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Speaker 1: Look mare, oh, I see you my own and look

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Speaker 1: over there is that culture. Yes, goodness, we loves cult

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Speaker 1: dang dong lass culture. Okay, my brain feels like it's

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Speaker 1: going to come out of my right eye. And you

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Speaker 1: know why we are coming at you fresh off of

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Speaker 1: the SNL fifty after party. Literally it happened, it ended

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Speaker 1: not twelve hours ago. Yeah, we were technically still probably

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Speaker 1: freaking buzzed now of gin and Tonics. We had what

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Speaker 1: is my thing with gin and Tonics lately? Now we

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Speaker 1: were nineteen oh two. We were pounding the way and

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Speaker 1: tease the way. Very British of us. So at propos,

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Speaker 1: at propos. I didn't see our guests drinking gin and Tonics.

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Speaker 1: I don't know she drinking. She was on another level.

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Speaker 1: She I saw her with the Martini glass all night. Classy,

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Speaker 1: classy girl, classy gir Leina. This actually is a monumental day.

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Speaker 1: I have been waiting for this. Well. I met our

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Speaker 1: guest at at an sinal after party, and immediately I

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Speaker 1: was like, the vibe is impeccable. The vibe is impeccable.

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Speaker 1: Also instant friendship, instant friendship, and then still and then

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Speaker 1: so it was the three of us plus up Zoe. Yeah,

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Speaker 1: can you mention no name? Zoe? Plus I'm like, good,

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Speaker 1: you really are being so compliant and this is great.

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Speaker 1: And it was the four of us plus the last

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Speaker 1: ym famed sinal writer. Oh, and it was the five

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Speaker 1: of us being a little unit all night and anytime

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Speaker 1: y'all would leave to go great to drink at the bar,

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Speaker 1: don't speak, Celes. We would just we would all check

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Speaker 1: any and be like, I mean, the Themaldenburgs love. Just

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Speaker 1: come on, it doesn't get any better than that. Well,

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Speaker 1: you know what's you know what's happened which actually really

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Speaker 1: bonds people is we've shared a dressing room to go

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Speaker 1: through glam. Yes, so I've I've seen our guests through glam. Oh,

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Speaker 1: and that can be the most vulnerable place. When you

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Speaker 1: see someone with curlers in their hair, you see their soul.

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Speaker 1: When you see epatrology gel under eye thing, I love

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Speaker 1: that stuff. You want to know why it works? Sometimes? Huh?

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Speaker 1: Sometimes the bags do be staying and you go, why

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Speaker 1: did I put this slime on my face? For twenty minutes?

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Speaker 1: I'm looking Amanda anything, Okay? Can I tell you something?

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Speaker 1: No one looks more like shit right now? Than me,

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Speaker 1: than me. I am horrified and when I look at

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Speaker 1: the lights, I think, I know that's not right. Like

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Speaker 1: the crypt Keeper's ugly cousin who doesn't even on camera.

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Speaker 1: The thing about the crypt keeper, he still is telegenic.

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Speaker 1: He's telegenic and he has but he's the most presentable

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Speaker 1: of his family. I'm gonna say one thing that happened

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Speaker 1: last night, and this truly happened. There's so many things.

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Speaker 1: There's so many things that happened, but I'm going to

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Speaker 1: say one thing because I don't know how much to reveal.

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Speaker 1: There's a lot of light and a lot of darkness

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Speaker 1: to rea. We're talking about like these ugly cryptkeeper types,

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Speaker 1: and I was thinking, Wow, how many gorgeous people do

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Speaker 1: we see? Guess who I feel my butt bump against

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Speaker 1: their butt than that? And I turn around, who is it?

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Speaker 1: Al Franken, No, that would be the funny way to

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Speaker 1: go about it. But this is the on the nose thing.

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Speaker 1: My butt touched Kim Kardashian's but that is so our

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Speaker 1: butts hit And I turned around and I said, oh,

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Speaker 1: that's Kim k y'all were Eric stone Street and Jesse

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Speaker 1: not Jesse Tyler ferguson the Dad and Modern Family at O'Neill.

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Speaker 1: Remember there was that Modern Family episode where they did

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Speaker 1: like a moon landing. I really collar them. They touched

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Speaker 1: butts at in the locker and the men's lock right

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Speaker 1: and they touched naked butts. Are you Eric stone Street

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Speaker 1: or are you at O'Neill. We were both clothed. Honestly,

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Speaker 1: who has the bigger butt? You ed? Oh? Do you

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Speaker 1: think me? Between you and Kim Kim's the butt is bigger.

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Speaker 1: Get out the measuring stick, Get out the measuring stead.

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Speaker 1: We got to move on. It's time to bring in

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Speaker 1: our guests. Who speaking of pop culture? And when you

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Speaker 1: say Kim k you say pop culture has truly I

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Speaker 1: don't know how to say. This perfected the form of

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Speaker 1: the interview, perfected the former of the interview. You break

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Speaker 1: chicken out, you bring smiles up, perfected the art of

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Speaker 1: the edit. This is Sean Baker Found Dad, This is

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Speaker 1: the new edit. Trix Queen would like to see Honora too.

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Speaker 1: I would like to see our guest in the edit

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Speaker 1: room for Shawn Baker's next film. Can I pitch this?

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Speaker 1: Honora to Colon Amelia Gas, Honora to Colon Amelia, It's

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Speaker 1: time this. She hosts Chicken Chop Date, the iconic Chicken

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Speaker 1: Chop Date. She is now a fixture and a welcome

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Speaker 1: presence at any red carpet event, which is almost always

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Speaker 1: more stress than it's worth until you see our guest

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Speaker 1: was killing the carpet last night, Carver last night with

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Speaker 1: my girl, Matt Rogers. We were we were sort of the

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Speaker 1: glambot was in between us. Some time we'll talk about

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Speaker 1: we'll talk about the Glambot. But she, for the second

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Speaker 1: near in a row, will be correspondent at the Red

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Speaker 1: carpet at the Oscars. Can I talk everyone?

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Speaker 2: Welcome, pleasure to be here, long time, about two hours,

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Speaker 2: two hours on brain needs to come out of your eye. Yeah, I'm,

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Speaker 2: I'm My mouth is dry, yeah, my mouth is dry,

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Speaker 2: my head, but I just walked here from my hotel

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Speaker 2: and it really put the life back in my soul.

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Speaker 1: To hit you sometimes?

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Speaker 3: Is this Jay walkings illegal?

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Speaker 1: So? And I don't think I don't think it matters. Well,

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Speaker 1: how does the wind chill in New York compare to

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Speaker 1: the wind chill in London?

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Speaker 2: Was so much windy? I hear, yeah, wind is the

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Speaker 2: wind is stronger.

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Speaker 1: Because whip around those big buildings.

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Speaker 3: It's the buildings are so big and they create the wind,

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Speaker 3: right Yeah? Yeah?

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Speaker 1: Are you like you come here and you're like, Okay,

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Speaker 1: I can't wait to get back well to New York London?

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Speaker 3: Oh no, I love New York.

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Speaker 2: Yeah okay, good, Yeah, But like I just I don't

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Speaker 2: know if I could.

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Speaker 3: Ever live here full time.

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Speaker 1: So we would like it.

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Speaker 3: It's so full on.

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Speaker 1: How are we How are we going to maintain a friendship? No?

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Speaker 1: I know, I know, I do.

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Speaker 3: There is only one option. I do need to move.

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Speaker 1: That's the only You can't really have a long distance

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Speaker 1: friendship read because we're not coming to London all that much.

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Speaker 1: Why I actually have to say, I think we should go.

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Speaker 1: I think we should go more. I need to get

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Speaker 1: back on I need to recalibrate my London experience because

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Speaker 1: for a while it was and it was it's one

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Speaker 1: of the great cities of the world throughout history. I

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Speaker 1: do still associate with, Oh god, I'm gonna get a Heathrow.

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Speaker 1: No God, I'm getting stressed out and I have to

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Speaker 1: like figure out the rest of my week. And it

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Speaker 1: was like, for a while it was the sight of

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Speaker 1: my darkest moments. We shot the movies for a year total,

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Speaker 1: two of them. Just wait till next till Wow, it's

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Speaker 1: this year. Just wait till till it's coming up. It

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Speaker 1: will be changed for good. And that's just what I hear. No,

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Speaker 1: you're right, No, we need to come to London more.

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Speaker 1: Where are you? You're you're a Marylebone girl.

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Speaker 2: You them all the bone. But now I live in

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Speaker 2: East London.

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Speaker 1: Oh the Hackney.

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Speaker 3: Yeah, and Hackney?

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Speaker 1: Are you like a neighborhood fixture? The pubs in the corp.

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Speaker 2: I love the pub. I'm in the pub like NonStop.

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Speaker 2: That's why when I'm in America, that's what I crave.

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Speaker 2: I crave the pub so much. I'm like, I need

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Speaker 2: to go back into the pub.

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Speaker 1: You want to pie?

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Speaker 2: I don't want to pie, but I do want the

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Speaker 2: pub you want I want a cider?

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Speaker 1: Yeah, I oh do. I'm I'm a hot, tidy sort

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Speaker 1: of fanatics.

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Speaker 2: Oh my god, love alcoholic beverage. They do mulled wine

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Speaker 2: all year. That's what I'm talking about.

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Speaker 1: This, This is a huge question. I will always say

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Speaker 1: I do get a little nervous about asking a bartender

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Speaker 1: to do that, just because me being former industry I

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Speaker 1: do know it's steps involved in creating the hot beverage.

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Speaker 1: We like boiling the boiling sort of. I mean like

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Speaker 1: it's like, certainly there might be an area where there's

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Speaker 1: already hot water, but like it's just there's a clue.

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Speaker 1: There's the stick of cinnamon, there is the lemon, there

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Speaker 1: is the oftentimes you have to put the clothes in

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Speaker 1: the lemon. If people take themselves very seriously this preparation.

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Speaker 1: There's arts, et cetera. Right, but like it's it's worth

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Speaker 1: it when you get to the end of the rainbow. Now,

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Speaker 1: what if in theory you've fall in love with someone

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Speaker 1: here you.

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Speaker 2: Know interesting though actually what you haven't been thinking about,

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Speaker 2: then I would just I would just have to get

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Speaker 2: to travel more's.

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Speaker 1: Her life where she is, I know, I don't. I'm

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Speaker 1: just I'm just putting some hypotheticals out there. We need

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Speaker 1: to come more to you. I think we should stop

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Speaker 1: trying to give in to you to move here.

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Speaker 2: Because I would like to come here more. To be fair,

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Speaker 2: I feel like I could come once a month.

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Speaker 1: You're invited. Well, you know, we need That's why we

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Speaker 1: need to do more award shows. We need to do

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Speaker 1: more ward shows. We understand how to get your awards. Yea, yes,

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Speaker 1: that's true. You actually should. Oh, I feel like that's

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Speaker 1: for some reason. I'm going to say beneath you. Yeah,

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Speaker 1: I was gonna say you need a bigger role to

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Speaker 1: cultural awards. No, it's only beneath you at our at

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Speaker 1: our show, you know what I mean. And every other

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Speaker 1: capacity it's like, well there's no one better, but for us,

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Speaker 1: it's like you gotta be on. You've got to be

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Speaker 1: in the full thing.

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Speaker 3: Do you love award shows in general?

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Speaker 1: I think so?

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Speaker 3: Yeah. Same. I've always loved growing up watching them, like

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Speaker 3: I love love them.

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Speaker 1: Yeah, it's such a gag to go to them now

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Speaker 1: like whenever, Like Bowen is nominated for almost every award

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Speaker 1: and so but is it we get to go to

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Speaker 1: all We're very lucky we get to go to that,

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Speaker 1: and it is like it's wild when you are in

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Speaker 1: the midst of it, because it's like there everyone is, yes.

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Speaker 2: And you get to meet so many people like so

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Speaker 2: I love like so many people that you're a fan

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Speaker 2: of their work and you get to meet them and

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Speaker 2: like talk to them and I love it.

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Speaker 3: And then it's exciting. Who's gonna win?

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Speaker 1: Yeah? Do you get nervous still with the celebrity of

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Speaker 1: it all, or have you now sort of reached a

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Speaker 1: point where you've kind of met the biggest and so

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Speaker 1: it's now less daunting and they know who you are.

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Speaker 2: I don't really get nervous to meet celebrities, and I

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Speaker 2: feel like that's why I've like enjoyed this job, or

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Speaker 2: maybe I'm good at it because I don't really feel

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Speaker 2: like I get starstruck that much.

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Speaker 3: But I do.

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Speaker 2: I feel confident in the room because I know I'm there,

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Speaker 2: I've got my job, I'm there for a purpose. I

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Speaker 2: find it difficult when I go to events where I'm

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Speaker 2: not working, because then I'm like, oh god, I feel

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Speaker 2: that's when i feel like a bit more overwhelmed by it.

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Speaker 1: All right, yeah, like give me a job a purpose.

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Speaker 4: Yeah.

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Speaker 2: Like, for example, last night, I was like, oh, okay,

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Speaker 2: well I'm here, I'm doing the carpet, like I'm got

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Speaker 2: my SNL credentials, Like this is incredible. I feel like

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Speaker 2: I should be here, Whereas I think if I wasn't

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Speaker 2: doing that, I'd be like what why, what's happening? But

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Speaker 2: it also like I wouldn't have been invited. But anyway, Yeah,

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Speaker 2: that kind of makes me feel a bit more confident,

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Speaker 2: but no, like I really do like meeting celebrities.

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Speaker 1: Well, what was what was the overall bounce on last night?

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Speaker 3: Was in incredible, like just like and the after party.

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Speaker 1: Oh my god, like a virgin and then I'm doing

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Speaker 1: Mustang Sally Like truly, it was one of those because

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Speaker 1: they're not always like that. In fact, they're almost never

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Speaker 1: like that. You think in your head the essmenal afterparties

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Speaker 1: are going to be like that, and then it's like

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Speaker 1: you get an event like this and people were really

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Speaker 1: going it was. It was amazing.

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Speaker 2: It was amazing, and it was ginormous and every single

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Speaker 2: person there was like legendary it was and everyone was

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Speaker 2: like laying loose and oh it was just it was

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Speaker 2: just amazing. And it went on so late, went on

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Speaker 2: till like five in the morning.

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Speaker 1: When we were there, and then there we were and

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Speaker 1: we had stayed, and we had stayed, but I will say,

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Speaker 1: I mean like we were saying that we were getting

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Speaker 1: starstruck for the first time in a long time, just

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Speaker 1: like just because it was everywhere you turn there was

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Speaker 1: just someone like oh wow, wow, wow.

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Speaker 2: I got I met Andy Samberg. I was actually really starstruck.

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Speaker 2: I was like, you are the godfather of like viral

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Speaker 2: of YouTube. Yeah, and I'm like wow to be in

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Speaker 2: your presence.

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Speaker 1: Were you like a Lonely Island fan? Yes, it was a.

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Speaker 2: Huge like it was just I just don't I feel

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Speaker 2: like when every time they released a song, it was

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Speaker 2: like there was nothing else in the world that was

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Speaker 2: that was there.

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Speaker 1: It was only them, you know, it was just still

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Speaker 1: listening I'm on a boat.

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Speaker 3: Yes, t Paint, I love him. Have you ever listened

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Speaker 3: to his Tiny Desk?

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Speaker 1: Actually?

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Speaker 2: Yeah, I think one of the best ones ever, like

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Speaker 2: no autotune, Like he has the best voice ever and

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Speaker 2: it's just sublime.

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Speaker 1: And it was a while ago to it was like

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Speaker 1: before it was like a thing. It was right, Yeah,

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Speaker 1: I mean, okay, this is the thing. Lonely Island only

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Speaker 1: one tour right before COVID and then COVID hit I think,

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Speaker 1: and it's like, I think we need to put the

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Speaker 1: energy out there that they need to go back on

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Speaker 1: tour because it's like they would be so fun right,

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Speaker 1: like because they were saying like it's so interesting, like

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Speaker 1: to hear our songs being sung by a crowd. That

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Speaker 1: was never the experience that was never why we put

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Speaker 1: it out. It was only for in service to like

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Speaker 1: a comedy bit or a sketch, Like it is a

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Speaker 1: surreal thing to like do it in front of an audience,

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Speaker 1: and I think they should. I wouldn't we all encourage

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Speaker 1: them to do it.

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Speaker 2: That would be so fun because they could also do bits,

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Speaker 2: like they could do sketches and stuff of course, like

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Speaker 2: with it, like they could do they could do the music.

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Speaker 2: It could be a whole comedy of music extravagance.

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Speaker 1: It could be like what the concert on Friday felt like, Yeah,

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Speaker 1: which I loved because it was so in the spirit

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Speaker 1: of SNL. Like I loved on a gasty are coming

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Speaker 1: out as Martha Stewart to introduce Snoop, you know what

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Speaker 1: I mean. Like I loved the like Bobby and Marty

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Speaker 1: like thrown in there. You know, It's just it felt.

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Speaker 1: And then by the way, just you were in the same.

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Speaker 2: Row as me, we've really had just a weekend together.

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Speaker 2: Every day I've seen you. I also think one of

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Speaker 2: the reasons, well, as you know, like that he's so

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Speaker 2: talented as a musician. They all are, and that's why

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Speaker 2: it works, Like that's why the comedy works.

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Speaker 3: Is because they're actually so talented music.

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Speaker 2: And that's something you realize when on Friday as well,

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Speaker 2: how beautiful everyone's voices are and how like everyone's basically

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Speaker 2: musician in there, and right, yeah.

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Speaker 1: Just study. Like I so we shot this thing for

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Speaker 1: the show on Sunday, but we shot it on Wednesday,

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Speaker 1: and just like between tapes, we were just you know, talking,

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Speaker 1: chatting it up, and I was just like I just

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Speaker 1: innocently asked him. I was like, what are you, like,

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Speaker 1: what are you listening to lately? And then he like

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Speaker 1: pauses and then like unfurls all these things. He's like, well,

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Speaker 1: there's this Ghanian guy who like does a lot of

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Speaker 1: big band music. And then there's Cindy Lee, this like

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Speaker 1: drag artist who like has like a rock band that

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Speaker 1: she released like a two hour album that's like only

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Speaker 1: available on YouTube, and like that's been like like he

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Speaker 1: just has such an expansive and like he knows all

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Speaker 1: this history back to like the eighties and nineties of

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Speaker 1: like hip hop and like jazz and like fuck and

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Speaker 1: like he's just a genius. Well that's why some work. Yeah,

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Speaker 1: they're like those are music, those are heads, those are music.

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Speaker 3: That's so cool.

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Speaker 1: I mean I saw him last night. I was just like,

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Speaker 1: again the hook slapped, Yeah, the hook in that digital

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Speaker 1: short that you were in.

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Speaker 3: Oh, that was really fun.

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Speaker 1: It was so great. Yes, it was just like I

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Speaker 1: was like, get damn. Like, I think that was so

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Speaker 1: much more formative comedically on like our generation. Anyone realizes

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Speaker 1: that all of you got to tell him that he's

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Speaker 1: the godfather of like viral comedy. That's amazing. I'm sure

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Speaker 1: he was very happy to hear.

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Speaker 3: Yeah, it was really amazing downstairs.

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Speaker 1: And I'm gonna say this and I know he's listening.

