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Speaker 1: Everyone deserves a chance in the driver's seat. For GM

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Speaker 1: and Revolt, that means leading the way on the road

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Speaker 1: to an all electric feature and envisioning a world to

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Speaker 1: zero crashes, zero tailpipe emissions, and zero congestion. GM's committed

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Speaker 1: to making evs accessible for everybody. That means you too.

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Speaker 1: So what are you waiting for. GM's got the keys,

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Speaker 1: You grab the wheel. Learn more about an all electric

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Speaker 1: feature and the zero zero Zero initiative at GM dot com,

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Speaker 1: GM everybody else, Yo, yo, yo, Welcome to It's Up

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Speaker 1: their Podcasts. I am your active and attractive host Big

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Speaker 1: Loan for another episode of the fastest growing podcasts on

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Speaker 1: the market right now. If you want to see the

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Speaker 1: video version of this podcast, you go to Patreon dot com.

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Speaker 1: It's up their podcasts, and then that's where it is.

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Speaker 1: Lot going on in the game. As I'm I just

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Speaker 1: come off of a few things, right so I get

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Speaker 1: right in to the show. But I just come off

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Speaker 1: of Dirt tweeting saying yo, ac we're gonna do the

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Speaker 1: interview real quick. So last week I spoke on Dirt

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Speaker 1: not doing a DJ Academics interview on off the record,

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Speaker 1: and I said that maybe that's a situation where acts

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Speaker 1: maybe take that away because this platform is strong and

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Speaker 1: he he has the leverages platform, which I would do

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Speaker 1: the same thing. Right, I just wonder how long that

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Speaker 1: business model or last if that is the business model.

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Speaker 1: And by no means do we mean to degrade DJ

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Speaker 1: academics or anything like that. We just deal with the

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Speaker 1: information of the game and try to perfect what this

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Speaker 1: is we do in regards to podcast. And this isn't

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Speaker 1: something that we take lightly, right, This isn't something we

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Speaker 1: do with a hard fast type attitude. Right. We committed

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Speaker 1: to make this thing go to the next level. Right,

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Speaker 1: we committed to innovate in this space. Right, we ain't

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Speaker 1: know what trying to copy nobody or do no or

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Speaker 1: the ship what niggas is doing. Right, So we're trying

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Speaker 1: to provide a certain luxury for your ear, a certain

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Speaker 1: luxury type of vibe for you, so you can not

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Speaker 1: only get something from the game, but be entertained at

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Speaker 1: the same time. And so all of us deserve to

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Speaker 1: ask each other what it is we're doing and also

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Speaker 1: be critical what it is we say, because the information

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Speaker 1: that touched people will never ever ever get to meet. Right.

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Speaker 1: But I just looked at that. Then I also seen

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Speaker 1: what a football player was on the field, and he

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Speaker 1: was running the routes you know NFL scouts today running

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Speaker 1: his hard out. I mean, he going bam boom, boom

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Speaker 1: boom met tags Achilles and everybody pulled back. All the

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Speaker 1: NFL scouts didn't nobody to check on him, right, And

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Speaker 1: so the internet says, wow, man, it's a cold game,

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Speaker 1: and it is. Unfortunately, these guys are not human being.

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Speaker 1: They're not viewed as human beings, and we know how

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Speaker 1: unfortunate that is. But they view these dudes like products. Right,

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Speaker 1: you got an upcoming product out that it just hurt itself.

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Speaker 1: Let me get away from him here, blame me. They

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Speaker 1: always think we up to no good some kind of way.

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Speaker 1: It's a loophole in the game, right, It's unfortunate. And

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Speaker 1: so just a lot going on in the game and

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Speaker 1: a lot forced to talk about. Man. My show is

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Speaker 1: it's a different kind of show. So it provides people, man.

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Speaker 1: And then I appreciate all my new listeners and all

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Speaker 1: my real, real, real, real real supporters, right, the people

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Speaker 1: that get the merch to people that's always liking and sharing.

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Speaker 1: I really appreciate y'all because in this space. Man, a

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Speaker 1: lot of people are looking, but they're looking for different things.

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Speaker 1: There's a lot of people looking to steal the game, right,

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Speaker 1: and so we got to understand that and we move

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Speaker 1: with understanding that there's different calib bud niggas. Right. It

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Speaker 1: ain't bo it ain't one calib buy nigga. We know

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Speaker 1: that it's different calib shit going on. So way ain't

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Speaker 1: blind to that. I have my children when I got

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Speaker 1: back in town, and I went and took him to

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Speaker 1: see Batman, and we get in the Batman and we

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Speaker 1: fuck with the you know, I want to go give

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Speaker 1: them the experience or they got the fox DX now

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Speaker 1: right where you able to sit in there? You know,

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Speaker 1: you were sitting in the seas and they moved and

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Speaker 1: he got missed and he'd come out and if he

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Speaker 1: get through in the water, you know, water come out

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Speaker 1: if his rain. I mean it's interactive, it's some VR

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Speaker 1: type shit, right, and we're sitting in there. Man, the

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Speaker 1: Batman dude was really quiet and they really leaned down

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Speaker 1: like the dramatic field surrounding him, right, it was always

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Speaker 1: the camera coming up close to him and he you know,

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Speaker 1: every time something happened, he looking off, you know, like

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Speaker 1: let's say they just killed somebody right here, and the

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Speaker 1: camera go to him. He looking this way and then

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Speaker 1: he look over real slow. I'm like, every time something happened,

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Speaker 1: he looking away from where if it's happening. And they,

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Speaker 1: of course I know what they're doing. They're doing that

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Speaker 1: for dramatic effect. And I like the movie. My kids

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Speaker 1: enjoyed it. I think they really enjoyed the interactive movie

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Speaker 1: theater right. What the I mean the season, I mean

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Speaker 1: you jerking doing every time they get in one of

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Speaker 1: them cars seeing Oh my god, boy, them sees is

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Speaker 1: doing things that you wouldn't believe. So I'm I asked

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Speaker 1: them so as we said, seeing these kind of movies now,

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Speaker 1: they said, yeah, so that's I guess we're going all

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Speaker 1: Fords movies from him on out and getting down. I

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Speaker 1: didn't figure something else out too man in my town,

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Speaker 1: and I don't know when I got back. We have

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Speaker 1: an issue with children in vapes some kind of way.

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Speaker 1: Kids are getting vapes and we know vapes or you

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Speaker 1: don't really know what's in them vapes, right, and so

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Speaker 1: for them kids, it's taking them vapes. It's a it's

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Speaker 1: a hell of a risk. Involved with being associated with it.

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Speaker 1: But what I find unfortunate, and I'm gonna keep it

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Speaker 1: all way pee with you. If I see it, we're

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Speaker 1: going platinum. But they telling me right, they're reporting to

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Speaker 1: me that the people that own the stores in the

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Speaker 1: neighborhood are selling our children vapes. And if I find

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Speaker 1: that to be the case, I ain't gonna lie to you.

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Speaker 1: I'm gonna have to make a bar you're feeling. Because

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Speaker 1: my children go to a store and you will sell

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Speaker 1: them something like that. That's a really big problem in

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Speaker 1: I think we definitely gotta we gotta really really check

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Speaker 1: that out and make sure that ain't ain't a thing,

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Speaker 1: because we know they don't know, they don't care about

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Speaker 1: our children. There to give our children paws and if

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Speaker 1: they're bad, they're trying to sell our children pausing, right,

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Speaker 1: So we gotta make sure we're up on that kind

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Speaker 1: of ship. All right, So let's talk about Steve Harvey

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Speaker 1: going to sit with My home is Earn Your Leisure

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Speaker 1: For those of you unawear Steve Harvey went over to

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Speaker 1: Earn Your Leisure's podcast and had one of the most

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Speaker 1: legendary interviews that I've seen. Three black men have of

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Speaker 1: in regards to information, just letting them laying and build.

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Speaker 1: They let Harvey Ill. This is what I'm saying about.

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Speaker 1: Your style got to be able to change when you

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Speaker 1: go to doing these interviews. Sometimes you gotta go from

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Speaker 1: being super informative to now fall back and let the

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Speaker 1: guests do is one two And I'm really proud to

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Speaker 1: earn your leasing And I always got a certain loved

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Speaker 1: for earn your leaser because they literally are one of

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Speaker 1: the only people in the game. As soon as they

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Speaker 1: met me, they really came and got on the show

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Speaker 1: like none of that that red tape, none of that

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Speaker 1: feel to means of their man or they were helping

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Speaker 1: dudes in business like, they just got a certain love

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Speaker 1: for me that go beyond business. Right. I'm proud when

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Speaker 1: I watched them, and I'm lucky to have them in

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Speaker 1: my network because I watch what they build. Right Again,

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Speaker 1: I look at podcasting as a subdivision, as a community,

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Speaker 1: and as we all work, as we all build up

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Speaker 1: our houses, I like to see what would that this

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Speaker 1: dude is used, and then you know how he called

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Speaker 1: his driveway out, and how his roof is gonna being,

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Speaker 1: how far his seilings go up, Like I like to

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Speaker 1: pay attention to those things and that business model that

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Speaker 1: them dudes are building over at Earn your Leisure, In

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Speaker 1: my opinion, it runs nick to nick with some of

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Speaker 1: the biggest platforms out there in regards to financial literacy.

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Speaker 1: But the more important thing than that, or as important

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Speaker 1: as that, is the brand matches the hustle. See, you're guy,

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Speaker 1: this is what people don't understand. They be unknown rappers, right,

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Speaker 1: and it works if you really got the hustle, like

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Speaker 1: cash money, millionnaires and then you show up and you

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Speaker 1: can't even pay for the beat, so the studio time. Right.

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Speaker 1: That's why I like something like a dream chaser or

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Speaker 1: like fly get flown over some of these ships, ways

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Speaker 1: made back music, some of these things where it's inspiring.

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Speaker 1: But when you name yourself something or name your brand

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Speaker 1: something in your brand fall short, man, it's unfortunate. But

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Speaker 1: Earn your leisure and what they're doing in space, the

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Speaker 1: hustle just matches the brand. And when you deal with

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Speaker 1: brands that match the hustle, opportunity is next door to

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Speaker 1: That opportunity literally lives next door to if you can

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Speaker 1: get your brand to match its hustle. Right, If your

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Speaker 1: brand matches your hustle. Meaning if you call yourself or

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Speaker 1: you say earn your leisure and you really out there

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Speaker 1: earning your leisure, that shit means something in this space.

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Speaker 1: It moves through this space with a certain gravity. Steve

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Speaker 1: Harvey didn't play the Hollywood game. He played the Hollywood game,

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Speaker 1: but he played it in a different way and it

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Speaker 1: took him a long time. I keep telling you what

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Speaker 1: experience comes elevation as well. Lucky for them they get

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Speaker 1: they get ahead start in regards to reps, right, even

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Speaker 1: though they left a lot of a lot of yards

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Speaker 1: on the field. In regards to business acumen, right, they

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Speaker 1: wasn't thinking what the right business man, and so they

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Speaker 1: left a lot of yards on the field. But in

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Speaker 1: regards to reps, they got a lot of men. And

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Speaker 1: so that's why you hit him, and we'll play a

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Speaker 1: little bit of it and get into it. But you

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Speaker 1: hit Harvey, go on and say he didn't own the

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Speaker 1: Steve Harvey Show, or they stole America's got talent from him.

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Speaker 1: Like there's a lot of things happening when you go

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Speaker 1: through Hollywood, but you had to have your ass open,

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Speaker 1: and it's about information. One thing they ain't gonna do

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Speaker 1: is tell you a Steve you know, see, do you

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Speaker 1: understand the level of trickery that is? I will name

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Speaker 1: the show after you. And we're dealing with that now

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Speaker 1: with Wendy Williams. And when I say we, I mean

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Speaker 1: we observed and meaning we better learn from it, because

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Speaker 1: for Harvey to go through it and Wendy Williams to

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Speaker 1: go through it, that's a failure there, right, Steve Harvey

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Speaker 1: learned from it. He like fumbled and didn't recovered the

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Speaker 1: ball type thing. Windy Williams went all that time, built

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Speaker 1: that one thing up all that time, and it seems

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Speaker 1: to have you have no equity or control of it.

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Speaker 1: I think that's a mistake. At some point, when you

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Speaker 1: were at your peak, you had to negotiate ownership in

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Speaker 1: that because y'all built it together. So I would expect

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Speaker 1: the label or the network to have some ownership in it.

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Speaker 1: But at some point we got to negotiate ownership with

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Speaker 1: a lifetime licensing deal with y'all, or not a lifetime

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Speaker 1: but a twenty year licensing deal, you know, or something.

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Speaker 1: We gotta figure something out right, And these kind of things, man,

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Speaker 1: in this culture is something that we got to pay

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Speaker 1: attention to but understand the level of trickery there. Named

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Speaker 1: the show after you, the Steve Harvey Show, and you

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Speaker 1: won't own it. The Wendy Williams Show, and you won't

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Speaker 1: own it. You understand, So you better understand trademark, and

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Speaker 1: you better understand licensing. You better understand some of these things.

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Speaker 1: But in my opinion, somewhere along the lines, we failed.

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Speaker 1: If Steve Harvey went through that in the nineties and

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Speaker 1: we're dealing with Wendy Williams in two twenty two to

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Speaker 1: have to say, yo, how y'all getting rid of the

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Speaker 1: Into william Show or just plugging people intingto that against

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Speaker 1: my will. It's a it's a thing we need to watch.

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Speaker 1: And some of these games played in Hollywood, even in podcasting,

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Speaker 1: even in big money business. Let's just let's just call

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Speaker 1: it what it is. Anytime a lot of money is involved,

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Speaker 1: the accounts need accounts watching accounts because there's high level

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Speaker 1: games being played with that pencil. They pencil whoopie is

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Speaker 1: inflation everywhere, and so it's problems when you when you

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Speaker 1: deal with it. So when you deal with accounts, you

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Speaker 1: you're here Steve Harvey talk about his accounts and what

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Speaker 1: he's dealt with, and how Hollywood left him in a

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Speaker 1: position where he never got a back end. For those

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Speaker 1: of your unaware, back end is when you do a

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Speaker 1: deal for ten million dollars, right. A lot of those

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Speaker 1: guys wanted to negotiate as much as they can on

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Speaker 1: the front end, because on the back end, they're gonna say, hey,

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Speaker 1: we spent this much on that, subtract that from you

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Speaker 1: like it's gonna be a pencil whoopings inflation on that.

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Speaker 1: It's inflation on that. He said he never got it

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Speaker 1: back in. So they're named the show after you put

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Speaker 1: you in the show, blow the show up, you won't

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Speaker 1: own it, and then tell you your back end is

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Speaker 1: gone after the show was syndicated, meaning after the show

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Speaker 1: was showed somewhere every day in hundreds of markets, his

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Speaker 1: high level games being played. The fact that he never

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Speaker 1: saw it back end disturbs me. But let's listen to

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Speaker 1: what Steve Harvey said or earlier Leisure. I was laughing

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Speaker 1: so hard at this black dude because all he was

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Speaker 1: talking about was how to fry fish. But every black

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Speaker 1: person in that knew what he was talking about. And

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Speaker 1: he went through the different variations of hot saucing what

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Speaker 1: you gotta and it was so black. It was just

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Speaker 1: so black. I was in that vomited. So the next

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Speaker 1: night I heard him. Got finished with my set at

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Speaker 1: the Punchline, so I could go back down, and that's

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Speaker 1: what I meant. Mike Williams. He said, hey, man, going

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Speaker 1: up on stage, let me see what you got. Give

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Speaker 1: five minutes. Now, I had been at the Apollo, so

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Speaker 1: a lot of people knew me from the Apollo. But

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Speaker 1: when I walked up there, man, I left my white

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Speaker 1: act that I had written for the Punchline, and I

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Speaker 1: was doing jokes about my father, barbecue and this dog man.

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Speaker 1: The black people was knocking shit over. I mean, they

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Speaker 1: was just waking shit off the tables. And I had

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Speaker 1: never seen black people in the club because black people

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Speaker 1: laugh different, They emotional, They don't they hit people that

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Speaker 1: they rode with. Date they being there it bill and

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Speaker 1: I was in as how I said, Man, this is magical.

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Speaker 1: And it changed my life because I started writing my

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Speaker 1: jokes even in the white club as my black ass self.

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Speaker 1: And so what I learned at that particular time was

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Speaker 1: I could become a crossover act. But the way I've

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Speaker 1: always crossed over this I build the bridge, and I

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Speaker 1: invite white folks over to me. The problem with most

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Speaker 1: blacks is they build a bridge and then they cross it.

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Speaker 1: Then when the bridge burned down, the ass can't come

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Speaker 1: back home. I build a bridge, and I a lot

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Speaker 1: of white folks come to me. The way I talk

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Speaker 1: on family feud, It's how I talk right now. I'm

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Speaker 1: not fit to change that, man, So you could be

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Speaker 1: okay with me. No, this is me. I've been told

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Speaker 1: all the time. Like I tell the story all the time.

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Speaker 1: I was on NBC when I first got to talk

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Speaker 1: to you, and they said they sent this lady and

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Speaker 1: to talk to me, and she was a she was

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Speaker 1: what is it linguist? She was a linguist. I didn't

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Speaker 1: know what that was, so I thought she was in

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Speaker 1: there teach me how to fix POSTA. And I thought

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Speaker 1: that was nice because I always wanted to know a

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Speaker 1: little bit about posta. And so she says, no, but

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Speaker 1: I'm your linguists coach. And I said, well, what you mean?

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Speaker 1: She said, NBC feels is if you speak more grammatically correct,

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Speaker 1: you'll be more successful on TV. I said, I ain't

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Speaker 1: going to do all that. She said, excuse me, I said,

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Speaker 1: I ain't going to do all that. She said, Could

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Speaker 1: you say what you said slowly for me? Sir? I said,

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Speaker 1: I ain't fitting to do all that. She said, That's

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Speaker 1: exactly why I'm here, she said, do you understand what

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Speaker 1: we can become if you speak better? I said, well,

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Speaker 1: I ain't gonna be bout it though, She said, excuse me.

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Speaker 1: I said, I ain't sitting to be by it though. So, sir,

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Speaker 1: this is exactly why I'm here. I said, Man, I'm

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Speaker 1: gonna ma ask you a question, I said, because I'm

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Speaker 1: not going to change. She said, why not? I said,

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Speaker 1: let me ask you a question. Which one of these

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Speaker 1: sound better to you? I am broke or i'my is rich?

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Speaker 1: I see now you're talking to me, But I'm as rich.

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Speaker 1: I mean as rich. I'm already rich. So where you

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Speaker 1: fit to go with this man? That lady packed her

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Speaker 1: stuff up, this black some of them. I know she

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Speaker 1: wanted to see black as Bouster. So as you hear.

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Speaker 1: Steve Harvey speaks on being in a situation where he

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Speaker 1: was operating inside of NBC and he was asked to

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Speaker 1: edit again. I tell you, guys, man, when we deal

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Speaker 1: with these high level companies or the company that is

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Speaker 1: these a lot of these companies that had the most

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Speaker 1: market share or the most AD dollars spent with them,

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Speaker 1: and certain things. That level of excellence is that their

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Speaker 1: perspective is off right. So when we deal with them,

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Speaker 1: they want us to edit the way that we speak

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Speaker 1: to one another. Then we do know that there's a

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Speaker 1: certain language that you can't use when children are watching.

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Speaker 1: But a lot of times they want to strip us

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Speaker 1: other coach, and so I always cite the Super Bowl

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Speaker 1: as much as we validate the way that the Super

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Speaker 1: Bowl took cab business, as much as we look at

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Speaker 1: that and say, man Jay Z put on the hell

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Speaker 1: of a show and one of the big best shows

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Speaker 1: in our life. And doctor Dre came out and done

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Speaker 1: this thing, and they brought eminem and he kneeled against

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Speaker 1: they will and they did the tuparc I ain't mad

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Speaker 1: at you while he was kneeling, and they had fifty

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Speaker 1: come out upside like yo, Mary Jay was up. There

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Speaker 1: snoop done in stuff. Right. As much as we championed that,

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Speaker 1: I looked below that because I'm always wondering why, and

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Speaker 1: I'm always looking for information, right, So when I looked

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Speaker 1: at the Super Bowl. I said, oh my god, they

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Speaker 1: were trying to edit us. I can tell by the music.

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Speaker 1: I even heard certain edits and then it come out Yo.

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Speaker 1: They didn't want them to say the records. They didn't

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Speaker 1: want them to say certain things in their songs, or

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Speaker 1: they wanted Kendrick not to do certain things like yo.

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Speaker 1: Hold on though, because these words are effective to the

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Speaker 1: people and it activates a certain community of people. Right.

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Speaker 1: And then we deal with Kendrick. He's spitting high level games,

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Speaker 1: so we need him to be able to do what

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Speaker 1: he does. Some of our people, Man, you gotta let

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Speaker 1: them do what they do. But when you get on

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Speaker 1: a high level like that, they're gonna try to edit

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Speaker 1: the culture. I was talking to Parley from the Franchise

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Speaker 1: boards on his podcast, and I was saying, Yo, they

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Speaker 1: don't create our sound, right, they can't create our sound.

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Speaker 1: Number one, Our sound is found in the ghetto, is

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Speaker 1: found the warehouses, in the projects. They don't have access

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Speaker 1: to the projects, the most dangerous place in the world.

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Speaker 1: They don't have access to it. They don't have a

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Speaker 1: post in the project. It ain't no way they can

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Speaker 1: get the music. They gotta wait to a bubble, to

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Speaker 1: a certain spot where it's safe for them to even

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Speaker 1: grab it, right, So we go down into the projects.

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Speaker 1: Now what happens is when something like the franchise boards

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Speaker 1: or you get a dream or sound like five year

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Speaker 1: old and them gone, what happens is No, they don't.

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00:20:04,760 --> 00:20:07,720
Speaker 1: They don't create the sound. They just tell all the

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Speaker 1: producers there's on payroll with the label that if you

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Speaker 1: won't us to clear anything, or you want us to

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00:20:13,600 --> 00:20:16,119
Speaker 1: pick in of your beats or score any of your songs,

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Speaker 1: it need to be something like what five year old

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Speaker 1: is doing. It need to be drilled, need to be

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Speaker 1: like Dirk, and need to sound more like baby. You know.

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Speaker 1: They want to hijack the sound, just like with the

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Speaker 1: frenchise boards. I remember when snap music was a thing.

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Speaker 1: They took the claps out of every song in the

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Speaker 1: world and put snaps in it. For a short period

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Speaker 1: of time, everything come out of a label had a

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Speaker 1: snap instead of a clap, instead of a snap, had

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Speaker 1: a snap. Right, This is what they were doing. And

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Speaker 1: so they don't. They don't. They don't. They don't create

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Speaker 1: these stuff. They manufacture it. And when you manufacture something,

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Speaker 1: you don't come up with the design. Most of the time,

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Speaker 1: to design, to design something and to manufacture shrip or

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00:21:00,680 --> 00:21:03,880
Speaker 1: two different process even if you can do both, but

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Speaker 1: the label tends to manufacture what we make cool or

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Speaker 1: what we tend to have down in the ghetto, and

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Speaker 1: that's what happens, and so they can't create it. They

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Speaker 1: can manufacture it. But it's crazy to manufacture, manufacture something

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Speaker 1: and then try to edit. It's almost like if I

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Speaker 1: come and bale your recipe, you you see saw and

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Speaker 1: and because I can, and because I can save a

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Speaker 1: few dollars or a few cents on each pound, I

388
00:21:37,320 --> 00:21:40,919
Speaker 1: want to use regular saw right, I want to use

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Speaker 1: regular salt. Fuck how it influenced the taste or the

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00:21:45,200 --> 00:21:48,119
Speaker 1: texture the food. I just want to save the money.

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Speaker 1: And for them, it ain't saving the money, it's what

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00:21:50,520 --> 00:21:52,960
Speaker 1: they think UD be toxic. It's what they think. And

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Speaker 1: then when we deal with words liberating, they definitely want

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Speaker 1: a sense of that. That's why my podcast is so powerful,

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00:22:01,359 --> 00:22:03,000
Speaker 1: because they know I'm gonna get on them and put

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Speaker 1: the game down. I don't speak for anyone on behalf

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Speaker 1: of anything. I'm uninfluenced by the things that everybody is

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Speaker 1: influenced by. I'm in a situation that if I wasn't

399
00:22:14,000 --> 00:22:18,040
Speaker 1: involved in the inception, then I'm not interested. Right, So

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00:22:18,080 --> 00:22:20,280
Speaker 1: if I don't have the ingredients, I'm not going in

401
00:22:20,359 --> 00:22:22,639
Speaker 1: the kitchen for it, and I'm not so everything that

402
00:22:22,760 --> 00:22:24,679
Speaker 1: you see me next to I got something to do

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00:22:24,840 --> 00:22:28,240
Speaker 1: with my time is of the essence, and I would hope,

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00:22:28,400 --> 00:22:31,520
Speaker 1: hope everybody uses it like that. But it's crazy to

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Speaker 1: hear somebody like Steve Harvey say, Yo, they wanted me

406
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Speaker 1: to edit. They wanted me to edit how I told

407
00:22:38,600 --> 00:22:40,800
Speaker 1: fuck that it got me to this level. Yo, I've

408
00:22:40,840 --> 00:22:44,120
Speaker 1: been selling these for eighteen dollars, bro this power right here,

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00:22:44,520 --> 00:22:47,080
Speaker 1: this way, been selling for eighteen dollars. Yeah, but we

410
00:22:47,119 --> 00:22:50,120
Speaker 1: can cut costs. What damn We're gonna lose customer. Yeah,

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Speaker 1: but the coast right and for us, it ain't the

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Speaker 1: money I'm talking. It's an analogy. What it los, it's

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00:22:58,640 --> 00:23:02,520
Speaker 1: when they edited it loses the effectiveness. For my people,

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Speaker 1: they can no longer grab hold of one. I'm saying,

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Speaker 1: once I put what you want me to say in it,

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Speaker 1: once I don't crafting in a way that they can

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Speaker 1: understand it, then now it's uninfluential. NA, don't even hit

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Speaker 1: the same Nan, don't even hit the same. And what

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Speaker 1: I also respected is Steve talked about the ageing getting

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Speaker 1: ten percent and the this person in fifteen p in

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Speaker 1: an eighteen percent gone, and then the Texas and a

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00:23:29,840 --> 00:23:33,360
Speaker 1: lot of these people you're paying for no reason. Right now,

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Speaker 1: I'm paying a CPA and I'm like, what we're doing?

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Speaker 1: You need to yo, I need to see work being done,

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Speaker 1: because I don't just pay because you got a title.

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Speaker 1: That ain't how we do and so it ain't that

427
00:23:43,080 --> 00:23:45,720
Speaker 1: we can't afford it is that is that we can't

428
00:23:45,720 --> 00:23:50,280
Speaker 1: afford it. Right in regards to I understanding of how

429
00:23:50,280 --> 00:23:54,600
Speaker 1: we're doing business. We got the we don't bootstrapped everything,

430
00:23:54,760 --> 00:23:58,080
Speaker 1: not because we poll, but because we understand. We got

431
00:23:58,200 --> 00:24:02,040
Speaker 1: levels that we gotta go. It's levels we gotta go up.

432
00:24:02,920 --> 00:24:04,520
Speaker 1: So I ain't no where in the hell I'm gonna

433
00:24:04,520 --> 00:24:06,399
Speaker 1: have him charging me this and them charging me that,

434
00:24:06,520 --> 00:24:09,240
Speaker 1: and them charging me. No, we're not doing that. Let's

435
00:24:09,240 --> 00:24:13,359
Speaker 1: listen to a little bit more to interview that not

436
00:24:13,600 --> 00:24:16,600
Speaker 1: change it. So when did When did it? Actually because

437
00:24:16,600 --> 00:24:19,080
Speaker 1: you were saying you have financial hardship two thousand and

438
00:24:19,080 --> 00:24:22,960
Speaker 1: five and you still was making some mistakes. But we're

439
00:24:23,080 --> 00:24:27,920
Speaker 1: in your state now, so obviously things changed dramatically. So

440
00:24:28,000 --> 00:24:30,600
Speaker 1: what was the turning point? What was the turning point

441
00:24:30,840 --> 00:24:35,640
Speaker 1: from you know, making mistakes to actually going on the skyrocket.

442
00:24:35,840 --> 00:24:39,360
Speaker 1: I know, man, that this is gonna sound like cliche

443
00:24:39,680 --> 00:24:44,640
Speaker 1: and corny, but a woman, a woman was the difference

444
00:24:44,680 --> 00:24:49,480
Speaker 1: maker in my life. My wife. When I married Marjorie

445
00:24:49,560 --> 00:24:52,719
Speaker 1: Man two seven, two thousand and seven, we got married.

446
00:24:53,119 --> 00:24:57,200
Speaker 1: It changed the game for me because for the first

447
00:24:57,240 --> 00:25:02,840
Speaker 1: time in my life, I was at peace because she

448
00:25:02,960 --> 00:25:06,320
Speaker 1: made me good with who I was. She kept telling me,

449
00:25:07,320 --> 00:25:11,560
Speaker 1: you're a major TV star. Don't don't believe us, Hill Steve,

450
00:25:12,040 --> 00:25:15,800
Speaker 1: you look good, you can do this, You're talented, you're

451
00:25:15,840 --> 00:25:18,119
Speaker 1: the best. And I had a peaceful home. I had

452
00:25:18,200 --> 00:25:20,800
Speaker 1: never had a peaceful home life before. Man, I was

453
00:25:20,880 --> 00:25:23,240
Speaker 1: coming home. I wasn't sitting in the car looking at

454
00:25:23,240 --> 00:25:25,479
Speaker 1: the door for three hours and to go in there.

455
00:25:25,840 --> 00:25:27,439
Speaker 1: You know, you probably might have been in something like

456
00:25:27,480 --> 00:25:32,520
Speaker 1: that before. Fortunately enough, unfortunately no. But you never know.

457
00:25:34,359 --> 00:25:36,680
Speaker 1: In faith, man, your faith, Yeah, I know, but you're

458
00:25:36,720 --> 00:25:40,600
Speaker 1: gonna sit in that driveway. But even if you're happy,

459
00:25:40,800 --> 00:25:43,159
Speaker 1: if you piss her off, you're gonna go sit in

460
00:25:43,200 --> 00:25:45,400
Speaker 1: that car. Dog, Because at least I can lock these

461
00:25:45,440 --> 00:25:47,159
Speaker 1: doors and roll these windows up in his car. But

462
00:25:47,160 --> 00:25:50,760
Speaker 1: if I'm sitting in his house, I'm here, So you know,

463
00:25:51,040 --> 00:25:53,360
Speaker 1: I'm been happy about that. But I was in a

464
00:25:53,400 --> 00:25:56,679
Speaker 1: horrible situation and this woman came along and gave me

465
00:25:56,840 --> 00:26:02,480
Speaker 1: peace pieces, priceless man, and I was able to think

466
00:26:03,000 --> 00:26:05,840
Speaker 1: clearly for the first time, and so I was able

467
00:26:05,880 --> 00:26:09,080
Speaker 1: to start seeing stuff. Now we got a huge I

468
00:26:09,160 --> 00:26:13,240
Speaker 1: got a Let me build on that for a second.

469
00:26:13,760 --> 00:26:17,040
Speaker 1: You gotta provide peace. You gotta know how to provide peace.

470
00:26:17,920 --> 00:26:20,480
Speaker 1: You know. I always tell motherfuckers that a man ain't

471
00:26:20,480 --> 00:26:23,280
Speaker 1: gonna go with the best food, that what the fattest

472
00:26:23,320 --> 00:26:26,240
Speaker 1: ass said. A man gonna go where the piece is provided.

473
00:26:28,160 --> 00:26:30,560
Speaker 1: I'm fortunate for a lot of people, man, they'd be

474
00:26:30,640 --> 00:26:32,960
Speaker 1: just throwing their ass on the table and think that's

475
00:26:33,080 --> 00:26:36,760
Speaker 1: enough to get wife. Then for me, bro, it's unfortunate, right,

476
00:26:37,040 --> 00:26:39,959
Speaker 1: But you gotta deal with somebody who gives you confidence

477
00:26:40,000 --> 00:26:42,560
Speaker 1: that compliments what it is that you got going on.

478
00:26:42,680 --> 00:26:47,280
Speaker 1: It ain't no coincidence we together. Without you, I feel

479
00:26:47,680 --> 00:26:51,800
Speaker 1: like I'm lost, right, and not lost in a way. Well,

480
00:26:52,800 --> 00:26:55,359
Speaker 1: I can't function without you, right. I don't like that

481
00:26:55,560 --> 00:26:59,520
Speaker 1: unhealthy type shit lost in the way way it's just

482
00:27:00,000 --> 00:27:02,240
Speaker 1: I would miss you if you wasn't there. Those type

483
00:27:02,280 --> 00:27:04,560
Speaker 1: things ain't important to certain kind of people. And I

484
00:27:04,640 --> 00:27:08,800
Speaker 1: think love is a place that's so, so so valuable

485
00:27:08,840 --> 00:27:12,200
Speaker 1: for humans. But boys a place where he can get dug,

486
00:27:12,840 --> 00:27:15,440
Speaker 1: he can get muddy, he can get slippery going down

487
00:27:15,520 --> 00:27:21,520
Speaker 1: there fucking with love. Right. And so when you hear

488
00:27:21,600 --> 00:27:24,560
Speaker 1: him say I had never had a peaceful home, I

489
00:27:24,600 --> 00:27:26,879
Speaker 1: think that didn't land on people as much as it

490
00:27:27,040 --> 00:27:31,400
Speaker 1: needed to because women downplayed the fact that you come

491
00:27:31,440 --> 00:27:35,240
Speaker 1: home to chaos. Women down play the fact that there's

492
00:27:35,280 --> 00:27:38,159
Speaker 1: a lot of me in this functioning in chaos and

493
00:27:38,240 --> 00:27:40,639
Speaker 1: they still functioning at a high level. A lot of

494
00:27:40,640 --> 00:27:45,600
Speaker 1: your favorite stars are living in situations that's unfortunate. We

495
00:27:45,760 --> 00:27:49,000
Speaker 1: talk about mentally, A lot of people ain't mentions and

496
00:27:49,080 --> 00:27:53,280
Speaker 1: they're dealing with motherfucker's that's fucking over mentally, right. A

497
00:27:53,320 --> 00:27:56,919
Speaker 1: lot of these relationships are merely just situations that people

498
00:27:56,960 --> 00:28:02,040
Speaker 1: have convinced each other that they can't do without. Some

499
00:28:02,119 --> 00:28:05,800
Speaker 1: people are there for different reasons. I say, but if

500
00:28:05,840 --> 00:28:09,640
Speaker 1: you're not providing peace, then we're in a bad situation.

501
00:28:10,200 --> 00:28:13,320
Speaker 1: Because a man can do something different with peace than

502
00:28:13,400 --> 00:28:18,560
Speaker 1: he can do even with love. We we for us though,

503
00:28:18,680 --> 00:28:21,080
Speaker 1: Love and peace land on the same side, so it

504
00:28:21,240 --> 00:28:24,960
Speaker 1: become contagious, right. I'll be telling women all the time

505
00:28:25,000 --> 00:28:27,720
Speaker 1: that you gotta be. You gotta be in a situation

506
00:28:27,760 --> 00:28:31,400
Speaker 1: to make it obvious for nigga man and THEE ain't

507
00:28:31,440 --> 00:28:33,600
Speaker 1: got no bid In the second guessing fucking with you,

508
00:28:33,720 --> 00:28:35,560
Speaker 1: he pop me thinking me, ain't nothing I canna do

509
00:28:35,600 --> 00:28:38,600
Speaker 1: without that. I got to have that on my side. Boy,

510
00:28:38,640 --> 00:28:42,720
Speaker 1: they're right there. Give me the confidence to take over NBC. Boy,

511
00:28:42,720 --> 00:28:45,200
Speaker 1: I got the confidence to do a maringer, got talent

512
00:28:45,280 --> 00:28:49,480
Speaker 1: fucking with that. You understand me, And sometimes women don't

513
00:28:49,560 --> 00:28:53,360
Speaker 1: understand that. They think that Again, men have a distorted

514
00:28:53,440 --> 00:28:56,320
Speaker 1: view on what they need to provide in relationships, and

515
00:28:56,480 --> 00:29:00,200
Speaker 1: women have a distorted view on what they provide in relationship.

516
00:29:00,240 --> 00:29:03,560
Speaker 1: So us as a whole or dealing with distorted views

517
00:29:03,600 --> 00:29:06,720
Speaker 1: on what each of us brings to a relationship and

518
00:29:06,840 --> 00:29:12,000
Speaker 1: how effective that is in said relationship. You understand. But

519
00:29:12,120 --> 00:29:16,080
Speaker 1: a man can do something different with peace. Man can

520
00:29:16,080 --> 00:29:18,560
Speaker 1: conquer the world when you're dealing with peace at his home.

521
00:29:18,600 --> 00:29:21,440
Speaker 1: I always tell people strategists better than strength. I can

522
00:29:21,480 --> 00:29:24,600
Speaker 1: strategize when peace is going on. Tell me what you

523
00:29:24,640 --> 00:29:27,760
Speaker 1: can do in chaos. But again, a lot of men

524
00:29:27,840 --> 00:29:30,040
Speaker 1: make it look easy and they're dealing with chaos in

525
00:29:30,240 --> 00:29:33,080
Speaker 1: behind them for wall. But I'm asking you, what can

526
00:29:33,120 --> 00:29:36,560
Speaker 1: you do with chaos? Because I know what I can

527
00:29:36,600 --> 00:29:39,200
Speaker 1: do in chaos. I can steal function, But boy, I

528
00:29:39,240 --> 00:29:42,240
Speaker 1: can go far when I'm dealing with peace. And so

529
00:29:42,320 --> 00:29:44,960
Speaker 1: when we deal with peace, we deal with my ability

530
00:29:45,000 --> 00:29:50,560
Speaker 1: to function. We deal with my ability to play that strategize,

531
00:29:50,600 --> 00:29:52,760
Speaker 1: we deal with my ability to go through the world

532
00:29:52,880 --> 00:29:57,160
Speaker 1: knowing that, boy, I got time to motherfucking innovate. I

533
00:29:57,240 --> 00:30:02,480
Speaker 1: got time to we go through the world knowing that, hey, man,

534
00:30:02,520 --> 00:30:07,280
Speaker 1: I got time to evolved, right, and women, man, you

535
00:30:07,320 --> 00:30:11,480
Speaker 1: gotta provide peaceful and nigga man's a man gonna make

536
00:30:11,480 --> 00:30:14,960
Speaker 1: his own man up about marrying. Everybody that doesn't got married.

537
00:30:15,560 --> 00:30:17,959
Speaker 1: The dude made their man up that they wanted to

538
00:30:18,000 --> 00:30:20,160
Speaker 1: marry the woman. And what I'm saying is not that

539
00:30:20,200 --> 00:30:23,200
Speaker 1: the man holds because again, I know how the Internet

540
00:30:23,320 --> 00:30:25,920
Speaker 1: is a weird place and it likes to misunderstand what

541
00:30:26,040 --> 00:30:30,360
Speaker 1: it should understand, right, So I get that. I need

542
00:30:30,360 --> 00:30:32,760
Speaker 1: to explain that I'm not saying the man holds the

543
00:30:32,880 --> 00:30:37,360
Speaker 1: key to marriage. What I'm saying is unfortunately, in my opinion,

544
00:30:37,440 --> 00:30:42,000
Speaker 1: no matter what the woman does, he has to convince

545
00:30:42,040 --> 00:30:46,000
Speaker 1: hisself that marrying that woman is a good situation for him.

546
00:30:46,680 --> 00:30:50,320
Speaker 1: There's nothing she can do herself outside of being herself.

547
00:30:50,360 --> 00:30:53,400
Speaker 1: What I'm saying is, you can't fucking in to marry you.

548
00:30:54,000 --> 00:30:56,760
Speaker 1: You can't give him threesomes every day in to marry you.

549
00:30:56,880 --> 00:31:00,000
Speaker 1: Them things that he gotta look at you and say

550
00:30:59,840 --> 00:31:04,120
Speaker 1: that you feel a void. He gotta view you as

551
00:31:04,160 --> 00:31:06,400
Speaker 1: feeling a void in his life. And then then those

552
00:31:06,440 --> 00:31:10,680
Speaker 1: things that naturally happened. Let's listen to a little bit

553
00:31:10,720 --> 00:31:15,160
Speaker 1: more of huge tax situation in two thousand and eight,

554
00:31:15,800 --> 00:31:19,280
Speaker 1: because my divorce was in two thousand and five and

555
00:31:20,880 --> 00:31:24,760
Speaker 1: my accountant had gotten in cahoots and next thing you know,

556
00:31:26,720 --> 00:31:30,360
Speaker 1: my accountant died and a girl that worked for him

557
00:31:30,720 --> 00:31:36,040
Speaker 1: called my lawyer and said, we have a problem. She

558
00:31:36,200 --> 00:31:40,760
Speaker 1: had found on the floor all my tax forms for

559
00:31:40,840 --> 00:31:45,240
Speaker 1: seven years, signed and with the checks staple to him.

560
00:31:45,520 --> 00:31:49,720
Speaker 1: So I'm thinking I'm assigned and out of stapler checks. Well,

561
00:31:50,160 --> 00:31:53,760
Speaker 1: they were cashing the checks, keeping the money, and not

562
00:31:53,880 --> 00:31:56,160
Speaker 1: turning in the tax form. Oh yeah, that's where we

563
00:31:56,200 --> 00:31:59,280
Speaker 1: interviewed Fat Joe similar situation. He went to jail for that,

564
00:31:59,360 --> 00:32:04,120
Speaker 1: actually tax evasion. So your your accountant, you how you

565
00:32:04,160 --> 00:32:06,120
Speaker 1: were signing the check? Oh, so you didn't know who

566
00:32:06,120 --> 00:32:08,200
Speaker 1: the chech was being made out to, Oh, to the government.

567
00:32:08,360 --> 00:32:10,920
Speaker 1: So how did they cash it? Well, they didn't cash it.

