WEBVTT - Episode 164 “Moments” (Memorial Day Edition)

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<v Speaker 1>Here at drink Champs, we honor and respect our veterans

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<v Speaker 1>who have bravely served and continue to serve our country,

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<v Speaker 1>especially those we have lost. On this Memorial Day, our

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<v Speaker 1>thoughts are with our service men and women, as well

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<v Speaker 1>as the military families who have paid the ultimate sacrifice.

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<v Speaker 1>Happy Memorial Day from the drink Champs family and his

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<v Speaker 1>Drinks Motherfucking Podcast. He's a legendary Queen's rappers, he's your boy,

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<v Speaker 1>he's a Miami hippop pioneer, one of his dj e

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<v Speaker 1>f N. Together they drink it up with some of

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<v Speaker 1>the biggest players in the most professional, unprofessional podcast and

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<v Speaker 1>yet number one source for drunk New Years Time for

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<v Speaker 1>drink Champs Drink up on the Yet What Up? This

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<v Speaker 1>is d j e f FEN and we want to

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<v Speaker 1>thank everyone that's been supporting us. Although we haven't been

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<v Speaker 1>releasing episodes, I promise you we've been busy recording them.

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<v Speaker 1>We're long overdue for some hangovers, so in the next

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<v Speaker 1>couple of weeks, prepared to take those drinks off the ice,

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<v Speaker 1>fill up your cups, and get ready to make some

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<v Speaker 1>motherfucking noise as we'll be back with Tiger Bones shots,

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<v Speaker 1>which I'm not looking forward to drunk facts and weekly releases,

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<v Speaker 1>but in the meantime, to help celebrate this Memorial Day,

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<v Speaker 1>we created a very special episode for the Drink Champs Army.

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<v Speaker 1>In this episode, you'll hear classics stories of some of

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<v Speaker 1>the legendary artists we've lost, stories of Tupac, Biggie, Prodigy

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<v Speaker 1>and Prince, some of our favorite moments with the legendary

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<v Speaker 1>Combat Jack and John Singleton, maybe the rest in Peace.

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<v Speaker 1>You'll hear stories told from some of your favorite artists

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<v Speaker 1>like DMX, Havoc of Mob Deep E forty Snoop Dogg,

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<v Speaker 1>Top Quality, Uncle Luke, and more so on behalf of

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<v Speaker 1>Myself and Nori a k a. The Drink Champs. Much

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<v Speaker 1>love to the Drink Champs Army. We hope you enjoyed

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<v Speaker 1>the special Memorial Day episode. Let's just get right into it.

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<v Speaker 1>We're gonna start with these classic Tupac stories and your

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<v Speaker 1>hats man queue that up. Motherfucker's let's make some motherfucking

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<v Speaker 1>nor let's go. Everybody was in the sale, his billboard

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<v Speaker 1>was cut out in the sale. He wasn't even on

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<v Speaker 1>there for or talked about being on Therefore, we just

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<v Speaker 1>did that as a symbolar representing him and fucking with

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<v Speaker 1>him because he was my friend. So that was, you know,

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<v Speaker 1>a play that I did to put him in there

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<v Speaker 1>to represent it. Wait, so you're saying he was your

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<v Speaker 1>friends saying I'm the reason why he was on that phone. Yeah,

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<v Speaker 1>that he was my friend and my thing was speaking

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<v Speaker 1>with Sugar because after he had got shot, I had

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<v Speaker 1>flew to New York like the next day, and it

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<v Speaker 1>was like ship was going bad for him and he

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<v Speaker 1>had got locked up, and I was, man, should we

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<v Speaker 1>need to put that nigga with us? Because how far

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<v Speaker 1>back is y'all? Spencer Uh Poetic Justice Rap Party was

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<v Speaker 1>the first night I met him, and then we became friends.

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<v Speaker 1>And actually MC breed Rest in Peace was was trying

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<v Speaker 1>to buy some dope and I knew the nigga. That

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<v Speaker 1>knew the nigga, So Breede got some dope for me

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<v Speaker 1>and DC and Breede was cool and Tupac and that's

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<v Speaker 1>how we all became like a circle of friends. Crazy

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<v Speaker 1>believe it, this is crazy. Ain't gonna lie. I ain't

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<v Speaker 1>gonna lie. I got so so a hip hop mode

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<v Speaker 1>fans just now. I was just saying, I'm a guy.

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<v Speaker 1>I was I was supposed to ask a question at

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<v Speaker 1>this point, Like I was just sitting there like I'm

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<v Speaker 1>just thinking, like so um, all right, boom that Pop

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<v Speaker 1>comes here, He's already there, y'all already doing what he's doing.

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<v Speaker 1>These these records come out, these records, these records. Let

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<v Speaker 1>me tell you this, so you know, all lives on me.

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<v Speaker 1>When he gets out, I'm working on the dog Fothering.

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<v Speaker 1>So when he get out, my cousin Dads is like

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<v Speaker 1>my number one supply because Drake dre basically like not

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<v Speaker 1>really giving up music because I think he on his

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<v Speaker 1>way out, but we already going thanks for doing in

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<v Speaker 1>the bathroom. So so we're working on my record. So

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<v Speaker 1>when he get out, naturally, I tell Dad's in the

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<v Speaker 1>whole crew pod getting out, y'all throw cuzz all of

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<v Speaker 1>the music, get him right first. So he ended up

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<v Speaker 1>getting all this hot music because we was in the

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<v Speaker 1>process of doing Hot Ship. And then Pop brought a

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<v Speaker 1>spirit to the studio that was different than anybody we

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<v Speaker 1>ever worked with. He had a work spirit that was

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<v Speaker 1>like this nigga could be in three different rooms at

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<v Speaker 1>one time and making music and he would he would

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<v Speaker 1>never listen to it. Like we was always we would

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<v Speaker 1>we learned this from Dr Dre. We would make a song,

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<v Speaker 1>we would listen to that motherfucker for a whole month.

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<v Speaker 1>I mean just back to back, thirty days just listening

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<v Speaker 1>to the same goddamn song, party and inviting bitches over

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<v Speaker 1>off the sun had even about yeah and then never

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<v Speaker 1>come out. Nigga. Tupac was like, Nigga, when we make

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<v Speaker 1>a song, when we finish it, when you're listening to

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<v Speaker 1>that ship, pull another beat up. We're doing another motherfucking song.

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<v Speaker 1>You can mix that motherfucking when you finished, we'll listen

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<v Speaker 1>to it. He was never about like even when we

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<v Speaker 1>made one song, motherfucker the last verse, I'd be like,

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<v Speaker 1>all right, playing bad. We played it down from top

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<v Speaker 1>to bottom. As soon as that motherfucker cut off, all right,

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<v Speaker 1>give it to the engineer, pull the next beat up.

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<v Speaker 1>Never did we listen to a song twice with that nigga.

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<v Speaker 1>That's something that I learned from him that I take

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<v Speaker 1>with me today because I wasn't like that. I was.

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<v Speaker 1>I learned from Dr Dre. I learned from my teacher.

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<v Speaker 1>They taught me exactly. But Pop was on something like

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<v Speaker 1>Nigga fun that we're going, We're going, We're going, We're going.

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<v Speaker 1>How are you thinking? They made three albums and motherfucking

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<v Speaker 1>ship six months. That's Gemini, by the way, that's geminism,

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<v Speaker 1>a Gemini. But I'm a labor all right, what's all?

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<v Speaker 1>We can know yourself, virgo, I'm a virgo. I don't

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<v Speaker 1>know if it means anything for this makes a noise

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<v Speaker 1>for the sign that snoop listening, listen Snoop. I can't.

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<v Speaker 1>I can't thank you so much. We're gonna, we gotta,

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<v Speaker 1>we gotta go the ball. I'm not telling all actually

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<v Speaker 1>do what I want to a mid interview. I just

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<v Speaker 1>want to thank you because you know what, it's the

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<v Speaker 1>first time artists like you know what I'm saying, Like

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<v Speaker 1>you know it's running media right now, like right now

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<v Speaker 1>we are running in DJ and DJ. I'm sorry when

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<v Speaker 1>I say I represent the motherfucking DJ. That's right, that's right.

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<v Speaker 1>You always gotta have a meskin around you. You listen,

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<v Speaker 1>everybody's from l A. You always. I'm from l A too. Yeah,

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<v Speaker 1>sound it's same ship. I'm originally say you always gotta

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<v Speaker 1>kid and you know what, Pete Allas Dodge and the

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<v Speaker 1>motherfucker you know what I'm saying, and it's the first

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<v Speaker 1>time you know, you know we got you got g

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<v Speaker 1>G in Yeah, So now do you I'm alway g

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<v Speaker 1>g M when you're not there because we're gonna be

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<v Speaker 1>in l A August Can I co host GM? Can

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<v Speaker 1>we yes? Well cold because we're gonna be in the

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<v Speaker 1>l A August twenty seven? So she don't do that.

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<v Speaker 1>She's a movie star. Bitch ry pockets on that front.

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<v Speaker 1>There he out so the bitches in hooplat because everybody

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<v Speaker 1>wants to meet my nigger. You understand me, and you

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<v Speaker 1>know I ain't no motherfucking hater. I don't know how

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<v Speaker 1>to block I get out the white. So the bitch

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<v Speaker 1>like you understand me, I would love to meet tupocket.

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<v Speaker 1>That's all right with you. I'm like, bit just gonna

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<v Speaker 1>always be all right? Now what were okay? Can listen?

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<v Speaker 1>All the stars is at So now one night I'm

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<v Speaker 1>in the club and uh, the bitch is there, and

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<v Speaker 1>POX see the bit She like, man, I don't want

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<v Speaker 1>to meet that bitch. Man, I say, hey, man, that's

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<v Speaker 1>exactly how he described the bitch. That's my bit. I'll

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<v Speaker 1>kindly introduce you to I walks over to him right

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<v Speaker 1>and say, bitch, this is a Tupac Tupac meet the bit.

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<v Speaker 1>So you know, after he meets a bit, you know,

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<v Speaker 1>I walks off because you know, it ain't my job

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<v Speaker 1>to stand there and see if they're gonna talk and

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<v Speaker 1>kiss or whatnot, not take a biture. I walks off

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<v Speaker 1>like a real player. I guess the exchange numbers. I

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<v Speaker 1>don't know, so you haven't stand me. A few weeks later,

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<v Speaker 1>I'm trying to, you know, slide by and go see her,

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<v Speaker 1>because you know, she's a slide piece to me. So

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<v Speaker 1>I'm trying to go see it on a late night

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<v Speaker 1>like I normally do. You don't leave that back door

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<v Speaker 1>open and I'm like, what what's in it? I'm finished

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<v Speaker 1>slide through, you know what I'm saying. Lead that back

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<v Speaker 1>there's open, and the bitch hit me with I don't

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<v Speaker 1>think Pap would like that. This girl was BA for

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<v Speaker 1>the record, right for the record. This girl we told

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<v Speaker 1>about for real? That's what the bit for real? Madonna?

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<v Speaker 1>Now that was Hey, that was Madonna. That look the

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<v Speaker 1>nigga nigga that is. You don't think I'm making this

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<v Speaker 1>ship up. I'm doing Saturday night lod in New York,

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<v Speaker 1>they get documented nigga. When I had that Tommy hell

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<v Speaker 1>figure shirt on the red, white and blue one, blew

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<v Speaker 1>the motherfuck up. The shirt sold like a motherfucker right.

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<v Speaker 1>So the nigga pot come and see me here in

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<v Speaker 1>New York. He bring me some weed and he come

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<v Speaker 1>backstage with the bitch Madonna Madonna for real, for real,

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<v Speaker 1>about to feel like was he man? He brought the

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<v Speaker 1>bitch just Saturday night. He d he was knocking the

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<v Speaker 1>bitch man because he brought me some blood. Man, he

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<v Speaker 1>had the bitch on his own. Man, and he wasn't

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<v Speaker 1>even like floss from the bitch. He had him right here.

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<v Speaker 1>Tupac and Big Daddy came other way around. Tupac hand Madonna,

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<v Speaker 1>man cut down. This is this is this is the

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<v Speaker 1>park in the So how did you feel a lot

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<v Speaker 1>of people when when park passed and then you came

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<v Speaker 1>to the scene, A lot of compared the compares. Then

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<v Speaker 1>when he got no, they compared, how did you feels

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<v Speaker 1>to that comparison? Some people get a fire. I should

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<v Speaker 1>correct people as plainly as it could, Like the next part,

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<v Speaker 1>I'm like no, I'm the first ax. They would say

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<v Speaker 1>that great great say Thatt say that you know the

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<v Speaker 1>next like no, I'm not the next anything, I'm the

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<v Speaker 1>first and then and and it's pretty good. Um. Um.

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<v Speaker 1>Actually had a chance to see Pop walking. He said that,

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<v Speaker 1>Oh my god mine so on Hamm and Hamm and

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<v Speaker 1>Hammon way off sunset and l that hotel look good

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<v Speaker 1>And I saw him. It was a cool dude. He

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<v Speaker 1>is cool. I said six, Oh wow, wow, you met

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<v Speaker 1>real pop. Yeah right now, maybe you happy everybody dray

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<v Speaker 1>boarders out there. Um he walked past. I see him.

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<v Speaker 1>My man said, what up? What up? What up? Cool dude?

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<v Speaker 1>You know? But I think I think I don't know

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<v Speaker 1>what and and and and and and speaking as favorably

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<v Speaker 1>as I can be, said one who was past. So

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<v Speaker 1>someone who can't defend himself, I think, um, part of

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<v Speaker 1>the problem, a big part of the problem was he

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<v Speaker 1>didn't have what New York niggas got like uh uh

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<v Speaker 1>from the office is my black bam. He had no one,

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<v Speaker 1>He didn't have his crew. So one thing, you, yord nigga,

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<v Speaker 1>I know for factors, you don't go to Cali and

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<v Speaker 1>live there without like like having the goosepout like oh me,

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<v Speaker 1>you could be the hardest thing in the world. But dude,

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<v Speaker 1>don't go way over there without no one ever knew

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<v Speaker 1>where he was from, where you from, with no avenue

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<v Speaker 1>him from Oakland. He lived in Oakland, we lived. But

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<v Speaker 1>where you're from somewhere you got to get that grew

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<v Speaker 1>up with you, that had your back, that loved you

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<v Speaker 1>since you was in kiddygard. I mean that fund with

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<v Speaker 1>you for real and won't let you. I need to act, said,

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<v Speaker 1>so I keep my dog with me, Doctor said, let

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<v Speaker 1>him die. Shi this sucking dog. Baby. Sometimes you need

0:12:57.200 --> 0:12:58.800
<v Speaker 1>that nigga with you. That that that that that that

0:12:59.240 --> 0:13:01.200
<v Speaker 1>your men, that that that that you know what you'll

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<v Speaker 1>see what you don't. It's easy to get caught up

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<v Speaker 1>in this. It's easy to get caught I got one

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<v Speaker 1>more question, and that's sick. What up? Drink Champs Army.

0:13:09.400 --> 0:13:12.199
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0:14:00.160 --> 0:14:02.559
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0:14:44.520 --> 0:14:47.240
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0:14:47.680 --> 0:14:50.680
<v Speaker 1>Make sure you listen to the Drink Champs podcast. Turn

0:14:50.800 --> 0:14:53.560
<v Speaker 1>it up and make some motherfucking noise. Drink Champs, Army,

0:14:53.680 --> 0:14:59.040
<v Speaker 1>let's go Raycon. Because he was already cool with you

0:14:59.080 --> 0:15:01.080
<v Speaker 1>know what I'm saying, and he was like rich. I mean,

0:15:01.120 --> 0:15:02.760
<v Speaker 1>he say, folty man Pop, want me to give you

0:15:02.840 --> 0:15:05.160
<v Speaker 1>someumbing you want to funk what you may gave me?

0:15:05.240 --> 0:15:07.280
<v Speaker 1>His number were connected there since then it was it

0:15:07.360 --> 0:15:11.640
<v Speaker 1>was all love so um, y'all connected, and then like

0:15:11.720 --> 0:15:15.000
<v Speaker 1>how many records y'all did they go? Let's see, Um,

0:15:15.160 --> 0:15:17.200
<v Speaker 1>I got I got an unreleased track that ain't that

0:15:17.440 --> 0:15:20.240
<v Speaker 1>we're working on right now. And then um we did

0:15:20.440 --> 0:15:24.960
<v Speaker 1>working on. You're still talking to him? Um, yeah, yeah,

0:15:25.160 --> 0:15:31.000
<v Speaker 1>I was saying, that's that we're working on now. I'm

0:15:31.040 --> 0:15:34.880
<v Speaker 1>like I was talking, you know, because people still drinking

0:15:34.920 --> 0:15:38.760
<v Speaker 1>a lot. He was really don't hit me the other day.

0:15:39.200 --> 0:15:40.440
<v Speaker 1>He was a lot man. But I don't say he

0:15:40.560 --> 0:15:44.680
<v Speaker 1>should appear Standford the Suckers ship, that's right, now make it.

0:15:47.680 --> 0:15:49.480
<v Speaker 1>What's the south of water? What's the south of water that?

0:15:50.760 --> 0:15:53.600
<v Speaker 1>What's the south of water? You don't need that that

0:15:55.080 --> 0:16:00.720
<v Speaker 1>you drink this beer, you don't need that. So yeah, yeah,

0:16:00.760 --> 0:16:03.960
<v Speaker 1>we called it mad Records together and we asked Uncle

0:16:04.120 --> 0:16:07.680
<v Speaker 1>Luke this, I think we asked Snoop this, um, But

0:16:07.800 --> 0:16:10.160
<v Speaker 1>what was the park that you you you enjoyed more

0:16:10.320 --> 0:16:13.520
<v Speaker 1>the pot? And Luke had an interesting take on rolling

0:16:13.760 --> 0:16:19.760
<v Speaker 1>Hennessey drinking. But that before he was the same with

0:16:19.840 --> 0:16:22.120
<v Speaker 1>me at every time. You know what I'm saying. You

0:16:22.160 --> 0:16:23.600
<v Speaker 1>know what I'm saying. It was all love. Man. If

0:16:23.640 --> 0:16:25.320
<v Speaker 1>he funk with you, he fucked with you. If you

0:16:25.440 --> 0:16:27.440
<v Speaker 1>don't funk with you, he'd call you out here, say

0:16:27.480 --> 0:16:31.800
<v Speaker 1>your name and anything. That's what That's what he specialized in.

0:16:31.880 --> 0:16:34.080
<v Speaker 1>He going, he say funk that I'm saying names, ain't

0:16:34.080 --> 0:16:36.680
<v Speaker 1>none of that. Yes me this and ship you feel me?

0:16:37.040 --> 0:16:38.280
<v Speaker 1>So I had to give it to him on that.

0:16:38.360 --> 0:16:39.720
<v Speaker 1>But he had a reason for all the ship he

0:16:39.920 --> 0:16:42.120
<v Speaker 1>you know he was he was saying, he wasn't crazy.

0:16:42.240 --> 0:16:46.240
<v Speaker 1>He wasn't crazy. Brilliant. So what's your favorite, tuopoc? Maybe

0:16:46.280 --> 0:16:49.840
<v Speaker 1>you tell me your favorite your favorite time being around?

0:16:50.000 --> 0:16:51.800
<v Speaker 1>I got a few, but I know you'll probably see

0:16:51.800 --> 0:16:56.040
<v Speaker 1>it on on YouTube. In nine three, we had my

0:16:56.120 --> 0:17:00.720
<v Speaker 1>practice looking hard video shoot and Het there through the

0:17:00.720 --> 0:17:03.880
<v Speaker 1>whole video like this, you know, just you know, you know,

0:17:04.000 --> 0:17:08.439
<v Speaker 1>he had that middle aude fuck you. But the thing

0:17:08.680 --> 0:17:12.960
<v Speaker 1>isn't that he showed motherfucker's how this one blunts wasn't

0:17:13.040 --> 0:17:16.200
<v Speaker 1>really y'all have been fucking with blunt New York, you know,

0:17:16.240 --> 0:17:19.280
<v Speaker 1>because my partner from New Jersey, when I was at

0:17:19.280 --> 0:17:21.960
<v Speaker 1>Grandma State University night to Fall eight, six eighty seven,

0:17:22.720 --> 0:17:26.520
<v Speaker 1>he uh, this motherfucker take a Philly blunt, and the

0:17:26.600 --> 0:17:28.520
<v Speaker 1>way he did it it was it was the full blunt,

0:17:28.840 --> 0:17:30.080
<v Speaker 1>you know what I'm saying. And he had gout it.

0:17:30.119 --> 0:17:31.440
<v Speaker 1>He had just take all the ship out of it

0:17:31.680 --> 0:17:34.320
<v Speaker 1>and then stuff it with some booble weed, right just

0:17:34.359 --> 0:17:36.159
<v Speaker 1>because that's all we had at Graham some booble with

0:17:36.960 --> 0:17:39.320
<v Speaker 1>stuff that motherfucking and and tie the end up like that,

0:17:39.440 --> 0:17:40.880
<v Speaker 1>you know what I mean, win it up, and that's

0:17:40.920 --> 0:17:43.080
<v Speaker 1>how they did it. Back that that was the That's

0:17:43.080 --> 0:17:45.600
<v Speaker 1>the first time I've seen a blunt roll so pop,

0:17:45.680 --> 0:17:47.639
<v Speaker 1>you know what I'm saying here on and my video shooting,

0:17:47.680 --> 0:17:49.600
<v Speaker 1>he's sitting on the little bench. We I'm over there

0:17:49.600 --> 0:17:51.000
<v Speaker 1>smoking a beating. I don't know if y'all know what

0:17:51.960 --> 0:18:03.520
<v Speaker 1>sot A lot of balls back here over the world.

0:18:03.560 --> 0:18:08.040
<v Speaker 1>He he got, I'm Strong is doing this bad Boy mixtape.

0:18:08.359 --> 0:18:12.440
<v Speaker 1>Remember you remember it was the Bad Boys. I don't remember. Yeah,

0:18:12.520 --> 0:18:14.159
<v Speaker 1>this is what this, this is what is originally for.

0:18:14.840 --> 0:18:17.720
<v Speaker 1>So so it was a freestyle in a sense and

0:18:17.800 --> 0:18:20.879
<v Speaker 1>in the sense it was a freestyle. So um. That

0:18:21.119 --> 0:18:23.919
<v Speaker 1>day a dude named Chaz from my hood. I remember

0:18:24.160 --> 0:18:26.000
<v Speaker 1>he was the flying snigger from my hood. But he

0:18:26.080 --> 0:18:29.800
<v Speaker 1>was the craziest snigger. Right. So, so chads this outside

0:18:29.880 --> 0:18:33.320
<v Speaker 1>like he confused. He playing me New York, New York.

0:18:33.760 --> 0:18:35.639
<v Speaker 1>He's like, yo, you think they're this on us? So

0:18:35.760 --> 0:18:38.919
<v Speaker 1>I'm like, I don't know. I go to Queensbridge right

0:18:39.000 --> 0:18:42.520
<v Speaker 1>to meet up. We happened to, you know, be there

0:18:43.160 --> 0:18:45.800
<v Speaker 1>and stretch on. Strong calls and says, let's come to

0:18:45.880 --> 0:18:49.000
<v Speaker 1>the studio. So you had I think you had the

0:18:49.600 --> 0:18:54.120
<v Speaker 1>Turkquoise blazer. Yes I did. Yeah, I read a little

0:18:54.160 --> 0:18:57.720
<v Speaker 1>good the Turkoise blazes that that that the listen just

0:18:57.760 --> 0:19:00.920
<v Speaker 1>in case y'all thinking about blazer out back then, A

0:19:01.119 --> 0:19:08.800
<v Speaker 1>blazer was like a memory. I can't tell you what

0:19:08.880 --> 0:19:11.480
<v Speaker 1>happened yesterday, but I can tell you. Come up. I

0:19:11.640 --> 0:19:16.280
<v Speaker 1>remember this. So everybody we met at stretched on Strong's

0:19:16.320 --> 0:19:21.479
<v Speaker 1>crib and um, I think back then, having had already

0:19:21.520 --> 0:19:23.879
<v Speaker 1>gave us beat, but we ain't put nothing now but

0:19:23.960 --> 0:19:26.280
<v Speaker 1>the originals on the original Dog Pound beat. So this

0:19:26.440 --> 0:19:31.000
<v Speaker 1>is what happened, I stretched, Black. Yeah, I think we

0:19:31.080 --> 0:19:34.119
<v Speaker 1>had already did so what no no, no, no no

0:19:34.200 --> 0:19:36.720
<v Speaker 1>no no. So what happened is this is l A

0:19:36.920 --> 0:19:41.280
<v Speaker 1>l A. So what happened? Um, stretch, I said, the stretch? Yo.

0:19:41.840 --> 0:19:43.879
<v Speaker 1>I remember Chas had just played me this, so I

0:19:44.119 --> 0:19:46.240
<v Speaker 1>asked him he was on something called a DJ list

0:19:46.600 --> 0:19:49.240
<v Speaker 1>back then, back in the days, you could send somebody

0:19:49.280 --> 0:19:51.880
<v Speaker 1>a record and two months in advance and your ship

0:19:51.960 --> 0:19:54.720
<v Speaker 1>wouldn't be bootlegs. You know what I'm saying, Because if

0:19:54.760 --> 0:19:57.240
<v Speaker 1>he was on a DJ list, it was just so

0:19:57.359 --> 0:19:59.479
<v Speaker 1>I asked Stressed to pull it up. We heard New

0:19:59.560 --> 0:20:03.439
<v Speaker 1>York when we couldn't determine if they were dissing us

0:20:03.520 --> 0:20:06.840
<v Speaker 1>or not, So technically we didn't dis them. We just rhymed.

0:20:07.160 --> 0:20:16.200
<v Speaker 1>Correct the video I always always, but I remember it

0:20:16.320 --> 0:20:19.440
<v Speaker 1>was Prodigies verse. They took it because he said, Um,

0:20:20.200 --> 0:20:24.600
<v Speaker 1>he said JFK on our way to l A M

0:20:24.880 --> 0:20:28.879
<v Speaker 1>M and remember remember, and then he used that on

0:20:29.080 --> 0:20:31.680
<v Speaker 1>y'all album later, But the original L A L A

0:20:31.800 --> 0:20:35.280
<v Speaker 1>were all five of us. Prodigy said, n y C,

0:20:35.760 --> 0:20:38.920
<v Speaker 1>you and our verse supremacy, Havoc and pret queens Nigga,

0:20:39.000 --> 0:20:42.240
<v Speaker 1>so it's seemed to be Mega got word back from Noriega.

0:20:42.720 --> 0:20:46.200
<v Speaker 1>And that was on original L A l A. Oh,

0:20:46.880 --> 0:20:50.320
<v Speaker 1>I'm gonna break it down. He did that on right,

0:20:50.440 --> 0:20:54.760
<v Speaker 1>hold on, hold on somewhere else. No, it versus somewhere else,

0:20:55.240 --> 0:20:58.159
<v Speaker 1>but it was originally on L A l A. He

0:20:58.320 --> 0:21:02.560
<v Speaker 1>took it off. And when he took it off, we

0:21:02.920 --> 0:21:05.680
<v Speaker 1>remember we're calling Steve Riffis. Steve looking was like, no,

0:21:05.840 --> 0:21:08.840
<v Speaker 1>he doesn't want to be a part of this. Yeah,

0:21:09.000 --> 0:21:11.560
<v Speaker 1>you didn't. You didn't even make a noise to happen.

0:21:11.680 --> 0:21:14.920
<v Speaker 1>Who I didn't You stayed a part of yah makes

0:21:14.920 --> 0:21:19.560
<v Speaker 1>a noise to happen? Say it. But from what I heard, now,

0:21:19.600 --> 0:21:22.959
<v Speaker 1>I never heard this from Prodigy or or Steve Rifkin myself,

0:21:23.600 --> 0:21:25.720
<v Speaker 1>but from what I heard, Steve Riffers said, Prodigy, you

0:21:25.760 --> 0:21:28.200
<v Speaker 1>didn't want to do it. And then the first came

0:21:28.240 --> 0:21:30.440
<v Speaker 1>off the week that the day that we shot the

0:21:30.560 --> 0:21:33.800
<v Speaker 1>video is the day it came out, and you was

0:21:33.840 --> 0:21:36.160
<v Speaker 1>only supposed to come to the video, and then Prodigy

0:21:36.240 --> 0:21:38.520
<v Speaker 1>showed that he was there. He was in the video.

0:21:38.560 --> 0:21:40.600
<v Speaker 1>That's right, that's right because it was it was so

0:21:41.080 --> 0:21:44.000
<v Speaker 1>he did his first in the video. No, no, it

0:21:44.160 --> 0:21:46.000
<v Speaker 1>was like he was just like l A l A

0:21:46.160 --> 0:21:50.000
<v Speaker 1>big city. Yeah right, but you're saying it wasn't a

0:21:50.080 --> 0:21:52.920
<v Speaker 1>distract who said that? No? No, But then because that

0:21:53.040 --> 0:21:56.520
<v Speaker 1>intro was this no yeah yeah yeah that that was replaced.

0:21:57.440 --> 0:21:59.200
<v Speaker 1>But but we heard it. We all heard it. But

0:21:59.280 --> 0:22:02.440
<v Speaker 1>then that sound like live nigga rack, that was it.

0:22:02.680 --> 0:22:04.800
<v Speaker 1>Then he that's when he used that person. That's when

0:22:04.840 --> 0:22:09.679
<v Speaker 1>he used that person. But originally and then here's my question,

0:22:10.280 --> 0:22:13.520
<v Speaker 1>is Tupac came at y'all you know this is my record?

0:22:13.600 --> 0:22:18.440
<v Speaker 1>Did you have at one point when it's be like yeah,

0:22:19.480 --> 0:22:22.320
<v Speaker 1>that's question. But I didn't give a fuck because I

0:22:22.440 --> 0:22:25.159
<v Speaker 1>was like, because what did you do? Um? What was

0:22:25.200 --> 0:22:27.720
<v Speaker 1>the record? I loved the racket. It just dropped it

0:22:27.800 --> 0:22:30.200
<v Speaker 1>too late when you went back and dropped the gym on.

0:22:31.440 --> 0:22:37.560
<v Speaker 1>Yeah yeah, but I didn't kid because I was like, Yo,

0:22:37.640 --> 0:22:41.200
<v Speaker 1>this nigga. Tupac then from Juice, you know, what I'm saying,

0:22:41.280 --> 0:22:44.840
<v Speaker 1>like saying that name. So I was like, fuck, like,

0:22:44.960 --> 0:22:47.000
<v Speaker 1>who gives the fuck? You know what I'm saying, Because

0:22:47.080 --> 0:22:51.080
<v Speaker 1>we got like a hundred queensman, well fucking kill you.

0:22:51.440 --> 0:22:58.239
<v Speaker 1>But I love But did you did you realize how

0:22:58.400 --> 0:23:00.720
<v Speaker 1>beef that I mean, how big that it was? Like

0:23:01.359 --> 0:23:05.080
<v Speaker 1>like it was, it was huge, Like for Tupac to

0:23:05.160 --> 0:23:07.800
<v Speaker 1>dis you, it's like you you go platinum or something like,

0:23:08.000 --> 0:23:10.600
<v Speaker 1>I'm keeping it real. That's how I think was it

0:23:10.680 --> 0:23:15.040
<v Speaker 1>was the original, but I wanted to everything. I was

0:23:15.119 --> 0:23:24.320
<v Speaker 1>like you, But then I thought about I said, I

0:23:24.480 --> 0:23:27.320
<v Speaker 1>was super broke at that moment, so I couldn't have

0:23:27.400 --> 0:23:31.760
<v Speaker 1>thought no Tupac beaf, but they came. It's a fact

0:23:31.800 --> 0:23:34.440
<v Speaker 1>one nigga. Like at one point on one arm, I

0:23:34.600 --> 0:23:36.840
<v Speaker 1>was mad that he just then other arm, I was like,

0:23:37.119 --> 0:23:40.400
<v Speaker 1>holy ship, I white my sweat, but y'all went back.

0:23:40.680 --> 0:23:43.200
<v Speaker 1>I didn't give him, you didn't give drop with gym,

0:23:43.560 --> 0:23:46.280
<v Speaker 1>and we did drop a gym on it because I

0:23:46.680 --> 0:23:49.760
<v Speaker 1>because I always thought that like, even if we did

0:23:49.880 --> 0:23:52.159
<v Speaker 1>see each other, it was gonna be like whatever, it

0:23:52.280 --> 0:23:55.000
<v Speaker 1>wasn't gonna be the real ship, you know what I mean.

0:23:55.119 --> 0:23:57.320
<v Speaker 1>We come from the hood, so the real ship is

0:23:57.600 --> 0:24:02.159
<v Speaker 1>in the hood and these other niggas is rapids. You know,

0:24:03.720 --> 0:24:06.600
<v Speaker 1>this is real ship right there. It's real ship. You know.

0:24:06.720 --> 0:24:10.000
<v Speaker 1>The fans and the people wanted to notice l A story.

0:24:10.480 --> 0:24:13.600
<v Speaker 1>This is dope. Like when you my radio when the

0:24:13.840 --> 0:24:15.840
<v Speaker 1>l A l A Ship was out. Believe me, we

0:24:16.040 --> 0:24:19.040
<v Speaker 1>was going to l A under aliases, like when we

0:24:19.119 --> 0:24:23.360
<v Speaker 1>couldn't just because Biggie got killed. Remember this time, that's

0:24:23.440 --> 0:24:27.280
<v Speaker 1>true this time. What's the chronological order of that? Though?

0:24:27.359 --> 0:24:29.040
<v Speaker 1>So when L A A came out? What years after

0:24:29.920 --> 0:24:34.800
<v Speaker 1>ninety six? Right, and Biggie had died? When ninety six? No, no,

0:24:35.040 --> 0:24:43.879
<v Speaker 1>not Google Google because the record because diverse Biggie. No, no, no,

0:24:44.000 --> 0:24:46.919
<v Speaker 1>we need the Google. So this is way before Big Been,

0:24:46.960 --> 0:24:51.639
<v Speaker 1>Biggie and Pop die right, Yeah, Big for sure was

0:24:51.640 --> 0:24:56.240
<v Speaker 1>the ninety seven alright six months later. Yeah, so there's

0:24:56.240 --> 0:24:58.280
<v Speaker 1>still ninety seven. But still what you said you went

0:24:58.280 --> 0:25:02.360
<v Speaker 1>alias names. All I know is I remember like when

0:25:02.480 --> 0:25:05.280
<v Speaker 1>all of that, when all of that stuff was going down,

0:25:07.080 --> 0:25:09.680
<v Speaker 1>it was the East Coast, West Coast beach. Somebody probably

0:25:09.720 --> 0:25:12.879
<v Speaker 1>didn't even die yet, you understand what I'm saying. So

0:25:13.000 --> 0:25:18.000
<v Speaker 1>when they did die, you understand, it was like, Okay,

0:25:18.920 --> 0:25:24.480
<v Speaker 1>bulletproof cause names under alias is. But California is a

0:25:24.560 --> 0:25:27.760
<v Speaker 1>market that you have to be in just sell records.

0:25:27.880 --> 0:25:30.280
<v Speaker 1>It's like a huge market and it's one of our

0:25:30.400 --> 0:25:33.080
<v Speaker 1>number one markets to this day. You understand what I'm saying,

0:25:33.200 --> 0:25:36.199
<v Speaker 1>and I'm sure you can agree. I love California. I'm

0:25:36.240 --> 0:25:39.080
<v Speaker 1>out there, I got it. I got a crib about this.

