WEBVTT - "Little Miss Miss Worldwide" (w/ Amelia Dimoldenberg)

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<v Speaker 1>Look mare, oh, I see you my own and look

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<v Speaker 1>over there is that culture. Yes, goodness, we loves cult

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<v Speaker 1>dang dong lass culture. Okay, my brain feels like it's

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<v Speaker 1>going to come out of my right eye. And you

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<v Speaker 1>know why we are coming at you fresh off of

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<v Speaker 1>the SNL fifty after party. Literally it happened, it ended

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<v Speaker 1>not twelve hours ago. Yeah, we were technically still probably

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<v Speaker 1>freaking buzzed now of gin and Tonics. We had what

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<v Speaker 1>is my thing with gin and Tonics lately? Now we

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<v Speaker 1>were nineteen oh two. We were pounding the way and

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<v Speaker 1>tease the way. Very British of us. So at propos,

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<v Speaker 1>at propos. I didn't see our guests drinking gin and Tonics.

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<v Speaker 1>I don't know she drinking. She was on another level.

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<v Speaker 1>She I saw her with the Martini glass all night. Classy,

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<v Speaker 1>classy girl, classy gir Leina. This actually is a monumental day.

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<v Speaker 1>I have been waiting for this. Well. I met our

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<v Speaker 1>guest at at an sinal after party, and immediately I

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<v Speaker 1>was like, the vibe is impeccable. The vibe is impeccable.

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<v Speaker 1>Also instant friendship, instant friendship, and then still and then

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<v Speaker 1>so it was the three of us plus up Zoe. Yeah,

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<v Speaker 1>can you mention no name? Zoe? Plus I'm like, good,

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<v Speaker 1>you really are being so compliant and this is great.

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<v Speaker 1>And it was the four of us plus the last

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<v Speaker 1>ym famed sinal writer. Oh, and it was the five

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<v Speaker 1>of us being a little unit all night and anytime

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<v Speaker 1>y'all would leave to go great to drink at the bar,

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<v Speaker 1>don't speak, Celes. We would just we would all check

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<v Speaker 1>any and be like, I mean, the Themaldenburgs love. Just

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<v Speaker 1>come on, it doesn't get any better than that. Well,

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<v Speaker 1>you know what's you know what's happened which actually really

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<v Speaker 1>bonds people is we've shared a dressing room to go

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<v Speaker 1>through glam. Yes, so I've I've seen our guests through glam. Oh,

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<v Speaker 1>and that can be the most vulnerable place. When you

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<v Speaker 1>see someone with curlers in their hair, you see their soul.

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<v Speaker 1>When you see epatrology gel under eye thing, I love

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<v Speaker 1>that stuff. You want to know why it works? Sometimes? Huh?

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<v Speaker 1>Sometimes the bags do be staying and you go, why

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<v Speaker 1>did I put this slime on my face? For twenty minutes?

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<v Speaker 1>I'm looking Amanda anything, Okay? Can I tell you something?

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<v Speaker 1>No one looks more like shit right now? Than me,

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<v Speaker 1>than me. I am horrified and when I look at

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<v Speaker 1>the lights, I think, I know that's not right. Like

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<v Speaker 1>the crypt Keeper's ugly cousin who doesn't even on camera.

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<v Speaker 1>The thing about the crypt keeper, he still is telegenic.

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<v Speaker 1>He's telegenic and he has but he's the most presentable

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<v Speaker 1>of his family. I'm gonna say one thing that happened

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<v Speaker 1>last night, and this truly happened. There's so many things.

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<v Speaker 1>There's so many things that happened, but I'm going to

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<v Speaker 1>say one thing because I don't know how much to reveal.

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<v Speaker 1>There's a lot of light and a lot of darkness

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<v Speaker 1>to rea. We're talking about like these ugly cryptkeeper types,

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<v Speaker 1>and I was thinking, Wow, how many gorgeous people do

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<v Speaker 1>we see? Guess who I feel my butt bump against

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<v Speaker 1>their butt than that? And I turn around, who is it?

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<v Speaker 1>Al Franken, No, that would be the funny way to

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<v Speaker 1>go about it. But this is the on the nose thing.

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<v Speaker 1>My butt touched Kim Kardashian's but that is so our

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<v Speaker 1>butts hit And I turned around and I said, oh,

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<v Speaker 1>that's Kim k y'all were Eric stone Street and Jesse

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<v Speaker 1>not Jesse Tyler ferguson the Dad and Modern Family at O'Neill.

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<v Speaker 1>Remember there was that Modern Family episode where they did

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<v Speaker 1>like a moon landing. I really collar them. They touched

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<v Speaker 1>butts at in the locker and the men's lock right

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<v Speaker 1>and they touched naked butts. Are you Eric stone Street

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<v Speaker 1>or are you at O'Neill. We were both clothed. Honestly,

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<v Speaker 1>who has the bigger butt? You ed? Oh? Do you

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<v Speaker 1>think me? Between you and Kim Kim's the butt is bigger.

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<v Speaker 1>Get out the measuring stick, Get out the measuring stead.

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<v Speaker 1>We got to move on. It's time to bring in

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<v Speaker 1>our guests. Who speaking of pop culture? And when you

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<v Speaker 1>say Kim k you say pop culture has truly I

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<v Speaker 1>don't know how to say. This perfected the form of

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<v Speaker 1>the interview, perfected the former of the interview. You break

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<v Speaker 1>chicken out, you bring smiles up, perfected the art of

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<v Speaker 1>the edit. This is Sean Baker Found Dad, This is

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<v Speaker 1>the new edit. Trix Queen would like to see Honora too.

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<v Speaker 1>I would like to see our guest in the edit

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<v Speaker 1>room for Shawn Baker's next film. Can I pitch this?

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<v Speaker 1>Honora to Colon Amelia Gas, Honora to Colon Amelia, It's

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<v Speaker 1>time this. She hosts Chicken Chop Date, the iconic Chicken

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<v Speaker 1>Chop Date. She is now a fixture and a welcome

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<v Speaker 1>presence at any red carpet event, which is almost always

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<v Speaker 1>more stress than it's worth until you see our guest

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<v Speaker 1>was killing the carpet last night, Carver last night with

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<v Speaker 1>my girl, Matt Rogers. We were we were sort of the

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<v Speaker 1>glambot was in between us. Some time we'll talk about

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<v Speaker 1>we'll talk about the Glambot. But she, for the second

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<v Speaker 1>near in a row, will be correspondent at the Red

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<v Speaker 1>carpet at the Oscars. Can I talk everyone?

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<v Speaker 2>Welcome, pleasure to be here, long time, about two hours,

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<v Speaker 2>two hours on brain needs to come out of your eye. Yeah, I'm,

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<v Speaker 2>I'm My mouth is dry, yeah, my mouth is dry,

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<v Speaker 2>my head, but I just walked here from my hotel

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<v Speaker 2>and it really put the life back in my soul.

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<v Speaker 1>To hit you sometimes?

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<v Speaker 3>Is this Jay walkings illegal?

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<v Speaker 1>So? And I don't think I don't think it matters. Well,

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<v Speaker 1>how does the wind chill in New York compare to

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<v Speaker 1>the wind chill in London?

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<v Speaker 2>Was so much windy? I hear, yeah, wind is the

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<v Speaker 2>wind is stronger.

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<v Speaker 1>Because whip around those big buildings.

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<v Speaker 3>It's the buildings are so big and they create the wind,

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<v Speaker 3>right Yeah? Yeah?

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<v Speaker 1>Are you like you come here and you're like, Okay,

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<v Speaker 1>I can't wait to get back well to New York London?

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<v Speaker 3>Oh no, I love New York.

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<v Speaker 2>Yeah okay, good, Yeah, But like I just I don't

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<v Speaker 2>know if I could.

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<v Speaker 3>Ever live here full time.

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<v Speaker 1>So we would like it.

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<v Speaker 3>It's so full on.

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<v Speaker 1>How are we How are we going to maintain a friendship? No?

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<v Speaker 1>I know, I know, I do.

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<v Speaker 3>There is only one option. I do need to move.

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<v Speaker 1>That's the only You can't really have a long distance

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<v Speaker 1>friendship read because we're not coming to London all that much.

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<v Speaker 1>Why I actually have to say, I think we should go.

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<v Speaker 1>I think we should go more. I need to get

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<v Speaker 1>back on I need to recalibrate my London experience because

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<v Speaker 1>for a while it was and it was it's one

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<v Speaker 1>of the great cities of the world throughout history. I

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<v Speaker 1>do still associate with, Oh god, I'm gonna get a Heathrow.

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<v Speaker 1>No God, I'm getting stressed out and I have to

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<v Speaker 1>like figure out the rest of my week. And it

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<v Speaker 1>was like, for a while it was the sight of

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<v Speaker 1>my darkest moments. We shot the movies for a year total,

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<v Speaker 1>two of them. Just wait till next till Wow, it's

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<v Speaker 1>this year. Just wait till till it's coming up. It

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<v Speaker 1>will be changed for good. And that's just what I hear. No,

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<v Speaker 1>you're right, No, we need to come to London more.

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<v Speaker 1>Where are you? You're you're a Marylebone girl.

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<v Speaker 2>You them all the bone. But now I live in

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<v Speaker 2>East London.

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<v Speaker 1>Oh the Hackney.

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<v Speaker 3>Yeah, and Hackney?

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<v Speaker 1>Are you like a neighborhood fixture? The pubs in the corp.

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<v Speaker 2>I love the pub. I'm in the pub like NonStop.

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<v Speaker 2>That's why when I'm in America, that's what I crave.

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<v Speaker 2>I crave the pub so much. I'm like, I need

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<v Speaker 2>to go back into the pub.

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<v Speaker 1>You want to pie?

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<v Speaker 2>I don't want to pie, but I do want the

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<v Speaker 2>pub you want I want a cider?

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<v Speaker 1>Yeah, I oh do. I'm I'm a hot, tidy sort

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<v Speaker 1>of fanatics.

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<v Speaker 2>Oh my god, love alcoholic beverage. They do mulled wine

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<v Speaker 2>all year. That's what I'm talking about.

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<v Speaker 1>This, This is a huge question. I will always say

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<v Speaker 1>I do get a little nervous about asking a bartender

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<v Speaker 1>to do that, just because me being former industry I

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<v Speaker 1>do know it's steps involved in creating the hot beverage.

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<v Speaker 1>We like boiling the boiling sort of. I mean like

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<v Speaker 1>it's like, certainly there might be an area where there's

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<v Speaker 1>already hot water, but like it's just there's a clue.

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<v Speaker 1>There's the stick of cinnamon, there is the lemon, there

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<v Speaker 1>is the oftentimes you have to put the clothes in

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<v Speaker 1>the lemon. If people take themselves very seriously this preparation.

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<v Speaker 1>There's arts, et cetera. Right, but like it's it's worth

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<v Speaker 1>it when you get to the end of the rainbow. Now,

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<v Speaker 1>what if in theory you've fall in love with someone

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<v Speaker 1>here you.

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<v Speaker 2>Know interesting though actually what you haven't been thinking about,

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<v Speaker 2>then I would just I would just have to get

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<v Speaker 2>to travel more's.

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<v Speaker 1>Her life where she is, I know, I don't. I'm

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<v Speaker 1>just I'm just putting some hypotheticals out there. We need

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<v Speaker 1>to come more to you. I think we should stop

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<v Speaker 1>trying to give in to you to move here.

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<v Speaker 2>Because I would like to come here more. To be fair,

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<v Speaker 2>I feel like I could come once a month.

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<v Speaker 1>You're invited. Well, you know, we need That's why we

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<v Speaker 1>need to do more award shows. We need to do

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<v Speaker 1>more ward shows. We understand how to get your awards. Yea, yes,

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<v Speaker 1>that's true. You actually should. Oh, I feel like that's

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<v Speaker 1>for some reason. I'm going to say beneath you. Yeah,

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<v Speaker 1>I was gonna say you need a bigger role to

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<v Speaker 1>cultural awards. No, it's only beneath you at our at

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<v Speaker 1>our show, you know what I mean. And every other

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<v Speaker 1>capacity it's like, well there's no one better, but for us,

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<v Speaker 1>it's like you gotta be on. You've got to be

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<v Speaker 1>in the full thing.

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<v Speaker 3>Do you love award shows in general?

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<v Speaker 1>I think so?

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<v Speaker 3>Yeah. Same. I've always loved growing up watching them, like

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<v Speaker 3>I love love them.

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<v Speaker 1>Yeah, it's such a gag to go to them now

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<v Speaker 1>like whenever, Like Bowen is nominated for almost every award

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<v Speaker 1>and so but is it we get to go to

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<v Speaker 1>all We're very lucky we get to go to that,

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<v Speaker 1>and it is like it's wild when you are in

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<v Speaker 1>the midst of it, because it's like there everyone is, yes.

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<v Speaker 2>And you get to meet so many people like so

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<v Speaker 2>I love like so many people that you're a fan

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<v Speaker 2>of their work and you get to meet them and

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<v Speaker 2>like talk to them and I love it.

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<v Speaker 3>And then it's exciting. Who's gonna win?

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<v Speaker 1>Yeah? Do you get nervous still with the celebrity of

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<v Speaker 1>it all, or have you now sort of reached a

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<v Speaker 1>point where you've kind of met the biggest and so

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<v Speaker 1>it's now less daunting and they know who you are.

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<v Speaker 2>I don't really get nervous to meet celebrities, and I

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<v Speaker 2>feel like that's why I've like enjoyed this job, or

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<v Speaker 2>maybe I'm good at it because I don't really feel

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<v Speaker 2>like I get starstruck that much.

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<v Speaker 3>But I do.

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<v Speaker 2>I feel confident in the room because I know I'm there,

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<v Speaker 2>I've got my job, I'm there for a purpose. I

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<v Speaker 2>find it difficult when I go to events where I'm

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<v Speaker 2>not working, because then I'm like, oh god, I feel

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<v Speaker 2>that's when i feel like a bit more overwhelmed by it.

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<v Speaker 1>All right, yeah, like give me a job a purpose.

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<v Speaker 4>Yeah.

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<v Speaker 2>Like, for example, last night, I was like, oh, okay,

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<v Speaker 2>well I'm here, I'm doing the carpet, like I'm got

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<v Speaker 2>my SNL credentials, Like this is incredible. I feel like

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<v Speaker 2>I should be here, Whereas I think if I wasn't

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<v Speaker 2>doing that, I'd be like what why, what's happening? But

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<v Speaker 2>it also like I wouldn't have been invited. But anyway, Yeah,

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<v Speaker 2>that kind of makes me feel a bit more confident,

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<v Speaker 2>but no, like I really do like meeting celebrities.

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<v Speaker 1>Well, what was what was the overall bounce on last night?

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<v Speaker 3>Was in incredible, like just like and the after party.

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<v Speaker 1>Oh my god, like a virgin and then I'm doing

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<v Speaker 1>Mustang Sally Like truly, it was one of those because

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<v Speaker 1>they're not always like that. In fact, they're almost never

0:11:13.400 --> 0:11:16.400
<v Speaker 1>like that. You think in your head the essmenal afterparties

0:11:16.440 --> 0:11:17.880
<v Speaker 1>are going to be like that, and then it's like

0:11:17.960 --> 0:11:20.280
<v Speaker 1>you get an event like this and people were really

0:11:20.320 --> 0:11:21.600
<v Speaker 1>going it was. It was amazing.

0:11:21.720 --> 0:11:25.319
<v Speaker 2>It was amazing, and it was ginormous and every single

0:11:25.320 --> 0:11:28.679
<v Speaker 2>person there was like legendary it was and everyone was

0:11:28.720 --> 0:11:30.880
<v Speaker 2>like laying loose and oh it was just it was

0:11:30.920 --> 0:11:33.360
<v Speaker 2>just amazing. And it went on so late, went on

0:11:33.440 --> 0:11:35.120
<v Speaker 2>till like five in the morning.

0:11:34.920 --> 0:11:36.720
<v Speaker 1>When we were there, and then there we were and

0:11:36.760 --> 0:11:41.040
<v Speaker 1>we had stayed, and we had stayed, but I will say,

0:11:41.080 --> 0:11:45.280
<v Speaker 1>I mean like we were saying that we were getting

0:11:45.320 --> 0:11:47.240
<v Speaker 1>starstruck for the first time in a long time, just

0:11:47.280 --> 0:11:49.560
<v Speaker 1>like just because it was everywhere you turn there was

0:11:49.600 --> 0:11:52.160
<v Speaker 1>just someone like oh wow, wow, wow.

0:11:52.120 --> 0:11:57.160
<v Speaker 2>I got I met Andy Samberg. I was actually really starstruck.

0:11:57.240 --> 0:11:59.960
<v Speaker 2>I was like, you are the godfather of like viral

0:12:00.240 --> 0:12:03.080
<v Speaker 2>of YouTube. Yeah, and I'm like wow to be in

0:12:03.080 --> 0:12:03.600
<v Speaker 2>your presence.

0:12:03.679 --> 0:12:06.400
<v Speaker 1>Were you like a Lonely Island fan? Yes, it was a.

0:12:06.600 --> 0:12:08.960
<v Speaker 2>Huge like it was just I just don't I feel

0:12:09.000 --> 0:12:11.320
<v Speaker 2>like when every time they released a song, it was

0:12:11.360 --> 0:12:13.360
<v Speaker 2>like there was nothing else in the world that was

0:12:13.840 --> 0:12:14.679
<v Speaker 2>that was there.

0:12:14.800 --> 0:12:16.960
<v Speaker 1>It was only them, you know, it was just still

0:12:16.960 --> 0:12:17.840
<v Speaker 1>listening I'm on a boat.

0:12:18.120 --> 0:12:21.360
<v Speaker 3>Yes, t Paint, I love him. Have you ever listened

0:12:21.360 --> 0:12:22.080
<v Speaker 3>to his Tiny Desk?

0:12:22.880 --> 0:12:23.200
<v Speaker 1>Actually?

0:12:23.280 --> 0:12:26.040
<v Speaker 2>Yeah, I think one of the best ones ever, like

0:12:26.200 --> 0:12:28.920
<v Speaker 2>no autotune, Like he has the best voice ever and

0:12:28.920 --> 0:12:30.000
<v Speaker 2>it's just sublime.

0:12:30.000 --> 0:12:31.200
<v Speaker 1>And it was a while ago to it was like

0:12:31.280 --> 0:12:35.240
<v Speaker 1>before it was like a thing. It was right, Yeah,

0:12:35.320 --> 0:12:37.960
<v Speaker 1>I mean, okay, this is the thing. Lonely Island only

0:12:38.000 --> 0:12:41.120
<v Speaker 1>one tour right before COVID and then COVID hit I think,

0:12:42.000 --> 0:12:43.520
<v Speaker 1>and it's like, I think we need to put the

0:12:43.600 --> 0:12:45.040
<v Speaker 1>energy out there that they need to go back on

0:12:45.080 --> 0:12:47.559
<v Speaker 1>tour because it's like they would be so fun right,

0:12:47.640 --> 0:12:50.440
<v Speaker 1>like because they were saying like it's so interesting, like

0:12:50.480 --> 0:12:53.760
<v Speaker 1>to hear our songs being sung by a crowd. That

0:12:53.800 --> 0:12:55.679
<v Speaker 1>was never the experience that was never why we put

0:12:55.720 --> 0:12:57.840
<v Speaker 1>it out. It was only for in service to like

0:12:57.880 --> 0:13:01.160
<v Speaker 1>a comedy bit or a sketch, Like it is a

0:13:01.200 --> 0:13:03.400
<v Speaker 1>surreal thing to like do it in front of an audience,

0:13:03.400 --> 0:13:06.199
<v Speaker 1>and I think they should. I wouldn't we all encourage

0:13:06.240 --> 0:13:06.559
<v Speaker 1>them to do it.

0:13:06.840 --> 0:13:08.920
<v Speaker 2>That would be so fun because they could also do bits,

0:13:08.960 --> 0:13:10.920
<v Speaker 2>like they could do sketches and stuff of course, like

0:13:10.960 --> 0:13:12.640
<v Speaker 2>with it, like they could do they could do the music.

0:13:12.720 --> 0:13:15.840
<v Speaker 2>It could be a whole comedy of music extravagance.