568
00:32:11,200 --> 00:32:13,600
Speaker 1: They took the money out of the account that matched

569
00:32:13,600 --> 00:32:20,400
Speaker 1: the exact because I wasn't watching it, six hundred thousand deducted.

570
00:32:21,040 --> 00:32:24,719
Speaker 1: So I'm thinking it's the check. Little did I know

571
00:32:25,840 --> 00:32:28,400
Speaker 1: it was some people taking the money out for seven years.

572
00:32:28,720 --> 00:32:32,120
Speaker 1: For seven years, How much money did that? I ended up?

573
00:32:32,120 --> 00:32:35,959
Speaker 1: Oh and twenty two millions. Wow, twenty two million with

574
00:32:36,000 --> 00:32:39,360
Speaker 1: the with the penalties. So now listen to me, man,

575
00:32:40,240 --> 00:32:42,200
Speaker 1: me and my wife. In two thousand and eight, I

576
00:32:42,280 --> 00:32:49,640
Speaker 1: get the mass was my lawyer called and said, hey, man,

577
00:32:49,720 --> 00:32:53,800
Speaker 1: we got a problem. You haven't paid taxes in seven years.

578
00:32:53,800 --> 00:32:56,000
Speaker 1: What are you talking about? I paid tax I've been

579
00:32:56,040 --> 00:32:59,880
Speaker 1: writing the checks and all is here. Oh man, he said,

580
00:33:00,160 --> 00:33:04,600
Speaker 1: this woman found your taxes in your accountant's office on

581
00:33:04,640 --> 00:33:10,680
Speaker 1: the floor. Every tax checkout had written in, every staple

582
00:33:10,760 --> 00:33:14,520
Speaker 1: together for seven years, quarterly taxes, all of it. So

583
00:33:14,560 --> 00:33:18,080
Speaker 1: he said, man, that's tax evasion. You can go to prison.

584
00:33:19,080 --> 00:33:22,240
Speaker 1: And I said, what we're gonna do? So he said,

585
00:33:22,280 --> 00:33:24,360
Speaker 1: hold on, man, let me get some lawyers. So he

586
00:33:24,440 --> 00:33:27,280
Speaker 1: called up some tax accountants out of Chicago. These boys

587
00:33:27,480 --> 00:33:30,200
Speaker 1: was the best, and they set me down and they said, man,

588
00:33:30,240 --> 00:33:31,800
Speaker 1: we got a major problem. He said, I got a

589
00:33:31,800 --> 00:33:34,400
Speaker 1: friend work at the eyes. Let me take the first year.

590
00:33:34,480 --> 00:33:36,880
Speaker 1: We took the first year and we sent it in

591
00:33:37,680 --> 00:33:40,120
Speaker 1: and he said, man, well this is an old tax return.

592
00:33:40,800 --> 00:33:43,280
Speaker 1: He said, man, we got a problem. He got more,

593
00:33:43,760 --> 00:33:47,120
Speaker 1: but he didn't know it, and so we need a

594
00:33:47,160 --> 00:33:54,960
Speaker 1: tax payment plan. So the tax payment plan was so

595
00:33:55,280 --> 00:33:59,000
Speaker 1: astronomical that it was no way I could pay this.

596
00:34:00,120 --> 00:34:03,000
Speaker 1: So the deal was, if you miss one payment, we

597
00:34:03,160 --> 00:34:05,960
Speaker 1: come and seize all your assets and you going to jail.

598
00:34:06,240 --> 00:34:09,399
Speaker 1: That was the deal. So the way I found out

599
00:34:09,440 --> 00:34:12,759
Speaker 1: I was in real bad trouble was my accountants, my

600
00:34:12,920 --> 00:34:17,000
Speaker 1: former manager lawyer, got on a conference call to discuss it.

601
00:34:17,880 --> 00:34:21,160
Speaker 1: But they sent out an email with the conference call

602
00:34:21,280 --> 00:34:24,120
Speaker 1: number to my assistant, but it wasn't supposed to go

603
00:34:24,160 --> 00:34:25,799
Speaker 1: to me. She and advertnity gave it to me. I

604
00:34:25,840 --> 00:34:27,799
Speaker 1: wasn't supposed to be on the call, so when I

605
00:34:27,880 --> 00:34:30,600
Speaker 1: logged in, they were already talking and I just didn't

606
00:34:30,640 --> 00:34:37,200
Speaker 1: announce myself. And I heard them say, nobody can live

607
00:34:37,560 --> 00:34:40,839
Speaker 1: under this amount of stress. There's no way he can

608
00:34:40,880 --> 00:34:44,440
Speaker 1: pay the back taxes, pay his current taxes and his

609
00:34:44,520 --> 00:34:47,839
Speaker 1: living expenses. And I heard a guy on the phone say,

610
00:34:48,160 --> 00:34:50,320
Speaker 1: what are we gonna do when he goes to jail?

611
00:34:51,760 --> 00:34:54,160
Speaker 1: And I hung the phone up. I went upstairs. I said,

612
00:34:54,239 --> 00:34:57,440
Speaker 1: Marjorie donalson. Marjorie got a problem. When I explained it

613
00:34:57,480 --> 00:35:01,040
Speaker 1: to her, Marjorie started crying. She sat down and cried.

614
00:35:01,080 --> 00:35:04,440
Speaker 1: My wife cried for two straight days. She says, Steve,

615
00:35:04,680 --> 00:35:07,479
Speaker 1: what you gonna do? I said, I'm gonna go to work.

616
00:35:09,440 --> 00:35:15,000
Speaker 1: I took every comedy gig in this country. I signed

617
00:35:15,000 --> 00:35:19,000
Speaker 1: every contract. I went to work. Man. I worked every

618
00:35:19,280 --> 00:35:23,520
Speaker 1: single Friday, Saturday, and Sunday. I went to every venue,

619
00:35:23,600 --> 00:35:30,160
Speaker 1: the Verizon, Staples Center, MCI Phillips, I sold out, the Fox,

620
00:35:30,239 --> 00:35:33,839
Speaker 1: I sold I went everywhere. I stayed on the radio. Man,

621
00:35:34,120 --> 00:35:36,759
Speaker 1: I'm coming, I'm coming sold out. That's what I'm trying

622
00:35:36,760 --> 00:35:40,160
Speaker 1: to say, Man, I never missed a payment. So what

623
00:35:40,239 --> 00:35:42,640
Speaker 1: I'm trying to say, this is why these conversations are

624
00:35:42,680 --> 00:35:45,600
Speaker 1: so important, man, Because when you hear man say they

625
00:35:45,680 --> 00:35:47,919
Speaker 1: lost twenty two million or day was in the hole

626
00:35:48,040 --> 00:35:51,440
Speaker 1: twenty two me. You know they say, you know that

627
00:35:51,600 --> 00:35:54,200
Speaker 1: mean I'm rich, That mean I'm I had a couple

628
00:35:54,200 --> 00:35:56,600
Speaker 1: of good years. You know, they say useful trees get

629
00:35:56,600 --> 00:35:59,120
Speaker 1: cut down first. You know what I'm saying, So meany

630
00:35:59,200 --> 00:36:00,840
Speaker 1: you had to be making and that kind of money

631
00:36:00,840 --> 00:36:03,759
Speaker 1: to get that kind of money stole from you. Although

632
00:36:04,320 --> 00:36:11,680
Speaker 1: we don't man, Man Man twenty two meeting Man. But

633
00:36:11,760 --> 00:36:15,680
Speaker 1: these conversations are so important, Man, because somebody like Steve Harvey,

634
00:36:16,000 --> 00:36:19,759
Speaker 1: he hadn't done it. He dealing with experience. Again, some

635
00:36:19,800 --> 00:36:22,120
Speaker 1: people are dealing with talking about it, and some people

636
00:36:22,120 --> 00:36:25,080
Speaker 1: are dealing with the particulars. Some people are dealing with

637
00:36:25,120 --> 00:36:30,600
Speaker 1: the specifics, right, And he's dealing with experience and to

638
00:36:30,640 --> 00:36:33,040
Speaker 1: get losses to learn the way. And so he's telling you,

639
00:36:33,080 --> 00:36:35,560
Speaker 1: I've been down in rolls. So I come out of that.

640
00:36:35,640 --> 00:36:38,239
Speaker 1: I took all the deals, I restructured the business. Now

641
00:36:38,360 --> 00:36:40,200
Speaker 1: I got it in the way where it's protected and

642
00:36:40,600 --> 00:36:43,120
Speaker 1: no age. And know this, I know the brand is strong.

643
00:36:44,480 --> 00:36:46,719
Speaker 1: The brand is strong. So I'm leaning on what the

644
00:36:46,800 --> 00:36:48,839
Speaker 1: brand is. You know, when you look at him, Man,

645
00:36:48,920 --> 00:36:51,600
Speaker 1: I'm telling you he turned it around. Just pitch if

646
00:36:51,600 --> 00:36:55,200
Speaker 1: he never would have failed. But look at that accounting.

647
00:36:56,280 --> 00:36:59,600
Speaker 1: Look how swift they wore. I looked at mind counter

648
00:36:59,640 --> 00:37:01,479
Speaker 1: of the day, and nothing had go through it, because

649
00:37:01,480 --> 00:37:03,560
Speaker 1: I think some things look a little if. It then

650
00:37:03,560 --> 00:37:06,720
Speaker 1: went to me, I was looking like, whoa, something looks crazy,

651
00:37:07,040 --> 00:37:08,960
Speaker 1: but I hadn't had time. I'm gonna look through it,

652
00:37:09,320 --> 00:37:13,000
Speaker 1: but you gotta look at it. They were so swift

653
00:37:13,080 --> 00:37:15,800
Speaker 1: that he write a check for one hundred and eighty thousand.

654
00:37:16,760 --> 00:37:18,799
Speaker 1: Instead of catching a check, they just go pull one

655
00:37:18,880 --> 00:37:23,239
Speaker 1: hundred eighty thousand out that count. So he ain't looking

656
00:37:23,280 --> 00:37:26,160
Speaker 1: at it's withdrawal. Just the money gone. So okay, that's

657
00:37:26,160 --> 00:37:29,960
Speaker 1: the Texas. I don't give a fuck. Who do your Texas?

658
00:37:30,000 --> 00:37:33,200
Speaker 1: You responsible? Says the government. I don't know how they

659
00:37:33,280 --> 00:37:36,000
Speaker 1: got this in place, but boy, it's boy, it's rocking

660
00:37:36,000 --> 00:37:40,120
Speaker 1: and rolling. For four years in a row, I was

661
00:37:40,239 --> 00:37:44,800
Speaker 1: sending six hundred and fifty thousand a month to the government,

662
00:37:44,960 --> 00:37:48,960
Speaker 1: plus I had to pay my current tax. Damn there

663
00:37:49,080 --> 00:37:52,640
Speaker 1: million dollars a month. You hear that six hundred and

664
00:37:52,680 --> 00:37:55,200
Speaker 1: fifty k a month he was sending to the government.

665
00:37:55,960 --> 00:37:58,440
Speaker 1: We're talking about a dude getting real paper man. He

666
00:37:58,560 --> 00:38:02,200
Speaker 1: was out there working hard, dope. I couldn't get behind

667
00:38:02,239 --> 00:38:06,080
Speaker 1: on nothing, and I was living, so I was credit

668
00:38:06,160 --> 00:38:09,520
Speaker 1: card running them up, paying them off. And finally, Man,

669
00:38:09,640 --> 00:38:13,920
Speaker 1: in two thousand and twelve, you got me thinking, now

670
00:38:14,200 --> 00:38:17,600
Speaker 1: this is the paper view of the well it was

671
00:38:17,640 --> 00:38:24,440
Speaker 1: coming to that. Two things happened to two thousand and twelve,

672
00:38:25,320 --> 00:38:29,120
Speaker 1: I sold forty nine percent of my radio company to

673
00:38:29,280 --> 00:38:35,960
Speaker 1: I Heeart. I got a check, man, I got me

674
00:38:36,000 --> 00:38:41,600
Speaker 1: a check, and then so I paid the government completely

675
00:38:41,680 --> 00:38:44,960
Speaker 1: off to zero. And that was the first time, man,

676
00:38:45,000 --> 00:38:48,320
Speaker 1: I could breathe. And then the pay per view. I said,

677
00:38:48,400 --> 00:38:52,040
Speaker 1: let me get out of stand up because my wife says, Steve,

678
00:38:52,080 --> 00:38:55,359
Speaker 1: you feel to be a major TV star, You're gonna

679
00:38:55,360 --> 00:38:58,359
Speaker 1: have to stop telling the jokes you're telling because you're

680
00:38:58,400 --> 00:39:03,280
Speaker 1: gonna ruin your career because she saw the political correctness turning,

681
00:39:04,000 --> 00:39:06,480
Speaker 1: and so she said, Steve, you can stop if you

682
00:39:06,520 --> 00:39:08,960
Speaker 1: won't touch it. Baby, I can't ever stop telling jokes.

683
00:39:09,400 --> 00:39:13,719
Speaker 1: It's who I am. She said, well, okay, but you

684
00:39:13,760 --> 00:39:16,560
Speaker 1: got to watch what you say. And all of my

685
00:39:16,680 --> 00:39:20,400
Speaker 1: TV shows are sponsor driven, the radio or sponsorship driven.

686
00:39:20,560 --> 00:39:22,240
Speaker 1: I said, man, let me get out of this because

687
00:39:22,320 --> 00:39:26,200
Speaker 1: I need time to go do more TV. And so

688
00:39:26,239 --> 00:39:30,400
Speaker 1: I did one last comedy show, but I did it

689
00:39:30,480 --> 00:39:34,239
Speaker 1: on pay per view, and little did I know for

690
00:39:34,400 --> 00:39:38,000
Speaker 1: eight dollars you could watch my last I had no

691
00:39:38,080 --> 00:39:41,080
Speaker 1: idea how many people's gonna tune in for that. I

692
00:39:41,200 --> 00:39:43,880
Speaker 1: made a lot of money, it was. It was the

693
00:39:44,000 --> 00:39:49,719
Speaker 1: biggest single paycheck I ever made. And next thing you know,

694
00:39:51,120 --> 00:39:57,960
Speaker 1: I was back. I had me some money. Man, back,

695
00:39:58,800 --> 00:40:04,280
Speaker 1: I had a nice nut. So it's just a testament

696
00:40:04,320 --> 00:40:07,080
Speaker 1: to bedding on yourself. You know, that's a testament of

697
00:40:07,200 --> 00:40:11,000
Speaker 1: being alive in the moment. You know, that's a testament

698
00:40:11,040 --> 00:40:13,239
Speaker 1: to knowing that. He didn't even know how strong it war,

699
00:40:13,360 --> 00:40:15,400
Speaker 1: but he knew it was strong enough, and he had

700
00:40:15,440 --> 00:40:18,000
Speaker 1: a good woman on his side to say, Yo, let's

701
00:40:18,000 --> 00:40:20,520
Speaker 1: shake to the next room. You're going to the next level,

702
00:40:21,200 --> 00:40:24,560
Speaker 1: right and delusional or not, we're gonna believe in each

703
00:40:24,600 --> 00:40:26,759
Speaker 1: other and we're gonna push each other to the next level.

704
00:40:26,960 --> 00:40:29,680
Speaker 1: If you haven't seen that interview on m I don't

705
00:40:29,680 --> 00:40:32,520
Speaker 1: earn your leisure man with Steve Harvey, the Great and

706
00:40:32,560 --> 00:40:36,160
Speaker 1: Powerful Man, go go definitely see that. Steve Harvey is

707
00:40:36,200 --> 00:40:40,000
Speaker 1: one of them guys in this space man that I

708
00:40:40,440 --> 00:40:42,640
Speaker 1: model and I look up to it. And again I've

709
00:40:42,680 --> 00:40:45,839
Speaker 1: studied when you deal with him, right, and so, man,

710
00:40:45,960 --> 00:40:50,480
Speaker 1: he's been so influential in what it is that is

711
00:40:50,560 --> 00:40:53,080
Speaker 1: black coach right, the way we talk in the South,

712
00:40:53,160 --> 00:40:56,799
Speaker 1: that cadence, that that just that way that he does it. Man,

713
00:40:57,080 --> 00:41:00,319
Speaker 1: it's um It resonates, and he's got some of the

714
00:41:00,320 --> 00:41:03,360
Speaker 1: audience ready even for people like me without people knowing.

715
00:41:03,760 --> 00:41:06,480
Speaker 1: That's how wide of arrange that he affects. You know,

716
00:41:06,520 --> 00:41:09,359
Speaker 1: people like him and Chapels and different names like that,

717
00:41:10,280 --> 00:41:15,080
Speaker 1: not only as effective as they are in comedy, they

718
00:41:15,080 --> 00:41:18,480
Speaker 1: are that effective as well, or how how we're crafting

719
00:41:19,040 --> 00:41:21,719
Speaker 1: our words and how we're communicating in the culture. Man.

720
00:41:21,800 --> 00:41:24,480
Speaker 1: So if you haven't saw that, go see that for sure.

721
00:41:26,040 --> 00:41:29,200
Speaker 1: This next topic is a topic that I you know,

722
00:41:29,200 --> 00:41:32,120
Speaker 1: I get uncomfortable speaking about. You know what I'm saying.

723
00:41:34,200 --> 00:41:39,440
Speaker 1: I think that first, you know, my first feeling is

724
00:41:39,480 --> 00:41:42,600
Speaker 1: I get uncomfortable. But then I understand that we're dealing

725
00:41:42,640 --> 00:41:45,919
Speaker 1: with a situation where people are grabbing for straws. Man,

726
00:41:46,080 --> 00:41:49,040
Speaker 1: dudes need something to get out to ghetto. Like I

727
00:41:49,080 --> 00:41:51,640
Speaker 1: hate to speak about man, you know I am saying.

728
00:41:51,680 --> 00:41:53,200
Speaker 1: I hate to speak about it because it's a game

729
00:41:53,280 --> 00:41:55,600
Speaker 1: to be give. It's game to be given when we

730
00:41:55,640 --> 00:41:58,000
Speaker 1: speak about it, right. The youngsters need to learn how

731
00:41:58,040 --> 00:42:02,120
Speaker 1: to and wider right, they need to learn when, where

732
00:42:02,120 --> 00:42:06,560
Speaker 1: and why and what? You understand me, So every situation

733
00:42:06,640 --> 00:42:09,239
Speaker 1: you can learn from. You can always view the glasses

734
00:42:09,280 --> 00:42:11,719
Speaker 1: head empty or head fool. I might always go with

735
00:42:11,840 --> 00:42:16,759
Speaker 1: head fool, as I'm always looking for elevation, right. I

736
00:42:16,840 --> 00:42:21,080
Speaker 1: also know not to negotiate with need, because desperation is unattractive.

737
00:42:21,120 --> 00:42:25,520
Speaker 1: But that's another situation, right. This next topic is about

738
00:42:25,600 --> 00:42:28,360
Speaker 1: g Herbal and one of his homeboys came out and

739
00:42:28,360 --> 00:42:30,799
Speaker 1: said some things about him not living his wraps and

740
00:42:31,360 --> 00:42:33,480
Speaker 1: how he ain't taking care of grown me. And I

741
00:42:33,560 --> 00:42:38,879
Speaker 1: find it unfortunate the dudes are in situations where they

742
00:42:38,920 --> 00:42:42,200
Speaker 1: can't seem to find nothing going on, right, But I

743
00:42:42,360 --> 00:42:46,520
Speaker 1: understand it a little bit. I understand everybody ain't a hustler.

744
00:42:46,560 --> 00:42:50,799
Speaker 1: I understand that some people got to be handed a situation, right,

745
00:42:50,880 --> 00:42:53,239
Speaker 1: And if you have been using them people, that's when

746
00:42:53,239 --> 00:42:57,200
Speaker 1: the situation becomes uncomfortable for you, because if you use

747
00:42:57,320 --> 00:42:59,880
Speaker 1: me to crash some or you, I've done something for you,

748
00:43:00,040 --> 00:43:02,680
Speaker 1: and I ain't even in a situation to have lawyer money.

749
00:43:02,800 --> 00:43:06,360
Speaker 1: We're gonna always view that it's being Yeah, that ain't gangster,

750
00:43:06,480 --> 00:43:09,120
Speaker 1: that ain't real, that ain't pushing pete, that ain't want us.

751
00:43:09,200 --> 00:43:11,239
Speaker 1: We ain't gonna never do that. If it happened on

752
00:43:11,320 --> 00:43:15,279
Speaker 1: my watch, then it's on my type time, right, it's

753
00:43:15,320 --> 00:43:17,400
Speaker 1: my Yeah, it's me. I'm the one that got to

754
00:43:17,400 --> 00:43:20,759
Speaker 1: make sure that everything is whole and everybody's left to

755
00:43:20,800 --> 00:43:23,840
Speaker 1: feel whole. You know, we live in a digital age

756
00:43:23,840 --> 00:43:30,040
Speaker 1: and niggas can't figure out how to make minimum way.

757
00:43:30,520 --> 00:43:32,600
Speaker 1: You know, the internet is a place, man, where you

758
00:43:32,640 --> 00:43:37,800
Speaker 1: gotta figure out something. I was riding with my children

759
00:43:37,800 --> 00:43:41,319
Speaker 1: man to day, and I like to give my kids game.

760
00:43:41,360 --> 00:43:44,680
Speaker 1: I'd like to talk to him about the who's who's

761
00:43:44,719 --> 00:43:47,920
Speaker 1: and the watch watch, you know. I like to get

762
00:43:48,000 --> 00:43:50,239
Speaker 1: him a level of information at an age that I

763
00:43:50,320 --> 00:43:53,799
Speaker 1: know they can't digest, but they can't forget either. Some

764
00:43:53,840 --> 00:43:58,000
Speaker 1: of the most interesting conversations right that I have come

765
00:43:58,080 --> 00:44:02,120
Speaker 1: from them, dude. So I was round with him. I'm like, yo,

766
00:44:03,440 --> 00:44:05,680
Speaker 1: you want to become a bill. You never fix a problem,

767
00:44:07,320 --> 00:44:10,360
Speaker 1: young niggas. Gotta get around niggas, this valuable win this

768
00:44:10,480 --> 00:44:14,680
Speaker 1: space and fix a problem. If you see that every

769
00:44:14,719 --> 00:44:17,640
Speaker 1: time I go somewhere, my white air forces. I gotta

770
00:44:17,719 --> 00:44:20,480
Speaker 1: run to the store everywhere I land. You need to

771
00:44:20,520 --> 00:44:23,040
Speaker 1: figure out a way how to make sure you can. Right,

772
00:44:23,120 --> 00:44:26,439
Speaker 1: and that's a service. We can build this label as

773
00:44:26,440 --> 00:44:30,520
Speaker 1: a stylist. Right, you gotta fix a problem. Man. You

774
00:44:30,560 --> 00:44:33,120
Speaker 1: can't be around me just because one day I might

775
00:44:33,239 --> 00:44:36,920
Speaker 1: need the killers. We adn't give it, yo, Bro, You

776
00:44:36,960 --> 00:44:38,960
Speaker 1: know I had to tell my children. Man, don't letting

777
00:44:38,960 --> 00:44:40,879
Speaker 1: nobody to put you out in the trick bag. Man,

778
00:44:40,880 --> 00:44:44,400
Speaker 1: that to disappoint your daddy. Man, your daddy give you

779
00:44:44,480 --> 00:44:47,160
Speaker 1: supreme game. Don't letting nobody put you in the trick bag.

780
00:44:47,239 --> 00:44:49,480
Speaker 1: Don't let him trick you into thinking you're gonna need

781
00:44:49,520 --> 00:44:53,360
Speaker 1: the killers. The killers just for high man, the killers

782
00:44:53,360 --> 00:44:56,080
Speaker 1: to do something to their homeboy, for somebody from the

783
00:44:56,160 --> 00:44:58,400
Speaker 1: other side of town if he got the right amount

784
00:44:58,440 --> 00:45:01,160
Speaker 1: of money. So the killers for high go get you

785
00:45:01,239 --> 00:45:06,040
Speaker 1: some money there, muscle you your whole life under the

786
00:45:06,080 --> 00:45:08,640
Speaker 1: guise of one day you might need the killers. But

787
00:45:08,719 --> 00:45:10,719
Speaker 1: let's look at the home and again, I don't know

788
00:45:10,800 --> 00:45:13,000
Speaker 1: her bow, so I ain't speaking for her ball. I'm

789
00:45:13,000 --> 00:45:16,680
Speaker 1: speaking for the youngsters. Didn't need the information on how

790
00:45:16,680 --> 00:45:22,360
Speaker 1: to navigate around this game, right, were birthing Megan Nass

791
00:45:22,480 --> 00:45:26,600
Speaker 1: began nas, we're birthing. Yeah, so I gotta put the

792
00:45:26,640 --> 00:45:30,239
Speaker 1: game down. But this guy right here used to be

793
00:45:30,280 --> 00:45:32,200
Speaker 1: a part of it. For those of you who may

794
00:45:32,200 --> 00:45:34,200
Speaker 1: not know who, Gie Herbo is a rabbit from out

795
00:45:34,200 --> 00:45:38,520
Speaker 1: of Chicago. He's part of that drill movement. He has

796
00:45:38,560 --> 00:45:40,799
Speaker 1: no limit on his name, which is a click out

797
00:45:40,800 --> 00:45:45,200
Speaker 1: of Chicago. So apparently this guy is a part of

798
00:45:45,239 --> 00:45:50,240
Speaker 1: the click Out of Chicago and one of the original guys,

799
00:45:50,280 --> 00:45:52,520
Speaker 1: one of the original members that he got a way.

800
00:45:52,560 --> 00:45:55,279
Speaker 1: He feels that gie her Boy ain't been living up

801
00:45:55,320 --> 00:45:58,360
Speaker 1: to his name or ain't been living up to his raps.

802
00:45:58,400 --> 00:46:00,840
Speaker 1: Let's listen to what he said. He reached out to

803
00:46:00,920 --> 00:46:02,359
Speaker 1: and tried to put him on label and put him

804
00:46:02,360 --> 00:46:07,800
Speaker 1: in situations as far as music um As twenty eighteen

805
00:46:09,360 --> 00:46:13,919
Speaker 1: heard say, man, I got the one fifty dream Team Laby,

806
00:46:13,960 --> 00:46:16,520
Speaker 1: I'm for the sund like three to four, y'all. He

807
00:46:16,680 --> 00:46:20,320
Speaker 1: tried to he called he's trying to saying little forty.

808
00:46:21,440 --> 00:46:24,359
Speaker 1: You know, he probably know his name is grabbed name

809
00:46:24,440 --> 00:46:29,680
Speaker 1: Lottle for that's one of the guy crazy James Jay

810
00:46:29,800 --> 00:46:36,200
Speaker 1: died my Nigga hollow As. The most miscellanis mofus he

811
00:46:36,280 --> 00:46:38,839
Speaker 1: had on label, but it was only like four five

812
00:46:38,920 --> 00:46:41,240
Speaker 1: of the guys he was trying to saying, he gigging,

813
00:46:41,280 --> 00:46:43,560
Speaker 1: folding him up, even from saying y'all to the label,

814
00:46:45,400 --> 00:46:48,440
Speaker 1: folding them. Ready, we are in the trenches hungry, not

815
00:46:48,640 --> 00:46:52,080
Speaker 1: even we they in the trenches hungry. But I'm hungry too,

816
00:46:52,160 --> 00:46:55,920
Speaker 1: But I'm just speak on nay yead volding. I'm hungry now. Nigga,

817
00:46:55,960 --> 00:47:00,239
Speaker 1: who up all these hundreds of thousand ends? Whatever you

818
00:47:00,360 --> 00:47:02,839
Speaker 1: tell the nigga like that some ship like that, who

819
00:47:02,880 --> 00:47:07,160
Speaker 1: got zero dollars or you know a couple of times

820
00:47:07,280 --> 00:47:09,520
Speaker 1: of their name. You're banging on this ship like dam,

821
00:47:09,560 --> 00:47:13,200
Speaker 1: we're gonna get signed broke for the Douce rights shit, folks,

822
00:47:13,320 --> 00:47:17,200
Speaker 1: we nigg on the gas never saying him got him

823
00:47:17,560 --> 00:47:20,920
Speaker 1: doing all the type of weird shit like Wish is

824
00:47:21,160 --> 00:47:23,080
Speaker 1: trying to see as he's still for to do the ship.

825
00:47:23,320 --> 00:47:27,480
Speaker 1: Don't do the shit weird shit like I don't salute

826
00:47:27,520 --> 00:47:29,760
Speaker 1: that type of ship. For So the home is speaking

827
00:47:29,800 --> 00:47:33,000
Speaker 1: about a record, deals and things like that, but as

828
00:47:33,080 --> 00:47:34,960
Speaker 1: layers a game or funt of that, they need to

829
00:47:35,040 --> 00:47:37,800
Speaker 1: be spoken about. As layers a game or funt of that,

830
00:47:37,920 --> 00:47:41,839
Speaker 1: they need to be explained. First thing that the young

831
00:47:42,000 --> 00:47:44,920
Speaker 1: niggas need to understand. It's on the entourage or beside

832
00:47:44,960 --> 00:47:48,359
Speaker 1: the wrapping niggas is a lot of wrapping niggas ain't

833
00:47:48,400 --> 00:47:50,360
Speaker 1: got what you think they got in this respect for

834
00:47:50,480 --> 00:47:53,040
Speaker 1: that they hustle. The game that they end doesn't provide

835
00:47:53,080 --> 00:47:55,880
Speaker 1: a runway to really getting no equity, to getting no

836
00:47:56,040 --> 00:48:01,560
Speaker 1: real expansion. That's number one. But see, I'm in podcasting

837
00:48:01,640 --> 00:48:05,480
Speaker 1: and elevation is necessary for me. I understand the game.

838
00:48:05,600 --> 00:48:08,200
Speaker 1: I mean I understand what it's worth and what it costs.

839
00:48:08,200 --> 00:48:10,399
Speaker 1: A lot of y'all just want to know how much

840
00:48:10,480 --> 00:48:13,200
Speaker 1: can I get. I need to know what it cost

841
00:48:13,280 --> 00:48:16,760
Speaker 1: to build it because I plan on doing this twenty

842
00:48:16,880 --> 00:48:20,920
Speaker 1: times just so we clear. And that slows me down.

843
00:48:21,040 --> 00:48:23,200
Speaker 1: But this ain't about me. This is about this. Let's

844
00:48:23,200 --> 00:48:26,240
Speaker 1: speak about the hood. Let's speak about what Gi Herbo

845
00:48:26,360 --> 00:48:29,520
Speaker 1: finds himself in the middle world. The wrap niggas in

846
00:48:29,600 --> 00:48:32,080
Speaker 1: this world or in our coach are some of the

847
00:48:32,200 --> 00:48:35,279
Speaker 1: greatest lives known the man. And I don't mean they

848
00:48:35,280 --> 00:48:37,080
Speaker 1: ain't living what they They might be one of the

849
00:48:37,160 --> 00:48:39,360
Speaker 1: only things they're telling the truth about. But when you

850
00:48:39,520 --> 00:48:42,280
Speaker 1: deal with money, they so much they got their trick

851
00:48:42,360 --> 00:48:44,840
Speaker 1: hand out. They put everybody in the trick bag. They

852
00:48:44,920 --> 00:48:50,320
Speaker 1: got the whole everybody fool but the label. So some

853
00:48:50,480 --> 00:48:53,359
Speaker 1: of the rappers are able to finess at a level

854
00:48:53,440 --> 00:48:57,160
Speaker 1: that's so high that nigga even they homeboards believe they

855
00:48:57,239 --> 00:48:59,160
Speaker 1: got it like that. They don't got it like that.

856
00:49:00,840 --> 00:49:02,919
Speaker 1: But I bet if you fix a problem, they're gonna

857
00:49:02,960 --> 00:49:06,960
Speaker 1: they're gonna find a way to get you paid. If

858
00:49:07,000 --> 00:49:08,840
Speaker 1: you fix a problem, they're gonna find a way to

859
00:49:08,920 --> 00:49:11,600
Speaker 1: get you paid. But niggas ain't learning how to work

860
00:49:11,880 --> 00:49:14,920
Speaker 1: Adobe or final cut. Niggas ain't learning how to put

861
00:49:14,960 --> 00:49:17,160
Speaker 1: the lens on the camera. They're just sitting with their

862
00:49:17,320 --> 00:49:20,520
Speaker 1: arms folded, like, Yeah, I wish you nigga would get

863
00:49:20,640 --> 00:49:24,600
Speaker 1: on in here. Man. The folk loved me. Yeah, why

864
00:49:24,600 --> 00:49:26,560
Speaker 1: I'm going We're going to sell it out. The people

865
00:49:26,680 --> 00:49:28,960
Speaker 1: love me. At some of these places where we run

866
00:49:29,080 --> 00:49:31,719
Speaker 1: in the other rappers, these festivals, it may be an

867
00:49:31,800 --> 00:49:34,080
Speaker 1: issue there, but where I'm going there, they loved me.

868
00:49:36,960 --> 00:49:39,480
Speaker 1: And so man, it's always up under the guys. And

869
00:49:39,640 --> 00:49:43,800
Speaker 1: you might need to kill us. You might need the killers.

870
00:49:43,840 --> 00:49:46,239
Speaker 1: It ain't even love, it's nigga. You might need us

871
00:49:46,280 --> 00:49:49,920
Speaker 1: to steal so if we gonna do something on the

872
00:49:50,000 --> 00:49:51,680
Speaker 1: other side of the time. Now, if you if it's

873
00:49:52,080 --> 00:49:54,000
Speaker 1: if you're a part of my click, you ain't even

874
00:49:54,000 --> 00:49:56,360
Speaker 1: gonna be doing that because you're gonna find something to do.

875
00:49:56,520 --> 00:50:00,239
Speaker 1: And this where we're in right now, we man, listen,

876
00:50:00,320 --> 00:50:04,720
Speaker 1: we got the president approach. About the presidential approach, you understand.

877
00:50:04,760 --> 00:50:06,759
Speaker 1: If there's a problem, we're gonna handle it that way.

878
00:50:06,800 --> 00:50:09,600
Speaker 1: But we ain't out hanging looking for nah, we ain't

879
00:50:09,640 --> 00:50:12,600
Speaker 1: never doing that. And so rappers are able to trick.

880
00:50:12,800 --> 00:50:15,200
Speaker 1: They're able to make people believe that they got more

881
00:50:15,239 --> 00:50:18,719
Speaker 1: than they got. And sometimes it leads to term moll

882
00:50:18,800 --> 00:50:21,040
Speaker 1: in their own click because the home is like, yo, man,

883
00:50:21,400 --> 00:50:23,480
Speaker 1: you went up with a meet you know Instagram, and

884
00:50:23,520 --> 00:50:26,600
Speaker 1: you didn't get such a such five K by this bond,

885
00:50:27,719 --> 00:50:30,279
Speaker 1: you know what I mean. It provides them with no

886
00:50:30,520 --> 00:50:33,800
Speaker 1: understanding because they don't understand the music bidding. Then it

887
00:50:33,920 --> 00:50:38,320
Speaker 1: becomes emotional extortion. A lot of rich niggas deal with

888
00:50:38,480 --> 00:50:41,160
Speaker 1: emotional extortion, dudes that get around you and make you

889
00:50:41,280 --> 00:50:45,040
Speaker 1: feel bad because you ain't giving them nothing Like yo, man, listen,

890
00:50:45,080 --> 00:50:47,920
Speaker 1: I'm hustling hard, I badly sleep. They got me up

891
00:50:47,960 --> 00:50:50,759
Speaker 1: and I mean two citizen one day and all this

892
00:50:50,960 --> 00:50:55,279
Speaker 1: kind of shit. I'm on airplanes, uncomfortable, I got equipment

893
00:50:55,360 --> 00:50:59,439
Speaker 1: and shit going on, and you're telling about giving y'all something. Man, Listen, y'all,

894
00:50:59,480 --> 00:51:03,040
Speaker 1: do what pass out of fly post a Instagram post,

895
00:51:03,440 --> 00:51:07,000
Speaker 1: screen record? Nothing that sent a nigga no topy. Y'all

896
00:51:07,120 --> 00:51:09,160
Speaker 1: wasn't doing nothing. And I'm pulled to give it to

897
00:51:09,320 --> 00:51:13,480
Speaker 1: y'all because one day I might need the killers. Man.

898
00:51:13,640 --> 00:51:15,960
Speaker 1: You gotta come from a family of people that's willing

899
00:51:16,040 --> 00:51:18,959
Speaker 1: to take care of the business man, and you gotta

900
00:51:19,000 --> 00:51:22,160
Speaker 1: be able to stand on that business yourself. But in

901
00:51:22,360 --> 00:51:25,319
Speaker 1: all of all us fail the killers just for high man.

902
00:51:25,800 --> 00:51:29,000
Speaker 1: Let's not be confused. I just hate to see it, man,

903
00:51:29,000 --> 00:51:31,120
Speaker 1: because I'm telling you, I really believe a lot of

904
00:51:31,239 --> 00:51:34,839
Speaker 1: times that a lot of us is dealing with emotional extortion.

905
00:51:35,640 --> 00:51:38,319
Speaker 1: It's like, get around you, man, I'm doing bad. Man.

906
00:51:38,400 --> 00:51:41,360
Speaker 1: I showed with boy, I like ed washboy. I showed

907
00:51:41,400 --> 00:51:43,800
Speaker 1: which I man, mom, and them said they bad. It was,

908
00:51:44,239 --> 00:51:47,680
Speaker 1: you know, they tapping into that emotional thing you got

909
00:51:47,800 --> 00:51:50,640
Speaker 1: in you. You know what I'm saying, And it's fucked

910
00:51:50,719 --> 00:51:52,759
Speaker 1: up that you gotta turn that off at some point

911
00:51:52,800 --> 00:51:55,120
Speaker 1: because there you'll go broke and then they'll laugh at

912
00:51:55,200 --> 00:52:00,520
Speaker 1: you for being broke and said, give us gotta limits,

913
00:52:00,520 --> 00:52:03,399
Speaker 1: because takers don't have none. These dudes that keep coming

914
00:52:03,480 --> 00:52:05,920
Speaker 1: back and back and back and back and not seeing him,

915
00:52:05,960 --> 00:52:08,000
Speaker 1: I'm telling you what I know to be the case.

916
00:52:09,120 --> 00:52:11,200
Speaker 1: What I know to be the case. They'll keep coming

917
00:52:11,280 --> 00:52:13,279
Speaker 1: back and back and back and back and back, and

918
00:52:13,400 --> 00:52:16,239
Speaker 1: they'll keep going to jail and fucking up and doing

919
00:52:16,320 --> 00:52:18,440
Speaker 1: this and doing now. Man, I'm not going to keep

920
00:52:18,600 --> 00:52:21,760
Speaker 1: me me loon. I'm not, but I don't need niggas

921
00:52:21,760 --> 00:52:26,600
Speaker 1: to handle the wax for me. If you scare me, nigga,

922
00:52:27,000 --> 00:52:28,759
Speaker 1: we're gonna figure out a way to make sure I

923
00:52:28,800 --> 00:52:32,400
Speaker 1: ain't scared. But they don't have no limits. And they

924
00:52:32,440 --> 00:52:34,719
Speaker 1: don't understand that a little bit plus a little bit

925
00:52:34,800 --> 00:52:36,840
Speaker 1: plus a little bit plus a little bit plus a

926
00:52:36,920 --> 00:52:41,360
Speaker 1: little bit that's a lot. Yeah, they keep asking for

927
00:52:41,480 --> 00:52:43,839
Speaker 1: a little bit. They don't understand a little bit plus

928
00:52:43,920 --> 00:52:46,680
Speaker 1: a little bit plus that's a lot plus a little

929
00:52:46,719 --> 00:52:51,120
Speaker 1: bit plus a that's a lot. And I got children,

930
00:52:51,200 --> 00:52:54,080
Speaker 1: and shit, I got legacy to fight for because I'm

931
00:52:54,160 --> 00:52:56,560
Speaker 1: fighting for my last name. They gotta be able to

932
00:52:56,680 --> 00:53:01,120
Speaker 1: say nigga wal Mark Nigga, I got to be able

933
00:53:01,160 --> 00:53:04,040
Speaker 1: to go down in the history books about something I ain't.

