1 00:00:00,560 --> 00:00:07,600 Speaker 1: From Hollywood. Thank you for listening to us with Ryan Seacrest. 2 00:00:09,560 --> 00:00:13,360 Speaker 1: What do we got today is October five, rolling through 3 00:00:13,400 --> 00:00:18,360 Speaker 1: October and tickets to our kiss f M. Jingle Ball 4 00:00:19,320 --> 00:00:22,360 Speaker 1: presented my Capital one one sale at ten am this 5 00:00:22,440 --> 00:00:27,840 Speaker 1: morning to Capital one card holders. Ten am this morning 6 00:00:27,880 --> 00:00:31,680 Speaker 1: to Capital one card holders, kiss FM dot com Capital 7 00:00:31,720 --> 00:00:35,000 Speaker 1: one card holders, you get those first. That's Ed Sheeran 8 00:00:35,040 --> 00:00:37,280 Speaker 1: and do indging everybody who told you about Noax was 9 00:00:37,720 --> 00:00:39,680 Speaker 1: super cool the other day we're talking to him last week. 10 00:00:41,080 --> 00:00:44,320 Speaker 1: It's dark and you may be thinking, what's what's today 11 00:00:44,360 --> 00:00:50,320 Speaker 1: gonna bring? Overcast this morning many places sunshine later hides 12 00:00:50,320 --> 00:00:53,440 Speaker 1: in the upper seventies, eighties, Uh, pretty much everywhere and 13 00:00:53,800 --> 00:00:55,880 Speaker 1: not going to get to eighty. If you're along the 14 00:00:55,920 --> 00:00:59,800 Speaker 1: beach beaches, have your do leap of tickets every hour 15 00:00:59,920 --> 00:01:02,160 Speaker 1: the this morning, we got a second date, up date 16 00:01:02,160 --> 00:01:04,640 Speaker 1: a little bit later and in a minute we're gonna 17 00:01:04,680 --> 00:01:07,400 Speaker 1: pay you a hundred two dollars and signing up to 18 00:01:07,400 --> 00:01:10,080 Speaker 1: get a vacation grand prize paid for. It's a lot 19 00:01:10,120 --> 00:01:12,039 Speaker 1: going on, and you know it's why I have to 20 00:01:12,040 --> 00:01:13,360 Speaker 1: put it on a white board in front of me. 21 00:01:14,640 --> 00:01:15,959 Speaker 1: I can't just come in and rile it off at 22 00:01:16,000 --> 00:01:17,560 Speaker 1: this app By the time he gets to eight or nine, 23 00:01:17,560 --> 00:01:19,640 Speaker 1: I know it by heart. But right now this hour, 24 00:01:19,680 --> 00:01:23,000 Speaker 1: it's like a white board. Very sent manytimes. I can't 25 00:01:23,000 --> 00:01:25,360 Speaker 1: read my own writing of the white board. What does 26 00:01:25,400 --> 00:01:27,959 Speaker 1: that say? If I leave it up there too long? 27 00:01:28,000 --> 00:01:29,720 Speaker 1: I really can't get it off the white board. You know. 28 00:01:29,720 --> 00:01:32,160 Speaker 1: You gotta clean that thing up on a regular to 29 00:01:32,160 --> 00:01:34,479 Speaker 1: remember though. That's how you came in very excited about 30 00:01:34,480 --> 00:01:37,640 Speaker 1: your photograph. You sent us a text. Let me see, 31 00:01:38,200 --> 00:01:39,800 Speaker 1: first of all, the only reason why I'm so excited 32 00:01:39,800 --> 00:01:44,240 Speaker 1: about it is because you guys actually agreed to participate 33 00:01:44,319 --> 00:01:48,560 Speaker 1: in this. So I'm getting really excited about it. Um, 34 00:01:48,720 --> 00:01:52,200 Speaker 1: it is getting really excited. It's like, did I no, 35 00:01:52,520 --> 00:01:54,720 Speaker 1: I remember it all you did? You did? You said yes, 36 00:01:55,680 --> 00:01:58,080 Speaker 1: you said bottoms you'll were the bottoms and your own 37 00:01:58,360 --> 00:02:02,200 Speaker 1: cozy top. Yeah right? So this is uh, Tanya has 38 00:02:02,440 --> 00:02:06,640 Speaker 1: pajamas with her boyfriend's face, their plaid pajamas, tops and 39 00:02:06,640 --> 00:02:10,240 Speaker 1: bottoms with her boyfriend's face all over them, which is cute. 40 00:02:10,600 --> 00:02:12,079 Speaker 1: And I see the picture. It is cute to kind 41 00:02:12,080 --> 00:02:15,079 Speaker 1: of have like his mug all over everything. Yeah, very right. 42 00:02:15,720 --> 00:02:18,440 Speaker 1: So what I'm gonna do for like Ryan, for your pants, 43 00:02:18,560 --> 00:02:21,960 Speaker 1: I'm gonna do me, Patty and Sysney's faces, and then 44 00:02:22,000 --> 00:02:25,440 Speaker 1: for mine, I'll do Ryan yours, patties and Sysney's faces. 45 00:02:25,440 --> 00:02:27,280 Speaker 1: So we don't have our own faces on our own 46 00:02:28,560 --> 00:02:31,600 Speaker 1: but I do want one. I don't want my face 47 00:02:31,600 --> 00:02:34,760 Speaker 1: on mine. I think that's weird. I do. I'll put 48 00:02:34,760 --> 00:02:37,200 Speaker 1: patties on hers. I actually think it's I still think 49 00:02:37,240 --> 00:02:39,440 Speaker 1: it's where to have your faces on my pajamas. Let's 50 00:02:39,440 --> 00:02:43,120 Speaker 1: be so who's all right? So Tanya? Who will be 51 00:02:43,160 --> 00:02:46,640 Speaker 1: on my pajamas? So you're gonna have my face, patties face, 52 00:02:46,760 --> 00:02:50,280 Speaker 1: and Sysney's face. And you don't think that that's awkward. No, 53 00:02:50,360 --> 00:02:52,720 Speaker 1: it's gonna be for Christmas card photos. So keep by 54 00:02:52,720 --> 00:02:57,120 Speaker 1: a fireplace, all right? Can I make your request please, Tanya? 55 00:02:57,960 --> 00:03:03,239 Speaker 1: Can my face be next to Ryan heart? Why do 56 00:03:03,320 --> 00:03:06,440 Speaker 1: you want to take it there? Why do you want 57 00:03:06,440 --> 00:03:09,640 Speaker 1: to take it there? Patty? I was gonna take it 58 00:03:09,639 --> 00:03:12,840 Speaker 1: somewhere very different. You can't be hear my heart. I'm 59 00:03:12,840 --> 00:03:15,280 Speaker 1: not wearing the face top and we're in the face 60 00:03:15,360 --> 00:03:18,720 Speaker 1: to bottom. Oh that's right, Yeah, forget it. You can 61 00:03:18,720 --> 00:03:20,960 Speaker 1: be next to something else if you want. I have 62 00:03:21,000 --> 00:03:26,160 Speaker 1: two knees. I have two ft and two knees. I mean, 63 00:03:26,160 --> 00:03:28,160 Speaker 1: it's I don't know what's gonna happenna, open the box 64 00:03:28,160 --> 00:03:30,080 Speaker 1: and put them on and take the picture. That's what's 65 00:03:30,080 --> 00:03:34,320 Speaker 1: gonna happen. I just think that's so nice, because really 66 00:03:34,440 --> 00:03:37,040 Speaker 1: it's just shows that you are ready to be in 67 00:03:37,080 --> 00:03:39,440 Speaker 1: a committed relationship because you compromise. You don't want to 68 00:03:39,480 --> 00:03:42,120 Speaker 1: do this, you know that it makes me really happy, 69 00:03:42,240 --> 00:03:47,720 Speaker 1: and you're comfromising the bar. A committed relationship in real life. 70 00:03:47,760 --> 00:03:49,800 Speaker 1: In the wild is me putting on pajamas you sent 71 00:03:49,880 --> 00:03:54,720 Speaker 1: me for the holiday card. Okay, the bar is pretty. 72 00:03:54,720 --> 00:03:59,120 Speaker 1: I can I'm short and I can walk over that bar. Yeah. 73 00:04:00,040 --> 00:04:05,080 Speaker 1: The r Tany's got a training report in just a second, Tania, 74 00:04:05,160 --> 00:04:07,000 Speaker 1: what are we thinking about on the trening report? In 75 00:04:07,000 --> 00:04:09,240 Speaker 1: a minute? Okay, I really wanted to dig deep and 76 00:04:09,240 --> 00:04:13,280 Speaker 1: think about this. When two people break up in your life, 77 00:04:13,600 --> 00:04:16,799 Speaker 1: is it possible to stay equally best friends with both 78 00:04:16,920 --> 00:04:23,360 Speaker 1: people involved? Okay, today's World Teacher's Day. We've always looked 79 00:04:23,360 --> 00:04:26,120 Speaker 1: at that, but again, I think it's even more punctuated 80 00:04:26,520 --> 00:04:29,880 Speaker 1: in the wake of the last two years World Teacher's Day. World. 81 00:04:30,000 --> 00:04:32,000 Speaker 1: That's the whole Globe tickets to Kiss of m Shingle 82 00:04:32,040 --> 00:04:33,960 Speaker 1: Ball it's not my capit one. They go on sale 83 00:04:34,000 --> 00:04:35,760 Speaker 1: this morning at ten. You know we have those de 84 00:04:35,960 --> 00:04:38,240 Speaker 1: leapic tickets every hour. I've just given some away. Now. 85 00:04:38,560 --> 00:04:40,640 Speaker 1: I was thinking I forgot to say to do a 86 00:04:40,680 --> 00:04:43,280 Speaker 1: leap it when I saw her backstage at the i 87 00:04:43,440 --> 00:04:46,279 Speaker 1: Hearradio Music Festival and I said to her, oh my gosh, 88 00:04:46,279 --> 00:04:48,640 Speaker 1: cold heart, love love love you and Elton John. I 89 00:04:48,680 --> 00:04:51,159 Speaker 1: can't stop. And she's like, oh, that's so you know, 90 00:04:51,400 --> 00:04:53,320 Speaker 1: so great to hear everyone's loving it. I said, everyone's 91 00:04:53,360 --> 00:04:57,720 Speaker 1: loving it. And I forgot to tell her that I 92 00:04:57,760 --> 00:05:00,280 Speaker 1: think she should do. Don't go breaking my heart with 93 00:05:00,279 --> 00:05:03,360 Speaker 1: Elton John. Don't go breaking, oh won't come break don't 94 00:05:03,360 --> 00:05:06,640 Speaker 1: go because it's a it's a duet, right. I don't 95 00:05:06,640 --> 00:05:08,200 Speaker 1: think she has, has she I mean you can look 96 00:05:08,240 --> 00:05:09,640 Speaker 1: it up. I don't think she has. I don't think 97 00:05:09,680 --> 00:05:12,040 Speaker 1: she has. But like if they okay, So Elton is 98 00:05:12,080 --> 00:05:18,120 Speaker 1: at it's so fine, yeah, doing big stadiums waiting for this. 99 00:05:18,160 --> 00:05:20,600 Speaker 1: He's super psych. He's re energized. You know, he's got 100 00:05:20,600 --> 00:05:24,080 Speaker 1: the collaborative album out, he's got his catalog. Surprise Dually 101 00:05:24,279 --> 00:05:26,240 Speaker 1: comes out and does cold Heart, but then they go 102 00:05:26,279 --> 00:05:29,120 Speaker 1: into don't go Breaking My Heart? Right, they can do 103 00:05:29,160 --> 00:05:31,520 Speaker 1: the two duets back to back like that. Do you 104 00:05:31,560 --> 00:05:34,360 Speaker 1: know what's so funny is that that's what you think 105 00:05:34,360 --> 00:05:36,679 Speaker 1: about with dual Lipa. And when I think about Dualipa, 106 00:05:36,760 --> 00:05:38,200 Speaker 1: I just think about all the photos that I was 107 00:05:38,240 --> 00:05:40,360 Speaker 1: just watched seeing like her and on wir her boyfriend 108 00:05:40,360 --> 00:05:42,839 Speaker 1: walking their dog with Yolanda his mom. That's not the 109 00:05:42,880 --> 00:05:44,720 Speaker 1: only thing I think. I think like who cheated on her? 110 00:05:46,480 --> 00:05:48,719 Speaker 1: Who cheated on her? I don't know somebody she's saying 111 00:05:48,760 --> 00:05:53,080 Speaker 1: about somewhere back in the day in one of those 112 00:05:53,920 --> 00:05:57,320 Speaker 1: having not heard the lyrics of her song to which one? 113 00:05:57,880 --> 00:06:00,719 Speaker 1: What's the one where she's going out I out new rules? 