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Speaker 1: Here at drink Champs, we honor and respect our veterans

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Speaker 1: who have bravely served and continue to serve our country,

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Speaker 1: especially those we have lost. On this Memorial Day, our

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Speaker 1: thoughts are with our service men and women, as well

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Speaker 1: as the military families who have paid the ultimate sacrifice.

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Speaker 1: Happy Memorial Day from the drink Champs family and his

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Speaker 1: Drinks Motherfucking Podcast. He's a legendary Queen's rappers, he's your boy,

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Speaker 1: he's a Miami hippop pioneer, one of his dj e

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Speaker 1: f N. Together they drink it up with some of

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Speaker 1: the biggest players in the most professional, unprofessional podcast and

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Speaker 1: yet number one source for drunk New Years Time for

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Speaker 1: drink Champs Drink up on the Yet What Up? This

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Speaker 1: is d j e f FEN and we want to

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Speaker 1: thank everyone that's been supporting us. Although we haven't been

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Speaker 1: releasing episodes, I promise you we've been busy recording them.

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Speaker 1: We're long overdue for some hangovers, so in the next

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Speaker 1: couple of weeks, prepared to take those drinks off the ice,

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Speaker 1: fill up your cups, and get ready to make some

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Speaker 1: motherfucking noise as we'll be back with Tiger Bones shots,

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Speaker 1: which I'm not looking forward to drunk facts and weekly releases,

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Speaker 1: but in the meantime, to help celebrate this Memorial Day,

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Speaker 1: we created a very special episode for the Drink Champs Army.

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Speaker 1: In this episode, you'll hear classics stories of some of

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Speaker 1: the legendary artists we've lost, stories of Tupac, Biggie, Prodigy

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Speaker 1: and Prince, some of our favorite moments with the legendary

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Speaker 1: Combat Jack and John Singleton, maybe the rest in Peace.

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Speaker 1: You'll hear stories told from some of your favorite artists

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Speaker 1: like DMX, Havoc of Mob Deep E forty Snoop Dogg,

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Speaker 1: Top Quality, Uncle Luke, and more so on behalf of

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Speaker 1: Myself and Nori a k a. The Drink Champs. Much

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Speaker 1: love to the Drink Champs Army. We hope you enjoyed

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Speaker 1: the special Memorial Day episode. Let's just get right into it.

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Speaker 1: We're gonna start with these classic Tupac stories and your

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Speaker 1: hats man queue that up. Motherfucker's let's make some motherfucking

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Speaker 1: nor let's go. Everybody was in the sale, his billboard

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Speaker 1: was cut out in the sale. He wasn't even on

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Speaker 1: there for or talked about being on Therefore, we just

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Speaker 1: did that as a symbolar representing him and fucking with

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Speaker 1: him because he was my friend. So that was, you know,

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Speaker 1: a play that I did to put him in there

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Speaker 1: to represent it. Wait, so you're saying he was your

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Speaker 1: friends saying I'm the reason why he was on that phone. Yeah,

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Speaker 1: that he was my friend and my thing was speaking

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Speaker 1: with Sugar because after he had got shot, I had

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Speaker 1: flew to New York like the next day, and it

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Speaker 1: was like ship was going bad for him and he

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Speaker 1: had got locked up, and I was, man, should we

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Speaker 1: need to put that nigga with us? Because how far

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Speaker 1: back is y'all? Spencer Uh Poetic Justice Rap Party was

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Speaker 1: the first night I met him, and then we became friends.

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Speaker 1: And actually MC breed Rest in Peace was was trying

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Speaker 1: to buy some dope and I knew the nigga. That

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Speaker 1: knew the nigga, So Breede got some dope for me

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Speaker 1: and DC and Breede was cool and Tupac and that's

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Speaker 1: how we all became like a circle of friends. Crazy

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Speaker 1: believe it, this is crazy. Ain't gonna lie. I ain't

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Speaker 1: gonna lie. I got so so a hip hop mode

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Speaker 1: fans just now. I was just saying, I'm a guy.

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Speaker 1: I was I was supposed to ask a question at

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Speaker 1: this point, Like I was just sitting there like I'm

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Speaker 1: just thinking, like so um, all right, boom that Pop

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Speaker 1: comes here, He's already there, y'all already doing what he's doing.

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Speaker 1: These these records come out, these records, these records. Let

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Speaker 1: me tell you this, so you know, all lives on me.

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Speaker 1: When he gets out, I'm working on the dog Fothering.

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Speaker 1: So when he get out, my cousin Dads is like

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Speaker 1: my number one supply because Drake dre basically like not

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Speaker 1: really giving up music because I think he on his

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Speaker 1: way out, but we already going thanks for doing in

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Speaker 1: the bathroom. So so we're working on my record. So

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Speaker 1: when he get out, naturally, I tell Dad's in the

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Speaker 1: whole crew pod getting out, y'all throw cuzz all of

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Speaker 1: the music, get him right first. So he ended up

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Speaker 1: getting all this hot music because we was in the

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Speaker 1: process of doing Hot Ship. And then Pop brought a

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Speaker 1: spirit to the studio that was different than anybody we

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Speaker 1: ever worked with. He had a work spirit that was

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Speaker 1: like this nigga could be in three different rooms at

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Speaker 1: one time and making music and he would he would

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Speaker 1: never listen to it. Like we was always we would

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Speaker 1: we learned this from Dr Dre. We would make a song,

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Speaker 1: we would listen to that motherfucker for a whole month.

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Speaker 1: I mean just back to back, thirty days just listening

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Speaker 1: to the same goddamn song, party and inviting bitches over

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Speaker 1: off the sun had even about yeah and then never

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Speaker 1: come out. Nigga. Tupac was like, Nigga, when we make

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Speaker 1: a song, when we finish it, when you're listening to

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Speaker 1: that ship, pull another beat up. We're doing another motherfucking song.

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Speaker 1: You can mix that motherfucking when you finished, we'll listen

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Speaker 1: to it. He was never about like even when we

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Speaker 1: made one song, motherfucker the last verse, I'd be like,

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Speaker 1: all right, playing bad. We played it down from top

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Speaker 1: to bottom. As soon as that motherfucker cut off, all right,

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Speaker 1: give it to the engineer, pull the next beat up.

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Speaker 1: Never did we listen to a song twice with that nigga.

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Speaker 1: That's something that I learned from him that I take

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Speaker 1: with me today because I wasn't like that. I was.

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Speaker 1: I learned from Dr Dre. I learned from my teacher.

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Speaker 1: They taught me exactly. But Pop was on something like

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Speaker 1: Nigga fun that we're going, We're going, We're going, We're going.

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Speaker 1: How are you thinking? They made three albums and motherfucking

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Speaker 1: ship six months. That's Gemini, by the way, that's geminism,

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Speaker 1: a Gemini. But I'm a labor all right, what's all?

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Speaker 1: We can know yourself, virgo, I'm a virgo. I don't

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Speaker 1: know if it means anything for this makes a noise

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Speaker 1: for the sign that snoop listening, listen Snoop. I can't.

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Speaker 1: I can't thank you so much. We're gonna, we gotta,

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Speaker 1: we gotta go the ball. I'm not telling all actually

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Speaker 1: do what I want to a mid interview. I just

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Speaker 1: want to thank you because you know what, it's the

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Speaker 1: first time artists like you know what I'm saying, Like

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Speaker 1: you know it's running media right now, like right now

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Speaker 1: we are running in DJ and DJ. I'm sorry when

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Speaker 1: I say I represent the motherfucking DJ. That's right, that's right.

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Speaker 1: You always gotta have a meskin around you. You listen,

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Speaker 1: everybody's from l A. You always. I'm from l A too. Yeah,

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Speaker 1: sound it's same ship. I'm originally say you always gotta

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Speaker 1: kid and you know what, Pete Allas Dodge and the

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Speaker 1: motherfucker you know what I'm saying, and it's the first

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Speaker 1: time you know, you know we got you got g

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Speaker 1: G in Yeah, So now do you I'm alway g

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Speaker 1: g M when you're not there because we're gonna be

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Speaker 1: in l A August Can I co host GM? Can

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Speaker 1: we yes? Well cold because we're gonna be in the

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Speaker 1: l A August twenty seven? So she don't do that.

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Speaker 1: She's a movie star. Bitch ry pockets on that front.

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Speaker 1: There he out so the bitches in hooplat because everybody

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Speaker 1: wants to meet my nigger. You understand me, and you

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Speaker 1: know I ain't no motherfucking hater. I don't know how

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Speaker 1: to block I get out the white. So the bitch

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Speaker 1: like you understand me, I would love to meet tupocket.

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Speaker 1: That's all right with you. I'm like, bit just gonna

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Speaker 1: always be all right? Now what were okay? Can listen?

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Speaker 1: All the stars is at So now one night I'm

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Speaker 1: in the club and uh, the bitch is there, and

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Speaker 1: POX see the bit She like, man, I don't want

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Speaker 1: to meet that bitch. Man, I say, hey, man, that's

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Speaker 1: exactly how he described the bitch. That's my bit. I'll

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Speaker 1: kindly introduce you to I walks over to him right

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Speaker 1: and say, bitch, this is a Tupac Tupac meet the bit.

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Speaker 1: So you know, after he meets a bit, you know,

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Speaker 1: I walks off because you know, it ain't my job

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Speaker 1: to stand there and see if they're gonna talk and

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Speaker 1: kiss or whatnot, not take a biture. I walks off

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Speaker 1: like a real player. I guess the exchange numbers. I

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Speaker 1: don't know, so you haven't stand me. A few weeks later,

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Speaker 1: I'm trying to, you know, slide by and go see her,

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Speaker 1: because you know, she's a slide piece to me. So

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Speaker 1: I'm trying to go see it on a late night

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Speaker 1: like I normally do. You don't leave that back door

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Speaker 1: open and I'm like, what what's in it? I'm finished

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Speaker 1: slide through, you know what I'm saying. Lead that back

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Speaker 1: there's open, and the bitch hit me with I don't

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Speaker 1: think Pap would like that. This girl was BA for

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Speaker 1: the record, right for the record. This girl we told

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Speaker 1: about for real? That's what the bit for real? Madonna?

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Speaker 1: Now that was Hey, that was Madonna. That look the

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Speaker 1: nigga nigga that is. You don't think I'm making this

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Speaker 1: ship up. I'm doing Saturday night lod in New York,

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Speaker 1: they get documented nigga. When I had that Tommy hell

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Speaker 1: figure shirt on the red, white and blue one, blew

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Speaker 1: the motherfuck up. The shirt sold like a motherfucker right.

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Speaker 1: So the nigga pot come and see me here in

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Speaker 1: New York. He bring me some weed and he come

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Speaker 1: backstage with the bitch Madonna Madonna for real, for real,

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Speaker 1: about to feel like was he man? He brought the

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Speaker 1: bitch just Saturday night. He d he was knocking the

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Speaker 1: bitch man because he brought me some blood. Man, he

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Speaker 1: had the bitch on his own. Man, and he wasn't

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Speaker 1: even like floss from the bitch. He had him right here.

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Speaker 1: Tupac and Big Daddy came other way around. Tupac hand Madonna,

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Speaker 1: man cut down. This is this is this is the

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Speaker 1: park in the So how did you feel a lot

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Speaker 1: of people when when park passed and then you came

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Speaker 1: to the scene, A lot of compared the compares. Then

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Speaker 1: when he got no, they compared, how did you feels

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Speaker 1: to that comparison? Some people get a fire. I should

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Speaker 1: correct people as plainly as it could, Like the next part,

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Speaker 1: I'm like no, I'm the first ax. They would say

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Speaker 1: that great great say Thatt say that you know the

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Speaker 1: next like no, I'm not the next anything, I'm the

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Speaker 1: first and then and and it's pretty good. Um. Um.

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Speaker 1: Actually had a chance to see Pop walking. He said that,

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Speaker 1: Oh my god mine so on Hamm and Hamm and

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Speaker 1: Hammon way off sunset and l that hotel look good

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Speaker 1: And I saw him. It was a cool dude. He

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Speaker 1: is cool. I said six, Oh wow, wow, you met

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Speaker 1: real pop. Yeah right now, maybe you happy everybody dray

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Speaker 1: boarders out there. Um he walked past. I see him.

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Speaker 1: My man said, what up? What up? What up? Cool dude?

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Speaker 1: You know? But I think I think I don't know

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Speaker 1: what and and and and and and speaking as favorably

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Speaker 1: as I can be, said one who was past. So

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Speaker 1: someone who can't defend himself, I think, um, part of

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Speaker 1: the problem, a big part of the problem was he

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Speaker 1: didn't have what New York niggas got like uh uh

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Speaker 1: from the office is my black bam. He had no one,

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Speaker 1: He didn't have his crew. So one thing, you, yord nigga,

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Speaker 1: I know for factors, you don't go to Cali and

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Speaker 1: live there without like like having the goosepout like oh me,

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Speaker 1: you could be the hardest thing in the world. But dude,

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Speaker 1: don't go way over there without no one ever knew

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Speaker 1: where he was from, where you from, with no avenue

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Speaker 1: him from Oakland. He lived in Oakland, we lived. But

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Speaker 1: where you're from somewhere you got to get that grew

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Speaker 1: up with you, that had your back, that loved you

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Speaker 1: since you was in kiddygard. I mean that fund with

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Speaker 1: you for real and won't let you. I need to act, said,

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Speaker 1: so I keep my dog with me, Doctor said, let

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Speaker 1: him die. Shi this sucking dog. Baby. Sometimes you need

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Speaker 1: see what you don't. It's easy to get caught up

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Speaker 1: Make sure you listen to the Drink Champs podcast. Turn

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Speaker 1: it up and make some motherfucking noise. Drink Champs, Army,

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Speaker 1: let's go Raycon. Because he was already cool with you

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Speaker 1: know what I'm saying, and he was like rich. I mean,

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00:15:01,120 --> 00:15:02,760
Speaker 1: he say, folty man Pop, want me to give you

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Speaker 1: someumbing you want to funk what you may gave me?

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Speaker 1: His number were connected there since then it was it

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00:15:07,360 --> 00:15:11,640
Speaker 1: was all love so um, y'all connected, and then like

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Speaker 1: how many records y'all did they go? Let's see, Um,

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Speaker 1: I got I got an unreleased track that ain't that

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Speaker 1: we're working on right now. And then um we did

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Speaker 1: working on. You're still talking to him? Um, yeah, yeah,

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Speaker 1: I was saying, that's that we're working on now. I'm

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Speaker 1: like I was talking, you know, because people still drinking

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Speaker 1: a lot. He was really don't hit me the other day.

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Speaker 1: He was a lot man. But I don't say he

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Speaker 1: should appear Standford the Suckers ship, that's right, now make it.

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Speaker 1: What's the south of water? What's the south of water that?

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Speaker 1: What's the south of water? You don't need that that

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Speaker 1: you drink this beer, you don't need that. So yeah, yeah,

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Speaker 1: we called it mad Records together and we asked Uncle

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Speaker 1: Luke this, I think we asked Snoop this, um, But

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Speaker 1: what was the park that you you you enjoyed more

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Speaker 1: the pot? And Luke had an interesting take on rolling

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Speaker 1: Hennessey drinking. But that before he was the same with

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Speaker 1: me at every time. You know what I'm saying. You

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Speaker 1: know what I'm saying. It was all love. Man. If

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Speaker 1: he funk with you, he fucked with you. If you

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Speaker 1: don't funk with you, he'd call you out here, say

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Speaker 1: your name and anything. That's what That's what he specialized in.

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Speaker 1: He going, he say funk that I'm saying names, ain't

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Speaker 1: none of that. Yes me this and ship you feel me?

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Speaker 1: So I had to give it to him on that.

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Speaker 1: But he had a reason for all the ship he

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Speaker 1: you know he was he was saying, he wasn't crazy.

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Speaker 1: He wasn't crazy. Brilliant. So what's your favorite, tuopoc? Maybe

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Speaker 1: you tell me your favorite your favorite time being around?

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00:16:50,000 --> 00:16:51,800
Speaker 1: I got a few, but I know you'll probably see

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00:16:51,800 --> 00:16:56,040
Speaker 1: it on on YouTube. In nine three, we had my

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Speaker 1: practice looking hard video shoot and Het there through the

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Speaker 1: whole video like this, you know, just you know, you know,

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Speaker 1: he had that middle aude fuck you. But the thing

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Speaker 1: isn't that he showed motherfucker's how this one blunts wasn't

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00:17:13,040 --> 00:17:16,200
Speaker 1: really y'all have been fucking with blunt New York, you know,

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00:17:16,240 --> 00:17:19,280
Speaker 1: because my partner from New Jersey, when I was at

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Speaker 1: Grandma State University night to Fall eight, six eighty seven,

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Speaker 1: he uh, this motherfucker take a Philly blunt, and the

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Speaker 1: way he did it it was it was the full blunt,

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Speaker 1: you know what I'm saying. And he had gout it.

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Speaker 1: He had just take all the ship out of it

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Speaker 1: and then stuff it with some booble weed, right just

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00:17:34,359 --> 00:17:36,159
Speaker 1: because that's all we had at Graham some booble with

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Speaker 1: stuff that motherfucking and and tie the end up like that,

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Speaker 1: you know what I mean, win it up, and that's

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Speaker 1: how they did it. Back that that was the That's

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Speaker 1: the first time I've seen a blunt roll so pop,

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Speaker 1: you know what I'm saying here on and my video shooting,

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00:17:47,680 --> 00:17:49,600
Speaker 1: he's sitting on the little bench. We I'm over there

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Speaker 1: smoking a beating. I don't know if y'all know what

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00:17:51,960 --> 00:18:03,520
Speaker 1: sot A lot of balls back here over the world.

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00:18:03,560 --> 00:18:08,040
Speaker 1: He he got, I'm Strong is doing this bad Boy mixtape.

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00:18:08,359 --> 00:18:12,440
Speaker 1: Remember you remember it was the Bad Boys. I don't remember. Yeah,

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00:18:12,520 --> 00:18:14,159
Speaker 1: this is what this, this is what is originally for.

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00:18:14,840 --> 00:18:17,720
Speaker 1: So so it was a freestyle in a sense and

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00:18:17,800 --> 00:18:20,879
Speaker 1: in the sense it was a freestyle. So um. That

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00:18:21,119 --> 00:18:23,919
Speaker 1: day a dude named Chaz from my hood. I remember

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Speaker 1: he was the flying snigger from my hood. But he

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00:18:26,080 --> 00:18:29,800
Speaker 1: was the craziest snigger. Right. So, so chads this outside

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00:18:29,880 --> 00:18:33,320
Speaker 1: like he confused. He playing me New York, New York.

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Speaker 1: He's like, yo, you think they're this on us? So

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Speaker 1: I'm like, I don't know. I go to Queensbridge right

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00:18:39,000 --> 00:18:42,520
Speaker 1: to meet up. We happened to, you know, be there

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Speaker 1: and stretch on. Strong calls and says, let's come to

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Speaker 1: the studio. So you had I think you had the

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00:18:49,600 --> 00:18:54,120
Speaker 1: Turkquoise blazer. Yes I did. Yeah, I read a little

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00:18:54,160 --> 00:18:57,720
Speaker 1: good the Turkoise blazes that that that the listen just

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00:18:57,760 --> 00:19:00,920
Speaker 1: in case y'all thinking about blazer out back then, A

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00:19:01,119 --> 00:19:08,800
Speaker 1: blazer was like a memory. I can't tell you what

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00:19:08,880 --> 00:19:11,480
Speaker 1: happened yesterday, but I can tell you. Come up. I

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00:19:11,640 --> 00:19:16,280
Speaker 1: remember this. So everybody we met at stretched on Strong's

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00:19:16,320 --> 00:19:21,479
Speaker 1: crib and um, I think back then, having had already

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00:19:21,520 --> 00:19:23,879
Speaker 1: gave us beat, but we ain't put nothing now but

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00:19:23,960 --> 00:19:26,280
Speaker 1: the originals on the original Dog Pound beat. So this

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00:19:26,440 --> 00:19:31,000
Speaker 1: is what happened, I stretched, Black. Yeah, I think we

327
00:19:31,080 --> 00:19:34,119
Speaker 1: had already did so what no no, no, no no

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00:19:34,200 --> 00:19:36,720
Speaker 1: no no. So what happened is this is l A

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00:19:36,920 --> 00:19:41,280
Speaker 1: l A. So what happened? Um, stretch, I said, the stretch? Yo.

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00:19:41,840 --> 00:19:43,879
Speaker 1: I remember Chas had just played me this, so I

331
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Speaker 1: asked him he was on something called a DJ list

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00:19:46,600 --> 00:19:49,240
Speaker 1: back then, back in the days, you could send somebody

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00:19:49,280 --> 00:19:51,880
Speaker 1: a record and two months in advance and your ship

334
00:19:51,960 --> 00:19:54,720
Speaker 1: wouldn't be bootlegs. You know what I'm saying, Because if

335
00:19:54,760 --> 00:19:57,240
Speaker 1: he was on a DJ list, it was just so

336
00:19:57,359 --> 00:19:59,479
Speaker 1: I asked Stressed to pull it up. We heard New

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00:19:59,560 --> 00:20:03,439
Speaker 1: York when we couldn't determine if they were dissing us

338
00:20:03,520 --> 00:20:06,840
Speaker 1: or not, So technically we didn't dis them. We just rhymed.

339
00:20:07,160 --> 00:20:16,200
Speaker 1: Correct the video I always always, but I remember it

340
00:20:16,320 --> 00:20:19,440
Speaker 1: was Prodigies verse. They took it because he said, Um,

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00:20:20,200 --> 00:20:24,600
Speaker 1: he said JFK on our way to l A M

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00:20:24,880 --> 00:20:28,879
Speaker 1: M and remember remember, and then he used that on

343
00:20:29,080 --> 00:20:31,680
Speaker 1: y'all album later, But the original L A L A

344
00:20:31,800 --> 00:20:35,280
Speaker 1: were all five of us. Prodigy said, n y C,

345
00:20:35,760 --> 00:20:38,920
Speaker 1: you and our verse supremacy, Havoc and pret queens Nigga,

346
00:20:39,000 --> 00:20:42,240
Speaker 1: so it's seemed to be Mega got word back from Noriega.

347
00:20:42,720 --> 00:20:46,200
Speaker 1: And that was on original L A l A. Oh,

348
00:20:46,880 --> 00:20:50,320
Speaker 1: I'm gonna break it down. He did that on right,

349
00:20:50,440 --> 00:20:54,760
Speaker 1: hold on, hold on somewhere else. No, it versus somewhere else,

350
00:20:55,240 --> 00:20:58,159
Speaker 1: but it was originally on L A l A. He

351
00:20:58,320 --> 00:21:02,560
Speaker 1: took it off. And when he took it off, we

352
00:21:02,920 --> 00:21:05,680
Speaker 1: remember we're calling Steve Riffis. Steve looking was like, no,

353
00:21:05,840 --> 00:21:08,840
Speaker 1: he doesn't want to be a part of this. Yeah,

354
00:21:09,000 --> 00:21:11,560
Speaker 1: you didn't. You didn't even make a noise to happen.

355
00:21:11,680 --> 00:21:14,920
Speaker 1: Who I didn't You stayed a part of yah makes

356
00:21:14,920 --> 00:21:19,560
Speaker 1: a noise to happen? Say it. But from what I heard, now,

357
00:21:19,600 --> 00:21:22,959
Speaker 1: I never heard this from Prodigy or or Steve Rifkin myself,

358
00:21:23,600 --> 00:21:25,720
Speaker 1: but from what I heard, Steve Riffers said, Prodigy, you

359
00:21:25,760 --> 00:21:28,200
Speaker 1: didn't want to do it. And then the first came

360
00:21:28,240 --> 00:21:30,440
Speaker 1: off the week that the day that we shot the

361
00:21:30,560 --> 00:21:33,800
Speaker 1: video is the day it came out, and you was

362
00:21:33,840 --> 00:21:36,160
Speaker 1: only supposed to come to the video, and then Prodigy

363
00:21:36,240 --> 00:21:38,520
Speaker 1: showed that he was there. He was in the video.

364
00:21:38,560 --> 00:21:40,600
Speaker 1: That's right, that's right because it was it was so

365
00:21:41,080 --> 00:21:44,000
Speaker 1: he did his first in the video. No, no, it

366
00:21:44,160 --> 00:21:46,000
Speaker 1: was like he was just like l A l A

367
00:21:46,160 --> 00:21:50,000
Speaker 1: big city. Yeah right, but you're saying it wasn't a

368
00:21:50,080 --> 00:21:52,920
Speaker 1: distract who said that? No? No, But then because that

369
00:21:53,040 --> 00:21:56,520
Speaker 1: intro was this no yeah yeah yeah that that was replaced.

370
00:21:57,440 --> 00:21:59,200
Speaker 1: But but we heard it. We all heard it. But

371
00:21:59,280 --> 00:22:02,440
Speaker 1: then that sound like live nigga rack, that was it.

372
00:22:02,680 --> 00:22:04,800
Speaker 1: Then he that's when he used that person. That's when

373
00:22:04,840 --> 00:22:09,679
Speaker 1: he used that person. But originally and then here's my question,

374
00:22:10,280 --> 00:22:13,520
Speaker 1: is Tupac came at y'all you know this is my record?

375
00:22:13,600 --> 00:22:18,440
Speaker 1: Did you have at one point when it's be like yeah,

376
00:22:19,480 --> 00:22:22,320
Speaker 1: that's question. But I didn't give a fuck because I

377
00:22:22,440 --> 00:22:25,159
Speaker 1: was like, because what did you do? Um? What was

378
00:22:25,200 --> 00:22:27,720
Speaker 1: the record? I loved the racket. It just dropped it

379
00:22:27,800 --> 00:22:30,200
Speaker 1: too late when you went back and dropped the gym on.

380
00:22:31,440 --> 00:22:37,560
Speaker 1: Yeah yeah, but I didn't kid because I was like, Yo,

381
00:22:37,640 --> 00:22:41,200
Speaker 1: this nigga. Tupac then from Juice, you know, what I'm saying,

382
00:22:41,280 --> 00:22:44,840
Speaker 1: like saying that name. So I was like, fuck, like,

383
00:22:44,960 --> 00:22:47,000
Speaker 1: who gives the fuck? You know what I'm saying, Because

384
00:22:47,080 --> 00:22:51,080
Speaker 1: we got like a hundred queensman, well fucking kill you.

385
00:22:51,440 --> 00:22:58,239
Speaker 1: But I love But did you did you realize how

386
00:22:58,400 --> 00:23:00,720
Speaker 1: beef that I mean, how big that it was? Like

387
00:23:01,359 --> 00:23:05,080
Speaker 1: like it was, it was huge, Like for Tupac to

388
00:23:05,160 --> 00:23:07,800
Speaker 1: dis you, it's like you you go platinum or something like,

389
00:23:08,000 --> 00:23:10,600
Speaker 1: I'm keeping it real. That's how I think was it

390
00:23:10,680 --> 00:23:15,040
Speaker 1: was the original, but I wanted to everything. I was

391
00:23:15,119 --> 00:23:24,320
Speaker 1: like you, But then I thought about I said, I

392
00:23:24,480 --> 00:23:27,320
Speaker 1: was super broke at that moment, so I couldn't have

393
00:23:27,400 --> 00:23:31,760
Speaker 1: thought no Tupac beaf, but they came. It's a fact

394
00:23:31,800 --> 00:23:34,440
Speaker 1: one nigga. Like at one point on one arm, I

395
00:23:34,600 --> 00:23:36,840
Speaker 1: was mad that he just then other arm, I was like,

396
00:23:37,119 --> 00:23:40,400
Speaker 1: holy ship, I white my sweat, but y'all went back.

397
00:23:40,680 --> 00:23:43,200
Speaker 1: I didn't give him, you didn't give drop with gym,

398
00:23:43,560 --> 00:23:46,280
Speaker 1: and we did drop a gym on it because I

399
00:23:46,680 --> 00:23:49,760
Speaker 1: because I always thought that like, even if we did

400
00:23:49,880 --> 00:23:52,159
Speaker 1: see each other, it was gonna be like whatever, it

401
00:23:52,280 --> 00:23:55,000
Speaker 1: wasn't gonna be the real ship, you know what I mean.

402
00:23:55,119 --> 00:23:57,320
Speaker 1: We come from the hood, so the real ship is

403
00:23:57,600 --> 00:24:02,159
Speaker 1: in the hood and these other niggas is rapids. You know,

404
00:24:03,720 --> 00:24:06,600
Speaker 1: this is real ship right there. It's real ship. You know.

405
00:24:06,720 --> 00:24:10,000
Speaker 1: The fans and the people wanted to notice l A story.

406
00:24:10,480 --> 00:24:13,600
Speaker 1: This is dope. Like when you my radio when the

407
00:24:13,840 --> 00:24:15,840
Speaker 1: l A l A Ship was out. Believe me, we

408
00:24:16,040 --> 00:24:19,040
Speaker 1: was going to l A under aliases, like when we

409
00:24:19,119 --> 00:24:23,360
Speaker 1: couldn't just because Biggie got killed. Remember this time, that's

410
00:24:23,440 --> 00:24:27,280
Speaker 1: true this time. What's the chronological order of that? Though?

411
00:24:27,359 --> 00:24:29,040
Speaker 1: So when L A A came out? What years after

412
00:24:29,920 --> 00:24:34,800
Speaker 1: ninety six? Right, and Biggie had died? When ninety six? No, no,

413
00:24:35,040 --> 00:24:43,879
Speaker 1: not Google Google because the record because diverse Biggie. No, no, no,

414
00:24:44,000 --> 00:24:46,919
Speaker 1: we need the Google. So this is way before Big Been,

415
00:24:46,960 --> 00:24:51,639
Speaker 1: Biggie and Pop die right, Yeah, Big for sure was

416
00:24:51,640 --> 00:24:56,240
Speaker 1: the ninety seven alright six months later. Yeah, so there's

417
00:24:56,240 --> 00:24:58,280
Speaker 1: still ninety seven. But still what you said you went

418
00:24:58,280 --> 00:25:02,360
Speaker 1: alias names. All I know is I remember like when

419
00:25:02,480 --> 00:25:05,280
Speaker 1: all of that, when all of that stuff was going down,

420
00:25:07,080 --> 00:25:09,680
Speaker 1: it was the East Coast, West Coast beach. Somebody probably

421
00:25:09,720 --> 00:25:12,879
Speaker 1: didn't even die yet, you understand what I'm saying. So

422
00:25:13,000 --> 00:25:18,000
Speaker 1: when they did die, you understand, it was like, Okay,

423
00:25:18,920 --> 00:25:24,480
Speaker 1: bulletproof cause names under alias is. But California is a

424
00:25:24,560 --> 00:25:27,760
Speaker 1: market that you have to be in just sell records.

425
00:25:27,880 --> 00:25:30,280
Speaker 1: It's like a huge market and it's one of our

426
00:25:30,400 --> 00:25:33,080
Speaker 1: number one markets to this day. You understand what I'm saying,

427
00:25:33,200 --> 00:25:36,199
Speaker 1: and I'm sure you can agree. I love California. I'm

428
00:25:36,240 --> 00:25:39,080
Speaker 1: out there, I got it. I got a crib about this.

429
00:25:39,600 --> 00:25:41,720
Speaker 1: It's like, you know, make some noise for havoc flaws.

430
00:25:45,040 --> 00:25:47,760
Speaker 1: Having your old storm, nick, I just teach you. You

431
00:25:47,960 --> 00:25:50,359
Speaker 1: have it rolled up in a yellow cab. Let's make

432
00:25:50,400 --> 00:25:56,320
Speaker 1: some noise for that nigga. You gotta that's some old

433
00:25:56,359 --> 00:26:00,520
Speaker 1: school because because because my Uber account was compromised the

434
00:26:00,560 --> 00:26:04,120
Speaker 1: way you know, so when I used my Uba, somebody knows.

435
00:26:06,680 --> 00:26:08,200
Speaker 1: You have to explain this because I want to watch

436
00:26:08,240 --> 00:26:10,040
Speaker 1: out for this. I don't even want to explain it.

437
00:26:11,119 --> 00:26:14,360
Speaker 1: But somebody knows. I'm using computers one day. One time

438
00:26:14,440 --> 00:26:17,440
Speaker 1: you got tapped, right, they said that you said ship

439
00:26:17,920 --> 00:26:20,040
Speaker 1: like you're not good with computers. You need to keep

440
00:26:20,080 --> 00:26:29,440
Speaker 1: the original. That's that's a segue, like you ain't sing up. Yeah, yeah,

441
00:26:30,119 --> 00:26:32,560
Speaker 1: what's those messages true? Like let's just keep it real.

442
00:26:33,600 --> 00:26:36,240
Speaker 1: That's just don't matter. If you seen the messages I

443
00:26:36,320 --> 00:26:40,000
Speaker 1: send the compone ship. It's so good. It's the same ship.

444
00:26:40,160 --> 00:26:42,240
Speaker 1: It might not you went a little too far. I

445
00:26:42,359 --> 00:26:44,159
Speaker 1: did call them a fact and all that you were

446
00:26:44,160 --> 00:26:47,159
Speaker 1: a little too far. Don't come down there with the

447
00:26:47,280 --> 00:26:49,280
Speaker 1: shoot heavy dal with there was a shoot, was heavy.

448
00:26:49,320 --> 00:26:51,240
Speaker 1: He was involved like he he wasn't shooting, but he was.

449
00:26:51,560 --> 00:26:54,920
Speaker 1: Now in your opinion, you both knowing Pocket and Big,

450
00:26:55,080 --> 00:26:58,280
Speaker 1: there's very few people who know Pocket and Big. There's

451
00:26:58,280 --> 00:27:00,560
Speaker 1: people who know Pop great, and of people who know

452
00:27:00,680 --> 00:27:02,840
Speaker 1: Big a little bit, people who know Big a lot,

453
00:27:03,280 --> 00:27:05,119
Speaker 1: people who know Pop a little bit. But you know

454
00:27:05,240 --> 00:27:08,879
Speaker 1: them both for them, do you think they could have

455
00:27:08,880 --> 00:27:13,240
Speaker 1: ever squashed that? Like yeah, I mean on the People

456
00:27:13,280 --> 00:27:17,959
Speaker 1: Show when Pop got out of jail, I Pop, then

457
00:27:18,000 --> 00:27:20,880
Speaker 1: I would an interview Biggie, and then through the interviewing

458
00:27:21,000 --> 00:27:23,920
Speaker 1: process of it, it was more like I was interviewing them,

459
00:27:24,760 --> 00:27:27,720
Speaker 1: but I was like Nigga chilling funk out, you know.

460
00:27:28,200 --> 00:27:30,280
Speaker 1: So it was more of me having a conversation with

461
00:27:30,440 --> 00:27:34,200
Speaker 1: them about chilling fun out. You too, Motherucker's need to

462
00:27:34,680 --> 00:27:36,760
Speaker 1: make money. This ship is about money, y'all taking this

463
00:27:36,880 --> 00:27:40,200
Speaker 1: too to the extreme, because you know, I was in St.

464
00:27:40,280 --> 00:27:43,520
Speaker 1: Louis doing a show with Big and Big out there.

