. 296 00:19:14,960 --> 00:19:17,280 Speaker 1: They put fabric around them to make them look like 297 00:19:17,320 --> 00:19:21,760 Speaker 1: the Alexander McQueen shoes. Sorry, I'm walking in New Orleans, 298 00:19:21,800 --> 00:19:24,320 Speaker 1: so I'm in the little out of breath and um 299 00:19:24,680 --> 00:19:27,440 Speaker 1: what else? Um? And they got me a separate pair 300 00:19:28,000 --> 00:19:31,280 Speaker 1: Basically I called them training heels that I could walk 301 00:19:31,320 --> 00:19:36,560 Speaker 1: around in so I didn't literally fall and break my ankle. Amazing. 302 00:19:37,280 --> 00:19:39,600 Speaker 1: Quinn's dress was inspired by Gaga's Orbit dressed that she 303 00:19:39,640 --> 00:19:43,160 Speaker 1: wanted the twenty ten Grannies designed by Our Money, which 304 00:19:43,160 --> 00:19:46,800 Speaker 1: actually can see it's on display at the Park MGM 305 00:19:47,440 --> 00:19:49,480 Speaker 1: on her show. That was my favorite when she should 306 00:19:49,520 --> 00:19:51,840 Speaker 1: up to the Grammys in that I was obsessed with 307 00:19:51,920 --> 00:19:55,119 Speaker 1: that outfit. I mean, she has put so many freakin 308 00:19:55,160 --> 00:19:58,840 Speaker 1: looks it's wild. Yeah. Cut to her in a black 309 00:19:58,840 --> 00:20:06,280 Speaker 1: tshirt at bat right, which I respect, man respect. And 310 00:20:06,320 --> 00:20:10,359 Speaker 1: then Mercedes was the Gaga live performance of poker Face. 311 00:20:10,520 --> 00:20:13,320 Speaker 1: Brittany's was the Philip Tracy Lobster hat, which is also 312 00:20:13,320 --> 00:20:16,560 Speaker 1: at the MGM Grand which Heather has lots of qualms about. 313 00:20:16,600 --> 00:20:18,800 Speaker 1: She was not happy. She was not a happy camper 314 00:20:18,800 --> 00:20:20,800 Speaker 1: and this one she did not like it. She'd tell 315 00:20:20,840 --> 00:20:26,879 Speaker 1: you herself. It was not fun and comfortable. Um. And 316 00:20:27,760 --> 00:20:32,000 Speaker 1: Santana's was by a Gaga outfit that she wore to 317 00:20:32,000 --> 00:20:36,440 Speaker 1: a club in Berlin. I love that, just like she's 318 00:20:36,480 --> 00:20:39,119 Speaker 1: so on point all the time that even her like 319 00:20:39,200 --> 00:20:43,720 Speaker 1: going out looks are memorable and iconic. Well and even 320 00:20:43,760 --> 00:20:46,439 Speaker 1: when I would hang out with her, just go to 321 00:20:46,480 --> 00:20:49,760 Speaker 1: go to a bar, she would wear I was like, 322 00:20:49,800 --> 00:20:51,840 Speaker 1: what is she going to show up in? You just 323 00:20:51,880 --> 00:20:54,040 Speaker 1: don't know? Right well, she like always in like full 324 00:20:54,080 --> 00:20:56,720 Speaker 1: Gaga dragon. No no, no, she wore a black she 325 00:20:56,800 --> 00:20:59,600 Speaker 1: like black dress, black stockings and like always like a 326 00:20:59,720 --> 00:21:03,879 Speaker 1: lar platform boo, like a very like an oversized platform boot. 327 00:21:04,320 --> 00:21:07,320 Speaker 1: She's little, isn't she's she was tiny, She's like my 328 00:21:07,320 --> 00:21:13,880 Speaker 1: my height. Yeah, um, okay, how was it performing Bad Romance? 329 00:21:13,920 --> 00:21:18,360 Speaker 1: I feel like this and Born this Way are so 330 00:21:19,760 --> 00:21:23,960 Speaker 1: big for Glee, like I amongst us in the Glee world, 331 00:21:24,080 --> 00:21:26,120 Speaker 1: Like doing Gaga at all was such a big deal 332 00:21:26,560 --> 00:21:28,600 Speaker 1: and this number is so good. Do you have fun 333 00:21:28,720 --> 00:21:32,280 Speaker 1: doing it? Minus the balls everywhere? Like did the girls another? 