0:13:16.240 --> 0:13:19.319
<v Speaker 1>It could be like what the concert on Friday felt like, Yeah,

0:13:19.400 --> 0:13:21.440
<v Speaker 1>which I loved because it was so in the spirit

0:13:21.480 --> 0:13:24.240
<v Speaker 1>of SNL. Like I loved on a gasty are coming

0:13:24.240 --> 0:13:27.040
<v Speaker 1>out as Martha Stewart to introduce Snoop, you know what

0:13:27.040 --> 0:13:29.319
<v Speaker 1>I mean. Like I loved the like Bobby and Marty

0:13:29.440 --> 0:13:31.920
<v Speaker 1>like thrown in there. You know, It's just it felt.

0:13:32.080 --> 0:13:35.160
<v Speaker 1>And then by the way, just you were in the same.

0:13:35.080 --> 0:13:38.000
<v Speaker 2>Row as me, we've really had just a weekend together.

0:13:40.880 --> 0:13:43.679
<v Speaker 2>Every day I've seen you. I also think one of

0:13:43.720 --> 0:13:45.840
<v Speaker 2>the reasons, well, as you know, like that he's so

0:13:46.000 --> 0:13:48.440
<v Speaker 2>talented as a musician. They all are, and that's why

0:13:48.520 --> 0:13:50.360
<v Speaker 2>it works, Like that's why the comedy works.

0:13:50.400 --> 0:13:52.520
<v Speaker 3>Is because they're actually so talented music.

0:13:52.640 --> 0:13:55.320
<v Speaker 2>And that's something you realize when on Friday as well,

0:13:55.640 --> 0:13:59.760
<v Speaker 2>how beautiful everyone's voices are and how like everyone's basically

0:14:00.080 --> 0:14:01.960
<v Speaker 2>musician in there, and right, yeah.

0:14:01.800 --> 0:14:04.560
<v Speaker 1>Just study. Like I so we shot this thing for

0:14:04.679 --> 0:14:06.920
<v Speaker 1>the show on Sunday, but we shot it on Wednesday,

0:14:06.920 --> 0:14:08.600
<v Speaker 1>and just like between tapes, we were just you know, talking,

0:14:08.679 --> 0:14:10.679
<v Speaker 1>chatting it up, and I was just like I just

0:14:10.960 --> 0:14:13.320
<v Speaker 1>innocently asked him. I was like, what are you, like,

0:14:13.320 --> 0:14:15.360
<v Speaker 1>what are you listening to lately? And then he like

0:14:15.440 --> 0:14:18.480
<v Speaker 1>pauses and then like unfurls all these things. He's like, well,

0:14:18.480 --> 0:14:20.520
<v Speaker 1>there's this Ghanian guy who like does a lot of

0:14:20.560 --> 0:14:22.880
<v Speaker 1>big band music. And then there's Cindy Lee, this like

0:14:22.960 --> 0:14:25.000
<v Speaker 1>drag artist who like has like a rock band that

0:14:25.360 --> 0:14:27.640
<v Speaker 1>she released like a two hour album that's like only

0:14:27.640 --> 0:14:30.760
<v Speaker 1>available on YouTube, and like that's been like like he

0:14:30.840 --> 0:14:33.280
<v Speaker 1>just has such an expansive and like he knows all

0:14:33.320 --> 0:14:34.840
<v Speaker 1>this history back to like the eighties and nineties of

0:14:34.840 --> 0:14:38.160
<v Speaker 1>like hip hop and like jazz and like fuck and

0:14:38.200 --> 0:14:42.240
<v Speaker 1>like he's just a genius. Well that's why some work. Yeah,

0:14:42.240 --> 0:14:44.720
<v Speaker 1>they're like those are music, those are heads, those are music.

0:14:44.760 --> 0:14:45.720
<v Speaker 3>That's so cool.

0:14:45.920 --> 0:14:47.520
<v Speaker 1>I mean I saw him last night. I was just like,

0:14:47.800 --> 0:14:50.880
<v Speaker 1>again the hook slapped, Yeah, the hook in that digital

0:14:50.880 --> 0:14:51.600
<v Speaker 1>short that you were in.

0:14:51.680 --> 0:14:52.680
<v Speaker 3>Oh, that was really fun.

0:14:53.240 --> 0:14:55.480
<v Speaker 1>It was so great. Yes, it was just like I

0:14:55.520 --> 0:14:57.680
<v Speaker 1>was like, get damn. Like, I think that was so

0:14:57.800 --> 0:15:01.359
<v Speaker 1>much more formative comedically on like our generation. Anyone realizes

0:15:02.320 --> 0:15:05.200
<v Speaker 1>that all of you got to tell him that he's

0:15:05.200 --> 0:15:08.360
<v Speaker 1>the godfather of like viral comedy. That's amazing. I'm sure

0:15:08.360 --> 0:15:09.120
<v Speaker 1>he was very happy to hear.

0:15:09.280 --> 0:15:11.320
<v Speaker 3>Yeah, it was really amazing downstairs.

0:15:11.680 --> 0:15:14.640
<v Speaker 1>And I'm gonna say this and I know he's listening.

0:15:15.160 --> 0:15:20.640
<v Speaker 1>That is one of the true beauty's hunks of because

0:15:20.680 --> 0:15:22.280
<v Speaker 1>because you're always like, yeah, I have a crush on

0:15:22.320 --> 0:15:23.880
<v Speaker 1>Andy Samberg and then you see him and you're like

0:15:24.520 --> 0:15:28.560
<v Speaker 1>crush on and yeah, that face the bone strucks, you know.

0:15:28.760 --> 0:15:31.400
<v Speaker 1>I remember, like just when he came out with his

0:15:31.440 --> 0:15:35.280
<v Speaker 1>floppy hair. There's something about a goofy guy. Oh do

0:15:35.360 --> 0:15:37.480
<v Speaker 1>you like funny guys? Is that?

0:15:38.080 --> 0:15:42.040
<v Speaker 3>I like? I like funny guys, but that hard to find.

0:15:42.080 --> 0:15:43.880
<v Speaker 1>I just feel like, is it so it's not a rap?

0:15:43.880 --> 0:15:47.800
<v Speaker 1>If they're not funny, I think they.

0:15:47.680 --> 0:15:49.960
<v Speaker 2>Have to make me laugh, but I also want them

0:15:49.960 --> 0:15:52.960
<v Speaker 2>to laugh at my jokes and that's more important laughing

0:15:52.960 --> 0:15:53.200
<v Speaker 2>at me.

0:15:53.440 --> 0:15:57.560
<v Speaker 1>Yeah, but then there's a there's an implied self made

0:15:57.640 --> 0:16:01.080
<v Speaker 1>funniness in them that has to like be present for

0:16:01.120 --> 0:16:02.560
<v Speaker 1>them to laugh at your jokes, you know what I mean?

0:16:02.640 --> 0:16:04.840
<v Speaker 2>Yeah, totally, I do. I do think I need a

0:16:04.880 --> 0:16:07.120
<v Speaker 2>man with a sense of humour hundred I feel like

0:16:07.160 --> 0:16:10.040
<v Speaker 2>that's how I connect with that with anyone ye iver

0:16:10.400 --> 0:16:11.280
<v Speaker 2>shared sense of humour.

0:16:11.720 --> 0:16:14.520
<v Speaker 1>But sometimes on your show, you are doing the legwork

0:16:14.560 --> 0:16:17.680
<v Speaker 1>of like I'm gonna like really guide this in a

0:16:17.760 --> 0:16:22.320
<v Speaker 1>funny direction, and like my guest is someone who like

0:16:22.520 --> 0:16:25.000
<v Speaker 1>is going to have to like just follow along with me.

0:16:25.400 --> 0:16:27.440
<v Speaker 1>But like I think my favorite interview is of yours

0:16:27.480 --> 0:16:30.240
<v Speaker 1>is with share. That was one of my favorite interviews

0:16:30.240 --> 0:16:32.160
<v Speaker 1>because what I what I will never forget is you

0:16:32.200 --> 0:16:33.800
<v Speaker 1>asking her what does it feel like to be an

0:16:33.920 --> 0:16:37.080
<v Speaker 1>icon of She goes, it doesn't feel like anything, so profound.

0:16:37.640 --> 0:16:40.200
<v Speaker 2>It doesn't like anything, and she it was incredible, Like

0:16:40.280 --> 0:16:43.640
<v Speaker 2>she just has the most amazing lines to feed you back,

0:16:43.720 --> 0:16:48.600
<v Speaker 2>Like she's just so great and so quick witted, so confident,

0:16:48.680 --> 0:16:50.120
<v Speaker 2>like she was kind of the perfect guest.

0:16:50.360 --> 0:16:51.640
<v Speaker 1>What was that day? Like it was like, did you

0:16:51.680 --> 0:16:52.760
<v Speaker 1>have the full hour with her.

0:16:52.880 --> 0:16:54.800
<v Speaker 3>Yeah, the full hour. But we shot that in Paris.

0:16:54.800 --> 0:16:57.960
<v Speaker 2>It's the only episode I've ever filmed, like in out

0:16:58.000 --> 0:17:02.080
<v Speaker 2>of the UK film one Wand But but yeah, for

0:17:02.080 --> 0:17:03.960
<v Speaker 2>for Share, I had to until we found a chicken

0:17:03.960 --> 0:17:06.719
<v Speaker 2>shop in Paris, and yeah, we were there and then

0:17:06.760 --> 0:17:08.359
<v Speaker 2>she was kind of it. She was a little bit late,

0:17:08.400 --> 0:17:10.040
<v Speaker 2>but that was totally fine. I would I would have

0:17:10.040 --> 0:17:12.399
<v Speaker 2>waited hours and hours. But then I was like, so

0:17:12.480 --> 0:17:14.280
<v Speaker 2>I was then like pasting around in the chicken shop

0:17:14.280 --> 0:17:16.200
<v Speaker 2>because usually like I get there like half an hour

0:17:16.240 --> 0:17:18.560
<v Speaker 2>before I like go over my questions and then they're here.

0:17:18.840 --> 0:17:20.680
<v Speaker 2>And then because I was like waiting, it was like,

0:17:20.720 --> 0:17:23.120
<v Speaker 2>ah my god, it's Share. And then there were these

0:17:23.160 --> 0:17:26.520
<v Speaker 2>two guys who were like hanging outside and I was

0:17:26.560 --> 0:17:28.280
<v Speaker 2>like to the security, I was like, can you tell

0:17:28.280 --> 0:17:30.040
<v Speaker 2>those guys to like go away, like they I don't

0:17:30.080 --> 0:17:31.960
<v Speaker 2>know why they're here, and like we got them to

0:17:32.040 --> 0:17:34.479
<v Speaker 2>like move, and then when Share came in, the guys

0:17:34.560 --> 0:17:37.120
<v Speaker 2>came in with Share and they were her like nephew

0:17:39.720 --> 0:17:42.480
<v Speaker 2>who had told her to do the show. The guys

0:17:42.480 --> 0:17:44.760
<v Speaker 2>were like, the reason she's here is because we were like,

0:17:44.960 --> 0:17:45.720
<v Speaker 2>you should do the show.

0:17:45.880 --> 0:17:49.480
<v Speaker 1>And those creeps off of.

0:17:49.440 --> 0:17:53.520
<v Speaker 2>The Chicken Shop but anyway, yeah, yeah, because she had

0:17:53.520 --> 0:17:56.600
<v Speaker 2>never watched the show and they had basically were like

0:17:56.640 --> 0:17:58.800
<v Speaker 2>you She only did one piece of promo I think

0:17:58.840 --> 0:18:01.560
<v Speaker 2>for like her Christmas album, and then she did Chicken

0:18:01.560 --> 0:18:03.760
<v Speaker 2>Shop Day and they were like you have to do

0:18:03.840 --> 0:18:05.920
<v Speaker 2>it and she just sat down and she was like, Okay, cool,

0:18:05.920 --> 0:18:08.480
<v Speaker 2>what's happening? And I was like we just she just

0:18:08.480 --> 0:18:10.080
<v Speaker 2>didn't really, she was perfect.

0:18:10.240 --> 0:18:12.120
<v Speaker 1>Did she eat a lot of chicken? I don't think

0:18:12.119 --> 0:18:14.520
<v Speaker 1>she ate no, do you guess nobody?

0:18:14.520 --> 0:18:16.800
<v Speaker 2>She said she she does like chicken nuggets, or she

0:18:16.840 --> 0:18:20.320
<v Speaker 2>said her boyfriend loves chicken nuggets. Right, she's been around

0:18:20.320 --> 0:18:21.920
<v Speaker 2>a lot of chicken nuggets recently.

0:18:21.680 --> 0:18:23.880
<v Speaker 1>I would imagine recently. Yeah.

0:18:23.920 --> 0:18:25.600
<v Speaker 2>She was like, I've been around love chicken uggets, and

0:18:25.640 --> 0:18:26.920
<v Speaker 2>my boyfriend and his friends love chicken.

0:18:26.960 --> 0:18:31.280
<v Speaker 1>Maybe there was some sort of festival where she the

0:18:31.280 --> 0:18:31.800
<v Speaker 1>only option.

0:18:31.920 --> 0:18:35.520
<v Speaker 2>Yeah, but yeah, she's amazing. I think she was there

0:18:35.520 --> 0:18:37.640
<v Speaker 2>on Friday. She should have done more than one song.

0:18:37.680 --> 0:18:39.320
<v Speaker 2>I was like waiting for the more songs to.

0:18:40.200 --> 0:18:42.679
<v Speaker 1>She walked by me at my station, and because she

0:18:42.760 --> 0:18:45.600
<v Speaker 1>wasn't doing any interviews, I don't think you did. I

0:18:45.600 --> 0:18:47.280
<v Speaker 1>didn't get her, so so she because I don't think

0:18:47.320 --> 0:18:49.520
<v Speaker 1>she was doing any She walked by, and all I

0:18:49.560 --> 0:18:53.880
<v Speaker 1>could think to say was crushed it Friday, and she goes.

0:18:57.600 --> 0:19:01.880
<v Speaker 2>Yeah, one crushed it as yeah, I love Sha.

0:19:03.240 --> 0:19:07.320
<v Speaker 1>My only interaction with her on Friday backstage at the concert,

0:19:07.480 --> 0:19:09.159
<v Speaker 1>because I was I was back there getting running to

0:19:09.200 --> 0:19:13.080
<v Speaker 1>intro Gaga and then but there's the share was up

0:19:13.119 --> 0:19:18.679
<v Speaker 1>before me, and isn't that crazy? I was on just

0:19:18.680 --> 0:19:20.239
<v Speaker 1>before me, just before me, but she was just as

0:19:20.280 --> 0:19:22.479
<v Speaker 1>far away from me as like that camera is, and

0:19:22.560 --> 0:19:24.800
<v Speaker 1>I'm like, not, I can see her, I can sense

0:19:24.840 --> 0:19:30.200
<v Speaker 1>her presence. She's there. I'm like truly collapsing into myself,

0:19:30.280 --> 0:19:34.240
<v Speaker 1>like god, I fucking love this person. And she is like,

0:19:34.520 --> 0:19:36.879
<v Speaker 1>you know, kind of just like in her space, getting

0:19:36.880 --> 0:19:38.760
<v Speaker 1>in her zone, like people are surrounding her, like her

0:19:38.760 --> 0:19:41.000
<v Speaker 1>team is surrounding her, and I'm trying not to look

0:19:41.000 --> 0:19:42.600
<v Speaker 1>at her, but then I just glance up and then

0:19:42.640 --> 0:19:46.399
<v Speaker 1>she's looking back at me, and she smiles and just

0:19:46.520 --> 0:19:51.080
<v Speaker 1>waves like the sexiest massettle little wave, and it like

0:19:51.720 --> 0:19:54.879
<v Speaker 1>hit me like a lightning bolt. And then in that moment,

0:19:54.920 --> 0:19:57.640
<v Speaker 1>I was like, I know what I would say to show,

0:19:57.680 --> 0:19:59.200
<v Speaker 1>but I'm not going to say it. And I kind

0:19:59.240 --> 0:20:00.760
<v Speaker 1>of am glad I didn't. I kind of regret that

0:20:00.760 --> 0:20:02.679
<v Speaker 1>I wouldn't be there. This is what it would be.

0:20:04.000 --> 0:20:07.159
<v Speaker 1>You're funnier than any comedian, You're more beautiful than any supermodel,

0:20:07.480 --> 0:20:09.600
<v Speaker 1>and you were more influential than any religious figure. I

0:20:09.640 --> 0:20:11.760
<v Speaker 1>love you. And she would have said, oh no, bitch,

0:20:14.000 --> 0:20:20.240
<v Speaker 1>like that's share my god. It's so great that we

0:20:20.280 --> 0:20:34.399
<v Speaker 1>got to see so many All right, let's talk about concert. Yeah, So,

0:20:34.560 --> 0:20:38.199
<v Speaker 1>like this was another amazing moment for me. Yesterday, I

0:20:38.280 --> 0:20:40.280
<v Speaker 1>stopped down with someone and then I turned to my

0:20:40.400 --> 0:20:43.720
<v Speaker 1>left and it's Bonnie Rait and I was like, oh

0:20:43.760 --> 0:20:45.639
<v Speaker 1>my god. And she looks up and she's like, I

0:20:45.680 --> 0:20:47.600
<v Speaker 1>don't know, do you want to interview me? I was

0:20:47.640 --> 0:20:49.639
<v Speaker 1>like what? And then she was so like humble. She

0:20:49.680 --> 0:20:51.560
<v Speaker 1>was like, they're probably not going to air it. I

0:20:51.600 --> 0:20:55.160
<v Speaker 1>was like right now. And then we just like had

0:20:55.160 --> 0:20:58.959
<v Speaker 1>this like beautiful moment because one of my favorite moments

0:20:58.960 --> 0:21:01.040
<v Speaker 1>of that whole night was I can't make it look me.

0:21:01.119 --> 0:21:02.920
<v Speaker 1>I said, do you know this is one of those

0:21:02.920 --> 0:21:06.520
<v Speaker 1>songs where many people say it's their favorite song? Yeah?

0:21:06.520 --> 0:21:07.879
<v Speaker 3>Who his favorite song is Chares?

0:21:08.440 --> 0:21:09.760
<v Speaker 1>Really? Yeah? Yeah? Yeah?

0:21:09.800 --> 0:21:14.680
<v Speaker 2>So I was listening to her Desert Island discs that show, Yeah, yeah,

0:21:14.720 --> 0:21:16.760
<v Speaker 2>in the UK, and she picked that as one of

0:21:16.760 --> 0:21:17.760
<v Speaker 2>her favorite songs.

0:21:18.200 --> 0:21:20.520
<v Speaker 1>I get it. She'd sound good, Yeah, would wouldn't.

0:21:20.560 --> 0:21:22.199
<v Speaker 3>Yeah, Share with You're an amazing condition of that.

0:21:22.359 --> 0:21:25.600
<v Speaker 1>Yes, I feel the power, Yes, and I feel.

0:21:25.320 --> 0:21:29.280
<v Speaker 2>The power so beautiful and so sad and like that's

0:21:29.280 --> 0:21:31.080
<v Speaker 2>why it's so like such a perfect song.

0:21:31.600 --> 0:21:32.600
<v Speaker 1>And Chris Martin was there.

0:21:33.400 --> 0:21:35.800
<v Speaker 2>Was on the Keys by the way, is so funny,

0:21:36.040 --> 0:21:38.159
<v Speaker 2>so funny, Yeah, and so charming and amazing.

0:21:38.160 --> 0:21:39.639
<v Speaker 1>You've talked to him on the show, No, I know,

0:21:39.680 --> 0:21:40.960
<v Speaker 1>I know he's not been on the show.

0:21:40.960 --> 0:21:42.160
<v Speaker 2>But I met him at the S and L after

0:21:42.200 --> 0:21:45.280
<v Speaker 2>party that where I first met Yeah, he was there

0:21:45.280 --> 0:21:48.800
<v Speaker 2>because he was the performer that that Yeah, And I

0:21:48.840 --> 0:21:50.919
<v Speaker 2>was just like wow, I don't know why. I just

0:21:50.920 --> 0:21:52.800
<v Speaker 2>didn't think he would be so charming, but he just

0:21:52.840 --> 0:21:55.240
<v Speaker 2>so was charismatic and brilliant.