114 00:06:00,760 --> 00:06:03,520 Speaker 1: I don't probably that one at the beginning. And all 115 00:06:03,560 --> 00:06:05,000 Speaker 1: of them have some of them, many of them met 116 00:06:05,040 --> 00:06:08,960 Speaker 1: lots of them monem. They were run together. Yeah, I 117 00:06:09,040 --> 00:06:12,000 Speaker 1: just like I cannot get enough of the Dualipa on 118 00:06:12,279 --> 00:06:16,560 Speaker 1: oar Bella Hadid Gigi Hadid. Now Dua is like walking 119 00:06:16,839 --> 00:06:20,120 Speaker 1: in runway shows with Gigi and they're all just like 120 00:06:20,240 --> 00:06:23,360 Speaker 1: friends and siblings and it's just like the cutest would 121 00:06:23,400 --> 00:06:32,880 Speaker 1: you would you trade? Would you trade your life for that, Oh, 122 00:06:35,320 --> 00:06:39,400 Speaker 1: your life for that life. You could step into a 123 00:06:39,440 --> 00:06:42,120 Speaker 1: hardied if you could step into alipa, if I could 124 00:06:42,120 --> 00:06:44,520 Speaker 1: step into it for a day, I would love to 125 00:06:44,640 --> 00:06:47,440 Speaker 1: experience it for a day. But you're in Could you 126 00:06:47,480 --> 00:06:49,080 Speaker 1: do it? Would you want it? I mean you're loving 127 00:06:49,120 --> 00:06:50,680 Speaker 1: it right, your love of looking in at it? Could 128 00:06:50,680 --> 00:06:53,479 Speaker 1: you love looking in at it? No? Because I love mine, 129 00:06:54,200 --> 00:06:56,760 Speaker 1: I really do. And I think there's a lot that 130 00:06:56,800 --> 00:06:59,120 Speaker 1: comes with that pressure and that I think at some 131 00:06:59,200 --> 00:07:02,440 Speaker 1: point that it's tough and old. Yeah, it seems really cool, 132 00:07:02,480 --> 00:07:03,840 Speaker 1: but I think it's somebody gets tough and old. But 133 00:07:03,839 --> 00:07:05,360 Speaker 1: wouldn't you want to be a fly on the wall 134 00:07:05,400 --> 00:07:08,640 Speaker 1: On their vacations, I think they're vacations. Are too many 135 00:07:08,640 --> 00:07:12,400 Speaker 1: people in too many phones pures, Like I just got 136 00:07:12,440 --> 00:07:14,200 Speaker 1: a phone a picture, and I think they got a 137 00:07:14,320 --> 00:07:18,360 Speaker 1: one of these lights ring, light ring, just like I 138 00:07:18,400 --> 00:07:22,040 Speaker 1: don't like my phone on vacation. I think that group 139 00:07:22,240 --> 00:07:24,840 Speaker 1: they're on their phone on vacation, that's not for me. Yeah, 140 00:07:24,880 --> 00:07:28,280 Speaker 1: and just I have to say thank you um as 141 00:07:28,280 --> 00:07:30,600 Speaker 1: of just as a stand I enjoy seeing the content 142 00:07:30,680 --> 00:07:32,640 Speaker 1: from them. So yeah, so that's right, I mean, And 143 00:07:32,880 --> 00:07:36,040 Speaker 1: by the way, there that's fine, but at some point 144 00:07:36,080 --> 00:07:37,920 Speaker 1: it's got to burn on you, right, it's gonna be 145 00:07:38,000 --> 00:07:41,800 Speaker 1: taxing the day and then keep mine. Well, let's let's 146 00:07:41,840 --> 00:07:44,200 Speaker 1: get your training reports. So could we be friends with 147 00:07:44,200 --> 00:07:47,280 Speaker 1: both people if they both broke up? Yes? So have 148 00:07:47,360 --> 00:07:50,480 Speaker 1: you ever been like friends with a couple? So whatever? 149 00:07:51,480 --> 00:07:54,760 Speaker 1: Really close friends with a couple and then they break up. 150 00:07:56,000 --> 00:07:58,520 Speaker 1: For me, it's always I just stay true to the 151 00:07:58,560 --> 00:08:00,440 Speaker 1: friend that I had going into the really sation ship. 152 00:08:00,440 --> 00:08:04,040 Speaker 1: I can never keep a relationship with both people. M hmm. 153 00:08:04,360 --> 00:08:10,520 Speaker 1: Do you know who can? Taylor Swift. So, Lena Dunham 154 00:08:10,640 --> 00:08:13,840 Speaker 1: just got married to Louis Felber. She wore three gowns. 155 00:08:13,880 --> 00:08:16,600 Speaker 1: There were about sixty people in attendance, and they planned 156 00:08:16,600 --> 00:08:19,600 Speaker 1: the entire wedding in about a month. And there was 157 00:08:19,600 --> 00:08:23,040 Speaker 1: this whole article about the wedding, and you see pictures 158 00:08:23,040 --> 00:08:26,000 Speaker 1: of Lena Dunham's bridesmaids, and guess who's one of her bridesmaids? 159 00:08:28,840 --> 00:08:32,600 Speaker 1: Taylor Swift. Yes, but I'm gonna missed that one. Patty, 160 00:08:32,600 --> 00:08:34,640 Speaker 1: we're really not paying attention. Yeah, I need to give 161 00:08:34,640 --> 00:08:37,840 Speaker 1: you the backstory. So, Taylor Swift, you know Lena Dunham 162 00:08:37,880 --> 00:08:42,440 Speaker 1: and Jack Anton Off. They dated for arss years years years. 163 00:08:42,640 --> 00:08:46,600 Speaker 1: Jack Antonoff is one of Taylor's like closest collaborators. She 164 00:08:46,800 --> 00:08:50,160 Speaker 1: he wrote basically almost all of folklore, all of Evermore. 165 00:08:50,280 --> 00:08:52,319 Speaker 1: He was like one of the three people in her 166 00:08:52,559 --> 00:08:55,520 Speaker 1: long Pond sessions that are that's on Disney Plus. So 167 00:08:55,600 --> 00:08:58,400 Speaker 1: he is like one of her tried and trude. He 168 00:08:58,640 --> 00:09:00,480 Speaker 1: is like there with her, and she's one of Lena 169 00:09:00,559 --> 00:09:07,360 Speaker 1: Dunham's bridesmaids. Mm hmm. How does she do it? Can? 170 00:09:08,120 --> 00:09:09,920 Speaker 1: I don't know. I never know when you're done. It's 171 00:09:10,000 --> 00:09:14,440 Speaker 1: called being an adult. No. I think it's very difficult because, 172 00:09:14,559 --> 00:09:17,320 Speaker 1: especially initially out of the gate, because the game starts 173 00:09:17,360 --> 00:09:20,280 Speaker 1: like this. Let's say, Patty, you and I have a 174 00:09:20,360 --> 00:09:23,960 Speaker 1: breakup and Tanya is the friend of both both of us. 175 00:09:24,000 --> 00:09:26,440 Speaker 1: Would be telling her stuff and then she no stuff 176 00:09:26,480 --> 00:09:28,000 Speaker 1: from both sides. Now what does she do with that? 177 00:09:28,040 --> 00:09:29,960 Speaker 1: And then we'd be like, did she say anything about me? 178 00:09:30,240 --> 00:09:31,679 Speaker 1: And then what does she do? And you'd be doing 179 00:09:31,720 --> 00:09:33,840 Speaker 1: the same. It's very difficult. It's a lot of pressure 180 00:09:33,880 --> 00:09:35,840 Speaker 1: to be in that you almost you almost want to 181 00:09:35,840 --> 00:09:37,960 Speaker 1: step back and say, look, don't ask me about it. 182 00:09:38,760 --> 00:09:40,720 Speaker 1: I cannot talk about it. Don't tell me about it, 183 00:09:40,720 --> 00:09:43,280 Speaker 1: don't download me about it, like just let me be right, 184 00:09:43,320 --> 00:09:44,880 Speaker 1: I know, And like I would think that you would 185 00:09:44,880 --> 00:09:46,360 Speaker 1: just have to pick a side, you just have to 186 00:09:46,400 --> 00:09:47,920 Speaker 1: pick one, but like, no, you don't have to pick 187 00:09:47,920 --> 00:09:50,599 Speaker 1: a side. But you can't step back and say I 188 00:09:50,679 --> 00:09:53,120 Speaker 1: don't want to know, don't ask, don't tell me anything. 189 00:09:53,440 --> 00:09:55,400 Speaker 1: Next time we have Taylor Swift on the show, we 190 00:09:55,480 --> 00:09:58,000 Speaker 1: need to find out how she maneuvered those two things, 191 00:09:58,040 --> 00:10:01,240 Speaker 1: because I mean Jack Antonof, she literally writes and does 192 00:10:01,320 --> 00:10:04,000 Speaker 1: everything with and then she's one of Lena's bridesmaids. I 193 00:10:04,040 --> 00:10:07,160 Speaker 1: was like, yes, there is no judgment zone, probably, but 194 00:10:07,160 --> 00:10:08,800 Speaker 1: it is a lot of information to hold. I think 195 00:10:09,120 --> 00:10:11,720 Speaker 1: let's get to the morning hack. These are three things 196 00:10:12,280 --> 00:10:14,000 Speaker 1: that may be stressing out. You may not know are, 197 00:10:14,320 --> 00:10:17,280 Speaker 1: but they're adding to your layers of stress or anxiety. 198 00:10:17,440 --> 00:10:21,360 Speaker 1: One binge watching high intensity shows, so not like Planet 199 00:10:21,360 --> 00:10:24,319 Speaker 1: about the planet in nature, but high intensity shows. You 200 00:10:24,360 --> 00:10:26,800 Speaker 1: know your hearts racing during some shows and that's not 201 00:10:26,960 --> 00:10:29,520 Speaker 1: that is obviously that's causing the blood to boil. Yeah, 202 00:10:29,559 --> 00:10:31,680 Speaker 1: like the undoing, I couldn't. I couldn't watch that before 203 00:10:31,679 --> 00:10:34,720 Speaker 1: I go to bed. Now, too many tabs open, Let's 204 00:10:34,880 --> 00:10:40,400 Speaker 1: close ours. Now, how do we even close them? Honestly, 205 00:10:40,440 --> 00:10:42,800 Speaker 1: it is kind of like hard. So you go to 206 00:10:42,840 --> 00:10:45,920 Speaker 1: your boxes, the two little boxes at the bottom right, 207 00:10:46,480 --> 00:10:48,400 Speaker 1: and then you just exit out top left of all 208 00:10:48,440 --> 00:10:52,079 Speaker 1: of them. All right, so you should do that today? Um? 209 00:10:52,120 --> 00:10:55,640 Speaker 1: All right? Next, so did watching the slouching? I do 210 00:10:55,720 --> 00:10:58,800 Speaker 1: this all the time. Terribly posture? Yeah, you know, I 211 00:10:58,840 --> 00:11:01,200 Speaker 1: see people have the great stir. It looks normal on them, 212 00:11:01,400 --> 00:11:03,280 Speaker 1: but yeah, when I sit with great posture, it looks 213 00:11:03,320 --> 00:11:07,559 Speaker 1: really uncomfortable. You look very comfortable. This looks comfortable. No, 214 00:11:07,679 --> 00:11:10,440 Speaker 1: I'm joking. Have you heard of that gadget that you 215 00:11:10,480 --> 00:11:13,360 Speaker 1: can kind of like clip onto your back and then 216 00:11:13,520 --> 00:11:17,360 Speaker 1: if you slouch, it'll begin vibrating. They have a back 217 00:11:17,360 --> 00:11:20,360 Speaker 1: of a slouching alarm like a shock collar, like a 218 00:11:20,480 --> 00:11:25,199 Speaker 1: shock call a human shot caller for slouching. Ye should 219 00:11:25,200 --> 00:11:29,240 Speaker 1: get him. Today's quote remember to be a good person 220 00:11:29,280 --> 00:11:34,040 Speaker 1: in real life too, not just on social media. True. 221 00:11:34,440 --> 00:11:39,959 Speaker 1: On air with Ryan Seacrest, sissany Is al Tania has 222 00:11:39,960 --> 00:11:42,959 Speaker 1: the headlines for sissany Tony, What's happened in this Tuesday morning? 223 00:11:43,280 --> 00:11:46,400 Speaker 1: All l A County beaches were closed the public yesterday 224 00:11:46,440 --> 00:11:49,120 Speaker 1: as rain and lightning struck the area for the first 225 00:11:49,160 --> 00:11:52,400 Speaker 1: time in months. Even last night's NFL game at Sofi 226 00:11:52,480 --> 00:11:55,160 Speaker 1: Stadium was delayed nearly an hour due to the lightning. 