334 00:21:32,359 --> 00:21:35,119 Speaker 1: Like a girl number is the dream for me as 335 00:21:35,160 --> 00:21:38,080 Speaker 1: an audience member. Did you guys feel and it's like 336 00:21:38,080 --> 00:21:42,399 Speaker 1: the precursor to the trouble tones? Like did you feel 337 00:21:42,400 --> 00:21:45,440 Speaker 1: like you guys were the ship? Because you were? We did? 338 00:21:45,440 --> 00:21:48,119 Speaker 1: We love rehearsing together. I think Zach like working with 339 00:21:48,160 --> 00:21:50,600 Speaker 1: the girls because they were most of us were dancers, 340 00:21:50,640 --> 00:21:54,760 Speaker 1: and like you didn't have like Corey being like witch Book. 341 00:21:55,240 --> 00:21:58,040 Speaker 1: So I think it was. It happened really fast. We 342 00:21:58,119 --> 00:22:02,040 Speaker 1: got the numbers really fast, and everybody was just like 343 00:22:02,080 --> 00:22:04,399 Speaker 1: played to their strength in this number. I think like 344 00:22:05,520 --> 00:22:08,280 Speaker 1: even with the costumes and how miserable we were, like, 345 00:22:08,320 --> 00:22:10,840 Speaker 1: we still had such a good time doing it, and 346 00:22:10,880 --> 00:22:13,920 Speaker 1: like being able to go into a recording studio in 347 00:22:14,040 --> 00:22:17,119 Speaker 1: Hollywood and record Gaga songs which were like she was 348 00:22:17,160 --> 00:22:19,600 Speaker 1: at the height of her career. It really felt like 349 00:22:20,359 --> 00:22:22,520 Speaker 1: it just felt like I was like, oh, I I'm here, 350 00:22:22,920 --> 00:22:25,560 Speaker 1: you know I'm here. Um, and Gaga like fit in 351 00:22:25,640 --> 00:22:27,439 Speaker 1: my voice so well, so like it just felt like 352 00:22:27,480 --> 00:22:31,000 Speaker 1: I was in my element and all the girls like, 353 00:22:31,160 --> 00:22:36,239 Speaker 1: I mean, come on. She sounded insane, casually wailing on 354 00:22:36,280 --> 00:22:40,560 Speaker 1: this song, just a wild, wild number. I love this song. 355 00:22:40,600 --> 00:22:44,680 Speaker 1: I actually forgot how much I liked this. Um this 356 00:22:44,720 --> 00:22:49,639 Speaker 1: song like just to listen to on Spotify, because the 357 00:22:49,800 --> 00:22:52,000 Speaker 1: costumes like took away from that in my mind right, 358 00:22:52,040 --> 00:22:54,640 Speaker 1: because we did it on tours while with the Bubbles, 359 00:22:54,640 --> 00:22:59,639 Speaker 1: which they resecured into in a different costume, I was 360 00:22:59,680 --> 00:23:02,199 Speaker 1: able to Dan's in but yeah, no, we this was 361 00:23:02,480 --> 00:23:06,720 Speaker 1: so so much fun. And then the boys do kiss 362 00:23:06,880 --> 00:23:11,159 Speaker 1: to express themselves. Um, you guys were in this. I 363 00:23:11,240 --> 00:23:13,399 Speaker 1: remember I'd like, you guys, the girls had to do 364 00:23:13,480 --> 00:23:16,320 Speaker 1: some crazy stuff and just when the crazy outfits like before, 365 00:23:16,400 --> 00:23:18,159 Speaker 1: but this was like one of the first times you 366 00:23:18,200 --> 00:23:23,400 Speaker 1: guys had to wear full makeup, full costume, this whole thing, like, um, 367 00:23:24,640 --> 00:23:28,800 Speaker 1: tell me about that. I was happy because, like, about 368 00:23:28,880 --> 00:23:31,119 Speaker 1: damn time, you guys are having all the fun with 369 00:23:31,160 --> 00:23:35,199 Speaker 1: all these things. I just remember those boots were so 370 00:23:35,880 --> 00:23:38,080 Speaker 1: tall that sitting in the wheelchair was sort of an 371 00:23:38,119 --> 00:23:43,720 Speaker 1: issue because my knees were up to my chin. Basically, yeah, 372 00:23:43,760 --> 00:23:48,199 Speaker 1: and I just remember recording the song. So my boyfriend 373 00:23:48,320 --> 00:23:51,320 Speaker 1: at the time Brazilian shout out to Marco and his 374 00:23:51,359 --> 00:23:54,360 Speaker 1: whole family are obsessed with kiss, Like the only reason 375 00:23:54,359 --> 00:23:56,600 Speaker 1: I knew who Kiss was was because of them. The 376 00:23:56,760 --> 00:24:00,639 Speaker 1: kiss is still big in Brazil, and I texted like 377 00:24:00,760 --> 00:24:03,320 Speaker 1: this family, I'm like, guys, guess what we're doing next episode. 