0:21:55.320 --> 0:21:57.600
<v Speaker 1>So charismatic and brilliant, but he was. We were at

0:21:57.600 --> 0:22:00.920
<v Speaker 1>the Seaford restaurant and he's at his table eating out

0:22:00.920 --> 0:22:05.920
<v Speaker 1>of a tupperware like veggies and tofu meal preps. That's

0:22:05.960 --> 0:22:10.480
<v Speaker 1>the Gwyneth. It's like this is this is a health nut.

0:22:10.400 --> 0:22:11.600
<v Speaker 3>He it really is.

0:22:11.720 --> 0:22:14.280
<v Speaker 1>Wow, And he looks good. He looks good. Yeah, that

0:22:14.320 --> 0:22:16.840
<v Speaker 1>was one of my favorite moments. I mean, like I was.

0:22:16.880 --> 0:22:20.560
<v Speaker 1>We were also right right there in front of postal singing.

0:22:21.320 --> 0:22:23.040
<v Speaker 1>That was crazy when.

0:22:22.920 --> 0:22:25.280
<v Speaker 2>He when he's smoking a cigarette and then he put

0:22:25.280 --> 0:22:32.199
<v Speaker 2>a cigarette in his guitar. My gosh, every something happened

0:22:32.200 --> 0:22:33.280
<v Speaker 2>to me in moments.

0:22:33.320 --> 0:22:36.160
<v Speaker 1>And also you know he's really found he's a tight

0:22:36.280 --> 0:22:38.480
<v Speaker 1>jeans king and he's bringing it back.

0:22:38.520 --> 0:22:42.400
<v Speaker 3>He's so tall, you think, like he's like six foot

0:22:42.400 --> 0:22:43.199
<v Speaker 3>three or something.

0:22:43.840 --> 0:22:45.840
<v Speaker 1>What do you think it is about people that makes

0:22:45.880 --> 0:22:47.760
<v Speaker 1>them seem like they're going to be short.

0:22:48.440 --> 0:22:51.240
<v Speaker 3>I don't know, like is it there like proportions of

0:22:51.280 --> 0:22:52.600
<v Speaker 3>their like head.

0:22:52.800 --> 0:22:55.960
<v Speaker 1>Yeah, maybe he's very broad shouldered.

0:22:56.440 --> 0:22:59.639
<v Speaker 3>He just doesn't look like he's really tall, but he is.

0:22:59.880 --> 0:23:04.040
<v Speaker 1>He is. I would like I would, I would like

0:23:04.080 --> 0:23:05.080
<v Speaker 1>to go on a date with him.

0:23:05.400 --> 0:23:08.679
<v Speaker 2>Say what I should get him on your I'm trying.

0:23:08.640 --> 0:23:11.640
<v Speaker 1>You are the white Whales? And then then I want

0:23:11.640 --> 0:23:13.520
<v Speaker 1>to hear your asking fifty concert highlights? But who are

0:23:13.520 --> 0:23:14.159
<v Speaker 1>the white the.

0:23:14.119 --> 0:23:16.920
<v Speaker 2>People that you're like like like never heard of that phrase,

0:23:17.119 --> 0:23:19.240
<v Speaker 2>like Moby Dick, like, who is with the white whales?

0:23:20.280 --> 0:23:23.440
<v Speaker 1>Who are the It's a book called Movie Deck. I

0:23:23.480 --> 0:23:27.880
<v Speaker 1>didn't read it, Well, that was your first mistake. It's

0:23:27.920 --> 0:23:33.159
<v Speaker 1>real culture number. Everyone haven't read that was your first mistake. Here,

0:23:33.160 --> 0:23:36.520
<v Speaker 1>it's an amazing book. I've never read. It's fabulous. It's

0:23:36.560 --> 0:23:40.520
<v Speaker 1>really a thriller. It's thrill it's but it's really about

0:23:40.600 --> 0:23:43.000
<v Speaker 1>so much more than a whale. And that's all I

0:23:43.040 --> 0:23:48.280
<v Speaker 1>say about that. My maybe, who is who's your mobe

0:23:48.320 --> 0:23:55.400
<v Speaker 1>de Yeah, who's your movie? Deck movie? The singer Gaga? Yeah,

0:23:55.960 --> 0:24:02.120
<v Speaker 1>she would do it, would she would absolutely do it.

0:24:02.119 --> 0:24:03.400
<v Speaker 1>It's just that how did you feel?

0:24:03.400 --> 0:24:05.159
<v Speaker 2>I don't know, Like I didn't, Well, I saw her

0:24:05.240 --> 0:24:06.720
<v Speaker 2>last night, but like obviously I didn't go up to

0:24:06.720 --> 0:24:07.680
<v Speaker 2>her because what would I say?

0:24:07.720 --> 0:24:08.000
<v Speaker 3>Nothing?

0:24:09.040 --> 0:24:12.840
<v Speaker 2>And yeah, I think Gaga would be epic. I don't know,

0:24:12.920 --> 0:24:17.560
<v Speaker 2>maybe like someone like Larry David, like so like, oh

0:24:17.640 --> 0:24:19.280
<v Speaker 2>my god, well, so many people that I met last night,

0:24:19.320 --> 0:24:22.000
<v Speaker 2>like Kristen Wig is one of my comedy heroes, and

0:24:22.040 --> 0:24:23.960
<v Speaker 2>it was just a thrill to be able to speak

0:24:23.960 --> 0:24:25.640
<v Speaker 2>to her and like to have her on the show,

0:24:25.680 --> 0:24:27.199
<v Speaker 2>and like I would love to have some more comics

0:24:27.200 --> 0:24:29.399
<v Speaker 2>on Actually yeah, but I.

0:24:29.359 --> 0:24:30.560
<v Speaker 3>Actually fill with Chicken Shop date.

0:24:30.560 --> 0:24:31.879
<v Speaker 2>I'm at a place with it where I feel like

0:24:31.920 --> 0:24:34.480
<v Speaker 2>I've I've kind of like achieved everything I want to

0:24:34.760 --> 0:24:38.959
<v Speaker 2>with the show. I feel really content, Like everything everyone

0:24:39.000 --> 0:24:40.520
<v Speaker 2>now is like just like a plus.

0:24:40.560 --> 0:24:45.320
<v Speaker 1>Really wow, that's that's an amazing feeling that you are

0:24:45.359 --> 0:24:47.800
<v Speaker 1>assured in that you're like this is great, Like we

0:24:47.840 --> 0:24:48.560
<v Speaker 1>did everything that we want.

0:24:48.680 --> 0:24:49.520
<v Speaker 3>I really feel like that.

0:24:49.600 --> 0:24:51.800
<v Speaker 2>Like I feel like there's so many amazing, like so

0:24:51.840 --> 0:24:55.160
<v Speaker 2>many episodes I'm like so so pleased with like how

0:24:55.800 --> 0:24:58.240
<v Speaker 2>just how they've come out, and like just the energy

0:24:58.280 --> 0:24:59.760
<v Speaker 2>of them and like the type of people that I've

0:24:59.760 --> 0:25:01.879
<v Speaker 2>got to me and our dynamic.

0:25:01.960 --> 0:25:02.840
<v Speaker 1>Like I just feel like.

0:25:02.840 --> 0:25:05.399
<v Speaker 2>I've got what I need to from the show. But yeah,

0:25:05.640 --> 0:25:07.520
<v Speaker 2>but so everything now is just like it's just fun.

0:25:07.520 --> 0:25:08.320
<v Speaker 2>It's always been fun.

0:25:08.359 --> 0:25:09.879
<v Speaker 1>How long have you felt like that? Was there an

0:25:09.880 --> 0:25:11.600
<v Speaker 1>episode that like put you over the edge?

0:25:12.600 --> 0:25:15.639
<v Speaker 2>Well, for me, like the Louis Through episode was like

0:25:15.680 --> 0:25:18.439
<v Speaker 2>a really amazing one because he was like, for me,

0:25:18.680 --> 0:25:20.720
<v Speaker 2>one of my heroes growing up, Like I loved his

0:25:20.800 --> 0:25:24.119
<v Speaker 2>documentaries so much, and like his tone and his style

0:25:24.200 --> 0:25:27.000
<v Speaker 2>like really kind of informed some of my awkwardness too,

0:25:27.160 --> 0:25:29.879
<v Speaker 2>and like my style and like when I I was

0:25:29.880 --> 0:25:31.639
<v Speaker 2>trying to get him on the show for years and

0:25:31.680 --> 0:25:34.160
<v Speaker 2>then he basically was like they never got through Chaine

0:25:34.200 --> 0:25:36.320
<v Speaker 2>or something like that. He said no, and then finally

0:25:36.359 --> 0:25:38.680
<v Speaker 2>again what his children then told him to come on

0:25:38.720 --> 0:25:42.000
<v Speaker 2>the show, which is the way it goes a lot

0:25:42.000 --> 0:25:44.760
<v Speaker 2>of the time. And then that episode was just amazing,

0:25:45.040 --> 0:25:47.560
<v Speaker 2>and then it kind of buffed this viral jiggle jiggle

0:25:48.040 --> 0:25:51.760
<v Speaker 2>like song on TikTok, and I just thought it just

0:25:51.920 --> 0:25:54.040
<v Speaker 2>had everything in it that I wanted for for the

0:25:54.080 --> 0:25:56.160
<v Speaker 2>episode and like to get someone that I've always wanted

0:25:56.160 --> 0:25:57.760
<v Speaker 2>to And then from then I was like, Okay, well

0:25:57.800 --> 0:26:01.919
<v Speaker 2>I've done when I want to do this, but actually no,

0:26:01.960 --> 0:26:03.280
<v Speaker 2>I do actually need to keep going with the show

0:26:03.280 --> 0:26:04.200
<v Speaker 2>because I need to fall in love.

0:26:04.240 --> 0:26:07.879
<v Speaker 1>So so when you're sitting down, are you actually feeling

0:26:07.920 --> 0:26:09.920
<v Speaker 1>like there's a little part of you that's like because

0:26:09.920 --> 0:26:11.280
<v Speaker 1>because you always you do do the bit of it.

0:26:11.320 --> 0:26:11.800
<v Speaker 1>This is a date.

0:26:13.080 --> 0:26:15.280
<v Speaker 2>But I didn't see why, like you guy couldn't meet

0:26:15.320 --> 0:26:19.040
<v Speaker 2>someone on the show. Yeah, but obviously there are lads

0:26:19.040 --> 0:26:20.600
<v Speaker 2>of cameras there and stuff and people.

0:26:20.760 --> 0:26:22.320
<v Speaker 1>But I mean this was this was part of the

0:26:22.359 --> 0:26:24.360
<v Speaker 1>Andrew Garfield of it all that I wanted to ask

0:26:24.400 --> 0:26:26.159
<v Speaker 1>you about, which is, what did you feel about like

0:26:26.480 --> 0:26:28.520
<v Speaker 1>all of the attention around it? Right?

0:26:28.920 --> 0:26:31.000
<v Speaker 2>Oh, well, and I was in LA at the time,

0:26:31.200 --> 0:26:34.199
<v Speaker 2>and it was like fun to like be also in

0:26:34.480 --> 0:26:36.040
<v Speaker 2>like I don't know, like not in London and like

0:26:36.119 --> 0:26:37.879
<v Speaker 2>be out like out and about and stuff.

0:26:38.040 --> 0:26:39.280
<v Speaker 3>But it was kind of amazing.

0:26:39.359 --> 0:26:42.320
<v Speaker 2>Like I just thought it was so cool that people were,

0:26:42.359 --> 0:26:45.760
<v Speaker 2>like people were booking meeting rooms in their offices to

0:26:45.840 --> 0:26:47.760
<v Speaker 2>like watch it, like to so that they could all

0:26:49.400 --> 0:26:52.359
<v Speaker 2>like that was so amazing to have created that kind

0:26:52.400 --> 0:26:55.639
<v Speaker 2>of that moment like with a YouTube show, you know,

0:26:55.880 --> 0:26:57.480
<v Speaker 2>like people were like, it's an event.

0:26:57.880 --> 0:26:58.120
<v Speaker 1>Yeah.

0:26:58.160 --> 0:27:00.720
<v Speaker 2>So that's what I loved so much about that episode

0:27:00.760 --> 0:27:03.840
<v Speaker 2>in particular, about what it kind of made people feel,

0:27:03.880 --> 0:27:05.960
<v Speaker 2>all the energy and like, yeah, that's why I just

0:27:06.000 --> 0:27:08.399
<v Speaker 2>think it's just so fun to be able to like

0:27:08.520 --> 0:27:10.000
<v Speaker 2>create those kinds of moments.

0:27:10.080 --> 0:27:10.600
<v Speaker 3>Yeah.

0:27:10.640 --> 0:27:14.320
<v Speaker 1>So let's say, let's work backwards from you fall in

0:27:14.359 --> 0:27:17.080
<v Speaker 1>love with someone that you mean on the show. Yeah,

0:27:17.200 --> 0:27:20.399
<v Speaker 1>it's presumably someone who is a guest. Ye could be

0:27:20.400 --> 0:27:25.960
<v Speaker 1>a crew member, Okay, assent, no, one of the guys,

0:27:26.240 --> 0:27:31.960
<v Speaker 1>one of shares, nephews, no ophews. Okay, hold on, hold on,

0:27:32.000 --> 0:27:35.320
<v Speaker 1>hold on. So you fall in love with the guests. Yeah,

0:27:35.520 --> 0:27:39.520
<v Speaker 1>it's like you check in after you you shoot the thing, right,

0:27:39.600 --> 0:27:41.040
<v Speaker 1>cause it's like, is there a part of you that's

0:27:41.080 --> 0:27:43.359
<v Speaker 1>like when the cameras are rolling, it's like for the

0:27:43.600 --> 0:27:46.760
<v Speaker 1>for entertainment, for the show, but then like afterwards, you're like,

0:27:46.840 --> 0:27:48.520
<v Speaker 1>we need to I need to check. I need to

0:27:48.560 --> 0:27:49.840
<v Speaker 1>be one on one with this person.

0:27:50.520 --> 0:27:52.040
<v Speaker 2>Okay, this is why it's just never gonna work out

0:27:52.040 --> 0:27:53.160
<v Speaker 2>because no, no.

0:27:53.359 --> 0:27:55.760
<v Speaker 1>I'm not saying that. I'm saying it can and it will.

0:27:55.840 --> 0:27:57.800
<v Speaker 1>Let's we just have to be really intentional about this,

0:27:57.960 --> 0:28:01.119
<v Speaker 1>like are you like going like you don't, You're like,

0:28:01.160 --> 0:28:03.400
<v Speaker 1>fuck these cameras, I'm gonna seduce this.

0:28:03.320 --> 0:28:04.760
<v Speaker 3>Person because I would never do that.

0:28:06.000 --> 0:28:08.600
<v Speaker 1>I Well, I was meaning to ask you. It's like, Amelia,

0:28:08.640 --> 0:28:10.960
<v Speaker 1>how do you you do have this natural and Cynthia

0:28:11.000 --> 0:28:14.359
<v Speaker 1>Rivo said this, like you have this natural capacity and

0:28:14.400 --> 0:28:17.120
<v Speaker 1>this talent. I call it a talent because I lack

0:28:17.200 --> 0:28:20.200
<v Speaker 1>this of flirting. You flirt very well.

0:28:19.960 --> 0:28:21.320
<v Speaker 3>Yes I do.

0:28:21.480 --> 0:28:25.320
<v Speaker 1>Actually, so then what's that about so that it can happen? No?

0:28:25.480 --> 0:28:28.080
<v Speaker 3>It yeah, I can, but I go for the wrong people.

0:28:28.119 --> 0:28:30.040
<v Speaker 3>I go for the wrong for the wrong.

0:28:30.600 --> 0:28:33.119
<v Speaker 1>Do you find that, like what the style of flirting

0:28:33.119 --> 0:28:34.480
<v Speaker 1>that you do on the show, because you are a

0:28:34.480 --> 0:28:37.639
<v Speaker 1>little bit of like you do nagging, Like is that

0:28:37.880 --> 0:28:40.600
<v Speaker 1>how you flirt in real life? Yeah, okay, so you're

0:28:40.600 --> 0:28:42.920
<v Speaker 1>not like emboldened by the cameras to like be a

0:28:42.960 --> 0:28:44.480
<v Speaker 1>little bit like that.

0:28:46.960 --> 0:28:48.160
<v Speaker 3>Yeah, because I don't know why.

0:28:48.200 --> 0:28:50.080
<v Speaker 2>I always just think that, like when I have when

0:28:50.120 --> 0:28:53.040
<v Speaker 2>I'm talking to guys are always like I'm funny, then

0:28:53.120 --> 0:28:54.160
<v Speaker 2>you know it's.

0:28:57.480 --> 0:28:58.280
<v Speaker 1>Yeah, I don't know.

0:28:58.360 --> 0:29:00.200
<v Speaker 2>I just feel like that's just been my natural way.

0:29:00.240 --> 0:29:02.240
<v Speaker 2>But I also think maybe it's something about being British

0:29:02.240 --> 0:29:05.480
<v Speaker 2>and like maybe like like I don't know, like from

0:29:05.520 --> 0:29:07.360
<v Speaker 2>school or like the guys who used to hang out

0:29:07.360 --> 0:29:08.840
<v Speaker 2>with when I was growing up who would be like

0:29:08.920 --> 0:29:11.280
<v Speaker 2>so mean to you that like you then just have

0:29:11.360 --> 0:29:13.680
<v Speaker 2>to like create this armor of like sarcasm.

0:29:13.800 --> 0:29:15.840
<v Speaker 3>Like then it just kind of stayed with me.

0:29:16.160 --> 0:29:19.160
<v Speaker 1>Right. Well, let's say there's been a recent example of

0:29:19.200 --> 0:29:22.200
<v Speaker 1>you flirting with someone and successfully having it, you know,

0:29:22.440 --> 0:29:25.960
<v Speaker 1>be a fun thing. Let's walk through that. Let's break

0:29:26.200 --> 0:29:30.160
<v Speaker 1>a recent example down, any recent example I will.

0:29:30.040 --> 0:29:31.840
<v Speaker 3>Be flirting with someone, and then.

0:29:31.680 --> 0:29:33.560
<v Speaker 1>We can all do the same. Because I actually do

0:29:33.640 --> 0:29:36.400
<v Speaker 1>want to self examine a bit about flirt flirts because

0:29:36.400 --> 0:29:38.880
<v Speaker 1>I identify as not a good flirter. But it's like

0:29:38.880 --> 0:29:40.760
<v Speaker 1>we've like but I think the three of us have

0:29:40.840 --> 0:29:44.840
<v Speaker 1>successfully courted someone. Yeah.

0:29:45.200 --> 0:29:47.160
<v Speaker 2>I feel like you can tell when there's a chemistry.

0:29:47.160 --> 0:29:48.800
<v Speaker 2>I feel like kind of immediately with someone.

0:29:48.920 --> 0:29:50.520
<v Speaker 1>Yeah, and so it's like a roll of the dice.

0:29:50.840 --> 0:29:51.080
<v Speaker 3>Yeah.

0:29:51.240 --> 0:29:53.040
<v Speaker 2>Like I think, just like you meet someone, you kind

0:29:53.040 --> 0:29:55.560
<v Speaker 2>of I don't know, you just can sense it.

0:29:55.920 --> 0:29:59.440
<v Speaker 3>Really, it's like an energy. I think you just kind

0:29:59.440 --> 0:29:59.640
<v Speaker 3>of know.

0:30:00.120 --> 0:30:01.760
<v Speaker 1>Yeah. So once you send it, you're like, okay, I'm

0:30:01.800 --> 0:30:05.120
<v Speaker 1>in let's yeah, okay, great, you're you're a pursuer at

0:30:05.160 --> 0:30:06.680
<v Speaker 1>that point. Well, I don't know.

0:30:06.760 --> 0:30:08.800
<v Speaker 3>I feel like when you meet people out.

0:30:08.800 --> 0:30:10.600
<v Speaker 2>It's kind of hard to meet people out, but when

0:30:10.640 --> 0:30:12.200
<v Speaker 2>you do, I think you just kind of like gravitate

0:30:12.200 --> 0:30:14.400
<v Speaker 2>toward each other and then you just start talking and

0:30:14.440 --> 0:30:16.719
<v Speaker 2>then you're in your head while you're talking, you can

0:30:16.800 --> 0:30:19.560
<v Speaker 2>like send You're like okay, it's something like clicks. I

0:30:19.600 --> 0:30:21.240
<v Speaker 2>feel like you feel it and you're like, are we

0:30:21.480 --> 0:30:23.760
<v Speaker 2>is this is this? Are we are we like flirting?

