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Speaker 1: No, no, am I too old to know what this.

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Speaker 1: Now you're tweaking things that's going on right now?

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Speaker 2: I don't know. I started guessing maybe people like everybody

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Speaker 2: saw me this weekend and knew that I was tweaking.

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Speaker 2: So everybody was just.

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Speaker 1: Like, so you think the entire internet is saying, now

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Speaker 1: you tweaking? How they saw you?

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Speaker 2: I think they saw me. So I was like, oh shit,

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Speaker 2: y'all he was giving it up in Atlanta. No, no, no,

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Speaker 2: not at all.

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Speaker 1: The whole internet was like, Noah, I gotta let you

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Speaker 1: know he's always tweaking.

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Speaker 2: Nah man, I was chilling. Man, I don't know what's that?

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Speaker 2: What is that about?

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Speaker 1: No? I was generally asking, I don't relate to it,

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Speaker 1: you know.

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Speaker 2: I don't know. I don't I don't know a lot

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Speaker 2: of shit that's going on.

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Speaker 1: Well, I mean, if somebody was tweaking, you gotta and

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Speaker 1: I want to say nah before just so they know

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Speaker 1: it's a negative, yeah, like yo, nah. I feel like

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Speaker 1: we kind of adopted how Spanish speaking countries like make

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Speaker 1: things negative or positive or male or female or whatever

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Speaker 1: when they talk, because now we just add non front

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Speaker 1: of something to make sure they know it's a negative thing.

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Speaker 2: Yeah, because nah, it leads you into the like like no,

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Speaker 2: so I'm dead and whatever you just said, it's no

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Speaker 2: to that.

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Speaker 1: Start of the sentence, and then they're gonna give you.

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Speaker 2: The year like nah, yeah, you know what I'm saying this,

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Speaker 2: which makes perfect sense to me. Yeah, you know, you

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Speaker 2: know how to break it down, you know what people

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Speaker 2: are talking, you know how to decipher what they're saying.

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Speaker 2: But I don't know what that Nah he tweaking or

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Speaker 2: she tweaking it is.

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Speaker 1: Somebody was tweaking. How was Atlanta? Though?

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Speaker 2: Lanta was great, man chilling most of the time. I

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Speaker 2: was in the studio with Justice and uh, they was

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Speaker 2: finishing up the summer album. She has another?

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Speaker 1: Ah so all that? Oh God, on the way he

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Speaker 1: got me again? What listeners he got me again?

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Speaker 2: How?

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Speaker 1: How so last time, months and months and months ago,

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Speaker 1: you're like, yeah, i'm'a just shoot up to Toronto real quick,

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Speaker 1: see my people, see my family.

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Speaker 2: M M.

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Speaker 1: Then we come to find out you actually went up

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Speaker 1: for the summer show, and today you tell me on Friday, like, yo,

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Speaker 1: I'm gonna go down Atlanta real quick, then see the family,

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Speaker 1: my nephews.

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Speaker 2: No I did that. That was the second half of

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Speaker 2: the weekend.

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Speaker 1: You was chasing summer.

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Speaker 2: No, don't say that.

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Speaker 1: What's that movie about the surfers that go around the

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Speaker 1: world five hundred days of Summer?

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Speaker 2: That's you.

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Speaker 1: You're five hundred days of summer. No. I was whatever's

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Speaker 1: got a studio you can't find her in?

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Speaker 2: No, I didn't even know I hit Justice when I

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Speaker 2: when I got it to Atlanta and that they was

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Speaker 2: in the studio now.

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Speaker 1: But Justice, he live in l A. That's crazy that

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Speaker 1: you would like going.

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Speaker 2: To Atlanta the same defluent and we had not we had.

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Speaker 2: This was yeah, this was not planning. This was literally like,

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Speaker 2: oh ship, I'm in Atlanta, pull up.

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Speaker 1: So you canceled all your plans in Atlanta to go

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Speaker 1: A and R No.

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Speaker 2: No, I still did what I had to do. But

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Speaker 2: then I stopped by the studio and kicked it with

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Speaker 2: Justice and uh Sean Garrett, who's uh who's producing the album?

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Speaker 2: And yeah, man, someone she got she got some ship

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Speaker 2: on the way.

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Speaker 1: Bro heard some great, great things about that album.

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Speaker 2: Yeah she has. I've heard the Ladies will have no

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Speaker 2: shortage of captions anytime soon. Summer is coming back to

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Speaker 2: give the Ladies all of the captions. That they need

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Speaker 2: for that, at least to foresee able. She isn't there, Yeah,

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Speaker 2: but in another room. Okay, not in the room we were.

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Speaker 2: She was writing in another room.

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Speaker 1: You say hello, and it's like you've been a big fan,

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Speaker 1: and no, what's her hive?

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Speaker 2: Said? Hello? What's her hive? I don't know.

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Speaker 1: The summer is the one I'm down.

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Speaker 2: The day walkers, the heat wave, the heat waves or

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Speaker 2: the heat waves.

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Speaker 1: Its summer and she's walking.

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Speaker 2: Yeah, but we're not the heat waves.

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Speaker 1: We can't be the walkers. Oh, that's also offensive. We

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Speaker 1: can be anyone can't be in it.

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Speaker 2: Maybe day walkers, night walkers.

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Speaker 1: That's actually offensive to redheads. By the way, yes, if

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Speaker 1: you've seen the South Park episode, listen, man, we're at

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Speaker 1: the bottom of it. I understand. I understand that redheads

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Speaker 1: are at the bottom of the totem pole of people

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Speaker 1: that have been oppressed. I understand that, fully aware of that.

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Speaker 1: Not trying to compare anyone, but we were oppressed, and

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Speaker 1: by oppressed, I mean bullied at school a lot. And

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Speaker 1: then there was a whole South Park episode that was

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Speaker 1: dedicated to talking about how Gingers did not have any soul.

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Speaker 1: And by the way, it's a hysterical episode. But I

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Speaker 1: believe in there. I think I would be considered a

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Speaker 1: day walker in there because my hair is not as

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Speaker 1: bright red and I can go out in the sun

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Speaker 1: to some of the I can walk in the day. Yes,

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Speaker 1: I have to go Trea a tree like I have

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Speaker 1: to find the shade. But I am a day walker. Yes,

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Speaker 1: and that is that is offensive?

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Speaker 2: Okay, I didn't know.

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Speaker 1: See, and you added the eer to walker, which is

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Speaker 1: even crazier crazy, a little bit better than me.

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Speaker 2: Yeah, yeah, I see what you're saying. See, I don't

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Speaker 2: know what's offensive anymore. Every day I'm learning. There's new

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Speaker 2: offensive things every day, so I'm learning. Give me, I'm

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Speaker 2: not trying to offend you.

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Speaker 1: I mean I actually think we should take everything from

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Speaker 1: your entire career and you should never be able to

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Speaker 1: ride for your family ever again.

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Speaker 2: I think that's where it's headed, honestly, Like you told us,

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Speaker 2: they took assholes away from Yankee Stadium. Now, I can't

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Speaker 2: call you a day walker.

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Speaker 1: I mean, I don't know how your life ever moved

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Speaker 1: for I don't know what's going on anymore. Man.

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Speaker 2: I just I don't mean to be offensive, but yes,

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Speaker 2: some has an amazing, amazing album on the Way. Uh,

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Speaker 2: she has a lot of dope features. I don't know

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Speaker 2: if I can give it, should give any of them away,

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Speaker 2: but she has a lot of dope features. And yeah, man,

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Speaker 2: she's she's, She's on the way.

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Speaker 1: Yeah. I heard a couple of months ago one one

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Speaker 1: record from it and it was I'll even sound like

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Speaker 1: the label. Guy, I don't even talk this way. It's

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Speaker 1: a smash. No, no, no, it's a hit record. It's blazing

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Speaker 1: hip hop and R and B.

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Speaker 2: No, listen to me. They played about and it wasn't sequenced,

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Speaker 2: but Justice played about seven records straight and those seven

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Speaker 2: records were probably some of the best R and B

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Speaker 2: I've heard in the last ten years.

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Speaker 1: Okay easily. Now Justice is amazing at what he does.

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Speaker 1: For those who don't know Justice from LVRN that you know,

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Speaker 1: manages Blacks and Walker Drum amongst a long great roster

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Speaker 1: of artist division. Now, he is really good at his job.

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Speaker 1: But Justice is also extremely confident his artists, which is

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Speaker 1: a good thing. So I can never always take his

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Speaker 1: word for it when he tells it's literally greatest the

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Speaker 1: last few years.

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Speaker 2: Like, all right, I.

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Speaker 1: Know you love your artists and you're confident you're amazing

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Speaker 1: at making albums.

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Speaker 2: But he wasn't lying about this though. This definitely I

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Speaker 2: told I told them this is probably I heard about

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Speaker 2: ten of the records, and if they said I didn't

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Speaker 2: hear about six, it was about six more that I

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Speaker 2: didn't hear. But just those ten. This is definitely one

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Speaker 2: of the best ARMB albums in the last ten years.

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Speaker 1: That's amazing to hear because Ari has an amazing album

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Speaker 1: coming soon as well. I love that R and B,

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Speaker 1: like actual real R and B is in a good place.

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Speaker 2: Yeah, so should.

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Speaker 1: Drake and Kanye while they're playing fucking Pity Pat and

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Speaker 1: you know, hopscotch with each other. Should they be scared

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Speaker 1: of summer and not each other?

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Speaker 2: Yeah? Man, I think I think that once people hear

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Speaker 2: this summer music and they hear the album, it's everybody's

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Speaker 2: gonna play this album.

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Speaker 1: I could make a case in some degree that captions

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Speaker 1: control album sales absolutely, and that's why Drake sells so much.

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Speaker 2: Yeah. Yeah, but some of the I'm telling you this album,

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Speaker 2: the ladies are going to be They won't have any

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Speaker 2: shortage of captions anytime. So okay, this is this is

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Speaker 2: the album that's gonna send them into twenty twenty three

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Speaker 2: with captions. Trust me, the whole of next year is

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Speaker 2: no captions.

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Speaker 1: I don't want to ask too many questions because I

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Speaker 1: don't want. Of course, let's respect Summer and when she wants,

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Speaker 1: these types of things come out. But the vibe of it,

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Speaker 1: are the women around me going to hate me more?

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Speaker 1: Or they're going to be in love more?

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Speaker 2: She's she's being very honest this album. You know, we

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Speaker 2: watched her. The unique thing about Summer is we actually

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Speaker 2: watched her grow and go through her relationship, and you

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Speaker 2: know she's we see it. She follow her on social

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Speaker 2: media on either Smer Walker account or her Galacto or account.

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Speaker 2: It's like it's documented, So the content is very honest.

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Speaker 2: It's a very interesting perspective she's speaking from because it's

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Speaker 2: not like a she's not bitter or her it sounds

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Speaker 2: more like disappointed. That's worse, you know what I mean? Like,

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Speaker 2: it's not she's not talking, it's not a bitter thing.

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Speaker 2: It's not she's disappointed and you know she she expected more.

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Speaker 1: Is it like when your girl will scream at you,

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Speaker 1: curse you out, go nuts, burn your ship, everything, and

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Speaker 1: you're like all right, there's still hope, she's still clearly

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Speaker 1: in this, and then it moves to the she's like mad,

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Speaker 1: calm yeah, and like no, no, you're right, it's cool.

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Speaker 2: Yeah, it's over.

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Speaker 1: Yeah, like the last that's the heartbreaking part when you know.

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Speaker 2: Even the outro on the album, the last record, it's

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Speaker 2: a record where it's like, you know, it sums up

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Speaker 2: everything that she just gave you, and then you're gonna

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Speaker 2: assume that, oh, she's done, like it's she's completely over

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Speaker 2: for him, and but it's like, in a very artistic,

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Speaker 2: creative way, she leaves you with the room to think like, oh,

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Speaker 2: she's letting him know, like listen, you're playing yourself and

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Speaker 2: I don't want you to do that because I care

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Speaker 2: about you and I love you that much. So get

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Speaker 2: your shit together and you know, let's let's let's finish,

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Speaker 2: let's do this.

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Speaker 1: Hate when women are really good at like male psychology

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Speaker 1: manipulation tactics. Yeah, yeah, I hate when they figure our

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Speaker 1: out and then start using it against Oh man, it's

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Speaker 1: it's cool, it's cool. No, get yourself together. I want

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Speaker 1: better for you.

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Speaker 2: I want better for you.

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Speaker 1: Disappointed, I'm punching a hole in the water like a

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Speaker 1: woman telling you she's disappointed in you. It's like you

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Speaker 1: start to analyze yourself like, wait, I don't want to

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Speaker 1: be a disappointment.

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Speaker 2: And then you know, but that piece then a disappointment.

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Speaker 1: The manipulation really kicks in because then it's like she's like,

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Speaker 1: not really just thought more highly of you, Like, yeah,

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Speaker 1: I think I expected more than what you expected yourself

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Speaker 1: exactly when I thought you had more integrity.

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Speaker 2: Yeah, I thought that's what you like. Yeah, like actually

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Speaker 2: those type of women, And it's like, damn, am I

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Speaker 2: into those type of women?

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Speaker 1: I thought I was with a real man. Yeah, I

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Speaker 1: thought I had a real one. But throwing ship around

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Speaker 1: crip at that point. No, that's that's exactly what this

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Speaker 1: album run around, Like Pinocchio.

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Speaker 2: I'm a real boy.

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Speaker 1: I'm a real boy. I'm a boy. You're wrong, You're wrong.

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Speaker 2: Don't ever talk to me in that octave again?

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Speaker 1: Is that in that Pinocchio sound?

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Speaker 2: You can't how Pinocchio self? Just don't ever speak to me.

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Speaker 1: And that I can't make noise at concerts. I can't impersonatechi.

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Speaker 1: What can I do here? No?

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Speaker 2: Just be ry, you can do nothing here? Just talking

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Speaker 2: to strong Irish accent. Please before you do that shit again.

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Speaker 2: But yeah, man, she has a phenomenal album.

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Speaker 1: On the way. And I'm not talking about London or

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Speaker 1: Summer at all. This is this is off them. I

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Speaker 1: want to make that very very clear. I feel really

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Speaker 1: bad for significant others or ex significant others of artists

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Speaker 1: that are really good at writing and really good at

246
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Speaker 1: delivering what they write. Because even I agree, if you

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Speaker 1: write something and it sounds amazing and it's amazing song

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Speaker 1: that's set in stone, she's right, She's correct. I don't

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Speaker 1: care what the truth is, right, right, And then you

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Speaker 1: can't respond because you're not an artist. So now you

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Speaker 1: got to walk around like telling people like yo, yo,

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Speaker 1: I'm telling you that was full of shit. That's not

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Speaker 1: how it happened, Like yo, you don't even sound fly saying.

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Speaker 2: A yo live man. But she got the pretty in

255
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Speaker 2: the harmonies, like you did that shite. There's no coming

256
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Speaker 2: back from that. But yeah, she It's gonna be a

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Speaker 2: lot of people looking at uh London some type of

258
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Speaker 2: way after this. She's she's not holding anything back. I

259
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Speaker 2: mean it's not, but it's you know, it is.

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Speaker 1: What it is, and we shouldn't. She's making music. How

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Speaker 1: do we know that she's not just drawing inspiration for

262
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Speaker 1: something and making an actual song.

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Speaker 2: We don't know that exactly, so that's to be determined

264
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Speaker 2: by the listener. But I do think that everyone will

265
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Speaker 2: be completely satisfied with this project. Again, I think it's

266
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Speaker 2: one of the some of the best R and B

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Speaker 2: I've heard, definitely in the last ten years. They have

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Speaker 2: the right people working with her, the right feature that

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Speaker 2: all of the features makes sense. And again it's just

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Speaker 2: just the music, the production, and it's you know, the content,

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Speaker 2: the lyrics, every it's just a it's an amazing project.

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Speaker 2: I think that everybody's gonna be really, really happy with

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Speaker 2: this album.

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Speaker 1: Do you prefer when you listen to a song that

275
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Speaker 1: you know who they're talking about or none at all?

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Speaker 2: I don't. I don't particularly care if I know who

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Speaker 2: they're talking about, but it just it adds a little

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Speaker 2: more to it when you do know who it's talking about. Yeah,

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Speaker 2: it's like, oh, okay, you start to paint thing point,

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Speaker 2: you know, pint things together and paint the picture like, oh,

281
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Speaker 2: this is when that happened, and this is oh, this

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Speaker 2: is what they were talking about and this was the

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Speaker 2: moment that that happened, Like, so, yeah, I don't really

284
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Speaker 2: care to know, you know, I just if it's relatable content.

285
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Speaker 2: I think that's what matters the most. It doesn't have

286
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Speaker 2: to I don't have to know who it's about as

287
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Speaker 2: long as I can relate and it's something that I,

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Speaker 2: you know, connect to.

289
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Speaker 1: Because sometimes I feel like, well, not with like the

290
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Speaker 1: really good writers, but I feel like sometimes that kind

291
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Speaker 1: of puts a timestamp or like a moment in time,

292
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Speaker 1: if you will, of that record, because it's the moment

293
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Speaker 1: that we know they broke up or was going through

294
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Speaker 1: some shit, Like what's the party record that I love?

295
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Speaker 1: Savage Anthem? What's it called Savage Anthem?

296
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Speaker 2: The Party next Door? Yeah?

297
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Speaker 1: I love that record. That shit is fire. But it

298
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Speaker 1: is kind of like a if I go back and

299
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Speaker 1: listen to it now, I'm like, all right, he's talking

300
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Speaker 1: about kay Lonney. I don't care about that no.

301
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Speaker 2: More because he's talking about kay Lonne.

302
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Speaker 1: Yeah, Like I don't know. I feel like when you

303
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Speaker 1: don't know what it is or it's not like, oh

304
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Speaker 1: my god, this is a response to the X from

305
00:13:02,040 --> 00:13:04,880
Speaker 1: a month ago, it just becomes more about the music

306
00:13:04,960 --> 00:13:07,480
Speaker 1: and what they're saying. Can become more relatable in some

307
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Speaker 1: degree because anyone could be saying it right instead of like,

308
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Speaker 1: this is just directly at my ex.

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Speaker 2: We all know it.

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Speaker 1: I'm gonna say some salacious things about it. And even

311
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Speaker 1: though I was the one that came on here and

312
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Speaker 1: said it was the greatest record of that year, but

313
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Speaker 1: I'm a prisoner of the moment sometimes.

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Speaker 2: Yeah, so, oh yeah, this was crazy.

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Speaker 1: Great record that he is for fucking crazy great record.

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Speaker 2: It's fire great record.

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Speaker 1: I think Kaylanie, and I'm gonna speak for her, I apologize.

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Speaker 1: I think she was so far over this relationship that

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Speaker 1: she read this back and listened to it and went,

320
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Speaker 1: that's fire.

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Speaker 2: Yeah, why wouldn't she Like, again, you can go through

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Speaker 2: something with somebody and you know, if they're an artist

323
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Speaker 2: and they used that as inspiration to create, you know,

324
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Speaker 2: just hopefully y'all are both in a different, you know,

325
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Speaker 2: space with each other and respectful space with each other

326
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Speaker 2: where it's like, you know, you hear what their films

327
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Speaker 2: are and they put their films out to the world,

328
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Speaker 2: it's like, yeah, we went through that, and I think

329
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Speaker 2: she I think she talked about that when this came out.

330
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Speaker 2: She came I said it like, yo, we it was true.

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Speaker 2: We spoke about that, we're past that, We're good. This

332
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Speaker 2: that the third so yeah, I mean I just can't

333
00:14:07,000 --> 00:14:10,280
Speaker 2: believe it. Breeze the room. Yeah that was kind of wild.

334
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Speaker 1: Right, that's a serial killer trying to get caught. Yeah,

335
00:14:13,280 --> 00:14:15,839
Speaker 1: it's like yo, yeah, like it is, put me away.

336
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Speaker 2: Deal with it.

337
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Speaker 1: I'm tired of killing.

338
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Speaker 2: Deal with it. Deal with it.

339
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Speaker 1: Whatever, division and tie album, I'm sorry. Mixtape they called

340
00:14:23,360 --> 00:14:25,320
Speaker 1: a mixtape, so I called it a mix even though

341
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Speaker 1: it's available on streaming for model notation man and it's

342
00:14:29,760 --> 00:14:31,600
Speaker 1: it sounds as good as an album can sound.

343
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Speaker 2: The rules have completely changed. Whatever an artist wants to

344
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Speaker 2: call their their work, we just have to go with it, Like, okay,

345
00:14:37,160 --> 00:14:38,720
Speaker 2: if it's a mixtapes a mixtape.

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Speaker 1: All right, you know what, I'm gonna shoot artists and

347
00:14:40,360 --> 00:14:45,280
Speaker 1: veil and obviously we have to adapt certain names and

348
00:14:45,360 --> 00:14:47,960
Speaker 1: phrases to the times that were in Of course, a

349
00:14:48,000 --> 00:14:51,520
Speaker 1: mixtape used to be the artist didn't really profit off

350
00:14:51,520 --> 00:14:53,600
Speaker 1: of it. You didn't have to clear anything. Typically just

351
00:14:53,600 --> 00:14:57,080
Speaker 1: the DJ profited off it. Now I think we could

352
00:14:57,120 --> 00:15:00,680
Speaker 1: classify mixtapes based on how much the budget was. And

353
00:15:00,720 --> 00:15:02,000
Speaker 1: I'm not saying I have a number in my head

354
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Speaker 1: of what it is. But I feel like it's a

355
00:15:04,080 --> 00:15:06,920
Speaker 1: mixtape if I really put together some work and we

356
00:15:06,960 --> 00:15:09,360
Speaker 1: really don't have much money to promote it at all,

357
00:15:09,680 --> 00:15:14,000
Speaker 1: or are focused on making this like our number one

358
00:15:14,480 --> 00:15:16,920
Speaker 1: thing that we're gonna put all our dollars behind. And again,

359
00:15:17,800 --> 00:15:20,760
Speaker 1: everyone knows that we're cool with Daniel. Daniel is not

360
00:15:20,760 --> 00:15:23,520
Speaker 1: saying thing to me about how much they put in

361
00:15:23,680 --> 00:15:25,640
Speaker 1: or if they cared how much money they put in.

362
00:15:26,360 --> 00:15:28,120
Speaker 1: But the conversation I did add is like, nah, we

363
00:15:28,200 --> 00:15:29,880
Speaker 1: was talking with Toyy, we want to put some dope

364
00:15:29,880 --> 00:15:33,120
Speaker 1: shit out together. Like it wasn't an overthought. Yeah, let's

365
00:15:33,120 --> 00:15:35,240
Speaker 1: get the whole roll out together. Put this much money

366
00:15:35,240 --> 00:15:38,760
Speaker 1: behind marketing as much behind a certain record. But if

367
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Speaker 1: this is a mixtape, this is a fucking crazy mixtape.

368
00:15:43,240 --> 00:15:46,080
Speaker 2: This project was really really dope. Listen to it on

369
00:15:46,120 --> 00:15:49,320
Speaker 2: the flight down in Atlanta. Really good music, man, I mean,

370
00:15:49,360 --> 00:15:53,680
Speaker 2: but you know, I mean, you got division and Todd dollars.

371
00:15:53,880 --> 00:15:56,400
Speaker 2: It's what did you expect? And yeah, you got good

372
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Speaker 2: music has to come out of that session.

373
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Speaker 1: Eighty five, Jermaine Duprie gets. Once you go down that

374
00:16:01,920 --> 00:16:04,160
Speaker 1: rabbit hole, it's hard to miss, But I was happy

375
00:16:04,200 --> 00:16:08,360
Speaker 1: that Division put Tie in the type of R and

376
00:16:08,480 --> 00:16:10,360
Speaker 1: B bag that I like Tye in, Like when we

377
00:16:10,440 --> 00:16:12,600
Speaker 1: used to talk about the feature in Ti Dollar signs

378
00:16:12,600 --> 00:16:16,520
Speaker 1: Shit and he was back more in that hit record,

379
00:16:16,920 --> 00:16:19,880
Speaker 1: poppy type of sound. I don't be personally, just me personally.

380
00:16:19,960 --> 00:16:21,680
Speaker 1: I just liked Tie as a straight R and B

381
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Speaker 1: guy and he went in there. So this is the

382
00:16:24,720 --> 00:16:27,080
Speaker 1: type of Ti Dollar, especially in twenty twenty one, that

383
00:16:27,360 --> 00:16:28,000
Speaker 1: I want to hear from.

384
00:16:28,080 --> 00:16:31,120
Speaker 2: Yeah, I think everybody kind of wants that Tie Dollar.

385
00:16:31,120 --> 00:16:35,160
Speaker 2: They want the R and B guitars, you know, keys

386
00:16:35,960 --> 00:16:38,720
Speaker 2: Todd Dollar where he's talking that shit. I would love

387
00:16:38,720 --> 00:16:41,520
Speaker 2: another Beach House mixtape. Yeah you know what I mean

388
00:16:41,560 --> 00:16:44,560
Speaker 2: me personally, I would love another Todd Dollar Beach House mixtape.

389
00:16:45,080 --> 00:16:49,040
Speaker 1: And Daniel Daniel kind of kind of tricked us man

390
00:16:49,960 --> 00:16:53,000
Speaker 1: and catfished us. And this is not because I know

391
00:16:53,080 --> 00:16:54,600
Speaker 1: Daniel's not like this in real life. I'm talking about

392
00:16:54,640 --> 00:16:57,520
Speaker 1: his music. When Division first came out, it was like, Yo,

393
00:16:57,640 --> 00:17:00,400
Speaker 1: finally some amazing love R and B, Like like, this

394
00:17:00,440 --> 00:17:02,120
Speaker 1: is the truth, this is the ship we've been missing.

395
00:17:02,400 --> 00:17:05,600
Speaker 1: I love all that this ship and the last one.

396
00:17:05,800 --> 00:17:06,600
Speaker 1: Daniel's toxic.

397
00:17:06,720 --> 00:17:07,240
Speaker 2: You know he is.

398
00:17:07,840 --> 00:17:09,399
Speaker 1: Daniel's like a piece of ship for sure.

399
00:17:09,560 --> 00:17:13,320
Speaker 2: Absolute like you tricked me. And I think that I

400
00:17:13,359 --> 00:17:15,520
Speaker 2: think now that he knows that's out there, it's like

401
00:17:15,560 --> 00:17:16,760
Speaker 2: he can finally be himself.

402
00:17:16,800 --> 00:17:19,239
Speaker 1: Like he seems more relaxed. He's not that I've never

403
00:17:19,240 --> 00:17:21,359
Speaker 1: seen it in person. He's actually and I'm not even joking,

404
00:17:21,480 --> 00:17:24,200
Speaker 1: great guy, he's really Calmont. He just I've never seen

405
00:17:24,240 --> 00:17:27,199
Speaker 1: him do no like no toxic ship for somebody. But

406
00:17:27,240 --> 00:17:28,920
Speaker 1: he get his ship off in the studio. You know,

407
00:17:29,040 --> 00:17:31,359
Speaker 1: those those First Division records and that first project.

408
00:17:31,400 --> 00:17:32,640
Speaker 2: Yeah, we thought it was headed another way.

409
00:17:32,720 --> 00:17:35,000
Speaker 1: It's like, oh, this is some real, some real love.

410
00:17:35,040 --> 00:17:37,679
Speaker 1: I'm a cry I'm a cry for her type of love. No,

411
00:17:38,200 --> 00:17:39,600
Speaker 1: you're you're a piece of ship.

412
00:17:40,440 --> 00:17:42,720
Speaker 2: Listen, man, just give Tom Tom. That's all you got

413
00:17:42,840 --> 00:17:44,440
Speaker 2: to do is give Tom Tom sometime.

414
00:17:44,280 --> 00:17:46,520
Speaker 1: Or he was so he was even more toxic than that.

415
00:17:46,680 --> 00:17:49,399
Speaker 1: All that pretending to love you shit was really the toxicity.

416
00:17:49,440 --> 00:17:51,040
Speaker 1: This is the honest guy. Yeah, he got this is

417
00:17:51,040 --> 00:17:52,600
Speaker 1: what we needed. Yeah, he got out of that.

418
00:17:52,680 --> 00:17:54,800
Speaker 2: He was in that moment and now he's like no,

419
00:17:54,920 --> 00:17:57,639
Speaker 2: like you know, like I'm really with the ship. And

420
00:17:57,880 --> 00:17:59,639
Speaker 2: but I mean it makes for great music. So I

421
00:17:59,640 --> 00:18:02,480
Speaker 2: don't listen. Man, I'll take it. It's a great, great mixtape.

422
00:18:02,760 --> 00:18:04,359
Speaker 2: If you haven't heard it, I mean, I don't know

423
00:18:04,400 --> 00:18:06,600
Speaker 2: what you're listening to. But the word this Division and

424
00:18:06,680 --> 00:18:08,120
Speaker 2: Toid Dollar mixtape was really dope.

