1
00:00:00,200 --> 00:00:03,840
Speaker 1: Hello the Internet, and welcome to this special year end

2
00:00:03,880 --> 00:00:07,960
Speaker 1: episode of DAI Guys. Let's give him a little yell

3
00:00:08,280 --> 00:00:12,240
Speaker 1: at the beginning out. Yeah yeah, yeah, this is the

4
00:00:12,640 --> 00:00:15,800
Speaker 1: very special episode. I'm thrilled that we still have it

5
00:00:15,960 --> 00:00:20,400
Speaker 1: because Anna just want a shipload of money from publishers

6
00:00:20,440 --> 00:00:23,680
Speaker 1: steering house, and I'm just honored that she would still

7
00:00:23,760 --> 00:00:26,880
Speaker 1: choose to spend her time with us. Um I am Jack.

8
00:00:26,960 --> 00:00:28,760
Speaker 1: That over there is Miles and Weird Throw. The'll be

9
00:00:28,840 --> 00:00:34,200
Speaker 1: joined by superproducer Anna Hosny, a super producer being scammed

10
00:00:34,240 --> 00:00:37,839
Speaker 1: by a fake publisher. I like what they text you

11
00:00:37,920 --> 00:00:41,120
Speaker 1: you got second place. No, it wasn't a text. It

12
00:00:41,200 --> 00:00:43,800
Speaker 1: was you know how they like, can your voicemail? Will

13
00:00:43,880 --> 00:00:49,440
Speaker 1: like transcribe it. That's just what it says. Congratulations, Congratulations,

14
00:00:49,720 --> 00:00:52,400
Speaker 1: you're the second place winner. Here at Publisher's clearing house.

15
00:00:52,400 --> 00:00:56,560
Speaker 1: Feel free to call Mr Donald Wagner, the price patrol manager,

16
00:00:56,760 --> 00:00:59,480
Speaker 1: at number. I repeat at number. This is a legitimate

17
00:00:59,520 --> 00:01:01,640
Speaker 1: notification should notifying that you're a winner. Thank you, and

18
00:01:01,760 --> 00:01:06,480
Speaker 1: have a marvelous day. Was like congratulating. Sorry excuse me, Yeah,

19
00:01:06,520 --> 00:01:10,280
Speaker 1: congratulation doubled up on their congratulations. It's like, sorry, I

20
00:01:10,280 --> 00:01:14,880
Speaker 1: didn't sound human enough for you. Anyways, this episode, in

21
00:01:15,000 --> 00:01:19,880
Speaker 1: honor of you and your takes on streaming, is called

22
00:01:20,520 --> 00:01:24,160
Speaker 1: That's Prestige Casting. How did I do? Yeah? Great? Great?

23
00:01:24,160 --> 00:01:25,759
Speaker 1: I though, I want to make it clear I didn't

24
00:01:25,800 --> 00:01:30,240
Speaker 1: name this episode yeah yeahah in honor of you, I said, yeah, yeah,

25
00:01:30,560 --> 00:01:32,679
Speaker 1: right right, but just be clear, like I never like

26
00:01:32,760 --> 00:01:36,039
Speaker 1: approved or signed. Yeah, why is that important to you?

27
00:01:36,040 --> 00:01:38,399
Speaker 1: By the way, to make very clear that, like in

28
00:01:38,400 --> 00:01:40,120
Speaker 1: case someone's like, why did she call it that? I

29
00:01:40,160 --> 00:01:43,160
Speaker 1: don't like, I didn't call it that. That's really bad

30
00:01:43,200 --> 00:01:45,759
Speaker 1: for her brand. Dude, they letter that's what she wanted

31
00:01:45,800 --> 00:01:47,600
Speaker 1: to be. What would you what would you name it?

32
00:01:47,720 --> 00:01:49,880
Speaker 1: Let's just let's rearrange it. Let's put you what what

33
00:01:50,080 --> 00:01:53,000
Speaker 1: should be called? It would be called a year in

34
00:01:53,080 --> 00:02:02,120
Speaker 1: Prestige Cashing cashtings, and that that is a year in

35
00:02:02,240 --> 00:02:08,880
Speaker 1: prestige casting. Television nominations, movies didn't matter. There you go. Ye,

36
00:02:09,040 --> 00:02:12,480
Speaker 1: So we were prittest didn't matter a moment ago before

37
00:02:12,520 --> 00:02:14,960
Speaker 1: we like, as we were starting this, this was going

38
00:02:15,040 --> 00:02:18,160
Speaker 1: to be both TV and movies, and then you informed

39
00:02:18,280 --> 00:02:21,440
Speaker 1: us as we're ramping up to start recording that you

40
00:02:21,480 --> 00:02:25,119
Speaker 1: don't give a funk about movies. Period um. I don't

41
00:02:25,160 --> 00:02:27,280
Speaker 1: think I watched a single movie this year where I

42
00:02:27,320 --> 00:02:31,760
Speaker 1: was like, well, gosh, darn, so we'll have a separate

43
00:02:32,000 --> 00:02:35,080
Speaker 1: year end movies. I mean, to be fair, Jack, you

44
00:02:35,080 --> 00:02:37,600
Speaker 1: were writing down older movies that you had seen this

45
00:02:37,720 --> 00:02:39,880
Speaker 1: year to also talk about. So I think we're kind

46
00:02:39,880 --> 00:02:42,160
Speaker 1: of lacking in that department. But I like the idea

47
00:02:42,200 --> 00:02:44,240
Speaker 1: of maybe having a segment where we all share, like

48
00:02:44,280 --> 00:02:46,040
Speaker 1: an old movie we saw it too, and be like

49
00:02:46,560 --> 00:02:49,480
Speaker 1: that show was kind of it goes yeah, it was

50
00:02:49,520 --> 00:02:53,239
Speaker 1: actually a great segment. But no, that's fine, that's fine. Whatever.

51
00:02:53,360 --> 00:02:56,080
Speaker 1: You guys. You know that urge you have to delete

52
00:02:56,120 --> 00:02:58,920
Speaker 1: someone else's work in a Google doc. Yeah, yeah, I

53
00:02:59,000 --> 00:03:02,600
Speaker 1: noticed you did it to a couple of times. Kept

54
00:03:02,600 --> 00:03:05,639
Speaker 1: doing command and Google doc. I'm like, somebody is selecting

55
00:03:05,760 --> 00:03:09,720
Speaker 1: all a bunch old movies hold up better than old

56
00:03:09,760 --> 00:03:13,240
Speaker 1: TV shows. I'm fine with streaming content. Streaming content is great,

57
00:03:13,320 --> 00:03:17,320
Speaker 1: but I uh like streaming TV shows prestige TV. But

58
00:03:17,800 --> 00:03:20,440
Speaker 1: I'm more of the movie side of things because I

59
00:03:20,480 --> 00:03:23,079
Speaker 1: think it's more efficient. But we can get into that

60
00:03:23,440 --> 00:03:26,079
Speaker 1: another time. I'm just gonna let it. I'm gonna turn

61
00:03:26,080 --> 00:03:31,120
Speaker 1: it over to you. Well, so television in two I mean,

62
00:03:31,160 --> 00:03:33,920
Speaker 1: I just think television in general has become such a

63
00:03:34,240 --> 00:03:39,400
Speaker 1: powerhouse medium. Okay, no one wants to talk about movies anymore,

64
00:03:40,480 --> 00:03:48,680
Speaker 1: Like have you even seen Black Adam? Like no, not, Yeah,

65
00:03:48,840 --> 00:03:50,400
Speaker 1: it's like Shazam. I don't even know if that was

66
00:03:50,440 --> 00:03:52,920
Speaker 1: a real movie at this point. But did you, like

67
00:03:52,960 --> 00:03:55,440
Speaker 1: we all know about it, we all know the rocks

68
00:03:55,480 --> 00:03:59,000
Speaker 1: in it. Anyone even remotely lifted a finger to try

69
00:03:59,040 --> 00:04:02,040
Speaker 1: and watch that film? Millions of people technically millions, yet

70
00:04:02,120 --> 00:04:05,640
Speaker 1: nobody I know, but nobody we care. There's something now

71
00:04:05,760 --> 00:04:09,800
Speaker 1: do you think of the conspiracy? It's like a Black Adam, Like,

72
00:04:09,880 --> 00:04:12,560
Speaker 1: I don't even I have not even heard reviews about

73
00:04:12,560 --> 00:04:14,360
Speaker 1: the film, right, But you were kind of saying this

74
00:04:14,400 --> 00:04:16,560
Speaker 1: about COVID in the early part of the pandemic to

75
00:04:16,880 --> 00:04:19,520
Speaker 1: you're like, have y'all seen what's happening at the hospital?

76
00:04:20,080 --> 00:04:23,400
Speaker 1: If not with your eyes? Yeah, I went and found

77
00:04:23,440 --> 00:04:25,520
Speaker 1: my friend and the I see you and wheeled him

78
00:04:25,600 --> 00:04:29,400
Speaker 1: out and he died of something different. Did you see

79
00:04:29,400 --> 00:04:35,360
Speaker 1: one movie this year? Uh? Did you see everything everywhere

80
00:04:35,400 --> 00:04:37,520
Speaker 1: all at once? Did you see Oh yes, I saw that.

81
00:04:37,560 --> 00:04:41,080
Speaker 1: Did that come out this year? Yeah? Yes, that's the

82
00:04:41,600 --> 00:04:43,600
Speaker 1: movie that came out this year. Okay, all right, that

83
00:04:43,720 --> 00:04:45,760
Speaker 1: was my movie of the year. But okay, alright, just

84
00:04:45,800 --> 00:04:49,080
Speaker 1: wrap that up on my right up that you shipped

85
00:04:49,120 --> 00:04:51,320
Speaker 1: all over and said you just wanted to delete. I

86
00:04:51,360 --> 00:04:55,080
Speaker 1: said it was the movie that we'll talk about that. Yeah.

87
00:04:55,279 --> 00:04:57,520
Speaker 1: Sometimes when it gets a little too like Jack thought,

88
00:04:57,640 --> 00:05:00,480
Speaker 1: I stopped reading because I'm like, this guy is trying

89
00:05:00,480 --> 00:05:03,240
Speaker 1: to tie a movie that he saw thirty years ago

90
00:05:03,320 --> 00:05:05,919
Speaker 1: to a trend that's happening fifteen minutes from now, and

91
00:05:05,960 --> 00:05:08,800
Speaker 1: I can't do it. I can't keep up. You know,

92
00:05:08,800 --> 00:05:11,559
Speaker 1: you always talk about prestige casting, and you always shout

93
00:05:11,560 --> 00:05:14,720
Speaker 1: out the best performances, and that's always like when you

94
00:05:14,800 --> 00:05:17,800
Speaker 1: get the best performance or the most meaningful the ones

95
00:05:17,839 --> 00:05:21,159
Speaker 1: that leave you. Now, you know, there is no true

96
00:05:21,160 --> 00:05:24,600
Speaker 1: definition to prestige casting. It's just in the eye of honor.

97
00:05:25,080 --> 00:05:28,240
Speaker 1: It's just what I decide is prestige or not. Okay,

98
00:05:28,240 --> 00:05:30,760
Speaker 1: So my apologies for trying to even define them so

99
00:05:30,800 --> 00:05:33,200
Speaker 1: people could follow along. It's the same reason why the

100
00:05:33,240 --> 00:05:37,479
Speaker 1: title that's prestige casting two and TV was fucking terrible.

101
00:05:37,680 --> 00:05:41,359
Speaker 1: But there's just not no here's my thing. There's no

102
00:05:41,480 --> 00:05:44,320
Speaker 1: right way to do anything. Yeah, Okay, like that for instance,

103
00:05:44,360 --> 00:05:50,560
Speaker 1: cashing was a better way of pronouncing yeah, because it's

104
00:05:50,640 --> 00:05:56,120
Speaker 1: very shot cornery. You know, it's very bag. It's very bad. Yeah.

105
00:05:56,360 --> 00:05:59,880
Speaker 1: You know, who would you if you're handing out statue?

106
00:06:00,520 --> 00:06:03,159
Speaker 1: Who's the first statue you want to give out statutes?

107
00:06:03,640 --> 00:06:07,800
Speaker 1: Handing out statutes or articles? First, I want to talk

108
00:06:07,839 --> 00:06:11,880
Speaker 1: about the rehearsal, a very strong contender in this year's

109
00:06:11,920 --> 00:06:16,880
Speaker 1: television Prestige casting that was weirdly my best show of

110
00:06:16,880 --> 00:06:18,760
Speaker 1: the year. On the notes that I sent to you

111
00:06:18,960 --> 00:06:22,839
Speaker 1: at the beginning that you didn't read, I saw that one. Okay,

112
00:06:22,880 --> 00:06:29,240
Speaker 1: if you're ah, that's fine. Um, the rehearsal, so and

113
00:06:29,279 --> 00:06:31,840
Speaker 1: this is kind of like it's a bit more the

114
00:06:31,880 --> 00:06:34,960
Speaker 1: casting of Angela and Robin. That was that really casting

115
00:06:35,080 --> 00:06:42,839
Speaker 1: or was it just like coincidental sort of like you know, right,

116
00:06:43,040 --> 00:06:45,320
Speaker 1: but it is. It is the thing that he's so

117
00:06:45,360 --> 00:06:49,400
Speaker 1: good at is like finding the strang just most compelling,

118
00:06:49,920 --> 00:06:54,160
Speaker 1: most watchable human beings that are real people and just

119
00:06:54,400 --> 00:06:57,400
Speaker 1: getting them on and like cheap chick in the city,

120
00:06:57,600 --> 00:07:00,560
Speaker 1: you know, like these people who he is able to

121
00:07:00,680 --> 00:07:04,720
Speaker 1: source out of thin air. It almost feels like so

122
00:07:04,760 --> 00:07:07,920
Speaker 1: they're they're like on never another level of prestige casting.