227 00:11:55,440 --> 00:11:59,959 Speaker 1: The Chargers beat the Raiders to fourteen. Fiser booster shot 228 00:12:00,160 --> 00:12:03,160 Speaker 1: are underway and Jane j Maybe next. Johnson and Johnson 229 00:12:03,200 --> 00:12:05,839 Speaker 1: asked the FDA to allow extra shots of its COVID 230 00:12:05,880 --> 00:12:09,400 Speaker 1: nineteen vaccine as the US government expands its booster campaign 231 00:12:09,640 --> 00:12:15,400 Speaker 1: to millions more vaccinated Americans. And after six hours yesterday, Instagram, WhatsApp, 232 00:12:15,520 --> 00:12:19,280 Speaker 1: and Facebook finally started coming back online. It was Facebook's 233 00:12:19,280 --> 00:12:22,040 Speaker 1: biggest outage since two thousand and eight. Back then, the 234 00:12:22,120 --> 00:12:25,840 Speaker 1: site had only eighty million users. Today it has three 235 00:12:26,040 --> 00:12:36,920 Speaker 1: billion users. On air with Ryan Seacres, alright, we have 236 00:12:36,960 --> 00:12:40,360 Speaker 1: a second date update this hour. They've been interesting lately. 237 00:12:40,440 --> 00:12:42,760 Speaker 1: There were a moment whereas they were real duds, but 238 00:12:42,760 --> 00:12:45,920 Speaker 1: they've been interesting lately. They're not duds. Some of them 239 00:12:45,960 --> 00:12:49,679 Speaker 1: get awkward. They get awkward, yeah, or we don't resolve anything, 240 00:12:49,880 --> 00:12:53,760 Speaker 1: We don't get anywhere. Right, Well, that's life. Sometimes there's 241 00:12:53,800 --> 00:12:56,199 Speaker 1: no resolve at the moment, right. But we're trying to 242 00:12:56,240 --> 00:12:58,559 Speaker 1: produce life here. Okay, we're trying to produce this thing, 243 00:12:58,640 --> 00:13:00,520 Speaker 1: all right, this ship is supposed to not just have 244 00:13:00,559 --> 00:13:02,800 Speaker 1: a dead end and nothing happens. We're trying to trying 245 00:13:02,800 --> 00:13:06,600 Speaker 1: to put some getting middles and ends into this stuff, right, 246 00:13:06,880 --> 00:13:08,920 Speaker 1: produced life. I don't know if that's totally what we're 247 00:13:08,960 --> 00:13:11,680 Speaker 1: trying to do. We're trying to live life. Yeah, but Mark, 248 00:13:11,720 --> 00:13:15,880 Speaker 1: what's your job here? Producer? So we have a producer? 249 00:13:15,880 --> 00:13:20,600 Speaker 1: What are they producing? Life? Content? Content? This is content 250 00:13:20,760 --> 00:13:23,480 Speaker 1: right here. This is what I call content. Kate content. 251 00:13:23,559 --> 00:13:25,200 Speaker 1: Kate is on with us. Now, Kate, how are you? 252 00:13:26,360 --> 00:13:28,760 Speaker 1: I'm good? How are you? Guys? Okay, I have to 253 00:13:28,800 --> 00:13:32,000 Speaker 1: tell you my zucchini's and watermelon are looking good in 254 00:13:32,040 --> 00:13:36,680 Speaker 1: the garden. That's always a good day. Then it's very exciting, 255 00:13:36,960 --> 00:13:41,560 Speaker 1: especially for a weekend. Chest is very proud. Yeah, so yeah, 256 00:13:41,600 --> 00:13:44,760 Speaker 1: by Thursday, Tuesday, Thursday, I can pull him, pluck them, 257 00:13:44,800 --> 00:13:49,280 Speaker 1: cut him, harvest them all. The fact that you don't 258 00:13:49,320 --> 00:13:51,280 Speaker 1: know how to what you do to them is I 259 00:13:51,320 --> 00:13:53,400 Speaker 1: pull him, I pull him out, I rip them out. 260 00:13:53,760 --> 00:13:56,640 Speaker 1: You see, I'll get some footies later. Would you say, Pattio, 261 00:13:56,679 --> 00:14:00,280 Speaker 1: what is it? Harvest them? I think you gotta orbs 262 00:14:00,400 --> 00:14:04,240 Speaker 1: my squash. I can't. Sorry, we're producing life here, what's 263 00:14:04,240 --> 00:14:11,640 Speaker 1: happening with you? So I am having an issue at work. UM. 264 00:14:11,720 --> 00:14:15,760 Speaker 1: Just to remain kind of like anonymous and what I do, 265 00:14:15,800 --> 00:14:17,280 Speaker 1: I'm not really going to say what it is, but 266 00:14:17,920 --> 00:14:22,320 Speaker 1: basically the story goes is that, UM, I am in 267 00:14:22,360 --> 00:14:24,760 Speaker 1: a new place of work. UM although I've been in 268 00:14:24,760 --> 00:14:28,480 Speaker 1: the same career for the past eleven years, and UM, 269 00:14:28,520 --> 00:14:32,160 Speaker 1: there have been some issues with where I'm working. UM, 270 00:14:32,320 --> 00:14:36,480 Speaker 1: like certain like safety measures and protocols and things like that. 271 00:14:36,600 --> 00:14:40,560 Speaker 1: Just I've seen that there's they're just not working well. UM. 272 00:14:40,600 --> 00:14:44,240 Speaker 1: I was encouraged by other coworkers to talk to my 273 00:14:44,280 --> 00:14:46,680 Speaker 1: menagor about it, since I'm kind of like the new 274 00:14:46,720 --> 00:14:49,520 Speaker 1: person coming in and thinking that they would listen to 275 00:14:49,560 --> 00:14:52,360 Speaker 1: me more so, I had a conversation with my manager 276 00:14:52,600 --> 00:14:57,160 Speaker 1: confidentially about what was happening UM and going on and 277 00:14:57,320 --> 00:15:00,560 Speaker 1: things that definitely need to change in order to have 278 00:15:00,600 --> 00:15:05,320 Speaker 1: a better work environment. UM. What happened was my manager, 279 00:15:05,400 --> 00:15:07,280 Speaker 1: like I said, I said it was going to be confidential, 280 00:15:07,440 --> 00:15:12,560 Speaker 1: this discussion ended up telling everyone everything that I said 281 00:15:13,000 --> 00:15:17,680 Speaker 1: about what's been going on, and like you know, other 282 00:15:18,080 --> 00:15:22,080 Speaker 1: certain people. So I have then become the most hated 283 00:15:22,200 --> 00:15:25,800 Speaker 1: coworker of where I am like I did. People haven't 284 00:15:25,800 --> 00:15:28,400 Speaker 1: said it out loud, but I can tell that they 285 00:15:28,480 --> 00:15:31,240 Speaker 1: just I don't know. I have been given me the 286 00:15:31,320 --> 00:15:34,240 Speaker 1: side I and all that stuff. But at the same time, 287 00:15:34,600 --> 00:15:39,360 Speaker 1: my manager told me that these coworkers told her late 288 00:15:39,440 --> 00:15:43,880 Speaker 1: in life like about my UM job performance and made 289 00:15:43,920 --> 00:15:47,080 Speaker 1: up stories of things that never happened. Which is like 290 00:15:48,280 --> 00:15:51,680 Speaker 1: those stories a reaction to you talking about them on 291 00:15:51,760 --> 00:15:55,120 Speaker 1: their back confidentially. It has to be, because that's a 292 00:15:55,280 --> 00:16:00,160 Speaker 1: retaliation or a reaction, right, Yes, that's basically what it is. Now, 293 00:16:00,240 --> 00:16:04,040 Speaker 1: I'm incredibly comfortable, uncomfortable. I shouldn't say comfortable. I'm incredibly 294 00:16:04,120 --> 00:16:08,280 Speaker 1: uncomfortable at work and I'm not like this is your 295 00:16:08,560 --> 00:16:12,440 Speaker 1: Do you feel like, oops, I shouldn't have spoken about anybody, 296 00:16:12,440 --> 00:16:17,200 Speaker 1: even confidentially. Well, now I do. But at the time 297 00:16:17,440 --> 00:16:21,240 Speaker 1: I was encouraged at first by coworkers to tell my 298 00:16:21,320 --> 00:16:24,720 Speaker 1: manager because so many people agreed about what had been 299 00:16:24,720 --> 00:16:28,360 Speaker 1: going on was just not right. It wasn't safe, It 300 00:16:28,400 --> 00:16:30,720 Speaker 1: was unfair. It wasn't even just you know, it was 301 00:16:31,080 --> 00:16:33,640 Speaker 1: too like a safety issue. It was a safety It 302 00:16:33,680 --> 00:16:39,160 Speaker 1: wasn't just gossip. This was a real safety problem. Yes, 303 00:16:39,200 --> 00:16:43,200 Speaker 1: like do that, Um, I would never look like you know, 304 00:16:44,080 --> 00:16:46,640 Speaker 1: if you're speaking up for the safety or well being 305 00:16:46,840 --> 00:16:51,640 Speaker 1: of you, your environment, your your health, your mental health, whatever, 306 00:16:52,360 --> 00:16:55,840 Speaker 1: and your coworkers, then that's understandable and you're not gonna 307 00:16:55,840 --> 00:16:57,360 Speaker 1: want to hear what I have to say about this, 308 00:16:58,480 --> 00:17:04,040 Speaker 1: and same with me. Okay, what is it? You can't 309 00:17:04,040 --> 00:17:07,960 Speaker 1: trust anyone? You can't trust anyone when you say let's 310 00:17:07,960 --> 00:17:11,520 Speaker 1: have a confidential conversation. Now that shouldn't be but based 311 00:17:11,560 --> 00:17:14,360 Speaker 1: on this, it's the way I feel, right, It's like 312 00:17:15,080 --> 00:17:18,560 Speaker 1: I kind of have to know going in however you 313 00:17:18,640 --> 00:17:22,119 Speaker 1: say it, even if it's got substance, however you say it, 314 00:17:22,200 --> 00:17:27,600 Speaker 1: and whatever vocabulary you choose, that could, you know, be 315 00:17:27,760 --> 00:17:30,760 Speaker 1: conveyed to other people and maybe not so clear, and 316 00:17:30,760 --> 00:17:32,960 Speaker 1: you just have to sort of it's not right, it's 317 00:17:33,000 --> 00:17:35,560 Speaker 1: not good advice, it's not the right reaction. But it 318 00:17:35,640 --> 00:17:38,640 Speaker 1: kind of is a reality, isn't it, Tony? Would you think, well, so, 319 00:17:39,000 --> 00:17:43,720 Speaker 1: my thing is snitches have to dig ditches, So because 320 00:17:43,760 --> 00:17:46,200 Speaker 1: you did say something, you kind of have to dig 321 00:17:46,200 --> 00:17:48,400 Speaker 1: a little ditch right now, put yourself in a little 322 00:17:48,680 --> 00:17:52,199 Speaker 1: sit or trying to keep the workplace safe. Well, it 323 00:17:52,200 --> 00:17:53,680 Speaker 1: sounds like a little bit of both, to be honest. 