0:25:39.600 --> 0:25:41.720
<v Speaker 1>It's like, you know, make some noise for havoc flaws.

0:25:45.040 --> 0:25:47.760
<v Speaker 1>Having your old storm, nick, I just teach you. You

0:25:47.960 --> 0:25:50.359
<v Speaker 1>have it rolled up in a yellow cab. Let's make

0:25:50.400 --> 0:25:56.320
<v Speaker 1>some noise for that nigga. You gotta that's some old

0:25:56.359 --> 0:26:00.520
<v Speaker 1>school because because because my Uber account was compromised the

0:26:00.560 --> 0:26:04.120
<v Speaker 1>way you know, so when I used my Uba, somebody knows.

0:26:06.680 --> 0:26:08.200
<v Speaker 1>You have to explain this because I want to watch

0:26:08.240 --> 0:26:10.040
<v Speaker 1>out for this. I don't even want to explain it.

0:26:11.119 --> 0:26:14.360
<v Speaker 1>But somebody knows. I'm using computers one day. One time

0:26:14.440 --> 0:26:17.440
<v Speaker 1>you got tapped, right, they said that you said ship

0:26:17.920 --> 0:26:20.040
<v Speaker 1>like you're not good with computers. You need to keep

0:26:20.080 --> 0:26:29.440
<v Speaker 1>the original. That's that's a segue, like you ain't sing up. Yeah, yeah,

0:26:30.119 --> 0:26:32.560
<v Speaker 1>what's those messages true? Like let's just keep it real.

0:26:33.600 --> 0:26:36.240
<v Speaker 1>That's just don't matter. If you seen the messages I

0:26:36.320 --> 0:26:40.000
<v Speaker 1>send the compone ship. It's so good. It's the same ship.

0:26:40.160 --> 0:26:42.240
<v Speaker 1>It might not you went a little too far. I

0:26:42.359 --> 0:26:44.159
<v Speaker 1>did call them a fact and all that you were

0:26:44.160 --> 0:26:47.159
<v Speaker 1>a little too far. Don't come down there with the

0:26:47.280 --> 0:26:49.280
<v Speaker 1>shoot heavy dal with there was a shoot, was heavy.

0:26:49.320 --> 0:26:51.240
<v Speaker 1>He was involved like he he wasn't shooting, but he was.

0:26:51.560 --> 0:26:54.920
<v Speaker 1>Now in your opinion, you both knowing Pocket and Big,

0:26:55.080 --> 0:26:58.280
<v Speaker 1>there's very few people who know Pocket and Big. There's

0:26:58.280 --> 0:27:00.560
<v Speaker 1>people who know Pop great, and of people who know

0:27:00.680 --> 0:27:02.840
<v Speaker 1>Big a little bit, people who know Big a lot,

0:27:03.280 --> 0:27:05.119
<v Speaker 1>people who know Pop a little bit. But you know

0:27:05.240 --> 0:27:08.879
<v Speaker 1>them both for them, do you think they could have

0:27:08.880 --> 0:27:13.240
<v Speaker 1>ever squashed that? Like yeah, I mean on the People

0:27:13.280 --> 0:27:17.959
<v Speaker 1>Show when Pop got out of jail, I Pop, then

0:27:18.000 --> 0:27:20.880
<v Speaker 1>I would an interview Biggie, and then through the interviewing

0:27:21.000 --> 0:27:23.920
<v Speaker 1>process of it, it was more like I was interviewing them,

0:27:24.760 --> 0:27:27.720
<v Speaker 1>but I was like Nigga chilling funk out, you know.

0:27:28.200 --> 0:27:30.280
<v Speaker 1>So it was more of me having a conversation with

0:27:30.440 --> 0:27:34.200
<v Speaker 1>them about chilling fun out. You too, Motherucker's need to

0:27:34.680 --> 0:27:36.760
<v Speaker 1>make money. This ship is about money, y'all taking this

0:27:36.880 --> 0:27:40.200
<v Speaker 1>too to the extreme, because you know, I was in St.

0:27:40.280 --> 0:27:43.520
<v Speaker 1>Louis doing a show with Big and Big out there.

0:27:43.640 --> 0:27:47.639
<v Speaker 1>You know, motherfucker's they wanted did this Pop on stage

0:27:47.720 --> 0:27:52.159
<v Speaker 1>and they were boring. You know, I'm I'm sitting up

0:27:52.160 --> 0:27:54.920
<v Speaker 1>there like you know, I'm like, okay, you know the

0:27:55.040 --> 0:27:57.760
<v Speaker 1>mediator and the whole ship, like and Big when this

0:27:58.200 --> 0:28:01.840
<v Speaker 1>so then I when I interviewed, uh when when I

0:28:01.920 --> 0:28:05.960
<v Speaker 1>interviewed pop Pop was just going crazy, you know, oh yeah,

0:28:06.119 --> 0:28:09.240
<v Speaker 1>yeah yeah, this girl and did this and and then

0:28:09.359 --> 0:28:11.439
<v Speaker 1>that and all this, And I'm like, so when interview

0:28:11.560 --> 0:28:12.879
<v Speaker 1>over there looking at man, you need to chill the

0:28:12.920 --> 0:28:15.200
<v Speaker 1>funk out, you know what I'm saying. You know, so

0:28:15.359 --> 0:28:17.639
<v Speaker 1>many of them had you know, we could talk because

0:28:17.640 --> 0:28:20.800
<v Speaker 1>I know him before he linked up with you know,

0:28:20.880 --> 0:28:22.720
<v Speaker 1>with the Death Row dudes. I know him when he

0:28:22.840 --> 0:28:25.159
<v Speaker 1>was with did you Don't Underground? You know? So I

0:28:25.320 --> 0:28:27.760
<v Speaker 1>know this young dude, he you know, on something black

0:28:27.800 --> 0:28:30.360
<v Speaker 1>power ship. You know, I know where he's coming from.

0:28:30.480 --> 0:28:33.119
<v Speaker 1>So you know, you ain't on what you you know,

0:28:33.160 --> 0:28:36.280
<v Speaker 1>I'm like, what you change? What are you doing? You

0:28:36.320 --> 0:28:37.800
<v Speaker 1>know what I'm saying? You're you on that, you know,

0:28:37.880 --> 0:28:39.680
<v Speaker 1>on that black man ship with you, which is I

0:28:39.800 --> 0:28:42.200
<v Speaker 1>know how that's how you raised. You're always on that.

0:28:42.680 --> 0:28:46.040
<v Speaker 1>You don't know do nothing other black man. So you know,

0:28:46.160 --> 0:28:48.440
<v Speaker 1>we had that conversation and you know, I want to

0:28:48.480 --> 0:28:53.040
<v Speaker 1>go in interview Biggie Big Ones say one word about it? Yeah,

0:28:53.360 --> 0:28:56.920
<v Speaker 1>Big One, you talk big you know Big Ones say nothing.

0:28:57.080 --> 0:28:59.720
<v Speaker 1>It was like nine nine, you know, he just kept

0:28:59.800 --> 0:29:03.840
<v Speaker 1>it like, uh, Kevin, like really one hundred. So it

0:29:04.000 --> 0:29:07.320
<v Speaker 1>was it was they were they were gonna talk, you

0:29:07.400 --> 0:29:09.760
<v Speaker 1>know after me. If I had the conversation with both

0:29:09.800 --> 0:29:12.080
<v Speaker 1>of them, you know, they were gonna talk. But then

0:29:12.720 --> 0:29:17.400
<v Speaker 1>for some reason, you knew Pop pre Death Roll, Yeah,

0:29:18.000 --> 0:29:27.760
<v Speaker 1>and then what's that after? Right? Well? Which which park

0:29:27.840 --> 0:29:32.720
<v Speaker 1>you related to more? The park before before Death Roll Underground.

0:29:33.040 --> 0:29:37.000
<v Speaker 1>It's all like it's almost like two different people totally

0:29:37.880 --> 0:29:41.000
<v Speaker 1>to different people totally. Man, I can relate. I'm a Gemini,

0:29:41.320 --> 0:29:45.640
<v Speaker 1>Yeah yeah, yeah, yeah yeah. It's almost like, uh, you know,

0:29:46.200 --> 0:29:49.240
<v Speaker 1>young dude, you know, hanging out with a cooler people,

0:29:49.280 --> 0:29:52.360
<v Speaker 1>then you conform into that crew. You know. That's why always,

0:29:52.440 --> 0:29:54.520
<v Speaker 1>you know, when I'm working with kids, I tell kids,

0:29:54.560 --> 0:29:56.720
<v Speaker 1>don't be no following. You know, in the back of

0:29:56.760 --> 0:29:59.880
<v Speaker 1>my mind, I'm thinking about, you know, them soldiers who

0:30:00.280 --> 0:30:02.360
<v Speaker 1>like pop. You know what I'm saying, You gotta be

0:30:02.360 --> 0:30:04.840
<v Speaker 1>your old man. You can't get caught up in you know,

0:30:05.480 --> 0:30:07.200
<v Speaker 1>the ship somebody else trying to do. You think Pop

0:30:07.320 --> 0:30:09.160
<v Speaker 1>was following though in that sense you do, you don't

0:30:09.160 --> 0:30:10.640
<v Speaker 1>think I think he had a plan to get out

0:30:10.680 --> 0:30:14.080
<v Speaker 1>of that situation or change the trajectory of what he

0:30:14.160 --> 0:30:16.920
<v Speaker 1>was trying to do. That's what everybody, well, when you

0:30:17.160 --> 0:30:20.680
<v Speaker 1>when you when you when you want some real black

0:30:20.720 --> 0:30:22.440
<v Speaker 1>man ship, like better got a baby, and then you

0:30:22.480 --> 0:30:26.680
<v Speaker 1>go overhead, not not not exactly bring. I mean he

0:30:26.920 --> 0:30:29.400
<v Speaker 1>was deep. He was deep. He was on some real

0:30:29.480 --> 0:30:32.560
<v Speaker 1>black man ship, you know, black power black like this.

0:30:33.160 --> 0:30:36.600
<v Speaker 1>He was on some deep black man And then so

0:30:36.880 --> 0:30:39.640
<v Speaker 1>now you get linked up with this crew on that

0:30:40.240 --> 0:30:43.240
<v Speaker 1>on some different ship, then you conformed to be like that.

0:30:43.840 --> 0:30:48.080
<v Speaker 1>You feel me? So I knew him before that. You know,

0:30:48.200 --> 0:30:49.960
<v Speaker 1>there's this young man. We're just trying to get on,

0:30:50.080 --> 0:30:52.000
<v Speaker 1>trying to get this music here, trying to do the

0:30:52.120 --> 0:30:54.120
<v Speaker 1>right thing. I'm on some black man ship. He was more,

0:30:54.560 --> 0:30:58.720
<v Speaker 1>he was more deeper than then public Enemy then public Enemy,

0:31:00.120 --> 0:31:02.520
<v Speaker 1>that black man ship. So then I when you go

0:31:03.200 --> 0:31:05.680
<v Speaker 1>and you linked with this crew here, then you kind

0:31:05.720 --> 0:31:08.480
<v Speaker 1>of conformed to that. And then now you got whole

0:31:08.560 --> 0:31:11.200
<v Speaker 1>crew of and you had already had beef for death Roll,

0:31:11.280 --> 0:31:14.960
<v Speaker 1>so you knew what type of mind sticky. Yeah it was,

0:31:15.160 --> 0:31:17.120
<v Speaker 1>you know it was you know, it was like on

0:31:17.360 --> 0:31:20.240
<v Speaker 1>some you know, we tough guyship. So then now you

0:31:20.320 --> 0:31:24.560
<v Speaker 1>got this young guy that's really you know, just searching

0:31:24.720 --> 0:31:28.200
<v Speaker 1>for a family. You bring me in and before you

0:31:28.320 --> 0:31:31.840
<v Speaker 1>know it, he conformed into you know, it's like, uh,

0:31:32.600 --> 0:31:35.120
<v Speaker 1>become a product of your environment. So he became a

0:31:35.160 --> 0:31:45.960
<v Speaker 1>product of that environment before we moved on to that.

0:31:46.360 --> 0:31:51.520
<v Speaker 1>You ever hung out with Pun as well? Yeah? Yeah,

0:31:52.440 --> 0:31:56.080
<v Speaker 1>how was how was it hanging out Pun? Fun? Pun

0:31:56.200 --> 0:31:59.280
<v Speaker 1>and Joe? I remember, you know when I first met Joe.

0:31:59.840 --> 0:32:02.240
<v Speaker 1>You know, I went to the went to the fucking

0:32:02.360 --> 0:32:07.600
<v Speaker 1>club and uh the Puerto Rican club story, let's get it.

0:32:08.800 --> 0:32:10.760
<v Speaker 1>So I go to club, hang out with Joe Bunton,

0:32:11.280 --> 0:32:14.440
<v Speaker 1>Joe beat the ship out of some club like this

0:32:14.600 --> 0:32:21.240
<v Speaker 1>motherfucker is so up. Some motherfucker like what the fund

0:32:21.360 --> 0:32:24.240
<v Speaker 1>is this? Right? But but after that, I mean we

0:32:24.400 --> 0:32:28.880
<v Speaker 1>end up doing something together and uh and some of

0:32:28.920 --> 0:32:31.440
<v Speaker 1>the other guys in the group. Next up is from

0:32:31.520 --> 0:32:34.560
<v Speaker 1>episode eighty six of Drink Champs. We sat down with

0:32:34.680 --> 0:32:38.760
<v Speaker 1>the legendary film director John Singleton and man, what can

0:32:38.800 --> 0:32:42.320
<v Speaker 1>I say, you know, it's it really hurt to to

0:32:42.520 --> 0:32:44.760
<v Speaker 1>you know, to see John go, you know, and I'm

0:32:44.840 --> 0:32:47.080
<v Speaker 1>just really happy that that we had a chance to

0:32:47.120 --> 0:32:50.360
<v Speaker 1>sit down with him. You know. It's it's never a

0:32:50.480 --> 0:32:53.360
<v Speaker 1>good thing when when you know people leave, you know,

0:32:53.400 --> 0:32:56.320
<v Speaker 1>it seems before their time. And just felt like John

0:32:56.400 --> 0:32:59.479
<v Speaker 1>had a lot of things left to do. So it's uh,

0:33:00.160 --> 0:33:04.520
<v Speaker 1>very unfortunate, and our condolences to his entire family and

0:33:04.800 --> 0:33:08.120
<v Speaker 1>close friends. But we're grateful that we got the opportunity

0:33:08.120 --> 0:33:10.840
<v Speaker 1>to sit down on him, really humble guy for everything

0:33:10.880 --> 0:33:14.400
<v Speaker 1>he had accomplished. So in case you missed it, checkout

0:33:14.480 --> 0:33:18.480
<v Speaker 1>episode eighty six with our guests John Singleton. Um. But

0:33:18.600 --> 0:33:23.040
<v Speaker 1>here's some moments from it. You're so rich man, here

0:33:23.080 --> 0:33:24.760
<v Speaker 1>we're here, you got yachts and all type of things,

0:33:26.840 --> 0:33:29.400
<v Speaker 1>and you know what, you're humble god, but almost I'm

0:33:29.440 --> 0:33:34.880
<v Speaker 1>a brag brag for brag for you man, you know

0:33:34.920 --> 0:33:36.520
<v Speaker 1>what I mean. We want to listen. I don't know

0:33:36.560 --> 0:33:38.400
<v Speaker 1>if you know what our show was about. Giving all

0:33:38.560 --> 0:33:41.920
<v Speaker 1>legends flowers when they can smell them, and treats when

0:33:41.920 --> 0:33:45.400
<v Speaker 1>they get held them because our our society so much

0:33:45.640 --> 0:33:48.240
<v Speaker 1>praise as a person after they die and I feel

0:33:48.280 --> 0:33:51.040
<v Speaker 1>like that is so backwards. Yeah you should. I should

0:33:51.040 --> 0:33:52.920
<v Speaker 1>be able to tell you how much I appreciate you

0:33:53.120 --> 0:33:56.320
<v Speaker 1>right here, face to face man and man, as opposed

0:33:56.360 --> 0:33:58.320
<v Speaker 1>to waiting for you to pass away and then be like, yeah,

0:33:58.360 --> 0:33:59.880
<v Speaker 1>he's a great guy. I mean and him party they

0:34:00.000 --> 0:34:02.000
<v Speaker 1>in the back of the day. I should say that now,

0:34:02.320 --> 0:34:04.480
<v Speaker 1>like you know what I'm saying. Like, And I actually

0:34:04.600 --> 0:34:07.640
<v Speaker 1>learned that through Dave Chappelle, you know, when the way

0:34:07.920 --> 0:34:10.360
<v Speaker 1>it was print and it was like he started praising

0:34:10.440 --> 0:34:13.040
<v Speaker 1>Prince while Prince was alive. And it's just like, that's

0:34:13.040 --> 0:34:15.080
<v Speaker 1>what we got to continue to do. And that's not

0:34:15.239 --> 0:34:17.879
<v Speaker 1>just as a culture, that's as as people, like as

0:34:18.000 --> 0:34:20.920
<v Speaker 1>human human beings. As human beings, we gotta start praising

0:34:21.000 --> 0:34:23.799
<v Speaker 1>our people where they're here. So with that being said,

0:34:23.840 --> 0:34:28.200
<v Speaker 1>I wasn't working with Janet Jackson penny. You know, come on,

0:34:28.400 --> 0:34:30.480
<v Speaker 1>it's beautiful. It was jerked off the penny a lot.

0:34:31.719 --> 0:34:33.360
<v Speaker 1>Throw that out there. It was good. I don't know

0:34:33.400 --> 0:34:36.840
<v Speaker 1>if that's serious, the whole age thing. No, that was

0:34:36.880 --> 0:34:38.560
<v Speaker 1>not serious. That was a joke that we was having

0:34:38.560 --> 0:34:42.560
<v Speaker 1>on the set. Because the real talk is Tupac was

0:34:42.600 --> 0:34:49.000
<v Speaker 1>attracted Dejane. I was attracted Jana the world. We're in

0:34:49.040 --> 0:34:53.400
<v Speaker 1>the set, we're both trying to like, you know, floodwater

0:34:53.520 --> 0:34:55.759
<v Speaker 1>and stuff, and I'm like, you know what, I don't

0:34:55.800 --> 0:34:57.759
<v Speaker 1>know if you know, I should have you kissing on

0:34:57.920 --> 0:35:00.760
<v Speaker 1>my actress because you know, you know, and fucking around

0:35:00.800 --> 0:35:03.120
<v Speaker 1>doing all this ship. You know, Pope was just coming

0:35:03.160 --> 0:35:05.279
<v Speaker 1>to his own then, right and I was like, man,

0:35:06.000 --> 0:35:07.560
<v Speaker 1>I was like, yeah, you know what, You're gonna have

0:35:07.600 --> 0:35:09.359
<v Speaker 1>to do an as test for y'all, do this left scene.

0:35:09.400 --> 0:35:13.120
<v Speaker 1>It was a joke, but he said, no, it's you know,

0:35:13.239 --> 0:35:15.760
<v Speaker 1>it's me saw not my nigger on the sun right before,

0:35:16.080 --> 0:35:19.040
<v Speaker 1>just like talking ship and then we're like, oh, ship,

0:35:19.520 --> 0:35:21.600
<v Speaker 1>we should we should we should use this, we should

0:35:21.640 --> 0:35:23.640
<v Speaker 1>put this out. And so that's what we did as

0:35:23.680 --> 0:35:25.759
<v Speaker 1>a publicity thing. As a publicity thing, we just did that.

0:35:27.320 --> 0:35:32.080
<v Speaker 1>But it's just like us talking. We got Jackson, but

0:35:32.160 --> 0:35:33.840
<v Speaker 1>it was just us talking on the ship on the

0:35:33.920 --> 0:35:35.600
<v Speaker 1>set and everything and this, and you know it was

0:35:35.640 --> 0:35:38.479
<v Speaker 1>an inside joke. That's when it works. Now, not only

0:35:38.600 --> 0:35:41.640
<v Speaker 1>did you get to work with Janet Jackson, if you

0:35:41.719 --> 0:35:45.560
<v Speaker 1>got to work with the big man Mike Jackson, did

0:35:45.600 --> 0:35:47.080
<v Speaker 1>he have a glove one when you met him? No,

0:35:47.239 --> 0:35:49.120
<v Speaker 1>he didn't have a guy. He's where he wore the

0:35:49.160 --> 0:35:52.400
<v Speaker 1>old fun I got a lot and he didn't. He

0:35:52.480 --> 0:35:54.840
<v Speaker 1>didn't's a crazy because in his in his problem was

0:35:55.360 --> 0:35:57.759
<v Speaker 1>you see it Michael on on camera and suff he

0:35:57.760 --> 0:36:00.520
<v Speaker 1>didn't talk the way that he talks, you know, and

0:36:00.760 --> 0:36:03.480
<v Speaker 1>he said that Mike, Mike was a nigger, like Mike

0:36:03.640 --> 0:36:07.239
<v Speaker 1>was like different, different and every tone and everything that

0:36:10.360 --> 0:36:13.400
<v Speaker 1>I'm just saying that just that was an expectation that

0:36:13.480 --> 0:36:15.320
<v Speaker 1>he put on for the cameras. He didn't he wouldn't

0:36:15.360 --> 0:36:16.680
<v Speaker 1>talk about it. He was just a brother. He was

0:36:16.920 --> 0:36:19.440
<v Speaker 1>different to every different to me and everything. It's just like,

0:36:19.560 --> 0:36:21.920
<v Speaker 1>you know, he's just like hey, you know. And he

0:36:22.080 --> 0:36:24.520
<v Speaker 1>was really despite what he you know, he ended up

0:36:24.560 --> 0:36:28.239
<v Speaker 1>doing to his face and his skin got lighter and everything.

0:36:28.560 --> 0:36:30.600
<v Speaker 1>He was a real brother man. He was really about

0:36:31.040 --> 0:36:35.200
<v Speaker 1>black people because I heard that video. He actually that

0:36:35.360 --> 0:36:39.239
<v Speaker 1>was after Magic actually announced and he wanted to do

0:36:39.440 --> 0:36:42.839
<v Speaker 1>something and Mike wanted Mike wanted Magic in the video.

0:36:42.880 --> 0:36:44.480
<v Speaker 1>He said, you know, cal him Magic, Let's get him

0:36:44.520 --> 0:36:47.680
<v Speaker 1>in the video. Remember the time, remember time. I hate

0:36:47.719 --> 0:36:54.440
<v Speaker 1>that ship in my head, right, I ain't gonna lie.

0:36:54.440 --> 0:36:56.800
<v Speaker 1>I couldn't have met Michael Jackson. I would like I

0:36:56.840 --> 0:36:58.640
<v Speaker 1>would have gave him. I would gave him a file

0:36:58.719 --> 0:37:04.400
<v Speaker 1>too hard. Who oh not? U gave us the crazy

0:37:06.000 --> 0:37:09.520
<v Speaker 1>Michael Jackson s. But so how was it? Was he

0:37:09.600 --> 0:37:12.920
<v Speaker 1>a pure genius? Like was he everything? He was? His

0:37:13.200 --> 0:37:15.440
<v Speaker 1>damn near genius? I mean dann mal genius. I mean

0:37:15.480 --> 0:37:18.120
<v Speaker 1>like you know the things that that uh that he

0:37:18.280 --> 0:37:21.440
<v Speaker 1>did and that he uh and that he wanted to

0:37:21.520 --> 0:37:25.160
<v Speaker 1>do and stuff, you know, like unprecedented in this business.

0:37:25.760 --> 0:37:31.399
<v Speaker 1>You know, have you ever been U starstruck? Yeah? Who who?

0:37:31.440 --> 0:37:33.399
<v Speaker 1>You stought? I gotta hear this. I mean, I'm only

0:37:33.480 --> 0:37:35.640
<v Speaker 1>bet star shot two times in my whole career. I

0:37:35.719 --> 0:37:38.759
<v Speaker 1>need to hear both. Let's go for it. The first

0:37:38.880 --> 0:37:43.719
<v Speaker 1>was meeting Steven Spielberg because it's like, you know, as

0:37:43.800 --> 0:37:47.120
<v Speaker 1>a kid going up, you know, like he was, you know,

0:37:47.680 --> 0:37:50.960
<v Speaker 1>the the young person that went on to make movies

0:37:51.080 --> 0:37:53.480
<v Speaker 1>at an early age, and I wanted to be like that,

0:37:54.320 --> 0:37:57.000
<v Speaker 1>Um just nervous, and you know I saw him and

0:37:57.040 --> 0:37:59.600
<v Speaker 1>that as soon as I saw him and we met

0:38:00.400 --> 0:38:03.520
<v Speaker 1>just it was like it was like, um, you know,

0:38:03.600 --> 0:38:05.120
<v Speaker 1>it was it was as great. You know, it's like

0:38:05.200 --> 0:38:10.320
<v Speaker 1>the godfather of filmmaking, of filmmaking, the second was what

0:38:10.480 --> 0:38:16.560
<v Speaker 1>your prior, yea Richard Pribord, remember prior at the comedy store.

0:38:16.960 --> 0:38:18.480
<v Speaker 1>I was, I used to hang out the comed store.

0:38:18.560 --> 0:38:20.120
<v Speaker 1>As soon as you say you met Richard prior, I

0:38:20.280 --> 0:38:23.360
<v Speaker 1>thought the comedy store and so uh And it's funny

0:38:23.360 --> 0:38:25.640
<v Speaker 1>because Richard probably was hanging out with Opportina Comedy Club

0:38:25.760 --> 0:38:28.799
<v Speaker 1>was Hollywood, are you here this with a Patine Richard

0:38:32.600 --> 0:38:38.400
<v Speaker 1>with Opportunito And I can't even love that dope, And

0:38:38.520 --> 0:38:40.359
<v Speaker 1>I'm like, let's throw that out there. I don't even

0:38:40.360 --> 0:38:44.520
<v Speaker 1>look at Opportune. I'm looking at much private. But Richard

0:38:44.640 --> 0:38:46.279
<v Speaker 1>used to have this do that work for him. Um.

0:38:46.680 --> 0:38:50.480
<v Speaker 1>It came over to me, um and and he said, uh,

0:38:50.800 --> 0:38:54.160
<v Speaker 1>you know, uh, Richard would like to say hello to you.

0:38:54.680 --> 0:38:57.279
<v Speaker 1>And I walked across from him, and Richard was kind

0:38:57.320 --> 0:38:59.239
<v Speaker 1>of frail here. The ms was getting them, but it

0:38:59.320 --> 0:39:02.279
<v Speaker 1>wasn't as bad. He wasn't wheelchah, it wasn't built. And

0:39:02.400 --> 0:39:05.400
<v Speaker 1>he just said, uh, uh you know the young man

0:39:05.440 --> 0:39:06.880
<v Speaker 1>that made that movie because boys in the Hood just

0:39:07.040 --> 0:39:09.000
<v Speaker 1>came out. And I said, yes, sir, I am. And

0:39:09.160 --> 0:39:12.160
<v Speaker 1>mind you because you're like me. You listen to every

0:39:12.280 --> 0:39:22.640
<v Speaker 1>rich pri Mama had since birth. Curse he said, are

0:39:22.680 --> 0:39:25.200
<v Speaker 1>you the man amant the movie? I said, yes, sir, yeah,

0:39:25.640 --> 0:39:27.840
<v Speaker 1>and he goes against me a hut n. I just

0:39:27.960 --> 0:39:31.320
<v Speaker 1>cried on the shoulder I saw, I said, because because

0:39:31.800 --> 0:39:34.160
<v Speaker 1>this is a man. And then after that we became friends.

0:39:34.160 --> 0:39:35.759
<v Speaker 1>I used to go up to his house and said,

0:39:35.760 --> 0:39:37.640
<v Speaker 1>he'd be sitting up in the bed. You have a

0:39:37.760 --> 0:39:40.440
<v Speaker 1>gun right by the side of his bad. This is

0:39:40.480 --> 0:39:45.080
<v Speaker 1>mother got guns right next to and every comedian, Wayne's brothers,

0:39:45.200 --> 0:39:48.480
<v Speaker 1>whoever it was, he pulled guns out. No, no other

0:39:48.560 --> 0:39:52.239
<v Speaker 1>people will come through. They come through every day to

0:39:52.320 --> 0:39:57.480
<v Speaker 1>pay homaged Richard. We hope you're enjoying the special Memorial

0:39:57.600 --> 0:40:00.200
<v Speaker 1>Day episode of Drink Champs as we pay re BacT

0:40:00.239 --> 0:40:03.440
<v Speaker 1>in homage and immoralized the life of these legendary artists.

0:40:03.960 --> 0:40:06.399
<v Speaker 1>Up next. I mean, there's not much that that can

0:40:06.440 --> 0:40:08.279
<v Speaker 1>be said that has it that isn't always said and

0:40:08.440 --> 0:40:13.360
<v Speaker 1>and and just known about Biggie Smalls a K. The

0:40:13.440 --> 0:40:17.719
<v Speaker 1>notorious b I g Um Big is just, you know,

0:40:17.920 --> 0:40:20.000
<v Speaker 1>just bigger than life. He He's just one of those

0:40:20.160 --> 0:40:24.160
<v Speaker 1>iconic figures in hip hop and you can't even just

0:40:24.600 --> 0:40:26.840
<v Speaker 1>begin to imagine what he would have accomplished if he

0:40:26.840 --> 0:40:29.239
<v Speaker 1>would still be here with us and what he could

0:40:29.239 --> 0:40:33.680
<v Speaker 1>have done. Unfortunately, again an untimely death for such a

0:40:33.880 --> 0:40:36.360
<v Speaker 1>great hip hop artists, just a great artist in general,

0:40:36.440 --> 0:40:39.440
<v Speaker 1>but but for hip hop, it's just he was just

0:40:39.600 --> 0:40:44.120
<v Speaker 1>monumental and so so iconic. So uh. These next stories

0:40:44.200 --> 0:40:49.440
<v Speaker 1>come from Uncle Luke, E Forty, Puffy and Little Ces.

0:40:50.280 --> 0:40:53.240
<v Speaker 1>Listen as they share their notorious b I G stories.

0:40:53.600 --> 0:40:56.840
<v Speaker 1>You know, rest in peace, Biggie Smalls, Big Man, we

0:40:56.960 --> 0:41:00.320
<v Speaker 1>love you man. Let's get into these stories. But he

0:41:00.400 --> 0:41:02.600
<v Speaker 1>was in a car accident. He was in the car accident, okay,

0:41:02.600 --> 0:41:04.080
<v Speaker 1>because you was like the drive I got heard Big

0:41:04.200 --> 0:41:07.759
<v Speaker 1>never drove, never drove, never drove his life. Okay, So

0:41:07.840 --> 0:41:11.839
<v Speaker 1>what happened he was we had got arrested um day

0:41:11.880 --> 0:41:13.719
<v Speaker 1>before that. Let's make some noise of little Season, Big Game.

0:41:16.680 --> 0:41:20.120
<v Speaker 1>We got arrested downtown Brooklyn or some bud and they

0:41:20.160 --> 0:41:21.960
<v Speaker 1>took our truck. When we got the truck back that

0:41:22.080 --> 0:41:25.600
<v Speaker 1>that Alexis. We got it back, the ship didn't work,

0:41:26.080 --> 0:41:28.080
<v Speaker 1>so they had to ship the ship to the car dealership.

0:41:28.120 --> 0:41:29.480
<v Speaker 1>We went to the next morning to pick up a loan.

0:41:29.560 --> 0:41:33.080
<v Speaker 1>This car. It was a luminum van. Yeah. We we

0:41:33.160 --> 0:41:34.920
<v Speaker 1>trade an Alexis car for a Lumino van and I

0:41:34.960 --> 0:41:37.600
<v Speaker 1>was like, I shouldn't we get Alexus like he was like, no,

0:41:37.680 --> 0:41:40.200
<v Speaker 1>I'm gonna ride low, Let's just take this drive. And

0:41:40.320 --> 0:41:42.640
<v Speaker 1>I jumped in that ship and were driving around this

0:41:42.719 --> 0:41:44.640
<v Speaker 1>little just still a fork and the ship just sped

0:41:44.680 --> 0:41:46.880
<v Speaker 1>out of control. I ran into a rail. How old

0:41:46.920 --> 0:41:50.879
<v Speaker 1>were you at that? About sixteen? He was already driving,

0:41:56.080 --> 0:42:02.160
<v Speaker 1>had no else driving dirty? This? K Rose would answered, yeah, yeah, yeah,

0:42:02.200 --> 0:42:04.120
<v Speaker 1>So that's what happened, and he funked up his leg.

0:42:05.200 --> 0:42:07.520
<v Speaker 1>I had to get these gold fronts to a place,

0:42:08.000 --> 0:42:09.719
<v Speaker 1>two joints that was sucked up. That's why he had

0:42:09.719 --> 0:42:12.960
<v Speaker 1>to put down the rhyme. And uh time in the

0:42:13.040 --> 0:42:14.759
<v Speaker 1>radio station where he said that rhyme, was that the

0:42:14.800 --> 0:42:17.400
<v Speaker 1>first time you heard that rhyme? I heard the song?

0:42:18.200 --> 0:42:22.200
<v Speaker 1>She already yeah, you already. I had to accept that

0:42:22.239 --> 0:42:23.839
<v Speaker 1>one though, you know what I mean. I took one

0:42:23.880 --> 0:42:30.160
<v Speaker 1>for the team, right so now also right, uh? I

0:42:30.239 --> 0:42:33.160
<v Speaker 1>wanted to ask this question. Um this this comes via

0:42:33.560 --> 0:42:37.839
<v Speaker 1>shot him read. I believe he said, what were big

0:42:37.920 --> 0:42:40.200
<v Speaker 1>his plans for the Commission album with Jay? Who else

0:42:40.280 --> 0:42:42.440
<v Speaker 1>was supposed to be in that group? What label was

0:42:42.520 --> 0:42:45.000
<v Speaker 1>supposed to be on? And who was supposed to be

0:42:45.080 --> 0:42:48.719
<v Speaker 1>in the commission. Commission he had no label idea for yet,

0:42:48.840 --> 0:42:50.440
<v Speaker 1>so he didn't know what label he's gonna do it on.

0:42:50.480 --> 0:42:52.560
<v Speaker 1>It probably gonna be on Undear that was his label.

0:42:53.160 --> 0:42:54.879
<v Speaker 1>He's probably gonna do it on that, depending on part

0:42:54.920 --> 0:42:57.080
<v Speaker 1>what Jay was gonna do. But the commission was me,

0:42:57.680 --> 0:43:06.560
<v Speaker 1>Jay Z, Charlie Baltimore Big and No just don't play

0:43:06.640 --> 0:43:08.640
<v Speaker 1>like the boss of it, but tells his way of

0:43:08.760 --> 0:43:11.200
<v Speaker 1>like pushing Charlie out. He was gonna push Charlie through

0:43:11.280 --> 0:43:13.120
<v Speaker 1>the through the commission ships. So that's how he was

0:43:13.160 --> 0:43:15.200
<v Speaker 1>gonna break that down. I actually spoke to on the

0:43:15.320 --> 0:43:17.600
<v Speaker 1>other day and it was crazy because unset to me.