123
00:07:07,960 --> 00:07:12,520
Speaker 1: But I think the most important casting decision done in

124
00:07:12,560 --> 00:07:18,080
Speaker 1: the rehearsal is teenage Adam Joshua James Bernard. Wow, that's

125
00:07:18,080 --> 00:07:22,040
Speaker 1: his blue name. Yes to his IMDb. This is the

126
00:07:22,040 --> 00:07:24,360
Speaker 1: one who had the TikTok o d and also saying

127
00:07:24,360 --> 00:07:29,120
Speaker 1: you're fucking disaster, my disaster, my guy genius casting. That

128
00:07:29,240 --> 00:07:32,000
Speaker 1: kid has a bright future in front of him. Joshua,

129
00:07:32,080 --> 00:07:37,720
Speaker 1: I cannot wait to see you in like a you know, yeah,

130
00:07:37,760 --> 00:07:41,080
Speaker 1: because this just lifted your career off the fact that

131
00:07:41,120 --> 00:07:47,600
Speaker 1: he improvised the line you're a iconic in the zeitgeist,

132
00:07:47,800 --> 00:07:53,000
Speaker 1: like then portrayed an overdose. What is happening? I do

133
00:07:53,080 --> 00:07:55,560
Speaker 1: this for a living, and I don't improvise more than

134
00:07:55,640 --> 00:07:59,760
Speaker 1: like two or three iconic zeitgeist defining catch phrases a year.

135
00:08:00,040 --> 00:08:03,800
Speaker 1: You know. Wow? Do you know his parents are soap

136
00:08:03,800 --> 00:08:07,080
Speaker 1: opera people like his dad is on General Hospital. I

137
00:08:07,080 --> 00:08:09,960
Speaker 1: mean it's clear because his acting is incredb yeah, oh

138
00:08:10,000 --> 00:08:16,440
Speaker 1: this is there's clearly General Hospital. Well, there's a certain

139
00:08:16,520 --> 00:08:19,920
Speaker 1: drama level that you have to hit in these soap

140
00:08:21,480 --> 00:08:25,040
Speaker 1: so of all those people Joshua James Bernard with are wait,

141
00:08:25,080 --> 00:08:26,560
Speaker 1: are we going to give win to each person in

142
00:08:26,600 --> 00:08:28,280
Speaker 1: each show, are just saying they're in the running. And

143
00:08:28,320 --> 00:08:30,080
Speaker 1: then at the end you will give someone Prestigie of

144
00:08:30,080 --> 00:08:36,199
Speaker 1: all prestige. There's no limits. So what what would we

145
00:08:36,240 --> 00:08:39,680
Speaker 1: call it, Joshua James Bernard category of the Prestige Casting Award,

146
00:08:40,559 --> 00:08:45,960
Speaker 1: I mean like Prestige Newcomer Award, because he's really he

147
00:08:46,040 --> 00:08:47,880
Speaker 1: brought He came in hot. What do you say when

148
00:08:47,920 --> 00:08:50,520
Speaker 1: as soon as Nathan gave him one note like I've

149
00:08:50,559 --> 00:08:53,600
Speaker 1: been gone for ten years, he came in, he goes,

150
00:08:53,840 --> 00:08:59,480
Speaker 1: what does he say? Look who decided to show one note?

151
00:08:59,600 --> 00:09:05,719
Speaker 1: And his turned it on. Reality changed, and seconds he

152
00:09:05,800 --> 00:09:08,600
Speaker 1: got a note for me to be like, hey there,

153
00:09:08,720 --> 00:09:13,320
Speaker 1: but yeah no, Nathan basically walked outside and then walked

154
00:09:13,440 --> 00:09:17,080
Speaker 1: right back in, and he was like, well well, and

155
00:09:17,120 --> 00:09:20,040
Speaker 1: then he walked out and slammed the door to his room.

156
00:09:20,360 --> 00:09:26,320
Speaker 1: Ye mean teenager energy. I don't know where it was

157
00:09:26,760 --> 00:09:29,000
Speaker 1: because he was like, yeah, I kind of come from

158
00:09:29,000 --> 00:09:32,160
Speaker 1: a good household, but I have some friends whose parents

159
00:09:32,160 --> 00:09:39,120
Speaker 1: are assholes to them. Yeah, um, any great. I think

160
00:09:39,160 --> 00:09:43,080
Speaker 1: the best performance I saw anywhere this year was the

161
00:09:43,120 --> 00:09:45,920
Speaker 1: woman who like came in and was playing Angela. In

162
00:09:45,920 --> 00:09:49,600
Speaker 1: the later episodes, and was just like getting to this

163
00:09:50,120 --> 00:09:53,880
Speaker 1: uncomfortable emotional core. Again, it's not like pure acting because

164
00:09:53,880 --> 00:09:57,920
Speaker 1: they're improvising it as they go. And yeah, that was

165
00:09:57,960 --> 00:10:01,800
Speaker 1: some of the best TV. Yeah. When she came for Nathan,

166
00:10:02,640 --> 00:10:04,520
Speaker 1: I was like, well this is for you and like

167
00:10:04,559 --> 00:10:07,040
Speaker 1: sorry yea, and you could tell they like, oh boy

168
00:10:08,160 --> 00:10:11,480
Speaker 1: created a fonster. Anyway, Shout out to that actor because

169
00:10:11,480 --> 00:10:16,720
Speaker 1: she's also in This Fool, Yeah, playing Chris Astrada's older sister,

170
00:10:16,800 --> 00:10:21,319
Speaker 1: I believe, and another mentioned perhaps for the Prestige Casting

171
00:10:21,400 --> 00:10:26,840
Speaker 1: Award this fool? Does this fool get any Prestige casting shoutouts? Um? Honestly,

172
00:10:26,920 --> 00:10:30,200
Speaker 1: like the most legendary Oh, by the way, that woman's

173
00:10:30,240 --> 00:10:32,920
Speaker 1: name was Anna La Madrid, who played Fake Angela and

174
00:10:32,960 --> 00:10:36,640
Speaker 1: also wasn't this Fool. Yeah, that was actually one of

175
00:10:36,679 --> 00:10:40,000
Speaker 1: the more impressive performances as like an actor trying to

176
00:10:40,040 --> 00:10:43,760
Speaker 1: play someone else, I would say, whereas Joshua James Bernard

177
00:10:43,840 --> 00:10:46,280
Speaker 1: just gave the energy that we had all been waiting for.

178
00:10:46,400 --> 00:10:49,000
Speaker 1: As you know viewers, to the end of that episode,

179
00:10:49,120 --> 00:10:52,800
Speaker 1: we were all trying to play Joshua James Bernard. We

180
00:10:52,960 --> 00:10:58,120
Speaker 1: actually were. We kept saying series yeah, and see I'm

181
00:10:58,160 --> 00:11:01,000
Speaker 1: bringing my own parental issues into performance, you know what

182
00:11:01,000 --> 00:11:02,680
Speaker 1: I mean. So I hope to one day also receive

183
00:11:02,720 --> 00:11:04,439
Speaker 1: a Prestige Casting award, but that you know, I'm not

184
00:11:04,480 --> 00:11:07,000
Speaker 1: trying to. I would say before we go to break

185
00:11:07,200 --> 00:11:11,920
Speaker 1: that the rehearsal was, like I thought, far and above

186
00:11:12,640 --> 00:11:16,760
Speaker 1: any like I needed something extra from shows this year,

187
00:11:16,840 --> 00:11:19,520
Speaker 1: like the Prestige TV. I had a persistent problem that

188
00:11:19,600 --> 00:11:21,640
Speaker 1: we can like talk about it, but like the rehearsal

189
00:11:21,720 --> 00:11:25,560
Speaker 1: just like creating a whole new world, don't you dare

190
00:11:25,600 --> 00:11:27,640
Speaker 1: close your eyes, you know, just like a whole new

191
00:11:27,760 --> 00:11:34,320
Speaker 1: like I don't know, like type of documentary slash real slash,

192
00:11:34,920 --> 00:11:38,360
Speaker 1: you know, performances and improvised performances. And Ship was just

193
00:11:38,440 --> 00:11:41,640
Speaker 1: like next level probably the best thing I saw on

194
00:11:41,720 --> 00:11:45,240
Speaker 1: TV or in movie theaters. It was amazing. Yeah, I

195
00:11:45,280 --> 00:11:47,679
Speaker 1: mean I definitely was screaming audibly because I could not

196
00:11:47,720 --> 00:11:49,880
Speaker 1: believe where the like the turns the show was taking.

197
00:11:50,360 --> 00:11:52,679
Speaker 1: And I think it was the honesty to like especially

198
00:11:52,840 --> 00:11:54,839
Speaker 1: with that finale where they kind of just turned the

199
00:11:54,880 --> 00:11:57,240
Speaker 1: focus onto like what it means meant to make the

200
00:11:57,280 --> 00:12:00,640
Speaker 1: show where you're having people pretend like it's with such depth,

201
00:12:01,880 --> 00:12:04,400
Speaker 1: although you know, the people who can't handle that kind

202
00:12:04,400 --> 00:12:07,160
Speaker 1: of comedy. I feel like this was the worst, like

203
00:12:07,240 --> 00:12:09,880
Speaker 1: their biggest nightmare, because like I know people who can't

204
00:12:09,920 --> 00:12:12,120
Speaker 1: watch Curb your Enthusiasm, Like it's just I get so

205
00:12:12,200 --> 00:12:15,240
Speaker 1: uncomfortable when like Larry David does that, and like they

206
00:12:15,240 --> 00:12:16,640
Speaker 1: would talk about this like I couldn't do it. I

207
00:12:16,679 --> 00:12:19,679
Speaker 1: couldn't do it. I couldn't do it. Yeah. For me,

208
00:12:19,720 --> 00:12:25,480
Speaker 1: I'm like, go for the exactly. All right, let's take

209
00:12:25,520 --> 00:12:39,080
Speaker 1: a quick break. We'll be right back, and we're back

210
00:12:39,960 --> 00:12:45,480
Speaker 1: and on a power around so many Yeah. Yeah, but

211
00:12:45,480 --> 00:12:47,439
Speaker 1: I'm gonna stop you if I have something, because I've

212
00:12:47,480 --> 00:12:49,560
Speaker 1: seen like ten percent of the things you've seen, So

213
00:12:49,600 --> 00:12:51,000
Speaker 1: I'm just gonna stop you if I have something that

214
00:12:51,440 --> 00:12:52,800
Speaker 1: I also just really quickly want to say there was

215
00:12:52,840 --> 00:12:54,800
Speaker 1: so much also really good television that I just kind

216
00:12:54,800 --> 00:12:57,520
Speaker 1: of refused to watch because it just felt like not

217
00:12:57,600 --> 00:13:03,760
Speaker 1: my vibe. There's somebody a st of stuff gets ignored.

218
00:13:04,120 --> 00:13:08,680
Speaker 1: There's too much good TV for like, I didn't even

219
00:13:08,720 --> 00:13:12,560
Speaker 1: watch season four of Barry what was the season five?

220
00:13:12,640 --> 00:13:15,920
Speaker 1: Season four, the final season, this one, whatever, the one

221
00:13:16,000 --> 00:13:18,480
Speaker 1: just that just happened was I didn't even start that ship.

222
00:13:18,800 --> 00:13:21,880
Speaker 1: I still got the finale to watch. Okay, I've watched

223
00:13:21,880 --> 00:13:24,360
Speaker 1: the finale like three times because I keep forgetting if

224
00:13:24,360 --> 00:13:28,520
Speaker 1: I watched it or not. Is that everyone, like the

225
00:13:28,559 --> 00:13:30,280
Speaker 1: Internet was like it's so dark, and I was like,

226
00:13:30,320 --> 00:13:33,000
Speaker 1: all right, I'll put a pin in that I come back.

227
00:13:33,160 --> 00:13:36,400
Speaker 1: It's really not that dark. It's relative, I think to people.

228
00:13:36,440 --> 00:13:38,240
Speaker 1: But knowing that you said it's not that dark, I'm

229
00:13:38,240 --> 00:13:39,720
Speaker 1: wouna be like, all right, it's probably not that dark

230
00:13:39,760 --> 00:13:42,080
Speaker 1: because I feel like we have similar dark not okay

231
00:13:42,120 --> 00:13:43,680
Speaker 1: that you just said it's around. No, No, I'm saying

232
00:13:43,720 --> 00:13:46,160
Speaker 1: we have this similar we have similar thresholds for that.

233
00:13:46,280 --> 00:13:48,560
Speaker 1: So I'm like, okay, because there are other times I

234
00:13:48,559 --> 00:13:51,160
Speaker 1: think we were both more devastated in the rehearsal by

235
00:13:51,160 --> 00:13:55,160
Speaker 1: ship that like something actually like graphic in like another show.

236
00:13:55,240 --> 00:13:57,320
Speaker 1: So yeah, I feel like on the same page, Like

237
00:13:57,400 --> 00:13:59,800
Speaker 1: my other favorite thing was also not like quote on

238
00:14:00,000 --> 00:14:02,840
Speaker 1: what Prestige TV. But we will, We'll get to it,

239
00:14:02,880 --> 00:14:05,760
Speaker 1: I'm sure. So what's the power around Danna. We're gonna

240
00:14:05,800 --> 00:14:10,280
Speaker 1: you're gonna name off some quotables. Severance, John Toturo so

241
00:14:10,360 --> 00:14:14,480
Speaker 1: good legend. Adam Scott was really good in Severance to

242
00:14:14,760 --> 00:14:16,680
Speaker 1: like in a way I remember the first thing I

243
00:14:16,679 --> 00:14:20,040
Speaker 1: saw then was Stepbrothers and me shoehorning in a movie

244
00:14:20,080 --> 00:14:23,200
Speaker 1: I saw a long time ago. Uh, but like I

245
00:14:23,200 --> 00:14:26,920
Speaker 1: hadn't hadn't like he had like fully like gone all

246
00:14:26,920 --> 00:14:29,960
Speaker 1: the way in on a role as much as he did,

247
00:14:29,960 --> 00:14:32,880
Speaker 1: and Stepbrothers and then he he was just like, really,

248
00:14:33,400 --> 00:14:36,400
Speaker 1: I don't know that was that was acting. It was

249
00:14:36,440 --> 00:14:39,880
Speaker 1: not a prestige casting because that's only defined by on

250
00:14:40,040 --> 00:14:43,440
Speaker 1: a hosnie, but it was it was acting for sure. Yeah,

251
00:14:43,600 --> 00:14:46,640
Speaker 1: I will say he's not prestige casting in severance, he's

252
00:14:46,760 --> 00:14:51,080
Speaker 1: definitely prestige casting. And Stepbrothers Okay, Good, I just wanted

253
00:14:51,120 --> 00:14:54,720
Speaker 1: to clarify that because yeah, it's not clear to everybody.