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Speaker 1: That is one of the true beauty's hunks of because

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Speaker 1: because you're always like, yeah, I have a crush on

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Speaker 1: Andy Samberg and then you see him and you're like

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Speaker 1: crush on and yeah, that face the bone strucks, you know.

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Speaker 1: I remember, like just when he came out with his

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Speaker 1: floppy hair. There's something about a goofy guy. Oh do

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Speaker 1: you like funny guys? Is that?

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Speaker 3: I like? I like funny guys, but that hard to find.

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Speaker 1: I just feel like, is it so it's not a rap?

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Speaker 1: If they're not funny, I think they.

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Speaker 2: Have to make me laugh, but I also want them

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Speaker 2: to laugh at my jokes and that's more important laughing

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Speaker 2: at me.

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Speaker 1: Yeah, but then there's a there's an implied self made

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Speaker 1: funniness in them that has to like be present for

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Speaker 1: them to laugh at your jokes, you know what I mean?

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Speaker 2: Yeah, totally, I do. I do think I need a

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Speaker 2: man with a sense of humour hundred I feel like

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Speaker 2: that's how I connect with that with anyone ye iver

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Speaker 2: shared sense of humour.

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Speaker 1: But sometimes on your show, you are doing the legwork

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Speaker 1: of like I'm gonna like really guide this in a

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Speaker 1: funny direction, and like my guest is someone who like

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Speaker 1: is going to have to like just follow along with me.

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Speaker 1: But like I think my favorite interview is of yours

349
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Speaker 1: is with share. That was one of my favorite interviews

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00:16:30,240 --> 00:16:32,160
Speaker 1: because what I what I will never forget is you

351
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Speaker 1: asking her what does it feel like to be an

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Speaker 1: icon of She goes, it doesn't feel like anything, so profound.

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Speaker 2: It doesn't like anything, and she it was incredible, Like

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Speaker 2: she just has the most amazing lines to feed you back,

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Speaker 2: Like she's just so great and so quick witted, so confident,

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Speaker 2: like she was kind of the perfect guest.

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Speaker 1: What was that day? Like it was like, did you

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Speaker 1: have the full hour with her.

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Speaker 3: Yeah, the full hour. But we shot that in Paris.

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Speaker 2: It's the only episode I've ever filmed, like in out

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Speaker 2: of the UK film one Wand But but yeah, for

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Speaker 2: for Share, I had to until we found a chicken

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Speaker 2: shop in Paris, and yeah, we were there and then

364
00:17:06,760 --> 00:17:08,359
Speaker 2: she was kind of it. She was a little bit late,

365
00:17:08,400 --> 00:17:10,040
Speaker 2: but that was totally fine. I would I would have

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Speaker 2: waited hours and hours. But then I was like, so

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Speaker 2: I was then like pasting around in the chicken shop

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Speaker 2: because usually like I get there like half an hour

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Speaker 2: before I like go over my questions and then they're here.

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Speaker 2: And then because I was like waiting, it was like,

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Speaker 2: ah my god, it's Share. And then there were these

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Speaker 2: two guys who were like hanging outside and I was

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Speaker 2: like to the security, I was like, can you tell

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Speaker 2: those guys to like go away, like they I don't

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Speaker 2: know why they're here, and like we got them to

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Speaker 2: like move, and then when Share came in, the guys

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00:17:34,560 --> 00:17:37,120
Speaker 2: came in with Share and they were her like nephew

378
00:17:39,720 --> 00:17:42,480
Speaker 2: who had told her to do the show. The guys

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00:17:42,480 --> 00:17:44,760
Speaker 2: were like, the reason she's here is because we were like,

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Speaker 2: you should do the show.

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Speaker 1: And those creeps off of.

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Speaker 2: The Chicken Shop but anyway, yeah, yeah, because she had

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Speaker 2: never watched the show and they had basically were like

384
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Speaker 2: you She only did one piece of promo I think

385
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Speaker 2: for like her Christmas album, and then she did Chicken

386
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Speaker 2: Shop Day and they were like you have to do

387
00:18:03,840 --> 00:18:05,920
Speaker 2: it and she just sat down and she was like, Okay, cool,

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Speaker 2: what's happening? And I was like we just she just

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Speaker 2: didn't really, she was perfect.

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Speaker 1: Did she eat a lot of chicken? I don't think

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Speaker 1: she ate no, do you guess nobody?

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Speaker 2: She said she she does like chicken nuggets, or she

393
00:18:16,840 --> 00:18:20,320
Speaker 2: said her boyfriend loves chicken nuggets. Right, she's been around

394
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Speaker 2: a lot of chicken nuggets recently.

395
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Speaker 1: I would imagine recently. Yeah.

396
00:18:23,920 --> 00:18:25,600
Speaker 2: She was like, I've been around love chicken uggets, and

397
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Speaker 2: my boyfriend and his friends love chicken.

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Speaker 1: Maybe there was some sort of festival where she the

399
00:18:31,280 --> 00:18:31,800
Speaker 1: only option.

400
00:18:31,920 --> 00:18:35,520
Speaker 2: Yeah, but yeah, she's amazing. I think she was there

401
00:18:35,520 --> 00:18:37,640
Speaker 2: on Friday. She should have done more than one song.

402
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Speaker 2: I was like waiting for the more songs to.

403
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Speaker 1: She walked by me at my station, and because she

404
00:18:42,760 --> 00:18:45,600
Speaker 1: wasn't doing any interviews, I don't think you did. I

405
00:18:45,600 --> 00:18:47,280
Speaker 1: didn't get her, so so she because I don't think

406
00:18:47,320 --> 00:18:49,520
Speaker 1: she was doing any She walked by, and all I

407
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Speaker 1: could think to say was crushed it Friday, and she goes.

408
00:18:57,600 --> 00:19:01,880
Speaker 2: Yeah, one crushed it as yeah, I love Sha.

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Speaker 1: My only interaction with her on Friday backstage at the concert,

410
00:19:07,480 --> 00:19:09,159
Speaker 1: because I was I was back there getting running to

411
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Speaker 1: intro Gaga and then but there's the share was up

412
00:19:13,119 --> 00:19:18,679
Speaker 1: before me, and isn't that crazy? I was on just

413
00:19:18,680 --> 00:19:20,239
Speaker 1: before me, just before me, but she was just as

414
00:19:20,280 --> 00:19:22,479
Speaker 1: far away from me as like that camera is, and

415
00:19:22,560 --> 00:19:24,800
Speaker 1: I'm like, not, I can see her, I can sense

416
00:19:24,840 --> 00:19:30,200
Speaker 1: her presence. She's there. I'm like truly collapsing into myself,

417
00:19:30,280 --> 00:19:34,240
Speaker 1: like god, I fucking love this person. And she is like,

418
00:19:34,520 --> 00:19:36,879
Speaker 1: you know, kind of just like in her space, getting

419
00:19:36,880 --> 00:19:38,760
Speaker 1: in her zone, like people are surrounding her, like her

420
00:19:38,760 --> 00:19:41,000
Speaker 1: team is surrounding her, and I'm trying not to look

421
00:19:41,000 --> 00:19:42,600
Speaker 1: at her, but then I just glance up and then

422
00:19:42,640 --> 00:19:46,399
Speaker 1: she's looking back at me, and she smiles and just

423
00:19:46,520 --> 00:19:51,080
Speaker 1: waves like the sexiest massettle little wave, and it like

424
00:19:51,720 --> 00:19:54,879
Speaker 1: hit me like a lightning bolt. And then in that moment,

425
00:19:54,920 --> 00:19:57,640
Speaker 1: I was like, I know what I would say to show,

426
00:19:57,680 --> 00:19:59,200
Speaker 1: but I'm not going to say it. And I kind

427
00:19:59,240 --> 00:20:00,760
Speaker 1: of am glad I didn't. I kind of regret that

428
00:20:00,760 --> 00:20:02,679
Speaker 1: I wouldn't be there. This is what it would be.

429
00:20:04,000 --> 00:20:07,159
Speaker 1: You're funnier than any comedian, You're more beautiful than any supermodel,

430
00:20:07,480 --> 00:20:09,600
Speaker 1: and you were more influential than any religious figure. I

431
00:20:09,640 --> 00:20:11,760
Speaker 1: love you. And she would have said, oh no, bitch,

432
00:20:14,000 --> 00:20:20,240
Speaker 1: like that's share my god. It's so great that we

433
00:20:20,280 --> 00:20:34,399
Speaker 1: got to see so many All right, let's talk about concert. Yeah, So,

434
00:20:34,560 --> 00:20:38,199
Speaker 1: like this was another amazing moment for me. Yesterday, I

435
00:20:38,280 --> 00:20:40,280
Speaker 1: stopped down with someone and then I turned to my

436
00:20:40,400 --> 00:20:43,720
Speaker 1: left and it's Bonnie Rait and I was like, oh

437
00:20:43,760 --> 00:20:45,639
Speaker 1: my god. And she looks up and she's like, I

438
00:20:45,680 --> 00:20:47,600
Speaker 1: don't know, do you want to interview me? I was

439
00:20:47,640 --> 00:20:49,639
Speaker 1: like what? And then she was so like humble. She

440
00:20:49,680 --> 00:20:51,560
Speaker 1: was like, they're probably not going to air it. I

441
00:20:51,600 --> 00:20:55,160
Speaker 1: was like right now. And then we just like had

442
00:20:55,160 --> 00:20:58,959
Speaker 1: this like beautiful moment because one of my favorite moments

443
00:20:58,960 --> 00:21:01,040
Speaker 1: of that whole night was I can't make it look me.

444
00:21:01,119 --> 00:21:02,920
Speaker 1: I said, do you know this is one of those

445
00:21:02,920 --> 00:21:06,520
Speaker 1: songs where many people say it's their favorite song? Yeah?

446
00:21:06,520 --> 00:21:07,879
Speaker 3: Who his favorite song is Chares?

447
00:21:08,440 --> 00:21:09,760
Speaker 1: Really? Yeah? Yeah? Yeah?

448
00:21:09,800 --> 00:21:14,680
Speaker 2: So I was listening to her Desert Island discs that show, Yeah, yeah,

449
00:21:14,720 --> 00:21:16,760
Speaker 2: in the UK, and she picked that as one of

450
00:21:16,760 --> 00:21:17,760
Speaker 2: her favorite songs.

451
00:21:18,200 --> 00:21:20,520
Speaker 1: I get it. She'd sound good, Yeah, would wouldn't.

452
00:21:20,560 --> 00:21:22,199
Speaker 3: Yeah, Share with You're an amazing condition of that.

453
00:21:22,359 --> 00:21:25,600
Speaker 1: Yes, I feel the power, Yes, and I feel.

454
00:21:25,320 --> 00:21:29,280
Speaker 2: The power so beautiful and so sad and like that's

455
00:21:29,280 --> 00:21:31,080
Speaker 2: why it's so like such a perfect song.

456
00:21:31,600 --> 00:21:32,600
Speaker 1: And Chris Martin was there.

457
00:21:33,400 --> 00:21:35,800
Speaker 2: Was on the Keys by the way, is so funny,

458
00:21:36,040 --> 00:21:38,159
Speaker 2: so funny, Yeah, and so charming and amazing.

459
00:21:38,160 --> 00:21:39,639
Speaker 1: You've talked to him on the show, No, I know,

460
00:21:39,680 --> 00:21:40,960
Speaker 1: I know he's not been on the show.

461
00:21:40,960 --> 00:21:42,160
Speaker 2: But I met him at the S and L after

462
00:21:42,200 --> 00:21:45,280
Speaker 2: party that where I first met Yeah, he was there

463
00:21:45,280 --> 00:21:48,800
Speaker 2: because he was the performer that that Yeah, And I

464
00:21:48,840 --> 00:21:50,919
Speaker 2: was just like wow, I don't know why. I just

465
00:21:50,920 --> 00:21:52,800
Speaker 2: didn't think he would be so charming, but he just

466
00:21:52,840 --> 00:21:55,240
Speaker 2: so was charismatic and brilliant.

467
00:21:55,320 --> 00:21:57,600
Speaker 1: So charismatic and brilliant, but he was. We were at

468
00:21:57,600 --> 00:22:00,920
Speaker 1: the Seaford restaurant and he's at his table eating out

469
00:22:00,920 --> 00:22:05,920
Speaker 1: of a tupperware like veggies and tofu meal preps. That's

470
00:22:05,960 --> 00:22:10,480
Speaker 1: the Gwyneth. It's like this is this is a health nut.

471
00:22:10,400 --> 00:22:11,600
Speaker 3: He it really is.

472
00:22:11,720 --> 00:22:14,280
Speaker 1: Wow, And he looks good. He looks good. Yeah, that

473
00:22:14,320 --> 00:22:16,840
Speaker 1: was one of my favorite moments. I mean, like I was.

474
00:22:16,880 --> 00:22:20,560
Speaker 1: We were also right right there in front of postal singing.

475
00:22:21,320 --> 00:22:23,040
Speaker 1: That was crazy when.

476
00:22:22,920 --> 00:22:25,280
Speaker 2: He when he's smoking a cigarette and then he put

477
00:22:25,280 --> 00:22:32,199
Speaker 2: a cigarette in his guitar. My gosh, every something happened

478
00:22:32,200 --> 00:22:33,280
Speaker 2: to me in moments.

479
00:22:33,320 --> 00:22:36,160
Speaker 1: And also you know he's really found he's a tight

480
00:22:36,280 --> 00:22:38,480
Speaker 1: jeans king and he's bringing it back.

481
00:22:38,520 --> 00:22:42,400
Speaker 3: He's so tall, you think, like he's like six foot

482
00:22:42,400 --> 00:22:43,199
Speaker 3: three or something.

483
00:22:43,840 --> 00:22:45,840
Speaker 1: What do you think it is about people that makes

484
00:22:45,880 --> 00:22:47,760
Speaker 1: them seem like they're going to be short.

485
00:22:48,440 --> 00:22:51,240
Speaker 3: I don't know, like is it there like proportions of

486
00:22:51,280 --> 00:22:52,600
Speaker 3: their like head.

487
00:22:52,800 --> 00:22:55,960
Speaker 1: Yeah, maybe he's very broad shouldered.

488
00:22:56,440 --> 00:22:59,639
Speaker 3: He just doesn't look like he's really tall, but he is.

489
00:22:59,880 --> 00:23:04,040
Speaker 1: He is. I would like I would, I would like

490
00:23:04,080 --> 00:23:05,080
Speaker 1: to go on a date with him.

491
00:23:05,400 --> 00:23:08,679
Speaker 2: Say what I should get him on your I'm trying.

492
00:23:08,640 --> 00:23:11,640
Speaker 1: You are the white Whales? And then then I want

493
00:23:11,640 --> 00:23:13,520
Speaker 1: to hear your asking fifty concert highlights? But who are

494
00:23:13,520 --> 00:23:14,159
Speaker 1: the white the.

495
00:23:14,119 --> 00:23:16,920
Speaker 2: People that you're like like like never heard of that phrase,

496
00:23:17,119 --> 00:23:19,240
Speaker 2: like Moby Dick, like, who is with the white whales?

497
00:23:20,280 --> 00:23:23,440
Speaker 1: Who are the It's a book called Movie Deck. I

498
00:23:23,480 --> 00:23:27,880
Speaker 1: didn't read it, Well, that was your first mistake. It's

499
00:23:27,920 --> 00:23:33,159
Speaker 1: real culture number. Everyone haven't read that was your first mistake. Here,

500
00:23:33,160 --> 00:23:36,520
Speaker 1: it's an amazing book. I've never read. It's fabulous. It's

501
00:23:36,560 --> 00:23:40,520
Speaker 1: really a thriller. It's thrill it's but it's really about

502
00:23:40,600 --> 00:23:43,000
Speaker 1: so much more than a whale. And that's all I

503
00:23:43,040 --> 00:23:48,280
Speaker 1: say about that. My maybe, who is who's your mobe

504
00:23:48,320 --> 00:23:55,400
Speaker 1: de Yeah, who's your movie? Deck movie? The singer Gaga? Yeah,

505
00:23:55,960 --> 00:24:02,120
Speaker 1: she would do it, would she would absolutely do it.

506
00:24:02,119 --> 00:24:03,400
Speaker 1: It's just that how did you feel?

507
00:24:03,400 --> 00:24:05,159
Speaker 2: I don't know, Like I didn't, Well, I saw her

508
00:24:05,240 --> 00:24:06,720
Speaker 2: last night, but like obviously I didn't go up to

509
00:24:06,720 --> 00:24:07,680
Speaker 2: her because what would I say?

510
00:24:07,720 --> 00:24:08,000
Speaker 3: Nothing?

511
00:24:09,040 --> 00:24:12,840
Speaker 2: And yeah, I think Gaga would be epic. I don't know,

512
00:24:12,920 --> 00:24:17,560
Speaker 2: maybe like someone like Larry David, like so like, oh

513
00:24:17,640 --> 00:24:19,280
Speaker 2: my god, well, so many people that I met last night,

514
00:24:19,320 --> 00:24:22,000
Speaker 2: like Kristen Wig is one of my comedy heroes, and

515
00:24:22,040 --> 00:24:23,960
Speaker 2: it was just a thrill to be able to speak

516
00:24:23,960 --> 00:24:25,640
Speaker 2: to her and like to have her on the show,

517
00:24:25,680 --> 00:24:27,199
Speaker 2: and like I would love to have some more comics

518
00:24:27,200 --> 00:24:29,399
Speaker 2: on Actually yeah, but I.

519
00:24:29,359 --> 00:24:30,560
Speaker 3: Actually fill with Chicken Shop date.

520
00:24:30,560 --> 00:24:31,879
Speaker 2: I'm at a place with it where I feel like

521
00:24:31,920 --> 00:24:34,480
Speaker 2: I've I've kind of like achieved everything I want to

522
00:24:34,760 --> 00:24:38,959
Speaker 2: with the show. I feel really content, Like everything everyone

523
00:24:39,000 --> 00:24:40,520
Speaker 2: now is like just like a plus.

524
00:24:40,560 --> 00:24:45,320
Speaker 1: Really wow, that's that's an amazing feeling that you are

525
00:24:45,359 --> 00:24:47,800
Speaker 1: assured in that you're like this is great, Like we

526
00:24:47,840 --> 00:24:48,560
Speaker 1: did everything that we want.

527
00:24:48,680 --> 00:24:49,520
Speaker 3: I really feel like that.

528
00:24:49,600 --> 00:24:51,800
Speaker 2: Like I feel like there's so many amazing, like so

529
00:24:51,840 --> 00:24:55,160
Speaker 2: many episodes I'm like so so pleased with like how

530
00:24:55,800 --> 00:24:58,240
Speaker 2: just how they've come out, and like just the energy

531
00:24:58,280 --> 00:24:59,760
Speaker 2: of them and like the type of people that I've

532
00:24:59,760 --> 00:25:01,879
Speaker 2: got to me and our dynamic.

533
00:25:01,960 --> 00:25:02,840
Speaker 1: Like I just feel like.

534
00:25:02,840 --> 00:25:05,399
Speaker 2: I've got what I need to from the show. But yeah,

535
00:25:05,640 --> 00:25:07,520
Speaker 2: but so everything now is just like it's just fun.

536
00:25:07,520 --> 00:25:08,320
Speaker 2: It's always been fun.

537
00:25:08,359 --> 00:25:09,879
Speaker 1: How long have you felt like that? Was there an

538
00:25:09,880 --> 00:25:11,600
Speaker 1: episode that like put you over the edge?