0:30:23.920 --> 0:30:24.240
<v Speaker 1>Yeah?

0:30:24.280 --> 0:30:26.920
<v Speaker 3>And then they're like, yeah, I'm married. So that's what happened.

0:30:28.160 --> 0:30:32.640
<v Speaker 1>See, this is the every time. But the thing is

0:30:32.680 --> 0:30:35.080
<v Speaker 1>like with the gaze, it's like this has happened to

0:30:35.120 --> 0:30:37.200
<v Speaker 1>me a couple of times in the past few weeks.

0:30:37.360 --> 0:30:39.800
<v Speaker 1>I'll get asked on a full on date and then

0:30:39.840 --> 0:30:43.320
<v Speaker 1>I find out, like either hours before or on the date,

0:30:43.880 --> 0:30:45.960
<v Speaker 1>that they fully have a boyfriend. Yeah. Yeah, yeah, what

0:30:46.000 --> 0:30:49.560
<v Speaker 1>you're saying, are you dealing with open guys? Sometimes now no, No,

0:30:49.720 --> 0:30:51.160
<v Speaker 1>some saying it's like a it's like a gay guy

0:30:51.240 --> 0:30:53.160
<v Speaker 1>thing where they're like, they're already in a relationship and

0:30:53.200 --> 0:30:55.440
<v Speaker 1>they are they're open. You have to tell someone if

0:30:55.480 --> 0:30:58.040
<v Speaker 1>you're in a relationship and you're you're asking an like

0:30:58.040 --> 0:30:58.440
<v Speaker 1>to flat.

0:30:58.560 --> 0:31:01.360
<v Speaker 2>People are bored and they like to flat in their relationships.

0:31:01.400 --> 0:31:03.520
<v Speaker 2>I know so many people. But also like, is that about?

0:31:03.560 --> 0:31:04.600
<v Speaker 2>I don't know if that is that about? And you

0:31:04.600 --> 0:31:06.760
<v Speaker 2>can obviously still flat when you're in a relationship, sure,

0:31:06.800 --> 0:31:09.360
<v Speaker 2>but like there's another like needing someone on right.

0:31:09.280 --> 0:31:11.680
<v Speaker 1>I mean flirting and then asking them full on yeah,

0:31:11.920 --> 0:31:12.479
<v Speaker 1>going on a date.

0:31:12.600 --> 0:31:12.959
<v Speaker 3>Yeah.

0:31:13.000 --> 0:31:14.880
<v Speaker 1>Like I had someone one time tell me in the

0:31:14.920 --> 0:31:17.640
<v Speaker 1>middle of things after it was going really well, I

0:31:17.640 --> 0:31:19.040
<v Speaker 1>don't know how this is going to land. But I

0:31:19.120 --> 0:31:21.160
<v Speaker 1>have a boyfriend, and I was like, you don't know

0:31:21.160 --> 0:31:23.920
<v Speaker 1>how this is going to land. I was like, because

0:31:23.920 --> 0:31:25.680
<v Speaker 1>if this was a sex thing, you had to say

0:31:25.720 --> 0:31:28.520
<v Speaker 1>that beforehand. Because there's things I had to do right,

0:31:28.520 --> 0:31:29.800
<v Speaker 1>you know what I mean, Like I had to make

0:31:29.840 --> 0:31:33.440
<v Speaker 1>sure everything was divorced, of course, Like there's things that

0:31:33.520 --> 0:31:36.120
<v Speaker 1>need to go on, there's process you needed to weed whack.

0:31:36.400 --> 0:31:39.440
<v Speaker 1>A lack of respect for process. You lost me. You

0:31:39.520 --> 0:31:41.080
<v Speaker 1>lost me there, you have a lack of that's a

0:31:41.080 --> 0:31:44.600
<v Speaker 1>real clach number nineteen. There's a lot of respect for process.

0:31:44.720 --> 0:31:47.440
<v Speaker 1>You lost me. I was talking to a guy, same deal,

0:31:48.040 --> 0:31:49.640
<v Speaker 1>but I knew. I knew going into it that like

0:31:49.680 --> 0:31:53.040
<v Speaker 1>he was married and whatever, like we were maybe playing

0:31:53.120 --> 0:31:55.320
<v Speaker 1>the logistics of it, and then I just made an

0:31:55.360 --> 0:31:59.080
<v Speaker 1>offing comment where I was like and also I don't know,

0:31:59.240 --> 0:32:02.080
<v Speaker 1>like I might just be emotionally like in a different

0:32:02.080 --> 0:32:04.840
<v Speaker 1>place than you, because there are just different stakes to this.

0:32:05.200 --> 0:32:06.880
<v Speaker 1>He's like, what do you mean? What do you mean?

0:32:06.920 --> 0:32:08.520
<v Speaker 1>What do you mean? And he was being obtuse, and

0:32:08.560 --> 0:32:11.600
<v Speaker 1>I was like, you know, like you are in a relationship,

0:32:11.600 --> 0:32:14.880
<v Speaker 1>and I am like not, I'm squeet. I'm literally putting

0:32:14.880 --> 0:32:17.400
<v Speaker 1>this in the calendar because this is like the one

0:32:17.440 --> 0:32:20.800
<v Speaker 1>window this week where I can have relations with someone.

0:32:21.400 --> 0:32:23.800
<v Speaker 1>And he was like, I need you to explain this

0:32:23.800 --> 0:32:25.520
<v Speaker 1>a little bit more. I'm like this, what are you

0:32:25.640 --> 0:32:28.080
<v Speaker 1>talking about? Like that some some some of these guys

0:32:28.120 --> 0:32:30.280
<v Speaker 1>play dumb with it. But this is what I want

0:32:30.320 --> 0:32:32.840
<v Speaker 1>to drill into is because you're mentioning this, this moment

0:32:32.920 --> 0:32:35.680
<v Speaker 1>of like are we is this? Are we? Like? That's

0:32:35.720 --> 0:32:38.959
<v Speaker 1>the thing that is the blockage usually where it's like

0:32:39.080 --> 0:32:41.920
<v Speaker 1>you're it's not cool to ask are we? Is this?

0:32:42.000 --> 0:32:43.800
<v Speaker 1>Are we out loud? I think it is.

0:32:44.120 --> 0:32:48.360
<v Speaker 2>I've sometimes I have said I was like kiss, should

0:32:48.360 --> 0:32:48.840
<v Speaker 2>we kiss now?

0:32:49.480 --> 0:32:55.280
<v Speaker 1>And no, I feel like, well, this is my thing.

0:32:55.360 --> 0:32:56.120
<v Speaker 3>Don't do that.

0:32:56.240 --> 0:32:56.720
<v Speaker 1>Don't do that.

0:32:56.720 --> 0:32:57.240
<v Speaker 3>It doesn't work.

0:32:57.440 --> 0:32:59.440
<v Speaker 1>Is it? Are we saying here? As a trio? Like

0:32:59.480 --> 0:33:01.560
<v Speaker 1>if you have to ask, then it's a bad sign.

0:33:02.280 --> 0:33:04.640
<v Speaker 2>Sometimes I do, though, like sometimes you just kind of

0:33:04.680 --> 0:33:06.960
<v Speaker 2>have to like say it because really you kind of

0:33:07.000 --> 0:33:08.440
<v Speaker 2>have to be the confident one of course.

0:33:08.960 --> 0:33:11.120
<v Speaker 1>And that's the thing is it's like I think for me,

0:33:11.200 --> 0:33:14.200
<v Speaker 1>it reflects entirely on how I'm feeling about myself in

0:33:14.240 --> 0:33:16.800
<v Speaker 1>a moment. Like if I'm feeling good about myself in

0:33:16.840 --> 0:33:19.040
<v Speaker 1>a good mood, I genuinely think I'll go up to

0:33:19.080 --> 0:33:21.480
<v Speaker 1>anyone and like flirt with them.

0:33:21.680 --> 0:33:22.840
<v Speaker 3>But that makes you feel alive.

0:33:22.880 --> 0:33:27.200
<v Speaker 2>I'm like, like, if you're flirting, it just makes you

0:33:27.200 --> 0:33:29.000
<v Speaker 2>you're just having a better time than if you want

0:33:29.400 --> 0:33:31.040
<v Speaker 2>I don't know, like it's so fun, but.

0:33:31.000 --> 0:33:33.120
<v Speaker 1>If you're not feeling good about yourself though, I think

0:33:33.200 --> 0:33:35.640
<v Speaker 1>any situation I'm in where like I can feel like

0:33:35.680 --> 0:33:39.360
<v Speaker 1>that's going somewhere, I go right to like fear, I'm like, no, no, no,

0:33:39.560 --> 0:33:43.360
<v Speaker 1>I I can't. I shrink And it's just so I

0:33:43.360 --> 0:33:46.640
<v Speaker 1>wish I felt powerful all the time. I know you can't.

0:33:46.800 --> 0:33:50.640
<v Speaker 1>It's like you just can't. London Summers. Should we do

0:33:50.720 --> 0:33:58.200
<v Speaker 1>Mighty Hoopola with you? Would years ago? It would be

0:33:58.360 --> 0:33:59.800
<v Speaker 1>I mean, you would be mobs, it would be.

0:34:00.240 --> 0:34:01.160
<v Speaker 3>It looks so far.

0:34:01.360 --> 0:34:02.280
<v Speaker 1>It was a blast.

0:34:02.520 --> 0:34:08.600
<v Speaker 2>Yeah, yeah, Wesis.

0:34:06.600 --> 0:34:07.520
<v Speaker 3>Have such fun performance.

0:34:07.680 --> 0:34:11.960
<v Speaker 1>Yeah yeah. We saw Kenny Roland, We saw Jake Schears,

0:34:12.080 --> 0:34:17.719
<v Speaker 1>Jake Scheers and we loaw ke. Oh you know she

0:34:17.840 --> 0:34:22.320
<v Speaker 1>does Oh my gosh, she's got so many more gay

0:34:22.400 --> 0:34:26.520
<v Speaker 1>anthems than you're ready for. She's really great. But she

0:34:26.680 --> 0:34:28.760
<v Speaker 1>was on the Friday and that was when we saw Beyonce,

0:34:29.040 --> 0:34:32.000
<v Speaker 1>so we were there was my sheep, No, no, no, it

0:34:32.040 --> 0:34:34.960
<v Speaker 1>was it was Beyonce was in London doing Tottenham the

0:34:35.040 --> 0:34:38.239
<v Speaker 1>same week, the week same weekend Asops Rennie Sance, the

0:34:38.239 --> 0:34:40.600
<v Speaker 1>same weekending as Mighty hoopla and Kelly was doing many hoopa,

0:34:40.600 --> 0:34:42.680
<v Speaker 1>so there was all these names being like Kelly's gonna

0:34:42.680 --> 0:34:44.440
<v Speaker 1>show up to Renaissance or Beyonce is gonna show up

0:34:44.480 --> 0:34:51.640
<v Speaker 1>mighty Hoopla, which was less likely, but that was beyond

0:34:52.040 --> 0:34:54.400
<v Speaker 1>hoop what's the park on the on in South London

0:34:54.440 --> 0:34:59.960
<v Speaker 1>that it's that Brockwell pop Rockwell, it's fun down there on?

0:35:00.040 --> 0:35:00.640
<v Speaker 3>Did I never go?

0:35:00.719 --> 0:35:03.279
<v Speaker 1>I never go, but it's like it's where all the

0:35:03.280 --> 0:35:04.040
<v Speaker 1>cool people are.

0:35:03.920 --> 0:35:07.040
<v Speaker 2>There it is, That's why I'm never there. Yeah, No,

0:35:07.520 --> 0:35:09.239
<v Speaker 2>like London and summer is the best. I think it's

0:35:09.280 --> 0:35:10.920
<v Speaker 2>like the best time to come to London is summer.

0:35:11.200 --> 0:35:13.200
<v Speaker 1>Well, now I guess Beyonce, that would be nice to

0:35:13.200 --> 0:35:13.800
<v Speaker 1>go seek.

0:35:14.880 --> 0:35:19.080
<v Speaker 2>Yeah, that honestly was medicine for the soul seeing Beyonce.

0:35:19.239 --> 0:35:21.640
<v Speaker 2>Like I was feeling in like a really rubbish headspace

0:35:21.680 --> 0:35:23.239
<v Speaker 2>and I was like I felt I was feeling so

0:35:23.239 --> 0:35:25.120
<v Speaker 2>self conscious about the way I lurked all this stuff,

0:35:25.160 --> 0:35:27.080
<v Speaker 2>and then I went to the Renaissance and I was

0:35:27.120 --> 0:35:29.600
<v Speaker 2>just like wow, it really like was a drug.

0:35:29.719 --> 0:35:31.680
<v Speaker 3>It's like a pill, a medicine for me. Yeah.

0:35:32.120 --> 0:35:35.120
<v Speaker 1>As a party, it was, Yeah, it was amazing. Yeah, exactly,

0:35:35.520 --> 0:35:47.719
<v Speaker 1>let's ask me the question Amelia at Voldeburg, what is

0:35:47.719 --> 0:35:49.799
<v Speaker 1>the culture that made the culture is? For me? Mary

0:35:49.880 --> 0:35:53.400
<v Speaker 1>Kay Nashley Wilson. Wow, have you ever had anyone do that?

0:35:53.440 --> 0:35:54.560
<v Speaker 3>I was wondering if you had.

0:35:54.760 --> 0:35:58.280
<v Speaker 1>I don't think so. This is huge. What's their greatest

0:35:58.280 --> 0:36:00.239
<v Speaker 1>work in your opinion? Oh wow?

0:36:00.520 --> 0:36:00.880
<v Speaker 3>Okay?

0:36:01.040 --> 0:36:02.120
<v Speaker 1>Well what movie? Oh god?

0:36:02.200 --> 0:36:04.280
<v Speaker 2>I mean they have to say a movie New York Minute?

0:36:05.239 --> 0:36:11.000
<v Speaker 2>Do you under New York Minute? Absolutely? Holiday in the Sun, Yes,

0:36:11.480 --> 0:36:16.000
<v Speaker 2>with Megan Fox. Sorry with Megan Yeah, I mean Winning

0:36:16.080 --> 0:36:19.399
<v Speaker 2>Winning London. I mean I love like obviously I'm London girl,

0:36:19.640 --> 0:36:22.359
<v Speaker 2>but maybe Winning London wasn't my fave. What my lips

0:36:22.360 --> 0:36:27.000
<v Speaker 2>are sealed? The one where in Australia The Challenge.

0:36:26.840 --> 0:36:27.440
<v Speaker 3>I remember that one.

0:36:27.440 --> 0:36:28.240
<v Speaker 1>I don't know the challenge.

0:36:28.280 --> 0:36:30.160
<v Speaker 3>The challenge was when they did the Challenge.

0:36:30.920 --> 0:36:34.600
<v Speaker 2>Sorry, it was like, you know the Challenge, the Challenge

0:36:34.600 --> 0:36:36.279
<v Speaker 2>and the only way I've ever watched the Challenges on

0:36:36.400 --> 0:36:37.360
<v Speaker 2>the megane Actually.

0:36:37.200 --> 0:36:39.080
<v Speaker 1>The Challenge did change.

0:36:39.520 --> 0:36:41.560
<v Speaker 3>Well, they did like a movie where they were on

0:36:41.600 --> 0:36:42.280
<v Speaker 3>the Challenge.

0:36:42.440 --> 0:36:45.200
<v Speaker 1>I am the TV show. Is there a British show

0:36:45.239 --> 0:36:45.880
<v Speaker 1>called the Challenge?

0:36:45.960 --> 0:36:48.880
<v Speaker 2>No? It's like they're they're like, I assume this is

0:36:48.920 --> 0:36:51.040
<v Speaker 2>the show. It's like you're in a pair and you

0:36:51.080 --> 0:36:52.160
<v Speaker 2>have to do those a challenges.

0:36:52.480 --> 0:36:54.880
<v Speaker 1>Oh, like an amazing race kind of thing. Yeah, maybe

0:36:55.760 --> 0:36:58.799
<v Speaker 1>what was the sleeping What was the Sleepover series? Again?

0:36:59.200 --> 0:37:00.000
<v Speaker 3>The Sleepover series.

0:37:00.239 --> 0:37:05.840
<v Speaker 1>Oh, you're invited, You're invited, You're invited. Oh, you're invited.

0:37:06.840 --> 0:37:07.760
<v Speaker 3>The TV series.

0:37:07.920 --> 0:37:11.319
<v Speaker 1>I don't know what it was. They also had an animation. Yeah,

0:37:11.320 --> 0:37:16.759
<v Speaker 1>they had everything said Passport to Paris. Yeah, Passport to

0:37:16.800 --> 0:37:18.839
<v Speaker 1>Paris was huge for them, I think.

0:37:19.040 --> 0:37:21.560
<v Speaker 2>Yeah, just like so epic, Like I'm sorry, but just

0:37:21.840 --> 0:37:24.040
<v Speaker 2>I just wanted to live their life so badly. I

0:37:24.040 --> 0:37:26.120
<v Speaker 2>feel like so much of like why I feel like

0:37:26.120 --> 0:37:28.200
<v Speaker 2>I'm such an overachiever is because I grew up on

0:37:28.239 --> 0:37:31.400
<v Speaker 2>Marykay and Ashley and were like the biggest over achievers

0:37:31.400 --> 0:37:31.920
<v Speaker 2>in the world.

0:37:31.960 --> 0:37:33.400
<v Speaker 3>Like there was nothing that they couldn't do.

0:37:33.600 --> 0:37:36.080
<v Speaker 1>People forget there was two of them, so they split

0:37:36.120 --> 0:37:37.959
<v Speaker 1>their empire. They both had you know what.

0:37:37.840 --> 0:37:41.279
<v Speaker 3>I mean true, but still like still they did the work.

0:37:41.360 --> 0:37:43.200
<v Speaker 1>I mean absolutely, no one can still.

0:37:43.400 --> 0:37:45.960
<v Speaker 2>Okay, this is the thing, that's reason they are the

0:37:46.040 --> 0:37:46.840
<v Speaker 2>coolest girls.

0:37:46.960 --> 0:37:51.640
<v Speaker 3>Still They're always pushing culture forward. Still with the Row and.

0:37:51.920 --> 0:37:57.480
<v Speaker 1>On the Row pieces. No, but about a million dollars each, Okay,

0:37:57.960 --> 0:38:00.600
<v Speaker 1>but they last and they're good. Question has there.

0:38:02.040 --> 0:38:04.879
<v Speaker 3>Everyone loves the Row. Really cool people wear the Row.

0:38:05.120 --> 0:38:06.520
<v Speaker 1>Yeah, absolutely, yeah.

0:38:06.560 --> 0:38:10.120
<v Speaker 3>And they're just they're just like the tiny little chain smokers.

0:38:10.160 --> 0:38:10.919
<v Speaker 3>They're just so cool.

0:38:11.640 --> 0:38:13.279
<v Speaker 1>The one one of them, I forget which one it was.

0:38:13.320 --> 0:38:15.880
<v Speaker 1>It might have been Mary Kate or Ashley at the wedding.

0:38:15.920 --> 0:38:17.640
<v Speaker 1>At the wedding they had a wedding. Their wedding had

0:38:17.640 --> 0:38:19.120
<v Speaker 1>a bowls of cigarettes on every table.

0:38:19.200 --> 0:38:22.080
<v Speaker 2>Yeah. Yeah, I'm always trying to think though, who am

0:38:22.120 --> 0:38:22.680
<v Speaker 2>I more like?

0:38:22.960 --> 0:38:23.359
<v Speaker 1>Mary? Kay?

0:38:23.400 --> 0:38:25.399
<v Speaker 3>Am I Ashley? Like I just remember both?

0:38:25.640 --> 0:38:27.160
<v Speaker 1>What can you break down?

0:38:27.920 --> 0:38:31.440
<v Speaker 2>I don't know, because they would always change characters in

0:38:31.480 --> 0:38:33.920
<v Speaker 2>their movies, like you know what I mean, Like sometimes

0:38:33.920 --> 0:38:36.319
<v Speaker 2>Mary Kate would be like the uptight one, and then

0:38:36.360 --> 0:38:38.040
<v Speaker 2>sometimes it would be Ashley, and you could like never

0:38:38.080 --> 0:38:38.360
<v Speaker 2>really know.