934
00:53:04,280 --> 00:53:07,040
Speaker 1: For Nigga, I failed. And as much as I feel

935
00:53:07,120 --> 00:53:09,680
Speaker 1: for the Homers, you know, I know the Homers need

936
00:53:09,760 --> 00:53:13,520
Speaker 1: have been the hood. I think they need information though,

937
00:53:13,680 --> 00:53:15,719
Speaker 1: because if you can't do nothing with the information, my

938
00:53:15,840 --> 00:53:19,439
Speaker 1: money ain't no good to you. Yeah, if you can't

939
00:53:19,480 --> 00:53:21,640
Speaker 1: do nothing with the knowledge, my money ain't no good

940
00:53:21,719 --> 00:53:24,239
Speaker 1: to you. That's what the old saying. There is a

941
00:53:24,320 --> 00:53:27,120
Speaker 1: fool led money was soon Paul waves. They ain't talking

942
00:53:27,160 --> 00:53:30,440
Speaker 1: about j out the clear blue sky. They're saying, a

943
00:53:30,520 --> 00:53:33,479
Speaker 1: fool with money gonna continue to make bad decision after

944
00:53:33,600 --> 00:53:37,400
Speaker 1: bad decision after bad decision. He gonna Paul ways with

945
00:53:37,520 --> 00:53:41,120
Speaker 1: his money. Ain't nobody got to take it because his

946
00:53:41,400 --> 00:53:46,759
Speaker 1: inability to understand what's necessary, it's gonna cost for him

947
00:53:47,120 --> 00:53:51,520
Speaker 1: to Paul Ways with his money. See, it's certain things

948
00:53:51,600 --> 00:53:55,279
Speaker 1: that's necessary to keep money that it wasn't even necessary

949
00:53:55,360 --> 00:53:58,799
Speaker 1: to get the money. That's when they say the game

950
00:53:59,000 --> 00:54:01,640
Speaker 1: change because it's a friend twitch on it. It's a

951
00:54:01,760 --> 00:54:04,719
Speaker 1: different movement to keep the money than it was to

952
00:54:04,840 --> 00:54:08,560
Speaker 1: get the money. A lot of niggas say the first

953
00:54:08,640 --> 00:54:13,200
Speaker 1: minion your heart is to get you, understand me. But

954
00:54:13,360 --> 00:54:16,200
Speaker 1: one thing about a loan, I'm not gonna be motioning

955
00:54:16,200 --> 00:54:20,120
Speaker 1: the league started right because again I spoke about it

956
00:54:20,239 --> 00:54:23,680
Speaker 1: last week. Anybody, Oh, I'm gonna pay them, y'all just

957
00:54:23,760 --> 00:54:27,680
Speaker 1: ain't convinced my old y'all none and y'all, man, I

958
00:54:27,840 --> 00:54:30,160
Speaker 1: owe y'all something, But I'm trying to figure out where

959
00:54:30,200 --> 00:54:32,759
Speaker 1: you got that from. Because the receipt I got don't

960
00:54:32,800 --> 00:54:36,600
Speaker 1: got your name on them. So somewhere along the line,

961
00:54:36,760 --> 00:54:41,400
Speaker 1: somebody to lie somewhere, and nobody don't want to identify

962
00:54:41,560 --> 00:54:44,239
Speaker 1: what a lie lies that Anybody just want to take

963
00:54:44,320 --> 00:54:49,720
Speaker 1: whoever side. I'm uninterested in that bullshit right. The money

964
00:54:49,880 --> 00:54:53,279
Speaker 1: is my motivation right now. It's one thing that's on

965
00:54:53,480 --> 00:54:56,520
Speaker 1: my mind and that's unfortunate for my haters, and that's

966
00:54:56,560 --> 00:55:00,160
Speaker 1: to get the money, because no matter what they say, hey,

967
00:55:00,360 --> 00:55:03,200
Speaker 1: I'm gonna go get the money. No matter what they do,

968
00:55:03,560 --> 00:55:06,000
Speaker 1: I'm gonna go get the money. No matter who liked

969
00:55:06,040 --> 00:55:08,560
Speaker 1: the post, I'm gonna go get the money. No matter

970
00:55:08,640 --> 00:55:11,040
Speaker 1: who don't repost it, I'm gonna go get the money.

971
00:55:11,200 --> 00:55:14,000
Speaker 1: Ain't but two things for show. I'm gonna go get

972
00:55:14,080 --> 00:55:16,759
Speaker 1: the money, and you can bet on that them the

973
00:55:16,840 --> 00:55:19,520
Speaker 1: two things, I'm gonna go get the money. You can

974
00:55:19,600 --> 00:55:25,040
Speaker 1: bet on that them things is for show. But rabbers

975
00:55:25,160 --> 00:55:29,319
Speaker 1: know how to trigger rabbers is it's high level jiu

976
00:55:29,440 --> 00:55:33,759
Speaker 1: jitsu mental game. Let's take a look at what um

977
00:55:34,560 --> 00:55:37,600
Speaker 1: no let me Caro said. He made them legs like

978
00:55:38,560 --> 00:55:41,280
Speaker 1: real life, like somebody's trying to sign a little forty

979
00:55:41,320 --> 00:55:43,759
Speaker 1: another labels trying to sign a little forty called her like,

980
00:55:45,320 --> 00:55:48,719
Speaker 1: you know, like what somebody's trying to sand me? He man,

981
00:55:48,840 --> 00:55:52,160
Speaker 1: don't saying that ship wait on me? Still ain't game

982
00:55:52,239 --> 00:55:58,320
Speaker 1: and getting shorty, you know, like he never game for

983
00:55:58,480 --> 00:56:01,080
Speaker 1: he's so fu um a dream. I don't know what

984
00:56:01,200 --> 00:56:03,719
Speaker 1: he did if even on the motherfucker to stick around him,

985
00:56:03,719 --> 00:56:05,960
Speaker 1: stick with him like I don't know if he caught

986
00:56:06,040 --> 00:56:11,200
Speaker 1: himself playing chess like doing rapper goofy shit, just trying

987
00:56:11,239 --> 00:56:14,000
Speaker 1: to have my fucks around him. Who he think some muscle.

988
00:56:14,120 --> 00:56:16,600
Speaker 1: I don't know what niggas be doing. I don't mean

989
00:56:17,160 --> 00:56:19,879
Speaker 1: I just go only are soon. I know that ship

990
00:56:20,000 --> 00:56:23,440
Speaker 1: walkie though, so you know, how does that feel like?

991
00:56:23,800 --> 00:56:26,399
Speaker 1: I feel like she was down to fake the whole

992
00:56:26,480 --> 00:56:30,160
Speaker 1: time type sell man yours Yeah, that said to make

993
00:56:30,200 --> 00:56:34,320
Speaker 1: the motherfucker feel you so like it shouldn't be no

994
00:56:34,480 --> 00:56:37,960
Speaker 1: hid and agendas with the gas like I can't go

995
00:56:38,239 --> 00:56:41,480
Speaker 1: you know, I can't go get a motherfucker. I'd be

996
00:56:41,600 --> 00:56:44,040
Speaker 1: wrong if I say, if I go get a young

997
00:56:44,160 --> 00:56:47,440
Speaker 1: nigga that's younger than me, saying, you know, if go

998
00:56:47,520 --> 00:56:50,560
Speaker 1: on this suicide mission bafio, get one of these young

999
00:56:50,640 --> 00:56:54,839
Speaker 1: niggas that's younger than me and let him get out

1000
00:56:54,880 --> 00:56:58,200
Speaker 1: of the car it shoot first or some shit. I

1001
00:56:58,320 --> 00:57:01,000
Speaker 1: can't do no shit like that because it's like that's

1002
00:57:01,040 --> 00:57:04,040
Speaker 1: having to heating the gender, Like I know I'm then

1003
00:57:04,120 --> 00:57:06,439
Speaker 1: that end up getting killed, but I'm less surely kissed

1004
00:57:06,440 --> 00:57:10,920
Speaker 1: the bullish I'm gonna let him do all this. I be, Oh,

1005
00:57:11,040 --> 00:57:13,360
Speaker 1: let's ship hitting the genders for like you shouldn't have

1006
00:57:13,480 --> 00:57:15,960
Speaker 1: no hitting the genders behind your hummies for everything should

1007
00:57:16,000 --> 00:57:18,400
Speaker 1: be Jamee, Like you shouldn't come get a nigga for

1008
00:57:18,520 --> 00:57:21,640
Speaker 1: some shit you want want another nigga to do care

1009
00:57:21,720 --> 00:57:25,640
Speaker 1: yourself to do so? Is anybody like around him that

1010
00:57:25,880 --> 00:57:28,520
Speaker 1: but like brands to attention. I had this converse with

1011
00:57:28,600 --> 00:57:30,520
Speaker 1: him and try to see like or has had a

1012
00:57:30,760 --> 00:57:36,800
Speaker 1: or Wow, why you're not doing the type of things. Yeah, yeah,

1013
00:57:36,800 --> 00:57:41,160
Speaker 1: always just so motherfucker's dreams for like offer to make

1014
00:57:41,200 --> 00:57:46,000
Speaker 1: sure pholding them straight. He called me, he said, Cairo,

1015
00:57:46,120 --> 00:57:49,920
Speaker 1: you wanted one fifty change. I said, if you grab it, motherfucker,

1016
00:57:49,960 --> 00:57:53,840
Speaker 1: I change. You know, wear that motherfuck people has been

1017
00:57:53,880 --> 00:57:58,280
Speaker 1: getting like fifteen want fifty change like twenty eighteen. It

1018
00:57:58,480 --> 00:58:01,760
Speaker 1: passed the bits down to the guy. He never did that,

1019
00:58:03,240 --> 00:58:06,440
Speaker 1: lied about that, right. Niggas just be laying for like

1020
00:58:06,960 --> 00:58:09,080
Speaker 1: that's the rap shit. I don't be knowing if that's that.

1021
00:58:09,200 --> 00:58:12,720
Speaker 1: Niggas would before rapp. But I just say, see that's ship,

1022
00:58:12,800 --> 00:58:15,240
Speaker 1: that's the rap goofy shit, Like, don't don't see me

1023
00:58:15,320 --> 00:58:17,320
Speaker 1: no dream I want thinking about no chain. Before you

1024
00:58:17,440 --> 00:58:20,360
Speaker 1: even asked me about that, motherfucker, I was living like him.

1025
00:58:20,600 --> 00:58:23,480
Speaker 1: So you can't do that day. I'm gonna keep it

1026
00:58:23,480 --> 00:58:25,680
Speaker 1: against you. You can't do that either. No, you can't

1027
00:58:25,760 --> 00:58:28,520
Speaker 1: promise niggas nothing then not cut through don That is

1028
00:58:28,600 --> 00:58:31,640
Speaker 1: a different type thing, like the reason like the Emmas types.

1029
00:58:32,360 --> 00:58:36,640
Speaker 1: If he'd done that, like so hen that's down there

1030
00:58:36,760 --> 00:58:42,720
Speaker 1: kind of man's kind of fucked up. That shit shock

1031
00:58:42,760 --> 00:58:46,040
Speaker 1: a lot of niggas for like every nigga who rapping

1032
00:58:46,120 --> 00:58:49,600
Speaker 1: not rapping where they living for you know, like it's

1033
00:58:49,720 --> 00:58:53,680
Speaker 1: niggas from the orlands not rapping where they living. It's

1034
00:58:53,760 --> 00:58:56,640
Speaker 1: it's niggas. It's niggas, man stay, not rapping where they living.

1035
00:58:57,000 --> 00:58:59,280
Speaker 1: But we grew up on this ship, like it's niggas

1036
00:58:59,280 --> 00:59:02,040
Speaker 1: growing up on the right now. Like Paul listen to

1037
00:59:02,160 --> 00:59:06,680
Speaker 1: Gee Herbo, he against you know, Bro, you know Bro

1038
00:59:06,800 --> 00:59:09,960
Speaker 1: ain't rapping what he's living or he ain't no goofy though,

1039
00:59:10,040 --> 00:59:12,800
Speaker 1: like you know, he not know. I won't say he

1040
00:59:12,960 --> 00:59:16,400
Speaker 1: no lame letting nigga whoop bohm, or he won't clapping

1041
00:59:16,440 --> 00:59:19,120
Speaker 1: motherfucker if they play with him. But he ain't know.

1042
00:59:19,480 --> 00:59:21,800
Speaker 1: He ain't ever did that ship. He a whoopo motherfuck

1043
00:59:21,920 --> 00:59:25,080
Speaker 1: like Bro from mine ship, everybody from mar sh ain't

1044
00:59:25,120 --> 00:59:28,600
Speaker 1: no goofy. Everybody did against the sitting on ship. I

1045
00:59:28,640 --> 00:59:30,560
Speaker 1: ain't gonna take ship from him like he just oh

1046
00:59:30,840 --> 00:59:34,760
Speaker 1: soft everybody whoop them on for everybody defending they seven

1047
00:59:34,800 --> 00:59:37,480
Speaker 1: clapping nigga. But he's not rapping what he's living. From

1048
00:59:37,560 --> 00:59:41,640
Speaker 1: rapping what you're living, is you know, doing shit for

1049
00:59:41,680 --> 00:59:45,680
Speaker 1: your hormies. I'm bomb folks in the mountain who then

1050
00:59:45,800 --> 00:59:49,720
Speaker 1: fund him get a barn man heard we need folks

1051
00:59:49,800 --> 00:59:54,120
Speaker 1: short fast that his barn motherfuckers saying, goofy shit, fucking

1052
00:59:54,160 --> 00:59:57,160
Speaker 1: get locked up folk, man, I ain't even keep help

1053
00:59:57,240 --> 00:59:59,120
Speaker 1: me all that. You didn't even help him on fucking

1054
00:59:59,160 --> 01:00:03,000
Speaker 1: that once. Yeah, you ain't pay for no niggas bonds

1055
01:00:03,160 --> 01:00:05,880
Speaker 1: enough to be me. Ain't that somebose you ain't helping name?

1056
01:00:06,520 --> 01:00:09,480
Speaker 1: That's just sound walking. See, I look at that a

1057
01:00:09,600 --> 01:00:13,000
Speaker 1: certain way because for me, it being uncomfortable. I'd be

1058
01:00:13,160 --> 01:00:17,240
Speaker 1: uncomfortable asking niggas for shit, like even for interviews or

1059
01:00:17,320 --> 01:00:20,120
Speaker 1: like DM and a nigga or something like this should

1060
01:00:20,200 --> 01:00:23,600
Speaker 1: be like, man, shit feel uncomfortable for me. So you know,

1061
01:00:23,720 --> 01:00:25,840
Speaker 1: I really don't know, but I don't. I also don't

1062
01:00:25,880 --> 01:00:28,920
Speaker 1: know what it's like to like be around somebody that,

1063
01:00:29,160 --> 01:00:32,080
Speaker 1: like my homies is super rich or some shit like,

1064
01:00:32,560 --> 01:00:35,440
Speaker 1: I don't know what that's like. I've always been a nigga,

1065
01:00:35,760 --> 01:00:38,720
Speaker 1: you know, I just be by myself type thing. You know,

1066
01:00:38,800 --> 01:00:42,080
Speaker 1: I know everybody, but I just don't be really just like,

1067
01:00:42,200 --> 01:00:44,440
Speaker 1: I don't know. I just don't know what that feeling is,

1068
01:00:45,040 --> 01:00:46,760
Speaker 1: you know what I'm saying. But he like, yo, you're

1069
01:00:46,800 --> 01:00:49,840
Speaker 1: a media that, Yeah, you ain't broke enough bread. But see,

1070
01:00:49,880 --> 01:00:52,720
Speaker 1: he went on to say that Gi Herbo allegedly is

1071
01:00:52,880 --> 01:00:55,440
Speaker 1: using their name and shit like that in their songs.

1072
01:00:55,800 --> 01:00:59,520
Speaker 1: So that's another that's another thing. But again for me, dog,

1073
01:01:00,480 --> 01:01:03,320
Speaker 1: it's just crazy. Now I want to I won't explain

1074
01:01:03,440 --> 01:01:07,560
Speaker 1: people this. The hood is a different thing. Kind of

1075
01:01:07,760 --> 01:01:09,520
Speaker 1: my audience is why and I got a lot of

1076
01:01:09,600 --> 01:01:12,680
Speaker 1: people watching. So the hood is like this, at least

1077
01:01:12,680 --> 01:01:15,439
Speaker 1: why I'm from. I'm speaking on my time where I'm from,

1078
01:01:16,160 --> 01:01:18,440
Speaker 1: the hood is like this hill. You got a hood

1079
01:01:18,520 --> 01:01:22,720
Speaker 1: of dudes, but then inside the hood you got clicks

1080
01:01:22,720 --> 01:01:25,640
Speaker 1: of dudes and you got this click. Don't mess with

1081
01:01:25,760 --> 01:01:29,280
Speaker 1: this click. But they both from this hood. So sometimes

1082
01:01:29,320 --> 01:01:32,080
Speaker 1: you're dealing with people that's from my hood that may

1083
01:01:32,160 --> 01:01:35,080
Speaker 1: not have the best things to say about me because

1084
01:01:35,120 --> 01:01:38,000
Speaker 1: our interactions ain't the best. But you can't come over

1085
01:01:38,080 --> 01:01:41,320
Speaker 1: here and do nothing, you see what I'm saying. But

1086
01:01:41,440 --> 01:01:44,240
Speaker 1: we really don't fuck around. And now if some do leak,

1087
01:01:44,280 --> 01:01:47,560
Speaker 1: it'll probably come from they click, but it really it's

1088
01:01:47,560 --> 01:01:50,720
Speaker 1: still supposed to be a certain level of you can't

1089
01:01:50,760 --> 01:01:53,360
Speaker 1: come over here and do number, but we really don't

1090
01:01:53,400 --> 01:01:56,560
Speaker 1: fuck around. So sometimes you gotta know just because a

1091
01:01:56,680 --> 01:01:59,760
Speaker 1: nigga guy, no limit on his name or whatever on this.

1092
01:02:00,560 --> 01:02:03,120
Speaker 1: He may be from my hood, but he may be

1093
01:02:03,280 --> 01:02:06,880
Speaker 1: from another clique inside my hood, you see what I'm saying.

1094
01:02:06,920 --> 01:02:09,520
Speaker 1: So that's a different thing. Because you hear dudes say

1095
01:02:09,560 --> 01:02:12,000
Speaker 1: they grew up with him and I really didn't know him,

1096
01:02:12,120 --> 01:02:14,480
Speaker 1: or he wasn't outside them kind of things. They're gonna

1097
01:02:14,520 --> 01:02:17,400
Speaker 1: say a lot of different things, especially when you're promising them.

1098
01:02:17,840 --> 01:02:19,880
Speaker 1: If you just listen, you will listening, you will hear

1099
01:02:19,960 --> 01:02:23,400
Speaker 1: why there's an issue. The issue is, man, they felt

1100
01:02:23,440 --> 01:02:26,520
Speaker 1: like you're promising them something you ain't and you ain't

1101
01:02:26,560 --> 01:02:30,320
Speaker 1: coming through. I don't know. I don't take promises from dudes,

1102
01:02:31,120 --> 01:02:32,880
Speaker 1: you know what I'm saying. I know dudes. You know

1103
01:02:32,920 --> 01:02:35,640
Speaker 1: I don't really take promises from dudes. So I don't

1104
01:02:35,680 --> 01:02:37,880
Speaker 1: know what that's like, you know, but I'd be hating

1105
01:02:37,920 --> 01:02:41,320
Speaker 1: to see, you know, dudes come from the same hood

1106
01:02:41,360 --> 01:02:44,520
Speaker 1: and can't be on the same page. See them them

1107
01:02:44,640 --> 01:02:48,320
Speaker 1: battles and fights that we have in our neighborhoods, because again,

1108
01:02:49,000 --> 01:02:51,040
Speaker 1: it's one of us that kind of seem like either

1109
01:02:51,240 --> 01:02:54,000
Speaker 1: made it out and if you seem like you don't

1110
01:02:54,040 --> 01:02:56,560
Speaker 1: made it out, man, and the ain't nobody feeling the fix.

1111
01:02:56,640 --> 01:02:59,400
Speaker 1: Are you're making it out? Man? We felt like we

1112
01:02:59,480 --> 01:03:04,080
Speaker 1: will check thing you and see, they come from a place.

1113
01:03:04,200 --> 01:03:06,960
Speaker 1: Now let's let's put some respect on it. They do

1114
01:03:07,160 --> 01:03:09,080
Speaker 1: come from a place where it's a lot of killing

1115
01:03:09,160 --> 01:03:13,240
Speaker 1: and violence happening, and to surviving that you may need

1116
01:03:13,320 --> 01:03:19,320
Speaker 1: to be under a certain structure. And so we gotta

1117
01:03:19,320 --> 01:03:21,160
Speaker 1: put some respect on that. And then if you was

1118
01:03:21,240 --> 01:03:23,560
Speaker 1: leaning on them boys, then them boys feel it though

1119
01:03:23,640 --> 01:03:26,920
Speaker 1: you a and they coming, they speaking up on it.

1120
01:03:27,560 --> 01:03:31,440
Speaker 1: You know. Again, I just think we gotta find a

1121
01:03:31,520 --> 01:03:33,960
Speaker 1: better way to have an ecosystem in this game, for

1122
01:03:34,040 --> 01:03:37,880
Speaker 1: the cream to rise to the top, for people to

1123
01:03:38,080 --> 01:03:40,919
Speaker 1: create their own way, for niggas to figure it out.

1124
01:03:42,160 --> 01:03:45,200
Speaker 1: It's information out here, man, I gotta give me some more.

1125
01:03:45,760 --> 01:03:47,680
Speaker 1: There's things that I need to be doing that I

1126
01:03:47,760 --> 01:03:51,840
Speaker 1: ain't necessarily did or took advantage of. And building my

1127
01:03:51,960 --> 01:03:55,120
Speaker 1: team is one of them, and it's podcast in space.

1128
01:03:55,200 --> 01:03:57,640
Speaker 1: You gotta have a team. It's too much work to

1129
01:03:57,760 --> 01:04:00,520
Speaker 1: be done, it's too much ground to be covered. You

1130
01:04:00,640 --> 01:04:05,800
Speaker 1: gotta have a team. But your team gotta be comfortable

1131
01:04:05,920 --> 01:04:09,760
Speaker 1: with their role. And when I say comfortable, I mean that, hey, man,

1132
01:04:09,920 --> 01:04:12,200
Speaker 1: if they are not on the forefront. If they may

1133
01:04:12,320 --> 01:04:15,120
Speaker 1: not get the light, but they're putting the work in. Man,

1134
01:04:15,240 --> 01:04:20,520
Speaker 1: So your publicist shouldn't want to be famous. Famous only

1135
01:04:20,560 --> 01:04:24,280
Speaker 1: attached to jobs. In my opinion, I only want fame

1136
01:04:24,400 --> 01:04:28,160
Speaker 1: to be attached to the jobs it's necessary, right if

1137
01:04:28,200 --> 01:04:30,440
Speaker 1: it ain't necessary for me to be famous to get

1138
01:04:30,520 --> 01:04:33,120
Speaker 1: the job done. Like I can own that building that

1139
01:04:33,280 --> 01:04:36,800
Speaker 1: don't care if you never know, right, but if it's

1140
01:04:36,880 --> 01:04:39,520
Speaker 1: necessary that they know long owner so they can come

1141
01:04:39,600 --> 01:04:42,000
Speaker 1: on through or to get it sold or things like that,

1142
01:04:42,200 --> 01:04:46,320
Speaker 1: then we all use whatever little bullshit celebrity that we got.

1143
01:04:46,840 --> 01:04:49,840
Speaker 1: And I'm gonna talk about the mace going that did it,

1144
01:04:50,160 --> 01:04:55,400
Speaker 1: but first I want to say this. I watched the

1145
01:04:55,600 --> 01:04:59,360
Speaker 1: Dirt and Wallow interview again and let me put some

1146
01:04:59,480 --> 01:05:04,880
Speaker 1: respect Gilly Dirk and million dollars work for game interview again.

1147
01:05:06,240 --> 01:05:09,360
Speaker 1: And the more I look at Willow in that space

1148
01:05:09,640 --> 01:05:13,440
Speaker 1: and how Gilly understands and then Gilly plays just like

1149
01:05:13,600 --> 01:05:16,120
Speaker 1: I say, man, it's so important to have people on

1150
01:05:16,280 --> 01:05:19,960
Speaker 1: your team that don't mind playing the back seat, that

1151
01:05:20,160 --> 01:05:24,040
Speaker 1: don't mind getting in the shooting guard position. Just because

1152
01:05:24,080 --> 01:05:26,320
Speaker 1: I dribble it down the court don't mean you don't

1153
01:05:26,360 --> 01:05:29,960
Speaker 1: get to take the shot. Just because I draw up

1154
01:05:30,000 --> 01:05:35,200
Speaker 1: the play don't mean you don't catch the touchdown right, man?

1155
01:05:35,320 --> 01:05:39,040
Speaker 1: And I in our culture, man, we got an unfortunate

1156
01:05:39,760 --> 01:05:42,880
Speaker 1: outlook on the way we gotta do business with each other. Man,

1157
01:05:43,000 --> 01:05:46,240
Speaker 1: we always want to be bigger than one another's. It's

1158
01:05:46,320 --> 01:05:50,520
Speaker 1: fucked up, man. I really think it come from some

1159
01:05:50,760 --> 01:05:53,320
Speaker 1: kind of disease that was handed down. But that's a

1160
01:05:53,480 --> 01:05:56,840
Speaker 1: that's a song for another session. Man. But I watched that,

1161
01:05:57,200 --> 01:05:59,520
Speaker 1: and when Willow started crying, I said, man, you can

1162
01:05:59,600 --> 01:06:02,520
Speaker 1: only activate tears when you got pain. Attest to what

1163
01:06:02,640 --> 01:06:07,840
Speaker 1: you explaining. No, I ain't crying for nothing, man. If

1164
01:06:07,880 --> 01:06:10,440
Speaker 1: I ever cry, or you ever see me, man, it

1165
01:06:10,480 --> 01:06:15,080
Speaker 1: can only happen when it activate some pain. It doesn't

1166
01:06:15,120 --> 01:06:17,880
Speaker 1: touch the spot that realized still ain't got over, man.

1167
01:06:17,960 --> 01:06:20,640
Speaker 1: That's why it activated that. Because what I've got over,

1168
01:06:20,720 --> 01:06:23,160
Speaker 1: I should be able to smile and laugh as I

1169
01:06:23,280 --> 01:06:28,640
Speaker 1: speak about it. But that the other side of me say,

1170
01:06:28,720 --> 01:06:31,080
Speaker 1: you let something go that we shouldn't have never let go,

1171
01:06:31,240 --> 01:06:33,880
Speaker 1: and then activate tears. But that's what it took for

1172
01:06:34,000 --> 01:06:37,560
Speaker 1: me to let it go. Letting it go was necessary,

1173
01:06:37,720 --> 01:06:41,360
Speaker 1: but it was unfortunate. It was heavy. It was the

1174
01:06:41,520 --> 01:06:47,320
Speaker 1: water got muddy. You know, I think, Man, when you're

1175
01:06:47,360 --> 01:06:49,600
Speaker 1: in a life where you really come from this, you

1176
01:06:49,760 --> 01:06:51,800
Speaker 1: just look at life in a way dog where you

1177
01:06:51,880 --> 01:06:55,040
Speaker 1: are able to value these things that these other dudes

1178
01:06:55,160 --> 01:06:58,560
Speaker 1: just look at like it's just another day in the neighborhood.

1179
01:07:00,240 --> 01:07:02,040
Speaker 1: Right when I'm able to sit down or I'm on

1180
01:07:02,200 --> 01:07:06,000
Speaker 1: FaceTime with dudes I looked up to, or I'm able

1181
01:07:06,040 --> 01:07:07,760
Speaker 1: to be in the call with some of the guys

1182
01:07:07,840 --> 01:07:10,240
Speaker 1: that I respect, they hustle and were able to chop

1183
01:07:10,320 --> 01:07:13,840
Speaker 1: it up one on one. When I'm in Atlanta and

1184
01:07:13,880 --> 01:07:15,959
Speaker 1: I'm able to reach out to bank and we're able

1185
01:07:16,000 --> 01:07:19,040
Speaker 1: to these kind of things. You gotta value these things

1186
01:07:19,120 --> 01:07:22,040
Speaker 1: when you come from nothing and you understand what it means. Right,

1187
01:07:22,360 --> 01:07:25,160
Speaker 1: So so many people they live in a space where

1188
01:07:25,200 --> 01:07:28,600
Speaker 1: they can't even understand the value what's right in front

1189
01:07:28,680 --> 01:07:31,520
Speaker 1: of them. They're just looking to survive and they ain't

1190
01:07:31,560 --> 01:07:36,640
Speaker 1: looking for increase. Its like me. We're looking for increase.

1191
01:07:36,720 --> 01:07:38,640
Speaker 1: We're looking to go up. We're looking to tell you

1192
01:07:38,760 --> 01:07:43,200
Speaker 1: to the next level, expansion, elevation. We're looking for increase.

1193
01:07:44,920 --> 01:07:49,320
Speaker 1: And I'm building something that don't involve your input. So

1194
01:07:49,560 --> 01:07:53,200
Speaker 1: picture me rolling. I got the ingredients to go to

1195
01:07:53,320 --> 01:07:55,880
Speaker 1: the next level, can't be stopped, can't be fucked with

1196
01:07:56,040 --> 01:07:59,000
Speaker 1: on no level. I don't read too much. I know

1197
01:07:59,160 --> 01:08:01,440
Speaker 1: how to lay over and play dead if I got to,

1198
01:08:01,640 --> 01:08:03,720
Speaker 1: I know how to make them think I don't know nothing.

1199
01:08:05,040 --> 01:08:07,880
Speaker 1: Every time I appear smart, it's just on. It's just

1200
01:08:08,120 --> 01:08:11,080
Speaker 1: me just playing with the game. I really don't know nothing.

1201
01:08:11,920 --> 01:08:15,000
Speaker 1: I'm clear that I'm in bluetooth mode, so I'm thinking

1202
01:08:15,120 --> 01:08:19,000
Speaker 1: as I'm moving. You're moving without thinking. I'm thinking as

1203
01:08:19,040 --> 01:08:24,080
Speaker 1: I'm moving. Strategists better than strength. These things is shit.

1204
01:08:24,200 --> 01:08:27,800
Speaker 1: I live by measure twice cut once I understand what

1205
01:08:27,960 --> 01:08:30,760
Speaker 1: I'm up against, right, I'm up against the industry. They

1206
01:08:30,880 --> 01:08:34,360
Speaker 1: left me no information, and they'll wink at you, but

1207
01:08:34,520 --> 01:08:39,000
Speaker 1: they won't fuck. They'll come get the game, but they

1208
01:08:39,040 --> 01:08:41,200
Speaker 1: won't get you a deal. They won't put nothing on

1209
01:08:41,280 --> 01:08:46,639
Speaker 1: the table about no money. You gotta work around it, though.

1210
01:08:48,560 --> 01:08:50,960
Speaker 1: You gotta work around it because it's some real niggas

1211
01:08:51,000 --> 01:08:55,800
Speaker 1: in here. It's like at the club, it's some fuck

1212
01:08:55,920 --> 01:08:58,920
Speaker 1: niggas in here. It's all kind of people in here,

1213
01:09:00,240 --> 01:09:02,880
Speaker 1: but it is some real niggas in here. What section

1214
01:09:02,960 --> 01:09:07,800
Speaker 1: you in, Yeah, I can tell what type nigga you

1215
01:09:07,960 --> 01:09:11,240
Speaker 1: is about what section you're laying in. You're over in

1216
01:09:11,360 --> 01:09:13,400
Speaker 1: next section. I know what type were talking about in

1217
01:09:13,439 --> 01:09:16,679
Speaker 1: the industry. We're talking about fires where they cutting chicks,

1218
01:09:16,720 --> 01:09:19,800
Speaker 1: who are getting money and what's happening. But I said

1219
01:09:19,880 --> 01:09:23,160
Speaker 1: it's needed. Man. I can't wait, Man, and I'm on

1220
01:09:23,280 --> 01:09:26,519
Speaker 1: my way to LA again. Can't wait. We fin to

1221
01:09:26,560 --> 01:09:31,479
Speaker 1: create some moments with this shiit like it's podcasting ship. Man,

1222
01:09:31,520 --> 01:09:34,479
Speaker 1: We're fin to create some moments like Man. I just

1223
01:09:34,800 --> 01:09:37,080
Speaker 1: I'm just so happy, man, so proud to be in

1224
01:09:37,120 --> 01:09:40,560
Speaker 1: a position where people are listening and they appreciate what

1225
01:09:40,680 --> 01:09:43,519
Speaker 1: our brain to the culture. Man. It's just it's just

1226
01:09:43,640 --> 01:09:47,479
Speaker 1: a refreshing voice, man, and hopefully we can take it

1227
01:09:47,520 --> 01:09:49,960
Speaker 1: to the next level. I Live events about to be crazy.

1228
01:09:50,040 --> 01:09:52,680
Speaker 1: We just hooked up with Slimming Huskies. We're about to

1229
01:09:52,720 --> 01:09:55,760
Speaker 1: do some live events. Manna gonna shock the world. Man,

1230
01:09:55,840 --> 01:09:59,400
Speaker 1: We're bringing podcasts in the Nashville all the big mus

1231
01:10:00,280 --> 01:10:01,840
Speaker 1: you know, we're gonna make sure they get a check.

1232
01:10:01,920 --> 01:10:04,120
Speaker 1: Get them down here, man and shake them hands and

1233
01:10:05,000 --> 01:10:07,639
Speaker 1: provide a good show to the city. Man, show them

1234
01:10:07,680 --> 01:10:09,800
Speaker 1: the nash videlain what we had an awful man and

1235
01:10:09,880 --> 01:10:12,519
Speaker 1: Slimming Huskis. You know how they get on, you know

1236
01:10:12,600 --> 01:10:15,760
Speaker 1: how it's up their podcasts get on. And so man,

1237
01:10:15,880 --> 01:10:19,920
Speaker 1: we were closing multimillion dollar deals, you know, and um

1238
01:10:20,680 --> 01:10:22,519
Speaker 1: and we and we here to teach game and we

1239
01:10:22,640 --> 01:10:25,040
Speaker 1: and we here to spread the motherfucking knowledge and put

1240
01:10:25,120 --> 01:10:27,840
Speaker 1: the game down. And so that's you know that There's

1241
01:10:27,880 --> 01:10:30,439
Speaker 1: some things I'm working on. But I appreciate this game.

1242
01:10:30,520 --> 01:10:34,840
Speaker 1: I appreciate podcasts, and I appreciate revote. I appreciate you know,

1243
01:10:35,120 --> 01:10:38,600
Speaker 1: everybody in this space that's really getting down and offering

1244
01:10:38,760 --> 01:10:43,360
Speaker 1: something to the game, changing the algorithm. When you add

1245
01:10:43,479 --> 01:10:46,479
Speaker 1: these kind of prospectives, many dudes, it's trying to copy

1246
01:10:46,640 --> 01:10:49,519
Speaker 1: what I'm doing. You can't. I don't got no notes.

1247
01:10:49,560 --> 01:10:52,000
Speaker 1: I just fly out. This is just how we get down.

1248
01:10:52,160 --> 01:10:57,559
Speaker 1: This is how we right. So we bless. Let's talk

1249
01:10:57,600 --> 01:10:59,960
Speaker 1: about the Mace and did it and then we'll take

1250
01:11:00,080 --> 01:11:03,479
Speaker 1: a break for those of you anna where Mace's when

1251
01:11:03,520 --> 01:11:07,120
Speaker 1: they did he again, Mace finds himself in a situation

1252
01:11:07,200 --> 01:11:10,080
Speaker 1: where he goes that did it hen? Now he wants

1253
01:11:10,120 --> 01:11:12,760
Speaker 1: this publishing back, he wants a couple of things back.

1254
01:11:12,840 --> 01:11:16,000
Speaker 1: I think it's unfortunate he finds himself in this situation.

1255
01:11:16,439 --> 01:11:18,920
Speaker 1: But let's listen to the record a little bit. We'll

1256
01:11:19,000 --> 01:11:28,120
Speaker 1: come back and give some game. Ain't nothing. This is

1257
01:11:28,320 --> 01:11:34,960
Speaker 1: Mace so going soul, Wayne nothing, Nigga wain't nothing, Nigga

1258
01:11:35,439 --> 01:11:39,080
Speaker 1: queen nothing. Nigga stop Queen nothing. Niggas up, Queen nothing,

1259
01:11:39,160 --> 01:11:44,080
Speaker 1: Nigga We ain't nothing. Niggas up Queen, Ain't nothing. Niggas.

1260
01:11:44,320 --> 01:11:48,400
Speaker 1: I'm none, apologize new woman like Solomon. I can burn fridge,

1261
01:11:48,520 --> 01:11:51,400
Speaker 1: walk water like the promise that I don't read Nigga's

1262
01:11:51,439 --> 01:11:55,160
Speaker 1: futures like Astrologie. Why I'm so clean, I'm the next thing.

1263
01:11:55,280 --> 01:11:58,240
Speaker 1: The goliness. Nigga's trying to start my kids and get

1264
01:11:58,320 --> 01:12:01,280
Speaker 1: my money to his first born. I'm nothing. Nigga post

1265
01:12:01,320 --> 01:12:03,760
Speaker 1: the work from you, post to teach coach and he

1266
01:12:03,920 --> 01:12:06,720
Speaker 1: a boy the legacy and said, the niggas follow you.

1267
01:12:06,840 --> 01:12:09,560
Speaker 1: You teaching treachery and now you're seeing you check for

1268
01:12:09,680 --> 01:12:12,040
Speaker 1: me without a check for me. Know what you're talking about?

1269
01:12:12,080 --> 01:12:15,360
Speaker 1: This murder niggas, double jeopardy. Niggas saying let it go,

1270
01:12:15,840 --> 01:12:18,479
Speaker 1: you bugging nigga. I can't let it be tell Niga's

1271
01:12:18,479 --> 01:12:20,600
Speaker 1: donna call from me. I can only talk to me.

1272
01:12:20,880 --> 01:12:23,120
Speaker 1: I know where my budget ran. I read the budget

1273
01:12:23,240 --> 01:12:25,800
Speaker 1: every week. I'm gonna know where I talk. But it's

1274
01:12:25,840 --> 01:12:28,320
Speaker 1: a way out for me. Didn't you try to dangle money?

1275
01:12:28,400 --> 01:12:31,400
Speaker 1: They didn't think that. La. Niggas never pay the artists,

1276
01:12:31,439 --> 01:12:34,720
Speaker 1: but they love to pay the freaks. Win, gangt win,

1277
01:12:35,280 --> 01:12:38,360
Speaker 1: sween family win, fos Sam we dofte not bros. We

1278
01:12:38,439 --> 01:12:42,160
Speaker 1: ain't nothing, Nigga and Nigga. No, I'm paying my woming man. No,

1279
01:12:42,320 --> 01:12:46,880
Speaker 1: my woman gets something. Nigga so we nothing, We nothing. Nigga,

1280
01:12:47,320 --> 01:12:50,360
Speaker 1: We ain't nothing. Niggas, We ain't nothing. Nigga. Nah, we

1281
01:12:50,439 --> 01:12:53,360
Speaker 1: ain't nothing. Nigga, No, we ain't nothing. Nigga, No, we

1282
01:12:53,439 --> 01:12:57,400
Speaker 1: ain't nothing. Nigga, we ain't nothing. Nigga Nah, we ain't nothing. Nigga.

1283
01:12:58,040 --> 01:13:01,120
Speaker 1: He that is from a ball to sup fuck them all,

1284
01:13:01,840 --> 01:13:05,360
Speaker 1: them all. I show up when done the fall. I

1285
01:13:05,400 --> 01:13:08,479
Speaker 1: ain't running from y'all because I'm come from on this show.

1286
01:13:08,680 --> 01:13:11,160
Speaker 1: The hell did you call? I bring smoke with water

1287
01:13:11,360 --> 01:13:17,720
Speaker 1: on the pipes, went clear long the sun, damn the

1288
01:13:17,840 --> 01:13:20,479
Speaker 1: illness of all. Don't ever put mace with of a

1289
01:13:20,640 --> 01:13:23,120
Speaker 1: bad voice, with that hardship, you know, I get it

1290
01:13:23,240 --> 01:13:26,439
Speaker 1: jumping like mas pitting nigga. I'm the first level dirt

1291
01:13:26,520 --> 01:13:29,000
Speaker 1: level where y'all can never hurt level when nigga's man,

1292
01:13:29,040 --> 01:13:32,360
Speaker 1: I made it to that I would never work Levek

1293
01:13:32,920 --> 01:13:37,120
Speaker 1: and luck don't steal my nigga change. So, as you heard,

1294
01:13:37,280 --> 01:13:41,200
Speaker 1: Mace goes at did he and just to be clear

1295
01:13:41,240 --> 01:13:43,880
Speaker 1: what he wants he wants I think it's publishing back.

1296
01:13:45,120 --> 01:13:47,800
Speaker 1: And let's be clear, you don't have to sell your publishing.

1297
01:13:48,960 --> 01:13:51,919
Speaker 1: But once you sell, you're publishing. You sold, you're publishing,

1298
01:13:52,000 --> 01:13:54,640
Speaker 1: and now you're publishing. It's worth a certain amount and

1299
01:13:54,720 --> 01:13:57,360
Speaker 1: now you're giving me under that amount because you want

1300
01:13:57,400 --> 01:14:00,600
Speaker 1: the buddy pass or because you're in a bad situation.

1301
01:14:01,280 --> 01:14:06,760
Speaker 1: But dog, I've pumped millions of dollars into this. I

1302
01:14:06,920 --> 01:14:09,720
Speaker 1: think in our culture, man, one of the most unfortunate

1303
01:14:09,880 --> 01:14:13,000
Speaker 1: things I see today is that we have a misunderstanding

1304
01:14:13,120 --> 01:14:18,400
Speaker 1: between who's executive and whose talent, who's making it work

1305
01:14:18,520 --> 01:14:24,800
Speaker 1: and wise working. Although both those people are extremely important,

1306
01:14:24,840 --> 01:14:29,240
Speaker 1: I think that it's necessary that we compartmentalize how we

1307
01:14:29,479 --> 01:14:32,920
Speaker 1: view them. I think until we in touch whether the

1308
01:14:33,080 --> 01:14:37,519
Speaker 1: side of us that understands how this works, we won't

1309
01:14:37,520 --> 01:14:46,000
Speaker 1: appreciate who's working in right. So number one. There's a

1310
01:14:46,120 --> 01:14:51,040
Speaker 1: difference between climbing and being carried. When you see someone

1311
01:14:51,200 --> 01:14:53,280
Speaker 1: like did or you see a loon, or you see

1312
01:14:53,320 --> 01:14:56,320
Speaker 1: a jail, you see a dame, or you see a QC,

1313
01:14:56,600 --> 01:14:59,000
Speaker 1: or you see a p or a bird man, or

1314
01:14:59,080 --> 01:15:01,479
Speaker 1: you see it kin, when you see a Meek, when

1315
01:15:01,520 --> 01:15:03,720
Speaker 1: you see a Drake, when you see a Kanye, when

1316
01:15:03,760 --> 01:15:07,000
Speaker 1: you see all these niggas are climbing, A lot of

1317
01:15:07,080 --> 01:15:11,400
Speaker 1: y'all niggas are being carried, and there's a difference between

1318
01:15:11,479 --> 01:15:14,320
Speaker 1: climbing and being carried. So once you put yourself in

1319
01:15:14,400 --> 01:15:17,639
Speaker 1: a position like Roster gonna get twenty five wing stops,

1320
01:15:19,200 --> 01:15:23,120
Speaker 1: that's a nigga climbing when you're looking for when you're

1321
01:15:23,160 --> 01:15:26,000
Speaker 1: looking to sign a rap contract, you're looking to be carried.

1322
01:15:26,600 --> 01:15:29,559
Speaker 1: I find it unfortunate that the lines are so blurred

1323
01:15:29,640 --> 01:15:33,439
Speaker 1: now because it's easy to say I'm executive, I'm going CEO,

1324
01:15:33,880 --> 01:15:37,000
Speaker 1: I'm big business, I'm doing my thing. It's easy to

1325
01:15:37,120 --> 01:15:39,839
Speaker 1: say that when you ain't sweating. I don't see the equity.