0:43:17.680 --> 0:43:20.400
<v Speaker 1>He said, you know, it's a crazy ship, Nori. Nobody's

0:43:20.440 --> 0:43:23.480
<v Speaker 1>never interviewed him about Big, like he was his business

0:43:23.560 --> 0:43:26.759
<v Speaker 1>part enough and people didn't this is so you know,

0:43:27.200 --> 0:43:32.120
<v Speaker 1>doing drink chance like he had to sit there and

0:43:32.239 --> 0:43:33.520
<v Speaker 1>just think about it, and it was like, Yo, you

0:43:33.600 --> 0:43:36.799
<v Speaker 1>know what, Nobody never really asks me about Big, because well,

0:43:36.840 --> 0:43:40.240
<v Speaker 1>I guess what happened after Big, because Cam was supposed

0:43:40.239 --> 0:43:46.759
<v Speaker 1>to be signed to you guys, Yeah, because Cam was

0:43:46.760 --> 0:43:59.719
<v Speaker 1>actually BIG's artist and the poem Yes, yes, you gotta

0:43:59.760 --> 0:44:02.400
<v Speaker 1>tell the I'm taking too. I was so scared. I

0:44:02.520 --> 0:44:05.000
<v Speaker 1>was so scared of of Big because that's all I

0:44:05.080 --> 0:44:07.439
<v Speaker 1>listened to. That's all I was listened to with jail.

0:44:07.440 --> 0:44:08.959
<v Speaker 1>So I seen him in from the Hot thirty seven

0:44:09.239 --> 0:44:11.040
<v Speaker 1>and he was like, yo, he asked something. He asked

0:44:11.320 --> 0:44:14.040
<v Speaker 1>to rhyme and that was schill but compone did rob

0:44:14.120 --> 0:44:16.520
<v Speaker 1>and he was like, yo, I'm making you junior Mafia

0:44:16.600 --> 0:44:19.400
<v Speaker 1>tomorrow words. And I was so hated. I was like

0:44:19.480 --> 0:44:25.040
<v Speaker 1>he was trying to he was trying to get the squad.

0:44:25.160 --> 0:44:27.560
<v Speaker 1>Now she was always yeah, she used to always put us,

0:44:27.680 --> 0:44:29.359
<v Speaker 1>put us on your you know what. The crazy ship

0:44:29.560 --> 0:44:33.120
<v Speaker 1>was um been Big been Big in the movie when

0:44:33.160 --> 0:44:35.759
<v Speaker 1>Big is making these last phone calls, the crazy ship

0:44:36.000 --> 0:44:38.440
<v Speaker 1>was Big had called me and he played me t

0:44:38.680 --> 0:44:42.320
<v Speaker 1>or and why And I was like, he called you.

0:44:42.680 --> 0:44:44.840
<v Speaker 1>He called me and was like be your favorite records.

0:44:44.880 --> 0:44:47.160
<v Speaker 1>One I'm working with this and at the top two

0:44:47.239 --> 0:44:53.000
<v Speaker 1>or was not I swow im figuring me Big And

0:44:53.120 --> 0:44:54.840
<v Speaker 1>I told he didn't put two and two together that

0:44:54.920 --> 0:44:59.200
<v Speaker 1>Now she was a bad way to do something. So

0:44:59.280 --> 0:45:01.799
<v Speaker 1>I didn't know, you're imagine that like getting that call

0:45:01.880 --> 0:45:05.040
<v Speaker 1>and I'm worried about my sea bootleg it's over me.

0:45:05.520 --> 0:45:10.080
<v Speaker 1>But so now see you didn't been your whole childhood,

0:45:10.560 --> 0:45:14.120
<v Speaker 1>so did you? Was he always the best wrapper alive?

0:45:14.600 --> 0:45:17.399
<v Speaker 1>Or you knew you knew he was? He was nice

0:45:17.440 --> 0:45:19.879
<v Speaker 1>back then. I just knew from the rip he was dope.

0:45:20.000 --> 0:45:21.399
<v Speaker 1>I'm saying, you know what I mean, Like, we didn't

0:45:21.400 --> 0:45:22.520
<v Speaker 1>think he was gonna be to the level of what

0:45:22.600 --> 0:45:24.600
<v Speaker 1>it is now or when he became even when he

0:45:24.680 --> 0:45:26.319
<v Speaker 1>was like when he was out, I mean, we didn't

0:45:26.320 --> 0:45:27.880
<v Speaker 1>think it was that. But he was nice and it

0:45:27.960 --> 0:45:30.680
<v Speaker 1>was to come through the look difference between five years.

0:45:31.920 --> 0:45:34.239
<v Speaker 1>So he uh brother, Yeah, when he was twenty, I

0:45:34.320 --> 0:45:37.320
<v Speaker 1>was fickteen years old, just running around. He took me

0:45:37.360 --> 0:45:44.359
<v Speaker 1>out the street since I was eleven, you know him,

0:45:44.360 --> 0:45:46.080
<v Speaker 1>since I was like five six years old and I

0:45:46.160 --> 0:45:49.239
<v Speaker 1>was in public school. She on street and then the

0:45:49.320 --> 0:45:52.080
<v Speaker 1>number five years, I was on that same strip trying

0:45:52.120 --> 0:45:53.600
<v Speaker 1>to hustle and do all that ship and he seen

0:45:53.680 --> 0:45:56.040
<v Speaker 1>that ship with me like that ain't just the funk

0:45:56.080 --> 0:45:59.400
<v Speaker 1>out of here now I'm gonna tak me. Took me

0:45:59.440 --> 0:46:02.480
<v Speaker 1>out of that that one. And you know what's funny,

0:46:02.480 --> 0:46:04.800
<v Speaker 1>A lot of people give jay Z credit for, like,

0:46:04.960 --> 0:46:07.000
<v Speaker 1>you know, putting like a lot of his friends on.

0:46:07.120 --> 0:46:08.920
<v Speaker 1>But a lot of people don't really realize that Big

0:46:08.960 --> 0:46:12.800
<v Speaker 1>did that first from that camp camera on little cs

0:46:13.040 --> 0:46:22.200
<v Speaker 1>Charlie Baltimore, little kid want some ship. Um he got

0:46:22.280 --> 0:46:25.879
<v Speaker 1>carew chain and all that big he had the club

0:46:25.960 --> 0:46:28.120
<v Speaker 1>in Atlanta, he was doing checkob out there doing Big

0:46:28.160 --> 0:46:30.440
<v Speaker 1>Ship and all that came from just be getting put on,

0:46:30.760 --> 0:46:32.759
<v Speaker 1>set up for all the pipelines for anybody to do.

0:46:33.040 --> 0:46:35.600
<v Speaker 1>What's that Stan from the beginning was like I'm gonna

0:46:35.600 --> 0:46:37.640
<v Speaker 1>get on. And then because then you had you had

0:46:37.680 --> 0:46:40.680
<v Speaker 1>that album. What's that album? That was like one of

0:46:40.719 --> 0:46:44.919
<v Speaker 1>the most slept on albums? Why do you think people

0:46:44.960 --> 0:46:47.239
<v Speaker 1>slept on that album? I just think Atlantic then push it.

0:46:47.239 --> 0:46:48.640
<v Speaker 1>I don't think they push it the right way, you

0:46:48.680 --> 0:46:50.040
<v Speaker 1>know what I'm saying. And the money that we had

0:46:50.120 --> 0:46:53.120
<v Speaker 1>that they gave us, we used it wrong on expensive videos,

0:46:53.840 --> 0:46:56.480
<v Speaker 1>dollars eight thousand dollar videos. And once you do that

0:46:56.520 --> 0:46:58.239
<v Speaker 1>first video don't work, they don't want to shoot no

0:46:58.320 --> 0:47:01.160
<v Speaker 1>more videos. They're like, no, that's what happened. Another two weeks,

0:47:01.480 --> 0:47:03.600
<v Speaker 1>another month, ship don't move and they just kind of

0:47:03.719 --> 0:47:04.880
<v Speaker 1>just let it go, you know what I mean. But

0:47:05.040 --> 0:47:07.360
<v Speaker 1>as long as people liked it and accepted it, it

0:47:07.440 --> 0:47:10.080
<v Speaker 1>was cool with that. What I'm saying, I always wanted

0:47:10.120 --> 0:47:12.279
<v Speaker 1>to ask, like crush on you video? Right? That was

0:47:12.320 --> 0:47:15.280
<v Speaker 1>like the first time we've seen a female change wigs,

0:47:15.680 --> 0:47:20.879
<v Speaker 1>Like did you like she like? Like you like chance?

0:47:21.719 --> 0:47:24.239
<v Speaker 1>It's like was was was that's something that y'all was

0:47:24.280 --> 0:47:26.520
<v Speaker 1>like this is dope? Or was he? Because you know,

0:47:26.680 --> 0:47:29.120
<v Speaker 1>sometimes to be skeptic or something didn't work, you'd be like, yeah,

0:47:29.320 --> 0:47:31.840
<v Speaker 1>oh I knew it all along, but you know the

0:47:31.840 --> 0:47:33.839
<v Speaker 1>stop like this is a risk us as little nigger

0:47:33.840 --> 0:47:35.200
<v Speaker 1>as we just sat around and just let that was.

0:47:35.600 --> 0:47:39.000
<v Speaker 1>That was Big getting Undershot, like to do the partnership

0:47:39.040 --> 0:47:41.280
<v Speaker 1>with unders and under one that was doing the ideas

0:47:41.320 --> 0:47:44.120
<v Speaker 1>for the videos. Did all our videos get money? Players?

0:47:44.120 --> 0:47:47.239
<v Speaker 1>Anthem much on you? We just we just did what

0:47:47.400 --> 0:47:49.520
<v Speaker 1>we're saying to do. Yeah, he directed all those videos.

0:47:50.120 --> 0:47:52.040
<v Speaker 1>That was that was That was his way in the business.

0:47:52.080 --> 0:47:55.000
<v Speaker 1>You know what I'm saying, experience nothing straight. Then it

0:47:55.080 --> 0:47:57.319
<v Speaker 1>came straight from the streets straight trapp and went from

0:47:57.400 --> 0:47:59.680
<v Speaker 1>hustling and went behind the cambra and was like y'all

0:47:59.680 --> 0:48:02.600
<v Speaker 1>got some ideas and Big trusted them and all them

0:48:02.640 --> 0:48:05.239
<v Speaker 1>ships just happened to pop and they and they rocked Fords.

0:48:05.239 --> 0:48:07.800
<v Speaker 1>We didn't say no. We just played opposition. Do you

0:48:07.800 --> 0:48:10.400
<v Speaker 1>want me to go? Go ahead? Go ahead? And just

0:48:10.520 --> 0:48:12.640
<v Speaker 1>so happened the ship actually the ship blew up what

0:48:12.640 --> 0:48:14.800
<v Speaker 1>I'm saying, And that was just all within ups. That

0:48:14.880 --> 0:48:16.440
<v Speaker 1>was all the fam team. We was like big. We

0:48:16.560 --> 0:48:19.000
<v Speaker 1>was like big Guinea. We was his creation. He was

0:48:19.080 --> 0:48:20.680
<v Speaker 1>learning all that ship from Puff and I was like, no,

0:48:20.760 --> 0:48:22.799
<v Speaker 1>I ain't taking dreaming off here of the Puff. I mean,

0:48:22.880 --> 0:48:24.359
<v Speaker 1>it's gonna be my own thing. Let me see if

0:48:24.360 --> 0:48:26.320
<v Speaker 1>I couldn't learn without learned from him, and let me

0:48:26.320 --> 0:48:33.239
<v Speaker 1>set everybody like why you didn't sound they try? Even

0:48:33.280 --> 0:48:35.759
<v Speaker 1>at that time he was trying to spread rumors like big,

0:48:35.920 --> 0:48:38.319
<v Speaker 1>but I always seem big cool. We've just always been

0:48:38.360 --> 0:48:40.640
<v Speaker 1>like a second family that you know. That was big,

0:48:40.719 --> 0:48:42.239
<v Speaker 1>That was bey ship, and I'm trying to be I

0:48:42.440 --> 0:48:44.480
<v Speaker 1>created us to a whole another pipe line. Everything he

0:48:44.600 --> 0:48:46.640
<v Speaker 1>learned from Puff, he kind of tested it with us

0:48:46.719 --> 0:48:53.640
<v Speaker 1>and the ship working. Goddamn, what do you think? What

0:48:53.760 --> 0:48:56.000
<v Speaker 1>do you think be O's next move would have been?

0:48:56.120 --> 0:49:01.200
<v Speaker 1>Like like because like because like he was one thinks monumental,

0:49:01.320 --> 0:49:03.000
<v Speaker 1>So what was his next move would have been? Had

0:49:03.040 --> 0:49:05.319
<v Speaker 1>he he's been on His whole thing was the music.

0:49:05.400 --> 0:49:07.160
<v Speaker 1>That's ah, that nig was a fan of music. It's

0:49:07.239 --> 0:49:10.200
<v Speaker 1>just next thing was Kim and another Junior Mafia project.

0:49:10.320 --> 0:49:12.560
<v Speaker 1>You want to do the commission ship he was about.

0:49:12.560 --> 0:49:14.320
<v Speaker 1>He was gonna sign Cam he was, you know he was.

0:49:14.640 --> 0:49:16.279
<v Speaker 1>This ship was about music. He wanted to set up

0:49:16.320 --> 0:49:17.880
<v Speaker 1>his own their party. That was a big whole thing,

0:49:18.000 --> 0:49:19.480
<v Speaker 1>Like you want to give it a bunch of nice

0:49:19.560 --> 0:49:22.120
<v Speaker 1>niggers and put some ship together and just let it

0:49:22.239 --> 0:49:24.200
<v Speaker 1>run from there. He wanted to do five albums and retire.

0:49:24.480 --> 0:49:26.359
<v Speaker 1>He's gonna write my albums after that. I'm gonna write

0:49:26.360 --> 0:49:32.320
<v Speaker 1>a bunch of Little Seeds albums. You gotta, you gotta relax.

0:49:32.640 --> 0:49:34.360
<v Speaker 1>He gotta real. He didn't mean my whole life was

0:49:34.400 --> 0:49:36.640
<v Speaker 1>easy for him to write for me, Like I got

0:49:36.680 --> 0:49:38.279
<v Speaker 1>built into being that ship. I didn't sit back. I

0:49:38.320 --> 0:49:40.120
<v Speaker 1>didn't want to be a rapper. I won ten years old,

0:49:40.160 --> 0:49:42.000
<v Speaker 1>eleven years old to my yall. I'm ready to spend,

0:49:42.000 --> 0:49:43.600
<v Speaker 1>I'm ready to get busy. I love the music. I

0:49:43.680 --> 0:49:45.640
<v Speaker 1>love listening to it. You know that was my thing,

0:49:45.719 --> 0:49:47.759
<v Speaker 1>But I never thought about rapping. It was just a

0:49:47.840 --> 0:49:49.800
<v Speaker 1>thing for him, Like all right, this little nigga, he

0:49:50.280 --> 0:49:51.799
<v Speaker 1>got the wave. He knows what to do. He can

0:49:52.000 --> 0:49:53.960
<v Speaker 1>before you even knew what he told you, You're gonna

0:49:54.239 --> 0:49:59.600
<v Speaker 1>be ryn write your album right, all right? Cool? Say

0:49:59.640 --> 0:50:01.680
<v Speaker 1>no more? Yeah you want me to do? Because I

0:50:01.800 --> 0:50:03.680
<v Speaker 1>was rocking with him, doing the hype man stuff with him,

0:50:03.680 --> 0:50:05.320
<v Speaker 1>so we all do like colleges and ship like that,

0:50:05.440 --> 0:50:09.680
<v Speaker 1>and he was watching that. Okay, the only thing I

0:50:09.680 --> 0:50:11.600
<v Speaker 1>need to do is just write him some rhymes. What

0:50:11.600 --> 0:50:13.959
<v Speaker 1>I'm saying him, some little cool ass rhymes. You wanna

0:50:13.960 --> 0:50:15.920
<v Speaker 1>be this little cool kid with the knapsat Tommy hill

0:50:16.000 --> 0:50:17.879
<v Speaker 1>Finger did tell me, don't want on niggas be likely

0:50:18.120 --> 0:50:20.239
<v Speaker 1>just all all bit. That's why you was on the kid,

0:50:20.400 --> 0:50:25.320
<v Speaker 1>That's why the crush on you. That was my creation.

0:50:25.360 --> 0:50:29.080
<v Speaker 1>After that, my album suppos't been so straight, like wow,

0:50:29.239 --> 0:50:31.560
<v Speaker 1>Puppy Love. That was name my album, Puppy Love for

0:50:31.680 --> 0:50:36.680
<v Speaker 1>real cool A bunch of crushes from you. When he died,

0:50:37.480 --> 0:50:40.000
<v Speaker 1>I can't My whole ship was like the wonful world

0:50:40.000 --> 0:50:41.480
<v Speaker 1>of Season Leo. That would be with the King go

0:50:42.040 --> 0:50:44.120
<v Speaker 1>but ass, with the bitch's hands covered with me. That

0:50:44.200 --> 0:50:45.759
<v Speaker 1>was se the Leo ideal, Like all right, I did.

0:50:45.880 --> 0:50:48.080
<v Speaker 1>I need to make a different kind of approach to us.

0:50:49.400 --> 0:50:51.080
<v Speaker 1>How did you link with it? I mean, you know,

0:50:52.880 --> 0:50:55.279
<v Speaker 1>I brought him down to do a show. You know,

0:50:55.640 --> 0:50:58.399
<v Speaker 1>it was Super weekend and then you know he came.

0:50:58.480 --> 0:51:00.560
<v Speaker 1>He was like, you know, him juling off, you know that.

0:51:01.120 --> 0:51:03.640
<v Speaker 1>They were like big was like, okay, man, I'm doing

0:51:03.719 --> 0:51:07.920
<v Speaker 1>your pat jam the big one. The second one was

0:51:07.960 --> 0:51:10.960
<v Speaker 1>around the corner. He was like, man, I ain't gonna

0:51:11.000 --> 0:51:14.160
<v Speaker 1>do that, motherfucker. Let you come Because pat jam here

0:51:14.360 --> 0:51:18.200
<v Speaker 1>was what we call it was a Apolo South. They

0:51:18.239 --> 0:51:19.920
<v Speaker 1>would go up in there and the artists would go

0:51:19.960 --> 0:51:22.040
<v Speaker 1>in there and they'll be looking like this at your ass.

0:51:22.800 --> 0:51:25.600
<v Speaker 1>You know, motherfucker, you better get to the song. You know,

0:51:25.880 --> 0:51:29.120
<v Speaker 1>we really know. It was the hardest order the sound man.

0:51:29.360 --> 0:51:31.239
<v Speaker 1>You have a dirty guy like who came out like

0:51:33.320 --> 0:51:40.240
<v Speaker 1>the crowd. So was like, yeah, I ain't doing that, motherfucker.

0:51:40.360 --> 0:51:42.320
<v Speaker 1>Let you let you come up in there, and so

0:51:42.480 --> 0:51:45.040
<v Speaker 1>many him. You know, we ended up linking up that

0:51:45.160 --> 0:51:48.520
<v Speaker 1>weekend and we was friends forever. I mean, he uh,

0:51:49.280 --> 0:51:53.719
<v Speaker 1>he would tell me stories about you know, him him

0:51:53.840 --> 0:51:56.680
<v Speaker 1>being a big fan of Poison Clan. You know what

0:51:56.680 --> 0:51:58.520
<v Speaker 1>I'm saying. He told me he was like, man, this

0:51:58.640 --> 0:52:02.560
<v Speaker 1>fucking JT Money. You know, I you know, before I

0:52:02.600 --> 0:52:05.160
<v Speaker 1>got into business, I got all his ship. So it

0:52:05.280 --> 0:52:07.239
<v Speaker 1>was like, damn, so you know what I'm looking at

0:52:07.320 --> 0:52:09.440
<v Speaker 1>him like. He was like, nah, man, that was my dude. There,

0:52:09.480 --> 0:52:11.879
<v Speaker 1>that's my dude. And so wed him hit it off.

0:52:11.960 --> 0:52:14.200
<v Speaker 1>Every time you come down, I go to New York,

0:52:14.320 --> 0:52:16.880
<v Speaker 1>I would hang out with him and uh we end

0:52:16.960 --> 0:52:18.800
<v Speaker 1>up doing a record together and he wasn't there with

0:52:18.880 --> 0:52:21.360
<v Speaker 1>he died in a right. I was in l A.

0:52:21.600 --> 0:52:23.560
<v Speaker 1>Actually I was in the studio doing I was supposed

0:52:23.560 --> 0:52:26.560
<v Speaker 1>to link up with him and me and uh me

0:52:26.600 --> 0:52:31.440
<v Speaker 1>and Stoop was in the students think so yeah when

0:52:31.560 --> 0:52:34.839
<v Speaker 1>they ended up when they told us about him, did then?

0:52:35.200 --> 0:52:36.560
<v Speaker 1>You know, we were sitting in the studio and I

0:52:36.600 --> 0:52:38.240
<v Speaker 1>think he said on the Breakfast Club you were supposed

0:52:38.280 --> 0:52:40.600
<v Speaker 1>to meet with him somewhere. Yeah, we were supposed to

0:52:40.600 --> 0:52:44.480
<v Speaker 1>go to another party. It was at a party we

0:52:44.560 --> 0:52:47.359
<v Speaker 1>were recording, and uh, we were supposed to go link

0:52:47.440 --> 0:52:50.560
<v Speaker 1>up after it. God, God bless Big Man, God bless

0:52:50.920 --> 0:52:53.880
<v Speaker 1>Jia Mafia. You know what I'm saying. Um, And did

0:52:53.960 --> 0:52:57.719
<v Speaker 1>you ever meet Tupac oh Park? Was? No, that was

0:52:57.800 --> 0:53:00.680
<v Speaker 1>my guy. Let's break out some is some now? Is

0:53:00.719 --> 0:53:04.840
<v Speaker 1>the bitches involved? Part? Was that was another one of

0:53:04.920 --> 0:53:13.040
<v Speaker 1>my little son Let's make yeah part. Would Pop would

0:53:13.080 --> 0:53:15.040
<v Speaker 1>come down? You know you hang out? Prop was like

0:53:16.320 --> 0:53:20.920
<v Speaker 1>George Jepson get jumpson on the on the Jempson that

0:53:21.160 --> 0:53:23.640
<v Speaker 1>that motherfucker just sitting in the car and talk talk

0:53:23.719 --> 0:53:26.719
<v Speaker 1>talk talk talk. I mean we would be on the

0:53:26.800 --> 0:53:28.600
<v Speaker 1>road together, we see each other. You would be in

0:53:28.680 --> 0:53:31.600
<v Speaker 1>my room. I'm sitting there, land down and sleep. This

0:53:31.680 --> 0:53:36.080
<v Speaker 1>motherfucker still talk got damn you know I heard every

0:53:36.160 --> 0:53:39.399
<v Speaker 1>story there was that was part with my dude, that's

0:53:39.480 --> 0:53:41.800
<v Speaker 1>my nigger. That's so let me ask you, because it

0:53:41.880 --> 0:53:44.680
<v Speaker 1>had to be weird from you. Everybody knew you ran

0:53:44.800 --> 0:53:47.880
<v Speaker 1>Miami after especially all the termorial the beat said everybody

0:53:47.880 --> 0:53:50.640
<v Speaker 1>everybody clearly knew that that was your section. But now

0:53:50.760 --> 0:53:54.080
<v Speaker 1>this East cost because the nigga's personalities was ill like

0:53:54.480 --> 0:53:59.759
<v Speaker 1>like like most fact niggers got good personalities. I think

0:53:59.840 --> 0:54:03.560
<v Speaker 1>I would have been at centric social media work that

0:54:04.000 --> 0:54:07.640
<v Speaker 1>been terrorizing people. How was the How was the transition?

0:54:07.680 --> 0:54:10.680
<v Speaker 1>Because you knew pop, you knew Pop and Big when

0:54:10.719 --> 0:54:13.160
<v Speaker 1>they were cool, Like even in the movie, it's like

0:54:13.400 --> 0:54:15.360
<v Speaker 1>you see Big and you say yo yo, poppets in

0:54:15.400 --> 0:54:18.400
<v Speaker 1>the joint and that was that was all love. Like, So,

0:54:19.040 --> 0:54:22.839
<v Speaker 1>how was that to see that transition, because I mean

0:54:22.920 --> 0:54:24.719
<v Speaker 1>it was it was sucked up because they know Big

0:54:24.840 --> 0:54:26.960
<v Speaker 1>really had genuine love for him, and we all know

0:54:27.080 --> 0:54:29.200
<v Speaker 1>he had genuine love for Big two. Let me let

0:54:29.200 --> 0:54:31.439
<v Speaker 1>me act. You know something, if something, if something wanted,

0:54:31.480 --> 0:54:33.640
<v Speaker 1>if something wanted to happen, it could have happened. What

0:54:33.680 --> 0:54:35.440
<v Speaker 1>I'm saying, nothing could have stopped that though we was

0:54:35.480 --> 0:54:37.600
<v Speaker 1>we were seeing each other in plenty places and if

0:54:37.680 --> 0:54:40.719
<v Speaker 1>something because it was so you're saying, well, whoa whoa, whoa,

0:54:40.760 --> 0:54:43.919
<v Speaker 1>whoa whoa You're saying, as these records is out, y'all

0:54:43.960 --> 0:54:45.759
<v Speaker 1>were seeing each other each other a few times and

0:54:45.840 --> 0:54:48.719
<v Speaker 1>the sole Train Awards when they could have happened at

0:54:48.719 --> 0:54:52.919
<v Speaker 1>that time if they wanted to, Like, yeah, situations happened before,

0:54:53.000 --> 0:54:54.879
<v Speaker 1>but it just never went there. And I just think

0:54:54.920 --> 0:54:56.399
<v Speaker 1>he didn't He didn't really want that. I just think

0:54:56.440 --> 0:54:58.200
<v Speaker 1>he had a lot of people behind him pushing him,

0:54:58.280 --> 0:54:59.919
<v Speaker 1>and it was vice versa. You know, you had people

0:55:00.000 --> 0:55:02.440
<v Speaker 1>are not here too because negative and us too, you

0:55:02.480 --> 0:55:04.160
<v Speaker 1>know what I'm saying. But they never would have did

0:55:04.239 --> 0:55:06.840
<v Speaker 1>nothing to each other because genuinely he knew Big headlove

0:55:06.920 --> 0:55:08.759
<v Speaker 1>for you know, and Big New Ye had love for him,

0:55:08.760 --> 0:55:10.239
<v Speaker 1>he would he. I just think he was just going

0:55:10.360 --> 0:55:12.600
<v Speaker 1>with a situation. I mean, you got niggas that just

0:55:12.640 --> 0:55:14.560
<v Speaker 1>balls you out of jail, and you owe your loyal

0:55:14.719 --> 0:55:16.719
<v Speaker 1>teacher that he didn't do nothing wrong by that, you know,

0:55:16.760 --> 0:55:21.040
<v Speaker 1>I mean, and took you out of a situation beyond.

0:55:21.160 --> 0:55:23.400
<v Speaker 1>And they both died the same way. That ship is

0:55:23.440 --> 0:55:25.560
<v Speaker 1>like so crazy, like six months apart, the same kind

0:55:25.600 --> 0:55:30.919
<v Speaker 1>of situation. The album's maca Velly Die all that ship

0:55:31.000 --> 0:55:32.360
<v Speaker 1>is just like a whole weird thing. And I was

0:55:32.400 --> 0:55:33.799
<v Speaker 1>just thinking it was just that just I was meant

0:55:33.880 --> 0:55:35.520
<v Speaker 1>to beat dog. You can't change it. You can't like

0:55:35.680 --> 0:55:37.960
<v Speaker 1>do the wood ifs. And it was just they both

0:55:38.000 --> 0:55:40.040
<v Speaker 1>got caught up in a bad situation and they ain't

0:55:40.040 --> 0:55:45.880
<v Speaker 1>deserve the people. I always I always wish they had

0:55:45.920 --> 0:55:47.839
<v Speaker 1>passed it up, because I think that would have been

0:55:47.880 --> 0:55:51.120
<v Speaker 1>it was they was. I suppose they don't because we

0:55:51.160 --> 0:55:53.400
<v Speaker 1>did a record together for case Lad called Very the

0:55:53.440 --> 0:55:55.360
<v Speaker 1>Hatchet I did with the Outlaws, and you know, it

0:55:55.440 --> 0:55:57.160
<v Speaker 1>took us fifteen years for us to sit down and

0:55:57.239 --> 0:55:59.319
<v Speaker 1>talk about you know what I'm saying, Like we ain't

0:55:59.360 --> 0:56:00.640
<v Speaker 1>like each other to fit teen years and none of

0:56:00.680 --> 0:56:02.719
<v Speaker 1>us stuff even met each other and knew each other none.

0:56:03.080 --> 0:56:06.319
<v Speaker 1>And one day we spoke to a female. One day,

0:56:06.560 --> 0:56:08.640
<v Speaker 1>I'm chalking to this chicken. She must have said my

0:56:08.760 --> 0:56:10.560
<v Speaker 1>name real loud and young. Know we heard of grabbed

0:56:10.560 --> 0:56:14.440
<v Speaker 1>the phone from her. Yo, who this real aggressive? And

0:56:14.480 --> 0:56:18.320
<v Speaker 1>I'm just like this, see outlaws. I'm like, I heard you.

0:56:18.360 --> 0:56:23.440
<v Speaker 1>It was up outlaws. I heard you. What's good? And

0:56:23.520 --> 0:56:25.400
<v Speaker 1>we sat there. We talked for about two hours. We

0:56:25.440 --> 0:56:27.239
<v Speaker 1>got a chance to really speak on ship. He didn't

0:56:27.280 --> 0:56:28.920
<v Speaker 1>know a lot of ship that was going on the outside.

0:56:29.200 --> 0:56:32.239
<v Speaker 1>I ain't know. And we spoke and then he came

0:56:32.280 --> 0:56:33.759
<v Speaker 1>to New York on damn. We got up and sat

0:56:33.800 --> 0:56:35.520
<v Speaker 1>down and kicked it. Then, my niggers to this day,

0:56:35.800 --> 0:56:38.200
<v Speaker 1>he said, Yo, when when Uh Pop was going to

0:56:38.360 --> 0:56:40.120
<v Speaker 1>Vegas before that, he was like, yo, when he come

0:56:40.160 --> 0:56:41.719
<v Speaker 1>back from Vegas, he was gonna sell that ship with

0:56:41.800 --> 0:56:44.520
<v Speaker 1>bit you know what I mean. So that ship was

0:56:44.520 --> 0:56:46.120
<v Speaker 1>gonna get dead it you know, I mean eventually, you

0:56:46.160 --> 0:56:47.440
<v Speaker 1>know what I mean, it was gonna get squashed. He

0:56:47.440 --> 0:56:48.920
<v Speaker 1>really knew what happened. He knew what was going on.

0:56:49.000 --> 0:56:50.279
<v Speaker 1>He knew Big didn't have nothing to do with that.

0:56:50.320 --> 0:56:51.560
<v Speaker 1>He knew we didn't have nothing to do with that.

0:56:51.800 --> 0:56:53.080
<v Speaker 1>I just think he was just caught up in a

0:56:53.160 --> 0:56:55.520
<v Speaker 1>situation and vice versa two. His things that did when

0:56:55.600 --> 0:56:57.480
<v Speaker 1>he didn't change it was they were young. We don't

0:56:57.480 --> 0:56:59.480
<v Speaker 1>really a lot of time young. They were dog like,

0:56:59.640 --> 0:57:03.840
<v Speaker 1>you know, when his forties making this type of mistakes up.

0:57:05.040 --> 0:57:07.040
<v Speaker 1>We were kids. I look at it now because I'm

0:57:07.040 --> 0:57:09.280
<v Speaker 1>over thirty. I'm over thirty years old. I'm almost forty,

0:57:09.600 --> 0:57:11.239
<v Speaker 1>So I look at it. I look at it there like, damn,

0:57:11.239 --> 0:57:14.160
<v Speaker 1>these niggles actually babies. Dog we didn't ain't know no better.

0:57:14.200 --> 0:57:19.920
<v Speaker 1>And let me let me tell you something. When we

0:57:20.080 --> 0:57:22.880
<v Speaker 1>dropped l A l A, I stepped to Big and

0:57:22.920 --> 0:57:24.440
<v Speaker 1>I told him that, and he said, he said, yo,

0:57:24.480 --> 0:57:26.480
<v Speaker 1>I don't want to be um. I don't want that

0:57:26.520 --> 0:57:29.280
<v Speaker 1>record to come out because what they accusing me for Nori,

0:57:29.480 --> 0:57:32.040
<v Speaker 1>I ain't do so I gotta like he always knew

0:57:32.080 --> 0:57:34.760
<v Speaker 1>to take the high row like it was ill he was.

0:57:34.840 --> 0:57:36.800
<v Speaker 1>He'll tell you like, no, dog, ain't ain't the way.

0:57:36.880 --> 0:57:38.240
<v Speaker 1>But you know, to each his own, you want to

0:57:38.280 --> 0:57:40.480
<v Speaker 1>do that, you don't do that. We couldn't stop him

0:57:40.520 --> 0:57:42.080
<v Speaker 1>from doing that, but we was loving them for doing it.

0:57:42.160 --> 0:57:43.400
<v Speaker 1>You know what I'm saying like then was like man,

0:57:43.440 --> 0:57:45.320
<v Speaker 1>we stepped up to the plate. But it's like, yo,

0:57:45.520 --> 0:57:46.920
<v Speaker 1>let's not well, we don't want to do that. We're

0:57:46.960 --> 0:57:48.360
<v Speaker 1>trying to get some money, you know, like you know

0:57:48.720 --> 0:57:50.320
<v Speaker 1>that's how b our ship was. Don't we're trying to

0:57:50.360 --> 0:57:51.960
<v Speaker 1>get money. We ain't any ship for that. And if

0:57:52.000 --> 0:57:54.480
<v Speaker 1>you're gonna be beef, don't make it hot. You're gonna

0:57:54.480 --> 0:57:57.040
<v Speaker 1>make it hot. You make it. You're gonna do some

0:57:57.120 --> 0:58:02.040
<v Speaker 1>real ship. Don't responding your reaction to nothing. They ain't

0:58:02.080 --> 0:58:04.240
<v Speaker 1>say nothing. You don't know what's gonna happen when you say,

0:58:04.920 --> 0:58:07.280
<v Speaker 1>I ain't saying no response you bigger cut you off.

0:58:07.320 --> 0:58:10.000
<v Speaker 1>You're spawning anything you make a record, don't call me

0:58:10.080 --> 0:58:13.200
<v Speaker 1>no more, don't come to You're just done finish. We

0:58:13.280 --> 0:58:16.960
<v Speaker 1>don't do that now for the record, they the rumor

0:58:17.160 --> 0:58:22.080
<v Speaker 1>is who shot you was recorded way before before that

0:58:22.320 --> 0:58:26.200
<v Speaker 1>as a vinyl like like, yeah, it didn't make sense

0:58:26.280 --> 0:58:28.240
<v Speaker 1>before any two that was supposed to be from Mary

0:58:28.320 --> 0:58:34.200
<v Speaker 1>j album. You feel me. I ain't know bragging none

0:58:34.240 --> 0:58:38.680
<v Speaker 1>of that ship, But I don't know personally, we just

0:58:38.800 --> 0:58:46.720
<v Speaker 1>we just want to know. Yeah, he's probably be running

0:58:46.840 --> 0:58:50.160
<v Speaker 1>right now. Actually, but what happened though, like, um, he

0:58:50.280 --> 0:58:52.720
<v Speaker 1>came to the bay he wanted, he was in sacrament

0:58:52.760 --> 0:58:55.560
<v Speaker 1>I didn't even know you got him out, like y'all. No, no, no,

0:58:55.800 --> 0:58:57.360
<v Speaker 1>it was some people I knew, but I didn't know.