539
00:25:12,600 --> 00:25:15,639
Speaker 2: Well, for me, like the Louis Through episode was like

540
00:25:15,680 --> 00:25:18,439
Speaker 2: a really amazing one because he was like, for me,

541
00:25:18,680 --> 00:25:20,720
Speaker 2: one of my heroes growing up, Like I loved his

542
00:25:20,800 --> 00:25:24,119
Speaker 2: documentaries so much, and like his tone and his style

543
00:25:24,200 --> 00:25:27,000
Speaker 2: like really kind of informed some of my awkwardness too,

544
00:25:27,160 --> 00:25:29,879
Speaker 2: and like my style and like when I I was

545
00:25:29,880 --> 00:25:31,639
Speaker 2: trying to get him on the show for years and

546
00:25:31,680 --> 00:25:34,160
Speaker 2: then he basically was like they never got through Chaine

547
00:25:34,200 --> 00:25:36,320
Speaker 2: or something like that. He said no, and then finally

548
00:25:36,359 --> 00:25:38,680
Speaker 2: again what his children then told him to come on

549
00:25:38,720 --> 00:25:42,000
Speaker 2: the show, which is the way it goes a lot

550
00:25:42,000 --> 00:25:44,760
Speaker 2: of the time. And then that episode was just amazing,

551
00:25:45,040 --> 00:25:47,560
Speaker 2: and then it kind of buffed this viral jiggle jiggle

552
00:25:48,040 --> 00:25:51,760
Speaker 2: like song on TikTok, and I just thought it just

553
00:25:51,920 --> 00:25:54,040
Speaker 2: had everything in it that I wanted for for the

554
00:25:54,080 --> 00:25:56,160
Speaker 2: episode and like to get someone that I've always wanted

555
00:25:56,160 --> 00:25:57,760
Speaker 2: to And then from then I was like, Okay, well

556
00:25:57,800 --> 00:26:01,919
Speaker 2: I've done when I want to do this, but actually no,

557
00:26:01,960 --> 00:26:03,280
Speaker 2: I do actually need to keep going with the show

558
00:26:03,280 --> 00:26:04,200
Speaker 2: because I need to fall in love.

559
00:26:04,240 --> 00:26:07,879
Speaker 1: So so when you're sitting down, are you actually feeling

560
00:26:07,920 --> 00:26:09,920
Speaker 1: like there's a little part of you that's like because

561
00:26:09,920 --> 00:26:11,280
Speaker 1: because you always you do do the bit of it.

562
00:26:11,320 --> 00:26:11,800
Speaker 1: This is a date.

563
00:26:13,080 --> 00:26:15,280
Speaker 2: But I didn't see why, like you guy couldn't meet

564
00:26:15,320 --> 00:26:19,040
Speaker 2: someone on the show. Yeah, but obviously there are lads

565
00:26:19,040 --> 00:26:20,600
Speaker 2: of cameras there and stuff and people.

566
00:26:20,760 --> 00:26:22,320
Speaker 1: But I mean this was this was part of the

567
00:26:22,359 --> 00:26:24,360
Speaker 1: Andrew Garfield of it all that I wanted to ask

568
00:26:24,400 --> 00:26:26,159
Speaker 1: you about, which is, what did you feel about like

569
00:26:26,480 --> 00:26:28,520
Speaker 1: all of the attention around it? Right?

570
00:26:28,920 --> 00:26:31,000
Speaker 2: Oh, well, and I was in LA at the time,

571
00:26:31,200 --> 00:26:34,199
Speaker 2: and it was like fun to like be also in

572
00:26:34,480 --> 00:26:36,040
Speaker 2: like I don't know, like not in London and like

573
00:26:36,119 --> 00:26:37,879
Speaker 2: be out like out and about and stuff.

574
00:26:38,040 --> 00:26:39,280
Speaker 3: But it was kind of amazing.

575
00:26:39,359 --> 00:26:42,320
Speaker 2: Like I just thought it was so cool that people were,

576
00:26:42,359 --> 00:26:45,760
Speaker 2: like people were booking meeting rooms in their offices to

577
00:26:45,840 --> 00:26:47,760
Speaker 2: like watch it, like to so that they could all

578
00:26:49,400 --> 00:26:52,359
Speaker 2: like that was so amazing to have created that kind

579
00:26:52,400 --> 00:26:55,639
Speaker 2: of that moment like with a YouTube show, you know,

580
00:26:55,880 --> 00:26:57,480
Speaker 2: like people were like, it's an event.

581
00:26:57,880 --> 00:26:58,120
Speaker 1: Yeah.

582
00:26:58,160 --> 00:27:00,720
Speaker 2: So that's what I loved so much about that episode

583
00:27:00,760 --> 00:27:03,840
Speaker 2: in particular, about what it kind of made people feel,

584
00:27:03,880 --> 00:27:05,960
Speaker 2: all the energy and like, yeah, that's why I just

585
00:27:06,000 --> 00:27:08,399
Speaker 2: think it's just so fun to be able to like

586
00:27:08,520 --> 00:27:10,000
Speaker 2: create those kinds of moments.

587
00:27:10,080 --> 00:27:10,600
Speaker 3: Yeah.

588
00:27:10,640 --> 00:27:14,320
Speaker 1: So let's say, let's work backwards from you fall in

589
00:27:14,359 --> 00:27:17,080
Speaker 1: love with someone that you mean on the show. Yeah,

590
00:27:17,200 --> 00:27:20,399
Speaker 1: it's presumably someone who is a guest. Ye could be

591
00:27:20,400 --> 00:27:25,960
Speaker 1: a crew member, Okay, assent, no, one of the guys,

592
00:27:26,240 --> 00:27:31,960
Speaker 1: one of shares, nephews, no ophews. Okay, hold on, hold on,

593
00:27:32,000 --> 00:27:35,320
Speaker 1: hold on. So you fall in love with the guests. Yeah,

594
00:27:35,520 --> 00:27:39,520
Speaker 1: it's like you check in after you you shoot the thing, right,

595
00:27:39,600 --> 00:27:41,040
Speaker 1: cause it's like, is there a part of you that's

596
00:27:41,080 --> 00:27:43,359
Speaker 1: like when the cameras are rolling, it's like for the

597
00:27:43,600 --> 00:27:46,760
Speaker 1: for entertainment, for the show, but then like afterwards, you're like,

598
00:27:46,840 --> 00:27:48,520
Speaker 1: we need to I need to check. I need to

599
00:27:48,560 --> 00:27:49,840
Speaker 1: be one on one with this person.

600
00:27:50,520 --> 00:27:52,040
Speaker 2: Okay, this is why it's just never gonna work out

601
00:27:52,040 --> 00:27:53,160
Speaker 2: because no, no.

602
00:27:53,359 --> 00:27:55,760
Speaker 1: I'm not saying that. I'm saying it can and it will.

603
00:27:55,840 --> 00:27:57,800
Speaker 1: Let's we just have to be really intentional about this,

604
00:27:57,960 --> 00:28:01,119
Speaker 1: like are you like going like you don't, You're like,

605
00:28:01,160 --> 00:28:03,400
Speaker 1: fuck these cameras, I'm gonna seduce this.

606
00:28:03,320 --> 00:28:04,760
Speaker 3: Person because I would never do that.

607
00:28:06,000 --> 00:28:08,600
Speaker 1: I Well, I was meaning to ask you. It's like, Amelia,

608
00:28:08,640 --> 00:28:10,960
Speaker 1: how do you you do have this natural and Cynthia

609
00:28:11,000 --> 00:28:14,359
Speaker 1: Rivo said this, like you have this natural capacity and

610
00:28:14,400 --> 00:28:17,120
Speaker 1: this talent. I call it a talent because I lack

611
00:28:17,200 --> 00:28:20,200
Speaker 1: this of flirting. You flirt very well.

612
00:28:19,960 --> 00:28:21,320
Speaker 3: Yes I do.

613
00:28:21,480 --> 00:28:25,320
Speaker 1: Actually, so then what's that about so that it can happen? No?

614
00:28:25,480 --> 00:28:28,080
Speaker 3: It yeah, I can, but I go for the wrong people.

615
00:28:28,119 --> 00:28:30,040
Speaker 3: I go for the wrong for the wrong.

616
00:28:30,600 --> 00:28:33,119
Speaker 1: Do you find that, like what the style of flirting

617
00:28:33,119 --> 00:28:34,480
Speaker 1: that you do on the show, because you are a

618
00:28:34,480 --> 00:28:37,639
Speaker 1: little bit of like you do nagging, Like is that

619
00:28:37,880 --> 00:28:40,600
Speaker 1: how you flirt in real life? Yeah, okay, so you're

620
00:28:40,600 --> 00:28:42,920
Speaker 1: not like emboldened by the cameras to like be a

621
00:28:42,960 --> 00:28:44,480
Speaker 1: little bit like that.

622
00:28:46,960 --> 00:28:48,160
Speaker 3: Yeah, because I don't know why.

623
00:28:48,200 --> 00:28:50,080
Speaker 2: I always just think that, like when I have when

624
00:28:50,120 --> 00:28:53,040
Speaker 2: I'm talking to guys are always like I'm funny, then

625
00:28:53,120 --> 00:28:54,160
Speaker 2: you know it's.

626
00:28:57,480 --> 00:28:58,280
Speaker 1: Yeah, I don't know.

627
00:28:58,360 --> 00:29:00,200
Speaker 2: I just feel like that's just been my natural way.

628
00:29:00,240 --> 00:29:02,240
Speaker 2: But I also think maybe it's something about being British

629
00:29:02,240 --> 00:29:05,480
Speaker 2: and like maybe like like I don't know, like from

630
00:29:05,520 --> 00:29:07,360
Speaker 2: school or like the guys who used to hang out

631
00:29:07,360 --> 00:29:08,840
Speaker 2: with when I was growing up who would be like

632
00:29:08,920 --> 00:29:11,280
Speaker 2: so mean to you that like you then just have

633
00:29:11,360 --> 00:29:13,680
Speaker 2: to like create this armor of like sarcasm.

634
00:29:13,800 --> 00:29:15,840
Speaker 3: Like then it just kind of stayed with me.

635
00:29:16,160 --> 00:29:19,160
Speaker 1: Right. Well, let's say there's been a recent example of

636
00:29:19,200 --> 00:29:22,200
Speaker 1: you flirting with someone and successfully having it, you know,

637
00:29:22,440 --> 00:29:25,960
Speaker 1: be a fun thing. Let's walk through that. Let's break

638
00:29:26,200 --> 00:29:30,160
Speaker 1: a recent example down, any recent example I will.

639
00:29:30,040 --> 00:29:31,840
Speaker 3: Be flirting with someone, and then.

640
00:29:31,680 --> 00:29:33,560
Speaker 1: We can all do the same. Because I actually do

641
00:29:33,640 --> 00:29:36,400
Speaker 1: want to self examine a bit about flirt flirts because

642
00:29:36,400 --> 00:29:38,880
Speaker 1: I identify as not a good flirter. But it's like

643
00:29:38,880 --> 00:29:40,760
Speaker 1: we've like but I think the three of us have

644
00:29:40,840 --> 00:29:44,840
Speaker 1: successfully courted someone. Yeah.

645
00:29:45,200 --> 00:29:47,160
Speaker 2: I feel like you can tell when there's a chemistry.

646
00:29:47,160 --> 00:29:48,800
Speaker 2: I feel like kind of immediately with someone.

647
00:29:48,920 --> 00:29:50,520
Speaker 1: Yeah, and so it's like a roll of the dice.

648
00:29:50,840 --> 00:29:51,080
Speaker 3: Yeah.

649
00:29:51,240 --> 00:29:53,040
Speaker 2: Like I think, just like you meet someone, you kind

650
00:29:53,040 --> 00:29:55,560
Speaker 2: of I don't know, you just can sense it.

651
00:29:55,920 --> 00:29:59,440
Speaker 3: Really, it's like an energy. I think you just kind

652
00:29:59,440 --> 00:29:59,640
Speaker 3: of know.

653
00:30:00,120 --> 00:30:01,760
Speaker 1: Yeah. So once you send it, you're like, okay, I'm

654
00:30:01,800 --> 00:30:05,120
Speaker 1: in let's yeah, okay, great, you're you're a pursuer at

655
00:30:05,160 --> 00:30:06,680
Speaker 1: that point. Well, I don't know.

656
00:30:06,760 --> 00:30:08,800
Speaker 3: I feel like when you meet people out.

657
00:30:08,800 --> 00:30:10,600
Speaker 2: It's kind of hard to meet people out, but when

658
00:30:10,640 --> 00:30:12,200
Speaker 2: you do, I think you just kind of like gravitate

659
00:30:12,200 --> 00:30:14,400
Speaker 2: toward each other and then you just start talking and

660
00:30:14,440 --> 00:30:16,719
Speaker 2: then you're in your head while you're talking, you can

661
00:30:16,800 --> 00:30:19,560
Speaker 2: like send You're like okay, it's something like clicks. I

662
00:30:19,600 --> 00:30:21,240
Speaker 2: feel like you feel it and you're like, are we

663
00:30:21,480 --> 00:30:23,760
Speaker 2: is this is this? Are we are we like flirting?

664
00:30:23,920 --> 00:30:24,240
Speaker 1: Yeah?

665
00:30:24,280 --> 00:30:26,920
Speaker 3: And then they're like, yeah, I'm married. So that's what happened.

666
00:30:28,160 --> 00:30:32,640
Speaker 1: See, this is the every time. But the thing is

667
00:30:32,680 --> 00:30:35,080
Speaker 1: like with the gaze, it's like this has happened to

668
00:30:35,120 --> 00:30:37,200
Speaker 1: me a couple of times in the past few weeks.

669
00:30:37,360 --> 00:30:39,800
Speaker 1: I'll get asked on a full on date and then

670
00:30:39,840 --> 00:30:43,320
Speaker 1: I find out, like either hours before or on the date,

671
00:30:43,880 --> 00:30:45,960
Speaker 1: that they fully have a boyfriend. Yeah. Yeah, yeah, what

672
00:30:46,000 --> 00:30:49,560
Speaker 1: you're saying, are you dealing with open guys? Sometimes now no, No,

673
00:30:49,720 --> 00:30:51,160
Speaker 1: some saying it's like a it's like a gay guy

674
00:30:51,240 --> 00:30:53,160
Speaker 1: thing where they're like, they're already in a relationship and

675
00:30:53,200 --> 00:30:55,440
Speaker 1: they are they're open. You have to tell someone if

676
00:30:55,480 --> 00:30:58,040
Speaker 1: you're in a relationship and you're you're asking an like

677
00:30:58,040 --> 00:30:58,440
Speaker 1: to flat.

678
00:30:58,560 --> 00:31:01,360
Speaker 2: People are bored and they like to flat in their relationships.

679
00:31:01,400 --> 00:31:03,520
Speaker 2: I know so many people. But also like, is that about?

680
00:31:03,560 --> 00:31:04,600
Speaker 2: I don't know if that is that about? And you

681
00:31:04,600 --> 00:31:06,760
Speaker 2: can obviously still flat when you're in a relationship, sure,

682
00:31:06,800 --> 00:31:09,360
Speaker 2: but like there's another like needing someone on right.

683
00:31:09,280 --> 00:31:11,680
Speaker 1: I mean flirting and then asking them full on yeah,

684
00:31:11,920 --> 00:31:12,479
Speaker 1: going on a date.

685
00:31:12,600 --> 00:31:12,959
Speaker 3: Yeah.

686
00:31:13,000 --> 00:31:14,880
Speaker 1: Like I had someone one time tell me in the

687
00:31:14,920 --> 00:31:17,640
Speaker 1: middle of things after it was going really well, I

688
00:31:17,640 --> 00:31:19,040
Speaker 1: don't know how this is going to land. But I

689
00:31:19,120 --> 00:31:21,160
Speaker 1: have a boyfriend, and I was like, you don't know

690
00:31:21,160 --> 00:31:23,920
Speaker 1: how this is going to land. I was like, because

691
00:31:23,920 --> 00:31:25,680
Speaker 1: if this was a sex thing, you had to say

692
00:31:25,720 --> 00:31:28,520
Speaker 1: that beforehand. Because there's things I had to do right,

693
00:31:28,520 --> 00:31:29,800
Speaker 1: you know what I mean, Like I had to make

694
00:31:29,840 --> 00:31:33,440
Speaker 1: sure everything was divorced, of course, Like there's things that

695
00:31:33,520 --> 00:31:36,120
Speaker 1: need to go on, there's process you needed to weed whack.

696
00:31:36,400 --> 00:31:39,440
Speaker 1: A lack of respect for process. You lost me. You

697
00:31:39,520 --> 00:31:41,080
Speaker 1: lost me there, you have a lack of that's a

698
00:31:41,080 --> 00:31:44,600
Speaker 1: real clach number nineteen. There's a lot of respect for process.

699
00:31:44,720 --> 00:31:47,440
Speaker 1: You lost me. I was talking to a guy, same deal,

700
00:31:48,040 --> 00:31:49,640
Speaker 1: but I knew. I knew going into it that like

701
00:31:49,680 --> 00:31:53,040
Speaker 1: he was married and whatever, like we were maybe playing

702
00:31:53,120 --> 00:31:55,320
Speaker 1: the logistics of it, and then I just made an

703
00:31:55,360 --> 00:31:59,080
Speaker 1: offing comment where I was like and also I don't know,

704
00:31:59,240 --> 00:32:02,080
Speaker 1: like I might just be emotionally like in a different

705
00:32:02,080 --> 00:32:04,840
Speaker 1: place than you, because there are just different stakes to this.

706
00:32:05,200 --> 00:32:06,880
Speaker 1: He's like, what do you mean? What do you mean?

707
00:32:06,920 --> 00:32:08,520
Speaker 1: What do you mean? And he was being obtuse, and

708
00:32:08,560 --> 00:32:11,600
Speaker 1: I was like, you know, like you are in a relationship,

709
00:32:11,600 --> 00:32:14,880
Speaker 1: and I am like not, I'm squeet. I'm literally putting

710
00:32:14,880 --> 00:32:17,400
Speaker 1: this in the calendar because this is like the one

711
00:32:17,440 --> 00:32:20,800
Speaker 1: window this week where I can have relations with someone.

712
00:32:21,400 --> 00:32:23,800
Speaker 1: And he was like, I need you to explain this

713
00:32:23,800 --> 00:32:25,520
Speaker 1: a little bit more. I'm like this, what are you

714
00:32:25,640 --> 00:32:28,080
Speaker 1: talking about? Like that some some some of these guys

715
00:32:28,120 --> 00:32:30,280
Speaker 1: play dumb with it. But this is what I want

716
00:32:30,320 --> 00:32:32,840
Speaker 1: to drill into is because you're mentioning this, this moment

717
00:32:32,920 --> 00:32:35,680
Speaker 1: of like are we is this? Are we? Like? That's

718
00:32:35,720 --> 00:32:38,959
Speaker 1: the thing that is the blockage usually where it's like

719
00:32:39,080 --> 00:32:41,920
Speaker 1: you're it's not cool to ask are we? Is this?

720
00:32:42,000 --> 00:32:43,800
Speaker 1: Are we out loud? I think it is.

721
00:32:44,120 --> 00:32:48,360
Speaker 2: I've sometimes I have said I was like kiss, should

722
00:32:48,360 --> 00:32:48,840
Speaker 2: we kiss now?