1326
01:15:39,880 --> 01:15:41,920
Speaker 1: I don't see the sweat equity. I don't see you.

1327
01:15:42,320 --> 01:15:45,240
Speaker 1: It don't look like you're doing much and nothing. Don't

1328
01:15:45,280 --> 01:15:47,560
Speaker 1: look like you pushing in Putland. Look like you're just

1329
01:15:47,800 --> 01:15:51,519
Speaker 1: talking and somehow they let you blend in with me,

1330
01:15:51,640 --> 01:15:54,639
Speaker 1: and I can't standing because I know it's a difference

1331
01:15:54,680 --> 01:15:59,759
Speaker 1: between aiming and shooting. Yeah, everything look good in the sights,

1332
01:16:00,600 --> 01:16:02,640
Speaker 1: in the scope, it looked like you can hit it,

1333
01:16:02,720 --> 01:16:04,600
Speaker 1: But I didn't fide and hit it, So I know

1334
01:16:04,760 --> 01:16:08,000
Speaker 1: the difference. You gotta understand how music work. My first

1335
01:16:08,080 --> 01:16:11,040
Speaker 1: question to dudes be like, YO, without me, you did

1336
01:16:11,160 --> 01:16:16,400
Speaker 1: nothing with me? You did everything? How that work? Your

1337
01:16:16,479 --> 01:16:21,000
Speaker 1: niggas ain't convinced me. I, oh, you're nothing. I'm having money.

1338
01:16:21,000 --> 01:16:23,400
Speaker 1: I'm having real money. I can pay whatever I need

1339
01:16:23,520 --> 01:16:26,280
Speaker 1: to pay. Your niggas ain't convinced me. I owe you nothing.

1340
01:16:26,720 --> 01:16:28,800
Speaker 1: I mean, you did everything with me and you did

1341
01:16:28,920 --> 01:16:31,360
Speaker 1: nothing without me, and you want me to believe I

1342
01:16:31,479 --> 01:16:34,680
Speaker 1: owe you something. I'm starting the thing. Did you get

1343
01:16:34,760 --> 01:16:39,000
Speaker 1: how much did yo? Shit? I paid you hourly? Respectful

1344
01:16:39,040 --> 01:16:42,360
Speaker 1: it though, But we're just looking at the grand scheme

1345
01:16:42,439 --> 01:16:46,280
Speaker 1: of things right when we talk ownership, Like bro, we

1346
01:16:46,400 --> 01:16:49,519
Speaker 1: gotta start stop blurring the lines. Who really putting it down?

1347
01:16:50,720 --> 01:16:53,560
Speaker 1: And why a lot of people don't necessarily think I

1348
01:16:53,640 --> 01:16:55,920
Speaker 1: should be speaking on some of the things I speak

1349
01:16:56,000 --> 01:17:00,560
Speaker 1: on because they think it's uncomfortable for some of the

1350
01:17:00,640 --> 01:17:05,240
Speaker 1: people that's ahead of me. And you know the old saying,

1351
01:17:05,439 --> 01:17:08,280
Speaker 1: for the allows of power, you never outshine the master.

1352
01:17:08,800 --> 01:17:11,680
Speaker 1: I know the truth. I know I'm dealing with information,

1353
01:17:11,760 --> 01:17:14,519
Speaker 1: and I'm the truth. I ain't trying to find. I'm

1354
01:17:14,560 --> 01:17:17,240
Speaker 1: trying to elevate. I'm trying to get information. I ain't

1355
01:17:17,280 --> 01:17:19,800
Speaker 1: never trying to find. I ain't never talking to no

1356
01:17:20,000 --> 01:17:23,680
Speaker 1: one particular. I'm talking about either what they said or

1357
01:17:23,720 --> 01:17:27,640
Speaker 1: the information information that's provided. And I'm the truth on

1358
01:17:27,800 --> 01:17:31,760
Speaker 1: top of that. And anybody with a brain know that

1359
01:17:31,880 --> 01:17:35,200
Speaker 1: a lie got speed, but the truth got endurance. So

1360
01:17:35,360 --> 01:17:37,799
Speaker 1: I'm dealing with time. I'm gonna be here for a minute,

1361
01:17:38,080 --> 01:17:41,719
Speaker 1: if God willing right. I'm just trying to keep myself

1362
01:17:41,760 --> 01:17:44,680
Speaker 1: in a situation where i can learn. But but you

1363
01:17:44,760 --> 01:17:47,120
Speaker 1: don't have to sell your publishing. You don't have to

1364
01:17:47,200 --> 01:17:49,519
Speaker 1: place yourself in a situation or where you do that.

1365
01:17:50,000 --> 01:17:52,360
Speaker 1: But it begs me the question because I know these

1366
01:17:52,479 --> 01:17:55,200
Speaker 1: dude I'm doing. I know these dudes having money. Man,

1367
01:17:55,320 --> 01:17:57,600
Speaker 1: they give you mean to tell me he owe you what?

1368
01:17:58,160 --> 01:18:01,160
Speaker 1: And niggas is passing money out are where around the world,

1369
01:18:01,479 --> 01:18:04,640
Speaker 1: and they owe you something do you ain't convinced them

1370
01:18:04,960 --> 01:18:07,920
Speaker 1: they owe you, my nigga, and you don't gotta invoice

1371
01:18:08,000 --> 01:18:12,760
Speaker 1: in me, an invoice for what I owe you outside

1372
01:18:12,800 --> 01:18:15,880
Speaker 1: of emotional support. And now that got so to the point,

1373
01:18:16,160 --> 01:18:20,679
Speaker 1: what peace is so priceless that emotional support is worth

1374
01:18:20,920 --> 01:18:25,680
Speaker 1: more than money than me. But prior to that, you

1375
01:18:25,840 --> 01:18:30,120
Speaker 1: dudes are talking about the working relationships, saying that people

1376
01:18:30,200 --> 01:18:33,439
Speaker 1: owe you. You're not able to provide an invoice. And

1377
01:18:33,600 --> 01:18:38,439
Speaker 1: you did everything with me nothing without men. It begs

1378
01:18:38,520 --> 01:18:41,560
Speaker 1: the question, man, and that's an uncomfortable conversation that my

1379
01:18:41,720 --> 01:18:45,559
Speaker 1: brothers got to accept me for being the throne. They

1380
01:18:45,640 --> 01:18:47,559
Speaker 1: got to accept me for what I am. I gotta

1381
01:18:47,600 --> 01:18:49,560
Speaker 1: speak on some of the things that people don't like

1382
01:18:49,680 --> 01:18:53,160
Speaker 1: to speak on. Then went ahead to explain why he

1383
01:18:53,280 --> 01:18:55,800
Speaker 1: said some of these things about did it let's listen

1384
01:18:55,840 --> 01:18:58,799
Speaker 1: to what he said to him or we didn't speak.

1385
01:18:59,200 --> 01:19:02,680
Speaker 1: I held on to what it needs to be. So

1386
01:19:02,800 --> 01:19:04,639
Speaker 1: then when I get to a place where I'm reaching

1387
01:19:04,680 --> 01:19:08,439
Speaker 1: out and I'm exhausting all those things, then at that point,

1388
01:19:09,000 --> 01:19:11,600
Speaker 1: if it's not going to be handled right, I'm not

1389
01:19:11,720 --> 01:19:13,840
Speaker 1: going to just talk to him. Somebody may say, well,

1390
01:19:13,880 --> 01:19:16,120
Speaker 1: pup trying to call you. Pump has been trying to

1391
01:19:16,200 --> 01:19:19,639
Speaker 1: call you for years, but after we exhaust step two,

1392
01:19:20,080 --> 01:19:22,640
Speaker 1: it's no longer for me to talk to you personally.

1393
01:19:23,280 --> 01:19:25,599
Speaker 1: If I don't believe you're telling the truth. I can

1394
01:19:25,760 --> 01:19:29,280
Speaker 1: only speak to you with a credible witness because you're

1395
01:19:29,320 --> 01:19:32,880
Speaker 1: not going to honor anything you say. That's how I

1396
01:19:33,040 --> 01:19:37,120
Speaker 1: operate if I know you're not everything you just said too.

1397
01:19:37,640 --> 01:19:40,720
Speaker 1: So now let me ask you this, do you does

1398
01:19:40,800 --> 01:19:44,679
Speaker 1: it still hurt? And this is a this is kind

1399
01:19:44,720 --> 01:19:49,560
Speaker 1: of a loaded question because you already spoke on You

1400
01:19:49,720 --> 01:19:52,600
Speaker 1: don't need the money that he owes you. You do

1401
01:19:52,840 --> 01:19:56,400
Speaker 1: have connections with your labelmates and other people who came

1402
01:19:56,520 --> 01:20:00,240
Speaker 1: up with you during that time. So do you still

1403
01:20:01,880 --> 01:20:05,599
Speaker 1: with that conflated or not? Because you had a bomb

1404
01:20:05,680 --> 01:20:07,760
Speaker 1: with this man or I'm not even I don't want

1405
01:20:07,800 --> 01:20:10,639
Speaker 1: to feed your answer. But does it not hurt? I don't.

1406
01:20:10,800 --> 01:20:15,080
Speaker 1: I don't know what. I didn't have a bond with him.

1407
01:20:15,120 --> 01:20:20,439
Speaker 1: I had a business still go right, So that's where

1408
01:20:20,439 --> 01:20:24,920
Speaker 1: you lose me. He did some things too. I mean,

1409
01:20:25,160 --> 01:20:27,160
Speaker 1: now I'm not even gonna say him. I'm gonna try

1410
01:20:27,160 --> 01:20:29,479
Speaker 1: to explain it. This is where you lose me right

1411
01:20:29,560 --> 01:20:33,559
Speaker 1: there when you say hey, we're not friends. So we're

1412
01:20:33,600 --> 01:20:36,160
Speaker 1: not friends. You damn I know you don't want no

1413
01:20:36,320 --> 01:20:39,120
Speaker 1: deal when we're in regards to you don't want the

1414
01:20:39,600 --> 01:20:42,920
Speaker 1: love price. You said, we die friends. So let's look

1415
01:20:42,960 --> 01:20:44,800
Speaker 1: at the business. What is it worth and how much

1416
01:20:44,840 --> 01:20:49,760
Speaker 1: you're offering and is it a good business move for me? Right?

1417
01:20:49,880 --> 01:20:52,559
Speaker 1: You said we're not friends. So some of the people

1418
01:20:52,600 --> 01:20:55,439
Speaker 1: you may ashow me do something for I may view

1419
01:20:55,520 --> 01:20:57,479
Speaker 1: them in a different light than I view you. When

1420
01:20:57,520 --> 01:21:00,439
Speaker 1: I got that right to not negotiate, he ain't my

1421
01:21:00,560 --> 01:21:05,320
Speaker 1: peace with you little niggas you know. Fortunate for y'all.

1422
01:21:05,400 --> 01:21:07,120
Speaker 1: Line of got to the poem where I don't even

1423
01:21:07,200 --> 01:21:11,280
Speaker 1: respond to something. But there ain't no love for the winners.

1424
01:21:11,360 --> 01:21:15,839
Speaker 1: We know that much from my advantage point. Things happened

1425
01:21:15,920 --> 01:21:20,519
Speaker 1: where it could be. And like most business, where you

1426
01:21:20,640 --> 01:21:25,080
Speaker 1: do business, somebody get the better end of that business.

1427
01:21:25,200 --> 01:21:30,439
Speaker 1: Whoever negotiated the best in that business, we went, you know,

1428
01:21:30,640 --> 01:21:33,719
Speaker 1: we went out separate ways. He went to his life.

1429
01:21:34,160 --> 01:21:36,519
Speaker 1: I went and did a whole new life of my own.

1430
01:21:37,240 --> 01:21:42,200
Speaker 1: That life did well for me, so there was nothing

1431
01:21:42,280 --> 01:21:44,280
Speaker 1: for me to be hurt about. I would be hurt

1432
01:21:44,400 --> 01:21:46,920
Speaker 1: if I was struggling. I would be hurt if I

1433
01:21:47,000 --> 01:21:49,479
Speaker 1: couldn't take care of my family, but I felt like

1434
01:21:49,840 --> 01:21:52,320
Speaker 1: he was taking care of his. Then I can understand

1435
01:21:53,280 --> 01:21:56,600
Speaker 1: that that format, but that's not my format. That's not

1436
01:21:56,800 --> 01:22:00,400
Speaker 1: my platform. My platform has got No, you can't big

1437
01:22:00,520 --> 01:22:04,360
Speaker 1: and e balling man like respectfully to everybody. You can't

1438
01:22:04,439 --> 01:22:08,880
Speaker 1: be big and balling and bumming as grace as he needed.

1439
01:22:09,240 --> 01:22:12,240
Speaker 1: But at the point that I understand that nothing different

1440
01:22:12,400 --> 01:22:16,320
Speaker 1: is going to happen, respectless fun that that was what

1441
01:22:16,479 --> 01:22:19,880
Speaker 1: I needed to do at that time. And am I

1442
01:22:20,080 --> 01:22:24,320
Speaker 1: hurt by anything he's he's doing. No. Once you acknowledge

1443
01:22:24,320 --> 01:22:28,960
Speaker 1: who a person desires to be, you accept it. That's

1444
01:22:29,000 --> 01:22:32,840
Speaker 1: part of the growth. You can accept that this person

1445
01:22:33,080 --> 01:22:36,040
Speaker 1: is going to be this person and you stop arguing.

1446
01:22:36,200 --> 01:22:39,120
Speaker 1: And the problem with this to another thing. And you know,

1447
01:22:39,320 --> 01:22:42,240
Speaker 1: again I'm not critical of any anyone in particular, I'm

1448
01:22:42,320 --> 01:22:45,880
Speaker 1: dealing with the information. Another thing is he's done this

1449
01:22:46,080 --> 01:22:50,880
Speaker 1: several times and again, whether or not I look at

1450
01:22:50,960 --> 01:22:54,000
Speaker 1: that whatever way right, what I'm saying is you gotta

1451
01:22:54,120 --> 01:22:57,559
Speaker 1: know it ain't effective. It didn't work the first time,

1452
01:22:57,640 --> 01:22:59,800
Speaker 1: it didn't work the second time. When you think, all

1453
01:22:59,840 --> 01:23:02,960
Speaker 1: of sudden it's gonna work. What we're doing. I don't

1454
01:23:03,000 --> 01:23:07,200
Speaker 1: think that doing I wouldn't I wouldn't like go against that.

1455
01:23:07,400 --> 01:23:12,760
Speaker 1: We have great music. Yes, where where I was was

1456
01:23:13,240 --> 01:23:15,720
Speaker 1: the producers able to give a beat, and I was

1457
01:23:15,800 --> 01:23:18,280
Speaker 1: able to go in there and write something amazing too,

1458
01:23:18,800 --> 01:23:21,320
Speaker 1: and he was able to put great ad libs on it,

1459
01:23:21,800 --> 01:23:25,719
Speaker 1: and you know, and say the parts and dance together

1460
01:23:25,760 --> 01:23:30,360
Speaker 1: and all those things. That was. It's like anything, I'm

1461
01:23:30,360 --> 01:23:34,120
Speaker 1: not gonna I'm not gonna like downplay a whole legacy,

1462
01:23:35,280 --> 01:23:38,760
Speaker 1: but I am gonna say, at the moment you recognize

1463
01:23:38,800 --> 01:23:41,880
Speaker 1: that it's not that and this, you're not going in

1464
01:23:42,040 --> 01:23:45,800
Speaker 1: that same direction, you do have a right to say, hey,

1465
01:23:45,920 --> 01:23:49,840
Speaker 1: let's fix this over here. So again, man, it's it's

1466
01:23:49,920 --> 01:23:53,599
Speaker 1: unfortunate that that's the situation that may spans himself in. Again,

1467
01:23:53,640 --> 01:23:55,960
Speaker 1: it's not the first time he'd done it. Yeah, I

1468
01:23:56,080 --> 01:23:58,800
Speaker 1: think he's lost its stunt. I think that once as

1469
01:23:58,880 --> 01:24:01,719
Speaker 1: me and we figure out what's uneffective, we don't continue

1470
01:24:01,760 --> 01:24:04,559
Speaker 1: to do that unless we're looking for cloud. If I've

1471
01:24:04,600 --> 01:24:06,519
Speaker 1: done that once, it didn't work, I know they don't

1472
01:24:06,560 --> 01:24:09,519
Speaker 1: do that. It's not effective. If I really want to negotiate,

1473
01:24:09,600 --> 01:24:12,160
Speaker 1: I gotta find an avenue to do so. If you're

1474
01:24:12,200 --> 01:24:15,639
Speaker 1: not negotiating with me man as a man, you got

1475
01:24:15,720 --> 01:24:18,720
Speaker 1: your right to do that. I see niggas fall out

1476
01:24:18,800 --> 01:24:21,680
Speaker 1: over Instagram. Yo, Bro, I've been hitting your Instagram. You

1477
01:24:21,760 --> 01:24:25,120
Speaker 1: ain't answering me. Bro, I've been going through my own thing. Man.

1478
01:24:25,800 --> 01:24:28,400
Speaker 1: You don't supposed to take that no weight. If I

1479
01:24:28,439 --> 01:24:31,200
Speaker 1: ain't told you, nigga, I ain't scared of you or nothing.

1480
01:24:31,200 --> 01:24:33,920
Speaker 1: If I can tell you, we're not cool, ain't hiding

1481
01:24:34,000 --> 01:24:37,519
Speaker 1: behind no right, so we don't feel nowhere about shit

1482
01:24:37,680 --> 01:24:40,439
Speaker 1: like it'd be the suckers with the George sticks. Though

1483
01:24:41,479 --> 01:24:43,840
Speaker 1: they don't let the suckers get the George sticks mean,

1484
01:24:43,880 --> 01:24:47,400
Speaker 1: and they don't let the suckers control the game. Real

1485
01:24:47,520 --> 01:24:50,160
Speaker 1: niggas ain't controlling the game no more. But we're coming

1486
01:24:50,240 --> 01:24:53,080
Speaker 1: back in style, so they gotta deal with my voice.

1487
01:24:53,120 --> 01:24:56,800
Speaker 1: You're gonna h him start trying to duplicate. You're gonna

1488
01:24:56,800 --> 01:24:59,320
Speaker 1: hear him start trying to get the same bopy guy

1489
01:24:59,400 --> 01:25:02,160
Speaker 1: put the same shit together. I got. You're gonna see that,

1490
01:25:02,600 --> 01:25:04,680
Speaker 1: but you got to ignore that because you know the

1491
01:25:04,800 --> 01:25:10,040
Speaker 1: truth got endors, but the lot got speed, and we

1492
01:25:10,200 --> 01:25:13,800
Speaker 1: all know that, and we live by that. Mace wasn't

1493
01:25:13,840 --> 01:25:17,799
Speaker 1: tricked out of his publishing, though let's be clear business

1494
01:25:18,000 --> 01:25:20,839
Speaker 1: was done in which again you've done it in my kitchen.

1495
01:25:22,360 --> 01:25:25,800
Speaker 1: Who is more responsible for the play the quarterback of

1496
01:25:25,880 --> 01:25:28,320
Speaker 1: the wide receiver or the dude that's throwing the ball,

1497
01:25:28,439 --> 01:25:32,559
Speaker 1: or the person's catching the ball unfortunately, or the person

1498
01:25:32,760 --> 01:25:35,519
Speaker 1: is drawing the play up. You see the layers of

1499
01:25:35,520 --> 01:25:37,959
Speaker 1: a game you gotta deal with when you go to creating.

1500
01:25:38,800 --> 01:25:41,000
Speaker 1: But on the football field, we don't deal with that

1501
01:25:41,080 --> 01:25:44,960
Speaker 1: because guess what we know. Everybody get the ring. Lebron

1502
01:25:45,120 --> 01:25:47,599
Speaker 1: take the last shout, or whoever take the last shot,

1503
01:25:47,720 --> 01:25:51,280
Speaker 1: we all get the ring. But then when we started,

1504
01:25:51,439 --> 01:25:53,360
Speaker 1: if we're in the locker room trying to break down

1505
01:25:53,400 --> 01:25:55,920
Speaker 1: who the most important man, we gotta say, all right,

1506
01:25:57,439 --> 01:25:59,519
Speaker 1: is it the person throwing it to the wide receiver

1507
01:26:00,520 --> 01:26:04,600
Speaker 1: getting the ball there with such precision? Is it the

1508
01:26:04,680 --> 01:26:08,559
Speaker 1: wide receiver that catches the ball and taps his feet

1509
01:26:08,600 --> 01:26:11,439
Speaker 1: before he goes out with such accuracy, or got itself

1510
01:26:11,560 --> 01:26:14,640
Speaker 1: open so he can grab the ball. Or is it

1511
01:26:14,760 --> 01:26:17,880
Speaker 1: the coach that drew the player? They say, Yo, what

1512
01:26:17,960 --> 01:26:20,040
Speaker 1: we're gonna do is put out our receivers on this

1513
01:26:20,160 --> 01:26:21,960
Speaker 1: side and make it way you want on one. We're

1514
01:26:21,960 --> 01:26:24,000
Speaker 1: gonna send him this way, get some help, and you'll

1515
01:26:24,040 --> 01:26:27,200
Speaker 1: be one. Is he right? So is it the vision

1516
01:26:27,360 --> 01:26:31,519
Speaker 1: or is it the execution? Oftentimes you're not dealing with both,

1517
01:26:31,600 --> 01:26:33,760
Speaker 1: But when you're dealing with puff, you're dealing with both.

1518
01:26:34,200 --> 01:26:37,479
Speaker 1: When you're dealing with loan j these dudes that I

1519
01:26:37,720 --> 01:26:41,360
Speaker 1: named the rosses of the world to earn your leasures

1520
01:26:41,400 --> 01:26:43,719
Speaker 1: of the world, to be more, you're dealing with both.

1521
01:26:45,120 --> 01:26:49,040
Speaker 1: You're dealing with the executor and the person with the vision,

1522
01:26:50,120 --> 01:26:52,960
Speaker 1: and that's when you become a mogul. But a lot

1523
01:26:53,040 --> 01:26:56,439
Speaker 1: of you guys don't understand the difference between being carried

1524
01:26:56,520 --> 01:27:00,680
Speaker 1: and climbing. You only understand it you going up the

1525
01:27:00,760 --> 01:27:03,960
Speaker 1: same mountain as the greats, but you're not understanding how

1526
01:27:04,040 --> 01:27:06,400
Speaker 1: you're getting that. You're being carried up that mountain, and

1527
01:27:06,520 --> 01:27:08,639
Speaker 1: some of these guys had to climb up that mountain.

1528
01:27:09,000 --> 01:27:11,360
Speaker 1: The fruits of your label or your fruits of your label,

1529
01:27:11,400 --> 01:27:14,840
Speaker 1: and that's not negotiable. But when you say something you

1530
01:27:15,000 --> 01:27:17,719
Speaker 1: sold or you don't do that same thing with nothing

1531
01:27:17,800 --> 01:27:20,840
Speaker 1: else in life. Unfortunate for you guys. You gotta figure

1532
01:27:20,840 --> 01:27:22,719
Speaker 1: out a way to make money in this new age

1533
01:27:22,800 --> 01:27:26,120
Speaker 1: with such a legendary name with all led worth you

1534
01:27:26,240 --> 01:27:28,760
Speaker 1: think is on your past work. Let's see you get

1535
01:27:28,840 --> 01:27:32,479
Speaker 1: some new money everybody else doing it. Let's see what

1536
01:27:32,600 --> 01:27:36,200
Speaker 1: you got in your ting. Let's see I respect your hustle.

1537
01:27:36,320 --> 01:27:40,360
Speaker 1: You see. Now, it's a difference with Callid Boys for

1538
01:27:40,439 --> 01:27:43,639
Speaker 1: people that don't know Callig Boys. The guy who had

1539
01:27:43,720 --> 01:27:45,680
Speaker 1: the song back in the day with Little Babe and

1540
01:27:45,760 --> 01:27:49,679
Speaker 1: Polo g on it, I think was on this song.

1541
01:27:49,840 --> 01:27:52,680
Speaker 1: I can't remember that, but he's signed the RCA. He

1542
01:27:52,920 --> 01:27:56,960
Speaker 1: said that in this recording contract they snuck a publishing dealing.

1543
01:27:57,080 --> 01:28:00,679
Speaker 1: Now now that's a different beast. Now they don't snuck

1544
01:28:00,720 --> 01:28:02,880
Speaker 1: a deal, and then they can only sneak what you

1545
01:28:03,000 --> 01:28:06,799
Speaker 1: didn't see, and for you not to see it says what, Okay,

1546
01:28:06,880 --> 01:28:10,560
Speaker 1: you're right, I mean you didn't read it, and the

1547
01:28:10,720 --> 01:28:13,840
Speaker 1: person you had reading it evidently you just didn't have

1548
01:28:14,040 --> 01:28:16,360
Speaker 1: nobody reading it, because if they read it, they would

1549
01:28:16,400 --> 01:28:19,040
Speaker 1: have saw it. And you signed it. But he signed

1550
01:28:19,080 --> 01:28:21,000
Speaker 1: it and it had a pub deal in that he

1551
01:28:21,080 --> 01:28:27,800
Speaker 1: didn't even know about. Now that's different and unfortunate for people.

1552
01:28:27,880 --> 01:28:30,280
Speaker 1: They like to play with people hard string, so they're

1553
01:28:30,760 --> 01:28:33,000
Speaker 1: leaning on the fact that people man come on you

1554
01:28:33,080 --> 01:28:37,320
Speaker 1: got people thinking somebody robbed you, man, Defoe rich Man.

1555
01:28:37,400 --> 01:28:40,400
Speaker 1: They paying whatever they old, but they don't. You ain't convincing.

1556
01:28:40,400 --> 01:28:43,439
Speaker 1: They owe you nothing. Callid boys in a different situation

1557
01:28:43,560 --> 01:28:45,960
Speaker 1: when they sneak in that deal, you gotta get a

1558
01:28:46,080 --> 01:28:47,920
Speaker 1: lawyer to try to figure that out. But they got

1559
01:28:47,960 --> 01:28:50,880
Speaker 1: your they got you signed it, man, and you gotta

1560
01:28:50,960 --> 01:28:54,080
Speaker 1: deal with it. Unfortunately, the hurt and the pains of

1561
01:28:54,280 --> 01:28:58,800
Speaker 1: other people on Bad Boy that motivates me to say

1562
01:28:58,920 --> 01:29:01,559
Speaker 1: something so I don't don't be deemed as a person

1563
01:29:01,920 --> 01:29:05,240
Speaker 1: who just made a bunch of money and turned a

1564
01:29:05,360 --> 01:29:08,560
Speaker 1: blind eye. I'm not gonna be like the rest of

1565
01:29:08,640 --> 01:29:12,200
Speaker 1: the people around Puff that don't tell him he's wrong.

1566
01:29:12,800 --> 01:29:16,559
Speaker 1: I'm not gonna be like the yes men around him

1567
01:29:16,800 --> 01:29:20,280
Speaker 1: that see him ruin in people's lives and never tell

1568
01:29:20,400 --> 01:29:22,920
Speaker 1: him he's wrong. More people on here would tell me

1569
01:29:23,200 --> 01:29:27,280
Speaker 1: I'm wrong, but won't say anything to him. They'll judge

1570
01:29:27,360 --> 01:29:31,839
Speaker 1: my beliefs, they'll judge my Christianity, and they'll say nothing

1571
01:29:31,920 --> 01:29:36,080
Speaker 1: a Puff. They'll say nothing about it's a concert for

1572
01:29:36,280 --> 01:29:40,000
Speaker 1: Biggie and Biggie's own daughter couldn't get in. They'll say

1573
01:29:40,200 --> 01:29:43,959
Speaker 1: nothing about that. But all of his friends got fifty

1574
01:29:44,000 --> 01:29:49,200
Speaker 1: and sixty tickets. We're done with your games. So you

1575
01:29:49,320 --> 01:29:52,040
Speaker 1: hear shit like you know, when you hear things like that,

1576
01:29:52,240 --> 01:29:56,400
Speaker 1: it's unfortunate. I always search for the place that things

1577
01:29:56,520 --> 01:30:01,320
Speaker 1: like they come from, you know, I always say, man,

1578
01:30:01,479 --> 01:30:04,320
Speaker 1: back in the day, A lot of the forefathers and

1579
01:30:04,439 --> 01:30:09,559
Speaker 1: the people that survived back then, right, because the business

1580
01:30:09,720 --> 01:30:13,800
Speaker 1: was totally different. So a lot of the forefathers that's

1581
01:30:13,880 --> 01:30:18,679
Speaker 1: even survived in that time really just took the template

1582
01:30:18,760 --> 01:30:23,760
Speaker 1: from the label. They was even unaware of the situations

1583
01:30:23,840 --> 01:30:27,320
Speaker 1: that they were in. And that's why communication is so important.

1584
01:30:27,360 --> 01:30:30,360
Speaker 1: That's why it's important to amplify the voices that break

1585
01:30:30,439 --> 01:30:33,280
Speaker 1: down some of these contracts in these situations and the

1586
01:30:33,360 --> 01:30:37,120
Speaker 1: way that's digestible, because what happens is a lot of

1587
01:30:37,280 --> 01:30:40,200
Speaker 1: people will never ever go get the book and get

1588
01:30:40,240 --> 01:30:43,960
Speaker 1: the information the way I did. They will just take

1589
01:30:44,040 --> 01:30:46,800
Speaker 1: the template of the personness at the top. And that's

1590
01:30:46,840 --> 01:30:50,240
Speaker 1: our way of trying to hijack the process and fast

1591
01:30:50,320 --> 01:30:54,360
Speaker 1: track it. Right, So you deal with individuals that, Yo,

1592
01:30:55,800 --> 01:30:58,000
Speaker 1: the label was making a lot of money off of me.

1593
01:30:58,960 --> 01:31:01,599
Speaker 1: I'm not gonna sign you to the label. I'm going

1594
01:31:01,680 --> 01:31:05,080
Speaker 1: in entrepreneur mode. Now I have a label, So now

1595
01:31:05,160 --> 01:31:07,680
Speaker 1: how do I do business? I do business the way

1596
01:31:07,760 --> 01:31:10,639
Speaker 1: that that label is doing business. That's the industry standard.

1597
01:31:10,720 --> 01:31:14,000
Speaker 1: Let's just go with that. That's safe. They're winning. I

1598
01:31:14,120 --> 01:31:16,439
Speaker 1: don't come in the game with all my money at

1599
01:31:16,560 --> 01:31:19,599
Speaker 1: risk and edit what the fuck it is to make

1600
01:31:19,680 --> 01:31:23,240
Speaker 1: the money? Right, So, some of the contracts that was

1601
01:31:23,320 --> 01:31:26,719
Speaker 1: in place were literally just templates other contracts that people

1602
01:31:26,800 --> 01:31:29,960
Speaker 1: were in Right. So if I get a recording contract

1603
01:31:30,040 --> 01:31:33,120
Speaker 1: from Motown and I want to put you in a

1604
01:31:33,200 --> 01:31:37,080
Speaker 1: recording contract, we draft your contract based on my contract.

1605
01:31:37,439 --> 01:31:39,479
Speaker 1: And so when that word and it's the same. It

1606
01:31:39,640 --> 01:31:43,480
Speaker 1: was an industry issue, right, not saying anyone is excused,

1607
01:31:43,560 --> 01:31:46,600
Speaker 1: but putting in perspective some of the things that was

1608
01:31:46,680 --> 01:31:51,400
Speaker 1: happening because a lot of people speak without context. See,

1609
01:31:51,439 --> 01:31:54,759
Speaker 1: they want you to view me with all my understanding today,

1610
01:31:55,680 --> 01:31:58,360
Speaker 1: and they want to make you view me as if

1611
01:31:58,400 --> 01:32:01,519
Speaker 1: I had that level of understan standing back then when

1612
01:32:01,560 --> 01:32:04,000
Speaker 1: I was operating in a way where it may have

1613
01:32:04,120 --> 01:32:08,120
Speaker 1: been unfair or it may have been just back then

1614
01:32:08,200 --> 01:32:10,439
Speaker 1: when I was operating in a different way. So they

1615
01:32:10,520 --> 01:32:12,599
Speaker 1: want to they want to take where I am now

1616
01:32:13,040 --> 01:32:15,960
Speaker 1: and put it on where I was then. And that's

1617
01:32:16,040 --> 01:32:18,760
Speaker 1: not the same thing. We learned and we get information,

1618
01:32:19,000 --> 01:32:22,400
Speaker 1: especially as our money comes in. But then we figure out, Yo,

1619
01:32:22,520 --> 01:32:27,280
Speaker 1: the deal was y'all took the okay, so y'all snuck

1620
01:32:27,360 --> 01:32:29,400
Speaker 1: in a publishing deal. I didn't know about it, and

1621
01:32:29,560 --> 01:32:32,599
Speaker 1: that was the situation with this and that was that right,

1622
01:32:32,680 --> 01:32:35,120
Speaker 1: and so now we start to clean some of that up.

1623
01:32:35,439 --> 01:32:37,800
Speaker 1: I always tell a motherfucker and when I look at

1624
01:32:37,840 --> 01:32:40,519
Speaker 1: shit and I say, nigga, say a rich nigga. M

1625
01:32:40,560 --> 01:32:42,960
Speaker 1: I'm talking about a rich nigga that ain't having money

1626
01:32:43,080 --> 01:32:46,400
Speaker 1: problems and niggas is talking five and ten million, and

1627
01:32:46,520 --> 01:32:50,439
Speaker 1: niggas is really having close to a billy when niggas

1628
01:32:50,479 --> 01:32:53,360
Speaker 1: ain't giving you whatever. That is a lot of times

1629
01:32:53,439 --> 01:32:55,720
Speaker 1: I'd be thinking, like, Yo, you just ain't convinced the

1630
01:32:55,800 --> 01:32:59,400
Speaker 1: nigga you on what I don't understand about people in

1631
01:32:59,560 --> 01:33:02,519
Speaker 1: rap tracks or rappers we you know, like I say, man,

1632
01:33:02,560 --> 01:33:05,679
Speaker 1: were some of the slowest learners in regards to business.

1633
01:33:06,400 --> 01:33:09,400
Speaker 1: It's unfortunate, man, because we're dealing with a high level

1634
01:33:09,479 --> 01:33:13,000
Speaker 1: of income and it seems as if that we get

1635
01:33:13,080 --> 01:33:16,400
Speaker 1: caught into life and just win't paying attention. And my

1636
01:33:16,560 --> 01:33:18,880
Speaker 1: people would tell you, man, I'm always on it because

1637
01:33:18,880 --> 01:33:21,200
Speaker 1: they're talking millions with me and I gotta be on it,

1638
01:33:21,360 --> 01:33:25,160
Speaker 1: like Yo, don't get caught in all this. Understand that

1639
01:33:25,280 --> 01:33:28,680
Speaker 1: you really gotta you gotta gold, nigga, and there's a

1640
01:33:28,800 --> 01:33:33,439
Speaker 1: process and you gotta go through the process no matter

1641
01:33:33,479 --> 01:33:36,920
Speaker 1: how HI look. It's certain things that gotta happen right

1642
01:33:37,040 --> 01:33:38,880
Speaker 1: for you to become what it is you want to

1643
01:33:38,920 --> 01:33:41,719
Speaker 1: being not a flash in the pan because they'll treat

1644
01:33:41,760 --> 01:33:44,600
Speaker 1: you like roy To while you while you pop it in.

1645
01:33:44,680 --> 01:33:47,280
Speaker 1: As soon as that go down, it's over. And we

1646
01:33:47,400 --> 01:33:50,320
Speaker 1: know cool it's fragile. You know. When I heard somebody

1647
01:33:50,439 --> 01:33:54,280
Speaker 1: say that, I say, Yo, that is so true, right,

1648
01:33:54,400 --> 01:33:57,360
Speaker 1: So being cool it's fragile. Being what is in that

1649
01:33:57,439 --> 01:33:59,639
Speaker 1: shit is fragile that can go away. So you better

1650
01:33:59,680 --> 01:34:02,960
Speaker 1: hear your business in order. But when I look at rappers,

1651
01:34:04,160 --> 01:34:08,320
Speaker 1: we even behind the reality TV stars in regards to why.

1652
01:34:08,320 --> 01:34:10,240
Speaker 1: I don't know, but it's kind of nick and nick

1653
01:34:10,280 --> 01:34:13,720
Speaker 1: in regards to learn and from the industry you win.

1654
01:34:14,840 --> 01:34:16,600
Speaker 1: You know what I'm saying. It's like the people that

1655
01:34:16,720 --> 01:34:19,840
Speaker 1: be on reality TV shows and rappers, they are the

1656
01:34:19,920 --> 01:34:24,200
Speaker 1: ones that seem the can't grab hold to any information

1657
01:34:24,400 --> 01:34:27,679
Speaker 1: like or or execute any other things that they see

1658
01:34:27,800 --> 01:34:31,840
Speaker 1: being executed. Why they're making a high level of income, right,

1659
01:34:31,880 --> 01:34:35,160
Speaker 1: it's so crazy. But even when I look at Joscelyn,

1660
01:34:36,920 --> 01:34:41,040
Speaker 1: you know, speaking of people like Mason, people who don't

1661
01:34:41,160 --> 01:34:44,000
Speaker 1: understand how to pivot. When I look at Joscelyn, I say, see,

1662
01:34:44,400 --> 01:34:46,680
Speaker 1: that's somebody that went and got some information on the

1663
01:34:46,760 --> 01:34:50,840
Speaker 1: back end, because the question becomes when you see a

1664
01:34:50,880 --> 01:34:53,320
Speaker 1: show like her cabaret show, you ask yourself, how do

1665
01:34:53,400 --> 01:34:57,280
Speaker 1: you even pitch this? That's what my mind goes like.

1666
01:34:58,760 --> 01:35:01,640
Speaker 1: I know that she's a she's you know, she's a

1667
01:35:03,000 --> 01:35:07,000
Speaker 1: draw in that space, right in that reality TV world space.

1668
01:35:07,080 --> 01:35:09,880
Speaker 1: But there's a lot of seeing D list celebrities that

1669
01:35:10,120 --> 01:35:12,240
Speaker 1: went on Love and Hip Hop that right now can't

1670
01:35:12,240 --> 01:35:15,599
Speaker 1: get nothing popping. They can't craft the show. It's all

1671
01:35:15,600 --> 01:35:18,920
Speaker 1: about how you package, That's what I'm saying. Somewhere along

1672
01:35:19,000 --> 01:35:21,599
Speaker 1: the line, she's figured out how to package her show

1673
01:35:21,760 --> 01:35:24,400
Speaker 1: in the same way Love and Hip Hop done and

1674
01:35:24,640 --> 01:35:27,519
Speaker 1: get it to these networks, and she's been able to

1675
01:35:27,600 --> 01:35:30,360
Speaker 1: be successful with pitching those and then and there being

1676
01:35:30,400 --> 01:35:34,680
Speaker 1: a real thing. But it's somebody that went and got

1677
01:35:34,760 --> 01:35:38,160
Speaker 1: some information from behind the scene. Yo, I ain't just

1678
01:35:38,280 --> 01:35:40,280
Speaker 1: talking when they roll in the camera. I'm trying to

1679
01:35:40,320 --> 01:35:42,720
Speaker 1: figure out, Yo. Now at the when y'all, how you

1680
01:35:42,800 --> 01:35:47,200
Speaker 1: go get the egg and what do you negotiate and

1681
01:35:47,320 --> 01:35:49,840
Speaker 1: what they're really looking for and what we're looking at

1682
01:35:49,880 --> 01:35:53,600
Speaker 1: and how much is that to get and how do

1683
01:35:53,680 --> 01:35:56,720
Speaker 1: we verify that they're gonna pay because we gotta voice them.

1684
01:35:57,880 --> 01:36:00,719
Speaker 1: You know, you gotta start to ask questions about business

1685
01:36:00,840 --> 01:36:03,000
Speaker 1: on the back end so that if you have to

1686
01:36:04,600 --> 01:36:09,080
Speaker 1: spin off, you can still be effective in the market.

1687
01:36:10,240 --> 01:36:13,240
Speaker 1: Some people are only effective standing next to Mona Scott

1688
01:36:13,320 --> 01:36:17,559
Speaker 1: on Love and Hip Hop. It literally, it literally changes

1689
01:36:17,680 --> 01:36:21,320
Speaker 1: their booking rate, It changes their lifestyle, It changes everything

1690
01:36:21,400 --> 01:36:24,800
Speaker 1: about what they're doing now by themselves. They can't get

1691
01:36:24,880 --> 01:36:27,720
Speaker 1: that same thing going when they're that same person with

1692
01:36:27,840 --> 01:36:31,360
Speaker 1: the same story. To me, it's unfortunate that they don't

1693
01:36:31,360 --> 01:36:34,080
Speaker 1: know how to package that. You know, and when you

1694
01:36:34,200 --> 01:36:36,400
Speaker 1: knew in the game, I know that you probably ain't

1695
01:36:36,400 --> 01:36:38,519
Speaker 1: gonna be able to But if you've been in a

1696
01:36:38,640 --> 01:36:41,880
Speaker 1: reality TV show on Love and Hip Hop for ten

1697
01:36:42,040 --> 01:36:44,000
Speaker 1: years and you don't know how to package your own

1698
01:36:44,120 --> 01:36:46,439
Speaker 1: show and get it to a network, I find a

1699
01:36:46,560 --> 01:36:48,880
Speaker 1: real issue in that. I find that you've been asleep

1700
01:36:48,960 --> 01:36:51,760
Speaker 1: at the wheel. I find that you've been neglecting the

1701
01:36:51,920 --> 01:36:54,960
Speaker 1: necessary needs. Right. You need to be understanding how to

1702
01:36:55,080 --> 01:36:58,519
Speaker 1: do business your mona, how you packaging this and how

1703
01:36:58,600 --> 01:37:02,080
Speaker 1: you getting it to the networks? How they running commercials

1704
01:37:02,200 --> 01:37:04,759
Speaker 1: on it? And how we shooting? How do we shoot

1705
01:37:04,800 --> 01:37:07,639
Speaker 1: in a way that it can go to break every

1706
01:37:07,720 --> 01:37:10,640
Speaker 1: fifteen minutes? So however it does on TV? Like, how

1707
01:37:10,720 --> 01:37:14,439
Speaker 1: are y'all crafting these things? Niggas is just showing up?