0:58:57.680 --> 0:58:59.240
<v Speaker 1>I didn't even know the mother fuckers had him out

0:58:59.240 --> 0:59:01.680
<v Speaker 1>theory because they didn't promoted right or some ship. But

0:59:01.800 --> 0:59:03.520
<v Speaker 1>they was. They hit me at eleven o'clock something like

0:59:03.600 --> 0:59:05.240
<v Speaker 1>that night. They were like, man, I got to first

0:59:05.280 --> 0:59:07.640
<v Speaker 1>of all the way, I didn't had nothing against him,

0:59:07.640 --> 0:59:10.520
<v Speaker 1>and I know Pok had issues because Park really knew him.

0:59:10.520 --> 0:59:12.280
<v Speaker 1>I didn't know him like that, but he had gotten

0:59:12.480 --> 0:59:14.800
<v Speaker 1>because after the Park ship, the ship that had happened

0:59:14.800 --> 0:59:21.320
<v Speaker 1>at qual this was ship. This was what year was this? Man?

0:59:21.400 --> 0:59:23.720
<v Speaker 1>I don't know. I forgot man. But anyway you could

0:59:23.720 --> 0:59:26.760
<v Speaker 1>do you do them just as all that and ship anyway,

0:59:26.840 --> 0:59:30.480
<v Speaker 1>So the thing is that, um, what do you do?

0:59:30.680 --> 0:59:34.080
<v Speaker 1>He awesome magazine. It was a magazine, the Canadian magazine.

0:59:34.240 --> 0:59:36.960
<v Speaker 1>Dude had did interviews in and they said they said

0:59:36.960 --> 0:59:39.880
<v Speaker 1>they got him drunk, just like you. Motherfucker's got him

0:59:39.920 --> 0:59:44.600
<v Speaker 1>hell and they got a hell of drunk and start

0:59:44.640 --> 0:59:46.680
<v Speaker 1>asking him on the scale from from one of ten,

0:59:47.720 --> 0:59:50.720
<v Speaker 1>from you know, from one of the ten. Who do you?

0:59:50.840 --> 0:59:52.600
<v Speaker 1>You know who you rate this? Like he said Spice

0:59:52.640 --> 0:59:55.600
<v Speaker 1>ones and ice Q like everybody in the street. That

0:59:55.680 --> 0:59:58.400
<v Speaker 1>was somebody. And he got to my name and he's,

0:59:58.440 --> 1:00:01.480
<v Speaker 1>oh man, that's he's big. He's whacked. Man. He got

1:00:01.560 --> 1:00:04.920
<v Speaker 1>he give him, give him a zero. You know I'm

1:00:04.920 --> 1:00:07.760
<v Speaker 1>talking about mind you I've been I was wearing Kangles

1:00:07.800 --> 1:00:12.000
<v Speaker 1>in high school. I'm almost forty nine years old, so

1:00:12.040 --> 1:00:14.640
<v Speaker 1>I've been wearing Kangles. You know what I'm saying. All

1:00:14.720 --> 1:00:16.880
<v Speaker 1>that ship just so happened that the dude had the

1:00:16.920 --> 1:00:19.440
<v Speaker 1>kind of same kind of swag I had, like you know,

1:00:19.640 --> 1:00:23.680
<v Speaker 1>Kuji Kuji shirts, was sweaters, was in for Sasha. We

1:00:23.840 --> 1:00:25.640
<v Speaker 1>just you know, that was the ship when you were tycoon,

1:00:26.040 --> 1:00:27.280
<v Speaker 1>you're working with it, you know what I'm saying. He

1:00:27.360 --> 1:00:28.480
<v Speaker 1>was just on the West coast. He was on the

1:00:28.520 --> 1:00:30.600
<v Speaker 1>East coast. I'm on the West coast. So I don't

1:00:30.640 --> 1:00:32.840
<v Speaker 1>know if that's what had him saying saying the nigga zero,

1:00:32.960 --> 1:00:36.480
<v Speaker 1>But my my, my status unorthodox. So the motherfucker's that

1:00:36.560 --> 1:00:39.479
<v Speaker 1>think that can't catch it, they'd catch it later because

1:00:39.520 --> 1:00:42.200
<v Speaker 1>I said a lot of ship that it ain't just slang.

1:00:42.320 --> 1:00:44.600
<v Speaker 1>Just the ship. I say, you know what, it's kind

1:00:44.600 --> 1:00:46.640
<v Speaker 1>of ahead of his time. You know. Then they're like,

1:00:46.680 --> 1:00:48.920
<v Speaker 1>oh man, because its fans that I had got right now,

1:00:49.000 --> 1:00:51.400
<v Speaker 1>that's die harsh. That didn't understand me, they said. When

1:00:51.400 --> 1:00:53.320
<v Speaker 1>I was younger, I just thought you was whacked. But

1:00:53.680 --> 1:00:56.440
<v Speaker 1>as I started listening more and more and living the

1:00:56.520 --> 1:00:58.560
<v Speaker 1>life that going through this then and thing, I'm like,

1:00:58.680 --> 1:01:02.160
<v Speaker 1>my nigga, you the best fish, feel me. So to

1:01:02.280 --> 1:01:05.400
<v Speaker 1>make a long story short, man, so dude, um so,

1:01:06.000 --> 1:01:07.640
<v Speaker 1>everybody had got wind of the ship, you know what

1:01:07.720 --> 1:01:10.520
<v Speaker 1>I'm talking about, and that's what far as him dissing

1:01:10.600 --> 1:01:13.240
<v Speaker 1>me in that magazine. So my little dudes they were

1:01:13.280 --> 1:01:15.360
<v Speaker 1>all hot and shipped too. So they just so happened

1:01:15.360 --> 1:01:17.760
<v Speaker 1>to sneak up the secramento you know I'm talking about.

1:01:17.760 --> 1:01:19.400
<v Speaker 1>They had, I guess to do. They threw the show.

1:01:19.480 --> 1:01:21.440
<v Speaker 1>He was out there. They called me a Leavin something

1:01:21.480 --> 1:01:24.360
<v Speaker 1>at night. What you want me to do with this nigga? Woo?

1:01:25.080 --> 1:01:29.000
<v Speaker 1>And um I told him, I put put the nick

1:01:29.040 --> 1:01:31.240
<v Speaker 1>on the phone. You feel me like that? So they

1:01:31.240 --> 1:01:33.040
<v Speaker 1>put him on the phone and whatnot, and we chopped

1:01:33.040 --> 1:01:35.240
<v Speaker 1>it up and he was like, man, fody you know, man,

1:01:35.360 --> 1:01:37.480
<v Speaker 1>look man, I was drunk. Man, But I funk what

1:01:37.600 --> 1:01:39.800
<v Speaker 1>you duke. You know what I'm saying A photo y'all

1:01:39.840 --> 1:01:43.320
<v Speaker 1>heard the story before and all that. I'm so glad

1:01:43.440 --> 1:01:45.160
<v Speaker 1>nothing happened to him, you know what I mean. I

1:01:45.240 --> 1:01:48.200
<v Speaker 1>didn't want that. I wouldn't even if I were to

1:01:48.200 --> 1:01:51.280
<v Speaker 1>see that, wouldn't tried to knock him down. It wasn't nothing,

1:01:51.320 --> 1:01:52.960
<v Speaker 1>and I seen him later on week. We chopped it

1:01:53.040 --> 1:01:54.360
<v Speaker 1>up by the fact I was supposed to be on

1:01:54.440 --> 1:02:00.840
<v Speaker 1>this last album, Life After Death. If you go, if

1:02:01.120 --> 1:02:05.440
<v Speaker 1>we if we find the actual physical copy back then

1:02:05.560 --> 1:02:07.959
<v Speaker 1>we did shoutouts. We shot out, We shout out people

1:02:08.160 --> 1:02:09.960
<v Speaker 1>things and go look in there and it's gonna say

1:02:10.000 --> 1:02:12.320
<v Speaker 1>shout out to E forty. You feel what I'm saying,

1:02:12.360 --> 1:02:14.680
<v Speaker 1>So that ship was done with man? You feel me

1:02:15.040 --> 1:02:19.520
<v Speaker 1>like that? Yeah, let's make some noise of that. You

1:02:19.600 --> 1:02:23.200
<v Speaker 1>know what. I actually to tell the truth A forty.

1:02:23.280 --> 1:02:25.560
<v Speaker 1>I actually never actually heard the story. I heard the

1:02:25.640 --> 1:02:28.960
<v Speaker 1>rumor pieces of it. By the way, I didn't set

1:02:29.000 --> 1:02:30.640
<v Speaker 1>it up. I meant to say that I definitely had

1:02:30.680 --> 1:02:33.320
<v Speaker 1>that and that's on. That's on everything I love and

1:02:33.360 --> 1:02:34.919
<v Speaker 1>I don't like like that and I don't play with God.

1:02:35.400 --> 1:02:38.120
<v Speaker 1>They didn't set that up, but that's the rumor. The

1:02:38.160 --> 1:02:43.880
<v Speaker 1>rumors always the one was a phony nigger that had

1:02:44.160 --> 1:02:46.320
<v Speaker 1>trying to claim that ship. Yeah, you know what I'm saying,

1:02:46.680 --> 1:02:48.440
<v Speaker 1>I ain't gonna claim it. I ain't gonna act like

1:02:48.680 --> 1:02:50.360
<v Speaker 1>you know what I mean was he came to the

1:02:50.440 --> 1:02:52.600
<v Speaker 1>Bay Area, he couldn't leave, but he spoke to He

1:02:52.680 --> 1:02:54.560
<v Speaker 1>wasn't even the beat. He was in Sacramentico, which is

1:02:54.640 --> 1:02:58.840
<v Speaker 1>northern California. It's northern California. But it's not the bag killing.

1:02:59.880 --> 1:03:04.560
<v Speaker 1>That's my that's my my, my mother in five Mexican home.

1:03:08.520 --> 1:03:11.640
<v Speaker 1>I want to take time for my my brother Ali. Yo,

1:03:11.800 --> 1:03:15.120
<v Speaker 1>tell Ali get well soon. Man, Damn you're like you

1:03:15.240 --> 1:03:19.320
<v Speaker 1>killed him right now. Shout out to the uber homes

1:03:19.320 --> 1:03:27.280
<v Speaker 1>to Miami. When we dropped L A l A. I

1:03:27.360 --> 1:03:29.640
<v Speaker 1>stepped to Big and I told him that and he said,

1:03:29.680 --> 1:03:31.640
<v Speaker 1>he said, Yo, I don't want to be um. I

1:03:31.760 --> 1:03:33.880
<v Speaker 1>don't want that record to come out because what they

1:03:33.960 --> 1:03:36.439
<v Speaker 1>accusing me for Nori, I ain't do so. I gotta

1:03:36.680 --> 1:03:39.120
<v Speaker 1>like he always knew to take the high row like

1:03:39.240 --> 1:03:41.200
<v Speaker 1>it was ill like he was. He'll tell you like, no,

1:03:41.400 --> 1:03:43.240
<v Speaker 1>dog ain't ain't the way. But you know, to each

1:03:43.280 --> 1:03:45.160
<v Speaker 1>his own, you want to do that you don't do that.

1:03:45.360 --> 1:03:46.920
<v Speaker 1>We couldn't stop him from doing that, but we was

1:03:46.960 --> 1:03:48.400
<v Speaker 1>loving him for doing it, you know what I'm saying

1:03:48.440 --> 1:03:49.800
<v Speaker 1>Like that, he was like, man, we stepped up to

1:03:49.840 --> 1:03:51.840
<v Speaker 1>the plate. But it's like, yo, let's not well, we

1:03:51.880 --> 1:03:53.360
<v Speaker 1>don't want to do that. We're trying to get some money,

1:03:53.400 --> 1:03:55.400
<v Speaker 1>you know, like you know that's how b our ship was.

1:03:55.480 --> 1:03:56.840
<v Speaker 1>Don't we're trying to get money. We ain't in this

1:03:56.880 --> 1:03:58.840
<v Speaker 1>ship for that. And if you're gonna be beef, don't

1:03:58.880 --> 1:04:00.840
<v Speaker 1>make it hot. Gonna make it hot, you make it.

1:04:02.120 --> 1:04:05.880
<v Speaker 1>You're gonna do some real ship. Don't you spading your

1:04:05.880 --> 1:04:08.840
<v Speaker 1>reaction to nothing? Big ain't say nothing. You don't know

1:04:08.880 --> 1:04:11.439
<v Speaker 1>what's gonna happen when you see I ain't saying nothing,

1:04:11.440 --> 1:04:13.920
<v Speaker 1>no response you bigger, cut you off. You're spawning anything.

1:04:14.160 --> 1:04:16.040
<v Speaker 1>Now you make a record, don't call me no more.

1:04:16.120 --> 1:04:19.160
<v Speaker 1>Don't come to nigger. You're you're done, finish. We don't

1:04:19.200 --> 1:04:22.880
<v Speaker 1>do that now for the record day. The rumor is

1:04:23.080 --> 1:04:28.440
<v Speaker 1>who shot you was recorded way before that as a

1:04:28.720 --> 1:04:32.240
<v Speaker 1>vinyl like like didn't Yeah, it didn't make sense before

1:04:32.280 --> 1:04:34.560
<v Speaker 1>any two that's supposed to been from Mary j album

1:04:34.920 --> 1:04:36.800
<v Speaker 1>for her that's supposed an intro to her first album,

1:04:36.880 --> 1:04:39.160
<v Speaker 1>Get the Funk Out. Who Shots My Life is the

1:04:39.160 --> 1:04:41.080
<v Speaker 1>second album intro to the second album, It was too

1:04:41.120 --> 1:04:44.960
<v Speaker 1>hard for it too was take you kids in the building.

1:04:45.000 --> 1:04:49.680
<v Speaker 1>You know, we gotta put you over there. You gotta

1:04:49.720 --> 1:04:51.200
<v Speaker 1>put you over there again. I've been hanging out with

1:04:51.200 --> 1:04:53.400
<v Speaker 1>my man for about the week. Kiss serious and you

1:04:53.480 --> 1:04:56.720
<v Speaker 1>go to the gym to every day snaphing got up

1:04:57.080 --> 1:04:59.680
<v Speaker 1>playing for he don't play those games and with drink

1:04:59.720 --> 1:05:02.040
<v Speaker 1>with you, so you said, who shot You? Was done?

1:05:02.600 --> 1:05:04.560
<v Speaker 1>Was done for what? That was for Mary J Blide

1:05:04.640 --> 1:05:07.640
<v Speaker 1>That was to her second album, and it was it

1:05:07.760 --> 1:05:11.720
<v Speaker 1>was baby, let's Keith LLL COO J and big on it.

1:05:12.200 --> 1:05:16.520
<v Speaker 1>Who Shot You? Yeah, that's the original Keith Murray J.

1:05:17.040 --> 1:05:20.840
<v Speaker 1>Originally was Keith, Mary J and b I and it

1:05:20.960 --> 1:05:22.480
<v Speaker 1>was from Mary. It was the intro to Mary J

1:05:22.680 --> 1:05:24.240
<v Speaker 1>My Life album. I never heard of it and it

1:05:24.360 --> 1:05:27.160
<v Speaker 1>was like, this is too hard to be just to

1:05:27.200 --> 1:05:29.240
<v Speaker 1>start off for R and B album. And once they

1:05:29.280 --> 1:05:31.160
<v Speaker 1>scratched it, b I was like, give me the record.

1:05:31.240 --> 1:05:32.640
<v Speaker 1>I'm gonna sunk with it, and b I added the

1:05:32.680 --> 1:05:34.320
<v Speaker 1>second verse to it and took it. It was a

1:05:34.400 --> 1:05:36.160
<v Speaker 1>B side record and put it on the B side too.

1:05:36.400 --> 1:05:38.160
<v Speaker 1>I wish it what Big paper one more chance it

1:05:38.280 --> 1:05:40.880
<v Speaker 1>was on and we just ran with that was way

1:05:41.000 --> 1:05:43.680
<v Speaker 1>before that, but it did feel like Big was coming

1:05:43.760 --> 1:05:48.280
<v Speaker 1>at It's a coincidence that, I mean that had me

1:05:48.360 --> 1:05:52.320
<v Speaker 1>at that time, No, I know I noticed, but like that,

1:05:52.400 --> 1:05:54.280
<v Speaker 1>Why would people think that when they know they already

1:05:54.280 --> 1:05:58.800
<v Speaker 1>earned this record before? Because that was just Big generation stupid.

1:05:58.960 --> 1:06:02.320
<v Speaker 1>Now they've been stupid. You say, I'm like, why y'all,

1:06:02.720 --> 1:06:04.720
<v Speaker 1>Why would y'all think that? But I understand just from

1:06:04.760 --> 1:06:07.520
<v Speaker 1>the situation at that time, I knew how it was.

1:06:08.320 --> 1:06:10.240
<v Speaker 1>But we you know, Bigness sweat it though Big New

1:06:10.360 --> 1:06:12.400
<v Speaker 1>Big News. It was Bigger. That's you know, he like man,

1:06:12.960 --> 1:06:14.520
<v Speaker 1>he know that song and about you know that song.

1:06:14.560 --> 1:06:15.800
<v Speaker 1>We're done before that, you know what I mean? So

1:06:15.880 --> 1:06:19.200
<v Speaker 1>big that when Big is on stage and they kind

1:06:19.240 --> 1:06:22.360
<v Speaker 1>of born them and oh that was real. That was

1:06:25.560 --> 1:06:28.360
<v Speaker 1>we was a Satha Mano and ship the South Amento.

1:06:28.440 --> 1:06:29.800
<v Speaker 1>It was a bunch of like West Coast on his

1:06:29.880 --> 1:06:32.960
<v Speaker 1>booked on that show, not you for his be legit

1:06:34.680 --> 1:06:38.920
<v Speaker 1>the pute we get love out there. You know, we

1:06:38.960 --> 1:06:41.560
<v Speaker 1>didn't know about this interview, uh, this interview that Big

1:06:41.640 --> 1:06:43.320
<v Speaker 1>opposed he did with this dude from Toronto. He put

1:06:43.360 --> 1:06:44.720
<v Speaker 1>a bunch of ships and said, big was this is

1:06:44.800 --> 1:06:47.920
<v Speaker 1>why West Coast all this ship and uh I remember

1:06:48.000 --> 1:06:49.880
<v Speaker 1>walking through that ship and Nigga mac Tim bumped me

1:06:49.960 --> 1:06:52.200
<v Speaker 1>and ship well, you know, I walked through the spot

1:06:52.280 --> 1:06:53.760
<v Speaker 1>like the circus spots he was in there and see

1:06:53.760 --> 1:06:55.760
<v Speaker 1>the type of business in here. Walked through one time.

1:06:55.960 --> 1:06:58.400
<v Speaker 1>I just get the film. I turned out. I looked

1:06:58.400 --> 1:07:01.000
<v Speaker 1>back to Nick Mactin like this with me, so I

1:07:01.080 --> 1:07:05.760
<v Speaker 1>looks a big motherfucker. So I was like, big this

1:07:05.800 --> 1:07:10.280
<v Speaker 1>ship though it don't feel like that that love. When

1:07:10.320 --> 1:07:15.240
<v Speaker 1>we got on stage, you don't stay then stop throwing

1:07:15.280 --> 1:07:17.360
<v Speaker 1>coins at us and ship man you know that coins

1:07:17.400 --> 1:07:19.120
<v Speaker 1>throwing that you're on stage and ship's hurt my nigger

1:07:21.280 --> 1:07:23.840
<v Speaker 1>that sho and big guy mad I was like, your

1:07:23.840 --> 1:07:26.560
<v Speaker 1>fun that throwing? Who shot you? Who shot shot? And

1:07:26.800 --> 1:07:29.240
<v Speaker 1>when do who shots you? On? They just start going nuts.

1:07:29.320 --> 1:07:32.640
<v Speaker 1>They stopped throwing. They want bad But I did that ship.

1:07:32.800 --> 1:07:35.520
<v Speaker 1>I didn't want to do that right here, listen dog

1:07:36.520 --> 1:07:40.080
<v Speaker 1>say that the place you know you get guy Big

1:07:40.280 --> 1:07:47.120
<v Speaker 1>requested it like like you shoot me like butcher, like

1:07:47.480 --> 1:07:50.440
<v Speaker 1>it's crazy in a funny way, it's crazy like like

1:07:50.560 --> 1:07:53.040
<v Speaker 1>but sometimes you gotta take those. It's just stand out.

1:07:53.920 --> 1:07:55.440
<v Speaker 1>They just didn't want to feel like, you know, they

1:07:55.560 --> 1:07:57.320
<v Speaker 1>was getting to them where they was attimidating them like

1:07:57.400 --> 1:07:59.680
<v Speaker 1>I fuck, man, I want to do that. Who shot

1:07:59.720 --> 1:08:02.640
<v Speaker 1>you enough? Like trying to hold that ship just like

1:08:03.720 --> 1:08:10.400
<v Speaker 1>who shot you? Who shot you? On that ship just

1:08:10.520 --> 1:08:12.920
<v Speaker 1>changed the whole momentum. Ship we got followed back to

1:08:13.000 --> 1:08:14.760
<v Speaker 1>be leagit, follow us back to the hotel that day

1:08:14.800 --> 1:08:16.360
<v Speaker 1>and all that ship. Man, they thought Big was trying

1:08:16.360 --> 1:08:18.920
<v Speaker 1>to diss the whole city. Some bullshit that's interviewed somebody

1:08:18.960 --> 1:08:20.559
<v Speaker 1>put out. But then they squashed that ship right there.

1:08:20.600 --> 1:08:24.360
<v Speaker 1>Big on the phone efore and talk about it. Let's

1:08:24.520 --> 1:08:25.680
<v Speaker 1>you know what that hit. It was like, yo, man,

1:08:25.720 --> 1:08:26.920
<v Speaker 1>let me know, y'all get to the town, you get

1:08:26.960 --> 1:08:29.320
<v Speaker 1>to their ports, saton. That was what the nwnstairs and

1:08:29.360 --> 1:08:31.080
<v Speaker 1>anything stayed in the hotel a lot before to the

1:08:31.120 --> 1:08:33.519
<v Speaker 1>whole to the next morning, took us to the at.

1:08:36.800 --> 1:08:39.599
<v Speaker 1>If you go online, you can find this demo um

1:08:39.800 --> 1:08:42.800
<v Speaker 1>before unsigned hype. You heard it, No, I heard it.

1:08:43.200 --> 1:08:46.320
<v Speaker 1>I saw unsigned Hype and that's that's when I called

1:08:46.400 --> 1:08:49.160
<v Speaker 1>Maddie see miss the Sea, and I, you know, track

1:08:49.240 --> 1:08:52.240
<v Speaker 1>down the demo from just the explanation of what I heard,

1:08:53.040 --> 1:08:56.360
<v Speaker 1>you know, and his look was so disruptive, you know,

1:08:56.400 --> 1:08:59.240
<v Speaker 1>it's a good way to explain he felt. He felt

1:08:59.320 --> 1:09:02.000
<v Speaker 1>like Miles Davis to me, you know what I'm saying.

1:09:02.040 --> 1:09:04.240
<v Speaker 1>When I when I had first song, but it was

1:09:04.400 --> 1:09:09.200
<v Speaker 1>like it was it was a vibrational attraction that was dead.

1:09:09.400 --> 1:09:11.920
<v Speaker 1>Like I knew, I like store up to stare at

1:09:12.000 --> 1:09:14.679
<v Speaker 1>the picture, you know what I'm saying, for like maybe

1:09:15.640 --> 1:09:18.360
<v Speaker 1>six days, you know what I'm saying after hearing the music,

1:09:18.439 --> 1:09:21.960
<v Speaker 1>you know, no, no, before I even got the demo,

1:09:22.680 --> 1:09:25.960
<v Speaker 1>just a picture in itself was giving me this strong

1:09:26.120 --> 1:09:29.639
<v Speaker 1>vibration that I knew that whatever this guy was saying,

1:09:30.800 --> 1:09:33.880
<v Speaker 1>like you know, it was it was something that was

1:09:35.000 --> 1:09:38.160
<v Speaker 1>It was something that was really really really really authentic,

1:09:38.640 --> 1:09:40.960
<v Speaker 1>just by the look in his eyes, you know. And

1:09:42.000 --> 1:09:44.720
<v Speaker 1>then when I heard the music, you know, it was

1:09:44.760 --> 1:09:46.760
<v Speaker 1>one of those things I merely called my girl and

1:09:46.800 --> 1:09:48.400
<v Speaker 1>I was like, Yo, you gotta you gotta tell me

1:09:48.439 --> 1:09:51.560
<v Speaker 1>if this is as hot as great as is, I

1:09:51.680 --> 1:09:55.000
<v Speaker 1>really believe it is. You know, she heard it. She

1:09:55.120 --> 1:09:58.680
<v Speaker 1>was like like, wherever he's at, you better go get him,

1:09:59.360 --> 1:10:02.439
<v Speaker 1>you know what I'm saying. And now that was that's

1:10:02.520 --> 1:10:06.080
<v Speaker 1>interesting that you said you called your girl. Yeah, because

1:10:06.200 --> 1:10:08.960
<v Speaker 1>women are the biggest consumers of music without a doubt.

1:10:09.360 --> 1:10:12.160
<v Speaker 1>So how how did you know that early on? Um?

1:10:12.720 --> 1:10:15.519
<v Speaker 1>Because everything I did was for girls, My whole swag,

1:10:15.840 --> 1:10:21.599
<v Speaker 1>my whole you know, um, musically dancing. I started dancing

1:10:21.640 --> 1:10:27.839
<v Speaker 1>because you know, I like, really, I really trust women's opinions,

1:10:27.840 --> 1:10:31.040
<v Speaker 1>and I liked the vibration. And you know, I've always

1:10:31.120 --> 1:10:34.560
<v Speaker 1>just loved women that really were into music, you know,

1:10:35.000 --> 1:10:36.920
<v Speaker 1>that knew how to dance and was in the music.

1:10:37.040 --> 1:10:39.920
<v Speaker 1>I can't even relate to somebody it's not into music,

1:10:40.040 --> 1:10:42.960
<v Speaker 1>So you know, um, you know, I had a girl

1:10:43.040 --> 1:10:47.280
<v Speaker 1>that was really into music, and and I really trusted

1:10:47.320 --> 1:10:51.280
<v Speaker 1>her judgment. So it was something that something that you

1:10:51.400 --> 1:10:54.599
<v Speaker 1>know when it's something crazy and you got a girl

1:10:54.720 --> 1:10:57.000
<v Speaker 1>that's like that on that same wavelength. She said that

1:10:57.040 --> 1:11:00.120
<v Speaker 1>about Big Pride to see just on the demo just

1:11:00.200 --> 1:11:02.200
<v Speaker 1>on Yeah, yeah, the demo is crazy. Demo is some

1:11:02.280 --> 1:11:05.400
<v Speaker 1>of his best works. None of those tracks made it now,

1:11:05.439 --> 1:11:07.920
<v Speaker 1>I mean he just he was just freestyling over some beats.

1:11:07.960 --> 1:11:10.160
<v Speaker 1>So it wasn't you know, it wasn't that time where

1:11:10.160 --> 1:11:12.720
<v Speaker 1>you could just wrap on somebody's beat. He was. He

1:11:12.880 --> 1:11:14.680
<v Speaker 1>was like kind of the first to do that. I

1:11:14.720 --> 1:11:17.200
<v Speaker 1>mean second when you know, you did the jacket for Beasts,

1:11:17.200 --> 1:11:19.200
<v Speaker 1>but he didn't. In another way, but when he went

1:11:19.240 --> 1:11:22.120
<v Speaker 1>and rapped before Ready to Die on all l A beats,

1:11:22.680 --> 1:11:24.479
<v Speaker 1>you know what I'm saying. Before that, it wasn't like

1:11:24.560 --> 1:11:27.800
<v Speaker 1>people were getting on people's tracks, what I'm saying. So, so,

1:11:28.000 --> 1:11:31.800
<v Speaker 1>how did you guys started incorporating like the R and

1:11:31.880 --> 1:11:34.519
<v Speaker 1>B s, the R and B tracks, like the Juicy's

1:11:34.520 --> 1:11:37.320
<v Speaker 1>and all that. Because I can listen to Biggest Demo

1:11:37.479 --> 1:11:41.240
<v Speaker 1>and I can tell that that was directly um Uh,

1:11:41.880 --> 1:11:44.040
<v Speaker 1>which was my favorite record by the way, Juicy. But

1:11:44.360 --> 1:11:47.599
<v Speaker 1>but how do you go about convincing a hardcore artists

1:11:47.640 --> 1:11:52.080
<v Speaker 1>like big um to that this commercial, this commercial success

1:11:52.320 --> 1:11:54.680
<v Speaker 1>is something that he needs. It really wasn't a lot

1:11:54.760 --> 1:11:57.240
<v Speaker 1>of convincing. I was like, yo, if you want to

1:11:58.240 --> 1:12:01.320
<v Speaker 1>you know, if you want to be big Big and

1:12:01.720 --> 1:12:04.479
<v Speaker 1>you know, first of all, when we did partying bullshit,

1:12:04.960 --> 1:12:07.000
<v Speaker 1>he he didn't didn't know how to write a song,

1:12:07.200 --> 1:12:09.519
<v Speaker 1>so you know, you know, just like most rappers, you

1:12:09.560 --> 1:12:12.479
<v Speaker 1>know what I'm saying, everything was like sixty bars and everything.

1:12:13.160 --> 1:12:15.720
<v Speaker 1>And then so you know, once you know, I kind

1:12:15.760 --> 1:12:18.800
<v Speaker 1>of broke down the whole song structured. To him, he

1:12:19.000 --> 1:12:21.439
<v Speaker 1>was like a genius, so he didn't he would take

1:12:21.520 --> 1:12:25.240
<v Speaker 1>it and then and and and he just really was

1:12:25.400 --> 1:12:30.599
<v Speaker 1>strong on making songs. People didn't write wraps down. Um.

1:12:30.800 --> 1:12:34.760
<v Speaker 1>That was that was the second year. Yeah, yeah, this

1:12:34.880 --> 1:12:36.760
<v Speaker 1>breaking news. A lot of people don't know that. Yeah,

1:12:37.080 --> 1:12:39.680
<v Speaker 1>the first year he would write him down. By the

1:12:39.760 --> 1:12:41.639
<v Speaker 1>second year, you know, he was just sitting the room

1:12:41.680 --> 1:12:43.760
<v Speaker 1>and you wouldn't say nothing for like maybe two or

1:12:43.800 --> 1:12:46.599
<v Speaker 1>three days and go in and just do it from

1:12:46.680 --> 1:12:50.679
<v Speaker 1>head to toe. No punching in, nothing like that. Maybe

1:12:50.720 --> 1:12:58.000
<v Speaker 1>a couple of times, you know, let's yeah. But as

1:12:58.040 --> 1:13:00.519
<v Speaker 1>far as the as far as the big record, you know,

1:13:00.680 --> 1:13:02.800
<v Speaker 1>going after the Juicy and the Big Papa with the

1:13:02.880 --> 1:13:05.439
<v Speaker 1>Ozzy Brothers, it was just it was a vibe that

1:13:05.520 --> 1:13:08.360
<v Speaker 1>I was in that I had. I had already seen

1:13:08.520 --> 1:13:11.400
<v Speaker 1>work to a certain degree, and I knew with Mobi

1:13:12.040 --> 1:13:14.920
<v Speaker 1>and Premier we had the harder edge tracks, and I

1:13:15.000 --> 1:13:18.479
<v Speaker 1>knew that there was just this opportunity, um because even

1:13:18.600 --> 1:13:20.200
<v Speaker 1>you know, the West Coast was doing in their way

1:13:20.240 --> 1:13:23.040
<v Speaker 1>that their style of sampling more commercial type of hits.

1:13:23.640 --> 1:13:25.840
<v Speaker 1>But I knew that these joints right here These were

1:13:25.880 --> 1:13:28.320
<v Speaker 1>the things that I I grew up to in Hallan

1:13:28.400 --> 1:13:29.840
<v Speaker 1>when I used to have to do my chores in

1:13:29.880 --> 1:13:33.120
<v Speaker 1>the morning. These records was really really deep, like sheet

1:13:33.360 --> 1:13:35.960
<v Speaker 1>to me, you know what I'm saying, and and just

1:13:36.120 --> 1:13:40.479
<v Speaker 1>having that juicy sample and in the Big Papa joint

1:13:40.560 --> 1:13:42.200
<v Speaker 1>and then the One More Chance. I had all that

1:13:42.280 --> 1:13:45.880
<v Speaker 1>at the same time, So you know, I knew he

1:13:45.920 --> 1:13:48.280
<v Speaker 1>wanted to be fly and I told him like, this

1:13:48.439 --> 1:13:51.120
<v Speaker 1>is the road to the flying noess, she just gonna

1:13:51.120 --> 1:13:53.680
<v Speaker 1>be really dusty and be doing videos behind like in

1:13:54.000 --> 1:13:57.200
<v Speaker 1>abandoned buildings, And he was like, I want to be flying.

1:13:57.280 --> 1:14:00.320
<v Speaker 1>He always wanted to just have make sure his gear

1:14:01.040 --> 1:14:05.559
<v Speaker 1>was flyer. Then somebody that was slimmer. Now that One

1:14:05.600 --> 1:14:10.320
<v Speaker 1>More Chance remix like in the Streets album was already

1:14:10.760 --> 1:14:14.280
<v Speaker 1>a phenomenon. We already knew where Big was going. But

1:14:14.400 --> 1:14:20.880
<v Speaker 1>then y'all one more Chance remix and video like how

1:14:21.880 --> 1:14:24.720
<v Speaker 1>like what was the fund? Did you thinking? To say?

1:14:24.840 --> 1:14:27.720
<v Speaker 1>Like what was it? Because because I believe he was

1:14:27.800 --> 1:14:29.400
<v Speaker 1>gold at the time, was that to like the record

1:14:29.439 --> 1:14:31.439
<v Speaker 1>that you wanted to take it over to the platinum

1:14:31.720 --> 1:14:35.320
<v Speaker 1>or yeah? Yeah, you know, um as a producer, I

1:14:35.479 --> 1:14:39.040
<v Speaker 1>get here giving me the you know, the confidence. So

1:14:39.400 --> 1:14:42.400
<v Speaker 1>you know, when you really believe in everything's great and

1:14:42.479 --> 1:14:45.960
<v Speaker 1>you're in that frequency, you know, that's what you're attracting.

1:14:46.080 --> 1:14:48.840
<v Speaker 1>And I attracted that sample and I was like this

1:14:49.040 --> 1:14:51.799
<v Speaker 1>one right here, this is this right this right here? Scary?

1:14:52.040 --> 1:14:54.000
<v Speaker 1>You know, it was scary, you know because it was

1:14:54.040 --> 1:14:57.720
<v Speaker 1>a true record for the ladies. And not only that,

1:14:58.240 --> 1:15:01.920
<v Speaker 1>it felt like I felt like you and Big perfected

1:15:02.400 --> 1:15:06.880
<v Speaker 1>feeding the streets and feeding the radio. Yeah, like at

1:15:06.920 --> 1:15:09.400
<v Speaker 1>the same time you had who shot you that all

1:15:09.520 --> 1:15:12.600
<v Speaker 1>the streets? You know what I'm saying. I gravitated towards that,

1:15:12.760 --> 1:15:15.800
<v Speaker 1>but you're killing the radio? Like who was that? You?