465
00:27:43,640 --> 00:27:47,639
Speaker 1: You know, motherfucker's they wanted did this Pop on stage

466
00:27:47,720 --> 00:27:52,159
Speaker 1: and they were boring. You know, I'm I'm sitting up

467
00:27:52,160 --> 00:27:54,920
Speaker 1: there like you know, I'm like, okay, you know the

468
00:27:55,040 --> 00:27:57,760
Speaker 1: mediator and the whole ship, like and Big when this

469
00:27:58,200 --> 00:28:01,840
Speaker 1: so then I when I interviewed, uh when when I

470
00:28:01,920 --> 00:28:05,960
Speaker 1: interviewed pop Pop was just going crazy, you know, oh yeah,

471
00:28:06,119 --> 00:28:09,240
Speaker 1: yeah yeah, this girl and did this and and then

472
00:28:09,359 --> 00:28:11,439
Speaker 1: that and all this, And I'm like, so when interview

473
00:28:11,560 --> 00:28:12,879
Speaker 1: over there looking at man, you need to chill the

474
00:28:12,920 --> 00:28:15,200
Speaker 1: funk out, you know what I'm saying. You know, so

475
00:28:15,359 --> 00:28:17,639
Speaker 1: many of them had you know, we could talk because

476
00:28:17,640 --> 00:28:20,800
Speaker 1: I know him before he linked up with you know,

477
00:28:20,880 --> 00:28:22,720
Speaker 1: with the Death Row dudes. I know him when he

478
00:28:22,840 --> 00:28:25,159
Speaker 1: was with did you Don't Underground? You know? So I

479
00:28:25,320 --> 00:28:27,760
Speaker 1: know this young dude, he you know, on something black

480
00:28:27,800 --> 00:28:30,360
Speaker 1: power ship. You know, I know where he's coming from.

481
00:28:30,480 --> 00:28:33,119
Speaker 1: So you know, you ain't on what you you know,

482
00:28:33,160 --> 00:28:36,280
Speaker 1: I'm like, what you change? What are you doing? You

483
00:28:36,320 --> 00:28:37,800
Speaker 1: know what I'm saying? You're you on that, you know,

484
00:28:37,880 --> 00:28:39,680
Speaker 1: on that black man ship with you, which is I

485
00:28:39,800 --> 00:28:42,200
Speaker 1: know how that's how you raised. You're always on that.

486
00:28:42,680 --> 00:28:46,040
Speaker 1: You don't know do nothing other black man. So you know,

487
00:28:46,160 --> 00:28:48,440
Speaker 1: we had that conversation and you know, I want to

488
00:28:48,480 --> 00:28:53,040
Speaker 1: go in interview Biggie Big Ones say one word about it? Yeah,

489
00:28:53,360 --> 00:28:56,920
Speaker 1: Big One, you talk big you know Big Ones say nothing.

490
00:28:57,080 --> 00:28:59,720
Speaker 1: It was like nine nine, you know, he just kept

491
00:28:59,800 --> 00:29:03,840
Speaker 1: it like, uh, Kevin, like really one hundred. So it

492
00:29:04,000 --> 00:29:07,320
Speaker 1: was it was they were they were gonna talk, you

493
00:29:07,400 --> 00:29:09,760
Speaker 1: know after me. If I had the conversation with both

494
00:29:09,800 --> 00:29:12,080
Speaker 1: of them, you know, they were gonna talk. But then

495
00:29:12,720 --> 00:29:17,400
Speaker 1: for some reason, you knew Pop pre Death Roll, Yeah,

496
00:29:18,000 --> 00:29:27,760
Speaker 1: and then what's that after? Right? Well? Which which park

497
00:29:27,840 --> 00:29:32,720
Speaker 1: you related to more? The park before before Death Roll Underground.

498
00:29:33,040 --> 00:29:37,000
Speaker 1: It's all like it's almost like two different people totally

499
00:29:37,880 --> 00:29:41,000
Speaker 1: to different people totally. Man, I can relate. I'm a Gemini,

500
00:29:41,320 --> 00:29:45,640
Speaker 1: Yeah yeah, yeah, yeah yeah. It's almost like, uh, you know,

501
00:29:46,200 --> 00:29:49,240
Speaker 1: young dude, you know, hanging out with a cooler people,

502
00:29:49,280 --> 00:29:52,360
Speaker 1: then you conform into that crew. You know. That's why always,

503
00:29:52,440 --> 00:29:54,520
Speaker 1: you know, when I'm working with kids, I tell kids,

504
00:29:54,560 --> 00:29:56,720
Speaker 1: don't be no following. You know, in the back of

505
00:29:56,760 --> 00:29:59,880
Speaker 1: my mind, I'm thinking about, you know, them soldiers who

506
00:30:00,280 --> 00:30:02,360
Speaker 1: like pop. You know what I'm saying, You gotta be

507
00:30:02,360 --> 00:30:04,840
Speaker 1: your old man. You can't get caught up in you know,

508
00:30:05,480 --> 00:30:07,200
Speaker 1: the ship somebody else trying to do. You think Pop

509
00:30:07,320 --> 00:30:09,160
Speaker 1: was following though in that sense you do, you don't

510
00:30:09,160 --> 00:30:10,640
Speaker 1: think I think he had a plan to get out

511
00:30:10,680 --> 00:30:14,080
Speaker 1: of that situation or change the trajectory of what he

512
00:30:14,160 --> 00:30:16,920
Speaker 1: was trying to do. That's what everybody, well, when you

513
00:30:17,160 --> 00:30:20,680
Speaker 1: when you when you when you want some real black

514
00:30:20,720 --> 00:30:22,440
Speaker 1: man ship, like better got a baby, and then you

515
00:30:22,480 --> 00:30:26,680
Speaker 1: go overhead, not not not exactly bring. I mean he

516
00:30:26,920 --> 00:30:29,400
Speaker 1: was deep. He was deep. He was on some real

517
00:30:29,480 --> 00:30:32,560
Speaker 1: black man ship, you know, black power black like this.

518
00:30:33,160 --> 00:30:36,600
Speaker 1: He was on some deep black man And then so

519
00:30:36,880 --> 00:30:39,640
Speaker 1: now you get linked up with this crew on that

520
00:30:40,240 --> 00:30:43,240
Speaker 1: on some different ship, then you conformed to be like that.

521
00:30:43,840 --> 00:30:48,080
Speaker 1: You feel me? So I knew him before that. You know,

522
00:30:48,200 --> 00:30:49,960
Speaker 1: there's this young man. We're just trying to get on,

523
00:30:50,080 --> 00:30:52,000
Speaker 1: trying to get this music here, trying to do the

524
00:30:52,120 --> 00:30:54,120
Speaker 1: right thing. I'm on some black man ship. He was more,

525
00:30:54,560 --> 00:30:58,720
Speaker 1: he was more deeper than then public Enemy then public Enemy,

526
00:31:00,120 --> 00:31:02,520
Speaker 1: that black man ship. So then I when you go

527
00:31:03,200 --> 00:31:05,680
Speaker 1: and you linked with this crew here, then you kind

528
00:31:05,720 --> 00:31:08,480
Speaker 1: of conformed to that. And then now you got whole

529
00:31:08,560 --> 00:31:11,200
Speaker 1: crew of and you had already had beef for death Roll,

530
00:31:11,280 --> 00:31:14,960
Speaker 1: so you knew what type of mind sticky. Yeah it was,

531
00:31:15,160 --> 00:31:17,120
Speaker 1: you know it was you know, it was like on

532
00:31:17,360 --> 00:31:20,240
Speaker 1: some you know, we tough guyship. So then now you

533
00:31:20,320 --> 00:31:24,560
Speaker 1: got this young guy that's really you know, just searching

534
00:31:24,720 --> 00:31:28,200
Speaker 1: for a family. You bring me in and before you

535
00:31:28,320 --> 00:31:31,840
Speaker 1: know it, he conformed into you know, it's like, uh,

536
00:31:32,600 --> 00:31:35,120
Speaker 1: become a product of your environment. So he became a

537
00:31:35,160 --> 00:31:45,960
Speaker 1: product of that environment before we moved on to that.

538
00:31:46,360 --> 00:31:51,520
Speaker 1: You ever hung out with Pun as well? Yeah? Yeah,

539
00:31:52,440 --> 00:31:56,080
Speaker 1: how was how was it hanging out Pun? Fun? Pun

540
00:31:56,200 --> 00:31:59,280
Speaker 1: and Joe? I remember, you know when I first met Joe.

541
00:31:59,840 --> 00:32:02,240
Speaker 1: You know, I went to the went to the fucking

542
00:32:02,360 --> 00:32:07,600
Speaker 1: club and uh the Puerto Rican club story, let's get it.

543
00:32:08,800 --> 00:32:10,760
Speaker 1: So I go to club, hang out with Joe Bunton,

544
00:32:11,280 --> 00:32:14,440
Speaker 1: Joe beat the ship out of some club like this

545
00:32:14,600 --> 00:32:21,240
Speaker 1: motherfucker is so up. Some motherfucker like what the fund

546
00:32:21,360 --> 00:32:24,240
Speaker 1: is this? Right? But but after that, I mean we

547
00:32:24,400 --> 00:32:28,880
Speaker 1: end up doing something together and uh and some of

548
00:32:28,920 --> 00:32:31,440
Speaker 1: the other guys in the group. Next up is from

549
00:32:31,520 --> 00:32:34,560
Speaker 1: episode eighty six of Drink Champs. We sat down with

550
00:32:34,680 --> 00:32:38,760
Speaker 1: the legendary film director John Singleton and man, what can

551
00:32:38,800 --> 00:32:42,320
Speaker 1: I say, you know, it's it really hurt to to

552
00:32:42,520 --> 00:32:44,760
Speaker 1: you know, to see John go, you know, and I'm

553
00:32:44,840 --> 00:32:47,080
Speaker 1: just really happy that that we had a chance to

554
00:32:47,120 --> 00:32:50,360
Speaker 1: sit down with him. You know. It's it's never a

555
00:32:50,480 --> 00:32:53,360
Speaker 1: good thing when when you know people leave, you know,

556
00:32:53,400 --> 00:32:56,320
Speaker 1: it seems before their time. And just felt like John

557
00:32:56,400 --> 00:32:59,479
Speaker 1: had a lot of things left to do. So it's uh,

558
00:33:00,160 --> 00:33:04,520
Speaker 1: very unfortunate, and our condolences to his entire family and

559
00:33:04,800 --> 00:33:08,120
Speaker 1: close friends. But we're grateful that we got the opportunity

560
00:33:08,120 --> 00:33:10,840
Speaker 1: to sit down on him, really humble guy for everything

561
00:33:10,880 --> 00:33:14,400
Speaker 1: he had accomplished. So in case you missed it, checkout

562
00:33:14,480 --> 00:33:18,480
Speaker 1: episode eighty six with our guests John Singleton. Um. But

563
00:33:18,600 --> 00:33:23,040
Speaker 1: here's some moments from it. You're so rich man, here

564
00:33:23,080 --> 00:33:24,760
Speaker 1: we're here, you got yachts and all type of things,

565
00:33:26,840 --> 00:33:29,400
Speaker 1: and you know what, you're humble god, but almost I'm

566
00:33:29,440 --> 00:33:34,880
Speaker 1: a brag brag for brag for you man, you know

567
00:33:34,920 --> 00:33:36,520
Speaker 1: what I mean. We want to listen. I don't know

568
00:33:36,560 --> 00:33:38,400
Speaker 1: if you know what our show was about. Giving all

569
00:33:38,560 --> 00:33:41,920
Speaker 1: legends flowers when they can smell them, and treats when

570
00:33:41,920 --> 00:33:45,400
Speaker 1: they get held them because our our society so much

571
00:33:45,640 --> 00:33:48,240
Speaker 1: praise as a person after they die and I feel

572
00:33:48,280 --> 00:33:51,040
Speaker 1: like that is so backwards. Yeah you should. I should

573
00:33:51,040 --> 00:33:52,920
Speaker 1: be able to tell you how much I appreciate you

574
00:33:53,120 --> 00:33:56,320
Speaker 1: right here, face to face man and man, as opposed

575
00:33:56,360 --> 00:33:58,320
Speaker 1: to waiting for you to pass away and then be like, yeah,

576
00:33:58,360 --> 00:33:59,880
Speaker 1: he's a great guy. I mean and him party they

577
00:34:00,000 --> 00:34:02,000
Speaker 1: in the back of the day. I should say that now,

578
00:34:02,320 --> 00:34:04,480
Speaker 1: like you know what I'm saying. Like, And I actually

579
00:34:04,600 --> 00:34:07,640
Speaker 1: learned that through Dave Chappelle, you know, when the way

580
00:34:07,920 --> 00:34:10,360
Speaker 1: it was print and it was like he started praising

581
00:34:10,440 --> 00:34:13,040
Speaker 1: Prince while Prince was alive. And it's just like, that's

582
00:34:13,040 --> 00:34:15,080
Speaker 1: what we got to continue to do. And that's not

583
00:34:15,239 --> 00:34:17,879
Speaker 1: just as a culture, that's as as people, like as

584
00:34:18,000 --> 00:34:20,920
Speaker 1: human human beings. As human beings, we gotta start praising

585
00:34:21,000 --> 00:34:23,799
Speaker 1: our people where they're here. So with that being said,

586
00:34:23,840 --> 00:34:28,200
Speaker 1: I wasn't working with Janet Jackson penny. You know, come on,

587
00:34:28,400 --> 00:34:30,480
Speaker 1: it's beautiful. It was jerked off the penny a lot.

588
00:34:31,719 --> 00:34:33,360
Speaker 1: Throw that out there. It was good. I don't know

589
00:34:33,400 --> 00:34:36,840
Speaker 1: if that's serious, the whole age thing. No, that was

590
00:34:36,880 --> 00:34:38,560
Speaker 1: not serious. That was a joke that we was having

591
00:34:38,560 --> 00:34:42,560
Speaker 1: on the set. Because the real talk is Tupac was

592
00:34:42,600 --> 00:34:49,000
Speaker 1: attracted Dejane. I was attracted Jana the world. We're in

593
00:34:49,040 --> 00:34:53,400
Speaker 1: the set, we're both trying to like, you know, floodwater

594
00:34:53,520 --> 00:34:55,759
Speaker 1: and stuff, and I'm like, you know what, I don't

595
00:34:55,800 --> 00:34:57,759
Speaker 1: know if you know, I should have you kissing on

596
00:34:57,920 --> 00:35:00,760
Speaker 1: my actress because you know, you know, and fucking around

597
00:35:00,800 --> 00:35:03,120
Speaker 1: doing all this ship. You know, Pope was just coming

598
00:35:03,160 --> 00:35:05,279
Speaker 1: to his own then, right and I was like, man,

599
00:35:06,000 --> 00:35:07,560
Speaker 1: I was like, yeah, you know what, You're gonna have

600
00:35:07,600 --> 00:35:09,359
Speaker 1: to do an as test for y'all, do this left scene.

601
00:35:09,400 --> 00:35:13,120
Speaker 1: It was a joke, but he said, no, it's you know,

602
00:35:13,239 --> 00:35:15,760
Speaker 1: it's me saw not my nigger on the sun right before,

603
00:35:16,080 --> 00:35:19,040
Speaker 1: just like talking ship and then we're like, oh, ship,

604
00:35:19,520 --> 00:35:21,600
Speaker 1: we should we should we should use this, we should

605
00:35:21,640 --> 00:35:23,640
Speaker 1: put this out. And so that's what we did as

606
00:35:23,680 --> 00:35:25,759
Speaker 1: a publicity thing. As a publicity thing, we just did that.

607
00:35:27,320 --> 00:35:32,080
Speaker 1: But it's just like us talking. We got Jackson, but

608
00:35:32,160 --> 00:35:33,840
Speaker 1: it was just us talking on the ship on the

609
00:35:33,920 --> 00:35:35,600
Speaker 1: set and everything and this, and you know it was

610
00:35:35,640 --> 00:35:38,479
Speaker 1: an inside joke. That's when it works. Now, not only

611
00:35:38,600 --> 00:35:41,640
Speaker 1: did you get to work with Janet Jackson, if you

612
00:35:41,719 --> 00:35:45,560
Speaker 1: got to work with the big man Mike Jackson, did

613
00:35:45,600 --> 00:35:47,080
Speaker 1: he have a glove one when you met him? No,

614
00:35:47,239 --> 00:35:49,120
Speaker 1: he didn't have a guy. He's where he wore the

615
00:35:49,160 --> 00:35:52,400
Speaker 1: old fun I got a lot and he didn't. He

616
00:35:52,480 --> 00:35:54,840
Speaker 1: didn't's a crazy because in his in his problem was

617
00:35:55,360 --> 00:35:57,759
Speaker 1: you see it Michael on on camera and suff he

618
00:35:57,760 --> 00:36:00,520
Speaker 1: didn't talk the way that he talks, you know, and

619
00:36:00,760 --> 00:36:03,480
Speaker 1: he said that Mike, Mike was a nigger, like Mike

620
00:36:03,640 --> 00:36:07,239
Speaker 1: was like different, different and every tone and everything that

621
00:36:10,360 --> 00:36:13,400
Speaker 1: I'm just saying that just that was an expectation that

622
00:36:13,480 --> 00:36:15,320
Speaker 1: he put on for the cameras. He didn't he wouldn't

623
00:36:15,360 --> 00:36:16,680
Speaker 1: talk about it. He was just a brother. He was

624
00:36:16,920 --> 00:36:19,440
Speaker 1: different to every different to me and everything. It's just like,

625
00:36:19,560 --> 00:36:21,920
Speaker 1: you know, he's just like hey, you know. And he

626
00:36:22,080 --> 00:36:24,520
Speaker 1: was really despite what he you know, he ended up

627
00:36:24,560 --> 00:36:28,239
Speaker 1: doing to his face and his skin got lighter and everything.

628
00:36:28,560 --> 00:36:30,600
Speaker 1: He was a real brother man. He was really about

629
00:36:31,040 --> 00:36:35,200
Speaker 1: black people because I heard that video. He actually that

630
00:36:35,360 --> 00:36:39,239
Speaker 1: was after Magic actually announced and he wanted to do

631
00:36:39,440 --> 00:36:42,839
Speaker 1: something and Mike wanted Mike wanted Magic in the video.

632
00:36:42,880 --> 00:36:44,480
Speaker 1: He said, you know, cal him Magic, Let's get him

633
00:36:44,520 --> 00:36:47,680
Speaker 1: in the video. Remember the time, remember time. I hate

634
00:36:47,719 --> 00:36:54,440
Speaker 1: that ship in my head, right, I ain't gonna lie.

635
00:36:54,440 --> 00:36:56,800
Speaker 1: I couldn't have met Michael Jackson. I would like I

636
00:36:56,840 --> 00:36:58,640
Speaker 1: would have gave him. I would gave him a file

637
00:36:58,719 --> 00:37:04,400
Speaker 1: too hard. Who oh not? U gave us the crazy

638
00:37:06,000 --> 00:37:09,520
Speaker 1: Michael Jackson s. But so how was it? Was he

639
00:37:09,600 --> 00:37:12,920
Speaker 1: a pure genius? Like was he everything? He was? His

640
00:37:13,200 --> 00:37:15,440
Speaker 1: damn near genius? I mean dann mal genius. I mean

641
00:37:15,480 --> 00:37:18,120
Speaker 1: like you know the things that that uh that he

642
00:37:18,280 --> 00:37:21,440
Speaker 1: did and that he uh and that he wanted to

643
00:37:21,520 --> 00:37:25,160
Speaker 1: do and stuff, you know, like unprecedented in this business.

644
00:37:25,760 --> 00:37:31,399
Speaker 1: You know, have you ever been U starstruck? Yeah? Who who?

645
00:37:31,440 --> 00:37:33,399
Speaker 1: You stought? I gotta hear this. I mean, I'm only

646
00:37:33,480 --> 00:37:35,640
Speaker 1: bet star shot two times in my whole career. I

647
00:37:35,719 --> 00:37:38,759
Speaker 1: need to hear both. Let's go for it. The first

648
00:37:38,880 --> 00:37:43,719
Speaker 1: was meeting Steven Spielberg because it's like, you know, as

649
00:37:43,800 --> 00:37:47,120
Speaker 1: a kid going up, you know, like he was, you know,

650
00:37:47,680 --> 00:37:50,960
Speaker 1: the the young person that went on to make movies

651
00:37:51,080 --> 00:37:53,480
Speaker 1: at an early age, and I wanted to be like that,

652
00:37:54,320 --> 00:37:57,000
Speaker 1: Um just nervous, and you know I saw him and

653
00:37:57,040 --> 00:37:59,600
Speaker 1: that as soon as I saw him and we met

654
00:38:00,400 --> 00:38:03,520
Speaker 1: just it was like it was like, um, you know,

655
00:38:03,600 --> 00:38:05,120
Speaker 1: it was it was as great. You know, it's like

656
00:38:05,200 --> 00:38:10,320
Speaker 1: the godfather of filmmaking, of filmmaking, the second was what

657
00:38:10,480 --> 00:38:16,560
Speaker 1: your prior, yea Richard Pribord, remember prior at the comedy store.

658
00:38:16,960 --> 00:38:18,480
Speaker 1: I was, I used to hang out the comed store.

659
00:38:18,560 --> 00:38:20,120
Speaker 1: As soon as you say you met Richard prior, I

660
00:38:20,280 --> 00:38:23,360
Speaker 1: thought the comedy store and so uh And it's funny

661
00:38:23,360 --> 00:38:25,640
Speaker 1: because Richard probably was hanging out with Opportina Comedy Club

662
00:38:25,760 --> 00:38:28,799
Speaker 1: was Hollywood, are you here this with a Patine Richard

663
00:38:32,600 --> 00:38:38,400
Speaker 1: with Opportunito And I can't even love that dope, And

664
00:38:38,520 --> 00:38:40,359
Speaker 1: I'm like, let's throw that out there. I don't even

665
00:38:40,360 --> 00:38:44,520
Speaker 1: look at Opportune. I'm looking at much private. But Richard

666
00:38:44,640 --> 00:38:46,279
Speaker 1: used to have this do that work for him. Um.

667
00:38:46,680 --> 00:38:50,480
Speaker 1: It came over to me, um and and he said, uh,

668
00:38:50,800 --> 00:38:54,160
Speaker 1: you know, uh, Richard would like to say hello to you.

669
00:38:54,680 --> 00:38:57,279
Speaker 1: And I walked across from him, and Richard was kind

670
00:38:57,320 --> 00:38:59,239
Speaker 1: of frail here. The ms was getting them, but it

671
00:38:59,320 --> 00:39:02,279
Speaker 1: wasn't as bad. He wasn't wheelchah, it wasn't built. And

672
00:39:02,400 --> 00:39:05,400
Speaker 1: he just said, uh, uh you know the young man

673
00:39:05,440 --> 00:39:06,880
Speaker 1: that made that movie because boys in the Hood just

674
00:39:07,040 --> 00:39:09,000
Speaker 1: came out. And I said, yes, sir, I am. And

675
00:39:09,160 --> 00:39:12,160
Speaker 1: mind you because you're like me. You listen to every

676
00:39:12,280 --> 00:39:22,640
Speaker 1: rich pri Mama had since birth. Curse he said, are

677
00:39:22,680 --> 00:39:25,200
Speaker 1: you the man amant the movie? I said, yes, sir, yeah,

678
00:39:25,640 --> 00:39:27,840
Speaker 1: and he goes against me a hut n. I just

679
00:39:27,960 --> 00:39:31,320
Speaker 1: cried on the shoulder I saw, I said, because because

680
00:39:31,800 --> 00:39:34,160
Speaker 1: this is a man. And then after that we became friends.

681
00:39:34,160 --> 00:39:35,759
Speaker 1: I used to go up to his house and said,

682
00:39:35,760 --> 00:39:37,640
Speaker 1: he'd be sitting up in the bed. You have a

683
00:39:37,760 --> 00:39:40,440
Speaker 1: gun right by the side of his bad. This is

684
00:39:40,480 --> 00:39:45,080
Speaker 1: mother got guns right next to and every comedian, Wayne's brothers,

685
00:39:45,200 --> 00:39:48,480
Speaker 1: whoever it was, he pulled guns out. No, no other

686
00:39:48,560 --> 00:39:52,239
Speaker 1: people will come through. They come through every day to

687
00:39:52,320 --> 00:39:57,480
Speaker 1: pay homaged Richard. We hope you're enjoying the special Memorial

688
00:39:57,600 --> 00:40:00,200
Speaker 1: Day episode of Drink Champs as we pay re BacT

689
00:40:00,239 --> 00:40:03,440
Speaker 1: in homage and immoralized the life of these legendary artists.

690
00:40:03,960 --> 00:40:06,399
Speaker 1: Up next. I mean, there's not much that that can

691
00:40:06,440 --> 00:40:08,279
Speaker 1: be said that has it that isn't always said and

692
00:40:08,440 --> 00:40:13,360
Speaker 1: and and just known about Biggie Smalls a K. The

693
00:40:13,440 --> 00:40:17,719
Speaker 1: notorious b I g Um Big is just, you know,

694
00:40:17,920 --> 00:40:20,000
Speaker 1: just bigger than life. He He's just one of those

695
00:40:20,160 --> 00:40:24,160
Speaker 1: iconic figures in hip hop and you can't even just

696
00:40:24,600 --> 00:40:26,840
Speaker 1: begin to imagine what he would have accomplished if he

697
00:40:26,840 --> 00:40:29,239
Speaker 1: would still be here with us and what he could

698
00:40:29,239 --> 00:40:33,680
Speaker 1: have done. Unfortunately, again an untimely death for such a

699
00:40:33,880 --> 00:40:36,360
Speaker 1: great hip hop artists, just a great artist in general,

700
00:40:36,440 --> 00:40:39,440
Speaker 1: but but for hip hop, it's just he was just

701
00:40:39,600 --> 00:40:44,120
Speaker 1: monumental and so so iconic. So uh. These next stories

702
00:40:44,200 --> 00:40:49,440
Speaker 1: come from Uncle Luke, E Forty, Puffy and Little Ces.

703
00:40:50,280 --> 00:40:53,240
Speaker 1: Listen as they share their notorious b I G stories.

704
00:40:53,600 --> 00:40:56,840
Speaker 1: You know, rest in peace, Biggie Smalls, Big Man, we

705
00:40:56,960 --> 00:41:00,320
Speaker 1: love you man. Let's get into these stories. But he

706
00:41:00,400 --> 00:41:02,600
Speaker 1: was in a car accident. He was in the car accident, okay,

707
00:41:02,600 --> 00:41:04,080
Speaker 1: because you was like the drive I got heard Big

708
00:41:04,200 --> 00:41:07,759
Speaker 1: never drove, never drove, never drove his life. Okay, So

709
00:41:07,840 --> 00:41:11,839
Speaker 1: what happened he was we had got arrested um day

710
00:41:11,880 --> 00:41:13,719
Speaker 1: before that. Let's make some noise of little Season, Big Game.

711
00:41:16,680 --> 00:41:20,120
Speaker 1: We got arrested downtown Brooklyn or some bud and they

712
00:41:20,160 --> 00:41:21,960
Speaker 1: took our truck. When we got the truck back that

713
00:41:22,080 --> 00:41:25,600
Speaker 1: that Alexis. We got it back, the ship didn't work,

714
00:41:26,080 --> 00:41:28,080
Speaker 1: so they had to ship the ship to the car dealership.

715
00:41:28,120 --> 00:41:29,480
Speaker 1: We went to the next morning to pick up a loan.

716
00:41:29,560 --> 00:41:33,080
Speaker 1: This car. It was a luminum van. Yeah. We we

717
00:41:33,160 --> 00:41:34,920
Speaker 1: trade an Alexis car for a Lumino van and I

718
00:41:34,960 --> 00:41:37,600
Speaker 1: was like, I shouldn't we get Alexus like he was like, no,

719
00:41:37,680 --> 00:41:40,200
Speaker 1: I'm gonna ride low, Let's just take this drive. And

720
00:41:40,320 --> 00:41:42,640
Speaker 1: I jumped in that ship and were driving around this

721
00:41:42,719 --> 00:41:44,640
Speaker 1: little just still a fork and the ship just sped

722
00:41:44,680 --> 00:41:46,880
Speaker 1: out of control. I ran into a rail. How old

723
00:41:46,920 --> 00:41:50,879
Speaker 1: were you at that? About sixteen? He was already driving,

724
00:41:56,080 --> 00:42:02,160
Speaker 1: had no else driving dirty? This? K Rose would answered, yeah, yeah, yeah,

725
00:42:02,200 --> 00:42:04,120
Speaker 1: So that's what happened, and he funked up his leg.

726
00:42:05,200 --> 00:42:07,520
Speaker 1: I had to get these gold fronts to a place,

727
00:42:08,000 --> 00:42:09,719
Speaker 1: two joints that was sucked up. That's why he had

728
00:42:09,719 --> 00:42:12,960
Speaker 1: to put down the rhyme. And uh time in the

729
00:42:13,040 --> 00:42:14,759
Speaker 1: radio station where he said that rhyme, was that the

730
00:42:14,800 --> 00:42:17,400
Speaker 1: first time you heard that rhyme? I heard the song?

731
00:42:18,200 --> 00:42:22,200
Speaker 1: She already yeah, you already. I had to accept that

732
00:42:22,239 --> 00:42:23,839
Speaker 1: one though, you know what I mean. I took one

733
00:42:23,880 --> 00:42:30,160
Speaker 1: for the team, right so now also right, uh? I

734
00:42:30,239 --> 00:42:33,160
Speaker 1: wanted to ask this question. Um this this comes via

735
00:42:33,560 --> 00:42:37,839
Speaker 1: shot him read. I believe he said, what were big

736
00:42:37,920 --> 00:42:40,200
Speaker 1: his plans for the Commission album with Jay? Who else

737
00:42:40,280 --> 00:42:42,440
Speaker 1: was supposed to be in that group? What label was

738
00:42:42,520 --> 00:42:45,000
Speaker 1: supposed to be on? And who was supposed to be

739
00:42:45,080 --> 00:42:48,719
Speaker 1: in the commission. Commission he had no label idea for yet,

740
00:42:48,840 --> 00:42:50,440
Speaker 1: so he didn't know what label he's gonna do it on.

741
00:42:50,480 --> 00:42:52,560
Speaker 1: It probably gonna be on Undear that was his label.

742
00:42:53,160 --> 00:42:54,879
Speaker 1: He's probably gonna do it on that, depending on part

743
00:42:54,920 --> 00:42:57,080
Speaker 1: what Jay was gonna do. But the commission was me,

744
00:42:57,680 --> 00:43:06,560
Speaker 1: Jay Z, Charlie Baltimore Big and No just don't play

745
00:43:06,640 --> 00:43:08,640
Speaker 1: like the boss of it, but tells his way of

746
00:43:08,760 --> 00:43:11,200
Speaker 1: like pushing Charlie out. He was gonna push Charlie through

747
00:43:11,280 --> 00:43:13,120
Speaker 1: the through the commission ships. So that's how he was

748
00:43:13,160 --> 00:43:15,200
Speaker 1: gonna break that down. I actually spoke to on the

749
00:43:15,320 --> 00:43:17,600
Speaker 1: other day and it was crazy because unset to me.

750
00:43:17,680 --> 00:43:20,400
Speaker 1: He said, you know, it's a crazy ship, Nori. Nobody's

751
00:43:20,440 --> 00:43:23,480
Speaker 1: never interviewed him about Big, like he was his business

752
00:43:23,560 --> 00:43:26,759
Speaker 1: part enough and people didn't this is so you know,

753
00:43:27,200 --> 00:43:32,120
Speaker 1: doing drink chance like he had to sit there and

754
00:43:32,239 --> 00:43:33,520
Speaker 1: just think about it, and it was like, Yo, you

755
00:43:33,600 --> 00:43:36,799
Speaker 1: know what, Nobody never really asks me about Big, because well,

756
00:43:36,840 --> 00:43:40,240
Speaker 1: I guess what happened after Big, because Cam was supposed

757
00:43:40,239 --> 00:43:46,759
Speaker 1: to be signed to you guys, Yeah, because Cam was

758
00:43:46,760 --> 00:43:59,719
Speaker 1: actually BIG's artist and the poem Yes, yes, you gotta

759
00:43:59,760 --> 00:44:02,400
Speaker 1: tell the I'm taking too. I was so scared. I

760
00:44:02,520 --> 00:44:05,000
Speaker 1: was so scared of of Big because that's all I

761
00:44:05,080 --> 00:44:07,439
Speaker 1: listened to. That's all I was listened to with jail.

762
00:44:07,440 --> 00:44:08,959
Speaker 1: So I seen him in from the Hot thirty seven

763
00:44:09,239 --> 00:44:11,040
Speaker 1: and he was like, yo, he asked something. He asked

764
00:44:11,320 --> 00:44:14,040
Speaker 1: to rhyme and that was schill but compone did rob

765
00:44:14,120 --> 00:44:16,520
Speaker 1: and he was like, yo, I'm making you junior Mafia

766
00:44:16,600 --> 00:44:19,400
Speaker 1: tomorrow words. And I was so hated. I was like

767
00:44:19,480 --> 00:44:25,040
Speaker 1: he was trying to he was trying to get the squad.

768
00:44:25,160 --> 00:44:27,560
Speaker 1: Now she was always yeah, she used to always put us,

769
00:44:27,680 --> 00:44:29,359
Speaker 1: put us on your you know what. The crazy ship

770
00:44:29,560 --> 00:44:33,120
Speaker 1: was um been Big been Big in the movie when

771
00:44:33,160 --> 00:44:35,759
Speaker 1: Big is making these last phone calls, the crazy ship

772
00:44:36,000 --> 00:44:38,440
Speaker 1: was Big had called me and he played me t

773
00:44:38,680 --> 00:44:42,320
Speaker 1: or and why And I was like, he called you.

774
00:44:42,680 --> 00:44:44,840
Speaker 1: He called me and was like be your favorite records.

775
00:44:44,880 --> 00:44:47,160
Speaker 1: One I'm working with this and at the top two

776
00:44:47,239 --> 00:44:53,000
Speaker 1: or was not I swow im figuring me Big And

777
00:44:53,120 --> 00:44:54,840
Speaker 1: I told he didn't put two and two together that

778
00:44:54,920 --> 00:44:59,200
Speaker 1: Now she was a bad way to do something. So

779
00:44:59,280 --> 00:45:01,799
Speaker 1: I didn't know, you're imagine that like getting that call

780
00:45:01,880 --> 00:45:05,040
Speaker 1: and I'm worried about my sea bootleg it's over me.

781
00:45:05,520 --> 00:45:10,080
Speaker 1: But so now see you didn't been your whole childhood,

782
00:45:10,560 --> 00:45:14,120
Speaker 1: so did you? Was he always the best wrapper alive?

783
00:45:14,600 --> 00:45:17,399
Speaker 1: Or you knew you knew he was? He was nice

784
00:45:17,440 --> 00:45:19,879
Speaker 1: back then. I just knew from the rip he was dope.

785
00:45:20,000 --> 00:45:21,399
Speaker 1: I'm saying, you know what I mean, Like, we didn't

786
00:45:21,400 --> 00:45:22,520
Speaker 1: think he was gonna be to the level of what

787
00:45:22,600 --> 00:45:24,600
Speaker 1: it is now or when he became even when he

788
00:45:24,680 --> 00:45:26,319
Speaker 1: was like when he was out, I mean, we didn't

789
00:45:26,320 --> 00:45:27,880
Speaker 1: think it was that. But he was nice and it

790
00:45:27,960 --> 00:45:30,680
Speaker 1: was to come through the look difference between five years.