378 00:24:03,600 --> 00:24:06,159 Speaker 1: We're doing Kiss And so I felt it gave me 379 00:24:06,520 --> 00:24:10,840 Speaker 1: a real big push to try to do them justice 380 00:24:11,320 --> 00:24:14,080 Speaker 1: fair enough, and so it was I was really excited 381 00:24:14,200 --> 00:24:16,200 Speaker 1: for them to get to do this, and I didn't 382 00:24:16,200 --> 00:24:18,000 Speaker 1: know what the song Beth was. I remember texting them 383 00:24:18,000 --> 00:24:21,400 Speaker 1: like what is Beth? They're like, are you kidding me? 384 00:24:21,960 --> 00:24:26,520 Speaker 1: Massive right songs. Yeah, and so you know, we got 385 00:24:26,520 --> 00:24:30,280 Speaker 1: to scream and shout, and I loved watching everybody go 386 00:24:30,320 --> 00:24:32,960 Speaker 1: crazy and seeing you know, Corey like whale and the 387 00:24:33,040 --> 00:24:35,639 Speaker 1: drums like that. It was fun. You guys were also 388 00:24:35,720 --> 00:24:38,760 Speaker 1: so supportive of us. You know how fun it was 389 00:24:38,800 --> 00:24:42,240 Speaker 1: for us to watch you guys perform. And then because 390 00:24:42,240 --> 00:24:44,320 Speaker 1: in the Dawn episode we just sat around a piano 391 00:24:44,400 --> 00:24:47,479 Speaker 1: and sang, this time you guys got to watch us 392 00:24:47,480 --> 00:24:49,520 Speaker 1: and cheer us on and it was a lot of fun. 393 00:24:50,520 --> 00:24:52,760 Speaker 1: Guys walking out of the makeup trailer and us being like, 394 00:24:52,960 --> 00:24:56,399 Speaker 1: oh my god, guy had to walk. We had to 395 00:24:56,400 --> 00:24:58,639 Speaker 1: walk from our trailers at base Camp, which is like 396 00:24:58,640 --> 00:25:01,919 Speaker 1: where we all hung out choose that, and so you 397 00:25:01,920 --> 00:25:04,959 Speaker 1: guys had to walk in those huge heel platform heels 398 00:25:05,000 --> 00:25:07,200 Speaker 1: and you're like, good luck boys. I kept rolling my 399 00:25:07,240 --> 00:25:10,280 Speaker 1: ankle because we all know that these ankles are weak, 400 00:25:10,440 --> 00:25:15,320 Speaker 1: brittle brittle bones. So then what happens in the actual 401 00:25:15,359 --> 00:25:18,480 Speaker 1: episode is we do kids, We perform it, and then 402 00:25:18,600 --> 00:25:23,120 Speaker 1: Puck and the boys do another number. Beth, like we said, 403 00:25:23,880 --> 00:25:28,080 Speaker 1: because he wants to name he and Quinn's daughter Beth. 404 00:25:28,160 --> 00:25:31,480 Speaker 1: Then she's not about it. She's like, stop naming this baby. 405 00:25:31,600 --> 00:25:36,639 Speaker 1: This is not happening. Like Puck says, well, Jackie Daniels 406 00:25:36,640 --> 00:25:38,639 Speaker 1: is a great name for like a powerboat or something. 407 00:25:38,720 --> 00:25:41,080 Speaker 1: It's not the right It's not right for a baby girl, 408 00:25:41,880 --> 00:25:44,600 Speaker 1: thank god. And so there's that whole thing happening. But 409 00:25:44,800 --> 00:25:49,760 Speaker 1: the best part is, Tina, you get to do this 410 00:25:49,840 --> 00:25:57,560 Speaker 1: incredible scene. Please walk us through it. So in the 411 00:25:57,600 --> 00:26:00,680 Speaker 1: first scene, Tina think finds out years out that she 412 00:26:00,840 --> 00:26:06,680 Speaker 1: thinks Figgins thinks vampires are real. So in order to 413 00:26:06,760 --> 00:26:09,160 Speaker 1: be able to dress like goth again, she comes in 414 00:26:09,480 --> 00:26:15,199 Speaker 1: and and scares him to scares him into letting her 415 00:26:15,320 --> 00:26:17,840 Speaker 1: dress goth again or the vampires will come get her. 416 00:26:19,800 --> 00:26:23,000 Speaker 1: We shot this at the end of the day and 417 00:26:23,320 --> 00:26:25,960 Speaker 1: I got to do like really dark golf makeup, and 418 00:26:26,280 --> 00:26:28,680 Speaker 1: I got to wear this awesome cape that they got me. 419 00:26:28,840 --> 00:26:33,200 Speaker 1: It was like vintage. We found it somewhere and those 420 00:26:33,280 --> 00:26:38,399 Speaker 1: vampire teeth actually were made like flippers. Some guy had 421 00:26:38,440 --> 00:26:41,359 Speaker 1: to come to my house and fit my teeth, do 422 00:26:41,480 --> 00:26:45,640 Speaker 1: a full impression, went home, made me these porcelain teeth 