1708
01:37:14,520 --> 01:37:17,360
Speaker 1: How and wait till they say action? They over in

1709
01:37:17,400 --> 01:37:19,960
Speaker 1: the corner talking to each other. Loon never doing that.

1710
01:37:20,160 --> 01:37:24,080
Speaker 1: Loan is in bluetooth more and I advise everybody within

1711
01:37:24,160 --> 01:37:26,439
Speaker 1: the sound of my level, y'all, y'all better get in

1712
01:37:26,479 --> 01:37:28,720
Speaker 1: bluetooth moan and try to figure out what's going on.

1713
01:37:29,240 --> 01:37:32,840
Speaker 1: You can ask be Marshall we up there on set.

1714
01:37:32,880 --> 01:37:35,240
Speaker 1: I'm asking all kind of questions to the people behind

1715
01:37:35,280 --> 01:37:37,280
Speaker 1: the scene. Man, what is that? How they so? What

1716
01:37:37,520 --> 01:37:39,760
Speaker 1: that be about? So you the social media, I see

1717
01:37:39,800 --> 01:37:42,320
Speaker 1: you working over Okay, I see what's going right because

1718
01:37:42,360 --> 01:37:46,400
Speaker 1: I'm looking for information to sustain I understand that without

1719
01:37:46,439 --> 01:37:50,160
Speaker 1: a network, I still gotta be effective without a label

1720
01:37:50,240 --> 01:37:53,120
Speaker 1: wrapped niggas gotta know, I still gotta be effective without

1721
01:37:53,200 --> 01:37:58,040
Speaker 1: Mona Scott. You niggas gotta know I still gotta be

1722
01:37:58,160 --> 01:38:01,000
Speaker 1: effective and so I find issue and shit like that,

1723
01:38:01,320 --> 01:38:03,400
Speaker 1: because even dealing with Mace, if you look at the

1724
01:38:03,479 --> 01:38:06,040
Speaker 1: five year old fourn situation at five year old city

1725
01:38:06,200 --> 01:38:08,960
Speaker 1: end with Mace, all right, so you package that wrong

1726
01:38:09,040 --> 01:38:11,000
Speaker 1: and look what that was and you didn't pay that

1727
01:38:11,120 --> 01:38:13,759
Speaker 1: in the attention. That mean in this space, in this market,

1728
01:38:13,840 --> 01:38:16,360
Speaker 1: you may not have the eye that you think. And

1729
01:38:16,439 --> 01:38:20,559
Speaker 1: that's respectfully right. I'm just saying, like, yo, we gotta

1730
01:38:20,600 --> 01:38:22,880
Speaker 1: look at what we're dealing with. We can't go to

1731
01:38:23,000 --> 01:38:26,160
Speaker 1: talking because we feel away and that's me involved include

1732
01:38:26,200 --> 01:38:29,360
Speaker 1: it right when i'm if, I'm yo, we gotta figure

1733
01:38:29,400 --> 01:38:32,000
Speaker 1: this out, man, what is this really worth out chill man?

1734
01:38:32,520 --> 01:38:34,519
Speaker 1: And what you really know how to do with it?

1735
01:38:35,360 --> 01:38:37,640
Speaker 1: Because look at five year old, he's going hard. He

1736
01:38:37,760 --> 01:38:41,280
Speaker 1: one of the biggest artists up top. You had him

1737
01:38:41,360 --> 01:38:45,800
Speaker 1: for five recks and never even paid him in their attention, Like,

1738
01:38:46,240 --> 01:38:48,920
Speaker 1: so you package your deal. You never learned nothing from

1739
01:38:48,960 --> 01:38:52,560
Speaker 1: what from me? You was asleep at the wheel in

1740
01:38:52,680 --> 01:38:55,640
Speaker 1: regards to I never do another recording contract like that.

1741
01:38:55,800 --> 01:38:57,559
Speaker 1: Matter of fact, if I was did it, I would

1742
01:38:57,560 --> 01:39:00,679
Speaker 1: assume that's why he got out the music business. Because

1743
01:39:00,720 --> 01:39:04,200
Speaker 1: it's only only profitable when you do it a certain way,

1744
01:39:04,880 --> 01:39:07,800
Speaker 1: and that certain way on the other side of the

1745
01:39:07,920 --> 01:39:11,160
Speaker 1: business can be viewed is wrong, or it could be

1746
01:39:11,360 --> 01:39:15,360
Speaker 1: viewed as while a large loan and they get to

1747
01:39:15,479 --> 01:39:19,680
Speaker 1: own something that they financed, right, it's kind of weird, right,

1748
01:39:20,920 --> 01:39:23,559
Speaker 1: and they own it in perpetuity, and a lot of times,

1749
01:39:23,920 --> 01:39:26,400
Speaker 1: you know, even after you recoup or want to pay

1750
01:39:26,520 --> 01:39:30,000
Speaker 1: what was invested back. So maybe the business structure of

1751
01:39:30,240 --> 01:39:33,720
Speaker 1: music may do get out of the music business. It

1752
01:39:33,840 --> 01:39:36,879
Speaker 1: ain't a business in which can be lucrative for somebody

1753
01:39:36,960 --> 01:39:40,360
Speaker 1: that already ran a check up like that without doing

1754
01:39:40,400 --> 01:39:43,880
Speaker 1: the deal in a way where it's overwhelming for the

1755
01:39:44,000 --> 01:39:46,600
Speaker 1: person on the A side or the investor or the

1756
01:39:46,720 --> 01:39:49,759
Speaker 1: label or whoever. So you get out of that business,

1757
01:39:50,520 --> 01:39:52,519
Speaker 1: you know, but for you to still be in that

1758
01:39:52,680 --> 01:39:56,759
Speaker 1: business calling me out on old contracts, not today's business,

1759
01:39:56,880 --> 01:40:00,840
Speaker 1: on things done in the nineties when the standard it's different, right,

1760
01:40:01,000 --> 01:40:03,320
Speaker 1: And I had no information as a as a black

1761
01:40:03,400 --> 01:40:07,840
Speaker 1: dude in the industry that overwhelmingly is ran by a

1762
01:40:08,000 --> 01:40:12,720
Speaker 1: totally different race than what represents the market. Right. So

1763
01:40:13,240 --> 01:40:16,439
Speaker 1: that's an interesting conundrum to find yourself in. So now

1764
01:40:16,479 --> 01:40:19,320
Speaker 1: I'm a young black man operating in that I got

1765
01:40:19,479 --> 01:40:21,840
Speaker 1: more at risk than I stand the game at the

1766
01:40:22,120 --> 01:40:25,800
Speaker 1: at the beginning. So my safest play is to copy

1767
01:40:25,920 --> 01:40:28,760
Speaker 1: what they're doing because I know they ain't losing because

1768
01:40:28,800 --> 01:40:32,280
Speaker 1: they're winning. I'm dealing with them, right. It's just it's

1769
01:40:32,360 --> 01:40:35,760
Speaker 1: it's it become a sense. So you hold me in

1770
01:40:35,880 --> 01:40:38,879
Speaker 1: two twenty two for things I've done in the nineties.

1771
01:40:39,400 --> 01:40:41,920
Speaker 1: But then we look at what you say you learn

1772
01:40:42,040 --> 01:40:43,800
Speaker 1: from me, because you calling me out on it. So

1773
01:40:43,920 --> 01:40:46,519
Speaker 1: I have to assume you learn from me, or you

1774
01:40:46,680 --> 01:40:49,040
Speaker 1: learn from it, or you least you saw what happened

1775
01:40:49,080 --> 01:40:53,000
Speaker 1: in the nineties in regards to the recording contracts. So

1776
01:40:53,200 --> 01:40:55,439
Speaker 1: you saw that, and yet you put five year old

1777
01:40:55,479 --> 01:40:58,960
Speaker 1: four and in a deal that's unfavorable in every sense

1778
01:40:59,040 --> 01:41:01,599
Speaker 1: of the word, and you don't pay them in it. Right,

1779
01:41:01,640 --> 01:41:04,160
Speaker 1: So it's it's shit get interesting when you start to

1780
01:41:04,240 --> 01:41:07,200
Speaker 1: really drill it down. And so when you speak on

1781
01:41:07,360 --> 01:41:10,840
Speaker 1: behalf for people, you gotta really have more information than

1782
01:41:10,880 --> 01:41:13,120
Speaker 1: the average nigga. You can't just go to saying I'm

1783
01:41:13,160 --> 01:41:16,040
Speaker 1: speaking on behalf for people and go vague with it.

1784
01:41:17,439 --> 01:41:21,080
Speaker 1: That's in so nine intelligence I know my audience. You

1785
01:41:21,160 --> 01:41:23,280
Speaker 1: gotta be able to break They called me out when

1786
01:41:23,320 --> 01:41:26,000
Speaker 1: I I gotta go deep. Even when I make a

1787
01:41:26,080 --> 01:41:29,799
Speaker 1: little point, it ain't enough they're called me out. You understand.

1788
01:41:29,840 --> 01:41:32,439
Speaker 1: I gotta be like they gotta say whoa that was?

1789
01:41:32,560 --> 01:41:35,040
Speaker 1: That was it? Or they gonna call me out and

1790
01:41:35,120 --> 01:41:38,479
Speaker 1: be like, yo, bro the right. So my audience ain't

1791
01:41:38,560 --> 01:41:41,280
Speaker 1: dealing with that low vibration or shit. You gotta break

1792
01:41:41,320 --> 01:41:44,400
Speaker 1: down what you mean when you say somebody did somebody wrong.

1793
01:41:44,600 --> 01:41:47,160
Speaker 1: And number one, we gotta deal with it when it

1794
01:41:47,439 --> 01:41:51,040
Speaker 1: was in the nineties. Now it was in the nineties.

1795
01:41:51,120 --> 01:41:53,519
Speaker 1: And I still stand by the rich niggas is not

1796
01:41:53,680 --> 01:41:55,800
Speaker 1: paying a lot of these dudes because they don't feel

1797
01:41:55,840 --> 01:42:00,280
Speaker 1: their own and they can't have no legal standing because

1798
01:42:00,280 --> 01:42:02,280
Speaker 1: they're being courted in the judge and make them give

1799
01:42:02,360 --> 01:42:05,360
Speaker 1: them the money I'm talking about. And so now we're

1800
01:42:05,400 --> 01:42:07,679
Speaker 1: just dealing with you making me feel like I owe

1801
01:42:07,760 --> 01:42:10,479
Speaker 1: you something, and I'm looking at you be uneffective in

1802
01:42:10,560 --> 01:42:14,599
Speaker 1: the market on every level. You still running around doing

1803
01:42:14,640 --> 01:42:19,679
Speaker 1: the song we done together in the ninties. They booking

1804
01:42:19,800 --> 01:42:23,439
Speaker 1: you to talk to you about the nineties, and I'm

1805
01:42:23,520 --> 01:42:26,120
Speaker 1: post to view you and say you know what, I

1806
01:42:26,240 --> 01:42:30,800
Speaker 1: owe you an extra ting me. Oh yeah, you know what.

1807
01:42:31,680 --> 01:42:33,680
Speaker 1: I'm gonna take this loss and let you buy this

1808
01:42:33,800 --> 01:42:37,880
Speaker 1: for this amount, because man, you yo, I think it

1809
01:42:38,000 --> 01:42:40,719
Speaker 1: was Rick Ross said that, you yo? Did it came

1810
01:42:40,800 --> 01:42:43,320
Speaker 1: to me right? I was rocking to rock before he

1811
01:42:43,439 --> 01:42:46,719
Speaker 1: even paid me. I just was fucking with the brand

1812
01:42:46,840 --> 01:42:49,800
Speaker 1: like I'm doing. You see it on my table. I

1813
01:42:50,000 --> 01:42:53,120
Speaker 1: was just fucking with the brand. This shit ain't had

1814
01:42:53,200 --> 01:42:55,200
Speaker 1: nothing to do with nothing. He just a black dude.

1815
01:42:55,280 --> 01:42:58,000
Speaker 1: And I see him in the market and him they did.

1816
01:42:58,120 --> 01:43:00,160
Speaker 1: My old lady just got me some little wine. When

1817
01:43:00,200 --> 01:43:02,760
Speaker 1: we're gonna we're fucking with the niggas. We ain't really,

1818
01:43:03,200 --> 01:43:05,280
Speaker 1: we ain't really big and barr and they're stealing, so

1819
01:43:05,400 --> 01:43:08,280
Speaker 1: we ain't worried about the money, Paul, But did it

1820
01:43:08,400 --> 01:43:10,680
Speaker 1: push up on rous man? You've been putting it down

1821
01:43:10,760 --> 01:43:12,519
Speaker 1: for Sarock for so long and hit him with a

1822
01:43:12,760 --> 01:43:17,439
Speaker 1: m So again, it ain't a money thing. You can't

1823
01:43:17,520 --> 01:43:21,639
Speaker 1: make me believe it's a money thing. It's a misinformation thing.

1824
01:43:21,840 --> 01:43:26,080
Speaker 1: Dudes is either over exaggerating, they roll or they they

1825
01:43:26,479 --> 01:43:29,479
Speaker 1: confused about I don't know what it is. I'm gonna say.

1826
01:43:29,520 --> 01:43:31,080
Speaker 1: I'm gonna say I don't know what it is, but

1827
01:43:31,200 --> 01:43:33,520
Speaker 1: being Mace, you know, Mace, we can have a conversation

1828
01:43:34,000 --> 01:43:39,080
Speaker 1: because I'm confused as to what your expectations are, right,

1829
01:43:39,280 --> 01:43:41,479
Speaker 1: because if we view you in that way, Bro, we

1830
01:43:41,560 --> 01:43:44,320
Speaker 1: got to talk about the reality of things, and sometimes

1831
01:43:45,360 --> 01:43:48,080
Speaker 1: that can become uncomfortable. But if we real niggas were

1832
01:43:48,120 --> 01:43:49,960
Speaker 1: real niggas, and we should be able to stand up

1833
01:43:50,000 --> 01:43:52,599
Speaker 1: nixt to it. I don't so want to say this too, man,

1834
01:43:52,600 --> 01:43:56,360
Speaker 1: because I was thinking about you know what I was

1835
01:43:56,360 --> 01:43:58,960
Speaker 1: speaking about with Jihrbo and all of that shit, and

1836
01:43:59,840 --> 01:44:03,040
Speaker 1: you know, the hood coming out certain niggas right they

1837
01:44:04,880 --> 01:44:06,560
Speaker 1: you know, they want you to help him out. You

1838
01:44:06,600 --> 01:44:08,360
Speaker 1: know what I'm saying, And I do. I do kind

1839
01:44:08,400 --> 01:44:10,360
Speaker 1: of understand it because I do look at us as

1840
01:44:10,400 --> 01:44:14,240
Speaker 1: a community and everybody are not earners. And some of

1841
01:44:14,439 --> 01:44:18,360
Speaker 1: us are muscle, and some of us, you know, build things,

1842
01:44:18,439 --> 01:44:20,720
Speaker 1: and some of us watch the house, and some of

1843
01:44:20,880 --> 01:44:24,040
Speaker 1: us are cooks. And you did what I'm saying. Everybody

1844
01:44:24,120 --> 01:44:26,400
Speaker 1: has a role in the community. So I get that.

1845
01:44:26,600 --> 01:44:29,920
Speaker 1: I think robbers are able to trick the system, and

1846
01:44:30,000 --> 01:44:32,720
Speaker 1: so what happens is some of the home is that

1847
01:44:33,000 --> 01:44:36,080
Speaker 1: it's not with him every day and not next to

1848
01:44:36,200 --> 01:44:38,799
Speaker 1: him in a way where they really can understand the business.

1849
01:44:41,080 --> 01:44:44,479
Speaker 1: They get influenced, just like the fans. You have the

1850
01:44:44,560 --> 01:44:47,000
Speaker 1: same effect on your home is that you have on

1851
01:44:47,120 --> 01:44:49,599
Speaker 1: your fans, and then they become fans, but they become

1852
01:44:49,720 --> 01:44:53,280
Speaker 1: close fans or I don't know if you even really

1853
01:44:53,360 --> 01:44:56,160
Speaker 1: classified as as a fan because that's your homing. But

1854
01:44:56,280 --> 01:44:58,960
Speaker 1: he has some of the same feelings as the fans.

1855
01:44:59,439 --> 01:45:01,920
Speaker 1: He's view you in that way. You ain't no longer

1856
01:45:02,080 --> 01:45:06,120
Speaker 1: just loan you. You the podcaster that really be talking

1857
01:45:06,200 --> 01:45:10,040
Speaker 1: that shit like or you to wrap the rapper, you

1858
01:45:10,160 --> 01:45:12,040
Speaker 1: to wrap. You know, I'm kind of looking at you

1859
01:45:12,200 --> 01:45:15,519
Speaker 1: like I'll be on your Grammy your comments, right, and

1860
01:45:15,560 --> 01:45:19,400
Speaker 1: I'm next to you. You know what I'm saying, I'm

1861
01:45:19,439 --> 01:45:21,639
Speaker 1: talking about I'd be engaged in, right, And so I'm

1862
01:45:21,720 --> 01:45:24,599
Speaker 1: looking a lot of these dudes be next the dudes

1863
01:45:24,640 --> 01:45:27,439
Speaker 1: and they they bite into the image like you know,

1864
01:45:27,600 --> 01:45:31,000
Speaker 1: just like everybody else. A lot of the things that's

1865
01:45:31,040 --> 01:45:34,840
Speaker 1: happening in front it, and anytime you front it, you

1866
01:45:34,960 --> 01:45:38,880
Speaker 1: find yourself in a unique situation in regard to finances

1867
01:45:38,880 --> 01:45:41,840
Speaker 1: because you can be viewed or you can be moving

1868
01:45:41,880 --> 01:45:45,720
Speaker 1: around as if you're worth a certain amount because a

1869
01:45:45,800 --> 01:45:48,760
Speaker 1: certain amount comes to your hand. So in regards to

1870
01:45:48,920 --> 01:45:51,839
Speaker 1: market and man, rappers are some of the most effective.

1871
01:45:51,880 --> 01:45:54,120
Speaker 1: That's why some of the biggest brands in the world

1872
01:45:54,200 --> 01:45:59,320
Speaker 1: call on rappers because the influence of the rapper's unmatched

1873
01:45:59,560 --> 01:46:04,520
Speaker 1: by anything. You gotta be a really a list athlete

1874
01:46:04,960 --> 01:46:07,880
Speaker 1: to even compete with the people go crazy about rappers.

1875
01:46:07,960 --> 01:46:12,720
Speaker 1: Now globally, athletes might have because they respect you know,

1876
01:46:12,800 --> 01:46:15,600
Speaker 1: they kind of respect sports outside the country in a

1877
01:46:15,720 --> 01:46:19,599
Speaker 1: totally different way, right, and sports has a very big naledge.

1878
01:46:19,800 --> 01:46:22,439
Speaker 1: I ain't talking about the lebrons and the braids. I'm

1879
01:46:22,479 --> 01:46:26,200
Speaker 1: talking about a blest rapper, or get more loved than

1880
01:46:26,240 --> 01:46:29,120
Speaker 1: a B list athlete, you see what I'm saying, and

1881
01:46:29,280 --> 01:46:32,719
Speaker 1: so or cless rapper get more loved than a cless athlete.

1882
01:46:32,720 --> 01:46:34,559
Speaker 1: And I ain't talking about the age because the age,

1883
01:46:34,640 --> 01:46:38,240
Speaker 1: that's that's a matter of preference. No, but we just

1884
01:46:38,439 --> 01:46:40,479
Speaker 1: we're just looking at it from that perspective, and so

1885
01:46:42,680 --> 01:46:46,040
Speaker 1: the image is effective and sometimes the home is they

1886
01:46:46,160 --> 01:46:49,120
Speaker 1: just bite into the immage. As we move as a community.

1887
01:46:49,880 --> 01:46:52,720
Speaker 1: Everybody has not earned us and that doesn't make you

1888
01:46:52,840 --> 01:46:56,639
Speaker 1: not valuable. That just means your position is different. Now,

1889
01:46:58,600 --> 01:47:01,120
Speaker 1: I think that you put yourself in a bad place

1890
01:47:01,200 --> 01:47:04,560
Speaker 1: if you're promising people in anything. When you go to

1891
01:47:04,640 --> 01:47:07,720
Speaker 1: promising the nigga something and you don't come through with that,

1892
01:47:07,880 --> 01:47:10,879
Speaker 1: you give them a reason to feel away. They already

1893
01:47:10,960 --> 01:47:14,400
Speaker 1: want to hate on you anyway, feeling you come from

1894
01:47:14,439 --> 01:47:17,120
Speaker 1: the same place, and it's une even the skull ain't

1895
01:47:17,160 --> 01:47:21,000
Speaker 1: the same. Yeah, we played on the same court, and

1896
01:47:21,120 --> 01:47:23,280
Speaker 1: the skull ain't the same. So now I don't fire.

1897
01:47:23,840 --> 01:47:26,400
Speaker 1: I kind of feel away. Now you're the homeless, so

1898
01:47:26,520 --> 01:47:29,599
Speaker 1: it's gonna. I ain't got cain't just my heart won't

1899
01:47:29,680 --> 01:47:31,519
Speaker 1: let me. But now if you start giving me a

1900
01:47:31,600 --> 01:47:34,320
Speaker 1: reason like you told me this and lied to me

1901
01:47:34,760 --> 01:47:37,719
Speaker 1: and man, damn man, I needed five thousand on the button,

1902
01:47:37,800 --> 01:47:40,200
Speaker 1: then you ain't. You see a lot of people problems

1903
01:47:40,240 --> 01:47:43,640
Speaker 1: don't even be with them. They talk about how you

1904
01:47:43,760 --> 01:47:48,320
Speaker 1: did somebody else, right, And I ain't saying disregard character.

1905
01:47:48,360 --> 01:47:52,519
Speaker 1: I understand the importance of identifying what you're dealing with, right,

1906
01:47:52,640 --> 01:47:55,280
Speaker 1: I get that. Let's never put that to the side.

1907
01:47:55,320 --> 01:47:57,720
Speaker 1: But I'm just saying, how all your problems with me,

1908
01:47:58,160 --> 01:48:02,439
Speaker 1: it's somebody done to somebody else us seemed like you

1909
01:48:02,520 --> 01:48:06,760
Speaker 1: and hammer looking forward, Neil. Yeah, it seemed like you

1910
01:48:06,880 --> 01:48:09,280
Speaker 1: and Hammer looking forward. Neil, how you just look you

1911
01:48:09,400 --> 01:48:11,560
Speaker 1: don't found something to be made? You telling me what

1912
01:48:11,680 --> 01:48:14,720
Speaker 1: I've done the brother them, I ain't done nothing to

1913
01:48:14,920 --> 01:48:16,720
Speaker 1: tell me what I've done to you. I get the

1914
01:48:16,800 --> 01:48:18,960
Speaker 1: brother them, me and them can have. But what me

1915
01:48:19,040 --> 01:48:21,240
Speaker 1: and you got going on, well, now this is just

1916
01:48:21,439 --> 01:48:24,120
Speaker 1: na we share the same. Then you gotta ask yourself.

1917
01:48:24,439 --> 01:48:29,559
Speaker 1: So y'all really it's like that, right? But when then

1918
01:48:29,600 --> 01:48:31,479
Speaker 1: we gotta figure out why you feel away? And I

1919
01:48:31,600 --> 01:48:34,839
Speaker 1: think it's always because the skull be uneven and niggas

1920
01:48:34,880 --> 01:48:39,080
Speaker 1: think they're tougher than you. See the old the older

1921
01:48:39,120 --> 01:48:41,280
Speaker 1: hood niggas or the hood got the thing where they

1922
01:48:41,400 --> 01:48:43,880
Speaker 1: think the toughest nigga post to had the most money,

1923
01:48:44,040 --> 01:48:47,800
Speaker 1: or he posted by to take people money. You know,

1924
01:48:47,920 --> 01:48:50,040
Speaker 1: if he the toughest nigga he polled bear to take,

1925
01:48:50,280 --> 01:48:52,400
Speaker 1: he ain't pulled to be broken than the nigga that

1926
01:48:52,479 --> 01:48:56,680
Speaker 1: he think he tougher than. But see, they don't know

1927
01:48:56,800 --> 01:48:59,000
Speaker 1: what Like I always say, they don't know how life

1928
01:48:59,080 --> 01:49:02,720
Speaker 1: gonna treat them. Old tough nigga get out their penitentiary

1929
01:49:03,120 --> 01:49:07,720
Speaker 1: and he'll be working at Logans on Saturday nights. He

1930
01:49:07,920 --> 01:49:10,280
Speaker 1: was the toughest nigga running around and is heyday. Now

1931
01:49:10,360 --> 01:49:14,000
Speaker 1: they work them Saturday night's clothes and the open Sundays.

1932
01:49:15,400 --> 01:49:18,439
Speaker 1: He don't never get to watch football, and he don't

1933
01:49:18,479 --> 01:49:20,439
Speaker 1: never get to go to nothing. But he bet not

1934
01:49:20,640 --> 01:49:23,000
Speaker 1: call out and he bed not look fun at the

1935
01:49:23,240 --> 01:49:28,280
Speaker 1: at the Supervibu, and he was tough in his heyday,

1936
01:49:28,880 --> 01:49:32,760
Speaker 1: because they don't that shit, don't wait nothing. But when

1937
01:49:32,840 --> 01:49:36,240
Speaker 1: you first starting off, the tough shit is all you got,

1938
01:49:36,360 --> 01:49:38,640
Speaker 1: so you go to thinking, whoever the toughest post to

1939
01:49:38,720 --> 01:49:41,800
Speaker 1: be the richest, and if they're not the richest, they

1940
01:49:41,880 --> 01:49:44,320
Speaker 1: pulled the bar to take whoever got them, just take

1941
01:49:44,400 --> 01:49:50,680
Speaker 1: the money. They don't understand that. They don't understand that.

1942
01:49:50,720 --> 01:49:55,519
Speaker 1: Ain't nobody going for that. Niggas ain't having that. Grown

1943
01:49:55,640 --> 01:49:57,960
Speaker 1: men don't give a damn about who tough is. These

1944
01:49:58,080 --> 01:50:02,040
Speaker 1: bullets hit the same dudes paying for their safety. Dudes

1945
01:50:02,200 --> 01:50:04,280
Speaker 1: is paying for pass is they have and other tough

1946
01:50:04,400 --> 01:50:08,080
Speaker 1: niggas running in the tough niggas. You know it's you feel.

1947
01:50:08,160 --> 01:50:10,960
Speaker 1: Man's shit get crucial when you get older, but when

1948
01:50:11,000 --> 01:50:14,080
Speaker 1: you're young, you just view it that way. I'm gonna

1949
01:50:14,080 --> 01:50:17,240
Speaker 1: spend a little Time, just kind of speaking about relationships.

1950
01:50:17,840 --> 01:50:20,160
Speaker 1: For some reason, A little Baby and Jay, they go

1951
01:50:20,960 --> 01:50:24,360
Speaker 1: super viral whenever something happens with them. I like, I

1952
01:50:24,439 --> 01:50:27,639
Speaker 1: think their fan base they just love them, so everything

1953
01:50:27,720 --> 01:50:30,280
Speaker 1: that happens with them, they liked to eat. Couple them

1954
01:50:30,320 --> 01:50:32,400
Speaker 1: in Money Bad. It's a couple of couples out there

1955
01:50:32,479 --> 01:50:36,519
Speaker 1: that the Shade Room friendly. Like. You know, they liked them.

1956
01:50:36,800 --> 01:50:39,760
Speaker 1: You know, they kind of on. They bump up by shit. Um.

1957
01:50:41,560 --> 01:50:43,800
Speaker 1: Then you know you got Kim and Kanye, and that's

1958
01:50:44,000 --> 01:50:46,280
Speaker 1: you know what their situation. I think he's moving on.

1959
01:50:46,720 --> 01:50:51,360
Speaker 1: He's now been snatched from the Grammars. I think that's interesting, right.

1960
01:50:51,439 --> 01:50:54,160
Speaker 1: I think that's interesting because I was what I say,

1961
01:50:54,280 --> 01:50:56,479
Speaker 1: I said it go back into art. This is I

1962
01:50:56,600 --> 01:50:58,800
Speaker 1: put the game down. I already said he going in

1963
01:50:58,880 --> 01:51:02,599
Speaker 1: the trick bad because once one company paid you away,

1964
01:51:02,720 --> 01:51:05,160
Speaker 1: nayybody can follow suit and say they didn't start it.

1965
01:51:06,560 --> 01:51:10,120
Speaker 1: See the industry is so crazy, man, And what if

1966
01:51:10,160 --> 01:51:14,679
Speaker 1: that calls you? What's something that something that it wasn't worth?

1967
01:51:14,920 --> 01:51:17,839
Speaker 1: And Kanye has had an interesting relationship with the Grammars.

1968
01:51:18,439 --> 01:51:20,719
Speaker 1: You know, we'll get to that later. We got dirt

1969
01:51:21,080 --> 01:51:24,240
Speaker 1: their relationship with India see the internet try to go

1970
01:51:24,400 --> 01:51:28,320
Speaker 1: crazy because he said if she had been ran through,

1971
01:51:28,360 --> 01:51:31,640
Speaker 1: we wouldn't want it. He has a certain amount of

1972
01:51:31,800 --> 01:51:35,280
Speaker 1: children and things like that. So we got relationship talking

1973
01:51:35,479 --> 01:51:39,599
Speaker 1: people dealing with their different views on how you should

1974
01:51:39,720 --> 01:51:43,519
Speaker 1: interact and who you should interact with and what terms

1975
01:51:43,600 --> 01:51:48,439
Speaker 1: and conditions should be in those interactions. And I think

1976
01:51:49,720 --> 01:51:54,720
Speaker 1: us as a whole, right, men and women, I think

1977
01:51:54,800 --> 01:51:58,600
Speaker 1: we gotta learn how to communicate our standards and we

1978
01:51:58,720 --> 01:52:02,160
Speaker 1: got to stick by stand right because a lot of

1979
01:52:02,280 --> 01:52:06,280
Speaker 1: times you get involved with situations and people and they

1980
01:52:06,360 --> 01:52:09,519
Speaker 1: think they provide an experience that they just don't provide.

1981
01:52:09,640 --> 01:52:15,760
Speaker 1: There's some delusional shit going on, right, so they think

1982
01:52:15,840 --> 01:52:19,280
Speaker 1: that And I'm man, I had a clip. I wish

1983
01:52:19,320 --> 01:52:21,560
Speaker 1: I can play it. I think Instagram deleted it. What

1984
01:52:21,680 --> 01:52:24,320
Speaker 1: a girl was Like, Yo, you gotta provide more than pussy,

1985
01:52:24,439 --> 01:52:27,439
Speaker 1: just like you can't just be fucking this dude and

1986
01:52:27,600 --> 01:52:31,320
Speaker 1: think that's gonna why he gonna wife you? Like yeah,

1987
01:52:31,520 --> 01:52:33,479
Speaker 1: Like yo, I keep telling people, I don't give a

1988
01:52:33,560 --> 01:52:38,639
Speaker 1: fuck what peace cost. It's priceless to men. Dudes want

1989
01:52:38,640 --> 01:52:41,400
Speaker 1: to be in a situation where they don't hear all

1990
01:52:41,479 --> 01:52:43,880
Speaker 1: at all, and they don't want to go back and forth,

1991
01:52:44,000 --> 01:52:46,759
Speaker 1: and they don't want to have to have a sword

1992
01:52:46,840 --> 01:52:49,719
Speaker 1: out at the house. Niggas want to chill and relax

1993
01:52:49,840 --> 01:52:53,120
Speaker 1: when they're at home. So you can be as thick

1994
01:52:53,200 --> 01:52:56,599
Speaker 1: as you want to be. You can be as beautiful

1995
01:52:56,680 --> 01:52:58,800
Speaker 1: as you want to be. Dude, gonna end up where

1996
01:52:58,800 --> 01:53:01,519
Speaker 1: as peace. But you how to obtain peace? To know

1997
01:53:01,720 --> 01:53:05,479
Speaker 1: that it's priceless, you gotta be in a situation that

1998
01:53:06,560 --> 01:53:10,400
Speaker 1: had had peace or or had experienced peace. That's why

1999
01:53:10,439 --> 01:53:13,560
Speaker 1: I tell the young niggas to travel a yo, go

2000
01:53:13,840 --> 01:53:18,000
Speaker 1: as some water that sit back with nothing going on,

2001
01:53:18,160 --> 01:53:21,120
Speaker 1: and just feel the vibe or what it feel like

2002
01:53:21,240 --> 01:53:24,960
Speaker 1: when it's peace and you're wanting. You'll see why people

2003
01:53:25,680 --> 01:53:28,320
Speaker 1: are really big on that. You got people that's lived

2004
01:53:28,360 --> 01:53:33,120
Speaker 1: a whole life in chaos. Norse has become normal for them,

2005
01:53:33,280 --> 01:53:37,160
Speaker 1: like chaos is normal for them, and they wonder why

2006
01:53:37,240 --> 01:53:40,040
Speaker 1: they can't elevate because you can't think. We just heard

2007
01:53:40,080 --> 01:53:43,439
Speaker 1: Steve Harvey say, yo, I wasn't old to our risk

2008
01:53:43,520 --> 01:53:47,960
Speaker 1: twenty two million dollars. All I needed was a peace

2009
01:53:48,040 --> 01:53:50,240
Speaker 1: for home. Soon as I got a peace for home,

2010
01:53:50,800 --> 01:53:53,479
Speaker 1: this lady star breathing life into me, telling me, yo,

2011
01:53:53,600 --> 01:53:57,200
Speaker 1: you're a big TV star. You ain't just no look comedian,

2012
01:53:57,920 --> 01:54:01,360
Speaker 1: You're a big TV and he's My home was peaceful,

2013
01:54:01,439 --> 01:54:05,520
Speaker 1: So that's therefore I got to go and create the blueprint.

2014
01:54:06,200 --> 01:54:09,680
Speaker 1: Therefore I had a chance to plan and prepare and strategize.

2015
01:54:10,880 --> 01:54:13,479
Speaker 1: Therefore I had a chance to understand why I wanted

2016
01:54:13,520 --> 01:54:16,240
Speaker 1: to go and how to get there right. But in

2017
01:54:16,439 --> 01:54:19,360
Speaker 1: chaos you can't operate at a high level. I don't

2018
01:54:19,400 --> 01:54:21,720
Speaker 1: care who you is. And they have confused some of

2019
01:54:21,800 --> 01:54:25,320
Speaker 1: our people to think that chaos is normal and liud

2020
01:54:25,520 --> 01:54:29,280
Speaker 1: noise and baying and racket and this and that, and

2021
01:54:29,400 --> 01:54:33,240
Speaker 1: it's like, yo, you cannot elevate in those circumstances. And

2022
01:54:33,400 --> 01:54:37,000
Speaker 1: the real ones know that. That's why vacation. You're here,

2023
01:54:37,120 --> 01:54:40,800
Speaker 1: rich person, tell you vacation is important. I hang around

2024
01:54:40,880 --> 01:54:45,160
Speaker 1: the football dudes now, the NFL Hall of Fame caliber niggas.

2025
01:54:45,800 --> 01:54:49,880
Speaker 1: They tell me, Yo, recovery is almost more important than

2026
01:54:49,920 --> 01:54:54,720
Speaker 1: the workout, because if you don't recover, you can't do

2027
01:54:54,840 --> 01:54:58,680
Speaker 1: the workout. You'll get you one good workout, but with

2028
01:54:58,800 --> 01:55:03,160
Speaker 1: the recovery, you can do the workout again. And when

2029
01:55:03,200 --> 01:55:06,600
Speaker 1: you do the workout over and over and over, I

2030
01:55:06,720 --> 01:55:08,960
Speaker 1: just told you a little then a little and a

2031
01:55:09,040 --> 01:55:11,960
Speaker 1: little plus a little plus a little, it become a lot.

2032
01:55:13,640 --> 01:55:15,920
Speaker 1: That why you see Steve Harvan when he went twenty

2033
01:55:16,000 --> 01:55:18,000
Speaker 1: two million in that That why you see him go

2034
01:55:18,400 --> 01:55:21,720
Speaker 1: to every comedy club Derailly Because you think I'm picking

2035
01:55:21,840 --> 01:55:23,920
Speaker 1: up a little, but I'm picking up a little plus

2036
01:55:24,000 --> 01:55:26,360
Speaker 1: a little plus a little plus a little plus a

2037
01:55:26,440 --> 01:55:29,600
Speaker 1: little plus Guess with that that's a lot? Now, baby,

2038
01:55:32,280 --> 01:55:35,160
Speaker 1: you understand me? So we gotta figure out a way

2039
01:55:35,240 --> 01:55:38,200
Speaker 1: man to deal with each other from a perspective of understanding.

2040
01:55:38,280 --> 01:55:41,640
Speaker 1: That's why everybody talked about this foreign shit. And I

2041
01:55:41,760 --> 01:55:45,000
Speaker 1: think it may be cool to, you know, have relations

2042
01:55:45,080 --> 01:55:48,560
Speaker 1: and do certain things, but hey, do they understand is

2043
01:55:48,600 --> 01:55:53,400
Speaker 1: it peaceful? Is it peaceful? Do you know how to

2044
01:55:53,480 --> 01:55:56,480
Speaker 1: provide peace? And a lot of people say it's more peaceful.

2045
01:55:56,960 --> 01:55:59,720
Speaker 1: I don't know. I'm just saying what, you know, what

2046
01:56:00,000 --> 01:56:02,840
Speaker 1: the word is out there? And and for those people

2047
01:56:02,880 --> 01:56:08,200
Speaker 1: that had those experiences, you know, call into the It's

2048
01:56:08,320 --> 01:56:11,880
Speaker 1: up there podcast hotline. You understand me and we'll get

2049
01:56:11,920 --> 01:56:15,600
Speaker 1: to go over that. All Right, let's talk about Meekmel.

2050
01:56:16,080 --> 01:56:22,240
Speaker 1: Meek Mel had a tweet speaking directly to music business information. Right,

2051
01:56:23,160 --> 01:56:33,480
Speaker 1: let's take a look at that tweet, so tweet boy

2052
01:56:33,560 --> 01:56:38,000
Speaker 1: Meek Mill. Definition of a mixtape slash EP is when

2053
01:56:38,040 --> 01:56:41,680
Speaker 1: the project is not profited off of if it was

2054
01:56:41,760 --> 01:56:44,400
Speaker 1: sold on a platform under a label and they own

2055
01:56:44,480 --> 01:56:47,960
Speaker 1: the project, how can it not be counted as an album,

2056
01:56:48,680 --> 01:56:52,880
Speaker 1: especially if the label that owns it made profit. What

2057
01:56:53,040 --> 01:56:57,360
Speaker 1: does it count as nothing? Question mark? Question mark? Question mark.

2058
01:56:58,560 --> 01:57:02,880
Speaker 1: So for those that don't understand the music business or

2059
01:57:02,920 --> 01:57:06,000
Speaker 1: how the music business work, I'll try to put it

2060
01:57:06,080 --> 01:57:09,920
Speaker 1: in lame it's terms for you as quick as I can. Right,

2061
01:57:13,640 --> 01:57:17,640
Speaker 1: in the music business, rappers go under a contract almost

2062
01:57:18,680 --> 01:57:21,120
Speaker 1: in the way that the athlete enters a contract with

2063
01:57:21,240 --> 01:57:24,000
Speaker 1: an NBA team. The difference that is an athlete to

2064
01:57:24,120 --> 01:57:28,480
Speaker 1: go for five years and a rapper go for five projects.

2065
01:57:29,080 --> 01:57:32,080
Speaker 1: And the difference that is the five years speaks to

2066
01:57:32,240 --> 01:57:38,360
Speaker 1: calendar dates and the five albums speak to five products

2067
01:57:38,480 --> 01:57:42,800
Speaker 1: that has to enter the marketplace. Right, So, the contracts

2068
01:57:42,840 --> 01:57:46,960
Speaker 1: with the athletes just ask that you enter the marketplace,

2069
01:57:47,120 --> 01:57:50,000
Speaker 1: meaning you, as an athlete, show up to be able

2070
01:57:50,040 --> 01:57:52,800
Speaker 1: to play. On the other side, dealing with rappers, you

2071
01:57:52,920 --> 01:57:55,480
Speaker 1: have to provide us a body of work that has

2072
01:57:55,520 --> 01:57:58,160
Speaker 1: to be cleared by us, and it has to enter

2073
01:57:58,240 --> 01:58:02,160
Speaker 1: the marketplace throughout through our channels and be counted as

2074
01:58:02,200 --> 01:58:07,320
Speaker 1: an album. An album at that time or back in

2075
01:58:07,400 --> 01:58:09,919
Speaker 1: the day would consist of a certain amount of songs,

2076
01:58:10,600 --> 01:58:14,200
Speaker 1: you know, a certain budget attached to it, and clearance

2077
01:58:14,280 --> 01:58:16,720
Speaker 1: from the label. I think that was always the part

2078
01:58:16,840 --> 01:58:20,680
Speaker 1: that people ran into problems at the end of these

2079
01:58:21,440 --> 01:58:24,640
Speaker 1: luxurious contracts is at the end when it's like up,

2080
01:58:24,720 --> 01:58:27,200
Speaker 1: it has to be cleared by us. We see fifty

2081
01:58:27,280 --> 01:58:30,280
Speaker 1: cent exercise that a few times. And so again this

2082
01:58:30,400 --> 01:58:35,720
Speaker 1: system speaks to albums and if you ever signed a contract,

2083
01:58:35,760 --> 01:58:41,040
Speaker 1: they're very specific, like now when podcasted episodes and an

2084
01:58:41,080 --> 01:58:45,320
Speaker 1: episode is classified this amount of time or more. When

2085
01:58:45,440 --> 01:58:49,200
Speaker 1: this audio format with this structure like it's it's different

2086
01:58:49,200 --> 01:58:52,840
Speaker 1: than just sitting down and talking. You're dealing with business now, right,

2087
01:58:52,920 --> 01:58:55,800
Speaker 1: and so when you deal with rap, it ain't just

2088
01:58:55,920 --> 01:58:58,600
Speaker 1: a verse or just see. And that's what that's what

2089
01:58:58,720 --> 01:59:02,160
Speaker 1: we got to really really fuck with communication and information

2090
01:59:02,240 --> 01:59:04,880
Speaker 1: And that's what I'd be talking about because when they

2091
01:59:04,960 --> 01:59:08,000
Speaker 1: say album, you got to clarify what they mean. When

2092
01:59:08,040 --> 01:59:10,480
Speaker 1: they say that, you can't just take your definition and

2093
01:59:10,560 --> 01:59:13,880
Speaker 1: put it on something when everything is at risk. That's

2094
01:59:13,920 --> 01:59:19,440
Speaker 1: why they say it's never a dumb question, especially when

2095
01:59:19,520 --> 01:59:22,640
Speaker 1: everything is at risk, like your career may boom, but

2096
01:59:22,760 --> 01:59:25,520
Speaker 1: a lot of times people are negotiating the need and

2097
01:59:25,680 --> 01:59:29,200
Speaker 1: so they're not even considering the boom. They just considering

2098
01:59:29,320 --> 01:59:32,200
Speaker 1: the next step. I want to get out of this

2099
01:59:32,360 --> 01:59:38,320
Speaker 1: situation into a new one. But when they say albums,

2100
01:59:38,640 --> 01:59:42,960
Speaker 1: they have to clear olds. And back in the day,

2101
01:59:43,040 --> 01:59:46,000
Speaker 1: you can argue EP as half a point. An EP

2102
01:59:46,200 --> 01:59:50,400
Speaker 1: would be like forty minutes or less or forty eight minutes.