1:15:15.880 --> 1:15:19.360
<v Speaker 1>Who developed a strategy of feed the streets? And you

1:15:19.400 --> 1:15:21.519
<v Speaker 1>know it was it was more of a respect thing

1:15:21.720 --> 1:15:24.479
<v Speaker 1>of of of I knew what he wanted to do

1:15:24.800 --> 1:15:27.080
<v Speaker 1>and if we were going to have this like partnership

1:15:27.160 --> 1:15:29.320
<v Speaker 1>on making music, and he was going to follow me

1:15:29.439 --> 1:15:31.679
<v Speaker 1>down the road to making some of these bigger records,

1:15:32.479 --> 1:15:34.600
<v Speaker 1>and you know, then I would follow him down the

1:15:34.720 --> 1:15:38.880
<v Speaker 1>road to um, you know, making more the hardcore records.

1:15:39.080 --> 1:15:41.280
<v Speaker 1>There's only one line that I had made him change

1:15:41.400 --> 1:15:44.080
<v Speaker 1>or just record that he went too far for me.

1:15:45.479 --> 1:15:48.120
<v Speaker 1>You need this story. I think he talked about rape

1:15:48.160 --> 1:15:52.160
<v Speaker 1>and Mary or something that, yeah it was and I

1:15:52.280 --> 1:15:54.400
<v Speaker 1>just I just I just couldn't do it. And he

1:15:54.520 --> 1:15:59.200
<v Speaker 1>respected dreams. No this is this is just a free

1:15:59.240 --> 1:16:02.040
<v Speaker 1>style because that eventually came out though now I was

1:16:02.120 --> 1:16:04.720
<v Speaker 1>kind of um like set that standard when he said

1:16:04.880 --> 1:16:06.880
<v Speaker 1>when I was twelve, I went to help us nothing

1:16:07.040 --> 1:16:10.720
<v Speaker 1>Jesus so all artists was trying to say something disrespectful

1:16:11.040 --> 1:16:13.519
<v Speaker 1>like still clever. Yeah yeah, yeah, yeah, but yea yeah

1:16:13.560 --> 1:16:15.479
<v Speaker 1>yeah but that yeah, that was the only thing that

1:16:15.880 --> 1:16:19.200
<v Speaker 1>we had started to have a discussion about certain responsibilities.

1:16:19.600 --> 1:16:21.479
<v Speaker 1>He didn't really give a funk, but at the same

1:16:21.560 --> 1:16:24.960
<v Speaker 1>time he was he was kind of a big one. Yeah,

1:16:25.600 --> 1:16:30.040
<v Speaker 1>but he over the bridge that yeah, he said he

1:16:30.479 --> 1:16:35.920
<v Speaker 1>whatever he said was like from from a standpoint of lyricism,

1:16:36.479 --> 1:16:39.519
<v Speaker 1>it was yeah, it wasn't from this. It wasn't a

1:16:39.600 --> 1:16:45.000
<v Speaker 1>shock value like yeah, yeah value. Yeah. He seemed like

1:16:45.160 --> 1:16:47.400
<v Speaker 1>on the first album that it felt like West Coast

1:16:47.479 --> 1:16:50.120
<v Speaker 1>influenced him a lot, like that's the way I felt

1:16:50.160 --> 1:16:53.200
<v Speaker 1>as a listening Yeah, really not at all. Yeah, because

1:16:53.240 --> 1:16:55.000
<v Speaker 1>there were some samples that they sampled a lot of

1:16:55.120 --> 1:16:56.960
<v Speaker 1>some of the West Coast records and some of the

1:16:57.080 --> 1:16:59.200
<v Speaker 1>oh yeah, yeah, yeah. As far as me sampling, I

1:16:59.320 --> 1:17:02.040
<v Speaker 1>was definitely in was by the chronic They're even ready

1:17:02.080 --> 1:17:04.960
<v Speaker 1>to Die that whole, So that was not him. Yeah, yeah,

1:17:04.960 --> 1:17:07.000
<v Speaker 1>that was me that because I was I heard the

1:17:07.080 --> 1:17:09.400
<v Speaker 1>chronic and I just really became obsessed with how they

1:17:09.439 --> 1:17:11.320
<v Speaker 1>were able to make it sound like it was. Actually

1:17:11.439 --> 1:17:13.599
<v Speaker 1>you actually got into a low ride in the comment.

1:17:13.920 --> 1:17:16.439
<v Speaker 1>So I wanted ready to Die to feel like you was,

1:17:17.240 --> 1:17:19.200
<v Speaker 1>you know, in Brooklyn and from New York and so

1:17:19.439 --> 1:17:22.840
<v Speaker 1>you know, Dre definitely inspired me, you know on that one.

1:17:22.920 --> 1:17:27.320
<v Speaker 1>Would you enjoy more producing? Oh? Yeah, that was that

1:17:28.040 --> 1:17:30.200
<v Speaker 1>was the only one that we I mean, Cola was

1:17:30.240 --> 1:17:31.519
<v Speaker 1>on the Locks out. Of course that was gonna be

1:17:31.560 --> 1:17:35.720
<v Speaker 1>our album, didn't you say? I want that Big win

1:17:35.840 --> 1:17:40.120
<v Speaker 1>at y'all? Yeah, you'll see verse what you'll see the

1:17:40.240 --> 1:17:43.640
<v Speaker 1>first it's actually the Locks first feature with Big We

1:17:43.800 --> 1:17:48.400
<v Speaker 1>never met him, and I know what happened. Puff Winning

1:17:48.439 --> 1:17:51.320
<v Speaker 1>told him some ship puff Winning. Y'all got these niggas

1:17:51.320 --> 1:17:55.479
<v Speaker 1>from youngest, the dirty winning niggas. They're coming crazy, They're

1:17:55.520 --> 1:18:00.960
<v Speaker 1>coming for you. That he came crazy. He came from

1:18:01.040 --> 1:18:06.640
<v Speaker 1>the first line nig's talking when ain't I don't know

1:18:06.800 --> 1:18:13.160
<v Speaker 1>how crazy I can't go back and listen to what

1:18:14.000 --> 1:18:23.400
<v Speaker 1>was coming. That was coming. He could have actually broke

1:18:23.479 --> 1:18:29.080
<v Speaker 1>our smith. He could all wrong. He could have tail

1:18:29.160 --> 1:18:37.320
<v Speaker 1>between the legs and kiss leg that. Let me just

1:18:37.400 --> 1:18:40.519
<v Speaker 1>crib the situate. So y'all come to the lab like

1:18:40.760 --> 1:18:44.680
<v Speaker 1>big people. If he was dope the ground, he was

1:18:44.800 --> 1:18:49.519
<v Speaker 1>like he loved underground you ship. He was into him

1:18:49.560 --> 1:18:53.439
<v Speaker 1>and Math that record, I can't. I don't know how

1:18:53.520 --> 1:18:57.200
<v Speaker 1>that came up with that. That record seems like they

1:18:57.320 --> 1:19:00.760
<v Speaker 1>were going rad it like and and at that time,

1:19:00.880 --> 1:19:02.920
<v Speaker 1>Meth was considered the best because he had the m

1:19:03.000 --> 1:19:06.040
<v Speaker 1>A T H O. D man. He was cooking. He

1:19:06.160 --> 1:19:09.200
<v Speaker 1>was cooking, he was he was ripping everything that was

1:19:09.320 --> 1:19:12.240
<v Speaker 1>that that name was every everywhere, and that was going

1:19:12.320 --> 1:19:14.240
<v Speaker 1>to be all famous him and old Dirty. I still

1:19:14.400 --> 1:19:20.400
<v Speaker 1>can't say who won that. I still certain days like

1:19:23.040 --> 1:19:27.600
<v Speaker 1>different styles too. I give it up. I say, was like, no,

1:19:27.680 --> 1:19:31.880
<v Speaker 1>he got me. He said that j join he said

1:19:31.960 --> 1:19:35.120
<v Speaker 1>Jake got him book of Finance. I gotta disagree said that.

1:19:35.400 --> 1:19:40.280
<v Speaker 1>I told he wasn't think he's bucking dog. See, I

1:19:40.280 --> 1:19:42.160
<v Speaker 1>didn't understand j in the beginning. He was using all

1:19:42.200 --> 1:19:44.559
<v Speaker 1>them big words and that school nine grade mon nigger

1:19:45.120 --> 1:19:47.800
<v Speaker 1>I didn't know all that scientific or reflical and orlean.

1:19:48.760 --> 1:19:51.040
<v Speaker 1>I understand that. I understand the color ship direct to

1:19:51.080 --> 1:19:53.240
<v Speaker 1>the point and b I was more like a direct

1:19:53.280 --> 1:19:56.240
<v Speaker 1>but bad? Now would it be? He bodied something going

1:19:56.400 --> 1:20:02.439
<v Speaker 1>and Philly. He never had, Oh man come out and

1:20:02.479 --> 1:20:05.439
<v Speaker 1>sees events. He should have, he said, a man like

1:20:05.560 --> 1:20:09.160
<v Speaker 1>somebody should have told him, no, a big not that

1:20:10.240 --> 1:20:15.800
<v Speaker 1>it's still work. Still, I'm sorry, I'm still he killed

1:20:15.840 --> 1:20:20.760
<v Speaker 1>him now that was hurt from getting big that we're

1:20:20.800 --> 1:20:23.439
<v Speaker 1>going to speaking his defense. He's a lawyer, he's a

1:20:23.479 --> 1:20:32.840
<v Speaker 1>way rapid and winning helped to a lawyer's biggest sue.

1:20:32.880 --> 1:20:36.960
<v Speaker 1>You know, I'm just saying. I always was like music

1:20:37.040 --> 1:20:42.200
<v Speaker 1>is still I'm sorry, I'm sorry like that. No, that

1:20:42.280 --> 1:20:45.479
<v Speaker 1>was some big they had. No he even destroyed Shock,

1:20:45.800 --> 1:20:50.160
<v Speaker 1>but he's found but come on, destroyed Shock, he said Shock.

1:20:50.240 --> 1:20:52.880
<v Speaker 1>You get it too. That that was the only record

1:20:52.880 --> 1:20:55.519
<v Speaker 1>with him and nas on it. Hrsus was four shack

1:20:55.680 --> 1:20:59.599
<v Speaker 1>shots versus that he said was for shocks shot, winning

1:20:59.640 --> 1:21:03.720
<v Speaker 1>and broken. He couldn't say basketball politics, your dog, I can't.

1:21:03.760 --> 1:21:07.200
<v Speaker 1>I can't say nothing that you got right. I was

1:21:07.280 --> 1:21:11.400
<v Speaker 1>there with kids on that record called the Who World.

1:21:11.960 --> 1:21:14.280
<v Speaker 1>He came back. He had a verse there we was going,

1:21:14.400 --> 1:21:16.120
<v Speaker 1>we was at the hotel. It wasn't Naas on that

1:21:16.280 --> 1:21:19.000
<v Speaker 1>record as well. I don't know. I don't believe it's

1:21:19.040 --> 1:21:22.720
<v Speaker 1>a virgin. The only version between Big and Nas only

1:21:22.800 --> 1:21:24.479
<v Speaker 1>heard that when we did we went to Jack Cribb

1:21:24.520 --> 1:21:26.960
<v Speaker 1>and and that ship is at the same time that

1:21:27.000 --> 1:21:29.599
<v Speaker 1>they're talking about the same record, but no, the same

1:21:29.640 --> 1:21:33.360
<v Speaker 1>time that they're talking and Big, what what record did

1:21:33.439 --> 1:21:38.560
<v Speaker 1>Big guard Nas? Kicking the door? Kicking the door? What

1:21:38.760 --> 1:21:40.800
<v Speaker 1>was that line? Because Nas came back he said some ship,

1:21:40.880 --> 1:21:43.479
<v Speaker 1>but it was he was like, he was like niggas

1:21:43.800 --> 1:21:47.800
<v Speaker 1>Champagne last year. They wasn't champ Now said the line

1:21:47.840 --> 1:21:49.479
<v Speaker 1>he said, he take the crown off the so called

1:21:49.560 --> 1:21:52.200
<v Speaker 1>king and lock it down freestyle. He did it, Big

1:21:52.320 --> 1:21:56.200
<v Speaker 1>people that and that was Big response to the the

1:21:56.320 --> 1:21:58.679
<v Speaker 1>third verse to kicking the door. What did he say? Again,

1:21:59.200 --> 1:22:02.520
<v Speaker 1>this goes out but those that choose to use disrespectful

1:22:02.640 --> 1:22:06.240
<v Speaker 1>views on the kingdom and why fun that way? Don't

1:22:06.320 --> 1:22:10.560
<v Speaker 1>bleat now you were railing it, snatch that lightship, scaling it.

1:22:10.840 --> 1:22:15.479
<v Speaker 1>Conscience of your nunsiense eight so more powdered and Johnson

1:22:15.520 --> 1:22:23.479
<v Speaker 1>than Johnson. Vision legs never laxed. That is crazy. I

1:22:23.600 --> 1:22:25.120
<v Speaker 1>used to have to catch you on this ship. I

1:22:25.200 --> 1:22:27.920
<v Speaker 1>still catch you onto some ship now, Damn dog, I

1:22:27.960 --> 1:22:30.080
<v Speaker 1>ain't know what that. I just had to ask Bigger

1:22:30.160 --> 1:22:32.800
<v Speaker 1>what you mean by that? What's that? But that's where

1:22:32.800 --> 1:22:35.120
<v Speaker 1>that came from? I asked where that came from? He

1:22:35.280 --> 1:22:38.400
<v Speaker 1>he played the free style was like Listen's even using

1:22:38.479 --> 1:22:42.120
<v Speaker 1>big words. It's his flow, it's his delivery. And the

1:22:42.200 --> 1:22:44.719
<v Speaker 1>way he said the words. Man, it was just so clear,

1:22:45.160 --> 1:22:50.439
<v Speaker 1>cun of your nunsense. We had never laxed back big

1:22:53.920 --> 1:22:57.599
<v Speaker 1>so wonderful love. It was a wonderful big, big fat

1:22:57.760 --> 1:23:01.559
<v Speaker 1>black motherfucker must be antics. You just feel like big

1:23:01.680 --> 1:23:06.680
<v Speaker 1>fat niggam. I think Punney was a very romantic. I'm

1:23:06.720 --> 1:23:10.200
<v Speaker 1>just doing I used to see the nigga with roses

1:23:10.240 --> 1:23:15.000
<v Speaker 1>all the time, just no reason. What are you doing

1:23:15.000 --> 1:23:17.360
<v Speaker 1>with my brother? Little speak? He did a little spik

1:23:17.400 --> 1:23:23.080
<v Speaker 1>of looking at that like it was just cool. Yeah,

1:23:23.920 --> 1:23:27.320
<v Speaker 1>so got a little awk with this. Dope was dope.

1:23:27.360 --> 1:23:28.840
<v Speaker 1>It's good, it's good, it's good to get the akers

1:23:28.880 --> 1:23:31.519
<v Speaker 1>sometimes was real. He was really big pimping dog. He

1:23:31.640 --> 1:23:36.439
<v Speaker 1>was up. Now, let's describe at that time, right, because

1:23:36.640 --> 1:23:39.200
<v Speaker 1>at that time you're just getting the notice guy right

1:23:39.479 --> 1:23:42.000
<v Speaker 1>and in according to the movie, it's like he gave

1:23:42.080 --> 1:23:45.439
<v Speaker 1>bigger check and he gave Big all these promises, but

1:23:45.560 --> 1:23:49.559
<v Speaker 1>he really had no accolades to match that as a whole.

1:23:49.640 --> 1:23:51.519
<v Speaker 1>Like you know, I mean he worked up, but not

1:23:51.760 --> 1:23:55.600
<v Speaker 1>for himself, but that he had something he had. He

1:23:55.760 --> 1:24:03.400
<v Speaker 1>had Joe. He didn't like what I'm saying that he

1:24:03.520 --> 1:24:06.639
<v Speaker 1>was one was his first label, bad Boy, So yeah,

1:24:06.720 --> 1:24:10.280
<v Speaker 1>but I was it was he was gonna make his career.

1:24:10.439 --> 1:24:13.000
<v Speaker 1>So what made what do you think made y'all in general?

1:24:13.080 --> 1:24:16.120
<v Speaker 1>When Big even trust this guy B I funk not

1:24:16.200 --> 1:24:17.600
<v Speaker 1>think just be I just knew he knew what he

1:24:17.680 --> 1:24:20.519
<v Speaker 1>was doing and he was he was he was devoted

1:24:20.560 --> 1:24:22.560
<v Speaker 1>to b. I. That's something I couldn't say about He

1:24:22.920 --> 1:24:24.479
<v Speaker 1>was you when it came to be I. He was

1:24:24.520 --> 1:24:26.479
<v Speaker 1>straight up with Big. I mean, I can't knock that.

1:24:26.600 --> 1:24:28.519
<v Speaker 1>I can't take that away. It wouldn't be no B.

1:24:28.640 --> 1:24:31.680
<v Speaker 1>I once phone the one for Pepe straight up. It's

1:24:31.720 --> 1:24:33.840
<v Speaker 1>just a real ship ever and be our funk with him.

1:24:33.920 --> 1:24:37.600
<v Speaker 1>And then the day we did you know, the end

1:24:37.600 --> 1:24:39.599
<v Speaker 1>of the day, if he say it's cool, it's cool,

1:24:39.680 --> 1:24:42.360
<v Speaker 1>who am I honestly up next man. You know, I

1:24:42.520 --> 1:24:46.760
<v Speaker 1>consider this this person to be a pioneer and what

1:24:46.880 --> 1:24:51.360
<v Speaker 1>it is, you know, for hip hop podcasting. He he

1:24:51.479 --> 1:24:53.840
<v Speaker 1>definitely was someone that that I was checking out and

1:24:54.000 --> 1:24:57.120
<v Speaker 1>inspired by, you know. And who I'm speaking about is

1:24:57.200 --> 1:25:00.680
<v Speaker 1>no other than Reggio say a K. Combat Jack, you know,

1:25:01.040 --> 1:25:03.719
<v Speaker 1>who is definitely a legend hosting one of the original

1:25:03.880 --> 1:25:08.000
<v Speaker 1>hip hop podcasts with the Combat Jack Show. His resume

1:25:08.439 --> 1:25:11.640
<v Speaker 1>far proceeds a podcast world, as he was a successful

1:25:11.720 --> 1:25:14.240
<v Speaker 1>lawyer and represent a sort of hip hops the legendary

1:25:14.360 --> 1:25:18.360
<v Speaker 1>artists and producers such as Jay Z, Rockefeller Records, component

1:25:18.400 --> 1:25:21.600
<v Speaker 1>Ori Aga, and more. It was an honor to have

1:25:22.120 --> 1:25:25.120
<v Speaker 1>interviewed Combat Jack on Drink Champs. I mean, to meet him,

1:25:25.160 --> 1:25:27.840
<v Speaker 1>to talk to him, to interact with him, to hear

1:25:27.880 --> 1:25:31.519
<v Speaker 1>the full episode. Checkout episode thirty two with Combat Jack

1:25:31.640 --> 1:25:35.800
<v Speaker 1>and Jack Thriller was. It was a hilarious um episode.

1:25:35.960 --> 1:25:37.400
<v Speaker 1>You just gotta check it out if you have and

1:25:37.600 --> 1:25:41.160
<v Speaker 1>it's it's definitely one of our classics. But here's some

1:25:41.240 --> 1:25:47.080
<v Speaker 1>great moments from that episode. The more careful you have

1:25:47.120 --> 1:25:52.120
<v Speaker 1>to be with your words, so that a so I

1:25:52.240 --> 1:25:56.040
<v Speaker 1>learned this. I learned this listening from Tupac Biggie and

1:25:56.160 --> 1:26:01.400
<v Speaker 1>Jack right when Tupac comms no not just listen to

1:26:01.520 --> 1:26:05.240
<v Speaker 1>their music and Tupac talking about I caught five and

1:26:05.320 --> 1:26:09.240
<v Speaker 1>this and that and just like embracing being a target,

1:26:10.320 --> 1:26:12.439
<v Speaker 1>you know what I'm saying, and then passing away too soon,

1:26:12.520 --> 1:26:14.960
<v Speaker 1>you know what I'm saying. Biggie's first album one of

1:26:15.000 --> 1:26:18.800
<v Speaker 1>the most impactful albums of all time, Ready to Die,

1:26:20.080 --> 1:26:24.360
<v Speaker 1>Ready to No No But but but I worked boy all.

1:26:24.400 --> 1:26:26.000
<v Speaker 1>I worked with a lot of the hit man I

1:26:26.080 --> 1:26:30.400
<v Speaker 1>worked with with Puff Puff, The Home Now, Derek Angeletti,

1:26:30.520 --> 1:26:36.280
<v Speaker 1>Ron Lawrence, don't get out of my power. But let's listen,

1:26:36.320 --> 1:26:39.120
<v Speaker 1>leten listen. I realized as a hip hop fan, particularly

1:26:39.200 --> 1:26:43.040
<v Speaker 1>with hip hop and the vibration that it strikes. We

1:26:43.080 --> 1:26:45.720
<v Speaker 1>don't we don't take hip hop for joke. Hip Hop

1:26:45.840 --> 1:26:48.240
<v Speaker 1>is real when you say, some ship's real. So if

1:26:48.280 --> 1:26:50.360
<v Speaker 1>you say you're ready to die and you got a

1:26:50.439 --> 1:26:54.240
<v Speaker 1>million fans, that ship travels. But at the same time,

1:26:54.320 --> 1:26:57.360
<v Speaker 1>and you noticed Nori when Jay was coming up, niggas

1:26:57.360 --> 1:27:00.200
<v Speaker 1>didn't think Jay was gonna be that nigger, right am,

1:27:00.240 --> 1:27:03.320
<v Speaker 1>I right? Wrong? But when Jay was like, I'm gonna

1:27:03.400 --> 1:27:07.880
<v Speaker 1>be the richest motherfucker speaking in hippot. He became that.

1:27:08.400 --> 1:27:12.120
<v Speaker 1>So I learned the power of words. So my biggest

1:27:13.200 --> 1:27:16.479
<v Speaker 1>um lesson and podcast is thinking, it's just me and

1:27:16.560 --> 1:27:20.240
<v Speaker 1>my niggas in this studio talking ship, and and and

1:27:20.439 --> 1:27:22.640
<v Speaker 1>and one day I did this rant with regard to

1:27:22.720 --> 1:27:26.120
<v Speaker 1>Pat Hooo's okay and the and the ship went viral.

1:27:26.720 --> 1:27:28.360
<v Speaker 1>And that ship surprised me because it was just a

1:27:28.439 --> 1:27:30.599
<v Speaker 1>small part of our episode. What was you saying about

1:27:30.600 --> 1:27:32.599
<v Speaker 1>bad poos? I was just I'm just saying something about

1:27:32.640 --> 1:27:34.679
<v Speaker 1>bad like he wasn't good. I was just saying something

1:27:34.760 --> 1:27:40.000
<v Speaker 1>about I don't know what you're saying, drink. I just

1:27:40.680 --> 1:27:44.800
<v Speaker 1>heard a record that I didn't have. No just I

1:27:44.920 --> 1:27:47.880
<v Speaker 1>heard a record on No No it was my boot.

1:27:47.920 --> 1:27:50.840
<v Speaker 1>That record my boot, And I was like, yo, this

1:27:51.040 --> 1:27:54.439
<v Speaker 1>is not who got paid. So I went off like

1:27:54.560 --> 1:27:58.200
<v Speaker 1>I was on Twitter, and some pappoose followers was like

1:27:58.320 --> 1:28:01.320
<v Speaker 1>coming at me because I'm not gonna argue. I'm not

1:28:01.320 --> 1:28:03.679
<v Speaker 1>gonna argue with you. I'm gonna address this on my show.

1:28:04.120 --> 1:28:07.080
<v Speaker 1>So when I did, the ship went viral. And then

1:28:07.160 --> 1:28:11.519
<v Speaker 1>when I realized that I crossed the line, it was

1:28:11.600 --> 1:28:13.720
<v Speaker 1>too late to take the words. What did you say?

1:28:14.160 --> 1:28:16.720
<v Speaker 1>What did you say? Just just let's just google it,

1:28:16.800 --> 1:28:22.880
<v Speaker 1>my nigga. I'm telling you google it, my nigga, because

1:28:22.880 --> 1:28:24.920
<v Speaker 1>I'm moving forward, you know what I'm saying. So when

1:28:24.920 --> 1:28:28.240
<v Speaker 1>I realized that I crossed the line with Papoose and

1:28:29.040 --> 1:28:30.880
<v Speaker 1>I could never get you know what I'm saying, Like,

1:28:31.439 --> 1:28:33.920
<v Speaker 1>I was like, Yo, you gotta watch what you say

1:28:34.000 --> 1:28:37.880
<v Speaker 1>because even when we're joking, you could hurt somebody or

1:28:37.920 --> 1:28:41.679
<v Speaker 1>you could create an enemy for life with your words.

1:28:41.760 --> 1:28:43.760
<v Speaker 1>And it was like, not that I'm afraid to say

1:28:43.840 --> 1:28:47.320
<v Speaker 1>my honest truth, but I still got to realize and

1:28:47.400 --> 1:28:50.160
<v Speaker 1>be responsible what I say about the other man, right

1:28:50.200 --> 1:28:53.120
<v Speaker 1>because the thing about podcasts, it's kind of lives forever.

1:28:53.760 --> 1:28:57.519
<v Speaker 1>These interviews don't die, so right now, everything that we said,

1:28:57.680 --> 1:28:59.920
<v Speaker 1>that's that's that's the reason why I wanted to be

1:29:00.120 --> 1:29:02.120
<v Speaker 1>clear and let you know that everything I ever said

1:29:02.160 --> 1:29:04.680
<v Speaker 1>about you was just jokes and always. But I mean,

1:29:04.840 --> 1:29:07.280
<v Speaker 1>you know that the difference is y'all in each other face.

1:29:07.560 --> 1:29:09.439
<v Speaker 1>So I have a whole different outlook on it. I

1:29:09.520 --> 1:29:11.120
<v Speaker 1>feel like if you, like, I say a lot of

1:29:11.200 --> 1:29:15.439
<v Speaker 1>crazy things that you do, and I say that everybody face,

1:29:15.760 --> 1:29:19.360
<v Speaker 1>did I did I say something about like, for instance,

1:29:19.479 --> 1:29:22.599
<v Speaker 1>you know, I hear an incident with two chains. Oh yeah,

1:29:22.680 --> 1:29:25.720
<v Speaker 1>what happens to Yeah, you know, he said, he's gonna

1:29:25.720 --> 1:29:29.519
<v Speaker 1>suck you up. He said, water Front Realty right where

1:29:30.320 --> 1:29:37.320
<v Speaker 1>not that New York is not what public performance, it's publishing.

1:29:38.080 --> 1:29:41.400
<v Speaker 1>So it's that's one. What's you said? I said? I said?

1:29:41.400 --> 1:29:48.200
<v Speaker 1>I said public performance publishing synchronization. So like whenever your

1:29:48.240 --> 1:29:53.680
<v Speaker 1>ship is like the movie movie commercial video, but when

1:29:53.720 --> 1:29:56.120
<v Speaker 1>they write a two chains wrap and the ship is

1:29:56.160 --> 1:29:58.840
<v Speaker 1>a kid to bring up two chains guy. So when

1:29:58.880 --> 1:30:02.360
<v Speaker 1>the lyrics are written that people buy people buy them

1:30:03.600 --> 1:30:08.679
<v Speaker 1>people people, it's a dying breed for people buy print

1:30:09.600 --> 1:30:12.640
<v Speaker 1>people by How does the ship choreographic? How can I

1:30:12.720 --> 1:30:15.840
<v Speaker 1>play this whole? Oh? You mean writing the music, writing

1:30:15.880 --> 1:30:19.160
<v Speaker 1>the music and the lyrics. It's still public. The lyrics

1:30:19.320 --> 1:30:21.080
<v Speaker 1>is considered like the music, like if you were to

1:30:21.120 --> 1:30:28.479
<v Speaker 1>play I said four, that's four five record sales Breckord sales.

1:30:28.520 --> 1:30:30.960
<v Speaker 1>But but but it's but but it's expanded right now

1:30:31.320 --> 1:30:35.240
<v Speaker 1>because now is digital streaming stream So maybe it's at

1:30:35.320 --> 1:30:37.400
<v Speaker 1>seven right now, I mean I'm at the authority, but

1:30:38.320 --> 1:30:45.760
<v Speaker 1>um title, yeah, Apple Spotify, that's that's an extra six.

1:30:47.240 --> 1:30:49.759
<v Speaker 1>So now let me ask you there might be a seventh.

1:30:50.200 --> 1:30:53.960
<v Speaker 1>You might be a seven six genius is print now

1:30:53.960 --> 1:30:59.120
<v Speaker 1>I would say genius, But I just picked up I

1:30:59.200 --> 1:31:01.360
<v Speaker 1>just give you all sick out of the music to

1:31:01.720 --> 1:31:04.880
<v Speaker 1>make money off you music. So Jack, how old you Jack?

1:31:04.960 --> 1:31:10.240
<v Speaker 1>I'm sorry, just but thirty self? Okay, young buck? Yeah,

1:31:10.400 --> 1:31:15.479
<v Speaker 1>I got a old face. But so in your opinion

1:31:15.800 --> 1:31:20.760
<v Speaker 1>to you're picking up a young you of yourself, you

1:31:20.920 --> 1:31:25.320
<v Speaker 1>think streaming hurt the industry or streaming helped it? And

1:31:25.560 --> 1:31:27.320
<v Speaker 1>think it helped the industry? Man, because I like the

1:31:27.360 --> 1:31:31.400
<v Speaker 1>fact that you it ain't no excuses if you can't

1:31:31.439 --> 1:31:33.920
<v Speaker 1>make it right now, you know you don't even deserve

1:31:33.920 --> 1:31:35.400
<v Speaker 1>to be in the game. I don't think that's true.

1:31:35.439 --> 1:31:37.680
<v Speaker 1>I don't think that's agree with him. I mean I

1:31:37.800 --> 1:31:40.560
<v Speaker 1>don't in a sense because before there was the you know,

1:31:40.640 --> 1:31:43.640
<v Speaker 1>the gatekeepers in a sense if your gatekeepers, No, no,

1:31:44.120 --> 1:31:47.720
<v Speaker 1>that's that's true. But the oversaturation makes it harder in

1:31:47.760 --> 1:31:52.200
<v Speaker 1>a sense. What's balancing a way harder to to be hurt,

1:31:53.000 --> 1:31:56.240
<v Speaker 1>to be hurt byfend. I love music. I always love music.

1:31:56.680 --> 1:31:59.400
<v Speaker 1>I'm not gonna listen to ship I don't right you

1:31:59.520 --> 1:32:01.280
<v Speaker 1>might not eat even know the music that you would

1:32:02.360 --> 1:32:07.519
<v Speaker 1>when I find you when I find. When I find it,

1:32:07.680 --> 1:32:11.960
<v Speaker 1>you wouldn't know. Continue, but you wouldn't know because it's

1:32:12.040 --> 1:32:15.000
<v Speaker 1>in the Ether's a million artists. Okay, so there's a

1:32:15.080 --> 1:32:17.560
<v Speaker 1>million niggas that I won't listen to. But when I

1:32:17.600 --> 1:32:20.639
<v Speaker 1>find a Anderson Park. When I said when I find,

1:32:21.760 --> 1:32:23.880
<v Speaker 1>you don't find them. The people you're about to mention

1:32:23.960 --> 1:32:26.320
<v Speaker 1>are people are being promoted by high profile people. But

1:32:26.400 --> 1:32:31.120
<v Speaker 1>I don't follow high profile too. To Motte, what did

1:32:31.200 --> 1:32:34.960
<v Speaker 1>I accidentally pull into my ship? Because I'm still crazy digging, right,

1:32:35.200 --> 1:32:39.360
<v Speaker 1>I'm still crazy digging digitally. So when I find some ship,

1:32:39.439 --> 1:32:43.000
<v Speaker 1>I funk with fun with it, and it's the same ship.

1:32:43.200 --> 1:32:46.680
<v Speaker 1>It doesn't matter if you've got something commercial promotion or

1:32:46.840 --> 1:32:49.519
<v Speaker 1>if it's just straight up Internet promotion of my my

1:32:49.680 --> 1:32:52.439
<v Speaker 1>friends saying something. So I saying something, you know what

1:32:52.479 --> 1:32:54.080
<v Speaker 1>I'm saying. If it's getting that there's getting out there

1:32:54.080 --> 1:32:55.960
<v Speaker 1>because it's hot, I'm gonna tell you what the difference is.

1:32:56.120 --> 1:32:59.040
<v Speaker 1>Why I think the difference is that back in the days,

1:32:59.680 --> 1:33:03.360
<v Speaker 1>that's is horrible. That makes me. But back in the days,

1:33:03.720 --> 1:33:07.080
<v Speaker 1>you needed to work and pay certain dudes to get

1:33:07.120 --> 1:33:10.519
<v Speaker 1>in a studio, record on tape or whatever the funk

1:33:10.560 --> 1:33:13.120
<v Speaker 1>digital wouldn't matter. DJ F and you you lived in

1:33:13.160 --> 1:33:16.880
<v Speaker 1>the arrow. No, no, this is a great fall in

1:33:16.960 --> 1:33:23.080
<v Speaker 1>that area. But but we're talking. I don't care. I

1:33:23.160 --> 1:33:27.040
<v Speaker 1>got fucking white hairs and that's cool. But listen, Jan,

1:33:27.439 --> 1:33:29.479
<v Speaker 1>we've been we we in back to the future in

1:33:29.640 --> 1:33:31.800
<v Speaker 1>real life. But we're but I'm giving, We're giving the

1:33:31.840 --> 1:33:36.720
<v Speaker 1>comparison though, comparison. What do you think about young Thunk?

1:33:38.280 --> 1:33:40.080
<v Speaker 1>I'm unsure about. I don't get That's what I was

1:33:40.080 --> 1:33:43.000
<v Speaker 1>trying to talk about from there. No, no, no, I

1:33:43.120 --> 1:33:47.040
<v Speaker 1>want to know what is it authentic to whatever he

1:33:47.160 --> 1:33:49.519
<v Speaker 1>comes from that he's wearing what he's wearing like, I

1:33:49.600 --> 1:33:52.080
<v Speaker 1>know the music is read as inonating for sure. The

1:33:52.160 --> 1:33:55.599
<v Speaker 1>music is resona check this out. I don't even when

1:33:55.680 --> 1:33:58.720
<v Speaker 1>when A Drake and J Coole first came out at

1:33:58.760 --> 1:34:02.599
<v Speaker 1>the same time, I didn't understand why Motherfucker's was sucking

1:34:02.640 --> 1:34:06.120
<v Speaker 1>with Jacole because Drink had the better song and it

1:34:06.280 --> 1:34:09.200
<v Speaker 1>was I forget what it was at the time he had,

1:34:09.720 --> 1:34:11.840
<v Speaker 1>but it was a song he were like, let's be

1:34:12.080 --> 1:34:20.880
<v Speaker 1>on honest. Yeah. Well, the difference is the audience has expanded. Difference. Yeah,

1:34:20.920 --> 1:34:25.160
<v Speaker 1>you don't about to say so, Um, Jacole had who

1:34:25.240 --> 1:34:29.320
<v Speaker 1>that who that who that? I thought that was some bullshit. Yeah,

1:34:29.720 --> 1:34:33.320
<v Speaker 1>I was like J Money had who that first? That's

1:34:33.320 --> 1:34:38.759
<v Speaker 1>a Miami niggafy? Yo? Man, what then is up Jacole Niggle?