791
00:45:31,920 --> 00:45:34,239
Speaker 1: So he uh brother, Yeah, when he was twenty, I

792
00:45:34,320 --> 00:45:37,320
Speaker 1: was fickteen years old, just running around. He took me

793
00:45:37,360 --> 00:45:44,359
Speaker 1: out the street since I was eleven, you know him,

794
00:45:44,360 --> 00:45:46,080
Speaker 1: since I was like five six years old and I

795
00:45:46,160 --> 00:45:49,239
Speaker 1: was in public school. She on street and then the

796
00:45:49,320 --> 00:45:52,080
Speaker 1: number five years, I was on that same strip trying

797
00:45:52,120 --> 00:45:53,600
Speaker 1: to hustle and do all that ship and he seen

798
00:45:53,680 --> 00:45:56,040
Speaker 1: that ship with me like that ain't just the funk

799
00:45:56,080 --> 00:45:59,400
Speaker 1: out of here now I'm gonna tak me. Took me

800
00:45:59,440 --> 00:46:02,480
Speaker 1: out of that that one. And you know what's funny,

801
00:46:02,480 --> 00:46:04,800
Speaker 1: A lot of people give jay Z credit for, like,

802
00:46:04,960 --> 00:46:07,000
Speaker 1: you know, putting like a lot of his friends on.

803
00:46:07,120 --> 00:46:08,920
Speaker 1: But a lot of people don't really realize that Big

804
00:46:08,960 --> 00:46:12,800
Speaker 1: did that first from that camp camera on little cs

805
00:46:13,040 --> 00:46:22,200
Speaker 1: Charlie Baltimore, little kid want some ship. Um he got

806
00:46:22,280 --> 00:46:25,879
Speaker 1: carew chain and all that big he had the club

807
00:46:25,960 --> 00:46:28,120
Speaker 1: in Atlanta, he was doing checkob out there doing Big

808
00:46:28,160 --> 00:46:30,440
Speaker 1: Ship and all that came from just be getting put on,

809
00:46:30,760 --> 00:46:32,759
Speaker 1: set up for all the pipelines for anybody to do.

810
00:46:33,040 --> 00:46:35,600
Speaker 1: What's that Stan from the beginning was like I'm gonna

811
00:46:35,600 --> 00:46:37,640
Speaker 1: get on. And then because then you had you had

812
00:46:37,680 --> 00:46:40,680
Speaker 1: that album. What's that album? That was like one of

813
00:46:40,719 --> 00:46:44,919
Speaker 1: the most slept on albums? Why do you think people

814
00:46:44,960 --> 00:46:47,239
Speaker 1: slept on that album? I just think Atlantic then push it.

815
00:46:47,239 --> 00:46:48,640
Speaker 1: I don't think they push it the right way, you

816
00:46:48,680 --> 00:46:50,040
Speaker 1: know what I'm saying. And the money that we had

817
00:46:50,120 --> 00:46:53,120
Speaker 1: that they gave us, we used it wrong on expensive videos,

818
00:46:53,840 --> 00:46:56,480
Speaker 1: dollars eight thousand dollar videos. And once you do that

819
00:46:56,520 --> 00:46:58,239
Speaker 1: first video don't work, they don't want to shoot no

820
00:46:58,320 --> 00:47:01,160
Speaker 1: more videos. They're like, no, that's what happened. Another two weeks,

821
00:47:01,480 --> 00:47:03,600
Speaker 1: another month, ship don't move and they just kind of

822
00:47:03,719 --> 00:47:04,880
Speaker 1: just let it go, you know what I mean. But

823
00:47:05,040 --> 00:47:07,360
Speaker 1: as long as people liked it and accepted it, it

824
00:47:07,440 --> 00:47:10,080
Speaker 1: was cool with that. What I'm saying, I always wanted

825
00:47:10,120 --> 00:47:12,279
Speaker 1: to ask, like crush on you video? Right? That was

826
00:47:12,320 --> 00:47:15,280
Speaker 1: like the first time we've seen a female change wigs,

827
00:47:15,680 --> 00:47:20,879
Speaker 1: Like did you like she like? Like you like chance?

828
00:47:21,719 --> 00:47:24,239
Speaker 1: It's like was was was that's something that y'all was

829
00:47:24,280 --> 00:47:26,520
Speaker 1: like this is dope? Or was he? Because you know,

830
00:47:26,680 --> 00:47:29,120
Speaker 1: sometimes to be skeptic or something didn't work, you'd be like, yeah,

831
00:47:29,320 --> 00:47:31,840
Speaker 1: oh I knew it all along, but you know the

832
00:47:31,840 --> 00:47:33,839
Speaker 1: stop like this is a risk us as little nigger

833
00:47:33,840 --> 00:47:35,200
Speaker 1: as we just sat around and just let that was.

834
00:47:35,600 --> 00:47:39,000
Speaker 1: That was Big getting Undershot, like to do the partnership

835
00:47:39,040 --> 00:47:41,280
Speaker 1: with unders and under one that was doing the ideas

836
00:47:41,320 --> 00:47:44,120
Speaker 1: for the videos. Did all our videos get money? Players?

837
00:47:44,120 --> 00:47:47,239
Speaker 1: Anthem much on you? We just we just did what

838
00:47:47,400 --> 00:47:49,520
Speaker 1: we're saying to do. Yeah, he directed all those videos.

839
00:47:50,120 --> 00:47:52,040
Speaker 1: That was that was That was his way in the business.

840
00:47:52,080 --> 00:47:55,000
Speaker 1: You know what I'm saying, experience nothing straight. Then it

841
00:47:55,080 --> 00:47:57,319
Speaker 1: came straight from the streets straight trapp and went from

842
00:47:57,400 --> 00:47:59,680
Speaker 1: hustling and went behind the cambra and was like y'all

843
00:47:59,680 --> 00:48:02,600
Speaker 1: got some ideas and Big trusted them and all them

844
00:48:02,640 --> 00:48:05,239
Speaker 1: ships just happened to pop and they and they rocked Fords.

845
00:48:05,239 --> 00:48:07,800
Speaker 1: We didn't say no. We just played opposition. Do you

846
00:48:07,800 --> 00:48:10,400
Speaker 1: want me to go? Go ahead? Go ahead? And just

847
00:48:10,520 --> 00:48:12,640
Speaker 1: so happened the ship actually the ship blew up what

848
00:48:12,640 --> 00:48:14,800
Speaker 1: I'm saying, And that was just all within ups. That

849
00:48:14,880 --> 00:48:16,440
Speaker 1: was all the fam team. We was like big. We

850
00:48:16,560 --> 00:48:19,000
Speaker 1: was like big Guinea. We was his creation. He was

851
00:48:19,080 --> 00:48:20,680
Speaker 1: learning all that ship from Puff and I was like, no,

852
00:48:20,760 --> 00:48:22,799
Speaker 1: I ain't taking dreaming off here of the Puff. I mean,

853
00:48:22,880 --> 00:48:24,359
Speaker 1: it's gonna be my own thing. Let me see if

854
00:48:24,360 --> 00:48:26,320
Speaker 1: I couldn't learn without learned from him, and let me

855
00:48:26,320 --> 00:48:33,239
Speaker 1: set everybody like why you didn't sound they try? Even

856
00:48:33,280 --> 00:48:35,759
Speaker 1: at that time he was trying to spread rumors like big,

857
00:48:35,920 --> 00:48:38,319
Speaker 1: but I always seem big cool. We've just always been

858
00:48:38,360 --> 00:48:40,640
Speaker 1: like a second family that you know. That was big,

859
00:48:40,719 --> 00:48:42,239
Speaker 1: That was bey ship, and I'm trying to be I

860
00:48:42,440 --> 00:48:44,480
Speaker 1: created us to a whole another pipe line. Everything he

861
00:48:44,600 --> 00:48:46,640
Speaker 1: learned from Puff, he kind of tested it with us

862
00:48:46,719 --> 00:48:53,640
Speaker 1: and the ship working. Goddamn, what do you think? What

863
00:48:53,760 --> 00:48:56,000
Speaker 1: do you think be O's next move would have been?

864
00:48:56,120 --> 00:49:01,200
Speaker 1: Like like because like because like he was one thinks monumental,

865
00:49:01,320 --> 00:49:03,000
Speaker 1: So what was his next move would have been? Had

866
00:49:03,040 --> 00:49:05,319
Speaker 1: he he's been on His whole thing was the music.

867
00:49:05,400 --> 00:49:07,160
Speaker 1: That's ah, that nig was a fan of music. It's

868
00:49:07,239 --> 00:49:10,200
Speaker 1: just next thing was Kim and another Junior Mafia project.

869
00:49:10,320 --> 00:49:12,560
Speaker 1: You want to do the commission ship he was about.

870
00:49:12,560 --> 00:49:14,320
Speaker 1: He was gonna sign Cam he was, you know he was.

871
00:49:14,640 --> 00:49:16,279
Speaker 1: This ship was about music. He wanted to set up

872
00:49:16,320 --> 00:49:17,880
Speaker 1: his own their party. That was a big whole thing,

873
00:49:18,000 --> 00:49:19,480
Speaker 1: Like you want to give it a bunch of nice

874
00:49:19,560 --> 00:49:22,120
Speaker 1: niggers and put some ship together and just let it

875
00:49:22,239 --> 00:49:24,200
Speaker 1: run from there. He wanted to do five albums and retire.

876
00:49:24,480 --> 00:49:26,359
Speaker 1: He's gonna write my albums after that. I'm gonna write

877
00:49:26,360 --> 00:49:32,320
Speaker 1: a bunch of Little Seeds albums. You gotta, you gotta relax.

878
00:49:32,640 --> 00:49:34,360
Speaker 1: He gotta real. He didn't mean my whole life was

879
00:49:34,400 --> 00:49:36,640
Speaker 1: easy for him to write for me, Like I got

880
00:49:36,680 --> 00:49:38,279
Speaker 1: built into being that ship. I didn't sit back. I

881
00:49:38,320 --> 00:49:40,120
Speaker 1: didn't want to be a rapper. I won ten years old,

882
00:49:40,160 --> 00:49:42,000
Speaker 1: eleven years old to my yall. I'm ready to spend,

883
00:49:42,000 --> 00:49:43,600
Speaker 1: I'm ready to get busy. I love the music. I

884
00:49:43,680 --> 00:49:45,640
Speaker 1: love listening to it. You know that was my thing,

885
00:49:45,719 --> 00:49:47,759
Speaker 1: But I never thought about rapping. It was just a

886
00:49:47,840 --> 00:49:49,800
Speaker 1: thing for him, Like all right, this little nigga, he

887
00:49:50,280 --> 00:49:51,799
Speaker 1: got the wave. He knows what to do. He can

888
00:49:52,000 --> 00:49:53,960
Speaker 1: before you even knew what he told you, You're gonna

889
00:49:54,239 --> 00:49:59,600
Speaker 1: be ryn write your album right, all right? Cool? Say

890
00:49:59,640 --> 00:50:01,680
Speaker 1: no more? Yeah you want me to do? Because I

891
00:50:01,800 --> 00:50:03,680
Speaker 1: was rocking with him, doing the hype man stuff with him,

892
00:50:03,680 --> 00:50:05,320
Speaker 1: so we all do like colleges and ship like that,

893
00:50:05,440 --> 00:50:09,680
Speaker 1: and he was watching that. Okay, the only thing I

894
00:50:09,680 --> 00:50:11,600
Speaker 1: need to do is just write him some rhymes. What

895
00:50:11,600 --> 00:50:13,959
Speaker 1: I'm saying him, some little cool ass rhymes. You wanna

896
00:50:13,960 --> 00:50:15,920
Speaker 1: be this little cool kid with the knapsat Tommy hill

897
00:50:16,000 --> 00:50:17,879
Speaker 1: Finger did tell me, don't want on niggas be likely

898
00:50:18,120 --> 00:50:20,239
Speaker 1: just all all bit. That's why you was on the kid,

899
00:50:20,400 --> 00:50:25,320
Speaker 1: That's why the crush on you. That was my creation.

900
00:50:25,360 --> 00:50:29,080
Speaker 1: After that, my album suppos't been so straight, like wow,

901
00:50:29,239 --> 00:50:31,560
Speaker 1: Puppy Love. That was name my album, Puppy Love for

902
00:50:31,680 --> 00:50:36,680
Speaker 1: real cool A bunch of crushes from you. When he died,

903
00:50:37,480 --> 00:50:40,000
Speaker 1: I can't My whole ship was like the wonful world

904
00:50:40,000 --> 00:50:41,480
Speaker 1: of Season Leo. That would be with the King go

905
00:50:42,040 --> 00:50:44,120
Speaker 1: but ass, with the bitch's hands covered with me. That

906
00:50:44,200 --> 00:50:45,759
Speaker 1: was se the Leo ideal, Like all right, I did.

907
00:50:45,880 --> 00:50:48,080
Speaker 1: I need to make a different kind of approach to us.

908
00:50:49,400 --> 00:50:51,080
Speaker 1: How did you link with it? I mean, you know,

909
00:50:52,880 --> 00:50:55,279
Speaker 1: I brought him down to do a show. You know,

910
00:50:55,640 --> 00:50:58,399
Speaker 1: it was Super weekend and then you know he came.

911
00:50:58,480 --> 00:51:00,560
Speaker 1: He was like, you know, him juling off, you know that.

912
00:51:01,120 --> 00:51:03,640
Speaker 1: They were like big was like, okay, man, I'm doing

913
00:51:03,719 --> 00:51:07,920
Speaker 1: your pat jam the big one. The second one was

914
00:51:07,960 --> 00:51:10,960
Speaker 1: around the corner. He was like, man, I ain't gonna

915
00:51:11,000 --> 00:51:14,160
Speaker 1: do that, motherfucker. Let you come Because pat jam here

916
00:51:14,360 --> 00:51:18,200
Speaker 1: was what we call it was a Apolo South. They

917
00:51:18,239 --> 00:51:19,920
Speaker 1: would go up in there and the artists would go

918
00:51:19,960 --> 00:51:22,040
Speaker 1: in there and they'll be looking like this at your ass.

919
00:51:22,800 --> 00:51:25,600
Speaker 1: You know, motherfucker, you better get to the song. You know,

920
00:51:25,880 --> 00:51:29,120
Speaker 1: we really know. It was the hardest order the sound man.

921
00:51:29,360 --> 00:51:31,239
Speaker 1: You have a dirty guy like who came out like

922
00:51:33,320 --> 00:51:40,240
Speaker 1: the crowd. So was like, yeah, I ain't doing that, motherfucker.

923
00:51:40,360 --> 00:51:42,320
Speaker 1: Let you let you come up in there, and so

924
00:51:42,480 --> 00:51:45,040
Speaker 1: many him. You know, we ended up linking up that

925
00:51:45,160 --> 00:51:48,520
Speaker 1: weekend and we was friends forever. I mean, he uh,

926
00:51:49,280 --> 00:51:53,719
Speaker 1: he would tell me stories about you know, him him

927
00:51:53,840 --> 00:51:56,680
Speaker 1: being a big fan of Poison Clan. You know what

928
00:51:56,680 --> 00:51:58,520
Speaker 1: I'm saying. He told me he was like, man, this

929
00:51:58,640 --> 00:52:02,560
Speaker 1: fucking JT Money. You know, I you know, before I

930
00:52:02,600 --> 00:52:05,160
Speaker 1: got into business, I got all his ship. So it

931
00:52:05,280 --> 00:52:07,239
Speaker 1: was like, damn, so you know what I'm looking at

932
00:52:07,320 --> 00:52:09,440
Speaker 1: him like. He was like, nah, man, that was my dude. There,

933
00:52:09,480 --> 00:52:11,879
Speaker 1: that's my dude. And so wed him hit it off.

934
00:52:11,960 --> 00:52:14,200
Speaker 1: Every time you come down, I go to New York,

935
00:52:14,320 --> 00:52:16,880
Speaker 1: I would hang out with him and uh we end

936
00:52:16,960 --> 00:52:18,800
Speaker 1: up doing a record together and he wasn't there with

937
00:52:18,880 --> 00:52:21,360
Speaker 1: he died in a right. I was in l A.

938
00:52:21,600 --> 00:52:23,560
Speaker 1: Actually I was in the studio doing I was supposed

939
00:52:23,560 --> 00:52:26,560
Speaker 1: to link up with him and me and uh me

940
00:52:26,600 --> 00:52:31,440
Speaker 1: and Stoop was in the students think so yeah when

941
00:52:31,560 --> 00:52:34,839
Speaker 1: they ended up when they told us about him, did then?

942
00:52:35,200 --> 00:52:36,560
Speaker 1: You know, we were sitting in the studio and I

943
00:52:36,600 --> 00:52:38,240
Speaker 1: think he said on the Breakfast Club you were supposed

944
00:52:38,280 --> 00:52:40,600
Speaker 1: to meet with him somewhere. Yeah, we were supposed to

945
00:52:40,600 --> 00:52:44,480
Speaker 1: go to another party. It was at a party we

946
00:52:44,560 --> 00:52:47,359
Speaker 1: were recording, and uh, we were supposed to go link

947
00:52:47,440 --> 00:52:50,560
Speaker 1: up after it. God, God bless Big Man, God bless

948
00:52:50,920 --> 00:52:53,880
Speaker 1: Jia Mafia. You know what I'm saying. Um, And did

949
00:52:53,960 --> 00:52:57,719
Speaker 1: you ever meet Tupac oh Park? Was? No, that was

950
00:52:57,800 --> 00:53:00,680
Speaker 1: my guy. Let's break out some is some now? Is

951
00:53:00,719 --> 00:53:04,840
Speaker 1: the bitches involved? Part? Was that was another one of

952
00:53:04,920 --> 00:53:13,040
Speaker 1: my little son Let's make yeah part. Would Pop would

953
00:53:13,080 --> 00:53:15,040
Speaker 1: come down? You know you hang out? Prop was like

954
00:53:16,320 --> 00:53:20,920
Speaker 1: George Jepson get jumpson on the on the Jempson that

955
00:53:21,160 --> 00:53:23,640
Speaker 1: that motherfucker just sitting in the car and talk talk

956
00:53:23,719 --> 00:53:26,719
Speaker 1: talk talk talk. I mean we would be on the

957
00:53:26,800 --> 00:53:28,600
Speaker 1: road together, we see each other. You would be in

958
00:53:28,680 --> 00:53:31,600
Speaker 1: my room. I'm sitting there, land down and sleep. This

959
00:53:31,680 --> 00:53:36,080
Speaker 1: motherfucker still talk got damn you know I heard every

960
00:53:36,160 --> 00:53:39,399
Speaker 1: story there was that was part with my dude, that's

961
00:53:39,480 --> 00:53:41,800
Speaker 1: my nigger. That's so let me ask you, because it

962
00:53:41,880 --> 00:53:44,680
Speaker 1: had to be weird from you. Everybody knew you ran

963
00:53:44,800 --> 00:53:47,880
Speaker 1: Miami after especially all the termorial the beat said everybody

964
00:53:47,880 --> 00:53:50,640
Speaker 1: everybody clearly knew that that was your section. But now

965
00:53:50,760 --> 00:53:54,080
Speaker 1: this East cost because the nigga's personalities was ill like

966
00:53:54,480 --> 00:53:59,759
Speaker 1: like like most fact niggers got good personalities. I think

967
00:53:59,840 --> 00:54:03,560
Speaker 1: I would have been at centric social media work that

968
00:54:04,000 --> 00:54:07,640
Speaker 1: been terrorizing people. How was the How was the transition?

969
00:54:07,680 --> 00:54:10,680
Speaker 1: Because you knew pop, you knew Pop and Big when

970
00:54:10,719 --> 00:54:13,160
Speaker 1: they were cool, Like even in the movie, it's like

971
00:54:13,400 --> 00:54:15,360
Speaker 1: you see Big and you say yo yo, poppets in

972
00:54:15,400 --> 00:54:18,400
Speaker 1: the joint and that was that was all love. Like, So,

973
00:54:19,040 --> 00:54:22,839
Speaker 1: how was that to see that transition, because I mean

974
00:54:22,920 --> 00:54:24,719
Speaker 1: it was it was sucked up because they know Big

975
00:54:24,840 --> 00:54:26,960
Speaker 1: really had genuine love for him, and we all know

976
00:54:27,080 --> 00:54:29,200
Speaker 1: he had genuine love for Big two. Let me let

977
00:54:29,200 --> 00:54:31,439
Speaker 1: me act. You know something, if something, if something wanted,

978
00:54:31,480 --> 00:54:33,640
Speaker 1: if something wanted to happen, it could have happened. What

979
00:54:33,680 --> 00:54:35,440
Speaker 1: I'm saying, nothing could have stopped that though we was

980
00:54:35,480 --> 00:54:37,600
Speaker 1: we were seeing each other in plenty places and if

981
00:54:37,680 --> 00:54:40,719
Speaker 1: something because it was so you're saying, well, whoa whoa, whoa,

982
00:54:40,760 --> 00:54:43,919
Speaker 1: whoa whoa You're saying, as these records is out, y'all

983
00:54:43,960 --> 00:54:45,759
Speaker 1: were seeing each other each other a few times and

984
00:54:45,840 --> 00:54:48,719
Speaker 1: the sole Train Awards when they could have happened at

985
00:54:48,719 --> 00:54:52,919
Speaker 1: that time if they wanted to, Like, yeah, situations happened before,

986
00:54:53,000 --> 00:54:54,879
Speaker 1: but it just never went there. And I just think

987
00:54:54,920 --> 00:54:56,399
Speaker 1: he didn't He didn't really want that. I just think

988
00:54:56,440 --> 00:54:58,200
Speaker 1: he had a lot of people behind him pushing him,

989
00:54:58,280 --> 00:54:59,919
Speaker 1: and it was vice versa. You know, you had people

990
00:55:00,000 --> 00:55:02,440
Speaker 1: are not here too because negative and us too, you

991
00:55:02,480 --> 00:55:04,160
Speaker 1: know what I'm saying. But they never would have did

992
00:55:04,239 --> 00:55:06,840
Speaker 1: nothing to each other because genuinely he knew Big headlove

993
00:55:06,920 --> 00:55:08,759
Speaker 1: for you know, and Big New Ye had love for him,

994
00:55:08,760 --> 00:55:10,239
Speaker 1: he would he. I just think he was just going

995
00:55:10,360 --> 00:55:12,600
Speaker 1: with a situation. I mean, you got niggas that just

996
00:55:12,640 --> 00:55:14,560
Speaker 1: balls you out of jail, and you owe your loyal

997
00:55:14,719 --> 00:55:16,719
Speaker 1: teacher that he didn't do nothing wrong by that, you know,

998
00:55:16,760 --> 00:55:21,040
Speaker 1: I mean, and took you out of a situation beyond.

999
00:55:21,160 --> 00:55:23,400
Speaker 1: And they both died the same way. That ship is

1000
00:55:23,440 --> 00:55:25,560
Speaker 1: like so crazy, like six months apart, the same kind

1001
00:55:25,600 --> 00:55:30,919
Speaker 1: of situation. The album's maca Velly Die all that ship

1002
00:55:31,000 --> 00:55:32,360
Speaker 1: is just like a whole weird thing. And I was

1003
00:55:32,400 --> 00:55:33,799
Speaker 1: just thinking it was just that just I was meant

1004
00:55:33,880 --> 00:55:35,520
Speaker 1: to beat dog. You can't change it. You can't like

1005
00:55:35,680 --> 00:55:37,960
Speaker 1: do the wood ifs. And it was just they both

1006
00:55:38,000 --> 00:55:40,040
Speaker 1: got caught up in a bad situation and they ain't

1007
00:55:40,040 --> 00:55:45,880
Speaker 1: deserve the people. I always I always wish they had

1008
00:55:45,920 --> 00:55:47,839
Speaker 1: passed it up, because I think that would have been

1009
00:55:47,880 --> 00:55:51,120
Speaker 1: it was they was. I suppose they don't because we

1010
00:55:51,160 --> 00:55:53,400
Speaker 1: did a record together for case Lad called Very the

1011
00:55:53,440 --> 00:55:55,360
Speaker 1: Hatchet I did with the Outlaws, and you know, it

1012
00:55:55,440 --> 00:55:57,160
Speaker 1: took us fifteen years for us to sit down and

1013
00:55:57,239 --> 00:55:59,319
Speaker 1: talk about you know what I'm saying, Like we ain't

1014
00:55:59,360 --> 00:56:00,640
Speaker 1: like each other to fit teen years and none of

1015
00:56:00,680 --> 00:56:02,719
Speaker 1: us stuff even met each other and knew each other none.

1016
00:56:03,080 --> 00:56:06,319
Speaker 1: And one day we spoke to a female. One day,

1017
00:56:06,560 --> 00:56:08,640
Speaker 1: I'm chalking to this chicken. She must have said my

1018
00:56:08,760 --> 00:56:10,560
Speaker 1: name real loud and young. Know we heard of grabbed

1019
00:56:10,560 --> 00:56:14,440
Speaker 1: the phone from her. Yo, who this real aggressive? And

1020
00:56:14,480 --> 00:56:18,320
Speaker 1: I'm just like this, see outlaws. I'm like, I heard you.

1021
00:56:18,360 --> 00:56:23,440
Speaker 1: It was up outlaws. I heard you. What's good? And

1022
00:56:23,520 --> 00:56:25,400
Speaker 1: we sat there. We talked for about two hours. We

1023
00:56:25,440 --> 00:56:27,239
Speaker 1: got a chance to really speak on ship. He didn't

1024
00:56:27,280 --> 00:56:28,920
Speaker 1: know a lot of ship that was going on the outside.

1025
00:56:29,200 --> 00:56:32,239
Speaker 1: I ain't know. And we spoke and then he came

1026
00:56:32,280 --> 00:56:33,759
Speaker 1: to New York on damn. We got up and sat

1027
00:56:33,800 --> 00:56:35,520
Speaker 1: down and kicked it. Then, my niggers to this day,

1028
00:56:35,800 --> 00:56:38,200
Speaker 1: he said, Yo, when when Uh Pop was going to

1029
00:56:38,360 --> 00:56:40,120
Speaker 1: Vegas before that, he was like, yo, when he come

1030
00:56:40,160 --> 00:56:41,719
Speaker 1: back from Vegas, he was gonna sell that ship with

1031
00:56:41,800 --> 00:56:44,520
Speaker 1: bit you know what I mean. So that ship was

1032
00:56:44,520 --> 00:56:46,120
Speaker 1: gonna get dead it you know, I mean eventually, you

1033
00:56:46,160 --> 00:56:47,440
Speaker 1: know what I mean, it was gonna get squashed. He

1034
00:56:47,440 --> 00:56:48,920
Speaker 1: really knew what happened. He knew what was going on.

1035
00:56:49,000 --> 00:56:50,279
Speaker 1: He knew Big didn't have nothing to do with that.

1036
00:56:50,320 --> 00:56:51,560
Speaker 1: He knew we didn't have nothing to do with that.

1037
00:56:51,800 --> 00:56:53,080
Speaker 1: I just think he was just caught up in a

1038
00:56:53,160 --> 00:56:55,520
Speaker 1: situation and vice versa two. His things that did when

1039
00:56:55,600 --> 00:56:57,480
Speaker 1: he didn't change it was they were young. We don't

1040
00:56:57,480 --> 00:56:59,480
Speaker 1: really a lot of time young. They were dog like,

1041
00:56:59,640 --> 00:57:03,840
Speaker 1: you know, when his forties making this type of mistakes up.

1042
00:57:05,040 --> 00:57:07,040
Speaker 1: We were kids. I look at it now because I'm

1043
00:57:07,040 --> 00:57:09,280
Speaker 1: over thirty. I'm over thirty years old. I'm almost forty,

1044
00:57:09,600 --> 00:57:11,239
Speaker 1: So I look at it. I look at it there like, damn,

1045
00:57:11,239 --> 00:57:14,160
Speaker 1: these niggles actually babies. Dog we didn't ain't know no better.

1046
00:57:14,200 --> 00:57:19,920
Speaker 1: And let me let me tell you something. When we

1047
00:57:20,080 --> 00:57:22,880
Speaker 1: dropped l A l A, I stepped to Big and

1048
00:57:22,920 --> 00:57:24,440
Speaker 1: I told him that, and he said, he said, yo,

1049
00:57:24,480 --> 00:57:26,480
Speaker 1: I don't want to be um. I don't want that

1050
00:57:26,520 --> 00:57:29,280
Speaker 1: record to come out because what they accusing me for Nori,

1051
00:57:29,480 --> 00:57:32,040
Speaker 1: I ain't do so I gotta like he always knew

1052
00:57:32,080 --> 00:57:34,760
Speaker 1: to take the high row like it was ill he was.

1053
00:57:34,840 --> 00:57:36,800
Speaker 1: He'll tell you like, no, dog, ain't ain't the way.

1054
00:57:36,880 --> 00:57:38,240
Speaker 1: But you know, to each his own, you want to

1055
00:57:38,280 --> 00:57:40,480
Speaker 1: do that, you don't do that. We couldn't stop him

1056
00:57:40,520 --> 00:57:42,080
Speaker 1: from doing that, but we was loving them for doing it.

1057
00:57:42,160 --> 00:57:43,400
Speaker 1: You know what I'm saying like then was like man,

1058
00:57:43,440 --> 00:57:45,320
Speaker 1: we stepped up to the plate. But it's like, yo,

1059
00:57:45,520 --> 00:57:46,920
Speaker 1: let's not well, we don't want to do that. We're

1060
00:57:46,960 --> 00:57:48,360
Speaker 1: trying to get some money, you know, like you know

1061
00:57:48,720 --> 00:57:50,320
Speaker 1: that's how b our ship was. Don't we're trying to

1062
00:57:50,360 --> 00:57:51,960
Speaker 1: get money. We ain't any ship for that. And if

1063
00:57:52,000 --> 00:57:54,480
Speaker 1: you're gonna be beef, don't make it hot. You're gonna

1064
00:57:54,480 --> 00:57:57,040
Speaker 1: make it hot. You make it. You're gonna do some

1065
00:57:57,120 --> 00:58:02,040
Speaker 1: real ship. Don't responding your reaction to nothing. They ain't

1066
00:58:02,080 --> 00:58:04,240
Speaker 1: say nothing. You don't know what's gonna happen when you say,

1067
00:58:04,920 --> 00:58:07,280
Speaker 1: I ain't saying no response you bigger cut you off.

1068
00:58:07,320 --> 00:58:10,000
Speaker 1: You're spawning anything you make a record, don't call me

1069
00:58:10,080 --> 00:58:13,200
Speaker 1: no more, don't come to You're just done finish. We

1070
00:58:13,280 --> 00:58:16,960
Speaker 1: don't do that now for the record, they the rumor

1071
00:58:17,160 --> 00:58:22,080
Speaker 1: is who shot you was recorded way before before that

1072
00:58:22,320 --> 00:58:26,200
Speaker 1: as a vinyl like like, yeah, it didn't make sense

1073
00:58:26,280 --> 00:58:28,240
Speaker 1: before any two that was supposed to be from Mary

1074
00:58:28,320 --> 00:58:34,200
Speaker 1: j album. You feel me. I ain't know bragging none

1075
00:58:34,240 --> 00:58:38,680
Speaker 1: of that ship, But I don't know personally, we just

1076
00:58:38,800 --> 00:58:46,720
Speaker 1: we just want to know. Yeah, he's probably be running

1077
00:58:46,840 --> 00:58:50,160
Speaker 1: right now. Actually, but what happened though, like, um, he

1078
00:58:50,280 --> 00:58:52,720
Speaker 1: came to the bay he wanted, he was in sacrament

1079
00:58:52,760 --> 00:58:55,560
Speaker 1: I didn't even know you got him out, like y'all. No, no, no,

1080
00:58:55,800 --> 00:58:57,360
Speaker 1: it was some people I knew, but I didn't know.

1081
00:58:57,680 --> 00:58:59,240
Speaker 1: I didn't even know the mother fuckers had him out

1082
00:58:59,240 --> 00:59:01,680
Speaker 1: theory because they didn't promoted right or some ship. But

1083
00:59:01,800 --> 00:59:03,520
Speaker 1: they was. They hit me at eleven o'clock something like

1084
00:59:03,600 --> 00:59:05,240
Speaker 1: that night. They were like, man, I got to first

1085
00:59:05,280 --> 00:59:07,640
Speaker 1: of all the way, I didn't had nothing against him,

1086
00:59:07,640 --> 00:59:10,520
Speaker 1: and I know Pok had issues because Park really knew him.

1087
00:59:10,520 --> 00:59:12,280
Speaker 1: I didn't know him like that, but he had gotten

1088
00:59:12,480 --> 00:59:14,800
Speaker 1: because after the Park ship, the ship that had happened

1089
00:59:14,800 --> 00:59:21,320
Speaker 1: at qual this was ship. This was what year was this? Man?

1090
00:59:21,400 --> 00:59:23,720
Speaker 1: I don't know. I forgot man. But anyway you could

1091
00:59:23,720 --> 00:59:26,760
Speaker 1: do you do them just as all that and ship anyway,

1092
00:59:26,840 --> 00:59:30,480
Speaker 1: So the thing is that, um, what do you do?

1093
00:59:30,680 --> 00:59:34,080
Speaker 1: He awesome magazine. It was a magazine, the Canadian magazine.

1094
00:59:34,240 --> 00:59:36,960
Speaker 1: Dude had did interviews in and they said they said

1095
00:59:36,960 --> 00:59:39,880
Speaker 1: they got him drunk, just like you. Motherfucker's got him

1096
00:59:39,920 --> 00:59:44,600
Speaker 1: hell and they got a hell of drunk and start

1097
00:59:44,640 --> 00:59:46,680
Speaker 1: asking him on the scale from from one of ten,

1098
00:59:47,720 --> 00:59:50,720
Speaker 1: from you know, from one of the ten. Who do you?

1099
00:59:50,840 --> 00:59:52,600
Speaker 1: You know who you rate this? Like he said Spice

1100
00:59:52,640 --> 00:59:55,600
Speaker 1: ones and ice Q like everybody in the street. That

1101
00:59:55,680 --> 00:59:58,400
Speaker 1: was somebody. And he got to my name and he's,

1102
00:59:58,440 --> 01:00:01,480
Speaker 1: oh man, that's he's big. He's whacked. Man. He got

1103
01:00:01,560 --> 01:00:04,920
Speaker 1: he give him, give him a zero. You know I'm

1104
01:00:04,920 --> 01:00:07,760
Speaker 1: talking about mind you I've been I was wearing Kangles

1105
01:00:07,800 --> 01:00:12,000
Speaker 1: in high school. I'm almost forty nine years old, so

1106
01:00:12,040 --> 01:00:14,640
Speaker 1: I've been wearing Kangles. You know what I'm saying. All

1107
01:00:14,720 --> 01:00:16,880
Speaker 1: that ship just so happened that the dude had the

1108
01:00:16,920 --> 01:00:19,440
Speaker 1: kind of same kind of swag I had, like you know,

1109
01:00:19,640 --> 01:00:23,680
Speaker 1: Kuji Kuji shirts, was sweaters, was in for Sasha. We

1110
01:00:23,840 --> 01:00:25,640
Speaker 1: just you know, that was the ship when you were tycoon,

1111
01:00:26,040 --> 01:00:27,280
Speaker 1: you're working with it, you know what I'm saying. He

1112
01:00:27,360 --> 01:00:28,480
Speaker 1: was just on the West coast. He was on the

1113
01:00:28,520 --> 01:00:30,600
Speaker 1: East coast. I'm on the West coast. So I don't

1114
01:00:30,640 --> 01:00:32,840
Speaker 1: know if that's what had him saying saying the nigga zero,

1115
01:00:32,960 --> 01:00:36,480
Speaker 1: But my my, my status unorthodox. So the motherfucker's that

1116
01:00:36,560 --> 01:00:39,479
Speaker 1: think that can't catch it, they'd catch it later because

1117
01:00:39,520 --> 01:00:42,200
Speaker 1: I said a lot of ship that it ain't just slang.