254
00:14:54,760 --> 00:14:56,280
Speaker 1: It's clear to me, but I just want to I

255
00:14:56,360 --> 00:14:59,880
Speaker 1: want them to hear you say it, so that yeah,

256
00:15:00,480 --> 00:15:05,880
Speaker 1: uh the offer Matthew Good as Robert Evans incredible work. Hello,

257
00:15:06,720 --> 00:15:12,880
Speaker 1: I mean, what are we doing? Alright, I'll let's deal this, Okay, alright,

258
00:15:13,040 --> 00:15:15,800
Speaker 1: that Godfather it is alright, Someone give me a cigarette,

259
00:15:16,000 --> 00:15:18,360
Speaker 1: Like it was absurd. That's when I'm more likely to

260
00:15:18,440 --> 00:15:21,000
Speaker 1: watch next than like one of the shows that everyone's

261
00:15:21,040 --> 00:15:24,160
Speaker 1: like better call Saul. This season was amazing and I've

262
00:15:24,240 --> 00:15:27,520
Speaker 1: like watched the past betters call Saul, but this one

263
00:15:27,680 --> 00:15:31,680
Speaker 1: is like fun, bad, weird, and like that's kind of

264
00:15:32,200 --> 00:15:34,400
Speaker 1: I don't know, there's just like so much good TV.

265
00:15:34,840 --> 00:15:38,400
Speaker 1: That's so much good TV. Thanks to Robert Evans, Give

266
00:15:38,440 --> 00:15:45,040
Speaker 1: Me a cigarette, Hi Party, American Gigilo Slash, We Own

267
00:15:45,120 --> 00:15:49,080
Speaker 1: this City? John burn Thought, Look, yes a cap refers

268
00:15:49,160 --> 00:15:52,280
Speaker 1: to John burn Thal because he loves to play cops

269
00:15:52,600 --> 00:15:55,480
Speaker 1: a little too much for you know, my taste seems

270
00:15:55,480 --> 00:15:57,640
Speaker 1: to really really get into it. But what about is

271
00:15:57,640 --> 00:16:00,560
Speaker 1: a sex worker? Though? True? Yes he does Placecoker, which

272
00:16:00,600 --> 00:16:03,240
Speaker 1: kind of redeemed him in my eyes. Um so, yes,

273
00:16:03,280 --> 00:16:11,400
Speaker 1: all cops are Burnthall, Ryan, all cops are birth thought,

274
00:16:11,520 --> 00:16:14,880
Speaker 1: let me tell you are they don't? They feel like

275
00:16:14,960 --> 00:16:17,920
Speaker 1: they ran into the sky like in the NYPD And

276
00:16:17,920 --> 00:16:19,800
Speaker 1: we're like, I don't know. He's got chrismas should we

277
00:16:19,840 --> 00:16:23,760
Speaker 1: cast him now? He's like a huge actor. Is his

278
00:16:23,920 --> 00:16:27,600
Speaker 1: podcast like cop? Okay? Well, his podcast is called Real

279
00:16:27,680 --> 00:16:30,800
Speaker 1: Ones and the description tells you everything you need to know.

280
00:16:30,880 --> 00:16:32,280
Speaker 1: Hold on, let me pull it up. First of all,

281
00:16:32,320 --> 00:16:34,160
Speaker 1: the type of Real Ones who comes immediately, which with

282
00:16:34,240 --> 00:16:37,640
Speaker 1: John Burnthall, it's a weekly podcast, gives the microphone to

283
00:16:37,680 --> 00:16:40,400
Speaker 1: some of the most interesting, authentic people living on the

284
00:16:40,440 --> 00:16:44,680
Speaker 1: front lines of the big issues of our time, from

285
00:16:44,720 --> 00:16:49,359
Speaker 1: cops to gang members, soldiers and ductors, activists and first responders.

286
00:16:49,440 --> 00:16:51,800
Speaker 1: You're going to hear from people who aren't pushing any

287
00:16:51,840 --> 00:16:57,560
Speaker 1: agenda other than honest, open dialogue trying to have a

288
00:16:57,640 --> 00:17:02,400
Speaker 1: CNN show. But all his guests are like Marines. So

289
00:17:02,640 --> 00:17:08,159
Speaker 1: I don't know he had Shila buff On. I'm looking

290
00:17:08,200 --> 00:17:11,320
Speaker 1: on YouTube. It says Shyla buff On Real Ones with

291
00:17:11,440 --> 00:17:15,520
Speaker 1: John Burnthall from thirty one of this year. It's like

292
00:17:15,640 --> 00:17:19,959
Speaker 1: Shyla buff you know, a marine, Lena Dunn Lena Dunham.

293
00:17:20,160 --> 00:17:34,679
Speaker 1: It's like, yoso, no, are you kidding? Literally ship my pants?

294
00:17:35,040 --> 00:17:38,960
Speaker 1: Like retired special agent Jay Dobbins spent two years undercover

295
00:17:39,080 --> 00:17:42,840
Speaker 1: with the Hell's Angels. It's like, okay, yeah, he kind

296
00:17:42,840 --> 00:17:45,040
Speaker 1: of he kind of looks like what his interests are.

297
00:17:45,160 --> 00:17:47,320
Speaker 1: I think this is good, you know, surprises there, But

298
00:17:47,359 --> 00:17:49,359
Speaker 1: how is he like when you know scope that I

299
00:17:49,480 --> 00:17:56,600
Speaker 1: rocky soldier, Just like he's like sho bro Like, there's

300
00:17:56,800 --> 00:17:59,399
Speaker 1: definitely an agenda and I'm pretty sure his brother is

301
00:17:59,600 --> 00:18:07,119
Speaker 1: Mary to Chryl Sandburg anyway, So a cap yes, Cheryl

302
00:18:07,240 --> 00:18:13,000
Speaker 1: Sandberg's husband. He's connected to Cheryl Sandberg, which that's all

303
00:18:13,040 --> 00:18:18,480
Speaker 1: you need to know. Husband Dave. Wow, I got that right.

304
00:18:18,840 --> 00:18:22,600
Speaker 1: Oh wait, no, she had a husband. There is Thomb

305
00:18:23,160 --> 00:18:32,479
Speaker 1: Thomb partners. They're just engaged or dating because she was

306
00:18:32,560 --> 00:18:36,280
Speaker 1: like like her with her husband. Dying on the treadmill

307
00:18:36,600 --> 00:18:39,879
Speaker 1: was like a big deal. Oh that's what happened. He

308
00:18:40,040 --> 00:18:43,639
Speaker 1: had a he passed away years ago. Yeah, fell on

309
00:18:43,720 --> 00:18:46,600
Speaker 1: a treadmill and hit his head. Oh god, that's okay,

310
00:18:46,600 --> 00:18:48,439
Speaker 1: that's really dark. I'm sorry to have had a burst

311
00:18:48,440 --> 00:18:51,399
Speaker 1: out laugh. And just like that a super producer. Should

312
00:18:51,440 --> 00:18:54,120
Speaker 1: we just all be replaced by super producer Brian? He's

313
00:18:54,119 --> 00:18:57,879
Speaker 1: just on the shop just like that. Wait was that

314
00:18:57,920 --> 00:19:02,840
Speaker 1: show this year? Are Yeah, what's hard to say, kind

315
00:19:02,840 --> 00:19:07,080
Speaker 1: of impossible to say. Actually, damn, time is sucking me up. Okay,

316
00:19:07,160 --> 00:19:09,200
Speaker 1: yeah that was also this year and when he was

317
00:19:09,240 --> 00:19:11,240
Speaker 1: getting American Gigglo though, because I remember we were going

318
00:19:11,280 --> 00:19:13,760
Speaker 1: wild for the trailer, were like, yo, this ship looks wild?

319
00:19:13,800 --> 00:19:17,560
Speaker 1: Did it? Did it pay off? On the trailer? Um?

320
00:19:17,720 --> 00:19:24,520
Speaker 1: Look the scenes where he was like fucking and the

321
00:19:24,600 --> 00:19:27,920
Speaker 1: rest was kind of stressful because you had like rose

322
00:19:28,000 --> 00:19:32,160
Speaker 1: O'donald like I'm a cop. I'm gonna find out who

323
00:19:32,200 --> 00:19:35,560
Speaker 1: did this, like just kind of like showing up everywhere, right,

324
00:19:36,040 --> 00:19:37,960
Speaker 1: and then like, I don't know, I don't know if

325
00:19:37,960 --> 00:19:42,879
Speaker 1: you guys knew this, but like sex trafficking is not cool,

326
00:19:44,880 --> 00:19:47,399
Speaker 1: but it's some topics that I was like, I don't

327
00:19:47,640 --> 00:19:51,160
Speaker 1: love this, and that that show changed your opinion on that, right,

328
00:19:51,280 --> 00:19:54,240
Speaker 1: you were always before. You're always pimping and stuff you

329
00:19:54,280 --> 00:19:56,520
Speaker 1: always talked about. You know, pimping ain't easy, and it's

330
00:19:56,520 --> 00:19:59,240
Speaker 1: all about that pimp life and you realizing now a

331
00:19:59,240 --> 00:20:03,479
Speaker 1: little grim, little little wait, I'm sorry to say pimp

332
00:20:03,560 --> 00:20:09,119
Speaker 1: life like because I mean in the you're saying so

333
00:20:09,200 --> 00:20:11,960
Speaker 1: the show is also like kind of a sober examination

334
00:20:12,000 --> 00:20:15,000
Speaker 1: of everything. It's because the trailer felt like this guy's

335
00:20:15,160 --> 00:20:19,280
Speaker 1: got a wavy shirt on his six pack and you're like, okay,

336
00:20:19,280 --> 00:20:24,840
Speaker 1: this seems delicious. It's like, oh, nice car, he's fucking

337
00:20:25,040 --> 00:20:28,159
Speaker 1: full head of hair, and we're like wow, cool, and

338
00:20:28,200 --> 00:20:31,360
Speaker 1: then you're like, oh, that's right, right, if we're gonna

339
00:20:31,400 --> 00:20:33,480
Speaker 1: play this is here real quick. I want you guys

340
00:20:33,520 --> 00:20:36,480
Speaker 1: to look at the logo of Real Ones with John

341
00:20:36,520 --> 00:20:39,480
Speaker 1: Burnhall just like really just take it that he chose

342
00:20:39,520 --> 00:20:42,280
Speaker 1: that as the cover of his podcast. I texted it

343
00:20:42,320 --> 00:20:44,399
Speaker 1: to you guys. So also, if you're listening, just go

344
00:20:44,520 --> 00:20:46,919
Speaker 1: look google real ones with John Burnhall and you just

345
00:20:47,000 --> 00:20:51,639
Speaker 1: got a cock gyebrow with a handlebar mustache. He's like, like,

346
00:20:51,960 --> 00:20:55,440
Speaker 1: so fun. It's either I'm completely I think whatever someone

347
00:20:55,520 --> 00:20:57,480
Speaker 1: is saying to me is bullshit, or it's the most

348
00:20:57,560 --> 00:21:00,480
Speaker 1: interesting thing he's ever heard. And then his did on

349
00:21:00,520 --> 00:21:02,880
Speaker 1: the back like he has it backwards, says fresh air

350
00:21:02,920 --> 00:21:04,679
Speaker 1: on the headband. I don't know if he's like a

351
00:21:04,760 --> 00:21:10,080
Speaker 1: Terry Gross fan or something, but yeah, is that a fit?

352
00:21:10,200 --> 00:21:18,960
Speaker 1: It looks like a new cap a like, wow, taking

353
00:21:19,040 --> 00:21:21,000
Speaker 1: up too much of this? I don't know. I like

354
00:21:21,080 --> 00:21:23,200
Speaker 1: the idea that do that. He hosts his show like

355
00:21:23,280 --> 00:21:27,160
Speaker 1: in an oversized black, backwards fitted hat too, and he's like, yeah, bro,

356
00:21:27,480 --> 00:21:30,080
Speaker 1: I'll hear you on that. Yeah, that's what you know.

357
00:21:30,200 --> 00:21:32,879
Speaker 1: My sister in law Cheryl said that too, you know,

358
00:21:32,960 --> 00:21:35,560
Speaker 1: like it's too much? All right, what else we got

359
00:21:35,560 --> 00:21:42,119
Speaker 1: in this power cap h all thoughts are the funny? Okay, sorry,

360
00:21:42,119 --> 00:21:46,359
Speaker 1: we're moving forward. Pam and Tommy, Lily, James and Sebastian

361
00:21:46,440 --> 00:21:53,000
Speaker 1: stand Oh my god, they transformed into those roles what

362
00:21:54,160 --> 00:21:56,880
Speaker 1: how does he need to see it? M that's why

363
00:21:57,080 --> 00:21:59,119
Speaker 1: that's I just need your energy to then say okay,

364
00:21:59,119 --> 00:22:01,520
Speaker 1: now I have to watch this. And my friend worked

365
00:22:01,560 --> 00:22:04,359
Speaker 1: on it too. I did not should have should have

366
00:22:04,359 --> 00:22:15,439
Speaker 1: paid attention to that one American cry story. This is

367
00:22:15,440 --> 00:22:20,359
Speaker 1: our third podcast of the day, professional Kim Clinton's story.

368
00:22:22,160 --> 00:22:24,800
Speaker 1: But I'll get you there. I'm sure, um all right,

369
00:22:24,880 --> 00:22:27,040
Speaker 1: Pam and Tommy. I did hear really good things Lily

370
00:22:27,160 --> 00:22:34,240
Speaker 1: James from Baby Driver movie. I thought, yeah, she was incredible,

371
00:22:34,400 --> 00:22:37,760
Speaker 1: like genuinely, I was like waw waw wo. And then

372
00:22:37,800 --> 00:22:41,520
Speaker 1: Sebastian Stand as Tommy Lee. I kept forgetting it was

373
00:22:41,560 --> 00:22:43,680
Speaker 1: Sebastian Stand, which I understand that's kind of the premise

374
00:22:43,680 --> 00:22:47,200
Speaker 1: of acting, but like he was disappearing into that role

375
00:22:47,240 --> 00:22:49,920
Speaker 1: in a way where I was like, dude, what this guy?

