1 00:00:00,080 --> 00:00:18,800 Speaker 1: Yeah, Mount Rushmore, house children, house offspring, house spawn uh 2 00:00:20,200 --> 00:00:25,400 Speaker 1: similar criteria to My house Wives house husbands. They're driving 3 00:00:25,440 --> 00:00:30,360 Speaker 1: their own story. They're invested in what's going on, and 4 00:00:31,320 --> 00:00:32,920 Speaker 1: your eyes are glued to them. You want to know 5 00:00:32,920 --> 00:00:36,199 Speaker 1: what's going on with them. Gia from Jersey Housewives. By 6 00:00:36,200 --> 00:00:40,520 Speaker 1: the way, Jersey has now hit the board on all 7 00:00:40,640 --> 00:00:46,600 Speaker 1: three Mount Rushmore's wife, husband, child. So Jersey producers and 8 00:00:46,920 --> 00:00:52,400 Speaker 1: casting agents and directors bow down. You now have three 9 00:00:52,840 --> 00:00:56,200 Speaker 1: Jersey people on the board and it's only twelve spots 10 00:00:56,200 --> 00:00:59,200 Speaker 1: of Mount Rushmore. So three out of twelve. That ain't bad. 11 00:00:59,240 --> 00:01:04,440 Speaker 1: Everybody one fourth the mout Rushmore is a from Jersey 12 00:01:04,480 --> 00:01:08,480 Speaker 1: so far. So Gia is in her own story. She's 13 00:01:08,480 --> 00:01:12,360 Speaker 1: got her own conflict going with Joe Gorga. She's a 14 00:01:12,480 --> 00:01:15,280 Speaker 1: grown up. We've watched her grow up. She's always had 15 00:01:15,319 --> 00:01:18,200 Speaker 1: some spice, always had some attitude, always had some story, 16 00:01:18,680 --> 00:01:22,480 Speaker 1: and is a main character, sits in the interview chair 17 00:01:22,680 --> 00:01:26,399 Speaker 1: on Housewives in her own right. I have also heard, 18 00:01:26,480 --> 00:01:28,040 Speaker 1: and I'm sure it's not that I've heard. I know 19 00:01:28,240 --> 00:01:33,720 Speaker 1: that Jersey kids are compensated. It's just each show is 20 00:01:33,720 --> 00:01:35,759 Speaker 1: different and you can't say what's good for the Goose 21 00:01:35,840 --> 00:01:38,640 Speaker 1: is good for the gander. The Housewives kids in New 22 00:01:38,680 --> 00:01:41,680 Speaker 1: York were boring. The Housewives kids and other cities are 23 00:01:42,040 --> 00:01:44,959 Speaker 1: often boring. They're just not whatever the reason is. They're 24 00:01:45,000 --> 00:01:48,080 Speaker 1: not really driving story. They could be in one scene 25 00:01:48,120 --> 00:01:51,120 Speaker 1: that drove a story, but they're just not carrying the show. 26 00:01:51,200 --> 00:01:54,080 Speaker 1: They can't light up the screen on their own. And 27 00:01:54,120 --> 00:01:57,680 Speaker 1: that's just it's just whatever it is. And by the way, 28 00:01:57,680 --> 00:02:00,559 Speaker 1: the same thing, like the husband's overall in New York 29 00:02:00,800 --> 00:02:04,040 Speaker 1: aren't really part of the story. They really are in 30 00:02:04,320 --> 00:02:07,240 Speaker 1: Beverly Hills, they really are in Jersey. It's just every 31 00:02:07,280 --> 00:02:11,240 Speaker 1: every show is different, every franchise city is different. Jersey 32 00:02:11,320 --> 00:02:13,600 Speaker 1: is a family show. You have sisters, you have cousins, 33 00:02:13,600 --> 00:02:15,840 Speaker 1: you have sisters in laws, you have you know, you 34 00:02:15,880 --> 00:02:17,840 Speaker 1: have a really you have an interesting situation where