425
00:18:08,440 --> 00:18:11,240
Speaker 1: That's what I was on repeat all weekend. Clio Soul,

426
00:18:11,480 --> 00:18:14,199
Speaker 1: I have not I feel terrible coming in here saying this,

427
00:18:14,280 --> 00:18:16,639
Speaker 1: but I have to be truthful. I've heard nothing but

428
00:18:16,680 --> 00:18:18,360
Speaker 1: great things about it. I haven't listened to it yet,

429
00:18:18,560 --> 00:18:22,080
Speaker 1: but everyone says it's amazing. It's because I couldn't get

430
00:18:22,080 --> 00:18:24,440
Speaker 1: past the tie in Division record, but this week I

431
00:18:24,480 --> 00:18:25,840
Speaker 1: will listen to it. But I didn't want to shout

432
00:18:25,840 --> 00:18:27,760
Speaker 1: it out because everyone's been saying amazing things about it.

433
00:18:27,840 --> 00:18:28,840
Speaker 1: I love her as an artist.

434
00:18:29,240 --> 00:18:31,920
Speaker 2: I've still have been listening to Tinks album. Yeah, I

435
00:18:31,920 --> 00:18:33,680
Speaker 2: gotta go back. Tink has a really good album, man,

436
00:18:33,920 --> 00:18:36,520
Speaker 2: really really good album. I always like Tink. I've always

437
00:18:36,520 --> 00:18:37,240
Speaker 2: been a fan of Tink.

438
00:18:37,760 --> 00:18:41,440
Speaker 1: Yeah, I mean, I guess what That breakfast club freestyle

439
00:18:41,480 --> 00:18:43,840
Speaker 1: she did however many years ago, was kind of how

440
00:18:43,840 --> 00:18:47,520
Speaker 1: she popped in from there. Yeah, she's always made solid music.

441
00:18:47,520 --> 00:18:49,159
Speaker 1: I know she was going through certain things with the

442
00:18:49,160 --> 00:18:51,200
Speaker 1: Timberland stuff. It became kind of difficult for her to

443
00:18:51,200 --> 00:18:55,240
Speaker 1: put music out, which can be frustrating and really hinder progress.

444
00:18:55,280 --> 00:18:59,199
Speaker 2: But everything she puts out it sounds great. Yeah. No,

445
00:18:59,280 --> 00:19:01,439
Speaker 2: they did a great job. She got with Berg. I

446
00:19:01,440 --> 00:19:03,640
Speaker 2: think he produced most of it, if not all of it.

447
00:19:05,440 --> 00:19:07,879
Speaker 2: But yeah, man, great great project. I was. I was

448
00:19:07,920 --> 00:19:09,639
Speaker 2: really happy with the Tink project. Good to see her

449
00:19:09,680 --> 00:19:14,080
Speaker 2: back putting out music sounding good. The record with her

450
00:19:14,119 --> 00:19:17,280
Speaker 2: and Kodak Black is crazy. That's my ship right now.

451
00:19:17,600 --> 00:19:18,320
Speaker 2: I'm listening to.

452
00:19:18,280 --> 00:19:20,639
Speaker 1: That a lot, and I'm not being this comes off

453
00:19:20,680 --> 00:19:22,800
Speaker 1: ignorant apoljects. He had a jail with what's the situation?

454
00:19:22,880 --> 00:19:25,800
Speaker 1: I heard paying attention on No he's I hope he's

455
00:19:25,840 --> 00:19:28,240
Speaker 1: still free. Okay, I pardoned him, I haven't.

456
00:19:28,359 --> 00:19:30,040
Speaker 2: I hope he didn't do nothing crazy to get locked

457
00:19:30,119 --> 00:19:30,400
Speaker 2: up again.

458
00:19:30,440 --> 00:19:32,200
Speaker 1: But you know, I didn't know if that was true

459
00:19:32,320 --> 00:19:35,480
Speaker 1: or that was just part of that Trump pardon No ship.

460
00:19:35,520 --> 00:19:37,560
Speaker 1: I saw everyone on Earth was pardoned that day and

461
00:19:37,560 --> 00:19:38,440
Speaker 1: they're all still in jail.

462
00:19:38,560 --> 00:19:40,720
Speaker 2: No, no, No, Kodak is home. He's home, Okay, Yeah,

463
00:19:40,720 --> 00:19:41,439
Speaker 2: he's home, all right.

464
00:19:42,440 --> 00:19:45,160
Speaker 1: I don't have to go back to the Tink album, now,

465
00:19:45,200 --> 00:19:49,119
Speaker 1: do we? Want to talk about Drake and yea still

466
00:19:51,480 --> 00:19:53,840
Speaker 1: still still you have to still doing the double Dutch, Yeah,

467
00:19:53,840 --> 00:19:56,560
Speaker 1: we have to. Man, It's it's getting it's getting interesting.

468
00:19:57,000 --> 00:19:59,440
Speaker 1: I'm hearing things that I won't talk about, but I'm

469
00:19:59,480 --> 00:20:00,000
Speaker 1: hearing things.

470
00:20:00,200 --> 00:20:02,919
Speaker 2: Man. It's just like it's just I don't know what

471
00:20:02,960 --> 00:20:06,320
Speaker 2: the fuck is going on, but you know, uh, I'm

472
00:20:06,359 --> 00:20:09,120
Speaker 2: just I'm just hoping, hoping that great albums and great

473
00:20:09,200 --> 00:20:11,520
Speaker 2: music are on the way. But it's it's getting a

474
00:20:11,520 --> 00:20:13,720
Speaker 2: little it's getting spicy, man.

475
00:20:14,160 --> 00:20:21,400
Speaker 1: I think everything changed this week. All portrayal record cool. Yeah,

476
00:20:21,440 --> 00:20:26,640
Speaker 1: he does nothing from me, the address thing, the posting screenshots,

477
00:20:26,640 --> 00:20:28,760
Speaker 1: a group that means absolutely nothing to me, and how

478
00:20:28,800 --> 00:20:30,760
Speaker 1: this has changed this is this has been their back

479
00:20:30,800 --> 00:20:33,760
Speaker 1: and forth game forever. I don't really have an opinion

480
00:20:33,760 --> 00:20:35,080
Speaker 1: on it. I don't care. If y'a want to continue

481
00:20:35,080 --> 00:20:37,639
Speaker 1: to do it, that's your prerogative. I also have the

482
00:20:37,720 --> 00:20:42,440
Speaker 1: ability not to care about it, right, I'll just wait

483
00:20:42,440 --> 00:20:45,400
Speaker 1: for an albums whatever you guys are, like, whatever y'all doing,

484
00:20:45,480 --> 00:20:49,040
Speaker 1: just I don't care. When it's on the DSPs, everything changed,

485
00:20:49,400 --> 00:20:52,520
Speaker 1: New Face Card came into the deck. Yeah, Kendrick, this

486
00:20:52,760 --> 00:20:54,280
Speaker 1: just changed everything.

487
00:20:54,320 --> 00:20:56,560
Speaker 2: But I don't think. See, I don't think that it

488
00:20:56,760 --> 00:21:02,800
Speaker 2: changed anything, because again, if let's just saying that whatever,

489
00:21:03,040 --> 00:21:07,000
Speaker 2: let's say Drake, Kenyick, Kendrick and Kanye dropped the same day,

490
00:21:08,200 --> 00:21:11,360
Speaker 2: that'd be crazy. It's like, it doesn't. I don't think

491
00:21:11,400 --> 00:21:14,160
Speaker 2: any of them are affected in a negative way by that.

492
00:21:16,000 --> 00:21:19,280
Speaker 1: Uh it puts it makes that be ival.

493
00:21:19,560 --> 00:21:21,280
Speaker 2: One of them won't have the number one album that week.

494
00:21:21,359 --> 00:21:22,200
Speaker 1: Wow, two of them won't.

495
00:21:22,480 --> 00:21:24,040
Speaker 2: Two of them won't. Yeah, So it's like, I mean,

496
00:21:24,200 --> 00:21:24,800
Speaker 2: but who can.

497
00:21:24,960 --> 00:21:29,320
Speaker 1: That that drastically changes? Like album sales, we kind of

498
00:21:30,160 --> 00:21:32,640
Speaker 1: we forget about relatively quickly. Week of we care.

499
00:21:32,800 --> 00:21:33,800
Speaker 2: We don't give a fuck about it.

500
00:21:33,840 --> 00:21:37,159
Speaker 1: I honestly would. I'd have to really research the years

501
00:21:37,160 --> 00:21:39,800
Speaker 1: that Drake and Kendrick both dropped albums at the same

502
00:21:39,840 --> 00:21:41,560
Speaker 1: time of who sold more than who. I would really

503
00:21:41,600 --> 00:21:43,720
Speaker 1: have to look it up. I wouldn't. It wouldn't see

504
00:21:43,720 --> 00:21:47,000
Speaker 1: in my head at all. I also don't remember what

505
00:21:47,040 --> 00:21:49,560
Speaker 1: the album sales were when fifty and Ya went up

506
00:21:49,560 --> 00:21:52,840
Speaker 1: against each other. But I do remember who won, right, Yeah,

507
00:21:52,960 --> 00:21:55,000
Speaker 1: I do remember who won. I get it with this

508
00:21:55,400 --> 00:21:58,600
Speaker 1: Goast album to three people. Well, I love Curtis, but

509
00:21:58,680 --> 00:22:03,640
Speaker 1: graduation was obviously the better album. But with this, yeah,

510
00:22:03,640 --> 00:22:05,280
Speaker 1: it's gonna be in our face. Fuck with the numbers

511
00:22:05,320 --> 00:22:08,639
Speaker 1: of the sales are. It's like the election with Biden

512
00:22:08,680 --> 00:22:11,520
Speaker 1: and Trump. It was the most anyone that ever voted

513
00:22:11,520 --> 00:22:15,000
Speaker 1: in history. Trump was the second most votes in the

514
00:22:15,040 --> 00:22:18,240
Speaker 1: country's history, and he lost. That's not gonna matter who won.

515
00:22:18,920 --> 00:22:21,200
Speaker 1: And these are three people that have been number one

516
00:22:21,240 --> 00:22:24,119
Speaker 1: their entire careers, and you put the three of them together,

517
00:22:24,720 --> 00:22:26,119
Speaker 1: someone's gonna come in third place.

518
00:22:27,320 --> 00:22:30,240
Speaker 2: But this again, they're not gonna do that. They're just

519
00:22:30,280 --> 00:22:32,520
Speaker 2: not Yeah, but it's again their.

520
00:22:32,400 --> 00:22:34,080
Speaker 1: Management should advise against them doing it.

521
00:22:34,560 --> 00:22:36,560
Speaker 2: No, I get it, and I know that they're trying

522
00:22:36,640 --> 00:22:40,240
Speaker 2: not to. But what I'm saying is it doesn't matter

523
00:22:40,359 --> 00:22:43,480
Speaker 2: to me as a consumer, because or to most consumers,

524
00:22:43,480 --> 00:22:46,320
Speaker 2: because we're gonna listen to it, no matter when it drops,

525
00:22:46,320 --> 00:22:49,080
Speaker 2: We're gonna stream it, we're gonna download it, whatever. And

526
00:22:49,119 --> 00:22:52,560
Speaker 2: it's all about who has the better product. Yeah, Now,

527
00:22:52,560 --> 00:22:55,760
Speaker 2: who has the better product the release week, who has

528
00:22:55,800 --> 00:22:58,560
Speaker 2: the better product period that on this album? Who had

529
00:22:58,560 --> 00:22:59,320
Speaker 2: the better album?

530
00:22:59,560 --> 00:23:02,359
Speaker 1: I think that it sounds good to the type of

531
00:23:02,400 --> 00:23:04,640
Speaker 1: fan base that you and I are, But with these

532
00:23:04,680 --> 00:23:08,440
Speaker 1: three gentlemen, I actually, I don't really think Kendrick particularly cares.

533
00:23:08,480 --> 00:23:12,720
Speaker 1: But with how big their audiences are and the things

534
00:23:12,760 --> 00:23:16,800
Speaker 1: people focus on, now that means a lot as far

535
00:23:16,920 --> 00:23:21,159
Speaker 1: as your perception as an artist, the fans that wouldn't

536
00:23:21,200 --> 00:23:23,480
Speaker 1: rush to the album, which ends up being a lot.

537
00:23:23,520 --> 00:23:27,040
Speaker 1: When you're this type of artist, it matters these days.

538
00:23:27,040 --> 00:23:29,040
Speaker 1: That's all the headlines are going to be. It's not

539
00:23:29,040 --> 00:23:30,520
Speaker 1: going to be about the music, so you have to

540
00:23:30,520 --> 00:23:32,359
Speaker 1: focus on it. It sucks that they have to focus

541
00:23:32,400 --> 00:23:35,000
Speaker 1: on it. I think it sucks. I don't care. But

542
00:23:36,440 --> 00:23:40,080
Speaker 1: as businessmen, because all three of these these guys are businessmen, absolutely,

543
00:23:40,119 --> 00:23:43,520
Speaker 1: they have to focus on what matters perception wise, and

544
00:23:43,560 --> 00:23:45,359
Speaker 1: that's all the headlines are going to be. It's not

545
00:23:45,560 --> 00:23:48,359
Speaker 1: there's gonna be no headline that says the third track

546
00:23:48,400 --> 00:23:50,600
Speaker 1: on Drake's records good, The fifth one on Kendrick is good. No,

547
00:23:50,640 --> 00:23:52,719
Speaker 1: it's gonna say, yo, this one got number one, this

548
00:23:52,760 --> 00:23:54,879
Speaker 1: one got number two, this one got number three.

549
00:23:55,080 --> 00:23:57,439
Speaker 2: Well, I mean, if we're being honest, in which I

550
00:23:57,440 --> 00:23:59,920
Speaker 2: think we are, I mean, you know, people can call

551
00:24:00,080 --> 00:24:05,359
Speaker 2: us whatever they want, day walkers. Yeah, Drake is going

552
00:24:05,400 --> 00:24:07,880
Speaker 2: to this is this is this is nothing but an

553
00:24:07,920 --> 00:24:13,000
Speaker 2: ego flex to Drake, because if Drake doesn't have any

554
00:24:14,359 --> 00:24:16,720
Speaker 2: hints and whispers of him putting out an album, Kanye album

555
00:24:16,760 --> 00:24:19,359
Speaker 2: comes out already. Yep, you understand what I'm saying. Like

556
00:24:19,359 --> 00:24:22,959
Speaker 2: the album is already out, we would have it. And

557
00:24:23,000 --> 00:24:26,920
Speaker 2: this is just showing that, you know Drake, things don't

558
00:24:26,960 --> 00:24:29,800
Speaker 2: move until people know what he's doing and see what

559
00:24:29,840 --> 00:24:32,240
Speaker 2: he's doing and when he's dropping it. So it's like

560
00:24:32,520 --> 00:24:34,560
Speaker 2: he is. He is the most streamed artist.

561
00:24:34,880 --> 00:24:37,480
Speaker 1: I think everyone but Kendrick actually take that back. I'm

562
00:24:37,520 --> 00:24:39,879
Speaker 1: sure Kendrick thinks when it's Drake gonna come, he probably

563
00:24:39,920 --> 00:24:42,560
Speaker 1: doesn't know the entire industry. That's what I'm trying to take.

564
00:24:42,680 --> 00:24:45,000
Speaker 1: I'm saying everybody said Kendrick be the exception.

565
00:24:45,480 --> 00:24:49,080
Speaker 2: But it's like it doesn't matter when he's dropped, He's

566
00:24:49,080 --> 00:24:52,400
Speaker 2: gonna stream more than anybody. You understand what I'm saying.

567
00:24:52,440 --> 00:24:53,080
Speaker 1: I agree with you.

568
00:24:53,119 --> 00:24:54,479
Speaker 2: I get it. I get it why you wouldn't want

569
00:24:54,480 --> 00:24:57,480
Speaker 2: to drop the same day as him, But it's like,

570
00:24:57,520 --> 00:25:00,600
Speaker 2: no matter when you drop, he's still gonna stream more

571
00:25:00,600 --> 00:25:03,080
Speaker 2: than you, and people are gonna have his his songs

572
00:25:03,119 --> 00:25:05,560
Speaker 2: caption more than your songs, and it just is what

573
00:25:05,600 --> 00:25:08,000
Speaker 2: it is. At this point. You The bottom line is

574
00:25:08,040 --> 00:25:10,639
Speaker 2: I think artists, which these artists already do, is this,

575
00:25:10,880 --> 00:25:13,960
Speaker 2: put your best music out, put your best content out,

576
00:25:14,000 --> 00:25:16,119
Speaker 2: and you know, just let the numbers forward. They're gonna fall,

577
00:25:16,160 --> 00:25:17,520
Speaker 2: but nobody's gonna stream morean Drake.

578
00:25:17,800 --> 00:25:20,680
Speaker 1: We know that the positive out of out of this

579
00:25:20,880 --> 00:25:22,520
Speaker 1: circumstance could be and I know you, I know the

580
00:25:22,560 --> 00:25:25,640
Speaker 1: podcast fans hate positivity, but I'm gonna bring some positivity

581
00:25:25,680 --> 00:25:28,120
Speaker 1: into the mix. What I think would be so great

582
00:25:28,160 --> 00:25:30,360
Speaker 1: about the three of them dropping on the same day

583
00:25:30,440 --> 00:25:34,040
Speaker 1: or within the same week, two weeks, three weeks, and

584
00:25:34,160 --> 00:25:37,119
Speaker 1: says something about this general this specific generation. I'm not

585
00:25:37,200 --> 00:25:40,320
Speaker 1: knocking the generation now. I'm just saying this generation, and

586
00:25:40,359 --> 00:25:43,000
Speaker 1: I'm biased because I come from it. All three of

587
00:25:43,000 --> 00:25:45,120
Speaker 1: these albums are gonna sound completely different from each other.

588
00:25:45,160 --> 00:25:45,720
Speaker 2: Absolutely.

589
00:25:46,119 --> 00:25:47,640
Speaker 1: I don't if you could put if you could put

590
00:25:47,640 --> 00:25:51,280
Speaker 1: three of the biggest artists from the generation now, and

591
00:25:51,359 --> 00:25:52,600
Speaker 1: y'all could kill me for this because I'm doing this

592
00:25:52,640 --> 00:25:54,520
Speaker 1: without research, and I could look back and be like, wow,

593
00:25:54,560 --> 00:25:56,640
Speaker 1: is it really dumb thing to say, Rory, I don't

594
00:25:56,680 --> 00:25:59,000
Speaker 1: think you're going to get three artists that would sound

595
00:25:59,080 --> 00:26:01,879
Speaker 1: so drastically different and putting on an album out at

596
00:26:01,880 --> 00:26:02,480
Speaker 1: the same time.

597
00:26:02,400 --> 00:26:04,560
Speaker 2: The same day. Yeah, that's what I'm saying. It's just

598
00:26:04,560 --> 00:26:06,480
Speaker 2: dope to me, Like I don't these are three totally

599
00:26:06,480 --> 00:26:10,000
Speaker 2: different artists. We've heard the Kanye album. Well, what we

600
00:26:10,000 --> 00:26:11,520
Speaker 2: think is going to be on the album? We heard

601
00:26:11,640 --> 00:26:12,320
Speaker 2: that sounds like.

602
00:26:12,320 --> 00:26:13,480
Speaker 1: I think that's it's gonna change.

603
00:26:13,560 --> 00:26:16,520
Speaker 2: Oh, of course it's gonna change. It's changed since the

604
00:26:16,880 --> 00:26:17,280
Speaker 2: last far.

605
00:26:17,359 --> 00:26:19,440
Speaker 1: You heard the Mercedes band, you heard the State farming

606
00:26:19,600 --> 00:26:23,520
Speaker 1: exactly exactly, like his is going to the number one

607
00:26:23,560 --> 00:26:25,280
Speaker 1: insurance company version exactly.

608
00:26:25,359 --> 00:26:27,080
Speaker 2: Man. So that's why I'm just like, you know, it

609
00:26:27,200 --> 00:26:29,280
Speaker 2: is what it is. Like we're going to stream all

610
00:26:29,320 --> 00:26:32,440
Speaker 2: of these projects, but we all know that Drake's album

611
00:26:32,520 --> 00:26:35,160
Speaker 2: is going to stream more than Kendrick and Kanye's album.

612
00:26:35,160 --> 00:26:37,080
Speaker 2: We know that. That's just it just is what it is.

613
00:26:37,119 --> 00:26:40,080
Speaker 1: Well, it looks like it looks like Kendrick is coming

614
00:26:40,119 --> 00:26:40,639
Speaker 1: with a single.

615
00:26:41,800 --> 00:26:42,200
Speaker 2: Mm hmm.

616
00:26:42,320 --> 00:26:44,439
Speaker 1: Because after he posted which which we will get to

617
00:26:45,440 --> 00:26:47,439
Speaker 1: as far as what he posted with TD and all that,

618
00:26:47,480 --> 00:26:49,720
Speaker 1: but I before we get there, I want to finish

619
00:26:49,800 --> 00:26:54,240
Speaker 1: up with the Drake Yame Kendrick trio. He teased a

620
00:26:54,320 --> 00:26:57,080
Speaker 1: single in a video looked like it's featuring Baby King,

621
00:26:57,400 --> 00:27:01,880
Speaker 1: who I love. I haven't seen Drake or Yea even

622
00:27:01,920 --> 00:27:05,320
Speaker 1: allude to a single coming before the album. Now they're

623
00:27:05,359 --> 00:27:08,440
Speaker 1: hearing us on Friday. I think Drake may drop something tomorrow.

624
00:27:09,960 --> 00:27:13,159
Speaker 1: I don't think it's an album. I think something's coming tomorrow.

625
00:27:15,600 --> 00:27:18,200
Speaker 2: I don't know, because Drake has given us so much

626
00:27:18,280 --> 00:27:22,239
Speaker 2: music already, like he's given us Durnk with Dirk that

627
00:27:22,560 --> 00:27:24,639
Speaker 2: we know was long time to be his. You know

628
00:27:25,680 --> 00:27:27,280
Speaker 2: that was that was his next God's plan.

629
00:27:27,640 --> 00:27:30,600
Speaker 1: But do you think anything mattered? Like we're living, not

630
00:27:30,640 --> 00:27:33,520
Speaker 1: to say it's not a post pandemic, but post quarantine

631
00:27:33,520 --> 00:27:35,800
Speaker 1: the way we were. I don't think anything matters now

632
00:27:36,359 --> 00:27:39,119
Speaker 1: as long as what anything that happened during quarantine I

633
00:27:39,160 --> 00:27:41,359
Speaker 1: think means people forgot about it. It's a clean fucking

634
00:27:41,400 --> 00:27:43,280
Speaker 1: slate as of right now. The only thing Drake has

635
00:27:43,320 --> 00:27:45,399
Speaker 1: dropped is his verse on the trippy Red betrayal.

636
00:27:45,440 --> 00:27:48,320
Speaker 2: Shit to me. But they don't. These guys don't need

637
00:27:48,320 --> 00:27:51,359
Speaker 2: a single, of course not. They just put an album out.

638
00:27:51,359 --> 00:27:53,600
Speaker 2: People are gonna stream it. The numbers that'll change.

639
00:27:53,720 --> 00:27:55,640
Speaker 1: That will change the streams though. And now, if you're

640
00:27:55,680 --> 00:28:00,800
Speaker 1: playing on going against two other a list a list

641
00:28:00,840 --> 00:28:03,560
Speaker 1: top of the fucking list artists. You may want to

642
00:28:03,560 --> 00:28:05,000
Speaker 1: get ahead of it and get a fucking single out

643
00:28:05,000 --> 00:28:08,720
Speaker 1: there if you want to get your streaming numbers correct. Again,

644
00:28:08,800 --> 00:28:10,879
Speaker 1: That's what I when Kendrick put out that that video

645
00:28:11,440 --> 00:28:13,600
Speaker 1: of teasing the single with Baby Keem, I was like,

646
00:28:13,640 --> 00:28:17,400
Speaker 1: all right, if Kendrick gets ahead with a single, those

647
00:28:17,400 --> 00:28:18,760
Speaker 1: streaming numbers might look different.

648
00:28:19,600 --> 00:28:22,560
Speaker 2: Listen, man, I get it. But we just know what

649
00:28:22,640 --> 00:28:24,320
Speaker 2: this is. Man. It's no, we don't even have to

650
00:28:24,320 --> 00:28:26,680
Speaker 2: talk about this. We know that Drake is gonna stream

651
00:28:26,720 --> 00:28:27,720
Speaker 2: more than Kendrick and Kanye.

652
00:28:27,800 --> 00:28:30,000
Speaker 1: Kendrick has outsold Drake in years before.

653
00:28:30,680 --> 00:28:33,560
Speaker 2: Again, I'd have to research, but I don't even know

654
00:28:33,560 --> 00:28:36,040
Speaker 2: if that isn't Eve the most streamed artists of all time.

655
00:28:36,040 --> 00:28:38,479
Speaker 1: Of course, because his well, his output of music is

656
00:28:39,000 --> 00:28:40,240
Speaker 1: far greater than Kendrick's.

657
00:28:40,280 --> 00:28:42,800
Speaker 2: Well, yeah, that's what I'm saying. It's just listen, man,

658
00:28:42,840 --> 00:28:44,960
Speaker 2: it doesn't matter. I just like you said, these three

659
00:28:45,000 --> 00:28:47,840
Speaker 2: projects are not gonna sound anything alike. It's gonna be

660
00:28:47,880 --> 00:28:50,080
Speaker 2: great for the consumers, great for the fans that we're

661
00:28:50,080 --> 00:28:52,960
Speaker 2: gonna have music and and shit to pull from and

662
00:28:53,000 --> 00:28:56,040
Speaker 2: listen to for however long. It's just a great time

663
00:28:56,080 --> 00:28:58,560
Speaker 2: for the consumers. Man, Like the games are cool too,

664
00:28:58,680 --> 00:29:01,160
Speaker 2: in a in a weird way, like the Little Chicken

665
00:29:01,200 --> 00:29:04,880
Speaker 2: Mouse games. It's it's it's cool. It brings back that

666
00:29:04,920 --> 00:29:09,000
Speaker 2: feeling of release week and release week mattering and you

667
00:29:09,040 --> 00:29:10,920
Speaker 2: know ship like that. Like I get it, but it's like,

668
00:29:10,960 --> 00:29:13,800
Speaker 2: all right, man, it's the clock is ticking. Somebody got

669
00:29:13,920 --> 00:29:15,880
Speaker 2: to drop autum. Yeah you know what I mean. And

670
00:29:15,920 --> 00:29:17,800
Speaker 2: not Kendrick because he's just pulling up to the party.

671
00:29:17,840 --> 00:29:20,240
Speaker 1: He just well, I don't I don't think he's pulling up.

672
00:29:21,320 --> 00:29:25,280
Speaker 1: I don't even think he's calling his uber until I'm

673
00:29:25,280 --> 00:29:27,680
Speaker 1: coming in the next few days type of ship. Yeah,

674
00:29:28,080 --> 00:29:30,280
Speaker 1: I think so too. I think I don't even know

675
00:29:30,280 --> 00:29:31,840
Speaker 1: if he would really do the rollout thing like that.

676
00:29:31,880 --> 00:29:35,560
Speaker 1: I mean, granted, this is a rollout, but I think

677
00:29:35,560 --> 00:29:36,360
Speaker 1: it would just be quicker.

678
00:29:36,440 --> 00:29:37,400
Speaker 2: It's gonna be fun. Though.

679
00:29:37,760 --> 00:29:42,240
Speaker 1: If my ego would be on a thousand, if I

680
00:29:42,320 --> 00:29:46,520
Speaker 1: outsold Kendrick and Kanye with an album called Certified lover Boy,

681
00:29:47,080 --> 00:29:48,360
Speaker 1: yeah my.

682
00:29:48,320 --> 00:29:55,040
Speaker 2: Ego, My ego would be Yeah, listen, man, you could.

683
00:29:55,560 --> 00:29:58,960
Speaker 1: And of course, you know, Drake's accomplishments are out of

684
00:29:59,000 --> 00:30:02,760
Speaker 1: this world. But if I out tell y'all with Certified

685
00:30:02,800 --> 00:30:04,760
Speaker 1: Lover boy. Yeah, there's nothing in the world you can

686
00:30:04,800 --> 00:30:06,920
Speaker 1: do to me. Zero listen again.

687
00:30:06,960 --> 00:30:08,719
Speaker 2: That's why I'm just as a as a as a

688
00:30:08,720 --> 00:30:10,600
Speaker 2: love of music man and a fan.

689
00:30:10,560 --> 00:30:12,280
Speaker 1: Of Certified Lover.

690
00:30:12,760 --> 00:30:14,840
Speaker 2: I don't know if I don't give my certificate.

691
00:30:14,920 --> 00:30:15,360
Speaker 1: You're a boy.

692
00:30:15,440 --> 00:30:19,320
Speaker 2: Yeah, it's something crazy about a white man calling a

693
00:30:19,360 --> 00:30:19,800
Speaker 2: black man.