2103
01:59:50,440 --> 01:59:53,320
Speaker 1: It was it was classified a certain way in the contract,

2104
01:59:53,560 --> 01:59:57,200
Speaker 1: but it wouldn't represent a whole project, which is one point.

2105
01:59:58,080 --> 02:00:00,960
Speaker 1: It would only represent a half. So but two EPs

2106
02:00:01,080 --> 02:00:03,760
Speaker 1: can get a whole out of there, right, and so

2107
02:00:04,080 --> 02:00:09,440
Speaker 1: fulfill your contract quicker. And so what happened was is

2108
02:00:09,520 --> 02:00:12,920
Speaker 1: that rappers were getting rich off the mixtape game back

2109
02:00:13,000 --> 02:00:15,680
Speaker 1: in And this is what made little Wayne, Little Wayne

2110
02:00:15,760 --> 02:00:18,959
Speaker 1: back in the day, he had a run was squawed

2111
02:00:19,080 --> 02:00:21,880
Speaker 1: up and where they were jack beats from everybody and

2112
02:00:22,000 --> 02:00:25,600
Speaker 1: just go crazy. I'm the craziest rapping you ever heard.

2113
02:00:25,640 --> 02:00:28,160
Speaker 1: I mean it was the I mean dude then was going.

2114
02:00:28,520 --> 02:00:32,000
Speaker 1: But Nina's son on jay Z beats on Jay to

2115
02:00:32,080 --> 02:00:35,400
Speaker 1: kill anybody that dropped the song then that was they vibe.

2116
02:00:35,440 --> 02:00:37,920
Speaker 1: They was on your head, squawed up, they was zoned you.

2117
02:00:38,000 --> 02:00:40,400
Speaker 1: It was like third day. Ship was the Ship when

2118
02:00:40,440 --> 02:00:45,080
Speaker 1: I was a young niggle. So he built his career

2119
02:00:45,280 --> 02:00:49,240
Speaker 1: and the South took the game through through mixtapes. The

2120
02:00:49,360 --> 02:00:52,160
Speaker 1: South took the game. Wayne was competing. See this is

2121
02:00:52,200 --> 02:00:54,920
Speaker 1: the thing on an album. The labels wouldn't let you

2122
02:00:55,000 --> 02:00:57,720
Speaker 1: compete the way you was able to compete on the mixtapes.

2123
02:00:58,800 --> 02:01:01,520
Speaker 1: Wayne was going crazy. Is it back to back? He

2124
02:01:01,640 --> 02:01:04,840
Speaker 1: shot at these skills so hard that he took best

2125
02:01:04,960 --> 02:01:08,000
Speaker 1: rapper alive, he started saying, and just took it from

2126
02:01:08,040 --> 02:01:10,840
Speaker 1: the game. And they couldn't deny because look at his

2127
02:01:11,000 --> 02:01:13,560
Speaker 1: output and look how effective it is, and look at

2128
02:01:13,600 --> 02:01:16,480
Speaker 1: the level of rapping the dude doing. He was fucking

2129
02:01:16,520 --> 02:01:19,680
Speaker 1: them up. Jay Z, I never forget jay Z got

2130
02:01:19,760 --> 02:01:23,680
Speaker 1: on the Carolina Blue Tims Carrol. I'll never forget jay

2131
02:01:23,760 --> 02:01:26,480
Speaker 1: Z got on that beat, and I was just thinking, like, Yo,

2132
02:01:26,600 --> 02:01:28,800
Speaker 1: cain't nobody to do that beat like that. That dude

2133
02:01:28,880 --> 02:01:31,360
Speaker 1: flow was craig. Wayne came right back on that month.

2134
02:01:31,400 --> 02:01:34,520
Speaker 1: I said, oh my goodness. So this level of rapping

2135
02:01:34,560 --> 02:01:38,640
Speaker 1: and Ship was next level. He took the game and

2136
02:01:38,880 --> 02:01:41,600
Speaker 1: in that the South took the game. You had boosting them,

2137
02:01:41,720 --> 02:01:46,160
Speaker 1: helping moving units. You had cash money, of course you had.

2138
02:01:46,520 --> 02:01:49,280
Speaker 1: The South was just jocking for position at that time

2139
02:01:49,280 --> 02:01:51,520
Speaker 1: because we were putting it out through mixtapes and DJ

2140
02:01:51,720 --> 02:01:55,440
Speaker 1: Drummer was at the helm. He were breaking niggas. Gucci

2141
02:01:55,600 --> 02:01:59,360
Speaker 1: come through him. DJ screamed down that breaking niggas hood rich,

2142
02:01:59,520 --> 02:02:02,840
Speaker 1: radio like and so and it was a lot more.

2143
02:02:02,920 --> 02:02:06,080
Speaker 1: DJ's a lot more going on. There was club's instrumental rights.

2144
02:02:06,120 --> 02:02:09,240
Speaker 1: So this ain't a history lesson. It's just a perspective

2145
02:02:09,320 --> 02:02:11,880
Speaker 1: of the events. And I'm trying to fast track to

2146
02:02:12,000 --> 02:02:15,040
Speaker 1: just let you know what happened with this situation. But

2147
02:02:15,240 --> 02:02:19,080
Speaker 1: mixtapes became so effective in the game, and the labels

2148
02:02:19,200 --> 02:02:21,640
Speaker 1: wasn't eating off of it. They had nothing to do

2149
02:02:21,800 --> 02:02:25,440
Speaker 1: with it. They couldn't speak to it in contracts because

2150
02:02:25,480 --> 02:02:28,320
Speaker 1: we were used the trick on them for promotional use only.

2151
02:02:29,160 --> 02:02:31,880
Speaker 1: Although it was causing us to be booked booked at

2152
02:02:31,920 --> 02:02:34,960
Speaker 1: a high level. It was influencing our prices and back

2153
02:02:35,040 --> 02:02:37,960
Speaker 1: then there was no three to sixty right, So it

2154
02:02:38,080 --> 02:02:41,320
Speaker 1: was an interesting situation. The labels called themselves in. So

2155
02:02:41,520 --> 02:02:45,839
Speaker 1: what did the labels do right? The labels went ahead,

2156
02:02:46,160 --> 02:02:49,920
Speaker 1: got the police involved, filed some copyright shit, and sent

2157
02:02:50,080 --> 02:02:53,120
Speaker 1: niggas to jail for doing mixtapes. DJ Dramma being at

2158
02:02:53,160 --> 02:02:56,480
Speaker 1: the head of that, so they literally came in and

2159
02:02:56,720 --> 02:03:01,000
Speaker 1: mixtapes vanished. So now wrap us didn't have a way

2160
02:03:01,440 --> 02:03:06,120
Speaker 1: to speak freely and compete at a high level because

2161
02:03:07,320 --> 02:03:13,640
Speaker 1: labels view albums not as like a creative project. They

2162
02:03:13,800 --> 02:03:18,080
Speaker 1: view it as like a business thing, like a business product,

2163
02:03:18,440 --> 02:03:21,480
Speaker 1: you understand, not a creative project. And these these two

2164
02:03:21,560 --> 02:03:24,240
Speaker 1: are different things. Although artists try to make them live

2165
02:03:24,280 --> 02:03:27,520
Speaker 1: in the same place before the label they're looking straight

2166
02:03:27,560 --> 02:03:30,720
Speaker 1: from a being the perspective what appeals to the most people,

2167
02:03:31,160 --> 02:03:33,320
Speaker 1: what can get us in this place, what can get

2168
02:03:33,400 --> 02:03:36,120
Speaker 1: us in that place? And placing there and placing here right,

2169
02:03:36,760 --> 02:03:40,840
Speaker 1: so you couldn't get your shit off. And when they

2170
02:03:40,920 --> 02:03:43,480
Speaker 1: got rid of mixtapes, they also got rid of niggas

2171
02:03:43,520 --> 02:03:45,320
Speaker 1: being able to get their shit off. But what they

2172
02:03:45,400 --> 02:03:49,320
Speaker 1: did consequently was it was some niggas in position now

2173
02:03:49,800 --> 02:03:51,600
Speaker 1: that will let you kind of get your shit off.

2174
02:03:51,920 --> 02:03:54,600
Speaker 1: So Wayne continued to get his shit off on like

2175
02:03:55,240 --> 02:03:57,880
Speaker 1: stunt like my dad is certain records. He was still

2176
02:03:57,960 --> 02:04:01,360
Speaker 1: able to get that rappid now and so that effectively

2177
02:04:01,480 --> 02:04:04,880
Speaker 1: changed the game. But that's speaking to just the context

2178
02:04:05,000 --> 02:04:07,720
Speaker 1: of the game. I want to speak about the contracts

2179
02:04:07,760 --> 02:04:10,360
Speaker 1: and things of the game. Then. So you used to

2180
02:04:10,480 --> 02:04:13,520
Speaker 1: can't argue EPs and alps is like half for points,

2181
02:04:14,000 --> 02:04:18,200
Speaker 1: mixtapes is a half for point shit like that. But

2182
02:04:18,320 --> 02:04:21,320
Speaker 1: mixtapes you couldn't argue. I'm sorry, but EPs and alps

2183
02:04:21,360 --> 02:04:24,360
Speaker 1: you could argue from a contractual standpoint, it's half a point,

2184
02:04:24,400 --> 02:04:27,240
Speaker 1: and maybe a label will accept that depending on the

2185
02:04:27,320 --> 02:04:29,800
Speaker 1: effectiveness of it and how good it's doing, and if

2186
02:04:29,840 --> 02:04:32,280
Speaker 1: they want to own it because they have ownership of

2187
02:04:32,360 --> 02:04:37,360
Speaker 1: some of those things. Now, the labels got swift with streaming,

2188
02:04:37,480 --> 02:04:40,920
Speaker 1: came back. They found the way to bring mixtapes back

2189
02:04:41,040 --> 02:04:43,880
Speaker 1: because they were able to profit off of them. Now

2190
02:04:44,040 --> 02:04:46,400
Speaker 1: they're using the trick we used to use on them.

2191
02:04:46,920 --> 02:04:49,920
Speaker 1: So even though they're profiting off the mixtape, they're trying

2192
02:04:49,960 --> 02:04:52,760
Speaker 1: to tell us that mixtapes off for promotional use only

2193
02:04:52,880 --> 02:04:57,160
Speaker 1: therefore can't be counted against the contract. So they're no

2194
02:04:57,320 --> 02:05:00,919
Speaker 1: longer talking about money being made, they're talking about product

2195
02:05:01,000 --> 02:05:03,520
Speaker 1: being on the market. Again. It is fucked up because

2196
02:05:03,880 --> 02:05:06,680
Speaker 1: the only product that they can count or they will

2197
02:05:06,800 --> 02:05:09,480
Speaker 1: count is the product that comes through them, and for

2198
02:05:09,560 --> 02:05:11,560
Speaker 1: it to come through them, they have to sign off

2199
02:05:11,720 --> 02:05:15,840
Speaker 1: on it. And so if that's a contract dispute, they

2200
02:05:15,920 --> 02:05:18,040
Speaker 1: just won't sign all phone it no matter how good

2201
02:05:18,120 --> 02:05:21,080
Speaker 1: it is. Well, Meek finds himself going through some of

2202
02:05:21,120 --> 02:05:23,000
Speaker 1: the things that Diddy went through that Jay and then

2203
02:05:23,080 --> 02:05:25,880
Speaker 1: went through the finding out old this is how y'all

2204
02:05:26,040 --> 02:05:28,800
Speaker 1: was getting us or this is the little part of

2205
02:05:28,880 --> 02:05:33,000
Speaker 1: the contract where y'all got slick at. And I'm only

2206
02:05:33,040 --> 02:05:35,080
Speaker 1: in that because I'm arguing to try to get out

2207
02:05:35,160 --> 02:05:37,560
Speaker 1: of that as I'm in a keen position in regards

2208
02:05:37,640 --> 02:05:41,320
Speaker 1: to my reach right now, my business partners, my likeness,

2209
02:05:41,480 --> 02:05:43,600
Speaker 1: things are lined up for me, so I can make

2210
02:05:43,680 --> 02:05:45,720
Speaker 1: some moves right now if I can just get y'all

2211
02:05:45,840 --> 02:05:49,280
Speaker 1: out the business. But they're saying, oh, no, no, no,

2212
02:05:49,440 --> 02:05:51,720
Speaker 1: we said five albums. He like, yeah, yeah, we put

2213
02:05:51,800 --> 02:05:55,200
Speaker 1: five things out. Y'all eight at five things. Yeah, but

2214
02:05:55,320 --> 02:05:58,000
Speaker 1: they're not albums and we didn't classify them albums. So

2215
02:05:58,080 --> 02:06:00,960
Speaker 1: he's like, oh, so y'all playing that game. Y'all playing

2216
02:06:01,000 --> 02:06:04,160
Speaker 1: the same game. They playing the weed game with the

2217
02:06:04,280 --> 02:06:07,680
Speaker 1: shark lotto and the cookies, and you know, we're all

2218
02:06:07,800 --> 02:06:10,520
Speaker 1: dealing with weed here, some of it exotic, some of

2219
02:06:10,600 --> 02:06:13,120
Speaker 1: it now. But they slapping names on shit, and it

2220
02:06:13,240 --> 02:06:15,200
Speaker 1: don't count if this name ain't on it, if it

2221
02:06:15,240 --> 02:06:18,280
Speaker 1: ain't that plue though that ain't the one. So what

2222
02:06:18,400 --> 02:06:20,400
Speaker 1: they're trying to do is say, Yo, you gave us

2223
02:06:20,480 --> 02:06:23,360
Speaker 1: five projects, but we said five albums, and the album

2224
02:06:23,440 --> 02:06:26,560
Speaker 1: has to go through these circumstances to be considered an album.

2225
02:06:27,480 --> 02:06:30,960
Speaker 1: Niggas is like Yo boy, y'all, y'all made this much

2226
02:06:31,040 --> 02:06:34,520
Speaker 1: off that, and they just not gonna recognize that. And

2227
02:06:34,640 --> 02:06:36,920
Speaker 1: they can argue in front of a judge that they

2228
02:06:37,000 --> 02:06:39,440
Speaker 1: said albums, and an album consists of this, and it's

2229
02:06:39,640 --> 02:06:42,840
Speaker 1: probably outlined in the contract, but it frustrating because the

2230
02:06:42,960 --> 02:06:46,040
Speaker 1: only thing that separates album and mixtapes out the word.

2231
02:06:47,600 --> 02:06:50,480
Speaker 1: When you look at a mixtape that was all original

2232
02:06:50,640 --> 02:06:53,360
Speaker 1: music that was effective in the marketplace that I gone

2233
02:06:53,400 --> 02:06:56,000
Speaker 1: to and perform some of these records, the only thing

2234
02:06:56,080 --> 02:06:58,400
Speaker 1: that separates it is the words. And the only reason

2235
02:06:58,480 --> 02:07:02,360
Speaker 1: the words are have the ability to separate it is

2236
02:07:02,520 --> 02:07:04,840
Speaker 1: because you didn't put it through the channels that you

2237
02:07:05,080 --> 02:07:09,720
Speaker 1: say it's necessary for an album. But these are the

2238
02:07:09,840 --> 02:07:12,440
Speaker 1: games being played in the music building, and that's dealing

2239
02:07:12,480 --> 02:07:14,880
Speaker 1: with common sense. A lot of people talk they just

2240
02:07:15,120 --> 02:07:21,040
Speaker 1: industry babies, you know, they've been industrialized, or if that's

2241
02:07:21,120 --> 02:07:23,800
Speaker 1: even the word. They just look at ship through the industry.

2242
02:07:24,080 --> 02:07:26,720
Speaker 1: They don't even deal with common sense, or they don't

2243
02:07:26,720 --> 02:07:29,120
Speaker 1: even view things in a way where they can. Hey, yo,

2244
02:07:29,200 --> 02:07:31,440
Speaker 1: we're just looking at what's the difference of that now,

2245
02:07:31,520 --> 02:07:33,720
Speaker 1: whether that's not how it works, and that's not how

2246
02:07:33,840 --> 02:07:36,520
Speaker 1: it works, but two things can be true. That's not

2247
02:07:36,680 --> 02:07:41,880
Speaker 1: how it works. But that don't make sense. And sometimes

2248
02:07:42,040 --> 02:07:44,320
Speaker 1: motherfuckers all box you into a thing. And that's for

2249
02:07:44,440 --> 02:07:48,760
Speaker 1: a minute. That's for a person who mindset ain't all

2250
02:07:48,880 --> 02:07:50,680
Speaker 1: the way in a place where they're confident in what

2251
02:07:50,760 --> 02:07:53,400
Speaker 1: they understand. But now two things can be true. Yeah,

2252
02:07:53,400 --> 02:07:55,080
Speaker 1: you're right, that ain't how it works, But I do

2253
02:07:55,200 --> 02:07:57,600
Speaker 1: I want to identify that. Don't That don't make sense?

2254
02:07:57,760 --> 02:08:00,320
Speaker 1: And we don't you know over here this it's up

2255
02:08:00,360 --> 02:08:03,720
Speaker 1: that podcast. We got love for labels. We understand labels,

2256
02:08:03,960 --> 02:08:06,680
Speaker 1: you know, but we also understand information is keen and

2257
02:08:06,800 --> 02:08:10,879
Speaker 1: that means that we try not to offend our political

2258
02:08:10,960 --> 02:08:14,840
Speaker 1: connection in a way, but the information is a must

2259
02:08:14,880 --> 02:08:19,680
Speaker 1: for us on this side. And when we talk about

2260
02:08:19,760 --> 02:08:23,400
Speaker 1: label deals, man it's labels. I just spoke about it

2261
02:08:23,520 --> 02:08:26,480
Speaker 1: that last podcast. Labels can do things for you that

2262
02:08:26,600 --> 02:08:29,200
Speaker 1: other people can't do for you. Labels can get you

2263
02:08:29,320 --> 02:08:32,600
Speaker 1: in venues. Again, a lot of these labels can from

2264
02:08:32,640 --> 02:08:36,200
Speaker 1: a brand building perspective, put you in a situation that

2265
02:08:36,320 --> 02:08:40,920
Speaker 1: you just almost can't lose in. We have had some

2266
02:08:41,200 --> 02:08:44,360
Speaker 1: some ranches through in the system, like with your rock nations,

2267
02:08:44,440 --> 02:08:46,680
Speaker 1: or with like what your eighty five self is doing

2268
02:08:46,760 --> 02:08:49,720
Speaker 1: in comedy, or you know what a couple of people

2269
02:08:49,840 --> 02:08:52,440
Speaker 1: doing like earn your leasing them or doing b Marshal

2270
02:08:52,880 --> 02:08:56,240
Speaker 1: loan or certain people are doing in the podcast in space.

2271
02:08:57,680 --> 02:09:00,800
Speaker 1: You throw some ranches in it, right, and so what

2272
02:09:00,960 --> 02:09:03,720
Speaker 1: happens is there is some changing of the guard, but

2273
02:09:03,960 --> 02:09:07,080
Speaker 1: that hasn't changed fully. You know, you can even hear

2274
02:09:07,160 --> 02:09:10,600
Speaker 1: like I spoke about with Joe Budden having issues with

2275
02:09:10,840 --> 02:09:14,400
Speaker 1: touring venues, because when you're not signed with these people

2276
02:09:14,440 --> 02:09:16,920
Speaker 1: who are signed with these people who are in signed

2277
02:09:16,960 --> 02:09:18,840
Speaker 1: with these people, you may not be able to get

2278
02:09:18,920 --> 02:09:23,760
Speaker 1: in the venue, even though the tickets will sell. And

2279
02:09:23,880 --> 02:09:26,480
Speaker 1: then when you zoom out, let's look at these venues

2280
02:09:26,600 --> 02:09:32,600
Speaker 1: for just from a pure information perspective, what keeps these

2281
02:09:32,720 --> 02:09:35,600
Speaker 1: venues going? I would say hip hop and our culture

2282
02:09:35,640 --> 02:09:39,440
Speaker 1: has a direct influence on because from a venue perspective,

2283
02:09:39,520 --> 02:09:41,640
Speaker 1: you gotta think they want to have someone in there

2284
02:09:42,080 --> 02:09:45,040
Speaker 1: as much as they can each month, like Monday two

2285
02:09:45,080 --> 02:09:47,120
Speaker 1: to win at thirty. Friday said, you know what I'm saying,

2286
02:09:47,200 --> 02:09:50,800
Speaker 1: So I would say basketball has a big impact on that.

2287
02:09:51,000 --> 02:09:54,440
Speaker 1: You know who runs basketball, that's us, right. Then you

2288
02:09:54,560 --> 02:09:57,320
Speaker 1: think about touring, and you think about R and B RAP.

2289
02:09:58,480 --> 02:10:01,880
Speaker 1: You know in comedy, that's a whole bunch of tickets

2290
02:10:01,920 --> 02:10:04,960
Speaker 1: that come from us, right, But yet we had issues

2291
02:10:05,000 --> 02:10:07,360
Speaker 1: and we're paying charge fees. They got a fee. I

2292
02:10:07,480 --> 02:10:10,160
Speaker 1: learned this from Andrews shows shut out shows. They got

2293
02:10:10,280 --> 02:10:12,920
Speaker 1: a fee attest to some kind of processing fee for

2294
02:10:13,040 --> 02:10:15,720
Speaker 1: a ticket. So when you tell your fans to come

2295
02:10:15,760 --> 02:10:19,800
Speaker 1: out for twenty five dollars, some of these companies store

2296
02:10:19,800 --> 02:10:22,160
Speaker 1: a text on there or why the the fan pays

2297
02:10:22,720 --> 02:10:25,240
Speaker 1: extra nine or ten dollars which is half the ticket.

2298
02:10:25,280 --> 02:10:28,320
Speaker 1: And then you think about I sold forty five thousand

2299
02:10:28,400 --> 02:10:31,440
Speaker 1: of these over a four day period, so ten thousand

2300
02:10:31,520 --> 02:10:35,320
Speaker 1: a day type thing, and they got an extra ten

2301
02:10:35,400 --> 02:10:40,080
Speaker 1: dollars on each one of them for doing absolutely nothing right.

2302
02:10:40,200 --> 02:10:42,880
Speaker 1: So it's just games being played, man, when you when

2303
02:10:42,920 --> 02:10:45,880
Speaker 1: you pull it and you and you and you zoom out.

2304
02:10:46,280 --> 02:10:48,080
Speaker 1: But I would say our culture has a lot to

2305
02:10:48,200 --> 02:10:51,960
Speaker 1: do with these venues staying open. But the relationship with

2306
02:10:52,080 --> 02:10:54,920
Speaker 1: the labels and the venues and the venues and ticket

2307
02:10:55,000 --> 02:10:58,720
Speaker 1: masks and ticket mask and the bookers and like, it's

2308
02:10:58,760 --> 02:11:01,840
Speaker 1: just a whole big thing going on. But you know,

2309
02:11:02,000 --> 02:11:04,480
Speaker 1: Meek's dealing with some of them contract games. They don't

2310
02:11:04,480 --> 02:11:06,960
Speaker 1: want them to leave. They don't want them to be

2311
02:11:07,040 --> 02:11:10,120
Speaker 1: in a situation to feel like he leaves on the

2312
02:11:10,240 --> 02:11:14,760
Speaker 1: up and up or and then when you say things online,

2313
02:11:14,840 --> 02:11:16,640
Speaker 1: you know, they don't like that. They would like to

2314
02:11:16,760 --> 02:11:22,160
Speaker 1: shut that up. You know, they would like to shut

2315
02:11:22,240 --> 02:11:24,480
Speaker 1: that up. But you know he's he's trying to get

2316
02:11:24,520 --> 02:11:26,480
Speaker 1: out to deal and see what's next for him. You know,

2317
02:11:26,680 --> 02:11:28,520
Speaker 1: like I said, you got jay Z on his line,

2318
02:11:28,560 --> 02:11:31,360
Speaker 1: he got Michael Rubin, he got people believing in him.

2319
02:11:31,400 --> 02:11:33,240
Speaker 1: So he trying to figure out what's next for him.

2320
02:11:33,280 --> 02:11:36,440
Speaker 1: And they like, hey, sign back, or maybe they want

2321
02:11:36,480 --> 02:11:38,360
Speaker 1: them to sign back. We don't know what what their

2322
02:11:38,440 --> 02:11:41,400
Speaker 1: position is because they don't talk. And I think we

2323
02:11:41,480 --> 02:11:44,720
Speaker 1: got to get people in those buildings that represent those

2324
02:11:44,800 --> 02:11:46,840
Speaker 1: buildings to be able to come out and speak too,

2325
02:11:47,440 --> 02:11:49,960
Speaker 1: because you got some allegations coming out from a lot

2326
02:11:50,040 --> 02:11:52,280
Speaker 1: of people like y'all should probably speak on some of

2327
02:11:52,360 --> 02:11:55,880
Speaker 1: those things, you know. Um, I just think it's it's

2328
02:11:55,960 --> 02:11:59,120
Speaker 1: healthy for our relationship and it's also healthy for the coach.

2329
02:12:00,200 --> 02:12:05,480
Speaker 1: Let's talk about podcasting. For those of you unaware, DJ

2330
02:12:05,720 --> 02:12:12,520
Speaker 1: Academics had some situation with Christine Rock, who is Blue

2331
02:12:12,560 --> 02:12:15,800
Speaker 1: Faced Artists or slash girlfriend. I really don't know her position,

2332
02:12:17,040 --> 02:12:19,880
Speaker 1: in which Academics was about to get home the show

2333
02:12:20,000 --> 02:12:23,600
Speaker 1: and some kind of way they declined and said that

2334
02:12:23,760 --> 02:12:26,480
Speaker 1: that he wasn't trying to pay, and he was offended

2335
02:12:26,600 --> 02:12:29,960
Speaker 1: because he has a big brand. I want to tell

2336
02:12:30,000 --> 02:12:32,840
Speaker 1: you guys that DJ Academics does have a big brand

2337
02:12:32,880 --> 02:12:35,640
Speaker 1: in this culture, so you do have to put some

2338
02:12:35,760 --> 02:12:39,760
Speaker 1: respect on his brand. He built it himself. I think

2339
02:12:39,920 --> 02:12:44,320
Speaker 1: in the podcast space, that's some opportunity there, which he's

2340
02:12:44,400 --> 02:12:46,160
Speaker 1: new in it, like I'm new in it, so we

2341
02:12:46,280 --> 02:12:48,640
Speaker 1: got to learn how to navigate around it. I think

2342
02:12:50,320 --> 02:12:54,720
Speaker 1: where it stands right, is it as effective as his Instagram?

2343
02:12:54,840 --> 02:12:56,600
Speaker 1: And see, he got to know that he's in a

2344
02:12:56,720 --> 02:12:59,360
Speaker 1: situation where that's gonna be the outlook of people. They're

2345
02:12:59,360 --> 02:13:01,840
Speaker 1: gonna look at him his podcast and say it is

2346
02:13:01,960 --> 02:13:07,320
Speaker 1: his podcast as big and as influential as his Instagram pages,

2347
02:13:08,320 --> 02:13:11,440
Speaker 1: and so he's gonna face some uphill battles and me,

2348
02:13:11,640 --> 02:13:14,480
Speaker 1: I give my opinion on it. He gives his opinion

2349
02:13:14,560 --> 02:13:18,280
Speaker 1: on how he feels about things. Um loon always speaks

2350
02:13:18,520 --> 02:13:21,400
Speaker 1: from a place of information. I'm always looking for the information.

2351
02:13:21,480 --> 02:13:24,240
Speaker 1: I'm proud that Dirk is gonna give him the interview

2352
02:13:24,280 --> 02:13:27,440
Speaker 1: because again I told you guys, he covered Dirt from

2353
02:13:27,480 --> 02:13:31,480
Speaker 1: a certain perspective to ensure Dirk understand that he was

2354
02:13:31,560 --> 02:13:36,480
Speaker 1: supporting him. And and it was. It was when Dirk

2355
02:13:36,520 --> 02:13:38,600
Speaker 1: went it um me and worth a game. I think that,

2356
02:13:39,760 --> 02:13:43,480
Speaker 1: you know, because his fans were saying stuff. You understand it.

2357
02:13:43,560 --> 02:13:45,760
Speaker 1: So Dirt came out and gave him some love, which

2358
02:13:46,280 --> 02:13:48,320
Speaker 1: you know. I think Dirk will Doole will see how

2359
02:13:48,360 --> 02:13:53,240
Speaker 1: the interview turns out. But nonetheless, him and Christine Rock

2360
02:13:53,320 --> 02:13:55,680
Speaker 1: I think it's her name, is going at it, and

2361
02:13:55,840 --> 02:13:59,480
Speaker 1: she tweeted this, I'm so happy I never did an

2362
02:13:59,520 --> 02:14:03,400
Speaker 1: interview with you, crazy thing. I don't know how I

2363
02:14:03,480 --> 02:14:06,160
Speaker 1: offended you. I don't need your platform. God gave me

2364
02:14:06,840 --> 02:14:09,320
Speaker 1: my own just because I'm going through some of blue

2365
02:14:09,360 --> 02:14:12,640
Speaker 1: Face don't mean to bash me publicly. You literally don't

2366
02:14:12,720 --> 02:14:15,000
Speaker 1: know me all you know. It's what social media is saying.

2367
02:14:15,080 --> 02:14:17,400
Speaker 1: Never in my life talk to you. My role manager

2368
02:14:17,520 --> 02:14:20,680
Speaker 1: was communicating the final details for the interview. We didn't

2369
02:14:20,720 --> 02:14:23,680
Speaker 1: go through with it because I wasn't getting paid. No

2370
02:14:23,880 --> 02:14:28,320
Speaker 1: hard feelings. You're over that, disrespecting the female just for fun,

2371
02:14:28,800 --> 02:14:33,040
Speaker 1: looking booth, I'm real blue will slap on you acting

2372
02:14:33,120 --> 02:14:36,520
Speaker 1: like we care for your broke interview. YA paid me

2373
02:14:36,560 --> 02:14:39,680
Speaker 1: because I'm not doing nothing for free. I got paid

2374
02:14:39,760 --> 02:14:45,840
Speaker 1: for my last interview, thanks bones. And so after or

2375
02:14:46,040 --> 02:14:50,040
Speaker 1: she was responding to academics again because she tried to

2376
02:14:50,760 --> 02:14:53,920
Speaker 1: charge him for an interview. And this is what academics

2377
02:14:54,000 --> 02:15:02,200
Speaker 1: had to say. It's amazing, truthless, headless fucking listen, nigga,

2378
02:15:03,560 --> 02:15:09,720
Speaker 1: this is amazing. We got two for us. Headless Blue

2379
02:15:09,800 --> 02:15:15,120
Speaker 1: Face responded because academics went online and you know, called

2380
02:15:15,160 --> 02:15:17,120
Speaker 1: out like you're gonna charge me man. I just had

2381
02:15:17,240 --> 02:15:21,520
Speaker 1: Roddy Ridge Kodak, got dirt coming up. You know you're

2382
02:15:21,520 --> 02:15:24,640
Speaker 1: gonna charge me? Man? You tripping? And I want y'all

2383
02:15:24,720 --> 02:15:26,760
Speaker 1: rider to know that this ain't really about her. This

2384
02:15:26,960 --> 02:15:30,280
Speaker 1: he talking to everybody he wants the game to know that,

2385
02:15:30,480 --> 02:15:33,040
Speaker 1: you know, come here and treat this like Apple music.

2386
02:15:33,920 --> 02:15:37,920
Speaker 1: This is his vibe, and I respected a little bit too,

2387
02:15:38,080 --> 02:15:41,120
Speaker 1: because it's fucked up. I gotta send my publicist to

2388
02:15:41,760 --> 02:15:44,840
Speaker 1: call some nigga publicists and they talking about a game

2389
02:15:44,920 --> 02:15:49,120
Speaker 1: that I'm instrumental in. I got impacking influence in the game,

2390
02:15:49,200 --> 02:15:52,160
Speaker 1: and I gotta send white people to throw back channels

2391
02:15:52,200 --> 02:15:55,160
Speaker 1: to contact wrapping niggas to get on the show. Like

2392
02:15:55,280 --> 02:15:58,520
Speaker 1: it's a weird thing. Almost lose a lot of respect

2393
02:15:58,600 --> 02:16:01,600
Speaker 1: for when I had to do with that way. But

2394
02:16:01,760 --> 02:16:03,960
Speaker 1: he's saying, Yo, come here and respect this, and that's

2395
02:16:03,960 --> 02:16:07,720
Speaker 1: how you feel. But let's listen to him responding the

2396
02:16:07,800 --> 02:16:10,680
Speaker 1: Blue Face because Blue Face later came in and said something.

2397
02:16:13,000 --> 02:16:17,280
Speaker 1: I'm sorry, brother, I told you it's one size if

2398
02:16:17,360 --> 02:16:21,520
Speaker 1: at all. Blue Face bleed him. Nigga, I sat on

2399
02:16:21,600 --> 02:16:24,160
Speaker 1: it for a day. Okay, I sat on it for

2400
02:16:24,200 --> 02:16:29,160
Speaker 1: a day. Nigga act really mad he couldn't get a

2401
02:16:29,200 --> 02:16:35,920
Speaker 1: free interview. But we're not relevant, So why am mad? Blue?

2402
02:16:36,640 --> 02:16:39,520
Speaker 1: I know this is your Beyonce, and I just want

2403
02:16:39,560 --> 02:16:43,640
Speaker 1: to say Blue, I love using artists, Okay. And by

2404
02:16:43,680 --> 02:16:45,800
Speaker 1: the way, just for the record, Blue, I would never

2405
02:16:45,800 --> 02:16:47,840
Speaker 1: pay for an interview. Who would you? Ever? So, if

2406
02:16:47,879 --> 02:16:50,080
Speaker 1: you ever want an interview with me, we could we

2407
02:16:50,120 --> 02:16:52,800
Speaker 1: could cancel it forever and always if you think I'm

2408
02:16:52,800 --> 02:16:57,600
Speaker 1: gonna pay you never ever, ever. So if you thought

2409
02:16:57,600 --> 02:16:59,960
Speaker 1: I was gonna pay your girl or a comerad whatever

2410
02:17:00,200 --> 02:17:03,680
Speaker 1: the color, you were tripping. But I'm glad you tweeted

2411
02:17:03,680 --> 02:17:06,520
Speaker 1: this out because I sat on. I'm like, note, Nigga,

2412
02:17:06,600 --> 02:17:07,840
Speaker 1: grant hit me up, I said, Grant, it is a

2413
02:17:07,879 --> 02:17:12,199
Speaker 1: faith tweet. Act really mad he couldn't get a free interview.

2414
02:17:14,560 --> 02:17:18,800
Speaker 1: Let me go back, Nigga, you're hiding from her? Is

2415
02:17:18,840 --> 02:17:21,800
Speaker 1: it officially? Get Is it official? Like a referee with

2416
02:17:21,840 --> 02:17:31,480
Speaker 1: a whistle. That's your girl, Blue. She tatted Jonathan's pussy

2417
02:17:31,640 --> 02:17:37,560
Speaker 1: right above the pussy got like a good no hop

2418
02:17:37,640 --> 02:17:39,720
Speaker 1: with a dinner. If they grab you by the way,

2419
02:17:39,800 --> 02:17:50,400
Speaker 1: they do look good. We got twoth fless and headless. Great.

2420
02:17:52,600 --> 02:18:00,320
Speaker 1: This is amazing, toothless, headless and dude funny man a

2421
02:18:00,480 --> 02:18:05,600
Speaker 1: dude craig. So for y'all who don't know, um blue face,

2422
02:18:06,520 --> 02:18:09,320
Speaker 1: this girl has been arrested for stealing this car and

2423
02:18:09,480 --> 02:18:12,920
Speaker 1: driving it like full five stakes over and getting caught

2424
02:18:12,959 --> 02:18:14,960
Speaker 1: with cocaine and drugs in and I don't know if

2425
02:18:15,000 --> 02:18:17,640
Speaker 1: she was trafficking. I'm not sure what she was doing,

2426
02:18:17,720 --> 02:18:20,320
Speaker 1: but these are the charges. She's been caught breaking in

2427
02:18:20,400 --> 02:18:22,560
Speaker 1: the house and writing his name in blood that she

2428
02:18:22,720 --> 02:18:27,440
Speaker 1: loved them. She tattooed his name, you know, Jonathan pushed

2429
02:18:27,560 --> 02:18:30,039
Speaker 1: or something owner. So this is why people are going

2430
02:18:30,160 --> 02:18:32,600
Speaker 1: to the extreme and trying to or this is why

2431
02:18:32,680 --> 02:18:37,520
Speaker 1: academics is going to the extreme, trying to identify, saying that, hey,

2432
02:18:37,640 --> 02:18:40,120
Speaker 1: this your girl stopped hiding and stopped running from in

2433
02:18:40,240 --> 02:18:42,400
Speaker 1: things like that that's supposed to be tooking as a

2434
02:18:42,440 --> 02:18:52,080
Speaker 1: slight to him or his anonymity. Fucking great, this is amazing.

2435
02:18:54,040 --> 02:19:02,879
Speaker 1: We got two fus headless. This is great. Blue. By

2436
02:19:02,920 --> 02:19:05,840
Speaker 1: the way, as you're watching this is still not too

2437
02:19:05,959 --> 02:19:08,360
Speaker 1: late for you to like your act. I was tweaking.

2438
02:19:09,080 --> 02:19:11,360
Speaker 1: You'll tell me that later, but you gotta get a roasted.

2439
02:19:11,360 --> 02:19:13,240
Speaker 1: I'm sorry, but I like you. I still love you, yo,

2440
02:19:13,320 --> 02:19:15,600
Speaker 1: I still love Blue, but I gotta roast. I'm sorry, bro,

2441
02:19:15,920 --> 02:19:17,960
Speaker 1: gotta give him the roasted. I don't know what he's

2442
02:19:18,000 --> 02:19:21,680
Speaker 1: a little bit off. He might be. Do y'all think wait,

2443
02:19:21,760 --> 02:19:25,240
Speaker 1: hold on, wait, no, fuck that. Do y'all think the

2444
02:19:25,360 --> 02:19:30,280
Speaker 1: crack cocaine. She was trying to smuggle in blues g

2445
02:19:30,520 --> 02:19:35,160
Speaker 1: wagon when she got caught. You think Blue hitting that

2446
02:19:37,920 --> 02:19:45,360
Speaker 1: holy toothless and hitless. This is crazy Blue. Put your

2447
02:19:45,440 --> 02:19:47,920
Speaker 1: head around her. Man, you gotta cut that. You gotta

2448
02:19:47,959 --> 02:19:52,680
Speaker 1: cut the cheeks, bro, look anything you want to fagles, bro,

2449
02:19:52,800 --> 02:19:54,680
Speaker 1: I'm gonna leave you alone. See you can get your privacy.

2450
02:19:54,760 --> 02:20:01,720
Speaker 1: Looking fresh and fly like, I don't worry about They

2451
02:20:01,879 --> 02:20:05,680
Speaker 1: noticed sitting the nigga up there. They noticing in the dude,

2452
02:20:06,480 --> 02:20:08,400
Speaker 1: you know to come ask the question that didn't know

2453
02:20:08,480 --> 02:20:11,760
Speaker 1: how to cock buff? Oh, looking fresh and fly? My

2454
02:20:12,040 --> 02:20:16,520
Speaker 1: guy looking good like always my guy, big homie, how's

2455
02:20:16,560 --> 02:20:19,800
Speaker 1: it going? Niggas be knowing how to and he really

2456
02:20:19,920 --> 02:20:23,040
Speaker 1: trying to he know he in violations, trying not to

2457
02:20:23,120 --> 02:20:25,800
Speaker 1: piss you off. I know how to cut you coming

2458
02:20:25,879 --> 02:20:28,119
Speaker 1: out of here with deve fly which you don't want

2459
02:20:28,160 --> 02:20:30,720
Speaker 1: to be seen like, yeah, so he's playing a little

2460
02:20:30,840 --> 02:20:39,000
Speaker 1: game with him, the photographer dipps. But here, really, what's this? Look? Oh?

2461
02:20:39,680 --> 02:20:43,600
Speaker 1: They look cute? I'm sorry, now that look cute? Not

2462
02:20:43,760 --> 02:20:53,240
Speaker 1: that look cute? Bro yo, Like like like I want

2463
02:20:53,280 --> 02:20:55,000
Speaker 1: to come to the wedding still I don't. I don't

2464
02:20:55,040 --> 02:20:57,840
Speaker 1: want nothing I said to fuck up my wedding invite.