423 00:26:46,119 --> 00:26:48,639 Speaker 1: that I got to wear, these fangs, and then Aaron 424 00:26:48,760 --> 00:26:50,640 Speaker 1: was like, you can keep these because these were made 425 00:26:50,640 --> 00:26:52,600 Speaker 1: for you. So I got to keep my vampire teeth, 426 00:26:52,640 --> 00:26:55,440 Speaker 1: although they don't fit anymore because I didn't Visiligne, so 427 00:26:55,560 --> 00:26:58,640 Speaker 1: my bite is different. But I had the vampire teeth 428 00:26:58,640 --> 00:27:02,040 Speaker 1: for a very long time. The details that goes into 429 00:27:02,119 --> 00:27:05,000 Speaker 1: all these things, truly, it's a good budget they had 430 00:27:05,080 --> 00:27:06,880 Speaker 1: right there, Yeah, or else I would have been wearing 431 00:27:06,920 --> 00:27:12,719 Speaker 1: those like Halloween one, yes, party city things. Um. And 432 00:27:12,760 --> 00:27:16,680 Speaker 1: I got to do the scene and um, Ryan kept 433 00:27:16,760 --> 00:27:21,680 Speaker 1: laughing like in the middle of day, and I could 434 00:27:21,760 --> 00:27:24,760 Speaker 1: hear and like they could you can like edit that out, 435 00:27:24,880 --> 00:27:27,679 Speaker 1: but you could hear him in the background, like and 436 00:27:27,760 --> 00:27:29,560 Speaker 1: like when he laughed like that, you knew that you 437 00:27:29,600 --> 00:27:32,919 Speaker 1: were doing something right. Yeah, and he's like, use your 438 00:27:32,960 --> 00:27:35,000 Speaker 1: hair and do the whole thing. But what was really 439 00:27:35,040 --> 00:27:38,840 Speaker 1: funny was Viggins like abal would come out, um from 440 00:27:38,880 --> 00:27:41,520 Speaker 1: around the corner and I would scare him, and every 441 00:27:41,520 --> 00:27:45,400 Speaker 1: time he would say something different and it would kill 442 00:27:45,560 --> 00:27:48,560 Speaker 1: me and I have to keep a straight face. And 443 00:27:48,640 --> 00:27:52,000 Speaker 1: the one which did what did they use? I can't remember. 444 00:27:52,760 --> 00:27:55,320 Speaker 1: The one that got me the worst was he comes 445 00:27:55,320 --> 00:27:58,720 Speaker 1: around the corner and I scare him and he goes, 446 00:27:58,840 --> 00:28:05,560 Speaker 1: no it for And then another one he came around 447 00:28:05,560 --> 00:28:08,199 Speaker 1: the corny goes he screamed like a little girl. I 448 00:28:08,240 --> 00:28:11,639 Speaker 1: mean I screamed like a little girl. And it was 449 00:28:11,720 --> 00:28:13,720 Speaker 1: just so much fun. It was fun working with Figgins. 450 00:28:13,720 --> 00:28:15,760 Speaker 1: It was fun to do something totally different. It was 451 00:28:15,800 --> 00:28:18,120 Speaker 1: fun to have a little storyline that was like based 452 00:28:18,160 --> 00:28:24,320 Speaker 1: around Tina's goth look. So that was really enjoyable. It's 453 00:28:24,400 --> 00:28:26,960 Speaker 1: so good. It is so good. So another thing that's 454 00:28:27,000 --> 00:28:29,080 Speaker 1: going on in this episode is that Rachel we find 455 00:28:29,119 --> 00:28:32,199 Speaker 1: We know that Rachel figures out that Shelby corker and 456 00:28:32,200 --> 00:28:35,240 Speaker 1: it's her mom because Jesse in the previous episode knows 457 00:28:35,320 --> 00:28:37,480 Speaker 1: I got her to listen to tape. So she goes 458 00:28:37,520 --> 00:28:40,440 Speaker 1: to spy on Vocal Adrynaline where she finds out they're 459 00:28:40,440 --> 00:28:44,680 Speaker 1: gonna do Ganga and sees Shelby her mom do Funny Girl. 460 00:28:45,200 --> 00:28:50,120 Speaker 1: Ironic three to sixteen moment. Here we are Adina doing 461 00:28:50,160 --> 00:28:53,960 Speaker 1: Funny Girl. That's the aptricality she did, I mean a 462 00:28:53,960 --> 00:28:57,080 Speaker 1: beautiful job. Yeah, it was fun to see her do 463 00:28:58,960 --> 00:29:04,400 Speaker 1: a Broadway number. And then Rachel goes to Shelby and 464 00:29:04,480 --> 00:29:07,800 Speaker 1: she shows her her you know, gaga outfit because her 465 00:29:07,880 --> 00:29:10,560 Speaker 