376
00:22:50,320 --> 00:22:53,439
Speaker 1: He was like nailing like the weird like like drunk

377
00:22:53,600 --> 00:22:59,879
Speaker 1: mumble deep voice Tommy Lee. That okay, well, I know

378
00:23:00,320 --> 00:23:07,840
Speaker 1: know what that's like. Latter day Tommy, I don't know

379
00:23:07,920 --> 00:23:13,440
Speaker 1: what this was. That one. I don't know. I think

380
00:23:13,440 --> 00:23:20,159
Speaker 1: you're dying. Oh he's the guy Fro who played Bucky

381
00:23:20,200 --> 00:23:24,320
Speaker 1: Barnes in the Marvel movies and not a great not

382
00:23:24,400 --> 00:23:28,760
Speaker 1: a great uh casting, I'd say that is non prestige

383
00:23:28,960 --> 00:23:34,080
Speaker 1: casting him as Bucky Barnes. Is that buggy yeah whatever,

384
00:23:34,160 --> 00:23:36,240
Speaker 1: whatever that guy's name is. But it was just very

385
00:23:36,359 --> 00:23:40,600
Speaker 1: I remember just falling asleep anytime he was on camera.

386
00:23:40,840 --> 00:23:44,399
Speaker 1: And he's a compelling actor. He is a compelling actor.

387
00:23:44,600 --> 00:23:47,840
Speaker 1: Great work, all right, Yellow Jackets, Christina Ricci and Juliette

388
00:23:47,880 --> 00:23:53,200
Speaker 1: Lewis team up the nineties to eat you. Yes it

389
00:23:53,280 --> 00:23:55,919
Speaker 1: is I. That was one that I was like, oh,

390
00:23:55,960 --> 00:23:57,720
Speaker 1: I can't believe that was this year. There was so

391
00:23:57,840 --> 00:24:01,200
Speaker 1: much TV, so much TV. Out to uh jack for

392
00:24:01,280 --> 00:24:04,480
Speaker 1: letting me use that showtime log in time for which

393
00:24:05,080 --> 00:24:10,080
Speaker 1: shared log in miles. That's a I didn't even know. Yeah,

394
00:24:09,480 --> 00:24:13,120
Speaker 1: you and everybody I got it specifically so we could

395
00:24:13,119 --> 00:24:16,919
Speaker 1: watch us Samarow and then uh, you guys have a

396
00:24:17,040 --> 00:24:19,639
Speaker 1: joint log in. No, he has one that he I

397
00:24:19,680 --> 00:24:22,040
Speaker 1: didn't even know about until Yellow Jackets came out, because

398
00:24:22,119 --> 00:24:24,280
Speaker 1: and you're like Yellow Jackets is so good. I'm like

399
00:24:24,280 --> 00:24:26,680
Speaker 1: what channel is it on? And you're like Showtime, like, well,

400
00:24:26,720 --> 00:24:31,520
Speaker 1: I can't watch this and texted you the log in

401
00:24:31,960 --> 00:24:33,919
Speaker 1: when I feel like I thought it was Jesus Samara,

402
00:24:34,000 --> 00:24:36,520
Speaker 1: but maybe it was Yellow Jackets. You were already watching it.

403
00:24:36,520 --> 00:24:38,320
Speaker 1: Why would you know? Like, why am I not allowed

404
00:24:38,359 --> 00:24:40,480
Speaker 1: to have like a joint log in with anyone? You can?

405
00:24:41,160 --> 00:24:43,879
Speaker 1: Maybe we can't. Maybe let's let's find let's find a

406
00:24:43,880 --> 00:24:47,240
Speaker 1: streaming service. What do the new one? What's a new one?

407
00:24:47,320 --> 00:24:54,479
Speaker 1: We like? What else? What else? So I cry? All right?

408
00:24:54,560 --> 00:25:00,960
Speaker 1: Moving forward? Single drunk drunk female Madison Shepherd parole officer,

409
00:25:01,359 --> 00:25:05,560
Speaker 1: Oh my god, Madison Sheppard former guests of Daily Side Guys,

410
00:25:05,640 --> 00:25:10,640
Speaker 1: incredible casting as the main character and single drunk females.

411
00:25:11,040 --> 00:25:14,160
Speaker 1: Pearl officer not Pearl, what is it? It's the other one?

412
00:25:14,680 --> 00:25:21,400
Speaker 1: Hardcore probation officer. Hilarious. She's so funny. It's almost like

413
00:25:21,560 --> 00:25:25,160
Speaker 1: they saw Madison like castor because it is. She's so

414
00:25:25,200 --> 00:25:28,840
Speaker 1: good in that role. She steals every scene. She's just

415
00:25:28,880 --> 00:25:32,400
Speaker 1: like just that probation officer who's just like just trying

416
00:25:32,440 --> 00:25:35,080
Speaker 1: to do their job, like has their own business going on,

417
00:25:35,359 --> 00:25:40,159
Speaker 1: and you're like trying to get and they're right, but

418
00:25:40,280 --> 00:25:44,080
Speaker 1: she's like, you know, got ship to do and not.

419
00:25:44,320 --> 00:25:46,680
Speaker 1: I don't know either way. I really recommend single drunk

420
00:25:46,680 --> 00:25:49,080
Speaker 1: Female on Hulu. I believe it is. If you guys,

421
00:25:49,119 --> 00:25:51,480
Speaker 1: haven't seen. It's actually a really fun show about a

422
00:25:51,520 --> 00:25:55,960
Speaker 1: woman getting sober in Boston. So it's really fucking funny.

423
00:25:56,000 --> 00:25:59,160
Speaker 1: All her friends are like the worst mass holes you've

424
00:25:59,200 --> 00:26:01,960
Speaker 1: ever met, and she's just trying to get sober around them.

425
00:26:04,080 --> 00:26:07,400
Speaker 1: It's like everything is just like, oh did I fuck

426
00:26:07,440 --> 00:26:09,280
Speaker 1: you once? Like yeah, we sucked in the bar right there,

427
00:26:09,560 --> 00:26:13,280
Speaker 1: or in the bathroom right there, Like every character the

428
00:26:13,320 --> 00:26:17,080
Speaker 1: worst person you've ever come across. And it's so well done.

429
00:26:17,480 --> 00:26:20,320
Speaker 1: I really recommend it brings back joy in the half

430
00:26:20,359 --> 00:26:24,160
Speaker 1: hour sort of comedy space that we are, in my opinion,

431
00:26:24,280 --> 00:26:27,480
Speaker 1: kind of lacking outside of like abbott um, Okay, I

432
00:26:27,560 --> 00:26:31,320
Speaker 1: love that for you, Matt Rogers, I mean his character,

433
00:26:31,560 --> 00:26:34,119
Speaker 1: and I love that for you. He steals the show,

434
00:26:34,240 --> 00:26:35,840
Speaker 1: I gotta say. And I don't just say that because

435
00:26:35,880 --> 00:26:38,040
Speaker 1: I work with him and for him and I need

436
00:26:38,080 --> 00:26:42,520
Speaker 1: his respect. And also because, uh, that scene where he

437
00:26:43,040 --> 00:26:45,960
Speaker 1: buys the really fancy handbag and he's in the mirror

438
00:26:45,960 --> 00:26:49,040
Speaker 1: talking to himself and he just starts going the discourse

439
00:26:49,200 --> 00:26:54,520
Speaker 1: is toxic. It's I don't even know what you're talking about,

440
00:26:54,560 --> 00:26:56,680
Speaker 1: but I just knew that whatever you just described, and

441
00:26:56,840 --> 00:27:00,199
Speaker 1: that made me laugh. Wait, what is this should it's

442
00:27:00,640 --> 00:27:05,160
Speaker 1: Vanessa Beyer working at one of those sort of QVC

443
00:27:05,400 --> 00:27:09,320
Speaker 1: type places. So they are a QVC, like one of

444
00:27:09,359 --> 00:27:11,840
Speaker 1: those big ones where they like so random products and

445
00:27:11,840 --> 00:27:14,600
Speaker 1: they're like always being like, and I love this bracelet

446
00:27:14,640 --> 00:27:16,959
Speaker 1: because you know, sol la la la, and they're just

447
00:27:17,040 --> 00:27:20,199
Speaker 1: like nonsense. And then like everyone buys stuff, and Jennifer

448
00:27:20,240 --> 00:27:22,760
Speaker 1: Lewis is also on that show. Jennifer Wis is also

449
00:27:22,840 --> 00:27:27,320
Speaker 1: great in it. And then yeah, Matt Rogers buys himself

450
00:27:27,320 --> 00:27:29,800
Speaker 1: a really fancy handbag and is looking in a mirror

451
00:27:29,840 --> 00:27:32,000
Speaker 1: pretending to talk to people and just keeps being like

452
00:27:32,160 --> 00:27:36,399
Speaker 1: while holding the bag, being like the discourses toxic over

453
00:27:36,440 --> 00:27:40,040
Speaker 1: and over again. It's so funny because it's also so

454
00:27:40,160 --> 00:27:43,960
Speaker 1: Matt like, it's just too good. So anyway, yeah, Matt Rodgers, Okay,

455
00:27:44,119 --> 00:27:47,239
Speaker 1: that's also Showtime, right, Showtime? We love Showtime. I mean

456
00:27:47,359 --> 00:27:49,919
Speaker 1: obviously you two love it more because Joint and I

457
00:27:49,920 --> 00:27:52,879
Speaker 1: haven't even seen it. Yeah, we really behind You have

458
00:27:52,920 --> 00:27:58,080
Speaker 1: no excuse with your joint log in What's Yours Mine?

459
00:27:58,119 --> 00:28:04,679
Speaker 1: I'm I'm a Hulu ad on on Time. I'm just

460
00:28:04,760 --> 00:28:09,520
Speaker 1: adding hubs in my wh What's next stars for me?

461
00:28:10,960 --> 00:28:15,760
Speaker 1: That stars no fense no fence fence all right, Reservation Dogs,

462
00:28:16,560 --> 00:28:19,800
Speaker 1: Zon mcclernan. Yeah, I'm sorry if I'm saying that wrong.

463
00:28:19,960 --> 00:28:23,199
Speaker 1: The guy who plays the cop, the reservation cop. Yeah,

464
00:28:23,240 --> 00:28:27,719
Speaker 1: that guy is a goddamn scene stealer. You're incredible at

465
00:28:27,760 --> 00:28:32,120
Speaker 1: what you do. Good. He's a listeners tho, I love you.

466
00:28:32,520 --> 00:28:36,359
Speaker 1: That's me kissing you. You are so incredible. The scene

467
00:28:36,400 --> 00:28:39,040
Speaker 1: that they in the most recent season, they give him

468
00:28:39,080 --> 00:28:42,280
Speaker 1: his own episode where him and Kirk Fox go on

469
00:28:42,400 --> 00:28:44,920
Speaker 1: like a drug trip together in an episode, and it's

470
00:28:44,920 --> 00:28:48,320
Speaker 1: an incredible like team up of those two, Zon and Kirk,

471
00:28:48,400 --> 00:28:50,600
Speaker 1: and I just gotta say I was so glad they

472
00:28:50,600 --> 00:28:54,600
Speaker 1: finally gave him his own episode because he's he's a standout. Yeah.

473
00:28:54,880 --> 00:28:58,160
Speaker 1: I have no excuse that that's the That's the biggest

474
00:28:58,200 --> 00:29:01,120
Speaker 1: casualty to them making way too much good TV this

475
00:29:01,240 --> 00:29:03,600
Speaker 1: year is that I haven't watched Reservation Talk season two,

476
00:29:04,200 --> 00:29:06,280
Speaker 1: Like I I honestly should be arrested. I'm going to

477
00:29:06,400 --> 00:29:08,640
Speaker 1: turn myself into the police after this episode. Now you

478
00:29:08,640 --> 00:29:10,600
Speaker 1: don't have to. They don't know what they're doing. What're

479
00:29:10,600 --> 00:29:15,800
Speaker 1: you gonna go to John Burnhall's house mom right now? Yeah,

480
00:29:15,920 --> 00:29:19,720
Speaker 1: there's no agenda, is here, let me turn by a

481
00:29:19,760 --> 00:29:23,840
Speaker 1: cap around. Jack, what do you think about toxic masculinity?

482
00:29:23,880 --> 00:29:30,160
Speaker 1: And what do what do females really mean when they

483
00:29:30,680 --> 00:29:32,760
Speaker 1: I know we haven't listened to the show, but that's

484
00:29:33,840 --> 00:29:37,080
Speaker 1: I can already imagine. You guys really have to go

485
00:29:37,200 --> 00:29:42,560
Speaker 1: look at real ones. The logo is the logo art

486
00:29:42,800 --> 00:29:46,560
Speaker 1: is one of the wildest things, like wildest decisions any

487
00:29:46,640 --> 00:29:51,920
Speaker 1: human has ever made, about hitting a blunt face like

488
00:29:52,920 --> 00:29:56,400
Speaker 1: just that, like wild cocked eyebrow. I'm like, okay, sir,

489
00:29:56,440 --> 00:29:58,520
Speaker 1: I can't take this. Seriously. Do we think he's been

490
00:29:58,600 --> 00:30:02,280
Speaker 1: on Joe Rogan Rogan? He must. I can't believe. He

491
00:30:02,760 --> 00:30:04,680
Speaker 1: seems like the kind of thing like Joe Rogan's. I

492
00:30:04,760 --> 00:30:07,960
Speaker 1: was like, dude, I fucking look, yeah, no, I bet

493
00:30:08,040 --> 00:30:11,960
Speaker 1: now he probably is. Like two, he's been on Joey Dias,

494
00:30:12,000 --> 00:30:15,320
Speaker 1: a show, which is just one stuff over. So yeah,

495
00:30:15,360 --> 00:30:18,840
Speaker 1: I thought that. Yeah. Anyways, Um, all right, let's keep going.