1118
01:00:42,320 --> 01:00:44,600
Speaker 1: Just the ship. I say, you know what, it's kind

1119
01:00:44,600 --> 01:00:46,640
Speaker 1: of ahead of his time. You know. Then they're like,

1120
01:00:46,680 --> 01:00:48,920
Speaker 1: oh man, because its fans that I had got right now,

1121
01:00:49,000 --> 01:00:51,400
Speaker 1: that's die harsh. That didn't understand me, they said. When

1122
01:00:51,400 --> 01:00:53,320
Speaker 1: I was younger, I just thought you was whacked. But

1123
01:00:53,680 --> 01:00:56,440
Speaker 1: as I started listening more and more and living the

1124
01:00:56,520 --> 01:00:58,560
Speaker 1: life that going through this then and thing, I'm like,

1125
01:00:58,680 --> 01:01:02,160
Speaker 1: my nigga, you the best fish, feel me. So to

1126
01:01:02,280 --> 01:01:05,400
Speaker 1: make a long story short, man, so dude, um so,

1127
01:01:06,000 --> 01:01:07,640
Speaker 1: everybody had got wind of the ship, you know what

1128
01:01:07,720 --> 01:01:10,520
Speaker 1: I'm talking about, and that's what far as him dissing

1129
01:01:10,600 --> 01:01:13,240
Speaker 1: me in that magazine. So my little dudes they were

1130
01:01:13,280 --> 01:01:15,360
Speaker 1: all hot and shipped too. So they just so happened

1131
01:01:15,360 --> 01:01:17,760
Speaker 1: to sneak up the secramento you know I'm talking about.

1132
01:01:17,760 --> 01:01:19,400
Speaker 1: They had, I guess to do. They threw the show.

1133
01:01:19,480 --> 01:01:21,440
Speaker 1: He was out there. They called me a Leavin something

1134
01:01:21,480 --> 01:01:24,360
Speaker 1: at night. What you want me to do with this nigga? Woo?

1135
01:01:25,080 --> 01:01:29,000
Speaker 1: And um I told him, I put put the nick

1136
01:01:29,040 --> 01:01:31,240
Speaker 1: on the phone. You feel me like that? So they

1137
01:01:31,240 --> 01:01:33,040
Speaker 1: put him on the phone and whatnot, and we chopped

1138
01:01:33,040 --> 01:01:35,240
Speaker 1: it up and he was like, man, fody you know, man,

1139
01:01:35,360 --> 01:01:37,480
Speaker 1: look man, I was drunk. Man, But I funk what

1140
01:01:37,600 --> 01:01:39,800
Speaker 1: you duke. You know what I'm saying A photo y'all

1141
01:01:39,840 --> 01:01:43,320
Speaker 1: heard the story before and all that. I'm so glad

1142
01:01:43,440 --> 01:01:45,160
Speaker 1: nothing happened to him, you know what I mean. I

1143
01:01:45,240 --> 01:01:48,200
Speaker 1: didn't want that. I wouldn't even if I were to

1144
01:01:48,200 --> 01:01:51,280
Speaker 1: see that, wouldn't tried to knock him down. It wasn't nothing,

1145
01:01:51,320 --> 01:01:52,960
Speaker 1: and I seen him later on week. We chopped it

1146
01:01:53,040 --> 01:01:54,360
Speaker 1: up by the fact I was supposed to be on

1147
01:01:54,440 --> 01:02:00,840
Speaker 1: this last album, Life After Death. If you go, if

1148
01:02:01,120 --> 01:02:05,440
Speaker 1: we if we find the actual physical copy back then

1149
01:02:05,560 --> 01:02:07,959
Speaker 1: we did shoutouts. We shot out, We shout out people

1150
01:02:08,160 --> 01:02:09,960
Speaker 1: things and go look in there and it's gonna say

1151
01:02:10,000 --> 01:02:12,320
Speaker 1: shout out to E forty. You feel what I'm saying,

1152
01:02:12,360 --> 01:02:14,680
Speaker 1: So that ship was done with man? You feel me

1153
01:02:15,040 --> 01:02:19,520
Speaker 1: like that? Yeah, let's make some noise of that. You

1154
01:02:19,600 --> 01:02:23,200
Speaker 1: know what. I actually to tell the truth A forty.

1155
01:02:23,280 --> 01:02:25,560
Speaker 1: I actually never actually heard the story. I heard the

1156
01:02:25,640 --> 01:02:28,960
Speaker 1: rumor pieces of it. By the way, I didn't set

1157
01:02:29,000 --> 01:02:30,640
Speaker 1: it up. I meant to say that I definitely had

1158
01:02:30,680 --> 01:02:33,320
Speaker 1: that and that's on. That's on everything I love and

1159
01:02:33,360 --> 01:02:34,919
Speaker 1: I don't like like that and I don't play with God.

1160
01:02:35,400 --> 01:02:38,120
Speaker 1: They didn't set that up, but that's the rumor. The

1161
01:02:38,160 --> 01:02:43,880
Speaker 1: rumors always the one was a phony nigger that had

1162
01:02:44,160 --> 01:02:46,320
Speaker 1: trying to claim that ship. Yeah, you know what I'm saying,

1163
01:02:46,680 --> 01:02:48,440
Speaker 1: I ain't gonna claim it. I ain't gonna act like

1164
01:02:48,680 --> 01:02:50,360
Speaker 1: you know what I mean was he came to the

1165
01:02:50,440 --> 01:02:52,600
Speaker 1: Bay Area, he couldn't leave, but he spoke to He

1166
01:02:52,680 --> 01:02:54,560
Speaker 1: wasn't even the beat. He was in Sacramentico, which is

1167
01:02:54,640 --> 01:02:58,840
Speaker 1: northern California. It's northern California. But it's not the bag killing.

1168
01:02:59,880 --> 01:03:04,560
Speaker 1: That's my that's my my, my mother in five Mexican home.

1169
01:03:08,520 --> 01:03:11,640
Speaker 1: I want to take time for my my brother Ali. Yo,

1170
01:03:11,800 --> 01:03:15,120
Speaker 1: tell Ali get well soon. Man, Damn you're like you

1171
01:03:15,240 --> 01:03:19,320
Speaker 1: killed him right now. Shout out to the uber homes

1172
01:03:19,320 --> 01:03:27,280
Speaker 1: to Miami. When we dropped L A l A. I

1173
01:03:27,360 --> 01:03:29,640
Speaker 1: stepped to Big and I told him that and he said,

1174
01:03:29,680 --> 01:03:31,640
Speaker 1: he said, Yo, I don't want to be um. I

1175
01:03:31,760 --> 01:03:33,880
Speaker 1: don't want that record to come out because what they

1176
01:03:33,960 --> 01:03:36,439
Speaker 1: accusing me for Nori, I ain't do so. I gotta

1177
01:03:36,680 --> 01:03:39,120
Speaker 1: like he always knew to take the high row like

1178
01:03:39,240 --> 01:03:41,200
Speaker 1: it was ill like he was. He'll tell you like, no,

1179
01:03:41,400 --> 01:03:43,240
Speaker 1: dog ain't ain't the way. But you know, to each

1180
01:03:43,280 --> 01:03:45,160
Speaker 1: his own, you want to do that you don't do that.

1181
01:03:45,360 --> 01:03:46,920
Speaker 1: We couldn't stop him from doing that, but we was

1182
01:03:46,960 --> 01:03:48,400
Speaker 1: loving him for doing it, you know what I'm saying

1183
01:03:48,440 --> 01:03:49,800
Speaker 1: Like that, he was like, man, we stepped up to

1184
01:03:49,840 --> 01:03:51,840
Speaker 1: the plate. But it's like, yo, let's not well, we

1185
01:03:51,880 --> 01:03:53,360
Speaker 1: don't want to do that. We're trying to get some money,

1186
01:03:53,400 --> 01:03:55,400
Speaker 1: you know, like you know that's how b our ship was.

1187
01:03:55,480 --> 01:03:56,840
Speaker 1: Don't we're trying to get money. We ain't in this

1188
01:03:56,880 --> 01:03:58,840
Speaker 1: ship for that. And if you're gonna be beef, don't

1189
01:03:58,880 --> 01:04:00,840
Speaker 1: make it hot. Gonna make it hot, you make it.

1190
01:04:02,120 --> 01:04:05,880
Speaker 1: You're gonna do some real ship. Don't you spading your

1191
01:04:05,880 --> 01:04:08,840
Speaker 1: reaction to nothing? Big ain't say nothing. You don't know

1192
01:04:08,880 --> 01:04:11,439
Speaker 1: what's gonna happen when you see I ain't saying nothing,

1193
01:04:11,440 --> 01:04:13,920
Speaker 1: no response you bigger, cut you off. You're spawning anything.

1194
01:04:14,160 --> 01:04:16,040
Speaker 1: Now you make a record, don't call me no more.

1195
01:04:16,120 --> 01:04:19,160
Speaker 1: Don't come to nigger. You're you're done, finish. We don't

1196
01:04:19,200 --> 01:04:22,880
Speaker 1: do that now for the record day. The rumor is

1197
01:04:23,080 --> 01:04:28,440
Speaker 1: who shot you was recorded way before that as a

1198
01:04:28,720 --> 01:04:32,240
Speaker 1: vinyl like like didn't Yeah, it didn't make sense before

1199
01:04:32,280 --> 01:04:34,560
Speaker 1: any two that's supposed to been from Mary j album

1200
01:04:34,920 --> 01:04:36,800
Speaker 1: for her that's supposed an intro to her first album,

1201
01:04:36,880 --> 01:04:39,160
Speaker 1: Get the Funk Out. Who Shots My Life is the

1202
01:04:39,160 --> 01:04:41,080
Speaker 1: second album intro to the second album, It was too

1203
01:04:41,120 --> 01:04:44,960
Speaker 1: hard for it too was take you kids in the building.

1204
01:04:45,000 --> 01:04:49,680
Speaker 1: You know, we gotta put you over there. You gotta

1205
01:04:49,720 --> 01:04:51,200
Speaker 1: put you over there again. I've been hanging out with

1206
01:04:51,200 --> 01:04:53,400
Speaker 1: my man for about the week. Kiss serious and you

1207
01:04:53,480 --> 01:04:56,720
Speaker 1: go to the gym to every day snaphing got up

1208
01:04:57,080 --> 01:04:59,680
Speaker 1: playing for he don't play those games and with drink

1209
01:04:59,720 --> 01:05:02,040
Speaker 1: with you, so you said, who shot You? Was done?

1210
01:05:02,600 --> 01:05:04,560
Speaker 1: Was done for what? That was for Mary J Blide

1211
01:05:04,640 --> 01:05:07,640
Speaker 1: That was to her second album, and it was it

1212
01:05:07,760 --> 01:05:11,720
Speaker 1: was baby, let's Keith LLL COO J and big on it.

1213
01:05:12,200 --> 01:05:16,520
Speaker 1: Who Shot You? Yeah, that's the original Keith Murray J.

1214
01:05:17,040 --> 01:05:20,840
Speaker 1: Originally was Keith, Mary J and b I and it

1215
01:05:20,960 --> 01:05:22,480
Speaker 1: was from Mary. It was the intro to Mary J

1216
01:05:22,680 --> 01:05:24,240
Speaker 1: My Life album. I never heard of it and it

1217
01:05:24,360 --> 01:05:27,160
Speaker 1: was like, this is too hard to be just to

1218
01:05:27,200 --> 01:05:29,240
Speaker 1: start off for R and B album. And once they

1219
01:05:29,280 --> 01:05:31,160
Speaker 1: scratched it, b I was like, give me the record.

1220
01:05:31,240 --> 01:05:32,640
Speaker 1: I'm gonna sunk with it, and b I added the

1221
01:05:32,680 --> 01:05:34,320
Speaker 1: second verse to it and took it. It was a

1222
01:05:34,400 --> 01:05:36,160
Speaker 1: B side record and put it on the B side too.

1223
01:05:36,400 --> 01:05:38,160
Speaker 1: I wish it what Big paper one more chance it

1224
01:05:38,280 --> 01:05:40,880
Speaker 1: was on and we just ran with that was way

1225
01:05:41,000 --> 01:05:43,680
Speaker 1: before that, but it did feel like Big was coming

1226
01:05:43,760 --> 01:05:48,280
Speaker 1: at It's a coincidence that, I mean that had me

1227
01:05:48,360 --> 01:05:52,320
Speaker 1: at that time, No, I know I noticed, but like that,

1228
01:05:52,400 --> 01:05:54,280
Speaker 1: Why would people think that when they know they already

1229
01:05:54,280 --> 01:05:58,800
Speaker 1: earned this record before? Because that was just Big generation stupid.

1230
01:05:58,960 --> 01:06:02,320
Speaker 1: Now they've been stupid. You say, I'm like, why y'all,

1231
01:06:02,720 --> 01:06:04,720
Speaker 1: Why would y'all think that? But I understand just from

1232
01:06:04,760 --> 01:06:07,520
Speaker 1: the situation at that time, I knew how it was.

1233
01:06:08,320 --> 01:06:10,240
Speaker 1: But we you know, Bigness sweat it though Big New

1234
01:06:10,360 --> 01:06:12,400
Speaker 1: Big News. It was Bigger. That's you know, he like man,

1235
01:06:12,960 --> 01:06:14,520
Speaker 1: he know that song and about you know that song.

1236
01:06:14,560 --> 01:06:15,800
Speaker 1: We're done before that, you know what I mean? So

1237
01:06:15,880 --> 01:06:19,200
Speaker 1: big that when Big is on stage and they kind

1238
01:06:19,240 --> 01:06:22,360
Speaker 1: of born them and oh that was real. That was

1239
01:06:25,560 --> 01:06:28,360
Speaker 1: we was a Satha Mano and ship the South Amento.

1240
01:06:28,440 --> 01:06:29,800
Speaker 1: It was a bunch of like West Coast on his

1241
01:06:29,880 --> 01:06:32,960
Speaker 1: booked on that show, not you for his be legit

1242
01:06:34,680 --> 01:06:38,920
Speaker 1: the pute we get love out there. You know, we

1243
01:06:38,960 --> 01:06:41,560
Speaker 1: didn't know about this interview, uh, this interview that Big

1244
01:06:41,640 --> 01:06:43,320
Speaker 1: opposed he did with this dude from Toronto. He put

1245
01:06:43,360 --> 01:06:44,720
Speaker 1: a bunch of ships and said, big was this is

1246
01:06:44,800 --> 01:06:47,920
Speaker 1: why West Coast all this ship and uh I remember

1247
01:06:48,000 --> 01:06:49,880
Speaker 1: walking through that ship and Nigga mac Tim bumped me

1248
01:06:49,960 --> 01:06:52,200
Speaker 1: and ship well, you know, I walked through the spot

1249
01:06:52,280 --> 01:06:53,760
Speaker 1: like the circus spots he was in there and see

1250
01:06:53,760 --> 01:06:55,760
Speaker 1: the type of business in here. Walked through one time.

1251
01:06:55,960 --> 01:06:58,400
Speaker 1: I just get the film. I turned out. I looked

1252
01:06:58,400 --> 01:07:01,000
Speaker 1: back to Nick Mactin like this with me, so I

1253
01:07:01,080 --> 01:07:05,760
Speaker 1: looks a big motherfucker. So I was like, big this

1254
01:07:05,800 --> 01:07:10,280
Speaker 1: ship though it don't feel like that that love. When

1255
01:07:10,320 --> 01:07:15,240
Speaker 1: we got on stage, you don't stay then stop throwing

1256
01:07:15,280 --> 01:07:17,360
Speaker 1: coins at us and ship man you know that coins

1257
01:07:17,400 --> 01:07:19,120
Speaker 1: throwing that you're on stage and ship's hurt my nigger

1258
01:07:21,280 --> 01:07:23,840
Speaker 1: that sho and big guy mad I was like, your

1259
01:07:23,840 --> 01:07:26,560
Speaker 1: fun that throwing? Who shot you? Who shot shot? And

1260
01:07:26,800 --> 01:07:29,240
Speaker 1: when do who shots you? On? They just start going nuts.

1261
01:07:29,320 --> 01:07:32,640
Speaker 1: They stopped throwing. They want bad But I did that ship.

1262
01:07:32,800 --> 01:07:35,520
Speaker 1: I didn't want to do that right here, listen dog

1263
01:07:36,520 --> 01:07:40,080
Speaker 1: say that the place you know you get guy Big

1264
01:07:40,280 --> 01:07:47,120
Speaker 1: requested it like like you shoot me like butcher, like

1265
01:07:47,480 --> 01:07:50,440
Speaker 1: it's crazy in a funny way, it's crazy like like

1266
01:07:50,560 --> 01:07:53,040
Speaker 1: but sometimes you gotta take those. It's just stand out.

1267
01:07:53,920 --> 01:07:55,440
Speaker 1: They just didn't want to feel like, you know, they

1268
01:07:55,560 --> 01:07:57,320
Speaker 1: was getting to them where they was attimidating them like

1269
01:07:57,400 --> 01:07:59,680
Speaker 1: I fuck, man, I want to do that. Who shot

1270
01:07:59,720 --> 01:08:02,640
Speaker 1: you enough? Like trying to hold that ship just like

1271
01:08:03,720 --> 01:08:10,400
Speaker 1: who shot you? Who shot you? On that ship just

1272
01:08:10,520 --> 01:08:12,920
Speaker 1: changed the whole momentum. Ship we got followed back to

1273
01:08:13,000 --> 01:08:14,760
Speaker 1: be leagit, follow us back to the hotel that day

1274
01:08:14,800 --> 01:08:16,360
Speaker 1: and all that ship. Man, they thought Big was trying

1275
01:08:16,360 --> 01:08:18,920
Speaker 1: to diss the whole city. Some bullshit that's interviewed somebody

1276
01:08:18,960 --> 01:08:20,559
Speaker 1: put out. But then they squashed that ship right there.

1277
01:08:20,600 --> 01:08:24,360
Speaker 1: Big on the phone efore and talk about it. Let's

1278
01:08:24,520 --> 01:08:25,680
Speaker 1: you know what that hit. It was like, yo, man,

1279
01:08:25,720 --> 01:08:26,920
Speaker 1: let me know, y'all get to the town, you get

1280
01:08:26,960 --> 01:08:29,320
Speaker 1: to their ports, saton. That was what the nwnstairs and

1281
01:08:29,360 --> 01:08:31,080
Speaker 1: anything stayed in the hotel a lot before to the

1282
01:08:31,120 --> 01:08:33,519
Speaker 1: whole to the next morning, took us to the at.

1283
01:08:36,800 --> 01:08:39,599
Speaker 1: If you go online, you can find this demo um

1284
01:08:39,800 --> 01:08:42,800
Speaker 1: before unsigned hype. You heard it, No, I heard it.

1285
01:08:43,200 --> 01:08:46,320
Speaker 1: I saw unsigned Hype and that's that's when I called

1286
01:08:46,400 --> 01:08:49,160
Speaker 1: Maddie see miss the Sea, and I, you know, track

1287
01:08:49,240 --> 01:08:52,240
Speaker 1: down the demo from just the explanation of what I heard,

1288
01:08:53,040 --> 01:08:56,360
Speaker 1: you know, and his look was so disruptive, you know,

1289
01:08:56,400 --> 01:08:59,240
Speaker 1: it's a good way to explain he felt. He felt

1290
01:08:59,320 --> 01:09:02,000
Speaker 1: like Miles Davis to me, you know what I'm saying.

1291
01:09:02,040 --> 01:09:04,240
Speaker 1: When I when I had first song, but it was

1292
01:09:04,400 --> 01:09:09,200
Speaker 1: like it was it was a vibrational attraction that was dead.

1293
01:09:09,400 --> 01:09:11,920
Speaker 1: Like I knew, I like store up to stare at

1294
01:09:12,000 --> 01:09:14,679
Speaker 1: the picture, you know what I'm saying, for like maybe

1295
01:09:15,640 --> 01:09:18,360
Speaker 1: six days, you know what I'm saying after hearing the music,

1296
01:09:18,439 --> 01:09:21,960
Speaker 1: you know, no, no, before I even got the demo,

1297
01:09:22,680 --> 01:09:25,960
Speaker 1: just a picture in itself was giving me this strong

1298
01:09:26,120 --> 01:09:29,639
Speaker 1: vibration that I knew that whatever this guy was saying,

1299
01:09:30,800 --> 01:09:33,880
Speaker 1: like you know, it was it was something that was

1300
01:09:35,000 --> 01:09:38,160
Speaker 1: It was something that was really really really really authentic,

1301
01:09:38,640 --> 01:09:40,960
Speaker 1: just by the look in his eyes, you know. And

1302
01:09:42,000 --> 01:09:44,720
Speaker 1: then when I heard the music, you know, it was

1303
01:09:44,760 --> 01:09:46,760
Speaker 1: one of those things I merely called my girl and

1304
01:09:46,800 --> 01:09:48,400
Speaker 1: I was like, Yo, you gotta you gotta tell me

1305
01:09:48,439 --> 01:09:51,560
Speaker 1: if this is as hot as great as is, I

1306
01:09:51,680 --> 01:09:55,000
Speaker 1: really believe it is. You know, she heard it. She

1307
01:09:55,120 --> 01:09:58,680
Speaker 1: was like like, wherever he's at, you better go get him,

1308
01:09:59,360 --> 01:10:02,439
Speaker 1: you know what I'm saying. And now that was that's

1309
01:10:02,520 --> 01:10:06,080
Speaker 1: interesting that you said you called your girl. Yeah, because

1310
01:10:06,200 --> 01:10:08,960
Speaker 1: women are the biggest consumers of music without a doubt.

1311
01:10:09,360 --> 01:10:12,160
Speaker 1: So how how did you know that early on? Um?

1312
01:10:12,720 --> 01:10:15,519
Speaker 1: Because everything I did was for girls, My whole swag,

1313
01:10:15,840 --> 01:10:21,599
Speaker 1: my whole you know, um, musically dancing. I started dancing

1314
01:10:21,640 --> 01:10:27,839
Speaker 1: because you know, I like, really, I really trust women's opinions,

1315
01:10:27,840 --> 01:10:31,040
Speaker 1: and I liked the vibration. And you know, I've always

1316
01:10:31,120 --> 01:10:34,560
Speaker 1: just loved women that really were into music, you know,

1317
01:10:35,000 --> 01:10:36,920
Speaker 1: that knew how to dance and was in the music.

1318
01:10:37,040 --> 01:10:39,920
Speaker 1: I can't even relate to somebody it's not into music,

1319
01:10:40,040 --> 01:10:42,960
Speaker 1: So you know, um, you know, I had a girl

1320
01:10:43,040 --> 01:10:47,280
Speaker 1: that was really into music, and and I really trusted

1321
01:10:47,320 --> 01:10:51,280
Speaker 1: her judgment. So it was something that something that you

1322
01:10:51,400 --> 01:10:54,599
Speaker 1: know when it's something crazy and you got a girl

1323
01:10:54,720 --> 01:10:57,000
Speaker 1: that's like that on that same wavelength. She said that

1324
01:10:57,040 --> 01:11:00,120
Speaker 1: about Big Pride to see just on the demo just

1325
01:11:00,200 --> 01:11:02,200
Speaker 1: on Yeah, yeah, the demo is crazy. Demo is some

1326
01:11:02,280 --> 01:11:05,400
Speaker 1: of his best works. None of those tracks made it now,

1327
01:11:05,439 --> 01:11:07,920
Speaker 1: I mean he just he was just freestyling over some beats.

1328
01:11:07,960 --> 01:11:10,160
Speaker 1: So it wasn't you know, it wasn't that time where

1329
01:11:10,160 --> 01:11:12,720
Speaker 1: you could just wrap on somebody's beat. He was. He

1330
01:11:12,880 --> 01:11:14,680
Speaker 1: was like kind of the first to do that. I

1331
01:11:14,720 --> 01:11:17,200
Speaker 1: mean second when you know, you did the jacket for Beasts,

1332
01:11:17,200 --> 01:11:19,200
Speaker 1: but he didn't. In another way, but when he went

1333
01:11:19,240 --> 01:11:22,120
Speaker 1: and rapped before Ready to Die on all l A beats,

1334
01:11:22,680 --> 01:11:24,479
Speaker 1: you know what I'm saying. Before that, it wasn't like

1335
01:11:24,560 --> 01:11:27,800
Speaker 1: people were getting on people's tracks, what I'm saying. So, so,

1336
01:11:28,000 --> 01:11:31,800
Speaker 1: how did you guys started incorporating like the R and

1337
01:11:31,880 --> 01:11:34,519
Speaker 1: B s, the R and B tracks, like the Juicy's

1338
01:11:34,520 --> 01:11:37,320
Speaker 1: and all that. Because I can listen to Biggest Demo

1339
01:11:37,479 --> 01:11:41,240
Speaker 1: and I can tell that that was directly um Uh,

1340
01:11:41,880 --> 01:11:44,040
Speaker 1: which was my favorite record by the way, Juicy. But

1341
01:11:44,360 --> 01:11:47,599
Speaker 1: but how do you go about convincing a hardcore artists

1342
01:11:47,640 --> 01:11:52,080
Speaker 1: like big um to that this commercial, this commercial success

1343
01:11:52,320 --> 01:11:54,680
Speaker 1: is something that he needs. It really wasn't a lot

1344
01:11:54,760 --> 01:11:57,240
Speaker 1: of convincing. I was like, yo, if you want to

1345
01:11:58,240 --> 01:12:01,320
Speaker 1: you know, if you want to be big Big and

1346
01:12:01,720 --> 01:12:04,479
Speaker 1: you know, first of all, when we did partying bullshit,

1347
01:12:04,960 --> 01:12:07,000
Speaker 1: he he didn't didn't know how to write a song,

1348
01:12:07,200 --> 01:12:09,519
Speaker 1: so you know, you know, just like most rappers, you

1349
01:12:09,560 --> 01:12:12,479
Speaker 1: know what I'm saying, everything was like sixty bars and everything.

1350
01:12:13,160 --> 01:12:15,720
Speaker 1: And then so you know, once you know, I kind

1351
01:12:15,760 --> 01:12:18,800
Speaker 1: of broke down the whole song structured. To him, he

1352
01:12:19,000 --> 01:12:21,439
Speaker 1: was like a genius, so he didn't he would take

1353
01:12:21,520 --> 01:12:25,240
Speaker 1: it and then and and and he just really was

1354
01:12:25,400 --> 01:12:30,599
Speaker 1: strong on making songs. People didn't write wraps down. Um.

1355
01:12:30,800 --> 01:12:34,760
Speaker 1: That was that was the second year. Yeah, yeah, this

1356
01:12:34,880 --> 01:12:36,760
Speaker 1: breaking news. A lot of people don't know that. Yeah,

1357
01:12:37,080 --> 01:12:39,680
Speaker 1: the first year he would write him down. By the

1358
01:12:39,760 --> 01:12:41,639
Speaker 1: second year, you know, he was just sitting the room

1359
01:12:41,680 --> 01:12:43,760
Speaker 1: and you wouldn't say nothing for like maybe two or

1360
01:12:43,800 --> 01:12:46,599
Speaker 1: three days and go in and just do it from

1361
01:12:46,680 --> 01:12:50,679
Speaker 1: head to toe. No punching in, nothing like that. Maybe

1362
01:12:50,720 --> 01:12:58,000
Speaker 1: a couple of times, you know, let's yeah. But as

1363
01:12:58,040 --> 01:13:00,519
Speaker 1: far as the as far as the big record, you know,

1364
01:13:00,680 --> 01:13:02,800
Speaker 1: going after the Juicy and the Big Papa with the

1365
01:13:02,880 --> 01:13:05,439
Speaker 1: Ozzy Brothers, it was just it was a vibe that

1366
01:13:05,520 --> 01:13:08,360
Speaker 1: I was in that I had. I had already seen

1367
01:13:08,520 --> 01:13:11,400
Speaker 1: work to a certain degree, and I knew with Mobi

1368
01:13:12,040 --> 01:13:14,920
Speaker 1: and Premier we had the harder edge tracks, and I

1369
01:13:15,000 --> 01:13:18,479
Speaker 1: knew that there was just this opportunity, um because even

1370
01:13:18,600 --> 01:13:20,200
Speaker 1: you know, the West Coast was doing in their way

1371
01:13:20,240 --> 01:13:23,040
Speaker 1: that their style of sampling more commercial type of hits.

1372
01:13:23,640 --> 01:13:25,840
Speaker 1: But I knew that these joints right here These were

1373
01:13:25,880 --> 01:13:28,320
Speaker 1: the things that I I grew up to in Hallan

1374
01:13:28,400 --> 01:13:29,840
Speaker 1: when I used to have to do my chores in

1375
01:13:29,880 --> 01:13:33,120
Speaker 1: the morning. These records was really really deep, like sheet

1376
01:13:33,360 --> 01:13:35,960
Speaker 1: to me, you know what I'm saying, and and just

1377
01:13:36,120 --> 01:13:40,479
Speaker 1: having that juicy sample and in the Big Papa joint

1378
01:13:40,560 --> 01:13:42,200
Speaker 1: and then the One More Chance. I had all that

1379
01:13:42,280 --> 01:13:45,880
Speaker 1: at the same time, So you know, I knew he

1380
01:13:45,920 --> 01:13:48,280
Speaker 1: wanted to be fly and I told him like, this

1381
01:13:48,439 --> 01:13:51,120
Speaker 1: is the road to the flying noess, she just gonna

1382
01:13:51,120 --> 01:13:53,680
Speaker 1: be really dusty and be doing videos behind like in

1383
01:13:54,000 --> 01:13:57,200
Speaker 1: abandoned buildings, And he was like, I want to be flying.

1384
01:13:57,280 --> 01:14:00,320
Speaker 1: He always wanted to just have make sure his gear

1385
01:14:01,040 --> 01:14:05,559
Speaker 1: was flyer. Then somebody that was slimmer. Now that One

1386
01:14:05,600 --> 01:14:10,320
Speaker 1: More Chance remix like in the Streets album was already

1387
01:14:10,760 --> 01:14:14,280
Speaker 1: a phenomenon. We already knew where Big was going. But

1388
01:14:14,400 --> 01:14:20,880
Speaker 1: then y'all one more Chance remix and video like how

1389
01:14:21,880 --> 01:14:24,720
Speaker 1: like what was the fund? Did you thinking? To say?

1390
01:14:24,840 --> 01:14:27,720
Speaker 1: Like what was it? Because because I believe he was

1391
01:14:27,800 --> 01:14:29,400
Speaker 1: gold at the time, was that to like the record

1392
01:14:29,439 --> 01:14:31,439
Speaker 1: that you wanted to take it over to the platinum

1393
01:14:31,720 --> 01:14:35,320
Speaker 1: or yeah? Yeah, you know, um as a producer, I

1394
01:14:35,479 --> 01:14:39,040
Speaker 1: get here giving me the you know, the confidence. So

1395
01:14:39,400 --> 01:14:42,400
Speaker 1: you know, when you really believe in everything's great and

1396
01:14:42,479 --> 01:14:45,960
Speaker 1: you're in that frequency, you know, that's what you're attracting.

1397
01:14:46,080 --> 01:14:48,840
Speaker 1: And I attracted that sample and I was like this

1398
01:14:49,040 --> 01:14:51,799
Speaker 1: one right here, this is this right this right here? Scary?

1399
01:14:52,040 --> 01:14:54,000
Speaker 1: You know, it was scary, you know because it was

1400
01:14:54,040 --> 01:14:57,720
Speaker 1: a true record for the ladies. And not only that,

1401
01:14:58,240 --> 01:15:01,920
Speaker 1: it felt like I felt like you and Big perfected

1402
01:15:02,400 --> 01:15:06,880
Speaker 1: feeding the streets and feeding the radio. Yeah, like at

1403
01:15:06,920 --> 01:15:09,400
Speaker 1: the same time you had who shot you that all

1404
01:15:09,520 --> 01:15:12,600
Speaker 1: the streets? You know what I'm saying. I gravitated towards that,

1405
01:15:12,760 --> 01:15:15,800
Speaker 1: but you're killing the radio? Like who was that? You?

1406
01:15:15,880 --> 01:15:19,360
Speaker 1: Who developed a strategy of feed the streets? And you

1407
01:15:19,400 --> 01:15:21,519
Speaker 1: know it was it was more of a respect thing

1408
01:15:21,720 --> 01:15:24,479
Speaker 1: of of of I knew what he wanted to do

1409
01:15:24,800 --> 01:15:27,080
Speaker 1: and if we were going to have this like partnership

1410
01:15:27,160 --> 01:15:29,320
Speaker 1: on making music, and he was going to follow me

1411
01:15:29,439 --> 01:15:31,679
Speaker 1: down the road to making some of these bigger records,

1412
01:15:32,479 --> 01:15:34,600
Speaker 1: and you know, then I would follow him down the

1413
01:15:34,720 --> 01:15:38,880
Speaker 1: road to um, you know, making more the hardcore records.

1414
01:15:39,080 --> 01:15:41,280
Speaker 1: There's only one line that I had made him change

1415
01:15:41,400 --> 01:15:44,080
Speaker 1: or just record that he went too far for me.

1416
01:15:45,479 --> 01:15:48,120
Speaker 1: You need this story. I think he talked about rape

1417
01:15:48,160 --> 01:15:52,160
Speaker 1: and Mary or something that, yeah it was and I

1418
01:15:52,280 --> 01:15:54,400
Speaker 1: just I just I just couldn't do it. And he

1419
01:15:54,520 --> 01:15:59,200
Speaker 1: respected dreams. No this is this is just a free

1420
01:15:59,240 --> 01:16:02,040
Speaker 1: style because that eventually came out though now I was

1421
01:16:02,120 --> 01:16:04,720
Speaker 1: kind of um like set that standard when he said

1422
01:16:04,880 --> 01:16:06,880
Speaker 1: when I was twelve, I went to help us nothing

1423
01:16:07,040 --> 01:16:10,720
Speaker 1: Jesus so all artists was trying to say something disrespectful

1424
01:16:11,040 --> 01:16:13,519
Speaker 1: like still clever. Yeah yeah, yeah, yeah, but yea yeah

1425
01:16:13,560 --> 01:16:15,479
Speaker 1: yeah but that yeah, that was the only thing that

1426
01:16:15,880 --> 01:16:19,200
Speaker 1: we had started to have a discussion about certain responsibilities.