1: dad's obviously don't know how to sew and did a 466 00:29:10,600 --> 00:29:14,880 Speaker 1: poor job with stucking animals. And Shelby gives her her 467 00:29:14,960 --> 00:29:18,920 Speaker 1: paparazzi luck, which was so good. I was like, can 468 00:29:18,960 --> 00:29:21,240 Speaker 1: you wear that on a red carpet police? Right? It 469 00:29:21,320 --> 00:29:26,400 Speaker 1: was legit. Will and Shelby then meet up to talk 470 00:29:26,400 --> 00:29:33,080 Speaker 1: about Rachel and Shelby can't have kids anymore, and there's 471 00:29:33,080 --> 00:29:37,280 Speaker 1: all this conflict where for a huge reveal like this, 472 00:29:37,320 --> 00:29:39,480 Speaker 1: it's also sort of surprising that they're both sort of 473 00:29:39,680 --> 00:29:44,200 Speaker 1: like cool with it, Like there's this weird, uncomfortable right 474 00:29:44,520 --> 00:29:47,200 Speaker 1: tension and for someone like Rachel and Shelby, who are 475 00:29:47,200 --> 00:29:51,400 Speaker 1: so sure of themselves, they're both like, what do we 476 00:29:51,480 --> 00:29:57,320 Speaker 1: do with this information? What's out here? And Shelby then 477 00:29:57,360 --> 00:30:00,960 Speaker 1: realizes that even though she's been plotting this for the 478 00:30:01,000 --> 00:30:04,160 Speaker 1: whole time that they've been each other's lives the past 479 00:30:04,200 --> 00:30:07,320 Speaker 1: couple episodes, she tells Rachel it's too late for them 480 00:30:07,440 --> 00:30:11,240 Speaker 1: to have a relationship and they've sort of like missed 481 00:30:11,280 --> 00:30:16,560 Speaker 1: the boat on it, and she then gives her like 482 00:30:16,600 --> 00:30:21,640 Speaker 1: a commemorative class to remember yeah, with like a gold 483 00:30:21,680 --> 00:30:26,760 Speaker 1: star and it sort of her thing, And then they 484 00:30:26,800 --> 00:30:32,120 Speaker 1: decide to sing this beautiful rendition of an inappropriate song 485 00:30:33,720 --> 00:30:37,720 Speaker 1: which ends up being like okay, and there's that storyline, 486 00:30:39,440 --> 00:30:43,280 Speaker 1: like having them have like this really emotional moment and 487 00:30:43,360 --> 00:30:46,560 Speaker 1: they sound incredible on poker Face and then you hear 488 00:30:46,600 --> 00:30:50,000 Speaker 1: some of those lyrics and it's so funny, and then 489 00:30:50,000 --> 00:30:53,000 Speaker 1: it brings you back to like the satire that the 490 00:30:53,040 --> 00:30:56,800 Speaker 1: show is right and also the brilliance of Gaga at 491 00:30:56,840 --> 00:31:00,240 Speaker 1: the same time. That's right, that's right. Yeah, and he 492 00:31:00,280 --> 00:31:03,320 Speaker 1: makes it all okay because poker Face is so good. Yeah, 493 00:31:03,520 --> 00:31:08,320 Speaker 1: it's funny. Come the Gaga and Kiss stuff is happening, 494 00:31:08,360 --> 00:31:12,240 Speaker 1: and it's all sort of like silly whatever blah blah 495 00:31:12,280 --> 00:31:14,480 Speaker 1: blah blah blah. And then the other two storylines with 496 00:31:14,600 --> 00:31:18,800 Speaker 1: Rachel and her mom and now getting into um, Kurt 497 00:31:18,880 --> 00:31:23,680 Speaker 1: and Finn are all deeply serious things, right, Um, So 498 00:31:23,760 --> 00:31:26,360 Speaker 1: you have that nice little balance of what's happening because 499 00:31:27,480 --> 00:31:31,320 Speaker 1: m Briand does best is like, you know, the groundedness 500 00:31:31,320 --> 00:31:35,320 Speaker 1: and the emotion and the heart in these like very 501 00:31:35,360 --> 00:31:38,520 Speaker 1: elevated satirical kind of things that are happening as well. 502 00:31:38,880 --> 00:31:40,600 Speaker 1: All right, tell me, tell me about Kurt and Burt 503 00:31:41,040 --> 00:31:44,600 Speaker 1: Well and the quickest movement in history. Burt and Carroll 504 00:31:44,640 --> 00:31:48,240 Speaker 1: announced they're moving in together, and then next scene they're 505 00:31:48,360 --> 00:31:54,360 Speaker 1: they've moved in together and Kurt offers to redecorate. He 506 00:31:54,440 --> 00:32:00,520 