0:38:38.400 --> 0:38:39.480
<v Speaker 3>They would just always.

0:38:39.400 --> 0:38:41.000
<v Speaker 1>Ye, I'll complete and known.

0:38:41.040 --> 0:38:45.080
<v Speaker 2>Yeah truly, but yeah, no, I just I just did

0:38:45.120 --> 0:38:45.600
<v Speaker 2>two of them.

0:38:45.640 --> 0:38:48.160
<v Speaker 1>Oh and then they've got the other sister, Elizabeth, who

0:38:48.200 --> 0:38:49.600
<v Speaker 1>by the way, is my favorite actress.

0:38:49.680 --> 0:38:51.840
<v Speaker 3>Oh wow, They're just incredible.

0:38:52.320 --> 0:38:55.520
<v Speaker 1>Have you ever watched I mean obviously WandaVision, but have

0:38:55.600 --> 0:38:57.360
<v Speaker 1>you ever seen Ingrid Goes.

0:38:57.200 --> 0:39:05.080
<v Speaker 5>West no, no, you you would it about like storker

0:39:05.600 --> 0:39:07.680
<v Speaker 5>situation with the social media.

0:39:08.280 --> 0:39:13.560
<v Speaker 1>It's such a bold, great, like interesting movie about a

0:39:13.600 --> 0:39:17.080
<v Speaker 1>dynamic like that that like really pushes it and goes

0:39:17.120 --> 0:39:21.919
<v Speaker 1>there and then ends in such a weird, darky way,

0:39:22.400 --> 0:39:25.240
<v Speaker 1>dark funny way, like it's truly I just missed dark

0:39:25.320 --> 0:39:27.239
<v Speaker 1>comedies like that, you know what. I just watched again

0:39:27.520 --> 0:39:29.359
<v Speaker 1>and we saw Matthew Broderick last night and I told

0:39:29.440 --> 0:39:33.840
<v Speaker 1>him miss Election so good. Never seen him, Oh, Amelia,

0:39:33.920 --> 0:39:36.560
<v Speaker 1>it's it's your kind of movie Withspoon is in a

0:39:36.600 --> 0:39:40.279
<v Speaker 1>way like the Olsen girl of her time. Yes, I've

0:39:40.320 --> 0:39:43.080
<v Speaker 1>heard my co generation you Witherspoon.

0:39:43.160 --> 0:39:44.040
<v Speaker 3>I love Spoon.

0:39:45.440 --> 0:39:51.200
<v Speaker 1>Yeah, okay, I love that Elwood's Elwoods. You have an

0:39:51.200 --> 0:39:55.200
<v Speaker 1>Elwood's quality about you, and I mean that's the highest compliment.

0:39:55.440 --> 0:39:57.920
<v Speaker 3>Of course, she's an accomplished lawyer and.

0:39:58.320 --> 0:40:02.040
<v Speaker 1>Yeah, dog dog person. You know that they're doing so

0:40:02.160 --> 0:40:06.160
<v Speaker 1>you are, Yes, they are. But check out Election because

0:40:06.440 --> 0:40:09.719
<v Speaker 1>it's one of Reese's best performances. And whenever anyone is

0:40:09.760 --> 0:40:12.920
<v Speaker 1>like forgetting that Reese can do dark, I'm like, can

0:40:12.960 --> 0:40:16.000
<v Speaker 1>you just go watch literally anything from the first half

0:40:16.000 --> 0:40:21.360
<v Speaker 1>of her career, like Pleasantville. She's like so deliciously bitchy

0:40:21.440 --> 0:40:23.719
<v Speaker 1>in it, and like she plays this turn so well,

0:40:23.880 --> 0:40:26.520
<v Speaker 1>like waking up to that and like, but Tracy Flick,

0:40:26.520 --> 0:40:27.440
<v Speaker 1>her character an election.

0:40:28.160 --> 0:40:29.359
<v Speaker 3>What's the premise of the film.

0:40:29.440 --> 0:40:31.520
<v Speaker 1>So the premise is, basically, it's a high school and

0:40:31.520 --> 0:40:34.319
<v Speaker 1>Matthew Brodrick is a social studies teacher and there's a

0:40:34.320 --> 0:40:36.239
<v Speaker 1>girl in class, Tracy Flick played by Reese, with this

0:40:36.280 --> 0:40:39.920
<v Speaker 1>poo who's like an overachiever, very Mary Kate or Ashley

0:40:39.920 --> 0:40:44.480
<v Speaker 1>depending on the movie, And so she drives him nuts

0:40:44.719 --> 0:40:48.080
<v Speaker 1>and basically she hasn't She's has an affair I mean well,

0:40:48.360 --> 0:40:50.840
<v Speaker 1>I mean like it's with a teacher that's his friend,

0:40:50.880 --> 0:40:53.680
<v Speaker 1>and he gets obviously kicked out of the school. And

0:40:53.760 --> 0:40:56.640
<v Speaker 1>so Matthew Brodrick's character grows to like really resent this

0:40:56.640 --> 0:41:02.080
<v Speaker 1>girl who's running for class president unopposed, so he encourages

0:41:02.160 --> 0:41:06.359
<v Speaker 1>a popular jock student to run against her. She goes crazy,

0:41:06.560 --> 0:41:09.719
<v Speaker 1>like because she's like not supposed to lose. And it's

0:41:09.760 --> 0:41:12.960
<v Speaker 1>like a sort of political satire taking place in this

0:41:13.080 --> 0:41:15.919
<v Speaker 1>high school. And they did a sequel to it called

0:41:15.960 --> 0:41:19.279
<v Speaker 1>Tracy Flick Can't Win. Tom Parota wrote a second book

0:41:19.320 --> 0:41:22.880
<v Speaker 1>like years and years later and they're doing it, supposed

0:41:22.880 --> 0:41:24.680
<v Speaker 1>to do it. They're getting the script. I know that

0:41:25.360 --> 0:41:27.640
<v Speaker 1>she's supposed to do it. She's producing it. Tooice is

0:41:27.640 --> 0:41:32.040
<v Speaker 1>producing it. Yes, that's the Buzz Criterion Collection Election. Yeah,

0:41:32.120 --> 0:41:34.040
<v Speaker 1>that's like it's like it's one of those movies that

0:41:34.040 --> 0:41:36.160
<v Speaker 1>you're just like, it's undeniable. I think you would love it.

0:41:36.200 --> 0:41:37.920
<v Speaker 3>Okay, I'm definitely gonna watch him, Yeah.

0:41:37.760 --> 0:41:40.440
<v Speaker 1>Tonight, tonight. It actually would be a great movie for tonight,

0:41:40.719 --> 0:41:43.279
<v Speaker 1>great movie where it's like, you know what, I went

0:41:43.320 --> 0:41:45.640
<v Speaker 1>out last night. Yeah, but I still want to watch

0:41:45.680 --> 0:41:47.719
<v Speaker 1>something good. I want to watch something i'm awake for.

0:41:47.840 --> 0:41:49.520
<v Speaker 1>I have to think about. But it's not gonna like

0:41:49.640 --> 0:41:52.680
<v Speaker 1>scare me, like or like you know perfect. I can

0:41:52.680 --> 0:41:55.480
<v Speaker 1>look at my phone every twenty minutes or so. If

0:41:55.520 --> 0:41:59.879
<v Speaker 1>I wanted to adapted Screenplayoffscar nomination, that's right, I love

0:42:02.920 --> 0:42:05.279
<v Speaker 1>I was like a gold Derby kid. Okay, we're going

0:42:05.320 --> 0:42:09.040
<v Speaker 1>to the Oscars for the first time. Yes, what are

0:42:09.080 --> 0:42:09.480
<v Speaker 1>your tips?

0:42:09.800 --> 0:42:11.360
<v Speaker 3>Don't wear a train dress?

0:42:11.400 --> 0:42:17.000
<v Speaker 2>Okay, we're like a long dress with a train and

0:42:17.400 --> 0:42:21.960
<v Speaker 2>wearing because that was a nightmare for me when I went,

0:42:22.040 --> 0:42:26.200
<v Speaker 2>and like that was an imare I would say eat

0:42:26.360 --> 0:42:30.200
<v Speaker 2>something before but then also afterwards at the Governor's Ball,

0:42:30.239 --> 0:42:32.480
<v Speaker 2>there's like the most amount of food in the world,

0:42:32.120 --> 0:42:35.000
<v Speaker 2>the world, like ever, and there's like every single kind

0:42:35.040 --> 0:42:36.759
<v Speaker 2>of food you could ever have, but like in a

0:42:36.800 --> 0:42:40.680
<v Speaker 2>miniature version. And then they also have gold oscar like

0:42:40.760 --> 0:42:45.160
<v Speaker 2>oscars made out of chocolate for your family, like take

0:42:46.760 --> 0:42:49.880
<v Speaker 2>my dad, Like my whole sweetcase is filled with.

0:42:49.920 --> 0:42:53.120
<v Speaker 1>Your dad is adorable, by the way, is that so patronizing?

0:42:53.160 --> 0:42:55.440
<v Speaker 1>He's so wondering? He seems like such a charming man.

0:42:55.520 --> 0:42:57.680
<v Speaker 3>Yeah, he is so sweet, moth. My parents are so cute.

0:42:58.360 --> 0:43:00.279
<v Speaker 1>And you're very close with your sister as well. Trust

0:43:00.320 --> 0:43:00.640
<v Speaker 1>my sister.

0:43:00.760 --> 0:43:03.120
<v Speaker 2>Yeah, we worked together and we're just like we actually, yeah,

0:43:03.280 --> 0:43:05.080
<v Speaker 2>we used to live together. Then we had to separate

0:43:05.080 --> 0:43:09.799
<v Speaker 2>because it's just too much. Well actually we were very

0:43:09.840 --> 0:43:11.680
<v Speaker 2>similar in age. We're only one year apart, so it's

0:43:11.719 --> 0:43:13.400
<v Speaker 2>kind of like getting it's giving Mary.

0:43:13.280 --> 0:43:16.160
<v Speaker 1>Kay and Ashley very that who's who depends on.

0:43:19.000 --> 0:43:21.640
<v Speaker 2>So yeah, so we'll have to see we'll have to

0:43:22.000 --> 0:43:23.320
<v Speaker 2>be continued to continuing.

0:43:23.320 --> 0:43:26.200
<v Speaker 1>Now, were you a Full House first person? The Full

0:43:26.239 --> 0:43:27.000
<v Speaker 1>House in the UK?

0:43:27.320 --> 0:43:29.640
<v Speaker 3>They probably did on some random channel, but I didn't

0:43:29.640 --> 0:43:29.920
<v Speaker 3>watch it.

0:43:30.040 --> 0:43:33.080
<v Speaker 1>Oh, so you weren't introduced to them when we were well, actually,

0:43:33.120 --> 0:43:36.040
<v Speaker 1>well I guess you did cable No, but we were

0:43:36.160 --> 0:43:38.000
<v Speaker 1>the full house was the thing in Canada, Okay, sure.

0:43:38.480 --> 0:43:40.879
<v Speaker 3>I found out about them through Billboard dad.

0:43:40.920 --> 0:43:44.839
<v Speaker 1>I think billboard Dad, what was the one where they

0:43:44.840 --> 0:43:46.279
<v Speaker 1>were living in? Like it was like they were in

0:43:46.320 --> 0:43:48.360
<v Speaker 1>like Miami Beach or something, and they lived in like

0:43:48.400 --> 0:43:52.520
<v Speaker 1>what looked like essentially a hotel. I say that one

0:43:53.120 --> 0:43:55.399
<v Speaker 1>know their dad wasn't Steve Gutenberg. I'm getting that mixed

0:43:55.440 --> 0:43:59.319
<v Speaker 1>up with film. It takes it takes two? Is it

0:43:59.360 --> 0:44:00.200
<v Speaker 1>takes two? Yes?

0:44:01.520 --> 0:44:01.719
<v Speaker 2>Yeh.

0:44:02.800 --> 0:44:06.080
<v Speaker 1>We're naming off so many movies, are we? Are we

0:44:06.160 --> 0:44:09.000
<v Speaker 1>in retrospect a little bit? Like? Fuck? I mean what what?

0:44:08.840 --> 0:44:11.040
<v Speaker 1>What was? What was their life? They were? They were

0:44:11.080 --> 0:44:13.200
<v Speaker 1>just working, these kids to the fucking bone.

0:44:13.239 --> 0:44:14.600
<v Speaker 3>Yes, so true in a way.

0:44:14.680 --> 0:44:16.479
<v Speaker 2>And but now but they seem to they I feel

0:44:16.480 --> 0:44:19.319
<v Speaker 2>like they love to work because they You wouldn't run

0:44:19.320 --> 0:44:21.719
<v Speaker 2>a fashion brand if you didn't love to work, because

0:44:21.719 --> 0:44:22.880
<v Speaker 2>that's like one of the hardest.

0:44:22.680 --> 0:44:25.319
<v Speaker 1>Jobs, of course in the world. But also we were

0:44:25.360 --> 0:44:27.400
<v Speaker 1>gonna say sorry no. But but also like they are

0:44:27.480 --> 0:44:29.839
<v Speaker 1>so like we don't want to be seen at all,

0:44:30.160 --> 0:44:34.560
<v Speaker 1>so cool, like that's that's the reactionary thing to like

0:44:34.800 --> 0:44:36.440
<v Speaker 1>being in show businesses like at that year.

0:44:36.520 --> 0:44:38.000
<v Speaker 2>And I also feel like they're in a way, like

0:44:38.040 --> 0:44:40.759
<v Speaker 2>the precursor to like the modern day influencer that.

0:44:40.680 --> 0:44:41.280
<v Speaker 3>We have now.

0:44:41.600 --> 0:44:45.319
<v Speaker 2>Absolutely because like mary Kay and Ashley's movies for me

0:44:45.760 --> 0:44:47.799
<v Speaker 2>was like how I feel like people now when they're

0:44:47.800 --> 0:44:50.440
<v Speaker 2>watching Alex l or like all these other effects. Because

0:44:50.440 --> 0:44:53.279
<v Speaker 2>you wanted, like you want to watch someone's really fun

0:44:53.400 --> 0:44:56.480
<v Speaker 2>life where they're like going out to parties, they're kissing boys,

0:44:56.520 --> 0:44:58.920
<v Speaker 2>they're like putting on makeup and stuff. But like I

0:44:59.040 --> 0:45:00.960
<v Speaker 2>watched that through Marya and Ashley, but like that was

0:45:00.960 --> 0:45:03.840
<v Speaker 2>obviously fictionalized. Like that's what I loved about it was

0:45:03.880 --> 0:45:06.799
<v Speaker 2>because I felt like I was like getting like a

0:45:06.880 --> 0:45:09.640
<v Speaker 2>door open into like their world, which I thought was real,

0:45:09.719 --> 0:45:11.680
<v Speaker 2>And now we do have that now, but it is,

0:45:12.120 --> 0:45:13.759
<v Speaker 2>well it's kind of real to a point. But you

0:45:13.800 --> 0:45:15.880
<v Speaker 2>have that with influences, I guess, yeah.

0:45:15.719 --> 0:45:17.719
<v Speaker 1>But you're no, but you're touching on something so huge,

0:45:17.719 --> 0:45:19.719
<v Speaker 1>which is that like when we were growing up or

0:45:19.719 --> 0:45:22.560
<v Speaker 1>when we were like impressionable youth, like we knew it

0:45:22.600 --> 0:45:25.040
<v Speaker 1>to be a fantasy, and now it's like it's hard

0:45:25.080 --> 0:45:27.000
<v Speaker 1>to tell for.

0:45:25.680 --> 0:45:28.920
<v Speaker 2>It's true and people probably do are watching people on

0:45:28.960 --> 0:45:30.520
<v Speaker 2>TikTok and thinking, oh my god, this is like their

0:45:30.520 --> 0:45:33.200
<v Speaker 2>actual life, not realizing that like so much of it

0:45:33.239 --> 0:45:35.520
<v Speaker 2>is still staged and like not stage in that sense,

0:45:35.560 --> 0:45:37.759
<v Speaker 2>but like you know, like heightened or like the things

0:45:37.760 --> 0:45:40.080
<v Speaker 2>that you decide to include in the things you choose

0:45:40.120 --> 0:45:44.240
<v Speaker 2>not to and yeah, it's a bit more Yeah, difficult

0:45:44.280 --> 0:45:47.279
<v Speaker 2>for young people probably together head around it. But saying that,

0:45:47.360 --> 0:45:49.520
<v Speaker 2>I honestly did think that America and actually lived that life.

0:45:49.760 --> 0:45:52.000
<v Speaker 2>I actually thought that was like, oh, they obviously are

0:45:52.040 --> 0:45:55.160
<v Speaker 2>like jetting off to the Pamas. They're going to like

0:45:55.320 --> 0:45:57.040
<v Speaker 2>kiss those of boys in Paris like they are doing that.

0:45:57.160 --> 0:45:58.680
<v Speaker 1>They really were all over the world.

0:45:59.040 --> 0:46:01.520
<v Speaker 3>They were mister missus Worldwide.

0:46:01.760 --> 0:46:04.160
<v Speaker 1>Yeah, people watch Miss and Miss world Wise.

0:46:04.160 --> 0:46:06.920
<v Speaker 3>Little little Miss Miss Mister Culture.

0:46:06.600 --> 0:46:11.560
<v Speaker 1>Number fourteen, Mary K Miss and Miss Worldwide, little Miss

0:46:11.600 --> 0:46:15.480
<v Speaker 1>Miss Worldwide Wise. You know they never did they never

0:46:15.520 --> 0:46:20.120
<v Speaker 1>did really little Miss Miss Worldwide is it's not immediately

0:46:20.160 --> 0:46:22.080
<v Speaker 1>what was it? I think in order to Amelia has

0:46:22.080 --> 0:46:24.480
<v Speaker 1>a point, but and I would like to see it.

0:46:24.840 --> 0:46:27.239
<v Speaker 1>But wait, they never grew up on camera though, you

0:46:27.280 --> 0:46:29.040
<v Speaker 1>know what I mean? Like that they did New York

0:46:29.120 --> 0:46:31.040
<v Speaker 1>Minute and then it was kind of like, you know what,

0:46:31.400 --> 0:46:35.440
<v Speaker 1>you guys don't get to see us encounter drugs and alcohol.

0:46:35.880 --> 0:46:38.720
<v Speaker 1>You guys actually don't. You don't get to see us

0:46:38.920 --> 0:46:41.960
<v Speaker 1>get a horny feeling. No, And I think it's because

0:46:42.040 --> 0:46:44.440
<v Speaker 1>a probably they were fed up at that point. The

0:46:44.640 --> 0:46:50.000
<v Speaker 1>b people are so uncomfortable whenever that happens with anyone

0:46:50.040 --> 0:46:52.359
<v Speaker 1>they're watching as a kid, like think about like now,

0:46:52.400 --> 0:46:54.960
<v Speaker 1>it's so crazy because Miley Cyrus is like a beloved

0:46:55.000 --> 0:46:59.560
<v Speaker 1>American treasure four quadrant mom's dad's brothers, sister, everyone loves her,

0:46:59.560 --> 0:47:04.879
<v Speaker 1>the gays everyone, but she was derided of course, like

0:47:05.120 --> 0:47:07.520
<v Speaker 1>you know, growing up being sex. Yeah, it's it's the

0:47:07.520 --> 0:47:09.960
<v Speaker 1>Britney thing. It's the Yeah, it's all of them. And

0:47:09.960 --> 0:47:12.359
<v Speaker 1>Mary kate In actually didn't even participate in that. They

0:47:12.360 --> 0:47:16.319
<v Speaker 1>were just like we're actually, no, you got everything you're

0:47:16.320 --> 0:47:16.960
<v Speaker 1>getting from us.

0:47:17.080 --> 0:47:18.759
<v Speaker 2>Yeah, because you're going to be judged as a young

0:47:18.840 --> 0:47:21.439
<v Speaker 2>woman in like if you're showing all these different sides

0:47:21.480 --> 0:47:24.680
<v Speaker 2>to your personality or just figuring stuff out on camera

0:47:24.800 --> 0:47:26.920
<v Speaker 2>or whatever. And yeah, they just basically were like goodbye.