723
00:32:49,480 --> 00:32:55,280
Speaker 1: And no, I feel like, well, this is my thing.

724
00:32:55,360 --> 00:32:56,120
Speaker 3: Don't do that.

725
00:32:56,240 --> 00:32:56,720
Speaker 1: Don't do that.

726
00:32:56,720 --> 00:32:57,240
Speaker 3: It doesn't work.

727
00:32:57,440 --> 00:32:59,440
Speaker 1: Is it? Are we saying here? As a trio? Like

728
00:32:59,480 --> 00:33:01,560
Speaker 1: if you have to ask, then it's a bad sign.

729
00:33:02,280 --> 00:33:04,640
Speaker 2: Sometimes I do, though, like sometimes you just kind of

730
00:33:04,680 --> 00:33:06,960
Speaker 2: have to like say it because really you kind of

731
00:33:07,000 --> 00:33:08,440
Speaker 2: have to be the confident one of course.

732
00:33:08,960 --> 00:33:11,120
Speaker 1: And that's the thing is it's like I think for me,

733
00:33:11,200 --> 00:33:14,200
Speaker 1: it reflects entirely on how I'm feeling about myself in

734
00:33:14,240 --> 00:33:16,800
Speaker 1: a moment. Like if I'm feeling good about myself in

735
00:33:16,840 --> 00:33:19,040
Speaker 1: a good mood, I genuinely think I'll go up to

736
00:33:19,080 --> 00:33:21,480
Speaker 1: anyone and like flirt with them.

737
00:33:21,680 --> 00:33:22,840
Speaker 3: But that makes you feel alive.

738
00:33:22,880 --> 00:33:27,200
Speaker 2: I'm like, like, if you're flirting, it just makes you

739
00:33:27,200 --> 00:33:29,000
Speaker 2: you're just having a better time than if you want

740
00:33:29,400 --> 00:33:31,040
Speaker 2: I don't know, like it's so fun, but.

741
00:33:31,000 --> 00:33:33,120
Speaker 1: If you're not feeling good about yourself though, I think

742
00:33:33,200 --> 00:33:35,640
Speaker 1: any situation I'm in where like I can feel like

743
00:33:35,680 --> 00:33:39,360
Speaker 1: that's going somewhere, I go right to like fear, I'm like, no, no, no,

744
00:33:39,560 --> 00:33:43,360
Speaker 1: I I can't. I shrink And it's just so I

745
00:33:43,360 --> 00:33:46,640
Speaker 1: wish I felt powerful all the time. I know you can't.

746
00:33:46,800 --> 00:33:50,640
Speaker 1: It's like you just can't. London Summers. Should we do

747
00:33:50,720 --> 00:33:58,200
Speaker 1: Mighty Hoopola with you? Would years ago? It would be

748
00:33:58,360 --> 00:33:59,800
Speaker 1: I mean, you would be mobs, it would be.

749
00:34:00,240 --> 00:34:01,160
Speaker 3: It looks so far.

750
00:34:01,360 --> 00:34:02,280
Speaker 1: It was a blast.

751
00:34:02,520 --> 00:34:08,600
Speaker 2: Yeah, yeah, Wesis.

752
00:34:06,600 --> 00:34:07,520
Speaker 3: Have such fun performance.

753
00:34:07,680 --> 00:34:11,960
Speaker 1: Yeah yeah. We saw Kenny Roland, We saw Jake Schears,

754
00:34:12,080 --> 00:34:17,719
Speaker 1: Jake Scheers and we loaw ke. Oh you know she

755
00:34:17,840 --> 00:34:22,320
Speaker 1: does Oh my gosh, she's got so many more gay

756
00:34:22,400 --> 00:34:26,520
Speaker 1: anthems than you're ready for. She's really great. But she

757
00:34:26,680 --> 00:34:28,760
Speaker 1: was on the Friday and that was when we saw Beyonce,

758
00:34:29,040 --> 00:34:32,000
Speaker 1: so we were there was my sheep, No, no, no, it

759
00:34:32,040 --> 00:34:34,960
Speaker 1: was it was Beyonce was in London doing Tottenham the

760
00:34:35,040 --> 00:34:38,239
Speaker 1: same week, the week same weekend Asops Rennie Sance, the

761
00:34:38,239 --> 00:34:40,600
Speaker 1: same weekending as Mighty hoopla and Kelly was doing many hoopa,

762
00:34:40,600 --> 00:34:42,680
Speaker 1: so there was all these names being like Kelly's gonna

763
00:34:42,680 --> 00:34:44,440
Speaker 1: show up to Renaissance or Beyonce is gonna show up

764
00:34:44,480 --> 00:34:51,640
Speaker 1: mighty Hoopla, which was less likely, but that was beyond

765
00:34:52,040 --> 00:34:54,400
Speaker 1: hoop what's the park on the on in South London

766
00:34:54,440 --> 00:34:59,960
Speaker 1: that it's that Brockwell pop Rockwell, it's fun down there on?

767
00:35:00,040 --> 00:35:00,640
Speaker 3: Did I never go?

768
00:35:00,719 --> 00:35:03,279
Speaker 1: I never go, but it's like it's where all the

769
00:35:03,280 --> 00:35:04,040
Speaker 1: cool people are.

770
00:35:03,920 --> 00:35:07,040
Speaker 2: There it is, That's why I'm never there. Yeah, No,

771
00:35:07,520 --> 00:35:09,239
Speaker 2: like London and summer is the best. I think it's

772
00:35:09,280 --> 00:35:10,920
Speaker 2: like the best time to come to London is summer.

773
00:35:11,200 --> 00:35:13,200
Speaker 1: Well, now I guess Beyonce, that would be nice to

774
00:35:13,200 --> 00:35:13,800
Speaker 1: go seek.

775
00:35:14,880 --> 00:35:19,080
Speaker 2: Yeah, that honestly was medicine for the soul seeing Beyonce.

776
00:35:19,239 --> 00:35:21,640
Speaker 2: Like I was feeling in like a really rubbish headspace

777
00:35:21,680 --> 00:35:23,239
Speaker 2: and I was like I felt I was feeling so

778
00:35:23,239 --> 00:35:25,120
Speaker 2: self conscious about the way I lurked all this stuff,

779
00:35:25,160 --> 00:35:27,080
Speaker 2: and then I went to the Renaissance and I was

780
00:35:27,120 --> 00:35:29,600
Speaker 2: just like wow, it really like was a drug.

781
00:35:29,719 --> 00:35:31,680
Speaker 3: It's like a pill, a medicine for me. Yeah.

782
00:35:32,120 --> 00:35:35,120
Speaker 1: As a party, it was, Yeah, it was amazing. Yeah, exactly,

783
00:35:35,520 --> 00:35:47,719
Speaker 1: let's ask me the question Amelia at Voldeburg, what is

784
00:35:47,719 --> 00:35:49,799
Speaker 1: the culture that made the culture is? For me? Mary

785
00:35:49,880 --> 00:35:53,400
Speaker 1: Kay Nashley Wilson. Wow, have you ever had anyone do that?

786
00:35:53,440 --> 00:35:54,560
Speaker 3: I was wondering if you had.

787
00:35:54,760 --> 00:35:58,280
Speaker 1: I don't think so. This is huge. What's their greatest

788
00:35:58,280 --> 00:36:00,239
Speaker 1: work in your opinion? Oh wow?

789
00:36:00,520 --> 00:36:00,880
Speaker 3: Okay?

790
00:36:01,040 --> 00:36:02,120
Speaker 1: Well what movie? Oh god?

791
00:36:02,200 --> 00:36:04,280
Speaker 2: I mean they have to say a movie New York Minute?

792
00:36:05,239 --> 00:36:11,000
Speaker 2: Do you under New York Minute? Absolutely? Holiday in the Sun, Yes,

793
00:36:11,480 --> 00:36:16,000
Speaker 2: with Megan Fox. Sorry with Megan Yeah, I mean Winning

794
00:36:16,080 --> 00:36:19,399
Speaker 2: Winning London. I mean I love like obviously I'm London girl,

795
00:36:19,640 --> 00:36:22,359
Speaker 2: but maybe Winning London wasn't my fave. What my lips

796
00:36:22,360 --> 00:36:27,000
Speaker 2: are sealed? The one where in Australia The Challenge.

797
00:36:26,840 --> 00:36:27,440
Speaker 3: I remember that one.

798
00:36:27,440 --> 00:36:28,240
Speaker 1: I don't know the challenge.

799
00:36:28,280 --> 00:36:30,160
Speaker 3: The challenge was when they did the Challenge.

800
00:36:30,920 --> 00:36:34,600
Speaker 2: Sorry, it was like, you know the Challenge, the Challenge

801
00:36:34,600 --> 00:36:36,279
Speaker 2: and the only way I've ever watched the Challenges on

802
00:36:36,400 --> 00:36:37,360
Speaker 2: the megane Actually.

803
00:36:37,200 --> 00:36:39,080
Speaker 1: The Challenge did change.

804
00:36:39,520 --> 00:36:41,560
Speaker 3: Well, they did like a movie where they were on

805
00:36:41,600 --> 00:36:42,280
Speaker 3: the Challenge.

806
00:36:42,440 --> 00:36:45,200
Speaker 1: I am the TV show. Is there a British show

807
00:36:45,239 --> 00:36:45,880
Speaker 1: called the Challenge?

808
00:36:45,960 --> 00:36:48,880
Speaker 2: No? It's like they're they're like, I assume this is

809
00:36:48,920 --> 00:36:51,040
Speaker 2: the show. It's like you're in a pair and you

810
00:36:51,080 --> 00:36:52,160
Speaker 2: have to do those a challenges.

811
00:36:52,480 --> 00:36:54,880
Speaker 1: Oh, like an amazing race kind of thing. Yeah, maybe

812
00:36:55,760 --> 00:36:58,799
Speaker 1: what was the sleeping What was the Sleepover series? Again?

813
00:36:59,200 --> 00:37:00,000
Speaker 3: The Sleepover series.

814
00:37:00,239 --> 00:37:05,840
Speaker 1: Oh, you're invited, You're invited, You're invited. Oh, you're invited.

815
00:37:06,840 --> 00:37:07,760
Speaker 3: The TV series.

816
00:37:07,920 --> 00:37:11,319
Speaker 1: I don't know what it was. They also had an animation. Yeah,

817
00:37:11,320 --> 00:37:16,759
Speaker 1: they had everything said Passport to Paris. Yeah, Passport to

818
00:37:16,800 --> 00:37:18,839
Speaker 1: Paris was huge for them, I think.

819
00:37:19,040 --> 00:37:21,560
Speaker 2: Yeah, just like so epic, Like I'm sorry, but just

820
00:37:21,840 --> 00:37:24,040
Speaker 2: I just wanted to live their life so badly. I

821
00:37:24,040 --> 00:37:26,120
Speaker 2: feel like so much of like why I feel like

822
00:37:26,120 --> 00:37:28,200
Speaker 2: I'm such an overachiever is because I grew up on

823
00:37:28,239 --> 00:37:31,400
Speaker 2: Marykay and Ashley and were like the biggest over achievers

824
00:37:31,400 --> 00:37:31,920
Speaker 2: in the world.

825
00:37:31,960 --> 00:37:33,400
Speaker 3: Like there was nothing that they couldn't do.

826
00:37:33,600 --> 00:37:36,080
Speaker 1: People forget there was two of them, so they split

827
00:37:36,120 --> 00:37:37,959
Speaker 1: their empire. They both had you know what.

828
00:37:37,840 --> 00:37:41,279
Speaker 3: I mean true, but still like still they did the work.

829
00:37:41,360 --> 00:37:43,200
Speaker 1: I mean absolutely, no one can still.

830
00:37:43,400 --> 00:37:45,960
Speaker 2: Okay, this is the thing, that's reason they are the

831
00:37:46,040 --> 00:37:46,840
Speaker 2: coolest girls.

832
00:37:46,960 --> 00:37:51,640
Speaker 3: Still They're always pushing culture forward. Still with the Row and.

833
00:37:51,920 --> 00:37:57,480
Speaker 1: On the Row pieces. No, but about a million dollars each, Okay,

834
00:37:57,960 --> 00:38:00,600
Speaker 1: but they last and they're good. Question has there.

835
00:38:02,040 --> 00:38:04,879
Speaker 3: Everyone loves the Row. Really cool people wear the Row.

836
00:38:05,120 --> 00:38:06,520
Speaker 1: Yeah, absolutely, yeah.

837
00:38:06,560 --> 00:38:10,120
Speaker 3: And they're just they're just like the tiny little chain smokers.

838
00:38:10,160 --> 00:38:10,919
Speaker 3: They're just so cool.

839
00:38:11,640 --> 00:38:13,279
Speaker 1: The one one of them, I forget which one it was.

840
00:38:13,320 --> 00:38:15,880
Speaker 1: It might have been Mary Kate or Ashley at the wedding.

841
00:38:15,920 --> 00:38:17,640
Speaker 1: At the wedding they had a wedding. Their wedding had

842
00:38:17,640 --> 00:38:19,120
Speaker 1: a bowls of cigarettes on every table.

843
00:38:19,200 --> 00:38:22,080
Speaker 2: Yeah. Yeah, I'm always trying to think though, who am

844
00:38:22,120 --> 00:38:22,680
Speaker 2: I more like?

845
00:38:22,960 --> 00:38:23,359
Speaker 1: Mary? Kay?

846
00:38:23,400 --> 00:38:25,399
Speaker 3: Am I Ashley? Like I just remember both?

847
00:38:25,640 --> 00:38:27,160
Speaker 1: What can you break down?

848
00:38:27,920 --> 00:38:31,440
Speaker 2: I don't know, because they would always change characters in

849
00:38:31,480 --> 00:38:33,920
Speaker 2: their movies, like you know what I mean, Like sometimes

850
00:38:33,920 --> 00:38:36,319
Speaker 2: Mary Kate would be like the uptight one, and then

851
00:38:36,360 --> 00:38:38,040
Speaker 2: sometimes it would be Ashley, and you could like never

852
00:38:38,080 --> 00:38:38,360
Speaker 2: really know.

853
00:38:38,400 --> 00:38:39,480
Speaker 3: They would just always.

854
00:38:39,400 --> 00:38:41,000
Speaker 1: Ye, I'll complete and known.

855
00:38:41,040 --> 00:38:45,080
Speaker 2: Yeah truly, but yeah, no, I just I just did

856
00:38:45,120 --> 00:38:45,600
Speaker 2: two of them.

857
00:38:45,640 --> 00:38:48,160
Speaker 1: Oh and then they've got the other sister, Elizabeth, who

858
00:38:48,200 --> 00:38:49,600
Speaker 1: by the way, is my favorite actress.

859
00:38:49,680 --> 00:38:51,840
Speaker 3: Oh wow, They're just incredible.

860
00:38:52,320 --> 00:38:55,520
Speaker 1: Have you ever watched I mean obviously WandaVision, but have

861
00:38:55,600 --> 00:38:57,360
Speaker 1: you ever seen Ingrid Goes.

862
00:38:57,200 --> 00:39:05,080
Speaker 5: West no, no, you you would it about like storker

863
00:39:05,600 --> 00:39:07,680
Speaker 5: situation with the social media.

864
00:39:08,280 --> 00:39:13,560
Speaker 1: It's such a bold, great, like interesting movie about a

865
00:39:13,600 --> 00:39:17,080
Speaker 1: dynamic like that that like really pushes it and goes

866
00:39:17,120 --> 00:39:21,919
Speaker 1: there and then ends in such a weird, darky way,

867
00:39:22,400 --> 00:39:25,240
Speaker 1: dark funny way, like it's truly I just missed dark

868
00:39:25,320 --> 00:39:27,239
Speaker 1: comedies like that, you know what. I just watched again

869
00:39:27,520 --> 00:39:29,359
Speaker 1: and we saw Matthew Broderick last night and I told

870
00:39:29,440 --> 00:39:33,840
Speaker 1: him miss Election so good. Never seen him, Oh, Amelia,

871
00:39:33,920 --> 00:39:36,560
Speaker 1: it's it's your kind of movie Withspoon is in a

872
00:39:36,600 --> 00:39:40,279
Speaker 1: way like the Olsen girl of her time. Yes, I've

873
00:39:40,320 --> 00:39:43,080
Speaker 1: heard my co generation you Witherspoon.

874
00:39:43,160 --> 00:39:44,040
Speaker 3: I love Spoon.

875
00:39:45,440 --> 00:39:51,200
Speaker 1: Yeah, okay, I love that Elwood's Elwoods. You have an

876
00:39:51,200 --> 00:39:55,200
Speaker 1: Elwood's quality about you, and I mean that's the highest compliment.

877
00:39:55,440 --> 00:39:57,920
Speaker 3: Of course, she's an accomplished lawyer and.

878
00:39:58,320 --> 00:40:02,040
Speaker 1: Yeah, dog dog person. You know that they're doing so

879
00:40:02,160 --> 00:40:06,160
Speaker 1: you are, Yes, they are. But check out Election because

880
00:40:06,440 --> 00:40:09,719
Speaker 1: it's one of Reese's best performances. And whenever anyone is

881
00:40:09,760 --> 00:40:12,920
Speaker 1: like forgetting that Reese can do dark, I'm like, can

882
00:40:12,960 --> 00:40:16,000
Speaker 1: you just go watch literally anything from the first half

883
00:40:16,000 --> 00:40:21,360
Speaker 1: of her career, like Pleasantville. She's like so deliciously bitchy

884
00:40:21,440 --> 00:40:23,719
Speaker 1: in it, and like she plays this turn so well,

885
00:40:23,880 --> 00:40:26,520
Speaker 1: like waking up to that and like, but Tracy Flick,

886
00:40:26,520 --> 00:40:27,440
Speaker 1: her character an election.

887
00:40:28,160 --> 00:40:29,359
Speaker 3: What's the premise of the film.

888
00:40:29,440 --> 00:40:31,520
Speaker 1: So the premise is, basically, it's a high school and

889
00:40:31,520 --> 00:40:34,319
Speaker 1: Matthew Brodrick is a social studies teacher and there's a

890
00:40:34,320 --> 00:40:36,239
Speaker 1: girl in class, Tracy Flick played by Reese, with this

891
00:40:36,280 --> 00:40:39,920
Speaker 1: poo who's like an overachiever, very Mary Kate or Ashley

892
00:40:39,920 --> 00:40:44,480
Speaker 1: depending on the movie, And so she drives him nuts

893
00:40:44,719 --> 00:40:48,080
Speaker 1: and basically she hasn't She's has an affair I mean well,

894
00:40:48,360 --> 00:40:50,840
Speaker 1: I mean like it's with a teacher that's his friend,

895
00:40:50,880 --> 00:40:53,680
Speaker 1: and he gets obviously kicked out of the school. And

896
00:40:53,760 --> 00:40:56,640
Speaker 1: so Matthew Brodrick's character grows to like really resent this

897
00:40:56,640 --> 00:41:02,080
Speaker 1: girl who's running for class president unopposed, so he encourages

898
00:41:02,160 --> 00:41:06,359
Speaker 1: a popular jock student to run against her. She goes crazy,

899
00:41:06,560 --> 00:41:09,719
Speaker 1: like because she's like not supposed to lose. And it's

900
00:41:09,760 --> 00:41:12,960
Speaker 1: like a sort of political satire taking place in this

901
00:41:13,080 --> 00:41:15,919
Speaker 1: high school. And they did a sequel to it called

902
00:41:15,960 --> 00:41:19,279
Speaker 1: Tracy Flick Can't Win. Tom Parota wrote a second book

903
00:41:19,320 --> 00:41:22,880
Speaker 1: like years and years later and they're doing it, supposed

904
00:41:22,880 --> 00:41:24,680
Speaker 1: to do it. They're getting the script. I know that

905
00:41:25,360 --> 00:41:27,640
Speaker 1: she's supposed to do it. She's producing it. Tooice is

906
00:41:27,640 --> 00:41:32,040
Speaker 1: producing it. Yes, that's the Buzz Criterion Collection Election. Yeah,

907
00:41:32,120 --> 00:41:34,040
Speaker 1: that's like it's like it's one of those movies that

908
00:41:34,040 --> 00:41:36,160
Speaker 1: you're just like, it's undeniable. I think you would love it.