Speaker 1: does it, and he reveals it to Finn much to 507 00:32:00,600 --> 00:32:11,000 Speaker 1: be honest, it's crazy. It's absolutely psychotic, you know. And 508 00:32:11,000 --> 00:32:14,000 Speaker 1: and he's even like Kurt has put up sort of 509 00:32:14,040 --> 00:32:16,200 Speaker 1: a divider in the room and he's talking about the 510 00:32:16,200 --> 00:32:18,560 Speaker 1: themes that he was inspired by and says how it's 511 00:32:18,640 --> 00:32:22,480 Speaker 1: more masculine for Finn and wants him to feel comfortable, 512 00:32:22,560 --> 00:32:25,520 Speaker 1: and Finn starts to crack. He's been cracking this whole 513 00:32:25,520 --> 00:32:27,600 Speaker 1: episode with Kurt. But he's like, I don't have to 514 00:32:27,640 --> 00:32:30,720 Speaker 1: worry about that stuff. And Finn, and you know, Kurt's like, 515 00:32:30,760 --> 00:32:35,160 Speaker 1: what step are referring to? And then Finn goes on 516 00:32:35,200 --> 00:32:38,800 Speaker 1: this tirade where he starts like calling objects in the 517 00:32:38,880 --> 00:32:45,440 Speaker 1: room the F word no bo yeah, and I know 518 00:32:45,520 --> 00:32:47,760 Speaker 1: some people get triggered by that word, so trying to 519 00:32:47,800 --> 00:32:52,880 Speaker 1: avoid it here. But Bert, like the father of the 520 00:32:52,960 --> 00:32:55,920 Speaker 1: Year he is, bursts down those stairs and into the 521 00:32:56,000 --> 00:33:01,440 Speaker 1: room and they have one of the greatest scenes where 522 00:33:01,440 --> 00:33:04,920 Speaker 1: Bert just goes in on him. He puts him in 523 00:33:04,960 --> 00:33:07,040 Speaker 1: his place about like what that word actually means, and 524 00:33:07,080 --> 00:33:08,720 Speaker 1: finns like, well, that's what I was talking. He's like, no, no, no, 525 00:33:09,000 --> 00:33:11,240 Speaker 1: I was like you when I said that word, I 526 00:33:11,320 --> 00:33:13,120 Speaker 1: knew what it meant, and you know what it means. 527 00:33:13,480 --> 00:33:16,720 Speaker 1: And if you're not saying too Kurt and he kicks 528 00:33:16,800 --> 00:33:20,360 Speaker 1: them out. Yeah, he said you can't live here. Yeah, 529 00:33:20,360 --> 00:33:26,160 Speaker 1: which is huge because obviously it's showing Kurt he comes first, right, 530 00:33:26,480 --> 00:33:31,840 Speaker 1: which there's a kind of I deal with like a 531 00:33:31,880 --> 00:33:34,880 Speaker 1: lot of parents and kids, you know, divorced kids and 532 00:33:35,000 --> 00:33:38,719 Speaker 1: remarrying and all those like kind of large issues. And 533 00:33:38,880 --> 00:33:42,600 Speaker 1: in several weeks of Kurt feeling threatened by Bert and 534 00:33:42,680 --> 00:33:48,200 Speaker 1: Finn's relationship sort of this masculine, macho talk about sports things. 535 00:33:48,560 --> 00:33:50,520 Speaker 1: And this is where we get to see the acting 536 00:33:50,600 --> 00:33:53,200 Speaker 1: chops that we love so much from Chris and from 537 00:33:53,280 --> 00:33:57,120 Speaker 1: Michael O'Malley that are like they tug at your heartstrings. 538 00:33:57,160 --> 00:34:00,760 Speaker 1: They're done so beautifully. These all three of them like 539 00:34:00,880 --> 00:34:04,200 Speaker 1: take such care in what they were saying and how 540 00:34:04,200 --> 00:34:07,400 Speaker 1: they were saying it, and it was just really um 541 00:34:07,760 --> 00:34:09,680 Speaker 1: those scenes really blow me away. And I know that 542 00:34:09,719 --> 00:34:13,400 Speaker 1: they were. I think Ryan would like really I remember 543 00:34:13,480 --> 00:34:15,480 Speaker 1: him like really commending them for the work that they 544 00:34:15,520 --> 00:34:18,360 Speaker 1: did and that in that scene. But it's not easy 545 00:34:18,400 --> 00:34:21,239 Speaker 1: too for someone like Corey who was so the opposite 546 00:34:21,360 --> 00:34:24,480 Speaker 1: of that scene right to have to go in there 547 00:34:24,560 --> 00:34:27,400 Speaker 1: and just start shouting that stuff at now our friends 548 00:34:27,680 --> 00:34:30,480 Speaker 1: and co workers and things like that, which is crazy. 