0:47:28.480 --> 0:47:32.520
<v Speaker 1>They just they just skipped straight to dating like an

0:47:32.600 --> 0:47:33.520
<v Speaker 1>older French guy.

0:47:33.640 --> 0:47:34.160
<v Speaker 3>Yes they did.

0:47:34.840 --> 0:47:38.839
<v Speaker 2>Was he like in politics or something something like which

0:47:38.880 --> 0:47:39.640
<v Speaker 2>one's a billionaire?

0:47:40.680 --> 0:47:43.520
<v Speaker 3>Like they have a very Yeah they've got interesting.

0:47:46.200 --> 0:47:48.480
<v Speaker 1>This has been on my to do list, but like

0:47:48.520 --> 0:47:50.560
<v Speaker 1>a dating pros and cons list? Have we have we

0:47:50.600 --> 0:47:53.600
<v Speaker 1>done this exercise pros and cons?

0:47:53.760 --> 0:47:54.879
<v Speaker 3>What do you mean like for.

0:47:55.200 --> 0:47:58.160
<v Speaker 1>Like things that you're like, he needs to be at

0:47:58.239 --> 0:48:03.360
<v Speaker 1>least these thingsionaire French opinionis right and so you're like, well,

0:48:04.080 --> 0:48:08.279
<v Speaker 1>does he have to be a billionaire now? Does he? No?

0:48:08.400 --> 0:48:12.560
<v Speaker 1>Of course, I'm just saying you'll be a multimillionaire. I

0:48:12.640 --> 0:48:16.960
<v Speaker 1>just want someone to buy me to know. Really, that's

0:48:17.000 --> 0:48:19.000
<v Speaker 1>why I realize my bars. I need to raise it

0:48:19.680 --> 0:48:21.080
<v Speaker 1>and this is life. In this moment, I was like,

0:48:21.120 --> 0:48:21.520
<v Speaker 1>that's it.

0:48:21.600 --> 0:48:24.240
<v Speaker 3>Yeah, no, it's actually sad.

0:48:24.480 --> 0:48:26.479
<v Speaker 1>Less funny than me, so that I can feel better.

0:48:26.640 --> 0:48:32.400
<v Speaker 1>But at least, actually there's people, there's some people, there's

0:48:32.400 --> 0:48:35.719
<v Speaker 1>some people. Is there anything that like everyone else would

0:48:35.719 --> 0:48:38.840
<v Speaker 1>consider a positive that you consider a negative when dating

0:48:38.880 --> 0:48:45.240
<v Speaker 1>someone totally everyone considers Like honestly, you know what drives

0:48:45.280 --> 0:48:48.600
<v Speaker 1>me kind of nuts? Like not politeness doesn't drive me

0:48:48.680 --> 0:48:51.120
<v Speaker 1>crazy because I actually do like to know that the

0:48:51.160 --> 0:48:53.439
<v Speaker 1>person really likes me. But I don't like to feel

0:48:53.440 --> 0:48:57.160
<v Speaker 1>like things are careful or like too kind for me.

0:48:57.239 --> 0:49:00.160
<v Speaker 1>There needs to be like some edge edge like I

0:49:00.239 --> 0:49:02.399
<v Speaker 1>need to feel and not like I had a really

0:49:02.520 --> 0:49:04.560
<v Speaker 1>nice time. Don't tell me you had a really nice

0:49:04.600 --> 0:49:07.839
<v Speaker 1>time make out with me on the street. That's how

0:49:07.960 --> 0:49:13.160
<v Speaker 1>I feel. I've done that. Oh god, see, that's what's

0:49:13.160 --> 0:49:14.719
<v Speaker 1>so great about That's why when you come to New

0:49:14.800 --> 0:49:17.080
<v Speaker 1>York and you start dating here, and I bet it

0:49:17.160 --> 0:49:19.080
<v Speaker 1>they give that in East London, to be honest, but

0:49:19.320 --> 0:49:21.400
<v Speaker 1>very on the East Side where.

0:49:21.840 --> 0:49:25.200
<v Speaker 2>It is exactly Yeah, wow, I need to be transported

0:49:25.200 --> 0:49:29.839
<v Speaker 2>back to the streets of London. Is it that you're

0:49:29.880 --> 0:49:32.960
<v Speaker 2>in Is it true that, like in New York everyone's

0:49:33.000 --> 0:49:35.799
<v Speaker 2>dating all the time, like multiple people, because that's more

0:49:36.200 --> 0:49:39.120
<v Speaker 2>people say about New York that likely you're when you're

0:49:39.200 --> 0:49:41.319
<v Speaker 2>dating someone, it's normal. It's usual that they will be

0:49:41.360 --> 0:49:43.280
<v Speaker 2>like dating numerous other people, like.

0:49:43.440 --> 0:49:46.480
<v Speaker 1>Right, Like they say, don't do that, but I think

0:49:46.520 --> 0:49:48.319
<v Speaker 1>it happens all the time. Of course I do it.

0:49:48.840 --> 0:49:50.480
<v Speaker 1>The New York thing. I'm curious if this is the

0:49:50.480 --> 0:49:53.360
<v Speaker 1>same in London. The New York thing is everyone thinks

0:49:53.440 --> 0:49:55.080
<v Speaker 1>that they can do better than the person they're with.

0:49:55.239 --> 0:49:58.920
<v Speaker 2>Yep, I feel like that's a thing now, just in

0:49:59.440 --> 0:50:01.920
<v Speaker 2>like I know things, you got too many options.

0:50:02.360 --> 0:50:05.680
<v Speaker 1>It's literally like it's like browsing through Netflix. It's like, well,

0:50:05.760 --> 0:50:08.200
<v Speaker 1>let me keep looking because there's some I'm like at

0:50:08.239 --> 0:50:11.200
<v Speaker 1>about a six or a seven in terms of watching

0:50:11.280 --> 0:50:14.600
<v Speaker 1>this show about you know, like, yeah, this documentary, that's

0:50:14.640 --> 0:50:16.279
<v Speaker 1>like I'm kind of interested, but I'm sure there's something

0:50:16.320 --> 0:50:17.680
<v Speaker 1>that's gonna take me over the edge and you just

0:50:17.760 --> 0:50:21.279
<v Speaker 1>keep it's online shopping. It's like it's immediacy culture. It's

0:50:21.320 --> 0:50:24.160
<v Speaker 1>the instant gratification that we're so used to that makes

0:50:24.239 --> 0:50:27.000
<v Speaker 1>us swipe swype swipe away from like these actual things.

0:50:27.000 --> 0:50:29.600
<v Speaker 1>Do you guys know the Muslim matchmaker? Yes, she st

0:50:29.800 --> 0:50:32.480
<v Speaker 1>focus on one partner, she says, focus on one person.

0:50:32.719 --> 0:50:36.440
<v Speaker 1>The illusion of choice is just that an illusion. It's

0:50:36.440 --> 0:50:40.319
<v Speaker 1>like you're not giving someone a chance. If you are

0:50:40.400 --> 0:50:43.640
<v Speaker 1>thinking about two three other people, even like later on

0:50:43.719 --> 0:50:46.919
<v Speaker 1>the week whatever, you also will be less attentive to them.

0:50:47.280 --> 0:50:49.279
<v Speaker 1>You're gonna find yourself going on a date being like

0:50:49.640 --> 0:50:51.759
<v Speaker 1>now is this the one with the two older sisters?

0:50:52.239 --> 0:50:55.280
<v Speaker 1>You know what i mean? And it's like that's crazy.

0:50:55.360 --> 0:50:58.600
<v Speaker 1>I know, no, I've I've caught myself in that for sure.

0:50:58.640 --> 0:51:02.520
<v Speaker 1>And quote Natalie Portman, I've been you It's closer.

0:51:04.200 --> 0:51:05.120
<v Speaker 3>Oh, I love that film.

0:51:05.560 --> 0:51:07.520
<v Speaker 1>It's one of the great films. So good. It was

0:51:07.520 --> 0:51:09.480
<v Speaker 1>a play? Was the play first?

0:51:09.560 --> 0:51:10.959
<v Speaker 3>I love a play like.

0:51:11.640 --> 0:51:14.920
<v Speaker 1>I love like Sorry, I love I'm Smarring.

0:51:15.920 --> 0:51:18.000
<v Speaker 3>I love movies. I feel like plays.

0:51:18.360 --> 0:51:20.760
<v Speaker 1>I love but that's people not that. For some reason,

0:51:22.040 --> 0:51:24.760
<v Speaker 1>I like that a common like criticism. Is it felt

0:51:24.760 --> 0:51:27.239
<v Speaker 1>stagy or it felt like a like this? I like

0:51:27.440 --> 0:51:30.680
<v Speaker 1>that about a long scene. Hello, watch the movie Doubt,

0:51:30.800 --> 0:51:34.000
<v Speaker 1>the scene with Meryl Streep and Viola Davis. Yeah, yell

0:51:34.040 --> 0:51:35.080
<v Speaker 1>at me that it's stage.

0:51:35.320 --> 0:51:35.799
<v Speaker 3>I love that.

0:51:35.880 --> 0:51:39.080
<v Speaker 1>What you hate people acting at each other? Get out,

0:51:39.400 --> 0:51:41.799
<v Speaker 1>get out, get out of here, get out of here,

0:51:41.840 --> 0:51:46.080
<v Speaker 1>I say, give an American accent. Thanks, Yeah you even told that.

0:51:46.320 --> 0:51:48.080
<v Speaker 3>No, I haven't sorry that.

0:51:48.239 --> 0:51:52.200
<v Speaker 2>That's my agent keeps trying to get me ste auditions

0:51:52.200 --> 0:51:53.440
<v Speaker 2>in an American accent, and I'm.

0:51:53.320 --> 0:51:55.160
<v Speaker 1>Like, are you do you have acting ambitions?

0:51:55.480 --> 0:51:56.200
<v Speaker 3>I would like to.

0:51:56.280 --> 0:51:58.799
<v Speaker 1>Yeah, okay, we're gonna write something for you. Yeah, we'll

0:51:58.800 --> 0:52:01.439
<v Speaker 1>take care of you. We'll take care of you. Ever again, Wait,

0:52:02.880 --> 0:52:06.000
<v Speaker 1>I see something for Amelia. Same for sure. No, Like

0:52:06.040 --> 0:52:09.000
<v Speaker 1>we're yeah, so we're being so annoying, we're being so

0:52:09.400 --> 0:52:12.120
<v Speaker 1>annoying and we're being such and we're being such a bitches.

0:52:12.960 --> 0:52:13.400
<v Speaker 3>Bitches.

0:52:14.760 --> 0:52:16.040
<v Speaker 1>Wait, I did at a pressure of you last time

0:52:16.040 --> 0:52:17.439
<v Speaker 1>on the carpet, right, What did I say again?

0:52:17.560 --> 0:52:17.960
<v Speaker 3>I said?

0:52:18.200 --> 0:52:21.040
<v Speaker 1>Oh, I love Andrew Garfield? I said, I said, I said,

0:52:21.480 --> 0:52:25.040
<v Speaker 1>fels me. It's obsessed with me and with me. Have

0:52:25.080 --> 0:52:26.960
<v Speaker 1>you spoken to him since all that or did it

0:52:27.040 --> 0:52:28.480
<v Speaker 1>start a friendship? Yeah?

0:52:28.480 --> 0:52:29.359
<v Speaker 3>I would say we're friends.

0:52:29.480 --> 0:52:32.399
<v Speaker 1>It's good.

0:52:33.239 --> 0:52:36.080
<v Speaker 3>So he's so nice, Yeah he seems lovely.

0:52:36.160 --> 0:52:39.120
<v Speaker 1>Yeah, sweetheart. Okay, but I sort of want to finish

0:52:39.160 --> 0:52:42.080
<v Speaker 1>this conversation about the potential of falling in love on

0:52:42.120 --> 0:52:42.719
<v Speaker 1>the show for you.

0:52:43.680 --> 0:52:46.640
<v Speaker 2>Yeah, okay, I feel like I might meet someone on

0:52:46.680 --> 0:52:48.799
<v Speaker 2>the show, but then once I end the show, then

0:52:48.880 --> 0:52:51.319
<v Speaker 2>maybe I bumped into them at a party and then

0:52:51.400 --> 0:52:55.839
<v Speaker 2>that's that's yeah, that's how that sounds really, right, rather

0:52:55.880 --> 0:52:59.359
<v Speaker 2>than like the day after we film. I'm like, so,

0:52:59.360 --> 0:53:00.520
<v Speaker 2>so we're going up now?

0:53:02.080 --> 0:53:03.480
<v Speaker 1>Does a guest ever hit you up out? You don't

0:53:03.520 --> 0:53:05.200
<v Speaker 1>say who, but did a guest ever hit you up after?

0:53:05.320 --> 0:53:11.680
<v Speaker 1>Like in an actual way? No? Fucked up? But you

0:53:11.719 --> 0:53:13.640
<v Speaker 1>know what, you know what sucks about your show? You

0:53:13.640 --> 0:53:14.799
<v Speaker 1>don't have any gay guys on.

0:53:15.719 --> 0:53:18.719
<v Speaker 3>I'm trying I'm trying.

0:53:18.480 --> 0:53:19.560
<v Speaker 1>Well, you were on our show.

0:53:19.880 --> 0:53:20.480
<v Speaker 3>I'm trying.

0:53:21.320 --> 0:53:22.719
<v Speaker 1>What do you mean you're trying who you're trying? You're

0:53:22.760 --> 0:53:30.440
<v Speaker 1>trying to get who was not? He was supposed to

0:53:30.480 --> 0:53:34.760
<v Speaker 1>do our show. Yeah, and then there's there's double booking.

0:53:34.800 --> 0:53:38.600
<v Speaker 1>There was a double No, it's my fault. Your fault

0:53:39.560 --> 0:53:41.200
<v Speaker 1>had to do Kelly Clarkson at the time we were

0:53:42.360 --> 0:53:44.640
<v Speaker 1>and that that is literally the only thing I would allow.

0:53:45.239 --> 0:53:49.200
<v Speaker 3>I feel like I have had a gay personal.

0:53:49.560 --> 0:53:51.400
<v Speaker 1>I don't, well, you've had a gay person on you

0:53:51.400 --> 0:53:53.960
<v Speaker 1>haven't had a gay guy because I feel like you

0:53:54.040 --> 0:53:56.799
<v Speaker 1>think that you can't flirt with the person. But let

0:53:56.800 --> 0:53:58.719
<v Speaker 1>me tell you something. Just me and you in a

0:53:58.760 --> 0:53:59.400
<v Speaker 1>room with chicken.

0:54:00.080 --> 0:54:01.880
<v Speaker 2>Well, this is the blind spot for me. And actually

0:54:02.040 --> 0:54:04.359
<v Speaker 2>I need to get more gay men on the show.

0:54:05.080 --> 0:54:07.120
<v Speaker 1>I just wanted to your work isn't over.

0:54:07.360 --> 0:54:09.880
<v Speaker 3>No, thank you for thank you for that.

0:54:10.400 --> 0:54:13.400
<v Speaker 1>Thank you. I'm going to do more. I sometimes it's

0:54:13.440 --> 0:54:16.200
<v Speaker 1>easier to flirt with girls. I love with girls. Well

0:54:16.280 --> 0:54:19.319
<v Speaker 1>you are you're you know who do you a little bit?

0:54:19.560 --> 0:54:19.719
<v Speaker 2>Yes?

0:54:19.760 --> 0:54:24.799
<v Speaker 1>Straighter than me? Is that? Yeah? We talked about that.

0:54:26.960 --> 0:54:30.280
<v Speaker 1>Vibes you, Gina Grashan, you and Sydney Sweeney.

0:54:30.680 --> 0:54:33.120
<v Speaker 2>You and wait, you guys are leading people on. Actually

0:54:33.400 --> 0:54:35.960
<v Speaker 2>you've probably had well, you've probably had people have probably

0:54:36.000 --> 0:54:37.880
<v Speaker 2>gone to their friends, Like I had the most amazing

0:54:37.920 --> 0:54:40.879
<v Speaker 2>conversation with this guy who's talking to me all night.

0:54:41.120 --> 0:54:43.440
<v Speaker 2>This guy told me to me all night and then

0:54:43.560 --> 0:54:44.919
<v Speaker 2>turns out he's good.

0:54:47.040 --> 0:54:49.080
<v Speaker 1>I actually someone gave me their phone number. When I

0:54:49.080 --> 0:54:51.560
<v Speaker 1>worked at Ulysses years ago, a girl was like, gave

0:54:51.560 --> 0:54:53.520
<v Speaker 1>me her phone abron a napkin, like it was a

0:54:53.719 --> 0:54:58.120
<v Speaker 1>rom com And I was like, I didn't even try

0:54:58.360 --> 0:55:00.600
<v Speaker 1>to act like anything other than myself. And I was like,

0:55:00.680 --> 0:55:07.000
<v Speaker 1>am I straight passing? Perhaps the answer is now? Per chance? Really?

0:55:07.440 --> 0:55:08.600
<v Speaker 1>So she couldn't even answer it.

0:55:09.040 --> 0:55:10.160
<v Speaker 3>Wait, sorry, what was the question?

0:55:10.239 --> 0:55:11.759
<v Speaker 1>Am I straight passing? Oh?

0:55:11.800 --> 0:55:12.680
<v Speaker 3>Sorry, I didn't hear that.

0:55:12.880 --> 0:55:18.279
<v Speaker 2>So I've actually like got turned a corner an hour.

0:55:18.360 --> 0:55:20.200
<v Speaker 2>I'm like, I actually thought I was going to throw

0:55:20.280 --> 0:55:21.960
<v Speaker 2>up before I came into this room.

0:55:22.040 --> 0:55:25.160
<v Speaker 1>Do you vomit when you're hungover? Yeah? You do? Did

0:55:25.200 --> 0:55:27.640
<v Speaker 1>you have my last night? No? Good? So so that

0:55:27.680 --> 0:55:29.799
<v Speaker 1>means like it's it's backed up, it's it's it's coming up,

0:55:29.800 --> 0:55:30.479
<v Speaker 1>it's coming up.

0:55:30.440 --> 0:55:34.239
<v Speaker 2>It's coming up, it's coming up. It's what.

0:55:36.120 --> 0:55:38.360
<v Speaker 1>What is that singing?

0:55:39.040 --> 0:55:40.480
<v Speaker 3>Yeah, yeah, I can clearly.

0:55:40.560 --> 0:55:43.359
<v Speaker 1>What was the question? I asked a question like this,

0:55:44.440 --> 0:55:51.719
<v Speaker 1>so much much more fun, say what's singing? But of

0:55:51.760 --> 0:55:54.359
<v Speaker 1>that it's the inflection of inflections. An American you asked

0:55:54.360 --> 0:55:57.400
<v Speaker 1>a question like this, and and in the UK you

0:55:57.400 --> 0:55:58.360
<v Speaker 1>here's the question like this.

0:56:00.520 --> 0:56:03.120
<v Speaker 3>Do you know you are not straight past?

0:56:05.560 --> 0:56:18.959
<v Speaker 1>That's a question. You don't think I'm straight bat Hello, Hello, Okay,

0:56:19.000 --> 0:56:21.040
<v Speaker 1>we got to get you out of here. We are

0:56:21.040 --> 0:56:23.919
<v Speaker 1>gonna I can understand what time is it. It's four

0:56:24.040 --> 0:56:27.279
<v Speaker 1>thirty nine. My girl was ten late. I will stop it. No,

0:56:27.400 --> 0:56:29.760
<v Speaker 1>she wasn't down the street.

0:56:30.320 --> 0:56:33.200
<v Speaker 3>Yeah, that was getting stopped. Asked for hers.

0:56:33.880 --> 0:56:38.000
<v Speaker 1>Actually, well, you are recognizable, and I'm also just yeah,

0:56:38.000 --> 0:56:40.480
<v Speaker 1>well yeah, yeah, I think so.

0:56:40.520 --> 0:56:43.000
<v Speaker 2>I think people think people think I'm approachable. I am approachable,

0:56:43.040 --> 0:56:44.600
<v Speaker 2>But like I think because of the show, it's like

0:56:44.640 --> 0:56:46.319
<v Speaker 2>people are more likely to come up if you're doing

0:56:46.320 --> 0:56:48.120
<v Speaker 2>something in comedy, I feel like you probably get the

0:56:48.160 --> 0:56:48.520
<v Speaker 2>same thing.