496
00:30:19,520 --> 00:30:24,880
Speaker 1: Um alright, Hacks, Jean Smart Baby, Jean's Smart till death

497
00:30:24,920 --> 00:30:30,200
Speaker 1: do us part? Oh my god, Jean, you have to

498
00:30:30,640 --> 00:30:33,560
Speaker 1: you have two of these performers that are near and

499
00:30:33,560 --> 00:30:39,360
Speaker 1: dear to your heart. Smart. But what about Jennifer Coolidge

500
00:30:39,440 --> 00:30:42,080
Speaker 1: if Jean Smart is still death part, where is Jennifer Okay,

501
00:30:42,080 --> 00:30:44,760
Speaker 1: all right, we haven't gotten to the forty five j

502
00:30:45,080 --> 00:30:49,120
Speaker 1: Coolidge alone? If he looked out it says Jennifer Coolidge

503
00:30:49,120 --> 00:30:55,440
Speaker 1: and anything. Yeah, but literally Christie casting. Jennifer No, no, no,

504
00:30:55,480 --> 00:30:57,000
Speaker 1: I'm just saying she just had you know, she's been

505
00:30:57,040 --> 00:30:59,280
Speaker 1: in every like, She's been like what like four shows

506
00:30:59,280 --> 00:31:01,200
Speaker 1: this year. She was on the Watcher. She was pretty

507
00:31:01,200 --> 00:31:03,320
Speaker 1: funny in the watch. We're not gonna lie al right,

508
00:31:03,360 --> 00:31:06,360
Speaker 1: Abbot Elementary, the whole cast, Prestige casting. You do not

509
00:31:06,440 --> 00:31:09,240
Speaker 1: put a cast together like that without getting an award

510
00:31:09,400 --> 00:31:12,160
Speaker 1: from me. And this is my other show of the

511
00:31:12,280 --> 00:31:15,000
Speaker 1: year that like is the thing that I most enjoyed watching,

512
00:31:15,000 --> 00:31:18,280
Speaker 1: and it's because it's not trying to do like Prestige

513
00:31:18,320 --> 00:31:23,240
Speaker 1: television is just it's just the best, solid, just not

514
00:31:23,360 --> 00:31:26,240
Speaker 1: trying to come to Christie television because that's exactly what

515
00:31:26,280 --> 00:31:31,120
Speaker 1: it is. It's exactly like Christige TV as defined by

516
00:31:31,240 --> 00:31:36,480
Speaker 1: like five hour long dramas and John like what John

517
00:31:36,480 --> 00:31:44,440
Speaker 1: Barren thought would call That's why I couldn't find it

518
00:31:44,480 --> 00:31:47,760
Speaker 1: was Google in the damn name. I thought it was Barren.

519
00:31:47,880 --> 00:31:55,160
Speaker 1: Paul Barrenstein Barsony. You know, I just get here from

520
00:31:55,160 --> 00:32:04,840
Speaker 1: a parallel universe. Rick Alrights, She's amazing though. Yeah who else?

521
00:32:05,640 --> 00:32:10,160
Speaker 1: Um the Bear, Jeremy Allen White and ao at a Berry.

522
00:32:10,200 --> 00:32:16,520
Speaker 1: This is my favorite Prestige TV. Yes, be ye. It

523
00:32:16,640 --> 00:32:19,400
Speaker 1: stressed me out like no other. Yeah, I was so

524
00:32:19,440 --> 00:32:25,600
Speaker 1: stressed during that show. Corner Corner, Yes, Chef, um, I

525
00:32:25,640 --> 00:32:27,960
Speaker 1: really I found him to be like one of the

526
00:32:28,000 --> 00:32:35,720
Speaker 1: most compelling leads in anything line up Jack Internet, Yeah, yeah, yeah, yes,

527
00:32:35,840 --> 00:32:42,480
Speaker 1: chef if you know what I mean, Yes, chef, Yes,

528
00:32:42,600 --> 00:32:44,600
Speaker 1: chef if you know what I mean. Should be a

529
00:32:44,640 --> 00:32:51,760
Speaker 1: T shirt if you know what I mean, his face

530
00:32:52,040 --> 00:32:56,080
Speaker 1: like a picture of him on it. Um special mentioned too.

531
00:32:56,600 --> 00:32:58,320
Speaker 1: I don't know how to say his name. Even Moss

532
00:32:58,400 --> 00:33:02,000
Speaker 1: back Rock, the guy who plays the cousin, he's just

533
00:33:02,080 --> 00:33:08,400
Speaker 1: like such such shuch heart ache, such a ship bag. Yeah, yeah, yeah,

534
00:33:08,440 --> 00:33:13,080
Speaker 1: he's great. What's he's from Girls where he plays Marnie's husband,

535
00:33:13,080 --> 00:33:17,840
Speaker 1: who's also that's so good at playing a ship bag.

536
00:33:18,920 --> 00:33:23,640
Speaker 1: Such a ship but it's a different type of ship bag.

537
00:33:23,960 --> 00:33:26,880
Speaker 1: I actually saw that, dude, I r L and I

538
00:33:26,920 --> 00:33:30,360
Speaker 1: was just like, man, you must be the world's biggest

539
00:33:30,360 --> 00:33:35,719
Speaker 1: ship bag. I said that to him ship bag. He's like, hey, man,

540
00:33:35,760 --> 00:33:38,760
Speaker 1: I'm just trying to play with my kids at this part. Exactly,

541
00:33:39,040 --> 00:33:41,920
Speaker 1: I will say he's also an and or he's playing

542
00:33:41,920 --> 00:33:47,040
Speaker 1: a ship bag. I need that. He's got a good

543
00:33:47,080 --> 00:33:50,120
Speaker 1: look to him. Were like you like just on first glance,

544
00:33:50,200 --> 00:33:52,040
Speaker 1: You're like, he looks like he slept like about two

545
00:33:52,080 --> 00:33:55,320
Speaker 1: and a half hours. He has like his blood type

546
00:33:55,360 --> 00:34:01,120
Speaker 1: is nicotine. Guess where he's from. Guess what's stated he's from.

547
00:34:01,240 --> 00:34:04,240
Speaker 1: You know this, Come on, you know what's from. Come on.

548
00:34:05,440 --> 00:34:06,959
Speaker 1: He's a ship bag. He's a real ship bag. He's

549
00:34:07,000 --> 00:34:10,319
Speaker 1: a ship back. He's a real piece of ships and

550
00:34:10,320 --> 00:34:23,080
Speaker 1: ship Where is he from? Jack? Shit kidding? Some of

551
00:34:23,160 --> 00:34:28,200
Speaker 1: the absolute worst and the absolute best people come from Massachusetts. Incredible.

552
00:34:28,400 --> 00:34:36,760
Speaker 1: The CommonWell state produces literal dumpster fires and literal prestige. Okay,

553
00:34:37,239 --> 00:34:41,200
Speaker 1: we got Jenny Slate, we got this asshole even I mean, honestly,

554
00:34:41,280 --> 00:34:47,719
Speaker 1: like I could go forever mix Mitchell Genevieve Parissey from

555
00:34:47,760 --> 00:34:50,719
Speaker 1: Bachelor in Paradise like that. It's just never ending, Like

556
00:34:52,520 --> 00:34:57,560
Speaker 1: we're from Massachusetts. Love it should we take a little break,

557
00:34:57,800 --> 00:35:02,560
Speaker 1: come back forward to more prestige. All right, while you're

558
00:35:02,600 --> 00:35:09,560
Speaker 1: on the break go and look up Real Ones John

559
00:35:10,280 --> 00:35:13,560
Speaker 1: John burn fall b r n th h L. You

560
00:35:13,680 --> 00:35:15,439
Speaker 1: probably didn't know that. You probably thought it was parent.

561
00:35:16,120 --> 00:35:30,120
Speaker 1: We'll be right back real Ones, and we're back to

562
00:35:31,680 --> 00:35:37,080
Speaker 1: no agenda, straight shooters and the straightest shooter of them all. Uh,

563
00:35:37,120 --> 00:35:41,000
Speaker 1: someone who's coming from the front lines of prestige television.

564
00:35:41,160 --> 00:35:45,640
Speaker 1: Super producer on a Hosnia. She doesn't got a fucking agenda, Bro,

565
00:35:46,560 --> 00:35:49,480
Speaker 1: she don't have an agenda. She's just here to tell

566
00:35:49,520 --> 00:35:51,840
Speaker 1: you what's a prestige cast? You know him a cop.

567
00:35:53,000 --> 00:35:59,799
Speaker 1: I feel like him and Mark Wahlberger friends probably barenthal

568
00:36:00,040 --> 00:36:05,160
Speaker 1: in Wolverg. Yeah, oh ship Myles just sent us a

569
00:36:05,320 --> 00:36:09,840
Speaker 1: glamour shot of and oh that's his brother. I was

570
00:36:09,880 --> 00:36:14,160
Speaker 1: just gonna looks like doctor. I thought you looked like

571
00:36:14,280 --> 00:36:17,240
Speaker 1: Dr Oz. This is the one who who's gonna marry

572
00:36:17,239 --> 00:36:20,720
Speaker 1: Sheryl Sandberg. Yeah, they're already married. I believe perfect because

573
00:36:20,760 --> 00:36:23,319
Speaker 1: that's it. You have, like the rough and tumble one.

574
00:36:23,760 --> 00:36:26,960
Speaker 1: I'm an NBC News producer, you know. I'm pretty sure

575
00:36:27,000 --> 00:36:29,919
Speaker 1: he owns like a like a finance group now or something.

576
00:36:30,960 --> 00:36:34,920
Speaker 1: Founder and CEO of Kelton, a hybrid marketing research and

577
00:36:35,000 --> 00:36:38,120
Speaker 1: strategy consultancy. You already know what that's going. And also

578
00:36:38,200 --> 00:36:46,800
Speaker 1: my daughter's name Kelton. That's that's this type of names

579
00:36:46,840 --> 00:36:50,239
Speaker 1: like you encounter on a playground these days. Also, super

580
00:36:50,239 --> 00:36:53,440
Speaker 1: producer Brian pointed out that they're probably both to alpha,

581
00:36:53,760 --> 00:36:56,279
Speaker 1: like they wouldn't like their cruise would get in a

582
00:36:56,320 --> 00:36:59,000
Speaker 1: fist fight on their behalf, but like they wouldn't be

583
00:36:59,080 --> 00:37:04,120
Speaker 1: able to share the same the two burn tall brothers. No,

584
00:37:04,239 --> 00:37:07,200
Speaker 1: because here's what's going to happen. Bern Thall is okay

585
00:37:07,239 --> 00:37:09,839
Speaker 1: with playing the bad guy. But if you notice, Mark

586
00:37:09,840 --> 00:37:12,239
Speaker 1: Wahlberg will never play the bad guy because he could

587
00:37:12,239 --> 00:37:14,880
Speaker 1: have saved nine eleven. You know, he could saved the

588
00:37:14,960 --> 00:37:17,200
Speaker 1: nine eleven. That doesn't even make sense. You could have

589
00:37:17,280 --> 00:37:22,520
Speaker 1: saved nine. So here's the thing, here's what I assume

590
00:37:22,760 --> 00:37:26,120
Speaker 1: there's a team up coming up where you know, Mark

591
00:37:26,200 --> 00:37:28,680
Speaker 1: Wahlberg's favorite role is to play one of those like

592
00:37:28,760 --> 00:37:31,359
Speaker 1: secret agents that's a ghost. He doesn't exist, he doesn't

593
00:37:31,400 --> 00:37:34,799
Speaker 1: have fingerprints or whatever. What's the one movie where he's like,

594
00:37:35,000 --> 00:37:37,160
Speaker 1: you should be careful. No, I think you should be

595
00:37:38,000 --> 00:37:40,480
Speaker 1: should be careful. That's the energy of like, what are

596
00:37:40,480 --> 00:37:44,719
Speaker 1: you guys talking about? Cut this scene? Scene? Is he useless.

597
00:37:44,760 --> 00:37:46,200
Speaker 1: You just want to show that he's not allowed to

598
00:37:46,239 --> 00:37:48,640
Speaker 1: be told to be careful. Anyway, Here's what I assume

599
00:37:48,680 --> 00:37:51,320
Speaker 1: will happen. John Burnhall will come and play some evil

600
00:37:51,440 --> 00:37:55,680
Speaker 1: character Allah, we own this, and then Mark Wahlberg will

601
00:37:55,719 --> 00:37:58,360
Speaker 1: be cast opposite of him in an EP role. Of course,

602
00:37:58,400 --> 00:38:01,040
Speaker 1: he executive produces all his roles as the good guy

603
00:38:01,080 --> 00:38:03,800
Speaker 1: who's coming to stop burn Thal. That's what I predict

604
00:38:03,880 --> 00:38:06,000
Speaker 1: the meet up will be, and I think it will

605
00:38:06,040 --> 00:38:09,640
Speaker 1: be the same energy of the Vin Diesel and the

606
00:38:09,719 --> 00:38:12,279
Speaker 1: Rock contract, where neither of them is allowed to win

607
00:38:12,480 --> 00:38:17,000
Speaker 1: or losing a fight you have to draw because the

608
00:38:17,040 --> 00:38:19,880
Speaker 1: building falls on them. And they're both fine, but like

609
00:38:19,920 --> 00:38:22,640
Speaker 1: the buildings in between them, so they can't keep fighting.

610
00:38:25,719 --> 00:38:29,120
Speaker 1: I know exactly. I was about to say that that's

611
00:38:29,160 --> 00:38:35,800
Speaker 1: what the trailer is gonna say down we own the city,

612
00:38:35,840 --> 00:38:38,040
Speaker 1: by the way, like that, That's the only burn Thall

613
00:38:38,080 --> 00:38:39,919
Speaker 1: I saw this year. I didn't see American jig Low,

614
00:38:40,040 --> 00:38:43,640
Speaker 1: but like his performance in that is like, that's not

615
00:38:43,719 --> 00:38:45,960
Speaker 1: my favorite. That wasn't my favorite thing I saw this year,

616
00:38:45,960 --> 00:38:49,000
Speaker 1: and I had it when it was very up for it.