549 00:34:30,520 --> 00:34:33,200 Speaker 1: But when you're in safe hands like Ryan's, you feel 550 00:34:33,239 --> 00:34:36,600 Speaker 1: supported and that he just wants you to do what's 551 00:34:36,640 --> 00:34:39,200 Speaker 1: right for the scene, and he did right, and then 552 00:34:39,280 --> 00:34:46,400 Speaker 1: michael'malley walking out really looks great, which had to be 553 00:34:46,440 --> 00:34:52,360 Speaker 1: an ableb oh ways, right, it's so good. God Apparent 554 00:34:52,400 --> 00:35:03,879 Speaker 1: of the year, you know, Apparent of the Year. So 555 00:35:04,600 --> 00:35:07,120 Speaker 1: Kurt keeps getting harassed because he's obviously walking around in 556 00:35:07,120 --> 00:35:10,960 Speaker 1: the gaga outfit at school, and Finn is like, can 557 00:35:11,000 --> 00:35:13,239 Speaker 1: you just cut it out, like blend in like this? 558 00:35:13,400 --> 00:35:17,080 Speaker 1: You're calling this on yourself. So after they're big blowout, 559 00:35:18,239 --> 00:35:19,960 Speaker 1: we're in the choir of the glee club and Finn 560 00:35:20,000 --> 00:35:24,919 Speaker 1: and Kurt are both missing, and we see that Kurt 561 00:35:25,040 --> 00:35:29,280 Speaker 1: is getting harassed by football players again. So Finn then 562 00:35:29,880 --> 00:35:33,920 Speaker 1: comes to Kurt's rescue and Finn's like, you got you 563 00:35:34,000 --> 00:35:36,920 Speaker 1: gotta stop, and he stops them from literally about to 564 00:35:36,960 --> 00:35:40,840 Speaker 1: punch Kurt in the face. And then the glee club 565 00:35:40,960 --> 00:35:43,359 Speaker 1: realizes that they're missing, so they go to look for 566 00:35:43,400 --> 00:35:46,640 Speaker 1: them and they hear it and they're like, oh she 567 00:35:47,840 --> 00:35:52,719 Speaker 1: and everybody rolls up and to help Finn in the 568 00:35:52,800 --> 00:35:57,440 Speaker 1: club and we're all in our crazy looks and everybody 569 00:35:57,560 --> 00:36:01,200 Speaker 1: is there, and Finnish showing up for Kurt obviously after 570 00:36:01,239 --> 00:36:06,400 Speaker 1: that big fight and the Lady Gaga outfit that Finn 571 00:36:06,400 --> 00:36:12,160 Speaker 1: war was the latex designed by Kudo when she met Barry. Yeah, 572 00:36:12,600 --> 00:36:19,839 Speaker 1: absolutely incredible, the Queen of England. But um, and then, 573 00:36:20,040 --> 00:36:23,279 Speaker 1: and that's theatricality, and that's not the first time that 574 00:36:23,360 --> 00:36:27,240 Speaker 1: will end up in big outfits in that hallway. Remember Kevin, 575 00:36:27,239 --> 00:36:30,720 Speaker 1: when we end up in Um, what is the episode 576 00:36:30,800 --> 00:36:34,680 Speaker 1: directed by Ian that we did were you're the bald head? 577 00:36:35,440 --> 00:36:38,480 Speaker 1: Oh yeah, like the X Men, the Superheroes stuff. Yes, 578 00:36:38,920 --> 00:36:44,479 Speaker 1: you're right, it's very reminiscent of it. Anyway, Um, well, 579 00:36:44,480 --> 00:36:46,279 Speaker 1: this is a really fun episode. Should we do some 580 00:36:46,320 --> 00:36:53,760 Speaker 1: tarty takes? Absolutely? Absolutely? Okay, cringe moments aka Paris Barclay 581 00:36:53,800 --> 00:37:00,640 Speaker 1: auchie I. Honestly, there weren't a lot of moments in 582 00:37:00,640 --> 00:37:04,799 Speaker 1: this episode of No I think I get cringey when 583 00:37:04,840 --> 00:37:10,200 Speaker 1: like Puck is talking about keeping the baby and Quinn 584 00:37:10,320 --> 00:37:13,920 Speaker 1: is like no, and then some of the Rachel and 585 00:37:13,960 --> 00:37:17,560 Speaker 1: Shelby stuff is a little awkward because they're like, I 586 00:37:17,600 --> 00:37:20,719 Speaker 1: don't want us to be a family's like leave me 587 00:37:20,760 --> 00:37:24,799 Speaker 1: alone sort of thing. I just she's uncomfortable. She gave 588 00:37:24,800 --> 00:37:29,359 Speaker 1: her the cup instead of like giving her a relationship tea. Yes, 589 00:37:29,960 --> 00:37:34,239 Speaker 1: like