909
00:41:36,200 --> 00:41:37,920
Speaker 3: Okay, I'm definitely gonna watch him, Yeah.

910
00:41:37,760 --> 00:41:40,440
Speaker 1: Tonight, tonight. It actually would be a great movie for tonight,

911
00:41:40,719 --> 00:41:43,279
Speaker 1: great movie where it's like, you know what, I went

912
00:41:43,320 --> 00:41:45,640
Speaker 1: out last night. Yeah, but I still want to watch

913
00:41:45,680 --> 00:41:47,719
Speaker 1: something good. I want to watch something i'm awake for.

914
00:41:47,840 --> 00:41:49,520
Speaker 1: I have to think about. But it's not gonna like

915
00:41:49,640 --> 00:41:52,680
Speaker 1: scare me, like or like you know perfect. I can

916
00:41:52,680 --> 00:41:55,480
Speaker 1: look at my phone every twenty minutes or so. If

917
00:41:55,520 --> 00:41:59,879
Speaker 1: I wanted to adapted Screenplayoffscar nomination, that's right, I love

918
00:42:02,920 --> 00:42:05,279
Speaker 1: I was like a gold Derby kid. Okay, we're going

919
00:42:05,320 --> 00:42:09,040
Speaker 1: to the Oscars for the first time. Yes, what are

920
00:42:09,080 --> 00:42:09,480
Speaker 1: your tips?

921
00:42:09,800 --> 00:42:11,360
Speaker 3: Don't wear a train dress?

922
00:42:11,400 --> 00:42:17,000
Speaker 2: Okay, we're like a long dress with a train and

923
00:42:17,400 --> 00:42:21,960
Speaker 2: wearing because that was a nightmare for me when I went,

924
00:42:22,040 --> 00:42:26,200
Speaker 2: and like that was an imare I would say eat

925
00:42:26,360 --> 00:42:30,200
Speaker 2: something before but then also afterwards at the Governor's Ball,

926
00:42:30,239 --> 00:42:32,480
Speaker 2: there's like the most amount of food in the world,

927
00:42:32,120 --> 00:42:35,000
Speaker 2: the world, like ever, and there's like every single kind

928
00:42:35,040 --> 00:42:36,759
Speaker 2: of food you could ever have, but like in a

929
00:42:36,800 --> 00:42:40,680
Speaker 2: miniature version. And then they also have gold oscar like

930
00:42:40,760 --> 00:42:45,160
Speaker 2: oscars made out of chocolate for your family, like take

931
00:42:46,760 --> 00:42:49,880
Speaker 2: my dad, Like my whole sweetcase is filled with.

932
00:42:49,920 --> 00:42:53,120
Speaker 1: Your dad is adorable, by the way, is that so patronizing?

933
00:42:53,160 --> 00:42:55,440
Speaker 1: He's so wondering? He seems like such a charming man.

934
00:42:55,520 --> 00:42:57,680
Speaker 3: Yeah, he is so sweet, moth. My parents are so cute.

935
00:42:58,360 --> 00:43:00,279
Speaker 1: And you're very close with your sister as well. Trust

936
00:43:00,320 --> 00:43:00,640
Speaker 1: my sister.

937
00:43:00,760 --> 00:43:03,120
Speaker 2: Yeah, we worked together and we're just like we actually, yeah,

938
00:43:03,280 --> 00:43:05,080
Speaker 2: we used to live together. Then we had to separate

939
00:43:05,080 --> 00:43:09,799
Speaker 2: because it's just too much. Well actually we were very

940
00:43:09,840 --> 00:43:11,680
Speaker 2: similar in age. We're only one year apart, so it's

941
00:43:11,719 --> 00:43:13,400
Speaker 2: kind of like getting it's giving Mary.

942
00:43:13,280 --> 00:43:16,160
Speaker 1: Kay and Ashley very that who's who depends on.

943
00:43:19,000 --> 00:43:21,640
Speaker 2: So yeah, so we'll have to see we'll have to

944
00:43:22,000 --> 00:43:23,320
Speaker 2: be continued to continuing.

945
00:43:23,320 --> 00:43:26,200
Speaker 1: Now, were you a Full House first person? The Full

946
00:43:26,239 --> 00:43:27,000
Speaker 1: House in the UK?

947
00:43:27,320 --> 00:43:29,640
Speaker 3: They probably did on some random channel, but I didn't

948
00:43:29,640 --> 00:43:29,920
Speaker 3: watch it.

949
00:43:30,040 --> 00:43:33,080
Speaker 1: Oh, so you weren't introduced to them when we were well, actually,

950
00:43:33,120 --> 00:43:36,040
Speaker 1: well I guess you did cable No, but we were

951
00:43:36,160 --> 00:43:38,000
Speaker 1: the full house was the thing in Canada, Okay, sure.

952
00:43:38,480 --> 00:43:40,879
Speaker 3: I found out about them through Billboard dad.

953
00:43:40,920 --> 00:43:44,839
Speaker 1: I think billboard Dad, what was the one where they

954
00:43:44,840 --> 00:43:46,279
Speaker 1: were living in? Like it was like they were in

955
00:43:46,320 --> 00:43:48,360
Speaker 1: like Miami Beach or something, and they lived in like

956
00:43:48,400 --> 00:43:52,520
Speaker 1: what looked like essentially a hotel. I say that one

957
00:43:53,120 --> 00:43:55,399
Speaker 1: know their dad wasn't Steve Gutenberg. I'm getting that mixed

958
00:43:55,440 --> 00:43:59,319
Speaker 1: up with film. It takes it takes two? Is it

959
00:43:59,360 --> 00:44:00,200
Speaker 1: takes two? Yes?

960
00:44:01,520 --> 00:44:01,719
Speaker 2: Yeh.

961
00:44:02,800 --> 00:44:06,080
Speaker 1: We're naming off so many movies, are we? Are we

962
00:44:06,160 --> 00:44:09,000
Speaker 1: in retrospect a little bit? Like? Fuck? I mean what what?

963
00:44:08,840 --> 00:44:11,040
Speaker 1: What was? What was their life? They were? They were

964
00:44:11,080 --> 00:44:13,200
Speaker 1: just working, these kids to the fucking bone.

965
00:44:13,239 --> 00:44:14,600
Speaker 3: Yes, so true in a way.

966
00:44:14,680 --> 00:44:16,479
Speaker 2: And but now but they seem to they I feel

967
00:44:16,480 --> 00:44:19,319
Speaker 2: like they love to work because they You wouldn't run

968
00:44:19,320 --> 00:44:21,719
Speaker 2: a fashion brand if you didn't love to work, because

969
00:44:21,719 --> 00:44:22,880
Speaker 2: that's like one of the hardest.

970
00:44:22,680 --> 00:44:25,319
Speaker 1: Jobs, of course in the world. But also we were

971
00:44:25,360 --> 00:44:27,400
Speaker 1: gonna say sorry no. But but also like they are

972
00:44:27,480 --> 00:44:29,839
Speaker 1: so like we don't want to be seen at all,

973
00:44:30,160 --> 00:44:34,560
Speaker 1: so cool, like that's that's the reactionary thing to like

974
00:44:34,800 --> 00:44:36,440
Speaker 1: being in show businesses like at that year.

975
00:44:36,520 --> 00:44:38,000
Speaker 2: And I also feel like they're in a way, like

976
00:44:38,040 --> 00:44:40,759
Speaker 2: the precursor to like the modern day influencer that.

977
00:44:40,680 --> 00:44:41,280
Speaker 3: We have now.

978
00:44:41,600 --> 00:44:45,319
Speaker 2: Absolutely because like mary Kay and Ashley's movies for me

979
00:44:45,760 --> 00:44:47,799
Speaker 2: was like how I feel like people now when they're

980
00:44:47,800 --> 00:44:50,440
Speaker 2: watching Alex l or like all these other effects. Because

981
00:44:50,440 --> 00:44:53,279
Speaker 2: you wanted, like you want to watch someone's really fun

982
00:44:53,400 --> 00:44:56,480
Speaker 2: life where they're like going out to parties, they're kissing boys,

983
00:44:56,520 --> 00:44:58,920
Speaker 2: they're like putting on makeup and stuff. But like I

984
00:44:59,040 --> 00:45:00,960
Speaker 2: watched that through Marya and Ashley, but like that was

985
00:45:00,960 --> 00:45:03,840
Speaker 2: obviously fictionalized. Like that's what I loved about it was

986
00:45:03,880 --> 00:45:06,799
Speaker 2: because I felt like I was like getting like a

987
00:45:06,880 --> 00:45:09,640
Speaker 2: door open into like their world, which I thought was real,

988
00:45:09,719 --> 00:45:11,680
Speaker 2: And now we do have that now, but it is,

989
00:45:12,120 --> 00:45:13,759
Speaker 2: well it's kind of real to a point. But you

990
00:45:13,800 --> 00:45:15,880
Speaker 2: have that with influences, I guess, yeah.

991
00:45:15,719 --> 00:45:17,719
Speaker 1: But you're no, but you're touching on something so huge,

992
00:45:17,719 --> 00:45:19,719
Speaker 1: which is that like when we were growing up or

993
00:45:19,719 --> 00:45:22,560
Speaker 1: when we were like impressionable youth, like we knew it

994
00:45:22,600 --> 00:45:25,040
Speaker 1: to be a fantasy, and now it's like it's hard

995
00:45:25,080 --> 00:45:27,000
Speaker 1: to tell for.

996
00:45:25,680 --> 00:45:28,920
Speaker 2: It's true and people probably do are watching people on

997
00:45:28,960 --> 00:45:30,520
Speaker 2: TikTok and thinking, oh my god, this is like their

998
00:45:30,520 --> 00:45:33,200
Speaker 2: actual life, not realizing that like so much of it

999
00:45:33,239 --> 00:45:35,520
Speaker 2: is still staged and like not stage in that sense,

1000
00:45:35,560 --> 00:45:37,759
Speaker 2: but like you know, like heightened or like the things

1001
00:45:37,760 --> 00:45:40,080
Speaker 2: that you decide to include in the things you choose

1002
00:45:40,120 --> 00:45:44,240
Speaker 2: not to and yeah, it's a bit more Yeah, difficult

1003
00:45:44,280 --> 00:45:47,279
Speaker 2: for young people probably together head around it. But saying that,

1004
00:45:47,360 --> 00:45:49,520
Speaker 2: I honestly did think that America and actually lived that life.

1005
00:45:49,760 --> 00:45:52,000
Speaker 2: I actually thought that was like, oh, they obviously are

1006
00:45:52,040 --> 00:45:55,160
Speaker 2: like jetting off to the Pamas. They're going to like

1007
00:45:55,320 --> 00:45:57,040
Speaker 2: kiss those of boys in Paris like they are doing that.

1008
00:45:57,160 --> 00:45:58,680
Speaker 1: They really were all over the world.

1009
00:45:59,040 --> 00:46:01,520
Speaker 3: They were mister missus Worldwide.

1010
00:46:01,760 --> 00:46:04,160
Speaker 1: Yeah, people watch Miss and Miss world Wise.

1011
00:46:04,160 --> 00:46:06,920
Speaker 3: Little little Miss Miss Mister Culture.

1012
00:46:06,600 --> 00:46:11,560
Speaker 1: Number fourteen, Mary K Miss and Miss Worldwide, little Miss

1013
00:46:11,600 --> 00:46:15,480
Speaker 1: Miss Worldwide Wise. You know they never did they never

1014
00:46:15,520 --> 00:46:20,120
Speaker 1: did really little Miss Miss Worldwide is it's not immediately

1015
00:46:20,160 --> 00:46:22,080
Speaker 1: what was it? I think in order to Amelia has

1016
00:46:22,080 --> 00:46:24,480
Speaker 1: a point, but and I would like to see it.

1017
00:46:24,840 --> 00:46:27,239
Speaker 1: But wait, they never grew up on camera though, you

1018
00:46:27,280 --> 00:46:29,040
Speaker 1: know what I mean? Like that they did New York

1019
00:46:29,120 --> 00:46:31,040
Speaker 1: Minute and then it was kind of like, you know what,

1020
00:46:31,400 --> 00:46:35,440
Speaker 1: you guys don't get to see us encounter drugs and alcohol.

1021
00:46:35,880 --> 00:46:38,720
Speaker 1: You guys actually don't. You don't get to see us

1022
00:46:38,920 --> 00:46:41,960
Speaker 1: get a horny feeling. No, And I think it's because

1023
00:46:42,040 --> 00:46:44,440
Speaker 1: a probably they were fed up at that point. The

1024
00:46:44,640 --> 00:46:50,000
Speaker 1: b people are so uncomfortable whenever that happens with anyone

1025
00:46:50,040 --> 00:46:52,359
Speaker 1: they're watching as a kid, like think about like now,

1026
00:46:52,400 --> 00:46:54,960
Speaker 1: it's so crazy because Miley Cyrus is like a beloved

1027
00:46:55,000 --> 00:46:59,560
Speaker 1: American treasure four quadrant mom's dad's brothers, sister, everyone loves her,

1028
00:46:59,560 --> 00:47:04,879
Speaker 1: the gays everyone, but she was derided of course, like

1029
00:47:05,120 --> 00:47:07,520
Speaker 1: you know, growing up being sex. Yeah, it's it's the

1030
00:47:07,520 --> 00:47:09,960
Speaker 1: Britney thing. It's the Yeah, it's all of them. And

1031
00:47:09,960 --> 00:47:12,359
Speaker 1: Mary kate In actually didn't even participate in that. They

1032
00:47:12,360 --> 00:47:16,319
Speaker 1: were just like we're actually, no, you got everything you're

1033
00:47:16,320 --> 00:47:16,960
Speaker 1: getting from us.

1034
00:47:17,080 --> 00:47:18,759
Speaker 2: Yeah, because you're going to be judged as a young

1035
00:47:18,840 --> 00:47:21,439
Speaker 2: woman in like if you're showing all these different sides

1036
00:47:21,480 --> 00:47:24,680
Speaker 2: to your personality or just figuring stuff out on camera

1037
00:47:24,800 --> 00:47:26,920
Speaker 2: or whatever. And yeah, they just basically were like goodbye.

1038
00:47:28,480 --> 00:47:32,520
Speaker 1: They just they just skipped straight to dating like an

1039
00:47:32,600 --> 00:47:33,520
Speaker 1: older French guy.

1040
00:47:33,640 --> 00:47:34,160
Speaker 3: Yes they did.

1041
00:47:34,840 --> 00:47:38,839
Speaker 2: Was he like in politics or something something like which

1042
00:47:38,880 --> 00:47:39,640
Speaker 2: one's a billionaire?

1043
00:47:40,680 --> 00:47:43,520
Speaker 3: Like they have a very Yeah they've got interesting.

1044
00:47:46,200 --> 00:47:48,480
Speaker 1: This has been on my to do list, but like

1045
00:47:48,520 --> 00:47:50,560
Speaker 1: a dating pros and cons list? Have we have we

1046
00:47:50,600 --> 00:47:53,600
Speaker 1: done this exercise pros and cons?

1047
00:47:53,760 --> 00:47:54,879
Speaker 3: What do you mean like for.

1048
00:47:55,200 --> 00:47:58,160
Speaker 1: Like things that you're like, he needs to be at

1049
00:47:58,239 --> 00:48:03,360
Speaker 1: least these thingsionaire French opinionis right and so you're like, well,

1050
00:48:04,080 --> 00:48:08,279
Speaker 1: does he have to be a billionaire now? Does he? No?

1051
00:48:08,400 --> 00:48:12,560
Speaker 1: Of course, I'm just saying you'll be a multimillionaire. I

1052
00:48:12,640 --> 00:48:16,960
Speaker 1: just want someone to buy me to know. Really, that's

1053
00:48:17,000 --> 00:48:19,000
Speaker 1: why I realize my bars. I need to raise it

1054
00:48:19,680 --> 00:48:21,080
Speaker 1: and this is life. In this moment, I was like,

1055
00:48:21,120 --> 00:48:21,520
Speaker 1: that's it.

1056
00:48:21,600 --> 00:48:24,240
Speaker 3: Yeah, no, it's actually sad.

1057
00:48:24,480 --> 00:48:26,479
Speaker 1: Less funny than me, so that I can feel better.

1058
00:48:26,640 --> 00:48:32,400
Speaker 1: But at least, actually there's people, there's some people, there's

1059
00:48:32,400 --> 00:48:35,719
Speaker 1: some people. Is there anything that like everyone else would

1060
00:48:35,719 --> 00:48:38,840
Speaker 1: consider a positive that you consider a negative when dating

1061
00:48:38,880 --> 00:48:45,240
Speaker 1: someone totally everyone considers Like honestly, you know what drives

1062
00:48:45,280 --> 00:48:48,600
Speaker 1: me kind of nuts? Like not politeness doesn't drive me

1063
00:48:48,680 --> 00:48:51,120
Speaker 1: crazy because I actually do like to know that the

1064
00:48:51,160 --> 00:48:53,439
Speaker 1: person really likes me. But I don't like to feel

1065
00:48:53,440 --> 00:48:57,160
Speaker 1: like things are careful or like too kind for me.

1066
00:48:57,239 --> 00:49:00,160
Speaker 1: There needs to be like some edge edge like I

1067
00:49:00,239 --> 00:49:02,399
Speaker 1: need to feel and not like I had a really

1068
00:49:02,520 --> 00:49:04,560
Speaker 1: nice time. Don't tell me you had a really nice

1069
00:49:04,600 --> 00:49:07,839
Speaker 1: time make out with me on the street. That's how

1070
00:49:07,960 --> 00:49:13,160
Speaker 1: I feel. I've done that. Oh god, see, that's what's

1071
00:49:13,160 --> 00:49:14,719
Speaker 1: so great about That's why when you come to New

1072
00:49:14,800 --> 00:49:17,080
Speaker 1: York and you start dating here, and I bet it

1073
00:49:17,160 --> 00:49:19,080
Speaker 1: they give that in East London, to be honest, but

1074
00:49:19,320 --> 00:49:21,400
Speaker 1: very on the East Side where.

1075
00:49:21,840 --> 00:49:25,200
Speaker 2: It is exactly Yeah, wow, I need to be transported

1076
00:49:25,200 --> 00:49:29,839
Speaker 2: back to the streets of London. Is it that you're

1077
00:49:29,880 --> 00:49:32,960
Speaker 2: in Is it true that, like in New York everyone's

1078
00:49:33,000 --> 00:49:35,799
Speaker 2: dating all the time, like multiple people, because that's more

1079
00:49:36,200 --> 00:49:39,120
Speaker 2: people say about New York that likely you're when you're

1080
00:49:39,200 --> 00:49:41,319
Speaker 2: dating someone, it's normal. It's usual that they will be

1081
00:49:41,360 --> 00:49:43,280
Speaker 2: like dating numerous other people, like.