617
00:38:49,320 --> 00:38:51,480
Speaker 1: But here's the thing. I thought he was great in

618
00:38:51,520 --> 00:38:55,000
Speaker 1: that role. I just personally thought, Yeah, here's things I

619
00:38:55,080 --> 00:38:56,759
Speaker 1: thought he was. He was a little too good in

620
00:38:56,800 --> 00:38:58,840
Speaker 1: that role, you know what I mean, you know what

621
00:38:58,880 --> 00:39:03,040
Speaker 1: you're kind of like he's enjoying playing this evil cop

622
00:39:03,160 --> 00:39:06,759
Speaker 1: too much, you know. Okay, he has this like one

623
00:39:06,840 --> 00:39:09,880
Speaker 1: moment where the guy like goes in, he's gone into

624
00:39:10,480 --> 00:39:13,600
Speaker 1: all of the corrupt cops to like see what they'll

625
00:39:13,640 --> 00:39:18,320
Speaker 1: say for themselves, and like Barenthal just like make steady

626
00:39:18,360 --> 00:39:20,640
Speaker 1: eye contact with him. But he's like doing this thing

627
00:39:20,719 --> 00:39:24,399
Speaker 1: with his eyes that is like it's one of the

628
00:39:24,440 --> 00:39:28,640
Speaker 1: wildest things. And it's like I've seen three people, like

629
00:39:28,760 --> 00:39:31,239
Speaker 1: different people in my life who have like all done that,

630
00:39:31,400 --> 00:39:34,080
Speaker 1: and it was just like the perfect encapsulation of this

631
00:39:34,239 --> 00:39:37,279
Speaker 1: like one type of macho dick head that was just

632
00:39:37,320 --> 00:39:45,040
Speaker 1: like so fucking perfect man the whole, the whole performances wild.

633
00:39:45,800 --> 00:39:47,680
Speaker 1: Why is he so good at playing cops? You know?

634
00:39:48,360 --> 00:39:53,799
Speaker 1: I think we can't move that Google really just hey,

635
00:39:53,800 --> 00:39:55,600
Speaker 1: I'll go up to a cop right now and take

636
00:39:55,640 --> 00:40:03,400
Speaker 1: their mask off. I guarantee under there it his birth

637
00:40:03,480 --> 00:40:08,560
Speaker 1: all the whole literally, something up with that dude in Cops.

638
00:40:09,239 --> 00:40:15,080
Speaker 1: I just don't like it anyway. Moving forward, Atlanta, I

639
00:40:15,200 --> 00:40:20,680
Speaker 1: just think Brian Tyree Henry is so good in Atlanta

640
00:40:21,400 --> 00:40:24,080
Speaker 1: because you see him playing this very sort of tough,

641
00:40:24,200 --> 00:40:28,080
Speaker 1: sort of almost like toxic masculine rapper in Atlanta in

642
00:40:28,120 --> 00:40:31,799
Speaker 1: the South right, like he's so self serious. He's like,

643
00:40:31,960 --> 00:40:34,600
Speaker 1: don't funk with me. You know, I grew up in

644
00:40:34,640 --> 00:40:37,040
Speaker 1: like very rough neighborhood, so I know what the streets are,

645
00:40:37,040 --> 00:40:38,880
Speaker 1: Like I used to sell weed, but now I'm a

646
00:40:38,960 --> 00:40:41,719
Speaker 1: rapper and I'm successful. And then you see him in

647
00:40:41,800 --> 00:40:44,560
Speaker 1: like I don't know any other moment he's like, oh,

648
00:40:44,600 --> 00:40:48,839
Speaker 1: I'm British, and you're like what he is? Like he

649
00:40:48,920 --> 00:40:52,480
Speaker 1: was suddenly in everything after everyone was Atlanta, but in

650
00:40:52,560 --> 00:40:56,120
Speaker 1: everything as like twenty different types of people, like just

651
00:40:56,239 --> 00:41:00,279
Speaker 1: always like in that King cong Verse Godzilla move, he

652
00:41:00,320 --> 00:41:06,520
Speaker 1: plays like a internet troll, like conspiracy theorist. Right, It's

653
00:41:06,600 --> 00:41:09,600
Speaker 1: like the role that you would normally that used to

654
00:41:09,640 --> 00:41:13,400
Speaker 1: go to justin Long and he fucking nails it. Like

655
00:41:13,520 --> 00:41:17,040
Speaker 1: he's so good in that movie. Yeah, and then like yeah,

656
00:41:17,120 --> 00:41:19,799
Speaker 1: what bullet Train, He's like British and bullet Train, isn't

657
00:41:19,800 --> 00:41:22,520
Speaker 1: he Yeah he's British train and is he? I can't

658
00:41:22,520 --> 00:41:25,880
Speaker 1: remember actually, But then also in that Marvel movie that

659
00:41:25,960 --> 00:41:30,839
Speaker 1: failed spectacularly with Angeli and Julianet. He's like, I'm gay

660
00:41:30,840 --> 00:41:32,839
Speaker 1: in this one, and and on top of that one,

661
00:41:33,239 --> 00:41:37,000
Speaker 1: I'm the nerdy computer guy and you're like, this guy

662
00:41:37,280 --> 00:41:42,840
Speaker 1: is literally yeah versatility. Yeah he I mean yeah, I

663
00:41:42,880 --> 00:41:45,440
Speaker 1: mean he went to like, I think, like Yale acting

664
00:41:45,480 --> 00:41:50,920
Speaker 1: school or something serious. He's like, he's prestiged the fun. Okay,

665
00:41:50,920 --> 00:41:54,680
Speaker 1: Oh so he was what this is where this came from? Yeah? Yeah,

666
00:41:54,760 --> 00:41:56,880
Speaker 1: yeah he wasn't. He's not like some freak. He's like,

667
00:41:57,160 --> 00:41:59,839
Speaker 1: I do this. Okay. So here's the thing I just

668
00:42:00,080 --> 00:42:05,799
Speaker 1: understood where prestige casting came from. Okay, Brian Tyree, when

669
00:42:05,840 --> 00:42:08,200
Speaker 1: I saw him in Atlanta five years ago, when that

670
00:42:08,239 --> 00:42:11,040
Speaker 1: show first start or whatever, I think that's where it

671
00:42:11,080 --> 00:42:12,960
Speaker 1: started to become clear to me that there is a

672
00:42:13,000 --> 00:42:17,880
Speaker 1: prestige here to casting to this paper Boy. Perhaps he

673
00:42:17,880 --> 00:42:23,799
Speaker 1: will become a paper man like paper Boy paper Boy

674
00:42:25,480 --> 00:42:31,040
Speaker 1: first season when the episode where uh Van is trying

675
00:42:31,040 --> 00:42:34,360
Speaker 1: to buy weed, or even the episode where he's just

676
00:42:34,360 --> 00:42:37,480
Speaker 1: trying to get a haircut, I mean there are so many.

677
00:42:37,520 --> 00:42:40,840
Speaker 1: I mean even in the new season, final season where

678
00:42:40,880 --> 00:42:43,200
Speaker 1: he gets a farm and he's just trying to survive.

679
00:42:43,239 --> 00:42:46,200
Speaker 1: On a farm. I'man guys, there was so much going

680
00:42:46,239 --> 00:42:48,560
Speaker 1: on in Atlanta with Brian Tyree Henry. You have to

681
00:42:48,560 --> 00:42:53,040
Speaker 1: go watch just for him. Okay, This Fool, Frankie Queen

682
00:42:53,160 --> 00:42:58,960
Speaker 1: on is I mean, Frankie, is he not born to

683
00:42:59,000 --> 00:43:01,680
Speaker 1: be a star? You were talking about the show This Fool?

684
00:43:01,760 --> 00:43:08,719
Speaker 1: But it's hard to This Fool? The TV show. Great,

685
00:43:08,719 --> 00:43:13,280
Speaker 1: it's on Hulu, go watch it right now. Frankie incredible,

686
00:43:13,920 --> 00:43:16,440
Speaker 1: born to play, born to be a star, born to

687
00:43:16,480 --> 00:43:19,000
Speaker 1: play that role in This Fool. I can't wait to

688
00:43:19,040 --> 00:43:21,680
Speaker 1: see him in more stuff. It makes sense like that

689
00:43:21,719 --> 00:43:25,520
Speaker 1: one totally makes sense. And the person I really enjoy

690
00:43:25,640 --> 00:43:28,200
Speaker 1: like not to say that the I watched the show

691
00:43:28,239 --> 00:43:30,160
Speaker 1: for this person, but this person I was most surprised

692
00:43:30,200 --> 00:43:33,560
Speaker 1: by by it is Michael imperially because it feels like

693
00:43:34,080 --> 00:43:37,080
Speaker 1: his character in This Fool almost feels like a parallel

694
00:43:37,200 --> 00:43:40,560
Speaker 1: universe in the Sopranos, like if Christopher got straight and

695
00:43:40,880 --> 00:43:42,920
Speaker 1: tried to help people, because it's kind of he kind

696
00:43:42,920 --> 00:43:46,160
Speaker 1: of the same. Like, yeah, there's something about the Sopranos

697
00:43:46,239 --> 00:43:48,719
Speaker 1: universe is connected. They have you know what I mean?

698
00:43:49,400 --> 00:43:51,319
Speaker 1: You look around, you see like creeper, like in the

699
00:43:51,320 --> 00:43:55,960
Speaker 1: back of a scene like this fool and the Corporate

700
00:43:56,080 --> 00:44:00,359
Speaker 1: universe are connected? Oh right, memory saying that, and everyone

701
00:44:00,400 --> 00:44:03,680
Speaker 1: always says corporate is connected to the Sopranos, so think

702
00:44:03,719 --> 00:44:08,920
Speaker 1: about yeah. Anyways, Also, Frankie has a great podcast with

703
00:44:09,040 --> 00:44:11,879
Speaker 1: us Thank you Kenyoni show on I Heart I Am

704
00:44:11,920 --> 00:44:13,839
Speaker 1: Big Money Players to go check that out. He does

705
00:44:13,880 --> 00:44:16,799
Speaker 1: a lot of hilarious characters. M wow, you know a

706
00:44:16,840 --> 00:44:22,640
Speaker 1: great cross promo. Okay, White Lotus another Michael Imperially character

707
00:44:22,760 --> 00:44:25,680
Speaker 1: that could be Christopher in a parallel universe where he

708
00:44:25,760 --> 00:44:28,719
Speaker 1: got sober. I haven't seen it yet. I'm stacking them

709
00:44:28,719 --> 00:44:31,440
Speaker 1: all so I can burn through him because I can't.

710
00:44:31,480 --> 00:44:33,520
Speaker 1: I can't wait for White Lotus. I'm like, just like,

711
00:44:33,600 --> 00:44:35,720
Speaker 1: just give him because what did the finale just happen?

712
00:44:35,760 --> 00:44:37,879
Speaker 1: Or it's about to happen? No, it's next week okay, yeah,

713
00:44:37,960 --> 00:44:39,959
Speaker 1: yes that means I'm about to start in a few days.

714
00:44:40,080 --> 00:44:43,200
Speaker 1: But it's good. I'm canceling all my plans on Sunday

715
00:44:43,400 --> 00:44:45,680
Speaker 1: just to sit for it to go live because I

716
00:44:45,760 --> 00:44:48,479
Speaker 1: have been enjoying this season of White Lotus so much.

717
00:44:48,719 --> 00:44:50,480
Speaker 1: People have been hating. They're like, oh, it's not as

718
00:44:50,520 --> 00:44:52,800
Speaker 1: good as season one. We'll guess what last week's episode

719
00:44:53,120 --> 00:44:55,200
Speaker 1: sent us. Well, I guess this is in the future,

720
00:44:55,239 --> 00:45:01,880
Speaker 1: but the fourth episode was un you all episode five

721
00:45:02,480 --> 00:45:06,160
Speaker 1: leading into six. Oh my gosh, you guys, this is uh.

722
00:45:06,520 --> 00:45:08,960
Speaker 1: I gotta tell you. Mike White of the White Lotus Family,

723
00:45:10,080 --> 00:45:15,239
Speaker 1: incredible work, yea from hotelier to television writer. What if

724
00:45:15,280 --> 00:45:19,719
Speaker 1: I thought they were connected anyway? So good. But I mean,

725
00:45:19,760 --> 00:45:22,960
Speaker 1: as a fan of branding, you have to respect putting

726
00:45:23,000 --> 00:45:26,759
Speaker 1: your last name in the title of your Showy and

727
00:45:26,880 --> 00:45:30,240
Speaker 1: Jennifer Coolidge the tie in from season one to season

728
00:45:30,280 --> 00:45:33,160
Speaker 1: two and probably further along because let's be real, the

729
00:45:33,200 --> 00:45:36,640
Speaker 1: show is about her. Yeah, I have a really weird

730
00:45:36,680 --> 00:45:39,480
Speaker 1: situation where my six year old's voice has turned into

731
00:45:40,040 --> 00:45:45,759
Speaker 1: Jennifer Coolidge's voice, just like like we killed Like yeah,

732
00:45:45,800 --> 00:45:48,720
Speaker 1: he's like got high pitched but like gravelly and like

733
00:45:48,719 --> 00:46:02,480
Speaker 1: like poor shaw, Jennifer Tilly you dumb? Who does Yeah?

734
00:46:02,480 --> 00:46:07,080
Speaker 1: Whitload of season two is definitely it's good. It's it's

735
00:46:07,320 --> 00:46:11,160
Speaker 1: got my attention, um, and I just want to shout

736
00:46:11,200 --> 00:46:15,560
Speaker 1: out to a breakout star from the show, Megan Faithe

737
00:46:16,640 --> 00:46:18,920
Speaker 1: Yeah you say her last name. She plays one of

738
00:46:18,960 --> 00:46:21,920
Speaker 1: the main characters, the wife of that guy. Cameron, who's

739
00:46:21,960 --> 00:46:27,319
Speaker 1: really terrifying. Oh my god, she is killing it. Yeah.