694
00:30:19,920 --> 00:30:22,440
Speaker 1: You're right, you're right, something crazy about you. But you

695
00:30:22,560 --> 00:30:25,720
Speaker 1: my god, it was it was a callback to Pinocchio.

696
00:30:25,880 --> 00:30:28,000
Speaker 1: I didn't think that one through. You don't think it through,

697
00:30:29,480 --> 00:30:31,960
Speaker 1: and dude, own Pinocchio. All right, this is bad.

698
00:30:32,840 --> 00:30:33,200
Speaker 2: Take it back.

699
00:30:33,280 --> 00:30:35,400
Speaker 1: Let's take it all back. Listen, everything is offensive. I

700
00:30:35,920 --> 00:30:38,080
Speaker 1: apologize if they did not think that one through.

701
00:30:38,200 --> 00:30:39,160
Speaker 2: Everything is offensive.

702
00:30:39,240 --> 00:30:41,160
Speaker 1: I take it back, apologize.

703
00:30:41,160 --> 00:30:43,640
Speaker 2: It's all right, man, it's okay. Well you are a

704
00:30:43,680 --> 00:30:45,960
Speaker 2: great man, Thank you, Thank you man. I appreciate that.

705
00:30:46,000 --> 00:30:48,560
Speaker 2: But yeah, man, I'm just as a as a consumer.

706
00:30:48,600 --> 00:30:51,360
Speaker 2: I'm just I just want some music. That's it from

707
00:30:51,400 --> 00:30:54,240
Speaker 2: some of my favorite artists, like, yeah, the games are cool,

708
00:30:54,280 --> 00:30:58,680
Speaker 2: but just give me the music. Belly, see you next Wednesday.

709
00:30:58,720 --> 00:31:02,120
Speaker 1: Out today out phenomenal fucking album.

710
00:31:02,160 --> 00:31:04,800
Speaker 2: Happy Happy for my guys, finally out you know, he

711
00:31:04,880 --> 00:31:06,720
Speaker 2: went through a lot, a lot of ups and downs

712
00:31:06,720 --> 00:31:10,120
Speaker 2: personally in his life. Happy to happy to see that

713
00:31:10,200 --> 00:31:12,200
Speaker 2: he pushed through and got the project done. We know

714
00:31:12,240 --> 00:31:15,280
Speaker 2: how much goes into recording and marketing and all of

715
00:31:15,280 --> 00:31:17,760
Speaker 2: that ship, especially when you don't like going outside and

716
00:31:17,800 --> 00:31:19,320
Speaker 2: talking to people like you know, how much of a

717
00:31:19,960 --> 00:31:22,600
Speaker 2: stress a stressful process that could be. So shout out

718
00:31:22,640 --> 00:31:27,080
Speaker 2: to Belly see you next Wednesday available now, go stream that,

719
00:31:27,280 --> 00:31:30,480
Speaker 2: get that download that great music on there, the joint

720
00:31:30,520 --> 00:31:34,760
Speaker 2: with NAS, God for it and NAS in the weekend.

721
00:31:35,360 --> 00:31:39,120
Speaker 2: I like the Requiem record with a NAV. Yeah like

722
00:31:39,160 --> 00:31:41,320
Speaker 2: me too, a lot me too, me too. Uh.

723
00:31:41,480 --> 00:31:44,160
Speaker 1: It was nice to hear NAS and that type of production. Yeah,

724
00:31:44,280 --> 00:31:45,720
Speaker 1: I really liked yeah that that.

725
00:31:46,240 --> 00:31:49,840
Speaker 2: But I think NAS has settled into He's been hearing

726
00:31:49,840 --> 00:31:51,760
Speaker 2: how people say he picks the worst beads and all

727
00:31:51,840 --> 00:31:53,800
Speaker 2: that for years. So now you know, with hit boy

728
00:31:53,920 --> 00:31:56,560
Speaker 2: and you know, jumping on a lot of the more

729
00:31:56,600 --> 00:31:59,880
Speaker 2: current production and the current sound and trying things differently,

730
00:32:00,520 --> 00:32:02,240
Speaker 2: it's been working for him, you know what I mean.

731
00:32:02,240 --> 00:32:06,160
Speaker 2: And his fans, his core fans seems still supported and

732
00:32:06,200 --> 00:32:08,360
Speaker 2: they love seeing his new NAS, hearing his new NAS

733
00:32:08,920 --> 00:32:10,640
Speaker 2: and it's just dope. Wh nas you know, links up

734
00:32:10,680 --> 00:32:13,800
Speaker 2: with other other bar spit is like Belly, you know,

735
00:32:13,960 --> 00:32:16,120
Speaker 2: it's like the music is a little different, but the

736
00:32:16,120 --> 00:32:17,000
Speaker 2: bars are still there.

737
00:32:17,600 --> 00:32:20,240
Speaker 1: Yeah. No, it's good to actually hear, of course, if

738
00:32:20,240 --> 00:32:21,480
Speaker 1: you want to call it the Weekends sound. I know

739
00:32:21,480 --> 00:32:24,520
Speaker 1: they all developed it together, but hearing actual rapping on it, yeah,

740
00:32:24,640 --> 00:32:24,960
Speaker 1: is great.

741
00:32:25,080 --> 00:32:27,800
Speaker 2: Yeah. Yeah, So shout out to Belly. I'm the next

742
00:32:27,800 --> 00:32:28,719
Speaker 2: Wednesday available. Now.

743
00:32:28,760 --> 00:32:30,800
Speaker 1: I'm excited to see what his show looks like. I mean,

744
00:32:31,760 --> 00:32:34,680
Speaker 1: we know he's been super particular with the visuals and

745
00:32:34,720 --> 00:32:37,600
Speaker 1: how everything has looked on this album. Like he let

746
00:32:37,640 --> 00:32:40,520
Speaker 1: himself on fire. Yeah that's not an effect, right, No,

747
00:32:40,640 --> 00:32:42,960
Speaker 1: that was him, Like, no one did that in photoshop, right,

748
00:32:43,000 --> 00:32:45,440
Speaker 1: he let himself on fire for a visual.

749
00:32:45,600 --> 00:32:48,760
Speaker 2: Even the video with him and Benny, we did an

750
00:32:48,840 --> 00:32:54,840
Speaker 2: audio room on Facebook Wednesday night and we spoke about that.

751
00:32:55,400 --> 00:32:58,240
Speaker 2: The video was even like a throwback type of video

752
00:32:58,280 --> 00:33:01,320
Speaker 2: where it was it was almost how we budgets were

753
00:33:01,360 --> 00:33:03,720
Speaker 2: like two and three million dollars for videos. There was

754
00:33:03,720 --> 00:33:05,640
Speaker 2: a lot of technology, a lot of you know, different

755
00:33:05,720 --> 00:33:08,040
Speaker 2: camera work that they used in that video. So you

756
00:33:08,040 --> 00:33:10,040
Speaker 2: could tell, like, you know, he pays attention to the

757
00:33:10,160 --> 00:33:12,440
Speaker 2: art of putting out his music and stuff like that.

758
00:33:12,520 --> 00:33:15,200
Speaker 1: So well, no, I'm I'm excited.

759
00:33:15,520 --> 00:33:15,680
Speaker 2: Uh.

760
00:33:16,040 --> 00:33:18,200
Speaker 1: I went to the listening. It sounds it sounds great

761
00:33:18,720 --> 00:33:22,080
Speaker 1: in the club, sound a great at Little Sister. Okay,

762
00:33:22,680 --> 00:33:25,360
Speaker 1: So yeah, shout out to Belly Congress, Congress on the release.

763
00:33:26,400 --> 00:33:28,440
Speaker 1: I guess before we get out of music, do we

764
00:33:28,480 --> 00:33:32,400
Speaker 1: want to read the Kendrick h I guess letter to

765
00:33:32,440 --> 00:33:35,600
Speaker 1: the fans. You're better at reading out loud to me.

766
00:33:35,880 --> 00:33:38,720
Speaker 2: All right, let's do it. All right, So Kendrick says,

767
00:33:39,040 --> 00:33:43,160
Speaker 2: I spend most of my days with fleeting thoughts, writing, listening,

768
00:33:43,520 --> 00:33:48,160
Speaker 2: and collecting old beach cruisers. Listen, Kendrick, I get it.

769
00:33:48,200 --> 00:33:51,120
Speaker 1: Listen, I'm with it, just to not hear from someone

770
00:33:51,160 --> 00:33:52,520
Speaker 1: for so many years he was.

771
00:33:54,920 --> 00:33:56,040
Speaker 2: Listen man like fu y'all.

772
00:33:56,040 --> 00:33:59,160
Speaker 1: I'm on my beach cruise and on diners, going ride

773
00:33:59,160 --> 00:34:01,480
Speaker 1: to the coffee shop, get my lattel or whatever it

774
00:34:01,520 --> 00:34:03,920
Speaker 1: is I get And what's the guy fiery show dashed

775
00:34:03,960 --> 00:34:06,800
Speaker 1: diners And yeah, Kendrick, that's why I can't get an

776
00:34:06,800 --> 00:34:07,440
Speaker 1: album exactly.

777
00:34:08,160 --> 00:34:10,839
Speaker 2: I gotta live life. You gotta live life. Uh. The

778
00:34:10,880 --> 00:34:14,000
Speaker 2: morning rides keep me on a hill of silence. I

779
00:34:14,040 --> 00:34:16,200
Speaker 2: go months without a phone. That's actually five.

780
00:34:16,280 --> 00:34:17,160
Speaker 1: That's amazing.

781
00:34:17,440 --> 00:34:20,640
Speaker 2: Love, loss and grief have disturbed my comfort zone, but

782
00:34:20,680 --> 00:34:23,040
Speaker 2: the glimmers of God speak from my music and family.

783
00:34:23,360 --> 00:34:25,600
Speaker 2: While the world around me evolves, I reflect on what

784
00:34:25,719 --> 00:34:28,279
Speaker 2: matters the most, the life in which my words will

785
00:34:28,360 --> 00:34:31,840
Speaker 2: land next. As I produce my final TDE album, I

786
00:34:31,880 --> 00:34:33,799
Speaker 2: feel joy to have been a part of such a

787
00:34:33,800 --> 00:34:37,799
Speaker 2: cultural imprint after seventeen years. The struggles, the success, and

788
00:34:37,840 --> 00:34:41,240
Speaker 2: most importantly, the brotherhood may the most. How I continue

789
00:34:41,280 --> 00:34:43,680
Speaker 2: to use top Dog as a vessel for candid creators

790
00:34:43,680 --> 00:34:46,560
Speaker 2: as I continue to pursue my life's calling this beauty

791
00:34:46,719 --> 00:34:50,279
Speaker 2: and completion and always faith in the unknown. Thank you

792
00:34:50,320 --> 00:34:52,920
Speaker 2: for keeping me in your prayers. No, thank you for

793
00:34:53,000 --> 00:34:54,839
Speaker 2: keeping me in your thoughts. I've prayed for you all.

794
00:34:55,160 --> 00:34:56,520
Speaker 2: See you soon. Oak.

795
00:34:57,160 --> 00:34:59,600
Speaker 1: Yeah, I didn know how to pronounce that oak Lama,

796
00:35:00,040 --> 00:35:02,400
Speaker 1: which I assume is the name of the album, and

797
00:35:02,840 --> 00:35:06,520
Speaker 1: maybe another personality or something, because he's signing it as

798
00:35:06,520 --> 00:35:07,160
Speaker 1: if that's him.

799
00:35:07,520 --> 00:35:10,280
Speaker 2: Okay, Lama, ok Lama, Okay, Can.

800
00:35:10,160 --> 00:35:14,359
Speaker 1: You go quickly right back to the message to the top.

801
00:35:16,200 --> 00:35:20,360
Speaker 1: Maybe I looked into this a little too deep, but

802
00:35:20,480 --> 00:35:25,200
Speaker 1: as far as the height of his career to then

803
00:35:25,360 --> 00:35:28,040
Speaker 1: start this role out with Love, Lost Grief have disturbed

804
00:35:28,040 --> 00:35:31,120
Speaker 1: my comfort zone talking about being on a hill of silence.

805
00:35:32,800 --> 00:35:35,239
Speaker 1: I'm in no way gonna say Kendrick has never been

806
00:35:36,040 --> 00:35:39,120
Speaker 1: super personal or introspective, but I think he's been super

807
00:35:39,160 --> 00:35:42,879
Speaker 1: personal about his environment and the people around him. You'll

808
00:35:42,880 --> 00:35:45,520
Speaker 1: get glimpse of it on records like Feel and other stuff.

809
00:35:45,520 --> 00:35:48,600
Speaker 1: I'm not saying he hasn't been someone that hasn't been

810
00:35:49,520 --> 00:35:54,360
Speaker 1: introspective mm, but this feels like he's finally really gonna

811
00:35:54,360 --> 00:35:57,640
Speaker 1: get into him and what he's been going through. Because

812
00:35:57,640 --> 00:36:01,080
Speaker 1: good Kid, Mad City. We got that beautiful story of

813
00:36:01,120 --> 00:36:03,239
Speaker 1: his neighborhood, which I'm sure derived from a lot of

814
00:36:03,280 --> 00:36:05,480
Speaker 1: real personal things, but it was the story of his neighborhood,

815
00:36:06,400 --> 00:36:10,040
Speaker 1: Pimper Butterfly certainly got his experience as a black man

816
00:36:10,080 --> 00:36:14,279
Speaker 1: in the United States. Damn. We definitely caught some. But

817
00:36:14,360 --> 00:36:16,080
Speaker 1: it was more just felt like a quemin out of me.

818
00:36:16,120 --> 00:36:20,000
Speaker 1: It was like an instrumental album with amazing fucking raps

819
00:36:20,040 --> 00:36:24,040
Speaker 1: in between. This note kind of made me feel like

820
00:36:24,080 --> 00:36:27,319
Speaker 1: he's finally gonna like open up a little bit because

821
00:36:27,360 --> 00:36:31,520
Speaker 1: he's been so personal, even down to his relationships is friendships,

822
00:36:31,520 --> 00:36:34,319
Speaker 1: he don't talk like just does music, which I love.

823
00:36:34,400 --> 00:36:37,080
Speaker 1: But I think this is going to finally be the

824
00:36:37,120 --> 00:36:40,680
Speaker 1: real get to know Kendrick album of who he is

825
00:36:40,719 --> 00:36:43,359
Speaker 1: as a person, not where he's been or the type

826
00:36:43,360 --> 00:36:45,239
Speaker 1: of way he grew up or how he feels on

827
00:36:45,360 --> 00:36:48,839
Speaker 1: a I want to say political but conscious level.

828
00:36:48,960 --> 00:36:51,279
Speaker 2: To that degree, I fuck with Kendrick Man. I like

829
00:36:51,320 --> 00:36:54,080
Speaker 2: everything about Kendrick. I like his thought process. I like

830
00:36:54,680 --> 00:36:57,360
Speaker 2: shit he stands for, you know, morals, You could just

831
00:36:57,360 --> 00:36:58,960
Speaker 2: tell the type of type of thing that he is.

832
00:37:00,200 --> 00:37:03,200
Speaker 2: So you know, reading this, I understand, you know what

833
00:37:03,200 --> 00:37:07,000
Speaker 2: I mean. And he's just entering a different realm in

834
00:37:07,040 --> 00:37:09,160
Speaker 2: a different space in his life, and you know, he's

835
00:37:09,160 --> 00:37:12,360
Speaker 2: being very conscious of what he says and what he

836
00:37:12,360 --> 00:37:14,880
Speaker 2: puts out to the world as an artist, and he

837
00:37:14,920 --> 00:37:17,279
Speaker 2: doesn't want to be misunderstood, and he doesn't want to

838
00:37:17,280 --> 00:37:19,200
Speaker 2: say the wrong things because it's a very sensitive time

839
00:37:19,280 --> 00:37:22,040
Speaker 2: right now. He's always a person that speaks on the

840
00:37:22,120 --> 00:37:24,560
Speaker 2: time that we're in or the time that we're coming

841
00:37:24,560 --> 00:37:26,640
Speaker 2: out of. So I know that he wants to be

842
00:37:26,760 --> 00:37:30,160
Speaker 2: very careful with this, and sometimes you need to take

843
00:37:30,280 --> 00:37:32,560
Speaker 2: those moments like going I like go months without the phone.

844
00:37:32,800 --> 00:37:35,799
Speaker 2: I wish I could do that. But that's to me,

845
00:37:35,880 --> 00:37:38,120
Speaker 2: that's just you know, it's letting you know that he's

846
00:37:38,320 --> 00:37:39,960
Speaker 2: the people that he needs to speak to or right

847
00:37:40,000 --> 00:37:42,680
Speaker 2: there they're within arms reach, or he can you know,

848
00:37:42,719 --> 00:37:44,279
Speaker 2: he can talk to them whenever he wants, and then

849
00:37:44,280 --> 00:37:46,880
Speaker 2: everything else is kind of like on the outside, and

850
00:37:46,920 --> 00:37:48,520
Speaker 2: he's just like, you know, he's not dealing with that

851
00:37:48,600 --> 00:37:51,040
Speaker 2: right now. He just wants to live in the space

852
00:37:51,040 --> 00:37:53,319
Speaker 2: that he's in and existing the space that he's in,

853
00:37:53,360 --> 00:37:55,080
Speaker 2: and you know, when he's ready to create and put

854
00:37:55,080 --> 00:37:57,279
Speaker 2: out his words and his art, then he will, yeah,

855
00:37:57,280 --> 00:37:58,200
Speaker 2: shut out the Kendrick man.

856
00:37:58,239 --> 00:38:00,600
Speaker 1: I you know, especially with the months that phone. That's

857
00:38:00,600 --> 00:38:02,600
Speaker 1: why I really think he's going to dive into who

858
00:38:02,640 --> 00:38:05,239
Speaker 1: he is as a person, because with somewhat like with

859
00:38:05,320 --> 00:38:08,160
Speaker 1: everything that was happening during like the George Floyd Floyd

860
00:38:08,160 --> 00:38:11,640
Speaker 1: times and everything that was kind of felt like every

861
00:38:11,640 --> 00:38:15,239
Speaker 1: other week some crazy shit happened. I remember, of course,

862
00:38:15,280 --> 00:38:17,239
Speaker 1: everyone's like this is we need a Kendrick album, Like

863
00:38:17,280 --> 00:38:20,040
Speaker 1: we need that would be so helpful right now. And

864
00:38:20,080 --> 00:38:22,000
Speaker 1: I'm sure Kendrick was well aware of that with or

865
00:38:22,040 --> 00:38:23,799
Speaker 1: without a phone and everything that was going on. But

866
00:38:25,400 --> 00:38:28,360
Speaker 1: I guess kind of getting those distractions and that's not distraction,

867
00:38:28,480 --> 00:38:31,160
Speaker 1: but your phone is a distraction away from you could

868
00:38:31,200 --> 00:38:34,400
Speaker 1: really get to know yourself and that's going to be

869
00:38:34,440 --> 00:38:36,680
Speaker 1: a wild approach to an album. And you want to

870
00:38:36,760 --> 00:38:38,759
Speaker 1: put your time and your energy into the right things

871
00:38:38,760 --> 00:38:40,960
Speaker 1: and the right people. Yeah, when you're not consumed by

872
00:38:40,960 --> 00:38:43,120
Speaker 1: your phone, and you know, social media and the things

873
00:38:43,160 --> 00:38:45,480
Speaker 1: that you know seem to pull most of our time

874
00:38:45,520 --> 00:38:48,360
Speaker 1: and our energy from us, you direct that into the

875
00:38:48,440 --> 00:38:51,200
Speaker 1: things that matter the most, which is what he sees

876
00:38:52,080 --> 00:38:53,319
Speaker 1: seems to be to be doing.

877
00:38:53,360 --> 00:38:54,640
Speaker 2: So shout out to Kendrick Man.

878
00:38:54,600 --> 00:38:57,200
Speaker 1: What do you think about the TV ether as far

879
00:38:57,239 --> 00:39:00,200
Speaker 1: as leading last album?

880
00:39:00,680 --> 00:39:03,000
Speaker 2: You know, I don't know too much about that. I

881
00:39:03,040 --> 00:39:06,840
Speaker 2: can only assume that creatively and business wise, there was

882
00:39:06,880 --> 00:39:10,520
Speaker 2: some bumping of heads and things like that, and you

883
00:39:10,560 --> 00:39:13,080
Speaker 2: know it could be too You know, Kendrick is just again,

884
00:39:13,120 --> 00:39:16,360
Speaker 2: he's evolving into a different person, and you know he

885
00:39:16,400 --> 00:39:19,120
Speaker 2: wants to do his own thing and have his own

886
00:39:19,200 --> 00:39:21,719
Speaker 2: control of what he's doing and stuff like that, which

887
00:39:21,760 --> 00:39:24,760
Speaker 2: is normal, you know, for artists to do when they

888
00:39:24,840 --> 00:39:28,279
Speaker 2: reach a certain level. So you know, I don't think

889
00:39:28,320 --> 00:39:32,279
Speaker 2: that it's any Bee four nah, you know, anything like that.

890
00:39:32,360 --> 00:39:34,439
Speaker 2: I think these are all gentlemen that respect each other

891
00:39:34,520 --> 00:39:36,960
Speaker 2: on a different level and have real love for each

892
00:39:37,000 --> 00:39:40,279
Speaker 2: other on a different level and understanding at the same time.

893
00:39:40,360 --> 00:39:41,680
Speaker 2: So I think that, you know, again, this is just

894
00:39:41,760 --> 00:39:43,960
Speaker 2: an artist moving into a different space creatively and wanting

895
00:39:43,960 --> 00:39:46,800
Speaker 2: to control things in a different way without affecting anybody

896
00:39:46,840 --> 00:39:49,560
Speaker 2: else that may be under that umbrella, I think, because

897
00:39:49,600 --> 00:39:50,359
Speaker 2: that happens.

898
00:39:50,040 --> 00:39:54,040
Speaker 1: Too, oh for sure. I think people always automatically assume

899
00:39:54,160 --> 00:39:57,840
Speaker 1: like sometimes shit didn't get bad, it just got over. Yeah,

900
00:39:58,080 --> 00:40:01,640
Speaker 1: like sometimes, and not to say he outgrew TD by

901
00:40:01,640 --> 00:40:05,759
Speaker 1: any means, TD just grew into a full label. And

902
00:40:05,800 --> 00:40:07,960
Speaker 1: when you have an artist like Kendrick and that type

903
00:40:08,000 --> 00:40:12,839
Speaker 1: of mind, it's time to go do your version of it,

904
00:40:14,120 --> 00:40:17,319
Speaker 1: which is okay, And that's how it could be. One

905
00:40:17,360 --> 00:40:20,400
Speaker 1: of my favorite quotes was when Dame Dash was on

906
00:40:20,480 --> 00:40:23,759
Speaker 1: Combat Jack's show Rest in Peace for the first time

907
00:40:24,840 --> 00:40:28,520
Speaker 1: and they asked him his biggest accomplishment in music and

908
00:40:28,600 --> 00:40:31,960
Speaker 1: he said leaving. He said leaving it and feeling completed

909
00:40:32,200 --> 00:40:34,959
Speaker 1: in leaving it. And that's kind of how I felt

910
00:40:35,000 --> 00:40:38,400
Speaker 1: through this and through everyone's response is punch response, schoolboys response,

911
00:40:38,880 --> 00:40:42,279
Speaker 1: like it felt like no, this was completed here it's

912
00:40:42,320 --> 00:40:45,759
Speaker 1: done here doesn't mean anything's wrong, and there could been

913
00:40:45,800 --> 00:40:48,160
Speaker 1: something wrong, but that can still complete things.

914
00:40:48,040 --> 00:40:50,080
Speaker 2: Right and it doesn't have to turn into an ugly

915
00:40:50,200 --> 00:40:52,480
Speaker 2: thing and a public thing. Yeah you know what I mean,

916
00:40:52,520 --> 00:40:55,560
Speaker 2: it stays in house, his family. And again, as artists,

917
00:40:55,560 --> 00:40:57,399
Speaker 2: you don't want to sometimes you just reach a point

918
00:40:57,440 --> 00:41:01,560
Speaker 2: where you just need a fresh start to create this

919
00:41:01,680 --> 00:41:04,120
Speaker 2: type of art that you're trying to create at this

920
00:41:04,160 --> 00:41:06,319
Speaker 2: point of your life. So I understand it. You know,

921
00:41:07,200 --> 00:41:08,839
Speaker 2: we've seen it before. This is not the first time

922
00:41:08,880 --> 00:41:12,480
Speaker 2: it's something like this has happened. Yeah, but again, I

923
00:41:12,600 --> 00:41:15,799
Speaker 2: just hope that out of this we get great art

924
00:41:15,800 --> 00:41:16,520
Speaker 2: in great music.

925
00:41:16,640 --> 00:41:19,439
Speaker 1: Yeah. No, I love to see things go this way

926
00:41:19,520 --> 00:41:26,640
Speaker 1: when it comes to closing chapters because these days, why

927
00:41:26,640 --> 00:41:28,320
Speaker 1: are you guys so messy in the way you end things?

928
00:41:28,360 --> 00:41:33,120
Speaker 2: Yeah? Yeah, yeah, yeah yeah. Sometimes that's how shit happens, man, Unfortunately.

929
00:41:32,520 --> 00:41:34,479
Speaker 1: Like what's wrong with y'all? You know, Like why can't

930
00:41:34,520 --> 00:41:36,960
Speaker 1: you all just be so passive and civil and.

931
00:41:37,120 --> 00:41:39,560
Speaker 2: Trying to avoid it sometimes? But you can't, man, that's

932
00:41:39,560 --> 00:41:41,200
Speaker 2: just the reality of it. Sometimes you can't.

933
00:41:41,840 --> 00:41:45,759
Speaker 1: Oh. I envy you guys, TD you know how to

934
00:41:45,760 --> 00:41:46,319
Speaker 1: handle things.

935
00:41:47,480 --> 00:41:48,600
Speaker 2: I envy them as well.

936
00:41:49,120 --> 00:41:51,680
Speaker 1: Yes, so you were in Atlanta, So I assume you

937
00:41:51,680 --> 00:41:52,640
Speaker 1: didn't go to Summer Jam.

938
00:41:53,280 --> 00:41:55,480
Speaker 2: I know I have not gone to Summer Jam in

939
00:41:55,520 --> 00:41:59,919
Speaker 2: the years. It literally rains every single year that it does.

940
00:42:00,960 --> 00:42:03,520
Speaker 2: This year when changed, it was right on par it

941
00:42:03,680 --> 00:42:07,759
Speaker 2: was a typhoon. Yeah, typhoon. It was a typhoon in

942
00:42:07,800 --> 00:42:08,160
Speaker 2: New York.

943
00:42:08,200 --> 00:42:10,600
Speaker 1: And uh, it was like a burrito in in l A.

944
00:42:11,600 --> 00:42:14,760
Speaker 2: And yeah, but the lineup seemed to be pretty interesting.

945
00:42:15,840 --> 00:42:18,600
Speaker 2: A lot of people showed showed up. I didn't think

946
00:42:18,600 --> 00:42:20,040
Speaker 2: that was gonna happen. I thought they actually thought they

947
00:42:20,040 --> 00:42:22,200
Speaker 2: were godn't cancel it. I didn't think that they were

948
00:42:22,200 --> 00:42:22,920
Speaker 2: gonna be able to do it.

949
00:42:22,960 --> 00:42:26,320
Speaker 1: But yeah, they canceled. Uh, they canceled the festival stage,

950
00:42:26,320 --> 00:42:29,040
Speaker 1: which to me was the best lineup, and shout out

951
00:42:29,080 --> 00:42:32,800
Speaker 1: to Rosenberg. He put together a great uh festival stage lineup,

952
00:42:34,080 --> 00:42:36,840
Speaker 1: even got Stove got out there, like I was considering

953
00:42:36,880 --> 00:42:38,600
Speaker 1: going just to go to the festival stage and then

954
00:42:38,680 --> 00:42:39,640
Speaker 1: get back on that track.

955
00:42:39,840 --> 00:42:42,880
Speaker 2: Stage is always the stage that's like because you know,

956
00:42:42,960 --> 00:42:45,640
Speaker 2: these are the these are the ones that's next.

957
00:42:45,800 --> 00:42:48,359
Speaker 1: But it was like a specific theme as far as

958
00:42:48,400 --> 00:42:50,440
Speaker 1: like when Roseberg did his album, but like you know

959
00:42:50,600 --> 00:42:54,440
Speaker 1: just that genre of rap. So I was excited for that.

960
00:42:54,480 --> 00:42:58,319
Speaker 1: So that you know, my prayers for Rosenberg sanity because

961
00:42:58,320 --> 00:43:01,320
Speaker 1: I would have been fucking furious that shit got canceled

962
00:43:01,320 --> 00:43:04,480
Speaker 1: and I put the whole thing together. But as far

963
00:43:04,520 --> 00:43:07,359
Speaker 1: as Summer Jam, yeah, I mean I I I've been

964
00:43:07,520 --> 00:43:10,239
Speaker 1: a lot, and I probably went two or three years ago.