324 00:17:53,720 --> 00:17:55,199 Speaker 1: She's saying that it's having a little bit to do 325 00:17:55,280 --> 00:17:56,920 Speaker 1: with being safe. But she did say that there was 326 00:17:57,000 --> 00:17:58,560 Speaker 1: some gossip and that it got out and the people 327 00:17:58,560 --> 00:18:01,240 Speaker 1: are upset. So what I'm saying, you know, it was 328 00:18:01,280 --> 00:18:06,800 Speaker 1: definitely not gossip. It was just really like safety, yeah, 329 00:18:08,000 --> 00:18:11,280 Speaker 1: you know people. So she just has to crawl into 330 00:18:11,280 --> 00:18:14,879 Speaker 1: this like little cocoon. Not let your work environment affect you. 331 00:18:15,200 --> 00:18:18,280 Speaker 1: Show up, do your work. Don't let other people's opinions 332 00:18:18,520 --> 00:18:21,280 Speaker 1: or if they're being you know, saying things that they're 333 00:18:21,280 --> 00:18:23,320 Speaker 1: acting weird, you just can't let it affect you for 334 00:18:23,359 --> 00:18:25,199 Speaker 1: a little bit. And it's going to blow over eventually, 335 00:18:25,280 --> 00:18:28,440 Speaker 1: and maybe reading into some of their reactions, maybe it's 336 00:18:28,440 --> 00:18:30,080 Speaker 1: not all directed towards you, but it probably feels like 337 00:18:30,080 --> 00:18:32,080 Speaker 1: it because you're in this state of mind. But this 338 00:18:32,119 --> 00:18:33,280 Speaker 1: is a tough one. I mean, it's kind of like 339 00:18:33,359 --> 00:18:35,560 Speaker 1: laylo for a beat, isn't it? Laylo for a beat? 340 00:18:35,800 --> 00:18:41,240 Speaker 1: Just ride it out, um, Kate. Thank It sounds like 341 00:18:41,280 --> 00:18:43,520 Speaker 1: you did the right thing, So we do not you know, 342 00:18:43,800 --> 00:18:45,399 Speaker 1: we do not discourage you from that, but thank you 343 00:18:45,440 --> 00:18:48,119 Speaker 1: for calling. Good luck with this, keep us posted. Thanks guys, 344 00:18:48,359 --> 00:18:52,120 Speaker 1: thank you so much. Good bye. I mean, it's true. 345 00:18:52,160 --> 00:18:55,320 Speaker 1: It's like, I don't know you told John I be 346 00:18:55,440 --> 00:18:57,760 Speaker 1: something you think he's not gonna tell you. Like I'm 347 00:18:57,760 --> 00:19:01,280 Speaker 1: always I'm always thinking like if I say it, even 348 00:19:01,280 --> 00:19:07,920 Speaker 1: if it's a general concern or whatever, I just always think, 349 00:19:07,920 --> 00:19:09,680 Speaker 1: oh it could it could end up back right in 350 00:19:09,800 --> 00:19:11,960 Speaker 1: that person's lap. You just gotta know that going in. Yeah, 351 00:19:12,240 --> 00:19:14,520 Speaker 1: it's just part of how people operate, even though not 352 00:19:14,560 --> 00:19:17,360 Speaker 1: necessarily right. Always tell you why are you granted from 353 00:19:17,359 --> 00:19:18,919 Speaker 1: here to here? What's happening over there? Were you so 354 00:19:18,920 --> 00:19:22,359 Speaker 1: excited about? Just like your mannerisms and things you do 355 00:19:22,400 --> 00:19:24,920 Speaker 1: with your hands and things you do with your face, 356 00:19:25,080 --> 00:19:27,960 Speaker 1: Like sometimes I I laugh just looking at you, not 357 00:19:28,000 --> 00:19:30,199 Speaker 1: in a bad way, Like it's just it's very endearing 358 00:19:30,200 --> 00:19:32,520 Speaker 1: because you get so animated and you use your hands 359 00:19:32,520 --> 00:19:36,440 Speaker 1: a lot, and it's just I enjoy it. The people 360 00:19:36,480 --> 00:19:38,720 Speaker 1: listening on the radio wish sometimes you could see that 361 00:19:39,040 --> 00:19:42,200 Speaker 1: he does hands or drawings diagrams, and he makes some 362 00:19:42,240 --> 00:19:45,560 Speaker 1: people call like what is he drawing over there? I'm 363 00:19:45,560 --> 00:19:49,640 Speaker 1: a I'm a visualist. The hands are flying all over 364 00:19:49,680 --> 00:19:52,840 Speaker 1: the place. Always listen, I talked with my hands, right, 365 00:19:53,359 --> 00:19:55,159 Speaker 1: don't you don't talk with your hands? You you keep 366 00:19:55,240 --> 00:19:57,440 Speaker 1: them close to your body. Yeah, keep them pretty tight, 367 00:19:57,560 --> 00:20:01,840 Speaker 1: pretty locked in. All right, let me get Emma in 368 00:20:01,880 --> 00:20:05,600 Speaker 1: Century City. I'm a good morning. How are you good? Thanks? 369 00:20:05,640 --> 00:20:09,920 Speaker 1: How are you? I'm okay. So listen, you say you 370 00:20:10,000 --> 00:20:12,600 Speaker 1: met him at a climbing gym and he asked you out, 371 00:20:12,680 --> 00:20:14,919 Speaker 1: and then you went hiking, and then you haven't heard 372 00:20:14,960 --> 00:20:18,920 Speaker 1: from him. Yeah, And honestly, like, we had such a 373 00:20:18,920 --> 00:20:22,000 Speaker 1: great time at the gym, and like I was still 374 00:20:22,040 --> 00:20:24,240 Speaker 1: taken by him in the most beautiful eyes because that's 375 00:20:24,440 --> 00:20:27,520 Speaker 1: all I could see. Um. And yeah, we had a 376 00:20:27,560 --> 00:20:31,320 Speaker 1: great hike together. We hit it off. I don't know, 377 00:20:31,440 --> 00:20:33,399 Speaker 1: I don't know, Like we got to the bottom of 378 00:20:33,480 --> 00:20:35,520 Speaker 1: running and he gave me this kind of like quick hug, 379 00:20:35,560 --> 00:20:37,520 Speaker 1: and then he didn't text me later. So I thought, 380 00:20:38,040 --> 00:20:40,040 Speaker 1: you know what, I'll just invite him to go climbing again, 381 00:20:40,240 --> 00:20:42,480 Speaker 1: and he was like, sorry, I can't, I'm really busy. 382 00:20:42,560 --> 00:20:47,480 Speaker 1: It was just such an energy shift. Huh. Weird. We're 383 00:20:47,480 --> 00:20:51,960 Speaker 1: missing something. We're missing something, we're all missing something. I mean, 384 00:20:51,960 --> 00:20:53,879 Speaker 1: I love you say you were taken by his beautiful 385 00:20:53,920 --> 00:20:56,000 Speaker 1: eyes and everything was great. And they do say we 386 00:20:56,119 --> 00:20:59,600 Speaker 1: talked about this. They do say best dates, best opportunity 387 00:20:59,600 --> 00:21:01,719 Speaker 1: to fallsome body is in sunlight. Sunlight dates better than 388 00:21:01,760 --> 00:21:05,240 Speaker 1: candle light dates. That's what the science says, right, natural 389 00:21:05,480 --> 00:21:09,080 Speaker 1: natural highlights exactly. I hold on one second. Let's uh, 390 00:21:09,119 --> 00:21:11,000 Speaker 1: I think, let's see. Let's get our ducks in her Patty, 391 00:21:11,040 --> 00:21:13,400 Speaker 1: let's sef you can track down what's his name? What's 392 00:21:13,400 --> 00:21:17,719 Speaker 1: his name? Emma? Okay, hold one, pop on with Emma's 393 00:21:17,760 --> 00:21:22,640 Speaker 1: even get Aiden's number. M Emma said she met Aiden. 394 00:21:23,359 --> 00:21:25,600 Speaker 1: He was on the phone at a climbing gym. They 395 00:21:25,640 --> 00:21:27,800 Speaker 1: went out, they went hiking, everything was great, and then 396 00:21:27,800 --> 00:21:33,240 Speaker 1: all of a sudden, boom, he's just non responsive after that. Yeah, okay, 397 00:21:33,280 --> 00:21:35,040 Speaker 1: so I have him, so just be very quiet. Let 398 00:21:35,080 --> 00:21:37,719 Speaker 1: me talk to him for a little bit on the air. Okay, okay, 399 00:21:38,520 --> 00:21:41,439 Speaker 1: let me see you what I can find out. Okay, Aiden, 400 00:21:41,520 --> 00:21:43,479 Speaker 1: thank you for waiting at is Ryan Seacrest, you are 401 00:21:43,520 --> 00:21:45,080 Speaker 1: on the air, as you've been told, you know right 402 00:21:45,119 --> 00:21:47,160 Speaker 1: now we're actually on the air with us, So thank 403 00:21:47,200 --> 00:21:49,639 Speaker 1: you for coming on. We're calling about a woman named Emma. 404 00:21:49,720 --> 00:21:55,919 Speaker 1: Does that ring a bell? Yes? It does. So you 405 00:21:55,960 --> 00:22:00,200 Speaker 1: went out with Emma on a date? I did, h 406 00:22:00,600 --> 00:22:05,080 Speaker 1: How was that? It was fun? It was fun. We 407 00:22:05,119 --> 00:22:07,720 Speaker 1: had a good time. Had a lot of common and 408 00:22:09,160 --> 00:22:12,679 Speaker 1: that was that. Mm hmm, that was that? What does 409 00:22:12,720 --> 00:22:14,440 Speaker 1: that mean? What? What you had a lot in common with? That? 410 00:22:14,520 --> 00:22:19,600 Speaker 1: Was that? What happened? It sounds like a fizzle. There 411 00:22:19,680 --> 00:22:24,520 Speaker 1: was just this thing. It's kind of hard to explain. 412 00:22:26,359 --> 00:22:36,840 Speaker 1: H um. Okay, So she wanted me to show my 413 00:22:37,880 --> 00:22:43,920 Speaker 1: vaccine card. Okay, and now this isn't an anti VAXs thing, 414 00:22:43,960 --> 00:22:48,240 Speaker 1: like I'm vaccinated and I told her that, but she 415 00:22:48,400 --> 00:22:51,720 Speaker 1: was insistent on me bringing the card to the date. 416 00:22:52,480 --> 00:22:54,080 Speaker 1: So you you, you were turned off in the fact 417 00:22:54,080 --> 00:22:57,000 Speaker 1: that she didn't believe you and she wanted to prove Well, yeah, 418 00:22:57,080 --> 00:23:00,879 Speaker 1: it just seemed like she didn't trust me. She just 419 00:23:00,920 --> 00:23:04,480 Speaker 1: met you. What's the harm in asking to see? Like, 420 00:23:04,680 --> 00:23:06,119 Speaker 1: if you've got it, you've got it, right, what's the 421 00:23:06,160 --> 00:23:11,359 Speaker 1: big deal? Yeah, it just seems kind of weird. Do 422 00:23:11,480 --> 00:23:16,399 Speaker 1: you indeed have your card? Yeah? I mean I brought 423 00:23:16,440 --> 00:23:20,080 Speaker 1: it to the date. Okay. Oh so you did show 424 00:23:20,119 --> 00:23:23,760 Speaker 1: it to her? Well yeah, I was just a little 425 00:23:23,760 --> 00:23:26,080 Speaker 1: turned off. Side. I just thought it was strange. So 426 00:23:26,160 --> 00:23:31,359 Speaker 1: everything went fine except for that. Yeah, yeah, I mean, look, 427 00:23:31,480 --> 00:23:37,240 Speaker 1: here's the deal. Aiden very difficult to find anybody that 428 00:23:37,320 --> 00:23:40,719 Speaker 1: checks boxes here. Okay, now when you think about the 429 00:23:40,720 --> 00:23:43,600 Speaker 1: fact that I think she was from what I know, 430 00:23:43,720 --> 00:23:46,120 Speaker 1: into you and you totally thought it was a great 431 00:23:46,160 --> 00:23:48,359 Speaker 1: day to let a vaccine card something we couldn't have 432 00:23:48,400 --> 00:23:52,200 Speaker 1: foreseen in our lives be the reason that it doesn't continue. 