what, okay? Fair? Worst dance move? I would like 590 00:37:34,239 --> 00:37:36,160 Speaker 1: to talk about best dance move, and I would think 591 00:37:36,200 --> 00:37:39,640 Speaker 1: it's all of you and Bad Romance doing the iconic 592 00:37:39,640 --> 00:37:45,520 Speaker 1: Bad Romance choreography is pretty incredible. I gotta say it 593 00:37:45,560 --> 00:37:49,080 Speaker 1: was pretty good. It was one of my favorites. The 594 00:37:49,239 --> 00:37:53,719 Speaker 1: song all right, I mean I think I know yours Kevin. Yeah, 595 00:37:53,760 --> 00:37:56,640 Speaker 1: I'm gonna go with poker Face. Sorry, that's okay, I'll 596 00:37:56,680 --> 00:37:59,439 Speaker 1: go with Bad Romance. We'll even it out great love 597 00:37:59,440 --> 00:38:06,520 Speaker 1: that for us performance Kiss for Us? Sorry? Sorry? Um, 598 00:38:06,600 --> 00:38:13,160 Speaker 1: I pick the Bubble, the Falling Bubble. Yep, I think 599 00:38:13,239 --> 00:38:16,440 Speaker 1: the bubbles are the best prop in this entire episode 600 00:38:18,920 --> 00:38:25,040 Speaker 1: and the best mind. Um. I'm gonna have to go 601 00:38:25,160 --> 00:38:30,880 Speaker 1: with Bert's whole speech to Finn kicking him out. I 602 00:38:30,920 --> 00:38:36,160 Speaker 1: think that is one of the best written scenes. Agreed. 603 00:38:36,600 --> 00:38:45,960 Speaker 1: I'm gonna say yes, absolutely please, Oh my god. Okay, 604 00:38:45,960 --> 00:38:51,400 Speaker 1: So Jenna on TikTok this week. Um, miss dot and 605 00:38:51,560 --> 00:38:59,560 Speaker 1: or Hummel on TikTok post an edit of the intro 606 00:38:59,680 --> 00:39:03,520 Speaker 1: of the musical. You know the X Wives song where 607 00:39:03,520 --> 00:39:06,200 Speaker 1: they all introduce themselves, but it's with all the ladies 608 00:39:06,200 --> 00:39:09,279 Speaker 1: of the Glee Club. It's Utina and Brittany and Quinn 609 00:39:09,320 --> 00:39:12,600 Speaker 1: and Mercedes and Santana and Rachel. Now is one of 610 00:39:12,640 --> 00:39:16,680 Speaker 1: the six wives of Henry the eighth Now, Yes, it 611 00:39:16,880 --> 00:39:20,680 Speaker 1: is so good in a beautiful edit. Great job, and 612 00:39:20,719 --> 00:39:22,880 Speaker 1: I would not like to see it, you know, I 613 00:39:22,880 --> 00:39:24,440 Speaker 1: want to. I would like to see all of you. 614 00:39:24,880 --> 00:39:28,240 Speaker 1: That is a great thing to note. If Glee happened again, 615 00:39:28,360 --> 00:39:30,839 Speaker 1: that is something that Glee would have done for sure, 616 00:39:31,840 --> 00:39:40,040 Speaker 1: like we would have done six with all the girls. Amazing. Yeah, okay, 617 00:39:40,160 --> 00:39:46,319 Speaker 1: you see, Yeah, I'm manifesting this great well done. Thanks 618 00:39:46,360 --> 00:39:48,040 Speaker 1: for tagging us in that again. Thanks for all these 619 00:39:48,120 --> 00:39:53,840 Speaker 1: videos and thank you for listening every single Weekcaps. We 620 00:39:54,040 --> 00:39:55,759 Speaker 1: love doing this. We love doing it for you guys, 621 00:39:55,800 --> 00:39:58,160 Speaker 1: We love selfishly doing it for ourselves. We get to 622 00:39:58,200 --> 00:40:00,719 Speaker 1: talk about our great time and talk to some of 623 00:40:00,719 --> 00:40:03,960 Speaker 1: our old friends and co workers. So thank you. Keep 624 00:40:04,000 --> 00:40:10,239 Speaker 1: it up. Every episode is more and more fun, some 625 00:40:10,440 --> 00:40:15,439 Speaker 1: more than others. This one was one of the most fun. Yes, 626 00:40:15,760 --> 00:40:21,120 Speaker 1: and next week we have funk, so be prepared. Be prepared, 627 00:40:21,880 --> 00:40:25,920 Speaker 1: and that's what you really missed. Bye bye, see you. 628 00:40:26,640 --> 00:40:29,759 Speaker 1: Thanks for listening, and follow us on Instagram at and 629 00:40:29,880 --> 00:40:32,120 Speaker 1: that's what you really miss pod. Make sure to write 630 00:40:32,160 --> 00:40:34,440 Speaker 1: us a review and leave us five stars. See you 631 00:40:34,480 --> 00:40:34,839 Speaker 1: next time.