1427
01:16:19,600 --> 01:16:21,479
Speaker 1: He didn't really give a funk, but at the same

1428
01:16:21,560 --> 01:16:24,960
Speaker 1: time he was he was kind of a big one. Yeah,

1429
01:16:25,600 --> 01:16:30,040
Speaker 1: but he over the bridge that yeah, he said he

1430
01:16:30,479 --> 01:16:35,920
Speaker 1: whatever he said was like from from a standpoint of lyricism,

1431
01:16:36,479 --> 01:16:39,519
Speaker 1: it was yeah, it wasn't from this. It wasn't a

1432
01:16:39,600 --> 01:16:45,000
Speaker 1: shock value like yeah, yeah value. Yeah. He seemed like

1433
01:16:45,160 --> 01:16:47,400
Speaker 1: on the first album that it felt like West Coast

1434
01:16:47,479 --> 01:16:50,120
Speaker 1: influenced him a lot, like that's the way I felt

1435
01:16:50,160 --> 01:16:53,200
Speaker 1: as a listening Yeah, really not at all. Yeah, because

1436
01:16:53,240 --> 01:16:55,000
Speaker 1: there were some samples that they sampled a lot of

1437
01:16:55,120 --> 01:16:56,960
Speaker 1: some of the West Coast records and some of the

1438
01:16:57,080 --> 01:16:59,200
Speaker 1: oh yeah, yeah, yeah. As far as me sampling, I

1439
01:16:59,320 --> 01:17:02,040
Speaker 1: was definitely in was by the chronic They're even ready

1440
01:17:02,080 --> 01:17:04,960
Speaker 1: to Die that whole, So that was not him. Yeah, yeah,

1441
01:17:04,960 --> 01:17:07,000
Speaker 1: that was me that because I was I heard the

1442
01:17:07,080 --> 01:17:09,400
Speaker 1: chronic and I just really became obsessed with how they

1443
01:17:09,439 --> 01:17:11,320
Speaker 1: were able to make it sound like it was. Actually

1444
01:17:11,439 --> 01:17:13,599
Speaker 1: you actually got into a low ride in the comment.

1445
01:17:13,920 --> 01:17:16,439
Speaker 1: So I wanted ready to Die to feel like you was,

1446
01:17:17,240 --> 01:17:19,200
Speaker 1: you know, in Brooklyn and from New York and so

1447
01:17:19,439 --> 01:17:22,840
Speaker 1: you know, Dre definitely inspired me, you know on that one.

1448
01:17:22,920 --> 01:17:27,320
Speaker 1: Would you enjoy more producing? Oh? Yeah, that was that

1449
01:17:28,040 --> 01:17:30,200
Speaker 1: was the only one that we I mean, Cola was

1450
01:17:30,240 --> 01:17:31,519
Speaker 1: on the Locks out. Of course that was gonna be

1451
01:17:31,560 --> 01:17:35,720
Speaker 1: our album, didn't you say? I want that Big win

1452
01:17:35,840 --> 01:17:40,120
Speaker 1: at y'all? Yeah, you'll see verse what you'll see the

1453
01:17:40,240 --> 01:17:43,640
Speaker 1: first it's actually the Locks first feature with Big We

1454
01:17:43,800 --> 01:17:48,400
Speaker 1: never met him, and I know what happened. Puff Winning

1455
01:17:48,439 --> 01:17:51,320
Speaker 1: told him some ship puff Winning. Y'all got these niggas

1456
01:17:51,320 --> 01:17:55,479
Speaker 1: from youngest, the dirty winning niggas. They're coming crazy, They're

1457
01:17:55,520 --> 01:18:00,960
Speaker 1: coming for you. That he came crazy. He came from

1458
01:18:01,040 --> 01:18:06,640
Speaker 1: the first line nig's talking when ain't I don't know

1459
01:18:06,800 --> 01:18:13,160
Speaker 1: how crazy I can't go back and listen to what

1460
01:18:14,000 --> 01:18:23,400
Speaker 1: was coming. That was coming. He could have actually broke

1461
01:18:23,479 --> 01:18:29,080
Speaker 1: our smith. He could all wrong. He could have tail

1462
01:18:29,160 --> 01:18:37,320
Speaker 1: between the legs and kiss leg that. Let me just

1463
01:18:37,400 --> 01:18:40,519
Speaker 1: crib the situate. So y'all come to the lab like

1464
01:18:40,760 --> 01:18:44,680
Speaker 1: big people. If he was dope the ground, he was

1465
01:18:44,800 --> 01:18:49,519
Speaker 1: like he loved underground you ship. He was into him

1466
01:18:49,560 --> 01:18:53,439
Speaker 1: and Math that record, I can't. I don't know how

1467
01:18:53,520 --> 01:18:57,200
Speaker 1: that came up with that. That record seems like they

1468
01:18:57,320 --> 01:19:00,760
Speaker 1: were going rad it like and and at that time,

1469
01:19:00,880 --> 01:19:02,920
Speaker 1: Meth was considered the best because he had the m

1470
01:19:03,000 --> 01:19:06,040
Speaker 1: A T H O. D man. He was cooking. He

1471
01:19:06,160 --> 01:19:09,200
Speaker 1: was cooking, he was he was ripping everything that was

1472
01:19:09,320 --> 01:19:12,240
Speaker 1: that that name was every everywhere, and that was going

1473
01:19:12,320 --> 01:19:14,240
Speaker 1: to be all famous him and old Dirty. I still

1474
01:19:14,400 --> 01:19:20,400
Speaker 1: can't say who won that. I still certain days like

1475
01:19:23,040 --> 01:19:27,600
Speaker 1: different styles too. I give it up. I say, was like, no,

1476
01:19:27,680 --> 01:19:31,880
Speaker 1: he got me. He said that j join he said

1477
01:19:31,960 --> 01:19:35,120
Speaker 1: Jake got him book of Finance. I gotta disagree said that.

1478
01:19:35,400 --> 01:19:40,280
Speaker 1: I told he wasn't think he's bucking dog. See, I

1479
01:19:40,280 --> 01:19:42,160
Speaker 1: didn't understand j in the beginning. He was using all

1480
01:19:42,200 --> 01:19:44,559
Speaker 1: them big words and that school nine grade mon nigger

1481
01:19:45,120 --> 01:19:47,800
Speaker 1: I didn't know all that scientific or reflical and orlean.

1482
01:19:48,760 --> 01:19:51,040
Speaker 1: I understand that. I understand the color ship direct to

1483
01:19:51,080 --> 01:19:53,240
Speaker 1: the point and b I was more like a direct

1484
01:19:53,280 --> 01:19:56,240
Speaker 1: but bad? Now would it be? He bodied something going

1485
01:19:56,400 --> 01:20:02,439
Speaker 1: and Philly. He never had, Oh man come out and

1486
01:20:02,479 --> 01:20:05,439
Speaker 1: sees events. He should have, he said, a man like

1487
01:20:05,560 --> 01:20:09,160
Speaker 1: somebody should have told him, no, a big not that

1488
01:20:10,240 --> 01:20:15,800
Speaker 1: it's still work. Still, I'm sorry, I'm still he killed

1489
01:20:15,840 --> 01:20:20,760
Speaker 1: him now that was hurt from getting big that we're

1490
01:20:20,800 --> 01:20:23,439
Speaker 1: going to speaking his defense. He's a lawyer, he's a

1491
01:20:23,479 --> 01:20:32,840
Speaker 1: way rapid and winning helped to a lawyer's biggest sue.

1492
01:20:32,880 --> 01:20:36,960
Speaker 1: You know, I'm just saying. I always was like music

1493
01:20:37,040 --> 01:20:42,200
Speaker 1: is still I'm sorry, I'm sorry like that. No, that

1494
01:20:42,280 --> 01:20:45,479
Speaker 1: was some big they had. No he even destroyed Shock,

1495
01:20:45,800 --> 01:20:50,160
Speaker 1: but he's found but come on, destroyed Shock, he said Shock.

1496
01:20:50,240 --> 01:20:52,880
Speaker 1: You get it too. That that was the only record

1497
01:20:52,880 --> 01:20:55,519
Speaker 1: with him and nas on it. Hrsus was four shack

1498
01:20:55,680 --> 01:20:59,599
Speaker 1: shots versus that he said was for shocks shot, winning

1499
01:20:59,640 --> 01:21:03,720
Speaker 1: and broken. He couldn't say basketball politics, your dog, I can't.

1500
01:21:03,760 --> 01:21:07,200
Speaker 1: I can't say nothing that you got right. I was

1501
01:21:07,280 --> 01:21:11,400
Speaker 1: there with kids on that record called the Who World.

1502
01:21:11,960 --> 01:21:14,280
Speaker 1: He came back. He had a verse there we was going,

1503
01:21:14,400 --> 01:21:16,120
Speaker 1: we was at the hotel. It wasn't Naas on that

1504
01:21:16,280 --> 01:21:19,000
Speaker 1: record as well. I don't know. I don't believe it's

1505
01:21:19,040 --> 01:21:22,720
Speaker 1: a virgin. The only version between Big and Nas only

1506
01:21:22,800 --> 01:21:24,479
Speaker 1: heard that when we did we went to Jack Cribb

1507
01:21:24,520 --> 01:21:26,960
Speaker 1: and and that ship is at the same time that

1508
01:21:27,000 --> 01:21:29,599
Speaker 1: they're talking about the same record, but no, the same

1509
01:21:29,640 --> 01:21:33,360
Speaker 1: time that they're talking and Big, what what record did

1510
01:21:33,439 --> 01:21:38,560
Speaker 1: Big guard Nas? Kicking the door? Kicking the door? What

1511
01:21:38,760 --> 01:21:40,800
Speaker 1: was that line? Because Nas came back he said some ship,

1512
01:21:40,880 --> 01:21:43,479
Speaker 1: but it was he was like, he was like niggas

1513
01:21:43,800 --> 01:21:47,800
Speaker 1: Champagne last year. They wasn't champ Now said the line

1514
01:21:47,840 --> 01:21:49,479
Speaker 1: he said, he take the crown off the so called

1515
01:21:49,560 --> 01:21:52,200
Speaker 1: king and lock it down freestyle. He did it, Big

1516
01:21:52,320 --> 01:21:56,200
Speaker 1: people that and that was Big response to the the

1517
01:21:56,320 --> 01:21:58,679
Speaker 1: third verse to kicking the door. What did he say? Again,

1518
01:21:59,200 --> 01:22:02,520
Speaker 1: this goes out but those that choose to use disrespectful

1519
01:22:02,640 --> 01:22:06,240
Speaker 1: views on the kingdom and why fun that way? Don't

1520
01:22:06,320 --> 01:22:10,560
Speaker 1: bleat now you were railing it, snatch that lightship, scaling it.

1521
01:22:10,840 --> 01:22:15,479
Speaker 1: Conscience of your nunsiense eight so more powdered and Johnson

1522
01:22:15,520 --> 01:22:23,479
Speaker 1: than Johnson. Vision legs never laxed. That is crazy. I

1523
01:22:23,600 --> 01:22:25,120
Speaker 1: used to have to catch you on this ship. I

1524
01:22:25,200 --> 01:22:27,920
Speaker 1: still catch you onto some ship now, Damn dog, I

1525
01:22:27,960 --> 01:22:30,080
Speaker 1: ain't know what that. I just had to ask Bigger

1526
01:22:30,160 --> 01:22:32,800
Speaker 1: what you mean by that? What's that? But that's where

1527
01:22:32,800 --> 01:22:35,120
Speaker 1: that came from? I asked where that came from? He

1528
01:22:35,280 --> 01:22:38,400
Speaker 1: he played the free style was like Listen's even using

1529
01:22:38,479 --> 01:22:42,120
Speaker 1: big words. It's his flow, it's his delivery. And the

1530
01:22:42,200 --> 01:22:44,719
Speaker 1: way he said the words. Man, it was just so clear,

1531
01:22:45,160 --> 01:22:50,439
Speaker 1: cun of your nunsense. We had never laxed back big

1532
01:22:53,920 --> 01:22:57,599
Speaker 1: so wonderful love. It was a wonderful big, big fat

1533
01:22:57,760 --> 01:23:01,559
Speaker 1: black motherfucker must be antics. You just feel like big

1534
01:23:01,680 --> 01:23:06,680
Speaker 1: fat niggam. I think Punney was a very romantic. I'm

1535
01:23:06,720 --> 01:23:10,200
Speaker 1: just doing I used to see the nigga with roses

1536
01:23:10,240 --> 01:23:15,000
Speaker 1: all the time, just no reason. What are you doing

1537
01:23:15,000 --> 01:23:17,360
Speaker 1: with my brother? Little speak? He did a little spik

1538
01:23:17,400 --> 01:23:23,080
Speaker 1: of looking at that like it was just cool. Yeah,

1539
01:23:23,920 --> 01:23:27,320
Speaker 1: so got a little awk with this. Dope was dope.

1540
01:23:27,360 --> 01:23:28,840
Speaker 1: It's good, it's good, it's good to get the akers

1541
01:23:28,880 --> 01:23:31,519
Speaker 1: sometimes was real. He was really big pimping dog. He

1542
01:23:31,640 --> 01:23:36,439
Speaker 1: was up. Now, let's describe at that time, right, because

1543
01:23:36,640 --> 01:23:39,200
Speaker 1: at that time you're just getting the notice guy right

1544
01:23:39,479 --> 01:23:42,000
Speaker 1: and in according to the movie, it's like he gave

1545
01:23:42,080 --> 01:23:45,439
Speaker 1: bigger check and he gave Big all these promises, but

1546
01:23:45,560 --> 01:23:49,559
Speaker 1: he really had no accolades to match that as a whole.

1547
01:23:49,640 --> 01:23:51,519
Speaker 1: Like you know, I mean he worked up, but not

1548
01:23:51,760 --> 01:23:55,600
Speaker 1: for himself, but that he had something he had. He

1549
01:23:55,760 --> 01:24:03,400
Speaker 1: had Joe. He didn't like what I'm saying that he

1550
01:24:03,520 --> 01:24:06,639
Speaker 1: was one was his first label, bad Boy, So yeah,

1551
01:24:06,720 --> 01:24:10,280
Speaker 1: but I was it was he was gonna make his career.

1552
01:24:10,439 --> 01:24:13,000
Speaker 1: So what made what do you think made y'all in general?

1553
01:24:13,080 --> 01:24:16,120
Speaker 1: When Big even trust this guy B I funk not

1554
01:24:16,200 --> 01:24:17,600
Speaker 1: think just be I just knew he knew what he

1555
01:24:17,680 --> 01:24:20,519
Speaker 1: was doing and he was he was he was devoted

1556
01:24:20,560 --> 01:24:22,560
Speaker 1: to b. I. That's something I couldn't say about He

1557
01:24:22,920 --> 01:24:24,479
Speaker 1: was you when it came to be I. He was

1558
01:24:24,520 --> 01:24:26,479
Speaker 1: straight up with Big. I mean, I can't knock that.

1559
01:24:26,600 --> 01:24:28,519
Speaker 1: I can't take that away. It wouldn't be no B.

1560
01:24:28,640 --> 01:24:31,680
Speaker 1: I once phone the one for Pepe straight up. It's

1561
01:24:31,720 --> 01:24:33,840
Speaker 1: just a real ship ever and be our funk with him.

1562
01:24:33,920 --> 01:24:37,600
Speaker 1: And then the day we did you know, the end

1563
01:24:37,600 --> 01:24:39,599
Speaker 1: of the day, if he say it's cool, it's cool,

1564
01:24:39,680 --> 01:24:42,360
Speaker 1: who am I honestly up next man. You know, I

1565
01:24:42,520 --> 01:24:46,760
Speaker 1: consider this this person to be a pioneer and what

1566
01:24:46,880 --> 01:24:51,360
Speaker 1: it is, you know, for hip hop podcasting. He he

1567
01:24:51,479 --> 01:24:53,840
Speaker 1: definitely was someone that that I was checking out and

1568
01:24:54,000 --> 01:24:57,120
Speaker 1: inspired by, you know. And who I'm speaking about is

1569
01:24:57,200 --> 01:25:00,680
Speaker 1: no other than Reggio say a K. Combat Jack, you know,

1570
01:25:01,040 --> 01:25:03,719
Speaker 1: who is definitely a legend hosting one of the original

1571
01:25:03,880 --> 01:25:08,000
Speaker 1: hip hop podcasts with the Combat Jack Show. His resume

1572
01:25:08,439 --> 01:25:11,640
Speaker 1: far proceeds a podcast world, as he was a successful

1573
01:25:11,720 --> 01:25:14,240
Speaker 1: lawyer and represent a sort of hip hops the legendary

1574
01:25:14,360 --> 01:25:18,360
Speaker 1: artists and producers such as Jay Z, Rockefeller Records, component

1575
01:25:18,400 --> 01:25:21,600
Speaker 1: Ori Aga, and more. It was an honor to have

1576
01:25:22,120 --> 01:25:25,120
Speaker 1: interviewed Combat Jack on Drink Champs. I mean, to meet him,

1577
01:25:25,160 --> 01:25:27,840
Speaker 1: to talk to him, to interact with him, to hear

1578
01:25:27,880 --> 01:25:31,519
Speaker 1: the full episode. Checkout episode thirty two with Combat Jack

1579
01:25:31,640 --> 01:25:35,800
Speaker 1: and Jack Thriller was. It was a hilarious um episode.

1580
01:25:35,960 --> 01:25:37,400
Speaker 1: You just gotta check it out if you have and

1581
01:25:37,600 --> 01:25:41,160
Speaker 1: it's it's definitely one of our classics. But here's some

1582
01:25:41,240 --> 01:25:47,080
Speaker 1: great moments from that episode. The more careful you have

1583
01:25:47,120 --> 01:25:52,120
Speaker 1: to be with your words, so that a so I

1584
01:25:52,240 --> 01:25:56,040
Speaker 1: learned this. I learned this listening from Tupac Biggie and

1585
01:25:56,160 --> 01:26:01,400
Speaker 1: Jack right when Tupac comms no not just listen to

1586
01:26:01,520 --> 01:26:05,240
Speaker 1: their music and Tupac talking about I caught five and

1587
01:26:05,320 --> 01:26:09,240
Speaker 1: this and that and just like embracing being a target,

1588
01:26:10,320 --> 01:26:12,439
Speaker 1: you know what I'm saying, and then passing away too soon,

1589
01:26:12,520 --> 01:26:14,960
Speaker 1: you know what I'm saying. Biggie's first album one of

1590
01:26:15,000 --> 01:26:18,800
Speaker 1: the most impactful albums of all time, Ready to Die,

1591
01:26:20,080 --> 01:26:24,360
Speaker 1: Ready to No No But but but I worked boy all.

1592
01:26:24,400 --> 01:26:26,000
Speaker 1: I worked with a lot of the hit man I

1593
01:26:26,080 --> 01:26:30,400
Speaker 1: worked with with Puff Puff, The Home Now, Derek Angeletti,

1594
01:26:30,520 --> 01:26:36,280
Speaker 1: Ron Lawrence, don't get out of my power. But let's listen,

1595
01:26:36,320 --> 01:26:39,120
Speaker 1: leten listen. I realized as a hip hop fan, particularly

1596
01:26:39,200 --> 01:26:43,040
Speaker 1: with hip hop and the vibration that it strikes. We

1597
01:26:43,080 --> 01:26:45,720
Speaker 1: don't we don't take hip hop for joke. Hip Hop

1598
01:26:45,840 --> 01:26:48,240
Speaker 1: is real when you say, some ship's real. So if

1599
01:26:48,280 --> 01:26:50,360
Speaker 1: you say you're ready to die and you got a

1600
01:26:50,439 --> 01:26:54,240
Speaker 1: million fans, that ship travels. But at the same time,

1601
01:26:54,320 --> 01:26:57,360
Speaker 1: and you noticed Nori when Jay was coming up, niggas

1602
01:26:57,360 --> 01:27:00,200
Speaker 1: didn't think Jay was gonna be that nigger, right am,

1603
01:27:00,240 --> 01:27:03,320
Speaker 1: I right? Wrong? But when Jay was like, I'm gonna

1604
01:27:03,400 --> 01:27:07,880
Speaker 1: be the richest motherfucker speaking in hippot. He became that.

1605
01:27:08,400 --> 01:27:12,120
Speaker 1: So I learned the power of words. So my biggest

1606
01:27:13,200 --> 01:27:16,479
Speaker 1: um lesson and podcast is thinking, it's just me and

1607
01:27:16,560 --> 01:27:20,240
Speaker 1: my niggas in this studio talking ship, and and and

1608
01:27:20,439 --> 01:27:22,640
Speaker 1: and one day I did this rant with regard to

1609
01:27:22,720 --> 01:27:26,120
Speaker 1: Pat Hooo's okay and the and the ship went viral.

1610
01:27:26,720 --> 01:27:28,360
Speaker 1: And that ship surprised me because it was just a

1611
01:27:28,439 --> 01:27:30,599
Speaker 1: small part of our episode. What was you saying about

1612
01:27:30,600 --> 01:27:32,599
Speaker 1: bad poos? I was just I'm just saying something about

1613
01:27:32,640 --> 01:27:34,679
Speaker 1: bad like he wasn't good. I was just saying something

1614
01:27:34,760 --> 01:27:40,000
Speaker 1: about I don't know what you're saying, drink. I just

1615
01:27:40,680 --> 01:27:44,800
Speaker 1: heard a record that I didn't have. No just I

1616
01:27:44,920 --> 01:27:47,880
Speaker 1: heard a record on No No it was my boot.

1617
01:27:47,920 --> 01:27:50,840
Speaker 1: That record my boot, And I was like, yo, this

1618
01:27:51,040 --> 01:27:54,439
Speaker 1: is not who got paid. So I went off like

1619
01:27:54,560 --> 01:27:58,200
Speaker 1: I was on Twitter, and some pappoose followers was like

1620
01:27:58,320 --> 01:28:01,320
Speaker 1: coming at me because I'm not gonna argue. I'm not

1621
01:28:01,320 --> 01:28:03,679
Speaker 1: gonna argue with you. I'm gonna address this on my show.

1622
01:28:04,120 --> 01:28:07,080
Speaker 1: So when I did, the ship went viral. And then

1623
01:28:07,160 --> 01:28:11,519
Speaker 1: when I realized that I crossed the line, it was

1624
01:28:11,600 --> 01:28:13,720
Speaker 1: too late to take the words. What did you say?

1625
01:28:14,160 --> 01:28:16,720
Speaker 1: What did you say? Just just let's just google it,

1626
01:28:16,800 --> 01:28:22,880
Speaker 1: my nigga. I'm telling you google it, my nigga, because

1627
01:28:22,880 --> 01:28:24,920
Speaker 1: I'm moving forward, you know what I'm saying. So when

1628
01:28:24,920 --> 01:28:28,240
Speaker 1: I realized that I crossed the line with Papoose and

1629
01:28:29,040 --> 01:28:30,880
Speaker 1: I could never get you know what I'm saying, Like,

1630
01:28:31,439 --> 01:28:33,920
Speaker 1: I was like, Yo, you gotta watch what you say

1631
01:28:34,000 --> 01:28:37,880
Speaker 1: because even when we're joking, you could hurt somebody or

1632
01:28:37,920 --> 01:28:41,679
Speaker 1: you could create an enemy for life with your words.

1633
01:28:41,760 --> 01:28:43,760
Speaker 1: And it was like, not that I'm afraid to say

1634
01:28:43,840 --> 01:28:47,320
Speaker 1: my honest truth, but I still got to realize and

1635
01:28:47,400 --> 01:28:50,160
Speaker 1: be responsible what I say about the other man, right

1636
01:28:50,200 --> 01:28:53,120
Speaker 1: because the thing about podcasts, it's kind of lives forever.

1637
01:28:53,760 --> 01:28:57,519
Speaker 1: These interviews don't die, so right now, everything that we said,

1638
01:28:57,680 --> 01:28:59,920
Speaker 1: that's that's that's the reason why I wanted to be

1639
01:29:00,120 --> 01:29:02,120
Speaker 1: clear and let you know that everything I ever said

1640
01:29:02,160 --> 01:29:04,680
Speaker 1: about you was just jokes and always. But I mean,

1641
01:29:04,840 --> 01:29:07,280
Speaker 1: you know that the difference is y'all in each other face.

1642
01:29:07,560 --> 01:29:09,439
Speaker 1: So I have a whole different outlook on it. I

1643
01:29:09,520 --> 01:29:11,120
Speaker 1: feel like if you, like, I say a lot of

1644
01:29:11,200 --> 01:29:15,439
Speaker 1: crazy things that you do, and I say that everybody face,

1645
01:29:15,760 --> 01:29:19,360
Speaker 1: did I did I say something about like, for instance,

1646
01:29:19,479 --> 01:29:22,599
Speaker 1: you know, I hear an incident with two chains. Oh yeah,

1647
01:29:22,680 --> 01:29:25,720
Speaker 1: what happens to Yeah, you know, he said, he's gonna

1648
01:29:25,720 --> 01:29:29,519
Speaker 1: suck you up. He said, water Front Realty right where

1649
01:29:30,320 --> 01:29:37,320
Speaker 1: not that New York is not what public performance, it's publishing.

1650
01:29:38,080 --> 01:29:41,400
Speaker 1: So it's that's one. What's you said? I said? I said?

1651
01:29:41,400 --> 01:29:48,200
Speaker 1: I said public performance publishing synchronization. So like whenever your

1652
01:29:48,240 --> 01:29:53,680
Speaker 1: ship is like the movie movie commercial video, but when

1653
01:29:53,720 --> 01:29:56,120
Speaker 1: they write a two chains wrap and the ship is

1654
01:29:56,160 --> 01:29:58,840
Speaker 1: a kid to bring up two chains guy. So when

1655
01:29:58,880 --> 01:30:02,360
Speaker 1: the lyrics are written that people buy people buy them

1656
01:30:03,600 --> 01:30:08,679
Speaker 1: people people, it's a dying breed for people buy print

1657
01:30:09,600 --> 01:30:12,640
Speaker 1: people by How does the ship choreographic? How can I

1658
01:30:12,720 --> 01:30:15,840
Speaker 1: play this whole? Oh? You mean writing the music, writing

1659
01:30:15,880 --> 01:30:19,160
Speaker 1: the music and the lyrics. It's still public. The lyrics

1660
01:30:19,320 --> 01:30:21,080
Speaker 1: is considered like the music, like if you were to

1661
01:30:21,120 --> 01:30:28,479
Speaker 1: play I said four, that's four five record sales Breckord sales.

1662
01:30:28,520 --> 01:30:30,960
Speaker 1: But but but it's but but it's expanded right now

1663
01:30:31,320 --> 01:30:35,240
Speaker 1: because now is digital streaming stream So maybe it's at

1664
01:30:35,320 --> 01:30:37,400
Speaker 1: seven right now, I mean I'm at the authority, but

1665
01:30:38,320 --> 01:30:45,760
Speaker 1: um title, yeah, Apple Spotify, that's that's an extra six.

1666
01:30:47,240 --> 01:30:49,759
Speaker 1: So now let me ask you there might be a seventh.

1667
01:30:50,200 --> 01:30:53,960
Speaker 1: You might be a seven six genius is print now

1668
01:30:53,960 --> 01:30:59,120
Speaker 1: I would say genius, But I just picked up I

1669
01:30:59,200 --> 01:31:01,360
Speaker 1: just give you all sick out of the music to

1670
01:31:01,720 --> 01:31:04,880
Speaker 1: make money off you music. So Jack, how old you Jack?

1671
01:31:04,960 --> 01:31:10,240
Speaker 1: I'm sorry, just but thirty self? Okay, young buck? Yeah,

1672
01:31:10,400 --> 01:31:15,479
Speaker 1: I got a old face. But so in your opinion

1673
01:31:15,800 --> 01:31:20,760
Speaker 1: to you're picking up a young you of yourself, you

1674
01:31:20,920 --> 01:31:25,320
Speaker 1: think streaming hurt the industry or streaming helped it? And

1675
01:31:25,560 --> 01:31:27,320
Speaker 1: think it helped the industry? Man, because I like the

1676
01:31:27,360 --> 01:31:31,400
Speaker 1: fact that you it ain't no excuses if you can't

1677
01:31:31,439 --> 01:31:33,920
Speaker 1: make it right now, you know you don't even deserve

1678
01:31:33,920 --> 01:31:35,400
Speaker 1: to be in the game. I don't think that's true.

1679
01:31:35,439 --> 01:31:37,680
Speaker 1: I don't think that's agree with him. I mean I

1680
01:31:37,800 --> 01:31:40,560
Speaker 1: don't in a sense because before there was the you know,

1681
01:31:40,640 --> 01:31:43,640
Speaker 1: the gatekeepers in a sense if your gatekeepers, No, no,

1682
01:31:44,120 --> 01:31:47,720
Speaker 1: that's that's true. But the oversaturation makes it harder in

1683
01:31:47,760 --> 01:31:52,200
Speaker 1: a sense. What's balancing a way harder to to be hurt,

1684
01:31:53,000 --> 01:31:56,240
Speaker 1: to be hurt byfend. I love music. I always love music.

1685
01:31:56,680 --> 01:31:59,400
Speaker 1: I'm not gonna listen to ship I don't right you

1686
01:31:59,520 --> 01:32:01,280
Speaker 1: might not eat even know the music that you would

1687
01:32:02,360 --> 01:32:07,519
Speaker 1: when I find you when I find. When I find it,

1688
01:32:07,680 --> 01:32:11,960
Speaker 1: you wouldn't know. Continue, but you wouldn't know because it's

1689
01:32:12,040 --> 01:32:15,000
Speaker 1: in the Ether's a million artists. Okay, so there's a

1690
01:32:15,080 --> 01:32:17,560
Speaker 1: million niggas that I won't listen to. But when I

1691
01:32:17,600 --> 01:32:20,639
Speaker 1: find a Anderson Park. When I said when I find,

1692
01:32:21,760 --> 01:32:23,880
Speaker 1: you don't find them. The people you're about to mention

1693
01:32:23,960 --> 01:32:26,320
Speaker 1: are people are being promoted by high profile people. But

1694
01:32:26,400 --> 01:32:31,120
Speaker 1: I don't follow high profile too. To Motte, what did

1695
01:32:31,200 --> 01:32:34,960
Speaker 1: I accidentally pull into my ship? Because I'm still crazy digging, right,

1696
01:32:35,200 --> 01:32:39,360
Speaker 1: I'm still crazy digging digitally. So when I find some ship,

1697
01:32:39,439 --> 01:32:43,000
Speaker 1: I funk with fun with it, and it's the same ship.

1698
01:32:43,200 --> 01:32:46,680
Speaker 1: It doesn't matter if you've got something commercial promotion or

1699
01:32:46,840 --> 01:32:49,519
Speaker 1: if it's just straight up Internet promotion of my my

1700
01:32:49,680 --> 01:32:52,439
Speaker 1: friends saying something. So I saying something, you know what

1701
01:32:52,479 --> 01:32:54,080
Speaker 1: I'm saying. If it's getting that there's getting out there

1702
01:32:54,080 --> 01:32:55,960
Speaker 1: because it's hot, I'm gonna tell you what the difference is.

1703
01:32:56,120 --> 01:32:59,040
Speaker 1: Why I think the difference is that back in the days,

1704
01:32:59,680 --> 01:33:03,360
Speaker 1: that's is horrible. That makes me. But back in the days,

1705
01:33:03,720 --> 01:33:07,080
Speaker 1: you needed to work and pay certain dudes to get

1706
01:33:07,120 --> 01:33:10,519
Speaker 1: in a studio, record on tape or whatever the funk

1707
01:33:10,560 --> 01:33:13,120
Speaker 1: digital wouldn't matter. DJ F and you you lived in

1708
01:33:13,160 --> 01:33:16,880
Speaker 1: the arrow. No, no, this is a great fall in

1709
01:33:16,960 --> 01:33:23,080
Speaker 1: that area. But but we're talking. I don't care. I

1710
01:33:23,160 --> 01:33:27,040
Speaker 1: got fucking white hairs and that's cool. But listen, Jan,

1711
01:33:27,439 --> 01:33:29,479
Speaker 1: we've been we we in back to the future in

1712
01:33:29,640 --> 01:33:31,800
Speaker 1: real life. But we're but I'm giving, We're giving the

1713
01:33:31,840 --> 01:33:36,720
Speaker 1: comparison though, comparison. What do you think about young Thunk?

1714
01:33:38,280 --> 01:33:40,080
Speaker 1: I'm unsure about. I don't get That's what I was

1715
01:33:40,080 --> 01:33:43,000
Speaker 1: trying to talk about from there. No, no, no, I

1716
01:33:43,120 --> 01:33:47,040
Speaker 1: want to know what is it authentic to whatever he

1717
01:33:47,160 --> 01:33:49,519
Speaker 1: comes from that he's wearing what he's wearing like, I

1718
01:33:49,600 --> 01:33:52,080
Speaker 1: know the music is read as inonating for sure. The

1719
01:33:52,160 --> 01:33:55,599
Speaker 1: music is resona check this out. I don't even when

1720
01:33:55,680 --> 01:33:58,720
Speaker 1: when A Drake and J Coole first came out at

1721
01:33:58,760 --> 01:34:02,599
Speaker 1: the same time, I didn't understand why Motherfucker's was sucking

1722
01:34:02,640 --> 01:34:06,120
Speaker 1: with Jacole because Drink had the better song and it

1723
01:34:06,280 --> 01:34:09,200
Speaker 1: was I forget what it was at the time he had,

1724
01:34:09,720 --> 01:34:11,840
Speaker 1: but it was a song he were like, let's be

1725
01:34:12,080 --> 01:34:20,880
Speaker 1: on honest. Yeah. Well, the difference is the audience has expanded. Difference. Yeah,

1726
01:34:20,920 --> 01:34:25,160
Speaker 1: you don't about to say so, Um, Jacole had who

1727
01:34:25,240 --> 01:34:29,320
Speaker 1: that who that who that? I thought that was some bullshit. Yeah,

1728
01:34:29,720 --> 01:34:33,320
Speaker 1: I was like J Money had who that first? That's

1729
01:34:33,320 --> 01:34:38,759
Speaker 1: a Miami niggafy? Yo? Man, what then is up Jacole Niggle?

1730
01:34:39,040 --> 01:34:41,800
Speaker 1: Why then popper? You know what he said? He said, Hey,

1731
01:34:42,000 --> 01:34:45,360
Speaker 1: you need to find out why he's popping so you

1732
01:34:45,400 --> 01:34:47,920
Speaker 1: can get yourself popping right now. I believe that that's

1733
01:34:47,920 --> 01:34:51,719
Speaker 1: true because otherwise you don't to be your side fifty won't.

1734
01:34:51,840 --> 01:34:53,680
Speaker 1: I can't down young dog. I just I want to

1735
01:34:53,720 --> 01:34:57,760
Speaker 1: know where does that come from? Like story, what is

1736
01:34:57,800 --> 01:35:02,840
Speaker 1: his story going on or something? If I'm at the bar, right,

1737
01:35:03,400 --> 01:35:06,000
Speaker 1: I'm buying a drink, Yeah, I'm looking at what's in

1738
01:35:06,080 --> 01:35:08,840
Speaker 1: the bar. I'm in the mood. And and and a

1739
01:35:08,960 --> 01:35:14,320
Speaker 1: young Plug record comes on and it's it's says a

1740
01:35:14,439 --> 01:35:20,320
Speaker 1: whole chain of events and you have no choice. Is

1741
01:35:20,479 --> 01:35:25,160
Speaker 1: music as opposed to like an artist? You know what

1742
01:35:25,160 --> 01:35:30,200
Speaker 1: I'm saying. There's that you understand when you hit that vein,

1743
01:35:31,200 --> 01:35:33,000
Speaker 1: you don't have to ask why it's like, Yo, listen

1744
01:35:35,640 --> 01:35:37,880
Speaker 1: because you know why. You know why. I like the

1745
01:35:37,960 --> 01:35:42,040
Speaker 1: new generation. Okay, let me go, you guys go man,

1746
01:35:42,400 --> 01:35:45,080
Speaker 1: let me just listen because I gotta flate focus this

1747
01:35:45,160 --> 01:35:48,880
Speaker 1: is the reason why I'm with combat on this. That's

1748
01:35:49,000 --> 01:35:52,679
Speaker 1: my whole experience movement to Miami. Like I'm a hardcore

1749
01:35:52,800 --> 01:35:58,320
Speaker 1: boom bat hip hop left track, I get, I get divorce.