433 00:23:52,320 --> 00:23:53,560 Speaker 1: I think it's a bad idea. I think it's a 434 00:23:53,560 --> 00:23:55,760 Speaker 1: bad choice for me. If it were me, knowing how 435 00:23:56,400 --> 00:24:00,920 Speaker 1: the dating universe is not could be is okay, Yeah, 436 00:24:01,119 --> 00:24:04,320 Speaker 1: But I get what he's saying, because it's one thing, 437 00:24:04,400 --> 00:24:07,320 Speaker 1: you know, like if we're going to do work things, 438 00:24:07,400 --> 00:24:08,879 Speaker 1: you know, I've had to show my vaccine card. I've 439 00:24:08,880 --> 00:24:10,840 Speaker 1: had to upload my vaccine card. It's one thing. But 440 00:24:11,280 --> 00:24:13,840 Speaker 1: on a personal level, if somebody, like if I was 441 00:24:13,880 --> 00:24:15,639 Speaker 1: going to a friend's birthday party and they were like, 442 00:24:15,640 --> 00:24:17,280 Speaker 1: are you vaccinated? And I said yes, and they said 443 00:24:17,320 --> 00:24:19,400 Speaker 1: bring your card, I'd be like, that's a friend they 444 00:24:19,440 --> 00:24:22,439 Speaker 1: just met. Fine, but they're trying to like date your date, 445 00:24:22,520 --> 00:24:24,399 Speaker 1: trying to build trust. They're trying to build trust. I 446 00:24:24,440 --> 00:24:27,600 Speaker 1: think also, Tanya, you're not appreciating because now that you're 447 00:24:27,600 --> 00:24:30,639 Speaker 1: in this perfect fairy tale of a relationship, you're not 448 00:24:30,920 --> 00:24:33,919 Speaker 1: appreciating how difficult it is to find this moment for 449 00:24:34,119 --> 00:24:36,840 Speaker 1: two people click on a date. I know that it's 450 00:24:36,840 --> 00:24:39,600 Speaker 1: hard to find. I did. I had a plethora of 451 00:24:39,760 --> 00:24:41,920 Speaker 1: first I just want to remind you sometimes I feel 452 00:24:41,920 --> 00:24:44,040 Speaker 1: like you forget that, and I don't forget that, but 453 00:24:44,119 --> 00:24:45,520 Speaker 1: I understand what you're saying. I don't think I think 454 00:24:45,520 --> 00:24:47,320 Speaker 1: you should give her another chance that Aiden, because you 455 00:24:47,400 --> 00:24:49,760 Speaker 1: sound like really cool and cute and sweet, and she 456 00:24:49,840 --> 00:24:52,639 Speaker 1: sounds really cool and cute and sweet. So and the 457 00:24:52,680 --> 00:24:54,480 Speaker 1: reason we know that because she's actually on the phone 458 00:24:54,520 --> 00:24:59,119 Speaker 1: with us now. Uh, I'm a I'm like, you're on 459 00:24:59,200 --> 00:25:09,800 Speaker 1: with a Aiden. Aiden. Would you give Emma another shot? Um? Yeah, yeah, yeah, yeah, 460 00:25:09,840 --> 00:25:14,360 Speaker 1: I would great. Emma. Would you accept that invitation? I mean, 461 00:25:14,400 --> 00:25:19,560 Speaker 1: the confidence is really overwhelming me, Aidan. Um. I I'm 462 00:25:19,600 --> 00:25:22,159 Speaker 1: sorry that that rubbed you the wrong way. I just 463 00:25:22,240 --> 00:25:26,080 Speaker 1: kind of it wasn't like first state conversation to bring up. 464 00:25:26,080 --> 00:25:29,440 Speaker 1: I just have some health issues that I'm just really 465 00:25:29,520 --> 00:25:32,320 Speaker 1: high risk, and I've had people lie to me before 466 00:25:32,440 --> 00:25:35,719 Speaker 1: about being vaccinated, and I was just trying to be 467 00:25:35,840 --> 00:25:38,400 Speaker 1: extra cautious. I'm really sorry that it made you uncomfortable. 468 00:25:38,440 --> 00:25:40,000 Speaker 1: I didn't think it was that big of a deal. 469 00:25:40,040 --> 00:25:45,520 Speaker 1: I just I know it's a big deal for my health. Yeah, 470 00:25:45,720 --> 00:25:51,280 Speaker 1: I'm man, I kind of feel like jerk. I had 471 00:25:51,280 --> 00:25:54,840 Speaker 1: no idea. Emma, I'm I'm sorry. It's great. This is 472 00:25:55,640 --> 00:25:59,159 Speaker 1: literally what's the guy's name that I like all of 473 00:25:59,160 --> 00:26:10,760 Speaker 1: his movies, Adam Sandler the writer, Not Ryan Gosling, Ryan Gosling. No, Nicholas, 474 00:26:10,880 --> 00:26:17,920 Speaker 1: Nicholas Sparks. This is literally Nicholas Sparks ending totally literally, 475 00:26:18,480 --> 00:26:21,639 Speaker 1: It's like a modernated Nicholas Sparks movie. Nicholas, you're listening 476 00:26:23,000 --> 00:26:28,000 Speaker 1: the rights conversation here, Yeah, relax emanating, We're gonna let 477 00:26:28,040 --> 00:26:32,760 Speaker 1: you go on this note. I think, Aidan, let's go 478 00:26:32,840 --> 00:26:35,719 Speaker 1: in with an open mind. Emma, you as well, because 479 00:26:36,840 --> 00:26:40,080 Speaker 1: speaking for experace, dating is hard in this region and 480 00:26:40,280 --> 00:26:42,560 Speaker 1: in this time, and so when you find two clicks 481 00:26:42,600 --> 00:26:45,439 Speaker 1: click like, let's not look for reasons to un click. Okay, 482 00:26:45,720 --> 00:26:54,080 Speaker 1: all right, good luck, thank you, thank you, Um you 483 00:26:54,080 --> 00:26:56,679 Speaker 1: you told him we just talked to her. I know, 484 00:26:56,880 --> 00:26:59,040 Speaker 1: I'm sorry, I totally forgot this. What happens when I 485 00:26:59,040 --> 00:27:01,199 Speaker 1: get really said, why you tell me things like I 486 00:27:01,240 --> 00:27:04,280 Speaker 1: can't I can't know jingle an isolation booth when we're 487 00:27:04,280 --> 00:27:11,440 Speaker 1: talking album on air with Ryan Secrets. Yeah, I'm just 488 00:27:11,480 --> 00:27:15,720 Speaker 1: saying like when you're when it's dark, lyrics are stronger. 489 00:27:16,440 --> 00:27:19,840 Speaker 1: You You notice that, like someone's I'll get up early 490 00:27:20,400 --> 00:27:23,880 Speaker 1: because I can't sleep and I run in the dark, 491 00:27:24,119 --> 00:27:28,040 Speaker 1: and the lyrics are bolder like that, more powerful the 492 00:27:28,080 --> 00:27:30,679 Speaker 1: Trader's song is, and good for you all, I'm the bolder. 493 00:27:30,680 --> 00:27:32,719 Speaker 1: All of Olivia's songs are bolder in the dark, you know. 494 00:27:33,440 --> 00:27:36,679 Speaker 1: Try a Taylor Swift Evermore album in the dark with 495 00:27:36,720 --> 00:27:42,720 Speaker 1: the fire bring Oh yeah, for sure, Okay, when the 496 00:27:42,720 --> 00:27:44,159 Speaker 1: fire made it sounds kind of nice. But then I 497 00:27:44,160 --> 00:27:45,480 Speaker 1: was like, I don't really want to be I'm trying 498 00:27:45,520 --> 00:27:47,760 Speaker 1: not trying not to be sad, like I'm trying to 499 00:27:47,760 --> 00:27:49,840 Speaker 1: get in a non sad zone. I know, but sometimes 500 00:27:49,840 --> 00:27:51,719 Speaker 1: if you're in a sad situation, if you're in a 501 00:27:51,720 --> 00:27:53,879 Speaker 1: sad moment, it's okay to feel your feelings, feel the 502 00:27:53,880 --> 00:27:56,160 Speaker 1: feelings and then wake up the next day and start 503 00:27:56,200 --> 00:27:58,800 Speaker 1: a new right. But the problem is, I don't know 504 00:27:58,880 --> 00:28:01,800 Speaker 1: for you and we can put it, put a pin 505 00:28:01,840 --> 00:28:05,320 Speaker 1: in it. But for me, if I get sad before 506 00:28:05,320 --> 00:28:08,920 Speaker 1: I go to sleep, I don't sleep. So I'd rather 507 00:28:08,960 --> 00:28:10,919 Speaker 1: get sad before I eat and eat something good and 508 00:28:10,920 --> 00:28:16,640 Speaker 1: then I a little bit forget about the sad you know. Yeah, yeah, 509 00:28:16,680 --> 00:28:18,360 Speaker 1: I was gonna say to each their own. I think 510 00:28:18,400 --> 00:28:20,600 Speaker 1: sometimes if I have a good cry and I'm sad 511 00:28:20,640 --> 00:28:22,800 Speaker 1: and I do it before bed, I sleep actually quite nice. 512 00:28:23,080 --> 00:28:26,200 Speaker 1: How often do you cry into a laugh? I made 513 00:28:26,240 --> 00:28:30,399 Speaker 1: you crying too, a laugh? Member? Yeah? Yeah? Do you 514 00:28:30,400 --> 00:28:33,760 Speaker 1: not remember? Yeah? Because I was crying. I called to 515 00:28:33,760 --> 00:28:35,879 Speaker 1: tell you something that I was sad about. But then 516 00:28:35,920 --> 00:28:37,760 Speaker 1: you made me laugh, So I was like crying, but 517 00:28:37,800 --> 00:28:40,120 Speaker 1: I was also laughing. Do you remember what I said? 518 00:28:41,480 --> 00:28:44,520 Speaker 1: You said? What? Do you remember what you said? Would 519 00:28:44,560 --> 00:28:46,959 Speaker 1: you say I'll make you laugh? You said, I'll make 520 00:28:46,960 --> 00:28:49,840 Speaker 1: you laugh. I mena tell you I'm gonna make you laugh. Sorry, Jacob, 521 00:28:49,880 --> 00:28:53,120 Speaker 1: one moment. Sorry Jacob, and I'm sorry. We need to 522 00:28:53,120 --> 00:28:57,000 Speaker 1: hammer this out. Remember it is very important. Yes, you 523 00:28:57,040 --> 00:28:58,960 Speaker 1: said I'll make you laugh, don't worry about it. I'll 524 00:28:58,960 --> 00:29:01,880 Speaker 1: make you laugh. Did I say that? Or did I 525 00:29:01,960 --> 00:29:04,520 Speaker 1: say something like don't worry about it. I've been through 526 00:29:04,520 --> 00:29:06,520 Speaker 1: this before. You'll be back together and no time, because 527 00:29:06,520 --> 00:29:08,440 Speaker 1: it always happens that way. Trust me, I've lived it. 528 00:29:08,800 --> 00:29:11,280 Speaker 1: Something like that. Yes, you did say that, but you 529 00:29:11,320 --> 00:29:13,240 Speaker 1: did say like, don't worry about it. I'm not gonna 530 00:29:13,280 --> 00:29:15,480 Speaker 1: ask you anything about it. I'm just gonna make you laugh. 531 00:29:15,560 --> 00:29:17,959 Speaker 1: And then you were so nice about it that I was, 532 00:29:18,240 --> 00:29:20,440 Speaker 1: yeah that I was crying, but it was so nice 533 00:29:20,440 --> 00:29:22,080 Speaker 1: that I started laughing, and then I was crying because 534 00:29:22,080 --> 00:29:23,800 Speaker 1: I was so nice of what you said. So it's 535 00:29:23,840 --> 00:29:28,680 Speaker 1: like a really, that was a really weird day, Jacob. 536 00:29:28,720 --> 00:29:30,880 Speaker 1: On that note, welcome, It's good to have you here 537 00:29:31,000 --> 00:29:34,920 Speaker 1: to distract us from the weirdness. How can we force 538 00:29:34,960 --> 00:29:38,840 Speaker 1: our energy your way? What's happening? Well, I'm having kind 539 00:29:38,840 --> 00:29:42,680 Speaker 1: of a weird issue with my fiance that I'm hoping 540 00:29:42,680 --> 00:29:46,080 Speaker 1: you guys can help me out with. Um okay, so 541 00:29:46,400 --> 00:29:50,000 Speaker 1: um well, so, so she's she's her best friends, a 542 00:29:50,040 --> 00:29:53,200 Speaker 1: gay guy named Troy's best friends forever grown up like 543 00:29:53,200 --> 00:29:56,800 Speaker 1: like forever. I love him. He's totally fine. They have 544 00:29:56,840 --> 00:30:00,400 Speaker 1: a great time together. Occasionally I get to push fiance 545 00:30:00,520 --> 00:30:02,400 Speaker 1: dude's off on him because he loves doing stuff that 546 00:30:02,440 --> 00:30:07,640 Speaker 1: I don't you know. Um, But either night I got home, uh, 547 00:30:07,640 --> 00:30:09,120 Speaker 1: and they had been hanging out and they were sitting 548 00:30:09,160 --> 00:30:12,440 Speaker 1: in there was in room, drinking wine in robes. It's fine, 549 00:30:12,520 --> 00:30:14,520 Speaker 1: you know, whatever it happens sometimes in my robe, but 550 00:30:14,640 --> 00:30:16,720 Speaker 1: having a good time. But they tell me they took 551 00:30:16,760 --> 00:30:25,640 Speaker 1: a bath together. Oh okay, and and and like it 552 00:30:25,800 --> 00:30:30,160 Speaker 1: really bothers me, you know, like gay, I know nothing happened, 553 00:30:30,200 --> 00:30:32,320 Speaker 1: but like the fact that they were naked in a 554 00:30:32,400 --> 00:30:36,280 Speaker 1: bathtub together. It's just it's just not sitting right with me, 555 00:30:36,360 --> 00:30:41,000 Speaker 1: you know, boy, this is what I haven't heard before this. 556 00:30:41,160 --> 00:30:43,360 Speaker 1: We've we've been through a lot of scenarios. I don't 557 00:30:43,360 --> 00:30:46,800 Speaker 1: think i've ever and Jacob, I've been here a minute. 