1:34:39.040 --> 1:34:41.800
<v Speaker 1>Why then popper? You know what he said? He said, Hey,

1:34:42.000 --> 1:34:45.360
<v Speaker 1>you need to find out why he's popping so you

1:34:45.400 --> 1:34:47.920
<v Speaker 1>can get yourself popping right now. I believe that that's

1:34:47.920 --> 1:34:51.719
<v Speaker 1>true because otherwise you don't to be your side fifty won't.

1:34:51.840 --> 1:34:53.680
<v Speaker 1>I can't down young dog. I just I want to

1:34:53.720 --> 1:34:57.760
<v Speaker 1>know where does that come from? Like story, what is

1:34:57.800 --> 1:35:02.840
<v Speaker 1>his story going on or something? If I'm at the bar, right,

1:35:03.400 --> 1:35:06.000
<v Speaker 1>I'm buying a drink, Yeah, I'm looking at what's in

1:35:06.080 --> 1:35:08.840
<v Speaker 1>the bar. I'm in the mood. And and and a

1:35:08.960 --> 1:35:14.320
<v Speaker 1>young Plug record comes on and it's it's says a

1:35:14.439 --> 1:35:20.320
<v Speaker 1>whole chain of events and you have no choice. Is

1:35:20.479 --> 1:35:25.160
<v Speaker 1>music as opposed to like an artist? You know what

1:35:25.160 --> 1:35:30.200
<v Speaker 1>I'm saying. There's that you understand when you hit that vein,

1:35:31.200 --> 1:35:33.000
<v Speaker 1>you don't have to ask why it's like, Yo, listen

1:35:35.640 --> 1:35:37.880
<v Speaker 1>because you know why. You know why. I like the

1:35:37.960 --> 1:35:42.040
<v Speaker 1>new generation. Okay, let me go, you guys go man,

1:35:42.400 --> 1:35:45.080
<v Speaker 1>let me just listen because I gotta flate focus this

1:35:45.160 --> 1:35:48.880
<v Speaker 1>is the reason why I'm with combat on this. That's

1:35:49.000 --> 1:35:52.679
<v Speaker 1>my whole experience movement to Miami. Like I'm a hardcore

1:35:52.800 --> 1:35:58.320
<v Speaker 1>boom bat hip hop left track, I get, I get divorce.

1:35:58.560 --> 1:36:04.639
<v Speaker 1>I'm yeah, I'm doing it. I got no choice. I'm

1:36:04.680 --> 1:36:08.200
<v Speaker 1>going It's not Club eleven, it's gold Rushing. It's gold

1:36:08.280 --> 1:36:11.760
<v Speaker 1>rushing at the time. I'm going, so be loud. That's

1:36:11.800 --> 1:36:16.639
<v Speaker 1>big up Micah, even though he don't no more stacks stacks.

1:36:19.400 --> 1:36:22.120
<v Speaker 1>So they got me coming out here. And and the

1:36:22.240 --> 1:36:25.439
<v Speaker 1>thing is, I couldn't easily been that old New York

1:36:25.560 --> 1:36:28.880
<v Speaker 1>nigger like, well you don't play cog Rat and why

1:36:28.880 --> 1:36:33.200
<v Speaker 1>I don't gonna play? And I was and and let me,

1:36:34.880 --> 1:36:38.160
<v Speaker 1>let me, let me just keep it up. Hunting Ecstacy

1:36:38.280 --> 1:36:44.600
<v Speaker 1>was popping at that time, and so was I, and

1:36:44.720 --> 1:36:48.920
<v Speaker 1>I felt every music in that motherfucker. I was like,

1:36:49.439 --> 1:36:53.560
<v Speaker 1>what ship? This ship is hot, like this ning is

1:36:55.400 --> 1:36:59.799
<v Speaker 1>like exactly, and I'm working with it. But it actually

1:37:00.040 --> 1:37:04.479
<v Speaker 1>made me young because I adapted to every environment. Then

1:37:04.520 --> 1:37:07.680
<v Speaker 1>when I went back to New York, I would never

1:37:07.800 --> 1:37:10.360
<v Speaker 1>forget this. I went back to New York, I went

1:37:10.439 --> 1:37:13.360
<v Speaker 1>and the same music was playing, and my nigga said,

1:37:14.760 --> 1:37:18.320
<v Speaker 1>why you smile, and I'm like, damn, man, my, yeah, mean,

1:37:18.360 --> 1:37:21.120
<v Speaker 1>these records is popping, and these niggers just looked at

1:37:21.160 --> 1:37:23.120
<v Speaker 1>me like, we don't funk with that over there, And

1:37:23.200 --> 1:37:26.200
<v Speaker 1>I was like, damn. I merely knew I could be

1:37:26.280 --> 1:37:30.040
<v Speaker 1>by coast from that very moment, because I really did

1:37:30.200 --> 1:37:32.599
<v Speaker 1>feel these records. But when I was in New York,

1:37:32.640 --> 1:37:35.280
<v Speaker 1>I was really like, I understand why y'all don't feel it,

1:37:35.760 --> 1:37:38.880
<v Speaker 1>because y'all ain't got palm, bitches, I mean palm. New

1:37:38.960 --> 1:37:42.000
<v Speaker 1>York is the smallest market on the fucking planet. It's

1:37:42.040 --> 1:37:45.280
<v Speaker 1>the smallest market, but still the most influence. We had

1:37:45.320 --> 1:37:48.560
<v Speaker 1>the most influence that this year. This Now, this is

1:37:48.640 --> 1:37:51.160
<v Speaker 1>the thing about New York. We've always had the most

1:37:51.240 --> 1:37:57.280
<v Speaker 1>influence until our influence became the major influence and bring down.

1:37:57.760 --> 1:38:01.400
<v Speaker 1>Like when our ship became the stand it when fucking

1:38:01.560 --> 1:38:04.880
<v Speaker 1>when fucking Dr Dre took public enemy and flipped it

1:38:04.880 --> 1:38:08.200
<v Speaker 1>into n w A and expanded the market. You got

1:38:08.960 --> 1:38:12.640
<v Speaker 1>you gotta say l A like the West Coast. The

1:38:12.720 --> 1:38:16.960
<v Speaker 1>West Coast is a market of it of itself that

1:38:17.120 --> 1:38:22.920
<v Speaker 1>flips into the South, that flips into up until up

1:38:23.000 --> 1:38:25.920
<v Speaker 1>until Jersey. So when you look at the whole scheme

1:38:25.960 --> 1:38:28.920
<v Speaker 1>of the music industry. New York is one city and

1:38:28.960 --> 1:38:31.560
<v Speaker 1>it's the whole fucking New York also fucked up a

1:38:31.600 --> 1:38:34.519
<v Speaker 1>lot of things because it was so it was organic.

1:38:36.240 --> 1:38:40.520
<v Speaker 1>But when when yes, when New York was too exclusive.

1:38:40.680 --> 1:38:43.479
<v Speaker 1>But when I'm from I'm from the South region, what

1:38:43.600 --> 1:38:47.880
<v Speaker 1>New York thought, nobody else can do it like us,

1:38:48.479 --> 1:38:50.280
<v Speaker 1>that's when you fucked up. That's what I'm saying, because

1:38:50.320 --> 1:38:53.000
<v Speaker 1>we only want And then what happened every other region.

1:38:56.439 --> 1:38:59.680
<v Speaker 1>It got so big that people like d C and

1:39:00.040 --> 1:39:02.640
<v Speaker 1>Jinja actually started. But DC is the South. D C

1:39:03.120 --> 1:39:05.040
<v Speaker 1>is the sound, yeah, but in the South. But d

1:39:05.200 --> 1:39:12.840
<v Speaker 1>C Niggas is k we described. I lived in d C.

1:39:13.320 --> 1:39:23.280
<v Speaker 1>D is opposite d Niggas. That's East cos in my opinion,

1:39:23.400 --> 1:39:30.680
<v Speaker 1>they're New York Now that's East coast to Georgia. In

1:39:31.240 --> 1:39:34.320
<v Speaker 1>I went to Georgetown, push, it stays from the East

1:39:34.400 --> 1:39:36.599
<v Speaker 1>coast to me when I stayed from when I stayed

1:39:36.600 --> 1:39:39.519
<v Speaker 1>in what I mean, but I love the South. We're

1:39:39.560 --> 1:39:41.479
<v Speaker 1>on the East coast, and you know what I'm saying.

1:39:41.680 --> 1:39:44.519
<v Speaker 1>You go to graphical so let me take let me

1:39:44.560 --> 1:39:47.160
<v Speaker 1>say that. But that's where it goes wrong though. That's

1:39:47.479 --> 1:39:50.479
<v Speaker 1>listen coming from an E P M D Run DMC,

1:39:51.000 --> 1:39:55.479
<v Speaker 1>Big Daddy came rock him in environment and in the

1:39:55.640 --> 1:39:59.800
<v Speaker 1>eighties living in Georgetown three, I went to Georgetown Law

1:40:00.160 --> 1:40:01.760
<v Speaker 1>for three years. I'm in d C. That's when he

1:40:01.760 --> 1:40:05.519
<v Speaker 1>went to and the only nigga they're playing from New

1:40:05.680 --> 1:40:09.400
<v Speaker 1>York is Kumo D Kumo D. I'm like, this is

1:40:10.280 --> 1:40:13.519
<v Speaker 1>his country, you see his country. They're not fucking with

1:40:13.640 --> 1:40:16.360
<v Speaker 1>the niggas that we funk with. They fun with country niggas.

1:40:16.880 --> 1:40:18.840
<v Speaker 1>When they say that again in d C. In d

1:40:19.000 --> 1:40:22.080
<v Speaker 1>C in the eighties, I'm with rock Cam, Big Daddy

1:40:22.160 --> 1:40:24.640
<v Speaker 1>came EPMD. I go to I go to DC and

1:40:24.720 --> 1:40:28.439
<v Speaker 1>the only rap nigga they're playing, it's Komo D. Who's

1:40:28.479 --> 1:40:32.920
<v Speaker 1>the only Who's the country is nigga out of New York. Yeah,

1:40:32.960 --> 1:40:37.000
<v Speaker 1>when you say country is that sounds very I don't

1:40:37.040 --> 1:40:38.680
<v Speaker 1>like it. Why do you say that? Why do you

1:40:38.680 --> 1:40:46.759
<v Speaker 1>say because him South niggas and his two New York sounds?

1:40:48.680 --> 1:40:51.000
<v Speaker 1>Why you don't like that? And let me tell you

1:40:51.600 --> 1:40:54.120
<v Speaker 1>when I when I was coming up man Indicata and stuff,

1:40:54.120 --> 1:40:55.760
<v Speaker 1>and a lot of New York niggers was coming down

1:40:55.840 --> 1:41:01.360
<v Speaker 1>to you understand Grove, you know, and all schools and ship.

1:41:01.560 --> 1:41:04.880
<v Speaker 1>Everybody thought they was smarter than that stuff. We thought

1:41:04.920 --> 1:41:07.479
<v Speaker 1>it was a game and ship. We're just having a

1:41:07.640 --> 1:41:11.360
<v Speaker 1>Southern drawl. Don't get it confused. Just like you know

1:41:11.360 --> 1:41:15.439
<v Speaker 1>what I'm saying, uh with Tony Nis ain't playing the South.

1:41:16.000 --> 1:41:19.680
<v Speaker 1>We we beat New you up, niggas up. I'm not

1:41:20.600 --> 1:41:28.280
<v Speaker 1>I'm not God. Two changes flipped on you. I agree

1:41:28.320 --> 1:41:35.000
<v Speaker 1>with you, add what you you favored to change over?

1:41:35.120 --> 1:41:40.640
<v Speaker 1>Men like I ain't got gooms to you already apologize.

1:41:40.640 --> 1:41:44.599
<v Speaker 1>I can't go back. I can't say that. I ain't

1:41:44.600 --> 1:41:47.439
<v Speaker 1>say that at all. I didn't say that we have

1:41:47.560 --> 1:41:51.760
<v Speaker 1>to order some food. We made some hip hop. Can

1:41:51.800 --> 1:41:54.760
<v Speaker 1>we go to somebody? But that's even gonna be the game.

1:41:54.960 --> 1:41:57.479
<v Speaker 1>Kids to be conversation going why you didn't got to

1:41:57.520 --> 1:42:00.960
<v Speaker 1>get a bit of gamester and my opinion in my opinion,

1:42:01.800 --> 1:42:04.840
<v Speaker 1>um because you know, you know what somebody told me.

1:42:05.240 --> 1:42:07.680
<v Speaker 1>Somebody told me one day there was like you're a

1:42:07.760 --> 1:42:12.320
<v Speaker 1>New York nigger that understood the South early. Yeah, super

1:42:12.680 --> 1:42:15.360
<v Speaker 1>super thug was our was our was our beat? Was

1:42:15.400 --> 1:42:18.320
<v Speaker 1>our realized they kind of jumping us, Jack, are you

1:42:18.400 --> 1:42:21.559
<v Speaker 1>with me? Still? Listen? Listen? How are jumping You don't Listen, listen.

1:42:23.160 --> 1:42:28.040
<v Speaker 1>I know I'm right. Listen, right in your heart, you

1:42:28.160 --> 1:42:31.360
<v Speaker 1>know I'm right. All right, Come the wind beneath your wings,

1:42:31.479 --> 1:42:34.360
<v Speaker 1>speak to the mist podcast get here you. I don't

1:42:34.360 --> 1:42:36.240
<v Speaker 1>know why I passed the blunt or who I passed

1:42:36.280 --> 1:42:39.840
<v Speaker 1>it too, but it was a bad move. Listen, so listen.

1:42:40.800 --> 1:42:44.400
<v Speaker 1>A lot of niggas told me that when I you

1:42:44.479 --> 1:42:47.240
<v Speaker 1>know this super Doug, but a lot of people didn't.

1:42:47.560 --> 1:42:52.400
<v Speaker 1>They said that, you know, I understood the understood the South.

1:42:52.720 --> 1:42:55.800
<v Speaker 1>Think about who super thug. Yes, I'm popping him the South.

1:42:56.120 --> 1:42:58.519
<v Speaker 1>I'm getting to that. But what I'm saying is, at

1:42:58.640 --> 1:43:01.519
<v Speaker 1>first nobody you knew who the fun These people were

1:43:02.720 --> 1:43:06.040
<v Speaker 1>absolutely didn't know who this This is two years after

1:43:06.120 --> 1:43:08.799
<v Speaker 1>the record is a hit, and then he produced for Mystical,

1:43:09.240 --> 1:43:11.759
<v Speaker 1>and then they produced for Whole and then they actually

1:43:11.920 --> 1:43:14.880
<v Speaker 1>claimed this is a South sound. But I already got

1:43:14.960 --> 1:43:20.960
<v Speaker 1>two albums. I got n O R E, which nobody

1:43:21.520 --> 1:43:24.560
<v Speaker 1>at this time. I brought him to every artist in

1:43:24.600 --> 1:43:29.240
<v Speaker 1>the world. It wasn'utntil old non. What you believe is

1:43:29.320 --> 1:43:31.719
<v Speaker 1>the Melvin Flint, I'm not sure I could be bugging.

1:43:32.680 --> 1:43:38.120
<v Speaker 1>And after that, every artist ran to the nigger. But

1:43:38.640 --> 1:43:42.760
<v Speaker 1>what I'm saying is At first people could not identify

1:43:43.040 --> 1:43:47.360
<v Speaker 1>where that sound came from. But afterwards people said that

1:43:47.560 --> 1:43:49.880
<v Speaker 1>I was up early on on the South Sound. And

1:43:49.960 --> 1:43:54.280
<v Speaker 1>that's great, that take that. But I always looked at

1:43:54.400 --> 1:43:59.480
<v Speaker 1>Virginia as Virginia was at East coast state Virginia Maryland,

1:43:59.600 --> 1:44:02.800
<v Speaker 1>Virginia for the more, the capital of the south of

1:44:02.920 --> 1:44:06.080
<v Speaker 1>the Confederacy. Yeah, but them niggas is them niggas is

1:44:06.120 --> 1:44:10.679
<v Speaker 1>New York crazy East Coast in me, you don't agree,

1:44:11.439 --> 1:44:15.360
<v Speaker 1>He looked at me, crazy, I'm just drunk right now.

1:44:15.680 --> 1:44:20.760
<v Speaker 1>To me, South stars at South Coast. Like Pip Pipsie

1:44:20.880 --> 1:44:24.000
<v Speaker 1>had had this argument. He said that people from Atlanta

1:44:24.640 --> 1:44:27.519
<v Speaker 1>wasn't really people Atlanta because he said, y'all. Same time,

1:44:27.800 --> 1:44:31.040
<v Speaker 1>it's on the East coast. Remember he said that Jersey

1:44:31.120 --> 1:44:34.479
<v Speaker 1>nigg is the South to me, Oh, come on South.

1:44:34.560 --> 1:44:43.320
<v Speaker 1>To me, that's your name. That's crazy. That's why New

1:44:43.400 --> 1:44:48.000
<v Speaker 1>York is sucking up like I'm bringing back there. But

1:44:48.080 --> 1:44:49.920
<v Speaker 1>I'm green to that. But when you go to Jersey,

1:44:50.680 --> 1:44:52.840
<v Speaker 1>the hip hop is so different. But let me tell

1:44:52.880 --> 1:44:59.360
<v Speaker 1>you right real quick, a little I wouldn't say country

1:44:59.400 --> 1:45:01.920
<v Speaker 1>though it's just a friend. I would saying my boys

1:45:01.960 --> 1:45:05.720
<v Speaker 1>down here. My crew, we all united and a lot

1:45:05.760 --> 1:45:07.600
<v Speaker 1>of them are from Jersey, and we always had this

1:45:07.720 --> 1:45:09.559
<v Speaker 1>thing against the New York hats that were that were

1:45:10.040 --> 1:45:12.120
<v Speaker 1>coming down to Miami because they were now always just

1:45:12.200 --> 1:45:14.479
<v Speaker 1>trying to like deepo their way in. And it was

1:45:14.479 --> 1:45:18.439
<v Speaker 1>funny because the New Jersey with me and they got

1:45:18.560 --> 1:45:20.599
<v Speaker 1>it because they were getting it like that you said

1:45:20.760 --> 1:45:24.200
<v Speaker 1>right now, they wasn't feeling that, you know what I'm saying. Look,

1:45:25.320 --> 1:45:27.760
<v Speaker 1>Jersey niggas was still two change. Got you funked up

1:45:27.920 --> 1:45:32.800
<v Speaker 1>thinking about But let's not okay, okay, let's let me

1:45:32.840 --> 1:45:35.080
<v Speaker 1>ask the fact that you're saying sound I feel like

1:45:35.160 --> 1:45:39.600
<v Speaker 1>you might. Let me ask you. I'm ready for whatever that.

1:45:39.720 --> 1:45:42.680
<v Speaker 1>Don't place value what I'm saying. Don't place value what

1:45:42.760 --> 1:45:50.439
<v Speaker 1>i'm saying because let combat talk combat. Don't place value

1:45:50.479 --> 1:45:53.519
<v Speaker 1>what I'm saying, right, don't don't don't play good or bad.

1:45:54.160 --> 1:45:58.640
<v Speaker 1>As a Brooklyn cat. Whenever we got into Jersey, it

1:45:58.800 --> 1:46:01.439
<v Speaker 1>was different. And the further we got from Jersey, the

1:46:01.560 --> 1:46:04.280
<v Speaker 1>more south became. So for me as a Brooklyn nigga,

1:46:04.520 --> 1:46:08.240
<v Speaker 1>the minute you cross Jersey, you're going further south. That's

1:46:08.280 --> 1:46:11.680
<v Speaker 1>all I'm saying. It's not out of disrespect. It's it's

1:46:11.720 --> 1:46:15.360
<v Speaker 1>out of it. But you don't think that mentality is

1:46:15.439 --> 1:46:19.479
<v Speaker 1>what I got to say something I agree with nothing

1:46:19.520 --> 1:46:24.400
<v Speaker 1>this nigga just said just now because because to me,

1:46:24.560 --> 1:46:30.440
<v Speaker 1>you know, Philly was my number one market on steroids

1:46:31.200 --> 1:46:36.280
<v Speaker 1>in my opinions, is different, No, but it was no.

1:46:38.560 --> 1:46:43.639
<v Speaker 1>Philly niggas was just as grimy as the early Square Mall.

1:46:45.400 --> 1:46:51.080
<v Speaker 1>That what I'm saying is it me, I'll be Square

1:46:51.120 --> 1:46:54.200
<v Speaker 1>more downtown where you had to get your fronts and

1:46:54.439 --> 1:46:57.360
<v Speaker 1>pull your gun out. What got them all for the

1:46:57.479 --> 1:46:59.800
<v Speaker 1>next level? Yeah, that's what I'm saying. But what we're

1:46:59.800 --> 1:47:10.479
<v Speaker 1>saying you got the next level. You remember that DJ

1:47:10.680 --> 1:47:13.680
<v Speaker 1>quick record. Everybody's like Compton. I mean, I don't know

1:47:13.680 --> 1:47:17.600
<v Speaker 1>if that's exact term, but that made sense. He was like,

1:47:17.680 --> 1:47:19.679
<v Speaker 1>I'm a Compton dude. But when I went out of town,

1:47:20.320 --> 1:47:24.040
<v Speaker 1>everybody's like, everybody's hard. Everybody's But at the same time,

1:47:25.200 --> 1:47:27.439
<v Speaker 1>what I'm saying is this, What I'm saying is this

1:47:27.880 --> 1:47:32.559
<v Speaker 1>Berrow to Barrow, city to city niggas played different. Yes

1:47:33.360 --> 1:47:35.240
<v Speaker 1>with that, So when you go to Philly, when you

1:47:35.280 --> 1:47:38.040
<v Speaker 1>go to Philly, like these niggas look like Brooklyn niggas.

1:47:38.360 --> 1:47:41.720
<v Speaker 1>These niggas look like New York niggas, but the wrong term,

1:47:43.000 --> 1:47:46.760
<v Speaker 1>know what I'm saying. But then is different, So you

1:47:46.880 --> 1:47:51.160
<v Speaker 1>gotta understand. And this is the beautiful thing about culture

1:47:51.640 --> 1:47:55.120
<v Speaker 1>black white black, like just the d sport of black.

1:47:55.880 --> 1:47:58.519
<v Speaker 1>When you go into a different culture, you gotta understand that,

1:47:58.600 --> 1:48:02.320
<v Speaker 1>ship expect that, and humble yourself. It's true. So New

1:48:02.439 --> 1:48:05.200
<v Speaker 1>York niggas coming to feeling like this is New York,

1:48:07.520 --> 1:48:11.640
<v Speaker 1>maybe we will lay you the funk down, right. You

1:48:11.760 --> 1:48:13.840
<v Speaker 1>gotta respect when you go. Know. But but what I'm

1:48:13.880 --> 1:48:17.360
<v Speaker 1>trying to say is for me, for me, for my experience.

1:48:17.479 --> 1:48:22.280
<v Speaker 1>I could be wrong, but I came up ninety seven.

1:48:22.360 --> 1:48:24.720
<v Speaker 1>I started going on the road from seven. I went

1:48:24.800 --> 1:48:28.000
<v Speaker 1>from New York. I went from Camden, New Jersey. I

1:48:28.080 --> 1:48:32.280
<v Speaker 1>went from Trenton. I went from uh skipped, I skipped

1:48:32.320 --> 1:48:34.720
<v Speaker 1>new Work. I'm going to the whole nunty five. I

1:48:34.760 --> 1:48:37.280
<v Speaker 1>skipped Newark. Excuse me. I started in Nework. Then I

1:48:37.360 --> 1:48:39.479
<v Speaker 1>went to camp. Then I went to Trenton, and then

1:48:39.880 --> 1:48:41.800
<v Speaker 1>from there I went to Philly, phill it was my

1:48:41.920 --> 1:48:48.320
<v Speaker 1>number one market. From Philly, I went to a Connecticut Uhlware, Delaware.

1:48:48.640 --> 1:48:51.640
<v Speaker 1>I went to Maryland. I went to Bordom All I

1:48:51.720 --> 1:48:56.120
<v Speaker 1>went to d C. D when you hit the DC

1:48:56.439 --> 1:49:00.240
<v Speaker 1>never changed. I'm saying, there's always I'm saying, as the

1:49:00.320 --> 1:49:06.240
<v Speaker 1>journey went through once with d C, Yeah, the market blossom. No,

1:49:06.640 --> 1:49:09.320
<v Speaker 1>the market was already blossom. But the only time I

1:49:09.439 --> 1:49:12.080
<v Speaker 1>felt like I was like in a in a different

1:49:12.240 --> 1:49:15.160
<v Speaker 1>market was when I went to South Carolina. And the

1:49:15.240 --> 1:49:18.000
<v Speaker 1>only reason why I felt like that, it's because South

1:49:18.080 --> 1:49:20.800
<v Speaker 1>Carolina and niggas was throwing chairs and other niggas in

1:49:20.840 --> 1:49:22.760
<v Speaker 1>the crowd, and I thought that was the gangster ship

1:49:22.840 --> 1:49:25.200
<v Speaker 1>in the world. I was like, oh ship, chairs, ain't

1:49:25.240 --> 1:49:28.240
<v Speaker 1>buckle down, you know like in Apollo and sing like

1:49:28.280 --> 1:49:30.479
<v Speaker 1>that your chance is buckled down. And then when I

1:49:30.520 --> 1:49:33.040
<v Speaker 1>went to South Carolina, said, these niggas as crazy as

1:49:33.080 --> 1:49:35.519
<v Speaker 1>the motherfucker. And then I went to Durham and them

1:49:35.640 --> 1:49:38.040
<v Speaker 1>niggas was crazy as the motherfucker. I went to Raleigh,

1:49:38.240 --> 1:49:42.600
<v Speaker 1>them niggas as crazy as the motherfucker, Charleston everywhere. So

1:49:43.800 --> 1:49:46.559
<v Speaker 1>all I've realized. I realized that we're all the same

1:49:46.680 --> 1:49:52.040
<v Speaker 1>fucking people. The South started and it was a little

1:49:52.080 --> 1:49:56.040
<v Speaker 1>bit more crazy as far as like, you know, throwing

1:49:56.200 --> 1:49:59.720
<v Speaker 1>kids and just getting that motherfucker's but I realized we're

1:49:59.760 --> 1:50:03.439
<v Speaker 1>all the same. But um, you know, I always considered

1:50:03.439 --> 1:50:05.960
<v Speaker 1>that part East Coast. Maybe I'm wrong. I don't mind,

1:50:08.640 --> 1:50:11.800
<v Speaker 1>but it's going in the South. And once again, I'm

1:50:11.840 --> 1:50:16.240
<v Speaker 1>not taking anything what you said because I'm because because

1:50:17.040 --> 1:50:19.040
<v Speaker 1>you see niggas in New York turned up and like,

1:50:19.160 --> 1:50:21.719
<v Speaker 1>that's a New York nigga, exactly when you get to Jersey,

1:50:22.640 --> 1:50:26.360
<v Speaker 1>niggas turned up differently. Yeah, but I still feel that,

1:50:27.400 --> 1:50:29.719
<v Speaker 1>you know, it's it's it's one of my best friends

1:50:29.760 --> 1:50:33.360
<v Speaker 1>and family, New York, New Jersey saying, I'm saying this family.

1:50:34.360 --> 1:50:36.160
<v Speaker 1>But I used to look at him like he flipped

1:50:36.160 --> 1:50:38.479
<v Speaker 1>like a New Jersey nigga. And then what I'm saying,

1:50:38.520 --> 1:50:41.000
<v Speaker 1>did I see him flip with the New York nigga?

1:50:41.000 --> 1:50:47.240
<v Speaker 1>I said, this Nigga's just yeah, that's the same ship

1:50:47.320 --> 1:50:49.559
<v Speaker 1>to me. But I understand what he's saying because it's

1:50:49.640 --> 1:50:52.760
<v Speaker 1>ever get it. What I'm saying is this. What I'm

1:50:52.760 --> 1:50:55.800
<v Speaker 1>saying is this, this is this is boiling the ship down,

1:50:56.280 --> 1:51:01.280
<v Speaker 1>drinking this fucking vodka right now, and we're drinking Royal Elite.

1:51:04.000 --> 1:51:09.600
<v Speaker 1>Make Fat Joe, no matter where you go, he had

1:51:09.640 --> 1:51:12.000
<v Speaker 1>a block or a neighborhood or a city or town

1:51:12.479 --> 1:51:14.760
<v Speaker 1>your trial. But when you see a trial from a

1:51:14.800 --> 1:51:17.880
<v Speaker 1>different place, it's like I understand which which we're trying.

1:51:18.640 --> 1:51:21.080
<v Speaker 1>It's a family, you know what I'm saying. You might

1:51:21.160 --> 1:51:22.760
<v Speaker 1>do some ship to the left, I might do, but

1:51:22.840 --> 1:51:26.760
<v Speaker 1>with family, it's family. And then when you when you

1:51:26.840 --> 1:51:29.959
<v Speaker 1>incorporate all the differences, that's when you can really appreciate

1:51:30.080 --> 1:51:33.760
<v Speaker 1>family and you understand what I'm saying. You like that

1:51:33.920 --> 1:51:37.840
<v Speaker 1>family respect how you do you respect? But at the

1:51:37.920 --> 1:51:41.960
<v Speaker 1>end of the day, like together, live together at the

1:51:42.040 --> 1:51:45.080
<v Speaker 1>end of the day. From the moment I came to Miami,

1:51:45.680 --> 1:51:48.680
<v Speaker 1>he brought me to his store, and he knew for

1:51:48.840 --> 1:51:51.679
<v Speaker 1>my music the type of person I asked. He didn't

1:51:51.720 --> 1:51:53.240
<v Speaker 1>have to test me. He knew from the type of

1:51:53.280 --> 1:51:57.439
<v Speaker 1>person I so accordingly he made it right the way

1:51:57.520 --> 1:52:01.000
<v Speaker 1>it is, and me and him been of friends forever.

1:52:01.520 --> 1:52:04.880
<v Speaker 1>Because I'm trying to say one decade, because I'm trying

1:52:04.880 --> 1:52:07.439
<v Speaker 1>to be young man. He just keeping he's keeping going.

1:52:07.760 --> 1:52:10.600
<v Speaker 1>But what I'm trying to say is we get that.

1:52:11.240 --> 1:52:15.040
<v Speaker 1>But the thing about it is everybody is that's the

1:52:15.120 --> 1:52:17.040
<v Speaker 1>thing where me and him is still friends for twenty

1:52:17.120 --> 1:52:20.400
<v Speaker 1>years later because he gets that. It doesn't. We fight

1:52:20.479 --> 1:52:23.200
<v Speaker 1>like brothers, no, like every day, almost every day, but

1:52:23.320 --> 1:52:24.920
<v Speaker 1>we keep it moving. God, damn my god, bless you,

1:52:24.960 --> 1:52:26.479
<v Speaker 1>God damn it. You don't even know what drink you

1:52:26.520 --> 1:52:30.360
<v Speaker 1>got in your car. Yeah, Colombian white, that's bigger Colombian way.

1:52:30.360 --> 1:52:36.280
<v Speaker 1>I'm sorry. I haven't been bigger Colombian white. Video were

1:52:36.280 --> 1:52:42.920
<v Speaker 1>talking about Moss Petty. So as we're talking about Petty,

1:52:44.439 --> 1:52:47.439
<v Speaker 1>two changes really flipped on your dog. He was, but

1:52:47.600 --> 1:52:50.599
<v Speaker 1>you said apologize to do not you cannot take it back.

1:52:51.360 --> 1:52:57.880
<v Speaker 1>I'm listening. Watch is pretty nice set because I don't

1:52:57.880 --> 1:52:59.680
<v Speaker 1>even think you about to go someway. I don't want

1:52:59.720 --> 1:53:04.280
<v Speaker 1>to go, so I gotta cut you off. Y'all think

1:53:04.400 --> 1:53:07.240
<v Speaker 1>when I cut people off that i'm cutting off. They

1:53:07.560 --> 1:53:09.000
<v Speaker 1>know I'm cutting them all because I know where the

1:53:09.080 --> 1:53:11.920
<v Speaker 1>story ends. That Watch is pretty nice. How are you doing?

1:53:12.160 --> 1:53:14.280
<v Speaker 1>How do you know? I want to say something better,

1:53:14.360 --> 1:53:17.200
<v Speaker 1>say something positive. I want to say is I just

1:53:17.320 --> 1:53:19.800
<v Speaker 1>wanted him to know that I'm a man, and I

1:53:19.840 --> 1:53:23.680
<v Speaker 1>wouldn't know sucker, and I didn't want him to know

1:53:24.120 --> 1:53:26.759
<v Speaker 1>that I'm a man, but I felt like I ain't sucker,

1:53:27.439 --> 1:53:30.600
<v Speaker 1>and what you this came just be saying things about me.

1:53:31.280 --> 1:53:33.519
<v Speaker 1>You know what I'm saying because I said I'm sorry

1:53:34.080 --> 1:53:37.760
<v Speaker 1>to his face. No, I don't even accepted it wasn't

1:53:37.760 --> 1:53:45.760
<v Speaker 1>on the except let something is on the internet. If

1:53:45.800 --> 1:53:48.320
<v Speaker 1>you don't respond to it on the internet, then that

1:53:49.280 --> 1:53:51.880
<v Speaker 1>can I say something to you that don't count? North

1:53:52.040 --> 1:53:55.479
<v Speaker 1>You got all jokes aside. No, this is all Joseph's side.

1:53:55.479 --> 1:53:57.960
<v Speaker 1>I gave you that. L Listen, Listen, I'm gonna say

1:53:57.960 --> 1:54:00.759
<v Speaker 1>you should apologize that. I'm gonna say saying me. Listen,

1:54:01.640 --> 1:54:05.720
<v Speaker 1>I'm I'm twenty two, three years old. After defel band

1:54:05.800 --> 1:54:10.680
<v Speaker 1>boy come out right and I my mom at uh,

1:54:11.160 --> 1:54:18.240
<v Speaker 1>Philip Serena, it's bonn Uh. Vonner Brothers has show to

1:54:18.439 --> 1:54:21.960
<v Speaker 1>Chains Circus. No, the Bonner Brothers. It's a it's a

1:54:22.000 --> 1:54:26.360
<v Speaker 1>hair show. And I go up to two Chains and

1:54:26.520 --> 1:54:31.760
<v Speaker 1>dollar there there there Uh it was playing circle and

1:54:31.920 --> 1:54:35.120
<v Speaker 1>I interviewed them and whatnot, and I'm I'm a fan

1:54:35.200 --> 1:54:38.840
<v Speaker 1>of them, and I say, what was happening? First? And first, Uh,

1:54:39.640 --> 1:54:43.080
<v Speaker 1>the first rap fi I've ever seen, first famous person

1:54:43.120 --> 1:54:44.880
<v Speaker 1>I've seen. When I moved up. He was two Chains,

1:54:45.160 --> 1:54:47.200
<v Speaker 1>but he was TV boy. I know who he is.