2465
02:20:57,879 --> 02:21:06,240
Speaker 1: This is great, yo, this is Blues Beyonce, this is

2466
02:21:06,360 --> 02:21:14,640
Speaker 1: Crazy Blue. Is this your Beyonce Blue? Is this your

2467
02:21:14,800 --> 02:21:22,200
Speaker 1: be yond? Because I didn't go forward with the interview

2468
02:21:22,560 --> 02:21:30,000
Speaker 1: with you because you wasn't paying respectfully, I mean, okay,

2469
02:21:30,040 --> 02:21:34,680
Speaker 1: I gotta recap it just she said. Well, she's addressing like, oh,

2470
02:21:34,760 --> 02:21:37,520
Speaker 1: my career won't go forward without you because I didn't

2471
02:21:37,560 --> 02:21:42,360
Speaker 1: do the interview with you without paying. Right, let's keep

2472
02:21:42,720 --> 02:21:44,800
Speaker 1: let's keep hearing. By the way, also, let me read this,

2473
02:21:45,200 --> 02:21:48,120
Speaker 1: which was a post she made story I rebuke called

2474
02:21:48,160 --> 02:21:50,360
Speaker 1: the evil people. Right now, I wake up praying for

2475
02:21:50,480 --> 02:21:52,640
Speaker 1: everyone that hates me. A little dude, y'all know, just

2476
02:21:52,800 --> 02:21:55,640
Speaker 1: a female hoping for brighter days. Y'all over here trying

2477
02:21:55,640 --> 02:21:57,840
Speaker 1: to tear me down, like I'm not gonna win or something.

2478
02:21:57,920 --> 02:21:59,680
Speaker 1: I got this. I won't let my fans down. I'm

2479
02:21:59,680 --> 02:22:03,280
Speaker 1: not gonna act like that. Stuff don't hurt. So let's

2480
02:22:03,360 --> 02:22:06,000
Speaker 1: keep here what she says, remember my fact. Let me

2481
02:22:06,080 --> 02:22:14,040
Speaker 1: play this from the get go. She's saying, here, my

2482
02:22:14,240 --> 02:22:20,440
Speaker 1: career is not going nowhere. Chris shaw Rock, I wish

2483
02:22:20,480 --> 02:22:22,200
Speaker 1: I had a tombstone in the background. We're gonna put

2484
02:22:22,200 --> 02:22:26,240
Speaker 1: your career in the tombstone tonight. Don't you worry. But

2485
02:22:26,640 --> 02:22:29,160
Speaker 1: everything you're saying, this is why your boyfriend blue Face

2486
02:22:29,360 --> 02:22:31,560
Speaker 1: you love. Your life should probably be a little bit

2487
02:22:31,600 --> 02:22:34,480
Speaker 1: more like your act. Don't speak without just like talking shit.

2488
02:22:34,840 --> 02:22:39,600
Speaker 1: I don't be just ranting with no reason. So you're

2489
02:22:39,640 --> 02:22:41,800
Speaker 1: saying that anybody way, I didn't say that. I think

2490
02:22:41,840 --> 02:22:45,039
Speaker 1: your career will not be going up if you feel

2491
02:22:45,120 --> 02:22:49,800
Speaker 1: like outlets like myself, Bigger or the like will ever

2492
02:22:49,879 --> 02:22:52,959
Speaker 1: pay for interviews for you. You don't have a hit song.

2493
02:22:53,280 --> 02:22:56,720
Speaker 1: You're known as blue Faces comerag. There is nothing that

2494
02:22:56,959 --> 02:22:59,440
Speaker 1: is intriguing about you other than the fact that you

2495
02:22:59,600 --> 02:23:02,879
Speaker 1: look like literally you jump off the paper as why

2496
02:23:03,000 --> 02:23:05,440
Speaker 1: the fuck do you have one tooth? We don't give

2497
02:23:05,480 --> 02:23:08,480
Speaker 1: a fuck that you tattooed Jonathan's pussy, which is Blueface's

2498
02:23:08,560 --> 02:23:10,520
Speaker 1: real name. We don't care that you tatted his name

2499
02:23:10,600 --> 02:23:13,080
Speaker 1: three other times. We really don't care about this other

2500
02:23:13,120 --> 02:23:15,720
Speaker 1: shit that's between you and him. He's been denying you

2501
02:23:15,840 --> 02:23:19,040
Speaker 1: for the last last year. You've been claiming him for

2502
02:23:19,040 --> 02:23:21,360
Speaker 1: the last year, and until this last incident where we

2503
02:23:21,440 --> 02:23:23,560
Speaker 1: finally him pop out with you. We were gonna just

2504
02:23:23,680 --> 02:23:26,680
Speaker 1: say you're a liar and a stalker, so don't try

2505
02:23:26,720 --> 02:23:30,080
Speaker 1: to get at me. But we're gonna put you together today.

2506
02:23:30,200 --> 02:23:32,880
Speaker 1: You know why because just like Megna Stallions, just like

2507
02:23:32,959 --> 02:23:34,720
Speaker 1: any of these rappers. And by the way, I want

2508
02:23:34,720 --> 02:23:37,560
Speaker 1: to reiterate, it's not about female rappers, is about rappers

2509
02:23:37,600 --> 02:23:40,040
Speaker 1: in general. I put them where they need to be.

2510
02:23:40,440 --> 02:23:43,200
Speaker 1: I deal with the facts. I don't deal with conjecture.

2511
02:23:43,240 --> 02:23:45,640
Speaker 1: I deal with the facts. If this is a male rapper,

2512
02:23:45,640 --> 02:23:48,520
Speaker 1: I get at him the same. Don't blocks only females. No,

2513
02:23:48,879 --> 02:23:51,400
Speaker 1: a male rapper gonna remember what the fuck went down

2514
02:23:51,440 --> 02:23:53,520
Speaker 1: and would never put this bullshit up. But let's listen

2515
02:23:53,600 --> 02:23:59,880
Speaker 1: to Chris shaw Rock Blue Faces. I didn't go forward

2516
02:24:00,040 --> 02:24:05,000
Speaker 1: with the interview with you because you wasn't paying respectfully.

2517
02:24:05,040 --> 02:24:10,400
Speaker 1: I needed my worth. I don't for free the guy

2518
02:24:10,520 --> 02:24:14,120
Speaker 1: that that didn't interview me pay me five K and

2519
02:24:14,320 --> 02:24:16,960
Speaker 1: flew me out. You couldn't even fly me out. Then

2520
02:24:17,120 --> 02:24:21,200
Speaker 1: you come from my career. Hold ho, you know I'm

2521
02:24:21,240 --> 02:24:24,560
Speaker 1: gonna talk about this. Chris shaw Rock here, broken shit,

2522
02:24:24,920 --> 02:24:29,000
Speaker 1: fucking trying to pedal crack cocaine. Let me just reiterate

2523
02:24:29,120 --> 02:24:32,000
Speaker 1: that again, don't you ever said I couldn't do anything

2524
02:24:32,840 --> 02:24:35,680
Speaker 1: I brought. I flew Brittany Rent around. I'll tell you

2525
02:24:35,680 --> 02:24:37,360
Speaker 1: how the truth. I'll tell everybody the truth. I said,

2526
02:24:37,360 --> 02:24:38,800
Speaker 1: Brittany right, I want you to come out here and

2527
02:24:38,879 --> 02:24:41,680
Speaker 1: come and sit with motherfucking fresh and fit. I did

2528
02:24:41,760 --> 02:24:45,760
Speaker 1: that when viral Worth my time for a bumm like you,

2529
02:24:46,200 --> 02:24:48,360
Speaker 1: for someone with not a career, for someone who we

2530
02:24:48,520 --> 02:24:51,160
Speaker 1: don't give a fuck about. You're in this blue Face

2531
02:24:51,200 --> 02:24:53,400
Speaker 1: world and you feel so self absorbed, but that world

2532
02:24:53,480 --> 02:24:57,000
Speaker 1: doesn't fucking matter to shit. Blue Face ain't doing crazy numbers,

2533
02:24:57,080 --> 02:25:00,040
Speaker 1: my nigga, humble yourself. So when you're saying that, I

2534
02:25:00,040 --> 02:25:02,680
Speaker 1: wouldn't fly you out, nigga, I wouldn't even fly blue

2535
02:25:02,720 --> 02:25:04,480
Speaker 1: Face out. You know what I would say if blue

2536
02:25:04,520 --> 02:25:07,600
Speaker 1: Face say you do it? Why I live to tear

2537
02:25:07,760 --> 02:25:10,600
Speaker 1: down people who come against the chat niggas like this.

2538
02:25:11,160 --> 02:25:14,000
Speaker 1: Listen to her talking. You know you come from my

2539
02:25:15,000 --> 02:25:19,240
Speaker 1: name who I am? I don't know the half of

2540
02:25:19,360 --> 02:25:24,120
Speaker 1: what I am. As I said this kind of stuff

2541
02:25:24,560 --> 02:25:28,600
Speaker 1: don't mean anything, into it mean something. I still got

2542
02:25:28,800 --> 02:25:36,640
Speaker 1: people like you talking because you because you broke sure

2543
02:25:38,440 --> 02:25:48,600
Speaker 1: what I was called us a fact, not even a lie,

2544
02:25:49,959 --> 02:25:52,920
Speaker 1: and that's not even my budget. I was just that's

2545
02:25:52,959 --> 02:25:59,440
Speaker 1: a discount right your chat. Everybody who wants to making

2546
02:25:59,480 --> 02:26:00,880
Speaker 1: this music in the shit I means you have to

2547
02:26:00,920 --> 02:26:05,320
Speaker 1: tune in again. I sacrifice, and I make people the example.

2548
02:26:05,760 --> 02:26:08,240
Speaker 1: Not for them. She was never gonna make it or

2549
02:26:08,360 --> 02:26:10,840
Speaker 1: over there, she was never gonna make it. I'm gonna

2550
02:26:10,840 --> 02:26:14,520
Speaker 1: give you the example of why and what this industry is.

2551
02:26:15,080 --> 02:26:16,720
Speaker 1: You can listen to a bum like this, or you

2552
02:26:16,760 --> 02:26:19,400
Speaker 1: could listen to a nigga who has made fucking millions

2553
02:26:19,920 --> 02:26:23,080
Speaker 1: that just have dealt with the game independently and it's

2554
02:26:23,200 --> 02:26:25,880
Speaker 1: random shit. You could decide if you want to listen

2555
02:26:25,879 --> 02:26:28,440
Speaker 1: to this bum who's cutting herself with glass and writing

2556
02:26:28,520 --> 02:26:30,880
Speaker 1: I love you and getting caught with felonies, or you

2557
02:26:30,920 --> 02:26:33,640
Speaker 1: want to listen to a big fucking act. You decide,

2558
02:26:33,840 --> 02:26:35,640
Speaker 1: But I know y'all make the right choice. So I'm

2559
02:26:35,680 --> 02:26:37,560
Speaker 1: gonna listen to the bullshit she's saying that. I'm gonna

2560
02:26:37,560 --> 02:26:39,240
Speaker 1: give you out a real game, because I will never

2561
02:26:39,360 --> 02:26:44,080
Speaker 1: let these motherfuckers who think they're delusional ever fucking like

2562
02:26:44,640 --> 02:26:47,200
Speaker 1: change the game of what this music shit is. So

2563
02:26:47,560 --> 02:26:49,360
Speaker 1: let me just let me just keep listening to what

2564
02:26:49,720 --> 02:26:51,720
Speaker 1: she gotta say because I can't wait to fucking eat her.

2565
02:26:52,840 --> 02:26:56,280
Speaker 1: Everybody trying to play with me. And by the way, Yo,

2566
02:26:57,640 --> 02:27:00,440
Speaker 1: that's nothing. I gotta say, Jody, I think because whatever

2567
02:27:00,520 --> 02:27:03,160
Speaker 1: you got, you got off with Like Aiden Ross, nigga,

2568
02:27:03,240 --> 02:27:06,160
Speaker 1: I'm a straight big dog when it comes to media show,

2569
02:27:06,160 --> 02:27:08,360
Speaker 1: when it comes to hip hop, I'm not Aiden Ross.

2570
02:27:08,520 --> 02:27:11,240
Speaker 1: I'm not no little nigga to no rapper nowadays. If

2571
02:27:11,280 --> 02:27:13,959
Speaker 1: you ever see me playing a little batim bitch roll

2572
02:27:14,320 --> 02:27:17,160
Speaker 1: is because it's a skit nigga. I'm not letting nobody

2573
02:27:17,240 --> 02:27:21,840
Speaker 1: play with me, especially someone who literally like bro like

2574
02:27:23,879 --> 02:27:25,959
Speaker 1: do I gotta I got shit on you? And blue

2575
02:27:26,000 --> 02:27:29,400
Speaker 1: Face or just you like you're nobody, don't do it.

2576
02:27:29,680 --> 02:27:31,560
Speaker 1: So anyway, the point of what I'm trying to say,

2577
02:27:31,560 --> 02:27:33,920
Speaker 1: it's like actually doesn't keep litera same because I just

2578
02:27:34,040 --> 02:27:36,920
Speaker 1: can't I nigg it like Aiden let you let you rock?

2579
02:27:37,000 --> 02:27:39,000
Speaker 1: And I told Aid in this Mad Times, why'd you

2580
02:27:39,120 --> 02:27:43,080
Speaker 1: let her disrespect you like that? Nigga? You gotta And

2581
02:27:43,160 --> 02:27:46,680
Speaker 1: I say that's for blue Face. Aiden got blue Face

2582
02:27:46,959 --> 02:27:50,320
Speaker 1: more attention than that nigga's gotten for any song in

2583
02:27:50,400 --> 02:27:53,000
Speaker 1: the last two years. You will never do that with

2584
02:27:53,160 --> 02:27:56,200
Speaker 1: Big Act. It's big fucking act nigga. None of y'all

2585
02:27:56,240 --> 02:27:58,920
Speaker 1: would do that. Y'all see I'm checking. If i'm checking, Meg,

2586
02:27:59,160 --> 02:28:01,160
Speaker 1: what am I gonna do this you? It don't matter

2587
02:28:01,280 --> 02:28:03,000
Speaker 1: male female life. You know I'm not playing with it.

2588
02:28:03,120 --> 02:28:04,960
Speaker 1: So if you're gonna play with me, we're gonna play

2589
02:28:05,560 --> 02:28:08,200
Speaker 1: one thing. I do know for a fact, women get

2590
02:28:08,240 --> 02:28:12,959
Speaker 1: played in sports like that. Artists anywhere, y'all don't take

2591
02:28:13,000 --> 02:28:23,080
Speaker 1: women's serious. But for you to really go out your way, okay? Cool.

2592
02:28:23,200 --> 02:28:25,720
Speaker 1: So first of all, all right, so let me not

2593
02:28:25,920 --> 02:28:30,039
Speaker 1: give you the story. I've never discussed money with this woman,

2594
02:28:31,200 --> 02:28:34,480
Speaker 1: never discussed money with her representatives. I want to give

2595
02:28:34,520 --> 02:28:37,480
Speaker 1: you out the full truth, nothing but the truth. Blue face.

2596
02:28:37,520 --> 02:28:39,280
Speaker 1: You need to check your chick before she started talking

2597
02:28:39,320 --> 02:28:41,560
Speaker 1: to people who because it's to keep it real. The

2598
02:28:41,640 --> 02:28:43,480
Speaker 1: way how she's disrespectful. Let me tell you how this

2599
02:28:43,520 --> 02:28:48,160
Speaker 1: industry work. When you're backing her up and she's disrespecting

2600
02:28:48,240 --> 02:28:50,120
Speaker 1: like that and niggas taken out on you, Just to

2601
02:28:50,200 --> 02:28:54,040
Speaker 1: let you know this is how the industry works. She's nobody,

2602
02:28:54,120 --> 02:28:56,720
Speaker 1: she's not in this ship. You're in this ship. You

2603
02:28:56,959 --> 02:28:59,880
Speaker 1: need your songs to be publicized, you need your song

2604
02:29:00,120 --> 02:29:02,879
Speaker 1: to be whatever, she's not in this shit. So when

2605
02:29:02,920 --> 02:29:05,400
Speaker 1: you start backing her up, not knowing the real facts,

2606
02:29:05,720 --> 02:29:08,680
Speaker 1: Nigga's taken out on you. But I'm gonna give you

2607
02:29:08,720 --> 02:29:10,520
Speaker 1: an I'm gonna give you a free lesson, just like

2608
02:29:10,520 --> 02:29:13,840
Speaker 1: I'm gonna give her a free lesson. Okay. So so

2609
02:29:14,080 --> 02:29:19,720
Speaker 1: she's saying that yo, my comments last time about her,

2610
02:29:20,680 --> 02:29:23,840
Speaker 1: you know, um saying that she wasn't down to do

2611
02:29:24,040 --> 02:29:25,760
Speaker 1: free interviews. And this is what I'm trying to say,

2612
02:29:26,160 --> 02:29:29,240
Speaker 1: blue face, this is why you're fucking up. You're fucking

2613
02:29:29,360 --> 02:29:31,720
Speaker 1: you're artist. She's not an artist. Matter of fact, let

2614
02:29:31,760 --> 02:29:33,760
Speaker 1: me just throw down the window. She's not an artist.

2615
02:29:33,840 --> 02:29:36,480
Speaker 1: You're fucking this chick. And in her mind she thinks

2616
02:29:36,520 --> 02:29:39,280
Speaker 1: she's an artist, and then when she gets into these

2617
02:29:39,360 --> 02:29:43,000
Speaker 1: little little media drama shit, she thinks she's like some

2618
02:29:43,200 --> 02:29:46,640
Speaker 1: hot shit you and you are an artist. And you know,

2619
02:29:46,879 --> 02:29:50,680
Speaker 1: even when you're in your biggest height buzz shit where

2620
02:29:50,760 --> 02:29:52,840
Speaker 1: people and where you're in beef and with whoever, that

2621
02:29:52,920 --> 02:29:55,680
Speaker 1: shit don't help your sales. You got this girl gassed

2622
02:29:55,760 --> 02:29:57,960
Speaker 1: up thinking it will. You got her gassed up like

2623
02:29:58,040 --> 02:30:00,800
Speaker 1: she got leverage. You got her assed up like she's

2624
02:30:00,800 --> 02:30:03,240
Speaker 1: bigger than what she is I'm telling blue Face this

2625
02:30:03,360 --> 02:30:05,160
Speaker 1: because he got to learn this. And if whack here's this,

2626
02:30:05,240 --> 02:30:08,840
Speaker 1: whack you need to tell him this. High ninety seven

2627
02:30:08,879 --> 02:30:11,640
Speaker 1: will never pay pay for a blue Face interview. Apple

2628
02:30:11,800 --> 02:30:14,720
Speaker 1: Music will never pay for a blue Face interview. By

2629
02:30:14,760 --> 02:30:16,520
Speaker 1: the way, I just heard Whack one Hunters say this,

2630
02:30:16,600 --> 02:30:18,960
Speaker 1: and y'all could ask him if anybody on Clubhouse, here's

2631
02:30:19,040 --> 02:30:22,800
Speaker 1: my clip. I asked Whack one hundred this, Whack one Hunters.

2632
02:30:22,959 --> 02:30:25,120
Speaker 1: I heard it today. I'm shitting on the toilet and

2633
02:30:25,160 --> 02:30:26,760
Speaker 1: I listened to all hip hop. I listen. When I

2634
02:30:26,800 --> 02:30:29,119
Speaker 1: mean I listen to hip hop all day in my life,

2635
02:30:29,440 --> 02:30:32,920
Speaker 1: I lived this culture. Nobody will ever say that I

2636
02:30:33,000 --> 02:30:34,760
Speaker 1: don't when I tell you, I don't work this ship

2637
02:30:34,879 --> 02:30:37,720
Speaker 1: as a part time job. This is my life. Whack

2638
02:30:37,800 --> 02:30:41,040
Speaker 1: one Hunters saying he brought blue Face to Spotify. Spotify

2639
02:30:41,160 --> 02:30:43,320
Speaker 1: signed me for millions of dollars to do a podcast,

2640
02:30:43,640 --> 02:30:46,360
Speaker 1: and I them and if I'm gonna get a chick

2641
02:30:47,360 --> 02:30:50,000
Speaker 1: to do my podcast as pot Spotify, by the way,

2642
02:30:50,560 --> 02:30:54,200
Speaker 1: I promise you I've been a million dollars. Whack one

2643
02:30:54,240 --> 02:30:56,800
Speaker 1: Hunters say was gonna bring blue Face to Spotify, I

2644
02:30:56,920 --> 02:31:00,879
Speaker 1: guarantee Spotify didn't pay for that. I bet I promise

2645
02:31:01,000 --> 02:31:05,400
Speaker 1: I do anything. I will. I'm down to put my

2646
02:31:05,600 --> 02:31:10,400
Speaker 1: Spotify contract on the line. It doesn't happen. Here's the point.

2647
02:31:10,480 --> 02:31:12,640
Speaker 1: What I'm trying to say, Spotify sign me for millions

2648
02:31:12,640 --> 02:31:14,680
Speaker 1: of dollars. I could interview anybody who I want to

2649
02:31:15,440 --> 02:31:18,200
Speaker 1: bro I'm trying to have entertaining and engaging conversation. I

2650
02:31:18,280 --> 02:31:19,480
Speaker 1: told him, I say, I want to keep it in

2651
02:31:19,520 --> 02:31:23,039
Speaker 1: the culture. I reach out to this chick, this chick

2652
02:31:23,120 --> 02:31:26,200
Speaker 1: whatever whatever. Now she's saying blah blahlah. So here's the thing.

2653
02:31:26,520 --> 02:31:29,959
Speaker 1: Let me let me put in perspective, blue face saying

2654
02:31:30,040 --> 02:31:33,120
Speaker 1: that because you wouldn't pay for an interview, blue face,

2655
02:31:33,160 --> 02:31:35,280
Speaker 1: she just ran to Spotify, my nigga, And you tell

2656
02:31:35,280 --> 02:31:38,120
Speaker 1: me if I'm lying, blue Face, go ask Spotify. I'm

2657
02:31:38,120 --> 02:31:41,480
Speaker 1: signed there, nigga. You go ask when you went to Spotify,

2658
02:31:41,560 --> 02:31:43,879
Speaker 1: did you get paid or did you run there happily

2659
02:31:43,920 --> 02:31:46,840
Speaker 1: with your mouth open? Hey, hey, I'm smiling. You're smiling

2660
02:31:46,920 --> 02:31:50,640
Speaker 1: like everybody else. I'm giving you the game, but I'm

2661
02:31:50,680 --> 02:31:53,879
Speaker 1: giving you a little girl a game two. So when

2662
02:31:53,959 --> 02:31:56,160
Speaker 1: I so, by the way, I didn't even ask for

2663
02:31:56,240 --> 02:32:00,200
Speaker 1: the interview, I'm gonna show you a proof. So when

2664
02:32:00,280 --> 02:32:02,520
Speaker 1: somebody comes out and then you start to back in

2665
02:32:02,560 --> 02:32:04,720
Speaker 1: blue face, that's so I keep saying, when you jump

2666
02:32:04,800 --> 02:32:07,440
Speaker 1: out on their behalf, Nigga's taken out on you because

2667
02:32:07,520 --> 02:32:12,120
Speaker 1: nobody knows her. So let me give you the so

2668
02:32:13,120 --> 02:32:15,640
Speaker 1: white to settles on clubhouts and it he brought you

2669
02:32:15,720 --> 02:32:17,760
Speaker 1: to Spotify. They didn't give you a fucking dime, and

2670
02:32:17,840 --> 02:32:21,440
Speaker 1: I guaranteed I put a million on the table you

2671
02:32:21,560 --> 02:32:24,560
Speaker 1: and whack. Couldn't you whack game? Anybody over there could

2672
02:32:24,680 --> 02:32:27,720
Speaker 1: match that. Spotify don't give y'all nothing. When when they

2673
02:32:27,760 --> 02:32:29,800
Speaker 1: say you want your record to be played over here,

2674
02:32:30,080 --> 02:32:32,760
Speaker 1: come play your record over here, you run there because

2675
02:32:32,800 --> 02:32:36,640
Speaker 1: that's part of the label budget. I gotta goddamn fucking

2676
02:32:37,720 --> 02:32:41,240
Speaker 1: podcast which Spotify that I walk every week when I

2677
02:32:41,360 --> 02:32:44,080
Speaker 1: have meets just Spotify. I'm fighting for artists. They'd be

2678
02:32:44,160 --> 02:32:46,760
Speaker 1: like yo, I say, yo, if an artist come on

2679
02:32:46,800 --> 02:32:48,520
Speaker 1: my shit, ya gotta give him someone love on play this.

2680
02:32:48,640 --> 02:32:50,240
Speaker 1: Y'all gotta do this, Yetta do that, Ya gotta yo.

2681
02:32:50,600 --> 02:32:54,280
Speaker 1: I'm fighting for the ship now hitting the ship. And

2682
02:32:54,360 --> 02:32:56,600
Speaker 1: again it's not even hurt because she's not in this industry.

2683
02:32:56,640 --> 02:33:00,680
Speaker 1: It's hitting the nigga like blue Face, Bro, I get

2684
02:33:00,760 --> 02:33:03,200
Speaker 1: you a love, but don't let your love fuck up

2685
02:33:03,280 --> 02:33:07,520
Speaker 1: your situation. I'll tell you this right now because I'm

2686
02:33:07,560 --> 02:33:09,880
Speaker 1: down to put a million dollars down that I guarantee

2687
02:33:10,120 --> 02:33:12,840
Speaker 1: Spotify never paid you when you went in there. When

2688
02:33:15,400 --> 02:33:21,000
Speaker 1: that's true, million dollars, of course they didn't, motherfucker. You know,

2689
02:33:21,120 --> 02:33:23,720
Speaker 1: when he's right, he's right. You know, when he's right,

2690
02:33:23,800 --> 02:33:26,000
Speaker 1: he's right. But when he's wrong, he's wrong. But when

2691
02:33:26,040 --> 02:33:29,840
Speaker 1: he's right, he's right, ak is. And I gotta respect it,

2692
02:33:30,040 --> 02:33:32,160
Speaker 1: you know the more I think about it, like, YO,

2693
02:33:32,400 --> 02:33:35,520
Speaker 1: respect this black platform like you respecting white people. I

2694
02:33:35,680 --> 02:33:38,480
Speaker 1: respect that. I can't even lie. I respect that. I don't.

2695
02:33:39,000 --> 02:33:41,760
Speaker 1: You know, again, when he's right, he's right. You know

2696
02:33:41,840 --> 02:33:44,480
Speaker 1: what I'm saying, dudes or run of these white platforms

2697
02:33:44,600 --> 02:33:49,080
Speaker 1: real quick. You know, I'm reaching out the black dudes

2698
02:33:49,120 --> 02:33:51,560
Speaker 1: and his white dudes in the middle trying to charge

2699
02:33:51,640 --> 02:33:56,520
Speaker 1: me four times or price. Like, if you got a

2700
02:33:56,560 --> 02:33:59,000
Speaker 1: white dude in the middle talking to black people, that's

2701
02:33:59,040 --> 02:34:01,960
Speaker 1: not culture. You're gonna miss some opportunity. Not from a

2702
02:34:02,080 --> 02:34:05,240
Speaker 1: look standpoint, but maybe even from a build a standpoint.

2703
02:34:06,520 --> 02:34:08,880
Speaker 1: One thing artists gotta understand, and I hate that. I

2704
02:34:09,000 --> 02:34:13,320
Speaker 1: gotta tell them people, Really, what a brand gotta understand

2705
02:34:13,480 --> 02:34:15,920
Speaker 1: is when you do an interview with someone that's effective

2706
02:34:15,959 --> 02:34:20,840
Speaker 1: at interviewing, and it's gonna be great content that helps

2707
02:34:20,879 --> 02:34:24,640
Speaker 1: you more than almost anything else you can do. When

2708
02:34:24,680 --> 02:34:27,480
Speaker 1: you sit down with someone that takes time and approaches

2709
02:34:27,480 --> 02:34:30,000
Speaker 1: an interview in a way that's effective for your brand

2710
02:34:30,040 --> 02:34:33,440
Speaker 1: and get your story out. Unless you a liar, unless

2711
02:34:33,520 --> 02:34:36,120
Speaker 1: you hide and something you're scared you ain't telling the truth,

2712
02:34:36,720 --> 02:34:38,879
Speaker 1: then you might come sit with somebody that's a little

2713
02:34:38,879 --> 02:34:42,600
Speaker 1: swift and they uncover more your lives. So maybe that's

2714
02:34:42,640 --> 02:34:45,080
Speaker 1: why there's a lot of red tape. I don't know,

2715
02:34:45,240 --> 02:34:48,000
Speaker 1: but he's speaking from a standpoint of yo. It is

2716
02:34:48,080 --> 02:34:51,600
Speaker 1: red tape for blacks, but not for whites, not for Spotify,

2717
02:34:51,760 --> 02:34:54,040
Speaker 1: not for Apple, not for certain kind they can call.

2718
02:34:54,760 --> 02:34:57,600
Speaker 1: I hear people even say things about Revote that they

2719
02:34:57,640 --> 02:35:00,240
Speaker 1: shouldn't say. Revote is doing a tremendous job. I'm, in

2720
02:35:00,320 --> 02:35:03,000
Speaker 1: my opinion, like, what are we talking about right now?

2721
02:35:03,320 --> 02:35:06,000
Speaker 1: So he proceeds to show that he never reached out

2722
02:35:06,120 --> 02:35:09,039
Speaker 1: to her, that they reached out to him, and there

2723
02:35:09,160 --> 02:35:12,400
Speaker 1: was a situation that he never really took serious. So

2724
02:35:13,240 --> 02:35:15,280
Speaker 1: we'll take a quick break. We're gonna have a nice

2725
02:35:15,400 --> 02:35:18,560
Speaker 1: long part today, trying to get back in the swing

2726
02:35:18,640 --> 02:35:22,160
Speaker 1: of things, man, and we'll have a nice lights long

2727
02:35:22,240 --> 02:35:24,400
Speaker 1: one today. So we'll take a quick break and then

2728
02:35:24,440 --> 02:35:28,360
Speaker 1: we'll be back. And we are back from break. So

2729
02:35:28,640 --> 02:35:31,439
Speaker 1: I want to talk about Kanye being removed from the Grammys.

2730
02:35:31,959 --> 02:35:33,760
Speaker 1: Although we don't know how far they had take this,

2731
02:35:34,760 --> 02:35:39,840
Speaker 1: I think it's an interesting thing to watch. You don't

2732
02:35:40,000 --> 02:35:45,040
Speaker 1: build up something that high, that big, that valuable, that impactful,

2733
02:35:45,959 --> 02:35:49,840
Speaker 1: that instrumental in culture and let them walk you into

2734
02:35:49,920 --> 02:35:54,920
Speaker 1: a trick bag. The thing is, now though he's became

2735
02:35:55,080 --> 02:35:59,720
Speaker 1: too rich to take his well, I can't even say

2736
02:35:59,760 --> 02:36:01,640
Speaker 1: that they can find a way to take your money.

2737
02:36:03,640 --> 02:36:09,320
Speaker 1: Seeing this in America, man, it's so it's so many

2738
02:36:09,400 --> 02:36:11,760
Speaker 1: tricks being played on so many levels that you can't

2739
02:36:11,800 --> 02:36:14,800
Speaker 1: even you can't even quantifying your head the level of

2740
02:36:15,760 --> 02:36:20,600
Speaker 1: extreme their go to to rid you of your power.

2741
02:36:22,800 --> 02:36:26,400
Speaker 1: I never really I've always categorized what Kanye West is

2742
02:36:26,440 --> 02:36:28,960
Speaker 1: doing is unconventional. But you see the Grammars pull them.

2743
02:36:29,000 --> 02:36:32,600
Speaker 1: I just think that's a sign that some of these

2744
02:36:32,760 --> 02:36:36,760
Speaker 1: brands may try to start now disassociating themselves. What Kanye West.

2745
02:36:41,840 --> 02:36:43,800
Speaker 1: If you go back a couple of weeks ago, maybe

2746
02:36:43,920 --> 02:36:47,720
Speaker 1: four weeks ago, when he first started, I said, damn,

2747
02:36:47,800 --> 02:36:51,680
Speaker 1: what if they put him in a trick bag, make

2748
02:36:51,760 --> 02:36:54,160
Speaker 1: him lose? To see that gap he still owns. Yeasy,

2749
02:36:54,200 --> 02:36:57,320
Speaker 1: they can be like, I'm already trying to figure out, okay,

2750
02:36:57,400 --> 02:36:59,800
Speaker 1: what can happen right during my risk assessment and I

2751
02:37:00,040 --> 02:37:05,080
Speaker 1: saw this, then you're dealing with Kim them their media giants.

2752
02:37:05,120 --> 02:37:08,360
Speaker 1: They understand media from a perspective that no one else

2753
02:37:08,480 --> 02:37:13,520
Speaker 1: does in Hollywood. I ain't even gonna say that they

2754
02:37:13,560 --> 02:37:16,119
Speaker 1: have an effect on the people that watch them, right,

2755
02:37:16,240 --> 02:37:20,200
Speaker 1: So some kind of way to influence kind of outweighs

2756
02:37:22,600 --> 02:37:27,119
Speaker 1: that contribution in my opinion. But nonetheless, however, you get

2757
02:37:27,160 --> 02:37:28,720
Speaker 1: to the top of the mountain, you got there and

2758
02:37:28,800 --> 02:37:31,480
Speaker 1: people have to respect you as being keen of the mountain.

2759
02:37:31,520 --> 02:37:35,360
Speaker 1: That's a fact. With Kanye being in the kitchen with them,

2760
02:37:35,440 --> 02:37:38,600
Speaker 1: he knows what kind of meals they've made, right, meaning

2761
02:37:38,680 --> 02:37:41,080
Speaker 1: he knows what kind of stories that they've crafted and

2762
02:37:41,200 --> 02:37:43,520
Speaker 1: put together. He's been in the warehouse next to them.

2763
02:37:44,920 --> 02:37:51,600
Speaker 1: So for him, I would assume that he's considered the

2764
02:37:51,760 --> 02:37:54,960
Speaker 1: fact that a media storm would come. You see him

2765
02:37:55,000 --> 02:38:00,160
Speaker 1: take shout at Charlemagne, you know, trying to deflates I'm

2766
02:38:00,320 --> 02:38:05,160
Speaker 1: Charlemagne's casher and the culture because Charlemagne has a different

2767
02:38:05,200 --> 02:38:08,120
Speaker 1: opinion of them. And so what you do is you

2768
02:38:08,240 --> 02:38:11,400
Speaker 1: try to start to take away from that image and

2769
02:38:11,560 --> 02:38:15,720
Speaker 1: say things like you see him tweet it. Right, Charlemagne

2770
02:38:15,760 --> 02:38:18,880
Speaker 1: doesn't attack the game in the same way anymore, but

2771
02:38:19,040 --> 02:38:23,000
Speaker 1: he can. I told Charlemagne, like, you can go in

2772
02:38:23,120 --> 02:38:26,640
Speaker 1: and out these lanes like many people can't. Like you

2773
02:38:26,840 --> 02:38:29,440
Speaker 1: have a unique ability to go in and out these lanes.

2774
02:38:29,480 --> 02:38:34,000
Speaker 1: And I think that's one of your strengths. But how

2775
02:38:34,120 --> 02:38:37,320
Speaker 1: far would they take this with Kanye? How many people

2776
02:38:37,360 --> 02:38:42,880
Speaker 1: would disassociate themselves. But we also in a greedy industry.

2777
02:38:45,920 --> 02:38:47,960
Speaker 1: So it's just interesting to see and we'll keep it

2778
02:38:48,080 --> 02:38:51,400
Speaker 1: out on it and kind of look at what's happening.

2779
02:38:52,280 --> 02:38:54,840
Speaker 1: But Kanye has to know that the trick bag is

2780
02:38:54,959 --> 02:38:57,760
Speaker 1: near and know how to navigate. That's why when you

2781
02:38:57,840 --> 02:39:01,600
Speaker 1: start talking like that. See, when you start telling people

2782
02:39:01,680 --> 02:39:04,000
Speaker 1: your plans, it makes it harder to execute the plan.

2783
02:39:05,160 --> 02:39:07,800
Speaker 1: But you gotta tell us the plan because you activate

2784
02:39:07,879 --> 02:39:10,120
Speaker 1: people you will never reach. So we find ourselves in

2785
02:39:10,160 --> 02:39:13,400
Speaker 1: a weird place, and once you got billions of dollars,

2786
02:39:13,480 --> 02:39:17,320
Speaker 1: I think that sometimes the juice is worth the squeeze, right,

2787
02:39:17,400 --> 02:39:22,680
Speaker 1: So if I compromise my ability to go to the

2788
02:39:22,840 --> 02:39:27,800
Speaker 1: Grammys by speaking on these issues, then I might do that.

2789
02:39:27,959 --> 02:39:30,280
Speaker 1: What I think is, though he can't leave with emotion.

2790
02:39:30,959 --> 02:39:33,720
Speaker 1: Anytime you leave with emotion, you gotta fail your coming.

2791
02:39:34,040 --> 02:39:36,280
Speaker 1: And sometimes we can't help it because we love what

2792
02:39:36,440 --> 02:39:40,400
Speaker 1: we love, and love chooses, but it's not harmless. It's

2793
02:39:40,440 --> 02:39:45,039
Speaker 1: not a harmless choice. Right, whatever you love, you give

2794
02:39:45,080 --> 02:39:47,199
Speaker 1: the ability to hurt you. That's just how that goes.

2795
02:39:47,320 --> 02:39:49,959
Speaker 1: And so we'll keep out on it and see exactly

2796
02:39:50,040 --> 02:39:55,199
Speaker 1: where he moves with it. Let's speak about Jay Prince

2797
02:39:55,280 --> 02:39:59,600
Speaker 1: and rap a Lot Records. For those of you unaware,

2798
02:40:00,040 --> 02:40:04,600
Speaker 1: there's some interesting that I'm watching with rap a Lot Records.

2799
02:40:04,680 --> 02:40:10,040
Speaker 1: It's almost like they're positioning themselves to go against Yo

2800
02:40:10,160 --> 02:40:17,960
Speaker 1: Gotta CMG. You see, Jay Prince is signing everybody that

2801
02:40:18,160 --> 02:40:23,000
Speaker 1: has issue with Yo Guy at CMG. Now, business is business.

2802
02:40:23,680 --> 02:40:26,760
Speaker 1: The people he has, the people he's signing, have the

2803
02:40:26,840 --> 02:40:30,320
Speaker 1: kind of resumes where they should be signed. It's just

2804
02:40:30,520 --> 02:40:32,840
Speaker 1: the way that the politics work in the music game.

2805
02:40:33,000 --> 02:40:37,359
Speaker 1: Sometimes that can kind of derail you from being accepting

2806
02:40:37,400 --> 02:40:40,640
Speaker 1: in some of those buildings because their working relationships says

2807
02:40:40,720 --> 02:40:44,960
Speaker 1: that if we align ourselves with the competition, we may

2808
02:40:45,080 --> 02:40:47,920
Speaker 1: not can reach over to the other side and get

2809
02:40:48,000 --> 02:40:52,120
Speaker 1: that money bag yo verse or you know some of

2810
02:40:52,160 --> 02:40:55,879
Speaker 1: those things, or get that slide on a promotional tool

2811
02:40:55,959 --> 02:40:58,560
Speaker 1: with CMG or whatever the case may be. So people

2812
02:40:58,640 --> 02:41:00,920
Speaker 1: tend to not do that. But if you look at it,

2813
02:41:01,640 --> 02:41:04,320
Speaker 1: Jay Princetonham signed for this two times. For this two

2814
02:41:04,400 --> 02:41:06,960
Speaker 1: times used to be with money Bag Yo. Used to

2815
02:41:07,040 --> 02:41:10,200
Speaker 1: be real tight and they fell out. They kind of

2816
02:41:10,200 --> 02:41:12,480
Speaker 1: were getting back cooling. They fell back out and their

2817
02:41:12,600 --> 02:41:15,040
Speaker 1: money bag blew up. So he'll probably never look at

2818
02:41:15,080 --> 02:41:19,040
Speaker 1: it again. For this went to jail. But in jail

2819
02:41:19,360 --> 02:41:22,760
Speaker 1: rapper like grab hole toune. You know, like I say,

2820
02:41:22,800 --> 02:41:24,440
Speaker 1: if you're from the South, you know who for this

2821
02:41:24,640 --> 02:41:28,119
Speaker 1: two times? Yeah, now I just looked that. Okay CMG

2822
02:41:28,320 --> 02:41:34,600
Speaker 1: grab MASI Okay, Now, Jay Prince went and grabbed CMML Lavish,

2823
02:41:34,760 --> 02:41:39,160
Speaker 1: which is somebody that got ae a situation with Mazy.

2824
02:41:39,280 --> 02:41:42,360
Speaker 1: This post that speared out into the street, so it

2825
02:41:42,480 --> 02:41:44,440
Speaker 1: looked like there there, you know, it's about to be

2826
02:41:44,520 --> 02:41:50,160
Speaker 1: some competition there in regards to music. You know, we

2827
02:41:50,480 --> 02:41:52,840
Speaker 1: hope it's stayed music and we'll see where it goes.

2828
02:41:53,000 --> 02:41:55,720
Speaker 1: But Jay Prince didn't want to compete out till you

2829
02:41:55,840 --> 02:41:59,520
Speaker 1: nigga like, hey, you don't reach out the loom about

2830
02:41:59,560 --> 02:42:02,560
Speaker 1: your media, yeah, or you don't see your artists down

2831
02:42:02,680 --> 02:42:08,800
Speaker 1: through here. The fuck with the real niggas, and don't

2832
02:42:08,840 --> 02:42:12,600
Speaker 1: expect the real niggas to fuck with you. You did

2833
02:42:12,680 --> 02:42:15,160
Speaker 1: what I'm saying. So sometimes when y'all making a lot

2834
02:42:15,240 --> 02:42:17,880
Speaker 1: of money on my side of town or doing what

2835
02:42:18,000 --> 02:42:20,080
Speaker 1: it is I'm doing, and y'all never cut me in,

2836
02:42:20,240 --> 02:42:23,200
Speaker 1: and then I'm goin to cut myself in, like with podcasts,

2837
02:42:23,240 --> 02:42:27,960
Speaker 1: and I give with my partners, say give me in

2838
02:42:28,040 --> 02:42:30,600
Speaker 1: the right positions. I handle the rest. And then when

2839
02:42:30,640 --> 02:42:33,560
Speaker 1: I also look at Kanye being banned from the Grammys,

2840
02:42:35,760 --> 02:42:40,960
Speaker 1: I say to myself, Man, the Grammars are very arrogant.