558 00:30:46,800 --> 00:30:48,480 Speaker 1: I don't think I've had a call ever that said 559 00:30:48,520 --> 00:30:51,240 Speaker 1: that really which is and I don't know if that's 560 00:30:51,240 --> 00:30:53,400 Speaker 1: something is common or not, And if it is, please 561 00:30:54,120 --> 00:30:58,640 Speaker 1: let me know because I am naive to this. So 562 00:30:58,760 --> 00:31:02,640 Speaker 1: I want to sing about this out loud. What makes 563 00:31:02,720 --> 00:31:06,320 Speaker 1: what bothers you about it? You know? I don't know, 564 00:31:06,560 --> 00:31:10,120 Speaker 1: right because the first thing my fiance asked me, um, 565 00:31:10,160 --> 00:31:12,760 Speaker 1: because I told her I was upset, was would it 566 00:31:12,880 --> 00:31:16,400 Speaker 1: bother you if it was a girlfriend? And I don't 567 00:31:16,400 --> 00:31:19,680 Speaker 1: think that would bother me as much? You know, I 568 00:31:20,120 --> 00:31:24,400 Speaker 1: don't think that's super common either. But but I like, 569 00:31:24,560 --> 00:31:28,000 Speaker 1: I don't know, there's just something about thee but as much, 570 00:31:28,560 --> 00:31:29,960 Speaker 1: I mean, is it is it the fact that it's 571 00:31:30,000 --> 00:31:32,360 Speaker 1: just another individual, whether it be male or female gearrist 572 00:31:32,400 --> 00:31:37,920 Speaker 1: right doesn't mean is it just that? Yeah? Gosh, I 573 00:31:38,000 --> 00:31:39,840 Speaker 1: and you know that's the thing. I can't I can't 574 00:31:39,840 --> 00:31:45,880 Speaker 1: put my finger on it. Oh yeah, what do you? 575 00:31:45,960 --> 00:31:48,360 Speaker 1: What do you think? Okay, here's the thing. I don't 576 00:31:48,400 --> 00:31:51,400 Speaker 1: think you necessarily, Like she obviously told you, she's not 577 00:31:51,480 --> 00:31:54,360 Speaker 1: keeping secrets from you. She thinks there's nothing to it, 578 00:31:54,600 --> 00:31:56,800 Speaker 1: and there clearly isn't anything to it. But if it 579 00:31:56,840 --> 00:31:59,320 Speaker 1: bothers you and it upsets you, I think you have 580 00:31:59,440 --> 00:32:02,480 Speaker 1: to verbalize it because it's just gonna fester in you. 581 00:32:02,920 --> 00:32:04,720 Speaker 1: And you can say I don't know exactly what it 582 00:32:04,760 --> 00:32:07,240 Speaker 1: is about this that bothers me, but as your fiance, 583 00:32:07,480 --> 00:32:09,680 Speaker 1: it really rubbed me the wrong way. I would appreciate 584 00:32:09,720 --> 00:32:11,320 Speaker 1: if you didn't do it moving forward. And I'm sure 585 00:32:11,320 --> 00:32:13,160 Speaker 1: her reaction is going to be totally fine. She's not 586 00:32:13,200 --> 00:32:15,080 Speaker 1: gonna sit there and be like, no, I want a 587 00:32:15,160 --> 00:32:19,760 Speaker 1: bath with my best friend every day. Yeah yeah, no, 588 00:32:19,840 --> 00:32:22,400 Speaker 1: I mean, and she's been you know, we had a 589 00:32:22,440 --> 00:32:26,120 Speaker 1: brief conversation about it, and she was not like reactive 590 00:32:26,240 --> 00:32:28,920 Speaker 1: or or super negative about it. But like the fact 591 00:32:28,920 --> 00:32:30,400 Speaker 1: that I can't put my finger on it makes it 592 00:32:30,440 --> 00:32:34,480 Speaker 1: hard for me to have like a clear conversation with 593 00:32:34,520 --> 00:32:39,240 Speaker 1: her about it, Patty, would she be okay with you 594 00:32:39,480 --> 00:32:42,560 Speaker 1: sharing the bath with a woman with your best friend 595 00:32:42,720 --> 00:32:46,720 Speaker 1: a woman? Boy, that's a great question. Um, I didn't 596 00:32:46,720 --> 00:32:50,680 Speaker 1: even bring that up. I'll have to ask her, well, Patty, 597 00:32:50,760 --> 00:32:53,840 Speaker 1: well done. Okay, Look, I think what we've established is 598 00:32:53,960 --> 00:32:56,360 Speaker 1: you're uncomfortable with it, so you need to tell her that. 599 00:32:57,000 --> 00:32:58,760 Speaker 1: And then if she doesn't understand it, you could say 600 00:32:58,760 --> 00:33:01,680 Speaker 1: what Patty said, but I do understand. I mean, I'm 601 00:33:01,680 --> 00:33:04,200 Speaker 1: not so sure no matter what the situation is, that 602 00:33:04,240 --> 00:33:06,280 Speaker 1: I'd be thrilled to have my fiance and a tub 603 00:33:06,320 --> 00:33:11,040 Speaker 1: with anybody at all. Right, I mean but if they say, well, 604 00:33:11,320 --> 00:33:13,080 Speaker 1: you know, if she says, well, he wouldn't hearness him. 605 00:33:13,080 --> 00:33:14,520 Speaker 1: He's like yeah, but still it's another human body in 606 00:33:14,560 --> 00:33:17,680 Speaker 1: the tub. I'm not. I don't. It doesn't. It doesn't. 607 00:33:18,120 --> 00:33:21,160 Speaker 1: Time is intimate. You're like sharing, Like, I'm not a 608 00:33:21,240 --> 00:33:24,600 Speaker 1: huge dude, right, I can't get my legs. I have 609 00:33:24,760 --> 00:33:27,680 Speaker 1: trouble figuring out where the who goes where? Yeah, like 610 00:33:27,720 --> 00:33:32,479 Speaker 1: you're gonna be touching, like I do think you you 611 00:33:32,560 --> 00:33:35,360 Speaker 1: haven't understood what it is that bothers you. But it 612 00:33:35,400 --> 00:33:36,920 Speaker 1: does bother you, so I would talk to you about 613 00:33:36,920 --> 00:33:44,360 Speaker 1: it immediately. Don't let it fester. Okay, all right, all right, hey, 614 00:33:44,400 --> 00:33:46,520 Speaker 1: thank you very much for call. I appreciate just you, 615 00:33:47,560 --> 00:33:51,280 Speaker 1: uh what's the right word? Feeling comfortable enough with us 616 00:33:51,320 --> 00:33:54,760 Speaker 1: to talk about that without this for him? So you 617 00:33:54,800 --> 00:33:59,640 Speaker 1: take care, Okay, okay, by bye. Yeah, I have not, 618 00:33:59,800 --> 00:34:02,320 Speaker 1: but I too would feel like Jacob. I'd be like wait, wait, wait, 619 00:34:02,320 --> 00:34:05,440 Speaker 1: whoa whoa whoa wait hold on, that doesn't seem I 620 00:34:05,560 --> 00:34:08,080 Speaker 1: just I don't know. Yeah, I wouldn't like either, no 621 00:34:08,280 --> 00:34:12,680 Speaker 1: chance at a great point. That's the question if he 622 00:34:12,719 --> 00:34:14,680 Speaker 1: needs to use it. We're coming back in one minute 623 00:34:14,680 --> 00:34:19,680 Speaker 1: to get you qualified. What if he needs to use it? Right? So, 624 00:34:19,680 --> 00:34:26,920 Speaker 1: like in his in his box, let's grab Claire. Hello Claire, 625 00:34:27,120 --> 00:34:31,480 Speaker 1: good morning. How are you Culver City? I'm great? Thank 626 00:34:31,520 --> 00:34:35,279 Speaker 1: you good? So how can we help you? Yeah, I'm sorry, 627 00:34:35,320 --> 00:34:37,600 Speaker 1: I have to be quiet. I'm at work. But okay. 628 00:34:37,680 --> 00:34:40,200 Speaker 1: So I've been seeing this guy for a couple of 629 00:34:40,239 --> 00:34:43,000 Speaker 1: weeks now, and he bought his concert tickets to go 630 00:34:43,080 --> 00:34:46,200 Speaker 1: see the concert like a concert this weekend, and I've 631 00:34:46,280 --> 00:34:48,680 Speaker 1: kind of just recently decided that I don't see a 632 00:34:48,760 --> 00:34:51,520 Speaker 1: future with him. So I don't want to lead him 633 00:34:51,560 --> 00:34:53,879 Speaker 1: on anymore. But I don't know if it's more rude 634 00:34:53,960 --> 00:34:56,160 Speaker 1: to like break it off with him before the concert 635 00:34:56,280 --> 00:34:59,920 Speaker 1: or after the concert. Okay, what changed your mind so fast? 636 00:35:00,960 --> 00:35:02,600 Speaker 1: He held them so fast. It's been like a couple 637 00:35:02,600 --> 00:35:04,120 Speaker 1: of weeks, and I wanted to just like give him 638 00:35:04,120 --> 00:35:07,160 Speaker 1: the chance, but I just don't really feel a major connection. 639 00:35:07,920 --> 00:35:10,319 Speaker 1: And he bought the concert tickets like a week and 640 00:35:10,320 --> 00:35:19,640 Speaker 1: a half ago. So here's what I might do. What 641 00:35:19,760 --> 00:35:23,480 Speaker 1: I might do is be upfront with him that, like, 642 00:35:23,719 --> 00:35:25,960 Speaker 1: you don't you're not necessarily whatever it is that you're 643 00:35:25,960 --> 00:35:27,759 Speaker 1: feeling that he's not feeling, or you're not feeling that 644 00:35:27,800 --> 00:35:29,879 Speaker 1: he is feeling whatever that is. You would state that 645 00:35:30,520 --> 00:35:33,200 Speaker 1: and then say, but I'm totally down to go and 646 00:35:33,239 --> 00:35:35,719 Speaker 1: have fun, and if you if you still want to, 647 00:35:35,800 --> 00:35:37,680 Speaker 1: but I understand if you don't, you know that way 648 00:35:37,880 --> 00:35:40,520 Speaker 1: you're going to have fun or his friends or whatever, 649 00:35:40,560 --> 00:35:43,480 Speaker 1: and let it be his decision, because you can still 650 00:35:43,520 --> 00:35:45,239 Speaker 1: go and have a good time. I'm sure. Just you 651 00:35:45,280 --> 00:35:48,960 Speaker 1: can set the expectation. Oh that's much nicer. Leave it 652 00:35:49,040 --> 00:35:51,280 Speaker 1: up to him. I love that, Okay, but be clear, 653 00:35:51,440 --> 00:35:54,560 Speaker 1: be clear so that when he makes his decision after 654 00:35:54,680 --> 00:35:56,839 Speaker 1: it's not going to be. Not if you say, how 655 00:35:56,880 --> 00:35:59,239 Speaker 1: many times have I broken up with somebody and said 656 00:35:59,280 --> 00:36:02,480 Speaker 1: let's go on a trip, Which is mind boggling to 657 00:36:02,520 --> 00:36:04,800 Speaker 1: me because if somebody broke up with me and said, hey, 658 00:36:04,880 --> 00:36:07,399 Speaker 1: let's go anywhere, I'd be like deucing. No. Not not 659 00:36:07,480 --> 00:36:11,200 Speaker 1: the same day months later when you're lonely and they're 660 00:36:11,239 --> 00:36:14,120 Speaker 1: lonely and you decided to go somewhere just just to be, 661 00:36:14,520 --> 00:36:19,799 Speaker 1: you know, because that's unusual concept, Tanya. Not if you're 662 00:36:19,840 --> 00:36:22,399 Speaker 1: trying to get over somebody, Like if somebody doesn't want 663 00:36:22,400 --> 00:36:25,799 Speaker 1: to I've already determined I don't get over anyone, so 664 00:36:25,920 --> 00:36:29,759 Speaker 1: it doesn't matter. Take them on trips after you break 665 00:36:29,800 --> 00:36:34,239 Speaker 1: up with them, right, right, Eventually the holidays come and 666 00:36:34,480 --> 00:36:39,560 Speaker 1: you know you want to do something, No, don't do 667 00:36:39,640 --> 00:36:42,799 Speaker 1: it with about me, this about Claire and Culver City, 668 00:36:42,800 --> 00:36:45,960 Speaker 1: Colver City, Claire, I'm gonna say, don't go to the concert. 669 00:36:46,680 --> 00:36:49,719 Speaker 1: If you're over it, you're done. Let him take somebody else, 670 00:36:49,800 --> 00:36:51,640 Speaker 1: Let him take a friend. That way, he can pick 671 00:36:51,719 --> 00:36:54,520 Speaker 1: up on other people while he's there. Just your losses. 672 00:36:54,600 --> 00:36:56,520 Speaker 1: You're speaking like you're talking through a lens of like 673 00:36:56,560 --> 00:36:59,719 Speaker 1: no emotion, right, like their hearts involved here. Okay, so 674 00:37:00,040 --> 00:37:03,760 Speaker 1: just don't just break clearly like that. Hearts nessy hearts? 