0:56:48.719 --> 0:56:50.120
<v Speaker 1>Probably it's lovely time.

0:56:50.160 --> 0:56:50.799
<v Speaker 3>It's so nice.

0:56:50.960 --> 0:56:53.400
<v Speaker 2>I always just think like there's so many it's a

0:56:53.400 --> 0:56:55.840
<v Speaker 2>privilege to get people to come up and say that

0:56:55.840 --> 0:56:58.200
<v Speaker 2>they like your work when so many people are in

0:56:58.280 --> 0:57:00.640
<v Speaker 2>jobs where they never thank for what they do. Their

0:57:00.640 --> 0:57:03.600
<v Speaker 2>boss never tells the job, and like we literally get

0:57:03.640 --> 0:57:05.440
<v Speaker 2>people being like, good job.

0:57:05.719 --> 0:57:08.279
<v Speaker 1>Thank you for doing work. Yeah, it's so nice. It

0:57:08.360 --> 0:57:11.439
<v Speaker 1>is very very nice. Yeah, but that's beautiful perspective. Yeah,

0:57:12.080 --> 0:57:13.480
<v Speaker 1>do you have your askers dress?

0:57:13.920 --> 0:57:14.359
<v Speaker 3>Not yet?

0:57:15.000 --> 0:57:16.800
<v Speaker 1>You gotta get on that. Yeah, a color?

0:57:17.320 --> 0:57:21.400
<v Speaker 2>No, which I don't know what I'm wearing yet.

0:57:21.160 --> 0:57:23.400
<v Speaker 1>I don't know. Will you be will you be dressed

0:57:23.680 --> 0:57:26.640
<v Speaker 1>like I hope? So? Yeah? Nice? I better be? Can

0:57:26.680 --> 0:57:30.800
<v Speaker 1>I say? One of the number one things I look

0:57:30.840 --> 0:57:32.200
<v Speaker 1>forward to when now you're going to be somewhere is

0:57:32.240 --> 0:57:35.080
<v Speaker 1>what you're going to be wearing? Always nice? Thank you?

0:57:35.200 --> 0:57:37.320
<v Speaker 1>You have such amazing fashion. Since you went to school

0:57:37.360 --> 0:57:38.840
<v Speaker 1>for fashion journalism, Yes, I.

0:57:38.760 --> 0:57:41.920
<v Speaker 2>Studied fashion journalism at the Mountains, and yeah, I always

0:57:41.920 --> 0:57:44.120
<v Speaker 2>wanted to work at Vogue. That was like my ambition,

0:57:44.760 --> 0:57:46.480
<v Speaker 2>I see it. Yeah, I wanted to be editor of

0:57:46.560 --> 0:57:51.920
<v Speaker 2>Vogue still time and and then and then yeah, when

0:57:51.920 --> 0:57:54.040
<v Speaker 2>I was studying fashion journalism, I kind of realized I

0:57:54.280 --> 0:57:56.520
<v Speaker 2>was more interested in pop culture as a whole and

0:57:56.600 --> 0:57:58.240
<v Speaker 2>kind of and then I was doing Chicken Shop Day

0:57:58.240 --> 0:58:00.440
<v Speaker 2>at the same time, like while I was at Diversity,

0:58:00.840 --> 0:58:02.960
<v Speaker 2>and just like Chicken Shop Date, I just focused on

0:58:03.000 --> 0:58:05.200
<v Speaker 2>that right, But yeah, I've always loved fashion and like

0:58:05.240 --> 0:58:08.080
<v Speaker 2>I just find fashion history and like, yeah, fashion journalism

0:58:08.160 --> 0:58:10.320
<v Speaker 2>is like a gateway into like culture as a whole.

0:58:10.360 --> 0:58:13.280
<v Speaker 3>Anyway, everything is so connected, Everything.

0:58:13.000 --> 0:58:15.440
<v Speaker 1>Is connected, everything is connected. Well, it's a specific window.

0:58:15.520 --> 0:58:19.160
<v Speaker 1>It's like it's the entry point into the broader scope.

0:58:18.760 --> 0:58:21.800
<v Speaker 2>Of yeah, whether it's yeah, whether it's from even from

0:58:21.800 --> 0:58:27.400
<v Speaker 2>politics to business, like music to like identity, like everything

0:58:28.000 --> 0:58:29.080
<v Speaker 2>you're braad coded.

0:58:28.840 --> 0:58:32.000
<v Speaker 1>Right now, am I Well always I've gotta mesh back

0:58:32.480 --> 0:58:35.840
<v Speaker 1>Oh right, that's why. Yeah, his back is well just

0:58:35.880 --> 0:58:39.120
<v Speaker 1>for small air, just just just for ventilation. I love that.

0:58:39.920 --> 0:58:40.520
<v Speaker 3>I love that.

0:58:40.760 --> 0:58:44.960
<v Speaker 1>Yeah, he's bread coded, you know, and my shoes. But

0:58:45.000 --> 0:58:46.960
<v Speaker 1>you're Charlie On didn't you love Charlie.

0:58:47.160 --> 0:58:49.520
<v Speaker 2>She's the best physical that's the best person ever, so

0:58:49.600 --> 0:58:54.040
<v Speaker 2>talented and like it's just so down to us and

0:58:54.200 --> 0:58:57.360
<v Speaker 2>so amazing, so funny, so brilliant. But yeah, like watching

0:58:57.440 --> 0:58:59.480
<v Speaker 2>her perform is just like such a joy, Like every

0:58:59.480 --> 0:59:01.760
<v Speaker 2>time I see her. I've seen her perform so many

0:59:01.760 --> 0:59:04.120
<v Speaker 2>times now and it's just I'm just so blown away

0:59:04.160 --> 0:59:05.840
<v Speaker 2>by I think it's also when you know someone like

0:59:05.880 --> 0:59:07.440
<v Speaker 2>as a friend and then you see them on stage

0:59:07.440 --> 0:59:11.919
<v Speaker 2>and you're like what You're like, Oh my goodness, Like.

0:59:11.520 --> 0:59:12.200
<v Speaker 3>How do you do that?

0:59:12.240 --> 0:59:14.760
<v Speaker 2>I just think it's and she's so physical on stage,

0:59:14.840 --> 0:59:17.560
<v Speaker 2>like what she does with her like her movement and everything.

0:59:17.560 --> 0:59:20.240
<v Speaker 3>It's like, wow, it's I'm an all of her. She's amazing.

0:59:20.400 --> 0:59:20.560
<v Speaker 2>Yeah.

0:59:20.600 --> 0:59:23.880
<v Speaker 1>I loved her episode with you guys. I know. I

0:59:24.000 --> 0:59:25.680
<v Speaker 1>think it was one of my viral moments. It was

0:59:26.520 --> 0:59:30.800
<v Speaker 1>I'm not yeah, I wouldn't say, but I can be

0:59:30.880 --> 0:59:33.960
<v Speaker 1>a bit I can't even quote it.

0:59:34.080 --> 0:59:39.160
<v Speaker 3>I don't think what did she say, I'm not a bitch.

0:59:39.920 --> 0:59:43.120
<v Speaker 1>I'm not I can be bitchy, but I don't know

0:59:43.160 --> 0:59:47.840
<v Speaker 1>if I don't know if I'm a bitch? Right is

0:59:47.920 --> 0:59:54.800
<v Speaker 1>the biggest thing. I'm not really on TikTok and so like,

0:59:55.000 --> 0:59:57.520
<v Speaker 1>I didn't know it was a viral sound until well

0:59:57.560 --> 1:00:01.000
<v Speaker 1>after it happened the best. Yeah, that's fun. It's fun

1:00:01.000 --> 1:00:01.800
<v Speaker 1>to go viral.

1:00:02.480 --> 1:00:08.240
<v Speaker 2>Yes, you would, and Andy a good friend, My good friend.

1:00:08.040 --> 1:00:12.120
<v Speaker 1>Andy Samber, Oh my, I would love you, guys, would

1:00:12.360 --> 1:00:14.440
<v Speaker 1>Sparks would be fine? I would love that. What if

1:00:14.440 --> 1:00:18.080
<v Speaker 1>you homewrecked? What if? What if if I don't want you?

1:00:20.000 --> 1:00:22.400
<v Speaker 1>They'll be still uncommon online? No, I know, and it's

1:00:22.440 --> 1:00:23.360
<v Speaker 1>not for me. I don't want to be on the

1:00:23.360 --> 1:00:28.040
<v Speaker 1>reddit exactly on the reddit, No, don't, please, you want

1:00:28.040 --> 1:00:31.600
<v Speaker 1>to be on snark subs or whatever. Okay, time friend

1:00:31.600 --> 1:00:43.040
<v Speaker 1>to think, Sonny, God, did you have something? Have you?

1:00:43.280 --> 1:00:45.120
<v Speaker 2>I've got something, but I don't know whether I'm going

1:00:45.200 --> 1:00:46.800
<v Speaker 2>to be able. I just need to get my energy.

1:00:47.080 --> 1:00:47.400
<v Speaker 1>We just have.

1:00:47.480 --> 1:00:48.200
<v Speaker 3>Let me have a sip.

1:00:48.680 --> 1:00:49.520
<v Speaker 1>Coffee and.

1:00:51.480 --> 1:00:52.520
<v Speaker 3>You guys drink coffee.

1:00:52.720 --> 1:00:55.600
<v Speaker 1>Yeah, do you? I can't? Why I can't?

1:00:55.600 --> 1:00:57.919
<v Speaker 3>It makes me go. It makes me go in sech

1:00:58.120 --> 1:00:58.880
<v Speaker 3>does it not make.

1:00:58.720 --> 1:01:04.560
<v Speaker 1>You're gonna say something out? It makes me poo? Yeah?

1:01:04.760 --> 1:01:07.040
<v Speaker 3>And do you say pooh in America?

1:01:07.520 --> 1:01:09.440
<v Speaker 1>In Canada we would say pooh more than He's probably

1:01:09.440 --> 1:01:11.320
<v Speaker 1>more likely to say pooh than me. We said pooh

1:01:11.320 --> 1:01:14.680
<v Speaker 1>in Canada, but now and now more American, I spend

1:01:14.680 --> 1:01:16.520
<v Speaker 1>more time in the States. It's poop poop.

1:01:16.880 --> 1:01:17.800
<v Speaker 3>Okay.

1:01:19.440 --> 1:01:25.800
<v Speaker 1>I don't like poop either. You know what? I'm ready? Okay,

1:01:26.240 --> 1:01:30.400
<v Speaker 1>this is Matt Rogers. I don't think so any His

1:01:30.640 --> 1:01:34.120
<v Speaker 1>time starts now. I don't think so, honey. The word poop,

1:01:34.560 --> 1:01:38.440
<v Speaker 1>there's nothing worse. Worst letter in alphabet by far pee,

1:01:38.480 --> 1:01:41.960
<v Speaker 1>I'm sorry, I can lose it. There are so many

1:01:42.280 --> 1:01:45.760
<v Speaker 1>better and also enough for nothing. But there's enough Peters,

1:01:45.800 --> 1:01:50.200
<v Speaker 1>there's enough Patricks, there's enough. Let's get more creative. Let's

1:01:50.200 --> 1:01:53.320
<v Speaker 1>explore the letter Q. Okay, how about how about more

1:01:53.400 --> 1:01:55.520
<v Speaker 1>Quintin's and Quentin's in the world.

1:01:55.280 --> 1:01:59.480
<v Speaker 4>Quentin's And here's what I don't like that letter. I

1:01:59.560 --> 1:02:02.960
<v Speaker 4>hate at the end you have to say some ones,

1:02:02.960 --> 1:02:06.080
<v Speaker 4>but twice does not even get into what we're talking about.

1:02:06.080 --> 1:02:09.360
<v Speaker 1>When we say the word fecal matter. I think that

1:02:09.560 --> 1:02:12.840
<v Speaker 1>fecal matter. This one time that Bone and I wrote

1:02:12.840 --> 1:02:15.560
<v Speaker 1>a piece, we wrote a show, and he wrote a

1:02:15.600 --> 1:02:17.360
<v Speaker 1>line was the funniest thing I ever heard. He said,

1:02:17.440 --> 1:02:20.240
<v Speaker 1>you were a vile fecal woman. And I said, calling

1:02:20.280 --> 1:02:23.320
<v Speaker 1>someone fecal talking about feces is better than poop. Grow

1:02:23.400 --> 1:02:27.480
<v Speaker 1>up and say ship, grow up and say by second

1:02:28.080 --> 1:02:33.080
<v Speaker 1>short not poop. I'm so humble And that's one minute. Wow.

1:02:33.680 --> 1:02:37.160
<v Speaker 1>That was quite sering. That was that was serious. But

1:02:37.600 --> 1:02:39.400
<v Speaker 1>I do want to say for context, the line you

1:02:39.480 --> 1:02:42.840
<v Speaker 1>vile woman was in response to your character taunting me

1:02:42.880 --> 1:02:45.640
<v Speaker 1>by saying that you had eaten my husband's ass. Out

1:02:45.960 --> 1:02:51.240
<v Speaker 1>you vile woman. That your line reading, I was like,

1:02:51.280 --> 1:02:56.400
<v Speaker 1>I was eating your husband's ass last night. That's God's

1:02:56.400 --> 1:02:59.760
<v Speaker 1>a wonderful writer with a quill away with the words

1:02:59.760 --> 1:03:01.920
<v Speaker 1>I can get to say this. It's really the fact

1:03:01.960 --> 1:03:05.480
<v Speaker 1>that it's like poop. It's the poop is cute. I

1:03:05.480 --> 1:03:08.720
<v Speaker 1>don't think who I was gonna say, pooh is cute? Cut? No,

1:03:08.880 --> 1:03:12.320
<v Speaker 1>pooh is like you're doing around is cute. P Oh

1:03:12.400 --> 1:03:15.200
<v Speaker 1>is cute. And also it looks cute. But poop is

1:03:15.240 --> 1:03:17.880
<v Speaker 1>a palindrome spell. It's spelled the same way from it

1:03:17.920 --> 1:03:21.240
<v Speaker 1>as it is back. I love that we today a

1:03:21.280 --> 1:03:23.520
<v Speaker 1>new word today. Yeah, alright, Matt's got a stung glass.

1:03:23.560 --> 1:03:28.080
<v Speaker 1>I've lost the building. Actually you've inspired me. Yeah, I'm

1:03:28.080 --> 1:03:30.160
<v Speaker 1>not gonna do a letter. I'm gonna do something else. Okay,

1:03:30.200 --> 1:03:34.200
<v Speaker 1>you can guess. So this would be our lucky because

1:03:34.200 --> 1:03:36.000
<v Speaker 1>it's bow and Yang's. I don't think so, honey. His

1:03:36.080 --> 1:03:38.560
<v Speaker 1>time starts now. I don't think so, honey. The number nine,

1:03:39.280 --> 1:03:44.000
<v Speaker 1>what are you giving? Prime number? Square number? That's all

1:03:44.120 --> 1:03:47.400
<v Speaker 1>you have going on, that's all you will ever be.

1:03:47.840 --> 1:03:54.040
<v Speaker 1>Let's go through them. One, amazing, iconic, two, amazing iconic, three,

1:03:54.760 --> 1:03:57.160
<v Speaker 1>one of the most important numbers, the rule of three.

1:03:57.400 --> 1:04:01.560
<v Speaker 1>Four I like and Beyonce four great Beyonce album five

1:04:01.760 --> 1:04:04.320
<v Speaker 1>really important. You need halfway to ten. You really need

1:04:04.320 --> 1:04:07.960
<v Speaker 1>that as a benchmark in accounting system. Six I like.

1:04:08.320 --> 1:04:11.400
<v Speaker 1>I love six. Seven, Oh, name it prettier number than

1:04:11.480 --> 1:04:16.560
<v Speaker 1>name seven? Eight? I love eight? You ate you eight? Nine?

1:04:17.560 --> 1:04:21.320
<v Speaker 1>Hold on, hold on, hold on? Nine? What what are you?

1:04:21.360 --> 1:04:23.120
<v Speaker 1>What are you giving us? You might as well be ten?

1:04:23.600 --> 1:04:24.920
<v Speaker 1>Do you know what I mean? I don't know. What

1:04:24.960 --> 1:04:27.760
<v Speaker 1>are you doing? Nine? Just your you're pussy footing around ten.

1:04:28.320 --> 1:04:31.680
<v Speaker 1>I think you should nut up five seconds and go

1:04:31.800 --> 1:04:33.880
<v Speaker 1>up to ten, or go down to eight because that's

1:04:33.880 --> 1:04:35.800
<v Speaker 1>a prettier number. Or you might as well be seven

1:04:35.840 --> 1:04:39.360
<v Speaker 1>because nothing beats seven. That's one minute. Wow. No, Why

1:04:39.560 --> 1:04:43.520
<v Speaker 1>was six afraid of seven? Why because seven? Eight? Nine?

1:04:44.200 --> 1:04:48.440
<v Speaker 1>Because nine is nine can only be eaten and nine

1:04:48.480 --> 1:04:50.720
<v Speaker 1>will never eat. I think they wanted to eat nine

1:04:50.720 --> 1:04:53.200
<v Speaker 1>because nine is delicious. Quite frankly, I love that.

1:04:53.400 --> 1:04:55.280
<v Speaker 3>I feel bad for nine at this point, I feel

1:04:55.280 --> 1:04:55.720
<v Speaker 3>already bad.

1:04:55.920 --> 1:04:57.960
<v Speaker 1>Why why do you do you to defend? Do you

1:04:58.000 --> 1:05:00.800
<v Speaker 1>think it's catching strays? And did nothing? I think? So?

1:05:01.400 --> 1:05:02.920
<v Speaker 1>Do you have nine in your in your sort of

1:05:03.160 --> 1:05:05.080
<v Speaker 1>date of birth or anything? There is like anything? Number?

1:05:06.200 --> 1:05:10.080
<v Speaker 1>Nineteen eighty nine, ninete oh, nineteen ninety four. Yeah, Hello,

1:05:10.720 --> 1:05:13.240
<v Speaker 1>I'm sorry. I'm born in nineteen ninety. I'm made of

1:05:13.240 --> 1:05:14.040
<v Speaker 1>the stuff.

1:05:14.320 --> 1:05:17.800
<v Speaker 3>Nineteen nine nine. What about the movie nine love?

1:05:19.320 --> 1:05:20.000
<v Speaker 1>So you've seen that?

1:05:20.680 --> 1:05:21.880
<v Speaker 3>So I've seen one?

1:05:22.680 --> 1:05:24.600
<v Speaker 1>You a movie? You know that? You know that I

1:05:24.600 --> 1:05:25.880
<v Speaker 1>saw nine twice in theaters.

1:05:25.960 --> 1:05:26.640
<v Speaker 3>I know that about you?

1:05:26.720 --> 1:05:31.040
<v Speaker 1>Yeah? You know? Who do you identify with from nine?

1:05:31.680 --> 1:05:34.520
<v Speaker 3>The one who's she's got famous mom?

1:05:35.200 --> 1:05:40.000
<v Speaker 1>Kate Hudson, Kate Hudson, same you too. Literally, when I

1:05:40.000 --> 1:05:42.280
<v Speaker 1>saw Kate Hudson at nine, I was like, I finally

1:05:42.320 --> 1:05:43.280
<v Speaker 1>saw myself on screen.

1:05:43.320 --> 1:05:43.840
<v Speaker 3>Wow.

1:05:44.320 --> 1:05:47.920
<v Speaker 1>Yeah, the reporter with like a fucking huge piece in

1:05:47.960 --> 1:05:55.200
<v Speaker 1>her hair. The I was Sallyano, just like throwing ass.

1:05:55.440 --> 1:05:57.600
<v Speaker 1>Isn't it a Is it a remake of eight and

1:05:57.640 --> 1:05:59.880
<v Speaker 1>a half? It's like a retail reimagining. I mean, okay,

1:06:00.600 --> 1:06:06.320
<v Speaker 1>stay in half, random random nine in three quarters might

1:06:06.320 --> 1:06:09.760
<v Speaker 1>as well be ten. Also, I'm we're not elevating that

1:06:10.040 --> 1:06:17.160
<v Speaker 1>transphobes work. You know who hates you know, JK, Charlie

1:06:17.160 --> 1:06:20.680
<v Speaker 1>and Troy because they just want to go back that

1:06:23.040 --> 1:06:26.200
<v Speaker 1>the grown I find nine quite cheek when it's next

1:06:26.280 --> 1:06:27.680
<v Speaker 1>to another nine or any other number.