1:54:48.200 --> 1:54:50.760
<v Speaker 1>I was a fan and when he said, what are

1:54:50.760 --> 1:54:54.160
<v Speaker 1>he's saying about me? It hurts my feelings and I

1:54:54.240 --> 1:54:58.080
<v Speaker 1>didn't like it. And I ain't never been no sucker,

1:54:58.960 --> 1:55:00.920
<v Speaker 1>even though I got one out, I thought, ever since

1:55:00.960 --> 1:55:04.200
<v Speaker 1>I was five years old. But trying no no, no nori,

1:55:06.040 --> 1:55:08.880
<v Speaker 1>ever since I was fat, trying to let niggas know

1:55:09.120 --> 1:55:13.880
<v Speaker 1>I ain't no sucker. So if he game, he can

1:55:13.960 --> 1:55:17.360
<v Speaker 1>get it. But if I said I'm sorry, I'm sorry,

1:55:17.360 --> 1:55:19.640
<v Speaker 1>I'm gonna tell you this. I'm gonna tell you this,

1:55:20.000 --> 1:55:23.360
<v Speaker 1>if anything't happened to me, if anything happened to me,

1:55:23.960 --> 1:55:31.160
<v Speaker 1>am doing ain't We don't fighting. We don't fight. And

1:55:31.240 --> 1:55:36.280
<v Speaker 1>I'm serious, you sniffer go to he look like real nick.

1:55:38.360 --> 1:55:42.800
<v Speaker 1>I'm just letting you know what it is. Yeah, come on, man,

1:55:42.840 --> 1:55:47.600
<v Speaker 1>we about peace right here. That's not what I said.

1:55:47.680 --> 1:55:57.000
<v Speaker 1>He I never sing at you, apologize and say because

1:55:57.040 --> 1:56:00.160
<v Speaker 1>you said I said your dream chance army makes this

1:56:00.680 --> 1:56:02.960
<v Speaker 1>sweet mother. I didn't know you niggas have real beat.

1:56:06.080 --> 1:56:09.520
<v Speaker 1>It's for the culture man ship. Man, y'all don't know.

1:56:10.080 --> 1:56:14.560
<v Speaker 1>We are here September nine and Club Drain September Timp

1:56:14.880 --> 1:56:17.280
<v Speaker 1>hit him with the barbecue. You know what I'm saying.

1:56:17.320 --> 1:56:20.280
<v Speaker 1>Combat Jack coming out he said coming out back. Let

1:56:21.120 --> 1:56:23.960
<v Speaker 1>he coming out. He gonna help us host the podcast.

1:56:25.040 --> 1:56:27.560
<v Speaker 1>We're gonna control. They should be the lot ofator that

1:56:27.720 --> 1:56:30.840
<v Speaker 1>now we're not making. That would be amazing. Yes, maybe

1:56:30.960 --> 1:56:36.520
<v Speaker 1>a riff to help, Yeah, you know all that. And

1:56:36.680 --> 1:56:41.080
<v Speaker 1>Jack try he's like sticky biggers. You don't wait, he

1:56:41.200 --> 1:56:46.600
<v Speaker 1>thinks he cut them over it. Na, Na, I can't.

1:56:48.080 --> 1:56:54.600
<v Speaker 1>I don't even know. I'm sorry, I ain't no comedia.

1:56:56.000 --> 1:56:58.520
<v Speaker 1>I can't have this twice I had that last year.

1:56:58.640 --> 1:57:07.480
<v Speaker 1>You ain't know what do you man? What I did?

1:57:08.000 --> 1:57:15.000
<v Speaker 1>I don't even know if this is it's funny or not.

1:57:18.600 --> 1:57:21.160
<v Speaker 1>A few years back, we abruptly lost its legendary m

1:57:21.240 --> 1:57:23.640
<v Speaker 1>C and his loss affected us not just as fans,

1:57:23.960 --> 1:57:26.520
<v Speaker 1>but as a family. We considered Prodigy a brother of ours,

1:57:27.080 --> 1:57:29.440
<v Speaker 1>I mean, especially Nori, who had just seen him not

1:57:29.520 --> 1:57:32.800
<v Speaker 1>too long ago before he passed away, and we regretted

1:57:32.880 --> 1:57:34.520
<v Speaker 1>that we could never you know, we never had him

1:57:34.520 --> 1:57:38.080
<v Speaker 1>on drink Champs. And to think, you know that Nori's journey,

1:57:38.880 --> 1:57:41.880
<v Speaker 1>you know, a big part of that was helped through

1:57:42.040 --> 1:57:46.000
<v Speaker 1>through through mob Deep and their legacy and what CNN

1:57:46.040 --> 1:57:48.080
<v Speaker 1>did with l A l A and and all of that.

1:57:48.240 --> 1:57:51.240
<v Speaker 1>So it really we felt that one. And and in

1:57:51.360 --> 1:57:54.520
<v Speaker 1>these next few stories you'll hear from a fellow m

1:57:54.600 --> 1:57:57.960
<v Speaker 1>C who was closest to Prodigy. It was his partner

1:57:58.040 --> 1:58:01.800
<v Speaker 1>in rhyme, his producer, his friend. Here's having a mob

1:58:01.920 --> 1:58:12.080
<v Speaker 1>deep um speaking on Prodigy. Yeah, so you know, y'all

1:58:12.200 --> 1:58:14.080
<v Speaker 1>history is so crazy. So you were you and P

1:58:14.240 --> 1:58:19.720
<v Speaker 1>because P is originally from Long Island, y'all connected. Queen

1:58:20.480 --> 1:58:23.760
<v Speaker 1>P is from originally from from what I know, he's

1:58:23.800 --> 1:58:28.680
<v Speaker 1>from like Queen's and then his let sounds the best.

1:58:30.080 --> 1:58:33.640
<v Speaker 1>Not only the liquor, but they provided the females because

1:58:33.920 --> 1:58:36.000
<v Speaker 1>Having is here and he's a very special guest. He's

1:58:36.000 --> 1:58:39.200
<v Speaker 1>a glassic guy and they gotta spat and kindle. They

1:58:39.240 --> 1:58:43.320
<v Speaker 1>got a spot to Schwatson. I don't know to pronounced

1:58:43.320 --> 1:58:47.400
<v Speaker 1>that that Yeah, sound like that sounds like orange but

1:58:47.640 --> 1:58:52.280
<v Speaker 1>it is in Spanish. That and and Cutler Bay they

1:58:52.320 --> 1:58:55.800
<v Speaker 1>got the licker. So happy whenever you are best buy liquers, man,

1:58:55.840 --> 1:58:58.560
<v Speaker 1>what's the Instagram best buy liquors? Right? Is that what

1:58:58.640 --> 1:59:01.760
<v Speaker 1>it is at best Buy liquors? Man? Definitely looking now

1:59:02.200 --> 1:59:06.560
<v Speaker 1>so have man? You know, um, so you said, y'all, yeah, yeah,

1:59:06.560 --> 1:59:08.840
<v Speaker 1>he's from Wising from that friend from that front. And

1:59:08.960 --> 1:59:11.280
<v Speaker 1>when I met with the police, the police, this is

1:59:11.320 --> 1:59:13.200
<v Speaker 1>not that's not a false along. Oh they kept it moving,

1:59:13.800 --> 1:59:15.960
<v Speaker 1>it wanted to stop. It was weird. It was weird.

1:59:16.800 --> 1:59:19.720
<v Speaker 1>It was weird. And we have we're not friend. Is

1:59:19.760 --> 1:59:22.240
<v Speaker 1>the first time we haven't had police the second time

1:59:22.680 --> 1:59:30.880
<v Speaker 1>that oh that wasn't here. We're not faking, We're not faking.

1:59:31.880 --> 1:59:36.320
<v Speaker 1>That's what we had was when the police pulled at

1:59:36.360 --> 1:59:40.560
<v Speaker 1>all all. So so you guys were wol age when

1:59:40.600 --> 1:59:43.680
<v Speaker 1>you connected. When I first met Pa, y'all didn't say

1:59:43.760 --> 1:59:45.400
<v Speaker 1>why y'all calling people? Come on and we don't know

1:59:46.040 --> 1:59:50.600
<v Speaker 1>y're talking like families should. He was sure. But I

1:59:50.640 --> 1:59:52.880
<v Speaker 1>met him when I was fifteen, right, I met him

1:59:53.480 --> 1:59:55.960
<v Speaker 1>in on this high school whatever whatever. He used to

1:59:56.000 --> 1:59:59.160
<v Speaker 1>have maggiy on and it was blond. You know what

1:59:59.200 --> 2:00:02.480
<v Speaker 1>I'm saying. He didn't have back in the day's Kami

2:00:02.600 --> 2:00:07.040
<v Speaker 1>used to st he had the whole thing. He used

2:00:07.080 --> 2:00:11.280
<v Speaker 1>to call him to go to the challenge but with me,

2:00:12.360 --> 2:00:13.840
<v Speaker 1>but he was, you know, he was the cool. Last

2:00:13.920 --> 2:00:16.840
<v Speaker 1>look at what I'm saying that we connected and then

2:00:17.000 --> 2:00:20.000
<v Speaker 1>so um when y'all met, was it instantly like yo,

2:00:21.000 --> 2:00:23.920
<v Speaker 1>he told you he does music or like, how how

2:00:24.080 --> 2:00:26.600
<v Speaker 1>was it initially first met, Like no, because we used

2:00:26.600 --> 2:00:28.120
<v Speaker 1>to be Yeah, we used to be in the lunch

2:00:28.200 --> 2:00:30.320
<v Speaker 1>room and they used to be freet Staling at the tables.

2:00:30.400 --> 2:00:31.800
<v Speaker 1>He was one of them, is freet Staling, And I

2:00:31.920 --> 2:00:33.920
<v Speaker 1>used to feast that blah blah blah blah. And then

2:00:34.560 --> 2:00:36.920
<v Speaker 1>as soon as we met, it was like instant friends.

2:00:37.120 --> 2:00:39.600
<v Speaker 1>Like instant friends, like instant you know what I mean.

2:00:39.840 --> 2:00:42.200
<v Speaker 1>And and he was rapping at the time on because

2:00:42.240 --> 2:00:45.600
<v Speaker 1>I heard, um, you wrote his first round. I mean

2:00:45.720 --> 2:00:47.760
<v Speaker 1>he used to. He used to have his own rhymes

2:00:47.800 --> 2:00:49.600
<v Speaker 1>and stuff like that. But you know when we got

2:00:49.680 --> 2:00:51.440
<v Speaker 1>a deal and stuff like that. You know, I used

2:00:51.440 --> 2:00:55.920
<v Speaker 1>to write and whatever. He didn't need it, but he

2:00:56.480 --> 2:01:03.840
<v Speaker 1>first round. Ready over here on listen, Man, you're gonna loosen.

2:01:03.960 --> 2:01:07.080
<v Speaker 1>You gotta keep drinking. You do you want to drink? Amanda,

2:01:07.120 --> 2:01:10.640
<v Speaker 1>I look, I'm floss. Amanda is very pretty. She's on

2:01:10.760 --> 2:01:13.640
<v Speaker 1>the podcast What Us. She's from Best Buy Liquors. You're

2:01:13.680 --> 2:01:16.360
<v Speaker 1>trying to show off for you have, Yeah, we've never

2:01:16.680 --> 2:01:20.400
<v Speaker 1>we never had this. We never had this best book

2:01:20.440 --> 2:01:24.080
<v Speaker 1>at we're pulling all the stipe for you. Yeah, though, man,

2:01:24.120 --> 2:01:26.200
<v Speaker 1>I love this show so listen, fathers, they just passed.

2:01:26.240 --> 2:01:28.760
<v Speaker 1>How many? How many Bullstons you pay for in your life?

2:01:29.040 --> 2:01:33.360
<v Speaker 1>How many it's not like you said, Boston's bush? How

2:01:33.360 --> 2:01:38.400
<v Speaker 1>many bush for my life? Keep it real? Keep I

2:01:38.680 --> 2:01:41.600
<v Speaker 1>say like too, because like like to, like to, I've

2:01:41.600 --> 2:01:43.440
<v Speaker 1>gotta disagree with you. I gotta say how many like

2:01:44.720 --> 2:01:49.760
<v Speaker 1>I just I just Although we're dedicating this episode um

2:01:49.880 --> 2:01:52.880
<v Speaker 1>to those that we've lost in no ways, this too

2:01:53.960 --> 2:01:57.920
<v Speaker 1>to bring down the mood. Drink Champs was created in

2:01:58.040 --> 2:02:01.840
<v Speaker 1>a in a in good spirit to to enjoy life

2:02:01.880 --> 2:02:04.680
<v Speaker 1>and celebrate life. And we've shared some hilarious stories on

2:02:04.800 --> 2:02:08.480
<v Speaker 1>Drink Champs, but these next ones are some of the best.

2:02:09.000 --> 2:02:13.440
<v Speaker 1>Check these out your backpack on if you Always Princess

2:02:13.520 --> 2:02:15.800
<v Speaker 1>God to all of us as far as making music

2:02:15.880 --> 2:02:22.400
<v Speaker 1>and art, music, creative coaches, finest broads ye and your

2:02:22.480 --> 2:02:26.240
<v Speaker 1>first time meeting press when you first subscribed. Shout out

2:02:26.280 --> 2:02:28.640
<v Speaker 1>to dj Q my wife, dj Q, I like, I

2:02:28.720 --> 2:02:30.800
<v Speaker 1>like how you pick up your wife. God damn high fives,

2:02:31.160 --> 2:02:33.000
<v Speaker 1>Hi five real ship. Let's make some noise for that

2:02:37.760 --> 2:02:42.560
<v Speaker 1>l A right, she didn't stretch right and she she's

2:02:42.600 --> 2:02:45.960
<v Speaker 1>a she's a world class famous DJ. And Prince got

2:02:46.040 --> 2:02:49.480
<v Speaker 1>to liking her DJ skills. She became a lection wife

2:02:49.520 --> 2:02:52.120
<v Speaker 1>work with Prince. This is not starting out. This is

2:02:52.160 --> 2:02:54.720
<v Speaker 1>not starting out good. I'm not gonna lie. I'm a

2:02:54.800 --> 2:02:57.320
<v Speaker 1>jealous guy, Prince. You I listen, Prince, you gotta get

2:02:57.360 --> 2:02:59.840
<v Speaker 1>the funk away. My wife is not doing your ma.

2:03:00.840 --> 2:03:07.240
<v Speaker 1>I'm sorry, stop dold. No, she was DJ and his parties.

2:03:07.240 --> 2:03:09.520
<v Speaker 1>You know what. And by this time when I met Prince,

2:03:09.600 --> 2:03:11.200
<v Speaker 1>the first time met Prince was maybe a house of

2:03:11.240 --> 2:03:13.280
<v Speaker 1>blues l a M. She was DJ. You know he

2:03:13.320 --> 2:03:16.040
<v Speaker 1>did he float? Now, he didn't levitate to float. He didn't.

2:03:17.920 --> 2:03:20.760
<v Speaker 1>He had a secon back. Prince. Prince knew his hip

2:03:20.800 --> 2:03:22.320
<v Speaker 1>hop when I first met him. You know what I'm saying,

2:03:22.360 --> 2:03:24.040
<v Speaker 1>Like he knew, but he knew certain type of hip

2:03:24.160 --> 2:03:27.000
<v Speaker 1>he knew like Common. He like like Common. I am.

2:03:27.560 --> 2:03:29.520
<v Speaker 1>And it was like he likes certain things into something.

2:03:29.720 --> 2:03:31.160
<v Speaker 1>He like hip hop, and he like hip hop that

2:03:31.280 --> 2:03:34.520
<v Speaker 1>was a little bit more like organic. I was saying,

2:03:34.640 --> 2:03:38.160
<v Speaker 1>Like he liked like Lauren Hill, you know, like Common,

2:03:38.240 --> 2:03:41.000
<v Speaker 1>Like he really liked Common a lot, Like he's a

2:03:41.040 --> 2:03:44.200
<v Speaker 1>Common fan. He was saying, and and and Common is

2:03:44.200 --> 2:03:45.920
<v Speaker 1>one of my favorite Common work with him at all.

2:03:46.040 --> 2:03:47.880
<v Speaker 1>I don't know if common common might have worked. Prince.

2:03:47.960 --> 2:03:50.200
<v Speaker 1>He like Erica, but I do a lot. You know

2:03:50.200 --> 2:03:54.080
<v Speaker 1>what I'm saying, like Prince I met Yeah, I guess yeah.

2:03:54.200 --> 2:03:55.600
<v Speaker 1>So when I met him, he said I like that.

2:03:55.680 --> 2:03:57.000
<v Speaker 1>He said, like, I like that one. So you got

2:03:57.040 --> 2:03:59.120
<v Speaker 1>hot thing? I was saying, I have, so will I

2:03:59.200 --> 2:04:01.160
<v Speaker 1>am hot thing with him? Was on the hook and

2:04:01.600 --> 2:04:03.320
<v Speaker 1>he liked he liked when I am a black eyed

2:04:03.360 --> 2:04:05.840
<v Speaker 1>peas and that type of ship. Um. I started just

2:04:05.920 --> 2:04:07.880
<v Speaker 1>hanging out doing parties. You know my wife, My wife

2:04:07.880 --> 2:04:10.280
<v Speaker 1>would do parties. Prince were shot up at the parties.

2:04:10.360 --> 2:04:12.440
<v Speaker 1>He was just short, hold on, how does this happen?

2:04:13.040 --> 2:04:16.160
<v Speaker 1>Does Prince the smoke come in when he really walks

2:04:16.200 --> 2:04:20.040
<v Speaker 1>in the basketball like yeah, no, no, no, I'm starting

2:04:20.080 --> 2:04:23.160
<v Speaker 1>the party. He walking the party. You know, I went

2:04:23.200 --> 2:04:25.520
<v Speaker 1>to a party once in l A. What's that club

2:04:25.600 --> 2:04:28.600
<v Speaker 1>that's across the street from the Beverly Center. The club

2:04:30.120 --> 2:04:34.400
<v Speaker 1>that's the name is Prince walked in the club ended in.

2:04:34.520 --> 2:04:38.480
<v Speaker 1>Prince kept a bunch of us in the club and

2:04:38.680 --> 2:04:41.440
<v Speaker 1>at gunpoint, no, not a good point, but he's Prince.

2:04:41.800 --> 2:04:44.200
<v Speaker 1>He just did to look almost gun point and everybody stayed.

2:04:46.000 --> 2:04:51.000
<v Speaker 1>He put out a little bible Wait, Prince, he's he's

2:04:51.040 --> 2:04:55.280
<v Speaker 1>in Jehovah's witness. Wait, and Jehovah's witness. They get down

2:04:55.360 --> 2:04:57.680
<v Speaker 1>like that, they bring bibles. He started having Bible studies.

2:04:58.400 --> 2:05:02.560
<v Speaker 1>You three, and morning was niggas drinking. There was no

2:05:02.680 --> 2:05:07.080
<v Speaker 1>niggas there. It's only women and me because my wife

2:05:07.440 --> 2:05:09.120
<v Speaker 1>DJ so I was the only nigga. And there was

2:05:09.200 --> 2:05:11.720
<v Speaker 1>one other dude who was a boyfriend of one of

2:05:11.760 --> 2:05:14.520
<v Speaker 1>the other girls. So it's Prince and me and this

2:05:14.680 --> 2:05:17.240
<v Speaker 1>other dude. All right, don't pass that. This other niggas

2:05:17.280 --> 2:05:20.240
<v Speaker 1>passing back to me. I got you this other dude, Prince.

2:05:21.120 --> 2:05:24.320
<v Speaker 1>Prince was quoting, he's quoting the Bible, and this other

2:05:24.400 --> 2:05:27.480
<v Speaker 1>dude trying to say something smart. And now this other

2:05:27.600 --> 2:05:30.560
<v Speaker 1>dude is he's not with Prince. No, okay, he just

2:05:30.640 --> 2:05:33.200
<v Speaker 1>happened to be there. He tried to say something and Prince,

2:05:33.240 --> 2:05:36.240
<v Speaker 1>I'll never forget this. Prince said, Listen, Um, I know

2:05:36.560 --> 2:05:39.440
<v Speaker 1>you think that you're saying something to add onto the conversation,

2:05:39.920 --> 2:05:41.680
<v Speaker 1>but you really you know what I'm saying. From what

2:05:41.760 --> 2:05:43.040
<v Speaker 1>you're saying, I can tell you don't know what you're

2:05:43.040 --> 2:05:46.160
<v Speaker 1>talking about. So how about you just not participating? The

2:05:46.680 --> 2:05:50.800
<v Speaker 1>Prince about the whipper Nigga asked, but I'm asking was

2:05:50.960 --> 2:05:53.920
<v Speaker 1>He politely told him, you don't know the funk you're

2:05:53.920 --> 2:05:57.240
<v Speaker 1>talking about. Did Prince have on hills? No, he did not.

2:05:57.640 --> 2:06:00.640
<v Speaker 1>He did not. I've been. I've been several clubs and

2:06:00.680 --> 2:06:03.160
<v Speaker 1>Princes had chuck keep his clothes, keep going on to

2:06:03.200 --> 2:06:06.480
<v Speaker 1>sprint stories the club? Do you have been? The Zeni

2:06:06.880 --> 2:06:09.680
<v Speaker 1>and I l A they used at the party called Zeni.

2:06:09.960 --> 2:06:12.040
<v Speaker 1>They used to happen. I have Big Zini before because

2:06:12.840 --> 2:06:17.960
<v Speaker 1>Big z at two o'clock in the morning, the clubs

2:06:18.000 --> 2:06:20.360
<v Speaker 1>and l A clothes all right, yes, and then and

2:06:20.400 --> 2:06:22.200
<v Speaker 1>then the dude used to have this party called Zeni.

2:06:22.440 --> 2:06:24.879
<v Speaker 1>We rented a warehouse. He used to rent the Muppet studios.

2:06:24.960 --> 2:06:27.840
<v Speaker 1>Jim Henson, right, and need to know these types of

2:06:27.840 --> 2:06:30.840
<v Speaker 1>people I live, come on party when I'm bad. I know. Yeah,

2:06:31.080 --> 2:06:34.920
<v Speaker 1>I'm hanging out with big Big Bird with Ernie and

2:06:35.040 --> 2:06:37.040
<v Speaker 1>Bart and Bird and Ship. You know what I'm saying.

2:06:37.080 --> 2:06:39.040
<v Speaker 1>But he's at these parties. But they used to bring

2:06:39.120 --> 2:06:41.360
<v Speaker 1>the alcohol and they used to set up stay you

2:06:41.440 --> 2:06:43.960
<v Speaker 1>just have go go dances and all the celebrities used

2:06:43.960 --> 2:06:48.080
<v Speaker 1>to go, and all the basketball players and that's it.

2:06:49.440 --> 2:06:55.200
<v Speaker 1>He's definitely. I was with l A prince called my

2:06:55.320 --> 2:06:57.000
<v Speaker 1>wife and he said, wait, the party at and we

2:06:57.040 --> 2:07:00.240
<v Speaker 1>said we had ZENI yeah, he said I'm coming. And

2:07:00.320 --> 2:07:02.200
<v Speaker 1>this nigger just rolled up and told I had the

2:07:02.240 --> 2:07:06.200
<v Speaker 1>privilege of telling to promote. I said, listen, I'm bringing Prince.

2:07:07.000 --> 2:07:09.600
<v Speaker 1>I got a Justin Biebers story. When you finish, I'm

2:07:09.640 --> 2:07:12.600
<v Speaker 1>bringing prince. How the hell is just prince going together?

2:07:12.640 --> 2:07:15.640
<v Speaker 1>Because Justin Biebers said that what Prince hain't the only

2:07:15.680 --> 2:07:23.360
<v Speaker 1>nigger around? No, I didn't. I don't remember that. This

2:07:23.520 --> 2:07:26.880
<v Speaker 1>great hate when to be cut us all. Like the

2:07:29.200 --> 2:07:31.760
<v Speaker 1>Prince came into Clark right. The girl was dancing and

2:07:31.840 --> 2:07:34.640
<v Speaker 1>he said, this party is great, but why is she

2:07:34.760 --> 2:07:36.960
<v Speaker 1>up there dancing with no clothes on? She was, he

2:07:37.000 --> 2:07:39.280
<v Speaker 1>had clothes on, she things covered, But he said why

2:07:39.320 --> 2:07:40.800
<v Speaker 1>She just said, they don't need to be that, you know,

2:07:40.800 --> 2:07:43.920
<v Speaker 1>because this is Jehovah's Jehovah's witness, Prince. This is not

2:07:44.000 --> 2:07:47.520
<v Speaker 1>the last dragon Prince, because this is not like, definitely

2:07:47.520 --> 2:07:54.360
<v Speaker 1>not the Prince wild back in the days in the eighties,

2:07:54.400 --> 2:07:57.400
<v Speaker 1>he was out of control. So I said, listen out.

2:07:57.480 --> 2:07:59.560
<v Speaker 1>He asked me to introduce him to the party promoter.

2:07:59.600 --> 2:08:01.400
<v Speaker 1>I introduce him, and he said. He explained to me.

2:08:01.600 --> 2:08:04.320
<v Speaker 1>He said, listen to girls. They bring business people by drinks.

2:08:04.720 --> 2:08:07.760
<v Speaker 1>Prince and let me talk to her. You're trying to convert.

2:08:07.920 --> 2:08:09.840
<v Speaker 1>Let me talk to her. Need to hear this, saying

2:08:10.200 --> 2:08:12.320
<v Speaker 1>the girl. He talked to the girl. The girl didn't

2:08:12.320 --> 2:08:16.640
<v Speaker 1>know who Prince was. Same young chick, young chick dance

2:08:16.680 --> 2:08:18.520
<v Speaker 1>in the club. She might have heard the name Prince.

2:08:19.280 --> 2:08:22.640
<v Speaker 1>She didn't know. She's gonna die at night. This is

2:08:22.680 --> 2:08:28.400
<v Speaker 1>a long time ago. The story, the old story. She turned.

2:08:30.360 --> 2:08:32.040
<v Speaker 1>He said. He said, how much are they paying you

2:08:33.240 --> 2:08:35.760
<v Speaker 1>to be in to dance with your clothes off? She

2:08:35.840 --> 2:08:37.880
<v Speaker 1>said the number? He said, I'll pay you double to

2:08:37.960 --> 2:08:41.120
<v Speaker 1>get down off that stage. Go home. Let's make the

2:08:41.200 --> 2:08:46.760
<v Speaker 1>noise of it. Prints being a trick? Is that reverse pimper?

2:08:49.560 --> 2:08:53.040
<v Speaker 1>Put your clothes on? Prince invented reverse pimping. She said,

2:08:53.040 --> 2:08:54.600
<v Speaker 1>I'll take your money tonight, but what am I going

2:08:54.640 --> 2:08:57.640
<v Speaker 1>to do tomorrow night? That's what this girl said to Prince.

2:08:58.000 --> 2:09:02.440
<v Speaker 1>I want response. What was his? He said, I don't

2:09:02.480 --> 2:09:10.960
<v Speaker 1>have no control for that. That's real that I got

2:09:12.280 --> 2:09:17.240
<v Speaker 1>to why your motherfucker? I'm not gonna calla verbat him

2:09:19.520 --> 2:09:23.520
<v Speaker 1>sounds he did say that. Beyond that, he basically explained

2:09:23.520 --> 2:09:25.040
<v Speaker 1>to her. He was like, listen, I'm giving you an

2:09:25.040 --> 2:09:28.560
<v Speaker 1>opportunity to make a different decision in your life. I'm saying.

2:09:28.560 --> 2:09:30.160
<v Speaker 1>I watched him explain to this girl and talk to

2:09:30.200 --> 2:09:31.600
<v Speaker 1>the girl, and I knew from the way that she

2:09:31.680 --> 2:09:34.000
<v Speaker 1>was talking to him that she didn't understand the legacy.

2:09:34.400 --> 2:09:37.200
<v Speaker 1>She didn't understand. She was just like, Okay, yeah, Prince

2:09:37.280 --> 2:09:40.360
<v Speaker 1>had an album covered with like three bitches button neked

2:09:40.400 --> 2:09:43.080
<v Speaker 1>on top of him, maybe some dudes and everybody thought

2:09:43.120 --> 2:09:51.920
<v Speaker 1>he was gay. He wasn't ready for your princess. Princes God, Yeah,

2:09:52.160 --> 2:09:55.640
<v Speaker 1>he stuck to his guns and he understood every artist.

2:09:56.560 --> 2:09:58.800
<v Speaker 1>And me and Nori, the fact that we even here

2:09:58.840 --> 2:10:04.040
<v Speaker 1>doing drink champs can we talking about about we understand

2:10:04.080 --> 2:10:07.400
<v Speaker 1>that every artists got contradictions nature of being an artist.

2:10:07.720 --> 2:10:11.560
<v Speaker 1>It's true, Hirst One, the person that we revere is

2:10:11.600 --> 2:10:15.400
<v Speaker 1>the most contradictory artists whatever, But we were That's part

2:10:15.440 --> 2:10:18.280
<v Speaker 1>of being human, like you said, being because all human

2:10:18.320 --> 2:10:22.840
<v Speaker 1>beings got contradictions. Artists are contradictions amplified because people pay

2:10:22.920 --> 2:10:26.760
<v Speaker 1>more attention. You say, everybody got contradictions. Artists, we just

2:10:27.000 --> 2:10:32.800
<v Speaker 1>we create out of our contradiction, right, But Prince was

2:10:32.840 --> 2:10:36.960
<v Speaker 1>like Jesus man, listen, we tell you something I've never liked.

2:10:37.120 --> 2:10:40.600
<v Speaker 1>Billy Dee Williams transcended for me. Like, what I mean

2:10:40.720 --> 2:10:44.560
<v Speaker 1>by that is like Billy Dee Williams, Eddie Murphy, Prince

2:10:45.360 --> 2:10:48.360
<v Speaker 1>and Michael Jackson was people who were like, you know,

2:10:48.440 --> 2:10:51.200
<v Speaker 1>I grew up in a different you know, a different time,

2:10:51.280 --> 2:10:53.440
<v Speaker 1>were like that. He did, Billy d Williamson, that's a

2:10:53.480 --> 2:10:57.760
<v Speaker 1>good nig with Michael Jackson and Prince, and they said,

2:10:57.800 --> 2:11:01.320
<v Speaker 1>Billy d those were certain people. You know, those are

2:11:01.400 --> 2:11:13.200
<v Speaker 1>certain people. Yeah, drink, I'm still going in the secondary.

2:11:15.120 --> 2:11:18.000
<v Speaker 1>That's a smooth din in my taste now. But you know,

2:11:18.200 --> 2:11:20.840
<v Speaker 1>for those those those four individuals right there, those are

2:11:20.880 --> 2:11:23.000
<v Speaker 1>the people who transcended life for me. There was the

2:11:23.040 --> 2:11:26.000
<v Speaker 1>people that no, no, no, let's keep it over here. Yeah,

2:11:26.040 --> 2:11:28.720
<v Speaker 1>let's keep it over here. So those are the people

2:11:28.760 --> 2:11:30.360
<v Speaker 1>that transcend the life for me. What I mean by

2:11:30.440 --> 2:11:33.040
<v Speaker 1>that is like, you know, as a black person growing

2:11:33.120 --> 2:11:36.040
<v Speaker 1>up young in my life, I can't describe anybody else

2:11:36.120 --> 2:11:39.040
<v Speaker 1>here or anybody in my life. It was like, those

2:11:39.080 --> 2:11:40.960
<v Speaker 1>are the people that said, you can't do this, you

2:11:41.000 --> 2:11:42.680
<v Speaker 1>can't do that, and they did it, and I was

2:11:42.720 --> 2:11:44.440
<v Speaker 1>just like I always looked at them. It was like,

2:11:44.760 --> 2:11:47.040
<v Speaker 1>I ain't I ain't gotta be like them, but I

2:11:47.200 --> 2:11:50.800
<v Speaker 1>respect that what I'm saying. And that's why when I

2:11:50.920 --> 2:11:53.320
<v Speaker 1>met with people like for Real, it was easy for

2:11:53.400 --> 2:11:56.200
<v Speaker 1>me to say, I don't want to stand you, and

2:11:56.240 --> 2:11:59.440
<v Speaker 1>I don't really I don't really get where you're going

2:11:59.560 --> 2:12:02.480
<v Speaker 1>at Your music is fucking ba. How did you meet?

2:12:03.280 --> 2:12:09.160
<v Speaker 1>That's how almost how I met for uh, we was

2:12:09.240 --> 2:12:13.520
<v Speaker 1>in sound on sound studios. Everybody's to stake everybody suhould

2:12:13.520 --> 2:12:15.680
<v Speaker 1>think Biggie was to be called at Daddy's house. Something

2:12:15.760 --> 2:12:20.200
<v Speaker 1>happened at Daddy's house. I don't remember, but big rememborable moment.

2:12:20.520 --> 2:12:29.240
<v Speaker 1>I'm good one. But another memorable one was when we

2:12:29.400 --> 2:12:32.360
<v Speaker 1>was working on Murder music and we was in an

2:12:32.640 --> 2:12:36.360
<v Speaker 1>Electric Lady right there on West ad for something like that. Yeah, yeah,

2:12:36.400 --> 2:12:38.240
<v Speaker 1>you know, like then I had came back and one

2:12:38.280 --> 2:12:40.200
<v Speaker 1>of my homebies, like in Prince's out there. I was like,

2:12:40.280 --> 2:12:42.080
<v Speaker 1>get the funk out of here, so he went and

2:12:42.200 --> 2:12:53.400
<v Speaker 1>got hold on. You want to tell me you met Prince? Yes, yeah,

2:12:53.640 --> 2:12:57.600
<v Speaker 1>I've never been in the vicinity of the snake words. Yeah,

2:12:57.760 --> 2:12:59.640
<v Speaker 1>I never and that's how I feel about Michael Jackson.

2:13:00.080 --> 2:13:02.360
<v Speaker 1>So anyway, so we're in the studio. One of my

2:13:02.440 --> 2:13:04.440
<v Speaker 1>homeboys was like, yo, Princess out there. I was like,

2:13:04.520 --> 2:13:06.440
<v Speaker 1>get the funk out of here. He was like, hell yeah,

2:13:06.440 --> 2:13:10.280
<v Speaker 1>I'll bring that again. Mad cool. He fucking brought Prince

2:13:10.400 --> 2:13:14.960
<v Speaker 1>in the studio. Now I'm about this electric lady. Remember

2:13:15.000 --> 2:13:17.320
<v Speaker 1>this is Jimmy Hendricks. Now I'm about this talk, I'm

2:13:17.320 --> 2:13:20.560
<v Speaker 1>about this tour whatever. Prince is like this and he

2:13:20.680 --> 2:13:26.520
<v Speaker 1>had he did he just know, he just had one

2:13:28.200 --> 2:13:32.760
<v Speaker 1>on hills. So I was making so I was so

2:13:32.840 --> 2:13:35.680
<v Speaker 1>I was making a beat and then I was like,

2:13:35.920 --> 2:13:40.240
<v Speaker 1>holy shit, Prince like he just hung out at that point. Yeah,

2:13:40.320 --> 2:13:42.040
<v Speaker 1>I was like, yo, is there anything I need to

2:13:42.080 --> 2:13:44.560
<v Speaker 1>do to the beat? Because he's like hold on that.

2:13:44.640 --> 2:13:47.920
<v Speaker 1>They got over the keyboard. He started swear to guard.

2:13:49.400 --> 2:13:55.480
<v Speaker 1>He was that cool yoh yes, and I'm gonna beat

2:13:56.280 --> 2:13:58.480
<v Speaker 1>and then snoop, I'm doing the beat and this record

2:13:58.560 --> 2:14:01.840
<v Speaker 1>came out. It came out. Record is this It's called

2:14:02.160 --> 2:14:07.400
<v Speaker 1>shall Now Kill? Listen to it? Oh my god, Prince.