740
00:46:27,520 --> 00:46:30,279
Speaker 1: I have never known of her before this, and I

741
00:46:30,360 --> 00:46:33,960
Speaker 1: am I'm in, baby, I'm in. She plays the woman

742
00:46:34,080 --> 00:46:37,440
Speaker 1: who's like, I don't have a lot of girlfriends, but yeah, yeah,

743
00:46:37,760 --> 00:46:41,720
Speaker 1: she's like, men have to cheat because they're sad and lonely,

744
00:46:42,840 --> 00:46:44,879
Speaker 1: and you're like, and then she makes that metaphor about

745
00:46:44,880 --> 00:46:48,200
Speaker 1: the elephants. It's like you, they're just like elephants just

746
00:46:48,280 --> 00:46:52,200
Speaker 1: running into each other. Just soap pathetic. She started off

747
00:46:52,560 --> 00:46:57,759
Speaker 1: on a soap opera, One Life to Live Prestige casting Pipeline,

748
00:46:57,880 --> 00:47:05,160
Speaker 1: also from the Commonwealth of Massachusetts. They're just they're just

749
00:47:05,200 --> 00:47:09,800
Speaker 1: cranking out prestige over there, Massachusetts. I'm telling you, Massachusetts

750
00:47:10,000 --> 00:47:12,719
Speaker 1: just does it. They bring out some of the most

751
00:47:12,840 --> 00:47:17,040
Speaker 1: wait hold on you, guys, Jamie Loftus, Yeah, I know.

752
00:47:18,320 --> 00:47:22,600
Speaker 1: I was thinking of this whole time. Good guys, that's

753
00:47:22,640 --> 00:47:24,520
Speaker 1: who I thought the whole time. I didn't say it, though,

754
00:47:26,440 --> 00:47:31,760
Speaker 1: I'm telling you, like, there's something in the water over there, Massholes.

755
00:47:31,840 --> 00:47:34,640
Speaker 1: Let us know what it is, you know, Amy Poehler,

756
00:47:34,920 --> 00:47:43,480
Speaker 1: Betty Davis, Chloe Siving, Steve Correll Johnson, who cares about

757
00:47:43,480 --> 00:47:50,920
Speaker 1: who's Conan O'Brien. That's why Leonard moy, Dane Cook, rob zombie,

758
00:47:51,680 --> 00:47:55,720
Speaker 1: Dame hold on, you didn't hear me, Dame Cook. Damn

759
00:47:55,760 --> 00:47:58,920
Speaker 1: okay that I mean we need the other side of

760
00:47:58,960 --> 00:48:08,080
Speaker 1: the coin. See the danel Gould from Burnham, Cordrey Eder Alan,

761
00:48:08,440 --> 00:48:13,319
Speaker 1: I don't know Jennifer Coolid is she ji j whoa?

762
00:48:13,400 --> 00:48:16,280
Speaker 1: You better not be lying if you do. The Jennifer

763
00:48:16,360 --> 00:48:22,239
Speaker 1: Coolidge is born in Boston, Mass whole Wow, and you

764
00:48:22,360 --> 00:48:24,960
Speaker 1: figured it all right, it's the NEXTUS and she went

765
00:48:25,000 --> 00:48:28,719
Speaker 1: to Emerson maybe because Emerson's there. That's why the people

766
00:48:29,000 --> 00:48:31,440
Speaker 1: good either way, Like it's I mean, you guys, I

767
00:48:31,480 --> 00:48:35,160
Speaker 1: went to school in Boston, now you did, Okay, I've

768
00:48:35,200 --> 00:48:40,920
Speaker 1: never ever bring a mass convenience. Now he's stam in

769
00:48:40,960 --> 00:48:44,359
Speaker 1: mass He's like, oh Jack O'Brien put that on there. Yeah, yeah, no,

770
00:48:44,360 --> 00:48:46,520
Speaker 1: no, no no, it's uh, I went to went to school.

771
00:48:47,320 --> 00:48:50,440
Speaker 1: It's John Benjamin School in Cambridge. That's when you know

772
00:48:50,480 --> 00:48:53,319
Speaker 1: they're saying they went to speaking of Jesus and Merrill,

773
00:48:53,560 --> 00:48:58,440
Speaker 1: fucking Josh Gondelman right now, very much? Did he go?

774
00:48:59,000 --> 00:49:02,760
Speaker 1: Is he? Dibri is even from there? I know because

775
00:49:02,800 --> 00:49:07,920
Speaker 1: everyone good is from Massachusetts. Fuck ya telling you there's

776
00:49:08,040 --> 00:49:10,960
Speaker 1: something in the water there. Now, I'm not gonna say

777
00:49:11,000 --> 00:49:14,680
Speaker 1: that person anyway. So yeah, it's like Trump that's over,

778
00:49:14,800 --> 00:49:17,759
Speaker 1: It's ruined, you know. You know what's wild? Those shout

779
00:49:17,760 --> 00:49:20,880
Speaker 1: out to the comedians from Massachusetts Wikipedia page because Jamie

780
00:49:20,960 --> 00:49:25,080
Speaker 1: Loft is in there, like swimwear under the elves Leary

781
00:49:25,239 --> 00:49:32,120
Speaker 1: Leno Loft is the headline. Remember that movie that had

782
00:49:32,160 --> 00:49:40,520
Speaker 1: that marketing campaign Leary together under one roof Santa wildest

783
00:49:40,840 --> 00:49:46,200
Speaker 1: stand up special of all time? Man Zukas too. Yeah,

784
00:49:46,360 --> 00:49:50,759
Speaker 1: I'm telling you what's happening. A lot of them are

785
00:49:50,800 --> 00:49:54,680
Speaker 1: from Newton for some reason, just they give Newton vibes.

786
00:49:55,080 --> 00:49:57,840
Speaker 1: Played hockey over there, dude. Yeah, I'm telling you mass

787
00:49:57,880 --> 00:50:00,840
Speaker 1: is putting these people out any other ones? Or do

788
00:50:00,880 --> 00:50:02,880
Speaker 1: we leave it on that high note of just knowing

789
00:50:02,960 --> 00:50:06,920
Speaker 1: that we've stumbled across the nexus of prestige casting the

790
00:50:06,960 --> 00:50:11,920
Speaker 1: Commonwealth of Massachusetts. Yeah, I'm telling you anyway, Righteous Gemstones

791
00:50:12,200 --> 00:50:16,640
Speaker 1: everyone called everyone involved in Righteous Gemstone's great casting only

792
00:50:16,719 --> 00:50:19,920
Speaker 1: murders in the building. Martin and short Baby, those two

793
00:50:20,000 --> 00:50:24,279
Speaker 1: together so funny. And then also when they did their

794
00:50:24,280 --> 00:50:28,240
Speaker 1: like emy thing together like Emmy presentation at the Emmy's.

795
00:50:28,840 --> 00:50:31,359
Speaker 1: It was like one of the funniest things I ever seen.

796
00:50:31,480 --> 00:50:34,480
Speaker 1: They're so funny. Martin and Shorts. That's Steve and Steve

797
00:50:34,560 --> 00:50:44,160
Speaker 1: Martin and Martin Short. Yeah, Martin and Short, Steven Martin. Anyway,

798
00:50:44,200 --> 00:50:48,360
Speaker 1: they're so funny together. I think they're like Gus The

799
00:50:49,840 --> 00:50:55,440
Speaker 1: just just one last one American crime Story, the Clinton One. Uh.

800
00:50:55,480 --> 00:50:58,719
Speaker 1: Sarah Paulson as Linda Tripp. Wow, I didn't know that

801
00:50:59,120 --> 00:51:02,239
Speaker 1: was happening. Go Google image right now. Sarah Paulson is

802
00:51:02,320 --> 00:51:04,200
Speaker 1: Linda Trip and tell me if you can even see

803
00:51:04,239 --> 00:51:07,120
Speaker 1: Sarah Paulson. Everybody do this right now. I'll wait forty

804
00:51:07,120 --> 00:51:09,080
Speaker 1: five minutes while you guys freak out figure out how

805
00:51:09,120 --> 00:51:13,560
Speaker 1: to use our computers. I can't. I bring up PDF

806
00:51:13,800 --> 00:51:22,760
Speaker 1: jack whoa yo, Linda, look it, honey, Linda. Listen, Linda, listen.

807
00:51:23,000 --> 00:51:26,680
Speaker 1: You are tripping and what Linda? She's killing it here.

808
00:51:26,680 --> 00:51:34,480
Speaker 1: I'll post it in the chat or in our thread. Ista, Linda,

809
00:51:34,640 --> 00:51:38,640
Speaker 1: that's Sarah Paulson. Al right, Sarah, Yeah, she nailed it.

810
00:51:39,560 --> 00:51:43,160
Speaker 1: Incredible work. Anyway. People say her fat suit was problematic.

811
00:51:43,600 --> 00:51:46,320
Speaker 1: Yeah yeah, yeah, we should stop wearing a fat suits anyway.

812
00:51:46,600 --> 00:51:54,880
Speaker 1: You know she's from Tampa Trip. No Sarah from Tampa Jack. No,

813
00:51:55,040 --> 00:51:57,520
Speaker 1: you know Linda trips from Masks because she's a real one.

814
00:51:57,880 --> 00:52:01,040
Speaker 1: She's Jersey City baby, that's her Linda. It's from um

815
00:52:01,040 --> 00:52:02,959
Speaker 1: And I just want to give a special shout out

816
00:52:03,239 --> 00:52:07,960
Speaker 1: to just the show, The Peacemaker. The casting was fine,

817
00:52:08,200 --> 00:52:11,880
Speaker 1: but the opening sequence, in my opinion, is prestige opening

818
00:52:11,920 --> 00:52:16,200
Speaker 1: sea favorite intro to a TV series ever. That's that

819
00:52:17,000 --> 00:52:21,279
Speaker 1: The intro goes as well, but yeah, what happened is

820
00:52:21,400 --> 00:52:24,520
Speaker 1: a cool band? Is it a sexy eighties band kind

821
00:52:24,520 --> 00:52:28,920
Speaker 1: of vibe like Peacemaker? Isn't that the Peacemaker one? Make

822
00:52:29,000 --> 00:52:32,160
Speaker 1: the entire cast to a full like dance sequence and

823
00:52:32,239 --> 00:52:34,400
Speaker 1: it goes on for like forty five minutes. It feels

824
00:52:34,440 --> 00:52:37,320
Speaker 1: like it is dancing, And every time I watch, I'm like,

825
00:52:37,400 --> 00:52:43,200
Speaker 1: is this one different? Because I'm just noticing youth exactly,

826
00:52:43,480 --> 00:52:45,560
Speaker 1: which that's how you know you've got a good intro.

827
00:52:46,040 --> 00:52:49,400
Speaker 1: Miles any trash TV you want to trash reality TV? Really,

828
00:52:49,880 --> 00:52:52,920
Speaker 1: I'm just you know, the the ultimatum was one that

829
00:52:53,040 --> 00:52:56,160
Speaker 1: I couldn't It was jaw dropping Lee just the most

830
00:52:56,200 --> 00:52:58,239
Speaker 1: awful kind of people and a lot of the Net,

831
00:52:58,280 --> 00:53:00,799
Speaker 1: like most of the Netflix sort of like they're fully

832
00:53:00,840 --> 00:53:05,160
Speaker 1: embracing their like fucked up social experiment parading as reality

833
00:53:05,520 --> 00:53:07,840
Speaker 1: sort of thing that they got going on. Uh, And

834
00:53:07,880 --> 00:53:10,080
Speaker 1: the ultimatum was sort of like that too, and it's

835
00:53:10,120 --> 00:53:14,400
Speaker 1: like make them date other people or get married and

836
00:53:14,440 --> 00:53:16,439
Speaker 1: other than that, Like a lot of shows have fallen off,

837
00:53:16,480 --> 00:53:18,600
Speaker 1: like ninety Day Fiance. For as much as I love it,

838
00:53:18,680 --> 00:53:20,799
Speaker 1: like the way they're making that show now is like

839
00:53:20,840 --> 00:53:23,880
Speaker 1: they're just they're just showing people in like abusive relationships

840
00:53:24,320 --> 00:53:26,520
Speaker 1: and like expecting viewers to be like, oh my gosh,

841
00:53:26,560 --> 00:53:28,960
Speaker 1: they're so messy when most people like, yeah, this is

842
00:53:29,000 --> 00:53:31,600
Speaker 1: like really bad, like why are you putting them on TV?

843
00:53:31,800 --> 00:53:34,720
Speaker 1: So there's there's some there's some soul searching going on

844
00:53:34,719 --> 00:53:37,480
Speaker 1: on the full on trash side of reality things. That's

845
00:53:37,480 --> 00:53:40,600
Speaker 1: why I prefer to be, you know, uplifted by uh

846
00:53:40,680 --> 00:53:44,080
Speaker 1: these realizations that all the best performers come from Massachusetts.

847
00:53:44,120 --> 00:53:45,880
Speaker 1: So thank you for that. And also I have to

848
00:53:45,880 --> 00:53:48,560
Speaker 1: say the Watcher was I agree with a lot of

849
00:53:48,920 --> 00:53:51,719
Speaker 1: good ones on said uh the ones that I saw.