1:06:27.800 --> 1:06:28.000
<v Speaker 2>Nine?

1:06:28.040 --> 1:06:28.880
<v Speaker 1>Is she nine?

1:06:28.920 --> 1:06:28.960
<v Speaker 2>Is?

1:06:29.040 --> 1:06:29.120
<v Speaker 1>So?

1:06:29.480 --> 1:06:31.280
<v Speaker 3>Nine is actually the cheeks number?

1:06:31.800 --> 1:06:36.080
<v Speaker 1>I don't know y'all. Nine by itself, I don't enjoy

1:06:37.000 --> 1:06:40.440
<v Speaker 1>it gives me anxiety. I say, go to ten. You

1:06:40.480 --> 1:06:42.520
<v Speaker 1>know what I mean? I think then I think, honestly,

1:06:42.560 --> 1:06:45.680
<v Speaker 1>if I'm really thinking about the numbers, three pisces me off.

1:06:47.080 --> 1:06:48.360
<v Speaker 3>Responsibility of ten.

1:06:48.680 --> 1:06:48.960
<v Speaker 2>You know.

1:06:51.080 --> 1:06:54.360
<v Speaker 1>Should take a responsibility I can't handle. Did you think

1:06:54.400 --> 1:06:54.760
<v Speaker 1>about that?

1:06:54.840 --> 1:06:57.160
<v Speaker 3>But it won't. That's why I know.

1:06:57.240 --> 1:06:59.720
<v Speaker 1>I think that is a lot of restraints. Ten is whole,

1:07:00.240 --> 1:07:03.520
<v Speaker 1>ten is ten is OK. By the way, I don't

1:07:03.520 --> 1:07:06.560
<v Speaker 1>think nine is a prime number. Yeah, I'm sorry, it's not.

1:07:06.720 --> 1:07:09.160
<v Speaker 1>I take that back. Of course. I can't believe I

1:07:09.240 --> 1:07:12.880
<v Speaker 1>knew a number thing you did it. I'm deeply mistaken, Amelia,

1:07:13.120 --> 1:07:15.160
<v Speaker 1>because you know what you can do with nine. Split

1:07:15.200 --> 1:07:21.720
<v Speaker 1>it in threes. But three? Yes. Wait, Also, if you

1:07:21.720 --> 1:07:23.680
<v Speaker 1>don't have nine, you can't have sixty nine the best

1:07:23.680 --> 1:07:28.640
<v Speaker 1>sexual position. I don't know you'll have you guys reminiscing,

1:07:28.760 --> 1:07:31.040
<v Speaker 1>y'all have your six? Have y'all sixty nine? Recently because

1:07:31.040 --> 1:07:33.920
<v Speaker 1>it's always like, I don't know what it's all, canceling

1:07:33.920 --> 1:07:38.640
<v Speaker 1>out of it. I'm like, it's unnecessary, it's unnecessary. I

1:07:41.120 --> 1:07:43.160
<v Speaker 1>like it in theory. I'm thinking about it. And I'm going,

1:07:43.360 --> 1:07:45.919
<v Speaker 1>oh that's nice. I don't like the cold sixty nine

1:07:45.960 --> 1:07:48.280
<v Speaker 1>because you are a six and a nine. Someone's a

1:07:48.280 --> 1:07:50.640
<v Speaker 1>six and know what I'm saying, you catching my dreams.

1:07:50.640 --> 1:07:52.919
<v Speaker 1>Maybe I'm doing it wrong, like this is a six

1:07:52.960 --> 1:07:57.120
<v Speaker 1>and that's a body. Here comes nine, and isn't it

1:07:57.160 --> 1:08:00.959
<v Speaker 1>more of an eight? No, actually think about this before

1:08:01.000 --> 1:08:04.600
<v Speaker 1>we say no, before we like it's disrespect her suggestion.

1:08:05.440 --> 1:08:09.880
<v Speaker 1>Let's think about it. No, Okay, got to kay that

1:08:09.880 --> 1:08:12.520
<v Speaker 1>one out. But could you understand why it's sixty nine?

1:08:13.080 --> 1:08:17.960
<v Speaker 1>So it's so look look like we have to. It's

1:08:17.960 --> 1:08:23.280
<v Speaker 1>like it's like like all right, let's shower. One person

1:08:23.520 --> 1:08:28.600
<v Speaker 1>is like this is the tail, and then that's and

1:08:28.640 --> 1:08:31.880
<v Speaker 1>then see like work like it's it's like we're symmetrical.

1:08:32.040 --> 1:08:34.360
<v Speaker 1>That doesn't look like a six or nine to me.

1:08:35.840 --> 1:08:39.679
<v Speaker 1>That does not like a six or a nine. Amelia,

1:08:39.920 --> 1:08:42.880
<v Speaker 1>let me do it to you. No, I'm fragile. You've

1:08:42.880 --> 1:08:46.840
<v Speaker 1>had it already. Period. I think that sixty nine is great.

1:08:46.920 --> 1:08:49.720
<v Speaker 1>When it's not side by side. I have to be

1:08:50.920 --> 1:08:53.439
<v Speaker 1>you have to be down on you, be exactly what

1:08:53.479 --> 1:08:54.120
<v Speaker 1>I just do it.

1:08:54.280 --> 1:08:55.120
<v Speaker 3>Like that, just like that.

1:08:55.479 --> 1:09:00.439
<v Speaker 1>Oh yeah, that's just the best. That is I'm you

1:09:00.439 --> 1:09:02.400
<v Speaker 1>know what's gonna happen. This video is gonna come out

1:09:02.400 --> 1:09:04.160
<v Speaker 1>audio first and then a couple of days later video,

1:09:04.240 --> 1:09:06.400
<v Speaker 1>and they're not gonna be able to watch me sixty

1:09:06.479 --> 1:09:09.400
<v Speaker 1>nine Bowen. We have been getting a lot of request

1:09:09.439 --> 1:09:15.040
<v Speaker 1>to kiss lately. Have you seen that kiss kiss?

1:09:13.920 --> 1:09:16.800
<v Speaker 3>The fa kissings fun?

1:09:16.880 --> 1:09:19.479
<v Speaker 1>Yeah, my favorite thing to do. You guys want to

1:09:19.560 --> 1:09:28.040
<v Speaker 1>all kiss? Yeah? No ch islenders hunters yours in day obviously,

1:09:28.120 --> 1:09:31.040
<v Speaker 1>But then who are we? I'm I think I might

1:09:31.080 --> 1:09:34.600
<v Speaker 1>be feist. I guess yeah, I'm Josh. You're like the

1:09:34.880 --> 1:09:39.320
<v Speaker 1>Guzier messier one. That's a compliment for the streets, we

1:09:39.320 --> 1:09:41.759
<v Speaker 1>were saying. We were saying. One of my favorite comments

1:09:41.760 --> 1:09:44.240
<v Speaker 1>about me recently online was that I need to stop

1:09:44.400 --> 1:09:46.679
<v Speaker 1>pushing Boone to talk about his sex life just because

1:09:46.760 --> 1:09:49.679
<v Speaker 1>I'm for the I wish I was for the streets.

1:09:49.720 --> 1:09:51.439
<v Speaker 1>You are for the streets. Look at the top, you're

1:09:51.439 --> 1:09:54.560
<v Speaker 1>warding you slut.

1:09:55.120 --> 1:09:55.880
<v Speaker 3>She's taking it down.

1:09:56.360 --> 1:09:58.760
<v Speaker 1>There's there's a shy girls longs where she's like, she goes,

1:09:58.920 --> 1:10:04.320
<v Speaker 1>I'm for the streets. Yeah, are you ready to ready

1:10:04.360 --> 1:10:05.920
<v Speaker 1>to show the streets what you got? You said you

1:10:05.920 --> 1:10:08.760
<v Speaker 1>had something? Okay, this is a merely demandermering. I don't

1:10:08.760 --> 1:10:10.280
<v Speaker 1>think so, honey. Her time starts now.

1:10:11.120 --> 1:10:12.280
<v Speaker 3>I don't think so honey.

1:10:12.320 --> 1:10:16.960
<v Speaker 2>Magicians okay, what I don't need a man to tell

1:10:17.000 --> 1:10:18.000
<v Speaker 2>me something I don't know.

1:10:18.600 --> 1:10:21.040
<v Speaker 3>Hello, don't trick me?

1:10:21.640 --> 1:10:21.720
<v Speaker 1>What?

1:10:22.479 --> 1:10:26.760
<v Speaker 2>Stop doing it? Also, where are the female magicians? I

1:10:26.760 --> 1:10:30.439
<v Speaker 2>didn't see any of them? Okay, it's a feminist issue.

1:10:30.479 --> 1:10:34.560
<v Speaker 2>The only women around magic are getting sworn in half Okay.

1:10:34.960 --> 1:10:38.719
<v Speaker 3>No, thank you, playing cards, sleight of hand.

1:10:39.160 --> 1:10:42.000
<v Speaker 2>I just don't think it's necessary, really, And I also

1:10:42.080 --> 1:10:44.080
<v Speaker 2>think it's I've been to the magic castle.

1:10:44.560 --> 1:10:45.639
<v Speaker 1>Wow, smell bad.

1:10:45.880 --> 1:10:50.160
<v Speaker 2>Smell badlt really bad. Also, it's not real.

1:10:50.960 --> 1:10:53.880
<v Speaker 1>What magic?

1:10:55.960 --> 1:10:58.519
<v Speaker 3>It's not real. Show me some real magic.

1:10:58.920 --> 1:11:04.200
<v Speaker 1>Find me an emotionally of dinner. I want it.

1:11:04.640 --> 1:11:07.200
<v Speaker 3>Don't pull a rabbit out of a hat. They don't

1:11:07.200 --> 1:11:07.920
<v Speaker 3>want to be there.

1:11:08.240 --> 1:11:12.000
<v Speaker 1>And that's one minute. First of all, I think that

1:11:12.280 --> 1:11:14.920
<v Speaker 1>you are so right to call out the gender inequality.

1:11:15.080 --> 1:11:16.880
<v Speaker 1>Yes that art form.

1:11:17.040 --> 1:11:19.840
<v Speaker 3>Yes, yes, it's true. It's weird, isn't it.

1:11:19.840 --> 1:11:24.720
<v Speaker 1>There's as Olivia Rodrigo once said, it's exactly no.

1:11:24.760 --> 1:11:26.360
<v Speaker 2>But I think there's a reason why women don't want

1:11:26.360 --> 1:11:29.080
<v Speaker 2>to be magicians because they know it's like not appropriate,

1:11:29.240 --> 1:11:30.639
<v Speaker 2>like a magician.

1:11:31.479 --> 1:11:34.639
<v Speaker 1>Appropriate in the sense that like, it's not it's not appropriate,

1:11:35.240 --> 1:11:36.840
<v Speaker 1>it's lying. It's lying.

1:11:36.920 --> 1:11:40.080
<v Speaker 2>This is lying. It's just more men lying. It's right,

1:11:40.320 --> 1:11:41.760
<v Speaker 2>and I don't want it around me.

1:11:42.600 --> 1:11:47.679
<v Speaker 1>Like magic, I can appreciate it, Okay, but like what

1:11:47.680 --> 1:11:51.479
<v Speaker 1>whatever I mean? Hold on, what if they're like, we're

1:11:51.479 --> 1:11:58.280
<v Speaker 1>going to pay you five million dollars if you learn magic? Gone,

1:11:59.439 --> 1:12:03.640
<v Speaker 1>it's so aim you don't need that money. What am

1:12:03.640 --> 1:12:07.679
<v Speaker 1>I going to be doing? Like pulling? Well? Sorry, if

1:12:07.760 --> 1:12:10.120
<v Speaker 1>you were going to do magic, what would like you

1:12:10.160 --> 1:12:12.080
<v Speaker 1>know what I'm saying, that's different. You should find it

1:12:12.240 --> 1:12:15.320
<v Speaker 1>like a lane. You should do fashion magic fashion magic.

1:12:15.920 --> 1:12:19.599
<v Speaker 3>Or like oh no, like when they like turn inside out.

1:12:20.760 --> 1:12:23.400
<v Speaker 1>What I'm saying, we don't need it.

1:12:23.560 --> 1:12:24.439
<v Speaker 3>We don't need it?

1:12:24.840 --> 1:12:27.160
<v Speaker 1>Oh wait, no fashion, I.

1:12:27.200 --> 1:12:29.759
<v Speaker 3>Do you kind of like Dave is it David Blaine?

1:12:30.200 --> 1:12:33.920
<v Speaker 1>Yeah, David? Is he canceled? We don't know. I don't know.

1:12:34.840 --> 1:12:36.720
<v Speaker 1>Do we know if David Blame is cancels? Can we

1:12:36.760 --> 1:12:39.800
<v Speaker 1>find out? Just google Davila canceled. You can still like

1:12:39.840 --> 1:12:40.640
<v Speaker 1>Emmy's cancel No.

1:12:40.720 --> 1:12:42.479
<v Speaker 2>I just okay, that's the kind of magic I can

1:12:42.680 --> 1:12:44.840
<v Speaker 2>Maybe I'm into that, but that's more like risking your

1:12:44.880 --> 1:12:46.280
<v Speaker 2>life like you could maybe die.

1:12:46.880 --> 1:12:48.320
<v Speaker 1>Right, and that's not to see. There's not a see

1:12:48.320 --> 1:12:51.840
<v Speaker 1>in that defying Have you ever seen Chris Angel mind freak?

1:12:52.520 --> 1:12:55.200
<v Speaker 3>No, I don't.

1:12:57.240 --> 1:13:01.559
<v Speaker 1>Okay, okay, all right, all right, got it, You're right,

1:13:01.600 --> 1:13:05.680
<v Speaker 1>they're bad. What I'm saying is point Braven. Wait, but

1:13:05.720 --> 1:13:08.560
<v Speaker 1>where are the Is there one female? But you know

1:13:08.600 --> 1:13:11.639
<v Speaker 1>who I birthday with Pendellette? Oh?

1:13:12.360 --> 1:13:13.919
<v Speaker 3>Is the either one to shoot themselves?

1:13:16.920 --> 1:13:19.720
<v Speaker 1>Penn and Teller and Teller with the gun? I don't know?

1:13:21.120 --> 1:13:25.080
<v Speaker 1>Wait and Roy they got mulled by their on time.

1:13:25.960 --> 1:13:27.200
<v Speaker 3>I'm saying a dumb.

1:13:28.720 --> 1:13:32.040
<v Speaker 1>I should just hung it up. Also, magic Castle, get

1:13:32.080 --> 1:13:36.360
<v Speaker 1>the carpet cleaner out. Get Have you been there? I've

1:13:36.439 --> 1:13:39.000
<v Speaker 1>not been. I've not been there. I don't know what

1:13:39.040 --> 1:13:40.200
<v Speaker 1>I've been there. Have you been there?

1:13:41.760 --> 1:13:42.280
<v Speaker 3>I've been there?

1:13:43.200 --> 1:13:49.000
<v Speaker 1>Unfortunately, No, did you get invited by my magician? And

1:13:49.040 --> 1:13:51.000
<v Speaker 1>how did you know this magician? A friend for friend?

1:13:51.960 --> 1:13:54.439
<v Speaker 2>I wouldn't you were trying to smash I wouldn't personally

1:13:54.439 --> 1:13:57.080
<v Speaker 2>associate myself with magicians. But what you're trying to smash,

1:13:57.120 --> 1:13:59.680
<v Speaker 2>I wasn't trying to smash the magician magician, it's not

1:13:59.720 --> 1:14:03.000
<v Speaker 2>my time. As we were I don't think so, Hammy magicians.

1:14:03.400 --> 1:14:05.280
<v Speaker 1>That was brutal and the best way that you. I'm

1:14:05.320 --> 1:14:08.120
<v Speaker 1>on your side completely. It was a steering takedown. Thank you.

1:14:08.200 --> 1:14:10.800
<v Speaker 1>I really to Moldenburg, what a true delight it's been

1:14:10.840 --> 1:14:11.240
<v Speaker 1>to be with you.

1:14:11.840 --> 1:14:13.720
<v Speaker 2>Been delightful. You have to kind of honestly had the

1:14:13.720 --> 1:14:14.879
<v Speaker 2>best time with you guys.

1:14:14.720 --> 1:14:16.920
<v Speaker 1>But like truly expect for multiple days.

1:14:17.160 --> 1:14:19.120
<v Speaker 2>Yeah, And I just really appreciate it because I feel

1:14:19.120 --> 1:14:20.840
<v Speaker 2>like some of these things can be really overwhelming and

1:14:20.840 --> 1:14:23.360
<v Speaker 2>it's so nice to like have people around you who

1:14:23.400 --> 1:14:27.040
<v Speaker 2>are like actually funny, normal, great, talented.

1:14:27.160 --> 1:14:27.479
<v Speaker 1>Love it.

1:14:27.600 --> 1:14:29.040
<v Speaker 3>Love you guys, and thank you so much for having

1:14:29.080 --> 1:14:29.360
<v Speaker 3>me on.

1:14:29.479 --> 1:14:31.680
<v Speaker 1>Of course we feel the same way about you. I

1:14:31.760 --> 1:14:33.760
<v Speaker 1>remember meeting it that part after party, being like you

1:14:34.000 --> 1:14:36.599
<v Speaker 1>just I mean, we just have to have you on. Yeah,

1:14:36.640 --> 1:14:39.080
<v Speaker 1>I'm so glad. I'm so glad it happened. Yeah, and

1:14:39.120 --> 1:14:41.240
<v Speaker 1>you guys, it's the ten years for you guys, is

1:14:41.280 --> 1:14:43.960
<v Speaker 1>it true? Yeah, we started around the same time.

1:14:44.040 --> 1:14:44.680
<v Speaker 3>Yeah, we must have.

1:14:44.800 --> 1:14:47.920
<v Speaker 1>That's so nice. I guess like March twenty sixteen when

1:14:47.920 --> 1:14:50.760
<v Speaker 1>when we started, So another year or so we're worth

1:14:50.800 --> 1:14:53.080
<v Speaker 1>the nine year emerge almost do a big ten yere thing.

1:14:53.280 --> 1:14:54.960
<v Speaker 1>I'm sure we will. We love to do an event,

1:14:55.200 --> 1:14:57.679
<v Speaker 1>you have to. We love to inventize, love to inventize,

1:14:57.720 --> 1:14:59.439
<v Speaker 1>and maybe we'll see you with the awards. I think

1:14:59.479 --> 1:15:00.400
<v Speaker 1>you're gonna be an dominated.

1:15:01.960 --> 1:15:03.840
<v Speaker 3>I want. I'm begging to walk the collpit.

1:15:04.600 --> 1:15:08.080
<v Speaker 1>You know, let me work. Could be good, could be good,

1:15:08.360 --> 1:15:11.000
<v Speaker 1>only if you want to do it. Okay, what we

1:15:11.080 --> 1:15:12.640
<v Speaker 1>will talk, We'll talk. Well, we have to rope in

1:15:12.680 --> 1:15:14.639
<v Speaker 1>a lot of people. There's meetings about the Culture Awards. Now,

1:15:14.880 --> 1:15:20.000
<v Speaker 1>m we keep teasing to the all right, we had

1:15:20.000 --> 1:15:22.599
<v Speaker 1>every episode with the song and here we go, moving

1:15:22.720 --> 1:15:29.160
<v Speaker 1>on up to the side. Why this key big in

1:15:29.280 --> 1:15:37.479
<v Speaker 1>the sky? Yeah, don't rye in the kitchen. Bye bye.

1:15:41.840 --> 1:15:44.000
<v Speaker 1>Last Culture Eatis is the production by Will Ferrell's Big

1:15:44.000 --> 1:15:47.000
<v Speaker 1>Money Players in My Heart Radio podcasts, created and hosted

1:15:47.000 --> 1:15:50.720
<v Speaker 1>by Matt Rogers and Bowen Yan, executive produced by Ana Hasny,

1:15:50.800 --> 1:15:53.960
<v Speaker 1>and produced by Becker Ramos, edited mixed by Doug Bamimniko

1:15:54.040 --> 1:16:00.280
<v Speaker 1>board and our music is by Henry komirski H