1750
01:35:58,560 --> 01:36:04,639
Speaker 1: I'm yeah, I'm doing it. I got no choice. I'm

1751
01:36:04,680 --> 01:36:08,200
Speaker 1: going It's not Club eleven, it's gold Rushing. It's gold

1752
01:36:08,280 --> 01:36:11,760
Speaker 1: rushing at the time. I'm going, so be loud. That's

1753
01:36:11,800 --> 01:36:16,639
Speaker 1: big up Micah, even though he don't no more stacks stacks.

1754
01:36:19,400 --> 01:36:22,120
Speaker 1: So they got me coming out here. And and the

1755
01:36:22,240 --> 01:36:25,439
Speaker 1: thing is, I couldn't easily been that old New York

1756
01:36:25,560 --> 01:36:28,880
Speaker 1: nigger like, well you don't play cog Rat and why

1757
01:36:28,880 --> 01:36:33,200
Speaker 1: I don't gonna play? And I was and and let me,

1758
01:36:34,880 --> 01:36:38,160
Speaker 1: let me, let me just keep it up. Hunting Ecstacy

1759
01:36:38,280 --> 01:36:44,600
Speaker 1: was popping at that time, and so was I, and

1760
01:36:44,720 --> 01:36:48,920
Speaker 1: I felt every music in that motherfucker. I was like,

1761
01:36:49,439 --> 01:36:53,560
Speaker 1: what ship? This ship is hot, like this ning is

1762
01:36:55,400 --> 01:36:59,799
Speaker 1: like exactly, and I'm working with it. But it actually

1763
01:37:00,040 --> 01:37:04,479
Speaker 1: made me young because I adapted to every environment. Then

1764
01:37:04,520 --> 01:37:07,680
Speaker 1: when I went back to New York, I would never

1765
01:37:07,800 --> 01:37:10,360
Speaker 1: forget this. I went back to New York, I went

1766
01:37:10,439 --> 01:37:13,360
Speaker 1: and the same music was playing, and my nigga said,

1767
01:37:14,760 --> 01:37:18,320
Speaker 1: why you smile, and I'm like, damn, man, my, yeah, mean,

1768
01:37:18,360 --> 01:37:21,120
Speaker 1: these records is popping, and these niggers just looked at

1769
01:37:21,160 --> 01:37:23,120
Speaker 1: me like, we don't funk with that over there, And

1770
01:37:23,200 --> 01:37:26,200
Speaker 1: I was like, damn. I merely knew I could be

1771
01:37:26,280 --> 01:37:30,040
Speaker 1: by coast from that very moment, because I really did

1772
01:37:30,200 --> 01:37:32,599
Speaker 1: feel these records. But when I was in New York,

1773
01:37:32,640 --> 01:37:35,280
Speaker 1: I was really like, I understand why y'all don't feel it,

1774
01:37:35,760 --> 01:37:38,880
Speaker 1: because y'all ain't got palm, bitches, I mean palm. New

1775
01:37:38,960 --> 01:37:42,000
Speaker 1: York is the smallest market on the fucking planet. It's

1776
01:37:42,040 --> 01:37:45,280
Speaker 1: the smallest market, but still the most influence. We had

1777
01:37:45,320 --> 01:37:48,560
Speaker 1: the most influence that this year. This Now, this is

1778
01:37:48,640 --> 01:37:51,160
Speaker 1: the thing about New York. We've always had the most

1779
01:37:51,240 --> 01:37:57,280
Speaker 1: influence until our influence became the major influence and bring down.

1780
01:37:57,760 --> 01:38:01,400
Speaker 1: Like when our ship became the stand it when fucking

1781
01:38:01,560 --> 01:38:04,880
Speaker 1: when fucking Dr Dre took public enemy and flipped it

1782
01:38:04,880 --> 01:38:08,200
Speaker 1: into n w A and expanded the market. You got

1783
01:38:08,960 --> 01:38:12,640
Speaker 1: you gotta say l A like the West Coast. The

1784
01:38:12,720 --> 01:38:16,960
Speaker 1: West Coast is a market of it of itself that

1785
01:38:17,120 --> 01:38:22,920
Speaker 1: flips into the South, that flips into up until up

1786
01:38:23,000 --> 01:38:25,920
Speaker 1: until Jersey. So when you look at the whole scheme

1787
01:38:25,960 --> 01:38:28,920
Speaker 1: of the music industry. New York is one city and

1788
01:38:28,960 --> 01:38:31,560
Speaker 1: it's the whole fucking New York also fucked up a

1789
01:38:31,600 --> 01:38:34,519
Speaker 1: lot of things because it was so it was organic.

1790
01:38:36,240 --> 01:38:40,520
Speaker 1: But when when yes, when New York was too exclusive.

1791
01:38:40,680 --> 01:38:43,479
Speaker 1: But when I'm from I'm from the South region, what

1792
01:38:43,600 --> 01:38:47,880
Speaker 1: New York thought, nobody else can do it like us,

1793
01:38:48,479 --> 01:38:50,280
Speaker 1: that's when you fucked up. That's what I'm saying, because

1794
01:38:50,320 --> 01:38:53,000
Speaker 1: we only want And then what happened every other region.

1795
01:38:56,439 --> 01:38:59,680
Speaker 1: It got so big that people like d C and

1796
01:39:00,040 --> 01:39:02,640
Speaker 1: Jinja actually started. But DC is the South. D C

1797
01:39:03,120 --> 01:39:05,040
Speaker 1: is the sound, yeah, but in the South. But d

1798
01:39:05,200 --> 01:39:12,840
Speaker 1: C Niggas is k we described. I lived in d C.

1799
01:39:13,320 --> 01:39:23,280
Speaker 1: D is opposite d Niggas. That's East cos in my opinion,

1800
01:39:23,400 --> 01:39:30,680
Speaker 1: they're New York Now that's East coast to Georgia. In

1801
01:39:31,240 --> 01:39:34,320
Speaker 1: I went to Georgetown, push, it stays from the East

1802
01:39:34,400 --> 01:39:36,599
Speaker 1: coast to me when I stayed from when I stayed

1803
01:39:36,600 --> 01:39:39,519
Speaker 1: in what I mean, but I love the South. We're

1804
01:39:39,560 --> 01:39:41,479
Speaker 1: on the East coast, and you know what I'm saying.

1805
01:39:41,680 --> 01:39:44,519
Speaker 1: You go to graphical so let me take let me

1806
01:39:44,560 --> 01:39:47,160
Speaker 1: say that. But that's where it goes wrong though. That's

1807
01:39:47,479 --> 01:39:50,479
Speaker 1: listen coming from an E P M D Run DMC,

1808
01:39:51,000 --> 01:39:55,479
Speaker 1: Big Daddy came rock him in environment and in the

1809
01:39:55,640 --> 01:39:59,800
Speaker 1: eighties living in Georgetown three, I went to Georgetown Law

1810
01:40:00,160 --> 01:40:01,760
Speaker 1: for three years. I'm in d C. That's when he

1811
01:40:01,760 --> 01:40:05,519
Speaker 1: went to and the only nigga they're playing from New

1812
01:40:05,680 --> 01:40:09,400
Speaker 1: York is Kumo D Kumo D. I'm like, this is

1813
01:40:10,280 --> 01:40:13,519
Speaker 1: his country, you see his country. They're not fucking with

1814
01:40:13,640 --> 01:40:16,360
Speaker 1: the niggas that we funk with. They fun with country niggas.

1815
01:40:16,880 --> 01:40:18,840
Speaker 1: When they say that again in d C. In d

1816
01:40:19,000 --> 01:40:22,080
Speaker 1: C in the eighties, I'm with rock Cam, Big Daddy

1817
01:40:22,160 --> 01:40:24,640
Speaker 1: came EPMD. I go to I go to DC and

1818
01:40:24,720 --> 01:40:28,439
Speaker 1: the only rap nigga they're playing, it's Komo D. Who's

1819
01:40:28,479 --> 01:40:32,920
Speaker 1: the only Who's the country is nigga out of New York. Yeah,

1820
01:40:32,960 --> 01:40:37,000
Speaker 1: when you say country is that sounds very I don't

1821
01:40:37,040 --> 01:40:38,680
Speaker 1: like it. Why do you say that? Why do you

1822
01:40:38,680 --> 01:40:46,759
Speaker 1: say because him South niggas and his two New York sounds?

1823
01:40:48,680 --> 01:40:51,000
Speaker 1: Why you don't like that? And let me tell you

1824
01:40:51,600 --> 01:40:54,120
Speaker 1: when I when I was coming up man Indicata and stuff,

1825
01:40:54,120 --> 01:40:55,760
Speaker 1: and a lot of New York niggers was coming down

1826
01:40:55,840 --> 01:41:01,360
Speaker 1: to you understand Grove, you know, and all schools and ship.

1827
01:41:01,560 --> 01:41:04,880
Speaker 1: Everybody thought they was smarter than that stuff. We thought

1828
01:41:04,920 --> 01:41:07,479
Speaker 1: it was a game and ship. We're just having a

1829
01:41:07,640 --> 01:41:11,360
Speaker 1: Southern drawl. Don't get it confused. Just like you know

1830
01:41:11,360 --> 01:41:15,439
Speaker 1: what I'm saying, uh with Tony Nis ain't playing the South.

1831
01:41:16,000 --> 01:41:19,680
Speaker 1: We we beat New you up, niggas up. I'm not

1832
01:41:20,600 --> 01:41:28,280
Speaker 1: I'm not God. Two changes flipped on you. I agree

1833
01:41:28,320 --> 01:41:35,000
Speaker 1: with you, add what you you favored to change over?

1834
01:41:35,120 --> 01:41:40,640
Speaker 1: Men like I ain't got gooms to you already apologize.

1835
01:41:40,640 --> 01:41:44,599
Speaker 1: I can't go back. I can't say that. I ain't

1836
01:41:44,600 --> 01:41:47,439
Speaker 1: say that at all. I didn't say that we have

1837
01:41:47,560 --> 01:41:51,760
Speaker 1: to order some food. We made some hip hop. Can

1838
01:41:51,800 --> 01:41:54,760
Speaker 1: we go to somebody? But that's even gonna be the game.

1839
01:41:54,960 --> 01:41:57,479
Speaker 1: Kids to be conversation going why you didn't got to

1840
01:41:57,520 --> 01:42:00,960
Speaker 1: get a bit of gamester and my opinion in my opinion,

1841
01:42:01,800 --> 01:42:04,840
Speaker 1: um because you know, you know what somebody told me.

1842
01:42:05,240 --> 01:42:07,680
Speaker 1: Somebody told me one day there was like you're a

1843
01:42:07,760 --> 01:42:12,320
Speaker 1: New York nigger that understood the South early. Yeah, super

1844
01:42:12,680 --> 01:42:15,360
Speaker 1: super thug was our was our was our beat? Was

1845
01:42:15,400 --> 01:42:18,320
Speaker 1: our realized they kind of jumping us, Jack, are you

1846
01:42:18,400 --> 01:42:21,559
Speaker 1: with me? Still? Listen? Listen? How are jumping You don't Listen, listen.

1847
01:42:23,160 --> 01:42:28,040
Speaker 1: I know I'm right. Listen, right in your heart, you

1848
01:42:28,160 --> 01:42:31,360
Speaker 1: know I'm right. All right, Come the wind beneath your wings,

1849
01:42:31,479 --> 01:42:34,360
Speaker 1: speak to the mist podcast get here you. I don't

1850
01:42:34,360 --> 01:42:36,240
Speaker 1: know why I passed the blunt or who I passed

1851
01:42:36,280 --> 01:42:39,840
Speaker 1: it too, but it was a bad move. Listen, so listen.

1852
01:42:40,800 --> 01:42:44,400
Speaker 1: A lot of niggas told me that when I you

1853
01:42:44,479 --> 01:42:47,240
Speaker 1: know this super Doug, but a lot of people didn't.

1854
01:42:47,560 --> 01:42:52,400
Speaker 1: They said that, you know, I understood the understood the South.

1855
01:42:52,720 --> 01:42:55,800
Speaker 1: Think about who super thug. Yes, I'm popping him the South.

1856
01:42:56,120 --> 01:42:58,519
Speaker 1: I'm getting to that. But what I'm saying is, at

1857
01:42:58,640 --> 01:43:01,519
Speaker 1: first nobody you knew who the fun These people were

1858
01:43:02,720 --> 01:43:06,040
Speaker 1: absolutely didn't know who this This is two years after

1859
01:43:06,120 --> 01:43:08,799
Speaker 1: the record is a hit, and then he produced for Mystical,

1860
01:43:09,240 --> 01:43:11,759
Speaker 1: and then they produced for Whole and then they actually

1861
01:43:11,920 --> 01:43:14,880
Speaker 1: claimed this is a South sound. But I already got

1862
01:43:14,960 --> 01:43:20,960
Speaker 1: two albums. I got n O R E, which nobody

1863
01:43:21,520 --> 01:43:24,560
Speaker 1: at this time. I brought him to every artist in

1864
01:43:24,600 --> 01:43:29,240
Speaker 1: the world. It wasn'utntil old non. What you believe is

1865
01:43:29,320 --> 01:43:31,719
Speaker 1: the Melvin Flint, I'm not sure I could be bugging.

1866
01:43:32,680 --> 01:43:38,120
Speaker 1: And after that, every artist ran to the nigger. But

1867
01:43:38,640 --> 01:43:42,760
Speaker 1: what I'm saying is At first people could not identify

1868
01:43:43,040 --> 01:43:47,360
Speaker 1: where that sound came from. But afterwards people said that

1869
01:43:47,560 --> 01:43:49,880
Speaker 1: I was up early on on the South Sound. And

1870
01:43:49,960 --> 01:43:54,280
Speaker 1: that's great, that take that. But I always looked at

1871
01:43:54,400 --> 01:43:59,480
Speaker 1: Virginia as Virginia was at East coast state Virginia Maryland,

1872
01:43:59,600 --> 01:44:02,800
Speaker 1: Virginia for the more, the capital of the south of

1873
01:44:02,920 --> 01:44:06,080
Speaker 1: the Confederacy. Yeah, but them niggas is them niggas is

1874
01:44:06,120 --> 01:44:10,679
Speaker 1: New York crazy East Coast in me, you don't agree,

1875
01:44:11,439 --> 01:44:15,360
Speaker 1: He looked at me, crazy, I'm just drunk right now.

1876
01:44:15,680 --> 01:44:20,760
Speaker 1: To me, South stars at South Coast. Like Pip Pipsie

1877
01:44:20,880 --> 01:44:24,000
Speaker 1: had had this argument. He said that people from Atlanta

1878
01:44:24,640 --> 01:44:27,519
Speaker 1: wasn't really people Atlanta because he said, y'all. Same time,

1879
01:44:27,800 --> 01:44:31,040
Speaker 1: it's on the East coast. Remember he said that Jersey

1880
01:44:31,120 --> 01:44:34,479
Speaker 1: nigg is the South to me, Oh, come on South.

1881
01:44:34,560 --> 01:44:43,320
Speaker 1: To me, that's your name. That's crazy. That's why New

1882
01:44:43,400 --> 01:44:48,000
Speaker 1: York is sucking up like I'm bringing back there. But

1883
01:44:48,080 --> 01:44:49,920
Speaker 1: I'm green to that. But when you go to Jersey,

1884
01:44:50,680 --> 01:44:52,840
Speaker 1: the hip hop is so different. But let me tell

1885
01:44:52,880 --> 01:44:59,360
Speaker 1: you right real quick, a little I wouldn't say country

1886
01:44:59,400 --> 01:45:01,920
Speaker 1: though it's just a friend. I would saying my boys

1887
01:45:01,960 --> 01:45:05,720
Speaker 1: down here. My crew, we all united and a lot

1888
01:45:05,760 --> 01:45:07,600
Speaker 1: of them are from Jersey, and we always had this

1889
01:45:07,720 --> 01:45:09,559
Speaker 1: thing against the New York hats that were that were

1890
01:45:10,040 --> 01:45:12,120
Speaker 1: coming down to Miami because they were now always just

1891
01:45:12,200 --> 01:45:14,479
Speaker 1: trying to like deepo their way in. And it was

1892
01:45:14,479 --> 01:45:18,439
Speaker 1: funny because the New Jersey with me and they got

1893
01:45:18,560 --> 01:45:20,599
Speaker 1: it because they were getting it like that you said

1894
01:45:20,760 --> 01:45:24,200
Speaker 1: right now, they wasn't feeling that, you know what I'm saying. Look,

1895
01:45:25,320 --> 01:45:27,760
Speaker 1: Jersey niggas was still two change. Got you funked up

1896
01:45:27,920 --> 01:45:32,800
Speaker 1: thinking about But let's not okay, okay, let's let me

1897
01:45:32,840 --> 01:45:35,080
Speaker 1: ask the fact that you're saying sound I feel like

1898
01:45:35,160 --> 01:45:39,600
Speaker 1: you might. Let me ask you. I'm ready for whatever that.

1899
01:45:39,720 --> 01:45:42,680
Speaker 1: Don't place value what I'm saying. Don't place value what

1900
01:45:42,760 --> 01:45:50,439
Speaker 1: i'm saying because let combat talk combat. Don't place value

1901
01:45:50,479 --> 01:45:53,519
Speaker 1: what I'm saying, right, don't don't don't play good or bad.

1902
01:45:54,160 --> 01:45:58,640
Speaker 1: As a Brooklyn cat. Whenever we got into Jersey, it

1903
01:45:58,800 --> 01:46:01,439
Speaker 1: was different. And the further we got from Jersey, the

1904
01:46:01,560 --> 01:46:04,280
Speaker 1: more south became. So for me as a Brooklyn nigga,

1905
01:46:04,520 --> 01:46:08,240
Speaker 1: the minute you cross Jersey, you're going further south. That's

1906
01:46:08,280 --> 01:46:11,680
Speaker 1: all I'm saying. It's not out of disrespect. It's it's

1907
01:46:11,720 --> 01:46:15,360
Speaker 1: out of it. But you don't think that mentality is

1908
01:46:15,439 --> 01:46:19,479
Speaker 1: what I got to say something I agree with nothing

1909
01:46:19,520 --> 01:46:24,400
Speaker 1: this nigga just said just now because because to me,

1910
01:46:24,560 --> 01:46:30,440
Speaker 1: you know, Philly was my number one market on steroids

1911
01:46:31,200 --> 01:46:36,280
Speaker 1: in my opinions, is different, No, but it was no.

1912
01:46:38,560 --> 01:46:43,639
Speaker 1: Philly niggas was just as grimy as the early Square Mall.

1913
01:46:45,400 --> 01:46:51,080
Speaker 1: That what I'm saying is it me, I'll be Square

1914
01:46:51,120 --> 01:46:54,200
Speaker 1: more downtown where you had to get your fronts and

1915
01:46:54,439 --> 01:46:57,360
Speaker 1: pull your gun out. What got them all for the

1916
01:46:57,479 --> 01:46:59,800
Speaker 1: next level? Yeah, that's what I'm saying. But what we're

1917
01:46:59,800 --> 01:47:10,479
Speaker 1: saying you got the next level. You remember that DJ

1918
01:47:10,680 --> 01:47:13,680
Speaker 1: quick record. Everybody's like Compton. I mean, I don't know

1919
01:47:13,680 --> 01:47:17,600
Speaker 1: if that's exact term, but that made sense. He was like,

1920
01:47:17,680 --> 01:47:19,679
Speaker 1: I'm a Compton dude. But when I went out of town,

1921
01:47:20,320 --> 01:47:24,040
Speaker 1: everybody's like, everybody's hard. Everybody's But at the same time,

1922
01:47:25,200 --> 01:47:27,439
Speaker 1: what I'm saying is this, What I'm saying is this

1923
01:47:27,880 --> 01:47:32,559
Speaker 1: Berrow to Barrow, city to city niggas played different. Yes

1924
01:47:33,360 --> 01:47:35,240
Speaker 1: with that, So when you go to Philly, when you

1925
01:47:35,280 --> 01:47:38,040
Speaker 1: go to Philly, like these niggas look like Brooklyn niggas.

1926
01:47:38,360 --> 01:47:41,720
Speaker 1: These niggas look like New York niggas, but the wrong term,

1927
01:47:43,000 --> 01:47:46,760
Speaker 1: know what I'm saying. But then is different, So you

1928
01:47:46,880 --> 01:47:51,160
Speaker 1: gotta understand. And this is the beautiful thing about culture

1929
01:47:51,640 --> 01:47:55,120
Speaker 1: black white black, like just the d sport of black.

1930
01:47:55,880 --> 01:47:58,519
Speaker 1: When you go into a different culture, you gotta understand that,

1931
01:47:58,600 --> 01:48:02,320
Speaker 1: ship expect that, and humble yourself. It's true. So New

1932
01:48:02,439 --> 01:48:05,200
Speaker 1: York niggas coming to feeling like this is New York,

1933
01:48:07,520 --> 01:48:11,640
Speaker 1: maybe we will lay you the funk down, right. You

1934
01:48:11,760 --> 01:48:13,840
Speaker 1: gotta respect when you go. Know. But but what I'm

1935
01:48:13,880 --> 01:48:17,360
Speaker 1: trying to say is for me, for me, for my experience.

1936
01:48:17,479 --> 01:48:22,280
Speaker 1: I could be wrong, but I came up ninety seven.

1937
01:48:22,360 --> 01:48:24,720
Speaker 1: I started going on the road from seven. I went

1938
01:48:24,800 --> 01:48:28,000
Speaker 1: from New York. I went from Camden, New Jersey. I

1939
01:48:28,080 --> 01:48:32,280
Speaker 1: went from Trenton. I went from uh skipped, I skipped

1940
01:48:32,320 --> 01:48:34,720
Speaker 1: new Work. I'm going to the whole nunty five. I

1941
01:48:34,760 --> 01:48:37,280
Speaker 1: skipped Newark. Excuse me. I started in Nework. Then I

1942
01:48:37,360 --> 01:48:39,479
Speaker 1: went to camp. Then I went to Trenton, and then

1943
01:48:39,880 --> 01:48:41,800
Speaker 1: from there I went to Philly, phill it was my

1944
01:48:41,920 --> 01:48:48,320
Speaker 1: number one market. From Philly, I went to a Connecticut Uhlware, Delaware.

1945
01:48:48,640 --> 01:48:51,640
Speaker 1: I went to Maryland. I went to Bordom All I

1946
01:48:51,720 --> 01:48:56,120
Speaker 1: went to d C. D when you hit the DC

1947
01:48:56,439 --> 01:49:00,240
Speaker 1: never changed. I'm saying, there's always I'm saying, as the

1948
01:49:00,320 --> 01:49:06,240
Speaker 1: journey went through once with d C, Yeah, the market blossom. No,

1949
01:49:06,640 --> 01:49:09,320
Speaker 1: the market was already blossom. But the only time I

1950
01:49:09,439 --> 01:49:12,080
Speaker 1: felt like I was like in a in a different

1951
01:49:12,240 --> 01:49:15,160
Speaker 1: market was when I went to South Carolina. And the

1952
01:49:15,240 --> 01:49:18,000
Speaker 1: only reason why I felt like that, it's because South

1953
01:49:18,080 --> 01:49:20,800
Speaker 1: Carolina and niggas was throwing chairs and other niggas in

1954
01:49:20,840 --> 01:49:22,760
Speaker 1: the crowd, and I thought that was the gangster ship

1955
01:49:22,840 --> 01:49:25,200
Speaker 1: in the world. I was like, oh ship, chairs, ain't

1956
01:49:25,240 --> 01:49:28,240
Speaker 1: buckle down, you know like in Apollo and sing like

1957
01:49:28,280 --> 01:49:30,479
Speaker 1: that your chance is buckled down. And then when I

1958
01:49:30,520 --> 01:49:33,040
Speaker 1: went to South Carolina, said, these niggas as crazy as

1959
01:49:33,080 --> 01:49:35,519
Speaker 1: the motherfucker. And then I went to Durham and them

1960
01:49:35,640 --> 01:49:38,040
Speaker 1: niggas was crazy as the motherfucker. I went to Raleigh,

1961
01:49:38,240 --> 01:49:42,600
Speaker 1: them niggas as crazy as the motherfucker, Charleston everywhere. So

1962
01:49:43,800 --> 01:49:46,559
Speaker 1: all I've realized. I realized that we're all the same

1963
01:49:46,680 --> 01:49:52,040
Speaker 1: fucking people. The South started and it was a little

1964
01:49:52,080 --> 01:49:56,040
Speaker 1: bit more crazy as far as like, you know, throwing

1965
01:49:56,200 --> 01:49:59,720
Speaker 1: kids and just getting that motherfucker's but I realized we're

1966
01:49:59,760 --> 01:50:03,439
Speaker 1: all the same. But um, you know, I always considered

1967
01:50:03,439 --> 01:50:05,960
Speaker 1: that part East Coast. Maybe I'm wrong. I don't mind,

1968
01:50:08,640 --> 01:50:11,800
Speaker 1: but it's going in the South. And once again, I'm

1969
01:50:11,840 --> 01:50:16,240
Speaker 1: not taking anything what you said because I'm because because

1970
01:50:17,040 --> 01:50:19,040
Speaker 1: you see niggas in New York turned up and like,

1971
01:50:19,160 --> 01:50:21,719
Speaker 1: that's a New York nigga, exactly when you get to Jersey,

1972
01:50:22,640 --> 01:50:26,360
Speaker 1: niggas turned up differently. Yeah, but I still feel that,

1973
01:50:27,400 --> 01:50:29,719
Speaker 1: you know, it's it's it's one of my best friends

1974
01:50:29,760 --> 01:50:33,360
Speaker 1: and family, New York, New Jersey saying, I'm saying this family.

1975
01:50:34,360 --> 01:50:36,160
Speaker 1: But I used to look at him like he flipped

1976
01:50:36,160 --> 01:50:38,479
Speaker 1: like a New Jersey nigga. And then what I'm saying,

1977
01:50:38,520 --> 01:50:41,000
Speaker 1: did I see him flip with the New York nigga?

1978
01:50:41,000 --> 01:50:47,240
Speaker 1: I said, this Nigga's just yeah, that's the same ship

1979
01:50:47,320 --> 01:50:49,559
Speaker 1: to me. But I understand what he's saying because it's

1980
01:50:49,640 --> 01:50:52,760
Speaker 1: ever get it. What I'm saying is this. What I'm

1981
01:50:52,760 --> 01:50:55,800
Speaker 1: saying is this, this is this is boiling the ship down,

1982
01:50:56,280 --> 01:51:01,280
Speaker 1: drinking this fucking vodka right now, and we're drinking Royal Elite.

1983
01:51:04,000 --> 01:51:09,600
Speaker 1: Make Fat Joe, no matter where you go, he had

1984
01:51:09,640 --> 01:51:12,000
Speaker 1: a block or a neighborhood or a city or town

1985
01:51:12,479 --> 01:51:14,760
Speaker 1: your trial. But when you see a trial from a

1986
01:51:14,800 --> 01:51:17,880
Speaker 1: different place, it's like I understand which which we're trying.

1987
01:51:18,640 --> 01:51:21,080
Speaker 1: It's a family, you know what I'm saying. You might

1988
01:51:21,160 --> 01:51:22,760
Speaker 1: do some ship to the left, I might do, but

1989
01:51:22,840 --> 01:51:26,760
Speaker 1: with family, it's family. And then when you when you

1990
01:51:26,840 --> 01:51:29,959
Speaker 1: incorporate all the differences, that's when you can really appreciate

1991
01:51:30,080 --> 01:51:33,760
Speaker 1: family and you understand what I'm saying. You like that

1992
01:51:33,920 --> 01:51:37,840
Speaker 1: family respect how you do you respect? But at the

1993
01:51:37,920 --> 01:51:41,960
Speaker 1: end of the day, like together, live together at the

1994
01:51:42,040 --> 01:51:45,080
Speaker 1: end of the day. From the moment I came to Miami,

1995
01:51:45,680 --> 01:51:48,680
Speaker 1: he brought me to his store, and he knew for

1996
01:51:48,840 --> 01:51:51,679
Speaker 1: my music the type of person I asked. He didn't

1997
01:51:51,720 --> 01:51:53,240
Speaker 1: have to test me. He knew from the type of

1998
01:51:53,280 --> 01:51:57,439
Speaker 1: person I so accordingly he made it right the way

1999
01:51:57,520 --> 01:52:01,000
Speaker 1: it is, and me and him been of friends forever.

2000
01:52:01,520 --> 01:52:04,880
Speaker 1: Because I'm trying to say one decade, because I'm trying

2001
01:52:04,880 --> 01:52:07,439
Speaker 1: to be young man. He just keeping he's keeping going.

2002
01:52:07,760 --> 01:52:10,600
Speaker 1: But what I'm trying to say is we get that.

2003
01:52:11,240 --> 01:52:15,040
Speaker 1: But the thing about it is everybody is that's the

2004
01:52:15,120 --> 01:52:17,040
Speaker 1: thing where me and him is still friends for twenty

2005
01:52:17,120 --> 01:52:20,400
Speaker 1: years later because he gets that. It doesn't. We fight

2006
01:52:20,479 --> 01:52:23,200
Speaker 1: like brothers, no, like every day, almost every day, but

2007
01:52:23,320 --> 01:52:24,920
Speaker 1: we keep it moving. God, damn my god, bless you,

2008
01:52:24,960 --> 01:52:26,479
Speaker 1: God damn it. You don't even know what drink you

2009
01:52:26,520 --> 01:52:30,360
Speaker 1: got in your car. Yeah, Colombian white, that's bigger Colombian way.

2010
01:52:30,360 --> 01:52:36,280
Speaker 1: I'm sorry. I haven't been bigger Colombian white. Video were

2011
01:52:36,280 --> 01:52:42,920
Speaker 1: talking about Moss Petty. So as we're talking about Petty,

2012
01:52:44,439 --> 01:52:47,439
Speaker 1: two changes really flipped on your dog. He was, but

2013
01:52:47,600 --> 01:52:50,599
Speaker 1: you said apologize to do not you cannot take it back.

2014
01:52:51,360 --> 01:52:57,880
Speaker 1: I'm listening. Watch is pretty nice set because I don't

2015
01:52:57,880 --> 01:52:59,680
Speaker 1: even think you about to go someway. I don't want

2016
01:52:59,720 --> 01:53:04,280
Speaker 1: to go, so I gotta cut you off. Y'all think

2017
01:53:04,400 --> 01:53:07,240
Speaker 1: when I cut people off that i'm cutting off. They

2018
01:53:07,560 --> 01:53:09,000
Speaker 1: know I'm cutting them all because I know where the

2019
01:53:09,080 --> 01:53:11,920
Speaker 1: story ends. That Watch is pretty nice. How are you doing?

2020
01:53:12,160 --> 01:53:14,280
Speaker 1: How do you know? I want to say something better,

2021
01:53:14,360 --> 01:53:17,200
Speaker 1: say something positive. I want to say is I just

2022
01:53:17,320 --> 01:53:19,800
Speaker 1: wanted him to know that I'm a man, and I

2023
01:53:19,840 --> 01:53:23,680
Speaker 1: wouldn't know sucker, and I didn't want him to know

2024
01:53:24,120 --> 01:53:26,759
Speaker 1: that I'm a man, but I felt like I ain't sucker,

2025
01:53:27,439 --> 01:53:30,600
Speaker 1: and what you this came just be saying things about me.

2026
01:53:31,280 --> 01:53:33,519
Speaker 1: You know what I'm saying because I said I'm sorry

2027
01:53:34,080 --> 01:53:37,760
Speaker 1: to his face. No, I don't even accepted it wasn't

2028
01:53:37,760 --> 01:53:45,760
Speaker 1: on the except let something is on the internet. If

2029
01:53:45,800 --> 01:53:48,320
Speaker 1: you don't respond to it on the internet, then that

2030
01:53:49,280 --> 01:53:51,880
Speaker 1: can I say something to you that don't count? North

2031
01:53:52,040 --> 01:53:55,479
Speaker 1: You got all jokes aside. No, this is all Joseph's side.

2032
01:53:55,479 --> 01:53:57,960
Speaker 1: I gave you that. L Listen, Listen, I'm gonna say

2033
01:53:57,960 --> 01:54:00,759
Speaker 1: you should apologize that. I'm gonna say saying me. Listen,

2034
01:54:01,640 --> 01:54:05,720
Speaker 1: I'm I'm twenty two, three years old. After defel band

2035
01:54:05,800 --> 01:54:10,680
Speaker 1: boy come out right and I my mom at uh,

2036
01:54:11,160 --> 01:54:18,240
Speaker 1: Philip Serena, it's bonn Uh. Vonner Brothers has show to

2037
01:54:18,439 --> 01:54:21,960
Speaker 1: Chains Circus. No, the Bonner Brothers. It's a it's a

2038
01:54:22,000 --> 01:54:26,360
Speaker 1: hair show. And I go up to two Chains and

2039
01:54:26,520 --> 01:54:31,760
Speaker 1: dollar there there there Uh it was playing circle and

2040
01:54:31,920 --> 01:54:35,120
Speaker 1: I interviewed them and whatnot, and I'm I'm a fan

2041
01:54:35,200 --> 01:54:38,840
Speaker 1: of them, and I say, what was happening? First? And first, Uh,

2042
01:54:39,640 --> 01:54:43,080
Speaker 1: the first rap fi I've ever seen, first famous person

2043
01:54:43,120 --> 01:54:44,880
Speaker 1: I've seen. When I moved up. He was two Chains,

2044
01:54:45,160 --> 01:54:47,200
Speaker 1: but he was TV boy. I know who he is.

2045
01:54:48,200 --> 01:54:50,760
Speaker 1: I was a fan and when he said, what are

2046
01:54:50,760 --> 01:54:54,160
Speaker 1: he's saying about me? It hurts my feelings and I

2047
01:54:54,240 --> 01:54:58,080
Speaker 1: didn't like it. And I ain't never been no sucker,

2048
01:54:58,960 --> 01:55:00,920
Speaker 1: even though I got one out, I thought, ever since

2049
01:55:00,960 --> 01:55:04,200
Speaker 1: I was five years old. But trying no no, no nori,

2050
01:55:06,040 --> 01:55:08,880
Speaker 1: ever since I was fat, trying to let niggas know

2051
01:55:09,120 --> 01:55:13,880
Speaker 1: I ain't no sucker. So if he game, he can

2052
01:55:13,960 --> 01:55:17,360
Speaker 1: get it. But if I said I'm sorry, I'm sorry,

2053
01:55:17,360 --> 01:55:19,640
Speaker 1: I'm gonna tell you this. I'm gonna tell you this,

2054
01:55:20,000 --> 01:55:23,360
Speaker 1: if anything't happened to me, if anything happened to me,

2055
01:55:23,960 --> 01:55:31,160
Speaker 1: am doing ain't We don't fighting. We don't fight. And

2056
01:55:31,240 --> 01:55:36,280
Speaker 1: I'm serious, you sniffer go to he look like real nick.

2057
01:55:38,360 --> 01:55:42,800
Speaker 1: I'm just letting you know what it is. Yeah, come on, man,

2058
01:55:42,840 --> 01:55:47,600
Speaker 1: we about peace right here. That's not what I said.

2059
01:55:47,680 --> 01:55:57,000
Speaker 1: He I never sing at you, apologize and say because

2060
01:55:57,040 --> 01:56:00,160
Speaker 1: you said I said your dream chance army makes this

2061
01:56:00,680 --> 01:56:02,960
Speaker 1: sweet mother. I didn't know you niggas have real beat.

2062
01:56:06,080 --> 01:56:09,520
Speaker 1: It's for the culture man ship. Man, y'all don't know.