2841
02:42:44,200 --> 02:42:50,480
Speaker 1: Of course, they would say arrogant. They would say prestigeous, right,

2842
02:42:50,600 --> 02:42:52,880
Speaker 1: you're bad to build. You're there from coming to an

2843
02:42:52,959 --> 02:42:56,200
Speaker 1: award show to get an award that he's already pissed

2844
02:42:56,280 --> 02:43:01,800
Speaker 1: on at some point in his career. And I see

2845
02:43:01,879 --> 02:43:04,320
Speaker 1: the narrative on the internet saying Yo, the Grammars is

2846
02:43:04,440 --> 02:43:06,959
Speaker 1: using this is press at this point. This ain't no real,

2847
02:43:08,080 --> 02:43:10,560
Speaker 1: This ain't even an announcement. You didn't have to announce that.

2848
02:43:11,240 --> 02:43:13,560
Speaker 1: Then they say that it was announced by Kanye team.

2849
02:43:14,959 --> 02:43:17,320
Speaker 1: Kanye is too influential to be doing all the work

2850
02:43:17,400 --> 02:43:22,040
Speaker 1: from his own Instagram like that. That's in my opinion.

2851
02:43:24,400 --> 02:43:26,680
Speaker 1: You know you got impact, dog. You don't have to

2852
02:43:26,840 --> 02:43:31,320
Speaker 1: tweet and do these things from your account. You don't

2853
02:43:31,360 --> 02:43:34,360
Speaker 1: have to do them yourself. On the flip side of that,

2854
02:43:35,400 --> 02:43:37,800
Speaker 1: they tend to have an issue with Kanye putting things

2855
02:43:37,879 --> 02:43:41,200
Speaker 1: on the internet, And for me, I've always categorized this

2856
02:43:41,320 --> 02:43:46,840
Speaker 1: as an unconventional approach that I think is not effective

2857
02:43:48,560 --> 02:43:53,440
Speaker 1: at bare minimum. But let's just entertain what it is

2858
02:43:53,560 --> 02:43:57,840
Speaker 1: and look at it from totality. Right, Kanye is able

2859
02:43:57,879 --> 02:44:01,520
Speaker 1: to get on Instagram or Instagram page, is able to

2860
02:44:02,120 --> 02:44:07,119
Speaker 1: express certain ideas. And also, Kanye didn't cut off Pete's

2861
02:44:07,160 --> 02:44:11,760
Speaker 1: head in a in a video that was something that

2862
02:44:11,879 --> 02:44:14,200
Speaker 1: Whack one hundred did. There was a Whack one hundred

2863
02:44:14,240 --> 02:44:19,240
Speaker 1: animation type thing Kanye didn't orchestrate that will participate in

2864
02:44:19,360 --> 02:44:25,360
Speaker 1: that creation from my understanding, And I don't offend stalking

2865
02:44:26,200 --> 02:44:31,640
Speaker 1: women or anything like that by any means. But I

2866
02:44:31,760 --> 02:44:34,600
Speaker 1: find it interesting that they say, Yo, Kanye can't put

2867
02:44:34,640 --> 02:44:38,120
Speaker 1: it on social media what's going on with the family,

2868
02:44:39,160 --> 02:44:43,800
Speaker 1: but Kim can have it on her reality show. I

2869
02:44:43,920 --> 02:44:48,199
Speaker 1: think the standard that there is amazing to me because

2870
02:44:49,520 --> 02:44:54,800
Speaker 1: from what I've read Kim and saying, Yo, there's learning

2871
02:44:54,920 --> 02:44:59,160
Speaker 1: to be done about this situation, and that I agree

2872
02:44:59,200 --> 02:45:03,880
Speaker 1: with that. Not that's learning to be done on both sides, right,

2873
02:45:03,959 --> 02:45:08,360
Speaker 1: and at some point I believe they are try to

2874
02:45:08,440 --> 02:45:10,200
Speaker 1: do what it takes to at least be able to

2875
02:45:10,280 --> 02:45:15,480
Speaker 1: compare it or maybe even revisit the circumstances they want to,

2876
02:45:15,680 --> 02:45:20,000
Speaker 1: you know. But I just find it interesting. Man, after

2877
02:45:20,040 --> 02:45:23,160
Speaker 1: the Pete Davidson thing and the Trevor Nor thing and

2878
02:45:23,240 --> 02:45:25,520
Speaker 1: shout out to Trevor Nor. I don't know if that's fake,

2879
02:45:25,680 --> 02:45:31,440
Speaker 1: or if that's consumer facing or what. But Trevor Nor tweeted,

2880
02:45:31,480 --> 02:45:35,560
Speaker 1: ay I said counseled Kanye, not canceled Kanye, because they're

2881
02:45:35,600 --> 02:45:38,680
Speaker 1: starting to look like that they're trying to cancel him.

2882
02:45:39,320 --> 02:45:41,400
Speaker 1: Some other war shows come out and say, Yo, he

2883
02:45:41,440 --> 02:45:45,080
Speaker 1: can accept the wars, but he can't perform. Takashi six

2884
02:45:45,240 --> 02:45:50,800
Speaker 1: nine tells judge that he's having financial troubles. He tells

2885
02:45:50,959 --> 02:45:58,080
Speaker 1: judge that he's broke. That story didn't get what's called

2886
02:45:58,240 --> 02:46:01,040
Speaker 1: legs in this business, meaning people pick it up and

2887
02:46:01,160 --> 02:46:04,879
Speaker 1: start to speak about it on different platforms all around

2888
02:46:05,760 --> 02:46:09,920
Speaker 1: the culture. Of course, academics comes out in and gives

2889
02:46:10,000 --> 02:46:16,800
Speaker 1: his perspective on it, which is which we would believe, right,

2890
02:46:17,000 --> 02:46:22,840
Speaker 1: which is yo, these people are suing. If you're in

2891
02:46:22,920 --> 02:46:25,000
Speaker 1: front of the judge getting sued, you're gonna present it

2892
02:46:25,080 --> 02:46:30,080
Speaker 1: as if the money that they're suing for isn't much. Yanna,

2893
02:46:31,040 --> 02:46:33,120
Speaker 1: so place me in a situation where I pay the

2894
02:46:33,240 --> 02:46:37,880
Speaker 1: lease amount is possible. Right, So that's what they're saying

2895
02:46:38,040 --> 02:46:41,440
Speaker 1: is happening, and why I do believe that may be

2896
02:46:41,560 --> 02:46:44,440
Speaker 1: the case. I do think that his financial status has

2897
02:46:44,520 --> 02:46:48,040
Speaker 1: been affected. Hence why you stop seeing security. A lot

2898
02:46:48,080 --> 02:46:51,920
Speaker 1: of people took the security thing. It's him being a

2899
02:46:52,040 --> 02:46:56,000
Speaker 1: soldier of sorts, so giving his life, putting his life

2900
02:46:56,080 --> 02:47:00,080
Speaker 1: out there and saying come give me. He ain't scared you.

2901
02:47:00,320 --> 02:47:07,120
Speaker 1: That is the money slowing down. Everybody wants to be protected,

2902
02:47:07,160 --> 02:47:09,879
Speaker 1: and by the things he was saying, you can tell

2903
02:47:10,000 --> 02:47:12,520
Speaker 1: that he always felt like he would have protection because

2904
02:47:12,600 --> 02:47:16,119
Speaker 1: him with one gun don't do anything. Dudes is pulling

2905
02:47:16,280 --> 02:47:18,920
Speaker 1: up with things that all shoot you twenty nine times

2906
02:47:19,000 --> 02:47:22,959
Speaker 1: in a matter of one minute. So you and your

2907
02:47:23,280 --> 02:47:26,879
Speaker 1: handgun you're riding with is not effective with the level

2908
02:47:26,959 --> 02:47:31,280
Speaker 1: of disrespect that you've portrayed to the people. Right in

2909
02:47:31,440 --> 02:47:34,640
Speaker 1: my opinion, just from where I come from, they've did

2910
02:47:34,800 --> 02:47:37,039
Speaker 1: more for less. So I come from a place where

2911
02:47:37,080 --> 02:47:41,640
Speaker 1: I know the way you move got to be a

2912
02:47:41,720 --> 02:47:46,520
Speaker 1: certain way depending on the level of opponent you up against,

2913
02:47:46,600 --> 02:47:50,000
Speaker 1: and you up against rich individuals. When you talk about

2914
02:47:50,040 --> 02:47:52,400
Speaker 1: certain things, you can look at it as entertainment, but

2915
02:47:52,520 --> 02:47:58,560
Speaker 1: certain scars don't heal themselves when people are dealing with things, right,

2916
02:47:59,280 --> 02:48:04,880
Speaker 1: So when I saw him stop having security, that was

2917
02:48:04,959 --> 02:48:10,720
Speaker 1: an indication for me. When I saw him counsel certain shows,

2918
02:48:11,800 --> 02:48:14,039
Speaker 1: and the and the and the and the tools wasn't

2919
02:48:14,080 --> 02:48:16,200
Speaker 1: popping up like he may have thought they would have,

2920
02:48:16,440 --> 02:48:21,119
Speaker 1: that was an indication for me. So I don't feel

2921
02:48:21,200 --> 02:48:23,240
Speaker 1: like he's broke. He got a lot of money. Probably

2922
02:48:23,280 --> 02:48:25,680
Speaker 1: got the money, got the chick cut to his company

2923
02:48:25,720 --> 02:48:29,720
Speaker 1: instead of his personal And so when I come in there,

2924
02:48:29,720 --> 02:48:31,960
Speaker 1: I show you my personal account, which may not have

2925
02:48:32,200 --> 02:48:34,840
Speaker 1: much in it because everything's in the business name, which

2926
02:48:34,920 --> 02:48:38,920
Speaker 1: is protected I really don't know how to feel about that.

2927
02:48:39,120 --> 02:48:42,000
Speaker 1: What I do know is he finds himself in a

2928
02:48:42,120 --> 02:48:46,480
Speaker 1: situation now like what do you do? The gig is up.

2929
02:48:49,120 --> 02:48:51,320
Speaker 1: They snatched the rug from up under you, they snatched

2930
02:48:51,320 --> 02:48:57,840
Speaker 1: the cover off you. How do you reinvent yourself? Because

2931
02:48:58,760 --> 02:49:00,680
Speaker 1: if you're gonna in tagging, that has your way to

2932
02:49:00,840 --> 02:49:05,720
Speaker 1: a casket. The money ain't no good, no way. And

2933
02:49:05,879 --> 02:49:10,080
Speaker 1: so how do you reinvent yourself in this game in

2934
02:49:10,240 --> 02:49:15,320
Speaker 1: which you got mustard on your jacket? And see that's

2935
02:49:15,360 --> 02:49:18,119
Speaker 1: a struggle for him, and I take that off for him,

2936
02:49:18,160 --> 02:49:20,920
Speaker 1: and I view us, I look at the coach, and

2937
02:49:21,040 --> 02:49:26,119
Speaker 1: I see niggas just say a dope. Some of my partners,

2938
02:49:26,160 --> 02:49:29,680
Speaker 1: they don't know what else to do. It's how they know.

2939
02:49:29,879 --> 02:49:35,000
Speaker 1: Get out and hustle. That's all they know. Drive four, five, six,

2940
02:49:35,200 --> 02:49:37,840
Speaker 1: eight hours away, tid I get on a plane and

2941
02:49:37,959 --> 02:49:42,880
Speaker 1: go get it fearless. When he comes to getting the money,

2942
02:49:42,959 --> 02:49:44,840
Speaker 1: when he comes to hustling, and they're gonna go get it.

2943
02:49:44,920 --> 02:49:48,320
Speaker 1: That's all they know. But I called him one trick ponies.

2944
02:49:50,000 --> 02:49:54,840
Speaker 1: I called him show horses. They're good for one thing.

2945
02:49:54,959 --> 02:49:58,720
Speaker 1: And for me, man, that's a weakness. A wise man

2946
02:49:58,879 --> 02:50:01,160
Speaker 1: told me long time ago. God man, they're strong and

2947
02:50:01,240 --> 02:50:04,720
Speaker 1: strong in all areas. Right, So when you only got

2948
02:50:04,800 --> 02:50:08,080
Speaker 1: one hustle, what you do when the fids come? What

2949
02:50:08,280 --> 02:50:12,039
Speaker 1: you do when they get hot? You only got one

2950
02:50:12,160 --> 02:50:13,960
Speaker 1: thing you know how to do? What do you do

2951
02:50:15,280 --> 02:50:19,520
Speaker 1: when they kill your money maker? You running that same

2952
02:50:19,680 --> 02:50:21,959
Speaker 1: well and in your life. A lot of these niggas

2953
02:50:22,040 --> 02:50:23,680
Speaker 1: just like to cash you. They just did it in

2954
02:50:23,760 --> 02:50:28,000
Speaker 1: a different way. They didn't know how to reinvent themselves.

2955
02:50:28,080 --> 02:50:30,960
Speaker 1: So instead of dissing people did homes to get whatever

2956
02:50:31,040 --> 02:50:33,960
Speaker 1: little streams attest to it. They kept hustling on that

2957
02:50:34,120 --> 02:50:38,199
Speaker 1: same block with that same plug. They were switching numbers

2958
02:50:38,240 --> 02:50:41,920
Speaker 1: and thought they were gonna out small to people. They

2959
02:50:42,040 --> 02:50:46,400
Speaker 1: got out of prison and went back to hustling, right.

2960
02:50:46,520 --> 02:50:49,440
Speaker 1: They didn't know how to reinvent and go seale paddletts.

2961
02:50:52,520 --> 02:50:56,320
Speaker 1: They didn't know how to get contracts on homes and

2962
02:50:56,520 --> 02:51:00,400
Speaker 1: sell them without having money like it's information and they

2963
02:51:00,400 --> 02:51:04,400
Speaker 1: didn't have but to fail. You to reinvent yourself gonna

2964
02:51:04,440 --> 02:51:10,920
Speaker 1: always walk you right into a disaster. So you see

2965
02:51:11,000 --> 02:51:14,760
Speaker 1: Takashia about to go through something, remind me of a

2966
02:51:14,879 --> 02:51:17,280
Speaker 1: nigga on the block. No matter how hot, that block

2967
02:51:17,560 --> 02:51:20,080
Speaker 1: is man. That's the only spot he where he noticed sales.

2968
02:51:20,160 --> 02:51:24,920
Speaker 1: Or he gonna come out there, don't matter how hot

2969
02:51:25,000 --> 02:51:27,440
Speaker 1: it is. It's Christmas time. He gotta be out there.

2970
02:51:29,879 --> 02:51:33,680
Speaker 1: He gonna say it, don't no matter what they told him.

2971
02:51:33,720 --> 02:51:35,640
Speaker 1: If they catch him selling him, if they catch him

2972
02:51:35,680 --> 02:51:39,360
Speaker 1: with a pebble, he's signed for some probation. They told

2973
02:51:39,440 --> 02:51:41,360
Speaker 1: him if they catch him with a pebble, he gonna

2974
02:51:41,400 --> 02:51:46,360
Speaker 1: do eight years. And he out there hustling, thinking that

2975
02:51:46,440 --> 02:51:48,320
Speaker 1: he gonna throw it if they come, I'm gonna get

2976
02:51:48,360 --> 02:51:50,520
Speaker 1: away or I know where about over here whatever? He

2977
02:51:50,680 --> 02:51:55,760
Speaker 1: thinking he wrong. He failed to reinvent himself. So Takashi

2978
02:51:55,879 --> 02:51:57,920
Speaker 1: banging his head up against the wall. What do I

2979
02:51:58,040 --> 02:52:01,480
Speaker 1: do now? They dare showed on like Danny. They didn't

2980
02:52:01,520 --> 02:52:05,039
Speaker 1: like Danny to begin with. I can't he came out

2981
02:52:05,120 --> 02:52:09,040
Speaker 1: his Danning. He come out the gate his dann and

2982
02:52:09,120 --> 02:52:14,840
Speaker 1: didn't get nothing. He got nothingness. Danny start putting tests

2983
02:52:14,879 --> 02:52:17,360
Speaker 1: on his face. He looking to get somebody of the people.

2984
02:52:17,440 --> 02:52:19,560
Speaker 1: When can I I go as far as I need

2985
02:52:19,680 --> 02:52:21,960
Speaker 1: to to get somebody d people. So I go to

2986
02:52:22,080 --> 02:52:24,320
Speaker 1: tats on my face. Six nine, Dad, I made a

2987
02:52:24,360 --> 02:52:27,280
Speaker 1: persona I hook with the bloods now, he it is,

2988
02:52:27,360 --> 02:52:31,120
Speaker 1: I'm getting something out of them, not the bloods, out

2989
02:52:31,160 --> 02:52:34,680
Speaker 1: the people. He was aiming for the people front when

2990
02:52:34,720 --> 02:52:39,280
Speaker 1: he first started. So what you do now you ain't

2991
02:52:39,360 --> 02:52:41,240
Speaker 1: for the people. What you got for the people now

2992
02:52:42,920 --> 02:52:48,360
Speaker 1: more disrespect to niggas dead people. So that's what you're

2993
02:52:48,959 --> 02:52:51,480
Speaker 1: and you're gonna move around with no security like that?

2994
02:52:51,760 --> 02:52:58,840
Speaker 1: Huh bet. I keep telling y'all, no matter how long

2995
02:52:58,920 --> 02:53:01,600
Speaker 1: a fish day in the war, they'll never be an alligator.

2996
02:53:03,320 --> 02:53:07,280
Speaker 1: Motherfucking fish can stay under water for sell his whole life.

2997
02:53:08,959 --> 02:53:11,880
Speaker 1: And he had never turned into an alligator. So you

2998
02:53:11,959 --> 02:53:14,240
Speaker 1: can hang with the bloods, you can hang with the

2999
02:53:14,320 --> 02:53:17,520
Speaker 1: crib you can hang with the hustlers, you can hang

3000
02:53:17,600 --> 02:53:20,720
Speaker 1: with the entrepreneur, you can hang with the business men.

3001
02:53:22,080 --> 02:53:26,480
Speaker 1: And that don't make you one. So what you're gonna

3002
02:53:26,480 --> 02:53:29,720
Speaker 1: sell to people now? And I hope the dope boys

3003
02:53:29,720 --> 02:53:32,040
Speaker 1: are listening to me. Nigga, what y'all gonna do now?

3004
02:53:32,120 --> 02:53:34,560
Speaker 1: When he get hot? You got enough money out this ship?

3005
02:53:34,680 --> 02:53:38,960
Speaker 1: What we're doing. Let's you know my new campaign. You

3006
02:53:39,040 --> 02:53:41,480
Speaker 1: know I got shirtside go get you one. The FIDS

3007
02:53:41,520 --> 02:53:46,400
Speaker 1: didn't get mad. Yeah, the FIDS didn't get mine. This

3008
02:53:46,600 --> 02:53:48,280
Speaker 1: is our thing. This is how we come and the

3009
02:53:48,400 --> 02:53:52,440
Speaker 1: FIDS didn't get mad. You did what I'm saying. We won.

3010
02:53:52,640 --> 02:53:56,000
Speaker 1: We beat the game, and that's what it's about. You

3011
02:53:56,160 --> 02:53:58,720
Speaker 1: gotta beat the game. Even if I leave the game

3012
02:53:58,800 --> 02:54:01,520
Speaker 1: and can't leave the same way, I gotta beat the game.

3013
02:54:01,600 --> 02:54:04,840
Speaker 1: I can't get a game my life. That's a mistake.

3014
02:54:06,320 --> 02:54:08,400
Speaker 1: I can't get a game my life. You did what

3015
02:54:08,520 --> 02:54:10,960
Speaker 1: I'm saying. So, yeah, the FIDS didn't get man. And

3016
02:54:11,040 --> 02:54:14,840
Speaker 1: we gotta get small than our approach to life and

3017
02:54:14,959 --> 02:54:17,560
Speaker 1: I approach to getting money and I approach to everything.

3018
02:54:17,680 --> 02:54:24,560
Speaker 1: We just gotta be swift for about it. Right, it's

3019
02:54:24,680 --> 02:54:28,680
Speaker 1: up there, podcast, gotta deal. What's my nixt thing? How

3020
02:54:28,720 --> 02:54:32,440
Speaker 1: I'm to reinvent the brand? What's your next move? Nigga?

3021
02:54:33,520 --> 02:54:35,800
Speaker 1: You feel me? Is it's all you? Now? This ain't now?

3022
02:54:36,400 --> 02:54:40,520
Speaker 1: What's what we're doing? You know? This is your sit

3023
02:54:40,640 --> 02:54:43,440
Speaker 1: down show? What's your stand up show? Now? You need

3024
02:54:43,520 --> 02:54:46,080
Speaker 1: to find something you're doing standing up? And you know,

3025
02:54:46,120 --> 02:54:47,760
Speaker 1: I don't know how we're gonna do. We need to

3026
02:54:47,800 --> 02:54:51,920
Speaker 1: figure out what's next. You know, we don't sleep on

3027
02:54:52,120 --> 02:54:54,200
Speaker 1: none don't know gred growing to our feet. We stay

3028
02:54:54,280 --> 02:54:56,160
Speaker 1: on top of the game. And that's how we're gonna

3029
02:54:56,240 --> 02:54:58,560
Speaker 1: keep getting money. We keep putting eyes in the fire,

3030
02:54:59,200 --> 02:55:01,240
Speaker 1: keep putting that in the fine this thing. You know,

3031
02:55:01,400 --> 02:55:05,720
Speaker 1: we'd be burning forever. I keep telling you a little

3032
02:55:05,720 --> 02:55:07,879
Speaker 1: bit plus a little bit plus a little bit plus

3033
02:55:07,920 --> 02:55:10,720
Speaker 1: a little bit be a lot. I'm gonna talk about

3034
02:55:10,760 --> 02:55:13,080
Speaker 1: this and then we'll get out of here. Colorade Nicki

3035
02:55:13,200 --> 02:55:15,480
Speaker 1: Minajs got a song Blick Blick. I'm gonna play it

3036
02:55:15,560 --> 02:55:17,640
Speaker 1: too because I'm a gangster. I liked the little song

3037
02:55:18,280 --> 02:55:24,600
Speaker 1: hold on. So this is Colorade featuring Nicki Minajs Blick

3038
02:55:24,680 --> 02:55:31,480
Speaker 1: Blick again. We fuck with Colorade? Yeah, yeah, we fuck

3039
02:55:31,560 --> 02:55:36,440
Speaker 1: with that. You know, push, push it quick click. She

3040
02:55:36,600 --> 02:55:38,920
Speaker 1: got something about it. She got a little vibe about it.

3041
02:55:39,000 --> 02:55:41,000
Speaker 1: You know what I'm saying. We fun with Colorade. Me

3042
02:55:41,160 --> 02:55:49,960
Speaker 1: keep us baby, what's it? Openficial another nigga? She got that,

3043
02:55:50,160 --> 02:55:52,120
Speaker 1: She got that shit. I like to see what Nicky's

3044
02:55:52,120 --> 02:55:56,040
Speaker 1: done on there too. Let's up. I'm like that lazy

3045
02:55:57,400 --> 02:56:02,200
Speaker 1: fuck it. I'll call him big Daddy. She called me

3046
02:56:02,320 --> 02:56:07,200
Speaker 1: little baby. Yeah, you know I need some tissue baby, Hello, Hello, holo,

3047
02:56:07,280 --> 02:56:09,440
Speaker 1: only done a different color. Like I say, Man, I

3048
02:56:09,920 --> 02:56:12,119
Speaker 1: really fuck with what she got going on. I think

3049
02:56:12,200 --> 02:56:17,200
Speaker 1: she's in a position man where she's whatefore dollar dollar

3050
02:56:17,280 --> 02:56:26,800
Speaker 1: dollars colick click, she's doing pretty good man. We support

3051
02:56:29,360 --> 02:56:35,240
Speaker 1: she click. You know, as dudes, we gotta we gotta

3052
02:56:35,280 --> 02:56:37,800
Speaker 1: support them too, as far when you know, if they

3053
02:56:37,920 --> 02:56:41,040
Speaker 1: got some good hits, good songs, we gotta lady be known.

3054
02:56:41,240 --> 02:56:42,600
Speaker 1: You know what I'm saying. We can't wait till the

3055
02:56:42,640 --> 02:56:49,200
Speaker 1: other the other coaches get on it, because ain't my

3056
02:56:49,320 --> 02:56:53,760
Speaker 1: Bobby she got stepped into that big homey roll kill

3057
02:56:53,760 --> 02:56:56,520
Speaker 1: it he to joke out, I'm hardly un chunky Bobby

3058
02:56:57,040 --> 02:57:00,720
Speaker 1: me on at least us. But bit you ain't for

3059
02:57:00,920 --> 02:57:03,840
Speaker 1: thirty things. I still g's who dripp need a wet suit?

3060
02:57:03,920 --> 02:57:05,520
Speaker 1: One and it too. Give the fuck about the next year?

3061
02:57:05,560 --> 02:57:07,000
Speaker 1: Step one for us me there won't be a step

3062
02:57:07,040 --> 02:57:08,440
Speaker 1: two come through with them. But just that's bad. They're

3063
02:57:08,440 --> 02:57:10,160
Speaker 1: gonna step two. I ain't even trying to pop in

3064
02:57:10,200 --> 02:57:11,600
Speaker 1: the next pool. They're going up in my d M.

3065
02:57:11,640 --> 02:57:14,280
Speaker 1: I right p the X two check who thinks it? Really?

3066
02:57:14,320 --> 02:57:16,360
Speaker 1: Spend your block the queens and the tachtoo, then with

3067
02:57:16,520 --> 02:57:20,360
Speaker 1: your fist. So I took new Draco pops on the back.

3068
02:57:20,400 --> 02:57:23,440
Speaker 1: We bout like to know she was gonna do her ship.

3069
02:57:23,600 --> 02:57:27,160
Speaker 1: That's some sit to some mylembo. You know you buy

3070
02:57:27,240 --> 02:57:30,320
Speaker 1: when you gonna post from any anger. She said the

3071
02:57:30,600 --> 02:57:34,560
Speaker 1: upgraded lpel Did you really? But I just termed mister

3072
02:57:34,720 --> 02:57:38,320
Speaker 1: panic and all these diamonds different collect color color. I'm

3073
02:57:38,360 --> 02:57:40,480
Speaker 1: the leader, bitch to slow follow followed, I created the

3074
02:57:40,520 --> 02:57:48,360
Speaker 1: ship palatal talent La la la la click click. Yeah. Man,

3075
02:57:48,440 --> 02:57:54,160
Speaker 1: that's black black back core colla ray Man. I always

3076
02:57:54,200 --> 02:57:57,440
Speaker 1: get a name wrong, but I want to spend some

3077
02:57:57,560 --> 02:58:00,800
Speaker 1: time just speaking about that, that song, that that whole vibe,

3078
02:58:00,879 --> 02:58:03,720
Speaker 1: her vibe for me, Man, she needs to be celebrated

3079
02:58:03,760 --> 02:58:06,920
Speaker 1: a little mobile us. You know, I think she embraces

3080
02:58:07,000 --> 02:58:11,360
Speaker 1: her herself in a way what should be applaud right.

3081
02:58:11,560 --> 02:58:15,560
Speaker 1: She hasn't um tried to fit in with what it

3082
02:58:15,840 --> 02:58:21,080
Speaker 1: is that is champion today. So for that that's a plus.

3083
02:58:21,160 --> 02:58:23,720
Speaker 1: And then the music is always it gotta it just

3084
02:58:23,920 --> 02:58:26,480
Speaker 1: got something to it. I can't really explain the word,

3085
02:58:27,160 --> 02:58:30,000
Speaker 1: but it's something now, it's it's she got the quality

3086
02:58:30,040 --> 02:58:32,600
Speaker 1: of a start for real. I really really believe that.

3087
02:58:32,720 --> 02:58:36,119
Speaker 1: I see that right with the dancing with her whole vibe,

3088
02:58:36,160 --> 02:58:38,959
Speaker 1: it's like she come up with a routine for her everything,

3089
02:58:39,160 --> 02:58:41,840
Speaker 1: all her singles. She put a lot of work into

3090
02:58:41,920 --> 02:58:45,280
Speaker 1: it and you can see it it bleeds through the music. Um,

3091
02:58:45,800 --> 02:58:49,320
Speaker 1: Nikki going big home is always it's good to see

3092
02:58:49,400 --> 02:58:52,400
Speaker 1: Nikki fall into that big home and role. You did

3093
02:58:52,480 --> 02:58:54,720
Speaker 1: what I'm saying. Nikki is go is now in a

3094
02:58:54,840 --> 02:58:59,039
Speaker 1: position as well. She's now stepped into that role of understanding.

3095
02:59:00,120 --> 02:59:04,080
Speaker 1: But again we gotta credit Drake. Keep telling y'all, Drake

3096
02:59:04,280 --> 02:59:08,960
Speaker 1: is not celebrated for his ability to pass the ball,

3097
02:59:11,480 --> 02:59:14,040
Speaker 1: because boy, they get selfish when it's day courting and

3098
02:59:14,240 --> 02:59:18,120
Speaker 1: they ball. When you get to a point where it's

3099
02:59:18,200 --> 02:59:22,039
Speaker 1: your gymnasium, Boy, them niggas get selfish with the points

3100
02:59:22,080 --> 02:59:25,520
Speaker 1: and with the flow time. Nigga want to take every

3101
02:59:25,600 --> 02:59:28,480
Speaker 1: shot bringing the ball. Now, man, they're doubling you, man,

3102
02:59:28,640 --> 02:59:32,120
Speaker 1: get it out, kick it out. Man, You did what

3103
02:59:32,240 --> 02:59:34,080
Speaker 1: I'm saying, and they will not kick it out. So

3104
02:59:34,440 --> 02:59:38,400
Speaker 1: again you see Nikki gohead and get with somebody young

3105
02:59:38,520 --> 02:59:41,600
Speaker 1: like that that need that audience. See she needs that

3106
02:59:41,800 --> 02:59:44,840
Speaker 1: Nikki co sign like that. It boom, It instantly pushes

3107
02:59:44,959 --> 02:59:48,200
Speaker 1: up like Drake did Dirt. It instantly bring you to

3108
02:59:48,320 --> 02:59:52,360
Speaker 1: the knick side. And her music gonna sustain it because

3109
02:59:52,440 --> 02:59:54,520
Speaker 1: you can take this ain't the first one. She keep

3110
02:59:54,640 --> 02:59:58,080
Speaker 1: doing it, so whatever team is in place, If that

3111
02:59:58,240 --> 03:00:01,320
Speaker 1: team stays in place, she's in a good situation because

3112
03:00:01,360 --> 03:00:04,640
Speaker 1: she keep doing it. She keeps making good records, keep

3113
03:00:04,760 --> 03:00:09,480
Speaker 1: doing her same thing. What's fucked up about this song

3114
03:00:09,879 --> 03:00:14,000
Speaker 1: is that Benzino almost sucked the song up. So for

3115
03:00:14,240 --> 03:00:18,560
Speaker 1: people who are undawere, Benzino is her father, Carla race father,

3116
03:00:19,920 --> 03:00:24,160
Speaker 1: and he was on club house speaking and he spilled

3117
03:00:24,200 --> 03:00:27,240
Speaker 1: the beans and say, yo, Carla, bean, y'all treatment she

3118
03:00:27,320 --> 03:00:30,440
Speaker 1: got something coming out with Nikki soon. And then Nikki

3119
03:00:30,560 --> 03:00:33,000
Speaker 1: comes out with a tweet and says, I don't have

3120
03:00:33,120 --> 03:00:35,880
Speaker 1: any songs with anybody coming out. And some people don't

3121
03:00:35,959 --> 03:00:38,240
Speaker 1: understand why this is a big deal, And I'll explain

3122
03:00:38,360 --> 03:00:41,400
Speaker 1: why it's a big deal and how the music business works.

3123
03:00:42,520 --> 03:00:45,720
Speaker 1: So when you become a star, when you become as

3124
03:00:45,760 --> 03:00:48,120
Speaker 1: big as a Nicki Minaj or Drake or some of

3125
03:00:48,200 --> 03:00:51,440
Speaker 1: these people, in the eyes of the media, especially the

3126
03:00:51,520 --> 03:00:54,400
Speaker 1: media that's not a part of the culture, they're misrepresent

3127
03:00:54,640 --> 03:00:58,520
Speaker 1: what they're seeing. Right. They can have a high level

3128
03:00:58,600 --> 03:01:01,480
Speaker 1: of understanding of the music business, but they're right from

3129
03:01:01,520 --> 03:01:05,640
Speaker 1: a perspective of they like they unaware of what they

3130
03:01:05,760 --> 03:01:11,520
Speaker 1: look in then, right, so let's say something like that happens.

3131
03:01:12,920 --> 03:01:16,800
Speaker 1: It fucks the play up because stars like that don't

3132
03:01:16,840 --> 03:01:20,680
Speaker 1: have releases, they have rollouts. They have a situation where

3133
03:01:20,680 --> 03:01:27,000
Speaker 1: it needs to be energy surrounded by this release. Right,

3134
03:01:27,080 --> 03:01:29,560
Speaker 1: there need to be a certain energy surrounded by this

3135
03:01:29,760 --> 03:01:33,440
Speaker 1: release because number one in the media that doesn't stand

3136
03:01:33,520 --> 03:01:36,240
Speaker 1: for our culture or understand our culture can't wait to

3137
03:01:36,320 --> 03:01:39,920
Speaker 1: say I lost it. So I need to make sure

3138
03:01:40,000 --> 03:01:42,080
Speaker 1: that when something comes out, it goes through all the

3139
03:01:42,200 --> 03:01:45,440
Speaker 1: correct channels to give it a fair shot at what

3140
03:01:45,720 --> 03:01:49,640
Speaker 1: they think was my peak, because they always gonna compare

3141
03:01:49,720 --> 03:01:52,000
Speaker 1: me to my peak. So I gotta be careful with

3142
03:01:52,120 --> 03:01:55,480
Speaker 1: how I release things because if I release it and

3143
03:01:55,560 --> 03:01:58,240
Speaker 1: it's not effective as the one that they keep comparing

3144
03:01:58,320 --> 03:02:01,760
Speaker 1: it too, then they're gonna say up falling as she's

3145
03:02:01,800 --> 03:02:04,720
Speaker 1: headed down what we told that she's not the queen anymore.

3146
03:02:05,800 --> 03:02:09,800
Speaker 1: But they don't have releases, they have rollouts too, totally

3147
03:02:09,920 --> 03:02:12,640
Speaker 1: different things. And see, if you remember and you're a

3148
03:02:12,680 --> 03:02:15,240
Speaker 1: student of the game, you remember why this is the case.

3149
03:02:16,000 --> 03:02:18,760
Speaker 1: This is the case. The whole game changed because of Beyonce.

3150
03:02:19,920 --> 03:02:22,800
Speaker 1: Beyonce dropped lemonade just one day, just woke up. Boom,

3151
03:02:22,840 --> 03:02:26,320
Speaker 1: it's out. And see she was a star. And what

3152
03:02:26,520 --> 03:02:29,600
Speaker 1: happens is when you stop fucking with the label, all

3153
03:02:29,640 --> 03:02:33,080
Speaker 1: of a sudden, now you she get leaked. That's hurting

3154
03:02:33,560 --> 03:02:37,760
Speaker 1: your release. That's hurting the impact. And so if they

3155
03:02:37,920 --> 03:02:39,880
Speaker 1: leak it and then it comes out and then and

3156
03:02:40,000 --> 03:02:42,920
Speaker 1: then it sells a lord and usual, they don't ignore

3157
03:02:43,000 --> 03:02:46,680
Speaker 1: that leak and just be like, oh man, they're falling off.

3158
03:02:48,280 --> 03:02:50,800
Speaker 1: So in my opinion, and the effort to get around that, boom,

3159
03:02:50,840 --> 03:02:53,600
Speaker 1: we'll just drop out of nowhere. And so then we

3160
03:02:53,840 --> 03:02:58,120
Speaker 1: use that surprise element and that was innovation, and they

3161
03:02:58,240 --> 03:03:02,320
Speaker 1: came from our side, right, We use that surprise element

3162
03:03:02,480 --> 03:03:04,800
Speaker 1: is running. See what that is and when you get

3163
03:03:04,840 --> 03:03:07,680
Speaker 1: over there, we get paid for the amount of people

3164
03:03:07,720 --> 03:03:09,680
Speaker 1: that's headed there. And then you see jay Z. This

3165
03:03:09,840 --> 03:03:12,280
Speaker 1: is some of my people, people trying to figure this

3166
03:03:12,440 --> 03:03:14,920
Speaker 1: game out. You see jay Z when you buy a

3167
03:03:15,040 --> 03:03:18,320
Speaker 1: Galaxy when Platinum before his album came out. When you

3168
03:03:18,400 --> 03:03:20,880
Speaker 1: buy a Galaxy and he come with his album already

3169
03:03:20,959 --> 03:03:23,600
Speaker 1: on it, in some kind of way, it's a sealer.

3170
03:03:23,800 --> 03:03:26,680
Speaker 1: Like they were hustling. They were figuring this game out,

3171
03:03:27,280 --> 03:03:31,520
Speaker 1: you know, but you don't just you know, you don't.

3172
03:03:31,600 --> 03:03:33,920
Speaker 1: You don't tell people things now, you don't leak that

3173
03:03:34,040 --> 03:03:38,040
Speaker 1: kind of information now right we're shooting videos with NDA's

3174
03:03:38,080 --> 03:03:40,200
Speaker 1: where they can't say they shot a video for Niki

3175
03:03:40,240 --> 03:03:43,120
Speaker 1: and Color Ray like its shit going on to protect

3176
03:03:43,920 --> 03:03:48,519
Speaker 1: and keep that surprise element. That's a driver for ourselves

3177
03:03:48,560 --> 03:03:52,400
Speaker 1: at this point. And he didn't even mean no harm.

3178
03:03:52,520 --> 03:03:57,000
Speaker 1: He was standing up for But sometimes, man, it ain't

3179
03:03:57,040 --> 03:03:59,520
Speaker 1: the writ arena to say thing because you put things

3180
03:03:59,600 --> 03:04:04,080
Speaker 1: at Jay that you didn't even help Bill. You put

3181
03:04:04,160 --> 03:04:06,520
Speaker 1: things in jeopardy, right, you want to be in the way,

3182
03:04:06,640 --> 03:04:08,640
Speaker 1: push it in jeopardy, you don't even help be it.

3183
03:04:08,760 --> 03:04:13,640
Speaker 1: It's like yo, that's yo. That's a problem. But the

3184
03:04:13,760 --> 03:04:17,000
Speaker 1: media can't wait to say Nikki fell off, her numbers

3185
03:04:17,040 --> 03:04:20,680
Speaker 1: ain't the same, Drake fell off. His numbers ain't the same.

3186
03:04:21,720 --> 03:04:23,960
Speaker 1: Now I'm having songs with dudes and they run around

3187
03:04:24,000 --> 03:04:27,800
Speaker 1: talking about it on interviews as damn, they're deflating a

3188
03:04:27,879 --> 03:04:30,000
Speaker 1: little bit of it. Let him just head boom pop

3189
03:04:30,040 --> 03:04:34,200
Speaker 1: out of nowhere. Man, code that can drake out. I

3190
03:04:34,360 --> 03:04:36,320
Speaker 1: know it sounded like it don't mean them, but it

3191
03:04:36,480 --> 03:04:39,280
Speaker 1: means something. I don't know why in these days, it

3192
03:04:39,440 --> 03:04:41,760
Speaker 1: triggers something in the fan. They run and go see

3193
03:04:41,840 --> 03:04:45,200
Speaker 1: what's going on in You know, you get paid based

3194
03:04:45,240 --> 03:04:49,640
Speaker 1: on who comes see what's going on, and so you

3195
03:04:49,760 --> 03:04:52,000
Speaker 1: just gotta you gotta know the biddiness. You gotta know

3196
03:04:52,120 --> 03:04:56,760
Speaker 1: how things work. You know what I'm saying. And I

3197
03:04:56,879 --> 03:04:59,960
Speaker 1: try to tell myself, don't answer no questions from people

3198
03:05:01,240 --> 03:05:03,000
Speaker 1: right if it ain't on the public, if it ain't

3199
03:05:03,040 --> 03:05:05,040
Speaker 1: on the real forum, because they're give me in these

3200
03:05:05,120 --> 03:05:07,680
Speaker 1: matches where I'm talking to somebody that don't understand the

3201
03:05:07,760 --> 03:05:11,560
Speaker 1: business and I'm explaining it in laymen's terms, but laymen's

3202
03:05:11,720 --> 03:05:16,320
Speaker 1: terms to people who are in the business can misrepresent,

3203
03:05:16,440 --> 03:05:21,400
Speaker 1: can be misrepresented. You're seeing. I gotta be careful because

3204
03:05:21,440 --> 03:05:23,960
Speaker 1: the things that rich right now that these people that

3205
03:05:24,080 --> 03:05:26,880
Speaker 1: I may be speaking to about these frivolous things like

3206
03:05:27,400 --> 03:05:33,920
Speaker 1: and I'm trying to upwe them. Nah, I'm uninterested. But

3207
03:05:34,640 --> 03:05:37,920
Speaker 1: it's another episode man, of the fastest growing podcasts on

3208
03:05:38,040 --> 03:05:40,720
Speaker 1: the market. If you listen to this point, Man, we

3209
03:05:40,760 --> 03:05:44,040
Speaker 1: appreciate you. You know what the vibes is. You know

3210
03:05:44,200 --> 03:05:45,680
Speaker 1: you're dealing with biggest