1082
00:49:43,440 --> 00:49:46,480
Speaker 1: Right, Like they say, don't do that, but I think

1083
00:49:46,520 --> 00:49:48,319
Speaker 1: it happens all the time. Of course I do it.

1084
00:49:48,840 --> 00:49:50,480
Speaker 1: The New York thing. I'm curious if this is the

1085
00:49:50,480 --> 00:49:53,360
Speaker 1: same in London. The New York thing is everyone thinks

1086
00:49:53,440 --> 00:49:55,080
Speaker 1: that they can do better than the person they're with.

1087
00:49:55,239 --> 00:49:58,920
Speaker 2: Yep, I feel like that's a thing now, just in

1088
00:49:59,440 --> 00:50:01,920
Speaker 2: like I know things, you got too many options.

1089
00:50:02,360 --> 00:50:05,680
Speaker 1: It's literally like it's like browsing through Netflix. It's like, well,

1090
00:50:05,760 --> 00:50:08,200
Speaker 1: let me keep looking because there's some I'm like at

1091
00:50:08,239 --> 00:50:11,200
Speaker 1: about a six or a seven in terms of watching

1092
00:50:11,280 --> 00:50:14,600
Speaker 1: this show about you know, like, yeah, this documentary, that's

1093
00:50:14,640 --> 00:50:16,279
Speaker 1: like I'm kind of interested, but I'm sure there's something

1094
00:50:16,320 --> 00:50:17,680
Speaker 1: that's gonna take me over the edge and you just

1095
00:50:17,760 --> 00:50:21,279
Speaker 1: keep it's online shopping. It's like it's immediacy culture. It's

1096
00:50:21,320 --> 00:50:24,160
Speaker 1: the instant gratification that we're so used to that makes

1097
00:50:24,239 --> 00:50:27,000
Speaker 1: us swipe swype swipe away from like these actual things.

1098
00:50:27,000 --> 00:50:29,600
Speaker 1: Do you guys know the Muslim matchmaker? Yes, she st

1099
00:50:29,800 --> 00:50:32,480
Speaker 1: focus on one partner, she says, focus on one person.

1100
00:50:32,719 --> 00:50:36,440
Speaker 1: The illusion of choice is just that an illusion. It's

1101
00:50:36,440 --> 00:50:40,319
Speaker 1: like you're not giving someone a chance. If you are

1102
00:50:40,400 --> 00:50:43,640
Speaker 1: thinking about two three other people, even like later on

1103
00:50:43,719 --> 00:50:46,919
Speaker 1: the week whatever, you also will be less attentive to them.

1104
00:50:47,280 --> 00:50:49,279
Speaker 1: You're gonna find yourself going on a date being like

1105
00:50:49,640 --> 00:50:51,759
Speaker 1: now is this the one with the two older sisters?

1106
00:50:52,239 --> 00:50:55,280
Speaker 1: You know what i mean? And it's like that's crazy.

1107
00:50:55,360 --> 00:50:58,600
Speaker 1: I know, no, I've I've caught myself in that for sure.

1108
00:50:58,640 --> 00:51:02,520
Speaker 1: And quote Natalie Portman, I've been you It's closer.

1109
00:51:04,200 --> 00:51:05,120
Speaker 3: Oh, I love that film.

1110
00:51:05,560 --> 00:51:07,520
Speaker 1: It's one of the great films. So good. It was

1111
00:51:07,520 --> 00:51:09,480
Speaker 1: a play? Was the play first?

1112
00:51:09,560 --> 00:51:10,959
Speaker 3: I love a play like.

1113
00:51:11,640 --> 00:51:14,920
Speaker 1: I love like Sorry, I love I'm Smarring.

1114
00:51:15,920 --> 00:51:18,000
Speaker 3: I love movies. I feel like plays.

1115
00:51:18,360 --> 00:51:20,760
Speaker 1: I love but that's people not that. For some reason,

1116
00:51:22,040 --> 00:51:24,760
Speaker 1: I like that a common like criticism. Is it felt

1117
00:51:24,760 --> 00:51:27,239
Speaker 1: stagy or it felt like a like this? I like

1118
00:51:27,440 --> 00:51:30,680
Speaker 1: that about a long scene. Hello, watch the movie Doubt,

1119
00:51:30,800 --> 00:51:34,000
Speaker 1: the scene with Meryl Streep and Viola Davis. Yeah, yell

1120
00:51:34,040 --> 00:51:35,080
Speaker 1: at me that it's stage.

1121
00:51:35,320 --> 00:51:35,799
Speaker 3: I love that.

1122
00:51:35,880 --> 00:51:39,080
Speaker 1: What you hate people acting at each other? Get out,

1123
00:51:39,400 --> 00:51:41,799
Speaker 1: get out, get out of here, get out of here,

1124
00:51:41,840 --> 00:51:46,080
Speaker 1: I say, give an American accent. Thanks, Yeah you even told that.

1125
00:51:46,320 --> 00:51:48,080
Speaker 3: No, I haven't sorry that.

1126
00:51:48,239 --> 00:51:52,200
Speaker 2: That's my agent keeps trying to get me ste auditions

1127
00:51:52,200 --> 00:51:53,440
Speaker 2: in an American accent, and I'm.

1128
00:51:53,320 --> 00:51:55,160
Speaker 1: Like, are you do you have acting ambitions?

1129
00:51:55,480 --> 00:51:56,200
Speaker 3: I would like to.

1130
00:51:56,280 --> 00:51:58,799
Speaker 1: Yeah, okay, we're gonna write something for you. Yeah, we'll

1131
00:51:58,800 --> 00:52:01,439
Speaker 1: take care of you. We'll take care of you. Ever again, Wait,

1132
00:52:02,880 --> 00:52:06,000
Speaker 1: I see something for Amelia. Same for sure. No, Like

1133
00:52:06,040 --> 00:52:09,000
Speaker 1: we're yeah, so we're being so annoying, we're being so

1134
00:52:09,400 --> 00:52:12,120
Speaker 1: annoying and we're being such and we're being such a bitches.

1135
00:52:12,960 --> 00:52:13,400
Speaker 3: Bitches.

1136
00:52:14,760 --> 00:52:16,040
Speaker 1: Wait, I did at a pressure of you last time

1137
00:52:16,040 --> 00:52:17,439
Speaker 1: on the carpet, right, What did I say again?

1138
00:52:17,560 --> 00:52:17,960
Speaker 3: I said?

1139
00:52:18,200 --> 00:52:21,040
Speaker 1: Oh, I love Andrew Garfield? I said, I said, I said,

1140
00:52:21,480 --> 00:52:25,040
Speaker 1: fels me. It's obsessed with me and with me. Have

1141
00:52:25,080 --> 00:52:26,960
Speaker 1: you spoken to him since all that or did it

1142
00:52:27,040 --> 00:52:28,480
Speaker 1: start a friendship? Yeah?

1143
00:52:28,480 --> 00:52:29,359
Speaker 3: I would say we're friends.

1144
00:52:29,480 --> 00:52:32,399
Speaker 1: It's good.

1145
00:52:33,239 --> 00:52:36,080
Speaker 3: So he's so nice, Yeah he seems lovely.

1146
00:52:36,160 --> 00:52:39,120
Speaker 1: Yeah, sweetheart. Okay, but I sort of want to finish

1147
00:52:39,160 --> 00:52:42,080
Speaker 1: this conversation about the potential of falling in love on

1148
00:52:42,120 --> 00:52:42,719
Speaker 1: the show for you.

1149
00:52:43,680 --> 00:52:46,640
Speaker 2: Yeah, okay, I feel like I might meet someone on

1150
00:52:46,680 --> 00:52:48,799
Speaker 2: the show, but then once I end the show, then

1151
00:52:48,880 --> 00:52:51,319
Speaker 2: maybe I bumped into them at a party and then

1152
00:52:51,400 --> 00:52:55,839
Speaker 2: that's that's yeah, that's how that sounds really, right, rather

1153
00:52:55,880 --> 00:52:59,359
Speaker 2: than like the day after we film. I'm like, so,

1154
00:52:59,360 --> 00:53:00,520
Speaker 2: so we're going up now?

1155
00:53:02,080 --> 00:53:03,480
Speaker 1: Does a guest ever hit you up out? You don't

1156
00:53:03,520 --> 00:53:05,200
Speaker 1: say who, but did a guest ever hit you up after?

1157
00:53:05,320 --> 00:53:11,680
Speaker 1: Like in an actual way? No? Fucked up? But you

1158
00:53:11,719 --> 00:53:13,640
Speaker 1: know what, you know what sucks about your show? You

1159
00:53:13,640 --> 00:53:14,799
Speaker 1: don't have any gay guys on.

1160
00:53:15,719 --> 00:53:18,719
Speaker 3: I'm trying I'm trying.

1161
00:53:18,480 --> 00:53:19,560
Speaker 1: Well, you were on our show.

1162
00:53:19,880 --> 00:53:20,480
Speaker 3: I'm trying.

1163
00:53:21,320 --> 00:53:22,719
Speaker 1: What do you mean you're trying who you're trying? You're

1164
00:53:22,760 --> 00:53:30,440
Speaker 1: trying to get who was not? He was supposed to

1165
00:53:30,480 --> 00:53:34,760
Speaker 1: do our show. Yeah, and then there's there's double booking.

1166
00:53:34,800 --> 00:53:38,600
Speaker 1: There was a double No, it's my fault. Your fault

1167
00:53:39,560 --> 00:53:41,200
Speaker 1: had to do Kelly Clarkson at the time we were

1168
00:53:42,360 --> 00:53:44,640
Speaker 1: and that that is literally the only thing I would allow.

1169
00:53:45,239 --> 00:53:49,200
Speaker 3: I feel like I have had a gay personal.

1170
00:53:49,560 --> 00:53:51,400
Speaker 1: I don't, well, you've had a gay person on you

1171
00:53:51,400 --> 00:53:53,960
Speaker 1: haven't had a gay guy because I feel like you

1172
00:53:54,040 --> 00:53:56,799
Speaker 1: think that you can't flirt with the person. But let

1173
00:53:56,800 --> 00:53:58,719
Speaker 1: me tell you something. Just me and you in a

1174
00:53:58,760 --> 00:53:59,400
Speaker 1: room with chicken.

1175
00:54:00,080 --> 00:54:01,880
Speaker 2: Well, this is the blind spot for me. And actually

1176
00:54:02,040 --> 00:54:04,359
Speaker 2: I need to get more gay men on the show.

1177
00:54:05,080 --> 00:54:07,120
Speaker 1: I just wanted to your work isn't over.

1178
00:54:07,360 --> 00:54:09,880
Speaker 3: No, thank you for thank you for that.

1179
00:54:10,400 --> 00:54:13,400
Speaker 1: Thank you. I'm going to do more. I sometimes it's

1180
00:54:13,440 --> 00:54:16,200
Speaker 1: easier to flirt with girls. I love with girls. Well

1181
00:54:16,280 --> 00:54:19,319
Speaker 1: you are you're you know who do you a little bit?

1182
00:54:19,560 --> 00:54:19,719
Speaker 2: Yes?

1183
00:54:19,760 --> 00:54:24,799
Speaker 1: Straighter than me? Is that? Yeah? We talked about that.

1184
00:54:26,960 --> 00:54:30,280
Speaker 1: Vibes you, Gina Grashan, you and Sydney Sweeney.

1185
00:54:30,680 --> 00:54:33,120
Speaker 2: You and wait, you guys are leading people on. Actually

1186
00:54:33,400 --> 00:54:35,960
Speaker 2: you've probably had well, you've probably had people have probably

1187
00:54:36,000 --> 00:54:37,880
Speaker 2: gone to their friends, Like I had the most amazing

1188
00:54:37,920 --> 00:54:40,879
Speaker 2: conversation with this guy who's talking to me all night.

1189
00:54:41,120 --> 00:54:43,440
Speaker 2: This guy told me to me all night and then

1190
00:54:43,560 --> 00:54:44,919
Speaker 2: turns out he's good.

1191
00:54:47,040 --> 00:54:49,080
Speaker 1: I actually someone gave me their phone number. When I

1192
00:54:49,080 --> 00:54:51,560
Speaker 1: worked at Ulysses years ago, a girl was like, gave

1193
00:54:51,560 --> 00:54:53,520
Speaker 1: me her phone abron a napkin, like it was a

1194
00:54:53,719 --> 00:54:58,120
Speaker 1: rom com And I was like, I didn't even try

1195
00:54:58,360 --> 00:55:00,600
Speaker 1: to act like anything other than myself. And I was like,

1196
00:55:00,680 --> 00:55:07,000
Speaker 1: am I straight passing? Perhaps the answer is now? Per chance? Really?

1197
00:55:07,440 --> 00:55:08,600
Speaker 1: So she couldn't even answer it.

1198
00:55:09,040 --> 00:55:10,160
Speaker 3: Wait, sorry, what was the question?

1199
00:55:10,239 --> 00:55:11,759
Speaker 1: Am I straight passing? Oh?

1200
00:55:11,800 --> 00:55:12,680
Speaker 3: Sorry, I didn't hear that.

1201
00:55:12,880 --> 00:55:18,279
Speaker 2: So I've actually like got turned a corner an hour.

1202
00:55:18,360 --> 00:55:20,200
Speaker 2: I'm like, I actually thought I was going to throw

1203
00:55:20,280 --> 00:55:21,960
Speaker 2: up before I came into this room.

1204
00:55:22,040 --> 00:55:25,160
Speaker 1: Do you vomit when you're hungover? Yeah? You do? Did

1205
00:55:25,200 --> 00:55:27,640
Speaker 1: you have my last night? No? Good? So so that

1206
00:55:27,680 --> 00:55:29,799
Speaker 1: means like it's it's backed up, it's it's it's coming up,

1207
00:55:29,800 --> 00:55:30,479
Speaker 1: it's coming up.

1208
00:55:30,440 --> 00:55:34,239
Speaker 2: It's coming up, it's coming up. It's what.

1209
00:55:36,120 --> 00:55:38,360
Speaker 1: What is that singing?

1210
00:55:39,040 --> 00:55:40,480
Speaker 3: Yeah, yeah, I can clearly.

1211
00:55:40,560 --> 00:55:43,359
Speaker 1: What was the question? I asked a question like this,

1212
00:55:44,440 --> 00:55:51,719
Speaker 1: so much much more fun, say what's singing? But of

1213
00:55:51,760 --> 00:55:54,359
Speaker 1: that it's the inflection of inflections. An American you asked

1214
00:55:54,360 --> 00:55:57,400
Speaker 1: a question like this, and and in the UK you

1215
00:55:57,400 --> 00:55:58,360
Speaker 1: here's the question like this.

1216
00:56:00,520 --> 00:56:03,120
Speaker 3: Do you know you are not straight past?

1217
00:56:05,560 --> 00:56:18,959
Speaker 1: That's a question. You don't think I'm straight bat Hello, Hello, Okay,

1218
00:56:19,000 --> 00:56:21,040
Speaker 1: we got to get you out of here. We are

1219
00:56:21,040 --> 00:56:23,919
Speaker 1: gonna I can understand what time is it. It's four

1220
00:56:24,040 --> 00:56:27,279
Speaker 1: thirty nine. My girl was ten late. I will stop it. No,

1221
00:56:27,400 --> 00:56:29,760
Speaker 1: she wasn't down the street.

1222
00:56:30,320 --> 00:56:33,200
Speaker 3: Yeah, that was getting stopped. Asked for hers.

1223
00:56:33,880 --> 00:56:38,000
Speaker 1: Actually, well, you are recognizable, and I'm also just yeah,

1224
00:56:38,000 --> 00:56:40,480
Speaker 1: well yeah, yeah, I think so.

1225
00:56:40,520 --> 00:56:43,000
Speaker 2: I think people think people think I'm approachable. I am approachable,

1226
00:56:43,040 --> 00:56:44,600
Speaker 2: But like I think because of the show, it's like

1227
00:56:44,640 --> 00:56:46,319
Speaker 2: people are more likely to come up if you're doing

1228
00:56:46,320 --> 00:56:48,120
Speaker 2: something in comedy, I feel like you probably get the

1229
00:56:48,160 --> 00:56:48,520
Speaker 2: same thing.

1230
00:56:48,719 --> 00:56:50,120
Speaker 1: Probably it's lovely time.

1231
00:56:50,160 --> 00:56:50,799
Speaker 3: It's so nice.

1232
00:56:50,960 --> 00:56:53,400
Speaker 2: I always just think like there's so many it's a

1233
00:56:53,400 --> 00:56:55,840
Speaker 2: privilege to get people to come up and say that

1234
00:56:55,840 --> 00:56:58,200
Speaker 2: they like your work when so many people are in

1235
00:56:58,280 --> 00:57:00,640
Speaker 2: jobs where they never thank for what they do. Their

1236
00:57:00,640 --> 00:57:03,600
Speaker 2: boss never tells the job, and like we literally get

1237
00:57:03,640 --> 00:57:05,440
Speaker 2: people being like, good job.

1238
00:57:05,719 --> 00:57:08,279
Speaker 1: Thank you for doing work. Yeah, it's so nice. It

1239
00:57:08,360 --> 00:57:11,439
Speaker 1: is very very nice. Yeah, but that's beautiful perspective. Yeah,

1240
00:57:12,080 --> 00:57:13,480
Speaker 1: do you have your askers dress?

1241
00:57:13,920 --> 00:57:14,359
Speaker 3: Not yet?

1242
00:57:15,000 --> 00:57:16,800
Speaker 1: You gotta get on that. Yeah, a color?

1243
00:57:17,320 --> 00:57:21,400
Speaker 2: No, which I don't know what I'm wearing yet.

1244
00:57:21,160 --> 00:57:23,400
Speaker 1: I don't know. Will you be will you be dressed

1245
00:57:23,680 --> 00:57:26,640
Speaker 1: like I hope? So? Yeah? Nice? I better be? Can

1246
00:57:26,680 --> 00:57:30,800
Speaker 1: I say? One of the number one things I look

1247
00:57:30,840 --> 00:57:32,200
Speaker 1: forward to when now you're going to be somewhere is

1248
00:57:32,240 --> 00:57:35,080
Speaker 1: what you're going to be wearing? Always nice? Thank you?

1249
00:57:35,200 --> 00:57:37,320
Speaker 1: You have such amazing fashion. Since you went to school

1250
00:57:37,360 --> 00:57:38,840
Speaker 1: for fashion journalism, Yes, I.