2063
01:56:10,080 --> 01:56:14,560
Speaker 1: We are here September nine and Club Drain September Timp

2064
01:56:14,880 --> 01:56:17,280
Speaker 1: hit him with the barbecue. You know what I'm saying.

2065
01:56:17,320 --> 01:56:20,280
Speaker 1: Combat Jack coming out he said coming out back. Let

2066
01:56:21,120 --> 01:56:23,960
Speaker 1: he coming out. He gonna help us host the podcast.

2067
01:56:25,040 --> 01:56:27,560
Speaker 1: We're gonna control. They should be the lot ofator that

2068
01:56:27,720 --> 01:56:30,840
Speaker 1: now we're not making. That would be amazing. Yes, maybe

2069
01:56:30,960 --> 01:56:36,520
Speaker 1: a riff to help, Yeah, you know all that. And

2070
01:56:36,680 --> 01:56:41,080
Speaker 1: Jack try he's like sticky biggers. You don't wait, he

2071
01:56:41,200 --> 01:56:46,600
Speaker 1: thinks he cut them over it. Na, Na, I can't.

2072
01:56:48,080 --> 01:56:54,600
Speaker 1: I don't even know. I'm sorry, I ain't no comedia.

2073
01:56:56,000 --> 01:56:58,520
Speaker 1: I can't have this twice I had that last year.

2074
01:56:58,640 --> 01:57:07,480
Speaker 1: You ain't know what do you man? What I did?

2075
01:57:08,000 --> 01:57:15,000
Speaker 1: I don't even know if this is it's funny or not.

2076
01:57:18,600 --> 01:57:21,160
Speaker 1: A few years back, we abruptly lost its legendary m

2077
01:57:21,240 --> 01:57:23,640
Speaker 1: C and his loss affected us not just as fans,

2078
01:57:23,960 --> 01:57:26,520
Speaker 1: but as a family. We considered Prodigy a brother of ours,

2079
01:57:27,080 --> 01:57:29,440
Speaker 1: I mean, especially Nori, who had just seen him not

2080
01:57:29,520 --> 01:57:32,800
Speaker 1: too long ago before he passed away, and we regretted

2081
01:57:32,880 --> 01:57:34,520
Speaker 1: that we could never you know, we never had him

2082
01:57:34,520 --> 01:57:38,080
Speaker 1: on drink Champs. And to think, you know that Nori's journey,

2083
01:57:38,880 --> 01:57:41,880
Speaker 1: you know, a big part of that was helped through

2084
01:57:42,040 --> 01:57:46,000
Speaker 1: through through mob Deep and their legacy and what CNN

2085
01:57:46,040 --> 01:57:48,080
Speaker 1: did with l A l A and and all of that.

2086
01:57:48,240 --> 01:57:51,240
Speaker 1: So it really we felt that one. And and in

2087
01:57:51,360 --> 01:57:54,520
Speaker 1: these next few stories you'll hear from a fellow m

2088
01:57:54,600 --> 01:57:57,960
Speaker 1: C who was closest to Prodigy. It was his partner

2089
01:57:58,040 --> 01:58:01,800
Speaker 1: in rhyme, his producer, his friend. Here's having a mob

2090
01:58:01,920 --> 01:58:12,080
Speaker 1: deep um speaking on Prodigy. Yeah, so you know, y'all

2091
01:58:12,200 --> 01:58:14,080
Speaker 1: history is so crazy. So you were you and P

2092
01:58:14,240 --> 01:58:19,720
Speaker 1: because P is originally from Long Island, y'all connected. Queen

2093
01:58:20,480 --> 01:58:23,760
Speaker 1: P is from originally from from what I know, he's

2094
01:58:23,800 --> 01:58:28,680
Speaker 1: from like Queen's and then his let sounds the best.

2095
01:58:30,080 --> 01:58:33,640
Speaker 1: Not only the liquor, but they provided the females because

2096
01:58:33,920 --> 01:58:36,000
Speaker 1: Having is here and he's a very special guest. He's

2097
01:58:36,000 --> 01:58:39,200
Speaker 1: a glassic guy and they gotta spat and kindle. They

2098
01:58:39,240 --> 01:58:43,320
Speaker 1: got a spot to Schwatson. I don't know to pronounced

2099
01:58:43,320 --> 01:58:47,400
Speaker 1: that that Yeah, sound like that sounds like orange but

2100
01:58:47,640 --> 01:58:52,280
Speaker 1: it is in Spanish. That and and Cutler Bay they

2101
01:58:52,320 --> 01:58:55,800
Speaker 1: got the licker. So happy whenever you are best buy liquers, man,

2102
01:58:55,840 --> 01:58:58,560
Speaker 1: what's the Instagram best buy liquors? Right? Is that what

2103
01:58:58,640 --> 01:59:01,760
Speaker 1: it is at best Buy liquors? Man? Definitely looking now

2104
01:59:02,200 --> 01:59:06,560
Speaker 1: so have man? You know, um, so you said, y'all, yeah, yeah,

2105
01:59:06,560 --> 01:59:08,840
Speaker 1: he's from Wising from that friend from that front. And

2106
01:59:08,960 --> 01:59:11,280
Speaker 1: when I met with the police, the police, this is

2107
01:59:11,320 --> 01:59:13,200
Speaker 1: not that's not a false along. Oh they kept it moving,

2108
01:59:13,800 --> 01:59:15,960
Speaker 1: it wanted to stop. It was weird. It was weird.

2109
01:59:16,800 --> 01:59:19,720
Speaker 1: It was weird. And we have we're not friend. Is

2110
01:59:19,760 --> 01:59:22,240
Speaker 1: the first time we haven't had police the second time

2111
01:59:22,680 --> 01:59:30,880
Speaker 1: that oh that wasn't here. We're not faking, We're not faking.

2112
01:59:31,880 --> 01:59:36,320
Speaker 1: That's what we had was when the police pulled at

2113
01:59:36,360 --> 01:59:40,560
Speaker 1: all all. So so you guys were wol age when

2114
01:59:40,600 --> 01:59:43,680
Speaker 1: you connected. When I first met Pa, y'all didn't say

2115
01:59:43,760 --> 01:59:45,400
Speaker 1: why y'all calling people? Come on and we don't know

2116
01:59:46,040 --> 01:59:50,600
Speaker 1: y're talking like families should. He was sure. But I

2117
01:59:50,640 --> 01:59:52,880
Speaker 1: met him when I was fifteen, right, I met him

2118
01:59:53,480 --> 01:59:55,960
Speaker 1: in on this high school whatever whatever. He used to

2119
01:59:56,000 --> 01:59:59,160
Speaker 1: have maggiy on and it was blond. You know what

2120
01:59:59,200 --> 02:00:02,480
Speaker 1: I'm saying. He didn't have back in the day's Kami

2121
02:00:02,600 --> 02:00:07,040
Speaker 1: used to st he had the whole thing. He used

2122
02:00:07,080 --> 02:00:11,280
Speaker 1: to call him to go to the challenge but with me,

2123
02:00:12,360 --> 02:00:13,840
Speaker 1: but he was, you know, he was the cool. Last

2124
02:00:13,920 --> 02:00:16,840
Speaker 1: look at what I'm saying that we connected and then

2125
02:00:17,000 --> 02:00:20,000
Speaker 1: so um when y'all met, was it instantly like yo,

2126
02:00:21,000 --> 02:00:23,920
Speaker 1: he told you he does music or like, how how

2127
02:00:24,080 --> 02:00:26,600
Speaker 1: was it initially first met, Like no, because we used

2128
02:00:26,600 --> 02:00:28,120
Speaker 1: to be Yeah, we used to be in the lunch

2129
02:00:28,200 --> 02:00:30,320
Speaker 1: room and they used to be freet Staling at the tables.

2130
02:00:30,400 --> 02:00:31,800
Speaker 1: He was one of them, is freet Staling, And I

2131
02:00:31,920 --> 02:00:33,920
Speaker 1: used to feast that blah blah blah blah. And then

2132
02:00:34,560 --> 02:00:36,920
Speaker 1: as soon as we met, it was like instant friends.

2133
02:00:37,120 --> 02:00:39,600
Speaker 1: Like instant friends, like instant you know what I mean.

2134
02:00:39,840 --> 02:00:42,200
Speaker 1: And and he was rapping at the time on because

2135
02:00:42,240 --> 02:00:45,600
Speaker 1: I heard, um, you wrote his first round. I mean

2136
02:00:45,720 --> 02:00:47,760
Speaker 1: he used to. He used to have his own rhymes

2137
02:00:47,800 --> 02:00:49,600
Speaker 1: and stuff like that. But you know when we got

2138
02:00:49,680 --> 02:00:51,440
Speaker 1: a deal and stuff like that. You know, I used

2139
02:00:51,440 --> 02:00:55,920
Speaker 1: to write and whatever. He didn't need it, but he

2140
02:00:56,480 --> 02:01:03,840
Speaker 1: first round. Ready over here on listen, Man, you're gonna loosen.

2141
02:01:03,960 --> 02:01:07,080
Speaker 1: You gotta keep drinking. You do you want to drink? Amanda,

2142
02:01:07,120 --> 02:01:10,640
Speaker 1: I look, I'm floss. Amanda is very pretty. She's on

2143
02:01:10,760 --> 02:01:13,640
Speaker 1: the podcast What Us. She's from Best Buy Liquors. You're

2144
02:01:13,680 --> 02:01:16,360
Speaker 1: trying to show off for you have, Yeah, we've never

2145
02:01:16,680 --> 02:01:20,400
Speaker 1: we never had this. We never had this best book

2146
02:01:20,440 --> 02:01:24,080
Speaker 1: at we're pulling all the stipe for you. Yeah, though, man,

2147
02:01:24,120 --> 02:01:26,200
Speaker 1: I love this show so listen, fathers, they just passed.

2148
02:01:26,240 --> 02:01:28,760
Speaker 1: How many? How many Bullstons you pay for in your life?

2149
02:01:29,040 --> 02:01:33,360
Speaker 1: How many it's not like you said, Boston's bush? How

2150
02:01:33,360 --> 02:01:38,400
Speaker 1: many bush for my life? Keep it real? Keep I

2151
02:01:38,680 --> 02:01:41,600
Speaker 1: say like too, because like like to, like to, I've

2152
02:01:41,600 --> 02:01:43,440
Speaker 1: gotta disagree with you. I gotta say how many like

2153
02:01:44,720 --> 02:01:49,760
Speaker 1: I just I just Although we're dedicating this episode um

2154
02:01:49,880 --> 02:01:52,880
Speaker 1: to those that we've lost in no ways, this too

2155
02:01:53,960 --> 02:01:57,920
Speaker 1: to bring down the mood. Drink Champs was created in

2156
02:01:58,040 --> 02:02:01,840
Speaker 1: a in a in good spirit to to enjoy life

2157
02:02:01,880 --> 02:02:04,680
Speaker 1: and celebrate life. And we've shared some hilarious stories on

2158
02:02:04,800 --> 02:02:08,480
Speaker 1: Drink Champs, but these next ones are some of the best.

2159
02:02:09,000 --> 02:02:13,440
Speaker 1: Check these out your backpack on if you Always Princess

2160
02:02:13,520 --> 02:02:15,800
Speaker 1: God to all of us as far as making music

2161
02:02:15,880 --> 02:02:22,400
Speaker 1: and art, music, creative coaches, finest broads ye and your

2162
02:02:22,480 --> 02:02:26,240
Speaker 1: first time meeting press when you first subscribed. Shout out

2163
02:02:26,280 --> 02:02:28,640
Speaker 1: to dj Q my wife, dj Q, I like, I

2164
02:02:28,720 --> 02:02:30,800
Speaker 1: like how you pick up your wife. God damn high fives,

2165
02:02:31,160 --> 02:02:33,000
Speaker 1: Hi five real ship. Let's make some noise for that

2166
02:02:37,760 --> 02:02:42,560
Speaker 1: l A right, she didn't stretch right and she she's

2167
02:02:42,600 --> 02:02:45,960
Speaker 1: a she's a world class famous DJ. And Prince got

2168
02:02:46,040 --> 02:02:49,480
Speaker 1: to liking her DJ skills. She became a lection wife

2169
02:02:49,520 --> 02:02:52,120
Speaker 1: work with Prince. This is not starting out. This is

2170
02:02:52,160 --> 02:02:54,720
Speaker 1: not starting out good. I'm not gonna lie. I'm a

2171
02:02:54,800 --> 02:02:57,320
Speaker 1: jealous guy, Prince. You I listen, Prince, you gotta get

2172
02:02:57,360 --> 02:02:59,840
Speaker 1: the funk away. My wife is not doing your ma.

2173
02:03:00,840 --> 02:03:07,240
Speaker 1: I'm sorry, stop dold. No, she was DJ and his parties.

2174
02:03:07,240 --> 02:03:09,520
Speaker 1: You know what. And by this time when I met Prince,

2175
02:03:09,600 --> 02:03:11,200
Speaker 1: the first time met Prince was maybe a house of

2176
02:03:11,240 --> 02:03:13,280
Speaker 1: blues l a M. She was DJ. You know he

2177
02:03:13,320 --> 02:03:16,040
Speaker 1: did he float? Now, he didn't levitate to float. He didn't.

2178
02:03:17,920 --> 02:03:20,760
Speaker 1: He had a secon back. Prince. Prince knew his hip

2179
02:03:20,800 --> 02:03:22,320
Speaker 1: hop when I first met him. You know what I'm saying,

2180
02:03:22,360 --> 02:03:24,040
Speaker 1: Like he knew, but he knew certain type of hip

2181
02:03:24,160 --> 02:03:27,000
Speaker 1: he knew like Common. He like like Common. I am.

2182
02:03:27,560 --> 02:03:29,520
Speaker 1: And it was like he likes certain things into something.

2183
02:03:29,720 --> 02:03:31,160
Speaker 1: He like hip hop, and he like hip hop that

2184
02:03:31,280 --> 02:03:34,520
Speaker 1: was a little bit more like organic. I was saying,

2185
02:03:34,640 --> 02:03:38,160
Speaker 1: Like he liked like Lauren Hill, you know, like Common,

2186
02:03:38,240 --> 02:03:41,000
Speaker 1: Like he really liked Common a lot, Like he's a

2187
02:03:41,040 --> 02:03:44,200
Speaker 1: Common fan. He was saying, and and and Common is

2188
02:03:44,200 --> 02:03:45,920
Speaker 1: one of my favorite Common work with him at all.

2189
02:03:46,040 --> 02:03:47,880
Speaker 1: I don't know if common common might have worked. Prince.

2190
02:03:47,960 --> 02:03:50,200
Speaker 1: He like Erica, but I do a lot. You know

2191
02:03:50,200 --> 02:03:54,080
Speaker 1: what I'm saying, like Prince I met Yeah, I guess yeah.

2192
02:03:54,200 --> 02:03:55,600
Speaker 1: So when I met him, he said I like that.

2193
02:03:55,680 --> 02:03:57,000
Speaker 1: He said, like, I like that one. So you got

2194
02:03:57,040 --> 02:03:59,120
Speaker 1: hot thing? I was saying, I have, so will I

2195
02:03:59,200 --> 02:04:01,160
Speaker 1: am hot thing with him? Was on the hook and

2196
02:04:01,600 --> 02:04:03,320
Speaker 1: he liked he liked when I am a black eyed

2197
02:04:03,360 --> 02:04:05,840
Speaker 1: peas and that type of ship. Um. I started just

2198
02:04:05,920 --> 02:04:07,880
Speaker 1: hanging out doing parties. You know my wife, My wife

2199
02:04:07,880 --> 02:04:10,280
Speaker 1: would do parties. Prince were shot up at the parties.

2200
02:04:10,360 --> 02:04:12,440
Speaker 1: He was just short, hold on, how does this happen?

2201
02:04:13,040 --> 02:04:16,160
Speaker 1: Does Prince the smoke come in when he really walks

2202
02:04:16,200 --> 02:04:20,040
Speaker 1: in the basketball like yeah, no, no, no, I'm starting

2203
02:04:20,080 --> 02:04:23,160
Speaker 1: the party. He walking the party. You know, I went

2204
02:04:23,200 --> 02:04:25,520
Speaker 1: to a party once in l A. What's that club

2205
02:04:25,600 --> 02:04:28,600
Speaker 1: that's across the street from the Beverly Center. The club

2206
02:04:30,120 --> 02:04:34,400
Speaker 1: that's the name is Prince walked in the club ended in.

2207
02:04:34,520 --> 02:04:38,480
Speaker 1: Prince kept a bunch of us in the club and

2208
02:04:38,680 --> 02:04:41,440
Speaker 1: at gunpoint, no, not a good point, but he's Prince.

2209
02:04:41,800 --> 02:04:44,200
Speaker 1: He just did to look almost gun point and everybody stayed.

2210
02:04:46,000 --> 02:04:51,000
Speaker 1: He put out a little bible Wait, Prince, he's he's

2211
02:04:51,040 --> 02:04:55,280
Speaker 1: in Jehovah's witness. Wait, and Jehovah's witness. They get down

2212
02:04:55,360 --> 02:04:57,680
Speaker 1: like that, they bring bibles. He started having Bible studies.

2213
02:04:58,400 --> 02:05:02,560
Speaker 1: You three, and morning was niggas drinking. There was no

2214
02:05:02,680 --> 02:05:07,080
Speaker 1: niggas there. It's only women and me because my wife

2215
02:05:07,440 --> 02:05:09,120
Speaker 1: DJ so I was the only nigga. And there was

2216
02:05:09,200 --> 02:05:11,720
Speaker 1: one other dude who was a boyfriend of one of

2217
02:05:11,760 --> 02:05:14,520
Speaker 1: the other girls. So it's Prince and me and this

2218
02:05:14,680 --> 02:05:17,240
Speaker 1: other dude. All right, don't pass that. This other niggas

2219
02:05:17,280 --> 02:05:20,240
Speaker 1: passing back to me. I got you this other dude, Prince.

2220
02:05:21,120 --> 02:05:24,320
Speaker 1: Prince was quoting, he's quoting the Bible, and this other

2221
02:05:24,400 --> 02:05:27,480
Speaker 1: dude trying to say something smart. And now this other

2222
02:05:27,600 --> 02:05:30,560
Speaker 1: dude is he's not with Prince. No, okay, he just

2223
02:05:30,640 --> 02:05:33,200
Speaker 1: happened to be there. He tried to say something and Prince,

2224
02:05:33,240 --> 02:05:36,240
Speaker 1: I'll never forget this. Prince said, Listen, Um, I know

2225
02:05:36,560 --> 02:05:39,440
Speaker 1: you think that you're saying something to add onto the conversation,

2226
02:05:39,920 --> 02:05:41,680
Speaker 1: but you really you know what I'm saying. From what

2227
02:05:41,760 --> 02:05:43,040
Speaker 1: you're saying, I can tell you don't know what you're

2228
02:05:43,040 --> 02:05:46,160
Speaker 1: talking about. So how about you just not participating? The

2229
02:05:46,680 --> 02:05:50,800
Speaker 1: Prince about the whipper Nigga asked, but I'm asking was

2230
02:05:50,960 --> 02:05:53,920
Speaker 1: He politely told him, you don't know the funk you're

2231
02:05:53,920 --> 02:05:57,240
Speaker 1: talking about. Did Prince have on hills? No, he did not.

2232
02:05:57,640 --> 02:06:00,640
Speaker 1: He did not. I've been. I've been several clubs and

2233
02:06:00,680 --> 02:06:03,160
Speaker 1: Princes had chuck keep his clothes, keep going on to

2234
02:06:03,200 --> 02:06:06,480
Speaker 1: sprint stories the club? Do you have been? The Zeni

2235
02:06:06,880 --> 02:06:09,680
Speaker 1: and I l A they used at the party called Zeni.

2236
02:06:09,960 --> 02:06:12,040
Speaker 1: They used to happen. I have Big Zini before because

2237
02:06:12,840 --> 02:06:17,960
Speaker 1: Big z at two o'clock in the morning, the clubs

2238
02:06:18,000 --> 02:06:20,360
Speaker 1: and l A clothes all right, yes, and then and

2239
02:06:20,400 --> 02:06:22,200
Speaker 1: then the dude used to have this party called Zeni.

2240
02:06:22,440 --> 02:06:24,879
Speaker 1: We rented a warehouse. He used to rent the Muppet studios.

2241
02:06:24,960 --> 02:06:27,840
Speaker 1: Jim Henson, right, and need to know these types of

2242
02:06:27,840 --> 02:06:30,840
Speaker 1: people I live, come on party when I'm bad. I know. Yeah,

2243
02:06:31,080 --> 02:06:34,920
Speaker 1: I'm hanging out with big Big Bird with Ernie and

2244
02:06:35,040 --> 02:06:37,040
Speaker 1: Bart and Bird and Ship. You know what I'm saying.

2245
02:06:37,080 --> 02:06:39,040
Speaker 1: But he's at these parties. But they used to bring

2246
02:06:39,120 --> 02:06:41,360
Speaker 1: the alcohol and they used to set up stay you

2247
02:06:41,440 --> 02:06:43,960
Speaker 1: just have go go dances and all the celebrities used

2248
02:06:43,960 --> 02:06:48,080
Speaker 1: to go, and all the basketball players and that's it.

2249
02:06:49,440 --> 02:06:55,200
Speaker 1: He's definitely. I was with l A prince called my

2250
02:06:55,320 --> 02:06:57,000
Speaker 1: wife and he said, wait, the party at and we

2251
02:06:57,040 --> 02:07:00,240
Speaker 1: said we had ZENI yeah, he said I'm coming. And

2252
02:07:00,320 --> 02:07:02,200
Speaker 1: this nigger just rolled up and told I had the

2253
02:07:02,240 --> 02:07:06,200
Speaker 1: privilege of telling to promote. I said, listen, I'm bringing Prince.

2254
02:07:07,000 --> 02:07:09,600
Speaker 1: I got a Justin Biebers story. When you finish, I'm

2255
02:07:09,640 --> 02:07:12,600
Speaker 1: bringing prince. How the hell is just prince going together?

2256
02:07:12,640 --> 02:07:15,640
Speaker 1: Because Justin Biebers said that what Prince hain't the only

2257
02:07:15,680 --> 02:07:23,360
Speaker 1: nigger around? No, I didn't. I don't remember that. This

2258
02:07:23,520 --> 02:07:26,880
Speaker 1: great hate when to be cut us all. Like the

2259
02:07:29,200 --> 02:07:31,760
Speaker 1: Prince came into Clark right. The girl was dancing and

2260
02:07:31,840 --> 02:07:34,640
Speaker 1: he said, this party is great, but why is she

2261
02:07:34,760 --> 02:07:36,960
Speaker 1: up there dancing with no clothes on? She was, he

2262
02:07:37,000 --> 02:07:39,280
Speaker 1: had clothes on, she things covered, But he said why

2263
02:07:39,320 --> 02:07:40,800
Speaker 1: She just said, they don't need to be that, you know,

2264
02:07:40,800 --> 02:07:43,920
Speaker 1: because this is Jehovah's Jehovah's witness, Prince. This is not

2265
02:07:44,000 --> 02:07:47,520
Speaker 1: the last dragon Prince, because this is not like, definitely

2266
02:07:47,520 --> 02:07:54,360
Speaker 1: not the Prince wild back in the days in the eighties,

2267
02:07:54,400 --> 02:07:57,400
Speaker 1: he was out of control. So I said, listen out.

2268
02:07:57,480 --> 02:07:59,560
Speaker 1: He asked me to introduce him to the party promoter.

2269
02:07:59,600 --> 02:08:01,400
Speaker 1: I introduce him, and he said. He explained to me.

2270
02:08:01,600 --> 02:08:04,320
Speaker 1: He said, listen to girls. They bring business people by drinks.

2271
02:08:04,720 --> 02:08:07,760
Speaker 1: Prince and let me talk to her. You're trying to convert.

2272
02:08:07,920 --> 02:08:09,840
Speaker 1: Let me talk to her. Need to hear this, saying

2273
02:08:10,200 --> 02:08:12,320
Speaker 1: the girl. He talked to the girl. The girl didn't

2274
02:08:12,320 --> 02:08:16,640
Speaker 1: know who Prince was. Same young chick, young chick dance

2275
02:08:16,680 --> 02:08:18,520
Speaker 1: in the club. She might have heard the name Prince.

2276
02:08:19,280 --> 02:08:22,640
Speaker 1: She didn't know. She's gonna die at night. This is

2277
02:08:22,680 --> 02:08:28,400
Speaker 1: a long time ago. The story, the old story. She turned.

2278
02:08:30,360 --> 02:08:32,040
Speaker 1: He said. He said, how much are they paying you

2279
02:08:33,240 --> 02:08:35,760
Speaker 1: to be in to dance with your clothes off? She

2280
02:08:35,840 --> 02:08:37,880
Speaker 1: said the number? He said, I'll pay you double to

2281
02:08:37,960 --> 02:08:41,120
Speaker 1: get down off that stage. Go home. Let's make the

2282
02:08:41,200 --> 02:08:46,760
Speaker 1: noise of it. Prints being a trick? Is that reverse pimper?

2283
02:08:49,560 --> 02:08:53,040
Speaker 1: Put your clothes on? Prince invented reverse pimping. She said,

2284
02:08:53,040 --> 02:08:54,600
Speaker 1: I'll take your money tonight, but what am I going

2285
02:08:54,640 --> 02:08:57,640
Speaker 1: to do tomorrow night? That's what this girl said to Prince.

2286
02:08:58,000 --> 02:09:02,440
Speaker 1: I want response. What was his? He said, I don't

2287
02:09:02,480 --> 02:09:10,960
Speaker 1: have no control for that. That's real that I got

2288
02:09:12,280 --> 02:09:17,240
Speaker 1: to why your motherfucker? I'm not gonna calla verbat him

2289
02:09:19,520 --> 02:09:23,520
Speaker 1: sounds he did say that. Beyond that, he basically explained

2290
02:09:23,520 --> 02:09:25,040
Speaker 1: to her. He was like, listen, I'm giving you an

2291
02:09:25,040 --> 02:09:28,560
Speaker 1: opportunity to make a different decision in your life. I'm saying.

2292
02:09:28,560 --> 02:09:30,160
Speaker 1: I watched him explain to this girl and talk to

2293
02:09:30,200 --> 02:09:31,600
Speaker 1: the girl, and I knew from the way that she

2294
02:09:31,680 --> 02:09:34,000
Speaker 1: was talking to him that she didn't understand the legacy.

2295
02:09:34,400 --> 02:09:37,200
Speaker 1: She didn't understand. She was just like, Okay, yeah, Prince

2296
02:09:37,280 --> 02:09:40,360
Speaker 1: had an album covered with like three bitches button neked

2297
02:09:40,400 --> 02:09:43,080
Speaker 1: on top of him, maybe some dudes and everybody thought

2298
02:09:43,120 --> 02:09:51,920
Speaker 1: he was gay. He wasn't ready for your princess. Princes God, Yeah,

2299
02:09:52,160 --> 02:09:55,640
Speaker 1: he stuck to his guns and he understood every artist.

2300
02:09:56,560 --> 02:09:58,800
Speaker 1: And me and Nori, the fact that we even here

2301
02:09:58,840 --> 02:10:04,040
Speaker 1: doing drink champs can we talking about about we understand

2302
02:10:04,080 --> 02:10:07,400
Speaker 1: that every artists got contradictions nature of being an artist.

2303
02:10:07,720 --> 02:10:11,560
Speaker 1: It's true, Hirst One, the person that we revere is

2304
02:10:11,600 --> 02:10:15,400
Speaker 1: the most contradictory artists whatever, But we were That's part

2305
02:10:15,440 --> 02:10:18,280
Speaker 1: of being human, like you said, being because all human

2306
02:10:18,320 --> 02:10:22,840
Speaker 1: beings got contradictions. Artists are contradictions amplified because people pay

2307
02:10:22,920 --> 02:10:26,760
Speaker 1: more attention. You say, everybody got contradictions. Artists, we just

2308
02:10:27,000 --> 02:10:32,800
Speaker 1: we create out of our contradiction, right, But Prince was

2309
02:10:32,840 --> 02:10:36,960
Speaker 1: like Jesus man, listen, we tell you something I've never liked.

2310
02:10:37,120 --> 02:10:40,600
Speaker 1: Billy Dee Williams transcended for me. Like, what I mean

2311
02:10:40,720 --> 02:10:44,560
Speaker 1: by that is like Billy Dee Williams, Eddie Murphy, Prince

2312
02:10:45,360 --> 02:10:48,360
Speaker 1: and Michael Jackson was people who were like, you know,

2313
02:10:48,440 --> 02:10:51,200
Speaker 1: I grew up in a different you know, a different time,

2314
02:10:51,280 --> 02:10:53,440
Speaker 1: were like that. He did, Billy d Williamson, that's a

2315
02:10:53,480 --> 02:10:57,760
Speaker 1: good nig with Michael Jackson and Prince, and they said,

2316
02:10:57,800 --> 02:11:01,320
Speaker 1: Billy d those were certain people. You know, those are

2317
02:11:01,400 --> 02:11:13,200
Speaker 1: certain people. Yeah, drink, I'm still going in the secondary.

2318
02:11:15,120 --> 02:11:18,000
Speaker 1: That's a smooth din in my taste now. But you know,

2319
02:11:18,200 --> 02:11:20,840
Speaker 1: for those those those four individuals right there, those are

2320
02:11:20,880 --> 02:11:23,000
Speaker 1: the people who transcended life for me. There was the

2321
02:11:23,040 --> 02:11:26,000
Speaker 1: people that no, no, no, let's keep it over here. Yeah,

2322
02:11:26,040 --> 02:11:28,720
Speaker 1: let's keep it over here. So those are the people

2323
02:11:28,760 --> 02:11:30,360
Speaker 1: that transcend the life for me. What I mean by

2324
02:11:30,440 --> 02:11:33,040
Speaker 1: that is like, you know, as a black person growing

2325
02:11:33,120 --> 02:11:36,040
Speaker 1: up young in my life, I can't describe anybody else

2326
02:11:36,120 --> 02:11:39,040
Speaker 1: here or anybody in my life. It was like, those

2327
02:11:39,080 --> 02:11:40,960
Speaker 1: are the people that said, you can't do this, you

2328
02:11:41,000 --> 02:11:42,680
Speaker 1: can't do that, and they did it, and I was

2329
02:11:42,720 --> 02:11:44,440
Speaker 1: just like I always looked at them. It was like,

2330
02:11:44,760 --> 02:11:47,040
Speaker 1: I ain't I ain't gotta be like them, but I

2331
02:11:47,200 --> 02:11:50,800
Speaker 1: respect that what I'm saying. And that's why when I

2332
02:11:50,920 --> 02:11:53,320
Speaker 1: met with people like for Real, it was easy for

2333
02:11:53,400 --> 02:11:56,200
Speaker 1: me to say, I don't want to stand you, and

2334
02:11:56,240 --> 02:11:59,440
Speaker 1: I don't really I don't really get where you're going

2335
02:11:59,560 --> 02:12:02,480
Speaker 1: at Your music is fucking ba. How did you meet?

2336
02:12:03,280 --> 02:12:09,160
Speaker 1: That's how almost how I met for uh, we was

2337
02:12:09,240 --> 02:12:13,520
Speaker 1: in sound on sound studios. Everybody's to stake everybody suhould

2338
02:12:13,520 --> 02:12:15,680
Speaker 1: think Biggie was to be called at Daddy's house. Something

2339
02:12:15,760 --> 02:12:20,200
Speaker 1: happened at Daddy's house. I don't remember, but big rememborable moment.

2340
02:12:20,520 --> 02:12:29,240
Speaker 1: I'm good one. But another memorable one was when we

2341
02:12:29,400 --> 02:12:32,360
Speaker 1: was working on Murder music and we was in an

2342
02:12:32,640 --> 02:12:36,360
Speaker 1: Electric Lady right there on West ad for something like that. Yeah, yeah,

2343
02:12:36,400 --> 02:12:38,240
Speaker 1: you know, like then I had came back and one

2344
02:12:38,280 --> 02:12:40,200
Speaker 1: of my homebies, like in Prince's out there. I was like,

2345
02:12:40,280 --> 02:12:42,080
Speaker 1: get the funk out of here, so he went and

2346
02:12:42,200 --> 02:12:53,400
Speaker 1: got hold on. You want to tell me you met Prince? Yes, yeah,

2347
02:12:53,640 --> 02:12:57,600
Speaker 1: I've never been in the vicinity of the snake words. Yeah,

2348
02:12:57,760 --> 02:12:59,640
Speaker 1: I never and that's how I feel about Michael Jackson.

2349
02:13:00,080 --> 02:13:02,360
Speaker 1: So anyway, so we're in the studio. One of my

2350
02:13:02,440 --> 02:13:04,440
Speaker 1: homeboys was like, yo, Princess out there. I was like,

2351
02:13:04,520 --> 02:13:06,440
Speaker 1: get the funk out of here. He was like, hell yeah,

2352
02:13:06,440 --> 02:13:10,280
Speaker 1: I'll bring that again. Mad cool. He fucking brought Prince

2353
02:13:10,400 --> 02:13:14,960
Speaker 1: in the studio. Now I'm about this electric lady. Remember

2354
02:13:15,000 --> 02:13:17,320
Speaker 1: this is Jimmy Hendricks. Now I'm about this talk, I'm

2355
02:13:17,320 --> 02:13:20,560
Speaker 1: about this tour whatever. Prince is like this and he

2356
02:13:20,680 --> 02:13:26,520
Speaker 1: had he did he just know, he just had one

2357
02:13:28,200 --> 02:13:32,760
Speaker 1: on hills. So I was making so I was so

2358
02:13:32,840 --> 02:13:35,680
Speaker 1: I was making a beat and then I was like,

2359
02:13:35,920 --> 02:13:40,240
Speaker 1: holy shit, Prince like he just hung out at that point. Yeah,

2360
02:13:40,320 --> 02:13:42,040
Speaker 1: I was like, yo, is there anything I need to

2361
02:13:42,080 --> 02:13:44,560
Speaker 1: do to the beat? Because he's like hold on that.

2362
02:13:44,640 --> 02:13:47,920
Speaker 1: They got over the keyboard. He started swear to guard.

2363
02:13:49,400 --> 02:13:55,480
Speaker 1: He was that cool yoh yes, and I'm gonna beat

2364
02:13:56,280 --> 02:13:58,480
Speaker 1: and then snoop, I'm doing the beat and this record

2365
02:13:58,560 --> 02:14:01,840
Speaker 1: came out. It came out. Record is this It's called

2366
02:14:02,160 --> 02:14:07,400
Speaker 1: shall Now Kill? Listen to it? Oh my god, Prince.

2367
02:14:10,760 --> 02:14:12,560
Speaker 1: They probably walked away and say, don't give me credit.