965
00:43:10,320 --> 00:43:11,839
Speaker 1: Was the last time I went. I just had fun.

966
00:43:12,480 --> 00:43:14,040
Speaker 1: It is still a fun New York City moment. I

967
00:43:14,040 --> 00:43:15,600
Speaker 1: don't want people to get fucked up. However, you think

968
00:43:15,600 --> 00:43:17,640
Speaker 1: about Hot ninety seven Summer Jam, it's still a staple

969
00:43:17,719 --> 00:43:21,600
Speaker 1: of New York City. But I mean, I didn't like

970
00:43:21,600 --> 00:43:23,719
Speaker 1: how they put Sweety solo on the bill. I didn't

971
00:43:23,719 --> 00:43:26,440
Speaker 1: like that. Yeah, feel the way it was like ten

972
00:43:26,520 --> 00:43:28,600
Speaker 1: DJs and friends, but then you put Sweety below it.

973
00:43:28,840 --> 00:43:30,480
Speaker 1: I didn't even see. I don't even see the friends.

974
00:43:30,680 --> 00:43:32,839
Speaker 2: Sweety needs to be right at the top. She needs

975
00:43:32,880 --> 00:43:38,879
Speaker 2: to be on top at all times. You're sick. What man, nothing, man,

976
00:43:38,960 --> 00:43:39,399
Speaker 2: It's cool.

977
00:43:40,600 --> 00:43:41,440
Speaker 1: I'll forget it.

978
00:43:42,200 --> 00:43:43,000
Speaker 2: I figured that's anything.

979
00:43:43,239 --> 00:43:50,600
Speaker 1: Summer Jam. The Baby performed, and that was a controversy

980
00:43:50,640 --> 00:43:53,000
Speaker 1: because every every other festival is taking him off. From

981
00:43:53,040 --> 00:43:56,480
Speaker 1: what I've seen, he started the uh his set off

982
00:43:56,520 --> 00:43:59,880
Speaker 1: with like a video of him like signing sneakers for

983
00:44:00,160 --> 00:44:02,160
Speaker 1: to fans to show what a good person he really is.

984
00:44:03,719 --> 00:44:05,840
Speaker 1: Then you know, then we think the baby is I

985
00:44:05,840 --> 00:44:07,880
Speaker 1: don't think I don't think he's a bad not a

986
00:44:07,880 --> 00:44:10,520
Speaker 1: bad don't think he's He said some things that he

987
00:44:10,520 --> 00:44:14,560
Speaker 1: shouldn't have said, and some misinformation you know that he

988
00:44:14,719 --> 00:44:16,040
Speaker 1: spoke and things like that.

989
00:44:16,160 --> 00:44:17,319
Speaker 2: But I don't think he's a bad person.

990
00:44:17,320 --> 00:44:18,879
Speaker 1: I don't think he's a bad person at all. I'm

991
00:44:18,880 --> 00:44:21,040
Speaker 1: not I'm not laughing at him signing a sneaker for

992
00:44:21,080 --> 00:44:23,319
Speaker 1: a fan in his roles Royce. I'm laughing about that.

993
00:44:23,400 --> 00:44:30,480
Speaker 1: I'm laughing at the pr aspect of a team that

994
00:44:30,520 --> 00:44:34,919
Speaker 1: would think, all right, yeah, we gotta clean this guy's

995
00:44:34,960 --> 00:44:38,879
Speaker 1: image up. Finally allowed back on the stage. Yo, sound

996
00:44:38,920 --> 00:44:41,800
Speaker 1: some sneakers even though you're not an athlete.

997
00:44:43,320 --> 00:44:44,719
Speaker 2: I get it. I see where it's.

998
00:44:44,640 --> 00:44:49,000
Speaker 1: Going in a roll. Oh he's a man of the people,

999
00:44:49,000 --> 00:44:52,840
Speaker 1: My bad, he loves the people. Jokes aside. Yeah, he

1000
00:44:52,880 --> 00:44:56,000
Speaker 1: got up on there and put a video thanking Hot

1001
00:44:56,040 --> 00:44:58,080
Speaker 1: ninety seven, putting their neck on the line. Dude, how

1002
00:44:58,160 --> 00:45:01,719
Speaker 1: everyone else is reacting to that? That people can learn

1003
00:45:01,719 --> 00:45:05,040
Speaker 1: from the mistakes people can get new information and realize

1004
00:45:05,040 --> 00:45:07,320
Speaker 1: that they did offend people, don't. I think I'm wording

1005
00:45:07,320 --> 00:45:09,319
Speaker 1: it better than he worded it, but for the sake

1006
00:45:09,320 --> 00:45:10,799
Speaker 1: of the baby, I'll try to make it sound better,

1007
00:45:12,239 --> 00:45:15,920
Speaker 1: which I do agree with. And I'm not the party

1008
00:45:15,920 --> 00:45:18,320
Speaker 1: that was offended, so in no way will I speak

1009
00:45:18,360 --> 00:45:21,040
Speaker 1: for it in that sense. But I do like the

1010
00:45:21,120 --> 00:45:25,480
Speaker 1: message of people do deserve a chance if they want

1011
00:45:25,520 --> 00:45:29,000
Speaker 1: to acknowledge exactly what they did, acknowledge why it was bad,

1012
00:45:30,000 --> 00:45:33,040
Speaker 1: and then actively try to change their behavior and learn

1013
00:45:33,080 --> 00:45:34,760
Speaker 1: more about some shit they were ignorant about.

1014
00:45:34,800 --> 00:45:36,520
Speaker 2: I think those people deserve.

1015
00:45:36,800 --> 00:45:40,799
Speaker 1: Everybody another chancetely. I would like that of myself. If

1016
00:45:40,840 --> 00:45:43,799
Speaker 1: I did something that I just some ignorant shit, then

1017
00:45:43,800 --> 00:45:45,719
Speaker 1: I wasn't aware. Yeah, So as long as you really

1018
00:45:45,719 --> 00:45:49,600
Speaker 1: acknowledge that you did some shit wrong and you know

1019
00:45:49,640 --> 00:45:51,799
Speaker 1: what was wrong, not just yo sorry.

1020
00:45:51,719 --> 00:45:53,840
Speaker 2: Right, No, you acknowledge it, and you recognize where you

1021
00:45:53,840 --> 00:45:56,360
Speaker 2: were wrong and where you were hurtful, and you know

1022
00:45:56,440 --> 00:45:59,360
Speaker 2: you learn from it and you make effective change moving forward,

1023
00:45:59,360 --> 00:46:01,600
Speaker 2: and people can see that that was a sincere apology,

1024
00:46:01,680 --> 00:46:05,000
Speaker 2: and you know everybody everybody makes mistakes, but you don't

1025
00:46:05,000 --> 00:46:08,239
Speaker 2: want to make a mistake and then laugh at the

1026
00:46:08,320 --> 00:46:11,200
Speaker 2: mistake and then make joke of the mistake and then say,

1027
00:46:11,239 --> 00:46:14,200
Speaker 2: oh yeah, make joke of people forgiving you for the mistake.

1028
00:46:14,320 --> 00:46:17,040
Speaker 2: It's like, all right, family, you know what we're doing.

1029
00:46:17,040 --> 00:46:20,560
Speaker 1: Then when money gets involved, it's like yo, no idea.

1030
00:46:20,400 --> 00:46:22,920
Speaker 2: Yeah yeah, when they start taking things away, it's you know,

1031
00:46:23,320 --> 00:46:26,120
Speaker 2: that's when you're sorry, Like no, you can't. You gotta

1032
00:46:26,160 --> 00:46:27,759
Speaker 2: be sorry. You got to mean you're sorry, and you

1033
00:46:27,760 --> 00:46:28,840
Speaker 2: got to show that you're sorry.

1034
00:46:28,880 --> 00:46:32,440
Speaker 1: So but I mean, I'm not gonna say I commend

1035
00:46:32,520 --> 00:46:35,000
Speaker 1: or anything about UT ninety seven for keeping him on

1036
00:46:35,080 --> 00:46:37,759
Speaker 1: the bill. I just thought it was interesting and do

1037
00:46:37,880 --> 00:46:40,840
Speaker 1: applaud that. I hope they at least had that conversation

1038
00:46:40,880 --> 00:46:42,080
Speaker 1: with him, like all right, we if you're gonna come,

1039
00:46:42,080 --> 00:46:44,760
Speaker 1: you gotta start with I don't care if it's a video,

1040
00:46:44,840 --> 00:46:47,560
Speaker 1: you personally like last time he was on stage, you

1041
00:46:47,640 --> 00:46:49,560
Speaker 1: said something, and now you're back on a stage, right,

1042
00:46:49,680 --> 00:46:50,719
Speaker 1: our logo is next to.

1043
00:46:50,640 --> 00:46:54,480
Speaker 2: You, right right, Like what's up? Yeah, I mean again

1044
00:46:54,520 --> 00:46:56,880
Speaker 2: I shout out to Summer Jam, because again the baby

1045
00:46:57,040 --> 00:46:59,799
Speaker 2: is a star. And if this is a Summer Jam

1046
00:46:59,800 --> 00:47:01,760
Speaker 2: and is a stage and a bill full of stars,

1047
00:47:01,800 --> 00:47:04,359
Speaker 2: I mean the baby would if he fits the bill. So,

1048
00:47:04,920 --> 00:47:06,400
Speaker 2: you know, shout out to Summer Jen for giving him

1049
00:47:06,440 --> 00:47:08,520
Speaker 2: opportunity and just showing that, you know, again, we don't

1050
00:47:08,880 --> 00:47:10,440
Speaker 2: we don't want to be so quick to turn our

1051
00:47:10,560 --> 00:47:12,839
Speaker 2: back on our culture and our people like we don't

1052
00:47:12,840 --> 00:47:14,520
Speaker 2: want to We don't want to be so quick to

1053
00:47:14,560 --> 00:47:16,640
Speaker 2: do that. We want to show that it's okay to

1054
00:47:16,640 --> 00:47:19,480
Speaker 2: make a mistake as long as you apologize and you

1055
00:47:19,520 --> 00:47:21,799
Speaker 2: address it and you learn from it and you try

1056
00:47:21,800 --> 00:47:25,080
Speaker 2: to become a better person, you know, it's okay. But he's, well,

1057
00:47:25,360 --> 00:47:28,879
Speaker 2: the baby is. You know again, I'm on record, I'm

1058
00:47:28,920 --> 00:47:31,440
Speaker 2: a huge fan of his, but he's he's walking that

1059
00:47:31,520 --> 00:47:34,359
Speaker 2: fine line where it's getting a little people are starting

1060
00:47:34,360 --> 00:47:36,439
Speaker 2: to look at you some type of way because they're like, ah,

1061
00:47:36,520 --> 00:47:38,560
Speaker 2: this dude is not doesn't seem like he's really taking

1062
00:47:38,560 --> 00:47:41,080
Speaker 2: this thing seriously. So he needs to be careful with

1063
00:47:41,120 --> 00:47:42,719
Speaker 2: that because just as quick as people will put you

1064
00:47:42,760 --> 00:47:45,840
Speaker 2: on a pedestal, people will forget about you and be

1065
00:47:45,880 --> 00:47:48,480
Speaker 2: on to the next new hot artist that's out here.

1066
00:47:48,560 --> 00:47:50,480
Speaker 2: So you don't want to do that because you are

1067
00:47:50,480 --> 00:47:53,040
Speaker 2: talented and you're right where you deserve to be, which

1068
00:47:53,080 --> 00:47:55,720
Speaker 2: is on top of a bill performing on the huge stage.

1069
00:47:55,760 --> 00:47:58,600
Speaker 1: So, and I think what I've started to observe with

1070
00:47:58,800 --> 00:48:00,400
Speaker 1: the cancel culture thing, and again I don't want to

1071
00:48:00,440 --> 00:48:02,640
Speaker 1: beat a dead horse with this cancel culture that it's

1072
00:48:02,680 --> 00:48:05,759
Speaker 1: just been a new observation that I've seen with it.

1073
00:48:05,880 --> 00:48:09,480
Speaker 1: When people get quote unquote canceled, we know they're not

1074
00:48:09,520 --> 00:48:12,200
Speaker 1: actually canceled, but when cancel culture tries to come for

1075
00:48:12,280 --> 00:48:18,160
Speaker 1: somebody and they make poor decisions and their responses right away,

1076
00:48:19,600 --> 00:48:24,680
Speaker 1: they they're feeling a way towards the cancel culture instead

1077
00:48:24,719 --> 00:48:28,239
Speaker 1: of focusing on the people that were actually offended. So

1078
00:48:29,400 --> 00:48:32,680
Speaker 1: they prioritize all the people that are attacking them on

1079
00:48:32,760 --> 00:48:37,560
Speaker 1: the internet, and because they're human, which I mean it's

1080
00:48:37,600 --> 00:48:40,000
Speaker 1: a bit hypocritical. It's usually cancel culture. You says something

1081
00:48:40,000 --> 00:48:42,560
Speaker 1: about another human being, but they just focus on the

1082
00:48:42,600 --> 00:48:46,520
Speaker 1: people that are attacking them rather than who they really

1083
00:48:46,560 --> 00:48:49,799
Speaker 1: who they attacked. Right, Like, yes, cancel culture is wrong.

1084
00:48:49,840 --> 00:48:53,280
Speaker 1: It's I don't agree with cancel culture, but you can't

1085
00:48:53,320 --> 00:48:57,520
Speaker 1: attack cancel culture instead of focusing on the people that

1086
00:48:57,680 --> 00:49:00,400
Speaker 1: actually feel offended. That's all it is. And I think

1087
00:49:00,440 --> 00:49:04,240
Speaker 1: that's where people go wrong and dig themselves into a deeper,

1088
00:49:05,080 --> 00:49:07,440
Speaker 1: deeper hole. With that shit like, you're talking to the

1089
00:49:07,440 --> 00:49:09,279
Speaker 1: wrong people. You should be talking to the people that

1090
00:49:09,320 --> 00:49:12,680
Speaker 1: feel really offended by the things that you said, because

1091
00:49:12,719 --> 00:49:15,719
Speaker 1: not cancel culture is just not people pulling it out

1092
00:49:15,719 --> 00:49:17,839
Speaker 1: of thin air. Someone was probably really offended and then

1093
00:49:17,880 --> 00:49:19,800
Speaker 1: cancel culture grabbed it and said, all right, finally we

1094
00:49:19,880 --> 00:49:22,880
Speaker 1: have someone to attack. But you got us not focused.

1095
00:49:23,400 --> 00:49:26,200
Speaker 1: You're keeping cancel culture going by only focusing on them.

1096
00:49:26,560 --> 00:49:30,520
Speaker 1: If I say something about the LBGTQ community and they're

1097
00:49:30,560 --> 00:49:34,480
Speaker 1: offended by it, I should be focusing on why they're offended,

1098
00:49:34,640 --> 00:49:38,360
Speaker 1: rather than all the people in that community or outside

1099
00:49:38,360 --> 00:49:41,680
Speaker 1: of that community trying to cancel me. What let do wrong?

1100
00:49:41,920 --> 00:49:44,279
Speaker 2: Okay, have a conversation, let's talk about Yeah.

1101
00:49:44,440 --> 00:49:48,640
Speaker 1: Yeah, it's contradictive to just focus on cancel culture when

1102
00:49:48,680 --> 00:49:49,720
Speaker 1: you're being canceled.

1103
00:49:50,080 --> 00:49:53,640
Speaker 2: Well, it's always easier. It's easy to cancel somebody than

1104
00:49:53,680 --> 00:49:56,680
Speaker 2: it is to have a discussion, have a conversation and

1105
00:49:56,719 --> 00:49:59,719
Speaker 2: see what somebody was wrong or misinformed, and you know,

1106
00:50:00,040 --> 00:50:02,640
Speaker 2: try to help somebody. It's easy to just forget about

1107
00:50:02,640 --> 00:50:05,319
Speaker 2: somebody and say, oh, we're not supporting this person, or

1108
00:50:05,360 --> 00:50:07,760
Speaker 2: we're not you know, paying this person any mind anymore.

1109
00:50:07,840 --> 00:50:11,760
Speaker 2: We're not you know, no longer supporting their career whatever.

1110
00:50:11,920 --> 00:50:14,680
Speaker 2: Like it's easier to do that than to say, hey, listen,

1111
00:50:14,719 --> 00:50:18,520
Speaker 2: you you were wrong for that. People were hurt and

1112
00:50:18,560 --> 00:50:20,359
Speaker 2: this is why they were hurt, and this is where

1113
00:50:20,400 --> 00:50:22,440
Speaker 2: you were wrong, and this is the misinformation that you

1114
00:50:22,440 --> 00:50:24,360
Speaker 2: put out there, and this is you know, it's like

1115
00:50:24,440 --> 00:50:26,719
Speaker 2: we so quick to just want to just cancel each

1116
00:50:26,719 --> 00:50:28,640
Speaker 2: other and move on to the next thing, and it's

1117
00:50:28,680 --> 00:50:30,640
Speaker 2: something that that's wrong. We need to move away from that.

1118
00:50:30,680 --> 00:50:32,960
Speaker 2: I'm not saying that some people don't deserve to be,

1119
00:50:33,160 --> 00:50:35,719
Speaker 2: of course canceled and things like that, but we have

1120
00:50:35,800 --> 00:50:39,000
Speaker 2: to be very careful with just throwing everybody that makes

1121
00:50:39,000 --> 00:50:42,160
Speaker 2: a mistake under this cancel unbrothers, because that's that's wrong

1122
00:50:42,200 --> 00:50:42,960
Speaker 2: to me, that's not right.

1123
00:50:43,080 --> 00:50:45,920
Speaker 1: Yeah, we're throwing the same sentence on murder as we

1124
00:50:45,960 --> 00:50:46,759
Speaker 1: are on shoplifting.

1125
00:50:46,880 --> 00:50:47,080
Speaker 2: Yeah.

1126
00:50:47,239 --> 00:50:49,160
Speaker 1: Yeah, it's just like like, no, we need to teach

1127
00:50:49,160 --> 00:50:52,520
Speaker 1: people you probably shouldn't steal that exactly because it's going

1128
00:50:52,560 --> 00:50:53,080
Speaker 1: to happen again.

1129
00:50:53,080 --> 00:50:54,520
Speaker 2: Somebody else is gonna do this. And this is why

1130
00:50:54,520 --> 00:50:55,960
Speaker 2: we need to make sure that we put this out

1131
00:50:55,960 --> 00:50:57,560
Speaker 2: there and we show people like, no, that was wrong,

1132
00:50:58,080 --> 00:51:00,279
Speaker 2: and just move forward. But yeah, the baby to be

1133
00:51:00,360 --> 00:51:03,160
Speaker 2: very careful, though, very careful, because he hasn't he has

1134
00:51:03,160 --> 00:51:05,480
Speaker 2: an opportunity. He still has opportunity. People still love him,

1135
00:51:05,920 --> 00:51:08,799
Speaker 2: he's still he's still the baby. Yeah, people still love

1136
00:51:08,840 --> 00:51:10,520
Speaker 2: him and people still support him. But he has to

1137
00:51:10,520 --> 00:51:12,200
Speaker 2: be he has to be careful though.

1138
00:51:13,280 --> 00:51:16,000
Speaker 1: Well, do you want to offend anyone about festivals?

1139
00:51:17,080 --> 00:51:19,400
Speaker 2: You know what I was thinking over the last two weeks,

1140
00:51:19,400 --> 00:51:21,040
Speaker 2: and I you know, I was I was really careful

1141
00:51:21,080 --> 00:51:22,319
Speaker 2: about how I wanted to word this.

1142
00:51:23,160 --> 00:51:24,879
Speaker 1: Because to contradict everything that.

1143
00:51:24,920 --> 00:51:27,000
Speaker 2: Yeah, because I let me let me let me be clear.

1144
00:51:27,040 --> 00:51:30,360
Speaker 2: I'm not trying to offend anyone. I'm just looking for

1145
00:51:30,840 --> 00:51:34,319
Speaker 2: information and I'm looking for answers and help and understanding

1146
00:51:34,760 --> 00:51:38,400
Speaker 2: something that I've just observed the last three years with

1147
00:51:38,480 --> 00:51:46,719
Speaker 2: these festivals. The sign language people that are at that

1148
00:51:46,760 --> 00:51:48,920
Speaker 2: are on the side of these stages at these festivals

1149
00:51:48,920 --> 00:51:52,920
Speaker 2: when they're using sign language to interpret what the artists

1150
00:51:53,000 --> 00:51:54,960
Speaker 2: or the people on stage are saying to the audience.

1151
00:51:55,080 --> 00:51:57,800
Speaker 1: Right, Okay, let's go dem.

1152
00:52:00,200 --> 00:52:00,279
Speaker 2: No.

1153
00:52:00,800 --> 00:52:03,880
Speaker 1: You know, I'm just trying to I'm looking it's a

1154
00:52:03,880 --> 00:52:04,319
Speaker 1: safe place.

1155
00:52:04,760 --> 00:52:09,120
Speaker 2: I'm looking for understanding. I'm asking a question, why do

1156
00:52:09,239 --> 00:52:13,200
Speaker 2: they have these sign language people. Is that what they

1157
00:52:13,200 --> 00:52:15,680
Speaker 2: call themselves, I don't want to offend them, is that the

1158
00:52:15,680 --> 00:52:20,399
Speaker 2: correct term for them is interpreter, sign sign interpreter, sign

1159
00:52:20,520 --> 00:52:27,520
Speaker 2: language interpreter. Yes, whatever, they're sign language interpreter. Okay. They

1160
00:52:27,560 --> 00:52:31,040
Speaker 2: have these sign language interpreters on stage at these festivals,

1161
00:52:31,640 --> 00:52:37,319
Speaker 2: and I'm just trying to understand because the people who

1162
00:52:37,320 --> 00:52:39,920
Speaker 2: may need this sign language interpreter that that are in

1163
00:52:39,960 --> 00:52:45,080
Speaker 2: the audience, they don't have a sign language interpreter when

1164
00:52:45,840 --> 00:52:48,160
Speaker 2: they're downloading the music or they're listening to the music.

1165
00:52:48,600 --> 00:52:51,000
Speaker 2: So if they're hearing impaired, they can't hear the music.

1166
00:52:52,040 --> 00:52:55,360
Speaker 2: So do they only hear the music or read the music,

1167
00:52:55,680 --> 00:52:57,480
Speaker 2: read the hands when they get to the festival And

1168
00:52:57,520 --> 00:53:00,360
Speaker 2: now they know that the record is hot once they

1169
00:53:00,400 --> 00:53:03,400
Speaker 2: get there, like, oh, that's what this is. This is dope,

1170
00:53:03,400 --> 00:53:04,600
Speaker 2: like once they see the signs.

1171
00:53:04,880 --> 00:53:10,320
Speaker 1: No. From what I understand, deaf people love music because

1172
00:53:11,000 --> 00:53:15,120
Speaker 1: music has vibrations and you can feel certain things on

1173
00:53:15,200 --> 00:53:18,719
Speaker 1: certain records. Okay, So now I don't know, there could

1174
00:53:18,760 --> 00:53:20,759
Speaker 1: be a site where if I buy an album and

1175
00:53:20,800 --> 00:53:24,360
Speaker 1: if not, steal this idea to the to the deaf community,

1176
00:53:24,920 --> 00:53:26,840
Speaker 1: where when you buy the album it does come with

1177
00:53:27,000 --> 00:53:30,120
Speaker 1: like someone that has already done sign language, like the

1178
00:53:30,120 --> 00:53:32,479
Speaker 1: way they'll put lyrics now on streaming service. It would

1179
00:53:32,480 --> 00:53:33,919
Speaker 1: be dope if they film someone doing all the sign

1180
00:53:34,000 --> 00:53:37,040
Speaker 1: language shit when you got an album. But I would

1181
00:53:37,080 --> 00:53:39,799
Speaker 1: say to your point, I think it's fucked up that

1182
00:53:39,840 --> 00:53:44,480
Speaker 1: they don't put like just a deaf side stage ticket.

1183
00:53:45,640 --> 00:53:49,000
Speaker 1: I think it's nuts for them having this these interpreters

1184
00:53:49,040 --> 00:53:51,960
Speaker 1: here when like, look at this, you don't know if

1185
00:53:52,000 --> 00:53:53,880
Speaker 1: the deaf person can afford the front row ticket. It's

1186
00:53:53,920 --> 00:53:56,080
Speaker 1: not like they keep the sign language interpreter on the

1187
00:53:56,080 --> 00:53:56,919
Speaker 1: screen the whole time.

1188
00:53:57,000 --> 00:53:58,320
Speaker 2: I think they do. I think they have a screen.

1189
00:53:58,400 --> 00:53:59,200
Speaker 1: I've never seen it.

1190
00:53:59,280 --> 00:54:01,719
Speaker 2: Yeah, they have a screen on the side. I've never

1191
00:54:01,760 --> 00:54:03,680
Speaker 2: seen it. But like, look at this, this young lady,

1192
00:54:03,719 --> 00:54:07,839
Speaker 2: this sign language interpreter. She signed language in wap yes,

1193
00:54:07,960 --> 00:54:10,200
Speaker 2: which is wet ass pussy for those who don't know.

1194
00:54:10,800 --> 00:54:13,480
Speaker 2: And she's very animated. She seems like she has all

1195
00:54:13,520 --> 00:54:16,720
Speaker 2: of the language down. She's very fluent in this language.

1196
00:54:17,480 --> 00:54:20,280
Speaker 2: And I just want to know if the hearing impaired

1197
00:54:20,280 --> 00:54:23,880
Speaker 2: community didn't know these lyrics until they got to the

1198
00:54:23,920 --> 00:54:25,200
Speaker 2: festival and saw No.

1199
00:54:26,040 --> 00:54:29,879
Speaker 1: I'm sure there's probably outlets that they have already for it.

1200
00:54:31,840 --> 00:54:35,520
Speaker 1: I think it's just alarming myself. The first time when

1201
00:54:35,520 --> 00:54:37,520
Speaker 1: we were on tour we did the Roots Picnic, Yes,

1202
00:54:38,040 --> 00:54:40,319
Speaker 1: and that was the first time that we had ever

1203
00:54:40,320 --> 00:54:42,920
Speaker 1: seen a sign language interpreter at a festival or at

1204
00:54:42,920 --> 00:54:46,080
Speaker 1: a show. Definitely at one of our shows, and because

1205
00:54:46,120 --> 00:54:47,759
Speaker 1: we were so immature about.

1206
00:54:47,480 --> 00:54:49,319
Speaker 2: It, we have we had a great time with the song.

1207
00:54:49,440 --> 00:54:53,359
Speaker 1: Naturally. Yeah, we changed our entire live show to just

1208
00:54:53,480 --> 00:54:58,439
Speaker 1: try to make the sign language interpreter do crazy things, yeah,

1209
00:54:58,640 --> 00:55:01,120
Speaker 1: which is what I saw in this WAP video. Do

1210
00:55:01,120 --> 00:55:04,520
Speaker 1: you think they invented new signs like with certain rap lyrics.

1211
00:55:04,800 --> 00:55:06,799
Speaker 1: I think that you would have to like create new

1212
00:55:06,920 --> 00:55:10,760
Speaker 1: gestures and because with language, because lang language is language.

1213
00:55:10,920 --> 00:55:16,120
Speaker 1: Language language changes, slang changes, yeah, different words, and you

1214
00:55:16,200 --> 00:55:17,839
Speaker 1: kind of have to. I just don't think the people

1215
00:55:17,840 --> 00:55:21,319
Speaker 1: that created sign language were running down to like what,

1216
00:55:21,400 --> 00:55:23,120
Speaker 1: all right, so what's wet ass pussy going to be?

1217
00:55:23,480 --> 00:55:25,200
Speaker 1: Like I want to feel it with that little dangly

1218
00:55:25,239 --> 00:55:26,560
Speaker 1: thing in the back of my throat. I just don't

1219
00:55:26,600 --> 00:55:29,040
Speaker 1: think that was at the top of like like Helen

1220
00:55:29,080 --> 00:55:29,759
Speaker 1: Keller's like.

1221
00:55:29,760 --> 00:55:32,920
Speaker 2: What this soign language interpreter for WAPs. She did an

1222
00:55:32,960 --> 00:55:35,120
Speaker 2: amazing job, Like I knew what she was saying. She

1223
00:55:35,120 --> 00:55:37,120
Speaker 2: went crazy and I had the volume all the way

1224
00:55:37,160 --> 00:55:38,840
Speaker 2: off and I knew what part of the song that

1225
00:55:39,000 --> 00:55:41,799
Speaker 2: was just by her signs. Okay, But I was just

1226
00:55:41,840 --> 00:55:44,640
Speaker 2: wondering because I'm like, well, if they if they're hearing impaired,

1227
00:55:44,800 --> 00:55:48,920
Speaker 2: you know, they can't hear the the record. Well, you

1228
00:55:48,920 --> 00:55:50,759
Speaker 2: know again I'm looking for information. I don't I don't know.