850
00:53:52,000 --> 00:53:53,960
Speaker 1: The only bad one I want to mention is the

851
00:53:53,960 --> 00:53:58,920
Speaker 1: Watcher was so feel crazy. It made me despair for

852
00:53:58,920 --> 00:54:03,120
Speaker 1: the future of like American movies and TV shows, because

853
00:54:03,840 --> 00:54:06,719
Speaker 1: this is like they're like all the different ingredients are there,

854
00:54:06,760 --> 00:54:09,840
Speaker 1: it's just like it doesn't have there's like not you know,

855
00:54:09,880 --> 00:54:14,000
Speaker 1: there's like fine performances, fine filmmaking, but it's just like

856
00:54:14,040 --> 00:54:18,760
Speaker 1: they're it's so thin, they're just stretching. Well, and here's

857
00:54:18,760 --> 00:54:21,759
Speaker 1: my theory on The Watcher. The actual story that The

858
00:54:21,800 --> 00:54:25,960
Speaker 1: Watcher is based off has no real conclusion. So it's

859
00:54:25,960 --> 00:54:29,240
Speaker 1: about a town in New Jersey, like a nice, small,

860
00:54:29,280 --> 00:54:32,600
Speaker 1: affluent town that this family buys a house and then

861
00:54:32,640 --> 00:54:34,600
Speaker 1: they start getting these letters from some guy who calls

862
00:54:34,680 --> 00:54:37,080
Speaker 1: or die or woman, I don't know it like I'm

863
00:54:37,080 --> 00:54:42,320
Speaker 1: the walker watcher that runs through your household. I'm gonna

864
00:54:42,560 --> 00:54:45,000
Speaker 1: just send them a bunch of creepy as letters. And

865
00:54:45,040 --> 00:54:47,520
Speaker 1: so the family freaks out and tries to find out

866
00:54:47,520 --> 00:54:50,359
Speaker 1: who it is. Now a series of things go down

867
00:54:50,400 --> 00:54:54,000
Speaker 1: where the neighborhood is basically not on their side. It's

868
00:54:54,080 --> 00:54:56,480
Speaker 1: really weird. All the neighbors are like, oh, you guys

869
00:54:56,480 --> 00:54:58,719
Speaker 1: are just trying to bring our property values down, and

870
00:54:58,760 --> 00:55:02,000
Speaker 1: they're being like, we're being retton, our children are being threatened,

871
00:55:02,000 --> 00:55:05,080
Speaker 1: don't suck my money up. Yeah, And everyone's being really

872
00:55:05,120 --> 00:55:09,640
Speaker 1: really dismissive of them, and they're basically like being terrorized

873
00:55:09,640 --> 00:55:11,960
Speaker 1: for years, like they lose their minds as poor couple

874
00:55:12,400 --> 00:55:15,520
Speaker 1: can't like find peace, and like the woman ends up

875
00:55:15,560 --> 00:55:17,440
Speaker 1: being like and this is the real life couple ends

876
00:55:17,480 --> 00:55:20,400
Speaker 1: up being diagnosed with PTSD because of how stressful the

877
00:55:20,440 --> 00:55:24,000
Speaker 1: whole scenario is and there's like a whole thing. I

878
00:55:24,040 --> 00:55:26,640
Speaker 1: really recommend actually going to read the article about the

879
00:55:26,680 --> 00:55:28,960
Speaker 1: family what really went down in the cut, because it

880
00:55:29,120 --> 00:55:32,560
Speaker 1: really breaks down what happened to this family to this day.

881
00:55:32,600 --> 00:55:35,759
Speaker 1: There's absolutely no resolution to what happened. So I think

882
00:55:35,760 --> 00:55:38,279
Speaker 1: if you're going to do a show where there's no resolution,

883
00:55:38,440 --> 00:55:41,120
Speaker 1: so you then have to like create like a sort

884
00:55:41,120 --> 00:55:46,160
Speaker 1: of bombastic ending, like you're not going to succeed, don't

885
00:55:46,160 --> 00:55:48,440
Speaker 1: do the show or actually ended how it ended in

886
00:55:48,480 --> 00:55:53,640
Speaker 1: real life, which is absolutely zero, you know, resolution with

887
00:55:53,719 --> 00:55:57,799
Speaker 1: the neighbors continuing to be acting shady, like something's up

888
00:55:57,800 --> 00:55:59,520
Speaker 1: in that town. And I played tennis with a girl

889
00:55:59,520 --> 00:56:02,080
Speaker 1: who's from the town next door and she says, you

890
00:56:02,120 --> 00:56:05,759
Speaker 1: don't go there. I love that. I played tennis with

891
00:56:05,880 --> 00:56:07,399
Speaker 1: a girl that lives and it was a girl who

892
00:56:07,400 --> 00:56:09,680
Speaker 1: lived who grew up in the town right next to it,

893
00:56:09,719 --> 00:56:12,120
Speaker 1: which has like the same vibe, but they say like

894
00:56:12,239 --> 00:56:14,680
Speaker 1: that town like I think it's like Westfield or something.

895
00:56:14,880 --> 00:56:18,719
Speaker 1: Is just they're just not good people because that's how

896
00:56:18,760 --> 00:56:21,759
Speaker 1: they treat people. They're like, oh, I'm sorry you being terrorized. No,

897
00:56:22,239 --> 00:56:23,879
Speaker 1: you don't get to go around and tell people being

898
00:56:23,880 --> 00:56:26,680
Speaker 1: your terrorized because this is a nice neighborhood and these

899
00:56:26,680 --> 00:56:29,040
Speaker 1: houses have property value. And if you're going to destroy

900
00:56:29,040 --> 00:56:31,560
Speaker 1: the property value because this guy is threatening to steal

901
00:56:31,600 --> 00:56:36,120
Speaker 1: your children, oh you're the nerve. We can't stand having

902
00:56:36,239 --> 00:56:40,680
Speaker 1: shook ones in this neighborhood. We need real ones, to

903
00:56:40,800 --> 00:56:44,040
Speaker 1: which I gotta say with no agenda. Super producer Brian

904
00:56:44,160 --> 00:56:46,920
Speaker 1: just sent something through a clip from when John Burnhall

905
00:56:47,040 --> 00:56:49,400
Speaker 1: is interviewing a fucking cop on his podcast, and I

906
00:56:49,440 --> 00:56:51,560
Speaker 1: don't know what is about to be played, but here's

907
00:56:51,560 --> 00:56:53,560
Speaker 1: a sample at least charge Like where do you think

908
00:56:53,600 --> 00:56:55,360
Speaker 1: I mean, obviously, look, man, there's all this ship in

909
00:56:55,360 --> 00:56:57,480
Speaker 1: the news and all this. You know, there's there's John

910
00:56:57,920 --> 00:57:01,799
Speaker 1: tractions and these these unjustified shooting ship like that. But

911
00:57:02,000 --> 00:57:05,440
Speaker 1: like this idea of of kind of like police reform

912
00:57:05,480 --> 00:57:07,360
Speaker 1: and defunding the police and all that, Like, where do

913
00:57:07,360 --> 00:57:10,200
Speaker 1: you think that stuff is coming from Oh dude, wow,

914
00:57:10,280 --> 00:57:13,400
Speaker 1: what a question. First of all, do you think do

915
00:57:13,400 --> 00:57:17,960
Speaker 1: you think that's reform stuff coming from punisher? He literally

916
00:57:18,160 --> 00:57:24,400
Speaker 1: to the unjustified shooting because that's how he looks in it.

917
00:57:24,480 --> 00:57:26,640
Speaker 1: He got a black he got a black beanie on

918
00:57:26,760 --> 00:57:30,640
Speaker 1: with the hood like he's k D shooting like warm

919
00:57:30,680 --> 00:57:34,480
Speaker 1: up shots or something. And this is what I'm talking about.

920
00:57:35,480 --> 00:57:39,160
Speaker 1: This is what I'm talking about all the ship dude,

921
00:57:39,200 --> 00:57:42,520
Speaker 1: Like you know that's going on. Peek out? Why are

922
00:57:42,520 --> 00:57:46,200
Speaker 1: you dressed like an armed robber? Like? Everything about this

923
00:57:46,360 --> 00:57:53,960
Speaker 1: is just absurd. Yeah, I'll comfort Burnthal. Do you I

924
00:57:54,000 --> 00:57:56,919
Speaker 1: need to hear this answer just real quick. Then there

925
00:57:56,960 --> 00:57:59,800
Speaker 1: was an idea that there needs to be some reform

926
00:57:59,840 --> 00:58:04,240
Speaker 1: in certain styles of police. They're doing this interview on

927
00:58:04,280 --> 00:58:09,360
Speaker 1: a poker table. Yeah, because they're doing a poker table.

928
00:58:09,600 --> 00:58:12,920
Speaker 1: That's badass. That's badass. That's because it's like, brit what

929
00:58:13,280 --> 00:58:14,720
Speaker 1: kind of cards are you gonna bring to the table?

930
00:58:14,720 --> 00:58:16,600
Speaker 1: And are you going to anty up? Or are you

931
00:58:16,600 --> 00:58:20,480
Speaker 1: are you gonna show me cop out like or bust?

932
00:58:20,960 --> 00:58:23,160
Speaker 1: You know. Anyway, let's see what this sleepy eyed man

933
00:58:23,240 --> 00:58:25,919
Speaker 1: has to say. I think it just snowballed into something

934
00:58:25,920 --> 00:58:27,720
Speaker 1: that it wasn't meantal do you think that there needs

935
00:58:27,720 --> 00:58:29,720
Speaker 1: to be reformed certain styles of policing. I think there

936
00:58:29,720 --> 00:58:36,520
Speaker 1: needs to be reforming training, uh huh, and recruitment. I

937
00:58:36,520 --> 00:58:40,000
Speaker 1: think recruitment is a big thing. Look, man, you're always

938
00:58:40,040 --> 00:58:42,680
Speaker 1: going to have police. Oh, there would go bad apples. No,

939
00:58:42,720 --> 00:58:46,200
Speaker 1: I'm off this, thanks Burn and the copaganda bra And

940
00:58:46,280 --> 00:58:49,040
Speaker 1: he mostly has cops on that show. He's like all

941
00:58:49,040 --> 00:59:00,720
Speaker 1: these different types of people, cops, other cops, happening, real

942
00:59:00,840 --> 00:59:05,560
Speaker 1: ones only like and this week we have telling his side.

943
00:59:05,800 --> 00:59:08,080
Speaker 1: It's like nothing makes sense, all right, So like a

944
00:59:08,240 --> 00:59:09,880
Speaker 1: crown prince, he is it cool if I call you

945
00:59:09,960 --> 00:59:13,080
Speaker 1: mo or NBS? What do you like better? Alright? So

946
00:59:13,120 --> 00:59:16,680
Speaker 1: what I'm thinking, dude, is like everybody's tripping right about

947
00:59:16,680 --> 00:59:18,479
Speaker 1: like how you're doing your thing, Like why can't people

948
00:59:18,520 --> 00:59:20,640
Speaker 1: just butt out? You know? From the Kingdom. There's all

949
00:59:20,680 --> 00:59:23,880
Speaker 1: this sort of like stuff in the news about people

950
00:59:24,120 --> 00:59:28,160
Speaker 1: disappearing and like women having no rights and like mass

951
00:59:28,280 --> 00:59:31,800
Speaker 1: murders of people who set from what you want obviously

952
00:59:31,840 --> 00:59:34,280
Speaker 1: the unjustified mass murder and stuff. But like where do

953
00:59:34,280 --> 00:59:36,720
Speaker 1: you think that stuff comes from? Like the news stories

954
00:59:36,720 --> 00:59:41,840
Speaker 1: and stuff? What do you think where does it come from?

955
00:59:41,880 --> 00:59:45,560
Speaker 1: Like you're positing that some fucking some person in a

956
00:59:45,680 --> 00:59:48,800
Speaker 1: science labs, like I'm gonna cook up some coppaganda, like

957
00:59:49,040 --> 00:59:52,560
Speaker 1: reverse copaganda that makes them look better. They're just reporting.

958
00:59:53,480 --> 00:59:55,880
Speaker 1: But that's where the stuff comes from. Man, But anyway

959
00:59:57,240 --> 01:00:01,520
Speaker 1: come from? Where does that people getting killed in the

960
01:00:01,560 --> 01:00:06,840
Speaker 1: streets for nothing? Burn Thal? Man, if anything blessed this

961
01:00:06,880 --> 01:00:09,840
Speaker 1: episode for it come full circle over afterwards. I'm like, man,

962
01:00:09,960 --> 01:00:18,280
Speaker 1: fucking burn thallops are all cops are burn Thaw. I've

963
01:00:18,320 --> 01:00:21,520
Speaker 1: been telling you I came in Like, Okay, Mr burn

964
01:00:21,600 --> 01:00:25,360
Speaker 1: Thaw on American Jiggolo. What look at his Wikipedia page

965
01:00:26,640 --> 01:00:29,640
Speaker 1: like he's a cop but he's a cop? Yeah? Does

966
01:00:29,680 --> 01:00:33,720
Speaker 1: he still have that same picture the jack Yes, you

967
01:00:33,840 --> 01:00:36,600
Speaker 1: know he does. Go look at you. Okay, here's anothering.

968
01:00:36,680 --> 01:00:38,880
Speaker 1: Go go look at his show logo and then go

969
01:00:39,000 --> 01:00:43,760
Speaker 1: look at his Wikipedia photo. Yeah, the Wikipedia photos the best,

970
01:00:44,720 --> 01:00:49,120
Speaker 1: just the biggest, fitted like off to the side in

971
01:00:49,160 --> 01:00:51,480
Speaker 1: the most he looks like a dude. He looks like

972
01:00:51,520 --> 01:00:53,760
Speaker 1: a guy who would claim at a bar that he's

973
01:00:53,840 --> 01:00:57,400
Speaker 1: the o g of like faith smoking tricks like he's

974
01:00:57,400 --> 01:00:59,800
Speaker 1: been doing that since not being able to do anything

975
01:01:00,280 --> 01:01:02,280
Speaker 1: where they're like all right, you're kind of always like, yeah,

976
01:01:02,400 --> 01:01:04,320
Speaker 1: just check out the videos. Do that mix tapes and

977
01:01:04,320 --> 01:01:05,880
Speaker 1: ship but like you get them on kaza back in

978
01:01:05,880 --> 01:01:09,040
Speaker 1: the day. I don't know if that's around. Oh my god, alright,

979
01:01:09,040 --> 01:01:12,760
Speaker 1: because that is going to do it for this special

980
01:01:12,960 --> 01:01:15,680
Speaker 1: year end a dish of the Daily Zike guys. Thank

981
01:01:15,720 --> 01:01:18,600
Speaker 1: you so much, super producer on Hosnie. First, just gonna

982
01:01:18,800 --> 01:01:20,520
Speaker 1: change the title of this episode. It's gonna be called

983
01:01:21,240 --> 01:01:24,960
Speaker 1: two Prestige casting. Is John Burnhal a cop? Yeah, cab

984
01:01:25,120 --> 01:01:36,760
Speaker 1: All cops are not Baronhal It's burn Burn Holds. I

985
01:01:36,800 --> 01:01:46,440
Speaker 1: don't know, just spit on alright, episode Bye bye,