2368
02:14:13,320 --> 02:14:15,200
Speaker 1: How do you play the key? Then Nigga walked down,

2369
02:14:15,280 --> 02:14:18,040
Speaker 1: didn't even say bye. How about dad credit? He was like,

2370
02:14:28,040 --> 02:14:31,080
Speaker 1: because producers live the elless Like like producers live the

2371
02:14:31,160 --> 02:14:34,040
Speaker 1: ellis life. Let's just keep it here. It's okay, no

2372
02:14:34,280 --> 02:14:39,160
Speaker 1: nosess life, right, I mean, because you guys not only

2373
02:14:39,240 --> 02:14:41,920
Speaker 1: get to make your own project, but you get to

2374
02:14:42,000 --> 02:14:44,560
Speaker 1: go out there like with with the Big We You

2375
02:14:44,640 --> 02:14:47,280
Speaker 1: wasn't there with Big Lady vocals? No, I wasn't there

2376
02:14:47,320 --> 02:14:49,720
Speaker 1: with Big Who was you there? Like the blown your

2377
02:14:49,800 --> 02:14:52,640
Speaker 1: way to lad your vocal lad? They vote of your beats,

2378
02:14:54,720 --> 02:14:58,160
Speaker 1: Little Kim and Foxy mm to go no no, no

2379
02:14:58,880 --> 02:15:04,360
Speaker 1: y no. But I saw them east time, you know

2380
02:15:04,400 --> 02:15:06,560
Speaker 1: what I'm saying, Like when I was gonna go Foxy,

2381
02:15:06,600 --> 02:15:13,160
Speaker 1: I've seen and last, but definitely not least, we celebrate

2382
02:15:13,280 --> 02:15:16,400
Speaker 1: the life of the legendary Big Pun. There's a lot

2383
02:15:16,480 --> 02:15:18,520
Speaker 1: of you already know, Nori and Fat Joe's shirt a

2384
02:15:18,640 --> 02:15:21,800
Speaker 1: very special friendship with Pun, So it's only right that

2385
02:15:21,960 --> 02:15:24,000
Speaker 1: we share some of these Big Punch stories told in

2386
02:15:24,080 --> 02:15:26,720
Speaker 1: our very first episode of Drink Chance with Fat Joe,

2387
02:15:28,440 --> 02:15:30,920
Speaker 1: you know. And then when he passed, My brother was

2388
02:15:31,120 --> 02:15:34,160
Speaker 1: number one, and I always maintained number two, So I

2389
02:15:34,200 --> 02:15:36,520
Speaker 1: always was cool being number two. So then when I

2390
02:15:36,600 --> 02:15:39,440
Speaker 1: started rapping and it's fat Joe and then I'll bring

2391
02:15:39,560 --> 02:15:42,200
Speaker 1: Pun in the game. And I realized that Pun is

2392
02:15:42,200 --> 02:15:45,640
Speaker 1: a hundred times better than me. I fell right into

2393
02:15:45,760 --> 02:15:48,160
Speaker 1: number two. I was like, yo, let's I'll hold it

2394
02:15:48,280 --> 02:15:50,480
Speaker 1: off for this thing. I ask you something that I

2395
02:15:50,560 --> 02:15:53,760
Speaker 1: always wondered. So you met Remy through Punt, Yes, sir,

2396
02:15:54,000 --> 02:15:58,080
Speaker 1: so so Punt had rem she is big puns artists.

2397
02:15:58,080 --> 02:16:02,320
Speaker 1: Because I remember Pun, I remember Fun. I was so jealous.

2398
02:16:03,320 --> 02:16:05,720
Speaker 1: I was so jealous because it wasn't too many cruise

2399
02:16:05,800 --> 02:16:09,440
Speaker 1: where you had a nigger as nice at Pun, and

2400
02:16:09,520 --> 02:16:11,640
Speaker 1: then you had a bitch there was like the nicest

2401
02:16:11,720 --> 02:16:14,120
Speaker 1: bitch in the game. So he was like, yo, twin,

2402
02:16:14,160 --> 02:16:16,240
Speaker 1: I want you to hear this girl I signed. I'm like,

2403
02:16:16,360 --> 02:16:19,000
Speaker 1: all right, so I see if she had the level vests,

2404
02:16:19,040 --> 02:16:22,480
Speaker 1: I can never forget that ship. And then she just

2405
02:16:22,760 --> 02:16:25,520
Speaker 1: went off for like ten minutes streets and that's what

2406
02:16:25,640 --> 02:16:28,280
Speaker 1: she was saying, I shoot the air bubble welt your

2407
02:16:28,440 --> 02:16:33,760
Speaker 1: sneakers and she was just going I was like, so jealous, man.

2408
02:16:33,879 --> 02:16:36,680
Speaker 1: I was sitting there like, oh my god, why my

2409
02:16:36,840 --> 02:16:39,800
Speaker 1: head was saying why I didn't find her? Why I

2410
02:16:39,920 --> 02:16:44,280
Speaker 1: didn find So then after she rocks punt hit muzeral twin.

2411
02:16:44,440 --> 02:16:46,680
Speaker 1: You know she your artist twin, Like you know, she

2412
02:16:46,800 --> 02:16:49,440
Speaker 1: signed to me, but we signed to you. He had

2413
02:16:49,440 --> 02:16:51,760
Speaker 1: a label. It was Terror Squad the whole time. But

2414
02:16:52,280 --> 02:16:57,560
Speaker 1: he discovered He say, yo, he signed it. He discovered her.

2415
02:16:57,600 --> 02:17:02,200
Speaker 1: But he's like, was kind. But I'm just saying I

2416
02:17:02,280 --> 02:17:08,760
Speaker 1: want to say, thank God. And uh, you know what,

2417
02:17:08,879 --> 02:17:11,640
Speaker 1: you did a deal with her after passed. No, no,

2418
02:17:12,120 --> 02:17:16,840
Speaker 1: pe was alive. We just we did the deal with her.

2419
02:17:16,920 --> 02:17:20,840
Speaker 1: But while Palem was alive. You know. You know, Come'm saying,

2420
02:17:20,920 --> 02:17:23,520
Speaker 1: most loyal realist in the world. We don't just say

2421
02:17:23,600 --> 02:17:26,480
Speaker 1: that because he's dead because some nigga's dad piece of ship.

2422
02:17:27,560 --> 02:17:30,959
Speaker 1: You know, Palem was one of the most loyalist niggers

2423
02:17:31,000 --> 02:17:34,200
Speaker 1: in the world. Most fun I mean, the way I

2424
02:17:34,360 --> 02:17:37,320
Speaker 1: say it is like, um, you know, I was the

2425
02:17:37,400 --> 02:17:39,920
Speaker 1: youngest kid in my house. You know what I'm saying.

2426
02:17:39,959 --> 02:17:42,960
Speaker 1: I never had a younger brother, So Palem was like

2427
02:17:43,040 --> 02:17:44,880
Speaker 1: the young brother I never had, and I was like

2428
02:17:45,000 --> 02:17:49,440
Speaker 1: the big brother he never had. And uh, immediately, you

2429
02:17:49,520 --> 02:17:52,720
Speaker 1: know what I'm saying, It's almost like a relationship. Um,

2430
02:17:53,920 --> 02:17:57,040
Speaker 1: you know, in order to make a marriage last. It's

2431
02:17:57,040 --> 02:18:01,039
Speaker 1: like you really got to sign it mentally and heart wise.

2432
02:18:01,280 --> 02:18:05,080
Speaker 1: You gotta really say you no matter what happens, I

2433
02:18:05,240 --> 02:18:07,160
Speaker 1: want to stay with this woman for the rest of

2434
02:18:07,200 --> 02:18:11,840
Speaker 1: my life and cut your hands for the academic Come on, Joe,

2435
02:18:12,240 --> 02:18:18,959
Speaker 1: you're I'm just saying, let's not. It's just like y'all,

2436
02:18:19,440 --> 02:18:23,119
Speaker 1: nobody's stopping this ship, right, And it's the same thing

2437
02:18:23,720 --> 02:18:26,560
Speaker 1: with like you know, with with me and pun. You know,

2438
02:18:26,760 --> 02:18:28,600
Speaker 1: after I heard him round for the first time, he

2439
02:18:28,640 --> 02:18:31,520
Speaker 1: sat in my car and he immediately I don't know

2440
02:18:31,680 --> 02:18:34,920
Speaker 1: how and why, but he was telling me ship. I

2441
02:18:34,959 --> 02:18:38,920
Speaker 1: wouldn't tell Nori now about myself, and that's my brother,

2442
02:18:39,040 --> 02:18:41,000
Speaker 1: Like I could go to war with Norri, like I

2443
02:18:41,040 --> 02:18:43,600
Speaker 1: would really kill for Nori, He'll kill for me. I

2444
02:18:43,680 --> 02:18:45,760
Speaker 1: would not tell him some person who ship in my

2445
02:18:46,040 --> 02:18:49,080
Speaker 1: family growing up and all that. So five minutes later,

2446
02:18:49,120 --> 02:18:50,920
Speaker 1: I'm riding with the nigga. This nig is telling me

2447
02:18:51,000 --> 02:18:53,480
Speaker 1: the deepest ship I ever heard of, and I'm sitting

2448
02:18:53,520 --> 02:18:55,480
Speaker 1: there with him. I'm thinking to myself, you know, I'm

2449
02:18:55,520 --> 02:18:57,840
Speaker 1: a street nigga. I'm like, why is this naked telling

2450
02:18:57,879 --> 02:19:00,240
Speaker 1: me all this ship? Right? So I'm sitting in there

2451
02:19:00,280 --> 02:19:03,000
Speaker 1: like this, So I knew his life story. The first

2452
02:19:03,080 --> 02:19:05,960
Speaker 1: twenty minutes after I left them I met him, I

2453
02:19:05,959 --> 02:19:08,560
Speaker 1: already knew it, but let everybody asked you something because

2454
02:19:08,560 --> 02:19:13,800
Speaker 1: we were in and there like like like ta to right.

2455
02:19:14,000 --> 02:19:16,880
Speaker 1: Had jay Z's boy had brung me beyond that right

2456
02:19:17,080 --> 02:19:21,280
Speaker 1: and I had to joint bald equal And he said, Yo,

2457
02:19:21,440 --> 02:19:24,480
Speaker 1: she wants to do this recket. She wants to do

2458
02:19:24,560 --> 02:19:28,959
Speaker 1: it like Barbados and listen, check to check what I said.

2459
02:19:29,400 --> 02:19:31,720
Speaker 1: But she wonted fifteen bands. I had a million dollar

2460
02:19:31,800 --> 02:19:35,400
Speaker 1: budget at the time. I said no, Right, I said no,

2461
02:19:36,040 --> 02:19:38,920
Speaker 1: I passed on that. Did you know the minute you

2462
02:19:39,040 --> 02:19:42,960
Speaker 1: met Puny that this was the next dude? Or was

2463
02:19:43,560 --> 02:19:46,760
Speaker 1: it instant or like, I'm gonna be honest. I'm gonna

2464
02:19:46,800 --> 02:19:52,720
Speaker 1: be honest with you. Um, I know music probably more

2465
02:19:52,760 --> 02:19:56,320
Speaker 1: than anybody. It's just the truth. If this industry wasn't

2466
02:19:56,320 --> 02:19:58,880
Speaker 1: scared of me for being such a gangster there, I

2467
02:19:58,920 --> 02:20:02,640
Speaker 1: would be the president everything. Nobody really know more than me.

2468
02:20:03,120 --> 02:20:05,000
Speaker 1: Every time they turned around and they give a nigga

2469
02:20:05,000 --> 02:20:07,520
Speaker 1: a new job, they I put it on blast. The

2470
02:20:07,560 --> 02:20:10,720
Speaker 1: minute they gave Joey president of the Scope, he picked

2471
02:20:10,760 --> 02:20:12,720
Speaker 1: the phone up, called me saying I learned everything from you,

2472
02:20:12,840 --> 02:20:15,680
Speaker 1: my brother. Please, you don't even understand everything. I know.

2473
02:20:15,840 --> 02:20:19,119
Speaker 1: It's because of you everything I like. Niggas get presidents

2474
02:20:19,160 --> 02:20:22,080
Speaker 1: and they studied you my whole life. You are the

2475
02:20:22,200 --> 02:20:25,119
Speaker 1: smartest nicking. But they're scared of me, so they won't

2476
02:20:25,160 --> 02:20:27,680
Speaker 1: give me that position. Don't know why because I'm the

2477
02:20:27,760 --> 02:20:31,280
Speaker 1: nicest nick in the world. Right, So when I met

2478
02:20:31,440 --> 02:20:35,279
Speaker 1: pun and the niggas started rapping, So alright, the scene

2479
02:20:35,440 --> 02:20:37,560
Speaker 1: is I told her a million times. I don't want

2480
02:20:37,600 --> 02:20:39,640
Speaker 1: to tell ship on your ship that I told everybody.

2481
02:20:39,640 --> 02:20:42,280
Speaker 1: But but I'm gonna just saying because were family, so

2482
02:20:42,959 --> 02:20:45,120
Speaker 1: I go. You know, I was one of the only

2483
02:20:45,600 --> 02:20:48,160
Speaker 1: him being another one too, so I can't start on him.

2484
02:20:48,720 --> 02:20:52,440
Speaker 1: But I'm one of the only rappers that actually was rich,

2485
02:20:53,360 --> 02:20:57,280
Speaker 1: actually was gold already and were still in my hood.

2486
02:20:57,360 --> 02:21:00,960
Speaker 1: Like I live in apartment five. Like literally, hold on,

2487
02:21:01,120 --> 02:21:03,959
Speaker 1: everybody better make noise for this. I am also from

2488
02:21:03,959 --> 02:21:12,160
Speaker 1: apartment five, So you know what's crazy? I studied hip hop.

2489
02:21:12,680 --> 02:21:15,120
Speaker 1: Jay Z was also from apartment five. What is that?

2490
02:21:15,560 --> 02:21:20,400
Speaker 1: What does that mean? We're we gotta break? He's from Miami?

2491
02:21:20,520 --> 02:21:23,120
Speaker 1: Now I know what literally what that means I'm saying,

2492
02:21:23,200 --> 02:21:26,039
Speaker 1: is there a hidden meaning behind no, we're gonna, You're gonna,

2493
02:21:27,440 --> 02:21:33,000
Speaker 1: You're not. You're gonna ask first. Let me also make

2494
02:21:33,080 --> 02:21:35,480
Speaker 1: some noise for my brother Kake. You know Ray Kawon's brother.

2495
02:21:35,560 --> 02:21:41,880
Speaker 1: He once hold happy birthday, Happy birthdays. I don't see it. Okay, okay,

2496
02:21:42,160 --> 02:21:44,400
Speaker 1: excuse me. Somebody get that man to drink. Somebody get

2497
02:21:44,440 --> 02:21:47,680
Speaker 1: that man to drink. We ain't got no brown, We

2498
02:21:47,720 --> 02:21:50,680
Speaker 1: ain't got no brown. Okay, okay, I know you called me,

2499
02:21:50,760 --> 02:21:52,840
Speaker 1: and I'll tell you I had it, but nobody never

2500
02:21:52,959 --> 02:21:58,000
Speaker 1: gave me my sneakers, my purple you first, wait, hold on,

2501
02:21:58,200 --> 02:22:01,120
Speaker 1: we got it. He told me I'm gonna pick it up.

2502
02:22:02,720 --> 02:22:08,039
Speaker 1: Could I still get him on the gone. Let's let's

2503
02:22:08,040 --> 02:22:11,920
Speaker 1: go straight. I'm glad you brought into hit. Are you

2504
02:22:12,240 --> 02:22:20,400
Speaker 1: the snaker king? Um? And if you are, you know

2505
02:22:21,080 --> 02:22:23,920
Speaker 1: I'm we're gonna end this on this, but part of

2506
02:22:23,959 --> 02:22:26,280
Speaker 1: the best Latina rapper ever lived. I'll tell you right

2507
02:22:26,320 --> 02:22:30,640
Speaker 1: the bottom real quick. When I when I heard when

2508
02:22:30,680 --> 02:22:37,200
Speaker 1: I heard him on Firewater, Firewater, that was me. It

2509
02:22:37,400 --> 02:22:42,400
Speaker 1: was mere God on the getting And okay, that's that's

2510
02:22:42,440 --> 02:22:50,959
Speaker 1: the first put that on a mixtape, my Mixtapeia. Let

2511
02:22:51,040 --> 02:22:53,920
Speaker 1: me tell you know, nobody had ever heard anything I

2512
02:22:54,040 --> 02:22:56,640
Speaker 1: put on the mixtape here in Miami, and I was like,

2513
02:22:58,280 --> 02:23:02,160
Speaker 1: dude is fucking killing it. But I didn't know who

2514
02:23:02,280 --> 02:23:05,600
Speaker 1: he was. I just but then I knew. I knew

2515
02:23:05,680 --> 02:23:09,280
Speaker 1: he was Latina. I was like, we got one. That's it,

2516
02:23:10,920 --> 02:23:13,360
Speaker 1: you know, that's it because be just so you know.

2517
02:23:14,040 --> 02:23:18,080
Speaker 1: At that same time, Big is my favorite rapper, thinking

2518
02:23:18,120 --> 02:23:21,480
Speaker 1: in the Craze crew that's my brother to my other

2519
02:23:21,640 --> 02:23:24,119
Speaker 1: favorite rap was a member of two crews with two

2520
02:23:24,160 --> 02:23:32,160
Speaker 1: of the greatest rappers the old times. That's that's That's

2521
02:23:32,200 --> 02:23:36,480
Speaker 1: where I'm like, this is it? Yeah, yeah, we got him, yea,

2522
02:23:36,600 --> 02:23:41,520
Speaker 1: I really it's just almost like Chin Chin angelsts him

2523
02:23:41,560 --> 02:23:47,760
Speaker 1: in Evangelists and then God, I know Putt was great.

2524
02:23:48,920 --> 02:23:52,480
Speaker 1: I didn't know he was the greatest until like after

2525
02:23:54,280 --> 02:23:57,680
Speaker 1: after his shriner. I remember me standing there and crying

2526
02:23:57,760 --> 02:24:01,520
Speaker 1: at the and God bless the dad. Flex flex Ts

2527
02:24:01,640 --> 02:24:04,240
Speaker 1: was the one who came and grabbed me because I

2528
02:24:04,320 --> 02:24:06,199
Speaker 1: didn't know what to do, Like I still started crying.

2529
02:24:06,280 --> 02:24:09,440
Speaker 1: My mother came to the keeping Real without me. My

2530
02:24:09,600 --> 02:24:11,840
Speaker 1: mom said, my mom's didn't wait for me to come.

2531
02:24:11,959 --> 02:24:17,880
Speaker 1: Mother with man from the boat danger like crazy. It

2532
02:24:18,040 --> 02:24:21,800
Speaker 1: was so crazy because the people who came to that funeral.

2533
02:24:22,600 --> 02:24:25,360
Speaker 1: You know, it was like crazy, man. Like it was

2534
02:24:25,480 --> 02:24:30,080
Speaker 1: like people that from our community that never even talk

2535
02:24:30,200 --> 02:24:32,440
Speaker 1: to us. Was like, you know, they were so proud

2536
02:24:33,040 --> 02:24:35,600
Speaker 1: they were showing up and you was like, yo, that's

2537
02:24:35,680 --> 02:24:39,440
Speaker 1: just my school teacher, you know. So I'm sitting there

2538
02:24:39,560 --> 02:24:42,160
Speaker 1: crying and I walked by my school teacher, come and

2539
02:24:42,240 --> 02:24:45,640
Speaker 1: grab me and like, yo, be strong. This is that

2540
02:24:45,840 --> 02:24:48,200
Speaker 1: like we touched so many niguas in the hood. It

2541
02:24:48,320 --> 02:24:50,959
Speaker 1: was crazy, but it was like that too. I never

2542
02:24:51,040 --> 02:24:52,680
Speaker 1: forget too. I was at one point, I was at

2543
02:24:52,720 --> 02:24:56,760
Speaker 1: point funeral and I was crying and uh, it was

2544
02:24:56,879 --> 02:24:59,560
Speaker 1: John Rule And I looked up and it was John

2545
02:24:59,640 --> 02:25:03,520
Speaker 1: Rule was there one deep too. He was like be strong, crack,

2546
02:25:03,600 --> 02:25:06,760
Speaker 1: don't worry, be strong. And that ship, that punch ship

2547
02:25:06,920 --> 02:25:10,520
Speaker 1: was serious man. And this is what I remember Flex

2548
02:25:10,720 --> 02:25:13,879
Speaker 1: grabbing me and just was like no, he's not suffering

2549
02:25:13,959 --> 02:25:15,920
Speaker 1: no more. And the crazy Yet I've never seen Pun

2550
02:25:16,240 --> 02:25:19,680
Speaker 1: suffer like when Pun, I know we can we're going

2551
02:25:19,720 --> 02:25:21,560
Speaker 1: too much, but we're gonna stop it soon. But when

2552
02:25:21,640 --> 02:25:24,360
Speaker 1: Pun used to half sleep apnea, like when he used

2553
02:25:24,400 --> 02:25:26,600
Speaker 1: to go like this, I used to think Pun was

2554
02:25:26,640 --> 02:25:29,360
Speaker 1: playing with me, Like God bless me because you know.

2555
02:25:29,520 --> 02:25:31,600
Speaker 1: Now I know, but back then, I used to like

2556
02:25:31,720 --> 02:25:38,520
Speaker 1: damn my fucking stories, just boring people like Yo, we

2557
02:25:38,600 --> 02:25:43,920
Speaker 1: would be talking like it was good. I'm like, ho, alright,

2558
02:25:44,000 --> 02:25:49,640
Speaker 1: let's just get Pun love Nori and Uh in a

2559
02:25:49,760 --> 02:25:53,400
Speaker 1: different way, in a special way. And the niggas used

2560
02:25:53,440 --> 02:25:56,320
Speaker 1: to hang out. They used to chill like we're still void, Joe.

2561
02:25:56,440 --> 02:25:59,640
Speaker 1: That's when Joe said, because Joe was always militant, like

2562
02:25:59,760 --> 02:26:04,879
Speaker 1: he's always he's to get money, dude, Like that's all

2563
02:26:04,959 --> 02:26:07,520
Speaker 1: he thinks about me and Pun. We wanted to have fun.

2564
02:26:07,680 --> 02:26:10,199
Speaker 1: We was younger. You know what I'm saying, Joe's olg.

2565
02:26:10,480 --> 02:26:13,200
Speaker 1: It's a fact because we used to be on the

2566
02:26:13,360 --> 02:26:16,920
Speaker 1: road everything like and Punning smoked weed. He drank cards

2567
02:26:17,040 --> 02:26:20,720
Speaker 1: like you know what I mean, Like this like just

2568
02:26:20,879 --> 02:26:24,560
Speaker 1: started drinking, like really, like you just started legally drinking

2569
02:26:25,160 --> 02:26:30,039
Speaker 1: like that. So serious. He was like like every day

2570
02:26:30,160 --> 02:26:36,000
Speaker 1: like this, I'll tell my son this to us and listen, bro,

2571
02:26:36,879 --> 02:26:39,520
Speaker 1: we was born with nothing, my niked and if we

2572
02:26:39,640 --> 02:26:42,760
Speaker 1: get the opportunity to go get it, let's not stop, nigga,

2573
02:26:42,840 --> 02:26:45,040
Speaker 1: let's just go get it. And we can't make it.

2574
02:26:45,120 --> 02:26:48,280
Speaker 1: We gotta go get this fucking money man, because all

2575
02:26:48,320 --> 02:26:51,640
Speaker 1: the times we dreamed about getting money, all the times

2576
02:26:51,720 --> 02:26:53,920
Speaker 1: all we wanted was money. Niggas wouldn't give us a

2577
02:26:54,000 --> 02:26:58,240
Speaker 1: fucking ice cream. You know, we're starving. We Nigga's got

2578
02:26:58,320 --> 02:27:00,640
Speaker 1: a chip in for four chicken wings and French fries.

2579
02:27:00,920 --> 02:27:02,960
Speaker 1: Now nigg is just throwing this money at us, Like

2580
02:27:03,040 --> 02:27:05,320
Speaker 1: what the fund is we supposed to do? Let's go

2581
02:27:05,520 --> 02:27:09,000
Speaker 1: get this fucking money. And and and and and that's

2582
02:27:09,200 --> 02:27:11,640
Speaker 1: that's that's that's what I'm about right now. I'm in

2583
02:27:11,720 --> 02:27:13,760
Speaker 1: the car with my sun wrap. I'm in the car.

2584
02:27:13,840 --> 02:27:16,560
Speaker 1: One of my baked on him two minutes before I

2585
02:27:16,680 --> 02:27:19,440
Speaker 1: came here because he was like, yo, engineer, ain't really

2586
02:27:19,560 --> 02:27:21,960
Speaker 1: doing it right there. I'm like, nikking you fucking crazy,

2587
02:27:22,600 --> 02:27:26,720
Speaker 1: Like I'll be rapping in closets. We're gonna end it

2588
02:27:26,800 --> 02:27:32,440
Speaker 1: on this. Back in the days, you couldn't send the email.

2589
02:27:32,840 --> 02:27:35,680
Speaker 1: You have to run around with two tapes like this

2590
02:27:36,160 --> 02:27:43,000
Speaker 1: that she was like carrying a mitchet. Yeah it was Stow.

2591
02:27:43,959 --> 02:27:46,520
Speaker 1: I've never been to and this is my engineer right here.

2592
02:27:46,560 --> 02:27:49,240
Speaker 1: Has it it sounds I produce something, my friend, but

2593
02:27:49,400 --> 02:27:52,400
Speaker 1: has I have never had a session with you unless

2594
02:27:52,400 --> 02:27:55,000
Speaker 1: I did four records. Keep it real. I'm gonna look away,

2595
02:27:55,200 --> 02:27:57,480
Speaker 1: so like I'm not giving you know, fine, am I

2596
02:27:57,640 --> 02:28:01,800
Speaker 1: lying these four? At least four? Because you know why

2597
02:28:02,040 --> 02:28:06,320
Speaker 1: it's not because but back then, spending fifteen hundred dollars

2598
02:28:06,400 --> 02:28:09,520
Speaker 1: on the lockout or three thousand dollars on the lockout,

2599
02:28:09,800 --> 02:28:13,760
Speaker 1: I had to do yo on this ship. I'm keeping

2600
02:28:13,800 --> 02:28:17,760
Speaker 1: it real. Seeing then War Report album was done over

2601
02:28:17,879 --> 02:28:20,600
Speaker 1: two years, but it was only like five to seven

2602
02:28:20,680 --> 02:28:26,080
Speaker 1: sessions because we recalled it eight nine records. When we

2603
02:28:26,160 --> 02:28:28,560
Speaker 1: went in there and you know, tragedy put us on.

2604
02:28:28,760 --> 02:28:31,959
Speaker 1: He you had this wave, man, you your wave, it's

2605
02:28:32,040 --> 02:28:36,040
Speaker 1: like you know, special waves. But what it was, man,

2606
02:28:36,200 --> 02:28:40,360
Speaker 1: you could do whatever you wanted, nor nor you you're

2607
02:28:40,440 --> 02:28:43,560
Speaker 1: funny nigging. And then it's like it's like it was

2608
02:28:43,720 --> 02:28:46,640
Speaker 1: like maybe he was bugging out, but to us, it

2609
02:28:46,760 --> 02:28:52,960
Speaker 1: was like flows. We never heard righting thing. Thing I'm

2610
02:28:54,720 --> 02:28:58,640
Speaker 1: thing is saying this ship, you know what that came from?

2611
02:28:58,720 --> 02:29:01,320
Speaker 1: What was the joint you did? Um? And we gotta

2612
02:29:01,360 --> 02:29:06,280
Speaker 1: gotta go with you. What was the joint you did?

2613
02:29:06,760 --> 02:29:11,600
Speaker 1: I think it was in the firm. You know this leaving,

2614
02:29:11,800 --> 02:29:15,440
Speaker 1: I'm leaving, I'm leaving. I can get the story of

2615
02:29:15,520 --> 02:29:18,000
Speaker 1: that and then we break out. But listen, it goes

2616
02:29:18,440 --> 02:29:21,480
Speaker 1: that is that one Mike h Nor we know this,

2617
02:29:22,240 --> 02:29:28,240
Speaker 1: we know that, yeah, because I'm leave. Yeah. And it

2618
02:29:28,360 --> 02:29:30,600
Speaker 1: was another one you did for NAS, right, was it

2619
02:29:30,760 --> 02:29:34,880
Speaker 1: Nas or more Deep? It was blood Money, Blood Money, Money,

2620
02:29:35,879 --> 02:29:38,640
Speaker 1: the Money, the one when we did that during the

2621
02:29:38,760 --> 02:29:42,080
Speaker 1: Firm album. Um the Funnies Ship. I'm not gonna lie

2622
02:29:42,120 --> 02:29:44,480
Speaker 1: to you from the outside, and I don't know if

2623
02:29:44,520 --> 02:29:46,640
Speaker 1: you don't go ahead tell me you was like the

2624
02:29:46,720 --> 02:29:50,240
Speaker 1: illest nigger right there, like like right there when they

2625
02:29:50,400 --> 02:29:52,720
Speaker 1: snatched you up, because it was a big move for

2626
02:29:52,840 --> 02:29:57,240
Speaker 1: you and I. I had just shot nigger the projects too,

2627
02:29:57,680 --> 02:29:59,800
Speaker 1: and it was like and I kept hanging out there.

2628
02:29:59,840 --> 02:30:01,720
Speaker 1: They it was like what this thing is from the

2629
02:30:01,800 --> 02:30:08,080
Speaker 1: left cracking left Brack left money minutes and I kept

2630
02:30:08,120 --> 02:30:10,840
Speaker 1: hanging out and I gotta I gotta give the love

2631
02:30:10,920 --> 02:30:13,600
Speaker 1: the Jungle. Jungle was the dude like Jungle was like,

2632
02:30:13,720 --> 02:30:15,800
Speaker 1: we're fucking want him, we want to shoot up you

2633
02:30:15,840 --> 02:30:23,519
Speaker 1: know what I mean. But what I'm saying is they

2634
02:30:23,640 --> 02:30:28,120
Speaker 1: recruited you and you was just like it was so ill.

2635
02:30:28,480 --> 02:30:30,480
Speaker 1: I was just like and you know, and you know

2636
02:30:30,640 --> 02:30:33,960
Speaker 1: from them my very first feature, my very first feature

2637
02:30:34,080 --> 02:30:37,280
Speaker 1: after that was the Punt the record, my very first

2638
02:30:37,360 --> 02:30:41,560
Speaker 1: feature after that, I mean put in punt Um. You know,

2639
02:30:41,760 --> 02:30:43,960
Speaker 1: Punt's first words he ever said to me? What he said?

2640
02:30:44,040 --> 02:30:46,400
Speaker 1: He said because I was it was in a session,

2641
02:30:46,440 --> 02:30:48,200
Speaker 1: the first this is the first words you ever said

2642
02:30:48,240 --> 02:30:51,680
Speaker 1: to me. This is the first words you ever said

2643
02:30:51,720 --> 02:30:54,400
Speaker 1: to me. You said, y'all cnn, huh. He woke this

2644
02:30:54,560 --> 02:30:59,680
Speaker 1: unique studio, unique studios, thinking walks and the punt wasn't

2645
02:31:00,000 --> 02:31:03,320
Speaker 1: He goes, y'all seeing there? Huh. I'm like, you said,

2646
02:31:03,800 --> 02:31:06,520
Speaker 1: which one of your niggas got shot? And then Palm

2647
02:31:06,680 --> 02:31:09,720
Speaker 1: raised his hand and then y'all start keep hearing gunshot

2648
02:31:09,879 --> 02:31:12,520
Speaker 1: rooms and ship. I was like, this is very awkward

2649
02:31:15,480 --> 02:31:18,160
Speaker 1: home shows and ship. Then and then he goes, which

2650
02:31:18,160 --> 02:31:20,720
Speaker 1: one of yours Puerto Weekend? And I raised my hand

2651
02:31:20,879 --> 02:31:23,360
Speaker 1: and this is this is one hundred said facts. I

2652
02:31:23,480 --> 02:31:26,000
Speaker 1: was just like, because I've never met these nis, I

2653
02:31:26,120 --> 02:31:27,760
Speaker 1: love this nigga, but I don't want em to think

2654
02:31:27,760 --> 02:31:30,360
Speaker 1: I'm a sucker. He just walked in my studios. Actually

2655
02:31:30,440 --> 02:31:33,000
Speaker 1: Blue told you to walk over right. Buck Wild is

2656
02:31:33,000 --> 02:31:36,600
Speaker 1: doing the beat. Maybe we buck Wild and then Plank

2657
02:31:36,680 --> 02:31:38,800
Speaker 1: goes to me. He goes, yo, you bought the weekend

2658
02:31:39,080 --> 02:31:42,400
Speaker 1: and I go, yeah, he goes, so wipe the ice

2659
02:31:42,520 --> 02:31:48,640
Speaker 1: crilled off ba ba because we're gonna be friends. And

2660
02:31:48,840 --> 02:31:51,440
Speaker 1: from that moment, you know, the nigga made me laugh.

2661
02:31:54,440 --> 02:31:59,680
Speaker 1: I was racist from that moment and it was some

2662
02:31:59,760 --> 02:32:01,360
Speaker 1: of the ask people I have a mat man, Joe.

2663
02:32:01,440 --> 02:32:04,160
Speaker 1: I really appreciate you. You've never left me. You know,

2664
02:32:04,680 --> 02:32:14,280
Speaker 1: you've always been there for me. Is his birthday? Happy birthday, brother,

2665
02:32:14,800 --> 02:32:20,480
Speaker 1: but Ray Kwan the chef before you leave Top three

2666
02:32:20,800 --> 02:32:25,400
Speaker 1: friends again on behalf of myself and Nori. Thank you

2667
02:32:25,480 --> 02:32:28,000
Speaker 1: for listening to this Memorial Day episode of Drink Champs.

2668
02:32:28,320 --> 02:32:31,080
Speaker 1: We hope you enjoyed reliving these moments with us. Stay

2669
02:32:31,160 --> 02:32:34,920
Speaker 1: tuned as we'll be releasing new episodes weekly until then,

2670
02:32:35,240 --> 02:32:38,240
Speaker 1: Keep those drinks on ice, rest those delivers, and get

2671
02:32:38,320 --> 02:32:41,560
Speaker 1: ready to make some motherfucking noise special. Shout out to

2672
02:32:41,680 --> 02:32:43,800
Speaker 1: all the guests that we've had on Drink Champs for

2673
02:32:43,879 --> 02:32:46,959
Speaker 1: these past couple of years, few years. I mean, without them,

2674
02:32:47,440 --> 02:32:49,160
Speaker 1: we wouldn't be here. If you know, those guests is

2675
02:32:49,200 --> 02:32:52,280
Speaker 1: what what make it special. They come to on the

2676
02:32:52,320 --> 02:32:55,040
Speaker 1: show and they have fun with us, and that's what counts.

2677
02:32:55,040 --> 02:32:56,560
Speaker 1: At the end of the day. We're here to have fun,

2678
02:32:56,959 --> 02:33:00,600
Speaker 1: to celebrate life and keep it motherfucking even. Shout out

2679
02:33:00,640 --> 02:33:03,800
Speaker 1: to the Drink Champs crew, the Drink Champs Army, crazyhood crew,

2680
02:33:04,000 --> 02:33:08,039
Speaker 1: maintainment crew sucked out everybody out there shots. My boy

2681
02:33:08,120 --> 02:33:11,440
Speaker 1: j Havan, who helped put this together has it as sounds. Man.

2682
02:33:11,520 --> 02:33:12,880
Speaker 1: Let's get out of here, man. Make sure you check

2683
02:33:12,959 --> 02:33:16,360
Speaker 1: us out at www dot drink Champs dot com and

2684
02:33:16,520 --> 02:33:20,040
Speaker 1: at drink Champs on all your social platforms. D J E.

2685
02:33:20,200 --> 02:33:22,400
Speaker 1: F FEN and the War we out of here. Peace

2686
02:34:00,120 --> 02:34:19,760
Speaker 1: assists us assist