1229
00:55:50,760 --> 00:55:54,359
Speaker 1: I was asking, this is a safe place, right, absolutely,

1230
00:55:54,600 --> 00:56:00,160
Speaker 1: the doors locked? It's actually not when watching it? Is

1231
00:56:00,160 --> 00:56:02,600
Speaker 1: it bad? I know this is for a good reason

1232
00:56:02,640 --> 00:56:05,279
Speaker 1: that they do the sign language interpreters, but is it

1233
00:56:05,360 --> 00:56:11,640
Speaker 1: bad that Wow, this sign language interpreter was interpreting the

1234
00:56:11,719 --> 00:56:14,520
Speaker 1: lyrics to what as pussy that I got turned on

1235
00:56:14,600 --> 00:56:15,080
Speaker 1: a little bit.

1236
00:56:16,440 --> 00:56:17,479
Speaker 2: But you asked me, is that weird?

1237
00:56:17,640 --> 00:56:17,879
Speaker 1: Yes?

1238
00:56:18,000 --> 00:56:18,799
Speaker 2: My answer is yes, that.

1239
00:56:20,080 --> 00:56:22,759
Speaker 1: Is because I've I like my dick moved a little bit.

1240
00:56:22,760 --> 00:56:25,160
Speaker 2: At least, that's weird. And don't ever tell me what

1241
00:56:25,239 --> 00:56:25,960
Speaker 2: she was doing.

1242
00:56:26,719 --> 00:56:28,200
Speaker 1: Look at the gesture she's making.

1243
00:56:28,520 --> 00:56:30,319
Speaker 2: This is why I'm trying to tell you. So, now,

1244
00:56:30,440 --> 00:56:32,160
Speaker 2: did the hearing impair get there? And was like, oh

1245
00:56:32,200 --> 00:56:35,360
Speaker 2: my god, this record is crazy? I certainly did so,

1246
00:56:35,360 --> 00:56:37,640
Speaker 2: I'm sure they did. Yeah, So that I just you know.

1247
00:56:37,680 --> 00:56:39,680
Speaker 2: I just a question. I was. I've been observing this

1248
00:56:39,760 --> 00:56:42,919
Speaker 2: for the past three years, and I'm like, well, if

1249
00:56:42,920 --> 00:56:46,719
Speaker 2: this person is there for the hearing impaired, how does

1250
00:56:46,760 --> 00:56:47,160
Speaker 2: the hearing and.

1251
00:56:47,160 --> 00:56:50,840
Speaker 1: Pair like she got so into it about like the dicka, Like,

1252
00:56:50,840 --> 00:56:52,279
Speaker 1: come on, that doesn't turn you on a little bit.

1253
00:56:52,520 --> 00:56:54,239
Speaker 2: Yeah, And I don't think that the tongue out while

1254
00:56:54,280 --> 00:56:56,200
Speaker 2: she's doing that, I don't think that. I think she freestyle.

1255
00:56:56,320 --> 00:56:58,680
Speaker 2: She had liberty. No, I don't think that she's a performer.

1256
00:56:59,280 --> 00:57:02,839
Speaker 2: She's greater a yeah, but yeah, she the tongue out

1257
00:57:02,880 --> 00:57:04,120
Speaker 2: with the like that.

1258
00:57:04,160 --> 00:57:06,000
Speaker 1: But the fuck y'all, you know what, fuck y'all, man,

1259
00:57:06,120 --> 00:57:08,759
Speaker 1: fuck y'all, y'all are weird. I'm not weird here. I

1260
00:57:08,840 --> 00:57:10,399
Speaker 1: think it's okay. I got turned on by the sign

1261
00:57:10,440 --> 00:57:14,440
Speaker 1: language interpative, y'all. I'm rewatching it now and turned on.

1262
00:57:14,680 --> 00:57:17,800
Speaker 2: I mean, listen, that's your thing, that's your thing. I

1263
00:57:17,920 --> 00:57:19,800
Speaker 2: just was my question was a little deeper. I just

1264
00:57:19,840 --> 00:57:20,439
Speaker 2: wanted to know.

1265
00:57:20,400 --> 00:57:22,760
Speaker 1: A woman doing this with rhythm. It turns me on all.

1266
00:57:22,760 --> 00:57:24,000
Speaker 1: I'm sorry, Oh no, no, listen.

1267
00:57:24,080 --> 00:57:25,959
Speaker 2: I've been there. I've been there. I've been to plenty

1268
00:57:26,040 --> 00:57:27,680
Speaker 2: plenty of strip clubs where they did that move, and

1269
00:57:27,720 --> 00:57:29,640
Speaker 2: I was like, well, where's the cash cage? Because I

1270
00:57:29,680 --> 00:57:33,720
Speaker 2: need more I need more change now, I need more change,

1271
00:57:33,760 --> 00:57:35,919
Speaker 2: like this woman is is great at which you still

1272
00:57:35,960 --> 00:57:38,760
Speaker 2: have the cashcage? I would assume it's someplace in the

1273
00:57:38,800 --> 00:57:40,480
Speaker 2: strip club where you can get cash from singles.

1274
00:57:40,600 --> 00:57:43,480
Speaker 1: I don't think it's a in the open anymore. But no,

1275
00:57:43,600 --> 00:57:45,080
Speaker 1: I don't you know, I don't feel weird and fun

1276
00:57:45,200 --> 00:57:46,440
Speaker 1: y'all for trying to make me feel weird about it.

1277
00:57:46,480 --> 00:57:47,560
Speaker 2: No, I'm not trying to make you feel weird.

1278
00:57:47,720 --> 00:57:49,000
Speaker 1: Just she have an Instagram.

1279
00:57:49,440 --> 00:57:52,120
Speaker 2: I'm pretty sure she does. I don't. I don't know it.

1280
00:57:52,160 --> 00:57:53,720
Speaker 2: I don't have it on hand for you, but I'm

1281
00:57:53,760 --> 00:57:55,720
Speaker 2: pretty sure she does. I'm pretty sure we can find

1282
00:57:55,760 --> 00:57:56,800
Speaker 2: it for you by the end of the day.

1283
00:57:56,840 --> 00:57:59,720
Speaker 1: Oh look, you know you're just a perv like me too,

1284
00:57:59,760 --> 00:58:01,880
Speaker 1: are you? How you found her YouTube page right away?

1285
00:58:02,240 --> 00:58:03,160
Speaker 1: They didn't even say her name.

1286
00:58:03,200 --> 00:58:05,240
Speaker 2: Look how many views she has though she's.

1287
00:58:05,080 --> 00:58:09,360
Speaker 1: About to have another one, she's about to have two

1288
00:58:09,400 --> 00:58:13,800
Speaker 1: million in one, maybe five if I double back.

1289
00:58:13,920 --> 00:58:15,440
Speaker 2: Oh man, y'all are sick bro.

1290
00:58:17,720 --> 00:58:20,400
Speaker 1: This Wow, this just unlocked the whole realm of my

1291
00:58:20,440 --> 00:58:21,520
Speaker 1: brain that could go crazy.

1292
00:58:21,840 --> 00:58:24,880
Speaker 2: So this is what you be home doing, I.

1293
00:58:24,840 --> 00:58:27,160
Speaker 1: Mean, learning new ways to be turned on. Yeah, yeah,

1294
00:58:27,160 --> 00:58:30,080
Speaker 1: I think that's what she should do in your life.

1295
00:58:30,120 --> 00:58:31,200
Speaker 2: I'm not mad at that mad.

1296
00:58:31,240 --> 00:58:33,280
Speaker 1: They always find new ways to continue on, especially with

1297
00:58:33,880 --> 00:58:36,720
Speaker 1: aging and things that you're able to do and not

1298
00:58:36,760 --> 00:58:39,800
Speaker 1: do physically anymore. Yeah, you gotta find new ways to

1299
00:58:39,800 --> 00:58:40,280
Speaker 1: get turned on.

1300
00:58:40,400 --> 00:58:42,440
Speaker 2: Yeah, you're right, find a new way to start the engine.

1301
00:58:42,480 --> 00:58:42,800
Speaker 2: I get it.

1302
00:58:42,880 --> 00:58:46,720
Speaker 1: Yeah, And if you know, if maybe instead of taking

1303
00:58:46,720 --> 00:58:49,200
Speaker 1: a pill, I need to watch a sign language interpreter

1304
00:58:49,440 --> 00:58:53,800
Speaker 1: do wop before I visit the double hand. She did

1305
00:58:53,840 --> 00:58:55,800
Speaker 1: the pepper grinder, and I'm not supposed to be turned on.

1306
00:58:55,920 --> 00:58:59,160
Speaker 2: Hold on, I'm not I don't speak sign language, but

1307
00:58:59,240 --> 00:59:00,880
Speaker 2: I'm almost sure that that's not.

1308
00:59:01,480 --> 00:59:04,520
Speaker 1: Listen, she's that was an ad list. Some some languages

1309
00:59:04,640 --> 00:59:07,919
Speaker 1: universal to some degree. Everybody knows what the pepper grinder is. Yes,

1310
00:59:08,000 --> 00:59:09,000
Speaker 1: this is the peppergrinder.

1311
00:59:09,000 --> 00:59:12,480
Speaker 2: Absolutely, absolutely so if she does that in sign school,

1312
00:59:13,200 --> 00:59:14,560
Speaker 2: they don't teach that. And sign like that was a

1313
00:59:14,560 --> 00:59:16,120
Speaker 2: ad lib. I know ad lib when I see one.

1314
00:59:17,040 --> 00:59:20,080
Speaker 2: That was an ad lib. She freestyle. She put that

1315
00:59:20,120 --> 00:59:22,480
Speaker 2: in there just to give it more emphasis. But yeah,

1316
00:59:22,520 --> 00:59:24,120
Speaker 2: I was just wondering, Man, I didn't mean to go

1317
00:59:24,160 --> 00:59:26,880
Speaker 2: down this this this long of a talk about it.

1318
00:59:26,920 --> 00:59:29,080
Speaker 2: I was just wondering, like, but you got why are

1319
00:59:29,120 --> 00:59:29,520
Speaker 2: they there?

1320
00:59:30,040 --> 00:59:34,520
Speaker 1: You gotta think and sign language class because you know,

1321
00:59:34,600 --> 00:59:37,520
Speaker 1: we like from middle school to high school. You learn

1322
00:59:37,600 --> 00:59:40,480
Speaker 1: new things about the English language all the way through yeah,

1323
00:59:40,560 --> 00:59:44,720
Speaker 1: every day school, and then you bring in certain things

1324
00:59:44,760 --> 00:59:47,560
Speaker 1: from your neighborhood or your inflections, or certain things like yeah,

1325
00:59:47,600 --> 00:59:50,320
Speaker 1: and then your English teacher is like, that's not proper English.

1326
00:59:50,440 --> 00:59:53,800
Speaker 1: You can't talk that way. Imagine coming into the sign

1327
00:59:53,880 --> 00:59:56,800
Speaker 1: language class and you throw up the pepper grinder to

1328
00:59:56,800 --> 00:59:58,560
Speaker 1: your teacher. That's what I'm saying, Like, no, no, no,

1329
00:59:58,600 --> 01:00:02,320
Speaker 1: I did this already exist and everybody knows what that is.

1330
01:00:02,920 --> 01:00:04,280
Speaker 2: It's only one thing you can be doing if you

1331
01:00:04,280 --> 01:00:07,919
Speaker 2: don't have any fusili or any fucking rigotonia on your plate.

1332
01:00:08,120 --> 01:00:11,560
Speaker 2: This one to this, That's what I'm saying. It's like,

1333
01:00:11,680 --> 01:00:14,880
Speaker 2: that's not they're not teaching that. That's an ad lib.

1334
01:00:15,360 --> 01:00:16,920
Speaker 1: No, that's that little dangly thing in the back of

1335
01:00:16,920 --> 01:00:17,320
Speaker 1: her throat.

1336
01:00:17,800 --> 01:00:21,160
Speaker 2: Look at the dangly thing though, this is this means

1337
01:00:21,200 --> 01:00:21,760
Speaker 2: dangly thing.

1338
01:00:22,280 --> 01:00:22,360
Speaker 1: Edit.

1339
01:00:22,440 --> 01:00:23,480
Speaker 2: If you could pick this up.

1340
01:00:23,920 --> 01:00:26,200
Speaker 1: And that's the dangly thing. And then that's what she

1341
01:00:26,320 --> 01:00:27,960
Speaker 1: just did, and then she puts it back in her throat.

1342
01:00:28,200 --> 01:00:29,480
Speaker 2: Yeah, this is the dangly thing.

1343
01:00:30,640 --> 01:00:34,040
Speaker 1: You could probably and I feel like with sign language,

1344
01:00:34,040 --> 01:00:36,919
Speaker 1: you kind of leave there is no mystery at that point,

1345
01:00:37,000 --> 01:00:38,439
Speaker 1: because you know, we think when we meet a woman,

1346
01:00:38,680 --> 01:00:41,680
Speaker 1: it crosses your mind, like I wonder game with the

1347
01:00:41,720 --> 01:00:43,600
Speaker 1: sign language interpret I think I already know how she

1348
01:00:43,760 --> 01:00:44,160
Speaker 1: give it up.

1349
01:00:44,520 --> 01:00:46,680
Speaker 2: Well, we kind of all speak a little sign language

1350
01:00:46,800 --> 01:00:49,680
Speaker 2: to an extent because we've all like just hand gesture

1351
01:00:49,720 --> 01:00:53,280
Speaker 2: to a woman at some point, like in a noisy room.

1352
01:00:53,560 --> 01:00:55,919
Speaker 2: You know, he was like yeah, like ready to go,

1353
01:00:56,040 --> 01:00:59,000
Speaker 2: give him a little head nod. But now with this,

1354
01:00:59,000 --> 01:01:01,800
Speaker 2: this is a tutorial, I'm gonna learn some of these

1355
01:01:01,800 --> 01:01:05,280
Speaker 2: things and just you know, somebody signs and just and

1356
01:01:05,360 --> 01:01:07,840
Speaker 2: just let it, let it, let it happen that you know,

1357
01:01:07,880 --> 01:01:09,600
Speaker 2: whenever it needs to happen. Now, like once I do

1358
01:01:09,640 --> 01:01:11,600
Speaker 2: the dangly thing sign to a young lady.

1359
01:01:11,800 --> 01:01:14,560
Speaker 1: What if she only lets you hit the dangly thing once.

1360
01:01:16,040 --> 01:01:18,600
Speaker 2: That's another thing, man, That that that that hurts, That

1361
01:01:18,680 --> 01:01:20,880
Speaker 2: hurts the ego, like when you only when a woman

1362
01:01:20,920 --> 01:01:23,480
Speaker 2: only lets you have sex with her, one time, it's

1363
01:01:23,520 --> 01:01:27,840
Speaker 2: crushing and never again. I'm in my very few things

1364
01:01:27,880 --> 01:01:31,400
Speaker 2: that bruises and kills a man's ego more than when

1365
01:01:31,400 --> 01:01:33,600
Speaker 2: a woman only allows you to have sex with her

1366
01:01:33,760 --> 01:01:34,320
Speaker 2: one time.

1367
01:01:34,600 --> 01:01:36,439
Speaker 1: I'm still in my head to this day about things

1368
01:01:36,480 --> 01:01:37,360
Speaker 1: from oh seven.

1369
01:01:37,760 --> 01:01:40,840
Speaker 2: Yeah, you start wanting to like, damn, I'm trash, like

1370
01:01:40,920 --> 01:01:41,440
Speaker 2: it was whack.

1371
01:01:41,800 --> 01:01:44,160
Speaker 1: And then you start making excuses for yourself too, like

1372
01:01:44,400 --> 01:01:48,440
Speaker 1: I mean, she's probably busy. Yeah, she's probably like she's

1373
01:01:48,440 --> 01:01:49,840
Speaker 1: little lazy for the last ten years.

1374
01:01:49,920 --> 01:01:52,120
Speaker 2: She's just not. It was just a one time thing, man,

1375
01:01:52,120 --> 01:01:55,840
Speaker 2: But that now you're at home questioning everything about yourself.

1376
01:01:55,840 --> 01:01:57,200
Speaker 1: And then I start thinking like, well, if I lived

1377
01:01:57,240 --> 01:02:00,240
Speaker 1: in Miami, I'm sure it would be more. No. But

1378
01:02:00,280 --> 01:02:02,200
Speaker 1: then I go to Miami and be like, yo.

1379
01:02:02,360 --> 01:02:04,080
Speaker 2: No, you don't even see her, she don't even link

1380
01:02:04,160 --> 01:02:07,600
Speaker 2: up nothing. Yeah, that's actually the ego. That's much.

1381
01:02:07,640 --> 01:02:09,640
Speaker 1: That's much higher on the list. I don't think women

1382
01:02:09,720 --> 01:02:11,720
Speaker 1: realize how much that does fuck with our ego and

1383
01:02:11,960 --> 01:02:15,240
Speaker 1: has our thoughts trailing at night, like the way women

1384
01:02:15,240 --> 01:02:17,160
Speaker 1: be Like in my relationship, I can't sleep at night

1385
01:02:17,160 --> 01:02:19,360
Speaker 1: because my thoughts are going everywhere with us. It's like,

1386
01:02:19,520 --> 01:02:21,400
Speaker 1: you know, she really like, just let me be one

1387
01:02:21,440 --> 01:02:24,960
Speaker 1: time once, one time, and if she go crazy too

1388
01:02:24,960 --> 01:02:26,840
Speaker 1: in the one time, then it's really fucking me up.

1389
01:02:26,920 --> 01:02:29,040
Speaker 2: That's no, that's when it fucks you. When it was great,

1390
01:02:29,360 --> 01:02:31,400
Speaker 2: like when the sex was great, it was like we

1391
01:02:31,440 --> 01:02:33,800
Speaker 2: only had sex one time, but it was great, Like

1392
01:02:33,920 --> 01:02:37,040
Speaker 2: everything about it was great. She smelled great, she look great, sexy,

1393
01:02:37,600 --> 01:02:40,680
Speaker 2: every everything was just amazing. And then she never gives

1394
01:02:40,680 --> 01:02:44,880
Speaker 2: you the opportunity to have sex with her again because

1395
01:02:44,880 --> 01:02:47,560
Speaker 2: then now you can't. It's like you can't ask for

1396
01:02:47,680 --> 01:02:50,160
Speaker 2: sex of course, not right, Like you can't you can't

1397
01:02:50,160 --> 01:02:50,800
Speaker 2: be like yo.

1398
01:02:51,480 --> 01:02:53,000
Speaker 1: Closely to the girl that lets you hit it once.

1399
01:02:53,240 --> 01:02:55,440
Speaker 1: You can't really say certain things to the girl that

1400
01:02:55,480 --> 01:02:58,000
Speaker 1: you hitn't want if I hit a few times. There's

1401
01:02:58,040 --> 01:03:01,800
Speaker 1: certain things I can step up in requests how I

1402
01:03:01,840 --> 01:03:03,960
Speaker 1: talk to you on the phone or via text that

1403
01:03:04,080 --> 01:03:06,520
Speaker 1: one time. There's only a line I can really cross

1404
01:03:06,560 --> 01:03:07,320
Speaker 1: without playing myself.

1405
01:03:07,560 --> 01:03:07,880
Speaker 2: You can't.

1406
01:03:07,960 --> 01:03:08,160
Speaker 1: Yeah.

1407
01:03:08,520 --> 01:03:09,840
Speaker 2: Then you go to high house and you think you

1408
01:03:09,920 --> 01:03:12,280
Speaker 2: staying and she's like yo, like noah, I'm about to

1409
01:03:12,320 --> 01:03:14,280
Speaker 2: go to sleep like and you looking at her like, yo,

1410
01:03:14,320 --> 01:03:17,200
Speaker 2: we just had sex in that bed last month, Like

1411
01:03:18,120 --> 01:03:19,560
Speaker 2: She's like nah, I'm going to see if I gotta

1412
01:03:19,560 --> 01:03:21,160
Speaker 2: get up early old price. The old price is not

1413
01:03:21,240 --> 01:03:23,640
Speaker 2: the new price. It's not the old sex is not

1414
01:03:23,720 --> 01:03:26,280
Speaker 2: the new sex. It's just not like you just and

1415
01:03:26,320 --> 01:03:29,000
Speaker 2: that kills a man's ego because you don't. She won't

1416
01:03:29,000 --> 01:03:31,280
Speaker 2: tell you why, and you can't ask her why y'all

1417
01:03:31,320 --> 01:03:32,800
Speaker 2: not having sex again? Like you just can't.

1418
01:03:33,160 --> 01:03:35,360
Speaker 1: I had I've had a woman tell me before, and

1419
01:03:35,720 --> 01:03:38,360
Speaker 1: I wasn't pissed that we only fucked once because I

1420
01:03:38,440 --> 01:03:40,800
Speaker 1: kind of agreed with her, But then later on it

1421
01:03:40,880 --> 01:03:43,440
Speaker 1: did bottom second. We just didn't really have sexual chemistry

1422
01:03:43,480 --> 01:03:45,800
Speaker 1: like that, And then I was like, wait, is this

1423
01:03:45,840 --> 01:03:47,320
Speaker 1: your way of telling me that it was trashed in

1424
01:03:47,320 --> 01:03:48,800
Speaker 1: a really nice way because you respect me.

1425
01:03:49,200 --> 01:03:52,080
Speaker 2: We don't have sexual chemistry and we only fucked once.

1426
01:03:52,200 --> 01:03:53,680
Speaker 2: And that's when you got to pull up your chemistry

1427
01:03:53,720 --> 01:03:55,880
Speaker 2: report card. Like I'm like, yo, listen, I'm great at chemistry.

1428
01:03:56,800 --> 01:03:58,560
Speaker 2: Like I don't know what the fuck you talking about,

1429
01:03:58,560 --> 01:04:00,560
Speaker 2: Like look at all of my past great Like I

1430
01:04:00,680 --> 01:04:04,160
Speaker 2: was the top chemistry in school, Neutrons all those yeah,

1431
01:04:04,200 --> 01:04:06,440
Speaker 2: Like I was the head of Like what are you

1432
01:04:06,440 --> 01:04:08,080
Speaker 2: talking about? Like chem that your.

1433
01:04:08,000 --> 01:04:11,520
Speaker 1: Sexual chemistry is all my chemistry a bleaker is Yeah,

1434
01:04:11,800 --> 01:04:13,760
Speaker 1: it's not just the street exactly.

1435
01:04:13,320 --> 01:04:15,320
Speaker 2: Like are you kidding me? Like my chemistry is on.

1436
01:04:16,200 --> 01:04:18,560
Speaker 2: We don't have sex you no, you don't have sexual chemicry?

1437
01:04:18,560 --> 01:04:20,600
Speaker 1: Well then no, what broke my ego down even more?

1438
01:04:21,080 --> 01:04:23,320
Speaker 1: As the days passed, I was like, well, I'm not

1439
01:04:23,400 --> 01:04:26,160
Speaker 1: worth a second attempt at chemistry, Like what.

1440
01:04:26,200 --> 01:04:29,400
Speaker 2: If something happened, Yeah, like you gotta give me another shot.

1441
01:04:29,880 --> 01:04:31,760
Speaker 2: It's kind of like if we if we if we

1442
01:04:31,880 --> 01:04:34,000
Speaker 2: playing a sport and like we hoop and we're playing

1443
01:04:34,040 --> 01:04:37,280
Speaker 2: ball and I make a crazy shot you know in

1444
01:04:37,320 --> 01:04:39,280
Speaker 2: the hood that like, yo, make it again, because you

1445
01:04:39,280 --> 01:04:40,440
Speaker 2: got to know if it was a fluke or not.

1446
01:04:40,560 --> 01:04:43,440
Speaker 2: So if we have sex and whether it's good or

1447
01:04:43,440 --> 01:04:46,400
Speaker 2: it's bad, you almost gotta kind of sort of let

1448
01:04:46,440 --> 01:04:49,919
Speaker 2: me get another attempt. Yeah, that's just law. I don't

1449
01:04:49,920 --> 01:04:51,240
Speaker 2: know whose law it is, but it's just law.

1450
01:04:51,280 --> 01:04:53,040
Speaker 1: It's like no, I think it's in the Bible. Yeah,

1451
01:04:53,040 --> 01:04:54,080
Speaker 1: we have for sure.

1452
01:04:54,120 --> 01:04:56,280
Speaker 2: You have to first of all, in a pack of condoms,

1453
01:04:56,280 --> 01:04:59,000
Speaker 2: there's three condoms. You have to let me go through

1454
01:04:59,040 --> 01:05:01,920
Speaker 2: all three of those condoms before you can effectively determine

1455
01:05:01,960 --> 01:05:04,200
Speaker 2: if our chemistry is good or not. That's a law.

1456
01:05:04,240 --> 01:05:05,760
Speaker 2: I feel like that's somewhere in the law, and we

1457
01:05:05,800 --> 01:05:07,000
Speaker 2: need to stand by that.

1458
01:05:07,120 --> 01:05:09,360
Speaker 1: We're allowed three attempts. We are allowed three, at least

1459
01:05:09,360 --> 01:05:10,920
Speaker 1: two and a half if the first one count as

1460
01:05:10,920 --> 01:05:13,560
Speaker 1: a half. Yeah, they don't sell one condom, it's three.

1461
01:05:13,680 --> 01:05:16,919
Speaker 1: Why are women with the buffet of I have good pussy? Yeah,

1462
01:05:16,920 --> 01:05:18,240
Speaker 1: I know it quick because it's good, and then you

1463
01:05:18,280 --> 01:05:21,000
Speaker 1: got really excited, and now you're to blame for it,

1464
01:05:21,000 --> 01:05:22,680
Speaker 1: and now you're putting back another thing.

1465
01:05:22,840 --> 01:05:25,040
Speaker 2: We need to trust that because it's not always that

1466
01:05:25,080 --> 01:05:25,919
Speaker 2: the pussy is good.

1467
01:05:25,960 --> 01:05:27,200
Speaker 1: I have come quick and bad pussy.

1468
01:05:27,280 --> 01:05:29,040
Speaker 2: Yeah, it's not always that. I want to make it

1469
01:05:30,320 --> 01:05:32,920
Speaker 2: me if women, let me assure you, there's been times

1470
01:05:33,000 --> 01:05:35,840
Speaker 2: we've got encouraging you. Yeah, it's it's been times where

1471
01:05:35,880 --> 01:05:37,680
Speaker 2: before we linked up that night early in the day,

1472
01:05:37,720 --> 01:05:39,880
Speaker 2: I was shaking the snake a little bit, I didn't finish.

1473
01:05:40,040 --> 01:05:42,200
Speaker 2: I was a little excited. Things happened with some glue

1474
01:05:42,240 --> 01:05:43,920
Speaker 2: in the gun. Yeah it is. And then I get

1475
01:05:43,960 --> 01:05:46,080
Speaker 2: to you that night and it's like, listen, this thing

1476
01:05:46,200 --> 01:05:48,160
Speaker 2: was already happening before you.

1477
01:05:48,160 --> 01:05:49,400
Speaker 1: You know what I already I think.

1478
01:05:49,360 --> 01:05:51,280
Speaker 2: Yeah, yeah, yeah, this has nothing to do with you,

1479
01:05:51,320 --> 01:05:54,320
Speaker 2: Like mind your business. This is me still doing me.

1480
01:05:54,640 --> 01:05:55,760
Speaker 1: This trigger is sensitive.

1481
01:05:55,880 --> 01:05:57,800
Speaker 2: Yeah, but they women were like, oh that I mustn't

1482
01:05:57,800 --> 01:06:00,600
Speaker 2: that pussy the airlines. It's not you, really, yeah, it's

1483
01:06:00,680 --> 01:06:03,160
Speaker 2: not you. It was me and I was a little excited.

1484
01:06:03,520 --> 01:06:05,440
Speaker 2: And you know, the second round may be you, but

1485
01:06:05,480 --> 01:06:07,000
Speaker 2: the first round had nothing to do with you.

1486
01:06:07,080 --> 01:06:10,480
Speaker 1: Like when women say that as a kid, I used

1487
01:06:10,480 --> 01:06:12,440
Speaker 1: to rub my dick on a pillow to come. You

1488
01:06:12,440 --> 01:06:16,800
Speaker 1: think I can't come in shitty pussy bro, Listen like

1489
01:06:16,840 --> 01:06:19,160
Speaker 1: when I was a kid, I rubbed my dick on everything,

1490
01:06:19,440 --> 01:06:24,760
Speaker 1: like surfaces that kind of hurt. Sometimes you didn't know

1491
01:06:24,760 --> 01:06:26,919
Speaker 1: he was Getna was figuring it out. But I would

1492
01:06:27,000 --> 01:06:28,760
Speaker 1: just rather side of the couch. I just rubbed my

1493
01:06:28,800 --> 01:06:31,920
Speaker 1: dick like all right, that's not for me that couch.