675 00:37:03,760 --> 00:37:05,600 Speaker 1: Are you see the heart come out of a body. 676 00:37:05,880 --> 00:37:11,560 Speaker 1: It's messy, look like a Valentine. I'm not I'm not 677 00:37:11,719 --> 00:37:14,960 Speaker 1: saying that, but I'm saying it's best for her. If 678 00:37:15,000 --> 00:37:18,319 Speaker 1: she is over it, she can bow out of this situation, 679 00:37:18,440 --> 00:37:22,840 Speaker 1: and it's better for him because then it's not dragging on. Well, look, Claire, 680 00:37:22,880 --> 00:37:25,759 Speaker 1: you have plenty of guidance here. Please let us know 681 00:37:25,840 --> 00:37:29,040 Speaker 1: next week what you decide. Okay, okay, I will thank 682 00:37:29,080 --> 00:37:32,880 Speaker 1: you all right, by No, I just want to be 683 00:37:32,920 --> 00:37:35,320 Speaker 1: clear so you don't have to go back and judge 684 00:37:35,320 --> 00:37:39,840 Speaker 1: me on this. I don't ever get over anyone. That's interesting. 685 00:37:39,840 --> 00:37:42,680 Speaker 1: We should actually talk about that we just did. No, 686 00:37:43,040 --> 00:37:44,360 Speaker 1: I think we should put a pen in it and 687 00:37:44,400 --> 00:37:47,080 Speaker 1: go deeper. Because in my book Calling in the One, 688 00:37:47,400 --> 00:37:50,440 Speaker 1: you're supposed to close all the doors from your past chapters. 689 00:37:50,480 --> 00:37:53,560 Speaker 1: That's how you write that book. No, A, you mean 690 00:37:53,560 --> 00:37:56,000 Speaker 1: in my book the book I read. No, it's a 691 00:37:56,040 --> 00:37:57,759 Speaker 1: book called Calling in the One. Yeah, no, but it 692 00:37:57,840 --> 00:37:59,480 Speaker 1: said my book. I thought you were actually writing a 693 00:37:59,480 --> 00:38:01,320 Speaker 1: book now, No, no, no, this is a book that 694 00:38:01,360 --> 00:38:03,680 Speaker 1: I read and I did, but they said that you 695 00:38:03,680 --> 00:38:06,160 Speaker 1: have to close all those doors from your past chapters 696 00:38:06,320 --> 00:38:08,200 Speaker 1: in order to really call on the one. So that 697 00:38:08,320 --> 00:38:11,719 Speaker 1: might be what's stopping you from really finding the one. So, 698 00:38:11,880 --> 00:38:14,759 Speaker 1: just to put in friends terms, I'm thinking, wasn't this 699 00:38:14,840 --> 00:38:19,000 Speaker 1: a Monica Pete Becker scenario? Right? From friends? Pete Becker? 700 00:38:19,080 --> 00:38:21,560 Speaker 1: Monica from friends? She wasn't into him, told him, he 701 00:38:21,640 --> 00:38:24,120 Speaker 1: stayed with it, and then she wasn't to him. Like 702 00:38:24,160 --> 00:38:28,000 Speaker 1: there's something to that, right, Yeah, but again they didn't 703 00:38:28,040 --> 00:38:31,040 Speaker 1: end up together, but it was Jon Favreaux as as 704 00:38:31,400 --> 00:38:33,960 Speaker 1: Pete Becker. So I it's in my it's in my 705 00:38:34,080 --> 00:38:37,239 Speaker 1: zeit geist head. Everything comes back to friends, um for her, 706 00:38:37,320 --> 00:38:45,080 Speaker 1: for she, for you. How about that crazy weather yesterday, thunder, lightning, rain, yo. 707 00:38:45,640 --> 00:38:48,399 Speaker 1: That so I don't mind it so much, but it's 708 00:38:48,400 --> 00:38:50,520 Speaker 1: fascinating to see it here, that kind of weather here. 709 00:38:52,400 --> 00:38:54,960 Speaker 1: I always feel like the odd man out because everybody 710 00:38:54,960 --> 00:38:57,520 Speaker 1: gets so excited with the thunder and lightning, and it 711 00:38:57,719 --> 00:39:01,000 Speaker 1: scares me, Like I was actually legitimate only scared last night. 712 00:39:01,360 --> 00:39:05,080 Speaker 1: I do still find it cozy, unless it's like one 713 00:39:05,080 --> 00:39:09,560 Speaker 1: of those cracking thunders, like the cracking thunders, you know, 714 00:39:09,600 --> 00:39:13,160 Speaker 1: that like the smacking thunder sound, and I'm always the 715 00:39:13,200 --> 00:39:15,800 Speaker 1: person that says like, um, there's some sort of something 716 00:39:15,800 --> 00:39:17,600 Speaker 1: where if you hear the thunder and then you hear 717 00:39:17,600 --> 00:39:19,440 Speaker 1: they'll see the lightning and right after it means it's 718 00:39:19,440 --> 00:39:21,840 Speaker 1: like really close to you or something the window. Just 719 00:39:21,880 --> 00:39:24,440 Speaker 1: like watching things, if you see the lightning and you 720 00:39:24,560 --> 00:39:26,400 Speaker 1: count to the thunder, that gives you an idea the 721 00:39:26,440 --> 00:39:32,200 Speaker 1: distance of the light They had. They held the Chargers 722 00:39:32,280 --> 00:39:34,960 Speaker 1: game like thirty five minutes due to lightning because the 723 00:39:35,000 --> 00:39:36,799 Speaker 1: sides are open there still, so they you have to 724 00:39:36,800 --> 00:39:41,000 Speaker 1: be cautious of that. And you were weird a crazy 725 00:39:41,040 --> 00:39:45,120 Speaker 1: weather and then everything was out right Facebook out, WhatsApp out, 726 00:39:45,160 --> 00:39:48,120 Speaker 1: Instagram out for hours and hours and hours. It was 727 00:39:48,160 --> 00:39:50,840 Speaker 1: just fascinating to see how people reacted to that. Was 728 00:39:50,880 --> 00:39:53,719 Speaker 1: so amazing to see how people were suffocating because they 729 00:39:53,719 --> 00:39:57,040 Speaker 1: didn't have those platforms, like suffocating because they have those platforms. 730 00:39:57,320 --> 00:40:01,640 Speaker 1: It felt good, though, just not have m the need 731 00:40:01,920 --> 00:40:05,680 Speaker 1: to constantly be checking Instagram or Facebook. Sorry, you still 732 00:40:05,719 --> 00:40:10,480 Speaker 1: have a telephone and text, you weren't just to scroll 733 00:40:11,600 --> 00:40:16,240 Speaker 1: constantly out. I felt like it was just more annoying 734 00:40:16,280 --> 00:40:19,080 Speaker 1: because I kept checking to see that was constantly checking 735 00:40:19,120 --> 00:40:20,760 Speaker 1: to see fields back. I felt like I was checking 736 00:40:20,760 --> 00:40:25,160 Speaker 1: my phone even more than every yesterday. Interesting. The timing 737 00:40:25,200 --> 00:40:28,400 Speaker 1: of it too, right after that whistleblower in six and 738 00:40:28,440 --> 00:40:31,680 Speaker 1: then everything goes down for hour after hour after hour. 739 00:40:31,719 --> 00:40:37,360 Speaker 1: It's just a very rare chain of events. Very interesting. 740 00:40:38,320 --> 00:40:41,560 Speaker 1: Did you do anything? Did you do anything that you did? 741 00:40:41,600 --> 00:40:44,800 Speaker 1: You get something done that you normally wouldn't have even 742 00:40:45,000 --> 00:40:49,040 Speaker 1: looked at because you had no access to these platforms. 743 00:40:49,160 --> 00:40:52,200 Speaker 1: It did happen during business, right, So happened during the 744 00:40:52,200 --> 00:40:55,160 Speaker 1: work day. So many people just got work done. I 745 00:40:55,280 --> 00:40:57,319 Speaker 1: was actually working during it too, but I kept I 746 00:40:57,400 --> 00:40:59,200 Speaker 1: did keep going back to see, wow, this is do 747 00:40:59,360 --> 00:41:01,840 Speaker 1: not up? Still not still not But you know some 748 00:41:02,440 --> 00:41:09,080 Speaker 1: businesses depend on Instagram, on Facebook and influencers. This is 749 00:41:09,120 --> 00:41:11,560 Speaker 1: like their day job. Tiny, I know you're an influencer. 750 00:41:11,600 --> 00:41:13,439 Speaker 1: Did you do anything you normally wouldn't have done because 751 00:41:13,480 --> 00:41:16,560 Speaker 1: it was all out No? But you know what I 752 00:41:16,600 --> 00:41:19,480 Speaker 1: do a modern woman Monday shout out every Monday, and 753 00:41:19,520 --> 00:41:21,799 Speaker 1: I held it to today because I wanted to give 754 00:41:21,800 --> 00:41:26,600 Speaker 1: the modern woman a full day. I was working, but 755 00:41:26,680 --> 00:41:28,960 Speaker 1: if I wasn't working, I would have read my new 756 00:41:29,000 --> 00:41:30,920 Speaker 1: book Why We Swim and I'll tell you about it 757 00:41:30,920 --> 00:41:33,920 Speaker 1: when I finish it. Oh, we swim? Why are we 758 00:41:33,920 --> 00:41:38,440 Speaker 1: attracted to water? Why we swim? Interesting? It really is fascinating. 759 00:41:41,120 --> 00:41:43,600 Speaker 1: Can I tell you the book that I'm reading? Mh, 760 00:41:44,640 --> 00:41:48,839 Speaker 1: I'm reading Contagious and I'll tell you about it when 761 00:41:48,880 --> 00:41:52,480 Speaker 1: I'm done reading it. It seems like it's about it's 762 00:41:52,480 --> 00:41:55,400 Speaker 1: about how, it's about how and why things go viral 763 00:41:55,680 --> 00:41:59,520 Speaker 1: or why they stick. Oh, you mean ideas ideas and 764 00:42:00,040 --> 00:42:04,920 Speaker 1: not science and medicine, not science, ideas of just you know, 765 00:42:05,200 --> 00:42:09,200 Speaker 1: why something? Well, didn't you see the see didn't you 766 00:42:09,239 --> 00:42:10,879 Speaker 1: see did you see the movie the tipping Point? Didn't 767 00:42:10,840 --> 00:42:14,040 Speaker 1: you read the tipping point? The tipping point? The tipping point? 768 00:42:14,640 --> 00:42:17,799 Speaker 1: Glad will I did read that? But okay, so so 769 00:42:17,880 --> 00:42:19,880 Speaker 1: yes it it talks about the tipping point, but this 770 00:42:19,920 --> 00:42:25,880 Speaker 1: one kind of elaborates a lot more. Okay, the group text. 771 00:42:26,560 --> 00:42:28,279 Speaker 1: You know, thinking back though, that lightning, yar say, isn't 772 00:42:28,320 --> 00:42:30,920 Speaker 1: it crazy that the lightning happened before the Chargers game? 773 00:42:30,920 --> 00:42:35,480 Speaker 1: Their logo is the lightning bolt. It's a little weird, right, yeah, 774 00:42:35,480 --> 00:42:43,200 Speaker 1: it was. So we are going to qualify someone in 775 00:42:43,239 --> 00:42:46,600 Speaker 1: a second to get another vacation paid for, and we 776 00:42:46,640 --> 00:42:49,480 Speaker 1: actually have our grand Prize winner of the day today. 