you 35 00:02:17,880 --> 00:02:21,120 Speaker 1: really have a family dynamic on Jersey, which makes it 36 00:02:21,200 --> 00:02:24,320 Speaker 1: more challenging. Now you're entering into a family dynamic on 37 00:02:24,360 --> 00:02:27,480 Speaker 1: Beverly Hills because you had the Hilton sisters and Kyle 38 00:02:27,560 --> 00:02:30,200 Speaker 1: and that was new too. But on Jersey, the kids 39 00:02:30,360 --> 00:02:34,480 Speaker 1: are compensated because they're they're they're requested to film. So 40 00:02:34,520 --> 00:02:36,160 Speaker 1: as a kid gets older, it's like wait a second. 41 00:02:36,200 --> 00:02:37,760 Speaker 1: You want to put a microphone on and put some 42 00:02:37,800 --> 00:02:39,880 Speaker 1: hair and makeup on, You're gonna pay me. I don't 43 00:02:39,880 --> 00:02:42,880 Speaker 1: know what they get paid, and it's obviously ancillary, but 44 00:02:42,919 --> 00:02:46,320 Speaker 1: they're getting paid. So their character, so Ggu Dice is 45 00:02:46,440 --> 00:02:50,040 Speaker 1: on the Mount rushmore deservedly so is it is a 46 00:02:50,160 --> 00:02:53,120 Speaker 1: presumably you couldn't quote me. I couldn't say that in 47 00:02:53,160 --> 00:02:55,480 Speaker 1: corp and I've been told and I'm pretty sure they're paid. 48 00:02:55,840 --> 00:02:59,760 Speaker 1: Is a presumably paid character on Jersey, so one would 49 00:02:59,760 --> 00:03:04,040 Speaker 1: say it. Now Kyle's husband, Mauricio and children are on 50 00:03:04,080 --> 00:03:06,119 Speaker 1: their own show on Netflix. I don't know how it's doing. 51 00:03:06,160 --> 00:03:10,560 Speaker 1: I haven't seen it. I saw like clips congratulations um. 52 00:03:10,600 --> 00:03:13,720 Speaker 1: But Maurice lights up a screen and and people have 53 00:03:13,720 --> 00:03:16,240 Speaker 1: said he's one of the hottest house husbands. And he's great, 54 00:03:16,280 --> 00:03:18,840 Speaker 1: and he's got his business and his agency stuff, and 55 00:03:18,880 --> 00:03:22,280 Speaker 1: he's commented and he's adding some gasoline to fires. But 56 00:03:22,360 --> 00:03:26,720 Speaker 1: he himself, from my recollection, doesn't seem to be driving story. 57 00:03:27,720 --> 00:03:31,880 Speaker 1: So it's about somebody who's really carrying the show and 58 00:03:31,960 --> 00:03:35,800 Speaker 1: driving story on their own. This also goes for Joe Gorga. 59 00:03:35,920 --> 00:03:37,840 Speaker 1: This goes for Simon van Kempen This is part of 60 00:03:37,880 --> 00:03:41,000 Speaker 1: the criteria for being a house husband. Not only are 61 00:03:41,040 --> 00:03:44,800 Speaker 1: you entertaining, not only are you driving story. Not only 62 00:03:44,840 --> 00:03:47,680 Speaker 1: are you the focus of attention and holding our attention, 63 00:03:48,520 --> 00:03:53,000 Speaker 1: you're more than often polarizing. That goes for Teresa, that 64 00:03:53,040 --> 00:03:56,400 Speaker 1: goes for Joe Gorga, that goes for Simon van Kempen. 65 00:03:57,080 --> 00:04:00,440 Speaker 1: You're polarizing. You like to be loved, but you're not 66 00:04:00,560 --> 00:04:03,920 Speaker 1: afraid to be hated. That's Teresa, that's Joe, that Simon. 67 00:04:03,960 --> 00:04:07,080 Speaker 1: You like to be loved. You love the love and 68 00:04:07,200 --> 00:04:12,720 Speaker 1: you can take the hate. That's a true rushmore h