1494
01:06:32,280 --> 01:06:33,560
Speaker 1: Move on to the next home appliance.

1495
01:06:33,600 --> 01:06:35,200
Speaker 2: They don't like that couch. That couch ain't for me.

1496
01:06:35,480 --> 01:06:39,040
Speaker 1: Literally, I've adapted my dick since before I knew how

1497
01:06:39,040 --> 01:06:41,600
Speaker 1: to come that I could come just off rubbing it

1498
01:06:41,640 --> 01:06:45,200
Speaker 1: on something. Of course I can come off bad pussy bro.

1499
01:06:46,200 --> 01:06:48,120
Speaker 1: First of all, women asked me all the time what

1500
01:06:48,240 --> 01:06:52,680
Speaker 1: is bad pussy? And I have the same answer, stink

1501
01:06:52,720 --> 01:06:58,320
Speaker 1: pussy Okay, Okay, I mean this is where I may

1502
01:06:58,360 --> 01:07:02,800
Speaker 1: look nuts. See, I know where the white boy is

1503
01:07:02,840 --> 01:07:06,320
Speaker 1: great to go. I know because I'm trying to worry

1504
01:07:06,320 --> 01:07:08,280
Speaker 1: it correctly. Because No, you're on.

1505
01:07:08,400 --> 01:07:10,200
Speaker 2: Record saying you like your pushy to have a little

1506
01:07:10,240 --> 01:07:12,680
Speaker 2: smell gives a character, gives it personality.

1507
01:07:13,000 --> 01:07:15,560
Speaker 1: Okay, and I still I still stand by that. Yeah,

1508
01:07:15,600 --> 01:07:18,000
Speaker 1: I still I didn't say a bad smell. Okay, I

1509
01:07:18,080 --> 01:07:21,280
Speaker 1: just don't like the no smell like it's gotta it's

1510
01:07:21,280 --> 01:07:27,520
Speaker 1: gotta be something, Okay, But twang, yes, I'm dead ass

1511
01:07:27,920 --> 01:07:28,840
Speaker 1: little seasoning bro.

1512
01:07:29,320 --> 01:07:32,360
Speaker 2: Listen, you're my guy, little little everybody hates you, I

1513
01:07:32,400 --> 01:07:32,880
Speaker 2: still love it.

1514
01:07:34,040 --> 01:07:36,640
Speaker 1: I just want you to understand that if everybody in

1515
01:07:36,680 --> 01:07:38,280
Speaker 1: the world hates you, I still love you.

1516
01:07:38,320 --> 01:07:38,520
Speaker 2: Bro.

1517
01:07:38,840 --> 01:07:41,080
Speaker 1: I am not judging you. I'm just saying that's the

1518
01:07:41,080 --> 01:07:42,120
Speaker 1: freaking boy in you.

1519
01:07:42,160 --> 01:07:42,560
Speaker 2: That's so.

1520
01:07:43,040 --> 01:07:46,320
Speaker 1: I have admitted, I think, on this podcast or in

1521
01:07:46,360 --> 01:07:49,280
Speaker 1: conversation with you, that I have finished through two boxes

1522
01:07:49,320 --> 01:07:51,040
Speaker 1: that smelled weird. I did not eat the pussy, but

1523
01:07:51,080 --> 01:07:55,520
Speaker 1: I did continue on. I smelled it and was like whoa, yeah,

1524
01:07:55,680 --> 01:07:57,680
Speaker 1: like my eyes started to water a little bit, and

1525
01:07:57,720 --> 01:08:00,920
Speaker 1: I admitted that I continued. Yeah, I left out a

1526
01:08:00,960 --> 01:08:04,800
Speaker 1: point in that it did smell, but it was pretty good.

1527
01:08:05,800 --> 01:08:06,040
Speaker 2: See.

1528
01:08:06,080 --> 01:08:08,280
Speaker 1: The thing for it was we and I think that's

1529
01:08:08,320 --> 01:08:12,800
Speaker 1: what the odor. Oh you a nasty white boy. Oh,

1530
01:08:13,320 --> 01:08:15,000
Speaker 1: but there's certain positions if you turn her in a

1531
01:08:15,000 --> 01:08:18,080
Speaker 1: certain way, like it'll ask to like block the descent.

1532
01:08:18,200 --> 01:08:21,120
Speaker 2: But listen, I'm gonna tell you something that you know, guys,

1533
01:08:21,120 --> 01:08:23,000
Speaker 2: and we're helping the fellas out here. It's not always

1534
01:08:23,040 --> 01:08:26,559
Speaker 2: the pussy. Sometimes it'd be the butt that stink. That's true.

1535
01:08:27,080 --> 01:08:29,759
Speaker 2: It's yeah, it's not always. It's not always the vagina.

1536
01:08:29,960 --> 01:08:32,360
Speaker 2: Sometimes it's the butt that stink. It's like it's got

1537
01:08:32,400 --> 01:08:34,880
Speaker 2: a little funny smell to it. But I just can't

1538
01:08:34,920 --> 01:08:36,840
Speaker 2: you know, when you're a young boy, you take your

1539
01:08:36,840 --> 01:08:39,240
Speaker 2: war wounds, you gotta you gotta, you gotta gotta, you

1540
01:08:39,280 --> 01:08:40,479
Speaker 2: gotta suck through some stink pussy.

1541
01:08:40,479 --> 01:08:41,880
Speaker 1: I'm not making this as a young boy. I'm not

1542
01:08:41,920 --> 01:08:44,599
Speaker 1: making this. Are of course you have, but as a pussy,

1543
01:08:44,600 --> 01:08:45,400
Speaker 1: you gotta get it when you can.

1544
01:08:45,520 --> 01:08:47,360
Speaker 2: Yeah, as a grown man, No, no, no, no, no,

1545
01:08:47,400 --> 01:08:48,360
Speaker 2: you can't. You can't do that.

1546
01:08:48,720 --> 01:08:50,479
Speaker 1: Have you ever like lived with live with a woman.

1547
01:08:50,520 --> 01:08:58,520
Speaker 1: I'm not making a moll relationship. So sometimes it's day

1548
01:08:58,520 --> 01:09:01,720
Speaker 1: four and it's just spotty, and she thinks it's just

1549
01:09:01,760 --> 01:09:05,200
Speaker 1: spotty mm hmm. And then you bust it open a

1550
01:09:05,280 --> 01:09:07,599
Speaker 1: little bit more and it's not so spotty anymore. Yeah,

1551
01:09:07,760 --> 01:09:10,920
Speaker 1: it's just you're gonna catch it with Yeah, it's gonna

1552
01:09:10,920 --> 01:09:11,559
Speaker 1: smell crazy.

1553
01:09:11,640 --> 01:09:13,400
Speaker 2: Yeah. Yeah. But this is why you don't go down

1554
01:09:13,439 --> 01:09:14,160
Speaker 2: there when it's.

1555
01:09:13,960 --> 01:09:17,160
Speaker 1: That time it was spotty though it was the last day.

1556
01:09:17,400 --> 01:09:19,679
Speaker 2: Even if it's spotty, stay away. Oh my god.

1557
01:09:19,920 --> 01:09:21,880
Speaker 1: It's because what is it six days? You can do

1558
01:09:21,960 --> 01:09:24,519
Speaker 1: something else with your life for six days? Okay, we've

1559
01:09:24,520 --> 01:09:26,200
Speaker 1: talked about it. You don't run red lights. Have you ever

1560
01:09:26,240 --> 01:09:29,439
Speaker 1: ran a yellow? Sometimes you get a car accident, But

1561
01:09:29,479 --> 01:09:31,719
Speaker 1: ninety percent of the time when you go through that yellow,

1562
01:09:31,800 --> 01:09:34,360
Speaker 1: you get through successfully. Yeah, but not get right through

1563
01:09:34,400 --> 01:09:36,000
Speaker 1: that ship the camera flash, don't even have you don't

1564
01:09:36,000 --> 01:09:38,479
Speaker 1: get a ticket nothing. Yeah. But I'm not in a rush,

1565
01:09:38,920 --> 01:09:43,000
Speaker 1: That's my thing. Like, I'm not in a rush. I'm

1566
01:09:43,000 --> 01:09:45,680
Speaker 1: not We don't need to run through this light. I'm

1567
01:09:45,720 --> 01:09:47,160
Speaker 1: not in a rush. I'll get there when I get there.

1568
01:09:47,200 --> 01:09:49,160
Speaker 1: I'm that type of guy, like it's like, don't worry

1569
01:09:49,160 --> 01:09:50,600
Speaker 1: about it, we'll get You want me to continue to

1570
01:09:50,600 --> 01:09:51,960
Speaker 1: just rub my dick on the couch instead.

1571
01:09:52,120 --> 01:09:53,759
Speaker 2: No, as a grown man, I want you to stop

1572
01:09:53,800 --> 01:09:56,320
Speaker 2: doing that. I want you to stop. I want you

1573
01:09:56,400 --> 01:09:58,400
Speaker 2: to stop rubbing your dick on furniture.

1574
01:09:58,400 --> 01:10:00,599
Speaker 1: Okay, please stop doing done that since I was a kid.

1575
01:10:00,760 --> 01:10:04,240
Speaker 2: But yeah, man, I you know, women asks what's bad?

1576
01:10:04,479 --> 01:10:07,439
Speaker 2: What's bad? Pussy? What's bad? And my answers always, you know,

1577
01:10:07,479 --> 01:10:09,439
Speaker 2: if it just doesn't smell fresh, if it's you know,

1578
01:10:10,080 --> 01:10:12,920
Speaker 2: because there is no you know, we to is it

1579
01:10:13,000 --> 01:10:15,479
Speaker 2: not wet enough? Some some some women get really wet.

1580
01:10:15,640 --> 01:10:18,040
Speaker 2: Some women don't get that wet. Some women you know,

1581
01:10:18,240 --> 01:10:20,800
Speaker 2: will say you don't make her wet enough. They put

1582
01:10:20,800 --> 01:10:22,040
Speaker 2: that on the man as well. They say, oh, you

1583
01:10:22,040 --> 01:10:24,559
Speaker 2: don't turn me on, it's you know. My My answer

1584
01:10:24,640 --> 01:10:26,920
Speaker 2: is just get some lube and we can get right

1585
01:10:27,000 --> 01:10:27,400
Speaker 2: past us.

1586
01:10:27,560 --> 01:10:29,080
Speaker 1: Or don't fuck me if I don't turn you on.

1587
01:10:30,240 --> 01:10:32,439
Speaker 2: But sometimes women women will have sex with you if

1588
01:10:32,439 --> 01:10:34,760
Speaker 2: you don't because they you know, you might not be

1589
01:10:34,800 --> 01:10:37,960
Speaker 2: turning her on in that moment. Okay, y'all are together,

1590
01:10:38,040 --> 01:10:40,640
Speaker 2: you know whatever, But it turned her on before? Yeah, yeah, no,

1591
01:10:40,720 --> 01:10:41,080
Speaker 2: for sure.

1592
01:10:41,400 --> 01:10:42,920
Speaker 1: But I don't want to. I don't ever want to

1593
01:10:42,920 --> 01:10:45,080
Speaker 1: be an experiment turn on if I turn you on.

1594
01:10:45,479 --> 01:10:48,240
Speaker 2: Let's try it out. I don't ever want sympathy sex.

1595
01:10:48,920 --> 01:10:50,519
Speaker 2: I don't know if ever like, don't give me, don't give

1596
01:10:50,560 --> 01:10:52,280
Speaker 2: me the sex where you know that I'm just going

1597
01:10:52,320 --> 01:10:54,880
Speaker 2: through ship and I'm having like a rough week, but

1598
01:10:54,920 --> 01:10:57,080
Speaker 2: you're not really feeling me. Why you're mad at me?

1599
01:10:57,760 --> 01:10:58,679
Speaker 2: Don't just give me sympathy.

1600
01:10:58,920 --> 01:11:01,200
Speaker 1: You know, women are really pieces a ship. I've been

1601
01:11:01,240 --> 01:11:03,439
Speaker 1: trying to tell you this for however, I kind of

1602
01:11:03,479 --> 01:11:07,320
Speaker 1: just realized that hold on, maybe should I shoot them

1603
01:11:07,320 --> 01:11:09,600
Speaker 1: some bail because they just think of men that we

1604
01:11:09,640 --> 01:11:12,080
Speaker 1: always want to fuck and everything I've been going through things,

1605
01:11:12,160 --> 01:11:14,479
Speaker 1: and women that I've considered friends that maybe I have

1606
01:11:14,560 --> 01:11:17,200
Speaker 1: slept with before the sex is on the table, have

1607
01:11:17,320 --> 01:11:19,320
Speaker 1: come to confide me in times when I was really

1608
01:11:19,400 --> 01:11:21,320
Speaker 1: upset and we ended up fucking and I didn't want

1609
01:11:21,320 --> 01:11:21,599
Speaker 1: to fuck.

1610
01:11:21,960 --> 01:11:24,360
Speaker 2: Oh no, that's when they pieces of shit. They just

1611
01:11:24,800 --> 01:11:26,960
Speaker 2: trying to jump you off and get theirs off. Yeah,

1612
01:11:27,000 --> 01:11:29,400
Speaker 2: they use us. You didn't know that, Oh my god,

1613
01:11:29,560 --> 01:11:30,600
Speaker 2: Oh man, you gotta come on.

1614
01:11:30,720 --> 01:11:33,360
Speaker 1: Man. Yeah, I'm even And granted I'm not saying I'm

1615
01:11:33,520 --> 01:11:35,080
Speaker 1: have the most and secretary, the most stand up guy,

1616
01:11:35,120 --> 01:11:36,560
Speaker 1: but I feel like every time I've come to a

1617
01:11:36,600 --> 01:11:39,400
Speaker 1: woman's aid that we have had sex and do have sex.

1618
01:11:39,920 --> 01:11:42,840
Speaker 1: I have not tried, attempted nothing. When she's going through

1619
01:11:42,880 --> 01:11:46,680
Speaker 1: something crazy to fuck the weirdest thing.

1620
01:11:47,000 --> 01:11:48,240
Speaker 2: Did you give her that moment to be like, YO

1621
01:11:48,520 --> 01:11:50,240
Speaker 2: gets through? Yeah?

1622
01:11:50,360 --> 01:11:54,880
Speaker 1: I said, Hey, how I get over tragedies and death

1623
01:11:54,920 --> 01:11:57,200
Speaker 1: is sucking dick. I'd be like, well, I mean, listen,

1624
01:11:57,240 --> 01:11:59,839
Speaker 1: we all a grieve differently. We agreeed differently. Grieve away,

1625
01:12:00,160 --> 01:12:02,880
Speaker 1: grieve if you must this. Yeah, I'll cry with you. Yeah,

1626
01:12:03,120 --> 01:12:05,040
Speaker 1: here's your tears as LUBRICI I'll.

1627
01:12:04,800 --> 01:12:06,760
Speaker 2: Cry with you. I don't care. Well. I remember one

1628
01:12:06,800 --> 01:12:08,800
Speaker 2: time a woman was mad at me that I didn't

1629
01:12:08,800 --> 01:12:10,880
Speaker 2: want to have sex with her, and she assumed that

1630
01:12:11,640 --> 01:12:15,240
Speaker 2: I had just finished having sex with someone else before

1631
01:12:15,479 --> 01:12:18,240
Speaker 2: I got to her house. What's wrong with the double header? No,

1632
01:12:18,360 --> 01:12:21,160
Speaker 2: I listen, there's nothing wrong with a double header. But

1633
01:12:21,200 --> 01:12:22,000
Speaker 2: that wasn't the case.

1634
01:12:22,040 --> 01:12:23,760
Speaker 1: I just just showered, just showering between. I was just

1635
01:12:23,760 --> 01:12:24,360
Speaker 1: in a sad mood.

1636
01:12:24,400 --> 01:12:25,800
Speaker 2: Yeah, I was in a bad mood. I was like,

1637
01:12:25,920 --> 01:12:28,440
Speaker 2: I'm just not but she didn't care, like she was

1638
01:12:28,479 --> 01:12:30,679
Speaker 2: trying to pull my pants down, and I'm like.

1639
01:12:30,600 --> 01:12:32,559
Speaker 1: You know, men can't be in bad moods when women

1640
01:12:32,640 --> 01:12:34,640
Speaker 1: want something, Yeah, but that has to care about it.

1641
01:12:34,760 --> 01:12:39,320
Speaker 2: Feel like we don't. Our mechanisms aren't the same if

1642
01:12:39,320 --> 01:12:41,800
Speaker 2: we're not in the mood. There's nothing happening there. There's

1643
01:12:41,800 --> 01:12:43,640
Speaker 2: no blood flowing down there. That is true, you know

1644
01:12:43,680 --> 01:12:45,479
Speaker 2: what I mean, Like it's no blood flowing, Like you're

1645
01:12:45,520 --> 01:12:48,360
Speaker 2: gonna you're gonna pull out like popcorn trimp if you

1646
01:12:48,439 --> 01:12:50,360
Speaker 2: try to like pull my pants down in.

1647
01:12:50,960 --> 01:12:53,880
Speaker 1: Unless unless you're a teenager or like in your early twenties.

1648
01:12:53,920 --> 01:12:55,599
Speaker 1: Because my dick was hard when I was a teenager

1649
01:12:55,640 --> 01:12:59,559
Speaker 1: in really awkward situ it shouldn't have been. It confused

1650
01:12:59,560 --> 01:13:02,400
Speaker 1: me more. I was like, why is my card right now?

1651
01:13:04,840 --> 01:13:06,799
Speaker 2: You was mad and he was depressed.

1652
01:13:06,760 --> 01:13:08,600
Speaker 1: I'm saying that like I should have paid attention in

1653
01:13:08,600 --> 01:13:11,840
Speaker 1: this puberty movie Pressed stiffyet is hilarious, Like why am

1654
01:13:11,840 --> 01:13:12,479
Speaker 1: I hard right now?

1655
01:13:12,520 --> 01:13:14,479
Speaker 2: Like how are you depressed? And you like you're you're

1656
01:13:14,479 --> 01:13:16,280
Speaker 2: turned on at your depression.

1657
01:13:16,520 --> 01:13:18,240
Speaker 1: I mean maybe that's why I am the way I

1658
01:13:18,240 --> 01:13:21,799
Speaker 1: am these days and how dark I am, because I

1659
01:13:21,840 --> 01:13:23,000
Speaker 1: could find pleasure in.

1660
01:13:23,200 --> 01:13:25,400
Speaker 2: If you can have being depressed, you can have what

1661
01:13:25,680 --> 01:13:26,320
Speaker 2: I had sex.

1662
01:13:26,520 --> 01:13:28,120
Speaker 1: I probably had the most sex in my life when

1663
01:13:28,120 --> 01:13:30,639
Speaker 1: I was the most depressed really yeah, not like those

1664
01:13:30,640 --> 01:13:33,240
Speaker 1: moments where I was like really really fucked up, but

1665
01:13:33,360 --> 01:13:35,960
Speaker 1: like I was over overall depressed for a long time,

1666
01:13:36,479 --> 01:13:37,960
Speaker 1: and that's when I was fucking the most, which I

1667
01:13:37,960 --> 01:13:39,320
Speaker 1: think was making me more depressed.

1668
01:13:39,680 --> 01:13:42,200
Speaker 2: I realized that I don't I can't. I'm not even

1669
01:13:42,640 --> 01:13:46,160
Speaker 2: I can't get aroused if like I have a lot

1670
01:13:46,160 --> 01:13:50,800
Speaker 2: of shit going on, like personally, business, family, like, I

1671
01:13:51,160 --> 01:13:53,280
Speaker 2: just can't. I don't even think about sex, like if

1672
01:13:53,320 --> 01:13:54,599
Speaker 2: it's a lot going on, It's just like I don't

1673
01:13:54,640 --> 01:13:57,200
Speaker 2: understand how people could even have sex when it's like

1674
01:13:57,280 --> 01:13:59,960
Speaker 2: so much crazy shit going on in life, Like how

1675
01:14:00,160 --> 01:14:02,160
Speaker 2: and how can your brain get away from all of

1676
01:14:02,160 --> 01:14:03,000
Speaker 2: this shit that's going on.

1677
01:14:03,120 --> 01:14:05,400
Speaker 1: I think sex is kind of the way we treat

1678
01:14:05,479 --> 01:14:07,880
Speaker 1: and not say sex is advice, but the way we

1679
01:14:07,920 --> 01:14:10,080
Speaker 1: treat a lot of other vices as a distraction, a

1680
01:14:10,160 --> 01:14:14,320
Speaker 1: way to find some comfortability and some quick way to

1681
01:14:14,360 --> 01:14:16,720
Speaker 1: feel good when you're upset.

1682
01:14:16,920 --> 01:14:17,280
Speaker 2: Mm hmm.

1683
01:14:17,840 --> 01:14:21,200
Speaker 1: Like anytime you run into like I'm not hosle shaming

1684
01:14:22,120 --> 01:14:26,160
Speaker 1: chicks that are like actually hosem, they're usually depressed. They're

1685
01:14:26,240 --> 01:14:29,559
Speaker 1: usually moving the way they're moving because they feel really

1686
01:14:29,600 --> 01:14:31,720
Speaker 1: bad about themselves men too, And I say, hell, I

1687
01:14:31,720 --> 01:14:34,280
Speaker 1: don't mean, I don't that's not gender specific, no, no, never,

1688
01:14:34,479 --> 01:14:37,320
Speaker 1: I'm talking about hose. Hose. Yeah, the world whatever you

1689
01:14:37,400 --> 01:14:41,280
Speaker 1: identify as right, the world of hose actually probably more

1690
01:14:41,320 --> 01:14:44,040
Speaker 1: men than than anyone. A man going from a chick

1691
01:14:44,080 --> 01:14:45,920
Speaker 1: to chick is usually searching for something. It's not pussy,

1692
01:14:46,640 --> 01:14:48,320
Speaker 1: and they really don't feel good about themselves. And this

1693
01:14:48,360 --> 01:14:49,680
Speaker 1: is the way of trying to find some type of

1694
01:14:49,720 --> 01:14:51,880
Speaker 1: validity and some type of confidence. Is me fucking a

1695
01:14:51,880 --> 01:14:53,519
Speaker 1: bunch of different girls because I feel like that's what

1696
01:14:53,520 --> 01:14:57,320
Speaker 1: I should be doing. I that'll make me feel doper.

1697
01:14:57,680 --> 01:15:00,960
Speaker 2: Yeah. I talk to a lot of you know, younger

1698
01:15:01,000 --> 01:15:02,880
Speaker 2: cats in my hood that I'm cool with that I

1699
01:15:02,880 --> 01:15:04,519
Speaker 2: try to just always check in on to make sure

1700
01:15:04,760 --> 01:15:07,320
Speaker 2: they focus and staying out of trouble. And it's just

1701
01:15:07,360 --> 01:15:11,160
Speaker 2: funny and having talks with them, like they're they could

1702
01:15:11,160 --> 01:15:15,120
Speaker 2: be doing anything and somehow someway their day is centered

1703
01:15:15,120 --> 01:15:20,439
Speaker 2: around sex of course, like and it's just like it's

1704
01:15:20,760 --> 01:15:22,680
Speaker 2: funny and talking to them because it's like damn, like

1705
01:15:22,760 --> 01:15:25,599
Speaker 2: I remember being like that, Like when it was like yo, nah,

1706
01:15:25,600 --> 01:15:27,000
Speaker 2: I gotta go ahead, I gotta go he yo, then I'm

1707
01:15:27,000 --> 01:15:29,160
Speaker 2: trying to link with the shorty. You know what I'm saying, like, Yo,

1708
01:15:29,280 --> 01:15:31,080
Speaker 2: hopefully she ain't front, she come back to the crib,

1709
01:15:31,800 --> 01:15:34,840
Speaker 2: and I'm just like, I promise you, your day is

1710
01:15:34,960 --> 01:15:37,799
Speaker 2: not going to be terrible if that doesn't happen. Listen.

1711
01:15:38,000 --> 01:15:40,519
Speaker 2: But to the younger cats, if they don't link with

1712
01:15:40,600 --> 01:15:42,280
Speaker 2: a girl and they don't you know what I'm saying,

1713
01:15:42,280 --> 01:15:44,840
Speaker 2: like have sex, their day is like it was a

1714
01:15:44,880 --> 01:15:45,559
Speaker 2: waste of a day.

1715
01:15:46,320 --> 01:15:51,400
Speaker 1: For the most part. Men when it comes to fashion, cars, haircuts,

1716
01:15:52,320 --> 01:15:55,599
Speaker 1: learning how to be funny, learning how to have personality, Yeah,

1717
01:15:55,600 --> 01:15:59,080
Speaker 1: we can eventually as we get older, actually like those things.

1718
01:15:59,360 --> 01:16:01,320
Speaker 1: I think you act like to dress well. I think

1719
01:16:01,320 --> 01:16:04,080
Speaker 1: you actually like nice car. We only learned about all

1720
01:16:04,080 --> 01:16:05,960
Speaker 1: that shit because we had pussy on our mind, and

1721
01:16:06,000 --> 01:16:08,800
Speaker 1: we knew pussy may work if we get those things.

1722
01:16:08,920 --> 01:16:10,640
Speaker 1: But learn how to dress well, if I learn how

1723
01:16:10,680 --> 01:16:12,200
Speaker 1: to be funny, if I learn how to do all this,

1724
01:16:13,320 --> 01:16:16,920
Speaker 1: it was to get pussy. Granted, we may ended up going,

1725
01:16:16,920 --> 01:16:18,920
Speaker 1: oh yeah, actually these clothes are dope, and I am

1726
01:16:18,960 --> 01:16:20,639
Speaker 1: actually interested in putting outfits together.

1727
01:16:20,840 --> 01:16:21,920
Speaker 2: But it was all for pussy.

1728
01:16:22,040 --> 01:16:24,040
Speaker 1: When you're a kid, your whole day is focused on

1729
01:16:24,040 --> 01:16:25,160
Speaker 1: how can I get some pussy?

1730
01:16:25,680 --> 01:16:27,640
Speaker 2: Well, it's the opposite too though, because I know for

1731
01:16:27,720 --> 01:16:31,040
Speaker 2: me it kept me in school, it kept you wanting

1732
01:16:31,040 --> 01:16:33,400
Speaker 2: to go back to class. Yes, but you know, but

1733
01:16:34,000 --> 01:16:36,519
Speaker 2: that's that's after a certain point, because originally I think

1734
01:16:36,520 --> 01:16:40,040
Speaker 2: it starts you learn how to dress because your friends

1735
01:16:40,040 --> 01:16:42,120
Speaker 2: of your neighborhood would snap on you if you look crazy.

1736
01:16:42,479 --> 01:16:44,400
Speaker 2: Like to me, that's how it started. Putty, I knew

1737
01:16:44,439 --> 01:16:46,200
Speaker 2: I had to put together certain shit because it was

1738
01:16:46,240 --> 01:16:48,839
Speaker 2: like if I go outside and they not feeling this outfit?

1739
01:16:49,800 --> 01:16:53,720
Speaker 1: Is where does that derived from? Though you're you're the

1740
01:16:53,760 --> 01:16:55,800
Speaker 1: period at the end of the sentence, we gotta go

1741
01:16:55,840 --> 01:16:57,559
Speaker 1: to the top of why that's even a thing.

1742
01:16:58,120 --> 01:17:00,439
Speaker 2: Yeah, But again I don't think it was so much

1743
01:17:00,439 --> 01:17:03,640
Speaker 2: about sex and girls and women. I think it was

1744
01:17:03,680 --> 01:17:06,160
Speaker 2: just more so like the homies on the block just

1745
01:17:06,160 --> 01:17:07,760
Speaker 2: just shipping on you and you have to.

1746
01:17:07,760 --> 01:17:10,200
Speaker 1: Develop tough skin and wow, you learn them on response

1747
01:17:10,240 --> 01:17:11,920
Speaker 1: to when someone snaps in your clothes. When he was

1748
01:17:11,920 --> 01:17:13,479
Speaker 1: a kid, I get pussy though.

1749
01:17:13,760 --> 01:17:16,840
Speaker 2: That was that that was usually that was.

1750
01:17:16,920 --> 01:17:19,439
Speaker 1: Usual, the number one respect. That was usually like after

1751
01:17:19,479 --> 01:17:22,800
Speaker 1: you really do with pussy. Yeah, but that again, that

1752
01:17:22,800 --> 01:17:25,080
Speaker 1: that that you learned that that came with it. Like

1753
01:17:25,120 --> 01:17:27,439
Speaker 1: if you dress nice, you smell good, you carry yourself

1754
01:17:27,479 --> 01:17:29,800
Speaker 1: a certain way, women are attracted to that, you know

1755
01:17:29,800 --> 01:17:33,000
Speaker 1: what i mean, Like if you have certain type of respect,

1756
01:17:33,720 --> 01:17:38,080
Speaker 1: God type of I'm just saying, like after a while, like, oh, okay,

1757
01:17:38,040 --> 01:17:40,240
Speaker 1: this is what comes These are the perks women like this.