777 00:42:49,960 --> 00:42:53,799 Speaker 1: In a few minutes, we're gonna give them the vacation 778 00:42:53,920 --> 00:42:57,320 Speaker 1: paid for, take care of their vacation bills. They'll decide 779 00:42:57,360 --> 00:43:00,360 Speaker 1: where they want to go, decide who goes on the trip, 780 00:43:01,719 --> 00:43:06,480 Speaker 1: and that's in minute before that. You know, you may 781 00:43:06,560 --> 00:43:10,839 Speaker 1: or may not have heard about the Seacrest studios. These 782 00:43:10,840 --> 00:43:14,760 Speaker 1: are studios. These are media centers that the Ryan Secrest 783 00:43:14,800 --> 00:43:19,359 Speaker 1: Foundation has put into several hospitals around the country. You're 784 00:43:19,400 --> 00:43:22,800 Speaker 1: in Orange County and you look around. There's Atlanta, there's Dallas, 785 00:43:22,880 --> 00:43:28,040 Speaker 1: there's Boston, there's DC and we've got more come into 786 00:43:29,160 --> 00:43:33,960 Speaker 1: They're amazing these media centers. They're basically a replica of 787 00:43:34,040 --> 00:43:37,480 Speaker 1: our radio studio, and all the entertainment that they do 788 00:43:37,600 --> 00:43:39,719 Speaker 1: in there gets fed up to their rooms for any 789 00:43:39,719 --> 00:43:42,480 Speaker 1: of the children that actually can't leave their rooms to 790 00:43:42,560 --> 00:43:44,920 Speaker 1: feel connected to people, you know, and other patients can 791 00:43:44,960 --> 00:43:47,839 Speaker 1: come and they can have their own shows. It's really amazing. Well, 792 00:43:47,920 --> 00:43:50,479 Speaker 1: and you know, we put them as like fish bowl 793 00:43:50,520 --> 00:43:52,839 Speaker 1: glass studios in the lobby so people can watch all 794 00:43:52,880 --> 00:43:58,000 Speaker 1: the action too. Creates a an energy in these pediatric hospitals. 795 00:43:58,800 --> 00:44:01,839 Speaker 1: So my sister ly is ops I mean she's head 796 00:44:01,840 --> 00:44:04,600 Speaker 1: of ops. She runs this thing on a daily Well, 797 00:44:04,600 --> 00:44:06,919 Speaker 1: my whole families involved. My mom and dad worked there 798 00:44:07,000 --> 00:44:09,080 Speaker 1: and with her as well. But Mayor is you know, 799 00:44:09,320 --> 00:44:13,320 Speaker 1: in the trenches. So did you see this is so cool? 800 00:44:14,040 --> 00:44:18,120 Speaker 1: Some of the patients at Children's National Hospital in Washington, 801 00:44:18,200 --> 00:44:21,560 Speaker 1: d C. Got to talk to the International Space Station 802 00:44:21,600 --> 00:44:25,200 Speaker 1: from the hospital from the studio. That is so cool. 803 00:44:25,520 --> 00:44:28,000 Speaker 1: So I was thinking, like we've I don't think we've 804 00:44:28,040 --> 00:44:32,359 Speaker 1: ever done that. Have we ever interviewed somebody from tom 805 00:44:32,360 --> 00:44:34,960 Speaker 1: Cruise is shooting in space, and you know, space is 806 00:44:35,000 --> 00:44:39,840 Speaker 1: becoming more and more accessible apparently to some people. Uh. 807 00:44:39,880 --> 00:44:43,799 Speaker 1: But these patients got to ask questions and they talked 808 00:44:43,840 --> 00:44:49,759 Speaker 1: to Commander Akiko Hoshi day. They had a window while 809 00:44:50,160 --> 00:44:53,040 Speaker 1: this commander was flying over Italy and the International Space 810 00:44:53,080 --> 00:44:56,799 Speaker 1: Station from space. So I have some of the listen. 811 00:44:56,960 --> 00:45:00,360 Speaker 1: This is a question that Layla, a patient at the 812 00:45:00,400 --> 00:45:03,560 Speaker 1: Children's Hospital there in d C, asked live to space 813 00:45:03,760 --> 00:45:06,480 Speaker 1: from the hospital from the secret studio, can you please 814 00:45:06,520 --> 00:45:09,200 Speaker 1: describe the most beautiful thing you've ever seen the stage 815 00:45:09,360 --> 00:45:13,840 Speaker 1: over That A very difficult an easy question. Um. The 816 00:45:13,920 --> 00:45:18,800 Speaker 1: easy answer would be, uh, the Earth. We have a 817 00:45:18,840 --> 00:45:21,520 Speaker 1: big window called the couple while looking down at Earth 818 00:45:21,760 --> 00:45:26,480 Speaker 1: and we see the Earth just rotating under us, and 819 00:45:26,600 --> 00:45:30,799 Speaker 1: that we can see like the night, the morning, the sunrise, 820 00:45:31,320 --> 00:45:36,000 Speaker 1: the mountains, the oceans, and everything is beautiful. Think about it. 821 00:45:36,000 --> 00:45:38,600 Speaker 1: When the sun goes down, is going up on the 822 00:45:38,600 --> 00:45:42,560 Speaker 1: other side and they're watching. Sounds like he's in space. Well, 823 00:45:43,120 --> 00:45:45,040 Speaker 1: it sounds pretty good to me. I go through parts 824 00:45:45,040 --> 00:45:49,560 Speaker 1: of the valley, it doesn't sound that good, Yes, Fatima. 825 00:45:49,920 --> 00:45:52,240 Speaker 1: Long does it take to get to the moon in Mars? 826 00:45:52,320 --> 00:45:55,560 Speaker 1: From Earth? Over? Well to the Moon? I would say 827 00:45:55,640 --> 00:46:00,280 Speaker 1: a few days could be a quick trip compared to ours, 828 00:46:00,320 --> 00:46:03,640 Speaker 1: because to go to get to Mars, uh, it probably 829 00:46:03,719 --> 00:46:06,040 Speaker 1: takes a couple of months to a year or two 830 00:46:06,520 --> 00:46:10,760 Speaker 1: to just get there um and then to return about 831 00:46:10,760 --> 00:46:14,360 Speaker 1: the same time. So a mar shrip would takes maybe 832 00:46:15,160 --> 00:46:19,359 Speaker 1: year out year's day and then one year to get back. 833 00:46:19,400 --> 00:46:22,279 Speaker 1: So totally three years might be what you're looking for 834 00:46:22,880 --> 00:46:26,359 Speaker 1: trying to kill time during a pandemic. Three year trip 835 00:46:26,440 --> 00:46:32,800 Speaker 1: sounds pretty appetizing a little over that's over right, because 836 00:46:32,800 --> 00:46:36,879 Speaker 1: they're talking from live from the Children's Hospital DC two 837 00:46:36,960 --> 00:46:39,279 Speaker 1: Space to the International space stations. How did they do that? 838 00:46:39,360 --> 00:46:45,160 Speaker 1: Do they connect space calms? Find idea. What species of 839 00:46:45,320 --> 00:46:54,400 Speaker 1: animals have been to space over we have we have fighters, 840 00:46:54,400 --> 00:46:58,239 Speaker 1: we had and we had what else we had, We 841 00:46:58,280 --> 00:47:02,120 Speaker 1: had to fish as well. We don't have a animals 842 00:47:02,160 --> 00:47:05,400 Speaker 1: like dog captain dogs. We don't have those yet, but 843 00:47:05,480 --> 00:47:09,240 Speaker 1: maybe in the we might have those. Do you hear that, Georgia. 844 00:47:10,160 --> 00:47:12,160 Speaker 1: I just think that's so cool. I mean I would 845 00:47:13,200 --> 00:47:15,680 Speaker 1: I would have. I would not sleep for days after that. 846 00:47:15,680 --> 00:47:18,360 Speaker 1: That is so exciting. And I want to thank Nicole 847 00:47:18,440 --> 00:47:22,240 Speaker 1: and Beckham, who run the secret studio in the Children's 848 00:47:22,239 --> 00:47:25,319 Speaker 1: hospital there in Washington, d C. For making that all 849 00:47:25,360 --> 00:47:27,000 Speaker 1: happen but so cool. If you want to see what 850 00:47:27,040 --> 00:47:28,880 Speaker 1: we're doing, you can see some pictures of it. Actually 851 00:47:29,080 --> 00:47:31,799 Speaker 1: it helps to see the images. Go to Ryan Seacrest 852 00:47:32,160 --> 00:47:37,719 Speaker 1: Foundation dot org. So we have this we we are 853 00:47:37,800 --> 00:47:39,920 Speaker 1: always we have this thing where we're always paying your 854 00:47:39,920 --> 00:47:42,960 Speaker 1: bills and that will not change. Now we're being a 855 00:47:43,000 --> 00:47:45,920 Speaker 1: little more specific. We're paying for your vacation bills because 856 00:47:46,160 --> 00:47:49,080 Speaker 1: when you can and when you want and when you 857 00:47:49,120 --> 00:47:51,359 Speaker 1: feel safe to do, I think you're gonna want it 858 00:47:51,440 --> 00:47:54,680 Speaker 1: and you're gonna need it. So we've got every day 859 00:47:54,719 --> 00:47:56,560 Speaker 1: on the ten six ten to six ten, you qualify 860 00:47:56,600 --> 00:47:58,520 Speaker 1: you get hunt in two bucks. Then every morning we 861 00:47:58,560 --> 00:48:02,200 Speaker 1: call somebody back and say, hey, look it's you. You 862 00:48:02,280 --> 00:48:06,839 Speaker 1: got Nathan, Nathan Lowdon of Chino. Nathan, are you there? Yeah, 863 00:48:06,880 --> 00:48:11,480 Speaker 1: I'm here, Nathan, it's you. Good morning, Congratulations, kiss, family 864 00:48:11,560 --> 00:48:17,279 Speaker 1: is paying for your next vacation. Do the grand prize 865 00:48:17,280 --> 00:48:24,480 Speaker 1: winner today? Thank you so much. Happy. Who's gonna be happy? 866 00:48:24,719 --> 00:48:28,000 Speaker 1: My wife? Yes, it's important that she's happy, right, I mean, 867 00:48:28,040 --> 00:48:31,000 Speaker 1: everybody who's not gonna be happy with this? So? Where 868 00:48:31,000 --> 00:48:32,919 Speaker 1: are you gonna go? Are you gonna take your wife? 869 00:48:32,920 --> 00:48:36,879 Speaker 1: Give me a little detail. Um, she's always been telling 870 00:48:36,880 --> 00:48:38,640 Speaker 1: me that it's been a dream reverse to go to 871 00:48:38,840 --> 00:48:42,120 Speaker 1: uh to Paris, So I think that might be somewhere 872 00:48:42,120 --> 00:48:44,879 Speaker 1: I'll have to take her. Oh yeah, I mean I'm 873 00:48:44,880 --> 00:48:48,320 Speaker 1: googling now some of the restaurants there, so you should 874 00:48:48,360 --> 00:48:51,120 Speaker 1: check out. Let's just see. Oh there's I don't know 875 00:48:51,120 --> 00:48:55,080 Speaker 1: how you pick such a food city. Um, Nathan, are 876 00:48:55,120 --> 00:48:59,359 Speaker 1: you working right now? Brouh? Yeah? What do you do? 877 00:49:00,760 --> 00:49:09,719 Speaker 1: I'm in the demolition Oh fun kinda. Every day is new. 878 00:49:11,760 --> 00:49:18,239 Speaker 1: What's been the most complicated demo you try to pull off? Um? 879 00:49:18,320 --> 00:49:21,600 Speaker 1: For me, I just started maybe two months ago, But 880 00:49:22,120 --> 00:49:24,279 Speaker 1: so far It hasn't been anything too crazy for me. 881 00:49:24,560 --> 00:49:27,600 Speaker 1: No old casino buildings or anything like that yet. No. 882 00:49:28,600 --> 00:49:33,160 Speaker 1: All right. Wow, you know when they did they demo buildings, 883 00:49:33,239 --> 00:49:37,440 Speaker 1: they fall just perfectly. It's amazing to me how strategic 884 00:49:37,560 --> 00:49:41,560 Speaker 1: that all is. Mm hmm. Well, Nathan, we're in all 885 00:49:41,880 --> 00:49:45,600 Speaker 1: all right. Enjoy your trip, tell your wife, enjoy Paris. 886 00:49:46,000 --> 00:49:48,280 Speaker 1: We got you, and thank you for listening to Kiss FM. 887 00:49:48,320 --> 00:49:53,600 Speaker 1: Man oh yeah, thank you so much. Ryan Antia, are 888 00:49:53,600 --> 00:49:58,719 Speaker 1: you welcome? Exciting on the tens qualify every single hour 889 00:49:58,840 --> 00:50:04,239 Speaker 1: all week. Father there with Ryan Seacrest. All right, take 890 00:50:04,239 --> 00:50:07,120 Speaker 1: a look at the clock. We're there. Get ready, get 891 00:50:07,200 --> 00:50:09,719 Speaker 1: set go, Get ready to get set go. Get your 892 00:50:10,040 --> 00:50:12,680 Speaker 1: jiggleball tickets for Centerway Capital One at ten am this morning. 893 00:50:12,800 --> 00:50:16,680 Speaker 1: Kiss at M dot com slash capital one. Thanks for 894 00:50:16,760 --> 00:50:19,400 Speaker 1: listening to On Air with Ryan Seacrest. Make sure to 895 00:50:19,440 --> 00:50:21,400 Speaker 1: subscribe it and we'll talk to you again tomorrow