1251
00:57:38,760 --> 00:57:41,920
Speaker 2: Studied fashion journalism at the Mountains, and yeah, I always

1252
00:57:41,920 --> 00:57:44,120
Speaker 2: wanted to work at Vogue. That was like my ambition,

1253
00:57:44,760 --> 00:57:46,480
Speaker 2: I see it. Yeah, I wanted to be editor of

1254
00:57:46,560 --> 00:57:51,920
Speaker 2: Vogue still time and and then and then yeah, when

1255
00:57:51,920 --> 00:57:54,040
Speaker 2: I was studying fashion journalism, I kind of realized I

1256
00:57:54,280 --> 00:57:56,520
Speaker 2: was more interested in pop culture as a whole and

1257
00:57:56,600 --> 00:57:58,240
Speaker 2: kind of and then I was doing Chicken Shop Day

1258
00:57:58,240 --> 00:58:00,440
Speaker 2: at the same time, like while I was at Diversity,

1259
00:58:00,840 --> 00:58:02,960
Speaker 2: and just like Chicken Shop Date, I just focused on

1260
00:58:03,000 --> 00:58:05,200
Speaker 2: that right, But yeah, I've always loved fashion and like

1261
00:58:05,240 --> 00:58:08,080
Speaker 2: I just find fashion history and like, yeah, fashion journalism

1262
00:58:08,160 --> 00:58:10,320
Speaker 2: is like a gateway into like culture as a whole.

1263
00:58:10,360 --> 00:58:13,280
Speaker 3: Anyway, everything is so connected, Everything.

1264
00:58:13,000 --> 00:58:15,440
Speaker 1: Is connected, everything is connected. Well, it's a specific window.

1265
00:58:15,520 --> 00:58:19,160
Speaker 1: It's like it's the entry point into the broader scope.

1266
00:58:18,760 --> 00:58:21,800
Speaker 2: Of yeah, whether it's yeah, whether it's from even from

1267
00:58:21,800 --> 00:58:27,400
Speaker 2: politics to business, like music to like identity, like everything

1268
00:58:28,000 --> 00:58:29,080
Speaker 2: you're braad coded.

1269
00:58:28,840 --> 00:58:32,000
Speaker 1: Right now, am I Well always I've gotta mesh back

1270
00:58:32,480 --> 00:58:35,840
Speaker 1: Oh right, that's why. Yeah, his back is well just

1271
00:58:35,880 --> 00:58:39,120
Speaker 1: for small air, just just just for ventilation. I love that.

1272
00:58:39,920 --> 00:58:40,520
Speaker 3: I love that.

1273
00:58:40,760 --> 00:58:44,960
Speaker 1: Yeah, he's bread coded, you know, and my shoes. But

1274
00:58:45,000 --> 00:58:46,960
Speaker 1: you're Charlie On didn't you love Charlie.

1275
00:58:47,160 --> 00:58:49,520
Speaker 2: She's the best physical that's the best person ever, so

1276
00:58:49,600 --> 00:58:54,040
Speaker 2: talented and like it's just so down to us and

1277
00:58:54,200 --> 00:58:57,360
Speaker 2: so amazing, so funny, so brilliant. But yeah, like watching

1278
00:58:57,440 --> 00:58:59,480
Speaker 2: her perform is just like such a joy, Like every

1279
00:58:59,480 --> 00:59:01,760
Speaker 2: time I see her. I've seen her perform so many

1280
00:59:01,760 --> 00:59:04,120
Speaker 2: times now and it's just I'm just so blown away

1281
00:59:04,160 --> 00:59:05,840
Speaker 2: by I think it's also when you know someone like

1282
00:59:05,880 --> 00:59:07,440
Speaker 2: as a friend and then you see them on stage

1283
00:59:07,440 --> 00:59:11,919
Speaker 2: and you're like what You're like, Oh my goodness, Like.

1284
00:59:11,520 --> 00:59:12,200
Speaker 3: How do you do that?

1285
00:59:12,240 --> 00:59:14,760
Speaker 2: I just think it's and she's so physical on stage,

1286
00:59:14,840 --> 00:59:17,560
Speaker 2: like what she does with her like her movement and everything.

1287
00:59:17,560 --> 00:59:20,240
Speaker 3: It's like, wow, it's I'm an all of her. She's amazing.

1288
00:59:20,400 --> 00:59:20,560
Speaker 2: Yeah.

1289
00:59:20,600 --> 00:59:23,880
Speaker 1: I loved her episode with you guys. I know. I

1290
00:59:24,000 --> 00:59:25,680
Speaker 1: think it was one of my viral moments. It was

1291
00:59:26,520 --> 00:59:30,800
Speaker 1: I'm not yeah, I wouldn't say, but I can be

1292
00:59:30,880 --> 00:59:33,960
Speaker 1: a bit I can't even quote it.

1293
00:59:34,080 --> 00:59:39,160
Speaker 3: I don't think what did she say, I'm not a bitch.

1294
00:59:39,920 --> 00:59:43,120
Speaker 1: I'm not I can be bitchy, but I don't know

1295
00:59:43,160 --> 00:59:47,840
Speaker 1: if I don't know if I'm a bitch? Right is

1296
00:59:47,920 --> 00:59:54,800
Speaker 1: the biggest thing. I'm not really on TikTok and so like,

1297
00:59:55,000 --> 00:59:57,520
Speaker 1: I didn't know it was a viral sound until well

1298
00:59:57,560 --> 01:00:01,000
Speaker 1: after it happened the best. Yeah, that's fun. It's fun

1299
01:00:01,000 --> 01:00:01,800
Speaker 1: to go viral.

1300
01:00:02,480 --> 01:00:08,240
Speaker 2: Yes, you would, and Andy a good friend, My good friend.

1301
01:00:08,040 --> 01:00:12,120
Speaker 1: Andy Samber, Oh my, I would love you, guys, would

1302
01:00:12,360 --> 01:00:14,440
Speaker 1: Sparks would be fine? I would love that. What if

1303
01:00:14,440 --> 01:00:18,080
Speaker 1: you homewrecked? What if? What if if I don't want you?

1304
01:00:20,000 --> 01:00:22,400
Speaker 1: They'll be still uncommon online? No, I know, and it's

1305
01:00:22,440 --> 01:00:23,360
Speaker 1: not for me. I don't want to be on the

1306
01:00:23,360 --> 01:00:28,040
Speaker 1: reddit exactly on the reddit, No, don't, please, you want

1307
01:00:28,040 --> 01:00:31,600
Speaker 1: to be on snark subs or whatever. Okay, time friend

1308
01:00:31,600 --> 01:00:43,040
Speaker 1: to think, Sonny, God, did you have something? Have you?

1309
01:00:43,280 --> 01:00:45,120
Speaker 2: I've got something, but I don't know whether I'm going

1310
01:00:45,200 --> 01:00:46,800
Speaker 2: to be able. I just need to get my energy.

1311
01:00:47,080 --> 01:00:47,400
Speaker 1: We just have.

1312
01:00:47,480 --> 01:00:48,200
Speaker 3: Let me have a sip.

1313
01:00:48,680 --> 01:00:49,520
Speaker 1: Coffee and.

1314
01:00:51,480 --> 01:00:52,520
Speaker 3: You guys drink coffee.

1315
01:00:52,720 --> 01:00:55,600
Speaker 1: Yeah, do you? I can't? Why I can't?

1316
01:00:55,600 --> 01:00:57,919
Speaker 3: It makes me go. It makes me go in sech

1317
01:00:58,120 --> 01:00:58,880
Speaker 3: does it not make.

1318
01:00:58,720 --> 01:01:04,560
Speaker 1: You're gonna say something out? It makes me poo? Yeah?

1319
01:01:04,760 --> 01:01:07,040
Speaker 3: And do you say pooh in America?

1320
01:01:07,520 --> 01:01:09,440
Speaker 1: In Canada we would say pooh more than He's probably

1321
01:01:09,440 --> 01:01:11,320
Speaker 1: more likely to say pooh than me. We said pooh

1322
01:01:11,320 --> 01:01:14,680
Speaker 1: in Canada, but now and now more American, I spend

1323
01:01:14,680 --> 01:01:16,520
Speaker 1: more time in the States. It's poop poop.

1324
01:01:16,880 --> 01:01:17,800
Speaker 3: Okay.

1325
01:01:19,440 --> 01:01:25,800
Speaker 1: I don't like poop either. You know what? I'm ready? Okay,

1326
01:01:26,240 --> 01:01:30,400
Speaker 1: this is Matt Rogers. I don't think so any His

1327
01:01:30,640 --> 01:01:34,120
Speaker 1: time starts now. I don't think so, honey. The word poop,

1328
01:01:34,560 --> 01:01:38,440
Speaker 1: there's nothing worse. Worst letter in alphabet by far pee,

1329
01:01:38,480 --> 01:01:41,960
Speaker 1: I'm sorry, I can lose it. There are so many

1330
01:01:42,280 --> 01:01:45,760
Speaker 1: better and also enough for nothing. But there's enough Peters,

1331
01:01:45,800 --> 01:01:50,200
Speaker 1: there's enough Patricks, there's enough. Let's get more creative. Let's

1332
01:01:50,200 --> 01:01:53,320
Speaker 1: explore the letter Q. Okay, how about how about more

1333
01:01:53,400 --> 01:01:55,520
Speaker 1: Quintin's and Quentin's in the world.

1334
01:01:55,280 --> 01:01:59,480
Speaker 4: Quentin's And here's what I don't like that letter. I

1335
01:01:59,560 --> 01:02:02,960
Speaker 4: hate at the end you have to say some ones,

1336
01:02:02,960 --> 01:02:06,080
Speaker 4: but twice does not even get into what we're talking about.

1337
01:02:06,080 --> 01:02:09,360
Speaker 1: When we say the word fecal matter. I think that

1338
01:02:09,560 --> 01:02:12,840
Speaker 1: fecal matter. This one time that Bone and I wrote

1339
01:02:12,840 --> 01:02:15,560
Speaker 1: a piece, we wrote a show, and he wrote a

1340
01:02:15,600 --> 01:02:17,360
Speaker 1: line was the funniest thing I ever heard. He said,

1341
01:02:17,440 --> 01:02:20,240
Speaker 1: you were a vile fecal woman. And I said, calling

1342
01:02:20,280 --> 01:02:23,320
Speaker 1: someone fecal talking about feces is better than poop. Grow

1343
01:02:23,400 --> 01:02:27,480
Speaker 1: up and say ship, grow up and say by second

1344
01:02:28,080 --> 01:02:33,080
Speaker 1: short not poop. I'm so humble And that's one minute. Wow.

1345
01:02:33,680 --> 01:02:37,160
Speaker 1: That was quite sering. That was that was serious. But

1346
01:02:37,600 --> 01:02:39,400
Speaker 1: I do want to say for context, the line you

1347
01:02:39,480 --> 01:02:42,840
Speaker 1: vile woman was in response to your character taunting me

1348
01:02:42,880 --> 01:02:45,640
Speaker 1: by saying that you had eaten my husband's ass. Out

1349
01:02:45,960 --> 01:02:51,240
Speaker 1: you vile woman. That your line reading, I was like,

1350
01:02:51,280 --> 01:02:56,400
Speaker 1: I was eating your husband's ass last night. That's God's

1351
01:02:56,400 --> 01:02:59,760
Speaker 1: a wonderful writer with a quill away with the words

1352
01:02:59,760 --> 01:03:01,920
Speaker 1: I can get to say this. It's really the fact

1353
01:03:01,960 --> 01:03:05,480
Speaker 1: that it's like poop. It's the poop is cute. I

1354
01:03:05,480 --> 01:03:08,720
Speaker 1: don't think who I was gonna say, pooh is cute? Cut? No,

1355
01:03:08,880 --> 01:03:12,320
Speaker 1: pooh is like you're doing around is cute. P Oh

1356
01:03:12,400 --> 01:03:15,200
Speaker 1: is cute. And also it looks cute. But poop is

1357
01:03:15,240 --> 01:03:17,880
Speaker 1: a palindrome spell. It's spelled the same way from it

1358
01:03:17,920 --> 01:03:21,240
Speaker 1: as it is back. I love that we today a

1359
01:03:21,280 --> 01:03:23,520
Speaker 1: new word today. Yeah, alright, Matt's got a stung glass.

1360
01:03:23,560 --> 01:03:28,080
Speaker 1: I've lost the building. Actually you've inspired me. Yeah, I'm

1361
01:03:28,080 --> 01:03:30,160
Speaker 1: not gonna do a letter. I'm gonna do something else. Okay,

1362
01:03:30,200 --> 01:03:34,200
Speaker 1: you can guess. So this would be our lucky because

1363
01:03:34,200 --> 01:03:36,000
Speaker 1: it's bow and Yang's. I don't think so, honey. His

1364
01:03:36,080 --> 01:03:38,560
Speaker 1: time starts now. I don't think so, honey. The number nine,

1365
01:03:39,280 --> 01:03:44,000
Speaker 1: what are you giving? Prime number? Square number? That's all

1366
01:03:44,120 --> 01:03:47,400
Speaker 1: you have going on, that's all you will ever be.

1367
01:03:47,840 --> 01:03:54,040
Speaker 1: Let's go through them. One, amazing, iconic, two, amazing iconic, three,

1368
01:03:54,760 --> 01:03:57,160
Speaker 1: one of the most important numbers, the rule of three.

1369
01:03:57,400 --> 01:04:01,560
Speaker 1: Four I like and Beyonce four great Beyonce album five

1370
01:04:01,760 --> 01:04:04,320
Speaker 1: really important. You need halfway to ten. You really need

1371
01:04:04,320 --> 01:04:07,960
Speaker 1: that as a benchmark in accounting system. Six I like.

1372
01:04:08,320 --> 01:04:11,400
Speaker 1: I love six. Seven, Oh, name it prettier number than

1373
01:04:11,480 --> 01:04:16,560
Speaker 1: name seven? Eight? I love eight? You ate you eight? Nine?

1374
01:04:17,560 --> 01:04:21,320
Speaker 1: Hold on, hold on, hold on? Nine? What what are you?

1375
01:04:21,360 --> 01:04:23,120
Speaker 1: What are you giving us? You might as well be ten?

1376
01:04:23,600 --> 01:04:24,920
Speaker 1: Do you know what I mean? I don't know. What

1377
01:04:24,960 --> 01:04:27,760
Speaker 1: are you doing? Nine? Just your you're pussy footing around ten.

1378
01:04:28,320 --> 01:04:31,680
Speaker 1: I think you should nut up five seconds and go

1379
01:04:31,800 --> 01:04:33,880
Speaker 1: up to ten, or go down to eight because that's

1380
01:04:33,880 --> 01:04:35,800
Speaker 1: a prettier number. Or you might as well be seven

1381
01:04:35,840 --> 01:04:39,360
Speaker 1: because nothing beats seven. That's one minute. Wow. No, Why

1382
01:04:39,560 --> 01:04:43,520
Speaker 1: was six afraid of seven? Why because seven? Eight? Nine?

1383
01:04:44,200 --> 01:04:48,440
Speaker 1: Because nine is nine can only be eaten and nine

1384
01:04:48,480 --> 01:04:50,720
Speaker 1: will never eat. I think they wanted to eat nine

1385
01:04:50,720 --> 01:04:53,200
Speaker 1: because nine is delicious. Quite frankly, I love that.

1386
01:04:53,400 --> 01:04:55,280
Speaker 3: I feel bad for nine at this point, I feel

1387
01:04:55,280 --> 01:04:55,720
Speaker 3: already bad.

1388
01:04:55,920 --> 01:04:57,960
Speaker 1: Why why do you do you to defend? Do you

1389
01:04:58,000 --> 01:05:00,800
Speaker 1: think it's catching strays? And did nothing? I think? So?

1390
01:05:01,400 --> 01:05:02,920
Speaker 1: Do you have nine in your in your sort of

1391
01:05:03,160 --> 01:05:05,080
Speaker 1: date of birth or anything? There is like anything? Number?

1392
01:05:06,200 --> 01:05:10,080
Speaker 1: Nineteen eighty nine, ninete oh, nineteen ninety four. Yeah, Hello,

1393
01:05:10,720 --> 01:05:13,240
Speaker 1: I'm sorry. I'm born in nineteen ninety. I'm made of

1394
01:05:13,240 --> 01:05:14,040
Speaker 1: the stuff.

1395
01:05:14,320 --> 01:05:17,800
Speaker 3: Nineteen nine nine. What about the movie nine love?

1396
01:05:19,320 --> 01:05:20,000
Speaker 1: So you've seen that?

1397
01:05:20,680 --> 01:05:21,880
Speaker 3: So I've seen one?

1398
01:05:22,680 --> 01:05:24,600
Speaker 1: You a movie? You know that? You know that I

1399
01:05:24,600 --> 01:05:25,880
Speaker 1: saw nine twice in theaters.

1400
01:05:25,960 --> 01:05:26,640
Speaker 3: I know that about you?

1401
01:05:26,720 --> 01:05:31,040
Speaker 1: Yeah? You know? Who do you identify with from nine?

1402
01:05:31,680 --> 01:05:34,520
Speaker 3: The one who's she's got famous mom?

1403
01:05:35,200 --> 01:05:40,000
Speaker 1: Kate Hudson, Kate Hudson, same you too. Literally, when I

1404
01:05:40,000 --> 01:05:42,280
Speaker 1: saw Kate Hudson at nine, I was like, I finally

1405
01:05:42,320 --> 01:05:43,280
Speaker 1: saw myself on screen.

1406
01:05:43,320 --> 01:05:43,840
Speaker 3: Wow.

1407
01:05:44,320 --> 01:05:47,920
Speaker 1: Yeah, the reporter with like a fucking huge piece in

1408
01:05:47,960 --> 01:05:55,200
Speaker 1: her hair. The I was Sallyano, just like throwing ass.

1409
01:05:55,440 --> 01:05:57,600
Speaker 1: Isn't it a Is it a remake of eight and

1410
01:05:57,640 --> 01:05:59,880
Speaker 1: a half? It's like a retail reimagining. I mean, okay,

1411
01:06:00,600 --> 01:06:06,320
Speaker 1: stay in half, random random nine in three quarters might

1412
01:06:06,320 --> 01:06:09,760
Speaker 1: as well be ten. Also, I'm we're not elevating that

1413
01:06:10,040 --> 01:06:17,160
Speaker 1: transphobes work. You know who hates you know, JK, Charlie

1414
01:06:17,160 --> 01:06:20,680
Speaker 1: and Troy because they just want to go back that

1415
01:06:23,040 --> 01:06:26,200
Speaker 1: the grown I find nine quite cheek when it's next

1416
01:06:26,280 --> 01:06:27,680
Speaker 1: to another nine or any other number.

1417
01:06:27,800 --> 01:06:28,000
Speaker 2: Nine?

1418
01:06:28,040 --> 01:06:28,880
Speaker 1: Is she nine?

1419
01:06:28,920 --> 01:06:28,960
Speaker 2: Is?

1420
01:06:29,040 --> 01:06:29,120
Speaker 1: So?

1421
01:06:29,480 --> 01:06:31,280
Speaker 3: Nine is actually the cheeks number?

1422
01:06:31,800 --> 01:06:36,080
Speaker 1: I don't know y'all. Nine by itself, I don't enjoy

1423
01:06:37,000 --> 01:06:40,440
Speaker 1: it gives me anxiety. I say, go to ten. You

1424
01:06:40,480 --> 01:06:42,520
Speaker 1: know what I mean? I think then I think, honestly,

1425
01:06:42,560 --> 01:06:45,680
Speaker 1: if I'm really thinking about the numbers, three pisces me off.

1426
01:06:47,080 --> 01:06:48,360
Speaker 3: Responsibility of ten.

1427
01:06:48,680 --> 01:06:48,960
Speaker 2: You know.

1428
01:06:51,080 --> 01:06:54,360
Speaker 1: Should take a responsibility I can't handle. Did you think

1429
01:06:54,400 --> 01:06:54,760
Speaker 1: about that?