1758
01:17:40,320 --> 01:17:43,280
Speaker 2: Women like a God that dresses nice. God that looks good.

1759
01:17:43,320 --> 01:17:45,680
Speaker 2: God it smells good. God that has something going on.

1760
01:17:45,800 --> 01:17:48,160
Speaker 2: He's about something. He has some type of education. He's

1761
01:17:48,200 --> 01:17:50,760
Speaker 2: not dumb, he has something. He has a brain, you

1762
01:17:50,760 --> 01:17:52,680
Speaker 2: know what I mean. Like you start to learn these

1763
01:17:52,720 --> 01:17:55,040
Speaker 2: things as you as you get older. But it's just

1764
01:17:55,120 --> 01:17:57,840
Speaker 2: weird and talking to like the younger generation and how

1765
01:17:57,920 --> 01:18:02,840
Speaker 2: much energy they still put into having sex. It's like, fam,

1766
01:18:02,920 --> 01:18:04,880
Speaker 2: I'm cool with going Like I'm at the age now

1767
01:18:04,880 --> 01:18:09,320
Speaker 2: where Target CVS, Whole Fools and back in the crib

1768
01:18:09,360 --> 01:18:12,360
Speaker 2: to watch cocaine Cowboys is like a great fucking night.

1769
01:18:12,400 --> 01:18:14,960
Speaker 1: But that's because you was a kid and centered your

1770
01:18:15,000 --> 01:18:16,200
Speaker 1: life around sex at one point.

1771
01:18:16,400 --> 01:18:18,839
Speaker 2: Absolutely, that's absolutely.

1772
01:18:18,640 --> 01:18:21,599
Speaker 1: And unfortunately it's the animal instinct in us to keep

1773
01:18:21,640 --> 01:18:26,040
Speaker 1: the population going right. And that's by theory. In how

1774
01:18:26,120 --> 01:18:29,000
Speaker 1: long the world has been around. It's typically when people

1775
01:18:29,120 --> 01:18:31,680
Speaker 1: used to have kids. Was around that time, when you're

1776
01:18:31,720 --> 01:18:34,720
Speaker 1: that fucking full of come, horny teenager, that is your

1777
01:18:34,880 --> 01:18:36,799
Speaker 1: entire day is about trying to find some pussy.

1778
01:18:36,920 --> 01:18:38,280
Speaker 2: Yeah, that's still worse.

1779
01:18:38,560 --> 01:18:41,040
Speaker 1: I don't care. That's twenty twenty one. That's just been

1780
01:18:41,120 --> 01:18:43,439
Speaker 1: our mentality forever. So when you're a kire and women.

1781
01:18:43,240 --> 01:18:45,320
Speaker 2: Are just as bad, of course, we ain't gonna sit

1782
01:18:45,320 --> 01:18:46,719
Speaker 2: here and just make it seem like it's the guys.

1783
01:18:46,960 --> 01:18:48,519
Speaker 1: No, I can. I can only speak because I was

1784
01:18:48,560 --> 01:18:49,439
Speaker 1: just a guy that was a kid.

1785
01:18:49,520 --> 01:18:52,080
Speaker 2: Yeah, yeah, I get what you're saying. But women are

1786
01:18:51,840 --> 01:18:55,960
Speaker 2: they are very horny. Yeah, and they'll let you know exactly.

1787
01:18:55,720 --> 01:18:57,200
Speaker 1: Their thirties too. Yeah, Jesus Christ.

1788
01:18:57,640 --> 01:18:59,120
Speaker 2: Never hit them with a yeah, you hit them with

1789
01:18:59,160 --> 01:19:00,599
Speaker 2: a good morning text, and they like, shut up, let

1790
01:19:00,600 --> 01:19:03,519
Speaker 2: me ride your face. And I'm like, I am a

1791
01:19:03,520 --> 01:19:05,680
Speaker 2: person with feeling. Yeah, like I just woke up and

1792
01:19:05,720 --> 01:19:07,599
Speaker 2: I haven't had breakfast, So I don't think you sitting

1793
01:19:07,600 --> 01:19:09,400
Speaker 2: on my face as the first thing that's happening today.

1794
01:19:09,400 --> 01:19:12,439
Speaker 1: But all right, yeah, man, I have a quick question,

1795
01:19:13,160 --> 01:19:18,479
Speaker 1: and shoot hear me out throughout the entire thing. Can

1796
01:19:18,479 --> 01:19:22,240
Speaker 1: I just answer a one word yes, you can, I can,

1797
01:19:22,320 --> 01:19:22,599
Speaker 1: all right?

1798
01:19:22,640 --> 01:19:24,120
Speaker 2: Cool? All right?

1799
01:19:24,920 --> 01:19:27,479
Speaker 1: I think I figured out Oh I have two parts

1800
01:19:27,520 --> 01:19:29,880
Speaker 1: of this. I think I figured out the only way

1801
01:19:30,479 --> 01:19:34,599
Speaker 1: you're allowed to come to somebody as a man. Oh

1802
01:19:34,680 --> 01:19:37,160
Speaker 1: my god, this is gonna be her and Nue. This

1803
01:19:37,160 --> 01:19:38,559
Speaker 1: has nothing to do in my life. Okay, I promise,

1804
01:19:38,640 --> 01:19:40,439
Speaker 1: or promise, I promise, I promise. It doesn't never do that.

1805
01:19:40,479 --> 01:19:42,160
Speaker 2: You say you figured out how you can come to

1806
01:19:42,200 --> 01:19:43,000
Speaker 2: a man as a man?

1807
01:19:43,240 --> 01:19:46,599
Speaker 1: Yes, okay, And I want to ask you, is there

1808
01:19:46,600 --> 01:19:47,760
Speaker 1: a cool way to do it?

1809
01:19:47,880 --> 01:19:48,240
Speaker 2: Okay?

1810
01:19:50,280 --> 01:19:55,680
Speaker 1: It's health related with STDs? Am I allowed as a

1811
01:19:55,720 --> 01:19:59,160
Speaker 1: man to come to you as a man because it's

1812
01:19:59,200 --> 01:20:02,439
Speaker 1: regarding your health. But because we're men and we have

1813
01:20:02,479 --> 01:20:04,559
Speaker 1: egos and we know we would never come to a

1814
01:20:04,600 --> 01:20:08,639
Speaker 1: man as a man, how do you go about telling

1815
01:20:08,680 --> 01:20:12,519
Speaker 1: another man? Hey, I know you've been dealing with this girl.

1816
01:20:13,120 --> 01:20:17,520
Speaker 1: I've been dealing with this girl. I have an STD.

1817
01:20:18,120 --> 01:20:18,360
Speaker 2: Mmm.

1818
01:20:19,200 --> 01:20:20,600
Speaker 1: Is there any cool way to say this?

1819
01:20:22,560 --> 01:20:25,040
Speaker 2: I think when dealing with an STD there is no.

1820
01:20:25,160 --> 01:20:26,560
Speaker 2: You have to get right to the pain.

1821
01:20:26,320 --> 01:20:27,679
Speaker 1: All right, you know what, Let me not even say

1822
01:20:27,880 --> 01:20:31,479
Speaker 1: it's been confirmed. It's just in the atmosphere. Okay, Yeah,

1823
01:20:31,520 --> 01:20:32,920
Speaker 1: I think I think you get right to it.

1824
01:20:32,960 --> 01:20:36,200
Speaker 2: You can't. You can't. You can't cool that one out

1825
01:20:36,280 --> 01:20:38,880
Speaker 2: because that's not a cool conversation. That's just it's no

1826
01:20:38,960 --> 01:20:40,320
Speaker 2: cool way to have that conversation.

1827
01:20:40,439 --> 01:20:42,160
Speaker 1: I just don't think I could ever get myself to

1828
01:20:42,240 --> 01:20:45,719
Speaker 1: type to a man. I didn't those dms in person,

1829
01:20:45,880 --> 01:20:48,800
Speaker 1: I could because I'm in person to I always still

1830
01:20:48,840 --> 01:20:50,600
Speaker 1: stand by talking to people in real life. If you

1831
01:20:50,640 --> 01:20:52,320
Speaker 1: got an issue with somebody, talk to them in real life.

1832
01:20:52,560 --> 01:20:54,519
Speaker 1: You don't do any internet games. You don't do that shit.

1833
01:20:54,520 --> 01:20:56,600
Speaker 1: You talk to them. I feel that way when it

1834
01:20:56,600 --> 01:20:59,200
Speaker 1: comes to conflicts across the board, right, so I would

1835
01:20:59,200 --> 01:21:02,479
Speaker 1: feel comfortable to do the side and being like, yo, listen,

1836
01:21:04,160 --> 01:21:06,519
Speaker 1: I know we've both been deal with her. I think

1837
01:21:06,640 --> 01:21:09,240
Speaker 1: something might be wrong. As a man, for your safety,

1838
01:21:09,320 --> 01:21:11,280
Speaker 1: you should probably get checked out and we could leave

1839
01:21:11,320 --> 01:21:13,840
Speaker 1: it at that. Now. If I can't find that man,

1840
01:21:14,040 --> 01:21:15,800
Speaker 1: because we may not even live in the same place,

1841
01:21:16,600 --> 01:21:18,719
Speaker 1: how do I d I'm a stranger and say, hell.

1842
01:21:19,600 --> 01:21:21,160
Speaker 2: Yeah, you don't. You don't have to. You don't have

1843
01:21:21,200 --> 01:21:23,840
Speaker 2: to bring up the STD in the DM and with

1844
01:21:23,880 --> 01:21:32,080
Speaker 2: a blue check mark. Listen, man, hey, listen.

1845
01:21:31,880 --> 01:21:34,360
Speaker 1: I don't make the rules. It changes things. It sucks

1846
01:21:34,360 --> 01:21:35,639
Speaker 1: that it does. I'm a realist.

1847
01:21:35,680 --> 01:21:37,960
Speaker 2: It changes things. I'm with you, but you can't bring

1848
01:21:38,040 --> 01:21:41,000
Speaker 2: up the STD in the DM. You say, Yo, listen, man,

1849
01:21:41,040 --> 01:21:43,320
Speaker 2: you know we have a we have a woman, a

1850
01:21:43,360 --> 01:21:48,240
Speaker 2: woman friend in common. But you have to listen.

1851
01:21:48,280 --> 01:21:50,920
Speaker 1: You gotta get right to the uncomfortable because it's so

1852
01:21:51,040 --> 01:21:52,639
Speaker 1: gross to say, there's.

1853
01:21:52,479 --> 01:21:56,240
Speaker 2: No cool way to do so. But keeping it keep

1854
01:21:56,280 --> 01:21:59,360
Speaker 2: in mind, you're only even having this conversation because there

1855
01:21:59,439 --> 01:22:00,960
Speaker 2: might be something health wise involved.

1856
01:22:01,080 --> 01:22:02,200
Speaker 1: Well, that's the only reason I would do it. And

1857
01:22:02,240 --> 01:22:04,920
Speaker 1: it's like I care about stranger's health too.

1858
01:22:05,000 --> 01:22:07,160
Speaker 2: Yeah, it's not the cool about that conversation. So it's

1859
01:22:07,200 --> 01:22:08,719
Speaker 2: like you gotta get you just gotta have the awkward

1860
01:22:08,720 --> 01:22:11,240
Speaker 2: conversation and that situation is it's gonna be awkward no

1861
01:22:11,280 --> 01:22:12,960
Speaker 2: matter what. There is no way to do it.

1862
01:22:13,000 --> 01:22:15,439
Speaker 1: Can never get myself to DM. You have to Yeah,

1863
01:22:15,439 --> 01:22:17,080
Speaker 1: we've ben I know we've been dealing with the same girl,

1864
01:22:18,000 --> 01:22:21,400
Speaker 1: but like I couldn't even get past that or even

1865
01:22:21,439 --> 01:22:23,280
Speaker 1: being like, yo, hit me in my number, I'm.

1866
01:22:23,160 --> 01:22:26,639
Speaker 2: Like, who is this? It's no, it's no cool way

1867
01:22:26,640 --> 01:22:27,000
Speaker 2: to have it.

1868
01:22:27,080 --> 01:22:36,880
Speaker 1: We have a woman because some women and let me

1869
01:22:36,880 --> 01:22:38,920
Speaker 1: not say women, let me say people, because let's let's

1870
01:22:38,920 --> 01:22:41,559
Speaker 1: flip this. Let's say it's the one guy and two girls.

1871
01:22:42,560 --> 01:22:47,280
Speaker 1: Some people selfishly are so embarrassed by STDs that they

1872
01:22:47,400 --> 01:22:50,599
Speaker 1: keep it to themselves and they don't share it with everybody.

1873
01:22:51,800 --> 01:22:55,920
Speaker 1: So then it becomes your moral responsibility. Since we're all

1874
01:22:55,960 --> 01:22:59,120
Speaker 1: playing this game and we're all in this box together,

1875
01:23:00,640 --> 01:23:03,280
Speaker 1: someone has to be responsible in there. Though, No, doesn't

1876
01:23:03,320 --> 01:23:16,679
Speaker 1: someone have to be responsible in this situation multiple people? Okay? Okay,

1877
01:23:16,680 --> 01:23:20,840
Speaker 1: Peter Pan in Neverland, Let's deal with reality. Let's deal

1878
01:23:20,880 --> 01:23:23,400
Speaker 1: with reality. Not everyone does that. And I don't know

1879
01:23:23,400 --> 01:23:25,200
Speaker 1: if you guys could hear. She was saying, it's everyone's

1880
01:23:25,200 --> 01:23:28,160
Speaker 1: responsibility to get tested often, which is if you have

1881
01:23:28,200 --> 01:23:31,320
Speaker 1: multiple partners, especially know I completely that you should get

1882
01:23:31,640 --> 01:23:34,599
Speaker 1: STD tested twice a week if you're sexually active, especially

1883
01:23:34,600 --> 01:23:41,559
Speaker 1: with multiple people. But let's talk about reality. Let's live

1884
01:23:41,560 --> 01:23:45,280
Speaker 1: in the real fucking world. I'm with you.

1885
01:23:45,880 --> 01:23:50,880
Speaker 2: To her, Well, who's no?

1886
01:23:52,120 --> 01:23:58,080
Speaker 1: Can you hear? Okay? No, wait, repeat exactly what you

1887
01:23:58,120 --> 01:24:01,400
Speaker 1: just said. The person she didn't come to us when

1888
01:24:01,400 --> 01:24:04,599
Speaker 1: she had the STD Yeah, no, she this my man's

1889
01:24:04,680 --> 01:24:07,559
Speaker 1: now we is together? Yeah, And actually, like I always

1890
01:24:07,600 --> 01:24:11,559
Speaker 1: told you, I always thought he was a good guy.

1891
01:24:11,600 --> 01:24:12,599
Speaker 1: We got a common enemy.

1892
01:24:12,600 --> 01:24:15,840
Speaker 2: Now. Yeah, no, again, I understand what she's saying. Oh, like,

1893
01:24:16,439 --> 01:24:19,720
Speaker 2: maybe have the conversation with the woman first, Like, yo,

1894
01:24:20,000 --> 01:24:22,200
Speaker 2: like I think something may be wrong here.

1895
01:24:22,920 --> 01:24:25,760
Speaker 1: I'm gonna go get checked. I think you should get

1896
01:24:25,800 --> 01:24:29,400
Speaker 1: checked too. And you know, so she makes some sense,

1897
01:24:29,479 --> 01:24:31,439
Speaker 1: like have a conversation with the woman first, and then

1898
01:24:31,640 --> 01:24:35,120
Speaker 1: let her tell another guy that she's you know, dealing with.

1899
01:24:35,120 --> 01:24:36,920
Speaker 2: So that might be that might be the cooler way

1900
01:24:36,920 --> 01:24:38,840
Speaker 2: to do it. Actually, that might be the cooler way.

1901
01:24:38,880 --> 01:24:40,680
Speaker 2: Let the woman. Let her do that.

1902
01:24:41,240 --> 01:24:42,960
Speaker 1: Because jokes aside, and I want to be responsible. This

1903
01:24:43,000 --> 01:24:44,519
Speaker 1: had nothing to do with me. This was just a

1904
01:24:44,600 --> 01:24:46,320
Speaker 1: topic I wanted to bring because I thought it could.

1905
01:24:46,320 --> 01:24:48,679
Speaker 2: No, but it's a good topic, even though because it happens.

1906
01:24:48,680 --> 01:24:50,240
Speaker 1: I have also said a lot of times I joke

1907
01:24:50,280 --> 01:24:51,639
Speaker 1: when you wear coms and all that type of shit.

1908
01:24:51,800 --> 01:24:55,719
Speaker 1: I practice safe sense. Yeah, if I'm happy, you should

1909
01:24:55,880 --> 01:24:59,080
Speaker 1: unprotected sex with somebody one I trust him too. I'm

1910
01:24:59,080 --> 01:25:01,720
Speaker 1: gonna get tested regularly. Yeah, and if something has to

1911
01:25:01,720 --> 01:25:06,960
Speaker 1: come up, I'm gonna let everyone or just that person know, Hey,

1912
01:25:07,080 --> 01:25:08,000
Speaker 1: your health has come from here.

1913
01:25:08,080 --> 01:25:12,000
Speaker 2: Yes, because now that you know we have the COVID

1914
01:25:12,040 --> 01:25:15,080
Speaker 2: exposure on the iPhones now if you've been exposed or

1915
01:25:15,360 --> 01:25:16,760
Speaker 2: they'll let you know, like, yo, you may have been

1916
01:25:16,800 --> 01:25:19,599
Speaker 2: exposed to COVID. Like so maybe we should like create

1917
01:25:19,600 --> 01:25:21,720
Speaker 2: an app or some type of system where hey, you

1918
01:25:21,760 --> 01:25:24,439
Speaker 2: may be exposed with that STD. Like I was just

1919
01:25:24,439 --> 01:25:25,519
Speaker 2: with her last night and.

1920
01:25:26,400 --> 01:25:28,080
Speaker 1: Sarah, I saw that you were at the Bowery last

1921
01:25:28,160 --> 01:25:32,120
Speaker 1: night and that that club is accessiful for last TV.

1922
01:25:32,240 --> 01:25:34,320
Speaker 2: It's flying all around the walls in there.

1923
01:25:34,360 --> 01:25:35,360
Speaker 1: Did you share a drink?

1924
01:25:35,479 --> 01:25:37,400
Speaker 2: Absolutely? I think we should do that. We should let

1925
01:25:37,439 --> 01:25:41,360
Speaker 2: people know when they may have been exposed on that STD. Absolutely. Yeah.

1926
01:25:41,400 --> 01:25:44,680
Speaker 1: And the thing with STDs, I know we've made so

1927
01:25:44,680 --> 01:25:47,320
Speaker 1: many jokes. They're never going anywhere, of course not. And

1928
01:25:48,760 --> 01:25:50,679
Speaker 1: I don't I don't think people should be shamed or

1929
01:25:50,880 --> 01:25:53,439
Speaker 1: feel like bad about them. I think that's kind of

1930
01:25:53,439 --> 01:25:55,800
Speaker 1: like the taboo shit about it of why people won't

1931
01:25:55,840 --> 01:25:58,519
Speaker 1: tell partners are multiple partners because they feel like it

1932
01:25:58,520 --> 01:26:01,280
Speaker 1: makes them dirty or some nasty shit. That scit is everywhere.

1933
01:26:01,439 --> 01:26:02,760
Speaker 2: Yeah, they're everywhere.

1934
01:26:02,920 --> 01:26:06,000
Speaker 1: So tuck that little pride in and tell all your

1935
01:26:06,040 --> 01:26:09,120
Speaker 1: partners if you have an STD or if you're fucking

1936
01:26:09,200 --> 01:26:09,960
Speaker 1: multiple people wrong.

1937
01:26:10,200 --> 01:26:13,439
Speaker 2: We're protection, man. I always say that that is gonna

1938
01:26:13,600 --> 01:26:16,000
Speaker 2: that is gonna that is gonna help with That is

1939
01:26:16,040 --> 01:26:20,599
Speaker 2: gonna help with nine of the problems. That's that's that's

1940
01:26:20,600 --> 01:26:24,080
Speaker 2: gonna help. Just just strap up this. This is a

1941
01:26:24,080 --> 01:26:26,559
Speaker 2: safe environment. We will not be hr to me too.

1942
01:26:28,000 --> 01:26:35,160
Speaker 1: It's a very safe environment. We're a fucking condom. Is

1943
01:26:35,280 --> 01:26:38,000
Speaker 1: that simple? Right? What don't I mean? Again? I don't

1944
01:26:38,000 --> 01:26:39,439
Speaker 1: want to be a dead horse. But I have to

1945
01:26:39,479 --> 01:26:42,120
Speaker 1: ask you, when do you make the decision to take

1946
01:26:42,120 --> 01:26:44,320
Speaker 1: the condom more? How far into a relationship do you

1947
01:26:44,400 --> 01:26:46,320
Speaker 1: have to be? It has to you have how many

1948
01:26:46,320 --> 01:26:48,439
Speaker 1: conversations I have? How many dinners?

1949
01:26:48,640 --> 01:26:51,040
Speaker 2: Yes? Well, if you take me to fur dinners, you

1950
01:26:51,080 --> 01:26:54,200
Speaker 2: unlock the raw death? Are you unlocking raw cock? Like

1951
01:26:54,240 --> 01:26:57,240
Speaker 2: you if a woman takes me to four dinners? Oh ah,

1952
01:26:57,280 --> 01:27:01,720
Speaker 2: you're so easy. This thing is coming off. But I

1953
01:27:01,720 --> 01:27:03,559
Speaker 2: think she have all of you. Yeah, she can have

1954
01:27:03,640 --> 01:27:06,800
Speaker 2: me in the most vulnerable ways. No, but I think

1955
01:27:06,840 --> 01:27:09,800
Speaker 2: that if it's somebody that you know, is like it's

1956
01:27:09,840 --> 01:27:12,120
Speaker 2: just you and that person and it's like we've been

1957
01:27:12,160 --> 01:27:14,320
Speaker 2: spending time with each other and it's just us and

1958
01:27:14,360 --> 01:27:17,000
Speaker 2: we've been rocking for a while, and you know, even

1959
01:27:17,439 --> 01:27:19,320
Speaker 2: sometimes you may have that conversation of let's go get

1960
01:27:19,320 --> 01:27:21,240
Speaker 2: tested together. Let's you know what I mean, Like, let's

1961
01:27:21,320 --> 01:27:24,280
Speaker 2: let's do that. I know that's not a thing that

1962
01:27:24,360 --> 01:27:27,639
Speaker 2: most people are are down with or they have done,

1963
01:27:27,920 --> 01:27:29,280
Speaker 2: but I think that's cool. If you know what I'm saying,

1964
01:27:29,280 --> 01:27:31,000
Speaker 2: you're really feeling somebody and you're like, yo, listen, I

1965
01:27:31,000 --> 01:27:32,439
Speaker 2: want to take this condom off. I don't want to

1966
01:27:32,439 --> 01:27:32,960
Speaker 2: wear protection.

1967
01:27:33,479 --> 01:27:36,400
Speaker 1: Let's go get get tested together. I advise against that.

1968
01:27:36,479 --> 01:27:39,920
Speaker 1: Let's go get tested together, tested separately at the same day,

1969
01:27:40,080 --> 01:27:43,640
Speaker 1: but let's get tested separately. Why Because my ego is

1970
01:27:43,720 --> 01:27:49,240
Speaker 1: sort of fragile, and I've been tested for STDs multiple multiple, multiple, multiple,

1971
01:27:49,280 --> 01:27:52,120
Speaker 1: multiple times, and I know the questions that the doctors ask.

1972
01:27:54,280 --> 01:27:57,120
Speaker 1: I don't want to hear you answer them fucking questions. No,

1973
01:27:57,160 --> 01:27:58,640
Speaker 1: you don't go at the same time. You're not in

1974
01:27:58,680 --> 01:27:59,400
Speaker 1: the room together.

1975
01:27:59,640 --> 01:28:02,760
Speaker 2: I'm just saying, y'all go the same day, like you

1976
01:28:02,920 --> 01:28:05,760
Speaker 2: go to your doctorate clinic. Yeah, y'all go to a

1977
01:28:05,760 --> 01:28:08,320
Speaker 2: clinic or whatever, and you're just like, you get tested.

1978
01:28:08,680 --> 01:28:11,080
Speaker 2: You know what I'm saying. It's just like, because now

1979
01:28:11,360 --> 01:28:14,080
Speaker 2: everything comes back clean, y'all can go straight wherever y'all going,

1980
01:28:14,160 --> 01:28:15,080
Speaker 2: and just go crazy.

1981
01:28:15,200 --> 01:28:18,000
Speaker 1: Agreed. That's why let's go to completely separate clinics, like

1982
01:28:18,080 --> 01:28:20,800
Speaker 1: maybe within the Tri state area. I'll meet you at

1983
01:28:20,840 --> 01:28:25,400
Speaker 1: seven pm Eastern time. Yeah, as soon as that test

1984
01:28:25,400 --> 01:28:28,040
Speaker 1: comes in. I am not sitting in that waiting room

1985
01:28:28,040 --> 01:28:29,680
Speaker 1: with you. I don't want to. I don't want the

1986
01:28:29,720 --> 01:28:32,040
Speaker 1: doctor to give me a plan. After she walk out

1987
01:28:32,080 --> 01:28:35,880
Speaker 1: of You're like, I hope you're okay, she's not, you

1988
01:28:35,920 --> 01:28:37,640
Speaker 1: know what I mean something like that. But you know

1989
01:28:38,040 --> 01:28:39,720
Speaker 1: a multiple partners only came with you.

1990
01:28:41,080 --> 01:28:43,200
Speaker 2: Why are you the only one here? Nah? But you

1991
01:28:43,240 --> 01:28:46,320
Speaker 2: know you gotta you gotta have those those awkward conversations, man,

1992
01:28:46,360 --> 01:28:49,240
Speaker 2: I think again, we need to make those awkward conversations cool,

1993
01:28:49,320 --> 01:28:51,559
Speaker 2: Like let's go get tested together. If we don't want

1994
01:28:51,560 --> 01:28:53,680
Speaker 2: to wear a condom, like you can't just beat and

1995
01:28:53,760 --> 01:28:57,519
Speaker 2: again it's not I've said this before. You don't wear

1996
01:28:58,240 --> 01:29:01,960
Speaker 2: a condom because you think a woman has something. Because

1997
01:29:02,080 --> 01:29:03,519
Speaker 2: if I think a woman has something, I'm not having

1998
01:29:03,840 --> 01:29:05,920
Speaker 2: with her condom or not, Like I'm just not having

1999
01:29:05,920 --> 01:29:08,240
Speaker 2: sex with her. You wear condom to protecting it's getting

2000
01:29:08,240 --> 01:29:10,679
Speaker 2: pregnant and STDs because again.

2001
01:29:10,600 --> 01:29:12,880
Speaker 1: Some people are not aware they have STDs. Yeah, exactly so.

2002
01:29:13,000 --> 01:29:15,000
Speaker 1: But you don't like when they never had an STD,

2003
01:29:15,040 --> 01:29:16,840
Speaker 1: probably wasn't aware until they had right.

2004
01:29:16,720 --> 01:29:19,000
Speaker 2: Exactly, But you don't knowingly have sex with somebody knowing

2005
01:29:19,040 --> 01:29:20,600
Speaker 2: that they have an STD and just put a condom one.

2006
01:29:20,720 --> 01:29:21,280
Speaker 2: That's crazy.

2007
01:29:21,600 --> 01:29:23,679
Speaker 1: I think you're one of the more psycho people. Yeah,

2008
01:29:23,720 --> 01:29:25,920
Speaker 1: I'm not. I'm not to get past that. We got

2009
01:29:26,280 --> 01:29:28,400
Speaker 1: strap it up, don't work, just deuvel up on the game.

2010
01:29:28,520 --> 01:29:30,720
Speaker 2: No no, no, no no, you don't do that. But again, make

2011
01:29:30,720 --> 01:29:33,200
Speaker 2: those conversations cool, have those conversations with each other, like yo,

2012
01:29:33,280 --> 01:29:35,080
Speaker 2: let's go get tested together. Like I'm really feeling you.

2013
01:29:35,360 --> 01:29:38,160
Speaker 2: I don't want to wear protection, you know what I mean, Like,

2014
01:29:38,240 --> 01:29:39,920
Speaker 2: let's let's get tested together.

2015
01:29:39,960 --> 01:29:45,120
Speaker 1: Well, it blurs the line because we were raised in

2016
01:29:45,160 --> 01:29:49,160
Speaker 1: a proper way too. One not focus on a woman's

2017
01:29:49,160 --> 01:29:51,000
Speaker 1: past or particularly ask about it when.

2018
01:29:50,880 --> 01:29:51,759
Speaker 2: It's not your business.