2:14:10.760 --> 2:14:12.560
<v Speaker 1>They probably walked away and say, don't give me credit.

2:14:13.320 --> 2:14:15.200
<v Speaker 1>How do you play the key? Then Nigga walked down,

2:14:15.280 --> 2:14:18.040
<v Speaker 1>didn't even say bye. How about dad credit? He was like,

2:14:28.040 --> 2:14:31.080
<v Speaker 1>because producers live the elless Like like producers live the

2:14:31.160 --> 2:14:34.040
<v Speaker 1>ellis life. Let's just keep it here. It's okay, no

2:14:34.280 --> 2:14:39.160
<v Speaker 1>nosess life, right, I mean, because you guys not only

2:14:39.240 --> 2:14:41.920
<v Speaker 1>get to make your own project, but you get to

2:14:42.000 --> 2:14:44.560
<v Speaker 1>go out there like with with the Big We You

2:14:44.640 --> 2:14:47.280
<v Speaker 1>wasn't there with Big Lady vocals? No, I wasn't there

2:14:47.320 --> 2:14:49.720
<v Speaker 1>with Big Who was you there? Like the blown your

2:14:49.800 --> 2:14:52.640
<v Speaker 1>way to lad your vocal lad? They vote of your beats,

2:14:54.720 --> 2:14:58.160
<v Speaker 1>Little Kim and Foxy mm to go no no, no

2:14:58.880 --> 2:15:04.360
<v Speaker 1>y no. But I saw them east time, you know

2:15:04.400 --> 2:15:06.560
<v Speaker 1>what I'm saying, Like when I was gonna go Foxy,

2:15:06.600 --> 2:15:13.160
<v Speaker 1>I've seen and last, but definitely not least, we celebrate

2:15:13.280 --> 2:15:16.400
<v Speaker 1>the life of the legendary Big Pun. There's a lot

2:15:16.480 --> 2:15:18.520
<v Speaker 1>of you already know, Nori and Fat Joe's shirt a

2:15:18.640 --> 2:15:21.800
<v Speaker 1>very special friendship with Pun, So it's only right that

2:15:21.960 --> 2:15:24.000
<v Speaker 1>we share some of these Big Punch stories told in

2:15:24.080 --> 2:15:26.720
<v Speaker 1>our very first episode of Drink Chance with Fat Joe,

2:15:28.440 --> 2:15:30.920
<v Speaker 1>you know. And then when he passed, My brother was

2:15:31.120 --> 2:15:34.160
<v Speaker 1>number one, and I always maintained number two, So I

2:15:34.200 --> 2:15:36.520
<v Speaker 1>always was cool being number two. So then when I

2:15:36.600 --> 2:15:39.440
<v Speaker 1>started rapping and it's fat Joe and then I'll bring

2:15:39.560 --> 2:15:42.200
<v Speaker 1>Pun in the game. And I realized that Pun is

2:15:42.200 --> 2:15:45.640
<v Speaker 1>a hundred times better than me. I fell right into

2:15:45.760 --> 2:15:48.160
<v Speaker 1>number two. I was like, yo, let's I'll hold it

2:15:48.280 --> 2:15:50.480
<v Speaker 1>off for this thing. I ask you something that I

2:15:50.560 --> 2:15:53.760
<v Speaker 1>always wondered. So you met Remy through Punt, Yes, sir,

2:15:54.000 --> 2:15:58.080
<v Speaker 1>so so Punt had rem she is big puns artists.

2:15:58.080 --> 2:16:02.320
<v Speaker 1>Because I remember Pun, I remember Fun. I was so jealous.

2:16:03.320 --> 2:16:05.720
<v Speaker 1>I was so jealous because it wasn't too many cruise

2:16:05.800 --> 2:16:09.440
<v Speaker 1>where you had a nigger as nice at Pun, and

2:16:09.520 --> 2:16:11.640
<v Speaker 1>then you had a bitch there was like the nicest

2:16:11.720 --> 2:16:14.120
<v Speaker 1>bitch in the game. So he was like, yo, twin,

2:16:14.160 --> 2:16:16.240
<v Speaker 1>I want you to hear this girl I signed. I'm like,

2:16:16.360 --> 2:16:19.000
<v Speaker 1>all right, so I see if she had the level vests,

2:16:19.040 --> 2:16:22.480
<v Speaker 1>I can never forget that ship. And then she just

2:16:22.760 --> 2:16:25.520
<v Speaker 1>went off for like ten minutes streets and that's what

2:16:25.640 --> 2:16:28.280
<v Speaker 1>she was saying, I shoot the air bubble welt your

2:16:28.440 --> 2:16:33.760
<v Speaker 1>sneakers and she was just going I was like, so jealous, man.

2:16:33.879 --> 2:16:36.680
<v Speaker 1>I was sitting there like, oh my god, why my

2:16:36.840 --> 2:16:39.800
<v Speaker 1>head was saying why I didn't find her? Why I

2:16:39.920 --> 2:16:44.280
<v Speaker 1>didn find So then after she rocks punt hit muzeral twin.

2:16:44.440 --> 2:16:46.680
<v Speaker 1>You know she your artist twin, Like you know, she

2:16:46.800 --> 2:16:49.440
<v Speaker 1>signed to me, but we signed to you. He had

2:16:49.440 --> 2:16:51.760
<v Speaker 1>a label. It was Terror Squad the whole time. But

2:16:52.280 --> 2:16:57.560
<v Speaker 1>he discovered He say, yo, he signed it. He discovered her.

2:16:57.600 --> 2:17:02.200
<v Speaker 1>But he's like, was kind. But I'm just saying I

2:17:02.280 --> 2:17:08.760
<v Speaker 1>want to say, thank God. And uh, you know what,

2:17:08.879 --> 2:17:11.640
<v Speaker 1>you did a deal with her after passed. No, no,

2:17:12.120 --> 2:17:16.840
<v Speaker 1>pe was alive. We just we did the deal with her.

2:17:16.920 --> 2:17:20.840
<v Speaker 1>But while Palem was alive. You know. You know, Come'm saying,

2:17:20.920 --> 2:17:23.520
<v Speaker 1>most loyal realist in the world. We don't just say

2:17:23.600 --> 2:17:26.480
<v Speaker 1>that because he's dead because some nigga's dad piece of ship.

2:17:27.560 --> 2:17:30.959
<v Speaker 1>You know, Palem was one of the most loyalist niggers

2:17:31.000 --> 2:17:34.200
<v Speaker 1>in the world. Most fun I mean, the way I

2:17:34.360 --> 2:17:37.320
<v Speaker 1>say it is like, um, you know, I was the

2:17:37.400 --> 2:17:39.920
<v Speaker 1>youngest kid in my house. You know what I'm saying.

2:17:39.959 --> 2:17:42.960
<v Speaker 1>I never had a younger brother, So Palem was like

2:17:43.040 --> 2:17:44.880
<v Speaker 1>the young brother I never had, and I was like

2:17:45.000 --> 2:17:49.440
<v Speaker 1>the big brother he never had. And uh, immediately, you

2:17:49.520 --> 2:17:52.720
<v Speaker 1>know what I'm saying, It's almost like a relationship. Um,

2:17:53.920 --> 2:17:57.040
<v Speaker 1>you know, in order to make a marriage last. It's

2:17:57.040 --> 2:18:01.039
<v Speaker 1>like you really got to sign it mentally and heart wise.

2:18:01.280 --> 2:18:05.080
<v Speaker 1>You gotta really say you no matter what happens, I

2:18:05.240 --> 2:18:07.160
<v Speaker 1>want to stay with this woman for the rest of

2:18:07.200 --> 2:18:11.840
<v Speaker 1>my life and cut your hands for the academic Come on, Joe,

2:18:12.240 --> 2:18:18.959
<v Speaker 1>you're I'm just saying, let's not. It's just like y'all,

2:18:19.440 --> 2:18:23.119
<v Speaker 1>nobody's stopping this ship, right, And it's the same thing

2:18:23.720 --> 2:18:26.560
<v Speaker 1>with like you know, with with me and pun. You know,

2:18:26.760 --> 2:18:28.600
<v Speaker 1>after I heard him round for the first time, he

2:18:28.640 --> 2:18:31.520
<v Speaker 1>sat in my car and he immediately I don't know

2:18:31.680 --> 2:18:34.920
<v Speaker 1>how and why, but he was telling me ship. I

2:18:34.959 --> 2:18:38.920
<v Speaker 1>wouldn't tell Nori now about myself, and that's my brother,

2:18:39.040 --> 2:18:41.000
<v Speaker 1>Like I could go to war with Norri, like I

2:18:41.040 --> 2:18:43.600
<v Speaker 1>would really kill for Nori, He'll kill for me. I

2:18:43.680 --> 2:18:45.760
<v Speaker 1>would not tell him some person who ship in my

2:18:46.040 --> 2:18:49.080
<v Speaker 1>family growing up and all that. So five minutes later,

2:18:49.120 --> 2:18:50.920
<v Speaker 1>I'm riding with the nigga. This nig is telling me

2:18:51.000 --> 2:18:53.480
<v Speaker 1>the deepest ship I ever heard of, and I'm sitting

2:18:53.520 --> 2:18:55.480
<v Speaker 1>there with him. I'm thinking to myself, you know, I'm

2:18:55.520 --> 2:18:57.840
<v Speaker 1>a street nigga. I'm like, why is this naked telling

2:18:57.879 --> 2:19:00.240
<v Speaker 1>me all this ship? Right? So I'm sitting in there

2:19:00.280 --> 2:19:03.000
<v Speaker 1>like this, So I knew his life story. The first

2:19:03.080 --> 2:19:05.960
<v Speaker 1>twenty minutes after I left them I met him, I

2:19:05.959 --> 2:19:08.560
<v Speaker 1>already knew it, but let everybody asked you something because

2:19:08.560 --> 2:19:13.800
<v Speaker 1>we were in and there like like like ta to right.

2:19:14.000 --> 2:19:16.880
<v Speaker 1>Had jay Z's boy had brung me beyond that right

2:19:17.080 --> 2:19:21.280
<v Speaker 1>and I had to joint bald equal And he said, Yo,

2:19:21.440 --> 2:19:24.480
<v Speaker 1>she wants to do this recket. She wants to do

2:19:24.560 --> 2:19:28.959
<v Speaker 1>it like Barbados and listen, check to check what I said.

2:19:29.400 --> 2:19:31.720
<v Speaker 1>But she wonted fifteen bands. I had a million dollar

2:19:31.800 --> 2:19:35.400
<v Speaker 1>budget at the time. I said no, Right, I said no,

2:19:36.040 --> 2:19:38.920
<v Speaker 1>I passed on that. Did you know the minute you

2:19:39.040 --> 2:19:42.960
<v Speaker 1>met Puny that this was the next dude? Or was

2:19:43.560 --> 2:19:46.760
<v Speaker 1>it instant or like, I'm gonna be honest. I'm gonna

2:19:46.800 --> 2:19:52.720
<v Speaker 1>be honest with you. Um, I know music probably more

2:19:52.760 --> 2:19:56.320
<v Speaker 1>than anybody. It's just the truth. If this industry wasn't

2:19:56.320 --> 2:19:58.880
<v Speaker 1>scared of me for being such a gangster there, I

2:19:58.920 --> 2:20:02.640
<v Speaker 1>would be the president everything. Nobody really know more than me.

2:20:03.120 --> 2:20:05.000
<v Speaker 1>Every time they turned around and they give a nigga

2:20:05.000 --> 2:20:07.520
<v Speaker 1>a new job, they I put it on blast. The

2:20:07.560 --> 2:20:10.720
<v Speaker 1>minute they gave Joey president of the Scope, he picked

2:20:10.760 --> 2:20:12.720
<v Speaker 1>the phone up, called me saying I learned everything from you,

2:20:12.840 --> 2:20:15.680
<v Speaker 1>my brother. Please, you don't even understand everything. I know.

2:20:15.840 --> 2:20:19.119
<v Speaker 1>It's because of you everything I like. Niggas get presidents

2:20:19.160 --> 2:20:22.080
<v Speaker 1>and they studied you my whole life. You are the

2:20:22.200 --> 2:20:25.119
<v Speaker 1>smartest nicking. But they're scared of me, so they won't

2:20:25.160 --> 2:20:27.680
<v Speaker 1>give me that position. Don't know why because I'm the

2:20:27.760 --> 2:20:31.280
<v Speaker 1>nicest nick in the world. Right, So when I met

2:20:31.440 --> 2:20:35.279
<v Speaker 1>pun and the niggas started rapping, So alright, the scene

2:20:35.440 --> 2:20:37.560
<v Speaker 1>is I told her a million times. I don't want

2:20:37.600 --> 2:20:39.640
<v Speaker 1>to tell ship on your ship that I told everybody.

2:20:39.640 --> 2:20:42.280
<v Speaker 1>But but I'm gonna just saying because were family, so

2:20:42.959 --> 2:20:45.120
<v Speaker 1>I go. You know, I was one of the only

2:20:45.600 --> 2:20:48.160
<v Speaker 1>him being another one too, so I can't start on him.

2:20:48.720 --> 2:20:52.440
<v Speaker 1>But I'm one of the only rappers that actually was rich,

2:20:53.360 --> 2:20:57.280
<v Speaker 1>actually was gold already and were still in my hood.

2:20:57.360 --> 2:21:00.960
<v Speaker 1>Like I live in apartment five. Like literally, hold on,

2:21:01.120 --> 2:21:03.959
<v Speaker 1>everybody better make noise for this. I am also from

2:21:03.959 --> 2:21:12.160
<v Speaker 1>apartment five, So you know what's crazy? I studied hip hop.

2:21:12.680 --> 2:21:15.120
<v Speaker 1>Jay Z was also from apartment five. What is that?

2:21:15.560 --> 2:21:20.400
<v Speaker 1>What does that mean? We're we gotta break? He's from Miami?

2:21:20.520 --> 2:21:23.120
<v Speaker 1>Now I know what literally what that means I'm saying,

2:21:23.200 --> 2:21:26.039
<v Speaker 1>is there a hidden meaning behind no, we're gonna, You're gonna,

2:21:27.440 --> 2:21:33.000
<v Speaker 1>You're not. You're gonna ask first. Let me also make

2:21:33.080 --> 2:21:35.480
<v Speaker 1>some noise for my brother Kake. You know Ray Kawon's brother.

2:21:35.560 --> 2:21:41.880
<v Speaker 1>He once hold happy birthday, Happy birthdays. I don't see it. Okay, okay,

2:21:42.160 --> 2:21:44.400
<v Speaker 1>excuse me. Somebody get that man to drink. Somebody get

2:21:44.440 --> 2:21:47.680
<v Speaker 1>that man to drink. We ain't got no brown, We

2:21:47.720 --> 2:21:50.680
<v Speaker 1>ain't got no brown. Okay, okay, I know you called me,

2:21:50.760 --> 2:21:52.840
<v Speaker 1>and I'll tell you I had it, but nobody never

2:21:52.959 --> 2:21:58.000
<v Speaker 1>gave me my sneakers, my purple you first, wait, hold on,

2:21:58.200 --> 2:22:01.120
<v Speaker 1>we got it. He told me I'm gonna pick it up.

2:22:02.720 --> 2:22:08.039
<v Speaker 1>Could I still get him on the gone. Let's let's

2:22:08.040 --> 2:22:11.920
<v Speaker 1>go straight. I'm glad you brought into hit. Are you

2:22:12.240 --> 2:22:20.400
<v Speaker 1>the snaker king? Um? And if you are, you know

2:22:21.080 --> 2:22:23.920
<v Speaker 1>I'm we're gonna end this on this, but part of

2:22:23.959 --> 2:22:26.280
<v Speaker 1>the best Latina rapper ever lived. I'll tell you right

2:22:26.320 --> 2:22:30.640
<v Speaker 1>the bottom real quick. When I when I heard when

2:22:30.680 --> 2:22:37.200
<v Speaker 1>I heard him on Firewater, Firewater, that was me. It

2:22:37.400 --> 2:22:42.400
<v Speaker 1>was mere God on the getting And okay, that's that's

2:22:42.440 --> 2:22:50.959
<v Speaker 1>the first put that on a mixtape, my Mixtapeia. Let

2:22:51.040 --> 2:22:53.920
<v Speaker 1>me tell you know, nobody had ever heard anything I

2:22:54.040 --> 2:22:56.640
<v Speaker 1>put on the mixtape here in Miami, and I was like,

2:22:58.280 --> 2:23:02.160
<v Speaker 1>dude is fucking killing it. But I didn't know who

2:23:02.280 --> 2:23:05.600
<v Speaker 1>he was. I just but then I knew. I knew

2:23:05.680 --> 2:23:09.280
<v Speaker 1>he was Latina. I was like, we got one. That's it,

2:23:10.920 --> 2:23:13.360
<v Speaker 1>you know, that's it because be just so you know.

2:23:14.040 --> 2:23:18.080
<v Speaker 1>At that same time, Big is my favorite rapper, thinking

2:23:18.120 --> 2:23:21.480
<v Speaker 1>in the Craze crew that's my brother to my other

2:23:21.640 --> 2:23:24.119
<v Speaker 1>favorite rap was a member of two crews with two

2:23:24.160 --> 2:23:32.160
<v Speaker 1>of the greatest rappers the old times. That's that's That's

2:23:32.200 --> 2:23:36.480
<v Speaker 1>where I'm like, this is it? Yeah, yeah, we got him, yea,

2:23:36.600 --> 2:23:41.520
<v Speaker 1>I really it's just almost like Chin Chin angelsts him

2:23:41.560 --> 2:23:47.760
<v Speaker 1>in Evangelists and then God, I know Putt was great.

2:23:48.920 --> 2:23:52.480
<v Speaker 1>I didn't know he was the greatest until like after

2:23:54.280 --> 2:23:57.680
<v Speaker 1>after his shriner. I remember me standing there and crying

2:23:57.760 --> 2:24:01.520
<v Speaker 1>at the and God bless the dad. Flex flex Ts

2:24:01.640 --> 2:24:04.240
<v Speaker 1>was the one who came and grabbed me because I

2:24:04.320 --> 2:24:06.199
<v Speaker 1>didn't know what to do, Like I still started crying.

2:24:06.280 --> 2:24:09.440
<v Speaker 1>My mother came to the keeping Real without me. My

2:24:09.600 --> 2:24:11.840
<v Speaker 1>mom said, my mom's didn't wait for me to come.

2:24:11.959 --> 2:24:17.880
<v Speaker 1>Mother with man from the boat danger like crazy. It

2:24:18.040 --> 2:24:21.800
<v Speaker 1>was so crazy because the people who came to that funeral.

2:24:22.600 --> 2:24:25.360
<v Speaker 1>You know, it was like crazy, man. Like it was

2:24:25.480 --> 2:24:30.080
<v Speaker 1>like people that from our community that never even talk

2:24:30.200 --> 2:24:32.440
<v Speaker 1>to us. Was like, you know, they were so proud

2:24:33.040 --> 2:24:35.600
<v Speaker 1>they were showing up and you was like, yo, that's

2:24:35.680 --> 2:24:39.440
<v Speaker 1>just my school teacher, you know. So I'm sitting there

2:24:39.560 --> 2:24:42.160
<v Speaker 1>crying and I walked by my school teacher, come and

2:24:42.240 --> 2:24:45.640
<v Speaker 1>grab me and like, yo, be strong. This is that

2:24:45.840 --> 2:24:48.200
<v Speaker 1>like we touched so many niguas in the hood. It

2:24:48.320 --> 2:24:50.959
<v Speaker 1>was crazy, but it was like that too. I never

2:24:51.040 --> 2:24:52.680
<v Speaker 1>forget too. I was at one point, I was at

2:24:52.720 --> 2:24:56.760
<v Speaker 1>point funeral and I was crying and uh, it was

2:24:56.879 --> 2:24:59.560
<v Speaker 1>John Rule And I looked up and it was John

2:24:59.640 --> 2:25:03.520
<v Speaker 1>Rule was there one deep too. He was like be strong, crack,

2:25:03.600 --> 2:25:06.760
<v Speaker 1>don't worry, be strong. And that ship, that punch ship

2:25:06.920 --> 2:25:10.520
<v Speaker 1>was serious man. And this is what I remember Flex

2:25:10.720 --> 2:25:13.879
<v Speaker 1>grabbing me and just was like no, he's not suffering

2:25:13.959 --> 2:25:15.920
<v Speaker 1>no more. And the crazy Yet I've never seen Pun

2:25:16.240 --> 2:25:19.680
<v Speaker 1>suffer like when Pun, I know we can we're going

2:25:19.720 --> 2:25:21.560
<v Speaker 1>too much, but we're gonna stop it soon. But when

2:25:21.640 --> 2:25:24.360
<v Speaker 1>Pun used to half sleep apnea, like when he used

2:25:24.400 --> 2:25:26.600
<v Speaker 1>to go like this, I used to think Pun was

2:25:26.640 --> 2:25:29.360
<v Speaker 1>playing with me, Like God bless me because you know.

2:25:29.520 --> 2:25:31.600
<v Speaker 1>Now I know, but back then, I used to like

2:25:31.720 --> 2:25:38.520
<v Speaker 1>damn my fucking stories, just boring people like Yo, we

2:25:38.600 --> 2:25:43.920
<v Speaker 1>would be talking like it was good. I'm like, ho, alright,

2:25:44.000 --> 2:25:49.640
<v Speaker 1>let's just get Pun love Nori and Uh in a

2:25:49.760 --> 2:25:53.400
<v Speaker 1>different way, in a special way. And the niggas used

2:25:53.440 --> 2:25:56.320
<v Speaker 1>to hang out. They used to chill like we're still void, Joe.

2:25:56.440 --> 2:25:59.640
<v Speaker 1>That's when Joe said, because Joe was always militant, like

2:25:59.760 --> 2:26:04.879
<v Speaker 1>he's always he's to get money, dude, Like that's all

2:26:04.959 --> 2:26:07.520
<v Speaker 1>he thinks about me and Pun. We wanted to have fun.

2:26:07.680 --> 2:26:10.199
<v Speaker 1>We was younger. You know what I'm saying, Joe's olg.

2:26:10.480 --> 2:26:13.200
<v Speaker 1>It's a fact because we used to be on the

2:26:13.360 --> 2:26:16.920
<v Speaker 1>road everything like and Punning smoked weed. He drank cards

2:26:17.040 --> 2:26:20.720
<v Speaker 1>like you know what I mean, Like this like just

2:26:20.879 --> 2:26:24.560
<v Speaker 1>started drinking, like really, like you just started legally drinking

2:26:25.160 --> 2:26:30.039
<v Speaker 1>like that. So serious. He was like like every day

2:26:30.160 --> 2:26:36.000
<v Speaker 1>like this, I'll tell my son this to us and listen, bro,

2:26:36.879 --> 2:26:39.520
<v Speaker 1>we was born with nothing, my niked and if we

2:26:39.640 --> 2:26:42.760
<v Speaker 1>get the opportunity to go get it, let's not stop, nigga,

2:26:42.840 --> 2:26:45.040
<v Speaker 1>let's just go get it. And we can't make it.

2:26:45.120 --> 2:26:48.280
<v Speaker 1>We gotta go get this fucking money man, because all

2:26:48.320 --> 2:26:51.640
<v Speaker 1>the times we dreamed about getting money, all the times

2:26:51.720 --> 2:26:53.920
<v Speaker 1>all we wanted was money. Niggas wouldn't give us a

2:26:54.000 --> 2:26:58.240
<v Speaker 1>fucking ice cream. You know, we're starving. We Nigga's got

2:26:58.320 --> 2:27:00.640
<v Speaker 1>a chip in for four chicken wings and French fries.

2:27:00.920 --> 2:27:02.960
<v Speaker 1>Now nigg is just throwing this money at us, Like

2:27:03.040 --> 2:27:05.320
<v Speaker 1>what the fund is we supposed to do? Let's go

2:27:05.520 --> 2:27:09.000
<v Speaker 1>get this fucking money. And and and and and that's

2:27:09.200 --> 2:27:11.640
<v Speaker 1>that's that's that's what I'm about right now. I'm in

2:27:11.720 --> 2:27:13.760
<v Speaker 1>the car with my sun wrap. I'm in the car.

2:27:13.840 --> 2:27:16.560
<v Speaker 1>One of my baked on him two minutes before I

2:27:16.680 --> 2:27:19.440
<v Speaker 1>came here because he was like, yo, engineer, ain't really

2:27:19.560 --> 2:27:21.960
<v Speaker 1>doing it right there. I'm like, nikking you fucking crazy,

2:27:22.600 --> 2:27:26.720
<v Speaker 1>Like I'll be rapping in closets. We're gonna end it

2:27:26.800 --> 2:27:32.440
<v Speaker 1>on this. Back in the days, you couldn't send the email.

2:27:32.840 --> 2:27:35.680
<v Speaker 1>You have to run around with two tapes like this

2:27:36.160 --> 2:27:43.000
<v Speaker 1>that she was like carrying a mitchet. Yeah it was Stow.

2:27:43.959 --> 2:27:46.520
<v Speaker 1>I've never been to and this is my engineer right here.

2:27:46.560 --> 2:27:49.240
<v Speaker 1>Has it it sounds I produce something, my friend, but

2:27:49.400 --> 2:27:52.400
<v Speaker 1>has I have never had a session with you unless

2:27:52.400 --> 2:27:55.000
<v Speaker 1>I did four records. Keep it real. I'm gonna look away,

2:27:55.200 --> 2:27:57.480
<v Speaker 1>so like I'm not giving you know, fine, am I

2:27:57.640 --> 2:28:01.800
<v Speaker 1>lying these four? At least four? Because you know why

2:28:02.040 --> 2:28:06.320
<v Speaker 1>it's not because but back then, spending fifteen hundred dollars

2:28:06.400 --> 2:28:09.520
<v Speaker 1>on the lockout or three thousand dollars on the lockout,

2:28:09.800 --> 2:28:13.760
<v Speaker 1>I had to do yo on this ship. I'm keeping

2:28:13.800 --> 2:28:17.760
<v Speaker 1>it real. Seeing then War Report album was done over

2:28:17.879 --> 2:28:20.600
<v Speaker 1>two years, but it was only like five to seven

2:28:20.680 --> 2:28:26.080
<v Speaker 1>sessions because we recalled it eight nine records. When we

2:28:26.160 --> 2:28:28.560
<v Speaker 1>went in there and you know, tragedy put us on.

2:28:28.760 --> 2:28:31.959
<v Speaker 1>He you had this wave, man, you your wave, it's

2:28:32.040 --> 2:28:36.040
<v Speaker 1>like you know, special waves. But what it was, man,

2:28:36.200 --> 2:28:40.360
<v Speaker 1>you could do whatever you wanted, nor nor you you're

2:28:40.440 --> 2:28:43.560
<v Speaker 1>funny nigging. And then it's like it's like it was

2:28:43.720 --> 2:28:46.640
<v Speaker 1>like maybe he was bugging out, but to us, it

2:28:46.760 --> 2:28:52.960
<v Speaker 1>was like flows. We never heard righting thing. Thing I'm

2:28:54.720 --> 2:28:58.640
<v Speaker 1>thing is saying this ship, you know what that came from?

2:28:58.720 --> 2:29:01.320
<v Speaker 1>What was the joint you did? Um? And we gotta

2:29:01.360 --> 2:29:06.280
<v Speaker 1>gotta go with you. What was the joint you did?

2:29:06.760 --> 2:29:11.600
<v Speaker 1>I think it was in the firm. You know this leaving,

2:29:11.800 --> 2:29:15.440
<v Speaker 1>I'm leaving, I'm leaving. I can get the story of

2:29:15.520 --> 2:29:18.000
<v Speaker 1>that and then we break out. But listen, it goes

2:29:18.440 --> 2:29:21.480
<v Speaker 1>that is that one Mike h Nor we know this,

2:29:22.240 --> 2:29:28.240
<v Speaker 1>we know that, yeah, because I'm leave. Yeah. And it

2:29:28.360 --> 2:29:30.600
<v Speaker 1>was another one you did for NAS, right, was it

2:29:30.760 --> 2:29:34.880
<v Speaker 1>Nas or more Deep? It was blood Money, Blood Money, Money,

2:29:35.879 --> 2:29:38.640
<v Speaker 1>the Money, the one when we did that during the

2:29:38.760 --> 2:29:42.080
<v Speaker 1>Firm album. Um the Funnies Ship. I'm not gonna lie

2:29:42.120 --> 2:29:44.480
<v Speaker 1>to you from the outside, and I don't know if

2:29:44.520 --> 2:29:46.640
<v Speaker 1>you don't go ahead tell me you was like the

2:29:46.720 --> 2:29:50.240
<v Speaker 1>illest nigger right there, like like right there when they

2:29:50.400 --> 2:29:52.720
<v Speaker 1>snatched you up, because it was a big move for

2:29:52.840 --> 2:29:57.240
<v Speaker 1>you and I. I had just shot nigger the projects too,

2:29:57.680 --> 2:29:59.800
<v Speaker 1>and it was like and I kept hanging out there.

2:29:59.840 --> 2:30:01.720
<v Speaker 1>They it was like what this thing is from the

2:30:01.800 --> 2:30:08.080
<v Speaker 1>left cracking left Brack left money minutes and I kept

2:30:08.120 --> 2:30:10.840
<v Speaker 1>hanging out and I gotta I gotta give the love

2:30:10.920 --> 2:30:13.600
<v Speaker 1>the Jungle. Jungle was the dude like Jungle was like,

2:30:13.720 --> 2:30:15.800
<v Speaker 1>we're fucking want him, we want to shoot up you

2:30:15.840 --> 2:30:23.519
<v Speaker 1>know what I mean. But what I'm saying is they

2:30:23.640 --> 2:30:28.120
<v Speaker 1>recruited you and you was just like it was so ill.

2:30:28.480 --> 2:30:30.480
<v Speaker 1>I was just like and you know, and you know

2:30:30.640 --> 2:30:33.960
<v Speaker 1>from them my very first feature, my very first feature

2:30:34.080 --> 2:30:37.280
<v Speaker 1>after that was the Punt the record, my very first

2:30:37.360 --> 2:30:41.560
<v Speaker 1>feature after that, I mean put in punt Um. You know,

2:30:41.760 --> 2:30:43.960
<v Speaker 1>Punt's first words he ever said to me? What he said?

2:30:44.040 --> 2:30:46.400
<v Speaker 1>He said because I was it was in a session,

2:30:46.440 --> 2:30:48.200
<v Speaker 1>the first this is the first words you ever said

2:30:48.240 --> 2:30:51.680
<v Speaker 1>to me. This is the first words you ever said

2:30:51.720 --> 2:30:54.400
<v Speaker 1>to me. You said, y'all cnn, huh. He woke this

2:30:54.560 --> 2:30:59.680
<v Speaker 1>unique studio, unique studios, thinking walks and the punt wasn't

2:31:00.000 --> 2:31:03.320
<v Speaker 1>He goes, y'all seeing there? Huh. I'm like, you said,

2:31:03.800 --> 2:31:06.520
<v Speaker 1>which one of your niggas got shot? And then Palm

2:31:06.680 --> 2:31:09.720
<v Speaker 1>raised his hand and then y'all start keep hearing gunshot

2:31:09.879 --> 2:31:12.520
<v Speaker 1>rooms and ship. I was like, this is very awkward

2:31:15.480 --> 2:31:18.160
<v Speaker 1>home shows and ship. Then and then he goes, which

2:31:18.160 --> 2:31:20.720
<v Speaker 1>one of yours Puerto Weekend? And I raised my hand

2:31:20.879 --> 2:31:23.360
<v Speaker 1>and this is this is one hundred said facts. I

2:31:23.480 --> 2:31:26.000
<v Speaker 1>was just like, because I've never met these nis, I

2:31:26.120 --> 2:31:27.760
<v Speaker 1>love this nigga, but I don't want em to think

2:31:27.760 --> 2:31:30.360
<v Speaker 1>I'm a sucker. He just walked in my studios. Actually

2:31:30.440 --> 2:31:33.000
<v Speaker 1>Blue told you to walk over right. Buck Wild is

2:31:33.000 --> 2:31:36.600
<v Speaker 1>doing the beat. Maybe we buck Wild and then Plank

2:31:36.680 --> 2:31:38.800
<v Speaker 1>goes to me. He goes, yo, you bought the weekend

2:31:39.080 --> 2:31:42.400
<v Speaker 1>and I go, yeah, he goes, so wipe the ice

2:31:42.520 --> 2:31:48.640
<v Speaker 1>crilled off ba ba because we're gonna be friends. And

2:31:48.840 --> 2:31:51.440
<v Speaker 1>from that moment, you know, the nigga made me laugh.

2:31:54.440 --> 2:31:59.680
<v Speaker 1>I was racist from that moment and it was some

2:31:59.760 --> 2:32:01.360
<v Speaker 1>of the ask people I have a mat man, Joe.

2:32:01.440 --> 2:32:04.160
<v Speaker 1>I really appreciate you. You've never left me. You know,

2:32:04.680 --> 2:32:14.280
<v Speaker 1>you've always been there for me. Is his birthday? Happy birthday, brother,

2:32:14.800 --> 2:32:20.480
<v Speaker 1>but Ray Kwan the chef before you leave Top three

2:32:20.800 --> 2:32:25.400
<v Speaker 1>friends again on behalf of myself and Nori. Thank you

2:32:25.480 --> 2:32:28.000
<v Speaker 1>for listening to this Memorial Day episode of Drink Champs.

2:32:28.320 --> 2:32:31.080
<v Speaker 1>We hope you enjoyed reliving these moments with us. Stay

2:32:31.160 --> 2:32:34.920
<v Speaker 1>tuned as we'll be releasing new episodes weekly until then,

2:32:35.240 --> 2:32:38.240
<v Speaker 1>Keep those drinks on ice, rest those delivers, and get

2:32:38.320 --> 2:32:41.560
<v Speaker 1>ready to make some motherfucking noise special. Shout out to

2:32:41.680 --> 2:32:43.800
<v Speaker 1>all the guests that we've had on Drink Champs for

2:32:43.879 --> 2:32:46.959
<v Speaker 1>these past couple of years, few years. I mean, without them,

2:32:47.440 --> 2:32:49.160
<v Speaker 1>we wouldn't be here. If you know, those guests is

2:32:49.200 --> 2:32:52.280
<v Speaker 1>what what make it special. They come to on the

2:32:52.320 --> 2:32:55.040
<v Speaker 1>show and they have fun with us, and that's what counts.

2:32:55.040 --> 2:32:56.560
<v Speaker 1>At the end of the day. We're here to have fun,

2:32:56.959 --> 2:33:00.600
<v Speaker 1>to celebrate life and keep it motherfucking even. Shout out

2:33:00.640 --> 2:33:03.800
<v Speaker 1>to the Drink Champs crew, the Drink Champs Army, crazyhood crew,

2:33:04.000 --> 2:33:08.039
<v Speaker 1>maintainment crew sucked out everybody out there shots. My boy

2:33:08.120 --> 2:33:11.440
<v Speaker 1>j Havan, who helped put this together has it as sounds. Man.

2:33:11.520 --> 2:33:12.880
<v Speaker 1>Let's get out of here, man. Make sure you check

2:33:12.959 --> 2:33:16.360
<v Speaker 1>us out at www dot drink Champs dot com and

2:33:16.520 --> 2:33:20.040
<v Speaker 1>at drink Champs on all your social platforms. D J E.

2:33:20.200 --> 2:33:22.400
<v Speaker 1>F FEN and the War we out of here. Peace

2:34:00.120 --> 2:34:19.760
<v Speaker 1>assists us assist