1430
01:06:54,840 --> 01:06:57,160
Speaker 3: But it won't. That's why I know.

1431
01:06:57,240 --> 01:06:59,720
Speaker 1: I think that is a lot of restraints. Ten is whole,

1432
01:07:00,240 --> 01:07:03,520
Speaker 1: ten is ten is OK. By the way, I don't

1433
01:07:03,520 --> 01:07:06,560
Speaker 1: think nine is a prime number. Yeah, I'm sorry, it's not.

1434
01:07:06,720 --> 01:07:09,160
Speaker 1: I take that back. Of course. I can't believe I

1435
01:07:09,240 --> 01:07:12,880
Speaker 1: knew a number thing you did it. I'm deeply mistaken, Amelia,

1436
01:07:13,120 --> 01:07:15,160
Speaker 1: because you know what you can do with nine. Split

1437
01:07:15,200 --> 01:07:21,720
Speaker 1: it in threes. But three? Yes. Wait, Also, if you

1438
01:07:21,720 --> 01:07:23,680
Speaker 1: don't have nine, you can't have sixty nine the best

1439
01:07:23,680 --> 01:07:28,640
Speaker 1: sexual position. I don't know you'll have you guys reminiscing,

1440
01:07:28,760 --> 01:07:31,040
Speaker 1: y'all have your six? Have y'all sixty nine? Recently because

1441
01:07:31,040 --> 01:07:33,920
Speaker 1: it's always like, I don't know what it's all, canceling

1442
01:07:33,920 --> 01:07:38,640
Speaker 1: out of it. I'm like, it's unnecessary, it's unnecessary. I

1443
01:07:41,120 --> 01:07:43,160
Speaker 1: like it in theory. I'm thinking about it. And I'm going,

1444
01:07:43,360 --> 01:07:45,919
Speaker 1: oh that's nice. I don't like the cold sixty nine

1445
01:07:45,960 --> 01:07:48,280
Speaker 1: because you are a six and a nine. Someone's a

1446
01:07:48,280 --> 01:07:50,640
Speaker 1: six and know what I'm saying, you catching my dreams.

1447
01:07:50,640 --> 01:07:52,919
Speaker 1: Maybe I'm doing it wrong, like this is a six

1448
01:07:52,960 --> 01:07:57,120
Speaker 1: and that's a body. Here comes nine, and isn't it

1449
01:07:57,160 --> 01:08:00,959
Speaker 1: more of an eight? No, actually think about this before

1450
01:08:01,000 --> 01:08:04,600
Speaker 1: we say no, before we like it's disrespect her suggestion.

1451
01:08:05,440 --> 01:08:09,880
Speaker 1: Let's think about it. No, Okay, got to kay that

1452
01:08:09,880 --> 01:08:12,520
Speaker 1: one out. But could you understand why it's sixty nine?

1453
01:08:13,080 --> 01:08:17,960
Speaker 1: So it's so look look like we have to. It's

1454
01:08:17,960 --> 01:08:23,280
Speaker 1: like it's like like all right, let's shower. One person

1455
01:08:23,520 --> 01:08:28,600
Speaker 1: is like this is the tail, and then that's and

1456
01:08:28,640 --> 01:08:31,880
Speaker 1: then see like work like it's it's like we're symmetrical.

1457
01:08:32,040 --> 01:08:34,360
Speaker 1: That doesn't look like a six or nine to me.

1458
01:08:35,840 --> 01:08:39,679
Speaker 1: That does not like a six or a nine. Amelia,

1459
01:08:39,920 --> 01:08:42,880
Speaker 1: let me do it to you. No, I'm fragile. You've

1460
01:08:42,880 --> 01:08:46,840
Speaker 1: had it already. Period. I think that sixty nine is great.

1461
01:08:46,920 --> 01:08:49,720
Speaker 1: When it's not side by side. I have to be

1462
01:08:50,920 --> 01:08:53,439
Speaker 1: you have to be down on you, be exactly what

1463
01:08:53,479 --> 01:08:54,120
Speaker 1: I just do it.

1464
01:08:54,280 --> 01:08:55,120
Speaker 3: Like that, just like that.

1465
01:08:55,479 --> 01:09:00,439
Speaker 1: Oh yeah, that's just the best. That is I'm you

1466
01:09:00,439 --> 01:09:02,400
Speaker 1: know what's gonna happen. This video is gonna come out

1467
01:09:02,400 --> 01:09:04,160
Speaker 1: audio first and then a couple of days later video,

1468
01:09:04,240 --> 01:09:06,400
Speaker 1: and they're not gonna be able to watch me sixty

1469
01:09:06,479 --> 01:09:09,400
Speaker 1: nine Bowen. We have been getting a lot of request

1470
01:09:09,439 --> 01:09:15,040
Speaker 1: to kiss lately. Have you seen that kiss kiss?

1471
01:09:13,920 --> 01:09:16,800
Speaker 3: The fa kissings fun?

1472
01:09:16,880 --> 01:09:19,479
Speaker 1: Yeah, my favorite thing to do. You guys want to

1473
01:09:19,560 --> 01:09:28,040
Speaker 1: all kiss? Yeah? No ch islenders hunters yours in day obviously,

1474
01:09:28,120 --> 01:09:31,040
Speaker 1: But then who are we? I'm I think I might

1475
01:09:31,080 --> 01:09:34,600
Speaker 1: be feist. I guess yeah, I'm Josh. You're like the

1476
01:09:34,880 --> 01:09:39,320
Speaker 1: Guzier messier one. That's a compliment for the streets, we

1477
01:09:39,320 --> 01:09:41,759
Speaker 1: were saying. We were saying. One of my favorite comments

1478
01:09:41,760 --> 01:09:44,240
Speaker 1: about me recently online was that I need to stop

1479
01:09:44,400 --> 01:09:46,679
Speaker 1: pushing Boone to talk about his sex life just because

1480
01:09:46,760 --> 01:09:49,679
Speaker 1: I'm for the I wish I was for the streets.

1481
01:09:49,720 --> 01:09:51,439
Speaker 1: You are for the streets. Look at the top, you're

1482
01:09:51,439 --> 01:09:54,560
Speaker 1: warding you slut.

1483
01:09:55,120 --> 01:09:55,880
Speaker 3: She's taking it down.

1484
01:09:56,360 --> 01:09:58,760
Speaker 1: There's there's a shy girls longs where she's like, she goes,

1485
01:09:58,920 --> 01:10:04,320
Speaker 1: I'm for the streets. Yeah, are you ready to ready

1486
01:10:04,360 --> 01:10:05,920
Speaker 1: to show the streets what you got? You said you

1487
01:10:05,920 --> 01:10:08,760
Speaker 1: had something? Okay, this is a merely demandermering. I don't

1488
01:10:08,760 --> 01:10:10,280
Speaker 1: think so, honey. Her time starts now.

1489
01:10:11,120 --> 01:10:12,280
Speaker 3: I don't think so honey.

1490
01:10:12,320 --> 01:10:16,960
Speaker 2: Magicians okay, what I don't need a man to tell

1491
01:10:17,000 --> 01:10:18,000
Speaker 2: me something I don't know.

1492
01:10:18,600 --> 01:10:21,040
Speaker 3: Hello, don't trick me?

1493
01:10:21,640 --> 01:10:21,720
Speaker 1: What?

1494
01:10:22,479 --> 01:10:26,760
Speaker 2: Stop doing it? Also, where are the female magicians? I

1495
01:10:26,760 --> 01:10:30,439
Speaker 2: didn't see any of them? Okay, it's a feminist issue.

1496
01:10:30,479 --> 01:10:34,560
Speaker 2: The only women around magic are getting sworn in half Okay.

1497
01:10:34,960 --> 01:10:38,719
Speaker 3: No, thank you, playing cards, sleight of hand.

1498
01:10:39,160 --> 01:10:42,000
Speaker 2: I just don't think it's necessary, really, And I also

1499
01:10:42,080 --> 01:10:44,080
Speaker 2: think it's I've been to the magic castle.

1500
01:10:44,560 --> 01:10:45,639
Speaker 1: Wow, smell bad.

1501
01:10:45,880 --> 01:10:50,160
Speaker 2: Smell badlt really bad. Also, it's not real.

1502
01:10:50,960 --> 01:10:53,880
Speaker 1: What magic?

1503
01:10:55,960 --> 01:10:58,519
Speaker 3: It's not real. Show me some real magic.

1504
01:10:58,920 --> 01:11:04,200
Speaker 1: Find me an emotionally of dinner. I want it.

1505
01:11:04,640 --> 01:11:07,200
Speaker 3: Don't pull a rabbit out of a hat. They don't

1506
01:11:07,200 --> 01:11:07,920
Speaker 3: want to be there.

1507
01:11:08,240 --> 01:11:12,000
Speaker 1: And that's one minute. First of all, I think that

1508
01:11:12,280 --> 01:11:14,920
Speaker 1: you are so right to call out the gender inequality.

1509
01:11:15,080 --> 01:11:16,880
Speaker 1: Yes that art form.

1510
01:11:17,040 --> 01:11:19,840
Speaker 3: Yes, yes, it's true. It's weird, isn't it.

1511
01:11:19,840 --> 01:11:24,720
Speaker 1: There's as Olivia Rodrigo once said, it's exactly no.

1512
01:11:24,760 --> 01:11:26,360
Speaker 2: But I think there's a reason why women don't want

1513
01:11:26,360 --> 01:11:29,080
Speaker 2: to be magicians because they know it's like not appropriate,

1514
01:11:29,240 --> 01:11:30,639
Speaker 2: like a magician.

1515
01:11:31,479 --> 01:11:34,639
Speaker 1: Appropriate in the sense that like, it's not it's not appropriate,

1516
01:11:35,240 --> 01:11:36,840
Speaker 1: it's lying. It's lying.

1517
01:11:36,920 --> 01:11:40,080
Speaker 2: This is lying. It's just more men lying. It's right,

1518
01:11:40,320 --> 01:11:41,760
Speaker 2: and I don't want it around me.

1519
01:11:42,600 --> 01:11:47,679
Speaker 1: Like magic, I can appreciate it, Okay, but like what

1520
01:11:47,680 --> 01:11:51,479
Speaker 1: whatever I mean? Hold on, what if they're like, we're

1521
01:11:51,479 --> 01:11:58,280
Speaker 1: going to pay you five million dollars if you learn magic? Gone,

1522
01:11:59,439 --> 01:12:03,640
Speaker 1: it's so aim you don't need that money. What am

1523
01:12:03,640 --> 01:12:07,679
Speaker 1: I going to be doing? Like pulling? Well? Sorry, if

1524
01:12:07,760 --> 01:12:10,120
Speaker 1: you were going to do magic, what would like you

1525
01:12:10,160 --> 01:12:12,080
Speaker 1: know what I'm saying, that's different. You should find it

1526
01:12:12,240 --> 01:12:15,320
Speaker 1: like a lane. You should do fashion magic fashion magic.

1527
01:12:15,920 --> 01:12:19,599
Speaker 3: Or like oh no, like when they like turn inside out.

1528
01:12:20,760 --> 01:12:23,400
Speaker 1: What I'm saying, we don't need it.

1529
01:12:23,560 --> 01:12:24,439
Speaker 3: We don't need it?

1530
01:12:24,840 --> 01:12:27,160
Speaker 1: Oh wait, no fashion, I.

1531
01:12:27,200 --> 01:12:29,759
Speaker 3: Do you kind of like Dave is it David Blaine?

1532
01:12:30,200 --> 01:12:33,920
Speaker 1: Yeah, David? Is he canceled? We don't know. I don't know.

1533
01:12:34,840 --> 01:12:36,720
Speaker 1: Do we know if David Blame is cancels? Can we

1534
01:12:36,760 --> 01:12:39,800
Speaker 1: find out? Just google Davila canceled. You can still like

1535
01:12:39,840 --> 01:12:40,640
Speaker 1: Emmy's cancel No.

1536
01:12:40,720 --> 01:12:42,479
Speaker 2: I just okay, that's the kind of magic I can

1537
01:12:42,680 --> 01:12:44,840
Speaker 2: Maybe I'm into that, but that's more like risking your

1538
01:12:44,880 --> 01:12:46,280
Speaker 2: life like you could maybe die.

1539
01:12:46,880 --> 01:12:48,320
Speaker 1: Right, and that's not to see. There's not a see

1540
01:12:48,320 --> 01:12:51,840
Speaker 1: in that defying Have you ever seen Chris Angel mind freak?

1541
01:12:52,520 --> 01:12:55,200
Speaker 3: No, I don't.

1542
01:12:57,240 --> 01:13:01,559
Speaker 1: Okay, okay, all right, all right, got it, You're right,

1543
01:13:01,600 --> 01:13:05,680
Speaker 1: they're bad. What I'm saying is point Braven. Wait, but

1544
01:13:05,720 --> 01:13:08,560
Speaker 1: where are the Is there one female? But you know

1545
01:13:08,600 --> 01:13:11,639
Speaker 1: who I birthday with Pendellette? Oh?

1546
01:13:12,360 --> 01:13:13,919
Speaker 3: Is the either one to shoot themselves?

1547
01:13:16,920 --> 01:13:19,720
Speaker 1: Penn and Teller and Teller with the gun? I don't know?

1548
01:13:21,120 --> 01:13:25,080
Speaker 1: Wait and Roy they got mulled by their on time.

1549
01:13:25,960 --> 01:13:27,200
Speaker 3: I'm saying a dumb.

1550
01:13:28,720 --> 01:13:32,040
Speaker 1: I should just hung it up. Also, magic Castle, get

1551
01:13:32,080 --> 01:13:36,360
Speaker 1: the carpet cleaner out. Get Have you been there? I've

1552
01:13:36,439 --> 01:13:39,000
Speaker 1: not been. I've not been there. I don't know what

1553
01:13:39,040 --> 01:13:40,200
Speaker 1: I've been there. Have you been there?

1554
01:13:41,760 --> 01:13:42,280
Speaker 3: I've been there?

1555
01:13:43,200 --> 01:13:49,000
Speaker 1: Unfortunately, No, did you get invited by my magician? And

1556
01:13:49,040 --> 01:13:51,000
Speaker 1: how did you know this magician? A friend for friend?

1557
01:13:51,960 --> 01:13:54,439
Speaker 2: I wouldn't you were trying to smash I wouldn't personally

1558
01:13:54,439 --> 01:13:57,080
Speaker 2: associate myself with magicians. But what you're trying to smash,

1559
01:13:57,120 --> 01:13:59,680
Speaker 2: I wasn't trying to smash the magician magician, it's not

1560
01:13:59,720 --> 01:14:03,000
Speaker 2: my time. As we were I don't think so, Hammy magicians.

1561
01:14:03,400 --> 01:14:05,280
Speaker 1: That was brutal and the best way that you. I'm

1562
01:14:05,320 --> 01:14:08,120
Speaker 1: on your side completely. It was a steering takedown. Thank you.

1563
01:14:08,200 --> 01:14:10,800
Speaker 1: I really to Moldenburg, what a true delight it's been

1564
01:14:10,840 --> 01:14:11,240
Speaker 1: to be with you.

1565
01:14:11,840 --> 01:14:13,720
Speaker 2: Been delightful. You have to kind of honestly had the

1566
01:14:13,720 --> 01:14:14,879
Speaker 2: best time with you guys.

1567
01:14:14,720 --> 01:14:16,920
Speaker 1: But like truly expect for multiple days.

1568
01:14:17,160 --> 01:14:19,120
Speaker 2: Yeah, And I just really appreciate it because I feel

1569
01:14:19,120 --> 01:14:20,840
Speaker 2: like some of these things can be really overwhelming and

1570
01:14:20,840 --> 01:14:23,360
Speaker 2: it's so nice to like have people around you who

1571
01:14:23,400 --> 01:14:27,040
Speaker 2: are like actually funny, normal, great, talented.

1572
01:14:27,160 --> 01:14:27,479
Speaker 1: Love it.

1573
01:14:27,600 --> 01:14:29,040
Speaker 3: Love you guys, and thank you so much for having

1574
01:14:29,080 --> 01:14:29,360
Speaker 3: me on.

1575
01:14:29,479 --> 01:14:31,680
Speaker 1: Of course we feel the same way about you. I

1576
01:14:31,760 --> 01:14:33,760
Speaker 1: remember meeting it that part after party, being like you

1577
01:14:34,000 --> 01:14:36,599
Speaker 1: just I mean, we just have to have you on. Yeah,

1578
01:14:36,640 --> 01:14:39,080
Speaker 1: I'm so glad. I'm so glad it happened. Yeah, and

1579
01:14:39,120 --> 01:14:41,240
Speaker 1: you guys, it's the ten years for you guys, is

1580
01:14:41,280 --> 01:14:43,960
Speaker 1: it true? Yeah, we started around the same time.

1581
01:14:44,040 --> 01:14:44,680
Speaker 3: Yeah, we must have.

1582
01:14:44,800 --> 01:14:47,920
Speaker 1: That's so nice. I guess like March twenty sixteen when

1583
01:14:47,920 --> 01:14:50,760
Speaker 1: when we started, So another year or so we're worth

1584
01:14:50,800 --> 01:14:53,080
Speaker 1: the nine year emerge almost do a big ten yere thing.

1585
01:14:53,280 --> 01:14:54,960
Speaker 1: I'm sure we will. We love to do an event,

1586
01:14:55,200 --> 01:14:57,679
Speaker 1: you have to. We love to inventize, love to inventize,

1587
01:14:57,720 --> 01:14:59,439
Speaker 1: and maybe we'll see you with the awards. I think

1588
01:14:59,479 --> 01:15:00,400
Speaker 1: you're gonna be an dominated.

1589
01:15:01,960 --> 01:15:03,840
Speaker 3: I want. I'm begging to walk the collpit.

1590
01:15:04,600 --> 01:15:08,080
Speaker 1: You know, let me work. Could be good, could be good,

1591
01:15:08,360 --> 01:15:11,000
Speaker 1: only if you want to do it. Okay, what we

1592
01:15:11,080 --> 01:15:12,640
Speaker 1: will talk, We'll talk. Well, we have to rope in

1593
01:15:12,680 --> 01:15:14,639
Speaker 1: a lot of people. There's meetings about the Culture Awards. Now,

1594
01:15:14,880 --> 01:15:20,000
Speaker 1: m we keep teasing to the all right, we had

1595
01:15:20,000 --> 01:15:22,599
Speaker 1: every episode with the song and here we go, moving

1596
01:15:22,720 --> 01:15:29,160
Speaker 1: on up to the side. Why this key big in

1597
01:15:29,280 --> 01:15:37,479
Speaker 1: the sky? Yeah, don't rye in the kitchen. Bye bye.

1598
01:15:41,840 --> 01:15:44,000
Speaker 1: Last Culture Eatis is the production by Will Ferrell's Big

1599
01:15:44,000 --> 01:15:47,000
Speaker 1: Money Players in My Heart Radio podcasts, created and hosted

1600
01:15:47,000 --> 01:15:50,720
Speaker 1: by Matt Rogers and Bowen Yan, executive produced by Ana Hasny,

1601
01:15:50,800 --> 01:15:53,960
Speaker 1: and produced by Becker Ramos, edited mixed by Doug Bamimniko

1602
01:15:54,040 --> 01:16:00,280
Speaker 1: board and our music is by Henry komirski H