2019
01:29:52,240 --> 01:29:54,320
Speaker 1: So sometimes those lines get blurred when you have to

2020
01:29:54,360 --> 01:29:58,519
Speaker 1: do the let's go get tested thing together, or when

2021
01:29:58,600 --> 01:30:01,880
Speaker 1: was your last sexual partner? Or are you having sex?

2022
01:30:01,920 --> 01:30:04,200
Speaker 1: But people currently, that's where our ego and our pride

2023
01:30:04,240 --> 01:30:06,040
Speaker 1: gets involved in how we was raised and how we

2024
01:30:06,040 --> 01:30:08,280
Speaker 1: feel like we should respect women's privacy in their past

2025
01:30:08,320 --> 01:30:10,479
Speaker 1: and things have nothing to do with us. That's the

2026
01:30:10,520 --> 01:30:11,639
Speaker 1: blurred line and everything.

2027
01:30:11,720 --> 01:30:13,719
Speaker 2: But that's why, that's why I'm such a heavy advocate

2028
01:30:13,760 --> 01:30:16,280
Speaker 2: of condoms, because you can have those conversations with somebody, Yo,

2029
01:30:16,400 --> 01:30:19,120
Speaker 2: are you currently sleeping with anyone? Whatever? Whatever, and they

2030
01:30:19,120 --> 01:30:21,600
Speaker 2: can be lying and it's just like, yo, let me

2031
01:30:21,640 --> 01:30:23,519
Speaker 2: just keep you yeah, let me keep this condom on.

2032
01:30:23,640 --> 01:30:26,400
Speaker 2: And it's like because you have it, just it just

2033
01:30:26,439 --> 01:30:30,400
Speaker 2: gives you a peace of mind. Like when you have sex,

2034
01:30:30,439 --> 01:30:33,280
Speaker 2: protected sex, It's like, I don't this person could be

2035
01:30:33,360 --> 01:30:35,840
Speaker 2: lying to me, but I wore a condom, you know

2036
01:30:35,880 --> 01:30:37,439
Speaker 2: what I mean. Like it's like so that that piece

2037
01:30:37,479 --> 01:30:41,280
Speaker 2: because I've had unprotected sex. And literally you be in

2038
01:30:41,320 --> 01:30:44,120
Speaker 2: a shower staying at your shit like your whope she

2039
01:30:44,160 --> 01:30:47,040
Speaker 2: ain't lyne man, But also like you be staring at

2040
01:30:47,040 --> 01:30:49,080
Speaker 2: your shit in the water like, yo, man, I hope

2041
01:30:49,120 --> 01:30:50,800
Speaker 2: I hope you a man, I hope you ain't sick.

2042
01:30:51,240 --> 01:30:55,040
Speaker 1: I've I use that Doctor Barnes peppermint soap to this

2043
01:30:55,120 --> 01:30:56,840
Speaker 1: day just because I think just that smeth feel like

2044
01:30:56,840 --> 01:31:01,760
Speaker 1: it'll clean better, Like I feel like that'll get rid

2045
01:31:01,800 --> 01:31:05,960
Speaker 1: of any like any back. Yes, that strips the STD

2046
01:31:06,120 --> 01:31:08,600
Speaker 1: right right, No, it does not the peppermint doctor bar

2047
01:31:08,720 --> 01:31:09,960
Speaker 1: soap gets away.

2048
01:31:10,040 --> 01:31:14,840
Speaker 2: So bro, it's not stripping, but you really hard. You

2049
01:31:14,880 --> 01:31:20,240
Speaker 2: can rub if you rub, really, don't.

2050
01:31:19,360 --> 01:31:21,519
Speaker 1: Act like you've not been a suppussy and took a

2051
01:31:21,680 --> 01:31:24,479
Speaker 1: crazy shower thinking it's the same way like when the

2052
01:31:24,479 --> 01:31:26,360
Speaker 1: elevators take it forever and you keep hitting the button

2053
01:31:26,360 --> 01:31:28,160
Speaker 1: knowing that it's not gonna do it. What it makes

2054
01:31:28,160 --> 01:31:29,400
Speaker 1: you feel better with your anxiety?

2055
01:31:29,439 --> 01:31:32,360
Speaker 2: Oh yeah, no, no. If I if I have unprotected sex,

2056
01:31:32,439 --> 01:31:34,639
Speaker 2: the first thing I do right after is take a piss.

2057
01:31:35,080 --> 01:31:36,640
Speaker 1: Or you should do that everyone, even when you have

2058
01:31:36,640 --> 01:31:37,799
Speaker 1: a condom condoms.

2059
01:31:37,880 --> 01:31:39,600
Speaker 2: Yeah, you can take a piss and I take a

2060
01:31:39,680 --> 01:31:42,599
Speaker 2: shower or I wash up like thoroughly, Like yeah, I'm

2061
01:31:42,640 --> 01:31:43,719
Speaker 2: one of them. I'm o CD.

2062
01:31:43,880 --> 01:31:47,120
Speaker 1: So it's it's definitely the condom piece of mind thing. Though,

2063
01:31:47,200 --> 01:31:50,360
Speaker 1: back to the yellow light thing. I don't I don't

2064
01:31:50,400 --> 01:31:53,400
Speaker 1: go one hundred through the yellow light because I'm like, oh,

2065
01:31:53,479 --> 01:31:55,840
Speaker 1: peace of mind, I have airbags. I did it because

2066
01:31:55,880 --> 01:31:57,559
Speaker 1: I want to and I got somewhere to go.

2067
01:31:58,920 --> 01:31:59,639
Speaker 2: But you shouldn't.

2068
01:31:59,720 --> 01:32:03,160
Speaker 1: You should't apply those rules to your poetic Yeah, but

2069
01:32:04,120 --> 01:32:06,479
Speaker 1: you shouldn't apply those rutsy a genitals though, like those

2070
01:32:06,760 --> 01:32:09,120
Speaker 1: those same rules don't apply. Yeah, what about my life.

2071
01:32:09,120 --> 01:32:10,479
Speaker 1: I'm in a car going on a hunt, going through

2072
01:32:10,479 --> 01:32:13,920
Speaker 1: a red, yellow and red light with other cars coming through.

2073
01:32:14,280 --> 01:32:16,800
Speaker 1: But if I'm dead, her other partners. If I'm dead,

2074
01:32:16,840 --> 01:32:19,320
Speaker 1: I'm dead and they're at the red light now and

2075
01:32:19,360 --> 01:32:20,599
Speaker 1: it's my time to rush through.

2076
01:32:21,000 --> 01:32:23,400
Speaker 2: I gotta get through before the light changing they get

2077
01:32:23,400 --> 01:32:25,960
Speaker 2: a green. Yeah. But if I'm dead, I'm dead. But

2078
01:32:26,000 --> 01:32:28,479
Speaker 2: if I'm burning, it's like I can feel this, you

2079
01:32:28,560 --> 01:32:29,880
Speaker 2: know what I mean. It's just like what if you

2080
01:32:29,920 --> 01:32:30,760
Speaker 2: burn alive in the car.

2081
01:32:33,040 --> 01:32:33,479
Speaker 1: I've burned.

2082
01:32:34,040 --> 01:32:39,759
Speaker 2: It's well, they came out. Who came out? Who is it? Belly?

2083
01:32:40,560 --> 01:32:42,240
Speaker 1: I've seen I've seen flakes in the toilet.

2084
01:32:42,320 --> 01:32:48,800
Speaker 2: Drake came out. Maybe Kanye, maybe Kendrick maybe, Uh yeah,

2085
01:32:48,880 --> 01:32:49,320
Speaker 2: I don't know.

2086
01:32:49,800 --> 01:32:52,599
Speaker 1: Listen, bit, I got some more stuff we should saying

2087
01:32:52,680 --> 01:32:53,200
Speaker 1: for next week.

2088
01:32:53,479 --> 01:32:56,559
Speaker 2: Yeah, man, we got time. Top what you're doing this weekend?

2089
01:32:59,200 --> 01:33:04,000
Speaker 1: I'm staying away from pussy condoms all weekend. Everything. That's

2090
01:33:04,040 --> 01:33:07,000
Speaker 1: a trash ass weekend. Man, yellow lights, that's a trash

2091
01:33:07,080 --> 01:33:07,719
Speaker 1: ass weekend.

2092
01:33:09,840 --> 01:33:12,240
Speaker 2: What I got going on this weekend? Nothing really? Uh,

2093
01:33:12,479 --> 01:33:15,400
Speaker 2: probably just chill. Hopefully this heat waves over it because

2094
01:33:15,400 --> 01:33:16,080
Speaker 2: it's hot as fuck.

2095
01:33:16,600 --> 01:33:17,800
Speaker 1: Yeah, I'm trying to think. I feel like I had

2096
01:33:17,800 --> 01:33:22,200
Speaker 1: something to do this weekend, but I can't remember. Oh well, yeah,

2097
01:33:22,520 --> 01:33:24,080
Speaker 1: i'll find out. That's usually how it goes to be

2098
01:33:24,120 --> 01:33:25,840
Speaker 1: Friday night, like, oh fuck, I totally said I was

2099
01:33:25,840 --> 01:33:26,360
Speaker 1: gonna go do this.

2100
01:33:26,560 --> 01:33:29,640
Speaker 2: Yeah, and well, hopefully we got some great music that

2101
01:33:29,720 --> 01:33:30,759
Speaker 2: came out today.

2102
01:33:31,479 --> 01:33:35,160
Speaker 1: All right, if if a Drake album comes out, I'm

2103
01:33:35,160 --> 01:33:38,280
Speaker 1: not going out all weekend. Well, I no way, I'm

2104
01:33:38,320 --> 01:33:41,960
Speaker 1: staying away from Vagina. Yeah that album comes out. Yeah,

2105
01:33:42,400 --> 01:33:43,760
Speaker 1: and I don't know if that's a pause.

2106
01:33:43,520 --> 01:33:45,479
Speaker 2: But it's not. Don't worry about it.

2107
01:33:45,560 --> 01:33:50,679
Speaker 1: Listen the same way as sensitive times with the LBGTQ community,

2108
01:33:50,960 --> 01:33:53,400
Speaker 1: the pause community is at all time high too. So yeah,

2109
01:33:53,439 --> 01:33:54,320
Speaker 1: I don't know where to pause.

2110
01:33:54,920 --> 01:33:57,320
Speaker 2: That's what I said. Everything's offensive now, don't worry about it.

2111
01:33:57,360 --> 01:33:58,240
Speaker 2: We'll figure it out as we go.

2112
01:33:59,640 --> 01:34:02,040
Speaker 1: Get us a Drake interview. Man Elliot. Elliott was going

2113
01:34:02,080 --> 01:34:05,600
Speaker 1: on on his page talking about you know, see I

2114
01:34:05,600 --> 01:34:09,080
Speaker 1: don't always get the Drake interview. I think it's our time. Yeah,

2115
01:34:09,080 --> 01:34:10,479
Speaker 1: but I don't want to interview Drake.

2116
01:34:11,000 --> 01:34:12,600
Speaker 2: I want to. I want to. I want to. I

2117
01:34:12,600 --> 01:34:15,240
Speaker 2: want us to go somewhere and have like just a

2118
01:34:15,280 --> 01:34:18,559
Speaker 2: wild ass conversation with Drake. Yeah, let's just kick it.

2119
01:34:19,439 --> 01:34:21,320
Speaker 1: I don't even want to ask him who his inspirations are.

2120
01:34:21,360 --> 01:34:23,719
Speaker 2: Yeah, I don't even want to talk about a current

2121
01:34:23,760 --> 01:34:25,640
Speaker 2: album or anything like that, Like I want to just

2122
01:34:26,840 --> 01:34:29,240
Speaker 2: let's just let's let's go to Toronto and just fucking like

2123
01:34:29,680 --> 01:34:37,120
Speaker 2: see who has the best like STDs. Listen, man, I'm

2124
01:34:37,160 --> 01:34:38,960
Speaker 2: not mad at that show either. I would watch, you

2125
01:34:38,960 --> 01:34:39,400
Speaker 2: know what I mean.

2126
01:34:39,400 --> 01:34:42,880
Speaker 1: But the city that's worth getting the s CD at,

2127
01:34:43,200 --> 01:34:44,400
Speaker 1: Like we could do a list.

2128
01:34:44,520 --> 01:34:46,640
Speaker 2: Of which city has the best STDs.

2129
01:34:46,760 --> 01:34:49,680
Speaker 1: Yeah, worth getting the you know, the clements.

2130
01:34:49,320 --> 01:34:52,519
Speaker 2: But Toronto's up there, That's true. Some beautiful women in Toronto.

2131
01:34:52,880 --> 01:34:58,880
Speaker 1: Listen, man, I wasted. I got burnt in Newark, New Jersey, Like, look, you're.

2132
01:34:58,760 --> 01:34:59,439
Speaker 2: Going to get burned.

2133
01:34:59,479 --> 01:35:01,240
Speaker 1: Of course I should have known that you can.

2134
01:35:01,120 --> 01:35:04,960
Speaker 2: Get burnt killed Carjack on the.

2135
01:35:04,920 --> 01:35:06,439
Speaker 1: Top of that, it was on the East Orange and

2136
01:35:06,680 --> 01:35:09,000
Speaker 1: Newark like line. It was just I was really playing

2137
01:35:09,000 --> 01:35:11,640
Speaker 1: with fire. Yeah, don't pun intended like I just I

2138
01:35:11,680 --> 01:35:14,800
Speaker 1: wish I would have got like burnt, like if.

2139
01:35:14,720 --> 01:35:17,360
Speaker 2: I want to, like, if you're gonna burn me, like,

2140
01:35:17,400 --> 01:35:18,280
Speaker 2: let's at least be in.

2141
01:35:18,160 --> 01:35:22,320
Speaker 1: Like Turks somewhere like, let's don't burn me in Newark,

2142
01:35:22,560 --> 01:35:25,120
Speaker 1: like burn me, I'll get burned d C. Like that's

2143
01:35:25,160 --> 01:35:29,559
Speaker 1: how low my bars I know dcur is that burn

2144
01:35:29,640 --> 01:35:31,800
Speaker 1: is a little different in DC. Just at least let

2145
01:35:31,840 --> 01:35:33,320
Speaker 1: me have a fun weekend.

2146
01:35:33,600 --> 01:35:36,240
Speaker 2: Yeah, I don't want to get burnt like in a

2147
01:35:36,320 --> 01:35:39,840
Speaker 2: random ass like bullshit ass city. Let me get burnt

2148
01:35:39,880 --> 01:35:44,280
Speaker 2: in like a tropical like a beautiful like.

2149
01:35:43,920 --> 01:35:46,599
Speaker 1: Let it be like think it was the sunburn.

2150
01:35:46,800 --> 01:35:49,320
Speaker 2: Yeah, like don't like, don't burn me. Yeah, I don't

2151
01:35:49,320 --> 01:35:51,720
Speaker 2: want to be burnt around like skyscrapers and ship like that,

2152
01:35:51,760 --> 01:35:54,439
Speaker 2: Like burn me around like palm trees and fucking water.

2153
01:35:55,160 --> 01:35:55,720
Speaker 2: That's the type of.

2154
01:35:55,880 --> 01:35:58,120
Speaker 1: Don't make me go to the hospital and me tell

2155
01:35:58,640 --> 01:36:01,320
Speaker 1: the doctor at Jersey see the medical what was going

2156
01:36:01,320 --> 01:36:03,479
Speaker 1: on and him know the answer without taking a test.

2157
01:36:04,439 --> 01:36:08,600
Speaker 2: Like where were you? Yeah, no you did? What what happened? Yeah?

2158
01:36:08,640 --> 01:36:09,280
Speaker 2: I know what you got?

2159
01:36:09,560 --> 01:36:12,479
Speaker 1: And I swear, I swear to god. He said, we

2160
01:36:12,560 --> 01:36:14,839
Speaker 1: see this a lot in the inner cities. I swear

2161
01:36:14,920 --> 01:36:19,799
Speaker 1: on my mom. I shouldn't swear my mom with Yeah,

2162
01:36:18,840 --> 01:36:21,080
Speaker 1: it's we see this a lot in the city. We

2163
01:36:21,120 --> 01:36:23,800
Speaker 1: have to use our platform responsibly and say wrap it up.

2164
01:36:25,120 --> 01:36:27,240
Speaker 2: We're a fucking condom, wash.

2165
01:36:27,120 --> 01:36:31,000
Speaker 1: Your ass or pretend to trust the person. No, we're

2166
01:36:31,040 --> 01:36:33,439
Speaker 1: a fucking condom because you can never really trust people

2167
01:36:33,479 --> 01:36:34,200
Speaker 1: like Drake's.

2168
01:36:33,920 --> 01:36:37,040
Speaker 2: Dad in that interlude, and We're a fucking condom.

2169
01:36:37,040 --> 01:36:38,320
Speaker 1: Which I missed that interlude.

2170
01:36:38,320 --> 01:36:38,840
Speaker 2: You didn't hear that?

2171
01:36:39,040 --> 01:36:41,840
Speaker 1: No, Oh my god, that was classic, that phone call

2172
01:36:41,880 --> 01:36:44,479
Speaker 1: he had with Drake. I missed that one. Oh my god,

2173
01:36:44,600 --> 01:36:47,400
Speaker 1: is that on certified lover boy? And heat of the moment,

2174
01:36:47,560 --> 01:36:49,519
Speaker 1: saw heat of the moment? Oh, I do remember here

2175
01:36:49,560 --> 01:36:52,880
Speaker 1: the moment. Yeah, he was like, and We're a fucking condom, Drake,

2176
01:36:53,880 --> 01:36:56,120
Speaker 1: But it was real, It was real where he was

2177
01:36:56,120 --> 01:36:58,400
Speaker 1: saying like, Yo, these girls are fast nigga, Like, don't

2178
01:36:58,400 --> 01:37:02,559
Speaker 1: trust these women like it. And and that's the conversation

2179
01:37:02,600 --> 01:37:04,519
Speaker 1: you have with Drake and rest in peace to Donda.

2180
01:37:05,000 --> 01:37:08,720
Speaker 1: I forgot what Kanye was old old Kanye interview. Was

2181
01:37:08,760 --> 01:37:11,960
Speaker 1: it death poetry is something? When he was saying he

2182
01:37:12,000 --> 01:37:14,240
Speaker 1: was talking to his mom and was like, you know whatever,

2183
01:37:14,680 --> 01:37:16,080
Speaker 1: like he hyped it all up, like it was about

2184
01:37:16,080 --> 01:37:20,400
Speaker 1: to be like this crazy philosophical, little fucking thing. Whatever

2185
01:37:20,680 --> 01:37:24,600
Speaker 1: you ever do wear a condom? That's just trying to

2186
01:37:24,600 --> 01:37:25,519
Speaker 1: steal our money.

2187
01:37:25,640 --> 01:37:28,840
Speaker 2: Yes, that's always. That's always the listen. That's always where

2188
01:37:28,840 --> 01:37:31,200
Speaker 2: you're gonna land on what your parents give you advice

2189
01:37:31,240 --> 01:37:33,320
Speaker 2: out here. Oh, you can do whatever you want. You

2190
01:37:33,320 --> 01:37:36,719
Speaker 2: could spend your money stupidly whatever. Parents know you're gonna

2191
01:37:36,720 --> 01:37:38,760
Speaker 2: go through that if you're successful and you're rich like

2192
01:37:38,800 --> 01:37:40,920
Speaker 2: their kids. They know that. But the one thing they

2193
01:37:40,920 --> 01:37:44,120
Speaker 2: want their kids to do where use a fucking condom. Man,

2194
01:37:44,280 --> 01:37:46,760
Speaker 2: for sure, that's it. You don't want unnecessary shit in

2195
01:37:46,800 --> 01:37:49,920
Speaker 2: your life and being attached to somebody forever or because

2196
01:37:49,960 --> 01:37:51,519
Speaker 2: of a night of lust, like you don't want that.

2197
01:37:53,120 --> 01:37:57,760
Speaker 2: Those nights to be good though, great nights, but when

2198
01:37:57,760 --> 01:38:01,320
Speaker 2: you wake up and then you know, yeah, it's like, ah, man,

2199
01:38:01,680 --> 01:38:03,160
Speaker 2: you know what I mean. So yeah, man, we're a

2200
01:38:03,160 --> 01:38:05,880
Speaker 2: fucking condom. If not, you was sure to go to

2201
01:38:05,920 --> 01:38:08,080
Speaker 2: the clinic, get tests together and have a wild night.

2202
01:38:08,600 --> 01:38:12,040
Speaker 1: Yeah, and uh yeah we can wrap on that after

2203
01:38:12,040 --> 01:38:17,320
Speaker 1: school special right there. Uh, things we get back to

2204
01:38:17,400 --> 01:38:20,200
Speaker 1: next week. Only fans back, I mean, come on, that

2205
01:38:20,280 --> 01:38:21,400
Speaker 1: was the dumbest thing I've ever seen.

2206
01:38:21,439 --> 01:38:22,280
Speaker 2: Yeah, we knew that that was.

2207
01:38:22,320 --> 01:38:24,000
Speaker 1: I would love to talk to. Can somebody from only

2208
01:38:24,080 --> 01:38:26,439
Speaker 1: fans reach out again? By the way, because they definitely

2209
01:38:26,439 --> 01:38:30,400
Speaker 1: reached out to us via my email. Yeah about doing content,

2210
01:38:31,360 --> 01:38:32,479
Speaker 1: not sexual stuff.

2211
01:38:32,520 --> 01:38:34,479
Speaker 2: But oh man, I'll talk about to say then. Now

2212
01:38:34,520 --> 01:38:36,000
Speaker 2: we're really about to get into our back.

2213
01:38:35,880 --> 01:38:42,040
Speaker 1: I think I have nice feet, but.

2214
01:38:39,920 --> 01:38:41,960
Speaker 2: You about to post your feet on only fans for

2215
01:38:42,000 --> 01:38:42,559
Speaker 2: the right price.

2216
01:38:43,320 --> 01:38:47,559
Speaker 1: Uh, listen, I'm not gonna sell my soul. I'm gonna

2217
01:38:47,560 --> 01:38:50,080
Speaker 1: sell my feet though. Yes, No, the souls are your feet, yourself.

2218
01:38:50,120 --> 01:38:52,040
Speaker 1: I get it, the soles of my feet, I get it.

2219
01:38:52,640 --> 01:38:54,240
Speaker 2: I get it. I get it. I see where you're

2220
01:38:54,240 --> 01:38:54,559
Speaker 2: going with it.

2221
01:38:54,800 --> 01:38:56,400
Speaker 1: So we'll get into that only fan shit. I do

2222
01:38:56,479 --> 01:38:58,840
Speaker 1: want to talk about with your next episode. Just what

2223
01:38:58,920 --> 01:39:02,559
Speaker 1: that whole conference and zoom call was like when they

2224
01:39:02,600 --> 01:39:04,800
Speaker 1: realized they fucked up about only fans saying no more

2225
01:39:04,840 --> 01:39:05,280
Speaker 1: sexual guys.

2226
01:39:05,320 --> 01:39:05,920
Speaker 2: Oh my god.

2227
01:39:06,080 --> 01:39:09,840
Speaker 1: Yeah, I want to get into Lil NASA's Taco bell ship.

2228
01:39:12,120 --> 01:39:14,160
Speaker 1: Robots are doing Park Coorn. Now I'm gonna keep all

2229
01:39:14,200 --> 01:39:19,040
Speaker 1: this lists for next week. Okay, robots are doing Park Cornell.

2230
01:39:20,840 --> 01:39:23,879
Speaker 1: Robots are doing Park Cornell.

2231
01:39:24,280 --> 01:39:27,519
Speaker 2: I'm not scarting, no fucking robot. Okay, I'm still I'm

2232
01:39:27,520 --> 01:39:29,040
Speaker 2: still not can't wait?

2233
01:39:29,040 --> 01:39:29,800
Speaker 1: Can you do Park Ark?

2234
01:39:30,080 --> 01:39:32,599
Speaker 2: No? I can't. I can take the I can take

2235
01:39:32,600 --> 01:39:35,320
Speaker 2: a fucking Ford truck and run that ship over. Let him.

2236
01:39:35,680 --> 01:39:37,120
Speaker 2: You think he's gonna let you get to the truck.

2237
01:39:37,200 --> 01:39:39,519
Speaker 2: Oh yeah, look at that ship. Look at that trot.

2238
01:39:39,560 --> 01:39:42,160
Speaker 2: I know that trot. Get the fuck out of here

2239
01:39:42,160 --> 01:39:42,759
Speaker 2: with that trot.

2240
01:39:43,479 --> 01:39:45,800
Speaker 1: All right, Look he doing the great challenge right there.

2241
01:39:45,800 --> 01:39:48,800
Speaker 2: Easy, listen that trot right there. Good luck catching me

2242
01:39:48,880 --> 01:39:52,920
Speaker 2: bro Okay, yeah nah, still not.

2243
01:39:52,880 --> 01:39:55,200
Speaker 1: Fat Elon Musk making the Tesla bot wait for it,

2244
01:39:55,280 --> 01:39:57,479
Speaker 1: still not fast tasks around the house. Yeah right.

2245
01:39:58,560 --> 01:40:00,320
Speaker 2: I mean it is interesting to see a robot being

2246
01:40:00,320 --> 01:40:01,080
Speaker 2: able to do these things.

2247
01:40:01,120 --> 01:40:04,200
Speaker 1: Why do you think Jeff Bezos and fucking uh Elon

2248
01:40:04,280 --> 01:40:06,840
Speaker 1: Musk keep trying to go to the moon because they

2249
01:40:06,880 --> 01:40:07,519
Speaker 1: know what's happening.

2250
01:40:07,960 --> 01:40:09,639
Speaker 2: They know they know what they're building. Like they got

2251
01:40:09,640 --> 01:40:13,320
Speaker 2: out of control. That's their exit strategy. Fuck these robots.

2252
01:40:13,520 --> 01:40:15,640
Speaker 1: I think he made a flame thrower for fun. No,

2253
01:40:15,680 --> 01:40:17,559
Speaker 1: he knew what tom it was. They have oil in

2254
01:40:17,600 --> 01:40:18,439
Speaker 1: them and we need fire.

2255
01:40:18,680 --> 01:40:20,400
Speaker 2: I'm not scared of robots. I'm scared of that dude

2256
01:40:20,479 --> 01:40:22,960
Speaker 2: on the fucking the highway exit at three in the

2257
01:40:22,960 --> 01:40:25,280
Speaker 2: morning that just stands by the window and won't like

2258
01:40:26,200 --> 01:40:28,080
Speaker 2: leave you alone. That's the guy I'm scared of.

2259
01:40:28,360 --> 01:40:33,000
Speaker 1: Okay, wait till that guy's also a robot. Wait till

2260
01:40:33,000 --> 01:40:34,160
Speaker 1: he's that bad robot.

2261
01:40:34,640 --> 01:40:37,600
Speaker 2: Fuck those Boston Dynamics. Get the fuck out of there, Okay.

2262
01:40:37,360 --> 01:40:40,760
Speaker 1: Ship yo, And like let's give it.

2263
01:40:42,120 --> 01:40:42,479
Speaker 2: I give it.

2264
01:40:42,479 --> 01:40:43,960
Speaker 1: No, no, no, I give it, no, I give it, Like

2265
01:40:43,960 --> 01:40:46,800
Speaker 1: twenty twenty years and of course the internet, we can

2266
01:40:46,880 --> 01:40:48,599
Speaker 1: keep all this. Let's just get that whole that whole

2267
01:40:48,640 --> 01:40:49,360
Speaker 1: clip right there.

2268
01:40:49,920 --> 01:40:55,439
Speaker 2: Oh yeah, well in twenty years, yeah right, shot Boston. Yeah,

2269
01:40:55,880 --> 01:40:57,599
Speaker 2: and my knees are shot now, Like in twenty years,

2270
01:40:57,640 --> 01:40:59,320
Speaker 2: I ain't gonna be able to get away from these robots.

2271
01:40:59,320 --> 01:41:01,040
Speaker 2: So yeah, in twenty years, fuck it, they can. They

2272
01:41:01,080 --> 01:41:02,519
Speaker 2: can fucking tackle me whenever they want.

2273
01:41:03,760 --> 01:41:08,000
Speaker 1: Listen, man, that's exactly what the Native Americans said. Who

2274
01:41:08,040 --> 01:41:08,880
Speaker 1: are these Englishmen?

2275
01:41:12,920 --> 01:41:15,320
Speaker 2: Oh my god, we just lost every sponsor.

2276
01:41:17,600 --> 01:41:17,760
Speaker 1: Yo.

2277
01:41:17,840 --> 01:41:19,400
Speaker 2: Listen man, that's the gingerbird.

2278
01:41:19,479 --> 01:41:19,679
Speaker 1: Man.

2279
01:41:19,760 --> 01:41:21,720
Speaker 2: I'm all man, we'll talk to y'all next week. Man,

2280
01:41:21,760 --> 01:41:29,240
Speaker 2: be safe, peace No Worran Mound